WEBVTT - Bonus: At the Super Bowl with Chiefs superfan Eric Stonestreet

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<v Speaker 1>Hi everyone, I'm Katie Kurrig and welcome to Next Question.

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<v Speaker 1>It's a special day in a special bonus episode because

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<v Speaker 1>I'm in Miami, everybody for Super Bowl fifty four. It's

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<v Speaker 1>the Kansas City Chiefs versus the San Francisco forty Niners.

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<v Speaker 1>Two teams, was something to prove to their die hard fans.

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<v Speaker 1>The forty Niners are headed to their seventh Super Bowl.

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<v Speaker 1>We support archy hard times, the low time. It's been

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<v Speaker 1>so long, so many bad years. Are taking it all

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<v Speaker 1>the way, are you. It's been fifty years since the

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<v Speaker 1>Kansas City Chiefs were lasting the Super Bowl. After a

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<v Speaker 1>lifetime watching the Chiefs, this is an incredible within sple.

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<v Speaker 1>This just means so much, not only to me, citizens

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<v Speaker 1>Iron City fans for both teams have been streaming into

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<v Speaker 1>this city all week, all wearing red and gold. By

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<v Speaker 1>the way, because for the first time in Super Bowl history,

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<v Speaker 1>the teams share the same colors, even though the forty

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<v Speaker 1>Niners are a little more on the scarlet side. While

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<v Speaker 1>the crowds are gathering all around Hard Rock Stadium, I've

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<v Speaker 1>set up shop nearby and the Sleep Number booth at

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<v Speaker 1>the Media Center, a giant space where their camera crews

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<v Speaker 1>and makeshift studio set up. People milling around a lot

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<v Speaker 1>of football players and it's kind of crazy here, but

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<v Speaker 1>a lot of fun. My guest today is a devoted

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<v Speaker 1>football fan. In fact, he might be the biggest Chiefs

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<v Speaker 1>fan of all time, and he's here wearing head to

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<v Speaker 1>toe Kansas City Chiefs gear. Eric stone Street, who plays

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<v Speaker 1>Cam Tucker on Modern Family. It is time for some

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<v Speaker 1>farm justice back home. When we have two alphableles, we

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<v Speaker 1>lock them in a pin and let them fight it out.

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<v Speaker 1>This is between Nanny and Luke. Come on, let's go.

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<v Speaker 1>Oh and help yourself to a gingerbread person. They're both

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<v Speaker 1>gluten and gender free. Hi, Eric stone Street, I am

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<v Speaker 1>so happy to see you, so happy to see one

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<v Speaker 1>of the nicest people on the planet. You are well,

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<v Speaker 1>thank you. That means a lot coming from you, because

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<v Speaker 1>you're one of the nicest people we try. Don't wait,

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<v Speaker 1>and you are obviously pretty darn jazzed, Eric, because you

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<v Speaker 1>are here to cheer on your team, Kansas City chief

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<v Speaker 1>So excited you got your hat on? Oh, I got

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<v Speaker 1>everything on? But but about come September or October. This

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<v Speaker 1>is basically all I wear in my wardrobe. Really, you know, look,

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<v Speaker 1>it's comfortable, it's it's it makes a statement. It represents

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<v Speaker 1>what I love football Kansas City. But no, I'm very excited.

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<v Speaker 1>I've been a fan of the Chiefs since I was

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<v Speaker 1>a little kid. You know. My aunt and uncle got

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<v Speaker 1>me um to go in their season tickets, and then

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<v Speaker 1>my dad got me season tickets when I was maybe

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<v Speaker 1>in eighth or ninth grade. I had season tickets all

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<v Speaker 1>through college. Then of course moved away to Chicago and

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<v Speaker 1>Los Angeles. But I've always maintained my Chiefs fandom. Um

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<v Speaker 1>and knowledge, you know, I football knowledge, you know. I

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<v Speaker 1>just I mean, I recognize all these guys walking around legends.

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<v Speaker 1>I just saw, Oh my god, there's John Randalls, like

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<v Speaker 1>there's Anthony Munos. You know. So I know so much

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<v Speaker 1>about football. So being here and now representing the Chiefs

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<v Speaker 1>and representing my team and having a reason to be

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<v Speaker 1>at Super Bowl is so fun. Now, did you play

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<v Speaker 1>football when you were younger? I did. I just told

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<v Speaker 1>Anthony Munio so I had a poster of him in

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<v Speaker 1>my room, even though he was a Cincinnati Bengal and

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<v Speaker 1>I was a Chiefs fan. I said, I had a

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<v Speaker 1>poster in you in my room because I wanted to

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<v Speaker 1>be an offensive tackle, but I never got big enough

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<v Speaker 1>or good at football. I played in high school and

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<v Speaker 1>you know I was fine, but never to the level

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<v Speaker 1>that I would ever have garnered any kind of stuff.

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<v Speaker 1>You grew, I mean, you grew to love the sport

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<v Speaker 1>to play it, but also just as a super fan,

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<v Speaker 1>just a just a fan and just love the game

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<v Speaker 1>and love love everything about it. And you've met a

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<v Speaker 1>lot of players, I know, Eric, when you were younger

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<v Speaker 1>growing up in Kansas City. And there's one actually very

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<v Speaker 1>moving story. You met a young player at a mall's

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<v Speaker 1>signing named Joe Delaney. Can you tell us that story? Yeah,

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<v Speaker 1>I was at I was at Indian Springs mall and

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<v Speaker 1>there were two players out signing autographs, him and J. T.

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<v Speaker 1>Smith I believe was the other one. But I got

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<v Speaker 1>Joe Delaney's autograph, and that sort of was the moment

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<v Speaker 1>that you know, you look back of like when did

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<v Speaker 1>your fan fan hood start? For me? And it was

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<v Speaker 1>were you then well six, I mean seven, seven or eight,

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<v Speaker 1>you know, um, because I don't remember what year he

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<v Speaker 1>passed away, um. But then of course I got his

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<v Speaker 1>autograph and he played I think that next season, and

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<v Speaker 1>then he passed away trying to you know, save a

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<v Speaker 1>kid and uh who was drowning and drowning and he

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<v Speaker 1>drowned and self. Yeah, I mean he was going to

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<v Speaker 1>be that was so heartbreaking, going to be one of

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<v Speaker 1>the greatest that was back in I guess three or something, right,

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<v Speaker 1>I'm not sure what the year was. Yeah, yeah, he

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<v Speaker 1>died in nineteen three, so I would have been probably

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<v Speaker 1>uh ten when that when I met him, And so

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<v Speaker 1>it was shortly thereafter where this accident took place, just

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<v Speaker 1>a year or so afterwards after that. You know, I

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<v Speaker 1>can't help but ask you one question about this, Eric,

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<v Speaker 1>because I just came from Los Angeles because I was

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<v Speaker 1>at a stand up to cancer scientific summit and Eric,

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<v Speaker 1>by the way, has been incredibly supportive of the work

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<v Speaker 1>we're doing its stand up, but boy, Los Angeles was

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<v Speaker 1>just uh it just like if a city could cry,

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<v Speaker 1>Los Angeles was crying stunned. I was in Kansas City

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<v Speaker 1>when I found out the news, and immediately reflected on,

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<v Speaker 1>you know, as we all do, what our personal experience

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<v Speaker 1>was and has been with people that we've lost or

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<v Speaker 1>passed away, And the story that came to mind for

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<v Speaker 1>me was, um, he came to the set of Modern

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<v Speaker 1>Family one day. He we got word that hey, Kobe's

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<v Speaker 1>coming to Modern Family. We're like what, And so he

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<v Speaker 1>comes and watches this rehearse and shoot and he was

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<v Speaker 1>just sitting there, just taking it all in. And I said, so,

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<v Speaker 1>what do you think, Kobe, And he goes, well, it's

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<v Speaker 1>cool how you guys rehearse because it's like us setting

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<v Speaker 1>an offense. You know, you have to be here so

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<v Speaker 1>she can be here, and then if you move that way,

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<v Speaker 1>then this person counters and does this. So it's really

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<v Speaker 1>neat for me to see all this happen. And then

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<v Speaker 1>at the end, I said, so what made you, you know,

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<v Speaker 1>come today? And he goes, you know, I woke up

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<v Speaker 1>this morning and I just I felt like I wanted

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<v Speaker 1>to watch something funny. And what I thought that he

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<v Speaker 1>was so cool is like most people just turn on

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<v Speaker 1>the TV and watch something or but Kobe Bryant's like, no,

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<v Speaker 1>I'm gonna go to a set in the sound stage

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<v Speaker 1>and watch something. And then he says, and plus, you

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<v Speaker 1>told me to stop by sometime. And I'm like, Kobe,

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<v Speaker 1>and he goes, you did last year he told me

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<v Speaker 1>to stop by, And I'm like, well, yeah, but like,

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<v Speaker 1>who knows if he was serious. I know I told

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<v Speaker 1>him to stop by, but he knows I he was

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<v Speaker 1>serious about probably in passing, like yeah, fine, but the

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<v Speaker 1>fact that he remembered that and then referenced and made

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<v Speaker 1>a joke about it, but came and so hungry to learn,

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<v Speaker 1>and and he referenced that, you know, why would I

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<v Speaker 1>go to any other show? You guys are the best.

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<v Speaker 1>I want to watch the best do what they do.

