WEBVTT - Russian Dolls

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<v Speaker 1>Family Secrets is a production of I Heart Radio. This

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<v Speaker 1>is a secret of my own. My father has been

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<v Speaker 1>helping me write these pages in my dreams. My father

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<v Speaker 1>stands in our house. It is not burned or blackened

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<v Speaker 1>or infelicitous. No melted pools of television screens. Not yet.

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<v Speaker 1>My rocking horse is still there, rocking. The air is clear,

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<v Speaker 1>the dining room table shines. It's all in one piece,

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<v Speaker 1>this house the way I've always imagined it could be.

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<v Speaker 1>So is my father. Sometimes he says, the things I wrote,

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<v Speaker 1>the way I wrote them. We play out the scenes,

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<v Speaker 1>we have our script. Other Times he says, no, not quite,

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<v Speaker 1>it didn't happen like that. My dead father is always moving.

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<v Speaker 1>I follow him. I'm Danny Shapiro. And this is family secrets,

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<v Speaker 1>the secrets that are kept from us, the secrets we

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<v Speaker 1>keep from others, and the secrets we keep from ourselves.

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<v Speaker 1>Have come to think of family secrets sort of like ghosts.

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<v Speaker 1>A family sits at the dinner table, and the ghosts

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<v Speaker 1>hover nearby. A family falls asleep at night, and the

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<v Speaker 1>ghosts linger in doorways, pace the halls. They make a

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<v Speaker 1>cup of coffee in the kitchen. These ghosts are invisible,

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<v Speaker 1>of course, but they're very powerful. In fact, they're all

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<v Speaker 1>the more powerful precisely because they're invisible. My guest today

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<v Speaker 1>is t Kira Madden. Tikira is a supremely gifted young

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<v Speaker 1>writer whose essential piercing human nous shows up on every

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<v Speaker 1>page of her debut memoir, Long Live the Tribe of

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<v Speaker 1>Fatherless Girls. When I first read Tikira's work, I knew

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<v Speaker 1>that I had to have her on family secrets. Tikira

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<v Speaker 1>grew up in a family shaped by its secrets and ghosts,

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<v Speaker 1>and therefore she herself was formed by all she did

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<v Speaker 1>not know, all her parents kept from her, from each other,

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<v Speaker 1>and from themselves. This is a story about addiction, shame,

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<v Speaker 1>a couple of world rocking DNA discoveries, and thrumming under

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<v Speaker 1>all of it, a family's love for one another. Where

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<v Speaker 1>does secrets go when they're stuffed away? We're about to

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<v Speaker 1>find out. We began, as I often do, by my

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<v Speaker 1>asking Tikira to tell me about the landscape of her childhood.

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<v Speaker 1>I think my childhood always felt like an adventure. I

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<v Speaker 1>think that's the word I would use. That I didn't

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<v Speaker 1>understand the dynamic of parents and child, and it was

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<v Speaker 1>more like we were all on a team together, the

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<v Speaker 1>three of us, me and my mother and my father.

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<v Speaker 1>And there were always fights. There were always conflicts outside,

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<v Speaker 1>conflicts inside conflicts, but we were always running away or

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<v Speaker 1>in a sense of adventure. My mother and I were

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<v Speaker 1>always you know, going in the car to find my

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<v Speaker 1>father at whatever bar or strip club he was in,

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<v Speaker 1>and we never knew what we would find there at

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<v Speaker 1>three in the morning. Um. Where I was going on

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<v Speaker 1>separate adventures with my father to bars, to baseball games,

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<v Speaker 1>two clubs, to Las Vegas. Um. But the three of

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<v Speaker 1>us always we had a team. Um. We had a

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<v Speaker 1>team and a loyalty that I think doesn't make sense

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<v Speaker 1>to people now, but it was. It was just implicit.

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<v Speaker 1>We were a team always. And how old were you

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<v Speaker 1>when you were going to bars and you know, out

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<v Speaker 1>at three in the morning looking for your dad or

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<v Speaker 1>going to Vegas as early as I can remember, yeah,

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<v Speaker 1>um My, my very earliest memories, it was my my

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<v Speaker 1>parents wedding and being there and after that just these

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<v Speaker 1>wild apartments we lived in the wild characters who would

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<v Speaker 1>come in and out. Um, and I very distinctly even

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<v Speaker 1>have memories in a stroller going through some of these

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<v Speaker 1>experiences and just my very earliest memories going in my

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<v Speaker 1>mother's car to these clubs and meeting these strippers outside

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<v Speaker 1>the car, and at some points having golf clubs and

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<v Speaker 1>baseball bats being swung at car windows and shattering, and

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<v Speaker 1>it was all very exciting to me. Well, that's so

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<v Speaker 1>interesting because the fact that you have memories from the stroller,

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<v Speaker 1>if it had been seriously traumatic for you, um most

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<v Speaker 1>likely would have blocked them out. It doesn't surprise me.

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<v Speaker 1>I guess that you're saying that there was something, yeah, exciting.

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<v Speaker 1>I think, in a way exciting. I didn't understand. My

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<v Speaker 1>mind wasn't then yet molded into these false binaries of good, bad, sober, drunk.

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<v Speaker 1>I didn't have those understandings. It didn't feel unsafe to know.

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<v Speaker 1>Everything was just kind of electric and arousing and exciting

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<v Speaker 1>in my early mind. I think. So, you're father was

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<v Speaker 1>in another family, in another relationship when you were very small. Yes,

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<v Speaker 1>he was married to another woman when I was born,

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<v Speaker 1>and he had two sons with that woman, which I

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<v Speaker 1>didn't understand, of course, until a little bit later. Was

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<v Speaker 1>that something that you knew as you were growing up

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<v Speaker 1>as a toddler? He was the shadowy figure. He was

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<v Speaker 1>just the smell of cigarettes and gold and cash. And

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<v Speaker 1>that's who my father was, this kind of gravelly voice

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<v Speaker 1>figure in my house. I always knew there was this

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<v Speaker 1>other family. My father. Um. He sat me and my

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<v Speaker 1>brother's down when we were younger. My my brothers were

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<v Speaker 1>at that point teenagers and I was a toddler, and

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<v Speaker 1>he explained to all of us that we were actually siblings.

