WEBVTT - "Visual Identity" (w/ Matt + Bowen)

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<v Speaker 1>Look man, oh, I see you my own look over

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<v Speaker 1>there is that culture.

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<v Speaker 2>Yes, goodness loves culture, ding lost culturistas calling look around

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<v Speaker 2>and how lucky we are to be alive right now.

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<v Speaker 1>But does it feel like a brand? It feels like

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<v Speaker 1>this is episode one and we need to take for granted.

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<v Speaker 1>This is yeah, this is a first.

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<v Speaker 3>This is a we have never actually had.

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<v Speaker 1>We've never had.

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<v Speaker 3>Therefore, we've never really had an identity this podcast one

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<v Speaker 3>of the things. It's received critical acclaim. It's won the

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<v Speaker 3>iHeart Podcast of the Year award twice. It's never had

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<v Speaker 3>an identity until today.

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<v Speaker 1>This is This is the best set I've ever been on.

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<v Speaker 1>And then here and that includes again on the mic,

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<v Speaker 1>this is the best that I've ever been on, and

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<v Speaker 1>that includes Wicked. And we're also talking about the vibes.

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<v Speaker 1>The vibes in here are better than that of Wicked.

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<v Speaker 1>Ed work, damnrous our amazing production designer. Everyone in this room,

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<v Speaker 1>y'all fucking tore this shit up. This is amazing. Round

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<v Speaker 1>of applause for everybody. This is amazing. Thank you guys.

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<v Speaker 3>In the second, we're gonna fly in the champagne. But

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<v Speaker 3>not before we say this, there's a fridge here with

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<v Speaker 3>the thing is we're living in a post there's a

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<v Speaker 3>fridge era. Look what he's got. And by the way,

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<v Speaker 3>we haven't been recording like live because we took a

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<v Speaker 3>little break. Yes, the amount of times that Celcius has

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<v Speaker 3>come up on this podcast.

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<v Speaker 1>Why aren't we I face themselves. I don't think I

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<v Speaker 1>think they're too I think they must have some exclusivity

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<v Speaker 1>with the Theovons of the world where they we can't

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<v Speaker 1>give those gay guys. Well, one thing I'll say is

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<v Speaker 1>we really are giving it away for free.

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<v Speaker 3>We are, we are, We're just And yeah, meanwhile, like

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<v Speaker 3>we slay an ad read listen, if you write us

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<v Speaker 3>a good if you write us a good ad.

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<v Speaker 1>And if you if a human being writes us an ad,

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<v Speaker 1>which is what?

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<v Speaker 3>Which is what brings us to the topic of the episode,

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<v Speaker 3>which is a I wait, we obviously are what is that?

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<v Speaker 1>No. I Today this morning, Greta shows me some girl,

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<v Speaker 1>random girl, God bless her love, random girls on the internet.

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<v Speaker 1>Greta just goes, you need to see this. It was

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<v Speaker 1>a girl at the beach going. I mean, can we

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<v Speaker 1>just pause for a second how terrible data centers are

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<v Speaker 1>and just say, please pick up your trash off the beach,

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<v Speaker 1>and that will make things a little better. She wants

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<v Speaker 1>to start at the very beginning.

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<v Speaker 3>So many things we haven't figured out yet, before we

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<v Speaker 3>move on to data centers, which is so complicated. We

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<v Speaker 3>can all agree, pick up your trash on the beach.

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<v Speaker 1>I she's not wrong, but she's not right.

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<v Speaker 3>I have to tell you there are so many people

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<v Speaker 3>out there who are so incredibly wrong whilst being incredibly right.

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<v Speaker 3>Us we see today many times you ask for a

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<v Speaker 3>culture catchup.

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<v Speaker 1>You're gonna get one, and let that be the occasion.

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<v Speaker 1>Let that be occasion. And speaking of occasions, let's fly

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<v Speaker 1>in the flutes and the sham. It is the reason

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<v Speaker 1>for this season. Thank you, son yous. So everyone be careful.

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<v Speaker 1>Everyone can be careful.

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<v Speaker 3>Make the set safe for us babies. Okay, Volve click co.

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<v Speaker 3>I feel like I'm Mariah and it's the thirtieth anniversary

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<v Speaker 3>of Daydreams. Day dream Oh and there's an amazing thank you,

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<v Speaker 3>thank you, sir.

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<v Speaker 1>Love. When a handsome guy pours me shams.

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<v Speaker 3>Well, we have to usually go to some sort of

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<v Speaker 3>airline for that. Yeah, talk to one of those gay

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<v Speaker 3>guys who run the show. Oh, flight attendant that's what

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<v Speaker 3>they're that's what they're going to them to us, and

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<v Speaker 3>to day one of this podcast, Day.

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<v Speaker 1>One of this podcast, and that we said maybe this

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<v Speaker 1>is the five hundred. Yes, we all, Oh, I bet

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<v Speaker 1>we're closer to six hundred than we are five hundred

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<v Speaker 1>at this point. So crazy. We haven't said something yet.

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<v Speaker 1>It is. Can I say, I'm now clocking minutes into

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<v Speaker 1>this podcast.

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<v Speaker 3>It's so crazy that the first thing that happened that

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<v Speaker 3>we've already cheers. And if you think we're not going

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<v Speaker 3>to cheers again, you're deeply mistaken. You're one of the

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<v Speaker 3>wrong people. Bowen will be starring in Oh Mary as Mary.

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<v Speaker 1>I'm brought it cling for a third time. I don't

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<v Speaker 1>want to talk about it now. I'm not happy to

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<v Speaker 1>talk about it. Don't ask him about his process, you vulture.

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<v Speaker 1>I'm happy to talk about my process. Can we though,

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<v Speaker 1>Because I've known about this now for it's been months.

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<v Speaker 1>It has been a very long time, and it's hard.

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<v Speaker 1>It's hard not to say.

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<v Speaker 3>That bon Yang is in Larry the I.

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<v Speaker 1>You know, I had to like lie a bunch, Yeah,

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<v Speaker 1>I had to do the thing where people were like

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<v Speaker 1>I heard and I'm like, oh no, it's it fell

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<v Speaker 1>through it.

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<v Speaker 3>Because you went as far as to say so in

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<v Speaker 3>the reality, you confirmed it.

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<v Speaker 1>It happened, and it fell through that because I was like,

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<v Speaker 1>that's the best way to sort of most credible. It's

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<v Speaker 1>the most credible because Sam put the fear of God

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<v Speaker 1>in me. He was like, it was just such a

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<v Speaker 1>bummer because Maya. The news about Maya leaked before we announced.

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<v Speaker 4>And it was just a real fucking bummer. And I

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<v Speaker 4>was like, oh.

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<v Speaker 1>No, I better keep this under wraps. I'd been telling everyone, Yeah,

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<v Speaker 1>how soon do about trying to figure out when you

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<v Speaker 1>told me? It was like a week after because you

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<v Speaker 1>were still you were in LA, Like I wanted to

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<v Speaker 1>tell you in person, flitting off, flitting off, and god

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<v Speaker 1>knows what what have you been doing in La? Who?

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<v Speaker 3>We're not talking about me yet. Don't worry, guys. Soon

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<v Speaker 3>you're getting some of me. But but okay, so you

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<v Speaker 3>you're saying process.

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<v Speaker 1>Process, so literally could not have happened without you? What

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<v Speaker 1>because who do we run into at the Tony's but

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<v Speaker 1>the queen Michelle Ranawitz.

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<v Speaker 3>Yeah, so I knew Michelle from school. She was a

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<v Speaker 3>standout actress. She's become your acting coach.

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<v Speaker 1>In this regard, she's.

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<v Speaker 3>Become the the girl girl, the movement queen. She throws,

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<v Speaker 3>she throws, she holds classes for anybody. Yes, through via Tish,

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<v Speaker 3>I believe. Yeah, I've only ever known her as being

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<v Speaker 3>the coolest person I've been in a room with.

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<v Speaker 1>When I was in a room with her, and then

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<v Speaker 1>actually we had never really met until that night. I

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<v Speaker 1>didn't really meet her. I didn't really meet her until

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<v Speaker 1>like the summer either.

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<v Speaker 3>Right, And so then I am thrilled to hear I

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<v Speaker 3>think because I told you I had this great conversation

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<v Speaker 3>with her that you were going to work with her

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<v Speaker 3>for oh Mary, it inspired me. Happy to inspire always,

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<v Speaker 3>but you always do. Okay, so you've been cracking sh

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<v Speaker 3>open or what?

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<v Speaker 4>Yes?

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<v Speaker 1>And this woman, she she gets elemental with it because

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<v Speaker 1>I I like, I've like worked with people before, like

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<v Speaker 1>in a in a coachy capacity, and it's been great.

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<v Speaker 1>It's just like I walk away from them being like, Okay,

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<v Speaker 1>I think I get it. But this i'm so in

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<v Speaker 1>the pocket is not the right term. I just I'm

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<v Speaker 1>I'm I'm neurally linked. She I am her banshee. She

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<v Speaker 1>is my avatar, she is my driving you. But you're

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<v Speaker 1>neurally linked.

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<v Speaker 3>I am literally could it be a word we'll find

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<v Speaker 3>out neurally yes, n EU that's like a startup.

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<v Speaker 1>Y are a L L Y and e U r

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<v Speaker 1>A L. Yeah, you got it? When are we doing

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<v Speaker 1>an adverb? Absolutely, we're really connected. It's actually culture number three.

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<v Speaker 1>We are connected. Who's the banshee? Who's the nav? This

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<v Speaker 1>is so fascinating. I think I think you you are

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<v Speaker 1>the brain. You look you look, and this is a compliment.

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<v Speaker 1>You look like a nav.

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<v Speaker 3>I've been told just so many times. And it came

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<v Speaker 3>up again obviously because we did go to the world

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<v Speaker 3>and we'll get to it again soon. Don't worry, guys,

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<v Speaker 3>because you're gonna get a lot a little bit more

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<v Speaker 3>of me and Disney updates, but first this, So that's all.

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<v Speaker 1>I'm just I'm so excited.

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<v Speaker 3>Yeah, yeah, So you're neurally linked to someone who is

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<v Speaker 3>guiding you too. Yes, to the beach in an Avatarian

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<v Speaker 3>Navvian sense, because where they go in flight of passage,

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<v Speaker 3>they go everywhere. They go everywhere, but everywhere, guys, in

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<v Speaker 3>flight of passage. And we're gonna get more into it

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<v Speaker 3>a little bit.

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<v Speaker 1>But they go everywhere. The beach Heaven, Heaven Now and

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<v Speaker 1>Funnily enough, she also worked with Miss Betty Gilpin, who

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<v Speaker 1>you have to watch Widow's Bay. All I've heard is that. Okay,

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<v Speaker 1>So I want to say two things. One, I will

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<v Speaker 1>watch this because it's You're it's so for the Hunt's

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<v Speaker 1>I'm incapable.

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<v Speaker 3>Of resisting the idea of Betty Gilpin slang. You said,

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<v Speaker 3>that's why I watched The Hunt. You said this about

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<v Speaker 3>Lady Gaga during art pop era, when you were like, yeah, yeah,

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<v Speaker 3>I like Gaga, but you said the words I will

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<v Speaker 3>always be interested in what she's doing.

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<v Speaker 1>You remember that I said that? By the way, I

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<v Speaker 1>was like, what twenty two years old?

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<v Speaker 3>I'm saying I will always be interested in what Lady

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<v Speaker 3>Gaga is doing in art pop era?

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<v Speaker 1>That means a lot? Can I say?

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<v Speaker 3>I was recently confronted about what my top three Gaga

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<v Speaker 3>albums were. Okay, you can't take art pop out of

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<v Speaker 3>that top three, No way, you can't. You can try

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<v Speaker 3>physically to attack me. I have studied the ways in

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<v Speaker 3>which people try to wrestle art pop from a Little

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<v Speaker 3>Monster's top three.

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<v Speaker 1>You I won't be getting that. I think that happens anymore.

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<v Speaker 3>Well, not anymore, but back in the day, we've had

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<v Speaker 3>to be very vicious in our defense.

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<v Speaker 1>I think we're gonna have this treatment to chromenica. I

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<v Speaker 1>already see it starting, and.

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<v Speaker 3>I'm not interested in having the conversation, but just know

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<v Speaker 3>I'm learning how to defend myself against the attacks lest

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<v Speaker 3>they come.

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<v Speaker 1>So Widow's Bay, should they come? Should they? It was

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<v Speaker 1>by I think you would enjoy it. I have to.

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<v Speaker 1>I have to watch it.

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<v Speaker 3>I will say people don't necessarily understand how sensitive I

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<v Speaker 3>am when I say I'm sensitive because I had a

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<v Speaker 3>what panic attack before the Hillary Dove concert because someone

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<v Speaker 3>described to me the Perez Hilton video.

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<v Speaker 1>Someone described it to me, which was their first mistake.

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<v Speaker 1>I hit the ground. This was a good friend of

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<v Speaker 1>yours who should have known not to go into detail

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<v Speaker 1>about the Perez Hilton self music.

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<v Speaker 3>Dave Mazzoni doesn't know better than to not do that

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<v Speaker 3>at this point. And that's why I love Dave because

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<v Speaker 3>he will just.

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<v Speaker 1>Be himself no matter what. Always I love the man,

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<v Speaker 1>love him.

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<v Speaker 3>He was.

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<v Speaker 1>I know that you were a little bit stoned.

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<v Speaker 3>Can we reveal Well, let's just say I was at

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<v Speaker 3>one of them. I was at one of my favorite restaurants.

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<v Speaker 1>Before seeing one of your favorite artists, before seeing our girl.

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<v Speaker 1>Oh my god, I'm so sad. I can't go Bohen

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<v Speaker 1>got sick. I got sick.

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<v Speaker 3>You think Disney journeys if y'all got sick, Melissa got sick.

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<v Speaker 3>I think there's something tactile. And I do want you

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<v Speaker 3>to say, we're making a lot of people brave today.

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<v Speaker 1>Born This Way Foundation. One of the things about this.

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<v Speaker 3>At this podcast, Last culture Is says is it's one

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<v Speaker 3>of the key elements of the Born This Way Foundation.

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<v Speaker 1>And we've been working with Cynthia for years. Oh my god.

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<v Speaker 3>Wait, by the way, I know we're going to talk

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<v Speaker 3>about the girls today, but I just want to say

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<v Speaker 3>I'm having such a goga moment again.

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<v Speaker 1>Yeah, I'm just what what what brought this on? I

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<v Speaker 1>don't know. Can I tell you something? Watching interviews of her.

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<v Speaker 3>You know how there's famously three eras Circus surveillance, well

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<v Speaker 3>Christmas and then there's another.

0:12:13.160 --> 0:12:16.360
<v Speaker 1>One circus surveillance and Christmas Circus surveillance Christmas and then

0:12:16.440 --> 0:12:20.840
<v Speaker 1>like summer, like like summer. Sure like Zara Larson right

0:12:20.880 --> 0:12:22.480
<v Speaker 1>now and maybe forever.

0:12:22.640 --> 0:12:26.559
<v Speaker 3>I do think Zara Larson should be summer forever. And

0:12:26.600 --> 0:12:30.160
<v Speaker 3>I'm gonna tell her that when she comes, because I

0:12:30.200 --> 0:12:32.079
<v Speaker 3>think she has an opportunity if she wants to be

0:12:32.160 --> 0:12:35.559
<v Speaker 3>Jimmy Buffett coated and someone should take that lane.

0:12:35.960 --> 0:12:37.880
<v Speaker 1>I don't want it to have to be me. No,

0:12:38.160 --> 0:12:40.679
<v Speaker 1>and it should be a Swedish person.

0:12:41.520 --> 0:12:44.760
<v Speaker 3>I'm just saying, Zara Larson at this rate could have

0:12:44.920 --> 0:12:46.080
<v Speaker 3>a Margueritaville.

0:12:46.520 --> 0:12:51.480
<v Speaker 1>If she wants enough, she's she gives you. It's the seashells.

0:12:51.679 --> 0:12:57.040
<v Speaker 1>It's the delectable pop. Yeah, it's the delectable. It's it's

0:12:57.080 --> 0:12:59.080
<v Speaker 1>the It's like a Swedish gummy.

0:13:00.120 --> 0:13:02.880
<v Speaker 3>So I guess what I'm trying to say is I

0:13:03.880 --> 0:13:05.520
<v Speaker 3>just I feel like when I'm listening to God, I'm

0:13:05.520 --> 0:13:07.520
<v Speaker 3>having more fun. And a lot of the girls right

0:13:07.600 --> 0:13:11.800
<v Speaker 3>now are discussing in their music lyrically this is how

0:13:11.840 --> 0:13:14.319
<v Speaker 3>I feel about my station in the public.

0:13:14.080 --> 0:13:17.720
<v Speaker 1>Eye, authenticity, which plays into surveillance which we are now,

0:13:18.640 --> 0:13:19.960
<v Speaker 1>which is bearing down on all of us.

0:13:20.360 --> 0:13:24.000
<v Speaker 3>And I think it's like it's kind of like sometimes

0:13:24.040 --> 0:13:26.600
<v Speaker 3>they all get the same idea but in different ways,

0:13:27.000 --> 0:13:29.160
<v Speaker 3>because I think it's obviously a cultural response, and I

0:13:29.240 --> 0:13:33.720
<v Speaker 3>think they're all sort of responding to comment and perception

0:13:33.920 --> 0:13:35.360
<v Speaker 3>culture at the same time.

0:13:37.000 --> 0:13:42.400
<v Speaker 1>It's the Taylor Charlie are are a trifecta at this moment. Yeah,

0:13:42.679 --> 0:13:49.080
<v Speaker 1>they're all at this time have recently gone about authenticity

0:13:49.240 --> 0:13:51.680
<v Speaker 1>in their own individual ways. Yes, and so.

0:13:52.400 --> 0:13:54.959
<v Speaker 3>Mayhem was just a moment a bit ago that we

0:13:55.040 --> 0:13:58.000
<v Speaker 3>weren't doing that. I will also say this opens up

0:13:58.040 --> 0:14:00.760
<v Speaker 3>a huge avenue for me to be enjoying the fuck

0:14:00.960 --> 0:14:04.640
<v Speaker 3>out of confessions too, which we have not discussed on

0:14:04.679 --> 0:14:07.240
<v Speaker 3>this podcast because we haven't not had the opportunity to

0:14:07.320 --> 0:14:10.400
<v Speaker 3>do exactly exactly Dan Sitityria feels like a song we've

0:14:10.480 --> 0:14:11.240
<v Speaker 3>always had.

