WEBVTT - Introducing - Crying Wolf

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<v Speaker 1>Hi there.

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<v Speaker 2>I'm Steve Fishman with Orbit Media and we're here today

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<v Speaker 2>with Dax Devlyn Ross. Today we're dropping the first episode

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<v Speaker 2>of Dax's new true crime series, Crime Wolf. But before

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<v Speaker 2>we get to that, some of you will remember Dax.

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<v Speaker 2>He's the co founder a co founder of Orbit Media,

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<v Speaker 2>also author, lawyer, journalist, and recently I hear a writer

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<v Speaker 2>of science fiction. Dax and I worked together co hosting

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<v Speaker 2>The Burden, which was Orbit's first splash in the true

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<v Speaker 2>crime universe. I like to think I discovered Dax for podcasts.

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<v Speaker 3>Thanks for having me on the show, Steve may or

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<v Speaker 3>may not be familiar with me from the work I've

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<v Speaker 3>done with the one and only toast of the Town himself,

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<v Speaker 3>Steve Fishman. So it's great to be here.

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<v Speaker 2>So the band is back together. Unbelievable, right, you know,

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<v Speaker 2>twenty twenty six. It's what should happens, you know, it's

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<v Speaker 2>how it should be. A few interesting tidbits about Dax

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<v Speaker 2>before we get to the episode. All right, So see

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<v Speaker 2>now this is this is Dax. He's always traveling. It's

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<v Speaker 2>like a mysterious man. I can't keep up with him.

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<v Speaker 2>I don't know what.

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<v Speaker 3>I really can't tell you where I was this week.

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<v Speaker 3>This was like I was in like a room. I

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<v Speaker 3>will tell you I was at a I was in

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<v Speaker 3>a convening where there was like security all over the floor.

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<v Speaker 3>Like it was secure. It was a secure like you

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<v Speaker 3>couldn't tell. You had to like give your badges when

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<v Speaker 3>you got there, take them there to give, take your back,

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<v Speaker 3>and you couldn't leave with your badge.

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<v Speaker 2>See, Dax is making it sound like it's a one off,

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<v Speaker 2>but this is how dactually. It's his life, and he

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<v Speaker 2>won't tell you what he does. You know, he says like, uh, well,

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<v Speaker 2>I just worked for the department, so I got no idea.

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<v Speaker 2>I'm sure, I'm sure he's out righting wrongs.

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<v Speaker 3>But trying to man, that's it. You know, it's a

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<v Speaker 3>lot of wrongs to right in this world right now.

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<v Speaker 2>And you know, as I I do like to point out,

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<v Speaker 2>Dax is also on the pathway to perfection. You know,

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<v Speaker 2>he's almost erased sleep as one need, pops out of

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<v Speaker 2>bed at you know, like a quarter past midnight and

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<v Speaker 2>does one hundred finger tip push ups. And then of

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<v Speaker 2>course he's lucky he has to live in chef who

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<v Speaker 2>makes him a calorie free breakfast.

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<v Speaker 3>Well that would be great, right, Calari free. Right, that's

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<v Speaker 3>called black coffee from a cure. That's with that.

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<v Speaker 2>So Dax and I were last partners on our our

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<v Speaker 2>flagship podcast, The Burden, which took I think six eight

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<v Speaker 2>months to make.

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<v Speaker 3>That's all.

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<v Speaker 2>That's all took about four years to make, and it

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<v Speaker 2>actually was really good, especially the showdown in the final episode.

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<v Speaker 3>I still wake up thinking about it. Although people have

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<v Speaker 3>given me flak over the you know a cloud couple

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<v Speaker 3>of years, right, everybody has their opinions about how that

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<v Speaker 3>should have gone down.

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<v Speaker 2>Jax went on to host solo host a pretty brilliant

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<v Speaker 2>podcast called Crying Wolf. I will say I think has

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<v Speaker 2>gotten not enough attention. It's a kind of brilliant role

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<v Speaker 2>out of a situation that we're sadly familiar with, the

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<v Speaker 2>wrongful conviction. But in this in this instance, there's this

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<v Speaker 2>amazing friendship at the center of it. Is that right that?

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<v Speaker 3>Yeah, it is a story about two friends who meet

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<v Speaker 3>in prison, and they meet and the meeting is fortuitous

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<v Speaker 3>and so far as it's you know, somewhat short lived.

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<v Speaker 3>They only are in actual cellmates for less than a year,

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<v Speaker 3>but becoming self mates for less than a year. One guy,

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<v Speaker 3>Robert is, you know, this young Jewish guy who's in

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<v Speaker 3>prison because he has a drug problem. And he meets

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<v Speaker 3>this character who has been accused of and convicted of murder,

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<v Speaker 3>heinous murder, named Lee Harris, who's convinced and has never

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<v Speaker 3>ever swayed from the you know, the expression of his

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<v Speaker 3>of his innocence, and Robert listens, and when Robert gets out,

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<v Speaker 3>he says, I'm gonna, I'm gonna look into this, and

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<v Speaker 3>looking into this becomes the next twenty years of his life.

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<v Speaker 3>And he finds the witness that was used against Lee,

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<v Speaker 3>that was basically the one who sealed the deal. He

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<v Speaker 3>finds this guy and he talks to this guy, and

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<v Speaker 3>he finds out that this guy was a government you know, snitch,

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<v Speaker 3>and he discovers that that Illinois, the Cook County knew it.

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<v Speaker 3>They knew he was a snitch, and that they never

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<v Speaker 3>revealed that to the to the jury, to the court.

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<v Speaker 3>And so unfortunately Lee dies shortly after he gets out.

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<v Speaker 3>He gets out in twenty twenty three. But what's left

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<v Speaker 3>behind is like twenty years of tape because they've recorded

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<v Speaker 3>the phone calls for years, and that becomes like the

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<v Speaker 3>spine is that you hear this relationship between these two

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<v Speaker 3>guys on the phone over the years.

