WEBVTT - Open Mike Eagle

0:00:00.360 --> 0:00:03.680
<v Speaker 1>Quest Love Show is a production of iHeart Radio.

0:00:09.200 --> 0:00:10.720
<v Speaker 2>Good People, How you doing? What's up?

0:00:11.119 --> 0:00:13.360
<v Speaker 3>On this week's Quest Love Show, I talked to the

0:00:13.440 --> 0:00:17.560
<v Speaker 3>one and only Open Mike Eagle. I did a whole

0:00:17.600 --> 0:00:20.560
<v Speaker 3>season one of the best interviews I think I've ever

0:00:20.640 --> 0:00:24.520
<v Speaker 3>given in life. Look up what it happened was if

0:00:24.560 --> 0:00:27.760
<v Speaker 3>I Open Mike Eagle. It's one of my favorite podcasts.

0:00:27.800 --> 0:00:30.200
<v Speaker 3>I'm so jealous that I don't do that podcast, that's

0:00:30.200 --> 0:00:35.080
<v Speaker 3>how much I love it. It's basically an artist gets

0:00:35.120 --> 0:00:38.600
<v Speaker 3>an entire cannon for a season. There's the Prince Paul season,

0:00:38.760 --> 0:00:43.120
<v Speaker 3>not even episode seasons. Dante Ross season LP is also

0:00:43.200 --> 0:00:46.239
<v Speaker 3>part of it, and of course mine is there. I

0:00:46.320 --> 0:00:50.240
<v Speaker 3>covered the first four albums of the Roots career. Very insightful,

0:00:50.720 --> 0:00:54.160
<v Speaker 3>but you know, for this particular episode, I will say

0:00:54.200 --> 0:00:58.880
<v Speaker 3>that it's more like a conversation between friends. Mike was

0:00:59.120 --> 0:01:04.240
<v Speaker 3>my facto therapist for this episode. He's a calm, present,

0:01:04.680 --> 0:01:08.960
<v Speaker 3>very thoughtful guy. And this also marks the first time

0:01:09.000 --> 0:01:13.200
<v Speaker 3>where I kind of publicly spoke about the struggle in

0:01:13.600 --> 0:01:20.120
<v Speaker 3>processing and dealing with our dearly departed Michael D'Angelo Archer. Anyway,

0:01:21.040 --> 0:01:24.399
<v Speaker 3>I was supposed to be interviewing Mike, but instead, I

0:01:24.520 --> 0:01:28.760
<v Speaker 3>used Mike as a soundboard to talk about my problems.

0:01:28.800 --> 0:01:30.640
<v Speaker 3>But that's the kind of guy he is. So I

0:01:30.680 --> 0:01:33.760
<v Speaker 3>hope you enjoy this. Open Mike Eagle on the Quest

0:01:33.800 --> 0:01:40.200
<v Speaker 3>Love Show. I could start off just on your boombox

0:01:40.280 --> 0:01:41.240
<v Speaker 3>collection in the back.

0:01:41.959 --> 0:01:44.920
<v Speaker 2>Oh yeah, okay, I mean this is this is a

0:01:44.959 --> 0:01:48.880
<v Speaker 2>small portion of the overall boomboxes scattered throughout. Well, what

0:01:48.960 --> 0:01:52.640
<v Speaker 2>you're looking at these couple right here. I probably got

0:01:52.680 --> 0:01:54.000
<v Speaker 2>like eight or nine of them in the house or

0:01:54.040 --> 0:01:55.040
<v Speaker 2>something like that total.

0:01:55.600 --> 0:01:57.120
<v Speaker 1>So are you just sentimental like that?

0:01:58.240 --> 0:02:01.840
<v Speaker 2>Yeah? Man, it was funny during COVID that ended up

0:02:01.840 --> 0:02:04.120
<v Speaker 2>being part of my therapy journey, you know what I'm saying,

0:02:04.320 --> 0:02:06.400
<v Speaker 2>going back and trying to get stuff that I could

0:02:06.480 --> 0:02:10.320
<v Speaker 2>touch right from childhood to ground me. You know what

0:02:10.360 --> 0:02:13.400
<v Speaker 2>I'm saying. It was all of that. So yeah, So

0:02:13.440 --> 0:02:16.799
<v Speaker 2>even the stereo piece that I have that I got

0:02:17.080 --> 0:02:20.560
<v Speaker 2>converted into a helmet. I bought all of these pieces

0:02:20.600 --> 0:02:23.639
<v Speaker 2>off of eBay like the same year. I spent way

0:02:23.680 --> 0:02:25.639
<v Speaker 2>too much money on it now that I think about it,

0:02:25.720 --> 0:02:27.320
<v Speaker 2>But you know it was good for me.

0:02:27.680 --> 0:02:28.720
<v Speaker 1>As I suspected.

0:02:29.160 --> 0:02:34.960
<v Speaker 3>Well, I mean, besides, you're am seeing but really in

0:02:35.000 --> 0:02:38.120
<v Speaker 3>your conversations on what had happened was I was like,

0:02:38.760 --> 0:02:41.320
<v Speaker 3>I think Mike and I are the same person.

0:02:43.720 --> 0:02:47.400
<v Speaker 2>Definitely part of the same tribe. Yeah, I'm saying, definitely

0:02:47.400 --> 0:02:49.520
<v Speaker 2>part of the same tribe, fruit from the same tree.

0:02:49.639 --> 0:02:51.560
<v Speaker 1>If anything. I feel like this is my chance to

0:02:51.600 --> 0:02:52.640
<v Speaker 1>get to know you as a human.

0:02:52.720 --> 0:02:53.079
<v Speaker 2>All right.

0:02:53.120 --> 0:02:55.520
<v Speaker 3>So see I'm already messing up because I should have

0:02:55.520 --> 0:02:58.320
<v Speaker 3>did an intro first. But see that we just went

0:02:58.480 --> 0:03:02.080
<v Speaker 3>right into the conversation time an illusion anyway, we are

0:03:02.200 --> 0:03:04.800
<v Speaker 3>the same person. Yeah, you know what I'm saying. Don't matter,

0:03:05.160 --> 0:03:05.600
<v Speaker 3>all right.

0:03:05.520 --> 0:03:06.600
<v Speaker 1>So, ladies and gentlemen.

0:03:06.800 --> 0:03:13.400
<v Speaker 3>In past episodes, I've mentioned how transformative the pandemic of

0:03:13.520 --> 0:03:16.440
<v Speaker 3>twenty twenty changed me for the better in terms of

0:03:16.480 --> 0:03:20.360
<v Speaker 3>my life, my mental health, my physical health, and my

0:03:20.520 --> 0:03:25.080
<v Speaker 3>creative endeavors and also my relationships. And of course I

0:03:25.120 --> 0:03:28.040
<v Speaker 3>spoke of all the books that I read that you know,

0:03:28.639 --> 0:03:31.079
<v Speaker 3>changed me. You know, if you're a long time listener

0:03:31.240 --> 0:03:33.880
<v Speaker 3>of this podcast, you've heard me mention like Nevill Goddard

0:03:34.280 --> 0:03:38.560
<v Speaker 3>and Jodaspenza and Breonna Wist and Richard Rudd and Kay Hendrix,

0:03:38.640 --> 0:03:41.400
<v Speaker 3>David Hawkins, like the list is endless, but.

0:03:41.400 --> 0:03:44.560
<v Speaker 1>It wasn't all you know, wo wu seriousness.

0:03:45.040 --> 0:03:50.200
<v Speaker 3>Podcast diving also became my gountu pastime as I did

0:03:50.240 --> 0:03:53.480
<v Speaker 3>morning walks or just like you know it was isolated

0:03:53.520 --> 0:03:57.640
<v Speaker 3>on a farm in upstate New York. One particular podcast

0:03:57.880 --> 0:04:01.360
<v Speaker 3>that was, I would say, a godsend. And I know,

0:04:02.160 --> 0:04:06.040
<v Speaker 3>again those who know me well know this this podcast

0:04:06.080 --> 0:04:09.839
<v Speaker 3>format that I'm on, you know my tendency to sort

0:04:09.880 --> 0:04:15.400
<v Speaker 3>of go over the top in terms of enthusiasm hyperbole. However,

0:04:15.720 --> 0:04:20.880
<v Speaker 3>I will say that one particular podcast that really truly

0:04:21.360 --> 0:04:25.960
<v Speaker 3>became my go to safe place in dystopian times was

0:04:26.040 --> 0:04:29.200
<v Speaker 3>What had Happened was And I often find out that

0:04:29.320 --> 0:04:32.440
<v Speaker 3>you know, my people, and yeah, black people are kind

0:04:32.440 --> 0:04:35.760
<v Speaker 3>of slow to dive into history portal, which you know

0:04:35.880 --> 0:04:37.919
<v Speaker 3>is understandable for a lot of us living day to

0:04:37.960 --> 0:04:40.400
<v Speaker 3>day and fight a flight. And you know, for a

0:04:40.400 --> 0:04:45.640
<v Speaker 3>lot of us, looking anything north of yesterday might not

0:04:45.720 --> 0:04:47.960
<v Speaker 3>be rose colored glasses, schip.

0:04:48.040 --> 0:04:51.159
<v Speaker 2>My yesterday wasn't necessarily my favorite.

0:04:51.560 --> 0:04:54.720
<v Speaker 3>So that said, like this whole fight to the finished

0:04:54.760 --> 0:04:58.640
<v Speaker 3>hustle attitude that we have really, I guess stems we're

0:04:58.680 --> 0:05:02.560
<v Speaker 3>looking for better tomorrow then, you know, and if you

0:05:02.640 --> 0:05:06.440
<v Speaker 3>look in that mood, you might not want to look

0:05:06.520 --> 0:05:07.360
<v Speaker 3>back in.

0:05:07.320 --> 0:05:08.200
<v Speaker 1>The rear view mirror.

0:05:08.279 --> 0:05:13.320
<v Speaker 3>So you know, I will say, enter our guest's genius creation,

0:05:13.480 --> 0:05:17.560
<v Speaker 3>which kind of in a backwards way, I got drawn

0:05:17.600 --> 0:05:22.840
<v Speaker 3>into the stratosphere of open mic Eagle, even though I've

0:05:22.839 --> 0:05:26.400
<v Speaker 3>heard of him too, Ganders and whatnot. It wasn't until

0:05:26.440 --> 0:05:29.800
<v Speaker 3>that podcast that I decided that, you know what, I

0:05:29.839 --> 0:05:31.440
<v Speaker 3>want to be a champion of this guy and just

0:05:31.760 --> 0:05:32.280
<v Speaker 3>look at his.

0:05:32.279 --> 0:05:33.680
<v Speaker 1>Whole entire history.

0:05:33.839 --> 0:05:37.799
<v Speaker 3>The thing is, I wouldn't exactly call our guest a podcaster,

0:05:38.320 --> 0:05:41.000
<v Speaker 3>even though he's awesome at it, first and foremost much

0:05:41.000 --> 0:05:44.640
<v Speaker 3>appreciating he is. Oh, I mean, dude, this is why

0:05:44.640 --> 0:05:46.840
<v Speaker 3>I think we're the same person, because we're all things,

0:05:46.839 --> 0:05:47.400
<v Speaker 3>are all people.

0:05:47.720 --> 0:05:50.200
<v Speaker 1>You know, he's also an excellent MC.

0:05:51.000 --> 0:05:56.080
<v Speaker 3>He's also comedian, even a singer sometimes who balances music, television,

0:05:56.120 --> 0:05:57.400
<v Speaker 3>podcasting his personal life.

0:05:57.800 --> 0:06:02.000
<v Speaker 2>Balance is a strong word, but I try, yes, exactly,

0:06:02.040 --> 0:06:04.000
<v Speaker 2>I mean, but we're both trying to do this.

0:06:04.440 --> 0:06:08.360
<v Speaker 3>So earlier this year he dropped an amazing, amazing album

0:06:08.440 --> 0:06:12.360
<v Speaker 3>called Neighborhood God's Unlimited and this is on his Auto

0:06:12.440 --> 0:06:17.520
<v Speaker 3>Reverse label. And I gotta say, one of the adjustments

0:06:17.520 --> 0:06:19.200
<v Speaker 3>I made in my life was not to put so

0:06:19.279 --> 0:06:23.359
<v Speaker 3>much weight on critical acclaim. I stuck to critical claim

0:06:23.360 --> 0:06:26.599
<v Speaker 3>because I felt that that was the surviving grace for

0:06:26.720 --> 0:06:29.360
<v Speaker 3>my life. But I have to say that was a

0:06:29.480 --> 0:06:34.680
<v Speaker 3>mighty damn impressed with seeing his eight point five rating

0:06:34.720 --> 0:06:40.719
<v Speaker 3>and pitchfork, yo dog. I felt like de Niro felt

0:06:40.880 --> 0:06:45.760
<v Speaker 3>when what's his name is getting made and goodfellas like

0:06:45.760 --> 0:06:47.719
<v Speaker 3>like ah man, like one of us got through the

0:06:47.760 --> 0:06:51.160
<v Speaker 3>other side, which is also sad state of affairs, because again,

0:06:51.320 --> 0:06:56.280
<v Speaker 3>I'm not looking for the the critical gaze to make

0:06:56.360 --> 0:06:57.520
<v Speaker 3>us legit or not legit.

0:06:57.640 --> 0:06:59.960
<v Speaker 1>But anyway, all this.

0:07:00.080 --> 0:07:03.159
<v Speaker 3>Long ass intros to say, even though we spoken a

0:07:03.160 --> 0:07:09.200
<v Speaker 3>few times, I wanted to reverse the roles here and

0:07:09.640 --> 0:07:12.320
<v Speaker 3>speak to him about his life because I kind of

0:07:12.320 --> 0:07:15.400
<v Speaker 3>get the feeling that we are the same person and

0:07:15.920 --> 0:07:16.880
<v Speaker 3>we should be friends.

0:07:17.080 --> 0:07:21.960
<v Speaker 1>So hopefully this is that. So that's what's up. Open,

0:07:22.040 --> 0:07:25.400
<v Speaker 1>Mike Eagle, Welcome to the Quest Love Show to Q.

0:07:26.040 --> 0:07:29.000
<v Speaker 2>How are you today, man, I'm good, I'm good. Thanks

0:07:29.000 --> 0:07:31.680
<v Speaker 2>for having me. Do you remember the airplane story that's

0:07:31.720 --> 0:07:33.440
<v Speaker 2>when we first met. I don't know if you remember that.

0:07:33.520 --> 0:07:37.000
<v Speaker 3>Okay, So here's we first met at we were sitting

0:07:37.000 --> 0:07:40.160
<v Speaker 3>together in the airplane.

0:07:41.160 --> 0:07:44.320
<v Speaker 2>And let me let me do it. Let me run it.

0:07:44.400 --> 0:07:46.440
<v Speaker 2>Let's do your thing. I think it's funnier from my

0:07:46.600 --> 0:07:51.000
<v Speaker 2>side anyway. Right is, So I'm in the I'm in

0:07:51.080 --> 0:07:53.800
<v Speaker 2>one of those airport bars in Lax and it's me

0:07:53.840 --> 0:07:56.880
<v Speaker 2>and my partner, Video Dave, sitting there Video Day and

0:07:56.920 --> 0:07:59.680
<v Speaker 2>we look over and like, wait a minute, that look

0:07:59.760 --> 0:08:03.040
<v Speaker 2>likes love over there. You know you have the thing. Internally,

0:08:03.080 --> 0:08:05.040
<v Speaker 2>We're like, damn to be as aware of you as

0:08:05.040 --> 0:08:07.600
<v Speaker 2>I am. I'm like, damn, should I go say what up?

0:08:07.680 --> 0:08:09.840
<v Speaker 2>O don't know? But then I thought about it, like, nah,

0:08:10.320 --> 0:08:12.720
<v Speaker 2>I've wrapped over one of his beats before. That at

0:08:12.800 --> 0:08:16.480
<v Speaker 2>least is a conversational open. Because one of the joints

0:08:16.480 --> 0:08:20.600
<v Speaker 2>that you slid MC Paul Barman, yeah, one of his albums,

0:08:20.960 --> 0:08:22.520
<v Speaker 2>I got on that. So I'm like, well, that should

0:08:22.520 --> 0:08:25.600
<v Speaker 2>at least give me a conversation. So I gave my

0:08:25.640 --> 0:08:27.400
<v Speaker 2>self license to come say what up? So me and

0:08:27.520 --> 0:08:29.360
<v Speaker 2>him we came and said what up? And it turned

0:08:29.360 --> 0:08:31.520
<v Speaker 2>out we was both flying to Austin. I think it

0:08:31.560 --> 0:08:35.400
<v Speaker 2>was south by Southwest weekend, yes, and I was being

0:08:35.480 --> 0:08:38.280
<v Speaker 2>flown out there by Comedy Central because we were doing

0:08:38.280 --> 0:08:41.960
<v Speaker 2>a premiere event for our show New Negroes. So this

0:08:42.040 --> 0:08:43.480
<v Speaker 2>is one of the few times in my life I

0:08:43.480 --> 0:08:47.640
<v Speaker 2>happened to be flying first class, and so we end

0:08:47.760 --> 0:08:50.680
<v Speaker 2>up near each other on the plane. You're in the

0:08:50.760 --> 0:08:52.839
<v Speaker 2>road next to each other. Well, but let me tell

0:08:52.840 --> 0:08:56.000
<v Speaker 2>you how that happened, because that's funny too. I'm sitting

0:08:56.040 --> 0:08:59.280
<v Speaker 2>actually behind you, to the left, and then there's a

0:08:59.280 --> 0:09:03.720
<v Speaker 2>person to me, and then a lady comes who's about

0:09:03.720 --> 0:09:06.280
<v Speaker 2>to sit down in first class, and she's like, oh,

0:09:06.320 --> 0:09:08.520
<v Speaker 2>do you mind if me and you switch seats? And

0:09:08.559 --> 0:09:10.480
<v Speaker 2>her seat was in front of me, next to you,

0:09:10.840 --> 0:09:12.960
<v Speaker 2>and this woman was Jody Foster.

0:09:15.400 --> 0:09:19.400
<v Speaker 3>Wait a minute, you're right, you are absolutely right. Jody

0:09:19.480 --> 0:09:20.600
<v Speaker 3>Foster was on this flight.

0:09:20.760 --> 0:09:23.480
<v Speaker 2>Yes, uh huh uh. So I'm like, you're damn right,

0:09:24.120 --> 0:09:27.520
<v Speaker 2>I'll switch seats with you, Jody Foster. And so I'm

0:09:27.600 --> 0:09:30.120
<v Speaker 2>like yeah, and I'm like, man, I'm sitting next to

0:09:30.200 --> 0:09:34.000
<v Speaker 2>quest Love. Ooh, I'm about to talk his ear off.

0:09:34.360 --> 0:09:36.000
<v Speaker 2>And I think I even said that. I'm like, oh,

0:09:36.040 --> 0:09:41.439
<v Speaker 2>if I come up there, so on exactly, because we

0:09:41.520 --> 0:09:44.880
<v Speaker 2>must have exchanged six words, and at ten minutes in,

0:09:45.120 --> 0:09:49.840
<v Speaker 2>you was out like a light. I'm talking about deep sleep.

0:09:49.880 --> 0:09:55.880
<v Speaker 2>But I'm like, god, damn it. But the story would

0:09:55.880 --> 0:09:58.440
<v Speaker 2>have been funny if it just ended there. But then

0:09:58.480 --> 0:10:02.080
<v Speaker 2>the plane lands right, and you know, I think I

0:10:02.120 --> 0:10:04.320
<v Speaker 2>got your number in because I'm like, at least I'm

0:10:04.320 --> 0:10:05.839
<v Speaker 2>gonna do that. At least I'm gonna do that right.

