WEBVTT - QLS Classic: Robin Thede

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>What up, y'all.

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<v Speaker 3>It's Liyah from Quest Love Supreme. And on this classic episode,

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<v Speaker 3>we're taking you back to November twenty ninth, twenty seventeen

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<v Speaker 3>for our first conversation with our good friend Robin Thti.

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<v Speaker 3>Now this is before she was a big time show runner.

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<v Speaker 3>Shout out to a Black Lady sketch show. This is

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<v Speaker 3>when the writer, comedian, and late night host talks about

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<v Speaker 3>her life in front of and behind the camera. Her

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<v Speaker 3>puppetry skills are hung and everything you need to know

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<v Speaker 3>about her past show, The Rundown.

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<v Speaker 2>Oh and if you enjoyed this episode, you've got to hear.

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<v Speaker 3>When she came to join us on this year's Roots

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<v Speaker 3>Picnic stage from June twenty twenty two.

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<v Speaker 2>Oh yeah, that's a good one too.

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<v Speaker 3>It's always fun with our good friend Robin.

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<v Speaker 4>So enjoy Supremo Sun Sun Suprema Roll Call Suprema Sun

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<v Speaker 4>Sun Suprema, Roll Call Suprema.

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<v Speaker 5>Son Soun SUPREMEA roll Call supremea Son Son Supreme role.

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<v Speaker 1>She don't smoke beaties. Yeah, she was owned some CDs. Yeah,

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<v Speaker 1>she's been to d C.

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<v Speaker 6>Yeah, phone home with et hungry feeding fights me like.

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<v Speaker 1>Michael Jackson here, tired, I see my billy g lines

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<v Speaker 1>to my key. Yeah, Phil, y'alls please leave me. Y'all

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<v Speaker 1>tired of me? He Yeah, I'm feeling needy.

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<v Speaker 6>Yeah, I'm down with opp Yeah.

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<v Speaker 1>Uh, I'll skip to the letter t E. Yeah, ladies

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<v Speaker 1>and gentlemen, It's Robert Feede, Supremo Sun Sun Supreme Roll

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<v Speaker 1>So Supreme roll Car. Name is Sugar. Yeah. My life's

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<v Speaker 1>a dream.

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<v Speaker 7>Yeah, except that one night.

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<v Speaker 1>Yeah, I had to record five hundred of.

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<v Speaker 3>Your name.

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<v Speaker 5>Supreme Supreme Supreme roll Call.

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<v Speaker 1>It was my name. Yeah, not a battle of arena. Yeah,

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<v Speaker 1>I'm trying not to screw up.

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<v Speaker 3>Yeah.

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<v Speaker 1>Another Suprema roll.

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<v Speaker 5>Supremo SUPREMEA roll call, Supreme Son Son Suprema roll Call.

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<v Speaker 3>Hey.

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<v Speaker 1>Yeah, and I'm raging mad, yeah.

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<v Speaker 7>About angry white ladies. Yeah, Supreme SUPREMEO roll Call, Suprema

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<v Speaker 7>Suprema role Car.

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<v Speaker 3>It's like and it's going to be a classic. Yeah,

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<v Speaker 3>rob Yeah, flat Girl Magic.

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<v Speaker 5>Suprema Son So SUPREMEO roll Call, Suprema So Supreme roll call.

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<v Speaker 2>Yeah, in my groove. Yeah, and I don't dance. Yeah,

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<v Speaker 2>make money moves.

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<v Speaker 5>Supremo Supremo roll came Suprema Son Son Supremo roll call

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<v Speaker 5>Suprema Son Supremo.

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<v Speaker 1>Roll call Supreme Son Son Suprema roll.

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<v Speaker 2>That was like fifty What the hell, yo, I did

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<v Speaker 2>not know so many things rhymed with my name.

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<v Speaker 1>It was dope. It's because we really just wanted to,

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<v Speaker 1>you know, reiterate that it is thid.

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<v Speaker 2>Yes, I wanted to. I know.

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<v Speaker 1>Yeah, we were all having I know, halfway through I

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<v Speaker 1>almost felt like I was in church.

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<v Speaker 2>Yeah, indeed, it was like, it's very good.

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<v Speaker 1>I hope you're a believer.

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<v Speaker 7>Now, don't be needy.

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<v Speaker 1>I forgot that, Okay, Jeff Tweety Wilco, I forgot to

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<v Speaker 1>shout out Jeff Tweety, Stevie Wonder.

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<v Speaker 3>Yeah, that Beaty was brilliant.

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<v Speaker 1>Michael Jackson, Ladies and gentlemen, our guest today is a writer, comedian, actress, director, producer, author,

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<v Speaker 1>chef Boxer. She's the current President of the United States.

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<v Speaker 1>Box Exactly, you're the you're the president of the United

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<v Speaker 1>States right now I'm declaring that, uh, you're the former showrunner.

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<v Speaker 1>What's happening now?

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<v Speaker 2>It was my crow.

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<v Speaker 1>What's going, what's going on? Yes, you've been a butcher, baker,

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<v Speaker 1>candlestick maker, the maker, breaker and title. She is currently

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<v Speaker 1>breaking new ground on BT's weekly news program called.

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<v Speaker 2>The One Comedy Program. Oh okay, well based on the news.

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<v Speaker 1>Well, it's just I don't want people.

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<v Speaker 2>To think that I'm actually reporting the news because they'll

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<v Speaker 2>be very configured.

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<v Speaker 1>But I assure you that the only way to digest

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<v Speaker 1>the news in twenty seventeen is through comedy.

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<v Speaker 2>That is true.

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<v Speaker 1>It's a very informative show. So I see it. I

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<v Speaker 1>mean you're the you're the new ed. Uh? Who was?

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<v Speaker 2>Can you please say that the black John Stewart and said, yeah.

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<v Speaker 6>And gentlemen, please welcome to Black John.

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<v Speaker 2>I take that back. Trevor Nor probably wants to be

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<v Speaker 2>good or he does the vaginal John Stewart. I don't

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<v Speaker 2>know anywhere.

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<v Speaker 1>This show is going to be.

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<v Speaker 2>Can I heard?

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<v Speaker 6>Yes?

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<v Speaker 1>Let's I think you're the host of the show.

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<v Speaker 2>No, I am not the host of the show.

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<v Speaker 1>You're please please, I just wanted to be casual amongst

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<v Speaker 1>six friends. You know, so our thank you Robin for

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<v Speaker 1>doing this.

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<v Speaker 2>Thank you you know what. You guys are over here

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<v Speaker 2>killing it as always.

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<v Speaker 1>Thank you. You're killing it as well.

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<v Speaker 2>Thank you. You know. Listen, I'm two episodes in and

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<v Speaker 2>I feel like I pretty much mastered the craft. And actually,

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<v Speaker 2>by the time this airs, I'll be like a good

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<v Speaker 2>like five deep, so I will have collected all the Emmys,

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<v Speaker 2>all the Hoodies, all the is that yes, it is right, Yeah,

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<v Speaker 2>so pretty much I'm on top of the world. Yeah,

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<v Speaker 2>it's great.

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<v Speaker 1>That's good. Listen, visit to a time when you were

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<v Speaker 1>in the bottom of the world.

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<v Speaker 2>Oh god, now it gets I don't want to take

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<v Speaker 2>us back to the beginning episode, you know what. I

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<v Speaker 2>know everybody goes back to the beginning like no one

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<v Speaker 2>cares about the beginning.

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<v Speaker 1>Quarter. Like the last two episodes. You know, he was

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<v Speaker 1>at the lag quarter.

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<v Speaker 2>Do you know the l I not personally, but I've

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<v Speaker 2>heard tale.

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<v Speaker 1>No, but I have to say, even when I met you,

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<v Speaker 1>and this is the weird thing, like this is the

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<v Speaker 1>one super can't I hope to have a very super

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<v Speaker 1>candid episode of course love Supreme because I know Robin

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<v Speaker 1>well well, not like biblically, but I mean she's my pal,

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<v Speaker 1>so you know, but I have to say that even

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<v Speaker 1>when you told me that back when we first met,

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<v Speaker 1>that you were born in Iowa.

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<v Speaker 2>I know it's weird.

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<v Speaker 1>Yeah, I will say that of the six black women

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<v Speaker 1>that I do know from Iowa, you know, yes, you're

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<v Speaker 1>you're the only one that's not in a certain industry

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<v Speaker 1>farm porn.

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<v Speaker 2>Is it porn?

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<v Speaker 1>That corn corn?

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<v Speaker 2>It's corn porn? I gotcha.

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<v Speaker 1>I was suned out the most alarming rate of black

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<v Speaker 1>porno actresses what and alone. But but here's the thing

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<v Speaker 1>that would like wouldn't as blackborn and uh usually no

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<v Speaker 1>with with like mensa level intelligence, right, and it's it's

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<v Speaker 1>crazy to me. I'm glad you avoided.

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<v Speaker 2>Well, first of all, that's rude that you're assuming I'm

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<v Speaker 2>not also doing that in my spare time. You don't

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<v Speaker 2>know what I'm capable of. No, yeah, I did not

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<v Speaker 2>know that statistic. Usually people go there's black people in

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<v Speaker 2>Iowa when they find out that I'm from and I'm like, no,

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<v Speaker 2>I left, there's no more. Yeah, no, my mother is

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<v Speaker 2>actually you know this, My mother's the state representative. She

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<v Speaker 2>was the first black woman to ever be elected to

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<v Speaker 2>her district. So yeah, black people still make moves, you know, sorry.

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<v Speaker 1>Doing that thing? So are there a lot of first

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<v Speaker 1>in your family? Because you already.

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<v Speaker 2>I'm like eighteen first just first right now?

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<v Speaker 1>Yeah? Oh more than that? Yeah?

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<v Speaker 3>Yeah? Yeah?

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<v Speaker 1>Well what other first besides first show runner or.

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<v Speaker 2>The first yeah head writer, black female head writer for

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<v Speaker 2>late night show? I was the first black female uh

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<v Speaker 2>to be the head writer at the cor Correspondence dinner.

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<v Speaker 3>I can't wait to talk about.

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<v Speaker 1>Yeah, I did not know that.

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<v Speaker 2>Yes, I was the first. I think I think we know,

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<v Speaker 2>we haven't confirmed this, but I think I was the

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<v Speaker 2>first black woman to be the head writer of a

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<v Speaker 2>daytime show and a night time show and a nightly

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<v Speaker 2>commis your daytime show? I was not the same time,

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<v Speaker 2>but I was Queen Latipa's head right, A lot of

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<v Speaker 2>ship for amazingly, you only do things of us first.

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<v Speaker 1>She used to work for a show that formerly had

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<v Speaker 1>the at QLs.

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<v Speaker 2>Yeah that is so true.

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<v Speaker 1>But because the show was dormant, now I have to

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<v Speaker 1>you know, it's fine.

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<v Speaker 2>They don't need it.

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<v Speaker 1>This this this pays to be friends with busin at Twitter.

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<v Speaker 1>I just said, hey, guys, the show doesn't exist, no work.

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<v Speaker 2>Damn you got them to delete their old Twitter account?

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<v Speaker 1>Uh?

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<v Speaker 2>No, ARCHI I have known nothing.

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<v Speaker 7>Are going to work?

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<v Speaker 3>Yeah, y'all, are you powerful quest love you are I try?

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<v Speaker 5>So?

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<v Speaker 1>Okay. So you grew up in a political family.

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<v Speaker 2>Yeah, I did, And it was interesting because my dad

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<v Speaker 2>was actually a Republican. My dad is white. My mom's

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<v Speaker 2>black from the West Side of Chicago. My dad's white

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<v Speaker 2>from a farm in Iowa. He met my mother in

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<v Speaker 2>the seventies. She had a big ass afro. First day

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<v Speaker 2>at college, he said, I want her.

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<v Speaker 3>She's in college in Iowa.

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<v Speaker 2>Yeah, she went to college in Iowa from Chicago.

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<v Speaker 3>Uh.

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<v Speaker 2>And uh they met and been married forty forty ideas. Yeah,

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<v Speaker 2>they're still best friends.

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<v Speaker 1>What is parents?

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<v Speaker 2>I don't what parents? Just like, I know, it's crazy,

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<v Speaker 2>it's crazy. It's at a very unrealistic standard for me. Yeah,

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<v Speaker 2>I was like, this is I thought this was supposed

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<v Speaker 2>to be forever, like every first boyfriend ID. I was like,

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<v Speaker 2>we're gonna be together forever. And they were like, I

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<v Speaker 2>don't even know your last name. But yeah, so they met,

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<v Speaker 2>uh and and yeah they're still together. But yeah, what

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<v Speaker 2>what was the question about?

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<v Speaker 1>Yeah?

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<v Speaker 2>None any but yeah, So my family was always political.

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<v Speaker 2>My dad was a Republican growing up, and then by

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<v Speaker 2>the time George Bush Junior came in, he had came

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<v Speaker 2>over to the right.

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<v Speaker 1>I was or, okay, so he's now yes.

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<v Speaker 2>Now he's everybody's on the same team.

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<v Speaker 1>Wow. Still yes, Like he just.

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<v Speaker 2>Saw Trump and was like, hey, yeah, let's do this. No, no,

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<v Speaker 2>he's like the he talks the mostion about Trump, like yeah,

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<v Speaker 2>cause he's like, this is not the way it's supposed

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<v Speaker 2>to be. Because I think I said this the other

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<v Speaker 2>day to a group. I was like, I think white

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<v Speaker 2>people are now like, you know, like they look at

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<v Speaker 2>Trump and they're like, hey, hey, I don't want to

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<v Speaker 2>be associated with that.

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<v Speaker 8>You know.

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<v Speaker 2>It's like how all black people are like, hey, don't

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<v Speaker 2>you know, don't lump us all together. We're not the same.

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<v Speaker 2>But now I think white people are starting to feel

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<v Speaker 2>like that because you can't tell a Trump supporter when

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<v Speaker 2>they're white, from you know, from a non Trump supporter.

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<v Speaker 1>Right.

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<v Speaker 2>So yeah, so it's good, it's good. My dad is dope.

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<v Speaker 2>He has a family foot of black women. I have

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<v Speaker 2>two sisters, so it's just nothing but black ladies in

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<v Speaker 2>the family. Are you I'm in the middle, okay, yeah,

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<v Speaker 2>so I'm the annoying. Yes, I was tapped in.

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<v Speaker 1>So is this why you're yeah, where you are? Right?

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<v Speaker 2>Now, I'm sure, I think so. Like I'm a Leo,

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<v Speaker 2>I'm a middle child, and my father forced me into

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<v Speaker 2>comedy very early on. He named me after Robin Williams.

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<v Speaker 2>I found out after Robin Williams died, and I didn't

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<v Speaker 2>know that. But I was always funny and weird and

0:12:31.360 --> 0:12:34.320
<v Speaker 2>kookie and like I would always just imitate we you know,

0:12:34.320 --> 0:12:36.800
<v Speaker 2>we didn't have cable, so I used to always just

0:12:37.040 --> 0:12:40.040
<v Speaker 2>you know, imitate like the news and like, you know,

0:12:40.080 --> 0:12:43.840
<v Speaker 2>whatever Sitcom's wrong. So they always just thought I was weird.

0:12:43.840 --> 0:12:46.160
<v Speaker 2>I just sit in a dark room and mimic everything

0:12:46.160 --> 0:12:49.000
<v Speaker 2>I saw on television. And then at night, my dad,

0:12:49.640 --> 0:12:51.800
<v Speaker 2>like on the weekends, he would let me watch like Carolines.

0:12:51.880 --> 0:12:53.640
<v Speaker 2>Used to have Carolines on Broadway used to have a

0:12:53.679 --> 0:12:56.040
<v Speaker 2>TV show where they would have like comedians on It

0:12:56.080 --> 0:12:58.760
<v Speaker 2>was like a two in the morning on NBC local affiliates.

0:12:58.760 --> 0:13:01.680
<v Speaker 2>This would play right, And then we stole cable. We

0:13:01.760 --> 0:13:04.040
<v Speaker 2>lived in a trailer park. My dad Jerry rigged the

0:13:04.040 --> 0:13:07.720
<v Speaker 2>cable from the trailer two doors down and wired it

0:13:07.840 --> 0:13:10.040
<v Speaker 2>over the middle trailer to ours so we could get

0:13:10.120 --> 0:13:14.520
<v Speaker 2>cable to watch Thriller and so we could watch He

0:13:14.600 --> 0:13:17.200
<v Speaker 2>got it for the first time to get Thriller and

0:13:17.240 --> 0:13:18.960
<v Speaker 2>then he duct taped it, so we kept it for

0:13:19.000 --> 0:13:21.840
<v Speaker 2>a little while till somebody cut it. But the other

0:13:21.880 --> 0:13:23.920
<v Speaker 2>thing I remember watching, I know this is great.

0:13:24.640 --> 0:13:27.319
<v Speaker 1>How did somebody, someone as in the cable company or

0:13:27.440 --> 0:13:29.199
<v Speaker 1>someone realized no, like.

0:13:29.160 --> 0:13:31.240
<v Speaker 2>The neighbor we were stealing it from was like, stop

0:13:31.280 --> 0:13:34.360
<v Speaker 2>stealing our ship, you know. So so you know, Chuck,

0:13:34.400 --> 0:13:36.480
<v Speaker 2>the park is wrong. People not nice to each other,

0:13:36.520 --> 0:13:38.440
<v Speaker 2>not neighborly, but but.

0:13:38.520 --> 0:13:41.120
<v Speaker 1>So especially.

0:13:43.320 --> 0:13:45.120
<v Speaker 2>But no so so, so we got it to watch

0:13:45.200 --> 0:13:47.680
<v Speaker 2>Thriller and that was dope. And I hid behind my

0:13:47.720 --> 0:13:49.920
<v Speaker 2>Bible watching Thriller because I was scared and I thought

0:13:49.920 --> 0:13:51.720
<v Speaker 2>that I was little. I was like two, I was

0:13:51.720 --> 0:13:54.400
<v Speaker 2>like tiny, So yeah, it was scary shit. So but

0:13:54.480 --> 0:13:57.079
<v Speaker 2>I remember that, and then I remember later on when

0:13:57.080 --> 0:13:59.680
<v Speaker 2>we had stole cable a second time that we had.

0:14:00.240 --> 0:14:02.320
<v Speaker 2>He used to let me watch what was the Show?

0:14:02.360 --> 0:14:04.240
<v Speaker 2>With Robin Williams and Whoopi Goldberg. It was the first

0:14:04.280 --> 0:14:08.839
<v Speaker 2>time I ever saw was So that was the first

0:14:08.880 --> 0:14:10.960
<v Speaker 2>time I had ever seen a black woman telling jokes

0:14:11.559 --> 0:14:14.040
<v Speaker 2>and I was like, yo, what is this? Wait?

0:14:14.120 --> 0:14:15.680
<v Speaker 3>So you didn't see the first stand up the Broadway

0:14:15.679 --> 0:14:17.040
<v Speaker 3>one when she played the I don't.

0:14:17.520 --> 0:14:20.960
<v Speaker 2>I don't think I was online, Damn, Rob, I mean,

0:14:21.080 --> 0:14:21.680
<v Speaker 2>I don't think I.

0:14:21.600 --> 0:14:24.920
<v Speaker 1>Watched She's were her elders.

0:14:25.360 --> 0:14:30.680
<v Speaker 2>I don't think. Sorry, Okay, yeah, I don't think so.

0:14:31.080 --> 0:14:36.920
<v Speaker 3>Probably were you in high school in the nineties or no, I'm.

0:14:36.840 --> 0:14:40.040
<v Speaker 2>Not gonna watch that. I wasn't even in the nineties.

0:14:41.520 --> 0:14:44.760
<v Speaker 2>I made all this, but no, so so so I

0:14:44.800 --> 0:14:47.000
<v Speaker 2>saw her and then he let me watch. They showed

0:14:47.040 --> 0:14:49.840
<v Speaker 2>her one woman show on PBS as like an anniversary

0:14:49.920 --> 0:14:51.640
<v Speaker 2>special ever or whatever, and that's the first time I

0:14:51.640 --> 0:14:54.440
<v Speaker 2>saw it, and I was just blown away by this woman,

0:14:54.560 --> 0:14:56.920
<v Speaker 2>like absolutely blown away. And then my dad like, let

0:14:56.960 --> 0:14:58.680
<v Speaker 2>me stay up and watch. I remember we could stay

0:14:58.720 --> 0:15:01.920
<v Speaker 2>up and watch s n L until the until weekend

0:15:01.960 --> 0:15:03.320
<v Speaker 2>update came on. Then we had to go to sleep,

0:15:04.280 --> 0:15:06.320
<v Speaker 2>so we got to watch you know halfway through.

0:15:06.440 --> 0:15:08.040
<v Speaker 3>Is that a time thing or do a continent? Yeah,

0:15:08.080 --> 0:15:08.760
<v Speaker 3>it was a time.

0:15:08.560 --> 0:15:10.640
<v Speaker 2>Thing for them. It was just like, okay, that means

0:15:10.760 --> 0:15:13.000
<v Speaker 2>at whatever time in the midwes. I think it was

0:15:13.000 --> 0:15:14.280
<v Speaker 2>like around midnight.

0:15:13.960 --> 0:15:15.640
<v Speaker 1>We could go to sleep because I had to go

0:15:15.720 --> 0:15:16.400
<v Speaker 1>to church or something.

0:15:16.560 --> 0:15:16.760
<v Speaker 9>Yeah.

0:15:16.800 --> 0:15:19.680
<v Speaker 2>Yeah, we were in church three days a week, which

0:15:19.800 --> 0:15:20.240
<v Speaker 2>church is.

0:15:20.160 --> 0:15:23.600
<v Speaker 1>That seventh day of venice, no three day.

0:15:27.320 --> 0:15:29.760
<v Speaker 2>No, we were just like so because we were we

0:15:29.760 --> 0:15:31.400
<v Speaker 2>were in the perform Like the only way we get

0:15:31.440 --> 0:15:35.200
<v Speaker 2>performing arts was through church programs. So we were in

0:15:35.200 --> 0:15:37.560
<v Speaker 2>the acting group and like the puppet group. Oh that's

0:15:37.600 --> 0:15:38.360
<v Speaker 2>a whole other thing.

0:15:39.080 --> 0:15:44.840
<v Speaker 1>All about the puppet group. Yeah, we had the mind.

0:15:44.960 --> 0:15:46.080
<v Speaker 2>Yeah I didn't have the mind.

0:15:46.200 --> 0:15:50.320
<v Speaker 1>Wait you no, no, not me, but I think you didn't.

0:15:50.360 --> 0:15:52.080
<v Speaker 1>You just know when I was in the church band,

0:15:52.080 --> 0:15:53.400
<v Speaker 1>can you explain the puppet group?

0:15:54.200 --> 0:15:56.960
<v Speaker 2>So I was in it when I was so thirteen

0:15:57.280 --> 0:15:59.880
<v Speaker 2>to like thirteen, fourteen fifteen. Every summer we were to

0:16:00.160 --> 0:16:04.520
<v Speaker 2>the country with this Christian puppet group called King's Kids, right,

0:16:05.320 --> 0:16:08.640
<v Speaker 2>and my sister and I this is good's even better.

0:16:09.000 --> 0:16:11.360
<v Speaker 2>So we were like Jim Henson school trained, like I'm

0:16:11.360 --> 0:16:13.480
<v Speaker 2>still a professional puppeteer, by the way, I helped the

0:16:13.480 --> 0:16:15.960
<v Speaker 2>Wyatts and I perfect his puppeteering skills and don't let

0:16:16.040 --> 0:16:20.360
<v Speaker 2>him tell you any different. So we uh, so we

0:16:20.680 --> 0:16:23.480
<v Speaker 2>went on the road for three summers and we got

0:16:23.480 --> 0:16:24.880
<v Speaker 2>really good. But my sister and I were the only

0:16:24.880 --> 0:16:26.560
<v Speaker 2>black people in the group, and so we had to

0:16:26.680 --> 0:16:29.480
<v Speaker 2>do all the voices and the use all the black puppets.

0:16:30.960 --> 0:16:31.880
<v Speaker 1>Where was your voice.

0:16:32.200 --> 0:16:35.360
<v Speaker 2>Oh god, I don't remember. I honestly don't remember. I

0:16:35.400 --> 0:16:37.080
<v Speaker 2>did a bunch of them. You know, you just hear

0:16:37.120 --> 0:16:38.040
<v Speaker 2>me slip into weird.

0:16:38.040 --> 0:16:40.240
<v Speaker 1>I don't know, Jesus, I don't know.

0:16:43.040 --> 0:16:45.000
<v Speaker 2>But some of them were just like regular little girls.

0:16:45.040 --> 0:16:46.280
<v Speaker 2>And then some of them were like weird because they

0:16:46.280 --> 0:16:49.200
<v Speaker 2>were like human looking puppets. They weren't all animals, hand

0:16:49.200 --> 0:16:52.160
<v Speaker 2>puppets or yeah, yeah, hand puppets. Well, I can't do it. God, damn,

0:16:52.160 --> 0:16:54.720
<v Speaker 2>it's this podcast I would show you, which you have

0:16:54.760 --> 0:16:57.920
<v Speaker 2>to imagine. Yeah, so here, wait, can I teach you

0:16:57.960 --> 0:17:00.360
<v Speaker 2>guys a trick that won't help the whole audience at all?