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<v Speaker 1>And and every time I saw him was just so

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<v Speaker 1>delightful and such a nice person, and always with his

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<v Speaker 1>family and would always introduce and ppictures and whatever. Just

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<v Speaker 1>heart heartbreaking, tragic, and so sad for all those families,

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<v Speaker 1>all those families, and those young girls, and a lot

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<v Speaker 1>of the surviving children left that one family without a

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<v Speaker 1>mom or a dad or a sister. It's just I

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<v Speaker 1>don't know. But obviously we're continuing to keep Vanessa Briant

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<v Speaker 1>in our prayers because, uh, it's going to be a

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<v Speaker 1>long difficult road for her. And I thought, what what

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<v Speaker 1>Barack Obama? President Obama said? You know, he was just

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<v Speaker 1>getting started on his second act, and I do believe

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<v Speaker 1>he would have done great things. But I hope. Absent

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<v Speaker 1>of that, you know, people will be inspired to do

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<v Speaker 1>great things. But that's what he did. I think that's

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<v Speaker 1>what he did while he was living, and I think

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<v Speaker 1>that's his legacy. He'll continue to do that, um after

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<v Speaker 1>he's gone. Yeah, Well, getting back to I'm going to

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<v Speaker 1>talk to you about modern family, which is ending soon

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<v Speaker 1>and I'm sure you're sad about that, but but let's

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<v Speaker 1>let's get back to football just for a few minutes. Um.

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<v Speaker 1>You you go to almost every game? How do you

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<v Speaker 1>do that with your schedule? Well, this season with Patrick Mahomes,

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<v Speaker 1>I just decided that this was a year I wasn't

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<v Speaker 1>going to miss a game. So I went to every

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<v Speaker 1>Chief's home game this year. UM, with the notion that

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<v Speaker 1>we would be here. I having gotten to know the

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<v Speaker 1>general manager of the Chiefs, Brett Beach and Andy Reid,

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<v Speaker 1>the head coach a little bit, and marked on him

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<v Speaker 1>and the president. You know, I just really felt like,

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<v Speaker 1>given what I listen to them say, this was we

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<v Speaker 1>were going to make it to the super Bowl this year.

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<v Speaker 1>And there's plenty of documentation of me saying that. And

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<v Speaker 1>I'm not a cocky guy. I don't like to put

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<v Speaker 1>the cart before the horse is type of thing. But

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<v Speaker 1>it just felt like we were so close last year.

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<v Speaker 1>Our roster got better this year, so given that we

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<v Speaker 1>shouldn't make we should go to the super Bowl. Now

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<v Speaker 1>it's called any given Sunday for a reason. Any team

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<v Speaker 1>can beat any team any day. But I just felt

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<v Speaker 1>like we were going to be here now when you

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<v Speaker 1>went to those games where you're do you still have

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<v Speaker 1>family in Kansas City? And you do? So are they

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<v Speaker 1>all so into it? Are they coming to the super Bowl? No? Well,

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<v Speaker 1>just Lindsay and I are here at the super Bowl. Um,

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<v Speaker 1>but my mom would come to all the home games,

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<v Speaker 1>would get her there, and my sister would come and um,

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<v Speaker 1>and what about like friends from high school? Friends from

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<v Speaker 1>are you still close to them? Some? Some? For sure

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<v Speaker 1>we stay in touch. I have a lot of friends,

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<v Speaker 1>and I'm still in touch with college buddies a lot.

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<v Speaker 1>And um, where'd you go to college? Kansas State? Oh god,

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<v Speaker 1>my god, you are hardcore Kansas you know. But there's

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<v Speaker 1>something to that, though, and something that I think you appreciate,

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<v Speaker 1>can appreciate and other people can appreciate it. I'm proud

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<v Speaker 1>of where I'm from, you know, I'm my parents chose

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<v Speaker 1>to raise me in Kansas because that's where they're from.

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<v Speaker 1>And I don't like it when places get painted with

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<v Speaker 1>with broad brushes. I'm not a fan of broad strokes

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<v Speaker 1>in that way. I don't want people to just think

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<v Speaker 1>that everyone from Kansas is a certain way or any

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<v Speaker 1>everyone from that part of the country. There are good

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<v Speaker 1>people everywhere. I agree with you. I love to put

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<v Speaker 1>the spotlight on where I'm from and draw attention to

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<v Speaker 1>where I'm from because they're great food there, there's great entertainment,

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<v Speaker 1>there's great culture, there's great people, great sports, obviously with

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<v Speaker 1>the Royals and the Chiefs. So I love being from

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<v Speaker 1>Kansas and I love telling people about it. That's so nice,

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<v Speaker 1>and I think you should be and there's no reason

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<v Speaker 1>to be proud. But I think in the current culture

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<v Speaker 1>and landscape that we're in, you know, people people that

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<v Speaker 1>I identify, we're so tribal, and we make assumptions about

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<v Speaker 1>people that are completely untrue, and you know, I just

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<v Speaker 1>wish everybody would be not not be so hard on

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<v Speaker 1>each other. You know, has your relationship with the game

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<v Speaker 1>changed at all? Obviously the game has gotten some some

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<v Speaker 1>tough press, and understandably so, with the number of injuries

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<v Speaker 1>with ct E and and on field collisions and traumatic

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<v Speaker 1>brain injuries, and I'm just curious, Um, you know, has

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<v Speaker 1>it changed your relationship with football at all? You know

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<v Speaker 1>it has It hasn't for me. I haven't played the game.

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<v Speaker 1>Of course, I'm empathetic to people that you know, have

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<v Speaker 1>suffered you know, health issues because of playing football. I

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<v Speaker 1>think of the people that have suffered that. And of

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<v Speaker 1>course I don't know this for a fact. I'm just

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<v Speaker 1>basing it off. My interviews that I've seen would all

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<v Speaker 1>say they would do it again, like they would all

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<v Speaker 1>play the sport again the same way because of what

0:11:36.480 --> 0:11:39.320
<v Speaker 1>they got out of it, you know, So I have

0:11:39.400 --> 0:11:43.240
<v Speaker 1>to yield to players. I think the NFL is is

0:11:43.320 --> 0:11:45.600
<v Speaker 1>doing a lot to make the game safer. They are,

0:11:45.600 --> 0:11:48.920
<v Speaker 1>They're improving helmets, there are some changes in the rules,

0:11:49.080 --> 0:11:51.800
<v Speaker 1>and a lot of resources have been devoted to making

0:11:51.800 --> 0:11:55.040
<v Speaker 1>the sports safer. Um. And it starts with youth football.

0:11:55.080 --> 0:11:57.880
<v Speaker 1>It starts with you know, a generate teaching this new

0:11:57.920 --> 0:12:00.400
<v Speaker 1>generation of kids how to tackle and how not to

0:12:00.440 --> 0:12:04.120
<v Speaker 1>put yourself in the situation to potentially get you know, injured.

0:12:04.160 --> 0:12:08.320
<v Speaker 1>So hopefully they're making the right strides and um uh,

0:12:08.480 --> 0:12:11.360
<v Speaker 1>you know, I feel like concussions in general in all

0:12:11.400 --> 0:12:15.560
<v Speaker 1>sports are taken are treated much more seriously. Now. I

0:12:15.600 --> 0:12:17.480
<v Speaker 1>was talking to someone the other day. They said, oh,

0:12:17.559 --> 0:12:20.600
<v Speaker 1>you bang your head and be like, give them smelling salts,

0:12:20.679 --> 0:12:23.480
<v Speaker 1>get back out their kids. And now, of course I

0:12:23.520 --> 0:12:27.320
<v Speaker 1>think that there's so much more medical information that that

0:12:27.440 --> 0:12:29.959
<v Speaker 1>people take it much much more serious. I think so.

0:12:30.080 --> 0:12:32.360
<v Speaker 1>And I think as long as the NFL, and I

0:12:32.360 --> 0:12:34.920
<v Speaker 1>know they are in colleges and everyone's you know, making

0:12:34.920 --> 0:12:38.040
<v Speaker 1>strides and using the technology for good to make the

0:12:38.080 --> 0:12:42.079
<v Speaker 1>game safer than I think that's obviously moving in the

0:12:42.160 --> 0:12:45.400
<v Speaker 1>right direction there. So, um a Super Bowl prediction from

0:12:45.440 --> 0:12:47.240
<v Speaker 1>Sleep Number. By the way, because we're here in the

0:12:47.280 --> 0:12:50.360
<v Speaker 1>Sleep Number booth. Um, you know, Sleep Numbers working with

0:12:50.400 --> 0:12:54.480
<v Speaker 1>a lot of NFL teams, including the Fansas City because

0:12:54.520 --> 0:12:57.199
<v Speaker 1>they're really trying to help sleep is kind of very

0:12:57.320 --> 0:13:01.840
<v Speaker 1>underrated and it's so critically important and it's a lack

0:13:01.840 --> 0:13:04.920
<v Speaker 1>of sleep is an epidemic in this country. So according

0:13:05.000 --> 0:13:08.640
<v Speaker 1>to Sleep Number, Kansas City is a slightly more well

0:13:08.760 --> 0:13:12.559
<v Speaker 1>rested city than San Francisco. So they're putting their money

0:13:12.559 --> 0:13:15.040
<v Speaker 1>on the Chiefs. What do you think of that? I

0:13:15.120 --> 0:13:17.040
<v Speaker 1>love it. I love it. I know a lot of

0:13:17.040 --> 0:13:19.240
<v Speaker 1>the Chiefs players, and they all have their sleep numbers.

0:13:19.280 --> 0:13:21.960
<v Speaker 1>They all use them. Really, as we're talking, Travis Kelsey's

0:13:22.040 --> 0:13:24.280
<v Speaker 1>right above us talking about his sleep number. Yeah, isn't

0:13:24.320 --> 0:13:26.960
<v Speaker 1>that great? And uh others I think that's his mom

0:13:27.040 --> 0:13:32.160
<v Speaker 1>or something. Yeah, that's awesome. Uh. I'm happy to hear

0:13:32.240 --> 0:13:35.920
<v Speaker 1>anyone predict the Chiefs to win from any angles. So

0:13:36.040 --> 0:13:39.559
<v Speaker 1>what are the what are the bookies or whatever they are?