0:10:06.280 --> 0:10:08.319
<v Speaker 2>And then we get off the plane and I'm waiting

0:10:08.400 --> 0:10:12.959
<v Speaker 2>on video day because Comedy Central didn't fly in first class,

0:10:13.960 --> 0:10:15.920
<v Speaker 2>so I'm waiting on him. And then you walk out

0:10:15.960 --> 0:10:18.439
<v Speaker 2>of the plane and you're like, oh, you forgot this,

0:10:19.000 --> 0:10:22.600
<v Speaker 2>and you hand me my laptop, which I had left

0:10:22.720 --> 0:10:26.960
<v Speaker 2>in the seat back pocket and completely forgot about. Like

0:10:27.679 --> 0:10:31.040
<v Speaker 2>you saved my entire weekend and didn't even know it.

0:10:31.080 --> 0:10:32.880
<v Speaker 2>Like I was there to do shows I wouldn't have

0:10:32.920 --> 0:10:35.600
<v Speaker 2>been able to do because my laptop would have been

0:10:35.640 --> 0:10:39.240
<v Speaker 2>in Montana somewhere and I would have been up Ship's Creek.

0:10:39.360 --> 0:10:42.480
<v Speaker 2>So that's the story of how we actually met. Man.

0:10:43.000 --> 0:10:46.720
<v Speaker 3>You can now verify probably the question that I'm asking

0:10:46.720 --> 0:10:49.120
<v Speaker 3>the most people always ask, when do you sleep?

0:10:51.160 --> 0:10:51.280
<v Speaker 1>Ye?

0:10:52.000 --> 0:10:54.480
<v Speaker 2>Okay, I sent it. You're right because I seen it.

0:10:55.000 --> 0:10:55.440
<v Speaker 1>Yeah.

0:10:55.520 --> 0:11:00.240
<v Speaker 3>So the thing is is that if I sit fel

0:11:01.080 --> 0:11:04.119
<v Speaker 3>for good ten minutes, there's.

0:11:04.160 --> 0:11:09.280
<v Speaker 1>Likely, ugh that's likely to happen.

0:11:09.720 --> 0:11:12.240
<v Speaker 3>I'm glad that the story ended that way because you know,

0:11:13.160 --> 0:11:15.600
<v Speaker 3>there are also some people that will say that, wow,

0:11:15.640 --> 0:11:18.560
<v Speaker 3>you're very stand offis Shamir and whatnot? You know, And

0:11:18.800 --> 0:11:23.840
<v Speaker 3>I don't know if that's my work. I don't know

0:11:24.280 --> 0:11:27.600
<v Speaker 3>if that's I'm trying to get better at being a

0:11:27.600 --> 0:11:28.280
<v Speaker 3>people person.

0:11:29.080 --> 0:11:32.400
<v Speaker 2>Aren't you not? Are you not already the ultimate people person? Like?

0:11:32.440 --> 0:11:34.400
<v Speaker 2>What that's the thing from you?

0:11:34.720 --> 0:11:38.400
<v Speaker 3>I think if there's a shield, like this is kind

0:11:38.400 --> 0:11:41.880
<v Speaker 3>of a shield, you know, even though we're one on

0:11:41.880 --> 0:11:46.240
<v Speaker 3>one in each other in conversation, if I'm writing something,

0:11:47.040 --> 0:11:50.000
<v Speaker 3>people might think I'm chatty because of the you know,

0:11:50.040 --> 0:11:53.800
<v Speaker 3>the same amount of paragraphs that I'll type in an

0:11:53.840 --> 0:11:57.600
<v Speaker 3>Instagram post. One of my goals for twenty twenty six

0:11:58.800 --> 0:12:03.320
<v Speaker 3>is to really go outside of my comfort zone like

0:12:03.480 --> 0:12:06.520
<v Speaker 3>right now, you know, because I live in such an

0:12:06.559 --> 0:12:10.880
<v Speaker 3>expansive world of me as a producer, me as the

0:12:10.880 --> 0:12:13.800
<v Speaker 3>Tonight Show person, me as a root, me as a DJ, me.

0:12:13.800 --> 0:12:15.080
<v Speaker 2>As an filmmaker.

0:12:15.440 --> 0:12:19.120
<v Speaker 3>Yeah, all these things for each job I have, there's

0:12:19.160 --> 0:12:24.720
<v Speaker 3>about eight to twelve people in that stratosphere. So yeah,

0:12:24.720 --> 0:12:26.760
<v Speaker 3>I would say maybe the first twe hundred and twelve

0:12:26.840 --> 0:12:30.080
<v Speaker 3>people in my life are friends, but you know, they're

0:12:30.080 --> 0:12:34.000
<v Speaker 3>also on payroll, right and I really I say this,

0:12:34.200 --> 0:12:37.280
<v Speaker 3>one of the hardest things for me to do is

0:12:37.360 --> 0:12:39.680
<v Speaker 3>to step outside of that comfort zone.

0:12:39.800 --> 0:12:41.679
<v Speaker 2>What do you think is outside of that comfort zone

0:12:41.720 --> 0:12:42.920
<v Speaker 2>that you're wanting to experience?

0:12:43.760 --> 0:12:48.920
<v Speaker 3>Sometimes it's just see the convenience of this model right

0:12:48.960 --> 0:12:54.520
<v Speaker 3>now is also it gives you probably the most convenient

0:12:54.679 --> 0:12:59.720
<v Speaker 3>out ever because if we're not working together and it's

0:12:59.720 --> 0:13:03.240
<v Speaker 3>not again, it's not personal. If we're not working together,

0:13:03.320 --> 0:13:06.360
<v Speaker 3>I'm kind of a I'm trying to figure out the

0:13:06.400 --> 0:13:09.600
<v Speaker 3>idiom that this fits. Like, if you're in my face,

0:13:09.640 --> 0:13:15.120
<v Speaker 3>then we have interaction, right, but if you're not there, then,

0:13:15.720 --> 0:13:17.599
<v Speaker 3>oh god, I sound like the worst person in the

0:13:17.600 --> 0:13:18.080
<v Speaker 3>world right now.

0:13:18.120 --> 0:13:19.480
<v Speaker 2>Well, I know, I think I know what you're trying

0:13:19.520 --> 0:13:21.040
<v Speaker 2>to say. It's like when people aren't in your face,

0:13:21.080 --> 0:13:24.480
<v Speaker 2>it's probably like they don't exist. And that's that's probably cold,

0:13:24.760 --> 0:13:27.600
<v Speaker 2>Like you know, the words are cold, but I think

0:13:27.600 --> 0:13:29.760
<v Speaker 2>it speaks to your focus on all of the things

0:13:29.760 --> 0:13:31.400
<v Speaker 2>that you have to do. Right.

0:13:31.600 --> 0:13:34.520
<v Speaker 3>The thing that people don't understand about this life I've

0:13:34.600 --> 0:13:37.840
<v Speaker 3>lived for thirty five years. Like I think, on the

0:13:37.960 --> 0:13:43.800
<v Speaker 3>average a person knows about you might could recall two

0:13:43.880 --> 0:13:49.080
<v Speaker 3>hundred people. If you thing about it, it's probably you

0:13:49.080 --> 0:13:52.800
<v Speaker 3>could probably recall maybe a good thirty people between elementary

0:13:52.840 --> 0:13:57.079
<v Speaker 3>and junior high. You could probably name maybe twelve to

0:13:57.200 --> 0:14:01.800
<v Speaker 3>fourteen people in your high school. Whatever jobs you've had,

0:14:01.840 --> 0:14:04.440
<v Speaker 3>you might remember like three or four names. I'm sure

0:14:04.480 --> 0:14:07.120
<v Speaker 3>if it's family members, you can add another forty to it.

0:14:07.800 --> 0:14:11.880
<v Speaker 3>So for me, I think the average person by the

0:14:11.920 --> 0:14:15.920
<v Speaker 3>time they reach thirty, knows at least about two hundred people.

0:14:17.280 --> 0:14:22.480
<v Speaker 3>But when you're me, you know, like I know fifteen

0:14:22.480 --> 0:14:27.920
<v Speaker 3>people in Miami. I know seventy people in Manhattan. I

0:14:28.000 --> 0:14:31.720
<v Speaker 3>know one hundred people in Brooklyn. I know one hundred

0:14:31.720 --> 0:14:35.320
<v Speaker 3>people in Los Angeles. I know twelve people in Paris.

0:14:36.120 --> 0:14:39.600
<v Speaker 3>So if you take just the total number, when you're

0:14:39.720 --> 0:14:45.640
<v Speaker 3>juggling six hundred people and names and faces and whatnot,

0:14:45.680 --> 0:14:48.480
<v Speaker 3>and don't let someone change their hairstyle or whatnot.

0:14:48.520 --> 0:14:49.040
<v Speaker 2>Oh jeez.

0:14:50.080 --> 0:14:56.760
<v Speaker 3>And everyone's favorite question is do you remember me? Spike

0:14:56.840 --> 0:15:00.800
<v Speaker 3>Lee fish out Yo Dog? For real? It's like, well,

0:15:00.840 --> 0:15:05.160
<v Speaker 3>in my world everything is closer to scrubs or if

0:15:05.160 --> 0:15:07.040
<v Speaker 3>you're old enough, Parker Lewis can't lose.

0:15:07.720 --> 0:15:09.680
<v Speaker 2>Parker Lewis can't what a pull with.

0:15:10.080 --> 0:15:15.840
<v Speaker 3>This sound effect, you know, So, because that to me

0:15:16.000 --> 0:15:19.840
<v Speaker 3>is the most I used to that used to embarrass me,

0:15:20.600 --> 0:15:22.640
<v Speaker 3>and that then it used to make me angry because

0:15:22.680 --> 0:15:26.760
<v Speaker 3>it's like, really that's your intro. Okay, so what if

0:15:26.760 --> 0:15:30.160
<v Speaker 3>the answers no, then we're both or I'm embarrassed.

0:15:30.440 --> 0:15:32.920
<v Speaker 2>That means you've definitely answered no at some point. So

0:15:32.960 --> 0:15:33.520
<v Speaker 2>what happens?

0:15:33.520 --> 0:15:38.320
<v Speaker 3>Then my go to jokey but serious answer, which is

0:15:38.360 --> 0:15:40.440
<v Speaker 3>the truth, is like, dog, I don't even remember what

0:15:40.480 --> 0:15:41.600
<v Speaker 3>I had for breakfast this.

0:15:41.560 --> 0:15:43.400
<v Speaker 2>Morning, right right right right right.

0:15:44.000 --> 0:15:45.680
<v Speaker 3>I hope and I put it in perspective, but it's

0:15:45.680 --> 0:15:48.720
<v Speaker 3>hard to spring clean and start all over again. But

0:15:48.800 --> 0:15:52.080
<v Speaker 3>I know the one thing that I really want is

0:15:52.120 --> 0:15:55.840
<v Speaker 3>I would like to have ten friends that aren't on

0:15:55.920 --> 0:16:01.240
<v Speaker 3>payroll and really maintain because there's also a.

0:16:01.120 --> 0:16:02.760
<v Speaker 1>Trust factor, a trust issue.

0:16:02.840 --> 0:16:08.720
<v Speaker 3>I've done this before and then usually like seven months

0:16:08.720 --> 0:16:09.200
<v Speaker 3>into it.

0:16:09.920 --> 0:16:11.920
<v Speaker 1>An entitlement thing happens.

0:16:12.120 --> 0:16:14.160
<v Speaker 2>When people feel entitled to your time or you feel

0:16:14.280 --> 0:16:15.160
<v Speaker 2>entitled to theirs.

0:16:16.160 --> 0:16:24.880
<v Speaker 3>Where people feel entitled to my accessibility, my resources. I

0:16:24.920 --> 0:16:28.000
<v Speaker 3>don't know what the perception of me is outside of

0:16:28.960 --> 0:16:32.760
<v Speaker 3>what I think the perception of me is, but I

0:16:32.800 --> 0:16:36.320
<v Speaker 3>promise you that the world only knows twenty percent of

0:16:37.280 --> 0:16:39.720
<v Speaker 3>the daily activities. Like there's some things that happen to

0:16:39.760 --> 0:16:43.960
<v Speaker 3>me that are just so mind blowing. That and again,

0:16:44.000 --> 0:16:46.960
<v Speaker 3>this is a separation anxiety thing, Like you don't want

0:16:47.000 --> 0:16:51.360
<v Speaker 3>to be the guy that's like ostracized because you get

0:16:51.400 --> 0:16:53.960
<v Speaker 3>a certain privilege that your friends don't get to have.

0:16:55.280 --> 0:16:58.960
<v Speaker 3>You know, I want to be likable and relatable, but

0:16:59.040 --> 0:17:02.240
<v Speaker 3>I also want to grow and relatable.

0:17:02.200 --> 0:17:06.840
<v Speaker 2>It's gonna be tough, bro relatables going tough, right exactly?

0:17:06.840 --> 0:17:08.360
<v Speaker 2>I mean, who do you who do you even have

0:17:08.440 --> 0:17:11.159
<v Speaker 2>to compare experiences with? You know what I'm saying, Like,

0:17:11.440 --> 0:17:13.399
<v Speaker 2>I imagine a lot of people can relate to parts

0:17:13.440 --> 0:17:15.720
<v Speaker 2>of your life, but the whole of it's gonna be

0:17:15.760 --> 0:17:16.919
<v Speaker 2>hard for him to put together.

0:17:17.080 --> 0:17:19.840
<v Speaker 3>I'm in a weird zone, yo, because it's like there

0:17:19.880 --> 0:17:23.399
<v Speaker 3>is a period where I really thought, like Hoove and

0:17:23.440 --> 0:17:25.919
<v Speaker 3>I were going to be tight, but he has a

0:17:25.960 --> 0:17:32.199
<v Speaker 3>whole different set of reality and life matters that I

0:17:32.280 --> 0:17:37.879
<v Speaker 3>can't relate to. He did it probably the most ideal way,

0:17:38.040 --> 0:17:40.719
<v Speaker 3>which is that the people that are with him are

0:17:40.720 --> 0:17:43.240
<v Speaker 3>the people that came in the door with him, right.

0:17:43.920 --> 0:17:48.200
<v Speaker 3>I wound up doing a business with those people. I'll

0:17:48.240 --> 0:17:53.760
<v Speaker 3>say that Tarik is probably the most consistent, and I've

0:17:53.760 --> 0:17:56.919
<v Speaker 3>said this before, like we're going on thirty eight years

0:17:57.720 --> 0:18:01.520
<v Speaker 3>where you know, he and I wait a minute, am

0:18:01.520 --> 0:18:02.840
<v Speaker 3>I on your podcast again?

0:18:03.160 --> 0:18:09.880
<v Speaker 2>I don't even start. Hey, man, how this is how

0:18:09.920 --> 0:18:14.000
<v Speaker 2>friendship's happen? Man, you know what I'm saying.

0:18:23.760 --> 0:18:27.240
<v Speaker 3>So basically our audience is just easdropping in on this conversation.

0:18:27.920 --> 0:18:32.480
<v Speaker 3>You know, I started a business with Treiq, but then

0:18:33.560 --> 0:18:37.639
<v Speaker 3>the danger of that is like I'm under the impression

0:18:37.760 --> 0:18:43.280
<v Speaker 3>that you can't have a successful business, and I don't know.

0:18:43.320 --> 0:18:46.000
<v Speaker 3>I see business and friendship as church and state.

0:18:46.920 --> 0:18:48.960
<v Speaker 2>It's hard to do both, it really is.

0:18:49.080 --> 0:18:51.600
<v Speaker 3>Yeah, because when you have a conflict, like we had

0:18:51.760 --> 0:18:59.440
<v Speaker 3>one conflict, one conflict back in ninety four, which it's

0:18:59.560 --> 0:19:04.080
<v Speaker 3>in the asked, But I'm also once bitten twice shy person.

0:19:05.280 --> 0:19:09.000
<v Speaker 3>So my only teachable lesson of that one fight we

0:19:09.080 --> 0:19:12.000
<v Speaker 3>had back in ninety four was like, you know, I

0:19:12.040 --> 0:19:15.200
<v Speaker 3>should keep a professional distance so that the business doesn't

0:19:15.200 --> 0:19:15.840
<v Speaker 3>get ruined.

0:19:16.080 --> 0:19:18.520
<v Speaker 2>And that will I mean, that can't help but affect

0:19:18.520 --> 0:19:20.600
<v Speaker 2>a friendship. It can't help it, you know.

0:19:20.840 --> 0:19:22.960
<v Speaker 3>Yeah, Because the thing is is like the thing that

0:19:23.040 --> 0:19:26.840
<v Speaker 3>I really miss about our friendship, you know those first

0:19:26.880 --> 0:19:28.960
<v Speaker 3>and I mean, but this also applies to like the

0:19:29.000 --> 0:19:34.320
<v Speaker 3>soul aquarians. This applies to even with the departure of di'angelo.

0:19:35.359 --> 0:19:37.879
<v Speaker 3>The way I'm happy is the most is that he

0:19:38.000 --> 0:19:41.040
<v Speaker 3>and I ended it the way that we started it.

0:19:41.480 --> 0:19:43.240
<v Speaker 3>You know, in the beginning, we had to get to

0:19:43.280 --> 0:19:46.040
<v Speaker 3>know each other and it was like, Hey, what music

0:19:46.080 --> 0:19:46.439
<v Speaker 3>do you like?

0:19:46.560 --> 0:19:48.800
<v Speaker 1>Hey? I like that music too. Hey, what artists you know?

0:19:48.840 --> 0:19:50.639
<v Speaker 1>You know about this artist? You know about that? Artists

0:19:50.720 --> 0:19:52.480
<v Speaker 1>you know about this? Oh, man, I listen to that

0:19:52.520 --> 0:19:54.359
<v Speaker 1>record too. What you know about Fishbone?

0:19:55.480 --> 0:19:58.320
<v Speaker 3>And once we found out that we had so much

0:19:58.320 --> 0:20:01.400
<v Speaker 3>in common then and you know, that's how the musical

0:20:01.440 --> 0:20:05.879
<v Speaker 3>marriage part of it happened, and so kind of the

0:20:06.000 --> 0:20:11.600
<v Speaker 3>last three months we didn't have any instruments, and so

0:20:13.119 --> 0:20:16.280
<v Speaker 3>it was weird at first, like sitting there, you know,

0:20:16.840 --> 0:20:22.040
<v Speaker 3>by his bedside and us talking and kind of in

0:20:22.040 --> 0:20:24.560
<v Speaker 3>the beginning, in the first like month or so, there

0:20:24.600 --> 0:20:26.719
<v Speaker 3>was a point where I thought like, Okay, he's going

0:20:26.760 --> 0:20:28.840
<v Speaker 3>to get through. This will be cool. Like we were

0:20:28.960 --> 0:20:31.480
<v Speaker 3>like talking about normal. But I had such a fear

0:20:32.240 --> 0:20:35.440
<v Speaker 3>in not having a protective shield of a drum set or.

0:20:35.600 --> 0:20:39.399
<v Speaker 2>Just something else to focus on except yeah, because he

0:20:39.560 --> 0:20:40.359
<v Speaker 2>happened this moment.

