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Speaker 1: So I write on the underside of the disc, I

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Speaker 1: already got this one, and I send it back to Netflix.

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Speaker 1: Three days later, I get another one, same thing. Already

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Speaker 1: got this one, send it back. We've gone back and

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Speaker 1: forth on this like ninety times. I've already got all

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Speaker 1: these movies. Hey, what up? What up? This is Hollywood Handbook,

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Speaker 1: an insider's guide to the red carpet lineback hallways of

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Speaker 1: this industry we call Showbiz. I'm Hayes Davenport. I'm here

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Speaker 1: with Sean Clements. Tis the season to be holly, Tis.

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Speaker 2: Tis indeed, Hayes, it's holidays time, and Hayes and I

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Speaker 2: want to talk a little bit about giving, specifically giving

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Speaker 2: to those in your life.

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Speaker 3: That are helping you achieve your goals. And for me, Hayes,

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Speaker 3: that's our assistant team.

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Speaker 1: It's sort of the eternal question, what do you get

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Speaker 1: the person who has nothing? And your team is more

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Speaker 1: than just your assistance. You have your agents, manager's lawyers

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Speaker 1: and all that. They are all Jewish, they don't celebrate Christmas.

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Speaker 1: You get very they get very upset. If you get

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Speaker 1: them a gift of any kind, it's very disrespectful. So

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Speaker 1: don't do that. And also your money. That's what they

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Speaker 1: will accept as as as a gift.

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Speaker 2: You've already given them ten percent of your doseph and

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Speaker 2: that dough ray me low vent ameilia is the greatest

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Speaker 2: gift that an agent, manager, lawyer, et cetera can receive.

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Speaker 3: What we are referring to in this segment is your.

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Speaker 2: Assistance who when you have someone, what do you get

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Speaker 2: the person who has nothing? The reason that expression exists

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Speaker 2: is you have so many options. How do you pick

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Speaker 2: one thing? We've gone back and forth on this in

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Speaker 2: years past. Do I give them a lump of cash

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Speaker 2: so they can go buy what they want? Do I

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Speaker 2: buy them if they've seen them reading a book? Do

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Speaker 2: I make that book into a movie? Now they want

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Speaker 2: to see that movie. This is over complicating things.

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Speaker 1: That's not really what they want.

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Speaker 2: No, and we've found a pretty simple solution is when

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Speaker 2: it gets to be holiday time, Christmas time, you give

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Speaker 2: your assistant a hug and a kiss and a kiss

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Speaker 2: on the lips.

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Speaker 1: You call them over to they're already at your house

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Speaker 1: on Christmas Day. They helped you throw away the boxes

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Speaker 1: and things, and you sit them down. This is just

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Speaker 1: when they started. I like the look on their face.

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Speaker 1: When they start of feel like, Okay, well maybe this

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Speaker 1: year I'm not going to get it. And you know,

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Speaker 1: you can tell they're kind of dragging their feet around

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Speaker 1: the house. They look a little bit sad, and you

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Speaker 1: sit them down and you say, oh, I almost forgot.

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Speaker 1: I think I have something for you too, And then

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Speaker 1: you put your hands behind your back like I mean,

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Speaker 1: you put your hands behind your back, like you have

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Speaker 1: a physical object to give them.

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Speaker 2: And I'll pull out often wrapped empty box and I'll

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Speaker 2: let them go through the process. And I actually don't

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Speaker 2: make it empty anymore because it's too light. I will

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Speaker 2: fill it with a bunch of rocks. And so I

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Speaker 2: let them open it up. And one, you know, the

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Speaker 2: last year to Mandria actually actually pretended to like the rocks,

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Speaker 2: because what are you gonna say when your boss gives

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Speaker 2: you that? And I said, don't be silly, that's not

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Speaker 2: your real gift, and you know that. And I leaned

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Speaker 2: and I delivered the softest, warmest kiss. And that's something.

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Speaker 2: And that's something then money can't buy, because you couldn't

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Speaker 2: fucking pay me to kiss half the fucking trolls I

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Speaker 2: see walking around out on these streets.

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Speaker 1: Which is why when you hire an assistant, it's important

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Speaker 1: to think about what is it going to be like

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Speaker 1: to kiss this person on Christmas time? Christmas time, other

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Speaker 1: major holidays.

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Speaker 2: Other holidays, Columbus Day, their birthday, your birthday, last day

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Speaker 2: of school, last day of.

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Speaker 1: School, big career like premiers, like big career events for you.

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Speaker 2: Yes, whenever there's a premiere, or when one of your

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Speaker 2: shows get syndicated.

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Speaker 1: If you're inspired by a piece of music.

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Speaker 2: If you drive by a cemetery, you have to kiss

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Speaker 2: the whole time to stop from being scared.

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Speaker 1: If you read a funny blog and then just you're

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Speaker 1: just in a great.

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Speaker 2: Mood, yeah, or even if you've just bought a soda

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Speaker 2: from a vending machine or something. Because, in a way,

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Speaker 2: letting your assistant know you appreciate them by giving gifts

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Speaker 2: not only on the most major holidays tells them that

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Speaker 2: they're doing it right and that they are headed somewhere.

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Speaker 1: This is really the universal language of giving. If you

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Speaker 1: study the science and if you you know, crack open

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Speaker 1: a textbook every once in a while. All cultures kiss

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Speaker 1: each other, Animals kiss. This is how people communicate on

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Speaker 1: this big blue marble.

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Speaker 2: There's no fear of getting the wrong gift A big kissy,

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Speaker 2: a warm a warm, soft one, especially if you're built

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Speaker 2: like me. And hey, really nice lips is always the

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Speaker 2: right gift. You can't give the wrong gift when you're

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Speaker 2: giving that and it and it does translate across all

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Speaker 2: cultures and a's and I know that because we've hired

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Speaker 2: every kind of assistant from you know, from uh Chinese

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Speaker 2: lady all the way down to a lady from Taiwan.

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Speaker 1: And kissing all these assistants, it really helps us. You know,

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Speaker 1: you benefit from every everything you give somebody, and it

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Speaker 1: helps you learn when you kiss someone, especially from another culture,

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Speaker 1: like oh, well maybe that wasn't for me, Like, yeah,

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Speaker 1: it didn't taste as good as I that didn't taste

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Speaker 1: as good as maybe I hoped.

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Speaker 2: And sir, and it seems like some people from some

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Speaker 2: areas of the world really stiffen up, yes, and really

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Speaker 2: go cold and feel uncomfortable.

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Speaker 1: And they try to get they try to turn their

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Speaker 1: head out of your hands, you.

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Speaker 2: Know, yes, And I don't know if it's they're so

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Speaker 2: excited they start squirming, but that's.

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Speaker 3: Rude, that's not appropriate.

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Speaker 2: You need to calm down, take a deep breath, and

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Speaker 2: accept the kiss full on, stop squirming with your with

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Speaker 2: your thrilling excitement, and just hold fucking.

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Speaker 1: Still, and I if they've done a really good job.

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Speaker 1: I'm in the process of, you know, like hide a

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Speaker 1: mint under my tongue, and I give that to them

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Speaker 1: as well during the exchange, so they think, you know,

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Speaker 1: sometimes I can feel the disappointment when they're just getting

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Speaker 1: the kiss and then the mint slides into their mouth.

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Speaker 3: And what a pleasant, pleasurable experience to have a surprising

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Speaker 3: mint slid into your mouth during a kiss from someone

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Speaker 3: you really admire.

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Speaker 1: So that was shoped to you. Drop our segment of

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Speaker 1: giving people gifts. We wanted to take a second to

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Speaker 1: pull back the curtain take a look behind the scenes

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Speaker 1: of the show. We've given some of our engineers who

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Speaker 1: have who have come through here a pretty hard time,

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Speaker 1: and it's been deserved in a lot of cases. This

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Speaker 1: is this is a pretty big opportunity for me served,

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Speaker 1: it's gotten pretty good result, sort of understood to be

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Speaker 1: a launching pad and they tend to improve their performance

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Speaker 1: next time.

