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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Danielle Henderson.

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Speaker 1: Now we are back with you once again to talk

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Speaker 1: about film things. We are really excited. We have a

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Speaker 1: mail bag. Now. We might need to set this one

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Speaker 1: up a little bit because this question immediately went to

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Speaker 1: the top. Because now if you're a Wondering Plus subscriber

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Speaker 1: and you get our bonus episodes, you know that this

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Speaker 1: is something that we do a lot. Not only do

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Speaker 1: we do it a lot, we love doing it. It's

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Speaker 1: like it is at the heart of this podcast what

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Speaker 1: this is with his email contented, which is that you know,

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Speaker 1: we've asked for these fuck mary kills, right, and we

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Speaker 1: got one that just could not be denied, and we

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Speaker 1: found that just the people to help, am I right?

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Speaker 3: I mean we went to the question, rose to the top,

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Speaker 3: and then we rose to the occasion and got the

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Speaker 3: best of the best.

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Speaker 1: Everybody's rising. So for this male bag, this very special

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Speaker 1: male bag, we had to bring in two of my

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Speaker 1: favorite podcasters, some folks that Danielle and I love. They

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Speaker 1: host a podcast called The Movies That Made Us Gay.

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Speaker 1: I am a little bit biased because I've been on

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Speaker 1: it before, but it is really truly an enjoyable podcast.

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Speaker 1: They have the same I think, sensibilities that we do, like,

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Speaker 1: same references, same, same reactions to things in movies, and

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Speaker 1: it's so fun listening to them. So please welcome Peter

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Speaker 1: Lozato and Scotty Youungbauer from the Movies that Made Us Gay?

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Speaker 4: Hello, Hello, Oh I what owner?

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Speaker 5: This is probably one of my favorite podcasts, so whatever,

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Speaker 5: Like I mean, it's like going to the chocolate factory

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Speaker 5: for podcasters when Pete and I got the Golden ticket.

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Speaker 4: This is going to be so much fun. Gotti, thank you.

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Speaker 1: You guys are amazing.

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Speaker 3: You guys are thank you so much Trulye I listened to.

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Speaker 3: I'm very selective about the podcast I listened to because

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Speaker 3: I kind of you know, they their mood setting, and

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Speaker 3: you just always make me laugh, you lift me up,

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Speaker 3: you make me learn. I just I love I adore

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Speaker 3: you so much.

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Speaker 4: Danielle. Yeah, thank you. That means a lot, especially coming

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Speaker 4: from you. Yeah. Absolutely, because you're so cool.

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Speaker 2: Oh what where I'm sitting? How cool is this?

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Speaker 3: I'm like some haunted house closet talking to a microphone

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Speaker 3: like an old, middle aged man, but we are so

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Speaker 3: so psyched and tell us do you want to tell

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Speaker 3: people a little bit because I think that like my

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Speaker 3: personal goal right now is to get every single person

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Speaker 3: listening to us.

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Speaker 2: To listen to you.

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Speaker 4: Oh, thank you so much.

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Speaker 2: So can you tell us something.

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Speaker 3: That's like do you have a favorite episode? Is there

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Speaker 3: something you really just you're just so naturally good at

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Speaker 3: at podcasting and you're such a great team. So I

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Speaker 3: just kind of want to know, like, what what's your

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Speaker 3: favorite thing about your podcast?

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Speaker 4: Good question is a really good quods I know, and

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Speaker 4: and for and for listeners.

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Speaker 5: We are married too, so this is like a this

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Speaker 5: is a thing that we do as like a couple,

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Speaker 5: is that we podcast together.

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Speaker 6: So yeah, I was gonna say, I think that's kind

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Speaker 6: of my favorite thing about it. It's that it gives

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Speaker 6: us an opportunity to just kind of hang out together

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Speaker 6: and we have like a joint goal and it's just

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Speaker 6: to produce a good product that we put out there.

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Speaker 6: And it's something that is fun that we both enjoy,

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Speaker 6: and you know, we always have We always try to

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Speaker 6: get really cool guests on our show, like Millie and

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Speaker 6: but every now and then, sometimes you know, podcast scheduling

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Speaker 6: is a bear, and sometimes it's just impossible and people

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Speaker 6: fall through, and every now and then we're like.

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Speaker 4: Well, let's just do one with just us.

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Speaker 6: Yeah, and like, yeah, I feel like the two of

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Speaker 6: us can just sit down and have a conversation about

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Speaker 6: a movie for ninety minutes and we'll listen back. You know,

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Speaker 6: Scott will edit them and I'll listen back later on

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Speaker 6: so I can get that extra one download in our.

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Speaker 5: Very important I have toes and Spotify.

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Speaker 6: But you know what, I listened back to it. I'm like,

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Speaker 6: that one was fun, even though it was just us.

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Speaker 6: I always feel like, oh, we need to have that

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Speaker 6: third person, But when it's just the two of us,

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Speaker 6: I feel like this, there's a really great episodes.

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Speaker 3: So I agree, it's so connective and it's just like

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Speaker 3: it's I I will remain a spinster creep to the

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Speaker 3: end of my days, but if I had to be

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Speaker 3: with any I want your Your relationship is the standards.

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Speaker 1: Oh yeah, I mean, if you can't talk about Arnold Schwartznaker,

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Speaker 1: black bikini briefs and commando to the one you love forever,

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Speaker 1: then it's nothing. Your relationship is bullshit. But then that's

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Speaker 1: The thing I really do love about your podcast though,

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Speaker 1: is that, like, you know, and this is obviously it's

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Speaker 1: very selfish of me to say this, because it's like

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Speaker 1: the movie like we seem to be around the same age,

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Speaker 1: and in the movies that you guys tend to pick

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Speaker 1: are things that from my childhood, from our childhood, from

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Speaker 1: our teen years, and it's always this kind of like

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Speaker 1: unexpected thing where you're like, oh, yeah, we can like

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Speaker 1: talk about like all these like great moments from Dirty

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Speaker 1: Dancing or from you know, something like that, and you

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Speaker 1: know in that way that you guys talk about them

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Speaker 1: as gay men and that in that way that's like,

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Speaker 1: you know, maybe I didn't experience as a straight woman,

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Speaker 1: you know, growing up. So it's that it's it's awesome,

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Speaker 1: but it tends to be like sort of the same

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Speaker 1: moments almost, you know of like remember when this happened,

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Speaker 1: and then you know we both go, oh, amazing, Yes,

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Speaker 1: So I appreciate that my podcast.

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Speaker 6: Yeah, there was just something about movies in the eighties

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Speaker 6: and the nineties. It was just something in the sauce

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Speaker 6: that was just equaled sexual awakening.

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Speaker 4: Every kid of that age.

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Speaker 6: We should probably should not have been watching these movies

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Speaker 6: they were kind kind of aimed at us, but then

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Speaker 6: kind of not like and so there's just this generation

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Speaker 6: of people that just have these shared experiences.

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Speaker 4: And it's this thing that I always thought.

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Speaker 6: Growing up, I am the only weirdo watching my recorded

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Speaker 6: off of TNT.

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Speaker 4: You know, Death Becomes Her a million times, a movie

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Speaker 4: that was not made for a twelve year old boy.

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Speaker 4: You know what, All the.

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Speaker 6: Twelve year old boys in my class were not like, yeah,

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Speaker 6: Meryl Streep is so funny and Death Becomes Her.

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Speaker 4: But like, I'm sitting at home just like, what is.

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Speaker 6: This purple shift on double breasted fantasy that she's wearing.

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Speaker 4: With a backwards head?

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Speaker 2: I mean, Viva Live forever. It's all I have to

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Speaker 2: say to that, you know.

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Speaker 4: What I mean.

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Speaker 6: But it wasn't until I was kind of an adult

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Speaker 6: that I was like, oh, wait, like, y'all watch that

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Speaker 6: movie too, and we're kind of obsessed with those two

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Speaker 6: like crazy ladies in it.

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Speaker 3: Yes, And it's also like it's it's a it's a

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Speaker 3: real to me, it's a real marker of taste because

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Speaker 3: I feel like if you love those movies as a kid,

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Speaker 3: you probably have a really good sense of humor. Now yes,

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Speaker 3: like both about the world and yourself. So I feel like, yeah,

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Speaker 3: like you are definitely like finding your tribe in more

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Speaker 3: ways than one. When we talk about these these weird

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Speaker 3: movies that we definitely should not have been watching.

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Speaker 2: Why were they making?

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Speaker 3: They put they put just one of the guys on

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Speaker 3: HBO after school every day? Yea, yeah, every day just

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Speaker 3: boobs And you're like, what.

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Speaker 4: All the damn time? Like Tean Witch, No, she is

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Speaker 4: doing very questionable things in that.

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Speaker 2: Movie, Thank You, Thank You.

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Speaker 5: I always go to just sort of the movie that

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Speaker 5: I always gravitate to, and you always as game and

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Speaker 5: you always get the question when did you know you

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Speaker 5: were gay? Which is a pretty like it always kind

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Speaker 5: of rolls my eyes. But I always think of watching

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Speaker 5: Overboard as a child. Yeah, the movie that has all

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Speaker 5: sorts of crazy eighties nonsense in it. But I always

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Speaker 5: remember watching it back to back with Lost Boys, because

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Speaker 5: our tape was Lost Boys, Overboard Edward Herman double Feature.

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Speaker 5: And there's a moment in Overboard with Russell where they're

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Speaker 5: standing in Goldie's closet and you see him wearing the

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Speaker 5: tank and that it's like forever radicalized me.

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Speaker 4: And I was never the same.

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Speaker 3: After absolutely, I mean you can keep escape from New York.

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Speaker 3: That is the Kurt Russell moment for me as well. Yeah,

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Speaker 3: where I'm like, he's building things and he wants his

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Speaker 3: dream as a mini golf course.

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Speaker 2: Where does this man exist?

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Speaker 3: He's disgusting a little he's a little bit disgusting, like

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Speaker 3: a little gros still who knew.

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Speaker 6: Yeah, that shock that they lived in out in the woods.

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Speaker 6: I'll take it, Yes, we'll take it.

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Speaker 3: Just fail just filled with children, just filled with filthy children.

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Speaker 4: With disgusting children and fearal animals everywhere.

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Speaker 2: Oh my god, it was a dream like.

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Speaker 3: It showed us a different way of living and just

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Speaker 3: something to aim for, truly, because like I said, that

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Speaker 3: is still the type for me. Give me a gross

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Speaker 3: Man and a shack and you would think they would

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Speaker 3: be boundless, that they would just be everywhere. A gross

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Speaker 3: Man in a cabin in the woods, shockingly hard to find.

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Speaker 1: Yeah, well, I I honestly think for this question that

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Speaker 1: we got in the mail back in particular, because there's

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Speaker 1: like a couple things going on. Number one, it's like

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Speaker 1: a fuck Mary kill question, which again we are obsessed with.

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Speaker 1: We love answering these and people will write in with

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Speaker 1: like the weirdest things, like not people but sometimes products,

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Speaker 1: and we answer them all we don't care. They're so fun.

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Speaker 1: But that also it's like season all right, because Halloween

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Speaker 1: is just around the corner, and I feel like the

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Speaker 1: this is like sort of our genre maybe, and so

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Speaker 1: I'm excited excited to see what all of you have

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Speaker 1: to say about that. I'm really excited.

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Speaker 2: Yeah, I'm gonna read the question.

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Speaker 1: Yes, go ahead, go ahead, Yeah, I'm gonna read it.

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Speaker 3: And what I'll do is they gave us three rounds

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Speaker 3: because this person truly cares for us. So I will

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Speaker 3: read the whole email and I will lay out the

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Speaker 3: rounds one by one, or we will not.

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Speaker 2: You will be surprised by each round.

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Speaker 3: Okay, So this question is from Sam, who uses he

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Speaker 3: hymn pronouns, and Sam says, Hey, y'all love the pod

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Speaker 3: and love listening to y'all laugh and have fun with

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Speaker 3: each other. Now I'm listening to the newest episode and

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Speaker 3: at the beginning, y'all are talking about horror movie characters

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Speaker 3: in the gym, and it was truly one of the

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Speaker 3: funniest things I've heard in a while. It then made

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Speaker 3: me think that I now have to send in a

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Speaker 3: very important FMK. As we approached the Halloween season, I

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Speaker 3: felt it was only necessary to send these. So here

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Speaker 3: we go, and then we'll go. We'll skip this rounds.

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Speaker 2: We'll skip the rounds.

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Speaker 3: And Sam ends the email with thanks for keeping me

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Speaker 3: entertained and getting me more into movies than I used

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Speaker 3: to be. While I have not watched every movie you've covered,

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Speaker 3: I've definitely watched more than I thought I would. I

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Speaker 3: also love your caffeinated episodes when you're all, when y'all

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00:11:34,559 --> 00:11:38,959
Speaker 3: are just on a new level, you're the only one shit,

221
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Speaker 3: unfortunately yours Sam. So Sam, thank you for making our day.

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Speaker 3: Thank you for this kind email. You truly get us.

223
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Speaker 2: And for round one.

224
00:11:48,920 --> 00:11:50,480
Speaker 3: I think we should let I think we're gonna let

225
00:11:50,480 --> 00:11:53,160
Speaker 3: our guests go first. For all of these rounds, there

226
00:11:53,160 --> 00:11:58,240
Speaker 3: are three important rounds. Okay, Round one Buck Mary kill

227
00:11:59,720 --> 00:12:04,319
Speaker 3: Mike Myers, Jason Voor, He's Freddy Krueger.

228
00:12:04,840 --> 00:12:05,200
Speaker 1: Damn.

229
00:12:06,480 --> 00:12:09,360
Speaker 4: All right, So this is a good one, Scott. You

230
00:12:09,360 --> 00:12:10,959
Speaker 4: want to ticket, sure, go after you.

231
00:12:11,000 --> 00:12:13,920
Speaker 5: So me fuck Michael Myers because I'm pretty sure that

232
00:12:14,000 --> 00:12:16,320
Speaker 5: Michael is probably shredded under.

233
00:12:16,120 --> 00:12:17,319
Speaker 4: This coverdes.

234
00:12:18,440 --> 00:12:20,240
Speaker 2: That's what I said, has.

235
00:12:19,880 --> 00:12:24,800
Speaker 5: A crazy ripped body, like can probably compete on American gladiators.

236
00:12:24,800 --> 00:12:27,679
Speaker 4: So yeah, like Michael Myers true.

237
00:12:27,760 --> 00:12:30,920
Speaker 1: Too that like I don't know if this plays Halloween,

238
00:12:30,960 --> 00:12:33,120
Speaker 1: people do not come at me because I'm I'm just

239
00:12:33,600 --> 00:12:36,319
Speaker 1: this is from sheer remembering, and I could be wrong

240
00:12:36,840 --> 00:12:40,000
Speaker 1: that the original Michael Myers was actually like kind of smaller,

241
00:12:40,040 --> 00:12:42,880
Speaker 1: and then the new Michael Miles is like fucking huge,

242
00:12:43,080 --> 00:12:45,800
Speaker 1: like yeah feet tall. So yeah, I think if we're

243
00:12:45,800 --> 00:12:49,360
Speaker 1: going to go on that metric, he's fucking stacked right.

244
00:12:50,120 --> 00:12:52,240
Speaker 3: Oh yeah, we can break this down into levels. Are

245
00:12:52,240 --> 00:12:54,440
Speaker 3: you fucking seventies eighties?

246
00:12:55,080 --> 00:12:56,240
Speaker 4: That's Michael Myers?

247
00:12:56,360 --> 00:12:59,599
Speaker 6: Yeah yeah, isn't the very first Halloween he's supposed to

248
00:12:59,600 --> 00:13:01,280
Speaker 6: be like, so it's like.

249
00:13:01,240 --> 00:13:04,240
Speaker 2: Right, yeah, I mean I gotta go, I gotta go.

250
00:13:04,600 --> 00:13:07,920
Speaker 5: I gotta go straight with like the probably the original

251
00:13:07,960 --> 00:13:09,839
Speaker 5: Michael from nineteen seventy eight.

252
00:13:09,880 --> 00:13:15,240
Speaker 4: Okay, nice Mary Jason, I mean Jason's Mama's boy.

253
00:13:15,520 --> 00:13:18,080
Speaker 5: Although would a turn into like a monster and loss situation,

254
00:13:18,320 --> 00:13:21,840
Speaker 5: I don't know, so, Mary Jason, Like, I mean, spend

255
00:13:21,840 --> 00:13:25,320
Speaker 5: some time that scenic camp Crystal Lake could be worse

256
00:13:26,040 --> 00:13:29,600
Speaker 5: kill Freddy just because I really don't have time for

257
00:13:29,840 --> 00:13:32,720
Speaker 5: especially Freddy from the later movies of just what a

258
00:13:32,800 --> 00:13:34,320
Speaker 5: fucking like smart ass he is.

259
00:13:34,720 --> 00:13:36,280
Speaker 2: Oh my god, that's shaky green ship.

260
00:13:36,360 --> 00:13:39,120
Speaker 5: He's gotta go, and you get the creepy element of

261
00:13:39,120 --> 00:13:40,440
Speaker 5: like killing shoulder and you gotta go.

262
00:13:41,040 --> 00:13:41,360
Speaker 1: Yep.

263
00:13:42,040 --> 00:13:44,040
Speaker 3: I approve of these choices. Now, this might be grounds

264
00:13:44,080 --> 00:13:46,520
Speaker 3: for divorce, but I am dying.

265
00:13:46,679 --> 00:13:50,480
Speaker 4: All right, all right, these are so we're.

266
00:13:50,400 --> 00:13:53,040
Speaker 1: Trying trying to gauge what this will be between the

267
00:13:53,080 --> 00:13:54,280
Speaker 1: two of you as a marriage.

268
00:13:54,760 --> 00:13:57,520
Speaker 6: I'm curious this could have this could have been a

269
00:13:57,520 --> 00:14:04,199
Speaker 6: wedding shower game. So I'm gonna go in and I'm

270
00:14:04,200 --> 00:14:06,719
Speaker 6: gonna and I'm gonna fuck Jason Man because I'm here

271
00:14:06,800 --> 00:14:09,800
Speaker 6: for I'm here for an intense lay.

272
00:14:09,880 --> 00:14:14,600
Speaker 2: I respect it, I respect it involved.

273
00:14:15,240 --> 00:14:19,320
Speaker 6: You know, I'm also saying that most Jason's are played

274
00:14:19,400 --> 00:14:27,760
Speaker 6: by stuntman, very very large professional wrestler types. So Jason's

275
00:14:27,800 --> 00:14:31,520
Speaker 6: you know, there's there's some he's he's, he's he's built

276
00:14:31,520 --> 00:14:32,080
Speaker 6: like a tree in.

277
00:14:32,040 --> 00:14:35,880
Speaker 4: Some of those. And you know, I'm gonna marry Freddie

278
00:14:35,920 --> 00:14:38,040
Speaker 4: because in the long run he is going to be

279
00:14:38,080 --> 00:14:39,200
Speaker 4: there with the jokes.

280
00:14:40,240 --> 00:14:46,400
Speaker 6: Okay, my god, wow, Yeah, Freddy's coming in with the

281
00:14:47,080 --> 00:14:49,040
Speaker 6: keep he's keeping it fresh to two of us. Every

282
00:14:49,120 --> 00:14:51,800
Speaker 6: night we're watching television, just talking ship on everybody that

283
00:14:51,840 --> 00:14:52,880
Speaker 6: we see.

284
00:14:53,000 --> 00:14:54,920
Speaker 5: You know, you're gonna help him with the stand up

285
00:14:54,920 --> 00:14:56,120
Speaker 5: that like like the comedy store.

286
00:14:56,200 --> 00:14:59,080
Speaker 4: I'm getting his tight five ready, you know.

287
00:14:59,240 --> 00:15:00,600
Speaker 6: And I think for I mean, at the end of

288
00:15:00,640 --> 00:15:02,520
Speaker 6: the day, is just kind of like a bitchy queen

289
00:15:02,720 --> 00:15:06,840
Speaker 6: and we can just sit around and just like talk shit.

290
00:15:08,760 --> 00:15:13,800
Speaker 1: That I've never considered Freddy was a bitchy queen. That

291
00:15:14,000 --> 00:15:14,680
Speaker 1: is interesting.

292
00:15:14,760 --> 00:15:18,720
Speaker 2: I never considered that I changed my life to.

293
00:15:23,440 --> 00:15:26,760
Speaker 4: He's just always after those girls. He's just jealous, yes,

294
00:15:26,840 --> 00:15:27,560
Speaker 4: but that means.

295
00:15:27,360 --> 00:15:30,040
Speaker 2: You're you're you're you're gonna kill Michael Myers.

296
00:15:30,040 --> 00:15:31,200
Speaker 4: I'm killing Michael Myers.

297
00:15:31,240 --> 00:15:33,840
Speaker 6: I feel like if the other choices are to fuck

298
00:15:33,960 --> 00:15:37,960
Speaker 6: or to marry him, He's very single minded in his quest,

299
00:15:38,320 --> 00:15:42,320
Speaker 6: you know. For true for Lorie Strode, he's not talking.

300
00:15:42,360 --> 00:15:44,560
Speaker 6: I mean, Jason's not talking either, but I don't know,

301
00:15:44,600 --> 00:15:45,120
Speaker 6: I feel like.

302
00:15:46,680 --> 00:15:50,000
Speaker 4: Definitely not marrying him. And it's if it's the intense lay.

303
00:15:50,120 --> 00:15:52,600
Speaker 6: I feel like Jason's gonna be the bigger, you know,

304
00:15:52,680 --> 00:15:55,960
Speaker 6: pro wrestler, bodybuilder type. Kane Hotter I think is his name.

305
00:15:56,040 --> 00:15:57,800
Speaker 6: Kane Hotter is just a big tree of a man.

306
00:15:57,960 --> 00:16:00,520
Speaker 6: So I'm going in that direction. So those it so,

307
00:16:00,600 --> 00:16:01,040
Speaker 6: those are my.

308
00:16:02,280 --> 00:16:06,000
Speaker 3: I absolutely love this more than I thought I even would,

309
00:16:06,000 --> 00:16:06,920
Speaker 3: and I thought I would love.

310
00:16:06,800 --> 00:16:07,240
Speaker 2: It a lot.

311
00:16:07,920 --> 00:16:12,720
Speaker 1: Yeah, well, Daniel, what is yours? I'm curious now, I.

312
00:16:12,680 --> 00:16:16,880
Speaker 2: Mean truly, MILLI and I are usually very.

313
00:16:16,720 --> 00:16:20,200
Speaker 1: Different, different on the we have different pos especially when

314
00:16:20,200 --> 00:16:21,120
Speaker 1: it comes to the f.

315
00:16:21,200 --> 00:16:24,280
Speaker 3: We have different right now, these some of these have

316
00:16:24,360 --> 00:16:26,480
Speaker 3: sent million to therapy. But we're going to, you know,

317
00:16:27,200 --> 00:16:32,000
Speaker 3: work through it together. Some of her answers to earn

318
00:16:32,040 --> 00:16:33,000
Speaker 3: the therapy, not mine.

319
00:16:33,160 --> 00:16:36,240
Speaker 2: Yes, I am all right, I'll do it in order.

320
00:16:36,320 --> 00:16:41,080
Speaker 3: Fuck, I'm gonna fuck Michael Myers because he's slow, but

321
00:16:41,160 --> 00:16:43,280
Speaker 3: he gets the job done, and that's what you want.

322
00:16:43,640 --> 00:16:46,240
Speaker 4: Sometimes. There you go, you know the good. Fuck.

323
00:16:46,320 --> 00:16:50,760
Speaker 3: Yeah, he little slow, he's not rushing, he's not rushing anywhere.

324
00:16:51,000 --> 00:16:54,280
Speaker 1: Plus he's he's got that one. He just has one

325
00:16:54,480 --> 00:16:57,479
Speaker 1: jump suit that he just on zips or whatever.

326
00:16:57,200 --> 00:16:58,600
Speaker 2: And that's oh practical.

327
00:16:58,720 --> 00:17:02,040
Speaker 5: Also, do a Google search of sexy Michael Myers fan

328
00:17:02,200 --> 00:17:05,360
Speaker 5: art because you will, you will not like, you will

329
00:17:05,359 --> 00:17:06,199
Speaker 5: not be disappointed.

330
00:17:07,359 --> 00:17:09,160
Speaker 2: I will also not sleep ever again.

331
00:17:09,280 --> 00:17:14,719
Speaker 3: Now. Yeah, but yes, I'm I'm gonna fuck Michael Myers.

332
00:17:14,720 --> 00:17:17,440
Speaker 3: I think I agree that he's he's probably a little

333
00:17:17,480 --> 00:17:19,600
Speaker 3: bit built, but like he's like he's built like like

334
00:17:19,640 --> 00:17:22,000
Speaker 3: a swimmer or like a like a speed walker. Like

335
00:17:22,320 --> 00:17:25,399
Speaker 3: he's not like, you know, squeaky muscles built because I

336
00:17:25,400 --> 00:17:28,120
Speaker 3: can't handle too many muscles, like he doesn't squeak.

337
00:17:28,200 --> 00:17:29,960
Speaker 2: So I'm like, all right, I can, but he's slow.

338
00:17:30,040 --> 00:17:33,520
Speaker 3: He gets the job done. I'm fucking Michael Myers. I

339
00:17:33,600 --> 00:17:40,640
Speaker 3: am going to also marry Freddy Krueger simply because Jesus

340
00:17:41,280 --> 00:17:42,880
Speaker 3: he's He's out all the time.

341
00:17:42,880 --> 00:17:44,360
Speaker 2: When I'm asleep, he's in dreams.

342
00:17:44,840 --> 00:17:47,040
Speaker 3: I get a good night's sleep. He's out every night.

343
00:17:47,440 --> 00:17:50,760
Speaker 3: My motherfucker is gone. I got the whole edd to myself.

344
00:17:51,800 --> 00:17:54,560
Speaker 3: And then he comes home and he's just telling jokes

345
00:17:55,119 --> 00:17:57,040
Speaker 3: and singing songs and dancing.

346
00:17:59,040 --> 00:17:59,919
Speaker 2: I mean, I gotta do.

347
00:18:00,160 --> 00:18:01,120
Speaker 4: I got the.

348
00:18:01,080 --> 00:18:03,800
Speaker 2: Marriage is gonna work. There has to be some levity

349
00:18:04,040 --> 00:18:05,159
Speaker 2: and I have to be able to get a good

350
00:18:05,240 --> 00:18:05,680
Speaker 2: night's sleep.

351
00:18:06,040 --> 00:18:06,520
Speaker 4: There you go.

352
00:18:06,880 --> 00:18:11,160
Speaker 1: I like how your metric for marriage is how far

353
00:18:11,200 --> 00:18:12,280
Speaker 1: away this guy can.