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<v Speaker 1>And I hadn't realized before that point that I was

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<v Speaker 1>just supposedly my mother's kid. I was just a kid

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<v Speaker 1>who was around UM. So I had a sense of

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<v Speaker 1>them as my family or another family, but I didn't

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<v Speaker 1>understand what that meant. And I understood their photos in

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<v Speaker 1>my father's wallet, for example, and seeing similarities, but you know,

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<v Speaker 1>at that point, biology, genetics, um connection, those things didn't

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<v Speaker 1>quite make sense. Well, it sounds like you were left

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<v Speaker 1>to figure it out for yourself a bit. Absolutely. This

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<v Speaker 1>is something that comes up a lot in family secrets,

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<v Speaker 1>the sense of having been a salution as a child.

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<v Speaker 1>So often we were left to our own devices, trying

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<v Speaker 1>to put together the pieces of our families, attempting to

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<v Speaker 1>understand what didn't add up. Our families are all we

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<v Speaker 1>know as children, we feel secrets as an ache, a strangeness,

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<v Speaker 1>or even internalize them as self loathing when we don't

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<v Speaker 1>understand why we feel the way we do. Could you

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<v Speaker 1>describe your mother a little bit? Wild? Is the word

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<v Speaker 1>I would use, and I think that's the word many

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<v Speaker 1>people would use who have met her. Daring, wild, beautiful, electric,

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<v Speaker 1>just a flash of light in any room. My book

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<v Speaker 1>opens with a scene of her shooting a man out

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<v Speaker 1>our window, and that's I think very true to her

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<v Speaker 1>character and why I chose to open her in that way,

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<v Speaker 1>because she's fiercely protective, no boundaries, no filter, She's she's

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<v Speaker 1>just a force. She still is. One of the things

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<v Speaker 1>that really struck me in your book is the way

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<v Speaker 1>in which you had to educate the adults around you

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<v Speaker 1>in the fact that you were a child. There's a

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<v Speaker 1>moment your father has been violent with your mother, and

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<v Speaker 1>it's not the first time, but it's the worst time,

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<v Speaker 1>and she gathers you and you get into the car

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<v Speaker 1>and she hands you a map and she says, find

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<v Speaker 1>the best root out of here. And that moment struck

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<v Speaker 1>me for a lot of reasons, because that felt like

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<v Speaker 1>a metaphor in a way for both for your book

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<v Speaker 1>and for your life, which is you did find the

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<v Speaker 1>best root out of there. How old were you in

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<v Speaker 1>that in that moment? I was in the sixth grade, right,

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<v Speaker 1>and your mother was handing you a map and say saying, like,

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<v Speaker 1>you know, figure it out. Yes, I was very good

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<v Speaker 1>at maps at that point because of so many instances

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<v Speaker 1>of this. There have been many occasions with using maps

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<v Speaker 1>trying to get out of certain situations. Sure, as an

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<v Speaker 1>only child myself, I'm well acquainted with the preternaturally adult

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<v Speaker 1>feeling that many only children experience. At the same time,

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<v Speaker 1>there's also the feeling that the mom, dad, and kid

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<v Speaker 1>are part of a tight little trio, as opposed to

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<v Speaker 1>enlarger families where children banned together in solidarity against the adults.

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<v Speaker 1>Perhaps that's part of the reason why Tikira writes so

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<v Speaker 1>lovingly about both her parents and almost romantically about her

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<v Speaker 1>beginnings with them. It still feels true to me, and

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<v Speaker 1>I think people often say, you know, parents, we do

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<v Speaker 1>the best we can, or they did the best we could.

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<v Speaker 1>I think about that a lot, and I think the

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<v Speaker 1>easier answer would be to always say, yes, my parents

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<v Speaker 1>did the best they could. But I'm not sure if

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<v Speaker 1>that's that was always the case, and I'm not sure

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<v Speaker 1>it even matters, because maybe sometimes you know, my father

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<v Speaker 1>didn't do the best he could, but that's okay. Like,

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<v Speaker 1>there's a life of being a father and the life

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<v Speaker 1>of being a person in the world. And I think

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<v Speaker 1>through reflection and after his death, I start it to

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<v Speaker 1>understand those two versions and multiplicities of so many versions

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<v Speaker 1>of who a person can be. That the lens of

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<v Speaker 1>just a father is in some ways an unfair lens,

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<v Speaker 1>and the lens of just mother, like that scope is

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<v Speaker 1>too small. I had to think about how they ended

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<v Speaker 1>up the way they were um to my to my

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<v Speaker 1>limited knowledge, of course, and acknowledge the failure that I

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<v Speaker 1>can't break away from that limited scope of my own

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<v Speaker 1>singular experiences. As you've said, Danny, and some of your work,

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<v Speaker 1>there's a moment where you describe hearing the words addict,

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<v Speaker 1>you know, or crackhead or whatever the language was being used.

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<v Speaker 1>Someone was describing your parents in those ways, and you

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<v Speaker 1>had never put language to that at all. Yes, Yes,

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<v Speaker 1>is that something you would think of as having been

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<v Speaker 1>secret in your childhood or was that it didn't seem

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<v Speaker 1>to me that ways seemed like they were pretty out

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<v Speaker 1>there with their addictions, that that wasn't something they were

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<v Speaker 1>hiding from you or from the world. Speaking to children

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<v Speaker 1>of addicts, I see and I hear that a lot,

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<v Speaker 1>that there's there's just no vocabulary. As a child, in

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<v Speaker 1>the absence of a vocabulary, Takira makes up a new

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<v Speaker 1>language with phrases that render her parents addiction in terms

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<v Speaker 1>she can understand. When her parents are high, she calls

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<v Speaker 1>them sleepy boy and sleepy girl. It wasn't until I

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<v Speaker 1>started seeing, you know, commercials about drugs and Whitney Houston

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<v Speaker 1>on the news, being caught and seeing those familiar objects,

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<v Speaker 1>and then hearing the words from other people from media

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<v Speaker 1>that I started putting together what was actually going on.