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Speaker 2: But they or they hit the fucking bricks, as was

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Speaker 2: the case with Frank and uh probably will be with

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Speaker 2: Cody sooner.

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Speaker 4: Rather than later.

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Speaker 1: We also, as much as we are willing to call

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Speaker 1: out bad behavior, we also are willing to reward an

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Speaker 1: engineer when they do something that really impresses.

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Speaker 3: Us, which we didn't think was going to happen. Yes,

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Speaker 3: quite frankly.

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Speaker 1: I didn't think I was capable of being impressed anymore, not.

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Speaker 3: By an engineer.

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Speaker 1: No, but there's a new engineer on the scene. Engineer

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Speaker 1: Sam is here, say hi, hey, guys. And he really

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Speaker 1: got our tension today when we showed up to the

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Speaker 1: studio and he was not there. And I remember that

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Speaker 1: feeling trying the handle and the door not opening, and thinking,

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Speaker 1: I wonder, I don't remember the last time that happened

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Speaker 1: to me.

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Speaker 2: And I also remember thinking when I realized he wasn't here,

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Speaker 2: he must be five minutes away. Yes, but what Sam

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Speaker 2: was doing is what we in the industry call a

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Speaker 2: powerful move. Someone makes a powerful move when they want

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Speaker 2: to assert being powerful.

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Speaker 1: Yes, and that's the only thing I could think about

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Speaker 1: in those you know, twenty five thirty five minutes when

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Speaker 1: I was sitting in the hallway waiting for Sam to

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Speaker 1: show up.

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Speaker 3: It wound up being about forty for me.

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Speaker 1: Yes, was how it was about Sam, and like killing

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Speaker 1: Sam and just like hurting him first and then killing

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Speaker 1: him and all these things, like he was on my

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Speaker 1: mind and normally, like in a normal situation, I wouldn't

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Speaker 1: even think about and.

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Speaker 2: An engineer would matter to me, not enough to even

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Speaker 2: put the energy out there to kill them, hurt them,

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Speaker 2: kill them and hurt them. Sure, And so the fact

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Speaker 2: that he got that deep under my skin, I said,

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Speaker 2: this kid's really got something.

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Speaker 1: So Sam, if you want to tell us, I would

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Speaker 1: just love to eat you know the story of.

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Speaker 5: What happened. Oh, and again I'm very sorry. I was like,

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Speaker 5: no apology necessary, you got our attention.

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Speaker 3: Yeah we are really now we're listening.

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Speaker 1: I guess.

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Speaker 5: So someone hit my motorcycle and then drove away and

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Speaker 5: just left it in the street, destroyed.

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Speaker 1: So I came out this.

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Speaker 6: Morning where you hurt?

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Speaker 1: No, I wasn't.

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Speaker 5: It was while I was sleeping someone had hit it

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Speaker 5: and then tipped it back up.

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Speaker 3: So it's almost not even part of the story.

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Speaker 5: Well no, I mean, it's all I have to get here.

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Speaker 5: So I apologize again. I'm so sorry. I'm really sorry.

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Speaker 3: Guys get an uber account.

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Speaker 1: And what I found so impressive about that is because

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Speaker 1: people will try to stop us from doing this show.

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Speaker 1: That's not an uncommon you're new, but you'll see that

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Speaker 1: most of the time you try to get to the studio,

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Speaker 1: you will not be able to something will You will

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Speaker 1: be arrested and go to jail on some trumped up

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Speaker 1: charged something you didn't even do, like parking ticket or

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Speaker 1: something Sean, or they'll give us sleeping pills so we oversleep.

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Speaker 3: Crumble it up into our crimbrulet.

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Speaker 2: And I mean, we're the voice of the resistance in

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Speaker 2: a lot of ways, so certainly there are people in power,

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Speaker 2: but never has someone so weak tried to stop us

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Speaker 2: from doing the show. Now, Sam, I left a voicemail

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Speaker 2: for you while we were waiting. Is it possible for

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Speaker 2: you to play that on speaker?

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Speaker 5: Please again, I'm really sorry, No apology necessary.

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Speaker 4: Sam, message dem big, don't what up?

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Speaker 2: This is Shanny Clembo. I'm here with Hayes d and

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Speaker 2: we would love to get into the studio.

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Speaker 1: You know how I do it. Feel free to give

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Speaker 1: me a ring, a ding back, whatever makes sense for you.

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Speaker 2: Not sure what you're up to.

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Speaker 1: I'm really looking forward to doing the show.

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Speaker 2: It's eleven nineteen right now. You should track and I've

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Speaker 2: been here for forty minutes or so.

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Speaker 5: Sorry, it's not a very expensive phone. And again I'm

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Speaker 5: really really sorry. This is only our second time meeting.

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Speaker 5: I really wanted to come in and do well, and

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Speaker 5: I'm sorry I really fucked that up.

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Speaker 1: And I'm really wow.

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Speaker 3: We wanted that too, but this is more interesting.

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Speaker 1: And for this is actually something that we do with

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Speaker 1: our new engineers. But we got you a new motorcycle.

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Speaker 1: And are you serious? Yeah, yeah, it's it's wow. It's

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Speaker 1: part right outside and just we're just looking forward to

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Speaker 1: getting off on a good foot with you. And you

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Speaker 1: are fired. But of course you know, just naturally when

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Speaker 1: you show fired, we can't when you show it really

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Speaker 1: late tolerate that. But please enjoy the motorcycle. My only

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Speaker 1: hope is that no one hit and run it. We

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Speaker 1: have a really exciting guest today, Ben Schwartz is here

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Speaker 1: from all kinds of TV and movies. He's going to

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Speaker 1: be with us after the break on Hollywood Handbook. Hollywood Handbook.

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Speaker 1: That's fair.

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Speaker 3: If you want to go double or nothing, then I'm game.

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Speaker 2: No. He smashes the basketball and I was like, well, shock, Naomi,

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Speaker 2: another fifteen bucks because I paid for that ball.

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Speaker 3: Not cool price, but I pay for it.

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Speaker 1: Shun Hey, what up?

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Speaker 5: What up?

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Speaker 1: Welcome to Hollywood Handbook, An insider's guide to kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this

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Speaker 1: industry we call show. Bit is a great guest today,

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Speaker 1: very exciting guest. Star of TV movies, Ben Schwartz is here.

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Speaker 1: You've seen him in Parks and Recreation, the House of

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Speaker 1: whis lots of lots of big projects. Were really appreciative

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Speaker 1: that he could join us today.

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Speaker 6: Do I talk?

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Speaker 1: You don't have to.

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Speaker 6: I would just I kind of get like when watching

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Speaker 6: you guys work is kind of almost enough, do you

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Speaker 6: know what I mean?

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Speaker 1: I could almost forget that. Yes, Yeah, we've heard that

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Speaker 1: a lot. Yeah, you feel like you're just at home

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Speaker 1: listening to the podcast like you would.

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Speaker 6: It's almost embarrassing that people don't get see the visual

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Speaker 6: of it, because the way you guys dress is dapper,

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Speaker 6: the way you guys act is fucking unswow. So it's

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Speaker 6: just amazing that so people are only getting one one

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Speaker 6: hundredth of what this is really I guess.

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Speaker 2: Yeah, we like to keep something for ourselves, sure, smart,

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Speaker 2: but we also like to go behind the scenes a

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Speaker 2: little bit, and I think we should probably do that today.

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Speaker 1: Well, one thing.

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Speaker 2: We really wanted to do with Ben was he's been

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Speaker 2: in so many seminole projects.

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Speaker 6: Thank you so much for saying seminal thank you.

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Speaker 3: Thank you for doing the work that you do.

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Speaker 2: And it's we talk about what really happens inside Hollywood,

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Speaker 2: but we don't always talk about what happens in movies

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Speaker 2: while we're doing movies. And we wanted to play some

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Speaker 2: famous clips of Ben doing his actings and have a

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Speaker 2: conversation about what the character's thinking, what you're thinking.