354
00:18:12,160 --> 00:18:15,840
Speaker 4: Be absolutely spend each other.

355
00:18:16,320 --> 00:18:18,640
Speaker 1: He works at night. I don't have to deal with him.

356
00:18:18,800 --> 00:18:19,159
Speaker 1: Fuck it.

357
00:18:19,480 --> 00:18:20,359
Speaker 2: You crucial.

358
00:18:20,480 --> 00:18:22,000
Speaker 3: Then he comes home in the day and he's tired

359
00:18:22,000 --> 00:18:24,639
Speaker 3: from all the killing and the popping up in bathtubs

360
00:18:24,640 --> 00:18:26,080
Speaker 3: and all that shit. And I'm like, I'm going to

361
00:18:26,119 --> 00:18:30,439
Speaker 3: work by perfect marriage and I have to kill Jason

362
00:18:30,520 --> 00:18:34,439
Speaker 3: Voorhees because, and this might be controversial, he's pretty fucking boring.

363
00:18:35,119 --> 00:18:38,840
Speaker 2: Oh, I think he's one of the more Yeah, there's

364
00:18:38,840 --> 00:18:40,040
Speaker 2: not a lot there. What am I working with?

365
00:18:40,119 --> 00:18:43,879
Speaker 3: Like, he's obsessed about one event in his childhood. You

366
00:18:43,920 --> 00:18:45,600
Speaker 3: can't You can't fuck or marry that guy.

367
00:18:45,640 --> 00:18:46,640
Speaker 4: You gotta kill him.

368
00:18:46,800 --> 00:18:50,320
Speaker 2: I have fucked that guy. Yeah, you can't do it.

369
00:18:50,600 --> 00:18:51,240
Speaker 1: Can't do it.

370
00:18:52,520 --> 00:18:55,240
Speaker 3: I can't fuck this's obsessed over one thing from my past.

371
00:18:55,240 --> 00:18:59,440
Speaker 2: Guy. Oh oh yeah, I can't do it. So killing

372
00:18:59,520 --> 00:19:02,119
Speaker 2: Jason boy Millie this wow.

373
00:19:03,080 --> 00:19:07,719
Speaker 1: Okay, here's the deal. I don't like to do this

374
00:19:07,800 --> 00:19:12,160
Speaker 1: often because I respect the rules of the FMK okay,

375
00:19:12,280 --> 00:19:16,760
Speaker 1: but in this extremely specific instance, in this round, I

376
00:19:16,800 --> 00:19:19,400
Speaker 1: have to do it. Like this, I would fuck and

377
00:19:19,520 --> 00:19:20,720
Speaker 1: marry Jason Voorhees.

378
00:19:20,960 --> 00:19:21,960
Speaker 4: No, you gotta choose.

379
00:19:23,240 --> 00:19:25,919
Speaker 2: I have not with guests in this house. You're not

380
00:19:26,040 --> 00:19:26,920
Speaker 2: doing bull this shit.

381
00:19:28,119 --> 00:19:31,439
Speaker 1: Listen, Michael Myers can be like a groomsman or something.

382
00:19:31,520 --> 00:19:34,080
Speaker 2: I like, here's my problem.

383
00:19:35,240 --> 00:19:37,840
Speaker 1: Jason Vories as a character is so hot to me

384
00:19:38,080 --> 00:19:40,679
Speaker 1: that I could not just like fuck him and not

385
00:19:40,960 --> 00:19:42,960
Speaker 1: be in a relationship with him. Do you understand what

386
00:19:42,960 --> 00:19:45,800
Speaker 1: I'm saying? Like he seems to be I like a

387
00:19:45,800 --> 00:19:48,160
Speaker 1: guy who seems to be in a sports. Look at

388
00:19:48,160 --> 00:19:50,120
Speaker 1: that hockey mask. I'm like, Okay, he looks like he's

389
00:19:50,119 --> 00:19:52,840
Speaker 1: in a sports. He's been into like you know, like

390
00:19:52,880 --> 00:19:55,359
Speaker 1: a dick sporting goods in his life, so that's pretty cool.

391
00:19:55,640 --> 00:19:58,720
Speaker 1: And the fit I just love that, Like what is

392
00:19:58,760 --> 00:20:02,240
Speaker 1: it like like a a green army jacket over like

393
00:20:02,280 --> 00:20:05,960
Speaker 1: a tight T shirt and some some nasty g and some.

394
00:20:06,040 --> 00:20:08,639
Speaker 3: Like yeah, look, this does make total sense to me

395
00:20:08,720 --> 00:20:10,879
Speaker 3: because dirt bag is high on your list.

396
00:20:11,640 --> 00:20:14,160
Speaker 4: Oh yeah, but it does make sense.

397
00:20:14,560 --> 00:20:16,919
Speaker 1: And honestly, I have to break this rule because they

398
00:20:17,000 --> 00:20:19,000
Speaker 1: just I would marry him too.

399
00:20:18,800 --> 00:20:19,919
Speaker 2: That's the problem.

400
00:20:20,800 --> 00:20:24,159
Speaker 1: I want to be with him, not just sexually, but forever.

401
00:20:24,680 --> 00:20:27,720
Speaker 2: So mom, he only kills sometime.

402
00:20:27,640 --> 00:20:29,520
Speaker 1: I know, I know, And then I would just have

403
00:20:29,560 --> 00:20:32,399
Speaker 1: to kill Freddy because I just and he talks too

404
00:20:32,440 --> 00:20:38,440
Speaker 1: much and I just am like like like a little desperate,

405
00:20:38,520 --> 00:20:40,399
Speaker 1: a little desperate for a laugh, and I'm just like,

406
00:20:40,480 --> 00:20:42,239
Speaker 1: I don't know what I'm thinking about that. And then

407
00:20:42,240 --> 00:20:44,240
Speaker 1: I feel bad for Michael Myers because I have no

408
00:20:44,240 --> 00:20:48,080
Speaker 1: no disrespect. I you know, maybe i'd maybe hit it

409
00:20:48,119 --> 00:20:50,119
Speaker 1: a couple of times, but I just don't feel the

410
00:20:50,280 --> 00:20:52,080
Speaker 1: passion for him as much as Jason.

411
00:20:52,240 --> 00:20:56,879
Speaker 3: So I mean again, respect, but I cannot believe with

412
00:20:57,080 --> 00:20:59,960
Speaker 3: guests in this house, you so agree.

413
00:21:00,080 --> 00:21:02,119
Speaker 2: He just broke the rule right out of the gate.

414
00:21:02,840 --> 00:21:04,960
Speaker 1: I know, I know, and I and I should have

415
00:21:05,080 --> 00:21:07,560
Speaker 1: just I should have just did it, but I couldn't.

416
00:21:07,720 --> 00:21:09,960
Speaker 1: And I apologize. I promise I'm not going to do

417
00:21:10,000 --> 00:21:12,880
Speaker 1: it again. That's just this one caveat for this round.

418
00:21:12,880 --> 00:21:15,919
Speaker 3: Excellent, And I know this is question. I know that

419
00:21:16,040 --> 00:21:17,720
Speaker 3: round is the therapy round, so.

420
00:21:17,840 --> 00:21:19,760
Speaker 4: I will give that to you.

421
00:21:19,840 --> 00:21:22,840
Speaker 2: Why do I want to fuck and Mary? Jason Boies

422
00:21:23,119 --> 00:21:23,919
Speaker 2: please help me?

423
00:21:25,000 --> 00:21:27,040
Speaker 1: Yeah, speed to all that woman right now, and you

424
00:21:27,119 --> 00:21:27,600
Speaker 1: talk to her.

425
00:21:28,240 --> 00:21:28,440
Speaker 7: Yeah.

426
00:21:28,840 --> 00:21:32,280
Speaker 3: Excellent, And look it's only gonna get better from here.

427
00:21:32,400 --> 00:21:37,440
Speaker 2: Yes, Oh, we do choices. So round two is the ogs.

428
00:21:39,000 --> 00:21:45,480
Speaker 3: Fuck Mary, kill Frankenstein, Dracula the wolf Man.

429
00:21:45,720 --> 00:21:51,640
Speaker 4: Oh, all right, take it away, Scott.

430
00:21:52,600 --> 00:21:56,160
Speaker 5: I'm gonna marry Dracula because I mean property rich lives

431
00:21:56,200 --> 00:22:01,280
Speaker 5: in a beautiful castle in Transylvania. I mean, he would

432
00:22:01,480 --> 00:22:05,080
Speaker 5: cross oceans of time to find me, like very romantic,

433
00:22:06,080 --> 00:22:08,760
Speaker 5: probably knows really how to tree lady. So I'm gonna

434
00:22:08,760 --> 00:22:13,280
Speaker 5: marry Dracula. Yeah, I'm gonna probably say funck wolf Man

435
00:22:13,320 --> 00:22:15,640
Speaker 5: because I I bet that it would be a good time.

436
00:22:15,680 --> 00:22:17,480
Speaker 4: I bet that it would be pretty wild. I might

437
00:22:17,560 --> 00:22:18,440
Speaker 4: have a few.

438
00:22:18,640 --> 00:22:21,640
Speaker 5: Scratch marks the next day, but I mean I think

439
00:22:21,680 --> 00:22:22,760
Speaker 5: that I would be into it.

440
00:22:23,320 --> 00:22:25,080
Speaker 2: You'd have a story, mm hmm.

441
00:22:25,640 --> 00:22:29,360
Speaker 5: I mean probably kill Frankenstein, like no particular reason why,

442
00:22:29,440 --> 00:22:31,960
Speaker 5: but I mean if I had, if I had to

443
00:22:32,000 --> 00:22:36,320
Speaker 5: like weigh those options, gonna kill frank Yeah, all right.

444
00:22:37,800 --> 00:22:41,520
Speaker 1: That's incredible. This is already We're already incredible.

445
00:22:41,720 --> 00:22:47,159
Speaker 3: I I agree and respect so much the property richness

446
00:22:47,200 --> 00:22:53,600
Speaker 3: of Dracula. The property rich Yeah, even if itcent Transylvania,

447
00:22:53,640 --> 00:22:54,160
Speaker 3: we don't care.

448
00:22:54,440 --> 00:22:57,760
Speaker 2: He holds the castle. Guys or adults. These are the

449
00:22:57,800 --> 00:22:58,760
Speaker 2: decision that we have to make.

450
00:22:58,840 --> 00:22:59,080
Speaker 4: Now.

451
00:22:59,520 --> 00:23:02,399
Speaker 1: He's very opulent. He has a very opulent lifestyle compared

452
00:23:02,400 --> 00:23:02,680
Speaker 1: to the.

453
00:23:02,600 --> 00:23:06,760
Speaker 4: Other opulent solid Peter opulence.

454
00:23:07,760 --> 00:23:18,120
Speaker 7: Well, I am going to fuck Dracula, okay, and let

455
00:23:18,119 --> 00:23:18,800
Speaker 7: me tell you why.

456
00:23:19,800 --> 00:23:24,000
Speaker 6: You know, he will he will just hypnotize you. It

457
00:23:24,040 --> 00:23:29,760
Speaker 6: will just be again very intense, very hypnotic, And I

458
00:23:29,840 --> 00:23:32,320
Speaker 6: feel like it would probably be such a good night

459
00:23:32,520 --> 00:23:34,280
Speaker 6: that I don't even mind that he kills me at

460
00:23:34,320 --> 00:23:36,720
Speaker 6: the end, just murder me at the end.

461
00:23:36,720 --> 00:23:38,399
Speaker 4: I mean, hopefully he turns you into a vampire at

462
00:23:38,400 --> 00:23:38,879
Speaker 4: the very end.

463
00:23:39,000 --> 00:23:41,560
Speaker 6: Or yeah, he could turn me into you know, best case, Yeah,

464
00:23:41,600 --> 00:23:44,560
Speaker 6: best case, I could be one of his his multiple

465
00:23:44,560 --> 00:23:45,800
Speaker 6: brides wandering around.

466
00:23:46,280 --> 00:23:48,439
Speaker 3: He could make you one of those like nymphs that

467
00:23:48,480 --> 00:23:51,159
Speaker 3: live on the ceiling. There you go, suck all the

468
00:23:51,160 --> 00:23:52,359
Speaker 3: blood out of Kanu reads.

469
00:23:52,359 --> 00:23:54,399
Speaker 2: So you gotta be real specific at the end, like

470
00:23:54,520 --> 00:23:56,800
Speaker 2: kill me or turn me into a vampire.

471
00:23:57,240 --> 00:23:57,800
Speaker 4: There you go.

472
00:23:58,720 --> 00:24:01,720
Speaker 6: But at any at any rate, me and Dracula a

473
00:24:01,800 --> 00:24:06,480
Speaker 6: getting down. I'm gonna marry Frankenstein because I think he'd

474
00:24:06,480 --> 00:24:10,280
Speaker 6: be a very devoted spouse. I think Frankenstein would just

475
00:24:10,320 --> 00:24:16,000
Speaker 6: be very caring. He's tall, so that's helpful. He can

476
00:24:16,040 --> 00:24:19,280
Speaker 6: get things off of high shelves for me being a

477
00:24:19,600 --> 00:24:22,800
Speaker 6: short person. So I think he would just be very

478
00:24:22,840 --> 00:24:26,560
Speaker 6: devoted as long as I you know, keep the fires

479
00:24:26,560 --> 00:24:29,240
Speaker 6: in the house to a minimum. I think Frankenstein would

480
00:24:29,240 --> 00:24:31,600
Speaker 6: just be a very uh, you know, a good a

481
00:24:31,680 --> 00:24:32,800
Speaker 6: good spouse.

482
00:24:32,760 --> 00:24:37,800
Speaker 4: And the wolfman. I'm killing just because the wolfman kill.

483
00:24:37,880 --> 00:24:41,320
Speaker 4: We have three cats I just don't need. They're not

484
00:24:41,359 --> 00:24:43,320
Speaker 4: going to get along. I don't need any more shedding.

485
00:24:44,280 --> 00:24:48,880
Speaker 4: I'm vacuuming so many times a day. I didn't think

486
00:24:48,880 --> 00:24:52,159
Speaker 4: of that. That's a good point. The shedding situation. I

487
00:24:52,160 --> 00:24:53,040
Speaker 4: can't there's not.

488
00:24:53,040 --> 00:24:55,600
Speaker 2: A rum but that has been created that can handle

489
00:24:55,600 --> 00:24:57,000
Speaker 2: a wolfman shedding.

490
00:24:58,520 --> 00:25:00,920
Speaker 4: That pelt. No, I don't want to have to deal

491
00:25:00,920 --> 00:25:05,320
Speaker 4: with the pelts. So he's out of here.

492
00:25:05,480 --> 00:25:08,959
Speaker 2: The great choices like illuminating, fascinating.

493
00:25:09,359 --> 00:25:16,040
Speaker 3: I'm in love, Danielle, choices I have to know, all right,

494
00:25:16,160 --> 00:25:19,240
Speaker 3: So I'm actually gonna fuck wolf man. I love a

495
00:25:19,280 --> 00:25:23,719
Speaker 3: her suit man. I'm not afraid of it, and I

496
00:25:23,760 --> 00:25:26,160
Speaker 3: do not want to hang out with him for very long. Yeah,

497
00:25:26,720 --> 00:25:30,280
Speaker 3: So I feel like it's a fucking run situation, and

498
00:25:30,320 --> 00:25:32,640
Speaker 3: I don't care if it's as the as wolf manner

499
00:25:32,680 --> 00:25:35,280
Speaker 3: as human dude like whichever one. I just don't want

500
00:25:35,280 --> 00:25:37,199
Speaker 3: to be there where the change happens. So like you

501
00:25:37,280 --> 00:25:38,399
Speaker 3: have to choose first.

502
00:25:39,760 --> 00:25:41,280
Speaker 2: But I don't talk him. I think he's I think

503
00:25:41,320 --> 00:25:44,240
Speaker 2: he's fun. I think he'll be like aggressive in a

504
00:25:44,280 --> 00:25:44,760
Speaker 2: fun way.

505
00:25:46,320 --> 00:25:48,000
Speaker 3: He might throw me up in a tree, like I

506
00:25:48,040 --> 00:25:49,880
Speaker 3: don't know where I'm going to end up after that

507
00:25:49,880 --> 00:25:55,639
Speaker 3: that session. I'm into it. I'm gonna marry Frankenstein. M

508
00:25:56,640 --> 00:25:59,000
Speaker 3: shocking no one because what he's quiet.

509
00:25:59,600 --> 00:26:01,960
Speaker 4: We know he's prerequisite.

510
00:26:02,600 --> 00:26:05,560
Speaker 3: He doesn't have He's not a malicious killer. He's a

511
00:26:05,600 --> 00:26:08,520
Speaker 3: reactionary killer. Yes, so I feel like he would just

512
00:26:08,600 --> 00:26:11,120
Speaker 3: kind of like be fine, just bumbling around the house

513
00:26:11,160 --> 00:26:14,200
Speaker 3: and learning how to read like he doesn't. He doesn't

514
00:26:14,200 --> 00:26:17,040
Speaker 3: acquire much. He'll sit down and watch the Real Housewives.

515
00:26:17,080 --> 00:26:19,879
Speaker 3: He doesn't understand what the fuck's going on. He's just

516
00:26:19,920 --> 00:26:22,480
Speaker 3: happy to have a meal and a place to lay down,

517
00:26:23,240 --> 00:26:26,639
Speaker 3: and he's gonna be thrilled by electricity. The fire is

518
00:26:26,680 --> 00:26:30,920
Speaker 3: contained like just a quiet, bumbling oaf of a man.

519
00:26:31,560 --> 00:26:33,200
Speaker 1: Yeah, I will.

520
00:26:33,040 --> 00:26:35,960
Speaker 3: Marry that dude. And I gotta kill Dracula because he's

521
00:26:36,080 --> 00:26:36,639
Speaker 3: too much.

522
00:26:37,200 --> 00:26:38,359
Speaker 2: Dracula's doing too.

523
00:26:38,280 --> 00:26:39,280
Speaker 4: Much all the time.

524
00:26:39,880 --> 00:26:42,600
Speaker 3: He's sleeping in a fucking crate and dirt being shipped

525
00:26:42,600 --> 00:26:43,760
Speaker 3: all over the goddamn place.

526
00:26:44,119 --> 00:26:45,720
Speaker 2: Who do you think's making those arrangements?

527
00:26:45,960 --> 00:26:51,160
Speaker 3: Me, I'm range you to ship his fucking coffin ass

528
00:26:51,160 --> 00:26:51,760
Speaker 3: all over this world.

529
00:26:51,800 --> 00:26:54,560
Speaker 2: I don't time, I want to go on vacation. Oh yeah,

530
00:26:54,560 --> 00:26:56,840
Speaker 2: So I'm definitely not marrying him. Yeah, And I don't

531
00:26:56,840 --> 00:26:58,040
Speaker 2: want to fuck him because he's too much.

532
00:26:58,080 --> 00:26:59,480
Speaker 3: He's like one of those guys that like has a

533
00:26:59,480 --> 00:27:02,320
Speaker 3: whole routine before he even can get down. You're like,

534
00:27:02,359 --> 00:27:04,200
Speaker 3: you don't have to like take a shower and put

535
00:27:04,280 --> 00:27:08,320
Speaker 3: on cologne and fucking pumps your feet and fucking moisturize

536
00:27:08,320 --> 00:27:10,719
Speaker 3: you goddamn hundred year old skin, Like, let's just do it,

537
00:27:10,920 --> 00:27:13,240
Speaker 3: take off your rings and let's get dam jewels.

538
00:27:14,160 --> 00:27:14,880
Speaker 2: The jewels.

539
00:27:16,200 --> 00:27:20,720
Speaker 3: So I gotta kill him simply simply because it's too involved.

540
00:27:21,600 --> 00:27:22,840
Speaker 1: Yeah, too involved.

541
00:27:22,920 --> 00:27:23,160
Speaker 4: Wow.

542
00:27:23,200 --> 00:27:26,359
Speaker 1: That literally of the best reasons for any of your

543
00:27:26,440 --> 00:27:29,360
Speaker 1: choices I've ever heard. I think through every every episode

544
00:27:29,359 --> 00:27:31,960
Speaker 1: that we've ever done, that was like the most thought

545
00:27:31,960 --> 00:27:35,639
Speaker 1: out and succinct reasoning behind behind your FMK. So I

546
00:27:35,680 --> 00:27:36,360
Speaker 1: just have to say.

547
00:27:36,200 --> 00:27:41,760
Speaker 3: That I can't I can't really disagree, right, I mean,

548
00:27:41,800 --> 00:27:44,520
Speaker 3: show me where's the lie? Where are you want to

549
00:27:44,520 --> 00:27:46,160
Speaker 3: get caught up in that cape every night?

550
00:27:46,400 --> 00:27:47,600
Speaker 2: You can't marry Dracula.

551
00:27:47,840 --> 00:27:49,879
Speaker 3: No, yeah, you can't sleep next to that fucking cloak.

552
00:27:50,000 --> 00:27:53,760
Speaker 3: You're like, dude, you're literally suffocating me, not only just physically,

553
00:27:54,000 --> 00:27:56,560
Speaker 3: like you're actually suffocating me with your jewels and your

554
00:27:56,600 --> 00:27:58,000
Speaker 3: cloak and your lace.

555
00:27:59,400 --> 00:28:01,639
Speaker 2: It's breaking. He'll never wear sweats, and I can't. I

556
00:28:01,680 --> 00:28:03,320
Speaker 2: can't be with someone who will never wear sweats.

557
00:28:03,400 --> 00:28:10,320
Speaker 3: Yeah, exactly, But you're gonna do it traditional Yeah, no, no,

558
00:28:10,400 --> 00:28:11,520
Speaker 3: I'm not going off script.

559
00:28:13,000 --> 00:28:16,120
Speaker 1: This is hard because I don't know. I keep going

560
00:28:16,119 --> 00:28:18,000
Speaker 1: back and forth between at least two of them. But

561
00:28:18,520 --> 00:28:23,600
Speaker 1: all right, here's what I'll do. I begrudgingly say this,

562
00:28:24,119 --> 00:28:26,600
Speaker 1: but I would fuck Dracula.

563
00:28:27,520 --> 00:28:29,280
Speaker 2: I don't know why.

564
00:28:29,800 --> 00:28:34,040
Speaker 1: I just like, I feel like we've all fucked Dracula

565
00:28:34,160 --> 00:28:38,280
Speaker 1: at one point in our lives. Like somebody like Dracula's

566
00:28:38,400 --> 00:28:41,720
Speaker 1: very like is into like you know, he was very

567
00:28:41,760 --> 00:28:44,480
Speaker 1: flowery in the language department and is like, you know,

568
00:28:44,560 --> 00:28:48,680
Speaker 1: probably like a college guy in your English class.

569
00:28:49,120 --> 00:28:50,880
Speaker 2: Listen to a lot of typo negative.

570
00:28:51,360 --> 00:28:57,720
Speaker 3: Yes, a romantic picnic in a graveyard already that guy.

571
00:28:57,760 --> 00:28:58,720
Speaker 2: That's fine, that's fine.

572
00:28:58,800 --> 00:29:02,800
Speaker 1: Yes, it's got like murphy lyrics tattooed on the body somewhere.

573
00:29:03,000 --> 00:29:06,000
Speaker 1: It's just so to me. It wasn't like out of

574
00:29:06,040 --> 00:29:09,680
Speaker 1: this like deep passion to fuck Dracula, but it was like, well,

575
00:29:09,720 --> 00:29:12,200
Speaker 1: I just know what that's like, so it's not gonna

576
00:29:12,240 --> 00:29:13,040
Speaker 1: be like a thing.

577
00:29:13,280 --> 00:29:17,320
Speaker 3: Okay, sure, I love that your comfort fuck is Dracula.

578
00:29:18,280 --> 00:29:19,160
Speaker 4: I just want to.

579
00:29:19,080 --> 00:29:22,960
Speaker 2: Plast there for a moment and really under really sit

580
00:29:23,080 --> 00:29:27,160
Speaker 2: in that moment. Your comfort fuck is Dracul.

581
00:29:28,880 --> 00:29:35,400
Speaker 1: I am also going to therapy immediately after this round. Okay. Well,

582
00:29:35,440 --> 00:29:40,520
Speaker 1: because here's the thing, I would marry Wolfman, and because

583
00:29:40,520 --> 00:29:45,600
Speaker 1: I think he and I look the best together. I

584
00:29:45,760 --> 00:29:49,160
Speaker 1: just feel like we look like the best match as

585
00:29:49,200 --> 00:29:51,440
Speaker 1: a couple than all the others.

586
00:29:51,600 --> 00:29:52,840
Speaker 2: Right, that's really sweet.

587
00:29:53,360 --> 00:29:56,720
Speaker 1: And and then I would kill Frankenstein. And I'm not

588
00:29:56,760 --> 00:29:59,120
Speaker 1: like thrilled to kill Frankenstein, but I also like didn't

589
00:29:59,160 --> 00:30:00,440
Speaker 1: want to fuck frank Stein.

590
00:30:00,880 --> 00:30:03,560
Speaker 4: Yeah, I was kind of in the same yeah, same boat.

591
00:30:04,280 --> 00:30:07,320
Speaker 1: I feel like he would have like I feel like

592
00:30:07,440 --> 00:30:11,560
Speaker 1: Frankenstein would be like the not showing any emotions guy

593
00:30:11,680 --> 00:30:14,320
Speaker 1: would be like a really long session. I'm just like,

594
00:30:14,600 --> 00:30:18,240
Speaker 1: I don't know, like this feels like does passionate somehow?

595
00:30:18,320 --> 00:30:20,960
Speaker 1: And he's so I guess he's got to die. I

596
00:30:20,960 --> 00:30:25,040
Speaker 1: guess he's got to die. So those are my choice.

597
00:30:25,120 --> 00:30:27,440
Speaker 2: He would be the most likely to have, like whiskey Dick.

598
00:30:29,120 --> 00:30:29,479
Speaker 4: Condition.

599
00:30:30,000 --> 00:30:33,280
Speaker 3: Absolutely, yeah, and then just like fall asleep on you

600
00:30:33,320 --> 00:30:35,440
Speaker 3: and you're like, come on, really, by.

601
00:30:35,320 --> 00:30:39,160
Speaker 1: The way, legit, no, lie, I was googling pictures of

602
00:30:39,200 --> 00:30:42,800
Speaker 1: Frankenstein as I was choosing in my head just now,

603
00:30:43,280 --> 00:30:46,000
Speaker 1: and I was like, oh, yeah, the Herman Monster. I

604
00:30:46,240 --> 00:30:48,080
Speaker 1: was like, no, that can't be a buck, and I

605
00:30:48,160 --> 00:30:51,680
Speaker 1: just can't be a buck. Like so that's what really

606
00:30:51,680 --> 00:30:56,240
Speaker 1: did it. This is the image of Fred Gwynn, a

607
00:30:56,360 --> 00:30:58,400
Speaker 1: fucking Fred Gwynn. That's Frankenstein.