0:20:40.760 --> 0:20:44.080
<v Speaker 3>Yeah, for that first hour, man for that first hour,

0:20:44.880 --> 0:20:49.080
<v Speaker 3>I just sat there wondering, what does he think of

0:20:49.119 --> 0:20:52.720
<v Speaker 3>the person in front of him now that's clearly wasn't

0:20:52.760 --> 0:20:57.800
<v Speaker 3>the person whom he met thirty years ago. And I

0:20:57.840 --> 0:20:59.920
<v Speaker 3>was in my head about I was like, I wondered

0:21:00.000 --> 0:21:04.000
<v Speaker 3>if he's judging me. I wonder if he's did he

0:21:04.080 --> 0:21:05.080
<v Speaker 3>think I was a sellout?

0:21:05.119 --> 0:21:05.440
<v Speaker 2>Did he?

0:21:05.640 --> 0:21:09.959
<v Speaker 3>You know we we once said mid mid Black Messiah.

0:21:10.400 --> 0:21:13.840
<v Speaker 3>He really wasn't. He didn't know how he felt about

0:21:13.960 --> 0:21:15.600
<v Speaker 3>us taking a day job.

0:21:16.160 --> 0:21:19.399
<v Speaker 2>Interesting, did you see that a conversation that thought in

0:21:19.480 --> 0:21:19.960
<v Speaker 2>Red Man?

0:21:20.000 --> 0:21:22.960
<v Speaker 3>Had I seen the clip on ig? I didn't have

0:21:23.000 --> 0:21:25.400
<v Speaker 3>time to watch the entire thing, but what we.

0:21:25.359 --> 0:21:29.800
<v Speaker 2>Saying Red Man literally like they had a great conversation.

0:21:29.920 --> 0:21:32.119
<v Speaker 2>And I don't mean this to steer away from the moment.

0:21:33.240 --> 0:21:37.160
<v Speaker 2>The Red Man literally in the middle of the conversation

0:21:37.320 --> 0:21:40.920
<v Speaker 2>asked him like what kind of reactions did y'all hear

0:21:41.000 --> 0:21:44.640
<v Speaker 2>from people when y'all got a day job? Like and

0:21:44.680 --> 0:21:47.040
<v Speaker 2>for me, it was mind blowing to even think that,

0:21:47.960 --> 0:21:51.640
<v Speaker 2>especially on like the Indian side of this rap shit,

0:21:51.800 --> 0:21:55.720
<v Speaker 2>like it's always so precarious financially, It's like, Wow, what

0:21:55.880 --> 0:21:58.280
<v Speaker 2>how awesome would it be to have a gig, right,

0:21:58.440 --> 0:22:01.159
<v Speaker 2>like a gig where you're you're not like, you know,

0:22:02.200 --> 0:22:05.400
<v Speaker 2>stuff in boxes at Amazon. You're doing what you do musically,

0:22:05.440 --> 0:22:07.479
<v Speaker 2>You're just getting paid to show up and do it.

0:22:07.880 --> 0:22:10.960
<v Speaker 2>You know. To me, it's like it's it's that's pities

0:22:11.000 --> 0:22:13.720
<v Speaker 2>from heaven, Like that's something anybody would want. But when

0:22:13.720 --> 0:22:16.199
<v Speaker 2>he asked the question was like, oh shit, right, like

0:22:16.320 --> 0:22:19.480
<v Speaker 2>from peers, from fans, like there are people who could

0:22:19.520 --> 0:22:22.400
<v Speaker 2>have seen it as a sort of like selling out

0:22:22.440 --> 0:22:24.400
<v Speaker 2>and that that thought. It never occurred to me until

0:22:24.440 --> 0:22:26.760
<v Speaker 2>I heard him sit there and ask that question. And

0:22:27.160 --> 0:22:29.520
<v Speaker 2>so it's interesting to hear that D'Angelo had some of

0:22:29.560 --> 0:22:30.639
<v Speaker 2>those similar concerns.

0:22:30.800 --> 0:22:33.639
<v Speaker 3>So the thing is, I always felt that the roots

0:22:34.119 --> 0:22:40.960
<v Speaker 3>magic power was always being underestimated. And you know, the

0:22:40.960 --> 0:22:44.639
<v Speaker 3>first the first time I felt that power of lowering

0:22:44.680 --> 0:22:50.240
<v Speaker 3>your expectations only for your your expectations to fly, was

0:22:50.280 --> 0:22:54.840
<v Speaker 3>when we did our first hood gig kind of out

0:22:54.920 --> 0:22:59.879
<v Speaker 3>of the comfort zone of the utopian South Street, you know,

0:23:00.280 --> 0:23:02.240
<v Speaker 3>where it's black white girls, boys d.

0:23:02.400 --> 0:23:04.159
<v Speaker 2>Or not, you know, like it's off of shops and

0:23:04.200 --> 0:23:06.840
<v Speaker 2>hair wraps and exactly home base, right.

0:23:07.160 --> 0:23:10.200
<v Speaker 3>And the thing is is that I didn't know what

0:23:10.280 --> 0:23:13.920
<v Speaker 3>the Prince's Lounge was. The Prince's Lounge was like this

0:23:14.880 --> 0:23:18.200
<v Speaker 3>club in North Philly that I think was like part

0:23:18.280 --> 0:23:21.040
<v Speaker 3>strip club, part bar or whatever. But they would have

0:23:21.080 --> 0:23:24.480
<v Speaker 3>like some hip hop event or something. And you know

0:23:24.520 --> 0:23:26.800
<v Speaker 3>the way that the Roots got our gigs was that

0:23:27.440 --> 0:23:30.040
<v Speaker 3>people will just come up and be like, yo, play

0:23:30.160 --> 0:23:31.760
<v Speaker 3>my poetry slam.

0:23:32.240 --> 0:23:34.040
<v Speaker 1>You know, Philly had like five colleges.

0:23:34.320 --> 0:23:37.800
<v Speaker 3>So someone from Temple comes up, someone from Saint Joe's

0:23:37.840 --> 0:23:41.760
<v Speaker 3>comes up, someone from Drexel comes up. And that's basically

0:23:42.000 --> 0:23:45.840
<v Speaker 3>how we got the word out about the Roots. And

0:23:45.920 --> 0:23:48.240
<v Speaker 3>someone said like, yo, come to the Prince's Lounge whatever.

0:23:48.440 --> 0:23:51.600
<v Speaker 3>We were like, just green, anybody willing to have us

0:23:52.040 --> 0:23:56.960
<v Speaker 3>as an audience, We'll show up. And we co up

0:23:56.960 --> 0:24:00.720
<v Speaker 3>to North Philly and we walk inside and I look

0:24:00.800 --> 0:24:03.520
<v Speaker 3>and I was like, oh no, and they looking at

0:24:03.600 --> 0:24:06.280
<v Speaker 3>us like you know the moment in the old Western

0:24:06.359 --> 0:24:09.080
<v Speaker 3>where like the bad guy walks in and the piano

0:24:09.119 --> 0:24:13.160
<v Speaker 3>stops playing and he closed piano and sets up shop

0:24:13.240 --> 0:24:18.040
<v Speaker 3>like leaves, and you know, we're walking through and dog

0:24:18.119 --> 0:24:20.320
<v Speaker 3>like I'm wearing exactly what I had on in the

0:24:20.320 --> 0:24:26.080
<v Speaker 3>Motown Philly video, Like I got on Oshkosh Bagosh Jumpers

0:24:26.640 --> 0:24:28.800
<v Speaker 3>this is the year I discovered where birken stocks were.

0:24:29.080 --> 0:24:31.320
<v Speaker 2>Okay, Okay, he was doing it.

0:24:31.920 --> 0:24:36.400
<v Speaker 3>Yeah, and you know my hair was braided and now

0:24:36.800 --> 0:24:42.679
<v Speaker 3>that's normal. But like it took no, oh, this is

0:24:42.880 --> 0:24:48.080
<v Speaker 3>ninety two, okay, so this is three years after three

0:24:48.119 --> 0:24:51.359
<v Speaker 3>feet high and rising. So it took that period of

0:24:51.400 --> 0:24:54.359
<v Speaker 3>even having like it's like, why have him snakes in

0:24:54.400 --> 0:24:54.760
<v Speaker 3>your head?

0:24:54.840 --> 0:24:57.800
<v Speaker 1>Like people look at Dreadline, right, and I'm from Philly.

0:24:58.200 --> 0:25:01.840
<v Speaker 3>So the way that they villainized as the Africa family

0:25:01.880 --> 0:25:04.399
<v Speaker 3>from Osge Avenue, I lived on O s Ja Avenue,

0:25:04.440 --> 0:25:06.320
<v Speaker 3>so Ramona, Africa.

0:25:06.320 --> 0:25:08.600
<v Speaker 2>Airty, like all that family.

0:25:08.720 --> 0:25:12.320
<v Speaker 3>The move family, you know, conservative Christian black people always

0:25:12.320 --> 0:25:15.040
<v Speaker 3>being judgmental and that sort of thing. So they even

0:25:15.040 --> 0:25:18.280
<v Speaker 3>looked at Dreadlock people as like demons and those are

0:25:18.320 --> 0:25:21.680
<v Speaker 3>stakes in their heads. So they're just looking at us,

0:25:22.880 --> 0:25:26.480
<v Speaker 3>like what planet did y'all land in? But they were

0:25:26.480 --> 0:25:31.040
<v Speaker 3>also hip hop hits. So the second we started doing Dwick,

0:25:33.040 --> 0:25:38.160
<v Speaker 3>all of a sudden, that abyss sub zero judgmental thing

0:25:38.560 --> 0:25:43.360
<v Speaker 3>went the opposite direction, and you know, they did their version.

0:25:43.160 --> 0:25:44.359
<v Speaker 1>Of He's a jolly goodfellow.

0:25:44.440 --> 0:25:50.800
<v Speaker 3>Like but that would happen also because seventy percent of

0:25:50.840 --> 0:25:54.439
<v Speaker 3>all the gigs that we did between ninety three and

0:25:54.520 --> 0:25:59.600
<v Speaker 3>ninety six were mainly Wu Tang cancelation shows at colleges,

0:26:00.640 --> 0:26:03.960
<v Speaker 3>so you know, the audience this thing on, Hey guys,

0:26:04.000 --> 0:26:07.280
<v Speaker 3>how you doing Brown University? It was hey, as you know,

0:26:08.440 --> 0:26:12.040
<v Speaker 3>welcome to Spring fleeen nineteen ninety five. Ray Kwan and

0:26:12.080 --> 0:26:14.560
<v Speaker 3>Ghost couldn't make it, but you know, but not to

0:26:14.600 --> 0:26:17.440
<v Speaker 3>be out done, we have a really awesome group from Philadelphia.

0:26:17.440 --> 0:26:19.639
<v Speaker 3>They're a live banded No No, no, No, The Roots, and

0:26:19.680 --> 0:26:24.119
<v Speaker 3>it's like, m So the reason why we had to

0:26:24.160 --> 0:26:26.360
<v Speaker 3>put so much emphasis on a live show, we knew

0:26:26.359 --> 0:26:30.200
<v Speaker 3>we had ten minutes to make an impression. So all

0:26:30.280 --> 0:26:36.080
<v Speaker 3>that's to say is like the lowered expectation part of

0:26:36.119 --> 0:26:41.760
<v Speaker 3>it is something that I'm used to. And so I

0:26:42.000 --> 0:26:45.600
<v Speaker 3>went into this job knowing. And sure enough, someone on

0:26:46.240 --> 0:26:48.879
<v Speaker 3>I forgot what the reddit of, Like the Reddit of

0:26:48.880 --> 0:26:49.520
<v Speaker 3>two thousand and.

0:26:49.560 --> 0:26:51.679
<v Speaker 2>Nine was a message board or something.

0:26:51.880 --> 0:26:52.240
<v Speaker 1>Yeah, it was.

0:26:52.440 --> 0:26:54.840
<v Speaker 3>It was a message board of like a really popular

0:26:55.440 --> 0:26:59.200
<v Speaker 3>and this journalist said, man, like, this is a sad

0:26:59.280 --> 0:27:02.919
<v Speaker 3>day in history. Watching The Roots take a day job

0:27:03.119 --> 0:27:08.560
<v Speaker 3>as a comedy show Sidekicks is the equivalent of watching

0:27:08.760 --> 0:27:10.879
<v Speaker 3>Miles Davis become a Subway buster.

0:27:11.280 --> 0:27:14.600
<v Speaker 2>Okay, okay, so that's a whole different paradigm than I

0:27:14.640 --> 0:27:17.240
<v Speaker 2>never even would have but never would have answered my mind.

0:27:17.400 --> 0:27:21.720
<v Speaker 1>But the thing was, I knew, I knew the amount

0:27:21.800 --> 0:27:26.560
<v Speaker 1>of inside winking I was going to do taking advantage

0:27:26.600 --> 0:27:29.080
<v Speaker 1>of the show, Like wait a minute, they're doing Jay

0:27:29.119 --> 0:27:32.560
<v Speaker 1>Dillon interludes, they're doing what walk on song for.

0:27:32.600 --> 0:27:37.800
<v Speaker 3>It, Like suddenly we were so underestimated that, Like I'm

0:27:37.840 --> 0:27:41.879
<v Speaker 3>just used to that. I'm used to people kind of

0:27:41.920 --> 0:27:45.520
<v Speaker 3>prejudging us. And you know, so in the case of DiAngelo,

0:27:46.480 --> 0:27:50.720
<v Speaker 3>the fourteen year Journey of Black Messiah was ones with

0:27:50.960 --> 0:27:54.679
<v Speaker 3>highs and lows in it. So the moment where like, Okay,

0:27:54.720 --> 0:27:56.520
<v Speaker 3>now I live in New York and I'll come to

0:27:56.560 --> 0:27:59.720
<v Speaker 3>the studio and start drumming and whatnot, he still didn't

0:27:59.720 --> 0:28:03.240
<v Speaker 3>know he felt about it. And I was like, well,

0:28:03.280 --> 0:28:07.440
<v Speaker 3>that's a weird unsolicited SoundBite you're giving.

0:28:07.200 --> 0:28:10.600
<v Speaker 2>Me, so not even in a conversation. He's just offering

0:28:10.680 --> 0:28:12.159
<v Speaker 2>this opinion of what you.

0:28:12.400 --> 0:28:14.800
<v Speaker 3>Well, you know, just the first month, everyone was like,

0:28:15.240 --> 0:28:18.200
<v Speaker 3>so late night television, huh. You know, there's some people

0:28:18.280 --> 0:28:21.800
<v Speaker 3>that brought up bamboozle, the irony and bamboozles and you know,

0:28:21.920 --> 0:28:25.679
<v Speaker 3>all this all this stuff, and I knew what he

0:28:25.720 --> 0:28:29.840
<v Speaker 3>was hinting towards, like you're going to become the establishment.

0:28:29.240 --> 0:28:32.560
<v Speaker 1>Now, huh, Like I see you, I see you, And

0:28:32.640 --> 0:28:34.280
<v Speaker 1>I'm like, no.

0:28:34.680 --> 0:28:37.439
<v Speaker 3>Like just because I'm wearing a suit on television doesn't

0:28:37.480 --> 0:28:42.840
<v Speaker 3>mean that I'm burning cigars with one hundred dollar bills.

0:28:43.280 --> 0:28:46.920
<v Speaker 3>And you know, we kind of had a heated it

0:28:47.000 --> 0:28:50.440
<v Speaker 3>was like a heated two days of what I would

0:28:50.440 --> 0:28:52.760
<v Speaker 3>call like if you if you remember Spy versus Spy

0:28:52.840 --> 0:28:55.560
<v Speaker 3>and Man magazine, like kind of, uh.

0:28:56.560 --> 0:28:57.200
<v Speaker 2>What you thinking?

0:28:57.240 --> 0:28:57.880
<v Speaker 1>Oh what you think?

0:28:58.080 --> 0:29:00.680
<v Speaker 3>Like I don't know if we're going to fight, argue.

0:29:01.320 --> 0:29:03.080
<v Speaker 3>I don't know if I'm about to walk out in

0:29:03.160 --> 0:29:06.400
<v Speaker 3>five minutes or we make a classic or whatever.

0:29:07.920 --> 0:29:08.120
<v Speaker 1>You know.

0:29:08.320 --> 0:29:10.720
<v Speaker 3>I kind of had to push back on him. It's

0:29:10.720 --> 0:29:13.400
<v Speaker 3>sort of a passive aggressive way. I was like, well,

0:29:14.360 --> 0:29:17.640
<v Speaker 3>you know, man, like I said, I couldn't sit in

0:29:17.680 --> 0:29:21.480
<v Speaker 3>the passenger see forever and look to my left and

0:29:21.520 --> 0:29:22.560
<v Speaker 3>no one's behind the wheel.

0:29:23.480 --> 0:29:24.960
<v Speaker 1>And He's like, what was that supposed to me?

0:29:25.400 --> 0:29:28.520
<v Speaker 3>And you know I had to remind him, like we

0:29:28.680 --> 0:29:30.800
<v Speaker 3>kind of in this weird I don't know if you

0:29:30.840 --> 0:29:36.120
<v Speaker 3>ever read the epic of Gilga Mission or I haven't. Yeah, like, okay,

0:29:36.120 --> 0:29:38.080
<v Speaker 3>I went to a school in which you had to

0:29:38.080 --> 0:29:40.840
<v Speaker 3>read like all this Greek ideology, like.

0:29:40.840 --> 0:29:42.800
<v Speaker 2>I supposed to read it. I just didn't.

0:29:43.040 --> 0:29:45.800
<v Speaker 3>We went deep on like you know, the Odyssey and

0:29:45.840 --> 0:29:48.840
<v Speaker 3>like all the Greek mythology stuff. When you know you're

0:29:48.880 --> 0:29:50.400
<v Speaker 3>listening to hip hop back then, you want to know

0:29:50.440 --> 0:29:52.280
<v Speaker 3>more about Africa, not Greek.

0:29:52.200 --> 0:29:55.360
<v Speaker 1>Started starting a modern culture.

0:29:55.440 --> 0:29:58.680
<v Speaker 3>But I thought we were supposed to be like this

0:29:58.760 --> 0:30:01.360
<v Speaker 3>whole brothers in arms thing, like Okay, we're going to

0:30:01.400 --> 0:30:04.560
<v Speaker 3>start a movement and take one step at a time

0:30:04.640 --> 0:30:10.120
<v Speaker 3>together and do this movement. And I held up my

0:30:10.280 --> 0:30:13.600
<v Speaker 3>end of the deal, you know, like no one takes

0:30:13.600 --> 0:30:18.000
<v Speaker 3>a year off from their momentum to go and help

0:30:18.040 --> 0:30:20.920
<v Speaker 3>someone else. Like the year that I took off was

0:30:20.960 --> 0:30:23.480
<v Speaker 3>the year that we won the Grammy, we finally broke

0:30:23.520 --> 0:30:26.000
<v Speaker 3>through the other side. Like that should have been the

0:30:26.080 --> 0:30:29.800
<v Speaker 3>year we cashed in and kept the momentum going of

0:30:29.840 --> 0:30:32.720
<v Speaker 3>the success that we got, and instead, you know, much

0:30:32.720 --> 0:30:35.000
<v Speaker 3>of the band Cigrine, they were not happy with me

0:30:36.280 --> 0:30:39.520
<v Speaker 3>and taken off an entire year. But I did it

0:30:39.640 --> 0:30:42.560
<v Speaker 3>because I knew that was history and I wanted to

0:30:42.600 --> 0:30:45.640
<v Speaker 3>be a part of history, and so he got offended that.

