WEBVTT - #655 - In The Weeds: Bobby’s Coyote Problem, American Idol Luck & the Prank That Got Him in Trouble

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<v Speaker 1>I just got an email asking if I wanted to

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<v Speaker 1>euthanize the coyotes in my backyard or try to relocate them.

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<v Speaker 1>And if you don't know what I'm talking about, we

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<v Speaker 1>have two dogs at the house and Stanley is a bulldog.

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<v Speaker 1>He's eight now, which is crazy because those bulldogs, man,

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<v Speaker 1>they are broken. So we're hoping for a long, long

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<v Speaker 1>life from him. Had a pretty successful eight years. And

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<v Speaker 1>then we have a dog that's half husky half hound,

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<v Speaker 1>and she loves to hunt animals that's on our property

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<v Speaker 1>and our property we have a normal backyard, but then

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<v Speaker 1>we have some makers of just woods and she tends

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<v Speaker 1>to just run out in the woods all the time

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<v Speaker 1>and occasionally she comes back with a rabbit or squirrel,

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<v Speaker 1>definitely the hound part of her. And so we were

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<v Speaker 1>out in the backyard a week or so ago and

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<v Speaker 1>I heard her go a little un characteristic of her

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<v Speaker 1>back in the woods. Thought maybe a snake a bitter.

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<v Speaker 1>It turns out it was a coyote that bitter, and

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<v Speaker 1>so she got in a fight, got attacked by a coyote,

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<v Speaker 1>and our properties fenced in, but we didn't know exactly

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<v Speaker 1>what bitter for a while. And then she couldn't use

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<v Speaker 1>her left back leg and she's dragging it through the house.

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<v Speaker 1>So luckily I have a friend that's a vet doctor, Josie,

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<v Speaker 1>and I call her and we get Ella in. She's

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<v Speaker 1>gonna be fine now. Now she's walking around pretty normal.

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<v Speaker 1>But we can't let the dogs go out in the

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<v Speaker 1>backyard now because it's connected to the woods. And so

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<v Speaker 1>the email I just got was we're going to hire

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<v Speaker 1>some trappers to come out and would I be okay

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<v Speaker 1>with them euthanizing the coyotes or relocated, And again it's

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<v Speaker 1>a mom and at least three babies. I would rather

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<v Speaker 1>them relocate. Here's the problem of the six people that

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<v Speaker 1>we have that will come and get the coyotes off

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<v Speaker 1>the property, because we have to have them off the

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<v Speaker 1>property because our dogs live there. Only one of the

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<v Speaker 1>six will come out and actually I don't know, cuddle them,

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<v Speaker 1>kiss them, take them and release them to the wild.

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<v Speaker 1>The other five just kill them, and they're dirty animals,

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<v Speaker 1>but they're still animals. And so to get the person

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<v Speaker 1>that will just relocate them, it is going to take

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<v Speaker 1>almost two weeks longer than somebody who will just come

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<v Speaker 1>out trap them and kill them. So I'm torn. I'm

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<v Speaker 1>not torn. You know what I'm gonna do. I'm gonna

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<v Speaker 1>say relocate them. And that's annoying because that's our yard.

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<v Speaker 1>Those coyotes, they don't know the difference. They're just trying

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<v Speaker 1>to survive. And I'm not here as a coyote apologist. Heck,

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<v Speaker 1>one just attack my dog, and they are dirty and

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<v Speaker 1>they probably have rabies. Luckily, Yeller Hudder shots all up

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<v Speaker 1>to date, and we went and got her a booster

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<v Speaker 1>immediately from doctor Josie. But I'm just gonna have to

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<v Speaker 1>go pay more money for the youth and ized group.

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<v Speaker 1>And then on top of that, wait two extra weeks,

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<v Speaker 1>and we got to make sure we get the parent

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<v Speaker 1>and at least all three of the babies. Like, if

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<v Speaker 1>we're gonna do this, let's do it right. Heck, let's

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<v Speaker 1>get him out for adoption. Who wants to adopt these coyotes.

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<v Speaker 1>Let's just do it. Let's just go all in. If

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<v Speaker 1>you're watching this right now, you're watching this episode of

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<v Speaker 1>In the Weeds, you want to adopt four coyotes? Boy

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<v Speaker 1>do I got a family fruit? They are awesome pets.

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<v Speaker 1>Clean anyway, I was dealing with that right before we

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<v Speaker 1>came on here, Welcome to the show called in the Weeds,

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<v Speaker 1>where I just talk about things that are happening that

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<v Speaker 1>I thought no one would care about, mostly in my

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<v Speaker 1>career in my life. So here we go with probably

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<v Speaker 1>episode eight or so. I'll say this and this is

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<v Speaker 1>very in the weeds. I didn't think people would much

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<v Speaker 1>care for this, and it kind of popped off on

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<v Speaker 1>YouTube and I've had people inside the industry that I

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<v Speaker 1>work in go, man, I really like that show. To

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<v Speaker 1>me weird because I don't talk about anything that I

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<v Speaker 1>would talk about on the radio show because it's very

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<v Speaker 1>much what they would call inside. But we've now done

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<v Speaker 1>enough of these episodes in podcast form audio only. It's

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<v Speaker 1>the same thing as video, but and they perform better

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<v Speaker 1>than some of the bigger interviews that I do, which

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<v Speaker 1>I feel like maybe people have a decent amount of

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<v Speaker 1>interest in some of the stuff that I'm talking about

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<v Speaker 1>that I thought was too inside the industry or my

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<v Speaker 1>life that no one really care about. So we're gonna

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<v Speaker 1>do more of these because I'm surprised that they do

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<v Speaker 1>better than some of the episodes where we have stars

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<v Speaker 1>on and I interviewed them. So here we are in

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<v Speaker 1>the Weeds, don't know what episode it is. Let's just

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<v Speaker 1>call it episode eight for right now. I do want

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<v Speaker 1>to talk about a time I met a lady in

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<v Speaker 1>the lobby at a television station. And I want to

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<v Speaker 1>build this off of something that Amy was saying on

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<v Speaker 1>the radio show. She was talking about just say hi

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<v Speaker 1>to people. You never know where that could take you

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<v Speaker 1>in life. And she was telling the story of her

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<v Speaker 1>meeting me in at Culver's in Austin, Texas. And the

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<v Speaker 1>brief version of that story is I was getting my

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<v Speaker 1>tires rotated. I don't know, it's probably two thousand and

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<v Speaker 1>five if I'm guessing, and I'm in Culvers and I

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<v Speaker 1>don't know Amy, but she comes up to me and says, hey,

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<v Speaker 1>I know your show. And then her and her friend

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<v Speaker 1>whose parents owned that Culvers, they gave me like some

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<v Speaker 1>ice cream coupons. Now, I was new in Austin. The

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<v Speaker 1>show was not a success yet, so it wasn't like

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<v Speaker 1>I had tons of fans. But she knew the show

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<v Speaker 1>and so met her there, met her again, and she

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<v Speaker 1>ended up being a co host on the show. Came

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<v Speaker 1>on as a producer at first, and then she became

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<v Speaker 1>a co host, and it was all because she said

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<v Speaker 1>hi to me at Culver's and I thought she was

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<v Speaker 1>super interesting, super funny, and she said, you never know

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<v Speaker 1>what will happen in life if you just say hi

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<v Speaker 1>to someone, which leads me to this same type of thing,

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<v Speaker 1>probably six or so years ago. I'm in Los Angeles.

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<v Speaker 1>It's not my favorite place. I don't have a good

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<v Speaker 1>relationship with it because if I'm out there, I'm only working,

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<v Speaker 1>and if I'm only working, I'm doing the radio show

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<v Speaker 1>early in the morning, and then I'm doing whatever else

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<v Speaker 1>job that I'm out there to do, and I'm sitting

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<v Speaker 1>in traffic all the time, and I'm in a hotel.

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<v Speaker 1>I'm car sick. Like. My relationship with LA is not

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<v Speaker 1>great because of that, because I never just have time

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<v Speaker 1>to hang out and experience the beach. Although not a

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<v Speaker 1>big beach fan either. So I'm in LA and I

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<v Speaker 1>am at Disney Studios different than Disney Land. I'm at

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<v Speaker 1>Disney Studios, and Disney owns obviously Disney Channel, it owns ABC,

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<v Speaker 1>it owns Hulu, you know all those properties. And I

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<v Speaker 1>had gone up and I had auditioned for a show

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<v Speaker 1>that ABC was doing, a daytime talk show on day

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<v Speaker 1>one when they had all the scrubs in. I was

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<v Speaker 1>a scrub to them. They didn't really know me, but

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<v Speaker 1>they knew had a big radio show, and they brought

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<v Speaker 1>me in and I made it through day one and

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<v Speaker 1>got to day two smash Cut. I ended up making

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<v Speaker 1>that daytime talk show as a host. It was me

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<v Speaker 1>and Dion Sanders, and the pilot was funded. We shot

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<v Speaker 1>a pilot. We were there working together for like six weeks.

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<v Speaker 1>It was an ABC owned and operated the pilot. We

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<v Speaker 1>did it. It was good, but it did not get

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<v Speaker 1>picked up. For whatever reason, it did not get picked up.

