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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, girl drama girl,

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Speaker 2: all about them.

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Speaker 3: High school queens. We'll take you for a ride. And

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Speaker 3: our comic girl cheered for the right teams.

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Speaker 2: Drama, queens girl fashion, but your tough girl, you could

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Speaker 2: sit with us Girl drama, Queens drama, Queens Drama, Queens drama, Drama,

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Speaker 2: Queens drama, queens.

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Speaker 4: You guys, this week we watched with our people. I

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Speaker 4: watched with Gus today.

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Speaker 1: Did you did?

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Speaker 4: It was the first episode of One Tree Hill, like

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Speaker 4: thirteen year old son has ever seen and he had pinions.

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Speaker 4: So as as we cruise, did I want to hear them? All?

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Speaker 4: Kid had opinions? Joy? How does this? How does this

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Speaker 4: episode play out? What do we got? Okay?

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Speaker 1: So look it's season five, episode three, My Way Home

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Speaker 1: Is Through You, which aired January fifteenth, two thousand and eight.

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Speaker 1: Lucas had found the motivation to write again while also

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Speaker 1: trying to turn the Treeho Ravens back into a respectable

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Speaker 1: basketball team. That's like a heavy you know, that's a

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Speaker 1: lot on your plate.

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Speaker 4: There, Lucas.

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Speaker 1: Nathan goes to visit Dan in prison, and he's ready

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Speaker 1: to step up for his family.

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Speaker 4: Literally. Brookie Brooke is working.

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Speaker 1: At turning Karen's Cafe into her new close Over Bros.

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Speaker 1: Store love this storyline, and Peyton signs her first band

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Speaker 1: Yes and mistakes Lindsay's nice gesture for something it's not.

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Speaker 1: I mean Haley question mark. Haley tries to help a

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Speaker 1: struggling student. Director David Jackson, writer John Ain't Norris go.

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Speaker 4: Oh my god. Okay, So here's here's the deal. I

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Speaker 4: saw some listener comments and they really want us to

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Speaker 4: focus on the episode. So you, guys, we're going to

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Speaker 4: focus on the episode. Don't understand. Okay, I know I

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Speaker 4: felt I felt scolded. I who personally attacked. I'm so sorry.

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Speaker 4: I was like, guys, I thought we were talking about

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Speaker 4: the episodes.

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Speaker 5: Also, though, I gotta say, like, if we have guests,

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Speaker 5: we want to hear from our guests. We're not just

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Speaker 5: gonna be like, hey, nice to see you, but don't

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Speaker 5: talk to us. Just go line by line through the episode.

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Speaker 4: I want to talk about my tank top in this episode.

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Speaker 4: It was great.

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Speaker 5: I want to talk about all your tank tops in

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Speaker 5: this episode. Actually I literally wrote them down.

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Speaker 4: Oh are you talking about the black and white one?

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Speaker 4: The stripey one.

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Speaker 5: Yeah, oh my god, I was upset with the necklace chains.

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Speaker 4: That's so good, so good, Carol Cutshaw, you look.

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Speaker 6: So pretty it makes me uncomfortable.

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Speaker 5: Quit seriously before we move on to the tank tops,

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Speaker 5: because once we go there, we're never coming back. I

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Speaker 5: have a question for our listeners. We have guests, like,

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Speaker 5: do you guys want us to do two part episodes?

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Speaker 4: That's the gist I'm getting. Is that what it is? Yeah,

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Speaker 4: I'm getting the gist because once I saw a couple

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Speaker 4: of people say it, I was like, oh, let's get

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Speaker 4: a synopsis, Let's get like a like a round table

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Speaker 4: from everyone. And it feel like people love the guests,

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Speaker 4: but they don't want to lose us talking about the episode.

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Speaker 4: So h notes have been heard. We appreciate your listenership.

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Speaker 4: We are going to try to make everybody happy, including ourselves,

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Speaker 4: because girl, I love a tangent.

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Speaker 5: I agree. And you know what, it makes me realize

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Speaker 5: because when James came on, we were all just having

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Speaker 5: such a good time that we kept him forever. I

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Speaker 5: mean you guys we had him in the zoom room

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Speaker 5: for hours and I was like, oh, maybe instead of

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Speaker 5: you know, with people who we don't have that much

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Speaker 5: to catch up on like we do with one of

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Speaker 5: our core five. Maybe when we have a guest, we

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Speaker 5: should try to use that same method and like, have

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Speaker 5: the guest come on, have a guest catch up and chat,

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Speaker 5: and then do some Q and A with them and

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Speaker 5: then do a strictly episode focused thing.

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Speaker 4: Is that what that means they're going to have to

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Speaker 4: wait two weeks to hear the next episode of the

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Speaker 4: TV show. So y'all in the comments, you just tell

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Speaker 4: us what you want. We're listening.

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Speaker 5: We're giving you option with guests or option B. When

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Speaker 5: the guests come we have a little less time to

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Speaker 5: talk about the episode.

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Speaker 6: You tell us what you like.

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Speaker 1: Sophia is breaking it down into a spreadsheet already, listen.

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Speaker 6: I just need to know.

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Speaker 5: I'm like, it's multiple choice with only two choices.

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Speaker 4: I want a pie chart with the data at the ends. Race,

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Speaker 4: But seriously, we are here for you. We're here to

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Speaker 4: serve you. Friends.

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Speaker 5: Now I choose to refocus us on Hillary's tank tops.

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Speaker 4: Well, no, we have to start at the beginning of

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Speaker 4: the episode, because now my brain is all like, oh god,

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Speaker 4: how do we make them happy? How do we do this?

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Speaker 4: I love that as the fans say, we want the rewatch,

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Speaker 4: we want the recap, talk about everything. Lucas is giving

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Speaker 4: the most extensive recap in the history of our show.

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Speaker 4: In these first three episodes. We have a recap every

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Speaker 4: single episode.

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Speaker 1: Yeah, and it always starts with my name is Lucas Scott,

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Speaker 1: Like we're really going all the way back to the

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Speaker 1: very very beginning.

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Speaker 6: Yeah, it really is kind of wild.

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Speaker 4: It had to be a studio note, right, like explain

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Speaker 4: to people why you're not still in high school or

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Speaker 4: why you're skipping all this time. You know what I bet.

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Speaker 5: It is is, first of all, it sets the stage

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Speaker 5: on the time jump for any fans who, you know,

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Speaker 5: maybe they've been busy. It's only the third episode of

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Speaker 5: the season. They might tune in and go.

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Speaker 6: Where's college? What happened?

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Speaker 5: Yeah, and I bet to your point about a studio note,

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Speaker 5: they were like, well, there's we see that there's new

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Speaker 5: viewers and they don't know what happened.

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Speaker 4: We can't expect them to go.

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Speaker 6: Back, so give them a recap.

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Speaker 1: I was wondering that if maybe because it's it was

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Speaker 1: starting at such a totally new place that just people

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Speaker 1: were telling their friends like, oh, you don't have to

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Speaker 1: go back and catch up on all the episodes. You

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Speaker 1: could start right now because it's kind of all new.

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Speaker 4: You could just watch the first three minutes and know everything.

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Speaker 5: But here's what I want to know, if we're really

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Speaker 5: starting fresh. Why in an empty house are Lucas and

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Speaker 5: Lindsay still live in a in Lucas's high school bedroom

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Speaker 5: and b why is his desk in there?

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Speaker 1: There's a whole house where he go, right, yeah, yeah,

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Speaker 1: and he's click and she's sleeping.

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Speaker 4: Gus. The first thing out of Gus's mouth is that's

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Speaker 4: a creepy place for him to have his desk.

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Speaker 1: And I was.

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Speaker 6: Just staring at her sleeping.

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Speaker 4: Yeah, we were folding closed together, and I guess I

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Speaker 4: was like looking down folding pants and I look up

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Speaker 4: and I'm like, you're not wrong, my guy, Like.

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Speaker 1: Yeah, that would actually be really creepy if I'm looking

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Speaker 1: at the end of my bed and there's a desk

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Speaker 1: and you know, if you sit on the end of it,

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Speaker 1: you're just staring into bed. Yeah, it's a little weird. Yeah,

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Speaker 1: where is Karen? Do we know where Karen is?

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Speaker 4: She's in Australia.

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Speaker 1: She's in Australia, but he's kept his room instead of

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Speaker 1: taking over.

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Speaker 4: Yeah, it's kind of strange, but there's.

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Speaker 5: There's a whole house. Even if even if look we're

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Speaker 5: just post college, right, like even if a young guy

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Speaker 5: in his twenties is like, I don't want to have

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Speaker 5: segs with my girlfriend in my mom's bed.

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Speaker 6: Okay, friend, I get it.

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Speaker 5: Yeah, sure, Why don't you have a desk in living

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Speaker 5: room by the window.

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Speaker 4: I don't know a single writer who writes at a desk.

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Speaker 4: Every writer I know either writes at the kitchen table

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Speaker 4: or the coffee table or a Starbucks, Like, oh, nobody

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Speaker 4: has a desk.

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Speaker 1: Was it a full desk because now I'm now I'm thinking,

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Speaker 1: but or was it just that he had his laptop

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Speaker 1: there and he didn't want to leave the room because

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Speaker 1: he kind of wanted to be near Lindsay but then

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Speaker 1: didn't want to.

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Speaker 5: Go full wooden, grown man like grampo desk. Like joy,

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Speaker 5: it's a grampa desk.

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Speaker 4: It is.

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Speaker 1: I love that you notice that, and Gus I didn't

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Speaker 1: notice that at all.

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Speaker 4: It's so full. And the other thing that Gus noticed

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Speaker 4: is he was like he closed that laptop awful fast

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Speaker 4: when she walked over there.

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Speaker 6: Uh, Huh, I noticed that too.

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Speaker 4: Not wrong, wrong, Yeah, he's already been shifty, or maybe

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Speaker 4: he's just insecure.

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Speaker 1: And how about her vulnerability, like I'm so I'm so scared. Well,

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Speaker 1: this is the other scene later, I guess, but if

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Speaker 1: we're on that storyline, like this is the storyline. But

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Speaker 1: he is being a little shift. I mean, he's so direct,

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Speaker 1: and I don't know how else you're supposed to answer

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Speaker 1: a question like that, should I be worried about us that?

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Speaker 1: How else do you answer that question?

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Speaker 4: Yeah? Worry, No, I'm just gonna say that. I mean,

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Speaker 4: just so a little, just worry a little, only.

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Speaker 5: Ten percent worried. I'm mostly okay, I'm having some feelings.

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Speaker 1: But it's the kiss on the forehead that got me.

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Speaker 1: It was like he's like, we're good, everything's fine, I

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Speaker 1: love you, and then it's just instead of kissing her

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Speaker 1: on the mouth because they're on the forehead, it was

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Speaker 1: just a little like huh yeah.

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Speaker 4: I mean code is that you have to like make

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Speaker 4: fun of your exes a little bit in front of

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Speaker 4: the person you're with, so they know you have to

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Speaker 4: be like would that buck tooth girl please come on? Right?

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Speaker 4: There's gotta be like a dig unless or it's not real.

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Speaker 4: You got a dig or it's not real. Lucas should

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Speaker 4: have said something like Peyton, cry baby, Peyton, come on,

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Speaker 4: I don't want to be around that.

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Speaker 6: Well, So I.

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Speaker 5: Wonder if that was a David Jackson note, knowing that's

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Speaker 5: our director for our friends at home, knowing that at

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Speaker 5: the end of the episode, Lindsay had to be vulnerable

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Speaker 5: with Lucas and say, look, I've been trying to play

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Speaker 5: a cool I'm really nervous because of these women from

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Speaker 5: your past. I wonder if the director was like, as

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Speaker 5: soon as she comes over, shut the laptop. Give her

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Speaker 5: reasons to feel like fighting something from her. Yeah, if

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Speaker 5: that was a directorial choice, it was a very good one.

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Speaker 4: Yeah. I mean, the first thing I want to do

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Speaker 4: is open that laptop as a check. The fact that

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Speaker 4: she didn't open it when he left the room, I

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Speaker 4: was like, do it, do it?

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Speaker 6: I was like, man, she.

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Speaker 1: Is She's so confident. She's such a Michaela is so

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Speaker 1: great for this part because she really is so confident,

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Speaker 1: so non threatening in the way that her manner is

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Speaker 1: that you know, she comes to your office with this

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Speaker 1: bamboo and it's so sweet and sincere.

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Speaker 4: I mean, I don't know, I might disagree. I loved

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Speaker 4: this storyline so much because I absolutely like bought Peyton's

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Speaker 4: side of it. Like I'm saying, I remember being giddy

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Speaker 4: about having to do the whole recap with like, and

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Speaker 4: then she said, I just want you to know I'm here,

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Speaker 4: Like I like, there's a calm memory of saying it,

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Speaker 4: because she was peen on her territory. You can't tell

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Speaker 4: me otherwise.

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Speaker 5: Well, and what I love about watching the two of

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Speaker 5: you play all of those scenes together is that you're

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Speaker 5: both right and then you're both saying no, no, no,

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Speaker 5: I'm totally taking the high road, but there are big

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Speaker 5: feelings involved.

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Speaker 4: Oh my god, Peyton wasn't looking for Lucas in this episode.

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Speaker 4: She was about the work. She was about, like, right here,

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Speaker 4: my best friend. It would be one thing if Peyton

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Speaker 4: was like, oh oops, I'm here at the high school.

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Speaker 4: You know you'll get there. But I absolutely, uh, I'm

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Speaker 4: team Peyton on this one. There's no reason Lindsay should

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Speaker 4: have brought her bamboo. There's no reason it's Peyton Sawyer's hometown.

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Speaker 4: If someone came to you in your own hometown, yah,

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Speaker 4: can I get you anything, and you're like, pet that

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Speaker 4: out here? How get out? Oh?

