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Speaker 1: The nick Agliser Podcast. Glaserres Nikki. Hello here I am

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Speaker 1: It's Nicky Glazer Podcast. Welcome to the show. I'm here

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Speaker 1: in my our house, our partner with Chris Convey, my

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Speaker 1: boyfriend habitation. I live in partner.

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Speaker 2: Yeah, now's your roommate too.

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Speaker 1: Oh yeah, he's my roommate, bed mate. You gotta get

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Speaker 1: a bigger bed. Oh, boy, on your Brian and Miller

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Speaker 1: are also here.

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Speaker 3: Yes, do they all have Yeah?

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Speaker 1: Are you guys sleeping with partners in a queen? I

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Speaker 1: mean Brian doesn't sleep with this partner in the bed.

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Speaker 1: They have separate bedrooms. So do you sleep with a queen?

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Speaker 1: With two people?

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Speaker 4: Queen here?

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Speaker 3: Well?

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Speaker 4: Also a creature, a pound dog.

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Speaker 1: It's insane your dog sleeps in bed with you?

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Speaker 4: Yeah?

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Speaker 1: What are you guys doing?

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Speaker 4: Come on block city?

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Speaker 1: You know, I mean like sleep block city? Like, can

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Speaker 1: you even sleep with that? Aren't you constantly waiting?

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Speaker 4: So wonderful? I do have a hip dysplasia and I'm

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Speaker 4: constantly waking up.

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Speaker 1: No, you have things that a dog should have. Yeah, friends, haircut.

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Speaker 4: Butthole, it does look like a good haircut.

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Speaker 2: Haircut?

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Speaker 5: Yeah, no, this is this is two weeks from a haircut.

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Speaker 5: So it's like about that time when it starts to

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Speaker 5: grow in.

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Speaker 1: And everyone's please's feeling it.

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Speaker 5: You know how it is when you get a haircut.

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Speaker 5: No matter how the haircut is, when you get it,

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Speaker 5: you just feel like it's shit. It takes like two

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Speaker 5: weeks then it's good.

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Speaker 4: I just asked Matt if I looked like a Republican

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Speaker 4: newscaster the other day, because I too had He.

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Speaker 1: Just asked you. You told us if you looked like

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Speaker 1: a pale mouse? How do you guys ask each other

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Speaker 1: these really hurtful questions that you know you're never going

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Speaker 1: to say yes to, Like, I don't think I've ever

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Speaker 1: asked you do I look fat? Or do I look ugly?

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Speaker 3: I tell you every morning before I leave.

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Speaker 1: Yeah, I have to question it. You write me a

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Speaker 1: note on all of my little lunches you pack for

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Speaker 1: me that are just celery sticks.

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Speaker 3: You know you know how you look on what I

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Speaker 3: pack for you in your luck.

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Speaker 1: It's true. No, I don't understand people who ask their

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Speaker 1: partners things that are hurtful. Are you? You're pretty much

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Speaker 1: just telling them to tell you the opposite, because you

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Speaker 1: don't really want to know if you look like a

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Speaker 1: Republican And are you expecting do you know that you'll

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Speaker 1: be able to know if you look like a what

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Speaker 1: did you say? A housewive, Republican housewife, Republican newscster. Okay,

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Speaker 1: do you know will his response? If he laughs, does

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Speaker 1: that mean yes?

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Speaker 4: Yes, absolutely, yes, okay?

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Speaker 1: And what are you going to do about it? If

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Speaker 1: he laughs?

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Speaker 4: Get a haircut, get another one, go even short fucked

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Speaker 4: and put some hair powder in my hair.

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Speaker 2: Just start watching Tucker Carlson.

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Speaker 3: Yeah, get rid of the bow tie that you wear

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Speaker 3: around the house with him every day.

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Speaker 1: This just and we're fighting.

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Speaker 5: It's a trick though, because if somebody asks like, oh,

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Speaker 5: do I look Republican and you say no, you don't,

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Speaker 5: then you're denying that a person's feelings and they get

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Speaker 5: upset that way.

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Speaker 2: So what you have to do?

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Speaker 1: You've never asked anyone for feedback on my looks. I'm

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Speaker 1: so scared of the answer. Why do you guys want

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Speaker 1: to know that you look bad?

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Speaker 4: I don't care if I look like a Republican newscaster.

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Speaker 4: It's just a haircut. So and Matt doesn't lie, which

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Speaker 4: I love, and I can't believe it's not on the

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Speaker 4: spectrum but I think he just tells the truth. He's like,

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Speaker 4: I don't think so at all, Like I can tell

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Speaker 4: if he's lying at all.

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Speaker 3: Believe that right.

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Speaker 4: He's not a great actor.

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Speaker 3: Have you seen Republican newscasters.

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Speaker 1: They're kind of you're right, that's what they're like.

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Speaker 3: That's that's part of what's going on over there.

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Speaker 1: You'll over there. Yeah, that's why everyone's.

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Speaker 4: Speaking of coming to San Diego soon. I don't miss

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Speaker 4: Nicky and san.

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Speaker 1: Diego to San Diego full of Republican.

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Speaker 4: Yes, yes, turn on TV when we're there.

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Speaker 1: You'll be like Jesus Christ.

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Speaker 4: It's like the Trump what was Trump's pageant, the Miss

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Speaker 4: Universe or Miss World.

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Speaker 1: Oh yeah, they're all that.

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Speaker 4: They all have mermaid hair and it's bleached out of

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Speaker 4: their and their teeth are gleaming, and they're just really

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Speaker 4: really right wing and beautiful.

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Speaker 1: You were mentioning something before the podcast about Matt asking

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Speaker 1: about his pallor, and I was going to bring this

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Speaker 1: up on the show today. Men are getting spray hands

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Speaker 1: so much more. I've noticed it in all of my

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Speaker 1: like comedian friends. Kreischer even yesterday posts a video that

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Speaker 1: I loved where he's losing weight and he's like kind

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Speaker 1: of documenting it, and he goes, this is what I

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Speaker 1: look like when I put a spray tan on this.

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Speaker 1: Imagine what it's going to look like. So he acknowledged

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Speaker 1: the thing that women have always known. You get so

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Speaker 1: much hotter with a spray tan. I like that mat

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Speaker 1: are embracing it. It doesn't make me cringe. I think

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Speaker 1: that if you're smart, if you're on TV a lot,

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Speaker 1: you should get a spray tank. Because I've noticed these

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Speaker 1: guys all looking a little bit like they get richer,

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Speaker 1: and I'm like, what are they doing that's different? They're

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Speaker 1: just doing spray tans.

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Speaker 4: And hair stuff like I that Morning show is doing something.

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Speaker 4: I mean, he's always had a great hairline, but it's

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Speaker 4: even better. And what's his name, the brother crowd up's

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Speaker 4: doing something to his hair. He's not getting a lot

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Speaker 4: of facework done. But man is aging, well.

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Speaker 1: Yeah he does. You the other guy, he's aging like

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Speaker 1: a skeleton. Like he's aging like that like missed Bones.

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Speaker 1: He's aging like the Jack that you know from the

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Speaker 1: Midnight before Christmas Jalloweening. Yes, he kind of is aging

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Speaker 1: a little bit like that. But he looks good.

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Speaker 4: He's got a tight neck, tight neck.

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Speaker 1: I like him a lot, but he's getting, he's getting.

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Speaker 1: Are you watching The Morning episode two? Yeah? Okay, so

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Speaker 1: you are like watching in the middle of episode two,

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Speaker 1: or you're like came back from space? Well, oh so

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Speaker 1: you only watched one episode?

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Speaker 3: Correct spoiler for anybody that's watched.

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Speaker 1: I put it on my story too. It deserves to

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Speaker 1: be spoiled.

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Speaker 3: It's the worst.

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Speaker 1: It's the dumbest thing I've ever watched. And I said

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Speaker 1: the thing, sure, Oh my god, it should be the

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Speaker 1: news phrase should be it went to space space.

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Speaker 3: On a half hour notice.

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Speaker 1: Oh my god. Okay, so let's just talk about the

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Speaker 1: Morning Show. The Morning Show is like, that was this

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Speaker 1: great show. They did a whole season or two seasons.

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Speaker 1: It was compelling. There was like drama. It's like, not

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Speaker 1: the best written show. Chris, you made a great point

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Speaker 1: the other day. If you're watching Succession and then you

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Speaker 1: go to the Morning Show, you're going to have.

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Speaker 3: Some judge, you're gonna have a bad time.

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Speaker 1: You're not gonna have a great time because Succession is

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Speaker 1: the greatest show ever. And if you're even if you're

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Speaker 1: watching Suits, you're gonna have a bad time because the

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Speaker 1: dialogue is raw and it's his favorite show.

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Speaker 3: I would put suits, no joke.

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Speaker 1: I said it the other night. I go, is this

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Speaker 1: better than suits? And you were like, oh, this is

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Speaker 1: suits one hundred times.

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Speaker 3: Yeah, suits, I would put suits. You know, whatever the

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Speaker 3: good seasons are, I don't really remember, but I would

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Speaker 3: put the good seasons of Suits up against the Morning

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Speaker 3: these three seasons of Morning Show any day. Yeah.

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Speaker 1: No, I'm always the actors.

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Speaker 3: I know it's it's insane.

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Speaker 1: No, the dialogue are terrible, Annison, the acting is great.

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Speaker 1: No one's questioning that what is happening and the acting

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Speaker 1: isn't that great for I saw one thing. Let me

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Speaker 1: just say yesterday I said that comments make you change

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Speaker 1: the way you look at things. I read a review

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Speaker 1: of The Morning Show before I started watching it, and

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Speaker 1: it it didn't even discuss how much it had jump

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Speaker 1: the shark and how dumb the plot lines are. That

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Speaker 1: didn't even I can't even believe that Lannik didn't touch

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Speaker 1: that because it said what the Morning Show gets wrong?

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Speaker 1: And they talked about all this other stuff. But they

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Speaker 1: did say that Jennifer Anson and Reese Witherspoon are bad

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Speaker 1: at being news anchors and it's not believable that Reese

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Speaker 1: Witherspoon has just been She came out of nowhere. She

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Speaker 1: was like doing you know, mourning Local Morning TV and

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Speaker 1: Kentucky and then all of a sudden she is the

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Speaker 1: number one hard hitting newscaster with her own like she's

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Speaker 1: the Peter Jennings of twenty twenty three. After working at Uba,

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Speaker 1: which Uba. By the way, if you're watching the show,

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Speaker 1: you'll be interested in this. If you're not, you might

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Speaker 1: not be. Uba O me reports on things that are

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Speaker 1: going on at Uba, was like, well, Uba has to

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Speaker 1: answer some questions today about our race relations. Uba has

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Speaker 1: some allegations to talk about regarding sexual uh you know

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Speaker 1: assault Uba. I've been here at Uba forever. Everything's about Uba.

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Speaker 1: It's it's so bad.

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Speaker 3: But I think, actually, I actually think they do a

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Speaker 3: good job of making like morning show stuff look a

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Speaker 3: little bit like cheesy and hokey, and.

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Speaker 1: Their tossouts are kind of like dumb and like their

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Speaker 1: little like stupid host banter where they all pretend to

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Speaker 1: friends and it's and.

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Speaker 4: Then we disagree with the Atlantic on that. I think

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Speaker 4: Aniston in particular is doing a great job of doing

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Speaker 4: like mourning patter well.

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Speaker 1: I think Chris had a good point because I was

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Speaker 1: saying this, I was like, I'm just not buying them

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Speaker 1: as newscasters. I think they got in my head about

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Speaker 1: it because I just don't think they're I think they're

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Speaker 1: amazing actresses. I can never hold a little even match

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Speaker 1: up to what they do generally. But it's newscasting or

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Speaker 1: which isn't that hard? Just read a prompter and talk

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Speaker 1: like this like it's not that hard. But you said, also,

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Speaker 1: stand up comedy is something, or being an athlete. Actors

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Speaker 1: can't fake that. Like you can tell what an actor's

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Speaker 1: being a stand up and it's not good hard.

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Speaker 3: Trying to be a stand up the athlete, they're very

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Speaker 3: very rarely is it great?

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Speaker 5: That's why Sandler's movie was so good because Anthony Edwards

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Speaker 5: played himself or played a basketball player, and he could

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Speaker 5: actually play basketball.

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Speaker 4: Oh yeah, God, I pictured the guy from er. Yeah,

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Speaker 4: just pictured the doctor from e R. What's his name,

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Speaker 4: Anthony Anthony?

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Speaker 1: Yeah, I don't know. The basketball thing. Oh, Hustle is

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Speaker 1: that the.

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Speaker 5: Hustle Netflix, the Sandler movie Hustle. They got the actual

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Speaker 5: star current basketball players to play the basketball player.

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Speaker 3: In the movie.

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Speaker 1: And that's important because Chris. Anytime an athlete is on

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Speaker 1: a show and throws a ball, Chris will be like,

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Speaker 1: not a real athlete, Like he can just tell it

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Speaker 1: by the throw.

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Speaker 3: Doesn't that bother you? Brian? When you see like a

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Speaker 3: movie about like the greatest quarterback of all time and

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Speaker 3: they're like throwing, like.

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Speaker 5: Or when a basketball player takes a shot, and then

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Speaker 5: they cut to you just a close up of the hoop.

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Speaker 3: And then there's these these kids. What I showed it

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Speaker 3: to you the other day, like, oh yeah, the Crab,

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Speaker 3: the Crab brothers. They do a perfect job of making

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Speaker 3: fun of it. I'm gonna look them up.

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Speaker 1: I don't think it's worth playing on here because you

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Speaker 1: can't hear their throws, but they do really bad throws.

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Speaker 1: And it was exactly what Chris has always been saying.

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Speaker 1: I mean, I've been hearing him say this for what

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Speaker 1: forty five years?

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Speaker 3: Crab videos, Crab with a K. The real people they're

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Speaker 3: like young, they're.

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Speaker 1: Like they're young boys, Yeah, young, hard bodied? Well are

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Speaker 1: they hand? Pure souled spray hand? Young sincure about his pallor?

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Speaker 4: And I said it because you got a bread show.

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Speaker 4: And I'll say it again for the listener who wasn't

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Speaker 4: here beforehand, but he got insecure because we were backstage

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Speaker 4: at Nikki's show in New Jersey and I had just

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Speaker 4: gotten a spray tan, as had Nikki.

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Speaker 1: Right right, you were tan oh no, I was just

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Speaker 1: tanning up. I was like tanning my legs with the

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Speaker 1: lotion stuff.

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Speaker 4: Oh yeah, but it looked great. You were gleaming and bronzed.

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Speaker 4: And Rick Glassman's in the backstage just holding court being

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Speaker 4: you know, Rick Glassman.

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Speaker 1: Bah bah bah.

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Speaker 4: And then he has a beautiful model girlfriend and Matt

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Speaker 4: just is in the other tiny room around the corner

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Speaker 4: and for some reason sends me a text that just says,

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Speaker 4: does my skin tone make me look like a mouse?

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Speaker 4: Like he's been around mouse tan good looking charismatic people

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Speaker 4: for five minutes too long. I don't know my good

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Speaker 4: And I said, babe, no, you're so hot. What are

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Speaker 4: you talking about? But this is a hilarious text, and

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Speaker 4: he just wrote an old oh my god, because Rick's

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Speaker 4: girlfriend is twenty six and was like, you know what's

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Speaker 4: happening to me lately? As I'm looking in the mirror

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Speaker 4: and I'm noticing I'm not aging.

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Speaker 1: I will say, let me defend her because she was

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Speaker 1: not just saying I don't know, listen to the show.

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Speaker 1: I know the facts, but yes, but that would sound

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Speaker 1: crazy out of conduct. She had just seen me on

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Speaker 1: stage saying that, girls in your twenties, I know you

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Speaker 1: think you're not gonna age because you're just thinking like, oh,

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Speaker 1: it's a choice. You look at older women and you go,

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Speaker 1: that's so sad they're doing that, like I'm not gonna

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Speaker 1: do that. I'm gonna be different, And she goes, oh

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Speaker 1: my god, that's such a good point that you made

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Speaker 1: on stage with that, because I was just looking in

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Speaker 1: the mirror today and I thought I'm not aging, and

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Speaker 1: she was just having them. She was just verifying it

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Speaker 1: is true that women in their twenties don't think it's

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Speaker 1: gonna happen to them, and then it fucking hits you

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Speaker 1: so hard one day.

