1 00:00:00,640 --> 00:00:05,280 Speaker 1: Kaboom. If you thought four hours a day, dred minutes 2 00:00:05,320 --> 00:00:08,520 Speaker 1: a week was enough, I think again. He's the last 3 00:00:08,640 --> 00:00:12,240 Speaker 1: remnants of the old Republic, a sole fashion of fairness. 4 00:00:12,320 --> 00:00:15,320 Speaker 1: He treats crackheads in the ghetto cutter the same as 5 00:00:15,360 --> 00:00:19,560 Speaker 1: the rich pill poppers in the penthouse, the Clearinghouse of 6 00:00:19,560 --> 00:00:23,360 Speaker 1: hot takes break free for something special. The Fifth Hour 7 00:00:23,520 --> 00:00:33,680 Speaker 1: with Ben Maller starts right now in the air everywhere, 8 00:00:33,720 --> 00:00:38,839 Speaker 1: back at it again a Saturday Saturday, Saturday Saturday addition 9 00:00:39,159 --> 00:00:43,880 Speaker 1: of the Fifth Hour with Ben Maller and not David 10 00:00:44,040 --> 00:00:47,600 Speaker 1: Gascon not here again. But we do this eight days 11 00:00:47,640 --> 00:00:52,080 Speaker 1: a week, eight days a week, a spinoff of the 12 00:00:52,200 --> 00:00:57,600 Speaker 1: Overnight Show, because clearly that is not enough audio content. 13 00:00:57,720 --> 00:00:59,959 Speaker 1: So we are here for you when you have your 14 00:01:00,080 --> 00:01:04,760 Speaker 1: honeydew list on the weekends, or you're working out, get 15 00:01:04,760 --> 00:01:08,640 Speaker 1: a little exercise, getting on the treadmill, whatever brings you 16 00:01:08,880 --> 00:01:13,200 Speaker 1: to the show. I know our guy moving man, Matt 17 00:01:13,240 --> 00:01:17,520 Speaker 1: in Boston. He listens. He saves up the podcast when 18 00:01:17,520 --> 00:01:20,240 Speaker 1: he's back home and Massachusetts. But then when he goes 19 00:01:20,280 --> 00:01:23,280 Speaker 1: out on the road, he'll he'll have a full archive 20 00:01:23,360 --> 00:01:25,959 Speaker 1: and he'll catch up. He'll he'll listen to old podcasts, 21 00:01:25,959 --> 00:01:27,920 Speaker 1: which we like. We obviously, I mean, anytime you listen, 22 00:01:27,959 --> 00:01:31,160 Speaker 1: that's a good thing. Now, before we get into it, cameo, cameo, 23 00:01:31,280 --> 00:01:34,600 Speaker 1: cameo I did speaking of Moving Man, Matt. We did 24 00:01:34,680 --> 00:01:40,760 Speaker 1: a wonderful, wonderful cameo for Matt. He surprised his wife, 25 00:01:41,800 --> 00:01:45,640 Speaker 1: who hates the show. His wife does not enjoy our 26 00:01:45,720 --> 00:01:51,840 Speaker 1: little radio show because the Moving Man is obsessed, obsessed 27 00:01:51,880 --> 00:01:53,720 Speaker 1: with the show and he's a big super fan and 28 00:01:53,840 --> 00:01:56,720 Speaker 1: we man, we really appreciate that. But his wife's not 29 00:01:56,760 --> 00:01:59,960 Speaker 1: as much a fan. And so he wanted a super 30 00:02:00,080 --> 00:02:03,800 Speaker 1: rise his wife with a very nice trip, and so 31 00:02:04,040 --> 00:02:08,240 Speaker 1: he he used cameo and then I I did a rant. 32 00:02:08,320 --> 00:02:12,080 Speaker 1: It was on Valentine's Day for his wife, who I 33 00:02:12,120 --> 00:02:14,639 Speaker 1: know hates me. And then at the end of it, 34 00:02:14,720 --> 00:02:20,480 Speaker 1: the big surprise is we revealed the trip. So it 35 00:02:20,600 --> 00:02:22,760 Speaker 1: was it was pretty good. And for those who don't know, 36 00:02:23,080 --> 00:02:27,000 Speaker 1: you know Moving Man, Uh, he's the guy that has 37 00:02:27,280 --> 00:02:34,240 Speaker 1: the mouth the roving Mallard Militia billboard on his on 38 00:02:34,440 --> 00:02:40,480 Speaker 1: his truck on his truck there and uh, very very cool. 39 00:02:40,520 --> 00:02:44,400 Speaker 1: And he's met him several times over the years, and 40 00:02:44,840 --> 00:02:46,720 Speaker 1: so he is he's the guy. So we did a 41 00:02:46,720 --> 00:02:50,160 Speaker 1: cameo last week if you would like your own cameo Cameo. 42 00:02:50,320 --> 00:02:53,440 Speaker 1: Cameo Cameo, we were on their personalized video message. It's 43 00:02:53,440 --> 00:02:56,600 Speaker 1: not free, um, but it's not that much. It's not 44 00:02:56,639 --> 00:02:59,320 Speaker 1: that much. You can check that out on cameo dot com. 45 00:02:59,360 --> 00:03:02,440 Speaker 1: So on this edition to the podcast, We've got Bow 46 00:03:02,560 --> 00:03:06,200 Speaker 1: the show Who's in Here? Bow occasionally fills in for 47 00:03:07,639 --> 00:03:10,840 Speaker 1: Cooper Loop. You were in the other night, although it 48 00:03:10,880 --> 00:03:12,640 Speaker 1: was weird the other night, Bow, because you were not 49 00:03:12,720 --> 00:03:17,240 Speaker 1: actually in the studio. You were at home, right, you 50 00:03:17,240 --> 00:03:21,120 Speaker 1: were at home. Yeah, so things were a little wonky, right, 51 00:03:21,160 --> 00:03:23,560 Speaker 1: things with a little wonky that. Yeah, No, it was different, 52 00:03:23,600 --> 00:03:27,040 Speaker 1: but uh still a joy to listen and all that stuff. Well, 53 00:03:27,040 --> 00:03:28,880 Speaker 1: thank you, bo, I appreciate that. Now you're gonna be 54 00:03:28,880 --> 00:03:30,880 Speaker 1: singing because one of the your famous bits on our 55 00:03:30,880 --> 00:03:33,440 Speaker 1: show was when you we had you sing a song 56 00:03:33,560 --> 00:03:36,520 Speaker 1: parody and you really got into it. You really just 57 00:03:36,560 --> 00:03:39,080 Speaker 1: embraced that role. I mean, I gotta start charging when 58 00:03:39,080 --> 00:03:41,360 Speaker 1: I do that. It's it's not right that I do 59 00:03:41,480 --> 00:03:45,000 Speaker 1: that for free. So I don't know, we'll see, we'll see, yeah, no, 60 00:03:45,160 --> 00:03:47,760 Speaker 1: I understand. Well, maybe we'll at the end, we'll have 61 00:03:47,800 --> 00:03:51,720 Speaker 1: you do a little so on this podcast, We've got 62 00:03:52,080 --> 00:03:57,560 Speaker 1: Mega Dittos, the Tribute. We also have Fake Famous Fake 63 00:03:57,840 --> 00:04:01,320 Speaker 1: Famous and we will we'll get into that, and we 64 00:04:01,440 --> 00:04:04,320 Speaker 1: have pop Quiz al right, so we have all of 65 00:04:04,360 --> 00:04:07,800 Speaker 1: those things and we will form this edition of The 66 00:04:07,800 --> 00:04:10,280 Speaker 1: Fifth Hour, the Saturday edition of The Fifth Hour. Now 67 00:04:10,320 --> 00:04:13,520 Speaker 1: I wanted to start. We touched on this yesterday with 68 00:04:14,640 --> 00:04:18,840 Speaker 1: Mike Harmon and the impact of Rush Limball on the 69 00:04:18,880 --> 00:04:24,160 Speaker 1: broadcasting business and the fact that we we all work 70 00:04:24,240 --> 00:04:27,479 Speaker 1: under the same roof here at the Premier Networks, which 71 00:04:27,560 --> 00:04:29,960 Speaker 1: is Fox Sports Radio is a part of the Premiere 72 00:04:29,960 --> 00:04:33,160 Speaker 1: Networks on I Heart Media, and some of the biggest 73 00:04:33,240 --> 00:04:38,520 Speaker 1: names in syndicated talk radio work at Premier. But the foundation, 74 00:04:38,600 --> 00:04:43,640 Speaker 1: the bedrock of the company has been since I've been here, 75 00:04:43,839 --> 00:04:48,760 Speaker 1: and before I was here, Rush Limball U, the conservative 76 00:04:48,880 --> 00:04:53,080 Speaker 1: radio icon political pundit Rush Limbaugh, who died this week 77 00:04:53,200 --> 00:04:56,039 Speaker 1: at the age of seventy after a fight with cancer. 78 00:04:56,400 --> 00:04:59,280 Speaker 1: And I wanted to share a couple of stories about 79 00:04:59,400 --> 00:05:04,239 Speaker 1: Rush uh And a lot of these are by proxy, um, 80 00:05:04,400 --> 00:05:06,479 Speaker 1: but we've told it a few times. I to to 81 00:05:06,560 --> 00:05:08,440 Speaker 1: kind of expand on where I'm at. He rushed at 82 00:05:08,480 --> 00:05:11,880 Speaker 1: the show from his house in Florida. And he had 83 00:05:11,960 --> 00:05:13,560 Speaker 1: worked in New York for a long time, but he 84 00:05:13,600 --> 00:05:16,560 Speaker 1: was in Florida for many many years and occasionally he 85 00:05:16,600 --> 00:05:18,520 Speaker 1: had a lot of money. You would travel around and 86 00:05:18,680 --> 00:05:21,680 Speaker 1: live his best life. And uh, he would work out 87 00:05:21,720 --> 00:05:26,039 Speaker 1: of the premier studios in Los Angeles when he would 88 00:05:26,040 --> 00:05:32,159 Speaker 1: come through, and he the studio Rush used was this 89 00:05:32,680 --> 00:05:36,239 Speaker 1: massive studio. Was its bigger than the Fox Sports Radio studie? 