WEBVTT - Jasper "Big Love" Cameron

0:00:01.960 --> 0:00:03.040
<v Speaker 1>R and B Money.

0:00:03.200 --> 0:00:06.120
<v Speaker 2>Honey, we are.

0:00:07.680 --> 0:00:10.160
<v Speaker 1>Take Malachi.

0:00:11.080 --> 0:00:14.040
<v Speaker 3>We are the authority on.

0:00:15.560 --> 0:00:19.520
<v Speaker 1>R and B ladies and gentlemen, My name is Take

0:00:21.040 --> 0:00:26.599
<v Speaker 1>this the R and B Money Podcast, the authority on

0:00:26.840 --> 0:00:33.160
<v Speaker 1>all things R and B with extra chief, with extra depth. Huh.

0:00:33.240 --> 0:00:37.040
<v Speaker 1>We travel mm hmmm. We we take this thing on

0:00:37.080 --> 0:00:37.480
<v Speaker 1>the road.

0:00:38.040 --> 0:00:41.800
<v Speaker 3>Huh Atlanta, Yeah, where we at Enise Studio.

0:00:41.960 --> 0:00:42.200
<v Speaker 2>Yeah.

0:00:42.600 --> 0:00:43.320
<v Speaker 1>Huh.

0:00:43.360 --> 0:00:46.440
<v Speaker 3>Our brother, little Roddia has opened the doors for us

0:00:46.479 --> 0:00:50.920
<v Speaker 3>to come to Atlanta and tap into the soil, tap

0:00:51.000 --> 0:00:55.440
<v Speaker 3>into the heartbeat, get into the depths of the creatives

0:00:55.600 --> 0:01:00.880
<v Speaker 3>and the masters who've made this good and be shipped

0:01:00.880 --> 0:01:03.360
<v Speaker 3>that we got him that enough building.

0:01:05.440 --> 0:01:17.680
<v Speaker 1>Nick. Uh. Discography is a real thing. Uh. The list

0:01:17.800 --> 0:01:24.360
<v Speaker 1>is long, the work undefeated.

0:01:25.920 --> 0:01:29.080
<v Speaker 3>Uh. If you see this man, if you look at him,

0:01:29.120 --> 0:01:32.960
<v Speaker 3>you wouldn't You wouldn't be able to tell the time

0:01:33.000 --> 0:01:37.360
<v Speaker 3>that has been put in because he's been preserved because

0:01:37.360 --> 0:01:40.840
<v Speaker 3>of the quality that he's been putting into the atmosphere

0:01:41.319 --> 0:01:43.160
<v Speaker 3>that has been circling back to him.

0:01:44.080 --> 0:01:45.920
<v Speaker 1>I don't want to say too many words. I want

0:01:45.920 --> 0:01:46.800
<v Speaker 1>the man to speak.

0:01:47.600 --> 0:01:50.440
<v Speaker 3>The Man of God deserves an opportunity to say the speak.

0:01:52.000 --> 0:01:53.840
<v Speaker 1>Uh. They call him Jasper.

0:01:54.200 --> 0:02:03.520
<v Speaker 4>Yeah, big love.

0:02:02.960 --> 0:02:03.240
<v Speaker 1>Listen.

0:02:03.320 --> 0:02:07.000
<v Speaker 3>Yeah, everybody with the name big Love. Yeah, you out

0:02:07.040 --> 0:02:07.480
<v Speaker 3>of control?

0:02:07.560 --> 0:02:08.480
<v Speaker 5>Hey, man, you know.

0:02:10.440 --> 0:02:12.120
<v Speaker 6>I'm here for I'm here for the people.

0:02:12.280 --> 0:02:16.399
<v Speaker 1>He's promoting something. He love. When she asked you, what's

0:02:16.400 --> 0:02:18.600
<v Speaker 1>your name? Big Love? Baby? Yeah?

0:02:18.760 --> 0:02:23.600
<v Speaker 5>Baby, come get a slice of you, get a.

0:02:25.280 --> 0:02:32.640
<v Speaker 3>Piece of it. Come get a piece give me that,

0:02:32.639 --> 0:02:34.399
<v Speaker 3>give me big Love. Where does big Love come from?

0:02:34.400 --> 0:02:35.520
<v Speaker 3>How did you even get to that?

0:02:35.600 --> 0:02:35.680
<v Speaker 2>Man?

0:02:35.720 --> 0:02:38.640
<v Speaker 5>I tell you what's so crazy? I really hijacked this name.

0:02:39.200 --> 0:02:42.839
<v Speaker 5>So years ago, many Fresh and Jazzy Fay was doing

0:02:42.840 --> 0:02:46.880
<v Speaker 5>the group. Put myself in the group. I said, what

0:02:46.960 --> 0:02:47.440
<v Speaker 5>the name y'all?

0:02:47.480 --> 0:02:47.679
<v Speaker 1>Group?

0:02:47.720 --> 0:02:48.079
<v Speaker 5>Big Love?

0:02:48.280 --> 0:02:50.280
<v Speaker 6>I put my I made myself a member.

0:02:50.639 --> 0:02:52.720
<v Speaker 1>What l Yeah, what's.

0:02:52.560 --> 0:02:55.280
<v Speaker 5>Up manny fres Yeah, I made myself a member. And

0:02:55.320 --> 0:02:57.720
<v Speaker 5>then I just took They still calling me big Love,

0:02:57.840 --> 0:02:59.120
<v Speaker 5>but the name of that group was supposed to be

0:02:59.120 --> 0:02:59.480
<v Speaker 5>Big Love.

0:02:59.480 --> 0:03:00.839
<v Speaker 6>And I insert myself in the group.

0:03:00.960 --> 0:03:03.000
<v Speaker 5>And I was in the group and we were Big Love,

0:03:03.160 --> 0:03:04.519
<v Speaker 5>and I took the name Big Love.

0:03:04.560 --> 0:03:06.800
<v Speaker 1>I said, it's got to be me, it's got to

0:03:06.840 --> 0:03:10.679
<v Speaker 1>be got to be mean. Yeah. Man, whatever happened to

0:03:10.720 --> 0:03:11.400
<v Speaker 1>the crew, man?

0:03:11.440 --> 0:03:11.720
<v Speaker 2>You know what?

0:03:11.760 --> 0:03:13.959
<v Speaker 5>Some praise, man, they would get some get some more money.

0:03:14.000 --> 0:03:17.000
<v Speaker 5>Back then, man, my god, they was on five. They

0:03:17.080 --> 0:03:19.120
<v Speaker 5>was getting it and they was just let me hang along.

0:03:19.160 --> 0:03:19.960
<v Speaker 5>I couldn't believe it.

0:03:20.639 --> 0:03:25.440
<v Speaker 3>My brother, you've done your part. Yeah, you've done your party.

0:03:26.520 --> 0:03:30.880
<v Speaker 3>I promise you had. And I just want to you know,

0:03:31.600 --> 0:03:34.040
<v Speaker 3>first of all, you number you're number one as we

0:03:34.080 --> 0:03:38.720
<v Speaker 3>touched down. Oh number you you're number one, no higher.

0:03:38.760 --> 0:03:40.800
<v Speaker 3>You're kicking this thing off, kicking off the right way,

0:03:40.800 --> 0:03:42.720
<v Speaker 3>you know what I'm saying. So the bar is high.

0:03:42.800 --> 0:03:45.120
<v Speaker 3>Oh yeah, whoever else comes and sits in that chair

0:03:45.200 --> 0:03:48.080
<v Speaker 3>right here, you know, get the bars hot elevated.

0:03:48.200 --> 0:03:49.400
<v Speaker 1>But I want to go back to.

0:03:49.360 --> 0:03:51.280
<v Speaker 3>The beginning because you know you you we we all

0:03:51.360 --> 0:03:55.040
<v Speaker 3>from a familiar place, sir, to where this thing started

0:03:55.040 --> 0:03:57.920
<v Speaker 3>for you, to where to where somebody said, boy, that

0:03:58.000 --> 0:04:04.000
<v Speaker 3>boy right there he got You said to yourself, I

0:04:04.040 --> 0:04:04.840
<v Speaker 3>got something.

0:04:04.760 --> 0:04:08.120
<v Speaker 5>Got Some man started on the West side of Atlanta.

0:04:09.120 --> 0:04:11.360
<v Speaker 5>My mama, Missus Clergey, and my whole family from the

0:04:11.360 --> 0:04:13.480
<v Speaker 5>West side of Atlanta, you know what I'm saying. And

0:04:13.760 --> 0:04:16.960
<v Speaker 5>they made everybody in my family either had to be

0:04:17.000 --> 0:04:21.200
<v Speaker 5>in the church choir on an urschel board. You got

0:04:21.200 --> 0:04:22.680
<v Speaker 5>to go to church, and you gotta be you got

0:04:22.680 --> 0:04:25.000
<v Speaker 5>to be involved. You ain't got no choice, you know

0:04:25.000 --> 0:04:26.200
<v Speaker 5>what I'm saying. And what's so crazy it is the

0:04:26.279 --> 0:04:28.320
<v Speaker 5>church I went to Greater Springfield. It's in the bluff.

0:04:29.240 --> 0:04:32.600
<v Speaker 5>The actual pastor of that church is DC young Fly Daddy.

0:04:34.120 --> 0:04:34.320
<v Speaker 1>Yeah.

0:04:34.680 --> 0:04:37.800
<v Speaker 5>So the pastor of my church, Solomon Whitfield Junior, is

0:04:37.880 --> 0:04:39.239
<v Speaker 5>DC young Fly Daddy.

0:04:39.560 --> 0:04:40.160
<v Speaker 1>Stop playing.

0:04:40.240 --> 0:04:42.320
<v Speaker 5>Yeah, so that was the pastor of my church, and

0:04:42.360 --> 0:04:44.800
<v Speaker 5>so my whole family. You know what I'm saying. He

0:04:44.800 --> 0:04:46.760
<v Speaker 5>probably I remember him. He was a baby. Actually, his

0:04:46.800 --> 0:04:49.279
<v Speaker 5>mama and my mama went to high school together. You know,

0:04:49.360 --> 0:04:52.039
<v Speaker 5>his parents had him late in life, so he was Yeah,

0:04:52.040 --> 0:04:53.760
<v Speaker 5>so he was when I when I was teaching.

0:04:53.760 --> 0:04:55.800
<v Speaker 6>He was a baby when I was a teenager. So

0:04:56.160 --> 0:04:57.000
<v Speaker 6>it started in church.

0:04:57.040 --> 0:04:58.599
<v Speaker 5>So my whole family went to the church and it

0:04:58.640 --> 0:05:00.880
<v Speaker 5>was like y'all gonna sing be in a ursher board.

0:05:00.920 --> 0:05:03.240
<v Speaker 5>So it started there and then what ended up happening

0:05:03.440 --> 0:05:07.560
<v Speaker 5>was in school one day this the teacher made everybody

0:05:07.600 --> 0:05:09.559
<v Speaker 5>get up and sing, you know, the stop spang abound

0:05:09.600 --> 0:05:11.320
<v Speaker 5>or whatever. So this dude got up. I went to

0:05:11.360 --> 0:05:13.719
<v Speaker 5>Kye Heights Elementary School on the west side Lema, and

0:05:13.920 --> 0:05:16.120
<v Speaker 5>the teacher got made this boy get up and sing right,

0:05:16.520 --> 0:05:18.920
<v Speaker 5>and he couldn't sing, and everybody started laughing. I wasn't

0:05:18.960 --> 0:05:21.120
<v Speaker 5>even laughing. She looked straight at me and say, well,

0:05:21.160 --> 0:05:23.040
<v Speaker 5>since you think it's so funny, you get up and sing.

0:05:23.680 --> 0:05:25.400
<v Speaker 5>I don't really know I can sing. I just know

0:05:25.440 --> 0:05:27.120
<v Speaker 5>what I do at church. And so when I got

0:05:27.160 --> 0:05:29.560
<v Speaker 5>up and sang, she say, oh, you can sign for real.

0:05:29.960 --> 0:05:33.040
<v Speaker 5>She took me to the music teacher, offers Ms. Holloway.

0:05:33.279 --> 0:05:35.520
<v Speaker 5>And from that point on, I was either doing music

0:05:35.520 --> 0:05:38.600
<v Speaker 5>at church. This second grade scond, so either I was

0:05:38.640 --> 0:05:40.760
<v Speaker 5>doing music at church or I was doing it at school.

0:05:41.000 --> 0:05:43.600
<v Speaker 5>So by then, you know, you fully in mercy at

0:05:43.640 --> 0:05:45.440
<v Speaker 5>you at church and then you at school doing music.

0:05:45.480 --> 0:05:46.800
<v Speaker 5>And then I go home with my big brother and

0:05:46.839 --> 0:05:49.320
<v Speaker 5>them they doing music. So I was just encompassed by music.

0:05:49.360 --> 0:05:51.480
<v Speaker 5>What was your big brothers though, Man, my big brother

0:05:51.720 --> 0:05:53.560
<v Speaker 5>he had a group, but they was listening to rap.

0:05:53.600 --> 0:05:55.320
<v Speaker 5>You know, when you were older brothers there, you know

0:05:55.400 --> 0:05:58.120
<v Speaker 5>they put you on the stuff earlier than everybody else

0:05:58.160 --> 0:06:00.200
<v Speaker 5>in your age group because they you know, when you

0:06:00.240 --> 0:06:03.080
<v Speaker 5>got big the streets, so you know they was putting

0:06:03.120 --> 0:06:05.400
<v Speaker 5>me on I was. I was faster than most kids

0:06:05.400 --> 0:06:07.560
<v Speaker 5>my age because I was learning from my big brothers

0:06:07.560 --> 0:06:09.360
<v Speaker 5>and my cousins and them, and I was on the

0:06:09.440 --> 0:06:11.920
<v Speaker 5>music they was on, so they was exposing me and everything.

0:06:11.960 --> 0:06:13.920
<v Speaker 5>I never forget when I rapped, we was on Too

0:06:13.920 --> 0:06:16.280
<v Speaker 5>Short two Live crew. I wasn't supposed to listen to that,

0:06:16.320 --> 0:06:17.080
<v Speaker 5>but that's what they listened to.

0:06:17.120 --> 0:06:19.440
<v Speaker 1>Taking that back to the elementary, please believe it.

0:06:20.240 --> 0:06:24.400
<v Speaker 5>We on the We're on the top field, somebody saying, hey.

0:06:23.520 --> 0:06:28.920
<v Speaker 3>We want some Yeah, you can say podcast, puse, Yeah,

0:06:29.080 --> 0:06:29.680
<v Speaker 3>we want it.

0:06:30.160 --> 0:06:31.320
<v Speaker 6>We're listening to Too Short.

0:06:32.040 --> 0:06:35.400
<v Speaker 5>Her name was Rinder, like a brand new Hunt. So

0:06:35.440 --> 0:06:38.520
<v Speaker 5>I'm listening to all that. But then, but then, but

0:06:38.560 --> 0:06:40.960
<v Speaker 5>then my mama. But then I go to my mama.

0:06:41.040 --> 0:06:43.120
<v Speaker 6>She making us learn whining songs.

0:06:43.240 --> 0:06:46.360
<v Speaker 5>Yeah, and then we go around the corner and then

0:06:46.400 --> 0:06:48.000
<v Speaker 5>we on no Audition and then we're on Michael.

0:06:48.040 --> 0:06:50.360
<v Speaker 6>That song was just a bunch of mixture of everything.

0:06:51.279 --> 0:06:52.960
<v Speaker 6>So it's all of that mixed and one. So you

0:06:53.120 --> 0:06:55.799
<v Speaker 6>just getting all this music. Then I never forget.

0:06:55.839 --> 0:06:57.400
<v Speaker 5>The first record I wanted my mama to buy me

0:06:57.480 --> 0:06:58.559
<v Speaker 5>was ass We Laid by SHERYLO.

0:06:58.640 --> 0:06:58.960
<v Speaker 1>Murder.

0:06:58.960 --> 0:07:00.800
<v Speaker 6>I didn't know what the song. I didn't know what

0:07:00.839 --> 0:07:01.559
<v Speaker 6>the song meant.

0:07:01.800 --> 0:07:03.599
<v Speaker 5>I asked my mama day, I said, Mom, you bout me,

0:07:03.640 --> 0:07:05.680
<v Speaker 5>asked me, like, she's like, what you know about that song?

0:07:06.040 --> 0:07:08.039
<v Speaker 6>It was once I got older, I realized the words

0:07:08.160 --> 0:07:09.000
<v Speaker 6>was a cheat song.

0:07:09.360 --> 0:07:09.960
<v Speaker 5>But I'm eight.

0:07:10.720 --> 0:07:13.760
<v Speaker 1>But what was happening to you? You felt?

0:07:13.920 --> 0:07:17.720
<v Speaker 6>Did I'm like, whatever she's singing, but she meaning you?

0:07:17.800 --> 0:07:21.680
<v Speaker 3>It was it was It was a sonic that that

0:07:22.000 --> 0:07:26.520
<v Speaker 3>resonated with you that at the time you didn't understand

0:07:27.080 --> 0:07:30.360
<v Speaker 3>was was actually giving birth to, you know, to what

0:07:30.400 --> 0:07:34.600
<v Speaker 3>you would ultimately do. Like I tell everybody all the time,

0:07:34.640 --> 0:07:37.400
<v Speaker 3>like I didn't get as much as I was in

0:07:37.520 --> 0:07:39.880
<v Speaker 3>church and from Reverend James Cleveland and all of these

0:07:39.880 --> 0:07:42.320
<v Speaker 3>things that we were singing and junior choir, all that stuff.

0:07:43.000 --> 0:07:44.760
<v Speaker 3>All that stuff was great and I had to do it,

0:07:44.800 --> 0:07:46.120
<v Speaker 3>you know, we had to do We had to do it.

0:07:46.400 --> 0:07:50.320
<v Speaker 3>But I didn't get captivated with music. It didn't captivate

0:07:50.400 --> 0:07:52.400
<v Speaker 3>me or stop me in my tracks. Until I'm walking

0:07:52.400 --> 0:07:55.760
<v Speaker 3>past the TV and the Charlie Brown's Christmas is playing.

0:08:00.440 --> 0:08:00.840
<v Speaker 5>What is it?

0:08:04.000 --> 0:08:08.160
<v Speaker 1>What is that and what is it doing to me?

0:08:08.400 --> 0:08:08.960
<v Speaker 6>I feel it?

0:08:10.920 --> 0:08:11.840
<v Speaker 1>And that was.

0:08:11.800 --> 0:08:15.480
<v Speaker 3>The start of me like being obsessed with music because

0:08:15.480 --> 0:08:18.120
<v Speaker 3>that was the first thing I obsessed about, trying to

0:08:18.120 --> 0:08:20.480
<v Speaker 3>play the songs in the Charlie Brown Christmas.

0:08:20.280 --> 0:08:21.720
<v Speaker 5>It's crazy. You don't know when music.

0:08:21.960 --> 0:08:24.400
<v Speaker 1>I think for me it was.

0:08:26.040 --> 0:08:38.679
<v Speaker 7>Sorry Shaw Oh yeah yeah that was like pass what

0:08:38.720 --> 0:08:39.280
<v Speaker 7>a song?

0:08:39.600 --> 0:08:40.920
<v Speaker 6>What is that?

0:08:40.960 --> 0:08:45.679
<v Speaker 1>What is what is that? Yeah? Yeah that was my

0:08:45.760 --> 0:08:49.439
<v Speaker 1>first one. Yeah, it really caught me. That was like, okay,

0:08:49.800 --> 0:08:51.400
<v Speaker 1>I like that like this, Yeah.

0:08:51.520 --> 0:08:55.880
<v Speaker 3>That's fire too as that song. Those are songs that

0:08:56.000 --> 0:09:00.200
<v Speaker 3>like like I remember them, songs like I remember being

0:09:00.280 --> 0:09:03.679
<v Speaker 3>somewhere with those songs like like vividly you know what

0:09:03.720 --> 0:09:04.120
<v Speaker 3>I'm saying.

0:09:04.360 --> 0:09:07.400
<v Speaker 8>And we were living on the street cross the Lenisle

0:09:07.640 --> 0:09:12.800
<v Speaker 8>Street and point point. Yeah, to this day, I just

0:09:12.840 --> 0:09:15.439
<v Speaker 8>remembered you right back death put you right there. That's

0:09:15.440 --> 0:09:19.560
<v Speaker 8>what supposed to it's supposed to put time staff place.

0:09:20.760 --> 0:09:22.920
<v Speaker 1>Yeah, so Mama bout you Shirley Murdo.

0:09:22.920 --> 0:09:26.880
<v Speaker 5>She did, and I played it out. Yeah, oh man,

0:09:26.920 --> 0:09:28.400
<v Speaker 5>that's Charlot murder out. What she could sign?

0:09:28.520 --> 0:09:28.720
<v Speaker 1>Boy?

0:09:29.080 --> 0:09:30.800
<v Speaker 5>So she brought me that Charlo murdered out man. And

0:09:30.840 --> 0:09:33.880
<v Speaker 5>you know, was she the first staith evans Man?