0:14:11.280 --> 0:14:15.520
<v Speaker 1>Well, it's Vogue New Basically, it's like, these are the

0:14:15.640 --> 0:14:17.839
<v Speaker 1>names of people I love and and here we go

0:14:18.040 --> 0:14:21.240
<v Speaker 1>and this was the vibe as I hope that if I.

0:14:21.280 --> 0:14:23.680
<v Speaker 3>Ever run into Debbie Maysar on the third floor, that

0:14:23.840 --> 0:14:28.400
<v Speaker 3>we that whatever we're doing turned into a party. Well, Debbie,

0:14:28.640 --> 0:14:30.360
<v Speaker 3>I have to imagine that Debbie is a little bit

0:14:30.440 --> 0:14:32.800
<v Speaker 3>like fuck now that this is what everyone's going to

0:14:32.800 --> 0:14:34.240
<v Speaker 3>be saying to me for the rest of my life.

0:14:34.280 --> 0:14:37.520
<v Speaker 1>Do you think she's mad? Though? Where did the champagne go? You?

0:14:38.160 --> 0:14:39.440
<v Speaker 1>So you brought her all the way over there? I

0:14:39.480 --> 0:14:41.520
<v Speaker 1>think Debbie and Madonna have it. Really, I'm just gonna.

0:14:41.760 --> 0:14:44.120
<v Speaker 1>I'm totally justicebby Mazar came up. I feel like I

0:14:44.120 --> 0:14:47.680
<v Speaker 1>should have. I think I think Debbie and Madonna have

0:14:47.920 --> 0:14:52.440
<v Speaker 1>such a beautiful and also complicated Thank you, thank you

0:14:52.560 --> 0:14:53.360
<v Speaker 1>so much. Oh my god.

0:14:53.440 --> 0:14:55.720
<v Speaker 3>We also have to talk about. Speaking of beautiful and

0:14:55.800 --> 0:14:59.240
<v Speaker 3>complicated relationships with Madonna, we also have to talk about

0:14:59.240 --> 0:15:01.400
<v Speaker 3>who we ran into literally the other night after a

0:15:01.440 --> 0:15:03.800
<v Speaker 3>little Shop of Horrors, when we went to Yes Say

0:15:03.840 --> 0:15:04.280
<v Speaker 3>It with Us.

0:15:04.280 --> 0:15:10.400
<v Speaker 1>Barton Trial Rosie o'donald O'Donnell. We just ran into her.

0:15:10.600 --> 0:15:13.440
<v Speaker 1>And the first thing she says to us is she

0:15:13.600 --> 0:15:16.360
<v Speaker 1>looks at Matt to goes you said that nice thing

0:15:16.440 --> 0:15:19.440
<v Speaker 1>about me at the Tonys. And then I grabbed and

0:15:19.560 --> 0:15:21.040
<v Speaker 1>then I grabbed both.

0:15:21.000 --> 0:15:24.360
<v Speaker 3>Her hands in mine both, I said, and I clutched

0:15:24.360 --> 0:15:27.280
<v Speaker 3>them and I said I did, and it's because I

0:15:27.440 --> 0:15:30.280
<v Speaker 3>love you so much and you should have been up there.

0:15:31.160 --> 0:15:33.040
<v Speaker 3>And then she was like, she was like, you know,

0:15:33.280 --> 0:15:35.520
<v Speaker 3>that was very kind. She she didn't like agree and

0:15:35.640 --> 0:15:36.560
<v Speaker 3>say yeah, I should have.

0:15:36.920 --> 0:15:39.080
<v Speaker 1>That did not happen. She remained graceful. I don't think

0:15:39.120 --> 0:15:41.480
<v Speaker 1>she wants to be on a stage. I think she's

0:15:41.520 --> 0:15:44.120
<v Speaker 1>fine with being on to watch what happens. Yeah, I

0:15:44.280 --> 0:15:47.360
<v Speaker 1>don't think she wants to be on a huge platform

0:15:47.800 --> 0:15:51.280
<v Speaker 1>on display like that, so so that like the you know.

0:15:51.560 --> 0:15:54.080
<v Speaker 3>The people that she's dealt with one hundred percent, I

0:15:54.240 --> 0:15:58.040
<v Speaker 3>do just think sometimes and don't worry because we then

0:15:58.160 --> 0:16:00.840
<v Speaker 3>quickly pivoted to how much she needs to come on

0:16:00.880 --> 0:16:02.640
<v Speaker 3>the podcast, And I do think we'll have a time

0:16:02.680 --> 0:16:03.360
<v Speaker 3>time with her.

0:16:03.480 --> 0:16:05.840
<v Speaker 1>I think we would have a time, but I will

0:16:06.040 --> 0:16:06.480
<v Speaker 1>say that.

0:16:08.440 --> 0:16:13.280
<v Speaker 3>We would I think benefit from the healing moment that

0:16:13.440 --> 0:16:16.960
<v Speaker 3>would be restoring Rosy O'Donnell to a place where she

0:16:17.240 --> 0:16:20.960
<v Speaker 3>can entertain us and mass because I think she's one

0:16:21.040 --> 0:16:28.360
<v Speaker 3>of the most important an effortless comedian slash hosts. And

0:16:28.400 --> 0:16:32.520
<v Speaker 3>who really put that first part first, that we've had

0:16:32.600 --> 0:16:34.800
<v Speaker 3>the privilege of being able to have access to it,

0:16:34.840 --> 0:16:36.400
<v Speaker 3>and the fact that our access to her was just

0:16:36.480 --> 0:16:37.000
<v Speaker 3>cut off.

0:16:36.880 --> 0:16:41.640
<v Speaker 1>For me is I agree. I think a lot of

0:16:41.840 --> 0:16:47.840
<v Speaker 1>the cut offness is her own choice, sure, and I

0:16:48.080 --> 0:16:49.840
<v Speaker 1>don't think we should force her out into the open.

0:16:51.800 --> 0:16:55.120
<v Speaker 1>It's an invitation at least to come here. Of course,

0:16:55.160 --> 0:16:59.360
<v Speaker 1>although she did she did, it did surprise me and

0:16:59.440 --> 0:17:03.880
<v Speaker 1>delight me that she was so flattered by your comment.

0:17:04.680 --> 0:17:07.239
<v Speaker 1>First of all, and I realized you hadn't met yet,

0:17:07.520 --> 0:17:09.399
<v Speaker 1>you had never never met her. So I tried, I'm like,

0:17:09.440 --> 0:17:12.480
<v Speaker 1>do you know Bowen? And then she said, I believe

0:17:12.560 --> 0:17:15.359
<v Speaker 1>you guys clasped both hands. I don't remember. I was

0:17:15.400 --> 0:17:18.639
<v Speaker 1>blocked out as in like I was emotional. Let me

0:17:18.760 --> 0:17:20.520
<v Speaker 1>correct the record. No, I was not. I was not

0:17:21.040 --> 0:17:22.879
<v Speaker 1>on anything. I was just I was just I was

0:17:23.080 --> 0:17:24.080
<v Speaker 1>very emotional meeting her.

0:17:24.200 --> 0:17:27.680
<v Speaker 3>I for some reason knew that you would feel that way.

0:17:28.240 --> 0:17:31.800
<v Speaker 3>It's Rosy, ohdonne. Not since Meredith Marks have I been

0:17:31.840 --> 0:17:36.240
<v Speaker 3>so sure that you would need encouragement.

0:17:37.080 --> 0:17:40.040
<v Speaker 1>I was thinking about you, what that you would need

0:17:40.160 --> 0:17:43.399
<v Speaker 1>encourage that you were Rosie so overwhelmed after meeting Rosie.

0:17:43.400 --> 0:17:46.800
<v Speaker 1>The rest of that, No, I I honestly like it

0:17:46.880 --> 0:17:50.800
<v Speaker 1>must be the medication talking, because.

0:17:50.680 --> 0:17:53.320
<v Speaker 3>I am not nervous anymore to like be like hey,

0:17:53.680 --> 0:17:54.280
<v Speaker 3>like I don't know.

0:17:54.640 --> 0:18:01.440
<v Speaker 1>I would have went years ago. I loved. Is that anything?

0:18:01.760 --> 0:18:05.359
<v Speaker 1>It must be the medication talking. Is that anything?

0:18:05.760 --> 0:18:09.080
<v Speaker 3>Jam Buffett? It's well, Jimy Buffet could never he was

0:18:09.119 --> 0:18:12.040
<v Speaker 3>never un meds And I want to just respectfully, because

0:18:12.040 --> 0:18:14.399
<v Speaker 3>I realized what I just did. I said, Jimmy Buffett

0:18:14.400 --> 0:18:17.040
<v Speaker 3>could never. After I sang, that wasn't the way.

0:18:17.240 --> 0:18:19.840
<v Speaker 1>Jimmy Buffett sang, you know what I mean, it sounds

0:18:20.000 --> 0:18:23.080
<v Speaker 1>like a meat loaf, Jimmy Buffett, It's like some kind

0:18:23.119 --> 0:18:24.720
<v Speaker 1>of it was kind of giving.

0:18:25.400 --> 0:18:28.440
<v Speaker 3>Uh not Kenny Rodgers, but not not, you know what

0:18:28.520 --> 0:18:32.520
<v Speaker 3>I mean? Who sang on Zoom the Street? Yeah, Kenny Rodgers?

0:18:32.640 --> 0:18:32.760
<v Speaker 5>Right?

0:18:33.560 --> 0:18:35.680
<v Speaker 1>Why where are my Kenny Rodgers people?

0:18:35.720 --> 0:18:38.080
<v Speaker 3>I'm looking at every single person in the eyes and

0:18:38.160 --> 0:18:40.800
<v Speaker 3>it's like, oh, there you are, Becca Ramos, there's my

0:18:40.960 --> 0:18:41.639
<v Speaker 3>Kenny Rogers.

0:18:41.760 --> 0:18:48.639
<v Speaker 1>Girly. Well, I know what I knew. What I was

0:18:48.680 --> 0:18:51.399
<v Speaker 1>doing was brand new. I was just asking is it anything? Like?

0:18:51.600 --> 0:18:52.200
<v Speaker 1>Is it a hit?

0:18:54.119 --> 0:18:54.159
<v Speaker 3>You?

0:18:55.440 --> 0:18:59.560
<v Speaker 1>It is not a hit. Your next album is supposedly

0:18:59.640 --> 0:19:04.639
<v Speaker 1>about vacation, but I think you can make it. You

0:19:04.680 --> 0:19:06.760
<v Speaker 1>can sort of fold in the surprise, which is it's

0:19:06.800 --> 0:19:10.320
<v Speaker 1>about being medicated. Well, I'm going to Grand Rapids for

0:19:10.400 --> 0:19:12.920
<v Speaker 1>four days to see the boys actually over labor New weeks.

0:19:12.960 --> 0:19:17.600
<v Speaker 1>That's so Na May Actually what punt of paper? I

0:19:17.760 --> 0:19:20.480
<v Speaker 1>love that? You should go to Saga Tak what's that?

0:19:20.800 --> 0:19:24.960
<v Speaker 1>I think it's the it's the epcot Oh in Dansitaria,

0:19:25.040 --> 0:19:27.600
<v Speaker 1>did we talk enough about Madonna? Probably not? Probably not.

0:19:27.840 --> 0:19:31.159
<v Speaker 1>I mean, I don't fuck with it? Amazing, Well, I

0:19:31.320 --> 0:19:36.360
<v Speaker 1>just I will. One of my favorite moments ever, I'm realizing,

0:19:36.720 --> 0:19:39.240
<v Speaker 1>was just her on that German show being like, I

0:19:39.320 --> 0:19:41.520
<v Speaker 1>have a problem with the fact that I that it's

0:19:41.600 --> 0:19:44.960
<v Speaker 1>hot and there's no air in here. I'm suffocating, suffocating.

0:19:46.040 --> 0:19:50.639
<v Speaker 1>Open the door now, it's unbelievable, I know. And the

0:19:50.680 --> 0:19:52.720
<v Speaker 1>best part she says it for the end. She says

0:19:52.720 --> 0:19:54.760
<v Speaker 1>it for the end, and well she goes, just give

0:19:54.800 --> 0:19:57.280
<v Speaker 1>me a fan, Just give me a fan. The last line,

0:19:57.440 --> 0:20:00.600
<v Speaker 1>last line is I can't even think chan through a question?

0:20:05.560 --> 0:20:09.120
<v Speaker 1>Can I also say the temperature in here rocks? Rocks?

0:20:09.160 --> 0:20:11.840
<v Speaker 1>Did you also change that? I love it here? Did

0:20:11.880 --> 0:20:14.960
<v Speaker 1>you change everything for the better? Why am I about

0:20:15.000 --> 0:20:18.560
<v Speaker 1>to burst into tears? So emotional? So so the medication

0:20:18.720 --> 0:20:21.760
<v Speaker 1>is not stopping you from feeling emotion? Well yeah, I

0:20:21.840 --> 0:20:24.360
<v Speaker 1>mean I could still certainly still have a panic attack.

0:20:25.560 --> 0:20:27.600
<v Speaker 3>The way I hit the ground to say nothing of

0:20:27.880 --> 0:20:30.760
<v Speaker 3>the By the way, he is back in like thirty minutes,

0:20:30.840 --> 0:20:31.800
<v Speaker 3>and I oh.

0:20:31.720 --> 0:20:35.520
<v Speaker 1>Got that Hillary duff show looked amazing, Charlotte. She's saying

0:20:35.680 --> 0:20:40.120
<v Speaker 1>she brought out good charing the anthem Part two, Yes,

0:20:40.200 --> 0:20:44.119
<v Speaker 1>part we did bowen one that goes this is the

0:20:48.280 --> 0:20:51.280
<v Speaker 1>Don't Want to Be which, by the way, I kicked

0:20:51.320 --> 0:20:53.400
<v Speaker 1>off a whole couple days.

0:20:53.160 --> 0:20:55.680
<v Speaker 3>Of nostalgia listening for me. I ended up listening to

0:20:55.840 --> 0:20:58.960
<v Speaker 3>Yellow Card. Oh wow last night, can I just say

0:20:59.040 --> 0:21:01.720
<v Speaker 3>something broken? These fragile things now?

0:21:02.000 --> 0:21:06.720
<v Speaker 1>And I can't. I can't pick up the pieces. We

0:21:06.960 --> 0:21:11.159
<v Speaker 1>really we had a really nice because, like we were,

0:21:11.280 --> 0:21:13.199
<v Speaker 1>we were forced to listen to a bunch of different

0:21:13.280 --> 0:21:14.960
<v Speaker 1>ship all the time.

0:21:15.160 --> 0:21:18.840
<v Speaker 3>Yeah, we had a colectic taste because it was the

0:21:18.960 --> 0:21:20.640
<v Speaker 3>radio and they had it answered.

0:21:20.320 --> 0:21:22.399
<v Speaker 1>A lot of people. Yeah, yeah, okay.

0:21:23.200 --> 0:21:25.520
<v Speaker 3>Oh, by the way, she was amazing. Why is Roommates

0:21:26.040 --> 0:21:28.680
<v Speaker 3>the best song? Why is still the best song? By

0:21:28.680 --> 0:21:32.160
<v Speaker 3>the way, you know who we were next to, Doug Pack.

0:21:32.520 --> 0:21:35.520
<v Speaker 3>Oh just love being at a show with Doug Pack

0:21:36.000 --> 0:21:38.040
<v Speaker 3>because I look over during the singing and he and

0:21:38.119 --> 0:21:39.800
<v Speaker 3>he opens up his eyes to be like.

0:21:39.920 --> 0:21:43.359
<v Speaker 1>Yeah, Michelle Rannewitz is the Doug Pack of acting. To me,

0:21:44.840 --> 0:21:49.480
<v Speaker 1>really good to have that person, which she in your life,

0:21:49.520 --> 0:21:52.919
<v Speaker 1>which she legends, Who know the fucking craft? What are

0:21:52.960 --> 0:21:54.520
<v Speaker 1>you most excited about doing?

0:21:54.640 --> 0:21:54.680
<v Speaker 2>You?

0:21:54.800 --> 0:22:01.280
<v Speaker 1>Oh? Mary is there? The I hired another coach actors

0:22:01.480 --> 0:22:05.720
<v Speaker 1>accent Access. She's a she's a lady who lives in

0:22:05.920 --> 0:22:09.359
<v Speaker 1>the UK, and for the audition, I was like, I

0:22:09.480 --> 0:22:13.960
<v Speaker 1>want to go Scouse or Brummy, Birmingham or Liverpool. Got it,

0:22:14.280 --> 0:22:16.400
<v Speaker 1>even though in the script does say Cockney and Sam,

0:22:16.440 --> 0:22:18.719
<v Speaker 1>if you want to push back on this and rehearsal

0:22:19.440 --> 0:22:24.000
<v Speaker 1>this conversation, I'm prepared to do it Scouse. I'm prepared

0:22:24.000 --> 0:22:24.760
<v Speaker 1>to do it live apoo.

0:22:26.200 --> 0:22:28.600
<v Speaker 3>I think that that would be good, even just from

0:22:28.640 --> 0:22:31.760
<v Speaker 3>hearing you say that one word, I think it'll be good.

0:22:31.800 --> 0:22:33.680
<v Speaker 1>I think you need to follow your heart because the

0:22:33.800 --> 0:22:38.400
<v Speaker 1>way a Scouse person would say live about she would

0:22:38.440 --> 0:22:43.800
<v Speaker 1>go rip the browses. It's like almost at Scottish. It's

0:22:43.840 --> 0:22:47.200
<v Speaker 1>it's very groundskeeper Willie. Yeah, I'm excited to do that.

0:22:47.359 --> 0:22:51.320
<v Speaker 1>I'm excited to do the Medley. Medley. I'm so nervous,

0:22:51.359 --> 0:22:54.200
<v Speaker 1>but yes, I'm so Why you're nervous, it's just at

0:22:54.480 --> 0:22:59.679
<v Speaker 1>it's just a big I mean, it's just it's closes out.