90 00:05:36,240 --> 00:05:40,200 Speaker 1: It is probably it is um and it was just 91 00:05:40,640 --> 00:05:45,120 Speaker 1: for Rush. It was just for Rush. And if you 92 00:05:45,279 --> 00:05:47,840 Speaker 1: ever visit our shop, which I don't think you're allowed 93 00:05:47,880 --> 00:05:50,120 Speaker 1: to do, but if you come in there and you 94 00:05:50,160 --> 00:05:52,279 Speaker 1: go into the Fox Sports Radio studio, and then the 95 00:05:52,320 --> 00:05:54,840 Speaker 1: first thing is if if you didn't come out of 96 00:05:54,880 --> 00:05:58,720 Speaker 1: the the studio and you make a right turn, there's 97 00:05:58,760 --> 00:06:01,719 Speaker 1: a very small hallway and then as you make a 98 00:06:01,800 --> 00:06:04,719 Speaker 1: right turn out of there, and then you make a 99 00:06:04,960 --> 00:06:08,080 Speaker 1: left turn and then there's a kind of a not 100 00:06:08,200 --> 00:06:10,520 Speaker 1: really courtyard, but there's a couple of couches there and 101 00:06:10,560 --> 00:06:14,240 Speaker 1: there's doors to different studios, and then across to the 102 00:06:14,320 --> 00:06:19,440 Speaker 1: right was the Rush studio. And uh, some some memories 103 00:06:19,480 --> 00:06:22,680 Speaker 1: of that. I remember when it was Rush week because 104 00:06:22,760 --> 00:06:24,840 Speaker 1: Rush would usually come out for a couple of days 105 00:06:24,920 --> 00:06:28,680 Speaker 1: or a week, and it was Rush week, and people 106 00:06:28,720 --> 00:06:31,839 Speaker 1: would be running around all hours of the day and 107 00:06:32,000 --> 00:06:37,880 Speaker 1: night there to make sure everything was perfect for Rush 108 00:06:37,880 --> 00:06:40,960 Speaker 1: when he when he arrived. Me, this is the big 109 00:06:41,000 --> 00:06:42,880 Speaker 1: star of the company. You would expect that, and they 110 00:06:42,920 --> 00:06:45,760 Speaker 1: would roll out the red carpet, v I P. Status 111 00:06:46,360 --> 00:06:48,760 Speaker 1: Um seeing the famous. If you're in radio and you're 112 00:06:48,760 --> 00:06:52,880 Speaker 1: a radio nerd like me, the gold microphone that Rush 113 00:06:53,040 --> 00:06:56,000 Speaker 1: used is a big deal. And he had his own 114 00:06:56,440 --> 00:06:59,840 Speaker 1: private studio, which he didn't use all that much. It 115 00:07:00,080 --> 00:07:02,240 Speaker 1: not like Rush was in Los Angeles all the time. 116 00:07:02,279 --> 00:07:04,760 Speaker 1: He wasn't. He'd come out a few times a year, 117 00:07:05,680 --> 00:07:08,160 Speaker 1: and nobody else had access to it. As I remember, 118 00:07:08,640 --> 00:07:14,720 Speaker 1: and one of my my famous Rush stories, and it's 119 00:07:14,760 --> 00:07:16,600 Speaker 1: more about me than it is about Rush, of course, 120 00:07:16,720 --> 00:07:20,240 Speaker 1: is that one night Russia had been there and I 121 00:07:20,280 --> 00:07:24,000 Speaker 1: was coming into the overnight show, and so I even 122 00:07:24,040 --> 00:07:25,560 Speaker 1: Rushi had been there for a couple of days. It 123 00:07:25,600 --> 00:07:28,280 Speaker 1: was a Friday. I was doing a Friday night overnight show, 124 00:07:28,320 --> 00:07:31,560 Speaker 1: and Russia had left to go back to Florida or wherever, 125 00:07:32,720 --> 00:07:37,520 Speaker 1: and for some reason they forgot to close and lock 126 00:07:37,760 --> 00:07:40,320 Speaker 1: the door to his studio. I guess maybe they were 127 00:07:40,320 --> 00:07:43,559 Speaker 1: cleaning it or something like that. And so I still 128 00:07:43,560 --> 00:07:47,040 Speaker 1: remember it was like the middle of the night, and 129 00:07:47,120 --> 00:07:49,360 Speaker 1: you know, it's like two or three in the morning. 130 00:07:50,120 --> 00:07:52,480 Speaker 1: No one else is around, no one else, you know, 131 00:07:52,520 --> 00:07:55,040 Speaker 1: weekend overnight. They're not cleaning. They don't clean on the weekends. 132 00:07:56,120 --> 00:07:57,360 Speaker 1: So I said, you know what, I'm I'm gonna go 133 00:07:57,440 --> 00:07:58,960 Speaker 1: in there. I want to see where the king works. 134 00:07:59,000 --> 00:08:01,480 Speaker 1: I want to look at the king his throne. Of course, 135 00:08:01,880 --> 00:08:04,360 Speaker 1: realizing that, you know, I'm not really allowed in there, 136 00:08:04,360 --> 00:08:05,960 Speaker 1: one's supposed to be there, but I went over there. 137 00:08:06,000 --> 00:08:07,640 Speaker 1: I just want to look. I wanted, you know, because 138 00:08:08,000 --> 00:08:10,320 Speaker 1: this guy's the god of radio, one of the the 139 00:08:10,640 --> 00:08:12,280 Speaker 1: icons of the business, and I wanted to in there. 140 00:08:12,280 --> 00:08:15,040 Speaker 1: So I I went over there, and I just I 141 00:08:15,040 --> 00:08:16,800 Speaker 1: didn't really, I just want to look in the studio 142 00:08:16,840 --> 00:08:18,800 Speaker 1: and uh and see what it was all about and 143 00:08:18,840 --> 00:08:22,760 Speaker 1: all that. And that is when I saw it and 144 00:08:22,840 --> 00:08:25,520 Speaker 1: a little sparkle to it. What is it? And as 145 00:08:25,560 --> 00:08:30,040 Speaker 1: your pronounced, uh, rush in the in the chair that 146 00:08:30,080 --> 00:08:32,680 Speaker 1: he was doing the show from had left a pen 147 00:08:33,600 --> 00:08:38,880 Speaker 1: behind uh and uh, so I went over there and uh, 148 00:08:39,160 --> 00:08:41,480 Speaker 1: he had disguarded it. He didn't need the pen anymore, 149 00:08:42,840 --> 00:08:46,680 Speaker 1: and that became my personal and I added this to 150 00:08:46,760 --> 00:08:49,480 Speaker 1: my my Michigas is these pens. I am a big 151 00:08:49,559 --> 00:08:53,600 Speaker 1: pen guy, and so I I have a Rush limball 152 00:08:53,679 --> 00:08:56,599 Speaker 1: pen that he left behind, which I don't know that 153 00:08:56,640 --> 00:09:00,199 Speaker 1: anyone realizes is his pen other than me. Uh me know, 154 00:09:00,240 --> 00:09:03,040 Speaker 1: I've picked up pens from different people that have quasi 155 00:09:03,120 --> 00:09:06,920 Speaker 1: celebrities that have worked at Fox Sports Radio and in 156 00:09:06,920 --> 00:09:09,600 Speaker 1: the Premier Building over the years, whether it's my guy 157 00:09:09,640 --> 00:09:12,040 Speaker 1: p O B who we've had on the podcast, Tony 158 00:09:12,080 --> 00:09:14,000 Speaker 1: Bruno who we've had on J More We've gotta get 159 00:09:14,040 --> 00:09:18,440 Speaker 1: J on the podcast, uh, and whatnot? But uh, Rush 160 00:09:18,800 --> 00:09:22,840 Speaker 1: talent on Loan from God. Also, Mike Harmon brought up 161 00:09:22,880 --> 00:09:26,840 Speaker 1: the the point of security and because Rush such a 162 00:09:26,960 --> 00:09:31,160 Speaker 1: polarizing figure and a lot of whacka doodles outlooking to 163 00:09:31,200 --> 00:09:33,920 Speaker 1: attack people who are on the other side politically, even 164 00:09:34,040 --> 00:09:37,280 Speaker 1: you know years ago, it's gotten worse, but there would 165 00:09:37,280 --> 00:09:41,760 Speaker 1: always be a lot of security and people with guns 166 00:09:42,240 --> 00:09:47,000 Speaker 1: to make sure that nobody messed with with Rush back 167 00:09:47,440 --> 00:09:51,720 Speaker 1: when he would visit the studio. And uh, the catch 168 00:09:51,720 --> 00:09:54,360 Speaker 1: phrase I mentioned Talent on Loan from God? Half my 169 00:09:54,480 --> 00:09:56,559 Speaker 1: brain tied behind my back just to make it fair, 170 00:09:56,640 --> 00:09:58,720 Speaker 1: those kind of things. But when I was a young pop, 171 00:09:58,760 --> 00:10:00,800 Speaker 1: and I mentioned this also in a pre vious episode, 172 00:10:01,000 --> 00:10:03,080 Speaker 1: when I was a young pop, I wanted to learn 173 00:10:03,120 --> 00:10:06,720 Speaker 1: as much as I could about people in the radio business. 