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Speaker 6: Can I preface this real quick that once i'm actings,

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Speaker 6: Once I'm in the actings, I usually I'm so into

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Speaker 6: the character that it will be hard. But I'm going

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Speaker 6: to try because I am that character, do you know

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Speaker 6: what I mean? I'm not Ben anymore. I'm that character.

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Speaker 6: So I'll try. I'll try.

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Speaker 1: So let's just get started. We'll play this is one

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Speaker 1: of your most famous lines. Let just play the clip

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Speaker 1: and then you sort of if you can try to

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Speaker 1: go back to that place.

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Speaker 6: I'm gonna close my eyes right now, Okay, which sucks.

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Speaker 6: I don't get to see you guys. Wanted to close

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Speaker 6: my eyes.

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Speaker 1: You know what to do. Dience is between you and me.

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Speaker 4: Makes this look good?

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Speaker 5: Bad?

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Speaker 1: Got up? Boom?

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Speaker 6: Let me take you back to set real quick. All right,

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Speaker 6: we're filming a Warner Brothers lot. We took three stages

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Speaker 6: and turned them into one, combined them all the roads

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Speaker 6: in between. Right, knocked out the walls is what we

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Speaker 6: call it. We call it k O T dubs, which

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Speaker 6: is almost the same thing as new kuds on the plot,

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Speaker 6: but kt O dubs right, And so we knocked them out.

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Speaker 6: We got that spaceship on there. As you guys know,

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Speaker 6: this is Independence day, right, of course, this is Independence day.

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Speaker 6: And and I remember because the original line, the original

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Speaker 6: line was I make this look all right? Ah, that

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Speaker 6: was the original line.

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Speaker 1: And that was for when they had someone else playing

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Speaker 1: it correct that it would actually work for that.

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Speaker 6: But I guess, you know what I guessed, and I said,

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Speaker 6: this is what you're gonna do for me. You're gonna

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Speaker 6: change the script to wing things front because that's the

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Speaker 6: only way I read scripts. They did it done. And

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Speaker 6: then I said, just let me do what I do.

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Speaker 6: And then the director, well I'm not even gonna say

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Speaker 6: his name right now, the director said, go for it.

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Speaker 6: We rolled. I said, I make this look good.

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Speaker 4: H huh.

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Speaker 3: Right, So that's improvised.

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Speaker 6: That is totally improv That is improv And I don't

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Speaker 6: want to say that the writers like God bless the writers.

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Speaker 6: They write great words. But sometimes when you're on stage

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Speaker 6: you say things like that, do you know what I mean?

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Speaker 1: Yes?

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Speaker 6: Right, Well, in a.

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Speaker 2: Lot of ways, writers are just playground designers.

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Speaker 6: Oh that's interesting. Yeah, they're like roller coaster tycoon things.

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Speaker 6: They're not on the rides. They can just create the

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Speaker 6: roller coaster.

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Speaker 3: Yeah. They're building a.

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Speaker 6: Good yeah good yeah, good good Yeah.

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Speaker 2: Structures in which you can play and have fun.

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Speaker 6: I get it. Yeah, yeah, God, I feel like I'm

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Speaker 6: finally with people who get it. Do you know what

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Speaker 6: I mean?

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Speaker 5: But you go on a lot of these podcasts with

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Speaker 5: people who are like just oh.

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Speaker 6: Well, well, that's usually what I hear. So this is

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Speaker 6: like I'm hearing people talk for the first time. There

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Speaker 6: is a line that I did and a white man

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Speaker 6: can't jump where I say, you're you're listening, you can't

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Speaker 6: hear Jimmy, do you know what I mean? That's kind

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Speaker 6: of like what I'm saying for this one. Jimmy Hendox

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Speaker 6: in that movie.

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Speaker 1: Well, thank you, let's jump to this is a different movie.

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Speaker 6: Which one you choose? I have so many.

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Speaker 1: Welcome to Earth, so.

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Speaker 6: Oh baby, get off that water Brothers lot and get

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Speaker 6: to the Sony lot. That's where we filmed this baby.

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Speaker 6: Six stages, six stages. Oh my god, can you play

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Speaker 6: one more time? I'm gonna tell you what the original

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Speaker 6: dialogue was before I fixed it. This is what the

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Speaker 6: original dialogue was before I fix it.

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Speaker 1: What's up man? That was what it was because they

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Speaker 1: were meeting for the first time. They thought that's what

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Speaker 1: a person would say.

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Speaker 6: This is from Men in Black, which was ironic because

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Speaker 6: I was white. Correct, This was for Men in Black one.

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Speaker 6: I believe. That's why I've done so many of them.

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Speaker 6: I think I've done six. We have six in the can.

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Speaker 6: Three have come out. So for this one, right, it

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Speaker 6: was what's up man? Because I just knocked an alien

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Speaker 6: and I go, and then by the way I did,

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Speaker 6: I'm gonna jump myself the next try I punched the alien.

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Speaker 6: I go, I make this look good, and they go,

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Speaker 6: you've done that already. I go, you're right. That's a

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Speaker 6: point for you. Yeah, that's one.

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Speaker 1: Point when you say that you mean, Marty Martyr mart

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Speaker 1: Scores is doing this.

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Speaker 6: He directed this movie, but I think he directed most

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Speaker 6: of He directed Independence Day, Smurfs, dou He's directing most

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Speaker 6: of the films that are out there I now. But

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Speaker 6: so I knocked the guy I knocked. And by the way,

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Speaker 6: there's a human being in that alien costume, obviously, and

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Speaker 6: I say, take away the padding. I need to feel

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Speaker 6: like I'm hitting somebody. So, oh god, that's what I

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Speaker 6: call it. And when you hear I remember I hit

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Speaker 6: him so hard that I think his nose went up

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Speaker 6: into his brain. Because that guy died. That guy perished,

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Speaker 6: and so.

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Speaker 1: What a privilege for him though to get punched by

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Speaker 1: someone who's.

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Speaker 2: Somebody in such boring way, thank you, and no one

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Speaker 2: remembers what happened, and their family has nothing to be

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Speaker 2: proud of.

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00:20:15,320 --> 00:20:16,760
Speaker 3: It's like, oh, he died, you.

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Speaker 6: Know, right, Mostly guys got taking the shits.

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Speaker 1: And when and when you die on on say, getting

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Speaker 1: punched by somebody, they deliver the Hollywood flags, yes house,

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Speaker 1: they drink over the casket. It's a really nice.

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Speaker 2: Ceremony, and there's a twenty one video camera salute.

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Speaker 4: Yep.

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Speaker 6: Everybody rolls their cameras red, red, red, red, red, red, red, red,

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Speaker 6: And we should talk about the Hollywood flag because don't

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Speaker 6: know people know about it. It is just J. J. Abrams

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Speaker 6: making out with Steven Spielberg in the middle of two

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Speaker 6: Bears for California.

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Speaker 2: Yeah.

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Speaker 6: Yeah, and a big eight millimeter in the middle.

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Speaker 2: Yeah, the Nick Cage movie eight millimeter the DVD cover

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Speaker 2: for that.

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Speaker 6: Yes, and it's mostly uh so, I mean, that's that's

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Speaker 6: what that is. But what a fun day of shooting

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Speaker 6: that was. That one line took three days, so it

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Speaker 6: was really fun to get it done and get it

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Speaker 6: out of there. No CGI. By the way, now, I.

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Speaker 2: Would think if I see I'm just reading it and

402
00:21:06,000 --> 00:21:08,240
Speaker 2: it says what's up, man, or even if it had

403
00:21:08,280 --> 00:21:13,720
Speaker 2: said welcome to Earth, I would think, oh, I'm being friendly,

404
00:21:13,800 --> 00:21:15,080
Speaker 2: I'm welcoming this guy.

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Speaker 1: But you had right here comes out.

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00:21:18,200 --> 00:21:22,520
Speaker 2: You had the intuition to know what if he's mad

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Speaker 2: and doing in a mad way.

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Speaker 6: Have you guys acted before, because it seems like your

409
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Speaker 6: notes are coming from a very real actory place. Have

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Speaker 6: you guys do act?