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<v Speaker 1>But I'd made some connections there, or at least people

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<v Speaker 1>that remembered me, and so I got invited to come

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<v Speaker 1>up and talk with somebody who was a vice president

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<v Speaker 1>at ABC for a bunch of nonscripted shows. And so

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<v Speaker 1>I just flew over and went up and it was

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<v Speaker 1>just a general meeting and I'm in the lobby and

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<v Speaker 1>there's a British woman that I'm not sitting right next

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<v Speaker 1>to her because I'd be awkward because it was a

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<v Speaker 1>pretty open lobby, but she was kind of Caddy corner

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<v Speaker 1>and we were just sitting there. And the thing about

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<v Speaker 1>La that I've learned is nothing is on time there

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<v Speaker 1>because everybody's late to everything, and mostly it's because the

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<v Speaker 1>traffic is terrible. And so we're both sitting in there

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<v Speaker 1>and say, hey, how's it going, and she says it's

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<v Speaker 1>play good. And we start talking back and forth a

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<v Speaker 1>little bit. And I've often compared it to prison, where

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<v Speaker 1>you don't really say why you're there. I mean, we

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<v Speaker 1>didn't what are you in for? Like what you're meeting about.

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<v Speaker 1>We're just two people talking in the lobby. And so

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<v Speaker 1>we talked for about fifteen minutes or so, and they

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<v Speaker 1>called her over the top and she went to her

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<v Speaker 1>meeting and I waited about fifteen more minutes. Finally I

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<v Speaker 1>was the last one in the room they called me.

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<v Speaker 1>But I had a really great conversation with her, and

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<v Speaker 1>we talked about where we're from, if she had kids.

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<v Speaker 1>I didn't just personal life stuff. I didn't get anything

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<v Speaker 1>too professional. And so I'm going into this guy who's

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<v Speaker 1>a massive executive at Disney ABC and I walk in

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<v Speaker 1>the room and she's in there and I was like, hey,

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<v Speaker 1>I just met you, and she was like yeah. Turns

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<v Speaker 1>out she was the executive producer of American Idol and

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<v Speaker 1>so what it happened was the guy I was meeting with,

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<v Speaker 1>whose name was Rob Mills. He is still there, he

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<v Speaker 1>still runs it. Before that meeting with me, he was

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<v Speaker 1>meeting with her about something else and they had mentioned

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<v Speaker 1>that I was next. He was like, oh, I just

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<v Speaker 1>met him, and he was like, oh, let's invite him

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<v Speaker 1>in before you leave, and so I go, and because

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<v Speaker 1>we had already had a conversation, we kind of knew

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<v Speaker 1>each other. So it's all three of us in a

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<v Speaker 1>room and I'm just going for like a general meeting

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<v Speaker 1>to meet the guy, and she's there, and all of

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<v Speaker 1>a sudden it turns into, hey, why don't you come

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<v Speaker 1>on one episode of American Idol and you can help

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<v Speaker 1>the contestants with what songs to pick, how to be

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<v Speaker 1>interviewed stage presence. I was like, great, one episode, that

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<v Speaker 1>was all I was supposed to do. Well that turned

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<v Speaker 1>into four years on that show, and I'm convinced had

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<v Speaker 1>I not said hi to her in that lobby and

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<v Speaker 1>had that conversation with her in that lobby, none of

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<v Speaker 1>that would have happened. We were just there, two human

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<v Speaker 1>beings connecting over well waiting and by the time I

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<v Speaker 1>ran into her again, she was able to make a

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<v Speaker 1>decision to give me an opportunity. That's wild. So when

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<v Speaker 1>Amy was telling that story about how just say hi

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<v Speaker 1>to somebody, was like, man, this felt so familiar. It's

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<v Speaker 1>because of that that happened with me. Just say hi

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<v Speaker 1>to somebody, You never know. It's not even about being opportunistic.

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<v Speaker 1>You maybe actually the one that can do something for

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<v Speaker 1>somebody else once you find out what their needs once

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<v Speaker 1>desires are. That's not sexual, although it can be. I

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<v Speaker 1>will not judge you. Something that I've been doing on

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<v Speaker 1>the show over the past probably ten weeks now, and

0:11:05.760 --> 0:11:09.960
<v Speaker 1>something I'm considering not doing anymore, is something called Giving Tuesday.

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<v Speaker 1>I'm still rolling with it because I like doing it

0:11:12.920 --> 0:11:14.480
<v Speaker 1>and I like to kind of set the stage here

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<v Speaker 1>with Giving Tuesday. It all started because anytime I would

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<v Speaker 1>go into my dms on Instagram, it and I it

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<v Speaker 1>was toxic, but I felt toxic. It was toxic, and

0:11:26.640 --> 0:11:29.600
<v Speaker 1>it was people just saying bad things to me or

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<v Speaker 1>about me, or about things that I was doing. So

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<v Speaker 1>I just wouldn't go to my dms at all. But

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<v Speaker 1>then I felt like I was really missing opportunities to

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<v Speaker 1>talk with people. See real life feedback about what people

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<v Speaker 1>liked or didn't like. But because it was so negative

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<v Speaker 1>all the time, I thought, I'm just going to stay

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<v Speaker 1>out of there. But I needed a way to not

0:11:51.440 --> 0:11:56.920
<v Speaker 1>associate that with such awfulness. And so I was in

0:11:57.000 --> 0:12:00.360
<v Speaker 1>therapy and I was just talking about generally how most

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<v Speaker 1>of the feedback that comes to me negative ninety five

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<v Speaker 1>percent of it, And what I have to do is

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<v Speaker 1>separate in my head the reality of it's not ninety

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<v Speaker 1>five percent of people hate me that are out there.

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<v Speaker 1>It's that ninety five percent of anything anybody's writing on

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<v Speaker 1>the Internet about something is just negative and it can

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<v Speaker 1>wear on you. It wears on me at times, which

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<v Speaker 1>is why I started not going into the comments or

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<v Speaker 1>the dms unless it was Tuesdays, and that's where Giving

0:12:32.040 --> 0:12:35.520
<v Speaker 1>Tuesday comes from. So the way for me to feel

0:12:35.559 --> 0:12:38.000
<v Speaker 1>better about it was I wanted to have a good

0:12:38.040 --> 0:12:42.720
<v Speaker 1>relationship with my dms, and so I said, hey, I

0:12:42.760 --> 0:12:46.120
<v Speaker 1>want to help people out. So if you just DM

0:12:46.120 --> 0:12:48.560
<v Speaker 1>me and you need some help, I got you. And

0:12:48.640 --> 0:12:50.360
<v Speaker 1>so it happened week one and I helped out a

0:12:50.400 --> 0:12:54.000
<v Speaker 1>few people, and I didn't give specifics about them, their

0:12:54.040 --> 0:12:57.200
<v Speaker 1>name or anything. Although there were a couple of schools

0:12:57.200 --> 0:12:58.880
<v Speaker 1>that I helped. I thought it was fun. Like one

0:12:58.880 --> 0:13:02.120
<v Speaker 1>of them was a barbecue team. We helped send them

0:13:02.120 --> 0:13:05.400
<v Speaker 1>to nationals. There was an archery team from a school

0:13:05.440 --> 0:13:08.760
<v Speaker 1>from near my hometown, Magnico of Arkansas. And then I

0:13:08.760 --> 0:13:13.199
<v Speaker 1>could help people out with light bills and help the

0:13:13.280 --> 0:13:16.199
<v Speaker 1>girl get some leg braces. Also, I'm not even sure

0:13:16.280 --> 0:13:19.280
<v Speaker 1>that the money's really going there, right, I don't follow up,

0:13:20.240 --> 0:13:21.640
<v Speaker 1>but I don't feel like I need that, And I

0:13:21.679 --> 0:13:27.240
<v Speaker 1>just wanted to create a positive place for me to

0:13:27.520 --> 0:13:30.360
<v Speaker 1>give back. But it's very selfish because I wanted to

0:13:30.400 --> 0:13:32.600
<v Speaker 1>create a positive place for me to go and exist

0:13:32.640 --> 0:13:36.280
<v Speaker 1>and not feel terrible. So I don't do it because

0:13:36.280 --> 0:13:39.600
<v Speaker 1>I'm going look at me. I do it because I

0:13:39.640 --> 0:13:41.360
<v Speaker 1>selfishly don't want to feel bad when I go onto

0:13:41.400 --> 0:13:43.559
<v Speaker 1>my DMS, and I have the resources to help people.

0:13:44.200 --> 0:13:47.959
<v Speaker 1>So I'm doing this given Tuesday, and it kind of

0:13:48.000 --> 0:13:51.560
<v Speaker 1>turned into a bit where I would read them not

0:13:51.679 --> 0:13:57.040
<v Speaker 1>super specific, and then Lunchbox on my radio show would

0:13:57.120 --> 0:13:58.960
<v Speaker 1>determine if they were worthy of the money that I

0:13:59.000 --> 0:14:02.080
<v Speaker 1>was giving them, and almost none of them were, according

0:14:02.080 --> 0:14:07.680
<v Speaker 1>to him. And then I had to make some rules

0:14:07.720 --> 0:14:10.719
<v Speaker 1>about this because people were now getting mad at me

0:14:10.800 --> 0:14:13.520
<v Speaker 1>for not choosing them. First of all, I don't see

0:14:13.600 --> 0:14:15.440
<v Speaker 1>all of them. There's no way for me to see

0:14:15.440 --> 0:14:17.480
<v Speaker 1>all of them. What I will do is I will

0:14:17.520 --> 0:14:20.760
<v Speaker 1>go into my DMS and flick my thumb and hit

0:14:20.800 --> 0:14:24.600
<v Speaker 1>it and open it, and if I read it and

0:14:24.640 --> 0:14:27.600
<v Speaker 1>film moved by it, I help them. Now, there were

0:14:27.640 --> 0:14:29.440
<v Speaker 1>certain things too, to make it easy. I would never

0:14:29.520 --> 0:14:31.280
<v Speaker 1>chase them. So if they didn't put their VENMO or

0:14:31.320 --> 0:14:33.440
<v Speaker 1>their cash app, because the only two things that I have,

0:14:34.400 --> 0:14:36.240
<v Speaker 1>I could not just scroll on. But if they did,

0:14:36.560 --> 0:14:38.960
<v Speaker 1>I would just go over and boom, one hundred bucks,

0:14:38.960 --> 0:14:42.920
<v Speaker 1>four hundred bucks. I think the most I ever did

0:14:43.040 --> 0:14:48.240
<v Speaker 1>was maybe six hundred dollars on one. But another rule

0:14:48.280 --> 0:14:51.400
<v Speaker 1>that I had was I'm not going to follow up.