0:09:34.360 --> 0:09:37.880
<v Speaker 6>Yeah? Wow, think about it.

0:09:37.880 --> 0:09:41.800
<v Speaker 1>That Bocaton was very unique. She was she was not

0:09:41.880 --> 0:09:42.760
<v Speaker 1>holding back.

0:09:42.720 --> 0:09:44.840
<v Speaker 6>On computer love and focus on computer.

0:09:44.559 --> 0:09:46.520
<v Speaker 1>Love, was holding into.

0:09:46.320 --> 0:09:52.480
<v Speaker 3>It, going crazy, going crazy. So so so we we're

0:09:52.720 --> 0:09:56.280
<v Speaker 3>we're we're in elementary school, probably out of elementary school now,

0:09:56.320 --> 0:09:59.960
<v Speaker 3>but you have been exposed to be too short, Yes, sir,

0:10:00.200 --> 0:10:04.920
<v Speaker 3>The Whinings, Yes sir. Two Live Crews, Shirley Murder Yeah

0:10:05.400 --> 0:10:12.360
<v Speaker 3>uh new edition before fifth grades. Okay, Wow, when does it?

0:10:13.320 --> 0:10:17.640
<v Speaker 3>When does it inspire you to actually do something of

0:10:17.720 --> 0:10:20.079
<v Speaker 3>your own, something original from yourself.

0:10:20.640 --> 0:10:23.880
<v Speaker 5>What happened was this right here right So Atlanta has

0:10:23.920 --> 0:10:28.360
<v Speaker 5>a very rich talents show culture and skater ring culture.

0:10:28.559 --> 0:10:30.760
<v Speaker 5>So all these acts everybody eventually seen come out of

0:10:30.800 --> 0:10:34.240
<v Speaker 5>here from TLC, from Chris Cross, the ABC, from even Jermaine,

0:10:34.240 --> 0:10:35.720
<v Speaker 5>the pre Dallas House organized noise.

0:10:35.880 --> 0:10:37.480
<v Speaker 6>All of us used to be these skating rinks.

0:10:37.480 --> 0:10:39.600
<v Speaker 5>It was. It was skating rings and the talents show culture.

0:10:40.120 --> 0:10:46.440
<v Speaker 5>So ultimately what happened was ABC hit ABC Hit. That

0:10:46.520 --> 0:10:48.160
<v Speaker 5>was one of the first groups in I in Our

0:10:48.200 --> 0:10:50.559
<v Speaker 5>Age record to hit ABC Hit with Sue and we

0:10:50.600 --> 0:10:52.680
<v Speaker 5>found out the producer from Banana Dallas. They were signed

0:10:52.679 --> 0:10:54.960
<v Speaker 5>on Michael Bibbs. You know Michael Biver's on fire right here.

0:10:55.280 --> 0:10:57.640
<v Speaker 5>You know Michael Bivers the first like puffing all of that,

0:10:58.000 --> 0:11:01.200
<v Speaker 5>so he on fire. So after ABC here it the

0:11:01.240 --> 0:11:04.560
<v Speaker 5>next group was Chris Cross. What happened was they put

0:11:04.559 --> 0:11:06.560
<v Speaker 5>out the press release that Chriscross got discovered in the

0:11:06.559 --> 0:11:10.319
<v Speaker 5>mall by Jermaine dupri So. That made every young person

0:11:10.360 --> 0:11:13.720
<v Speaker 5>in Atlanta. We went to the mall every weekend. Around

0:11:13.760 --> 0:11:17.520
<v Speaker 5>the mall, we was getting kicked out of Linars, go

0:11:17.640 --> 0:11:20.000
<v Speaker 5>to Green Bright, go go to South wherever we was

0:11:20.040 --> 0:11:21.200
<v Speaker 5>going to the mall because we're like, this is how

0:11:21.280 --> 0:11:22.120
<v Speaker 5>Chrisscross did it.

0:11:22.520 --> 0:11:25.080
<v Speaker 6>So crazy about Criscross. I went to school with light.

0:11:24.920 --> 0:11:29.480
<v Speaker 5>Skin, Chris brother and sister, Jennifer and Loney Chris, light Skin, Chris, Jennifer,

0:11:29.559 --> 0:11:30.719
<v Speaker 5>Lonia went to school with me. He was like a

0:11:31.040 --> 0:11:32.599
<v Speaker 5>two younger, but they had hit by the time he

0:11:32.640 --> 0:11:34.120
<v Speaker 5>supposed to come to high school. So I went to

0:11:34.280 --> 0:11:36.800
<v Speaker 5>so we all see we seeing everybody. We were like,

0:11:36.880 --> 0:11:39.559
<v Speaker 5>man and at the same time, the face moved down here.

0:11:40.360 --> 0:11:43.199
<v Speaker 5>Come on, the face moved down here. So you get

0:11:43.240 --> 0:11:46.760
<v Speaker 5>ABC go bam. They would, Oh they were bft in Dallas, Boom,

0:11:46.760 --> 0:11:50.319
<v Speaker 5>We on Chris Cross, boom Jamaine on, Oh man, the

0:11:50.440 --> 0:11:53.679
<v Speaker 5>face move here Atlanta boom. So it's every It's talent

0:11:53.720 --> 0:11:57.520
<v Speaker 5>shows everywhere, its group's everywhere, and uh and it just happened.

0:11:57.559 --> 0:12:01.400
<v Speaker 5>I was in eighth grade and one of the people

0:12:01.440 --> 0:12:03.320
<v Speaker 5>I went to eighth grade high school with was her

0:12:03.400 --> 0:12:03.800
<v Speaker 5>g Rock.

0:12:04.760 --> 0:12:05.200
<v Speaker 1>It was up.

0:12:05.480 --> 0:12:09.120
<v Speaker 5>They're from Allen Temple, They're from Adamsville, my neighborhood. They

0:12:09.160 --> 0:12:12.280
<v Speaker 5>end up getting them a deal and their manager who

0:12:12.360 --> 0:12:13.720
<v Speaker 5>end up getting them to deal.

0:12:14.480 --> 0:12:15.480
<v Speaker 6>With Jojo and Dave.

0:12:15.679 --> 0:12:18.320
<v Speaker 5>They was like the biggest street guys in Atleanta, and

0:12:18.320 --> 0:12:21.080
<v Speaker 5>they happened to be jeezy cousins later on. That's how

0:12:21.120 --> 0:12:23.440
<v Speaker 5>I made Jesus through them. So alta small like that.

0:12:23.720 --> 0:12:26.440
<v Speaker 5>So this this, this is like ninety ninety one or something.

0:12:26.520 --> 0:12:28.680
<v Speaker 5>We kids, and he like, man, look, we just got

0:12:28.760 --> 0:12:31.240
<v Speaker 5>us a deal. They twelve and thirteen. We just got

0:12:31.320 --> 0:12:32.120
<v Speaker 5>us a deal with Capitol.

0:12:32.160 --> 0:12:32.280
<v Speaker 2>You know.

0:12:32.360 --> 0:12:35.360
<v Speaker 5>Joe, Jo and David by manager. They want another singing group. Man,

0:12:35.400 --> 0:12:37.280
<v Speaker 5>they want another singing group. Go get some of them

0:12:37.360 --> 0:12:38.640
<v Speaker 5>lame man niggas. You in the chow wit.

0:12:39.760 --> 0:12:40.920
<v Speaker 6>It's exactly what he said.

0:12:41.559 --> 0:12:43.560
<v Speaker 5>This is exactly what he said, Man, go get some

0:12:43.600 --> 0:12:46.720
<v Speaker 5>of them lame man niggas. You in the chorus with Yeah,

0:12:46.760 --> 0:12:48.120
<v Speaker 5>Go get some of the lame man nigga you in

0:12:48.160 --> 0:12:49.960
<v Speaker 5>the chords with a bit yob and y'all go do

0:12:50.000 --> 0:12:54.640
<v Speaker 5>a demo I'm like, what's a demo? So he said, okay,

0:12:54.800 --> 0:12:55.199
<v Speaker 5>because at.

0:12:55.160 --> 0:12:58.640
<v Speaker 1>This point, the neighborhood know you sing, because you know in.

0:12:58.559 --> 0:13:00.680
<v Speaker 5>School once you once you start doing stuff in school,

0:13:00.720 --> 0:13:02.319
<v Speaker 5>now that you know, it's gonna start spreading. And then

0:13:02.360 --> 0:13:04.200
<v Speaker 5>they know they little fat jobs. But who be singing

0:13:04.600 --> 0:13:07.040
<v Speaker 5>yeah little little fat jazz. Yeah yeah, you know how

0:13:07.040 --> 0:13:09.000
<v Speaker 5>they doing it. They described it by whatever they little

0:13:09.520 --> 0:13:11.280
<v Speaker 5>they little fat Joss. They be saying, you know what

0:13:11.320 --> 0:13:14.079
<v Speaker 5>I'm saying, so you know what I'm saying. They look

0:13:14.120 --> 0:13:15.800
<v Speaker 5>fat Johns, but they be saying so they know. So

0:13:15.840 --> 0:13:17.560
<v Speaker 5>that's why he like man group.

0:13:17.480 --> 0:13:21.760
<v Speaker 1>Because little is like it's endearing, but it's also disrespect.

0:13:22.040 --> 0:13:24.080
<v Speaker 1>It's it's also dismissing everything.

0:13:24.120 --> 0:13:28.880
<v Speaker 6>But it's like, yeah, my god, So that was mess

0:13:28.920 --> 0:13:29.440
<v Speaker 6>that little card.

0:13:30.160 --> 0:13:32.160
<v Speaker 5>How they describe so they look fat job, but they'll

0:13:32.160 --> 0:13:35.480
<v Speaker 5>be singing yeah. And so we put the group together.

0:13:35.559 --> 0:13:35.679
<v Speaker 3>Man.

0:13:35.800 --> 0:13:37.760
<v Speaker 5>From then on, when I put the group together with

0:13:37.840 --> 0:13:40.840
<v Speaker 5>the guys, we had a group. We had a group now.

0:13:40.960 --> 0:13:43.880
<v Speaker 5>So we just was like, okay, well they just thug

0:13:43.920 --> 0:13:46.079
<v Speaker 5>it out. So we started doing the talent shows and

0:13:46.240 --> 0:13:48.600
<v Speaker 5>all that stuff too, and we didn't win, not one

0:13:48.679 --> 0:13:50.920
<v Speaker 5>talent show because one twelve won all of them and

0:13:50.960 --> 0:13:51.960
<v Speaker 5>that group name was Fort.

0:13:52.240 --> 0:13:53.560
<v Speaker 6>They won every talent show.

0:13:53.679 --> 0:13:55.640
<v Speaker 1>They won everyone what twelve because same like that.

0:13:55.679 --> 0:13:58.160
<v Speaker 6>When they was twelve and thirteen, man, it was off.

0:13:58.200 --> 0:13:59.120
<v Speaker 1>It was the four guys.

0:13:59.480 --> 0:14:01.240
<v Speaker 5>Was he quit As wasn't in the group yet. Quinn's

0:14:01.280 --> 0:14:03.120
<v Speaker 5>was actually in another group, but it was slim.

0:14:03.200 --> 0:14:04.640
<v Speaker 6>It was the run. It was Mike and they had

0:14:04.679 --> 0:14:06.400
<v Speaker 6>a bass. You remember when Boys and Men came out,

0:14:06.440 --> 0:14:07.480
<v Speaker 6>every group had to have a base.

0:14:08.000 --> 0:14:09.600
<v Speaker 5>Everybody had to have a base. So they had to

0:14:09.600 --> 0:14:12.160
<v Speaker 5>do with a deep voice in the group. But they

0:14:12.240 --> 0:14:14.200
<v Speaker 5>were singing like that. I promised to God. When we

0:14:14.240 --> 0:14:16.960
<v Speaker 5>was thirteen to twelve, thirteen and fourteen, they were singing

0:14:17.040 --> 0:14:20.400
<v Speaker 5>like that. They was called Fort back then, and they

0:14:20.480 --> 0:14:22.680
<v Speaker 5>like from the South. They're actually from the same neighborhood

0:14:22.720 --> 0:14:25.560
<v Speaker 5>young thug from like like one twelve, from like Jonesbord

0:14:25.640 --> 0:14:27.200
<v Speaker 5>South and all of that. So they from over there,

0:14:27.600 --> 0:14:29.240
<v Speaker 5>so you know what I mean. So they but them

0:14:29.280 --> 0:14:31.480
<v Speaker 5>boys could sing. Man, they were every We could never

0:14:31.520 --> 0:14:34.960
<v Speaker 5>beat them, but everybody. But all of a sudden, everybody

0:14:34.960 --> 0:14:36.960
<v Speaker 5>out of them talent, out of them Talness Show. They

0:14:36.960 --> 0:14:40.520
<v Speaker 5>started getting signed and stuff. Because then everybody started coming down.

0:14:40.520 --> 0:14:42.440
<v Speaker 5>I'll never forget. When one twelve got they did, we

0:14:42.480 --> 0:14:45.520
<v Speaker 5>was like, oh my god. I seen Slim one time

0:14:45.840 --> 0:14:46.720
<v Speaker 5>in the hood at the store.

0:14:46.720 --> 0:14:49.040
<v Speaker 6>He said, boy, we just shot a video. We in

0:14:49.040 --> 0:14:52.800
<v Speaker 6>New York with pop Daddy. He said what he said, boy,

0:14:52.800 --> 0:14:54.400
<v Speaker 6>we got a video. What do y'all see this?

0:14:55.400 --> 0:14:59.920
<v Speaker 5>We seen that video. We say, oh, it's really for real.

0:15:00.040 --> 0:15:04.040
<v Speaker 5>Yeah yeah yeah, because everybody, our whole generation, everybody was

0:15:04.040 --> 0:15:06.600
<v Speaker 5>getting signed. First of all, Escape got, you know, Jamaine signed,

0:15:06.600 --> 0:15:08.640
<v Speaker 5>They got put on You know what I say, every

0:15:08.680 --> 0:15:11.920
<v Speaker 5>last one of them groups. Everybody knew each other or

0:15:11.960 --> 0:15:14.560
<v Speaker 5>one person in the group because everybody was getting sign Yeah.

0:15:14.720 --> 0:15:17.280
<v Speaker 1>It was crazy. Yeah they got.

0:15:17.280 --> 0:15:18.920
<v Speaker 5>When they came down here, they plugged the man. I

0:15:18.960 --> 0:15:22.000
<v Speaker 5>promised to God, you could go around back then and

0:15:22.040 --> 0:15:24.440
<v Speaker 5>you will see all of that. Like any rapper that

0:15:24.520 --> 0:15:25.840
<v Speaker 5>ever made it out of here. I knew him way

0:15:25.840 --> 0:15:28.280
<v Speaker 5>before they was. I knew him since we was like

0:15:28.320 --> 0:15:30.480
<v Speaker 5>in elementary school or high school or something.

0:15:31.160 --> 0:15:32.760
<v Speaker 1>Were you guys doing original music?

0:15:32.960 --> 0:15:35.840
<v Speaker 5>See what happened was my brother and them seemed See

0:15:35.880 --> 0:15:38.000
<v Speaker 5>I had older brothers and cousins, so by the fault

0:15:38.040 --> 0:15:40.000
<v Speaker 5>there was management because they was old enough with the

0:15:40.040 --> 0:15:41.680
<v Speaker 5>cars and driving us around. So they used to take

0:15:41.760 --> 0:15:43.400
<v Speaker 5>us to the shows and stuff, so we used to

0:15:43.440 --> 0:15:44.560
<v Speaker 5>go try to. They used to pay for us to

0:15:44.560 --> 0:15:46.080
<v Speaker 5>win studio time. You know, they was in the streets

0:15:46.080 --> 0:15:47.320
<v Speaker 5>and doing all kinds of stuff. So they had the

0:15:47.360 --> 0:15:50.960
<v Speaker 5>little money, they'll go pay for studio time to sing

0:15:50.960 --> 0:15:51.360
<v Speaker 5>and stuff.

0:15:51.520 --> 0:15:53.080
<v Speaker 6>And I remember we used to pay studio time. And

0:15:53.120 --> 0:15:55.080
<v Speaker 6>I remember we was like man. Our group.

0:15:55.120 --> 0:15:57.320
<v Speaker 5>We was all kind of like arch kids because we

0:15:57.320 --> 0:15:59.480
<v Speaker 5>could play and sing and stuff. We were like man. Instead

0:15:59.520 --> 0:16:01.680
<v Speaker 5>of pant they giving us wax songs. We could sing

0:16:01.760 --> 0:16:05.040
<v Speaker 5>our own wax songs. That's our only thing. Like instead

0:16:05.040 --> 0:16:06.880
<v Speaker 5>of paying for these demo we could do our own

0:16:06.920 --> 0:16:10.720
<v Speaker 5>wax songs. If they're gonna be terrible, we might as

0:16:10.720 --> 0:16:13.280
<v Speaker 5>well sing our own terrible songs. So that's what made

0:16:13.360 --> 0:16:14.880
<v Speaker 5>us doing it, because we could already play and all

0:16:14.920 --> 0:16:15.800
<v Speaker 5>that kind of time.

0:16:15.840 --> 0:16:16.760
<v Speaker 1>You hadn't written anything.

0:16:16.800 --> 0:16:17.280
<v Speaker 5>Now we haven't.

0:16:17.280 --> 0:16:17.640
<v Speaker 1>We wasn't.

0:16:17.680 --> 0:16:18.440
<v Speaker 6>We wasn't really writing.

0:16:18.520 --> 0:16:21.680
<v Speaker 5>We only started writing songs for real, for real because

0:16:21.680 --> 0:16:24.840
<v Speaker 5>we wanted to have our songs for demo because we

0:16:24.840 --> 0:16:26.480
<v Speaker 5>was paying other people to do songs, and it was

0:16:26.520 --> 0:16:27.160
<v Speaker 5>like they were wax.

0:16:27.200 --> 0:16:28.720
<v Speaker 6>So they're like, we're about twelve, because you know, the

0:16:28.720 --> 0:16:29.160
<v Speaker 6>first demo.

0:16:29.240 --> 0:16:31.560
<v Speaker 5>We were doing covers you know how, you know how

0:16:31.560 --> 0:16:33.360
<v Speaker 5>you're going there and you make they'll redo tracks for

0:16:33.400 --> 0:16:35.400
<v Speaker 5>you for demo. So when we got you start getting

0:16:35.400 --> 0:16:36.840
<v Speaker 5>more mature, and we're like, well man, we kind of

0:16:36.840 --> 0:16:38.600
<v Speaker 5>want to do our own songs. We started trying to

0:16:38.640 --> 0:16:41.320
<v Speaker 5>get people do their songs. We were like, well man,

0:16:41.320 --> 0:16:44.280
<v Speaker 5>we run now we could play pianos and sing and

0:16:44.320 --> 0:16:47.680
<v Speaker 5>all of that. We could do that if if they terrible.

0:16:49.320 --> 0:16:53.120
<v Speaker 5>Now my group was pure Bliss. We got that from

0:16:53.120 --> 0:16:55.440
<v Speaker 5>a cool J song. We did what we did with

0:16:55.480 --> 0:16:58.200
<v Speaker 5>our boys and men swimming in the on the exits

0:16:58.240 --> 0:17:00.440
<v Speaker 5>a pure Bliss. We said, that's our name, like, yeah,

0:17:01.080 --> 0:17:02.920
<v Speaker 5>pure Bliss. We got it from the hay Lovel song

0:17:07.640 --> 0:17:08.720
<v Speaker 5>Pure Bliss.

0:17:09.720 --> 0:17:16.240
<v Speaker 6>We had had it after that. You never know it.

0:17:16.320 --> 0:17:19.280
<v Speaker 5>Pure Bliss, and we thought we was Hey, we thought

0:17:19.280 --> 0:17:23.040
<v Speaker 5>we were so dope. Man, them songs. Let me tell you,

0:17:23.040 --> 0:17:25.480
<v Speaker 5>we thought we were so dope. I went back to

0:17:25.480 --> 0:17:26.520
<v Speaker 5>listen to them songs one day.

0:17:26.520 --> 0:17:27.720
<v Speaker 1>I said, I don't.

0:17:27.560 --> 0:17:33.000
<v Speaker 3>Wonder nobody, Hey listen man, I've had that moment with myself.

0:17:33.600 --> 0:17:35.840
<v Speaker 1>I listened to some old ship I was I was

0:17:35.880 --> 0:17:39.000
<v Speaker 1>like that nigga was.

0:17:39.320 --> 0:17:41.399
<v Speaker 6>We were so packed out though, that.

0:17:42.320 --> 0:17:44.119
<v Speaker 5>I remember we did this one show one time, right,

0:17:44.160 --> 0:17:45.920
<v Speaker 5>we had a showcase and this dude seen the show.

0:17:45.960 --> 0:17:49.000
<v Speaker 5>He like, listen, I don't know about those songs, but

0:17:49.080 --> 0:17:50.240
<v Speaker 5>y'all can perform real good.

0:17:50.280 --> 0:17:50.439
<v Speaker 1>You know.