0:22:59.720 --> 0:23:02.879
<v Speaker 1>I mean not to spoil, but it's just it's an

0:23:02.920 --> 0:23:06.200
<v Speaker 1>amazing it is a reverie like I have to meet

0:23:06.240 --> 0:23:12.240
<v Speaker 1>it at the Reverie anyway. September fifteenth through December sixth

0:23:12.400 --> 0:23:15.480
<v Speaker 1>through December I will not be on October third and fourth.

0:23:15.680 --> 0:23:18.960
<v Speaker 1>What's happening? Then? My dad is getting an award for

0:23:19.240 --> 0:23:23.920
<v Speaker 1>engineering in Washington, d C. And I he's treating it

0:23:24.040 --> 0:23:26.680
<v Speaker 1>like the biggest honor anyone's ever received in the history

0:23:26.720 --> 0:23:28.440
<v Speaker 1>of the world, which it kind of is. And it

0:23:28.520 --> 0:23:31.159
<v Speaker 1>will happen. And then Hannah Solo will Hanna Solo will

0:23:31.200 --> 0:23:33.440
<v Speaker 1>tread the board. You're gonna get to spend so much.

0:23:33.800 --> 0:23:38.520
<v Speaker 1>I can't wait. You're going to be inseparable. That's what

0:23:38.600 --> 0:23:40.480
<v Speaker 1>I'm most excited about is hanging out with Hannah and

0:23:41.240 --> 0:23:44.720
<v Speaker 1>like Julian and like Barrett and Philip, like everybody, Like

0:23:44.800 --> 0:23:47.240
<v Speaker 1>I'm so like, that is such a great group. I

0:23:47.359 --> 0:23:49.520
<v Speaker 1>went to go to I met them at dent Typhong

0:23:49.680 --> 0:23:54.119
<v Speaker 1>one day because it was Seamu's last weekend, and Seemu

0:23:54.200 --> 0:23:56.560
<v Speaker 1>took them all out because sim was Mary's teacher. And

0:23:56.600 --> 0:23:58.520
<v Speaker 1>Seemu took them all out to Dn't Taiphong and he's

0:23:58.520 --> 0:23:59.800
<v Speaker 1>a come and I was like, and that was right

0:23:59.800 --> 0:24:01.280
<v Speaker 1>when I was like, I think I'm gonna do it.

0:24:02.920 --> 0:24:04.920
<v Speaker 1>And we all ate dumplings together and they were it

0:24:05.000 --> 0:24:07.119
<v Speaker 1>was just such a sweet vibe. They were like we

0:24:07.320 --> 0:24:10.680
<v Speaker 1>love everything. Everyone just loves each other. It's so cute.

0:24:10.680 --> 0:24:13.080
<v Speaker 1>And then they were like Meg's having a great time

0:24:13.119 --> 0:24:15.080
<v Speaker 1>with them. It looks like and I mean, they're up

0:24:15.119 --> 0:24:16.840
<v Speaker 1>to their antics. They're up to their antics. I do

0:24:16.960 --> 0:24:21.199
<v Speaker 1>have to go see that. It always feels like.

0:24:23.280 --> 0:24:25.600
<v Speaker 3>You turn the corner and there's because now they announced

0:24:25.720 --> 0:24:28.520
<v Speaker 3>Lali is gonna do it, and and I was supposed to.

0:24:28.880 --> 0:24:30.760
<v Speaker 3>I'm also bummed I'm not gonna be able to see

0:24:31.600 --> 0:24:32.359
<v Speaker 3>Ari's tour I was.

0:24:32.359 --> 0:24:35.919
<v Speaker 1>Supposed to go to. I know I'm not going anymore.

0:24:36.040 --> 0:24:36.440
<v Speaker 4>Tarnut.

0:24:36.760 --> 0:24:41.680
<v Speaker 3>Yeah, I know she's singing some of Pedal, So shall

0:24:41.680 --> 0:24:45.680
<v Speaker 3>we about Pedal? Absolutely pedal For me, it's like horny

0:24:45.800 --> 0:24:52.080
<v Speaker 3>enough where it satisfies the pop star Ariana thing and like,

0:24:52.800 --> 0:24:55.800
<v Speaker 3>I don't know lyrically, like is it actually this feral

0:24:55.920 --> 0:24:59.520
<v Speaker 3>thing that's saying everything and going hold no holds barred no.

0:25:00.200 --> 0:25:02.240
<v Speaker 1>But she the way that she kind of.

0:25:02.400 --> 0:25:09.240
<v Speaker 3>Like characterizes huh her audience here, which is like that

0:25:09.400 --> 0:25:12.840
<v Speaker 3>perceptive the people that are talking about her works as

0:25:13.000 --> 0:25:15.840
<v Speaker 3>Ariana Grande as well, like like I do in big

0:25:15.960 --> 0:25:19.880
<v Speaker 3>feelings I think are about the subject of the audience,

0:25:20.040 --> 0:25:21.960
<v Speaker 3>but she's able to map them in ways that I

0:25:22.119 --> 0:25:22.919
<v Speaker 3>really enjoy.

0:25:23.640 --> 0:25:29.000
<v Speaker 1>Yes, arian do I think the feralness, the faral, if

0:25:29.040 --> 0:25:31.879
<v Speaker 1>that's the right word, the noun, I think that is

0:25:33.400 --> 0:25:35.480
<v Speaker 1>in the conception of it. But I think in the

0:25:36.000 --> 0:25:39.679
<v Speaker 1>execution of the album it is like about restraints, right,

0:25:39.920 --> 0:25:44.360
<v Speaker 1>she like she's gonna belt at the fucking show. She's

0:25:44.680 --> 0:25:48.720
<v Speaker 1>not gonna belt, She's gonna keep it well placed in

0:25:48.840 --> 0:25:55.359
<v Speaker 1>ethereal on the track, it is in conflict very purposefully

0:25:55.440 --> 0:25:58.600
<v Speaker 1>with the production, as in like the noise, which is

0:25:58.680 --> 0:26:01.080
<v Speaker 1>like what this album is about. It's about her versus

0:26:01.840 --> 0:26:05.159
<v Speaker 1>the noise of being like one of the most like

0:26:05.960 --> 0:26:06.760
<v Speaker 1>talked about people.

0:26:07.400 --> 0:26:07.760
<v Speaker 2>Yeah, and.

0:26:10.000 --> 0:26:12.320
<v Speaker 1>Pretty genius, I think, and I think I think a

0:26:12.359 --> 0:26:13.639
<v Speaker 1>lot of people have a lot to say about, like

0:26:13.720 --> 0:26:15.760
<v Speaker 1>what is she singing about? What is she frustrated about

0:26:15.760 --> 0:26:18.159
<v Speaker 1>that she's not being specific enough? But I feel like

0:26:18.200 --> 0:26:22.119
<v Speaker 1>it's the specificity is all projected in that it's like

0:26:22.440 --> 0:26:25.120
<v Speaker 1>already preconceived by the audience.

0:26:25.440 --> 0:26:27.440
<v Speaker 3>It would feel cheap if she were to come out

0:26:27.480 --> 0:26:30.359
<v Speaker 3>and be like this is this is exactly how I felt.

0:26:30.359 --> 0:26:32.280
<v Speaker 3>I felt like what makes her the daughter of Mariah

0:26:32.359 --> 0:26:37.280
<v Speaker 3>to me is that in retrospect, Mariah still allowed you

0:26:37.440 --> 0:26:39.040
<v Speaker 3>to project a lot onto her Earlier.

0:26:39.200 --> 0:26:42.240
<v Speaker 1>She never sang about exactly. She was never like Tommy's

0:26:42.280 --> 0:26:42.560
<v Speaker 1>doing this.

0:26:42.640 --> 0:26:45.480
<v Speaker 3>To me, it was like even in Butterfly and and

0:26:45.680 --> 0:26:49.040
<v Speaker 3>all through Emancipation, even like how she was feeling about

0:26:49.040 --> 0:26:52.440
<v Speaker 3>her circumstances, because Mariah just as much as Arianna was

0:26:52.520 --> 0:26:57.240
<v Speaker 3>picked the fuck yeah apart and always found her craft

0:26:57.680 --> 0:27:00.240
<v Speaker 3>to be her like guiding light through that. So for me,

0:27:00.359 --> 0:27:03.920
<v Speaker 3>it's like the way that Arianna is also the daughter

0:27:04.000 --> 0:27:06.480
<v Speaker 3>of Mariah is she's thinking about things in a more

0:27:06.600 --> 0:27:12.159
<v Speaker 3>artistically and musically holistic way. Ariana Grande knows what her

0:27:12.280 --> 0:27:16.280
<v Speaker 3>voice can do, just like Mariah did, and she's scaping

0:27:16.480 --> 0:27:20.160
<v Speaker 3>a track like Ariana Grande is saying this is the way,

0:27:20.680 --> 0:27:22.880
<v Speaker 3>because I think she's even said that her most.

0:27:23.480 --> 0:27:25.399
<v Speaker 1>Her actual talent is not her voice, even though she

0:27:25.440 --> 0:27:27.920
<v Speaker 1>knows it's technically special. Her real talent is her ear.

0:27:28.119 --> 0:27:31.760
<v Speaker 3>Yeah, her her voice is not her only instruments, And

0:27:31.880 --> 0:27:35.480
<v Speaker 3>so she's using the instruments that she has at her

0:27:35.560 --> 0:27:39.080
<v Speaker 3>disposal as a producer to create this thing. And to me,

0:27:39.240 --> 0:27:42.160
<v Speaker 3>it's like, that's why she's just like far and away

0:27:42.280 --> 0:27:46.000
<v Speaker 3>the most technically proficient and therefore inventive pop star that

0:27:46.080 --> 0:27:46.280
<v Speaker 3>we have.

0:27:46.480 --> 0:27:50.680
<v Speaker 1>That's why she's on Ableton or logic or whatever. Yeah,

0:27:50.800 --> 0:27:53.720
<v Speaker 1>that's like she's she gets she's in flow state because

0:27:53.840 --> 0:27:57.000
<v Speaker 1>this is her real art, right, It is putting it

0:27:57.200 --> 0:28:00.320
<v Speaker 1>is putting these sounds together. That's why, like that video

0:28:00.320 --> 0:28:03.240
<v Speaker 1>goes viral of her doing positions, Yeah, where she's layering

0:28:03.320 --> 0:28:04.919
<v Speaker 1>and she's like, move that back. I want to come

0:28:04.960 --> 0:28:07.639
<v Speaker 1>in on that. Like it's yeah, she's she gets all

0:28:07.680 --> 0:28:11.440
<v Speaker 1>galaxy brain with that. Yeah. I think that is what

0:28:11.560 --> 0:28:14.680
<v Speaker 1>people are maybe not totally bringing to the four with

0:28:14.760 --> 0:28:18.320
<v Speaker 1>this conversation. It's like this is all incredibly by design.

0:28:18.400 --> 0:28:24.159
<v Speaker 1>She's been recording since January February. The songs are the

0:28:24.240 --> 0:28:28.800
<v Speaker 1>songs are very adaptable to her and the audience, right, Like, yeah,

0:28:28.880 --> 0:28:30.159
<v Speaker 1>you want to.

0:28:30.240 --> 0:28:32.879
<v Speaker 3>Look back on these albums and be like able to

0:28:32.960 --> 0:28:35.600
<v Speaker 3>project on them. You don't want them to feel dated

0:28:35.680 --> 0:28:37.200
<v Speaker 3>or like they're trapped in time.

0:28:37.680 --> 0:28:38.680
<v Speaker 1>Which, like I don't know.

0:28:38.840 --> 0:28:41.520
<v Speaker 3>I don't think everyone is as successful as she is

0:28:41.720 --> 0:28:46.520
<v Speaker 3>when they try to tackle the perceptions and when when

0:28:46.560 --> 0:28:50.560
<v Speaker 3>an artist decides okay, like right now, what I'm going

0:28:50.640 --> 0:28:53.880
<v Speaker 3>to focus on is everyone else focusing on me. That

0:28:54.120 --> 0:28:58.200
<v Speaker 3>is tough to accomplish because you don't always succeed in

0:28:58.400 --> 0:29:02.000
<v Speaker 3>not just feeling like a total narcissist who has all

0:29:02.040 --> 0:29:05.000
<v Speaker 3>these tools at their disposal, like she's creating a lot

0:29:05.120 --> 0:29:07.480
<v Speaker 3>of stuff, Like I don't need to know anything about

0:29:07.560 --> 0:29:11.560
<v Speaker 3>her to have sex to, like I do you know

0:29:11.600 --> 0:29:12.000
<v Speaker 3>what I mean?

0:29:12.120 --> 0:29:15.240
<v Speaker 1>Like, I don't care. That's also I'm on the record

0:29:15.320 --> 0:29:17.800
<v Speaker 1>that Positions was my fuck album of the pandemic. You've

0:29:17.840 --> 0:29:20.480
<v Speaker 1>said that I don't need to know anything about everyone?

0:29:20.960 --> 0:29:25.400
<v Speaker 1>Was everyone's album not like me? If you had seen me.

0:29:26.440 --> 0:29:31.000
<v Speaker 1>Positions was my election album unfortunately an election and because

0:29:31.040 --> 0:29:34.440
<v Speaker 1>it came out around November twenty, I mean it certainly

0:29:34.520 --> 0:29:40.080
<v Speaker 1>did well. What was my election album? We all had?

0:29:40.200 --> 0:29:43.680
<v Speaker 1>Everyone says song on the Summer, bitch, what's your election?

0:29:44.200 --> 0:29:46.640
<v Speaker 3>That's Rettle Culture number eight. Everyone says song of the

0:29:46.640 --> 0:29:50.360
<v Speaker 3>Summer bitch, what's your album of election? I mean, I

0:29:50.440 --> 0:29:54.280
<v Speaker 3>will say that I've never seen such a Positions esque candidate.

0:29:54.560 --> 0:29:57.640
<v Speaker 1>Then Abdula, I'll say, ed, what does that mean?

0:29:59.320 --> 0:30:02.120
<v Speaker 3>What I'm saying is I think that people saying he

0:30:02.320 --> 0:30:06.480
<v Speaker 3>reminds them of Obama. I think what you're saying is

0:30:08.000 --> 0:30:11.320
<v Speaker 3>you would put you You are attracted to this political

0:30:11.400 --> 0:30:17.160
<v Speaker 3>candidate at this moment, also inspiring and in an actual way, you.

0:30:17.200 --> 0:30:20.080
<v Speaker 1>Want to take care Evan met your girl, your mitten

0:30:20.280 --> 0:30:22.920
<v Speaker 1>or whatever they call it in Michigan. I think they

0:30:23.000 --> 0:30:24.760
<v Speaker 1>call it. They call it all sorts of weird things.

0:30:25.320 --> 0:30:28.840
<v Speaker 3>So I'm so happy to have a break from discourse

0:30:28.960 --> 0:30:34.080
<v Speaker 3>where you hear this word said this way, Michigander. I

0:30:34.120 --> 0:30:36.520
<v Speaker 3>don't think we have to go I don't think we're

0:30:36.520 --> 0:30:39.360
<v Speaker 3>have never shade. We're about to go into an election.

0:30:40.800 --> 0:30:44.000
<v Speaker 1>The primary is so aware of that. But Michigan is

0:30:44.160 --> 0:30:47.000
<v Speaker 1>very and you're about to go there. I am going

0:30:47.040 --> 0:30:49.000
<v Speaker 1>to go to Grand Rapids, but I'm going to see

0:30:49.040 --> 0:30:52.200
<v Speaker 1>people who don't say, how are you supposed to say it?

0:30:52.200 --> 0:30:55.560
<v Speaker 3>I'm sorry, Well, I mean, I'm not here to teach

0:30:55.560 --> 0:30:59.920
<v Speaker 3>a Shakespeare acting least. I'm not Michelle urannawiz herself movement more.

0:31:00.840 --> 0:31:06.960
<v Speaker 3>But I will say something like this would be nice. Michigander, Michigander, Michigander.

0:31:07.080 --> 0:31:08.560
<v Speaker 1>You want to you want to be a little British

0:31:08.600 --> 0:31:12.120
<v Speaker 1>inflection Madonna with it. Get me, just give me a fan,

0:31:12.520 --> 0:31:17.440
<v Speaker 1>Just get me a fan, Michigan. She's a Michigan's gotta

0:31:17.520 --> 0:31:19.960
<v Speaker 1>goes back to Madonna slash Michigan. It's actually real culture

0:31:20.040 --> 0:31:25.400
<v Speaker 1>number six Madonna. Mischagander is a Michigan. I can't even

0:31:25.440 --> 0:31:28.280
<v Speaker 1>think to answer a question, even think to answer a question.

0:31:28.880 --> 0:31:31.840
<v Speaker 1>So funny, she's so funny. Okay, we have to reveal something.

0:31:32.000 --> 0:31:35.520
<v Speaker 3>What We actually were supposed to host her album release

0:31:35.680 --> 0:31:38.800
<v Speaker 3>party in New York and she was coming on the pod,

0:31:39.600 --> 0:31:43.200
<v Speaker 3>and unfortunately it didn't work with her dates. They had

0:31:43.240 --> 0:31:45.360
<v Speaker 3>to move around and we work.

0:31:45.640 --> 0:31:47.240
<v Speaker 1>Because we needed a break.

0:31:47.360 --> 0:31:49.600
<v Speaker 3>We were committed to having a break in July, and

0:31:49.920 --> 0:31:53.760
<v Speaker 3>the break was an occasion for the set to be built.

0:31:53.880 --> 0:31:56.600
<v Speaker 1>It was the reason for the season. That is the set.

0:31:57.280 --> 0:32:00.520
<v Speaker 1>I just want to say, get into it. I was real.

