1 00:00:00,280 --> 00:00:04,720 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,840 --> 00:00:09,119 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,240 --> 00:00:10,920 Speaker 1: learn this stuff they don't want. 4 00:00:10,720 --> 00:00:11,200 Speaker 2: You to know. 5 00:00:12,080 --> 00:00:13,960 Speaker 1: A production of iHeartRadio. 6 00:00:24,239 --> 00:00:26,520 Speaker 3: Hello, welcome back to the show. My name is Men, 7 00:00:26,760 --> 00:00:28,280 Speaker 3: my name is noelh. 8 00:00:27,840 --> 00:00:28,840 Speaker 4: They call me Ben. 9 00:00:28,920 --> 00:00:32,080 Speaker 2: We're joined as always with our super producer Alexis, code 10 00:00:32,120 --> 00:00:36,159 Speaker 2: named Doc Holliday Jackson. Most importantly, you are you. You 11 00:00:36,200 --> 00:00:39,720 Speaker 2: are here. That makes this the stuff they don't want 12 00:00:39,760 --> 00:00:42,320 Speaker 2: you to know. It is the top of the week, 13 00:00:42,520 --> 00:00:48,240 Speaker 2: which means it's time for some strange news, and we're 14 00:00:48,280 --> 00:00:50,680 Speaker 2: going to talk about some crime. We're going to talk 15 00:00:50,720 --> 00:00:53,880 Speaker 2: about some surveillance. We're going to talk about, of course, 16 00:00:54,520 --> 00:00:58,560 Speaker 2: a couple of heist gone wrong. We are going to 17 00:00:58,680 --> 00:01:02,800 Speaker 2: ask what rough beast slouches towards the Bethlehem of the 18 00:01:02,840 --> 00:01:07,280 Speaker 2: Dead Internet theory before we do any of that. Fellow 19 00:01:07,319 --> 00:01:12,360 Speaker 2: conspiracy realist, we are fans of music in all form, 20 00:01:12,600 --> 00:01:20,679 Speaker 2: and Noel, you found a pretty amazing story. 21 00:01:23,040 --> 00:01:24,959 Speaker 4: Well yeah, I mean, you know, a lot of the 22 00:01:25,440 --> 00:01:30,920 Speaker 4: conversation around AI, especially as it pertains to corporations using AI, 23 00:01:31,480 --> 00:01:36,039 Speaker 4: sort of feels like this desperate attempt to capitalize on 24 00:01:36,120 --> 00:01:39,240 Speaker 4: the hot new technology or whatever, not even to mention 25 00:01:39,720 --> 00:01:44,600 Speaker 4: the dystopian aspects of AI the job depriving the future 26 00:01:44,680 --> 00:01:47,840 Speaker 4: aspects of AI or a machine learning to be a 27 00:01:47,880 --> 00:01:52,120 Speaker 4: little more accurate. So it's kind of rare even when 28 00:01:52,200 --> 00:01:54,400 Speaker 4: you see one that seems a little innocuous, Like you know, 29 00:01:54,440 --> 00:01:58,320 Speaker 4: the Beatles released a pretty nothing burger of a song 30 00:01:58,520 --> 00:02:01,200 Speaker 4: that I've already literally forgot in the name of where 31 00:02:01,240 --> 00:02:05,520 Speaker 4: they used AI to clean up the audio on a 32 00:02:05,680 --> 00:02:09,000 Speaker 4: John Lennon demo. Essentially that was like I think him 33 00:02:09,040 --> 00:02:12,240 Speaker 4: playing a tune on the piano, and they used AI 34 00:02:12,680 --> 00:02:15,480 Speaker 4: as you know, an interesting tool. It wasn't like to 35 00:02:15,600 --> 00:02:19,520 Speaker 4: resurrect John Lennon's from the Dead, you know, to fully 36 00:02:19,560 --> 00:02:22,400 Speaker 4: create this thing that never actually happened. It was you know, 37 00:02:22,720 --> 00:02:26,240 Speaker 4: using you know, machine learning as a forensic tool of 38 00:02:26,320 --> 00:02:27,600 Speaker 4: audio reconstruction. 39 00:02:27,919 --> 00:02:29,359 Speaker 2: I do like John Lennon's. 40 00:02:29,560 --> 00:02:33,040 Speaker 4: By the way, John Lennons, there's there's there could be 41 00:02:33,080 --> 00:02:36,440 Speaker 4: more than one. If hey if if, if big corporate 42 00:02:36,480 --> 00:02:39,320 Speaker 4: America has their way, there will be many John Lennons 43 00:02:39,360 --> 00:02:42,160 Speaker 4: fed by machine learning. But you know, there was a 44 00:02:42,200 --> 00:02:44,800 Speaker 4: lot made of that story when it came out because 45 00:02:44,840 --> 00:02:46,920 Speaker 4: there were a lot of people saying, oh gross, using 46 00:02:46,960 --> 00:02:51,360 Speaker 4: AI to you know, dishonor the dead and create this song. 47 00:02:51,480 --> 00:02:54,360 Speaker 4: Not cool beatles, but a lot of those stories buried 48 00:02:54,360 --> 00:02:56,280 Speaker 4: the leader at the very least people chose not to 49 00:02:56,600 --> 00:02:59,000 Speaker 4: look into a little bit deeper beyond the headlines to 50 00:02:59,200 --> 00:03:01,400 Speaker 4: determine yes and fact. That was just a use of 51 00:03:01,440 --> 00:03:05,560 Speaker 4: that kind of software, that kind of technology as a tool. 52 00:03:05,639 --> 00:03:07,920 Speaker 4: And you know, Matt and I work pretty extensively with 53 00:03:07,960 --> 00:03:11,480 Speaker 4: audio and stuff and using tools like isotope RX to 54 00:03:11,919 --> 00:03:14,760 Speaker 4: you know, clean up noisy recordings, get rid of things 55 00:03:14,800 --> 00:03:17,200 Speaker 4: like room tone or the drone of an air conditioning. 56 00:03:17,560 --> 00:03:20,560 Speaker 4: And while I know a lot of audio plugins are 57 00:03:20,639 --> 00:03:23,840 Speaker 4: starting to use more machine learning algorithms to figure that 58 00:03:23,919 --> 00:03:26,640 Speaker 4: kind of stuff out, it's sort of still kind of, 59 00:03:26,680 --> 00:03:28,240 Speaker 4: you know, the early days for that kind of stuff, 60 00:03:28,240 --> 00:03:29,920 Speaker 4: and you're really just starting to see some of those 61 00:03:29,960 --> 00:03:32,440 Speaker 4: tools incorporating this technology. I think we could all agree 62 00:03:32,480 --> 00:03:35,000 Speaker 4: that's pretty cool. That's a use of that tech that's 63 00:03:35,080 --> 00:03:38,440 Speaker 4: neat and that actually is a value and is still 64 00:03:38,560 --> 00:03:42,480 Speaker 4: requiring engineers to implement the tool and to use it, 65 00:03:42,600 --> 00:03:45,040 Speaker 4: you know, to create great audio, whether it be in 66 00:03:45,080 --> 00:03:47,640 Speaker 4: podcasts or in music. You know, with so many people 67 00:03:47,680 --> 00:03:50,760 Speaker 4: recording records at home. Being able to clean up audio 68 00:03:50,840 --> 00:03:53,480 Speaker 4: that maybe wasn't recorded in the most optimal situations is 69 00:03:53,480 --> 00:03:54,360 Speaker 4: a really cool thing. 70 00:03:54,560 --> 00:03:57,120 Speaker 3: Well, just really quickly on that, think about all of 71 00:03:57,160 --> 00:04:00,680 Speaker 3: the amazing tools that exist for video editing and how 72 00:04:00,720 --> 00:04:04,440 Speaker 3: far that's come. Right, being able to isolate elements back 73 00:04:04,520 --> 00:04:06,840 Speaker 3: the image and like do all that kind of stuff. 74 00:04:06,600 --> 00:04:09,760 Speaker 4: Adaptive whatever it can sense, the edges it can sense, 75 00:04:09,800 --> 00:04:14,120 Speaker 4: you can replace elements to create really cool video effects, 76 00:04:14,240 --> 00:04:15,760 Speaker 4: not just deep fakes. 77 00:04:15,920 --> 00:04:18,520 Speaker 2: Yeah, it's super good at this, by the way, folks. 78 00:04:18,600 --> 00:04:20,680 Speaker 3: But what I'm saying is even before any of this 79 00:04:20,760 --> 00:04:24,760 Speaker 3: AI integration, video effects and editing and the way you 80 00:04:24,800 --> 00:04:30,240 Speaker 3: could manipulate a visual image became was becoming extremely powerful 81 00:04:30,360 --> 00:04:32,599 Speaker 3: the things you could do right. But with audio for 82 00:04:32,640 --> 00:04:34,839 Speaker 3: a long time, I think it has to do with 83 00:04:34,880 --> 00:04:36,719 Speaker 3: the nature of the wave and the signal and what 84 00:04:36,800 --> 00:04:40,000 Speaker 3: you actually get when you record right. With microphones and things, 85 00:04:40,480 --> 00:04:44,599 Speaker 3: it's very hard to separate pieces, right. Let's say, if 86 00:04:44,640 --> 00:04:46,760 Speaker 3: there's a sound that occurs at the same time as 87 00:04:46,800 --> 00:04:49,560 Speaker 3: another sound. For a long time, there was almost no 88 00:04:49,680 --> 00:04:53,440 Speaker 3: way besides isolating specific frequencies to do anything. 89 00:04:53,680 --> 00:04:55,960 Speaker 4: I used to work at a guitar shop. You probably 90 00:04:56,000 --> 00:04:58,479 Speaker 4: have an idea or can't imagine how often people came 91 00:04:58,520 --> 00:05:01,279 Speaker 4: in and said, hey, you got to miss That'll cut 92 00:05:01,320 --> 00:05:04,000 Speaker 4: the vocal out of this scene so I can make 93 00:05:04,040 --> 00:05:06,640 Speaker 4: it into a karaoke track. I kid you not. It 94 00:05:06,680 --> 00:05:11,160 Speaker 4: happened once every couple of days. So now to your point, Matt, 95 00:05:11,200 --> 00:05:14,520 Speaker 4: through machine learning, that is possible, and I couldn't exactly 96 00:05:14,520 --> 00:05:16,200 Speaker 4: explain to you how it's done, but there are quite 97 00:05:16,200 --> 00:05:18,120 Speaker 4: a few tools that can do just that. And the 98 00:05:18,520 --> 00:05:21,520 Speaker 4: long winded way of getting to today's story that I brought, 99 00:05:21,560 --> 00:05:24,159 Speaker 4: which is about the country singer Randy Travis who in 100 00:05:24,160 --> 00:05:27,440 Speaker 4: twenty thirteen suffered a severe stroke that left him unable 101 00:05:27,480 --> 00:05:30,440 Speaker 4: to speak, which of course means unable to sing. He 102 00:05:30,520 --> 00:05:34,360 Speaker 4: also had had issues with mobility due to that and 103 00:05:34,440 --> 00:05:37,400 Speaker 4: has you know, largely faded from the public spotlight since 104 00:05:37,440 --> 00:05:39,680 Speaker 4: that point. You might know Randy Travissey. I think he 105 00:05:39,720 --> 00:05:42,800 Speaker 4: had hits like as far back as like the early eighties. 106 00:05:43,200 --> 00:05:46,160 Speaker 4: My girlfriend, who's a bit of a country enthusiast, it's 107 00:05:46,200 --> 00:05:49,359 Speaker 4: not my particular genre of choice. I think I like 108 00:05:49,400 --> 00:05:52,160 Speaker 4: classic country. I like outlawk country, that kind of stuff. 109 00:05:52,400 --> 00:05:56,000 Speaker 4: More of the schmaltzy kind of radio country stuff like 110 00:05:56,040 --> 00:05:58,240 Speaker 4: that doesn't really do it for me, but you could 111 00:05:58,320 --> 00:06:01,240 Speaker 4: argue Randy Travis sort of straddles those genres. And I 112 00:06:01,279 --> 00:06:03,320 Speaker 4: think one of his famous songs is called like for 113 00:06:03,560 --> 00:06:06,919 Speaker 4: I Love You Forever and Ever a man as long 114 00:06:07,000 --> 00:06:10,600 Speaker 4: as Old Women talk about Old Man or something like that, 115 00:06:10,640 --> 00:06:13,560 Speaker 4: and didn't quite bail it, but it's apparently a really 116 00:06:13,600 --> 00:06:16,400 Speaker 4: really sweet song. And he was known for having a 117 00:06:16,520 --> 00:06:20,560 Speaker 4: very kind of non traditional, very laid back delivery, and 118 00:06:20,640 --> 00:06:22,839 Speaker 4: that was sort of his you know, stocking trade, and 119 00:06:22,880 --> 00:06:26,560 Speaker 4: so he was very beloved, not necessarily known as like 120 00:06:26,600 --> 00:06:29,520 Speaker 4: a belter per se or having like this some kind 121 00:06:29,520 --> 00:06:33,480 Speaker 4: of crazy range, much more of an everyman kind of singer. 