0:14:51.440 --> 0:14:54.160
<v Speaker 1>And if I happened to get scammed, that's okay, because

0:14:54.160 --> 0:14:55.760
<v Speaker 1>I know for sure I was scammed by one person,

0:14:55.920 --> 0:14:58.680
<v Speaker 1>that's okay. But I'm not going to do any more

0:14:58.680 --> 0:15:02.000
<v Speaker 1>than what the highest already did, because if I do

0:15:02.160 --> 0:15:04.480
<v Speaker 1>thousands of dollars and I get scammed, I'll be pissed

0:15:04.560 --> 0:15:06.720
<v Speaker 1>or I'll be hurt. But if I do ten and

0:15:06.720 --> 0:15:08.880
<v Speaker 1>I get scammed by one person for three hundred dollars,

0:15:09.120 --> 0:15:10.440
<v Speaker 1>I don't mind that if I get to help the

0:15:10.480 --> 0:15:14.000
<v Speaker 1>other nine. So it's kind of the mental gymnastics I

0:15:14.040 --> 0:15:16.240
<v Speaker 1>play to do that. But now it's getting to the

0:15:16.240 --> 0:15:18.320
<v Speaker 1>point now where if I go into my DMS and

0:15:18.360 --> 0:15:20.600
<v Speaker 1>I flick my thumb and I stop on one and

0:15:20.640 --> 0:15:22.920
<v Speaker 1>I go into it, there's three messages talking about how

0:15:22.960 --> 0:15:24.800
<v Speaker 1>I haven't picked them and I'm such a loser and

0:15:25.160 --> 0:15:26.920
<v Speaker 1>they can't believe I haven't picked them. I'm going, all right,

0:15:26.960 --> 0:15:29.840
<v Speaker 1>we're back at square one. Back at square one on

0:15:30.000 --> 0:15:35.440
<v Speaker 1>Giving Tuesday. So I enjoy giving. For me generally, anytime

0:15:35.480 --> 0:15:38.920
<v Speaker 1>I feel lost, there's really nothing I can go and

0:15:39.000 --> 0:15:41.560
<v Speaker 1>buy or an experience that I can have that helps

0:15:41.600 --> 0:15:44.480
<v Speaker 1>me not feel lost. What I can do when I

0:15:44.560 --> 0:15:47.560
<v Speaker 1>feel lost that helps me kind of regain my bearings

0:15:47.920 --> 0:15:51.680
<v Speaker 1>is to serve others because it is a great reminder

0:15:51.720 --> 0:15:53.960
<v Speaker 1>to me of, hey, what I think is the problem

0:15:54.120 --> 0:15:57.880
<v Speaker 1>some people would love to have. So that's really where

0:15:57.920 --> 0:16:01.440
<v Speaker 1>Giving Tuesday was rooted in. I will continue to do it.

0:16:02.160 --> 0:16:05.040
<v Speaker 1>I've had a couple people reach out to do stories

0:16:05.080 --> 0:16:10.920
<v Speaker 1>on it, and that feels like I'm you and I

0:16:10.920 --> 0:16:12.960
<v Speaker 1>think I have that relationship with it as well, like

0:16:12.960 --> 0:16:15.480
<v Speaker 1>it's weird to even talk about on the show because

0:16:15.480 --> 0:16:17.120
<v Speaker 1>I'm going, all right, it's another Giving Tuesday. Let's read

0:16:17.160 --> 0:16:19.080
<v Speaker 1>through some of these. Now. Where I do find that

0:16:19.680 --> 0:16:23.360
<v Speaker 1>the content is good and it is compelling is that

0:16:23.600 --> 0:16:25.560
<v Speaker 1>whenever I'm talking about it and Amy and Lunchbox are

0:16:25.600 --> 0:16:27.920
<v Speaker 1>debating if the money went to a good place or

0:16:27.920 --> 0:16:29.840
<v Speaker 1>if I'm being scammed or if that's a dumb reason

0:16:30.120 --> 0:16:34.120
<v Speaker 1>like that makes the bit funny, But that really isn't

0:16:35.200 --> 0:16:37.680
<v Speaker 1>That really wasn't the idea. The idea was always going

0:16:37.720 --> 0:16:39.520
<v Speaker 1>to talk about it so people would understand they could

0:16:39.560 --> 0:16:42.080
<v Speaker 1>hit me up in my DMS and do it. But now, honestly,

0:16:42.120 --> 0:16:45.440
<v Speaker 1>that's kind of getting toxic too. So that's where I am.

0:16:45.640 --> 0:16:49.280
<v Speaker 1>I keep track of everything, and I've said no to

0:16:49.320 --> 0:16:51.720
<v Speaker 1>the stories about it because that really feels like I'm

0:16:51.800 --> 0:16:59.400
<v Speaker 1>using it for something other than what it is. So yeah,

0:17:00.200 --> 0:17:04.480
<v Speaker 1>of this, I'm still rolling. I will only accept them

0:17:04.520 --> 0:17:07.399
<v Speaker 1>in my Instagram though, because I don't want every media

0:17:07.440 --> 0:17:10.760
<v Speaker 1>platform that I have for me to go into the

0:17:10.880 --> 0:17:14.359
<v Speaker 1>messages and that's all it is. So it's mister Bobby

0:17:14.400 --> 0:17:16.360
<v Speaker 1>Bones on Instagram. If you guys want to hop in,

0:17:16.520 --> 0:17:19.320
<v Speaker 1>I'm not gonna do any more than like six hundred bucks.

0:17:19.560 --> 0:17:23.120
<v Speaker 1>I'm probably down, I say down, I'm not down because

0:17:23.160 --> 0:17:29.119
<v Speaker 1>I have it. I should say I've probably given or

0:17:29.280 --> 0:17:34.080
<v Speaker 1>used to help probably around twenty thousand dollars right now.

0:17:34.600 --> 0:17:38.560
<v Speaker 1>You know what, That's awesome and that's why I do it.

0:17:38.840 --> 0:17:40.200
<v Speaker 1>I don't know that I'm gonna do it much longer,

0:17:40.720 --> 0:17:43.360
<v Speaker 1>but I have a I'm trying to have a good

0:17:43.359 --> 0:17:45.280
<v Speaker 1>relationship with social media because I have to be on

0:17:45.359 --> 0:17:48.119
<v Speaker 1>it all the time. But that's where we are with

0:17:48.240 --> 0:17:52.280
<v Speaker 1>Giving Tuesday as of right now. Only go to Instagram

0:17:52.280 --> 0:17:55.200
<v Speaker 1>if you're gonna do that, hank Ty, the Bobby Cast

0:17:55.280 --> 0:17:56.440
<v Speaker 1>will be right back.

0:18:07.359 --> 0:18:09.600
<v Speaker 2>And we're back on the Bobby Cast.

0:18:10.480 --> 0:18:13.480
<v Speaker 1>I did go and watch The Odyssey, which was really great.

0:18:14.520 --> 0:18:16.600
<v Speaker 1>I didn't want it to be great. I wanted to

0:18:16.600 --> 0:18:18.560
<v Speaker 1>come over here and go, man, that was so overhyped,

0:18:18.600 --> 0:18:21.679
<v Speaker 1>because I loved talking about how things were overhyped. Is

0:18:21.720 --> 0:18:24.960
<v Speaker 1>really great. And there's a story of the Trojan Horse,

0:18:25.200 --> 0:18:29.320
<v Speaker 1>which I never read The Odyssey in high school. And

0:18:29.359 --> 0:18:31.000
<v Speaker 1>you may have heard me talking on the show about

0:18:31.000 --> 0:18:35.760
<v Speaker 1>how I can't believe that schools made kids read books.

0:18:36.280 --> 0:18:39.480
<v Speaker 1>They never made me read a book. Our school wasn't

0:18:39.480 --> 0:18:41.840
<v Speaker 1>the greatest place for higher learning. We were never told

0:18:41.920 --> 0:18:45.439
<v Speaker 1>we had to read a single book. And while I

0:18:45.440 --> 0:18:47.040
<v Speaker 1>was watching the movie, my wife was like, yeah, this

0:18:47.359 --> 0:18:49.159
<v Speaker 1>is gonna happen, or has this happened yet, because she

0:18:49.160 --> 0:18:51.040
<v Speaker 1>went to the bathroom and I go, did you look

0:18:51.040 --> 0:18:52.560
<v Speaker 1>this up online or read spoiler? She goes, no, I

0:18:52.600 --> 0:18:56.600
<v Speaker 1>read the freaking Odissey And so I said, they made

0:18:56.680 --> 0:19:01.040
<v Speaker 1>you read that? Shecause, yeah, translated version, that's where all

0:19:01.119 --> 0:19:03.120
<v Speaker 1>that came from. So never had to read a single

0:19:03.119 --> 0:19:05.639
<v Speaker 1>book in high school. I did read it was a

0:19:05.680 --> 0:19:09.160
<v Speaker 1>pretty good reader, but I didn't become someone who read

0:19:09.200 --> 0:19:11.200
<v Speaker 1>for enjoyment until probably my twenties, and I like to

0:19:11.240 --> 0:19:13.920
<v Speaker 1>read now. But I'm watching the Odyssey and there's the

0:19:13.920 --> 0:19:16.000
<v Speaker 1>story of the Trojan Horse and they get inside This

0:19:16.119 --> 0:19:18.520
<v Speaker 1>is not a spoiler, don't hit me with spoiler, but

0:19:18.600 --> 0:19:21.600
<v Speaker 1>they get inside the horse because it's a gift, and

0:19:22.160 --> 0:19:24.159
<v Speaker 1>they take the horse inside the walls, which they've been

0:19:24.160 --> 0:19:25.800
<v Speaker 1>waiting for. The open the walls, they can have the war.