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Speaker 3: Do you remember those times that are confronting, Like there

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Speaker 3: if you walk by a certain kind of car with

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Speaker 3: like a tint in the window and you see what

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Speaker 3: you actually look like in that car window, You're like,

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Speaker 3: I had no idea, what do.

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Speaker 1: You mean by a tint in the window?

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Speaker 3: When when the when you talk by like a car

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Speaker 3: and like you can see your reflection. There's something extra

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Speaker 3: revealing about that kind of a certain tint in the window.

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Speaker 1: You ever see. It's it's kind of like when you

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Speaker 1: are wearing sunglasses you wrap around and you kind of

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Speaker 1: look to the side and you can see your feet

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Speaker 1: up close. It's you almost see your pores around it,

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Speaker 1: and you're like, how are they?

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Speaker 3: So you've got that. I think you might have a

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Speaker 3: joke about the magn mirror. The magnifying mirror awful.

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Speaker 1: And you know what's the worst thing about that joke

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Speaker 1: is that I've always been like, it's kind of it's

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Speaker 1: comedians talk about like I guess I've talked about this

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Speaker 1: ever comedian I know, and everyone can relate to it

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Speaker 1: in something their life where you like, maybe on you

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Speaker 1: you have like lyrics like this where you're just like

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Speaker 1: it's a bee or it's like a c it's just

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Speaker 1: a polaceholder. And I haven't gotten back to trinker tinker

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Speaker 1: with it. I'm gonna get back in there and tinkle

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Speaker 1: on it, and uh, that always works. I just have

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Speaker 1: never gotten back to the thing about I have this

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Speaker 1: whole bit about, you know, features in hotel rooms that

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Speaker 1: make me depressed, and one of them is the magnified mirror,

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Speaker 1: and I've never been able to like get back in

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Speaker 1: there and do it. And then I bought Ellen's book.

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Speaker 2: Oh boy, it's the.

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Speaker 1: First it's like the first three pages and it's like

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Speaker 1: dissecting those mirrors and how unnecessary, sorry they are, and

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Speaker 1: how awful they are. And it's like she took that

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Speaker 1: sponge and wrung it out.

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Speaker 3: Drive and is there still room because you that's you

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Speaker 3: have other things in the hotel that you talk about. Yeah,

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Speaker 3: is this now toast?

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Speaker 1: I think my challenge is to find something about it

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Speaker 1: that she didn't talk about. It's going to be the

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Speaker 1: hardest thing ever, But we just showed me how many

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Speaker 1: like things there are in everything. Like you, you don't

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Speaker 1: have to give up early on something.

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Speaker 3: We learned that a little bit last night, to to

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Speaker 3: a bad degree.

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Speaker 1: Chris, I've been watching a lot of stand up specials

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Speaker 1: just to get ready for mine because he's producing.

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Speaker 2: I want to hear about this.

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Speaker 3: It made me sad.

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Speaker 1: Well, we can't name names. I know, we can't name name.

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Speaker 3: Well, there's a bunch that I was like, I don't

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Speaker 3: know I was. It made it really made me sad.

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Speaker 1: Well, it made me happy because if anyone's been listening lately,

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Speaker 1: I've been feeling imposter syndrome and feeling like, oh God,

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Speaker 1: I'm not good enough because I've been just listening to

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Speaker 1: the great. I've been comparing myself to the best at

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Speaker 1: their best.

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Speaker 3: Yeah yeah, I mean I've been watching and listening to

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Speaker 3: some of it with you.

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Speaker 1: And we watched Mullaney the other night at Radio City

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Speaker 1: and Kid Gorgeous.

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Speaker 3: It's so funny to the It's not unfair to watch

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Speaker 3: mullani and then watch anybody else.

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Speaker 1: Oh it's it isn't fair, But these people deserve that comparison.

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Speaker 1: They deserve the people we were watching. How dare anyone

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Speaker 1: like anything that these people do. It's it's the fans fault.

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Speaker 1: It's people's bad tasteful. I'm angry at people who like

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Speaker 1: these people and continue to support them and continue to

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Speaker 1: laugh at their jokes because you think, I don't know

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Speaker 1: who's whose lifestyle these people like, who's experience these people

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Speaker 1: are representing. I'm really just talking about one person. I'm

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Speaker 1: trying to think of the watch.

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Speaker 2: One successful comedian and also want to add on.

356
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Speaker 1: I'm going I'm not being on what's yeah that book?

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Speaker 2: Fuck that dumb book. It's stupid worship from college.

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Speaker 5: The you want to add on the industry though, because

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Speaker 5: the industry also just props people like that up.

360
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Speaker 2: It's like, what who are you talking to?

361
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Speaker 5: Like there's something about them that the industry just glombs onto.

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Speaker 5: But I was watching a comedian uh a few a

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Speaker 5: month ago, and I could not figure out who was

364
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Speaker 5: relating to the jokes this person was telling. Yeah, there

365
00:16:35,600 --> 00:16:39,360
Speaker 5: were audience members laughing, and I was like, what world

366
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Speaker 5: are these people living in that they just understood what

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Speaker 5: he said enough to think it was funny. And I

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Speaker 5: can't say who it was, but I'll tell you after

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Speaker 5: Like some of these things, it was like somebody said

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Speaker 5: like and then you know when uh, then your girl

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Speaker 5: goes to the bathroom and she comes out with a

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Speaker 5: rubber hose and it's like nough for the hoses and

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Speaker 5: everyone's like, oh.

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Speaker 3: This world, Like yeah, this person kept saying like you

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Speaker 3: know what this is like? And I'm like, does anybody know?

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Speaker 3: This isn't even real thing?

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Speaker 1: Person would speak from their point of view representing like

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Speaker 1: a certain gender, and then I would check in with

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Speaker 1: either Chris or I I'm like, does that represent the

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Speaker 1: gender that this person is saying, and then they would

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Speaker 1: switch and go other gender, let me actually talk from

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Speaker 1: your perspective, and I'd pause it and go, let me

383
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Speaker 1: say from the perspective of the gender this is from,

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Speaker 1: because I'm not trying to give away who it was.

385
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Speaker 1: It was wrong on both ends because at first, I go,

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Speaker 1: maybe maybe this person isn't nailing the other gender because

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Speaker 1: they're not that gender, so they're not in the loops,

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Speaker 1: so they're maybe just off. But then they represented my

389
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Speaker 1: gender and I go, they're fucking so off with this.

390
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Speaker 1: I know so many women they've never had this experience.

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Speaker 1: I wish I could give examples. I'm sorry this must

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Speaker 1: be so frustrating for the listener because even listening to

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Speaker 1: Brian say the little thing, I was like, tell me who?

394
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Speaker 1: But okay, so let's move on. We were just watching

395
00:18:03,119 --> 00:18:05,160
Speaker 1: bad stand up in it. It made me feel good

396
00:18:05,200 --> 00:18:07,800
Speaker 1: because but what, It's interesting because I feel like I'm

397
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Speaker 1: somewhere in between, Like I think you either have to

398
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Speaker 1: be real shit or fucking amazing, and in between no

399
00:18:15,400 --> 00:18:18,000
Speaker 1: one really has room for it or space for it.

400
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Speaker 1: Does anyone agree?

401
00:18:19,440 --> 00:18:21,960
Speaker 4: I think there's so much mediocrity, isn't there?

402
00:18:22,640 --> 00:18:25,080
Speaker 1: But I'm saying there's either really bad that you're just

403
00:18:25,080 --> 00:18:27,439
Speaker 1: like how did this get made? Or it's like the

404
00:18:27,480 --> 00:18:28,040
Speaker 1: best ever.

405
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Speaker 2: It's feeling like that.

406
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Speaker 5: It's starting to feel like that where a lot of

407
00:18:31,800 --> 00:18:34,840
Speaker 5: this stuff, like I look at like cartoons that get

408
00:18:35,160 --> 00:18:37,920
Speaker 5: bought and put on TV, and it's like, is there

409
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Speaker 5: there's no in between anymore?

410
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Speaker 2: It's like this is pure shit.

411
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Speaker 5: It's so many cartoons that came out in the last

412
00:18:45,280 --> 00:18:48,479
Speaker 5: three to five years that are like irredeemably bad. It

413
00:18:48,480 --> 00:18:51,120
Speaker 5: doesn't even make sense that they're on television. And then

414
00:18:51,280 --> 00:18:54,399
Speaker 5: every once in a while there's something that's that's so amazing,

415
00:18:54,440 --> 00:18:56,000
Speaker 5: and I'm like, God, damn it, I'll never be able

416
00:18:56,040 --> 00:18:56,520
Speaker 5: to write something.

417
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Speaker 1: That's why I just think, if some succession exists and

418
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Speaker 1: John I exists, what are we doing for other stuff?

419
00:19:04,760 --> 00:19:07,600
Speaker 1: But it should be close to that we can.

420
00:19:08,240 --> 00:19:10,280
Speaker 3: We need chances to get there too, so.

421
00:19:10,280 --> 00:19:12,680
Speaker 1: Without like on a football team, is there someone there's

422
00:19:12,720 --> 00:19:14,040
Speaker 1: mahomes and then is there.

423
00:19:13,960 --> 00:19:17,080
Speaker 3: Like old Patrick's practice squad, Patrick's.

424
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Speaker 1: Squad, but are they.

425
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Speaker 3: Mames?

426
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Speaker 1: Okay, we got to go to break Well, let's change

427
00:19:22,200 --> 00:19:24,600
Speaker 1: the subject after this, because it's frustrating for people who

428
00:19:24,600 --> 00:19:28,399
Speaker 1: are out of the loops. Okay, we're back. I was

429
00:19:28,440 --> 00:19:30,080
Speaker 1: just looking in my notes for some reason. It just

430
00:19:30,080 --> 00:19:34,080
Speaker 1: came up on my phone and it I have a

431
00:19:34,160 --> 00:19:35,840
Speaker 1: joke that I think is pretty good.

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Speaker 3: Do you want me to do now?

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Speaker 1: Yeah, you guys, I just found out this is really hard.

434
00:19:43,760 --> 00:19:46,560
Speaker 1: I just found out like I can't I can't have

435
00:19:46,680 --> 00:19:55,240
Speaker 1: kids because they're awful in my life, just really building

436
00:19:55,240 --> 00:19:57,600
Speaker 1: it up like I can't have kids, but like the

437
00:19:57,640 --> 00:20:00,840
Speaker 1: reason is because they'll ruin my life. Last night, when

438
00:20:00,880 --> 00:20:02,200
Speaker 1: Chris and I went to dinner and I just saw

439
00:20:02,240 --> 00:20:04,919
Speaker 1: this like toddler knocking things off the table and the

440
00:20:05,000 --> 00:20:08,800
Speaker 1: parents just like tired and both hunched over with horrible posture,

441
00:20:09,320 --> 00:20:11,800
Speaker 1: not looking at each other, not even dressed up, just

442
00:20:11,800 --> 00:20:13,879
Speaker 1: trying to get through the day. And I was just

443
00:20:13,920 --> 00:20:16,879
Speaker 1: like I just felt real good about it again. I

444
00:20:16,920 --> 00:20:21,480
Speaker 1: felt it was like that scene verified this other thing

445
00:20:21,480 --> 00:20:23,360
Speaker 1: I've been doubting, like am I doing the wrong thing

446
00:20:23,400 --> 00:20:26,639
Speaker 1: by not doing that? And then then watching the specials

447
00:20:26,640 --> 00:20:28,960
Speaker 1: at Home of the Bad People made me feel like, Okay,

448
00:20:28,960 --> 00:20:31,560
Speaker 1: I'm good, like I've been. What is it called when

449
00:20:31,560 --> 00:20:34,400
Speaker 1: you like watch things to make you feel better? Hate

450
00:20:34,440 --> 00:20:36,200
Speaker 1: watch or shodenfreude?

451
00:20:37,160 --> 00:20:40,080
Speaker 5: When you when you hate something to feel better. I

452
00:20:40,119 --> 00:20:41,159
Speaker 5: don't know hate hate watches.

453
00:20:41,200 --> 00:20:42,760
Speaker 1: I think the word you're thinking of that, Yeah, I

454
00:20:42,760 --> 00:20:44,840
Speaker 1: don't think I was hate watching. Yeah, hate watches when

455
00:20:44,840 --> 00:20:45,880
Speaker 1: you're like entertained.

456
00:20:45,600 --> 00:20:49,200
Speaker 3: Isn't that? Isn't it? More? You take pleasure in other

457
00:20:49,280 --> 00:20:54,119
Speaker 3: people's suffering, Yes, yeah, pleasure? What that pleasure in other

458
00:20:54,160 --> 00:20:57,120
Speaker 3: people's suffering? Yes? Is shot in That's what I think

459
00:20:57,119 --> 00:20:57,640
Speaker 3: it is. Okay.

460
00:20:57,640 --> 00:20:59,240
Speaker 1: Then I was having shot in freud at the at

461
00:20:59,280 --> 00:21:02,040
Speaker 1: the at the dinner. Actually I felt bad for those parents.

462
00:21:02,080 --> 00:21:04,040
Speaker 1: I want them to have a good life, and I'm

463
00:21:04,080 --> 00:21:04,520
Speaker 1: sure they do.

464
00:21:04,720 --> 00:21:08,479
Speaker 3: But don't you think there's a certain element of you

465
00:21:08,520 --> 00:21:12,159
Speaker 3: looking for things like trying to like pour on like

466
00:21:12,280 --> 00:21:15,040
Speaker 3: reasons to not do it because it's such it's annoying

467
00:21:15,080 --> 00:21:17,480
Speaker 3: to you in so many ways, and it's like getting

468
00:21:17,520 --> 00:21:19,720
Speaker 3: to the end of the road potentially.

469
00:21:19,320 --> 00:21:24,119
Speaker 1: And it's like, okay, yes, sour grapes, it's good to

470
00:21:24,240 --> 00:21:26,800
Speaker 1: validate the choice that I've already made. And then I

471
00:21:26,800 --> 00:21:30,080
Speaker 1: had stress dreams last night about having a baby and

472
00:21:30,359 --> 00:21:34,240
Speaker 1: we named it Nolan and who it was like premature

473
00:21:34,320 --> 00:21:35,800
Speaker 1: and it came out and it turned into like a

474
00:21:35,800 --> 00:21:38,800
Speaker 1: little animal and I was chasing around that animal. And

475
00:21:38,840 --> 00:21:41,000
Speaker 1: I always have stress dreams where I'm trying to take

476
00:21:41,000 --> 00:21:43,439
Speaker 1: care of an animal that I've starved to death, and

477
00:21:43,480 --> 00:21:45,800
Speaker 1: it's like fluttering around like a moth that's injured, and

478
00:21:45,800 --> 00:21:47,360
Speaker 1: I'm trying to find it, and then I lose it,

479
00:21:47,520 --> 00:21:48,919
Speaker 1: and then I rescue it and I'm holding it in

480
00:21:48,920 --> 00:21:51,000
Speaker 1: my hand, and then it morphs into different things. And

481
00:21:51,040 --> 00:21:53,239
Speaker 1: that's a common stress dream for me. But we had

482
00:21:53,240 --> 00:21:55,159
Speaker 1: a baby. We named it Nolan, and Chris's middle name

483
00:21:55,200 --> 00:21:56,480
Speaker 1: is Nolan, not because.

484
00:21:56,280 --> 00:21:56,959
Speaker 3: Of the actor.

485
00:21:57,040 --> 00:21:59,639
Speaker 1: I think that Nolan's dress name ever, director is what

486
00:21:59,680 --> 00:22:01,920
Speaker 1: I mean? Yeah, does he ever act?