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<v Speaker 2>Today we're dropping the first episode of the series to

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<v Speaker 2>listen to the rest Crying Wolf's Look for Crying Wolf

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<v Speaker 2>wherever you get your podcasts, and if you don't like

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<v Speaker 2>the many ads they stuff into every episode, subscribe to

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<v Speaker 2>True Crime Clubhouse on Apple Podcasts and listen at free Enjoy.

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<v Speaker 3>It's two thousand and one fifty miles southwest of Chicago,

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<v Speaker 3>Joliet Penitentiary, ring a bell it should It's the prison

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<v Speaker 3>from the opening scene of Blues Brothers. Prisoner number n

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<v Speaker 3>eight one seven one seven. Lee Harris is tense. He's

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<v Speaker 3>waiting on a new selly. Lee's had his share over

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<v Speaker 3>the past decade, and it's always a crapshoot. A space

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<v Speaker 3>seven feet by four feet with a bunk bed and

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<v Speaker 3>an open toilet, intimately shared with another convict. There's a

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<v Speaker 3>few ways this could go, as far as Lee's concerned,

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<v Speaker 3>none good. You can be sure Lee did not expect

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<v Speaker 3>someone like Robert Chatler to walk in on the outside.

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<v Speaker 3>These men would have never cross paths. Lee, a black

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<v Speaker 3>man and career scammer raised in Chicago's most notorious projects,

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<v Speaker 3>now pushing fifty. Robert, a white Jewish kid from the

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<v Speaker 3>suburbs half his age, an odd ball who sought solace

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<v Speaker 3>rescuing insects and animals. How was this gonna work? In

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<v Speaker 3>short order, Robert would drive Lee to his wits end.

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<v Speaker 3>He chained smoked from sun up to sundown, all while

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<v Speaker 3>playing radio dub Beetles cassettes on repeat. Lee hated smoking,

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<v Speaker 3>and let's just say the Beatles weren't exactly his flavor.

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<v Speaker 3>But all that would fade away because on that day,

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<v Speaker 3>Lee Harris was about to meet his future best friend,

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<v Speaker 3>brother from another and the key to his freedom from

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<v Speaker 3>iHeart Podcasts. I'm Dax Steblin Ross and this is crying wolf.

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<v Speaker 1>White victim, female, pretty wealthy black defendant.

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<v Speaker 4>I mean, as soon as I saw it, I'm like,

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<v Speaker 4>fuck me, this is gonna be bad.

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<v Speaker 2>He says the police from his friends, and then that's it.

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<v Speaker 5>They turn on it.

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<v Speaker 3>I get ninety years for killing somebody I have never seen.

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<v Speaker 6>They got the wrong That Lee's mouth was Lee's downfall.

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<v Speaker 7>Along with dirty colls.

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<v Speaker 1>There's a list of police officers who deserve a special

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<v Speaker 1>place in health. As I walked down the hostel, said

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<v Speaker 1>my home address.

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<v Speaker 6>Upline came from the world of how the Techniques?

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<v Speaker 5>Why didn't be your restaurant of grant? Why? How do

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<v Speaker 5>you see?

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<v Speaker 7>Don't you fear?

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<v Speaker 1>Guys?

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<v Speaker 7>I realized that I was from.

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<v Speaker 6>The beginning, fell and killed Dana Filer, and that person's

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<v Speaker 6>still out here.

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<v Speaker 3>Episode one, The Right Guy. It's the late eighties. Paula

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<v Speaker 3>Abdul and Public Enemy are in heavy rotation on MTV.

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<v Speaker 3>Michael Jordan has yet to win a title. Some think

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<v Speaker 3>he never will. Oprah is still on our way to

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<v Speaker 3>becoming an afternoon icon. Lee Harris is thirty something living

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<v Speaker 3>in Chicago's Near North Side. He's got a little boy

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<v Speaker 3>we can't wait to teach the intricacies of softball. His

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<v Speaker 3>own prospects aren't so bright. By his own admission, he's

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<v Speaker 3>a petty crook running out of hustles. The one thing

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<v Speaker 3>Lee does have going for him, besides his son, the

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<v Speaker 3>thing that sets him apart is his charm. He could

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<v Speaker 3>and would talk to anyone.

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<v Speaker 5>I remember him walking up to us. You'd see your

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<v Speaker 5>crew and it'd say, hey, how you doing. Oh hey,

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<v Speaker 5>mister Jordan, what you guys doing here?

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<v Speaker 3>That's Bob Jordan. And if you're from Chicago, you might

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<v Speaker 3>recognize his commanding voice. Bob's a news veteran with a

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<v Speaker 3>career spanning six decades. Back in the eighties, he was

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<v Speaker 3>a general assignment reporter for the TV station WG in Chicago.

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<v Speaker 3>Every day he'd gather his film crew and had to

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<v Speaker 3>cover the city's biggest story of the day.

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<v Speaker 5>Lee was not afraid to step out and be seen,

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<v Speaker 5>be recognized, be known. If we're out doing a story,

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<v Speaker 5>we'd want to find someone whom we could interview and say,

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<v Speaker 5>you know, what's the problem of the day. People are

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<v Speaker 5>many times afraid of a camera crew, but Lee wasn't.

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<v Speaker 3>Living in the projects meant the media was usually there

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<v Speaker 3>for one of two reasons, drugs or violence, and often

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<v Speaker 3>both meant they were looking for a good SoundBite. For

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<v Speaker 3>some residents, the site of reporters prompted a bline in

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<v Speaker 3>the opposite direction. Being so amenable made Lee stand out.

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<v Speaker 3>He stood out for other reasons too.

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<v Speaker 5>I've been trying to think of words to describe him.

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<v Speaker 5>Impetuous is kind of a word, because he was outside

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<v Speaker 5>the norm. He was probably smarter than the average kid

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<v Speaker 5>he ran around with because he knew how to work

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<v Speaker 5>the system, and if I do this and do that,

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<v Speaker 5>I can gain the system. I might be able to

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<v Speaker 5>use it to my advantage. But he was unpolished. He

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<v Speaker 5>was vulnerable to his own recklessness.