0:17:00.560 --> 0:17:04.280
<v Speaker 2>Everybody hold up your hands. Okay, we'll physically describe it. Okay,

0:17:04.280 --> 0:17:06.840
<v Speaker 2>so hold up your hand like that. So everybody's holding

0:17:06.880 --> 0:17:09.280
<v Speaker 2>up their hand like so basically okay, take pictures. Great,

0:17:09.320 --> 0:17:12.760
<v Speaker 2>So basically everybody at home and within the distance of

0:17:12.800 --> 0:17:15.119
<v Speaker 2>my voice. So think about when you hold up your

0:17:15.119 --> 0:17:16.920
<v Speaker 2>hand to talk like a puppet. Right, so your thumb

0:17:17.000 --> 0:17:18.520
<v Speaker 2>is on the bottom of your hand is flat on top.

0:17:19.160 --> 0:17:21.560
<v Speaker 2>Now just say hi, how are you? Everybody at home?

0:17:21.600 --> 0:17:23.159
<v Speaker 2>Do this too? Say hi, how are you move your

0:17:23.160 --> 0:17:25.960
<v Speaker 2>hand like a puppet? Would you all did it wrong. Okay,

0:17:26.240 --> 0:17:31.600
<v Speaker 2>so you all fail, all right. So the professional trick

0:17:31.760 --> 0:17:34.399
<v Speaker 2>is to only move your bottom, only move your thumb.

0:17:34.960 --> 0:17:37.560
<v Speaker 2>So keep your hand flat and then say hi, how

0:17:37.600 --> 0:17:37.879
<v Speaker 2>are you?

0:17:38.480 --> 0:17:38.600
<v Speaker 3>Hi?

0:17:38.840 --> 0:17:39.479
<v Speaker 1>How are you?

0:17:39.480 --> 0:17:40.760
<v Speaker 2>But move it down, don't move it up.

0:17:40.800 --> 0:17:42.359
<v Speaker 1>Go hi Hi.

0:17:42.600 --> 0:17:47.200
<v Speaker 2>Nope, opposite, move your thumb down. Hi hi hih. That's how.

0:17:47.520 --> 0:17:51.000
<v Speaker 2>That's how a mouth works. And if you want to sing,

0:17:51.200 --> 0:17:54.320
<v Speaker 2>you could do that. Oh if that's advance shit, got it.

0:17:54.359 --> 0:17:56.560
<v Speaker 2>But anyway, at home, try this. Keep it top of

0:17:56.560 --> 0:17:59.000
<v Speaker 2>your hand flat. Even the engineers in the other room

0:17:59.520 --> 0:18:05.560
<v Speaker 2>right now, keep this fat. Only move the thumb. Doing

0:18:05.560 --> 0:18:07.040
<v Speaker 2>the best job anyway.

0:18:07.880 --> 0:18:11.280
<v Speaker 1>Yeah, wait, can we just spend one minute doing this

0:18:11.359 --> 0:18:14.560
<v Speaker 1>in silence, irust our audience right now?

0:18:14.720 --> 0:18:18.640
<v Speaker 2>Yeah, that's it's very hard. It took me years to master.

0:18:19.359 --> 0:18:21.960
<v Speaker 2>So just move this and that looks real.

0:18:22.040 --> 0:18:23.159
<v Speaker 3>Wow, that is awesome.

0:18:24.040 --> 0:18:25.119
<v Speaker 1>Instagram page for video.

0:18:25.240 --> 0:18:28.640
<v Speaker 2>Yeah it's cool, right, is an art to it? Yes,

0:18:28.720 --> 0:18:31.240
<v Speaker 2>it looks crazy, it's not. I can also use my

0:18:31.280 --> 0:18:34.159
<v Speaker 2>other hand to make the hands and legs move. And

0:18:34.520 --> 0:18:36.680
<v Speaker 2>we went to we went through training, no the Jim

0:18:36.760 --> 0:18:39.879
<v Speaker 2>Henson School teachers. We went through actual profession. I'm actually

0:18:39.960 --> 0:18:42.600
<v Speaker 2>a professional, like certified Bubbeto, You.

0:18:42.800 --> 0:18:45.840
<v Speaker 1>Were you not trying to make it to the children's

0:18:45.880 --> 0:18:46.840
<v Speaker 1>television workshop?

0:18:47.080 --> 0:18:47.480
<v Speaker 3>Yeah?

0:18:47.520 --> 0:18:50.240
<v Speaker 1>Did you not have those golds like Fraggle Rock? Wait,

0:18:50.280 --> 0:18:54.080
<v Speaker 1>they certify puppeteers, dude, mafia.

0:18:54.480 --> 0:18:55.600
<v Speaker 2>They started clowns.

0:18:55.680 --> 0:19:00.480
<v Speaker 1>Even even when Kevin first came degree in it, even

0:19:00.520 --> 0:19:02.800
<v Speaker 1>when he came to the Tonight show. I mean he

0:19:02.920 --> 0:19:05.800
<v Speaker 1>was saying that, you know, to get in Jim Henson's

0:19:05.800 --> 0:19:09.200
<v Speaker 1>it's the it's the Marionette equivalent of going to George

0:19:09.280 --> 0:19:14.480
<v Speaker 1>Lucas's uh school, Like it's fifteen people graduation ceremony.

0:19:14.600 --> 0:19:16.919
<v Speaker 2>So I only have like a certification. I don't have,

0:19:17.040 --> 0:19:20.520
<v Speaker 2>like the whole degree is that expensive? I don't remember

0:19:20.720 --> 0:19:24.919
<v Speaker 2>you didn't get a master's in moving your What is

0:19:24.960 --> 0:19:26.879
<v Speaker 2>it you're gonna use that you're gonna thank me?

0:19:27.040 --> 0:19:28.960
<v Speaker 1>What is it grant you? Like if you wanted the

0:19:29.160 --> 0:19:30.400
<v Speaker 1>audition for Avenue Q.

0:19:30.680 --> 0:19:34.320
<v Speaker 2>Or I have no idea. I don't think anything because

0:19:34.320 --> 0:19:36.480
<v Speaker 2>I can't sing either, So they'd be like, could you leave?

0:19:37.920 --> 0:19:38.320
<v Speaker 1>I don't know.

0:19:38.400 --> 0:19:40.280
<v Speaker 2>I don't know actually Avenue Q. It would probably be

0:19:40.320 --> 0:19:42.560
<v Speaker 2>helpful if I could actually sing, but I would think

0:19:42.600 --> 0:19:44.119
<v Speaker 2>that they actually go through puppet training.

0:19:44.840 --> 0:19:47.919
<v Speaker 1>I have to say that. Oh wait, this is weird

0:19:48.560 --> 0:19:51.800
<v Speaker 1>paid bill. I'm about to tell the story of your

0:19:51.840 --> 0:19:55.040
<v Speaker 1>other job forgiving that you actually worked at for it.

0:19:55.400 --> 0:19:57.040
<v Speaker 1>I was like, wait, I got this ring you do?

0:19:58.000 --> 0:19:58.720
<v Speaker 2>Am I not wrong?

0:19:58.880 --> 0:19:59.120
<v Speaker 1>I mean?

0:19:59.160 --> 0:19:59.680
<v Speaker 2>Am I correct?

0:19:59.760 --> 0:20:02.120
<v Speaker 1>He is the Joe Ropos of Sesame Street right now.

0:20:02.720 --> 0:20:09.320
<v Speaker 7>Whenever I watched them, they yeah, it's a yeah, we're

0:20:09.359 --> 0:20:10.040
<v Speaker 7>still talking with that.

0:20:10.320 --> 0:20:13.560
<v Speaker 2>Yeah, I'm sorry. Podcast listeners, just fast forward this part.

0:20:13.600 --> 0:20:15.240
<v Speaker 2>I don't know, just see us in three minutes really

0:20:15.280 --> 0:20:20.320
<v Speaker 2>talking about the next track. Yeah, you guys have chapters on.

0:20:20.280 --> 0:20:24.200
<v Speaker 1>These are you are you move on? Are your no?

0:20:24.640 --> 0:20:26.639
<v Speaker 1>Sesame Street? You know, I'm gonna get lost in at

0:20:26.720 --> 0:20:30.000
<v Speaker 1>least like there's a wormhole about to be minute rabbit hole.

0:20:30.400 --> 0:20:35.000
<v Speaker 1>So on Sesame Street. Are your puppeteers and well just

0:20:35.040 --> 0:20:39.400
<v Speaker 1>puppeteers Muppet tears? Are they licensed or no?

0:20:39.440 --> 0:20:41.240
<v Speaker 7>But it's the same, like fifteen dudes that dude like

0:20:41.680 --> 0:20:44.000
<v Speaker 7>dudes and ladies that do Sesame Street and the Muppets

0:20:44.000 --> 0:20:46.320
<v Speaker 7>and mostly other other other things are the same fifteen

0:20:46.359 --> 0:20:46.960
<v Speaker 7>or twenty people.

0:20:46.960 --> 0:20:49.600
<v Speaker 3>It is a mafia for sure, and they're like eighty

0:20:49.640 --> 0:20:52.119
<v Speaker 3>because once you're in, you're in, you.

0:20:50.680 --> 0:20:56.000
<v Speaker 7>Know, Like the guy who plays Grover also does ms

0:20:56.040 --> 0:20:59.080
<v Speaker 7>Piggy and Animal, and then the guy who does the

0:20:59.119 --> 0:21:01.600
<v Speaker 7>Swedish chef's hands is also the cookie monster still and

0:21:01.600 --> 0:21:04.359
<v Speaker 7>stuff like that. Yeah, that'll kind of cross breeze.

0:21:04.400 --> 0:21:06.040
<v Speaker 1>So what happens if all three of his characters are

0:21:06.040 --> 0:21:06.760
<v Speaker 1>in the same sketch?

0:21:06.960 --> 0:21:09.040
<v Speaker 7>They throw their voice around and they were prerecorded. It's

0:21:09.080 --> 0:21:09.720
<v Speaker 7>really cool to watch.

0:21:10.040 --> 0:21:10.919
<v Speaker 2>They're fantastic.

0:21:11.680 --> 0:21:15.840
<v Speaker 1>Are there any out takes? Any out take footage of

0:21:15.880 --> 0:21:18.320
<v Speaker 1>them like just cursing, pacting a fool.

0:21:18.359 --> 0:21:21.240
<v Speaker 2>I've seen them do it, we had them on but yeah,

0:21:21.240 --> 0:21:24.199
<v Speaker 2>they definitely do it. Yes, Sorry, I just don't want

0:21:24.200 --> 0:21:24.920
<v Speaker 2>to get him in trouble.

0:21:26.760 --> 0:21:30.440
<v Speaker 1>AVL listeners Listeners at home were also like silent talking

0:21:30.440 --> 0:21:32.800
<v Speaker 1>to each other like the question.

0:21:34.440 --> 0:21:39.480
<v Speaker 2>But I'm also like, they would just come do it

0:21:39.520 --> 0:21:40.720
<v Speaker 2>for you, haven't They've been on the show.

0:21:40.720 --> 0:21:42.560
<v Speaker 7>I always come to the set whenever that.

0:21:42.680 --> 0:21:45.240
<v Speaker 1>I will Yeah, well, okay, when I do.

0:21:45.320 --> 0:21:47.639
<v Speaker 7>That thing, we do that thing, I will come.

0:21:49.920 --> 0:21:54.119
<v Speaker 1>So you would travel, uh at what part like Bible

0:21:54.160 --> 0:21:56.080
<v Speaker 1>belts or like, yeah, not a Bible belt.

0:21:56.119 --> 0:21:58.560
<v Speaker 2>We would take a van and we would all pile

0:21:58.640 --> 0:22:00.679
<v Speaker 2>in it and it said King's Kids on the side.

0:22:00.800 --> 0:22:04.640
<v Speaker 1>How many of you, like fourteen of us?

0:22:04.760 --> 0:22:07.879
<v Speaker 2>It was a lot like fourteen ten or fourteen, and

0:22:07.920 --> 0:22:10.240
<v Speaker 2>then the funny thing is so one year so like

0:22:10.280 --> 0:22:12.600
<v Speaker 2>the first year was like we drove out to California

0:22:12.640 --> 0:22:15.119
<v Speaker 2>and did like West coast like you know, but like

0:22:15.119 --> 0:22:18.240
<v Speaker 2>like normal places, right. And then the second year, No,

0:22:18.359 --> 0:22:20.640
<v Speaker 2>first year we did the Midwest, so like Saint Louis, Chicago,

0:22:20.800 --> 0:22:23.080
<v Speaker 2>that kind of stuff. Second year, we drove out to California,

0:22:23.160 --> 0:22:25.040
<v Speaker 2>did some stuff like an Orange County. It's fine. Thirty

0:22:25.119 --> 0:22:28.240
<v Speaker 2>year they're like, we're going to Appalachia, Appalachia.

0:22:28.280 --> 0:22:30.639
<v Speaker 7>However, you said Jesus puppets in Appalachia.

0:22:30.720 --> 0:22:33.840
<v Speaker 2>No, they played black people, two black girls. Ok So

0:22:33.880 --> 0:22:35.600
<v Speaker 2>we were like and back then I was wearing a

0:22:35.600 --> 0:22:38.439
<v Speaker 2>big afro, like my hair was you know, big, you know,

0:22:39.000 --> 0:22:42.800
<v Speaker 2>and we were like, oh okay. My mom was like,

0:22:42.840 --> 0:22:45.000
<v Speaker 2>how's this gonna work? And they were like, so what

0:22:45.040 --> 0:22:47.399
<v Speaker 2>we'll do is we'll just go into the churches first

0:22:47.440 --> 0:22:48.760
<v Speaker 2>and make sure that they're cool.

0:22:50.040 --> 0:22:50.600
<v Speaker 3>We're not doing it.

0:22:50.640 --> 0:22:52.560
<v Speaker 2>And like, in hindsight, my sister and I was like,

0:22:52.960 --> 0:22:55.760
<v Speaker 2>this is crazy. Like there was a church where they

0:22:55.880 --> 0:22:57.560
<v Speaker 2>had to pull up and go in and talk to

0:22:57.600 --> 0:23:00.600
<v Speaker 2>them before we came in, and uh, they were not okay,

0:23:00.600 --> 0:23:03.439
<v Speaker 2>with us performing and we canceled the performance, and it

0:23:03.480 --> 0:23:05.040
<v Speaker 2>was those I don't know if you've ever been in

0:23:05.119 --> 0:23:08.000
<v Speaker 2>like Kentucky coal country and all that stuff Virginia. So

0:23:08.040 --> 0:23:09.840
<v Speaker 2>you go on these switchback roads where there's only one

0:23:09.920 --> 0:23:11.800
<v Speaker 2>lane and so the coal trucks are coming down and

0:23:11.840 --> 0:23:13.600
<v Speaker 2>you have to pull over when they come around. Like

0:23:13.640 --> 0:23:15.320
<v Speaker 2>it was some ship I don't ever want to see

0:23:15.320 --> 0:23:18.200
<v Speaker 2>again in my life, and the whole time it just

0:23:18.240 --> 0:23:18.879
<v Speaker 2>sounded like dinner.

0:23:22.160 --> 0:23:26.080
<v Speaker 7>The Roots played a lot in Kentucky, right, Yeah, Actually,

0:23:26.640 --> 0:23:29.960
<v Speaker 7>I mean we I was part of a tour like that,

0:23:30.560 --> 0:23:36.000
<v Speaker 7>right where the day that we got.

0:23:35.320 --> 0:23:40.760
<v Speaker 1>Our official h offer for a record deal, A Hub

0:23:40.800 --> 0:23:45.719
<v Speaker 1>and I snuck out of the church tour that we

0:23:45.720 --> 0:23:48.399
<v Speaker 1>were on very similar to this where we were. We

0:23:48.400 --> 0:23:51.679
<v Speaker 1>were in obal in Kansas, like in the cornfields, Like

0:23:51.720 --> 0:23:56.200
<v Speaker 1>when I go to sleep, I'd hear like, yeah every

0:23:56.280 --> 0:23:58.359
<v Speaker 1>night going to sleep, Like it was that sort of

0:23:58.400 --> 0:24:02.280
<v Speaker 1>thing where you're just in the middle of America and

0:24:03.119 --> 0:24:06.320
<v Speaker 1>you don't know what you're going to be burning to

0:24:06.440 --> 0:24:09.040
<v Speaker 1>across the next day. Yeah. So it was like we

0:24:09.080 --> 0:24:11.480
<v Speaker 1>got a record deal and like he and I like

0:24:11.840 --> 0:24:15.120
<v Speaker 1>snuck out of that and went to the pay phone

0:24:15.520 --> 0:24:18.320
<v Speaker 1>to the seven eleven and called the gap and you know,

0:24:19.320 --> 0:24:21.159
<v Speaker 1>caught a plane at six in the morning, like we

0:24:21.480 --> 0:24:23.720
<v Speaker 1>went a wall. They were probably still.

0:24:25.600 --> 0:24:27.520
<v Speaker 2>Now they saw you on foul and they were like, God.

0:24:27.400 --> 0:24:37.800
<v Speaker 1>Damn it. I'm just curious about those church outings and whatnot.

0:24:37.920 --> 0:24:44.200
<v Speaker 2>Yeah, why, I mean, how.

0:24:45.640 --> 0:24:49.560
<v Speaker 1>Had Was it a repressive atmosphere or no?

0:24:49.640 --> 0:24:52.800
<v Speaker 2>It wasn't at the time. I think for me, it

0:24:52.920 --> 0:24:56.119
<v Speaker 2>was all we knew and the people were very kind

0:24:56.280 --> 0:24:58.879
<v Speaker 2>and very still really good family friends, you know. I

0:24:58.880 --> 0:24:59.960
<v Speaker 2>mean it was.

0:25:00.240 --> 0:25:03.000
<v Speaker 1>Which there was a hard break moment where like you're

0:25:03.040 --> 0:25:03.960
<v Speaker 1>disillusioned and.

0:25:03.960 --> 0:25:06.400
<v Speaker 2>You oh yeah, yeah, yeah that happened in college. Oh

0:25:06.520 --> 0:25:07.879
<v Speaker 2>just about like Jesus.

0:25:07.720 --> 0:25:09.640
<v Speaker 1>Sorry, yeah, just with the church.

0:25:09.720 --> 0:25:12.200
<v Speaker 2>Yeah yeah, yeah, with the church for sure. I think

0:25:12.280 --> 0:25:14.000
<v Speaker 2>at a certain point I just saw, you know, you

0:25:14.080 --> 0:25:16.760
<v Speaker 2>wake up to hypocrisy. That happens in anything, right, but

0:25:16.960 --> 0:25:19.840
<v Speaker 2>for churches. I'm like, Okay, I woke up to hip

0:25:19.840 --> 0:25:23.520
<v Speaker 2>hop and I was like, get out the church. No,

0:25:23.640 --> 0:25:26.240
<v Speaker 2>I I yeah. I think once I got older, I

0:25:26.240 --> 0:25:27.680
<v Speaker 2>got to college, I was like, oh, okay, I don't

0:25:27.720 --> 0:25:29.359
<v Speaker 2>need to be in the church this much. I mean

0:25:29.359 --> 0:25:32.679
<v Speaker 2>even I think later in high school. But you know,

0:25:32.720 --> 0:25:36.040
<v Speaker 2>my mom grew up Catholic. My dad grew up Lutheran. Like,

0:25:36.080 --> 0:25:38.679
<v Speaker 2>they just had a very strong religious background, and but

0:25:38.720 --> 0:25:41.640
<v Speaker 2>they also taught us that while we have this, once

0:25:41.640 --> 0:25:43.800
<v Speaker 2>we became adults, they were like, now the choice is yours.

0:25:43.800 --> 0:25:45.919
<v Speaker 2>We've taught you all the things that we know, but

0:25:46.560 --> 0:25:48.800
<v Speaker 2>you know, go forth and make your own decisions. So

0:25:48.880 --> 0:25:51.119
<v Speaker 2>for me, I think I just don't like that. I

0:25:51.119 --> 0:25:53.040
<v Speaker 2>feel like there's a lot of hypocrisy in the church,

0:25:53.160 --> 0:25:56.760
<v Speaker 2>like in religion, and I think that, you know whatever,

0:25:57.080 --> 0:25:59.360
<v Speaker 2>there's weird things in the Bible, you know what I mean,

0:25:59.400 --> 0:26:00.240
<v Speaker 2>There's just weird shit.

0:26:00.359 --> 0:26:03.080
<v Speaker 1>So I just feel like was guilt ever part of that?

0:26:03.440 --> 0:26:05.960
<v Speaker 1>Like once they once my church found out I was

0:26:06.000 --> 0:26:08.960
<v Speaker 1>doing music, right, you know, it's sort of like, so, uh, mirror,

0:26:08.960 --> 0:26:11.800
<v Speaker 1>are you uplifting the Lord in your work or is

0:26:11.840 --> 0:26:15.840
<v Speaker 1>it just like what I see on the Devil? Yeah?

0:26:15.920 --> 0:26:17.360
<v Speaker 1>Then I just stopped coming to church.

0:26:17.160 --> 0:26:20.760
<v Speaker 2>Because, you know, no, I think once people heard me

0:26:20.800 --> 0:26:22.520
<v Speaker 2>cursing in comedy, they were like, well, she's lost and

0:26:22.560 --> 0:26:24.080
<v Speaker 2>if she comes back, then fine, we'll see her on

0:26:24.160 --> 0:26:26.719
<v Speaker 2>Eastern I don't know, and I still I don't know.

0:26:27.040 --> 0:26:27.359
<v Speaker 1>I don't know.

0:26:27.400 --> 0:26:29.760
<v Speaker 2>I never had that guilt really. Also, I left home

0:26:29.920 --> 0:26:31.840
<v Speaker 2>and went to Chicago, and then I went to Northwestern

0:26:31.960 --> 0:26:34.520
<v Speaker 2>Second City like I was gone. You know, there was

0:26:34.560 --> 0:26:36.480
<v Speaker 2>nobody to like follow me and be like you.

0:26:36.760 --> 0:26:39.359
<v Speaker 3>And you didn't walk into college like that church girl. No,

0:26:39.520 --> 0:26:40.399
<v Speaker 3>I'm holding on to this.

0:26:41.840 --> 0:26:43.160
<v Speaker 1>No, no, no, no, no.

0:26:43.960 --> 0:26:44.280
<v Speaker 2>Yeah.

0:26:44.440 --> 0:26:46.359
<v Speaker 1>So what year did you go to Northwestern?

0:26:46.480 --> 0:26:48.359
<v Speaker 2>I will not tell you that, But it wasn't that

0:26:48.400 --> 0:26:48.760
<v Speaker 2>long ago.

0:26:49.160 --> 0:26:50.400
<v Speaker 3>Did we just had this conversation?

0:26:50.560 --> 0:26:53.159
<v Speaker 1>Well, no, because I just generally wanted to know, like

0:26:53.280 --> 0:26:55.399
<v Speaker 1>if we ever played her college or that sort of thing.

0:26:55.440 --> 0:26:57.200
<v Speaker 1>You're trying to find out if you get younger.

0:26:57.320 --> 0:26:57.439
<v Speaker 5>Wait.

0:26:57.880 --> 0:27:02.840
<v Speaker 2>Wait, I've talked to you about this. He was in

0:27:02.880 --> 0:27:06.280
<v Speaker 2>the two thousands. Oh sorry, I understand. I see what

0:27:06.320 --> 0:27:11.160
<v Speaker 2>you're doing. I will tell this story. And I saw

0:27:11.480 --> 0:27:15.000
<v Speaker 2>before I met you, I had seen y'all fourteen times,

0:27:16.119 --> 0:27:19.880
<v Speaker 2>fourteen times, two of which I think were at Northwestern.

0:27:21.960 --> 0:27:23.960
<v Speaker 2>I remember, Do you remember this story? I don't. Do

0:27:24.000 --> 0:27:27.600
<v Speaker 2>you remember this night? Tell me how you were y'all

0:27:27.600 --> 0:27:32.280
<v Speaker 2>were playing? But oh god, what am I forget?

0:27:32.400 --> 0:27:32.680
<v Speaker 1>His name?

0:27:32.760 --> 0:27:35.720
<v Speaker 2>Not Cameron. It's a rapper with a c name, and

0:27:35.760 --> 0:27:38.560
<v Speaker 2>he wraps and he frees for a long time. Canada,

0:27:38.800 --> 0:27:40.720
<v Speaker 2>Thank you Jesus.

0:27:40.880 --> 0:27:44.199
<v Speaker 1>There's a big difference betwe I knew I was.