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Speaker 1: It seemed so sincere to me that she was genuinely like,

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Speaker 1: I guess me putting if I put myself in her shoes.

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Speaker 1: It's like, yeah, you did. You you ran this town,

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Speaker 1: and so I don't. I'm not here to step on

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Speaker 1: your toes. I want to make peace because we have

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Speaker 1: to coexist. It's it's like a little bit Joelene.

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Speaker 4: In Peyton's mind, there's no reason to make peace because

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Speaker 4: it's like it's a chicken or the egg situation. You

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Speaker 4: know what I mean. There's no reason to make peace

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Speaker 4: because there's no conflict. Do you is Lindsay? Is Lindsay

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Speaker 4: insinuating that that count? Here? Is that?

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Speaker 5: What's going on?

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Speaker 4: This guys? I loved it.

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Speaker 5: I am loving this And by the way, what I

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Speaker 5: love about it is watching you two debate the sides

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Speaker 5: of this argument. I feel like Brook being like, listen,

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Speaker 5: I don't know what to say. I get it. But

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Speaker 5: she also brought me a bad boom, so it is

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Speaker 5: a speech that she's given to more than one person.

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Speaker 1: But Peyton's right at the end, She's like, but you're

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Speaker 1: also his ex girlfriend.

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Speaker 4: It's my favorite little story like, you know, Hailey didn't

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Speaker 4: get a bamboo. Haley didn't get a teacher bamboo. That's it.

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Speaker 4: We solved the riddle by the way.

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Speaker 5: You're right, But Haley and Lindsay have a friendship already,

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Speaker 5: and so it's well done because you can see everybody's side.

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Speaker 5: What I will say tracks for me, and I felt,

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Speaker 5: I really felt it was being represented well in this moment.

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Speaker 5: This is no secret to either of you because we've

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Speaker 5: been friends for twenty years. But my therapist a couple

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Speaker 5: months ago was like, here's the thing. You have big

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Speaker 5: feelings and you are a sensitive person and it makes

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Speaker 5: you a good friend and a very passionate advocate. And

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Speaker 5: sometimes you bring big feelings before they are appropriate. And

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Speaker 5: I'm like, yeah, you're not wrong, I guess because when

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Speaker 5: I feel like I've bonded with someone, I'm like, now

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Speaker 5: that I'm in, I'm in for life. You get arrested,

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Speaker 5: you call me. She's like, you have to bond with

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Speaker 5: people for a long time before you can like volunteer

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Speaker 5: to build them out of jail, Sophia, And.

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Speaker 6: I'm like, do you?

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Speaker 5: And that's kind of interesting, right, is Like Lindsey is

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Speaker 5: bringing her big feelings and a big story and this

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Speaker 5: whole thing to Peyton, and Peyton's like, I don't know you,

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Speaker 5: so I'm suspicious, like it's too soon.

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Speaker 4: Yeah, obviously you've read Lucas's books, so you know I

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Speaker 4: had a stalker. You know, I don't trust new people, like,

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Speaker 4: don't bring me, I don't need you. I'm working. I

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Speaker 4: had a stalker.

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Speaker 6: It's so funny.

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Speaker 4: Need another one. Yeah, ew god.

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Speaker 5: I loved the way that wrapped up, Like when you

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Speaker 5: came into the store. I went, oh god, oh god,

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Speaker 5: oh god, oh god, because I just knew I was

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Speaker 5: going to pull out one of those plants.

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Speaker 4: I didn't know. It was great. You did it, man,

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Speaker 4: I didn't know.

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Speaker 6: Oh, I'm so glad.

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Speaker 4: Gus ga foud he loved it. Oh that was the

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Speaker 4: part where he was like, yeah, you are a bitch it.

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Speaker 5: Oh, I loved it.

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Speaker 4: But I liked Lindsay is just so easy to like

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Speaker 4: work with. She's so easy to work with because she

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Speaker 4: plays that straight man part so well, so you can

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Speaker 4: be a little bit broader with your reaction, Like it

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Speaker 4: was cool to be a little like Mustache Turley because

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Speaker 4: payone never gets to do that, you know. Yeah, So yeah,

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Speaker 4: she's great, great, great great.

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Speaker 5: That was something that was so refreshing to me about

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Speaker 5: this episode. And I have such sense memory of so

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Speaker 5: many of the scenes that we shot in the store

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Speaker 5: and on the deck of that house, all of it

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Speaker 5: because I had this nostalgia watching Brooke and Peyton in

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Speaker 5: this friend journey, because Haley's struggling and Nathan's struggling. So

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Speaker 5: many people are struggling and figuring it out. And to

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Speaker 5: see these two girls owning their space like grown ups

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Speaker 5: but getting giddy like little teenagers. It felt so fun,

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Speaker 5: and in the arc of the episode, it was payoff

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Speaker 5: that I needed, Like Lucas is writing a book and

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Speaker 5: Lindsay's being really classy, and then you and Nathan are

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Speaker 5: really in the depths of grownups but on the way out.

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Speaker 5: And then you've got these two girls figuring out their

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Speaker 5: business and they're they're you know, screaming and jumping up

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Speaker 5: and down about getting to be roommates. I loved the

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Speaker 5: way they gave us so many ups and downs through

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Speaker 5: the episode.

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Speaker 1: You guys had boss moves. This episode, so many boss moves.

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Speaker 1: I loved it.

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Speaker 4: Well, we have to talk about stuff because when this

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Speaker 4: episode airs, it's Teacher Appreciation Week, and Haley is our teacher,

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Speaker 4: and so you going to the basketball court and trying

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Speaker 4: to fix this kid because you can't necessarily fix your husband.

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Speaker 4: Is you know, that's every teacher's that's their mantra. It's like,

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Speaker 4: if I can just save one, I can just save

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Speaker 4: one of them, and most of them save many, many

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Speaker 4: more than just one. Yeah, but happy teacher Appreciation Week.

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Speaker 1: Oh, thank you, thank you so much from your tutor girl. Yeah,

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Speaker 1: that was funny. Haley was in full soccer mom ninety

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Speaker 1: soccer mom mode with the travel coffee mug, like before

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Speaker 1: anybody was making cute coffee mugs, and you know, the

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Speaker 1: low heels and the khaki pants and just the bob.

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Speaker 1: It was all very very ninety soccer Mom was so

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Speaker 1: fun and yeah, I loved, I loved, I mean just

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Speaker 1: to Haley's storyline was minimal in this episode, aside from

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Speaker 1: the little cameo by the Juicy Tube lip gloss when

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Speaker 1: she was having lunch with Lindsay. For me, nothing much

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Speaker 1: else was super interesting for Haley except the dinner at

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Speaker 1: the end. That was great.

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Speaker 4: Yeah, You've said before that you felt like in some

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Speaker 4: of the seasons you were put there to be the

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Speaker 4: person that was like, why are you doing this so

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Speaker 4: that other characters could, you know, spit out their exposition.

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Speaker 4: But the stuff that you were doing this episode was

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Speaker 4: important because you informed so much of like who Lindsay is,

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Speaker 4: that she has made an imprint in the community in

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Speaker 4: brook and Payton's absence, that she's a cool girl because

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Speaker 4: you put her through the ringer. You know, you inform

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Speaker 4: so much, and then you do the same thing again

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Speaker 4: when you go to visit Peyton and you're like, Okay,

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Speaker 4: I see where this is going. Calm it down.

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Speaker 5: Yeah, yeah, I was gonna say it actually felt so

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Speaker 5: fully formed to me. So much of the episode, for

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Speaker 5: so many people felt like they were catching up. You know,

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Speaker 5: there was a lot of learning that still needed to

362
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Speaker 5: happen about certain characters, you know, partially because Peyton's trying

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Speaker 5: to sign a band, partially because we're still getting to

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Speaker 5: know Lindsay. But I didn't feel like you were absent

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Speaker 5: in the episode in any way. Hayley was so grounded

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Speaker 5: and like every scene was meaningful, even the fact that

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Speaker 5: you know she comes home and she's so tired that

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Speaker 5: she just blurts out how she's really feeling. To the

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Speaker 5: new Nanny and then it's.

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Speaker 6: Like, ah, like it all just felt so honest.

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Speaker 5: Yeah, and I think that that's possible because Haley's the

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Speaker 5: one who has stayed there.

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Speaker 1: Yeah, And I think this is the beginning of us

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Speaker 1: really seeing Haley start to hold everything together, which eventually

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Speaker 1: takes its toll on her because you can't be the

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Speaker 1: person who's just constantly holding everything together, holding space for

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Speaker 1: everybody else, doing everything for everybody else without falling apart

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Speaker 1: at some point. So it's and that was one of

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Speaker 1: the longest arcs on our show, so it's fun to

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Speaker 1: kind of see the beginning of that here.

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Speaker 4: Yeah.

382
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Speaker 1: But and it was great, And I loved seeing my

383
00:19:22,400 --> 00:19:24,360
Speaker 1: brain's going in a million different directions because I don't

384
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Speaker 1: know what to talk about next, but like if we

385
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Speaker 1: stay on the girls, Yeah, that was great for Haley.

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Speaker 1: I loved being able to watch her try and help

387
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Speaker 1: Quentin and you know how that storyline is going to develop.

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Speaker 4: It was so fun.

389
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Speaker 1: But the boss moves for me of watching Peyton go

390
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Speaker 1: through this arc with the record label and watching Brooke

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Speaker 1: walk in and be like, yep, I'm taking over the cafe. Yes,

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Speaker 1: I'll take this house please, It was just they were

393
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Speaker 1: such great moments of turning points where we're going to

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Speaker 1: see the beginning of all these new trajectories of life

395
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Speaker 1: start to take place. I loved this episode for that reason.

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Speaker 4: Actually, it was interesting to watch it with a thirteen

397
00:20:07,400 --> 00:20:09,479
Speaker 4: year old because I liked it for all of the

398
00:20:09,600 --> 00:20:12,840
Speaker 4: like d da da da, our characters are grown ups

399
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Speaker 4: now and like we're doing cool stuff. But there were

400
00:20:15,119 --> 00:20:18,840
Speaker 4: some lines that were some real doozies in here where

401
00:20:18,880 --> 00:20:21,480
Speaker 4: Gus was like, wow, you guys had to I had

402
00:20:21,480 --> 00:20:24,520
Speaker 4: to say that which ones? Which ones? I didn't know? God,

403
00:20:24,680 --> 00:20:29,080
Speaker 4: I couldn't even write them all down. Well, you know,

404
00:20:29,200 --> 00:20:32,040
Speaker 4: we'll get to it. A lot of the mouth with

405
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Speaker 4: his boss stuff. What oh yeah, what a weird storyline

406
00:20:36,720 --> 00:20:41,639
Speaker 4: Gus had all Pinians while we're making boss moves, mouth

407
00:20:41,720 --> 00:20:44,520
Speaker 4: is doing some weird That was so weird.

408
00:20:44,920 --> 00:20:47,280
Speaker 1: I was such a strange storyline out of the blue.

409
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Speaker 1: It was just so like of all the things.

410
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Speaker 6: It but you know what it is because we've talked

411
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Speaker 6: to me, well yeah, yeah, I mean more of.

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Speaker 5: That personal ego of I'm the coolest person here, I'm

413
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Speaker 5: the best at my job, and you judge me because

414
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Speaker 5: you don't think I'm hot, like him giving a speech

415
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Speaker 5: about like you and your hot friends and your hot

416
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Speaker 5: body that you hide under your outfits and.

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Speaker 6: You go be hot.

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Speaker 4: What a line? So weird.

419
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Speaker 5: I was like, I'm so sorry this lovely actress who

420
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Speaker 5: actually Lee has great chemistry with by the way, yeah,

421
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Speaker 5: like when they kissed, I was like, oh, oh, dear,

422
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Speaker 5: But they've taken this girl who's our age, and they've

423
00:21:25,640 --> 00:21:31,399
Speaker 5: styled her in older ladies, ill fitting blazers, and they've

424
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Speaker 5: put her hair in this like nineteen sixties like kind

425
00:21:35,560 --> 00:21:39,840
Speaker 5: of inspired Bufonte whatever it was, with like a big

426
00:21:40,000 --> 00:21:43,240
Speaker 5: twisty overlap in the back. Like it doesn't make any

427
00:21:43,280 --> 00:21:46,919
Speaker 5: sense for like a young successful producer at a news studio.

428
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Speaker 5: And I think maybe they were trying to age her

429
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Speaker 5: up because they hired her because she was a good

430
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Speaker 5: actress and she was young, and they didn't think she

431
00:21:53,440 --> 00:21:56,280
Speaker 5: looked old enough to be his boss. But if you're

432
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Speaker 5: gonna have him give her this big speech about being

433
00:21:58,400 --> 00:22:01,959
Speaker 5: this hot girl, let her be like a hot girl

434
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Speaker 5: in her twenties. It was it was just like it

435
00:22:06,080 --> 00:22:07,919
Speaker 5: was so confusing because I was like, this is not

436
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Speaker 5: a person who's walking around this office presenting like, oh,

437
00:22:12,800 --> 00:22:16,560
Speaker 5: I know this, this, and this about myself. She's like

438
00:22:16,600 --> 00:22:19,200
Speaker 5: a buttoned up professional person who's just mean.

439
00:22:20,160 --> 00:22:23,960
Speaker 1: And that's why I didn't understand why he like, why

440
00:22:24,000 --> 00:22:24,960
Speaker 1: did he kiss her?