0:32:00.880 --> 0:32:05.000
<v Speaker 1>Can I scare you will feel soda the entire time

0:32:05.040 --> 0:32:08.920
<v Speaker 1>we were in the black sort of liminal space, the void,

0:32:09.080 --> 0:32:12.080
<v Speaker 1>the void. You were like, I don't know, and I

0:32:12.160 --> 0:32:13.680
<v Speaker 1>was like, I don't know. I think it works. It's

0:32:13.800 --> 0:32:16.800
<v Speaker 1>very like anti set, Like every podcast is a set

0:32:16.880 --> 0:32:18.600
<v Speaker 1>right now. I think ours. It's so refreshing that ours

0:32:18.720 --> 0:32:21.240
<v Speaker 1>is just black curtains and white chairs. I never liked it,

0:32:21.480 --> 0:32:24.360
<v Speaker 1>and I have to agree, but I'm always willing to

0:32:24.440 --> 0:32:32.240
<v Speaker 1>try things. Gentlemen. I just I want to apologize.

0:32:32.520 --> 0:32:34.560
<v Speaker 3>You don't have to apologize to me, because it's good

0:32:34.600 --> 0:32:38.600
<v Speaker 3>that we tried everything. Happens for a reason. Are you

0:32:39.000 --> 0:32:40.080
<v Speaker 3>is this clocking to you?

0:32:41.560 --> 0:32:46.360
<v Speaker 1>You said to me after you panic attacked to the

0:32:46.440 --> 0:32:49.960
<v Speaker 1>presultant moment, and then rallied for each stuff and rallied

0:32:50.000 --> 0:32:51.600
<v Speaker 1>for each stuff. I was like, oh my god, are

0:32:51.600 --> 0:32:53.520
<v Speaker 1>you okay? I can't believe that happened. I'm so sorry.

0:32:53.600 --> 0:32:56.640
<v Speaker 1>You said sometimes it doesn't clock to people that I'm

0:32:56.720 --> 0:32:59.160
<v Speaker 1>so sensitive, And I was kind of a bit and

0:32:59.240 --> 0:33:01.280
<v Speaker 1>I was like, yeah, it really doesn't clock to people.

0:33:03.240 --> 0:33:05.880
<v Speaker 3>Yeah, but then I'm on the ground, like in Soho,

0:33:06.760 --> 0:33:09.280
<v Speaker 3>fully me on the ground and Soho it took me

0:33:09.400 --> 0:33:12.320
<v Speaker 3>three tries to get up. Were you all like like,

0:33:12.800 --> 0:33:16.560
<v Speaker 3>I'm all because someone simply described what happened.

0:33:16.760 --> 0:33:19.760
<v Speaker 1>So then it was so video It was so like

0:33:20.000 --> 0:33:23.600
<v Speaker 1>a like like during the happy hour time you would

0:33:23.600 --> 0:33:27.000
<v Speaker 1>described at the time as being six fifteen pm. Yeah,

0:33:27.000 --> 0:33:29.320
<v Speaker 1>you were on the ground and people were just kind

0:33:29.320 --> 0:33:30.120
<v Speaker 1>of walking past you.

0:33:30.960 --> 0:33:34.960
<v Speaker 3>They hate me in the streets, Bowen, But when they

0:33:35.000 --> 0:33:37.840
<v Speaker 3>hate me in the streets, they see me coming in

0:33:37.880 --> 0:33:38.880
<v Speaker 3>the streets. The streets.

0:33:39.000 --> 0:33:41.880
<v Speaker 1>The streets are a little bit the streets are a

0:33:42.000 --> 0:33:46.479
<v Speaker 1>little bit uh suffused with something manic right now?

0:33:46.880 --> 0:33:51.400
<v Speaker 3>Oh you don't say, could it be Amazon? Like humidity,

0:33:51.520 --> 0:33:54.400
<v Speaker 3>which was something I saw actually reported.

0:33:54.440 --> 0:33:58.080
<v Speaker 1>Would they describe it that way? Let me also get

0:33:58.120 --> 0:34:02.160
<v Speaker 1>you in to my perspective. I'm at.

0:34:02.320 --> 0:34:04.280
<v Speaker 3>I get a text again at a time I would

0:34:04.320 --> 0:34:08.520
<v Speaker 3>describe as six fifteen PM from my friend Alyssa.

0:34:08.800 --> 0:34:11.839
<v Speaker 1>Oh my god, I have a random ticket that I got.

0:34:12.080 --> 0:34:13.560
<v Speaker 1>I random extra ticket.

0:34:13.360 --> 0:34:18.240
<v Speaker 3>To Olivia Rodrigo amazing pop up show at Warsaw in green.

0:34:18.120 --> 0:34:21.040
<v Speaker 1>Point, Tiny, tiny space, tough.

0:34:21.800 --> 0:34:22.359
<v Speaker 3>I go there.

0:34:23.600 --> 0:34:24.040
<v Speaker 1>Olivia.

0:34:24.440 --> 0:34:28.040
<v Speaker 3>You are the girl, You are the one. It was

0:34:28.200 --> 0:34:30.480
<v Speaker 3>one hundred and ten degrees in the I suspect that

0:34:30.560 --> 0:34:33.480
<v Speaker 3>she cut a few songs from I have a feeling

0:34:34.000 --> 0:34:37.040
<v Speaker 3>because she didn't play Vampire, didn't play Vampire, and didn't

0:34:37.040 --> 0:34:40.759
<v Speaker 3>play Begged, didn't play Begged and didn't play Vampire. That's

0:34:40.800 --> 0:34:43.640
<v Speaker 3>not to say that the set list wasn't incredible. She's

0:34:44.080 --> 0:34:46.400
<v Speaker 3>now at the point where she's got three excellent albums.

0:34:47.719 --> 0:34:51.440
<v Speaker 1>Cutting the show short. Someone I was with was mad.

0:34:51.280 --> 0:34:53.080
<v Speaker 3>That she chose to do making the bed instead a

0:34:53.120 --> 0:34:54.560
<v Speaker 3>couple of things, and I was like, you better let

0:34:54.600 --> 0:34:55.560
<v Speaker 3>that girl do making the bed.

0:34:55.600 --> 0:34:57.960
<v Speaker 1>If she wants to do, let her do making the bed.

0:34:58.000 --> 0:35:02.319
<v Speaker 3>Also, another thing I love about that crowd not kids, right,

0:35:02.360 --> 0:35:05.359
<v Speaker 3>because you go see Olivia Rodrigo and concert and it's like, Okay,

0:35:05.440 --> 0:35:06.480
<v Speaker 3>this kid's screaming.

0:35:06.560 --> 0:35:06.960
<v Speaker 1>You never know.

0:35:07.360 --> 0:35:10.319
<v Speaker 3>This was like cool Brooklyn people in their twenties and.

0:35:10.360 --> 0:35:14.160
<v Speaker 1>Thirties, Warsaw Green Point. She was great. It was one

0:35:14.200 --> 0:35:14.920
<v Speaker 1>hundred twenty degrees.

0:35:14.920 --> 0:35:16.160
<v Speaker 3>And then I looked it up and they were like, oh,

0:35:16.200 --> 0:35:20.000
<v Speaker 3>it's because temperatures are coming up from South America.

0:35:20.600 --> 0:35:21.640
<v Speaker 1>Up the East coast.

0:35:22.400 --> 0:35:24.879
<v Speaker 3>Like I guess there's some weather event happening where it's

0:35:24.920 --> 0:35:28.759
<v Speaker 3>like bringing amazon esque humidity to New York. Like the

0:35:28.840 --> 0:35:32.560
<v Speaker 3>other night it was the Amazon, was the Olivia Rodrigo concert.

0:35:32.840 --> 0:35:34.719
<v Speaker 1>It was the Amazon. When I went to go see Smigadoon.

0:35:35.120 --> 0:35:39.600
<v Speaker 1>If there's a place to be while there's Amazonian humidity

0:35:39.760 --> 0:35:45.000
<v Speaker 1>in New York City, it's seeing a delightful showing Smigadoon.

0:35:45.520 --> 0:35:50.799
<v Speaker 3>Excellent show. It was very very gagged they. I mean,

0:35:50.880 --> 0:35:52.399
<v Speaker 3>they put on quite the show there.

0:35:52.760 --> 0:35:57.600
<v Speaker 1>Donna. Yeah, she's kind of a lethal weapon of being

0:35:59.280 --> 0:36:02.520
<v Speaker 1>funny and dull. Did and I was like, I can't believe.

0:36:02.560 --> 0:36:05.160
<v Speaker 1>I'm I don't know, I'm gadd And then you talked

0:36:05.160 --> 0:36:08.319
<v Speaker 1>to her after She's like, hey, how are you? Yeah,

0:36:08.840 --> 0:36:10.920
<v Speaker 1>she met my parents. That was a delight. I know

0:36:11.040 --> 0:36:13.080
<v Speaker 1>her kids' names, Francis Ulysses.

0:36:14.080 --> 0:36:14.919
<v Speaker 4>Her kids are icons.

0:36:14.960 --> 0:36:19.440
<v Speaker 1>He's icon, all right.

0:36:19.520 --> 0:36:21.000
<v Speaker 3>I did make a little bit of a list here

0:36:21.160 --> 0:36:24.000
<v Speaker 3>so that we don't make that, okay, and let's just

0:36:24.080 --> 0:36:26.719
<v Speaker 3>actually read the list as I wrote it, because I

0:36:26.840 --> 0:36:30.520
<v Speaker 3>think we So we went to Disney, Yeah, and I

0:36:30.600 --> 0:36:32.680
<v Speaker 3>wrote down I will literally never forget you.

0:36:34.200 --> 0:36:36.840
<v Speaker 1>We went on the Kilimanjaro Safari at the Animal Kingdom,

0:36:38.680 --> 0:36:43.360
<v Speaker 1>a ride that some might say you kind of do

0:36:43.800 --> 0:36:46.600
<v Speaker 1>to pass the time if you're waiting for flight of passage.

0:36:47.760 --> 0:36:52.640
<v Speaker 1>No anymore. I hadn't been on the Kilimanjarra Safari ride

0:36:52.880 --> 0:36:57.400
<v Speaker 1>for many years. It said Disney's Animal Kingdom, Should you

0:36:57.800 --> 0:37:03.040
<v Speaker 1>want to go? We were not rained down.

0:37:03.120 --> 0:37:06.480
<v Speaker 3>What happened was Avatar went down, okay, And sometimes rides

0:37:06.480 --> 0:37:07.640
<v Speaker 3>they go down totally.

0:37:07.719 --> 0:37:10.840
<v Speaker 1>And it's not an indictment. It's just what happens sometimes

0:37:10.920 --> 0:37:14.759
<v Speaker 1>with these technological marvels. And so we had to We

0:37:14.840 --> 0:37:15.239
<v Speaker 1>had time.

0:37:15.640 --> 0:37:17.960
<v Speaker 3>We had time are We went on the Expedition Everest.

0:37:18.280 --> 0:37:21.920
<v Speaker 3>We had one friend with us, Patrick Foley. We didn't

0:37:21.960 --> 0:37:24.320
<v Speaker 3>do so well on it, but the start of his

0:37:24.640 --> 0:37:26.239
<v Speaker 3>arc was that was the start of his arc.

0:37:26.320 --> 0:37:30.920
<v Speaker 1>By the end, he was loving life, loving on de

0:37:31.040 --> 0:37:35.040
<v Speaker 1>Tron twice adored a Guardians of the Galaxy cosmic rewind

0:37:35.160 --> 0:37:39.680
<v Speaker 1>yeah uh and then but then no to to wait

0:37:39.920 --> 0:37:42.080
<v Speaker 1>for our time flight of passage. We went on the

0:37:42.160 --> 0:37:45.400
<v Speaker 1>Kilman Dar Safari tour. Our driver and our guide. We

0:37:45.480 --> 0:37:50.279
<v Speaker 1>were the luckiest people star cast member Angel throughout the

0:37:50.600 --> 0:37:57.600
<v Speaker 1>entire property, literally named Angel, named Angel, saying things like

0:37:59.120 --> 0:38:03.120
<v Speaker 1>I was hoping to see these girls, referring to flamingos. Yeah,

0:38:03.200 --> 0:38:05.560
<v Speaker 1>I was hoping these ladies. I was hoping to see

0:38:05.560 --> 0:38:09.080
<v Speaker 1>these ladies or or or a group of elephants over

0:38:09.160 --> 0:38:11.440
<v Speaker 1>there having a key. Look those elephants were having a key.

0:38:13.040 --> 0:38:15.040
<v Speaker 1>Uh what else?

0:38:15.280 --> 0:38:18.359
<v Speaker 3>And then no, there was one moment where we were

0:38:19.120 --> 0:38:22.200
<v Speaker 3>we were about to start the tour, and we were

0:38:22.360 --> 0:38:24.000
<v Speaker 3>kind of, you know, feeling our os. We were like

0:38:24.400 --> 0:38:27.520
<v Speaker 3>excited for the not the tour safari okay, which by

0:38:27.560 --> 0:38:31.680
<v Speaker 3>the way, it's actually really it's really lucture number five

0:38:32.160 --> 0:38:37.759
<v Speaker 3>A Safari is animals, animals. So we finally start and

0:38:37.960 --> 0:38:41.720
<v Speaker 3>before he's about to pull us into the safari area,

0:38:42.120 --> 0:38:42.800
<v Speaker 3>he goes.

0:38:43.320 --> 0:38:46.040
<v Speaker 1>And I can't even lie to you, I'm actually really excited.

0:38:47.920 --> 0:38:51.120
<v Speaker 1>And then the best the best, and then towards the end,

0:38:51.280 --> 0:38:55.919
<v Speaker 1>we see we see a wild ostridge walking alongside us, Yes,

0:38:56.400 --> 0:39:00.960
<v Speaker 1>kind of like showing off. Angel says, ooh, look at

0:39:01.000 --> 0:39:06.200
<v Speaker 1>her stump the runway. And then as we disembark, we

0:39:06.280 --> 0:39:08.600
<v Speaker 1>were we all gave Angel a huge round of applause,

0:39:08.800 --> 0:39:10.640
<v Speaker 1>huge a star.

0:39:10.880 --> 0:39:13.680
<v Speaker 3>Because we also saw so many animals. It was a

0:39:13.719 --> 0:39:16.879
<v Speaker 3>little overcast. We saw a lion and that the lion

0:39:17.000 --> 0:39:20.320
<v Speaker 3>was crazy. The lion perched regally. We were like, this

0:39:20.480 --> 0:39:23.000
<v Speaker 3>is crazy. Apparently that is the time to go if

0:39:23.040 --> 0:39:26.279
<v Speaker 3>it is overcast, this vibe. There were zebra, this is

0:39:26.520 --> 0:39:27.919
<v Speaker 3>this is a pillow on the new set.

0:39:28.040 --> 0:39:30.800
<v Speaker 1>I don't know what to do with it. And I

0:39:30.920 --> 0:39:34.600
<v Speaker 1>was saying it's specific to be ai, it's too like

0:39:34.760 --> 0:39:38.560
<v Speaker 1>a pink zebra with like I just got horns. Can

0:39:38.880 --> 0:39:43.520
<v Speaker 1>can anyone answer where this came from? Well, last dams

0:39:44.239 --> 0:39:46.120
<v Speaker 1>this we have to know more about. We have to

0:39:46.200 --> 0:39:47.000
<v Speaker 1>know about the artists, you.

0:39:46.960 --> 0:39:48.239
<v Speaker 3>Know what I mean, like, we have to know more

0:39:48.239 --> 0:39:50.919
<v Speaker 3>about this because it's like everything is so and there's

0:39:50.960 --> 0:39:55.040
<v Speaker 3>a lot of jungle like animals here.

0:39:55.040 --> 0:39:57.719
<v Speaker 1>It's kind of giving the kill I wanted the panther.

0:39:57.880 --> 0:40:01.040
<v Speaker 1>I requested a pan Yes, yes, what about her? This

0:40:01.040 --> 0:40:04.279
<v Speaker 1>is a monkey that's a monkey. Yeah, there's a lot

0:40:04.320 --> 0:40:09.120
<v Speaker 1>of animals. Oh there's a whale tail, whale tail, my responsible.

0:40:08.480 --> 0:40:12.120
<v Speaker 3>Way and then obviously these okay so anyway, so okay.

0:40:12.200 --> 0:40:16.360
<v Speaker 1>So then as we disembark, yeah, we applaud Angel, we

0:40:16.400 --> 0:40:18.840
<v Speaker 1>say we love you Angel. Amazing job, amazing. That is

0:40:18.880 --> 0:40:20.319
<v Speaker 1>the time to go on the kilman Jar safaris when

0:40:20.320 --> 0:40:23.960
<v Speaker 1>it's overcast because animals are out. Angel says these words,

0:40:26.120 --> 0:40:30.080
<v Speaker 1>I will literally never forget you. I will literally never

0:40:30.160 --> 0:40:32.960
<v Speaker 1>forget you. And I was like, that is It's just

0:40:33.080 --> 0:40:37.440
<v Speaker 1>like an ear hit for the ages. I went on

0:40:37.640 --> 0:40:40.640
<v Speaker 1>the Disney app. I left a great comment and I

0:40:40.760 --> 0:40:43.680
<v Speaker 1>left a comment I commend it. I had never done

0:40:43.719 --> 0:40:47.000
<v Speaker 1>this before in my life. Angel. If you're listening, anyone

0:40:47.040 --> 0:40:49.840
<v Speaker 1>who works at WDW, please send this long to angela

0:40:49.840 --> 0:40:50.520
<v Speaker 1>animal kingdom.

0:40:50.640 --> 0:40:54.120
<v Speaker 3>You have to like if you get Angel driving your safari,

0:40:55.080 --> 0:40:59.080
<v Speaker 3>know that you will literally never forget them. And I

0:40:59.160 --> 0:41:01.680
<v Speaker 3>also want to say thank you to what we went

0:41:01.760 --> 0:41:07.040
<v Speaker 3>there and imagine we met imagineering, Imagine we did the rock.

0:41:06.960 --> 0:41:09.400
<v Speaker 1>And roller coaster starring the Muppets, so we are. The

0:41:09.480 --> 0:41:12.920
<v Speaker 1>occasion for going was after we had a after it

0:41:13.040 --> 0:41:15.760
<v Speaker 1>was our honor to host Miss Piggy at the Culture

0:41:15.800 --> 0:41:18.800
<v Speaker 1>Awards to promote Hour. The honor was ours to promote

0:41:18.800 --> 0:41:21.920
<v Speaker 1>the Rock and Roller Coaster starring the Muppets. Disney Imagineering

0:41:21.960 --> 0:41:25.279
<v Speaker 1>invited us to the parks they did and then gave

0:41:25.360 --> 0:41:28.360
<v Speaker 1>us an amazing experience.