0:19:26.040 --> 0:19:28.359
<v Speaker 1>But how they get in is that Trojan horse. And

0:19:28.440 --> 0:19:31.040
<v Speaker 1>then once the horse is inside, they all come out

0:19:31.080 --> 0:19:32.800
<v Speaker 1>of the horse and they attack and they win the war.

0:19:33.280 --> 0:19:38.800
<v Speaker 1>And that's what's called the Trojan Horse. People that I

0:19:38.840 --> 0:19:40.680
<v Speaker 1>have a friend want be careful about this. I have

0:19:40.720 --> 0:19:43.000
<v Speaker 1>a friend that was a private investigator for a while,

0:19:43.600 --> 0:19:46.000
<v Speaker 1>and he would trojan horse emails like to get into

0:19:46.040 --> 0:19:49.720
<v Speaker 1>someone's system. And so a trojan horse can be used

0:19:49.800 --> 0:19:54.440
<v Speaker 1>in context in many different ways. So I was thinking

0:19:54.480 --> 0:19:56.560
<v Speaker 1>about the trojan horse, and honestly, I was thinking, how

0:19:56.600 --> 0:19:58.720
<v Speaker 1>can I trojan horse? And folks like, how can I

0:19:58.800 --> 0:20:02.639
<v Speaker 1>get in? I have an epic trojan horse story of

0:20:02.760 --> 0:20:09.080
<v Speaker 1>my own already. I was twenty two years old in

0:20:09.160 --> 0:20:14.080
<v Speaker 1>Little Rock, Arkansas, and another radio station have put stickers

0:20:14.280 --> 0:20:17.920
<v Speaker 1>on my van. My radio station van like to put

0:20:18.000 --> 0:20:22.600
<v Speaker 1>their stickers on my van, and I tend to get

0:20:22.840 --> 0:20:28.440
<v Speaker 1>triggered and confrontational and competitive just like that. It is

0:20:28.600 --> 0:20:30.879
<v Speaker 1>not one of my best qualities. But I was very

0:20:30.960 --> 0:20:36.280
<v Speaker 1>upset about this, and so I thought, how can I

0:20:37.359 --> 0:20:40.160
<v Speaker 1>up them at what they just did to us, which

0:20:40.200 --> 0:20:42.920
<v Speaker 1>what they did to us was embarrass us by putting

0:20:43.080 --> 0:20:46.480
<v Speaker 1>their radio station on our van. And so there was

0:20:46.520 --> 0:20:48.960
<v Speaker 1>a guy that was kind of my sidekick at the time,

0:20:49.280 --> 0:20:54.440
<v Speaker 1>who was my nighttime show part time sidekick named Gilligan.

0:20:55.240 --> 0:20:56.920
<v Speaker 1>I named Gilligan because he just kind of looked like

0:20:56.960 --> 0:21:00.680
<v Speaker 1>the guy from the TV show. But this Gilligain had

0:21:01.200 --> 0:21:04.240
<v Speaker 1>a face like Bob Denver who played Gilligan, but big

0:21:04.359 --> 0:21:08.480
<v Speaker 1>muscles and tattoos, so he was like motorcycle biker Gilligan.

0:21:09.760 --> 0:21:13.280
<v Speaker 1>He was my age, so he was young. And I

0:21:13.320 --> 0:21:15.320
<v Speaker 1>remember after they stick to the van, Galligan was up

0:21:15.359 --> 0:21:18.560
<v Speaker 1>at the studio on the rock and I said, we're

0:21:18.560 --> 0:21:21.760
<v Speaker 1>going in. And I knew that they had just turned

0:21:22.200 --> 0:21:26.959
<v Speaker 1>a radio station in their building, because that company had

0:21:27.000 --> 0:21:29.080
<v Speaker 1>I believe five radio stations. They had just turned one

0:21:29.160 --> 0:21:31.840
<v Speaker 1>of them country. So we went back into the prize

0:21:31.880 --> 0:21:35.920
<v Speaker 1>closet where they kept all kinds of stuff, as a

0:21:36.080 --> 0:21:39.280
<v Speaker 1>closet is more like a room, and I remember they

0:21:39.320 --> 0:21:42.200
<v Speaker 1>had a cowboy hat and like one of those Garth

0:21:42.280 --> 0:21:44.919
<v Speaker 1>Brooks type shirts, and it was a little tight on Gilligan,

0:21:45.000 --> 0:21:46.520
<v Speaker 1>but we got it on him. We put the cowboy

0:21:46.560 --> 0:21:48.200
<v Speaker 1>hat on him, and I said, you go over to

0:21:48.280 --> 0:21:50.560
<v Speaker 1>that radio station. You knock on the door, and this

0:21:50.800 --> 0:21:55.920
<v Speaker 1>is eight forty five pm at night, and you say

0:21:55.960 --> 0:21:57.920
<v Speaker 1>you work for the new country station. They're gonna believe you.

0:21:58.440 --> 0:22:00.280
<v Speaker 1>You got a cowboy hat on and a cowboy shirt

0:22:00.720 --> 0:22:03.240
<v Speaker 1>and say you lost your key, but you're new there.

0:22:03.280 --> 0:22:08.720
<v Speaker 1>Well they just let you in. And so that's exactly

0:22:08.840 --> 0:22:14.679
<v Speaker 1>what he did, and so I drove him over. He knocked.

0:22:14.960 --> 0:22:17.000
<v Speaker 1>It had to be probably nine to forty five, closer

0:22:17.040 --> 0:22:19.359
<v Speaker 1>to ten. That's when I got off the air. He knocked,

0:22:20.200 --> 0:22:23.359
<v Speaker 1>and I remember just seeing him go up and someone

0:22:23.400 --> 0:22:25.680
<v Speaker 1>out the door was like and he was like but

0:22:27.960 --> 0:22:29.480
<v Speaker 1>and I remember they said yeah, come on in, and

0:22:29.520 --> 0:22:33.600
<v Speaker 1>they opened the door and my trojan horse went into

0:22:33.680 --> 0:22:37.359
<v Speaker 1>that freaking radio building where there were five radio stations,

0:22:37.400 --> 0:22:40.480
<v Speaker 1>including the top forty station that it put stickers all

0:22:40.560 --> 0:22:44.160
<v Speaker 1>over our van and I'm freaking out. My trojan horse

0:22:44.240 --> 0:22:50.440
<v Speaker 1>is in the building. And so before he went over,

0:22:50.640 --> 0:22:53.800
<v Speaker 1>we got online and there was a picture of inside

0:22:53.840 --> 0:22:56.720
<v Speaker 1>their studios. Those studios were of Alice one oh seven

0:22:56.760 --> 0:22:59.040
<v Speaker 1>point seven, the pop station in Little Rock. I worked

0:22:59.080 --> 0:23:00.880
<v Speaker 1>at Q one hundred, the pop station in Little Rock.

0:23:01.080 --> 0:23:05.240
<v Speaker 1>We were two battling pop stations. And I remember seeing

0:23:05.240 --> 0:23:08.280
<v Speaker 1>the picture of the studio and showing him, Hey, when

0:23:08.320 --> 0:23:11.000
<v Speaker 1>you get in, walk to this. This is where the

0:23:11.080 --> 0:23:13.520
<v Speaker 1>phones are, this is where the buttons are. We were

0:23:14.640 --> 0:23:20.480
<v Speaker 1>Mission Impossible style going through and we got there and

0:23:20.560 --> 0:23:22.560
<v Speaker 1>he went into the bathroom and he stood on the

0:23:22.640 --> 0:23:25.160
<v Speaker 1>toilet so no one could see his feet in case

0:23:25.160 --> 0:23:26.680
<v Speaker 1>they did a walk around and see who was in

0:23:26.760 --> 0:23:32.119
<v Speaker 1>the building, and he waited until everyone left the building

0:23:32.160 --> 0:23:34.320
<v Speaker 1>except for the one person that was working the overnight shift.

0:23:36.400 --> 0:23:40.359
<v Speaker 1>And since I dropped him off, I drove off and

0:23:40.440 --> 0:23:41.680
<v Speaker 1>he called and he goes, all right, I'm end him

0:23:41.680 --> 0:23:44.520
<v Speaker 1>in the bathroom. He said, cool, let me know once

0:23:44.560 --> 0:23:48.199
<v Speaker 1>everyone's gone. It's about eleven o'clock. He said, all right,

0:23:48.240 --> 0:23:51.800
<v Speaker 1>everyone's gone, I'm going in. And the plan was he

0:23:51.920 --> 0:23:55.760
<v Speaker 1>was going to go in, call me from the radio station,

0:23:55.920 --> 0:24:00.639
<v Speaker 1>phone lines, patch me through the board, turn me up,

0:24:01.680 --> 0:24:04.480
<v Speaker 1>turn the music down halfway, not all the way, because

0:24:04.520 --> 0:24:06.960
<v Speaker 1>that would have triggered an alarm and the engineer would

0:24:06.960 --> 0:24:09.159
<v Speaker 1>have been having to drive up and fix it, or

0:24:09.200 --> 0:24:10.560
<v Speaker 1>someone in the building would have got a call from

0:24:10.560 --> 0:24:13.840
<v Speaker 1>the engineer going hey fix it. So turned me up,

0:24:14.200 --> 0:24:16.760
<v Speaker 1>turned the music halfway down, locked the door on the

0:24:16.800 --> 0:24:19.680
<v Speaker 1>way out, and then came and jumped in the car.