0:17:50.520 --> 0:17:52.640
<v Speaker 5>We said that nigga ain't in here, that nigga don't

0:17:52.680 --> 0:17:57.119
<v Speaker 5>know nothing. Man, what these songs ain't right? We were

0:17:57.160 --> 0:17:59.440
<v Speaker 5>crazy psyched out from Letlanta nigga. Right, You're like, man,

0:17:59.480 --> 0:18:03.000
<v Speaker 5>you crazy. These songs hard. Them songs was terrible.

0:18:03.400 --> 0:18:06.560
<v Speaker 6>And he was trying.

0:18:06.800 --> 0:18:09.640
<v Speaker 4>He was trying to give him some some good little game,

0:18:09.760 --> 0:18:10.720
<v Speaker 4>just a little game.

0:18:12.119 --> 0:18:12.399
<v Speaker 1>We were.

0:18:12.560 --> 0:18:15.840
<v Speaker 6>We were so we were like, man, you tripping, you tripping.

0:18:16.359 --> 0:18:17.080
<v Speaker 1>You can't hear this?

0:18:17.680 --> 0:18:20.600
<v Speaker 3>So this So did you emerge out of all of

0:18:20.600 --> 0:18:23.960
<v Speaker 3>that as like, well, see the premier guy.

0:18:24.720 --> 0:18:27.040
<v Speaker 5>I wouldn't know because really I ain't really no singer

0:18:27.080 --> 0:18:27.960
<v Speaker 5>like that won't be real with you.

0:18:27.960 --> 0:18:29.359
<v Speaker 6>I'm not gonna stytus, you know.

0:18:29.400 --> 0:18:31.280
<v Speaker 5>I just want to put on some clothes and look

0:18:31.359 --> 0:18:33.439
<v Speaker 5>like I'm in B B D or something, and you know,

0:18:33.480 --> 0:18:35.600
<v Speaker 5>put everybody together. I could write the songs, I could play,

0:18:35.640 --> 0:18:37.120
<v Speaker 5>I could do all that, but I am I ain't

0:18:37.200 --> 0:18:38.840
<v Speaker 5>dying to sing, like I ain't one of the ones,

0:18:38.880 --> 0:18:42.960
<v Speaker 5>I gotta singing styling us.

0:18:43.640 --> 0:18:47.359
<v Speaker 6>I'm I'm gonna said, big boy, big boy, you know

0:18:47.359 --> 0:18:49.040
<v Speaker 6>what I'm say. I'm gonna do that. I'm gonna do

0:18:49.119 --> 0:18:50.520
<v Speaker 6>the big big boy hunt and all that.

0:18:50.560 --> 0:18:57.000
<v Speaker 1>I'm if you see, yeah, the street just yelling, you

0:18:57.040 --> 0:18:57.520
<v Speaker 1>know what I'm saying.

0:18:57.720 --> 0:19:00.760
<v Speaker 5>So what happened was so eventually through all of these

0:19:00.880 --> 0:19:04.879
<v Speaker 5>things we finally meet we get to manage my management.

0:19:04.960 --> 0:19:07.440
<v Speaker 5>Just having having a studio, you know, through going through

0:19:07.520 --> 0:19:10.720
<v Speaker 5>Brench studios, we met our management dude named Leonard, so

0:19:10.840 --> 0:19:12.400
<v Speaker 5>we just so he had him to have a studio.

0:19:13.000 --> 0:19:15.200
<v Speaker 5>So at this studio one day, this lady come in

0:19:16.000 --> 0:19:17.720
<v Speaker 5>and he said, man, y'all need to come meet this lady.

0:19:17.800 --> 0:19:19.959
<v Speaker 5>It was a lady named joryce Urby. I'm gonna tell

0:19:20.000 --> 0:19:20.960
<v Speaker 5>y'all who jorce Urby is.

0:19:21.040 --> 0:19:21.240
<v Speaker 2>She was.

0:19:22.960 --> 0:19:25.320
<v Speaker 5>She the lead singer of the group Climax, So the

0:19:25.400 --> 0:19:27.600
<v Speaker 5>song the Me and All Pause and I Miss You

0:19:27.680 --> 0:19:29.439
<v Speaker 5>and all of that. She came up with babyfacing all

0:19:29.480 --> 0:19:31.800
<v Speaker 5>of them. She came up at the studio time one

0:19:31.880 --> 0:19:33.960
<v Speaker 5>day and he said, y'all need to meet her. She

0:19:34.080 --> 0:19:37.240
<v Speaker 5>in the business. She also discovered Dallas Austin. So to

0:19:37.320 --> 0:19:38.840
<v Speaker 5>put it all together, so we call meet her one

0:19:38.920 --> 0:19:41.440
<v Speaker 5>day and she's like, oh, y'all, y'all, y'all, yeah, we

0:19:41.880 --> 0:19:43.720
<v Speaker 5>did our songs with whatever. She's like, y'all wrote them songs.

0:19:43.760 --> 0:19:46.000
<v Speaker 5>We're like yeah. She like, I'm gonna help y'all get

0:19:46.000 --> 0:19:48.000
<v Speaker 5>a deal. But this is what I want to do too.

0:19:48.160 --> 0:19:49.840
<v Speaker 5>I want to help y'all need to help me find

0:19:49.880 --> 0:19:52.360
<v Speaker 5>another group that's a little bit younger than y'all. I'm

0:19:52.400 --> 0:19:53.960
<v Speaker 5>gonna get y'all a deal, and then we're gonna put

0:19:53.960 --> 0:19:55.439
<v Speaker 5>a group together for some guys because by this time

0:19:55.480 --> 0:19:57.159
<v Speaker 5>we was out of high school. We Liken Well was

0:19:57.680 --> 0:19:59.120
<v Speaker 5>one of one of them, was still in high school

0:19:59.680 --> 0:20:02.240
<v Speaker 5>by just graduated, so we were about eighteen seventeen th

0:20:02.400 --> 0:20:05.520
<v Speaker 5>six dollars, still teens. And she was like, we're gonna

0:20:05.520 --> 0:20:07.560
<v Speaker 5>go find a put a younger group together, and then

0:20:07.560 --> 0:20:09.080
<v Speaker 5>I'm gonna hep get y'all a deal. I'm gonna get

0:20:09.080 --> 0:20:12.040
<v Speaker 5>another group of deal. Well in the process us gett

0:20:12.080 --> 0:20:13.640
<v Speaker 5>us a deal. She said, y'all help me find another

0:20:13.720 --> 0:20:16.960
<v Speaker 5>young group too. She goes in the yearbook, she goes

0:20:17.000 --> 0:20:19.840
<v Speaker 5>in the yellow Pages and say, okay, I told her.

0:20:19.840 --> 0:20:22.320
<v Speaker 5>I say, my aunt Tie Church got two little boys

0:20:22.320 --> 0:20:23.960
<v Speaker 5>that can sign, and she like, you're gonna go get

0:20:24.000 --> 0:20:25.119
<v Speaker 5>them me? Like yeah, we went to the church and

0:20:25.160 --> 0:20:26.480
<v Speaker 5>got them to a little boy. She said, I'm gonna

0:20:26.480 --> 0:20:29.440
<v Speaker 5>find somebody else. She went through her yellow pages and

0:20:30.000 --> 0:20:32.600
<v Speaker 5>she was going through the alphabets in the first Oh hey,

0:20:32.760 --> 0:20:34.600
<v Speaker 5>let me call this elementary school. She called the first

0:20:34.640 --> 0:20:38.000
<v Speaker 5>elementary school she could find, Avndale Elementary, east side of Atlanta.

0:20:38.040 --> 0:20:40.560
<v Speaker 5>She's and she was like, I'm looking for kids that

0:20:40.640 --> 0:20:43.800
<v Speaker 5>can sing and to teach. The principals Like, well, I

0:20:43.840 --> 0:20:46.040
<v Speaker 5>think I got one person will be perfect for y'all.

0:20:46.760 --> 0:20:48.840
<v Speaker 5>She like, oh, come go meet him. So she goes

0:20:48.880 --> 0:20:51.800
<v Speaker 5>and meets the little boy she called. She calls and said, look,

0:20:52.359 --> 0:20:56.199
<v Speaker 5>I think I found our star. Meet me tonight at

0:20:56.280 --> 0:20:58.720
<v Speaker 5>the Red Lobster on Camel rode down the street from

0:20:58.720 --> 0:21:00.760
<v Speaker 5>south to cal Mall. I never forget this, you know,

0:21:00.840 --> 0:21:02.840
<v Speaker 5>we driving by this point we eighteen, but that nineteen.

0:21:02.840 --> 0:21:06.280
<v Speaker 5>She like, meet me at the Red Lobster. Anybody from Atlanta,

0:21:06.320 --> 0:21:08.119
<v Speaker 5>y'all know this Red loss by south of Caroma, on

0:21:08.119 --> 0:21:09.720
<v Speaker 5>the east side of Alanda, the Cala Road. We meet.

0:21:10.200 --> 0:21:12.120
<v Speaker 5>We walk in the building. The first thing, this little

0:21:12.119 --> 0:21:14.359
<v Speaker 5>boy run up on me, say you sang shouting, and

0:21:14.440 --> 0:21:16.800
<v Speaker 5>the boy started singing, I Believe I Can Fly. It

0:21:16.920 --> 0:21:17.399
<v Speaker 5>was Lord.

0:21:19.000 --> 0:21:21.640
<v Speaker 6>He was ten. I said, what is this little current

0:21:21.680 --> 0:21:21.960
<v Speaker 6>of hand?

0:21:22.000 --> 0:21:24.440
<v Speaker 5>Boy? He he was already ad I'm talking about the

0:21:24.480 --> 0:21:26.639
<v Speaker 5>first thing. He ran up on me the first thing.

0:21:26.680 --> 0:21:29.280
<v Speaker 5>He said, yeah, you can sign, shouted I can sign,

0:21:29.600 --> 0:21:31.800
<v Speaker 5>and he started singing I Believe I Can Fly by

0:21:31.920 --> 0:21:32.359
<v Speaker 5>R Kelly.

0:21:32.760 --> 0:21:33.960
<v Speaker 6>I'm like, I don't know who this.

0:21:34.040 --> 0:21:36.320
<v Speaker 5>Little This little boy's star, she said.

0:21:36.400 --> 0:21:37.119
<v Speaker 6>She said he was like him.

0:21:37.119 --> 0:21:39.720
<v Speaker 5>I said, oh, ever since then, me and him we've

0:21:39.720 --> 0:21:42.880
<v Speaker 5>been tight. So then we start actually writing the demos

0:21:42.920 --> 0:21:44.320
<v Speaker 5>for the young group. We put him with the two

0:21:44.320 --> 0:21:47.520
<v Speaker 5>little boys we found at the church, and then she

0:21:47.680 --> 0:21:51.040
<v Speaker 5>ain't up. They got a deal quicker than us. So,

0:21:51.200 --> 0:21:53.400
<v Speaker 5>but at that point she had us writing their demos.

0:21:53.920 --> 0:21:55.600
<v Speaker 5>This one I found out song writing was a real

0:21:55.720 --> 0:21:59.440
<v Speaker 5>job because she like, listen, Josper No, Lord likes you.

0:21:59.600 --> 0:22:01.160
<v Speaker 5>So you want to sit here with him and you're

0:22:01.200 --> 0:22:03.760
<v Speaker 5>gonna write his verses and you're gonna make teach him

0:22:03.760 --> 0:22:05.000
<v Speaker 5>how to sing the songs or whatever.

0:22:05.000 --> 0:22:07.440
<v Speaker 6>I'm like, Okay, this is gonna get us a record

0:22:07.480 --> 0:22:11.680
<v Speaker 6>deal too, Okay, Cuz at this point record.

0:22:13.800 --> 0:22:16.440
<v Speaker 5>Told me, man, I want to be on B E

0:22:16.640 --> 0:22:19.119
<v Speaker 5>T Black Star Power all I care about. Man, we

0:22:19.200 --> 0:22:21.960
<v Speaker 5>got a video. Yeah, and she's like, yeah, y'all gonna

0:22:21.960 --> 0:22:23.440
<v Speaker 5>get it for yo, they gonna get I'm like cool,

0:22:23.640 --> 0:22:25.560
<v Speaker 5>So she put load on me. But so we end

0:22:25.680 --> 0:22:27.240
<v Speaker 5>up doing this demo. By the time, we working so

0:22:27.320 --> 0:22:30.240
<v Speaker 5>close together. He become my little brother. So he he

0:22:30.359 --> 0:22:33.080
<v Speaker 5>youngest point, he ten. So since that point we always

0:22:33.119 --> 0:22:35.080
<v Speaker 5>been together. So his group good a deal. We good

0:22:35.119 --> 0:22:38.720
<v Speaker 5>a deal. We never got no video, never got your video.

0:22:39.359 --> 0:22:40.520
<v Speaker 5>He got his video though.

0:22:40.960 --> 0:22:41.960
<v Speaker 1>He got a group.

0:22:42.040 --> 0:22:42.800
<v Speaker 5>They got a lot off.

0:22:43.000 --> 0:22:44.240
<v Speaker 1>He got a few of them.

0:22:44.359 --> 0:22:46.240
<v Speaker 5>So and and you know, through that whole process, and

0:22:46.320 --> 0:22:47.359
<v Speaker 5>that's how I mean him ended.

0:22:47.240 --> 0:22:47.880
<v Speaker 6>Up being so tight.

0:22:48.000 --> 0:22:51.040
<v Speaker 1>So when he came out as an artist, Yeah, in

0:22:51.119 --> 0:22:52.280
<v Speaker 1>the beginning, he came out with a group.

0:22:52.320 --> 0:22:53.879
<v Speaker 5>He was with a group called in Tune.

0:22:54.680 --> 0:22:55.280
<v Speaker 1>I remember that.

0:22:55.560 --> 0:22:58.360
<v Speaker 5>Yeah, that was Lloyd's least sing of that group. Yeah,

0:22:58.480 --> 0:23:01.000
<v Speaker 5>I think I think I knew. They and Tricky them

0:23:01.040 --> 0:23:04.000
<v Speaker 5>did their first song and Candy wrote it. They was

0:23:04.359 --> 0:23:06.359
<v Speaker 5>They did the song called Ready. And what was so

0:23:06.480 --> 0:23:08.840
<v Speaker 5>crazy was in the midst of us doing the demo,

0:23:09.119 --> 0:23:11.520
<v Speaker 5>she called us again, she can't look I got another

0:23:11.560 --> 0:23:12.879
<v Speaker 5>little guy. I don't know if I want him to

0:23:12.920 --> 0:23:14.600
<v Speaker 5>be in the group, I want him solo. I'm goin

0:23:14.640 --> 0:23:17.040
<v Speaker 5>to bring him down. She went and got this other

0:23:17.119 --> 0:23:19.280
<v Speaker 5>little guy and brought him down and she was like, nah,

0:23:19.359 --> 0:23:21.480
<v Speaker 5>he's gonna be solo because I can get two separate deals.

0:23:21.960 --> 0:23:22.840
<v Speaker 6>That Look, I was seven.

0:23:37.080 --> 0:23:40.040
<v Speaker 5>She was moving should down. So now she was fond.

0:23:41.240 --> 0:23:43.840
<v Speaker 5>And then she had signed Dallas at this point, so

0:23:43.960 --> 0:23:47.520
<v Speaker 5>you have by not that. But they had no they

0:23:47.600 --> 0:23:50.480
<v Speaker 5>had no issues or whatever. But they worked it out.

0:23:50.520 --> 0:23:53.040
<v Speaker 5>But one under the one condition was and when she

0:23:53.119 --> 0:23:55.159
<v Speaker 5>found her acts in her groups, Dallas were gonna do

0:23:55.280 --> 0:23:57.200
<v Speaker 5>songs on them. You got to realize at this point,

0:23:57.280 --> 0:24:01.000
<v Speaker 5>Dallas the biggest producer in the world. He doing TLC, ABC,

0:24:01.240 --> 0:24:03.280
<v Speaker 5>he doing Boys and Me and this back when you

0:24:03.280 --> 0:24:05.960
<v Speaker 5>were telling Diamond Records, and he right now producing the songs.

0:24:06.280 --> 0:24:07.560
<v Speaker 6>He got a real studio, this one.

0:24:07.600 --> 0:24:09.560
<v Speaker 5>Having a real studio meant something for real for even

0:24:09.600 --> 0:24:12.280
<v Speaker 5>though it's still mean something, it's just different back then. Yeah,

0:24:12.359 --> 0:24:15.399
<v Speaker 5>And so she brought us all over to Dallas. He

0:24:15.520 --> 0:24:17.720
<v Speaker 5>started working on Lloyd album and he say, but I'm

0:24:17.720 --> 0:24:21.280
<v Speaker 5>gonna sign Sammy solo. But Lloyd already had his deal.

0:24:21.800 --> 0:24:23.760
<v Speaker 1>Lloyd had a solo deal no, Lloyd had an album

0:24:23.840 --> 0:24:24.320
<v Speaker 1>with this group.

0:24:24.359 --> 0:24:26.600
<v Speaker 5>With the group, Okay, so Dallas working on a group album,

0:24:26.800 --> 0:24:28.800
<v Speaker 5>and he like, but I'm gonna sign Sammy solo because

0:24:28.880 --> 0:24:30.359
<v Speaker 5>that way she didn't have to put Sammy in the

0:24:30.359 --> 0:24:32.000
<v Speaker 5>group with Lord. She'll let Lloyd keep being in the

0:24:32.040 --> 0:24:33.400
<v Speaker 5>lead singer. She's like, I'm gonna get a whole another

0:24:33.400 --> 0:24:39.199
<v Speaker 5>budget with Sammy through this process. And through all this process,

0:24:39.280 --> 0:24:41.320
<v Speaker 5>that's when I meet Dallas through and Lloyd. I used

0:24:41.320 --> 0:24:43.640
<v Speaker 5>to write our Lord songs. So layd to tell Dallas, man,

0:24:43.720 --> 0:24:45.560
<v Speaker 5>my friend ain't gonna come and write my songs with me.

0:24:46.119 --> 0:24:48.000
<v Speaker 1>Yeah, and that was me hmm.

0:24:48.160 --> 0:24:50.680
<v Speaker 5>So he Lloyd keep bringing me to the studio, Dallas,

0:24:50.760 --> 0:24:53.000
<v Speaker 5>my friend gonna come write my songs with me, And

0:24:53.080 --> 0:24:54.680
<v Speaker 5>so I ended up getting signed the Dallas at that

0:24:54.760 --> 0:24:58.240
<v Speaker 5>point Dark but she put all us together.

0:24:58.720 --> 0:25:00.720
<v Speaker 1>Ah Man, shout out to Joe, Shout out Joyce.

0:25:01.359 --> 0:25:03.240
<v Speaker 5>She worked on Shout Out Leonad too, because Leonald he

0:25:03.280 --> 0:25:05.719
<v Speaker 5>put us up, Leonard Watkins and George Urban and they

0:25:05.720 --> 0:25:07.960
<v Speaker 5>put it was like crazy and then and what was

0:25:08.000 --> 0:25:11.320
<v Speaker 5>so crazy what ended up happening was Sammy, even though

0:25:11.480 --> 0:25:14.120
<v Speaker 5>we stopped working on him way later, you know, because

0:25:14.119 --> 0:25:15.199
<v Speaker 5>it was like a year and a half of us

0:25:15.240 --> 0:25:17.720
<v Speaker 5>working on Lloyd demos with his group and when her

0:25:17.800 --> 0:25:19.680
<v Speaker 5>finding Samuel was thinking about put him in the group,

0:25:20.359 --> 0:25:22.960
<v Speaker 5>Dallas had just got his new label deal, so he like,

0:25:23.000 --> 0:25:26.080
<v Speaker 5>I'm gonna put Sammy out fast. So he did one.

0:25:26.160 --> 0:25:27.879
<v Speaker 5>So the first song he put on he did on

0:25:27.960 --> 0:25:30.560
<v Speaker 5>Samon was I like it. That's the very first song

0:25:30.600 --> 0:25:33.240
<v Speaker 5>they ever recorded, and that and he's this when I

0:25:33.320 --> 0:25:35.359
<v Speaker 5>know when you when you're on the road, This is

0:25:35.400 --> 0:25:36.960
<v Speaker 5>when I know you could call your shots. He told her,

0:25:37.000 --> 0:25:40.000
<v Speaker 5>he said, I'm gonna write SEMMI single the night that

0:25:40.119 --> 0:25:42.440
<v Speaker 5>man went in that room and wrote it, and he said,

0:25:42.600 --> 0:25:43.960
<v Speaker 5>I'm gonna have this aut in three months.

0:25:44.760 --> 0:25:46.399
<v Speaker 6>And the thing was out him three months and that

0:25:46.560 --> 0:25:48.359
<v Speaker 6>thing was on Fas said me, this, I go.

0:25:50.880 --> 0:25:55.760
<v Speaker 1>Everywhere, you know, so like so at that.

0:25:55.880 --> 0:25:59.720
<v Speaker 5>Point, you know, I'm I'm I'm I'm I'm around everything.

