1 00:00:13,880 --> 00:00:17,040 Speaker 1: Welcome to Danielle with the Stars. I am Danielle Fishall, 2 00:00:17,160 --> 00:00:20,439 Speaker 1: a TV director, a podcaster to Panga, to the many 3 00:00:20,440 --> 00:00:23,160 Speaker 1: baristas who write my name on my coffee cups, and 4 00:00:23,480 --> 00:00:26,319 Speaker 1: a mom of two little boys. But as of just 5 00:00:26,360 --> 00:00:30,560 Speaker 1: a month ago, you can add aspiring ballroom dancer to 6 00:00:30,640 --> 00:00:34,560 Speaker 1: my resume because I am competing on season thirty four 7 00:00:34,720 --> 00:00:37,839 Speaker 1: of Dancing with the Stars, airing every Tuesday night on 8 00:00:38,000 --> 00:00:41,159 Speaker 1: ABC and Disney Plus. And in addition to learning the 9 00:00:41,240 --> 00:00:44,400 Speaker 1: quick Step, the Cha Cha, the Argentine Tango, I am 10 00:00:44,520 --> 00:00:47,800 Speaker 1: also recording a podcast along the way so that you, 11 00:00:48,240 --> 00:00:52,000 Speaker 1: my dear listeners, can follow as I try my hardest 12 00:00:52,280 --> 00:00:56,400 Speaker 1: to claim my very own Len Goodman Mirror Ball Trophy. 13 00:00:56,960 --> 00:00:59,560 Speaker 1: And throughout the season, I'm sitting down with fellow contestants 14 00:00:59,600 --> 00:01:03,120 Speaker 1: and pro to talk about the experience, their personal journey 15 00:01:03,160 --> 00:01:06,520 Speaker 1: to what is currently the number one show in America, 16 00:01:06,959 --> 00:01:09,959 Speaker 1: and what I, as a dancer, need to do to 17 00:01:10,000 --> 00:01:12,720 Speaker 1: get better. And today I am talking to one of 18 00:01:12,760 --> 00:01:15,640 Speaker 1: the main reasons Dancing with the Stars is in the 19 00:01:15,640 --> 00:01:19,640 Speaker 1: middle of a renaissance twenty years after its premiere and 20 00:01:19,680 --> 00:01:23,240 Speaker 1: now a staple on your for you page, he quickly 21 00:01:23,280 --> 00:01:26,440 Speaker 1: became the gen z liaison between social media and the 22 00:01:26,480 --> 00:01:29,640 Speaker 1: ballroom dancing TV show when he joined for season thirty 23 00:01:29,680 --> 00:01:32,480 Speaker 1: one as a member of the troupe. Then he got 24 00:01:32,480 --> 00:01:35,679 Speaker 1: a last minute call in season thirty two when Artam 25 00:01:35,800 --> 00:01:39,880 Speaker 1: caught COVID and like a fabulous Clark kent On went 26 00:01:40,000 --> 00:01:42,880 Speaker 1: the cape and dance shoes and it went so well 27 00:01:43,080 --> 00:01:46,320 Speaker 1: he was promoted to pro the very next season and 28 00:01:46,400 --> 00:01:51,040 Speaker 1: paired with the controversial true crime favorite Anna Delvey, where 29 00:01:51,040 --> 00:01:54,600 Speaker 1: they were eliminated first yet the effect of their partnership 30 00:01:54,880 --> 00:01:58,760 Speaker 1: will live on forever, and now he is killing it 31 00:01:59,200 --> 00:02:04,080 Speaker 1: alongside Olympic gold medalist and all around badass Jordan Chiles, 32 00:02:04,440 --> 00:02:08,919 Speaker 1: becoming this season's undeniable redemption story, taking a first week 33 00:02:09,000 --> 00:02:13,480 Speaker 1: disappointment and quickly turning their partnership into a first place 34 00:02:13,600 --> 00:02:17,360 Speaker 1: front runner. Please welcome to Danielle with the Stars. A 35 00:02:17,480 --> 00:02:21,160 Speaker 1: truly spectacular dancer, the reason I had to step up 36 00:02:21,200 --> 00:02:24,280 Speaker 1: my TikTok game, and a genuine cutie Patuti. 37 00:02:24,680 --> 00:02:27,320 Speaker 2: It's Ezrasosa Jesus Louise. 38 00:02:27,480 --> 00:02:30,680 Speaker 3: Oh my god, that was amazing, and that was like 39 00:02:30,760 --> 00:02:34,440 Speaker 3: one that was like one you've read all that you read. 40 00:02:35,040 --> 00:02:40,560 Speaker 3: I wow, I could never wow talk about popcorn reading 41 00:02:41,480 --> 00:02:44,840 Speaker 3: that was incredible. I like, moves, you haven't even started 42 00:02:45,680 --> 00:02:46,520 Speaker 3: past there. 43 00:02:46,560 --> 00:02:48,280 Speaker 1: That's it, that's it. Welcome now you could leave. 44 00:02:48,400 --> 00:02:50,360 Speaker 3: Well, I'm very honored to be here. Thank you for 45 00:02:50,360 --> 00:02:50,799 Speaker 3: having me. 46 00:02:50,919 --> 00:02:52,280 Speaker 2: I am so happy you're here. 47 00:02:53,639 --> 00:02:57,640 Speaker 1: I mentioned that you and Jordan kind of immediately started 48 00:02:57,639 --> 00:02:59,800 Speaker 1: off as a redemption story. I have to say though, 49 00:03:00,320 --> 00:03:05,840 Speaker 1: I loved Week ones Dance. I know, going first to 50 00:03:06,080 --> 00:03:10,840 Speaker 1: kick off such a big season, the twentieth anniversary, the 51 00:03:10,919 --> 00:03:15,200 Speaker 1: thirty fourth season, a stacked competitive year. What how did 52 00:03:15,200 --> 00:03:18,000 Speaker 1: you feel when you found out you guys were going first. 53 00:03:18,120 --> 00:03:20,520 Speaker 3: I was kind of excited. Yeah, because the season on 54 00:03:20,639 --> 00:03:24,440 Speaker 3: four I was last. Okay, so I was like, okay, 55 00:03:24,800 --> 00:03:27,800 Speaker 3: not going last, We're going first. So I'm like yeah, 56 00:03:27,800 --> 00:03:30,359 Speaker 3: I'm like I'm just comparing bad juju out of the 57 00:03:30,440 --> 00:03:33,840 Speaker 3: way and going first. But I definitely feel like I 58 00:03:33,919 --> 00:03:37,240 Speaker 3: understand how hard going first is now because doing it, 59 00:03:37,280 --> 00:03:38,720 Speaker 3: I was like, oh, yeah, I don't ever want to 60 00:03:38,760 --> 00:03:40,880 Speaker 3: do that again. Yeah, it was a tough one for sure. 61 00:03:41,000 --> 00:03:43,280 Speaker 1: It's tough. You don't really have a ton of time 62 00:03:43,320 --> 00:03:46,280 Speaker 1: to warm up. There's no there's no real practice time. 63 00:03:46,160 --> 00:03:49,000 Speaker 3: Right before or even gauge how anyone's doing. Like you 64 00:03:49,160 --> 00:03:52,120 Speaker 3: just don't know what the competition's like. You know, it's feerce, 65 00:03:52,160 --> 00:03:53,520 Speaker 3: but we're like, we're just going to go out there 66 00:03:53,520 --> 00:03:55,839 Speaker 3: and like give it her all. But you really, it's 67 00:03:55,880 --> 00:03:58,120 Speaker 3: really hard to gauge the level of talent when you 68 00:03:58,120 --> 00:03:59,680 Speaker 3: are going first. 69 00:04:00,240 --> 00:04:03,040 Speaker 1: Also, I don't know if anyone else feels this way. 70 00:04:03,200 --> 00:04:06,280 Speaker 1: I think some people do online. But do you feel 71 00:04:06,320 --> 00:04:09,280 Speaker 1: like maybe the judges also take a little while to 72 00:04:09,520 --> 00:04:10,320 Speaker 1: warm up. 73 00:04:10,400 --> 00:04:13,320 Speaker 3: Like absolutely, I think as the judges are watching the 74 00:04:13,360 --> 00:04:16,800 Speaker 3: episodes as the audiences as well, And I think that's 75 00:04:16,839 --> 00:04:19,200 Speaker 3: why it's so hard judging, because how are you going 76 00:04:19,279 --> 00:04:21,240 Speaker 3: to know how this first dance is going to compare 77 00:04:21,240 --> 00:04:23,280 Speaker 3: it to the last dance when you have seen them 78 00:04:23,360 --> 00:04:25,560 Speaker 3: so correct I can I can just only imagine how 79 00:04:25,560 --> 00:04:27,440 Speaker 3: hard it is for the judges now. 80 00:04:27,480 --> 00:04:30,840 Speaker 1: I feel for them every week. Every time Carrie Anne 81 00:04:30,880 --> 00:04:33,840 Speaker 1: gets booed, I'm like, guys. 82 00:04:33,800 --> 00:04:35,920 Speaker 3: I'm like, she's doing her job. She's doing her job. 83 00:04:36,520 --> 00:04:40,400 Speaker 1: Also, I want someone in that position who has a 84 00:04:40,400 --> 00:04:43,960 Speaker 1: hot take occasionally, if that's your opinion, give me your 85 00:04:44,000 --> 00:04:46,520 Speaker 1: hat take, don't keep it in. How boring would the 86 00:04:46,520 --> 00:04:49,800 Speaker 1: show be if it was just placating every person that 87 00:04:49,839 --> 00:04:52,440 Speaker 1: got up there, like I need them to be honest 88 00:04:52,480 --> 00:04:55,239 Speaker 1: when something doesn't