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<v Speaker 3>The same unabashed approach Lee took with journalists like Bob

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<v Speaker 3>Jordan extended to local beat coops too.

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<v Speaker 1>He was very affable, he was very friendly, He was

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<v Speaker 1>very you know, he respected as we were the police,

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<v Speaker 1>but we respected, you know, we had different lifestyles.

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<v Speaker 3>This is Harry Siwak and her partner Joseph Roberts Signoretti,

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<v Speaker 3>but he also goes by Bob. Back in the day,

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<v Speaker 3>Lee was a recurring character on their beat.

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<v Speaker 6>He's a scam artist. There's an alley off of Rush Street.

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<v Speaker 6>They call it Drug Alley Lee. He would sell fake drugs,

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<v Speaker 6>burd bags.

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<v Speaker 3>You know, the number dried herbs instead of weed. A

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<v Speaker 3>regano meant whatever. A hustler can entice some thrill seeking

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<v Speaker 3>inner city tourists with.

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<v Speaker 6>And all the suburbanites would go across and walk, you know,

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<v Speaker 6>so a black guy coming up and telling, you know, saying, hey,

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<v Speaker 6>do you want anything.

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<v Speaker 3>And more often than not they'd fall for it. But

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<v Speaker 3>once a sale was made, real drugs are not. Bob

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<v Speaker 3>would have to step in.

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<v Speaker 6>The Sorry, Lee, you're gonna have to go to jail

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<v Speaker 6>or or sometimes they just shag them out of there

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<v Speaker 6>and you tell them get out of here because you

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<v Speaker 6>don't want to hassle with them, and bray and stuck

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<v Speaker 6>while he did, don't want to touch them, you know.

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<v Speaker 3>So it was a any kind of dance back then

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<v Speaker 3>between Lee and the police. Sometimes after a saale, Lee

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<v Speaker 3>would hang around to get arrested on purpose. A trip

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<v Speaker 3>to the precinct with his cop piles could be more

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<v Speaker 3>pleasant than the wrath of a returning customer.

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<v Speaker 1>But if he didn't do what he did, then we

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<v Speaker 1>wouldn't do what we did right.

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<v Speaker 6>He was job security.

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<v Speaker 3>This love hate triangle between locals, the press, and the

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<v Speaker 3>police could have typified daily life in any project. But

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<v Speaker 3>Lee didn't live in just any project. He lived in

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<v Speaker 3>one of the most infamous of them all, Cabrini Green.

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<v Speaker 3>You've likely heard of Cabrini even if you couldn't point

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<v Speaker 3>to it on a map. I certainly couldn't. It's where

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<v Speaker 3>the Colthood horror candy Man was set. It's had countless

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<v Speaker 3>mentions in Chicago rap and it was the backdrop for

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<v Speaker 3>the classic black sitcom Good Times from the seventies. The

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<v Speaker 3>title it was ironic in case you're wondering. When the

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<v Speaker 3>first Cabrini rowhouses and towers went up in the nineteen

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<v Speaker 3>forties and fifties, they represented optimism, the potential of public

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<v Speaker 3>housing to provide quality homes for all. It was certainly

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<v Speaker 3>a step up from the slum land it replaced Little

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<v Speaker 3>Hell the locals used to call it, who at the

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<v Speaker 3>time were a mix of Irish, Swedish and Italian immigrants.

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<v Speaker 3>But by the nineteen eighties, when Lee lived there, things

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<v Speaker 3>had changed a lot. The projects had become a new

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<v Speaker 3>kind of poverty, poverty of gangs, drugs, and violence, and

0:13:30.559 --> 0:13:34.400
<v Speaker 3>Cabrini's buildings were now exclusively housing black residents.

0:13:34.880 --> 0:13:36.840
<v Speaker 1>Most of the police officers didn't want, even want nothing

0:13:36.840 --> 0:13:37.680
<v Speaker 1>to do with Kabrini.

0:13:37.920 --> 0:13:38.600
<v Speaker 3>It was wild.

0:13:38.720 --> 0:13:39.680
<v Speaker 1>It was a different world.

0:13:40.440 --> 0:13:43.480
<v Speaker 3>Crack cocaine was rife, controlled and fought over by the

0:13:43.520 --> 0:13:46.960
<v Speaker 3>Mickey Cobras or the gangster disciples, some of Cabrini's most

0:13:47.000 --> 0:13:51.559
<v Speaker 3>notorious gangs. Oddly enough, none of that phased Bob or Mary.

0:13:52.960 --> 0:13:55.480
<v Speaker 1>We got along with all the gangs, the ones that

0:13:55.600 --> 0:13:59.000
<v Speaker 1>hated and shot at each other. We were like their

0:13:59.040 --> 0:14:03.400
<v Speaker 1>aunties or something. So it was an unusual relationship we

0:14:03.520 --> 0:14:05.760
<v Speaker 1>had and Lee was one of those people.

0:14:08.160 --> 0:14:11.120
<v Speaker 3>To be clear, Lee was not in a gang, a

0:14:11.160 --> 0:14:14.040
<v Speaker 3>gangbanger as they used to call it. What's interesting, though,

0:14:14.120 --> 0:14:16.840
<v Speaker 3>is that he somehow managed to get along with them all.

0:14:17.520 --> 0:14:20.240
<v Speaker 3>He wasn't afraid of being seen. He also knew how

0:14:20.240 --> 0:14:23.240
<v Speaker 3>to disappear into the crowd, make himself invisible or if

0:14:23.280 --> 0:14:28.400
<v Speaker 3>nothing else, non threatening. More than anything, Lee was a survivor,

0:14:28.440 --> 0:14:31.400
<v Speaker 3>which meant being both nothing in particular and a bit

0:14:31.440 --> 0:14:35.760
<v Speaker 3>of everything. This showed up in his various occupations. Being

0:14:35.760 --> 0:14:38.400
<v Speaker 3>that Kabrini was right next door to some of Chicago's

0:14:38.440 --> 0:14:43.200
<v Speaker 3>most affluent neighborhoods, Lee would sometimes dabble in more legitimate pursuits,

0:14:43.280 --> 0:14:46.680
<v Speaker 3>like window cleaning for the luxury high rises, and when

0:14:46.720 --> 0:14:49.760
<v Speaker 3>window washing and burn bags didn't cut it, there was

0:14:49.840 --> 0:14:52.720
<v Speaker 3>always a quick buck to be made sharing information with

0:14:52.800 --> 0:14:53.280
<v Speaker 3>the cops.