487
00:22:01,960 --> 00:22:03,560
Speaker 3: Were you ever at any point in the dream did

488
00:22:03,640 --> 00:22:06,399
Speaker 3: you say to yourself for fifty seconds, I thought there

489
00:22:06,440 --> 00:22:10,800
Speaker 3: were monsters on this earth? That's whatever.

490
00:22:10,960 --> 00:22:16,080
Speaker 1: Often No, wait, why would I say that? Oh, because

491
00:22:16,119 --> 00:22:17,440
Speaker 1: they turned into little monsters.

492
00:22:17,600 --> 00:22:19,600
Speaker 3: Well yeah, because you said it was like a it

493
00:22:19,640 --> 00:22:21,200
Speaker 3: was like an animal model.

494
00:22:21,359 --> 00:22:23,560
Speaker 1: Yes, it was. It was, Chris. And I've also been

495
00:22:23,560 --> 00:22:26,760
Speaker 1: watching The Detroiters, which is I think you should leave.

496
00:22:26,920 --> 00:22:28,160
Speaker 1: That's the reference you just made.

497
00:22:28,920 --> 00:22:29,600
Speaker 2: Any of the.

498
00:22:29,640 --> 00:22:33,359
Speaker 5: End for comedy centrals when they canceled Detroiters or at

499
00:22:33,400 --> 00:22:34,760
Speaker 5: the end of the end, really.

500
00:22:34,680 --> 00:22:36,320
Speaker 1: Because they don't have money for it, like they don't

501
00:22:36,320 --> 00:22:38,239
Speaker 1: do anything, do they do? Do they do? Nor from

502
00:22:38,320 --> 00:22:40,360
Speaker 1: Queen's Like, is that the only show they have right now?

503
00:22:40,520 --> 00:22:41,720
Speaker 3: I have no idea what they're doing.

504
00:22:41,800 --> 00:22:43,720
Speaker 1: And this for Detrouitors was great.

505
00:22:43,760 --> 00:22:44,400
Speaker 3: It's so good.

506
00:22:44,440 --> 00:22:46,879
Speaker 1: We're only halfway through the first season and we love it.

507
00:22:46,880 --> 00:22:49,240
Speaker 1: It's like a little we know we only have the

508
00:22:49,240 --> 00:22:49,960
Speaker 1: Palace on it, so.

509
00:22:50,040 --> 00:22:52,320
Speaker 3: When we're watching things, it's like, eh, oh, we also

510
00:22:52,320 --> 00:22:54,440
Speaker 3: started watching if you guys, have you guys? I'm sure

511
00:22:54,440 --> 00:22:57,000
Speaker 3: you guys do all this stuff, but like, go back

512
00:22:57,119 --> 00:22:59,920
Speaker 3: in on Seinfeld episodes randomly, we're.

513
00:22:59,800 --> 00:23:02,639
Speaker 4: Going back in on Arrested Development. We're on season two.

514
00:23:02,720 --> 00:23:04,440
Speaker 1: I did that too so much.

515
00:23:04,880 --> 00:23:07,240
Speaker 4: I think it's so second or third time through.

516
00:23:07,400 --> 00:23:09,640
Speaker 3: Brian, do you and Ali do go back and watch

517
00:23:09,680 --> 00:23:13,359
Speaker 3: shows together like rewatch? Yeah? Like, I don't know, do

518
00:23:13,400 --> 00:23:15,240
Speaker 3: you ever watch Ali?

519
00:23:15,480 --> 00:23:18,920
Speaker 5: As I've mentioned, Ali is watching Seinfeld for the first time,

520
00:23:19,000 --> 00:23:21,520
Speaker 5: and so I'm rewatching it with her at points. But

521
00:23:22,080 --> 00:23:25,360
Speaker 5: it's very rare that we would go back and watch

522
00:23:25,920 --> 00:23:29,439
Speaker 5: a series again that we've already seen together.

523
00:23:31,200 --> 00:23:34,000
Speaker 1: I think that's rare that you there that you don't

524
00:23:34,000 --> 00:23:34,239
Speaker 1: do that.

525
00:23:34,280 --> 00:23:35,560
Speaker 3: Are you in a loveless marriage?

526
00:23:35,680 --> 00:23:38,960
Speaker 5: It's rare that we do. That she'll watch movies again

527
00:23:39,000 --> 00:23:42,960
Speaker 5: and again. But yeah, I don't think like I like,

528
00:23:42,960 --> 00:23:45,720
Speaker 5: if there's a show that we really like, like we've

529
00:23:45,760 --> 00:23:48,360
Speaker 5: watched it and then we move on to the next one. Right,

530
00:23:48,480 --> 00:23:51,080
Speaker 5: there's just so many great things. There's not there's no

531
00:23:51,240 --> 00:23:53,280
Speaker 5: mediocre stuff out anymore. Everything's great.

532
00:23:53,560 --> 00:23:56,160
Speaker 1: I think that there I get a lot of joy

533
00:23:56,240 --> 00:23:58,320
Speaker 1: out of watching things that I know Chris and I

534
00:23:58,400 --> 00:24:02,240
Speaker 1: both have like loved separately when growing up or whatever

535
00:24:02,359 --> 00:24:04,320
Speaker 1: before we met, and then we watched them together. Like

536
00:24:04,400 --> 00:24:07,720
Speaker 1: last night, I pulled up the Seinfeld episode where he

537
00:24:08,160 --> 00:24:10,840
Speaker 1: is posing as a marine biologist. Anya, were you really

538
00:24:10,880 --> 00:24:12,879
Speaker 1: into Seinfeld? Uh not?

539
00:24:13,200 --> 00:24:15,240
Speaker 4: I think I watched it, but I wasn't. I didn't

540
00:24:15,240 --> 00:24:16,960
Speaker 4: appreciate it at the time.

541
00:24:18,080 --> 00:24:21,600
Speaker 1: Watch Seinfeld is it's oh yeah, it is sometimes colored

542
00:24:21,640 --> 00:24:24,840
Speaker 1: my personality more than anything in my life. Seinfeld has.

543
00:24:25,200 --> 00:24:30,640
Speaker 4: I just watched the Calid episode where Georgia Green, oh yeah,

544
00:24:30,960 --> 00:24:31,879
Speaker 4: like he has to like.

545
00:24:33,520 --> 00:24:35,639
Speaker 1: She gets too big. But last night we watched the

546
00:24:35,680 --> 00:24:40,359
Speaker 1: one where he uh see was angry that day my friends,

547
00:24:41,680 --> 00:24:44,080
Speaker 1: and then we also watched the one I just love

548
00:24:44,200 --> 00:24:49,560
Speaker 1: Julia rop or Julia Louis Dreyfuss moments, Jerry, give me

549
00:24:49,560 --> 00:24:52,200
Speaker 1: twenty bucks. Let's see if you get the twenty bucks back,

550
00:24:52,320 --> 00:24:54,240
Speaker 1: because Jerry, he's breaking even, and so she's like, give

551
00:24:54,240 --> 00:24:56,200
Speaker 1: me twenty bucks because he's like, I lose a job,

552
00:24:56,320 --> 00:24:58,080
Speaker 1: I get a job, I lose a girlfriend, I get

553
00:24:58,080 --> 00:25:00,480
Speaker 1: another girlfriend, I lose a poker game. I get that

554
00:25:00,560 --> 00:25:02,359
Speaker 1: money back. And she's like, give me twenty bucks. And

555
00:25:02,359 --> 00:25:03,800
Speaker 1: he's like what for and she's like, just give me

556
00:25:03,800 --> 00:25:06,040
Speaker 1: twenty bucks and then she takes it and she just

557
00:25:06,040 --> 00:25:07,600
Speaker 1: throws out the way and she goes and she just

558
00:25:07,640 --> 00:25:11,600
Speaker 1: looks him like she's so excited, so cute. And then

559
00:25:11,640 --> 00:25:13,600
Speaker 1: you were like, she's just the cutest.

560
00:25:13,200 --> 00:25:16,160
Speaker 3: Thing, she's the most charming. If she's amazing, she's amazing.

561
00:25:17,320 --> 00:25:21,159
Speaker 5: Maroon biologist speech makes this like live studio audiences a

562
00:25:21,160 --> 00:25:22,919
Speaker 5: little bit when you have a really good moment in

563
00:25:22,960 --> 00:25:25,960
Speaker 5: a sitcom and then the audiences an applause, like that

564
00:25:26,119 --> 00:25:27,760
Speaker 5: is worth it. I think that's worth some of the

565
00:25:27,840 --> 00:25:29,479
Speaker 5: corniness if they were just cure.

566
00:25:29,760 --> 00:25:32,960
Speaker 1: That's that. When I hear people have not enjoyed their

567
00:25:33,040 --> 00:25:36,719
Speaker 1: working times, it really makes me not enjoy the thing

568
00:25:36,760 --> 00:25:37,960
Speaker 1: I used to like, like like friends.

569
00:25:38,000 --> 00:25:41,200
Speaker 3: Rain Wilson was like, I hated, Yeah, that really broke

570
00:25:41,320 --> 00:25:42,439
Speaker 3: my heart during the.

571
00:25:42,640 --> 00:25:45,120
Speaker 1: Office and was never happy, and he was constantly thinking

572
00:25:45,119 --> 00:25:47,359
Speaker 1: about why didn't my movie do well? Why am I

573
00:25:47,440 --> 00:25:49,439
Speaker 1: not signing this person, why am I not getting this

574
00:25:49,480 --> 00:25:51,480
Speaker 1: development deal? He was like miserable the whole time he

575
00:25:51,520 --> 00:25:53,600
Speaker 1: was making The Office. He was trying to prove a point,

576
00:25:53,600 --> 00:25:56,480
Speaker 1: which is like he wishes he would have gone back

577
00:25:56,520 --> 00:25:58,560
Speaker 1: and just like been happy with what he had, like

578
00:25:58,760 --> 00:26:01,000
Speaker 1: just had gratitude in the moment because he was on

579
00:26:01,040 --> 00:26:03,840
Speaker 1: the hit. He was the best character on or one

580
00:26:03,840 --> 00:26:06,560
Speaker 1: of the best characters ever to live in a comedic

581
00:26:06,600 --> 00:26:08,880
Speaker 1: series and one of the best comedies to ever be made,

582
00:26:09,000 --> 00:26:11,119
Speaker 1: and he couldn't enjoy it. So it was a point

583
00:26:11,119 --> 00:26:13,479
Speaker 1: he just made in a podcast offhand. But that's clip's

584
00:26:13,520 --> 00:26:15,800
Speaker 1: been circulating and I felt the same way of like, well,

585
00:26:15,800 --> 00:26:17,399
Speaker 1: it's gonna change the way I look at this. Like

586
00:26:17,440 --> 00:26:19,840
Speaker 1: he was in the and Matthew Perry all those quotes

587
00:26:19,880 --> 00:26:21,840
Speaker 1: that came out of his book, how he was miserable,

588
00:26:21,880 --> 00:26:25,960
Speaker 1: how he's blacked out, how he was just frantically so

589
00:26:26,320 --> 00:26:29,120
Speaker 1: upset all the time about if a line was gonna

590
00:26:29,119 --> 00:26:30,840
Speaker 1: work or not with the studio audience, like he could

591
00:26:30,880 --> 00:26:33,120
Speaker 1: never be sure of it. So he was always on edge. Like,

592
00:26:33,520 --> 00:26:36,440
Speaker 1: I don't know about you. I don't want my performers

593
00:26:36,480 --> 00:26:38,920
Speaker 1: to be on edge. Just can everyone just have fun.

594
00:26:39,480 --> 00:26:41,919
Speaker 1: That's why if I'm going out on stage, I tried

595
00:26:41,960 --> 00:26:45,080
Speaker 1: to like genuinely set the stage to be having a

596
00:26:45,119 --> 00:26:48,440
Speaker 1: good time, because the worst thing I could ever do

597
00:26:48,680 --> 00:26:50,760
Speaker 1: for my fans, at least or for me as a fan,

598
00:26:50,840 --> 00:26:52,320
Speaker 1: the worst thing to find out would be if Taylor

599
00:26:52,320 --> 00:26:54,240
Speaker 1: Swift was having a bad time or like she was

600
00:26:54,280 --> 00:26:55,439
Speaker 1: having a bad day that day.

601
00:26:55,320 --> 00:26:56,840
Speaker 3: And apparently she's having a great time. That's why I like,

602
00:26:56,880 --> 00:26:59,359
Speaker 3: that's Shane gillis special. He's out there. Yeah, whether he

603
00:26:59,440 --> 00:27:01,240
Speaker 3: is or isn't, he looks like he's having a good time.

604
00:27:01,560 --> 00:27:04,679
Speaker 1: Yes, yes, I buy it. And that's why I'd be

605
00:27:04,720 --> 00:27:08,240
Speaker 1: excited to go see Taylor now, knowing that she's like

606
00:27:08,400 --> 00:27:11,120
Speaker 1: super like starting to be in love. She's in the

607
00:27:11,119 --> 00:27:14,000
Speaker 1: best stages of a relationship, the early stages where everything

608
00:27:14,000 --> 00:27:17,359
Speaker 1: they do is adorable and you're just like, you know,

609
00:27:17,520 --> 00:27:18,520
Speaker 1: fawning over a monk.

610
00:27:19,520 --> 00:27:20,760
Speaker 2: That's part of what we're selling.

611
00:27:20,840 --> 00:27:27,920
Speaker 1: We used to have that, yeah, hunk, we haven't something

612
00:27:28,000 --> 00:27:29,720
Speaker 1: we get back together though. Whenever you get back together,

613
00:27:29,720 --> 00:27:30,520
Speaker 1: we have a surge of that.

614
00:27:31,480 --> 00:27:33,000
Speaker 3: Yeah, yeah, I would say, so, yeah it's good.

615
00:27:33,000 --> 00:27:39,800
Speaker 1: So we're due, Yeah we're overdue. Yeah, it's I.

616
00:27:39,800 --> 00:27:41,719
Speaker 5: Just when you get on stage. That's part of what

617
00:27:41,760 --> 00:27:44,119
Speaker 5: you're selling is having a good time. And that's why

618
00:27:44,320 --> 00:27:46,159
Speaker 5: I bet you the comedian you were watching that, you're like,

619
00:27:46,160 --> 00:27:48,600
Speaker 5: who's relating to this? I bet you they're not relating

620
00:27:48,640 --> 00:27:50,600
Speaker 5: to it. I bet you they're just like, he's having

621
00:27:50,680 --> 00:27:52,880
Speaker 5: such a good time. I want to have a good

622
00:27:52,920 --> 00:27:56,480
Speaker 5: time also, and that's what you sell, the experience.

623
00:27:56,760 --> 00:27:59,959
Speaker 3: There's there's a great quote and I think Jeff Tweety

624
00:28:00,119 --> 00:28:02,879
Speaker 3: paraphrase it from somebody else, but he says, well, so

625
00:28:03,440 --> 00:28:06,680
Speaker 3: see you from Wilco. He said something like people people

626
00:28:06,680 --> 00:28:09,920
Speaker 3: go to concerts because they want to see people believing

627
00:28:09,920 --> 00:28:10,600
Speaker 3: in themselves.

628
00:28:11,200 --> 00:28:15,280
Speaker 1: That's so true. You want, you want, you want to

629
00:28:15,320 --> 00:28:17,199
Speaker 1: be confident in the person. You'd want to know that

630
00:28:17,240 --> 00:28:19,359
Speaker 1: the person's having agreed time. That is why I suffer

631
00:28:19,400 --> 00:28:22,560
Speaker 1: with watching Taylor Swift's nineteen eighty nine performances, because she

632
00:28:22,600 --> 00:28:25,239
Speaker 1: said in Miss Americana that she was starving herself at

633
00:28:25,240 --> 00:28:28,640
Speaker 1: that time and that she would really feel exhausted and hungry.