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Speaker 1: I have no, I have no traditional training. Yes, But

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Speaker 1: have you been on screen? Can you get any credits?

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00:21:34,600 --> 00:21:37,080
Speaker 1: We've been on screen? They sort of came to us.

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Speaker 1: Of course, it's hard to really call it acting next

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Speaker 1: to the kind of things that you do.

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Speaker 6: Break out, bad date, the date, the beat beats hoop poops.

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Speaker 6: I wrote that song.

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Speaker 4: You're a good.

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Speaker 1: Compliment, exceptor you're good at accepting compliment.

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Speaker 6: I'm very good at because I want to make it

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Speaker 6: feel like you did something correct. Do you know what

422
00:21:55,680 --> 00:21:56,879
Speaker 6: I mean? I don't want to make you feel like

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Speaker 6: you don't want to give me.

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Speaker 3: Another forgiving it makes you want to compliment you more.

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Speaker 6: So see what happens about anything?

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Speaker 1: Hear that again?

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00:22:04,160 --> 00:22:06,320
Speaker 6: Did you see my work in tung food? Thank you

428
00:22:06,320 --> 00:22:06,640
Speaker 6: for everything?

429
00:22:06,720 --> 00:22:09,199
Speaker 1: Ju the numar I did and I thought it was

430
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Speaker 1: really scary and a good way baby digging into the streets.

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00:22:17,760 --> 00:22:20,680
Speaker 1: Let's go to one of your next which one? There's

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Speaker 1: so many famous movies.

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Speaker 6: I got the fire, I'm making pizza.

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Speaker 1: This is Marie Abraham, who you're playing against?

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Speaker 4: The down and the cut working.

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Speaker 6: I haven't my line yet, there's a lot to run

437
00:22:43,640 --> 00:22:44,160
Speaker 6: up to my line.

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Speaker 4: Guess don't yeah ever do that again?

439
00:22:53,440 --> 00:22:57,520
Speaker 6: And that movie is of course, I'm the guy that

440
00:22:57,680 --> 00:23:00,280
Speaker 6: turns people who can't get dates into dates, right, Bagger

441
00:23:00,359 --> 00:23:07,639
Speaker 6: Vance handcock, of course Bagervant's handcock. And so.

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Speaker 1: Let me take you there how many sounds stages?

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Speaker 6: Honestly where the Sopranos filmed. We're back in New York

444
00:23:18,520 --> 00:23:21,400
Speaker 6: for this one. I brought my trailer, which is two

445
00:23:21,440 --> 00:23:23,960
Speaker 6: houses on top of each other and wheels on the bottom,

446
00:23:23,960 --> 00:23:25,960
Speaker 6: tiny tiny trascle wheels on the bottom, and two hous

447
00:23:26,040 --> 00:23:29,040
Speaker 6: on top of each other. We're in what's the place

448
00:23:29,040 --> 00:23:32,240
Speaker 6: where the filmed Sopranos and thirty five over pizza? Silver Cup?

449
00:23:32,480 --> 00:23:35,280
Speaker 6: Not Pizza Land? You were close though, Silver Cup?

450
00:23:35,359 --> 00:23:35,479
Speaker 1: Right?

451
00:23:35,600 --> 00:23:36,280
Speaker 6: Wait, I'm not wrong?

452
00:23:36,400 --> 00:23:36,480
Speaker 2: Is it?

453
00:23:36,840 --> 00:23:37,560
Speaker 6: Is it pizza?

454
00:23:38,760 --> 00:23:41,200
Speaker 2: I just remember from the opening credits of Sopranos is

455
00:23:41,280 --> 00:23:42,160
Speaker 2: in their pizza Land?

456
00:23:42,440 --> 00:23:44,080
Speaker 6: Oh that's what it was you're thinking of when I'm

457
00:23:44,080 --> 00:23:46,879
Speaker 6: smoking the cigar at the beginning of Sopranos. Yes, yeah, yeah, no,

458
00:23:46,920 --> 00:23:52,960
Speaker 6: I don't know. Yes, So I'm gonna take you toutra ally.

459
00:23:53,000 --> 00:23:55,480
Speaker 6: So we're in Silver Cup and we filmed this is

460
00:23:55,520 --> 00:23:56,959
Speaker 6: not even a joke that you guys are can think

461
00:23:57,000 --> 00:23:58,080
Speaker 6: this is a bit what with it?

462
00:23:58,080 --> 00:23:58,760
Speaker 4: Communits called a.

463
00:23:59,320 --> 00:24:01,720
Speaker 6: Bit, a bit of a joke, a bit of a

464
00:24:01,800 --> 00:24:03,040
Speaker 6: job of a joe. You guys are gonna think this

465
00:24:03,119 --> 00:24:04,480
Speaker 6: is just a tiny bit of a joke, but it's not.

466
00:24:05,160 --> 00:24:07,160
Speaker 6: We filmed in the cup, the top of the cup

467
00:24:07,320 --> 00:24:09,440
Speaker 6: and silver cups, so on top there's a little cup.

468
00:24:09,560 --> 00:24:12,200
Speaker 6: We filmed it. Ha. No, no, no, it's not a

469
00:24:12,280 --> 00:24:13,040
Speaker 6: tiny bit. Ha.

470
00:24:14,359 --> 00:24:15,280
Speaker 1: Oh you got me.

471
00:24:15,720 --> 00:24:17,479
Speaker 6: No, I'm not making a tiny bit.

472
00:24:17,560 --> 00:24:18,359
Speaker 1: Wait, you're serious.

473
00:24:18,520 --> 00:24:20,119
Speaker 6: This is I'm serious. That wasn't a tiny bit of

474
00:24:20,160 --> 00:24:25,120
Speaker 6: a joke. So we filmed that, and I wasn't there.

475
00:24:25,240 --> 00:24:27,560
Speaker 6: They filmed everybody else's stuff without me, and then I

476
00:24:27,760 --> 00:24:30,000
Speaker 6: come on the last day and do all my lines

477
00:24:30,080 --> 00:24:30,760
Speaker 6: over grin.

478
00:24:30,640 --> 00:24:32,920
Speaker 1: Screen and talk to a bunch of the tennis balls.

479
00:24:33,040 --> 00:24:35,040
Speaker 6: Just tennis balls. And by the way, those tennis balls

480
00:24:35,040 --> 00:24:39,480
Speaker 6: are great. But that line was improvised. If I remember

481
00:24:39,560 --> 00:24:41,720
Speaker 6: that line was probably improvised. What was the exact wording

482
00:24:41,760 --> 00:24:43,359
Speaker 6: on that one, because we did like seven takes of it,

483
00:24:43,560 --> 00:24:45,480
Speaker 6: and please don't play the thirty minutes up until it.

484
00:24:47,280 --> 00:24:49,000
Speaker 6: Don't ever do that again. I think that's what I said.

485
00:24:49,480 --> 00:24:53,600
Speaker 4: Don't ever ever do do that again.

486
00:24:53,800 --> 00:24:55,879
Speaker 6: Oh see, this is this is what it was. They

487
00:24:55,960 --> 00:24:58,040
Speaker 6: had put three periods in between each word.

488
00:24:58,600 --> 00:25:01,240
Speaker 1: And I got so bored at get what that means?

489
00:25:01,400 --> 00:25:04,880
Speaker 6: Those are ellipsize? Okay, you know what it means. You're

490
00:25:04,880 --> 00:25:07,080
Speaker 6: supposed to say in your head when you see a dot,

491
00:25:07,160 --> 00:25:09,359
Speaker 6: you're supposed to say the word dot. And that's how

492
00:25:09,400 --> 00:25:15,120
Speaker 6: long you're supposed to wait. So don't ever. I got

493
00:25:15,280 --> 00:25:19,159
Speaker 6: so fucking can we curse? Yeah, I'm not gonna. We

494
00:25:19,200 --> 00:25:23,200
Speaker 6: got so freaking bored that I went, don't ever got bored?

495
00:25:23,640 --> 00:25:24,160
Speaker 4: Do that again?