0:27:44.200 --> 0:27:46.840
<v Speaker 2>About to say the wrong name. So Cannabis was over whatever, y'all,

0:27:47.080 --> 0:27:50.199
<v Speaker 2>And this dude freestyle for forty five minutes. Do you

0:27:50.200 --> 0:27:52.800
<v Speaker 2>remember this? Was that what he would do? Because I

0:27:52.880 --> 0:27:54.800
<v Speaker 2>never saw him before in concert.

0:27:54.640 --> 0:27:58.280
<v Speaker 1>We've done it was so long an shows. Yeah, so

0:27:58.320 --> 0:28:00.720
<v Speaker 1>obviously this was like ninety eight ninety nine when is out?

0:28:01.320 --> 0:28:02.480
<v Speaker 3>Didn't you just tell you it was?

0:28:02.880 --> 0:28:04.879
<v Speaker 2>No, it wasn't it was later than that. Well, it

0:28:04.880 --> 0:28:06.000
<v Speaker 2>was later then when I saw it.

0:28:06.080 --> 0:28:09.120
<v Speaker 1>Okay, okay, well no, no, I'm yeah, okay, he had other Okay, okay,

0:28:09.280 --> 0:28:10.800
<v Speaker 1>but I remember.

0:28:10.920 --> 0:28:12.360
<v Speaker 2>I would have told you. I was like, actually, that's

0:28:12.359 --> 0:28:12.680
<v Speaker 2>not right.

0:28:12.880 --> 0:28:13.600
<v Speaker 1>We can edit.

0:28:13.760 --> 0:28:18.760
<v Speaker 2>Also, it was like nineteen sixty five. It's fine, It's

0:28:18.800 --> 0:28:21.040
<v Speaker 2>fine now they know I'm eighty. Thanks a lot, I'm

0:28:21.040 --> 0:28:23.920
<v Speaker 2>sorry forgiving thanks Amir. Wait, am I supposed to call you? Quest?

0:28:23.920 --> 0:28:24.720
<v Speaker 2>What am I supposed to call you?

0:28:24.800 --> 0:28:25.760
<v Speaker 1>On this? We know each other?

0:28:26.880 --> 0:28:29.399
<v Speaker 2>Are can I tell you? It is so weird to

0:28:29.440 --> 0:28:32.239
<v Speaker 2>talk about you because people are always like because I'm

0:28:32.240 --> 0:28:34.080
<v Speaker 2>always like my friend of me or did something something,

0:28:34.119 --> 0:28:35.359
<v Speaker 2>and they're like, oh, is he in the business, And

0:28:35.400 --> 0:28:37.280
<v Speaker 2>I was like, it's quest love, Like I don't know

0:28:37.280 --> 0:28:39.040
<v Speaker 2>how to like, do you know what I mean? Like,

0:28:39.080 --> 0:28:41.560
<v Speaker 2>I tried not to say your stage name because it's

0:28:41.800 --> 0:28:45.560
<v Speaker 2>the stage it's yes, and you can't just be like

0:28:45.840 --> 0:28:47.120
<v Speaker 2>so quest love and I were.

0:28:49.080 --> 0:28:49.320
<v Speaker 3>Yes.

0:28:49.480 --> 0:28:52.720
<v Speaker 2>It's such an annoying, goddamn name drop. It's the same

0:28:52.720 --> 0:28:55.280
<v Speaker 2>thing I called Queen Jana and people are like, oh,

0:28:55.320 --> 0:28:56.880
<v Speaker 2>you think you're cool, and I'm like, no, I just

0:28:56.920 --> 0:28:57.800
<v Speaker 2>don't call her queen.

0:28:58.040 --> 0:29:02.000
<v Speaker 1>This is weird because whenever I talk about Marshall yes,

0:29:02.120 --> 0:29:03.920
<v Speaker 1>then it's like, oh, you think he's cool, you get

0:29:03.920 --> 0:29:04.400
<v Speaker 1>the car mark.

0:29:04.520 --> 0:29:06.320
<v Speaker 2>No you can't call him eminem.

0:29:06.440 --> 0:29:08.280
<v Speaker 3>Why don't you say m though that is a little extra?

0:29:08.320 --> 0:29:09.880
<v Speaker 3>Why not just say em because.

0:29:09.720 --> 0:29:11.640
<v Speaker 1>He makes you. I hate when people call me.

0:29:12.320 --> 0:29:18.240
<v Speaker 2>Correct even this is yeah, but it sounds like em

0:29:18.240 --> 0:29:24.360
<v Speaker 2>whenever I hear M right, thank you, thank you. Anyway,

0:29:24.400 --> 0:29:26.360
<v Speaker 2>we were talking about something else before I got up

0:29:26.400 --> 0:29:31.840
<v Speaker 2>onto the standard, but go ahead, just yell oh yeah,

0:29:31.920 --> 0:29:34.720
<v Speaker 2>oh yeah cannabis, So yeah, thank you.

0:29:36.400 --> 0:29:37.640
<v Speaker 7>I just ask you for something.

0:29:38.240 --> 0:29:41.120
<v Speaker 2>So cannabis was rhyming, and for the first five minutes

0:29:41.160 --> 0:29:43.840
<v Speaker 2>we're like, yo, this Zude's killing it. He's really free sounding.

0:29:44.000 --> 0:29:44.560
<v Speaker 1>He says, she.

0:29:44.520 --> 0:29:51.640
<v Speaker 2>Got a shirt on her she got and then correct,

0:29:51.920 --> 0:29:58.200
<v Speaker 2>We're like Jesus Christ right thirty eight minutes and we're like,

0:29:58.240 --> 0:30:01.920
<v Speaker 2>this might be your world record in history right now

0:30:02.160 --> 0:30:09.440
<v Speaker 2>forty five minutes saying the crowd is like, bring out

0:30:09.520 --> 0:30:12.760
<v Speaker 2>the room. And then y'all came out and ripped it.

0:30:12.960 --> 0:30:13.360
<v Speaker 1>Thank you.

0:30:13.480 --> 0:30:14.120
<v Speaker 2>Yeah, it was great.

0:30:14.240 --> 0:30:15.000
<v Speaker 1>I appreciate that.

0:30:15.080 --> 0:30:17.160
<v Speaker 2>I saw y'all everywhere. Man, I saw you in Chicago

0:30:17.200 --> 0:30:20.720
<v Speaker 2>a bunch. I think y'all. Did y'all come to Iowa?

0:30:21.520 --> 0:30:24.840
<v Speaker 1>You had to go back in those days, came to Iowa. No,

0:30:25.160 --> 0:30:31.959
<v Speaker 1>Iowa has probably the the maybe the fourth best record

0:30:31.960 --> 0:30:33.400
<v Speaker 1>shopping experience I've ever had.

0:30:33.480 --> 0:30:34.160
<v Speaker 2>Oh is that right?

0:30:34.520 --> 0:30:37.120
<v Speaker 1>Yeah? Because usually like those places that no one goes to,

0:30:37.480 --> 0:30:40.960
<v Speaker 1>I could just it's enough, Oh God, clean up instantly. Yeah.

0:30:41.040 --> 0:30:43.920
<v Speaker 3>So what else do you go to Iowa for corn

0:30:44.440 --> 0:30:45.000
<v Speaker 3>and porn?

0:30:45.920 --> 0:30:52.680
<v Speaker 2>You don't have to go there for the porn corn. Yeah,

0:30:52.680 --> 0:30:55.200
<v Speaker 2>you don't really go to Iowa for There's a lovely

0:30:55.200 --> 0:30:58.680
<v Speaker 2>place to grow up, sheltered from reality. But it's very affordable.

0:30:58.720 --> 0:30:59.360
<v Speaker 2>I will say that.

0:30:59.440 --> 0:31:02.520
<v Speaker 3>Really, it's like a three bedroom house, it's like a one.

0:31:02.800 --> 0:31:04.040
<v Speaker 1>It's like going to North Carolina.

0:31:04.080 --> 0:31:05.960
<v Speaker 2>Yeah, you can easily get a three bedroom house for

0:31:06.000 --> 0:31:08.080
<v Speaker 2>like one hundred and eighty thousand dollars easily and like

0:31:08.080 --> 0:31:10.040
<v Speaker 2>a nice like a brand new, like new shit.

0:31:10.480 --> 0:31:12.360
<v Speaker 1>Yeah, like truth be told.

0:31:12.880 --> 0:31:13.080
<v Speaker 2>You know.

0:31:13.720 --> 0:31:19.000
<v Speaker 1>Uh, the towns that you have least expectations for are

0:31:19.040 --> 0:31:21.560
<v Speaker 1>probably just some of the best places to visit the.

0:31:21.480 --> 0:31:24.200
<v Speaker 3>Worst weather because then you got hurricanes, you know, and Iowa.

0:31:24.520 --> 0:31:25.920
<v Speaker 3>No it's not real tornadoes.

0:31:26.000 --> 0:31:30.800
<v Speaker 2>Tornadoes, Yes, that is true, tornadoes and cold hurricanes. That's okay.

0:31:31.080 --> 0:31:34.080
<v Speaker 2>I know what you meant. I got you my head

0:31:34.880 --> 0:31:36.640
<v Speaker 2>unless saying climate change is real, it might be some

0:31:36.640 --> 0:31:37.400
<v Speaker 2>godamn hurricanes.

0:31:40.480 --> 0:31:44.880
<v Speaker 1>So second, what drove you to Chicago? The fact that

0:31:44.920 --> 0:31:46.120
<v Speaker 1>you got accepted.

0:31:45.760 --> 0:31:48.960
<v Speaker 2>To my Chevy Lumina literally drove me to Chicago.

0:31:49.680 --> 0:31:52.160
<v Speaker 1>I'm a sharp comedian, but I mean, like, no, that's.

0:31:52.000 --> 0:31:56.040
<v Speaker 2>Just the truth. I wanted to go to I wanted

0:31:56.080 --> 0:31:58.760
<v Speaker 2>to go straight to LA out of high school, and

0:31:58.800 --> 0:32:00.880
<v Speaker 2>my parents were like, please, don't you will do porn,

0:32:01.080 --> 0:32:02.920
<v Speaker 2>which now is why I see why you have that connection.

0:32:03.040 --> 0:32:03.400
<v Speaker 1>I want.

0:32:03.760 --> 0:32:05.400
<v Speaker 2>Uh, they were scared. They were scared.

0:32:05.840 --> 0:32:10.840
<v Speaker 1>They may have, yes, they may have.

0:32:11.360 --> 0:32:13.640
<v Speaker 2>So so you know, every summer I went to Chicago

0:32:13.640 --> 0:32:15.680
<v Speaker 2>because that's where my family went. Some of my mom's

0:32:15.680 --> 0:32:17.680
<v Speaker 2>whole side lived, so I was familiar with the city,

0:32:18.280 --> 0:32:20.680
<v Speaker 2>and I was like, they were like, don't They said,

0:32:20.680 --> 0:32:23.800
<v Speaker 2>they had just asked me two things. Don't go uh

0:32:23.800 --> 0:32:26.800
<v Speaker 2>straight to LA because they knew I wanted to be comedian, actress,

0:32:26.800 --> 0:32:29.000
<v Speaker 2>writer or whatever. But they said, don't go straight to LA.

0:32:29.000 --> 0:32:32.720
<v Speaker 2>Get a college education, and also, don't ask us for

0:32:32.760 --> 0:32:37.000
<v Speaker 2>any money. So I got into Northwestern and I said,

0:32:37.200 --> 0:32:39.080
<v Speaker 2>and they were like, please, don't get a degree in theater.

0:32:39.160 --> 0:32:41.440
<v Speaker 2>You are you're already funny. Get a real degree, which

0:32:41.480 --> 0:32:44.040
<v Speaker 2>is rude, right, But so I got a degree in journalism.

0:32:44.040 --> 0:32:46.440
<v Speaker 2>I went to like Northwestern has the best journalism school.

0:32:46.480 --> 0:32:48.120
<v Speaker 2>They only let in like one hundred and eighty people year.

0:32:48.160 --> 0:32:52.040
<v Speaker 2>I got in and uh, and then I got my degree.

0:32:52.040 --> 0:32:53.800
<v Speaker 2>And then I got scouted by Second City because I

0:32:53.840 --> 0:32:56.320
<v Speaker 2>was running an improv and sketch group there for years

0:32:56.320 --> 0:32:58.120
<v Speaker 2>and they they saw it, they heard about it.

0:32:58.200 --> 0:33:01.640
<v Speaker 1>What was the name of the sketch group, the box okay.

0:33:01.920 --> 0:33:05.400
<v Speaker 2>And still going on to this day, seventy five years later.

0:33:06.720 --> 0:33:09.040
<v Speaker 2>And so I, so I went to Second City. They

0:33:09.040 --> 0:33:11.800
<v Speaker 2>gave me a full scholarship to go to Second City,

0:33:11.840 --> 0:33:16.680
<v Speaker 2>graduated the conservatory, went straight to LA and uh, you know, did.

0:33:16.480 --> 0:33:22.920
<v Speaker 1>You have dreams of seeing Steve Higgins or larn coming.

0:33:22.600 --> 0:33:23.320
<v Speaker 2>In out door.

0:33:23.640 --> 0:33:27.440
<v Speaker 1>Because yeah, of course, for listeners, a lot of people

0:33:27.440 --> 0:33:32.240
<v Speaker 1>that you see on SNL Saturday Night Live, they'll either

0:33:32.280 --> 0:33:35.520
<v Speaker 1>be poached from one of three places. Either the Groundlings

0:33:35.520 --> 0:33:37.960
<v Speaker 1>in LA is there groundlings in.

0:33:37.920 --> 0:33:41.280
<v Speaker 2>New York Groundings The home of Growndings is New York Growndings.

0:33:42.120 --> 0:33:45.040
<v Speaker 2>And I'm sorry, I'm sorry, I was thinking UC Bright

0:33:45.240 --> 0:33:46.320
<v Speaker 2>There is no Groundlings in New.

0:33:46.280 --> 0:33:47.520
<v Speaker 1>York, Okay, So yeah.

0:33:47.320 --> 0:33:51.840
<v Speaker 2>The uc B here Growlings in lacon City was a grounding. Yes,

0:33:52.280 --> 0:33:54.560
<v Speaker 2>Miam Melissa McCarthy, A bunch of them are groundling, right,

0:33:54.600 --> 0:33:55.760
<v Speaker 2>And I think.

0:33:55.640 --> 0:33:57.880
<v Speaker 1>New York is uc being established.

0:33:57.360 --> 0:33:58.200
<v Speaker 2>By Amy Polar.

0:33:58.240 --> 0:33:59.960
<v Speaker 1>Amy Polar the team.

0:34:00.480 --> 0:34:03.760
<v Speaker 2>Uh she had Second City Chicago, right, and my group.

0:34:03.600 --> 0:34:06.400
<v Speaker 1>Last Second City. So those three, those are the three

0:34:06.440 --> 0:34:11.640
<v Speaker 1>comedy universities that will guarantee you maybe half an audition

0:34:11.800 --> 0:34:15.799
<v Speaker 1>at Saturday Night Live? Did you many years?

0:34:16.960 --> 0:34:19.560
<v Speaker 2>Yes, that was the goal. It'll happen, absolutely, that was

0:34:19.600 --> 0:34:23.000
<v Speaker 2>the goal for sure. And I was there with a

0:34:23.000 --> 0:34:25.799
<v Speaker 2>bunch of people who are now famous and they were

0:34:25.800 --> 0:34:29.240
<v Speaker 2>my mentors, So Keing and Michael Key was leaving Second

0:34:29.239 --> 0:34:32.400
<v Speaker 2>City to go do Mad TV and now I fucking

0:34:32.480 --> 0:34:38.200
<v Speaker 2>dated myself, God damn it. But I was also twelve anyway,

0:34:39.239 --> 0:34:43.600
<v Speaker 2>and a bunch of great folks. So when I came up,

0:34:45.080 --> 0:34:47.080
<v Speaker 2>there was kind of a new crop coming through and

0:34:47.080 --> 0:34:48.560
<v Speaker 2>everybody was like, Oh, this is going to be the

0:34:48.560 --> 0:34:50.759
<v Speaker 2>next class that goes to SNL, Like your class is

0:34:50.800 --> 0:34:53.760
<v Speaker 2>going to be the next class that did not happen.

0:34:54.160 --> 0:34:56.239
<v Speaker 2>And I didn't even get close to an audition. I

0:34:56.280 --> 0:34:59.680
<v Speaker 2>just wasn't in the right cycle or whatever, or back then,

0:35:00.160 --> 0:35:01.319
<v Speaker 2>I wasn't looking for black lady.

0:35:01.320 --> 0:35:02.520
<v Speaker 3>I was about to say, who was a black lady

0:35:02.520 --> 0:35:03.640
<v Speaker 3>this season? Because there wasn't.

0:35:04.000 --> 0:35:06.040
<v Speaker 2>It was Ellen Claghorn, and then it was Leslie Jones,

0:35:06.080 --> 0:35:09.640
<v Speaker 2>like there was with Maya in the middle. That's literally it.

0:35:10.200 --> 0:35:12.879
<v Speaker 2>But there was one more, uh what's her face? Who

0:35:12.880 --> 0:35:17.080
<v Speaker 2>passed away Sandley? But years ago what was her name? Yes,

0:35:17.120 --> 0:35:18.920
<v Speaker 2>thank you?

0:35:19.440 --> 0:35:22.279
<v Speaker 1>Yeah, damn. I remember a joke on the Apollo like

0:35:22.320 --> 0:35:24.400
<v Speaker 1>get your baby some cool lights, or she did a

0:35:24.480 --> 0:35:27.359
<v Speaker 1>joke about cool cigarettes. Oh did she a baby smoking? Yeah?

0:35:27.360 --> 0:35:29.839
<v Speaker 2>She wasn't on very long, but she was funny as shit. Yeah,

0:35:30.400 --> 0:35:32.360
<v Speaker 2>but anyway, so so yeah, so it never happened. I

0:35:32.360 --> 0:35:34.600
<v Speaker 2>went to LA. It took many, many years I didn't

0:35:34.600 --> 0:35:38.400
<v Speaker 2>audition for Lauren until twenty thirteen.

0:35:39.320 --> 0:35:41.320
<v Speaker 1>WHOA that a long time? Damn?

0:35:41.480 --> 0:35:43.040
<v Speaker 2>But I was on other sketch shows. I was on

0:35:43.200 --> 0:35:45.879
<v Speaker 2>you know, Jamie Fox, Savy on Crocodile Jehan Fox. I

0:35:46.080 --> 0:35:48.799
<v Speaker 2>was a bunch of stuff that never saw the light

0:35:48.840 --> 0:35:50.280
<v Speaker 2>of day. I did a sketch show with Mike EPs

0:35:50.320 --> 0:35:52.759
<v Speaker 2>for Comedy Central that never saw the world. You know,

0:35:52.840 --> 0:35:54.600
<v Speaker 2>I did a lot of sketch stuff. I wrote for

0:35:54.640 --> 0:35:56.399
<v Speaker 2>a lot of stand ups. I toured the country with them.

0:35:56.480 --> 0:35:57.440
<v Speaker 2>I wrote for sitcoms.

0:35:57.440 --> 0:36:00.839
<v Speaker 1>But did you wait? You're just here? Reminded me that

0:36:01.560 --> 0:36:06.320
<v Speaker 1>I too was on a failed pilot that almost didn't

0:36:06.320 --> 0:36:11.000
<v Speaker 1>make it. Uh, there was going to be a Black Saturday.

0:36:11.000 --> 0:36:13.200
<v Speaker 1>I only remember because this is how we wrote break

0:36:13.239 --> 0:36:19.000
<v Speaker 1>You Off for Frenalogy. Uh. Who is the the black

0:36:19.520 --> 0:36:24.520
<v Speaker 1>comedy promoter? He did the Kings of Comedy Walter Latham. No, yes,

0:36:24.560 --> 0:36:26.400
<v Speaker 1>Walter Walter, yes.

0:36:26.640 --> 0:36:30.000
<v Speaker 2>Not No, it's not him. Though it's not him. I

0:36:30.040 --> 0:36:33.200
<v Speaker 2>know exactly who it is, and I am blanking somebody

0:36:33.239 --> 0:36:34.799
<v Speaker 2>google it, got to look it up. No, I know

0:36:34.840 --> 0:36:37.399
<v Speaker 2>who it is, and that's not Everybody's not a.

0:36:37.400 --> 0:36:38.360
<v Speaker 3>Charles King or nothing.

0:36:38.440 --> 0:36:50.400
<v Speaker 8>No, no, no, hold on Walter said, wait, he connects.

0:36:50.560 --> 0:36:56.280
<v Speaker 2>No, it's m It's M Latham.

0:36:52.719 --> 0:36:52.839
<v Speaker 6>Yea.

0:36:58.000 --> 0:37:01.040
<v Speaker 1>But once once the King of comedies, once the King

0:37:01.080 --> 0:37:05.160
<v Speaker 1>of comedy kind of blew up. Then Walter decided to do, uh,

0:37:05.640 --> 0:37:09.000
<v Speaker 1>to shoot a pilot. He wanted to do a black

0:37:09.120 --> 0:37:13.920
<v Speaker 1>SNL And it was like Earthquake and other seven or

0:37:13.960 --> 0:37:21.600
<v Speaker 1>eight other heavyweights that I'm forgetting right now. Earthquake, you know,

0:37:21.880 --> 0:37:26.080
<v Speaker 1>don't sleep Earthquake man's funny. He's funny.

0:37:27.040 --> 0:37:28.640
<v Speaker 3>Door is a hell of a reality show actors.

0:37:28.800 --> 0:37:32.879
<v Speaker 1>But back when we were again thirsting for maybe a

0:37:32.920 --> 0:37:36.480
<v Speaker 1>gig that could keep us in one place at the

0:37:36.520 --> 0:37:40.279
<v Speaker 1>same time. Uh, we were the house band, you know,

0:37:40.320 --> 0:37:42.520
<v Speaker 1>we were the s n L band for that show,

0:37:42.760 --> 0:37:44.120
<v Speaker 1>but it just never got picked up.

0:37:44.880 --> 0:37:46.560
<v Speaker 3>Lounge people always forget about that.

0:37:46.560 --> 0:37:50.200
<v Speaker 2>That was the best Tracy, that was.

0:37:50.120 --> 0:37:55.080
<v Speaker 1>The best anyway. So you reminded me that I forgot.

0:37:54.800 --> 0:37:57.960
<v Speaker 2>About and then that kind of came true right in

0:37:58.000 --> 0:37:58.279
<v Speaker 2>a way.

0:37:58.920 --> 0:38:01.920
<v Speaker 1>Uh yeah, eventually I saw my future.

0:38:02.600 --> 0:38:03.280
<v Speaker 2>Are you psychic?

0:38:04.280 --> 0:38:10.480
<v Speaker 1>No, I'm not. I'm also I'm thinking, I'm also remembering, Uh,

0:38:11.640 --> 0:38:14.160
<v Speaker 1>is this why I tried to kill this? Also, she.

0:38:18.719 --> 0:38:22.279
<v Speaker 2>Real because that's not because she really did that.

0:38:22.560 --> 0:38:29.880
<v Speaker 1>Her husband dude, like we we were, says she's an

0:38:29.880 --> 0:38:35.480
<v Speaker 1>Indiana girl. I understand it from Indiana. Yeah, said something

0:38:36.080 --> 0:38:40.080
<v Speaker 1>smart or unsavory, and then she took her ear rings

0:38:40.120 --> 0:38:43.359
<v Speaker 1>off and then she grabbed a weapon. Her husband had

0:38:43.360 --> 0:38:46.640
<v Speaker 1>to hold her back. The only good thing that from

0:38:46.640 --> 0:38:50.040
<v Speaker 1>that moment was like because music and she sat in

0:38:50.120 --> 0:38:51.520
<v Speaker 1>with us like that was the thing, like when you.

0:38:51.440 --> 0:38:53.680
<v Speaker 2>Go, yeah, how did you prevent a murder?

0:38:55.040 --> 0:38:59.000
<v Speaker 1>Her husband held her back, but she did the whole

0:38:59.000 --> 0:39:01.279
<v Speaker 1>like you don't know about me, motherfucker, and took her

0:39:01.320 --> 0:39:04.359
<v Speaker 1>shoes off and took her ear rings off, and it

0:39:04.440 --> 0:39:05.520
<v Speaker 1>was one she grabbed.

0:39:06.120 --> 0:39:07.680
<v Speaker 2>Wait butit did she really stab her husband?

0:39:09.040 --> 0:39:09.279
<v Speaker 1>Wait?

0:39:09.280 --> 0:39:09.839
<v Speaker 2>Did he die?

0:39:10.000 --> 0:39:10.239
<v Speaker 1>No?

0:39:10.239 --> 0:39:11.160
<v Speaker 2>No, oh, that's good.

0:39:11.239 --> 0:39:12.160
<v Speaker 1>He protected her.

0:39:12.960 --> 0:39:14.719
<v Speaker 3>Why she was gone for a while after that whole

0:39:14.719 --> 0:39:16.600
<v Speaker 3>avunt Duet. I know you don't remember because you were

0:39:16.640 --> 0:39:16.960
<v Speaker 3>a child.