174 00:10:06,760 --> 00:10:09,960 Speaker 1: So my Mom's like, well, you gotta get some autobiographies, 175 00:10:09,960 --> 00:10:12,040 Speaker 1: you gotta learn their stories and stuff. So I did. 176 00:10:12,120 --> 00:10:13,800 Speaker 1: I got as many as I could. I read about 177 00:10:14,120 --> 00:10:18,600 Speaker 1: the legends when I was younger in radio, Rush Limball, 178 00:10:18,760 --> 00:10:23,160 Speaker 1: Howard Stern, Paul Harvey, people along those lines who were 179 00:10:23,160 --> 00:10:25,240 Speaker 1: the big titans of the business, and I just wanted 180 00:10:25,280 --> 00:10:29,800 Speaker 1: to kind of learn what made them tick. And Rush 181 00:10:29,920 --> 00:10:34,920 Speaker 1: Limball and his experience really resonated. And I mentioned this 182 00:10:35,000 --> 00:10:42,120 Speaker 1: the college dropout DJ Vagabond, DJ Journeyman d J I 183 00:10:42,120 --> 00:10:44,880 Speaker 1: had a couple of names. He was Jeff Christy and 184 00:10:45,080 --> 00:10:49,040 Speaker 1: Rusty Sharp, where his stage names as a top forty DJ, 185 00:10:49,200 --> 00:10:51,480 Speaker 1: and he bounced around and then he got out of 186 00:10:51,520 --> 00:10:53,720 Speaker 1: the radio business for a while. He got a job 187 00:10:54,600 --> 00:10:59,520 Speaker 1: with Major League Baseball's Kansas City Royals very briefly. But 188 00:10:59,679 --> 00:11:02,000 Speaker 1: once radios in your blood, and I know this having 189 00:11:02,040 --> 00:11:04,400 Speaker 1: been in radio. Once it's in your blood, it's hard 190 00:11:04,440 --> 00:11:06,280 Speaker 1: to get out of it. It's hard to get out 191 00:11:06,320 --> 00:11:09,640 Speaker 1: of the it's in your inner being. And so Rush 192 00:11:09,720 --> 00:11:12,280 Speaker 1: eventually worked his way back to radio. He left the Royals. 193 00:11:12,320 --> 00:11:16,880 Speaker 1: He was the promotions director, which gives out the the 194 00:11:16,960 --> 00:11:19,160 Speaker 1: bobble heads and sets all that stuff up and that 195 00:11:19,240 --> 00:11:21,320 Speaker 1: kind of crap. And who knows what they did in 196 00:11:21,320 --> 00:11:23,240 Speaker 1: the nineteen seventies. I have no idea, but I assume 197 00:11:23,280 --> 00:11:26,760 Speaker 1: it's much of the same stuff. And so he left. 198 00:11:26,760 --> 00:11:29,960 Speaker 1: He went to Sacramento and then eventually he worked his magic. 199 00:11:30,040 --> 00:11:34,440 Speaker 1: It's it's It is a little similar to Phil Henry, 200 00:11:34,480 --> 00:11:37,440 Speaker 1: although Phil as good as Phil Henry has been in broadcasting, 201 00:11:37,480 --> 00:11:40,560 Speaker 1: did not reach the level that Rush reach. But but 202 00:11:41,000 --> 00:11:44,040 Speaker 1: Phil Henry, you know, he went out kind of re 203 00:11:44,440 --> 00:11:47,720 Speaker 1: He was a lifetime radio guy, and he just out 204 00:11:47,760 --> 00:11:51,240 Speaker 1: of necessity, out of necessity. You know that that old 205 00:11:51,240 --> 00:11:55,320 Speaker 1: line that the you know, the necessity is the mother 206 00:11:55,400 --> 00:12:00,200 Speaker 1: of all invention, right, And so remember reading about the 207 00:12:00,320 --> 00:12:02,880 Speaker 1: voices of Phil Henry. And he did that because he 208 00:12:02,920 --> 00:12:05,760 Speaker 1: was at a small, crappy radio station that nobody was 209 00:12:05,800 --> 00:12:08,120 Speaker 1: listening to, and nobody was calling, and he was by himself, 210 00:12:08,559 --> 00:12:11,880 Speaker 1: and so in order to make it seem like there 211 00:12:11,920 --> 00:12:14,200 Speaker 1: was a lot going on. He created all these characters 212 00:12:14,240 --> 00:12:17,480 Speaker 1: and these evil alter egos and all that, and it 213 00:12:17,559 --> 00:12:19,960 Speaker 1: worked out and he he had a very popular syndicated 214 00:12:20,000 --> 00:12:23,880 Speaker 1: show for years and he's still still doing some stuff there. 215 00:12:24,520 --> 00:12:27,800 Speaker 1: Phil Henry, but Rush, the Rush Limbough shows, I understand it. 216 00:12:28,559 --> 00:12:32,560 Speaker 1: It it it just kind of organically happened after twenty 217 00:12:32,640 --> 00:12:34,600 Speaker 1: years of being in the radio business and being a DJ, 218 00:12:34,720 --> 00:12:38,360 Speaker 1: and it just kind of developed that. So rest in peace, 219 00:12:38,440 --> 00:12:41,240 Speaker 1: Rush and uh tremendous impact. We'll see what happens to 220 00:12:41,720 --> 00:12:45,240 Speaker 1: that type of radio, political talk radio. And there's other 221 00:12:45,320 --> 00:12:48,319 Speaker 1: legends now and been able to meet some of them 222 00:12:48,440 --> 00:12:51,600 Speaker 1: over the years here at Fox Sports Radio, Slash the 223 00:12:51,600 --> 00:12:54,840 Speaker 1: premier networks. But Harmon was mentioning all the different big 224 00:12:54,920 --> 00:12:57,000 Speaker 1: names that have come through the building over the years, 225 00:12:57,160 --> 00:12:59,800 Speaker 1: and I was trying to think of and I don't 226 00:12:59,800 --> 00:13:02,240 Speaker 1: want to a list here because I do not do 227 00:13:02,480 --> 00:13:06,760 Speaker 1: list podcasting or radio, but just off the top of 228 00:13:06,800 --> 00:13:10,000 Speaker 1: my head, some of the people that came through I 229 00:13:10,080 --> 00:13:14,360 Speaker 1: remember seeing and I'm not a big music person, but 230 00:13:14,440 --> 00:13:17,400 Speaker 1: NICKI six did a syndicated show for a while out 231 00:13:17,400 --> 00:13:22,439 Speaker 1: of the building. But then I remember Slash with the 232 00:13:23,320 --> 00:13:27,679 Speaker 1: distinctive trademark top hat and uh, it's a little lot 233 00:13:27,679 --> 00:13:30,040 Speaker 1: when you pull up to work and uh, and Slash 234 00:13:30,120 --> 00:13:32,040 Speaker 1: is walking around. Look at you know, there's an A 235 00:13:32,080 --> 00:13:33,560 Speaker 1: T M in our building and he's going to get 236 00:13:33,600 --> 00:13:36,240 Speaker 1: some cash out of the A T M. Uh. There 237 00:13:36,320 --> 00:13:39,400 Speaker 1: used to be a country music show that was in 238 00:13:39,440 --> 00:13:41,120 Speaker 1: the building and some of the big names. And I'm 239 00:13:41,120 --> 00:13:42,760 Speaker 1: not a big country at that time. I wasn't a 240 00:13:42,760 --> 00:13:45,200 Speaker 1: big country music. Right now, I actually like country music. 241 00:13:45,240 --> 00:13:46,840 Speaker 1: I listened to it some of the old style, like 242 00:13:46,880 --> 00:13:48,440 Speaker 1: the old stuff, not so much the new stuff. But 243 00:13:48,640 --> 00:13:52,440 Speaker 1: Reba McIntyre was in their big star in country music. 244 00:13:52,520 --> 00:13:56,839 Speaker 1: More recently, Steve Harvey had a chance to to see him. 245 00:13:56,840 --> 00:13:58,280 Speaker 1: And back in the old days when we used to 246 00:13:58,280 --> 00:14:01,760 Speaker 1: have these big Galla Christmas parties, Premier Networks Christmas parties, 247 00:14:02,320 --> 00:14:05,680 Speaker 1: like they'd bring in all the heavyweights. Dr Laura with 248 00:14:05,720 --> 00:14:08,560 Speaker 1: a big star. Dr Laura did her advice show during 249 00:14:08,559 --> 00:14:13,120 Speaker 1: the day. Jim Rome would come in there, and Art Bell, 250 00:14:13,400 --> 00:14:17,280 Speaker 1: the legendary Art Bell from Perempt, Nevada, And uh, you 251 00:14:17,320 --> 00:14:20,000 Speaker 1: know still to this day the man that replaced Art Bell, 252 00:14:20,080 --> 00:14:24,000 Speaker 1: George nor on Coast to Coast, is out of that building. 253 00:14:24,040 --> 00:14:29,400 Speaker 1: And Steve Harvey his radio show. Remember the famous situation 254 00:14:29,640 --> 00:14:33,240 Speaker 1: Steve Harvey, Uh liked the color of the Mallamobile. We 255 00:14:33,320 --> 00:14:36,880 Speaker 1: bonded in the parking lot at three thirty in the morning. 