resonate, when they don't think something was good, 89 00:04:55,520 --> 00:04:57,400 Speaker 1: even if we disagree, that's okay. 90 00:04:57,440 --> 00:04:59,839 Speaker 3: If I'm being completely honest too. I do feel like 91 00:05:00,120 --> 00:05:03,200 Speaker 3: Jordan and I we struggle when they don't have feedback 92 00:05:03,240 --> 00:05:05,760 Speaker 3: for us completely, because like week one they gave us feedback, 93 00:05:05,760 --> 00:05:07,440 Speaker 3: We're like, okay, we know exactly what we need to 94 00:05:07,480 --> 00:05:10,360 Speaker 3: work on. We two it was like praise and we're like, okay, 95 00:05:10,360 --> 00:05:12,240 Speaker 3: we're going to go back to week one, right, and 96 00:05:12,320 --> 00:05:14,279 Speaker 3: then it was like now that's like now there's like 97 00:05:14,320 --> 00:05:16,880 Speaker 3: they're just giving us compliments and it's great, but like 98 00:05:17,440 --> 00:05:20,560 Speaker 3: we're both true competitors totally, and so when it comes 99 00:05:20,640 --> 00:05:22,960 Speaker 3: to anything that judges have to say, if there's any feedback, 100 00:05:23,000 --> 00:05:26,000 Speaker 3: I think we we like that a lot more than 101 00:05:26,240 --> 00:05:28,119 Speaker 3: praise totally because we want to get better. 102 00:05:28,200 --> 00:05:30,800 Speaker 1: You will actually thrive on the criticism, yes, because it 103 00:05:30,839 --> 00:05:33,960 Speaker 1: means you have something to focus your energy into and 104 00:05:34,000 --> 00:05:37,239 Speaker 1: turning it into improvement. And no matter where you start 105 00:05:37,240 --> 00:05:40,400 Speaker 1: your dancing process, whether you're a total nube or you've 106 00:05:40,440 --> 00:05:43,679 Speaker 1: got some experience or you're very advanced, the whole point 107 00:05:43,680 --> 00:05:46,400 Speaker 1: of the show is to definitely end better. Than you 108 00:05:46,440 --> 00:05:48,280 Speaker 1: were at the beginning. And the only way to do 109 00:05:48,360 --> 00:05:50,880 Speaker 1: that is for someone to say, here are your areas 110 00:05:50,880 --> 00:05:51,760 Speaker 1: for growth. 111 00:05:51,560 --> 00:05:54,799 Speaker 3: And know who better than the judges on. 112 00:05:54,640 --> 00:06:00,040 Speaker 1: The show on the show, exactly, absolutely, So obviously a 113 00:06:00,279 --> 00:06:02,560 Speaker 1: Delvi was not necessarily a dancer. 114 00:06:02,640 --> 00:06:04,440 Speaker 2: You were given a redemption operation. 115 00:06:04,560 --> 00:06:07,159 Speaker 3: She told me she was okay, she told me she 116 00:06:07,320 --> 00:06:11,279 Speaker 3: was a dancer. They're like, she can dance and I said, oh, 117 00:06:11,360 --> 00:06:14,000 Speaker 3: she's no, And I said, show me a first position 118 00:06:14,320 --> 00:06:16,120 Speaker 3: and she looked at me in the face and I 119 00:06:16,200 --> 00:06:18,440 Speaker 3: was She's like And I was like, yeah, no, no 120 00:06:18,560 --> 00:06:20,560 Speaker 3: dance experience there, okay, no, missy. 121 00:06:20,760 --> 00:06:23,960 Speaker 1: No, Well you didn't get a redemption opportunity with her 122 00:06:24,040 --> 00:06:27,440 Speaker 1: because she was let go week one. Yeah, and so 123 00:06:27,760 --> 00:06:30,360 Speaker 1: she also probably has to go on that redemption journey alone. 124 00:06:30,839 --> 00:06:32,119 Speaker 3: It's giving on her own time. 125 00:06:32,360 --> 00:06:37,880 Speaker 1: It's giving solo journey. But are there any ideas you 126 00:06:38,160 --> 00:06:40,680 Speaker 1: had for her that you wish could have happened? 127 00:06:40,800 --> 00:06:43,120 Speaker 3: Oh my gosh, so many things, but also too like 128 00:06:44,040 --> 00:06:46,360 Speaker 3: you don't even know what the network is going to allow, right, 129 00:06:46,480 --> 00:06:47,560 Speaker 3: But I was like, what do you mean we can't 130 00:06:47,560 --> 00:06:50,400 Speaker 3: do with Chawshad a criminal by Britney schoolers, Like we 131 00:06:50,440 --> 00:06:52,359 Speaker 3: can't like, what do you mean we can't do that? 132 00:06:52,680 --> 00:06:55,200 Speaker 1: But wait, I'm sorry they drew the line there with 133 00:06:55,320 --> 00:06:56,680 Speaker 1: the ankle monitor. 134 00:06:56,839 --> 00:06:59,600 Speaker 3: I honestly they like, I feel like in the packages too, 135 00:06:59,640 --> 00:07:03,320 Speaker 3: they really refrain me from saying criminal. They're like, the 136 00:07:03,360 --> 00:07:07,080 Speaker 3: network doesn't like the word criminal. And I said, okay, well, 137 00:07:07,080 --> 00:07:09,880 Speaker 3: I'm in a tricky position here because I am dancing 138 00:07:09,960 --> 00:07:16,480 Speaker 3: with a criminal. Yes, like so but we yeah, but yeah, 139 00:07:16,520 --> 00:07:18,640 Speaker 3: on the show, she was a fashionist. 140 00:07:18,120 --> 00:07:22,520 Speaker 4: Stuff, a fashionista, Yes, a fashionist stuff was doing okay. 141 00:07:22,360 --> 00:07:24,200 Speaker 1: So they didn't ask me, So I'm gonna go out 142 00:07:24,200 --> 00:07:25,840 Speaker 1: on a limb and just make the assumption that they 143 00:07:25,880 --> 00:07:28,160 Speaker 1: don't ask people how they want to be referred to. 144 00:07:28,560 --> 00:07:30,920 Speaker 3: I think they asked her really, but she wanted to 145 00:07:30,920 --> 00:07:34,600 Speaker 3: be referred to as an inkle monitor ankle No, no, no, 146 00:07:34,680 --> 00:07:36,720 Speaker 3: an ankle model. 147 00:07:38,240 --> 00:07:40,760 Speaker 2: An ankle model? Is that because of the monitor? 148 00:07:40,840 --> 00:07:42,880 Speaker 3: Yes? Okay, But then they said, we have an actual 149 00:07:42,880 --> 00:07:45,520 Speaker 3: model this season, so we can't say no, we can't 150 00:07:45,560 --> 00:07:51,760 Speaker 3: say ankle model. Oh yeah, very fun first season. You 151 00:07:51,800 --> 00:07:54,280 Speaker 3: know what Britt told me my first season, She said, 152 00:07:54,280 --> 00:07:57,400 Speaker 3: no matter what, you're never going to forget your first Yeah. 153 00:07:57,560 --> 00:07:58,360 Speaker 3: I stand by that. 154 00:07:58,520 --> 00:08:03,000 Speaker 1: Yeah, you're right. And now it will live forever because 155 00:08:03,320 --> 00:08:04,920 Speaker 1: you commemorated. 156 00:08:04,360 --> 00:08:06,680 Speaker 3: Yes as a gay man. How iconic is that? 157 00:08:06,880 --> 00:08:10,480 Speaker 1: Like, it's the most iconic thing I've ever heard a 158 00:08:10,480 --> 00:08:13,960 Speaker 1: professional doing. After having an experience like that, truly, it's like, 159 00:08:14,360 --> 00:08:16,320 Speaker 1: and of course you did it. Of course you're you're 160 00:08:16,320 --> 00:08:18,160 Speaker 1: a genius. So let's all just get that out of 161 00:08:18,200 --> 00:08:20,760 Speaker 1: the way. So let's talk about joining the Troop. I 162 00:08:20,800 --> 00:08:22,760 Speaker 1: know you had competed on So you think you can dance, 163 00:08:22,840 --> 00:08:25,480 Speaker 1: and your Utah roots connected you to many of the pros. 164 00:08:25,520 --> 00:08:28,000 Speaker 1: But how did getting on Troop come together? 165 00:08:28,160 --> 00:08:30,600 Speaker 3: Oh my gosh, I feel like it's just like everything 166 00:08:30,640 --> 00:08:32,439 Speaker 3: kind of has to set in place. Yeah, as you 167 00:08:32,440 --> 00:08:34,800 Speaker 3: can imagine, there's only so many positions on the show 168 00:08:34,880 --> 00:08:38,280 Speaker 3: as a dancer, so there's hundreds and thousands of people 169 00:08:38,320 --> 00:08:40,600 Speaker 3: who just want to be able to just dance on 170 00:08:40,640 --> 00:08:42,920 Speaker 3: the show. I was one of those people. But I 171 00:08:42,960 --> 00:08:45,600 Speaker 3: definitely feel like doing so you think you can dance 172 00:08:45,800 --> 00:08:48,560 Speaker 3: and being in the dance convention circuit, I was kind 173 00:08:48,559 --> 00:08:50,960 Speaker 3: of in the right orbit around the right people. Okay, 174 00:08:51,040 --> 00:08:53,800 Speaker 3: So by the time I actually auditioned for so you 175 00:08:53,800 --> 00:08:57,240 Speaker 3: think they are already reaching out asking, like gauging, like 176 00:08:57,320 --> 00:08:59,439 Speaker 3: if I was a good fit for the show and whatnot, 177 00:08:59,440 --> 00:09:01,800 Speaker 3: and so I definitely feel like ever since I turned 178 00:09:01,800 --> 00:09:04,160 Speaker 3: eighteen out they were kind of eyeing, mean, seeing if 179 00:09:04,160 --> 00:09:05,959 Speaker 3: it was right fit, and then I joined the show. 180 00:09:06,280 --> 00:09:10,160 Speaker 3: It was it was like during COVID and so it 181 00:09:10,240 --> 00:09:13,280 Speaker 3: was like an audition zoom process. So it was like, 182 00:09:13,559 --> 00:09:16,600 Speaker 3: definitely not I don't think how anyone else would join 183 00:09:16,640 --> 00:09:18,880 Speaker 3: the show, but it was they wanted to see me teach, 184 00:09:18,920 --> 00:09:22,560 Speaker 3: they wanted to have interviews with me, and yeah, and 185 00:09:22,559 --> 00:09:23,480 Speaker 3: then we got on the show. 186 00:09:23,720 --> 00:09:28,000 Speaker 1: How do you prepare to teach someone else to dance? 