441
00:22:25,560 --> 00:22:29,479
Speaker 4: So Skills tells him this whole story about how I

442
00:22:29,560 --> 00:22:32,399
Speaker 4: had this teacher who was being to me and the

443
00:22:32,400 --> 00:22:35,080
Speaker 4: way I made her be quiet is that I grabbed

444
00:22:35,080 --> 00:22:37,240
Speaker 4: her and I kissed her and that's not all I did,

445
00:22:37,880 --> 00:22:40,320
Speaker 4: and then she loved me. I mean, this is coming

446
00:22:40,600 --> 00:22:44,720
Speaker 4: three episodes after our season four finale where we were

447
00:22:44,760 --> 00:22:48,320
Speaker 4: like step touching us and it's like, yeah, listen, somebody's

448
00:22:48,400 --> 00:22:49,959
Speaker 4: just got to kiss a woman and get her to

449
00:22:50,000 --> 00:22:50,560
Speaker 4: shut up.

450
00:22:51,000 --> 00:22:51,400
Speaker 1: Yeah.

451
00:22:51,480 --> 00:22:53,440
Speaker 5: Yeah, that's what they write in you know what they

452
00:22:53,520 --> 00:22:55,600
Speaker 5: really want when they tell you they hate you, They

453
00:22:55,600 --> 00:22:56,640
Speaker 5: want you to kiss them.

454
00:22:56,680 --> 00:22:58,320
Speaker 6: I'm like, no, that's.

455
00:22:58,160 --> 00:22:59,520
Speaker 4: Not it, actually don't.

456
00:23:00,119 --> 00:23:02,000
Speaker 6: That's never want you to kiss us.

457
00:23:02,080 --> 00:23:02,879
Speaker 5: We'll just kiss you.

458
00:23:03,240 --> 00:23:03,680
Speaker 6: That's odd.

459
00:23:03,760 --> 00:23:07,679
Speaker 4: Poor Lee Norris, like my know Lee Norris having to

460
00:23:07,760 --> 00:23:11,240
Speaker 4: process all of this as a third party. He's a

461
00:23:11,359 --> 00:23:12,520
Speaker 4: victim of this too.

462
00:23:12,920 --> 00:23:15,440
Speaker 6: But you know what I really commend about him.

463
00:23:15,560 --> 00:23:17,919
Speaker 5: And we've talked about this too, right, It's Paul's mantra,

464
00:23:18,080 --> 00:23:21,679
Speaker 5: like commit commit Yeah, when you're not the producer. When

465
00:23:21,720 --> 00:23:24,480
Speaker 5: you don't get to control what's on the page, you

466
00:23:24,600 --> 00:23:26,399
Speaker 5: have to go to work and do your job, and

467
00:23:26,440 --> 00:23:31,320
Speaker 5: that can be really difficult. And Lee takes this, frankly

468
00:23:31,440 --> 00:23:36,080
Speaker 5: like shitty storyline for him and he commits, and when

469
00:23:36,119 --> 00:23:38,360
Speaker 5: he's talking to her about how he feels and how

470
00:23:38,359 --> 00:23:41,119
Speaker 5: he feels rejected, there is so much emotion in his

471
00:23:41,160 --> 00:23:44,920
Speaker 5: eyes and his face is getting red and he it's

472
00:23:44,960 --> 00:23:47,119
Speaker 5: like he doubled down on how to believe in the

473
00:23:47,160 --> 00:23:51,959
Speaker 5: scene because he knew why it was ikey, and so

474
00:23:52,000 --> 00:23:54,159
Speaker 5: he had to make it true for himself as an actor.

475
00:23:54,680 --> 00:23:59,080
Speaker 5: And as much as I hated it, I also loved watching.

476
00:23:58,840 --> 00:23:59,920
Speaker 4: He made it interesting.

477
00:24:00,200 --> 00:24:02,280
Speaker 6: He made that interesting interesting.

478
00:24:02,640 --> 00:24:06,879
Speaker 4: Yeah, well, and I feel I have a vague recollection

479
00:24:07,000 --> 00:24:09,320
Speaker 4: of where this is going. And I think I hate

480
00:24:09,320 --> 00:24:14,960
Speaker 4: it for Mouth because he's opening himself up to someone

481
00:24:14,960 --> 00:24:19,240
Speaker 4: who's cruel to him and has been really demeaning to him,

482
00:24:19,720 --> 00:24:24,000
Speaker 4: and that's not attractive, Like, don't kiss people who are

483
00:24:25,320 --> 00:24:28,640
Speaker 4: like that's not cool. Mouth should be kissing like the best,

484
00:24:28,720 --> 00:24:31,560
Speaker 4: nicest girl, and not this woman who keeps telling him.

485
00:24:32,040 --> 00:24:34,679
Speaker 4: She literally says I wrote to the quote you haven't

486
00:24:34,720 --> 00:24:39,159
Speaker 4: earned it yet, which also felt like a very meta

487
00:24:39,600 --> 00:24:42,520
Speaker 4: dig like, I know you think you're great, you all

488
00:24:42,600 --> 00:24:43,720
Speaker 4: haven't earned it yet.

489
00:24:45,240 --> 00:24:45,440
Speaker 5: Yeah.

490
00:24:45,520 --> 00:24:47,720
Speaker 4: Yeah. I feel like he's going to feel bad about

491
00:24:47,760 --> 00:24:51,200
Speaker 4: this relationship later. It's going to make him feel cheap.

492
00:24:51,960 --> 00:24:52,520
Speaker 2: Yeah.

493
00:24:52,720 --> 00:24:55,159
Speaker 5: I don't remember where it goes. Oh no, Now I

494
00:24:55,200 --> 00:24:59,320
Speaker 5: have this terrible sense of foreboding and no clear recollection

495
00:24:59,400 --> 00:25:00,000
Speaker 5: of what happened.

496
00:25:00,680 --> 00:25:03,280
Speaker 4: I don't think she's gonna get nice. I don't think

497
00:25:03,320 --> 00:25:06,000
Speaker 4: so either. But how much cooler would this part have

498
00:25:06,080 --> 00:25:10,480
Speaker 4: been if it had been like, like, I don't know

499
00:25:11,040 --> 00:25:14,840
Speaker 4: a woman in her forties, do you know what I mean? Yeah,

500
00:25:14,920 --> 00:25:18,399
Speaker 4: they're calling her a cougar and she's already Jess are right.

501
00:25:19,680 --> 00:25:21,119
Speaker 6: It really is so weird.

502
00:25:22,080 --> 00:25:24,720
Speaker 4: Yeah, she should have a couple kids pictures on her desk,

503
00:25:25,280 --> 00:25:29,040
Speaker 4: do you know what I mean? Yeah? No. Also, at

504
00:25:29,040 --> 00:25:33,840
Speaker 4: the beginning of the episode, we see Victoria just pissed,

505
00:25:34,560 --> 00:25:38,960
Speaker 4: and it occurred to me after watching the met gala, Uh,

506
00:25:39,000 --> 00:25:44,000
Speaker 4: she's got such Christ Jenner energy. Yes, it's all that

507
00:25:44,119 --> 00:25:48,080
Speaker 4: I see, Like, I just see like Chris Jenner being

508
00:25:48,200 --> 00:25:51,399
Speaker 4: like and my darlings are taking over the world. I

509
00:25:51,400 --> 00:25:53,840
Speaker 4: feel like there's an Instagram post for that pops up

510
00:25:53,840 --> 00:25:55,560
Speaker 4: all the time. That's a good call.

511
00:25:56,280 --> 00:25:58,440
Speaker 5: You're right, there's all those memes about how no matter

512
00:25:58,480 --> 00:26:01,080
Speaker 5: what happens in that world, she'll make get into something

513
00:26:01,080 --> 00:26:01,840
Speaker 5: that makes money.

514
00:26:02,280 --> 00:26:02,520
Speaker 4: Yeah.

515
00:26:02,920 --> 00:26:04,520
Speaker 5: Whether that's true or not, By the way, I have

516
00:26:04,600 --> 00:26:07,480
Speaker 5: no opinion. Please don't come for me. I'm just talking

517
00:26:07,520 --> 00:26:11,080
Speaker 5: about what Danna Nu says. But it's interesting when you

518
00:26:11,280 --> 00:26:14,600
Speaker 5: think about it in that lens. You're right, that sort

519
00:26:14,600 --> 00:26:18,800
Speaker 5: of sharpness and that work is everything attitude that feels

520
00:26:18,880 --> 00:26:22,119
Speaker 5: caricaturized and victorious. Says to Brooke, are you doing drugs?

521
00:26:22,119 --> 00:26:24,240
Speaker 5: Because if you are, it's okay.

522
00:26:23,440 --> 00:26:27,160
Speaker 4: I love value. It's hysterical.

523
00:26:27,560 --> 00:26:30,320
Speaker 1: That is so the woman who has never been around

524
00:26:30,320 --> 00:26:33,240
Speaker 1: for her daughter. She took off for every year, every summer,

525
00:26:33,240 --> 00:26:36,160
Speaker 1: always living somewhere else, always traveling, like you can stay home, right,

526
00:26:36,200 --> 00:26:36,640
Speaker 1: you're fine.

527
00:26:36,680 --> 00:26:38,680
Speaker 4: How old are you? You're thirteen? Now, you're good. Okay,

528
00:26:38,680 --> 00:26:39,360
Speaker 4: I'll see you later.

529
00:26:40,240 --> 00:26:42,840
Speaker 1: Yeah. Well we'll spin all this around as soon as

530
00:26:42,880 --> 00:26:44,920
Speaker 1: you Yeah, I mean, just always onto the next thing,

531
00:26:44,960 --> 00:26:49,920
Speaker 1: always working. And I love the reveal and the fact

532
00:26:49,960 --> 00:26:52,080
Speaker 1: that she is your mother, and the fact that they

533
00:26:52,280 --> 00:26:54,640
Speaker 1: thought somebody in the writer's room thought of that, Let's

534
00:26:54,680 --> 00:26:58,200
Speaker 1: have the woman running Brooks Company with her be her mom.

535
00:26:58,680 --> 00:27:01,879
Speaker 4: Because who else what complicated relationship that would be.

536
00:27:02,240 --> 00:27:06,280
Speaker 1: Can you imagine your mother who basically neglected it, abandoned you.

537
00:27:06,359 --> 00:27:09,720
Speaker 1: But she's so effing good at her job that you

538
00:27:09,800 --> 00:27:12,760
Speaker 1: hire her to run your company. It's brilliant for TV.

539
00:27:13,359 --> 00:27:17,359
Speaker 5: It's incredible. And the attitude in that scene, it was

540
00:27:17,440 --> 00:27:19,880
Speaker 5: such a great mic drop. It was a perfect way

541
00:27:19,880 --> 00:27:22,119
Speaker 5: to end the episode, because what does anyone say after that?

542
00:27:23,040 --> 00:27:26,560
Speaker 5: And yeah, when she goes on her rant about how

543
00:27:26,560 --> 00:27:28,960
Speaker 5: I've stupidly charged a house to the company, and she

544
00:27:29,040 --> 00:27:32,760
Speaker 5: says Brook and I go, mother, yeah, and there's.

545
00:27:32,600 --> 00:27:36,479
Speaker 4: Just no air. It's a little piano m and I

546
00:27:36,560 --> 00:27:37,040
Speaker 4: just love that.

547
00:27:37,160 --> 00:27:40,560
Speaker 5: Daphne picks up back to work. I'll see you on

548
00:27:40,600 --> 00:27:43,440
Speaker 5: the plane, my dutiful daughter. And on the way out,

549
00:27:43,480 --> 00:27:45,440
Speaker 5: I don't know if you guys noticed this, but.

550
00:27:45,520 --> 00:27:47,639
Speaker 6: She looks at you Hillary and she goes, nice to

551
00:27:47,640 --> 00:27:47,960
Speaker 6: see you.

552
00:27:48,080 --> 00:27:48,480
Speaker 5: Peyton.

553
00:27:49,640 --> 00:27:50,600
Speaker 4: I wrote that down.

554
00:27:50,800 --> 00:27:51,600
Speaker 3: I wrote it down.

555
00:27:51,760 --> 00:27:55,280
Speaker 5: She says it in the weirdest way, and it was

556
00:27:55,480 --> 00:27:57,960
Speaker 5: such a genius thing for Daphne to do.

557
00:27:58,640 --> 00:28:01,000
Speaker 4: She hit that tea man, it was like, I am

558
00:28:01,000 --> 00:28:03,840
Speaker 4: going to enunciate this by Peyton.

559
00:28:04,119 --> 00:28:05,560
Speaker 5: I would punch you if I could.

560
00:28:05,800 --> 00:28:09,080
Speaker 4: Oh god, she hates Peyton so much. She's so brilliant.

561
00:28:09,600 --> 00:28:12,760
Speaker 5: I love it. Great actress, and I love that in

562
00:28:12,800 --> 00:28:15,320
Speaker 5: this sort of we're grown up, but we're still kids

563
00:28:15,359 --> 00:28:21,159
Speaker 5: and we're figuring out the intersection of these things that

564
00:28:21,320 --> 00:28:22,960
Speaker 5: immediately were both children again.

565
00:28:23,000 --> 00:28:24,000
Speaker 6: And you you, oh.

566
00:28:23,920 --> 00:28:25,879
Speaker 4: My god, you looked like such a little girl in

567
00:28:25,880 --> 00:28:29,880
Speaker 4: that moment. You were so like, what do I do?

568
00:28:30,119 --> 00:28:31,879
Speaker 4: Like when when Pete says what are you gonna do?

569
00:28:31,920 --> 00:28:33,879
Speaker 4: And you just gotta shrug your shoulders and you're like,

570
00:28:36,560 --> 00:28:38,800
Speaker 4: it's like you don't even have the energy to rebel anymore.

571
00:28:38,880 --> 00:28:41,560
Speaker 4: It's just like, but you bought this house, Now, what

572
00:28:41,560 --> 00:28:42,160
Speaker 4: are you gonna do?

573
00:28:42,320 --> 00:28:44,800
Speaker 1: You walked into a house and did it what everyone

574
00:28:44,880 --> 00:28:45,680
Speaker 1: dreams of doing.

575
00:28:46,040 --> 00:28:48,880
Speaker 4: Oh my god, said that was so great. I'll take it.