256 00:14:37,920 --> 00:14:39,760 Speaker 1: He walked in with his security guard and he pointed 257 00:14:39,800 --> 00:14:41,320 Speaker 1: at the car. So I like the color of that car. 258 00:14:41,800 --> 00:14:45,560 Speaker 1: He enjoyed the color of the Mallamobile. So those are 259 00:14:45,560 --> 00:14:52,000 Speaker 1: some of my stories about about Rush and recall also 260 00:14:52,320 --> 00:14:55,280 Speaker 1: before I get off his off this topic, I I 261 00:14:55,280 --> 00:14:57,680 Speaker 1: I do remember the one time I was supposed to 262 00:14:57,680 --> 00:15:01,840 Speaker 1: meet Russia Limbaugh my ball loss the late grade Andrew Ashwood, 263 00:15:02,320 --> 00:15:06,160 Speaker 1: May he rest in peace. He he was a radio junkie, 264 00:15:06,200 --> 00:15:10,360 Speaker 1: also program director, a big legend in the business, bigger 265 00:15:10,400 --> 00:15:15,960 Speaker 1: than life. Uh, Andrew Ashwood is a programmer. And I 266 00:15:16,000 --> 00:15:18,600 Speaker 1: had mentioned, Hey, I want to meet you know Limbaugh, 267 00:15:18,680 --> 00:15:21,320 Speaker 1: and yeah, I'm gonna make that happen. Of course it 268 00:15:21,440 --> 00:15:23,640 Speaker 1: was it was this weird deal. Even though Rush, you know, 269 00:15:23,680 --> 00:15:26,040 Speaker 1: he listened, he was people that knew him, he was 270 00:15:26,120 --> 00:15:27,880 Speaker 1: very great, you know, good person to people knew him. 271 00:15:27,920 --> 00:15:29,200 Speaker 1: But if you didn't know him, he was kind of 272 00:15:29,240 --> 00:15:32,640 Speaker 1: you know, anybody in in that genre. You know, it's 273 00:15:32,640 --> 00:15:34,320 Speaker 1: a little bit of like, hey, you want to step 274 00:15:34,360 --> 00:15:36,320 Speaker 1: on any toes, and certainly if you're in the company, 275 00:15:36,320 --> 00:15:38,720 Speaker 1: you don't want to step on Russia's toes. But he's like, listen, 276 00:15:39,600 --> 00:15:41,840 Speaker 1: here's when Russia's It was Rush Week. It was gonna 277 00:15:41,880 --> 00:15:44,040 Speaker 1: Rush Week in l A. And Rush was doing his 278 00:15:44,080 --> 00:15:46,120 Speaker 1: show from l A. So so listen, here's when he 279 00:15:46,120 --> 00:15:48,560 Speaker 1: shows up. You know that you're gonna get dropped off 280 00:15:48,720 --> 00:15:51,240 Speaker 1: by a car service, and so he's gonna walk in 281 00:15:51,280 --> 00:15:53,440 Speaker 1: it this time, so we're gonna meet him. He's got 282 00:15:53,440 --> 00:15:57,280 Speaker 1: a few minutes. But when he walks in, so I'm like, okay, 283 00:15:57,800 --> 00:15:59,240 Speaker 1: so I happen to be there. I think this is 284 00:15:59,240 --> 00:16:01,640 Speaker 1: when I was working with Chris Myers. I was doing 285 00:16:01,680 --> 00:16:03,680 Speaker 1: like a midday show all right, first of all, so 286 00:16:03,720 --> 00:16:08,160 Speaker 1: that I was doing that. So anyway, whatever, it was 287 00:16:08,200 --> 00:16:10,960 Speaker 1: after our show, and Rush was gonna come in and 288 00:16:10,960 --> 00:16:15,840 Speaker 1: and do do some of his programming. And so I 289 00:16:15,880 --> 00:16:17,880 Speaker 1: guess he was recording something or something. I don't know, 290 00:16:17,960 --> 00:16:22,360 Speaker 1: but anyway, so we were we were waiting around and Andrew, 291 00:16:23,560 --> 00:16:24,920 Speaker 1: you know, he's like, all right, I'm gonna be there 292 00:16:24,960 --> 00:16:28,000 Speaker 1: or whatever, and he got caught up, as I remember it, 293 00:16:28,520 --> 00:16:31,000 Speaker 1: he got caught up in a meeting and by the 294 00:16:31,040 --> 00:16:35,920 Speaker 1: time he got down two usher us and shepherd us 295 00:16:35,960 --> 00:16:40,520 Speaker 1: over to meet Rush. Uh the meeting went long, and 296 00:16:40,680 --> 00:16:43,160 Speaker 1: Russhi had already arrived and he was prepping for whatever 297 00:16:43,200 --> 00:16:47,200 Speaker 1: he was doing, whatever he was recording. And uh so 298 00:16:47,360 --> 00:16:51,600 Speaker 1: I missed it by probably five to ten minutes from 299 00:16:51,920 --> 00:16:55,600 Speaker 1: from meeting meeting Rush face to face. But yeah, that's 300 00:16:55,600 --> 00:16:58,240 Speaker 1: the way life works, all right. Uh it is the 301 00:16:58,240 --> 00:17:00,000 Speaker 1: fifth hour, as you know. And I wanted to get 302 00:17:00,040 --> 00:17:04,640 Speaker 1: through this. Fake Famous. Now this is a Mallard documentary review, 303 00:17:05,960 --> 00:17:12,000 Speaker 1: that's right, a Mallard documentary review. Uh. Now, HBO has 304 00:17:12,080 --> 00:17:14,879 Speaker 1: a new documentary I think came out a couple of 305 00:17:14,880 --> 00:17:19,840 Speaker 1: weeks ago, called Fake Famous. It premiered, I watched it online. 306 00:17:19,840 --> 00:17:22,960 Speaker 1: It was actually recommended by Coop de Loop. And I'm 307 00:17:23,000 --> 00:17:27,159 Speaker 1: a big documentary junkie anyway, and this was right in 308 00:17:27,200 --> 00:17:31,960 Speaker 1: my wheelhouse. And so the premise of the documentary, if 309 00:17:32,160 --> 00:17:33,760 Speaker 1: you did not hear us talk about it on the 310 00:17:33,840 --> 00:17:39,840 Speaker 1: radio show, the premise was to show how ridunculously easy 311 00:17:39,880 --> 00:17:44,440 Speaker 1: it is to manipulate minds in the world of social media, 312 00:17:45,160 --> 00:17:50,040 Speaker 1: in that ecosystem, and how you can take someone who's 313 00:17:50,760 --> 00:17:56,760 Speaker 1: a nobody, has no tangible skill and with the proper 314 00:17:56,800 --> 00:18:02,120 Speaker 1: investment and the proper you know presentation. If you will, 315 00:18:03,440 --> 00:18:08,600 Speaker 1: you can make them an online influence. So that was 316 00:18:08,640 --> 00:18:12,760 Speaker 1: the premise. And this this guy that the guy behind it, 317 00:18:12,800 --> 00:18:17,880 Speaker 1: I guess his old newspaper guy, and he he walked 318 00:18:17,880 --> 00:18:21,680 Speaker 1: you through in the documentary exactly what happened. The goal 319 00:18:21,760 --> 00:18:27,320 Speaker 1: was to take some random schmo with no online footprint 320 00:18:28,400 --> 00:18:33,760 Speaker 1: of any stature and turn them into someone who has influence. 321 00:18:34,520 --> 00:18:36,960 Speaker 1: And the way they did this, I guess I'm gonna 322 00:18:37,040 --> 00:18:39,560 Speaker 1: give the whole damn thing away, but you know it's 323 00:18:39,600 --> 00:18:41,879 Speaker 1: still worth a watch, still worth a watch, and if 324 00:18:41,920 --> 00:18:43,520 Speaker 1: you if you don't want to hear, then you can 325 00:18:43,640 --> 00:18:46,800 Speaker 1: turn off the podcast right now. What happened? So what 326 00:18:46,920 --> 00:18:49,920 Speaker 1: happened is they they they had an audition. They brought 327 00:18:49,960 --> 00:18:52,720 Speaker 1: people in that you know, l A just before the 328 00:18:52,760 --> 00:18:55,520 Speaker 1: pandemic and there's auditions all the time. So they had 329 00:18:55,600 --> 00:18:58,399 Speaker 1: like a casting call and they brought people in and 330 00:18:58,440 --> 00:19:02,560 Speaker 1: they picked three ran them people. And these are people 331 00:19:02,600 --> 00:19:05,040 Speaker 1: that don't working behind the scenes in l A. A A 332 00:19:05,119 --> 00:19:07,919 Speaker 1: lot of people working odd jobs trying to make it 333 00:19:07,960 --> 00:19:11,600 Speaker 1: in the entertainment, in in show business. And so the 334 00:19:11,840 --> 00:19:14,800 Speaker 1: guy picked three people, a woman and two dudes, and 335 00:19:16,080 --> 00:19:19,600 Speaker 1: they then went out and went to different websites and 336 00:19:19,640 --> 00:19:25,560 Speaker 1: purchased a bunch of bots as followers, fake social media followers. 337 00:19:26,640 --> 00:19:29,600 Speaker 1: And the guy said he started out, he spent like 338 00:19:29,640 --> 00:19:33,920 Speaker 1: a hundred and twenty bucks. He bought seven thousand, five 339 00:19:34,000 --> 00:19:38,800 Speaker 1: hundred followers and a bunch of likes on Instagram. And 340 00:19:39,280 --> 00:19:42,879 Speaker 1: they they use this and then trying to start with 341 00:19:42,960 --> 00:19:46,920 Speaker 1: a base and it it really is the takeaway a 342 00:19:46,920 --> 00:19:48,399 Speaker 1: couple of take aways. One of them that I have 343 00:19:48,600 --> 00:19:55,000 Speaker 1: right now is the band wagon effect, because what happened 344 00:19:55,040 --> 00:20:00,000 Speaker 1: was they would buy these fake followers, and at least 345 00:20:00,040 --> 00:20:02,760 Speaker 1: this is the way I interpret it. It's part of 346 00:20:02,760 --> 00:20:07,280 Speaker 1: the bandwagon effect, which is a psychology psychological phenomenon. Right 347 00:20:07,359 --> 00:20:12,600 Speaker 1: is the is the term, but it essentially is that 348 00:20:13,520 --> 00:20:18,760 Speaker 1: people will do things when they they think it's cool. 349 00:20:18,880 --> 00:20:21,160 Speaker 1: They'll they'll be more like if you start a restaurant, 350 00:20:21,240 --> 00:20:24,760 Speaker 1: right if you start a new restaurant, um, the way 351 00:20:24,800 --> 00:20:27,199 Speaker 1: to get people interested in one of the ways is 352 00:20:27,240 --> 00:20:30,159 Speaker 1: to fill the restaurant with people who are your friends 353 00:20:30,160 --> 00:20:33,040 Speaker 1: and family or have a line or you know. Same 354 00:20:33,040 --> 00:20:35,400 Speaker 1: thing works when you're opening a store. The herd mentality 355 00:20:35,480 --> 00:20:38,680 Speaker 1: group think, which is very big right now, politically group think, 356 00:20:39,119 --> 00:20:43,520 Speaker 1: no individual opinions, and the bandwagon affect. Essentially, I can 357 00:20:43,560 --> 00:20:45,240 Speaker 1: sum it up in one sentence is that most people 358 00:20:45,280 --> 00:20:49,520 Speaker 1: are followers and they're not leaders, right, And you know, 359 00:20:50,320 --> 00:20:52,040 Speaker 1: you see a group of people, you want to follow 360 00:20:52,080 --> 00:20:54,280 Speaker 1: that group of people because you think there's something good there, 361 00:20:54,320 --> 00:20:57,080 Speaker 1: there's something that's neat, and so you want to follow. 