1 00:00:03,120 --> 00:00:05,920 Speaker 1: Welcome to Stuff to Blow your Mind from how Stuff 2 00:00:05,920 --> 00:00:15,560 Speaker 1: Works dot com. Hey, welcome to Stuff to Blow your Mind. 3 00:00:15,600 --> 00:00:18,400 Speaker 1: My name is Robert Lamb, and we have a special 4 00:00:18,440 --> 00:00:21,720 Speaker 1: episode for you today. Uh. This is a live recording 5 00:00:21,840 --> 00:00:25,079 Speaker 1: from C to E two the Chicago Comics and Entertainment Expo. 6 00:00:25,440 --> 00:00:27,520 Speaker 1: We were just there a couple of weeks ago. We 7 00:00:27,640 --> 00:00:30,960 Speaker 1: presented this a wonderful talk where we talked about the UH, 8 00:00:31,000 --> 00:00:33,960 Speaker 1: the the Columbian Exposition there in Chicago. We talked about 9 00:00:34,000 --> 00:00:37,040 Speaker 1: the UH, the origins of the Ferris Wheel, the Parliament 10 00:00:37,040 --> 00:00:39,760 Speaker 1: of World Religions, and of course the H. H. Holmes 11 00:00:39,800 --> 00:00:42,240 Speaker 1: murder House. Now, just a word of warning, the audio 12 00:00:42,280 --> 00:00:44,960 Speaker 1: is a little crisp here because this is a live recording. 13 00:00:45,400 --> 00:00:48,280 Speaker 1: But the the episode is great that the discussion is wonderful, 14 00:00:48,320 --> 00:00:50,519 Speaker 1: so we definitely wanted to share it with you. But 15 00:00:50,560 --> 00:00:52,680 Speaker 1: if it's not your cup of tea, don't fret. The 16 00:00:52,720 --> 00:00:56,760 Speaker 1: next episode we'll be back to the studio recording process 17 00:00:56,800 --> 00:01:00,880 Speaker 1: as usually usual. Alright, so without further ado, let's go 18 00:01:00,960 --> 00:01:12,560 Speaker 1: to the live show. All right. Well, hey, welcome to 19 00:01:12,640 --> 00:01:14,679 Speaker 1: Stuff to Blow Your Mind. My name is Robert Lamb, 20 00:01:14,800 --> 00:01:17,319 Speaker 1: and I'm Christian Saga and I'm Joe McCormick, and we 21 00:01:17,400 --> 00:01:19,360 Speaker 1: are the hosts of Stuff to Blow Your Mind, a 22 00:01:19,440 --> 00:01:24,160 Speaker 1: podcast about science, culture, the human mind, and the weirdness 23 00:01:24,200 --> 00:01:26,920 Speaker 1: of reality. So I want to start off with a question. 24 00:01:26,959 --> 00:01:29,440 Speaker 1: How many people here are from out of town not 25 00:01:29,560 --> 00:01:33,319 Speaker 1: from Chicago? Okay, So we've got a good amount of people, 26 00:01:33,360 --> 00:01:35,920 Speaker 1: all right, like maybe half. We're gonna keep you in 27 00:01:35,959 --> 00:01:38,039 Speaker 1: mind for later. This is going to be important because 28 00:01:38,040 --> 00:01:44,640 Speaker 1: we're gonna be talking about Chicago's hotel past. Well when 29 00:01:44,760 --> 00:01:46,600 Speaker 1: we're honored to be here at C two e two 30 00:01:46,600 --> 00:01:48,640 Speaker 1: and they asked us, they said, hey, maybe you could 31 00:01:48,640 --> 00:01:52,080 Speaker 1: put something together that's a little bit Chicago theme. So 32 00:01:52,120 --> 00:01:55,880 Speaker 1: we thought about it, and uh, you know, we decided, well, okay, 33 00:01:56,120 --> 00:01:58,640 Speaker 1: Chicago World Fair, that's gonna that's gonna be what we 34 00:01:58,680 --> 00:02:01,680 Speaker 1: want to focus in on here. And uh, we decided 35 00:02:01,720 --> 00:02:04,200 Speaker 1: that to really dive into this topic, though, we need 36 00:02:04,240 --> 00:02:07,640 Speaker 1: to take a paleo futurist journey into the past of 37 00:02:07,800 --> 00:02:10,440 Speaker 1: this city. Right, So I guess we need to start 38 00:02:10,480 --> 00:02:14,000 Speaker 1: by thinking about Chicago as a city. Um, and I 39 00:02:14,040 --> 00:02:17,160 Speaker 1: want to put forward that the history of American population 40 00:02:17,240 --> 00:02:20,760 Speaker 1: growth as this country has increased in numbers over the 41 00:02:20,800 --> 00:02:24,760 Speaker 1: centuries is a history of urbanization um and that rapidly 42 00:02:24,800 --> 00:02:28,239 Speaker 1: accelerated in the eighteen hundreds. For example, in eighteen forty, 43 00:02:28,280 --> 00:02:31,840 Speaker 1: the U. S population was about seventeen million people. About 44 00:02:31,960 --> 00:02:35,200 Speaker 1: eighty nine percent of those people at that time were rural, 45 00:02:35,440 --> 00:02:38,080 Speaker 1: living out in the country on farms, not in cities. 46 00:02:38,280 --> 00:02:41,240 Speaker 1: Only about ten percent we're living in cities. Just about 47 00:02:41,240 --> 00:02:44,840 Speaker 1: fifty years later, in nine the U. S population sixty 48 00:02:44,880 --> 00:02:49,120 Speaker 1: three million, and by then thirty five percent of Americans 49 00:02:49,120 --> 00:02:51,320 Speaker 1: are living in cities. So over the course of the 50 00:02:51,320 --> 00:02:54,320 Speaker 1: century we see a rapid uptick in the way people 51 00:02:54,320 --> 00:02:58,120 Speaker 1: are are moving in to crowd into dense quarters and 52 00:02:58,200 --> 00:03:00,239 Speaker 1: come to where a lot of the new jobs are 53 00:03:00,280 --> 00:03:04,600 Speaker 1: the new jobs made available by technology and manufacturing and 54 00:03:04,720 --> 00:03:10,239 Speaker 1: by transportation like steam power. But Chicago is a particularly 55 00:03:10,320 --> 00:03:13,240 Speaker 1: crucial part of this urbanization story. I want to go 56 00:03:13,240 --> 00:03:16,240 Speaker 1: back to those years eighteen forty and eighteen nine, eighteen forty. 57 00:03:16,280 --> 00:03:20,079 Speaker 1: Anybody want to guess what the population of Chicago was, Uh, 58 00:03:20,120 --> 00:03:25,000 Speaker 1: ten thousand people. Let the people guess. Shout him out, 59 00:03:25,240 --> 00:03:30,760 Speaker 1: Let the people speak one point five million. We've heard 60 00:03:32,080 --> 00:03:37,240 Speaker 1: it was. Chicago in eighteen forty had forty people in it. 61 00:03:37,480 --> 00:03:40,360 Speaker 1: Wrigley Field as a seating capacity of about forty one thousand, 62 00:03:40,440 --> 00:03:44,200 Speaker 1: so it could fit about nine eighteen forty Chicago's in it. 63 00:03:44,320 --> 00:03:47,080 Speaker 1: Or to give you, to give you like a context, 64 00:03:47,120 --> 00:03:49,800 Speaker 1: that's here and now, right now at C two E two, 65 00:03:49,800 --> 00:03:52,760 Speaker 1: there's between twenty and forty thousand people in this building. 66 00:03:54,040 --> 00:03:58,040 Speaker 1: So we've got eighteen forty Chicago beat. By eighteen eighty, 67 00:03:58,120 --> 00:04:02,680 Speaker 1: population of Chicago is up to five thousand. By eighteen 68 00:04:02,800 --> 00:04:06,320 Speaker 1: ninety it's up to one million. And you have to 69 00:04:06,400 --> 00:04:10,440 Speaker 1: imagine what it does to a place when the population 70 00:04:10,600 --> 00:04:16,080 Speaker 1: and the population density increases that rapidly. But by eighteen nineties, 71 00:04:16,120 --> 00:04:19,040 Speaker 1: Chicago would become the second biggest city in America, finally 72 00:04:19,080 --> 00:04:23,000 Speaker 1: beating out Philadelphia, but still behind New York. And by god, 73 00:04:23,120 --> 00:04:27,240 Speaker 1: Chicago wanted to be number one. Those of you from Chicago, 74 00:04:27,279 --> 00:04:29,160 Speaker 1: do you do you have New York hatred? Do you 75 00:04:29,200 --> 00:04:38,320 Speaker 1: have New York? Yeah? Like do you hate your piece? Uh? 76 00:04:38,360 --> 00:04:41,280 Speaker 1: And so I want to put forward that stepping into 77 00:04:41,440 --> 00:04:43,960 Speaker 1: Chicago in the eighteen nineties, if you were, say a 78 00:04:44,040 --> 00:04:46,920 Speaker 1: country farmer coming out of the rural areas and stepping 79 00:04:46,920 --> 00:04:49,840 Speaker 1: into Chicago in the eighteen nineties would have been kind 80 00:04:49,880 --> 00:04:52,880 Speaker 1: of like walking into the city or if we were 81 00:04:52,880 --> 00:04:56,800 Speaker 1: to walk into the city in Blade Runner. Uh. The 82 00:04:57,080 --> 00:05:00,560 Speaker 1: so part of this population explosion in the nineteen century 83 00:05:00,680 --> 00:05:03,720 Speaker 1: was fueled by immigration from all over Europe. So you 84 00:05:03,880 --> 00:05:07,880 Speaker 1: have Chicago flooded with people of diverse ethnic origins. Um 85 00:05:07,960 --> 00:05:10,960 Speaker 1: and this this may be very alien to people who had, 86 00:05:11,040 --> 00:05:14,120 Speaker 1: you know, never met people from all over Europe. Then 87 00:05:14,240 --> 00:05:16,920 Speaker 1: also you've got to think about technology. I would say 88 00:05:16,960 --> 00:05:19,400 Speaker 1: that Chicago at this time was a sort of techno 89 00:05:19,480 --> 00:05:23,640 Speaker 1: punk hallucination where you had this steam powered transport hub 90 00:05:24,200 --> 00:05:29,240 Speaker 1: and most importantly a center of industrialized meat production. So 91 00:05:29,240 --> 00:05:31,520 Speaker 1: so so was it like Blade Runner in that you 92 00:05:31,520 --> 00:05:34,120 Speaker 1: could buy like cloned animals on the street. Wouldn't that 93 00:05:34,160 --> 00:05:36,360 Speaker 1: be great? You know, we were talking on the way 94 00:05:36,400 --> 00:05:39,599 Speaker 1: over here. Another aspect of it is the sort of 95 00:05:39,760 --> 00:05:42,680 Speaker 1: layers of the city. How you see this vertical depth 96 00:05:42,760 --> 00:05:45,320 Speaker 1: in Blade Runner. This is more apparent in Chicago of today. 97 00:05:45,360 --> 00:05:47,960 Speaker 1: But like with the L train and UH and and 98 00:05:48,000 --> 00:05:50,440 Speaker 1: the way, when you're downtown, you you can almost feel 99 00:05:50,480 --> 00:05:53,800 Speaker 1: like you're inside when you're outside. Yeah, I think it's 100 00:05:53,920 --> 00:05:56,880 Speaker 1: it's more prevalent here than about any other city I 101 00:05:56,880 --> 00:05:58,440 Speaker 1: can think of off off in my head that I've 102 00:05:58,720 --> 00:06:01,800 Speaker 1: been to. Yeah, and in the Blade Runner analogy I 103 00:06:01,839 --> 00:06:06,159 Speaker 1: think is especially apt when anytime we're looking back in 104 00:06:06,360 --> 00:06:08,680 Speaker 1: time and we're trying to especially the last couple of centuries, 105 00:06:08,720 --> 00:06:10,960 Speaker 1: and trying to figure out what it was like, uh 106 00:06:11,279 --> 00:06:14,760 Speaker 1: to live in in that day, you you have to 107 00:06:14,760 --> 00:06:16,839 Speaker 1: think of it almost in sci fi terms, because the 108 00:06:16,839 --> 00:06:20,080 Speaker 1: only way to really get a handle on the fact that, yeah, 109 00:06:20,080 --> 00:06:22,440 Speaker 1: this was the this is the bleeding age, this was 110 00:06:22,839 --> 00:06:26,360 Speaker 1: this was this was this was the modern age. It 111 00:06:26,440 --> 00:06:28,680 Speaker 1: was it was the bleeding edge, literally and that it 112 00:06:28,720 --> 00:06:31,840 Speaker 1: was covered in pig blood um because it was the 113 00:06:31,880 --> 00:06:34,360 Speaker 1: city where hogs were slaughtered in process, but it was 114 00:06:34,400 --> 00:06:39,280 Speaker 1: also covered in cold dust, smog, steam, uh and rapidly electrifying. 115 00:06:39,320 --> 00:06:41,520 Speaker 1: I mean, this is a time when electricity is going 116 00:06:41,600 --> 00:06:44,800 Speaker 1: from a sort of rarefied novelty to being dispersed all 117 00:06:44,839 --> 00:06:48,000 Speaker 1: over urban areas. And so this is going to be 118 00:06:48,040 --> 00:06:50,119 Speaker 1: a crucial part of the story we tell today about 119 00:06:50,160 --> 00:06:54,599 Speaker 1: the World's Fair. But another thing is that Eastern cities 120 00:06:54,640 --> 00:06:57,800 Speaker 1: at the time would have looked back on Chicago in 121 00:06:57,839 --> 00:07:01,400 Speaker 1: the eighteen nineties as a sort of effed up backwater 122 00:07:01,680 --> 00:07:06,000 Speaker 1: like there there was there was a very snooty attitude 123 00:07:06,279 --> 00:07:10,520 Speaker 1: towards Chicago. That's like looking at it like like it 124 00:07:10,560 --> 00:07:15,160 Speaker 1: was just pumped up, like ban on technology and cash 125 00:07:15,240 --> 00:07:18,480 Speaker 1: and and pig blood and all of that great stuff, 126 00:07:18,720 --> 00:07:21,200 Speaker 1: but that it didn't really have the refined character and 127 00:07:21,280 --> 00:07:25,000 Speaker 1: culture makes an American city great. Bin with a backpack 128 00:07:25,080 --> 00:07:28,040 Speaker 1: full of pig blood just being injected into his body, 129 00:07:28,080 --> 00:07:31,000 Speaker 1: that sounds great. This is not the brain you carn't understand. 130 00:07:31,160 --> 00:07:35,360 Speaker 1: It's the it's the old band with the getting pumped up. 131 00:07:36,280 --> 00:07:40,200 Speaker 1: Uh So, rapid urbanization had factors that people found both 132 00:07:40,200 --> 00:07:42,680 Speaker 1: alluring and repulsive. And I want to explore one of 133 00:07:42,720 --> 00:07:46,360 Speaker 1: the people who found it repulsive. So in eighteen ninety three, 134 00:07:46,400 --> 00:07:49,800 Speaker 1: the French writer and publisher Octavouzon wrote a letter to 135 00:07:49,840 --> 00:07:53,320 Speaker 1: the periodical The American Architect and Building News, and he 136 00:07:53,360 --> 00:07:55,920 Speaker 1: was reporting on a recent visit he made to Chicago. 137 00:07:55,960 --> 00:07:58,600 Speaker 1: He'd actually been visiting the eighteen nine World's Fair that 138 00:07:58,640 --> 00:08:02,360 Speaker 1: we're gonna be talking about. And in talking about Chicago, 139 00:08:02,440 --> 00:08:05,960 Speaker 1: he he was writing about the prospect of leaving the city. 140 00:08:06,200 --> 00:08:09,320 Speaker 1: And this is an abridged quote. Built upon a mud 141 00:08:09,400 --> 00:08:12,720 Speaker 1: flat on the shore of a somber verdure less lake. 142 00:08:13,080 --> 00:08:17,120 Speaker 1: It was the noisy, furious, impulsive, brutal life which their 143 00:08:17,200 --> 00:08:22,120 Speaker 1: maneuvers its battalions, a life without soul and ideal business 144 00:08:22,240 --> 00:08:25,840 Speaker 1: business business. Is this not the real burden of the 145 00:08:25,960 --> 00:08:29,040 Speaker 1: raven and Pose poem? I don't believe it is. I think, 146 00:08:29,360 --> 00:08:40,800 Speaker 1: I think, probably think that he died in the street. Yeah, Baltimore, though, 147 00:08:40,840 --> 00:08:44,000 Speaker 1: Baltimore is a city with character. It's got old school class, 148 00:08:44,160 --> 00:08:47,000 Speaker 1: or at least they thought. But continuing us, quote, he's 149 00:08:47,040 --> 00:08:49,440 Speaker 1: on the train leaving Chicago, and he's very happy to 150 00:08:49,480 --> 00:08:52,440 Speaker 1: be leaving, he says. The next morning, raising the shade 151 00:08:52,440 --> 00:08:55,520 Speaker 1: of my compartment, I saw behind the glass a smiling 152 00:08:55,559 --> 00:08:59,840 Speaker 1: country unroll itself before nature, thus peaceful in sight of 153 00:08:59,840 --> 00:09:03,680 Speaker 1: the light mists, these mosses, these flowers opening in the sun. 154 00:09:04,040 --> 00:09:07,680 Speaker 1: I forgot the frightful nightmare of the departure from Chicago. 155 00:09:08,120 --> 00:09:13,640 Speaker 1: That Gordian city, so excessive, so satanic, so so yeah, 156 00:09:13,679 --> 00:09:16,480 Speaker 1: this was like hell raiser for this guy from France, 157 00:09:16,600 --> 00:09:20,240 Speaker 1: basically Chicago. Yeah, pin Head lived here. I really like 158 00:09:20,320 --> 00:09:22,839 Speaker 1: Gordian City. I don't. I don't. I think you guys 159 00:09:22,880 --> 00:09:24,760 Speaker 1: should embrace that here in the same way that a 160 00:09:24,760 --> 00:09:26,760 Speaker 1: lot of take it back, a lot of people from 161 00:09:26,760 --> 00:09:31,839 Speaker 1: Atlanta embraced Terminus, as is our alternate title. I think 162 00:09:31,880 --> 00:09:34,560 Speaker 1: that's only after the Walking Dead. But yeah, I don't 163 00:09:34,559 --> 00:09:36,600 Speaker 1: know if that actually works out that well, because to 164 00:09:36,640 --> 00:09:38,520 Speaker 1: be Gordian, I would think it would be hard to navigate. 165 00:09:38,640 --> 00:09:41,080 Speaker 1: So far, I found Chicago much easier to navigate than 166 00:09:41,120 --> 00:09:43,800 Speaker 1: most cities. Right, y'all, this is smart. Y'all have a grid. 167 00:09:44,040 --> 00:09:47,199 Speaker 1: Guys have great public transportation. We're from Atlanta. Try to 168 00:09:47,240 --> 00:09:51,800 Speaker 1: find your way around in Atlanta. Yet, well, they're all 169 00:09:51,800 --> 00:09:54,920 Speaker 1: little cattle trails that got convert anyway. I'm just saying 170 00:09:54,920 --> 00:09:57,120 Speaker 1: it's a great name. I'm that's not saying you're gonna 171 00:09:57,160 --> 00:10:00,080 Speaker 1: get lost. Okay, we got to make it to the fair. Okay. So, 172 00:10:00,240 --> 00:10:03,720 Speaker 1: as cities gathering, urbanization cities gathering, they tend to grow 173 00:10:03,880 --> 00:10:06,120 Speaker 1: up because where you're going to fit all those people, right, 174 00:10:06,160 --> 00:10:09,560 Speaker 1: You've got to expand into three dimensions. So uh so 175 00:10:09,679 --> 00:10:14,080 Speaker 1: driving into three dimensions. The urbanization trend was also tightly 176 00:10:14,160 --> 00:10:17,680 Speaker 1: linked to the development of high rise architecture and and 177 00:10:17,760 --> 00:10:20,800 Speaker 1: this new class of architects to design these tall buildings 178 00:10:20,840 --> 00:10:23,240 Speaker 1: that would pack in all these people in the new cities. 