634
00:28:28,760 --> 00:28:30,480
Speaker 1: I don't think she said hungry, but she would feel

635
00:28:30,520 --> 00:28:33,640
Speaker 1: so exhausted during those shows because she didn't have enough energy,

636
00:28:33,880 --> 00:28:36,280
Speaker 1: and so I it's it makes me sad to watch

637
00:28:36,320 --> 00:28:37,720
Speaker 1: it now because I'm like, oh, she might have been

638
00:28:37,720 --> 00:28:39,640
Speaker 1: like hungry during this or something, and now I just

639
00:28:39,680 --> 00:28:44,080
Speaker 1: can't enjoy You know, you are in love as the

640
00:28:44,160 --> 00:28:46,239
Speaker 1: song as much that performance.

641
00:28:45,800 --> 00:28:48,240
Speaker 3: And that's from which else actually, as someone.

642
00:28:48,120 --> 00:28:50,080
Speaker 1: Who's been in a rective before, the only time I

643
00:28:50,120 --> 00:28:51,800
Speaker 1: was having fun was when I was performing, and I

644
00:28:51,800 --> 00:28:54,520
Speaker 1: would stop forgetting about how hungry I am. So maybe

645
00:28:54,560 --> 00:28:55,400
Speaker 1: I'll be able to watch it.

646
00:28:55,680 --> 00:28:57,920
Speaker 3: Yeah, nice, nice reversal.

647
00:28:58,080 --> 00:29:00,640
Speaker 1: Okay, like that really is like the only time, like

648
00:29:01,480 --> 00:29:03,640
Speaker 1: you're getting that dopamine rush and you're like, I'm not

649
00:29:03,680 --> 00:29:06,360
Speaker 1: even hungry, Like I'm talking per I'm getting all this

650
00:29:06,600 --> 00:29:07,560
Speaker 1: attention and love.

651
00:29:07,960 --> 00:29:09,880
Speaker 5: Now, nineteen eighty nine is the only thing you can

652
00:29:09,920 --> 00:29:12,200
Speaker 5: watch because the other ones you're like, she's probably full

653
00:29:12,280 --> 00:29:12,640
Speaker 5: right now.

654
00:29:14,320 --> 00:29:17,240
Speaker 1: Nineteen to eighty nine was her weight range she was

655
00:29:17,280 --> 00:29:20,880
Speaker 1: going for during that time as well. No, I'm not

656
00:29:20,920 --> 00:29:23,440
Speaker 1: making light Taylor, don't get mad about that. Please, if

657
00:29:23,480 --> 00:29:24,680
Speaker 1: you're listening, I love you so much.

658
00:29:24,760 --> 00:29:30,360
Speaker 3: It was just a joke. Nice apology, you gotta do it.

659
00:29:30,400 --> 00:29:34,720
Speaker 1: You gotta do it because made some comment Yeah, you

660
00:29:34,800 --> 00:29:36,760
Speaker 1: may be Wait, can I just quickly go back to

661
00:29:36,800 --> 00:29:38,600
Speaker 1: the board show. I'm not done, just saying some of

662
00:29:38,640 --> 00:29:41,600
Speaker 1: my gripes. Really, no one more thing. What about all

663
00:29:41,640 --> 00:29:44,840
Speaker 1: the people that haven't because I think this because this was.

664
00:29:45,040 --> 00:29:46,440
Speaker 3: At the time, I was like, we got to move on.

665
00:29:46,640 --> 00:29:50,320
Speaker 1: No, No, I think this is interesting. I think Okay,

666
00:29:50,760 --> 00:29:53,280
Speaker 1: shows do this a lot, especially shows written by men.

667
00:29:53,320 --> 00:29:55,000
Speaker 1: And I don't mean to be like the be does

668
00:29:55,040 --> 00:29:58,600
Speaker 1: it pass the beakedeal test and the women ever talking

669
00:29:58,600 --> 00:30:01,560
Speaker 1: about anything other than but like you could tell in

670
00:30:01,600 --> 00:30:04,560
Speaker 1: the show they needed to make Jennifer Aniston and Reese

671
00:30:04,600 --> 00:30:08,560
Speaker 1: Wishman's characters like they're best friends. But like they haven't

672
00:30:08,600 --> 00:30:10,840
Speaker 1: shown us that in the storyline at all, Like there's

673
00:30:10,880 --> 00:30:15,120
Speaker 1: been no evidence of that because actually they were adversaries

674
00:30:15,240 --> 00:30:18,880
Speaker 1: for a couple of the for both seasons, they had

675
00:30:19,640 --> 00:30:22,840
Speaker 1: not great moments where they were kind of in competition

676
00:30:22,880 --> 00:30:25,880
Speaker 1: with each other and threatened by one another. So something

677
00:30:25,920 --> 00:30:28,160
Speaker 1: happened though between season two and season three and now

678
00:30:28,320 --> 00:30:30,920
Speaker 1: they're really close and best friends and how do they

679
00:30:30,960 --> 00:30:31,640
Speaker 1: prove it to us?

680
00:30:32,040 --> 00:30:34,920
Speaker 3: But why is this a guy?

681
00:30:35,280 --> 00:30:37,360
Speaker 1: Because this is where I think this is why.

682
00:30:37,200 --> 00:30:38,600
Speaker 3: I don't even know that a guy came up with

683
00:30:38,640 --> 00:30:39,160
Speaker 3: this idea.

684
00:30:39,600 --> 00:30:41,320
Speaker 1: I know you're looking it up right now to prove

685
00:30:41,360 --> 00:30:41,720
Speaker 1: me wrong.

686
00:30:41,800 --> 00:30:43,640
Speaker 3: I'm not trying to prove you wrong. I'm just I'm

687
00:30:43,680 --> 00:30:45,160
Speaker 3: just I just don't guessing it was.

688
00:30:45,200 --> 00:30:47,120
Speaker 1: Because this is why, Chris, I'm going to explain it.

689
00:30:47,360 --> 00:30:51,680
Speaker 1: Because the way they made these women seem close was

690
00:30:51,720 --> 00:30:54,480
Speaker 1: that they had one of them say to the other,

691
00:30:55,200 --> 00:30:58,240
Speaker 1: oh ah, well, did you get that wrong? I suggested

692
00:30:58,320 --> 00:31:02,080
Speaker 1: you get Yes, I did get the rug. It looks great.

693
00:31:02,160 --> 00:31:04,200
Speaker 1: And she goes, you gotta come. You haven't been to

694
00:31:04,200 --> 00:31:05,960
Speaker 1: my place yet. I've invited you so many times. You

695
00:31:06,000 --> 00:31:08,480
Speaker 1: gotta come see the rug. She's like, I know, I

696
00:31:08,520 --> 00:31:12,360
Speaker 1: gotta get over there to see the rug. And she goes, yeah,

697
00:31:12,400 --> 00:31:14,200
Speaker 1: it's it's I've had the rug awhile, and you've been

698
00:31:14,240 --> 00:31:15,960
Speaker 1: promising to come over, and you've got to come over

699
00:31:16,000 --> 00:31:19,720
Speaker 1: for some wine. So it's wine. It's women suggesting rugs

700
00:31:19,720 --> 00:31:22,400
Speaker 1: to each other, and it's like and it's you gotta

701
00:31:22,440 --> 00:31:24,280
Speaker 1: come over and see the rug. It's like, you gotta

702
00:31:24,320 --> 00:31:25,200
Speaker 1: come see the baby.

703
00:31:25,520 --> 00:31:28,200
Speaker 4: When I went to Nashville to write a hit song

704
00:31:28,280 --> 00:31:31,360
Speaker 4: with a very well known uh, writer down there, and

705
00:31:31,400 --> 00:31:33,480
Speaker 4: he was like, let's write a song from like a

706
00:31:33,520 --> 00:31:35,200
Speaker 4: point of view of a girl, Like let's just do

707
00:31:35,320 --> 00:31:37,840
Speaker 4: a song like what you guys like to do, Like

708
00:31:38,120 --> 00:31:40,360
Speaker 4: I got a manic here today, I'm gonna meet my

709
00:31:40,400 --> 00:31:43,040
Speaker 4: girls from Martini's. I was like, what the fuck?

710
00:31:44,040 --> 00:31:46,080
Speaker 3: I hate to take directed by a woman, written by

711
00:31:46,080 --> 00:31:46,400
Speaker 3: a woman.

712
00:31:46,600 --> 00:31:50,880
Speaker 1: Okay, that's fine. She's a misogynist and a lot like I.

713
00:31:51,280 --> 00:31:53,360
Speaker 3: Don't I get the sense of those things too sometimes

714
00:31:53,400 --> 00:31:54,520
Speaker 3: and I'm like, this.

715
00:31:54,480 --> 00:31:56,840
Speaker 1: Was probably not say sometimes this was written by a woman,

716
00:31:56,840 --> 00:31:57,800
Speaker 1: because this is not a man.

717
00:31:57,920 --> 00:32:00,120
Speaker 3: Because you'll there's something will happen on a show and

718
00:32:00,120 --> 00:32:03,360
Speaker 3: you'll be like, what did they just say? Like you know,

719
00:32:03,480 --> 00:32:06,320
Speaker 3: like h it hit a touchdown or something, and you're like,

720
00:32:07,000 --> 00:32:12,360
Speaker 3: who wrote this me? And so I understand like the

721
00:32:12,360 --> 00:32:15,520
Speaker 3: inclination to do that, I get it, But it was

722
00:32:15,600 --> 00:32:17,080
Speaker 3: definitely written by a woman.

723
00:32:17,200 --> 00:32:19,400
Speaker 1: I hear that. I hear that it's it's but it

724
00:32:19,440 --> 00:32:22,000
Speaker 1: was just I guess I didn't mean to play the

725
00:32:22,000 --> 00:32:24,880
Speaker 1: man card or like men, oh don't understand women at all.

726
00:32:25,240 --> 00:32:29,000
Speaker 1: It's more that just just make them not friends. They

727
00:32:29,040 --> 00:32:31,520
Speaker 1: can just not be friends. We don't need them to

728
00:32:31,560 --> 00:32:34,320
Speaker 1: be friends. But I think they just need it for

729
00:32:34,440 --> 00:32:37,560
Speaker 1: us to calm us in some way, like, oh, at

730
00:32:37,640 --> 00:32:40,480
Speaker 1: least they're friends, because there's no we don't see them

731
00:32:40,520 --> 00:32:42,840
Speaker 1: hang out at all, don't. But then, okay, but this

732
00:32:43,000 --> 00:32:46,600
Speaker 1: is the storyline that is fucking nuts. Okay, first episode.

733
00:32:46,840 --> 00:32:48,760
Speaker 1: If you haven't seen the show, you don't like the show,

734
00:32:48,760 --> 00:32:50,440
Speaker 1: it's not a spoiler, and you should watch it just

735
00:32:50,480 --> 00:32:51,920
Speaker 1: to see if you think it's as crazy as me.

736
00:32:52,160 --> 00:32:53,480
Speaker 1: So a little bit of a spoiler. I want to

737
00:32:53,520 --> 00:32:56,920
Speaker 1: do a honk for morning show. First episode. Okay, So

738
00:32:57,000 --> 00:33:00,640
Speaker 1: Reese Witherspoon is eight, she's on the Like News and

739
00:33:00,680 --> 00:33:03,840
Speaker 1: she's the Peter Jennings now okay, and then Jennifer Aniston

740
00:33:03,960 --> 00:33:06,040
Speaker 1: is like the Katie Kirk of like the Today Show. Okay,

741
00:33:06,160 --> 00:33:08,280
Speaker 1: so she does the Morning Show. So Jennifer Aniston has

742
00:33:08,320 --> 00:33:10,840
Speaker 1: been training to go up into space. They're gonna sum

743
00:33:10,960 --> 00:33:14,280
Speaker 1: up shuttle, but the shuttle is bought by a guy

744
00:33:14,360 --> 00:33:17,600
Speaker 1: like Elon Musk, who is a billionaire. Who the who

745
00:33:17,760 --> 00:33:20,520
Speaker 1: the guy at Uba, which is the network. It's like CBS.

746
00:33:20,680 --> 00:33:23,160
Speaker 1: Uba is gonna the guy the the main guy there

747
00:33:23,360 --> 00:33:25,440
Speaker 1: is gonna sell Uba to this rich guy. But she

748
00:33:25,680 --> 00:33:27,200
Speaker 1: she doesn't know that she says, I'm going up in

749
00:33:27,240 --> 00:33:30,040
Speaker 1: this space shuttle with this John Ham guy. And so

750
00:33:30,040 --> 00:33:32,560
Speaker 1: she's training for like months, waking up early in the

751
00:33:32,560 --> 00:33:34,240
Speaker 1: morning to go running so she can go up in

752
00:33:34,280 --> 00:33:36,760
Speaker 1: this dumb space shuttle. It's this whole thing on the show,

753
00:33:36,800 --> 00:33:39,240
Speaker 1: which I kind of like, maybe they do that, Okay,

754
00:33:39,320 --> 00:33:40,040
Speaker 1: that makes kind of.

755
00:33:40,120 --> 00:33:44,680
Speaker 3: Sad, like did it? Like yeah, so people have done this, Okay.

756
00:33:44,440 --> 00:33:46,640
Speaker 1: So like I don't hate that, But what I do

757
00:33:46,680 --> 00:33:49,120
Speaker 1: hate is that Reese Witherspoon has a story that she's

758
00:33:49,160 --> 00:33:52,320
Speaker 1: working on where there is a woman in Texas who

759
00:33:52,360 --> 00:33:54,920
Speaker 1: is going across the border to get women abortion pills

760
00:33:55,200 --> 00:33:58,160
Speaker 1: in the States because women in Texas can't get abortions anymore.

761
00:33:58,280 --> 00:34:00,600
Speaker 1: And she is so upset about it, and she's talking

762
00:34:00,640 --> 00:34:03,720
Speaker 1: to this girl who is, you know, risking her life

763
00:34:03,760 --> 00:34:05,520
Speaker 1: to get across the border, and she really wants to

764
00:34:05,560 --> 00:34:08,120
Speaker 1: expose the story. Then she gets into her story editor,

765
00:34:08,160 --> 00:34:10,600
Speaker 1: and her story editor's like, no way, Reese, that is

766
00:34:10,719 --> 00:34:13,480
Speaker 1: too touchy of a subject for us at Uba. This

767
00:34:13,600 --> 00:34:16,120
Speaker 1: is a family network and we got to pick our battles.

768
00:34:16,120 --> 00:34:17,880
Speaker 1: And she's like, I only came on this network so

769
00:34:17,880 --> 00:34:20,000
Speaker 1: I could change the world. And she's feeling very frustrated.

770
00:34:20,080 --> 00:34:22,120
Speaker 1: Then she goes to Jenniferans and she's like, they're gonna

771
00:34:22,120 --> 00:34:24,520
Speaker 1: cut my story. And Jenniferance is like, oh god, you know,

772
00:34:24,680 --> 00:34:27,160
Speaker 1: you just gotta pick your battles. My rug. You're finally

773
00:34:27,160 --> 00:34:28,440
Speaker 1: seeing the rug house of wine.

774
00:34:28,480 --> 00:34:29,600
Speaker 3: Don't spill them on the rug.

775
00:34:30,280 --> 00:34:30,600
Speaker 1: So that.

776
00:34:32,120 --> 00:34:32,279
Speaker 3: No.

777
00:34:32,760 --> 00:34:36,120
Speaker 1: So then so then she's going down to go to Space.

778
00:34:36,160 --> 00:34:38,279
Speaker 1: They're flying down there and on the plane and so

779
00:34:38,320 --> 00:34:40,800
Speaker 1: Reese has kind of told Jenniferanson about the abortion issue

780
00:34:40,840 --> 00:34:43,359
Speaker 1: and she's like that's terrible, and she's like it's really bad.

781
00:34:43,600 --> 00:34:45,759
Speaker 1: And so Jennifer Anson on the plane down to go

782
00:34:45,800 --> 00:34:48,640
Speaker 1: to Space to this Texas is like looking through her

783
00:34:48,640 --> 00:34:52,680
Speaker 1: phone and she's like, oh, it is awful. These abortion clinics.

784
00:34:52,800 --> 00:34:55,320
Speaker 1: Guess how many fake abortion clinics there are in Texas?