187 00:09:28,240 --> 00:09:30,640 Speaker 3: You don't, I mean unless you have teaching experience, but 188 00:09:30,720 --> 00:09:34,839 Speaker 3: you have to. No, there's no other way to train 189 00:09:35,480 --> 00:09:37,480 Speaker 3: being a pro on the show than being a pro 190 00:09:37,559 --> 00:09:39,520 Speaker 3: on Dancing with the Stars, because there's no other job 191 00:09:39,640 --> 00:09:41,839 Speaker 3: like it. You have to wear so many hats and 192 00:09:41,920 --> 00:09:44,200 Speaker 3: I'm sure you know through Pasha, like he has to 193 00:09:44,280 --> 00:09:46,680 Speaker 3: find good music for you, he has to also like 194 00:09:46,960 --> 00:09:50,400 Speaker 3: understand you and your story through dance, and it's there's 195 00:09:50,400 --> 00:09:52,560 Speaker 3: a lot of things that you have to do. 196 00:09:52,960 --> 00:09:55,680 Speaker 1: Can we talk a little bit about the music, music 197 00:09:55,760 --> 00:09:59,160 Speaker 1: selection and dance selection process, because I see a lot 198 00:09:59,200 --> 00:10:03,679 Speaker 1: of people talking about it online. And they don't understand 199 00:10:04,520 --> 00:10:10,920 Speaker 1: how many factors going to play into it. I, truthfully, 200 00:10:11,400 --> 00:10:13,400 Speaker 1: now having been a part of it for four weeks, 201 00:10:14,080 --> 00:10:16,840 Speaker 1: still don't understand all of it because I don't understand 202 00:10:16,960 --> 00:10:20,120 Speaker 1: music the way you guys do. Like Pasha's, I'll be like, 203 00:10:20,120 --> 00:10:22,080 Speaker 1: why can't we use this song for such and such? 204 00:10:22,120 --> 00:10:24,120 Speaker 1: He's like, because that's not a three four count and 205 00:10:24,160 --> 00:10:34,680 Speaker 1: I'm like whatever, I don't know why I like Okay, 206 00:10:34,880 --> 00:10:37,600 Speaker 1: So there are so many things. One you want to 207 00:10:37,600 --> 00:10:41,320 Speaker 1: pick something that has some sort of a connection to 208 00:10:41,679 --> 00:10:45,680 Speaker 1: you because you have to rely on that music to 209 00:10:45,720 --> 00:10:48,800 Speaker 1: help bring your story out. You don't want to be 210 00:10:48,840 --> 00:10:50,560 Speaker 1: sick of it. You don't want to dislike it, you 211 00:10:50,600 --> 00:10:53,959 Speaker 1: want to love it. It has to fit a certain rhythm, 212 00:10:54,240 --> 00:10:56,640 Speaker 1: It has to fit the theme of the week. Can 213 00:10:56,679 --> 00:10:58,320 Speaker 1: we talk about Disneyland this week? 214 00:10:58,440 --> 00:11:00,319 Speaker 3: Yeah? Well yeah, you have to fit the theme of 215 00:11:00,360 --> 00:11:03,440 Speaker 3: the week. And honestly, they will sit you down and 216 00:11:03,520 --> 00:11:06,520 Speaker 3: especially with Disney, and they're like, we're celebrating Disneyland. So 217 00:11:07,040 --> 00:11:10,280 Speaker 3: if you can find a song from the ride Tiana's 218 00:11:10,320 --> 00:11:12,680 Speaker 3: by your Adventure, that's what we would recommend. And so 219 00:11:13,280 --> 00:11:15,600 Speaker 3: you know, as a team player, you're always gonna want 220 00:11:15,600 --> 00:11:19,400 Speaker 3: to deliver and find the perfect option. But there's so 221 00:11:19,400 --> 00:11:21,840 Speaker 3: many other factors that go into it, like Robert and Whitney, 222 00:11:21,840 --> 00:11:24,920 Speaker 3: Like he's in Zutopia too, so it's like if he 223 00:11:24,960 --> 00:11:27,400 Speaker 3: didn't do that, that would have been you know. It's 224 00:11:27,400 --> 00:11:29,880 Speaker 3: like it's a great promo for Zutopia, but also a 225 00:11:29,880 --> 00:11:32,080 Speaker 3: great story for him because he's having a moment in 226 00:11:32,160 --> 00:11:33,000 Speaker 3: the actual movie. 227 00:11:33,160 --> 00:11:33,439 Speaker 2: Yep. 228 00:11:33,720 --> 00:11:36,240 Speaker 3: So I definitely feel like, especially with song selections, it's 229 00:11:36,280 --> 00:11:39,199 Speaker 3: different for every single person. But I always say, as 230 00:11:39,200 --> 00:11:42,520 Speaker 3: a pro, you have to find music that they love, 231 00:11:42,520 --> 00:11:44,920 Speaker 3: because I always say I don't get final decision. My 232 00:11:45,000 --> 00:11:47,600 Speaker 3: partner does because it is their journey on the show. 233 00:11:47,800 --> 00:11:50,360 Speaker 3: But I'm very lucky because Jordan's very down for whatever, 234 00:11:50,480 --> 00:11:54,640 Speaker 3: and she understands that, Like, like you said, we have 235 00:11:54,720 --> 00:11:58,079 Speaker 3: to pick music and songs that fit the style, the theme. 236 00:11:58,320 --> 00:12:01,160 Speaker 3: But also like I can't do two slow dances in 237 00:12:01,160 --> 00:12:03,440 Speaker 3: a row because then it's like it gets a little stale, 238 00:12:03,920 --> 00:12:05,400 Speaker 3: or it's like if we do a rumbo, we can't 239 00:12:05,400 --> 00:12:07,160 Speaker 3: do a rumba later on, Like we have to find 240 00:12:07,200 --> 00:12:09,040 Speaker 3: the styles at the right time. 241 00:12:09,000 --> 00:12:11,600 Speaker 1: And you can we have an idea of what's coming 242 00:12:11,640 --> 00:12:14,600 Speaker 1: week after week and you start saying like, okay, let's 243 00:12:14,840 --> 00:12:17,600 Speaker 1: we started with this, Like to your point, all right, 244 00:12:17,640 --> 00:12:19,960 Speaker 1: we started with a tango. We're not gonna do something 245 00:12:20,000 --> 00:12:21,720 Speaker 1: slow or ballroom me next week. Now we have to 246 00:12:21,720 --> 00:12:23,760 Speaker 1: do it. So by the time you get to week six, 247 00:12:23,840 --> 00:12:26,360 Speaker 1: you're like, here are a handful of dances we haven't 248 00:12:26,440 --> 00:12:28,400 Speaker 1: done you can do, and now we have to find 249 00:12:28,440 --> 00:12:31,280 Speaker 1: a song that speaks to you that fits the theme. 250 00:12:31,920 --> 00:12:35,680 Speaker 1: So the themes they kind of they're a little Having one. 251 00:12:35,600 --> 00:12:37,760 Speaker 2: Every week is a little difficult. 252 00:12:37,840 --> 00:12:40,880 Speaker 3: It's hard fighting music like it is. It is really hard. 253 00:12:40,920 --> 00:12:44,200 Speaker 3: But I always say I personally love theme weeks because 254 00:12:44,240 --> 00:12:46,360 Speaker 3: it ties all the dances together. Yeah, and I think 255 00:12:46,360 --> 00:12:48,600 Speaker 3: it ties the episode together as a whole. I feel 256 00:12:48,640 --> 00:12:50,280 Speaker 3: like once you're in the shoes as a pro and 257 00:12:50,320 --> 00:12:53,600 Speaker 3: you're having to actually find the songs, yes, it does suck, 258 00:12:53,960 --> 00:12:57,000 Speaker 3: but as a bigger picture, it makes total sense to do. 259 00:12:57,280 --> 00:12:59,480 Speaker 1: You're right, And when people talk online about like, well 260 00:12:59,480 --> 00:13:01,880 Speaker 1: why don't why doesn't everybody do all the same dances, 261 00:13:01,920 --> 00:13:04,080 Speaker 1: and you think, do you want to watch fourteen tangos? 