496
00:25:24,880 --> 00:25:27,680
Speaker 6: And the original line was, hey man, your mom just

497
00:25:27,720 --> 00:25:31,600
Speaker 6: passed away. And I was like, I feel like that's

498
00:25:31,640 --> 00:25:34,840
Speaker 6: a bummer at this moment because the music stops because

499
00:25:34,840 --> 00:25:36,480
Speaker 6: we got the phone call that the mom pass away.

500
00:25:36,960 --> 00:25:38,399
Speaker 6: But I think we worked it, and I think it

501
00:25:38,440 --> 00:25:39,080
Speaker 6: worked pretty well.

502
00:25:39,119 --> 00:25:41,359
Speaker 1: And when they cut to the funeral right after this,

503
00:25:41,560 --> 00:25:44,880
Speaker 1: it's more of a surprise now, Yes, it's more interesting.

504
00:25:45,000 --> 00:25:45,160
Speaker 4: Yes.

505
00:25:45,359 --> 00:25:48,760
Speaker 6: And afterwards and we I literally say surprise. I say surprise,

506
00:25:48,840 --> 00:25:50,920
Speaker 6: thank you guys coming for this eulogy, and then I

507
00:25:51,000 --> 00:25:55,679
Speaker 6: do a thirty five hour yeah s s fl.

508
00:25:55,800 --> 00:25:58,200
Speaker 2: So sorry for you made the funeral way funnier.

509
00:25:58,400 --> 00:26:01,760
Speaker 6: Thank you, Thanks, thank you.

510
00:26:02,920 --> 00:26:04,920
Speaker 1: Here's your last famous movie quote?

511
00:26:04,960 --> 00:26:07,439
Speaker 6: Well, can we stop already? I have lots of famous

512
00:26:07,480 --> 00:26:09,440
Speaker 6: movie quotes. Don't say this is the last one just

513
00:26:09,520 --> 00:26:10,040
Speaker 6: for this day.

514
00:26:10,240 --> 00:26:12,560
Speaker 1: No, no, no, And that would also imply that you

515
00:26:12,600 --> 00:26:14,240
Speaker 1: were never going to have another famous movie.

516
00:26:14,359 --> 00:26:16,199
Speaker 6: Yeah, by the way, well that's a.

517
00:26:16,240 --> 00:26:17,160
Speaker 1: Bit of a joke right there.

518
00:26:17,200 --> 00:26:18,680
Speaker 6: That's that is a little bit of a joke.

519
00:26:18,720 --> 00:26:19,480
Speaker 3: That's a bit of a joke.

520
00:26:19,560 --> 00:26:22,960
Speaker 6: That's a tiny bit of a joke. It snakes up

521
00:26:23,000 --> 00:26:28,960
Speaker 6: there this big? Is that from Anaconda? What film is

522
00:26:29,000 --> 00:26:29,360
Speaker 6: that from?

523
00:26:30,520 --> 00:26:33,720
Speaker 1: It's from Anaconda? Where it's from that moment where you see.

524
00:26:34,000 --> 00:26:35,960
Speaker 3: How big the snakes out there might be?

525
00:26:36,600 --> 00:26:39,400
Speaker 6: No, is that from because those snakes on a plane?

526
00:26:39,480 --> 00:26:40,480
Speaker 6: Or is that Anaconda?

527
00:26:40,800 --> 00:26:41,919
Speaker 1: No, that's from Anaconda?

528
00:26:42,040 --> 00:26:43,000
Speaker 6: Is that really from Anaconda?

529
00:26:43,119 --> 00:26:43,320
Speaker 1: Yeah?

530
00:26:43,359 --> 00:26:43,520
Speaker 2: It is?

531
00:26:43,760 --> 00:26:44,240
Speaker 6: Sincerely?

532
00:26:44,359 --> 00:26:45,000
Speaker 1: Is it truly?

533
00:26:45,080 --> 00:26:48,080
Speaker 6: It's amazing we were doing Anaconda.

534
00:26:48,600 --> 00:26:48,800
Speaker 1: Peter.

535
00:26:48,920 --> 00:26:51,719
Speaker 6: There were seven Peter Dinklages that played the snake in Anaconda.

536
00:26:52,040 --> 00:26:53,720
Speaker 6: So what they did is like Little Rascal style, you

537
00:26:53,760 --> 00:26:55,160
Speaker 6: know how they used to go on like a trench coat.

538
00:26:55,520 --> 00:26:59,680
Speaker 6: Seven Peter Dinklages made up this big Anaconda and god,

539
00:26:59,800 --> 00:27:01,320
Speaker 6: you was are picking the greatest lines because that one

540
00:27:01,359 --> 00:27:02,560
Speaker 6: was I think that one was improvised.

541
00:27:03,080 --> 00:27:04,199
Speaker 1: Wow that.

542
00:27:05,680 --> 00:27:07,119
Speaker 6: You play one more time. I'm gonna tell you what,

543
00:27:07,800 --> 00:27:09,200
Speaker 6: because I play one more time because it is really

544
00:27:09,280 --> 00:27:13,280
Speaker 6: quick it's snakes up this big, okay, And my line

545
00:27:13,680 --> 00:27:18,640
Speaker 6: it really was, uh, we're gathered here today. Two more

546
00:27:18,680 --> 00:27:22,920
Speaker 6: in the loss of Kevin Smith's character in the movie

547
00:27:23,000 --> 00:27:26,120
Speaker 6: David Adam Sandler, and I was like, pretty good line,

548
00:27:26,640 --> 00:27:29,760
Speaker 6: PGL but I can make it be. And how I

549
00:27:29,840 --> 00:27:32,879
Speaker 6: made it be was I said, hit it.

550
00:27:34,640 --> 00:27:36,160
Speaker 1: It snakes up big.

551
00:27:38,200 --> 00:27:41,000
Speaker 6: And didn't make sense in the scene, but made sense

552
00:27:41,040 --> 00:27:42,520
Speaker 6: in all of our hearts. I feel like, don't you

553
00:27:42,560 --> 00:27:44,000
Speaker 6: think and you've you've.

554
00:27:44,040 --> 00:27:46,520
Speaker 2: Often said that you only choose scripts that have some

555
00:27:46,680 --> 00:27:48,920
Speaker 2: sort of funeral or a morning scene, but that you

556
00:27:49,080 --> 00:27:51,480
Speaker 2: will always change what that scene.

557
00:27:51,359 --> 00:27:53,000
Speaker 6: Is and to be fair, just so the listeners, no

558
00:27:53,080 --> 00:27:55,280
Speaker 6: morning m O r N I ng me waking up

559
00:27:55,280 --> 00:27:58,360
Speaker 6: in the morning, funeral and also a morning scene. Yeah,

560
00:27:58,560 --> 00:28:02,480
Speaker 6: like night shoot at the night shoots, gonna get some

561
00:28:02,640 --> 00:28:07,000
Speaker 6: good SHOT's gonna get some sweet film at the night shoots.

562
00:28:08,119 --> 00:28:10,840
Speaker 6: Do you remember that oh sung I.

563
00:28:10,920 --> 00:28:12,960
Speaker 1: Sang, yeah that way from Collateral?

564
00:28:13,160 --> 00:28:15,280
Speaker 6: Yes, well that was an in Collateral conn Air that

565
00:28:15,359 --> 00:28:17,680
Speaker 6: was in it, by the way, Flubber Old and New

566
00:28:18,520 --> 00:28:19,960
Speaker 6: that was in a ton of my film.

567
00:28:20,000 --> 00:28:21,520
Speaker 1: You've sung that song in the Live Oh.

568
00:28:22,400 --> 00:28:25,640
Speaker 6: Thank you, thank you? Oh yeah, But Ana Kanda was fun,

569
00:28:26,080 --> 00:28:27,800
Speaker 6: by the way, thirteen minutes shoot. The whole movie took

570
00:28:27,840 --> 00:28:28,680
Speaker 6: thirteen minutes to shoot.