122 00:06:33,560 --> 00:06:33,760 Speaker 4: You know. 123 00:06:33,920 --> 00:06:37,080 Speaker 2: On the other hand, that's worth it for like twelve people. 124 00:06:37,320 --> 00:06:39,760 Speaker 4: On the other hand, is that a ready Travis dress. 125 00:06:42,160 --> 00:06:45,040 Speaker 2: On the other head, of course, he is a we're 126 00:06:45,080 --> 00:06:50,080 Speaker 2: talking about this off air. He's kind of a comfortable, 127 00:06:50,480 --> 00:06:53,240 Speaker 2: hangout singer. That's exactly right, right. 128 00:06:53,240 --> 00:06:56,320 Speaker 4: So essentially what's happened here, and again, this is an 129 00:06:56,320 --> 00:07:00,400 Speaker 4: initiative through this record company, Warner you know, Warner Brothers, 130 00:07:00,400 --> 00:07:04,919 Speaker 4: Warner Media whatever their record wing of that giant media conglomerate. 131 00:07:05,760 --> 00:07:08,400 Speaker 4: But I would argue a pretty good one of like, hey, 132 00:07:08,400 --> 00:07:09,840 Speaker 4: we're going to try it out the use of this 133 00:07:09,920 --> 00:07:14,880 Speaker 4: AI technology to give Randy Travis his voice back, with 134 00:07:15,120 --> 00:07:20,280 Speaker 4: full cooperation from Randy himself, from his legacy producer of 135 00:07:20,360 --> 00:07:24,880 Speaker 4: many years, and a fellow country singer named James Dupree 136 00:07:24,880 --> 00:07:27,320 Speaker 4: who kind of laid down what you might call the 137 00:07:27,400 --> 00:07:30,920 Speaker 4: guide vocal for the track. So basically, you sing the 138 00:07:31,000 --> 00:07:34,360 Speaker 4: song kind of knowing how Randy's cadences might go and 139 00:07:34,400 --> 00:07:37,400 Speaker 4: the way he might deliver the song, and then by 140 00:07:37,480 --> 00:07:40,440 Speaker 4: going through forensically scraping I guess, I mean, I think 141 00:07:40,480 --> 00:07:42,080 Speaker 4: that terms kind of become a little gross too, but 142 00:07:42,120 --> 00:07:45,640 Speaker 4: you get what I'm saying. His back catalog. I think 143 00:07:45,680 --> 00:07:49,000 Speaker 4: they took forty two of his isolated vocal tracks, which 144 00:07:49,040 --> 00:07:51,600 Speaker 4: you might call stems in the parlance of recording. It's 145 00:07:51,680 --> 00:07:55,119 Speaker 4: just the vocal part solo. No AI required, right, because 146 00:07:55,160 --> 00:07:58,280 Speaker 4: you have the original master tapes, which is multi track, 147 00:07:58,360 --> 00:08:00,280 Speaker 4: so all of those things can be then split out out. 148 00:08:00,520 --> 00:08:04,400 Speaker 4: So forty two of his vocal isolated recordings were then analyzed, 149 00:08:04,480 --> 00:08:11,040 Speaker 4: let's say, and overlaid on top of this James Dupree vocal, 150 00:08:11,880 --> 00:08:17,400 Speaker 4: and apparently the results A it's charting, it's debuted where 151 00:08:17,520 --> 00:08:21,160 Speaker 4: that came from the song, the new song from Randy Travis. 152 00:08:21,320 --> 00:08:24,520 Speaker 4: And in this situation where there's agency, I think you 153 00:08:24,560 --> 00:08:26,760 Speaker 4: can call it by Randy Travis. What do you guys 154 00:08:26,800 --> 00:08:28,800 Speaker 4: think about that? Let let's start with that first of all, 155 00:08:29,080 --> 00:08:31,720 Speaker 4: if there is co signed by the artist himself, not 156 00:08:32,200 --> 00:08:35,560 Speaker 4: Drake dropping an AI rap verse on a you know, 157 00:08:35,960 --> 00:08:39,440 Speaker 4: disk track from Tupac of course, who is not with us, 158 00:08:39,440 --> 00:08:41,839 Speaker 4: and also from Snoop Dogg. Weirdly, we actually didn't talk 159 00:08:41,840 --> 00:08:43,920 Speaker 4: about that in our Drake segment. That's one of the 160 00:08:44,000 --> 00:08:46,520 Speaker 4: weirdest parts of that whole rap u. That is no 161 00:08:46,640 --> 00:08:50,560 Speaker 4: agency that is done without the permission of the people 162 00:08:50,679 --> 00:08:54,000 Speaker 4: living or deceased, their families that have that have been 163 00:08:54,080 --> 00:08:56,720 Speaker 4: left behind, and you know, Tupac's estate had a real 164 00:08:56,720 --> 00:08:58,280 Speaker 4: problem with that and had it taken down. But in 165 00:08:58,320 --> 00:09:00,719 Speaker 4: this case there has been all of the things and 166 00:09:00,840 --> 00:09:04,120 Speaker 4: Randy himself. So can you really call this a Randy 167 00:09:04,120 --> 00:09:07,880 Speaker 4: Travis song? This is really kind of a new frontier 168 00:09:07,960 --> 00:09:11,440 Speaker 4: of media, Like he didn't actually sing it. This other 169 00:09:11,480 --> 00:09:14,360 Speaker 4: guy sang it, but then they took his voice and 170 00:09:14,400 --> 00:09:18,959 Speaker 4: they overlaid it and he was involved. You know, it's 171 00:09:19,120 --> 00:09:21,079 Speaker 4: very interesting question. I don't know what you guys think 172 00:09:21,080 --> 00:09:22,760 Speaker 4: about that, And then we'll get to some other stuff 173 00:09:22,760 --> 00:09:24,080 Speaker 4: with some other aspects of this story. 174 00:09:24,200 --> 00:09:27,120 Speaker 3: Well, I haven't heard it, guys. Does it sound like 175 00:09:27,200 --> 00:09:29,240 Speaker 3: it's just him recording in a booth? 176 00:09:29,440 --> 00:09:31,920 Speaker 4: I think so. I mean, you know this kind of 177 00:09:32,120 --> 00:09:35,199 Speaker 4: very polished country. It's got a certain sheen to it. 178 00:09:35,400 --> 00:09:38,640 Speaker 4: You know a lot of theah, there's auto tune used 179 00:09:38,679 --> 00:09:42,080 Speaker 4: in big country artists, and auto tune again as a tool, 180 00:09:42,280 --> 00:09:45,760 Speaker 4: he's gotten more and more transparent where it doesn't sound 181 00:09:45,800 --> 00:09:47,839 Speaker 4: like auto tune. There's even this other auto tune is 182 00:09:47,880 --> 00:09:51,840 Speaker 4: actually these days, in my experience, used more to sound 183 00:09:51,960 --> 00:09:54,440 Speaker 4: like auto tune, where it is very much meant to 184 00:09:54,480 --> 00:09:57,000 Speaker 4: be an effect, like in trap music or or you know, 185 00:09:57,080 --> 00:09:59,640 Speaker 4: a Polish pop. It's almost like that robot voice that you. 186 00:09:59,679 --> 00:10:03,480 Speaker 2: Know he being could actually singul to know that. Check 187 00:10:03,520 --> 00:10:05,839 Speaker 2: out the Tiny Desk concert. The guy has a voice 188 00:10:05,840 --> 00:10:06,400 Speaker 2: of an angel. 189 00:10:06,559 --> 00:10:10,920 Speaker 4: Picasso could paint landscapes. The guy it was classically trained artists. 190 00:10:10,920 --> 00:10:14,040 Speaker 4: He just chose to paint like a like a small child. 191 00:10:14,040 --> 00:10:16,199 Speaker 4: I'm kidding. I love Picasso, but I'm saying people often 192 00:10:16,520 --> 00:10:19,320 Speaker 4: joke about like, how, oh man, anybody could do that? 193 00:10:19,360 --> 00:10:21,640 Speaker 4: Blah blah blah. No, a lot of these artists, they 194 00:10:21,679 --> 00:10:24,360 Speaker 4: made those choices. That is often the case with auto 195 00:10:24,360 --> 00:10:26,520 Speaker 4: tune these days. It's a choice, it's an aesthetic choice. 196 00:10:26,600 --> 00:10:31,240 Speaker 4: Melodine is another tool that is much more for correcting mistakes, 197 00:10:31,240 --> 00:10:34,960 Speaker 4: correcting little warbles, and it's real precise and I've used 198 00:10:35,000 --> 00:10:38,680 Speaker 4: it and it's it's miraculous. You've probably seen uh sort 199 00:10:38,679 --> 00:10:41,000 Speaker 4: of jokey videos online where someone will take a song 200 00:10:41,040 --> 00:10:43,720 Speaker 4: and retune it and like make it sound completely different. 201 00:10:43,760 --> 00:10:46,960 Speaker 4: That's all using melodye. So in my opinion, it does 202 00:10:47,040 --> 00:10:50,079 Speaker 4: sound like a real Randy Travis on me not being 203 00:10:50,120 --> 00:10:53,040 Speaker 4: a you know, Randy Travis super fan, I couldn't say 204 00:10:53,120 --> 00:10:56,680 Speaker 4: for sure, but by all accounts, he loved it. Apparently 205 00:10:56,720 --> 00:10:59,280 Speaker 4: he you know, when they played it for him. There's 206 00:10:59,320 --> 00:11:01,600 Speaker 4: a video of him kind of taking it all in 207 00:11:01,640 --> 00:11:03,200 Speaker 4: and you see him sort of go through this range 208 00:11:03,240 --> 00:11:06,440 Speaker 4: of emotions, and I believe the emotion that he lands 209 00:11:06,440 --> 00:11:10,520 Speaker 4: on is gratitude. He uses the word grace, you know, 210 00:11:10,640 --> 00:11:13,600 Speaker 4: in his discussion of this song, and he believes this 211 00:11:13,800 --> 00:11:16,720 Speaker 4: was a form of a divine second chance. 212 00:11:17,120 --> 00:11:21,200 Speaker 2: So like when a Frank Sinatra watched Pavati singing some 213 00:11:21,280 --> 00:11:21,960 Speaker 2: of his hits. 214 00:11:22,520 --> 00:11:25,120 Speaker 4: That's a good point, man, That's my question to you, guys. 215 00:11:25,160 --> 00:11:28,000 Speaker 4: Though it is like that sort of but it's also 216 00:11:28,040 --> 00:11:31,679 Speaker 4: different because it is charting as a new song from 217 00:11:31,800 --> 00:11:35,559 Speaker 4: the country megastar Randy Travis. But it's also that ship 218 00:11:35,559 --> 00:11:38,280 Speaker 4: of thesis kind of question, isn't it guys? Like, is 219 00:11:38,280 --> 00:11:41,000 Speaker 4: it really him? If it's actually sung by someone else 220 00:11:41,040 --> 00:11:43,719 Speaker 4: in the overlaid with pieces of him? I don't know. 221 00:11:43,840 --> 00:11:47,160 Speaker 4: I think it's that's a philosophical question, right, I don't 222 00:11:47,200 --> 00:11:48,120 Speaker 4: really have the answer. 223 00:11:48,400 --> 00:11:50,360 Speaker 2: Well, it's licensing at that point. 224 00:11:50,760 --> 00:11:54,400 Speaker 4: It is licensing, that's right, it's But at the same time, 225 00:11:54,800 --> 00:11:58,480 Speaker 4: it's a little different than Abba or Kiss selling their 226 00:11:58,679 --> 00:12:03,400 Speaker 4: likenesses to the the Hologram factory, you know, for constant 227 00:12:03,400 --> 00:12:08,000 Speaker 4: perpetual touring. You know, that's on rails. They've created this show. 228 00:12:08,280 --> 00:12:11,080 Speaker 4: There's see this is kind of on rails too. I 229 00:12:11,120 --> 00:12:14,400 Speaker 4: don't know, guys, I'd love to hear from conspiracy realists 230 00:12:14,400 --> 00:12:16,840 Speaker 4: out there. Is this really Randy Travis? Is that? Even 231 00:12:16,880 --> 00:12:20,080 Speaker 4: the point? I don't know. His producer, Kyle Lemming is 232 00:12:20,120 --> 00:12:24,439 Speaker 4: the one who went through the old recordings. The lyrics 233 00:12:24,559 --> 00:12:27,800 Speaker 4: are ten years old. So this is something that I 234 00:12:27,840 --> 00:12:32,160 Speaker 4: think was meant for him in the first place. I'm 235 00:12:32,200 --> 00:12:34,400 Speaker 4: not one hundred percent sure, but it does have three 236 00:12:34,440 --> 00:12:38,240 Speaker 4: point three million streams in its very first week, which 237 00:12:38,280 --> 00:12:40,200 Speaker 4: is pretty neat. I just think this is sort of 238 00:12:40,240 --> 00:12:44,000 Speaker 4: like a feel good, a high story in the midst 239 00:12:44,040 --> 00:12:47,040 Speaker 4: of a lot of real scary, doom and gloom AI stories. 