262 00:13:04,360 --> 00:13:05,679 Speaker 3: I mean we did how many? 263 00:13:05,800 --> 00:13:06,640 Speaker 2: We five? 264 00:13:06,800 --> 00:13:09,320 Speaker 1: We have five quick steps, I know, and we had 265 00:13:09,400 --> 00:13:14,400 Speaker 1: five shahaws, you know, like so yeah already. 266 00:13:14,360 --> 00:13:16,000 Speaker 3: And we like, I didn't know. Did you know that 267 00:13:16,040 --> 00:13:17,199 Speaker 3: there was five quick steps? 268 00:13:17,559 --> 00:13:18,000 Speaker 2: I did? 269 00:13:18,360 --> 00:13:19,080 Speaker 3: Oh, I didn't know. 270 00:13:19,200 --> 00:13:19,640 Speaker 2: You didn't know. 271 00:13:19,720 --> 00:13:21,640 Speaker 3: No. I was like, there's five of them and we're 272 00:13:21,640 --> 00:13:24,320 Speaker 3: the fifth one. Good luck troops. As a Jordan, this 273 00:13:24,360 --> 00:13:25,280 Speaker 3: is going to be a tough one. 274 00:13:25,320 --> 00:13:29,360 Speaker 4: But I think you guys were underscored. Really, just guess 275 00:13:29,360 --> 00:13:31,160 Speaker 4: what what. I think you were too. 276 00:13:31,200 --> 00:13:31,560 Speaker 1: Thank you. 277 00:13:31,679 --> 00:13:33,360 Speaker 2: I think you guys deserved your first nine. 278 00:13:33,480 --> 00:13:36,480 Speaker 3: I really do. Really is it crazy that? And I 279 00:13:36,520 --> 00:13:39,120 Speaker 3: talked to Jordan about this too. Okay, I'm okay with us, 280 00:13:39,400 --> 00:13:41,600 Speaker 3: I'm okay with our scores. So am I Yes, I. 281 00:13:41,559 --> 00:13:45,120 Speaker 2: Feel the same way. I actually because you know my mom, 282 00:13:45,800 --> 00:13:50,679 Speaker 2: of course you believe you didn't get your first eight. 283 00:13:50,760 --> 00:13:52,559 Speaker 1: I'm like, Mom, thank god, you're not alone. 284 00:13:52,640 --> 00:13:54,800 Speaker 3: It's actually kind of crazy because I can also not 285 00:13:55,120 --> 00:13:57,520 Speaker 3: like your quick stuff was incredible. 286 00:13:57,600 --> 00:13:59,240 Speaker 1: Thank you. It was so much fun. It's my favorite 287 00:13:59,280 --> 00:14:02,880 Speaker 1: dance we've done. But if we had gone down, if 288 00:14:02,920 --> 00:14:05,200 Speaker 1: I had been given a worse score than the week before, 289 00:14:05,600 --> 00:14:08,320 Speaker 1: I definitely felt like I was at least on par 290 00:14:08,480 --> 00:14:10,400 Speaker 1: with my last week's dance. I do think it was 291 00:14:10,400 --> 00:14:13,360 Speaker 1: better than last week's chance with you, But if I 292 00:14:13,400 --> 00:14:16,240 Speaker 1: had gone down, I would be like, oh no, this 293 00:14:16,280 --> 00:14:21,120 Speaker 1: is this is terrible. But consistency is never bad. And 294 00:14:21,200 --> 00:14:25,160 Speaker 1: I still have the looking forward to my first eight 295 00:14:25,280 --> 00:14:27,040 Speaker 1: in front of me. So I'm just. 296 00:14:27,040 --> 00:14:31,280 Speaker 3: Giving next week. I mean, what's your dance next week? 297 00:14:32,320 --> 00:14:33,600 Speaker 3: It's giving next. 298 00:14:33,360 --> 00:14:38,720 Speaker 1: Week, thank you. If my knees can hold up, it 299 00:14:38,720 --> 00:14:40,640 Speaker 1: should be it should be really fun. I mean, you know, 300 00:14:40,720 --> 00:14:43,640 Speaker 1: Dedication week is going to be amazing. Speaking of Dedication week, 301 00:14:44,480 --> 00:14:46,720 Speaker 1: you guys are doing a song it is very near 302 00:14:46,760 --> 00:14:49,040 Speaker 1: and dear to my heart. You're doing Daughters, and the 303 00:14:49,080 --> 00:14:51,240 Speaker 1: dedication is to Jordan's dad. Right. 304 00:14:52,640 --> 00:14:55,200 Speaker 3: It's just such a special song. I really is. And 305 00:14:55,640 --> 00:14:58,080 Speaker 3: I also think the message behind the song is so 306 00:14:58,120 --> 00:15:01,240 Speaker 3: powerful and it really connects to Jordan and her dad. 307 00:15:01,280 --> 00:15:04,960 Speaker 3: And you really see the accolades that Jordan has made 308 00:15:05,200 --> 00:15:07,560 Speaker 3: and she's an Olympian, like I mean, I know, come 309 00:15:07,600 --> 00:15:10,640 Speaker 3: on like diva seriously, but it takes a strong support 310 00:15:10,680 --> 00:15:12,520 Speaker 3: system to do that, but also to see the incredible 311 00:15:12,520 --> 00:15:15,120 Speaker 3: woman that she is. You can just tell like she 312 00:15:15,200 --> 00:15:17,240 Speaker 3: has such a strong father figure in her life, and 313 00:15:17,440 --> 00:15:19,800 Speaker 3: really that's what the dance is about, is just the 314 00:15:19,800 --> 00:15:22,240 Speaker 3: blessing of having a strong father figure and how it 315 00:15:22,240 --> 00:15:23,680 Speaker 3: could really shape a woman's life. 316 00:15:24,720 --> 00:15:28,080 Speaker 1: Do you feel a lot of pressure to put together 317 00:15:28,480 --> 00:15:31,000 Speaker 1: something that's befitting of that kind of emotion. 318 00:15:32,760 --> 00:15:35,160 Speaker 3: I guess it'll all come together. But I mean, Jordan 319 00:15:35,200 --> 00:15:37,480 Speaker 3: clocked me last week because I put a lot of 320 00:15:37,480 --> 00:15:40,160 Speaker 3: pressure on myself with our quick step. But this week, 321 00:15:40,160 --> 00:15:42,800 Speaker 3: I'm just letting it go and I'm just trusting the process, 322 00:15:43,200 --> 00:15:46,080 Speaker 3: and I'm trusting it'll all come together. Like I trust 323 00:15:46,120 --> 00:15:48,080 Speaker 3: my ability as a pro, but I also trust Jordan 324 00:15:48,120 --> 00:15:50,560 Speaker 3: as my partner. And also like I already started teaching 325 00:15:50,640 --> 00:15:53,440 Speaker 3: Jordan's dad and he is a solid guy, Like he's 326 00:15:53,480 --> 00:15:56,200 Speaker 3: so great and so nice, and they're both the literal 327 00:15:56,280 --> 00:16:00,000 Speaker 3: same person. Where it's like you just know a PCE 328 00:16:00,200 --> 00:16:03,000 Speaker 3: like this will fall together the way it needs to, 329 00:16:03,080 --> 00:16:03,960 Speaker 3: the moment it needs to. 330 00:16:04,560 --> 00:16:18,720 Speaker 1: That's so special. I want to talk to you about 331 00:16:18,800 --> 00:16:24,560 Speaker 1: your social media game because you are so good on 332 00:16:24,880 --> 00:16:31,320 Speaker 1: coming from you. No, no, no, I have only had 333 00:16:31,320 --> 00:16:33,480 Speaker 1: to step up my game because of you. 334 00:16:33,600 --> 00:16:35,320 Speaker 3: Well it's making me step up my game. 335 00:16:35,400 --> 00:16:37,320 Speaker 1: Well, then look at us just raising the bar for 336 00:16:37,360 --> 00:16:38,880 Speaker 1: each other. That's what real friends do. 337 00:16:39,120 --> 00:16:43,720 Speaker 3: Two queens two queens too exactly, we just straighten your crown, 338 00:16:45,560 --> 00:16:47,680 Speaker 3: how do you how do you how do you come. 339 00:16:47,640 --> 00:16:49,480 Speaker 1: Up with your social Is it like a strategy or 340 00:16:49,520 --> 00:16:49,760 Speaker 1: do it? 341 00:16:49,760 --> 00:16:52,320 Speaker 3: Does it really just a strategy? It is strategy, but 342 00:16:52,440 --> 00:16:56,280 Speaker 3: also it's I feel like it's super unfortunate that I 343 00:16:56,360 --> 00:16:58,720 Speaker 3: am chronically online, like from a mental health and everything, 344 00:16:58,880 --> 00:17:01,120 Speaker 3: but when it comes to social media, like it definitely 345 00:17:01,200 --> 00:17:03,240 Speaker 3: gives you a leg up. But it's like also knowing 346 00:17:03,320 --> 00:17:05,439 Speaker 3: like six seven like that TikTok you do with Pasha 347 00:17:05,440 --> 00:17:09,359 Speaker 3: the sixth seven one Chef's kiss so good, but like 348 00:17:09,600 --> 00:17:11,879 Speaker 3: you have to understand those things and in order to 349 00:17:11,920 --> 00:17:15,040 Speaker 3: do that, you have to be online, right chronically chronically online, 350 00:17:15,080 --> 00:17:18,560 Speaker 3: And I am chronically online. But I also feel like 351 00:17:19,040 --> 00:17:20,600 Speaker 3: I learned a lot through a lot of my close 352 00:17:20,640 --> 00:17:22,800 Speaker 3: friends who have a big social media following. So even 353 00:17:22,880 --> 00:17:25,160 Speaker 3: it's like our first week is bad, I'm like, Okay, 354 00:17:25,160 --> 00:17:26,800 Speaker 3: that's that's a joke in itself. We can do a 355 00:17:26,840 --> 00:17:30,440 Speaker 3: TikTok about that and like, yeah, completely like changed light 356 00:17:30,520 --> 00:17:31,400 Speaker 3: of the whole situation. 