0:14:54.080 --> 0:14:56.640
<v Speaker 1>We would talk to him about things, Hey Lee, do

0:14:56.720 --> 0:14:59.320
<v Speaker 1>you know about this or that? Or he said, hey, Lee,

0:15:00.000 --> 0:15:01.760
<v Speaker 1>if you hear about anything.

0:15:03.760 --> 0:15:07.440
<v Speaker 3>But an inexplicable tragedy a mere few blocks from Caribeania

0:15:07.560 --> 0:15:09.760
<v Speaker 3>was about to shake up the natural order of things

0:15:10.160 --> 0:15:25.320
<v Speaker 3>and send chills throughout the whole of Chicago. How people

0:15:25.400 --> 0:15:28.880
<v Speaker 3>endure Chicago winters has never made sense to me. A

0:15:28.880 --> 0:15:32.840
<v Speaker 3>place that hovers between bone cold and brick for months

0:15:32.880 --> 0:15:39.200
<v Speaker 3>on end. Then you experience the summer, and suddenly it

0:15:39.360 --> 0:15:47.520
<v Speaker 3>all makes sense. Chicagoans live for the summer. It's when

0:15:47.520 --> 0:15:51.240
<v Speaker 3>the city exhales, when the frozen shorelines of Lake Michigan

0:15:51.400 --> 0:15:55.760
<v Speaker 3>thaw into tanning mecchas dotted with beach bums and fitness diehards,

0:15:56.160 --> 0:16:00.720
<v Speaker 3>and by night becomes stages from music, fireworks and joy.

0:16:01.920 --> 0:16:05.520
<v Speaker 3>Summer in Chicago isn't just a season, It's a resurrection.

0:16:06.680 --> 0:16:10.720
<v Speaker 3>Summer nineteen eighty nine was no different. Then came the

0:16:10.800 --> 0:16:17.360
<v Speaker 3>night of June eighteenth.

0:16:17.440 --> 0:16:20.200
<v Speaker 7>A twenty four year old woman lies in a coma tonight,

0:16:20.280 --> 0:16:23.720
<v Speaker 7>the victim of an execution style shooting, apparently near her

0:16:23.720 --> 0:16:24.760
<v Speaker 7>home on the Gold Coast.

0:16:24.960 --> 0:16:29.160
<v Speaker 3>Dana Peitler was smart, attractive, from money as promising as

0:16:29.160 --> 0:16:32.160
<v Speaker 3>they make them in America. She had just completed an

0:16:32.160 --> 0:16:35.000
<v Speaker 3>internship at one of America's top banks and was about

0:16:35.040 --> 0:16:39.360
<v Speaker 3>to begin graduate studies. Moments after returning home from a

0:16:39.440 --> 0:16:42.840
<v Speaker 3>night out celebrating with friends, She's forced into a nearby alley,

0:16:43.240 --> 0:16:46.000
<v Speaker 3>shot in the back of the head, and left for dead.

0:16:48.600 --> 0:16:52.360
<v Speaker 3>The motive is unclear, although police find two ATM receipts

0:16:52.360 --> 0:16:56.240
<v Speaker 3>in Dana's wallet. The time stamps indicate the withdrawals happened

0:16:56.440 --> 0:17:00.000
<v Speaker 3>after she had returned home. Patrol cop Mary sya Way

0:17:00.240 --> 0:17:01.280
<v Speaker 3>remembers it, well.

0:17:01.840 --> 0:17:06.160
<v Speaker 1>She's from wealthy family down in the Gold Coast, right

0:17:06.200 --> 0:17:08.760
<v Speaker 1>by Astro Street, which is the biggest money street where

0:17:08.760 --> 0:17:12.400
<v Speaker 1>the governor lives, you know, right where all the concentration

0:17:12.520 --> 0:17:14.679
<v Speaker 1>of money is. So it was a heater case.

0:17:15.760 --> 0:17:19.080
<v Speaker 3>It was an instant heater and yes, it's exactly what

0:17:19.119 --> 0:17:23.400
<v Speaker 3>you think it is. The heat was on. This kind

0:17:23.400 --> 0:17:25.720
<v Speaker 3>of thing just didn't happen on the Gold Coast to

0:17:25.800 --> 0:17:28.199
<v Speaker 3>a white woman. Not only was it one of the

0:17:28.280 --> 0:17:31.479
<v Speaker 3>richest neighborhoods in Chicago, it was one of the richest

0:17:31.480 --> 0:17:36.240
<v Speaker 3>neighborhoods in the entire country. Reporter Bob Jordan lived there

0:17:36.280 --> 0:17:39.240
<v Speaker 3>around that time. He could attest to its bona fides.

0:17:40.000 --> 0:17:45.320
<v Speaker 5>There was an air of security and you never felt

0:17:46.040 --> 0:17:51.760
<v Speaker 5>ill at ease. So when Dana is discovered in this alley,

0:17:52.840 --> 0:18:05.640
<v Speaker 5>it was a tremendous story because it broke the calm.