0:41:29.000 --> 0:41:32.160
<v Speaker 3>We did do the Rock and Roller Coaster fabulous and

0:41:32.320 --> 0:41:36.359
<v Speaker 3>it was fabulous. I I we had one thing after,

0:41:36.520 --> 0:41:40.080
<v Speaker 3>which was where was Miss Piggy? But she found out

0:41:40.160 --> 0:41:42.080
<v Speaker 3>she's in the pre show. That she's in the pre show,

0:41:42.080 --> 0:41:45.120
<v Speaker 3>you get a different pre show. Our pre show featured Kermit.

0:41:44.960 --> 0:41:47.319
<v Speaker 1>Yes, and I was happy to see him as very

0:41:47.320 --> 0:41:49.520
<v Speaker 1>happy to see Kermat. And don't worry because this is

0:41:49.560 --> 0:41:52.239
<v Speaker 1>why you do repeat ridings. This is why do you

0:41:52.280 --> 0:41:54.719
<v Speaker 1>repeat writings. That's how you get Miss Piggy. And I

0:41:54.840 --> 0:41:58.200
<v Speaker 1>have to say, Kermit is dressed in a hoodie. Yeah,

0:41:58.280 --> 0:42:02.719
<v Speaker 1>Kurment loutt in it. Kurmi not me thinking Kermit was hot.

0:42:03.360 --> 0:42:07.880
<v Speaker 1>Watching the pre show of Rock and Roller Coaster.

0:42:07.880 --> 0:42:12.000
<v Speaker 3>Starring the Uppets, and then Kermit comes up and you're like.

0:42:12.600 --> 0:42:16.520
<v Speaker 1>Interested Kermit, and I was. I was kind of like,

0:42:16.800 --> 0:42:22.920
<v Speaker 1>kind of you know, who kind of gives Kermit phrase phrase?

0:42:24.160 --> 0:42:25.840
<v Speaker 1>Oh kind of gave Kermit?

0:42:26.560 --> 0:42:28.880
<v Speaker 3>Yeah, you know what I mean like like in so

0:42:29.000 --> 0:42:33.080
<v Speaker 3>many ways, in all the best ways, really sweet, so sweet,

0:42:33.719 --> 0:42:35.319
<v Speaker 3>I know, a little slip of a thing.

0:42:39.280 --> 0:42:47.480
<v Speaker 1>Yeah, he's kermit, he's kind of hi. Yeah, Hi, Yeah,

0:42:48.320 --> 0:42:49.480
<v Speaker 1>it's all good there by the way.

0:42:49.640 --> 0:42:49.880
<v Speaker 3>I know.

0:42:51.480 --> 0:42:54.759
<v Speaker 1>It was just literally, isn't open up the phone? When

0:42:54.760 --> 0:42:58.800
<v Speaker 1>will I see you next? Never? Well, You're like, Okay,

0:42:59.239 --> 0:43:02.520
<v Speaker 1>isn't there say in our thirties, isn't there nothing better

0:43:02.600 --> 0:43:04.320
<v Speaker 1>than like an amicable separation.

0:43:05.520 --> 0:43:09.759
<v Speaker 3>There is no room for anything but that yeah thing. Well,

0:43:09.800 --> 0:43:12.520
<v Speaker 3>and it would bum me out so much no to

0:43:12.640 --> 0:43:14.680
<v Speaker 3>have like that go down again. But I will say

0:43:15.080 --> 0:43:18.399
<v Speaker 3>I'm definitely dating again because I went out the other.

0:43:18.440 --> 0:43:21.239
<v Speaker 1>Night and I don't like this guy. Well, I had

0:43:21.280 --> 0:43:22.160
<v Speaker 1>one of the it was one of the.

0:43:22.280 --> 0:43:25.759
<v Speaker 3>Worst kisses in recorded history, and it did happen in

0:43:25.880 --> 0:43:28.080
<v Speaker 3>Central Park. And he also did that little bit of

0:43:28.200 --> 0:43:31.239
<v Speaker 3>a little bit of a thing and lovely guy, yeah,

0:43:31.400 --> 0:43:33.200
<v Speaker 3>but little bit of a thing where there was like

0:43:33.560 --> 0:43:36.840
<v Speaker 3>some weird, little choking hands on and I was like,

0:43:39.000 --> 0:43:42.360
<v Speaker 3>it was just like dating in New York. Sometimes you

0:43:42.520 --> 0:43:48.399
<v Speaker 3>die in Central Park. I wanted this lifestyle move back,

0:43:49.160 --> 0:43:52.560
<v Speaker 3>that Carrie Bradshaw lifestyle. Sometimes you're just getting a little

0:43:52.640 --> 0:43:56.080
<v Speaker 3>choked out and a choke on the park itself, a

0:43:56.239 --> 0:44:00.200
<v Speaker 3>choke on the first kiss is really wild, which was

0:44:00.320 --> 0:44:03.719
<v Speaker 3>going bad bad? I mean, no, no, no, don't worry.

0:44:03.800 --> 0:44:05.839
<v Speaker 3>It was it was in a place in Central Park

0:44:05.920 --> 0:44:07.160
<v Speaker 3>that was extremely private.

0:44:07.320 --> 0:44:09.319
<v Speaker 1>No one would have known if I had died, right,

0:44:09.440 --> 0:44:12.720
<v Speaker 1>And he did say he did that thing that sometimes

0:44:12.840 --> 0:44:19.960
<v Speaker 1>happens when when you're on a date, when you're let's

0:44:19.960 --> 0:44:23.839
<v Speaker 1>say Matt Rogers or someone with a podcast, he goes

0:44:25.719 --> 0:44:27.560
<v Speaker 1>and I'm not a fan. I'm not a fan.

0:44:28.719 --> 0:44:30.440
<v Speaker 3>And I was like, oh, okay, because I did have

0:44:30.560 --> 0:44:33.399
<v Speaker 3>to ask, because I did one time go on a date.

0:44:34.120 --> 0:44:36.279
<v Speaker 3>I was dating someone about.

0:44:37.560 --> 0:44:39.880
<v Speaker 1>Six states in was like I'm obsessed with it. Was like,

0:44:40.080 --> 0:44:42.000
<v Speaker 1>I actually have to tell you something. I'm a huge

0:44:44.400 --> 0:44:46.000
<v Speaker 1>until I have said so many things.

0:44:46.600 --> 0:44:49.399
<v Speaker 3>It's not like with you where it's like you're Bow

0:44:49.480 --> 0:44:52.279
<v Speaker 3>and Yang and so they know who you are, Like

0:44:52.440 --> 0:44:55.200
<v Speaker 3>I occupy a different tier, which is like they may not.

0:44:55.600 --> 0:44:57.120
<v Speaker 3>So when I'm on a date with someone having a

0:44:57.200 --> 0:45:00.400
<v Speaker 3>nice time, I do sometimes I'm like, can I just

0:45:00.480 --> 0:45:03.000
<v Speaker 3>ask you, like what is the familiarity with me?

0:45:03.320 --> 0:45:05.440
<v Speaker 1>Because I believe anything totally.

0:45:05.960 --> 0:45:08.279
<v Speaker 3>And he let me know that he was not a

0:45:08.360 --> 0:45:12.960
<v Speaker 3>fan and that I was like as a sealless celebrity,

0:45:13.000 --> 0:45:14.759
<v Speaker 3>I kind of have to ask and he and I

0:45:14.840 --> 0:45:16.800
<v Speaker 3>didn't know if it was a joke or not, Like

0:45:16.840 --> 0:45:19.040
<v Speaker 3>I would say, you're more dalist and.

0:45:19.120 --> 0:45:20.239
<v Speaker 1>I was like, that's his way.

0:45:21.280 --> 0:45:22.839
<v Speaker 3>But for me, I think it was like a way

0:45:22.880 --> 0:45:23.280
<v Speaker 3>of flirting.

0:45:23.320 --> 0:45:25.800
<v Speaker 1>And I was just like, oh, maybe that's funny. But

0:45:26.000 --> 0:45:28.560
<v Speaker 1>then minutes later I would have a terrible kiss and

0:45:28.640 --> 0:45:31.040
<v Speaker 1>be getting choked, So it's like for the maybe that's funny,

0:45:31.080 --> 0:45:32.360
<v Speaker 1>Like that's don't worry. I hung out with him for

0:45:32.400 --> 0:45:37.200
<v Speaker 1>two more hours. No, you're so bad. There's literally and

0:45:37.360 --> 0:45:39.839
<v Speaker 1>Celeste said this when you were telling us this over

0:45:39.960 --> 0:45:43.600
<v Speaker 1>drinks the other night. They were like, you can't just

0:45:43.800 --> 0:45:46.480
<v Speaker 1>like end the day early, just be like I gotta go.

0:45:46.800 --> 0:45:48.880
<v Speaker 1>Can I tell you something. I wasn't having like a

0:45:49.080 --> 0:45:50.040
<v Speaker 1>bad time.

0:45:50.080 --> 0:45:52.840
<v Speaker 3>Totally, but it doesn't need to be a bad time

0:45:53.280 --> 0:45:55.320
<v Speaker 3>for it to be like this is this is a

0:45:55.480 --> 0:45:58.239
<v Speaker 3>waste of time. I didn't even think it was a

0:45:58.320 --> 0:45:59.719
<v Speaker 3>waste of time, you know what it was like. It's like,

0:45:59.800 --> 0:46:01.480
<v Speaker 3>you know when you're on a date with someone and

0:46:01.560 --> 0:46:04.960
<v Speaker 3>you're like, this is weird, but it could become suddenly

0:46:05.120 --> 0:46:09.520
<v Speaker 3>hot at any moment, which usually just means let me

0:46:09.680 --> 0:46:11.839
<v Speaker 3>drink more, you know what I mean?

0:46:11.880 --> 0:46:14.160
<v Speaker 1>It usually just means like, maybe what I should do

0:46:14.320 --> 0:46:16.160
<v Speaker 1>is just wait this out and see if it gets interesting.

0:46:16.280 --> 0:46:20.239
<v Speaker 3>Aka, I get drunk, right, and then I remembered, oh right,

0:46:20.360 --> 0:46:23.120
<v Speaker 3>I'm thirty six, not twenty six, despite the fact that

0:46:23.560 --> 0:46:27.000
<v Speaker 3>everyone on every dating app is twenty.

0:46:26.800 --> 0:46:29.080
<v Speaker 1>Six, so you can change your age range.

0:46:30.239 --> 0:46:32.480
<v Speaker 3>Got to figure out how to do that, I guess, yeah, yeah,

0:46:32.800 --> 0:46:38.680
<v Speaker 3>because definitely, certainly most stuff I'm seeing all twenty six

0:46:38.760 --> 0:46:39.400
<v Speaker 3>year olds.

0:46:40.360 --> 0:46:42.520
<v Speaker 1>And they're all in private equity. Which did you hear?

0:46:43.000 --> 0:46:44.560
<v Speaker 1>Is the hot new accessory this.

0:46:44.640 --> 0:46:50.320
<v Speaker 3>Summer a private equity boy hot new hot new accessity necessity,

0:46:50.680 --> 0:46:53.680
<v Speaker 3>hot new access so re oh like, is.

0:46:53.719 --> 0:46:58.040
<v Speaker 1>Of course the private equity boyfriend. I love that. Love

0:46:58.080 --> 0:47:02.800
<v Speaker 1>what they do, which is to kind of drive down value.

0:47:04.200 --> 0:47:06.480
<v Speaker 3>Well, I think it's like a rite of passage to

0:47:06.600 --> 0:47:11.520
<v Speaker 3>tell everyone what you stand for and then go opposite

0:47:11.640 --> 0:47:13.000
<v Speaker 3>all of that Because of Dick.

0:47:14.160 --> 0:47:17.400
<v Speaker 1>It happens all the time. Yeah, and I think we

0:47:17.520 --> 0:47:20.880
<v Speaker 1>should allow people to do it once, maybe twice, depending

0:47:20.880 --> 0:47:23.520
<v Speaker 1>on they can do it a couple times. Yeah, you

0:47:23.840 --> 0:47:26.680
<v Speaker 1>get to do it, You get to be like, you

0:47:26.760 --> 0:47:28.640
<v Speaker 1>get to be Laverne Cox. You get to date a

0:47:28.680 --> 0:47:32.200
<v Speaker 1>cop just to try it. Yeah, you know, I completely

0:47:32.480 --> 0:47:35.799
<v Speaker 1>understand that thing of being attracted to She didn't did

0:47:35.840 --> 0:47:38.160
<v Speaker 1>a cop, she just diated a mega person. Well I

0:47:38.239 --> 0:47:41.400
<v Speaker 1>thought she did it a maga cop. Yeah, yeah, okay. Anyway,

0:47:41.520 --> 0:47:42.480
<v Speaker 1>it was both okay, okay.

0:47:43.520 --> 0:47:47.800
<v Speaker 3>I get being attracted to something you absolutely should not

0:47:48.480 --> 0:47:52.000
<v Speaker 3>attracted to, and it must suck to be in the

0:47:52.160 --> 0:47:56.880
<v Speaker 3>public eye and also have that like thing where you

0:47:56.960 --> 0:47:58.680
<v Speaker 3>don't want to shut down your life or you don't

0:47:58.680 --> 0:48:01.439
<v Speaker 3>want to you know, and then all of saiden like, uh, yeah,

0:48:01.600 --> 0:48:03.960
<v Speaker 3>you made that mistake you're supposed to make in private,

0:48:04.400 --> 0:48:06.160
<v Speaker 3>You fucked that person you're supposed to be fucking.

0:48:06.320 --> 0:48:08.440
<v Speaker 1>This is then you're in public, so now you're kind

0:48:08.480 --> 0:48:12.560
<v Speaker 1>of This is what I'm saying. This is the authenticity trap.

0:48:12.680 --> 0:48:15.040
<v Speaker 1>And people who listen to this podcast love that word.

0:48:17.560 --> 0:48:22.279
<v Speaker 1>It's it's giving surveillance day, Like, hold on, why the

0:48:22.440 --> 0:48:25.440
<v Speaker 1>fuck am I supposed to like? It's it's fear of

0:48:25.480 --> 0:48:27.839
<v Speaker 1>being It's the anxiety of being seen. It's like, which

0:48:27.880 --> 0:48:31.160
<v Speaker 1>we're all sort of like, it's like, reject all cookies.

0:48:31.320 --> 0:48:34.360
<v Speaker 1>Reject all cookies, because to be seen is to be judged,

0:48:34.440 --> 0:48:38.520
<v Speaker 1>which is to be you know, perceived and then understood

0:48:39.600 --> 0:48:42.279
<v Speaker 1>as being something that didn't and most likely it's it's

0:48:42.320 --> 0:48:44.879
<v Speaker 1>a misunderstanding, right, So anyway.

0:48:45.000 --> 0:48:47.640
<v Speaker 3>That's interesting to even think about the fact that like

0:48:47.840 --> 0:48:51.400
<v Speaker 3>that's what everyone, it feels like, is talking about right

0:48:51.680 --> 0:48:56.200
<v Speaker 3>now in art, because I do feel like all the like,

0:48:56.280 --> 0:48:57.640
<v Speaker 3>you know what I mean, Like even in a weird

0:48:57.680 --> 0:49:00.600
<v Speaker 3>way in films, like with like Disclosure Day stuff, it's

0:49:00.640 --> 0:49:03.120
<v Speaker 3>like it's like if people knew everything.

0:49:03.600 --> 0:49:05.440
<v Speaker 1>This isn't exactly a good one to one, but it

0:49:05.600 --> 0:49:08.960
<v Speaker 1>is like no, no, no, it's pretty applicable.

0:49:09.160 --> 0:49:11.520
<v Speaker 3>It's about how people might feel if they had the

0:49:12.080 --> 0:49:15.680
<v Speaker 3>real or the right information. And it's like that's kind

0:49:15.719 --> 0:49:18.360
<v Speaker 3>of interesting in our culture that that's even such a topic.

0:49:18.480 --> 0:49:21.400
<v Speaker 3>It's like we know this and you know this, and

0:49:21.600 --> 0:49:24.760
<v Speaker 3>that is the tension that every that exists in everything

0:49:25.320 --> 0:49:30.080
<v Speaker 3>is it's like, you know, this lack of understanding.

0:49:30.640 --> 0:49:36.719
<v Speaker 1>Despite almost total knowledge or not almost total, but just

0:49:36.880 --> 0:49:40.680
<v Speaker 1>like a set of facts that like people, I haven't

0:49:40.680 --> 0:49:43.440
<v Speaker 1>seen the movie me neither, can I tell you what's

0:49:43.520 --> 0:49:43.880
<v Speaker 1>driving me?

0:49:43.960 --> 0:49:45.680
<v Speaker 3>Actually it was gonna be my I don't think so, honey.

0:49:45.760 --> 0:49:46.680
<v Speaker 3>Maybe it still will be.

0:49:48.160 --> 0:49:52.640
<v Speaker 1>When people talk about someone's when people talk about someone's

0:49:52.680 --> 0:49:57.120
<v Speaker 1>face acting. That's oh my god, DA's face acting. Zendia's

0:49:57.200 --> 0:50:00.120
<v Speaker 1>face acting in this scene was amazing. Do you in

0:50:00.200 --> 0:50:00.760
<v Speaker 1>her acting?

0:50:02.040 --> 0:50:05.279
<v Speaker 3>What her face acting like when someone like because it

0:50:05.360 --> 0:50:08.400
<v Speaker 3>just came disclosure day. At the end, the reporter, yes,

0:50:08.480 --> 0:50:10.120
<v Speaker 3>everyone's Gaga slays down and they're like.

0:50:10.160 --> 0:50:12.360
<v Speaker 1>Her face acting was some of the best face acting

0:50:12.400 --> 0:50:12.920
<v Speaker 1>I'd ever seen.

0:50:12.960 --> 0:50:16.160
<v Speaker 3>And I was like, guys, what she's also acting with

0:50:16.320 --> 0:50:18.839
<v Speaker 3>her body remain still in this moment?

0:50:18.960 --> 0:50:22.800
<v Speaker 1>You mean nonverbal which is slag? I don't know it.

