1 00:00:00,920 --> 00:00:05,080 Speaker 1: We're in the home stretch to Valentines and if you've 2 00:00:05,160 --> 00:00:08,760 Speaker 1: somehow managed to book a reservation at a romantic Italian restaurant, 3 00:00:09,760 --> 00:00:15,240 Speaker 1: consider yourself luckys ago, unless that restaurant is the same 4 00:00:15,240 --> 00:00:21,720 Speaker 1: one our helpful resident German Hans Gluber, a German working 5 00:00:21,800 --> 00:00:26,640 Speaker 1: at a romantic Italian restaurant. Confusing, This should be interesting. 6 00:00:26,800 --> 00:00:30,880 Speaker 1: I wonder what he wants in your phone tap right now. 7 00:00:32,120 --> 00:00:33,479 Speaker 2: Phone taps on the twenties. 8 00:00:35,680 --> 00:00:41,360 Speaker 3: Hello, Hello, this is Hans Global from the Italian restaurant. 9 00:00:41,360 --> 00:00:42,760 Speaker 2: Am I speaking this a Keys? 10 00:00:44,240 --> 00:00:45,080 Speaker 4: Yeah? This is Keith. 11 00:00:46,000 --> 00:00:46,919 Speaker 2: Sorry, I'm saying. 12 00:00:46,800 --> 00:00:49,720 Speaker 3: Keys, but they cannot say very well because my accent. 13 00:00:49,760 --> 00:00:51,360 Speaker 3: Your name is Keys, like I'm going to. 14 00:00:52,320 --> 00:00:57,200 Speaker 4: Ke You're like Keith, like k e I t h. 15 00:00:56,400 --> 00:00:59,680 Speaker 3: Oh Okay, I was saying keys, but it is key Scotty. 16 00:01:00,400 --> 00:01:00,720 Speaker 1: Okay. 17 00:01:00,760 --> 00:01:03,480 Speaker 3: I see you having the reservations at a restaurant for 18 00:01:03,560 --> 00:01:04,440 Speaker 3: Valentine's Day. 19 00:01:05,480 --> 00:01:08,040 Speaker 4: Yes, Sarah, I'm excited man, one of my favorite places 20 00:01:08,080 --> 00:01:09,160 Speaker 4: to go. Ooh. 21 00:01:09,360 --> 00:01:11,520 Speaker 3: And in the notes here I will say this quietly 22 00:01:11,680 --> 00:01:13,679 Speaker 3: so no one is hearing, but it says you're hoping 23 00:01:13,680 --> 00:01:15,440 Speaker 3: to be proposing to your freudlan. 24 00:01:16,319 --> 00:01:19,440 Speaker 4: Nope, nope, not hoping I am going to get engaged. 25 00:01:19,520 --> 00:01:20,760 Speaker 4: I'm excited about that. 26 00:01:20,880 --> 00:01:24,119 Speaker 2: Oh vulderbar, oh, I am loving that energy. Butt. 27 00:01:24,440 --> 00:01:27,560 Speaker 3: Can I let you in on a little secret, like 28 00:01:27,600 --> 00:01:27,880 Speaker 3: what you. 29 00:01:27,880 --> 00:01:29,679 Speaker 4: Guys are gonna do something special for us? 30 00:01:29,959 --> 00:01:33,080 Speaker 3: I would consider this very special for you. You see, 31 00:01:33,120 --> 00:01:36,320 Speaker 3: I do work at this Italian place, but I also 32 00:01:36,400 --> 00:01:39,959 Speaker 3: work as the finest German restaurant in the entire city, 33 00:01:40,200 --> 00:01:43,000 Speaker 3: maybe even an involved on Olsenheimer. 34 00:01:43,720 --> 00:01:46,200 Speaker 4: Okay, so what does this have to do with me though? 35 00:01:46,480 --> 00:01:50,040 Speaker 3: Well, here is an Italian restaurant's very basic. Oh, I 36 00:01:50,080 --> 00:01:52,360 Speaker 3: have a limp noodle and I'm going to slurp and 37 00:01:52,440 --> 00:01:58,520 Speaker 3: maybe have a bread, the boring but on German restaurant. Oh, 38 00:01:58,760 --> 00:02:01,320 Speaker 3: now we are speaking the ug jobs they lovers. 39 00:02:01,920 --> 00:02:03,520 Speaker 4: So you're saying you don't want me to go to 40 00:02:03,640 --> 00:02:04,720 Speaker 4: the Italian restaurant. 