0:18:02.560 --> 0:18:05.840
<v Speaker 3>The Dana Fightler case becomes a real life horror story

0:18:05.880 --> 0:18:09.600
<v Speaker 3>that everyone is following. The media descend daily on Northwestern

0:18:09.640 --> 0:18:14.080
<v Speaker 3>Memorial Hospital to get updates from Dana's neurosurgeon, and alongside

0:18:14.080 --> 0:18:17.480
<v Speaker 3>fears for Dana, Chicago's residents have worked themselves into a

0:18:17.560 --> 0:18:21.040
<v Speaker 3>kind of moral panic. ATMs are still a weird new

0:18:21.080 --> 0:18:24.720
<v Speaker 3>invention in the eighties. Was this new technology safe? What

0:18:24.920 --> 0:18:28.639
<v Speaker 3>was being compromised in the name of convenience? We found

0:18:28.640 --> 0:18:31.760
<v Speaker 3>some TV footage from the time where a police superintendent

0:18:31.840 --> 0:18:34.919
<v Speaker 3>Holess tells a reporter armed police won't use them. What

0:18:35.040 --> 0:18:37.960
<v Speaker 3>in the devil are you guys doing standing at an ATM?

0:18:38.160 --> 0:18:41.600
<v Speaker 3>And to top it all, tongues are wagging about the perpetrator.

0:18:42.280 --> 0:18:44.880
<v Speaker 3>Surely this crime had been committed by a black man

0:18:45.520 --> 0:18:50.879
<v Speaker 3>and was it only money he was after? First days,

0:18:51.359 --> 0:18:55.160
<v Speaker 3>then weeks pass and Dana holds on. The city holds

0:18:55.200 --> 0:18:58.040
<v Speaker 3>its breath. The police chase down leads to feed up

0:18:58.080 --> 0:19:00.960
<v Speaker 3>the chain of command. The media scramble for tidbits to

0:19:01.000 --> 0:19:04.920
<v Speaker 3>satiate its audiences. Bob Jordan had a front row seat

0:19:04.920 --> 0:19:05.400
<v Speaker 3>to it all.

0:19:06.400 --> 0:19:09.080
<v Speaker 5>As news crews. We were in the area doing that

0:19:09.240 --> 0:19:14.000
<v Speaker 5>story daily, trying to do updates, trying to find ways

0:19:14.040 --> 0:19:16.960
<v Speaker 5>to work the story with new angles and that sort

0:19:17.000 --> 0:19:17.320
<v Speaker 5>of thing.

0:19:18.560 --> 0:19:22.200
<v Speaker 3>Then, out of nowhere, a woman who was out walking

0:19:22.200 --> 0:19:25.040
<v Speaker 3>her dog the night of the incident comes forward. She

0:19:25.160 --> 0:19:29.119
<v Speaker 3>has some vital new information. Moments before the attack, she

0:19:29.200 --> 0:19:32.400
<v Speaker 3>saw Dana being led down a street by three men,

0:19:33.000 --> 0:19:37.439
<v Speaker 3>three black men. After weeks of waiting for a break,

0:19:37.880 --> 0:19:42.920
<v Speaker 3>the CPD finally has something. And then just as news

0:19:42.920 --> 0:19:47.040
<v Speaker 3>from the witness becomes known, Dana's family makes an unusual move.

0:19:47.760 --> 0:19:51.280
<v Speaker 3>They put up a sizeable reward. Might the promise of

0:19:51.320 --> 0:19:54.400
<v Speaker 3>hard cast shake loose some new leads jog a few

0:19:54.440 --> 0:20:01.760
<v Speaker 3>memories the fighters. One answers the city when the.

0:20:01.680 --> 0:20:07.240
<v Speaker 5>Mayor is getting static from his constituents. Then he calls

0:20:07.280 --> 0:20:10.040
<v Speaker 5>the police chief and says, what the hell's going on

0:20:10.200 --> 0:20:12.879
<v Speaker 5>with this fight er story? How close are you in

0:20:12.920 --> 0:20:16.040
<v Speaker 5>getting this wrapped up? And then the police chief calls

0:20:16.080 --> 0:20:18.560
<v Speaker 5>his neighborhood commander and says, how soon are you getting

0:20:18.560 --> 0:20:22.000
<v Speaker 5>it wrapped up? That pressure all the way to the

0:20:22.040 --> 0:20:26.119
<v Speaker 5>patrolan is find somebody, make some arrests.

0:20:27.480 --> 0:20:30.760
<v Speaker 3>Armed with this new information from the dogwalker, the CPD

0:20:30.960 --> 0:20:34.520
<v Speaker 3>puts every cop in the vicinity on high alert, even beat.

0:20:34.600 --> 0:20:37.760
<v Speaker 3>Cops like Mary and Bob get drafted. They're summoned to

0:20:37.840 --> 0:20:42.080
<v Speaker 3>an emergency briefing and their orders find any scrap of

0:20:42.119 --> 0:20:46.159
<v Speaker 3>information they possibly can about that night. And this is

0:20:46.200 --> 0:20:48.800
<v Speaker 3>not going to be a collaboration effort across the force.

0:20:49.440 --> 0:20:53.880
<v Speaker 3>This is cop against cop. Whoever brings home the biggest scraps,

0:20:54.240 --> 0:20:56.200
<v Speaker 3>it's the biggest prize.

0:20:57.920 --> 0:20:59.440
<v Speaker 1>It was very doggy dove.

0:20:59.640 --> 0:21:00.000
<v Speaker 6>Yeah.

0:21:00.240 --> 0:21:02.200
<v Speaker 1>And if you want to be the police, you get

0:21:02.200 --> 0:21:06.280
<v Speaker 1>the bad guys, then you've got to do battle. You've

0:21:06.280 --> 0:21:07.080
<v Speaker 1>got to compete.

0:21:08.480 --> 0:21:11.080
<v Speaker 3>As Mary and Bob step out of the precinct, they

0:21:11.119 --> 0:21:14.120
<v Speaker 3>know exactly where the head first, the streets.

0:21:15.680 --> 0:21:18.159
<v Speaker 1>There'd be thousands of people out there, you know, in

0:21:18.160 --> 0:21:21.440
<v Speaker 1>the summertime, everybody be out there, everybody, and there's always

0:21:21.480 --> 0:21:25.600
<v Speaker 1>somebody that saw all those people all day long, you

0:21:25.600 --> 0:21:28.880
<v Speaker 1>know what I mean. Somebody always would see what happened.