0:13:39.559 --> 0:13:41.800
<v Speaker 1>They one and a half point favorite, which is essentially

0:13:41.840 --> 0:13:44.160
<v Speaker 1>a coin toss. Yeah, it's a good It's gonna be

0:13:44.200 --> 0:13:46.199
<v Speaker 1>a great game, that's what we have. Do you think

0:13:46.200 --> 0:13:47.880
<v Speaker 1>it'll be high scoring? I do. I think it's going

0:13:47.920 --> 0:13:49.640
<v Speaker 1>to be in the thirties because I guess people were

0:13:49.640 --> 0:13:51.920
<v Speaker 1>a little bit disappointed last year, right because it was

0:13:51.920 --> 0:13:54.480
<v Speaker 1>such it was a defensive battle. I don't think this

0:13:54.559 --> 0:13:57.280
<v Speaker 1>is gonna be a defensive battle. I think it's going

0:13:57.320 --> 0:13:59.800
<v Speaker 1>to be an offensive juggernaut. I think we're gonna go

0:13:59.840 --> 0:14:03.400
<v Speaker 1>back and forth on each other a little bit. I'm

0:14:03.440 --> 0:14:06.520
<v Speaker 1>just so nervous. I'm so excited. It's just a control thing,

0:14:06.559 --> 0:14:08.679
<v Speaker 1>you know. It's the same reason you get nervous, you know,

0:14:08.800 --> 0:14:11.120
<v Speaker 1>doing things that you don't have any flying for example.

0:14:11.160 --> 0:14:13.040
<v Speaker 1>You know, you get nervous about that because you're you're

0:14:13.080 --> 0:14:15.200
<v Speaker 1>not making any of the decisions. I'm not I'm not

0:14:15.240 --> 0:14:18.040
<v Speaker 1>a coach, so everything's in the hands of and it's

0:14:18.040 --> 0:14:19.560
<v Speaker 1>a good thing. I'm not a coach. Let's be very

0:14:19.560 --> 0:14:22.320
<v Speaker 1>clear about that. Would you'd like to be a coach,

0:14:22.400 --> 0:14:24.080
<v Speaker 1>but you are You're not a coach, but you play

0:14:24.080 --> 0:14:27.240
<v Speaker 1>one on TV. And speaking of that, we're going to

0:14:27.360 --> 0:14:33.520
<v Speaker 1>talk about the last season of Modern Family. We're gonna

0:14:33.680 --> 0:14:35.680
<v Speaker 1>We're done. We're going to do it right after this.

0:14:47.720 --> 0:14:49.960
<v Speaker 1>We're back with Eric stone Street. We're here. If you

0:14:49.960 --> 0:14:52.560
<v Speaker 1>guys are hearing some ambient noise, we're in the media

0:14:52.720 --> 0:14:56.280
<v Speaker 1>center for the Super Bowl. So we've got a lot

0:14:56.320 --> 0:15:00.680
<v Speaker 1>of crews milling around, a lot of football players, uh,

0:15:00.800 --> 0:15:04.360
<v Speaker 1>people with microphones kind of in search of right anything

0:15:05.160 --> 0:15:08.760
<v Speaker 1>to them. So, um, let's talk about Modern Family. I

0:15:08.840 --> 0:15:14.000
<v Speaker 1>can't believe it. You must eleven years and twenty two Emmys,

0:15:14.040 --> 0:15:18.880
<v Speaker 1>including two for you, my friends. Um you, I mean,

0:15:18.960 --> 0:15:22.560
<v Speaker 1>you must be feeling so many different emotions, right and

0:15:22.680 --> 0:15:24.200
<v Speaker 1>it has to do with what we just talked about,

0:15:24.240 --> 0:15:28.280
<v Speaker 1>which is football, which is the most exciting time in

0:15:28.320 --> 0:15:30.840
<v Speaker 1>my sports life. The Chiefs are in the Super Bowl,

0:15:31.040 --> 0:15:33.400
<v Speaker 1>while at the same time it's one of the saddest

0:15:33.440 --> 0:15:36.760
<v Speaker 1>moments in my professional life. Saying goodbye to a dream

0:15:36.840 --> 0:15:39.280
<v Speaker 1>role in a dream job for the last eleven years. Well,

0:15:39.320 --> 0:15:43.040
<v Speaker 1>I mean, how lucky, right, What is Dr Seussa say,

0:15:43.120 --> 0:15:47.040
<v Speaker 1>don't cry because because it's over, smile because it happened. Yeah,

0:15:47.080 --> 0:15:49.840
<v Speaker 1>something like that. Yeah, yeah, And that's definitely our approach,

0:15:49.880 --> 0:15:54.080
<v Speaker 1>like we are most definitely thankful and grateful that it happened. Um,

0:15:54.120 --> 0:15:57.240
<v Speaker 1>it's gonna be hard. You know, I've kind of said

0:15:57.520 --> 0:15:59.840
<v Speaker 1>I didn't go to acting school, but I know one

0:15:59.840 --> 0:16:02.480
<v Speaker 1>thing they don't teach you in acting school is how

0:16:02.520 --> 0:16:04.800
<v Speaker 1>to be on the show eleven years and develop a

0:16:04.880 --> 0:16:07.840
<v Speaker 1>hundred and some odd different relationships with crew and cast,

0:16:08.360 --> 0:16:10.000
<v Speaker 1>and then all of a sudden say goodbye to that.

0:16:10.320 --> 0:16:12.360
<v Speaker 1>You don't learn how to do that. You have to

0:16:12.400 --> 0:16:16.160
<v Speaker 1>do that. And you know, you've said goodbye to jobs

0:16:16.200 --> 0:16:18.760
<v Speaker 1>and people that you've loved and worked with for years

0:16:18.760 --> 0:16:20.520
<v Speaker 1>and years. This is the first time I've ever had

0:16:20.520 --> 0:16:23.480
<v Speaker 1>this extended period of time in my life with the

0:16:23.520 --> 0:16:27.400
<v Speaker 1>same people for nine some eleven some five six years.

0:16:28.400 --> 0:16:32.880
<v Speaker 1>So I'm just gonna try to keep my heart and

0:16:33.000 --> 0:16:35.520
<v Speaker 1>mind and eyes open and enjoy every moment of it

0:16:35.560 --> 0:16:38.960
<v Speaker 1>and let the emotions hit me when they hit me. Um,

0:16:39.000 --> 0:16:42.680
<v Speaker 1>and they've started to most definitely. You know, was Cam

0:16:42.840 --> 0:16:45.280
<v Speaker 1>the role of a lifetime for you? Eric? Oh? I

0:16:45.360 --> 0:16:49.640
<v Speaker 1>think so there's you know, people have always said like, oh,

0:16:49.680 --> 0:16:52.440
<v Speaker 1>aren't you worried about being typecast? And you know, and

0:16:52.480 --> 0:16:55.000
<v Speaker 1>that's a popular question, I guess for people to ask.

0:16:55.080 --> 0:16:59.800
<v Speaker 1>But if that, if that's it, I mean, it's great.

0:17:00.520 --> 0:17:03.960
<v Speaker 1>I mean, it's just I never imagined it for my career.

0:17:04.000 --> 0:17:05.560
<v Speaker 1>I was going to ask you, how did you get

0:17:05.600 --> 0:17:09.959
<v Speaker 1>that role? And it was it was it competitive? You know,

0:17:10.600 --> 0:17:13.679
<v Speaker 1>how did it happen? It was competitive. I came into

0:17:13.680 --> 0:17:15.320
<v Speaker 1>the process late. They had cast a few of the

0:17:15.359 --> 0:17:18.000
<v Speaker 1>other parts, and I you know, had four auditions for

0:17:18.080 --> 0:17:21.199
<v Speaker 1>the for the for the for the role, you know,

0:17:21.240 --> 0:17:23.560
<v Speaker 1>which is an uncommon in Hollywood to keep kind of

0:17:23.560 --> 0:17:26.320
<v Speaker 1>having to jump through hoops. But you know, Stephen Chris,

0:17:26.359 --> 0:17:28.080
<v Speaker 1>the creators of the show, they had an idea of

0:17:28.119 --> 0:17:30.080
<v Speaker 1>what maybe Cam looked like. And I don't think I

0:17:30.119 --> 0:17:33.960
<v Speaker 1>was it at first, and so they you know, passed

0:17:34.080 --> 0:17:37.040
<v Speaker 1>on me, not meaning I was a terrible actor or

0:17:37.480 --> 0:17:40.840
<v Speaker 1>terrible performer, but they just didn't think it. But to

0:17:40.880 --> 0:17:46.480
<v Speaker 1>their credit and thankfully to them, they kept being reminded

0:17:46.520 --> 0:17:49.199
<v Speaker 1>by my audition and they kept their minds open and

0:17:49.200 --> 0:17:50.840
<v Speaker 1>their hearts open, and they were like, you know what,

0:17:50.960 --> 0:17:53.359
<v Speaker 1>bring that guy back in because we keep thinking about

0:17:53.359 --> 0:17:55.879
<v Speaker 1>his audition. And then they decided to test me. And

0:17:55.920 --> 0:17:58.560
<v Speaker 1>I tested it twentye and tested at ABC and got

0:17:58.600 --> 0:18:04.120
<v Speaker 1>the party and us that's the rest of the story.

0:18:03.680 --> 0:18:07.680
<v Speaker 1>So in two thousand nine, when this show started, Eric,

0:18:07.760 --> 0:18:12.199
<v Speaker 1>it was truly groundbreaking, and I was so thrilled that it.