571
00:28:29,720 --> 00:28:33,000
Speaker 2: I always say that you're one of our greatest chameleons

572
00:28:33,080 --> 00:28:35,480
Speaker 2: because you do sing that song in almost all of

573
00:28:35,520 --> 00:28:35,960
Speaker 2: your films.

574
00:28:36,040 --> 00:28:36,399
Speaker 3: You never know.

575
00:28:36,520 --> 00:28:39,360
Speaker 1: To me, it feels new total it's organic to that carry.

576
00:28:39,400 --> 00:28:41,760
Speaker 1: It seems like that character for the first time.

577
00:28:41,840 --> 00:28:43,480
Speaker 6: Can I take you to one? I'm gonna take you

578
00:28:43,480 --> 00:28:44,920
Speaker 6: to two different movies. I'm gonna sing it the way

579
00:28:44,920 --> 00:28:45,920
Speaker 6: I sang in the movie. You tell me what the

580
00:28:45,920 --> 00:28:46,280
Speaker 6: movie was.

581
00:28:46,440 --> 00:28:46,680
Speaker 1: Okay?

582
00:28:47,160 --> 00:28:47,840
Speaker 6: Is that cool with you us?

583
00:28:48,120 --> 00:28:48,960
Speaker 1: It's gonna be easy for me?

584
00:28:49,120 --> 00:28:49,640
Speaker 4: All right? Good?

585
00:28:49,680 --> 00:28:51,080
Speaker 6: You obviously probably said it's.

586
00:28:50,920 --> 00:28:52,880
Speaker 1: Gonna be easy for me big we're big movie fans.

587
00:28:53,120 --> 00:28:55,840
Speaker 6: I'm gonna get some Nate Shootes's gonna get some.

588
00:28:55,960 --> 00:28:59,640
Speaker 1: Good Field Nate shoot man.

589
00:29:00,720 --> 00:29:02,080
Speaker 6: Can you say at the same time next time, if

590
00:29:02,080 --> 00:29:04,320
Speaker 6: you don't mind, Okay, So for the next one to hear,

591
00:29:04,320 --> 00:29:08,280
Speaker 6: you gonna get some good takes. You gotta get some

592
00:29:08,440 --> 00:29:10,480
Speaker 6: good film on the night.

593
00:29:10,400 --> 00:29:16,920
Speaker 1: Shoots lemonym snickets a series unfortunate correct.

594
00:29:18,160 --> 00:29:20,160
Speaker 6: And that's just two of the thirty five times I've

595
00:29:20,240 --> 00:29:20,840
Speaker 6: used that in film.

596
00:29:22,360 --> 00:29:26,040
Speaker 1: The story that Marty tells about Anaconda. Was it was

597
00:29:26,120 --> 00:29:29,920
Speaker 1: gonna be not Marty Mayflower talking about his scores Marty scores. Yes, Uh,

598
00:29:30,120 --> 00:29:32,720
Speaker 1: it was gonna be a different thing about a bunch

599
00:29:32,800 --> 00:29:34,880
Speaker 1: of people who knew each other in high school gathering

600
00:29:34,960 --> 00:29:37,320
Speaker 1: together and sort of catching up. And then you said

601
00:29:37,320 --> 00:29:40,560
Speaker 1: that line, and they sort of built the movie around there.

602
00:29:40,560 --> 00:29:41,600
Speaker 1: They said, what are we doing?

603
00:29:41,920 --> 00:29:42,040
Speaker 5: Right?

604
00:29:42,840 --> 00:29:45,440
Speaker 6: Well, obviously, when Marty shoots Marty scores, that was a

605
00:29:45,480 --> 00:29:48,720
Speaker 6: little bit of a joke. And I kind of when

606
00:29:48,760 --> 00:29:51,040
Speaker 6: you get a line that's more powerful than the words

607
00:29:51,280 --> 00:29:56,640
Speaker 6: on the page, Oh dude, do you know what I mean?

608
00:29:57,600 --> 00:30:01,760
Speaker 6: I once said a word so powerful that the sides

609
00:30:01,880 --> 00:30:05,240
Speaker 6: in my hand disintegrated and they turned into a dove,

610
00:30:05,800 --> 00:30:09,400
Speaker 6: and that dove flew and sang the night shoot sone.

611
00:30:11,880 --> 00:30:13,320
Speaker 6: God bless that. God bless that stuff.

612
00:30:13,400 --> 00:30:15,800
Speaker 1: And so that's why we do movies, though, is for

613
00:30:15,920 --> 00:30:16,520
Speaker 1: that feeling.

614
00:30:16,680 --> 00:30:18,640
Speaker 6: Yeah, you know, who cares about the millions?

615
00:30:18,960 --> 00:30:19,080
Speaker 2: Right?

616
00:30:19,240 --> 00:30:20,600
Speaker 6: Who cares about the millions of reviews?

617
00:30:20,680 --> 00:30:22,240
Speaker 1: I could take them or leave them? Who cares?

618
00:30:22,960 --> 00:30:26,600
Speaker 3: I know, I don't even read that stuff anymore.

619
00:30:26,920 --> 00:30:29,800
Speaker 1: I have to just shut it out. I do because

620
00:30:29,800 --> 00:30:32,360
Speaker 1: they're not part of it. And so why should they be.

621
00:30:32,440 --> 00:30:36,160
Speaker 2: Allowed to speak on it, and I actually think that

622
00:30:36,320 --> 00:30:41,920
Speaker 2: a lot of critics are failed artists. WHOA, And I'm

623
00:30:42,000 --> 00:30:45,280
Speaker 2: sorry if I'm stepping on any toes, but I actually

624
00:30:45,440 --> 00:30:49,000
Speaker 2: believe that some of what those critics are is they

625
00:30:49,240 --> 00:30:53,960
Speaker 2: wanted to do movies and now they only just talk

626
00:30:54,000 --> 00:30:55,880
Speaker 2: about other people who did movies.

627
00:30:56,280 --> 00:30:59,880
Speaker 1: Sour grapes. Have you ever tasted sour grapes? No disgusting.

628
00:31:00,080 --> 00:31:02,080
Speaker 1: I bet it's as good as the movie I did

629
00:31:02,160 --> 00:31:04,960
Speaker 1: sour grapes. That's right, Eat some good grapes.

630
00:31:05,200 --> 00:31:06,720
Speaker 4: Gonna get some good food.

631
00:31:10,160 --> 00:31:15,080
Speaker 6: Sour grapes. By the way, aren't this is my play mind?

632
00:31:15,840 --> 00:31:18,000
Speaker 6: Aren't we kind of critics ourselves.

633
00:31:19,240 --> 00:31:21,600
Speaker 1: In the sense that we're critics.

634
00:31:21,840 --> 00:31:23,360
Speaker 6: I mean, like the way that we're talking.

635
00:31:24,120 --> 00:31:25,920
Speaker 1: I got to look in the mirror, you know what

636
00:31:26,000 --> 00:31:26,239
Speaker 1: I mean?

637
00:31:26,320 --> 00:31:27,880
Speaker 3: Like know, I gotta look in the mirror.

638
00:31:28,120 --> 00:31:30,080
Speaker 2: I guess the thing that doesn't make me a critic

639
00:31:30,800 --> 00:31:33,120
Speaker 2: is that a lot of critics are failed artists.

640
00:31:33,200 --> 00:31:34,080
Speaker 4: Oh that's interesting.

641
00:31:34,800 --> 00:31:37,440
Speaker 6: Shila buff just did a Shila Beef just did a

642
00:31:37,680 --> 00:31:40,640
Speaker 6: short film about didn't he Yes, he did, he did

643
00:31:40,680 --> 00:31:42,040
Speaker 6: it for real? Did he do about critics?

644
00:31:42,080 --> 00:31:42,400
Speaker 1: Online?

645
00:31:42,400 --> 00:31:45,880
Speaker 6: Critics? Some good buzz surrounding that buzz a lot of bumblebees.

646
00:31:45,880 --> 00:31:47,960
Speaker 6: We call the bumblebees. A lot of bumblebees around that way.

647
00:31:47,960 --> 00:31:50,680
Speaker 1: The heype machine is really generating some positive hype.