0:50:23.040 --> 0:50:25.239
<v Speaker 3>I guess yeah, yeah, Maybe what they're trying to say

0:50:25.400 --> 0:50:28.799
<v Speaker 3>is her silent performance, what she did with just her

0:50:28.920 --> 0:50:35.440
<v Speaker 3>eyes or what she conveyed in this Her face acting suggests.

0:50:35.000 --> 0:50:37.080
<v Speaker 1>A removal from the physical.

0:50:36.719 --> 0:50:41.360
<v Speaker 3>Body, suggests like an absence of anything facial. During dialogue,

0:50:41.480 --> 0:50:45.960
<v Speaker 3>correct the moondobo. Correct a moondobo, trying it out.

0:50:46.120 --> 0:50:49.480
<v Speaker 1>I like it, correct a mundo bo. How about this?

0:50:50.800 --> 0:50:54.560
<v Speaker 1>It's going to be oh you quinn bow Mary? Mary? Yeah,

0:50:54.600 --> 0:50:54.880
<v Speaker 1>okay go.

0:50:56.600 --> 0:50:59.920
<v Speaker 3>After we recorded this episode, Troy Sevonne is coming in

0:51:01.040 --> 0:51:07.000
<v Speaker 3>to talk about all sorts of things, and yeah, we

0:51:07.120 --> 0:51:10.240
<v Speaker 3>should drop correct a mundo into the episode.

0:51:10.360 --> 0:51:13.319
<v Speaker 1>Correct until he calls it out. We should call him

0:51:13.320 --> 0:51:15.600
<v Speaker 1>trow until he calls it out. You want to call

0:51:15.680 --> 0:51:16.759
<v Speaker 1>him trow, I'll call him Troe.

0:51:17.600 --> 0:51:20.560
<v Speaker 3>You you you here's what we're gonna do, and you

0:51:20.640 --> 0:51:22.600
<v Speaker 3>guys can see you next week. If it panned out,

0:51:23.480 --> 0:51:25.920
<v Speaker 3>you try calling him troll like a bunch and see

0:51:25.960 --> 0:51:27.200
<v Speaker 3>when he when he calls it out.

0:51:27.360 --> 0:51:30.360
<v Speaker 1>Yeah, I bet, I bet about the first person, and I.

0:51:30.680 --> 0:51:35.080
<v Speaker 3>Will say correct a Mundo until he calls it out,

0:51:35.200 --> 0:51:37.200
<v Speaker 3>and then if he's able to by the end of

0:51:37.239 --> 0:51:39.799
<v Speaker 3>the episode, and please keep us honest here, Beca, can

0:51:39.840 --> 0:51:43.440
<v Speaker 3>you keep us honest about this? We will say so

0:51:43.600 --> 0:51:46.240
<v Speaker 3>there was actually a hidden game happening during the episode,

0:51:46.239 --> 0:51:49.759
<v Speaker 3>and we've never done this al maskulch and what was

0:51:49.800 --> 0:51:52.920
<v Speaker 3>weird about the episode? And if he says like he'll

0:51:53.680 --> 0:51:57.640
<v Speaker 3>me Troe and you were saying correct a mundo, that's

0:51:57.680 --> 0:51:58.080
<v Speaker 3>really good.

0:51:58.360 --> 0:51:59.880
<v Speaker 1>And I actually want to try something with him that

0:52:00.040 --> 0:52:04.359
<v Speaker 1>we should start on this episode three Way three Way Phil,

0:52:04.360 --> 0:52:09.880
<v Speaker 1>the Rush to the Crash. We need to start queer handshake,

0:52:11.320 --> 0:52:14.239
<v Speaker 1>the official queer handshake. What will it look like? So

0:52:14.400 --> 0:52:18.120
<v Speaker 1>we should start the first move, so this and then

0:52:18.400 --> 0:52:20.640
<v Speaker 1>what's after that you and I established and then he

0:52:20.880 --> 0:52:23.239
<v Speaker 1>adds on, okay, cool, should we start right now? Yeah,

0:52:23.239 --> 0:52:25.000
<v Speaker 1>what should it be? Okay, so it'll be like you

0:52:25.080 --> 0:52:29.680
<v Speaker 1>want to start wide? Okay, so that's the first one first, no, no, no,

0:52:29.760 --> 0:52:33.839
<v Speaker 1>and then after that, oh, I have an idea, yeah,

0:52:34.160 --> 0:52:41.200
<v Speaker 1>pull it back. Okay, great, so starting wide? Yeah, like

0:52:41.360 --> 0:52:44.719
<v Speaker 1>that's great. There's ah. So then like I think we

0:52:44.800 --> 0:52:48.600
<v Speaker 1>build the handshake with select guests. Oh my god. Perfect. Okay,

0:52:48.680 --> 0:52:53.759
<v Speaker 1>So Troy is next week spiking honey, spiking honey. That

0:52:53.840 --> 0:52:56.320
<v Speaker 1>will be good. That will be good. And then I

0:52:56.400 --> 0:52:58.200
<v Speaker 1>think we'll go from there. And we'll go from there.

0:52:58.239 --> 0:53:00.600
<v Speaker 3>We just don't want to say because this the next

0:53:00.640 --> 0:53:04.080
<v Speaker 3>person is not confirmed confirmed, right, But sometimes that's a

0:53:04.160 --> 0:53:06.360
<v Speaker 3>way to confirm confirm is to say it live on

0:53:06.480 --> 0:53:07.279
<v Speaker 3>the podcast so.

0:53:07.360 --> 0:53:11.800
<v Speaker 1>That people feel bullied. You lost culture? Is this I

0:53:11.960 --> 0:53:14.280
<v Speaker 1>need to We need to talk about five Star Weekend?

0:53:15.920 --> 0:53:16.560
<v Speaker 1>Is that the thing?

0:53:16.800 --> 0:53:21.560
<v Speaker 3>Yeah, it's just another reason to get emotional today because

0:53:22.440 --> 0:53:24.480
<v Speaker 3>it wasn't on the list and.

0:53:24.560 --> 0:53:27.520
<v Speaker 1>I'm realizing how wrong that was. Because wrong.

0:53:27.920 --> 0:53:30.160
<v Speaker 3>You're absolutely right, we need to talk about the Five

0:53:30.200 --> 0:53:33.680
<v Speaker 3>Star Weekend, a show whose podcast I also listened to.

0:53:34.800 --> 0:53:37.719
<v Speaker 1>The official I Love that You. That's a rule of

0:53:38.320 --> 0:53:40.839
<v Speaker 1>if you you fucking love a show, if you're listening

0:53:40.880 --> 0:53:42.480
<v Speaker 1>to the podcast of it. That's a real of culture.

0:53:42.520 --> 0:53:46.319
<v Speaker 1>Number seventy eight. You fucking love a show if you're

0:53:46.360 --> 0:53:47.960
<v Speaker 1>listening to the podcast of it.

0:53:48.800 --> 0:53:51.600
<v Speaker 3>I listened to Chloe seventy You get interviewed about actually

0:53:51.760 --> 0:53:55.680
<v Speaker 3>her surprising ties to Nantucket. Really yeah, people don't think

0:53:55.760 --> 0:53:59.000
<v Speaker 3>that Chloe seven ye is to Nantugi.

0:53:58.680 --> 0:54:01.399
<v Speaker 1>But she actually has very surprise. She's a coast crew

0:54:01.440 --> 0:54:02.719
<v Speaker 1>I think you. I think if you're if you're an

0:54:02.760 --> 0:54:05.520
<v Speaker 1>ewe coaster, you've got you've you've visited INTI can I

0:54:05.560 --> 0:54:07.839
<v Speaker 1>say something that's not true as an East Coaster league,

0:54:07.880 --> 0:54:11.760
<v Speaker 1>not everyone has the ties surprising that you've been to Nantucket.

0:54:11.840 --> 0:54:14.319
<v Speaker 3>You would be surprised that the ties that she has

0:54:14.360 --> 0:54:16.879
<v Speaker 3>to Nantucket, which made her want to participate in the show,

0:54:16.960 --> 0:54:18.920
<v Speaker 3>which her fans have been surprised to see her.

0:54:19.920 --> 0:54:22.720
<v Speaker 1>No literally, as a fan, I am, I was surprised

0:54:22.760 --> 0:54:25.400
<v Speaker 1>and delighted that she played a towny so well. Uh,

0:54:25.680 --> 0:54:29.560
<v Speaker 1>Chloe sevan Y as a as a masshole towny so fun.

0:54:29.920 --> 0:54:30.960
<v Speaker 1>It's really good.

0:54:31.120 --> 0:54:33.719
<v Speaker 3>And she's also not because she's like refined in Nantucket.

0:54:33.800 --> 0:54:37.000
<v Speaker 3>She she she's not a masshole.

0:54:37.239 --> 0:54:40.439
<v Speaker 1>I was I was being an asshole when I said

0:54:40.480 --> 0:54:44.400
<v Speaker 1>that a masshole in New York. Wait, okay, I just

0:54:44.480 --> 0:54:47.520
<v Speaker 1>did Colin Bedell's podcast, all of his astrology content. I've

0:54:47.520 --> 0:54:50.000
<v Speaker 1>been following for years and he's starting any podcasts and

0:54:50.120 --> 0:54:51.359
<v Speaker 1>they were like, would you do? I was like, yes,

0:54:51.600 --> 0:54:54.200
<v Speaker 1>I'm such a fan. I mean I did over the weekend.

0:54:54.560 --> 0:54:57.040
<v Speaker 1>He read me down, didn't read me. He really got it.

0:54:57.120 --> 0:54:58.600
<v Speaker 1>He's he's so said he was.

0:54:58.760 --> 0:55:00.759
<v Speaker 3>He's just he's always so fun and smart and I

0:55:00.880 --> 0:55:02.279
<v Speaker 3>and I said to him, I was like, this is

0:55:02.320 --> 0:55:04.160
<v Speaker 3>what I know to be true about you Long Islanders

0:55:05.640 --> 0:55:09.879
<v Speaker 3>and from my eternal bond with Matt Rogers, you guys

0:55:09.920 --> 0:55:12.759
<v Speaker 3>are some of the smartest people on the planet. You

0:55:12.880 --> 0:55:15.040
<v Speaker 3>have but it's rooted in a working class sort of

0:55:15.160 --> 0:55:18.719
<v Speaker 3>like hey, like you know, how are you? It's like,

0:55:19.640 --> 0:55:21.480
<v Speaker 3>but it's it's it's intelligent.

0:55:21.760 --> 0:55:25.600
<v Speaker 1>I would say I will be dangerous to tell a

0:55:25.640 --> 0:55:27.960
<v Speaker 1>lot of Long Islanders right now that they are the

0:55:28.040 --> 0:55:30.360
<v Speaker 1>smartest people in the world, because I do think that

0:55:30.600 --> 0:55:33.040
<v Speaker 1>one of the symptoms of being a Long Islander is

0:55:33.120 --> 0:55:36.080
<v Speaker 1>you tell yourself that all the time and look, how

0:55:36.160 --> 0:55:39.600
<v Speaker 1>look how far it's gotten you. Yeah, I left long ago,

0:55:40.560 --> 0:55:45.200
<v Speaker 1>and but you sure talk about it a lot I don't.

0:55:44.960 --> 0:55:50.239
<v Speaker 3>Even think I brought it up today. Maybe even the

0:55:50.320 --> 0:55:53.880
<v Speaker 3>Rosie conversations she also brought up. She asked me the

0:55:53.960 --> 0:55:56.120
<v Speaker 3>classic Long of the question, which was what exeter are you?

0:55:56.640 --> 0:55:57.440
<v Speaker 3>Can I tell you something?

0:55:58.080 --> 0:55:59.520
<v Speaker 1>I actually don't know that answer.

0:55:59.760 --> 0:56:02.320
<v Speaker 3>You, but it feels like a litmus test for Long Islanders.

0:56:02.560 --> 0:56:04.759
<v Speaker 3>You used to know because when they asked that question,

0:56:04.840 --> 0:56:07.120
<v Speaker 3>they mean on the Long Island Expressway.

0:56:07.000 --> 0:56:09.160
<v Speaker 1>And I a driver you went driving down the expressway

0:56:09.440 --> 0:56:12.120
<v Speaker 1>was not really that girl. He was using it for

0:56:12.480 --> 0:56:13.360
<v Speaker 1>that type of commuter.

0:56:13.480 --> 0:56:16.160
<v Speaker 3>So I would use Sunrise Highway so I can tell

0:56:16.160 --> 0:56:19.560
<v Speaker 3>you Sunrise Highway I think was like forty four, forty five,

0:56:19.680 --> 0:56:20.160
<v Speaker 3>forty six.

0:56:20.200 --> 0:56:21.600
<v Speaker 1>Oh, just say one of his numbers.

0:56:21.719 --> 0:56:24.279
<v Speaker 3>Well that's what I explained to her at the time.

0:56:24.360 --> 0:56:27.560
<v Speaker 3>But think and I was like, why is my conversation

0:56:27.640 --> 0:56:29.040
<v Speaker 3>with Rosie O'Donnell about excess?

0:56:29.120 --> 0:56:31.719
<v Speaker 1>She asked, She asked you, I guess because she asked me,

0:56:31.880 --> 0:56:34.279
<v Speaker 1>which is a Long Island way of asking. Yeah, I'm

0:56:34.320 --> 0:56:37.160
<v Speaker 1>asking you a question, a question. That's what Colin's like,

0:56:37.200 --> 0:56:39.960
<v Speaker 1>I gotta ask you, I gotta ask you, Let me

0:56:40.040 --> 0:56:44.799
<v Speaker 1>ask you, let me ask you anyway. Sorry, No, five

0:56:44.840 --> 0:56:46.800
<v Speaker 1>Star week a weekend we wanted to talk about it.

0:56:47.080 --> 0:56:48.840
<v Speaker 1>Darcy Cardon, can I say she's the heart of the

0:56:49.160 --> 0:56:52.400
<v Speaker 1>the heart of the show base acting down it was

0:56:52.440 --> 0:56:54.600
<v Speaker 1>some of the best face acting of the base best

0:56:54.640 --> 0:56:58.080
<v Speaker 1>face acting. Yeah, Oh my god. And Jay Gardner and

0:56:58.360 --> 0:57:02.680
<v Speaker 1>reuniting with them. What's his face did? Were they in

0:57:02.719 --> 0:57:06.400
<v Speaker 1>a movie together? The Gardner Jennifer Gardner. Oh, Jennifer Gardner,

0:57:06.400 --> 0:57:10.640
<v Speaker 1>reuniting with with the one and only Timothy Old who

0:57:11.160 --> 0:57:14.600
<v Speaker 1>still swing in Dicta walks in. It's just such a

0:57:14.719 --> 0:57:19.439
<v Speaker 1>what an eternal hotty. Oh, eternal Jennifer Gardner, eternal Hall

0:57:19.880 --> 0:57:23.360
<v Speaker 1>Gina loving my life whenever she's I love my life.

0:57:23.520 --> 0:57:26.000
<v Speaker 1>I love my life with Jemma chan I love my

0:57:26.040 --> 0:57:28.400
<v Speaker 1>life with Darcy Carden. They're doing a second season of

0:57:28.440 --> 0:57:30.480
<v Speaker 1>The Five Story, which is which.

0:57:30.560 --> 0:57:34.080
<v Speaker 3>Is the best news we heard it's actually gonna be nominated.

0:57:34.240 --> 0:57:36.080
<v Speaker 3>Well then they'll be like, oh, they only nominated it

0:57:36.200 --> 0:57:38.800
<v Speaker 3>to promote it, But it's like, I'm sorry. Sometimes we

0:57:39.000 --> 0:57:42.000
<v Speaker 3>really do love things on Peacock. As much as we

0:57:42.120 --> 0:57:43.360
<v Speaker 3>say and can.

0:57:43.320 --> 0:57:46.480
<v Speaker 1>I say something, we would have no reason to candidly

0:57:46.600 --> 0:57:50.160
<v Speaker 1>like we have. We're still the same fans as we were.

0:57:50.680 --> 0:57:54.320
<v Speaker 1>We're still normal people out here who love who love Peacock.

0:57:54.440 --> 0:57:57.320
<v Speaker 3>We don't have the allegiances that are perceived out there

0:57:57.440 --> 0:58:01.440
<v Speaker 3>to Peacock. We just thought at yeah, the best little creature.

0:58:01.560 --> 0:58:03.600
<v Speaker 3>One of the nominees was the miniature wife.

0:58:06.400 --> 0:58:08.840
<v Speaker 1>Now, I do want to say a thing that really

0:58:08.880 --> 0:58:10.600
<v Speaker 1>got me through yesterday. Yesterday I had like a just

0:58:10.920 --> 0:58:14.160
<v Speaker 1>a languid day Sunday as fuck. Everyone did I know

0:58:14.480 --> 0:58:15.320
<v Speaker 1>the vibes.

0:58:15.480 --> 0:58:17.160
<v Speaker 3>We were sort of talking about hanging out and everyone

0:58:17.280 --> 0:58:17.440
<v Speaker 3>was like.

0:58:18.920 --> 0:58:22.120
<v Speaker 1>I've been watching I need to I've been telling myself

0:58:22.120 --> 0:58:25.040
<v Speaker 1>I need to go on like a Lisa Renna day

0:58:25.160 --> 0:58:29.880
<v Speaker 1>one journey. Really, so I remember watching her first season

0:58:29.920 --> 0:58:31.600
<v Speaker 1>in bits and pieces. I want to watch it all

0:58:31.640 --> 0:58:35.280
<v Speaker 1>the way through, beginning of the beginning of Lisa Rinna

0:58:35.360 --> 0:58:41.240
<v Speaker 1>Era to end, and as in her enemies on that show,

0:58:41.400 --> 0:58:43.520
<v Speaker 1>I was I'm I'm Renna all the way. I'm Team

0:58:43.560 --> 0:58:45.880
<v Speaker 1>Renna all the way because I because I because I

0:58:46.240 --> 0:58:48.360
<v Speaker 1>see her on my screen and I light up. Yeah.

0:58:48.480 --> 0:58:54.360
<v Speaker 3>I mean, she's one question that she is would cause anyone, yes,

0:58:54.880 --> 0:58:58.600
<v Speaker 3>stimulus in seeing her on this show towards the end.