0:18:12.480 --> 0:18:17.600
<v Speaker 1>You know, it showed all kinds of underrepresented people on

0:18:17.760 --> 0:18:22.399
<v Speaker 1>television living normal lives. How did that evolve? Because I

0:18:22.440 --> 0:18:26.359
<v Speaker 1>feel like the country has evolved and attitudes have evolved,

0:18:26.800 --> 0:18:30.640
<v Speaker 1>perhaps in some ways because of of what you did

0:18:30.640 --> 0:18:34.040
<v Speaker 1>on Modern Family. How did you continue to kind of

0:18:34.240 --> 0:18:38.040
<v Speaker 1>update and push the envelope during the course of the show. Well,

0:18:38.080 --> 0:18:40.000
<v Speaker 1>just as life happens, you know, that's the beauty of

0:18:40.040 --> 0:18:43.080
<v Speaker 1>the blueprint of that show is is that as a family,

0:18:43.160 --> 0:18:47.639
<v Speaker 1>you know, it ebbs and flows right right. Tragedies happened,

0:18:47.800 --> 0:18:54.159
<v Speaker 1>Shocking things happen, growth, you know, job changes, financial issues, whatever,

0:18:54.160 --> 0:18:57.240
<v Speaker 1>those all things, those things all happened. So with Mention Cam,

0:18:57.280 --> 0:19:01.760
<v Speaker 1>the goal always was from the beginning, that make people laugh.

0:19:01.920 --> 0:19:03.520
<v Speaker 1>You know, we want to make We want these characters

0:19:03.560 --> 0:19:05.040
<v Speaker 1>to make people laugh. We want these characters to be

0:19:05.080 --> 0:19:09.000
<v Speaker 1>a mirror for everyone, not just a mirror for gay people,

0:19:09.640 --> 0:19:11.879
<v Speaker 1>just a mirror for a lesbian couple, but a mirror

0:19:11.880 --> 0:19:14.359
<v Speaker 1>for everyone. And I think the writers did such a

0:19:14.359 --> 0:19:18.320
<v Speaker 1>good job of putting us in situations that that weren't

0:19:18.359 --> 0:19:21.240
<v Speaker 1>defined by our sexuality. I always said from the beginning,

0:19:21.240 --> 0:19:23.000
<v Speaker 1>Mitch and Cam's goal was to prove that they could

0:19:23.040 --> 0:19:27.000
<v Speaker 1>be terrible as terrible parents as anyone else. And as

0:19:27.480 --> 0:19:31.240
<v Speaker 1>as you know, it's like gay marriage. People would say,

0:19:31.320 --> 0:19:34.360
<v Speaker 1>why can't gay people be as miserable as the exactly

0:19:34.520 --> 0:19:37.080
<v Speaker 1>and and and you know, we just wanted what defined

0:19:37.080 --> 0:19:40.520
<v Speaker 1>Minch and Cam to be that they were men, that

0:19:40.640 --> 0:19:43.719
<v Speaker 1>they were partners, that they were fathers, and they were sons,

0:19:43.760 --> 0:19:46.439
<v Speaker 1>and they were you know, all these other things, and

0:19:46.520 --> 0:19:48.480
<v Speaker 1>let the fact that they were gay be one of

0:19:48.520 --> 0:19:51.600
<v Speaker 1>the things that they are. But certainly isn't at the

0:19:51.640 --> 0:19:53.959
<v Speaker 1>top of the list of what everybody needs to know

0:19:54.040 --> 0:19:57.239
<v Speaker 1>about them. You know, it's like it's not important. I

0:19:57.280 --> 0:20:01.439
<v Speaker 1>was gonna ask you how much of you was in camp,

0:20:01.520 --> 0:20:04.800
<v Speaker 1>because listen, you know, you grew up on a farm.

0:20:05.280 --> 0:20:07.439
<v Speaker 1>Can grew up on a farm. You guys have a

0:20:07.440 --> 0:20:09.959
<v Speaker 1>lot of similarities. You like to clown? Do I use

0:20:10.000 --> 0:20:14.280
<v Speaker 1>that as a verb? Yeah? Yeah, yeah. What does that mean? Clowning? Yeah, clowning.

0:20:14.320 --> 0:20:16.440
<v Speaker 1>It means you like to dress up as a clown. Well,

0:20:16.480 --> 0:20:19.400
<v Speaker 1>but clowning is comedy. I was I was clowning earlier

0:20:19.440 --> 0:20:21.399
<v Speaker 1>because I keep tripping on this carpet out there for

0:20:21.440 --> 0:20:24.399
<v Speaker 1>some reason, and I literally tripped leaving that way, and

0:20:24.400 --> 0:20:26.400
<v Speaker 1>then when I came back, I tripped at the same place.

0:20:26.400 --> 0:20:28.800
<v Speaker 1>I'm like, how did I trip at the exact same place?

0:20:28.800 --> 0:20:30.439
<v Speaker 1>And then there was a group of firemen there, and

0:20:30.440 --> 0:20:32.120
<v Speaker 1>I knew that they were listening to me, So then

0:20:32.119 --> 0:20:34.639
<v Speaker 1>I said, I tripped at this same exact place, and

0:20:34.640 --> 0:20:36.439
<v Speaker 1>then I tripped again just for their benefit. That's like

0:20:36.440 --> 0:20:39.360
<v Speaker 1>an example of clowning, you know, uh, just having fun

0:20:39.440 --> 0:20:41.359
<v Speaker 1>and you know, entertaining people. I wanted to do that

0:20:41.400 --> 0:20:42.480
<v Speaker 1>when I was a kid. I wanted to be in

0:20:42.480 --> 0:20:44.600
<v Speaker 1>the circus and to get to be on Modern Family

0:20:44.600 --> 0:20:47.639
<v Speaker 1>and play Bisbo the clown in the greatest circus of

0:20:47.680 --> 0:20:52.840
<v Speaker 1>all time Hollywood. Um was just a complete, complete dream

0:20:52.960 --> 0:20:55.439
<v Speaker 1>come true. But did the writers take some aspects of

0:20:55.480 --> 0:20:59.119
<v Speaker 1>your personality and background and really incorporate them into the character.

0:20:59.200 --> 0:21:01.000
<v Speaker 1>Oh yeah, all of us. You know, they sat down

0:21:01.080 --> 0:21:03.280
<v Speaker 1>with us and just listened and we talked and they

0:21:03.359 --> 0:21:08.360
<v Speaker 1>just mind what they wanted and left some behind. And UM,

0:21:08.400 --> 0:21:12.440
<v Speaker 1>so thankful for that. Grounds of characters. Yeah, and you

0:21:12.440 --> 0:21:14.359
<v Speaker 1>you know, one of the things I wanted to ask

0:21:14.400 --> 0:21:17.800
<v Speaker 1>you is about this new attitude about casting certain people

0:21:17.840 --> 0:21:22.960
<v Speaker 1>for certain roles. Like now, people are offended or take

0:21:23.040 --> 0:21:27.760
<v Speaker 1>issue when a character who does not identify as similarly

0:21:27.840 --> 0:21:30.960
<v Speaker 1>as the character is cast. For example, a trans person

0:21:31.000 --> 0:21:33.479
<v Speaker 1>should play a trans person, not a non trans person.

0:21:33.520 --> 0:21:36.760
<v Speaker 1>A gay person should play a gay person gay character,

0:21:37.280 --> 0:21:40.400
<v Speaker 1>you know, latinos should play latinos, on and on and on.

0:21:40.800 --> 0:21:44.240
<v Speaker 1>And I wonder if you've gotten any pushback because you

0:21:44.400 --> 0:21:47.800
<v Speaker 1>are not gay for playing a gay man. I think

0:21:47.800 --> 0:21:49.720
<v Speaker 1>there are definitely people out there that have a problem

0:21:49.720 --> 0:21:51.480
<v Speaker 1>with it, and did when I got the part. I don't.

0:21:52.160 --> 0:21:55.119
<v Speaker 1>You know. Here's the thing, Hollywood has a tried and

0:21:55.200 --> 0:21:58.960
<v Speaker 1>true method of how they cast parts. Right, they bring

0:21:59.000 --> 0:22:00.879
<v Speaker 1>people in and then the crew leaders and producers of

0:22:00.960 --> 0:22:04.200
<v Speaker 1>the show decide who they think is best. Now, did

0:22:04.359 --> 0:22:06.399
<v Speaker 1>a lot of gay people audition for the role of

0:22:06.480 --> 0:22:11.560
<v Speaker 1>cam Right. You know, I did a lot of straight people, absolutely,

0:22:12.160 --> 0:22:14.480
<v Speaker 1>and I think it's a real slippery slope when we

0:22:14.520 --> 0:22:17.560
<v Speaker 1>start saying, okay, we just want you to check this

0:22:17.640 --> 0:22:19.960
<v Speaker 1>box to tell me if you're gay or not before

0:22:20.000 --> 0:22:21.480
<v Speaker 1>we let you audition for this part. I mean, how

0:22:21.520 --> 0:22:24.800
<v Speaker 1>would that even work? Like, how would you even say, like, no,

0:22:24.920 --> 0:22:26.800
<v Speaker 1>I swear I'm gay. It's like, and what about people

0:22:26.800 --> 0:22:29.800
<v Speaker 1>that aren't comfortable with being out? But are you know,

0:22:29.920 --> 0:22:31.800
<v Speaker 1>quietly gay? It's like, well, no, but I'm gay. But

0:22:32.160 --> 0:22:34.320
<v Speaker 1>I can't say that I'm gay because I don't want

0:22:34.320 --> 0:22:35.760
<v Speaker 1>my parents to know yet. But no, I'm gay. I

0:22:35.800 --> 0:22:38.040
<v Speaker 1>can audition for this part. It just doesn't make sense.