576
00:28:49,040 --> 00:28:50,760
Speaker 5: I'll take it and everything in it.

577
00:28:50,840 --> 00:28:51,640
Speaker 4: Please leave it out.

578
00:28:51,960 --> 00:28:58,160
Speaker 5: That woman, I remember her, she was so funny and

579
00:28:58,200 --> 00:29:01,400
Speaker 5: her face when she asks about the cat while she's

580
00:29:01,440 --> 00:29:03,480
Speaker 5: holding him. I did a full spit take.

581
00:29:03,600 --> 00:29:07,560
Speaker 4: It was great, But like, what if Brooke had said yes,

582
00:29:07,600 --> 00:29:10,200
Speaker 4: I want your cat, like Gus was horrified that you

583
00:29:10,280 --> 00:29:13,320
Speaker 4: might say yes, so I'm going to give up cat.

584
00:29:13,600 --> 00:29:14,440
Speaker 6: It's incredible.

585
00:29:14,520 --> 00:29:17,640
Speaker 4: Don't don't take the cat, don't take the cat. Epic

586
00:29:17,800 --> 00:29:20,320
Speaker 4: epic boss move. I love it. The boss move is

587
00:29:20,360 --> 00:29:22,920
Speaker 4: to take the cat and change its name be like

588
00:29:23,080 --> 00:29:27,200
Speaker 4: you are Dorothy Now. I think it's cool that we've

589
00:29:27,280 --> 00:29:30,960
Speaker 4: introduced that iconic quote from Karen's that has now carried

590
00:29:31,040 --> 00:29:34,479
Speaker 4: over into close Over Bros. And the framing of that

591
00:29:34,520 --> 00:29:37,520
Speaker 4: shot with Brooke and Lucas and their arms crossed and

592
00:29:37,560 --> 00:29:39,880
Speaker 4: the quote behind them is like my favorite shot of

593
00:29:39,880 --> 00:29:42,480
Speaker 4: the show. That was so like, that's the show.

594
00:29:43,080 --> 00:29:48,080
Speaker 5: Yeah, I loved it, and I really there's something really nice.

595
00:29:48,520 --> 00:29:50,320
Speaker 5: You know, as much as she's trying to figure out

596
00:29:50,360 --> 00:29:53,960
Speaker 5: her family relationship, it strikes me that this is one

597
00:29:53,960 --> 00:29:57,320
Speaker 5: of the best points we've seen Brooke in with all

598
00:29:57,360 --> 00:30:01,480
Speaker 5: of her friendships. You know, like we are so strong

599
00:30:01,680 --> 00:30:05,040
Speaker 5: as these childhood best friends come back together, we're going

600
00:30:05,120 --> 00:30:08,520
Speaker 5: to figure it out together. And Brook and Lucas are

601
00:30:08,520 --> 00:30:12,080
Speaker 5: in this great place where they're buds, like they're really buds,

602
00:30:12,200 --> 00:30:15,880
Speaker 5: and there's such fun stuff for them coming down the line.

603
00:30:15,880 --> 00:30:17,720
Speaker 5: You know, I don't want to spoil anything for anybody,

604
00:30:17,760 --> 00:30:20,280
Speaker 5: but you know, there's like a major fake out scene

605
00:30:20,320 --> 00:30:23,280
Speaker 5: coming in a couple of episodes this season, and there's

606
00:30:23,400 --> 00:30:27,479
Speaker 5: just great stuff and I don't know. I remember. I

607
00:30:27,560 --> 00:30:34,200
Speaker 5: remember I remembered watching the episode how good all of

608
00:30:34,240 --> 00:30:39,000
Speaker 5: these scenes felt. I really enjoyed these storylines. They felt nice.

609
00:30:39,200 --> 00:30:41,719
Speaker 4: As an actor, yeah, Joy, you had to do some

610
00:30:41,760 --> 00:30:44,120
Speaker 4: sad stuff in this episode, but oh my show was fun.

611
00:30:44,160 --> 00:30:47,200
Speaker 4: And I do have that like kind of static electricity

612
00:30:47,280 --> 00:30:51,160
Speaker 4: feeling that sense memory. I loved your stuff that. Yeah,

613
00:30:51,200 --> 00:30:55,880
Speaker 4: I remember filming it. I remember enjoying it. And David

614
00:30:55,960 --> 00:30:57,760
Speaker 4: Jackson is a director that I got to work with

615
00:30:57,800 --> 00:31:00,520
Speaker 4: again on White Collar, and he's just a standup dude,

616
00:31:00,840 --> 00:31:03,720
Speaker 4: and you know, we were lucky to have him.

617
00:31:04,400 --> 00:31:07,120
Speaker 5: Yeah, he did such a good job with us. And

618
00:31:07,200 --> 00:31:13,320
Speaker 5: it is really nice, you know, Joy, you said it

619
00:31:13,560 --> 00:31:19,280
Speaker 5: watching Peyton be so happy, like seeing you happy and

620
00:31:19,360 --> 00:31:23,000
Speaker 5: empowered and hungry for work.

621
00:31:22,960 --> 00:31:23,920
Speaker 4: Taking charge of it.

622
00:31:24,600 --> 00:31:27,920
Speaker 5: Yeah, I love seeing you laugh and smile and look

623
00:31:27,920 --> 00:31:31,640
Speaker 5: at these dudes and be like, I'm the one take

624
00:31:31,640 --> 00:31:32,239
Speaker 5: you to leave it.

625
00:31:32,320 --> 00:31:35,080
Speaker 4: I got two things they don't have me and an

626
00:31:35,120 --> 00:31:40,400
Speaker 4: interest in you like that, And I'm gonna put that

627
00:31:40,480 --> 00:31:41,400
Speaker 4: in my repertoire.

628
00:31:42,040 --> 00:31:43,320
Speaker 6: It was a good one.

629
00:31:44,120 --> 00:31:46,959
Speaker 4: Kevin fetterline, can we talk about Kevin for a second.

630
00:31:47,000 --> 00:31:50,959
Speaker 4: I was lovely you guys. I was not into the

631
00:31:51,000 --> 00:31:53,560
Speaker 4: idea of Kevin Fetterline being stunt cast as the lead

632
00:31:53,600 --> 00:31:56,440
Speaker 4: singer of this band because I'd interviewed Britney Spears at

633
00:31:56,480 --> 00:31:59,560
Speaker 4: MTV and she was like a sweet chick and she

634
00:31:59,600 --> 00:32:04,200
Speaker 4: had fun on some like really difficult times. And now

635
00:32:04,640 --> 00:32:08,239
Speaker 4: people are finally addressing that tabloid media storm that surrounded her.

636
00:32:08,280 --> 00:32:11,160
Speaker 4: But I was always really grossed out by it because

637
00:32:11,400 --> 00:32:15,440
Speaker 4: she was never a malicious or mean person, and I

638
00:32:15,480 --> 00:32:17,800
Speaker 4: just didn't like how all that played out, And so

639
00:32:17,960 --> 00:32:22,760
Speaker 4: I was confused how to feel about Kevin. And he

640
00:32:23,000 --> 00:32:27,160
Speaker 4: showed up, and that man worked so hard. He was

641
00:32:27,200 --> 00:32:30,160
Speaker 4: so insecure about like how do I deliver these lines?

642
00:32:30,640 --> 00:32:34,480
Speaker 4: He took direction, he really tried, and he was so

643
00:32:34,760 --> 00:32:36,680
Speaker 4: nice to everybody.

644
00:32:37,000 --> 00:32:41,920
Speaker 1: Yeah, super professional, really eager. Didn't come in cocky, which

645
00:32:42,000 --> 00:32:44,000
Speaker 1: is funny because he was playing such a cocky character.

646
00:32:44,200 --> 00:32:46,280
Speaker 6: Yeah, you know what shocked me.

647
00:32:47,800 --> 00:32:50,160
Speaker 5: Because I remember all that stuff, the chatter of well,

648
00:32:50,160 --> 00:32:52,920
Speaker 5: what's going on and this seems weird and is this

649
00:32:53,320 --> 00:32:56,520
Speaker 5: somebody kind of bullying Britney Spears in a way like

650
00:32:56,560 --> 00:32:59,280
Speaker 5: we were all nervous. But I didn't work with him,

651
00:32:59,480 --> 00:33:01,920
Speaker 5: so I remember just asking you, like, what's.

652
00:33:01,680 --> 00:33:02,560
Speaker 6: The deal, what's the vibe.

653
00:33:02,600 --> 00:33:03,040
Speaker 4: Is he nice?

654
00:33:03,080 --> 00:33:03,800
Speaker 6: Is he rude?

655
00:33:03,840 --> 00:33:05,160
Speaker 5: Like a are we?

656
00:33:05,240 --> 00:33:05,480
Speaker 4: Are we?

657
00:33:05,520 --> 00:33:06,800
Speaker 6: Anti? Like what's the you know?

658
00:33:06,920 --> 00:33:10,080
Speaker 4: What are we? It's it's basically the conversation we had

659
00:33:10,080 --> 00:33:12,760
Speaker 4: about Lindsay and clothes over bros. We had my Kevin

660
00:33:12,800 --> 00:33:14,520
Speaker 4: Petderli what are we? What side?

661
00:33:14,680 --> 00:33:15,120
Speaker 5: What are we?

662
00:33:15,200 --> 00:33:16,880
Speaker 6: You tell me? I don't know the details.

663
00:33:17,120 --> 00:33:17,800
Speaker 4: And I.

664
00:33:19,600 --> 00:33:24,200
Speaker 5: Was laughing watching the episode because I remember everybody's saying, no,

665
00:33:24,280 --> 00:33:26,400
Speaker 5: he's great, he's working really hard, he's really polite to

666
00:33:26,400 --> 00:33:29,320
Speaker 5: the whole crew, andah, awesome, Well that's nice.

667
00:33:29,680 --> 00:33:30,000
Speaker 4: Cool.

668
00:33:30,640 --> 00:33:35,000
Speaker 5: I had no idea that his character's band was like

669
00:33:35,440 --> 00:33:37,400
Speaker 5: a rock band at all.

670
00:33:37,680 --> 00:33:42,600
Speaker 4: Gus goes was that music cool at that time? And yeah, dude,

671
00:33:42,840 --> 00:33:47,920
Speaker 4: it was. Yeah. No, they they had a couple different

672
00:33:48,040 --> 00:33:50,520
Speaker 4: like bands that he would They were like, well, what

673
00:33:50,520 --> 00:33:53,000
Speaker 4: we can we get? That? Like? Sounds like him?

674
00:33:53,040 --> 00:33:54,360
Speaker 6: Interesting And I.

675
00:33:54,280 --> 00:33:56,480
Speaker 4: Think that was part of why he was so deferential,

676
00:33:56,600 --> 00:34:00,320
Speaker 4: because he was even like, why'd you cast me? Yeah? Yeah.

677
00:34:00,880 --> 00:34:04,440
Speaker 4: I ended up going out with him in Wilmington, like

678
00:34:04,480 --> 00:34:07,360
Speaker 4: a whole bunch of people after work went out and

679
00:34:07,400 --> 00:34:10,800
Speaker 4: there was this really surreal moment where he ordered trays

680
00:34:11,160 --> 00:34:15,400
Speaker 4: of shots for the entire crew and so I'm sitting

681
00:34:15,440 --> 00:34:18,279
Speaker 4: there with Kevin Federline taking like tequila shots and you

682
00:34:18,280 --> 00:34:20,880
Speaker 4: know when you're in those moments of absurdity and you

683
00:34:21,000 --> 00:34:23,120
Speaker 4: know you're in it and you're like, I'm gonna remember

684
00:34:23,160 --> 00:34:23,760
Speaker 4: this forever.

685
00:34:24,440 --> 00:34:27,759
Speaker 1: Yeah, I've never referenced it again, but like, this is

686
00:34:27,800 --> 00:34:28,360
Speaker 1: not normal.

687
00:34:29,160 --> 00:34:32,839
Speaker 4: Yeah, doing shots with our entire crew with Kevin Feederline

688
00:34:32,920 --> 00:34:36,399
Speaker 4: was a weird one. He was very sweet, he was great.

689
00:34:37,520 --> 00:34:40,319
Speaker 1: Yeah, that was the appearance of the stripe tank top

690
00:34:40,480 --> 00:34:42,680
Speaker 1: for Peyton was in that serious.

691
00:34:43,680 --> 00:34:46,600
Speaker 4: But I was thinking, like, am I wrong?

692
00:34:46,640 --> 00:34:50,200
Speaker 1: But I feel like generally Peyton has been like things

693
00:34:50,239 --> 00:34:52,319
Speaker 1: happened to her and then she has to deal with it.

694
00:34:52,719 --> 00:34:54,680
Speaker 1: That seems to be like a lot of what's going on.

695
00:34:54,800 --> 00:34:58,360
Speaker 1: So maybe that's why it felt so exciting and refreshing

696
00:34:58,440 --> 00:35:01,960
Speaker 1: to see Peyton really taking the reins and making decisions

697
00:35:01,960 --> 00:35:04,200
Speaker 1: for herself and sticking up for herself and going out

698
00:35:04,200 --> 00:35:06,600
Speaker 1: and being like, Okay, here's what I'm going to do.

699
00:35:06,840 --> 00:35:08,800
Speaker 1: I'm going to sell this and I'm going to believe

700
00:35:08,800 --> 00:35:11,120
Speaker 1: in myself and believe in this dream because I didn't

701
00:35:11,160 --> 00:35:13,759
Speaker 1: just leave La for nothing to come back here and

702
00:35:13,840 --> 00:35:17,200
Speaker 1: be too scared and you know, kind of pussy foot

703
00:35:17,239 --> 00:35:19,719
Speaker 1: around it and then just like fail, I'm really going

704
00:35:19,760 --> 00:35:21,480
Speaker 1: to go for it. And I loved watching her just

705
00:35:21,560 --> 00:35:22,520
Speaker 1: jump in with both feet.