0:39:17.239 --> 0:39:20.000
<v Speaker 2>I was only born yes day, so I just kept

0:39:20.000 --> 0:39:22.560
<v Speaker 2>getting younger every time. I'm not gonna be born until

0:39:22.560 --> 0:39:23.120
<v Speaker 2>this podcast.

0:39:25.160 --> 0:39:29.000
<v Speaker 1>So you went to LA what is it?

0:39:30.400 --> 0:39:31.160
<v Speaker 7>What is what?

0:39:31.280 --> 0:39:33.840
<v Speaker 1>Was the process of pounding the pavement?

0:39:34.040 --> 0:39:34.200
<v Speaker 5>Right?

0:39:34.600 --> 0:39:36.319
<v Speaker 2>So the nice thing was I went out there with

0:39:36.360 --> 0:39:40.360
<v Speaker 2>a one woman show about you know, just like playing

0:39:40.360 --> 0:39:43.319
<v Speaker 2>different character as and autobiographical. But what did I know

0:39:43.480 --> 0:39:44.319
<v Speaker 2>at twenty two?

0:39:44.600 --> 0:39:48.200
<v Speaker 1>Wait, yes, if you didn't see that will be one

0:39:48.239 --> 0:39:48.879
<v Speaker 1>woman show.

0:39:49.040 --> 0:39:51.640
<v Speaker 2>That's not as a kid people, Yeah, yah, that's not

0:39:51.680 --> 0:39:55.640
<v Speaker 2>as a kid. Here's inspiration her all day. So I

0:39:55.680 --> 0:39:57.560
<v Speaker 2>put a towel on my head and then I just

0:39:57.960 --> 0:40:03.399
<v Speaker 2>I literally pulled him Malania Trump and just did her show. No, yeah,

0:40:04.160 --> 0:40:05.759
<v Speaker 2>how did we let her get away with that? By

0:40:05.760 --> 0:40:07.920
<v Speaker 2>the way, But anyway, so yeah, I went out did

0:40:07.920 --> 0:40:09.600
<v Speaker 2>this one woman show and then I got seen by

0:40:09.640 --> 0:40:12.080
<v Speaker 2>Mike Epps's manager, Like I literally only did the show

0:40:12.120 --> 0:40:14.680
<v Speaker 2>like three times. And then I got seen by Mike

0:40:14.680 --> 0:40:16.720
<v Speaker 2>Epps's manager and he was like, Yo, you are so funny,

0:40:16.719 --> 0:40:19.600
<v Speaker 2>you should come right for Mike. And so I started

0:40:19.600 --> 0:40:22.520
<v Speaker 2>writing for Mike. We wrote up the sketch show it

0:40:22.560 --> 0:40:25.839
<v Speaker 2>didn't go and then and I was acting on it too,

0:40:26.080 --> 0:40:28.520
<v Speaker 2>and then uh, I went on the road with him

0:40:28.560 --> 0:40:30.800
<v Speaker 2>a little bit, started working. Then I met Jesse Collins,

0:40:30.880 --> 0:40:33.640
<v Speaker 2>who was, uh, you know, produces bt Wards and a

0:40:33.680 --> 0:40:36.480
<v Speaker 2>bunch of other stuff, and I met him, started writing

0:40:36.480 --> 0:40:38.719
<v Speaker 2>for award shows, and then I just got connected with

0:40:38.800 --> 0:40:40.719
<v Speaker 2>all these different comedians and so I wrote for all

0:40:40.760 --> 0:40:44.120
<v Speaker 2>these different hosts, Jamie Fox, Anthony Anderson, Chris Rock, Monigue,

0:40:44.880 --> 0:40:48.040
<v Speaker 2>Wayne Brady, Sam Jack, like literally everybody I've written for,

0:40:48.120 --> 0:40:51.200
<v Speaker 2>every male stand up black comedian who was like at

0:40:51.200 --> 0:40:52.319
<v Speaker 2>the top of their game for sure.

0:40:52.520 --> 0:40:57.719
<v Speaker 1>How did you avoid the Hollywood shuffle or how did

0:40:57.760 --> 0:41:02.960
<v Speaker 1>you avoid the Chitlin circuit uh Land minds that are

0:41:03.040 --> 0:41:06.560
<v Speaker 1>usually there for comedians, especially for black comedians, like how

0:41:06.600 --> 0:41:10.000
<v Speaker 1>did you avoid the some more route?

0:41:09.560 --> 0:41:09.680
<v Speaker 3>Right?

0:41:10.600 --> 0:41:13.359
<v Speaker 1>Well? Playing the CD bars and over? Like did you

0:41:14.560 --> 0:41:16.840
<v Speaker 1>start off in the comedy store in LA and no?

0:41:17.000 --> 0:41:19.239
<v Speaker 2>So that's the thing, this is how I avoided it

0:41:19.280 --> 0:41:21.640
<v Speaker 2>because I was a sketching, improv comedian. Even though I

0:41:21.680 --> 0:41:24.799
<v Speaker 2>wrote for stand ups, I never did stand up. I've

0:41:24.800 --> 0:41:26.800
<v Speaker 2>never done a minute of stand up in my whole

0:41:26.800 --> 0:41:30.080
<v Speaker 2>career nevertheless, really never, not once.

0:41:30.800 --> 0:41:31.960
<v Speaker 1>That's weird and w I know.

0:41:32.120 --> 0:41:35.239
<v Speaker 2>And I'm always in the comedy clubs always. Yeah, I've

0:41:35.280 --> 0:41:36.480
<v Speaker 2>never done a minute of stand up.

0:41:36.560 --> 0:41:38.480
<v Speaker 3>What do the comedians that you write for when you

0:41:38.520 --> 0:41:40.279
<v Speaker 3>tell them that or if you ever had that in

0:41:40.320 --> 0:41:42.200
<v Speaker 3>that conversation, do they ever what do they say about

0:41:42.200 --> 0:41:42.879
<v Speaker 3>that or do they care?

0:41:43.360 --> 0:41:46.120
<v Speaker 2>I've never had that conversation. I've always been funny, right

0:41:46.160 --> 0:41:48.320
<v Speaker 2>and always you know what I mean? Like, it doesn't

0:41:48.360 --> 0:41:50.719
<v Speaker 2>to comedians. It doesn't matter, Like it's not there's not

0:41:50.760 --> 0:41:54.000
<v Speaker 2>a hierarchy. It's like, is she funny case she write

0:41:54.000 --> 0:41:55.640
<v Speaker 2>great jokes. The other thing about me is I have

0:41:55.719 --> 0:41:58.680
<v Speaker 2>a because I would sit and mimic those people on

0:41:58.719 --> 0:42:02.440
<v Speaker 2>television as a kid. I can mimic anyone's comedic style.

0:42:02.760 --> 0:42:04.120
<v Speaker 2>So I know how to write for somebody. If I've

0:42:04.120 --> 0:42:05.480
<v Speaker 2>heard five minutes of their stand up, I know how

0:42:05.480 --> 0:42:06.279
<v Speaker 2>to write jokes for them.

0:42:06.560 --> 0:42:12.319
<v Speaker 1>You're trying to tell me that the rundown is the

0:42:12.360 --> 0:42:17.200
<v Speaker 1>first time that you've consistently concurrently in a half hour

0:42:17.840 --> 0:42:20.759
<v Speaker 1>or however you take your show at an hour, that

0:42:20.800 --> 0:42:24.280
<v Speaker 1>you stood in front of the audience and dumb material

0:42:24.280 --> 0:42:27.759
<v Speaker 1>and told jokes in a non sketch acting way for

0:42:27.800 --> 0:42:28.480
<v Speaker 1>that amount of time.

0:42:28.560 --> 0:42:31.359
<v Speaker 3>Yeah, wow, that's dope.

0:42:31.400 --> 0:42:32.520
<v Speaker 1>Wow that's rare.

0:42:33.600 --> 0:42:36.040
<v Speaker 2>But you got to think about it this way. I'm

0:42:36.040 --> 0:42:39.280
<v Speaker 2>an expert at stand up comedy because I've been doing

0:42:39.320 --> 0:42:44.080
<v Speaker 2>it for a long like two decades. I've been writing

0:42:44.080 --> 0:42:46.239
<v Speaker 2>it for years, but I'm a performer. Like even on

0:42:46.280 --> 0:42:48.000
<v Speaker 2>the Nightly Show, I was doing the same thing. It

0:42:48.080 --> 0:42:51.200
<v Speaker 2>was just like more sketches and like kind of panel stuff,

0:42:51.200 --> 0:42:53.480
<v Speaker 2>And like my whole career has led to this if

0:42:53.520 --> 0:42:56.000
<v Speaker 2>you look at the breadth of it, like, but no,

0:42:56.200 --> 0:42:57.920
<v Speaker 2>it is true. I guess if you think about it

0:42:58.000 --> 0:42:59.720
<v Speaker 2>that way. Yeah, it was the first time I actually

0:42:59.719 --> 0:43:02.840
<v Speaker 2>did stand up. I don't know. I thought, yeah, that's true.

0:43:02.840 --> 0:43:06.960
<v Speaker 1>Because it's like trusting a food expert that's.

0:43:06.960 --> 0:43:07.640
<v Speaker 2>It's never cooked.

0:43:07.719 --> 0:43:12.960
<v Speaker 1>Oh my god, wait, I'm just talking about myself. You

0:43:13.120 --> 0:43:14.520
<v Speaker 1>sure did anute.

0:43:15.680 --> 0:43:18.680
<v Speaker 2>Wait a minute, you got food books and everything. Motherfucker.

0:43:18.760 --> 0:43:23.160
<v Speaker 1>I'm probably the only James Beard uh dominated exactly author

0:43:23.239 --> 0:43:26.680
<v Speaker 1>that's never cooked. That's weird.

0:43:27.200 --> 0:43:29.560
<v Speaker 2>No, you get it though, you know what I mean. Like,

0:43:29.640 --> 0:43:32.160
<v Speaker 2>so for me, it was like I it's kind of

0:43:32.239 --> 0:43:34.680
<v Speaker 2>better because I was on the road being a student

0:43:34.800 --> 0:43:37.440
<v Speaker 2>of every Like literally, I can tell you if you

0:43:37.480 --> 0:43:39.480
<v Speaker 2>give me a topic, right, like, I'm not gonna do it.

0:43:39.600 --> 0:43:39.799
<v Speaker 1>Listen.

0:43:39.840 --> 0:43:42.200
<v Speaker 2>This isn't like you know who's on the free but like,

0:43:42.400 --> 0:43:44.319
<v Speaker 2>but like if you if I'm okay. So if if

0:43:44.400 --> 0:43:47.600
<v Speaker 2>Trump does something crazy, right, so Trump goes after uh

0:43:47.719 --> 0:43:50.040
<v Speaker 2>somebody in the media, right, he goes after Jamel Hill whatever,

0:43:50.040 --> 0:43:51.640
<v Speaker 2>so she should be fired. I can tell you how

0:43:51.719 --> 0:43:54.520
<v Speaker 2>every host in late night is gonna make a joke

0:43:54.560 --> 0:43:55.160
<v Speaker 2>on it, all right.

0:43:55.080 --> 0:43:58.840
<v Speaker 10>So what was Steven Colbert saying so, so Stephen, Colbert

0:43:58.920 --> 0:44:01.640
<v Speaker 10>is gonna make like, like, okay, so if you go

0:44:01.760 --> 0:44:03.560
<v Speaker 10>for the gamut, right, So Kimmel is gonna make a

0:44:03.640 --> 0:44:06.640
<v Speaker 10>joke that's probably okay.

0:44:06.680 --> 0:44:09.799
<v Speaker 2>It's the Jamel host. Well, he's not gonna do it right, right,

0:44:09.920 --> 0:44:11.200
<v Speaker 2>I picked I picked a black person.

0:44:11.280 --> 0:44:11.919
<v Speaker 1>A lot of them would.

0:44:12.880 --> 0:44:16.000
<v Speaker 2>It was like, Trevor does these funny like impressions. He

0:44:16.000 --> 0:44:18.000
<v Speaker 2>he does all these amazing voices, so he'll slip in

0:44:18.080 --> 0:44:20.800
<v Speaker 2>and do an impression. Colbert's gonna make a stude upside

0:44:20.800 --> 0:44:24.160
<v Speaker 2>down observation that's still silly. Kimmel's gonna make something that's

0:44:24.200 --> 0:44:26.600
<v Speaker 2>a little bit more of a fight humor joke, and

0:44:26.880 --> 0:44:30.640
<v Speaker 2>it's gonna take him down from A to B. Yeah,

0:44:30.719 --> 0:44:33.759
<v Speaker 2>what do you say, Jimmy, He probably won't mention it

0:44:33.800 --> 0:44:37.839
<v Speaker 2>if Trump said it. Yeah, but yeah, but I mean,

0:44:38.000 --> 0:44:39.239
<v Speaker 2>but you know, it's like, but you have to be

0:44:39.320 --> 0:44:41.040
<v Speaker 2>a student of the craft. So it was like, by

0:44:41.080 --> 0:44:42.640
<v Speaker 2>the time I came in, I knew how to write

0:44:42.680 --> 0:44:44.640
<v Speaker 2>for Larry. I knew how to write like John. You know,

0:44:44.719 --> 0:44:47.239
<v Speaker 2>I'm I'm a product of the John Stewart family. He

0:44:47.239 --> 0:44:48.799
<v Speaker 2>was our executive producer at the Night They Show he

0:44:48.840 --> 0:44:51.160
<v Speaker 2>was with us all the time and he taught me

0:44:51.239 --> 0:44:54.160
<v Speaker 2>a lot. And then Chris Rock, who's our executive producer,

0:44:54.239 --> 0:44:56.680
<v Speaker 2>Like I wrote for him when he hosted the BT Awards,

0:44:56.680 --> 0:44:59.600
<v Speaker 2>and he's been a really good mentor of mine since then.

0:44:59.640 --> 0:45:03.040
<v Speaker 2>And like the common theme is like, once you know

0:45:03.239 --> 0:45:06.440
<v Speaker 2>your comedy, especially in comparison to what else is out there,

0:45:06.480 --> 0:45:08.319
<v Speaker 2>then you can sell your product. And I knew I

0:45:08.360 --> 0:45:09.200
<v Speaker 2>had something different.

0:45:09.480 --> 0:45:14.840
<v Speaker 1>How do you feel about, at least the different classes

0:45:14.880 --> 0:45:18.520
<v Speaker 1>of comedy I'm curious about. Like in New York, I

0:45:18.600 --> 0:45:22.520
<v Speaker 1>know that the Brooklyn comics are seen as the you know,

0:45:22.640 --> 0:45:24.200
<v Speaker 1>alternative comics, and.

0:45:24.600 --> 0:45:27.000
<v Speaker 2>All do the same three jokes. It's really a joke.

0:45:27.400 --> 0:45:30.839
<v Speaker 2>I am open minded. I love them, and I think

0:45:30.840 --> 0:45:32.640
<v Speaker 2>some of them are pushing the boundaries. But like, if

0:45:32.640 --> 0:45:35.799
<v Speaker 2>you take a Brooklyn comic, like I'm talking like uh

0:45:36.440 --> 0:45:41.719
<v Speaker 2>straight up, like textbook Brooklyn, like ortismal cheese joke Brooklyn,

0:45:41.840 --> 0:45:45.680
<v Speaker 2>and you and you take it anywhere else in the country, yeah,

0:45:46.040 --> 0:45:48.880
<v Speaker 2>you'll bomb. You can't take that to Uptown, you know

0:45:48.880 --> 0:45:50.840
<v Speaker 2>what I mean. You can't go to Atlanta with those jokes,

0:45:51.560 --> 0:45:53.520
<v Speaker 2>especially for black comedians. But like, what are you doing?

0:45:53.800 --> 0:45:56.200
<v Speaker 2>But at the same time, I also can't take some

0:45:56.239 --> 0:45:57.920
<v Speaker 2>of my Trump jokes, and that's why I'm not a

0:45:57.960 --> 0:46:02.759
<v Speaker 2>stand up. That's why I created a safe space where

0:46:02.800 --> 0:46:05.440
<v Speaker 2>I can push my point of view in my comedy.

0:46:05.560 --> 0:46:07.640
<v Speaker 2>But like, I'm not one of those people who can

0:46:07.680 --> 0:46:09.319
<v Speaker 2>go to any comedy club in the country and do

0:46:09.400 --> 0:46:11.080
<v Speaker 2>stand I just never had a passion for that.

0:46:11.280 --> 0:46:15.759
<v Speaker 1>So do you agree now Chris Rock thinks that any

0:46:15.840 --> 0:46:19.080
<v Speaker 1>joke should be able to work in all three mediums.

0:46:19.200 --> 0:46:21.560
<v Speaker 2>Well, he says it because he's a genius. It's not fair.

0:46:21.600 --> 0:46:22.680
<v Speaker 2>His opinion is not fair.

0:46:23.280 --> 0:46:26.640
<v Speaker 1>But I'm asking do you subscribe to that theory? Because

0:46:27.320 --> 0:46:30.240
<v Speaker 1>Brooklyn is the alternative world and then sort of north

0:46:30.360 --> 0:46:33.920
<v Speaker 1>of forty second Street is kind of I mean, I

0:46:33.920 --> 0:46:36.080
<v Speaker 1>don't want to be dismissed him say hacky, but I

0:46:36.080 --> 0:46:38.800
<v Speaker 1>mean that's where like Caroline's is and whatever, like you'll see.

0:46:38.680 --> 0:46:39.879
<v Speaker 2>Like, what are you talking about?

0:46:39.880 --> 0:46:42.600
<v Speaker 1>Well, yeah, I mean I don't know. It's just that

0:46:42.680 --> 0:46:47.320
<v Speaker 1>they're so at the cellar in the village. Yeah, there's

0:46:47.360 --> 0:46:48.279
<v Speaker 1>such snobs.

0:46:48.560 --> 0:46:49.040
<v Speaker 2>Yeah they are.

0:46:49.200 --> 0:46:52.480
<v Speaker 1>It's like Chappelle and Brennan, you know, those guys just

0:46:52.560 --> 0:46:55.520
<v Speaker 1>like they know everything. They're like old real hip hoppers

0:46:55.520 --> 0:46:58.640
<v Speaker 1>from like nineteen ninety two. Yeah, so I consider them

0:46:58.680 --> 0:47:03.760
<v Speaker 1>the highest quest loves, the higher, the hardest to praise,

0:47:04.120 --> 0:47:09.040
<v Speaker 1>the hardest to please, insatiable level of Ivy League comic.

0:47:09.920 --> 0:47:11.920
<v Speaker 1>And they look down on the Brooklyn Cats and they

0:47:11.920 --> 0:47:16.680
<v Speaker 1>look they kind of they're glad that they didn't go that,

0:47:16.920 --> 0:47:19.000
<v Speaker 1>you know, I mean, even though they respect those guys

0:47:19.040 --> 0:47:23.799
<v Speaker 1>like the Vegas whoever, the David Brenners are of this

0:47:23.840 --> 0:47:26.919
<v Speaker 1>generation like that work way up town and up the town.

0:47:27.040 --> 0:47:31.520
<v Speaker 2>There's a lot of class classes and classism in comedy exactly.

0:47:31.960 --> 0:47:33.640
<v Speaker 2>And then the chillin' circa you got all that.

0:47:33.800 --> 0:47:37.480
<v Speaker 1>Yeah, it's Chris believes that. You know, Chris will go

0:47:37.600 --> 0:47:42.279
<v Speaker 1>to Outpost and try his stuff in that place, and

0:47:42.320 --> 0:47:46.480
<v Speaker 1>then he'll go to the blackest club uptown. Do you

0:47:46.600 --> 0:47:49.560
<v Speaker 1>think that every comic should adapt to that situation.

0:47:50.320 --> 0:47:53.440
<v Speaker 2>I don't think it's necessary. I think that it depends

0:47:53.480 --> 0:47:55.239
<v Speaker 2>on what you're trying to do. I think if you're

0:47:55.280 --> 0:47:58.000
<v Speaker 2>trying to be a legend, you're trying to be great, yes,

0:47:58.680 --> 0:48:01.920
<v Speaker 2>and that that's Chris is great. He is a legend.

0:48:02.120 --> 0:48:07.400
<v Speaker 2>Like he's so smart, and he he never gets comfortable.

0:48:07.520 --> 0:48:11.680
<v Speaker 2>He's always challenging himself. So I think for him that works,

0:48:11.840 --> 0:48:14.640
<v Speaker 2>but I think there are other comedians whose thing is

0:48:14.719 --> 0:48:18.239
<v Speaker 2>so specific that they're just using stand up to get

0:48:18.280 --> 0:48:21.319
<v Speaker 2>in front of a larger audience anyway, And it just

0:48:21.360 --> 0:48:23.480
<v Speaker 2>depends on your goals. And I don't judge anybody, even

0:48:23.480 --> 0:48:25.239
<v Speaker 2>the Brooklyn commics. I don't judge them like they're gonna

0:48:25.239 --> 0:48:27.120
<v Speaker 2>be great. They're gonna be the lead in a sitcom

0:48:27.200 --> 0:48:30.200
<v Speaker 2>party soon, or they're gonna, you know, have a weird

0:48:30.320 --> 0:48:34.919
<v Speaker 2>like uh, you know, single camera artisanal che artisanal chi show.

0:48:36.520 --> 0:48:38.200
<v Speaker 2>But yeah, I think there's a place for everything. That's

0:48:38.200 --> 0:48:40.440
<v Speaker 2>what's so great about comedy is it's so subjective. Like

0:48:40.480 --> 0:48:43.600
<v Speaker 2>one person can be like yo, like doo hug, he's

0:48:43.640 --> 0:48:45.080
<v Speaker 2>not funny, and then somebody else is like, what are

0:48:45.120 --> 0:48:47.200
<v Speaker 2>you talking about? He's a second coming. That's the great

0:48:47.239 --> 0:48:50.800
<v Speaker 2>thing about That's the great thing about comedy. Like people

0:48:50.880 --> 0:48:53.000
<v Speaker 2>can watch my show and be like, oh, she's whack,

0:48:53.800 --> 0:48:59.439
<v Speaker 2>but obviously they're blind and deaf. But yeah, I mean

0:48:59.840 --> 0:49:02.239
<v Speaker 2>I think there's something for everybody. I don't really judge it.

0:49:02.280 --> 0:49:04.000
<v Speaker 2>I think as long as you have a good work ethic,

0:49:04.040 --> 0:49:07.040
<v Speaker 2>whatever you're doing, it's fine.

0:49:10.440 --> 0:49:14.520
<v Speaker 1>Okay, Well this leads for Laya, who is currently pounding

0:49:14.600 --> 0:49:17.320
<v Speaker 1>the pavement to when I'm not doing.

0:49:17.080 --> 0:49:18.920
<v Speaker 3>This, yes to be.

0:49:20.600 --> 0:49:23.879
<v Speaker 2>I was the girl that tonay and wanted to get

0:49:23.920 --> 0:49:25.160
<v Speaker 2>to tell you better.

0:49:26.840 --> 0:49:28.000
<v Speaker 1>Reference on this show.

0:49:29.440 --> 0:49:30.720
<v Speaker 2>Can I have joy in my life?

0:49:30.760 --> 0:49:31.239
<v Speaker 1>You know what I say?

0:49:31.520 --> 0:49:35.920
<v Speaker 2>Can't two black women? Sharonmal merrel every day?

0:49:35.960 --> 0:49:38.839
<v Speaker 1>So what would you listen? What would you recommend this

0:49:38.880 --> 0:49:46.000
<v Speaker 1>interviews over the table turn? So what would you recommend to? Uh?

0:49:46.120 --> 0:49:47.560
<v Speaker 1>A young up? To start first of all.

0:49:47.400 --> 0:49:50.200
<v Speaker 3>With the whole myth of not for you young damn,

0:49:50.239 --> 0:49:51.839
<v Speaker 3>I'm trying to set you up.

0:49:52.719 --> 0:49:56.920
<v Speaker 1>Okay, born in nineteen ninety four, thank you true. Anyway,

0:49:57.080 --> 0:50:00.680
<v Speaker 1>what would you recommend, especially with the advantages is it

0:50:00.760 --> 0:50:05.520
<v Speaker 1>advantage having you know, do you respect YouTube comedians and

0:50:05.640 --> 0:50:08.520
<v Speaker 1>at the time Vine oh god the Iowa which.

0:50:08.640 --> 0:50:11.000
<v Speaker 2>Damn no, no, no no, it was at the question

0:50:11.120 --> 0:50:12.080
<v Speaker 2>not at YouTubers.

0:50:16.239 --> 0:50:17.960
<v Speaker 1>See, in my mind I thought that.

0:50:20.600 --> 0:50:22.600
<v Speaker 2>Economic Look, I think it's good, but I think what

0:50:22.760 --> 0:50:25.200
<v Speaker 2>happens is, here's what happens to people who have been

0:50:25.239 --> 0:50:26.000
<v Speaker 2>in the game a long time.

0:50:26.120 --> 0:50:29.320
<v Speaker 1>Okay, Uh, you go out.