0:25:59.760 --> 0:26:01.200
<v Speaker 5>I'm it, you know what i mean. The Dallas he

0:26:02.040 --> 0:26:03.960
<v Speaker 5>rocked with me, he took me, he signed me. You

0:26:04.040 --> 0:26:05.359
<v Speaker 5>know what I'm saying. He let me be around the

0:26:05.359 --> 0:26:07.640
<v Speaker 5>studio every day. All they taught me how to make

0:26:07.720 --> 0:26:09.640
<v Speaker 5>it be right, the production are right, you know, because

0:26:09.640 --> 0:26:11.280
<v Speaker 5>you don't really know what you're doing until you see

0:26:11.320 --> 0:26:15.000
<v Speaker 5>people who actually really do on that on the level. Yeah,

0:26:15.000 --> 0:26:16.520
<v Speaker 5>because you know, we just sit by, We just sit

0:26:16.600 --> 0:26:18.160
<v Speaker 5>by records by make the voice.

0:26:18.200 --> 0:26:18.920
<v Speaker 6>It sounded like that.

0:26:19.119 --> 0:26:21.760
<v Speaker 5>Yeah, it sound like a million people singing. We ain't

0:26:21.760 --> 0:26:24.080
<v Speaker 5>know about no stacks, but how they get their drums

0:26:24.160 --> 0:26:24.720
<v Speaker 5>like that. We didn't know.

0:26:24.760 --> 0:26:26.359
<v Speaker 6>You had to go sithing, you know, the things you

0:26:26.440 --> 0:26:27.879
<v Speaker 6>do to get the production right.

0:26:28.160 --> 0:26:30.800
<v Speaker 5>So he let me be around him when he was

0:26:30.840 --> 0:26:34.040
<v Speaker 5>the top producer and get all that game with precious game, Dallas,

0:26:36.200 --> 0:26:38.920
<v Speaker 5>real man, and so that knowledge that from that point

0:26:38.960 --> 0:26:39.840
<v Speaker 5>it was all in the game.

0:26:40.000 --> 0:26:43.120
<v Speaker 1>One of the goats, one of the yeah, for sure,

0:26:43.600 --> 0:26:50.240
<v Speaker 1>for real, for real early though too early, early, early, early.

0:26:50.440 --> 0:26:52.120
<v Speaker 6>When people didn't even really know what that means.

0:26:52.200 --> 0:26:55.000
<v Speaker 1>We didn't even know. We didn't didn't know. Yeah, yeah,

0:26:55.119 --> 0:26:56.040
<v Speaker 1>we didn't know those levels.

0:26:56.080 --> 0:26:56.600
<v Speaker 5>You didn't even know.

0:26:56.800 --> 0:26:59.679
<v Speaker 1>You know, it was mystical to us.

0:27:00.080 --> 0:27:00.600
<v Speaker 5>Yeah, you didn't know.

0:27:01.680 --> 0:27:03.960
<v Speaker 1>He was like a deity. He's like, that's I guess

0:27:04.000 --> 0:27:07.760
<v Speaker 1>that's what Jesus. I was just always here dark exactly.

0:27:08.000 --> 0:27:10.560
<v Speaker 1>It was a special place exactly. I'd never been there before,

0:27:10.600 --> 0:27:11.840
<v Speaker 1>but I would hear it. I'm on the whole other

0:27:11.880 --> 0:27:12.760
<v Speaker 1>side of the country.

0:27:12.680 --> 0:27:14.120
<v Speaker 5>God went on Instagram back then.

0:27:15.840 --> 0:27:25.680
<v Speaker 1>Yeah, that was back then. We needed to learn differently.

0:27:26.359 --> 0:27:28.200
<v Speaker 1>We need to be able to we need to be

0:27:28.280 --> 0:27:28.919
<v Speaker 1>able to recover.

0:27:29.480 --> 0:27:31.680
<v Speaker 5>I see it all quick things some time about on

0:27:31.720 --> 0:27:35.000
<v Speaker 5>the highest level. I said, okay, yeah, see what's.

0:27:34.800 --> 0:27:38.159
<v Speaker 8>Going on, because it's something different to see it, but

0:27:38.320 --> 0:27:40.520
<v Speaker 8>then to actually be able to touch it, that's different.

0:27:41.760 --> 0:27:41.960
<v Speaker 1>Yeah.

0:27:42.119 --> 0:27:44.639
<v Speaker 8>Yeah, like like right now they're getting to see things

0:27:45.280 --> 0:27:46.960
<v Speaker 8>around the world, not touching.

0:27:48.080 --> 0:27:51.199
<v Speaker 1>They not touching, you know what I'm saying. So Sammy

0:27:51.359 --> 0:27:52.679
<v Speaker 1>is your first release.

0:27:52.960 --> 0:27:55.240
<v Speaker 5>Well, see, Sammy actually was the first release because he

0:27:55.680 --> 0:27:56.680
<v Speaker 5>because he put it out quick.

0:27:57.880 --> 0:28:01.080
<v Speaker 1>So you start writing on the early stuff too, Yes,

0:28:01.280 --> 0:28:01.720
<v Speaker 1>because I.

0:28:01.800 --> 0:28:04.639
<v Speaker 5>Was doing Yeah, I was doing Sammy and Lord because

0:28:04.720 --> 0:28:06.760
<v Speaker 5>we was all in the same Lady George Erby, So

0:28:06.840 --> 0:28:08.960
<v Speaker 5>I was That's how I learned really how to write

0:28:08.960 --> 0:28:11.840
<v Speaker 5>for other people because I really worked on them. Yeah,

0:28:11.920 --> 0:28:14.320
<v Speaker 5>you know what I'm saying. So I practiced a whole

0:28:14.440 --> 0:28:16.120
<v Speaker 5>long time on Lord, but when I got with Semi,

0:28:16.119 --> 0:28:18.359
<v Speaker 5>I had pretty much polished it up and that was

0:28:18.560 --> 0:28:19.879
<v Speaker 5>ready to put the album out fast.

0:28:20.040 --> 0:28:22.160
<v Speaker 1>And Sammy's what ten eleven.

0:28:22.320 --> 0:28:24.200
<v Speaker 6>Twelve right there too? Eleven or twelve?

0:28:24.440 --> 0:28:25.520
<v Speaker 1>Yeah, that's crazy.

0:28:25.560 --> 0:28:27.159
<v Speaker 5>So If you go look at Sammy first videos, you

0:28:27.200 --> 0:28:28.679
<v Speaker 5>see Lord and all them in there, because we all

0:28:28.760 --> 0:28:31.280
<v Speaker 5>was part of the same crew. We was all signed

0:28:31.320 --> 0:28:33.200
<v Speaker 5>to the same lady, you know what I mean, managing

0:28:33.280 --> 0:28:34.760
<v Speaker 5>us all and putting us out with Dallas and all

0:28:34.800 --> 0:28:34.920
<v Speaker 5>of that.

0:28:35.359 --> 0:28:38.400
<v Speaker 6>And so when Sammy blew up, then that we're working.

0:28:39.080 --> 0:28:40.840
<v Speaker 1>And then at that point did they let you in

0:28:40.880 --> 0:28:43.880
<v Speaker 1>any of the videos because I'm waiting.

0:28:43.680 --> 0:28:46.680
<v Speaker 5>For you, man, I never got my man. I never

0:28:46.760 --> 0:28:49.840
<v Speaker 5>got in them video. I ain't start the layter really

0:28:49.840 --> 0:28:50.840
<v Speaker 5>giving them video. Man.

0:28:50.880 --> 0:28:53.000
<v Speaker 6>You know, man, I wanted a video, my man. I'm

0:28:53.040 --> 0:28:54.240
<v Speaker 6>telling you, man, that what it was.

0:28:54.360 --> 0:28:54.520
<v Speaker 7>Man.

0:28:55.400 --> 0:28:57.320
<v Speaker 6>I signed. Man, I signed my first day. I ain't

0:28:57.320 --> 0:28:57.880
<v Speaker 6>even no lawyer.

0:28:58.200 --> 0:29:00.560
<v Speaker 1>Do we get the video? Did a lawyer?

0:29:00.680 --> 0:29:01.600
<v Speaker 5>It was terrible. I should have.

0:29:02.040 --> 0:29:03.120
<v Speaker 1>He just wanted the video.

0:29:03.200 --> 0:29:03.280
<v Speaker 3>Man.

0:29:03.320 --> 0:29:05.200
<v Speaker 6>I wanted a video. Man, I ain't even a video.

0:29:05.680 --> 0:29:09.280
<v Speaker 6>I ain't gonna put I ain't even gonna putting.

0:29:09.040 --> 0:29:12.800
<v Speaker 5>No cap on. I ain't no all I was thinking about. Man,

0:29:12.800 --> 0:29:14.920
<v Speaker 5>if we get the video on b TV, gonna be rich.

0:29:15.080 --> 0:29:15.360
<v Speaker 1>That's it.

0:29:15.600 --> 0:29:15.920
<v Speaker 5>That's all.

0:29:16.240 --> 0:29:17.360
<v Speaker 6>At least we're gonna be finals.

0:29:17.560 --> 0:29:20.320
<v Speaker 1>Yeah, yeah, we'll figure the rest. You've been in some

0:29:20.440 --> 0:29:21.080
<v Speaker 1>videos though.

0:29:21.000 --> 0:29:22.400
<v Speaker 6>Well later you know what I'm saying. But it was

0:29:22.440 --> 0:29:24.280
<v Speaker 6>after I understood with certain you know what, but.

0:29:24.840 --> 0:29:27.960
<v Speaker 1>I say, you know, Jay got a video coming up

0:29:28.000 --> 0:29:29.160
<v Speaker 1>with video?

0:29:30.640 --> 0:29:32.400
<v Speaker 5>Oh yeah, yeah, yeah, my man, Right, you should have

0:29:32.440 --> 0:29:38.280
<v Speaker 5>been on Jason, I'm a bombs said, you know, come

0:29:38.360 --> 0:29:41.360
<v Speaker 5>steal cameos y'all remember the steal cameo days.

0:29:41.520 --> 0:29:46.840
<v Speaker 1>Still cameo like, man, what he doing is that? What

0:29:47.080 --> 0:29:53.680
<v Speaker 1>is it? That was serious? Busy boy?

0:29:53.680 --> 0:29:55.200
<v Speaker 5>You getting the cameos for?

0:29:55.880 --> 0:29:58.120
<v Speaker 1>So it was your first hit record?

0:29:58.560 --> 0:30:00.320
<v Speaker 5>Man, The first record that I probably say it was

0:30:00.360 --> 0:30:02.240
<v Speaker 5>a real hit that I was a part of, probably

0:30:02.280 --> 0:30:06.600
<v Speaker 5>was Christin n Aguilera Dirty that was the Yeah. So

0:30:07.000 --> 0:30:08.800
<v Speaker 5>I didn't know nothing, like you know, we was writing

0:30:09.080 --> 0:30:11.800
<v Speaker 5>around everybody, but I didn't even really know. I used

0:30:11.840 --> 0:30:14.320
<v Speaker 5>to always wonder everybody want singles cause.

0:30:14.200 --> 0:30:17.080
<v Speaker 1>You know, some album cut a bunch of app cuts.

0:30:16.920 --> 0:30:17.680
<v Speaker 5>You know, placements.

0:30:17.680 --> 0:30:17.800
<v Speaker 1>You know.

0:30:17.880 --> 0:30:19.760
<v Speaker 5>We did the Sameme album. They end up going real good.

0:30:20.040 --> 0:30:22.200
<v Speaker 5>And then I worked on Nearby, a album that went

0:30:22.280 --> 0:30:24.440
<v Speaker 5>real good. I had a cop yeah you know what

0:30:24.480 --> 0:30:27.880
<v Speaker 5>I'm saying. So we end up around people around I

0:30:28.000 --> 0:30:29.800
<v Speaker 5>was doing a bunch of little I was doing a

0:30:29.840 --> 0:30:32.600
<v Speaker 5>bunch of you know songs, and I got and shout

0:30:32.600 --> 0:30:35.680
<v Speaker 5>out to Ryan Glover from knowing time he gave me

0:30:35.720 --> 0:30:38.920
<v Speaker 5>my first beat check. I couldn't believe it. Brian, So

0:30:39.040 --> 0:30:42.240
<v Speaker 5>you know you don't know how much beach you tell

0:30:42.320 --> 0:30:43.680
<v Speaker 5>beats for. You don't know none of that. You just

0:30:43.760 --> 0:30:45.880
<v Speaker 5>going and doing it. I gotta get I gotta get

0:30:45.960 --> 0:30:48.320
<v Speaker 5>him a shot because real I never I didn't understand.

0:30:48.320 --> 0:30:49.120
<v Speaker 5>I call it. Ryan say.

0:30:49.400 --> 0:30:51.120
<v Speaker 6>One day he come to the studio, He like, you

0:30:51.240 --> 0:30:51.880
<v Speaker 6>did this peak?

0:30:52.360 --> 0:30:55.400
<v Speaker 5>I like yeah. He like, okay, how much you gonna

0:30:55.440 --> 0:30:57.720
<v Speaker 5>charge me for it? I say, Man, I don't even know.

0:30:57.720 --> 0:30:59.400
<v Speaker 5>I'm gonna be real with you, man, how much how

0:30:59.480 --> 0:31:00.360
<v Speaker 5>much y'ld buy I need for?

0:31:00.560 --> 0:31:00.720
<v Speaker 7>Man?

0:31:00.800 --> 0:31:09.360
<v Speaker 6>You know what I'm saying. Listen, I hope this ain't

0:31:09.360 --> 0:31:10.080
<v Speaker 6>frond of the mount too much?

0:31:10.120 --> 0:31:12.120
<v Speaker 5>Brand? Know how we get that? Ryan say, listen, I'm

0:31:12.120 --> 0:31:14.239
<v Speaker 5>gonna tell the label you charged fifteen thousand dollars. I'm

0:31:14.240 --> 0:31:14.880
<v Speaker 5>gonna give you ten.

0:31:15.160 --> 0:31:19.600
<v Speaker 6>I say, run it, run it, run it, man, run it.

0:31:19.680 --> 0:31:20.480
<v Speaker 6>You're gonna give me.

0:31:20.680 --> 0:31:22.240
<v Speaker 5>This fuck fuck to me?

0:31:23.200 --> 0:31:25.240
<v Speaker 1>You you ain't saying nothing but what's right?

0:31:25.760 --> 0:31:26.160
<v Speaker 5>Hey, man?

0:31:27.040 --> 0:31:29.120
<v Speaker 1>Sometimes you gotta give to get a man.

0:31:29.200 --> 0:31:30.920
<v Speaker 5>I ain't all I knew that, Man said listen I'm

0:31:30.920 --> 0:31:32.880
<v Speaker 5>gonna tell the label you charged fifteen thousand, you're gonna

0:31:32.920 --> 0:31:33.480
<v Speaker 5>get ten thousand.

0:31:33.480 --> 0:31:36.040
<v Speaker 3>I said, yes, I've had plenty of deals. Ay, man,

0:31:36.360 --> 0:31:40.400
<v Speaker 3>where I got ain't nothing wrong with it. I said

0:31:40.520 --> 0:31:41.960
<v Speaker 3>thirty and I got twenty.

0:31:42.320 --> 0:31:44.560
<v Speaker 1>Yes, I'm gonna put mine on top.

0:31:47.840 --> 0:31:50.840
<v Speaker 5>You know what I'm saying. So that's when I start.

0:31:50.920 --> 0:31:52.200
<v Speaker 5>Really you know, I'm hitting now.

0:31:52.240 --> 0:31:56.120
<v Speaker 1>You know now you charged fifteen, Yeah, fifteen, that's your

0:31:56.120 --> 0:31:59.480
<v Speaker 1>fo me. You know what I'm saying. Hey already bought.

0:31:59.280 --> 0:32:02.880
<v Speaker 5>To Yeah yeah, you know, but they could, man, they

0:32:02.960 --> 0:32:05.280
<v Speaker 5>might could have got a fire. I didn't know.

0:32:05.400 --> 0:32:14.160
<v Speaker 2>All yeah, what's the street that real lifts the real

0:32:14.240 --> 0:32:16.000
<v Speaker 2>life you two can have a beat.

0:32:15.960 --> 0:32:18.840
<v Speaker 5>Yeah, man, real, So I was getting a little bit

0:32:18.840 --> 0:32:21.000
<v Speaker 5>of placement. So but I still didn't really understand the

0:32:21.160 --> 0:32:24.440
<v Speaker 5>value of a hit song. Yeah yeah, and really, man,

0:32:24.520 --> 0:32:27.000
<v Speaker 5>the Christina Guilera dirt is on that really just came off,

0:32:27.080 --> 0:32:29.760
<v Speaker 5>man for real. I ain't even like man like it

0:32:29.880 --> 0:32:31.800
<v Speaker 5>was because I'm dope. She really just used to like

0:32:31.880 --> 0:32:33.760
<v Speaker 5>hang around because you know, we having fun in the studio.

0:32:34.400 --> 0:32:37.960
<v Speaker 5>She was she came down to Alema and this was

0:32:38.000 --> 0:32:41.560
<v Speaker 5>she was still the pop princess. She came out here

0:32:41.560 --> 0:32:42.360
<v Speaker 5>and got caught up in it.

0:32:42.920 --> 0:32:44.080
<v Speaker 1>She said, got caught up.

0:32:44.360 --> 0:32:45.480
<v Speaker 5>She got caught up in next thing, you know.

0:32:45.560 --> 0:32:49.280
<v Speaker 1>She said, I my album dirty like she's feeling it.

0:32:49.360 --> 0:32:51.000
<v Speaker 5>She turned it to that and then she said, I

0:32:51.040 --> 0:32:53.000
<v Speaker 5>want to rock. This was she said, now this one,

0:32:53.160 --> 0:32:55.000
<v Speaker 5>this one, I know how this one I know trooperstars

0:32:55.000 --> 0:32:58.800
<v Speaker 5>called their plays. She say, the Red the Red Man

0:32:58.840 --> 0:33:01.160
<v Speaker 5>that Met the Man videos video was on TV. She said,

0:33:01.160 --> 0:33:01.960
<v Speaker 5>I need a beat like that.

0:33:02.600 --> 0:33:06.160
<v Speaker 6>She got her management irving as off call rock.

0:33:06.040 --> 0:33:08.120
<v Speaker 5>Wilder Rock wild. I sent the pack of beats and

0:33:08.200 --> 0:33:09.920
<v Speaker 5>she listenew She's like, this is gonna be my single.

0:33:10.120 --> 0:33:11.120
<v Speaker 5>She flew back to l A.

0:33:11.920 --> 0:33:13.960
<v Speaker 6>She called me like when she got back to l

0:33:14.000 --> 0:33:16.600
<v Speaker 6>A like, come out here, Jem. I had just di vibe.

0:33:16.640 --> 0:33:18.200
<v Speaker 6>I got to beat. I know it's gonna be my single.

0:33:18.640 --> 0:33:20.080
<v Speaker 6>Damn Manly, she ain't even really need me on the

0:33:20.560 --> 0:33:22.120
<v Speaker 6>we we got to hang on Blabe, what's up?

0:33:22.160 --> 0:33:23.880
<v Speaker 5>Blabel? Blair would have pretty much you know what I'm saying.

0:33:24.280 --> 0:33:26.600
<v Speaker 5>They know Bla would have done laces that thing up

0:33:26.640 --> 0:33:28.120
<v Speaker 5>and I walk in out. That's when I first met

0:33:28.200 --> 0:33:30.560
<v Speaker 5>Blabel and Blay were like, oh she got enough. But men,

0:33:30.840 --> 0:33:32.120
<v Speaker 5>he figured out I was cool. He was like, man,

0:33:32.160 --> 0:33:34.200
<v Speaker 5>come on here to finish this bridge and woo yeah

0:33:34.200 --> 0:33:35.680
<v Speaker 5>and that thing I know, man, she had a video

0:33:35.720 --> 0:33:37.800
<v Speaker 5>in three weeks. I'm like, oh this is oh this

0:33:37.960 --> 0:33:42.560
<v Speaker 5>that level, this that level man, she called the shot man.

0:33:42.680 --> 0:33:44.080
<v Speaker 5>That Dirty came out and man and it did what

0:33:44.160 --> 0:33:46.040
<v Speaker 5>it did. And that's when I found out what those

0:33:46.080 --> 0:33:48.640
<v Speaker 5>performance Roytis was like this when I figured out would

0:33:48.640 --> 0:33:51.240
<v Speaker 5>be in my asskout. Before I never knew I was

0:33:51.280 --> 0:33:52.560
<v Speaker 5>signed up to be on my but I didn't know

0:33:52.560 --> 0:33:54.880
<v Speaker 5>what it was for. I just the everybody just say

0:33:54.880 --> 0:33:56.480
<v Speaker 5>you got to be signed to me on my ass gut.

0:33:56.560 --> 0:33:57.960
<v Speaker 1>I was yeah.

0:33:58.240 --> 0:34:01.800
<v Speaker 6>Then I figured out why, Oh, that's why you want.

0:34:01.720 --> 0:34:07.000
<v Speaker 1>Perform when they start collecting money all over the world.