179 00:10:23,640 --> 00:10:26,520 Speaker 1: And this new class of architects included the people Daniel 180 00:10:26,559 --> 00:10:30,480 Speaker 1: Burnham and John Wellborn Route, who were also responsible for 181 00:10:30,520 --> 00:10:33,560 Speaker 1: buildings like the twenty one story Masonic Temple building in 182 00:10:33,640 --> 00:10:38,800 Speaker 1: Chicago pretty good name Satanic, Yeah, and the Rookery Building, 183 00:10:38,800 --> 00:10:41,720 Speaker 1: which is still standing today. I went and saw it yesterday. Robert, 184 00:10:41,720 --> 00:10:43,240 Speaker 1: you saw it, Christian? Did you see it yet? I 185 00:10:43,240 --> 00:10:45,240 Speaker 1: haven't been yet. I'm gonna try to go tomorrow. Well, 186 00:10:45,320 --> 00:10:47,439 Speaker 1: it's if you're in town. It's beautiful. You should go 187 00:10:47,480 --> 00:10:49,400 Speaker 1: in there. Take a look at the lobby. It's got 188 00:10:49,440 --> 00:10:53,679 Speaker 1: this non representative artistry on the architecture inside the lobby 189 00:10:53,760 --> 00:10:55,400 Speaker 1: that makes it look kind of like a mosque. It's 190 00:10:55,520 --> 00:10:58,719 Speaker 1: very beautiful. I love it. Um But anyway, so they 191 00:10:58,720 --> 00:11:01,160 Speaker 1: were designing these new type types of buildings, buildings that 192 00:11:01,200 --> 00:11:04,560 Speaker 1: went up into the sky, stuff people have never seen before. 193 00:11:05,040 --> 00:11:07,400 Speaker 1: And being a high rise architect in Chicago was a 194 00:11:07,440 --> 00:11:10,160 Speaker 1: difficult job because I don't know if anybody here has 195 00:11:10,160 --> 00:11:13,360 Speaker 1: ever tried to build in Chicago. Apparently the soil here 196 00:11:13,480 --> 00:11:17,120 Speaker 1: is just junk. It's uh, it's like a mud flat 197 00:11:17,240 --> 00:11:19,480 Speaker 1: that sinks down, and when you try to build, your 198 00:11:19,520 --> 00:11:22,400 Speaker 1: buildings will sink into the mud and shift. So they 199 00:11:22,400 --> 00:11:24,640 Speaker 1: had to come up with new technologies to build new 200 00:11:24,679 --> 00:11:27,520 Speaker 1: types of foundations that would anchor these buildings. They didn't 201 00:11:27,520 --> 00:11:31,520 Speaker 1: start leaning over halfway through construction. Um, so this really 202 00:11:31,640 --> 00:11:35,559 Speaker 1: is It's we don't often think about buildings as technological 203 00:11:35,640 --> 00:11:38,560 Speaker 1: organisms today, but they really are. These high rise buildings 204 00:11:38,559 --> 00:11:43,360 Speaker 1: were a monstrous achievement of science and technology. So we 205 00:11:43,440 --> 00:11:46,560 Speaker 1: get to eighteen ninety, we're getting to the fair. The 206 00:11:46,640 --> 00:11:50,160 Speaker 1: US Congress votes to host a World's Fair in eighteen 207 00:11:50,800 --> 00:11:55,200 Speaker 1: it's in celebration of does anybody want to guess Columbus 208 00:11:55,400 --> 00:12:00,959 Speaker 1: that guy because it's the Columbian right, Yes, So it 209 00:12:01,000 --> 00:12:04,680 Speaker 1: would be the four hundredth anniversary of Columbus's landing in 210 00:12:04,679 --> 00:12:08,000 Speaker 1: the New World. And who's going to get to host 211 00:12:08,040 --> 00:12:10,560 Speaker 1: the city? There's a big competition between cities. You have 212 00:12:10,600 --> 00:12:12,480 Speaker 1: New York wants to host it. All these cities want 213 00:12:12,480 --> 00:12:16,240 Speaker 1: to host I think St. Louis did, but wouldn't you 214 00:12:16,320 --> 00:12:22,520 Speaker 1: know it, Chicago, this satanic building building, the satanic city 215 00:12:22,760 --> 00:12:27,160 Speaker 1: built on quicksand gets to host the fair. And that, 216 00:12:27,480 --> 00:12:30,120 Speaker 1: I mean that's pretty cool to imagine, like, oh, this 217 00:12:30,200 --> 00:12:34,120 Speaker 1: city all these people thought was just a hellhole. Um, 218 00:12:34,200 --> 00:12:36,720 Speaker 1: and now we're going to bring the entire world there 219 00:12:36,720 --> 00:12:39,840 Speaker 1: and show them what's up. Show them what America can do. 220 00:12:40,880 --> 00:12:42,960 Speaker 1: So this is probably a good place to acknowledge one 221 00:12:43,000 --> 00:12:45,720 Speaker 1: of our key resources in researching this episode, which is 222 00:12:45,880 --> 00:12:50,839 Speaker 1: Eric Larson's excellent two thousand three nonfiction book White City. 223 00:12:51,400 --> 00:12:54,600 Speaker 1: So yeah, you haven't read it. That is a great book, 224 00:12:55,120 --> 00:12:58,000 Speaker 1: absolutely fabulous and one of one of the Mikey resources 225 00:12:58,000 --> 00:12:59,480 Speaker 1: and working in this And one of the points Eric 226 00:12:59,520 --> 00:13:02,120 Speaker 1: Larson made is that it's hard for us today, even 227 00:13:02,400 --> 00:13:06,080 Speaker 1: we got some cheers earlier for hating New York, but um, 228 00:13:06,120 --> 00:13:09,200 Speaker 1: it's hard for us today to understand the depth of 229 00:13:09,280 --> 00:13:13,240 Speaker 1: location based pride in the eighteen nineties that people, when 230 00:13:13,240 --> 00:13:15,959 Speaker 1: the reputation of their city was on the line, they 231 00:13:16,000 --> 00:13:22,079 Speaker 1: took that so seriously. And so fair is coming, you 232 00:13:22,160 --> 00:13:25,640 Speaker 1: gotta make it good. So there was an absolutely frantic 233 00:13:25,679 --> 00:13:29,000 Speaker 1: design and construction phase, and the fair opened finally in 234 00:13:29,280 --> 00:13:33,199 Speaker 1: May one. It began with a horrible flot because it 235 00:13:33,240 --> 00:13:36,839 Speaker 1: coincided almost perfectly with the panic of eighteen ninety three. 236 00:13:37,160 --> 00:13:39,559 Speaker 1: So imagine starting this World's Fair where you want to 237 00:13:39,600 --> 00:13:42,160 Speaker 1: bring everybody and show what your country can do, and 238 00:13:42,280 --> 00:13:44,720 Speaker 1: right then you get a depression. It's like if you're 239 00:13:44,720 --> 00:13:46,680 Speaker 1: at C two E two in two thousand eight, in 240 00:13:46,720 --> 00:13:49,440 Speaker 1: the economy. It is completely plummeted, and you couldn't buy 241 00:13:49,520 --> 00:13:55,600 Speaker 1: cosplay costumes right or worse, maybe worse. So in a 242 00:13:55,640 --> 00:13:57,160 Speaker 1: lot of ways, you could look at the fair as 243 00:13:57,240 --> 00:13:59,720 Speaker 1: kind of a financial failure, but in other ways, I 244 00:13:59,760 --> 00:14:02,200 Speaker 1: think we should look at it as one of the 245 00:14:02,240 --> 00:14:05,280 Speaker 1: coolest and most important events in American history. It was 246 00:14:05,320 --> 00:14:10,440 Speaker 1: this romantic, ecumenical, insane, science fiction assemblage of the spirit 247 00:14:10,440 --> 00:14:14,080 Speaker 1: of the American city, especially the soul of Chicago and 248 00:14:14,120 --> 00:14:19,840 Speaker 1: everything that Chicago embodied, everything angelic, everything satanic, And I mean, 249 00:14:20,040 --> 00:14:22,760 Speaker 1: how cool is this? They built a city within a city. 250 00:14:23,000 --> 00:14:25,240 Speaker 1: They built a city within a city on the shore 251 00:14:25,240 --> 00:14:28,280 Speaker 1: of Lake Michigan, and it lived for a year. It 252 00:14:28,320 --> 00:14:30,760 Speaker 1: was throughout the summer season while people came to the fair, 253 00:14:30,800 --> 00:14:34,120 Speaker 1: and then it disappeared into history, you know. And we've 254 00:14:34,120 --> 00:14:37,080 Speaker 1: been talking about this amongst ourselves as we've been researching it. Like, 255 00:14:37,440 --> 00:14:41,000 Speaker 1: I'm wondering, those of you who are from Illinois, did 256 00:14:41,080 --> 00:14:43,920 Speaker 1: you learn about the White City as you're growing up? 257 00:14:44,000 --> 00:14:47,240 Speaker 1: Was this like a point of pride from the various 258 00:14:47,240 --> 00:14:49,520 Speaker 1: places that we grew up in. I didn't hear about 259 00:14:49,520 --> 00:14:51,520 Speaker 1: it until I was until I read double in the 260 00:14:51,520 --> 00:14:55,440 Speaker 1: White City and this is this amazing thing in American 261 00:14:55,560 --> 00:14:58,440 Speaker 1: history that seems to get glossed over. Yeah, I feel 262 00:14:58,440 --> 00:15:01,400 Speaker 1: like you tend to learn more about your own states 263 00:15:01,560 --> 00:15:04,320 Speaker 1: world thing, right, Yeah, then you do about the about 264 00:15:04,560 --> 00:15:06,720 Speaker 1: You know, everyone wants to celebrate their own party, not 265 00:15:06,840 --> 00:15:08,920 Speaker 1: the great party of it. For me, it was the 266 00:15:09,000 --> 00:15:15,240 Speaker 1: tea party, but the old one. Uh, for us growing 267 00:15:15,280 --> 00:15:17,360 Speaker 1: up in Tennessee, what did we learn more like the 268 00:15:17,360 --> 00:15:21,280 Speaker 1: mini versatile uses of corn chips. Well, and of course 269 00:15:21,280 --> 00:15:24,000 Speaker 1: in Knox Fill we have the big golden globe with 270 00:15:24,000 --> 00:15:26,800 Speaker 1: the wigs in it. Yeah, with the wig tower. Was 271 00:15:26,840 --> 00:15:30,000 Speaker 1: that real? Or was that just the Simpsons? That? What? 272 00:15:30,880 --> 00:15:34,080 Speaker 1: The wig tower? There, wigs in it, the buildings there, 273 00:15:34,240 --> 00:15:38,400 Speaker 1: you have ruined reality for me. Okay, So each of 274 00:15:38,400 --> 00:15:40,480 Speaker 1: the three of us is going to focus on one 275 00:15:40,560 --> 00:15:42,600 Speaker 1: major aspect of the fair that we want to talk 276 00:15:42,600 --> 00:15:45,840 Speaker 1: about that we found especially interesting. But before we get 277 00:15:45,840 --> 00:15:47,800 Speaker 1: into that, we just wanted to give you a little 278 00:15:47,800 --> 00:15:49,960 Speaker 1: bit of the texture of the fair so you can 279 00:15:50,040 --> 00:15:51,920 Speaker 1: know what all is going on there. There's absolutely no 280 00:15:52,000 --> 00:15:53,920 Speaker 1: way we could explore everything that was happening at the 281 00:15:53,960 --> 00:15:56,600 Speaker 1: fair because it was I mean, it was the the 282 00:15:56,600 --> 00:15:58,840 Speaker 1: whole world in a in a in a single place, 283 00:15:59,520 --> 00:16:01,920 Speaker 1: it would be a possible, but to try to give 284 00:16:01,960 --> 00:16:04,200 Speaker 1: you a quick picture, one of the first things you'd 285 00:16:04,280 --> 00:16:08,160 Speaker 1: notice if you walk into the fair is probably the architecture. Now, 286 00:16:08,240 --> 00:16:12,160 Speaker 1: they had landscape architecture right from Frederick Law Olmstead, the 287 00:16:12,160 --> 00:16:14,760 Speaker 1: guy who designed Central Park in New York and a 288 00:16:14,800 --> 00:16:16,560 Speaker 1: lot of I mean a lot of times. If you 289 00:16:16,600 --> 00:16:18,960 Speaker 1: go to a city and you find a beautiful park 290 00:16:19,080 --> 00:16:23,520 Speaker 1: with greens and nice sloping contours and uh tastefully selected 291 00:16:23,560 --> 00:16:27,479 Speaker 1: plants and all that, you look it up designed by Olmstead. Yeah, 292 00:16:27,560 --> 00:16:30,520 Speaker 1: so are our big park back in our hometown of Atlanta. 293 00:16:30,600 --> 00:16:34,440 Speaker 1: Piedmont Park is an Olmstead park. That's pretty cool. It 294 00:16:34,560 --> 00:16:37,239 Speaker 1: is pretty cool. It's best when it's full of dogs, 295 00:16:37,240 --> 00:16:39,800 Speaker 1: exactly when they get away from their owners and they 296 00:16:39,840 --> 00:16:44,320 Speaker 1: come and get your hot dog. I'm not speaking from experience, 297 00:16:44,320 --> 00:16:50,000 Speaker 1: I don't, but yeah, but also building architecture, so um. 298 00:16:50,040 --> 00:16:52,680 Speaker 1: The person who is selected to head up the fair, 299 00:16:52,720 --> 00:16:55,200 Speaker 1: to be the czar of the fair and control all 300 00:16:55,320 --> 00:16:59,440 Speaker 1: of its machinations was Daniel Burnham. The architect I mentioned 301 00:16:59,440 --> 00:17:03,680 Speaker 1: earlier was responsible for the rookery uh, and he also 302 00:17:03,720 --> 00:17:06,639 Speaker 1: wanted the fair to be about building architecture. And this 303 00:17:06,720 --> 00:17:09,080 Speaker 1: is what led to the White City. We had the 304 00:17:09,160 --> 00:17:11,919 Speaker 1: image up earlier. It seems to be gone now, uh, 305 00:17:12,359 --> 00:17:15,879 Speaker 1: But this was this was a city built on the shore. 306 00:17:16,040 --> 00:17:18,880 Speaker 1: It was in Jackson Park on the shore of Lake Michigan, 307 00:17:19,640 --> 00:17:22,080 Speaker 1: and he invited architects from all over the place, all 308 00:17:22,119 --> 00:17:24,679 Speaker 1: the best architects in the country to come together and 309 00:17:24,760 --> 00:17:27,760 Speaker 1: build a city in the neo classical architecture style. So 310 00:17:27,760 --> 00:17:29,879 Speaker 1: if you're trying to picture that, think I think like 311 00:17:29,920 --> 00:17:33,480 Speaker 1: ancient Rome. Think columns and cornices and sort of like 312 00:17:33,520 --> 00:17:36,760 Speaker 1: the design you would find in the US capital, uh 313 00:17:36,800 --> 00:17:41,560 Speaker 1: and things like that. It suggests stateliness, power, pride, empire 314 00:17:42,160 --> 00:17:45,320 Speaker 1: uh and other various beautiful and evil things all wrapped 315 00:17:45,359 --> 00:17:48,680 Speaker 1: into one. But because they were on a really tight schedule, 316 00:17:49,200 --> 00:17:51,040 Speaker 1: they've been thinking about what are we going to paint 317 00:17:51,040 --> 00:17:53,399 Speaker 1: all the buildings that they just went all white, just 318 00:17:53,520 --> 00:17:56,919 Speaker 1: everything white. It just painted all white. Basically, it's like 319 00:17:56,960 --> 00:17:59,160 Speaker 1: they put the primer on it. It's like they got 320 00:17:59,160 --> 00:18:02,119 Speaker 1: their miniatures ready for the big game and they had 321 00:18:02,160 --> 00:18:04,520 Speaker 1: time for the primer, but not to really paint the army. 322 00:18:04,600 --> 00:18:06,280 Speaker 1: But hey, you know, you gotta that's a game. You 323 00:18:06,320 --> 00:18:07,880 Speaker 1: got a game that's a good way to think about 324 00:18:07,880 --> 00:18:12,639 Speaker 1: the White City, like a big game of Warhammer. Warhammer, 325 00:18:13,080 --> 00:18:15,879 Speaker 1: I guess it would. It's the future. The future is 326 00:18:15,960 --> 00:18:19,760 Speaker 1: those the emphasis here, right. Okay, So you've got the 327 00:18:19,800 --> 00:18:21,680 Speaker 1: White City and you're walking in there, and you try 328 00:18:21,720 --> 00:18:23,800 Speaker 1: to imagine going to this on like a hot summer 329 00:18:23,880 --> 00:18:26,320 Speaker 1: day with the sun beating down and all these white 330 00:18:26,359 --> 00:18:28,840 Speaker 1: buildings and then the sun reflecting off the lake. It 331 00:18:28,840 --> 00:18:34,119 Speaker 1: would be not only beautiful but probably literally hurt your eyes. Uh, 332 00:18:34,720 --> 00:18:37,440 Speaker 1: just all this is all this light, but you're so bright. 333 00:18:37,440 --> 00:18:42,800 Speaker 1: You gotta wear shades. Man, oh man, I'm like that 334 00:18:42,920 --> 00:18:46,720 Speaker 1: was the slogan at my college graduation. No way they 335 00:18:46,720 --> 00:18:49,320 Speaker 1: made us wear sunglasses. It was real silly. Anyway, who 336 00:18:51,320 --> 00:18:55,960 Speaker 1: embarrassing personal history? We don't do that enough. Anyway. By night, 337 00:18:56,000 --> 00:18:58,520 Speaker 1: you would you would witness another one of the fairest marvels, 338 00:18:58,560 --> 00:19:02,399 Speaker 1: which is electric lighting. Now, electric lighting was had already 339 00:19:02,400 --> 00:19:05,400 Speaker 1: existed at this point, but it wasn't fully adopted everywhere, 340 00:19:05,440 --> 00:19:09,320 Speaker 1: and so they had enormous amounts of electric light going 341 00:19:09,359 --> 00:19:11,040 Speaker 1: on at this fair more than a hundred and twenty 342 00:19:11,080 --> 00:19:16,320 Speaker 1: thousand incandescent electric lamps, seven thousand arc lights. George Westinghouse 343 00:19:16,560 --> 00:19:19,560 Speaker 1: the guy who held the rights to Nicola Tesla's Alternating 344 00:19:19,600 --> 00:19:23,440 Speaker 1: Current was the one who got the contract to electrify 345 00:19:23,560 --> 00:19:25,280 Speaker 1: the Fair, and this actually played a big role in 346 00:19:25,359 --> 00:19:29,520 Speaker 1: getting Alternating Current AC accepted as the new standard over 347 00:19:29,800 --> 00:19:32,199 Speaker 1: Edison's d C. I'm sure y'all we got fans of 348 00:19:32,200 --> 00:19:35,320 Speaker 1: the current wars out here. Yeah, we have. We have 349 00:19:35,359 --> 00:19:37,840 Speaker 1: a couple of episodes about that stuff. These guys in particular, 350 00:19:37,880 --> 00:19:42,080 Speaker 1: did a really great episode about the uh, the religious 351 00:19:42,119 --> 00:19:45,480 Speaker 1: aspects of electricity. Yeah, if you want to go check 352 00:19:45,520 --> 00:19:47,160 Speaker 1: that out in our back catalog. What is it called 353 00:19:47,160 --> 00:19:48,879 Speaker 1: Early Days of Electricity. It's about how a lot of 354 00:19:48,920 --> 00:19:51,760 Speaker 1: people used to think electricity was magic and holy and 355 00:19:52,040 --> 00:19:54,320 Speaker 1: they wrote poems about it and then it got really boring. 