0:24:20.600 --> 0:24:27.119
<v Speaker 1>That was the plan. It worked perfectly. I'm listening to

0:24:27.200 --> 0:24:29.800
<v Speaker 1>the radio station, the one again that puts stickers on

0:24:29.920 --> 0:24:35.560
<v Speaker 1>our van, and I see my phone call with the

0:24:35.680 --> 0:24:40.960
<v Speaker 1>number for three three one oh seven seven. I'm like, oh, hello, hey,

0:24:41.359 --> 0:24:44.439
<v Speaker 1>it's me. All right, you know what to do. Turns

0:24:44.520 --> 0:24:48.840
<v Speaker 1>me up, pulls the music halfway down, and I'm feeling

0:24:48.880 --> 0:24:50.600
<v Speaker 1>at this point like I might actually be on the

0:24:50.640 --> 0:24:52.399
<v Speaker 1>air with the phone the cell phone half so I

0:24:52.520 --> 0:24:57.560
<v Speaker 1>go into the phone. About two seconds go by on

0:24:57.640 --> 0:25:01.359
<v Speaker 1>the radio, I hear like, oh my god, I cannot

0:25:01.359 --> 0:25:03.399
<v Speaker 1>believe this is actually where he comes running out of

0:25:03.440 --> 0:25:07.720
<v Speaker 1>the building, jumps in the car. Even right then I

0:25:07.800 --> 0:25:12.359
<v Speaker 1>don't get on the air. We drive probably three minutes

0:25:12.400 --> 0:25:14.960
<v Speaker 1>to get out of the parking lot. I have now

0:25:15.000 --> 0:25:18.320
<v Speaker 1>a live microphone on the radio station that just puts

0:25:18.320 --> 0:25:21.840
<v Speaker 1>stickers all over our van. I say, everybody on aly

0:25:21.920 --> 0:25:24.600
<v Speaker 1>T one O seven point seven, you need to listen

0:25:24.680 --> 0:25:27.240
<v Speaker 1>to the Bobby Bone Show on Q one hundred. These

0:25:27.359 --> 0:25:31.600
<v Speaker 1>guys are such losers. They suck, and I'm just doing

0:25:31.680 --> 0:25:35.040
<v Speaker 1>that right. They suck. Never listen to this station. And

0:25:35.119 --> 0:25:38.119
<v Speaker 1>Gilligan goes, can I say something, this is where I

0:25:38.200 --> 0:25:42.959
<v Speaker 1>messed up. I said, of course, you just did all

0:25:43.000 --> 0:25:46.360
<v Speaker 1>that work, my trojan horse. I trained you perfectly, but man,

0:25:46.440 --> 0:25:49.520
<v Speaker 1>did you not perform to a t And he grabs

0:25:49.560 --> 0:25:51.480
<v Speaker 1>it and he goes you mother it says it you

0:25:52.359 --> 0:25:53.960
<v Speaker 1>f it. I'm like, oh no, no, no, god no.

0:25:54.520 --> 0:25:57.359
<v Speaker 1>Now I pull it back from him and I'm like,

0:25:57.440 --> 0:26:01.840
<v Speaker 1>I like to apologize for that guy. We ens their

0:26:01.920 --> 0:26:04.600
<v Speaker 1>names and I go on a little longer, but I

0:26:04.800 --> 0:26:08.520
<v Speaker 1>know at this point it's now leveled up. We're in trouble.

0:26:10.560 --> 0:26:14.240
<v Speaker 1>And so I hear and the music turns back and

0:26:14.440 --> 0:26:16.720
<v Speaker 1>it was a Seleine Deond song. I remember it. I

0:26:16.800 --> 0:26:18.680
<v Speaker 1>turned the fool music back up and we're like, we

0:26:18.840 --> 0:26:23.119
<v Speaker 1>did it, yeah, And so we end up going to

0:26:23.280 --> 0:26:28.680
<v Speaker 1>waffle house having a celebratory waffle break dinner and I

0:26:28.720 --> 0:26:30.920
<v Speaker 1>get a call at seven in the morning the next

0:26:31.000 --> 0:26:35.000
<v Speaker 1>day and it's my station general manager, not even my

0:26:35.080 --> 0:26:39.639
<v Speaker 1>program director, the general manager, and he says he, I

0:26:39.720 --> 0:26:41.040
<v Speaker 1>need you to come up to the building right now.

0:26:41.960 --> 0:26:45.560
<v Speaker 1>And I'm confused as to why. I wonder what's going

0:26:45.640 --> 0:26:47.479
<v Speaker 1>on that they would want me to come up at

0:26:47.560 --> 0:26:49.919
<v Speaker 1>seven in the morning. Wow, Am I getting a prize

0:26:51.000 --> 0:26:53.600
<v Speaker 1>highest night ratings in the history of Arkansas? What's happening?

0:26:54.040 --> 0:26:54.760
<v Speaker 3>This is so neat.

0:26:56.400 --> 0:27:00.840
<v Speaker 1>And I get there and his office is right outside

0:27:00.880 --> 0:27:04.280
<v Speaker 1>the sales offices, and it's around eight am at the time.

0:27:04.520 --> 0:27:06.840
<v Speaker 1>Just call me at seven and all the salespeople are

0:27:06.880 --> 0:27:09.920
<v Speaker 1>coming in and out, and he doesn't close the door,

0:27:10.240 --> 0:27:12.400
<v Speaker 1>but his office is right by all the sales cubicles

0:27:12.440 --> 0:27:15.439
<v Speaker 1>and there's people milling around, and I'm a little bit

0:27:15.520 --> 0:27:18.879
<v Speaker 1>confused as to why I'm there looking for trophy or

0:27:19.480 --> 0:27:23.560
<v Speaker 1>kind of radio emmy or something. And he says, do

0:27:23.560 --> 0:27:26.600
<v Speaker 1>you know it's a federal crime to take over someone's

0:27:26.720 --> 0:27:29.840
<v Speaker 1>radio station? Those are public broadcast airways. I'm like, oh,

0:27:30.160 --> 0:27:34.840
<v Speaker 1>this is why I'm here. Oh God. And I'm like oh,

0:27:35.720 --> 0:27:38.400
<v Speaker 1>and he says, what you did can get you into

0:27:38.480 --> 0:27:41.280
<v Speaker 1>so much FN trouble. I should f and fire you

0:27:41.760 --> 0:27:45.080
<v Speaker 1>right here, right now for that. And he's just going

0:27:45.119 --> 0:27:48.320
<v Speaker 1>on and he is really giving me the old what

0:27:48.480 --> 0:27:52.920
<v Speaker 1>four And also everybody it can hear this, All the

0:27:52.960 --> 0:27:57.200
<v Speaker 1>salespeople can hear it everywhere. And I'm fired for sure.

0:27:57.240 --> 0:27:59.680
<v Speaker 1>I'm fired. I know I'm fired. At this point, I'm

0:27:59.680 --> 0:28:02.000
<v Speaker 1>regret all of that. And I'm wondering if it's Gillian's

0:28:02.000 --> 0:28:04.639
<v Speaker 1>fault though, because he said that word, not thinking no,

0:28:04.720 --> 0:28:06.280
<v Speaker 1>it's my fault because I set the whole thing up

0:28:06.320 --> 0:28:07.800
<v Speaker 1>and got in and broke into a radio station and

0:28:07.840 --> 0:28:11.320
<v Speaker 1>that took over their airwaves. And then he says, shut

0:28:11.400 --> 0:28:14.919
<v Speaker 1>the door. Oh so he knows the door's open, Well,

0:28:14.960 --> 0:28:17.400
<v Speaker 1>what's he about to do to me with the door closed?

0:28:20.280 --> 0:28:22.719
<v Speaker 1>And I shut the door. I'm a bit shell shocked,

0:28:24.080 --> 0:28:26.080
<v Speaker 1>and that general manager sticks his hands out and he goes,

0:28:26.160 --> 0:28:29.920
<v Speaker 1>that's awesome, and he shakes my hand. He said, never

0:28:30.040 --> 0:28:32.240
<v Speaker 1>do that again. But that's the coolest thing I've ever seen.

0:28:34.840 --> 0:28:38.880
<v Speaker 1>Went to all the range of emotions. Friends. In the

0:28:39.080 --> 0:28:42.080
<v Speaker 1>end we got into no trouble because when they threatened

0:28:42.400 --> 0:28:46.720
<v Speaker 1>to legally come after us, we said, you guys vandilize

0:28:46.720 --> 0:28:48.600
<v Speaker 1>our property, okay, so we'll just come at you there

0:28:49.480 --> 0:28:52.520
<v Speaker 1>destruction of property. And in the end nothing happened. That

0:28:53.760 --> 0:28:57.120
<v Speaker 1>story ended up hitting what they would called trade magazine articles,

0:28:57.360 --> 0:29:02.560
<v Speaker 1>trade internet articles, all inside the Traintive radio and it

0:29:02.680 --> 0:29:04.880
<v Speaker 1>was seen by a guy named Jay Shannon in Austin, Texas,

0:29:06.680 --> 0:29:09.840
<v Speaker 1>who said, Hey, I read that story about you. We

0:29:10.040 --> 0:29:12.880
<v Speaker 1>need a night guy. Do you want to come to Austin.