0:22:38.080 --> 0:22:41.840
<v Speaker 1>I mean, we have to just obviously give everyone a chance,

0:22:42.240 --> 0:22:45.119
<v Speaker 1>and I think opened the doors for for for people

0:22:45.160 --> 0:22:49.720
<v Speaker 1>who haven't haven't had opportunities. I don't know. I mean,

0:22:49.760 --> 0:22:51.679
<v Speaker 1>this is my opinion. I Ope, it doesn't get me

0:22:51.720 --> 0:22:55.439
<v Speaker 1>in trouble, but I feel like actors, that's what acting is.

0:22:55.520 --> 0:22:58.160
<v Speaker 1>You take on the persona of someone else. Well, that's

0:22:58.160 --> 0:23:00.320
<v Speaker 1>the gift to me from a performer. The gift to

0:23:00.359 --> 0:23:02.520
<v Speaker 1>me is to be able to play someone like that

0:23:02.640 --> 0:23:05.440
<v Speaker 1>like that. That's the exchange I bring who I am

0:23:05.480 --> 0:23:07.320
<v Speaker 1>and what's in my heart to that character, and that

0:23:07.440 --> 0:23:11.359
<v Speaker 1>character then returns a tremendous amount to me. That's the

0:23:11.400 --> 0:23:15.199
<v Speaker 1>exchange we have, and me bringing my life experiences to

0:23:15.440 --> 0:23:19.800
<v Speaker 1>someone else is what we should sort of be celebrating. Um,

0:23:19.840 --> 0:23:21.440
<v Speaker 1>but I just think, you know, you don't want to

0:23:21.440 --> 0:23:25.679
<v Speaker 1>go down that road because uh so, then I just

0:23:25.720 --> 0:23:28.960
<v Speaker 1>think it's opportunity as long as everyone's getting an opportunity

0:23:29.040 --> 0:23:31.760
<v Speaker 1>to audition. And look, I can make the case that

0:23:31.840 --> 0:23:34.600
<v Speaker 1>for twelve years before I got on Modern Family, I

0:23:34.880 --> 0:23:38.800
<v Speaker 1>didn't get a tremendous amount of opportunities. But maybe because

0:23:38.840 --> 0:23:41.119
<v Speaker 1>of the way I looked, I didn't maybe get Cam

0:23:41.320 --> 0:23:44.200
<v Speaker 1>because of me being a heavy set guy. They didn't

0:23:44.200 --> 0:23:48.239
<v Speaker 1>think that that was who Cam was. And so there

0:23:48.320 --> 0:23:51.359
<v Speaker 1>are all kinds of reasons people don't get parts. There's

0:23:51.400 --> 0:23:55.560
<v Speaker 1>only usually one reason they do, you know. There's it's

0:23:55.640 --> 0:23:58.200
<v Speaker 1>because somebody decided that that's who they want to play

0:23:58.240 --> 0:24:00.879
<v Speaker 1>the part. As long as there's opportun unity and people

0:24:00.880 --> 0:24:03.400
<v Speaker 1>are allowed to be in the room equally, which I'm

0:24:04.240 --> 0:24:08.400
<v Speaker 1>supportive of, you gotta yield to the creative process, which

0:24:08.440 --> 0:24:10.480
<v Speaker 1>is this is who we want to play this part.

0:24:10.560 --> 0:24:13.160
<v Speaker 1>And I think just be aware of your implicit biases

0:24:13.240 --> 0:24:16.919
<v Speaker 1>and make sure that people are open to the possibilities,

0:24:17.000 --> 0:24:20.040
<v Speaker 1>just as you had to open their eyes that you

0:24:20.080 --> 0:24:22.800
<v Speaker 1>could play cam as well as somebody who looked different

0:24:22.800 --> 0:24:25.199
<v Speaker 1>than you, you know. And my mom always, you know,

0:24:25.320 --> 0:24:27.320
<v Speaker 1>said when they when the Chauffeur started, they were like,

0:24:27.359 --> 0:24:29.399
<v Speaker 1>people would say, oh, well are you what do you

0:24:29.440 --> 0:24:31.520
<v Speaker 1>think of your son playing you know, a gay guy

0:24:31.560 --> 0:24:33.240
<v Speaker 1>on TV? And I told her she said, well, what

0:24:33.280 --> 0:24:34.880
<v Speaker 1>am I supposed to say to that? I don't care?

0:24:35.200 --> 0:24:36.600
<v Speaker 1>And I said, Mom, what you need to say to

0:24:36.640 --> 0:24:39.440
<v Speaker 1>them is that you watched your son murder people on TV.

0:24:39.600 --> 0:24:42.119
<v Speaker 1>And no one ever asked that question, what's it like

0:24:42.200 --> 0:24:45.040
<v Speaker 1>to watch your son murder someone on TV? You know,

0:24:45.160 --> 0:24:48.040
<v Speaker 1>that never was a question anyone never thought to ask.

0:24:48.680 --> 0:24:51.879
<v Speaker 1>But bringing that back to what your initial question was

0:24:51.960 --> 0:24:54.760
<v Speaker 1>is like, so you know, you're going to have to

0:24:54.800 --> 0:24:57.720
<v Speaker 1>find people with real life experiences and everything if you

0:24:57.760 --> 0:25:00.639
<v Speaker 1>start using that line and cast, so you have to

0:25:00.680 --> 0:25:04.119
<v Speaker 1>cast convicted villains, which murders. Again, if you're out of

0:25:04.160 --> 0:25:05.880
<v Speaker 1>jail and they've done your time, you should and you're

0:25:05.880 --> 0:25:08.159
<v Speaker 1>an actor and now you have an agent, come on

0:25:08.280 --> 0:25:11.000
<v Speaker 1>into the audition. You know, for that murderer show us

0:25:11.000 --> 0:25:14.960
<v Speaker 1>how it's done. What does Eric really think of his

0:25:15.040 --> 0:25:18.359
<v Speaker 1>Modern family castmates. You'll find out when we come back

0:25:25.520 --> 0:25:29.040
<v Speaker 1>and we are back with Modern Families Eric stone Street,

0:25:30.040 --> 0:25:34.760
<v Speaker 1>So eleven seasons, Is there any Are there any particularly

0:25:35.560 --> 0:25:40.680
<v Speaker 1>intense memories you have, either funny poignant of experiences you

0:25:40.800 --> 0:25:45.240
<v Speaker 1>had on the show, there are so many. I mean

0:25:45.359 --> 0:25:48.800
<v Speaker 1>the Fizbo episode, crying calling my parents and telling them

0:25:48.800 --> 0:25:50.719
<v Speaker 1>that there's an episode called Fizbo the Clown that we're

0:25:50.720 --> 0:25:53.679
<v Speaker 1>shooting next week. It was a pretty big emotional moment.

0:25:54.000 --> 0:25:57.000
<v Speaker 1>But I would say when why was that so emotional? Well,

0:25:57.000 --> 0:25:58.720
<v Speaker 1>because I wanted to be a clown. My dad gave

0:25:58.720 --> 0:26:00.520
<v Speaker 1>me the name Fizbo the Clown when I was a kid,

0:26:00.560 --> 0:26:02.760
<v Speaker 1>and now you know here I showed the writers an

0:26:02.800 --> 0:26:04.359
<v Speaker 1>article about me as a kid, and now it's an

0:26:04.359 --> 0:26:09.840
<v Speaker 1>episode of television. Um, I would say, I always go

0:26:09.920 --> 0:26:12.960
<v Speaker 1>back to when we found out the show was picked

0:26:13.040 --> 0:26:15.680
<v Speaker 1>up for what's called It's Back nine. You know, when

0:26:15.680 --> 0:26:17.800
<v Speaker 1>I got the job, audition for the job and got

0:26:17.840 --> 0:26:19.880
<v Speaker 1>the job. That was awesome. I was very excited, but

0:26:20.000 --> 0:26:22.200
<v Speaker 1>you know that's my job to get those jobs. So

0:26:22.720 --> 0:26:25.159
<v Speaker 1>I was like measured Well, now we have to, and

0:26:25.160 --> 0:26:26.600
<v Speaker 1>then the show got picked up, and it's like, well,

0:26:26.600 --> 0:26:28.199
<v Speaker 1>that's out of my control. That's not up to me.

0:26:28.280 --> 0:26:29.840
<v Speaker 1>I did the best I could. Now it's up to

0:26:29.840 --> 0:26:32.320
<v Speaker 1>the show creators and the networks and the studio to

0:26:32.359 --> 0:26:35.480
<v Speaker 1>see if this fits on TV. Not not under my control.

0:26:35.560 --> 0:26:36.959
<v Speaker 1>So that was a great That was a great day,

0:26:36.960 --> 0:26:38.720
<v Speaker 1>but not the biggest day. But the day that the

0:26:38.720 --> 0:26:41.199
<v Speaker 1>show got picked up for the back nine, meaning we

0:26:41.200 --> 0:26:43.240
<v Speaker 1>were going to do a complete season of twenty four

0:26:43.240 --> 0:26:47.320
<v Speaker 1>episodes on ABC, that started to pay pave away from

0:26:47.320 --> 0:26:50.720
<v Speaker 1>my mind to imagine, oh man, we're gonna be on

0:26:50.760 --> 0:26:53.199
<v Speaker 1>TV a long time, because if we do one full season,

0:26:53.560 --> 0:26:55.639
<v Speaker 1>they're never gonna do one full season and just cut us.