356 00:19:54,359 --> 00:19:56,760 Speaker 1: Around the same time they started electrocuting people in the 357 00:19:56,800 --> 00:20:02,200 Speaker 1: electric chair. So the Fairy used three times as much 358 00:20:02,200 --> 00:20:06,040 Speaker 1: electricity as the entire city of Chicago. This is definitely 359 00:20:06,040 --> 00:20:10,600 Speaker 1: a technological revolution. Um. More random curiosities from the Fair. 360 00:20:10,640 --> 00:20:12,520 Speaker 1: I just want to mention a few real quick. The 361 00:20:12,560 --> 00:20:16,639 Speaker 1: future of weaponry. The largest artillery gun ever built up 362 00:20:16,680 --> 00:20:19,280 Speaker 1: to that time, by the Fritz, by the Fritz, by 363 00:20:19,320 --> 00:20:23,239 Speaker 1: the German gun. Yeah, while he was the Fritz. He 364 00:20:23,320 --> 00:20:29,080 Speaker 1: was Fritz Krupp, the German gun god who made artillery weapons. 365 00:20:29,080 --> 00:20:31,960 Speaker 1: So this was the biggest one, every twenty seven tons. 366 00:20:32,320 --> 00:20:35,840 Speaker 1: It was capable of shooting a one ton shell. Krupp 367 00:20:35,880 --> 00:20:40,000 Speaker 1: claimed up to a range of sixteen miles, and people 368 00:20:40,200 --> 00:20:44,320 Speaker 1: nicknamed it Krup's baby or Crup's monster. And I think 369 00:20:44,320 --> 00:20:46,400 Speaker 1: this is interesting because you get a kind of preview 370 00:20:46,880 --> 00:20:49,080 Speaker 1: of some of the carnage that's going to come with 371 00:20:49,119 --> 00:20:52,280 Speaker 1: the changing technological world. And just I guess with twenty 372 00:20:52,359 --> 00:20:54,280 Speaker 1: five years from then, once we get to World War One, 373 00:20:54,320 --> 00:20:59,320 Speaker 1: the first really true artillery campaign. So this is like 374 00:20:59,400 --> 00:21:02,520 Speaker 1: the moat up of their time, the what the moab? 375 00:21:02,680 --> 00:21:05,480 Speaker 1: The mo Yeah pretty much. Yeah. And then didn't they 376 00:21:05,560 --> 00:21:08,119 Speaker 1: like that you told me this. They would fire the 377 00:21:08,200 --> 00:21:10,920 Speaker 1: shells at targets here in Chicago, right, so they could 378 00:21:10,920 --> 00:21:14,080 Speaker 1: demonstrate its power. Thankfully, they did not try to fire 379 00:21:14,119 --> 00:21:17,080 Speaker 1: the gun inside the city. They had these destroyed targets. 380 00:21:17,119 --> 00:21:20,320 Speaker 1: It was almost like warnings. They had these destroyed targets 381 00:21:20,400 --> 00:21:23,520 Speaker 1: to be these sheets of eighteen inch thick steel that 382 00:21:23,560 --> 00:21:26,560 Speaker 1: are just blown to smithereens by the gun. Uh, they 383 00:21:26,560 --> 00:21:29,119 Speaker 1: claimed the gun had done this. No nobody really saw it. Happen. 384 00:21:29,200 --> 00:21:32,119 Speaker 1: I guess we have to assume it worked. But the 385 00:21:32,160 --> 00:21:34,639 Speaker 1: fair had a Hall of Electricity. Apparently there was just 386 00:21:34,680 --> 00:21:38,360 Speaker 1: an ungodly noise inside. Can you imagine all this nineteenth 387 00:21:38,359 --> 00:21:42,360 Speaker 1: century electricity uh display? So Nicola Tesla had all these 388 00:21:42,400 --> 00:21:47,000 Speaker 1: devices there to show off how electricity worked, induction motors, um, 389 00:21:47,200 --> 00:21:49,399 Speaker 1: you know. Can you imagine the whirring and the clattering 390 00:21:49,440 --> 00:21:53,240 Speaker 1: and the static discharge crashing like there's lightning and screaming 391 00:21:53,280 --> 00:21:54,960 Speaker 1: all in the building. I'm sure it would have been cool. 392 00:21:56,640 --> 00:21:59,640 Speaker 1: It sounds like here kind of Also about the hall 393 00:21:59,680 --> 00:22:03,000 Speaker 1: of like tricity, they had a Benjamin Franklin statue in 394 00:22:03,119 --> 00:22:08,600 Speaker 1: Michael Angeloyd glory, except he was clothed boring. What was 395 00:22:08,600 --> 00:22:14,120 Speaker 1: he wearing standard Benjamin Franklin crap? I don't know even 396 00:22:14,200 --> 00:22:17,959 Speaker 1: they shared that coat with the spectacles. Think he had 397 00:22:17,960 --> 00:22:20,080 Speaker 1: his spectacles on. But to go for the real thing, 398 00:22:20,080 --> 00:22:22,320 Speaker 1: they should have had him nude, like the David with 399 00:22:22,359 --> 00:22:31,320 Speaker 1: the arm back holding a kite. Yeah. One last thing 400 00:22:31,359 --> 00:22:34,720 Speaker 1: I want to mention is the cultural displays of the fair. 401 00:22:34,760 --> 00:22:37,439 Speaker 1: So the fair had a midway with these international cultural 402 00:22:37,440 --> 00:22:40,159 Speaker 1: displays from all over the world. For example, the Street 403 00:22:40,200 --> 00:22:44,080 Speaker 1: of Cairo where they would recreate the architecture of Egypt. 404 00:22:44,160 --> 00:22:46,159 Speaker 1: So they had like a mosque because they had a 405 00:22:46,200 --> 00:22:49,840 Speaker 1: mosque rebuilt there. Uh. They had the replica of the 406 00:22:49,920 --> 00:22:52,600 Speaker 1: luxe Or Temple, and supposedly one of the obelisks in 407 00:22:52,600 --> 00:22:56,320 Speaker 1: their replica luxe Or Temple I have read had Grover 408 00:22:56,480 --> 00:23:00,760 Speaker 1: Cleveland's name President Grover Cleveland inscribed in hyrid affix. Who 409 00:23:00,760 --> 00:23:03,720 Speaker 1: knows if that's true? How would you even spell that? 410 00:23:03,720 --> 00:23:08,040 Speaker 1: Did they anyway? Um? But then also uh, to to 411 00:23:08,359 --> 00:23:10,760 Speaker 1: pair with the futurists, been to the fair. Westinghouse put 412 00:23:10,800 --> 00:23:13,240 Speaker 1: together a second Egyptian temple, except this one was an 413 00:23:13,240 --> 00:23:17,159 Speaker 1: electrical temple with electrified lights, almost just to mess with 414 00:23:17,200 --> 00:23:20,160 Speaker 1: people like, oh you saw that other Egyptian temple. Huh, 415 00:23:20,320 --> 00:23:23,719 Speaker 1: how about one that will shock you? And they had 416 00:23:23,760 --> 00:23:27,680 Speaker 1: mummies there, Oh yeah, wax mummies. They had replicas of mummies. 417 00:23:28,040 --> 00:23:30,680 Speaker 1: Wouldn't it be great if they had real mummies? Electric 418 00:23:30,760 --> 00:23:34,640 Speaker 1: electric electric mummies. That's a good that's a good band name. 419 00:23:34,800 --> 00:23:37,520 Speaker 1: You can imagine Tesla and Westinghouse would like come up 420 00:23:37,520 --> 00:23:43,160 Speaker 1: with the machine. A machine makes sixteen mummies an hour. Um. 421 00:23:43,200 --> 00:23:45,560 Speaker 1: But one more thing about the street of Cairo was 422 00:23:45,680 --> 00:23:48,040 Speaker 1: the street itself, and this was actually the more popular 423 00:23:48,119 --> 00:23:51,720 Speaker 1: aspect of the the international things. In the Midway. You 424 00:23:51,720 --> 00:23:54,200 Speaker 1: would have things like donkey rides for the kids. People 425 00:23:54,400 --> 00:23:57,120 Speaker 1: actually came from places all around the world to show 426 00:23:57,200 --> 00:23:59,240 Speaker 1: off what their culture looked like. Now we don't know 427 00:23:59,320 --> 00:24:02,080 Speaker 1: always how acurate it would have looked as depicted at 428 00:24:02,080 --> 00:24:04,440 Speaker 1: the fair, but they'd have, you know, a street that's 429 00:24:04,440 --> 00:24:06,879 Speaker 1: supposed to be filled with people from Cairo showing what 430 00:24:06,920 --> 00:24:09,879 Speaker 1: they do in Cairo, having a donkey and camel rides 431 00:24:09,920 --> 00:24:12,680 Speaker 1: for the kids, and coffee and Egyptian exotic dancers for 432 00:24:12,800 --> 00:24:16,520 Speaker 1: mom and dad, and that this is like the Epcot 433 00:24:16,720 --> 00:24:19,679 Speaker 1: center of it. It's hard not to think of of 434 00:24:19,720 --> 00:24:22,719 Speaker 1: Disney World. Yea, when when when when? When thinking how 435 00:24:22,800 --> 00:24:27,080 Speaker 1: much cosplay was going on there, that is a good question. 436 00:24:27,119 --> 00:24:28,720 Speaker 1: I don't know if that had caught on yet, but 437 00:24:28,760 --> 00:24:31,359 Speaker 1: like so you'd have people from Chicago or maybe from 438 00:24:31,480 --> 00:24:34,639 Speaker 1: rural Illinois showing up dressing as the street of Cairo 439 00:24:36,040 --> 00:24:41,359 Speaker 1: or mummies as Yeah. Uh so when I think about this, 440 00:24:41,440 --> 00:24:44,040 Speaker 1: I think about like the cultural display is coming together. 441 00:24:44,080 --> 00:24:48,280 Speaker 1: I think it's confounding because I sense different different spirits 442 00:24:48,320 --> 00:24:51,040 Speaker 1: in the interest people had in this. In one sense, 443 00:24:51,119 --> 00:24:54,920 Speaker 1: I sense a kind of crass orientalism, right, like Americans 444 00:24:54,960 --> 00:24:57,360 Speaker 1: just wanting to look at what those backward foreigners are, 445 00:24:57,400 --> 00:25:01,280 Speaker 1: like a kind of puerile curiosity, maybe also hoping there 446 00:25:01,359 --> 00:25:04,800 Speaker 1: might be some nudity and seeing some foreign dances. But 447 00:25:04,960 --> 00:25:07,320 Speaker 1: on the other hand, I also since there there's a 448 00:25:07,440 --> 00:25:11,960 Speaker 1: layer of genuine, admirable interest in other cultures, and that's 449 00:25:12,000 --> 00:25:14,080 Speaker 1: a cool thing to see too in the eighteen nineties, 450 00:25:14,080 --> 00:25:16,120 Speaker 1: and I think should help transition to what you wanted 451 00:25:16,160 --> 00:25:19,360 Speaker 1: to talk about, right, Robert, Yes, this really interesting thing 452 00:25:19,359 --> 00:25:22,320 Speaker 1: that we're seeing during the World's Fair, this like idea 453 00:25:22,520 --> 00:25:27,520 Speaker 1: of embracing diversity, and so that included religion, right, Yeah, 454 00:25:27,600 --> 00:25:31,159 Speaker 1: So this was the the auxiliary was in charge of 455 00:25:31,160 --> 00:25:34,320 Speaker 1: all cultural matters because you know, this is not only 456 00:25:34,400 --> 00:25:37,919 Speaker 1: a celebration of of what we are, you know, and 457 00:25:37,960 --> 00:25:40,000 Speaker 1: what what cult where culture was at the time, but 458 00:25:40,320 --> 00:25:43,320 Speaker 1: it was about history where how far had we come? 459 00:25:43,960 --> 00:25:46,639 Speaker 1: And uh, and there was this really cool thing that 460 00:25:46,720 --> 00:25:51,160 Speaker 1: was going on there the the Parliament of World Religions. Now, 461 00:25:51,200 --> 00:25:52,920 Speaker 1: I know what what you're gonna ask you. You want 462 00:25:52,920 --> 00:25:57,080 Speaker 1: to know is how funky is it? No, it's not. 463 00:25:57,840 --> 00:26:00,119 Speaker 1: I wanted to know if it's a literal parliament, like 464 00:26:00,160 --> 00:26:03,280 Speaker 1: they bring God in for question time and they can 465 00:26:03,320 --> 00:26:06,199 Speaker 1: you fill a buster? The Presbyterians say, where wigs? Now, 466 00:26:06,440 --> 00:26:08,760 Speaker 1: maybe that's where all those wigs from Tennessee went. Yeah, 467 00:26:08,960 --> 00:26:12,000 Speaker 1: it could be. Basically, the idea of the Parliament of 468 00:26:12,000 --> 00:26:14,800 Speaker 1: World Religions was, let's let's send out these invites to 469 00:26:14,880 --> 00:26:17,240 Speaker 1: all of these these major religions. And yes, most of 470 00:26:17,240 --> 00:26:20,480 Speaker 1: them are gonna end up being English speaking Protestant religions, 471 00:26:20,520 --> 00:26:23,359 Speaker 1: but let's have everybody come in. We'll celebrate what we 472 00:26:23,440 --> 00:26:25,800 Speaker 1: have in common. We'll give everyone a chance to not 473 00:26:25,920 --> 00:26:29,200 Speaker 1: so much to to boast about the religion and push 474 00:26:29,280 --> 00:26:32,199 Speaker 1: down other faiths, but rather to to say, hey, this 475 00:26:32,280 --> 00:26:34,840 Speaker 1: is what we have worked out. This is how we 476 00:26:34,960 --> 00:26:36,600 Speaker 1: bring out the best men people, and this is how 477 00:26:36,680 --> 00:26:40,480 Speaker 1: we can address the concerns of our world. Right, because, 478 00:26:40,520 --> 00:26:43,520 Speaker 1: as Joe is mentioning, you had all these pressures converging 479 00:26:43,800 --> 00:26:48,320 Speaker 1: on not just Chicago but America at the time, right, industrialism, immigration, 480 00:26:48,440 --> 00:26:52,919 Speaker 1: people were freaked out. Yeah, and it's with all of this, 481 00:26:53,040 --> 00:26:57,000 Speaker 1: really every aspect of the of the of the fair here. 482 00:26:57,160 --> 00:27:00,159 Speaker 1: You I mean, you look at it and you know 483 00:27:00,240 --> 00:27:02,920 Speaker 1: what's going to happen in the twentieth century. You know 484 00:27:03,000 --> 00:27:08,120 Speaker 1: about the revolutions, the civil wars, the nationalism, the world wars, 485 00:27:08,680 --> 00:27:12,840 Speaker 1: the Great Depression, the Holocaust, nuclear weapons though, the whole 486 00:27:12,920 --> 00:27:19,040 Speaker 1: nine yards, so stuff everybody's I don't know, but the thing. 487 00:27:19,280 --> 00:27:21,320 Speaker 1: But at the same at the same time, you know, 488 00:27:21,400 --> 00:27:23,920 Speaker 1: we we did have a lot of really positive stuff 489 00:27:23,920 --> 00:27:25,520 Speaker 1: to come out of the twentieth century. I mean, civil 490 00:27:25,560 --> 00:27:31,000 Speaker 1: rights movements, triumph of non violent protests, human space exploration, 491 00:27:31,600 --> 00:27:35,720 Speaker 1: and large extent I'm sorry, Lade Runner, well, of course 492 00:27:35,720 --> 00:27:39,760 Speaker 1: the Blade runner um, but to a to a large extent, 493 00:27:39,880 --> 00:27:42,399 Speaker 1: there was a lot of effort that was made to 494 00:27:42,400 --> 00:27:47,199 Speaker 1: to understand other religions, to promote religious tolerance. And we 495 00:27:47,240 --> 00:27:50,199 Speaker 1: can really look back to the Parliament of World Religions 496 00:27:50,200 --> 00:27:53,840 Speaker 1: in ere and see sort of a beginning there. So 497 00:27:54,200 --> 00:27:56,399 Speaker 1: you could say that in the eighteen nineties this was 498 00:27:56,440 --> 00:28:00,199 Speaker 1: something that was also very needed, right, Yes, So what 499 00:28:00,240 --> 00:28:02,640 Speaker 1: I'm gonna explain it describe now, and I'm very much 500 00:28:03,560 --> 00:28:05,800 Speaker 1: jumping off of what Joe said earlier. A lot of 501 00:28:05,800 --> 00:28:10,159 Speaker 1: this is gonna sound hauntingly familiar. Okay, so we have 502 00:28:10,200 --> 00:28:13,960 Speaker 1: to go back to the climate of eighteen nineties America 503 00:28:14,080 --> 00:28:16,440 Speaker 1: and uh, an author by the name of Catherine Marshall. 504 00:28:16,520 --> 00:28:19,000 Speaker 1: She wrote a wonderful piece in the Interfaith Observer in 505 00:28:19,040 --> 00:28:21,600 Speaker 1: tiften and she she did a great job driving home 506 00:28:21,640 --> 00:28:26,000 Speaker 1: some of the key areas where religious and cultural tensions 507 00:28:26,160 --> 00:28:30,760 Speaker 1: were were brewing. So a flood of mostly poor immigrants, 508 00:28:30,840 --> 00:28:34,320 Speaker 1: many of them Jewish refugees from Russia, were entering the 509 00:28:34,359 --> 00:28:38,520 Speaker 1: country and as a result, you had this surge in 510 00:28:38,680 --> 00:28:43,680 Speaker 1: xenophobic and nativist attitudes, and this inspired the founding of 511 00:28:43,720 --> 00:28:47,520 Speaker 1: the Immigration Restriction League, as well as anti immigrant laws 512 00:28:47,560 --> 00:28:51,520 Speaker 1: such as eighteen eighty two's China Exclusion Act. And on 513 00:28:51,600 --> 00:28:54,840 Speaker 1: top of that, you had changes in immigration policies that 514 00:28:55,320 --> 00:29:00,800 Speaker 1: that favored educated Northern European immigrants over pretty much everybody else. Yes, 515 00:29:01,000 --> 00:29:05,720 Speaker 1: this sounds scarily familiar. Yeah, but again you have to 516 00:29:06,040 --> 00:29:07,800 Speaker 1: you have to look at this this world. You see 517 00:29:07,840 --> 00:29:10,640 Speaker 1: what's going on and on in in in In addition 518 00:29:10,640 --> 00:29:14,000 Speaker 1: to all the immigration, you have these globalizing elements that 519 00:29:14,040 --> 00:29:17,400 Speaker 1: were taking place, right you had you had this surge 520 00:29:17,440 --> 00:29:23,280 Speaker 1: and technological achievement. So this is where again the the 521 00:29:23,080 --> 00:29:27,200 Speaker 1: the World Religious Parliament comes into play. One of the 522 00:29:27,280 --> 00:29:29,520 Speaker 1: key individuals here and uh and I'm going to go 523 00:29:29,600 --> 00:29:32,080 Speaker 1: into detail about him because it's kind of interesting to 524 00:29:32,080 --> 00:29:34,640 Speaker 1: to look at him. Is one of the roots of 525 00:29:34,680 --> 00:29:39,640 Speaker 1: it here. Um. His name was Charles Carroll Bonnie, and 526 00:29:39,680 --> 00:29:43,240 Speaker 1: he was a Chicago lawyer, a judge, a teacher, president 527 00:29:43,280 --> 00:29:46,560 Speaker 1: of the World's Congress Auxiliary. They're the ones who did 528 00:29:46,600 --> 00:29:50,280 Speaker 1: a lot of the cultural and religious stuff for this celebration. 