0:34:06.840 --> 0:34:09.160
<v Speaker 5>I say this, this makes sense because you know you

0:34:09.280 --> 0:34:11.680
<v Speaker 5>been still you hear people arguing over singles and hearing

0:34:11.719 --> 0:34:13.120
<v Speaker 5>people I want to single war.

0:34:13.200 --> 0:34:15.359
<v Speaker 6>I ain't never know why. Now I knew why.

0:34:15.680 --> 0:34:17.400
<v Speaker 5>So Dirty was probably the first record I was a

0:34:17.440 --> 0:34:20.280
<v Speaker 5>part of with with with everybody involved that really understood

0:34:20.320 --> 0:34:21.839
<v Speaker 5>that was like, okay, that's kind of a hit.

0:34:22.680 --> 0:34:24.799
<v Speaker 6>M hmm, yeah, that's come of the hit right now?

0:34:25.440 --> 0:34:27.879
<v Speaker 1>Do the phone calls get different after get well?

0:34:28.160 --> 0:34:29.879
<v Speaker 6>The thing about this. I don't know how this indugry works.

0:34:29.960 --> 0:34:31.960
<v Speaker 5>If you just even attached to anything that looks a

0:34:32.000 --> 0:34:34.120
<v Speaker 5>certain kind of way, people are gonna call you, you

0:34:34.200 --> 0:34:37.200
<v Speaker 5>know what I mean, Like they're just gonna call you

0:34:37.280 --> 0:34:39.320
<v Speaker 5>because they got dy version or whatever that is and

0:34:39.400 --> 0:34:41.799
<v Speaker 5>they want something like that or whatever. So the phone calls,

0:34:41.840 --> 0:34:43.839
<v Speaker 5>come man, can you come work with this and work

0:34:43.880 --> 0:34:44.080
<v Speaker 5>with that?

0:34:44.480 --> 0:34:46.400
<v Speaker 3>So yeah, it definitely helped, But you've become part of

0:34:46.440 --> 0:34:48.759
<v Speaker 3>the conversation where it's like, Okay, this guy can deliver

0:34:48.840 --> 0:34:49.040
<v Speaker 3>it here.

0:34:49.200 --> 0:34:51.200
<v Speaker 5>Yeah, yeah, he he ain't gonna make a look bad.

0:34:51.239 --> 0:34:53.200
<v Speaker 1>And they're always going to give you a shot.

0:34:53.680 --> 0:34:54.200
<v Speaker 5>Give me a shot.

0:34:55.480 --> 0:34:59.359
<v Speaker 8>When you got your uh performance, run talk to them,

0:35:00.320 --> 0:35:03.879
<v Speaker 8>you know, I see you know. Oh yeah you got

0:35:03.920 --> 0:35:06.480
<v Speaker 8>you got your drip on? Oh yeah, those type of things.

0:35:06.560 --> 0:35:07.719
<v Speaker 1>Yeah, what did you buy?

0:35:08.080 --> 0:35:12.880
<v Speaker 6>Probably a whole bunch of ugly probably a whole probably

0:35:13.160 --> 0:35:13.440
<v Speaker 6>and a.

0:35:13.480 --> 0:35:18.960
<v Speaker 5>Bunch of chicken wing cheesecake factory, and a man, probably

0:35:19.000 --> 0:35:21.360
<v Speaker 5>a bunch of ugly old clothes.

0:35:23.680 --> 0:35:24.160
<v Speaker 1>Back then.

0:35:25.800 --> 0:35:28.480
<v Speaker 5>That then the strip club heavy come on, So that's what?

0:35:28.520 --> 0:35:29.440
<v Speaker 1>Which which one was you?

0:35:29.640 --> 0:35:31.520
<v Speaker 5>Oh my god? What was at the Magic City? Was

0:35:31.520 --> 0:35:34.320
<v Speaker 5>at the Blue Flame? Where we was at the gentleman

0:35:34.400 --> 0:35:35.799
<v Speaker 5>club man we did.

0:35:37.200 --> 0:35:40.680
<v Speaker 1>Oh my god, man, you put some girls through college.

0:35:40.880 --> 0:35:42.200
<v Speaker 5>Man, you know what. I don't know if I did

0:35:42.280 --> 0:35:43.680
<v Speaker 5>that much, but I showed him how to help him

0:35:43.680 --> 0:35:46.360
<v Speaker 5>eat for a week or two. Yeah, yeah, and have

0:35:46.480 --> 0:35:49.120
<v Speaker 5>some good times. Yeah. I showed her I wasn't spending

0:35:49.160 --> 0:35:52.080
<v Speaker 5>that much money. You didn't because you know this before

0:35:52.440 --> 0:35:53.480
<v Speaker 5>just before making rain.

0:35:53.960 --> 0:35:59.720
<v Speaker 3>So we were so being meth hasn't at this mottill

0:35:59.760 --> 0:36:01.160
<v Speaker 3>win Yeah a long way.

0:36:01.160 --> 0:36:03.560
<v Speaker 6>It meant some man, you can still flip your sitting

0:36:03.719 --> 0:36:06.440
<v Speaker 6>piecing it off man, yea. We having us a girl friend.

0:36:06.320 --> 0:36:06.759
<v Speaker 5>For the night.

0:36:06.920 --> 0:36:11.399
<v Speaker 1>Yeah yeah, come on. Then I was really meant oh.

0:36:11.320 --> 0:36:13.440
<v Speaker 5>Man, and I went scared again at least fo'honand that

0:36:13.560 --> 0:36:16.279
<v Speaker 5>one man that was like, oh my god.

0:36:16.840 --> 0:36:18.880
<v Speaker 1>Yeah, man was in there. I was.

0:36:19.040 --> 0:36:22.000
<v Speaker 5>And now we're piercing the mouth. Well oh oh some

0:36:22.200 --> 0:36:23.879
<v Speaker 5>club fired out of the table table dance.

0:36:23.920 --> 0:36:24.719
<v Speaker 6>It was some ten.

0:36:24.800 --> 0:36:27.880
<v Speaker 5>But man, we had some good times. Oh man, shooters

0:36:27.880 --> 0:36:33.200
<v Speaker 5>alley Yeah yeah, flash back. Oh yeah, man, you know

0:36:33.280 --> 0:36:33.960
<v Speaker 5>we was living it.

0:36:34.120 --> 0:36:36.840
<v Speaker 1>We was in it. What ye what year is this?

0:36:36.960 --> 0:36:39.000
<v Speaker 5>It's about two thousand and three and four.

0:36:39.200 --> 0:36:41.760
<v Speaker 3>Yeah, because I was down here because we said noontime.

0:36:41.800 --> 0:36:44.200
<v Speaker 3>I was down here early in ninety eight.

0:36:44.520 --> 0:36:45.200
<v Speaker 6>And I'm gonna tell you.

0:36:45.680 --> 0:36:47.360
<v Speaker 5>I remember. I'm gonna tell you the first time I

0:36:47.440 --> 0:36:49.440
<v Speaker 5>heard of you. I at the studio this when I

0:36:49.480 --> 0:36:52.239
<v Speaker 5>first signed to Dallas. JQ come busting in the street

0:36:52.239 --> 0:36:55.759
<v Speaker 5>and say, hey, man, I just met the most incredible

0:36:55.840 --> 0:36:58.480
<v Speaker 5>slinger in the world. He's gonna take over.

0:36:58.680 --> 0:37:00.640
<v Speaker 6>And I said, really, he said, and they called him

0:37:02.640 --> 0:37:04.400
<v Speaker 6>he said, he said, he said, now he better than

0:37:04.440 --> 0:37:07.680
<v Speaker 6>all us. JQ like, man, this man incredible.

0:37:08.080 --> 0:37:10.080
<v Speaker 5>I say, like, Dad, he said, Man, listen when I'm

0:37:10.120 --> 0:37:13.600
<v Speaker 5>telling you. He said, it's got tank man, He's incredible.

0:37:13.760 --> 0:37:15.080
<v Speaker 5>And that's the first time I heard about you.

0:37:15.239 --> 0:37:18.160
<v Speaker 6>He was like, man, wait, do y'all He because.

0:37:17.920 --> 0:37:19.600
<v Speaker 5>He was working a new time a lot. He came

0:37:19.640 --> 0:37:21.439
<v Speaker 5>around the corner. He was like, Man, wait, do y'all

0:37:21.480 --> 0:37:22.000
<v Speaker 5>hear this dude?

0:37:22.040 --> 0:37:25.480
<v Speaker 1>Man, wait, do y'all hears a noon time every day?

0:37:25.680 --> 0:37:34.960
<v Speaker 3>Yeah, Yes, Teddy bitch Teddy Cox because before be Cox.

0:37:35.040 --> 0:37:38.160
<v Speaker 5>He he ain't got them twins. If he's blue, he's.

0:37:38.040 --> 0:37:41.280
<v Speaker 3>Still like tinkering around. And I'm like, he got okay,

0:37:41.760 --> 0:37:44.520
<v Speaker 3>all right? Because j Duve is the guy yo Jay Dub.

0:37:45.320 --> 0:37:46.759
<v Speaker 3>He was on fire the original Rocks.

0:37:47.160 --> 0:37:47.520
<v Speaker 6>He was out.

0:37:47.640 --> 0:37:50.719
<v Speaker 5>Yes, he was on fire fire, Oh my god, he

0:37:50.840 --> 0:37:52.880
<v Speaker 5>got Oh yeah, he was going crazy out here. Fire

0:37:52.960 --> 0:37:53.680
<v Speaker 5>he was going crazy.

0:37:53.840 --> 0:37:55.600
<v Speaker 1>And that's when I first met the Twins.

0:37:55.880 --> 0:37:56.200
<v Speaker 4>Wow.

0:37:56.800 --> 0:37:59.600
<v Speaker 1>And then be Cox was like, man, you gotta come over,

0:37:59.760 --> 0:38:04.480
<v Speaker 1>you know C J D spot and yeah, that's crazy.

0:38:04.560 --> 0:38:06.480
<v Speaker 3>Yeah, so I'd go over to they to go over

0:38:06.520 --> 0:38:08.880
<v Speaker 3>to Jermaine the Priest spot, the south Side beat, the

0:38:08.920 --> 0:38:12.960
<v Speaker 3>Twins and basketball, you know, Jacked, you know, I don't

0:38:12.960 --> 0:38:14.000
<v Speaker 3>know they want to talk about that story.

0:38:14.520 --> 0:38:15.080
<v Speaker 5>We're talking about.

0:38:16.280 --> 0:38:18.920
<v Speaker 8>Why are we talking about jadab though, Yeah, let's get

0:38:19.000 --> 0:38:21.359
<v Speaker 8>this out. Me and Tank did not know each other

0:38:21.360 --> 0:38:25.319
<v Speaker 8>at this point, and he is not saying this. Jay

0:38:25.560 --> 0:38:27.400
<v Speaker 8>in the beginning of Slowly people.

0:38:27.800 --> 0:38:38.319
<v Speaker 1>People, Jamie j great come on, because j played every

0:38:38.440 --> 0:38:42.040
<v Speaker 1>instrument he was on that special. He was in his draws.

0:38:42.719 --> 0:38:48.200
<v Speaker 3>Man, I don't know why that man was why that's

0:38:48.320 --> 0:38:50.080
<v Speaker 3>that's that's where he found the vibe.

0:38:50.760 --> 0:38:54.920
<v Speaker 1>He found he found in his draws found.

0:38:55.480 --> 0:38:59.520
<v Speaker 3>He didn't when he played the track for me, he said,

0:38:59.600 --> 0:39:02.600
<v Speaker 3>I said, well, you know, where's the where's the session for?

0:39:02.719 --> 0:39:06.759
<v Speaker 1>He said, I lost it and back then listening to

0:39:06.840 --> 0:39:12.480
<v Speaker 1>session so yeah, two track. Oh, yes, that's what I'm

0:39:12.520 --> 0:39:13.719
<v Speaker 1>talking it's the two track off CD.

0:39:13.920 --> 0:39:15.000
<v Speaker 5>Well, we got to do it what we got?

0:39:15.080 --> 0:39:20.000
<v Speaker 1>They never do that, I said, I said, whatever, Slowly

0:39:20.120 --> 0:39:22.839
<v Speaker 1>is a two track, that's amazing, two track off CD.

0:39:22.960 --> 0:39:24.560
<v Speaker 1>I said, there's no way you can reproduce this.

0:39:24.800 --> 0:39:26.440
<v Speaker 6>Y'all bounce it down the two track or did y'all

0:39:26.480 --> 0:39:27.200
<v Speaker 6>do it in pro tools?

0:39:28.520 --> 0:39:32.759
<v Speaker 1>I sang this on this might have been the first

0:39:32.800 --> 0:39:34.640
<v Speaker 1>song I sing in pro tools. That's crazy.

0:39:34.840 --> 0:39:36.359
<v Speaker 3>Slowly might be the first song I sing in pro

0:39:36.440 --> 0:39:39.120
<v Speaker 3>toos wy wow wow, because everything else before that was

0:39:39.160 --> 0:39:45.080
<v Speaker 3>to no separate tracks on Slowly, that's what that's your amazing.

0:39:45.160 --> 0:39:47.080
<v Speaker 6>That mix had to be on that CD for you

0:39:47.160 --> 0:39:48.239
<v Speaker 6>to be able to use it like that.

0:39:48.360 --> 0:39:50.279
<v Speaker 1>He wasn't gonna be able to do that again, ever,

0:39:50.440 --> 0:39:51.200
<v Speaker 1>I said, I don't care.

0:39:52.120 --> 0:39:53.480
<v Speaker 3>I don't care. I don't care if it's peaking, I

0:39:53.480 --> 0:39:55.879
<v Speaker 3>don't care. What the imperfection you ain't gonna be able

0:39:55.880 --> 0:39:56.000
<v Speaker 3>to do.

0:39:56.680 --> 0:39:56.879
<v Speaker 1>Yeah.

0:39:57.520 --> 0:40:01.480
<v Speaker 3>We rolled around l A and he it's bends with

0:40:01.640 --> 0:40:05.520
<v Speaker 3>them Law and hert rims for a week listening to

0:40:05.640 --> 0:40:11.680
<v Speaker 3>that track, eating that PF chain, chain man, having Apple Martine.

0:40:11.800 --> 0:40:23.360
<v Speaker 3>That's borrowing money from FLINTI giving us big paper in

0:40:23.520 --> 0:40:29.080
<v Speaker 3>the city. Yeah, Yeah, New Times. Crazy that that that

0:40:29.239 --> 0:40:31.840
<v Speaker 3>moment right there, like that was that was so and

0:40:32.040 --> 0:40:34.120
<v Speaker 3>that was so needed for me to But you weren't

0:40:34.120 --> 0:40:34.480
<v Speaker 3>a part.

0:40:34.320 --> 0:40:36.000
<v Speaker 5>Of I went a part of New Time. So what

0:40:36.160 --> 0:40:38.600
<v Speaker 5>happened was it just so happened that the first time

0:40:38.640 --> 0:40:40.359
<v Speaker 5>I used to see them around the city all time.

0:40:40.440 --> 0:40:41.839
<v Speaker 5>What up, Nooney? You know what I'm saying?

0:40:42.400 --> 0:40:43.600
<v Speaker 1>What up? Chris?

0:40:43.719 --> 0:40:45.000
<v Speaker 5>You know, I just see them around the city all

0:40:45.040 --> 0:40:47.640
<v Speaker 5>the time. But they had started popping off with their producers,

0:40:48.320 --> 0:40:50.040
<v Speaker 5>so I used to go with there. I was trying

0:40:50.040 --> 0:40:51.880
<v Speaker 5>to write, So they'll have they'll try to link their

0:40:51.920 --> 0:40:55.920
<v Speaker 5>producers up, they'll bring that tapes beats on there and so.

0:40:56.120 --> 0:40:58.280
<v Speaker 5>But when I first then when I started doing the beats,

0:40:58.719 --> 0:41:01.359
<v Speaker 5>that's when Ryan came start buying them from me too,

0:41:01.760 --> 0:41:03.560
<v Speaker 5>you know what I mean. So we used to always

0:41:03.560 --> 0:41:05.120
<v Speaker 5>go around each other and be around each other all

0:41:05.160 --> 0:41:05.439
<v Speaker 5>the time.

0:41:05.680 --> 0:41:06.839
<v Speaker 1>What was you making your b tongue?

0:41:07.480 --> 0:41:09.960
<v Speaker 5>Yeah? You see two thousand excels? Yeah, yeah, a good

0:41:10.000 --> 0:41:10.359
<v Speaker 5>old try.

0:41:10.480 --> 0:41:13.240
<v Speaker 1>You started a two thousand excels Yeah, okay, okay.

0:41:13.520 --> 0:41:15.920
<v Speaker 5>Triting to try and I had to try, And then

0:41:15.960 --> 0:41:18.319
<v Speaker 5>I had the mom what that module was that had

0:41:18.360 --> 0:41:19.320
<v Speaker 5>our planet fast.

0:41:20.920 --> 0:41:23.799
<v Speaker 6>Planet fat what's that other one that eighty I had?

0:41:24.200 --> 0:41:27.480
<v Speaker 8>You know, like yeah, it was really like the starter

0:41:27.600 --> 0:41:30.279
<v Speaker 8>studio producer packed up everybody when you were like, yo,

0:41:30.320 --> 0:41:32.920
<v Speaker 8>I want to start by Okay you need ten yep,

0:41:33.239 --> 0:41:34.200
<v Speaker 8>yeah yeah no.

0:41:35.360 --> 0:41:38.040
<v Speaker 1>PC, it's a pack, it's a planet.

0:41:38.560 --> 0:41:45.279
<v Speaker 3>Yeah yeah, it's a thing we started off. Yeah yeah, yeah,

0:41:45.360 --> 0:41:48.000
<v Speaker 3>that was the kick. What what made you feel like

0:41:48.120 --> 0:41:49.960
<v Speaker 3>you could produce like that? That's that's what I want

0:41:50.000 --> 0:41:51.400
<v Speaker 3>to ask you, because you had your writing on. What

0:41:51.520 --> 0:41:54.000
<v Speaker 3>made you think, you know what, I can figure this

0:41:54.120 --> 0:41:58.359
<v Speaker 3>production out there? Somebody giving you the information like how

0:41:58.400 --> 0:42:00.239
<v Speaker 3>you said Dallas kind of brought you in and just

0:42:00.280 --> 0:42:01.120
<v Speaker 3>showed you the ropes?

0:42:01.760 --> 0:42:03.399
<v Speaker 1>Was it from him or who was that from?

0:42:03.600 --> 0:42:05.920
<v Speaker 5>Definitely him? Because for real the first time. So when

0:42:05.960 --> 0:42:07.320
<v Speaker 5>I first met doubt it is the first thing I

0:42:07.360 --> 0:42:09.239
<v Speaker 5>did was play songs on piano and sang the songs

0:42:09.280 --> 0:42:09.520
<v Speaker 5>to him.

0:42:09.640 --> 0:42:10.600
<v Speaker 6>That's why he wanted to sign.

0:42:10.440 --> 0:42:12.759
<v Speaker 5>Me, like, oh you're one hundred percent so here like

0:42:12.880 --> 0:42:15.120
<v Speaker 5>oh you don't really need nobody, But I wasn't all

0:42:15.120 --> 0:42:16.040
<v Speaker 5>the way good on the beat.

0:42:16.120 --> 0:42:16.319
<v Speaker 1>Shit.

0:42:16.800 --> 0:42:18.680
<v Speaker 5>What happened was he let me sit around him, and

0:42:18.760 --> 0:42:20.520
<v Speaker 5>he let me sit around the studio. Then I really

0:42:20.760 --> 0:42:24.759
<v Speaker 5>learned by watching everybody how they did the beats. Then

0:42:24.800 --> 0:42:26.160
<v Speaker 5>I had a room in at the time who he

0:42:26.200 --> 0:42:29.040
<v Speaker 5>had got an MPC two thousand, Jeff, and he was

0:42:29.040 --> 0:42:31.360
<v Speaker 5>an intern at the studio, so he was my roommate.

0:42:31.400 --> 0:42:33.600
<v Speaker 5>So I practiced at home with him and then but

0:42:33.640 --> 0:42:36.440
<v Speaker 5>I knew I could produce because for real, what the producer.

0:42:36.560 --> 0:42:39.280
<v Speaker 5>The reason I started getting placement was because the producers

0:42:39.320 --> 0:42:41.640
<v Speaker 5>could give me the track and I produced everybody vocals

0:42:41.960 --> 0:42:43.680
<v Speaker 5>and I could make people sound good. And that learned

0:42:43.680 --> 0:42:45.560
<v Speaker 5>early on. If you can get artists to sound good,

0:42:45.680 --> 0:42:48.080
<v Speaker 5>they always want to work with you. Yeah, And it

0:42:48.200 --> 0:42:49.920
<v Speaker 5>was harder to do back then. You know, you had

0:42:49.960 --> 0:42:52.520
<v Speaker 5>to really vocal produce back then. Yeah, so every artist

0:42:52.600 --> 0:42:54.680
<v Speaker 5>used to. So the producers started being like, that's what

0:42:54.760 --> 0:42:56.520
<v Speaker 5>gonna write my songs because they ain't got to sit

0:42:56.600 --> 0:42:58.200
<v Speaker 5>there with me and produce it. I'm a vocal producer.