706
00:35:22,560 --> 00:35:26,319
Speaker 4: It was so cool. There's a nice feeling like when

707
00:35:26,360 --> 00:35:28,520
Speaker 4: you come back to your hometown and you've already dealt

708
00:35:28,560 --> 00:35:32,279
Speaker 4: with something harder, like like I remember going to New

709
00:35:32,320 --> 00:35:35,200
Speaker 4: York City and being so scared, like so scared, and

710
00:35:35,239 --> 00:35:36,960
Speaker 4: I had so many people tell me like, oh, you'll

711
00:35:37,239 --> 00:35:39,239
Speaker 4: go for six months and then you'll transfer back to

712
00:35:39,560 --> 00:35:42,759
Speaker 4: a school in Virginia, Like you'll go, but you'll come back.

713
00:35:43,320 --> 00:35:47,319
Speaker 4: And then like being able to come home and be like, no,

714
00:35:47,400 --> 00:35:51,120
Speaker 4: I I know what I'm doing now, like I did

715
00:35:51,160 --> 00:35:54,040
Speaker 4: the thing and I can keep doing it. I like

716
00:35:54,120 --> 00:35:56,399
Speaker 4: the feeling that Peyton's like I went and I did

717
00:35:56,400 --> 00:35:58,800
Speaker 4: the thing, and I can keep doing it. And now

718
00:35:58,920 --> 00:36:01,560
Speaker 4: I can include the people that I love, like I

719
00:36:01,600 --> 00:36:04,080
Speaker 4: can invite my friends over to my office, I can

720
00:36:04,120 --> 00:36:07,440
Speaker 4: consult with them about what's cool. That's the gift of

721
00:36:07,480 --> 00:36:10,520
Speaker 4: being able to go away from your hometown and bring

722
00:36:10,600 --> 00:36:15,400
Speaker 4: something back to it. So I'm excited about the development

723
00:36:15,400 --> 00:36:18,120
Speaker 4: of Red Bedroom Records. Gus this is all This is

724
00:36:18,120 --> 00:36:21,560
Speaker 4: the Gus episode. He really liked the office and he

725
00:36:21,719 --> 00:36:24,600
Speaker 4: was like oh my god, the records on the wall?

726
00:36:25,040 --> 00:36:28,080
Speaker 4: Did you place those? And I was like, as a

727
00:36:28,120 --> 00:36:32,280
Speaker 4: matter of fact, buddy, I did because our art department

728
00:36:32,360 --> 00:36:35,040
Speaker 4: just pulled all the records from Peyton's old bedroom and

729
00:36:35,120 --> 00:36:37,000
Speaker 4: I just sat there one day with them and we

730
00:36:37,080 --> 00:36:39,719
Speaker 4: pulled the ones that we thought were like cool, the

731
00:36:39,719 --> 00:36:41,880
Speaker 4: ones I liked, and those are the ones that we

732
00:36:41,960 --> 00:36:46,000
Speaker 4: put in the background, and they were. It made it

733
00:36:46,040 --> 00:36:56,839
Speaker 4: feel like a real space that was mine. We need

734
00:36:56,840 --> 00:37:02,640
Speaker 4: to talk about the Scott family, Dan Nathan, Yeah, weird

735
00:37:02,760 --> 00:37:06,960
Speaker 4: prison any Carrie keeping it from Haley. I mean, the

736
00:37:07,920 --> 00:37:11,520
Speaker 4: most touching part of the episode for me was when

737
00:37:11,560 --> 00:37:14,640
Speaker 4: Haley sits down and says, I missed you. That's a

738
00:37:14,760 --> 00:37:17,080
Speaker 4: really hard thing to admit to someone that you live

739
00:37:17,120 --> 00:37:20,400
Speaker 4: in the same house with. Yeah. That hit me.

740
00:37:20,680 --> 00:37:23,640
Speaker 1: Yeah, yeah, I don't think I understood that at the time.

741
00:37:25,440 --> 00:37:27,600
Speaker 1: That's a mature thing you understand when you're older and

742
00:37:27,640 --> 00:37:32,239
Speaker 1: you've been through some hard times. I think when I

743
00:37:32,320 --> 00:37:34,520
Speaker 1: was what were we like twenty four? To me it

744
00:37:34,560 --> 00:37:37,040
Speaker 1: was like, oh, yeah, I missed this. Sad, but yeah

745
00:37:37,200 --> 00:37:39,120
Speaker 1: it was. It's a profound thing to say.

746
00:37:39,200 --> 00:37:43,040
Speaker 4: You're right, are you regretting hiring nanny Carey? Are you feeling,

747
00:37:43,520 --> 00:37:45,080
Speaker 4: is Haley feeling weird about it?

748
00:37:45,160 --> 00:37:48,439
Speaker 1: Yet you know, it's amazing, Like I'm watching this and

749
00:37:49,040 --> 00:37:52,040
Speaker 1: she is crossing all kinds of boundaries already, Like they're

750
00:37:52,040 --> 00:37:54,399
Speaker 1: making it seem like it's she's cute and sweet and nice,

751
00:37:54,440 --> 00:37:57,000
Speaker 1: but I'm like the way that she talks to Nathan,

752
00:37:57,120 --> 00:38:00,560
Speaker 1: even just like passing by his bedroom and having a conversation,

753
00:38:00,680 --> 00:38:04,480
Speaker 1: it's just so inappropriate. Well, you know, while he's stretching

754
00:38:04,480 --> 00:38:07,400
Speaker 1: on the floor and then asking about his it's like

755
00:38:07,440 --> 00:38:10,239
Speaker 1: that I'm empathetic. I'm here, I'm an opening open book,

756
00:38:10,360 --> 00:38:12,920
Speaker 1: listening ear. But it's not that's not what you're here for.

757
00:38:13,040 --> 00:38:15,160
Speaker 1: You're you're here to watch the kid. Why are you

758
00:38:15,800 --> 00:38:18,480
Speaker 1: talking to me about? How do I feel? Being a

759
00:38:18,520 --> 00:38:21,120
Speaker 1: state hometown hero? All these things? It just feels like

760
00:38:21,800 --> 00:38:24,040
Speaker 1: it just felt so inappropriate, but it was done in

761
00:38:24,080 --> 00:38:27,400
Speaker 1: a really subtle way that I guess that's kind of

762
00:38:27,400 --> 00:38:29,919
Speaker 1: how it works. When somebody's pushing your boundaries. You're kind

763
00:38:29,920 --> 00:38:35,480
Speaker 1: of like, are you trespassing or is this You're just

764
00:38:35,520 --> 00:38:38,800
Speaker 1: being nice? I think you're just being nice. Right, That's okay, right,

765
00:38:38,920 --> 00:38:40,560
Speaker 1: I Mean I'm a little uncomfortable, but it's just me

766
00:38:40,680 --> 00:38:41,600
Speaker 1: you're fine, It's fine.

767
00:38:41,680 --> 00:38:43,960
Speaker 6: Right, it's in an episode.

768
00:38:44,000 --> 00:38:46,560
Speaker 5: It's the same as Peyton and Lindsay trying to figure

769
00:38:46,560 --> 00:38:51,000
Speaker 5: each other out, but it's in this other arena. And

770
00:38:51,040 --> 00:38:52,400
Speaker 5: I think it's really interesting.

771
00:38:52,520 --> 00:38:55,279
Speaker 4: Right, she's an employee. It's totally inappropriate.

772
00:38:55,480 --> 00:38:58,480
Speaker 5: Well sure, but just like you've got Peyton going she's

773
00:38:58,520 --> 00:39:02,520
Speaker 5: being weird. And then and you've got Nathan kind of

774
00:39:02,520 --> 00:39:04,440
Speaker 5: looking at Nanny Carey like what are you doing here?

775
00:39:04,440 --> 00:39:07,439
Speaker 5: Why are you talking to me? She just keeps being nice.

776
00:39:07,480 --> 00:39:09,800
Speaker 4: She should be and exactly.

777
00:39:09,360 --> 00:39:11,600
Speaker 5: But then you've got this, just as you're saying you

778
00:39:11,680 --> 00:39:13,759
Speaker 5: have this, Is it or isn't it?

779
00:39:13,800 --> 00:39:14,080
Speaker 4: Is she?

780
00:39:14,320 --> 00:39:18,759
Speaker 5: Is she just nice and a little clueless? Or am

781
00:39:18,760 --> 00:39:21,560
Speaker 5: I weirded out by this for a reason?

782
00:39:22,120 --> 00:39:22,319
Speaker 4: Yeah?

783
00:39:22,440 --> 00:39:24,480
Speaker 5: Has she done anything wrong? No, but I have a

784
00:39:24,520 --> 00:39:28,520
Speaker 5: feeling I don't know, it's smart so iggy.

785
00:39:29,400 --> 00:39:32,400
Speaker 4: When she said, oh, you beat us in high school

786
00:39:32,400 --> 00:39:34,560
Speaker 4: and I cried for a week, that was the line

787
00:39:34,560 --> 00:39:38,080
Speaker 4: where I was like, this chick a level. She didn't

788
00:39:38,080 --> 00:39:40,800
Speaker 4: cry for a week, Like that's a weird thing to say.

789
00:39:41,040 --> 00:39:43,640
Speaker 5: You know what did it for me was her walking

790
00:39:43,680 --> 00:39:46,040
Speaker 5: in and asking him how he was doing and being like, well,

791
00:39:46,080 --> 00:39:47,720
Speaker 5: you know, I used to be a personal trainer.

792
00:39:47,840 --> 00:39:51,240
Speaker 6: I was like, nope, nope, nope, you're dropping hints.

793
00:39:52,760 --> 00:39:56,360
Speaker 1: Yeah, no, no boundary crossing and listen.

794
00:39:56,360 --> 00:39:58,920
Speaker 5: I understand that it was really important for Nathan to

795
00:39:59,080 --> 00:40:04,640
Speaker 5: see how important to Jamie he is. But I also

796
00:40:04,880 --> 00:40:08,080
Speaker 5: was like, wow, you you promised the kid you wouldn't tell.

797
00:40:08,239 --> 00:40:10,480
Speaker 5: That's what Gus said, and then as soon as he

798
00:40:10,560 --> 00:40:11,560
Speaker 5: was sleeping.

799
00:40:11,160 --> 00:40:14,000
Speaker 4: You told it's her first day.

800
00:40:14,440 --> 00:40:16,080
Speaker 5: Yeah, like you betrayed his trust.

801
00:40:16,400 --> 00:40:16,600
Speaker 4: Yeah.

802
00:40:16,600 --> 00:40:19,080
Speaker 1: And then at Haley at the car and roughed it.

803
00:40:19,239 --> 00:40:21,240
Speaker 1: I mean, I guess it's it's like, it's nice, okay,

804
00:40:21,239 --> 00:40:23,359
Speaker 1: thank you for being empathetic, and then Haley just kind

805
00:40:23,360 --> 00:40:24,239
Speaker 1: of like let it all out.

806
00:40:24,320 --> 00:40:28,040
Speaker 4: But yeah, I don't know, it stinks to me.

807
00:40:28,560 --> 00:40:29,480
Speaker 6: It's well done.

808
00:40:29,600 --> 00:40:32,640
Speaker 4: Hey, Lindsay didn't give Nanny Carrey any lucky bamboo. It

809
00:40:32,719 --> 00:40:37,759
Speaker 4: was her first day on the job too, saying you're

810
00:40:37,760 --> 00:40:39,600
Speaker 4: gonna die with this. This is the hill you're dying.

811
00:40:39,880 --> 00:40:41,319
Speaker 4: I'm dying on that hill man.

812
00:40:41,680 --> 00:40:42,799
Speaker 5: I'm here for it.

813
00:40:43,120 --> 00:40:44,799
Speaker 6: But I do I really want to know.

814
00:40:45,360 --> 00:40:49,200
Speaker 5: Do you guys think that because we know where the

815
00:40:49,280 --> 00:40:53,080
Speaker 5: Nanny Carey storyline goes, we're pulling at all the threads.

816
00:40:53,120 --> 00:40:54,520
Speaker 6: Now, girl, No.

817
00:40:54,600 --> 00:40:56,759
Speaker 1: I was really trying to watch it from a perspective

818
00:40:56,800 --> 00:40:59,920
Speaker 1: of like just clean curious. I'm a new viewer, I

819
00:41:00,120 --> 00:41:03,520
Speaker 1: have no idea who this person is. Yes, and it's

820
00:41:03,520 --> 00:41:05,359
Speaker 1: still I was like, okay, I get for the sake

821
00:41:05,400 --> 00:41:10,719
Speaker 1: of TV drama, sometimes they will lean into someone being

822
00:41:10,760 --> 00:41:13,800
Speaker 1: a little bit more I don't know what the word is.

823
00:41:13,880 --> 00:41:15,480
Speaker 1: I'm not going to say boundary crossing, but just a

824
00:41:15,520 --> 00:41:18,480
Speaker 1: little bit more overt inappropriate.

825
00:41:18,520 --> 00:41:21,280
Speaker 4: Everybody walks in our front doors, like nobody locks their doors,

826
00:41:21,280 --> 00:41:22,719
Speaker 4: nobody closes their doors.

827
00:41:22,880 --> 00:41:27,720
Speaker 1: Exactly, but it's still just it's smacked of something gross

828
00:41:27,760 --> 00:41:27,960
Speaker 1: to me.

829
00:41:28,000 --> 00:41:30,759
Speaker 4: It just fell like, why did Nathan have his door closed?