0:30:46.360 --> 0:30:49.360
<v Speaker 3>I was like, well, you can't say that I'm selling

0:30:49.400 --> 0:30:54.160
<v Speaker 3>out when you abandoned our movement. And so that was

0:30:54.200 --> 0:30:58.480
<v Speaker 3>a hard kind of first few days where even when

0:30:58.520 --> 0:31:00.800
<v Speaker 3>we were jamming with each other, it wasn't the same,

0:31:01.800 --> 0:31:04.480
<v Speaker 3>like we changed those words. And then we start playing

0:31:04.520 --> 0:31:08.720
<v Speaker 3>a groove and he's just like going through the motions

0:31:08.760 --> 0:31:13.520
<v Speaker 3>and I'm not really dead, and I'm like, man, something

0:31:13.520 --> 0:31:17.280
<v Speaker 3>better happened. I was all right, three am, I'm gonna leave.

0:31:18.480 --> 0:31:22.400
<v Speaker 3>That's three am. All right, three fifteen. It don't happen.

0:31:23.160 --> 0:31:27.320
<v Speaker 3>I'm gonna leave. And the craziest thing happened. I said,

0:31:27.320 --> 0:31:28.880
<v Speaker 3>all right, let me just take a break and then

0:31:28.880 --> 0:31:31.280
<v Speaker 3>we'll come back and just one more time.

0:31:31.960 --> 0:31:32.760
<v Speaker 2>We're gonna try.

0:31:32.680 --> 0:31:37.480
<v Speaker 3>This thing, and if it doesn't work this time, then

0:31:38.040 --> 0:31:40.640
<v Speaker 3>it's an end of an era. And so I happened

0:31:40.640 --> 0:31:44.360
<v Speaker 3>to go into the break room and The Fresh Prince

0:31:44.400 --> 0:31:45.760
<v Speaker 3>of bel Air was on Nicked night.

0:31:46.440 --> 0:31:51.440
<v Speaker 1>It was an episode where Carlton was doing the Carlton right.

0:31:52.040 --> 0:31:57.120
<v Speaker 3>And earlier Dad played me sugar Daddy, and that made

0:31:57.120 --> 0:32:01.600
<v Speaker 3>me mad because damn funkiest shit on this record, and

0:32:01.640 --> 0:32:04.040
<v Speaker 3>I'm not on this record. I'm not on Sugar Daddy,

0:32:05.120 --> 0:32:08.400
<v Speaker 3>And so that was fucking with me because he's like

0:32:08.440 --> 0:32:08.960
<v Speaker 3>playing it.

0:32:08.920 --> 0:32:13.680
<v Speaker 2>And like stank facing, like he's the.

0:32:13.600 --> 0:32:16.440
<v Speaker 1>Only mother icker I know that gets high on his

0:32:16.480 --> 0:32:17.080
<v Speaker 1>own supply.

0:32:17.360 --> 0:32:20.440
<v Speaker 3>Like his level of funk moves him, like when he

0:32:20.440 --> 0:32:24.960
<v Speaker 3>hears his ship, he feels that shit, and I have

0:32:25.040 --> 0:32:26.200
<v Speaker 3>to act like I like it.

0:32:27.440 --> 0:32:29.440
<v Speaker 1>Whoo, that's dope.

0:32:29.840 --> 0:32:31.720
<v Speaker 2>You have to you have to not feel the self

0:32:31.760 --> 0:32:32.840
<v Speaker 2>denial part of it.

0:32:33.480 --> 0:32:36.120
<v Speaker 3>Yeah, because I'm like, wait a minute, are you playing

0:32:36.120 --> 0:32:38.040
<v Speaker 3>this for me because you want me to drum on

0:32:38.080 --> 0:32:38.600
<v Speaker 3>this thing or.

0:32:38.640 --> 0:32:42.880
<v Speaker 1>You just showing me that you moved on without me?

0:32:43.280 --> 0:32:46.200
<v Speaker 3>And so you know, once he told me the story

0:32:46.360 --> 0:32:51.280
<v Speaker 3>that Bill Withers drummer James Gapson, who is I mean,

0:32:51.320 --> 0:32:57.040
<v Speaker 3>my idol. He is, like just his entire resume is

0:32:57.120 --> 0:33:00.360
<v Speaker 3>just mind blowing. He tells the story that James and

0:33:00.480 --> 0:33:05.680
<v Speaker 3>heard the groove for Sugar Daddy on Black Messiah, and

0:33:06.680 --> 0:33:08.480
<v Speaker 3>he says, all right, play the song back for me,

0:33:08.480 --> 0:33:11.640
<v Speaker 3>and he goes to the booth, puts the headphones on.

0:33:12.000 --> 0:33:13.560
<v Speaker 3>He's just trying to figure out what he would do.

0:33:14.880 --> 0:33:18.200
<v Speaker 3>So he starts doing this like then he picks up

0:33:18.240 --> 0:33:19.680
<v Speaker 3>to six. He's like, all right, I'm ready to go

0:33:20.080 --> 0:33:24.400
<v Speaker 3>and they're like, no, that was it, thank you. He's

0:33:24.440 --> 0:33:25.920
<v Speaker 3>like no, no, no, I was just hit my lap.

0:33:26.080 --> 0:33:29.880
<v Speaker 3>Like oh, They're like that was perfect.

0:33:30.400 --> 0:33:33.120
<v Speaker 1>James Gadson never played the drums because just the.

0:33:33.080 --> 0:33:37.760
<v Speaker 3>Whole hand boon sound though the collapse in Sugar Daddy

0:33:38.080 --> 0:33:41.760
<v Speaker 3>was enough for D'Angelo and I was like, well, damn,

0:33:41.840 --> 0:33:43.280
<v Speaker 3>that's an incredible story.

0:33:43.360 --> 0:33:45.920
<v Speaker 1>So I definitely know I'm not drumming on this song.

0:33:46.960 --> 0:33:50.560
<v Speaker 3>And so the whole time, like I feel like an outcast,

0:33:50.640 --> 0:33:55.200
<v Speaker 3>Like not only am I getting judged for a career

0:33:55.240 --> 0:33:57.800
<v Speaker 3>move I did, but now you're just flawning in me

0:33:58.440 --> 0:34:02.560
<v Speaker 3>that you got someone else that's my idol from my

0:34:02.640 --> 0:34:07.480
<v Speaker 3>childhood and you know I got someone better than like

0:34:07.520 --> 0:34:11.000
<v Speaker 3>that sort of thing. And so in my mind, I'm like, well,

0:34:11.560 --> 0:34:13.720
<v Speaker 3>this is probably gonna be the funky song on the record.

0:34:13.760 --> 0:34:16.400
<v Speaker 3>So I immediately went back to Prince Language and I said,

0:34:16.880 --> 0:34:19.319
<v Speaker 3>if this is Sheila E's album, this song is a

0:34:19.320 --> 0:34:23.359
<v Speaker 3>love Bizarre. And for if you're a Prince fan and

0:34:23.400 --> 0:34:26.480
<v Speaker 3>you listen to Sheila EA's record, love Bizarre is third

0:34:26.560 --> 0:34:29.480
<v Speaker 3>on that album. But for me, the way that my

0:34:29.560 --> 0:34:33.400
<v Speaker 3>mind thinks in terms of sequencing, Love Bizarre really starts

0:34:33.520 --> 0:34:36.479
<v Speaker 3>with the second song, which is Dear Michael Angelo, which

0:34:36.520 --> 0:34:38.480
<v Speaker 3>is a song that people ignore. But if you are

0:34:38.520 --> 0:34:42.680
<v Speaker 3>an album person, you know what's happening next. I mean,

0:34:42.680 --> 0:34:45.560
<v Speaker 3>it's almost like knowing that Billy Jean's gonna come right

0:34:45.600 --> 0:34:48.319
<v Speaker 3>after beat It, or that human nature is gonna come

0:34:48.320 --> 0:34:52.800
<v Speaker 3>at like you can't separate the positioning of other songs

0:34:53.440 --> 0:34:56.040
<v Speaker 3>and how you judge an album.

0:34:55.680 --> 0:34:57.640
<v Speaker 2>Skypager into scenario.

0:34:59.080 --> 0:35:03.560
<v Speaker 1>Exactly, we don't treat what as its own song?

0:35:04.040 --> 0:35:04.160
<v Speaker 2>Right?

0:35:04.320 --> 0:35:05.880
<v Speaker 1>What is just a movie trailer?

0:35:06.000 --> 0:35:08.480
<v Speaker 2>Oh? What in? Instead of just right?

0:35:08.560 --> 0:35:08.680
<v Speaker 1>Right?

0:35:08.760 --> 0:35:08.960
<v Speaker 2>Right?

0:35:09.600 --> 0:35:18.440
<v Speaker 3>So basically what is an incredible song? But in your mind,

0:35:18.560 --> 0:35:20.400
<v Speaker 3>you know you got three minutes to do what you

0:35:20.440 --> 0:35:24.680
<v Speaker 3>gotta do so that when that Areo comes on, you're

0:35:24.719 --> 0:35:28.680
<v Speaker 3>all in. And I've never listened to what on its

0:35:28.719 --> 0:35:30.880
<v Speaker 3>own without expecting what chicka what?

0:35:33.360 --> 0:35:35.120
<v Speaker 1>Right? In my mind?

0:35:35.239 --> 0:35:37.640
<v Speaker 3>This is this is how calculating I am, and how

0:35:37.880 --> 0:35:45.239
<v Speaker 3>petty I am. I said, okay, okay, I need to

0:35:45.280 --> 0:35:48.720
<v Speaker 3>get in front of this train. Whatever song comes before

0:35:48.840 --> 0:35:52.000
<v Speaker 3>Sugar Daddy, I need to be on that song. I

0:35:52.040 --> 0:35:54.359
<v Speaker 3>got to create the Dear Michael Angelo that comes right

0:35:54.360 --> 0:35:57.000
<v Speaker 3>before Love Bizarre. And so I'm back on the drum

0:35:57.080 --> 0:36:02.759
<v Speaker 3>set and I'm thinking of Carolton doing this dance. So

0:36:02.840 --> 0:36:05.080
<v Speaker 3>I said, okay, I'm gonna take you out your comfort zone.

0:36:05.160 --> 0:36:07.919
<v Speaker 3>D I'm not gonna do no head nodding dell of shit.

0:36:09.640 --> 0:36:12.680
<v Speaker 3>And I started playing this thing on the time time.

0:36:17.000 --> 0:36:19.040
<v Speaker 3>I'm not even looking at dal on the piano. I'm

0:36:19.120 --> 0:36:22.480
<v Speaker 3>just in my mind. I'm trying to imagine people in

0:36:22.520 --> 0:36:26.920
<v Speaker 3>the audience, black people doing the Carlton or like, like,

0:36:26.960 --> 0:36:29.759
<v Speaker 3>I want this shit to sound like Fleetwood Mac shit

0:36:30.040 --> 0:36:32.760
<v Speaker 3>with some ump to it. And I don't know how

0:36:32.880 --> 0:36:35.319
<v Speaker 3>I forced the will, but this is out the song

0:36:35.480 --> 0:36:40.040
<v Speaker 3>charade got made, which I was like, I gotta be

0:36:40.120 --> 0:36:43.240
<v Speaker 3>the song that's right before Sugar Daddy.

0:36:42.760 --> 0:36:45.440
<v Speaker 1>So that I can territorial piss.

0:36:46.520 --> 0:36:48.920
<v Speaker 3>And then when I'm done, okay, James Gatson, come in

0:36:48.920 --> 0:36:51.960
<v Speaker 3>with your little hands lap so you know all that

0:36:52.000 --> 0:36:52.520
<v Speaker 3>have to say?

0:36:52.640 --> 0:36:55.359
<v Speaker 1>Is that back to his hospital bed?

0:36:55.640 --> 0:37:00.160
<v Speaker 3>Yeah, Like I just wondered, was he going to to

0:37:00.360 --> 0:37:03.719
<v Speaker 3>judge what became of my life, you know, because I

0:37:03.760 --> 0:37:07.239
<v Speaker 3>became so professional To them, I was a professional, you know.

0:37:08.239 --> 0:37:10.680
<v Speaker 2>But look at what you use your profession to do.

0:37:10.880 --> 0:37:14.279
<v Speaker 2>Though some are a soul and slid stone, like you

0:37:14.320 --> 0:37:17.239
<v Speaker 2>know what I'm saying, it's it's using your profession to

0:37:17.360 --> 0:37:20.680
<v Speaker 2>advance the same shit that everybody knows was fly though,

0:37:20.800 --> 0:37:22.880
<v Speaker 2>you know what I'm saying, Like, I don't know. I

0:37:22.880 --> 0:37:25.759
<v Speaker 2>feel like that's a different way to go about it.

0:37:25.760 --> 0:37:28.200
<v Speaker 2>It is sellout shit, you know, I know.

0:37:28.280 --> 0:37:31.399
<v Speaker 3>But you know, I think there's this mind state that

0:37:32.000 --> 0:37:35.760
<v Speaker 3>when we're in this rock and roll lifestyle or whatever

0:37:35.800 --> 0:37:39.520
<v Speaker 3>it is, that it's supposed to be debaucherius. It's supposed

0:37:39.520 --> 0:37:43.400
<v Speaker 3>to be hedonistic. It's supposed to be Watch the Lenny

0:37:43.440 --> 0:37:48.520
<v Speaker 3>Kravits Where Are We Running video? That's a great example.

0:37:48.920 --> 0:37:53.240
<v Speaker 3>Look at where are We Running from? Lenny Kravitz. And

0:37:53.320 --> 0:37:55.719
<v Speaker 3>for most people, that's what the rock star's supposed to be,

0:37:55.760 --> 0:37:58.520
<v Speaker 3>like like a bottle jack in your hands. You know,

0:37:58.640 --> 0:38:05.480
<v Speaker 3>it's supposed to be irresponsible, and if you're responsible.

0:38:04.840 --> 0:38:07.160
<v Speaker 1>Then you're seen as a suit or whatever.

0:38:07.400 --> 0:38:11.400
<v Speaker 3>So you know that said, I'm in a position in

0:38:11.480 --> 0:38:14.560
<v Speaker 3>which I don't think of myself as like the privilege

0:38:14.680 --> 0:38:19.200
<v Speaker 3>one percent or whatever, like people think the monopoly whateverver,

0:38:19.280 --> 0:38:22.759
<v Speaker 3>the monocule monopoly guy is like the feed up on

0:38:22.840 --> 0:38:26.600
<v Speaker 3>the desk. I'm not that person. But I'm also not

0:38:27.320 --> 0:38:30.719
<v Speaker 3>the guy who's count up change. So that Treaka and

0:38:30.760 --> 0:38:34.319
<v Speaker 3>I can split a bag of Famous Amos cookies and

0:38:34.680 --> 0:38:37.200
<v Speaker 3>a half gallon of orange juice while we watched Do

0:38:37.320 --> 0:38:39.960
<v Speaker 3>the Right Thing for the twentieth time in the living room.

0:38:40.080 --> 0:38:44.680
<v Speaker 3>So but you know, I will say that the conversation was,

0:38:45.200 --> 0:38:48.720
<v Speaker 3>you know, he was proud of what my life had become.

0:38:49.960 --> 0:38:53.719
<v Speaker 3>And so, you know, anyway, I've realized that maybe for

0:38:53.800 --> 0:38:55.080
<v Speaker 3>the first fifty.

0:38:54.960 --> 0:39:01.280
<v Speaker 1>Minutes of this podcast it won't up being your podcast.

0:39:13.000 --> 0:39:16.400
<v Speaker 3>So I want to know from you, new friend, what

0:39:16.600 --> 0:39:19.359
<v Speaker 3>is your general warning routine.

0:39:19.560 --> 0:39:25.360
<v Speaker 2>I make my little healthy breakfast. It's strawberries, blackberries, yogurt

0:39:25.560 --> 0:39:30.399
<v Speaker 2>and pecans and a bowl, and I have coffee and

0:39:30.560 --> 0:39:31.280
<v Speaker 2>I do wordle.

0:39:31.680 --> 0:39:35.200
<v Speaker 3>And then speaking of Barnman, is he also sending you

0:39:35.320 --> 0:39:36.680
<v Speaker 3>his custom word awards?

0:39:36.719 --> 0:39:39.560
<v Speaker 2>Now no, I don't think so. I don't think I've

0:39:39.600 --> 0:39:41.680
<v Speaker 2>gotten a custom wordal he sends me a lot of wraps.

0:39:42.120 --> 0:39:46.960
<v Speaker 3>Okay, so now that wordle is almost at the bottom

0:39:47.000 --> 0:39:52.840
<v Speaker 3>of the barrel with five letter words, they probably, I believe,

0:39:52.840 --> 0:39:57.080
<v Speaker 3>at the top of two thousand and twenty seven, they

0:39:57.120 --> 0:40:02.440
<v Speaker 3>will have going through every five letter word that's not

0:40:02.520 --> 0:40:06.520
<v Speaker 3>a proper down. I mean, you know, Frank is a

0:40:06.520 --> 0:40:09.520
<v Speaker 3>proper down and Trump is a proper you know. So

0:40:09.640 --> 0:40:13.239
<v Speaker 3>now they're figuring out new ways to deliver words. So

0:40:13.400 --> 0:40:18.960
<v Speaker 3>now you can make up your own wordal clue and

0:40:19.040 --> 0:40:20.799
<v Speaker 3>hand it to your people's right.

0:40:20.880 --> 0:40:23.359
<v Speaker 2>I did see that functionality, but I haven't used it.

0:40:23.600 --> 0:40:28.440
<v Speaker 3>Yeah, Varmin's already on it. So you are conscious of

0:40:28.480 --> 0:40:30.760
<v Speaker 3>your health in terms had.

0:40:30.600 --> 0:40:33.279
<v Speaker 2>To be man because in the pandemic so right at

0:40:33.280 --> 0:40:37.239
<v Speaker 2>the beginning of it, I also got divorced. So suddenly,

0:40:37.920 --> 0:40:39.719
<v Speaker 2>as an adult, I'm really living on my own for

0:40:39.760 --> 0:40:42.879
<v Speaker 2>the first time too, other than when I have my son. Right,

0:40:43.760 --> 0:40:45.440
<v Speaker 2>I looked up one day and stepped on a scale

0:40:45.440 --> 0:40:47.560
<v Speaker 2>and saw a number I couldn't even believe, Like I

0:40:47.600 --> 0:40:50.000
<v Speaker 2>couldn't even like, I couldn't believe that my body could

0:40:50.080 --> 0:40:52.839
<v Speaker 2>do that much bread, I mean that much everything. At

0:40:52.840 --> 0:40:54.799
<v Speaker 2>that time, what I was eating for breakfast was like

0:40:54.840 --> 0:40:58.719
<v Speaker 2>a fried chicken sausage sandwich in an English muffin and

0:40:59.080 --> 0:41:00.719
<v Speaker 2>an egg and a you know what I'm saying. And

0:41:00.719 --> 0:41:02.279
<v Speaker 2>I had a little fruit bias. I thought I was

0:41:02.280 --> 0:41:04.680
<v Speaker 2>doing something, but like I just wasn't paying attention to

0:41:04.680 --> 0:41:06.160
<v Speaker 2>how I was eating. I didn't know how to cook.

0:41:06.200 --> 0:41:08.000
<v Speaker 2>I was eating a bunch of frozen shit. I was

0:41:08.040 --> 0:41:10.479
<v Speaker 2>eating take out all the time, and I wasn't really

0:41:10.480 --> 0:41:13.440
<v Speaker 2>being active. So you know, I look at what it

0:41:13.520 --> 0:41:16.880
<v Speaker 2>happened was that I did with with like Lpe or

0:41:17.000 --> 0:41:20.360
<v Speaker 2>that I did with Dante Ross, and yeah, I'm like,

0:41:20.480 --> 0:41:24.400
<v Speaker 2>my neck is like two times wider than it's supposed

0:41:24.440 --> 0:41:26.600
<v Speaker 2>to be, right, and you know, and I remember what

0:41:26.680 --> 0:41:29.200
<v Speaker 2>my body looked like then too. But you know, I

0:41:29.239 --> 0:41:32.400
<v Speaker 2>started being more health conscious when I saw that that number,

0:41:32.640 --> 0:41:35.920
<v Speaker 2>and so it drastically changed how I eat because I

0:41:35.920 --> 0:41:38.560
<v Speaker 2>actually started to learn about food and shit. You know.