41 00:02:04,960 --> 00:02:07,440 Speaker 3: Well, of course I am not outright saying that, because 42 00:02:07,440 --> 00:02:09,480 Speaker 3: that it would be against the employee handbook here. 43 00:02:09,560 --> 00:02:11,960 Speaker 2: I would get in trouble. I would never say that. 44 00:02:12,440 --> 00:02:13,520 Speaker 2: But yes, you should leave. 45 00:02:14,639 --> 00:02:17,639 Speaker 4: Yeah, I don't know about that. Man. It's kind of weird, 46 00:02:18,000 --> 00:02:20,160 Speaker 4: especially you working at one restaurant trying to give me 47 00:02:20,200 --> 00:02:20,840 Speaker 4: go to another. 48 00:02:21,000 --> 00:02:23,320 Speaker 3: Well that should show you how much better one as 49 00:02:23,360 --> 00:02:24,200 Speaker 3: the restaurants he is. 50 00:02:24,240 --> 00:02:27,240 Speaker 2: And have you ever known how romantic German people are? 51 00:02:27,960 --> 00:02:29,240 Speaker 2: We are a very loving bunch. 52 00:02:30,160 --> 00:02:32,560 Speaker 4: Nah, I've never met a romantic German person ever. 53 00:02:33,000 --> 00:02:36,000 Speaker 3: You're telling me you've never seen the famous German movie 54 00:02:36,040 --> 00:02:37,400 Speaker 3: Sleep Lessons strute. 55 00:02:37,040 --> 00:02:40,480 Speaker 4: God, I've never seen that movie, man. 56 00:02:40,800 --> 00:02:43,760 Speaker 3: No, everyone has seen some movie two lovers meeting over 57 00:02:43,840 --> 00:02:46,519 Speaker 3: strudel and then one that's taken to prison for falsifying 58 00:02:46,560 --> 00:02:49,040 Speaker 3: secrets to the other and then relaying the information to 59 00:02:49,120 --> 00:02:49,600 Speaker 3: the KGB. 60 00:02:50,440 --> 00:02:51,720 Speaker 2: Do you sleep, blessing trute card? 61 00:02:52,400 --> 00:02:53,919 Speaker 4: Dude, that's not a sexy movie. 62 00:02:54,000 --> 00:02:55,679 Speaker 2: Oh you must watch it? Are you kidding me? 63 00:02:55,720 --> 00:02:57,600 Speaker 3: You know how much of this sexy time I had 64 00:02:57,680 --> 00:02:59,120 Speaker 3: after watching that movie? 65 00:02:59,520 --> 00:03:02,840 Speaker 2: Okay, can you guess VI's a sleepless. 66 00:03:02,440 --> 00:03:03,520 Speaker 4: Because he's in prison? 67 00:03:03,720 --> 00:03:08,000 Speaker 3: Well, yes, but he's also still making love, not by choice. 68 00:03:08,400 --> 00:03:11,880 Speaker 4: Yeah, I'm not interested in a German prison love movie. 69 00:03:11,960 --> 00:03:13,600 Speaker 4: I don't even know why we're talking about this and 70 00:03:13,680 --> 00:03:14,760 Speaker 4: doing this over the phone. 71 00:03:14,840 --> 00:03:17,720 Speaker 3: Well, in Germany, a prison love is the highest form 72 00:03:17,760 --> 00:03:18,600 Speaker 3: of love and romance. 73 00:03:18,639 --> 00:03:20,280 Speaker 2: But you know it's different cultures. 74 00:03:20,000 --> 00:03:21,519 Speaker 4: Dude, what the hell are you talking about? 75 00:03:21,680 --> 00:03:24,640 Speaker 3: Okay, never mind, Look, if you really want to do 76 00:03:24,840 --> 00:03:27,320 Speaker 3: the proposal at the Italian restaurant. 77 00:03:27,360 --> 00:03:28,959 Speaker 2: I would love to hear about it. 78 00:03:30,000 --> 00:03:33,280 Speaker 4: Well, I got a little dinner, right, and then German. 79 00:03:33,560 --> 00:03:37,400 Speaker 4: I got some candlelight. German, I got chocolate, I got flowers, 80 00:03:38,360 --> 00:03:41,200 Speaker 4: and I'm gonna have the ring deliver in the flute 81 00:03:41,200 --> 00:03:42,040 Speaker 4: of champagne. 