362 00:20:57,200 --> 00:20:59,440 Speaker 1: And so the same thing applies in the social media world, 363 00:20:59,440 --> 00:21:03,600 Speaker 1: where you know, you have a bunch of fake followers 364 00:21:03,600 --> 00:21:05,960 Speaker 1: and then other people like, oh, this person must be important. 365 00:21:06,000 --> 00:21:08,120 Speaker 1: There's a lot of people following this person. But there's 366 00:21:08,119 --> 00:21:11,120 Speaker 1: a lot of comments on this particular post I stumbled upon. 367 00:21:11,359 --> 00:21:13,840 Speaker 1: So I know what I'm gonna do. I'm gonna follow 368 00:21:15,080 --> 00:21:19,440 Speaker 1: and uh, and there's hundreds of millions of these bots online. 369 00:21:19,480 --> 00:21:21,920 Speaker 1: This is one of the things that and I had 370 00:21:21,960 --> 00:21:26,439 Speaker 1: this epiphany a couple of years back that it is 371 00:21:27,359 --> 00:21:31,960 Speaker 1: the matrix, right, that it is the matrix, this weird, 372 00:21:32,920 --> 00:21:38,920 Speaker 1: weird world of social media and you know what Twitter 373 00:21:39,080 --> 00:21:42,880 Speaker 1: is and all that, and uh, you know the algorithms, 374 00:21:42,920 --> 00:21:46,600 Speaker 1: the Russian bots, the blue check marks, which I guess 375 00:21:46,600 --> 00:21:52,800 Speaker 1: I'm part of, and the influences and all this and yeah, 376 00:21:52,840 --> 00:21:55,320 Speaker 1: I mean and so so that's that's that's the world 377 00:21:55,320 --> 00:21:56,800 Speaker 1: of social media. You don't know what's real or not. 378 00:21:57,000 --> 00:22:01,359 Speaker 1: And so watching this and all the bots and and whatnot, 379 00:22:01,440 --> 00:22:05,080 Speaker 1: now there were this documentary wasn't perfect. Some of the 380 00:22:05,119 --> 00:22:08,560 Speaker 1: political stuff I could have done without, but you know, 381 00:22:08,600 --> 00:22:11,040 Speaker 1: I knew who made it, and I knew that some 382 00:22:11,119 --> 00:22:13,639 Speaker 1: of that stuff was gonna be in there. That's just 383 00:22:14,600 --> 00:22:17,840 Speaker 1: part of it. I overlook that I tuned that out 384 00:22:17,960 --> 00:22:20,600 Speaker 1: and I took away what I felt was the important 385 00:22:20,640 --> 00:22:26,000 Speaker 1: part of this documentary fake famous and uh, you know, 386 00:22:26,040 --> 00:22:28,440 Speaker 1: they did point out that, you know, these these bought 387 00:22:28,720 --> 00:22:33,040 Speaker 1: a counts. The social media companies, even though occasionally they'll 388 00:22:33,040 --> 00:22:36,760 Speaker 1: try to get rid of the fake accounts, they actually 389 00:22:37,000 --> 00:22:39,560 Speaker 1: don't really mind them because it makes it seem like 390 00:22:39,640 --> 00:22:43,320 Speaker 1: there's more people on their platforms. It gives the false 391 00:22:43,400 --> 00:22:48,520 Speaker 1: illusion that these are these are very popular and more 392 00:22:48,560 --> 00:22:52,520 Speaker 1: popular than they are, and it grows engagement, which helps 393 00:22:53,040 --> 00:22:56,359 Speaker 1: the price of the stock and all that. Anyway, So 394 00:22:56,480 --> 00:22:58,480 Speaker 1: just to get back to the to the documentary, here 395 00:22:58,520 --> 00:23:03,600 Speaker 1: they this guy kept buying followers until now the two 396 00:23:03,640 --> 00:23:06,439 Speaker 1: guys didn't really work out, but the woman did and 397 00:23:06,520 --> 00:23:10,640 Speaker 1: she got the two hundred fifty thousand followers, you know, slowly, 398 00:23:10,680 --> 00:23:12,520 Speaker 1: because you can't do it overnight. You got to do 399 00:23:12,560 --> 00:23:13,800 Speaker 1: it a week at a time, you know, a couple 400 00:23:13,840 --> 00:23:16,399 Speaker 1: of days a week, and you can add followers and 401 00:23:16,440 --> 00:23:18,640 Speaker 1: then they The other part which was funny, is that 402 00:23:18,680 --> 00:23:23,720 Speaker 1: to to help grow this woman's following in the documentary, 403 00:23:24,880 --> 00:23:28,600 Speaker 1: they paid for some photo shoots. And you know, l 404 00:23:28,640 --> 00:23:30,960 Speaker 1: A is such a fake place that there's a studio 405 00:23:31,040 --> 00:23:33,800 Speaker 1: you can rent in l A that has a fake 406 00:23:33,960 --> 00:23:37,040 Speaker 1: private jet to make it seem like you're on a 407 00:23:37,080 --> 00:23:40,959 Speaker 1: private jet flying around. You can do that for fifty 408 00:23:41,000 --> 00:23:44,760 Speaker 1: bucks an hour. You can rent a mansion for like 409 00:23:45,040 --> 00:23:49,440 Speaker 1: six hundred dollars a day or an afternoon and take 410 00:23:49,440 --> 00:23:53,400 Speaker 1: a bunch of photos looking like you're living as an aristocrat. 411 00:23:54,400 --> 00:23:56,720 Speaker 1: And people do that, and a lot of social people, 412 00:23:56,920 --> 00:23:59,399 Speaker 1: social media influencers do this kind of crap to make 413 00:23:59,440 --> 00:24:04,640 Speaker 1: it seem, of course misleading. That's that's social media rights. 414 00:24:04,680 --> 00:24:07,600 Speaker 1: The matrix make it seem like they're they're living these 415 00:24:07,800 --> 00:24:11,639 Speaker 1: extravagant lives and lifestyles and all that stuff. And so 416 00:24:11,680 --> 00:24:14,919 Speaker 1: it's really interesting look into that world. And eventually the 417 00:24:14,960 --> 00:24:20,080 Speaker 1: woman who kept getting the fake followers, companies started giving 418 00:24:20,080 --> 00:24:26,479 Speaker 1: her free crap jewelry and trips and you name it. 419 00:24:27,800 --> 00:24:32,000 Speaker 1: And so it's a it's it's worth a watch there 420 00:24:32,000 --> 00:24:34,560 Speaker 1: if you have a chance, if you're on social media, 421 00:24:34,560 --> 00:24:35,840 Speaker 1: if you're not, I don't know how you can avoid 422 00:24:35,880 --> 00:24:38,120 Speaker 1: being on social media at least one of the platforms there. 423 00:24:38,160 --> 00:24:40,960 Speaker 1: And does she end up getting a bunch of people 424 00:24:40,960 --> 00:24:44,399 Speaker 1: that sent her different items and some people's one of 425 00:24:44,440 --> 00:24:49,920 Speaker 1: the other guys got workouts for free sunglasses, jewelry, all 426 00:24:49,960 --> 00:24:54,719 Speaker 1: that just because of some fake bought follow followers on 427 00:24:54,800 --> 00:24:57,000 Speaker 1: social media. So, and what's the old line Cisco and 428 00:24:57,080 --> 00:24:58,960 Speaker 1: Ebert back in the day, man they rest in peace? 429 00:24:59,080 --> 00:25:01,399 Speaker 1: Two thumbs up an outdated reference, by the way, Cisco 430 00:25:01,520 --> 00:25:07,920 Speaker 1: Leeber two thumbs up for the documentary Fake Famous, Fake Famous? 