0:41:38.920 --> 0:41:42.359
<v Speaker 3>See you're round about being forty five on the new

0:41:42.400 --> 0:41:43.759
<v Speaker 3>album You're forty five right now.

0:41:43.760 --> 0:41:47.280
<v Speaker 2>I turned forty five tomorrow, God damn tomorrow.

0:41:47.360 --> 0:41:51.000
<v Speaker 3>Okay, all right, well happy, Uh by the time it's

0:41:51.040 --> 0:41:52.360
<v Speaker 3>theres you will have been.

0:41:52.239 --> 0:41:54.520
<v Speaker 2>Forty five, of course, of course, thank you.

0:41:55.120 --> 0:41:59.400
<v Speaker 3>Do you feel like there's an unspoken pandemic happening with

0:41:59.640 --> 0:42:04.000
<v Speaker 3>anyone that's in the rap game and their inability to

0:42:04.160 --> 0:42:05.760
<v Speaker 3>get past the age of fifty?

0:42:07.200 --> 0:42:08.600
<v Speaker 2>I think I need you to say a little bit

0:42:08.600 --> 0:42:10.480
<v Speaker 2>more about that, because my mind interpret that a few

0:42:10.520 --> 0:42:11.320
<v Speaker 2>different ways.

0:42:11.520 --> 0:42:16.600
<v Speaker 3>Okay, So my girl once kind of joked that, you know,

0:42:16.640 --> 0:42:19.520
<v Speaker 3>there was a point where follow me on Instagram was

0:42:19.600 --> 0:42:23.960
<v Speaker 3>very depressing because she said that your Instagram is basically

0:42:24.040 --> 0:42:25.680
<v Speaker 3>a digital morgue.

0:42:25.960 --> 0:42:29.359
<v Speaker 2>Yeah, okay, and you.

0:42:29.280 --> 0:42:31.560
<v Speaker 1>Know, I was kind of in denial and I was like,

0:42:31.640 --> 0:42:35.200
<v Speaker 1>let me look, and then when I.

0:42:34.239 --> 0:42:37.960
<v Speaker 3>Looked, I was like, wow, okay, Well what I stopped

0:42:38.040 --> 0:42:42.319
<v Speaker 3>doing was, you know, in normal times, you know, two

0:42:42.360 --> 0:42:46.160
<v Speaker 3>thousand and fourteen, fifteen sixties, whatever, you know, like the

0:42:46.360 --> 0:42:48.160
<v Speaker 3>early first five years in Instagram.

0:42:48.239 --> 0:42:50.960
<v Speaker 1>Of course I'm gonna like, hey, my favorite bowl of cereal,

0:42:51.360 --> 0:42:53.240
<v Speaker 1>or I got.

0:42:53.080 --> 0:42:55.400
<v Speaker 2>This new drum set mundane sort of.

0:42:55.840 --> 0:42:59.839
<v Speaker 3>Yeah, And somehow my finger just became more concentrated about

0:43:00.239 --> 0:43:05.600
<v Speaker 3>things that I'm obligated to post and things that, you know,

0:43:05.760 --> 0:43:10.000
<v Speaker 3>but most importantly because I didn't want history to be lost. Yeah,

0:43:10.080 --> 0:43:13.319
<v Speaker 3>I will talk about this MC passing away and that

0:43:13.440 --> 0:43:16.240
<v Speaker 3>MC passingway, and this drummer passed away, and this musician

0:43:16.320 --> 0:43:18.880
<v Speaker 3>passing away. And there was one point where there was

0:43:19.000 --> 0:43:22.360
<v Speaker 3>more death posts than there were just regular life posts.

0:43:22.400 --> 0:43:26.239
<v Speaker 3>I wonder, just in general, because of a lot of

0:43:26.280 --> 0:43:30.480
<v Speaker 3>your subject matters of just like like when you rhyme,

0:43:30.840 --> 0:43:34.960
<v Speaker 3>I feel like I'm listening to the inside thoughts of

0:43:35.000 --> 0:43:39.320
<v Speaker 3>your head. Of course, you know, it's not exterior rhymes.

0:43:39.360 --> 0:43:42.160
<v Speaker 3>It's not about I'm the best at my craft, and

0:43:42.200 --> 0:43:43.120
<v Speaker 3>I'll take all.

0:43:43.120 --> 0:43:45.479
<v Speaker 2>Used to be it used to be right.

0:43:45.800 --> 0:43:48.480
<v Speaker 1>But I'm saying that as far as your evolution is concerned,

0:43:48.640 --> 0:43:51.560
<v Speaker 1>I clearly feel that all your rhymes are coming from

0:43:52.200 --> 0:43:53.600
<v Speaker 1>what your inner voice is saying.

0:43:53.960 --> 0:43:56.120
<v Speaker 2>It's some part of my mind talking to the other

0:43:56.200 --> 0:43:59.520
<v Speaker 2>part or what part of aizations.

0:44:00.160 --> 0:44:03.000
<v Speaker 3>Yeah, five parts of our brain alpha, beta, faded, data,

0:44:03.080 --> 0:44:06.200
<v Speaker 3>and gamma, And I feel like those four kind of

0:44:06.239 --> 0:44:09.760
<v Speaker 3>like inside out right, like they're Pixar.

0:44:09.440 --> 0:44:10.080
<v Speaker 2>Is inside out.

0:44:10.680 --> 0:44:13.880
<v Speaker 3>And so in general, I'll ask you, like, during this

0:44:14.000 --> 0:44:17.040
<v Speaker 3>time period, is this a thought or concern of you.

0:44:17.520 --> 0:44:21.000
<v Speaker 1>Have you ever said when I'm sixty, when I'm seventy,

0:44:21.080 --> 0:44:21.440
<v Speaker 1>I don't know.

0:44:21.480 --> 0:44:23.799
<v Speaker 3>I don't have kids, So I think maybe when you

0:44:23.800 --> 0:44:26.800
<v Speaker 3>have a kid, you have a purpose.

0:44:27.440 --> 0:44:29.680
<v Speaker 2>There is a sort of force of will to me

0:44:29.760 --> 0:44:32.440
<v Speaker 2>that feels like it shifts into automatic once you do

0:44:32.520 --> 0:44:34.759
<v Speaker 2>have a child. I don't know if that serves true

0:44:34.760 --> 0:44:37.120
<v Speaker 2>for everybody, because certainly there's many people who have kids

0:44:37.120 --> 0:44:40.719
<v Speaker 2>who you also feel like that will to exists not

0:44:41.000 --> 0:44:46.080
<v Speaker 2>necessarily continued on, but I did feel that shift personally,

0:44:46.239 --> 0:44:50.360
<v Speaker 2>that there was a certain offloading of desire to exist

0:44:50.480 --> 0:44:53.800
<v Speaker 2>just for myself, but to also make sure that this

0:44:54.480 --> 0:44:56.319
<v Speaker 2>being that I care about more than anything in the

0:44:56.360 --> 0:45:00.320
<v Speaker 2>world is also provided for and that I'm here for him,

0:45:00.440 --> 0:45:00.640
<v Speaker 2>you know.

0:45:01.600 --> 0:45:04.200
<v Speaker 1>So for you, it's just the second he came on

0:45:04.239 --> 0:45:05.600
<v Speaker 1>earth and you just felt.

0:45:05.320 --> 0:45:08.840
<v Speaker 2>Like it changed everything. It really did. It really did change.

0:45:08.880 --> 0:45:11.480
<v Speaker 2>It put everything that I did in a different context.

0:45:12.200 --> 0:45:14.400
<v Speaker 2>But the hard part about that is that it puts

0:45:14.400 --> 0:45:17.160
<v Speaker 2>my mistakes in a different context too. Like I had

0:45:17.200 --> 0:45:19.839
<v Speaker 2>a couple like a couple of years ago, maybe even

0:45:19.920 --> 0:45:22.400
<v Speaker 2>just over a year ago. I was like the brokest

0:45:22.440 --> 0:45:25.880
<v Speaker 2>I've ever been in my life, and it had me

0:45:26.120 --> 0:45:30.600
<v Speaker 2>questioning my life choices existentially because it's like, yeah, I

0:45:30.640 --> 0:45:35.560
<v Speaker 2>have lived so many of my dreams, but what does

0:45:35.600 --> 0:45:39.560
<v Speaker 2>it matter if I have nothing to provide for my child?

0:45:39.640 --> 0:45:42.000
<v Speaker 2>You know what I'm saying, Like, what how is he?

0:45:42.000 --> 0:45:45.240
<v Speaker 2>He's sixteen? Okay? You know, Like, what is the value

0:45:45.239 --> 0:45:48.520
<v Speaker 2>of having lived one's dream if that only adds up

0:45:48.560 --> 0:45:51.560
<v Speaker 2>to seventeen dollars and you have a mouth to feed?

0:45:51.719 --> 0:45:53.799
<v Speaker 2>You know what I'm saying. It's like those it's a

0:45:53.920 --> 0:45:58.480
<v Speaker 2>different way of looking at everything I've been able to accomplish,

0:45:58.560 --> 0:46:02.560
<v Speaker 2>not that you know, of course, success and money aren't

0:46:02.600 --> 0:46:06.120
<v Speaker 2>always hand in hand, but specifically in the context of

0:46:06.160 --> 0:46:08.879
<v Speaker 2>how having a child makes you examine the things you've

0:46:08.920 --> 0:46:10.160
<v Speaker 2>done and the choices you make.

0:46:10.320 --> 0:46:13.239
<v Speaker 3>You know, all right, I almost feel like this would

0:46:13.239 --> 0:46:16.200
<v Speaker 3>be a private conversation, but I want you to no,

0:46:16.280 --> 0:46:19.520
<v Speaker 3>I want you to stay here because for me, one

0:46:19.600 --> 0:46:23.080
<v Speaker 3>of the biggest fears I have in life is becoming

0:46:23.120 --> 0:46:26.719
<v Speaker 3>a father fear and I'm not a father, and I

0:46:26.920 --> 0:46:30.279
<v Speaker 3>have kicked that can down the road, all right, when

0:46:30.280 --> 0:46:34.719
<v Speaker 3>I'm thirty three, I'm ready. All right, I'm thirty six.

0:46:35.120 --> 0:46:37.200
<v Speaker 3>And all it takes is just like a day with

0:46:37.239 --> 0:46:39.799
<v Speaker 3>one of the Root's kids for me to be like, Nope,

0:46:40.480 --> 0:46:41.760
<v Speaker 3>I'm good, I'm good.

0:46:42.600 --> 0:46:43.640
<v Speaker 1>I wait till I'm forty one.

0:46:43.760 --> 0:46:49.799
<v Speaker 3>All right, forty five, I'll wait till that, and it's

0:46:49.800 --> 0:46:52.200
<v Speaker 3>time to shit it. Get off the pot. This is

0:46:52.200 --> 0:46:54.560
<v Speaker 3>the first time I'm asking these questions. I can't believe

0:46:54.560 --> 0:46:56.759
<v Speaker 3>I'm using my own platform to ask these questions.

0:46:57.239 --> 0:46:59.680
<v Speaker 1>So what was the feeling sixteen years ago?

0:47:00.200 --> 0:47:03.640
<v Speaker 2>I mean, I was in a very stable partnership with

0:47:03.719 --> 0:47:09.400
<v Speaker 2>a very stable person. The only instability was really me

0:47:09.840 --> 0:47:13.560
<v Speaker 2>and my artistic endeavors and the risks involved in that.

0:47:14.320 --> 0:47:19.200
<v Speaker 2>And I certainly thought with all of my cells right

0:47:19.760 --> 0:47:23.920
<v Speaker 2>that in that year, like when I was living that

0:47:24.000 --> 0:47:26.000
<v Speaker 2>year of two thousand and eight, two thousand and nine,

0:47:26.320 --> 0:47:29.359
<v Speaker 2>that this is I'm committing to this future, like this

0:47:29.440 --> 0:47:32.000
<v Speaker 2>is this is the partnership I'm going to be in

0:47:32.040 --> 0:47:33.560
<v Speaker 2>for the rest of my life. So this is the

0:47:33.640 --> 0:47:36.160
<v Speaker 2>perfect time to bring a child into the world.

0:47:36.239 --> 0:47:39.640
<v Speaker 3>Am I allowed to ask did you plan or just

0:47:39.920 --> 0:47:41.000
<v Speaker 3>plank plan?

0:47:41.360 --> 0:47:42.520
<v Speaker 1>Did you feel like you were ready?

0:47:42.560 --> 0:47:45.080
<v Speaker 3>Because in my mind, I always felt like, Okay, I

0:47:45.120 --> 0:47:47.239
<v Speaker 3>got to make this amount of money and I got

0:47:47.239 --> 0:47:49.520
<v Speaker 3>to have these projects done and everything, and then then

0:47:49.560 --> 0:47:51.480
<v Speaker 3>I'm ready Or is it just a thing where you

0:47:51.560 --> 0:47:52.399
<v Speaker 3>just jump in the water.

0:47:52.480 --> 0:47:55.399
<v Speaker 2>And I mean there was a little jump in the water,

0:47:55.680 --> 0:47:59.000
<v Speaker 2>like I said, Like my partner at the time was

0:47:59.120 --> 0:48:04.880
<v Speaker 2>in a very stable, like rock solid place, and I

0:48:05.040 --> 0:48:07.160
<v Speaker 2>still had a lot to figure out career wise, Like

0:48:07.520 --> 0:48:09.920
<v Speaker 2>at that point, I honestly didn't know if I was

0:48:10.000 --> 0:48:13.239
<v Speaker 2>going to be able to successfully make a career out

0:48:13.320 --> 0:48:14.960
<v Speaker 2>of music or not. But I was like, if not,

0:48:15.040 --> 0:48:17.279
<v Speaker 2>then I'll just get another day job, because I had

0:48:17.320 --> 0:48:21.000
<v Speaker 2>always had day jobs up until that point. And when

0:48:21.120 --> 0:48:24.680
<v Speaker 2>confronted with those thoughts of I don't know if I

0:48:24.719 --> 0:48:27.880
<v Speaker 2>could do this. What I will always do is just

0:48:28.080 --> 0:48:34.360
<v Speaker 2>look around and and remember that like almost every adult

0:48:34.440 --> 0:48:37.160
<v Speaker 2>in my purview, and this is just people in my circles,

0:48:37.160 --> 0:48:41.000
<v Speaker 2>people at the grocery store or whatever, like a very

0:48:41.040 --> 0:48:43.960
<v Speaker 2>small number of these people were planned, Like every all

0:48:44.000 --> 0:48:48.080
<v Speaker 2>of these people were babies once, and very very few

0:48:48.080 --> 0:48:50.680
<v Speaker 2>of them were planned. And it just reminds you that

0:48:50.800 --> 0:48:54.719
<v Speaker 2>just like as a species, we've just been doing this.

0:48:54.920 --> 0:48:59.200
<v Speaker 2>We've been doing this for thousands of years, Like we

0:48:59.360 --> 0:49:01.879
<v Speaker 2>know how to do it. We know how to take

0:49:01.920 --> 0:49:04.280
<v Speaker 2>care of kids, we know how to put our lives

0:49:04.320 --> 0:49:06.319
<v Speaker 2>in a position where if we give a shit enough

0:49:06.320 --> 0:49:09.400
<v Speaker 2>to do this, we'll figure it out, you know. Like

0:49:09.520 --> 0:49:12.799
<v Speaker 2>I that was a thought that comforted me a lot, Like, yeah,

0:49:12.840 --> 0:49:15.160
<v Speaker 2>I'm looking on I'm looking at NBA on T and T.

0:49:15.280 --> 0:49:18.040
<v Speaker 2>I'm like, damn Shaquille O'Neil with somebody's baby ones Like

0:49:18.080 --> 0:49:21.480
<v Speaker 2>that's crazy, you know what I'm saying. But like literally

0:49:21.680 --> 0:49:24.080
<v Speaker 2>all of us were in that position, and very few

0:49:24.120 --> 0:49:28.320
<v Speaker 2>of us were in that position in the most ideal circumstances,

0:49:28.360 --> 0:49:30.880
<v Speaker 2>Like that's not how it goes. Like we all have

0:49:31.120 --> 0:49:34.520
<v Speaker 2>sex and then people have kids, and then people figure

0:49:34.560 --> 0:49:37.480
<v Speaker 2>it out. I was a child of the eighties crack era.

0:49:38.239 --> 0:49:39.920
<v Speaker 2>My mom got in a lot of trouble when I

0:49:40.000 --> 0:49:43.480
<v Speaker 2>was young. My grandparents raised me. You know, shit happened

0:49:43.480 --> 0:49:45.759
<v Speaker 2>to me, Shit happen to all the kids that I know.

0:49:46.440 --> 0:49:49.320
<v Speaker 2>And I've had to check myself a lot and making

0:49:49.360 --> 0:49:54.920
<v Speaker 2>sure that I wasn't being overprotective of my son. In

0:49:55.080 --> 0:49:57.640
<v Speaker 2>ways it didn't even make any sense, Like, you know,

0:49:58.040 --> 0:50:01.000
<v Speaker 2>he's in a different circumstance than I would in so

0:50:01.160 --> 0:50:02.839
<v Speaker 2>many ways, Like not only is.

0:50:02.760 --> 0:50:05.080
<v Speaker 1>He in LA with you now? Like where, Yeah, he's

0:50:05.120 --> 0:50:05.560
<v Speaker 1>in LA.

0:50:05.719 --> 0:50:08.320
<v Speaker 2>He's in LA. Like he goes to school in Culver City,

0:50:08.440 --> 0:50:10.799
<v Speaker 2>Like it's not the South Side of Chicago in the

0:50:10.880 --> 0:50:12.759
<v Speaker 2>late eighties. You know what I'm saying, Like it's a

0:50:12.880 --> 0:50:16.880
<v Speaker 2>different environment. There's threats, but there's they're very different, and

0:50:16.960 --> 0:50:21.160
<v Speaker 2>I'm not necessarily like my fears aren't going to prepare

0:50:21.239 --> 0:50:23.600
<v Speaker 2>him for the environment that he's in right now. You

0:50:23.640 --> 0:50:26.799
<v Speaker 2>know what I'm saying. It doesn't translate like so I'm

0:50:26.800 --> 0:50:29.480
<v Speaker 2>always monitoring for dangers that I am aware of.

0:50:29.680 --> 0:50:32.280
<v Speaker 1>What does his father look out for or worry about?

0:50:32.320 --> 0:50:34.960
<v Speaker 2>In twenty twenty five, the internet or a sixteen year

0:50:34.960 --> 0:50:36.520
<v Speaker 2>old kid the Internet?

0:50:36.880 --> 0:50:38.440
<v Speaker 1>Oh damn, I don't even think about that.

0:50:38.600 --> 0:50:40.839
<v Speaker 2>The Internet, like the Internet, who he's playing, I mean,

0:50:40.880 --> 0:50:42.400
<v Speaker 2>it all goes back to the Internet, because it can

0:50:42.400 --> 0:50:45.600
<v Speaker 2>be social media, it can be who he's playing online

0:50:45.640 --> 0:50:47.719
<v Speaker 2>games with, you know what I'm saying, Like you got

0:50:47.760 --> 0:50:50.400
<v Speaker 2>to look out for people on roadblocks, and you know,

0:50:50.640 --> 0:50:56.080
<v Speaker 2>like what's robots roadblocks is a it's a game engine,

0:50:56.480 --> 0:50:58.880
<v Speaker 2>but it's a closed sort of economy where you like

0:50:58.920 --> 0:51:01.360
<v Speaker 2>a bunch of people make difference types of games in roadblocks.