785
00:34:55,320 --> 00:34:57,360
Speaker 1: Out of one hundred and twenty, guess how many. And

786
00:34:57,400 --> 00:34:58,960
Speaker 1: she's talking to all our people who don't care and

787
00:34:58,960 --> 00:35:00,799
Speaker 1: they're like, she's like, ah, hundred of them are fake.

788
00:35:00,840 --> 00:35:02,799
Speaker 1: Because she was like this is bullshit, and so she's

789
00:35:02,840 --> 00:35:05,640
Speaker 1: getting fired up. Oh, they set the scene. Something's gonna happen.

790
00:35:05,719 --> 00:35:08,239
Speaker 1: Jennifer Hanson suddenly sold on this abortion story that she

791
00:35:08,360 --> 00:35:10,839
Speaker 1: just told Reese to bury and just like told Reece,

792
00:35:10,880 --> 00:35:12,359
Speaker 1: you know you can't. You gotta pick your battles. Reese

793
00:35:12,360 --> 00:35:14,400
Speaker 1: don't do it. So she goes down and then on

794
00:35:14,440 --> 00:35:16,799
Speaker 1: the way there a doubt. She gets there and she

795
00:35:16,920 --> 00:35:21,440
Speaker 1: finds out that Reese with herspoon, is also on her

796
00:35:21,440 --> 00:35:23,640
Speaker 1: way down because she is going to go find this

797
00:35:23,680 --> 00:35:25,640
Speaker 1: woman into a story about her. But then the woman

798
00:35:25,760 --> 00:35:28,680
Speaker 1: goes to jail because she's selling abortion pills, and Jennifer

799
00:35:28,680 --> 00:35:30,480
Speaker 1: Anson doesn't like the sound of that and says, you

800
00:35:30,520 --> 00:35:33,000
Speaker 1: know what, I actually have to cover this story. I

801
00:35:33,000 --> 00:35:36,520
Speaker 1: am so passionate about it. So then Reese gives up

802
00:35:36,600 --> 00:35:38,960
Speaker 1: her story to Jennifer Anston for some reason.

803
00:35:39,320 --> 00:35:40,440
Speaker 3: It doesn't make a lot of sense.

804
00:35:40,280 --> 00:35:42,480
Speaker 4: Doesn't made no sense.

805
00:35:42,520 --> 00:35:45,440
Speaker 1: No fucking sense. But Jennifer Anson, she's gotta go up

806
00:35:45,440 --> 00:35:48,160
Speaker 1: into space. What does she do? Bails on space? This

807
00:35:48,200 --> 00:35:50,680
Speaker 1: thing she's been flaying her months to do. It's a

808
00:35:50,719 --> 00:35:52,680
Speaker 1: whole thing to go up into space. They're literally going

809
00:35:52,719 --> 00:35:56,359
Speaker 1: into space, you guys. This is like, yeah, they're going

810
00:35:56,400 --> 00:35:57,280
Speaker 1: in an hour to space.

811
00:35:57,280 --> 00:35:57,840
Speaker 3: And she's.

812
00:36:00,000 --> 00:36:01,799
Speaker 1: Can tell anyone. She just kind of takes off and

813
00:36:01,800 --> 00:36:03,440
Speaker 1: they're like, we can't find her, and they're like we

814
00:36:03,480 --> 00:36:05,800
Speaker 1: gotta get someone else to go into space. So luckily

815
00:36:05,920 --> 00:36:09,359
Speaker 1: Reese Witherspoon's there she and she's like, you know what,

816
00:36:09,480 --> 00:36:12,439
Speaker 1: I'll go into space. There's no training. She just shows

817
00:36:12,480 --> 00:36:16,120
Speaker 1: up John Yams expecting Rachel Green to walk in Jen Branson.

818
00:36:16,719 --> 00:36:19,239
Speaker 1: That's where this guy finds out that this girl is

819
00:36:19,280 --> 00:36:21,120
Speaker 1: not going, and they send this other girl up into

820
00:36:21,640 --> 00:36:24,560
Speaker 1: recent space with no training. And then my favorite part

821
00:36:24,880 --> 00:36:29,719
Speaker 1: was that the person, God, okay, it is like it's

822
00:36:29,800 --> 00:36:33,040
Speaker 1: you know how they go like, Houston, we have a problem.

823
00:36:33,080 --> 00:36:36,239
Speaker 1: Like the whole mission control. The mission control is the

824
00:36:36,280 --> 00:36:39,640
Speaker 1: television studio. So the guy who counts down to the

825
00:36:39,680 --> 00:36:43,520
Speaker 1: shuttle takeoff is the same guy is like the production manager.

826
00:36:43,560 --> 00:36:46,840
Speaker 1: What's the guys like? He's like the director of the

827
00:36:46,880 --> 00:36:51,840
Speaker 1: morning show, and he's like three two, one, blast off. Okay.

828
00:36:51,920 --> 00:36:53,920
Speaker 1: That guy I only figured out later because I'm like,

829
00:36:53,960 --> 00:36:55,800
Speaker 1: why is the guy from the shut launch in every

830
00:36:55,840 --> 00:36:58,839
Speaker 1: episode subsequently in New York I'm like, oh, because he's

831
00:36:58,880 --> 00:37:00,839
Speaker 1: the director of the show. I just threw them in there.

832
00:37:01,080 --> 00:37:03,120
Speaker 1: Then they go up into space and Reese Weatherspoon is

833
00:37:03,160 --> 00:37:06,439
Speaker 1: floating around being like the world looks beautiful up here,

834
00:37:06,680 --> 00:37:10,440
Speaker 1: and Jennifer Andason's downstairs and like downstairs on Earth and

835
00:37:10,680 --> 00:37:13,480
Speaker 1: I call it downstairs. That's that's what you know?

836
00:37:14,440 --> 00:37:15,920
Speaker 3: Cosmonauts Mars?

837
00:37:16,160 --> 00:37:17,160
Speaker 1: Why do I say cosmonauts?

838
00:37:17,200 --> 00:37:20,000
Speaker 2: Does that mean Russian?

839
00:37:20,160 --> 00:37:24,040
Speaker 1: Wait? Why are they constonauts? Why can't they be astronauts?

840
00:37:24,600 --> 00:37:26,160
Speaker 2: Why is as organization?

841
00:37:26,920 --> 00:37:30,279
Speaker 1: But why are astronauts American? Why can't because there's nothing

842
00:37:30,600 --> 00:37:31,880
Speaker 1: astro doesn't mean American?

843
00:37:31,880 --> 00:37:37,080
Speaker 3: Probably in Russian, yeah, like the cosmos whatever, they're the

844
00:37:37,160 --> 00:37:38,080
Speaker 3: language they used.

845
00:37:37,920 --> 00:37:40,600
Speaker 4: To describe Russian astronaut as a cosmonaut.

846
00:37:41,080 --> 00:37:44,160
Speaker 1: Yes, But in France, is at like sky monauts? Like

847
00:37:44,200 --> 00:37:46,360
Speaker 1: do they just pick like the star monauts? They just

848
00:37:46,400 --> 00:37:53,000
Speaker 1: pick a different way to do snauts or whatever?

849
00:37:53,040 --> 00:37:57,080
Speaker 4: What's sky it is cosmonauts in French?

850
00:37:58,040 --> 00:38:02,560
Speaker 1: Cosmonauts? Yeah, okay, yeah, okay, I just looked it up.

851
00:38:02,600 --> 00:38:03,560
Speaker 4: It's cous minute.

852
00:38:03,800 --> 00:38:07,520
Speaker 1: Did you hate this episode on you as much as

853
00:38:07,560 --> 00:38:07,759
Speaker 1: I did?

854
00:38:07,840 --> 00:38:08,120
Speaker 3: Were you?

855
00:38:08,239 --> 00:38:08,359
Speaker 5: Just?

856
00:38:08,360 --> 00:38:08,480
Speaker 3: Like?

857
00:38:08,560 --> 00:38:10,720
Speaker 4: I was yelling at the TV and I was like, wait,

858
00:38:10,760 --> 00:38:11,799
Speaker 4: they just swapped.

859
00:38:12,000 --> 00:38:15,479
Speaker 1: She stole her story without telling Reese, and then Reese

860
00:38:15,560 --> 00:38:17,160
Speaker 1: was like, I guess I'll go up into space.

861
00:38:17,480 --> 00:38:20,520
Speaker 3: It was one of the most disrespectful episodes of television

862
00:38:20,680 --> 00:38:23,440
Speaker 3: ever been a part of that. They had no respect

863
00:38:23,440 --> 00:38:24,120
Speaker 3: for their audience.

864
00:38:24,480 --> 00:38:27,439
Speaker 1: I thought it was, and then the second episode even

865
00:38:27,480 --> 00:38:28,319
Speaker 1: gets what I mean.

866
00:38:28,880 --> 00:38:32,440
Speaker 4: Also, I thought Reese slept with the woman from Texas.

867
00:38:32,680 --> 00:38:34,360
Speaker 4: I thought the woman she woke up with in the

868
00:38:34,360 --> 00:38:37,040
Speaker 4: morning was the woman who was doing the abortion pill

869
00:38:37,080 --> 00:38:38,239
Speaker 4: thing that was.

870
00:38:38,560 --> 00:38:40,279
Speaker 1: That would have been fucked up. No, I would have

871
00:38:40,280 --> 00:38:42,760
Speaker 1: been very upset about that if that was the storyline.

872
00:38:43,239 --> 00:38:46,160
Speaker 3: I like that. After that, I.

873
00:38:46,440 --> 00:38:49,480
Speaker 4: Was Reese blonde and no one talks like she was

874
00:38:49,480 --> 00:38:50,879
Speaker 4: brunette all up to this.

875
00:38:51,000 --> 00:38:53,200
Speaker 1: Right, No, she went blonde last season. I think it

876
00:38:53,239 --> 00:38:54,880
Speaker 1: was like a choice that they made on the show.

877
00:38:55,040 --> 00:38:55,880
Speaker 2: Yeah what season?

878
00:38:55,920 --> 00:38:58,400
Speaker 3: The man was like, we need we needed a blonde.

879
00:38:58,640 --> 00:39:01,520
Speaker 1: Yeah, and you're telling me season get up Chris.

880
00:39:01,520 --> 00:39:02,720
Speaker 2: One and two were good?

881
00:39:03,840 --> 00:39:05,319
Speaker 3: Yeah, one was one was good.

882
00:39:06,040 --> 00:39:08,200
Speaker 1: Correl, Yeah, I wish. Yeah.

883
00:39:08,320 --> 00:39:10,400
Speaker 5: It just makes me think when stuff like this happens,

884
00:39:10,400 --> 00:39:13,520
Speaker 5: that they locked into a good season and they didn't

885
00:39:13,520 --> 00:39:14,640
Speaker 5: actually know what they were doing.

886
00:39:14,760 --> 00:39:23,520
Speaker 6: When it came about the theme song, Yeah, Bob, you got

887
00:39:24,400 --> 00:39:25,879
Speaker 6: it is fourteen minutes long.

888
00:39:26,080 --> 00:39:28,920
Speaker 3: What's dumber than scat? Like that was one of the

889
00:39:28,960 --> 00:39:31,439
Speaker 3: worst ideas that anybody has ever had.

890
00:39:32,040 --> 00:39:34,960
Speaker 1: Watch The Morning Show. Just please try to get through

891
00:39:35,160 --> 00:39:38,080
Speaker 1: just the theme it's trying to be I think you

892
00:39:38,080 --> 00:39:40,439
Speaker 1: should leave or not, I think you should leave. Remember

893
00:39:40,719 --> 00:39:43,160
Speaker 1: catch me if you can remember that theme. It was

894
00:39:43,160 --> 00:39:45,640
Speaker 1: really interesting and it had like kind of cartoon characters

895
00:39:45,680 --> 00:39:46,680
Speaker 1: that were like mysterious.

896
00:39:46,760 --> 00:39:48,840
Speaker 3: It was all moving and yeah, it was cool.

897
00:39:49,400 --> 00:39:51,120
Speaker 1: That's what they're trying to do when they're failing. But

898
00:39:51,960 --> 00:39:53,839
Speaker 1: Tig is on the season though, and I like seeing Tig.

899
00:39:54,760 --> 00:39:57,040
Speaker 3: Yeah, it's great seeing Tig. Yeah, she's cool. That's an

900
00:39:57,080 --> 00:39:58,080
Speaker 3: exciting part of it is.

901
00:39:58,320 --> 00:40:00,440
Speaker 4: Yeah, a lot of Susan Pepper hair on the season,

902
00:40:00,600 --> 00:40:05,040
Speaker 4: tag Cam and Duplas. Lots of great salt and pepper

903
00:40:05,080 --> 00:40:08,160
Speaker 4: are happening. I can't wait for that to happen to

904
00:40:08,200 --> 00:40:09,879
Speaker 4: my hair. I hope it does.

905
00:40:10,440 --> 00:40:12,400
Speaker 1: What ever, know what, you won't even let it. You

906
00:40:12,400 --> 00:40:14,520
Speaker 1: won't even know when it does because we blonde it

907
00:40:14,560 --> 00:40:15,200
Speaker 1: too much.

908
00:40:15,560 --> 00:40:18,239
Speaker 4: Yeah, but I want to be salt and pepper, like

909
00:40:18,520 --> 00:40:20,680
Speaker 4: grayish with the other where.

910
00:40:20,960 --> 00:40:23,840
Speaker 1: I don't think you do. You would never. You're saying

911
00:40:23,880 --> 00:40:26,160
Speaker 1: things like you're saying, oh my god, I wish it

912
00:40:27,080 --> 00:40:29,160
Speaker 1: a bigger girl. Like you're doing that thing that women

913
00:40:29,280 --> 00:40:31,759
Speaker 1: do where they don't really want it, but they're like

914
00:40:31,800 --> 00:40:35,040
Speaker 1: trying to empower other women do you know what I'm saying.

915
00:40:35,120 --> 00:40:35,399
Speaker 1: I don't.

916
00:40:35,760 --> 00:40:38,240
Speaker 4: Here's what I really want, God, if you're listening, Goddess,

917
00:40:38,880 --> 00:40:42,920
Speaker 4: I want pure white hair, and I'm going to diet

918
00:40:42,960 --> 00:40:45,040
Speaker 4: blonde at the same time. But it's going to be

919
00:40:45,040 --> 00:40:46,560
Speaker 4: able to grow out for weeks at a time, and

920
00:40:46,600 --> 00:40:49,240
Speaker 4: no one will know because the blonde that I diet

921
00:40:49,400 --> 00:40:52,719
Speaker 4: is just half a shade off from the white that

922
00:40:52,880 --> 00:40:56,399
Speaker 4: is natural. Like Kirsten's mom has that hair.

923
00:40:57,040 --> 00:41:00,040
Speaker 1: Okay, ingride, all right, Okay.

924
00:41:00,080 --> 00:41:00,480
Speaker 4: Your wait?

925
00:41:01,200 --> 00:41:04,719
Speaker 1: Can that happen? I don't know, because you'll have to

926
00:41:04,719 --> 00:41:06,680
Speaker 1: grow out your hair to see what it is like.

927
00:41:06,760 --> 00:41:08,920
Speaker 1: At some point. Women who go gray, they have to

928
00:41:08,960 --> 00:41:11,759
Speaker 1: say fuck it for a really long time enough to

929
00:41:12,040 --> 00:41:13,479
Speaker 1: let the grays come in.

930
00:41:13,600 --> 00:41:16,880
Speaker 3: And there's a transition period there. Yeah, it's rough.

931
00:41:17,280 --> 00:41:19,239
Speaker 4: It's gonna be a lot of it around New York City.

932
00:41:19,239 --> 00:41:21,279
Speaker 4: It's cool. You'll see a woman just walking down the

933
00:41:21,280 --> 00:41:25,120
Speaker 4: street and the kaffir hair's magenta and then the top

934
00:41:25,160 --> 00:41:26,959
Speaker 4: half is like solid, the pevere cool.