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<v Speaker 1>Finding and knowing the language and labeling it is something

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<v Speaker 1>that's so powerful. I'm thinking of a previous episode of

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<v Speaker 1>Family Secrets where my guest Debbie Millman, who was being

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<v Speaker 1>abused by her stepfather, cuts out a clipping from an

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<v Speaker 1>Ann Lander's column in which someone writes to a Landers

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<v Speaker 1>about being abused, and for the first time she thinks,

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<v Speaker 1>a I'm not the only person in the entire world

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<v Speaker 1>that's happened to and be this is a thing, there's

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<v Speaker 1>a there's a name for it exists. That episode really

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<v Speaker 1>resonated with me, and she kept it under her pillowcase

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<v Speaker 1>or under a mattress, and I kept a book by

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<v Speaker 1>Drew Barrymore under my pillowcase, and I remember hearing that

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<v Speaker 1>on that episode and um sharing that experience that I

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<v Speaker 1>There was this ghost written eighties book called Little Girl Lost,

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<v Speaker 1>which was Drew Barrymore's early memoir. And it wasn't until

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<v Speaker 1>I read that book that was the first it just

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<v Speaker 1>throttled me. That was the first sense of someone else

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<v Speaker 1>has parent like this. In some way, these behaviors are mirrored.

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<v Speaker 1>It's not just me in the world, because before you

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<v Speaker 1>understand addiction of course as a kid, or abuse of

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<v Speaker 1>any kind, you think that this is only happening to me.

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<v Speaker 1>This couldn't possibly be happening to anyone else in the world.

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<v Speaker 1>And until I read Drew Barrymore, of all of all books,

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<v Speaker 1>of all stories, this kind of gossipy Hollywood book, did

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<v Speaker 1>I realize, Oh wow, her her father is trying to

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<v Speaker 1>drink gasoline. My father tries to drink gasoline. It's not

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<v Speaker 1>just me, me and Drew Barrymore. It still wasn't plural,

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<v Speaker 1>but it was me and Drew Barrymore had the secret

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<v Speaker 1>from the rest of the world. We're going to take

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<v Speaker 1>a quick break her parents. Addiction isn't the only secret

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<v Speaker 1>Tiakia learns to keep. When she's in middle school, Tika

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<v Speaker 1>begins an online relationship with a senior boy in her

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<v Speaker 1>high school who eventually asks her to meet him at

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<v Speaker 1>the local shopping mall. Love was violence, Love was desperate um,

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<v Speaker 1>love was forced, and it was forceful. And so you know,

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<v Speaker 1>at that time, I was I was a middle school girl.

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<v Speaker 1>I was talking to a senior from my high school

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<v Speaker 1>on the internet. I hadn't met him in real life,

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<v Speaker 1>and he wanted me to meet him at a shopping mall.

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<v Speaker 1>And he showed up with another senior in the car,

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<v Speaker 1>and the sexual assault. Sexual assault occurred at the shopping mall.

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<v Speaker 1>And I didn't have I didn't have any sort of

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<v Speaker 1>vocabulary for what that meant. M I truly did feel

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<v Speaker 1>that it was love, because he had used that word

0:14:39.480 --> 0:14:41.280
<v Speaker 1>with me as well. I think I might love you.

0:14:42.440 --> 0:14:45.640
<v Speaker 1>I'm always trying to write into questions of you know,

0:14:45.800 --> 0:14:49.560
<v Speaker 1>how could things have gone differently had I told my father,

0:14:49.680 --> 0:14:53.320
<v Speaker 1>perhaps we could have had such a different relationship. Perhaps

0:14:53.400 --> 0:14:58.400
<v Speaker 1>we could have um just broken the secrecy in some way.

0:14:59.040 --> 0:15:02.760
<v Speaker 1>Why do you think you didn't, I think because of

0:15:02.760 --> 0:15:06.520
<v Speaker 1>my own confusion of what it was. Because I always

0:15:06.520 --> 0:15:09.880
<v Speaker 1>wanted clarity, I always wanted wisdom. I wanted to be

0:15:09.920 --> 0:15:13.840
<v Speaker 1>able to explain something, and this, that occurrence was something

0:15:13.840 --> 0:15:22.480
<v Speaker 1>I could never explain. When I left them all that

0:15:22.600 --> 0:15:24.320
<v Speaker 1>day and my parents picked me up, they took me

0:15:24.360 --> 0:15:28.240
<v Speaker 1>to a restaurant, and at the restaurant, I went to

0:15:28.280 --> 0:15:31.560
<v Speaker 1>the bathroom, and I still remember the stall I was

0:15:31.640 --> 0:15:34.360
<v Speaker 1>in at the exact restaurant, and I fell to the

0:15:34.400 --> 0:15:36.920
<v Speaker 1>floor and I was just curled up in a ball, weeping,

0:15:37.960 --> 0:15:41.120
<v Speaker 1>And in my mind I felt what had just happened

0:15:41.160 --> 0:15:44.720
<v Speaker 1>was something great and womanly and beautiful, and it was

0:15:44.840 --> 0:15:47.920
<v Speaker 1>love and this was sex, and but my body knew

0:15:48.160 --> 0:15:51.000
<v Speaker 1>the difference. And that's something I think about to this day,

0:15:51.040 --> 0:15:58.600
<v Speaker 1>that the body knows even before we do sometimes. But

0:15:58.640 --> 0:16:00.400
<v Speaker 1>I also think I just didn't want to it into

0:16:00.400 --> 0:16:04.760
<v Speaker 1>trouble for getting in cars with boys, of course, but

0:16:04.880 --> 0:16:07.960
<v Speaker 1>I wish I wish I did. In some ways, I

0:16:08.000 --> 0:16:10.320
<v Speaker 1>also know it would hurt him a great deal of

0:16:10.400 --> 0:16:14.360
<v Speaker 1>someone who was very protective over me. But as you

0:16:14.520 --> 0:16:18.680
<v Speaker 1>as you've described in your work, how a family and

0:16:18.720 --> 0:16:21.160
<v Speaker 1>a room can crackle with secrecy, I think is the

0:16:21.200 --> 0:16:24.480
<v Speaker 1>word you use, and that's definitely something I felt my

0:16:24.560 --> 0:16:29.720
<v Speaker 1>whole life, this crackling secrecy. I described my story in

0:16:29.760 --> 0:16:33.400
<v Speaker 1>this book almost as a Russian doll, but the whole

0:16:33.440 --> 0:16:36.880
<v Speaker 1>thing Russian dolled on me. Every single doll I opened,

0:16:36.920 --> 0:16:40.240
<v Speaker 1>there was another one waiting, and that's not something I expected.