608
00:30:58,400 --> 00:31:00,800
Speaker 6: I was like, no, just shake it, shaking his little

609
00:31:00,840 --> 00:31:08,960
Speaker 6: head side to side. So I have a question, And

610
00:31:09,680 --> 00:31:14,040
Speaker 6: do we think that there are listeners right now just

611
00:31:14,320 --> 00:31:17,280
Speaker 6: fuming steam coming out of their ears because we are

612
00:31:17,320 --> 00:31:19,520
Speaker 6: constantly referring to him as Frankenstein.

613
00:31:20,120 --> 00:31:23,120
Speaker 3: Yeah, oh yeah, of course we lost half the listeners

614
00:31:23,120 --> 00:31:26,240
Speaker 3: immediately they someone crashed their car screaming.

615
00:31:28,480 --> 00:31:31,360
Speaker 1: Yeah, there's thirty five emails in our inbox right now.

616
00:31:31,800 --> 00:31:34,640
Speaker 1: The episode hasn't even really got going yet, and there's

617
00:31:34,640 --> 00:31:36,520
Speaker 1: already people like, fuck you guys.

618
00:31:38,760 --> 00:31:42,400
Speaker 4: Actually I listened to every episode until.

619
00:31:44,600 --> 00:31:49,200
Speaker 3: I have canceled my Wondering Plus subscription right now.

620
00:31:49,800 --> 00:31:52,920
Speaker 2: Yeah, absolutely, but guess what now we got them?

621
00:31:53,120 --> 00:31:54,960
Speaker 4: Oh yeah, turn.

622
00:31:54,800 --> 00:31:56,800
Speaker 3: The tables just with that conference, and you're like, oh,

623
00:31:56,840 --> 00:31:58,720
Speaker 3: you think we didn't know guess.

624
00:31:58,440 --> 00:31:59,920
Speaker 4: What we've already been new?

625
00:32:00,560 --> 00:32:02,880
Speaker 2: Have you already been known.

626
00:32:03,560 --> 00:32:04,280
Speaker 4: This all the time?

627
00:32:05,920 --> 00:32:10,040
Speaker 2: Now, this round is going to ruin Millie's life. I

628
00:32:10,120 --> 00:32:10,760
Speaker 2: just know it.

629
00:32:10,840 --> 00:32:11,720
Speaker 4: This round was wild.

630
00:32:12,760 --> 00:32:17,200
Speaker 1: The listener actually writes in parentheses the weirdest ones I

631
00:32:17,200 --> 00:32:18,720
Speaker 1: could think of and.

632
00:32:18,880 --> 00:32:20,560
Speaker 2: Truly out of this world.

633
00:32:21,040 --> 00:32:24,040
Speaker 3: Yeah, this is the kind of thing that Sam I

634
00:32:24,080 --> 00:32:27,560
Speaker 3: feel like also made you number one in my heart. Yes,

635
00:32:28,080 --> 00:32:30,160
Speaker 3: because when I read this, I lost my mind for

636
00:32:30,160 --> 00:32:38,920
Speaker 3: about five minutes. Round three, Fuck Mary, Kill leather Face, Chucky,

637
00:32:39,920 --> 00:32:40,479
Speaker 3: the Blob.

638
00:32:41,200 --> 00:32:45,040
Speaker 7: Wow, Wow, Yeah, all right?

639
00:32:45,440 --> 00:32:47,960
Speaker 4: Did you want to go first on this one? Yeah?

640
00:32:48,000 --> 00:32:51,480
Speaker 2: I guess okay, and nobody wants to go first.

641
00:32:51,520 --> 00:32:54,480
Speaker 4: Everyone's like, uh yeah, I'll take it. I'll take it,

642
00:32:54,560 --> 00:32:54,920
Speaker 4: all right.

643
00:32:55,520 --> 00:32:58,840
Speaker 6: So I'm just gonna go in and I'm just gonna

644
00:32:58,840 --> 00:33:00,960
Speaker 6: say right off the bat, then I'm probably gonna fuck

645
00:33:00,960 --> 00:33:06,520
Speaker 6: the blob. I would like for that to be my

646
00:33:06,640 --> 00:33:12,640
Speaker 6: ringtae right. I need that as a sound drop in

647
00:33:12,720 --> 00:33:13,560
Speaker 6: future episodes.

648
00:33:18,080 --> 00:33:23,680
Speaker 8: Casey dons, and let me tell you why I feel

649
00:33:23,680 --> 00:33:27,920
Speaker 8: like the blob as he is just fully engulfing your

650
00:33:28,120 --> 00:33:31,400
Speaker 8: entire body, your entire form.

651
00:33:31,680 --> 00:33:34,680
Speaker 4: Then maybe there's something to that. Maybe there's some sort

652
00:33:34,720 --> 00:33:41,160
Speaker 4: of full body oh going on. I don't know. I

653
00:33:41,200 --> 00:33:42,760
Speaker 4: don't know what's going on with the blob.

654
00:33:42,920 --> 00:33:44,840
Speaker 5: What's tricky about the blob is that it's different from

655
00:33:44,880 --> 00:33:46,960
Speaker 5: the thing, because the thing can sort of take on

656
00:33:47,600 --> 00:33:49,720
Speaker 5: the form of something else.

657
00:33:49,800 --> 00:33:52,160
Speaker 4: But no, the blob is just the blob, the big

658
00:33:52,200 --> 00:33:53,360
Speaker 4: blob of jelly.

659
00:33:53,680 --> 00:33:55,480
Speaker 2: Just growth growth.

660
00:33:55,920 --> 00:33:59,560
Speaker 4: Is it. Is it disintegrating me as we're doing I don't.

661
00:33:59,360 --> 00:34:03,400
Speaker 6: Know, but you know, if it's, if it's the last

662
00:34:03,480 --> 00:34:05,800
Speaker 6: thing that I do, hell of a way to go

663
00:34:06,160 --> 00:34:08,120
Speaker 6: be fucking the blob is the hell of a way

664
00:34:08,160 --> 00:34:08,399
Speaker 6: to go.

665
00:34:09,120 --> 00:34:11,359
Speaker 4: So yeah.

666
00:34:11,760 --> 00:34:14,239
Speaker 6: Also because I really didn't want to fuck or marry

667
00:34:14,320 --> 00:34:24,120
Speaker 6: Leatherface because that's just beyond gross, which means I'm marrying Chuckie.

668
00:34:24,600 --> 00:34:25,640
Speaker 2: Wow.

669
00:34:27,320 --> 00:34:32,320
Speaker 6: But again, but again, like my man Fred Krueger, Chucky's

670
00:34:32,360 --> 00:34:35,759
Speaker 6: coming in with the jokes, and so you know, at

671
00:34:35,800 --> 00:34:37,879
Speaker 6: the end of the day when it's let's just sit

672
00:34:37,920 --> 00:34:39,120
Speaker 6: down and watch a movie.

673
00:34:38,920 --> 00:34:42,680
Speaker 4: And Tiffany are very on and off. Again, that's true.

674
00:34:42,800 --> 00:34:46,040
Speaker 6: So it's like, you know, he could get tired of

675
00:34:46,040 --> 00:34:47,719
Speaker 6: me and like take off for a while and then

676
00:34:47,719 --> 00:34:50,799
Speaker 6: we're like on the outs. But I feel like in

677
00:34:50,840 --> 00:34:53,399
Speaker 6: the long run if it does become like an old

678
00:34:53,440 --> 00:34:58,080
Speaker 6: married couple situation, you know, and I'm like preparing our

679
00:34:58,280 --> 00:35:05,799
Speaker 6: like nightly dinner box like recipes, you know, and he's

680
00:35:05,880 --> 00:35:12,480
Speaker 6: just in the other room just watching six hundred Pound Life.

681
00:35:13,760 --> 00:35:17,600
Speaker 1: Yeah, he's definitely like a reality TV show guy, like

682
00:35:18,680 --> 00:35:22,600
Speaker 1: you know, And it's the thing like I said with Freddy,

683
00:35:22,640 --> 00:35:24,520
Speaker 1: where he's just so we can sit down and we

684
00:35:24,560 --> 00:35:28,359
Speaker 1: can hate all of the same things, and you know,

685
00:35:28,520 --> 00:35:29,600
Speaker 1: he's probably.

686
00:35:29,200 --> 00:35:31,480
Speaker 6: Just like I can see him being like a cool

687
00:35:31,520 --> 00:35:33,719
Speaker 6: guy like wanting to go out to like you know,

688
00:35:33,760 --> 00:35:35,360
Speaker 6: if we want to go out to like the bars,

689
00:35:35,520 --> 00:35:38,959
Speaker 6: you know, we hit up the Eagle or something, and like, yeah,

690
00:35:39,040 --> 00:35:41,520
Speaker 6: he's like Little Chucky's down for Like.

691
00:35:41,480 --> 00:35:44,760
Speaker 4: You love a good shit talker too, Yeah I did. Yeah,

692
00:35:44,840 --> 00:35:47,200
Speaker 4: he has like loves to I mean I'm usually the

693
00:35:47,200 --> 00:35:49,680
Speaker 4: shit talker, but I'll let him, you know.

694
00:35:50,440 --> 00:35:52,319
Speaker 2: He'll gosp Yeah.

695
00:35:52,520 --> 00:35:54,760
Speaker 6: We could go to like the Halloween Haunt at Universal

696
00:35:54,760 --> 00:35:58,239
Speaker 6: Studios every year, like that's always. He'd be like VIP status.

697
00:35:58,840 --> 00:36:01,520
Speaker 6: It's like front of the line for all the mazes.

698
00:36:02,360 --> 00:36:05,799
Speaker 6: So I would definitely use and he would be like

699
00:36:06,280 --> 00:36:08,560
Speaker 6: just scare the hell out of like children, ever where

700
00:36:08,560 --> 00:36:11,720
Speaker 6: we went. So I like that, And yeah, I feel

701
00:36:11,719 --> 00:36:18,239
Speaker 6: like leather Face is so disgusting, like there's there's nothing redeeming,

702
00:36:18,320 --> 00:36:20,080
Speaker 6: like I couldn't even bring myself to be like, I

703
00:36:20,080 --> 00:36:21,120
Speaker 6: guess we'll get married.

704
00:36:21,600 --> 00:36:25,520
Speaker 2: No solid answer is solid, thank you?

705
00:36:25,840 --> 00:36:27,560
Speaker 4: So so Scott, what do you what do you got

706
00:36:27,560 --> 00:36:28,040
Speaker 4: to tell us?

707
00:36:28,760 --> 00:36:30,560
Speaker 5: I gotta fuck the blob too, because I just want

708
00:36:30,560 --> 00:36:33,160
Speaker 5: to see how that is going to go down. Kevin

709
00:36:33,200 --> 00:36:34,960
Speaker 5: Dyllan can joint funny to me.

710
00:36:35,239 --> 00:36:37,160
Speaker 1: It's just like I just fucked the blob. I would

711
00:36:37,160 --> 00:36:37,960
Speaker 1: just fuck the blob.

712
00:36:41,239 --> 00:36:42,000
Speaker 4: Kevin Dillan in there.

713
00:36:42,080 --> 00:36:45,239
Speaker 5: Ye, throw Kevin Dillan in there, and I guess it's

714
00:36:45,239 --> 00:36:48,880
Speaker 5: gonna happen. I kind of had to change mine. And

715
00:36:49,280 --> 00:36:52,360
Speaker 5: I am also going to marry Chucky, and I'm gonna

716
00:36:52,360 --> 00:36:55,200
Speaker 5: say this. I'm going to marry Chucky and it's going

717
00:36:55,320 --> 00:36:58,040
Speaker 5: to be a it's going to be a little polyamorous

718
00:36:58,239 --> 00:37:02,279
Speaker 5: with Tiffany. With Tiffany, I like there would really hit

719
00:37:02,320 --> 00:37:04,400
Speaker 5: it off, you guys, I would like, I think we

720
00:37:04,560 --> 00:37:07,840
Speaker 5: would really click, so we could sort of beis with Chucky.

721
00:37:08,600 --> 00:37:12,359
Speaker 5: And also like I love Jennifer Tilly, so yeah, yeah,

722
00:37:13,280 --> 00:37:18,400
Speaker 5: and then yeah, kill Leatherface oh, and also like I

723
00:37:18,440 --> 00:37:20,520
Speaker 5: don't want to marry him because then you'd have to

724
00:37:20,560 --> 00:37:24,879
Speaker 5: move into the farmhouse and the family situation just too much.

725
00:37:25,520 --> 00:37:27,960
Speaker 1: Marrying into that family would suck.

726
00:37:28,200 --> 00:37:31,320
Speaker 4: So and then you're and then you're living in Texas. Sorry, listeners,

727
00:37:35,360 --> 00:37:36,120
Speaker 4: the heat.

728
00:37:36,840 --> 00:37:38,720
Speaker 2: Okay, most of our listeners are in Estonia.

729
00:37:38,760 --> 00:37:42,640
Speaker 6: It's fine, right, Yeah, we have a lot of like

730
00:37:42,960 --> 00:37:48,279
Speaker 6: we're huge and you know Brickina Fosso for so, Yeah, if.

731
00:37:48,200 --> 00:37:50,800
Speaker 1: They haven't already turned off because we kept saying Frankenstein

732
00:37:50,880 --> 00:37:54,680
Speaker 1: instead of Frankenstein's Monster, they certainly will now after exactly

733
00:37:54,840 --> 00:37:58,200
Speaker 1: after us blatantly hating Leatherface's family from Texas.

734
00:37:58,280 --> 00:38:03,120
Speaker 2: So well, my fuck Mary kill is.

735
00:38:03,360 --> 00:38:05,319
Speaker 3: I'm just gonna come right out the gate and and

736
00:38:05,600 --> 00:38:08,000
Speaker 3: fuck you guys completely up because I am gonna fuck

737
00:38:08,080 --> 00:38:08,920
Speaker 3: leather Face.

738
00:38:09,560 --> 00:38:19,360
Speaker 2: All right, listen. I love a story. I love a story.

739
00:38:19,880 --> 00:38:22,680
Speaker 2: I love having a good story to tell friends around

740
00:38:22,719 --> 00:38:25,520
Speaker 2: the bar. And that is gonna be some twisted shit.

741
00:38:25,880 --> 00:38:26,480
Speaker 4: Yeah.

742
00:38:26,640 --> 00:38:28,640
Speaker 3: He will introduce me to things that maybe I don't

743
00:38:28,640 --> 00:38:30,560
Speaker 3: want to be introduced to, but I'm gonna find out

744
00:38:30,600 --> 00:38:35,000
Speaker 3: about some shit. And you definitely can't marry him, like

745
00:38:35,000 --> 00:38:37,439
Speaker 3: you said, you cannot marry into that entire family unit.

746
00:38:37,920 --> 00:38:39,440
Speaker 2: But I don't think he deserves a dead I think

747
00:38:39,440 --> 00:38:40,320
Speaker 2: he's I think.

748
00:38:40,200 --> 00:38:45,759
Speaker 3: If you take the the skin suit away, he's very jaunty, like,

749
00:38:45,920 --> 00:38:47,480
Speaker 3: he's very focused.

750
00:38:50,600 --> 00:38:52,720
Speaker 2: He's focused. He has a lot of passion.

751
00:38:53,560 --> 00:38:56,239
Speaker 3: Yeah, you know, Okay, so I feel like I'll fuck

752
00:38:56,320 --> 00:38:58,759
Speaker 3: leather face. I'll give it a shot. I don't want

753
00:38:58,760 --> 00:39:01,239
Speaker 3: to hang out, give the hell out of there.

754
00:39:01,239 --> 00:39:03,359
Speaker 2: Maybe on a road trip. He's like a road trip fuck.

755
00:39:03,920 --> 00:39:06,319
Speaker 1: Yeah, oh yeah, yeah, yeah, yeah, I see that. Let

756
00:39:06,320 --> 00:39:06,799
Speaker 1: me see that.

757
00:39:07,440 --> 00:39:14,239
Speaker 3: I am going to marry the blob because what is

758
00:39:14,320 --> 00:39:17,799
Speaker 3: better than a relationship where you can just plan a

759
00:39:17,880 --> 00:39:22,040
Speaker 3: path of destruction around the world. Yeah, I mean that

760
00:39:22,200 --> 00:39:26,040
Speaker 3: is just so intricately fascinating to me. Like I will

761
00:39:26,080 --> 00:39:27,799
Speaker 3: never be bored with the Blob. I don't know what

762
00:39:27,880 --> 00:39:29,879
Speaker 3: it is. I don't know what it does. I don't

763
00:39:29,920 --> 00:39:32,160
Speaker 3: know how it does it. But I know when he

764
00:39:32,239 --> 00:39:34,840
Speaker 3: fucking wraps himself around that house, that shit's going.

765
00:39:34,760 --> 00:39:37,440
Speaker 2: Down and I'm just gonna be so entertained.

766
00:39:39,080 --> 00:39:41,360
Speaker 3: You can set the Blob loose on an enemy. Somebody

767
00:39:41,360 --> 00:39:43,560
Speaker 3: fucks with you at work. Oh my god, I'm so sorry.

768
00:39:43,640 --> 00:39:45,720
Speaker 3: My my partner's coming and it's the blob.

769
00:39:45,840 --> 00:39:50,560
Speaker 2: You gotta go. You cut me off in traffic.

770
00:39:50,920 --> 00:39:53,520
Speaker 3: My blob partner is just gonna be all Now I

771
00:39:53,520 --> 00:39:57,440
Speaker 3: have your car and your bones. I love it does

772
00:39:57,520 --> 00:39:59,400
Speaker 3: I'm very excited, just dissolved.

773
00:40:00,160 --> 00:40:00,799
Speaker 2: Now part of me.

774
00:40:00,880 --> 00:40:05,160
Speaker 3: You are now blob, very very exciting to me. And

775
00:40:05,160 --> 00:40:07,920
Speaker 3: I'm gonna kill Chuckie because Chucky is a straight up psycho.

776
00:40:08,800 --> 00:40:11,600
Speaker 2: I cannot with that at this point in my life.

777
00:40:11,760 --> 00:40:13,200
Speaker 2: I cannot handle that energy.

778
00:40:13,480 --> 00:40:17,359
Speaker 3: Yeah, I cannot handle the energy.

779
00:40:17,400 --> 00:40:19,319
Speaker 2: I don't want to deal with with the weird X.

780
00:40:19,400 --> 00:40:23,400
Speaker 2: I don't want to deal with I don't want to

781
00:40:23,400 --> 00:40:25,319
Speaker 2: deal with the fact that he's kind of in.

782
00:40:25,280 --> 00:40:27,400
Speaker 4: A child body.

783
00:40:27,080 --> 00:40:31,680
Speaker 2: Yes, it's gonna be a little weird. So I feel

784
00:40:31,680 --> 00:40:33,880
Speaker 2: like he's just he's he comes in too hot, so

785
00:40:33,920 --> 00:40:34,480
Speaker 2: he's got to go.

786
00:40:35,840 --> 00:40:38,080
Speaker 1: Yeah, he definitely got a mouth, that's for sure.

787
00:40:38,600 --> 00:40:41,399
Speaker 3: He's got a real mouth on him. So yeah, I'm

788
00:40:41,440 --> 00:40:44,920
Speaker 3: fucking leather face. I'm marrying the blob and I'm killing Chuckie.

789
00:40:45,320 --> 00:40:50,160
Speaker 1: Well, to bring up the caboose of this epic epic

790
00:40:50,320 --> 00:40:54,200
Speaker 1: email from Sam, incredible. This has been like the thought

791
00:40:54,239 --> 00:40:58,680
Speaker 1: experiment and all thought experiments. I'm obsessed. Guess what, Danielle

792
00:40:58,719 --> 00:41:00,680
Speaker 1: we have the exact same.

793
00:41:00,600 --> 00:41:09,520
Speaker 6: List both and you yeah exactly.

794
00:41:09,680 --> 00:41:12,920
Speaker 1: I mean it's like fucking leather face because it's like whatever,

795
00:41:13,120 --> 00:41:16,279
Speaker 1: like he like body wise, I'm like, yeah, that's that's good.

796
00:41:16,360 --> 00:41:18,600
Speaker 1: Like we talked about this in the gym episode where

797
00:41:19,120 --> 00:41:23,280
Speaker 1: I like a powerlifter and he's he's a powerlifting ambler

798
00:41:23,360 --> 00:41:25,960
Speaker 1: and that is sexually attractive to me. So there's that.

799
00:41:26,480 --> 00:41:29,480
Speaker 1: And then marrying the blob quite frankly sit for the

800
00:41:29,480 --> 00:41:34,360
Speaker 1: same reasons. Danielle literally said, just like this mass that

801
00:41:34,520 --> 00:41:38,960
Speaker 1: just surrounds the house, like we love it. And then Chucky, Yeah,

802
00:41:39,080 --> 00:41:41,680
Speaker 1: that mouth. I couldn't I couldn't take it. But he

803
00:41:41,880 --> 00:41:44,279
Speaker 1: seems like he kind of seems like a dude that

804
00:41:44,320 --> 00:41:46,680
Speaker 1: would like pop on too, like Reddit and like troll

805
00:41:46,760 --> 00:41:49,200
Speaker 1: people and ship like he's kind of got this mean

806
00:41:49,360 --> 00:41:51,960
Speaker 1: streak to him, kind of like a he's a little

807
00:41:52,000 --> 00:41:55,600
Speaker 1: bit of an edge lord maybe, And I'm like, not,

808
00:41:55,600 --> 00:42:01,480
Speaker 1: not not in this economy, not in this economy.

809
00:42:02,320 --> 00:42:04,520
Speaker 3: Okay, So what did we learn to Chucky is an

810
00:42:04,560 --> 00:42:07,080
Speaker 3: edge lord and Freddy Krueger is a bitchy queen.

811
00:42:10,920 --> 00:42:13,560
Speaker 4: Holy I hope that's the title of the episode.

812
00:42:14,880 --> 00:42:16,720
Speaker 2: It is now, it is now.

813
00:42:17,280 --> 00:42:21,840
Speaker 1: This has literally been the funniest, like the funniest mailbag.

814
00:42:22,000 --> 00:42:23,799
Speaker 1: At one point, you can see me right now, I

815
00:42:23,800 --> 00:42:26,000
Speaker 1: had to take my glasses off because I was crying.

816
00:42:26,760 --> 00:42:28,920
Speaker 1: I was laughing, I was crying, and then I was like,

817
00:42:28,960 --> 00:42:30,560
Speaker 1: let me just take my glasses off because this is

818
00:42:30,600 --> 00:42:34,680
Speaker 1: just going to keep keep happening. So I've so enjoyed this.

819
00:42:35,280 --> 00:42:37,320
Speaker 2: How how do you feel about your answers?

820
00:42:37,360 --> 00:42:39,480
Speaker 3: How do you feel about I love that our last

821
00:42:39,480 --> 00:42:43,600
Speaker 3: answers were matched up in terms of hearings, and I

822
00:42:43,640 --> 00:42:45,040
Speaker 3: felt natural and real.

823
00:42:45,800 --> 00:42:48,400
Speaker 5: I mean, I'm on living spaces at the moment picking

824
00:42:48,400 --> 00:42:51,160
Speaker 5: out furniture for when I move into Dracula's castle.

825
00:42:54,160 --> 00:43:03,640
Speaker 1: Property rich Dracula. Ohly shit, Well listen, Scottie and Pete.

826
00:43:03,719 --> 00:43:07,520
Speaker 1: I'm obsessed with you guys. I am so happy you

827
00:43:07,640 --> 00:43:11,239
Speaker 1: made time for us here. Why don't you tell people

828
00:43:11,239 --> 00:43:13,560
Speaker 1: where they can find you on like social media and

829
00:43:13,600 --> 00:43:14,400
Speaker 1: all that stuff.

830
00:43:14,600 --> 00:43:18,200
Speaker 6: Yes, indeed, our podcast is available anywhere you listen to

831
00:43:18,239 --> 00:43:20,239
Speaker 6: podcasts and on socials.

832
00:43:20,280 --> 00:43:22,200
Speaker 4: We're at movies that made us gay?

833
00:43:22,440 --> 00:43:28,240
Speaker 6: On Instagram and Facebook, we're still running on that, and

834
00:43:28,600 --> 00:43:34,719
Speaker 6: on Twitter we are mtmug Pod. Yes, mtmug Pod on

835
00:43:34,760 --> 00:43:38,840
Speaker 6: Twitter and yeah, so just let's come out every Friday.

836
00:43:39,800 --> 00:43:43,319
Speaker 3: Awesome and we wait for them. It is the highlights

837
00:43:44,160 --> 00:43:47,120
Speaker 3: of my week. And I truly I just feel so

838
00:43:47,560 --> 00:43:50,359
Speaker 3: lucky and happy and like fan girly that we got

839
00:43:50,360 --> 00:43:51,239
Speaker 3: to talk to you, I know.

840
00:43:52,040 --> 00:43:55,640
Speaker 4: Means so much. Yeah. Same here. We're very very glad

841
00:43:55,680 --> 00:43:56,439
Speaker 4: to be on your show.

842
00:43:56,480 --> 00:43:58,840
Speaker 2: This is highlights for us.

843
00:43:59,200 --> 00:44:00,920
Speaker 3: You have to come back the next We're going to

844
00:44:00,960 --> 00:44:04,280
Speaker 3: start now getting all of the strangest fmks in the world.

845
00:44:04,280 --> 00:44:08,960
Speaker 6: You bring it on that absolutely, Sam.

846
00:44:09,040 --> 00:44:12,800
Speaker 1: Also, thank you Sam for that incredible fuckberry kill question.

847
00:44:13,800 --> 00:44:15,799
Speaker 1: And if you have questions for us, please email us

848
00:44:15,800 --> 00:44:17,960
Speaker 1: at I saw what you did pot at gmail dot com.

849
00:44:18,000 --> 00:44:20,080
Speaker 1: Sometimes they come to the main feed and we have

850
00:44:20,120 --> 00:44:20,680
Speaker 1: a blast.

851
00:44:20,880 --> 00:44:23,240
Speaker 2: So absolutely all right, Well.

852
00:44:23,120 --> 00:44:26,600
Speaker 1: Thanks Scotty and Pete. We really really appreciate it.

853
00:44:26,480 --> 00:44:27,600
Speaker 2: It was so fun.

854
00:44:34,040 --> 00:44:37,319
Speaker 1: Okay, oh Danielle, Oh my gosh, the best time with

855
00:44:37,400 --> 00:44:38,880
Speaker 1: those two, super fun.