529 00:29:50,680 --> 00:29:53,760 Speaker 1: And he was charged with highlighting the intellectual and more 530 00:29:53,960 --> 00:29:57,680 Speaker 1: moral progress of the civilized world. And uh, he was 531 00:29:57,760 --> 00:30:00,840 Speaker 1: also a member of a new religious movement known as 532 00:30:00,880 --> 00:30:04,280 Speaker 1: the sweden Borgian Church. Oh boy, how many of you 533 00:30:04,320 --> 00:30:07,080 Speaker 1: have heard of the Swedenborgian Church before? Okay, I see, 534 00:30:07,120 --> 00:30:10,120 Speaker 1: like four hands, all right, there's a fifth. We may 535 00:30:10,120 --> 00:30:13,800 Speaker 1: even have some Swedenborgians in the audience, maybe any Swedenborgians. 536 00:30:14,720 --> 00:30:17,400 Speaker 1: Well okay, maybe not, but we got one maybe. Al right, 537 00:30:17,600 --> 00:30:22,880 Speaker 1: well all right, well hope this is named after a person, right, yeah, yeah, 538 00:30:22,920 --> 00:30:25,600 Speaker 1: this is named after an individual by the name of 539 00:30:25,640 --> 00:30:29,720 Speaker 1: Emmanuel Swedenborg. What a name. Okay, hold on a second. 540 00:30:29,840 --> 00:30:33,680 Speaker 1: This guy is Swedish and his name is sweden Borg. 541 00:30:33,960 --> 00:30:36,640 Speaker 1: So that'd be like if my name was Christian America Borg. 542 00:30:37,520 --> 00:30:39,200 Speaker 1: You should consider it. I mean, I think that's the one. 543 00:30:39,240 --> 00:30:41,200 Speaker 1: Heck of mind. Yeah, maybe I'll change it for the show. 544 00:30:41,480 --> 00:30:44,000 Speaker 1: That's the name of a project deep under the ground 545 00:30:44,080 --> 00:30:51,960 Speaker 1: in the Pentagon Christian American. It's an electric mummy. So 546 00:30:52,280 --> 00:30:54,080 Speaker 1: I'm gonna talk a little more about the Swedenborgians in 547 00:30:54,160 --> 00:30:57,440 Speaker 1: just a second. But first, new religious movements. What is 548 00:30:57,440 --> 00:31:00,360 Speaker 1: a new religious movement, Robert, be straight with me. It 549 00:31:00,400 --> 00:31:03,720 Speaker 1: is the same thing as a cult. All right, This 550 00:31:03,760 --> 00:31:06,600 Speaker 1: is the way I listen to this pause, Well, okay, 551 00:31:06,720 --> 00:31:07,800 Speaker 1: this is the way I like to look at it. 552 00:31:07,840 --> 00:31:10,680 Speaker 1: You have cults over here, and there's a certain certain 553 00:31:10,720 --> 00:31:13,200 Speaker 1: list of criteria for cults, and you have a new 554 00:31:13,240 --> 00:31:16,320 Speaker 1: religious movements over here, and there are certain criteria. Sometimes 555 00:31:16,320 --> 00:31:20,400 Speaker 1: these two things overlap. I think you can sort of 556 00:31:20,440 --> 00:31:23,800 Speaker 1: look at like like any young religion is kind of 557 00:31:23,840 --> 00:31:27,040 Speaker 1: like a like a teenager. You know, they're they're just 558 00:31:27,080 --> 00:31:29,760 Speaker 1: figuring out who they are and uh, maybe they're a 559 00:31:29,800 --> 00:31:33,240 Speaker 1: little impulsive. They have a lot of growing up to do, uh, 560 00:31:33,280 --> 00:31:36,040 Speaker 1: and that will come in time if they survive. And 561 00:31:36,080 --> 00:31:40,000 Speaker 1: they don't always get invited to world parliaments like teenagers. 562 00:31:41,240 --> 00:31:45,240 Speaker 1: So another way to look at it at new religious movements, 563 00:31:45,360 --> 00:31:48,800 Speaker 1: very much in keeping with the fair, is that these 564 00:31:48,840 --> 00:31:53,400 Speaker 1: are they're almost always rooted in ancient religious traditions, but 565 00:31:53,600 --> 00:31:57,400 Speaker 1: it's someone has taken those religious traditions, or rather picked 566 00:31:57,440 --> 00:32:00,520 Speaker 1: up the shards of them and reform them into something 567 00:32:00,920 --> 00:32:06,480 Speaker 1: that appeals to modern believers. That that it tackles modern problems. 568 00:32:06,520 --> 00:32:08,800 Speaker 1: It's been it's something that's taken the old and remade 569 00:32:08,800 --> 00:32:11,520 Speaker 1: it into something new. This is the principle of syncretism. 570 00:32:11,520 --> 00:32:13,320 Speaker 1: In fact, this is how we get I would say, 571 00:32:13,360 --> 00:32:15,920 Speaker 1: most religions that exist in the world you can see 572 00:32:15,920 --> 00:32:18,280 Speaker 1: as being sort of built out of the pieces of 573 00:32:18,320 --> 00:32:21,480 Speaker 1: older religions. Yeah, if you've ever listened to our podcast before, 574 00:32:21,600 --> 00:32:23,800 Speaker 1: this actually comes up quite a bit, and sometimes we 575 00:32:23,920 --> 00:32:26,600 Speaker 1: refer to it as the lunch tray method of religion, 576 00:32:26,600 --> 00:32:29,040 Speaker 1: where you can just pick different versions that will be 577 00:32:29,080 --> 00:32:31,720 Speaker 1: your meal. Yeah, though generally at this time you're talking 578 00:32:31,720 --> 00:32:34,320 Speaker 1: about someone else saying, all right, here is your new meal. 579 00:32:34,520 --> 00:32:37,040 Speaker 1: I've I've picked up what you don't need anymore. I've 580 00:32:37,080 --> 00:32:39,239 Speaker 1: decided that we're just having corn. That's sort of thing. 581 00:32:40,120 --> 00:32:43,960 Speaker 1: But it's corner of the ky what or it's corn 582 00:32:44,040 --> 00:32:47,880 Speaker 1: with the quor. You know, it's interesting to talk about 583 00:32:47,880 --> 00:32:50,920 Speaker 1: religion while we're we're here it's E two E two 584 00:32:51,560 --> 00:32:53,720 Speaker 1: because we we have passed episodes where we talked about 585 00:32:53,760 --> 00:32:57,680 Speaker 1: hyper real religions, the idea that a lot in many 586 00:32:57,720 --> 00:33:02,440 Speaker 1: cases fandoms and various five properties. Fantasy properties like these 587 00:33:02,480 --> 00:33:06,240 Speaker 1: can take on the power of religion for modern people. 588 00:33:06,400 --> 00:33:08,720 Speaker 1: And we have some examples where people tend to take 589 00:33:08,760 --> 00:33:10,880 Speaker 1: that to a literal extent, such as Jedi is um 590 00:33:10,880 --> 00:33:14,080 Speaker 1: any jedi Ists in here or jedis there. There are 591 00:33:14,120 --> 00:33:17,360 Speaker 1: people who literally claim to have Jedi as their religions. 592 00:33:17,720 --> 00:33:21,400 Speaker 1: Consider the one way were wondering about was postapharianism. Yeah, 593 00:33:22,080 --> 00:33:24,480 Speaker 1: if there are any of those folks here, we'll think 594 00:33:24,520 --> 00:33:29,200 Speaker 1: about all of this religious in some places. So as 595 00:33:29,240 --> 00:33:31,800 Speaker 1: we continue, Yeah, if you're having trouble connecting to the 596 00:33:31,840 --> 00:33:34,920 Speaker 1: religious idea, just replace the religion with with whatever your 597 00:33:34,960 --> 00:33:39,080 Speaker 1: favorite fandom happens to be. Now, as far as real 598 00:33:39,440 --> 00:33:42,480 Speaker 1: um a new religious movements, just a two quick examples 599 00:33:42,600 --> 00:33:45,320 Speaker 1: because these will come into play. That you had eighteen 600 00:33:45,360 --> 00:33:48,280 Speaker 1: thirty the Church of Jesus Christ of Latter day Saints. 601 00:33:48,640 --> 00:33:51,800 Speaker 1: That's a perfect example of not only a new religious movement, 602 00:33:51,840 --> 00:33:54,640 Speaker 1: but a frontier and new religious movement, one that was 603 00:33:54,640 --> 00:33:57,280 Speaker 1: was very much coming out of a place and time 604 00:33:57,280 --> 00:33:59,880 Speaker 1: and the needs of the people there and deeply American 605 00:34:00,040 --> 00:34:03,000 Speaker 1: in character. And then you also had the Christian Scientist 606 00:34:03,240 --> 00:34:07,760 Speaker 1: eighteen seventy nine. They were both founded prior to the 607 00:34:07,960 --> 00:34:11,880 Speaker 1: Colombian Exposition, but only one of them was invited. And 608 00:34:12,239 --> 00:34:14,520 Speaker 1: I'll touch that on that in a minute. You're not 609 00:34:14,560 --> 00:34:18,960 Speaker 1: gonna tell us which one, Okay, I'll go ahead, and 610 00:34:18,560 --> 00:34:20,400 Speaker 1: all right, you can try and figure it out. But 611 00:34:21,200 --> 00:34:25,200 Speaker 1: more recent examples, of course, would be like Rastafari scientology 612 00:34:25,200 --> 00:34:30,520 Speaker 1: and follow him gong. Okay, so we've we've established that Swedenborgianism, 613 00:34:31,280 --> 00:34:34,920 Speaker 1: or rather the New Church Swedenborgian Church. This was basically 614 00:34:34,960 --> 00:34:37,560 Speaker 1: the idea that the Second Coming had occurred and we're 615 00:34:37,560 --> 00:34:40,279 Speaker 1: all living in the New Jerusalem and uh, and we 616 00:34:40,320 --> 00:34:42,280 Speaker 1: need to focus on making the world a better place. 617 00:34:42,640 --> 00:34:46,239 Speaker 1: That's that's just a very brief breakdown of that. Uh. 618 00:34:46,560 --> 00:34:50,160 Speaker 1: It's like later seasons of Battlestar Collector. Yeah, and it 619 00:34:50,239 --> 00:34:52,520 Speaker 1: was a pretty big deal. I mean, Johnny Appleseed was 620 00:34:52,520 --> 00:34:56,200 Speaker 1: a member of the New Church. Johnny Appleseed, Johnny Appleseed, 621 00:34:56,200 --> 00:34:59,640 Speaker 1: Helen Keller, William Blake, and there was one other who 622 00:34:59,719 --> 00:35:03,760 Speaker 1: was Rubber Frost. So so they were cool with cider then, 623 00:35:04,320 --> 00:35:08,279 Speaker 1: oh yeah, yeah, the American side are hard on like 624 00:35:08,320 --> 00:35:11,880 Speaker 1: the Swedenborgian Avengers. Yeah yeah, b B B b b 625 00:35:12,000 --> 00:35:14,040 Speaker 1: B one thing we didn't even say. But you've got 626 00:35:14,040 --> 00:35:16,360 Speaker 1: to have in mind thinking about the World's Fair in 627 00:35:16,400 --> 00:35:20,919 Speaker 1: the eighteen nineties. Behind everything, there is a rabid temperance 628 00:35:21,000 --> 00:35:24,920 Speaker 1: movement that wants influence on whatever you're doing. So anybody 629 00:35:24,920 --> 00:35:27,279 Speaker 1: who wanted to have drinks going on wherever, they were 630 00:35:27,280 --> 00:35:31,640 Speaker 1: always fighting the temperance movement. All right, So back to 631 00:35:31,719 --> 00:35:33,960 Speaker 1: this world, this Parliament of religions, how does a good 632 00:35:34,040 --> 00:35:38,560 Speaker 1: rolling Well, Bonnie appoints the first Presbyterian clergyman, John Henry Barrows, 633 00:35:38,840 --> 00:35:41,800 Speaker 1: to admit that minister this thing. He ends up writing 634 00:35:41,880 --> 00:35:43,799 Speaker 1: about this a lot. There's a book that you can 635 00:35:43,840 --> 00:35:47,680 Speaker 1: find of his online at archive dot org where he 636 00:35:47,719 --> 00:35:51,120 Speaker 1: just goes into exhaustive detail about the whole deal. But basically, 637 00:35:51,239 --> 00:35:53,600 Speaker 1: they send out these invitations. He and a bunch of 638 00:35:53,640 --> 00:35:56,879 Speaker 1: sixteen other people that put together these invitations send them 639 00:35:56,880 --> 00:36:00,719 Speaker 1: out three thousand copies of the preliminary address, uh to 640 00:36:01,160 --> 00:36:06,040 Speaker 1: religions around the world to participate. Uh So not everybody 641 00:36:06,120 --> 00:36:08,759 Speaker 1: was crazy about it. The Presbyterians didn't like it, The 642 00:36:08,840 --> 00:36:12,280 Speaker 1: Church of England, European Roman Catholics, the Sultan of Turkey, 643 00:36:13,160 --> 00:36:17,799 Speaker 1: various American even a Gelicles disapproved, but a number of 644 00:36:17,800 --> 00:36:21,800 Speaker 1: other people were really into the idea. Now, not everybody 645 00:36:21,800 --> 00:36:23,399 Speaker 1: got an invite. I don't want to make it sound 646 00:36:23,440 --> 00:36:26,839 Speaker 1: like this was just super inclusive. The Church of Latter 647 00:36:26,920 --> 00:36:31,040 Speaker 1: day Saints were snubbed from the event despite really uh 648 00:36:31,120 --> 00:36:34,040 Speaker 1: that they were really interested in attending, but they ended 649 00:36:34,120 --> 00:36:39,600 Speaker 1: up not taking of the controversy of polygamy at the time. Yeah, 650 00:36:39,680 --> 00:36:42,040 Speaker 1: and it just but it does just go to show 651 00:36:42,080 --> 00:36:45,759 Speaker 1: that there was some favoritism. Like even it's eight so 652 00:36:45,920 --> 00:36:48,920 Speaker 1: even in the name of like bringing all these religions together, 653 00:36:49,160 --> 00:36:53,680 Speaker 1: there's still some closed mindedness about about some new religious movements, 654 00:36:53,719 --> 00:36:56,279 Speaker 1: like the right kind of new religious movements, like the 655 00:36:56,320 --> 00:36:59,040 Speaker 1: Christian Scientists are invited, but but but not the Morment. 656 00:37:00,440 --> 00:37:04,120 Speaker 1: We're having a religion party. No Mormons allowed, all right, 657 00:37:04,200 --> 00:37:07,080 Speaker 1: So the party takes place and it is it's it's 658 00:37:07,160 --> 00:37:10,560 Speaker 1: quite a success. So talk in terms of who attended, 659 00:37:11,000 --> 00:37:14,360 Speaker 1: one fifty two out of one nine papers were English 660 00:37:14,400 --> 00:37:19,520 Speaker 1: speaking Christians, but you still saw twelve Buddhist, eleven Jewish presenters, 661 00:37:20,000 --> 00:37:25,880 Speaker 1: eight Hindu to Islamic, two Zoroastrians to Shinto to Confucians, 662 00:37:25,920 --> 00:37:29,880 Speaker 1: to Dallast and uh one Janus. So that's a pretty 663 00:37:29,880 --> 00:37:33,160 Speaker 1: good Amountain. You also had a Christian scientist and a theosoficet. 664 00:37:34,400 --> 00:37:36,440 Speaker 1: That sounds like a pretty good representation to me. I mean, 665 00:37:36,560 --> 00:37:38,640 Speaker 1: went the more I hear about this more, the more 666 00:37:38,680 --> 00:37:41,480 Speaker 1: I wonder, like, would this be possible today? Well, we'll 667 00:37:41,480 --> 00:37:45,839 Speaker 1: get to that. So the inaugural celebration began with an 668 00:37:45,840 --> 00:37:51,040 Speaker 1: interfaith ceremony, drawing in some four thousand people. Reported five 669 00:37:51,080 --> 00:37:56,319 Speaker 1: thousand assembled to hear a speech by Hindu monk Swami Vivicananda, 670 00:37:56,520 --> 00:37:59,960 Speaker 1: who's widely regarded as being the guy who introduced Hinduism 671 00:38:00,000 --> 00:38:02,359 Speaker 1: and yoga to the Western world. So if you did 672 00:38:02,440 --> 00:38:05,799 Speaker 1: yoga today, thanks Swami Vivicananda. We have our hotel has 673 00:38:05,880 --> 00:38:08,640 Speaker 1: yoga mats in the closets all thank to Swami Vivcana. 674 00:38:09,520 --> 00:38:12,440 Speaker 1: It's awful. And oh yeah, nineteen women spoke at the 675 00:38:12,920 --> 00:38:15,360 Speaker 1: at at the Congress as well, which I think was, 676 00:38:15,400 --> 00:38:18,239 Speaker 1: you know, pretty good for the day. So the Parliament 677 00:38:18,280 --> 00:38:21,200 Speaker 1: didn't attempt to unify religion. They again, they approached it 678 00:38:21,239 --> 00:38:23,919 Speaker 1: more as a platform for everyone to share their light. 