431 00:25:07,920 --> 00:25:11,679 Speaker 1: All right, Uh time now for pop Quiz And since 432 00:25:11,800 --> 00:25:14,720 Speaker 1: a Gagon is too lazy to do the podcast again, 433 00:25:14,800 --> 00:25:17,439 Speaker 1: this week we have Bow the show Bow. Would you 434 00:25:17,520 --> 00:25:20,800 Speaker 1: like to be the person that I bounce off these 435 00:25:20,880 --> 00:25:23,040 Speaker 1: questions too? And then you can answer? Or do you 436 00:25:23,080 --> 00:25:25,879 Speaker 1: just want me to ask the questions to myself? I 437 00:25:25,920 --> 00:25:29,359 Speaker 1: can answer That sounds like a sounds like a good time. Okay, alright, 438 00:25:29,400 --> 00:25:31,720 Speaker 1: so now the way pop Quiz works, both the show 439 00:25:32,280 --> 00:25:36,520 Speaker 1: who's in for the gag on here this weekend. So 440 00:25:36,560 --> 00:25:39,280 Speaker 1: the way this works, I I scour the internet to 441 00:25:39,320 --> 00:25:44,560 Speaker 1: find interesting odd things and then I'll ask you, but 442 00:25:44,640 --> 00:25:46,600 Speaker 1: I'm really asking the listener, and you can try to 443 00:25:46,600 --> 00:25:48,760 Speaker 1: answer and then I'll tell you if you're right or wrong. Okay, okay, 444 00:25:48,840 --> 00:25:51,800 Speaker 1: sound good? All right, So here we go. Uh. It 445 00:25:51,960 --> 00:25:54,960 Speaker 1: seems that we throw away at least ten percent of 446 00:25:55,000 --> 00:25:58,480 Speaker 1: this item every time we buy it, according to research. 447 00:25:58,680 --> 00:26:03,000 Speaker 1: So what item that we almost all use about ten 448 00:26:03,440 --> 00:26:08,600 Speaker 1: of it? We just throw it away? Ah? Paper towels, 449 00:26:09,440 --> 00:26:15,200 Speaker 1: paper towels. No, how about toothpaste? Okay, yeah that makes sense. 450 00:26:15,960 --> 00:26:19,199 Speaker 1: Yeah yeah, you never get to the end of the tube. Yeah. 451 00:26:19,280 --> 00:26:21,280 Speaker 1: Well and then if you do, you look like a douche, right. 452 00:26:21,280 --> 00:26:22,800 Speaker 1: I mean it's always that person, you know what I mean, 453 00:26:22,800 --> 00:26:24,760 Speaker 1: Like we've all we've all had that person. I had 454 00:26:24,760 --> 00:26:26,679 Speaker 1: a roommate like that where you get to the end 455 00:26:26,720 --> 00:26:28,800 Speaker 1: of two and they're just like rolling the tube trying 456 00:26:28,800 --> 00:26:33,560 Speaker 1: to get that final Yeah, that's not good. Uh. Seventy 457 00:26:34,040 --> 00:26:37,119 Speaker 1: of Americans say they prefer the fake stuff to the 458 00:26:37,160 --> 00:26:39,800 Speaker 1: real stuff. But what are we talking about? So it's 459 00:26:39,840 --> 00:26:42,040 Speaker 1: a it's a food item. But but Americans like the 460 00:26:42,080 --> 00:26:44,440 Speaker 1: fake stuff as opposed to the real, the real McCoy. 461 00:26:45,640 --> 00:26:48,360 Speaker 1: I want like some kind of cheese, like maybe cheesewetz 462 00:26:48,480 --> 00:26:51,320 Speaker 1: or something. Um, this is something that Arnie Spaniard, if 463 00:26:51,320 --> 00:26:56,760 Speaker 1: you know Arnie has, it's a product associated with Arnie. Yeah, 464 00:26:56,840 --> 00:27:03,200 Speaker 1: maple syrup. Well, the fake because the fake maple syrup 465 00:27:03,200 --> 00:27:06,600 Speaker 1: has it's like just pure pure sugar, right, yeah, not 466 00:27:07,400 --> 00:27:09,920 Speaker 1: the syrup that Arnie gets us every year for Christmas. 467 00:27:10,160 --> 00:27:13,439 Speaker 1: If he remembers, Uh, I love that stuff that I use. 468 00:27:13,560 --> 00:27:16,400 Speaker 1: I use that whole bottle. Yeah, well that's because it's 469 00:27:16,400 --> 00:27:19,080 Speaker 1: in his backyard. He gets he's goes, he goes out 470 00:27:19,080 --> 00:27:20,960 Speaker 1: in the backyard, puts it in the box, and then's 471 00:27:20,960 --> 00:27:24,280 Speaker 1: all right, here's some maple syrup. The stinking genius, that 472 00:27:24,440 --> 00:27:27,760 Speaker 1: stinking genius. All right. Next one it is we don't 473 00:27:27,760 --> 00:27:31,280 Speaker 1: pop quizer. It's something quite small that many of us 474 00:27:31,400 --> 00:27:34,679 Speaker 1: use nearly every day, and nearly every single one of 475 00:27:34,760 --> 00:27:39,560 Speaker 1: them is made in a factory out west, a family 476 00:27:39,640 --> 00:27:45,400 Speaker 1: factory out west. Oh God, I have no idea. All right, 477 00:27:45,640 --> 00:27:51,280 Speaker 1: it's the you know those those plastic bread clips or tabs. 478 00:27:53,440 --> 00:27:57,960 Speaker 1: Apparently there's a family in the West that has cornered 479 00:27:58,000 --> 00:28:01,399 Speaker 1: the market on those. How great is that? Yeah? I 480 00:28:01,400 --> 00:28:03,280 Speaker 1: would have I would have never guessed that. So that's 481 00:28:03,320 --> 00:28:06,560 Speaker 1: a that's that's an interesting market to corner. But good 482 00:28:06,560 --> 00:28:09,800 Speaker 1: for them. Well you can you can be rich making 483 00:28:10,400 --> 00:28:14,359 Speaker 1: plastic brick clips if no one else is doing it, right, No, 484 00:28:14,520 --> 00:28:19,679 Speaker 1: that's ingenious. Family, what a family? Yeah? Alright? Next one 485 00:28:19,720 --> 00:28:24,159 Speaker 1: about fift bow of the show about of cars on 486 00:28:24,200 --> 00:28:30,320 Speaker 1: the road. Are driving around with this problem with this problem? 487 00:28:30,400 --> 00:28:33,439 Speaker 1: What is the problem? Well, I I might have this problem. 488 00:28:33,440 --> 00:28:36,840 Speaker 1: Is it gonna something like a tire light on? No, 489 00:28:36,960 --> 00:28:38,880 Speaker 1: that's actually a good one because we've all done that, 490 00:28:38,960 --> 00:28:41,920 Speaker 1: like the low air pressure on the tire or something 491 00:28:41,960 --> 00:28:47,040 Speaker 1: like that. But this is a cracked windshield. Yeah, yeah, 492 00:28:47,040 --> 00:28:50,720 Speaker 1: that's not good. Yeah, Well when you get I've had 493 00:28:51,000 --> 00:28:54,000 Speaker 1: I've had a few windshields replaced over the years, and 494 00:28:54,120 --> 00:28:57,920 Speaker 1: usually what you do is you do a cost benefit 495 00:28:57,960 --> 00:29:00,200 Speaker 1: analysis when you crack your windshield, you know what me like, 496 00:29:00,240 --> 00:29:03,320 Speaker 1: You're you're like, okay, is it just gonna stay that 497 00:29:03,400 --> 00:29:07,080 Speaker 1: size or is it gonna go bigger? You just sit 498 00:29:07,160 --> 00:29:09,680 Speaker 1: and hope that it doesn't get bigger, and you check 499 00:29:09,720 --> 00:29:12,520 Speaker 1: every single day. Yeah, you put like yeah, you put 500 00:29:12,560 --> 00:29:13,960 Speaker 1: like what I would do is I put like a 501 00:29:13,960 --> 00:29:16,200 Speaker 1: little piece of scotch tape right where the end of 502 00:29:16,240 --> 00:29:18,600 Speaker 1: the crack is, because that's the way you can judge, 503 00:29:18,680 --> 00:29:21,120 Speaker 1: like if it's growing or not. But but inevitably my 504 00:29:21,200 --> 00:29:25,000 Speaker 1: experiences when you start driving, you know, it's the crack 505 00:29:25,200 --> 00:29:27,160 Speaker 1: just by the you don't even realize that the bumps, 506 00:29:27,480 --> 00:29:29,720 Speaker 1: just driving on the highway, you end up cracking the 507 00:29:29,720 --> 00:29:33,840 Speaker 1: windshield more so, no way around it. All Right, four 508 00:29:33,880 --> 00:29:39,360 Speaker 1: in ten people refuse to ever share this. It is 509 00:29:39,440 --> 00:29:43,400 Speaker 1: food related. But this is something that people would never 510 00:29:43,600 --> 00:29:49,040 Speaker 1: even consider sharing. Oh is it like a specific food 511 00:29:49,080 --> 00:29:52,280 Speaker 1: item or just in general? It's a type of food. Yeah, 512 00:29:52,280 --> 00:29:59,640 Speaker 1: it's a type of food. Oh do do do? Sup? 513 00:30:00,000 --> 00:30:02,760 Speaker 1: Do do? Do? Do? Do? Do? Do Do do? No? Not? So, 514 00:30:02,920 --> 00:30:08,320 Speaker 1: how about a sandwich? Take a bite of my sandwich? Really? Yeah? 515 00:30:08,640 --> 00:30:11,360 Speaker 1: You share? You share your sandwiches? Yeah, I mean I 516 00:30:11,600 --> 00:30:13,800 Speaker 1: don't see the big deal obviously, like you know, things 517 00:30:13,800 --> 00:30:16,960 Speaker 1: have changed in the last year in terms of that, 518 00:30:17,000 --> 00:30:19,000 Speaker 1: but before that, I mean, I don't really have an 519 00:30:19,000 --> 00:30:21,680 Speaker 1: issue with sharing a sandwich with someone. You know, just 520 00:30:21,760 --> 00:30:24,400 Speaker 1: kind of have to be careful. But yeah, no, that's 521 00:30:24,480 --> 00:30:27,800 Speaker 1: that's an interesting answer to me. You could strategically eat 522 00:30:27,800 --> 00:30:30,000 Speaker 1: around where they ate and eventually you just be like here, 523 00:30:30,040 --> 00:30:32,680 Speaker 1: you can finish this, but something like soup, I mean 524 00:30:33,080 --> 00:30:35,440 Speaker 1: you can't. You can't get around that. Well, that's the 525 