0:26:56.000 --> 0:26:57.880
<v Speaker 1>They're gonna do a second season. And if they're gonna

0:26:57.920 --> 0:27:00.240
<v Speaker 1>do a second season, now we're getting kind of if

0:27:00.240 --> 0:27:02.520
<v Speaker 1>in syndication, so they're not gonna let it go after

0:27:02.600 --> 0:27:04.520
<v Speaker 1>two seasons. So we're gonna do three. And if we

0:27:04.560 --> 0:27:07.840
<v Speaker 1>do three, ways four and oh my gosh, four five.

0:27:07.920 --> 0:27:09.879
<v Speaker 1>So then you started managing like I'm going to be

0:27:09.880 --> 0:27:11.639
<v Speaker 1>on TV for a while. So I think still to

0:27:11.720 --> 0:27:14.240
<v Speaker 1>this day, the day the Back nine got picked up

0:27:14.760 --> 0:27:18.160
<v Speaker 1>is the most important day and is what is responsible

0:27:18.200 --> 0:27:20.600
<v Speaker 1>to leading me here right now. I want to name

0:27:20.720 --> 0:27:22.720
<v Speaker 1>some of the people in modern family. I just want

0:27:22.800 --> 0:27:27.720
<v Speaker 1>you to kind of give me a short instantaneous reaction. Okay,

0:27:28.240 --> 0:27:33.399
<v Speaker 1>Ed O'Neill, legend, just down, just down home. All he

0:27:33.440 --> 0:27:35.280
<v Speaker 1>wants to do is have something in his crock pot

0:27:35.280 --> 0:27:38.600
<v Speaker 1>and an mm A fight on TV, holding holding one

0:27:38.600 --> 0:27:41.359
<v Speaker 1>of his collectible knives, just sitting at home. Ed O'Neill

0:27:41.480 --> 0:27:44.480
<v Speaker 1>right now, no doubt, is cooking something, holding one of

0:27:44.520 --> 0:27:48.160
<v Speaker 1>his knives in his house and watching a sporting event.

0:27:48.240 --> 0:27:52.840
<v Speaker 1>That's Ed O'Neill. It's super nice, so very funny or

0:27:52.920 --> 0:27:58.480
<v Speaker 1>not that life very funny, very funny, very funny. Different

0:27:58.560 --> 0:28:02.640
<v Speaker 1>kind of funny than Jay. Yes, different. I mean at

0:28:02.680 --> 0:28:05.000
<v Speaker 1>seventy some years old, he's from Ohio. I mean he's

0:28:05.000 --> 0:28:07.480
<v Speaker 1>got different life perspective and he sometimes catches you off

0:28:07.480 --> 0:28:12.399
<v Speaker 1>guard with what his humor is. Yeah. Sophia Vegara generous, beautiful,

0:28:12.800 --> 0:28:22.280
<v Speaker 1>inside out, nice, um hilarious, self deprecating. Rico Rodriguez, who

0:28:22.280 --> 0:28:25.280
<v Speaker 1>plays Manning sweet just a good kid. Can't get any

0:28:25.320 --> 0:28:31.520
<v Speaker 1>better than then. Rico Julie Bowen energy goes twenty four

0:28:32.080 --> 0:28:35.280
<v Speaker 1>hundred miles a day. I mean she is a mile

0:28:35.320 --> 0:28:40.080
<v Speaker 1>a minute, good mom, carrying, polite. I always really liked her.

0:28:40.160 --> 0:28:43.880
<v Speaker 1>Oh yeah, she's great, isn't she graz smart too? Very brown,

0:28:44.080 --> 0:28:52.400
<v Speaker 1>brown graduate. Yeah. Tyrell uh ty Burrell is so uh.

0:28:52.800 --> 0:28:55.920
<v Speaker 1>He's like a what do you call it? A U

0:28:56.400 --> 0:29:00.240
<v Speaker 1>when a guy can do everything. He wants to make

0:29:00.240 --> 0:29:02.120
<v Speaker 1>his own sausage, he wants to brew his own beer.

0:29:02.200 --> 0:29:03.960
<v Speaker 1>He wants to do this, he wants met him at

0:29:03.960 --> 0:29:06.200
<v Speaker 1>an event and he was super nice. And I met

0:29:06.200 --> 0:29:08.920
<v Speaker 1>his wife. They were lovely. She's a baker, I mean,

0:29:09.080 --> 0:29:12.160
<v Speaker 1>he's he's he's just they sound very crunchy. Well, they're

0:29:12.160 --> 0:29:14.600
<v Speaker 1>from Utah. They live they live up in Utah. And

0:29:14.680 --> 0:29:20.080
<v Speaker 1>he's just he's an awesome, friendly, awesome guy. Sarah Highland talented.

0:29:20.240 --> 0:29:23.240
<v Speaker 1>I've blown away by Sarah's acting. When I got on

0:29:23.280 --> 0:29:26.400
<v Speaker 1>the show and I started seeing her in episodes, I'm like, oh, wow,

0:29:26.440 --> 0:29:35.440
<v Speaker 1>she's great. She's really good, aerial, Winter sweet nice. Um.

0:29:35.560 --> 0:29:39.040
<v Speaker 1>Do you worry about child actors? I do not. These kids.

0:29:39.280 --> 0:29:44.760
<v Speaker 1>Nolan could smart. He's you know, he's a mensa and

0:29:44.800 --> 0:29:50.840
<v Speaker 1>he plays a dumb character. Yeah, he's very smart. I

0:29:50.880 --> 0:29:53.320
<v Speaker 1>should be I should be too. Yeah, let's let's let's

0:29:53.480 --> 0:29:56.120
<v Speaker 1>let's let's look. I think we need to we we

0:29:56.280 --> 0:29:58.000
<v Speaker 1>should just start a petition. Well, we need to get

0:29:58.080 --> 0:30:00.400
<v Speaker 1>them to lower the standards, and then we'll get in.

0:30:01.600 --> 0:30:05.440
<v Speaker 1>And finally I want to ask you, well, actually to

0:30:05.720 --> 0:30:13.040
<v Speaker 1>two more. Your name's on here, but I'm humble, incredibly challenged,

0:30:13.120 --> 0:30:19.280
<v Speaker 1>wonderful lover. Yeah, I enjoy him in bed. I enjoy

0:30:19.400 --> 0:30:21.720
<v Speaker 1>him very much, all of him in bed. He's a

0:30:21.760 --> 0:30:27.640
<v Speaker 1>wonderful guy. Jesse Tyler Ferguson, Oh man, Jesse's you know,

0:30:27.760 --> 0:30:30.760
<v Speaker 1>are you guys super tight? You know we are super tight.

0:30:30.840 --> 0:30:34.480
<v Speaker 1>But here's the thing that's so great about Jesse and I.

0:30:34.560 --> 0:30:38.320
<v Speaker 1>His relationship were so different, like and we are a

0:30:38.360 --> 0:30:41.640
<v Speaker 1>great example of how people can be completely different and

0:30:41.680 --> 0:30:44.400
<v Speaker 1>have a great friendship. Like there's no doubt that I'm

0:30:44.440 --> 0:30:47.920
<v Speaker 1>here at the greatest sporting event of all time and

0:30:48.000 --> 0:30:50.920
<v Speaker 1>he's probably at Barber streisand tonight. You know, like we

0:30:51.080 --> 0:30:54.320
<v Speaker 1>do completely different things, and we have so many operate

0:30:54.360 --> 0:30:57.600
<v Speaker 1>moments from our past. We're all tweet out or instagram

0:30:57.600 --> 0:30:59.680
<v Speaker 1>out a picture of me at brock Lessner's mm A

0:30:59.760 --> 0:31:02.760
<v Speaker 1>FI and he's seeing Lady Gaga in Las Vegas for

0:31:02.760 --> 0:31:06.680
<v Speaker 1>the thirtieth time. Uh, what is m m A. It's

0:31:06.720 --> 0:31:09.960
<v Speaker 1>don't mis martial arts. Sorry, I knew I was thinking.

0:31:10.280 --> 0:31:12.480
<v Speaker 1>I couldn't remember the mixed part. But my point is

0:31:12.560 --> 0:31:15.920
<v Speaker 1>is we we have a fantastic relationship. We've only really

0:31:15.960 --> 0:31:18.320
<v Speaker 1>been mad at each other a couple of times, Like

0:31:18.360 --> 0:31:20.520
<v Speaker 1>where we when did you get mad? At the second

0:31:20.680 --> 0:31:22.720
<v Speaker 1>second season we got mad at each other for something

0:31:22.720 --> 0:31:25.680
<v Speaker 1>and I don't remember what it was, but it was stupid,

0:31:26.040 --> 0:31:27.880
<v Speaker 1>and we both just went to each other and we're like,

0:31:27.920 --> 0:31:29.600
<v Speaker 1>you know, what are we doing? We're gonna be working

0:31:29.640 --> 0:31:32.080
<v Speaker 1>together forever, so we can't be mad at each other.

0:31:32.120 --> 0:31:35.160
<v Speaker 1>But who who who made the first move to apologize?

0:31:35.320 --> 0:31:38.040
<v Speaker 1>Jesse's the type of person that I can't stand if

0:31:38.080 --> 0:31:41.080
<v Speaker 1>he's upset. He's got that kind of personality where I

0:31:41.160 --> 0:31:43.320
<v Speaker 1>might have a personality. We're like, oh, Stone Streets mad, Good,

0:31:43.360 --> 0:31:45.320
<v Speaker 1>let him sit there for a while, you know, you

0:31:45.360 --> 0:31:47.520
<v Speaker 1>know what I mean? You know those people where Jesse's

0:31:47.520 --> 0:31:50.560
<v Speaker 1>the type of person. It's like, I don't want Jesse

0:31:50.680 --> 0:31:52.040
<v Speaker 1>to be mad at me. I don't want Jesse to

0:31:52.040 --> 0:31:54.480
<v Speaker 1>be upset, so I need to bridge this gap here.