0:50:29.160 --> 0:50:31.120
<v Speaker 2>For something, you're up for something, and then they're like,

0:50:31.480 --> 0:50:34.080
<v Speaker 2>we're gonna get this YouTube person. They're hot, and you're like,

0:50:34.120 --> 0:50:37.640
<v Speaker 2>but I've done all the professional things like I've gotten

0:50:37.680 --> 0:50:40.120
<v Speaker 2>a degree, or I've been in the streets, like I've

0:50:40.120 --> 0:50:42.040
<v Speaker 2>been in the clubs, like I've been doing all this,

0:50:42.200 --> 0:50:44.080
<v Speaker 2>like I've been doing you know, like I was in

0:50:44.200 --> 0:50:46.719
<v Speaker 2>nine sketch groups at any given time, like like like

0:50:46.800 --> 0:50:49.439
<v Speaker 2>for me, sketch groups and in Propalympic and Second City

0:50:49.480 --> 0:50:51.840
<v Speaker 2>were my comedy clubs when I was performing in writing.

0:50:51.880 --> 0:50:53.759
<v Speaker 2>So it's like I felt like I put in the work.

0:50:53.760 --> 0:50:55.760
<v Speaker 2>I didn't just turn on a camera in my bedroom.

0:50:55.840 --> 0:50:59.080
<v Speaker 2>But that being said, there are people who work hell

0:50:59.239 --> 0:51:01.880
<v Speaker 2>hard on you to but who makes millions of dollars

0:51:01.920 --> 0:51:04.320
<v Speaker 2>so you can't knock the hustle. Yeah, there are people

0:51:04.400 --> 0:51:07.200
<v Speaker 2>making millions of dollars on YouTube, so I don't knock

0:51:07.239 --> 0:51:09.600
<v Speaker 2>the hustle. But I will say that I don't find

0:51:09.640 --> 0:51:11.839
<v Speaker 2>like that a lot of them have longevity. There are

0:51:11.880 --> 0:51:12.400
<v Speaker 2>some that do.

0:51:12.600 --> 0:51:14.640
<v Speaker 1>So this is sort of like how someone my age

0:51:14.680 --> 0:51:17.000
<v Speaker 1>would see new hip hop and see like, okay, you're here.

0:51:16.840 --> 0:51:20.279
<v Speaker 3>Today the mumble something like somebody like me who's been

0:51:20.280 --> 0:51:22.880
<v Speaker 3>doing radio or her life looks at someone like you

0:51:23.040 --> 0:51:29.160
<v Speaker 3>that with a podcasted.

0:51:27.920 --> 0:51:29.280
<v Speaker 1>But I've brought you with.

0:51:29.120 --> 0:51:31.319
<v Speaker 3>Me, right, But I don't have the deal.

0:51:31.400 --> 0:51:31.920
<v Speaker 1>So it's just.

0:51:33.760 --> 0:51:35.600
<v Speaker 2>Personated, so we.

0:51:36.000 --> 0:51:41.520
<v Speaker 1>Cut her mic off engine. So okay, well, now this

0:51:41.600 --> 0:51:44.799
<v Speaker 1>is going to be since you're wise with your with

0:51:44.920 --> 0:51:49.920
<v Speaker 1>your words, looking at like you who's been trying to

0:51:50.680 --> 0:51:53.239
<v Speaker 1>she's been pounding the pavement. Yes, what do you recommend?

0:51:53.480 --> 0:51:54.520
<v Speaker 2>Are you doing stand up?

0:51:55.280 --> 0:51:57.960
<v Speaker 3>I forget my writing a lot. I've done some stand up,

0:51:58.080 --> 0:51:59.440
<v Speaker 3>I've been writing more and I've been standing.

0:51:59.560 --> 0:52:02.680
<v Speaker 1>So how do you help someone find their lane? So

0:52:03.640 --> 0:52:08.480
<v Speaker 1>and again, Okay, I know someone that is a very

0:52:08.520 --> 0:52:13.759
<v Speaker 1>talented person in the arts. I think I think he's

0:52:13.800 --> 0:52:14.239
<v Speaker 1>better off.

0:52:14.280 --> 0:52:16.400
<v Speaker 2>Why are you choosing your words carefully? You said we

0:52:16.400 --> 0:52:18.080
<v Speaker 2>were being candid because.

0:52:19.560 --> 0:52:27.200
<v Speaker 1>Show I'm saying that I don't think he's marketable as

0:52:27.239 --> 0:52:30.359
<v Speaker 1>an artist, but I think there's a future for him

0:52:30.480 --> 0:52:33.439
<v Speaker 1>as a songwriter. And I'm trying to encourage them.

0:52:33.560 --> 0:52:35.880
<v Speaker 2>Yeah, but no one wants Brandon T. Jackson to write songs.

0:52:36.760 --> 0:52:37.919
<v Speaker 1>I'm not going to name the person.

0:52:38.360 --> 0:52:39.839
<v Speaker 2>I was just trying to pull a name.

0:52:43.840 --> 0:52:47.200
<v Speaker 1>Listen, but what I'm saying is that you can you

0:52:47.239 --> 0:52:50.719
<v Speaker 1>can open any door that you want once you get in, Like,

0:52:50.760 --> 0:52:52.080
<v Speaker 1>you're not going to go through the front door. You

0:52:52.120 --> 0:52:54.120
<v Speaker 1>might have to come through the kitchen or whatever. So

0:52:54.160 --> 0:52:56.200
<v Speaker 1>I'm saying that, Okay, if you you ramp up your

0:52:56.200 --> 0:52:59.719
<v Speaker 1>songwriting skills, which are brilliantly brilliant, and you get a

0:52:59.719 --> 0:53:02.680
<v Speaker 1>public then yeah, you can write your own ticket. You

0:53:02.680 --> 0:53:04.279
<v Speaker 1>could be like I want to fly to the moon

0:53:04.360 --> 0:53:07.400
<v Speaker 1>next to get in. What I'm saying is, how do

0:53:07.480 --> 0:53:11.239
<v Speaker 1>you help a person? What do you recommend to someone

0:53:11.320 --> 0:53:15.560
<v Speaker 1>trying to find their lane? Like, maybe they're better at writing, yeah,

0:53:15.600 --> 0:53:17.959
<v Speaker 1>or maybe they're better at directing, or maybe they're better

0:53:17.960 --> 0:53:20.360
<v Speaker 1>at being in front of the camera being a stand on.

0:53:20.800 --> 0:53:23.399
<v Speaker 1>How do you help them find Yeah?

0:53:23.560 --> 0:53:24.120
<v Speaker 3>Good question.

0:53:24.280 --> 0:53:26.319
<v Speaker 2>I think you just have to try everything, you know.

0:53:26.400 --> 0:53:27.799
<v Speaker 2>I think if you think you want to be a

0:53:27.800 --> 0:53:29.480
<v Speaker 2>stand up, you got to go be a stand up.

0:53:30.120 --> 0:53:33.279
<v Speaker 2>Like I was denying myself the fact that I was

0:53:33.320 --> 0:53:35.279
<v Speaker 2>a writer for many years. I was just like, no,

0:53:35.400 --> 0:53:37.160
<v Speaker 2>I'm a comedian, I'm a performer. I'm just trying to

0:53:37.160 --> 0:53:39.440
<v Speaker 2>be on SNL. This is what I'm doing. But I

0:53:39.520 --> 0:53:42.040
<v Speaker 2>was writing for money on these TV shows and stuff,

0:53:42.080 --> 0:53:43.879
<v Speaker 2>and I was like, yeah, yeah, but I'm not a writer.

0:53:44.640 --> 0:53:47.279
<v Speaker 2>I don't know why. For years I denied that, and

0:53:47.320 --> 0:53:49.560
<v Speaker 2>then I looked up and was like, yo, I've been

0:53:49.600 --> 0:53:51.480
<v Speaker 2>writing a lot and I always perform on the things

0:53:51.480 --> 0:53:53.160
<v Speaker 2>I write on, So I never had to shut that

0:53:53.200 --> 0:53:55.960
<v Speaker 2>part of me off. But I don't know. For some reason,

0:53:56.040 --> 0:53:58.760
<v Speaker 2>I had this weird shame about being behind the scenes,

0:53:58.800 --> 0:54:01.920
<v Speaker 2>which was odd because once I embraced that, my whole

0:54:01.920 --> 0:54:04.359
<v Speaker 2>career opened up in front of the camera and behind it.

0:54:04.400 --> 0:54:06.360
<v Speaker 3>Is it shame or is also like can I do this?

0:54:06.440 --> 0:54:08.120
<v Speaker 3>Because that's like also a whole level.

0:54:08.239 --> 0:54:08.440
<v Speaker 8>It was.

0:54:09.120 --> 0:54:11.120
<v Speaker 2>Well, I always knew I was a good writer. I

0:54:11.160 --> 0:54:13.880
<v Speaker 2>just didn't think of it as a job, which was

0:54:13.920 --> 0:54:17.160
<v Speaker 2>disrespectful as shit to writers. But I just didn't have

0:54:17.200 --> 0:54:18.800
<v Speaker 2>that knowledge. You know, I went to public school. I

0:54:18.800 --> 0:54:21.360
<v Speaker 2>didn't have a lot of knowledge about this, about the industry,

0:54:21.440 --> 0:54:23.040
<v Speaker 2>you know, I went to public school in the Midwest.

0:54:23.040 --> 0:54:26.440
<v Speaker 2>TV was like, what that was just like a weird dream.

0:54:26.760 --> 0:54:29.480
<v Speaker 2>So yeah, I mean I've always had this kind of

0:54:29.480 --> 0:54:31.480
<v Speaker 2>I talked about this the other day. I've always had

0:54:31.480 --> 0:54:34.640
<v Speaker 2>this kind of reckless confidence, Like I've always been like,

0:54:34.680 --> 0:54:35.920
<v Speaker 2>if I want to do it, I can do it.

0:54:36.520 --> 0:54:38.239
<v Speaker 2>But then I would convince myself, oh but I don't

0:54:38.280 --> 0:54:40.640
<v Speaker 2>want to do that. But then I think that was

0:54:40.680 --> 0:54:43.000
<v Speaker 2>just the fear talking, right. So I think if you

0:54:43.040 --> 0:54:44.759
<v Speaker 2>have a passion for it, you've got to do it.

0:54:45.120 --> 0:54:48.000
<v Speaker 2>You've got to just do it. I think the problem

0:54:48.040 --> 0:54:50.000
<v Speaker 2>with standup is you got to do it all the time,

0:54:50.120 --> 0:54:52.640
<v Speaker 2>right cause it's like golf. If you play for ten

0:54:52.719 --> 0:54:55.080
<v Speaker 2>years and you don't play for a week, you're terrible again.

0:54:55.160 --> 0:54:57.120
<v Speaker 3>Yes, I'm very scared, and you get more scared the

0:54:57.200 --> 0:54:58.719
<v Speaker 3>more time you spend not doing it.

0:54:58.760 --> 0:54:59.080
<v Speaker 2>Correct.

0:54:59.080 --> 0:55:00.720
<v Speaker 3>Oh, correct.

0:55:00.960 --> 0:55:04.360
<v Speaker 2>See Eddie Murphy, it's why he won't it's why he

0:55:04.400 --> 0:55:07.239
<v Speaker 2>won't come back on stage. I mean, he says it.

0:55:07.280 --> 0:55:09.640
<v Speaker 2>I'm not that's just what he says. I can't be

0:55:09.719 --> 0:55:13.280
<v Speaker 2>out here working out material as Eddie Murphy. I can't

0:55:13.280 --> 0:55:16.279
<v Speaker 2>do bad jokes. But the only way you do a

0:55:16.360 --> 0:55:18.800
<v Speaker 2>special is to go out and work out the material,

0:55:18.880 --> 0:55:20.680
<v Speaker 2>and they'll be bad. Chris is not afraid to do that.

0:55:21.400 --> 0:55:23.239
<v Speaker 2>Rock goes into club with a notebook and a pen.

0:55:23.440 --> 0:55:25.279
<v Speaker 2>He'll be like, I'm just gonna read some shit, you

0:55:25.320 --> 0:55:27.680
<v Speaker 2>know when he's working things out, and it's genius to watch.

0:55:28.200 --> 0:55:30.239
<v Speaker 2>But you know, if you're Eddie Murphy, how do you

0:55:30.239 --> 0:55:32.280
<v Speaker 2>do that? How do you go, as the living legend

0:55:32.320 --> 0:55:35.520
<v Speaker 2>top of the game and go into the cellar or

0:55:35.560 --> 0:55:38.720
<v Speaker 2>stand up New York or wherever and tell some terrible

0:55:38.760 --> 0:55:39.360
<v Speaker 2>ass jokes?

0:55:39.400 --> 0:55:41.399
<v Speaker 3>So do you think we'll never see Eddie Murphy.

0:55:44.520 --> 0:55:46.160
<v Speaker 2>I'm just waiting to see if he's actually gonna do

0:55:46.200 --> 0:55:47.160
<v Speaker 2>coming to America too.

0:55:47.800 --> 0:55:48.719
<v Speaker 1>I believe it.

0:55:48.760 --> 0:55:51.160
<v Speaker 2>I don't either. When he was gonna host the Oscars,

0:55:51.200 --> 0:55:53.120
<v Speaker 2>I was like, I believe, want to see it, and

0:55:53.160 --> 0:55:56.080
<v Speaker 2>then he didn't, you know what I mean. He it's

0:55:56.120 --> 0:56:00.239
<v Speaker 2>hard and I root for him, like I'm like, he's

0:56:00.239 --> 0:56:04.400
<v Speaker 2>the greatest living comedian period and I don't think that

0:56:04.800 --> 0:56:08.960
<v Speaker 2>there's any way to live up to that title. And

0:56:09.239 --> 0:56:11.319
<v Speaker 2>so I have you know, I have sympathy for him.

0:56:11.640 --> 0:56:12.319
<v Speaker 2>People feel different.

0:56:12.600 --> 0:56:16.720
<v Speaker 1>Even the ten minutes he did at Kennedy said Kennedy

0:56:16.920 --> 0:56:18.879
<v Speaker 1>so dope, so dope, dude.

0:56:18.960 --> 0:56:21.040
<v Speaker 2>It made me so hungry. I don't care. If he

0:56:21.080 --> 0:56:22.759
<v Speaker 2>just got on stage your talk, I would pay all

0:56:22.800 --> 0:56:25.799
<v Speaker 2>my money. You can have all my money. But that's

0:56:25.800 --> 0:56:28.200
<v Speaker 2>why he doesn't understand the love for him is so great.

0:56:28.440 --> 0:56:31.759
<v Speaker 2>But anyway back to you, just be Eddie Murphy, that's

0:56:31.760 --> 0:56:32.279
<v Speaker 2>all I'm saying.

0:56:32.360 --> 0:56:35.440
<v Speaker 3>That's all you got to do, or just don't be no.

0:56:36.080 --> 0:56:37.440
<v Speaker 2>Look, I think you just got to do it and

0:56:37.480 --> 0:56:40.440
<v Speaker 2>you'll find out. It'll take you where you're supposed to go.

0:56:41.040 --> 0:56:43.319
<v Speaker 2>But don't close the doors on yourself. And if you're

0:56:43.320 --> 0:56:44.880
<v Speaker 2>already writing, then what are you waiting for? You got

0:56:44.880 --> 0:56:47.399
<v Speaker 2>three minutes in the book right now, five minutes, whatever

0:56:47.440 --> 0:56:49.560
<v Speaker 2>you got. That's all you have to do. People think

0:56:49.560 --> 0:56:51.640
<v Speaker 2>you have to go out and do an hour long special. No,

0:56:51.760 --> 0:56:53.359
<v Speaker 2>you work your way up. You do five minutes, then

0:56:53.360 --> 0:56:55.200
<v Speaker 2>you do eight, and then you go back to five

0:56:55.200 --> 0:56:57.200
<v Speaker 2>because those other three you find out didn't work. What

0:56:57.239 --> 0:56:57.759
<v Speaker 2>do you not?

0:56:57.840 --> 0:56:59.120
<v Speaker 3>Did you do this? But do you have some favorite

0:56:59.160 --> 0:56:59.960
<v Speaker 3>clubs in New York?

0:57:00.520 --> 0:57:00.759
<v Speaker 1>Yeah?

0:57:00.800 --> 0:57:02.760
<v Speaker 2>Look, I think stand Up n Y is really good.

0:57:02.800 --> 0:57:04.520
<v Speaker 2>Stand Up New York is great because they have a

0:57:04.560 --> 0:57:07.560
<v Speaker 2>really good amateur night where anybody can get up. Go

0:57:07.640 --> 0:57:13.080
<v Speaker 2>to Stand Up New it's uptown and then no, I

0:57:13.080 --> 0:57:15.520
<v Speaker 2>think it's in the sixties, like Upper West Side, Cameron.

0:57:15.800 --> 0:57:17.440
<v Speaker 2>I think that's where am I getting it confused?

0:57:17.920 --> 0:57:18.040
<v Speaker 3>No?

0:57:18.040 --> 0:57:23.760
<v Speaker 2>No, no, no, no, no no yeah the media no, no. So

0:57:23.760 --> 0:57:25.680
<v Speaker 2>sant Up New York is a good one. Don't try

0:57:25.680 --> 0:57:28.080
<v Speaker 2>to go to the cellar, no, like you know, that's crazy.

0:57:29.080 --> 0:57:32.400
<v Speaker 2>But there's also like NYU has like random comedy nights

0:57:32.400 --> 0:57:34.800
<v Speaker 2>and stuff where like literally anybody can go up and

0:57:35.160 --> 0:57:37.280
<v Speaker 2>students are kind of a great crowd because they don't

0:57:37.280 --> 0:57:39.760
<v Speaker 2>give a shit, and so they'll either laugh or they'll

0:57:39.800 --> 0:57:41.680
<v Speaker 2>just won't even look at you. But either way you

0:57:41.720 --> 0:57:43.760
<v Speaker 2>can hear what you're You know what the thing is,

0:57:43.800 --> 0:57:45.440
<v Speaker 2>You need to hear what your jokes sound like on

0:57:45.480 --> 0:57:48.480
<v Speaker 2>a microphone. It's not about what they sound like in

0:57:48.480 --> 0:57:49.880
<v Speaker 2>front of a crowd, as much as you need to

0:57:49.920 --> 0:57:52.840
<v Speaker 2>get used to hearing them amplified, and you'll start writing

0:57:52.840 --> 0:57:55.160
<v Speaker 2>them differently because no matter how much you write them

0:57:55.160 --> 0:57:58.080
<v Speaker 2>at home, that ship, once it has an echo on it,

0:57:58.360 --> 0:58:01.560
<v Speaker 2>you're like, oh, that that doesn't work. But honestly, like

0:58:01.640 --> 0:58:04.600
<v Speaker 2>it doesn't. Yeah, yeah, that's why they do that, right,

0:58:05.400 --> 0:58:06.840
<v Speaker 2>because you need to be able to hear the joke

0:58:06.840 --> 0:58:09.600
<v Speaker 2>in the mic. It's not about the crowds reaction. People

0:58:09.600 --> 0:58:11.640
<v Speaker 2>always think that's a joke about the crowd not hearing,

0:58:11.920 --> 0:58:14.360
<v Speaker 2>but it really is like, oh, my joke is not

0:58:14.840 --> 0:58:18.160
<v Speaker 2>working through this mechanism. It's interesting. There's a whole there's

0:58:18.200 --> 0:58:18.880
<v Speaker 2>a whole thing.

0:58:19.520 --> 0:58:22.080
<v Speaker 1>I'll tell you my two secret Smurf spots.

0:58:22.000 --> 0:58:24.600
<v Speaker 2>Like you okay he said it on the rest, Yeah,

0:58:24.600 --> 0:58:27.080
<v Speaker 2>because that's the small little places that any bar in

0:58:27.080 --> 0:58:28.240
<v Speaker 2>Brooklyn has an amateur night.

0:58:28.280 --> 0:58:29.760
<v Speaker 1>By the way, I work out of two spots.

0:58:30.040 --> 0:58:32.280
<v Speaker 3>I say what now, Yeah, I do, which mean you

0:58:32.320 --> 0:58:33.080
<v Speaker 3>work out of two spots.

0:58:33.120 --> 0:58:33.680
<v Speaker 2>Oh you telling me this?

0:58:34.600 --> 0:58:37.520
<v Speaker 1>Yeah? Well, back when I was actively teaching, you're not in.

0:58:37.560 --> 0:58:39.560
<v Speaker 2>Like a yeah, go ahead, because you're not in a

0:58:39.600 --> 0:58:41.520
<v Speaker 2>comedy club. Comedy club, are you?

0:58:41.600 --> 0:58:44.320
<v Speaker 1>Yeah? I mean, but I don't do it as much

0:58:44.360 --> 0:58:49.360
<v Speaker 1>now that I'm not teaching this semester. But I as

0:58:49.400 --> 0:58:53.040
<v Speaker 1>you hear three seconds ago, I mean the reason why

0:58:53.200 --> 0:58:56.200
<v Speaker 1>I write more and instagram more because it's easy for

0:58:56.240 --> 0:58:59.120
<v Speaker 1>me to communicate when I can control my words with

0:58:59.160 --> 0:59:03.280
<v Speaker 1>my ten fingers. But I hate public speaking. So you

0:59:03.320 --> 0:59:05.200
<v Speaker 1>go and you try to given the show. I lose

0:59:05.240 --> 0:59:07.160
<v Speaker 1>sleep the night before whenever we do it, and they

0:59:07.160 --> 0:59:09.960
<v Speaker 1>could be like even the Jimmy Jame and Terry Lewis show,

0:59:09.960 --> 0:59:12.440
<v Speaker 1>like I'm in the mirror like practicing, like like it's

0:59:13.000 --> 0:59:22.720
<v Speaker 1>like jury. Yeah, but yeah, our our our warm up

0:59:22.760 --> 0:59:26.960
<v Speaker 1>guy Seth told me that the way to give over

0:59:27.000 --> 0:59:32.960
<v Speaker 1>your public speaking fear is to just tell five minute story.

0:59:33.520 --> 0:59:39.720
<v Speaker 3>So so you're doing like story slams and ship that's dope.

0:59:37.560 --> 0:59:42.920
<v Speaker 1>Story is also on the low kind of working.

0:59:42.680 --> 0:59:44.360
<v Speaker 2>Out to where do you go?

0:59:45.440 --> 0:59:47.680
<v Speaker 1>Where you said, I don't want to reveal that because

0:59:47.720 --> 0:59:49.080
<v Speaker 1>I don't want people judging.

0:59:48.760 --> 0:59:51.400
<v Speaker 3>Me reveal stuff on this show.

0:59:51.600 --> 0:59:53.920
<v Speaker 2>You just said, I'm going to tell you the standing.

0:59:55.440 --> 1:00:01.000
<v Speaker 1>Look, that's a running theme with this show. Just yeah,

1:00:01.440 --> 1:00:01.800
<v Speaker 1>what they are.

1:00:02.400 --> 1:00:05.960
<v Speaker 2>It's the Apollo at the top of the empire, say building,

1:00:06.040 --> 1:00:06.520
<v Speaker 2>it's real.

1:00:07.000 --> 1:00:11.880
<v Speaker 1>Wait, since you're on the subject, there's no there's someone

1:00:11.920 --> 1:00:14.600
<v Speaker 1>that I am cheering for in the world of me.

1:00:16.280 --> 1:00:21.800
<v Speaker 1>Well besides you, Oh yeah, you're my hero. Jessica Moore

1:00:22.400 --> 1:00:26.440
<v Speaker 1>is well just hilarious or just with the mess, just hilarious.

1:00:26.720 --> 1:00:32.240
<v Speaker 1>She is one of my favorite, uh Instagram comedian, Like

1:00:32.280 --> 1:00:32.880
<v Speaker 1>what she's done?

1:00:33.600 --> 1:00:35.720
<v Speaker 2>Are you No, not Jessica Williams.

1:00:36.000 --> 1:00:40.000
<v Speaker 1>She's just just with the mess or just hilarious is

1:00:40.000 --> 1:00:41.440
<v Speaker 1>what she is on on Instagram.

1:00:41.520 --> 1:00:44.840
<v Speaker 2>Yeah, she's even with Azelia Banks and everybody.

1:00:44.960 --> 1:00:48.280
<v Speaker 1>She Yeah, she uses all fifty nine seconds of her

1:00:48.320 --> 1:00:56.520
<v Speaker 1>Instagram account to do awesome crafted uh comedy bits where

1:00:56.560 --> 1:00:58.760
<v Speaker 1>she kind of gives you the ratchet news of the week,

1:00:59.560 --> 1:01:05.240
<v Speaker 1>and it's to the point where that's my show's funny,

1:01:05.360 --> 1:01:08.280
<v Speaker 1>similar to what's his name? Who's who's like the star

1:01:08.360 --> 1:01:09.400
<v Speaker 1>of Vine what's his name?

1:01:09.920 --> 1:01:13.520
<v Speaker 2>Yeah, he's in the movie with Sandra Oh my god, yes,

1:01:13.760 --> 1:01:17.040
<v Speaker 2>wait really yeah he did. He was in the movie

1:01:17.640 --> 1:01:22.640
<v Speaker 2>Oh my god was res Yes, he was in speed.