0:16:40.520 --> 0:16:44.640
<v Speaker 1>And even my mother, when confronted with these family secrets,

0:16:44.640 --> 0:16:47.400
<v Speaker 1>she described them as boxes. In the same way that

0:16:47.480 --> 0:16:51.080
<v Speaker 1>I think about opening them. She described as the boxes

0:16:51.120 --> 0:16:54.560
<v Speaker 1>all being closed. She closed them up, she kept them elsewhere.

0:16:54.600 --> 0:16:58.080
<v Speaker 1>She was so great and still is at compartmentalizing, and

0:16:58.120 --> 0:17:02.440
<v Speaker 1>I think that's really common. And I was really struck

0:17:03.000 --> 0:17:05.520
<v Speaker 1>by the end of your book how you describe how

0:17:05.560 --> 0:17:09.960
<v Speaker 1>other people it's like they didn't consider the consequences. And

0:17:10.040 --> 0:17:12.480
<v Speaker 1>for us, that's all we're thinking about is consequence and

0:17:12.560 --> 0:17:15.960
<v Speaker 1>results and what happens. And for some people just doesn't

0:17:15.960 --> 0:17:19.960
<v Speaker 1>cross their mind because they're so good at compartmentalizing what

0:17:20.040 --> 0:17:23.640
<v Speaker 1>they've done, their actions, their memories, the things that live

0:17:23.640 --> 0:17:29.720
<v Speaker 1>in their own bodies. Remember earlier when I mentioned that

0:17:29.840 --> 0:17:33.440
<v Speaker 1>DNA is part of this story. Well, I'd say it's

0:17:33.440 --> 0:17:37.119
<v Speaker 1>more than part of this story. When Tikira is twenty

0:17:37.119 --> 0:17:39.119
<v Speaker 1>seven years old, she's given a d n A test

0:17:39.160 --> 0:17:42.119
<v Speaker 1>as a Christmas gift, just as happens in millions of

0:17:42.160 --> 0:17:45.920
<v Speaker 1>families each year. And this is the key to those

0:17:46.080 --> 0:17:49.600
<v Speaker 1>tightly sealed boxes, the beginning of the end of the

0:17:49.680 --> 0:17:52.960
<v Speaker 1>secrets that had thrumbed in the deepest interior of the

0:17:53.000 --> 0:17:58.600
<v Speaker 1>Madden family. And it was only because my father passed

0:17:58.600 --> 0:18:02.119
<v Speaker 1>away and I was interested in kind of building this

0:18:02.280 --> 0:18:05.919
<v Speaker 1>family tree um. I was just kind of spooked by

0:18:05.960 --> 0:18:07.840
<v Speaker 1>that death of Oh. I want to gather as much

0:18:07.840 --> 0:18:10.960
<v Speaker 1>information as I can while I still have the opportunity

0:18:11.000 --> 0:18:14.080
<v Speaker 1>to do so. So I was interested in this. When

0:18:14.080 --> 0:18:16.040
<v Speaker 1>my mother knew about the test when she saw the

0:18:16.080 --> 0:18:18.520
<v Speaker 1>box and I said I would do it, there was

0:18:18.560 --> 0:18:21.520
<v Speaker 1>no reaction, not even a flinch, not there was no

0:18:21.720 --> 0:18:24.800
<v Speaker 1>fear in her face about it. It was a curious

0:18:24.800 --> 0:18:26.680
<v Speaker 1>thing to her. Why would you want to do that?

0:18:26.720 --> 0:18:29.880
<v Speaker 1>What could you want to know? That's how deep that

0:18:29.920 --> 0:18:33.399
<v Speaker 1>box was, That's how tightly it was closed. So I

0:18:33.720 --> 0:18:37.359
<v Speaker 1>took the test um. Like your story, it didn't feel

0:18:37.440 --> 0:18:42.119
<v Speaker 1>urgent in any way. I had this kind of running

0:18:42.200 --> 0:18:44.600
<v Speaker 1>joke in my head, because I'm always building story in

0:18:44.680 --> 0:18:46.359
<v Speaker 1>my head of like what if I find out my

0:18:46.400 --> 0:18:49.960
<v Speaker 1>father is not my father because he's just died, wouldn't

0:18:50.000 --> 0:18:53.440
<v Speaker 1>that be a twist? And so I was almost preparing

0:18:53.440 --> 0:18:55.520
<v Speaker 1>myself for this to be a big secret, like what

0:18:55.640 --> 0:18:58.520
<v Speaker 1>if I find out because I look nothing like my father,

0:18:58.920 --> 0:19:02.520
<v Speaker 1>I look Chinese and and like my mother. Um, my

0:19:02.600 --> 0:19:07.000
<v Speaker 1>father was you know, blue eyes, blonde hair. So that

0:19:07.080 --> 0:19:09.639
<v Speaker 1>was the running joke. What if I found out after

0:19:09.680 --> 0:19:13.520
<v Speaker 1>he died, after all this grief, through this grief, if

0:19:13.560 --> 0:19:15.680
<v Speaker 1>I found out there wasn't a connection the way people

0:19:15.720 --> 0:19:18.800
<v Speaker 1>had joked about my whole life. And I opened the

0:19:18.840 --> 0:19:22.160
<v Speaker 1>results and I don't find that. I find that I'm

0:19:22.200 --> 0:19:26.720
<v Speaker 1>exactly what I've been told. I am. The map glows

0:19:26.800 --> 0:19:32.080
<v Speaker 1>and all the places I would expect it to glow, Jewish, Hawaiian, Chinese, Irish,

0:19:32.200 --> 0:19:37.080
<v Speaker 1>Eastern European, jew Um, nothing's unexpected. And I said, Okay,

0:19:37.160 --> 0:19:39.840
<v Speaker 1>my mother's my mother, my father's my father. That was fun.