240 00:12:47,080 --> 00:12:49,600 Speaker 4: And I think I don't think anybody could argue that 241 00:12:49,640 --> 00:12:53,320 Speaker 4: this is a pretty interesting use of this tool, you know, 242 00:12:53,360 --> 00:12:57,160 Speaker 4: and other AI related I guess positive news or you 243 00:12:57,160 --> 00:13:00,560 Speaker 4: know where AI with agency news If anyone's familiar with 244 00:13:00,600 --> 00:13:05,320 Speaker 4: the singer and dancer, pretty amazing artist fka Twigs. She 245 00:13:05,480 --> 00:13:09,480 Speaker 4: actually spoke before like a house committee, I believe, on 246 00:13:09,600 --> 00:13:12,720 Speaker 4: the use of AI, and she has developed an AI 247 00:13:12,920 --> 00:13:17,319 Speaker 4: deep fake avatar of herself that she with agency from 248 00:13:17,360 --> 00:13:19,400 Speaker 4: her and her team want to be able to have 249 00:13:19,520 --> 00:13:23,160 Speaker 4: interact with fans. So, you know, is it a genie 250 00:13:23,160 --> 00:13:25,800 Speaker 4: out of the bottle kind of situation? If it's done correctly, 251 00:13:26,360 --> 00:13:28,520 Speaker 4: can you put the reins on it? Can it be 252 00:13:28,640 --> 00:13:30,480 Speaker 4: rained in? I guess there's a better way of putting that. 253 00:13:31,320 --> 00:13:33,480 Speaker 4: I don't know. I'd like to think so, but I 254 00:13:33,520 --> 00:13:35,760 Speaker 4: want to end. But I want to end this segment 255 00:13:35,840 --> 00:13:37,719 Speaker 4: unless you guys had any other stuff to add. 256 00:13:37,840 --> 00:13:40,000 Speaker 3: No, I can't wait to listen to the song. 257 00:13:40,360 --> 00:13:41,920 Speaker 4: I also want to give it another listen. 258 00:13:42,160 --> 00:13:46,400 Speaker 2: I will point out again broken record style. Hope me 259 00:13:46,480 --> 00:13:53,160 Speaker 2: on this. It is fundamentally philosophically fraudulent to describe any 260 00:13:53,240 --> 00:13:54,920 Speaker 2: intelligence as artificial. 261 00:13:55,240 --> 00:13:57,640 Speaker 4: It's fair. I think that's fair and a good reminder. 262 00:13:58,559 --> 00:14:00,480 Speaker 4: So this is really quick, and this is really just 263 00:14:00,520 --> 00:14:02,079 Speaker 4: for for laws, y'all. I think this is a really 264 00:14:02,120 --> 00:14:06,640 Speaker 4: sweet story. I recently came across a kind of a 265 00:14:06,679 --> 00:14:10,920 Speaker 4: new I guess burgeoning hilarious sort of joke scene on 266 00:14:10,960 --> 00:14:13,319 Speaker 4: the internet. We talked about dead Internet theory. A lot 267 00:14:13,360 --> 00:14:16,319 Speaker 4: of that is being perpetuated and really escalated by AI 268 00:14:16,600 --> 00:14:19,680 Speaker 4: content creation, right, but a lot of that stuff, I mean, 269 00:14:19,720 --> 00:14:22,120 Speaker 4: it's gonna get more advanced, like it does require prompts 270 00:14:22,120 --> 00:14:26,000 Speaker 4: from human beings. And I stumbled upon a treasure trove 271 00:14:26,440 --> 00:14:31,400 Speaker 4: of AI generated country songs. And this one here was 272 00:14:31,560 --> 00:14:34,840 Speaker 4: entirely AI generated. A human had to have prompted it. 273 00:14:34,840 --> 00:14:38,480 Speaker 4: Because you're gonna hear some some real themes here, y'all. Well, 274 00:14:38,600 --> 00:14:40,760 Speaker 4: let's just this is here real quick. This is a 275 00:14:40,800 --> 00:14:45,240 Speaker 4: big red cups. I got beer in my boots, dirn 276 00:14:45,360 --> 00:14:48,440 Speaker 4: on the truck, corn on the mone and a god 277 00:14:48,600 --> 00:14:49,280 Speaker 4: of my butt. 278 00:14:49,400 --> 00:14:53,240 Speaker 5: It's a stop town, leister's dirt, bleister's beer trucks. 279 00:14:53,240 --> 00:14:53,920 Speaker 4: And sure. 280 00:14:55,400 --> 00:14:57,440 Speaker 2: This is not bo Burnham, by the way. 281 00:14:59,160 --> 00:15:05,640 Speaker 4: Consent butts, red cups, dirty beer, folks. 282 00:15:05,640 --> 00:15:12,640 Speaker 2: I wish you could see Matt's pace right now. I 283 00:15:12,680 --> 00:15:15,400 Speaker 2: wish you could see an old dancing to this one. 284 00:15:15,760 --> 00:15:25,760 Speaker 5: The butts are proud, y'all, biscuit in my boot? 285 00:15:27,000 --> 00:15:32,440 Speaker 4: Sorry, all right enough, Oh my goodness, gracious, what do 286 00:15:32,440 --> 00:15:33,760 Speaker 4: you guys think about that? 287 00:15:35,000 --> 00:15:38,440 Speaker 3: I mean, guys, I live out in the country. 288 00:15:38,480 --> 00:15:42,600 Speaker 4: Now, yeah, you got big, you got boots and boots, trucks, 289 00:15:42,640 --> 00:15:45,080 Speaker 4: get mud, and there are any guns and butts out there? 290 00:15:45,600 --> 00:15:49,720 Speaker 3: Of course that's all. It's all true. No, no, it's 291 00:15:49,960 --> 00:15:52,800 Speaker 3: I feel offended on behalf of everybody that lives within 292 00:15:53,160 --> 00:15:56,520 Speaker 3: with several miles Listen. 293 00:15:56,560 --> 00:15:59,600 Speaker 4: That's why I point out that someone didn't just right 294 00:16:00,160 --> 00:16:03,240 Speaker 4: AI make a country song. Someone said make a country 295 00:16:03,240 --> 00:16:06,400 Speaker 4: song about guns and butts. Okay, that didn't come out 296 00:16:06,440 --> 00:16:08,600 Speaker 4: of whole cloth, I guarantee, because as we know, with 297 00:16:08,640 --> 00:16:11,880 Speaker 4: these tools, they require prompts, and sometimes these prompts can 298 00:16:11,920 --> 00:16:15,000 Speaker 4: be very targeted and focused, whether it be for visual 299 00:16:15,040 --> 00:16:18,400 Speaker 4: stuff or what have you. I thought that was really funny. 300 00:16:18,520 --> 00:16:20,600 Speaker 4: It made me laugh. I shared it with anyone who 301 00:16:20,640 --> 00:16:22,480 Speaker 4: would listen. Now I shared it with you. 302 00:16:22,600 --> 00:16:29,240 Speaker 2: AI is o Henry's Monkey Paul, also coming from parts 303 00:16:29,240 --> 00:16:33,360 Speaker 2: of rural Appalachia. I think they would dig this song. 304 00:16:33,640 --> 00:16:36,760 Speaker 4: I think they would do. It's a banger of a chorus, yeah, 305 00:16:36,880 --> 00:16:39,200 Speaker 4: and it certainly does when you when you when you 306 00:16:39,200 --> 00:16:42,680 Speaker 4: step away from the jokiness of it. If an AI 307 00:16:43,400 --> 00:16:48,280 Speaker 4: did compose the melody and hook of that, whether the 308 00:16:48,320 --> 00:16:50,280 Speaker 4: prompt you know that probably Again, I haven't messed with 309 00:16:50,280 --> 00:16:53,840 Speaker 4: one of these audio AI things like that, but pretty 310 00:16:53,880 --> 00:16:56,680 Speaker 4: impressive and a little scary in terms of what that 311 00:16:56,760 --> 00:17:00,680 Speaker 4: means for pop music and artists like James Blake. I've 312 00:17:00,680 --> 00:17:04,280 Speaker 4: really come out saying how the record industries are really 313 00:17:04,760 --> 00:17:07,880 Speaker 4: pushing this narrative of like ten second clips for a TikTok, 314 00:17:08,040 --> 00:17:11,040 Speaker 4: five second, fifteen second clips from TikTok, which is pushing 315 00:17:11,400 --> 00:17:14,400 Speaker 4: the way music is consumed much more towards a world 316 00:17:14,800 --> 00:17:17,480 Speaker 4: where AI generated stuff would fly. 317 00:17:18,400 --> 00:17:21,080 Speaker 2: And that's not coolish. I would dig this song. 318 00:17:21,440 --> 00:17:24,320 Speaker 4: It's a real fist pumper, y'all, and I just think 319 00:17:24,359 --> 00:17:26,800 Speaker 4: it's gonna get weirder from there. So I use that 320 00:17:27,200 --> 00:17:29,240 Speaker 4: kind of jokey bit just to point out some of 321 00:17:29,280 --> 00:17:32,000 Speaker 4: the scary parts of this stuff too. Weren't you weren't 322 00:17:32,000 --> 00:17:33,480 Speaker 4: going to get an AI story on stuff that I 323 00:17:33,520 --> 00:17:35,160 Speaker 4: want you to know without a little bit of doom 324 00:17:35,760 --> 00:17:38,000 Speaker 4: sprinkled in there for good measure. So at least we 325 00:17:38,040 --> 00:17:41,840 Speaker 4: could wrap that doom. And you know, guns and butts. 326 00:17:41,840 --> 00:17:44,960 Speaker 3: Big red cups, dirty trucks, dirty truck dirty but. 327 00:17:45,800 --> 00:17:48,560 Speaker 4: A biscuit in my boot, corn on my mind. You know, 328 00:17:48,760 --> 00:17:51,600 Speaker 4: you know, I'm always out there thinking about that corn. Wow. 329 00:17:52,400 --> 00:17:55,320 Speaker 4: I don't know, guys, this is fun and scary and sweet. 330 00:17:55,760 --> 00:17:57,760 Speaker 4: I'm feeling a lot of emotions. Let's take a quick 331 00:17:57,760 --> 00:17:59,840 Speaker 4: break here, a word from our sponsor, and then come 332 00:17:59,840 --> 00:18:08,520 Speaker 4: back with more strange news. 333 00:18:08,840 --> 00:18:11,719 Speaker 3: And we've returned. Guys, We've got a bit of a 334 00:18:11,760 --> 00:18:14,520 Speaker 3: mystery that's going to take us down let's say a 335 00:18:14,560 --> 00:18:18,320 Speaker 3: forking path, and we'll explore it as it forks. The 336 00:18:18,640 --> 00:18:22,919 Speaker 3: first story comes from CBS News or k COW News. 337 00:18:23,119 --> 00:18:27,040 Speaker 3: That's a California. It was posted on May eighth, twenty 338 00:18:27,080 --> 00:18:31,760 Speaker 3: twenty four, and it is regarding one woman's experience. The 339 00:18:31,800 --> 00:18:35,639 Speaker 3: title is hidden Camera Found planted outside of Chino Hills 340 00:18:35,880 --> 00:18:38,960 Speaker 3: woman's home. And I'm just going to read a couple 341 00:18:38,960 --> 00:18:41,920 Speaker 3: of the details here and then let's discuss A woman 342 00:18:41,960 --> 00:18:44,639 Speaker 3: living in Chino Hills, California, was disturbed to learn that 343 00:18:44,680 --> 00:18:48,000 Speaker 3: a camera disguised as a rock had been planted outside 344 00:18:48,000 --> 00:18:50,600 Speaker 3: of her home. The camera was planted in the ground 345 00:18:50,600 --> 00:18:54,000 Speaker 3: across the street from her house. It's believed that the 346 00:18:54,040 --> 00:18:57,439 Speaker 3: camera was placed on April twenty ninth, where it sat 347 00:18:57,480 --> 00:19:01,400 Speaker 3: for several days before being spotted by a neighbor. It 348 00:19:01,480 --> 00:19:04,520 Speaker 3: was a camera wrapped in clay