1:01:22.760 --> 1:01:23.400
<v Speaker 2>Oh my god.

1:01:23.840 --> 1:01:26.960
<v Speaker 1>Now we're all going to forget his Yeah, sort of

1:01:27.000 --> 1:01:28.320
<v Speaker 1>like how do you.

1:01:29.120 --> 1:01:30.600
<v Speaker 2>I didn't do it neither.

1:01:33.240 --> 1:01:36.920
<v Speaker 1>Less less about how do you feel about graduating and

1:01:37.000 --> 1:01:39.360
<v Speaker 1>kind of cutting the front of the bank line. What

1:01:39.440 --> 1:01:43.440
<v Speaker 1>do you recommend to those who are now going to

1:01:43.520 --> 1:01:48.400
<v Speaker 1>make their careers off of strictly YouTube and Instagram to

1:01:48.560 --> 1:01:49.600
<v Speaker 1>get to come or.

1:01:49.640 --> 1:01:51.000
<v Speaker 2>Is it just I don't know that.

1:01:51.040 --> 1:01:54.160
<v Speaker 1>Wasn't that like trap music to me?

1:01:54.320 --> 1:01:57.560
<v Speaker 2>Or like, well, you said that pejoratively, but I don't

1:01:57.560 --> 1:02:08.080
<v Speaker 2>think that. Yeah, I don't. I don't Northwestern, Please give

1:02:08.080 --> 1:02:10.160
<v Speaker 2>me my credit. I got that degree. Ok, Yeah, I

1:02:10.160 --> 1:02:13.720
<v Speaker 2>don't know. I think whatever they choose to do is

1:02:14.800 --> 1:02:15.680
<v Speaker 2>remains to be seen.

1:02:15.920 --> 1:02:16.760
<v Speaker 3>I don't you know.

1:02:16.840 --> 1:02:21.000
<v Speaker 2>Francesca Ramsey is a fantastic YouTube star who's got a

1:02:21.000 --> 1:02:25.120
<v Speaker 2>pilot she's shooting out for Comedy Central, and like, you know,

1:02:25.400 --> 1:02:27.760
<v Speaker 2>I just kind of just I don't know. I keep

1:02:27.760 --> 1:02:29.560
<v Speaker 2>hearing that they all get these shows, but then I

1:02:29.560 --> 1:02:31.160
<v Speaker 2>don't know what's going to happen. Like Joanne the Scammer's

1:02:31.200 --> 1:02:34.080
<v Speaker 2>doing a pilot for Netflix, Like I'm so excited, excited,

1:02:34.160 --> 1:02:36.600
<v Speaker 2>I know, but I don't know, Like I never see

1:02:36.640 --> 1:02:38.040
<v Speaker 2>these things come to the light of day, and I

1:02:38.040 --> 1:02:40.600
<v Speaker 2>wish I would. So I don't know what the disconnect is.

1:02:40.680 --> 1:02:42.000
<v Speaker 2>I don't know if it's because they don't know the

1:02:42.160 --> 1:02:44.760
<v Speaker 2>business a lot. But like Francesca is the person I

1:02:44.760 --> 1:02:47.040
<v Speaker 2>think has a really good chance of making it because

1:02:47.320 --> 1:02:49.720
<v Speaker 2>well she's already made it, but like somebody who can

1:02:49.760 --> 1:02:52.080
<v Speaker 2>really translate over to TV because she's been in the business.

1:02:52.080 --> 1:02:53.640
<v Speaker 2>We hired her at the Nightly Show, brought her on

1:02:53.680 --> 1:02:56.479
<v Speaker 2>as a correspondent, like she's done the kind and she's

1:02:56.560 --> 1:02:58.960
<v Speaker 2>like a writer also. But some of these people, I

1:02:59.000 --> 1:03:01.120
<v Speaker 2>don't know if they write, but if they know TV,

1:03:01.200 --> 1:03:02.320
<v Speaker 2>I don't know if they know how to make a

1:03:02.320 --> 1:03:02.960
<v Speaker 2>product for Tagua.

1:03:03.000 --> 1:03:07.320
<v Speaker 1>But what I'm asking is the definition of quote making

1:03:07.360 --> 1:03:08.040
<v Speaker 1>it right?

1:03:08.840 --> 1:03:09.960
<v Speaker 2>It's different at the end of.

1:03:09.880 --> 1:03:14.120
<v Speaker 1>The ellipses, is making it that dot in our world,

1:03:14.240 --> 1:03:17.840
<v Speaker 1>which is the standard that we've known of long form comedy.

1:03:18.520 --> 1:03:22.440
<v Speaker 1>But what if that medium that they're doing now is

1:03:22.520 --> 1:03:30.040
<v Speaker 1>going to be the standard of which we digest our entertainment.

1:03:30.160 --> 1:03:32.400
<v Speaker 2>Yeah, well, I mean I think we'll all have to adjust.

1:03:32.480 --> 1:03:35.360
<v Speaker 2>I think late night comedy on streaming and on demand

1:03:35.440 --> 1:03:37.800
<v Speaker 2>has proven to be tough. You know, Chelsea's show just

1:03:37.840 --> 1:03:38.320
<v Speaker 2>went down.

1:03:39.400 --> 1:03:41.640
<v Speaker 1>I'm shocked about that because I thought it was doing

1:03:41.680 --> 1:03:42.200
<v Speaker 1>the numbers.

1:03:42.400 --> 1:03:44.320
<v Speaker 2>I don't know if it was or not. She said,

1:03:44.320 --> 1:03:46.040
<v Speaker 2>she made it sound like she made the move to

1:03:46.160 --> 1:03:48.080
<v Speaker 2>focus on activism, so it may have just been her choice.

1:03:48.080 --> 1:03:51.080
<v Speaker 2>I'm not sure, but I think Bill Night is the

1:03:51.080 --> 1:03:54.680
<v Speaker 2>only other one that has a streaming talk show, So yeah,

1:03:54.680 --> 1:03:58.400
<v Speaker 2>I don't I'm not sure. Like right now, for Late Night,

1:03:59.080 --> 1:04:02.760
<v Speaker 2>it seems to still be a TV game, but digital matters,

1:04:02.960 --> 1:04:04.680
<v Speaker 2>you know, to go viral, but you have to be

1:04:04.720 --> 1:04:09.200
<v Speaker 2>on a TV terrestrial platform to uh crossover to the

1:04:09.200 --> 1:04:12.720
<v Speaker 2>digital viral platfor it's weird, But yeah, I think I

1:04:12.720 --> 1:04:16.680
<v Speaker 2>think there's a lot of TV like comedy that's happening

1:04:16.720 --> 1:04:19.520
<v Speaker 2>on streaming that's really funny. I mean, look at Kimmy Schmidt,

1:04:19.520 --> 1:04:21.440
<v Speaker 2>you know, look at those are people who are comedians

1:04:21.480 --> 1:04:24.400
<v Speaker 2>whoor you know, who definitely translate. So I think there's

1:04:24.400 --> 1:04:27.320
<v Speaker 2>a room for everybody. I didn't answer your question move.

1:04:27.160 --> 1:04:32.080
<v Speaker 7>On show now, but yes, what it was like to

1:04:32.080 --> 1:04:34.480
<v Speaker 7>go from being a writer to now some writer who

1:04:34.560 --> 1:04:36.840
<v Speaker 7>writes for folks and now you write for yourself? Like,

1:04:37.120 --> 1:04:38.040
<v Speaker 7>what was that transition like?

1:04:38.040 --> 1:04:39.080
<v Speaker 1>Can you write for yourself?

1:04:39.520 --> 1:04:40.880
<v Speaker 7>I mean, like, but now you're like a performer.

1:04:41.960 --> 1:04:45.480
<v Speaker 2>Some people always ask that question, but I never stopped performing.

1:04:46.080 --> 1:04:47.560
<v Speaker 2>It's like when people ask Eddie what was it like

1:04:47.600 --> 1:04:49.800
<v Speaker 2>when you fell off, and he's like, check my resume.

1:04:49.960 --> 1:04:52.320
<v Speaker 2>I always made movies. Every year he's made a movie.

1:04:52.440 --> 1:04:54.640
<v Speaker 2>That's what's crazy about Eddie Murhy. But anyway, I just

1:04:54.720 --> 1:04:56.800
<v Speaker 2>really put myself in the same sense as Eddie Murphy.

1:04:56.880 --> 1:05:01.320
<v Speaker 2>Forgive me, Forgive me Black Jesus. Yeah, so I've always

1:05:01.320 --> 1:05:02.680
<v Speaker 2>been performing. Even when I was head writer on the

1:05:02.760 --> 1:05:04.120
<v Speaker 2>nightly show, I was still on the show like three

1:05:04.240 --> 1:05:04.760
<v Speaker 2>nights a week.

1:05:05.200 --> 1:05:07.400
<v Speaker 7>So you're like the focus, it's your show.

1:05:07.440 --> 1:05:09.240
<v Speaker 2>I tend to think I was the focus on everything.

1:05:09.000 --> 1:05:09.560
<v Speaker 1>I asked about.

1:05:09.600 --> 1:05:10.560
<v Speaker 7>That's clear, and I've learned.

1:05:11.920 --> 1:05:12.280
<v Speaker 1>Thank you.

1:05:12.400 --> 1:05:14.800
<v Speaker 3>And how snobby were you at choosing writers for your

1:05:14.840 --> 1:05:15.320
<v Speaker 3>own show?

1:05:15.480 --> 1:05:18.560
<v Speaker 2>Verry Verry, Well, I will actually answer your question. It

1:05:18.600 --> 1:05:20.480
<v Speaker 2>is different when it's on you, for sure.

1:05:20.880 --> 1:05:23.240
<v Speaker 1>And how different is it that you're the star of

1:05:23.320 --> 1:05:26.360
<v Speaker 1>the show and you answer to a showrunner a head writer,

1:05:26.960 --> 1:05:28.720
<v Speaker 1>as opposed to where I was going to go with

1:05:28.760 --> 1:05:31.000
<v Speaker 1>it before. You just skip the damn line of the

1:05:31.120 --> 1:05:34.360
<v Speaker 1>question of you being a head a head writer for

1:05:34.560 --> 1:05:38.520
<v Speaker 1>Larry's show before you got your show? What's easier?

1:05:38.800 --> 1:05:40.080
<v Speaker 2>Your question was so confused.

1:05:40.680 --> 1:05:44.440
<v Speaker 1>I'm blessed, I'm lost, I'm lost to you. Anyway, my

1:05:45.000 --> 1:05:50.040
<v Speaker 1>question was before you got your own show, you were.

1:05:49.880 --> 1:05:53.440
<v Speaker 2>The head writer that question, yeah, okay, yeah.

1:05:53.280 --> 1:05:55.880
<v Speaker 1>No, he said, he just skipped to your show.

1:05:55.800 --> 1:05:58.760
<v Speaker 3>As if it was in the context of Bill's question.

1:05:58.840 --> 1:05:59.840
<v Speaker 2>But I understand it.

1:06:00.160 --> 1:06:02.800
<v Speaker 3>Why aren't we all hide because some of us just

1:06:02.800 --> 1:06:03.919
<v Speaker 3>aren't smart enough to get high.

1:06:03.960 --> 1:06:06.480
<v Speaker 1>Anyway, I'll set up for the next minutes you five talking.

1:06:09.040 --> 1:06:13.080
<v Speaker 1>Get what you're saying, Larry Wilmore.

1:06:12.960 --> 1:06:14.840
<v Speaker 2>No, I got it. I got it. So uh to

1:06:14.840 --> 1:06:17.240
<v Speaker 2>answer your question, I think that, uh, the weight, the

1:06:17.280 --> 1:06:19.040
<v Speaker 2>weight is on me now, right, And I've talked to

1:06:19.080 --> 1:06:23.080
<v Speaker 2>all the guys and Samby and Larry said, yeah, it's

1:06:23.080 --> 1:06:25.959
<v Speaker 2>different now, huh, which kind of answers your question, which

1:06:26.080 --> 1:06:28.920
<v Speaker 2>was like, he said to me, you thought you knew

1:06:29.400 --> 1:06:31.800
<v Speaker 2>what the weight was on me, you know, when you

1:06:31.800 --> 1:06:34.400
<v Speaker 2>were my head writer. But it's different now. And I

1:06:34.440 --> 1:06:37.520
<v Speaker 2>was like, you're so right, and there's nothing that can

1:06:37.560 --> 1:06:39.919
<v Speaker 2>explain it except by being in that position. There's something

1:06:40.200 --> 1:06:42.680
<v Speaker 2>like as his head writer, I wanted to take care

1:06:42.680 --> 1:06:44.360
<v Speaker 2>of him and make sure he had the funniest jokes

1:06:44.480 --> 1:06:46.560
<v Speaker 2>and keep the writers organized and keep them happy, and

1:06:46.640 --> 1:06:49.160
<v Speaker 2>keep him happy and just make a great show. My folks,

1:06:49.400 --> 1:06:52.480
<v Speaker 2>focus was on doing whatever made him the best comedian

1:06:52.560 --> 1:06:57.280
<v Speaker 2>to give the best show. And now it's like, I'm

1:06:57.320 --> 1:07:00.360
<v Speaker 2>looking at people to do that for me. But the

1:07:00.520 --> 1:07:04.160
<v Speaker 2>problem is I came with all of that experience, so

1:07:04.200 --> 1:07:06.560
<v Speaker 2>I think people expect more from me, Like I'm not

1:07:06.640 --> 1:07:09.960
<v Speaker 2>like the helpless talent. So the problem is for me,

1:07:10.360 --> 1:07:13.160
<v Speaker 2>I have to break myself of the head writers show

1:07:13.280 --> 1:07:19.000
<v Speaker 2>running like you know, tendencies for sure, because and I

1:07:19.000 --> 1:07:21.320
<v Speaker 2>think we're still finding that, to be honest, because I do.

1:07:21.400 --> 1:07:22.680
<v Speaker 2>I'm trying to be in every meeting and they had

1:07:22.680 --> 1:07:25.160
<v Speaker 2>to be like, get out. You know, Colbert had said

1:07:25.200 --> 1:07:27.960
<v Speaker 2>the same thing when he got his new shown. They

1:07:28.000 --> 1:07:28.600
<v Speaker 2>had to kick him out.

1:07:28.680 --> 1:07:31.520
<v Speaker 1>I knew it. I think that being the star of

1:07:31.560 --> 1:07:34.240
<v Speaker 1>your show and always use this this ray crop Ronald

1:07:34.280 --> 1:07:39.320
<v Speaker 1>McDonald example, But I feel like as Ronald McDonald as

1:07:39.360 --> 1:07:42.720
<v Speaker 1>the face of your product, I mean, I know, I'm like, but.

1:07:42.760 --> 1:07:50.160
<v Speaker 2>God, damn you and your clown. You're right about that

1:07:51.920 --> 1:07:52.800
<v Speaker 2>now the show is over.

1:07:54.640 --> 1:07:57.480
<v Speaker 1>No, But I feel like when you're the face of

1:07:57.560 --> 1:08:02.080
<v Speaker 1>your product. When you're Ronald McDonald, you should let Ray

1:08:02.160 --> 1:08:05.840
<v Speaker 1>Kroc be Ray Crock. You should like Boss Bill is

1:08:05.960 --> 1:08:08.840
<v Speaker 1>Ray Kroc? Which one is Ray Crock?

1:08:11.080 --> 1:08:12.040
<v Speaker 3>Oh that's right, the movie.

1:08:12.080 --> 1:08:13.160
<v Speaker 2>I'm sorry, I thought he's one of the.

1:08:15.640 --> 1:08:19.320
<v Speaker 3>Ray Crock Yes, okay, Michael, Michael Keaton.

1:08:19.760 --> 1:08:24.200
<v Speaker 1>Yes, so what I'm saying, you make it sound like.

1:08:25.760 --> 1:08:29.080
<v Speaker 7>Better for all the time I've ever heard in my life,

1:08:31.240 --> 1:08:31.920
<v Speaker 7>all the time.

1:08:33.720 --> 1:08:39.080
<v Speaker 1>I'm afraid of Stephen listening to this everything right now?

1:08:39.240 --> 1:08:39.720
<v Speaker 2>I love it.

1:08:41.000 --> 1:08:46.719
<v Speaker 1>But okay, I know some people that can't let go. Yeah,

1:08:46.880 --> 1:08:48.559
<v Speaker 1>and they got to make every decision.

1:08:48.680 --> 1:08:51.000
<v Speaker 2>Yeah, it's hard for me about you.

1:08:51.120 --> 1:08:51.680
<v Speaker 1>Oh you two?

1:08:51.960 --> 1:08:52.320
<v Speaker 3>Okay, so.

1:08:57.040 --> 1:08:59.880
<v Speaker 2>Again, because it's easy for you to be in.

1:09:01.400 --> 1:09:04.760
<v Speaker 1>Or is it easier for you not?

1:09:04.920 --> 1:09:08.760
<v Speaker 2>Look, I think I enjoy both. But uh, there's a

1:09:08.760 --> 1:09:11.320
<v Speaker 2>reason I created my own show after I left Larry Show,

1:09:11.400 --> 1:09:15.200
<v Speaker 2>as opposed to, you know, going to somebody else's show. Actually,

1:09:15.240 --> 1:09:17.600
<v Speaker 2>we need to tell that story. You know you are

1:09:17.640 --> 1:09:21.519
<v Speaker 2>an integral part of that story. But anyway we are

1:09:21.600 --> 1:09:22.559
<v Speaker 2>in order because damn.

1:09:22.400 --> 1:09:22.639
<v Speaker 3>I had.

1:09:26.840 --> 1:09:28.160
<v Speaker 1>Would you have for breakfast this morning?

1:09:28.840 --> 1:09:29.360
<v Speaker 3>Tell that story.

1:09:29.400 --> 1:09:31.840
<v Speaker 2>I don't get to eat it anymore. My sketch busy

1:09:32.000 --> 1:09:33.559
<v Speaker 2>now what did I have. I don't know. There's some

1:09:33.600 --> 1:09:35.600
<v Speaker 2>eggs I don't know. But the end of and the

1:09:35.720 --> 1:09:37.840
<v Speaker 2>end of that is that it is really difficult, and

1:09:37.840 --> 1:09:39.920
<v Speaker 2>I'm trying to trying to take myself out of my meetings.

1:09:39.960 --> 1:09:43.639
<v Speaker 2>But the thing is, I you also get this sixth

1:09:43.680 --> 1:09:46.439
<v Speaker 2>sense when you are the host of a show, and

1:09:46.479 --> 1:09:49.160
<v Speaker 2>when you create a show, you can see everything, you

1:09:49.200 --> 1:09:51.960
<v Speaker 2>can hear everything, you know everything that's going on. It's weird.

1:09:52.000 --> 1:09:54.640
<v Speaker 2>You literally have an extra sense. And people are like,

1:09:54.640 --> 1:09:56.840
<v Speaker 2>you don't miss a thing. And I can see, like

1:09:56.920 --> 1:09:59.840
<v Speaker 2>when something's not working, I can see it an hour before,

1:09:59.880 --> 1:10:02.320
<v Speaker 2>so somebody else sees it. And so my problem is

1:10:02.600 --> 1:10:06.160
<v Speaker 2>letting people not fail, but letting them find out that

1:10:06.200 --> 1:10:08.200
<v Speaker 2>what they're doing is not going to work when I

1:10:08.280 --> 1:10:10.400
<v Speaker 2>knew it a day ago or an hour ago. You know,

1:10:10.520 --> 1:10:13.280
<v Speaker 2>that's my problem. That's what I'm struggling with because you're

1:10:13.560 --> 1:10:16.080
<v Speaker 2>I don't know, I really have this weird. I don't

1:10:16.080 --> 1:10:17.519
<v Speaker 2>know how to describe it any other way. But I

1:10:17.560 --> 1:10:21.240
<v Speaker 2>can see more now, and so that's hard for me.

1:10:21.320 --> 1:10:23.200
<v Speaker 2>I'm trying to figure out how to let people just

1:10:23.200 --> 1:10:24.680
<v Speaker 2>figure it out for themselves.

1:10:24.400 --> 1:10:25.400
<v Speaker 1>So you trust it.

1:10:25.800 --> 1:10:28.800
<v Speaker 2>I do trust them, though, I was going to say no,

1:10:30.479 --> 1:10:32.200
<v Speaker 2>I would tell you if I didn't know. And the

1:10:32.240 --> 1:10:33.920
<v Speaker 2>reason why I hired the person I hired is because

1:10:33.920 --> 1:10:36.880
<v Speaker 2>I've known him for years, and uh, I knew that

1:10:37.400 --> 1:10:40.280
<v Speaker 2>whatever I needed, he was going to be there to say, hey,

1:10:40.600 --> 1:10:43.640
<v Speaker 2>step out of that, I got it, you know. So

1:10:43.640 --> 1:10:45.720
<v Speaker 2>so you have to do that. And I have co

1:10:45.760 --> 1:10:48.479
<v Speaker 2>executive producers who are amazing, these amazing teams of women

1:10:48.520 --> 1:10:51.280
<v Speaker 2>who are like they just have my back. So that's

1:10:51.320 --> 1:10:53.000
<v Speaker 2>what's made it easier for me. But it's just a

1:10:53.040 --> 1:10:54.920
<v Speaker 2>personal thing. It doesn't matter how much people take care

1:10:54.960 --> 1:10:58.080
<v Speaker 2>of you if you're used to the one being, you know,

1:10:58.160 --> 1:11:00.519
<v Speaker 2>being the one that making all the decisions. So it's

1:11:00.560 --> 1:11:01.080
<v Speaker 2>a process.

1:11:01.160 --> 1:11:04.120
<v Speaker 3>Did you purposely staff your your writing staff? I mean

1:11:04.560 --> 1:11:06.840
<v Speaker 3>this just feels like a dumb question. But with women,

1:11:07.160 --> 1:11:10.200
<v Speaker 3>did you make and then black women, because you know

1:11:10.240 --> 1:11:12.960
<v Speaker 3>there's been a whole yes and black and black female writers.

1:11:12.960 --> 1:11:14.800
<v Speaker 3>There's not a lot this season on a lot of new.

1:11:14.880 --> 1:11:16.519
<v Speaker 2>Directs, and I have doubled the number, which I've done

1:11:16.560 --> 1:11:18.439
<v Speaker 2>twice in my career. I did it at the Nightly

1:11:18.439 --> 1:11:19.880
<v Speaker 2>Show and then when we got canceled, and then when

1:11:19.880 --> 1:11:22.360
<v Speaker 2>I hired I have a room of uh, we only

1:11:22.360 --> 1:11:25.400
<v Speaker 2>have one writer. My room is all black people, half

1:11:25.400 --> 1:11:28.800
<v Speaker 2>women and half men. And uh so yeah, I single

1:11:28.840 --> 1:11:31.920
<v Speaker 2>handedly employed the most black women in late night and

1:11:32.280 --> 1:11:35.439
<v Speaker 2>uh uh my staff is seventy percent women and people

1:11:35.439 --> 1:11:38.320
<v Speaker 2>of color, which is crazy. That's never been done ever

1:11:38.439 --> 1:11:41.479
<v Speaker 2>in late night television. It's heaven. When people come in.

1:11:41.680 --> 1:11:43.400
<v Speaker 2>We have bottles of cocoa butter. A kid you not.

1:11:43.960 --> 1:11:46.240
<v Speaker 2>We have it constantly. We introduced all the white people

1:11:46.240 --> 1:11:47.840
<v Speaker 2>on our staff to cocoa butter. They're they're like, this

1:11:47.920 --> 1:11:50.439
<v Speaker 2>is a miracle. Somebody came in today. I said it

1:11:50.439 --> 1:11:52.760
<v Speaker 2>smells like cookies. I said, that's the cocoa butter. I

1:11:52.840 --> 1:11:57.160
<v Speaker 2>kid you that. Yeah, yes, yes, we have. We have

1:11:57.320 --> 1:12:00.360
<v Speaker 2>like you know music, you know. It's just like it's fun.

1:12:00.400 --> 1:12:03.160
<v Speaker 2>Like we had Amber Ruffin from Seth Myers and Ashle

1:12:03.200 --> 1:12:05.160
<v Speaker 2>Nicole Black from Sam Bey on our podcast which we

1:12:05.280 --> 1:12:08.320
<v Speaker 2>tape in our office on Fridays, and they came in

1:12:08.520 --> 1:12:10.880
<v Speaker 2>and Amber was just like walking around real slaw. I said,

1:12:10.920 --> 1:12:12.840
<v Speaker 2>hurry up, come on, we got a tape. She was like,

1:12:12.920 --> 1:12:15.160
<v Speaker 2>I've just never seen this many black people in an

1:12:15.160 --> 1:12:18.080
<v Speaker 2>office before. She was like, let alone a TV show.

1:12:18.120 --> 1:12:19.720
<v Speaker 2>She was just like, I don't know what this is.

1:12:19.880 --> 1:12:24.400
<v Speaker 2>This is crazy essen yeah show. Yeah, so it's dope.