357 00:17:31,680 --> 00:17:37,840 Speaker 1: Absolutely, are you chronically online year round or you know, okay, okay, good. 358 00:17:37,920 --> 00:17:42,040 Speaker 3: It actually got really especially my relationship with social media. 359 00:17:43,080 --> 00:17:46,240 Speaker 3: Last year, my social media popped off and in ways 360 00:17:46,280 --> 00:17:49,200 Speaker 3: I never expected it to but in the weirdest way 361 00:17:49,240 --> 00:17:51,760 Speaker 3: that a lot of people knew me for my social 362 00:17:51,760 --> 00:17:54,320 Speaker 3: media but not for my talent and not for my danceability. 363 00:17:54,800 --> 00:17:57,400 Speaker 3: So it really got to me on tour when people 364 00:17:57,440 --> 00:17:59,440 Speaker 3: are going, like You're meeting so many people and there's 365 00:17:59,440 --> 00:18:01,600 Speaker 3: like it's Danielle and You're like every single time I 366 00:18:01,600 --> 00:18:04,639 Speaker 3: see daniel like Queen, I'm like, your dancing is incredible, 367 00:18:04,640 --> 00:18:06,159 Speaker 3: and then fan's going to come up to me and 368 00:18:06,200 --> 00:18:09,359 Speaker 3: be like your TikTok is my favorite, so you for 369 00:18:09,600 --> 00:18:11,359 Speaker 3: so like after tour, I kind of like held that 370 00:18:11,520 --> 00:18:13,679 Speaker 3: to myself. I'm like, Okay, I guess this is my thing. 371 00:18:14,000 --> 00:18:16,280 Speaker 3: And I put so much energy into it where it 372 00:18:16,320 --> 00:18:19,639 Speaker 3: made me lose sight for my actual love of dance. 373 00:18:19,680 --> 00:18:22,400 Speaker 3: And so before the season started, I kind of took 374 00:18:22,440 --> 00:18:25,399 Speaker 3: a couple of weeks off of social media completely and 375 00:18:25,480 --> 00:18:27,240 Speaker 3: it kind of just trained in the studio and just 376 00:18:27,240 --> 00:18:30,200 Speaker 3: wrap my head around like getting my mental health better 377 00:18:30,320 --> 00:18:32,159 Speaker 3: in order to get right for the season. 378 00:18:33,119 --> 00:18:34,200 Speaker 2: So smart, and. 379 00:18:34,080 --> 00:18:38,919 Speaker 1: You're right that, like we are, the point of social 380 00:18:38,960 --> 00:18:42,840 Speaker 1: media for us as professionals should be to use social 381 00:18:42,880 --> 00:18:46,600 Speaker 1: media as a tool to help cultivate the career. 382 00:18:46,840 --> 00:18:48,920 Speaker 2: Yes, as opposed to just. 383 00:18:49,400 --> 00:18:52,720 Speaker 1: The personality, unless you want to just be a personality, 384 00:18:52,800 --> 00:18:55,480 Speaker 1: you know, but like for you, you are an incredibly 385 00:18:55,520 --> 00:18:58,840 Speaker 1: talented dancer, You're a performer, and your social media should 386 00:18:58,840 --> 00:19:01,679 Speaker 1: help highlight and shine the spotlight on that, not just 387 00:19:01,720 --> 00:19:04,320 Speaker 1: the fact that you're also a fabulous personality, although you 388 00:19:04,359 --> 00:19:04,720 Speaker 1: are both. 389 00:19:04,800 --> 00:19:06,720 Speaker 3: I mean, it's the comments You're like going through it 390 00:19:06,760 --> 00:19:08,359 Speaker 3: and they're like, oh my god, I didn't even know 391 00:19:08,440 --> 00:19:10,320 Speaker 3: he danced. I'm like, diva, oh no, you're like this. 392 00:19:10,640 --> 00:19:12,360 Speaker 3: I'm like, how do you think I got the job? 393 00:19:13,000 --> 00:19:16,000 Speaker 3: How do you think I got the job? I'm like, 394 00:19:16,119 --> 00:19:17,320 Speaker 3: four years of shaking my. 395 00:19:19,440 --> 00:19:24,280 Speaker 1: I deserve some credit for that. Yes I do, Yes, absolutely, Okay, 396 00:19:24,480 --> 00:19:27,000 Speaker 1: I have to talk about the tattoo. 397 00:19:27,119 --> 00:19:30,120 Speaker 2: The you have a. 398 00:19:30,920 --> 00:19:36,000 Speaker 1: You're taking Brandon to get a tattoo that says pissed 399 00:19:36,240 --> 00:19:39,159 Speaker 1: yes is so iconic. 400 00:19:39,680 --> 00:19:42,359 Speaker 2: How did that idea come about? Was it your idea 401 00:19:42,840 --> 00:19:45,399 Speaker 2: for Brandon or for my own, well, for yours. 402 00:19:45,440 --> 00:19:48,720 Speaker 1: I'm going to assume it was of. 403 00:19:48,640 --> 00:19:51,280 Speaker 3: Course, like it was just stupid, Like I definitely feel 404 00:19:51,280 --> 00:19:52,520 Speaker 3: like looking back at it, I was like, I don't 405 00:19:52,520 --> 00:19:54,680 Speaker 3: even know what I was thinking. But I stand by 406 00:19:54,680 --> 00:19:55,240 Speaker 3: that decision. 407 00:19:55,400 --> 00:19:58,080 Speaker 1: I'm really glad I mean, honestly, it's so. It's so 408 00:19:58,160 --> 00:19:59,879 Speaker 1: I don't have any tattoos. I had to and I had. 409 00:20:00,000 --> 00:20:03,639 Speaker 1: I'm removed. I love it so much. I'm like, maybe 410 00:20:03,680 --> 00:20:06,480 Speaker 1: I'll get dancing with the stories too. I'm not going 411 00:20:06,520 --> 00:20:09,080 Speaker 1: to plan on exiting with a word like nothing or pissed, 412 00:20:09,160 --> 00:20:12,320 Speaker 1: but I just think it's so wonderful that like maybe 413 00:20:12,359 --> 00:20:14,879 Speaker 1: I maybe I will. I don't know. But whose idea 414 00:20:15,160 --> 00:20:17,639 Speaker 1: was it to convince brand Brandon? 415 00:20:17,920 --> 00:20:22,200 Speaker 3: Who do you think? Girl? Who do you think? I'm yes? Literally, 416 00:20:22,359 --> 00:20:24,520 Speaker 3: right after he got eliminated, I texted him, was like, 417 00:20:25,080 --> 00:20:28,280 Speaker 3: see if I can find it, please or his wife, 418 00:20:28,359 --> 00:20:34,040 Speaker 3: because Brandon never ever responds. 419 00:20:33,600 --> 00:20:37,760 Speaker 1: He's not as as active online, which is probably means 420 00:20:37,800 --> 00:20:39,040 Speaker 1: his mental health is wonderful. 421 00:20:39,160 --> 00:20:42,359 Speaker 2: Yes, he's probably very healthy. 422 00:20:42,520 --> 00:20:44,120 Speaker 3: They say, what do we say? 423 00:20:44,359 --> 00:20:44,520 Speaker 1: Oh? 424 00:20:44,560 --> 00:20:45,760 Speaker 3: I don't even know how I can. Oh. I sent 425 00:20:45,880 --> 00:20:48,640 Speaker 3: him a voice non, okay. He said the tattoo idea, 426 00:20:48,680 --> 00:20:50,640 Speaker 3: You're a genius. I said, please do it would break 427 00:20:50,640 --> 00:20:51,200 Speaker 3: the internet? 428 00:20:51,240 --> 00:20:52,520 Speaker 2: Which it did. 429 00:20:53,680 --> 00:20:55,920 Speaker 3: I said, carry the tradition, yes. 430 00:20:55,920 --> 00:20:58,359 Speaker 1: Yes, And so he was right. He right away he 431 00:20:58,400 --> 00:21:01,040 Speaker 1: was on board, on board, Oh my gosh. And so 432 00:21:01,080 --> 00:21:05,159 Speaker 1: you took him, yes, Riley felt it, and you held it. 433 00:21:05,600 --> 00:21:07,440 Speaker 3: Yeah, it was such a special moment for the two 434 00:21:07,480 --> 00:21:08,439 Speaker 3: of us. It really was. 435 00:21:10,160 --> 00:21:11,760 Speaker 1: I just love it. I think it's one of the 436 00:21:11,760 --> 00:21:15,840 Speaker 1: greatest things I've ever seen. You are such a pivotal 437 00:21:15,880 --> 00:21:20,399 Speaker 1: part of ushering in a whole new demographic to Dancing 438 00:21:20,400 --> 00:21:23,840 Speaker 1: with the Stars. No one could have predicted thirty four 439 00:21:23,880 --> 00:21:27,399 Speaker 1: seasons in the show would be having, I mean, a 440 00:21:27,440 --> 00:21:30,960 Speaker 1: total rebirth. It's more popular now than it has ever been. 441 00:21:32,480 --> 00:21:36,840 Speaker 1: With that said, there is still a large population of 442 00:21:36,960 --> 00:21:40,240 Speaker 1: viewership that's part of the shall we say, Old Guard, 443 00:21:40,800 --> 00:21:46,119 Speaker 1: you know, and now you're helping bring in a whole new, young, 444 00:21:46,600 --> 00:21:52,360 Speaker 1: more open minded audience. How do you feel the intersection 445 00:21:52,640 --> 00:21:56,240 Speaker 1: of these audiences, how do you feel the intersection is going. 