0:42:58.200 --> 0:43:00.719
<v Speaker 5>I'm gonna do it all. And so then after that

0:43:01.200 --> 0:43:04.040
<v Speaker 5>it's like, man, I can already play, I can already

0:43:04.120 --> 0:43:04.759
<v Speaker 5>vocal produce all.

0:43:04.800 --> 0:43:06.360
<v Speaker 6>I gott dudes learn how to work this NPC the

0:43:06.440 --> 0:43:07.759
<v Speaker 6>right way, and that's it.

0:43:08.560 --> 0:43:09.960
<v Speaker 5>And so that's what I did. I practiced on the

0:43:10.040 --> 0:43:12.360
<v Speaker 5>MPC for a little while, and then I'm like, okay,

0:43:13.440 --> 0:43:16.360
<v Speaker 5>my ears put it all together, start fine tuning it,

0:43:16.520 --> 0:43:18.200
<v Speaker 5>and then I start making beats, and man, they like

0:43:18.239 --> 0:43:20.399
<v Speaker 5>they're gonna bite it your beats. Okay, well it must

0:43:20.440 --> 0:43:21.000
<v Speaker 5>be good enough.

0:43:21.239 --> 0:43:26.319
<v Speaker 1>Yeah, okay, Cool. Did the beat that you sold did

0:43:26.360 --> 0:43:26.960
<v Speaker 1>it ever come out?

0:43:27.239 --> 0:43:27.920
<v Speaker 5>Ever came out?

0:43:28.120 --> 0:43:29.920
<v Speaker 1>Just got your check? I just got my check your

0:43:29.960 --> 0:43:32.440
<v Speaker 1>front end fron got Yeah, you have the four teen.

0:43:32.560 --> 0:43:35.440
<v Speaker 5>Yeah, he gave me to full ten.

0:43:35.600 --> 0:43:36.920
<v Speaker 1>Yep, that was back then.

0:43:38.200 --> 0:43:40.000
<v Speaker 5>He gave me the full thing. It wasn't even on

0:43:40.080 --> 0:43:42.600
<v Speaker 5>front and back because he needed his five. Yeah, because

0:43:42.640 --> 0:43:43.279
<v Speaker 5>he needed five.

0:43:45.400 --> 0:43:46.000
<v Speaker 1>Pushed that through.

0:43:47.000 --> 0:43:49.160
<v Speaker 5>Push it on cool. So it never even came out

0:43:49.239 --> 0:43:52.080
<v Speaker 5>on that artist. It never even came out. And then

0:43:52.120 --> 0:43:53.800
<v Speaker 5>after that it just started flowing.

0:43:54.280 --> 0:44:00.560
<v Speaker 8>So you got derdy going, Yeah, when does like the

0:44:00.800 --> 0:44:04.840
<v Speaker 8>full run kick in? Where is it is it Lloyd

0:44:05.320 --> 0:44:06.040
<v Speaker 8>that kicks.

0:44:05.840 --> 0:44:06.520
<v Speaker 1>It off for you?

0:44:06.920 --> 0:44:09.399
<v Speaker 5>We'll see what happened with Llyd he throughout this whole time,

0:44:09.480 --> 0:44:11.840
<v Speaker 5>Lord always still with me. Lloyd ended up losing his

0:44:11.920 --> 0:44:15.120
<v Speaker 5>group record deal. But Lloyd was up early pre teen,

0:44:15.400 --> 0:44:17.600
<v Speaker 5>but he was getting in trouble because Lord always been edged,

0:44:17.640 --> 0:44:19.880
<v Speaker 5>so he was getting in trouble in school he was

0:44:19.880 --> 0:44:20.960
<v Speaker 5>getting arrested and all that.

0:44:21.280 --> 0:44:25.279
<v Speaker 6>So his mama was Lloyd Yeah, so Lloyd like Lloyd Yeah.

0:44:25.360 --> 0:44:26.239
<v Speaker 6>So Lord was like you know.

0:44:28.239 --> 0:44:31.400
<v Speaker 5>So his yeah, you know sor his mama used to

0:44:31.400 --> 0:44:32.760
<v Speaker 5>be like johs. But let him come to the studio

0:44:32.840 --> 0:44:35.200
<v Speaker 5>with child. So she'll send him to the studio with us,

0:44:35.280 --> 0:44:36.640
<v Speaker 5>my brother and we'll go pick him up. He ain't

0:44:36.640 --> 0:44:38.080
<v Speaker 5>gonna be and my brother and my cousin to keep

0:44:38.160 --> 0:44:39.800
<v Speaker 5>him out of trouble. Just bring him to the studio,

0:44:40.360 --> 0:44:42.480
<v Speaker 5>you know what I'm saying. So we started doing demos

0:44:42.520 --> 0:44:44.839
<v Speaker 5>for him just because we just doing songs, and then

0:44:44.840 --> 0:44:48.520
<v Speaker 5>he get a solo deal. So by him getting when

0:44:48.680 --> 0:44:50.040
<v Speaker 5>when I send out the songs we was doing, he

0:44:50.120 --> 0:44:52.880
<v Speaker 5>end up getting a solo deal. This was Matgic Johnson

0:44:52.920 --> 0:44:56.040
<v Speaker 5>though this is Matt Johnson had his label ship, so

0:44:56.120 --> 0:44:58.719
<v Speaker 5>he was signing Match Johnson. But in the time we

0:44:58.800 --> 0:45:01.319
<v Speaker 5>finished during the album, none of the songs came out

0:45:01.640 --> 0:45:04.920
<v Speaker 5>because Maggie Johnson decided to cut his label off. Well

0:45:04.960 --> 0:45:07.400
<v Speaker 5>those same songs we had. So one day he in

0:45:07.440 --> 0:45:10.040
<v Speaker 5>the studio and he was like, uh, he just hanging

0:45:10.080 --> 0:45:11.560
<v Speaker 5>with me every dayt the studio. He just coming up

0:45:11.600 --> 0:45:12.839
<v Speaker 5>being me, so he won't get in trouble.

0:45:12.920 --> 0:45:15.719
<v Speaker 1>So Magic didn't pay for the demo. Practically, yeah back, Oh.

0:45:15.920 --> 0:45:18.080
<v Speaker 6>He prayed for a whole album. Oh, mag of them

0:45:18.120 --> 0:45:18.520
<v Speaker 6>played good.

0:45:20.000 --> 0:45:21.480
<v Speaker 5>What do our things work out? So we had so

0:45:21.600 --> 0:45:23.760
<v Speaker 5>now we had an album that for for good songs.

0:45:24.120 --> 0:45:25.920
<v Speaker 5>So what happened was he was in the lawd was

0:45:25.960 --> 0:45:27.520
<v Speaker 5>in the studio, hanging out every day with us. No,

0:45:27.760 --> 0:45:30.000
<v Speaker 5>he just Lord was always mature for his aide. So

0:45:30.040 --> 0:45:30.839
<v Speaker 5>people didn't the girl.

0:45:30.920 --> 0:45:32.160
<v Speaker 1>But at this point he's still a teenager.

0:45:32.160 --> 0:45:34.240
<v Speaker 5>He's still a teenager. He and I'm not fifteen to sixteen,

0:45:34.600 --> 0:45:36.279
<v Speaker 5>you know what I'm saying. So one day he coming,

0:45:36.640 --> 0:45:39.759
<v Speaker 5>Dondelle Jones got a session. So Dundelle Jones got a

0:45:39.800 --> 0:45:41.400
<v Speaker 5>session at dark because you know Dallas used to run

0:45:41.400 --> 0:45:43.560
<v Speaker 5>out of the studio. So done that. So so Mark

0:45:43.600 --> 0:45:45.920
<v Speaker 5>pitts his A and R. So Mark Pitt's come in

0:45:46.120 --> 0:45:47.759
<v Speaker 5>and he see Lloyd because you know he see him me.

0:45:47.920 --> 0:45:49.680
<v Speaker 5>He a little young, he like a little hood dude

0:45:49.680 --> 0:45:51.840
<v Speaker 5>with and he say, ask Lord, man what you do?

0:45:52.239 --> 0:45:55.120
<v Speaker 5>He said, Man, I sang Mark Peces like no way

0:45:55.160 --> 0:45:58.359
<v Speaker 5>you sing, no way, no way you sing. He got

0:45:58.440 --> 0:46:00.640
<v Speaker 5>sign he said, you got songs. So he said Jospeer.

0:46:00.840 --> 0:46:02.960
<v Speaker 5>So you know, I'm always in the studio one where

0:46:03.160 --> 0:46:05.440
<v Speaker 5>songs at. So I said, I got our songs right here.

0:46:05.719 --> 0:46:07.920
<v Speaker 5>So we go in the room. Mark Pitts heard them songs.

0:46:08.200 --> 0:46:11.399
<v Speaker 5>Mark Pitce say no way. Mark Pitts jumped on the phone,

0:46:11.480 --> 0:46:13.960
<v Speaker 5>try to call La. These same demo songs were the

0:46:13.960 --> 0:46:15.799
<v Speaker 5>first songs Lloyd came out with, which was Hey Young

0:46:15.880 --> 0:46:17.240
<v Speaker 5>Girl in the south Side.

0:46:17.320 --> 0:46:18.799
<v Speaker 6>Them them all these songs.

0:46:18.960 --> 0:46:19.040
<v Speaker 1>Yd.

0:46:19.280 --> 0:46:23.240
<v Speaker 5>He was fifteen John So Matt Magic songs, Matti Johnson

0:46:23.280 --> 0:46:26.399
<v Speaker 5>paid Yeah. So yeah, so he Gooyd had south Side,

0:46:26.480 --> 0:46:28.120
<v Speaker 5>he had, he had a Hey Young Girl and all

0:46:28.200 --> 0:46:30.359
<v Speaker 5>that shit stuff and the other songs I had did.

0:46:30.480 --> 0:46:32.680
<v Speaker 5>So when Mark Pitts heard all them songs, Mark pitt

0:46:32.760 --> 0:46:34.279
<v Speaker 5>was like, man, we gotta sign you. So he called

0:46:34.440 --> 0:46:36.040
<v Speaker 5>l A. He set up with me for Lord to

0:46:36.040 --> 0:46:38.120
<v Speaker 5>go to l A mean and go to meet with La.

0:46:38.920 --> 0:46:42.279
<v Speaker 5>So Lloyd about sixteen. At this point, so Lloyd he

0:46:42.400 --> 0:46:43.920
<v Speaker 5>do he do the meaning he was about to go

0:46:43.960 --> 0:46:46.279
<v Speaker 5>to New York to do that, meaning, I'm doing a

0:46:46.320 --> 0:46:49.320
<v Speaker 5>real fast version of you, okay. And so while he

0:46:49.400 --> 0:46:50.920
<v Speaker 5>was up there about supposed to do his meeting with

0:46:51.040 --> 0:46:57.839
<v Speaker 5>La Reid, Lloyd, Lloyd's attorney Ron Sweeney, his IRV Gotti. Hey,

0:46:58.480 --> 0:47:00.719
<v Speaker 5>I got this jumboll over here. He about to go

0:47:00.800 --> 0:47:03.120
<v Speaker 5>meet with La Red, but you need to come see

0:47:03.280 --> 0:47:05.080
<v Speaker 5>him before he go do that meeting with La Red.

0:47:05.160 --> 0:47:06.239
<v Speaker 5>You need to come see this boy.

0:47:06.360 --> 0:47:07.520
<v Speaker 1>Murder is on fire.

0:47:07.800 --> 0:47:10.000
<v Speaker 5>Well at this point, it's kind of it's if this

0:47:10.080 --> 0:47:11.279
<v Speaker 5>one fifty first coming up.

0:47:12.360 --> 0:47:14.040
<v Speaker 1>So it was like a little yeah, I thought he

0:47:14.160 --> 0:47:15.640
<v Speaker 1>was okay, but they had they're gonna fight.

0:47:15.680 --> 0:47:17.439
<v Speaker 6>You know, they were still the biggest, they were still

0:47:17.640 --> 0:47:19.080
<v Speaker 6>like it's still like.

0:47:19.200 --> 0:47:21.279
<v Speaker 5>Crazy, you know what I'm saying. So when Layd went

0:47:21.280 --> 0:47:23.040
<v Speaker 5>to New York, we was all sitting back at home,

0:47:23.120 --> 0:47:24.239
<v Speaker 5>like waiting to let us know how to l A

0:47:24.280 --> 0:47:25.400
<v Speaker 5>Rea because we're gonna get us a you know, we

0:47:25.440 --> 0:47:27.080
<v Speaker 5>gonna us l A Reed deal, you know what I mean.

0:47:27.400 --> 0:47:28.120
<v Speaker 6>So he called me and.

0:47:28.120 --> 0:47:31.879
<v Speaker 5>Said, hey, chap Man, I'm at a shunty platinum party. Said, man,

0:47:31.920 --> 0:47:34.640
<v Speaker 5>what you're doing all the shunting platinum party? He said, Man,

0:47:34.680 --> 0:47:37.680
<v Speaker 5>earth got it. I think IRV wanna sign me? I said,

0:47:37.760 --> 0:47:41.879
<v Speaker 5>IRV wanna sign you? He's like yeah, And so we're like, wow,

0:47:41.920 --> 0:47:44.319
<v Speaker 5>we thinking he gonna better get sign to La Reid.

0:47:44.920 --> 0:47:47.560
<v Speaker 5>HERV intercepted through Ryn Sweeney the lawyer, because he was

0:47:47.640 --> 0:47:50.520
<v Speaker 5>Earth lawyer too. So Ryn Swingey put that call Earth

0:47:50.560 --> 0:47:52.759
<v Speaker 5>come get him. So Earth boom. So the next week,

0:47:52.840 --> 0:47:55.319
<v Speaker 5>Earth fly down because Earth come believe like this young

0:47:55.360 --> 0:47:56.920
<v Speaker 5>boy wrote these songs and all he got all this.

0:47:57.200 --> 0:47:59.239
<v Speaker 5>Let me see if it's real. So Earth fled down

0:47:59.280 --> 0:48:01.279
<v Speaker 5>to meet all his friends, which is us, my cousin,

0:48:01.440 --> 0:48:04.680
<v Speaker 5>and it's real. He's like, oh, this is what he around.

0:48:05.960 --> 0:48:08.520
<v Speaker 5>Oh he looked at her a little hood. Oh he

0:48:08.640 --> 0:48:11.080
<v Speaker 5>for real and ear shot that video so quick.

0:48:11.120 --> 0:48:12.520
<v Speaker 6>For he moved Lord up.

0:48:12.560 --> 0:48:14.040
<v Speaker 5>He took Lord up to New York to do about

0:48:14.040 --> 0:48:15.640
<v Speaker 5>five or six more songs and shot that video for

0:48:15.840 --> 0:48:17.759
<v Speaker 5>he put a shunt on the south side because at

0:48:17.800 --> 0:48:19.840
<v Speaker 5>first she wasn't on south side. It was his cousin.

0:48:20.120 --> 0:48:21.480
<v Speaker 6>He put a shunt on the south side and it

0:48:21.600 --> 0:48:34.160
<v Speaker 6>was on way bigger than me.

0:48:34.239 --> 0:48:36.400
<v Speaker 5>Man like, for real, Man, I couldn't design none of this,

0:48:37.000 --> 0:48:39.600
<v Speaker 5>the stuff, the stuff I've been messed it up. I

0:48:39.600 --> 0:48:42.560
<v Speaker 5>couldn't design none of this that. I can't design it.

0:48:43.040 --> 0:48:57.399
<v Speaker 1>Yeah, yeah, okay, a right, we get to you up here,

0:48:57.440 --> 0:48:57.759
<v Speaker 1>find it.

0:48:57.960 --> 0:48:59.000
<v Speaker 5>He finally finding the key.

0:49:00.320 --> 0:49:02.600
<v Speaker 1>Will that be one? Will there be one?

0:49:02.800 --> 0:49:02.960
<v Speaker 2>Yeah?

0:49:05.200 --> 0:49:08.640
<v Speaker 3>M h m hm.

0:49:15.600 --> 0:49:31.000
<v Speaker 1>Chasm, yes, sir, Micheur, Big Love. Yeah. H we want

0:49:31.040 --> 0:49:35.320
<v Speaker 1>to know here, but we want to know chief. Top five,

0:49:38.600 --> 0:49:43.239
<v Speaker 1>your top five mm hmm, top.

0:49:43.920 --> 0:49:55.280
<v Speaker 3>Five, your top five RB singer whatever, Why are the songs?

0:49:55.880 --> 0:50:11.080
<v Speaker 4>Yeah yeah, big Love, You've got You've seen I know you, yes,

0:50:11.920 --> 0:50:34.279
<v Speaker 4>yeah right, but with Ray Charles, Ray Charles, that was great.

0:50:35.320 --> 0:50:40.320
<v Speaker 3>Yeah, brother, big Love, Yes, sir, Your top five R

0:50:40.400 --> 0:50:42.040
<v Speaker 3>and B singer hmm.

0:50:42.080 --> 0:50:45.520
<v Speaker 6>Okay, this is this is my own personal now. You

0:50:45.600 --> 0:50:46.120
<v Speaker 6>know what I'm saying.

0:50:46.560 --> 0:50:49.719
<v Speaker 5>The world your world, the top five most influential RB

0:50:49.840 --> 0:50:52.680
<v Speaker 5>singles on me and I listened to you know, I

0:50:52.719 --> 0:50:55.040
<v Speaker 5>want to just put a prerequisite. You know, we can

0:50:55.080 --> 0:50:57.800
<v Speaker 5>always do the Michael Jacksons and the Princess and and

0:50:58.040 --> 0:50:59.920
<v Speaker 5>and you know what I'm saying, We gonna always do them,

0:51:00.239 --> 0:51:02.040
<v Speaker 5>but I'm gonna try to go off a little bit

0:51:02.120 --> 0:51:04.759
<v Speaker 5>off kill too for the ones that really influenced me.

0:51:04.840 --> 0:51:08.439
<v Speaker 5>Besides yeah, besides Michael and Prince because they touch everybody soul.

0:51:09.719 --> 0:51:15.239
<v Speaker 5>That Bobby Brown, the truth, the blueprint, Yes, sir, the blueprint.

0:51:15.719 --> 0:51:19.239
<v Speaker 5>People don't know a lot of the post. Barbara Brown

0:51:19.360 --> 0:51:22.719
<v Speaker 5>was way different than beginning than before. Bobby He changed

0:51:22.760 --> 0:51:26.160
<v Speaker 5>the game. You got to give Bobby them two dances.

0:51:25.840 --> 0:51:29.280
<v Speaker 6>Behind you dancing, nasty dancing and singing. That's the hunting

0:51:29.320 --> 0:51:30.680
<v Speaker 6>and all of that Bobby.

0:51:30.920 --> 0:51:32.600
<v Speaker 5>So when you see us, when you see Chris and

0:51:32.640 --> 0:51:35.080
<v Speaker 5>you see all of them, Bobby with the blueprint for

0:51:35.160 --> 0:51:37.560
<v Speaker 5>that Bobby because you know, you know, Mike was a

0:51:37.600 --> 0:51:39.520
<v Speaker 5>different thing. He was out of this world. Bobby brought

0:51:39.560 --> 0:51:41.480
<v Speaker 5>you to the hood. So you see r Kelly, he

0:51:41.520 --> 0:51:42.880
<v Speaker 5>got some of that Bobby in it. You know what

0:51:42.920 --> 0:51:44.640
<v Speaker 5>I'm saying. When you see all of them, you know

0:51:44.719 --> 0:51:46.400
<v Speaker 5>they got that Bobby in them. So I'm gonna say,

0:51:46.400 --> 0:51:51.800
<v Speaker 5>Boby Brown, just for me, for you, Keith Sweat change

0:51:51.880 --> 0:51:53.920
<v Speaker 5>the game. When you hear that eight a wait in

0:51:54.000 --> 0:51:56.319
<v Speaker 5>them slow songs, the first one to do that thing,

0:51:56.719 --> 0:51:58.759
<v Speaker 5>Keith Sweat, that make the laugh for ever able that

0:51:58.920 --> 0:52:01.160
<v Speaker 5>him and Teddy did change the game.

0:52:01.320 --> 0:52:02.799
<v Speaker 1>The sweat, the sweat man.

0:52:02.880 --> 0:52:11.640
<v Speaker 5>You can'tnot keep sweat. You can't cannot keep sweat, you know, yeah, yeah, put.

0:52:11.560 --> 0:52:15.600
<v Speaker 1>His hands out. He tried not keep sweating the super

0:52:15.760 --> 0:52:19.480
<v Speaker 1>all the super freaking songs, but he did for Silk that.

0:52:19.480 --> 0:52:26.440
<v Speaker 3>Freakment a producer, writer and owner, owner way before anybody.