0:29:14.080 --> 0:29:15.920
<v Speaker 1>I've never been to Austin in my life. I took

0:29:15.960 --> 0:29:20.000
<v Speaker 1>the job site unseen, moved to Austin, Texas, went to

0:29:20.080 --> 0:29:26.400
<v Speaker 1>a Culverse, met Amy, met a British woman, did American

0:29:26.480 --> 0:29:31.240
<v Speaker 1>idol here? I am Trojan Horse, though I had my

0:29:31.320 --> 0:29:33.240
<v Speaker 1>own Trojan horse. Gel Agan. I don't know whatever happened

0:29:33.240 --> 0:29:35.840
<v Speaker 1>to you, but if you're watching this You're the ultimate

0:29:35.880 --> 0:29:40.080
<v Speaker 1>Trojan Horse, Buddy, And that was awesome. But the movie's

0:29:40.080 --> 0:29:40.400
<v Speaker 1>good though.

0:29:41.000 --> 0:29:55.040
<v Speaker 2>Hang tight, the Bobby Cast will be right back, and

0:29:55.320 --> 0:29:57.200
<v Speaker 2>we're back on the Bobby Cast.

0:29:57.920 --> 0:30:01.840
<v Speaker 1>There was a story of Morgan Wallen and it's because

0:30:03.240 --> 0:30:05.400
<v Speaker 1>the Internet went so hard on him that it became

0:30:05.480 --> 0:30:08.240
<v Speaker 1>a story. There is this clip of Morgan Wallen in

0:30:08.280 --> 0:30:11.120
<v Speaker 1>a Michigan jersey and I believe he's playing the Big House,

0:30:11.200 --> 0:30:15.080
<v Speaker 1>possibly in Michigan. He's playing the Michigan Football Stadium, and

0:30:15.800 --> 0:30:17.760
<v Speaker 1>it's about a four or five second clip and it's

0:30:17.760 --> 0:30:19.600
<v Speaker 1>not a great clip of a live performance, but it's

0:30:19.640 --> 0:30:21.920
<v Speaker 1>only a four or five second clip, and everyone's like, Oh,

0:30:22.120 --> 0:30:25.040
<v Speaker 1>this is what's so bad. I can't believe this is

0:30:25.080 --> 0:30:27.480
<v Speaker 1>the most popular person in music. But there was a

0:30:27.520 --> 0:30:30.240
<v Speaker 1>reason the clip was only four or five seconds because

0:30:31.240 --> 0:30:33.400
<v Speaker 1>it was only odd for four or five seconds. And

0:30:33.920 --> 0:30:38.120
<v Speaker 1>you can watch any live artist for a two hour

0:30:38.280 --> 0:30:40.920
<v Speaker 1>set and find four or five seconds where it's not

0:30:41.160 --> 0:30:44.600
<v Speaker 1>aaaa plus. So it felt bad for him there because

0:30:44.640 --> 0:30:46.920
<v Speaker 1>that's the Internet looking for a reason to beat someone up.

0:30:48.040 --> 0:30:50.160
<v Speaker 1>You're not going to go to anybody's show where they're

0:30:50.320 --> 0:30:53.520
<v Speaker 1>actually singing and record the whole thing and not be

0:30:53.640 --> 0:31:01.440
<v Speaker 1>able to pull thirty sixty ninety seconds seventeen minutes of

0:31:01.720 --> 0:31:05.360
<v Speaker 1>live audio from it and not go oh. So I

0:31:05.400 --> 0:31:07.040
<v Speaker 1>felt bad for Morgan Wallen, and there was a reason

0:31:07.120 --> 0:31:10.560
<v Speaker 1>it was only five seven twelve seconds song is because

0:31:11.400 --> 0:31:14.640
<v Speaker 1>that's all they could find that maybe wasn't the absolute

0:31:14.720 --> 0:31:20.040
<v Speaker 1>best and he was live singing, so there was no

0:31:20.200 --> 0:31:22.160
<v Speaker 1>context around it. So what I would say with this

0:31:22.400 --> 0:31:25.480
<v Speaker 1>is unless people have context around what they're saying, don't

0:31:25.480 --> 0:31:28.240
<v Speaker 1>believe anything on the internet. And there was a reason

0:31:28.280 --> 0:31:30.640
<v Speaker 1>that clip was only seven seconds, twelve seconds whatever it was,

0:31:31.080 --> 0:31:32.520
<v Speaker 1>because I'm telling you, if it was bad for a

0:31:32.560 --> 0:31:33.880
<v Speaker 1>whole song and they had it posted the whole song,

0:31:33.960 --> 0:31:37.000
<v Speaker 1>but it wasn't. I've seen so many clips. I've been

0:31:37.040 --> 0:31:40.920
<v Speaker 1>to a wall and show. He's a good live performer,

0:31:41.880 --> 0:31:43.840
<v Speaker 1>and that went super viral, and it kind of felt

0:31:43.840 --> 0:31:45.640
<v Speaker 1>bad for him, But then again, he's making a million

0:31:45.680 --> 0:31:48.040
<v Speaker 1>bucks a night doing these stadiums, and I stopped feeling

0:31:48.080 --> 0:31:50.520
<v Speaker 1>bad for him. But just generally, the lesson here is

0:31:51.400 --> 0:31:54.400
<v Speaker 1>unless you see extended versions of what people are talking

0:31:54.440 --> 0:31:56.520
<v Speaker 1>about or with context, don't believe anything you see on

0:31:56.560 --> 0:31:59.120
<v Speaker 1>the internet. And if you saw the Morganwallan clip, just

0:31:59.240 --> 0:32:03.120
<v Speaker 1>know they had to dig through a two hour show

0:32:03.200 --> 0:32:06.600
<v Speaker 1>to find seven seconds, because I'm telling you, if there

0:32:06.600 --> 0:32:09.160
<v Speaker 1>would have been more audio that wasn't amazing, they would

0:32:09.160 --> 0:32:12.040
<v Speaker 1>have posted that as well. That's all. That's my one

0:32:12.800 --> 0:32:15.480
<v Speaker 1>quick thing defending Morgan Wallen. He does not need me

0:32:15.640 --> 0:32:19.640
<v Speaker 1>defending him. I did get a bunch of questions asking

0:32:19.720 --> 0:32:23.200
<v Speaker 1>why I did not go to Dancing with the Stars

0:32:23.440 --> 0:32:28.520
<v Speaker 1>Con DWTS Con, which was the first ever convention that

0:32:28.600 --> 0:32:31.440
<v Speaker 1>they had. I ain't get invited. I might have been

0:32:31.480 --> 0:32:33.480
<v Speaker 1>one of the only champions to not be invited. I

0:32:33.600 --> 0:32:36.280
<v Speaker 1>did not get invited, so I didn't go. Why did

0:32:36.320 --> 0:32:40.360
<v Speaker 1>I not get invited? I don't know. They tend to

0:32:40.440 --> 0:32:43.440
<v Speaker 1>not invite me to those things because I think I

0:32:43.560 --> 0:32:46.720
<v Speaker 1>was so different than everybody else on that show. And

0:32:46.840 --> 0:32:49.239
<v Speaker 1>I don't want to clip this part of it right here,

0:32:50.000 --> 0:32:55.520
<v Speaker 1>but I have a perfect troll coming up, and I'm

0:32:55.560 --> 0:32:57.760
<v Speaker 1>only going to leave this in the long form video,

0:32:58.800 --> 0:33:00.760
<v Speaker 1>and I'm only going to leave this in the form audio.

0:33:02.640 --> 0:33:06.640
<v Speaker 1>I have the perfect troll. Not mean, I'm not gonna

0:33:06.640 --> 0:33:10.240
<v Speaker 1>be mean to anybody, but it's gonna be a little prank.

0:33:10.760 --> 0:33:14.880
<v Speaker 1>It's gonna make the news, and it is my response

0:33:16.240 --> 0:33:19.640
<v Speaker 1>to not getting invited to Dancing with the Stars CON,

0:33:20.240 --> 0:33:25.320
<v Speaker 1>DWTS CON or just generally, you know, not being welcome

0:33:25.440 --> 0:33:27.360
<v Speaker 1>back with open arms. I get it. I was different

0:33:27.360 --> 0:33:28.720
<v Speaker 1>than everybody else. I get it. They had to change

0:33:28.760 --> 0:33:30.480
<v Speaker 1>rules after I went on the show. But I didn't

0:33:30.520 --> 0:33:36.320
<v Speaker 1>do anything wrong. So just so you guys know, when

0:33:36.360 --> 0:33:39.480
<v Speaker 1>you see it, don't be one of those annoying people

0:33:39.520 --> 0:33:41.600
<v Speaker 1>will be like, oh no, this is a trick he's doing.

0:33:41.880 --> 0:33:43.600
<v Speaker 1>Play along with the joke. I didn't want to say

0:33:43.640 --> 0:33:45.320
<v Speaker 1>what it's going to be, but I got something so

0:33:45.560 --> 0:33:50.560
<v Speaker 1>good that I know is gonna make headlines and it's

0:33:50.600 --> 0:33:53.600
<v Speaker 1>not gonna make anybody look bad because I'm not a

0:33:53.880 --> 0:33:56.520
<v Speaker 1>subscriber to that. But it's going to be hilarious and

0:33:56.600 --> 0:33:59.240
<v Speaker 1>we can live in it together. Only we know about this,

0:34:00.360 --> 0:34:03.120
<v Speaker 1>and that's the end of this episode, So thank you

0:34:03.240 --> 0:34:05.720
<v Speaker 1>for watching. In the Weeds, I always go into the

0:34:05.720 --> 0:34:07.240
<v Speaker 1>comments to find out what you guys want me to

0:34:07.280 --> 0:34:11.200
<v Speaker 1>talk about next. So in the comments, ask your questions.