446 00:21:56,359 --> 00:21:58,679 Speaker 1: I'm this is a little bit of a deeper question. 447 00:21:59,000 --> 00:22:02,240 Speaker 3: Yeah, no, that is that is a deeper question. You know. 448 00:22:02,440 --> 00:22:05,640 Speaker 3: I find it interesting because I say, like Old Guard 449 00:22:05,720 --> 00:22:09,560 Speaker 3: is like Instagram. Okay, okay, okay, I'm sorry, I'm an 450 00:22:09,560 --> 00:22:13,560 Speaker 3: old If you're if Instagram is your thing, I'm so sorry. 451 00:22:14,240 --> 00:22:18,520 Speaker 3: I am so sorry. Okay, okay, But you know, TikTok 452 00:22:18,840 --> 00:22:22,440 Speaker 3: is where my huge or a huge part of my audiences, 453 00:22:22,480 --> 00:22:24,920 Speaker 3: which is a huge part of the new audience that 454 00:22:25,040 --> 00:22:27,359 Speaker 3: is coming to Dancing with the Stars. But I always 455 00:22:27,400 --> 00:22:30,440 Speaker 3: find interesting how things perform different differently on different platforms, 456 00:22:30,760 --> 00:22:33,880 Speaker 3: even if it's the same video. But sometimes a video 457 00:22:33,880 --> 00:22:35,880 Speaker 3: of yours will see a different side of the Internet 458 00:22:35,960 --> 00:22:39,159 Speaker 3: which probably shouldn't see it, right, and then it's just 459 00:22:39,200 --> 00:22:41,000 Speaker 3: gonna get a different reaction, maybe one that you're not 460 00:22:41,040 --> 00:22:41,800 Speaker 3: really hoping for. 461 00:22:42,960 --> 00:22:45,480 Speaker 1: I feel very old now that I've lived through enough 462 00:22:45,520 --> 00:22:47,600 Speaker 1: things that like my space. 463 00:22:47,960 --> 00:22:49,080 Speaker 2: My Space was one of them. 464 00:22:51,240 --> 00:22:52,880 Speaker 3: Let's bring your back, you know what. 465 00:22:56,119 --> 00:22:59,399 Speaker 1: My Space is already, It's been enough time that it's back. 466 00:22:59,440 --> 00:23:02,399 Speaker 1: It's cool in a nostalgic way. Facebook used to be 467 00:23:02,440 --> 00:23:05,399 Speaker 1: for old people. What is Facebook Now? Facebook's just for 468 00:23:05,400 --> 00:23:06,000 Speaker 1: for the ancient. 469 00:23:06,040 --> 00:23:08,600 Speaker 3: I think we kind of forgot about Facebook. Yeah, is 470 00:23:08,640 --> 00:23:10,119 Speaker 3: Facebook the my space? 471 00:23:10,640 --> 00:23:14,480 Speaker 1: That's what I'm saying. Facebook is the new MySpace, Instagram 472 00:23:14,520 --> 00:23:15,720 Speaker 1: is the new Facebook. 473 00:23:15,800 --> 00:23:18,800 Speaker 2: And then TikTok is TikTok, tik Talk is TikTok. 474 00:23:20,359 --> 00:23:22,199 Speaker 3: Wow, there's a lot of keys to keep up with. 475 00:23:22,520 --> 00:23:24,400 Speaker 2: I know, it is a lot to keep yeah, it is. 476 00:23:24,640 --> 00:23:27,199 Speaker 1: It's also some of the I'm seeing a lot of 477 00:23:27,280 --> 00:23:30,679 Speaker 1: questions online about judging, in particular now that there is 478 00:23:30,720 --> 00:23:34,320 Speaker 1: a whole new fan base watching the show sometimes for 479 00:23:34,359 --> 00:23:35,120 Speaker 1: the very first time. 480 00:23:35,240 --> 00:23:38,120 Speaker 3: I think it's funny. I think I saw him for Sorry, 481 00:23:39,000 --> 00:23:40,960 Speaker 3: I was being like, wait, I thought Derek and Mark 482 00:23:41,000 --> 00:23:47,560 Speaker 3: were together, Like I'm screaming, I'm screaming. I'm like both 483 00:23:47,560 --> 00:23:48,280 Speaker 3: happily married. 484 00:23:48,440 --> 00:23:51,200 Speaker 1: Yeah, and not to each other and not to each other. Right, 485 00:23:51,800 --> 00:23:54,960 Speaker 1: so funny. Well, I know that now that there are 486 00:23:54,960 --> 00:23:58,000 Speaker 1: all these newer, younger viewers who have never seen it, 487 00:23:58,040 --> 00:24:00,679 Speaker 1: and they really want to try to understand all the 488 00:24:00,720 --> 00:24:03,680 Speaker 1: aspects of the show. So they're like, wait a minute. 489 00:24:03,800 --> 00:24:07,760 Speaker 1: The voting closes at eight, but then the person who 490 00:24:07,800 --> 00:24:10,320 Speaker 1: goes last, you only have a few minutes to vote 491 00:24:10,320 --> 00:24:14,159 Speaker 1: for that person. The judges scores count for roughly fifty 492 00:24:14,200 --> 00:24:18,200 Speaker 1: percent every I mean, the amount of people doing stats 493 00:24:18,680 --> 00:24:20,160 Speaker 1: and math problems. 494 00:24:20,240 --> 00:24:21,720 Speaker 2: And I also don't. 495 00:24:21,520 --> 00:24:24,640 Speaker 4: Understand guess what I also don't understand. I know there's 496 00:24:24,680 --> 00:24:25,480 Speaker 4: no syllabus. 497 00:24:25,600 --> 00:24:29,200 Speaker 3: No, there isn't a syllabus, but I think that's called producing, right, yeah, 498 00:24:29,680 --> 00:24:30,840 Speaker 3: then it's called producing. 499 00:24:31,040 --> 00:24:32,679 Speaker 2: Yeah, show exactly, I know. 500 00:24:32,880 --> 00:24:35,679 Speaker 1: And I did. I did see someone somewhere found like 501 00:24:35,720 --> 00:24:37,720 Speaker 1: something on one of the original maybe the Dancing with 502 00:24:37,760 --> 00:24:40,719 Speaker 1: the Star's website, where there was like some sort of 503 00:24:40,800 --> 00:24:42,080 Speaker 1: breakdown about. 504 00:24:42,480 --> 00:24:45,320 Speaker 2: And did it make sense if you understand stats. 505 00:24:45,480 --> 00:24:48,200 Speaker 3: I don't know if I actually look at it. No, Honestly, 506 00:24:48,480 --> 00:24:50,280 Speaker 3: I feel like every single showdown, I'm like this, I 507 00:24:50,320 --> 00:24:50,879 Speaker 3: don't know. 508 00:24:51,680 --> 00:24:54,640 Speaker 1: Just whatever we do, what we do. 509 00:24:55,320 --> 00:24:57,359 Speaker 3: I mean, look at Lauren and Brandon, we thought they 510 00:24:57,400 --> 00:25:00,000 Speaker 3: were chilling, and then next thing, you know, you just. 511 00:25:00,600 --> 00:25:03,360 Speaker 2: Never know, I know, was Jordan, And I mean we 512 00:25:03,359 --> 00:25:03,960 Speaker 2: were all shocked. 513 00:25:04,080 --> 00:25:08,240 Speaker 3: She's a harmonizer. She was distraught like she was. She 514 00:25:08,240 --> 00:25:11,919 Speaker 3: didn't want to go through press after. I know, I 515 00:25:11,960 --> 00:25:16,280 Speaker 3: was like, yeah, but I like she deserved to stay longer. 516 00:25:16,760 --> 00:25:19,399 Speaker 3: I will stand on that, yeah, and I completely agree 517 00:25:19,520 --> 00:25:21,600 Speaker 3: like she, I don't. I also feel like she didn't 518 00:25:21,600 --> 00:25:25,080 Speaker 3: really fully get to share her story, which we all 519 00:25:25,160 --> 00:25:27,120 Speaker 3: knew her. She was such a nice and lovely girl, 520 00:25:27,119 --> 00:25:29,440 Speaker 3: and it's like it just makes it that much worse 521 00:25:29,440 --> 00:25:31,240 Speaker 3: when they have to leave so soon. 522 00:25:31,560 --> 00:25:34,520 Speaker 1: I know, I couldn't agree with you more. And I 523 00:25:34,800 --> 00:25:38,000 Speaker 1: every time I saw Lauren I felt better after seeing her. 524 00:25:38,280 --> 00:25:40,880 Speaker 2: She was just one of those people uplifted everyone. 525 00:25:41,080 --> 00:25:45,080 Speaker 1: Yes, yeah, I every single time always felt good around her. 526 00:25:45,119 --> 00:25:46,800 Speaker 1: So I was very sad to see her go. And 527 00:25:46,880 --> 00:25:50,040 Speaker 1: I know how much Jordan and did. 528 00:25:49,880 --> 00:25:53,800 Speaker 3: They know each other before the season, But when Jordan 529 00:25:53,880 --> 00:25:56,479 Speaker 3: met Lauren, Jordan was going to pass out, like she 530 00:25:56,560 --> 00:25:57,800 Speaker 3: was so excited to meet her. 531 00:25:59,119 --> 00:26:00,520 Speaker 2: She's a big fan, big fan. 532 00:26:00,880 --> 00:26:15,000 Speaker 1: That is so sweet. It seems like every week there 533 00:26:15,040 --> 00:26:18,080 Speaker 1: is a new philosophical question online surrounding the show, and 534 00:26:18,119 --> 00:26:21,360 Speaker 1: I wanted to ask you about this. First, is the 535 00:26:21,400 --> 00:26:24,720 Speaker 1: idea of prior dance experience? 