82 00:03:42,360 --> 00:03:43,840 Speaker 2: Oh okay, I. 83 00:03:43,800 --> 00:03:47,120 Speaker 3: Mean that's very basic. Again, I mean you could do 84 00:03:47,160 --> 00:03:49,400 Speaker 3: it that way. But think about this, if you were 85 00:03:49,400 --> 00:03:53,200 Speaker 3: in a German restaurant. Instead of a tiny champagne float, 86 00:03:53,720 --> 00:03:57,520 Speaker 3: imagine a ring floating in a seventy tons still stein 87 00:03:58,200 --> 00:04:00,520 Speaker 3: and she must drink the and dire style and then 88 00:04:00,600 --> 00:04:02,480 Speaker 3: she proposes to you as this tradition. 89 00:04:03,200 --> 00:04:04,440 Speaker 4: Man, it's not wrong with you. 90 00:04:04,640 --> 00:04:07,080 Speaker 3: Plus it is a proof of tolerance. You would like 91 00:04:07,120 --> 00:04:09,160 Speaker 3: a strong woman who can pounds the bills. 92 00:04:09,800 --> 00:04:12,520 Speaker 4: Look, man, I gotta go. Oh me and my lady 93 00:04:12,520 --> 00:04:15,160 Speaker 4: both like Italian. We're just gonna do the Italian restaurant. 94 00:04:15,200 --> 00:04:16,400 Speaker 4: We don't want German, dude. 95 00:04:16,520 --> 00:04:18,839 Speaker 3: Okay, I was not prepared to do this, but I 96 00:04:18,880 --> 00:04:20,880 Speaker 3: will pull out all of these stoppings for you. 97 00:04:20,960 --> 00:04:24,599 Speaker 2: Okay, I am going to give you one free strewd cake. 98 00:04:25,000 --> 00:04:26,960 Speaker 4: Nah Man, I make it to myself. 99 00:04:27,200 --> 00:04:28,920 Speaker 2: I can put a little blue pill in it if 100 00:04:28,920 --> 00:04:29,359 Speaker 2: you like. 101 00:04:29,960 --> 00:04:32,880 Speaker 4: Hey, man, just chill. I told you I don't want 102 00:04:32,920 --> 00:04:35,400 Speaker 4: your reservation. I'm gonna do it my way. We're going 103 00:04:35,400 --> 00:04:37,279 Speaker 4: to the Talian restaurant. That's it. 104 00:04:37,440 --> 00:04:39,920 Speaker 2: Well, fine, you can keep your reservation. But now I'm 105 00:04:39,920 --> 00:04:40,760 Speaker 2: mad at you. 106 00:04:40,800 --> 00:04:42,719 Speaker 3: Just know if you see me, Okay, I'm mad me 107 00:04:42,920 --> 00:04:44,680 Speaker 3: and your friend named son who set you up for 108 00:04:44,760 --> 00:04:45,760 Speaker 3: the prank phone call. 109 00:04:45,760 --> 00:04:47,200 Speaker 2: You're going to be pouting all night. 110 00:04:48,000 --> 00:04:50,240 Speaker 4: Did you say, Nathan, how do you know my boy? Nathan? 111 00:04:50,320 --> 00:04:50,480 Speaker 2: Oh? 112 00:04:50,520 --> 00:04:52,280 Speaker 3: You mean your best friend, because he's the one who 113 00:04:52,320 --> 00:04:53,560 Speaker 3: set you up for this spring phone call. 114 00:04:54,520 --> 00:04:57,240 Speaker 4: Actually, bro I knew this. I knew this was so stupid. 115 00:04:57,880 --> 00:04:59,480 Speaker 2: I could tell you you a little bit. Man. My 116 00:04:59,600 --> 00:05:02,080 Speaker 2: name's all from the radio show Brooking Jeffrey in the Morning. 117 00:05:02,120 --> 00:05:03,400 Speaker 2: We just did a phone tap on you. 118 00:05:04,600 --> 00:05:06,400 Speaker 4: And the crazy thing is I was gonna ask this 119 00:05:06,640 --> 00:05:07,839 Speaker 4: so to be my best man. 120 00:05:08,040 --> 00:05:10,200 Speaker 2: Oh, I would love to be your best man. Oh 121 00:05:10,200 --> 00:05:14,479 Speaker 2: my god, I'm not making more sensing, y'all. 122 00:05:14,560 --> 00:05:17,440 Speaker 3: Okay, Well, I was thinking, you know, best man, maybe 123 00:05:17,480 --> 00:05:21,359 Speaker 3: movie night you oe me Sleepless and through God No, I'm. 124 00:05:21,160 --> 00:05:22,520 Speaker 4: Cool that movie probably on two 125 00:05:25,320 --> 00:05:27,760 Speaker 2: Brooking Jeffrey's phone taps on the twenties,