0:19:41.720 --> 0:19:44.160
<v Speaker 1>And it took a while to even find that other

0:19:44.240 --> 0:19:47.720
<v Speaker 1>page on ancestry that shows you the connections, that shows

0:19:47.720 --> 0:19:51.440
<v Speaker 1>you the people who have also taken the test, And

0:19:51.800 --> 0:19:55.479
<v Speaker 1>I see this icon of a woman who in a

0:19:55.600 --> 0:19:59.360
<v Speaker 1>very tiny maybe half an inch icon has dark hair,

0:20:00.280 --> 0:20:03.520
<v Speaker 1>and when I when I opened her picture, the picture

0:20:03.560 --> 0:20:06.400
<v Speaker 1>doesn't grow, but I can see that she's also Hawaiian

0:20:06.400 --> 0:20:09.080
<v Speaker 1>and Chinese, so I know it's from my mother's side,

0:20:09.280 --> 0:20:13.800
<v Speaker 1>which shocks me, as is so often the case when

0:20:13.800 --> 0:20:17.760
<v Speaker 1>people receive unexpected results from a DNA test. Tikira first

0:20:17.760 --> 0:20:21.520
<v Speaker 1>wonders about the test accuracy. She figures that this mystery

0:20:21.560 --> 0:20:24.320
<v Speaker 1>person might be a third or fourth cousin, or maybe

0:20:24.400 --> 0:20:27.159
<v Speaker 1>no relation at all, but she does reach out to

0:20:27.200 --> 0:20:30.720
<v Speaker 1>her and when this maybe cousin, maybe not cousin connects,

0:20:31.240 --> 0:20:34.679
<v Speaker 1>her area code is nine five four, the same area

0:20:34.720 --> 0:20:38.520
<v Speaker 1>code as tikiras from South Florida, and I thought, how

0:20:38.560 --> 0:20:41.680
<v Speaker 1>could I have a cousin who lives where I grew up?

0:20:42.080 --> 0:20:44.800
<v Speaker 1>That doesn't make sense to me. And that's when the

0:20:44.800 --> 0:20:47.680
<v Speaker 1>whole thing started to That was my big tip off.

0:20:48.000 --> 0:20:51.760
<v Speaker 1>I guess, how could that be the same area code

0:20:52.000 --> 0:20:55.800
<v Speaker 1>in the whole world. That's not a third or fourth cousin, Like,

0:20:55.960 --> 0:21:00.199
<v Speaker 1>something's going on here. So Tikira calls the number and

0:21:00.240 --> 0:21:04.160
<v Speaker 1>the two women begin to speak. At first, Tikira thinks

0:21:04.200 --> 0:21:06.880
<v Speaker 1>that maybe this woman is an aunt. After all, she's

0:21:06.920 --> 0:21:10.360
<v Speaker 1>throughteen years older than Tikira. But that isn't what's going

0:21:10.400 --> 0:21:13.320
<v Speaker 1>on at all. This woman with whom Tikira shares a

0:21:13.359 --> 0:21:16.240
<v Speaker 1>significant amount of d n A, is not an aunt.

0:21:16.800 --> 0:21:21.199
<v Speaker 1>She's not a cousin. She's ti Kira's half sister. I

0:21:21.280 --> 0:21:24.480
<v Speaker 1>was saying, I think we are related. I think you

0:21:24.520 --> 0:21:27.800
<v Speaker 1>could be my aunt. Um, this is what my grandfather

0:21:27.960 --> 0:21:31.520
<v Speaker 1>was like he passed away. And she's saying, please listen,

0:21:31.600 --> 0:21:35.600
<v Speaker 1>please help me. I have clues. I have I have

0:21:35.800 --> 0:21:39.240
<v Speaker 1>major clues. All I know is that I was born

0:21:40.119 --> 0:21:45.679
<v Speaker 1>on seven eleven, July eleven, and that's my mother's lucky number.

0:21:46.840 --> 0:21:49.240
<v Speaker 1>And I knew as soon as she said seven eleven,

0:21:49.440 --> 0:21:51.440
<v Speaker 1>which is how my mom says. It's still it's still

0:21:51.480 --> 0:21:54.280
<v Speaker 1>her her pass code on her phone, her alarm code,

0:21:54.359 --> 0:21:57.800
<v Speaker 1>it's everything. I sort of stopped in my tracks, and

0:21:57.840 --> 0:22:02.840
<v Speaker 1>she said, I also think her first name is and

0:22:02.880 --> 0:22:08.280
<v Speaker 1>she says my mother's first name, and the whole world

0:22:08.320 --> 0:22:12.080
<v Speaker 1>is sort of stopped. It really felt true and accurate

0:22:12.320 --> 0:22:17.520
<v Speaker 1>in that moment. Everything froze um, but I couldn't make

0:22:17.560 --> 0:22:20.280
<v Speaker 1>sense of this in any way. It still felt like

0:22:20.280 --> 0:22:23.000
<v Speaker 1>a mistake, until, of course I spoke to my mother.