679 00:38:24,800 --> 00:38:26,920 Speaker 1: And yet there were those who managed to throw a 680 00:38:26,920 --> 00:38:30,000 Speaker 1: few elbows into other religions to sort of talk here 681 00:38:30,040 --> 00:38:34,080 Speaker 1: and there about you know, false religions. Uh. There was 682 00:38:34,160 --> 00:38:36,440 Speaker 1: a few people in in particular who kind of use 683 00:38:36,520 --> 00:38:40,719 Speaker 1: battle royal darwinnus of Um language to describe it as 684 00:38:40,719 --> 00:38:44,239 Speaker 1: if this whole party was just one big battle and 685 00:38:44,280 --> 00:38:46,160 Speaker 1: at the end there can be only one. I like 686 00:38:46,239 --> 00:38:49,359 Speaker 1: the Yeah, it's like Highlander, but they're all wearing like 687 00:38:49,640 --> 00:38:54,480 Speaker 1: Japanese school girl outfits fighting over religions. Yeah, and McLeod 688 00:38:54,600 --> 00:38:57,120 Speaker 1: is a Presbyterian. Yeah, which one is a clancy Brown 689 00:38:57,160 --> 00:39:00,880 Speaker 1: with his leather jacket? I don't know Christian scientists Kgan. 690 00:39:01,160 --> 00:39:07,200 Speaker 1: Let's see, he's Church of England, all right. So everyone 691 00:39:07,239 --> 00:39:09,920 Speaker 1: comes together, they share stuff about the religion, and everyone's 692 00:39:09,920 --> 00:39:11,719 Speaker 1: patting themselves on the bag. But I know what you're 693 00:39:11,800 --> 00:39:14,960 Speaker 1: you're you're asking yourself. You're thinking ahead to the twentieth century, 694 00:39:14,960 --> 00:39:16,759 Speaker 1: you're thinking ahead to now, and you're saying, did any 695 00:39:16,800 --> 00:39:20,120 Speaker 1: of this accomplish anything? Did any good come out of it? 696 00:39:20,600 --> 00:39:22,880 Speaker 1: Or is it just kind of like those uh, you know, 697 00:39:22,880 --> 00:39:25,480 Speaker 1: those kitchens of the future that you see footage job 698 00:39:25,560 --> 00:39:27,520 Speaker 1: from the fifties and sixties where you look back and 699 00:39:27,520 --> 00:39:29,920 Speaker 1: you know you say, well, well, that's great, but we 700 00:39:30,040 --> 00:39:32,360 Speaker 1: never had flying toast. There's no one ever had a 701 00:39:33,080 --> 00:39:36,919 Speaker 1: had had a refrigerator like that. You know, they didn't 702 00:39:36,960 --> 00:39:40,799 Speaker 1: have the Internet of Things yet. But so wait, did 703 00:39:40,840 --> 00:39:44,040 Speaker 1: this have a continuing influence or not? Well it did, 704 00:39:44,440 --> 00:39:46,719 Speaker 1: but I mean part of it is that in the 705 00:39:47,200 --> 00:39:52,440 Speaker 1: in the era to follow, interfaith cooperation was not a priority. 706 00:39:52,640 --> 00:39:56,080 Speaker 1: You know. Um, you might say that there were a 707 00:39:56,239 --> 00:39:59,879 Speaker 1: number of different interfaith groups that sprang up right at 708 00:40:00,000 --> 00:40:03,120 Speaker 1: of the Parliament. Not all of them lasted, They weren't 709 00:40:03,160 --> 00:40:06,279 Speaker 1: necessarily all that focused. After the Second World War you 710 00:40:06,320 --> 00:40:11,920 Speaker 1: saw more localized focus on inter religious efforts, and eventually 711 00:40:11,920 --> 00:40:14,239 Speaker 1: you did. You did see some really major groups come 712 00:40:14,239 --> 00:40:17,560 Speaker 1: out of this, such as International Association for Religious Freedom 713 00:40:17,560 --> 00:40:20,200 Speaker 1: in nineteen hundred, the World Council of Churches in nineteen 714 00:40:20,280 --> 00:40:23,799 Speaker 1: forty eight. You also had groups that were not expressly religious, 715 00:40:23,960 --> 00:40:27,359 Speaker 1: but but did you know, we did entail some some 716 00:40:27,719 --> 00:40:31,160 Speaker 1: religious discussions, such as John D. Rockefeller the Thirds Asia 717 00:40:31,239 --> 00:40:36,240 Speaker 1: Society founded in nineteen fifty six. You also saw various 718 00:40:36,640 --> 00:40:40,080 Speaker 1: religious groups becoming more open at least to talking about 719 00:40:40,120 --> 00:40:44,319 Speaker 1: other religions, um, the Catholic Church, for instance. Following the 720 00:40:44,400 --> 00:40:48,120 Speaker 1: Second Vatican Council in the nineteen sixties. And I imagine 721 00:40:48,440 --> 00:40:50,239 Speaker 1: like anybody out there who grew up in a church, 722 00:40:51,040 --> 00:40:53,000 Speaker 1: I mean everybody's If you grew up in a church, 723 00:40:53,000 --> 00:40:56,080 Speaker 1: everybody's church upbrings a little different. But you might be 724 00:40:56,080 --> 00:40:59,600 Speaker 1: able to think back to some at least mild mid level, 725 00:41:00,200 --> 00:41:02,640 Speaker 1: you know, interfaith discussion that went on. What do you 726 00:41:02,640 --> 00:41:07,960 Speaker 1: think Mel Gibson thinks about this? Why would you go there? 727 00:41:08,280 --> 00:41:10,919 Speaker 1: We should probably ask him next time he's in the studio. Yeah, 728 00:41:10,920 --> 00:41:13,520 Speaker 1: well we'll have him on to talk about interfaith communication 729 00:41:13,560 --> 00:41:16,120 Speaker 1: to go get the Grengo. But a number of these 730 00:41:16,360 --> 00:41:19,200 Speaker 1: these groups are still around, and the World Parliament of 731 00:41:19,280 --> 00:41:22,839 Speaker 1: Religions lives on what what what? You're still having this? 732 00:41:23,000 --> 00:41:27,319 Speaker 1: They are They reconvened once more in so that's their 733 00:41:27,360 --> 00:41:31,440 Speaker 1: their centennial wow right here in Chicago, and they still 734 00:41:31,480 --> 00:41:34,800 Speaker 1: hold events every few years. Ironically enough, the most recent 735 00:41:34,880 --> 00:41:38,960 Speaker 1: US meeting took place in Salt Lake City, so they 736 00:41:39,000 --> 00:41:41,359 Speaker 1: had to invite the Mormons. Yeah, so there's some come 737 00:41:41,440 --> 00:41:44,200 Speaker 1: up in there. You know. Now we're hosting the party, 738 00:41:44,400 --> 00:41:46,560 Speaker 1: and uh, you know, you can suck it. I guess, 739 00:41:47,440 --> 00:41:49,560 Speaker 1: you know what with this kind of parliament coming together 740 00:41:49,680 --> 00:41:52,800 Speaker 1: fostering mutual understanding. It makes me think that the people 741 00:41:52,840 --> 00:41:55,800 Speaker 1: who would be most likely to attend are the people 742 00:41:55,840 --> 00:41:59,400 Speaker 1: who need it the least. You know. Yeah, like, you're 743 00:41:59,440 --> 00:42:01,680 Speaker 1: not going to get the Westboro Baptist Church to show 744 00:42:01,760 --> 00:42:04,400 Speaker 1: up at the Parliamental World Religions, or if they do that, 745 00:42:04,440 --> 00:42:06,719 Speaker 1: they're going to be just making a ruckus. Well, I 746 00:42:06,760 --> 00:42:09,799 Speaker 1: think it's it's kind of like any conference, right, you know. 747 00:42:09,800 --> 00:42:13,120 Speaker 1: The people who are super interested and motivated or even 748 00:42:13,160 --> 00:42:14,879 Speaker 1: like bound by career to it, those are the ones 749 00:42:14,920 --> 00:42:17,479 Speaker 1: that show up. But hopefully they get something, they bring 750 00:42:17,480 --> 00:42:19,520 Speaker 1: it back, they bring back the spirit of the thing, 751 00:42:19,880 --> 00:42:21,600 Speaker 1: and they share it with everyone else. I don't know, 752 00:42:21,840 --> 00:42:24,560 Speaker 1: maybe maybe everyone here plans to do the same. You're 753 00:42:24,560 --> 00:42:26,920 Speaker 1: gonna get just filled up with the spirit of your 754 00:42:26,920 --> 00:42:29,799 Speaker 1: favorite fandom. You bring it home, and you just inflicted 755 00:42:29,840 --> 00:42:33,680 Speaker 1: on everyone. That's the way. That's why they make them 756 00:42:33,719 --> 00:42:37,759 Speaker 1: peace bond those Hey. So all right, let's say I 757 00:42:37,760 --> 00:42:40,560 Speaker 1: have attended the Parliament of World Religions, right, and I 758 00:42:40,960 --> 00:42:43,880 Speaker 1: need to walk outside for a smoke break, and you 759 00:42:43,920 --> 00:42:46,759 Speaker 1: need a new God, yeah yeah, And so I go 760 00:42:46,800 --> 00:42:51,319 Speaker 1: outside and I look up and there's this huge gigantic 761 00:42:51,600 --> 00:42:56,400 Speaker 1: wheel in front of me. Do you start worshiping it? 762 00:42:56,480 --> 00:42:58,839 Speaker 1: Is this much? Exactly? Is that my new God? Yes, 763 00:42:58,920 --> 00:43:02,400 Speaker 1: of course you do, cause I want to talk about 764 00:43:02,440 --> 00:43:05,120 Speaker 1: the Colossus of Chicago as I would call it, or 765 00:43:05,280 --> 00:43:09,919 Speaker 1: Chicago's Eiffel Tower. Uh So, in eighteen ninety three, getting 766 00:43:09,960 --> 00:43:12,719 Speaker 1: ready for the fair, Chicago had what we might call 767 00:43:13,120 --> 00:43:18,600 Speaker 1: Paris envy um, and the Freudian centerpiece of Paris Envy 768 00:43:18,640 --> 00:43:22,319 Speaker 1: is Eiffel envy. So the Eiffel Tower was created by 769 00:43:22,320 --> 00:43:24,640 Speaker 1: the engineering company of Gustav Eiffel, and it was for 770 00:43:24,800 --> 00:43:28,000 Speaker 1: a previous World's fair, the Paris World's Fair in eighteen 771 00:43:28,040 --> 00:43:31,600 Speaker 1: eighty nine, and uh it was. It was ridiculed by 772 00:43:31,640 --> 00:43:34,239 Speaker 1: some people at the time, is what's this hideous, gigantic 773 00:43:34,280 --> 00:43:37,960 Speaker 1: iron monstrosity. It's not in keeping with the surrounding architecture whatever. 774 00:43:38,280 --> 00:43:39,840 Speaker 1: But a lot of other people looked at that and 775 00:43:39,840 --> 00:43:43,680 Speaker 1: they said, wow, that's really something, And a lot of 776 00:43:43,800 --> 00:43:46,880 Speaker 1: architects look at looked at it and said wow that yeah, 777 00:43:47,000 --> 00:43:50,600 Speaker 1: it's an it's a new kind of romantic modernism. It's grand, 778 00:43:50,680 --> 00:43:54,840 Speaker 1: it's inspiring, and furthermore, it ties in with the technological 779 00:43:54,920 --> 00:43:58,360 Speaker 1: change theme because it's visual evidence that France was claiming 780 00:43:58,400 --> 00:44:00,920 Speaker 1: to have edged out the United States in iron and 781 00:44:01,000 --> 00:44:04,479 Speaker 1: steel working, and the people of Chicago did not like that. 782 00:44:04,680 --> 00:44:09,959 Speaker 1: I'm assuming all these architects were men. Well, actually all 783 00:44:10,000 --> 00:44:13,120 Speaker 1: the main architects leading the fair weremen, but they did. Um, 784 00:44:13,160 --> 00:44:15,719 Speaker 1: they did have a women's building at the fair that 785 00:44:15,760 --> 00:44:19,280 Speaker 1: was designed by a female architect. Um. But it probably 786 00:44:19,360 --> 00:44:22,600 Speaker 1: wasn't very phallic like the Eiffel Tower. Yeah. I don't 787 00:44:22,640 --> 00:44:25,280 Speaker 1: know the degree in which it was phallic. Uh, alright, 788 00:44:25,400 --> 00:44:28,520 Speaker 1: we needn't measue. Yeah, we need like a scale of fellicism. 789 00:44:28,560 --> 00:44:31,400 Speaker 1: But they were trying to out Eiffel, the Eiffel Tower. 790 00:44:31,560 --> 00:44:34,520 Speaker 1: So that's literally a lot of tower designs. Yeah. So 791 00:44:34,640 --> 00:44:38,360 Speaker 1: Daniel Burnham, the tsar of the World's Fair, and his associates, 792 00:44:38,360 --> 00:44:40,680 Speaker 1: they were obsessed with this. They were obsessed with finding 793 00:44:40,680 --> 00:44:44,359 Speaker 1: an architectural centerpiece for the fair, something like a new 794 00:44:44,400 --> 00:44:47,399 Speaker 1: Eiffel tower. They wanted to literally, as you say, out 795 00:44:47,440 --> 00:44:51,280 Speaker 1: Eiffel Eiffel um. And they got a bunch of proposals 796 00:44:51,280 --> 00:44:53,759 Speaker 1: they solicited from architects all over the place, give us 797 00:44:53,800 --> 00:44:56,279 Speaker 1: ideas for what we could do. Uh. And these are 798 00:44:56,280 --> 00:44:59,640 Speaker 1: all documented in Larson's book as well. So one of 799 00:44:59,680 --> 00:45:02,359 Speaker 1: the purpo posals. Uh well, actually, first I should say 800 00:45:02,400 --> 00:45:05,160 Speaker 1: I think you can think about basically the proposals fall 801 00:45:05,200 --> 00:45:11,480 Speaker 1: into two categories. There's boring and there's insane. Eiffel himself, 802 00:45:11,760 --> 00:45:14,760 Speaker 1: the guy who designed the Eiffel Tower, offered to design 803 00:45:14,800 --> 00:45:17,560 Speaker 1: them a centerpiece, and Burnham was like, yeah, okay, let's 804 00:45:17,560 --> 00:45:19,920 Speaker 1: see what you got, and Eiffels like here, here, here, 805 00:45:20,040 --> 00:45:24,799 Speaker 1: sit down, sit down. Another Eiffel tower, a little bit 806 00:45:24,840 --> 00:45:29,399 Speaker 1: bigger than the first one. Burnham wasn't really into it. 807 00:45:29,719 --> 00:45:32,080 Speaker 1: He was like, no, I think we need something weirder, 808 00:45:32,200 --> 00:45:35,719 Speaker 1: more shocking. That's something that's fresh and new. So let's 809 00:45:35,760 --> 00:45:39,000 Speaker 1: look in the fresh and new category. One proposal they 810 00:45:39,000 --> 00:45:41,880 Speaker 1: got put forward by an inventor named JB. Mccomber, was 811 00:45:41,920 --> 00:45:45,120 Speaker 1: a tower that would be eight thousand, nine hundred and 812 00:45:45,200 --> 00:45:49,560 Speaker 1: forty seven ft tall. For reference, the tallest building in 813 00:45:49,560 --> 00:45:52,880 Speaker 1: the world today, the Birch Khalifa in Dubai is twenty 814 00:45:53,480 --> 00:45:59,080 Speaker 1: dred feet tall, So totally in this in the eight nineties, 815 00:45:59,239 --> 00:46:01,759 Speaker 1: so there might have been varying levels of taking it 816 00:46:01,800 --> 00:46:06,600 Speaker 1: seriously among the architects here. But yeah, so the top 817 00:46:06,680 --> 00:46:09,319 Speaker 1: of this tower would serve as a station for elevated 818 00:46:09,480 --> 00:46:13,080 Speaker 1: railways that would connect to major cities like New York 819 00:46:13,160 --> 00:46:17,960 Speaker 1: and Boston. Almost think about nineteenth century hyper loop where 820 00:46:18,040 --> 00:46:20,480 Speaker 1: when you're done at the fair, you take an elevator 821 00:46:20,640 --> 00:46:23,120 Speaker 1: up to the top of this nine thousand foot tower 822 00:46:23,760 --> 00:46:26,319 Speaker 1: and then you ride downhill all the way back to 823 00:46:26,400 --> 00:46:30,000 Speaker 1: Baltimore wherever you came from. But it's like a it's 824 00:46:30,000 --> 00:46:34,239 Speaker 1: like a sled. Yeah. I got another one that This 825 00:46:34,280 --> 00:46:36,919 Speaker 1: one's pretty good, uh. Proposal put forward by guy named 826 00:46:36,960 --> 00:46:39,640 Speaker 1: CF Ritchell of Connecticut. It was a tower with three 827 00:46:40,040 --> 00:46:42,239 Speaker 1: nested levels. You might think of it kind of like 828 00:46:42,320 --> 00:46:45,080 Speaker 1: a nested ziggurat, and it would have a base that's 829 00:46:45,080 --> 00:46:48,360 Speaker 1: a hundred feet tall, then a second tower nested within 830 00:46:48,440 --> 00:46:51,000 Speaker 1: the first one, and then a third tower nested within 831 00:46:51,040 --> 00:46:56,280 Speaker 1: the second, and then it would harness hydraulic power slowly 832 00:46:56,360 --> 00:46:59,800 Speaker 1: over the course of several hours, extend the tower to 833 00:47:00,040 --> 00:47:02,880 Speaker 1: full height, and then shrink it back down. Can you 834 00:47:02,920 --> 00:47:06,920 Speaker 1: picture this, by the way, So it just goes from 835 00:47:06,960 --> 00:47:12,160 Speaker 1: two messes to flacidity, exactly flacidity. You know, we just 836 00:47:12,239 --> 00:47:15,200 Speaker 1: recorded an episode for next week about H. R. Giger. 