0:52:26.440 --> 0:52:31.200
<v Speaker 5>Even sometimes I don't think people get Key Sweat was

0:52:31.200 --> 0:52:34.400
<v Speaker 5>the right way. Get Key Sweat, Star money. They don't know,

0:52:34.719 --> 0:52:36.960
<v Speaker 5>they don't know, and we're gonna make sure make sure

0:52:37.000 --> 0:52:39.439
<v Speaker 5>they know. Many changed the game. So the way y'all

0:52:39.480 --> 0:52:41.279
<v Speaker 5>hear R and B music when y'all start hanging with

0:52:41.400 --> 0:52:43.719
<v Speaker 5>the super deep eight away, Okay, everybody had that.

0:52:45.520 --> 0:52:48.360
<v Speaker 6>That deep basing and like rap songs. That's Keith Sweat.

0:52:49.600 --> 0:52:50.880
<v Speaker 1>Man, keep going, keep going.

0:52:51.040 --> 0:52:54.160
<v Speaker 5>Let me see influence me. I'm gonna take it up

0:52:54.200 --> 0:53:01.120
<v Speaker 5>to R. Kelly. Why not game changer for sure? Game changer,

0:53:01.800 --> 0:53:05.040
<v Speaker 5>change the game to after game changing. Man, you can't

0:53:05.080 --> 0:53:06.920
<v Speaker 5>take it. You know, whatever you got going, But man,

0:53:06.960 --> 0:53:08.640
<v Speaker 5>you can't take away them songs. Man, you can't take

0:53:08.640 --> 0:53:10.920
<v Speaker 5>away the performances. You can't take away the flavor he

0:53:10.960 --> 0:53:12.560
<v Speaker 5>brought to the world. You can't take it.

0:53:12.719 --> 0:53:14.520
<v Speaker 6>On the teleent side, you can't take that away. You

0:53:14.600 --> 0:53:15.320
<v Speaker 6>gotta get it to it.

0:53:15.400 --> 0:53:18.480
<v Speaker 3>You can't take away the the the amount of inspiration,

0:53:18.640 --> 0:53:22.240
<v Speaker 3>come on, man, the amount of gifts that were birthed.

0:53:22.480 --> 0:53:24.239
<v Speaker 1>Yeah, as a result of.

0:53:24.320 --> 0:53:28.480
<v Speaker 5>What he was doing, our killing man wouldn't be we

0:53:28.640 --> 0:53:32.240
<v Speaker 5>wouldn't room, we wouldn't be like we are because well,

0:53:32.280 --> 0:53:34.200
<v Speaker 5>you know, we come from the generation of talking different

0:53:34.280 --> 0:53:35.800
<v Speaker 5>with our R and b PN, but we kind of,

0:53:36.080 --> 0:53:38.880
<v Speaker 5>you know, we come from after that. We could we're

0:53:38.880 --> 0:53:39.440
<v Speaker 5>gonna talk like that.

0:53:39.560 --> 0:53:40.480
<v Speaker 1>We could talk about we talk.

0:53:41.120 --> 0:53:43.520
<v Speaker 5>Yeah, shut up, shut up.

0:53:43.600 --> 0:53:44.400
<v Speaker 1>I don't never want to hear.

0:53:45.320 --> 0:53:55.680
<v Speaker 5>I will never knew, I said, yeah, shut up, yeah, yeah, man,

0:53:58.320 --> 0:53:59.759
<v Speaker 5>the true man gotta give it to him.

0:53:59.800 --> 0:54:00.960
<v Speaker 1>Man. Yeah, that's three.

0:54:01.040 --> 0:54:05.759
<v Speaker 5>That's three, babyface. Man, come on, man, that's this baby

0:54:05.840 --> 0:54:09.120
<v Speaker 5>face my last one. It's a it's a combination. But

0:54:09.200 --> 0:54:14.520
<v Speaker 5>I'm gonna tell you why. Charlie Willison, m Charlie Willison,

0:54:14.600 --> 0:54:17.400
<v Speaker 5>Uncle Charlie. Let me tell y'all something. This whole generation

0:54:17.520 --> 0:54:19.080
<v Speaker 5>of us that do all them runs and all that

0:54:19.120 --> 0:54:24.040
<v Speaker 5>stuff we bit off. Charlie Wilson, Aaron Hall wanted to

0:54:24.040 --> 0:54:29.719
<v Speaker 5>be Charlie Wilson. Arkella wanted to be Aaron Hall. Keller

0:54:29.760 --> 0:54:31.600
<v Speaker 5>wanted to be Aaron Aaron Hall wanted to be Charlie

0:54:31.600 --> 0:54:33.080
<v Speaker 5>Wilson the way Charlie will was.

0:54:33.160 --> 0:54:34.759
<v Speaker 6>And then this, this is why I got to come up,

0:54:34.760 --> 0:54:36.440
<v Speaker 6>because guess what Charlie Wilson wanted to say, like.

0:54:37.120 --> 0:54:40.880
<v Speaker 5>Steven Wonder the game, so the way we sing all

0:54:40.920 --> 0:54:42.920
<v Speaker 5>these runs and I knew and not Aaron all of

0:54:42.960 --> 0:54:45.600
<v Speaker 5>that Charlie Wilson really, but he was getting from Steven Wonder,

0:54:45.600 --> 0:54:51.040
<v Speaker 5>So that's why I said, but I don't think they,

0:54:51.200 --> 0:54:54.279
<v Speaker 5>but but Charlie Wilson, the way he sing like man,

0:54:54.360 --> 0:54:56.120
<v Speaker 5>come on, man, like for real, the way that guy

0:54:56.600 --> 0:55:00.919
<v Speaker 5>from Oh My Word to this day boy. Yeah, yeah,

0:55:01.239 --> 0:55:02.759
<v Speaker 5>all I wanted to hit them runs like that.

0:55:03.120 --> 0:55:05.480
<v Speaker 1>Yeah, Chris, and most of us can't. We can't see

0:55:05.880 --> 0:55:10.560
<v Speaker 1>at all for most of us. That is. That's different way,

0:55:10.640 --> 0:55:14.319
<v Speaker 1>different love. Yeah. Yeah, I like where you're going your

0:55:14.400 --> 0:55:16.040
<v Speaker 1>top five R and B songs.

0:55:18.600 --> 0:55:21.960
<v Speaker 5>Yeah, that's like pulling my heart out. I'm gonna tell

0:55:21.960 --> 0:55:25.360
<v Speaker 5>you my first one. If I'm going by pure Field,

0:55:25.560 --> 0:55:29.239
<v Speaker 5>I gotta give a Lately by Steven Wan of that

0:55:29.360 --> 0:55:32.799
<v Speaker 5>that was remade by huh Josi't gonna tell you why

0:55:33.400 --> 0:55:35.759
<v Speaker 5>if you listen to the words and Lately, the only

0:55:35.800 --> 0:55:37.560
<v Speaker 5>person that could have wrote that was Steven Wander or

0:55:37.560 --> 0:55:41.360
<v Speaker 5>another blind man because the lyrics he's saying far more frequently,

0:55:41.400 --> 0:55:43.719
<v Speaker 5>you're wearing perfume to say, no special place to go.

0:55:43.960 --> 0:55:45.600
<v Speaker 5>The only way he knows she going out and all

0:55:45.640 --> 0:55:47.279
<v Speaker 5>that because he's smell of perfume. He can't see what

0:55:47.400 --> 0:55:49.520
<v Speaker 5>she's going. He don't know. She got on. He got

0:55:49.640 --> 0:55:49.759
<v Speaker 5>to do.

0:55:50.520 --> 0:55:53.680
<v Speaker 1>That's the only way she's going.

0:55:54.320 --> 0:55:54.480
<v Speaker 5>Man.

0:55:56.120 --> 0:55:59.839
<v Speaker 6>Come on, I can smell the perfume, man, ain't nobody

0:56:00.080 --> 0:56:00.600
<v Speaker 6>can he on.

0:56:00.719 --> 0:56:05.239
<v Speaker 3>He's not about what she's wearing. See that.

0:56:05.480 --> 0:56:09.799
<v Speaker 6>I can smell your perfume. More frequently you're wearing her perfume.

0:56:11.239 --> 0:56:13.279
<v Speaker 6>This is really my my favorite Michael Jackson song.

0:56:13.400 --> 0:56:15.640
<v Speaker 5>Is this right here? For real? Lady in my life?

0:56:16.920 --> 0:56:20.120
<v Speaker 5>And then like I said, as we lay, I got

0:56:20.239 --> 0:56:23.040
<v Speaker 5>to say, as we that's the first that's the first

0:56:23.080 --> 0:56:25.160
<v Speaker 5>record I asked my mama to buy me with that

0:56:25.280 --> 0:56:28.800
<v Speaker 5>feel on it like that, So as we lay and

0:56:28.960 --> 0:56:33.200
<v Speaker 5>Man for real, cry for you Jo Tosy, you better

0:56:33.280 --> 0:56:35.759
<v Speaker 5>do it man. When I heard that, When I heard

0:56:35.800 --> 0:56:36.800
<v Speaker 5>that cry for you, man.

0:56:37.520 --> 0:56:44.000
<v Speaker 1>I said, whoa life changing? Yes, what's going on?

0:56:44.280 --> 0:56:44.480
<v Speaker 5>Man?

0:56:44.600 --> 0:56:47.480
<v Speaker 6>Like I'm a crop of you. They're saying the softest

0:56:47.520 --> 0:56:49.080
<v Speaker 6>thing in the world, but in the hardest way.

0:56:51.360 --> 0:56:54.040
<v Speaker 5>Come on, and I gotta do this song right here, man,

0:56:55.000 --> 0:56:57.480
<v Speaker 5>even though it was another song on the on the album,

0:56:57.960 --> 0:57:01.120
<v Speaker 5>but this whole album, Man, change my life to that

0:57:01.239 --> 0:57:01.880
<v Speaker 5>any heartbreak?

0:57:01.920 --> 0:57:03.440
<v Speaker 6>Can you stand? Can you stand the rain?

0:57:04.440 --> 0:57:05.520
<v Speaker 5>And can you stand the rain?

0:57:05.600 --> 0:57:05.719
<v Speaker 2>Man?

0:57:05.800 --> 0:57:06.160
<v Speaker 8>That song?

0:57:06.239 --> 0:57:09.840
<v Speaker 5>And they coming home I can put them between one combo.

0:57:10.360 --> 0:57:11.680
<v Speaker 5>Can you stand the ring that coming Home?

0:57:12.360 --> 0:57:13.680
<v Speaker 3>I don't care if you put the whole album and

0:57:13.840 --> 0:57:16.040
<v Speaker 3>the whole album man Heartbreakers.

0:57:15.680 --> 0:57:17.520
<v Speaker 6>Man that Jam and Lewis. Man, come on, man, who

0:57:17.600 --> 0:57:18.360
<v Speaker 6>do it better than them?

0:57:18.440 --> 0:57:18.640
<v Speaker 3>Man?

0:57:19.560 --> 0:57:21.800
<v Speaker 5>Man? They changed the game?

0:57:21.960 --> 0:57:23.640
<v Speaker 1>Man? Your R and B volt Trump?

0:57:23.880 --> 0:57:28.120
<v Speaker 3>Okay, Yeah, perfect R and B singer, your arm your

0:57:28.320 --> 0:57:30.400
<v Speaker 3>your perfect, your super hero.

0:57:31.040 --> 0:57:33.680
<v Speaker 1>I want to know who you're gonna get the vocal from? Okay?

0:57:33.920 --> 0:57:38.080
<v Speaker 3>The performance style, yeah, the styling of the artists, yeah,

0:57:38.560 --> 0:57:42.720
<v Speaker 3>in the heart of the artists, the passion of the artists.

0:57:42.760 --> 0:57:46.160
<v Speaker 3>And then, because you are a writer producer often at

0:57:46.240 --> 0:57:50.640
<v Speaker 3>this part right here, who's going to produce and write

0:57:50.960 --> 0:57:51.640
<v Speaker 3>the songs?

0:57:52.520 --> 0:57:52.720
<v Speaker 1>Yeah?

0:57:52.720 --> 0:57:55.760
<v Speaker 3>You didn't know that was co Yeah, get tricky right there.

0:57:56.000 --> 0:57:58.720
<v Speaker 3>All right, So let's start with the vocal for your

0:57:58.800 --> 0:58:00.680
<v Speaker 3>vult trump. Who you get the vocal from?

0:58:01.040 --> 0:58:03.560
<v Speaker 5>The vocal for my R and B volt trying. I'm

0:58:03.560 --> 0:58:07.120
<v Speaker 5>gonna say Whitney and I'm gonna say Michael, because they

0:58:07.240 --> 0:58:10.440
<v Speaker 5>got the perfect vocal. They can sing soul and they

0:58:10.480 --> 0:58:13.640
<v Speaker 5>could sing pop. They can they could they can sing anything, yeah,

0:58:13.960 --> 0:58:16.520
<v Speaker 5>and make it their own. And they can take a

0:58:16.600 --> 0:58:19.600
<v Speaker 5>song no matter what genre it is, and you're gonna

0:58:19.720 --> 0:58:21.840
<v Speaker 5>you're gonna they generalists, you know what I mean. So

0:58:21.920 --> 0:58:23.800
<v Speaker 5>that's why I like their vocal tones. That's why like

0:58:23.840 --> 0:58:28.440
<v Speaker 5>Whitney Vocaltone. That's why like Michael Vocaltone, because well it's

0:58:28.520 --> 0:58:31.320
<v Speaker 5>like the same thing. I like the same thing about

0:58:31.320 --> 0:58:33.200
<v Speaker 5>both of them. I like that by Beyonce too, But

0:58:33.280 --> 0:58:36.160
<v Speaker 5>I'm just gonna say, you know what I'm saying, Beyonce

0:58:36.320 --> 0:58:36.720
<v Speaker 5>got that too.

0:58:37.360 --> 0:58:38.360
<v Speaker 1>Performance style.

0:58:39.800 --> 0:58:41.440
<v Speaker 5>Man, I'm gonna tell you that. I got to give

0:58:41.440 --> 0:58:43.160
<v Speaker 5>it to Bobby Brown again. But I'm gonna tell you

0:58:43.240 --> 0:58:46.000
<v Speaker 5>why he changed my life. How nasty he was on stage.

0:58:46.240 --> 0:58:48.120
<v Speaker 5>That man used to dance so hard, man and go

0:58:48.280 --> 0:58:50.760
<v Speaker 5>so hard on stage, get kicked out the stage and

0:58:50.800 --> 0:58:55.000
<v Speaker 5>all that. I'm gonna say Bobby, But really, Bobby kind

0:58:55.040 --> 0:58:58.120
<v Speaker 5>of was a He was kind of a James Brown too,

0:58:58.120 --> 0:59:00.240
<v Speaker 5>because James I was funking nasty like that too, So

0:59:00.320 --> 0:59:01.680
<v Speaker 5>they kind of had that same kind of thing.

0:59:01.880 --> 0:59:05.200
<v Speaker 8>I always say something about that Brown name, Yeah, James Brown,

0:59:05.240 --> 0:59:06.720
<v Speaker 8>Bobby Brown Brown, and.

0:59:06.760 --> 0:59:08.520
<v Speaker 6>I would put Chris to but I know Chris, he

0:59:08.760 --> 0:59:10.600
<v Speaker 6>had the river of Bobby. So like I think they

0:59:10.640 --> 0:59:11.480
<v Speaker 6>got Chriss.

0:59:11.200 --> 0:59:13.280
<v Speaker 1>Bobby, And yeah, you know what I'm saying, so he

0:59:14.760 --> 0:59:17.080
<v Speaker 1>Michael Brown, what career?

0:59:17.440 --> 0:59:19.200
<v Speaker 6>You know what I'm saying. So I'm gonna say that too.

0:59:19.960 --> 0:59:23.360
<v Speaker 1>Styling of the artist, the drip, the drip. Who is

0:59:23.440 --> 0:59:24.000
<v Speaker 1>gonna drip? Like?

0:59:25.440 --> 0:59:27.160
<v Speaker 5>Man, I'm gonna tell you who had the ultimate drip.

0:59:27.240 --> 0:59:28.760
<v Speaker 5>And I got to give it to this man because

0:59:28.800 --> 0:59:31.040
<v Speaker 5>for real, he would wear things that only he could

0:59:31.080 --> 0:59:34.560
<v Speaker 5>pull off. And you can say nothing about it. Prince,

0:59:35.440 --> 0:59:38.080
<v Speaker 5>the thing you could that man and for real, man

0:59:38.200 --> 0:59:41.040
<v Speaker 5>like he won't. He he will what he wanted to

0:59:41.080 --> 0:59:43.760
<v Speaker 5>well when he wanted to wear. And you if you uncomfortable,

0:59:43.800 --> 0:59:44.400
<v Speaker 5>then that you're on you.

0:59:45.120 --> 0:59:50.760
<v Speaker 1>He added the motorcycle to it. Yeah, he motorcycle is

0:59:50.800 --> 0:59:51.400
<v Speaker 1>really important.

0:59:51.480 --> 0:59:51.920
<v Speaker 5>Yeah he had.

0:59:52.560 --> 0:59:55.720
<v Speaker 1>Yeah, he brought all the purple. It was important.

0:59:56.400 --> 1:00:01.080
<v Speaker 8>But you know what, and the guitar and guitar because

1:00:01.360 --> 1:00:04.680
<v Speaker 8>because Richard was on the piano, but standing with the guitars.

1:00:04.840 --> 1:00:06.160
<v Speaker 5>But I'm gonna tell you somebody was a little bit

1:00:06.200 --> 1:00:07.800
<v Speaker 5>before Prince. They kind of set it up for him.

1:00:08.240 --> 1:00:08.920
<v Speaker 5>Rick James.

1:00:09.680 --> 1:00:12.280
<v Speaker 6>Yeah, Rick James, you know what I mean, Like, you know,

1:00:12.440 --> 1:00:14.000
<v Speaker 6>you know Prince got a little game from Rick.

1:00:14.520 --> 1:00:20.040
<v Speaker 5>Yeah. It helps me with the lift tars, with the

1:00:20.240 --> 1:00:25.680
<v Speaker 5>faith frame, with the glitter and with that good tar. Yeah,

1:00:25.760 --> 1:00:28.160
<v Speaker 5>Rick Rick, call forget about.

1:00:28.000 --> 1:00:34.200
<v Speaker 1>Rick Gamey, Rick James.

1:00:35.840 --> 1:00:36.040
<v Speaker 5>Yes.

1:00:36.840 --> 1:00:39.640
<v Speaker 1>The passion of the artist, the heart of the artists.

1:00:42.640 --> 1:00:49.120
<v Speaker 5>The passion, Oh my god, man, the passion man, you

1:00:49.200 --> 1:00:52.320
<v Speaker 5>know who I got to give it to because in

1:00:52.440 --> 1:00:54.520
<v Speaker 5>this day and time, I know how hard it is

1:00:56.280 --> 1:00:58.840
<v Speaker 5>to keep going no matter what you go through. The passion.

1:00:58.880 --> 1:01:01.800
<v Speaker 5>I got to go to Chris Brown, listen to him.

1:01:01.840 --> 1:01:05.240
<v Speaker 6>Man, Ain't nobody, Man, Le'm gonna tell you something.

1:01:05.440 --> 1:01:06.480
<v Speaker 1>Nobody's gonna argue that.

1:01:06.640 --> 1:01:08.400
<v Speaker 5>Really, when that boy came back from you know, we

1:01:08.480 --> 1:01:10.520
<v Speaker 5>all you're gonna go through our things. We're gonna go

1:01:10.560 --> 1:01:13.280
<v Speaker 5>through issues. You know, we're gonna you know, we're gonna

1:01:13.320 --> 1:01:15.800
<v Speaker 5>make mistakes. But for him to fight back from where

1:01:15.800 --> 1:01:17.400
<v Speaker 5>he had a fail from and how they tried to

1:01:17.600 --> 1:01:19.280
<v Speaker 5>and he had to go back to doing those mixed

1:01:19.320 --> 1:01:21.000
<v Speaker 5>tapes and he had to grind his way back up

1:01:21.040 --> 1:01:23.320
<v Speaker 5>and figure it all out to get back. You know,

1:01:24.160 --> 1:01:27.440
<v Speaker 5>I think it made him a better artist. And I'm

1:01:27.440 --> 1:01:29.880
<v Speaker 5>gonna be honest with you, I kind of believe he's

1:01:29.880 --> 1:01:32.760
<v Speaker 5>still here right now because he learned from that how

1:01:32.840 --> 1:01:36.200
<v Speaker 5>to be tough, how do certain things? Certain things?

1:01:36.280 --> 1:01:36.400
<v Speaker 2>Man?

1:01:36.440 --> 1:01:39.040
<v Speaker 5>You seeing the dog you never gonna see in the light.

1:01:40.480 --> 1:01:43.200
<v Speaker 5>So when you kind of he's battle tested. So he

1:01:43.280 --> 1:01:45.000
<v Speaker 5>had the things he had to figure out how to

1:01:45.120 --> 1:01:47.959
<v Speaker 5>keep hisself going. Really it talking about to survive without

1:01:48.000 --> 1:01:50.360
<v Speaker 5>a label. No matter hey man, no matter who around,

1:01:50.400 --> 1:01:53.720
<v Speaker 5>no matter what you man, you.