0:58:58.680 --> 0:58:59.840
<v Speaker 3>I'm interested to see what you.

0:59:00.200 --> 0:59:03.520
<v Speaker 1>Yes, Well, I was there towards the end the whole

0:59:03.600 --> 0:59:06.400
<v Speaker 1>Kathy Hilton thing, and I'm like, whatever, there's there's stuff

0:59:06.400 --> 0:59:10.400
<v Speaker 1>about I mean, there's that that whole that whole side

0:59:10.440 --> 0:59:11.160
<v Speaker 1>of Beverly Hills.

0:59:11.240 --> 0:59:13.320
<v Speaker 3>To me is like like sometimes it's good to root

0:59:13.320 --> 0:59:17.440
<v Speaker 3>for the villains, though sometimes sometimes are the ones.

0:59:18.000 --> 0:59:20.360
<v Speaker 1>There's nothing better than a good reality team. And I

0:59:20.400 --> 0:59:23.000
<v Speaker 1>don't want to call Renna a villain because she's just.

0:59:23.440 --> 0:59:25.600
<v Speaker 1>She was just being her authentic self. And can I

0:59:25.720 --> 0:59:28.400
<v Speaker 1>just say episode one, the first couple episodes of Rinna

0:59:28.960 --> 0:59:31.880
<v Speaker 1>just sums her all up. She's just like, I'm an entertainer.

0:59:32.040 --> 0:59:33.680
<v Speaker 1>I guess I'm an entertainer, an actor. I don't know

0:59:33.680 --> 0:59:36.720
<v Speaker 1>what to call myself. She is an entertainer. And you

0:59:36.800 --> 0:59:38.600
<v Speaker 1>know when she and Eileen sit down for lunch, like

0:59:38.640 --> 0:59:40.400
<v Speaker 1>can they cut back to like old episodes of Days

0:59:40.400 --> 0:59:43.080
<v Speaker 1>of Our Lives where it's just like, God, Lisa, Renna

0:59:43.200 --> 0:59:45.840
<v Speaker 1>is just and she she's like and I'm not ashamed

0:59:45.840 --> 0:59:48.560
<v Speaker 1>of anything, which explains everything about her in terms of

0:59:48.680 --> 0:59:51.680
<v Speaker 1>her like going to all these like runway events, her

0:59:51.880 --> 0:59:55.560
<v Speaker 1>dressing up like full on committed to the new like,

0:59:57.040 --> 0:59:59.520
<v Speaker 1>but it's like she is she is a true entertainer

0:59:59.520 --> 1:00:04.800
<v Speaker 1>in the sense she is interested in what is on

1:00:04.960 --> 1:00:09.160
<v Speaker 1>the front line, and she will commit in the way

1:00:09.200 --> 1:00:12.440
<v Speaker 1>that she has committed for us at the Culture Wards.

1:00:12.640 --> 1:00:13.760
<v Speaker 1>I just I just love her, and I think she

1:00:13.800 --> 1:00:15.280
<v Speaker 1>would be an excellent Mary Todd.

1:00:16.040 --> 1:00:20.800
<v Speaker 3>You know, I think that they would be fools because

1:00:20.800 --> 1:00:22.520
<v Speaker 3>the only way they can top you.

1:00:23.000 --> 1:00:29.440
<v Speaker 1>No, They've got plenty of people is to bring after that,

1:00:30.880 --> 1:00:36.479
<v Speaker 1>what's on the list? Confront ourselves. Why haven't we seen

1:00:36.520 --> 1:00:41.680
<v Speaker 1>the Odyssey? Well, we've been on record as saying that, like,

1:00:43.560 --> 1:00:47.400
<v Speaker 1>we love Nolan, we just we just we It's it's

1:00:47.520 --> 1:00:49.920
<v Speaker 1>just been I was, I do want to see it

1:00:49.960 --> 1:00:52.160
<v Speaker 1>in imax, and it's still really hard to get a ticket.

1:00:52.720 --> 1:00:57.320
<v Speaker 1>I can't say where I was shooting. You're shooting Missus Smith,

1:00:57.400 --> 1:01:00.520
<v Speaker 1>and I think that's where my NDA begins.

1:01:00.920 --> 1:01:02.640
<v Speaker 3>So I can't say where I was.

1:01:02.760 --> 1:01:05.640
<v Speaker 1>But I was in a place where it was not accessible.

1:01:06.520 --> 1:01:09.880
<v Speaker 3>I could not go to a theater in the way

1:01:09.960 --> 1:01:12.479
<v Speaker 3>that I had been told I must see the film.

1:01:13.080 --> 1:01:16.600
<v Speaker 3>So when all of the narrative is like we shot

1:01:16.720 --> 1:01:19.080
<v Speaker 3>this on imax, you must see it in this in

1:01:19.200 --> 1:01:21.320
<v Speaker 3>this way, like this is and then it's hard to

1:01:21.440 --> 1:01:23.440
<v Speaker 3>do that. It's kind of like, Okay, I'll get to

1:01:23.520 --> 1:01:26.520
<v Speaker 3>it later to market, and then I couldn't hear the

1:01:26.640 --> 1:01:27.480
<v Speaker 3>dialogue at all.

1:01:27.920 --> 1:01:29.080
<v Speaker 1>I just could not hear it.

1:01:29.920 --> 1:01:33.000
<v Speaker 3>And and then now I'm happy that everyone is, you know,

1:01:34.320 --> 1:01:37.800
<v Speaker 3>revisiting two things in culture Interstellar and see XO XO,

1:01:37.960 --> 1:01:41.760
<v Speaker 3>and I'll talk about that in a second Interstellar and

1:01:41.800 --> 1:01:43.800
<v Speaker 3>they're like, oh, Interstellar is the best Nolan, and I'm like,

1:01:44.200 --> 1:01:44.600
<v Speaker 3>I would have.

1:01:45.480 --> 1:01:47.440
<v Speaker 1>Well, a lot of people feel that that's well, that's

1:01:47.480 --> 1:01:50.840
<v Speaker 1>just because people are because they haven't. They're over, They're

1:01:51.000 --> 1:01:53.840
<v Speaker 1>over saying it's the Dark Knight, even though it is.

1:01:54.000 --> 1:01:56.120
<v Speaker 1>It is like I understand it will always be the

1:01:56.160 --> 1:01:56.840
<v Speaker 1>dark name, right.

1:01:56.960 --> 1:02:01.160
<v Speaker 3>It's like, okay, people that like, you know, I'm one

1:02:01.200 --> 1:02:03.880
<v Speaker 3>of these people. But it's the way that people feel

1:02:03.880 --> 1:02:05.960
<v Speaker 3>about like chocolate chips and oldmeal raisin. It's like you

1:02:06.080 --> 1:02:09.080
<v Speaker 3>can say oldmeal raisin is your favorite, but which it

1:02:09.240 --> 1:02:09.640
<v Speaker 3>is yours?

1:02:09.720 --> 1:02:13.360
<v Speaker 1>It is mine? I know this doesn't really work. Uh.

1:02:13.600 --> 1:02:17.160
<v Speaker 1>It's it's like pepsi and coke. It's like Coca Cola

1:02:17.320 --> 1:02:19.440
<v Speaker 1>is the girl. You know what I'm saying. It's like,

1:02:19.520 --> 1:02:21.760
<v Speaker 1>oh I love Wendy's. It's like, no, you like McDonald's.

1:02:22.040 --> 1:02:23.800
<v Speaker 1>It's like it's like you think you're gonna get your

1:02:23.840 --> 1:02:27.880
<v Speaker 1>Cinophile card revoked because you didn't want I do the odyssey.

1:02:27.960 --> 1:02:29.760
<v Speaker 3>To see the odyssey, I think we have to.

1:02:31.400 --> 1:02:36.000
<v Speaker 1>Actually, this will this will be me. I don't think so, honey. Well, sinophilia, I.

1:02:36.000 --> 1:02:38.240
<v Speaker 3>Don't think so, honey. Cinophilia is really good because the

1:02:38.280 --> 1:02:42.439
<v Speaker 3>goalposts they move. Here's what I said the QVC woman.

1:02:42.560 --> 1:02:45.920
<v Speaker 1>Let's not lose sight of her. Tony. We know, we

1:02:46.000 --> 1:02:49.800
<v Speaker 1>know her name, and can we remember it, Tony? Remember

1:02:50.000 --> 1:02:54.880
<v Speaker 1>Tony is going on fallon today when we're what it's

1:02:55.000 --> 1:02:58.040
<v Speaker 1>such a phenomenon. And the and then the way she

1:02:58.160 --> 1:03:00.520
<v Speaker 1>was posting on her own ocean media is I'm gonna

1:03:00.520 --> 1:03:02.840
<v Speaker 1>be unfound. And it's just not a picture of her

1:03:02.880 --> 1:03:07.880
<v Speaker 1>face at the back of her head. Well, I mean,

1:03:08.360 --> 1:03:11.280
<v Speaker 1>and thank god that her back of her head is

1:03:11.400 --> 1:03:15.040
<v Speaker 1>so but I'm gonna say it ridiculous. That's such a

1:03:15.160 --> 1:03:18.840
<v Speaker 1>perfect example which you've learned at this point, yeah, and

1:03:18.960 --> 1:03:20.840
<v Speaker 1>known for a while, which is the art of that

1:03:21.200 --> 1:03:24.040
<v Speaker 1>job is just to keep talking. And here's what. So,

1:03:24.160 --> 1:03:26.760
<v Speaker 1>here's what's going on right now. And this haircut is

1:03:26.920 --> 1:03:29.640
<v Speaker 1>just reminding me of a time when my mom cut

1:03:29.720 --> 1:03:32.600
<v Speaker 1>my hair. Stop sell me those matches. Now these men,

1:03:32.680 --> 1:03:35.200
<v Speaker 1>oh my god, Well now I'm on the spot. Do it. No,

1:03:35.680 --> 1:03:35.880
<v Speaker 1>you go.

1:03:37.440 --> 1:03:40.440
<v Speaker 3>I have found and this is gonna be something that

1:03:40.560 --> 1:03:45.240
<v Speaker 3>happens with everyone out there, whether you're lighting incense because

1:03:45.240 --> 1:03:48.240
<v Speaker 3>you've had a really stressful day, whether or not, and hey,

1:03:48.440 --> 1:03:50.880
<v Speaker 3>I'm not gonna tell anyone here, but you like to

1:03:51.120 --> 1:03:54.120
<v Speaker 3>enjoy a little in the words of Brittany Murphy and

1:03:54.200 --> 1:03:58.560
<v Speaker 3>my favorite movie Herbal Refreshment, or if you just.

1:03:59.040 --> 1:04:01.040
<v Speaker 1>Want to light one of the any candles that we've

1:04:01.520 --> 1:04:05.960
<v Speaker 1>spoken about on this very day, you need matches. These

1:04:06.000 --> 1:04:09.120
<v Speaker 1>are amazing. So and what I love about matches They're

1:04:09.200 --> 1:04:11.720
<v Speaker 1>like little paintings, they really are.

1:04:11.920 --> 1:04:14.360
<v Speaker 3>And I love that every single one has a beautiful

1:04:14.440 --> 1:04:19.160
<v Speaker 3>visual identity. So you can trade them, you know, for example,

1:04:19.240 --> 1:04:22.080
<v Speaker 3>like if you had one in there and I wanted it,

1:04:22.960 --> 1:04:25.920
<v Speaker 3>it has the value and that is the sharing, Yes,

1:04:26.160 --> 1:04:29.040
<v Speaker 3>the exchange, because we all need a light of fire.

1:04:29.320 --> 1:04:32.200
<v Speaker 3>And I'm talking about physically as well as metaphorically bowing.

1:04:32.480 --> 1:04:34.960
<v Speaker 1>And here's what's happening, and this is not a metaphor.

1:04:35.480 --> 1:04:39.120
<v Speaker 1>We are selling five match books. You're gonna love this

1:04:40.400 --> 1:04:43.080
<v Speaker 1>for twenty five dollars. That's a five dollar per match

1:04:43.120 --> 1:04:44.160
<v Speaker 1>but value, that's a steal.

1:04:44.400 --> 1:04:46.800
<v Speaker 3>Know what you're saying that sounds like far too much.

1:04:46.960 --> 1:04:50.560
<v Speaker 3>This person does not have a grasp on people's economic reality.

1:04:50.600 --> 1:04:54.440
<v Speaker 1>These are luxury items. No, no, and you think you

1:04:54.520 --> 1:04:57.520
<v Speaker 1>think that being loose seal blue, that's very funny. Excuse you.

1:04:57.840 --> 1:05:00.160
<v Speaker 3>I know exactly why you say that, because why what

1:05:00.280 --> 1:05:03.600
<v Speaker 3>makes these different? These are matchbooks from the first day

1:05:04.280 --> 1:05:08.400
<v Speaker 3>of Lost Coulach having a new set, and that's not

1:05:08.640 --> 1:05:11.160
<v Speaker 3>just something but everything. And let's just talk about this

1:05:11.240 --> 1:05:12.960
<v Speaker 3>set for a second, because I think this is the

1:05:13.040 --> 1:05:14.480
<v Speaker 3>best compliment I can give a room.

1:05:14.720 --> 1:05:16.120
<v Speaker 1>Yeah, I want to take a nap in here.

1:05:16.280 --> 1:05:17.400
<v Speaker 3>I want to take a nap in here. And you

1:05:17.480 --> 1:05:20.520
<v Speaker 3>know what ties it all together is a beautiful centerpiece.

1:05:20.760 --> 1:05:24.520
<v Speaker 3>And no one thinks. No one thinks they're going to

1:05:24.600 --> 1:05:27.520
<v Speaker 3>have enough match books for a whole centerpiece. That's because

1:05:27.520 --> 1:05:32.600
<v Speaker 3>you're not thinking about them as collectibles. These are special

1:05:32.920 --> 1:05:36.280
<v Speaker 3>and you're collecting hearts. I'm collecting hearts because you want

1:05:36.320 --> 1:05:39.280
<v Speaker 3>to know what people And I'm gonna get vulnerable here.

1:05:39.920 --> 1:05:42.760
<v Speaker 3>They relate to me, and they relate to me because

1:05:42.840 --> 1:05:44.560
<v Speaker 3>they know that I need a light in the dark

1:05:44.640 --> 1:05:47.320
<v Speaker 3>sometimes too. And that's why I have a whole little

1:05:47.680 --> 1:05:51.640
<v Speaker 3>centerpiece full of matches right here, bo, it's time for

1:05:51.720 --> 1:05:53.360
<v Speaker 3>I don't think so, honey, anything else on the list

1:05:53.400 --> 1:05:54.280
<v Speaker 3>that you want to talk about.

1:05:54.280 --> 1:05:54.920
<v Speaker 1>We actually kind of.

1:05:54.920 --> 1:05:58.400
<v Speaker 3>Got through everything, really yeah, in a really exciting way,

1:05:58.560 --> 1:06:00.320
<v Speaker 3>except this one thing that I want to sort of

1:06:00.320 --> 1:06:01.200
<v Speaker 3>get into even more.

1:06:01.280 --> 1:06:08.080
<v Speaker 1>Okay, okay, this is fabulous. This is yes, Matt Rogers,

1:06:08.160 --> 1:06:10.480
<v Speaker 1>I don't think so, honey. As time starts now, I

1:06:10.520 --> 1:06:13.640
<v Speaker 1>don't think so honey. Oh you're just getting into see xoxo.

1:06:13.800 --> 1:06:13.920
<v Speaker 5>Now.

1:06:14.880 --> 1:06:16.520
<v Speaker 1>Some of us have been having a great time.

1:06:17.120 --> 1:06:19.360
<v Speaker 3>Some of us have been having a lot of fun,

1:06:19.480 --> 1:06:22.440
<v Speaker 3>including I'm telling you this right now, some of the

1:06:22.560 --> 1:06:26.840
<v Speaker 3>hottest gaze on Instagram DM respond. Whenever I put up

1:06:26.840 --> 1:06:34.720
<v Speaker 3>a flare that I like Camilla ceexoxo because I have taste, people.

1:06:34.560 --> 1:06:37.080
<v Speaker 1>Respond and they are some of the most beautiful men

1:06:37.160 --> 1:06:37.680
<v Speaker 1>in the world.

1:06:37.840 --> 1:06:41.600
<v Speaker 3>That's so beautiful, Camila, congratulations on that thirty seconds. And

1:06:41.960 --> 1:06:46.160
<v Speaker 3>it's not the only album that people have just totally like,

1:06:46.360 --> 1:06:47.760
<v Speaker 3>you know, taken.

1:06:47.560 --> 1:06:48.440
<v Speaker 1>And just thrown away.

1:06:48.560 --> 1:06:52.080
<v Speaker 3>But it is the album of the moment, and I'm

1:06:52.080 --> 1:06:54.120
<v Speaker 3>willing to say it right now. See Xoxo is the

1:06:54.240 --> 1:07:00.760
<v Speaker 3>album of the moment twenty six and that is not

1:07:00.880 --> 1:07:03.320
<v Speaker 3>to take away from what I believe to be the

1:07:03.400 --> 1:07:05.080
<v Speaker 3>actual album of the year. And I'm just going to

1:07:05.120 --> 1:07:07.320
<v Speaker 3>say this because I don't want to be totally frivolous.

1:07:07.320 --> 1:07:10.160
<v Speaker 3>Worlds Girl in America, Isolator second Best New Artist Narrative.

1:07:10.200 --> 1:07:11.040
<v Speaker 1>We need it, we love it.

1:07:11.640 --> 1:07:15.280
<v Speaker 3>But ce xoxo. I guess welcome home everyone. Like I said,

1:07:15.320 --> 1:07:17.000
<v Speaker 3>the water's really warm, it's Miami.

1:07:17.440 --> 1:07:20.880
<v Speaker 1>And that's one minute. Cute girl in a sick mind?

1:07:21.840 --> 1:07:24.560
<v Speaker 3>I text Bowen and Jared all the time. I'll just

1:07:24.680 --> 1:07:26.160
<v Speaker 3>I'll just text the xoxo.