0:21:29.640 --> 0:21:32.080
<v Speaker 3>Someone perhaps like Lee Harris.

0:21:32.760 --> 0:21:35.840
<v Speaker 1>He could have been there. Yeah, he could have been there.

0:21:36.359 --> 0:21:38.200
<v Speaker 1>He was a contender, you know what I mean.

0:21:39.760 --> 0:21:43.040
<v Speaker 3>Turns out finding Lee doesn't require much effort at all.

0:21:43.800 --> 0:21:47.560
<v Speaker 3>Mary and Bob bump into him almost immediately. They fill

0:21:47.640 --> 0:21:51.640
<v Speaker 3>him in about the crime, but also the reward twenty

0:21:51.760 --> 0:21:55.119
<v Speaker 3>five large for anyone who can provide information that leads

0:21:55.160 --> 0:21:55.879
<v Speaker 3>to an arrest.

0:21:56.720 --> 0:21:58.320
<v Speaker 1>We're the ones that totally about it.

0:21:58.680 --> 0:22:01.120
<v Speaker 4>And back then there was a lot of money, and

0:22:01.160 --> 0:22:03.240
<v Speaker 4>he was a money guy. He was a you know,

0:22:03.359 --> 0:22:07.400
<v Speaker 4>can guy five thousand dollars okay, you know, I mean

0:22:07.400 --> 0:22:10.160
<v Speaker 4>there was a motive for him to want to find

0:22:10.200 --> 0:22:11.480
<v Speaker 4>out about it.

0:22:11.520 --> 0:22:14.600
<v Speaker 1>Because in his situation, you know, there was good money.

0:22:14.520 --> 0:22:22.680
<v Speaker 3>Right, always a man to work numerous angles. Lee has

0:22:22.760 --> 0:22:24.960
<v Speaker 3>also been talking to some other cops who worked the

0:22:25.000 --> 0:22:29.080
<v Speaker 3>Gabrini beat. Old friends, in fact partners, James Ward and

0:22:29.200 --> 0:22:33.680
<v Speaker 3>John McHugh. These guys went way back. They used to

0:22:33.760 --> 0:22:35.760
<v Speaker 3>help Lee out when he got in trouble with the law.

0:22:35.880 --> 0:22:39.200
<v Speaker 3>They'd loan him money sometimes. They even attended Lee's wedding

0:22:39.240 --> 0:22:42.479
<v Speaker 3>back in the day. Ward and mceu are much closer

0:22:42.520 --> 0:22:45.520
<v Speaker 3>to the case than Bob and Mary. They're working directly

0:22:45.600 --> 0:22:49.679
<v Speaker 3>for the lead on the Fightler case, Detective Richard Zuley,

0:22:50.280 --> 0:22:53.760
<v Speaker 3>a tough talking cop known for making cases and making

0:22:53.800 --> 0:22:58.640
<v Speaker 3>them stick. They tell Lee some enticing insider information. They've

0:22:58.640 --> 0:23:01.679
<v Speaker 3>got three suspects in the case, well known criminals from

0:23:01.720 --> 0:23:05.040
<v Speaker 3>the area. The trigger man went by the street name Cheese,

0:23:05.560 --> 0:23:08.879
<v Speaker 3>but with no witnesses placing them there, there's no chance

0:23:08.880 --> 0:23:12.920
<v Speaker 3>of making any arrests Lee gets thinking a twenty five

0:23:13.000 --> 0:23:16.480
<v Speaker 3>thousand dollars reward has a whole lot of burn bags

0:23:16.520 --> 0:23:20.240
<v Speaker 3>and cleaning windows. He could start a new life, move

0:23:20.280 --> 0:23:24.600
<v Speaker 3>his son out of Cabrini. His mind starts worrying. Cabrini,

0:23:24.720 --> 0:23:27.040
<v Speaker 3>Green and the Gold Coast are just around the corner

0:23:27.040 --> 0:23:30.480
<v Speaker 3>from each other. We're talking less than a mile walking distance.

0:23:31.119 --> 0:23:33.879
<v Speaker 3>And the three suspects are also from the projects. It

0:23:33.880 --> 0:23:38.240
<v Speaker 3>will be believable that Lee knew them. He thinks, maybe

0:23:38.280 --> 0:23:41.520
<v Speaker 3>I was there the night Dana was attacked. Maybe I

0:23:41.640 --> 0:23:46.280
<v Speaker 3>did see something or someone. Lee decides he does know

0:23:46.359 --> 0:23:48.560
<v Speaker 3>something about the knight of the crime, and he knows

0:23:48.640 --> 0:23:51.160
<v Speaker 3>who he needs to speak to about it. He heads

0:23:51.160 --> 0:23:54.800
<v Speaker 3>straight to Area six to find Ward McHugh and their boss,

0:23:55.320 --> 0:24:00.000
<v Speaker 3>Detective Richard Zulie. Mary was unimpressed.

0:24:03.920 --> 0:24:08.560
<v Speaker 1>Those detectives are used to be called Area six. They

0:24:08.600 --> 0:24:11.160
<v Speaker 1>were all priman honas. I have to admit he hurt

0:24:11.200 --> 0:24:13.679
<v Speaker 1>my feelings a little bit because I thought that we

0:24:13.760 --> 0:24:17.320
<v Speaker 1>had a rapport and I thought, you know, because it

0:24:17.440 --> 0:24:19.960
<v Speaker 1>was a heater case and he would have liked to

0:24:20.000 --> 0:24:23.040
<v Speaker 1>been the one that you know solved it, because there

0:24:23.119 --> 0:24:28.280
<v Speaker 1>is an elation to solving a case, getting the right guy,

0:24:28.960 --> 0:24:30.000
<v Speaker 1>you know, solving it.