536 00:26:24,760 --> 00:26:26,640 Speaker 3: Oh, here we go on. 537 00:26:27,040 --> 00:26:28,800 Speaker 2: What are your thoughts. 538 00:26:28,760 --> 00:26:33,080 Speaker 1: On what the perfect amount of prior dance experience is 539 00:26:33,760 --> 00:26:35,360 Speaker 1: for a celebrity to have. 540 00:26:35,680 --> 00:26:38,240 Speaker 3: I think I don't think there. I don't think it 541 00:26:38,280 --> 00:26:42,720 Speaker 3: should matter. Okay, honestly, I really don't because you look 542 00:26:42,760 --> 00:26:46,800 Speaker 3: at people like Hilaria and Glub. She had incredible dance experience, 543 00:26:46,880 --> 00:26:49,480 Speaker 3: but people at home weren't really necessarily able to connect 544 00:26:49,480 --> 00:26:51,840 Speaker 3: with her. But then you have someone like Andy who 545 00:26:51,880 --> 00:26:54,960 Speaker 3: doesn't have near as much dance experience, but he gained 546 00:26:55,000 --> 00:26:57,480 Speaker 3: such a huge audience just through his heart and through 547 00:26:57,520 --> 00:27:01,040 Speaker 3: his personality. And I do feel like what's making this 548 00:27:01,080 --> 00:27:05,080 Speaker 3: season so strong is the different varieties of dance experience. Yeah. 549 00:27:05,320 --> 00:27:07,280 Speaker 3: My thing is, if you're under the umbrella of star, 550 00:27:07,440 --> 00:27:10,600 Speaker 3: you're welcome to be on the ballroom floor. That and 551 00:27:10,640 --> 00:27:13,000 Speaker 3: that is and I really do stand by that because 552 00:27:13,040 --> 00:27:15,600 Speaker 3: you really look up Whitney and Mark, like, we wouldn't 553 00:27:15,640 --> 00:27:17,360 Speaker 3: have had the room where it happens if it wasn't 554 00:27:17,400 --> 00:27:19,639 Speaker 3: for the two of them together in that moment. 555 00:27:19,760 --> 00:27:20,000 Speaker 1: I know. 556 00:27:20,080 --> 00:27:23,000 Speaker 3: And it's like that dance routine was pure magic. 557 00:27:23,200 --> 00:27:25,320 Speaker 2: It really was. It really was. 558 00:27:25,760 --> 00:27:28,240 Speaker 1: No, You're absolutely right. I think that's a great way 559 00:27:28,240 --> 00:27:30,120 Speaker 1: of thinking about it. If you fall under the umbrella 560 00:27:30,160 --> 00:27:32,760 Speaker 1: of star, you are welcome to be on the ballroom 561 00:27:32,800 --> 00:27:37,280 Speaker 1: floor and dance is. I've mentioned this now to everybody 562 00:27:37,280 --> 00:27:39,840 Speaker 1: who's come on, and I probably sound like a bit 563 00:27:39,840 --> 00:27:43,159 Speaker 1: of a stupid broken record because duh. But as somebody 564 00:27:43,200 --> 00:27:47,520 Speaker 1: who's worked in multiple aspects of the entertainment industry as 565 00:27:47,520 --> 00:27:50,680 Speaker 1: an actor, as a dancer, as a writer, as a producer. 566 00:27:50,880 --> 00:27:51,760 Speaker 2: Did I say as a dancer? 567 00:27:51,800 --> 00:27:56,320 Speaker 1: I didn't. Yes, I mean now as almost everything other 568 00:27:56,359 --> 00:28:01,440 Speaker 1: than a dancer until now to really understand how much 569 00:28:01,640 --> 00:28:07,680 Speaker 1: dance is in just another form of storytelling and expression 570 00:28:07,840 --> 00:28:13,720 Speaker 1: and connection with the audience. You're exactly right, Andy is 571 00:28:13,840 --> 00:28:19,640 Speaker 1: connecting to the audience through this medium that even without 572 00:28:19,720 --> 00:28:23,000 Speaker 1: having the experience, the point of the show is about 573 00:28:23,480 --> 00:28:26,639 Speaker 1: telling that story. And the point of the show isn't 574 00:28:26,640 --> 00:28:31,800 Speaker 1: necessarily who's the best dancer, it's who's your favorite dancer? 575 00:28:32,119 --> 00:28:34,679 Speaker 1: Who do you want to see dance again? Next week? 576 00:28:35,480 --> 00:28:37,560 Speaker 1: I see a couple of you know, people sometimes forget 577 00:28:37,600 --> 00:28:39,120 Speaker 1: that they can vote for more than one couple, and 578 00:28:39,120 --> 00:28:41,480 Speaker 1: they're like, oh, it's just so hard because I'm really 579 00:28:41,600 --> 00:28:42,680 Speaker 1: voting for you. 580 00:28:42,600 --> 00:28:45,440 Speaker 3: Know, Jordan is like ten couples per vote. 581 00:28:45,680 --> 00:28:50,040 Speaker 1: Ten couples per vote, ten votes per couple exactly, so 582 00:28:50,240 --> 00:28:53,080 Speaker 1: you can vote for more than one. And so that's 583 00:28:53,120 --> 00:28:56,240 Speaker 1: what I always tell people, because I'm like, guys, especially 584 00:28:56,280 --> 00:28:57,840 Speaker 1: before we get to the finale. Once you get to 585 00:28:57,840 --> 00:29:00,480 Speaker 1: the finale, you're gonna have to choose yes, sure, yes, 586 00:29:00,680 --> 00:29:03,040 Speaker 1: but vote for every couple you want to see in 587 00:29:03,040 --> 00:29:07,760 Speaker 1: the finale, because don't you want to curate the end. 588 00:29:08,440 --> 00:29:11,040 Speaker 1: So anyone you feel like you want to see dance 589 00:29:11,160 --> 00:29:13,360 Speaker 1: again because you connected with the dance, or you connected 590 00:29:13,360 --> 00:29:15,880 Speaker 1: with the story, or you connected with it. We are 591 00:29:15,960 --> 00:29:18,440 Speaker 1: storytelling and you have to if you connect with the story, 592 00:29:18,920 --> 00:29:21,360 Speaker 1: place your vote. So okay, well, thank you for answering that, 593 00:29:21,360 --> 00:29:25,440 Speaker 1: because I welcome I love it. Are you more interested 594 00:29:25,560 --> 00:29:27,800 Speaker 1: as not only a pro on the show, but as 595 00:29:27,840 --> 00:29:30,120 Speaker 1: a viewer, are you more interested in the journey of 596 00:29:30,120 --> 00:29:33,560 Speaker 1: a celebrity or just an impressive dance. 597 00:29:33,480 --> 00:29:39,560 Speaker 3: Journey of the celebrity. I also feel like, as as 598 00:29:39,600 --> 00:29:42,400 Speaker 3: a dancer, I respect someone's journeying when they start from 599 00:29:42,440 --> 00:29:46,400 Speaker 3: the ground up. And you eveno alone to last season, like, 600 00:29:46,640 --> 00:29:48,960 Speaker 3: her message was so powerful and even though she didn't 601 00:29:48,960 --> 00:29:50,880 Speaker 3: win a Mirror Ball, I just like I told her, 602 00:29:51,440 --> 00:29:53,640 Speaker 3: your message in your journey on the show was a 603 00:29:53,640 --> 00:29:56,320 Speaker 3: lot bigger than winning a Mirror Ball, and that's me 604 00:29:56,400 --> 00:29:59,640 Speaker 3: is so powerful. But you know, sometimes but also you 605 00:29:59,680 --> 00:30:02,760 Speaker 3: need like stellar routine to like really amplify the show. 606 00:30:03,320 --> 00:30:06,120 Speaker 3: But to me, personally, I love a dancer's journey. 607 00:30:06,520 --> 00:30:11,560 Speaker 1: Oh, I couldn't agree more. Also, I probably shouldn't say this, 608 00:30:11,680 --> 00:30:15,080 Speaker 1: but I'm going to anyway. I feel like, for at 609 00:30:15,160 --> 00:30:16,880 Speaker 1: least for myself, I'll only speak for myself. I can't 610 00:30:16,920 --> 00:30:20,960 Speaker 1: speak for anyone else. I want to win the Mirror Ball, 611 00:30:21,440 --> 00:30:23,840 Speaker 1: but not even so much for me. 612 00:30:24,760 --> 00:30:26,600 Speaker 2: I want to win for Pasha. 613 00:30:26,720 --> 00:30:27,560 Speaker 3: Yeah, that's so stee. 614 00:30:27,640 --> 00:30:31,600 Speaker 1: I want Pasha to have the mirror Ball that I think, you. 615 00:30:31,880 --> 00:30:34,480 Speaker 3: Know, I think Pasha deserves a mirror Ball too. 616 00:30:35,640 --> 00:30:39,760 Speaker 1: I feel like for me, my goal is exactly what 617 00:30:39,800 --> 00:30:43,680 Speaker 1: you said about Alona. My story, my story, and this 618 00:30:43,840 --> 00:30:48,440 Speaker 1: journey for me is the win. And where like when 619 00:30:48,440 --> 00:30:50,680 Speaker 1: I was in the bottom three last week and I 620 00:30:50,720 --> 00:30:51,960 Speaker 1: was standing up there and I know they say the 621 00:30:52,000 --> 00:30:54,520 Speaker 1: bottom three doesn't necessarily mean the bottom three, but still 622 00:30:55,080 --> 00:30:55,760 Speaker 1: you're staying. 