856
00:44:39,480 --> 00:44:42,080
Speaker 3: My stomach hurts. I want them to adopt me or

857
00:44:42,200 --> 00:44:45,480
Speaker 3: just be friends with me, whichever comes first.

858
00:44:45,560 --> 00:44:46,200
Speaker 2: I don't know.

859
00:44:47,360 --> 00:44:49,160
Speaker 3: That was so nice for them to come by and

860
00:44:49,400 --> 00:44:52,719
Speaker 3: just truly brighten up our lives, not even just our day,

861
00:44:52,840 --> 00:44:53,680
Speaker 3: just our lives.

862
00:44:54,520 --> 00:44:56,839
Speaker 1: Yeah, that was a blast. Well, and here's the weird

863
00:44:56,880 --> 00:44:59,280
Speaker 1: part that is, it is kind of like a smooth

864
00:44:59,320 --> 00:45:02,399
Speaker 1: transition to our theme this week if you think about it, right,

865
00:45:02,640 --> 00:45:03,839
Speaker 1: it really is.

866
00:45:04,440 --> 00:45:09,520
Speaker 2: And our theme this week is fuck movies where no

867
00:45:09,600 --> 00:45:10,280
Speaker 2: one fucks.

868
00:45:11,320 --> 00:45:14,600
Speaker 1: So I have to tell people what this is about,

869
00:45:14,680 --> 00:45:19,160
Speaker 1: because this was essentially all Danielle and she didn't even

870
00:45:19,200 --> 00:45:22,920
Speaker 1: know it. She didn't even know it. So when we

871
00:45:22,960 --> 00:45:27,360
Speaker 1: did our episode a while back, when we talked about

872
00:45:27,400 --> 00:45:30,239
Speaker 1: wankar whi right, and she talked about in the mood

873
00:45:30,320 --> 00:45:33,080
Speaker 1: for love, I mean she was basically reference she referenced

874
00:45:33,200 --> 00:45:36,200
Speaker 1: this concept, which is that it's a fuck movie where

875
00:45:36,200 --> 00:45:40,000
Speaker 1: no one fucks right, yep. And I became obsessed with

876
00:45:40,080 --> 00:45:42,160
Speaker 1: that idea, and I was like, why don't we just

877
00:45:42,200 --> 00:45:44,440
Speaker 1: do an entire theme around it, because certainly there are

878
00:45:44,480 --> 00:45:47,359
Speaker 1: other movies that our fuck movies where no one fucks right,

879
00:45:47,520 --> 00:45:53,160
Speaker 1: Like absolutely a romantic situation in which the characters are

880
00:45:53,640 --> 00:45:57,920
Speaker 1: attracted and are it wanting a relationship or some kind

881
00:45:57,920 --> 00:46:01,480
Speaker 1: of sexual encounter, but can't for.

882
00:46:01,400 --> 00:46:04,000
Speaker 2: No one's different reasons. Yeah, no one can get there.

883
00:46:04,680 --> 00:46:07,960
Speaker 3: I'm so glad you explained that, because I remember saying

884
00:46:08,000 --> 00:46:09,120
Speaker 3: it could not.

885
00:46:09,239 --> 00:46:10,480
Speaker 2: For the fucking life of.

886
00:46:10,440 --> 00:46:14,000
Speaker 3: Me, remember when or what context, because that is how

887
00:46:14,040 --> 00:46:15,919
Speaker 3: my brain works. Now, I'm like, what did I say when?

888
00:46:16,000 --> 00:46:18,480
Speaker 3: All right, I believe you, I hear you.

889
00:46:19,360 --> 00:46:21,799
Speaker 1: Luckily, Luckily I put a pin in it because I

890
00:46:21,840 --> 00:46:24,160
Speaker 1: was like, that's brilliant, and I'm just I'm so glad

891
00:46:24,200 --> 00:46:26,359
Speaker 1: that we could actually do an episode about it too,

892
00:46:26,480 --> 00:46:31,480
Speaker 1: because same. These two movies are pretty different. I would

893
00:46:31,560 --> 00:46:35,399
Speaker 1: say they're very different. Yeah, but they and they come

894
00:46:35,480 --> 00:46:38,920
Speaker 1: to the point too in different ways, which I think

895
00:46:39,000 --> 00:46:42,080
Speaker 1: is really interesting. But your movie, I hadn't seen it

896
00:46:42,080 --> 00:46:44,680
Speaker 1: in a while, and I decided to like buy the

897
00:46:44,719 --> 00:46:46,399
Speaker 1: blu ray. I was like, fuck it. It came out

898
00:46:46,440 --> 00:46:48,360
Speaker 1: on quite terry blueway. Let me get into it, and

899
00:46:48,400 --> 00:46:52,200
Speaker 1: it's man, and it brought back so many memories so childhood.

900
00:46:52,320 --> 00:46:53,000
Speaker 1: It was awesome.

901
00:46:53,719 --> 00:46:55,960
Speaker 3: This is It's so true, Like this is also one

902
00:46:56,000 --> 00:46:58,799
Speaker 3: of those films that I remember watching as a kid

903
00:46:58,840 --> 00:47:01,680
Speaker 3: and not quite getting. Yeah, Like I watched it and

904
00:47:01,719 --> 00:47:03,840
Speaker 3: I'm like, m this is like a movie from my

905
00:47:03,880 --> 00:47:06,400
Speaker 3: grandma and she was rolling like she was laughing her

906
00:47:06,400 --> 00:47:08,479
Speaker 3: ass off, and I'm like eh. And then I watched

907
00:47:08,480 --> 00:47:11,000
Speaker 3: it when I was a teenager and I'm like, oh,

908
00:47:11,120 --> 00:47:14,120
Speaker 3: I get it now that I have feelings and emotions.

909
00:47:14,160 --> 00:47:15,920
Speaker 2: I get it, and I just I.

910
00:47:15,920 --> 00:47:19,279
Speaker 3: Come back to it time and time again whenever I can.

911
00:47:19,400 --> 00:47:22,919
Speaker 3: I also own it, and I just love it. It's

912
00:47:22,920 --> 00:47:27,200
Speaker 3: just such a wonderful, comforting film about adults and sometimes

913
00:47:27,200 --> 00:47:30,480
Speaker 3: it's just what you need. And I'll get into it

914
00:47:30,480 --> 00:47:32,160
Speaker 3: when I start talking about the film in general.

915
00:47:32,200 --> 00:47:34,520
Speaker 2: But there are so many incredible.

916
00:47:34,120 --> 00:47:37,560
Speaker 3: Lines in this movie that it makes me really sit

917
00:47:37,680 --> 00:47:40,200
Speaker 3: up and pay attention also as a writer. So I

918
00:47:40,239 --> 00:47:42,960
Speaker 3: think it's just like it's one of those movies that

919
00:47:43,120 --> 00:47:45,160
Speaker 3: you can find something new in it every time you

920
00:47:45,200 --> 00:47:47,960
Speaker 3: watch it. But at its foundation, it is just a

921
00:47:48,000 --> 00:47:48,920
Speaker 3: fucking great film.

922
00:47:49,200 --> 00:47:52,040
Speaker 1: Yeah, well, hell you get into it. You're going first

923
00:47:52,120 --> 00:47:54,680
Speaker 1: this week. So oh okay, my god.

924
00:47:57,800 --> 00:48:02,560
Speaker 3: My movie was released innineteen eighty seven. It was written

925
00:48:02,760 --> 00:48:04,520
Speaker 3: and directed by James L.

926
00:48:04,560 --> 00:48:04,960
Speaker 1: Brooks.

927
00:48:05,640 --> 00:48:10,160
Speaker 2: My movie is broadcast news. I am beginning to repel

928
00:48:10,320 --> 00:48:11,960
Speaker 2: people I'm trying to seduce.

929
00:48:12,640 --> 00:48:15,080
Speaker 6: Must be a great world of insecurity and desperation made

930
00:48:15,120 --> 00:48:18,359
Speaker 6: us more attractive if needy were to.

931
00:48:18,280 --> 00:48:19,239
Speaker 2: Turn on now.

932
00:48:19,400 --> 00:48:21,840
Speaker 3: Much like Wankar, why, I feel like this movie is

933
00:48:21,880 --> 00:48:24,160
Speaker 3: a handshake movie for me. If you can't fuck with

934
00:48:24,200 --> 00:48:29,640
Speaker 3: broadcast news, I can't fuck with you. It is so

935
00:48:29,800 --> 00:48:32,360
Speaker 3: good and this is now James L. Brooks. As we

936
00:48:32,520 --> 00:48:38,040
Speaker 3: all know, James L. Brooks, James hell Brooks helped to

937
00:48:38,040 --> 00:48:42,719
Speaker 3: bring us The Simpsons, amongst many many, many, many, many

938
00:48:42,719 --> 00:48:43,240
Speaker 3: many many.

939
00:48:43,120 --> 00:48:44,320
Speaker 2: Other shoot shows and movies.

940
00:48:44,520 --> 00:48:48,399
Speaker 3: Yeah, he's had an illustrious and long career which would

941
00:48:48,440 --> 00:48:52,600
Speaker 3: be impossible to recap here. But he simply brought us

942
00:48:52,640 --> 00:48:55,440
Speaker 3: The Simpsons. Helped to bring us the Simpsons and is

943
00:48:55,480 --> 00:49:00,800
Speaker 3: forever cemented in history for that reason. Yeah, this movie

944
00:49:01,719 --> 00:49:04,200
Speaker 3: is has an unfuck withable cast.

945
00:49:04,719 --> 00:49:06,879
Speaker 2: Yeah, and this is this movie was.

946
00:49:06,800 --> 00:49:11,919
Speaker 3: Made at a time when adults looked like, everyone looked

947
00:49:11,920 --> 00:49:15,439
Speaker 3: middle aged, everyone looked tired, everyone like there was no

948
00:49:15,840 --> 00:49:19,919
Speaker 3: you're not going to find a Sean Shawn Mendes, You're

949
00:49:19,920 --> 00:49:24,279
Speaker 3: not going to find a Camilla Cabeo, being like, I'm

950
00:49:24,280 --> 00:49:25,560
Speaker 3: an adult, I'm working.

951
00:49:25,400 --> 00:49:27,760
Speaker 2: At this journalistic job.

952
00:49:27,920 --> 00:49:30,160
Speaker 3: Like No, these are people who look like they woke

953
00:49:30,239 --> 00:49:33,840
Speaker 3: up in a toilet and put on whenever was nearest,

954
00:49:34,840 --> 00:49:38,759
Speaker 3: and they cry spontaneously and then they go to work

955
00:49:38,760 --> 00:49:41,040
Speaker 3: and do their fucking jobs and that's their life, like

956
00:49:41,120 --> 00:49:45,760
Speaker 3: it is at its core. I love it for that alone. Yeah,

957
00:49:46,320 --> 00:49:49,480
Speaker 3: and again, the cast unfuck withable. So you've got William

958
00:49:49,560 --> 00:49:53,440
Speaker 3: hurt rest in Peace King, Oh, I know, playing Tom Grunwick,

959
00:49:54,320 --> 00:49:59,800
Speaker 3: Albert Brooks plays Aaron Altman, and Holly Hunter plays Jane Craig.

960
00:50:00,800 --> 00:50:05,520
Speaker 3: We also have some honorable mentions like Joan Cuzac, Queen

961
00:50:05,560 --> 00:50:10,840
Speaker 3: of Our Hearts, and weirdly Jack Nicholson, who's very underplayed

962
00:50:10,880 --> 00:50:11,520
Speaker 3: in this film.

963
00:50:11,960 --> 00:50:12,240
Speaker 2: Yeah.

964
00:50:12,520 --> 00:50:16,880
Speaker 1: I almost forgot. Actually I didn't almost. I completely forgot

965
00:50:16,880 --> 00:50:17,440
Speaker 1: who was in it.

966
00:50:17,920 --> 00:50:18,759
Speaker 2: Yeah, me too.

967
00:50:19,000 --> 00:50:21,440
Speaker 3: Yeah, and he's like the main anchor at this station.

968
00:50:21,560 --> 00:50:23,520
Speaker 3: Because the premise of the film, I'll give you my

969
00:50:23,520 --> 00:50:31,120
Speaker 3: one tentence, my one sentence synopsis. Three journalists at varying

970
00:50:31,239 --> 00:50:35,520
Speaker 3: degrees of success have their lives intersect at a local

971
00:50:35,640 --> 00:50:37,320
Speaker 3: TV station where all.

972
00:50:37,200 --> 00:50:38,000
Speaker 2: Hell breaks loose.

973
00:50:40,160 --> 00:50:40,839
Speaker 1: Absolutely.

974
00:50:41,680 --> 00:50:43,960
Speaker 3: So this is very much again like at its heart,

975
00:50:44,000 --> 00:50:49,439
Speaker 3: it's a movie about news, movie about journalism. And I

976
00:50:49,520 --> 00:50:52,200
Speaker 3: love the opening of this film because it's it starts

977
00:50:52,200 --> 00:50:55,040
Speaker 3: out kind of showing you how our three main characters

978
00:50:56,160 --> 00:50:57,799
Speaker 3: are exactly who they've always been.

979
00:50:58,280 --> 00:50:58,480
Speaker 1: Yeah.

980
00:50:58,600 --> 00:51:02,120
Speaker 3: So you've got Tom, the William hurt character, who's like

981
00:51:03,200 --> 00:51:06,560
Speaker 3: the hot dummy, and he has been the hot dummies

982
00:51:06,560 --> 00:51:07,760
Speaker 3: since the day he was born.

983
00:51:08,080 --> 00:51:11,000
Speaker 1: Oh my god, that is my favorite part of the movie.

984
00:51:11,080 --> 00:51:12,839
Speaker 1: By the way, it's like at the very beginning when

985
00:51:12,880 --> 00:51:18,680
Speaker 1: they show you how these people became these people, and

986
00:51:18,880 --> 00:51:23,160
Speaker 1: his is the best because it's very hard to communicate why,

987
00:51:23,280 --> 00:51:28,080
Speaker 1: like how like a hot dummy himbo type becomes a

988
00:51:28,120 --> 00:51:31,000
Speaker 1: hot dummy himbo type and they did it really well.

989
00:51:31,000 --> 00:51:32,400
Speaker 2: They did it perfectly.

990
00:51:32,440 --> 00:51:34,880
Speaker 3: And he's kind of lamenting it, like he's and he

991
00:51:34,960 --> 00:51:36,759
Speaker 3: does that his whole life as well, Like he really

992
00:51:36,840 --> 00:51:39,440
Speaker 3: laments the fact that he's like so good looking that

993
00:51:39,480 --> 00:51:41,919
Speaker 3: he just gets shit, that he just fails upward.

994
00:51:42,480 --> 00:51:43,319
Speaker 2: All day long.

995
00:51:43,400 --> 00:51:46,160
Speaker 3: And he's like, man, I wish I could be smart,

996
00:51:46,200 --> 00:51:48,680
Speaker 3: and everyone around him is like, shut the fuck up,

997
00:51:49,120 --> 00:51:52,839
Speaker 3: Like are you kidding me? You are living the life,

998
00:51:53,160 --> 00:51:56,680
Speaker 3: get into it. You're not gonna ever be smart, but

999
00:51:56,760 --> 00:51:59,640
Speaker 3: you have everything that everyone wants, So.

1000
00:51:59,600 --> 00:52:00,239
Speaker 2: I love that.

1001
00:52:00,320 --> 00:52:04,120
Speaker 3: And then Albert Brooks is the guy who he graduated

1002
00:52:04,160 --> 00:52:08,080
Speaker 3: early from high school and like had a like an

1003
00:52:08,120 --> 00:52:10,560
Speaker 3: intense speech where he kind of like villifies everyone and

1004
00:52:10,560 --> 00:52:13,279
Speaker 3: gets beat up afterwards, and just like a kind of

1005
00:52:13,280 --> 00:52:17,040
Speaker 3: a shithead, but also just like a sweet little little nudge,

1006
00:52:17,080 --> 00:52:19,720
Speaker 3: Like he's just kind of an annoying, little sweet little

1007
00:52:20,440 --> 00:52:24,000
Speaker 3: he's like pain in the ass. And Holly Hunter, who

1008
00:52:24,000 --> 00:52:27,840
Speaker 3: plays Jane. Jane Craig has always been the most type

1009
00:52:27,880 --> 00:52:32,440
Speaker 3: A of Type A personalities and is just like focused,

1010
00:52:32,640 --> 00:52:37,200
Speaker 3: and she's very direct, and she's the kind of person

1011
00:52:37,200 --> 00:52:39,880
Speaker 3: who gives specific directions.

1012
00:52:39,440 --> 00:52:41,160
Speaker 2: To cab driver. She doesn't just say like, hey, make

1013
00:52:41,160 --> 00:52:42,880
Speaker 2: a left down, can you take Broadway instead of this,

1014
00:52:43,080 --> 00:52:44,239
Speaker 2: She's like, here's what you're gonna do.

1015
00:52:44,280 --> 00:52:45,839
Speaker 3: You're gonna go down the street, You're gonna make a left,

1016
00:52:45,840 --> 00:52:47,480
Speaker 3: You're gonna go here and make it. She is so

1017
00:52:48,080 --> 00:52:51,960
Speaker 3: specific in crafting her entire life, but that makes her

1018
00:52:52,080 --> 00:52:55,120
Speaker 3: kind of unlikable to people. And guess what, she doesn't

1019
00:52:55,160 --> 00:52:56,320
Speaker 3: give a shit.

1020
00:52:57,239 --> 00:52:58,960
Speaker 2: And I love this character for that.

1021
00:52:59,000 --> 00:53:01,680
Speaker 3: And I'll say that she doesn't give a shit on

1022
00:53:01,719 --> 00:53:06,520
Speaker 3: the outside, but she does have moments of introspection. So

1023
00:53:06,560 --> 00:53:10,320
Speaker 3: she's not terribly arrogant, but she comes across as arrogant.

1024
00:53:10,840 --> 00:53:13,040
Speaker 3: I was reading an article in Vulture that came out

1025
00:53:13,040 --> 00:53:16,800
Speaker 3: in twenty seventeen by Gen Cheney about why broadcast news

1026
00:53:16,840 --> 00:53:20,600
Speaker 3: and Holly Hunter's performance still resonates thirty years later. So

1027
00:53:21,719 --> 00:53:25,920
Speaker 3: Jen Cheney says that she's arrogant, but she doesn't care

1028
00:53:26,000 --> 00:53:28,440
Speaker 3: that she's arrogant, and she's not trying to be arrogant.

1029
00:53:28,480 --> 00:53:29,440
Speaker 2: She just kind of comes.

1030
00:53:29,280 --> 00:53:32,880
Speaker 3: Across that way, because there is one of my favorite

1031
00:53:32,920 --> 00:53:36,160
Speaker 3: lines in this movie. She's talking to her boss at

1032
00:53:36,360 --> 00:53:38,440
Speaker 3: a party at his house and a big news story's

1033
00:53:38,480 --> 00:53:42,000
Speaker 3: popping off, and he says, it must be nice to

1034
00:53:42,040 --> 00:53:44,319
Speaker 3: always believe you know better, to think you're always the

1035
00:53:44,400 --> 00:53:47,640
Speaker 3: smartest person in the room, and she looks at him

1036
00:53:47,760 --> 00:53:54,240
Speaker 3: completely seriously and says, no, it's awful. And I love

1037
00:53:54,560 --> 00:53:57,600
Speaker 3: that line and I love that scene because she's like, no,

1038
00:53:57,960 --> 00:54:00,560
Speaker 3: like you would think, but like it is a real

1039
00:54:00,920 --> 00:54:04,239
Speaker 3: burden to her to have to be so small, so

1040
00:54:04,360 --> 00:54:06,359
Speaker 3: right all the time, not even smart, just right.

1041
00:54:07,000 --> 00:54:09,400
Speaker 1: Yeah. I mean she said a mouthful when he said that,

1042
00:54:09,520 --> 00:54:11,080
Speaker 1: let's get serious.

1043
00:54:11,600 --> 00:54:11,799
Speaker 4: Yeah.

1044
00:54:11,800 --> 00:54:14,560
Speaker 1: I feel like a lot of us can relate to

1045
00:54:14,680 --> 00:54:18,200
Speaker 1: her character in this film a little bit. And not

1046
00:54:18,360 --> 00:54:21,360
Speaker 1: for nothing. I am so glad she had her Southern

1047
00:54:21,440 --> 00:54:26,560
Speaker 1: accent in this movie. Our Conyers Georgia, Queen the Queen

1048
00:54:26,560 --> 00:54:29,920
Speaker 1: of Rockdale County. I was like, yes, and I was

1049
00:54:30,040 --> 00:54:32,640
Speaker 1: so happy because for some reason it just kind of

1050
00:54:32,719 --> 00:54:35,480
Speaker 1: made it made her character like a little bit. I

1051
00:54:35,480 --> 00:54:37,520
Speaker 1: don't know, it connected to me a little bit more obviously,

1052
00:54:37,520 --> 00:54:39,879
Speaker 1: because I was like, I know, she's Southern, so it's

1053
00:54:39,920 --> 00:54:42,520
Speaker 1: but it's cool that she kept that accent, and I

1054
00:54:42,520 --> 00:54:44,879
Speaker 1: mean part of me thinks she couldn't help it, right,

1055
00:54:44,920 --> 00:54:47,560
Speaker 1: because yeah, you know, that's just her accent. But at

1056
00:54:47,560 --> 00:54:51,040
Speaker 1: the same time, you know, it kind of brought me

1057
00:54:51,120 --> 00:54:52,839
Speaker 1: closer to her character a little bit.

1058
00:54:52,960 --> 00:54:55,960
Speaker 3: So I agree, because it's sweet. There's something really sweet

1059
00:54:55,960 --> 00:54:59,600
Speaker 3: and charming and real about it. Yeah, so I love

1060
00:54:59,640 --> 00:55:02,239
Speaker 3: that too, And I think so the thing that makes

1061
00:55:02,280 --> 00:55:04,200
Speaker 3: this a fuck movie where no one fucks is that

1062
00:55:05,680 --> 00:55:08,439
Speaker 3: it's kind of strange because there's not necessarily a love

1063
00:55:08,520 --> 00:55:10,560
Speaker 3: triangle happening, but.

1064
00:55:12,239 --> 00:55:13,400
Speaker 2: Shit pops off anyway.

1065
00:55:13,440 --> 00:55:19,200
Speaker 3: So basically, you have Jane who meets Tom at this

1066
00:55:19,360 --> 00:55:23,160
Speaker 3: conference and they talk and it's kind of a sweet

1067
00:55:23,200 --> 00:55:25,759
Speaker 3: way that they talk and kind of get together and

1068
00:55:25,920 --> 00:55:28,080
Speaker 3: it truly is just like talking about things and being

1069
00:55:28,120 --> 00:55:30,759
Speaker 3: excited and you know, kind of talking about their jobs

1070
00:55:30,760 --> 00:55:33,000
Speaker 3: and their careers. And he admits that like he was

1071
00:55:33,000 --> 00:55:35,800
Speaker 3: a sports anchor who got promoted to anchor by accident,

1072
00:55:35,840 --> 00:55:38,400
Speaker 3: and like he's just like again like starting that trajectory

1073
00:55:38,400 --> 00:55:40,400
Speaker 3: of like, I don't know, I've just always made a

1074
00:55:40,440 --> 00:55:42,200
Speaker 3: lot of money and been ha, I don't know.

1075
00:55:42,560 --> 00:55:43,440
Speaker 1: Bailing upward.

1076
00:55:43,920 --> 00:55:49,359
Speaker 3: Yeah, failing ist, upwardist motherfucker, and there is there. They

1077
00:55:49,520 --> 00:55:51,799
Speaker 3: kind of have dinner, they go back to her room,

1078
00:55:52,280 --> 00:55:53,960
Speaker 3: but the whole time they're talking of there's not a

1079
00:55:54,000 --> 00:55:55,640
Speaker 3: real sexual tension between them.

1080
00:55:55,960 --> 00:55:56,759
Speaker 2: And then they get to.

1081
00:55:56,719 --> 00:55:58,800
Speaker 3: Her room and you can tell she's trying to flirt

1082
00:55:58,840 --> 00:56:01,480
Speaker 3: with him, but she absolute does not know what she's doing.

1083
00:56:02,239 --> 00:56:03,960
Speaker 3: But at some point the movie, she even says that

1084
00:56:04,000 --> 00:56:05,520
Speaker 3: like she she hates to the fact that she can't

1085
00:56:05,560 --> 00:56:08,719
Speaker 3: flirt with people. And I think she says something to

1086
00:56:08,760 --> 00:56:10,799
Speaker 3: the effect of, like, every every time I try to

1087
00:56:10,840 --> 00:56:14,960
Speaker 3: flirt with someone, it turns into like a big discussion

1088
00:56:15,040 --> 00:56:17,200
Speaker 3: or something like that. So they're kind of in this

1089
00:56:17,320 --> 00:56:20,200
Speaker 3: room and talking, and the talk gets so serious because

1090
00:56:20,200 --> 00:56:22,600
Speaker 3: she realizes like he is the exact kind of guy

1091
00:56:22,600 --> 00:56:25,799
Speaker 3: that she hates. And the reason she hates him is

1092
00:56:25,840 --> 00:56:28,880
Speaker 3: she has a real pension for telling real news stories.

1093
00:56:28,880 --> 00:56:31,640
Speaker 3: And she's a producer and she's great at it. She's

1094
00:56:31,760 --> 00:56:35,400
Speaker 3: like an incredible producer. She really gets in there. She

1095
00:56:35,440 --> 00:56:39,120
Speaker 3: works a lot with Aaron and you know on the

1096
00:56:39,360 --> 00:56:42,120
Speaker 3: on the you know, they go out together to like

1097
00:56:42,880 --> 00:56:46,200
Speaker 3: Southern America, Like they're just really in it together making

1098
00:56:46,280 --> 00:56:49,239
Speaker 3: these great news stories. And so she respects and values

1099
00:56:49,800 --> 00:56:54,359
Speaker 3: the news, and Tom admits that he genuinely doesn't even

1100
00:56:54,400 --> 00:56:56,680
Speaker 3: know what he's talking about. He just says the words.

1101
00:56:57,160 --> 00:56:59,200
Speaker 3: He's like, I wish I understood what I was talking

1102
00:56:59,200 --> 00:57:02,200
Speaker 3: about when I the news to people, and she's like,

1103
00:57:02,440 --> 00:57:05,640
Speaker 3: you are what's wrong with this country. And this movie

1104
00:57:05,680 --> 00:57:08,120
Speaker 3: is actually very prescient in that way because she said

1105
00:57:08,280 --> 00:57:11,879
Speaker 3: we're reaching a point and Aaron feels the same way

1106
00:57:12,280 --> 00:57:14,880
Speaker 3: where who gives you the news is going to be

1107
00:57:14,920 --> 00:57:18,480
Speaker 3: more important than the news itself, right mm hmmm, And

1108
00:57:18,640 --> 00:57:20,680
Speaker 3: neither one of them want to live in that goddamn world.