830
00:41:30,960 --> 00:41:33,680
Speaker 1: Well, because there's a professional in the house, and a

831
00:41:33,719 --> 00:41:37,520
Speaker 1: professional should just walk out, walk down the hallway, maybe

832
00:41:37,560 --> 00:41:40,480
Speaker 1: even wave if you happen to catch the person's eye,

833
00:41:40,520 --> 00:41:43,680
Speaker 1: and then just like keep going. It's not time to

834
00:41:43,719 --> 00:41:46,080
Speaker 1: stop and have a conversation. When the man that is

835
00:41:46,120 --> 00:41:48,799
Speaker 1: living in the home that you're working in is in

836
00:41:48,960 --> 00:41:52,879
Speaker 1: his bedroom stretching on the floor, that's not the time

837
00:41:52,920 --> 00:41:53,840
Speaker 1: to have a conversation.

838
00:41:54,160 --> 00:41:54,680
Speaker 4: It's weird.

839
00:41:55,080 --> 00:41:59,840
Speaker 5: If anything, it's a oh hey, you need anything, like

840
00:41:59,520 --> 00:42:01,000
Speaker 5: a like a little bit imma.

841
00:42:01,160 --> 00:42:04,000
Speaker 4: Sorry yeah, oops, sorry, didn't.

842
00:42:03,719 --> 00:42:04,480
Speaker 6: Mean to interrupt.

843
00:42:04,719 --> 00:42:05,880
Speaker 5: Can I get you something?

844
00:42:05,960 --> 00:42:06,040
Speaker 4: No?

845
00:42:06,200 --> 00:42:06,520
Speaker 5: Okay?

846
00:42:06,520 --> 00:42:12,399
Speaker 4: Bye? Yeah? I love the brooken paint her like the abort.

847
00:42:13,440 --> 00:42:14,280
Speaker 6: What were you doing?

848
00:42:14,520 --> 00:42:17,840
Speaker 4: You totally warned her? Yeah. I feel like Haley should

849
00:42:17,840 --> 00:42:20,960
Speaker 4: have asked way more questions of this chick, like so,

850
00:42:21,000 --> 00:42:26,279
Speaker 4: who's your boyfriend? You don't have a boyfriend? Bye? Yeah. Yeah.

851
00:42:26,360 --> 00:42:30,279
Speaker 1: Hailey's always been a you know, rely on her instinct

852
00:42:30,320 --> 00:42:34,880
Speaker 1: and character judgment, and she passes. She passes judgment on

853
00:42:34,920 --> 00:42:38,200
Speaker 1: people pretty quickly. I think she makes quick character decisions

854
00:42:38,239 --> 00:42:40,320
Speaker 1: about people. She did it with Rachel, she did with Nathan,

855
00:42:40,360 --> 00:42:42,479
Speaker 1: even though she turned out to be a little wrong

856
00:42:42,480 --> 00:42:47,200
Speaker 1: about Nathan. But she's very quick to trust her instinct

857
00:42:47,239 --> 00:42:50,279
Speaker 1: on those things. And you're not always gonna be right,

858
00:42:50,320 --> 00:42:50,520
Speaker 1: you know.

859
00:42:50,719 --> 00:42:53,680
Speaker 4: Well, you would think with her her history with someone

860
00:42:53,760 --> 00:42:56,200
Speaker 4: like Rachel, where it was like the hot chick is

861
00:42:56,239 --> 00:42:59,799
Speaker 4: throwing herself at my husband. Yeah, she just thinks that

862
00:43:00,040 --> 00:43:02,440
Speaker 4: Ean so down and out right now, there's just no

863
00:43:02,560 --> 00:43:05,680
Speaker 4: way anyone would be attracted to him. No.

864
00:43:05,800 --> 00:43:08,120
Speaker 1: I guess it's just that she's like, I mean when

865
00:43:08,160 --> 00:43:13,239
Speaker 1: Tory came in that she's Carrie's wearing like sweats and

866
00:43:13,280 --> 00:43:15,560
Speaker 1: her hair's in a ponytail and there's no makeup, and

867
00:43:15,600 --> 00:43:18,200
Speaker 1: it's just really like the whole expression on her face

868
00:43:18,280 --> 00:43:21,320
Speaker 1: is so sweet and innocent and young, and there's nothing

869
00:43:21,360 --> 00:43:24,799
Speaker 1: about her that feels like there's guile or malice or

870
00:43:25,400 --> 00:43:26,800
Speaker 1: any sort of false intent.

871
00:43:28,120 --> 00:43:32,120
Speaker 5: Well, and they played it well because she shows up

872
00:43:32,200 --> 00:43:36,440
Speaker 5: in a moment of heightened stress and desperation for Hailey.

873
00:43:37,440 --> 00:43:42,080
Speaker 5: Everything is bad and Haley and Nathan are fighting and

874
00:43:42,080 --> 00:43:45,080
Speaker 5: then they realize their little boy is not in the backyard,

875
00:43:46,040 --> 00:43:48,319
Speaker 5: and Ian Waltz is this woman with him and says,

876
00:43:48,360 --> 00:43:52,600
Speaker 5: it's okay, I'm a nanny. I'm you know, I know

877
00:43:52,600 --> 00:43:55,759
Speaker 5: how it goes, and it plants the seed in a

878
00:43:55,800 --> 00:43:58,879
Speaker 5: moment where it's like, oh, you just helped us. Oh

879
00:43:58,960 --> 00:44:01,520
Speaker 5: maybe you could say of us, Oh I do need

880
00:44:01,760 --> 00:44:04,160
Speaker 5: help And you say that to her in that scene,

881
00:44:04,200 --> 00:44:07,000
Speaker 5: like who am I kidding? I need help here? And

882
00:44:07,040 --> 00:44:11,200
Speaker 5: I think I don't think if everything had been great,

883
00:44:11,680 --> 00:44:14,080
Speaker 5: you might have just hired some girl off the street

884
00:44:14,480 --> 00:44:15,400
Speaker 5: and your child.

885
00:44:16,600 --> 00:44:18,600
Speaker 1: Yeah, it's like the process you would go through where

886
00:44:18,640 --> 00:44:21,600
Speaker 1: you get resumes and you do interviews with multiple people

887
00:44:21,800 --> 00:44:26,200
Speaker 1: and yeah, it's just a dire circumstances. I'm teaching my

888
00:44:26,280 --> 00:44:30,560
Speaker 1: husband can't move around. My kid is neglected, not neglected,

889
00:44:30,560 --> 00:44:32,640
Speaker 1: but you know, my kid is not getting the attention

890
00:44:33,160 --> 00:44:35,040
Speaker 1: that he's I want him to have.

891
00:44:35,239 --> 00:44:36,120
Speaker 4: He needs a buddy.

892
00:44:36,640 --> 00:44:36,879
Speaker 6: Yeah.

893
00:44:36,920 --> 00:44:40,880
Speaker 4: My favorite line about your teaching was when Haley comes

894
00:44:40,920 --> 00:44:43,439
Speaker 4: to meet Lucas for lunch and she says she can't

895
00:44:43,480 --> 00:44:45,799
Speaker 4: hang out in the teachers lounge because they're all still

896
00:44:45,840 --> 00:44:48,399
Speaker 4: act like that was mine too.

897
00:44:49,760 --> 00:44:52,160
Speaker 3: God, Yeah, can.

898
00:44:52,040 --> 00:44:52,839
Speaker 4: You imagine that?

899
00:44:52,920 --> 00:44:55,719
Speaker 1: How weird would that be to go back to the

900
00:44:55,800 --> 00:44:58,120
Speaker 1: high school where you taught at and now I mean

901
00:44:58,160 --> 00:44:59,919
Speaker 1: where you went to high school and then now trying

902
00:44:59,920 --> 00:45:01,720
Speaker 1: to teach and then hang out with all the teachers

903
00:45:01,760 --> 00:45:02,240
Speaker 1: like equals.

904
00:45:02,280 --> 00:45:05,240
Speaker 4: That would that would be really hard. I can't I've

905
00:45:05,280 --> 00:45:06,719
Speaker 4: gone back to my high school so many times and

906
00:45:06,800 --> 00:45:08,680
Speaker 4: hung out in the teacher's lounge. And most of my

907
00:45:08,719 --> 00:45:11,120
Speaker 4: teachers are retired now, but when I first started going back,

908
00:45:11,160 --> 00:45:14,000
Speaker 4: obviously they were all still there and they like want

909
00:45:14,040 --> 00:45:16,319
Speaker 4: you to call them by their first name, like my

910
00:45:16,400 --> 00:45:19,080
Speaker 4: teachers all did the opposite. They were like, let's go drinking,

911
00:45:19,680 --> 00:45:22,319
Speaker 4: you know, like and that was so weird for me

912
00:45:22,360 --> 00:45:25,200
Speaker 4: because I was like, no, I I need you to

913
00:45:25,239 --> 00:45:27,680
Speaker 4: be an authority figure, like I need you to be

914
00:45:27,800 --> 00:45:31,279
Speaker 4: someone I could rely on. I've got an I need

915
00:45:31,280 --> 00:45:36,120
Speaker 4: you for comfort. Please hold me. I'm so scared. Stop

916
00:45:36,200 --> 00:45:39,960
Speaker 4: shifting the paradigm. Yeah, teachers are fun, man. You want

917
00:45:39,960 --> 00:45:41,560
Speaker 4: to talk about people who know how to get into

918
00:45:41,640 --> 00:45:44,279
Speaker 4: trouble teachers? Yeah, throw down.

919
00:45:44,719 --> 00:45:48,759
Speaker 5: Yeah, I gotta say I loved I loved Hailey being

920
00:45:48,760 --> 00:45:51,840
Speaker 5: in Lucas's office. It just again, it tells a story

921
00:45:52,480 --> 00:45:56,360
Speaker 5: so simply, and then you talking about that, which was

922
00:45:56,400 --> 00:46:01,280
Speaker 5: truly my favorite thing, made me as a viewer yearn

923
00:46:01,480 --> 00:46:02,720
Speaker 5: to see the teacher's lounge.

924
00:46:02,880 --> 00:46:03,879
Speaker 4: Yeah you've never seen it.

925
00:46:04,000 --> 00:46:07,640
Speaker 1: Yes, show us. Do we ever even have? I honestly

926
00:46:07,640 --> 00:46:09,759
Speaker 1: don't remember if we ever even go into the teacher's lounge?

927
00:46:09,800 --> 00:46:12,160
Speaker 5: Yeah, we never did, because it's not a set that

928
00:46:12,200 --> 00:46:12,680
Speaker 5: we build.

929
00:46:12,880 --> 00:46:14,320
Speaker 4: I wish they would have shown it to us. I

930
00:46:14,360 --> 00:46:16,360
Speaker 4: wish they would have shown, like Haley walking in to

931
00:46:16,440 --> 00:46:19,160
Speaker 4: get coffee. I'd be like, good morning, Pearl and have

932
00:46:19,239 --> 00:46:22,440
Speaker 4: Pearl turn around and be like, it's miss Walker. You

933
00:46:22,480 --> 00:46:23,000
Speaker 4: know what I mean?

934
00:46:23,440 --> 00:46:25,600
Speaker 5: Yeah, it makes me uncomfortable when you call me by

935
00:46:25,600 --> 00:46:28,560
Speaker 5: my first name, Haley. Yes, it would have been so good.

936
00:46:28,800 --> 00:46:30,600
Speaker 5: And you know what, it makes me realize and listen,

937
00:46:30,640 --> 00:46:33,520
Speaker 5: it's part of it. Right, Like, we didn't build a

938
00:46:33,520 --> 00:46:36,960
Speaker 5: teacher's lounge because it's expensive to build sets and where

939
00:46:36,960 --> 00:46:38,960
Speaker 5: would we have put it. But when you get to

940
00:46:39,000 --> 00:46:42,359
Speaker 5: see outside of the world, Like there's that moment when

941
00:46:42,480 --> 00:46:46,960
Speaker 5: Lucas and Skills see the boys practicing their free throws

942
00:46:47,520 --> 00:46:50,640
Speaker 5: and they're so happy that it's happening, that they're coaching

943
00:46:50,719 --> 00:46:54,600
Speaker 5: is working, and there's one shot over their shoulders that

944
00:46:54,719 --> 00:46:56,759
Speaker 5: doesn't go into the gym or into the hall you

945
00:46:56,760 --> 00:46:59,720
Speaker 5: know the back wall of the hallway. It looks down

946
00:46:59,760 --> 00:47:02,799
Speaker 5: the hallway, and that's at the actual school because we

947
00:47:02,800 --> 00:47:06,240
Speaker 5: were in the actual gym and you see this huge

948
00:47:06,400 --> 00:47:09,480
Speaker 5: hallway that leads up to the gymnasium and it was

949
00:47:09,600 --> 00:47:14,160
Speaker 5: just like five seconds on camera. But seeing something else

950
00:47:15,080 --> 00:47:18,400
Speaker 5: made me feel really grounded on a campus because it

951
00:47:18,480 --> 00:47:21,319
Speaker 5: wasn't just the same two hallways in the same classroom

952
00:47:21,360 --> 00:47:25,400
Speaker 5: in Whitey's office. It was it was a bigger universe.

953
00:47:27,400 --> 00:47:29,640
Speaker 5: That's my soapbox about wanting a teacher's lounge.

954
00:47:29,840 --> 00:47:34,200
Speaker 4: Good job coach, you two coach. Oh, I love those

955
00:47:34,200 --> 00:47:34,960
Speaker 4: boys together.

956
00:47:35,160 --> 00:47:36,240
Speaker 5: It was so sweet.

957
00:47:36,840 --> 00:47:39,600
Speaker 4: How do we feel about Dan being in prison? Yeah, guys,

958
00:47:39,800 --> 00:47:44,040
Speaker 4: the least secure prison in the history of prisons in

959
00:47:44,080 --> 00:47:47,680
Speaker 4: the history of prisons. You go out in the yard

960
00:47:47,719 --> 00:47:51,400
Speaker 4: gate it had a chain like Fance with one little.

961
00:47:52,120 --> 00:47:55,320
Speaker 5: Big a barbed wire that was ridiculous.