1:01:54.120 --> 1:01:56.280
<v Speaker 8>Love me, you will pull up at the record plan.

1:01:56.640 --> 1:02:00.000
<v Speaker 8>And you just saw him recreating himself.

1:02:00.160 --> 1:02:00.880
<v Speaker 6>That's what I'm saying.

1:02:00.920 --> 1:02:02.440
<v Speaker 1>He was in that studio.

1:02:02.600 --> 1:02:03.440
<v Speaker 5>It's not easy thing.

1:02:03.520 --> 1:02:06.760
<v Speaker 8>Three months every day, every day, every night. I'm talking

1:02:06.760 --> 1:02:08.120
<v Speaker 8>about the tattoo artists in there.

1:02:08.240 --> 1:02:10.600
<v Speaker 1>You got everything that he needs in that studio.

1:02:11.480 --> 1:02:13.760
<v Speaker 8>And he would play them songs and I'd be like,

1:02:14.080 --> 1:02:15.840
<v Speaker 8>I would just go by every other night and just

1:02:16.640 --> 1:02:19.240
<v Speaker 8>it was a new batch of eighty songs. It takes

1:02:19.280 --> 1:02:24.320
<v Speaker 8>a passion, takes that when everybody is telling you it's over,

1:02:24.360 --> 1:02:24.840
<v Speaker 8>it's over.

1:02:25.920 --> 1:02:27.560
<v Speaker 5>And we all know how hard that is in this

1:02:27.680 --> 1:02:30.080
<v Speaker 5>game with man, when people stop answering the calls, when

1:02:30.120 --> 1:02:30.680
<v Speaker 5>they look at.

1:02:30.600 --> 1:02:31.160
<v Speaker 6>You, it's done.

1:02:32.240 --> 1:02:34.320
<v Speaker 3>Step further, when they stopped answering the calls and then

1:02:34.360 --> 1:02:35.840
<v Speaker 3>they calling other people to tell them not.

1:02:35.880 --> 1:02:36.440
<v Speaker 1>To answer the call.

1:02:37.000 --> 1:02:38.400
<v Speaker 6>How gangs to that?

1:02:38.520 --> 1:02:38.760
<v Speaker 3>He is?

1:02:39.600 --> 1:02:41.680
<v Speaker 1>Come on, man, who's.

1:02:41.520 --> 1:02:46.200
<v Speaker 3>Writing for this and or producing for this artist or

1:02:46.440 --> 1:02:49.400
<v Speaker 3>who's the writer producer, because you know we do both.

1:02:49.440 --> 1:02:49.919
<v Speaker 1>You know what I'm saying.

1:02:50.640 --> 1:02:51.000
<v Speaker 3>You might have.

1:02:52.480 --> 1:02:58.840
<v Speaker 5>You know, man, the writer producer for this artist. Man,

1:02:59.080 --> 1:03:02.920
<v Speaker 5>its joint to joint win Babyface in l A or

1:03:03.000 --> 1:03:04.320
<v Speaker 5>Jam Jam and Lewis.

1:03:04.480 --> 1:03:06.840
<v Speaker 1>You know well you will not men.

1:03:06.880 --> 1:03:07.560
<v Speaker 5>You know what I'm saying.

1:03:07.760 --> 1:03:10.760
<v Speaker 1>It's great weight. That's a great way.

1:03:10.880 --> 1:03:13.960
<v Speaker 5>Yeah man, that's a great way. Yeah yeah man.

1:03:14.600 --> 1:03:19.280
<v Speaker 1>But while you're here, we got a very very y

1:03:19.800 --> 1:03:21.200
<v Speaker 1>special segment.

1:03:21.560 --> 1:03:25.840
<v Speaker 8>Yeah, give him a little bit, come on, give me

1:03:26.080 --> 1:03:28.600
<v Speaker 8>just give him a little taste of what we got

1:03:28.680 --> 1:03:29.120
<v Speaker 8>coming up.

1:03:29.200 --> 1:03:33.640
<v Speaker 3>Man, Chief, what is it called? I ain't saying no nigga.

1:03:34.120 --> 1:03:36.840
<v Speaker 3>I ain't saying no names. I ain't saying no names.

1:03:37.240 --> 1:03:38.360
<v Speaker 1>I ain't saying no names.

1:03:38.440 --> 1:03:40.720
<v Speaker 5>Who is weird?

1:03:41.560 --> 1:03:42.240
<v Speaker 4>What you did?

1:03:43.200 --> 1:03:47.880
<v Speaker 1>Don't say? I ain't saying no name.

1:03:53.320 --> 1:03:58.600
<v Speaker 5>We got so many of them here, we do.

1:03:59.000 --> 1:04:00.360
<v Speaker 1>I know you dude.

1:04:00.920 --> 1:04:06.280
<v Speaker 8>So right now, Yeah, we're getting to Jasper. Yeah, big love,

1:04:06.600 --> 1:04:18.800
<v Speaker 8>street love, Yes, all the love. Yeah, I ain't saying

1:04:18.960 --> 1:04:22.320
<v Speaker 8>no names. The story can be funny, are fucked up?

1:04:22.760 --> 1:04:24.600
<v Speaker 8>Are funny and fucked.

1:04:25.880 --> 1:04:29.120
<v Speaker 1>We like those? Okay. The only rule to the game.

1:04:29.200 --> 1:04:31.440
<v Speaker 5>Yeah, I can't say no name can't say I'm about

1:04:31.440 --> 1:04:32.080
<v Speaker 5>to give y'all.

1:04:31.920 --> 1:04:36.920
<v Speaker 3>Too oh yeah, oh yeah, oh yeah, let me sit

1:04:37.040 --> 1:04:39.160
<v Speaker 3>up in my chair when you're feeling and you're feeling it.

1:04:39.880 --> 1:04:45.960
<v Speaker 5>So it was early in this rapper's career, rapper from

1:04:46.000 --> 1:04:49.560
<v Speaker 5>around the career, he was dating a young R and

1:04:49.640 --> 1:04:53.160
<v Speaker 5>B single. He was dating his young R and B

1:04:53.240 --> 1:04:58.120
<v Speaker 5>singer that but this young R and B singer had

1:04:58.280 --> 1:05:01.240
<v Speaker 5>just broke up with another R and B got from

1:05:01.240 --> 1:05:05.040
<v Speaker 5>another group. So you know, you know, it be transitioning,

1:05:05.080 --> 1:05:07.040
<v Speaker 5>it be weird. You know, when you transition it from one,

1:05:07.240 --> 1:05:09.800
<v Speaker 5>you know, the crossover can get weird. So when the

1:05:09.840 --> 1:05:13.520
<v Speaker 5>studio one night, so this young rapper he got his

1:05:13.600 --> 1:05:18.320
<v Speaker 5>pistol on it and he looked at me, and you

1:05:18.400 --> 1:05:21.080
<v Speaker 5>know everybody, you know, we people kind of know what's

1:05:21.120 --> 1:05:23.480
<v Speaker 5>going on. And he looked at me and he was like, man,

1:05:23.600 --> 1:05:25.880
<v Speaker 5>you know what, man, you know what, bitch, Oh man,

1:05:26.560 --> 1:05:30.760
<v Speaker 5>this pissol I got can shoot through this wall. Imagine

1:05:30.880 --> 1:05:31.960
<v Speaker 5>what it due to an R and B.

1:05:32.160 --> 1:05:33.920
<v Speaker 1>Nigga, Oh shit.

1:05:36.400 --> 1:05:39.880
<v Speaker 5>That Ralpherds said, this pistol right here, man, that by

1:05:39.920 --> 1:05:41.640
<v Speaker 5>the pistol right here shoot through their wall.

1:05:42.200 --> 1:05:44.280
<v Speaker 6>Imagine what it'll do to an R and B nigga.

1:05:45.640 --> 1:05:47.320
<v Speaker 1>That's a threat. Ship.

1:05:48.200 --> 1:05:50.160
<v Speaker 5>I was like, oh, I hope this don't go no further.

1:05:51.440 --> 1:05:55.120
<v Speaker 5>He is not playing now, he wasn't playing like you

1:05:55.200 --> 1:05:57.080
<v Speaker 5>know what I mean, like you know, and you know

1:05:57.160 --> 1:05:59.640
<v Speaker 5>everybody in close proximity, so you know, people gonna see

1:05:59.640 --> 1:06:03.560
<v Speaker 5>it to ship. Yeah, that was funny.

1:06:04.800 --> 1:06:07.520
<v Speaker 3>Still alive, all them stuff, all them still like we

1:06:07.640 --> 1:06:08.560
<v Speaker 3>just want to make sure everybody.

1:06:10.760 --> 1:06:14.880
<v Speaker 1>I still going right, right, and I know you un

1:06:14.920 --> 1:06:16.760
<v Speaker 1>comfortable though that moment.

1:06:16.840 --> 1:06:18.600
<v Speaker 6>Oh, I'm like, oh, it's for real.

1:06:18.840 --> 1:06:23.520
<v Speaker 1>Yeah, I'm doing big dogs working the little nigga in

1:06:23.520 --> 1:06:23.720
<v Speaker 1>the world.

1:06:25.480 --> 1:06:27.240
<v Speaker 6>Yeah, yeah, he's worth it.

1:06:27.440 --> 1:06:28.200
<v Speaker 5>You don't got to do that.

1:06:28.640 --> 1:06:29.400
<v Speaker 1>You don't got to do that.

1:06:29.680 --> 1:06:33.280
<v Speaker 5>Y'all supposed to be from Yeah, you know, yeah, you

1:06:33.360 --> 1:06:34.400
<v Speaker 5>got it now, you ain't got to do that.

1:06:34.560 --> 1:06:36.920
<v Speaker 1>Come on, black man, there's a man and a woman involved.

1:06:37.240 --> 1:06:40.560
<v Speaker 1>We are no longer man that.

1:06:41.680 --> 1:06:42.600
<v Speaker 5>Yeah, I got to wear that.

1:06:42.960 --> 1:06:46.680
<v Speaker 6>I got one more so, I mean one at this time.

1:06:47.080 --> 1:06:47.840
<v Speaker 6>This is one of my homies.

1:06:47.880 --> 1:06:49.400
<v Speaker 5>He got one of the biggest rappers in the world

1:06:49.440 --> 1:06:52.880
<v Speaker 5>at this time. So this time we had this career working.

1:06:55.320 --> 1:06:57.360
<v Speaker 5>So we're working on songs, working on songs. All of

1:06:57.400 --> 1:07:00.000
<v Speaker 5>a sudden, I see a little dog one down step.

1:07:02.600 --> 1:07:04.880
<v Speaker 6>Like dog that is right there.

1:07:05.000 --> 1:07:06.600
<v Speaker 5>That ain't no man dog. He ain't kind of got

1:07:06.720 --> 1:07:08.960
<v Speaker 5>to have no dog like that. So the next thing

1:07:09.080 --> 1:07:11.600
<v Speaker 5>I know, I said, R and B girl walk from

1:07:11.680 --> 1:07:14.600
<v Speaker 5>up them steps and down. Hey, y'all's up to get

1:07:14.640 --> 1:07:18.600
<v Speaker 5>the dog. But the trick was, I knew that this

1:07:18.760 --> 1:07:21.600
<v Speaker 5>girl was dating the whole nother guy, and.

1:07:21.680 --> 1:07:23.200
<v Speaker 1>So I'm like another rapper.

1:07:23.880 --> 1:07:25.200
<v Speaker 5>He was in the rap world.

1:07:25.240 --> 1:07:27.640
<v Speaker 6>He was in the rap world. He's in the rap world.

1:07:27.720 --> 1:07:30.880
<v Speaker 5>So my partner, the rapper, look at me and started smiling, laughing,

1:07:30.920 --> 1:07:31.600
<v Speaker 5>it's just gigging, and.

1:07:31.640 --> 1:07:35.240
<v Speaker 6>I said, oh man, this ga'lood.

1:07:36.480 --> 1:07:38.920
<v Speaker 5>Close blooded. It eventually came out later on, but it

1:07:39.000 --> 1:07:40.560
<v Speaker 5>was that that was one of the moments when you

1:07:40.600 --> 1:07:42.720
<v Speaker 5>see a dog come running down steps, you know, in

1:07:42.920 --> 1:07:45.040
<v Speaker 5>his mansion whever. The dog come running down to me,

1:07:45.200 --> 1:07:46.560
<v Speaker 5>like who dog is this?

1:07:47.000 --> 1:07:49.880
<v Speaker 1>Pistols and dogs, Oh yeah, pistols.

1:07:49.440 --> 1:07:52.240
<v Speaker 6>And then and then we were like and then our

1:07:52.960 --> 1:07:55.240
<v Speaker 6>answer was soon coming down those steps, and we was like.

1:07:56.720 --> 1:07:57.600
<v Speaker 1>Yeah, we man.

1:07:57.680 --> 1:07:59.800
<v Speaker 5>He look at I think we've all been there.

1:08:00.160 --> 1:08:03.640
<v Speaker 6>Yeah, no, y'all, y'all know, y'all I've been down.

1:08:03.840 --> 1:08:04.560
<v Speaker 5>We're like, okay.

1:08:05.120 --> 1:08:10.480
<v Speaker 3>The new debut albums do some little dogs.

1:08:11.160 --> 1:08:13.280
<v Speaker 6>Like I say, hey that cross over be a food

1:08:15.040 --> 1:08:17.160
<v Speaker 6>cross over, food transition.

1:08:17.400 --> 1:08:21.519
<v Speaker 3>It's so small, it's so it's and everybody just has

1:08:21.600 --> 1:08:24.040
<v Speaker 3>to like be cool like you got you, we got.

1:08:24.120 --> 1:08:26.280
<v Speaker 1>We all know what we like.

1:08:26.520 --> 1:08:26.840
<v Speaker 5>Okay.

1:08:27.080 --> 1:08:29.400
<v Speaker 1>I don't see nothing, I don't know nothing.

1:08:29.640 --> 1:08:34.280
<v Speaker 8>Yeah, I've had to stand at the next table between

1:08:35.760 --> 1:08:39.920
<v Speaker 8>the nigga I just seen her with and her man.

1:08:40.520 --> 1:08:43.520
<v Speaker 5>Oh that's a dog. That's a terrible.

1:08:45.840 --> 1:08:48.320
<v Speaker 8>And then him showed me the text that she's texting

1:08:48.400 --> 1:08:49.880
<v Speaker 8>him from the other table with her.

1:08:50.000 --> 1:08:54.439
<v Speaker 5>Man, that's a cold, cold game. That's a cold game.

1:08:54.640 --> 1:08:55.400
<v Speaker 1>Chack R and B.

1:08:59.800 --> 1:09:00.600
<v Speaker 6>You gotta love the.

1:09:00.640 --> 1:09:04.400
<v Speaker 3>Game, thought what you better respect? You gotta respect of

1:09:04.439 --> 1:09:06.519
<v Speaker 3>the jacket or get collected.

1:09:06.720 --> 1:09:08.400
<v Speaker 1>Yes, the game is gonna pay.

1:09:08.680 --> 1:09:10.880
<v Speaker 5>The game is gonna The game is gonna be here, man,

1:09:11.080 --> 1:09:12.360
<v Speaker 5>the player is gonna move around chain.

1:09:13.720 --> 1:09:15.519
<v Speaker 1>I don't put nothing past no man.

1:09:17.080 --> 1:09:18.559
<v Speaker 5>Man, you gotta love, you gotta take it all.

1:09:20.880 --> 1:09:23.000
<v Speaker 1>You're not gonna say you fool me at all?

1:09:27.400 --> 1:09:27.559
<v Speaker 5>Yeah.

1:09:32.840 --> 1:09:37.240
<v Speaker 1>Oh man, Well brother Jess, Yes, sir, brother, big love.

1:09:37.680 --> 1:09:38.160
<v Speaker 5>Thank y'all.

1:09:38.280 --> 1:09:40.640
<v Speaker 1>Man, we appreciate you for kicking this off for us.

1:09:40.720 --> 1:09:40.920
<v Speaker 2>Man.

1:09:42.080 --> 1:09:47.160
<v Speaker 3>You know, I think we needed your energy man, come on, welcoming,

1:09:47.479 --> 1:09:51.360
<v Speaker 3>welcoming us, Come on, y'all come man, Yeah, because you

1:09:51.920 --> 1:09:53.960
<v Speaker 3>really you really, you really the soil.

1:09:54.160 --> 1:09:57.840
<v Speaker 5>Yeah, man, and George's man, I hear I like, man,

1:09:57.880 --> 1:09:59.639
<v Speaker 5>I gotta get on that with y'all. Man, we gotta

1:09:59.640 --> 1:10:00.360
<v Speaker 5>talk talk.

1:10:00.920 --> 1:10:04.320
<v Speaker 1>You know, we're gonna need some subtitles, you know, you

1:10:04.400 --> 1:10:05.360
<v Speaker 1>know something.

1:10:05.760 --> 1:10:09.519
<v Speaker 5>And I subconsciously like, let me try to make sure

1:10:09.520 --> 1:10:10.200
<v Speaker 5>I'm kill.

1:10:12.320 --> 1:10:14.960
<v Speaker 1>Everybody. I know they can watching like what he's saying. Again,

1:10:16.680 --> 1:10:17.479
<v Speaker 1>I need I need a.

1:10:18.120 --> 1:10:24.760
<v Speaker 5>Translator, call it patoir. I still, I'm like, man, I'm

1:10:24.760 --> 1:10:26.799
<v Speaker 5>not said a conscious effort. I said, Man, I'm gonna try.

1:10:26.680 --> 1:10:29.240
<v Speaker 3>To talk like I said, a conscious you know, he said,

1:10:29.240 --> 1:10:32.840
<v Speaker 3>I said a conscious effort, Yeah, saying conscious.

1:10:33.080 --> 1:10:36.040
<v Speaker 1>In my mind. No, no, I love it. You missed

1:10:36.040 --> 1:10:40.320
<v Speaker 1>some words to go with. I said, a conscious, I

1:10:40.560 --> 1:10:47.960
<v Speaker 1>said conscious. I said, I love it all. I love

1:10:48.040 --> 1:10:51.160
<v Speaker 1>it all. Thank you pray. This is why we wanted

1:10:51.200 --> 1:10:51.639
<v Speaker 1>you hear them.

1:10:52.000 --> 1:10:52.160
<v Speaker 2>Man.

1:10:52.479 --> 1:10:55.320
<v Speaker 3>Yeah, people and people need to you know, you are

1:10:55.479 --> 1:10:58.599
<v Speaker 3>great people. Hear the music, man, people hear the music.

1:10:58.680 --> 1:11:01.320
<v Speaker 3>People are dancing to the music. People have you know,

1:11:01.600 --> 1:11:04.080
<v Speaker 3>as as you say, music stamps a moment in time,

1:11:04.560 --> 1:11:07.040
<v Speaker 3>and people have that to your songs, to your to

1:11:07.160 --> 1:11:09.400
<v Speaker 3>your creativity, and they need to know who you are,

1:11:09.920 --> 1:11:11.120
<v Speaker 3>who's responsible for that.

1:11:11.600 --> 1:11:13.120
<v Speaker 1>Man, And that's what we're here for. Man.

1:11:13.120 --> 1:11:15.439
<v Speaker 3>I appreciate it, man, you know what I'm saying. Appreciated

1:11:16.760 --> 1:11:20.760
<v Speaker 3>your spirit. They say, that's a good brother. Spread the

1:11:20.840 --> 1:11:25.360
<v Speaker 3>love and in our in our movements, good people finished.

1:11:25.320 --> 1:11:26.240
<v Speaker 5>Man all the time.

1:11:27.680 --> 1:11:32.120
<v Speaker 3>So, my brother, I'm time. And this is the R

1:11:32.120 --> 1:11:35.080
<v Speaker 3>and B Money podcast, the authority on all things R

1:11:35.160 --> 1:11:39.120
<v Speaker 3>and B. And if you didn't feel the love today,

1:11:39.600 --> 1:11:43.360
<v Speaker 3>then you just wasn't trying to because we had big love.

1:11:43.280 --> 1:11:49.639
<v Speaker 1>And the building. Yeah yeah, R and B Money.

1:11:50.800 --> 1:11:52.559
<v Speaker 8>R and B Money is a production of the Black

1:11:52.600 --> 1:11:57.120
<v Speaker 8>Effect Podcast Network. For more podcasts from iHeart Radio, is

1:11:57.200 --> 1:12:00.680
<v Speaker 8>it the iHeartRadio app, Apple podcasts are, or wherever you

1:12:00.800 --> 1:12:04.000
<v Speaker 8>listen to your favorite shows, don't forget to subscribe to

1:12:04.280 --> 1:12:06.720
<v Speaker 8>and rate our show and you can connect with us

1:12:06.800 --> 1:12:10.439
<v Speaker 8>on social media at Jay Valentine and at the Real Tank.

1:12:10.880 --> 1:12:15.560
<v Speaker 8>For the extended episode, subscribe to YouTube dot com or

1:12:15.800 --> 1:12:17.200
<v Speaker 8>slash R and B Money