1:12:24.479 --> 1:12:26.200
<v Speaker 2>I love it. I love that we've been able to

1:12:26.200 --> 1:12:28.639
<v Speaker 2>do that because that's what I preached, like more black

1:12:28.640 --> 1:12:30.360
<v Speaker 2>people need to be in this genre, like more black

1:12:30.360 --> 1:12:33.120
<v Speaker 2>people behind the scenes in front of the camera. So, yeah, dope.

1:12:33.160 --> 1:12:35.360
<v Speaker 3>Who's the sister that used to be on Larry Wimore

1:12:35.360 --> 1:12:35.920
<v Speaker 3>with you always?

1:12:36.160 --> 1:12:37.679
<v Speaker 2>Which one Holly Walker franchise?

1:12:38.080 --> 1:12:39.720
<v Speaker 3>I guess it was Holly. It was Holly because you

1:12:39.760 --> 1:12:41.479
<v Speaker 3>two are seemed like to always be paired up.

1:12:41.560 --> 1:12:43.559
<v Speaker 2>Yeah, we've known each other forever. She was she was

1:12:43.600 --> 1:12:47.320
<v Speaker 2>one of my teachers at Second City years ago. She's fantastic.

1:12:47.800 --> 1:12:51.559
<v Speaker 2>She's dope. She was a writer perform on the nightly show.

1:12:51.560 --> 1:12:53.680
<v Speaker 2>She's dope.

1:12:56.920 --> 1:12:59.360
<v Speaker 1>The kind of political climate that we're living in.

1:12:59.320 --> 1:13:01.920
<v Speaker 2>Right now, I don't like this question. You want to

1:13:01.920 --> 1:13:03.639
<v Speaker 2>talk about how you helped me create this show?

1:13:03.800 --> 1:13:06.719
<v Speaker 3>That's what we were doing. We forgot we forget it.

1:13:06.800 --> 1:13:09.880
<v Speaker 1>Oh okay, how did I help you create the show?

1:13:10.800 --> 1:13:11.160
<v Speaker 2>So?

1:13:11.160 --> 1:13:12.599
<v Speaker 1>So show?

1:13:12.960 --> 1:13:20.160
<v Speaker 2>I hate shock, which is weird? Okay, so so so.

1:13:20.320 --> 1:13:23.519
<v Speaker 2>I so the night they show have been canceled and

1:13:23.920 --> 1:13:29.160
<v Speaker 2>I was a little sad, and uh Amir texted me,

1:13:29.200 --> 1:13:35.040
<v Speaker 2>I think it was like Chappelle eight o'clock, like, let's go.

1:13:35.560 --> 1:13:38.599
<v Speaker 2>And I was like okay, but I mean I text

1:13:38.600 --> 1:13:40.040
<v Speaker 2>you back because I was like hYP but I was like, well,

1:13:40.040 --> 1:13:41.920
<v Speaker 2>I don't think you know this. I was actually really

1:13:41.960 --> 1:13:44.000
<v Speaker 2>sad and like I didn't want to leave my house

1:13:44.000 --> 1:13:45.680
<v Speaker 2>and I was like in pajamas and I was like,

1:13:45.880 --> 1:13:48.080
<v Speaker 2>fuck it, though, it's Chappelle, we got to go. So

1:13:49.200 --> 1:13:51.680
<v Speaker 2>we went to go see Chappelle and you took me

1:13:51.760 --> 1:13:53.880
<v Speaker 2>backstage and you were like, you know Dave right, And

1:13:53.920 --> 1:13:56.320
<v Speaker 2>I was like, no, we've never met. I know all

1:13:56.320 --> 1:13:57.680
<v Speaker 2>these other commanis. I don't know Dave.

1:13:58.439 --> 1:14:02.920
<v Speaker 9>So then Dave uh was like hey, and you were

1:14:02.960 --> 1:14:04.679
<v Speaker 9>like hey, and you were like you know Robin right,

1:14:05.000 --> 1:14:07.160
<v Speaker 9>and he was like uh and you were like from

1:14:07.160 --> 1:14:08.760
<v Speaker 9>the Nightly Show and he was like, oh right, both

1:14:08.760 --> 1:14:10.840
<v Speaker 9>of us don't have jobs, like this was just after

1:14:10.880 --> 1:14:11.439
<v Speaker 9>the night Show.

1:14:12.680 --> 1:14:15.760
<v Speaker 2>And I was like hey, you're right. And then and

1:14:15.800 --> 1:14:17.519
<v Speaker 2>then he says what he always says to me now,

1:14:17.560 --> 1:14:19.679
<v Speaker 2>which was a are you white?

1:14:22.320 --> 1:14:23.479
<v Speaker 1>What is you?

1:14:23.520 --> 1:14:25.320
<v Speaker 2>Are you white? And then he's like no, I'm just kidding,

1:14:25.320 --> 1:14:27.040
<v Speaker 2>I'm just kidding. And so he said, what are you

1:14:27.080 --> 1:14:29.680
<v Speaker 2>doing now that the Nightly Show is over, and I said, oh,

1:14:29.760 --> 1:14:31.280
<v Speaker 2>I'm actually gonna go. I think I'm gonna go try

1:14:31.320 --> 1:14:34.639
<v Speaker 2>to work on somebody else's talk show. I've got some offers,

1:14:35.080 --> 1:14:38.160
<v Speaker 2>because I had offers from most of the white dudes

1:14:38.160 --> 1:14:43.720
<v Speaker 2>and Late Night and Thank You, and so I was like, oh,

1:14:43.720 --> 1:14:45.280
<v Speaker 2>I'm not gonna work on SO and soci show. And

1:14:45.320 --> 1:14:47.760
<v Speaker 2>he was like, nah, do your own show. And I

1:14:47.800 --> 1:14:50.200
<v Speaker 2>was like, but I feel like I need to, you know,

1:14:50.280 --> 1:14:51.760
<v Speaker 2>be in it a little bit more, get my name

1:14:51.760 --> 1:14:53.400
<v Speaker 2>out there a little bit more. And he was like, now,

1:14:53.760 --> 1:14:55.280
<v Speaker 2>go to your own show.

1:14:55.280 --> 1:15:03.000
<v Speaker 1>And So Joe and So I'm going to record that

1:15:03.080 --> 1:15:04.400
<v Speaker 1>and make that part of our edit.

1:15:06.040 --> 1:15:08.560
<v Speaker 2>So so I was like, Wow, maybe I should do

1:15:08.600 --> 1:15:10.360
<v Speaker 2>my own show. And then I don't know if you

1:15:10.360 --> 1:15:12.000
<v Speaker 2>remember this, we were trying to meet up with Rock.

1:15:12.080 --> 1:15:14.439
<v Speaker 2>This was a very like Hollywood New York night, but

1:15:14.520 --> 1:15:17.880
<v Speaker 2>we were trying to meet on the trope to completely question. Okay,

1:15:18.000 --> 1:15:22.920
<v Speaker 2>yeah right right, So you and Dave Schabelle and Spike

1:15:23.000 --> 1:15:26.080
<v Speaker 2>Jones he was also standing there, and we were trying

1:15:26.080 --> 1:15:27.879
<v Speaker 2>to go get chicken at the spot.

1:15:28.560 --> 1:15:29.320
<v Speaker 1>You know, it's weird.

1:15:29.520 --> 1:15:32.760
<v Speaker 2>Yeah, you always take people to get always We've got

1:15:32.960 --> 1:15:34.880
<v Speaker 2>chicken many times. But yes, this was the this is

1:15:35.000 --> 1:15:35.360
<v Speaker 2>all right.

1:15:35.400 --> 1:15:38.600
<v Speaker 1>The weirdest thing about this night, yeah, was that I

1:15:38.640 --> 1:15:42.800
<v Speaker 1>didn't realize that with Spike Jones until six minutes and.

1:15:42.720 --> 1:15:44.920
<v Speaker 2>You're talking to him. Yes, I remember you telling me this.

1:15:45.080 --> 1:15:46.479
<v Speaker 1>Yeah, I didn't know what spi Joe.

1:15:46.560 --> 1:15:48.280
<v Speaker 2>I saw the emphany on your face. You were not slick,

1:15:49.720 --> 1:15:51.000
<v Speaker 2>and then you were, and then you tried to clean

1:15:51.000 --> 1:15:52.559
<v Speaker 2>it up. You were like, yeah, I just saw your video.

1:15:52.640 --> 1:15:55.000
<v Speaker 1>It's so dope.

1:15:55.160 --> 1:15:59.040
<v Speaker 2>Yeah, are you that smart? I think I just know you, okay,

1:15:59.120 --> 1:16:01.840
<v Speaker 2>because he was very flattered. He could not have been nicer,

1:16:02.240 --> 1:16:04.080
<v Speaker 2>but you were like in the video at all man,

1:16:04.120 --> 1:16:08.439
<v Speaker 2>and then the treadmills that I knew you went extra

1:16:08.520 --> 1:16:09.639
<v Speaker 2>hard on letting him know that.

1:16:09.600 --> 1:16:13.360
<v Speaker 1>It was Robin know, I know, we gotta get married now.

1:16:15.520 --> 1:16:17.640
<v Speaker 2>So so so we went to go get chicken and

1:16:17.640 --> 1:16:19.600
<v Speaker 2>we couldn't find Chris or David. So it's just me

1:16:19.720 --> 1:16:22.640
<v Speaker 2>and a Mirr eating chicken. And the chicken was fantastic,

1:16:22.680 --> 1:16:30.120
<v Speaker 2>but it was like.

1:16:26.640 --> 1:16:27.960
<v Speaker 3>Chicken right now, chicken?

1:16:28.680 --> 1:16:29.280
<v Speaker 2>No, it was not?

1:16:29.479 --> 1:16:30.280
<v Speaker 1>No, what is that?

1:16:32.160 --> 1:16:32.360
<v Speaker 2>Yeah?

1:16:32.400 --> 1:16:34.479
<v Speaker 1>It was probably No, it was not.

1:16:35.120 --> 1:16:36.120
<v Speaker 2>It's a place where we have to go up the

1:16:36.160 --> 1:16:37.080
<v Speaker 2>rickety staircase.

1:16:37.880 --> 1:16:39.519
<v Speaker 7>I love the chicken right now.

1:16:40.800 --> 1:16:42.080
<v Speaker 2>Yeah, that's what I was gonna say. I wasn't gonna

1:16:42.080 --> 1:16:42.400
<v Speaker 2>say that.

1:16:42.520 --> 1:16:47.519
<v Speaker 1>Like Robin, I actually do like you.

1:16:47.960 --> 1:16:48.880
<v Speaker 3>Like you that's so cute.

1:16:49.160 --> 1:16:52.599
<v Speaker 1>No, I don't remember the first chicken spot I talked

1:16:52.600 --> 1:16:55.000
<v Speaker 1>about on our pilot episode.

1:16:55.240 --> 1:16:56.160
<v Speaker 2>Yeahs a cigaret spot.

1:16:56.560 --> 1:17:01.439
<v Speaker 3>Damn only take the top tier bitches.

1:17:01.479 --> 1:17:08.559
<v Speaker 1>Was damn Okay, it's good that you remember it. I

1:17:08.560 --> 1:17:12.400
<v Speaker 1>didn't remember. You remember that means I really like you

1:17:12.439 --> 1:17:13.000
<v Speaker 1>as a person.

1:17:15.000 --> 1:17:20.760
<v Speaker 2>Yeah, Himson, I wouldn't say the name or where it is.

1:17:20.800 --> 1:17:24.840
<v Speaker 1>There's certain people I can't let me, let not them

1:17:24.880 --> 1:17:28.439
<v Speaker 1>see me like throw down on yeah chicken.

1:17:28.880 --> 1:17:29.080
<v Speaker 2>It was.

1:17:30.680 --> 1:17:35.600
<v Speaker 1>First we ate the chicken on out. It was the

1:17:35.600 --> 1:17:38.680
<v Speaker 1>best we ever did. Remember that, Yeah, like this and

1:17:38.720 --> 1:17:40.839
<v Speaker 1>then after the chicken chicken, we'll put.

1:17:40.640 --> 1:17:43.800
<v Speaker 2>You straight like yeah. Yeah. So so we went there

1:17:44.000 --> 1:17:45.960
<v Speaker 2>and I don't remember how much we really talked about

1:17:46.000 --> 1:17:48.559
<v Speaker 2>it that night, but I was like, God, I think

1:17:48.640 --> 1:17:51.360
<v Speaker 2>Dave is right. So I had a meeting two days

1:17:51.439 --> 1:17:55.040
<v Speaker 2>later at Jack's Media, who does full fun Toble sam Bee,

1:17:55.280 --> 1:17:57.920
<v Speaker 2>Amy Schumer's Inside of Me Schumer broad City. There's this

1:17:58.040 --> 1:18:00.599
<v Speaker 2>amazing production company and I was in there to meet

1:18:00.640 --> 1:18:03.680
<v Speaker 2>with them to run a different show. I was like, well,

1:18:03.720 --> 1:18:05.640
<v Speaker 2>maybe I'll just go to meet with them about this

1:18:05.640 --> 1:18:07.559
<v Speaker 2>sitcom whatever to like run it, not even gonna be

1:18:07.560 --> 1:18:10.160
<v Speaker 2>on it. And we were having this conversation. They were like,

1:18:10.200 --> 1:18:12.040
<v Speaker 2>so if you were to do your own late night show,

1:18:12.120 --> 1:18:13.519
<v Speaker 2>just like like we were just shooting the shit. I

1:18:13.520 --> 1:18:15.120
<v Speaker 2>wasn't in there to pitch. I didn't have a pitch

1:18:15.240 --> 1:18:16.960
<v Speaker 2>on me. And they were like, so, if you were

1:18:17.080 --> 1:18:18.360
<v Speaker 2>going to do your own late night show, what would

1:18:18.360 --> 1:18:19.840
<v Speaker 2>it be. I was like, I don't know, probably just

1:18:19.960 --> 1:18:24.280
<v Speaker 2>everything I do, like sketch, you know, political satire, but

1:18:24.320 --> 1:18:26.599
<v Speaker 2>also like pop culture satire because I care about what

1:18:26.640 --> 1:18:28.200
<v Speaker 2>black China is doing as much as I care about

1:18:28.240 --> 1:18:30.639
<v Speaker 2>what the president is doing. And they were like, that's dope,

1:18:31.400 --> 1:18:34.360
<v Speaker 2>we'll buy it.

1:18:35.439 --> 1:18:36.880
<v Speaker 3>So you were first for them too, because it's not

1:18:37.000 --> 1:18:38.559
<v Speaker 3>you was the first piece of brown for that production

1:18:38.680 --> 1:18:40.640
<v Speaker 3>company you say you name like Amy.

1:18:40.800 --> 1:18:44.280
<v Speaker 2>Fernandez is Brown owns that company. But I don't think

1:18:44.320 --> 1:18:47.160
<v Speaker 2>they have any other shows with predominantly black people, and

1:18:47.360 --> 1:18:51.400
<v Speaker 2>that's for sure. But they did produce Top five and

1:18:51.439 --> 1:18:53.040
<v Speaker 2>they so they got they got some stuff under that.

1:18:53.080 --> 1:18:55.080
<v Speaker 2>They have a lot of good shows. They're really great.

1:18:55.360 --> 1:18:57.680
<v Speaker 2>But they were like, yo, so cause I told them

1:18:57.680 --> 1:19:01.360
<v Speaker 2>the story about Dave and then they said, oh, well,

1:19:01.600 --> 1:19:03.280
<v Speaker 2>and your friends with Chris. I was like yeah, and

1:19:03.320 --> 1:19:05.599
<v Speaker 2>then they were like, well, we'll just call Chris. So

1:19:05.800 --> 1:19:07.639
<v Speaker 2>I was like okay, and I walked out of the meeting.

1:19:07.680 --> 1:19:09.240
<v Speaker 2>I was like, that's not a thing, Like, that's not

1:19:09.280 --> 1:19:10.960
<v Speaker 2>how you sell a show, right because I've been a

1:19:10.960 --> 1:19:13.120
<v Speaker 2>picture show is my whole life, and I'm like, that's

1:19:13.160 --> 1:19:15.280
<v Speaker 2>not how it works. And then a couple of days

1:19:15.320 --> 1:19:17.080
<v Speaker 2>later they called and they were like, yeah, so yeah,

1:19:17.080 --> 1:19:19.400
<v Speaker 2>we're gonna make your show Chris on board. I was like, wait,

1:19:19.479 --> 1:19:22.599
<v Speaker 2>Chris didn't even me what. I was like, you're not serious,

1:19:22.880 --> 1:19:24.479
<v Speaker 2>and they were like yeah. We called Chris and we

1:19:24.520 --> 1:19:26.519
<v Speaker 2>said Robin Thiety's doing a show. It's a mix of

1:19:26.600 --> 1:19:29.240
<v Speaker 2>politics and pop culture. It's late night. And he goes yes,

1:19:30.120 --> 1:19:31.680
<v Speaker 2>and they go do you want us to tell you more?

1:19:31.720 --> 1:19:33.960
<v Speaker 2>And he goes no. I said yes, and we were

1:19:34.000 --> 1:19:37.280
<v Speaker 2>like what. Like the way it came together was so crazy,

1:19:37.680 --> 1:19:39.720
<v Speaker 2>and then we shot a pilot and then Network's bid

1:19:39.760 --> 1:19:41.600
<v Speaker 2>on it and we went to bet now we're on.

1:19:42.360 --> 1:19:44.880
<v Speaker 1>Damn man. We all lived happily we did.

1:19:45.400 --> 1:19:47.120
<v Speaker 3>That was perfect because it was nobody else to feel that,

1:19:47.400 --> 1:19:49.200
<v Speaker 3>like you really you were the answer, because when you

1:19:49.240 --> 1:19:51.599
<v Speaker 3>think about it, it's like, who else do you think about?

1:19:51.680 --> 1:19:53.400
<v Speaker 3>They could fill that void in that way.

1:19:53.479 --> 1:19:55.080
<v Speaker 2>You know, I know a lot of women who could

1:19:55.120 --> 1:19:57.120
<v Speaker 2>do it. But the thing that Chris always says, the

1:19:57.160 --> 1:19:58.920
<v Speaker 2>reason why he signed on to this so quickly is

1:19:58.960 --> 1:20:00.519
<v Speaker 2>not because I was funny, because he there's plenty of

1:20:00.560 --> 1:20:02.759
<v Speaker 2>people who are funny, but because he knew I could

1:20:02.760 --> 1:20:05.120
<v Speaker 2>create and run a show, and he knew that when

1:20:05.120 --> 1:20:07.120
<v Speaker 2>it came to making the pilot and when it came

1:20:07.160 --> 1:20:08.519
<v Speaker 2>to making the show, I was going to put people

1:20:08.560 --> 1:20:10.240
<v Speaker 2>in charge who were great. And he knows my standard

1:20:10.280 --> 1:20:13.960
<v Speaker 2>or quality is like way high, so you know, I wasn't.

1:20:14.040 --> 1:20:16.080
<v Speaker 2>And it didn't matter where we went. It wasn't like, oh, well,

1:20:16.080 --> 1:20:18.559
<v Speaker 2>we'll make a good show for B E T. It's like, no,

1:20:18.720 --> 1:20:20.280
<v Speaker 2>we're going to make a show that's going to rival

1:20:20.320 --> 1:20:23.400
<v Speaker 2>anything else out there, you know, with whatever budget we get.

1:20:23.479 --> 1:20:26.880
<v Speaker 2>But you know, we wanted to make something that that

1:20:27.160 --> 1:20:29.599
<v Speaker 2>anybody could watch. But it was nice that we went

1:20:29.640 --> 1:20:33.000
<v Speaker 2>to BET because BT only gave us two directives. They said,

1:20:33.000 --> 1:20:34.360
<v Speaker 2>we want to make the show that you want to make,

1:20:34.600 --> 1:20:36.880
<v Speaker 2>but it's got to be unapologetically black and add some

1:20:36.960 --> 1:20:39.719
<v Speaker 2>music every now and then. I was like, bet, great,

1:20:39.880 --> 1:20:41.240
<v Speaker 2>what network would tell you that.

1:20:42.960 --> 1:20:44.360
<v Speaker 1>There?

1:20:44.600 --> 1:20:46.800
<v Speaker 2>It really is. No, it really is. And they're they're

1:20:47.560 --> 1:20:51.120
<v Speaker 2>they're really open to having things that they haven't had

1:20:51.479 --> 1:20:54.320
<v Speaker 2>or things that they've tried. You know, they tried the TJ.

1:20:54.400 --> 1:20:58.000
<v Speaker 2>Holmes Show, but they didn't really try it with the comedian, so,

1:20:58.280 --> 1:21:00.400
<v Speaker 2>you know, I think they wanted something in this genre.

1:21:01.320 --> 1:21:03.240
<v Speaker 2>And this was when Stephen Hill was still there, so.

1:21:03.960 --> 1:21:07.400
<v Speaker 3>They needed something smart, like they needed smart cool at

1:21:07.400 --> 1:21:08.080
<v Speaker 3>the same time.

1:21:08.280 --> 1:21:10.439
<v Speaker 2>Yeah, I think they were really excited about what we

1:21:10.439 --> 1:21:12.840
<v Speaker 2>were bringing in, what they knew I could bring to

1:21:12.880 --> 1:21:14.600
<v Speaker 2>the network. And it was really a homecoming for me

1:21:14.640 --> 1:21:17.240
<v Speaker 2>because my first technically my first writing job was on

1:21:17.280 --> 1:21:19.360
<v Speaker 2>the BET Awards. That's what got me into the Writers Guilt.

1:21:19.920 --> 1:21:26.080
<v Speaker 3>Which year were you, I'm sorry a couple of years.

1:21:26.840 --> 1:21:29.120
<v Speaker 2>No, No, that was my first BT Awards was two

1:21:29.120 --> 1:21:30.240
<v Speaker 2>thousand and seven. It was with.

1:21:31.800 --> 1:21:34.719
<v Speaker 1>You didn't throw jokes at I thought, that's.

1:21:34.520 --> 1:21:37.320
<v Speaker 2>How No, that's how No. I met Chris Rock because

1:21:37.320 --> 1:21:39.200
<v Speaker 2>of you. You told Chris Rock I was funny, and

1:21:39.240 --> 1:21:41.840
<v Speaker 2>then he hired me to write for write sketches for him.

1:21:41.960 --> 1:21:44.040
<v Speaker 2>I was already doing the BET Awards.

1:21:44.040 --> 1:21:52.880
<v Speaker 1>But yeah, that's all I. When I die, you will

1:21:53.000 --> 1:21:54.599
<v Speaker 1>realize that I'm a bridge.

1:21:54.880 --> 1:21:56.640
<v Speaker 2>You told no. I was already going to work. So

1:21:56.640 --> 1:21:58.439
<v Speaker 2>I worked for the BT Awards for like ten years

1:21:58.439 --> 1:22:01.679
<v Speaker 2>from two thousand and seven, like well, not till twenty seventeen.

1:22:01.680 --> 1:22:03.720
<v Speaker 2>But I wrote many years in between that, and so

1:22:03.760 --> 1:22:07.040
<v Speaker 2>when Chris was hosting, Chris hired his writers. But then

1:22:07.200 --> 1:22:09.839
<v Speaker 2>they have other writers the right leg sketches and monologue

1:22:09.840 --> 1:22:13.320
<v Speaker 2>bits and or bits for other people. But Chris met

1:22:13.320 --> 1:22:15.040
<v Speaker 2>me when I walked in. I walked into the meeting

1:22:15.120 --> 1:22:17.160
<v Speaker 2>late as fuck too. They had given me the wrong time.

1:22:17.200 --> 1:22:19.640
<v Speaker 2>Can I tell you this story? So no, no, no, no no,

1:22:19.680 --> 1:22:21.320
<v Speaker 2>And this was all me. This was all this the

1:22:21.600 --> 1:22:23.479
<v Speaker 2>noh to do with BT. I just read their email

1:22:23.479 --> 1:22:24.680
<v Speaker 2>wrong and got there at the wrong time. And I

1:22:24.680 --> 1:22:27.120
<v Speaker 2>walked in and Chris Rock's sitting there holding court with

1:22:27.160 --> 1:22:30.720
<v Speaker 2>like Leslie Jones and John Max, all these amazing writers comedians,

1:22:31.040 --> 1:22:33.600
<v Speaker 2>and I walk in and I was like oh, and

1:22:33.640 --> 1:22:35.320
<v Speaker 2>I was like hey, and I literally it was one

1:22:35.320 --> 1:22:37.600
<v Speaker 2>of those things where I had to walk around everybody

1:22:37.640 --> 1:22:40.320
<v Speaker 2>to get to the test where I cadish slow motion

1:22:40.600 --> 1:22:44.080
<v Speaker 2>and everyone's staring at me. And I'm like, hey, everybody,

1:22:44.160 --> 1:22:46.720
<v Speaker 2>and Chris goes, who are you? And I was like,

1:22:46.800 --> 1:22:50.599
<v Speaker 2>Robin THEDI and he goes, Emir said you're funny, and

1:22:50.640 --> 1:22:52.640
<v Speaker 2>I was like, well, he does have good taste, and

1:22:52.680 --> 1:22:55.799
<v Speaker 2>then the whole room started cracking up and he goes, okay, okay,

1:22:55.800 --> 1:22:56.960
<v Speaker 2>But that was the test. It was like, if I

1:22:56.960 --> 1:22:58.960
<v Speaker 2>hadn't have said something funny to him, I think it

1:22:58.960 --> 1:22:59.840
<v Speaker 2>would have been all down.