0:22:25.640 --> 0:22:31.040
<v Speaker 1>Your mother put it in a box, you know, very

0:22:31.240 --> 0:22:36.760
<v Speaker 1>very buried, tightly sealed box. And yet at the same time,

0:22:37.280 --> 0:22:44.320
<v Speaker 1>your sister's half sister's birthdate was her code and her

0:22:44.400 --> 0:22:49.480
<v Speaker 1>lucky number. Yes, that's fascinating because these boxes are really interesting, right,

0:22:49.640 --> 0:22:53.040
<v Speaker 1>because she probably did not walk around with that kind

0:22:53.040 --> 0:22:56.400
<v Speaker 1>of consciousness about that. It's just simply seven eleven. It's

0:22:56.480 --> 0:22:59.119
<v Speaker 1>my lucky number. That's what makes me feel. That's just

0:22:59.280 --> 0:23:03.159
<v Speaker 1>part of my idea entity. Sure, but in fact she

0:23:03.280 --> 0:23:06.400
<v Speaker 1>was walking around with that being her child's yes, birth date,

0:23:06.840 --> 0:23:11.760
<v Speaker 1>two lucky numbers. Tikira's mother doesn't just have one lucky number,

0:23:11.880 --> 0:23:16.200
<v Speaker 1>seven eleven. She has a second one connected to another secret,

0:23:16.440 --> 0:23:29.359
<v Speaker 1>another ghost. We're going to take a quick break. So

0:23:29.440 --> 0:23:32.000
<v Speaker 1>Tikira now knows that her mother had given birth to

0:23:32.040 --> 0:23:35.720
<v Speaker 1>a child thirteen years before she was born. That put

0:23:35.760 --> 0:23:38.520
<v Speaker 1>her mother as a fifteen year old girl who had

0:23:38.560 --> 0:23:42.200
<v Speaker 1>given up a baby for adoption. What was your mother's

0:23:42.200 --> 0:23:45.159
<v Speaker 1>reaction like when you um when you did go to

0:23:45.200 --> 0:23:49.080
<v Speaker 1>her and say I've discovered this, It was the most

0:23:49.119 --> 0:23:55.800
<v Speaker 1>bizarre moment. She was completely throttled back in time and

0:23:55.960 --> 0:23:58.760
<v Speaker 1>in that moment when I when I mentioned it is

0:23:58.880 --> 0:24:01.879
<v Speaker 1>as delicately as I could. All I had to do

0:24:02.000 --> 0:24:04.879
<v Speaker 1>was say her birthday, that I took the test, I

0:24:04.960 --> 0:24:08.560
<v Speaker 1>got the results. There was someone with the birthday seven eleven.

0:24:09.320 --> 0:24:12.360
<v Speaker 1>And she was so throttled in that moment that she

0:24:12.680 --> 0:24:16.240
<v Speaker 1>believed my father was still alive. And that was her

0:24:16.240 --> 0:24:21.320
<v Speaker 1>first concern was your father doesn't know. Your father doesn't know.

0:24:21.680 --> 0:24:24.040
<v Speaker 1>What am I going to tell him? And I said,

0:24:24.440 --> 0:24:28.359
<v Speaker 1>Dad's not here. But that's how far back she was

0:24:28.400 --> 0:24:31.360
<v Speaker 1>throttled in that moment. She was so just, And that's

0:24:31.400 --> 0:24:34.480
<v Speaker 1>not like my mom. My mom is very to her

0:24:34.480 --> 0:24:37.240
<v Speaker 1>fault in a way, always living in the present moment,

0:24:37.320 --> 0:24:42.919
<v Speaker 1>always very present um. But she was so somewhere else.

0:24:43.800 --> 0:24:47.879
<v Speaker 1>And I knew in that moment, wherever she was um

0:24:47.920 --> 0:24:50.359
<v Speaker 1>as she was saying these things and closing her eyes

0:24:50.400 --> 0:24:54.359
<v Speaker 1>and drinking water, that I could never reach wherever it

0:24:54.520 --> 0:24:57.800
<v Speaker 1>was she she was living in that moment, that there

0:24:57.880 --> 0:25:00.919
<v Speaker 1>was a part of her, so many parts of her

0:25:00.960 --> 0:25:03.240
<v Speaker 1>I will never know, and I don't think it ever

0:25:03.280 --> 0:25:09.480
<v Speaker 1>occurred to me until that moment. Secrets begets secrets begets secrets.

0:25:09.720 --> 0:25:14.280
<v Speaker 1>That is just how secrets work. Their viral contagious A

0:25:14.400 --> 0:25:18.320
<v Speaker 1>married couple who are addict and alcoholics circle and circle

0:25:18.400 --> 0:25:22.159
<v Speaker 1>around the unsaid, the hidden. Their lives are formed by

0:25:22.200 --> 0:25:24.800
<v Speaker 1>what they don't speak of, what they keep from one another,

0:25:25.480 --> 0:25:28.720
<v Speaker 1>And their daughter's life is formed by all that silence

0:25:29.160 --> 0:25:34.280
<v Speaker 1>and fear and shame. Does it surprise you that she

0:25:34.359 --> 0:25:39.439
<v Speaker 1>never told your dad? It did surprise me, knowing the

0:25:39.480 --> 0:25:43.879
<v Speaker 1>full story and having a better understanding of my mother

0:25:44.080 --> 0:25:47.720
<v Speaker 1>and my father and their secrecy. Now now it doesn't

0:25:47.760 --> 0:25:51.480
<v Speaker 1>surprise me in that moment of Corso's how could you

0:25:51.560 --> 0:25:55.080
<v Speaker 1>have not told me? How could you have not told dad?

0:25:55.640 --> 0:26:00.400
<v Speaker 1>How could that be? How is that possible? So your

0:26:00.400 --> 0:26:03.000
<v Speaker 1>mother has a secret from your father, Your mother and

0:26:03.040 --> 0:26:06.280
<v Speaker 1>father have secrets from you, and then your mother and

0:26:06.320 --> 0:26:11.320
<v Speaker 1>father have a secret together. Yes, but remember that ti

0:26:11.400 --> 0:26:15.200
<v Speaker 1>Kira's mom has not one, but two lucky numbers. One

0:26:15.200 --> 0:26:17.600
<v Speaker 1>of those lucky numbers represents the birth of the baby

0:26:17.680 --> 0:26:20.760
<v Speaker 1>she gave up for adoption as a teenager. What can

0:26:20.800 --> 0:26:24.679
<v Speaker 1>the other lucky number represent? What else could possibly be

0:26:24.800 --> 0:26:29.119
<v Speaker 1>so huge and important? Tikira meets her new half sister

0:26:29.600 --> 0:26:32.840
<v Speaker 1>and they begin to form a relationship. It's a revelation,

0:26:33.320 --> 0:26:36.119
<v Speaker 1>after a lifetime as an only child, to have this

0:26:36.200 --> 0:26:39.960
<v Speaker 1>new person in her life. Someone she describes in loving terms.