0:51:01.800 --> 0:51:07.120
<v Speaker 2>But predators go crazy in there grooming kids on roadblocks.

0:51:07.160 --> 0:51:09.680
<v Speaker 2>Like it's a very serious thing, like like you know,

0:51:09.719 --> 0:51:12.120
<v Speaker 2>you can you can enact protections to make sure that

0:51:12.360 --> 0:51:14.560
<v Speaker 2>you know, things are as safe as possible, but it's

0:51:14.600 --> 0:51:18.640
<v Speaker 2>just such a wild West part of gaming that like,

0:51:18.880 --> 0:51:22.120
<v Speaker 2>predators have really taken a hold of that spot.

0:51:22.200 --> 0:51:25.160
<v Speaker 3>And Doug, I literally thought, the only thing I have

0:51:25.239 --> 0:51:27.799
<v Speaker 3>to worry about is sending them to the story to

0:51:27.840 --> 0:51:34.200
<v Speaker 3>get toilet paper or by flower or I didn't even

0:51:34.560 --> 0:51:37.520
<v Speaker 3>fathom or think about that part of life.

0:51:37.600 --> 0:51:39.839
<v Speaker 2>Yeah, that's that's the that's the part and like all

0:51:39.880 --> 0:51:42.000
<v Speaker 2>of my fears, you know what I'm saying, all of

0:51:42.040 --> 0:51:44.520
<v Speaker 2>the ghetto myths we used to make up like that

0:51:44.520 --> 0:51:46.520
<v Speaker 2>that's always so interesting to me to think about. Like

0:51:47.160 --> 0:51:49.480
<v Speaker 2>we used to make up villains in the hood, you

0:51:49.520 --> 0:51:51.640
<v Speaker 2>know what I'm saying, and they were reflective of real things.

0:51:51.680 --> 0:51:54.799
<v Speaker 2>But we used to like tell like it's almost like

0:51:54.840 --> 0:51:57.160
<v Speaker 2>ghost stories about shit that would happen to you, like,

0:51:57.280 --> 0:51:59.640
<v Speaker 2>and that was the way we sort of knew how

0:51:59.680 --> 0:52:01.840
<v Speaker 2>to stay safe for whatever. But like, yeah, like it

0:52:02.200 --> 0:52:06.880
<v Speaker 2>don't translate to now. And I think being very mindful

0:52:07.160 --> 0:52:10.920
<v Speaker 2>of you know, your kids not having accounts on things,

0:52:11.000 --> 0:52:14.040
<v Speaker 2>you know, trying to control the screen time and all

0:52:14.080 --> 0:52:16.719
<v Speaker 2>of that shit is really important. Like it's really important.

0:52:16.800 --> 0:52:19.239
<v Speaker 3>So a new fifteen year old just entered my life

0:52:19.320 --> 0:52:23.520
<v Speaker 3>right now in terms of mentorship, and you know, their

0:52:23.560 --> 0:52:27.319
<v Speaker 3>parents sort of expressed a concern or fear of like

0:52:27.920 --> 0:52:30.280
<v Speaker 3>explaining like this is the most dangerous times of the life.

0:52:30.719 --> 0:52:35.920
<v Speaker 3>For me, that dangerous time was seven to nine, like

0:52:36.000 --> 0:52:38.640
<v Speaker 3>you know, the whole don't take candy from a stranger,

0:52:38.800 --> 0:52:39.920
<v Speaker 3>don't you know.

0:52:40.239 --> 0:52:42.360
<v Speaker 2>But but you know what that's reflective of too, is

0:52:42.360 --> 0:52:45.480
<v Speaker 2>that when we were younger, we used to go out

0:52:45.560 --> 0:52:49.680
<v Speaker 2>outside by ourselves, right right, And that's not really a

0:52:49.719 --> 0:52:53.080
<v Speaker 2>thing that happens now. So society has sort of changed

0:52:53.160 --> 0:52:56.479
<v Speaker 2>on that level too, Like I'm not. I never sent

0:52:56.560 --> 0:52:58.960
<v Speaker 2>my son to the store when he was nine or

0:52:59.000 --> 0:53:02.200
<v Speaker 2>ten by himself to do anything like this is like,

0:53:02.560 --> 0:53:05.480
<v Speaker 2>and if he had been seen walking around my neighborhood

0:53:05.560 --> 0:53:07.520
<v Speaker 2>or his mom's neighborhood at that age, it would have

0:53:07.560 --> 0:53:12.239
<v Speaker 2>looked crazy. Really yeah, really, I think so, Like I

0:53:12.280 --> 0:53:15.600
<v Speaker 2>think kids walking around with other kids, that's one thing.

0:53:15.719 --> 0:53:18.680
<v Speaker 2>But I'm just saying, like a third fourth grader walking

0:53:18.719 --> 0:53:21.759
<v Speaker 2>around solo, I don't see that much out here.

0:53:22.120 --> 0:53:24.840
<v Speaker 3>Then I'm the most blessed even being on earth, because like,

0:53:24.880 --> 0:53:29.480
<v Speaker 3>starting in third grade by myself, I would take the trolley,

0:53:29.800 --> 0:53:34.280
<v Speaker 3>the subway and another train to go to school circle

0:53:34.360 --> 0:53:36.520
<v Speaker 3>back by myself, and.

0:53:36.400 --> 0:53:38.440
<v Speaker 2>Did a lot of that too when I was younger.

0:53:38.480 --> 0:53:41.600
<v Speaker 2>But I think that if I sent my kid out

0:53:41.640 --> 0:53:43.239
<v Speaker 2>into the world now the way I was sent out

0:53:43.239 --> 0:53:44.440
<v Speaker 2>into the world, it would look crazy.

0:53:45.239 --> 0:53:48.560
<v Speaker 3>So this is one of the adjustment things that I

0:53:48.600 --> 0:53:51.759
<v Speaker 3>thought was normal in the seventies and eighties, like a

0:53:52.120 --> 0:53:55.040
<v Speaker 3>like a carporal punishment, like we are like I think

0:53:55.120 --> 0:53:57.080
<v Speaker 3>I think it's similar to that, Like that sort of

0:53:57.160 --> 0:53:58.200
<v Speaker 3>all thought that was normal.

0:53:58.600 --> 0:54:19.600
<v Speaker 4>Yeah, okay, got it.

0:54:12.640 --> 0:54:15.920
<v Speaker 1>To our listeners out there. I really apologized. I was

0:54:15.920 --> 0:54:19.320
<v Speaker 1>trying to sneak in Mike's profession.

0:54:19.440 --> 0:54:22.719
<v Speaker 3>But I told you guys at the beginning that the

0:54:22.760 --> 0:54:25.080
<v Speaker 3>format of the show is gonna be way different than

0:54:25.239 --> 0:54:28.680
<v Speaker 3>just like your first musical memory, what was your first

0:54:28.680 --> 0:54:30.440
<v Speaker 3>memory in life?

0:54:30.680 --> 0:54:33.319
<v Speaker 2>I want to say it was walking into my grandmother's

0:54:33.360 --> 0:54:36.640
<v Speaker 2>apartment when I was like I had to be three

0:54:36.719 --> 0:54:38.719
<v Speaker 2>or four or something like that. But the reason I

0:54:38.760 --> 0:54:41.240
<v Speaker 2>would remember it is because it became where I lived,

0:54:42.560 --> 0:54:43.960
<v Speaker 2>you know, So I feel like it was my first

0:54:43.960 --> 0:54:46.680
<v Speaker 2>time walking into what would become my childhood home.

0:54:47.440 --> 0:54:50.759
<v Speaker 3>And for the record, and this blew my mind when

0:54:50.760 --> 0:54:53.760
<v Speaker 3>I did your podcast, could you share with the audience

0:54:54.560 --> 0:54:56.720
<v Speaker 3>the first rap song you ever heard in your life?

0:54:57.040 --> 0:54:59.600
<v Speaker 2>Oh? My mom, I got in a car. Remember I

0:54:59.600 --> 0:55:01.160
<v Speaker 2>told you my I got in some trouble because she

0:55:01.239 --> 0:55:04.120
<v Speaker 2>was she was an eighties kind of party girl some

0:55:04.440 --> 0:55:07.439
<v Speaker 2>so oh is she when she has you? Oh? I don't.

0:55:07.480 --> 0:55:09.160
<v Speaker 2>I don't even know how if I know how to

0:55:09.200 --> 0:55:11.239
<v Speaker 2>do that math, but I would say it had to

0:55:11.239 --> 0:55:13.600
<v Speaker 2>be early twenties. I had to be early twenties, Okay.

0:55:14.080 --> 0:55:15.719
<v Speaker 2>I got in her car because this is one of

0:55:15.760 --> 0:55:17.680
<v Speaker 2>the days I wasn't living with her, but she picked

0:55:17.680 --> 0:55:19.080
<v Speaker 2>me up from school that day. We was staying at

0:55:19.120 --> 0:55:22.200
<v Speaker 2>her house for the weekend. R This was first grade.

0:55:22.280 --> 0:55:26.240
<v Speaker 2>I get in her car and she's playing Easy. I

0:55:26.280 --> 0:55:30.480
<v Speaker 2>distinctly remember hearing we Want Easy, and I remember hearing

0:55:31.719 --> 0:55:34.879
<v Speaker 2>is it Nobody Moved, Nobody get hurt? Yes, those are

0:55:34.920 --> 0:55:36.759
<v Speaker 2>Those are the two songs that I remember because I

0:55:36.800 --> 0:55:40.560
<v Speaker 2>just couldn't wrap my head around like the bang process. Yes,

0:55:41.160 --> 0:55:43.480
<v Speaker 2>the process by which this was happening, Like I didn't

0:55:43.520 --> 0:55:46.160
<v Speaker 2>know how to deal with it, Like I'm in my

0:55:46.320 --> 0:55:50.880
<v Speaker 2>mother's car, I'm hearing music with curse words in it

0:55:50.920 --> 0:55:53.080
<v Speaker 2>that doesn't like it made me feel like if I

0:55:53.160 --> 0:55:54.680
<v Speaker 2>was in a movie and it would have been a

0:55:54.719 --> 0:55:57.480
<v Speaker 2>part where she would have covered my eyes, but like

0:55:57.800 --> 0:56:01.760
<v Speaker 2>she's just playing it. And this guy's voice sounds funny,

0:56:01.800 --> 0:56:03.640
<v Speaker 2>like I can't even tell if he's like a serious

0:56:03.719 --> 0:56:04.319
<v Speaker 2>person or not.

0:56:04.480 --> 0:56:05.440
<v Speaker 1>Sounds like a cartoon.

0:56:05.880 --> 0:56:09.640
<v Speaker 2>Yeah, it was incredibly entertaining to me. And I'm just

0:56:09.640 --> 0:56:11.960
<v Speaker 2>sitting here like wide eyed and slack jaw, like not

0:56:12.040 --> 0:56:14.319
<v Speaker 2>even knowing how to engage with this. And that was

0:56:14.360 --> 0:56:16.200
<v Speaker 2>the first rap music I ever heard in my life.

0:56:16.600 --> 0:56:19.800
<v Speaker 1>At ten years old. What do you remember about Chicago?

0:56:20.120 --> 0:56:23.000
<v Speaker 2>So that's when I'm going to Drake elementary school, which

0:56:23.040 --> 0:56:24.960
<v Speaker 2>doesn't exist anymore, but it was a school in the

0:56:24.960 --> 0:56:28.080
<v Speaker 2>middle of the projects. One of my craziest memories from

0:56:28.120 --> 0:56:30.880
<v Speaker 2>that school is that we had a kid who transferred

0:56:30.920 --> 0:56:34.040
<v Speaker 2>in seemed like a generally cool kid, got along with everybody.

0:56:34.200 --> 0:56:36.400
<v Speaker 2>He was leaning back in his chair one day in

0:56:36.440 --> 0:56:38.040
<v Speaker 2>the back of the class and we all heard a

0:56:38.120 --> 0:56:40.680
<v Speaker 2>crash and everybody started laughing because he fell. But then

0:56:40.719 --> 0:56:43.480
<v Speaker 2>he like didn't get up, and then they took him

0:56:43.480 --> 0:56:48.839
<v Speaker 2>to the hospital. And I still don't understand these words,

0:56:49.719 --> 0:56:53.160
<v Speaker 2>but the teacher told us that they were told that

0:56:53.280 --> 0:56:56.360
<v Speaker 2>this little boy, because he went he was living in

0:56:56.400 --> 0:56:59.719
<v Speaker 2>the projects immediately surrounding the school. This little boy had

0:56:59.760 --> 0:57:01.920
<v Speaker 2>a s them full of cocaine when he went to

0:57:01.960 --> 0:57:03.719
<v Speaker 2>the hospital, and they were saying they don't know if

0:57:03.719 --> 0:57:06.200
<v Speaker 2>he had an older sibling or something, or a parent

0:57:06.200 --> 0:57:09.640
<v Speaker 2>who was dealing, but like it like h shit, just

0:57:09.719 --> 0:57:15.600
<v Speaker 2>completely like an overdose basically for a child. And so

0:57:16.040 --> 0:57:18.920
<v Speaker 2>that week all of our curriculum was thrown out of

0:57:18.920 --> 0:57:22.280
<v Speaker 2>the window and we just had like Dare Like it

0:57:22.360 --> 0:57:25.160
<v Speaker 2>was like Dare programming like all week long.

0:57:25.680 --> 0:57:28.880
<v Speaker 3>When I first visited Chicago, I mean, we were taught

0:57:28.880 --> 0:57:32.919
<v Speaker 3>to fear Chicago and really a lot of these one

0:57:33.040 --> 0:57:37.000
<v Speaker 3>stop shops, you know, when you're first promoting your record

0:57:37.040 --> 0:57:39.760
<v Speaker 3>and all that stuff, you gotta go to Georgia's record

0:57:39.760 --> 0:57:40.720
<v Speaker 3>shops and all this stuff.

0:57:41.520 --> 0:57:46.200
<v Speaker 1>And we were just told, like Chicago has more projects.

0:57:45.760 --> 0:57:50.120
<v Speaker 3>Per capita, like you know, Cabrina Green's right there, and

0:57:50.240 --> 0:57:53.800
<v Speaker 3>Oprah's Pinhounce is right there, like it was amongst each other.

0:57:53.960 --> 0:57:57.920
<v Speaker 3>So in general, are you walking around like it's normal

0:57:58.920 --> 0:58:02.800
<v Speaker 3>or are you consumed with any second you could be

0:58:02.880 --> 0:58:03.360
<v Speaker 3>out of here.

0:58:03.960 --> 0:58:07.680
<v Speaker 2>So it felt very normal to me, but I could

0:58:07.680 --> 0:58:09.560
<v Speaker 2>tell that to the adults in my life, it wasn't

0:58:09.640 --> 0:58:11.920
<v Speaker 2>very normal. Like I could tell that to my grandparents,

0:58:11.960 --> 0:58:14.800
<v Speaker 2>it wasn't very normal. Like we would hear gunshots outside

0:58:14.840 --> 0:58:17.240
<v Speaker 2>of our building and they would tell us to get low,

0:58:17.680 --> 0:58:19.680
<v Speaker 2>but like you could you could see that it was

0:58:19.760 --> 0:58:23.080
<v Speaker 2>like very frustrating to them, you know what I'm saying.

0:58:23.120 --> 0:58:25.640
<v Speaker 2>Like we didn't live in the projects. We lived in

0:58:25.680 --> 0:58:28.280
<v Speaker 2>a you know, a set of high rises that were

0:58:28.360 --> 0:58:32.160
<v Speaker 2>very close to us, another set of projects. So for us,

0:58:32.200 --> 0:58:39.840
<v Speaker 2>it was normal, like hearing gunshots, like crime, like you know, crackheads, crackheads.

0:58:39.840 --> 0:58:42.920
<v Speaker 2>We had, you know, like drug addicts in our family

0:58:43.200 --> 0:58:48.240
<v Speaker 2>and seeing your auntie turn into something else that was

0:58:48.440 --> 0:58:51.680
<v Speaker 2>very normal. But when I look back on it, it

0:58:51.720 --> 0:58:53.840
<v Speaker 2>seems crazy and like I feel like even now it

0:58:53.840 --> 0:58:56.080
<v Speaker 2>would be nuts to see some of the stuff that

0:58:56.120 --> 0:58:57.960
<v Speaker 2>we saw. But at the time it did feel normal.

0:58:58.040 --> 0:58:59.760
<v Speaker 2>It didn't feel like and I used to come to

0:58:59.840 --> 0:59:01.480
<v Speaker 2>call the four yar a lot too. My dad always

0:59:01.520 --> 0:59:05.440
<v Speaker 2>lived out here, okay, but it never felt like super

0:59:05.440 --> 0:59:07.960
<v Speaker 2>crazier than La to me.

0:59:08.200 --> 0:59:10.800
<v Speaker 3>If I think of my childhood, I miss it and

0:59:10.840 --> 0:59:14.080
<v Speaker 3>reminisce it often I go back. I'll rent a car

0:59:14.280 --> 0:59:16.880
<v Speaker 3>just to drive in Philly, Yeah, and just sit on

0:59:16.880 --> 0:59:20.360
<v Speaker 3>the corner, no specific destination. I'll just sit in front

0:59:20.360 --> 0:59:23.080
<v Speaker 3>of my grandmother's house. Never get out the car. But

0:59:23.280 --> 0:59:26.560
<v Speaker 3>just like that in Chicago, wonder like just see if

0:59:26.640 --> 0:59:29.520
<v Speaker 3>old ghilst pass by for for you, like, do you

0:59:30.080 --> 0:59:33.760
<v Speaker 3>have fond memories of what I would assume is one

0:59:33.800 --> 0:59:36.040
<v Speaker 3>of the most dangerous times in Chicago.

0:59:36.600 --> 0:59:39.840
<v Speaker 2>Absolutely, because it was my childhood, you know what I'm saying,

0:59:39.920 --> 0:59:43.360
<v Speaker 2>Like it was my childhood now, you know, because of

0:59:43.400 --> 0:59:45.720
<v Speaker 2>all of that. And it's funny because it reminds me

0:59:45.760 --> 0:59:48.200
<v Speaker 2>of the pandemic in a way, because of all of

0:59:47.760 --> 0:59:51.400
<v Speaker 2>the hurricane, the bullshit I grew up in. I was

0:59:51.400 --> 0:59:55.000
<v Speaker 2>in a house a lot, so you know, the boom

0:59:55.040 --> 0:59:57.360
<v Speaker 2>boxes and all of that shit, the stereos, like that's

0:59:57.360 --> 1:00:00.360
<v Speaker 2>all Like I'm trying. I'm trying to, like Rea plain

1:00:00.840 --> 1:00:02.840
<v Speaker 2>memories of shit that was in my house that I

1:00:02.840 --> 1:00:05.440
<v Speaker 2>grew up in and I felt very safe, and you know,

1:00:05.760 --> 1:00:10.560
<v Speaker 2>like my fond memories are around like playing Nintendo, you

1:00:10.600 --> 1:00:13.800
<v Speaker 2>know what I'm saying, Or like certain parts of episodes

1:00:13.800 --> 1:00:16.480
<v Speaker 2>of The Cosby Show, you know, like like you know,

1:00:16.640 --> 1:00:19.320
<v Speaker 2>it was earlier we were talking about you said the

1:00:19.320 --> 1:00:22.880
<v Speaker 2>Epica gilgame action. In my head, I'm like Cleveland notes,

1:00:23.320 --> 1:00:27.120
<v Speaker 2>you know what I'm saying, Yeah, yeah, version a cliff note,

1:00:27.160 --> 1:00:29.120
<v Speaker 2>like that ype of stuff.