648
00:31:50,800 --> 00:31:55,480
Speaker 2: Yeah, generous bumbies, uh, swarming around that field.

649
00:31:55,280 --> 00:31:58,040
Speaker 6: A ton of bum bees. Man and I haven't seen yet.

650
00:31:58,040 --> 00:31:59,320
Speaker 6: I heard he gets naked in a lot of these.

651
00:31:59,400 --> 00:32:01,720
Speaker 6: I think he's in that Info Maniac movie coming out. Yes,

652
00:32:02,680 --> 00:32:03,800
Speaker 6: I'm interested in seeing.

653
00:32:03,600 --> 00:32:04,719
Speaker 1: That his penis.

654
00:32:05,280 --> 00:32:06,840
Speaker 6: Yeah, yeah, yeah, Ben.

655
00:32:07,200 --> 00:32:10,400
Speaker 2: I wanted to talk to you a little bit about uh, film,

656
00:32:11,240 --> 00:32:15,160
Speaker 2: film and TV work. Sure you know, Hayes and I

657
00:32:15,400 --> 00:32:17,920
Speaker 2: do this as a service, right of course, obviously we

658
00:32:17,960 --> 00:32:18,400
Speaker 2: don't need them.

659
00:32:18,480 --> 00:32:20,280
Speaker 6: And can I thank you on behalf of everybody?

660
00:32:22,160 --> 00:32:22,920
Speaker 1: Yeah you can't.

661
00:32:24,120 --> 00:32:25,360
Speaker 3: Yeah, yeah you can.

662
00:32:25,360 --> 00:32:27,440
Speaker 1: Get a little cold for you popping on the jack Yeah,

663
00:32:27,480 --> 00:32:28,240
Speaker 1: I threw the jacket on.

664
00:32:28,840 --> 00:32:32,360
Speaker 3: It's not for you, but you actually tired us in

665
00:32:32,440 --> 00:32:32,720
Speaker 3: a way.

666
00:32:33,520 --> 00:32:35,880
Speaker 6: Yeah, yeah you can. It's popping through getting the jacket

667
00:32:35,920 --> 00:32:38,720
Speaker 6: in the cans, popping through you and you lower.

668
00:32:38,560 --> 00:32:40,520
Speaker 1: The jacket and my cams. I was worried you couldn't

669
00:32:40,520 --> 00:32:42,560
Speaker 1: hear my jacket. But we'll call them cams, right c

670
00:32:42,680 --> 00:32:49,280
Speaker 1: A M S camera like your basically headphones are ear

671
00:32:49,360 --> 00:32:50,240
Speaker 1: cameras pretty much.

672
00:32:52,600 --> 00:32:56,520
Speaker 2: Yeah, they show your ears. You inspired us because you

673
00:32:58,680 --> 00:33:00,600
Speaker 2: have chosen not to shut the door are behind you

674
00:33:01,320 --> 00:33:07,720
Speaker 2: and are teaching those great acting for gift workshops.

675
00:33:08,240 --> 00:33:12,280
Speaker 6: Acting for for gifts for tumblers, Yeah, because there are

676
00:33:12,320 --> 00:33:16,160
Speaker 6: gifts out there and they're great gifts and then they're beg's,

677
00:33:16,200 --> 00:33:18,720
Speaker 6: they're bad gifts. So if I can help an actor,

678
00:33:18,880 --> 00:33:21,280
Speaker 6: because I will say more, more important than a resume,

679
00:33:21,400 --> 00:33:23,640
Speaker 6: more important than a headshot, is a sweet looking gift.

680
00:33:24,080 --> 00:33:25,600
Speaker 6: You know what I mean, Get a real sweety gee.

681
00:33:25,680 --> 00:33:26,280
Speaker 1: That's the future.

682
00:33:26,760 --> 00:33:29,880
Speaker 4: I think so, and I'm not and I'm.

683
00:33:29,760 --> 00:33:32,560
Speaker 2: Not afraid to say I learned something in that class.

684
00:33:32,680 --> 00:33:32,960
Speaker 4: Thank you?

685
00:33:33,160 --> 00:33:33,720
Speaker 1: What did you learned?

686
00:33:33,720 --> 00:33:34,080
Speaker 4: By the way?

687
00:33:34,120 --> 00:33:38,440
Speaker 2: And me, well, one thing is don't obscure your mouth

688
00:33:38,480 --> 00:33:41,480
Speaker 2: in any way in case they want to caption what

689
00:33:41,560 --> 00:33:42,440
Speaker 2: you're saying exactly.

690
00:33:42,520 --> 00:33:47,640
Speaker 3: That's look like you're saying it, So you don't cover

691
00:33:47,760 --> 00:33:48,240
Speaker 3: your mouth.

692
00:33:49,520 --> 00:33:50,120
Speaker 1: That's one thing.

693
00:33:50,240 --> 00:33:51,760
Speaker 6: Smart great because they're going to use it or me

694
00:33:51,800 --> 00:33:55,960
Speaker 6: me meme. They could use that for meme also, so yeah,

695
00:33:56,280 --> 00:34:00,760
Speaker 6: me me me, me, me me me, so I they

696
00:34:00,800 --> 00:34:05,680
Speaker 6: can o. God, I'm throw up, Sam, do you know what?

697
00:34:05,720 --> 00:34:06,320
Speaker 4: I like a lot?

698
00:34:06,560 --> 00:34:07,680
Speaker 6: There's no more scripts anymore.

699
00:34:07,720 --> 00:34:08,560
Speaker 1: There's just iPads.

700
00:34:09,560 --> 00:34:13,080
Speaker 6: Yes, discuss that. I mean, like, what's the point we're

701
00:34:13,200 --> 00:34:13,880
Speaker 6: ruining trees?

702
00:34:13,920 --> 00:34:18,719
Speaker 1: I guess. But I like the feeling of holding a

703
00:34:18,800 --> 00:34:21,680
Speaker 1: script in my hand and writing no banks on the cover.

704
00:34:21,800 --> 00:34:24,120
Speaker 1: I can't write no. I can't write no banks on

705
00:34:24,160 --> 00:34:24,640
Speaker 1: an iPad.

706
00:34:24,719 --> 00:34:25,959
Speaker 6: That's great, that's great.

707
00:34:26,200 --> 00:34:27,520
Speaker 1: Yeah, don't you miss that?

708
00:34:27,960 --> 00:34:30,080
Speaker 2: There's something Because I'm not gonna throw my iPad in

709
00:34:30,160 --> 00:34:32,000
Speaker 2: the trash just because I don't like a script. But

710
00:34:32,040 --> 00:34:33,919
Speaker 2: there's something about in front of the man who wrote

711
00:34:33,960 --> 00:34:35,880
Speaker 2: the script dropping that it's so.

712
00:34:35,960 --> 00:34:38,719
Speaker 1: Much less dramatic. Yes, to dangle an iPad over the

713
00:34:38,800 --> 00:34:41,440
Speaker 1: trash and then drop it in and then have to

714
00:34:41,520 --> 00:34:44,600
Speaker 1: go get it back out because it's your iPad.

715
00:34:44,680 --> 00:34:46,000
Speaker 6: I'll tell you this, this is what I do ecause

716
00:34:46,040 --> 00:34:48,160
Speaker 6: I have all the money of all of it. So

717
00:34:49,120 --> 00:34:51,880
Speaker 6: I'll just throw it out. I'll just break an iPad.

718
00:34:52,040 --> 00:34:54,960
Speaker 6: I will write in marker on my notes and say

719
00:34:55,360 --> 00:34:58,040
Speaker 6: write them on the actual iPad and say the corresponding pages,

720
00:34:58,040 --> 00:35:00,840
Speaker 6: so when they script through they'll know where it there'll be. Also,

721
00:35:01,040 --> 00:35:02,760
Speaker 6: one of the thing is blank, is thousands and thousands

722
00:35:02,760 --> 00:35:04,840
Speaker 6: of marks, but on the page you'll know exactly what

723
00:35:04,920 --> 00:35:05,120
Speaker 6: it is.