1109
00:57:20,760 --> 00:57:23,800
Speaker 3: So they see Tom as like the worst and they

1110
00:57:23,840 --> 00:57:26,760
Speaker 3: don't fuck. They do not fuck. They're in her hotel room.

1111
00:57:27,160 --> 00:57:29,760
Speaker 3: She's trying to be cute and flirty. He gets so

1112
00:57:29,960 --> 00:57:32,040
Speaker 3: his feelings are so hurt. He gets up and he

1113
00:57:32,040 --> 00:57:34,440
Speaker 3: says when he's leaving, like, I hated the way you

1114
00:57:34,440 --> 00:57:39,240
Speaker 3: talk to me right now. Yeah, And he leaves and

1115
00:57:39,320 --> 00:57:43,160
Speaker 3: so no, no sex has happened. There's this tension between them,

1116
00:57:43,200 --> 00:57:46,440
Speaker 3: and then he goes and calls her and says, oh,

1117
00:57:46,480 --> 00:57:48,720
Speaker 3: by the way, I've just been hired to work at

1118
00:57:48,760 --> 00:57:55,200
Speaker 3: your station. Yeah yeah, like bomb drop moment, but before

1119
00:57:55,320 --> 00:57:57,400
Speaker 3: that and then she's like, what the fuck? And then

1120
00:57:57,520 --> 00:58:00,680
Speaker 3: she's talking on the phone before that to because they're

1121
00:58:00,680 --> 00:58:05,120
Speaker 3: really good friends and they have like a really sweet,

1122
00:58:05,160 --> 00:58:09,320
Speaker 3: like you know, kind of nighttime wrap up experience together,

1123
00:58:09,760 --> 00:58:12,760
Speaker 3: and so she's talking to him about relationships and sex

1124
00:58:12,800 --> 00:58:16,200
Speaker 3: and everything, but they're also not fucking Later in the film,

1125
00:58:16,400 --> 00:58:19,000
Speaker 3: when all three of them are working together, he admits

1126
00:58:19,160 --> 00:58:23,160
Speaker 3: that he's completely in love with her. Yeah, but even

1127
00:58:23,200 --> 00:58:24,960
Speaker 3: the way they talk about it and the way she

1128
00:58:25,040 --> 00:58:28,120
Speaker 3: kind of like lets him down, and it's very sweet

1129
00:58:28,240 --> 00:58:30,800
Speaker 3: and he gets to a point of real anger about it,

1130
00:58:31,560 --> 00:58:33,800
Speaker 3: but it never feels threatening. It just feels like so

1131
00:58:33,960 --> 00:58:39,240
Speaker 3: emotionally charged and so compromised, and you just into feeling

1132
00:58:39,280 --> 00:58:40,400
Speaker 3: bad for everyone.

1133
00:58:40,880 --> 00:58:43,360
Speaker 1: Well, and I think of a lot of that because

1134
00:58:43,400 --> 00:58:45,480
Speaker 1: it could come off in a different movie. I think

1135
00:58:45,480 --> 00:58:46,920
Speaker 1: it would have come off as a little bit like

1136
00:58:47,000 --> 00:58:51,760
Speaker 1: in Selly type of shit, right, But he's aware so

1137
00:58:51,880 --> 00:58:54,920
Speaker 1: much of how he feels and what this is like.

1138
00:58:55,000 --> 00:58:56,960
Speaker 1: It's almost like he beats you to the punch, like

1139
00:58:56,960 --> 00:58:59,040
Speaker 1: he's going, God, I'm in love with you, and I

1140
00:58:59,040 --> 00:59:00,600
Speaker 1: don't understand why you're not in love with me, But

1141
00:59:00,640 --> 00:59:02,280
Speaker 1: I also get why you're not in love with me.

1142
00:59:02,560 --> 00:59:05,680
Speaker 1: And it's kind of fine, and you're like, Wow, it's

1143
00:59:05,720 --> 00:59:08,080
Speaker 1: like that thing where you're like, here's a really smart

1144
00:59:08,120 --> 00:59:11,240
Speaker 1: guy who is having all these feelings, but he knows

1145
00:59:11,320 --> 00:59:14,160
Speaker 1: he's not, you know, unaware of himself. He knows who

1146
00:59:14,160 --> 00:59:17,160
Speaker 1: he is, and you know, he's just like, isn't it

1147
00:59:17,280 --> 00:59:20,280
Speaker 1: just the shittiest situation that we can't be together? But

1148
00:59:20,480 --> 00:59:22,360
Speaker 1: I can't help but feel upset.

1149
00:59:22,760 --> 00:59:25,240
Speaker 3: You know, there is a moment where they are sitting

1150
00:59:25,240 --> 00:59:28,840
Speaker 3: on the stoop of his his apartment and he says

1151
00:59:28,880 --> 00:59:32,440
Speaker 3: to her, I would give anything if you were two people,

1152
00:59:32,800 --> 00:59:35,560
Speaker 3: so I could call my friend and tell her about

1153
00:59:35,600 --> 00:59:37,360
Speaker 3: the one I like so much.

1154
00:59:37,920 --> 00:59:38,560
Speaker 1: Oh my god.

1155
00:59:38,840 --> 00:59:41,720
Speaker 2: It is like a heartbreaking moment.

1156
00:59:42,480 --> 00:59:45,840
Speaker 3: No, And it makes total sense, Like he just loves

1157
00:59:45,880 --> 00:59:48,880
Speaker 3: he loves working with her, he respects her, he values her.

1158
00:59:49,320 --> 00:59:52,400
Speaker 3: On paper, they should be perfect together, but it's just

1159
00:59:52,520 --> 00:59:53,080
Speaker 3: not there.

1160
00:59:53,560 --> 00:59:54,920
Speaker 1: Yeah, and that.

1161
00:59:54,960 --> 00:59:57,120
Speaker 3: Is part of the heartbreak, Like they should be the

1162
00:59:57,160 --> 00:59:59,400
Speaker 3: exact people who are together. They're both passionate in the

1163
00:59:59,440 --> 01:00:02,640
Speaker 3: same way. They're both you know, they want the same things,

1164
01:00:02,720 --> 01:00:04,040
Speaker 3: but it's just not working.

1165
01:00:04,520 --> 01:00:05,720
Speaker 2: Yeah, she doesn't feel it.

1166
01:00:06,240 --> 01:00:08,040
Speaker 1: And you know what else is really interesting to me too,

1167
01:00:08,160 --> 01:00:11,400
Speaker 1: is because you know, I mean, we would understand why

1168
01:00:12,520 --> 01:00:17,560
Speaker 1: the Tom character would would find Jane attractive, but is

1169
01:00:17,640 --> 01:00:20,160
Speaker 1: that moment, you know what it reminded me of not

1170
01:00:20,200 --> 01:00:22,640
Speaker 1: gonna lie, You're gonna have to go all the way

1171
01:00:22,640 --> 01:00:25,240
Speaker 1: back to episode six folks to hear about this. But

1172
01:00:25,320 --> 01:00:28,520
Speaker 1: it reminds me of Hubble, of the Hubble Gardeners saying

1173
01:00:28,560 --> 01:00:31,160
Speaker 1: from the way we were, which is that here's a

1174
01:00:31,240 --> 01:00:35,600
Speaker 1: guy who has always failed upward. He's just had lived

1175
01:00:35,600 --> 01:00:37,840
Speaker 1: a charm life where he's never had to, like, you know,

1176
01:00:38,160 --> 01:00:40,920
Speaker 1: be smart or do anything. He just coasts on his hotness.

1177
01:00:41,520 --> 01:00:45,760
Speaker 1: And he's fascinated with a woman who is extremely intelligent

1178
01:00:45,840 --> 01:00:49,760
Speaker 1: and bright and like knows a lot of things. And

1179
01:00:50,320 --> 01:00:53,320
Speaker 1: it's that thing of like I think he he he

1180
01:00:53,360 --> 01:00:55,640
Speaker 1: could be sexually attracted her, but I think he's also

1181
01:00:55,800 --> 01:01:00,560
Speaker 1: obsessed with her, her vibe and her power and her

1182
01:01:00,680 --> 01:01:05,439
Speaker 1: just like her essence because it's it's so not him right, yes, and.

1183
01:01:05,360 --> 01:01:06,160
Speaker 2: He even so.

1184
01:01:06,280 --> 01:01:08,440
Speaker 3: And what ends up happening because he even like admits

1185
01:01:08,520 --> 01:01:11,200
Speaker 3: as much when he ends up working at this TV

1186
01:01:11,320 --> 01:01:14,720
Speaker 3: station with her and he says, you know, I've been

1187
01:01:14,720 --> 01:01:18,520
Speaker 3: given this opportunity to do this, this report, and it's

1188
01:01:18,560 --> 01:01:21,280
Speaker 3: like a big deal news story and he says, I

1189
01:01:21,320 --> 01:01:24,400
Speaker 3: want you to produce it, and she walks. It's the

1190
01:01:24,560 --> 01:01:26,840
Speaker 3: greatest scene, Like she walks out of the building looking

1191
01:01:26,880 --> 01:01:27,720
Speaker 3: like Shragan Nona.

1192
01:01:27,880 --> 01:01:30,520
Speaker 2: She's got the scarf taw around her head, she got

1193
01:01:30,600 --> 01:01:31,479
Speaker 2: the coat on.

1194
01:01:32,080 --> 01:01:36,040
Speaker 3: She is not sauntering for anybody. She's like, it's fucking Wendy,

1195
01:01:36,160 --> 01:01:37,240
Speaker 3: I look like Shregan Nona.

1196
01:01:37,480 --> 01:01:38,040
Speaker 2: Deal with it.

1197
01:01:38,600 --> 01:01:43,439
Speaker 3: And he is so attracted to her abilities that he's

1198
01:01:43,480 --> 01:01:47,240
Speaker 3: almost tying himself in knots to try to understand why

1199
01:01:47,280 --> 01:01:51,000
Speaker 3: they can't be together. And they they of both of

1200
01:01:51,040 --> 01:01:53,080
Speaker 3: both of the kind of couplings that could happen in

1201
01:01:53,120 --> 01:01:55,680
Speaker 3: the movie. Tom and Jane make the most of a

1202
01:01:55,760 --> 01:01:58,720
Speaker 3: go at it, but it's always awkward and it never

1203
01:01:58,760 --> 01:02:01,080
Speaker 3: works out. And there's this more unseen in particular at

1204
01:02:01,080 --> 01:02:04,800
Speaker 3: the after the White House Correspondents dinner where they kind

1205
01:02:04,840 --> 01:02:08,760
Speaker 3: of meet up and go outside and have wine and

1206
01:02:08,760 --> 01:02:11,919
Speaker 3: they're like kissing and it's passionate, and then she has

1207
01:02:11,920 --> 01:02:16,160
Speaker 3: she leaves him to go and see Aaron because Aaron's

1208
01:02:16,200 --> 01:02:19,040
Speaker 3: dream is to be a broad's his dream is to

1209
01:02:19,080 --> 01:02:22,280
Speaker 3: be an anchor, and he gets his shot because every

1210
01:02:22,280 --> 01:02:25,240
Speaker 3: single person is at the White House correspondents dinner and

1211
01:02:25,360 --> 01:02:32,240
Speaker 3: fails so hilariously he is sweating buckets like it is

1212
01:02:32,280 --> 01:02:36,440
Speaker 3: the funniest fucking scene, but it is again heart breaking,

1213
01:02:37,080 --> 01:02:39,520
Speaker 3: and she knows that this is a big deal moment

1214
01:02:39,560 --> 01:02:41,960
Speaker 3: for him and this is terrible, so she goes and

1215
01:02:42,920 --> 01:02:46,439
Speaker 3: leaves Tom to be with him. And it's just it's

1216
01:02:46,480 --> 01:02:49,240
Speaker 3: that push and poll that I love between all of them,

1217
01:02:49,640 --> 01:02:53,600
Speaker 3: but it's it's all centered on like the push and

1218
01:02:53,640 --> 01:02:55,960
Speaker 3: poll is kind of centered on not a will they

1219
01:02:56,000 --> 01:02:59,400
Speaker 3: won't they, but a should they? And I think I

1220
01:02:59,840 --> 01:03:03,160
Speaker 3: like seeing a movie like that where it's not like

1221
01:03:03,200 --> 01:03:05,720
Speaker 3: you could see all of them together. You can see

1222
01:03:05,760 --> 01:03:08,520
Speaker 3: every iteration of these couples together, but you're not sure

1223
01:03:08,520 --> 01:03:10,320
Speaker 3: if they should, if it should work, orf they should

1224
01:03:10,320 --> 01:03:12,680
Speaker 3: try something different. It's a little too close, like the

1225
01:03:12,720 --> 01:03:16,040
Speaker 3: world they live in is too cloistered. So yeah, I

1226
01:03:16,160 --> 01:03:18,600
Speaker 3: just I kind of love that aspect of it. And

1227
01:03:18,640 --> 01:03:22,880
Speaker 3: then from this Vulture article that Jen Cheney wrote, one

1228
01:03:22,880 --> 01:03:25,680
Speaker 3: of my favorite descriptions that she gives is she says

1229
01:03:26,480 --> 01:03:28,840
Speaker 3: Jane Craig is a feminist heroine in a way that

1230
01:03:28,960 --> 01:03:33,200
Speaker 3: few female romantic comedy protagonists since have been, even the

1231
01:03:33,240 --> 01:03:36,680
Speaker 3: ones we consider strong and independent Unlike most leads in

1232
01:03:36,720 --> 01:03:39,600
Speaker 3: the genre, her reason for existing in the world writer

1233
01:03:39,720 --> 01:03:43,160
Speaker 3: director Brooks created, which, as he tells The Ringer, was

1234
01:03:43,200 --> 01:03:46,520
Speaker 3: built around the notion of a feminist heroine, is not

1235
01:03:46,600 --> 01:03:47,919
Speaker 3: so she can find a guy.

1236
01:03:48,560 --> 01:03:50,280
Speaker 2: Yes, the story is grounded.

1237
01:03:50,000 --> 01:03:52,200
Speaker 3: In a love triangle, one that places Jane is the

1238
01:03:52,200 --> 01:03:56,320
Speaker 3: pivot point between Tom, the slick anchorman played by William Hurt,

1239
01:03:56,360 --> 01:03:59,480
Speaker 3: and Aaron Albert Brooks, the more traditional reporter who carries a.

1240
01:03:59,440 --> 01:04:03,280
Speaker 2: Torch for her. But Jane's existence is not predicated on

1241
01:04:03,440 --> 01:04:07,280
Speaker 2: being in a relationship. Her first love, her true love,

1242
01:04:07,680 --> 01:04:08,360
Speaker 2: is her job.

1243
01:04:09,480 --> 01:04:11,240
Speaker 1: Yeah.

1244
01:04:11,680 --> 01:04:12,960
Speaker 2: I love that. I love that.

1245
01:04:13,040 --> 01:04:16,560
Speaker 3: James Brooks wrote this movie built around the notion of

1246
01:04:16,640 --> 01:04:20,919
Speaker 3: a feminist heroine, like she's not an accident. Yeah, and

1247
01:04:21,520 --> 01:04:24,000
Speaker 3: you know, you're kind of watching this in nineteen eighty seven.

1248
01:04:25,000 --> 01:04:27,080
Speaker 3: It probably was very easy to have the feeling that

1249
01:04:27,200 --> 01:04:29,360
Speaker 3: like more people would do this, and it did not

1250
01:04:29,440 --> 01:04:31,320
Speaker 3: happen again for a very long time.

1251
01:04:31,840 --> 01:04:35,640
Speaker 1: Yeah. Yeah, she's very complicated. I mean, and then you know,

1252
01:04:35,640 --> 01:04:37,919
Speaker 1: we've talked about, you know, sort of that whole era

1253
01:04:38,040 --> 01:04:43,200
Speaker 1: of the eighties, sort of like a woman like female ceo,

1254
01:04:43,600 --> 01:04:46,160
Speaker 1: like you know, head of the company type of thing.

1255
01:04:46,600 --> 01:04:49,800
Speaker 1: But it's hers is like a very interesting story because

1256
01:04:49,800 --> 01:04:52,520
Speaker 1: you know, she's she's obviously like that role where she's

1257
01:04:52,640 --> 01:04:55,840
Speaker 1: just like the woman in charge, but she she also

1258
01:04:56,240 --> 01:04:58,680
Speaker 1: you know, has those moments where she's literally just crying,

1259
01:04:59,400 --> 01:05:01,040
Speaker 1: just like crying her own desk.

1260
01:05:01,360 --> 01:05:03,760
Speaker 3: You know, and explicably it never no one ever comes

1261
01:05:03,760 --> 01:05:05,320
Speaker 3: in and explains it, and she never has.

1262
01:05:05,160 --> 01:05:06,800
Speaker 2: A monologue about it. She just cries.

1263
01:05:07,400 --> 01:05:11,160
Speaker 1: Yeah, and it you know, and it's probably you know,

1264
01:05:11,200 --> 01:05:14,120
Speaker 1: in a different movie, it may have not been wise

1265
01:05:14,240 --> 01:05:17,520
Speaker 1: to show that, because we were trying so hard to

1266
01:05:17,760 --> 01:05:21,480
Speaker 1: like portray these women as like competent and smart, and

1267
01:05:21,840 --> 01:05:24,560
Speaker 1: then because of that we go out in the complete

1268
01:05:24,600 --> 01:05:27,200
Speaker 1: other direction and just make them like bitches.

1269
01:05:27,360 --> 01:05:28,240
Speaker 2: Right, But like.

1270
01:05:29,920 --> 01:05:33,320
Speaker 1: This is like her character is so much of like everything,

1271
01:05:33,480 --> 01:05:35,400
Speaker 1: which I think is so great.

1272
01:05:35,840 --> 01:05:37,440
Speaker 2: You know, it so is.

1273
01:05:38,120 --> 01:05:41,520
Speaker 3: It's so all encompassing, and I feel like there's never

1274
01:05:41,640 --> 01:05:44,720
Speaker 3: a moment where it feels like you're watching someone doing

1275
01:05:44,720 --> 01:05:49,760
Speaker 3: a caricature. There's there's something really like vital about her

1276
01:05:50,000 --> 01:05:52,600
Speaker 3: and what I know we've talked about this before, but

1277
01:05:52,680 --> 01:05:56,880
Speaker 3: one of my least favorite words in modern usage in

1278
01:05:56,920 --> 01:06:02,160
Speaker 3: our language is unapologetic because it presupposes that you're supposed

1279
01:06:02,160 --> 01:06:04,919
Speaker 3: to be apologetic about something. And I love that Jane

1280
01:06:04,960 --> 01:06:08,520
Speaker 3: lives her life like she's not unapologetic. She never considers

1281
01:06:08,560 --> 01:06:10,800
Speaker 3: apologizing for being who she is. It doesn't even cross

1282
01:06:10,800 --> 01:06:13,160
Speaker 3: her mind, right, So, like, I have nothing to apologize for.

1283
01:06:13,960 --> 01:06:15,600
Speaker 3: This is who I am, this is how I live.

1284
01:06:15,640 --> 01:06:18,440
Speaker 3: And it's very empowering and it's really incredible to watch

1285
01:06:18,480 --> 01:06:21,360
Speaker 3: because she has a full range of emotions. She's not

1286
01:06:21,560 --> 01:06:24,760
Speaker 3: just like the strong business bitch or the total pushover

1287
01:06:24,880 --> 01:06:26,960
Speaker 3: or the woman who gives it all up for love. Like,

1288
01:06:27,560 --> 01:06:31,080
Speaker 3: she really is a fully realized character. And I think

1289
01:06:31,120 --> 01:06:34,400
Speaker 3: that those moments where she cries just emphasizes that more

1290
01:06:34,520 --> 01:06:37,200
Speaker 3: than it detracts from that. It just emphasizes the fact that,

1291
01:06:37,280 --> 01:06:40,439
Speaker 3: like she's still in touch with herself. Yeah, but she's

1292
01:06:40,520 --> 01:06:42,960
Speaker 3: just not willing to give over to any one emotion

1293
01:06:43,040 --> 01:06:43,959
Speaker 3: at any given time.

1294
01:06:44,480 --> 01:06:47,440
Speaker 1: Yeah, And in those moments where she's crying, I think

1295
01:06:47,480 --> 01:06:50,400
Speaker 1: it's more of just about her knowing how she is,

1296
01:06:50,880 --> 01:06:53,800
Speaker 1: not apologizing for it, but knowing that how she is

1297
01:06:53,800 --> 01:06:57,040
Speaker 1: is going to have certain outcomes and that's just the

1298
01:06:57,040 --> 01:06:59,840
Speaker 1: way life is, and sometimes that just is hard, you know,

1299
01:07:00,240 --> 01:07:05,120
Speaker 1: the same the same concept as the erin character. Knowing

1300
01:07:05,240 --> 01:07:08,760
Speaker 1: in his head that he cannot change this woman's feelings

1301
01:07:08,800 --> 01:07:12,120
Speaker 1: about him. So everybody is like very aware of who

1302
01:07:12,160 --> 01:07:15,840
Speaker 1: they are, and but just that sometimes it's just you know,

1303
01:07:15,960 --> 01:07:17,680
Speaker 1: emotions that you just have to sit in them for

1304
01:07:17,680 --> 01:07:19,360
Speaker 1: a while and then maybe, you know, you move on,

1305
01:07:19,480 --> 01:07:21,800
Speaker 1: I guess. But I love that about her character.

1306
01:07:22,520 --> 01:07:24,280
Speaker 3: And then and that also comes to a head, like

1307
01:07:24,440 --> 01:07:26,240
Speaker 3: I love that you said that, because that also comes

1308
01:07:26,240 --> 01:07:28,320
Speaker 3: to a head at the end, which I don't want

1309
01:07:28,360 --> 01:07:31,040
Speaker 3: to spoil, but the end is multi layered, and at

1310
01:07:31,080 --> 01:07:33,440
Speaker 3: one point towards the end of the film, there's a

1311
01:07:33,480 --> 01:07:36,960
Speaker 3: betrayal and it's really fascinating when you watch the film,

1312
01:07:37,000 --> 01:07:40,720
Speaker 3: if you haven't already, it's really fascinating to watch how

1313
01:07:40,760 --> 01:07:44,040
Speaker 3: each character reacts and responds to the betrayal because it

1314
01:07:44,120 --> 01:07:48,280
Speaker 3: says everything about them, everything about them in that moment.

1315
01:07:49,600 --> 01:07:53,680
Speaker 1: Yeah, I had also forgotten that part, like as like

1316
01:07:53,800 --> 01:07:57,600
Speaker 1: after watching it after a certain amount of time, and

1317
01:07:58,320 --> 01:08:01,760
Speaker 1: I mean, it was pretty pretty meaningful. It was like,

1318
01:08:01,880 --> 01:08:04,880
Speaker 1: you know, a part of the movie that really changes.

1319
01:08:04,520 --> 01:08:09,080
Speaker 3: Things so absolutely, and it's one and again the dialogue.

1320
01:08:09,120 --> 01:08:13,200
Speaker 3: I cannot tell you how much it cracks me up.

1321
01:08:13,760 --> 01:08:16,759
Speaker 3: Albert Brooks is also a director, and you know actor

1322
01:08:16,800 --> 01:08:17,439
Speaker 3: in his own right.

1323
01:08:17,760 --> 01:08:19,560
Speaker 2: If you haven't seen Defending.

1324
01:08:19,080 --> 01:08:22,920
Speaker 3: Your Life Real Life, all the lives movies treat yourself.

1325
01:08:22,960 --> 01:08:25,880
Speaker 3: But there are moments in this film that, even though

1326
01:08:25,920 --> 01:08:28,360
Speaker 3: James L. Brooks wrote it, it felt very much like

1327
01:08:28,439 --> 01:08:30,920
Speaker 3: an Albert Brooks thing to say, So I was cure

1328
01:08:30,960 --> 01:08:32,920
Speaker 3: I didn't look it up, but I wondered if he

1329
01:08:33,000 --> 01:08:35,400
Speaker 3: kind of add lib some of it. One of my

1330
01:08:35,479 --> 01:08:38,320
Speaker 3: favorites of those lines is when he's talking on the

1331
01:08:38,320 --> 01:08:40,800
Speaker 3: phone to Jane and she wants to meet him, and

1332
01:08:40,880 --> 01:08:44,640
Speaker 3: he says, I'll meet you at that place near that

1333
01:08:44,680 --> 01:08:46,640
Speaker 3: thing where we went that one time, and then they

1334
01:08:46,680 --> 01:08:47,840
Speaker 3: just show up at the same place.

1335
01:08:48,479 --> 01:08:50,200
Speaker 1: That's so cute.

1336
01:08:51,200 --> 01:08:54,080
Speaker 3: And it's like the hilarity of that kind of sentence

1337
01:08:54,120 --> 01:08:57,160
Speaker 3: but also show like it really telegraphs and showcases the

1338
01:08:57,240 --> 01:09:00,479
Speaker 3: shorthandness of their friendship, and it just is perfec It's

1339
01:09:00,520 --> 01:09:04,639
Speaker 3: just such perfect dialogue throughout this movie. And Jack Nicholson

1340
01:09:04,680 --> 01:09:06,200
Speaker 3: is also there sometimes.

1341
01:09:05,840 --> 01:09:08,000
Speaker 1: Yes, sometimes.

1342
01:09:08,720 --> 01:09:11,040
Speaker 2: It's so weird you're like, wait, he's there.

1343
01:09:11,200 --> 01:09:13,400
Speaker 3: He's the anchorman, like he has his own like you know,

1344
01:09:13,479 --> 01:09:15,639
Speaker 3: he's kind of the standoffish arms length.

1345
01:09:15,439 --> 01:09:19,360
Speaker 2: Guy, like the big big bitch in the office. But

1346
01:09:19,439 --> 01:09:19,960
Speaker 2: it's just great.

1347
01:09:19,960 --> 01:09:22,840
Speaker 3: And Joan Cusac is such a little babyface and she

1348
01:09:23,000 --> 01:09:25,479
Speaker 3: runs around that office could have been a movie on

1349
01:09:25,520 --> 01:09:30,960
Speaker 3: its own right. She is so wonderful in this, in this,

1350
01:09:31,080 --> 01:09:33,639
Speaker 3: in every movie, I mean, the woman can't pick a bed,

1351
01:09:33,479 --> 01:09:36,240
Speaker 3: she can't do a bad job, she's just a glory.