1:00:29.120 --> 1:00:32.800
<v Speaker 1>That episode, or you end up on the street or

1:00:33.560 --> 1:00:35.600
<v Speaker 1>on the street when they did that, like.

1:00:35.560 --> 1:00:39.360
<v Speaker 2>That that type of shit MTV at that time, Nickelodeon

1:00:39.440 --> 1:00:42.040
<v Speaker 2>at that time, Like that's a lot of shit. Like

1:00:42.080 --> 1:00:44.959
<v Speaker 2>when I live stream sometimes I just find like our

1:00:45.080 --> 1:00:48.960
<v Speaker 2>long blocks of time people have uploaded from you know,

1:00:49.160 --> 1:00:51.760
<v Speaker 2>MTV nineteen ninety one, and well I'll just play that

1:00:51.880 --> 1:00:53.880
<v Speaker 2>and react to it just because it takes me back

1:00:53.920 --> 1:00:56.400
<v Speaker 2>to that place, Like a lot of that media is

1:00:56.440 --> 1:00:57.360
<v Speaker 2>so important to me.

1:00:57.880 --> 1:00:59.760
<v Speaker 1>Did you ever dream of escaping it.

1:01:00.120 --> 1:01:02.120
<v Speaker 2>I think I did escape it. But that's how I

1:01:02.240 --> 1:01:04.600
<v Speaker 2>escaped it was through the media, through music, you know

1:01:04.640 --> 1:01:07.080
<v Speaker 2>what I'm saying, Like through through the music in my headphones.

1:01:07.160 --> 1:01:09.520
<v Speaker 2>Like that's I know it's fucked up when I say this,

1:01:09.960 --> 1:01:12.200
<v Speaker 2>but it's the truth for me. It's why I never

1:01:12.320 --> 1:01:15.800
<v Speaker 2>really got excited or could fuck with gangster rap because

1:01:15.800 --> 1:01:18.520
<v Speaker 2>it always sounded like the shit going on outside my window.

1:01:18.760 --> 1:01:21.000
<v Speaker 2>And I had enough of that shit, like trying to

1:01:21.000 --> 1:01:22.960
<v Speaker 2>go to school, you know what I'm saying. I had

1:01:23.080 --> 1:01:25.200
<v Speaker 2>enough of that shit. Lily wasn't funny to me. It

1:01:25.240 --> 1:01:27.640
<v Speaker 2>wasn't cute to me, like like and we were talking

1:01:27.640 --> 1:01:30.680
<v Speaker 2>about easy E but that felt like more of an abstracted,

1:01:31.520 --> 1:01:34.760
<v Speaker 2>sort of cartoonist version of it. But like real serious

1:01:34.840 --> 1:01:38.840
<v Speaker 2>gangster rap. I had zero appetite for that shit. Zero.

1:01:39.240 --> 1:01:42.560
<v Speaker 3>I think that music was created for those that vicariously

1:01:42.880 --> 1:01:47.680
<v Speaker 3>wanted to know what we were like without having to

1:01:48.880 --> 1:01:50.040
<v Speaker 3>physically come in.

1:01:50.120 --> 1:01:53.920
<v Speaker 2>And experience the voy your experience, you know. But I've

1:01:53.960 --> 1:01:56.280
<v Speaker 2>known a lot of people even you know, in those

1:01:56.400 --> 1:01:59.080
<v Speaker 2>environments that really connected to that because that's what felt

1:01:59.080 --> 1:02:02.840
<v Speaker 2>authentic and really and they wanted the music that reflected outside.

1:02:02.880 --> 1:02:05.240
<v Speaker 2>I just never wanted that. But that's why I think

1:02:05.280 --> 1:02:07.080
<v Speaker 2>that's the answer to your question, because to me, the

1:02:07.200 --> 1:02:09.840
<v Speaker 2>escapism was always like what sounds different than this? What

1:02:09.920 --> 1:02:11.440
<v Speaker 2>looks different than this? You know?

1:02:12.480 --> 1:02:14.400
<v Speaker 3>So I have a theory that you know, once nineteen

1:02:14.440 --> 1:02:19.680
<v Speaker 3>ninety seven came nineteen ninety seven, really ninety two, but

1:02:20.360 --> 1:02:22.520
<v Speaker 3>it came to fruition in ninety seven in which I

1:02:22.560 --> 1:02:26.160
<v Speaker 3>felt that there was these lines drawn in the sand

1:02:26.880 --> 1:02:32.600
<v Speaker 3>where suddenly now there are successful rappers, a list rappers,

1:02:33.160 --> 1:02:37.720
<v Speaker 3>privileged a list successful rappers, and then to my left,

1:02:38.280 --> 1:02:45.960
<v Speaker 3>you know, they're the underground, backpack rappers, you know, the subculture,

1:02:46.040 --> 1:02:50.520
<v Speaker 3>the abyss, the below underground, and then there's the middle ground,

1:02:51.080 --> 1:02:53.120
<v Speaker 3>right kind of a person that has their foot in

1:02:53.160 --> 1:02:54.320
<v Speaker 3>both of these things?

1:02:54.960 --> 1:02:57.600
<v Speaker 1>You know, in general, do you still feel the.

1:02:58.000 --> 1:03:03.360
<v Speaker 3>Apartheid effect of you know, like if you were to

1:03:03.440 --> 1:03:07.800
<v Speaker 3>meet a playboy PARTI right now, even though look I

1:03:07.840 --> 1:03:09.880
<v Speaker 3>did understand the age difference and all those things right

1:03:10.160 --> 1:03:14.480
<v Speaker 3>right right, Like, is it still the three way civil

1:03:14.680 --> 1:03:18.640
<v Speaker 3>war apartheid that I felt it was back in ninety.

1:03:19.920 --> 1:03:20.439
<v Speaker 1>Ninety seven.

1:03:20.520 --> 1:03:22.520
<v Speaker 2>I mean, you saying you felt it was, I'm telling you,

1:03:22.640 --> 1:03:25.040
<v Speaker 2>on the ground it definitely was that. Now, part of

1:03:25.080 --> 1:03:28.680
<v Speaker 2>it was marketing that we bought into, but it was

1:03:28.760 --> 1:03:30.880
<v Speaker 2>serious for us. Like I was part of the kids

1:03:30.880 --> 1:03:33.480
<v Speaker 2>that were ciphering on the corner. Like so when something

1:03:33.520 --> 1:03:36.160
<v Speaker 2>like soundbombing or lyricist lounge came out, I was like, Oh,

1:03:36.520 --> 1:03:38.520
<v Speaker 2>this is for me, this is for us, this is

1:03:38.560 --> 1:03:41.960
<v Speaker 2>our shit, right like so that and then how the

1:03:42.080 --> 1:03:44.960
<v Speaker 2>roots of that sin not intended, but the rulers of

1:03:44.960 --> 1:03:47.400
<v Speaker 2>that sprang up and you know, you get you get

1:03:47.440 --> 1:03:49.920
<v Speaker 2>most deaf and quality, and then they're messing with y'all

1:03:50.000 --> 1:03:52.360
<v Speaker 2>and common. So like there's there's a sort of line

1:03:52.400 --> 1:03:55.320
<v Speaker 2>to be drawn, you know, like back to but did you.

1:03:55.280 --> 1:03:58.600
<v Speaker 3>Know that you were choosing the duebs? Did you know

1:03:58.640 --> 1:04:01.600
<v Speaker 3>that you were choosing the Yeah, because the losers? Yo,

1:04:02.160 --> 1:04:05.520
<v Speaker 3>I was in high school. Like I was in high school.

1:04:05.560 --> 1:04:08.600
<v Speaker 2>I was in high school in Chicago, where like there

1:04:08.680 --> 1:04:15.000
<v Speaker 2>were enormous philosophical, sometimes heated debates about Biggie versus pop,

1:04:15.360 --> 1:04:16.880
<v Speaker 2>and I was part of the crew that was like,

1:04:16.960 --> 1:04:19.400
<v Speaker 2>fuck both of them. We don't listen to none of

1:04:19.400 --> 1:04:22.400
<v Speaker 2>that shit. We was listening to like early MF. Doom

1:04:22.560 --> 1:04:25.920
<v Speaker 2>and Cool Keith and you know Doctor Octagon like like

1:04:26.040 --> 1:04:30.720
<v Speaker 2>and really we were rapping, we were underground. Of course

1:04:30.800 --> 1:04:33.680
<v Speaker 2>we were the dwebs. Like that was us, you know

1:04:33.720 --> 1:04:36.760
<v Speaker 2>what I'm saying, And if you fast forward to now,

1:04:37.440 --> 1:04:39.400
<v Speaker 2>I think what I often have to be careful of

1:04:40.240 --> 1:04:43.360
<v Speaker 2>is not bringing those old dichotomies that I have learned.

1:04:44.120 --> 1:04:46.400
<v Speaker 2>I had to undo the marketing part of it. Like

1:04:46.440 --> 1:04:48.760
<v Speaker 2>I had to undo the fact that like a lot

1:04:48.800 --> 1:04:52.720
<v Speaker 2>of these were artists signed to different offices within the

1:04:52.800 --> 1:04:56.320
<v Speaker 2>same building, and you know, they were pointing back at

1:04:56.400 --> 1:04:58.520
<v Speaker 2>us saying that this is the real shit and then

1:04:58.560 --> 1:05:00.600
<v Speaker 2>this is the popular shit. But they was making the

1:05:00.640 --> 1:05:02.600
<v Speaker 2>same money either way, you know what I'm saying, Like,

1:05:02.880 --> 1:05:05.360
<v Speaker 2>I have to like investigate a lot of that and

1:05:05.400 --> 1:05:06.960
<v Speaker 2>make sure that I'm not bringing a lot of that

1:05:07.000 --> 1:05:09.560
<v Speaker 2>with me, because one thing that I've learned is very

1:05:09.560 --> 1:05:17.160
<v Speaker 2>clear is that the audience doesn't separate them. The audience

1:05:17.640 --> 1:05:23.520
<v Speaker 2>like listeners hip hop fans these days, they fuck with everything.

1:05:23.840 --> 1:05:26.520
<v Speaker 2>They don't mean that they like every artist, but they're

1:05:26.600 --> 1:05:29.520
<v Speaker 2>not going to not listen to somebody because they're underground.

1:05:29.560 --> 1:05:31.880
<v Speaker 2>They're not going to not listen to somebody because they're

1:05:31.920 --> 1:05:33.840
<v Speaker 2>mainstream or because they're popular.

1:05:34.200 --> 1:05:35.480
<v Speaker 1>This is where we might differ.

1:05:35.920 --> 1:05:41.360
<v Speaker 3>I'm under the impression based on just their early Internet

1:05:41.800 --> 1:05:44.240
<v Speaker 3>reaction or just you know, it could be just the

1:05:44.360 --> 1:05:49.160
<v Speaker 3>seven people that would catch me at the diner after

1:05:49.280 --> 1:05:53.600
<v Speaker 3>show in Denver, or me putting my crates back in

1:05:53.600 --> 1:05:57.480
<v Speaker 3>the car after a gig and you know, Houston or something.

1:05:58.440 --> 1:06:01.000
<v Speaker 3>I was under the impression that a big part of

1:06:01.040 --> 1:06:06.280
<v Speaker 3>our success was it's one thing to be chosen, like

1:06:07.480 --> 1:06:09.840
<v Speaker 3>I choose you, like I choose to listen.

1:06:10.560 --> 1:06:11.600
<v Speaker 1>It's open mic eagle.

1:06:12.040 --> 1:06:14.320
<v Speaker 3>But I was finding out that a big part of

1:06:14.360 --> 1:06:19.400
<v Speaker 3>our fan base or the attendees was more like, nah, man,

1:06:20.080 --> 1:06:20.960
<v Speaker 3>I hate.

1:06:21.040 --> 1:06:23.480
<v Speaker 2>That, blah blah blah.

1:06:23.200 --> 1:06:26.320
<v Speaker 3>Which kind of makes me feel like, oh, well, you're

1:06:26.320 --> 1:06:29.080
<v Speaker 3>the only one left. It would be like, you know,

1:06:29.120 --> 1:06:31.560
<v Speaker 3>when I was a kid, there's nothing worse than being

1:06:31.600 --> 1:06:33.760
<v Speaker 3>the last person chosen for.

1:06:33.840 --> 1:06:38.280
<v Speaker 2>Anything A sported, a dodgeball team or whatever. The fuck.

1:06:38.720 --> 1:06:43.640
<v Speaker 1>All right, all right, I'm here, you know, And sometimes

1:06:43.640 --> 1:06:45.760
<v Speaker 1>I felt like that, Like I.

1:06:45.720 --> 1:06:47.800
<v Speaker 2>Do, think it was different, but I'm but this is

1:06:47.800 --> 1:06:52.280
<v Speaker 2>what I'm saying. The marketing was in effect then. But

1:06:52.680 --> 1:06:56.480
<v Speaker 2>right if you look at let's look at doctor MC.

1:06:57.320 --> 1:06:59.560
<v Speaker 2>Would anybody be surprised to see him on a song?

1:06:59.560 --> 1:07:02.560
<v Speaker 2>Which or J Cole or you know, Drake and people

1:07:02.600 --> 1:07:05.080
<v Speaker 2>still like them or Kendrick or anybody like is there

1:07:05.280 --> 1:07:08.720
<v Speaker 2>like maybe thoughting Carti is a little too far right,

1:07:08.800 --> 1:07:12.240
<v Speaker 2>But that's more of a stylistic thing than like a

1:07:12.280 --> 1:07:15.480
<v Speaker 2>popularity thing, you know what I'm saying, Like like literally,

1:07:15.520 --> 1:07:18.080
<v Speaker 2>you know, Carti literally mumbles, you know what I'm saying,

1:07:18.360 --> 1:07:22.600
<v Speaker 2>thought literally elocutes better than anyone. So you know, So

1:07:22.680 --> 1:07:26.720
<v Speaker 2>I think that, of course is a bridge, maybe too far.

1:07:26.880 --> 1:07:30.080
<v Speaker 2>But I think in terms of the there used to

1:07:30.120 --> 1:07:35.800
<v Speaker 2>be a stratifying based on popularity, you know, like you know,

1:07:35.960 --> 1:07:37.760
<v Speaker 2>you look at the what they do video y'all going

1:07:37.840 --> 1:07:41.960
<v Speaker 2>at the images of rappers who were popular, you know

1:07:41.960 --> 1:07:45.680
<v Speaker 2>what I'm saying. When now I feel like popularity doesn't

1:07:45.720 --> 1:07:48.120
<v Speaker 2>play that much of a part in what listeners are

1:07:48.200 --> 1:07:53.000
<v Speaker 2>choosing these days, not as much anyway. I think there's

1:07:53.080 --> 1:07:55.640
<v Speaker 2>a lot less separation these days. I think there's a

1:07:55.680 --> 1:07:57.640
<v Speaker 2>lot less separation these days than there used to be.

1:07:58.680 --> 1:08:01.040
<v Speaker 1>So you're saying that you have hope.

1:08:01.920 --> 1:08:04.960
<v Speaker 2>I'm saying that I'm seeing out there in the trenches

1:08:05.320 --> 1:08:07.240
<v Speaker 2>that it ain't like it used to be. That don't

1:08:07.280 --> 1:08:10.360
<v Speaker 2>necessarily mean it's better, but it ain't like it used

1:08:10.360 --> 1:08:13.600
<v Speaker 2>to be. Okay, that'll help.

1:08:14.000 --> 1:08:19.880
<v Speaker 3>Look, I promise that we're gonna have a professional conversation

1:08:19.960 --> 1:08:20.360
<v Speaker 3>one day.

1:08:20.760 --> 1:08:26.599
<v Speaker 2>Sure, well, let's have three to five unprofessional ones in between.

1:08:26.680 --> 1:08:32.680
<v Speaker 3>Then that half of the audience that stayed for this conversation,

1:08:32.840 --> 1:08:36.080
<v Speaker 3>Oh no, I think that's locked in. This conversation is

1:08:36.120 --> 1:08:39.720
<v Speaker 3>almost close to what a therapy session is like for me.

1:08:40.320 --> 1:08:45.160
<v Speaker 3>I believe that my general belief in and I hate

1:08:45.200 --> 1:08:48.759
<v Speaker 3>just pitcheonholing the term hip hop because it sounds so limiting,

1:08:49.240 --> 1:08:51.840
<v Speaker 3>but okay, I'll take it out of hip hop. I

1:08:51.880 --> 1:08:56.960
<v Speaker 3>believe that the voice is the most important element of

1:08:57.560 --> 1:08:59.040
<v Speaker 3>anyone worth their grain AsSalt.

1:08:59.240 --> 1:09:04.479
<v Speaker 1>The voice is the thing that pulls you in. And

1:09:05.479 --> 1:09:06.280
<v Speaker 1>you have.

1:09:07.360 --> 1:09:11.920
<v Speaker 3>A voice that is like and I don't know how

1:09:11.960 --> 1:09:16.080
<v Speaker 3>to explain it, but it's almost like a safe space

1:09:16.400 --> 1:09:19.960
<v Speaker 3>of that of like a therapist or a psychologist.

1:09:20.360 --> 1:09:23.160
<v Speaker 2>Well, I'll tell you this. I do have a bachelor's

1:09:23.200 --> 1:09:26.840
<v Speaker 2>degree in psychology now. And at one point that was

1:09:26.880 --> 1:09:28.000
<v Speaker 2>gonna be my life path.

1:09:28.080 --> 1:09:29.800
<v Speaker 1>Well why did't you just do the extra four years

1:09:29.840 --> 1:09:30.639
<v Speaker 1>and become a doctor.

1:09:32.160 --> 1:09:35.160
<v Speaker 2>Because I moved to LA and got married and had

1:09:35.200 --> 1:09:38.960
<v Speaker 2>a kid and started making rap music instead, it was

1:09:40.000 --> 1:09:43.960
<v Speaker 2>that's a whole that's a whole nother side story. But

1:09:44.000 --> 1:09:48.360
<v Speaker 2>I hesitate to even say that because it's not something

1:09:48.360 --> 1:09:54.160
<v Speaker 2>that I do on purpose. But I genuinely like talking

1:09:54.280 --> 1:09:57.240
<v Speaker 2>and like listening to people, you know what I'm saying,

1:09:57.280 --> 1:10:00.360
<v Speaker 2>Like I genuinely enjoy it, like I can tell yeah,

1:10:00.479 --> 1:10:01.040
<v Speaker 2>you know, in.

1:10:01.080 --> 1:10:04.040
<v Speaker 3>The podcast, I wound up like this is a confessional.

1:10:04.120 --> 1:10:04.879
<v Speaker 3>I think I said.

1:10:06.479 --> 1:10:06.559
<v Speaker 2>That.

1:10:06.680 --> 1:10:08.679
<v Speaker 3>My producers are like, wait a minute, he never said

1:10:08.720 --> 1:10:12.680
<v Speaker 3>that before, Like you know, so damn you got me.