0:24:31.080 --> 0:24:33.200
<v Speaker 3>And that was the last time that Marry and Bob

0:24:33.320 --> 0:24:34.399
<v Speaker 3>ever spoke to Lee.

0:24:35.440 --> 0:24:39.439
<v Speaker 1>See once he got involved like that, we disengaged because

0:24:39.480 --> 0:24:41.399
<v Speaker 1>why would we be involved with him?

0:24:42.160 --> 0:24:45.040
<v Speaker 3>Ward and mckue are all ears. Dana is still in

0:24:45.040 --> 0:24:47.760
<v Speaker 3>a coma, fighting for her life. They want to nail

0:24:47.840 --> 0:24:50.920
<v Speaker 3>this case before anyone else does, and now it looks

0:24:50.960 --> 0:24:54.320
<v Speaker 3>like they might have a reliable witness putting their suspects

0:24:54.359 --> 0:24:57.639
<v Speaker 3>in the frame. It's a win win. Lee is a

0:24:57.640 --> 0:25:00.280
<v Speaker 3>shoe win for the reward money and the police get

0:25:00.280 --> 0:25:05.280
<v Speaker 3>their suspects and maybe some promotions as well. Warden and

0:25:05.359 --> 0:25:07.480
<v Speaker 3>mcew are at the ready to help Lee prepare his

0:25:07.560 --> 0:25:10.760
<v Speaker 3>words ahead of making his formal statement to Detective Zuli.

0:25:12.200 --> 0:25:14.679
<v Speaker 3>I was having a coffee and dunkin Donuts when I

0:25:14.680 --> 0:25:16.359
<v Speaker 3>saw three black guys running out.

0:25:16.200 --> 0:25:16.800
<v Speaker 2>Of the out.

0:25:18.119 --> 0:25:21.480
<v Speaker 3>Quickest twenty five k Lee whatever make But a few

0:25:21.560 --> 0:25:24.719
<v Speaker 3>days later, his friends Warden mcew ask if he wouldn't

0:25:24.720 --> 0:25:28.120
<v Speaker 3>mind coming back for another statement. A little more detail

0:25:28.160 --> 0:25:34.040
<v Speaker 3>would be really helpful. Lee thinks, sure, why not? What

0:25:34.200 --> 0:25:40.000
<v Speaker 3>starts out is just one statement soon becomes two, then three, four, five, six,

0:25:40.720 --> 0:25:43.640
<v Speaker 3>and each time warden mcew reminding Lee of some helpful

0:25:43.640 --> 0:25:46.960
<v Speaker 3>details from the night Dana was shot, the exact alley

0:25:47.040 --> 0:25:50.119
<v Speaker 3>she was shot in, a black garage door, an ivy

0:25:50.119 --> 0:25:54.400
<v Speaker 3>covered wall. Before long, Lee is not just offering peripheral

0:25:54.440 --> 0:25:57.359
<v Speaker 3>scraps of information about the night of the crime. He's

0:25:57.359 --> 0:26:00.679
<v Speaker 3>the key to it all, the state star witness. So

0:26:00.880 --> 0:26:04.280
<v Speaker 3>much so he's moved out of Cabrini for his own safety,

0:26:04.960 --> 0:26:09.680
<v Speaker 3>all on the taxpayer's dollar way win right, But Ward

0:26:09.720 --> 0:26:13.120
<v Speaker 3>and McHugh are hungry for even more information. They need

0:26:13.200 --> 0:26:16.320
<v Speaker 3>Lee to be closer to the action. Maybe he was

0:26:16.400 --> 0:26:19.760
<v Speaker 3>part of the gang that attacked Dana. They assure Lee

0:26:19.800 --> 0:26:22.840
<v Speaker 3>not to worry. This is all just so they can

0:26:22.920 --> 0:26:26.640
<v Speaker 3>nail Cheese and the other members of the gang. Detective

0:26:26.720 --> 0:26:30.840
<v Speaker 3>Zuli gives Lee his word and so and yet another statement.

0:26:31.280 --> 0:26:35.320
<v Speaker 3>Lee tells Zuli he was the fourth member of the gang.

0:26:37.240 --> 0:26:40.240
<v Speaker 3>The police are getting closer and closer to closing the case,

0:26:40.640 --> 0:26:45.040
<v Speaker 3>and those statements from Lee keep on coming. In total,

0:26:45.359 --> 0:26:51.879
<v Speaker 3>he gives twenty two and then on the tenth of July,

0:26:52.400 --> 0:26:54.080
<v Speaker 3>three weeks after the attack.

0:26:56.359 --> 0:26:59.440
<v Speaker 7>After lingering in a coma for twenty one days. Dana

0:26:59.440 --> 0:27:03.439
<v Speaker 7>Fightler taken off life support systems and died. Police are

0:27:03.440 --> 0:27:06.080
<v Speaker 7>giving on very little information. They're being very tight lip.

0:27:06.119 --> 0:27:09.160
<v Speaker 7>This is a high priority case and they're being very careful.

0:27:10.880 --> 0:27:14.200
<v Speaker 3>It's a tragedy for the Fightler family and for the CPD.

0:27:14.840 --> 0:27:17.480
<v Speaker 3>The pressure is really on. They are now on the

0:27:17.560 --> 0:27:20.920
<v Speaker 3>hunt for a murderer, and thanks to Lee, they finally

0:27:20.960 --> 0:27:23.840
<v Speaker 3>have the evidence that they need to make that arrest.

0:27:35.640 --> 0:27:38.240
<v Speaker 3>Bob Jordan is at work one morning waiting on his

0:27:38.280 --> 0:27:43.320
<v Speaker 3>assignment for the day when the news breaks Dana Feitler's

0:27:43.400 --> 0:27:46.840
<v Speaker 3>murderer has been found, but when he hears the name,

0:27:47.240 --> 0:27:50.840
<v Speaker 3>it comes as a big shock. Turns out it's someone

0:27:50.840 --> 0:27:54.720
<v Speaker 3>he already knows, Lee Harris.