to make it look 349 00:19:04,640 --> 00:19:07,439 Speaker 3: like a rock, and it was attached via cable to 350 00:19:07,720 --> 00:19:10,600 Speaker 3: a very large power bank that was actually larger than 351 00:19:10,600 --> 00:19:13,439 Speaker 3: the entire you know, fake rock itself. So like a 352 00:19:13,480 --> 00:19:17,560 Speaker 3: long term yeah, just sitting there across the street from 353 00:19:17,560 --> 00:19:20,800 Speaker 3: this house. The neighbor who found it was able to 354 00:19:20,800 --> 00:19:23,920 Speaker 3: actually download some of the images from it, so it's 355 00:19:23,960 --> 00:19:26,120 Speaker 3: not as though it was attached to Wi Fi. Well 356 00:19:26,119 --> 00:19:29,240 Speaker 3: maybe it was, but if it was attached to Wi Fi, 357 00:19:29,320 --> 00:19:33,479 Speaker 3: it was also capturing images locally to the device. So 358 00:19:33,520 --> 00:19:36,520 Speaker 3: the neighbor downloaded an image from the camera that showed 359 00:19:36,560 --> 00:19:40,200 Speaker 3: the moment the hand places it there. Somebody was wearing 360 00:19:40,200 --> 00:19:43,320 Speaker 3: a glove like looks like a gardener or something, places 361 00:19:43,359 --> 00:19:46,520 Speaker 3: it down there. But then the neighbors, knowing the date 362 00:19:46,560 --> 00:19:50,080 Speaker 3: and time, looked at their own security cameras and found 363 00:19:50,080 --> 00:19:53,919 Speaker 3: the moment that somebody rides up on a scooter and 364 00:19:54,160 --> 00:19:57,560 Speaker 3: just kind of, you know, stops for a moment, goes down, 365 00:19:57,800 --> 00:20:01,040 Speaker 3: puts something or messes with the ground in some way, right, 366 00:20:01,440 --> 00:20:04,960 Speaker 3: and then just rides right off. And that's it. That's 367 00:20:05,000 --> 00:20:08,320 Speaker 3: all they know. Uh So everybody is just trying to 368 00:20:08,320 --> 00:20:12,600 Speaker 3: figure out why, and the woman obviously is going, oh, okay, 369 00:20:12,680 --> 00:20:16,080 Speaker 3: what am I dealing with here? We've got several options, guys, 370 00:20:16,160 --> 00:20:19,000 Speaker 3: what do you think is most likely that this could be. 371 00:20:19,600 --> 00:20:21,640 Speaker 2: It's tough to guess without more information. 372 00:20:21,920 --> 00:20:25,160 Speaker 3: Okay, no, right options. I'll throw the first one out. 373 00:20:25,680 --> 00:20:28,240 Speaker 3: What if it is, and this one's way out there. 374 00:20:28,680 --> 00:20:32,040 Speaker 3: What if it is a BTK style person that is 375 00:20:32,400 --> 00:20:36,000 Speaker 3: casing a human being, watching a human being to see 376 00:20:36,000 --> 00:20:39,800 Speaker 3: their movements, their patterns and everything like that, like a serial. 377 00:20:39,600 --> 00:20:43,040 Speaker 2: Killer, a predator scoping like the bomb torture killed Dennis 378 00:20:43,119 --> 00:20:50,560 Speaker 2: Radar guy. Cinematic possible, but maybe not plausible. Those fates 379 00:20:50,600 --> 00:20:51,280 Speaker 2: are kind of rare. 380 00:20:51,760 --> 00:20:54,800 Speaker 3: Okay, Well, what would be more common then maybe uh, 381 00:20:55,320 --> 00:20:58,520 Speaker 3: burglar or someone who's casing the joint just to steal 382 00:20:58,560 --> 00:20:58,840 Speaker 3: from it. 383 00:20:59,200 --> 00:21:02,080 Speaker 2: Yeah, that's I almost said a good one. That's a 384 00:21:02,119 --> 00:21:03,280 Speaker 2: more plausible one. 385 00:21:03,480 --> 00:21:05,680 Speaker 4: It's also a commitment to the bit, right, I mean, 386 00:21:05,960 --> 00:21:06,240 Speaker 4: you know. 387 00:21:06,440 --> 00:21:13,840 Speaker 2: The possibility of a stalker without necessarily serial killer level 388 00:21:13,960 --> 00:21:18,320 Speaker 2: predation at this point. You know, Matt, in the notes 389 00:21:18,520 --> 00:21:23,600 Speaker 2: you you said, this could also just be someone trying 390 00:21:23,680 --> 00:21:27,639 Speaker 2: to rob a house or chasing the joint for the 391 00:21:27,680 --> 00:21:29,240 Speaker 2: worst hoa ever. 392 00:21:29,359 --> 00:21:31,959 Speaker 3: Yeah, it could be that. What if it's a private 393 00:21:32,000 --> 00:21:36,239 Speaker 3: investigator that was hired by some outside party that is 394 00:21:36,320 --> 00:21:39,600 Speaker 3: trying to capture something specific or activity going on? 395 00:21:39,840 --> 00:21:42,240 Speaker 4: Oh? Well, have you guys been watching this show Sugar 396 00:21:42,480 --> 00:21:46,800 Speaker 4: on on Apple TV. It's a private investigator type show. 397 00:21:47,440 --> 00:21:48,879 Speaker 4: It's set in the modern day, but it's kind of 398 00:21:48,880 --> 00:21:52,600 Speaker 4: got these old school you know, Noir detective advised. But 399 00:21:52,880 --> 00:21:56,040 Speaker 4: dude is constantly placing hidden cameras on stuff, right all 400 00:21:56,080 --> 00:21:56,400 Speaker 4: the time. 401 00:21:56,440 --> 00:21:58,919 Speaker 2: Oh yeah, bigtim We'll get in situations. 402 00:21:59,000 --> 00:22:02,080 Speaker 3: Well, that's a common thing, right, especially if you're in 403 00:22:02,119 --> 00:22:06,040 Speaker 3: a cheating spouse situation, A PI will place camera us 404 00:22:06,480 --> 00:22:06,880 Speaker 3: in front. 405 00:22:06,920 --> 00:22:08,919 Speaker 4: To be completely wireless, it would have to have a 406 00:22:08,920 --> 00:22:11,240 Speaker 4: big old power supply like that you couldn't how would 407 00:22:11,320 --> 00:22:13,440 Speaker 4: it would be such a giveaway if you tapped somebody's 408 00:22:13,480 --> 00:22:15,680 Speaker 4: electricity or you know, it have to have a big 409 00:22:15,720 --> 00:22:17,639 Speaker 4: old battery too, and then you probably have to go 410 00:22:17,720 --> 00:22:19,440 Speaker 4: back in and replace it with a charge one. 411 00:22:19,480 --> 00:22:22,560 Speaker 2: And not to victim blame at all in any way, 412 00:22:22,680 --> 00:22:26,840 Speaker 2: but to understand this story, Matt, it sounds like we 413 00:22:26,960 --> 00:22:30,159 Speaker 2: need to learn more about the woman in Chino Hills 414 00:22:30,960 --> 00:22:34,400 Speaker 2: she identified, Like is there do we know anything about 415 00:22:34,400 --> 00:22:40,080 Speaker 2: her background or possible like malevolent forces that might have interacted. 416 00:22:39,480 --> 00:22:41,680 Speaker 3: With No, we have, We have no information. This is 417 00:22:41,720 --> 00:22:44,560 Speaker 3: like a one off story that at least to my knowledge, 418 00:22:44,600 --> 00:22:48,240 Speaker 3: came out last week and it's that's all I've seen 419 00:22:48,280 --> 00:22:50,120 Speaker 3: about it. And I haven't even pursued it further because 420 00:22:50,160 --> 00:22:52,160 Speaker 3: I kind of don't want to know. That's that lady's business. 421 00:22:52,200 --> 00:22:54,440 Speaker 3: I don't want to whatever she's getting into. The reason 422 00:22:54,440 --> 00:22:55,960 Speaker 3: I'm bringing to you guys is to kind of go 423 00:22:56,040 --> 00:22:59,280 Speaker 3: down this pathway of why would someone place a hidden 424 00:22:59,280 --> 00:23:03,400 Speaker 3: camera across the street from a house. The only other 425 00:23:03,480 --> 00:23:07,040 Speaker 3: thing I have like thinking about it would be some 426 00:23:07,160 --> 00:23:11,159 Speaker 3: kind of law enforcement issue where they're trying to watch 427 00:23:11,320 --> 00:23:15,359 Speaker 3: either a house or a specific walkway where people are traveling. 428 00:23:16,440 --> 00:23:19,119 Speaker 3: But usually for law enforcement, you would have to have 429 00:23:19,160 --> 00:23:21,879 Speaker 3: a human being monitoring that stuff. So you've got that 430 00:23:22,000 --> 00:23:23,280 Speaker 3: chain of custody thing. 431 00:23:23,240 --> 00:23:25,800 Speaker 4: Right, Yeah, in a windowless van, right. 432 00:23:25,720 --> 00:23:29,960 Speaker 3: Yeah, usually a human being on hand somewhere making sure 433 00:23:30,040 --> 00:23:32,560 Speaker 3: that at all times people know what is happening in 434 00:23:32,680 --> 00:23:33,760 Speaker 3: time stamping things. 435 00:23:34,119 --> 00:23:35,959 Speaker 2: So and also I hope she's okay. 436 00:23:36,240 --> 00:23:38,280 Speaker 4: Oh absolutely, I was joking about what did she do? 437 00:23:38,960 --> 00:23:40,840 Speaker 4: No victim? Let me hear at all. I just want 438 00:23:40,840 --> 00:23:42,399 Speaker 4: to add, Matt. I think one thing that piques all 439 00:23:42,400 --> 00:23:45,639 Speaker 4: of our interests about this is the very clever, you know, 440 00:23:45,840 --> 00:23:48,880 Speaker 4: camouflaging of the camera. It's not something that I've really 441 00:23:48,920 --> 00:23:51,160 Speaker 4: thought about it or seen before. It's like a fake 442 00:23:51,240 --> 00:23:53,560 Speaker 4: rock looking thing. Somebody puts some thoughts or time and 443 00:23:53,560 --> 00:23:54,399 Speaker 4: some energy into. 444 00:23:54,280 --> 00:23:56,040 Speaker 3: This, Yeah, but then they just kind of covered it 445 00:23:56,080 --> 00:24:00,639 Speaker 3: with leaves with a giant metal power thing attached to it. 446 00:24:00,680 --> 00:24:03,800 Speaker 4: Okay, that's like a tracking compliment, You're right. 447 00:24:04,320 --> 00:24:08,640 Speaker 3: It's just it's a weird combination of things, right, which 448 00:24:08,680 --> 00:24:09,640 Speaker 3: just makes you go, what. 449 00:24:09,720 --> 00:24:11,000 Speaker 4: Is going on? Laziness? 450 00:24:11,440 --> 00:24:14,840 Speaker 2: Yeah, I guess so it is possible to be stupidly smart. 451 00:24:15,160 --> 00:24:17,879 Speaker 3: Hey, there you go. There you go. So, guys, the 452 00:24:17,920 --> 00:24:20,240 Speaker 3: next story that I wanted to jump to from this 453 00:24:20,359 --> 00:24:24,360 Speaker 3: thinking about this story is a story here from Boston 454 00:24:24,440 --> 00:24:27,080 Speaker 3: twenty five News from a while ago. This is April 455 00:24:27,119 --> 00:24:30,040 Speaker 3: twenty sixth, But it made me think about this story. 456 00:24:30,720 --> 00:24:33,880 Speaker 3: There was a group of four men who were recently 457 00:24:34,040 --> 00:24:40,640 Speaker 3: arrested for casing and burglarizing forty three homes. These four 458 00:24:40,720 --> 00:24:45,640 Speaker 3: men carried out forty three successful burglaries and stole more 459 00:24:45,680 --> 00:24:49,520 Speaker 3: than four million dollars worth of that's an estimate worth 460 00:24:49,560 --> 00:24:53,760 Speaker 3: of valuables. It was across twenty five towns in Massachusetts 461 00:24:53,760 --> 00:24:55,480 Speaker 3: from twenty eighteen to twenty twenty four. 462 00:24:55,680 --> 00:24:57,199 Speaker 2: Oh that's a long time window. 