1:23:00.200 --> 1:23:01.960
<v Speaker 3>Joe, Robin, can you walk us through because I'm so

1:23:02.000 --> 1:23:04.040
<v Speaker 3>curious about the process of a war show, Like you

1:23:04.200 --> 1:23:05.640
<v Speaker 3>just said, like it was a room of people and

1:23:05.680 --> 1:23:08.519
<v Speaker 3>then people certain people do different segments. Yeah, like how

1:23:08.560 --> 1:23:09.320
<v Speaker 3>does that work?

1:23:09.360 --> 1:23:11.599
<v Speaker 2>So every host is different. Usually what happens is there's

1:23:11.600 --> 1:23:13.840
<v Speaker 2>an in house crew three to four writers who write

1:23:13.880 --> 1:23:16.560
<v Speaker 2>all the uh presenter bits and all the kind of

1:23:16.640 --> 1:23:19.000
<v Speaker 2>connective tissue and stuff, so all the stuff that the

1:23:19.040 --> 1:23:21.160
<v Speaker 2>actors get up there and fuck up. You know, they

1:23:21.200 --> 1:23:24.320
<v Speaker 2>work really hard for weeks on end to craft something

1:23:24.400 --> 1:23:27.360
<v Speaker 2>really funny, and then what ends up happening is the

1:23:27.439 --> 1:23:29.880
<v Speaker 2>artists or the publicist or whatever read it and then

1:23:29.880 --> 1:23:32.400
<v Speaker 2>they're like, ah, client doesn't really want to do that,

1:23:32.600 --> 1:23:35.240
<v Speaker 2>and then it becomes like this weird amalgamation of something

1:23:35.360 --> 1:23:37.559
<v Speaker 2>and then they get on stage and forget their glasses

1:23:37.600 --> 1:23:40.160
<v Speaker 2>and then just say what they want. That's why a

1:23:40.240 --> 1:23:44.200
<v Speaker 2>war show is making funny, Yes, because not for lack

1:23:44.240 --> 1:23:46.320
<v Speaker 2>of writing. Like people always like, ah be tenise new

1:23:46.320 --> 1:23:48.840
<v Speaker 2>writers or whatever. It's like, no, trust me, the bits

1:23:48.880 --> 1:23:53.120
<v Speaker 2>are really funny, but just stuff goes crazy. Like I

1:23:53.160 --> 1:23:55.600
<v Speaker 2>don't know. People just say what they want and but

1:23:55.680 --> 1:23:58.559
<v Speaker 2>sometimes the bits work really well. But uh so then

1:23:58.800 --> 1:24:01.200
<v Speaker 2>the host comes and whatever the host is usually hires

1:24:01.240 --> 1:24:02.519
<v Speaker 2>their own team of writers as well.

1:24:02.760 --> 1:24:05.840
<v Speaker 1>Do you recommend that I do? I do?

1:24:06.280 --> 1:24:06.519
<v Speaker 4>I do?

1:24:09.280 --> 1:24:13.519
<v Speaker 2>Like, Well, that's because yeah, BECAUSEL has twenty five writers

1:24:13.520 --> 1:24:15.080
<v Speaker 2>who are all at the top of their game. So

1:24:15.680 --> 1:24:20.040
<v Speaker 2>and SNL is writing for a specific they know themselves

1:24:20.080 --> 1:24:22.040
<v Speaker 2>better than you know them. I think at SNL it

1:24:22.080 --> 1:24:24.240
<v Speaker 2>doesn't make that much sense. But I think if you're

1:24:24.240 --> 1:24:26.599
<v Speaker 2>hosting a wardsone where you're selling your personality and you're

1:24:26.600 --> 1:24:29.400
<v Speaker 2>the host, yeah, you definitely need your own writers. And Chris,

1:24:29.479 --> 1:24:32.960
<v Speaker 2>the funny thing is people like Chris they hire writers,

1:24:33.080 --> 1:24:36.320
<v Speaker 2>but they don't need them. Chris Rock does not need writers.

1:24:36.520 --> 1:24:39.519
<v Speaker 2>He comes in with material that's already killer three months

1:24:39.520 --> 1:24:42.280
<v Speaker 2>before the show. I'm telling you there's some comedians who

1:24:42.320 --> 1:24:43.720
<v Speaker 2>definitely need writers.

1:24:43.800 --> 1:24:43.960
<v Speaker 4>But.

1:24:45.400 --> 1:24:48.240
<v Speaker 2>Uh, and I am one of them. Let's be real.

1:24:48.640 --> 1:24:50.479
<v Speaker 2>I mean, I'm a great writer, but I have to

1:24:50.520 --> 1:24:52.280
<v Speaker 2>write my jokes, you know what I mean? Like, I

1:24:52.360 --> 1:24:54.320
<v Speaker 2>need to craft my jokes. And I could. I could

1:24:54.320 --> 1:24:55.720
<v Speaker 2>absolutely write all my own material, But.

1:24:55.720 --> 1:24:58.439
<v Speaker 1>I like music. I think comedy you should bounce off

1:24:58.439 --> 1:24:58.920
<v Speaker 1>of other people.

1:24:59.080 --> 1:25:00.240
<v Speaker 2>Yeah, I do too too.

1:25:00.280 --> 1:25:02.960
<v Speaker 1>And there's no Kevin has that. Kevin will stand in

1:25:02.960 --> 1:25:05.479
<v Speaker 1>the circle. Yeah, I mean his six guys will.

1:25:05.400 --> 1:25:08.880
<v Speaker 2>Be like yeah, but Kevin's also very funny on his own.

1:25:09.120 --> 1:25:12.080
<v Speaker 2>I wrote for Kevin too. Kevin's Kevin's very funny. And

1:25:12.120 --> 1:25:14.160
<v Speaker 2>you get Kevin something, you can give Kevin something like

1:25:14.760 --> 1:25:17.120
<v Speaker 2>here's the cool thing. So, so Chris is like a wordsmith.

1:25:17.680 --> 1:25:20.640
<v Speaker 2>Everything those words have to be in a formula and

1:25:20.680 --> 1:25:23.120
<v Speaker 2>he will mess with it for months, years until he

1:25:23.160 --> 1:25:26.160
<v Speaker 2>hits a joke. Right, Kevin Hart. You can literally go, Okay, Kevin,

1:25:26.160 --> 1:25:28.479
<v Speaker 2>here's the joke. The door is gonna open, and you're

1:25:28.520 --> 1:25:31.439
<v Speaker 2>gonna say, well, I don't even know what time it is, right,

1:25:31.920 --> 1:25:34.639
<v Speaker 2>and like, that's not a joke, right, But he will

1:25:34.680 --> 1:25:37.280
<v Speaker 2>come in and be like, I don't do it, Kevin impression.

1:25:37.280 --> 1:25:39.080
<v Speaker 2>But he will come in and make I don't even know,

1:25:39.120 --> 1:25:41.040
<v Speaker 2>you know, I don't even know what tap is, you

1:25:41.040 --> 1:25:43.720
<v Speaker 2>know whatever. That's a terrible Kevin Hart. What do I

1:25:43.760 --> 1:25:46.400
<v Speaker 2>do not do? Impression? His body language and his body language,

1:25:46.439 --> 1:25:49.200
<v Speaker 2>his style, but also just that crazy ass voice. He

1:25:49.200 --> 1:25:52.880
<v Speaker 2>can make anything funny. Really he really can't. I've never

1:25:52.920 --> 1:25:53.760
<v Speaker 2>seen anything like it.

1:25:53.800 --> 1:25:57.160
<v Speaker 1>Is the voice important in comedy? The voice. Yes, I

1:25:57.200 --> 1:25:59.280
<v Speaker 1>was gonna say, how long have you had you have

1:25:59.360 --> 1:26:01.680
<v Speaker 1>this sort of ratchy Joan Rivers thing going on?

1:26:01.840 --> 1:26:03.000
<v Speaker 2>I usually get Kathy Griffin.

1:26:04.240 --> 1:26:07.479
<v Speaker 1>Okay, I can hear that now. Yeah, but she said,

1:26:08.479 --> 1:26:11.200
<v Speaker 1>but I'm just saying how she was if you had

1:26:11.240 --> 1:26:17.400
<v Speaker 1>this scratchy voice. Because you can go Jewish grandmother, you

1:26:17.439 --> 1:26:23.800
<v Speaker 1>can go hood, you can Italian grandmother.

1:26:24.240 --> 1:26:26.480
<v Speaker 2>Yeah, still racist.

1:26:26.240 --> 1:26:28.160
<v Speaker 1>Even more German grandmother.

1:26:28.520 --> 1:26:29.360
<v Speaker 2>That is my heritage.

1:26:29.880 --> 1:26:30.120
<v Speaker 5>Do that?

1:26:30.880 --> 1:26:32.840
<v Speaker 2>Yeah? How long have I had this voice?

1:26:33.680 --> 1:26:34.520
<v Speaker 7>Jesus puppets?

1:26:34.800 --> 1:26:35.120
<v Speaker 1>Yeah?

1:26:35.320 --> 1:26:38.680
<v Speaker 2>Probably it actually changed when I had uh, when I

1:26:38.680 --> 1:26:41.719
<v Speaker 2>stopped eating dairy. This is actually true, This is not interesting.

1:26:41.720 --> 1:26:44.840
<v Speaker 2>Feel free to cut it. Ten years ago I stopped

1:26:44.880 --> 1:26:48.360
<v Speaker 2>eating dairy because it would make me sick and like

1:26:48.400 --> 1:26:50.240
<v Speaker 2>my throat would start closing up. And I realized I

1:26:50.240 --> 1:26:53.639
<v Speaker 2>was like definitely allergic to dairy, and my voice became

1:26:53.760 --> 1:26:56.760
<v Speaker 2>scratchier and less nasally. I used to kind of tongue like, no,

1:26:56.800 --> 1:26:59.840
<v Speaker 2>I didn't, but like it did sound more nasally. Yeah,

1:27:00.080 --> 1:27:00.559
<v Speaker 2>then I do.

1:27:00.720 --> 1:27:02.200
<v Speaker 3>That, and now you're clear.

1:27:02.280 --> 1:27:05.080
<v Speaker 2>That's crazy. Yeah, now I'm clear. I'm clear and raspy.

1:27:05.960 --> 1:27:06.360
<v Speaker 1>I see.

1:27:06.800 --> 1:27:08.080
<v Speaker 2>I don't know. It's always kind of been this way

1:27:08.120 --> 1:27:08.479
<v Speaker 2>since then.

1:27:08.520 --> 1:27:11.439
<v Speaker 1>Yeah. I mean, now that you're talking, this is the clear,

1:27:11.600 --> 1:27:13.679
<v Speaker 1>this is the salters. Your voices sounded.

1:27:13.720 --> 1:27:15.360
<v Speaker 2>But what do you mean my voice is always sounded,

1:27:16.040 --> 1:27:17.240
<v Speaker 2>But in the beginning.

1:27:16.880 --> 1:27:20.400
<v Speaker 1>Of the show, you had the Kathy Sledge. I know, scratchy.

1:27:20.520 --> 1:27:22.160
<v Speaker 2>It's just because I talk a lot. Right now, I

1:27:22.200 --> 1:27:24.960
<v Speaker 2>just came from rewrite, like our shows tomorrow, What did

1:27:24.960 --> 1:27:27.160
<v Speaker 2>I agree to do a two hour podcast the night before?

1:27:27.160 --> 1:27:29.599
<v Speaker 1>I need to take what time you have to wake up?

1:27:29.600 --> 1:27:32.200
<v Speaker 1>We have a tendency to keep your guest up way

1:27:32.320 --> 1:27:35.639
<v Speaker 1>past this forever. It's ten don't look at you. Don't

1:27:35.640 --> 1:27:36.040
<v Speaker 1>look at you.

1:27:36.320 --> 1:27:41.280
<v Speaker 2>Christ you got ten minutes, but can you? Guys are

1:27:41.400 --> 1:27:44.439
<v Speaker 2>so fun? Thank you Steve picked up my hat for me.

1:27:44.600 --> 1:27:46.679
<v Speaker 3>Thank you for introducing me to what's his name, du

1:27:46.800 --> 1:27:47.519
<v Speaker 3>Duk Duckworth.

1:27:47.560 --> 1:27:48.719
<v Speaker 2>Oh my god, don't busy.

1:27:48.760 --> 1:27:51.040
<v Speaker 1>Did you know? Did I know?

1:27:51.280 --> 1:27:52.759
<v Speaker 2>Did you? Were you aware of Duckworth?

1:27:53.080 --> 1:27:54.719
<v Speaker 1>I know of d work he did what. I didn't

1:27:54.720 --> 1:27:55.439
<v Speaker 1>know him personally.

1:27:55.439 --> 1:27:57.240
<v Speaker 2>Did you see him on the show. Yes, Oh, he's

1:27:57.280 --> 1:27:57.760
<v Speaker 2>so right.

1:27:58.000 --> 1:28:00.479
<v Speaker 1>Yeah, I was gonna say, I love your your I

1:28:00.560 --> 1:28:04.040
<v Speaker 1>was kind of jealous of the music. Yeah, you told me.

1:28:04.320 --> 1:28:08.799
<v Speaker 2>To do that little one hundred percent. I got his director.

1:28:08.920 --> 1:28:11.240
<v Speaker 2>It wasn't as fire, but it's a direct goddamn ripoff.

1:28:11.240 --> 1:28:11.760
<v Speaker 2>How about that?

1:28:11.960 --> 1:28:12.200
<v Speaker 3>Wait?

1:28:12.840 --> 1:28:17.639
<v Speaker 2>Andre Allen, who did all music, is my show director.

1:28:17.680 --> 1:28:20.479
<v Speaker 2>That's why I look. I surround myself with greats.

1:28:20.720 --> 1:28:24.240
<v Speaker 1>That's what you need to show you're you're damn. I don't.

1:28:24.280 --> 1:28:24.920
<v Speaker 2>I didn't come to play.

1:28:25.520 --> 1:28:28.800
<v Speaker 1>You can't make it, But now you're not. Only are

1:28:28.800 --> 1:28:30.559
<v Speaker 1>you going to make it. I think you're gonna thrive.

1:28:30.760 --> 1:28:33.240
<v Speaker 2>I'm gonna make it. I'm gonna make get.

1:28:33.240 --> 1:28:35.320
<v Speaker 3>Especially if you keep dancing with the folks like yeah,

1:28:35.320 --> 1:28:36.639
<v Speaker 3>that's like as cool, like a dream.

1:28:36.800 --> 1:28:39.000
<v Speaker 2>There's a body roll in every episode. It's my Afford

1:28:39.040 --> 1:28:40.960
<v Speaker 2>Hitchcock moment. Look for it every episode. You'll see it

1:28:41.000 --> 1:28:42.880
<v Speaker 2>every episode. I don't know if you saw a Hairmaid's

1:28:42.920 --> 1:28:45.080
<v Speaker 2>Tale last week, but I body roll out a window.

1:28:45.240 --> 1:28:46.800
<v Speaker 2>Like I'm telling you you need to see it in

1:28:46.920 --> 1:28:49.720
<v Speaker 2>every This is something that you will totally geek out on.

1:28:50.080 --> 1:28:51.800
<v Speaker 2>Like if you just binge the show whenever you have time,

1:28:51.960 --> 1:28:53.640
<v Speaker 2>you will see I body roll at least once in

1:28:53.680 --> 1:28:55.479
<v Speaker 2>every episode. It's like a secret. And now we're like

1:28:55.520 --> 1:28:58.400
<v Speaker 2>elevating where you'll find it. It's not in a regular place,

1:29:01.000 --> 1:29:02.920
<v Speaker 2>small as body rolls.

1:29:03.240 --> 1:29:08.880
<v Speaker 1>Boss Bill is doing the fat Albert invisible. I am

1:29:08.920 --> 1:29:10.920
<v Speaker 1>such a proponent of the body roll, right. I think

1:29:10.960 --> 1:29:12.800
<v Speaker 1>everybody should body roll twice a day.

1:29:12.960 --> 1:29:13.360
<v Speaker 3>Correct.

1:29:13.400 --> 1:29:15.320
<v Speaker 2>I do it all the time. But I kept doing

1:29:15.360 --> 1:29:17.120
<v Speaker 2>it in these like sketches we were shooting and in

1:29:17.160 --> 1:29:19.639
<v Speaker 2>the music and all this stuff, and they were like, yo,

1:29:19.800 --> 1:29:25.080
<v Speaker 2>everything we edit your body rolling.

1:29:27.000 --> 1:29:27.320
<v Speaker 1>Damn.

1:29:27.439 --> 1:29:29.080
<v Speaker 2>Yeah, that's the Easter Egg, look for it.

1:29:29.400 --> 1:29:30.040
<v Speaker 7>I have a question.

1:29:30.200 --> 1:29:32.240
<v Speaker 1>Yes, so I don't think.

1:29:35.080 --> 1:29:35.879
<v Speaker 2>What is happening?

1:29:38.120 --> 1:29:41.080
<v Speaker 1>I don't. I don't think. I get b E T H.

1:29:41.280 --> 1:29:42.840
<v Speaker 2>No problem, that's no problem.

1:29:42.880 --> 1:29:47.200
<v Speaker 1>He does? What what channel? I mean? What srime? What

1:29:47.320 --> 1:29:47.920
<v Speaker 1>day is it?

1:29:47.920 --> 1:29:51.160
<v Speaker 2>It's on Thursdays at eleven pm Eastern ten pm Central.

1:29:51.439 --> 1:29:53.760
<v Speaker 2>You can see it for free on bt dot com.

1:29:53.800 --> 1:29:56.719
<v Speaker 2>Full episodes seven days from when we air, so between

1:29:56.800 --> 1:29:58.320
<v Speaker 2>from one episode to the next you can see it

1:29:58.360 --> 1:30:02.240
<v Speaker 2>for free. Otherwise gotta log in. You can probably also bootlegged.

1:30:02.280 --> 1:30:05.160
<v Speaker 2>I don't know there were clips on YouTube.

1:30:04.720 --> 1:30:09.360
<v Speaker 1>But yo, don't I really, I really don't want this

1:30:09.400 --> 1:30:10.479
<v Speaker 1>conversation to stop.

1:30:15.240 --> 1:30:17.840
<v Speaker 3>Robin, are you saying?

1:30:18.560 --> 1:30:26.639
<v Speaker 2>Uh? Anyway? I am single? That what are you looking?

1:30:26.680 --> 1:30:26.760
<v Speaker 3>What?

1:30:26.880 --> 1:30:27.000
<v Speaker 5>What?

1:30:27.000 --> 1:30:28.240
<v Speaker 3>What is a what is a man to you?

1:30:28.360 --> 1:30:28.439
<v Speaker 1>Like?

1:30:28.680 --> 1:30:31.720
<v Speaker 3>The perfect non perfect man?

1:30:32.200 --> 1:30:32.800
<v Speaker 1>Mate? Oh?

1:30:32.880 --> 1:30:36.479
<v Speaker 3>Sorry, oh ship, No, No, I like men.

1:30:36.560 --> 1:30:40.799
<v Speaker 1>Okay, no, no, just trying to steer around.

1:30:42.080 --> 1:30:43.040
<v Speaker 3>Her hetero vibes.

1:30:43.400 --> 1:30:46.920
<v Speaker 1>So I just thought, right, I'm just saying that we're.

1:30:47.360 --> 1:30:49.719
<v Speaker 2>Trying to lure all the men with my hetero vibes.

1:30:51.320 --> 1:30:57.240
<v Speaker 1>Woman, that's it. Men.

1:30:57.320 --> 1:30:57.760
<v Speaker 8>You like.

1:31:00.240 --> 1:31:08.559
<v Speaker 1>Your question?

1:31:08.640 --> 1:31:11.040
<v Speaker 2>She didn't answer. I have a question for you before we.

1:31:11.040 --> 1:31:13.160
<v Speaker 1>Love the Tables, I want to ask.

1:31:13.280 --> 1:31:20.959
<v Speaker 2>Okay, first, okay, what is your favorite Robin memory? Excuse

1:31:21.520 --> 1:31:24.160
<v Speaker 2>just know what. Everyone turned around and stared at me

1:31:25.000 --> 1:31:29.799
<v Speaker 2>right now. He's a sweating bullets, tiny bead of sweat.

1:31:29.960 --> 1:31:36.240
<v Speaker 11>Listen, I had it was good for you, Jamie Fox, whoa,

1:31:38.479 --> 1:31:40.680
<v Speaker 11>I am sorry?

1:31:41.640 --> 1:31:45.519
<v Speaker 1>Sorry, look it up the best? All right? No, I

1:31:46.000 --> 1:31:49.120
<v Speaker 1>have to plead the fifth on this because it's a

1:31:49.240 --> 1:31:54.080
<v Speaker 1>definite moment. But I can't say on the air because

1:31:54.280 --> 1:31:59.240
<v Speaker 1>as the third person, I know what it is.

1:31:59.240 --> 1:32:00.000
<v Speaker 3>Can you tell the story?

1:32:00.080 --> 1:32:01.639
<v Speaker 1>Does it involved Yeah?

1:32:01.760 --> 1:32:05.799
<v Speaker 2>An inside flood? Oh you don't even remember.

1:32:06.560 --> 1:32:08.759
<v Speaker 7>Was that cosie for something?

1:32:09.400 --> 1:32:12.120
<v Speaker 2>No, no, it's an actual flood that happened inside a building.

1:32:16.320 --> 1:32:17.479
<v Speaker 2>It happened in Las Vegas.

1:32:18.720 --> 1:32:21.240
<v Speaker 7>There's Oh you were with us.

1:32:21.360 --> 1:32:26.040
<v Speaker 2>Yes, I'm with you everywhere. Don't you just look to

1:32:26.080 --> 1:32:29.760
<v Speaker 2>your left. I'm there anyway. Whatever that might have been it,

1:32:29.800 --> 1:32:31.920
<v Speaker 2>But I know, actually I know what it is. All right,

1:32:31.960 --> 1:32:34.639
<v Speaker 2>Well tell a different story that you could tell. Okay,

1:32:34.720 --> 1:32:36.760
<v Speaker 2>I'm putting you on the spot. It's fine. So you

1:32:36.840 --> 1:32:38.679
<v Speaker 2>know you have seven your stories about you, but it's fine.

1:32:39.080 --> 1:32:39.719
<v Speaker 3>Yours are shorter.

1:32:39.880 --> 1:32:44.120
<v Speaker 2>Yeah, well I literally told like sixteen personal Yeah, do

1:32:44.160 --> 1:32:45.240
<v Speaker 2>it so he can still we'll be.

1:32:48.720 --> 1:32:49.040
<v Speaker 1>Robin.

1:32:49.240 --> 1:32:55.840
<v Speaker 2>Thank you, Thank you guys so much. Relations Thank you.

1:32:56.240 --> 1:32:58.599
<v Speaker 2>It doesn't sound girl.

1:32:58.760 --> 1:33:07.080
<v Speaker 1>Don't tell sugar Steve. We will help you find bet

1:33:09.160 --> 1:33:10.320
<v Speaker 1>We're gonna help you.

1:33:11.160 --> 1:33:11.720
<v Speaker 3>Just help me.

1:33:12.000 --> 1:33:16.920
<v Speaker 1>Get to comedy comedy show bill. I'll make sure that

1:33:16.960 --> 1:33:19.160
<v Speaker 1>the checks in the mill as always. Thank you.

1:33:19.960 --> 1:33:23.360
<v Speaker 2>Cocoa butter, Yes, we'll send you guys some coco.

1:33:23.880 --> 1:33:26.280
<v Speaker 1>You get some cocoa butter, and we in fante. Yes,

1:33:26.320 --> 1:33:27.759
<v Speaker 1>we will be crashing your wedding.

1:33:27.960 --> 1:33:31.960
<v Speaker 2>Yeah, Mary, Yes, aren't we missing someone?

1:33:32.040 --> 1:33:34.640
<v Speaker 1>Yes, we're missing he's getting married right now. So thank you,

1:33:37.120 --> 1:33:43.400
<v Speaker 1>I appreciate it, and we will see you on the

1:33:43.439 --> 1:33:45.599
<v Speaker 1>next go around. The Quest Love Supremium. This is Quest

1:33:45.640 --> 1:34:04.880
<v Speaker 1>Love signing off Quest Love Supreme is a production of iHeartRadio.

1:34:05.360 --> 1:34:11.840
<v Speaker 1>This classic episode was produced by the team at Pandora.

1:34:13.760 --> 1:34:18.520
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:34:18.640 --> 1:34:20.320
<v Speaker 1>or wherever you listen to your favorite shows.