0:27:56.119 --> 0:28:00.880
<v Speaker 5>When they arrested Lee, I remember saying to my camera, man, hey,

0:28:01.400 --> 0:28:04.960
<v Speaker 5>you know this guy. They're arrested. We've interviewed him, We've

0:28:04.960 --> 0:28:09.600
<v Speaker 5>seen him around. He was always around. The switch around

0:28:09.640 --> 0:28:14.320
<v Speaker 5>is baffling. The CPD's star witness has become their prime suspect.

0:28:14.840 --> 0:28:18.600
<v Speaker 5>But in the end, what choice did they have? All

0:28:18.600 --> 0:28:21.639
<v Speaker 5>those statements Lee was giving, all twenty two of them.

0:28:21.680 --> 0:28:23.160
<v Speaker 5>With each one he.

0:28:23.160 --> 0:28:26.200
<v Speaker 3>Was clearly incriminating himself and then, to top it all,

0:28:26.640 --> 0:28:29.159
<v Speaker 3>the dog walker that saw Dana moments before the attack.

0:28:29.680 --> 0:28:33.200
<v Speaker 3>She has identified Lee, not Cheese or any other members

0:28:33.240 --> 0:28:39.680
<v Speaker 3>of the gang in a lineup. Solving a heater case

0:28:39.760 --> 0:28:43.120
<v Speaker 3>is like winning a championship, but instead of a parade,

0:28:43.600 --> 0:28:46.840
<v Speaker 3>you get a press conference, a really big one. After

0:28:46.920 --> 0:28:51.080
<v Speaker 3>weeks of waiting, wondering and wild speculation, the entire press

0:28:51.120 --> 0:28:54.520
<v Speaker 3>corps summoned. Camera's ready, Mike's hot.

0:28:55.400 --> 0:29:01.240
<v Speaker 5>Every TV station was there, all the newspapers, everyone.

0:29:00.400 --> 0:29:03.640
<v Speaker 3>Bob Jordan and his cameraman Mike elbow their way to

0:29:03.680 --> 0:29:07.360
<v Speaker 3>the front. Everyone is thirsty for the money shot, the

0:29:07.400 --> 0:29:11.320
<v Speaker 3>purp walk, that moment when the cuffed perpetrator, flanked by

0:29:11.360 --> 0:29:14.400
<v Speaker 3>police officers, is finally revealed to the public.

0:29:15.200 --> 0:29:17.560
<v Speaker 5>I can only imagine what that must be like to

0:29:17.600 --> 0:29:21.840
<v Speaker 5>come through a door and face a whole wall of

0:29:21.960 --> 0:29:26.200
<v Speaker 5>probably ten or twelve TV cameras in lights. That's how

0:29:26.240 --> 0:29:29.840
<v Speaker 5>big a story. It was just the sound alone of

0:29:29.960 --> 0:29:35.560
<v Speaker 5>the flashbulbs going off and the cameras rolling, and these

0:29:35.560 --> 0:29:40.000
<v Speaker 5>were noisy cameras back in those days, and you know,

0:29:40.120 --> 0:29:44.640
<v Speaker 5>there was a cacophony of sound in that room and

0:29:44.680 --> 0:29:48.080
<v Speaker 5>the lights flashing, and reporters of screaming, Lee, did you

0:29:48.160 --> 0:29:49.920
<v Speaker 5>do it? Did you kill her?

0:29:50.080 --> 0:29:51.040
<v Speaker 3>Did you shoot her?

0:29:51.280 --> 0:29:51.560
<v Speaker 5>You know?

0:29:51.680 --> 0:29:52.320
<v Speaker 2>Where were you?

0:29:54.880 --> 0:29:57.640
<v Speaker 3>Bob manages to hold his position at the front. It's

0:29:57.760 --> 0:29:59.080
<v Speaker 3>enough to get Lee and I shot.

0:30:00.080 --> 0:30:03.520
<v Speaker 5>Remember the look on his face. It was a look

0:30:03.640 --> 0:30:11.400
<v Speaker 5>of shock and amazement, and it was like he had

0:30:11.600 --> 0:30:17.520
<v Speaker 5>seen something unreal. I don't know if he saw me.

0:30:18.040 --> 0:30:22.400
<v Speaker 5>I think he did. His eyes bulged and it was

0:30:22.480 --> 0:30:27.320
<v Speaker 5>like he wanted to say something but couldn't or was

0:30:27.360 --> 0:30:30.200
<v Speaker 5>too afraid, or was too in awe of the moment.

0:30:30.840 --> 0:30:41.560
<v Speaker 5>But he ducked his head and then was escorted away.

0:30:43.600 --> 0:30:47.120
<v Speaker 3>Crying Wolf is an iHeart and Clockwork Films podcast in

0:30:47.200 --> 0:30:52.560
<v Speaker 3>association with Chalk and Blade. I'm your host Dax Devlin Ross.

0:30:53.080 --> 0:30:57.560
<v Speaker 3>The series producer is Sarah Stolart's. The senior producer is

0:30:57.640 --> 0:31:01.160
<v Speaker 3>Laura Hyde. The serious script is written by me and

0:31:01.240 --> 0:31:05.720
<v Speaker 3>by Sarah Stolart's. Bonus episodes are written and produced by

0:31:05.720 --> 0:31:10.720
<v Speaker 3>me Dax Devlin Ross. Our executive producers are Christina Everett

0:31:10.840 --> 0:31:16.080
<v Speaker 3>for iHeart Podcasts, Naomi Harvey and Jamie Cohen for Clockwork Films,

0:31:16.720 --> 0:31:23.680
<v Speaker 3>and Ruth Barnes and Jason Phipps for Chalk and Blade.

0:31:25.080 --> 0:31:29.360
<v Speaker 3>Sound design is by Kenny Koziak and George dre bing Hicks.

0:31:30.120 --> 0:31:34.360
<v Speaker 3>Our theme music is by Kenny Koziak. Additional production support

0:31:34.480 --> 0:31:35.480
<v Speaker 3>from Stephen Pate