0:26:41.000 --> 0:26:44.240
<v Speaker 1>It feels for a while like a happy ending, a

0:26:44.359 --> 0:26:49.159
<v Speaker 1>perfect ending, and opening up and understanding finally of the

0:26:49.200 --> 0:26:51.560
<v Speaker 1>secret that had formed so much of her family's life.

0:26:52.480 --> 0:26:55.240
<v Speaker 1>But then it turns out that there's more, There's much,

0:26:55.760 --> 0:27:01.760
<v Speaker 1>much more. Just over a year later, I hear from

0:27:01.760 --> 0:27:06.639
<v Speaker 1>my fiance, of all people, um, that she overheard something

0:27:07.440 --> 0:27:10.600
<v Speaker 1>from other members in my family. And I said, what

0:27:10.680 --> 0:27:13.480
<v Speaker 1>did you What did you overhear? And she said, they said,

0:27:14.400 --> 0:27:17.359
<v Speaker 1>I'm so happy she found her sister, but what about

0:27:17.359 --> 0:27:22.760
<v Speaker 1>her brother? And I said, what are you talking about?

0:27:25.000 --> 0:27:27.520
<v Speaker 1>And she said I heard it. And I said, you,

0:27:27.600 --> 0:27:31.200
<v Speaker 1>miss you misunderstood. You didn't hear, You didn't hear correctly,

0:27:31.640 --> 0:27:35.080
<v Speaker 1>And she said, no, I heard. I heard it very clear.

0:27:35.680 --> 0:27:38.960
<v Speaker 1>And I I confronted them and I had them repeat it,

0:27:39.000 --> 0:27:43.800
<v Speaker 1>and I got more information. There is a brother. And

0:27:43.840 --> 0:27:46.679
<v Speaker 1>then I'm thinking, okay, it's my dad's turn. This has

0:27:46.720 --> 0:27:50.600
<v Speaker 1>got to be my dad's child. And she said he's

0:27:50.600 --> 0:27:55.080
<v Speaker 1>your full brother. And I said okay, and I'm doing

0:27:55.119 --> 0:27:57.719
<v Speaker 1>the timeline when could this have happened? And then she

0:27:57.760 --> 0:28:04.240
<v Speaker 1>says he's younger than you. And that was Um. It

0:28:04.359 --> 0:28:08.119
<v Speaker 1>was the complete opposite reaction. I felt with my sister,

0:28:08.600 --> 0:28:14.040
<v Speaker 1>with my sister, and immediately as soon as the shock subsided,

0:28:14.160 --> 0:28:17.200
<v Speaker 1>it just felt like this enormous gift, just the most

0:28:17.240 --> 0:28:22.360
<v Speaker 1>beautiful thing that could have happened to me, and so serendipitously,

0:28:22.480 --> 0:28:25.680
<v Speaker 1>so soon after my father passed away, that I would

0:28:25.680 --> 0:28:28.680
<v Speaker 1>lose the most important person to me and then find

0:28:28.720 --> 0:28:33.520
<v Speaker 1>a sister as someone who grew up alone. And when

0:28:33.560 --> 0:28:36.360
<v Speaker 1>I heard this, it felt the opposite. It felt like

0:28:37.560 --> 0:28:42.880
<v Speaker 1>I've never felt such anger and sadness and rage in

0:28:42.920 --> 0:28:49.560
<v Speaker 1>my entire life. I've always said, considering my father has

0:28:49.600 --> 0:28:52.720
<v Speaker 1>such rage in him, and my mother too, Let's take

0:28:52.760 --> 0:28:57.240
<v Speaker 1>a moment to walk through this more slowly. Tikira, raised

0:28:57.280 --> 0:28:59.960
<v Speaker 1>as an only child, part of the tight little tree

0:29:00.160 --> 0:29:04.680
<v Speaker 1>with her two complicated parents, actually is one of three children.

0:29:05.400 --> 0:29:07.840
<v Speaker 1>Her mother had a child as a teenager. That was

0:29:07.880 --> 0:29:12.520
<v Speaker 1>a huge revelation, but this this meant that her two parents,

0:29:12.800 --> 0:29:16.960
<v Speaker 1>together when she was a very young child, had another child,

0:29:17.520 --> 0:29:21.640
<v Speaker 1>a brother, who they gave up for adoption. I was

0:29:21.720 --> 0:29:26.520
<v Speaker 1>so angry, and I think processing that, I think I

0:29:26.560 --> 0:29:29.440
<v Speaker 1>was so angry that my father was gone, and I

0:29:29.520 --> 0:29:32.880
<v Speaker 1>knew I could never ask the questions, and I knew

0:29:33.520 --> 0:29:37.120
<v Speaker 1>I just felt like I've already gone through this. I

0:29:37.160 --> 0:29:39.240
<v Speaker 1>can't believe I'm going through this again, and I can't

0:29:39.240 --> 0:29:42.920
<v Speaker 1>believe it's more intense. It's a full sibling, it's my

0:29:43.000 --> 0:29:45.640
<v Speaker 1>father's and I can't talk to my father. I was

0:29:45.680 --> 0:29:48.720
<v Speaker 1>able to get all the answers from my mother about

0:29:48.720 --> 0:29:51.840
<v Speaker 1>my sister, but I knew this was unreachable in a

0:29:51.880 --> 0:29:57.120
<v Speaker 1>different way. And unlike ancestry, I had no connection to

0:29:57.240 --> 0:30:00.440
<v Speaker 1>find this brother, my full brother, the only the full

0:30:00.480 --> 0:30:03.760
<v Speaker 1>sibling I have in the world, the person who shares

0:30:03.760 --> 0:30:06.000
<v Speaker 1>more DNA with me than anyone in the world. I

0:30:06.040 --> 0:30:10.520
<v Speaker 1>had no lead of any kind, and that infuriated me,

0:30:11.080 --> 0:30:15.320
<v Speaker 1>and I felt deceived um And when I called a

0:30:15.400 --> 0:30:18.440
<v Speaker 1>family member that night and asked if it was true,

0:30:18.600 --> 0:30:21.600
<v Speaker 1>and she told me, and I soon realized everybody knew.