0:31:55.000 --> 0:31:57.800
<v Speaker 1>So you were the bigger person, not always, I'm not always.

0:31:57.800 --> 0:31:59.760
<v Speaker 1>I don't even remember in that moment what it was.

0:31:59.800 --> 0:32:02.120
<v Speaker 1>But I just know that we had a conversation, which is,

0:32:02.200 --> 0:32:04.240
<v Speaker 1>we don't have time to be mad at each other,

0:32:04.520 --> 0:32:07.960
<v Speaker 1>so let's just be super upfront and honest with each other.

0:32:08.600 --> 0:32:11.240
<v Speaker 1>But you know, the other thing about our show that

0:32:11.320 --> 0:32:13.680
<v Speaker 1>made it, all of us get along so well as

0:32:13.680 --> 0:32:16.800
<v Speaker 1>we don't work together all the time. You know, we're modulars.

0:32:16.800 --> 0:32:19.000
<v Speaker 1>So I'm working with Jesse the most, which means I'm

0:32:19.000 --> 0:32:21.080
<v Speaker 1>not working with Ti and Julie. I'm not working with

0:32:21.200 --> 0:32:23.320
<v Speaker 1>Ed and Sophia, so we don't have a lot of

0:32:23.360 --> 0:32:26.080
<v Speaker 1>time for each other to really get on each other's

0:32:26.120 --> 0:32:30.520
<v Speaker 1>nerves much as other ensemble shows. And finally, Aubrey Anderson

0:32:30.600 --> 0:32:33.560
<v Speaker 1>Emma's who played Lily your daughter. Yeah, well she's come

0:32:33.600 --> 0:32:36.040
<v Speaker 1>a long way. You know, we had two twins that

0:32:36.160 --> 0:32:37.800
<v Speaker 1>did not want to be that. We had a set

0:32:37.800 --> 0:32:39.320
<v Speaker 1>of twins that did not want to be there. They

0:32:39.360 --> 0:32:44.800
<v Speaker 1>cried all the time. So we fired their asses. Uh no,

0:32:44.960 --> 0:32:48.479
<v Speaker 1>we wed. Yeah, we did what a family would do,

0:32:48.600 --> 0:32:50.880
<v Speaker 1>and we removed them from a situation that they clearly

0:32:50.880 --> 0:32:53.400
<v Speaker 1>weren't having a good time and it was not worth it.

0:32:53.800 --> 0:32:56.400
<v Speaker 1>And they found they found um Aubrey and you know,

0:32:56.680 --> 0:33:00.320
<v Speaker 1>she she's so cute, so sweet when she got there,

0:33:00.360 --> 0:33:03.160
<v Speaker 1>but you know she she had her own struggles with

0:33:03.400 --> 0:33:06.400
<v Speaker 1>wanting to be there and doing it and she's really

0:33:06.400 --> 0:33:08.120
<v Speaker 1>come into her own as a young lady now. I'm

0:33:08.120 --> 0:33:10.920
<v Speaker 1>so proud of who her personality has become and what

0:33:11.040 --> 0:33:12.880
<v Speaker 1>she is. And what do you think the secret sauce

0:33:12.920 --> 0:33:15.480
<v Speaker 1>of the show was, Eric, I mean, just great writing,

0:33:15.680 --> 0:33:21.320
<v Speaker 1>great characters, very modern family. I mean the secret sauce

0:33:21.320 --> 0:33:24.200
<v Speaker 1>of the show is is families are universal. No matter

0:33:24.200 --> 0:33:27.080
<v Speaker 1>where you are, what country you're in, we all suffer

0:33:27.160 --> 0:33:31.000
<v Speaker 1>the same drama, the same stuff back and forth, and

0:33:31.360 --> 0:33:36.160
<v Speaker 1>it just it's it's all relatable. And even when we

0:33:36.200 --> 0:33:39.240
<v Speaker 1>would we would write something, you know, we would write

0:33:39.240 --> 0:33:42.000
<v Speaker 1>something on and I would think, like, there's nobody that's

0:33:42.040 --> 0:33:43.840
<v Speaker 1>gonna get that joker, nobody's gonna like that joke. We

0:33:43.840 --> 0:33:46.360
<v Speaker 1>would inevitably be out somewhere and be like, oh my god,

0:33:46.400 --> 0:33:48.640
<v Speaker 1>when you said that, that happened in my family, That

0:33:48.720 --> 0:33:51.800
<v Speaker 1>exact same thing happened. And that's where you know writers

0:33:51.800 --> 0:33:54.280
<v Speaker 1>are brilliant. They're like chefs. You know, you don't sit

0:33:54.320 --> 0:33:55.920
<v Speaker 1>down at a restaurant and look at the menu and

0:33:55.960 --> 0:34:00.280
<v Speaker 1>think like man Elk and blueberry jam and fog. It's

0:34:00.280 --> 0:34:02.880
<v Speaker 1>gonna go great together. It takes somebody to tell you

0:34:02.960 --> 0:34:04.320
<v Speaker 1>that's going to be good, and then you taste it,

0:34:04.360 --> 0:34:07.280
<v Speaker 1>you're like, that's really good. And that's what comedy writers do.

0:34:07.400 --> 0:34:10.400
<v Speaker 1>They they create the taste of what is funny. And

0:34:10.400 --> 0:34:14.000
<v Speaker 1>we've had the best writers maybe in Hollywood history, on

0:34:14.200 --> 0:34:15.960
<v Speaker 1>that long of a run of a TV show. So

0:34:16.080 --> 0:34:18.279
<v Speaker 1>what's ahead for you? When you think about, Okay, what

0:34:18.320 --> 0:34:19.839
<v Speaker 1>am I going to do next? Are you and your

0:34:19.880 --> 0:34:23.799
<v Speaker 1>cute girlfriend Lindsey going to take some time off? We're

0:34:23.800 --> 0:34:28.640
<v Speaker 1>talking about you, Lindsey. Um, she was sort of stacy

0:34:28.880 --> 0:34:30.839
<v Speaker 1>for a minute. I don't know what we're I don't

0:34:30.840 --> 0:34:32.920
<v Speaker 1>know what I'm gonna do. I'm not. But here's the

0:34:32.960 --> 0:34:35.400
<v Speaker 1>thing is what modern families afforded me the opportunity to

0:34:35.440 --> 0:34:37.480
<v Speaker 1>do is not worry about it. I don't want to

0:34:37.480 --> 0:34:39.920
<v Speaker 1>go away forever, because you know how Hollywood is. I

0:34:40.080 --> 0:34:43.000
<v Speaker 1>go away and people forget, you know, who I am

0:34:43.080 --> 0:34:44.959
<v Speaker 1>or what I've done, and they'll miss you even more

0:34:45.200 --> 0:34:48.160
<v Speaker 1>well potentially. And that's the other thing about getting to

0:34:48.160 --> 0:34:49.759
<v Speaker 1>play the character I got to play. People got to

0:34:49.800 --> 0:34:52.160
<v Speaker 1>know me, you know, for playing a character they don't

0:34:52.200 --> 0:34:54.839
<v Speaker 1>know they haven't gotten to know me, and usually people

0:34:54.880 --> 0:34:56.760
<v Speaker 1>don't like me as much as they like my character.

0:34:57.400 --> 0:34:59.560
<v Speaker 1>That's what I feel that must always be. Well, not

0:34:59.680 --> 0:35:02.759
<v Speaker 1>always is, but you know, it's hard to talk in

0:35:02.840 --> 0:35:05.759
<v Speaker 1>real life and be as funny as as as you

0:35:05.800 --> 0:35:10.160
<v Speaker 1>are when you're reading comedy writer's words, although you're pretty

0:35:10.239 --> 0:35:12.480
<v Speaker 1>damn funny that they have a completely different sense of

0:35:12.560 --> 0:35:15.800
<v Speaker 1>humor than my character does, which always catches people off guard.

0:35:15.840 --> 0:35:19.040
<v Speaker 1>But I'll find something to do that's meaningful and funny.

0:35:19.080 --> 0:35:21.319
<v Speaker 1>You're not you're not thinking about it, or you think,

0:35:21.440 --> 0:35:23.879
<v Speaker 1>n G, I'd love to do a play, or are

0:35:23.920 --> 0:35:26.080
<v Speaker 1>you just going to kind of savor the end of

0:35:26.080 --> 0:35:28.759
<v Speaker 1>this run. I'm gonna savor it and then jump in

0:35:29.000 --> 0:35:31.960
<v Speaker 1>and find something that is exciting. I've never done a

0:35:32.000 --> 0:35:36.799
<v Speaker 1>multicam comedy, like a traditional sitcom that that sounds fun

0:35:36.840 --> 0:35:38.320
<v Speaker 1>to me to do that, because it's like doing a

0:35:38.360 --> 0:35:41.440
<v Speaker 1>play every every week, and now there's so many opportunities

0:35:41.440 --> 0:35:44.640
<v Speaker 1>with so many outlets, which I guess the conversely, you

0:35:44.760 --> 0:35:48.120
<v Speaker 1>think it's so much content, how can anything breakthrough? It's

0:35:48.200 --> 0:35:51.560
<v Speaker 1>it's it's it's an incredible time but a challenging time

0:35:51.680 --> 0:35:54.439
<v Speaker 1>right now, right But I'm excited. That's the good news

0:35:54.480 --> 0:35:56.839
<v Speaker 1>is I'm thankful, I'm grateful, and I'm excited to see

0:35:56.840 --> 0:35:59.040
<v Speaker 1>what's next. Well, before we go, you have to tell

0:35:59.040 --> 0:36:01.400
<v Speaker 1>me quickly about this video you did with the Chiefs.