1:10:13.080 --> 1:10:17.040
<v Speaker 3>Connecting is important, man. I just think it's important, and

1:10:17.080 --> 1:10:19.479
<v Speaker 3>I think it's important. I think it's also important for

1:10:19.560 --> 1:10:22.800
<v Speaker 3>people to hear people connecting that I do believe, which

1:10:22.840 --> 1:10:26.240
<v Speaker 3>is this new format that we're on. It's going to

1:10:26.320 --> 1:10:30.160
<v Speaker 3>take people to get used to this. But you know,

1:10:30.200 --> 1:10:34.200
<v Speaker 3>I did this episode with Willow Smith once. I didn't

1:10:34.240 --> 1:10:37.760
<v Speaker 3>realize how catharic that felt. I've never I rarely have

1:10:37.920 --> 1:10:42.400
<v Speaker 3>done like one on one episodes, and you know, kind

1:10:42.400 --> 1:10:45.920
<v Speaker 3>of the impetus of the old Quest Love Supreme was

1:10:45.960 --> 1:10:51.040
<v Speaker 3>sort of like my ongoing hiding and plain sight things interesting. Well,

1:10:51.040 --> 1:10:53.000
<v Speaker 3>I got Fonte here and I got like, I got

1:10:53.000 --> 1:10:56.240
<v Speaker 3>the cat characters. You know, it's like D'Angelo in the background,

1:10:56.560 --> 1:10:58.960
<v Speaker 3>you know, voices. I always told him, like you do

1:10:59.000 --> 1:11:02.640
<v Speaker 3>all these intricate back things so that you don't have

1:11:02.760 --> 1:11:06.240
<v Speaker 3>to face the people, like you're somewhere back here, but

1:11:07.080 --> 1:11:09.559
<v Speaker 3>all the music and all this other stuff and you

1:11:09.600 --> 1:11:15.320
<v Speaker 3>know art. Yeah, and having that high, that first high

1:11:15.400 --> 1:11:18.519
<v Speaker 3>of the cathartic healing that it felt to have a

1:11:18.600 --> 1:11:22.640
<v Speaker 3>conversation because these are things that I I don't do

1:11:22.800 --> 1:11:26.439
<v Speaker 3>that often, Like this will probably be the first two

1:11:26.600 --> 1:11:32.280
<v Speaker 3>hour conversation I've had with someone this month, which is

1:11:32.280 --> 1:11:32.600
<v Speaker 3>more of a.

1:11:32.640 --> 1:11:34.559
<v Speaker 2>I mean probably stame here now that I think of it,

1:11:34.760 --> 1:11:38.519
<v Speaker 2>I mean, who has two hours these days? So, Mike,

1:11:38.880 --> 1:11:42.519
<v Speaker 2>before I let you go, I definitely want to talk

1:11:42.520 --> 1:11:46.000
<v Speaker 2>about neighborhood gods unlimited. First of all, can you just

1:11:46.400 --> 1:11:49.760
<v Speaker 2>talk to me about the process of your creativity, Like

1:11:49.800 --> 1:11:53.080
<v Speaker 2>when you are at the beginning of a project, are

1:11:53.120 --> 1:11:56.320
<v Speaker 2>you one of these artists who just sort of does

1:11:56.400 --> 1:12:00.880
<v Speaker 2>things by the daily and then act throughout time. There

1:12:01.720 --> 1:12:03.840
<v Speaker 2>maybe twenty five songs sitting around, and then you have

1:12:03.920 --> 1:12:06.320
<v Speaker 2>to figure out which of the bats can fit this

1:12:06.520 --> 1:12:09.280
<v Speaker 2>or do you have a concept in mind before you

1:12:09.360 --> 1:12:11.559
<v Speaker 2>release it out? No, to me, it's it's a little

1:12:11.560 --> 1:12:14.160
<v Speaker 2>bit of a hybrid situation where Typically what I'll do

1:12:14.240 --> 1:12:18.720
<v Speaker 2>is I'll start making songs. I'll get like five or

1:12:18.720 --> 1:12:22.320
<v Speaker 2>six songs in, and then I'll start to understand what

1:12:22.360 --> 1:12:26.639
<v Speaker 2>I'm trying to say with this music, and then I'm like, oh,

1:12:26.760 --> 1:12:28.720
<v Speaker 2>this is what I'm trying to talk about. And then

1:12:28.760 --> 1:12:31.840
<v Speaker 2>I sort of like finished the project, you know what

1:12:31.840 --> 1:12:33.840
<v Speaker 2>I'm saying, And I say finished, But I might only

1:12:33.840 --> 1:12:36.040
<v Speaker 2>be like a third in when I sort of when

1:12:36.360 --> 1:12:39.720
<v Speaker 2>the theme or the narrative or whatever I'm trying to

1:12:39.720 --> 1:12:43.120
<v Speaker 2>do really emerges for me, and then I sort of

1:12:43.160 --> 1:12:45.240
<v Speaker 2>take that through the rest of it, you.

1:12:45.160 --> 1:12:48.720
<v Speaker 3>Know, Okay, so what is what is your theory with

1:12:48.920 --> 1:12:50.160
<v Speaker 3>Neighborhood Gods Unlimited?

1:12:50.200 --> 1:12:51.839
<v Speaker 1>Then like, what's what's your.

1:12:52.200 --> 1:12:54.040
<v Speaker 2>I mean, this is this is a story, Like it's

1:12:54.040 --> 1:12:58.360
<v Speaker 2>a trauma story about what trauma does in a lot

1:12:58.400 --> 1:13:00.720
<v Speaker 2>of cases, and shadow shadow a per into a bunch

1:13:00.760 --> 1:13:03.880
<v Speaker 2>of little pieces, right. This is a story of somebody

1:13:03.880 --> 1:13:07.040
<v Speaker 2>trying to put themselves back together but going about it

1:13:07.080 --> 1:13:10.080
<v Speaker 2>the wrong way. And then that's that sort of sets

1:13:10.080 --> 1:13:12.559
<v Speaker 2>the table for everything that happens in this album one

1:13:12.600 --> 1:13:13.320
<v Speaker 2>way or another.

1:13:14.080 --> 1:13:17.719
<v Speaker 3>How do you deal with trauma in twenty twenty five?

1:13:18.520 --> 1:13:21.200
<v Speaker 2>I mean, I have to give all praise due to

1:13:21.240 --> 1:13:24.280
<v Speaker 2>my therapists. Man, I really do. And I went through

1:13:24.320 --> 1:13:26.400
<v Speaker 2>a lot of therapists in my life, but I had

1:13:26.400 --> 1:13:32.280
<v Speaker 2>to find one that was specifically trauma focused because nobody

1:13:32.320 --> 1:13:34.080
<v Speaker 2>else is going to be able to get around all

1:13:34.080 --> 1:13:36.559
<v Speaker 2>of my verbal bullshit that I do to make everything

1:13:36.640 --> 1:13:38.840
<v Speaker 2>make sense in my mind. You know what I'm saying, Like,

1:13:39.439 --> 1:13:42.320
<v Speaker 2>somebody has to be trained in trauma therapy for me

1:13:42.360 --> 1:13:46.600
<v Speaker 2>to like get outside of myself and actually see you

1:13:46.640 --> 1:13:48.680
<v Speaker 2>know what I'm saying, what I'm doing, the choices that

1:13:48.720 --> 1:13:52.280
<v Speaker 2>I'm making, and be able to actually like start to reintegrate.

1:13:52.160 --> 1:13:55.559
<v Speaker 3>Kind of under the impression that all therapists should be

1:13:55.600 --> 1:13:59.240
<v Speaker 3>prepared for trauma in other words.

1:13:58.439 --> 1:14:02.600
<v Speaker 2>I think preparation, but like, there are specific avenues of

1:14:02.680 --> 1:14:06.519
<v Speaker 2>therapy that are built around dealing with trauma. And it's

1:14:06.560 --> 1:14:10.160
<v Speaker 2>not just like cognitive behavioral therapy or this or that.

1:14:10.240 --> 1:14:13.720
<v Speaker 2>It's like, this is trauma therapy. People do like EMDR

1:14:14.000 --> 1:14:18.040
<v Speaker 2>like that sort of stuff, Like these are particular trauma

1:14:18.240 --> 1:14:20.479
<v Speaker 2>centered approaches to dealing with there.

1:14:21.479 --> 1:14:25.200
<v Speaker 3>And so in terms of connecting, is this more of

1:14:25.400 --> 1:14:27.639
<v Speaker 3>just a cathartic exercise for you?

1:14:27.960 --> 1:14:31.160
<v Speaker 1>Do you? Like, what's your general fan base?

1:14:31.800 --> 1:14:35.559
<v Speaker 3>Because again, as as I stated, I feel like you

1:14:35.640 --> 1:14:39.479
<v Speaker 3>are rhyming from the inside of your head, right the

1:14:39.560 --> 1:14:42.400
<v Speaker 3>thoughts in your head, and you know, your courses sound

1:14:42.439 --> 1:14:46.040
<v Speaker 3>like affirmations, so it's almost like I hear you actively

1:14:46.280 --> 1:14:52.840
<v Speaker 3>working it out in general when you are performing or

1:14:53.000 --> 1:14:56.559
<v Speaker 3>just getting general feedback of it, Like what's the reaction

1:14:56.680 --> 1:14:58.639
<v Speaker 3>as far as like the connection, and.

1:15:00.320 --> 1:15:03.760
<v Speaker 2>It's interesting, I feel like people that enjoy it, because

1:15:03.760 --> 1:15:05.800
<v Speaker 2>there's obviously it's people who aren't who don't, but the

1:15:05.800 --> 1:15:08.240
<v Speaker 2>people that do, they can enjoy it on a bunch

1:15:08.280 --> 1:15:12.080
<v Speaker 2>of levels or different levels. Like some people just like

1:15:12.080 --> 1:15:14.360
<v Speaker 2>like you say, some people just like how my voice sounds,

1:15:14.600 --> 1:15:17.160
<v Speaker 2>some people like the ways the choruses are, some people

1:15:17.240 --> 1:15:19.760
<v Speaker 2>like the sort of beat choices that I make, and

1:15:19.840 --> 1:15:22.960
<v Speaker 2>some people get really really deep into trying to unpack

1:15:23.040 --> 1:15:25.880
<v Speaker 2>the story of the album and dig really deep into it.

1:15:25.920 --> 1:15:28.639
<v Speaker 2>Now that's you know, that's what I'm always most pleased by.

1:15:29.400 --> 1:15:31.920
<v Speaker 2>But I understand that that's asking a lot of a

1:15:32.040 --> 1:15:35.280
<v Speaker 2>rap listener to like try to put a puzzle together.

1:15:35.880 --> 1:15:38.160
<v Speaker 2>But to me, like that's like the work that most

1:15:38.280 --> 1:15:42.559
<v Speaker 2>interests me from other people from like film directors, authors, whatever,

1:15:42.680 --> 1:15:46.479
<v Speaker 2>like it does that like it doesn't necessarily handhold you

1:15:46.560 --> 1:15:49.439
<v Speaker 2>through the entire process, you know, like it asks you

1:15:49.560 --> 1:15:53.240
<v Speaker 2>to like jump in here, make an impression, make an interpretation,

1:15:53.840 --> 1:15:54.920
<v Speaker 2>and see where you land.

1:15:56.000 --> 1:15:58.880
<v Speaker 3>I want to know, like, are you a night person

1:15:59.160 --> 1:16:03.040
<v Speaker 3>creating this? Are you you a morning person? If we

1:16:03.040 --> 1:16:05.040
<v Speaker 3>weren't podcasting right now, would you be?

1:16:06.360 --> 1:16:09.320
<v Speaker 2>I have another podcast that I usually tape during this time.

1:16:10.120 --> 1:16:13.000
<v Speaker 2>I'm sorry, no, no, no, don't apologize. I mean actually

1:16:13.000 --> 1:16:14.840
<v Speaker 2>we don't even we don't even podcast here. We have

1:16:14.920 --> 1:16:16.880
<v Speaker 2>like a planning meeting we usually do during this time.

1:16:17.160 --> 1:16:20.160
<v Speaker 2>But like, typically this part of my morning is just

1:16:20.200 --> 1:16:22.320
<v Speaker 2>about every day is me sitting in this room talking

1:16:22.400 --> 1:16:25.200
<v Speaker 2>on this microphone for one reason or another. And so

1:16:25.479 --> 1:16:29.360
<v Speaker 2>I tend to work on my creative works after this

1:16:29.560 --> 1:16:32.760
<v Speaker 2>into the afternoon, and then when I have my son,

1:16:32.760 --> 1:16:34.280
<v Speaker 2>I'm going to pick him up from school and we

1:16:34.360 --> 1:16:36.479
<v Speaker 2>have an evening, and when I don't have him, I

1:16:36.520 --> 1:16:37.519
<v Speaker 2>might be working all night.

1:16:38.479 --> 1:16:42.880
<v Speaker 1>Speaking of podcasting, can we expect anything? Well? Wait, how

1:16:42.880 --> 1:16:44.120
<v Speaker 1>many do you have so far?

1:16:44.400 --> 1:16:48.799
<v Speaker 2>Besides how many podcasts? Yes? Uh, okay, what had Happened

1:16:48.880 --> 1:16:51.639
<v Speaker 2>was in past Due? Those are the only two active

1:16:51.680 --> 1:16:53.680
<v Speaker 2>ones right now. Past Do is a podcast I do

1:16:53.760 --> 1:16:57.960
<v Speaker 2>with Anna Marie Cox where we talk to creators about

1:16:57.960 --> 1:17:01.479
<v Speaker 2>like their financial realities. So that's like a whole different beast.

1:17:02.240 --> 1:17:04.559
<v Speaker 2>And then you know, I'm cooking something else. I'm cooking

1:17:04.600 --> 1:17:08.000
<v Speaker 2>something else that you know, Uh y'all might hear about

1:17:08.080 --> 1:17:10.320
<v Speaker 2>association with the with the family over here?

1:17:10.400 --> 1:17:11.320
<v Speaker 1>Can we talk about it?

1:17:11.640 --> 1:17:15.040
<v Speaker 2>So you know, I'm working on this podcast called uh well,

1:17:15.080 --> 1:17:17.160
<v Speaker 2>the working title is called The Album that Changed My

1:17:17.240 --> 1:17:22.240
<v Speaker 2>Life h where I interview people from all walks of

1:17:22.280 --> 1:17:27.320
<v Speaker 2>life about the music that changed them, the music that

1:17:27.360 --> 1:17:30.559
<v Speaker 2>sticks with them, their their favorite music ever. And the

1:17:30.600 --> 1:17:34.080
<v Speaker 2>way that the show is constructed will have somebody involved

1:17:34.080 --> 1:17:37.080
<v Speaker 2>in that project there in the conversation too, and we

1:17:37.160 --> 1:17:39.759
<v Speaker 2>think it'll give it an interesting insight into the person

1:17:39.800 --> 1:17:43.280
<v Speaker 2>that we're talking to and that music. And I'm really

1:17:43.320 --> 1:17:44.760
<v Speaker 2>excited to start digging into that.

1:17:45.200 --> 1:17:47.519
<v Speaker 3>All right there, I ask you, can you give us

1:17:47.520 --> 1:17:49.680
<v Speaker 3>a what is the album that changed your life? In

1:17:51.360 --> 1:17:53.439
<v Speaker 3>see but is it the album that changed your life?

1:17:53.520 --> 1:17:54.920
<v Speaker 3>Or is it your favorite album?

1:17:55.640 --> 1:17:59.280
<v Speaker 2>I think for different guests it'll be a different answer,

1:17:59.400 --> 1:18:01.000
<v Speaker 2>like what I would go with, like if I was

1:18:01.080 --> 1:18:02.600
<v Speaker 2>if I was a guest and not the host, I

1:18:02.600 --> 1:18:05.160
<v Speaker 2>would to say Midnight Marauders. And you know, what I'm saying,

1:18:05.160 --> 1:18:07.920
<v Speaker 2>and I would talk to anybody for midnight marauders, you know,

1:18:07.960 --> 1:18:10.920
<v Speaker 2>whether it be a Q tip or by Power or

1:18:11.040 --> 1:18:14.320
<v Speaker 2>you know, Ali or whoever we could talk to it.

1:18:14.320 --> 1:18:17.000
<v Speaker 2>It'd be that sort of configuration. I'm not I'm not

1:18:17.040 --> 1:18:18.720
<v Speaker 2>saying we got nothing like that in the can. I

1:18:18.760 --> 1:18:21.120
<v Speaker 2>don't want people getting too excited. But that's where we

1:18:21.200 --> 1:18:21.479
<v Speaker 2>aim it.

1:18:22.280 --> 1:18:24.400
<v Speaker 3>Okay, we got to aim high if we're doing this,

1:18:24.880 --> 1:18:28.559
<v Speaker 3>behind it one hundred percent. Well, thank you, brother, I

1:18:28.960 --> 1:18:35.080
<v Speaker 3>really appreciate you. Uh, probably the most unusual episode of QLs,

1:18:35.240 --> 1:18:39.320
<v Speaker 3>and you know, I will let our audience know that. Selfishly,

1:18:40.320 --> 1:18:45.280
<v Speaker 3>I decided to use Mike's episode as my own therapy

1:18:45.320 --> 1:18:46.400
<v Speaker 3>session because.

1:18:47.800 --> 1:18:50.360
<v Speaker 2>I think we're all the better for it. It's always

1:18:50.360 --> 1:18:53.760
<v Speaker 2>a pleasure to talk to you, and I feel I

1:18:53.800 --> 1:18:58.080
<v Speaker 2>feel privileged to peel some of the layers back in

1:18:58.160 --> 1:19:00.960
<v Speaker 2>either direction. You know what I'm saying, and actually, you know,

1:19:01.520 --> 1:19:03.439
<v Speaker 2>forge a relationship, you know what I'm saying, because I

1:19:03.800 --> 1:19:05.920
<v Speaker 2>think that's really important. It asked that.

1:19:06.600 --> 1:19:08.519
<v Speaker 1>Well, thank you, brother, I appreciate it.

1:19:08.840 --> 1:19:12.479
<v Speaker 3>Plead go open, Mike Eagle, this is QLs and I

1:19:12.520 --> 1:19:19.840
<v Speaker 3>will see you on the next go round. The Quest

1:19:19.840 --> 1:19:23.120
<v Speaker 3>Love Show is hosted by me Mere Quest Love Thompson.

1:19:23.960 --> 1:19:27.800
<v Speaker 3>The executive producers are Sean g Brian Calhoun, and Me

1:19:29.400 --> 1:19:34.000
<v Speaker 3>Produced Dude by Brittany Benjamin and Jake Paine. Produced for

1:19:34.200 --> 1:19:36.440
<v Speaker 3>iHeart by Noel Brown.

1:19:37.280 --> 1:19:39.040
<v Speaker 1>Edited by Alex Convoyman.

1:19:39.560 --> 1:19:45.040
<v Speaker 3>iHeart Video support by Mark Canton, Logo's graphics and animation

1:19:45.160 --> 1:19:51.920
<v Speaker 3>by Nick Aloe. Additional support by Lance Copan. Special thanks

1:19:51.960 --> 1:19:58.280
<v Speaker 3>to Kathy Brown. Special thanks to Sugar Steve Mandel. Please subscribe,

1:19:58.320 --> 1:20:02.679
<v Speaker 3>break review, and share Love Show wherever stream your podcast.

1:20:03.200 --> 1:20:08.160
<v Speaker 3>Make sure you follow us on socials That's at QLs.

1:20:09.600 --> 1:20:12.760
<v Speaker 3>Check out hundreds and hundreds of QLs episodes, including the

1:20:12.880 --> 1:20:15.880
<v Speaker 3>Quest Love Supreme Shows and our podcast archives.

1:20:18.080 --> 1:20:20.640
<v Speaker 1>Quest Love Show is the production of iHeartRadio.