463 00:24:57,359 --> 00:25:00,280 Speaker 3: It is a really long time window. And here is 464 00:25:00,359 --> 00:25:03,080 Speaker 3: the part that astounded me in reading the story. You guys, 465 00:25:04,000 --> 00:25:06,320 Speaker 3: think about all the ring cameras out there, all of 466 00:25:06,359 --> 00:25:09,080 Speaker 3: the simply safe and blah blah blah, all the r 467 00:25:09,119 --> 00:25:12,560 Speaker 3: low cameras. These guys were only caught on camera out 468 00:25:12,600 --> 00:25:17,560 Speaker 3: of forty three burglaries one time. One time. Isn't that 469 00:25:17,680 --> 00:25:20,359 Speaker 3: kind of astounding. It makes you wonder how in the 470 00:25:20,400 --> 00:25:23,280 Speaker 3: heck they could do that. And I learned about something 471 00:25:23,320 --> 00:25:27,080 Speaker 3: through this article. I didn't know that you could jam 472 00:25:27,200 --> 00:25:30,640 Speaker 3: Wi Fi signals in a local area as somebody who 473 00:25:30,720 --> 00:25:33,120 Speaker 3: was not law enforcement or not, you know, and in 474 00:25:33,280 --> 00:25:36,479 Speaker 3: working for an intelligence company, you can just get a 475 00:25:36,520 --> 00:25:41,760 Speaker 3: device that will jam Wi Fi signals, essentially making all 476 00:25:41,800 --> 00:25:45,200 Speaker 3: of these camera systems inert because if they're not connected 477 00:25:45,240 --> 00:25:48,280 Speaker 3: to the Wi Fi generally they don't function unless there 478 00:25:48,280 --> 00:25:50,360 Speaker 3: are a specific type of camera. Of some of them 479 00:25:50,400 --> 00:25:52,679 Speaker 3: will function whether they have signal or not, and they 480 00:25:52,760 --> 00:25:54,119 Speaker 3: store locally and then upload. 481 00:25:54,200 --> 00:25:56,119 Speaker 4: Yeah, really popular one is called the camera. 482 00:25:56,160 --> 00:25:58,320 Speaker 3: Mamma jamma, camera, mamma jamma. 483 00:25:58,440 --> 00:25:59,680 Speaker 4: I just made that up. That's not true. 484 00:25:59,720 --> 00:26:01,719 Speaker 3: Oh I thought it is. 485 00:26:01,760 --> 00:26:05,520 Speaker 2: Now we just lack mirrored it. Also, also, it is, 486 00:26:06,000 --> 00:26:10,000 Speaker 2: to be fair, folks, it is completely legal to buy 487 00:26:10,040 --> 00:26:13,160 Speaker 2: those products or to manufacture them on your own. 488 00:26:13,720 --> 00:26:18,640 Speaker 4: Is that because it's all public air, like where you're 489 00:26:18,680 --> 00:26:21,320 Speaker 4: jamming at like like I don't know, like who owns 490 00:26:21,600 --> 00:26:22,000 Speaker 4: the air? 491 00:26:22,320 --> 00:26:28,080 Speaker 2: Okay, it's like it's illegal to shoot a person in general, 492 00:26:28,440 --> 00:26:30,840 Speaker 2: but it is not illegal to buy a gun. It 493 00:26:30,960 --> 00:26:35,200 Speaker 2: is legal to buy these sorts of things, these contraptions 494 00:26:35,240 --> 00:26:39,119 Speaker 2: and the components that compose those contraptions, but the way 495 00:26:39,240 --> 00:26:44,280 Speaker 2: you use them determines the legality or the illegality and. 496 00:26:44,320 --> 00:26:45,560 Speaker 4: These great architectors. 497 00:26:45,640 --> 00:26:49,080 Speaker 2: Right, Yeah, it's a good comparison. I don't know why 498 00:26:49,119 --> 00:26:51,600 Speaker 2: I say comparison, Like I don't speak this language. I'm 499 00:26:51,640 --> 00:26:52,680 Speaker 2: still learning it. 500 00:26:52,760 --> 00:26:54,680 Speaker 4: But no, it's one of those things that, like you know, 501 00:26:54,760 --> 00:26:57,639 Speaker 4: has intended for law enforcement or what have you, and 502 00:26:57,640 --> 00:26:59,159 Speaker 4: then it made its way to the public sector. I 503 00:26:59,160 --> 00:27:03,119 Speaker 4: think it's technically a legal to use them for nefarious purposes, 504 00:27:03,160 --> 00:27:06,840 Speaker 4: but it's a pretty gray area about that kind of stuff. 505 00:27:06,880 --> 00:27:09,560 Speaker 2: Yeah, that's the right color for it. It's a great area. 506 00:27:09,680 --> 00:27:12,840 Speaker 2: And these So these guys did get caught though, right Matt, 507 00:27:12,920 --> 00:27:16,320 Speaker 2: despite only being sited on camera once like some sort 508 00:27:16,359 --> 00:27:19,240 Speaker 2: of true crime cryptid. They did get popped. 509 00:27:19,680 --> 00:27:23,120 Speaker 3: They did get caught. They're currently charged. So I guess 510 00:27:23,200 --> 00:27:25,560 Speaker 3: this stuff is they allegedly did all these things. They 511 00:27:25,560 --> 00:27:28,640 Speaker 3: haven't gone through the whole process, right, but they did 512 00:27:28,680 --> 00:27:31,439 Speaker 3: get caught. There was one other thing. This was a 513 00:27:31,440 --> 00:27:36,000 Speaker 3: sophisticated group of folks doing this because they also never 514 00:27:36,040 --> 00:27:38,720 Speaker 3: brought cell phones with them when they were, you know, 515 00:27:38,800 --> 00:27:41,240 Speaker 3: casing a joint or going into a place. They were 516 00:27:41,320 --> 00:27:45,359 Speaker 3: very careful with their signals intelligence. Basically they almost wouldn't 517 00:27:45,400 --> 00:27:48,399 Speaker 3: have gotten caught, probably just because they really were moving 518 00:27:48,480 --> 00:27:50,960 Speaker 3: pretty effectively in the shadows, I think, unless there were 519 00:27:51,000 --> 00:27:53,160 Speaker 3: some kind of sting or something like that. But hey, 520 00:27:53,200 --> 00:27:55,359 Speaker 3: this is a weird one. They got caught. That's good. 521 00:27:55,920 --> 00:27:57,840 Speaker 3: I don't know how you really protect yourself against that 522 00:27:57,960 --> 00:28:01,680 Speaker 3: stuff unless I don't know, you just super upgrade your 523 00:28:01,760 --> 00:28:05,439 Speaker 3: security systems and think about all the potential holes and 524 00:28:05,480 --> 00:28:08,119 Speaker 3: then go crazy and paranoid and maybe don't do that. 525 00:28:08,480 --> 00:28:11,359 Speaker 2: Spend your life unhappily anxious. 526 00:28:11,640 --> 00:28:14,200 Speaker 3: Yeah, let's not do that. That's not a great idea. 527 00:28:14,480 --> 00:28:16,679 Speaker 3: Take it from me somebody who has dealt with that 528 00:28:16,800 --> 00:28:19,080 Speaker 3: and is always and is still dealing with that. 529 00:28:19,160 --> 00:28:21,000 Speaker 2: All right, maybe we should get some coffee. 530 00:28:21,640 --> 00:28:26,399 Speaker 3: Hey, there we go. Uh well, so here's another potential 531 00:28:26,720 --> 00:28:29,160 Speaker 3: reason for that camera to be out there. By way 532 00:28:29,160 --> 00:28:32,480 Speaker 3: of another story that was in The Guardian on May eleventh, 533 00:28:32,600 --> 00:28:36,800 Speaker 3: titled US woman charged with concealing bleach in husband's coffee 534 00:28:37,119 --> 00:28:40,880 Speaker 3: avoids jail. Okay, so here's one to get all our 535 00:28:40,960 --> 00:28:47,160 Speaker 3: paranoias up. There was a US Navy serviceman who was 536 00:28:47,400 --> 00:28:52,520 Speaker 3: stationed outside of the United States. He noticed that the 537 00:28:52,560 --> 00:28:54,720 Speaker 3: coffee he was drinking in the mornings that he would 538 00:28:54,720 --> 00:28:58,959 Speaker 3: brew it home, started tasting a little off, so he 539 00:28:59,040 --> 00:29:03,080 Speaker 3: decided to weirdly enough to check it for pool chemicals 540 00:29:03,480 --> 00:29:06,040 Speaker 3: like chlorine in those kinds of things. Sure, so he 541 00:29:06,120 --> 00:29:08,400 Speaker 3: checked it and turns out, oh, there's bleach in there. 542 00:29:08,840 --> 00:29:12,920 Speaker 3: So he thought, how did bleach get in my coffee? Like, 543 00:29:13,040 --> 00:29:15,120 Speaker 3: checks out the coffee maker. Oh yeah, the water in 544 00:29:15,160 --> 00:29:18,800 Speaker 3: there tastes real funny, cleans it out, puts new water in, 545 00:29:19,480 --> 00:29:22,360 Speaker 3: and then all of a sudden, it tastes weird again. 546 00:29:22,960 --> 00:29:26,600 Speaker 3: So he sets up a hidden camera in his kitchen 547 00:29:27,000 --> 00:29:31,080 Speaker 3: and he watches his spouse put something into the coffee 548 00:29:31,120 --> 00:29:34,160 Speaker 3: maker's water holder, right in the back of the coffee maker, 549 00:29:34,680 --> 00:29:36,560 Speaker 3: and he's like, huh, I wonder what that was. That 550 00:29:36,680 --> 00:29:39,680 Speaker 3: was really weird. So then he waits until they move 551 00:29:39,800 --> 00:29:41,960 Speaker 3: back to the United States. He just by the way, 552 00:29:42,000 --> 00:29:44,080 Speaker 3: he pretends like he drinks his coffee in the morning. 553 00:29:44,400 --> 00:29:47,000 Speaker 3: From this point on, he doesn't actually drink it. He 554 00:29:47,040 --> 00:29:48,640 Speaker 3: knows there's something in it, and his wife puts something 555 00:29:48,640 --> 00:29:50,680 Speaker 3: in it. He's not sure what's going on, so he 556 00:29:50,720 --> 00:29:53,040 Speaker 3: waits till he get back to the US. Then he 557 00:29:53,080 --> 00:29:55,880 Speaker 3: sets up another camera in this new kitchen and he 558 00:29:56,040 --> 00:29:59,920 Speaker 3: catches her taking bleach, putting it into container and then 559 00:30:00,080 --> 00:30:03,440 Speaker 3: putting that the contents of that container into the coffee maker, 560 00:30:04,160 --> 00:30:05,600 Speaker 3: and she had to go to jail. 561 00:30:06,320 --> 00:30:09,360 Speaker 4: But wait, didn't her husband like argue in her favor 562 00:30:09,560 --> 00:30:13,080 Speaker 4: against long term jail time And she got off with 563 00:30:13,160 --> 00:30:17,000 Speaker 4: some like probation. And then they I think they're getting 564 00:30:17,040 --> 00:30:19,400 Speaker 4: divorced or they just you know, but they're still living 565 00:30:19,440 --> 00:30:23,200 Speaker 4: together with their kid. Yeah, why do you tell the 566 00:30:23,360 --> 00:30:26,600 Speaker 4: kid mommy and daddy love each other very much, but 567 00:30:27,360 --> 00:30:30,440 Speaker 4: mommy tried to kill daddy or was. 568 00:30:30,440 --> 00:30:33,400 Speaker 2: It more of a Munchausen's by proxy situation? 569 00:30:33,760 --> 00:30:36,520 Speaker 4: It's a good question this. Well, I mean, we obviously 570 00:30:36,560 --> 00:30:40,280 Speaker 4: don't know any motive right in terms of abuse or 571 00:30:40,280 --> 00:30:40,920 Speaker 4: anything like that. 572 00:30:41,280 --> 00:30:43,600 Speaker 3: Right, But again, I guess what I'm saying is, I 573 00:30:43,640 --> 00:30:46,200 Speaker 3: guess there are a lot of reasons to want to 574 00:30:46,280 --> 00:30:49,320 Speaker 3: have cameras set up and to conceal those cameras so 575 00:30:49,400 --> 00:30:51,640 Speaker 3: the people you're trying to capture don't know they're there. 576 00:30:51,760 --> 00:30:53,200 Speaker 3: It's just a weird situation. 577 00:30:53,520 --> 00:30:55,240 Speaker 4: Can you imagine the thought process? 