00:30:35,520 --> 00:30:38,000 Speaker 1: turd in the punch bowl theory, right, you know, it's 526 00:30:38,160 --> 00:30:40,160 Speaker 1: it's hurt in the punch bowl. You know, it probably 527 00:30:40,160 --> 00:30:42,160 Speaker 1: only ruins a small part of the soup, but it's 528 00:30:42,160 --> 00:30:45,200 Speaker 1: in the entire pot of soup. So yeah, or punch 529 00:30:45,320 --> 00:30:47,920 Speaker 1: or whatever. Yeah, or the other option. If you're at 530 00:30:47,920 --> 00:30:51,800 Speaker 1: a restaurant, you could like cut part of the sandwich off, right, 531 00:30:51,840 --> 00:30:54,400 Speaker 1: if if you've got yeah, if you've got that E 532 00:30:54,520 --> 00:30:56,400 Speaker 1: B G B thing going on, tear it in half, 533 00:30:56,440 --> 00:30:59,720 Speaker 1: any any number of things. Yeah, alright. A new surveys 534 00:30:59,840 --> 00:31:03,320 Speaker 1: is of people believe doing this activity is a good 535 00:31:03,440 --> 00:31:07,040 Speaker 1: first date, but only seven percent of people like the 536 00:31:07,120 --> 00:31:13,720 Speaker 1: idea in so it's gone up. What activity is it? Movies? No? No, man, 537 00:31:13,880 --> 00:31:17,040 Speaker 1: but people hate like people hate movies because you can't. 538 00:31:17,080 --> 00:31:18,760 Speaker 1: I love when I was dating. I love going to 539 00:31:18,760 --> 00:31:20,520 Speaker 1: the movies because I didn't have to talk to anybody, 540 00:31:20,560 --> 00:31:22,280 Speaker 1: but they usually you want to go somewhere you can 541 00:31:22,280 --> 00:31:26,920 Speaker 1: talk about. This is karaoke, big, you're a big karaoke guy. 542 00:31:26,960 --> 00:31:30,800 Speaker 1: Bo I know you love to say I do love karaoke, um, 543 00:31:30,960 --> 00:31:33,440 Speaker 1: especially when you can have one or two drinks prior 544 00:31:33,520 --> 00:31:36,960 Speaker 1: to uh doing karaoke. But yeah, I don't. I don't 545 00:31:37,000 --> 00:31:39,000 Speaker 1: think that would be very successful for first date unless 546 00:31:39,000 --> 00:31:41,880 Speaker 1: you're really really confident in yourself. You got loosen up 547 00:31:41,880 --> 00:31:43,760 Speaker 1: a little bit. Loosen up a little bit, you know, 548 00:31:44,120 --> 00:31:47,520 Speaker 1: liquid courage there. Yeah, absolutely all right. A new report 549 00:31:47,560 --> 00:31:51,120 Speaker 1: claims if you're planning on you know, if you want 550 00:31:51,120 --> 00:31:53,080 Speaker 1: someone to spend more money, like but you've got a 551 00:31:53,080 --> 00:31:57,600 Speaker 1: house for sale, for example, if you want make you 552 00:31:57,600 --> 00:32:00,360 Speaker 1: want to make people spend more money. This part regular 553 00:32:00,560 --> 00:32:04,520 Speaker 1: smell is said to make people want to spend money 554 00:32:05,200 --> 00:32:12,000 Speaker 1: more money than they normally would. What smell is it? Oh, dude, dude, dude, dude, dude. 555 00:32:12,160 --> 00:32:15,240 Speaker 1: Let's say like fresh linen, fresh linen. That's actually a 556 00:32:15,240 --> 00:32:18,440 Speaker 1: good guess, fresh linen. You know it's a good smell. Uh, 557 00:32:18,480 --> 00:32:24,600 Speaker 1: it's actually oranges, the smell of oranges. That's interesting. Yeah, 558 00:32:24,640 --> 00:32:27,320 Speaker 1: it is interesting. I I like the smell of oranges. 559 00:32:27,560 --> 00:32:29,360 Speaker 1: You know. I have actually on my desk here in 560 00:32:29,400 --> 00:32:33,480 Speaker 1: the studio, the mobile studio I have my wife gave 561 00:32:33,520 --> 00:32:35,360 Speaker 1: me because it's ourr Michig guess here, But it's a 562 00:32:36,760 --> 00:32:40,520 Speaker 1: you know those oils, the essential oils, Yeah, essential if 563 00:32:40,520 --> 00:32:42,800 Speaker 1: she gave me when it's an orange one. And I 564 00:32:43,080 --> 00:32:45,520 Speaker 1: actually I don't even put it on anywhere. I just 565 00:32:45,640 --> 00:32:49,360 Speaker 1: use it sometimes as smelling salts and all like like 566 00:32:49,440 --> 00:32:52,600 Speaker 1: right now I'm smith, I'm sniffing it. But it sounds 567 00:32:52,640 --> 00:32:54,560 Speaker 1: like I'm stiffing something off. But it's but just it's 568 00:32:54,600 --> 00:32:57,480 Speaker 1: just orange and uh, yeah, he wakes you up a 569 00:32:57,480 --> 00:32:59,760 Speaker 1: little bit. Yeah, Citess is a great scent. That's just 570 00:33:00,080 --> 00:33:02,880 Speaker 1: uh when when you mentioned, like, you know, trying to 571 00:33:02,920 --> 00:33:06,240 Speaker 1: sell something, something about fresh linen just always feel so 572 00:33:06,280 --> 00:33:08,040 Speaker 1: comfortable and makes it feel like it'd be easier to 573 00:33:08,080 --> 00:33:11,240 Speaker 1: spend money. But I can buy orange. Yeah, Now do 574 00:33:11,280 --> 00:33:13,560 Speaker 1: you like I like the smell of gasoline? Do you 575 00:33:13,600 --> 00:33:16,920 Speaker 1: like the smell of gasoline or Weirdly, it's not. It's 576 00:33:16,960 --> 00:33:19,120 Speaker 1: not my least favorite thing. I don't you know, I 577 00:33:19,160 --> 00:33:20,880 Speaker 1: don't seek it out, but if I do smell it, 578 00:33:20,880 --> 00:33:23,920 Speaker 1: it's not like it bothers me or anything. I also 579 00:33:23,960 --> 00:33:26,400 Speaker 1: like when you go to like a pet boys or 580 00:33:26,440 --> 00:33:30,000 Speaker 1: an auto zone, the smell of auto parts. I like, 581 00:33:30,280 --> 00:33:33,840 Speaker 1: I enjoyed the smell of auto tires and my dad 582 00:33:33,840 --> 00:33:35,400 Speaker 1: would take me to Auto Zone and stuff when I 583 00:33:35,400 --> 00:33:38,120 Speaker 1: was a kid, So it always, uh brings back memories. 584 00:33:38,160 --> 00:33:39,880 Speaker 1: I think that's part of it too, Like stuff that 585 00:33:39,920 --> 00:33:46,160 Speaker 1: you smell can trigger old memories in your head. Oh absolutely, yeah, yeah, yeah, nostalgia. 586 00:33:46,440 --> 00:33:49,040 Speaker 1: Nostalgia go back to a time when you were you 587 00:33:49,280 --> 00:33:50,480 Speaker 1: were a kid, you didn't have to have a job, 588 00:33:50,480 --> 00:33:51,719 Speaker 1: you didn't have to go to school, or you went 589 00:33:51,760 --> 00:33:54,560 Speaker 1: to school hardly at all, and all that stuff. The memories. Yeah, 590 00:33:54,800 --> 00:33:58,440 Speaker 1: and food dishes, right, suiting foods your your parents served 591 00:33:58,480 --> 00:33:59,920 Speaker 1: you when you were a kid, and you're like, oh, man, 592 00:34:00,040 --> 00:34:03,920 Speaker 1: and that brings back memories, man, jeez, alright. Moving on 593 00:34:04,080 --> 00:34:07,920 Speaker 1: thirty eight percent. Thirty eight percent of people say they 594 00:34:08,000 --> 00:34:13,400 Speaker 1: always go to the same place for this particular service. 595 00:34:13,480 --> 00:34:18,920 Speaker 1: What is it it's gotta be you gotta be like 596 00:34:19,360 --> 00:34:23,399 Speaker 1: gas or car services. No, it's actually a haircut. They 597 00:34:23,440 --> 00:34:26,239 Speaker 1: have their favorite favorite barbershop and they go to the 598 00:34:26,280 --> 00:34:29,799 Speaker 1: same barbershop. I'm not I'm not like that. First of all, 599 00:34:30,000 --> 00:34:32,960 Speaker 1: I don't get my hair cut that off in anyway, 600 00:34:33,040 --> 00:34:35,919 Speaker 1: but when I do, and I will tell you I 601 00:34:35,920 --> 00:34:38,480 Speaker 1: I moved around a few times over the years, so 602 00:34:38,640 --> 00:34:42,680 Speaker 1: I usually had my local go to barber. But if 603 00:34:42,719 --> 00:34:45,120 Speaker 1: they were busy and couldn't take me or whatever, I 604 00:34:45,200 --> 00:34:47,960 Speaker 1: just go to another barbershop. I didn't care, you know, 605 00:34:48,080 --> 00:34:51,239 Speaker 1: I didn't. I didn't have this loyalty. And plus now 606 00:34:51,280 --> 00:34:53,799 Speaker 1: when I when I lived in near Dodger Stadium in 607 00:34:53,880 --> 00:34:57,000 Speaker 1: Lincoln Heights, there was this old guy, this old Italian 608 00:34:57,040 --> 00:35:00,200 Speaker 1: guy who was like a legendary barber and he did 609 00:35:00,239 --> 00:35:02,440 Speaker 1: a lot of like the police officers the l a 610 00:35:02,520 --> 00:35:05,200 Speaker 1: p D. Because the l a p D training facility 611 00:35:05,400 --> 00:35:08,440 Speaker 1: right near Dodger Stadium there, um. And so but