1352
01:09:36,880 --> 01:09:39,559
Speaker 3: But she's so funny in this in particular. And it's

1353
01:09:39,600 --> 01:09:43,559
Speaker 3: really nice to see what mentorship looks like, like what

1354
01:09:43,560 --> 01:09:47,639
Speaker 3: female mentorship looks like in a very male dominated dominated space.

1355
01:09:47,680 --> 01:09:50,280
Speaker 3: So I love this movie. I watch it all the time.

1356
01:09:50,439 --> 01:09:52,960
Speaker 3: I'm fuckingna love it, and I'm so glad we got

1357
01:09:52,960 --> 01:09:55,920
Speaker 3: a chance to talk about it. Nobody fucks. Everybody wants

1358
01:09:55,920 --> 01:09:58,160
Speaker 3: to fuck somebody, but it is a fuck movie where

1359
01:09:58,160 --> 01:09:59,640
Speaker 3: nobody fucks.

1360
01:09:59,560 --> 01:10:02,479
Speaker 1: That's right. It's a lot of feelings, a lot of like,

1361
01:10:03,040 --> 01:10:07,599
Speaker 1: a lot of will they want things and it never happens. Also,

1362
01:10:07,720 --> 01:10:10,439
Speaker 1: Robert Prosky, who we just talked about in our episode

1363
01:10:10,439 --> 01:10:14,839
Speaker 1: about Thief, he's in it. He's playing a less evil person.

1364
01:10:15,800 --> 01:10:18,639
Speaker 1: Definitely definitely is not as.

1365
01:10:18,720 --> 01:10:21,719
Speaker 2: Much of a motherfucker sweetheart in this movie.

1366
01:10:23,040 --> 01:10:25,400
Speaker 3: Yeah, I love it. It's great cast, great film. If

1367
01:10:25,439 --> 01:10:29,920
Speaker 3: you have not already, by all means you gotta watch it.

1368
01:10:30,560 --> 01:10:33,680
Speaker 1: You gotta watch it. It is available now on so

1369
01:10:33,800 --> 01:10:37,080
Speaker 1: many in so many places, in great restored conditions. So

1370
01:10:37,640 --> 01:10:39,799
Speaker 1: it's a classic for sure.

1371
01:10:40,920 --> 01:10:44,479
Speaker 2: In your movie something Else.

1372
01:10:44,920 --> 01:10:50,479
Speaker 1: Yeah, man, it's it's it's got its own thing going on.

1373
01:10:50,760 --> 01:10:58,360
Speaker 1: It's not not quite as maybe buoyant as your film,

1374
01:10:58,800 --> 01:11:03,759
Speaker 1: but nonetheless is a fuck movie where nobody fucks. So uh,

1375
01:11:03,800 --> 01:11:06,599
Speaker 1: my movie for the theme fuck movies where no one

1376
01:11:06,680 --> 01:11:10,120
Speaker 1: fucks is a movie from nineteen sixty one. It was

1377
01:11:10,160 --> 01:11:13,040
Speaker 1: written and directed by Jean Pierre Melville, based on a

1378
01:11:13,040 --> 01:11:17,920
Speaker 1: book by Beatrix Beck, and it's called Leon Morn Priest.

1379
01:11:21,320 --> 01:11:28,559
Speaker 1: Yes you tism Party Piano de Monage. So we're gonna

1380
01:11:28,560 --> 01:11:35,040
Speaker 1: talk a little bit about French New ways, which is

1381
01:11:35,080 --> 01:11:37,479
Speaker 1: going to put some people on edge because it's that

1382
01:11:37,800 --> 01:11:41,479
Speaker 1: artsy for artsy stuff. But hopefully I won't it won't

1383
01:11:41,479 --> 01:11:45,719
Speaker 1: be too much of a slog, Okay. So the director

1384
01:11:45,760 --> 01:11:48,880
Speaker 1: of this film is one of my faves, Jean Pierre Melville.

1385
01:11:49,320 --> 01:11:55,040
Speaker 1: He was primarily known for like crime noir ish heist

1386
01:11:55,120 --> 01:11:59,639
Speaker 1: movies during like that kind of French New Wave era.

1387
01:11:59,800 --> 01:12:02,320
Speaker 1: He he worked a little bit before French New Wave,

1388
01:12:02,400 --> 01:12:04,200
Speaker 1: but you know it was this like i'd say like

1389
01:12:04,280 --> 01:12:08,680
Speaker 1: late forties to early seventies, right, and his name, I

1390
01:12:08,720 --> 01:12:12,799
Speaker 1: would say he was not as famous, especially in America,

1391
01:12:12,840 --> 01:12:15,040
Speaker 1: as somebody like a Jean Luke Gadard or like a

1392
01:12:15,080 --> 01:12:18,479
Speaker 1: France Watch Roufaux. Right, But I will say I think

1393
01:12:18,479 --> 01:12:24,320
Speaker 1: as time has passed he has become beloved almost kind

1394
01:12:24,360 --> 01:12:29,240
Speaker 1: of like a cult director. I would say. Maybe he

1395
01:12:29,280 --> 01:12:32,519
Speaker 1: made movies like Army of Shadows and La circ La Rouge,

1396
01:12:32,680 --> 01:12:35,400
Speaker 1: and he made one of my favorite movies ever, La

1397
01:12:35,439 --> 01:12:40,840
Speaker 1: Samurai with Alendo lan So. Leon morn Priest though is

1398
01:12:40,880 --> 01:12:44,479
Speaker 1: sort of like an anomaly in his filmography because because

1399
01:12:44,640 --> 01:12:47,040
Speaker 1: like I just mentioned, he was known for making these

1400
01:12:47,120 --> 01:12:50,599
Speaker 1: kind of like I don't know, guy movies, for lack

1401
01:12:50,640 --> 01:12:53,760
Speaker 1: of a better term, like these crime films, and there's

1402
01:12:53,880 --> 01:12:57,160
Speaker 1: like it was always with like Alen de Lawn or

1403
01:12:57,200 --> 01:13:00,559
Speaker 1: like you know, bel Mondo. But here's the thing about

1404
01:13:00,600 --> 01:13:03,599
Speaker 1: Leon Wrhn is that it the protagonist of this film

1405
01:13:03,640 --> 01:13:06,759
Speaker 1: is a woman. It's from her point of view, which

1406
01:13:06,800 --> 01:13:09,639
Speaker 1: to me, you know, as a fan of his films,

1407
01:13:09,720 --> 01:13:13,360
Speaker 1: makes this one really special for me. Right. So, A

1408
01:13:13,400 --> 01:13:17,600
Speaker 1: one sentenced synopsis of this film. A widow living in

1409
01:13:17,720 --> 01:13:21,479
Speaker 1: occupied France during the Second World War is drawn to

1410
01:13:22,240 --> 01:13:27,160
Speaker 1: a young, attractive priest working at the local church, first

1411
01:13:27,479 --> 01:13:30,520
Speaker 1: as a way to sort out her lack of spirituality,

1412
01:13:31,280 --> 01:13:34,920
Speaker 1: but then slowly he finds herself lusting after.

1413
01:13:34,840 --> 01:13:40,800
Speaker 3: Him, which always goddamn happens. If anyone in listening right

1414
01:13:40,840 --> 01:13:43,040
Speaker 3: now has ever been to church, they're like, what like?

1415
01:13:43,040 --> 01:13:46,200
Speaker 3: Because our priests were not Jean Paul Belmondo. Our priests

1416
01:13:46,240 --> 01:13:47,599
Speaker 3: were like the fucking crip keeper.

1417
01:13:48,240 --> 01:13:52,800
Speaker 1: Okay, listen, Okay, I know we are living in a

1418
01:13:52,920 --> 01:13:58,880
Speaker 1: post fleabag world, okay where now everybody loves a hot priest,

1419
01:13:59,600 --> 01:14:03,519
Speaker 1: but I'm sorry, Leon Moren is the daddy of them all. Okay.

1420
01:14:03,680 --> 01:14:09,360
Speaker 1: He walked so that Andrew Scott could fucking fly period period.

1421
01:14:09,960 --> 01:14:13,760
Speaker 1: And if you think about it, like this, Okay, when

1422
01:14:13,800 --> 01:14:19,640
Speaker 1: this film was made, Jean Polpolomondo had just made Breathless,

1423
01:14:19,680 --> 01:14:22,760
Speaker 1: which is essentially his most famous film. It's essentially the

1424
01:14:22,800 --> 01:14:26,880
Speaker 1: most famous film of the French New Wave, and he

1425
01:14:26,960 --> 01:14:28,720
Speaker 1: was making it sort of at the same time as this,

1426
01:14:28,880 --> 01:14:30,920
Speaker 1: and it came out before this movie. So by the

1427
01:14:30,960 --> 01:14:34,560
Speaker 1: time this movie came out, he was a fucking superstar.

1428
01:14:35,560 --> 01:14:42,120
Speaker 1: And so imagine this hot guy playing a priest, and

1429
01:14:42,560 --> 01:14:46,559
Speaker 1: it's like minds are exploding everywhere. I mean, it's just

1430
01:14:46,680 --> 01:14:54,240
Speaker 1: like for me personally. Okay, he in this era, he's

1431
01:14:54,280 --> 01:14:58,000
Speaker 1: like in his mid twenties. He's like tall and lean,

1432
01:14:58,040 --> 01:15:02,880
Speaker 1: and he has these like hillowey beautiful lips his mouth

1433
01:15:02,920 --> 01:15:04,920
Speaker 1: and it's like this nose. He just looks like you

1434
01:15:04,920 --> 01:15:08,480
Speaker 1: got fucking box in the face. It's all like flattened

1435
01:15:08,479 --> 01:15:13,800
Speaker 1: by like a bare knuckle brawl. And I'm sorry, it

1436
01:15:13,920 --> 01:15:15,080
Speaker 1: is game over for me.

1437
01:15:15,479 --> 01:15:16,960
Speaker 2: Game over.

1438
01:15:18,439 --> 01:15:20,679
Speaker 1: I don't care. I mean, like you you can pull

1439
01:15:20,720 --> 01:15:22,960
Speaker 1: out all the hot priest movies you want, like you

1440
01:15:22,960 --> 01:15:25,439
Speaker 1: can talk about I Confess with Montgomery clips, like you

1441
01:15:25,439 --> 01:15:28,479
Speaker 1: can talk about any of that stuff. Andrew Scott great,

1442
01:15:28,720 --> 01:15:32,200
Speaker 1: great contender, but it ain't John paul In.

1443
01:15:33,479 --> 01:15:35,840
Speaker 3: And he's got those like sleepy eyes like that, like

1444
01:15:35,880 --> 01:15:37,439
Speaker 3: he's very dreamy.

1445
01:15:37,760 --> 01:15:39,800
Speaker 1: Don't even get me started. I mean, I won't tell

1446
01:15:39,840 --> 01:15:42,120
Speaker 1: the story. Maybe I'll tell it on a bonus, but

1447
01:15:42,160 --> 01:15:44,600
Speaker 1: I gotta tell you I actually met John Paul Beaumondo

1448
01:15:44,680 --> 01:15:47,760
Speaker 1: once before he died at the TCM Film Festival, and

1449
01:15:49,680 --> 01:15:51,840
Speaker 1: I don't this is too much of a story to

1450
01:15:51,880 --> 01:15:53,080
Speaker 1: tell right now, but I.

1451
01:15:52,880 --> 01:15:55,960
Speaker 2: Oh, we gotta take it to wondering plus folks.

1452
01:15:55,760 --> 01:15:58,960
Speaker 1: Yes, yes, I'm just I was very emotional. Let's just

1453
01:15:59,000 --> 01:16:02,360
Speaker 1: say that it was of embarrassing anyway, subscribe to want

1454
01:16:02,360 --> 01:16:07,880
Speaker 1: to replus to hear that story. But okay, so I

1455
01:16:07,880 --> 01:16:10,599
Speaker 1: gotta admit there's a lot going on in this film, right,

1456
01:16:10,720 --> 01:16:13,800
Speaker 1: But the heartbeat of it is that it's this like

1457
01:16:13,960 --> 01:16:17,640
Speaker 1: slice of life story narrated by this woman named Barney,

1458
01:16:18,200 --> 01:16:21,040
Speaker 1: and she is played by Emmanuel Riva, who was also

1459
01:16:21,120 --> 01:16:23,360
Speaker 1: a huge star of the French New Wave. She was

1460
01:16:24,160 --> 01:16:27,080
Speaker 1: you know in Hiroshial Moment and more like a lot

1461
01:16:27,080 --> 01:16:31,000
Speaker 1: of a lot of great films. And in Leon Moren.

1462
01:16:31,439 --> 01:16:35,000
Speaker 1: She is a widow and a single mother of a

1463
01:16:35,040 --> 01:16:38,960
Speaker 1: half Jewish child. She is living in a village in

1464
01:16:39,080 --> 01:16:43,120
Speaker 1: France during World War Two, during the occupation, as I mentioned,

1465
01:16:43,720 --> 01:16:50,559
Speaker 1: and Melville himself actually lived through the occupation and he

1466
01:16:50,680 --> 01:16:54,040
Speaker 1: joined the resistance and it informed a lot of his movies.

1467
01:16:54,080 --> 01:16:56,000
Speaker 1: So this was just one of the movies where he

1468
01:16:56,080 --> 01:17:01,720
Speaker 1: talked about, you know, life during this era, right. And

1469
01:17:01,800 --> 01:17:04,200
Speaker 1: the movie is kind of set up kind of in

1470
01:17:04,240 --> 01:17:08,599
Speaker 1: this way where you know, she's narrating it, and there's

1471
01:17:08,600 --> 01:17:10,880
Speaker 1: like kind of these little vignettes all throughout the film

1472
01:17:11,240 --> 01:17:13,400
Speaker 1: where it's showing kind of like what's going on in

1473
01:17:13,400 --> 01:17:17,280
Speaker 1: the village, and then also like Barney's interactions with people. Right, So,

1474
01:17:17,720 --> 01:17:21,400
Speaker 1: one moment, she's at work where she's essentially like an

1475
01:17:21,439 --> 01:17:25,920
Speaker 1: office worker for this like correspondence school, and normally she

1476
01:17:26,000 --> 01:17:28,519
Speaker 1: would be in Paris, but since the war happened, they're

1477
01:17:28,600 --> 01:17:31,400
Speaker 1: kind of stationed out in this like village out in

1478
01:17:31,479 --> 01:17:37,439
Speaker 1: the rural France, right, And you know, she's doing her

1479
01:17:37,520 --> 01:17:40,759
Speaker 1: part as a member of the resistance. She's helping people

1480
01:17:40,800 --> 01:17:45,320
Speaker 1: go into hiding. She's securing baptisms for the kids, like

1481
01:17:45,400 --> 01:17:47,760
Speaker 1: her daughter, but also these other kids so they're not

1482
01:17:47,960 --> 01:17:50,200
Speaker 1: going to be taken away by the Nazis. I mean,

1483
01:17:50,200 --> 01:17:53,760
Speaker 1: it's like a very big deal. And you know it's

1484
01:17:53,840 --> 01:17:55,280
Speaker 1: kind of set up in this way where you're just

1485
01:17:55,360 --> 01:17:58,000
Speaker 1: kind of showing like things that are happening all around her,

1486
01:17:58,040 --> 01:18:00,280
Speaker 1: and the vibe is that, you know, these are people

1487
01:18:00,280 --> 01:18:02,800
Speaker 1: who are just trying to get through the day. You know,

1488
01:18:03,040 --> 01:18:06,599
Speaker 1: war is obviously just like the central focus of their lives,

1489
01:18:06,680 --> 01:18:09,559
Speaker 1: and there's like bombs going off and like things happening,

1490
01:18:09,600 --> 01:18:13,679
Speaker 1: and like they're just trying to stay alive basically, right. Yeah, However,

1491
01:18:15,000 --> 01:18:18,519
Speaker 1: Barney very established very early in the film that Barney

1492
01:18:19,040 --> 01:18:23,120
Speaker 1: is somebody who has a kind of lightness to her

1493
01:18:23,240 --> 01:18:27,880
Speaker 1: in spite of like all this like chaos happening, and

1494
01:18:28,040 --> 01:18:32,400
Speaker 1: she's just kind of this like passionate romantic at heart,

1495
01:18:32,640 --> 01:18:37,680
Speaker 1: and you know, interestingly enough, has these kind of secret

1496
01:18:37,960 --> 01:18:42,519
Speaker 1: sexual desires that are kind of like simmering under the surface.

1497
01:18:42,680 --> 01:18:48,120
Speaker 1: Right and right really quickly in the movie, I have

1498
01:18:48,200 --> 01:18:52,800
Speaker 1: to say, she starts talking about this fascination that she

1499
01:18:52,840 --> 01:18:56,840
Speaker 1: has with this woman in her office name Sabine, which

1500
01:18:57,040 --> 01:19:00,720
Speaker 1: I don't have to tell you at over lesbian storyline

1501
01:19:00,720 --> 01:19:04,360
Speaker 1: in a sixties film, that's pretty fresh, I would say, right.

1502
01:19:04,400 --> 01:19:09,080
Speaker 3: Absolutely, I'll tell you we're gonna talk about that, you know.

1503
01:19:09,160 --> 01:19:11,240
Speaker 1: I mean, it's like that thing where even when I

1504
01:19:11,240 --> 01:19:13,280
Speaker 1: I've seen this movie so many times, but even when

1505
01:19:13,280 --> 01:19:16,680
Speaker 1: that happens, I'm like, yeah, wow, this is like and

1506
01:19:16,720 --> 01:19:20,200
Speaker 1: it's not like a coded thing. It is out there.

1507
01:19:20,320 --> 01:19:23,920
Speaker 1: We out oh with the storyline, right, her.

1508
01:19:23,360 --> 01:19:25,080
Speaker 3: Friend like she said that, she sits at the kitchen

1509
01:19:25,120 --> 01:19:26,920
Speaker 3: table and tells her friend about her, and her friend's like,

1510
01:19:26,960 --> 01:19:28,200
Speaker 3: so you want to have sex with her?

1511
01:19:28,240 --> 01:19:28,800
Speaker 2: And she's like.

1512
01:19:28,720 --> 01:19:30,640
Speaker 3: No, no, no, She's like, yeah, I'm pretty sure you

1513
01:19:30,680 --> 01:19:32,200
Speaker 3: want to have sex with her.

1514
01:19:33,160 --> 01:19:36,080
Speaker 1: And like and look the way her narration is describing

1515
01:19:36,080 --> 01:19:38,639
Speaker 1: this woman and she calls her like an Amazon woman,

1516
01:19:38,800 --> 01:19:41,559
Speaker 1: and like she's like there's like a moment where she

1517
01:19:41,680 --> 01:19:43,600
Speaker 1: comes over and it's kind of like leaning over the

1518
01:19:43,680 --> 01:19:45,479
Speaker 1: desk and is like helping her with something and her

1519
01:19:45,600 --> 01:19:48,320
Speaker 1: like breasts are touching her and she's like, oh my god,

1520
01:19:48,439 --> 01:19:50,960
Speaker 1: I feel in a charge and I'm like damn.

1521
01:19:52,840 --> 01:19:55,720
Speaker 3: And it's also it's very it's kind of striking that

1522
01:19:56,600 --> 01:19:58,799
Speaker 3: this storyline was very fresh at this point.

1523
01:19:58,560 --> 01:20:00,759
Speaker 2: And definitely strike that it happened.

1524
01:20:00,760 --> 01:20:03,519
Speaker 3: But also this office is filled with like the meanest,

1525
01:20:03,640 --> 01:20:08,599
Speaker 3: nastiest women Otherwise, like they are so fucking such pain

1526
01:20:08,680 --> 01:20:11,599
Speaker 3: in the fucking ass, and like, because it takes place

1527
01:20:11,680 --> 01:20:15,439
Speaker 3: during the occupation, brace yourself for some very unkind things

1528
01:20:15,439 --> 01:20:19,519
Speaker 3: to be said about various ethnicity. Yes, yes, but these

1529
01:20:19,520 --> 01:20:22,479
Speaker 3: women are fucking nightmares. So it's also like Sabine is

1530
01:20:22,520 --> 01:20:25,040
Speaker 3: kind of a port in the storm for her because

1531
01:20:25,040 --> 01:20:26,880
Speaker 3: she has to go to work with these monsters every.

1532
01:20:26,800 --> 01:20:29,599
Speaker 1: Day, I know, And like there's you know, there's obviously

1533
01:20:29,680 --> 01:20:32,320
Speaker 1: like certain people that are at different levels, like some

1534
01:20:32,400 --> 01:20:34,439
Speaker 1: are part of the resistance and other people are kind

1535
01:20:34,439 --> 01:20:38,519
Speaker 1: of like v she you know, they're kind of more

1536
01:20:40,000 --> 01:20:42,880
Speaker 1: outwardly racist. I guess that's kind of what I would say.

1537
01:20:42,960 --> 01:20:46,760
Speaker 1: And they're sort of collaborationists, I guess that's what they

1538
01:20:46,760 --> 01:20:50,280
Speaker 1: were called. And sometimes like she's co mingling with these

1539
01:20:50,320 --> 01:20:53,680
Speaker 1: people and she's just like, you know, here's what I

1540
01:20:53,680 --> 01:20:58,680
Speaker 1: think is it's really about. First of all, the reality

1541
01:20:58,840 --> 01:21:03,120
Speaker 1: is that Barney is a widow. Oh right. Everyone is

1542
01:21:03,160 --> 01:21:09,240
Speaker 1: in this like kind of austere wartime mode. Right. There's

1543
01:21:09,439 --> 01:21:16,000
Speaker 1: no men around at all because they're either fighting in

1544
01:21:16,040 --> 01:21:18,639
Speaker 1: the resistance or they've been sent to camps. I mean,

1545
01:21:18,680 --> 01:21:23,200
Speaker 1: that's the reality of this village. And the problem is

1546
01:21:23,200 --> 01:21:24,920
Speaker 1: is that there's just so much going on, and there's

1547
01:21:24,920 --> 01:21:27,880
Speaker 1: so many different types of people kind of commingling. There's

1548
01:21:28,080 --> 01:21:31,600
Speaker 1: people who are completely gone, and so it creates this

1549
01:21:31,720 --> 01:21:34,559
Speaker 1: like weird kind of social environment, and a lot of

1550
01:21:34,560 --> 01:21:36,800
Speaker 1: people are keeping things to themselves, but then a lot

1551
01:21:36,840 --> 01:21:39,760
Speaker 1: of people are like an interesting component to this movie

1552
01:21:39,760 --> 01:21:42,120
Speaker 1: for me is that there's like there are people who

1553
01:21:42,200 --> 01:21:45,160
Speaker 1: are kind of like it's not a black and white thing,

1554
01:21:45,240 --> 01:21:48,320
Speaker 1: like certain people who are bad and then will do

1555
01:21:48,360 --> 01:21:51,360
Speaker 1: a good thing, and then the opposite is true too.

1556
01:21:51,720 --> 01:21:54,920
Speaker 3: Right, Yeah, Like they're monsters that they'll hide someone or

1557
01:21:54,920 --> 01:21:57,439
Speaker 3: there's that one part where she was hiding a family

1558
01:21:58,000 --> 01:22:00,280
Speaker 3: and as she's sending them away, she's like, I hate you,

1559
01:22:00,560 --> 01:22:01,360
Speaker 3: but I would die.

1560
01:22:01,240 --> 01:22:02,920
Speaker 2: For you, you know, like damn.

1561
01:22:04,120 --> 01:22:07,799
Speaker 1: Yeah. And there are people who are clearly breaking laws

1562
01:22:07,840 --> 01:22:11,479
Speaker 1: and rules like to help people, uh, but then there

1563
01:22:11,479 --> 01:22:14,760
Speaker 1: are people who are like, you know, like her coworker

1564
01:22:14,920 --> 01:22:17,800
Speaker 1: who's really racist, who you know, ends up being like

1565
01:22:17,840 --> 01:22:19,920
Speaker 1: a friend to her in another way. And so it's

1566
01:22:19,960 --> 01:22:22,559
Speaker 1: just this thing where you know, that's part of this

1567
01:22:22,640 --> 01:22:24,960
Speaker 1: movie but also just a part of I think the

1568
01:22:24,960 --> 01:22:32,200
Speaker 1: reality of war and chaos, you know. So yeah, there

1569
01:22:32,320 --> 01:22:35,439
Speaker 1: so basically there are no men in this village, right.

1570
01:22:37,000 --> 01:22:40,320
Speaker 1: And here's the thing about Barney. So, as a good

1571
01:22:40,439 --> 01:22:46,240
Speaker 1: communist atheist shitster, she goes into a church one day

1572
01:22:46,320 --> 01:22:49,479
Speaker 1: and she essentially just wants to troll one of the prints.

1573
01:22:49,479 --> 01:22:52,200
Speaker 1: Like she's like, she's like, hey, listen, I'm gonna go

1574
01:22:52,200 --> 01:22:53,920
Speaker 1: into this church and I'm gonna fuck with one of

1575
01:22:53,960 --> 01:22:58,000
Speaker 1: the priests. And her friend's like okay. So she walks

1576
01:22:58,040 --> 01:23:00,360
Speaker 1: into this church and there, you know, she's like, it's

1577
01:23:00,439 --> 01:23:03,200
Speaker 1: confession and like so there's all these like different priests

1578
01:23:03,200 --> 01:23:05,280
Speaker 1: that are doing the confession and then she just picks

1579
01:23:05,320 --> 01:23:10,120
Speaker 1: one that she thinks has the most working class name. Yeah,

1580
01:23:10,160 --> 01:23:13,360
Speaker 1: and it happens to be this guy Leon Moren. Okay,

1581
01:23:14,240 --> 01:23:19,080
Speaker 1: so she goes into the confessional. Okay, here's the thing.

1582
01:23:19,960 --> 01:23:21,439
Speaker 1: I don't know. Like I said, we're living in a

1583
01:23:21,520 --> 01:23:26,679
Speaker 1: post fly bag world. Maybe people know what confessionals are now,

1584
01:23:26,800 --> 01:23:30,280
Speaker 1: I don't know. But for those of you who aren't

1585
01:23:30,280 --> 01:23:34,240
Speaker 1: Catholic or weren't raised Catholic and have no concept of

1586
01:23:34,240 --> 01:23:38,560
Speaker 1: what confession is, Okay, So it's basically this confessional is

1587
01:23:38,600 --> 01:23:42,880
Speaker 1: basically like a booth where you go into essentially darkness

1588
01:23:44,240 --> 01:23:46,599
Speaker 1: and you've got you sit down or you kneel down

1589
01:23:47,160 --> 01:23:51,200
Speaker 1: next to this like lattice window where sometimes it's not i'll.

1590
01:23:50,960 --> 01:23:52,160
Speaker 2: Tell you right now. Yeah.