837 00:47:15,280 --> 00:47:17,520 Speaker 1: So every time I hear you talking about this, you 838 00:47:17,520 --> 00:47:20,680 Speaker 1: can only imagine it as designed by now that would 839 00:47:20,680 --> 00:47:23,480 Speaker 1: have been cool. But then you gotta add he this 840 00:47:23,560 --> 00:47:28,560 Speaker 1: is my Eiffel tower. Uh. Well, getting back to the 841 00:47:28,560 --> 00:47:31,600 Speaker 1: Freudian elements here, but yeah, they wanted to have a 842 00:47:31,640 --> 00:47:37,960 Speaker 1: restaurant by the way right at the tip um one more. Uh, 843 00:47:38,000 --> 00:47:40,560 Speaker 1: this is good. So an inventor wanted to design a 844 00:47:40,600 --> 00:47:43,440 Speaker 1: tower that would be four thousand feet tall. Remember our 845 00:47:43,480 --> 00:47:45,840 Speaker 1: Birch Khaliphs again, so this is still taller than the 846 00:47:45,840 --> 00:47:48,880 Speaker 1: tallest building in the world today. Uh. And at the 847 00:47:48,920 --> 00:47:51,840 Speaker 1: top there's a car that seats two hundred people. You 848 00:47:51,880 --> 00:47:54,000 Speaker 1: get into the car, it's like a train car. And 849 00:47:54,080 --> 00:47:55,799 Speaker 1: this car would be attached to the top of the 850 00:47:55,840 --> 00:48:00,040 Speaker 1: tower by a two thousand foot long rubber cable. And 851 00:48:00,120 --> 00:48:03,560 Speaker 1: you see where we're going with this. The design proposal 852 00:48:03,600 --> 00:48:09,759 Speaker 1: specifies best rubber good, none of that cheapo rubber for this. 853 00:48:10,960 --> 00:48:12,640 Speaker 1: And then they push you off the top of the 854 00:48:12,680 --> 00:48:15,160 Speaker 1: tower and you bungee until you come to a halt. 855 00:48:15,480 --> 00:48:20,640 Speaker 1: But but you're in a train car. Yeah, so one 856 00:48:20,680 --> 00:48:23,400 Speaker 1: would hope that the rubber is sufficiently elastic. I mean, 857 00:48:23,440 --> 00:48:25,799 Speaker 1: if it didn't stretch enough, you basically you have a 858 00:48:25,800 --> 00:48:28,160 Speaker 1: car full of soup at the yeah, right, like they 859 00:48:28,200 --> 00:48:30,919 Speaker 1: opened the doors at the bottom and everybody just spills out. 860 00:48:31,360 --> 00:48:34,440 Speaker 1: This just makes me think of various like Kaiju movies 861 00:48:34,520 --> 00:48:36,799 Speaker 1: where the monster picks up a train car and just 862 00:48:36,960 --> 00:48:40,400 Speaker 1: takes it until everybody is presumably liquefied inside. Right, just 863 00:48:40,480 --> 00:48:42,000 Speaker 1: that would just have to be the result of this 864 00:48:42,400 --> 00:48:45,400 Speaker 1: horrific design. It's a shame they didn't build it. I 865 00:48:45,440 --> 00:48:48,160 Speaker 1: don't know. Uh. Then we get to the very last 866 00:48:48,440 --> 00:48:51,800 Speaker 1: alternate proposal, my favorite one for lovers of Abraham Lincoln, 867 00:48:51,840 --> 00:48:55,720 Speaker 1: of the log cabin lore. You've got the log tower 868 00:48:56,760 --> 00:49:01,840 Speaker 1: basically Eiffel Tower rip off, except have underfeet taller, entirely 869 00:49:01,880 --> 00:49:06,319 Speaker 1: made of logs instead of iron, just logs, and at 870 00:49:06,360 --> 00:49:08,719 Speaker 1: the top there's a log cabin where you can get 871 00:49:08,760 --> 00:49:11,640 Speaker 1: some drinks and refreshment and I don't know, maybe getting 872 00:49:12,440 --> 00:49:16,000 Speaker 1: a camp fire with that. Yeah. I think we were 873 00:49:16,040 --> 00:49:17,759 Speaker 1: talking earlier how this would this could have been like 874 00:49:17,800 --> 00:49:22,160 Speaker 1: the first burning there. Yeah, exactly, gone for it. You 875 00:49:22,280 --> 00:49:25,040 Speaker 1: missed out all the people who misbehaved. The fair had 876 00:49:25,080 --> 00:49:26,840 Speaker 1: its own police force, by the way, so you should 877 00:49:26,840 --> 00:49:29,000 Speaker 1: think about that. The fair basically had a private army, 878 00:49:29,600 --> 00:49:31,799 Speaker 1: and so for all the people who misbehave at the fair, 879 00:49:31,840 --> 00:49:33,040 Speaker 1: they could just put him at the top of the 880 00:49:33,120 --> 00:49:35,759 Speaker 1: log tower and then a wicker man it up at 881 00:49:35,800 --> 00:49:43,560 Speaker 1: the end of the day. So none of these ideas 882 00:49:43,600 --> 00:49:47,120 Speaker 1: are really getting it now. They're sort of we might 883 00:49:47,160 --> 00:49:50,320 Speaker 1: call it junk um. So Daniel Burnham is not happy. 884 00:49:50,680 --> 00:49:53,000 Speaker 1: The Chicago Fair needs a colossus. You know, it's something 885 00:49:53,040 --> 00:49:55,399 Speaker 1: that's got to be this distinctive physical feature that's gonna 886 00:49:55,440 --> 00:49:59,400 Speaker 1: inspire wonder, not hilarity or terror um. And he was 887 00:49:59,480 --> 00:50:03,840 Speaker 1: bored with towers. So enter a young engineer from Pittsburgh 888 00:50:03,880 --> 00:50:07,480 Speaker 1: who's the proprietor of a steel inspecting company, and he'd 889 00:50:07,520 --> 00:50:09,960 Speaker 1: been sitting in on a meeting of engineers that Burnham 890 00:50:10,120 --> 00:50:12,040 Speaker 1: was heading up. Burnham standing at the top of the 891 00:50:12,160 --> 00:50:14,719 Speaker 1: room yelling at everybody, you idiots, why you can't why 892 00:50:14,760 --> 00:50:18,239 Speaker 1: can't you come up with something good? And farett. This 893 00:50:18,360 --> 00:50:22,040 Speaker 1: guy his name is George Ferris, and he's sitting in 894 00:50:22,120 --> 00:50:24,320 Speaker 1: the room and he's thinking, you know, we are idiots, 895 00:50:25,080 --> 00:50:28,800 Speaker 1: but I've got an idea, and this is how we 896 00:50:28,880 --> 00:50:34,120 Speaker 1: got the world's first Ferris wheel. So essentially he was like, well, 897 00:50:34,200 --> 00:50:36,400 Speaker 1: let's let's do an Eiffel tower, but let's make an 898 00:50:36,400 --> 00:50:40,000 Speaker 1: Eiffel tower that didn't move. It's a live right, perfect. Yes, 899 00:50:40,120 --> 00:50:42,920 Speaker 1: it's like a walking Eiffel Tower. They're like, you build 900 00:50:42,960 --> 00:50:46,120 Speaker 1: a giant iron tower. I'll make one that rolls around 901 00:50:46,160 --> 00:50:48,560 Speaker 1: the place. You can get in. It's take up their 902 00:50:48,600 --> 00:50:54,879 Speaker 1: statue of liberty and Ghostbusters too. Man. Uh. I don't 903 00:50:54,880 --> 00:50:57,160 Speaker 1: know what music played at the first Ferris Wheel. I'd 904 00:50:57,200 --> 00:50:59,240 Speaker 1: love to know if it was like that that happy 905 00:50:59,320 --> 00:51:03,640 Speaker 1: beat that makes statue dance. Yeah. Um so so Ferris 906 00:51:03,680 --> 00:51:05,440 Speaker 1: Wheels kind of mundane to us. Right, you get in, 907 00:51:05,640 --> 00:51:07,560 Speaker 1: you go up to the top, you spit on your friends. 908 00:51:07,760 --> 00:51:10,600 Speaker 1: Um but you have to you have to put yourself 909 00:51:10,960 --> 00:51:14,920 Speaker 1: in the mindset of an eight nine three farmer showing 910 00:51:15,040 --> 00:51:19,360 Speaker 1: up to the fair and seeing this giant revolving wheel. 911 00:51:19,360 --> 00:51:22,279 Speaker 1: I mean, this thing is huge, probably bigger than the 912 00:51:22,360 --> 00:51:25,200 Speaker 1: standard wheels you would have gotten in today. Ferris Wheels, 913 00:51:25,920 --> 00:51:27,600 Speaker 1: I have to think of it as something like a 914 00:51:27,800 --> 00:51:30,560 Speaker 1: steam punk creation. It's like something you'd see in one 915 00:51:30,600 --> 00:51:35,440 Speaker 1: of the BioShock games. You like, libertarian monsters on it 916 00:51:35,600 --> 00:51:40,200 Speaker 1: that are injecting themselves with with Well there may have been, okay, 917 00:51:40,280 --> 00:51:44,640 Speaker 1: so here's how to picture it. Instead. It didn't have benches. 918 00:51:44,719 --> 00:51:46,280 Speaker 1: You know you've been on the ones that have benches. 919 00:51:46,400 --> 00:51:48,719 Speaker 1: That's like a two person bench you go up around. No, no, no, 920 00:51:48,880 --> 00:51:52,440 Speaker 1: that that's that's small junk. Okay, this, Uh, you have 921 00:51:52,560 --> 00:51:56,240 Speaker 1: to imagine this giant spind lee steel wheel carrying thirty 922 00:51:56,280 --> 00:52:01,359 Speaker 1: six individual train cars two and sixty four ft up 923 00:52:01,440 --> 00:52:04,040 Speaker 1: into the sky and back. And it's usually reported that 924 00:52:04,280 --> 00:52:06,920 Speaker 1: each of the thirty six cars held forty passengers. But 925 00:52:07,000 --> 00:52:10,000 Speaker 1: actually that's I read this book by Stanley apple Bomb. 926 00:52:10,040 --> 00:52:12,520 Speaker 1: The forty passenger load is just for who could sit 927 00:52:12,600 --> 00:52:15,520 Speaker 1: in the plush chairs. Uh, that it could hold sixty 928 00:52:15,560 --> 00:52:18,840 Speaker 1: passengers in each car overall. So that's a capacity of 929 00:52:19,280 --> 00:52:23,200 Speaker 1: two thousand, one hundred and sixty passengers on this Ferris wheel, 930 00:52:23,400 --> 00:52:25,920 Speaker 1: which is more than the number of passengers who died 931 00:52:25,960 --> 00:52:29,040 Speaker 1: in the sinking of the Titanic and getting close to 932 00:52:29,120 --> 00:52:33,040 Speaker 1: the full capacity of the Titanic. So this is this 933 00:52:33,200 --> 00:52:38,879 Speaker 1: is a rolling Spindlee Titanic wheel spider at the fair. 934 00:52:40,080 --> 00:52:42,440 Speaker 1: The axle shaft a loan is forty five ft long 935 00:52:42,480 --> 00:52:44,760 Speaker 1: with forty six tons. At the time, it was believed 936 00:52:44,800 --> 00:52:46,840 Speaker 1: to be the biggest piece of steel ever forged in 937 00:52:46,920 --> 00:52:51,080 Speaker 1: America up to that time. Um and so the Ferris 938 00:52:51,120 --> 00:52:53,919 Speaker 1: wheel wasn't finished until about six weeks after the fair open, 939 00:52:54,000 --> 00:52:56,560 Speaker 1: but it ended up being arguably one of the most 940 00:52:56,640 --> 00:53:00,000 Speaker 1: successful aspects of the World's Fair, probably the most success 941 00:53:00,120 --> 00:53:04,520 Speaker 1: full aspect if you don't count Buffalo Bill's Wild West Show, 942 00:53:04,960 --> 00:53:07,560 Speaker 1: which I think is worth a mention. Buffalo Bill. You know, 943 00:53:07,600 --> 00:53:10,080 Speaker 1: Buffalo Bill Cody. He wanted to run his Wild West 944 00:53:10,120 --> 00:53:13,239 Speaker 1: show inside the fair. Uh. They wouldn't give him a pass, 945 00:53:13,320 --> 00:53:17,800 Speaker 1: citing incongruity, which to me reads as tackiness. Um. But 946 00:53:17,960 --> 00:53:19,520 Speaker 1: so he was like, okay, he won't let me in 947 00:53:19,560 --> 00:53:22,200 Speaker 1: the fair. Well, he bought a parcel of land right 948 00:53:22,280 --> 00:53:25,560 Speaker 1: outside the gate of the fair and caught people on 949 00:53:25,680 --> 00:53:27,120 Speaker 1: the way in. A lot of people went to the 950 00:53:27,160 --> 00:53:30,320 Speaker 1: wild West Show thinking it was the fair. Uh, and 951 00:53:30,480 --> 00:53:33,160 Speaker 1: he made a killing or like where's the wheel? Yeah, 952 00:53:35,000 --> 00:53:39,680 Speaker 1: it's this lasso so uh yeah, this this World's Fair 953 00:53:39,719 --> 00:53:43,520 Speaker 1: has a lot of shooting. I didn't expect so much 954 00:53:43,560 --> 00:53:48,000 Speaker 1: more exciting. It's like a fast and furious movie. But yeah. 955 00:53:48,040 --> 00:53:51,200 Speaker 1: So the Ferris Wheel opens June one, more than a 956 00:53:51,280 --> 00:53:53,960 Speaker 1: month and a half after the fair began, and it 957 00:53:54,080 --> 00:53:56,720 Speaker 1: was generally considered safe. The authority said it was safe, 958 00:53:56,760 --> 00:53:59,560 Speaker 1: the steel inspectors said it was fate safe. But people 959 00:53:59,719 --> 00:54:03,120 Speaker 1: look dot it and thought that doesn't look right. It 960 00:54:03,719 --> 00:54:07,560 Speaker 1: looks too frail. There's a nice mismatch between how physics 961 00:54:07,640 --> 00:54:10,200 Speaker 1: really works and our intuitive grasp of it of it 962 00:54:10,280 --> 00:54:12,439 Speaker 1: because you you looked at it, and people just thought 963 00:54:12,480 --> 00:54:15,800 Speaker 1: that thing looks like it's gonna collapse. And a wonderful 964 00:54:15,840 --> 00:54:17,879 Speaker 1: story to go along with this. When they first ran 965 00:54:17,960 --> 00:54:20,560 Speaker 1: it for for a test run for the press, people 966 00:54:20,680 --> 00:54:24,000 Speaker 1: got into these cars and they the wheel starts to 967 00:54:24,080 --> 00:54:26,279 Speaker 1: move for the first time. The engines are turning it 968 00:54:26,719 --> 00:54:29,400 Speaker 1: and they start going up to the top and people 969 00:54:29,560 --> 00:54:34,799 Speaker 1: start hearing hail on the roof of their car going 970 00:54:34,880 --> 00:54:36,360 Speaker 1: to the top of the ferris wheel, like, what is 971 00:54:36,360 --> 00:54:39,880 Speaker 1: it hailing outside? Now it was nuts and bolts raining 972 00:54:40,000 --> 00:54:43,400 Speaker 1: down on the roof of the ferris wheel car. Because 973 00:54:43,880 --> 00:54:47,399 Speaker 1: this ties into I think the way I always feel 974 00:54:47,440 --> 00:54:49,240 Speaker 1: when I get on a on a ferris wheel. Instead 975 00:54:49,239 --> 00:54:51,480 Speaker 1: I am I'm not concerned. Yeah I'm a little terrified, 976 00:54:51,480 --> 00:54:54,239 Speaker 1: but it's not because of this like epic construction. It's 977 00:54:54,280 --> 00:54:56,640 Speaker 1: about the people that they put it together, like trying 978 00:54:56,680 --> 00:55:01,160 Speaker 1: to imagine like did they sleazy car? Yeah, it's kind 979 00:55:01,160 --> 00:55:04,640 Speaker 1: of like the instructions aside, the island wrench doesn't fit 980 00:55:04,760 --> 00:55:07,480 Speaker 1: whatever I'm just getting in with my finger and then 981 00:55:07,680 --> 00:55:09,640 Speaker 1: and then it's just gonna fall apart when I'm up there. 982 00:55:10,400 --> 00:55:13,080 Speaker 1: So the question is would the wheel hold up? And 983 00:55:13,320 --> 00:55:15,719 Speaker 1: we actually got a pretty strong test of that. On 984 00:55:16,080 --> 00:55:19,239 Speaker 1: Sunday July nine, the Ferris wheels having a huge day. 985 00:55:19,280 --> 00:55:21,160 Speaker 1: People were climbing in. By the way, I read this 986 00:55:21,239 --> 00:55:24,560 Speaker 1: one great account from a guy named Rice, Luther Rice 987 00:55:24,600 --> 00:55:27,600 Speaker 1: who sent a telegram when they first opened the fair saying, 988 00:55:27,719 --> 00:55:30,680 Speaker 1: we need extra guards to keep people from like mobbing 989 00:55:30,800 --> 00:55:33,239 Speaker 1: into this thing. Can you imagine that? So it's like, 990 00:55:33,360 --> 00:55:35,360 Speaker 1: I have a new invention that will carry you hundreds 991 00:55:35,400 --> 00:55:37,759 Speaker 1: of feet into the sky, and you're like mobbing to 992 00:55:37,840 --> 00:55:40,239 Speaker 1: get inside when people are telling you not to. I 993 00:55:40,280 --> 00:55:44,319 Speaker 1: don't know, but yeah. So, so you've got all these people, 994 00:55:44,400 --> 00:55:47,319 Speaker 1: more than a thousand passengers in this walking Eiffel Tower 995 00:55:47,440 --> 00:55:51,080 Speaker 1: or this rolling Titanic, And sometime in the afternoon of 996 00:55:51,400 --> 00:55:55,200 Speaker 1: Sunday July nine, you start to feel the pressure dropping, 997 00:55:56,600 --> 00:56:00,640 Speaker 1: and the sky turns a little dark, and the clouds 998 00:56:00,800 --> 00:56:03,960 Speaker 1: roll in and then you spot it, a funnel cloud 999 00:56:04,400 --> 00:56:07,080 Speaker 1: coming straight at you, and you are in the Ferris 1000 00:56:07,160 --> 00:56:12,040 Speaker 1: wheel at the top. Okay, it moves pretty slow. We 1001 00:56:12,080 --> 00:56:14,839 Speaker 1: should mention. So if you're at the top, you're it's 1002 00:56:14,880 --> 00:56:16,880 Speaker 1: gonna be a while before you can get out, and 1003 00:56:16,920 --> 00:56:20,000 Speaker 1: the wheels continuing to turn. And there's another fact that 1004 00:56:20,040 --> 00:56:21,960 Speaker 1: you told me. They put mesh over the windows so 1005 00:56:22,040 --> 00:56:24,520 Speaker 1: people wouldn't jump out, right. Yeah, they were afraid people 1006 00:56:24,560 --> 00:56:26,720 Speaker 1: would be like panicking and trying to jump out the windows, 1007 00:56:26,760 --> 00:56:28,600 Speaker 1: which ties into something I'll get to in just a second. 1008 00:56:29,080 --> 00:56:31,200 Speaker 1: So they had to like have this great over all 1009 00:56:31,280 --> 00:56:35,080 Speaker 1: the windows to be like no suicides. Now. Um, so 1010 00:56:35,320 --> 00:56:37,759 Speaker 1: there's a funnel cloud heading for the ferris wheel and 1011 00:56:37,840 --> 00:56:40,200 Speaker 1: people are in it. Uh. There There was actually an 1012 00:56:40,239 --> 00:56:42,719 Speaker 1: engineer who was aboard the ferris wheel who wrote to 1013 00:56:42,880 --> 00:56:46,080 Speaker 1: the journal Engineering News who said that, you know, people 1014 00:56:46,160 --> 00:56:48,520 Speaker 1: started to panic and it took two people to brace 1015 00:56:48,640 --> 00:56:52,120 Speaker 1: the doors shut as the winds picked up. But then ultimately, 1016 00:56:52,520 --> 00:56:56,200 Speaker 1: uh uh, this engineer riding in let's see, I'm trying 1017 00:56:56,239 --> 00:56:59,320 Speaker 1: to find this well anyway, said that all the people 1018 00:56:59,680 --> 00:57:02,480 Speaker 1: felt in the end was a small vibration and it 1019 00:57:02,600 --> 00:57:04,879 Speaker 1: blew the wheel maybe an in chine and a half 1020 00:57:04,960 --> 00:57:08,239 Speaker 1: to the side. So but they did get treated to 1021 00:57:08,320 --> 00:57:11,120 Speaker 1: the image of a nearby hydrogen balloon floating out over 1022 00:57:11,239 --> 00:57:15,120 Speaker 1: the lake, which was completely obliterated by the storm. Uh, 1023 00:57:15,200 --> 00:57:17,200 Speaker 1: and so this should be this should be a testament 1024 00:57:17,240 --> 00:57:20,920 Speaker 1: to what an amazing feat of steampunk engineering this wheel was. 1025 00:57:21,120 --> 00:57:25,240 Speaker 1: It totally defied common sense and yet it withstood this 1026 00:57:25,320 --> 00:57:29,840 Speaker 1: powerful storm. Yeah, that's one last story on this. There 1027 00:57:30,120 --> 00:57:32,480 Speaker 1: was a great story about a time when a man 1028 00:57:32,840 --> 00:57:35,080 Speaker 1: got in the ferris wheel. They were taking him up 1029 00:57:35,080 --> 00:57:36,800 Speaker 1: to the top and he starts panicking. He's like, I 1030 00:57:36,920 --> 00:57:39,120 Speaker 1: gotta get out. I don't know if the logic works 1031 00:57:39,160 --> 00:57:41,120 Speaker 1: on that, because you're getting to the top, you're panicking. 