578 00:30:55,440 --> 00:30:58,680 Speaker 2: I like that there's a thematic point here too, because 579 00:30:59,600 --> 00:31:04,880 Speaker 2: in general, now one must always assume one is being 580 00:31:04,960 --> 00:31:08,480 Speaker 2: filmed or recorded in some way. It's just the safest 581 00:31:08,520 --> 00:31:12,360 Speaker 2: assumption we're not trying to ruin anybody's day or anything 582 00:31:12,440 --> 00:31:12,760 Speaker 2: like that. 583 00:31:12,920 --> 00:31:16,080 Speaker 4: And I also don't think we're all necessarily proposing that 584 00:31:16,560 --> 00:31:19,960 Speaker 4: we put round the clock hidden cameras in every aspect 585 00:31:19,960 --> 00:31:22,120 Speaker 4: of our life to make sure no one's trying to poisonous. 586 00:31:22,240 --> 00:31:24,520 Speaker 4: What I was gonna ask, though, Matt, was can you guys, 587 00:31:24,560 --> 00:31:27,680 Speaker 4: are both of you can you imagine the thought process 588 00:31:27,840 --> 00:31:30,760 Speaker 4: that would lead to this conclusion? And like the slew thing, 589 00:31:30,840 --> 00:31:33,760 Speaker 4: and like, surely she's not Wait a minute, maybe she is. 590 00:31:34,160 --> 00:31:35,920 Speaker 4: Oh god, she definitely is. 591 00:31:36,880 --> 00:31:39,440 Speaker 2: You immediately test for pool chemistry. 592 00:31:39,480 --> 00:31:43,719 Speaker 4: That's a weird one the context, you know, who like 593 00:31:43,920 --> 00:31:45,280 Speaker 4: have you like we've. 594 00:31:45,040 --> 00:31:47,920 Speaker 2: All had beat me here, doc, and thank you. We've 595 00:31:47,920 --> 00:31:51,239 Speaker 2: all had the drinks at some point, right, you know, 596 00:31:51,400 --> 00:31:53,960 Speaker 2: you get something from a fast food place that soda 597 00:31:54,000 --> 00:31:58,720 Speaker 2: founds off. Who on earth? Like what leads you to 598 00:31:58,760 --> 00:32:01,280 Speaker 2: this point in your life where you sip coffee it 599 00:32:01,400 --> 00:32:04,160 Speaker 2: tastes off and you say, time to test for the 600 00:32:04,200 --> 00:32:05,120 Speaker 2: pool chemicals. 601 00:32:05,440 --> 00:32:08,880 Speaker 4: There's that bit in the pilot episode of twin Peaks 602 00:32:09,120 --> 00:32:13,000 Speaker 4: where the guy goes there was a fish in the percolat. 603 00:32:15,360 --> 00:32:17,560 Speaker 4: That's what it made me think. But guys, I mean 604 00:32:17,600 --> 00:32:20,479 Speaker 4: I don't know if anyone's accidentally tasted a little bleach 605 00:32:20,560 --> 00:32:23,280 Speaker 4: in their life. I haven't, but I know what it 606 00:32:23,360 --> 00:32:25,720 Speaker 4: smells like, and we know that there's a lot of 607 00:32:25,720 --> 00:32:28,520 Speaker 4: connection between taste and smell. I could imagine that he 608 00:32:28,600 --> 00:32:32,000 Speaker 4: tested for pool chemicals because the coffee tasted a little bleachy. 609 00:32:32,240 --> 00:32:34,640 Speaker 3: Well, yeah, and it was a taste that lingered for 610 00:32:34,680 --> 00:32:37,440 Speaker 3: a long time. And again, like you just want to know, Well, 611 00:32:37,520 --> 00:32:40,600 Speaker 3: is it just this batch of coffee that's tainted or 612 00:32:40,760 --> 00:32:42,880 Speaker 3: is something wrong with my coffee maker? What the heck's 613 00:32:42,920 --> 00:32:44,440 Speaker 3: going on? Maybe it was in my cup? 614 00:32:45,480 --> 00:32:48,479 Speaker 4: Yeah, Well the gaslightingness of it all too, is the 615 00:32:48,520 --> 00:32:51,880 Speaker 4: whole Like, am I insane? Like I totally cleaned out 616 00:32:51,920 --> 00:32:54,440 Speaker 4: the coffee maker and now it's back. You know, at 617 00:32:54,480 --> 00:32:57,440 Speaker 4: what point does he decide I better get to the 618 00:32:57,440 --> 00:32:59,920 Speaker 4: bottom of this. This isn't in my head he had. 619 00:33:00,040 --> 00:33:02,000 Speaker 4: You have wrestled with that for at least a minute. 620 00:33:02,040 --> 00:33:02,640 Speaker 4: You know, is he. 621 00:33:02,720 --> 00:33:05,080 Speaker 2: Testing everything for pool chemicals? 622 00:33:05,240 --> 00:33:08,960 Speaker 3: Well, he had test strips, right, and his first thought was, oh, crap, 623 00:33:09,360 --> 00:33:12,160 Speaker 3: something is getting into our water supply because they were 624 00:33:12,200 --> 00:33:14,720 Speaker 3: stationed in Germany, and he was like, maybe there's just 625 00:33:14,720 --> 00:33:16,920 Speaker 3: something I don't know about so we tested the water 626 00:33:17,000 --> 00:33:20,600 Speaker 3: faucet and it was clean. So he's like, that's weird. Well, 627 00:33:21,120 --> 00:33:23,080 Speaker 3: so he tested the water that was sitting there in 628 00:33:23,120 --> 00:33:25,600 Speaker 3: the percolator and it was wrong. 629 00:33:25,960 --> 00:33:30,120 Speaker 4: Hats off to this guy's deductive skills of reasoning and 630 00:33:30,160 --> 00:33:32,760 Speaker 4: then you know, process of elimination. I would say he 631 00:33:33,400 --> 00:33:35,000 Speaker 4: saved his own life. Yep. 632 00:33:35,320 --> 00:33:37,880 Speaker 2: All, don't drink bleach, folks. 633 00:33:37,640 --> 00:33:40,360 Speaker 3: No, good God, please don't do that. 634 00:33:40,600 --> 00:33:44,840 Speaker 2: Not even diet bleach, about the calories. Just don't drink bleach. 635 00:33:45,320 --> 00:33:51,160 Speaker 3: But what if it tastes like midnight cherry midnight zero. Yeah, 636 00:33:51,920 --> 00:33:55,200 Speaker 3: it's my favorite too. It's right there. All right, we're gonna, 637 00:33:55,440 --> 00:33:57,400 Speaker 3: I don't know, think about this stuff, y'all. We're gonna 638 00:33:57,400 --> 00:33:59,160 Speaker 3: take a break and we'll be right back with more 639 00:33:59,320 --> 00:33:59,960 Speaker 3: strange news. 640 00:34:06,760 --> 00:34:10,640 Speaker 2: And we have returned a quick cavalcade of updates. Good 641 00:34:10,760 --> 00:34:15,480 Speaker 2: news for a very specific demographic of people in Indiana. 642 00:34:15,719 --> 00:34:20,200 Speaker 2: An Indiana judge has ruled that tacos and burritos qualify 643 00:34:20,440 --> 00:34:25,640 Speaker 2: as sandwiches. So st yeah, yeah, yeah, the future. Who 644 00:34:25,719 --> 00:34:29,640 Speaker 2: is this a judge in Indiana? A judge by profession, 645 00:34:29,800 --> 00:34:33,080 Speaker 2: He's not like a judge Reinhold or whatever that actor's 646 00:34:33,160 --> 00:34:37,480 Speaker 2: name is in Fort Wayne, Indiana. He ruled as part 647 00:34:37,520 --> 00:34:42,600 Speaker 2: of a commercial development case that burritos and tacos count 648 00:34:42,640 --> 00:34:43,440 Speaker 2: as sandwiches. 649 00:34:43,960 --> 00:34:48,080 Speaker 4: I think this is out of his league, saying, you're lane, judge. 650 00:34:48,080 --> 00:34:50,720 Speaker 2: This is the most conservative opinion I have heard. 651 00:34:50,719 --> 00:34:53,520 Speaker 4: You have nol to do with you. 652 00:34:53,880 --> 00:34:54,759 Speaker 3: Look, we've been in a. 653 00:34:54,640 --> 00:34:57,600 Speaker 4: Matter of legality, it's a matter of common sense, dude. 654 00:34:57,600 --> 00:35:00,359 Speaker 3: We've been asking for like an official ruling on this, 655 00:35:00,440 --> 00:35:01,960 Speaker 3: and this judge gave it to us. 656 00:35:03,200 --> 00:35:07,040 Speaker 2: He wrote, the proposed famous taco restaurant falls within the 657 00:35:07,040 --> 00:35:10,360 Speaker 2: scope of general use approved in the original written commitment. 658 00:35:10,600 --> 00:35:11,440 Speaker 4: Blah blah blah. 659 00:35:11,239 --> 00:35:17,040 Speaker 2: Blah blah, YadA YadA YadA da da Uh. The original 660 00:35:17,040 --> 00:35:21,640 Speaker 2: written commitment does not restrict potential restaurants to only American 661 00:35:21,800 --> 00:35:25,480 Speaker 2: cuisine style sandwiches. So that's a big win for Big Taco. 662 00:35:27,680 --> 00:35:31,080 Speaker 4: The court. Baby, all right, the justices, deway. 663 00:35:31,080 --> 00:35:34,239 Speaker 2: All right, we'll text them. We'll text them because your 664 00:35:34,320 --> 00:35:37,360 Speaker 2: voice should be heard. Also, if you own a yacht, 665 00:35:37,440 --> 00:35:40,920 Speaker 2: bad news. The Orcas are out to get you. Just 666 00:35:41,000 --> 00:35:45,680 Speaker 2: knocked another way out of the straight to Gibraltar, and uh, 667 00:35:45,960 --> 00:35:46,560 Speaker 2: Team Orca. 668 00:35:46,719 --> 00:35:50,200 Speaker 3: To be quite honest, wasn't a really big nice boat too, 669 00:35:50,280 --> 00:35:51,360 Speaker 3: like a yacht. 670 00:35:51,160 --> 00:35:54,399 Speaker 4: Or something that gets the distinction is on the big 671 00:35:54,440 --> 00:35:57,440 Speaker 4: and or nice side. But this was a bigger yacht 672 00:35:57,640 --> 00:35:58,160 Speaker 4: right above. 673 00:35:59,120 --> 00:36:01,600 Speaker 2: Sorry, I know I saw like Pacino and Devil's Advocate, 674 00:36:01,680 --> 00:36:06,160 Speaker 2: but yeah, Tea Morca. So also, we were talking about 675 00:36:06,160 --> 00:36:08,640 Speaker 2: this a little bit off air, this last one before 676 00:36:08,640 --> 00:36:11,359 Speaker 2: you get to our big piece. Shout out to our 677 00:36:11,440 --> 00:36:15,800 Speaker 2: friend doctor Damian Patrick. Williams was speaking with him a 678 00:36:15,840 --> 00:36:20,840 Speaker 2: little bit earlier. There is a flood of fake science 679 00:36:20,920 --> 00:36:23,880 Speaker 2: hitting academic journals. We talked about this a little bit 680 00:36:23,920 --> 00:36:29,240 Speaker 2: in our previous episode on the academic journal problems, the controversies, 681 00:36:29,280 --> 00:36:33,520 Speaker 2: corruption and conspiracy surrounding that a lot of these journals 682 00:36:33,560 --> 00:36:39,040 Speaker 2: now are closing down because there is an industry using chat, 683 00:36:39,080 --> 00:36:44,400 Speaker 2: GPT and AI to plagiarize papers. They're called paper mills 684 00:36:44,880 --> 00:36:49,000 Speaker 2: and they are so I told myself I wasn't going 685 00:36:49,000 --> 00:36:51,560 Speaker 2: to curse you guys, but Doc, with great thanks, beat 686 00:36:51,600 --> 00:36:55,600 Speaker 2: me again. They are so fucking dumb. They're not good. 687 00:36:56,520 --> 00:37:00,239 Speaker 2: They do this thing where they ran they ran and 688 00:37:00,440 --> 00:37:05,120 Speaker 2: synonyms through so instead of saying something like this study 689 00:37:05,160 --> 00:37:08,680 Speaker 2: is about breast cancer, they say this study is about 690 00:37:08,840 --> 00:37:09,920 Speaker 2: bosom peril. 691 00:37:10,320 --> 00:37:14,600 Speaker 4: It's like the the like kind of bootleg Halloween costumes 692 00:37:14,640 --> 00:37:17,400 Speaker 4: trying to avoid being sued for intellectual property, like for 693 00:37:17,520 --> 00:37:20,560 Speaker 4: Wednesday atoms. It's spooky mid midweek QT. 694 00:37:21,480 --> 00:37:24,680 Speaker 6: Stuff like that is true, It's very true. It's a thing, 695 00:37:24,719 --> 00:37:27,560 Speaker 6: you know, it's a spirit and spooky midweek beauty. Really 696 00:37:27,640 --> 00:37:30,360 Speaker 6: quickly though, I mean just to add, like these types 697 00:37:30,400 --> 00:37:33,239 Speaker 6: of operations have been around as long as there have 698 00:37:33,280 --> 00:37:37,040 Speaker 6: been papers, right, you know, with varying degrees of quality. 