724
00:35:05,680 --> 00:35:07,279
Speaker 3: I just remembered I do that too.

725
00:35:11,640 --> 00:35:13,839
Speaker 6: You do that elaborate thing that I've been doing.

726
00:35:14,080 --> 00:35:15,480
Speaker 3: I just remembered I do that too.

727
00:35:15,960 --> 00:35:17,680
Speaker 1: I have Bo Jackson come in and break it over

728
00:35:17,760 --> 00:35:18,160
Speaker 1: his knee.

729
00:35:18,239 --> 00:35:18,640
Speaker 4: Smart.

730
00:35:19,480 --> 00:35:19,960
Speaker 6: That's great.

731
00:35:20,040 --> 00:35:20,680
Speaker 1: He's such a pro.

732
00:35:20,960 --> 00:35:21,480
Speaker 4: He is a pro.

733
00:35:21,560 --> 00:35:23,480
Speaker 6: Remember when he ran on the uh when he ran

734
00:35:23,600 --> 00:35:25,879
Speaker 6: on the wall of the center field or the left field?

735
00:35:26,320 --> 00:35:29,799
Speaker 2: Yeah, oh god, yeah, I just remembered that I can

736
00:35:29,880 --> 00:35:30,799
Speaker 2: do that too on the wall.

737
00:35:31,440 --> 00:35:33,840
Speaker 6: I played Bo Jackson in the documentary Bo Jackson. By

738
00:35:33,880 --> 00:35:35,800
Speaker 6: the way, did you that was me?

739
00:35:36,320 --> 00:35:36,759
Speaker 2: It was me?

740
00:35:37,120 --> 00:35:38,680
Speaker 1: Dang, you know what do you think of it? By

741
00:35:38,680 --> 00:35:40,040
Speaker 1: the way, I thought it was really when he sang

742
00:35:40,080 --> 00:35:41,160
Speaker 1: the night Shoot song.

743
00:35:41,160 --> 00:35:41,560
Speaker 6: Did you think?

744
00:35:43,400 --> 00:35:43,600
Speaker 5: Oh?

745
00:35:44,760 --> 00:35:50,480
Speaker 6: Thank you for being a supporter, travel back and forth

746
00:35:50,560 --> 00:35:55,320
Speaker 6: and supporting me. You're a friend, real true, you're a

747
00:35:55,520 --> 00:36:01,399
Speaker 6: dude at a supporter. Please please tell me when we're

748
00:36:01,480 --> 00:36:05,560
Speaker 6: getting along, because I feel like we're good friends. But

749
00:36:05,920 --> 00:36:09,040
Speaker 6: then when you enter her room and you give me

750
00:36:09,239 --> 00:36:12,560
Speaker 6: good reviews, and I know that you're really a supporter.

751
00:36:13,840 --> 00:36:15,839
Speaker 6: Thank you for being a supporter.

752
00:36:19,400 --> 00:36:21,279
Speaker 1: Thank you so much for coming out this ye for

753
00:36:21,400 --> 00:36:21,799
Speaker 1: being here.

754
00:36:22,000 --> 00:36:23,400
Speaker 3: It was so special for us.

755
00:36:23,719 --> 00:36:26,719
Speaker 6: Oh god, it was so lovely. How many minutes. Was

756
00:36:26,760 --> 00:36:30,080
Speaker 6: that Oh it felt like one? Yeah, it only is

757
00:36:30,120 --> 00:36:33,439
Speaker 6: it over on? Well it's almost, it's almost okay, Well okay,

758
00:36:33,440 --> 00:36:35,160
Speaker 6: well let's not to that Fat Lady sings.

759
00:36:35,360 --> 00:36:37,120
Speaker 3: We do wanna say?

760
00:36:37,920 --> 00:36:42,320
Speaker 2: Please do review us on iTunes? Yes, and please do

761
00:36:42,560 --> 00:36:44,520
Speaker 2: like us on Facebook. Please talk to us on the

762
00:36:44,600 --> 00:36:46,320
Speaker 2: forums and by the pro version.

763
00:36:46,680 --> 00:36:48,719
Speaker 3: Hey, do you have the numbers on who bought the

764
00:36:48,760 --> 00:36:49,839
Speaker 3: pro version this past week?

765
00:36:50,080 --> 00:36:51,440
Speaker 1: Yeah, I'm Matt Cameron.

766
00:36:52,320 --> 00:36:54,960
Speaker 3: One person, Matt Cameron purchased the pro version.

767
00:36:55,840 --> 00:36:59,880
Speaker 1: Oh we got another donation? Oh okay, who's a fro

768
00:37:00,120 --> 00:37:04,279
Speaker 1: Matt Cameron? So fuck Matt Cameron, Matt Cameron, fuck you.

769
00:37:04,760 --> 00:37:07,000
Speaker 6: And then you see that the supporter is Mack Camman.

770
00:37:07,120 --> 00:37:10,120
Speaker 1: The supporter is Bruce Robinson.

771
00:37:09,680 --> 00:37:11,840
Speaker 2: Whoa Reid Robinson.

772
00:37:11,920 --> 00:37:12,680
Speaker 3: The second he.

773
00:37:12,760 --> 00:37:15,360
Speaker 1: Bought the proversion this week and what he gets he

774
00:37:15,560 --> 00:37:18,319
Speaker 1: gets the prize for the proversion happens to be Ben

775
00:37:18,400 --> 00:37:22,840
Speaker 1: Schwartz singing a personalized version.

776
00:37:23,000 --> 00:37:23,520
Speaker 6: What's his name?

777
00:37:23,880 --> 00:37:26,200
Speaker 1: Bruce Robin, Bruce Robinson an original song?

778
00:37:26,320 --> 00:37:27,120
Speaker 6: Or do you want me to do it? From the

779
00:37:27,160 --> 00:37:30,000
Speaker 6: supporter song Bruce Robinson read Robinson.

780
00:37:30,440 --> 00:37:32,920
Speaker 2: Well, he is supporting our podcast. I mean it may

781
00:37:32,960 --> 00:37:35,799
Speaker 2: be nice for him to hear the Supporter's song, which

782
00:37:35,840 --> 00:37:37,279
Speaker 2: also I know we have time for that.

783
00:37:37,400 --> 00:37:38,719
Speaker 3: Some of the other songs are very long.

784
00:37:40,560 --> 00:37:44,600
Speaker 6: Bruce Robinson, Yes, Yeah, Bruce Read Robinson. The second. Yeah,

785
00:37:45,520 --> 00:37:46,680
Speaker 6: Dear Bruce Read Robinson.

786
00:37:46,760 --> 00:37:47,160
Speaker 4: The second.

787
00:37:47,480 --> 00:37:51,080
Speaker 6: This song is for you. Thank you for being a supporter.

788
00:37:52,280 --> 00:37:56,200
Speaker 6: Travel back and forth and back to support us. You're

789
00:37:56,280 --> 00:37:58,799
Speaker 6: a friend, real true, Bruce Reid Robinson the second. You're

790
00:37:58,840 --> 00:38:03,960
Speaker 6: a friend and a supporter. Celi, You're in a submarine

791
00:38:04,560 --> 00:38:08,960
Speaker 6: and you're real low in the earth. Remember that I'm

792
00:38:09,040 --> 00:38:12,399
Speaker 6: your friend. Come back up from the water, and then

793
00:38:12,600 --> 00:38:17,200
Speaker 6: you're gonna be supporting me. Thank you for being a supporter.

794
00:38:19,080 --> 00:38:19,919
Speaker 4: Bye bye.

795
00:38:27,080 --> 00:38:30,040
Speaker 2: This has been an Earwolf Media production Executive producers Jeff

796
00:38:30,120 --> 00:38:31,080
Speaker 2: Ulrick and Scott Ackerman.

797
00:38:31,239 --> 00:38:39,080
Speaker 3: For more information, visit earwolf dot com, ear Warf Radio

798
00:38:39,480 --> 00:38:48,439
Speaker 3: Boom dot com, The Worf Dead