1:07:26.760 --> 1:07:29.080
<v Speaker 1>Or or there was a time when your vocal stem

1:07:29.200 --> 1:07:31.680
<v Speaker 1>was cute girl with a sick mind, girl a sick mind?

1:07:31.920 --> 1:07:37.160
<v Speaker 1>What's your current stem? Oh? You stimming I'm stimming on.

1:07:38.120 --> 1:07:41.280
<v Speaker 1>I can't even think to answer a question or just

1:07:41.320 --> 1:07:45.000
<v Speaker 1>give me a fan or no, I'm suffocating. Open the

1:07:45.120 --> 1:07:45.960
<v Speaker 1>door now.

1:07:46.560 --> 1:07:52.680
<v Speaker 3>Well there's a lot to stem on in inn as well.

1:07:52.880 --> 1:07:57.160
<v Speaker 1>So yeah, I mean I don't not okay, I don't

1:07:57.240 --> 1:07:57.760
<v Speaker 1>fuck with it.

1:07:58.720 --> 1:08:00.280
<v Speaker 4>People think the dance floor is.

1:08:01.840 --> 1:08:04.439
<v Speaker 1>Frivolous. To know what she say? She says. She says,

1:08:05.200 --> 1:08:06.680
<v Speaker 1>safety and numbers, Safety in.

1:08:06.760 --> 1:08:10.560
<v Speaker 4>Numbers, thanks for coming, Thanks for coming.

1:08:11.160 --> 1:08:13.440
<v Speaker 1>I love whatever register she's in right now.

1:08:13.520 --> 1:08:14.080
<v Speaker 4>It's amazing.

1:08:14.760 --> 1:08:20.200
<v Speaker 1>I love Madonna, love so much. She's invented everything, much

1:08:20.280 --> 1:08:24.000
<v Speaker 1>like Peaches. Josh Sharp and I say Peaches invented everything.

1:08:25.200 --> 1:08:27.800
<v Speaker 1>Madonna also invented everything, obviously in a more obvious way.

1:08:28.040 --> 1:08:31.240
<v Speaker 1>But Peaches did invent everything started out. You don't get

1:08:31.280 --> 1:08:33.400
<v Speaker 1>Slater without Peaches. You don't Getkesha without Peaches. You don't

1:08:33.439 --> 1:08:36.400
<v Speaker 1>get all these things without peachaes Okay, you don't get.

1:08:37.200 --> 1:08:39.479
<v Speaker 3>I don't think so Honey without bowing Yang. This is

1:08:39.880 --> 1:08:41.559
<v Speaker 3>this is I'm just gonna you know, I'm just gonna

1:08:41.600 --> 1:08:45.080
<v Speaker 3>raff let them cook. One of the top phrases of

1:08:45.120 --> 1:08:45.880
<v Speaker 3>twenty twenty six.

1:08:47.200 --> 1:08:52.439
<v Speaker 1>Give him ten, give me ten. Remember this one? That

1:08:52.640 --> 1:08:53.200
<v Speaker 1>was a good one.

1:08:54.640 --> 1:08:56.519
<v Speaker 3>All right, This is bowen Yang's. I don't think so

1:08:56.600 --> 1:08:59.680
<v Speaker 3>Honey's time stressed Now, I don't think so honey. Cinephilia,

1:09:00.240 --> 1:09:04.360
<v Speaker 3>Let's just say you love movies. You don't have to

1:09:04.560 --> 1:09:05.519
<v Speaker 3>have a whole.

1:09:07.320 --> 1:09:11.000
<v Speaker 1>Sharpness around it. You make it seem uninviting, you make

1:09:11.080 --> 1:09:14.840
<v Speaker 1>it seem like it's a closed conversation. Right, It's like

1:09:16.640 --> 1:09:19.400
<v Speaker 1>now everyone is like out here being like this is

1:09:19.520 --> 1:09:22.240
<v Speaker 1>what your letterbox top four should be. There should be

1:09:22.320 --> 1:09:24.160
<v Speaker 1>one little silly what it's like. No no, no, no,

1:09:24.240 --> 1:09:27.800
<v Speaker 1>no no, there's no should With Film thirty seven. You

1:09:27.840 --> 1:09:32.080
<v Speaker 1>should watch it is film is sculpted time. You should

1:09:32.240 --> 1:09:34.600
<v Speaker 1>just enjoy the sculptures that you like. You should like

1:09:34.680 --> 1:09:36.519
<v Speaker 1>the shapes that you like, and that can be anything.

1:09:36.800 --> 1:09:39.080
<v Speaker 1>But there is this thing, like God, I'll never forget.

1:09:39.200 --> 1:09:41.040
<v Speaker 1>I had the honor of going to the Criterion closet

1:09:41.400 --> 1:09:43.240
<v Speaker 1>and I made the mistake of reading the comments, and

1:09:43.280 --> 1:09:46.519
<v Speaker 1>it's just people being like, well, yo, everyone loves Paris, Texas. Yeah,

1:09:46.720 --> 1:09:49.280
<v Speaker 1>but I fucking love it too. So then what am

1:09:49.280 --> 1:09:51.840
<v Speaker 1>I supposed to do not acknowledge it, say that I

1:09:52.000 --> 1:09:53.680
<v Speaker 1>don't love it, because then when I say that I do,

1:09:53.880 --> 1:09:55.559
<v Speaker 1>it's like you're damned if you do, you damned if

1:09:55.600 --> 1:09:58.200
<v Speaker 1>you don't. I just like all kinds of movies, the Prestigie,

1:09:58.280 --> 1:10:03.320
<v Speaker 1>the Janis film Z and the fucking Disney Pixar, I suppose,

1:10:03.720 --> 1:10:07.080
<v Speaker 1>And I don't know. Let's just let's just everybody not

1:10:07.200 --> 1:10:11.519
<v Speaker 1>too much on the that's one minute plus I will

1:10:11.560 --> 1:10:12.080
<v Speaker 1>say it is.

1:10:13.000 --> 1:10:16.439
<v Speaker 3>It's it wasn't a time a thing where it's like, oh,

1:10:16.560 --> 1:10:18.280
<v Speaker 3>you've described yourself as a cinephile.

1:10:18.439 --> 1:10:20.200
<v Speaker 1>That means you have an interest that I might be

1:10:20.240 --> 1:10:23.680
<v Speaker 1>able to, but now it's like engage with Now it's

1:10:23.800 --> 1:10:27.760
<v Speaker 1>like you're not like, oh the that like you're it's

1:10:27.800 --> 1:10:31.320
<v Speaker 1>it's it's stolen valor or something. And I just a

1:10:31.560 --> 1:10:35.559
<v Speaker 1>sinophilia and I'm I'm just like I thought, I thought

1:10:35.560 --> 1:10:40.040
<v Speaker 1>everyone just loved movies, different kinds of movies. But it's

1:10:40.120 --> 1:10:42.040
<v Speaker 1>like I can be like, yeah, I'm kind of whatever

1:10:42.120 --> 1:10:46.240
<v Speaker 1>on Nolan. Yeah, and apparently that's like a crazy take.

1:10:46.920 --> 1:10:55.080
<v Speaker 3>Well, when when someone's artistic output is pretty much expected

1:10:55.200 --> 1:11:00.400
<v Speaker 3>to be something specific, people can make value judgment totally.

1:11:00.439 --> 1:11:02.600
<v Speaker 1>And I'm thrilled that it's doing well and that like

1:11:02.840 --> 1:11:07.439
<v Speaker 1>the weird fucking like attempted woke takedown of it, the tape,

1:11:07.600 --> 1:11:09.760
<v Speaker 1>the takedown of it trying to be quote unquote woke

1:11:10.240 --> 1:11:12.840
<v Speaker 1>has failed, and like there is such a thing like

1:11:12.920 --> 1:11:14.560
<v Speaker 1>there's like a new kind of era of like a

1:11:14.760 --> 1:11:20.760
<v Speaker 1>tour Blockbuster directors. Yea once again. But overall I'm like, yeah,

1:11:20.760 --> 1:11:22.400
<v Speaker 1>I'm like I'm again, I'm like neutral. I'm like the

1:11:22.439 --> 1:11:24.800
<v Speaker 1>way that people are like i'mral I'm neutral on Tailor,

1:11:24.800 --> 1:11:27.479
<v Speaker 1>I'm like yeah, great, yeah, or like on any other artist,

1:11:27.560 --> 1:11:30.840
<v Speaker 1>I'm like, there's that's that's that's good neutrality. With art

1:11:30.960 --> 1:11:35.680
<v Speaker 1>is like fine, it's not it's not a dire political need. Well,

1:11:35.760 --> 1:11:40.519
<v Speaker 1>things need to be mid so that we can see

1:11:40.560 --> 1:11:43.400
<v Speaker 1>what's truly great period.

1:11:43.640 --> 1:11:46.639
<v Speaker 3>Like I do think that we we don't have enough

1:11:46.720 --> 1:11:49.639
<v Speaker 3>people out here being like this was fine. Like everything

1:11:49.760 --> 1:11:51.840
<v Speaker 3>is either like it's polarized to be like this is

1:11:51.880 --> 1:11:54.439
<v Speaker 3>an excellent thing, this is a terrible thing total, and

1:11:54.800 --> 1:11:56.920
<v Speaker 3>most of everything right now is fine.

1:11:57.760 --> 1:12:00.679
<v Speaker 1>That's actually the big reveal about our culture right.

1:12:00.640 --> 1:12:04.360
<v Speaker 3>Now is it's all kind of fine fine, Like there

1:12:04.400 --> 1:12:07.440
<v Speaker 3>are things that are happening that are like, oh that's extraordinary,

1:12:07.520 --> 1:12:09.920
<v Speaker 3>that's cool. But we're not living in a time.

1:12:09.800 --> 1:12:11.880
<v Speaker 1>Of which is not. We're not saying that the Odyssey

1:12:12.000 --> 1:12:14.840
<v Speaker 1>is fine. We're just saying like there is Like we're

1:12:15.040 --> 1:12:19.759
<v Speaker 1>trained to be extremely polar about anything and everything.

1:12:19.960 --> 1:12:22.479
<v Speaker 3>Toy Story five is out now, and.

1:12:24.439 --> 1:12:27.280
<v Speaker 1>Greta Lee's in every movie. Love that though that.

1:12:27.680 --> 1:12:32.560
<v Speaker 3>I mean, listen if if Toy Story, Christopher Nolan and

1:12:32.680 --> 1:12:35.439
<v Speaker 3>Greta Lee are all gonna be ubiquitous, Mary fuck kill

1:12:35.560 --> 1:12:36.360
<v Speaker 3>I marry Greta.

1:12:36.760 --> 1:12:40.400
<v Speaker 1>Greta's in Toy Story that I guess I fucked Toy

1:12:40.479 --> 1:12:42.439
<v Speaker 1>Story and I kill Nolan. M hmm.

1:12:48.920 --> 1:12:51.240
<v Speaker 3>We had every do you have anything easy? You want

1:12:51.240 --> 1:12:55.479
<v Speaker 3>to say, still gotta do a whole other one of these.

1:12:55.640 --> 1:12:57.400
<v Speaker 3>I know, No, I'm good, but I'm excited.

1:12:58.040 --> 1:12:59.960
<v Speaker 1>I love our new set. It's so good.

1:13:00.760 --> 1:13:03.600
<v Speaker 3>I'm really I'm so thrilled. And we're just gonna keep that.

1:13:04.200 --> 1:13:06.720
<v Speaker 3>We will well, I think we're gonna stop out the couch. Yeah,

1:13:07.160 --> 1:13:07.920
<v Speaker 3>I love the couch.

1:13:08.000 --> 1:13:11.680
<v Speaker 1>I don't think. I don't think. You know, I have

1:13:11.760 --> 1:13:13.560
<v Speaker 1>a very similar rug in my apartment. I know this,

1:13:13.720 --> 1:13:18.600
<v Speaker 1>This rug is class. It's amazing, guys, this rug is amazing. No,

1:13:18.760 --> 1:13:21.280
<v Speaker 1>and I'm not nippicking here. I'm just saying, like, you know,

1:13:21.400 --> 1:13:24.200
<v Speaker 1>just prepare for some some some changes, some slight changes

1:13:24.280 --> 1:13:26.880
<v Speaker 1>and tweaks, and but this is all I mean.

1:13:27.360 --> 1:13:30.080
<v Speaker 3>You know, I did almost bring one of our iHeart

1:13:30.200 --> 1:13:33.559
<v Speaker 3>podcasts of the Year today, and I thought to myself,

1:13:33.640 --> 1:13:34.680
<v Speaker 3>do we want to display it?

1:13:34.800 --> 1:13:36.360
<v Speaker 1>And I think maybe we will. I think we will

1:13:36.600 --> 1:13:40.519
<v Speaker 1>to remind these girls, let's display it. That's what awards

1:13:40.560 --> 1:13:43.680
<v Speaker 1>are meant to be, That's what you're supposed to do

1:13:43.760 --> 1:13:44.000
<v Speaker 1>with them.

1:13:45.280 --> 1:13:49.000
<v Speaker 3>Okay, we end every single episode of this podcast with

1:13:49.120 --> 1:13:55.840
<v Speaker 3>a song. I have an idea I'm gonna do the

1:13:55.960 --> 1:13:59.680
<v Speaker 3>beginning of a concert that you missed. Oh, And I

1:13:59.760 --> 1:14:04.479
<v Speaker 3>want to think about the atmosphere being so dense with

1:14:04.640 --> 1:14:10.920
<v Speaker 3>excitement anticipation because you know you're gonna see your generational.

1:14:10.600 --> 1:14:12.639
<v Speaker 1>Icon that you feel like you grew up with. Yeah

1:14:12.640 --> 1:14:15.240
<v Speaker 1>you did, maybe even you had your kid at the.

1:14:15.280 --> 1:14:17.920
<v Speaker 3>Same time she was having her kid, and you look

1:14:18.000 --> 1:14:20.000
<v Speaker 3>around and you're like, wow, look how far we've come.

1:14:20.040 --> 1:14:22.200
<v Speaker 3>And you see it's Madison Square Garden.

1:14:24.120 --> 1:14:29.120
<v Speaker 1>This people talking. They talk about me, they know my name,

1:14:30.200 --> 1:14:31.840
<v Speaker 1>we know everything, but.

1:14:31.960 --> 1:14:42.559
<v Speaker 5>They don't know anything about me. So give me a dance, far,

1:14:43.280 --> 1:14:45.639
<v Speaker 5>give me a DJ, give.

1:14:45.520 --> 1:14:49.280
<v Speaker 1>Me a record forget what day you say? Because I

1:14:49.439 --> 1:14:53.240
<v Speaker 1>need to go, need to get away tonight.

1:14:57.040 --> 1:15:01.519
<v Speaker 5>I put my makeup on a Saturday, try to make

1:15:01.600 --> 1:15:02.839
<v Speaker 5>it happen, trying.

1:15:02.680 --> 1:15:06.439
<v Speaker 1>To make it a rite? Why this key? She was

1:15:06.520 --> 1:15:09.040
<v Speaker 1>young and you why did I feel like I need

1:15:09.160 --> 1:15:11.839
<v Speaker 1>to do it in that? Because I don't know Hubris.

1:15:12.320 --> 1:15:14.479
<v Speaker 3>Mariana was right when she came on the podcast. I

1:15:14.560 --> 1:15:16.360
<v Speaker 3>remember at the end of the podcast, I started to

1:15:16.400 --> 1:15:18.760
<v Speaker 3>sing positions and like, She's like that key.

1:15:18.920 --> 1:15:21.400
<v Speaker 1>She was like, that's a weird key. Let's just get

1:15:21.680 --> 1:15:23.559
<v Speaker 1>get to the chorus and no.

1:15:23.960 --> 1:15:27.840
<v Speaker 5>Man mistakes and live and left it day it's never

1:15:28.080 --> 1:15:30.759
<v Speaker 5>really easy money, so okay.

1:15:32.000 --> 1:15:33.760
<v Speaker 3>And the thing is, it's not a hard song to sing,

1:15:33.840 --> 1:15:35.680
<v Speaker 3>but it's gonna feel like it's a hard song thing

1:15:35.720 --> 1:15:36.200
<v Speaker 3>in a second.

1:15:36.200 --> 1:15:37.800
<v Speaker 1>Because of what I've chosen, I think we go for it.

1:15:37.920 --> 1:15:42.960
<v Speaker 1>Five six seven, wake Up, Wake Up on a Saturday night.

1:15:43.760 --> 1:15:48.960
<v Speaker 5>Could be New York, maybe Hollywood, Invine Legend in Paris,

1:15:49.240 --> 1:15:59.599
<v Speaker 5>maybe Tokyo. Something going on anyway, good night tonight, Yeah, tonight.

1:16:00.479 --> 1:16:04.639
<v Speaker 1>We can have one Hillary Duff album in the studio.

1:16:05.240 --> 1:16:07.840
<v Speaker 1>Which one should it be? It should be the new one.

1:16:07.880 --> 1:16:11.400
<v Speaker 1>I have it. It's so good. I Mature is my

1:16:11.439 --> 1:16:12.240
<v Speaker 1>favorite song of the year.

1:16:13.080 --> 1:16:17.560
<v Speaker 3>Mature is minus Roommates Love That Do Too Bad. The

1:16:17.600 --> 1:16:20.479
<v Speaker 3>episode's over, or we can verbally spar about that. It's

1:16:20.560 --> 1:16:23.800
<v Speaker 3>pop culture topic next time. It's an eternal album. Next

1:16:23.840 --> 1:16:28.080
<v Speaker 3>time on Lost Culture, which is how we end every episode.

1:16:30.439 --> 1:16:32.599
<v Speaker 1>Lost Culture REACSS is the production by Will Ferrell's Big

1:16:32.600 --> 1:16:34.720
<v Speaker 1>Money Players and iHeartRadio podcasts.

1:16:34.400 --> 1:16:37.719
<v Speaker 3>Created and hosted by Matt Rogers and Bowen Yang, Executive

1:16:37.760 --> 1:16:40.679
<v Speaker 3>produced by Anna hasny A and produced by Decca Ramos,

1:16:40.920 --> 1:16:43.400
<v Speaker 3>edited by hot Dog Sandwich and our music is by

1:16:43.479 --> 1:16:44.280
<v Speaker 3>Henry Koberski.