0:34:11.239 --> 0:34:14.839
<v Speaker 1>It can be something so granular that you would think

0:34:14.880 --> 0:34:17.200
<v Speaker 1>I would never answer the question. I'd be happy to

0:34:18.719 --> 0:34:21.279
<v Speaker 1>stay weedy. If you put that in the comments. I

0:34:21.360 --> 0:34:22.720
<v Speaker 1>know you got to the very end of the episode.

0:34:23.080 --> 0:34:25.240
<v Speaker 1>So I want you to stay weedy. Everybody stay weedy.

0:34:25.760 --> 0:34:29.359
<v Speaker 1>And we thought about making shirts, except people are gonna

0:34:29.360 --> 0:34:32.040
<v Speaker 1>think it's about weed, and so I decided against that.

0:34:32.880 --> 0:34:36.600
<v Speaker 1>I didn't really have long term aspirations for In the Weeds,

0:34:37.120 --> 0:34:38.760
<v Speaker 1>or maybe I wouldn't have called it in the Weeds

0:34:38.840 --> 0:34:42.240
<v Speaker 1>because people do sometimes think it's some sort of marijuana reference.

0:34:45.320 --> 0:34:47.040
<v Speaker 1>The original idea for the show is called all about

0:34:47.040 --> 0:34:50.320
<v Speaker 1>that Pot. It was like in the Pot and in

0:34:50.400 --> 0:34:54.440
<v Speaker 1>the Kettle, but that would it is? Okay, that's it.

0:34:54.560 --> 0:34:56.640
<v Speaker 1>Thank you guys for watching In the Weeds and I

0:34:56.680 --> 0:35:00.439
<v Speaker 1>will see you next time. Remember, stay weedy, friends, tight

0:35:00.880 --> 0:35:14.759
<v Speaker 1>The Bobby Cast will be right back and we're back

0:35:15.080 --> 0:35:18.000
<v Speaker 1>on the Bobby Cast. Hey, guys, I wanted to highlight

0:35:18.040 --> 0:35:21.799
<v Speaker 1>a podcast on the Nashville Podcast Network called Get Real

0:35:22.440 --> 0:35:26.799
<v Speaker 1>with Caroline Hobby and Caroline's awesome. She had a record deal,

0:35:27.080 --> 0:35:30.439
<v Speaker 1>she was on Amazing Race a couple of times. She's

0:35:31.239 --> 0:35:34.719
<v Speaker 1>the wife of someone in a pretty famous band. She

0:35:34.880 --> 0:35:37.719
<v Speaker 1>really understands what's happening in Nashville, and she has a

0:35:37.840 --> 0:35:40.319
<v Speaker 1>very interesting perspective. And in this episode of our show

0:35:40.400 --> 0:35:43.920
<v Speaker 1>called Get Real, she talked with Amy Grant about crossing

0:35:44.000 --> 0:35:47.239
<v Speaker 1>over from Christian to pop, having a successful marriage with

0:35:47.320 --> 0:35:49.239
<v Speaker 1>Vince Gill and a whole bunch more and if you

0:35:49.440 --> 0:35:52.840
<v Speaker 1>like this show, it'd be great if you subscribe to it.

0:35:53.280 --> 0:35:55.960
<v Speaker 1>Get Real with Caroline Hobby. So here we go. This

0:35:56.200 --> 0:35:57.799
<v Speaker 1>is with Amy Grant from that.

0:35:57.840 --> 0:36:03.040
<v Speaker 3>Episode when you had Heart Motion become this huge crossover

0:36:03.360 --> 0:36:07.000
<v Speaker 3>pop album. Was that scary for you to become a

0:36:07.080 --> 0:36:11.280
<v Speaker 3>pop artist after you had been so rooted in country

0:36:11.360 --> 0:36:14.160
<v Speaker 3>and Christian? Was that a scary moment to now become

0:36:14.200 --> 0:36:16.880
<v Speaker 3>a pop icon? Was that or was it just feel natural?

0:36:18.040 --> 0:36:21.880
<v Speaker 4>I don't think I didn't have an aerial view, you know.

0:36:23.840 --> 0:36:26.920
<v Speaker 4>I remember one time, the only time that I ever

0:36:27.239 --> 0:36:29.520
<v Speaker 4>felt kind of the jolt of what is of the

0:36:29.800 --> 0:36:33.719
<v Speaker 4>energy was going into I can't even remember the name

0:36:33.719 --> 0:36:36.120
<v Speaker 4>of the donut shop right next to Hillsborough High School.

0:36:36.600 --> 0:36:39.520
<v Speaker 3>Oh oh, Donut Den, the doughnut Den, thank you.

0:36:39.840 --> 0:36:40.040
<v Speaker 1>Yeah.

0:36:40.320 --> 0:36:42.120
<v Speaker 4>I was just going in to get an apple fritter.

0:36:43.520 --> 0:36:45.640
<v Speaker 4>I love the apple fritters anyway, and there were some

0:36:45.760 --> 0:36:47.719
<v Speaker 4>high school girls and they came out and we were

0:36:47.760 --> 0:36:49.880
<v Speaker 4>just face to face, and they just screamed right in

0:36:49.960 --> 0:36:54.400
<v Speaker 4>my face. I was like, Hi, well that was weird.

0:36:55.560 --> 0:36:58.480
<v Speaker 4>But I don't you know, at the time, it was

0:36:58.560 --> 0:37:02.080
<v Speaker 4>an unobserved time and so all of that, you know,

0:37:02.160 --> 0:37:06.799
<v Speaker 4>the eighties nineties, Uh, everybody was just doing what they love,

0:37:07.440 --> 0:37:10.640
<v Speaker 4>working hard. You know, I didn't. I was not at

0:37:10.719 --> 0:37:12.960
<v Speaker 4>somebody's dinner table if they had an opinion about it.

0:37:13.200 --> 0:37:17.200
<v Speaker 4>You know, I was at my dinner table. And and

0:37:17.320 --> 0:37:21.560
<v Speaker 4>I and really, I just feel like I want to

0:37:21.640 --> 0:37:27.520
<v Speaker 4>be responsible with the platform that I've been given. And

0:37:27.719 --> 0:37:32.640
<v Speaker 4>so with the popularity of different songs, I felt that

0:37:32.880 --> 0:37:39.040
<v Speaker 4>platform increase. But every every curve in life, there's an

0:37:39.200 --> 0:37:43.600
<v Speaker 4>up and there's a down. And so it's just like

0:37:44.480 --> 0:37:48.120
<v Speaker 4>I remember somebody said to me early on, they said, Hey,

0:37:49.280 --> 0:37:52.239
<v Speaker 4>just remember gracious, gracious on the way up, gracious on

0:37:52.280 --> 0:37:57.400
<v Speaker 4>the way down. And Nashville is such a great creative community.

0:37:58.960 --> 0:38:01.319
<v Speaker 4>It's the song writers, our mentors.

0:38:02.239 --> 0:38:02.400
<v Speaker 1>You know.

0:38:02.680 --> 0:38:07.520
<v Speaker 4>I just feel like, I don't know this. I'm so

0:38:07.760 --> 0:38:11.359
<v Speaker 4>glad to have had my unique life experience. Everybody's life

0:38:11.400 --> 0:38:14.680
<v Speaker 4>experience is unique, but I love that it happened in

0:38:14.880 --> 0:38:23.719
<v Speaker 4>the context of Nashville because this is a unique towns.

0:38:24.200 --> 0:38:30.279
<v Speaker 4>There's so much great education, the world of medicine is

0:38:30.360 --> 0:38:39.040
<v Speaker 4>alive and well, entertainment and philanthropy. And you know, when

0:38:39.080 --> 0:38:41.120
<v Speaker 4>I was in the eighth grade. My school ended in

0:38:41.200 --> 0:38:46.319
<v Speaker 4>the eighth grade, and our speaker for the closing exercises

0:38:46.600 --> 0:38:52.920
<v Speaker 4>was Minie Pearl, and you know, I, I guess I

0:38:53.880 --> 0:38:56.440
<v Speaker 4>are Nashville is not as big then, but I remember

0:38:56.520 --> 0:38:59.880
<v Speaker 4>her just talking to us. You know, we were thirteen fourteen,

0:39:00.840 --> 0:39:04.719
<v Speaker 4>and I just remember talking to us so respectfully. And

0:39:04.800 --> 0:39:08.120
<v Speaker 4>then shortly it wasn't too many years, and then suddenly

0:39:08.239 --> 0:39:12.800
<v Speaker 4>I was just on the very beginning of my musical journey.

0:39:12.880 --> 0:39:16.239
<v Speaker 4>But anytime I did anything public, I would get a

0:39:16.320 --> 0:39:18.960
<v Speaker 4>note from her. I wish I'd saved him. Always on

0:39:19.040 --> 0:39:24.520
<v Speaker 4>Peach stationery, I saw you just I'm so proud of you.

0:39:25.840 --> 0:39:31.000
<v Speaker 4>Good job. And then you know, I sang at her funeral.

0:39:31.960 --> 0:39:38.040
<v Speaker 4>It was just like, you know, like the seasons just

0:39:38.400 --> 0:39:43.640
<v Speaker 4>keep turning and we like, I'm looking at you, going

0:39:44.160 --> 0:39:48.080
<v Speaker 4>go for it and yeah, And I had so many

0:39:48.120 --> 0:39:51.440
<v Speaker 4>people pour into me, and now I get to do

0:39:51.600 --> 0:39:53.840
<v Speaker 4>that to the capacity that I.

0:39:53.960 --> 0:39:54.440
<v Speaker 1>Have, and.