962
00:47:55,680 --> 00:47:57,000
Speaker 4: Where did we film that?

963
00:47:57,400 --> 00:48:00,160
Speaker 5: Probably at a school. It was probably the like the

964
00:48:00,239 --> 00:48:03,799
Speaker 5: yard at a school and they would just take some

965
00:48:03,880 --> 00:48:06,880
Speaker 5: barbed wire and put it on the fence real quick.

966
00:48:07,320 --> 00:48:09,839
Speaker 4: It was hilarious that they allowed Nathan to come in

967
00:48:09,880 --> 00:48:15,920
Speaker 4: on crutches, like we not like crutches, right, No, loved

968
00:48:15,920 --> 00:48:18,080
Speaker 4: it or a spontaneous drop by.

969
00:48:18,880 --> 00:48:21,080
Speaker 5: Yeah, popping by, unscheduled visit.

970
00:48:21,560 --> 00:48:25,040
Speaker 1: I it did feel great to see Dan behind bars.

971
00:48:25,120 --> 00:48:26,680
Speaker 1: I have to sit down behind bars, but you know,

972
00:48:26,760 --> 00:48:29,120
Speaker 1: locked in. It felt great to see him in prison.

973
00:48:29,280 --> 00:48:32,000
Speaker 1: It felt like very fitting is a good place to

974
00:48:32,040 --> 00:48:35,040
Speaker 1: start for him. Paul looks great too, He's like fit

975
00:48:35,120 --> 00:48:36,040
Speaker 1: and healthy and.

976
00:48:36,000 --> 00:48:39,680
Speaker 4: It's the best he's ever looked. I know, I know,

977
00:48:39,760 --> 00:48:40,440
Speaker 4: he looks.

978
00:48:40,160 --> 00:48:42,759
Speaker 1: Like he's running plenty of business in prison, Like he's

979
00:48:42,800 --> 00:48:43,760
Speaker 1: doing just fine.

980
00:48:43,840 --> 00:48:46,239
Speaker 4: He's selling cell phones, you know what I mean, Like

981
00:48:46,320 --> 00:48:47,680
Speaker 4: he's got a he's got a job.

982
00:48:47,800 --> 00:48:53,439
Speaker 1: Yeah, but it was nice to see. It was nice

983
00:48:53,440 --> 00:48:56,520
Speaker 1: to see Nathan finally going to see him having a

984
00:48:56,520 --> 00:49:00,920
Speaker 1: conversation with him that it's have been really hard for

985
00:49:01,000 --> 00:49:03,160
Speaker 1: him for four years to just cut his dad off

986
00:49:03,200 --> 00:49:05,759
Speaker 1: after all that time of the back and forth that

987
00:49:05,840 --> 00:49:09,200
Speaker 1: we just watched for the first four years of will

988
00:49:09,239 --> 00:49:11,279
Speaker 1: a or won't they? Is is he going to stick around?

989
00:49:11,320 --> 00:49:13,440
Speaker 1: Is he going to trust his dad? Is he trustworthy?

990
00:49:13,760 --> 00:49:15,799
Speaker 1: And he keeps giving him chances and he keeps getting

991
00:49:15,840 --> 00:49:18,920
Speaker 1: screwed over, and it was a lot of up and down,

992
00:49:19,120 --> 00:49:23,120
Speaker 1: and so it was interesting. I just thought it was

993
00:49:23,120 --> 00:49:25,319
Speaker 1: interesting to see him go talk to go talk to

994
00:49:25,400 --> 00:49:27,160
Speaker 1: Dan and say it's closure.

995
00:49:27,239 --> 00:49:29,960
Speaker 4: But it didn't. It didn't feel like. It felt like

996
00:49:30,000 --> 00:49:31,960
Speaker 4: it was an opening of a door rather.

997
00:49:31,800 --> 00:49:35,280
Speaker 5: Than especially because he leaves the picture of Jamie. Yeah,

998
00:49:35,360 --> 00:49:37,600
Speaker 5: but part of me, it's interesting that you say that.

999
00:49:37,640 --> 00:49:39,960
Speaker 5: When that happened, I was like, did Nanny carry do

1000
00:49:40,040 --> 00:49:42,640
Speaker 5: that because she drove him to the prison.

1001
00:49:43,160 --> 00:49:44,440
Speaker 4: Oh?

1002
00:49:44,680 --> 00:49:45,279
Speaker 6: I don't know.

1003
00:49:45,320 --> 00:49:48,520
Speaker 5: But it did make me feel suspicious and I thought,

1004
00:49:48,600 --> 00:49:53,040
Speaker 5: is Nathan just doing something kind for Dan? Or is

1005
00:49:53,080 --> 00:49:54,879
Speaker 5: it not Nathan doing that?

1006
00:49:54,880 --> 00:49:58,560
Speaker 4: That's weird, that's interesting. Our characters are very young, they're

1007
00:49:58,560 --> 00:50:01,239
Speaker 4: in their early twenties, so they do immature stuff. But

1008
00:50:01,800 --> 00:50:04,799
Speaker 4: the immaturity of I'm gonna come to see you just

1009
00:50:04,840 --> 00:50:06,360
Speaker 4: to tell you I'm never going to see you again

1010
00:50:08,480 --> 00:50:10,360
Speaker 4: kind of I don't.

1011
00:50:10,120 --> 00:50:12,359
Speaker 1: Know, really far out of the way, especially when you're

1012
00:50:12,360 --> 00:50:12,880
Speaker 1: not walking.

1013
00:50:12,920 --> 00:50:13,240
Speaker 4: Well.

1014
00:50:13,480 --> 00:50:16,920
Speaker 5: Yeah, you know how it tracked for me was because

1015
00:50:18,080 --> 00:50:21,040
Speaker 5: Nathan had the wake up call to how much Jamie

1016
00:50:21,040 --> 00:50:25,200
Speaker 5: loves him and still sees him as this hero. I

1017
00:50:25,719 --> 00:50:28,480
Speaker 5: took it more as he really wants to break the

1018
00:50:28,520 --> 00:50:32,040
Speaker 5: cycle of fatherhood that he knows, because he says to Dan,

1019
00:50:32,200 --> 00:50:34,560
Speaker 5: I've carried you with me every day.

1020
00:50:34,400 --> 00:50:35,680
Speaker 6: For the last four years.

1021
00:50:36,080 --> 00:50:39,479
Speaker 5: You made me this way, and I'm done. I'm leaving

1022
00:50:39,520 --> 00:50:42,360
Speaker 5: it behind him, not going to carry you anymore. And

1023
00:50:42,560 --> 00:50:45,680
Speaker 5: to me, it felt like he needed to go and

1024
00:50:45,760 --> 00:50:47,880
Speaker 5: say I'm not going to be the kind of dad

1025
00:50:49,320 --> 00:50:51,920
Speaker 5: that turned me into this guy. I'm gonna go learn.

1026
00:50:51,760 --> 00:50:53,680
Speaker 6: To be a new guy, a new dad.

1027
00:50:54,200 --> 00:50:56,800
Speaker 5: And then he says to Hailey, this is the beginning

1028
00:50:57,320 --> 00:50:58,879
Speaker 5: of the way it's going to be from now on.

1029
00:50:59,360 --> 00:51:02,160
Speaker 4: Baby. We got a talk about that part. Oh, the

1030
00:51:02,280 --> 00:51:06,239
Speaker 4: no beard, long hair. I know, I want to talk

1031
00:51:06,280 --> 00:51:06,960
Speaker 4: about feeling.

1032
00:51:07,440 --> 00:51:09,040
Speaker 6: You were going to talk about romance.

1033
00:51:10,800 --> 00:51:14,200
Speaker 4: Okay, he looks like someone and I cannot put my

1034
00:51:14,320 --> 00:51:16,799
Speaker 4: finger on it with the long hair, no beard, and

1035
00:51:16,840 --> 00:51:17,920
Speaker 4: it's killing me.

1036
00:51:18,760 --> 00:51:21,680
Speaker 5: He reminds me of Taylor Kitch on Friday Night Lights

1037
00:51:22,520 --> 00:51:23,680
Speaker 5: with his shaggy hair.

1038
00:51:24,040 --> 00:51:25,040
Speaker 4: Yeah, I could see that.

1039
00:51:25,560 --> 00:51:27,680
Speaker 5: It's like that same kind of energy.

1040
00:51:27,880 --> 00:51:29,240
Speaker 4: It's slightly disproportionate.

1041
00:51:29,280 --> 00:51:31,720
Speaker 1: It's like that either we need the beard and the hair,

1042
00:51:31,840 --> 00:51:33,839
Speaker 1: or we need to shorten the hair just a little.

1043
00:51:33,880 --> 00:51:34,680
Speaker 4: Even it could still be.

1044
00:51:34,680 --> 00:51:37,000
Speaker 1: Shaggy and messy, but I needed like a little closer

1045
00:51:37,040 --> 00:51:38,360
Speaker 1: to the Yeah, why didn't you.

1046
00:51:38,440 --> 00:51:42,560
Speaker 4: Pull it into a ponytail or something cute? Top not Hillary?

1047
00:51:42,600 --> 00:51:44,759
Speaker 6: You know ponytails aren't allowed on one tree hill.

1048
00:51:45,480 --> 00:51:48,839
Speaker 4: That's right, Jojo could have been out there with her

1049
00:51:48,880 --> 00:51:53,320
Speaker 4: flat eye. Ron just fit cute. Joy, What do you

1050
00:51:53,320 --> 00:51:55,680
Speaker 4: remember about shooting that stuff? Because you guys had to

1051
00:51:55,719 --> 00:51:59,520
Speaker 4: have like these blow ups, you know, and your storyline

1052
00:51:59,560 --> 00:52:03,440
Speaker 4: is signal defficantly more adult than all the rest of ours,

1053
00:52:03,520 --> 00:52:08,879
Speaker 4: And so were you into it? Yeah, I think I was.

1054
00:52:09,160 --> 00:52:11,200
Speaker 1: I think I was because I was in a very

1055
00:52:11,239 --> 00:52:14,720
Speaker 1: serious place in my life personally where I was struggling

1056
00:52:14,719 --> 00:52:17,799
Speaker 1: a lot, So it was I think it just kind

1057
00:52:17,840 --> 00:52:19,719
Speaker 1: of fit. It was an easy fit for me to

1058
00:52:20,560 --> 00:52:23,000
Speaker 1: All those emotions were right at the top of the

1059
00:52:23,040 --> 00:52:27,319
Speaker 1: surface for me, so it was easy, and I thought

1060
00:52:27,360 --> 00:52:29,280
Speaker 1: it was fun. It was nice to do something different

1061
00:52:29,320 --> 00:52:31,200
Speaker 1: than just being in love all the time, which is

1062
00:52:31,239 --> 00:52:33,120
Speaker 1: really what Nathan and Haley had done. You know, it

1063
00:52:33,160 --> 00:52:36,560
Speaker 1: was like this the young high school drama and stress

1064
00:52:36,600 --> 00:52:41,600
Speaker 1: of it was more playful stress and stress that we

1065
00:52:41,680 --> 00:52:43,440
Speaker 1: kind of knew it was always going to work out.

1066
00:52:43,920 --> 00:52:45,400
Speaker 4: Find it poorn on his computer.

1067
00:52:46,320 --> 00:52:51,400
Speaker 1: Yeah, yeah, feeling separated and wanting to be close to

1068
00:52:51,440 --> 00:52:55,560
Speaker 1: each other. But yeah, it kind of hit close to

1069
00:52:55,560 --> 00:52:59,200
Speaker 1: home for me on that one. So I was, yeah,

1070
00:52:59,680 --> 00:53:03,000
Speaker 1: it felt good to go to work. And James was

1071
00:53:03,040 --> 00:53:06,600
Speaker 1: always such a great partner, such a great scene partner

1072
00:53:06,640 --> 00:53:11,680
Speaker 1: and fun to banter with. And then you throw Jackson

1073
00:53:11,719 --> 00:53:14,279
Speaker 1: in the mix, and so it was like we were

1074
00:53:14,280 --> 00:53:19,480
Speaker 1: having these jovial days on set when the cameras were off,

1075
00:53:19,600 --> 00:53:21,160
Speaker 1: and then as soon as they started rolling we all

1076
00:53:21,200 --> 00:53:22,600
Speaker 1: had to be very serious.

1077
00:53:24,520 --> 00:53:28,080
Speaker 4: It was fun. I mean, James when he's talking to

1078
00:53:28,480 --> 00:53:31,200
Speaker 4: Jamie and is like finally, like you're trying to shoot

1079
00:53:31,200 --> 00:53:36,319
Speaker 4: some of these hoops watching Jackson, like try not to

1080
00:53:36,360 --> 00:53:40,520
Speaker 4: get excited, but like being so god, you're excited. It

1081
00:53:40,719 --> 00:53:46,080
Speaker 4: was pretty cute. Man. They sweet, so sweet, but play

1082
00:53:46,120 --> 00:53:49,160
Speaker 4: basketball by the pool. Guys, don't do that with your kids. No,

1083
00:53:49,280 --> 00:53:49,920
Speaker 4: it's so dumb.

1084
00:53:50,239 --> 00:53:52,400
Speaker 5: I know that did give me a little bit of anxiety,

1085
00:53:52,440 --> 00:53:56,960
Speaker 5: but I liked again, David Jackson, great choice. I liked

1086
00:53:57,000 --> 00:54:01,320
Speaker 5: that he had Jamie and Nathan down on the patio

1087
00:54:01,440 --> 00:54:05,960
Speaker 5: level and he kept Haley up at the door because

1088
00:54:06,000 --> 00:54:10,440
Speaker 5: we got to watch you watch your family.

1089
00:54:10,960 --> 00:54:13,000
Speaker 4: Yeah, it's all gonna be okay. Yeah.