699 00:37:37,200 --> 00:37:40,960 Speaker 6: You know, we certainly have heard stories of astute scam 700 00:37:41,040 --> 00:37:44,480 Speaker 6: artists in schools, you know, doing this, going into business 701 00:37:44,480 --> 00:37:47,160 Speaker 6: for themselves, and oftentimes they'll sell the same paper like 702 00:37:47,200 --> 00:37:48,080 Speaker 6: three or four times. 703 00:37:48,200 --> 00:37:50,760 Speaker 4: So this is just sort of an escalation of that, right. 704 00:37:50,719 --> 00:37:54,959 Speaker 2: Yes, just as the Internet itself is an escalation of 705 00:37:55,000 --> 00:37:58,680 Speaker 2: the gregarious nature of human beings. Here you go, another 706 00:37:58,880 --> 00:38:05,440 Speaker 2: couple of examples of these synonym griffs. Fluid dynamics was 707 00:38:05,480 --> 00:38:06,960 Speaker 2: called gooey stream. 708 00:38:08,280 --> 00:38:10,680 Speaker 4: Oh that's yeah, Okay, weird. 709 00:38:10,480 --> 00:38:19,160 Speaker 2: About that one. We're all so Artificial intelligence was also 710 00:38:19,239 --> 00:38:23,080 Speaker 2: referred to as counterfeit consciousness. And I think this is 711 00:38:23,120 --> 00:38:27,399 Speaker 2: a segue to our last story for tonight's program. Did 712 00:38:27,440 --> 00:38:29,800 Speaker 2: you guys ever do online dating? 713 00:38:30,280 --> 00:38:33,799 Speaker 4: Not? Oh? Yeah, my current relationship that I have been 714 00:38:33,840 --> 00:38:36,640 Speaker 4: in for lo these three plus years at this point 715 00:38:37,520 --> 00:38:40,560 Speaker 4: was the product of online dating. You know, I got 716 00:38:40,600 --> 00:38:44,680 Speaker 4: divorced from someone that I did not meet in online dating, 717 00:38:44,840 --> 00:38:46,560 Speaker 4: and then after that it just kind of became the 718 00:38:46,600 --> 00:38:48,319 Speaker 4: way you do it in a bigger city where you 719 00:38:48,320 --> 00:38:51,719 Speaker 4: maybe don't know as many people. So it made sense 720 00:38:51,719 --> 00:38:53,640 Speaker 4: for me. And I've had good and bad experiences. 721 00:38:53,920 --> 00:38:56,879 Speaker 2: Yeah, you know, Matt and I are maybe a little 722 00:38:56,880 --> 00:39:00,520 Speaker 2: more old school. We meet people the old fast and way, 723 00:39:01,040 --> 00:39:03,520 Speaker 2: you know, getting deported at customs. 724 00:39:04,880 --> 00:39:07,360 Speaker 3: I just get into minor car accidents with people I 725 00:39:07,400 --> 00:39:10,719 Speaker 3: find attractive. 726 00:39:15,840 --> 00:39:16,520 Speaker 4: To meet cute. 727 00:39:17,680 --> 00:39:22,680 Speaker 2: So obviously, no shade on online dating. It works very 728 00:39:22,719 --> 00:39:26,680 Speaker 2: well for a lot of people, and it can be 729 00:39:26,880 --> 00:39:31,000 Speaker 2: a difficult speed bump, right Like it's it's already difficult 730 00:39:31,040 --> 00:39:36,279 Speaker 2: to meet folks, to find the person that you want 731 00:39:36,320 --> 00:39:41,280 Speaker 2: to spend time or your life with. And what gets 732 00:39:41,320 --> 00:39:45,120 Speaker 2: me with this is I was always startled by the 733 00:39:45,400 --> 00:39:50,600 Speaker 2: idea of online dating. And I remember when some of 734 00:39:50,640 --> 00:39:56,080 Speaker 2: my friend groups started dating online using the apps of whatever, 735 00:39:56,719 --> 00:40:00,880 Speaker 2: and they eventually told me it was like a series 736 00:40:00,960 --> 00:40:05,399 Speaker 2: of auditions. They felt like they were always auditioning, and 737 00:40:05,760 --> 00:40:08,520 Speaker 2: they felt like they were auditioning for roles they didn't 738 00:40:08,560 --> 00:40:12,000 Speaker 2: necessarily want, but it was Saturday and they had to 739 00:40:12,000 --> 00:40:16,719 Speaker 2: do something. And this brings us to our final story, 740 00:40:16,760 --> 00:40:22,279 Speaker 2: which includes artificial intelligence again fraudulent term as well as 741 00:40:22,400 --> 00:40:26,760 Speaker 2: online dating. You guys. Recently, one of the high ups, 742 00:40:26,800 --> 00:40:31,240 Speaker 2: one of the grand pubas of the dating enterprise Bumble, 743 00:40:31,719 --> 00:40:35,680 Speaker 2: Whitney wolf Heard, said, we're going to take the awkwardness out. 744 00:40:36,080 --> 00:40:41,120 Speaker 2: We are going to eliminate this small talk, eliminate the 745 00:40:41,160 --> 00:40:44,440 Speaker 2: dead ends, the red herrings and so on. We are 746 00:40:44,480 --> 00:40:50,600 Speaker 2: going to create an AI concierge for each user of Bumble, 747 00:40:51,160 --> 00:40:57,200 Speaker 2: and that AI concierge will talk to another AI concierge 748 00:40:57,760 --> 00:41:00,960 Speaker 2: to figure out what the vibe is where the actual 749 00:41:01,040 --> 00:41:02,480 Speaker 2: people ever meet. 750 00:41:02,840 --> 00:41:06,560 Speaker 3: Oh god, amazing, right, they just want to double their 751 00:41:06,680 --> 00:41:10,800 Speaker 3: user base by creative users. 752 00:41:11,280 --> 00:41:14,200 Speaker 4: Yeah, so wait a minute. So so the person it's 753 00:41:14,239 --> 00:41:17,120 Speaker 4: sort of like a stand in, like a fill in, 754 00:41:17,320 --> 00:41:19,799 Speaker 4: Like I don't I guess I don't quite understand the technology. 755 00:41:19,960 --> 00:41:23,719 Speaker 3: She's saying. The AIS interact, right, that's what you're saying. 756 00:41:23,480 --> 00:41:24,960 Speaker 2: Ben, Yeah, that's the idea. 757 00:41:25,160 --> 00:41:29,680 Speaker 4: So, like, if your AI avatar interacts with another person's 758 00:41:29,680 --> 00:41:33,680 Speaker 4: AI avatar that has built a profile based on your 759 00:41:33,800 --> 00:41:35,759 Speaker 4: god knows how much data. 760 00:41:35,960 --> 00:41:39,120 Speaker 2: So like an Ai Ben Bullen and an Ai Fran 761 00:41:39,280 --> 00:41:44,520 Speaker 2: Dresser have a series of amazing conversations, and then later 762 00:41:44,680 --> 00:41:48,359 Speaker 2: they notify the human Fran and the human Bed and 763 00:41:48,360 --> 00:41:52,279 Speaker 2: they're like, hey, you guys both like the nanny, you 764 00:41:52,280 --> 00:41:53,120 Speaker 2: should hang out. 765 00:41:53,400 --> 00:41:55,839 Speaker 3: Yeah, But and then the Ais had been hooking up 766 00:41:55,920 --> 00:41:58,000 Speaker 3: for like a week or two, and they're like, I 767 00:41:58,040 --> 00:41:59,040 Speaker 3: guess we should tell them. 768 00:42:01,400 --> 00:42:04,000 Speaker 4: It's doing all your for play chat for you? Is 769 00:42:04,000 --> 00:42:07,799 Speaker 4: that basically the idea here? I'm sorry, I know that 770 00:42:07,800 --> 00:42:09,480 Speaker 4: that's not necessarily the term, you know what I mean? 771 00:42:09,480 --> 00:42:13,560 Speaker 4: Though the precursor getting to know you micro flair. Isn't 772 00:42:13,560 --> 00:42:16,920 Speaker 4: that part of the fun of it? Though, I guess 773 00:42:16,960 --> 00:42:19,200 Speaker 4: maybe there's some people that this is for. I don't. 774 00:42:19,320 --> 00:42:21,360 Speaker 4: I don't know. You can usually tell within one or 775 00:42:21,360 --> 00:42:26,160 Speaker 4: two quick exchanges whether someone gets you or is worth interacting. 776 00:42:25,640 --> 00:42:28,640 Speaker 2: With you say it on air. 777 00:42:28,960 --> 00:42:31,160 Speaker 4: Mean, yeah, I couldn't tell you. I don't have a 778 00:42:31,160 --> 00:42:33,160 Speaker 4: specific one. It's been a long time at this point 779 00:42:33,239 --> 00:42:35,280 Speaker 4: since I've done it. But I just try to be real. 780 00:42:36,000 --> 00:42:37,920 Speaker 4: I don't remember exactly. I never have like a go 781 00:42:37,960 --> 00:42:39,759 Speaker 4: to one. I'm sure I tried different ones out but 782 00:42:40,000 --> 00:42:42,640 Speaker 4: I'm not a lying kind of guy. But when you do, 783 00:42:42,719 --> 00:42:44,960 Speaker 4: there is something to be said though, of the fun 784 00:42:45,360 --> 00:42:49,440 Speaker 4: and sort of spontaneity of engaging with someone who and 785 00:42:49,520 --> 00:42:52,040 Speaker 4: realizing that you, guys have a vibe and that it's cool. 786 00:42:52,480 --> 00:42:56,200 Speaker 4: Is this meant to you? Just get rid of that entirely. 787 00:42:56,280 --> 00:42:59,279 Speaker 4: I'm a little confused. Who's asking for this seems more 788 00:42:59,320 --> 00:43:01,600 Speaker 4: to benefit they than the individuals guys. 789 00:43:01,600 --> 00:43:03,120 Speaker 3: I'm gonna go out there on a limb and say, 790 00:43:03,160 --> 00:43:07,240 Speaker 3: I think this is for a very specific audience. There's 791 00:43:07,280 --> 00:43:09,560 Speaker 3: a quote from one of the articles you shared back. 792 00:43:09,640 --> 00:43:10,759 Speaker 3: Can I do you mind if I read one of 793 00:43:10,800 --> 00:43:14,759 Speaker 3: these please? It says there is a world where your 794 00:43:14,800 --> 00:43:17,520 Speaker 3: dating concierge could go on a date for you with 795 00:43:17,600 --> 00:43:21,480 Speaker 3: other dating concierge. This is from What's what's the person's name? 796 00:43:21,640 --> 00:43:27,359 Speaker 3: Somebody Wolf Witney, Whitney. Yeah, okay, And she says, and 797 00:43:27,480 --> 00:43:30,680 Speaker 3: then you don't have to talk to six hundred people, 798 00:43:30,800 --> 00:43:34,520 Speaker 3: and it'll scan all of the San Francisco area for 799 00:43:34,680 --> 00:43:37,320 Speaker 3: you and say these are the three people you really 800 00:43:37,360 --> 00:43:37,919 Speaker 3: ought to meet. 801 00:43:38,680 --> 00:43:39,040 Speaker 4: Who. 802 00:43:39,280 --> 00:43:41,319 Speaker 3: Look, I'm putting this out there. I've never used one 803 00:43:41,320 --> 00:43:44,600 Speaker 3: of these dating apps, but people I've heard about some 804 00:43:44,719 --> 00:43:48,120 Speaker 3: friends of mine that have been using them don't get 805 00:43:48,239 --> 00:43:52,080 Speaker 3: six hundred matches or whatever. Every once in a while 806 00:43:52,160 --> 00:43:53,720 Speaker 3: get a match and hope for the best. 807 00:43:53,880 --> 00:43:56,200 Speaker 4: Oh that's me, baby, I'm not gonna lie. It is 808 00:43:56,400 --> 00:43:59,880 Speaker 4: not like raining matches. And it's also dudes in a 809 00:44:00,040 --> 00:44:02,359 Speaker 4: in a big way too. In general, they don't care 810 00:44:02,560 --> 00:44:05,120 Speaker 4: as many matches as women. But women that I've heard 811 00:44:05,120 --> 00:44:07,719 Speaker 4: it described as like just having hot dogs thrown at 812 00:44:07,760 --> 00:44:08,120 Speaker 4: your face. 813 00:44:08,840 --> 00:44:12,160 Speaker 2: Horror show. You know, it's it's terrible. I like the 814 00:44:12,160 --> 00:44:15,279 Speaker 2: point that we're bringing up here because it goes back 815 00:44:15,320 --> 00:44:19,120 Speaker 2: to the earlier idea in our episode about dead Internet theory, 816 00:44:19,760 --> 00:44:23,719 Speaker 2: the old parable of Fantasia and The Sorcerer's Apprentice. The 817 00:44:23,800 --> 00:44:29,879 Speaker 2: concept is to automate interactions, initial interactions, and like you said, Matt, 818 00:44:29,920 --> 00:44:35,400 Speaker 2: that that quote from Whitney Wolf heard stands out because 819 00:44:35,920 --> 00:44:42,320 Speaker 2: she's estimating that this AI concierge would talk to not four, 820 00:44:42,960 --> 00:44:46,560 Speaker 2: not eleven, not forty two or forty three or whatever, 821 00:44:46,760 --> 00:44:52,960 Speaker 2: but six hundred different AI representatives avatars. And then, as 822 00:44:52,960 --> 00:44:57,040 Speaker 2: you said, Matt, find the three schlubs in San Francisco 823 00:44:57,560 --> 00:44:58,719 Speaker 2: that might vibrate or. 824 00:44:58,880 --> 00:45:02,160 Speaker 3: No, the three tech bros who are gonna you know, 825 00:45:02,840 --> 00:45:05,879 Speaker 3: make seven figures or whatever. I don't know, man, I 826 00:45:05,920 --> 00:45:08,320 Speaker 3: just don't. I don't like any of the whatever. 