935
00:41:27,440 --> 00:41:29,080
Speaker 1: I have to decide what do we think is cool

936
00:41:29,239 --> 00:41:32,160
Speaker 1: looking hot and young or looking old as fuck and

937
00:41:32,200 --> 00:41:35,160
Speaker 1: like owning it because we are kind of split. And

938
00:41:35,160 --> 00:41:37,440
Speaker 1: that's what I think frustrates me. Is like owning it

939
00:41:37,480 --> 00:41:40,399
Speaker 1: and being yourself is like the greatest way to look,

940
00:41:40,440 --> 00:41:44,080
Speaker 1: and then looking fake and perfect and like plumped up

941
00:41:44,200 --> 00:41:46,520
Speaker 1: is also the best thing to look. So what's now.

942
00:41:46,600 --> 00:41:49,000
Speaker 3: The problem is there's so many different opinions that there

943
00:41:49,080 --> 00:41:51,480
Speaker 3: is no consensus so to be like everybody wants everybody

944
00:41:51,480 --> 00:41:53,840
Speaker 3: to look young, Like there are a lot of people

945
00:41:53,840 --> 00:41:55,640
Speaker 3: that won't people to look young, but there's there's people

946
00:41:55,719 --> 00:41:59,359
Speaker 3: that are like, oh, this woman with platinum gray hair

947
00:41:59,640 --> 00:42:01,440
Speaker 3: is fast because she's like stylish.

948
00:42:01,680 --> 00:42:03,880
Speaker 1: Yes, so it's like, yeah, you got to be stylish

949
00:42:03,880 --> 00:42:04,600
Speaker 1: if you go gray.

950
00:42:04,920 --> 00:42:06,719
Speaker 3: It's it's the problem. Yeah, you have to be real.

951
00:42:06,920 --> 00:42:12,360
Speaker 7: You can't just wear you have like cool collars, like

952
00:42:13,560 --> 00:42:13,960
Speaker 7: what do they.

953
00:42:15,480 --> 00:42:16,040
Speaker 3: Bracelets?

954
00:42:16,280 --> 00:42:17,120
Speaker 1: Yeah, we're hippie.

955
00:42:17,160 --> 00:42:21,400
Speaker 4: I feel like they're like really deep hippies to.

956
00:42:21,520 --> 00:42:24,200
Speaker 1: Sell it, and you to actually like yourself, like you

957
00:42:24,239 --> 00:42:27,279
Speaker 1: have to exude confidence and self esteem that like so

958
00:42:27,560 --> 00:42:30,520
Speaker 1: few people I was going to say women, but I

959
00:42:30,600 --> 00:42:32,759
Speaker 1: think so few people ever reached that level of like

960
00:42:32,880 --> 00:42:35,520
Speaker 1: I like myself. But when I think we're all attracted

961
00:42:35,560 --> 00:42:38,319
Speaker 1: to these women and like just attracted, meaning like I

962
00:42:38,360 --> 00:42:40,919
Speaker 1: want to just know her, it's usually a woman who

963
00:42:40,920 --> 00:42:43,719
Speaker 1: doesn't give a fuck if you care what she looks like.

964
00:42:43,760 --> 00:42:46,239
Speaker 1: She's not trying anymore in that way. She just like

965
00:42:47,040 --> 00:42:49,279
Speaker 1: has this thing about her. And I think that's what

966
00:42:49,280 --> 00:42:50,799
Speaker 1: we're kind of all going for.

967
00:42:51,360 --> 00:42:54,120
Speaker 4: Have you esta parrel in the more?

968
00:42:55,320 --> 00:42:58,720
Speaker 1: Yeah, she's foxy, she's still trying.

969
00:42:59,320 --> 00:43:03,080
Speaker 4: Yeah, but she's got beautiful Crol's feet exploding from eah

970
00:43:03,239 --> 00:43:09,799
Speaker 4: I and I loved it. I mean they were like radiating,

971
00:43:10,200 --> 00:43:11,000
Speaker 4: not exploding.

972
00:43:11,080 --> 00:43:11,359
Speaker 7: That was.

973
00:43:16,040 --> 00:43:18,120
Speaker 3: Growing up. My dad would would like prefer us to

974
00:43:18,160 --> 00:43:20,680
Speaker 3: have like tucked in shirts and then like you know,

975
00:43:20,760 --> 00:43:22,200
Speaker 3: be clean shaven, and yeah.

976
00:43:22,080 --> 00:43:24,160
Speaker 4: That generation hates an unduckted shirt.

977
00:43:24,320 --> 00:43:26,840
Speaker 3: They loved it. And so sometimes and he's like the

978
00:43:26,960 --> 00:43:30,120
Speaker 3: nicest he's he's just like the nicest, happiest, like nothing

979
00:43:30,200 --> 00:43:34,200
Speaker 3: is really laced in an insult or anything. But now

980
00:43:34,200 --> 00:43:37,040
Speaker 3: I think he's genuinely like embraced certain things and he's like, oh,

981
00:43:37,080 --> 00:43:39,520
Speaker 3: I love I love the five o'clock shadow, And like

982
00:43:39,560 --> 00:43:42,239
Speaker 3: in some cases you'd be like, he's that's an insult

983
00:43:43,040 --> 00:43:44,239
Speaker 3: masked as a compliment.

984
00:43:44,480 --> 00:43:47,960
Speaker 7: But because people do that, like it because you're hee,

985
00:43:48,280 --> 00:43:50,200
Speaker 7: but people do that, people do that thing where they

986
00:43:50,320 --> 00:43:55,040
Speaker 7: lace an insult mast like it's like like they're like,

987
00:43:55,040 --> 00:44:03,640
Speaker 7: oh god, you look yeah, Chubb, I like your laugh lines.

988
00:44:04,120 --> 00:44:06,920
Speaker 3: Yes, I think they're great, beautiful.

989
00:44:06,520 --> 00:44:09,480
Speaker 1: Strong legs. I wish I had a strong legs. You

990
00:44:10,000 --> 00:44:12,720
Speaker 1: mean fat? Is that what you mean? You're just something

991
00:44:12,760 --> 00:44:13,719
Speaker 1: to call out my fat?

992
00:44:13,920 --> 00:44:15,680
Speaker 3: I love that sturdy looking.

993
00:44:17,680 --> 00:44:19,240
Speaker 1: I was going to wear things like you.

994
00:44:19,640 --> 00:44:21,279
Speaker 3: It's just like not care about it at.

995
00:44:21,160 --> 00:44:23,919
Speaker 1: All, like big and plus stores. I wish they made

996
00:44:23,920 --> 00:44:25,120
Speaker 1: that my size. I'm little.

997
00:44:25,239 --> 00:44:29,759
Speaker 2: I wish I was a pig. Yeah, fat, you're a pig.

998
00:44:29,800 --> 00:44:30,919
Speaker 2: I wish I was like that.

999
00:44:31,840 --> 00:44:36,640
Speaker 1: Yes, but your dad is a special human being. Yeah, No,

1000
00:44:36,719 --> 00:44:40,880
Speaker 1: he's he's the greatest person I think going he's my

1001
00:44:40,960 --> 00:44:43,719
Speaker 1: brother in law. We've decided that he's the greatest man,

1002
00:44:43,840 --> 00:44:44,600
Speaker 1: the greatest people.

1003
00:44:44,600 --> 00:44:47,120
Speaker 3: We know that. Matt Matt Green, my brother in law.

1004
00:44:47,600 --> 00:44:49,160
Speaker 3: I think he's the greatest man in America.

1005
00:44:49,760 --> 00:44:53,560
Speaker 1: I would actually nominate him. I would because family man,

1006
00:44:53,920 --> 00:44:58,840
Speaker 1: like really good dad, really good husband, totally non judgmental,

1007
00:44:59,200 --> 00:45:02,680
Speaker 1: always ready a joke around him, be silly, also like

1008
00:45:03,000 --> 00:45:07,160
Speaker 1: very knowledgeable about like things, cares about the environment, cares

1009
00:45:07,200 --> 00:45:15,840
Speaker 1: about city planning, always just not pretentious. Just there's not

1010
00:45:15,880 --> 00:45:16,680
Speaker 1: a bad thing about him.

1011
00:45:16,719 --> 00:45:18,640
Speaker 3: He's a perfect man, except his face.

1012
00:45:19,880 --> 00:45:22,120
Speaker 1: If you don't look at him. No, but no, he's

1013
00:45:22,680 --> 00:45:26,920
Speaker 1: he's he's a stunning man too, he's a cutie. No,

1014
00:45:27,040 --> 00:45:29,120
Speaker 1: I'm not attracted to him, even though he does look

1015
00:45:29,160 --> 00:45:32,400
Speaker 1: exactly like to me, I think you should leave Tim Robbins.

1016
00:45:33,000 --> 00:45:34,719
Speaker 1: He looks like a different version of him, but like

1017
00:45:34,760 --> 00:45:37,879
Speaker 1: his face, mannerisms and stuff are very similar. But yeah,

1018
00:45:37,880 --> 00:45:39,960
Speaker 1: I think him and your dad are like my like

1019
00:45:40,040 --> 00:45:41,840
Speaker 1: top great people.

1020
00:45:42,080 --> 00:45:44,440
Speaker 4: Did you and you have sister ever, like share a

1021
00:45:44,480 --> 00:45:45,279
Speaker 4: crush on a guy?

1022
00:45:46,200 --> 00:45:49,760
Speaker 1: She to someone I had a crush on for a while,

1023
00:45:50,280 --> 00:45:52,319
Speaker 1: So that was a bummer. I called my dad that night,

1024
00:45:52,440 --> 00:45:55,839
Speaker 1: sobbing in college toling.

1025
00:45:56,480 --> 00:45:57,800
Speaker 3: Yeah, no way.

1026
00:45:58,520 --> 00:46:00,560
Speaker 1: I didn't tell it like like I wasn't her out.

1027
00:46:00,560 --> 00:46:02,920
Speaker 1: I was just like I think, I just I didn't

1028
00:46:02,960 --> 00:46:06,200
Speaker 1: say like I think. I don't believe I would have

1029
00:46:06,239 --> 00:46:11,239
Speaker 1: divulged what I knew. It was just like, let me,

1030
00:46:11,360 --> 00:46:13,640
Speaker 1: can I restate that? So my sister doesn't well, no,

1031
00:46:13,760 --> 00:46:15,879
Speaker 1: she doesn't care. She had to lose her virginity at

1032
00:46:15,880 --> 00:46:16,160
Speaker 1: some point.

1033
00:46:16,239 --> 00:46:17,040
Speaker 3: And it wasn't a matt.

1034
00:46:17,600 --> 00:46:19,640
Speaker 1: I'm not saying the guy's name, but I liked this

1035
00:46:19,680 --> 00:46:22,279
Speaker 1: guy for a while and he was my age in

1036
00:46:22,320 --> 00:46:28,200
Speaker 1: my class, and this was two years younger, two years Yeah,

1037
00:46:28,239 --> 00:46:31,480
Speaker 1: and so he was in my grade and he was

1038
00:46:31,600 --> 00:46:34,239
Speaker 1: my friend's friend and he was like I liked him

1039
00:46:34,320 --> 00:46:36,399
Speaker 1: a lot, and then I found out that he liked her.

1040
00:46:37,280 --> 00:46:38,880
Speaker 1: That was just the way it went for Old Glaze

1041
00:46:38,920 --> 00:46:42,120
Speaker 1: Dog for several years. And I just remember sobbing and

1042
00:46:42,160 --> 00:46:45,160
Speaker 1: looking at this cheap I was on the floor looking

1043
00:46:45,160 --> 00:46:47,160
Speaker 1: at the carpet. I can always remember what carpet I'm

1044
00:46:47,200 --> 00:46:51,560
Speaker 1: staring into. What I'm sobbing uncontrollably. It's like a thing

1045
00:46:51,960 --> 00:46:54,600
Speaker 1: to break up with me. And I remember, yeah, oh

1046
00:46:54,640 --> 00:46:57,200
Speaker 1: that's true. I forgot who told me to get that rug.

1047
00:46:57,200 --> 00:46:58,840
Speaker 1: I'm sure she was a dear friend of mine, but

1048
00:46:59,600 --> 00:47:02,719
Speaker 1: I was, because that's how girls become friends. I was

1049
00:47:02,920 --> 00:47:05,440
Speaker 1: the only I just remember things when I'm like sobbing.

1050
00:47:05,520 --> 00:47:08,400
Speaker 1: I was like this target rug I had that was purple,

1051
00:47:08,440 --> 00:47:10,560
Speaker 1: and I was like sobbing into it and my tears

1052
00:47:10,560 --> 00:47:13,759
Speaker 1: were dropping on it. And I called my dad because

1053
00:47:13,800 --> 00:47:16,640
Speaker 1: I just had nobody to talk to. I don't why

1054
00:47:16,719 --> 00:47:18,239
Speaker 1: would I call him. I have no idea, but I

1055
00:47:18,360 --> 00:47:19,879
Speaker 1: just you know what I think. I at this point

1056
00:47:19,920 --> 00:47:22,000
Speaker 1: in my life, I was so mad that my parents

1057
00:47:22,080 --> 00:47:25,880
Speaker 1: made me that I wanted to like torture them because

1058
00:47:25,880 --> 00:47:29,000
Speaker 1: it was their fault I existed. Yeah, it's my fault

1059
00:47:29,000 --> 00:47:30,520
Speaker 1: that I kind of look like you more than I

1060
00:47:30,560 --> 00:47:32,680
Speaker 1: look like mom. And that's why this guy wanted to

1061
00:47:32,760 --> 00:47:35,399
Speaker 1: have sex with Lauren and not me. And I didn't

1062
00:47:35,440 --> 00:47:38,560
Speaker 1: say that, but it was just like you, this is

1063
00:47:38,600 --> 00:47:41,359
Speaker 1: your fault. And I think lots of kids feel that way.

1064
00:47:41,400 --> 00:47:44,480
Speaker 1: I think that's a like I didn't ask to get born,

1065
00:47:44,680 --> 00:47:47,439
Speaker 1: Why did you do this? I'm so ugly, No one

1066
00:47:47,600 --> 00:47:50,319
Speaker 1: likes me. It was really sad, and he was just

1067
00:47:50,360 --> 00:47:53,319
Speaker 1: like my dad's response, this is my parents respond. You

1068
00:47:53,320 --> 00:47:55,360
Speaker 1: want to hear my parents respond to any response to

1069
00:47:55,400 --> 00:47:58,040
Speaker 1: any time. Come on, Yeah, that's pretty good. That's close.

1070
00:47:58,520 --> 00:48:01,799
Speaker 1: This is ridiculou. I'm not listening to this anymore. This

1071
00:48:01,880 --> 00:48:09,040
Speaker 1: is so stupid. Just shut up. I mean, I will

1072
00:48:09,080 --> 00:48:10,799
Speaker 1: give them the benefit of the doubt because I was like,

1073
00:48:11,160 --> 00:48:14,120
Speaker 1: I'm so ugly, I don't deserve to live. No one

1074
00:48:14,200 --> 00:48:15,880
Speaker 1: wants me. They all want Laurence.

1075
00:48:15,880 --> 00:48:16,680
Speaker 3: So it was kind of.

1076
00:48:16,719 --> 00:48:20,759
Speaker 4: Fun to do that response now that I think about it,

1077
00:48:20,800 --> 00:48:23,880
Speaker 4: and I had so much therapy about like making sure.

1078
00:48:26,120 --> 00:48:28,480
Speaker 1: Niki, maybe that's I'm tired to listen to the ship

1079
00:48:28,560 --> 00:48:31,120
Speaker 1: it's the same thing over and over. Just shut up.

1080
00:48:32,239 --> 00:48:35,400
Speaker 1: It does kind of want us Julia Louis tryfus. Yeah,

1081
00:48:35,480 --> 00:48:37,600
Speaker 1: I mean okay, we have to go to break. We'll

1082
00:48:37,640 --> 00:48:38,839
Speaker 1: be back with more after this.

1083
00:48:41,680 --> 00:48:43,600
Speaker 3: Did you guys, did you guys talk? Do you have

1084
00:48:43,600 --> 00:48:45,160
Speaker 3: you done a podcast this week? Did you talk about

1085
00:48:45,200 --> 00:48:46,280
Speaker 3: your weekend?