1090
00:54:13,040 --> 00:54:17,719
Speaker 5: It really clarified that there was this tableau happening and

1091
00:54:17,760 --> 00:54:20,040
Speaker 5: that she needed to take it in in the same

1092
00:54:20,040 --> 00:54:22,080
Speaker 5: way we as an audience. We're taking it in. And

1093
00:54:22,120 --> 00:54:26,240
Speaker 5: it was really it was just such a simple choice

1094
00:54:26,280 --> 00:54:29,160
Speaker 5: of staging, but it communicated a lot. I really really

1095
00:54:29,280 --> 00:54:29,680
Speaker 5: liked that.

1096
00:54:29,920 --> 00:54:32,279
Speaker 4: Do you think Haley buys it? Like, do you think

1097
00:54:32,320 --> 00:54:34,759
Speaker 4: Haley is like, Okay, everything's better now, or do you

1098
00:54:34,800 --> 00:54:37,239
Speaker 4: think she's going to be a slow burn? I don't think.

1099
00:54:37,320 --> 00:54:39,920
Speaker 1: Yeah, I don't think she buys it immediately. I think

1100
00:54:39,960 --> 00:54:42,960
Speaker 1: she really appreciates it in senses that he's sincere. But

1101
00:54:43,000 --> 00:54:45,879
Speaker 1: that's kind of a thing about Nathan too, is that

1102
00:54:45,960 --> 00:54:50,479
Speaker 1: he doesn't He's not the kind of person that says

1103
00:54:50,480 --> 00:54:52,160
Speaker 1: he's going to do something and then doesn't do it.

1104
00:54:53,280 --> 00:54:57,200
Speaker 1: So I think she senses the authenticity of what he's

1105
00:54:57,200 --> 00:55:05,279
Speaker 1: saying and and is looking forward to that process. But yeah,

1106
00:55:05,320 --> 00:55:07,680
Speaker 1: I think you also are. Probably she's probably shell shocked

1107
00:55:07,680 --> 00:55:11,160
Speaker 1: a little. Once you go through something like that. It's

1108
00:55:11,200 --> 00:55:14,040
Speaker 1: really hard when you see somebody continually go through a

1109
00:55:14,080 --> 00:55:18,200
Speaker 1: pattern of not believing in themselves and struggle and struggle

1110
00:55:18,239 --> 00:55:24,360
Speaker 1: and just not being able to get the strength to

1111
00:55:24,400 --> 00:55:29,120
Speaker 1: move forward and step out and do something new. I'm

1112
00:55:29,160 --> 00:55:32,080
Speaker 1: sure she felt a little nervous that it wasn't gonna

1113
00:55:32,120 --> 00:55:36,440
Speaker 1: really last. But it's the biggest stride he's made in

1114
00:55:37,520 --> 00:55:38,160
Speaker 1: like a year.

1115
00:55:38,560 --> 00:55:40,440
Speaker 4: Well for sure. I mean, the audience gets to see

1116
00:55:40,520 --> 00:55:43,080
Speaker 4: him visit Dan, the audience gets to know like, oh,

1117
00:55:43,120 --> 00:55:45,680
Speaker 4: he did a big thing today, and heally just comes

1118
00:55:45,680 --> 00:55:50,600
Speaker 4: home and there's like a cast a role she doesn't know,

1119
00:55:50,760 --> 00:55:54,000
Speaker 4: like the bigness of the day. But I don't know,

1120
00:55:54,080 --> 00:55:54,760
Speaker 4: I feel.

1121
00:55:54,680 --> 00:55:57,799
Speaker 1: I felt it. And maybe it's subconsciously because I saw him.

1122
00:55:57,840 --> 00:56:00,200
Speaker 1: We saw him go to prison, and we saw himjump

1123
00:56:00,200 --> 00:56:01,520
Speaker 1: out of the pool in the last episode of his

1124
00:56:01,640 --> 00:56:05,280
Speaker 1: arms up like Rocky, And you know, maybe, but I

1125
00:56:05,320 --> 00:56:09,200
Speaker 1: think I think it's real when you live with the

1126
00:56:09,239 --> 00:56:12,080
Speaker 1: subtleties of someone who is struggling every day and you

1127
00:56:12,120 --> 00:56:16,239
Speaker 1: get used to that when you see them cleaned up

1128
00:56:16,280 --> 00:56:18,120
Speaker 1: and feeling good and in a good place.

1129
00:56:19,080 --> 00:56:29,040
Speaker 4: It means a lot. You recognize it. I can't wait

1130
00:56:29,080 --> 00:56:34,879
Speaker 4: to see the Nathan recovery. What do we think our

1131
00:56:34,960 --> 00:56:37,960
Speaker 4: honorable mention is for this episode?

1132
00:56:39,560 --> 00:56:41,239
Speaker 5: I mean, other than Paul's goatee.

1133
00:56:42,880 --> 00:56:46,879
Speaker 4: Or Haley's juicy tube lip glass. I was gonna say

1134
00:56:46,880 --> 00:56:50,640
Speaker 4: Haley's dining room because there Gus was like, that dining

1135
00:56:50,719 --> 00:56:53,319
Speaker 4: room is bullsh There's no toys, Like, there's no way

1136
00:56:53,360 --> 00:56:56,600
Speaker 4: that child sat there waiting for his mother to come home.

1137
00:56:56,640 --> 00:57:00,680
Speaker 4: And there's not like legos or just yeah everywhere. Yeah,

1138
00:57:01,520 --> 00:57:06,720
Speaker 4: that's funny. The cleanest dining room in tree Hill. Yeah,

1139
00:57:06,800 --> 00:57:09,600
Speaker 4: good for whoever cleaned that up. Maybe that's Nanny Carey.

1140
00:57:09,680 --> 00:57:11,799
Speaker 4: Maybe she is magical, m M.

1141
00:57:13,600 --> 00:57:18,760
Speaker 5: Magical and just a little bit nuts. And I have

1142
00:57:18,840 --> 00:57:22,760
Speaker 5: one more honorable mention, and it's when Haley gives Quentin

1143
00:57:23,560 --> 00:57:26,520
Speaker 5: the full download on the River Court. I cannot tell

1144
00:57:26,560 --> 00:57:28,360
Speaker 5: you how happy I felt that you rattled off a

1145
00:57:28,400 --> 00:57:30,360
Speaker 5: bunch of education statistics to him.

1146
00:57:30,800 --> 00:57:32,120
Speaker 4: I was like, this is it.

1147
00:57:32,520 --> 00:57:35,280
Speaker 5: You use mass and truth about society to illustrate points

1148
00:57:35,280 --> 00:57:37,240
Speaker 5: to people to make them more invested in themselves and

1149
00:57:37,280 --> 00:57:38,080
Speaker 5: in the world around them.

1150
00:57:38,400 --> 00:57:43,000
Speaker 4: I feel so validated right now. It was so.

1151
00:57:44,520 --> 00:57:47,640
Speaker 5: It just guys, it made me really happy. Then thanks

1152
00:57:47,640 --> 00:57:50,240
Speaker 5: for loving me because she like that makes me happy.

1153
00:57:51,320 --> 00:57:55,560
Speaker 4: And then he just turns it into crouch I know, yep.

1154
00:57:56,080 --> 00:57:58,840
Speaker 4: Seeing him laugh in the first couple episodes was like, oh,

1155
00:57:58,880 --> 00:58:02,160
Speaker 4: he's like a good looking kid, you know what a

1156
00:58:02,240 --> 00:58:06,080
Speaker 4: what a charmer And now it just feels really sad.

1157
00:58:06,800 --> 00:58:11,680
Speaker 1: Yeah, yeah, so in so much insecurity and posturing.

1158
00:58:11,920 --> 00:58:14,360
Speaker 5: And you can see it. Robbie does such a good job.

1159
00:58:15,880 --> 00:58:19,000
Speaker 5: You can see that what Hailey says gets to Quentin

1160
00:58:19,600 --> 00:58:20,800
Speaker 5: and then he just covers it.

1161
00:58:20,920 --> 00:58:22,200
Speaker 6: He just masks it.

1162
00:58:22,640 --> 00:58:24,520
Speaker 5: And does the thing he knows how to do best.

1163
00:58:24,680 --> 00:58:28,880
Speaker 5: And it's a really it's a really subtle performance but

1164
00:58:29,120 --> 00:58:30,480
Speaker 5: so good. I loved it.

1165
00:58:31,600 --> 00:58:33,000
Speaker 6: We spin a wheel, I.

1166
00:58:33,000 --> 00:58:37,120
Speaker 3: Want to spam.

1167
00:58:37,280 --> 00:58:38,720
Speaker 4: What do we got all right? This week? We have

1168
00:58:39,000 --> 00:58:47,920
Speaker 4: most likely too oh well, duh da da huge da.

1169
00:58:48,600 --> 00:58:53,439
Speaker 5: Most likely to have the best music playlist Peyton's Air

1170
00:58:53,600 --> 00:58:55,600
Speaker 5: Peter Obviously.

1171
00:58:56,200 --> 00:58:59,520
Speaker 4: Obviously, my son has never really thought I was cool,

1172
00:58:59,560 --> 00:59:02,920
Speaker 4: but he thought that was cool tonight watching this episode,

1173
00:59:03,280 --> 00:59:07,560
Speaker 4: and I can't wait to force feed him all of

1174
00:59:07,600 --> 00:59:10,080
Speaker 4: my six seasons of the show just to enforce it.

1175
00:59:11,400 --> 00:59:13,840
Speaker 4: But who know who in real life has the best list.

1176
00:59:13,960 --> 00:59:16,560
Speaker 4: Still you, I don't know, I wouldn't. I don't know

1177
00:59:16,600 --> 00:59:20,840
Speaker 4: about that. I'm trying to think. I just feel like you.

1178
00:59:20,960 --> 00:59:24,040
Speaker 1: I mean, you made your your The first part of

1179
00:59:24,040 --> 00:59:26,440
Speaker 1: your career was on music and you were interviewing I mean,

1180
00:59:26,720 --> 00:59:29,280
Speaker 1: I guess musicians and actors and whoever. But like you

1181
00:59:29,400 --> 00:59:31,520
Speaker 1: still had so you were at MTV. You had so

1182
00:59:31,640 --> 00:59:35,440
Speaker 1: much invested in history and music and have.

1183
00:59:35,560 --> 00:59:38,800
Speaker 4: Great music on TRL all the time. By the way,

1184
00:59:39,840 --> 00:59:43,040
Speaker 4: fair enough, fair enough, there are some real stinkers. I

1185
00:59:43,080 --> 00:59:46,280
Speaker 4: will say that, like Daniel's down in Austin were that

1186
00:59:46,400 --> 00:59:51,000
Speaker 4: music scene. I'm envious of that music scene. I would

1187
00:59:51,040 --> 00:59:56,600
Speaker 4: like to be around that. She always has good bands.

1188
00:59:57,680 --> 00:59:58,800
Speaker 6: Yeah, that's a loss.

1189
00:59:59,560 --> 01:00:03,000
Speaker 4: Who's in a band from our cast? Well, like Tyler

1190
01:00:03,520 --> 01:00:04,400
Speaker 4: duh Tyler?

1191
01:00:04,440 --> 01:00:06,240
Speaker 1: Oh yeah, Tyler probably has the best playlist.

1192
01:00:06,240 --> 01:00:08,760
Speaker 4: I'm sure Eiler and Kate Bogel like the people who

1193
01:00:08,760 --> 01:00:14,400
Speaker 4: actually hang out with musicians, hanging out with soccer moms man. Yeah.

1194
01:00:14,440 --> 01:00:15,800
Speaker 1: Well, I can't wait to see what happens to the

1195
01:00:15,840 --> 01:00:18,240
Speaker 1: next one. This was a nice lead into what the

1196
01:00:18,280 --> 01:00:20,479
Speaker 1: next adventures are going to be for all of our

1197
01:00:20,600 --> 01:00:21,600
Speaker 1: five favorite characters.

1198
01:00:21,960 --> 01:00:24,959
Speaker 5: Next week, Season five, Episode four, it's all right, Mom,

1199
01:00:25,000 --> 01:00:28,920
Speaker 5: I'm only bleeding great, Laurie, I think you should take

1200
01:00:28,920 --> 01:00:30,240
Speaker 5: a bite of missus Davis again.

1201
01:00:30,480 --> 01:00:35,880
Speaker 4: I died, Hi, missus Davis.

1202
01:00:36,400 --> 01:00:37,920
Speaker 6: Perfect way to end an episode.

1203
01:00:38,560 --> 01:00:39,680
Speaker 4: Hey, thanks for listening.

1204
01:00:39,800 --> 01:00:42,040
Speaker 5: Don't forget to leave us a review. You can also

1205
01:00:42,120 --> 01:00:45,120
Speaker 5: follow us on Instagram at Drama Queen's ot.

1206
01:00:45,760 --> 01:00:49,840
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

1207
01:00:50,160 --> 01:00:51,160
Speaker 4: See you next time.

1208
01:00:52,400 --> 01:00:54,760
Speaker 3: We all about that high school drama.

1209
01:00:54,840 --> 01:00:58,280
Speaker 2: Girl Drama, Girl, all about them high school queens.

1210
01:00:58,320 --> 01:01:00,560
Speaker 3: We'll take you for a ride at our raoma Girl

1211
01:01:01,320 --> 01:01:03,320
Speaker 3: Cheering for the Rights Drama Queens.

1212
01:01:03,400 --> 01:01:05,680
Speaker 6: Jelise my girl up girl fashion.

1213
01:01:05,760 --> 01:01:07,680
Speaker 3: With your tough girl, you could sit with us.

1214
01:01:07,720 --> 01:01:12,160
Speaker 1: Girl Drama Queens Drama, Queens Drama, Queens Drama Drama, Queens Drama,

1215
01:01:12,240 --> 01:01:13,479
Speaker 1: Queens