1032 00:57:41,160 --> 00:57:44,960 Speaker 1: You're like, getting out doesn't really help you. Um, but 1033 00:57:45,280 --> 00:57:50,200 Speaker 1: you know, he was panicking, he wasn't wasn't being rational. 1034 00:57:50,320 --> 00:57:51,840 Speaker 1: So he's like, I gotta get out, and he's trying 1035 00:57:51,880 --> 00:57:54,240 Speaker 1: to open the doors and jump out, and nobody could. 1036 00:57:54,320 --> 00:57:56,440 Speaker 1: People were trying to restrain him, they couldn't stop him. 1037 00:57:56,680 --> 00:57:59,240 Speaker 1: And it finally was one passenger on the car with 1038 00:57:59,360 --> 00:58:01,840 Speaker 1: him who was resourceful enough to figure out how to 1039 00:58:01,880 --> 00:58:04,320 Speaker 1: stop him. It was a woman who removed her skirt 1040 00:58:04,560 --> 00:58:07,160 Speaker 1: and threw it over his head and hooded him like 1041 00:58:07,280 --> 00:58:10,120 Speaker 1: a horse, you know, like when you put blinders on 1042 00:58:10,160 --> 00:58:13,360 Speaker 1: a horse, and that calmed him down. He couldn't see anymore, 1043 00:58:13,440 --> 00:58:15,200 Speaker 1: and he made it back down to the bottom. Okay, 1044 00:58:15,760 --> 00:58:19,080 Speaker 1: but but the fairs will worked, never collapsed, never turned over, 1045 00:58:19,160 --> 00:58:20,320 Speaker 1: and made it to the end of the fair and 1046 00:58:20,360 --> 00:58:22,440 Speaker 1: it was a big success. So that's one way to 1047 00:58:22,600 --> 00:58:26,320 Speaker 1: calm a madman at the fair. But but now Christian's 1048 00:58:26,360 --> 00:58:32,240 Speaker 1: gonna talk about another madman that was that was in play. Unfortunately, 1049 00:58:32,280 --> 00:58:34,160 Speaker 1: as far as I know, no one threw a skirt 1050 00:58:34,240 --> 00:58:38,320 Speaker 1: over this guy's head. I imagine many of you are 1051 00:58:38,360 --> 00:58:43,919 Speaker 1: familiar with H. H. Holmes, the first American serial killer, 1052 00:58:44,560 --> 00:58:46,520 Speaker 1: or at least recorded, as Robert likes to say, is 1053 00:58:46,520 --> 00:58:49,040 Speaker 1: the first one that got caught. Yeah, I'm glad we 1054 00:58:49,080 --> 00:58:52,960 Speaker 1: have some murder fans and the audience. So also disclaimer 1055 00:58:53,000 --> 00:58:55,000 Speaker 1: if there's any children here, this is about to get 1056 00:58:55,000 --> 00:58:59,520 Speaker 1: a little graphic. Uh So I asked you earlier, how 1057 00:58:59,560 --> 00:59:01,720 Speaker 1: many of you from out of town. I imagine you're 1058 00:59:01,720 --> 00:59:04,360 Speaker 1: staying in hotels, right. What if you went back to 1059 00:59:04,440 --> 00:59:08,160 Speaker 1: your hotel room tonight and the door locks behind you 1060 00:59:09,400 --> 00:59:12,240 Speaker 1: and you go to sleep, and the room fills with 1061 00:59:12,360 --> 00:59:15,000 Speaker 1: gas while you're a sleeping asphyxiates you to death, and 1062 00:59:15,080 --> 00:59:17,720 Speaker 1: then the home the hotel owner comes in, he takes 1063 00:59:17,720 --> 00:59:20,360 Speaker 1: your body, he drops it down a shoot into the 1064 00:59:20,400 --> 00:59:22,640 Speaker 1: basement and dumps it into a Vada acid. Then he 1065 00:59:22,720 --> 00:59:26,000 Speaker 1: sells your skeleton to a local medical school. That's what 1066 00:59:26,200 --> 00:59:29,520 Speaker 1: was going on with H. H. Holmes purportedly. Now wait, Christian, 1067 00:59:29,560 --> 00:59:32,080 Speaker 1: did you ask what if that happened? Like, what would 1068 00:59:32,240 --> 00:59:40,720 Speaker 1: what would do? What? I've been thinking about it in 1069 00:59:40,800 --> 00:59:44,080 Speaker 1: our hotel. Our hotel is a little creepy. Um, it's 1070 00:59:44,120 --> 00:59:48,880 Speaker 1: got these We'll tell you guys just afterwards. Yeah. Uh, 1071 00:59:49,280 --> 00:59:52,040 Speaker 1: but so this is gonna be a brief look into 1072 00:59:52,200 --> 00:59:57,000 Speaker 1: the science behind H. H. Holmes Murder Castle. Uh. At 1073 00:59:57,080 --> 01:00:00,160 Speaker 1: least six people were killed there, maybe more. Dirt ring 1074 01:00:00,200 --> 01:00:03,160 Speaker 1: the World Fair The Devil in the White City is 1075 01:00:03,200 --> 01:00:05,600 Speaker 1: going to be a big source for us here. But actually, 1076 01:00:05,680 --> 01:00:09,880 Speaker 1: there is this fantastic e book that Mysterious Chicago put 1077 01:00:09,960 --> 01:00:12,280 Speaker 1: out that is called The Murder Castle of H. H. Holmes, 1078 01:00:12,360 --> 01:00:16,240 Speaker 1: The Expanded Edition by Adam Seltzer, and it was incredibly 1079 01:00:16,280 --> 01:00:19,080 Speaker 1: helpful because he pulled together all these primary resources from 1080 01:00:19,120 --> 01:00:22,480 Speaker 1: the time about what was actually going on. Uh. So 1081 01:00:22,960 --> 01:00:25,040 Speaker 1: I'm gonna do a brief intro on H. A. Holmes 1082 01:00:25,120 --> 01:00:27,200 Speaker 1: for those of you who aren't familiar. But really we're 1083 01:00:27,200 --> 01:00:29,240 Speaker 1: not gonna have the time to go into all of 1084 01:00:29,400 --> 01:00:32,800 Speaker 1: his exploits, but mainly we're gonna talk about how he 1085 01:00:32,880 --> 01:00:36,560 Speaker 1: designed this murder castle from the ground up, specifically to 1086 01:00:36,720 --> 01:00:40,720 Speaker 1: dispose of victims with science. In fact, one of the 1087 01:00:41,280 --> 01:00:45,560 Speaker 1: investigators involved in this case referred to Homes as a 1088 01:00:45,800 --> 01:00:49,120 Speaker 1: scientific criminal, and he said he would never think of 1089 01:00:49,240 --> 01:00:52,480 Speaker 1: engaging in a burglary or shooting a person in cold blood. 1090 01:00:52,600 --> 01:00:55,480 Speaker 1: So there's that, you know. I think that's interesting to 1091 01:00:55,800 --> 01:00:58,000 Speaker 1: think about this being the age of a scientific criminal 1092 01:00:58,080 --> 01:01:00,960 Speaker 1: because right right around the same times when we got 1093 01:01:01,040 --> 01:01:03,360 Speaker 1: the Jack the Ripper killings. Yeah, and in fact, a 1094 01:01:03,440 --> 01:01:07,080 Speaker 1: lot of people were speculating that they were the same person. 1095 01:01:07,360 --> 01:01:09,640 Speaker 1: And this might be for the scientific aspects. I mean, 1096 01:01:09,720 --> 01:01:12,960 Speaker 1: Holmes himself was a physician. He was He was a doctor, 1097 01:01:13,240 --> 01:01:17,120 Speaker 1: had a degree in surgery, and he operated as a pharmacist. 1098 01:01:17,800 --> 01:01:21,880 Speaker 1: Uh So his actual name was Herman Webster Mudget, so 1099 01:01:22,200 --> 01:01:24,080 Speaker 1: you can see why he changed it to H. H. 1100 01:01:24,160 --> 01:01:26,880 Speaker 1: Holmes Henry Howard. Uh. Like I said, he was trained 1101 01:01:26,880 --> 01:01:29,360 Speaker 1: as a surgeon. He changed his name when he moved 1102 01:01:29,400 --> 01:01:33,800 Speaker 1: to Chicago, and he operated as a totally legitimate pharmacist 1103 01:01:33,880 --> 01:01:37,200 Speaker 1: here in town. Uh Now, the question is usually how 1104 01:01:37,240 --> 01:01:39,600 Speaker 1: many people did this guy kill? This is all during 1105 01:01:39,760 --> 01:01:44,760 Speaker 1: the World's Fair. Supposedly he killed visitors who rented rooms 1106 01:01:44,880 --> 01:01:48,400 Speaker 1: in this hotel of his, and they were especially plentiful 1107 01:01:48,560 --> 01:01:52,960 Speaker 1: as people were coming into town. They're like varied numbers. 1108 01:01:53,000 --> 01:01:55,520 Speaker 1: Some people say it's up to two hundred people, but 1109 01:01:55,720 --> 01:01:58,240 Speaker 1: that estimate doesn't really seem to have any hard evidence 1110 01:01:58,280 --> 01:02:00,920 Speaker 1: to back it up. More likely either tall tales that 1111 01:02:01,000 --> 01:02:03,760 Speaker 1: are just springing out of something that's already a grizzly situation. 1112 01:02:04,400 --> 01:02:07,880 Speaker 1: He admitted, however, to killing twenty seven people, but the 1113 01:02:07,920 --> 01:02:10,160 Speaker 1: confession is totally dubious because some of the people he 1114 01:02:10,200 --> 01:02:15,240 Speaker 1: admitted to killing killing came forward and we're like, I'm alive. 1115 01:02:15,280 --> 01:02:18,640 Speaker 1: I don't know what he's talking about. Yeah, yeah, sorry, 1116 01:02:18,640 --> 01:02:21,160 Speaker 1: I confuse you with that other person killed that other 1117 01:02:21,200 --> 01:02:24,240 Speaker 1: person I killed. But then on the on the gallows 1118 01:02:24,360 --> 01:02:26,240 Speaker 1: right before they hung him, he said, no, I only 1119 01:02:26,320 --> 01:02:29,000 Speaker 1: killed two people. So it's all over the place, what 1120 01:02:29,200 --> 01:02:31,680 Speaker 1: we but we know he killed more than two. Yeah, definitely, 1121 01:02:32,120 --> 01:02:34,919 Speaker 1: at least in the Murder Castle, five to six people 1122 01:02:34,960 --> 01:02:38,200 Speaker 1: were killed, if not more. Uh. And he was eventually 1123 01:02:38,280 --> 01:02:41,520 Speaker 1: arrested in Boston for his crimes. He killed his accomplice 1124 01:02:41,600 --> 01:02:43,960 Speaker 1: and three of his children. It was this part of 1125 01:02:44,000 --> 01:02:46,720 Speaker 1: this insurance scam that went wrong. He was hung in 1126 01:02:47,640 --> 01:02:50,760 Speaker 1: six This is something. Uh. He asked to have his 1127 01:02:50,920 --> 01:02:54,680 Speaker 1: body buried in ten ft deep of concrete so nobody 1128 01:02:54,800 --> 01:02:56,960 Speaker 1: could get ahold of his body and put it on 1129 01:02:57,040 --> 01:03:00,880 Speaker 1: a dissection table. So yeah, he was real charmer. So 1130 01:03:01,040 --> 01:03:04,240 Speaker 1: you mentioned his insurance scam. I think we got to 1131 01:03:04,280 --> 01:03:06,520 Speaker 1: mention this because this is one of the most fun 1132 01:03:06,640 --> 01:03:09,880 Speaker 1: things about Holmes, if anything is fun. Holmes was doing 1133 01:03:09,920 --> 01:03:12,560 Speaker 1: these insurance scams his whole life. What would you do 1134 01:03:12,640 --> 01:03:14,680 Speaker 1: if somebody came up to you and said, Hey, I've 1135 01:03:14,720 --> 01:03:17,040 Speaker 1: got a great idea. I'm going to take out an 1136 01:03:17,160 --> 01:03:21,760 Speaker 1: insurance policy, a life insurance policy on you with me 1137 01:03:22,080 --> 01:03:25,200 Speaker 1: is the beneficiary. I'll give you a little bit of money. Hey, 1138 01:03:27,600 --> 01:03:30,200 Speaker 1: And for a lot of the people who met Holmes 1139 01:03:30,280 --> 01:03:34,440 Speaker 1: were like, yes, okay, we'll do that. So this Murder Castle, 1140 01:03:34,680 --> 01:03:38,320 Speaker 1: it's in there. It was in Englewood, Illinois, just southeast Chicago, 1141 01:03:38,800 --> 01:03:42,160 Speaker 1: on the corner of Wallace and sixty third Street. Apparently 1142 01:03:42,240 --> 01:03:44,640 Speaker 1: the construction of the building was finished in eighteen ninety. 1143 01:03:45,080 --> 01:03:49,040 Speaker 1: The blueprint plans for this building included fifty one doorways 1144 01:03:49,120 --> 01:03:52,560 Speaker 1: that just opened up into brick walls and a hundred 1145 01:03:52,760 --> 01:03:56,680 Speaker 1: windowless rooms. So some people go, how do you build 1146 01:03:56,720 --> 01:03:59,320 Speaker 1: a how do you build something like that? Christian? I 1147 01:03:59,360 --> 01:04:03,440 Speaker 1: want to build him herder castle like a pyramid. Right. Well, 1148 01:04:03,560 --> 01:04:06,520 Speaker 1: during construction, he made sure that no workmen stayed on 1149 01:04:06,640 --> 01:04:08,160 Speaker 1: the job for more than a week. And the way 1150 01:04:08,160 --> 01:04:09,640 Speaker 1: he did this was he would just claim all their 1151 01:04:09,680 --> 01:04:12,240 Speaker 1: work was second rate and he refused to pay them. 1152 01:04:12,320 --> 01:04:14,680 Speaker 1: They walk off the job, they'd hire somebody else. So 1153 01:04:14,800 --> 01:04:17,040 Speaker 1: he was the only one who knew the exact layout 1154 01:04:17,080 --> 01:04:19,680 Speaker 1: of this building. It was three stories tall, it was 1155 01:04:19,760 --> 01:04:23,280 Speaker 1: one block long. He referred to it as the World's 1156 01:04:23,360 --> 01:04:26,120 Speaker 1: Fair Hotel. The idea was the World's Fair was going 1157 01:04:26,200 --> 01:04:29,160 Speaker 1: to be coming to town. He would use it not, 1158 01:04:29,600 --> 01:04:31,800 Speaker 1: you know, not publicly, to murder people. People would rent 1159 01:04:32,640 --> 01:04:35,560 Speaker 1: rent rooms there. It was kind of like an airbnb. Uh, 1160 01:04:36,800 --> 01:04:38,800 Speaker 1: it wasn't really a hotel in the modern sense either. 1161 01:04:38,840 --> 01:04:40,680 Speaker 1: There wasn't like a front desk or anything like that. 1162 01:04:40,760 --> 01:04:44,400 Speaker 1: It was mainly like long term rentals. Um. So here's 1163 01:04:44,400 --> 01:04:48,680 Speaker 1: some features of this building. It had trap doors, secret compartments, 1164 01:04:48,720 --> 01:04:52,760 Speaker 1: and hidden stairways. The halls were designed like mazes. Some 1165 01:04:52,960 --> 01:04:55,600 Speaker 1: of the stairs led to nowhere, which is what our 1166 01:04:55,680 --> 01:04:59,160 Speaker 1: hotel that we're staying and has in common. Uh. The 1167 01:04:59,360 --> 01:05:02,800 Speaker 1: upper floor rooms were soundproofed and airtight, and they were 1168 01:05:02,920 --> 01:05:05,640 Speaker 1: sealed in line with s best us and they were 1169 01:05:05,680 --> 01:05:08,200 Speaker 1: hooked up to these gas lines so he could pump 1170 01:05:08,280 --> 01:05:11,800 Speaker 1: in gas and either asphyxiate people or some people speculate 1171 01:05:11,880 --> 01:05:14,080 Speaker 1: that he burned people of death and they're like he 1172 01:05:14,120 --> 01:05:16,840 Speaker 1: would roast them. The evidence on that's a little weird. 1173 01:05:16,960 --> 01:05:19,360 Speaker 1: But there were like gas valves on the other sides 1174 01:05:19,440 --> 01:05:22,840 Speaker 1: of these walls. It's like a late seventies Dungeons and 1175 01:05:22,920 --> 01:05:26,640 Speaker 1: Dragons module. Yeah, yeah, yeah. If only he could just 1176 01:05:26,720 --> 01:05:29,560 Speaker 1: played Dungeons and Dragons, I think we could have saved 1177 01:05:29,600 --> 01:05:32,200 Speaker 1: a lot. All. You could also look at it as 1178 01:05:32,200 --> 01:05:36,400 Speaker 1: like a Winchester mystery house that kills you very much. Yeah. 1179 01:05:36,480 --> 01:05:38,920 Speaker 1: So there were seveny one guest bedrooms. He had some 1180 01:05:39,000 --> 01:05:40,880 Speaker 1: of them rigged up so they had alarms so he 1181 01:05:40,880 --> 01:05:43,880 Speaker 1: would know if the occupant was trying to escape. Um 1182 01:05:44,240 --> 01:05:47,560 Speaker 1: and some of the some of the reporters who investigated 1183 01:05:47,640 --> 01:05:50,200 Speaker 1: this case, they like gave the rooms these fancy names. 1184 01:05:50,240 --> 01:05:53,480 Speaker 1: These weren't like Holmes names for them. The Black Closet, 1185 01:05:53,760 --> 01:05:57,080 Speaker 1: the Room of the three corpses, and the hanging secret chamber. 1186 01:05:57,320 --> 01:06:00,760 Speaker 1: That's the room I'm staying. Um. But they were all 1187 01:06:00,880 --> 01:06:02,880 Speaker 1: just made up, you know. They weren't even by people 1188 01:06:02,880 --> 01:06:05,480 Speaker 1: who worked in Chicago. This is like newspapers in New York. 1189 01:06:05,480 --> 01:06:07,680 Speaker 1: They would get ahold of diagrams and they'd go, oh cool, 1190 01:06:07,720 --> 01:06:09,600 Speaker 1: we gotta come up with fun names for these when 1191 01:06:09,640 --> 01:06:11,320 Speaker 1: And that's something to keep in mind through all of it, right, 1192 01:06:11,360 --> 01:06:13,320 Speaker 1: because it's not just what happened, but it's what people 1193 01:06:13,400 --> 01:06:17,240 Speaker 1: are layering over what happened exactly. Yeah. So his bathroom, 1194 01:06:18,000 --> 01:06:20,560 Speaker 1: his personal bathroom, had a trap door in it that 1195 01:06:20,720 --> 01:06:24,320 Speaker 1: led to a hidden stairwell down to a windowless cubicle 1196 01:06:24,440 --> 01:06:27,040 Speaker 1: between the floors, and then from here there was a 1197 01:06:27,120 --> 01:06:28,920 Speaker 1: shoot that dropped to the cellar. And it wasn't just 1198 01:06:29,000 --> 01:06:32,000 Speaker 1: like a fun slide, it was you know, for purposes. 