1086
00:48:46,320 --> 00:48:46,440
Speaker 4: Yes?

1087
00:48:46,480 --> 00:48:49,480
Speaker 1: Okay, well I talked about the country club show and

1088
00:48:49,520 --> 00:48:51,360
Speaker 1: how it was kind of rough but it was like

1089
00:48:51,480 --> 00:48:53,239
Speaker 1: ended up being fun and then Lizzie and I hung

1090
00:48:53,239 --> 00:48:53,920
Speaker 1: out afterwards.

1091
00:48:54,000 --> 00:48:56,399
Speaker 3: But you had like a great friend weekend. I feel

1092
00:48:56,440 --> 00:48:59,200
Speaker 3: like having friend weekends because we're all like because of

1093
00:48:59,239 --> 00:49:01,200
Speaker 3: COVID or whatever, we all live in different parts of

1094
00:49:01,239 --> 00:49:03,400
Speaker 3: the country now, and it's like good hanging in. Gots

1095
00:49:03,400 --> 00:49:06,719
Speaker 3: to go see those friends, and it like it's like, uh, reaffirm,

1096
00:49:06,800 --> 00:49:09,879
Speaker 3: It's like reaffirming how great life is when you see

1097
00:49:09,880 --> 00:49:10,439
Speaker 3: a great friend.

1098
00:49:10,480 --> 00:49:13,239
Speaker 1: It's so true. I got Lizzie in which was you know.

1099
00:49:13,320 --> 00:49:15,279
Speaker 1: She and I used to have lunch every single day

1100
00:49:15,520 --> 00:49:20,640
Speaker 1: for three years from like two thousand and fifteen to

1101
00:49:20,680 --> 00:49:21,760
Speaker 1: twenty eighteen.

1102
00:49:21,920 --> 00:49:24,239
Speaker 3: Mustard Seed, Yeahstre's.

1103
00:49:23,480 --> 00:49:26,480
Speaker 1: Cafe on Hillhurst, Yeah, in Low's Flees. We would have

1104
00:49:26,560 --> 00:49:29,040
Speaker 1: lunch every day there. We still go there sometimes and

1105
00:49:29,080 --> 00:49:31,920
Speaker 1: there's still the bus boy there that is there the busy.

1106
00:49:32,800 --> 00:49:36,040
Speaker 1: He's a bus man now a yeah, he's grown and

1107
00:49:36,760 --> 00:49:40,120
Speaker 1: he still recognizes it's nice. And then so, yeah, it

1108
00:49:40,160 --> 00:49:41,440
Speaker 1: was so nice to catch up with her. And it's

1109
00:49:41,480 --> 00:49:44,480
Speaker 1: just like she's someone that I think has probably been

1110
00:49:44,520 --> 00:49:46,400
Speaker 1: hurt by my lack of staying in touch when I

1111
00:49:46,480 --> 00:49:49,120
Speaker 1: live in different cities. But she's let that go now

1112
00:49:49,160 --> 00:49:50,920
Speaker 1: and so now we just like hop right into it.

1113
00:49:50,920 --> 00:49:52,560
Speaker 1: We're going to dinner tonight. Actually I'm getting on a

1114
00:49:52,600 --> 00:49:53,920
Speaker 1: plane right at the end of this podcast.

1115
00:49:53,960 --> 00:49:54,640
Speaker 3: You're here tonight.

1116
00:49:54,680 --> 00:49:56,319
Speaker 1: I'm gonna go to a dinner with her to night.

1117
00:49:56,680 --> 00:49:59,279
Speaker 1: And then I had lunch with Rachel Feinstein and she

1118
00:49:59,360 --> 00:50:02,879
Speaker 1: made me laugh a whole lot. And and then I

1119
00:50:02,920 --> 00:50:06,160
Speaker 1: saw a meal. I saw him at the airport too,

1120
00:50:06,239 --> 00:50:08,360
Speaker 1: on my way home. Yeah I had I didn't have

1121
00:50:08,400 --> 00:50:10,359
Speaker 1: a meal with a meal, but I saw a meal. Yeah,

1122
00:50:10,360 --> 00:50:12,120
Speaker 1: I just go a meal and he was walking by

1123
00:50:12,160 --> 00:50:12,800
Speaker 1: in Laguardian.

1124
00:50:13,000 --> 00:50:14,319
Speaker 4: It was like at an airport too.

1125
00:50:15,200 --> 00:50:16,000
Speaker 3: Was so exciting.

1126
00:50:16,440 --> 00:50:18,960
Speaker 1: It's so exciting to run. And then we realized we

1127
00:50:19,000 --> 00:50:20,520
Speaker 1: had nothing to talk about because we had just had

1128
00:50:21,080 --> 00:50:25,960
Speaker 1: about three nights before. We're just gonna cool Sea and

1129
00:50:26,040 --> 00:50:28,160
Speaker 1: then and he might come on tour with us again.

1130
00:50:28,200 --> 00:50:31,800
Speaker 1: He told me he's he's going to come on some dates, which.

1131
00:50:31,840 --> 00:50:34,600
Speaker 3: He's done some dates with somebody else. It's awesome, right

1132
00:50:34,680 --> 00:50:35,200
Speaker 3: Neil Brennan.

1133
00:50:35,320 --> 00:50:36,960
Speaker 1: Yeah, yeah, I gave Neil Brennan him.

1134
00:50:37,320 --> 00:50:39,400
Speaker 3: That would be what a gift?

1135
00:50:39,560 --> 00:50:39,799
Speaker 1: Yeah?

1136
00:50:40,040 --> 00:50:41,040
Speaker 3: I own him?

1137
00:50:41,239 --> 00:50:48,560
Speaker 1: No? Like yeah, wait with Manchester United, the.

1138
00:50:48,520 --> 00:50:52,840
Speaker 3: Soccer teams will like Lisa player out to another squad.

1139
00:50:52,840 --> 00:50:53,399
Speaker 3: I didn't know that.

1140
00:50:55,800 --> 00:50:57,640
Speaker 1: So I saw a meal. Who did else? I see?

1141
00:50:57,760 --> 00:50:57,960
Speaker 3: Oh?

1142
00:50:58,239 --> 00:51:00,600
Speaker 1: Sarah Lena came with me to this event I hosted

1143
00:51:00,640 --> 00:51:03,960
Speaker 1: on Wednesday for like Women in Journalism. It was called

1144
00:51:03,960 --> 00:51:06,919
Speaker 1: the Matrix Awards, and I made the joke that it's

1145
00:51:07,000 --> 00:51:09,440
Speaker 1: a pleasure to host the Matrix Awards, even though I've

1146
00:51:09,440 --> 00:51:12,960
Speaker 1: never seen any of the movies. But I will say

1147
00:51:13,239 --> 00:51:15,520
Speaker 1: a man in a long coat didn't give me two

1148
00:51:15,560 --> 00:51:17,600
Speaker 1: pills on the way out here on the street, and

1149
00:51:17,960 --> 00:51:19,720
Speaker 1: both of them, so we'll see what happens tonight.

1150
00:51:20,560 --> 00:51:22,640
Speaker 3: Did you say the I feel like I can dodge bullets? No,

1151
00:51:22,719 --> 00:51:24,919
Speaker 3: I didn't say that. One say I could do kung fu?

1152
00:51:25,280 --> 00:51:26,960
Speaker 1: No. I ran both of these by Chris and he

1153
00:51:27,000 --> 00:51:27,839
Speaker 1: gave me some extra lines.

1154
00:51:27,880 --> 00:51:28,640
Speaker 3: But it didn't take them back.

1155
00:51:29,960 --> 00:51:33,319
Speaker 1: Did any other jokes do well? Or bomb one thing

1156
00:51:33,360 --> 00:51:35,680
Speaker 1: did really well? It got in page six. Actually, someone said,

1157
00:51:37,760 --> 00:51:39,920
Speaker 1: so this woman gave a passionate speech about like her

1158
00:51:39,960 --> 00:51:44,439
Speaker 1: mentor for Frank something. He starts, he's a big, big deal,

1159
00:51:45,080 --> 00:51:47,600
Speaker 1: he's some CEO of something, and she was like, and

1160
00:51:47,600 --> 00:51:49,239
Speaker 1: whenever I get into jam, I was just thinking, what

1161
00:51:49,280 --> 00:51:50,000
Speaker 1: would Frank do?

1162
00:51:50,239 --> 00:51:50,440
Speaker 4: You know?

1163
00:51:50,480 --> 00:51:53,000
Speaker 1: And she was talking about that, and so my prompter

1164
00:51:53,080 --> 00:51:55,080
Speaker 1: stopped working at one point and I was like, what

1165
00:51:55,120 --> 00:52:02,080
Speaker 1: would Frank do? People love a fucking callback man.

1166
00:52:01,160 --> 00:52:02,960
Speaker 3: Something like that. At the at the Saint Look you

1167
00:52:03,000 --> 00:52:05,520
Speaker 3: won that Saint Louis Excellent Award or whatever? Yeah, yeah,

1168
00:52:05,640 --> 00:52:06,840
Speaker 3: did you talk about that on a podcast?

1169
00:52:06,880 --> 00:52:08,440
Speaker 1: I don't know if I talked about that. Oh yeah,

1170
00:52:08,480 --> 00:52:11,600
Speaker 1: I talked I won that award for being an excellent

1171
00:52:11,680 --> 00:52:14,680
Speaker 1: Ambassador of Saint Louis with Jackie Joyner Cursey and yeah,

1172
00:52:14,800 --> 00:52:17,680
Speaker 1: I made some reference to like the mishap because they

1173
00:52:17,800 --> 00:52:20,680
Speaker 1: as long as you're just addressing thing going that's going

1174
00:52:20,680 --> 00:52:23,400
Speaker 1: on that is really boring, people like like it. So

1175
00:52:23,440 --> 00:52:24,919
Speaker 1: I was paying attention to the show so I could

1176
00:52:24,920 --> 00:52:26,920
Speaker 1: make those references because that's where I was gonna like

1177
00:52:26,960 --> 00:52:31,400
Speaker 1: get in the laughs. Final thought, I wasn't paid for

1178
00:52:31,440 --> 00:52:35,960
Speaker 1: this event. I'm just gonna put that out there. Usually

1179
00:52:36,560 --> 00:52:38,359
Speaker 1: you get like a gift bag or like.

1180
00:52:38,280 --> 00:52:41,319
Speaker 3: You get are they I said, like, hey, thank you

1181
00:52:41,360 --> 00:52:41,879
Speaker 3: for doing this.

1182
00:52:42,840 --> 00:52:46,200
Speaker 1: Didn't get it. They did get my writer. They did

1183
00:52:46,200 --> 00:52:49,520
Speaker 1: get me a rice cake. No, no, what's nothing. Yeah

1184
00:52:49,520 --> 00:52:54,600
Speaker 1: they no nothing literally rice cakes and hummus and no.

1185
00:52:54,640 --> 00:52:57,279
Speaker 1: They got me a veggie tray and a ZeVA and

1186
00:52:57,400 --> 00:52:59,920
Speaker 1: I didn't taken. Yeah, they got me. They got me

1187
00:53:00,040 --> 00:53:02,320
Speaker 1: car service there and back, and they got me my flights.

1188
00:53:02,520 --> 00:53:03,520
Speaker 1: But I put myself up.

1189
00:53:04,000 --> 00:53:08,120
Speaker 2: Wow. So yeah, it's like a charity.

1190
00:53:08,280 --> 00:53:10,319
Speaker 1: Let me tell you. They gave away these awards that

1191
00:53:10,320 --> 00:53:12,440
Speaker 1: were made from Tiffany. Like at Tiffany and I go,

1192
00:53:12,640 --> 00:53:14,680
Speaker 1: why couldn't you just go to a trophy company given

1193
00:53:14,719 --> 00:53:16,880
Speaker 1: me a couple of grand even donate Like if I

1194
00:53:16,920 --> 00:53:19,440
Speaker 1: do an awards show again, I'm going to ask for something.

1195
00:53:19,560 --> 00:53:22,800
Speaker 3: Yeah, give something to start ring or something.

1196
00:53:23,080 --> 00:53:24,120
Speaker 2: Yes, that's crazy.

1197
00:53:24,160 --> 00:53:25,239
Speaker 4: It seems like a Tiffany's.

1198
00:53:25,360 --> 00:53:27,680
Speaker 2: Is this a charity, is this a nonprofit or is

1199
00:53:27,719 --> 00:53:28,080
Speaker 2: it just.

1200
00:53:28,040 --> 00:53:30,640
Speaker 1: I'll just tell you. When someone found out that was

1201
00:53:30,680 --> 00:53:32,520
Speaker 1: honored at the thing, I kind of brote out with

1202
00:53:32,560 --> 00:53:34,800
Speaker 1: one of the girls that was giving getting an award,

1203
00:53:35,160 --> 00:53:37,120
Speaker 1: who's one of the most impressive people I've ever met

1204
00:53:37,120 --> 00:53:42,080
Speaker 1: in my entire life. She got an award, and she

1205
00:53:42,360 --> 00:53:43,719
Speaker 1: I told her later on because she was like, you

1206
00:53:43,800 --> 00:53:47,000
Speaker 1: killed it. That was such a long night. Oh my god,

1207
00:53:47,080 --> 00:53:49,000
Speaker 1: like you brought so much levity. Thank god you were

1208
00:53:49,000 --> 00:53:53,080
Speaker 1: there because it was it was long. And she did

1209
00:53:53,360 --> 00:53:54,920
Speaker 1: and I said, did you know what. I go in,

1210
00:53:55,040 --> 00:53:57,120
Speaker 1: I can't believe I didn't get paid, and she goes,

1211
00:53:57,560 --> 00:54:00,759
Speaker 1: what the fuck? She was like, you did it? She goes,

1212
00:54:00,800 --> 00:54:03,600
Speaker 1: what is wrong with you? Who is representing? She got

1213
00:54:03,719 --> 00:54:06,760
Speaker 1: so mad all caps And it felt really good because

1214
00:54:07,239 --> 00:54:09,759
Speaker 1: I don't know why I did. I'm glad I did it.

1215
00:54:10,320 --> 00:54:15,160
Speaker 1: I think, like I don't. Yeah, I mean they're not

1216
00:54:15,200 --> 00:54:17,400
Speaker 1: gonna ask me back, not because I didn't do a

1217
00:54:17,400 --> 00:54:21,200
Speaker 1: good job, but I did try very hard, and yeah,

1218
00:54:21,280 --> 00:54:25,280
Speaker 1: you just it's my fault for doing it and thinking

1219
00:54:25,440 --> 00:54:27,799
Speaker 1: that I would feel good enough doing it and not

1220
00:54:27,840 --> 00:54:30,640
Speaker 1: getting anything compensated, like not getting compensated. I should have,

1221
00:54:30,800 --> 00:54:32,080
Speaker 1: you know, researched it a little bit.

1222
00:54:32,040 --> 00:54:34,520
Speaker 3: More, do your own research. Everybody knows that.

1223
00:54:34,680 --> 00:54:37,120
Speaker 1: And as a as a journal I should have known.

1224
00:54:37,040 --> 00:54:40,839
Speaker 4: That this last year, so I could see saying yes

1225
00:54:40,920 --> 00:54:41,480
Speaker 4: because you're like.

1226
00:54:41,640 --> 00:54:44,279
Speaker 1: All I went off of was my manager. I didn't

1227
00:54:44,320 --> 00:54:46,759
Speaker 1: even read the initial email. My manager said this would

1228
00:54:46,800 --> 00:54:49,680
Speaker 1: be good for you to do, and he rarely says.

1229
00:54:49,400 --> 00:54:51,880
Speaker 3: That, and he's like the best in the game, He's the.

1230
00:54:51,760 --> 00:54:54,439
Speaker 1: Best, and so I think he might have just made

1231
00:54:54,480 --> 00:54:58,239
Speaker 1: a mistake in this moment because this wasn't.

1232
00:54:58,560 --> 00:55:00,160
Speaker 2: This for you to do.