0:30:22.240 --> 0:30:24.760
<v Speaker 1>That was the hardest part, that it felt like this

0:30:26.080 --> 0:30:29.520
<v Speaker 1>conspiracy in a way to keep this from me. How

0:30:29.560 --> 0:30:32.880
<v Speaker 1>old were you and your mother was pregnant one one

0:30:32.920 --> 0:30:37.000
<v Speaker 1>and a half. And there's a moment I believe correct

0:30:37.040 --> 0:30:40.000
<v Speaker 1>me if I'm wrong, where someone tells you they sent

0:30:40.080 --> 0:30:42.880
<v Speaker 1>you away, right like during during that period of time

0:30:42.920 --> 0:30:49.400
<v Speaker 1>you went to Disney. Disney, I'm sorry, Disney that's what

0:30:49.440 --> 0:30:51.080
<v Speaker 1>I thought, didn't but you were like one and a

0:30:51.120 --> 0:30:54.160
<v Speaker 1>half years old. Yeah, I still haven't taken my son

0:30:54.200 --> 0:31:04.720
<v Speaker 1>to Disney, totally deprived. It's great. So then what happens

0:31:04.760 --> 0:31:10.920
<v Speaker 1>with your with your brother? It's still the unknown. Yeah,

0:31:11.080 --> 0:31:18.240
<v Speaker 1>it's still the unknown, and I mean, we'll see. What

0:31:18.320 --> 0:31:22.720
<v Speaker 1>I've tried to embrace in the book is the unknown

0:31:23.000 --> 0:31:26.040
<v Speaker 1>where the unfinished story is the story that we don't

0:31:26.120 --> 0:31:29.640
<v Speaker 1>have the perfect plot arc that we always want, and

0:31:29.680 --> 0:31:32.040
<v Speaker 1>I'm still trying to figure out what that story looks

0:31:32.080 --> 0:31:36.520
<v Speaker 1>like with my brother. Sometimes the unfinished story is the story.

0:31:39.040 --> 0:31:42.560
<v Speaker 1>Here's t Kira reading a passage from her beautiful book,

0:31:44.160 --> 0:31:47.160
<v Speaker 1>how Alma Kula is a place in the afterworld in

0:31:47.200 --> 0:31:51.080
<v Speaker 1>which all of one's ancestors are waiting. I always liked

0:31:51.120 --> 0:31:54.560
<v Speaker 1>this legend best, the idea of this place where all

0:31:54.680 --> 0:31:59.160
<v Speaker 1>family ties remain solid, intact, or nothing on earth ever mattered.

0:32:00.000 --> 0:32:02.840
<v Speaker 1>It is the place in which all family members are reunited,

0:32:03.200 --> 0:32:06.560
<v Speaker 1>and I like to imagine that everyone shows up a young, healthy,

0:32:06.640 --> 0:32:09.680
<v Speaker 1>so much bright life in the face, and all the

0:32:09.720 --> 0:32:13.040
<v Speaker 1>realms of heaven and hell. Al Amakua is the most

0:32:13.080 --> 0:32:17.800
<v Speaker 1>desired among the people of Hawaii. Once the family is reunited.

0:32:18.040 --> 0:32:21.200
<v Speaker 1>Each spirit is encouraged to visit their own idea of home.

0:32:22.160 --> 0:32:24.280
<v Speaker 1>Home can be in the depths of the sea, in

0:32:24.320 --> 0:32:27.600
<v Speaker 1>the tree tops, a spirit may choose their grandmother's lap

0:32:27.640 --> 0:32:32.040
<v Speaker 1>in her rocking chair. The sour smell of malasadas. Ancient

0:32:32.120 --> 0:32:35.320
<v Speaker 1>legend describes it as the place of your greatest responsibility.

0:32:36.200 --> 0:32:39.440
<v Speaker 1>Others define it as returning to one's rightful place or

0:32:39.520 --> 0:32:43.680
<v Speaker 1>one's greatest duty. The Hawaiian word for this is kolianna

0:32:59.640 --> 0:33:02.840
<v Speaker 1>many Thanks to t Kira Madden, you can find out

0:33:02.840 --> 0:33:05.960
<v Speaker 1>more about her debut memoir, Long Live the Tribe of

0:33:06.040 --> 0:33:11.760
<v Speaker 1>Fatherless Girls at t Kira Madden dot com. Family Secrets

0:33:11.800 --> 0:33:14.880
<v Speaker 1>is an I Heart media production. Dylan Fagan is a

0:33:14.920 --> 0:33:19.640
<v Speaker 1>supervising producer, Lowell Brolante is the audio engineer, and Julie

0:33:19.680 --> 0:33:22.720
<v Speaker 1>Douglas is the executive producer. If you have a family

0:33:22.760 --> 0:33:25.000
<v Speaker 1>secret you'd like to share, you can get in touch

0:33:25.040 --> 0:33:29.120
<v Speaker 1>with us at listener mail at Family Secrets podcast dot com,

0:33:29.120 --> 0:33:31.440
<v Speaker 1>and you can also find us on Instagram at Danny Writer,

0:33:31.960 --> 0:33:35.560
<v Speaker 1>and Facebook at Family Secrets Pod and Twitter at fami

0:33:35.640 --> 0:33:39.880
<v Speaker 1>Secrets Pod. For more about my book Inheritance, visit Danny

0:33:39.920 --> 0:33:59.800
<v Speaker 1>Shapiro dot com For more podcasts. For my heart Radio,

0:34:00.040 --> 0:34:02.800
<v Speaker 1>visit the i heart Radio app, Apple podcast, or wherever

0:34:02.960 --> 0:34:04.440
<v Speaker 1>you listen to your favorite shows.