827 00:45:08,640 --> 00:45:11,000 Speaker 4: I don't Again, though, I think the question of who 828 00:45:11,040 --> 00:45:13,839 Speaker 4: is this for is still is largely answered by it's 829 00:45:13,880 --> 00:45:16,759 Speaker 4: for the data brokers, you know. And then like if 830 00:45:16,760 --> 00:45:19,239 Speaker 4: somebody thinks this is a good idea, they're like, you know, 831 00:45:19,360 --> 00:45:22,520 Speaker 4: an individual, Yeah, take my data. I love this, have 832 00:45:22,640 --> 00:45:25,400 Speaker 4: it all, give me the better chance at finding the 833 00:45:25,440 --> 00:45:28,520 Speaker 4: right match. But I think unless we see some real, 834 00:45:28,760 --> 00:45:33,000 Speaker 4: insanely believable success stories from this, this is all smoke 835 00:45:33,040 --> 00:45:36,120 Speaker 4: and mirrors just to get more juice out of the 836 00:45:36,120 --> 00:45:40,080 Speaker 4: meat bags that are you know, Internet users, the remaining 837 00:45:40,120 --> 00:45:41,240 Speaker 4: ones the real. 838 00:45:41,239 --> 00:45:44,320 Speaker 2: Indeed tempted to agree with you in that regard, because 839 00:45:45,120 --> 00:45:50,240 Speaker 2: you can see the original conversation over on Bloomberg dot 840 00:45:50,320 --> 00:45:55,920 Speaker 2: com wherein at a tech summit, this this executive is 841 00:45:56,000 --> 00:45:59,440 Speaker 2: speaking about this and also to your point about data 842 00:45:59,560 --> 00:46:04,520 Speaker 2: retechn or data aggregation. Uh, she says, wolf Heard says, 843 00:46:05,239 --> 00:46:10,040 Speaker 2: this will also make you a better person. This AI 844 00:46:10,239 --> 00:46:19,920 Speaker 2: concierge will help you learn about yourself. Can give merizzler. 845 00:46:20,160 --> 00:46:26,200 Speaker 2: That's the medium plan, Yeah, skibby, And we also we 846 00:46:26,600 --> 00:46:30,920 Speaker 2: got to say this too, uh, There are now, of course, 847 00:46:31,560 --> 00:46:37,759 Speaker 2: multiple other digital things that are normalizing this sort of 848 00:46:39,160 --> 00:46:42,799 Speaker 2: I guess you would call it cognitive cybernetic approach right 849 00:46:43,000 --> 00:46:47,080 Speaker 2: to consciousness, and this, uh, this is perhaps most apparent 850 00:46:47,239 --> 00:46:54,120 Speaker 2: in things like AI girlfriend apps, which I experimented with 851 00:46:54,239 --> 00:47:01,320 Speaker 2: one because I had to find out uh back in college, right, yeah, college, 852 00:47:01,320 --> 00:47:02,360 Speaker 2: in college, right. 853 00:47:03,400 --> 00:47:04,760 Speaker 4: Experimenting college. 854 00:47:04,840 --> 00:47:09,880 Speaker 2: So I think this is first off, they are aggressively mediocre, 855 00:47:10,360 --> 00:47:13,720 Speaker 2: no offense. I'm sure I can imagine technology will improve 856 00:47:13,760 --> 00:47:17,239 Speaker 2: at some point, but I do wonder whether humans are 857 00:47:17,239 --> 00:47:21,279 Speaker 2: ready for this precipice upon which they stand. You know, 858 00:47:21,320 --> 00:47:24,800 Speaker 2: I'm not I'm not necessarily thinking about us listening tonight 859 00:47:24,840 --> 00:47:28,880 Speaker 2: as adults. I'm thinking about your kids, you know, your 860 00:47:28,960 --> 00:47:32,160 Speaker 2: kids who grow up, like, is it that bad because 861 00:47:32,400 --> 00:47:37,080 Speaker 2: a lot of people have imaginary friends growing up. Is 862 00:47:37,120 --> 00:47:40,000 Speaker 2: this not just an imaginary friend that texts you back 863 00:47:40,600 --> 00:47:42,280 Speaker 2: and ask you for your credit card number. 864 00:47:42,600 --> 00:47:44,319 Speaker 3: I guess we'll all have to try it out. 865 00:47:44,360 --> 00:47:44,600 Speaker 4: Ben. 866 00:47:45,840 --> 00:47:49,480 Speaker 2: I don't think it's a good idea. We're not here 867 00:47:49,520 --> 00:47:53,759 Speaker 2: to yuck anybody's yum. But it does feel like it 868 00:47:53,800 --> 00:47:58,000 Speaker 2: does feel like an extension of what we're talking about previously, 869 00:47:58,840 --> 00:48:02,080 Speaker 2: with the idea of the inner accelerating past the point 870 00:48:02,280 --> 00:48:07,840 Speaker 2: of human intervention. Right. We ended that episode spoiler folks, 871 00:48:08,120 --> 00:48:10,719 Speaker 2: with the idea that Earth could end up being a 872 00:48:10,800 --> 00:48:14,880 Speaker 2: haunted house in some way, just a series of algorithms 873 00:48:15,360 --> 00:48:19,520 Speaker 2: repeating and interacting and iterating with each other long after 874 00:48:19,960 --> 00:48:24,520 Speaker 2: humanity had gone the way of the Dodo. However, in 875 00:48:24,600 --> 00:48:28,120 Speaker 2: this case, what if you found out, let's spin it out. 876 00:48:28,160 --> 00:48:32,279 Speaker 2: What if you found out years after the fact that 877 00:48:32,480 --> 00:48:36,879 Speaker 2: you had an AI representative that you were not necessarily 878 00:48:36,920 --> 00:48:40,839 Speaker 2: aware of, that had become in a close relationship, an 879 00:48:40,840 --> 00:48:45,319 Speaker 2: intimate relationship with an AI representative of a person you 880 00:48:45,360 --> 00:48:48,200 Speaker 2: have never met, and what if it's gone on for years? 881 00:48:48,640 --> 00:48:52,160 Speaker 2: The question would you want to meet that person? Soon? 882 00:48:52,160 --> 00:48:54,240 Speaker 4: As topiing for me to even wrap my head around. Guys. 883 00:48:54,920 --> 00:48:57,200 Speaker 3: It reminds me of that Netflix movie from a long 884 00:48:57,200 --> 00:48:59,640 Speaker 3: time ago called I Am Mother. Did you guys ever 885 00:48:59,680 --> 00:49:02,080 Speaker 3: see Yeah? Yeah, I don't want to. Shouldn't spoil it 886 00:49:02,120 --> 00:49:04,080 Speaker 3: for anybody if you haven't seen it. I enjoyed it 887 00:49:04,160 --> 00:49:07,520 Speaker 3: a lot. It's just the wanting to meet that person, 888 00:49:07,600 --> 00:49:10,840 Speaker 3: like that question, Ben, I think feels like that to me, 889 00:49:11,000 --> 00:49:13,439 Speaker 3: like would you want to know the truth or really 890 00:49:13,480 --> 00:49:17,400 Speaker 3: meet the person? Oh the original maybe. 891 00:49:17,120 --> 00:49:19,400 Speaker 4: Oh, before we get out of here, one really important 892 00:49:19,440 --> 00:49:23,640 Speaker 4: final question. If burrito is a sandwich? Is a rap 893 00:49:24,000 --> 00:49:28,600 Speaker 4: also a sandwich? They're all wraps, sandwiches, NEETs. 894 00:49:28,640 --> 00:49:30,520 Speaker 2: You would say there is no God to stop us. 895 00:49:31,239 --> 00:49:32,719 Speaker 4: Jeez, I'm gonna lose sleep over. 896 00:49:32,760 --> 00:49:36,719 Speaker 2: This also shout out to a past Ben who one 897 00:49:36,760 --> 00:49:40,040 Speaker 2: time left a post it note in a freezer that said, 898 00:49:40,360 --> 00:49:42,920 Speaker 2: puh plus a burrito, fa rito. 899 00:49:43,320 --> 00:49:45,880 Speaker 4: Tell no one, I won't. 900 00:49:46,600 --> 00:49:50,200 Speaker 2: These are gems we drop. We end tonight with a 901 00:49:50,239 --> 00:49:55,440 Speaker 2: philosophical quandary similar to how we began. Right, No, we 902 00:49:55,560 --> 00:50:00,160 Speaker 2: are asking ourselves what the role of humans will be 903 00:50:00,600 --> 00:50:03,680 Speaker 2: in the future. We want to hear your thoughts, be 904 00:50:03,800 --> 00:50:07,600 Speaker 2: you human or bought. We can't wait to interact with you. 905 00:50:08,239 --> 00:50:10,759 Speaker 2: If we don't have a I don't think we have 906 00:50:10,840 --> 00:50:14,839 Speaker 2: an AI powered interaction yet. You'll have to find us 907 00:50:15,040 --> 00:50:16,480 Speaker 2: as ourselves online. 908 00:50:16,600 --> 00:50:19,840 Speaker 3: Yes, but Ben, in Dallas, there's a restaurant that serves 909 00:50:19,920 --> 00:50:21,840 Speaker 3: a fa rito. We gotta go. 910 00:50:23,320 --> 00:50:24,800 Speaker 2: We've got a farrito gap. 911 00:50:25,080 --> 00:50:27,080 Speaker 4: Seems like you'd be really wet. We are you gonna 912 00:50:27,080 --> 00:50:28,839 Speaker 4: put you dip it in the broth? Maybe you dip 913 00:50:28,840 --> 00:50:30,280 Speaker 4: it in the brath? I thought I in. 914 00:50:31,760 --> 00:50:33,480 Speaker 3: No, dude, it just looks awesome. 915 00:50:33,560 --> 00:50:35,360 Speaker 4: It looks that it's a good idea. 916 00:50:35,560 --> 00:50:37,440 Speaker 3: It's an all right. 917 00:50:37,680 --> 00:50:41,200 Speaker 4: Parallel thinking is really all. Parallel thinking is real. So 918 00:50:41,239 --> 00:50:44,080 Speaker 4: why don't you let us know about any crazy inventions 919 00:50:44,120 --> 00:50:45,880 Speaker 4: that you may have come up with out there in 920 00:50:45,880 --> 00:50:48,040 Speaker 4: conspiracy real Islam. You can find it to the handle 921 00:50:48,080 --> 00:50:51,920 Speaker 4: Conspiracy Stuff, where we exist on Facebook, on XFK, Twitter, 922 00:50:52,120 --> 00:50:55,399 Speaker 4: and on YouTube, where we've got video content rolling out 923 00:50:55,440 --> 00:50:59,880 Speaker 4: every single week, on Instagram and TikTok where conspiracy Stuff show. 924 00:51:00,160 --> 00:51:02,120 Speaker 3: We have a phone number. You can call it one 925 00:51:02,280 --> 00:51:06,960 Speaker 3: eight three three STDWYTK. When you call in, you've got 926 00:51:07,000 --> 00:51:09,440 Speaker 3: three minutes, give yourself a cool nickname, and let us 927 00:51:09,480 --> 00:51:11,080 Speaker 3: know at some point in the message if we can 928 00:51:11,200 --> 00:51:14,000 Speaker 3: use your message and your voice on the air. If 929 00:51:14,000 --> 00:51:16,080 Speaker 3: you've got more to say, why not instead send us 930 00:51:16,080 --> 00:51:17,360 Speaker 3: a good old fashioned email. 931 00:51:17,560 --> 00:51:39,359 Speaker 2: We are conspiracy at iHeartRadio dot com. 932 00:51:39,520 --> 00:51:41,600 Speaker 3: Stuff they don't want you to know is a production 933 00:51:41,719 --> 00:51:46,239 Speaker 3: of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app, 934 00:51:46,320 --> 00:51:49,560 Speaker 3: Apple Podcasts, or wherever you listen to your favorite shows.