1591
01:23:52,400 --> 01:23:55,439
Speaker 3: There they slide it open and it's like, what's up,

1592
01:23:55,479 --> 01:23:56,440
Speaker 3: Welcome to McDonald's.

1593
01:23:56,439 --> 01:23:58,400
Speaker 2: What's your fucking sins? And you're like, holy shit.

1594
01:23:58,800 --> 01:24:01,080
Speaker 1: Yeah. I once went to this church as a kid

1595
01:24:01,120 --> 01:24:03,799
Speaker 1: where they gave you the option to do it behind

1596
01:24:03,840 --> 01:24:06,040
Speaker 1: the thing, or you could come out and sit with

1597
01:24:06,080 --> 01:24:09,960
Speaker 1: the priest like in a living room. And I was like, uh,

1598
01:24:10,080 --> 01:24:11,960
Speaker 1: I'm twelve years old and I don't really don't want

1599
01:24:11,960 --> 01:24:13,519
Speaker 1: to sit in front of this guy like on a

1600
01:24:13,560 --> 01:24:14,479
Speaker 1: couch next to him.

1601
01:24:14,520 --> 01:24:20,639
Speaker 3: You gotta put me in that fucking box. I need

1602
01:24:20,680 --> 01:24:23,040
Speaker 3: to cover a darkness and talking about my fucking shit.

1603
01:24:23,160 --> 01:24:25,960
Speaker 2: I'm twelve. Shit is horrible right now, I know.

1604
01:24:26,240 --> 01:24:29,920
Speaker 1: And and I actually got coaxed into doing the face

1605
01:24:29,920 --> 01:24:31,640
Speaker 1: to face and I was just sitting there like I

1606
01:24:31,680 --> 01:24:33,920
Speaker 1: stole a dollar from my mom's purse and I don't

1607
01:24:33,960 --> 01:24:36,200
Speaker 1: know what to do. You know, I was like freaking out.

1608
01:24:37,680 --> 01:24:40,519
Speaker 1: So now you understand why Catholicism fucks people up.

1609
01:24:40,560 --> 01:24:40,960
Speaker 4: I hope you.

1610
01:24:41,000 --> 01:24:41,920
Speaker 2: I hope you guys get that.

1611
01:24:42,120 --> 01:24:45,840
Speaker 1: But so basically, yeah, you go into this this like

1612
01:24:45,960 --> 01:24:51,639
Speaker 1: little box and you basically just confess your darkest sins

1613
01:24:51,680 --> 01:24:55,080
Speaker 1: to somebody like a priest, and then he gives you

1614
01:24:55,200 --> 01:24:57,880
Speaker 1: like a penance. And I mean, I hope I'm not.

1615
01:24:58,240 --> 01:25:00,160
Speaker 1: I hope I'm not going to like kill people off

1616
01:25:00,160 --> 01:25:06,800
Speaker 1: with this statement. But is this situation slightly erotic? You bet?

1617
01:25:07,320 --> 01:25:11,040
Speaker 3: You're that fucking dark in a box confessing your sins

1618
01:25:11,080 --> 01:25:13,120
Speaker 3: to someone you're essentially calling daddy.

1619
01:25:13,760 --> 01:25:20,160
Speaker 1: Yes, absolutely, And so imagine going into this box and

1620
01:25:20,240 --> 01:25:24,000
Speaker 1: it's prime of his career. Jean Paul Belmondo in there.

1621
01:25:25,240 --> 01:25:30,360
Speaker 3: Okay, that box, that Confession box just became a Times

1622
01:25:30,360 --> 01:25:33,280
Speaker 3: Square quarter fucking sex booth.

1623
01:25:36,120 --> 01:25:38,960
Speaker 2: Like, ma'am, stop putting fucking franks in here.

1624
01:25:40,680 --> 01:25:42,799
Speaker 1: Well, I know we're fond of talking about glory holes

1625
01:25:42,840 --> 01:25:45,280
Speaker 1: on this podcast, and you know, somebody is pulling out

1626
01:25:45,320 --> 01:25:50,559
Speaker 1: their handsaw and they're like, let's go, Rod, I'm gonna

1627
01:25:50,600 --> 01:25:57,120
Speaker 1: do a side of the cross, just in case. So so,

1628
01:25:57,600 --> 01:25:59,519
Speaker 1: so Barney goes in this thing and she is like

1629
01:25:59,640 --> 01:26:02,479
Speaker 1: red to go. She's like the first thing's out of

1630
01:26:02,520 --> 01:26:05,360
Speaker 1: her mouth like God is dead, organize religion is stupid,

1631
01:26:05,760 --> 01:26:06,679
Speaker 1: and she's like.

1632
01:26:06,880 --> 01:26:08,160
Speaker 2: Got him right.

1633
01:26:08,880 --> 01:26:13,800
Speaker 1: But to her surprise, Father Moren's like, look I get

1634
01:26:13,840 --> 01:26:17,720
Speaker 1: it actually, like religion is getting too flashy and we

1635
01:26:17,760 --> 01:26:20,040
Speaker 1: need to go back to you know, the basics or whatever.

1636
01:26:20,120 --> 01:26:23,320
Speaker 1: And it's like she is dead in her tracks, Like

1637
01:26:23,400 --> 01:26:26,200
Speaker 1: she's like, oh, I came in here to like fuck

1638
01:26:26,240 --> 01:26:28,080
Speaker 1: with this guy, and now he's agreeing with me, and

1639
01:26:28,120 --> 01:26:30,000
Speaker 1: that is really weird and I don't know what to

1640
01:26:30,040 --> 01:26:35,360
Speaker 1: do now. So they have this very you know, spiritual

1641
01:26:35,479 --> 01:26:37,320
Speaker 1: like there's a lot of questions going back and forth,

1642
01:26:37,360 --> 01:26:40,400
Speaker 1: and it's the way it's shot. Don't even get me started.

1643
01:26:40,439 --> 01:26:42,840
Speaker 1: It's like they talk, there's like shots of them and

1644
01:26:42,880 --> 01:26:44,800
Speaker 1: where you can see the lattice. And there's other times

1645
01:26:44,800 --> 01:26:47,400
Speaker 1: where there's just like I guess Melville like shoots it

1646
01:26:47,439 --> 01:26:50,360
Speaker 1: in between them where you don't see the separation, and

1647
01:26:50,400 --> 01:26:52,600
Speaker 1: it's like they're talking to each other, like whispering to

1648
01:26:52,640 --> 01:26:56,200
Speaker 1: each other is like fucking five inches from each other's face.

1649
01:26:56,240 --> 01:27:01,719
Speaker 1: It's very very hot, I will say. But he's like, okay,

1650
01:27:02,320 --> 01:27:04,400
Speaker 1: come over, visit me in my office. I'll let you

1651
01:27:04,479 --> 01:27:07,120
Speaker 1: borrow some books about God. See you later, okay.

1652
01:27:07,360 --> 01:27:09,440
Speaker 2: So then Barney just starts.

1653
01:27:09,240 --> 01:27:11,960
Speaker 1: Visiting him every week and at his you know, his

1654
01:27:12,000 --> 01:27:15,680
Speaker 1: little little priest quarters or whatever, and they begin this

1655
01:27:15,960 --> 01:27:21,280
Speaker 1: like intellectual relationship essentially, and they're talking about religion and philosophy,

1656
01:27:21,439 --> 01:27:25,080
Speaker 1: and he's letting her bar more and more books and

1657
01:27:25,160 --> 01:27:27,800
Speaker 1: she goes home and reads them in one fucking night.

1658
01:27:28,640 --> 01:27:31,320
Speaker 1: And you don't got to be a rocket scientist to

1659
01:27:31,439 --> 01:27:33,920
Speaker 1: figure out what's going on here, okay. And this is

1660
01:27:33,960 --> 01:27:37,880
Speaker 1: the basis of this film. It's this Chase priest who

1661
01:27:37,960 --> 01:27:41,320
Speaker 1: has obviously taken a vow of celibacy, but he also

1662
01:27:41,400 --> 01:27:43,960
Speaker 1: happens to be hot as hell, and he's in a

1663
01:27:44,160 --> 01:27:48,799
Speaker 1: village full of single women, not a man.

1664
01:27:48,760 --> 01:27:50,920
Speaker 2: In sight, who is in a uniform.

1665
01:27:51,840 --> 01:27:54,920
Speaker 1: Yeah, and everybody is feeling some type of way because

1666
01:27:54,960 --> 01:27:57,839
Speaker 1: it's a war and there's just like so much chaos

1667
01:27:57,880 --> 01:28:00,320
Speaker 1: and everybody's trying to make meaning. And you got this

1668
01:28:00,360 --> 01:28:04,040
Speaker 1: hot priest who's just like, come over, come to my

1669
01:28:04,080 --> 01:28:05,840
Speaker 1: office and I'll let you bar some books.

1670
01:28:05,720 --> 01:28:07,719
Speaker 2: And to spend some time, spend some time.

1671
01:28:08,880 --> 01:28:13,200
Speaker 1: Like here's the thing. I mean, this is the situation,

1672
01:28:13,680 --> 01:28:16,280
Speaker 1: and I will be here to tell you. I think

1673
01:28:16,320 --> 01:28:20,000
Speaker 1: you might agree with me. Leon Morn is seducing Barney

1674
01:28:20,040 --> 01:28:21,640
Speaker 1: and these women absolutely.

1675
01:28:22,479 --> 01:28:24,240
Speaker 2: And this is the thing about the hot priest.

1676
01:28:24,280 --> 01:28:27,720
Speaker 3: The hot priest takes it to the goddamn edge, takes

1677
01:28:27,760 --> 01:28:30,519
Speaker 3: it to the limit, and then it is like, oh sorry,

1678
01:28:30,560 --> 01:28:32,479
Speaker 3: remember God, remember Jesus, I can't.

1679
01:28:32,960 --> 01:28:34,120
Speaker 2: He is a fuck boy.

1680
01:28:35,240 --> 01:28:41,160
Speaker 3: Listen, you know how I feel about a fuck boy.

1681
01:28:41,320 --> 01:28:43,080
Speaker 1: Do you know how many times I almost picked this

1682
01:28:43,120 --> 01:28:45,080
Speaker 1: movie for classic movie fuck Boys? Do you know how

1683
01:28:45,120 --> 01:28:45,839
Speaker 1: many times.

1684
01:28:45,880 --> 01:28:49,360
Speaker 3: Got because he is he is so like, I'm just

1685
01:28:49,400 --> 01:28:51,200
Speaker 3: gonna show up and be hot and talk to you

1686
01:28:51,200 --> 01:28:54,880
Speaker 3: and seduce you in my bleak ass austere quarters with

1687
01:28:54,960 --> 01:28:56,800
Speaker 3: like a bed and a.

1688
01:28:56,720 --> 01:28:59,639
Speaker 2: Fucking mirror, and across.

1689
01:29:00,560 --> 01:29:02,439
Speaker 3: There's like a chair to sit in, so I have

1690
01:29:02,479 --> 01:29:06,360
Speaker 3: to pace around you like a fucking panther. Listen, he

1691
01:29:06,439 --> 01:29:09,080
Speaker 3: knows exactly what he's fucking doing. He is a he's

1692
01:29:09,080 --> 01:29:11,120
Speaker 3: a fuck boy who doesn't fuck. These are fuck movies

1693
01:29:11,200 --> 01:29:13,320
Speaker 3: or nobody fucks. He's a fuck boy who doesn't fuck.

1694
01:29:13,600 --> 01:29:17,800
Speaker 1: One hundred percent facts. And because I gotta tell you,

1695
01:29:19,160 --> 01:29:23,080
Speaker 1: letting somebody borrow your books is a sexual act. Do

1696
01:29:23,240 --> 01:29:26,400
Speaker 1: not get twisted. Okay, thank you. He's acted like he

1697
01:29:26,439 --> 01:29:32,080
Speaker 1: doesn't fuck. But the but this, this whole game is

1698
01:29:32,160 --> 01:29:37,160
Speaker 1: a dance. It's a seductive dance. And this is like,

1699
01:29:37,200 --> 01:29:40,840
Speaker 1: I think, part of the movie that really is frustrating

1700
01:29:40,960 --> 01:29:44,280
Speaker 1: because you want him to know that, and there's a

1701
01:29:44,320 --> 01:29:47,720
Speaker 1: part of me that thinks he does know that, like

1702
01:29:47,760 --> 01:29:50,320
Speaker 1: he knows it and he doesn't give a shit, and

1703
01:29:50,360 --> 01:29:54,320
Speaker 1: this is his way of expressing whatever it is within him,

1704
01:29:54,800 --> 01:29:58,920
Speaker 1: his passions, his desires, and he's and he's doing it

1705
01:29:58,960 --> 01:30:01,720
Speaker 1: in this way that's like fucked.

1706
01:30:01,479 --> 01:30:04,080
Speaker 2: Up, you know what I mean. I think you have.

1707
01:30:04,000 --> 01:30:06,280
Speaker 3: To approach this movie if you've seen it, if you've

1708
01:30:06,280 --> 01:30:09,120
Speaker 3: seen it at least once, the next time you watch it,

1709
01:30:09,160 --> 01:30:11,800
Speaker 3: you have to approach it as he knows exactly what

1710
01:30:11,880 --> 01:30:15,360
Speaker 3: he's doing, and it kind of it kind of changes

1711
01:30:15,400 --> 01:30:16,840
Speaker 3: the game, Yeah, a little bit.

1712
01:30:17,520 --> 01:30:21,360
Speaker 1: It does, because here's the thing. This guy runs hot

1713
01:30:21,400 --> 01:30:25,559
Speaker 1: and cold all the time all the time, where I'm like,

1714
01:30:25,880 --> 01:30:29,680
Speaker 1: that's that's fuck boys, shit, let's get serious. There are

1715
01:30:29,680 --> 01:30:33,040
Speaker 1: moments of this movie, okay where he actually, like Leon

1716
01:30:33,120 --> 01:30:38,240
Speaker 1: Moren Father Morene, He's like touching Barney in these weird ways,

1717
01:30:38,280 --> 01:30:40,439
Speaker 1: like he puts his hands on her shoulders or like

1718
01:30:40,439 --> 01:30:43,320
Speaker 1: he pushes her out of the way, and it's just like,

1719
01:30:43,720 --> 01:30:47,360
Speaker 1: for me, when I see those scenes, I think it's

1720
01:30:47,400 --> 01:30:51,439
Speaker 1: just his way of saying, I'm here physically right, Like

1721
01:30:51,520 --> 01:30:55,760
Speaker 1: I can't obviously show feelings of love or affection towards you,

1722
01:30:55,960 --> 01:30:58,920
Speaker 1: but I gotta touch you in some way, and if

1723
01:30:58,960 --> 01:31:00,760
Speaker 1: it means that, I'm just gonna do it, like in

1724
01:31:00,800 --> 01:31:05,439
Speaker 1: this really kind of random, fucked up way. It just

1725
01:31:05,520 --> 01:31:08,040
Speaker 1: is so loaded, and in her mind, she's like he

1726
01:31:08,479 --> 01:31:12,920
Speaker 1: touched me, and it is making her lose her goddamn mind,

1727
01:31:13,360 --> 01:31:17,120
Speaker 1: like slowly over the course of this film. I gotta

1728
01:31:17,120 --> 01:31:18,840
Speaker 1: talk about this. I gotta talk about the scene. This

1729
01:31:18,880 --> 01:31:23,320
Speaker 1: is insane. There's like two really insane scenes for me.

1730
01:31:24,800 --> 01:31:28,240
Speaker 1: So there's a scene where she goes to return his books,

1731
01:31:28,439 --> 01:31:31,840
Speaker 1: like she's always returning books, and he kind of shoves

1732
01:31:31,840 --> 01:31:33,559
Speaker 1: her out of the way with his hand when she

1733
01:31:33,600 --> 01:31:36,960
Speaker 1: walks into his place. Okay. Then he comes out and

1734
01:31:37,000 --> 01:31:38,920
Speaker 1: brings her a pair and he's like, I saved you

1735
01:31:39,000 --> 01:31:43,639
Speaker 1: this pair, and she turns it down. Okay. I don't

1736
01:31:43,640 --> 01:31:46,000
Speaker 1: know what that means. I think maybe she's just like

1737
01:31:46,080 --> 01:31:48,439
Speaker 1: not into pairs, but it could be like an other thing.

1738
01:31:48,479 --> 01:31:51,960
Speaker 1: I don't know, but she turns it down okay. And

1739
01:31:51,960 --> 01:31:53,920
Speaker 1: then he gets like kind of put out by that,

1740
01:31:54,640 --> 01:31:56,880
Speaker 1: and then she kind of shifts it into this mode

1741
01:31:56,920 --> 01:31:59,400
Speaker 1: of like, well, I gotta ask you, like, do you

1742
01:31:59,400 --> 01:32:05,240
Speaker 1: ever think of me ever? And then he tells her Noah, don't. Also,

1743
01:32:05,400 --> 01:32:07,559
Speaker 1: you need to paint your toenails and get a husband.

1744
01:32:10,720 --> 01:32:14,720
Speaker 1: And then, in that moment of where she's feeling rejection

1745
01:32:14,960 --> 01:32:17,639
Speaker 1: and it's probably like going, what the fuck is going on,

1746
01:32:18,439 --> 01:32:21,400
Speaker 1: she says, no, I don't need a husband because I

1747
01:32:21,479 --> 01:32:26,280
Speaker 1: jerk off with a stick, which I have many questions

1748
01:32:26,320 --> 01:32:26,720
Speaker 1: about that.

1749
01:32:26,880 --> 01:32:30,160
Speaker 3: I just gotta say, goes out in the fucking yard

1750
01:32:30,240 --> 01:32:31,800
Speaker 3: and just like cracks a branch, Like.

1751
01:32:31,760 --> 01:32:33,120
Speaker 2: What's happening with the stick?

1752
01:32:34,280 --> 01:32:39,599
Speaker 1: I'm quite unclear about how this happens. And then he's

1753
01:32:39,720 --> 01:32:43,479
Speaker 1: like like shook for a moment, but then that's it.

1754
01:32:43,560 --> 01:32:46,040
Speaker 1: Like they're basically like, yo, we got into our first fight.

1755
01:32:46,120 --> 01:32:48,920
Speaker 1: It was weird as shit, and we gotta go. But

1756
01:32:49,040 --> 01:32:51,760
Speaker 1: it's like at this moment, it's just that she couldn't,

1757
01:32:52,200 --> 01:32:56,120
Speaker 1: she couldn't help herself. Like she's just like, I can't, I.

1758
01:32:56,080 --> 01:32:57,400
Speaker 2: Can't sit in this anymore.

1759
01:32:57,960 --> 01:33:03,719
Speaker 1: And then in spite of this awkward, very deeply awkward conversation, okay,

1760
01:33:04,200 --> 01:33:06,280
Speaker 1: he starts coming around again. He's just like coming to

1761
01:33:06,320 --> 01:33:09,080
Speaker 1: her house. He's like hanging out with her daughter, and

1762
01:33:09,160 --> 01:33:12,960
Speaker 1: like one day again she's just like, would you marry

1763
01:33:13,000 --> 01:33:14,479
Speaker 1: me if you weren't a priest? And he's like, I

1764
01:33:14,520 --> 01:33:19,720
Speaker 1: gotta go, Like he shuts it down, but he's provoking her, right,

1765
01:33:19,840 --> 01:33:21,040
Speaker 1: he's provoking her.

1766
01:33:25,360 --> 01:33:27,679
Speaker 2: He totally I gotta go.

1767
01:33:28,120 --> 01:33:32,280
Speaker 1: And listen, this is the absolute cherry on top. This

1768
01:33:32,360 --> 01:33:34,200
Speaker 1: is the fucking cherry on top of this shit.

1769
01:33:34,320 --> 01:33:34,680
Speaker 2: So, like.

1770
01:33:36,640 --> 01:33:40,639
Speaker 1: He don't come back for a long time, and then

1771
01:33:42,240 --> 01:33:45,640
Speaker 1: one day, out of the blue, he comes back to

1772
01:33:45,840 --> 01:33:48,639
Speaker 1: her house. So he starts coming to her house okay,

1773
01:33:49,560 --> 01:33:52,560
Speaker 1: and they have their intellectual sparring, which he loves. That

1774
01:33:52,640 --> 01:33:54,680
Speaker 1: gives them the greatest pleasure in the world to like

1775
01:33:54,760 --> 01:33:57,280
Speaker 1: talk his shit with all these women who think he's

1776
01:33:57,280 --> 01:34:00,840
Speaker 1: so smart and interesting. Okay, And maybe that's a little

1777
01:34:00,840 --> 01:34:03,000
Speaker 1: bit of me projecting. I don't I don't know, but

1778
01:34:03,040 --> 01:34:05,680
Speaker 1: in that moment, I was like, he's coming back for

1779
01:34:05,800 --> 01:34:08,840
Speaker 1: more because he can't help it. This is his way

1780
01:34:08,520 --> 01:34:13,760
Speaker 1: of having sex is talking about religion with people, right,

1781
01:34:14,439 --> 01:34:19,000
Speaker 1: and Barney is just short circuits. And she tries to

1782
01:34:19,040 --> 01:34:21,639
Speaker 1: make a legit move on him and he jumps up,

1783
01:34:21,720 --> 01:34:23,840
Speaker 1: like he jumps off as if like the worst thing

1784
01:34:23,840 --> 01:34:27,479
Speaker 1: in the world happened, and he's so angry, and then

1785
01:34:27,760 --> 01:34:31,920
Speaker 1: he's like, guess what you're gonna have to confess that sin?

1786
01:34:32,520 --> 01:34:35,720
Speaker 1: And guess what you're gonna have to do it with me,

1787
01:34:36,920 --> 01:34:38,800
Speaker 1: Like you're gonna have to get that professional, and you're

1788
01:34:38,800 --> 01:34:41,320
Speaker 1: gonna have to tell me that you try to fuck

1789
01:34:41,360 --> 01:34:47,040
Speaker 1: a priest. And she does it, and I'm just like,

1790
01:34:47,520 --> 01:34:51,360
Speaker 1: this is blowing my mind, Like I can't even imagine this, right,

1791
01:34:51,520 --> 01:34:52,000
Speaker 1: And if you.

1792
01:34:52,040 --> 01:34:54,280
Speaker 3: Look back at when she first went to this church

1793
01:34:54,320 --> 01:34:57,599
Speaker 3: and you look at their board, there's like nineteen priests there. Yes,

1794
01:34:58,720 --> 01:35:01,120
Speaker 3: if she was truly going to be made to confess

1795
01:35:01,160 --> 01:35:05,160
Speaker 3: what she isn't like punished to do because she's not

1796
01:35:05,439 --> 01:35:09,960
Speaker 3: actually religious, right then she could do it with any

1797
01:35:09,960 --> 01:35:11,960
Speaker 3: one of the other priests. But he's like, you know what,

1798
01:35:12,479 --> 01:35:14,760
Speaker 3: this will get me off to fucking make you feel

1799
01:35:14,760 --> 01:35:17,000
Speaker 3: like shit, Yep, let's do it.

1800
01:35:18,120 --> 01:35:21,480
Speaker 1: I mean this priest. I mean to say, the least

1801
01:35:21,920 --> 01:35:26,840
Speaker 1: this priest is trying it, will try it. His words

1802
01:35:26,960 --> 01:35:29,639
Speaker 1: are how he fucks. And honestly, you just gotta stay

1803
01:35:29,680 --> 01:35:31,960
Speaker 1: out of the way if you don't want your head

1804
01:35:31,960 --> 01:35:33,640
Speaker 1: to explode from the fact that you're never gonna be

1805
01:35:33,680 --> 01:35:35,240
Speaker 1: able to sleep with this guy.

1806
01:35:35,280 --> 01:35:38,080
Speaker 2: Period. That's just the way it goes.

1807
01:35:38,640 --> 01:35:40,240
Speaker 1: And I mean, listen, I'm not gonna give away the

1808
01:35:40,320 --> 01:35:44,920
Speaker 1: last scene of the film. Okay, I wouldn't dare because

1809
01:35:45,000 --> 01:35:47,920
Speaker 1: it like, to me, the last scene in this film

1810
01:35:48,160 --> 01:35:51,840
Speaker 1: is like my top five most I'm destroyed and I

1811
01:35:51,880 --> 01:35:56,160
Speaker 1: can't function for the rest of the night. Last scenes ever,

1812
01:35:56,280 --> 01:35:58,800
Speaker 1: Like I just I remember the first time I saw

1813
01:35:58,840 --> 01:36:03,120
Speaker 1: this movie, I was like, I gotta go sit like alone,

1814
01:36:03,240 --> 01:36:05,519
Speaker 1: like I gotta go be by myself, thrust in the

1815
01:36:05,640 --> 01:36:10,519
Speaker 1: night because this was too much. Right, But I'm gonna

1816
01:36:10,560 --> 01:36:12,960
Speaker 1: tell you right now, in the last seed of this film,

1817
01:36:13,720 --> 01:36:17,760
Speaker 1: I'm pretty sure Jean Pierre Melville was like, Okay, how

1818
01:36:17,760 --> 01:36:22,160
Speaker 1: can I make this guy as hot as possible in

1819
01:36:22,240 --> 01:36:27,960
Speaker 1: this frame? Like how can we do this just as

1820
01:36:28,000 --> 01:36:31,000
Speaker 1: a big fuck you at the end of the film,

1821
01:36:31,040 --> 01:36:33,720
Speaker 1: like we're gonna make Jean Paul Belmondo come out from

1822
01:36:33,720 --> 01:36:36,880
Speaker 1: behind this fucking closet that he's nailing a wall of

1823
01:36:37,080 --> 01:36:40,240
Speaker 1: nail into, and he's gonna come out and he's gonna

1824
01:36:40,240 --> 01:36:42,240
Speaker 1: be the hottest you've ever seen him. And he's gonna

1825
01:36:42,240 --> 01:36:45,519
Speaker 1: be like undoing the fucking collar of his coat, and

1826
01:36:45,560 --> 01:36:48,160
Speaker 1: that's just gonna be how we're going out, and then

1827
01:36:48,160 --> 01:36:54,200
Speaker 1: we're done. It's crazy, people, It's crazy, and.

1828
01:36:54,120 --> 01:36:56,479
Speaker 2: It's a cruelty. The whole movie is a cruelty. And

1829
01:36:56,520 --> 01:36:58,400
Speaker 2: it's like, I don't blame Barney at all.

1830
01:36:58,520 --> 01:37:02,479
Speaker 3: I have so many questions that I don't blamer She's look, look,

1831
01:37:02,479 --> 01:37:04,760
Speaker 3: I'm hard up for conversation, I'm hard up for sex,

1832
01:37:04,800 --> 01:37:08,639
Speaker 3: I'm hard up in general for everything, and you're fulfilling

1833
01:37:08,640 --> 01:37:10,719
Speaker 3: this for me and he has just jerking her around.