0:36:01.719 --> 0:36:04.759
<v Speaker 1>Randy Reid. Yeah, okay, explain to people who may not

0:36:04.880 --> 0:36:07.200
<v Speaker 1>Understandy reads the head coach of the Kansas City Chiefs,

0:36:07.239 --> 0:36:09.640
<v Speaker 1>and I wanted to do a video celebrating Andy Reid

0:36:09.640 --> 0:36:12.440
<v Speaker 1>in the chief So I played his brother, Randy Reid,

0:36:12.960 --> 0:36:15.160
<v Speaker 1>seeing what he does, seeing what these guys do. It's

0:36:15.160 --> 0:36:17.000
<v Speaker 1>a lot different than what I do. I have a

0:36:17.080 --> 0:36:19.880
<v Speaker 1>jet ski business in Oxnard, California, and it's just something

0:36:19.920 --> 0:36:22.880
<v Speaker 1>my friend jered Well came up with the idea a

0:36:22.880 --> 0:36:24.759
<v Speaker 1>few years ago, and then my friend Jerry Collins, I

0:36:24.800 --> 0:36:26.360
<v Speaker 1>asked him if he wanted to help me write it,

0:36:26.400 --> 0:36:28.600
<v Speaker 1>and he came up with, you know a lot of

0:36:28.640 --> 0:36:30.560
<v Speaker 1>the stuff, and then we just went to training camp

0:36:30.560 --> 0:36:33.680
<v Speaker 1>and improvised it. But it was very popular in Kansas

0:36:33.719 --> 0:36:36.200
<v Speaker 1>City and Coach Reid was in it, and him being

0:36:36.200 --> 0:36:38.359
<v Speaker 1>in it really grounded it and made it feel real

0:36:38.400 --> 0:36:41.319
<v Speaker 1>and a lot of people Patrick Mahomes girlfriend as she

0:36:41.360 --> 0:36:44.080
<v Speaker 1>watched it apparently and was like, man, Andy Reid's brother

0:36:44.239 --> 0:36:47.160
<v Speaker 1>is he's something else and she's like, Patrick's like, that's er,

0:36:47.920 --> 0:36:51.560
<v Speaker 1>that's not. But that was happened a lot, a tremendous amount. Yeah,

0:36:51.640 --> 0:36:53.600
<v Speaker 1>she wasn't one of the only ones that I got

0:36:53.680 --> 0:36:56.200
<v Speaker 1>that message about. But it was just meant to be

0:36:56.239 --> 0:36:58.640
<v Speaker 1>a love letter to my favorite you know football team,

0:36:58.760 --> 0:37:00.880
<v Speaker 1>Kansas City Chiefs. Where are you to be sitting for

0:37:00.920 --> 0:37:05.719
<v Speaker 1>the Super Bowl? Do you have good seats? I'll tell

0:37:05.719 --> 0:37:07.000
<v Speaker 1>you where I'm sitting, and then you tell me if

0:37:07.040 --> 0:37:09.160
<v Speaker 1>you think they're going to be good seats with the

0:37:09.160 --> 0:37:15.799
<v Speaker 1>Commissioner of football. Oh oh, aren't you the one that'll

0:37:15.880 --> 0:37:17.399
<v Speaker 1>be fun? So are you going to be in a box?

0:37:17.400 --> 0:37:20.000
<v Speaker 1>You're gonna be in You don't want to be in

0:37:20.040 --> 0:37:22.080
<v Speaker 1>the stands. I picture you as want to be in

0:37:22.120 --> 0:37:23.640
<v Speaker 1>the stands. I mean to focus, I need to go

0:37:23.680 --> 0:37:25.840
<v Speaker 1>to the bathroom. When I need to go to the bathroom,

0:37:25.880 --> 0:37:28.080
<v Speaker 1>I don't want I love the stands. You're probably not

0:37:28.080 --> 0:37:30.000
<v Speaker 1>going to be super sociable because you're going to be

0:37:30.360 --> 0:37:33.759
<v Speaker 1>I'm not sociable. I'm not sociable. You are a football games.

0:37:33.760 --> 0:37:36.360
<v Speaker 1>I'm not. I want to just watch the game. I

0:37:36.360 --> 0:37:38.520
<v Speaker 1>don't want to chit chat. But no. The reason I'm

0:37:38.520 --> 0:37:41.280
<v Speaker 1>sitting with Roger is because five years ago he invited

0:37:41.280 --> 0:37:43.000
<v Speaker 1>me to the Super Bowl because his wife and he

0:37:43.040 --> 0:37:45.200
<v Speaker 1>and his daughters are big fans of the show. He

0:37:45.320 --> 0:37:47.480
<v Speaker 1>called me and said, we'd like you to come to

0:37:47.520 --> 0:37:51.240
<v Speaker 1>the super Bowl and I said, no, thank you, that's true.

0:37:51.960 --> 0:37:54.040
<v Speaker 1>You said no thing. I said, no, I'm not coming

0:37:54.080 --> 0:37:55.560
<v Speaker 1>to the super Bowl until the Chiefs are in it.

0:37:55.680 --> 0:37:59.640
<v Speaker 1>And he said, very funnily funny, that's not a word.

0:37:59.719 --> 0:38:01.440
<v Speaker 1>I think it might be. I just made it up.

0:38:01.520 --> 0:38:03.880
<v Speaker 1>He said, in a very funny way. Okay, if you

0:38:03.920 --> 0:38:05.560
<v Speaker 1>want to wait that long, that's up to you. And

0:38:05.560 --> 0:38:09.440
<v Speaker 1>I was like, okay, Roger, game on. And so the

0:38:09.520 --> 0:38:11.719
<v Speaker 1>last two years I've been Roger, the Chiefs are in

0:38:11.760 --> 0:38:14.520
<v Speaker 1>the a f C Championship rain check time, and this

0:38:14.600 --> 0:38:17.640
<v Speaker 1>year we won. So I'm he's made good on his

0:38:17.719 --> 0:38:20.439
<v Speaker 1>invitation to the to the super Bowl, and I made

0:38:20.440 --> 0:38:22.120
<v Speaker 1>good on me never coming to the super Bowl and

0:38:22.160 --> 0:38:24.200
<v Speaker 1>tell the Chiefs are in it, well, awesome. Well I

0:38:24.239 --> 0:38:27.360
<v Speaker 1>am rooting for the Chiefs because I love you, so

0:38:28.080 --> 0:38:34.120
<v Speaker 1>by extension, I love the chief Sorry to but they've

0:38:34.160 --> 0:38:37.400
<v Speaker 1>had a lot of fun. Are you the most famous

0:38:37.480 --> 0:38:40.600
<v Speaker 1>band Paul Jason skis. Are they all coming, Rob Wriggle,

0:38:40.640 --> 0:38:43.319
<v Speaker 1>I'm sure they'll all be here, but we're all fans. Well,

0:38:43.320 --> 0:38:50.080
<v Speaker 1>thank you, love seeing you. And that does it for

0:38:50.080 --> 0:38:54.000
<v Speaker 1>the special bonus episode of Next Question from Miami. Thank

0:38:54.040 --> 0:38:57.160
<v Speaker 1>you to sleep Number for the cozy podcast booth, and

0:38:57.280 --> 0:39:00.919
<v Speaker 1>thanks to my guest Eric stone Street for the on conversation.

0:39:01.080 --> 0:39:03.640
<v Speaker 1>I just love that guy, and thank you all for

0:39:03.760 --> 0:39:06.359
<v Speaker 1>taking the time to listen to this before the big game.

0:39:07.040 --> 0:39:10.120
<v Speaker 1>Enjoy the super Bowl. Check out my commercial. I think

0:39:10.120 --> 0:39:12.879
<v Speaker 1>it happens in the first quarter and what can I say?

0:39:12.960 --> 0:39:15.640
<v Speaker 1>I was brilliant. But don't blink because you'll miss me

0:39:16.160 --> 0:39:19.640
<v Speaker 1>until next time and my next question. I'm Katie Couric.

0:39:23.760 --> 0:39:26.040
<v Speaker 1>Next Question with Katie Kurik is a production of I

0:39:26.160 --> 0:39:29.560
<v Speaker 1>Heart Radio and Katie Curic Media. The executive producers are

0:39:29.640 --> 0:39:33.440
<v Speaker 1>Katie Currik, Courtney Litz, and Tyler Klang. The supervising producer

0:39:33.480 --> 0:39:38.040
<v Speaker 1>is Lauren Hansen. Our show producer is Bethan Macaluso. The

0:39:38.080 --> 0:39:42.239
<v Speaker 1>associate producers are Emily Pinto and Derek Clemens. Editing by

0:39:42.320 --> 0:39:47.360
<v Speaker 1>Derrek Clements, Dylan Fagan, and Lowell Berlante. Mixing by Dylan Fagan.

0:39:47.920 --> 0:39:52.520
<v Speaker 1>Our researcher is Gabriel Loser. For more information on today's episode,

0:39:52.640 --> 0:39:55.160
<v Speaker 1>go to Katie kurik dot com and follow us on

0:39:55.200 --> 0:40:02.000
<v Speaker 1>Twitter and Instagram at Katie Kurik. For more podcasts for

0:40:02.080 --> 0:40:05.200
<v Speaker 1>my Heart Radio, visit the I Heart Radio app, Apple podcast,

0:40:05.320 --> 0:40:07.360
<v Speaker 1>or wherever you listen to your favorite shows.