1233
00:55:01,280 --> 00:55:05,400
Speaker 1: We'll find That's what I would like to know. I

1234
00:55:05,480 --> 00:55:07,879
Speaker 1: made friends with this really impressive journalist woman that I'm

1235
00:55:07,920 --> 00:55:10,120
Speaker 1: like obsessed with, so maybe that was to me. My

1236
00:55:10,120 --> 00:55:13,319
Speaker 1: friend Sarahline was there and I did I did a

1237
00:55:13,320 --> 00:55:15,520
Speaker 1: good job. And the event, let me just say, there's

1238
00:55:15,719 --> 00:55:17,440
Speaker 1: this was nothing to shake a stick at. This event

1239
00:55:18,000 --> 00:55:24,400
Speaker 1: was a very well done dinner banquet, amazing, like just

1240
00:55:24,440 --> 00:55:27,480
Speaker 1: like it's something like I would have seen like you produced, Chris,

1241
00:55:27,520 --> 00:55:30,640
Speaker 1: Like you would have really loved the screens, like while

1242
00:55:30,680 --> 00:55:32,799
Speaker 1: people were speaking, there would be a slideshow behind them,

1243
00:55:32,920 --> 00:55:35,239
Speaker 1: then afterwards there would be a video about their life.

1244
00:55:35,239 --> 00:55:37,960
Speaker 1: And the video was really interesting and the speech, like

1245
00:55:38,120 --> 00:55:40,520
Speaker 1: the people that ran it were fucking top notched. The

1246
00:55:40,560 --> 00:55:43,239
Speaker 1: people who it was, you know, I'm I'm not trying

1247
00:55:43,239 --> 00:55:45,560
Speaker 1: to backtrack and like give credit, but it is. It

1248
00:55:45,560 --> 00:55:48,080
Speaker 1: was an impressive event, but they should have paid a host,

1249
00:55:48,080 --> 00:55:49,960
Speaker 1: and I hope next year whoever hosts it gets some

1250
00:55:50,000 --> 00:55:52,239
Speaker 1: money because it was a lot of work for me

1251
00:55:52,600 --> 00:55:56,680
Speaker 1: to do. I will say that when I first got

1252
00:55:56,680 --> 00:55:59,960
Speaker 1: out there, the microphone was like down by my check

1253
00:56:00,280 --> 00:56:02,160
Speaker 1: because I guess whoever had set it up was very

1254
00:56:02,160 --> 00:56:05,600
Speaker 1: short and they couldn't hear me. But I thought they could,

1255
00:56:05,680 --> 00:56:08,799
Speaker 1: Like I'm not an idiot with amplification, I know, so

1256
00:56:08,880 --> 00:56:10,640
Speaker 1: I just thought they could hear me, but they couldn't.

1257
00:56:10,920 --> 00:56:14,040
Speaker 1: So I'm talking about like, this is such an important

1258
00:56:14,120 --> 00:56:18,080
Speaker 1: night for women to share their voices. I'm so honored

1259
00:56:18,120 --> 00:56:21,520
Speaker 1: to be here to be a beacon. And so then

1260
00:56:21,560 --> 00:56:24,680
Speaker 1: a man, one of the stage directors comes out, a

1261
00:56:24,719 --> 00:56:27,440
Speaker 1: man and takes the mic while I'm talking and lifts

1262
00:56:27,480 --> 00:56:29,920
Speaker 1: it up, and I go, oh, so I guess we

1263
00:56:30,000 --> 00:56:34,160
Speaker 1: do need men to like here. I was like, thanks

1264
00:56:34,200 --> 00:56:37,560
Speaker 1: for man explaining microphones to me, and that got a

1265
00:56:37,600 --> 00:56:39,440
Speaker 1: laugh too, so that was good. So that was like

1266
00:56:39,440 --> 00:56:41,680
Speaker 1: a I would have probably written that in had I

1267
00:56:41,719 --> 00:56:45,279
Speaker 1: thought what everyone they were honoring was like really cool.

1268
00:56:45,320 --> 00:56:46,600
Speaker 1: I got to hear a bunch of like Ted talks

1269
00:56:46,600 --> 00:56:49,120
Speaker 1: from these very impressive women. It wasn't I would do

1270
00:56:49,160 --> 00:56:51,480
Speaker 1: the event again, but it was just too much work

1271
00:56:51,520 --> 00:56:53,480
Speaker 1: for me right now in my life, I didn't have

1272
00:56:53,520 --> 00:56:56,399
Speaker 1: anything else going on. I would absolutely volunteer to do this.

1273
00:56:56,640 --> 00:56:59,439
Speaker 1: It was just coinciding with like my tour and oh.

1274
00:56:59,400 --> 00:57:00,960
Speaker 3: You've got that tour coming up. There are there any

1275
00:57:01,040 --> 00:57:01,719
Speaker 3: dates that you've got.

1276
00:57:01,800 --> 00:57:04,200
Speaker 1: There's so many dates.

1277
00:57:04,800 --> 00:57:05,600
Speaker 3: Name one.

1278
00:57:06,680 --> 00:57:11,080
Speaker 1: We live California, which is near Sacramento, that's coming up.

1279
00:57:11,400 --> 00:57:18,320
Speaker 1: I have Vegas this weekend. I have San Diego, San Francisco, Calgary,

1280
00:57:18,720 --> 00:57:25,120
Speaker 1: Prior Kansas, Denver. I just got in a show on

1281
00:57:25,160 --> 00:57:29,720
Speaker 1: the thirtieth at the I believe the Paramount. Yes, yeah,

1282
00:57:29,760 --> 00:57:31,400
Speaker 1: let's so, let's sell that out. I would love to

1283
00:57:31,400 --> 00:57:32,960
Speaker 1: do two shows, and I think that one will be

1284
00:57:32,960 --> 00:57:34,960
Speaker 1: pretty close to like midnight, so we'll be able to

1285
00:57:35,040 --> 00:57:41,480
Speaker 1: ring in the thirty first together. It's the thirtieth, no way, yeah,

1286
00:57:42,480 --> 00:57:44,680
Speaker 1: so city.

1287
00:57:44,640 --> 00:57:46,720
Speaker 3: Yeah, I know what I'm going to do. That's kind

1288
00:57:46,720 --> 00:57:49,120
Speaker 3: of better for people for people that live in Denver,

1289
00:57:49,680 --> 00:57:54,400
Speaker 3: like skip skip New Year's Eve. New Year's with us, Yes,

1290
00:57:55,040 --> 00:57:57,480
Speaker 3: no traffic, none of the danger of.

1291
00:57:57,960 --> 00:58:01,120
Speaker 1: Anyone you can kis somebody one kissing at my shows.

1292
00:58:01,920 --> 00:58:06,640
Speaker 1: I've heard, but it's the last time you kissed today

1293
00:58:06,720 --> 00:58:08,040
Speaker 1: this afternoon.

1294
00:58:08,200 --> 00:58:11,360
Speaker 4: Yeah, when I got home, was it like a lot

1295
00:58:11,360 --> 00:58:12,840
Speaker 4: of tongue or no?

1296
00:58:12,840 --> 00:58:15,440
Speaker 1: No, we don't. We don't go in for tongue unless

1297
00:58:15,480 --> 00:58:19,800
Speaker 1: it's like, you know, we don't go into each other's bodies.

1298
00:58:20,080 --> 00:58:21,440
Speaker 1: Time to go into each other's body.

1299
00:58:22,280 --> 00:58:24,160
Speaker 3: Let's I think it's time to end podcast.

1300
00:58:27,240 --> 00:58:30,600
Speaker 1: No we we we kiss every every night before, but

1301
00:58:30,800 --> 00:58:32,240
Speaker 1: I saw it was last night before bed and then

1302
00:58:32,240 --> 00:58:33,760
Speaker 1: when I saw you today when I got home and

1303
00:58:33,760 --> 00:58:35,120
Speaker 1: I go, hi, honey, I'm home.

1304
00:58:35,920 --> 00:58:39,320
Speaker 3: Yeah, we do that whole charade. Yeah, that's fun.

1305
00:58:39,520 --> 00:58:43,600
Speaker 1: Yeah, chard And yesterday I made him I'm really I'm

1306
00:58:43,640 --> 00:58:47,960
Speaker 1: obsessed with the song sure Thing by Miguel I had a.

1307
00:58:47,920 --> 00:58:49,360
Speaker 3: Game that I was thinking about trying to play, but

1308
00:58:49,360 --> 00:58:50,120
Speaker 3: I think we're out of time.

1309
00:58:50,160 --> 00:58:51,600
Speaker 1: We're at a time. What was the game?

1310
00:58:51,720 --> 00:58:53,640
Speaker 3: It's called hot Takes. It's something I do on the

1311
00:58:53,680 --> 00:58:55,800
Speaker 3: Corny Show, Oh my God. And it's basically what I

1312
00:58:55,840 --> 00:58:58,720
Speaker 3: do is I go around to everybody, I bring up

1313
00:58:58,720 --> 00:59:00,520
Speaker 3: a topic and then I go nicky and and you guys,

1314
00:59:00,640 --> 00:59:02,720
Speaker 3: you have to do a pretty quick hot take like

1315
00:59:02,800 --> 00:59:05,240
Speaker 3: the game do you one? Really? Game has paced well,

1316
00:59:05,240 --> 00:59:06,720
Speaker 3: we have to for it to work, we have to

1317
00:59:06,760 --> 00:59:08,280
Speaker 3: do like like three.

1318
00:59:08,560 --> 00:59:11,640
Speaker 2: Well, otherwise it feels silly.

1319
00:59:10,880 --> 00:59:13,280
Speaker 3: Because well then it's not because then it's literally like,

1320
00:59:13,360 --> 00:59:14,919
Speaker 3: what's your hot take on this? And then you say

1321
00:59:14,920 --> 00:59:16,960
Speaker 3: something quickly and then we say all right.

1322
00:59:16,840 --> 00:59:19,200
Speaker 1: Well everyone just says this, fine, a hot take for

1323
00:59:19,240 --> 00:59:19,760
Speaker 1: each person?

1324
00:59:20,320 --> 00:59:20,800
Speaker 3: Would you three?

1325
00:59:20,880 --> 00:59:21,040
Speaker 1: Yeah?

1326
00:59:21,080 --> 00:59:21,200
Speaker 7: Yah?

1327
00:59:21,240 --> 00:59:22,720
Speaker 3: Yeah, we could do it that way. Okay, cool, This

1328
00:59:22,760 --> 00:59:23,520
Speaker 3: is called hot takes.

1329
00:59:23,520 --> 00:59:25,720
Speaker 1: All right, here we.

1330
00:59:27,440 --> 00:59:27,520
Speaker 7: Go.

1331
00:59:28,160 --> 00:59:30,880
Speaker 3: Natalie and Brugley is nineteen ninety seven cover of torn

1332
00:59:30,920 --> 00:59:31,760
Speaker 3: Anya Hot Take.

1333
00:59:32,800 --> 00:59:36,600
Speaker 4: Great, loved it. Edna Swap wrote it. She fucking nailed it.

1334
00:59:36,680 --> 00:59:40,600
Speaker 3: Good for her true story, sports betting in America, good

1335
00:59:40,600 --> 00:59:43,440
Speaker 3: for America, Bad for America. Brian hot take.

1336
00:59:43,480 --> 00:59:45,280
Speaker 2: Oh, excellent for America. Everyone could be.

1337
00:59:45,280 --> 00:59:48,680
Speaker 3: Rich married life. On a scale of one to ten

1338
00:59:48,760 --> 00:59:54,560
Speaker 3: Brian ten. Crossword puzzles. Do you like doing them or not?

1339
00:59:54,720 --> 00:59:55,200
Speaker 3: Nicky go?

1340
00:59:56,160 --> 00:59:59,000
Speaker 1: They are fun every night, But I feel around eight

1341
00:59:59,200 --> 01:00:01,640
Speaker 1: thirty to nine clock there is attention in the room.

1342
01:00:01,640 --> 01:00:03,880
Speaker 1: As Chris awaits one, he can't really pay attention whatever

1343
01:00:03,920 --> 01:00:06,880
Speaker 1: we're waiting because they drop at nine o'clock whenever watching

1344
01:00:06,960 --> 01:00:09,640
Speaker 1: is not getting his full attention. There's just like a

1345
01:00:09,680 --> 01:00:12,560
Speaker 1: little bit of like a there's like a little anticipation,

1346
01:00:12,600 --> 01:00:14,200
Speaker 1: and then when we do them, I've been losing so

1347
01:00:14,280 --> 01:00:16,440
Speaker 1: much because Brian and Chris and I all kind of

1348
01:00:16,480 --> 01:00:18,760
Speaker 1: compete on Mondays and Wednesdays. I don't even submit mine

1349
01:00:18,800 --> 01:00:21,040
Speaker 1: because as soon as Chris, as soon as I'm second place,

1350
01:00:21,080 --> 01:00:22,440
Speaker 1: I don't even want to do it anymore, and so

1351
01:00:22,480 --> 01:00:23,439
Speaker 1: I just stopped playing.

1352
01:00:23,640 --> 01:00:25,760
Speaker 3: He gives up great hot take Dusty as an insult

1353
01:00:25,840 --> 01:00:26,600
Speaker 3: Noah hot take.

1354
01:00:27,640 --> 01:00:31,000
Speaker 1: I like it as an insult to use against somebody else.

1355
01:00:33,320 --> 01:00:35,240
Speaker 3: Noah expound, who would you call Dusty?

1356
01:00:36,360 --> 01:00:40,920
Speaker 1: Probably like some gross metal dude.

1357
01:00:41,000 --> 01:00:44,160
Speaker 3: Great answer, great answer. Salsa is it for dipping, pouring,

1358
01:00:44,280 --> 01:00:45,440
Speaker 3: or drinking?

1359
01:00:45,560 --> 01:00:49,000
Speaker 1: My favorite drink? Yesterday I even said I was talking

1360
01:00:49,040 --> 01:00:50,520
Speaker 1: about a salsa and I was like, my mom won't

1361
01:00:50,560 --> 01:00:53,160
Speaker 1: even drink that brand. And Chris is like, people don't

1362
01:00:53,240 --> 01:00:55,560
Speaker 1: drink so my mom.

1363
01:00:55,360 --> 01:00:59,200
Speaker 3: Won't drink that brand. It's so crazy, people don't drink it.

1364
01:00:59,680 --> 01:01:03,400
Speaker 4: Hot Yes, I'm I'm salivating just thinking that.

1365
01:01:03,640 --> 01:01:03,840
Speaker 7: I know.

1366
01:01:04,080 --> 01:01:05,040
Speaker 1: I gotta go to catch a plate.

1367
01:01:05,480 --> 01:01:08,600
Speaker 3: Hot take Miguel's best song. Hot take, Nikki sure Thing,

1368
01:01:09,920 --> 01:01:12,120
Speaker 3: I say it's adorn Brian hot take, Miguel's Best So

1369
01:01:12,680 --> 01:01:19,760
Speaker 3: Miguel is okay, Alejandro's best novel, Anya Hot Take Take

1370
01:01:19,840 --> 01:01:23,200
Speaker 3: is Over. It was made up because I just said lady,

1371
01:01:25,920 --> 01:01:26,520
Speaker 3: Oh yeah it is.

1372
01:01:26,720 --> 01:01:29,240
Speaker 1: It is a Lady Gogo song. All right, thank you

1373
01:01:29,280 --> 01:01:31,840
Speaker 1: so much for coming on the podcast. Ris You're gonna

1374
01:01:31,880 --> 01:01:36,040
Speaker 1: drive me the report all right to gate fifty six,

1375
01:01:36,120 --> 01:01:38,720
Speaker 1: No kissing, all right, Thank you guys so much. See

1376
01:01:38,720 --> 01:01:40,920
Speaker 1: you on the road on the tour. Please come out

1377
01:01:40,960 --> 01:01:42,800
Speaker 1: to my shows. I would love to see you. Bessies there,

1378
01:01:43,320 --> 01:01:54,320
Speaker 1: don't Beka and dance will be okay, Je dance just

1379
01:01:54,400 --> 01:01:54,760
Speaker 1: gotta go.