anyway, 612 00:35:08,560 --> 00:35:10,239 Speaker 1: I just happened to stumble into the place. And I 613 00:35:10,280 --> 00:35:12,239 Speaker 1: love the guy because he never talked to me. He 614 00:35:12,400 --> 00:35:14,919 Speaker 1: just cut my hair, you know. And some of these 615 00:35:14,960 --> 00:35:17,840 Speaker 1: barber's bowl you go to and like I go, I 616 00:35:17,920 --> 00:35:19,239 Speaker 1: just wanna get my hair cut. I don't want a 617 00:35:19,280 --> 00:35:22,160 Speaker 1: small talk. I don't wanna, you know, go back and 618 00:35:22,200 --> 00:35:24,320 Speaker 1: forth and all that, and a lot of the barbers 619 00:35:24,400 --> 00:35:26,400 Speaker 1: love to talk. And this guy just just cut my 620 00:35:26,440 --> 00:35:28,000 Speaker 1: hair and he said like three words to me, and 621 00:35:28,040 --> 00:35:31,200 Speaker 1: that was it. And and but I but but it 622 00:35:31,239 --> 00:35:34,600 Speaker 1: wasn't geographically desirable. So I stopped going there because I 623 00:35:34,640 --> 00:35:38,000 Speaker 1: moved further away. And so that sounds that sounds like 624 00:35:38,040 --> 00:35:40,759 Speaker 1: the dream. Uh I I I'm the same way, Like, 625 00:35:40,760 --> 00:35:43,040 Speaker 1: I really don't want to talk that much with my barber. 626 00:35:43,160 --> 00:35:46,160 Speaker 1: I don't mind pleasantries, but it would always bug me 627 00:35:46,480 --> 00:35:49,080 Speaker 1: when they'd ask what I do for a living, And 628 00:35:49,120 --> 00:35:51,000 Speaker 1: as soon as I say, oh, yeah, I'm in sports radio, 629 00:35:51,080 --> 00:35:55,439 Speaker 1: it's just instantly like every single sports question under the sun, 630 00:35:55,640 --> 00:35:57,640 Speaker 1: and I just want to get my hair cut. Oh, 631 00:35:57,840 --> 00:36:00,799 Speaker 1: it's who's gonna who's gonna win the super Bowl? Or 632 00:36:00,880 --> 00:36:04,080 Speaker 1: who's gonna win the NBA Finals or yeah, yeah, yeah. 633 00:36:04,320 --> 00:36:06,719 Speaker 1: That's always the small talk you get when people find 634 00:36:06,719 --> 00:36:08,479 Speaker 1: out you work in sports rading. So my move would 635 00:36:08,480 --> 00:36:09,880 Speaker 1: be like when they ask you, you you know I do sales, 636 00:36:13,120 --> 00:36:16,280 Speaker 1: I do sales, and which is technically true, right, because 637 00:36:16,320 --> 00:36:18,520 Speaker 1: really what we do in radio is fill the time 638 00:36:18,560 --> 00:36:21,880 Speaker 1: between the commercials. So that's pretty much what we're here for, 639 00:36:22,040 --> 00:36:24,279 Speaker 1: to fill the time between the commercials. All right. A 640 00:36:24,320 --> 00:36:27,000 Speaker 1: couple more here on pop quiz. According to a new study, 641 00:36:27,520 --> 00:36:30,840 Speaker 1: researchers say that to be on the safe side, you 642 00:36:30,840 --> 00:36:34,120 Speaker 1: should eat this when it's less than twelve hours old, 643 00:36:34,239 --> 00:36:36,520 Speaker 1: or it's not gonna be good for you. What is it? 644 00:36:37,239 --> 00:36:45,560 Speaker 1: Oh god, no, no, no, no, No, that'd be tough, 645 00:36:46,840 --> 00:36:50,400 Speaker 1: right from the cow to your mouth. Is it just 646 00:36:50,440 --> 00:36:52,560 Speaker 1: some kind of baked good like a cake or pie 647 00:36:52,719 --> 00:36:56,279 Speaker 1: or something. No, it's actually this is this is very 648 00:36:56,320 --> 00:36:59,320 Speaker 1: appropriate for this week because it's Snowmageddon in the winter. 649 00:36:59,440 --> 00:37:04,040 Speaker 1: Are texts snow snow? They they say, if you're gonna 650 00:37:04,040 --> 00:37:07,480 Speaker 1: eat snow, it's gotta be fresh, powdered snow that has 651 00:37:07,520 --> 00:37:11,920 Speaker 1: fallen within the last twelve hours. And don't eat the 652 00:37:11,960 --> 00:37:16,239 Speaker 1: yellow snow. Don't eat the yellow snow. I love, I 653 00:37:16,280 --> 00:37:17,719 Speaker 1: love going to the stone, but I don't live in 654 00:37:17,760 --> 00:37:19,000 Speaker 1: the snow. If I lived in the snow, I don't 655 00:37:19,040 --> 00:37:20,239 Speaker 1: think I would love going to the snow. But I 656 00:37:20,239 --> 00:37:21,640 Speaker 1: always look forward to going to the snow. I have 657 00:37:22,480 --> 00:37:25,759 Speaker 1: just wonderful, beautiful winter wonderland. You was you a snow 658 00:37:25,800 --> 00:37:27,520 Speaker 1: guy bow or do you avoid this night? You know? 659 00:37:27,600 --> 00:37:30,640 Speaker 1: I mean, I've been up in the Angelis Crest Mountains 660 00:37:30,640 --> 00:37:33,799 Speaker 1: a couple of times, and it lightly snows there, but 661 00:37:34,120 --> 00:37:36,160 Speaker 1: I've been I've been to Colorado once and got some 662 00:37:36,200 --> 00:37:37,839 Speaker 1: actual snow while I was there, so it was fun. 663 00:37:37,880 --> 00:37:41,160 Speaker 1: But yeah, I don't know if I could live in it. Yeah, 664 00:37:41,360 --> 00:37:43,560 Speaker 1: well then you can make fun of people that don't 665 00:37:43,560 --> 00:37:46,080 Speaker 1: live in snow. If you live in snow. Yeah, like 666 00:37:46,120 --> 00:37:49,360 Speaker 1: our friends in Minnesota who love love to mock and 667 00:37:49,480 --> 00:37:52,960 Speaker 1: ridicule the people that live in warm weather places, as 668 00:37:53,320 --> 00:37:55,080 Speaker 1: they were having a field there, our buddies in Minnesota 669 00:37:55,080 --> 00:37:57,640 Speaker 1: with it. What happened in Texas with the snow, the 670 00:37:57,719 --> 00:38:00,360 Speaker 1: unexpected snow and people freaking out and all that stuff. 671 00:38:01,360 --> 00:38:06,759 Speaker 1: All right, when it comes to our phones, seventy of 672 00:38:06,840 --> 00:38:09,680 Speaker 1: all of us are doing this more than ever. What 673 00:38:09,880 --> 00:38:17,200 Speaker 1: is it? Texting? Not answering calls from unknown numbers? I 674 00:38:17,360 --> 00:38:20,040 Speaker 1: never answered calls some unknown numbers. He listen, they want 675 00:38:20,040 --> 00:38:22,120 Speaker 1: to want to call up, leave a message. Maybe I'll 676 00:38:22,200 --> 00:38:25,360 Speaker 1: check it, maybe I won't. But if I don't recognize 677 00:38:25,440 --> 00:38:28,160 Speaker 1: the number, I'm not an answer. I'm out. There's somebody 678 00:38:28,400 --> 00:38:32,480 Speaker 1: robo calls and all that. Yeah, all right, our last 679 00:38:32,520 --> 00:38:39,840 Speaker 1: one of servers wish that their customers would stop doing 680 00:38:39,880 --> 00:38:43,360 Speaker 1: this when they come and to eat. What is it? Oh? Man? 681 00:38:44,160 --> 00:38:46,319 Speaker 1: Do do do? Do? Do? I can only I can 682 00:38:46,360 --> 00:38:49,560 Speaker 1: only think of my grandmother who would lift her hands 683 00:38:49,640 --> 00:38:51,480 Speaker 1: up and snap her fingers to get their attention. So 684 00:38:51,520 --> 00:38:55,600 Speaker 1: I'm gonna say that, so snap the thing like annoying? Yeah, 685 00:38:55,920 --> 00:38:58,960 Speaker 1: uh no, it's actually sitting together on the same side 686 00:38:59,000 --> 00:39:04,239 Speaker 1: of the booth or the table. Why do they hate that? What? 687 00:39:03,960 --> 00:39:06,520 Speaker 1: What is that? I'm trying to think of the logistics 688 00:39:06,560 --> 00:39:10,960 Speaker 1: and why that would be Yeah, a problem that I 689 00:39:10,960 --> 00:39:13,359 Speaker 1: don't see why that would be an issue, But maybe 690 00:39:13,719 --> 00:39:17,040 Speaker 1: serving the food you gotta shove it past the first person. 691 00:39:17,160 --> 00:39:20,200 Speaker 1: I don't know, But I don't work in that business. 692 00:39:20,200 --> 00:39:21,840 Speaker 1: I don't work in the restaurant business, so I have 693 00:39:22,000 --> 00:39:25,400 Speaker 1: no no concept of that. All right, well, both, thank you, 694 00:39:25,440 --> 00:39:27,759 Speaker 1: and we've made it through the Saturday podcast and we 695 00:39:27,880 --> 00:39:32,760 Speaker 1: have the Sunday mail Bag podcast. We have a big 696 00:39:32,840 --> 00:39:37,520 Speaker 1: stack of juicy, wonderful questions and we will answer as 697 00:39:37,640 --> 00:39:40,520 Speaker 1: many of those as we can possibly get through. Have 698 00:39:40,640 --> 00:39:44,680 Speaker 1: a great rest of your Saturday, and we will catch 699 00:39:44,680 --> 00:39:46,560 Speaker 1: you next time on the fifth thou