1199 01:06:32,320 --> 01:06:35,080 Speaker 1: And he also had an exit so he could basically 1200 01:06:35,160 --> 01:06:36,880 Speaker 1: like get away if something was going on. Just right 1201 01:06:36,920 --> 01:06:39,560 Speaker 1: out into the street. Next to his office, there was 1202 01:06:39,600 --> 01:06:42,680 Speaker 1: a vault, and when they investigated the vault, the impression 1203 01:06:42,720 --> 01:06:46,520 Speaker 1: of a wounded woman's footprint was found on the inside 1204 01:06:46,600 --> 01:06:48,840 Speaker 1: of the door, and it was described as being big 1205 01:06:48,960 --> 01:06:52,520 Speaker 1: enough only for a person to stand in. So how 1206 01:06:52,560 --> 01:06:54,600 Speaker 1: does he get rid of all these bodies? Well, this 1207 01:06:54,680 --> 01:06:57,800 Speaker 1: is where the basement comes in. That shoot dimension goes 1208 01:06:57,880 --> 01:06:59,880 Speaker 1: straight down to the basement. And here's some fun thing 1209 01:07:00,040 --> 01:07:02,800 Speaker 1: that we're supposedly in the basement. Uh, that's of acid 1210 01:07:03,400 --> 01:07:07,160 Speaker 1: quicklime pits. And there was a furnace in his office 1211 01:07:07,440 --> 01:07:10,960 Speaker 1: on the upper floors. Uh. Most people have furnaces in 1212 01:07:11,040 --> 01:07:14,040 Speaker 1: their office. Uh. And in the basement there was also 1213 01:07:14,120 --> 01:07:17,959 Speaker 1: supposedly a dissecting table, his surgeon tools. It was also 1214 01:07:18,160 --> 01:07:21,720 Speaker 1: rumored that there were these like apparatus is that looked 1215 01:07:21,760 --> 01:07:25,320 Speaker 1: like medieval torture devices everywhere, but their purpose was never explained. 1216 01:07:25,640 --> 01:07:28,400 Speaker 1: A lot of this is really alleged, especially like when 1217 01:07:28,400 --> 01:07:31,200 Speaker 1: you read that Seltzer book, because the police at the 1218 01:07:31,280 --> 01:07:33,640 Speaker 1: time that we're investigating in the journalists who are reporting 1219 01:07:33,720 --> 01:07:35,880 Speaker 1: on it were really like kind of hysterical about the 1220 01:07:35,920 --> 01:07:39,440 Speaker 1: whole thing, and it took on some hyperbolee. Yeah, we 1221 01:07:39,480 --> 01:07:43,520 Speaker 1: gotta sell some newspapers, folks. So what's the best way 1222 01:07:43,520 --> 01:07:44,960 Speaker 1: to get rid of body? How do you guys get 1223 01:07:45,040 --> 01:07:51,360 Speaker 1: rid of bodies? Oh? Quicklime? Quicklime is one way, but 1224 01:07:51,600 --> 01:07:53,160 Speaker 1: in a lot of people, you know, if you've read 1225 01:07:53,200 --> 01:07:55,440 Speaker 1: Detective stories. You're like, oh, yeah, I've heard of alligator 1226 01:07:55,480 --> 01:08:01,400 Speaker 1: lime MESSI alligators in the murder basement, pitt crabs. Yeah, 1227 01:08:01,480 --> 01:08:03,280 Speaker 1: those would be great too. I just don't think he 1228 01:08:03,400 --> 01:08:08,480 Speaker 1: had those as options. But there were supposedly these quicklime pits. 1229 01:08:09,000 --> 01:08:11,280 Speaker 1: Now what's quicklime? We hear that and we go, oh, yeah, sure, 1230 01:08:11,320 --> 01:08:13,240 Speaker 1: that's the way to get rid of a body. Quicklimes 1231 01:08:13,320 --> 01:08:16,800 Speaker 1: this chemical compound known as calcium oxide. It's made through 1232 01:08:16,840 --> 01:08:20,880 Speaker 1: the thermal decomposition of limestone. Uh and it basically it's 1233 01:08:20,880 --> 01:08:23,680 Speaker 1: anything that contains calcium carbonate. If you heat it up 1234 01:08:23,760 --> 01:08:27,240 Speaker 1: to a high temperature, it reacts uh and uh. It 1235 01:08:27,320 --> 01:08:30,400 Speaker 1: reacts a CEO two specifically, so it can create heat, energy, 1236 01:08:30,479 --> 01:08:32,680 Speaker 1: and light. They used to actually use it for fireworks. 1237 01:08:32,760 --> 01:08:36,479 Speaker 1: That's what lime light is. Uh. So in twenties, well, 1238 01:08:36,720 --> 01:08:39,439 Speaker 1: this fun group of researchers got together and they said, 1239 01:08:39,760 --> 01:08:42,280 Speaker 1: let's see how well quicklime gets rid of a body. 1240 01:08:42,600 --> 01:08:45,920 Speaker 1: And they took six dead pigs and they buried them 1241 01:08:46,479 --> 01:08:50,000 Speaker 1: in pits of quicklime with this in Chicago, No, it 1242 01:08:50,160 --> 01:08:53,600 Speaker 1: was in Europe actually, uh. And they they found that 1243 01:08:53,720 --> 01:08:56,759 Speaker 1: when they recovered these pig bodies six months later, instead 1244 01:08:56,800 --> 01:09:00,360 Speaker 1: of disposing of the bodies. The quicklime actually del laid 1245 01:09:00,800 --> 01:09:04,479 Speaker 1: the decay of the carcasses, so it's better not to 1246 01:09:04,640 --> 01:09:07,200 Speaker 1: dispose of a body or destroy it. But it it 1247 01:09:07,320 --> 01:09:10,760 Speaker 1: was really used to keep putrification at bay so that 1248 01:09:10,880 --> 01:09:14,000 Speaker 1: animals wouldn't be attracted to bodies. And it was historically 1249 01:09:14,080 --> 01:09:18,760 Speaker 1: used in plague burials. So maybe it wasn't quicklime he 1250 01:09:18,840 --> 01:09:22,360 Speaker 1: had in his basement, maybe it was live ah. Now, 1251 01:09:22,760 --> 01:09:24,639 Speaker 1: in the past, Robert and I did an episode about 1252 01:09:24,680 --> 01:09:28,439 Speaker 1: Hollywood acid dissolving people, and one of the things we 1253 01:09:28,560 --> 01:09:30,519 Speaker 1: came to in that episode was about how you know, 1254 01:09:30,560 --> 01:09:32,160 Speaker 1: if you if you want to dissolve a body, it 1255 01:09:32,280 --> 01:09:34,400 Speaker 1: might be better to use a strong base rather than 1256 01:09:34,439 --> 01:09:37,960 Speaker 1: a strong acid. Yeah, Lie's sodium hydroxide, and you know, 1257 01:09:38,120 --> 01:09:41,559 Speaker 1: purportedly drug cartel assassins use it to dispose of bodies 1258 01:09:41,600 --> 01:09:45,760 Speaker 1: in several outer hours. UM in Chicago actually is the 1259 01:09:45,880 --> 01:09:49,880 Speaker 1: first instance of somebody being recorded as using it to 1260 01:09:49,920 --> 01:09:51,479 Speaker 1: dispose of a body. A guy by the name of 1261 01:09:51,560 --> 01:09:54,760 Speaker 1: Adolph Lutgert dumped his wife into a boiling vat of 1262 01:09:54,880 --> 01:09:57,800 Speaker 1: lie in. Then they burned what was left, but the 1263 01:09:57,840 --> 01:10:02,560 Speaker 1: police found the bone fragments. Uh. And a key component 1264 01:10:02,680 --> 01:10:04,639 Speaker 1: here seems to be water, So you have to add 1265 01:10:04,760 --> 01:10:07,160 Speaker 1: water to LIE to make it really work pretty well. 1266 01:10:07,520 --> 01:10:10,519 Speaker 1: So maybe homes had these pits. He put LIE in them. 1267 01:10:10,640 --> 01:10:12,800 Speaker 1: Lies really easy to get ahold of, and he filled 1268 01:10:12,840 --> 01:10:16,200 Speaker 1: them up with water. We don't know. Uh. Then there's 1269 01:10:16,240 --> 01:10:20,000 Speaker 1: supposedly this acid, right, how does that work? Well? A 1270 01:10:20,080 --> 01:10:23,040 Speaker 1: lot of you are probably thinking about breaking bad right now. Uh, 1271 01:10:23,439 --> 01:10:25,160 Speaker 1: we don't know what kind of acid he had, but 1272 01:10:25,240 --> 01:10:28,960 Speaker 1: typically acid dissolves a body more completely than LIE, but 1273 01:10:29,040 --> 01:10:32,240 Speaker 1: it takes way longer. And the fumes are also supposed 1274 01:10:32,240 --> 01:10:36,559 Speaker 1: to be intolerable. They're really toxic. Uh. So it's easier 1275 01:10:36,640 --> 01:10:39,479 Speaker 1: to get LIE. It's safer to use LIE. I mean, 1276 01:10:39,560 --> 01:10:41,800 Speaker 1: it's not safe. It's like you think of fight club 1277 01:10:41,880 --> 01:10:43,760 Speaker 1: when they're like putting the stuff on their hands and 1278 01:10:43,840 --> 01:10:47,800 Speaker 1: burning their hands. That's basically LIE. But acids are also 1279 01:10:48,000 --> 01:10:52,360 Speaker 1: monitored for bomb making nowadays, so it's not that easy 1280 01:10:52,479 --> 01:10:55,200 Speaker 1: to use. But if you're thinking breaking bad, they used 1281 01:10:55,280 --> 01:10:59,800 Speaker 1: hydrofluoric acid in that, and it takes silicon oxide and 1282 01:11:00,280 --> 01:11:03,880 Speaker 1: types of glass and metals and plastic and just ripped 1283 01:11:03,960 --> 01:11:06,320 Speaker 1: through them. That's why you've got that infamous tub scene. 1284 01:11:07,600 --> 01:11:11,280 Speaker 1: Another thing they found in the basement a wooden tank 1285 01:11:11,360 --> 01:11:16,200 Speaker 1: filled with strange chemicals and workman later excavating it. They 1286 01:11:16,800 --> 01:11:18,439 Speaker 1: lit a match to see what was in there in 1287 01:11:18,479 --> 01:11:23,840 Speaker 1: the accident, accidentally ignited it. Nineties investigation techniques, y'all, yeah, 1288 01:11:24,400 --> 01:11:26,479 Speaker 1: if we set it on fire, he'll see. They never 1289 01:11:26,640 --> 01:11:28,800 Speaker 1: quite figured out what was in there, but they think 1290 01:11:28,880 --> 01:11:31,320 Speaker 1: it might have been like a combination of crude petroleum 1291 01:11:31,360 --> 01:11:34,120 Speaker 1: and gasoline or benzene, and that might have been what 1292 01:11:34,360 --> 01:11:37,080 Speaker 1: was in the vault with one of his potential victims. 1293 01:11:37,120 --> 01:11:39,439 Speaker 1: So we locked her in there, placed some of the 1294 01:11:39,560 --> 01:11:42,800 Speaker 1: substance in there. It suffocated her, and then the residue 1295 01:11:43,120 --> 01:11:46,559 Speaker 1: was left behind from her footprint on the door. Uh. 1296 01:11:46,840 --> 01:11:53,200 Speaker 1: And there's another question. This furnace. Okay, so he's got 1297 01:11:53,240 --> 01:11:56,920 Speaker 1: this furnace in his office. Now, the police at the 1298 01:11:57,000 --> 01:11:59,240 Speaker 1: time said, oh, yeah, we found a human rib and 1299 01:11:59,360 --> 01:12:02,080 Speaker 1: a heck of long hair in the furnace, But then 1300 01:12:02,200 --> 01:12:03,960 Speaker 1: like a couple of years later, they were like, oh, 1301 01:12:04,040 --> 01:12:10,000 Speaker 1: actually it was some stove lining. Uh So, so it 1302 01:12:10,160 --> 01:12:12,000 Speaker 1: was actually pointed out in the papers of the time. 1303 01:12:12,080 --> 01:12:15,000 Speaker 1: To destroy a human torso like that in this furnace 1304 01:12:15,040 --> 01:12:18,040 Speaker 1: would have been totally impossible to cremate a body. Now, 1305 01:12:18,200 --> 01:12:20,640 Speaker 1: I mean, you need a furnace that can burn at 1306 01:12:20,680 --> 01:12:24,200 Speaker 1: fourteen d eighteen hundred degrees and it still takes two 1307 01:12:24,280 --> 01:12:26,800 Speaker 1: to three hours to burn a body at that level. 1308 01:12:27,320 --> 01:12:30,479 Speaker 1: And the first modern cremation chamber wasn't presented until eighteen 1309 01:12:30,520 --> 01:12:33,680 Speaker 1: seventy three in France and then eighteen seventy six here 1310 01:12:33,720 --> 01:12:36,960 Speaker 1: in the US. So yeah, that was before Holmes was active, 1311 01:12:37,040 --> 01:12:39,120 Speaker 1: But it's not likely that he had one of these 1312 01:12:39,200 --> 01:12:43,120 Speaker 1: furnaces in his office. So the way the story ends 1313 01:12:43,160 --> 01:12:45,720 Speaker 1: of the Old Murdoch Castle is it gets set on 1314 01:12:45,840 --> 01:12:49,559 Speaker 1: fire a bunch of times. Holmes himself sets on fire 1315 01:12:49,640 --> 01:12:53,920 Speaker 1: in eighteen ninety three, then he gets arrested, uh four 1316 01:12:54,000 --> 01:12:58,160 Speaker 1: more times eight nineteen o three and nineteen o seven, 1317 01:12:58,800 --> 01:13:03,360 Speaker 1: is finally officially torn down in ninety eight. Uh. Story goes. 1318 01:13:03,520 --> 01:13:06,320 Speaker 1: A post office currently occupies the plot. Anybody here from 1319 01:13:06,400 --> 01:13:09,400 Speaker 1: town been to this post office? Yeah yeah, yeah, I 1320 01:13:09,760 --> 01:13:16,280 Speaker 1: hear they're lingering smells. There's like ghost tours. Uh oh 1321 01:13:16,479 --> 01:13:19,040 Speaker 1: yeah yeah, Well actually I was reading that you can 1322 01:13:19,200 --> 01:13:24,880 Speaker 1: still access homes basement. Oh you have to email yourself exactly. Yeah, 1323 01:13:24,920 --> 01:13:26,920 Speaker 1: and they just dump you down the shoot the shoots 1324 01:13:26,960 --> 01:13:29,600 Speaker 1: still there. Um, here's the creepy thing. And this is 1325 01:13:29,640 --> 01:13:31,840 Speaker 1: what I'll leave you with. What most people who write 1326 01:13:31,840 --> 01:13:35,040 Speaker 1: about H. H. Holmes don't know or fail to mention, 1327 01:13:35,240 --> 01:13:38,479 Speaker 1: is that he actually owned several other properties around town, 1328 01:13:39,200 --> 01:13:42,400 Speaker 1: and those weren't investigated as much as the murder Castle. 1329 01:13:42,640 --> 01:13:44,720 Speaker 1: So if he had any associates in the area, they 1330 01:13:44,760 --> 01:13:47,000 Speaker 1: totally could have gone in and cleaned up the evidence 1331 01:13:47,040 --> 01:13:50,960 Speaker 1: while everybody was looking at this murder castle. Uh. And specifically, 1332 01:13:51,400 --> 01:13:53,920 Speaker 1: he had a glass bending factory that was in an 1333 01:13:54,000 --> 01:13:56,720 Speaker 1: isolated area and when the police got there, all they 1334 01:13:56,760 --> 01:14:00,560 Speaker 1: found were junk, except there was a diagram showing that 1335 01:14:00,680 --> 01:14:04,800 Speaker 1: a massive furnace had recently been removed from there. So 1336 01:14:05,680 --> 01:14:07,800 Speaker 1: maybe there's more victims. What kind of names would they 1337 01:14:07,800 --> 01:14:09,800 Speaker 1: have given these other places, like murder Hut, because you 1338 01:14:09,800 --> 01:14:13,920 Speaker 1: can can't all be murder Castle, right, Yeah, murder Factory, 1339 01:14:14,200 --> 01:14:20,080 Speaker 1: murder the murder pad. So that's the science of the 1340 01:14:20,160 --> 01:14:24,000 Speaker 1: weird white City of Chicago. Yeah. What I love about 1341 01:14:24,040 --> 01:14:25,880 Speaker 1: this is that all these examples we looked at, you 1342 01:14:25,960 --> 01:14:29,879 Speaker 1: can see just these like these burning stars just gathering 1343 01:14:30,000 --> 01:14:32,360 Speaker 1: mass based on all of all of what's going on 1344 01:14:32,479 --> 01:14:36,479 Speaker 1: in the culture. Although the momentum of the century in 1345 01:14:36,560 --> 01:14:39,120 Speaker 1: the case homes is kind of like the dark angel 1346 01:14:39,640 --> 01:14:42,639 Speaker 1: of the festivities, and then we have the mechanical God, 1347 01:14:42,760 --> 01:14:44,800 Speaker 1: and then we have people trying to figure out how 1348 01:14:44,880 --> 01:14:47,320 Speaker 1: we all get along while talking about other gods as well. 1349 01:14:47,600 --> 01:14:50,400 Speaker 1: It's really kind of the birth of the twentieth century. 1350 01:14:50,840 --> 01:14:56,679 Speaker 1: You know, you've got like industrialism, psychopaths, and religious in fighting. Yeah, 1351 01:14:58,479 --> 01:15:01,040 Speaker 1: all right, So there you have it. Once again, we're 1352 01:15:01,120 --> 01:15:08,000 Speaker 1: stuff to blow your mind. I'm Robert I'm America Christian 1353 01:15:08,080 --> 01:15:12,240 Speaker 1: Board all right. Uh, and I'm Joe McCormick. Again. You 1354 01:15:12,280 --> 01:15:13,840 Speaker 1: can find it a stuff to bow your mind dot com. 1355 01:15:13,880 --> 01:15:16,680 Speaker 1: We'll blow the mind on the most social media. I 1356 01:15:16,720 --> 01:15:18,560 Speaker 1: think they're probably gonna kick everybody out of here, but 1357 01:15:18,640 --> 01:15:21,040 Speaker 1: we'll hang around out out here if anyone wants to 1358 01:15:21,080 --> 01:15:23,599 Speaker 1: come chat with us. Uh, you know, I've got nowhere 1359 01:15:23,640 --> 01:15:31,080 Speaker 1: to go. Thanks everybody. All right, So there you have it, 1360 01:15:31,160 --> 01:15:34,160 Speaker 1: a little stuff to blow your mind live and uh, hey, 1361 01:15:34,400 --> 01:15:37,040 Speaker 1: if you really enjoyed this, and you've been you're thinking yourself, 1362 01:15:37,120 --> 01:15:39,880 Speaker 1: I would love the opportunity to see stuff to blow 1363 01:15:39,920 --> 01:15:42,439 Speaker 1: your mind perform a lot. Well, then don't fret. We're 1364 01:15:42,720 --> 01:15:45,120 Speaker 1: working on putting together some more of these in the future, 1365 01:15:45,160 --> 01:15:48,680 Speaker 1: and we will keep you updated about those opportunities at 1366 01:15:48,680 --> 01:15:51,040 Speaker 1: all of our social media accounts. Our main ones, of course, 1367 01:15:51,120 --> 01:15:55,240 Speaker 1: are on Facebook, Twitter, uh Tumbler, Instagram. We are blow 1368 01:15:55,360 --> 01:15:58,120 Speaker 1: the Mind on all of those, and of course our mothership, 1369 01:15:58,200 --> 01:16:00,160 Speaker 1: our main website, is stuff to Blow your Mind mind 1370 01:16:00,280 --> 01:16:02,360 Speaker 1: dot com. And in the meantime, if you want to 1371 01:16:02,400 --> 01:16:05,040 Speaker 1: reach out to us with your you know, feedback on 1372 01:16:05,080 --> 01:16:07,560 Speaker 1: the topics we discussed here or the live episode, you 1373 01:16:07,640 --> 01:16:09,800 Speaker 1: can email us the old fashioned way at below the 1374 01:16:09,880 --> 01:16:22,200 Speaker 1: Mind at how stuff works dot com. For more on 1375 01:16:22,320 --> 01:16:24,800 Speaker 1: this and thousands of other topics. Is that how stuff 1376 01:16:24,800 --> 01:16:25,439 Speaker 1: works dot com.