0:39:56.200 --> 0:39:58.799
<v Speaker 4>I don't know, it feels really beautiful. Even the hard

0:39:58.840 --> 0:39:59.880
<v Speaker 4>stuff feels beautiful.

0:40:00.480 --> 0:40:02.360
<v Speaker 3>And I love the cover of your new album, The

0:40:02.440 --> 0:40:04.240
<v Speaker 3>Meet It Remains, because I feel like it's a tapestry

0:40:04.320 --> 0:40:06.000
<v Speaker 3>of your life. I feel like it's like a collage.

0:40:06.160 --> 0:40:08.440
<v Speaker 3>What is a clage like of all different parts of you?

0:40:08.680 --> 0:40:12.480
<v Speaker 3>I think that's really powerful. Okay, last couple questions, What

0:40:12.680 --> 0:40:14.799
<v Speaker 3>is the secret to you invinces this twenty five year

0:40:14.840 --> 0:40:18.239
<v Speaker 3>plus marriage, because you guys just seem so peaceful and

0:40:18.440 --> 0:40:19.440
<v Speaker 3>effortless together.

0:40:21.840 --> 0:40:24.719
<v Speaker 4>Our daughter Karina says, I want a relationship like that,

0:40:24.880 --> 0:40:27.040
<v Speaker 4>and I go, well, we've been in the rock tumbler

0:40:27.080 --> 0:40:27.680
<v Speaker 4>a long time.

0:40:31.200 --> 0:40:32.320
<v Speaker 1>You know. I think.

0:40:34.560 --> 0:40:36.719
<v Speaker 4>We would both laugh and say we spend so much

0:40:36.760 --> 0:40:41.080
<v Speaker 4>time at work that you know, we don't when we

0:40:41.200 --> 0:40:47.719
<v Speaker 4>see each other again, it's like hi, So there's not

0:40:47.880 --> 0:40:57.600
<v Speaker 4>time for familiarity to breed contempt. But I love I

0:40:57.840 --> 0:41:05.040
<v Speaker 4>just love living life him. And I think because we married,

0:41:05.160 --> 0:41:10.399
<v Speaker 4>you know, I was turning forty. I was thirty nine

0:41:10.440 --> 0:41:14.480
<v Speaker 4>when we married, and so my mother's view of women,

0:41:14.680 --> 0:41:16.400
<v Speaker 4>he got five and a half of my good years.

0:41:18.920 --> 0:41:21.640
<v Speaker 4>But I think we we had to come to the

0:41:21.719 --> 0:41:25.120
<v Speaker 4>table with so much respect for the life the other

0:41:25.200 --> 0:41:29.680
<v Speaker 4>person had built and so and we're very different as people.

0:41:31.480 --> 0:41:31.799
<v Speaker 1>And so.

0:41:33.760 --> 0:41:35.239
<v Speaker 4>You know, I grew up in a family that went

0:41:35.280 --> 0:41:38.560
<v Speaker 4>to church every time the doors opened, and he did not.

0:41:39.840 --> 0:41:42.360
<v Speaker 4>And so you know, there are times in our journey

0:41:42.400 --> 0:41:46.239
<v Speaker 4>together that we've been church goers, and there are times

0:41:46.280 --> 0:41:48.880
<v Speaker 4>in our journey that we've just had quiet Sunday mornings.

0:41:49.960 --> 0:41:56.200
<v Speaker 4>And I think I've learned a lot from him in

0:41:56.320 --> 0:41:56.719
<v Speaker 4>what way?

0:41:57.040 --> 0:41:58.200
<v Speaker 3>In what way do you think the most?

0:41:59.360 --> 0:42:05.840
<v Speaker 4>He always lead with kindness, and I wanted always to

0:42:06.000 --> 0:42:09.359
<v Speaker 4>talk through everything. Let's hash it out, let's and when,

0:42:09.440 --> 0:42:11.239
<v Speaker 4>especially when he was younger, he had he had a

0:42:12.920 --> 0:42:18.480
<v Speaker 4>pretty good temper, and I learned he just wanted space.

0:42:20.400 --> 0:42:22.440
<v Speaker 4>And I don't know where we heard the phrase, but

0:42:22.600 --> 0:42:24.879
<v Speaker 4>we have both known the phrase for a long time.

0:42:25.000 --> 0:42:31.080
<v Speaker 4>I never regretted anything. I didn't say, oh, that's so good. Yeah,

0:42:31.400 --> 0:42:36.040
<v Speaker 4>but every couple is unique, you know. We we just

0:42:36.239 --> 0:42:39.520
<v Speaker 4>enjoy being in the same space. But like I love

0:42:39.640 --> 0:42:44.000
<v Speaker 4>going outside, I love and that's not his jam. You know,

0:42:44.120 --> 0:42:46.640
<v Speaker 4>he wants to be in air conditioning. He doesn't want

0:42:46.640 --> 0:42:51.759
<v Speaker 4>a sporting event unobserved. And so during COVID, I mean,

0:42:51.840 --> 0:42:54.600
<v Speaker 4>we do we do some things together, but we do

0:42:54.680 --> 0:42:57.200
<v Speaker 4>a lot of things separately. And it just worked for us.

0:42:58.120 --> 0:43:01.759
<v Speaker 3>So I always wrap up with leave your light. But

0:43:01.880 --> 0:43:03.440
<v Speaker 3>before I do that, I just would love to know

0:43:03.920 --> 0:43:07.759
<v Speaker 3>your thought. What is success to you from someone who

0:43:07.840 --> 0:43:10.520
<v Speaker 3>has truly been at the highest level you can be

0:43:10.640 --> 0:43:15.040
<v Speaker 3>in music at one point in time, the largest contemporary

0:43:15.120 --> 0:43:17.399
<v Speaker 3>Christian contemporary music artists of all time.

0:43:17.520 --> 0:43:22.359
<v Speaker 4>You've won six plus Grammys. That right, that was all

0:43:22.360 --> 0:43:23.080
<v Speaker 4>a long time ago.

0:43:23.719 --> 0:43:26.200
<v Speaker 3>But I'm just saying, you have been on the top

0:43:26.400 --> 0:43:30.480
<v Speaker 3>of the mountain. You have been all up and down

0:43:30.520 --> 0:43:33.000
<v Speaker 3>the roads in between. You know, you've lived it all.

0:43:33.800 --> 0:43:35.440
<v Speaker 3>What is success to you?

0:43:37.320 --> 0:43:41.400
<v Speaker 4>Well, that's a big question. I mean, the only thing

0:43:41.480 --> 0:43:44.360
<v Speaker 4>we have is the day in front of us. And

0:43:45.680 --> 0:43:49.520
<v Speaker 4>I'm reminded of Mary Chapman, who was my first mother

0:43:49.600 --> 0:43:55.000
<v Speaker 4>in law. Mary and Terry moved from Texas or Oklahoma

0:43:55.080 --> 0:43:58.120
<v Speaker 4>to come help us with two young kids. When heart

0:43:58.160 --> 0:44:01.719
<v Speaker 4>and Motion was had feel like I was drinking out

0:44:01.719 --> 0:44:04.840
<v Speaker 4>of a fire hose. I mean, and We're at the

0:44:04.920 --> 0:44:08.000
<v Speaker 4>coffee pot one morning and I said, Mary, I don't

0:44:08.040 --> 0:44:12.399
<v Speaker 4>think I've prayed a succinct prayer in two weeks. I'm

0:44:12.480 --> 0:44:16.440
<v Speaker 4>doing overseas interviews in the middle of the night. I

0:44:16.600 --> 0:44:21.440
<v Speaker 4>am exhausted, and I had two young kids. And she said, oh, Amy,

0:44:21.480 --> 0:44:24.360
<v Speaker 4>it just takes one good prayer, just one prayer. And

0:44:24.400 --> 0:44:26.400
<v Speaker 4>I said, well, that's sort of contrary to all of

0:44:26.480 --> 0:44:30.080
<v Speaker 4>my church guilts. But tell me what's that one good prayer?

0:44:31.000 --> 0:44:34.520
<v Speaker 4>And she said, Amy, just every day, say Lord, lead

0:44:34.719 --> 0:44:39.520
<v Speaker 4>me today to those I need and to those that

0:44:39.719 --> 0:44:44.160
<v Speaker 4>need me. And let's something I do have eternal significance.

0:44:45.920 --> 0:44:48.919
<v Speaker 4>She said, You'll never know what that is, but she said,

0:44:49.040 --> 0:44:52.640
<v Speaker 4>just pray that prayer. And I feel like so I've

0:44:52.680 --> 0:44:57.640
<v Speaker 4>prayed that prayer for over thirty years and I'm in

0:44:57.719 --> 0:45:00.560
<v Speaker 4>my fourth decade of praying that prayer. And so to

0:45:00.719 --> 0:45:07.399
<v Speaker 4>me to have a moment where you are connected as

0:45:07.440 --> 0:45:12.279
<v Speaker 4>a human, with yourself, with the world around you, with

0:45:12.440 --> 0:45:16.640
<v Speaker 4>the one who made you, and say, what does today hold?

0:45:16.880 --> 0:45:21.200
<v Speaker 4>And I'm going to be in it and trust, like

0:45:21.280 --> 0:45:22.960
<v Speaker 4>a milkweed in the wind, that you're going to land

0:45:23.000 --> 0:45:23.879
<v Speaker 4>where you need to land.

0:45:24.560 --> 0:45:26.320
<v Speaker 1>Thanks for listening to the Bobby Cast.

0:45:26.640 --> 0:45:29.359
<v Speaker 2>Share this episode with a friend because they don't pay

0:45:29.400 --> 0:45:30.160
<v Speaker 2>to advertise us.