1834
01:37:11,320 --> 01:37:13,120
Speaker 3: And the thing that really gets me about him is

1835
01:37:13,160 --> 01:37:16,320
Speaker 3: his like pretending to not enjoy it when you're like, you.

1836
01:37:16,240 --> 01:37:20,200
Speaker 2: Wouldn't keep doing it if you didn't enjoy it. Fuck boy.

1837
01:37:20,320 --> 01:37:24,360
Speaker 1: Yeah, and like, there's this great article about this movie

1838
01:37:25,240 --> 01:37:29,400
Speaker 1: on the Criterion website. It was it's called Life during

1839
01:37:29,439 --> 01:37:32,400
Speaker 1: Wartime and it was written by a writer named Gary Indiana,

1840
01:37:32,479 --> 01:37:35,559
Speaker 1: which I think is kind of a cool name. But

1841
01:37:35,560 --> 01:37:39,880
Speaker 1: but in this article, it talks about the concept of

1842
01:37:40,439 --> 01:37:45,160
Speaker 1: this this priest, this Leon Morin. Like, you know, he's

1843
01:37:45,200 --> 01:37:48,960
Speaker 1: only probably in his early twenties, mid twenties. He's probably

1844
01:37:49,000 --> 01:37:52,120
Speaker 1: been in seminary school or whatever since he was a child,

1845
01:37:52,520 --> 01:37:54,400
Speaker 1: and in a lot of ways he just doesn't have

1846
01:37:54,840 --> 01:37:58,080
Speaker 1: like I don't think he really knows like how to

1847
01:37:58,160 --> 01:38:00,800
Speaker 1: be with women or how to be how to have

1848
01:38:00,840 --> 01:38:05,120
Speaker 1: that like, you know, the priest thing, but also be

1849
01:38:06,200 --> 01:38:08,479
Speaker 1: you know, sort of like a man or something.

1850
01:38:08,479 --> 01:38:08,640
Speaker 3: You know.

1851
01:38:08,680 --> 01:38:09,760
Speaker 1: I don't know if that's the way.

1852
01:38:09,800 --> 01:38:12,200
Speaker 2: He hasn't grown up yet quite right.

1853
01:38:12,439 --> 01:38:15,639
Speaker 1: Exactly, he hasn't grown up, and he doesn't know how

1854
01:38:15,680 --> 01:38:18,880
Speaker 1: to truly be like respectful or something. But anyway, it's

1855
01:38:19,240 --> 01:38:20,960
Speaker 1: we might cut that because I don't even actually know

1856
01:38:21,120 --> 01:38:24,160
Speaker 1: that's what he was saying, but or if it's just

1857
01:38:24,200 --> 01:38:26,320
Speaker 1: my interpretation. But no, I really do think you should

1858
01:38:26,320 --> 01:38:29,280
Speaker 1: read the article because it reveals a lot. It definitely

1859
01:38:29,320 --> 01:38:33,360
Speaker 1: talks about how Melville was like, I am making a

1860
01:38:33,400 --> 01:38:37,360
Speaker 1: movie about a priest who was hot as hell and

1861
01:38:37,400 --> 01:38:39,599
Speaker 1: everybody falls in love with him and he doesn't fuck

1862
01:38:39,640 --> 01:38:41,600
Speaker 1: them Like He's basically like, this is what this is

1863
01:38:41,640 --> 01:38:45,240
Speaker 1: the movie I set out to make. And for that,

1864
01:38:45,240 --> 01:38:47,080
Speaker 1: that's why I was like, for this theme it is,

1865
01:38:47,120 --> 01:38:50,440
Speaker 1: there couldn't be another There could not be a mission accomplished.

1866
01:38:50,840 --> 01:38:55,760
Speaker 3: Yeah, Melville, mission fucking accomplished. It's a great movie though,

1867
01:38:55,760 --> 01:38:58,479
Speaker 3: Like it's really it's a heavy one, but it's really

1868
01:38:58,520 --> 01:39:02,400
Speaker 3: great and full and weird, and I just I really

1869
01:39:02,640 --> 01:39:04,360
Speaker 3: I love it and ahead of its time in so

1870
01:39:04,400 --> 01:39:07,920
Speaker 3: many ways. And I do want to talk about one

1871
01:39:08,120 --> 01:39:12,720
Speaker 3: scene that is such a throwaway scene, but every time

1872
01:39:12,760 --> 01:39:14,879
Speaker 3: I see it, I'm like, oh, like it makes me cringe.

1873
01:39:16,080 --> 01:39:20,720
Speaker 3: What the fuck is going on with Gunther the goddamn

1874
01:39:20,920 --> 01:39:25,280
Speaker 3: soldier given her little girl bracelets and hugging her and

1875
01:39:25,320 --> 01:39:27,040
Speaker 3: making her sing songs that are like.

1876
01:39:27,000 --> 01:39:31,800
Speaker 2: I love you so much? Yeah, so fuck is going

1877
01:39:31,840 --> 01:39:32,760
Speaker 2: on there?

1878
01:39:33,960 --> 01:39:37,880
Speaker 1: It's this moment where I feel like I feel like

1879
01:39:37,920 --> 01:39:41,360
Speaker 1: it was in an effort to kind of show that,

1880
01:39:41,560 --> 01:39:45,759
Speaker 1: like you know that the idea that like good people

1881
01:39:45,760 --> 01:39:47,640
Speaker 1: can do bad things and bad people can do good

1882
01:39:47,680 --> 01:39:50,280
Speaker 1: things and it's kind of that like Frankenstein moment where

1883
01:39:50,280 --> 01:39:53,519
Speaker 1: he gives I'm sorry, Frankenstein, I guess on your moment

1884
01:39:53,960 --> 01:39:55,760
Speaker 1: where he gives the little girl a flower. And it's

1885
01:39:55,760 --> 01:39:57,559
Speaker 1: just kind of supposed to be this like gentle like,

1886
01:39:57,600 --> 01:40:00,960
Speaker 1: look at this Nazi being so tender, but then it's

1887
01:40:00,960 --> 01:40:03,679
Speaker 1: also this weird like, well, how long have they been

1888
01:40:03,720 --> 01:40:07,519
Speaker 1: hanging out? And like it feels huge, slightly romantic, and

1889
01:40:07,600 --> 01:40:09,560
Speaker 1: that should not happen obviously.

1890
01:40:10,080 --> 01:40:12,719
Speaker 3: That's what makes me uncomfortable, Like this kid is like five,

1891
01:40:14,439 --> 01:40:16,240
Speaker 3: why are you hanging out with this Why are you

1892
01:40:16,320 --> 01:40:17,679
Speaker 3: hanging out with this kid at all?

1893
01:40:18,080 --> 01:40:19,240
Speaker 2: Why do you know her name?

1894
01:40:19,680 --> 01:40:23,040
Speaker 1: I was literally waiting for him to say, you remind

1895
01:40:23,040 --> 01:40:25,800
Speaker 1: me so much of my daughter back at home. That

1896
01:40:25,840 --> 01:40:26,559
Speaker 1: never happened.

1897
01:40:26,800 --> 01:40:27,360
Speaker 4: Never happened.

1898
01:40:27,520 --> 01:40:30,960
Speaker 2: There's no relief. You're just left with this weird Nazi

1899
01:40:31,960 --> 01:40:34,679
Speaker 2: seducing a girl. Like it's just like what is going

1900
01:40:34,720 --> 01:40:35,280
Speaker 2: on here?

1901
01:40:35,800 --> 01:40:39,000
Speaker 3: It made Nazis look awful, thankful, like just as bad

1902
01:40:39,040 --> 01:40:40,160
Speaker 3: as they are in general.

1903
01:40:40,360 --> 01:40:42,559
Speaker 1: Yeah yeah, and then she comes in it's like I

1904
01:40:42,600 --> 01:40:45,120
Speaker 1: love him, I love him, but I'm like, wow, yeah,

1905
01:40:45,120 --> 01:40:48,920
Speaker 1: because he gave you some bling. This girl's blinged out

1906
01:40:49,200 --> 01:40:54,480
Speaker 1: from this fucking weird Nazi that she met in the field.

1907
01:40:54,840 --> 01:40:56,040
Speaker 2: I love this kid in general.

1908
01:40:56,080 --> 01:40:58,280
Speaker 3: There's this other scene where she comes home and she's like, well,

1909
01:40:58,360 --> 01:41:02,040
Speaker 3: I've learned everything, and her mom's like what She's like,

1910
01:41:02,520 --> 01:41:05,080
Speaker 3: some priests came to school today or I went to

1911
01:41:05,120 --> 01:41:08,479
Speaker 3: fucking Catechism and I learned everything. I know how exactly

1912
01:41:08,479 --> 01:41:10,719
Speaker 3: how we were made and I'm good peace.

1913
01:41:11,200 --> 01:41:13,840
Speaker 1: Yeah. Her daughter's name is France, which I think is

1914
01:41:13,840 --> 01:41:16,360
Speaker 1: so cute, but like she is really really great, like

1915
01:41:16,760 --> 01:41:19,479
Speaker 1: the whoever the actresses that plays her, but she's she's awesome.

1916
01:41:19,479 --> 01:41:22,559
Speaker 1: And that's another part of it too, where Leon Moran

1917
01:41:22,720 --> 01:41:26,440
Speaker 1: comes to their house and is like being very fatherly

1918
01:41:26,760 --> 01:41:30,360
Speaker 1: and towards the daughter. I mean, it's just like it's

1919
01:41:30,400 --> 01:41:34,439
Speaker 1: like a tetris of like desire that keeps building and

1920
01:41:34,479 --> 01:41:38,200
Speaker 1: building and building, and then she just can't take it anymore.

1921
01:41:38,280 --> 01:41:40,280
Speaker 1: And it's just that's when the movie, like, oh, the

1922
01:41:40,320 --> 01:41:45,000
Speaker 1: all hell breaks loose moment is after this just can't

1923
01:41:45,120 --> 01:41:47,960
Speaker 1: sustain itself, like he's too hot and he's flirting with

1924
01:41:48,000 --> 01:41:51,360
Speaker 1: me too much and this is too cozy. I have

1925
01:41:51,439 --> 01:41:54,080
Speaker 1: to figure this out and oh.

1926
01:41:53,880 --> 01:41:57,080
Speaker 3: My god, oh good, she's Yeah, she needs to spend

1927
01:41:57,120 --> 01:41:58,760
Speaker 3: more time at home making sure her kid is not

1928
01:41:58,880 --> 01:42:06,240
Speaker 3: being romance by a fucking soldier, Like if she needs

1929
01:42:06,240 --> 01:42:08,680
Speaker 3: a place for that energy, like just hang out with

1930
01:42:08,720 --> 01:42:10,439
Speaker 3: your kid for a minute. Stop sending her out to

1931
01:42:10,439 --> 01:42:12,639
Speaker 3: the goddamn country, even though I know that was how

1932
01:42:12,880 --> 01:42:15,400
Speaker 3: in an effort to keep her safe, right, Like, just

1933
01:42:15,479 --> 01:42:17,760
Speaker 3: maybe just chat with her see what her life is

1934
01:42:17,800 --> 01:42:19,320
Speaker 3: like in this moment, because it is weird.

1935
01:42:20,560 --> 01:42:22,639
Speaker 2: You think you're going through some weird shit with this priest.

1936
01:42:22,680 --> 01:42:24,599
Speaker 2: That kid is going through some weird shit too.

1937
01:42:27,160 --> 01:42:29,719
Speaker 1: Oh shit, because like I live with this two.

1938
01:42:29,560 --> 01:42:33,479
Speaker 3: Spinsters, Like I left this one family on this one farm,

1939
01:42:34,160 --> 01:42:37,000
Speaker 3: went home for a minute. The friend did a fucking soldier,

1940
01:42:37,200 --> 01:42:39,760
Speaker 3: Nazi soldier, and now I live with these two old

1941
01:42:39,800 --> 01:42:41,599
Speaker 3: ladies who talk about their hair all the time.

1942
01:42:42,520 --> 01:42:46,040
Speaker 1: There's also another part too, which again I understand, like

1943
01:42:46,600 --> 01:42:51,160
Speaker 1: the the idea of, you know, in war time, not

1944
01:42:51,320 --> 01:42:54,000
Speaker 1: being able to get certain foods. But there's this time

1945
01:42:54,040 --> 01:42:56,120
Speaker 1: where Barney goes to her friend's house and her friend's like,

1946
01:42:56,120 --> 01:43:00,160
Speaker 1: I got you pressent. It's lard, and she's like lord,

1947
01:43:00,200 --> 01:43:05,800
Speaker 1: and she just starts gnawing on lard's like damn.

1948
01:43:06,439 --> 01:43:09,040
Speaker 2: She's if I can truck it on her bike.

1949
01:43:09,280 --> 01:43:11,760
Speaker 1: We're gonna get all the lard eaters on our ass.

1950
01:43:11,760 --> 01:43:13,880
Speaker 1: They're gonna be like, what's wrong with that? What's wrong

1951
01:43:13,920 --> 01:43:15,679
Speaker 1: with eating straight up lard on a bike.

1952
01:43:16,280 --> 01:43:18,320
Speaker 2: It's called the Keto diet. Look into it.

1953
01:43:20,720 --> 01:43:23,240
Speaker 3: Why can't I hop on this fucking rickety ass bike

1954
01:43:23,520 --> 01:43:27,200
Speaker 3: and peddle down a lane eat and a stick of lard?

1955
01:43:28,040 --> 01:43:31,360
Speaker 2: As if that's not disconcerting enough. A stick of lard,

1956
01:43:31,439 --> 01:43:33,800
Speaker 2: not even like a tub or a cane.

1957
01:43:34,680 --> 01:43:37,960
Speaker 1: It's like she bought an entire package of bacon from

1958
01:43:38,040 --> 01:43:40,639
Speaker 1: the grocery store, ripped it open, and then there's no bacon,

1959
01:43:40,680 --> 01:43:44,040
Speaker 1: it's just the fat. And she's like, yeah, I mean,

1960
01:43:44,320 --> 01:43:49,720
Speaker 1: like I said, French people they love their fats. This

1961
01:43:49,880 --> 01:43:53,680
Speaker 1: is a a war torn era. People love food, they

1962
01:43:53,720 --> 01:43:56,479
Speaker 1: need food. But for my in my eyes, I was like,

1963
01:43:56,520 --> 01:43:59,760
Speaker 1: I could never eat lard. But that's fine, not like.

1964
01:43:59,760 --> 01:44:01,720
Speaker 3: That, not on a fucking bike, out of it like

1965
01:44:01,760 --> 01:44:03,440
Speaker 3: a bag yet, Like I'm.

1966
01:44:03,160 --> 01:44:05,959
Speaker 2: Not eating lard like a bag yet as never happening.

1967
01:44:06,280 --> 01:44:08,280
Speaker 3: You might throw it in a recipe, but I'm never

1968
01:44:08,400 --> 01:44:11,599
Speaker 3: just straight up like, let me unpack this butcher's cut

1969
01:44:11,640 --> 01:44:16,040
Speaker 3: of lard and sh shove it down my fucking throat

1970
01:44:17,600 --> 01:44:20,639
Speaker 3: while I'm fantasizing about a priest. This town needs less

1971
01:44:20,680 --> 01:44:22,280
Speaker 3: priests and more therapists.

1972
01:44:23,280 --> 01:44:26,200
Speaker 1: That's like every town for the history, from our history,

1973
01:44:26,240 --> 01:44:29,880
Speaker 1: everybody there is a less priest, more therapists, and for

1974
01:44:30,000 --> 01:44:32,840
Speaker 1: as a as a movie for this theme, like it's

1975
01:44:32,880 --> 01:44:35,720
Speaker 1: perfect for me. I. I actually was, like I said,

1976
01:44:35,720 --> 01:44:39,720
Speaker 1: I've been trying to shoehorn in this movie for fucking years. Like,

1977
01:44:39,920 --> 01:44:42,960
Speaker 1: I'm like, where do we It's like, what am I like?

1978
01:44:43,000 --> 01:44:44,880
Speaker 1: I've been wanting to talk about it for so long

1979
01:44:45,360 --> 01:44:46,200
Speaker 1: with someone.

1980
01:44:46,680 --> 01:44:50,040
Speaker 2: On the list, since we genuinely started the podcast.

1981
01:44:50,520 --> 01:44:53,200
Speaker 1: Yeah, oh my god, I was like, why aren't we

1982
01:44:53,200 --> 01:44:56,800
Speaker 1: gonna talk about this fucked up Catholic movie for God's sakes?

1983
01:44:56,960 --> 01:44:59,480
Speaker 2: Well, that was a joy. This was a fun episode.

1984
01:44:59,640 --> 01:45:02,080
Speaker 1: It was fun. Man. I had such a blast with

1985
01:45:02,200 --> 01:45:05,040
Speaker 1: Scotty and Pete. I had a blast with you talking

1986
01:45:05,040 --> 01:45:08,760
Speaker 1: about these films. Oh you want to tell them what

1987
01:45:08,800 --> 01:45:10,360
Speaker 1: the movies are for next week?

1988
01:45:11,600 --> 01:45:11,840
Speaker 4: Fuck?

1989
01:45:11,880 --> 01:45:20,360
Speaker 2: Yeah I do. I cannot wait our movies next week.

1990
01:45:21,320 --> 01:45:22,480
Speaker 2: Hold on to your butts.

1991
01:45:26,040 --> 01:45:30,240
Speaker 3: Night of the Comet from nineteen eighty four and Commando

1992
01:45:30,640 --> 01:45:32,080
Speaker 3: from nineteen eighty five.

1993
01:45:33,240 --> 01:45:35,559
Speaker 1: This is the Diamond Cutter as I'm doing a Diamond Cutter,

1994
01:45:35,640 --> 01:45:42,160
Speaker 1: the Diamondalla's page, Like, yeah.

1995
01:45:39,680 --> 01:45:41,280
Speaker 2: Who was that guy that used to throw the ex

1996
01:45:41,360 --> 01:45:42,679
Speaker 2: over his crotch? Oh?

1997
01:45:42,800 --> 01:45:46,519
Speaker 1: Yeah, that wasn't the rock, was it?

1998
01:45:46,720 --> 01:45:46,800
Speaker 3: No?

1999
01:45:48,960 --> 01:45:51,320
Speaker 2: Was the Stonemason. I don't know what that guy's name

2000
01:45:51,439 --> 01:45:58,680
Speaker 2: was that death I didn't watch. We're seeing clips.

2001
01:45:58,360 --> 01:46:02,360
Speaker 3: Were like throwing his hands reciplated X shape over his crush.

2002
01:46:03,439 --> 01:46:09,320
Speaker 1: Yeah whatever that was. This quich to me looks always

2003
01:46:09,320 --> 01:46:14,599
Speaker 1: slightly vaginal the Diamond Cutter. But that's how fucking excited

2004
01:46:14,600 --> 01:46:15,960
Speaker 1: I am for these movies next week.

2005
01:46:16,080 --> 01:46:18,960
Speaker 2: Oh my god, oh good, I cannot wait.

2006
01:46:19,280 --> 01:46:23,320
Speaker 3: It is, of course an absolute joy and pleasure to

2007
01:46:23,400 --> 01:46:24,080
Speaker 3: do this with you.

2008
01:46:24,320 --> 01:46:27,880
Speaker 1: Oh my god, absolutely a fucking pleasure. If you guys

2009
01:46:27,880 --> 01:46:30,240
Speaker 1: want to email us again, we're at I saw what

2010
01:46:30,360 --> 01:46:34,200
Speaker 1: you did pot at gmail dot com, and uh, we

2011
01:46:34,320 --> 01:46:37,160
Speaker 1: would love some fmks, you know us, We love.

2012
01:46:37,040 --> 01:46:40,400
Speaker 3: Them, So make whatever you got, make them saucy, like,

2013
01:46:40,720 --> 01:46:46,280
Speaker 3: make us work for it. Follow Sam's idea, follow Sam's.

2014
01:46:46,000 --> 01:46:49,439
Speaker 2: Example, make us work for it. And you can.

2015
01:46:49,280 --> 01:46:51,680
Speaker 3: Also find us on our social media at I saw

2016
01:46:51,760 --> 01:46:55,240
Speaker 3: pod on Instagram and Twitter, and this is a what

2017
01:46:55,320 --> 01:46:56,479
Speaker 3: a great time for you.

2018
01:46:56,479 --> 01:47:01,360
Speaker 2: To leave us A five star review old Apple podcast.

2019
01:47:01,479 --> 01:47:02,160
Speaker 4: You know what it does.

2020
01:47:02,240 --> 01:47:04,840
Speaker 2: It helps people find our podcast because it moves us

2021
01:47:04,880 --> 01:47:05,479
Speaker 2: up the list.

2022
01:47:06,280 --> 01:47:08,599
Speaker 3: And we are on the list with actual celebrities talking

2023
01:47:08,640 --> 01:47:11,120
Speaker 3: about TV and movies now, so we need we need

2024
01:47:11,160 --> 01:47:12,439
Speaker 3: you to do that. Yeah.

2025
01:47:12,439 --> 01:47:15,080
Speaker 1: It's like every famous person now has a podcast and

2026
01:47:15,120 --> 01:47:18,439
Speaker 1: they're all in our category. And I'm like, fuck, dude,

2027
01:47:19,280 --> 01:47:22,880
Speaker 1: like Jenny Garth and La La from vander Pump and

2028
01:47:24,200 --> 01:47:38,600
Speaker 1: damn literally everyone Albert Brooks and.

2029
01:47:34,280 --> 01:47:36,439
Speaker 3: And it's always in TV and film and I'm like,

2030
01:47:36,880 --> 01:47:40,120
Speaker 3: please come on, so yeah, leave us a review, and

2031
01:47:40,320 --> 01:47:42,519
Speaker 3: just you know, go ahead and leave us a review,

2032
01:47:42,560 --> 01:47:44,280
Speaker 3: and tell us the name of that fucking wrestler who

2033
01:47:44,280 --> 01:47:47,280
Speaker 3: threw his hands over his crotch.

2034
01:47:47,320 --> 01:47:49,320
Speaker 2: If you can't think of anything to say.

2035
01:47:49,160 --> 01:47:51,800
Speaker 1: It wasn't John Cena right now, I'm just gonna start

2036
01:47:51,880 --> 01:47:53,400
Speaker 1: name out so.

2037
01:47:53,520 --> 01:47:57,280
Speaker 3: I'm pretty it's something like the Earth the earth Taker,

2038
01:47:57,400 --> 01:47:58,560
Speaker 3: or like Undertaker.

2039
01:47:59,120 --> 01:48:02,240
Speaker 2: I think the Undertaker, Like was that him?

2040
01:48:02,479 --> 01:48:04,599
Speaker 1: Yeah, I didn't realize he did that.

2041
01:48:05,280 --> 01:48:06,479
Speaker 2: I don't even know if it was him.

2042
01:48:06,520 --> 01:48:08,839
Speaker 3: I think the Undertaker just showed up and looked creepy,

2043
01:48:08,880 --> 01:48:11,680
Speaker 3: like you just had like straggly, greasy hair. It was like,

2044
01:48:11,720 --> 01:48:15,280
Speaker 3: I'm gonna undertake you and they're like, what, but the

2045
01:48:15,560 --> 01:48:17,240
Speaker 3: guy who threw his hands over was.

2046
01:48:17,240 --> 01:48:19,640
Speaker 2: Something else and I gotta know who it was. Do

2047
01:48:19,760 --> 01:48:21,439
Speaker 2: not email us, leave us a five star of you

2048
01:48:21,560 --> 01:48:22,599
Speaker 2: and tell us yes.

2049
01:48:22,680 --> 01:48:25,320
Speaker 1: And also we're gonna do an entire wrestling theme bonus,

2050
01:48:25,360 --> 01:48:26,479
Speaker 1: so get ready for that shit.

2051
01:48:26,880 --> 01:48:29,280
Speaker 2: But yeah, Coco, beware watch out.

2052
01:48:29,600 --> 01:48:32,280
Speaker 3: Do you remember I think we talked about this before

2053
01:48:32,360 --> 01:48:33,639
Speaker 3: the Junkyard Dog song.

2054
01:48:34,200 --> 01:48:37,519
Speaker 1: Oh yeah, oh, grab them cakes, grab them Cakes? We

2055
01:48:37,640 --> 01:48:40,040
Speaker 1: played it. I think we played a clip of.

2056
01:48:40,000 --> 01:48:45,200
Speaker 2: It on the pod. I got grab shit. I am

2057
01:48:45,240 --> 01:48:47,280
Speaker 2: too young to have this memory.

2058
01:48:47,320 --> 01:48:49,200
Speaker 3: I'm like, we did talk about that, right, and this

2059
01:48:49,360 --> 01:48:51,120
Speaker 3: is this is, this is what's going on. Though in

2060
01:48:51,160 --> 01:48:54,160
Speaker 3: my life I will talk about grab them cakes all the.

2061
01:48:54,160 --> 01:48:55,320
Speaker 4: Time, So I don't know.

2062
01:48:55,360 --> 01:48:58,160
Speaker 2: I don't remember who the hell I'm talking about grab

2063
01:48:58,200 --> 01:48:58,880
Speaker 2: them Cakes with.

2064
01:48:59,320 --> 01:49:01,320
Speaker 3: I just throw it out there like a little lifeline,

2065
01:49:01,560 --> 01:49:04,599
Speaker 3: like maybe I'll reel in my fucking one true love

2066
01:49:05,240 --> 01:49:06,679
Speaker 3: talking about grab them cakes.

2067
01:49:07,000 --> 01:49:08,599
Speaker 1: Good thing. We played it on the pod. We had

2068
01:49:08,600 --> 01:49:12,240
Speaker 1: to get it cleared by our legal department. Them cakes.

2069
01:49:13,439 --> 01:49:17,479
Speaker 1: Well on that note, see y'all later, Hi, hie.

2070
01:49:23,960 --> 01:49:26,719
Speaker 3: This has been an exactly right production, produced and mixed

2071
01:49:26,720 --> 01:49:29,839
Speaker 3: by Casey O'Brien. Our theme song is by Tom bry Fogel,

2072
01:49:30,160 --> 01:49:33,599
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia Hart,

2073
01:49:33,640 --> 01:49:36,400
Speaker 3: Start Caring, kil Gareff, and Daniel Kramer. You can follow

2074
01:49:36,479 --> 01:49:39,400
Speaker 3: us on Instagram and Twitter at I Saw pod, and

2075
01:49:39,439 --> 01:49:41,479
Speaker 3: you can email us at I Saw What You Did

2076
01:49:41,520 --> 01:49:42,479
Speaker 3: Pod at gmail