623 00:30:55,760 --> 00:30:57,040 Speaker 3: You're there, You're there. 624 00:30:56,960 --> 00:30:59,760 Speaker 1: You're you are there, could be your name, that is. 625 00:31:01,480 --> 00:31:04,720 Speaker 3: But they were playing games, they were playing games with you. 626 00:31:04,920 --> 00:31:11,680 Speaker 3: I was not, and I was backstage with Danny. Oh someone. 627 00:31:12,200 --> 00:31:16,280 Speaker 3: I was like, kind of backs like, Danny's not going 628 00:31:16,320 --> 00:31:19,080 Speaker 3: to be Pasha, like it's not and it's not, it 629 00:31:19,160 --> 00:31:20,360 Speaker 3: is not happening. 630 00:31:21,080 --> 00:31:23,360 Speaker 1: I would have loved to have seen Danny's face. 631 00:31:23,560 --> 00:31:26,560 Speaker 3: Well, no, you wouldn't have because you made it so no, 632 00:31:26,560 --> 00:31:27,600 Speaker 3: no one wanted to see that. 633 00:31:28,920 --> 00:31:31,400 Speaker 1: But when you're standing up there, you have all these 634 00:31:31,400 --> 00:31:35,560 Speaker 1: thoughts that flashed through your head. And it was amazing 635 00:31:35,680 --> 00:31:38,160 Speaker 1: to me, for as competitive as I am, how quickly 636 00:31:39,120 --> 00:31:41,440 Speaker 1: I went from oh God, I really hope that it's 637 00:31:41,480 --> 00:31:46,000 Speaker 1: not us too, but if it is us, I have 638 00:31:46,160 --> 00:31:52,239 Speaker 1: loved every single second I have spent here with these 639 00:31:52,280 --> 00:31:57,800 Speaker 1: people and no regrets, no regrets. So I got But 640 00:31:57,800 --> 00:32:01,160 Speaker 1: but so the mirror ball I feel in my opinion 641 00:32:01,480 --> 00:32:06,080 Speaker 1: is more for you guys, the mirror ball belongs to you. 642 00:32:06,240 --> 00:32:08,480 Speaker 3: But do you know what's crazy? I think I think 643 00:32:08,480 --> 00:32:12,480 Speaker 3: the opposite. For me as a pro, our job is 644 00:32:12,520 --> 00:32:14,440 Speaker 3: to give the best experience to a celebrity. 645 00:32:14,640 --> 00:32:17,160 Speaker 1: But you do that and then you get the mirror ball. 646 00:32:17,400 --> 00:32:20,240 Speaker 1: You guys do that. That's what I think everyone needs 647 00:32:20,280 --> 00:32:24,520 Speaker 1: to know about this show. The stars of this show 648 00:32:25,040 --> 00:32:26,400 Speaker 1: are the pros. 649 00:32:27,240 --> 00:32:30,479 Speaker 3: See, we're on different sides here. You it's it's about 650 00:32:30,520 --> 00:32:33,800 Speaker 3: you guys and telling your story. Sure, sure, but if 651 00:32:33,800 --> 00:32:36,480 Speaker 3: we get a mirror ball, so Hie. I know, Sophie. 652 00:32:37,080 --> 00:32:40,800 Speaker 3: But even with even with Jordan, I was like, do 653 00:32:40,840 --> 00:32:42,960 Speaker 3: you want to win? And She's like, yeah, I want 654 00:32:42,960 --> 00:32:45,480 Speaker 3: to win. And I was like, guess what, me too good. 655 00:32:46,200 --> 00:32:47,840 Speaker 3: It's like, I think it's all about just like matching 656 00:32:47,880 --> 00:32:51,560 Speaker 3: your partner's energy exactly. Yeah. I mean, but even with Anna, 657 00:32:51,600 --> 00:32:53,760 Speaker 3: I was like, do you want to win? She goes hmmm. 658 00:32:54,120 --> 00:32:55,800 Speaker 3: I was like, Okay, we're gonna have a gag. You 659 00:32:55,840 --> 00:32:57,400 Speaker 3: know what. We're gonna have a gag and we're gonna 660 00:32:57,400 --> 00:32:58,040 Speaker 3: have fun doing it. 661 00:32:58,200 --> 00:32:59,720 Speaker 1: We're gonna be dazzled your ankle monitor. 662 00:33:00,080 --> 00:33:02,920 Speaker 3: So I'm like, that's was that your idea. Well, I 663 00:33:02,920 --> 00:33:05,360 Speaker 3: remember I talked to production about it and they're like, well, 664 00:33:05,760 --> 00:33:08,520 Speaker 3: we wanted to do it, and I was like, well, 665 00:33:10,520 --> 00:33:14,400 Speaker 3: did you get that approved by the government. Well I didn't. 666 00:33:14,440 --> 00:33:17,000 Speaker 3: I didn't know. But honestly, I did it in a 667 00:33:17,000 --> 00:33:18,360 Speaker 3: way where she couldn't charge it. 668 00:33:18,560 --> 00:33:24,320 Speaker 2: So wait, you did it yourself, Yes, I did so. 669 00:33:24,400 --> 00:33:27,320 Speaker 3: I did it for rehearsal. No, I'm kidding you. I 670 00:33:27,360 --> 00:33:29,040 Speaker 3: did it for rehearsal. And the next day like, she 671 00:33:29,080 --> 00:33:31,240 Speaker 3: pills them all off and I was like what happened? 672 00:33:31,520 --> 00:33:33,360 Speaker 3: And she goes, I couldn't charge it, and I was 673 00:33:33,640 --> 00:33:37,080 Speaker 3: like I almost got arrested because of me. 674 00:33:40,440 --> 00:33:42,680 Speaker 1: I also never thought about the fact that you have to. 675 00:33:42,680 --> 00:33:48,760 Speaker 3: Charge those you do. We would rehearse. It wasn't it 676 00:33:48,800 --> 00:33:50,960 Speaker 3: was like a giant leave, but like we would be 677 00:33:51,000 --> 00:33:54,360 Speaker 3: rehearsing and then it'd be like you hear like and 678 00:33:54,400 --> 00:33:57,640 Speaker 3: I'm like what is that? And you feel like you're 679 00:33:57,720 --> 00:34:02,400 Speaker 3: like what and it's like, no better, I'm dead. I 680 00:34:02,520 --> 00:34:04,600 Speaker 3: was like five minutes to charge it. 681 00:34:05,240 --> 00:34:07,320 Speaker 2: I'm like, streaming, do you take it off to charge? 682 00:34:07,640 --> 00:34:15,399 Speaker 3: No? She oh, she's gonna kill me. Oh yeah, yeah. 683 00:34:15,440 --> 00:34:17,240 Speaker 3: Her leg was out and you're just kind of sticking 684 00:34:17,320 --> 00:34:18,960 Speaker 3: on there. 685 00:34:19,880 --> 00:34:23,120 Speaker 1: So are you guys still friendly? 686 00:34:24,320 --> 00:34:27,560 Speaker 3: We're not talking right now, you're not talking right now. 687 00:34:30,280 --> 00:34:32,640 Speaker 1: I heard that maybe there was an unfollowed Yeah, there. 688 00:34:32,560 --> 00:34:34,840 Speaker 3: Was definitely an unfollow And you know what, it's okay, 689 00:34:34,840 --> 00:34:35,400 Speaker 3: it's okay. 690 00:34:36,120 --> 00:34:37,200 Speaker 2: We're all on our different journey. 691 00:34:37,239 --> 00:34:39,440 Speaker 3: Yes, it's like you you be you boo boo, and 692 00:34:39,440 --> 00:34:42,840 Speaker 3: I'll be me, you know, respectfully. 693 00:34:44,560 --> 00:34:48,960 Speaker 1: Oh boy, Okay, I saw that you were recently hanging 694 00:34:49,000 --> 00:34:51,640 Speaker 1: out with Kai sinnat Yeah. 695 00:34:51,760 --> 00:34:53,280 Speaker 3: Wait yeah that was like at the Ace? 696 00:34:53,400 --> 00:34:56,600 Speaker 1: Yes, yeah, have have you? Have you talked about trying 697 00:34:56,600 --> 00:34:57,319 Speaker 1: to get him on the show. 698 00:34:57,480 --> 00:34:59,520 Speaker 3: I mean every single time I see a producer, I 699 00:34:59,520 --> 00:35:01,000 Speaker 3: talk about how having him on the show. 700 00:35:01,680 --> 00:35:05,160 Speaker 2: You know how massive that I was telling them that, 701 00:35:05,200 --> 00:35:05,640 Speaker 2: like how. 702 00:35:05,480 --> 00:35:07,600 Speaker 3: Massive that would be if he was on the show. Yeah, 703 00:35:07,640 --> 00:35:10,400 Speaker 3: but maybe it's, you know, next season. But okay, I 704 00:35:10,440 --> 00:35:13,760 Speaker 3: definitely feel like he's in the Rolodex of names names 705 00:35:13,800 --> 00:35:14,520 Speaker 3: one hundred percent. 706 00:35:14,640 --> 00:35:14,920 Speaker 2: Yeah. 707 00:35:14,960 --> 00:35:18,640 Speaker 3: I mean, he definitely showed interest like I was. I 708 00:35:18,680 --> 00:35:20,520 Speaker 3: wasn't expecting him to be as interested as he was, 709 00:35:20,560 --> 00:35:22,239 Speaker 3: Like when I went up to I went up to 710 00:35:22,320 --> 00:35:24,440 Speaker 3: him during the AMAS and he was like doing his 711 00:35:24,480 --> 00:35:26,840 Speaker 3: live stream and I was like to Jenn I was like, 712 00:35:26,840 --> 00:35:28,040 Speaker 3: I'm just going to ask him. She goes like, what 713 00:35:28,080 --> 00:35:29,560 Speaker 3: if he says no, I'm like, then it's a gag 714 00:35:29,600 --> 00:35:31,760 Speaker 3: and I can just like walk away. I wasn't expecting 715 00:35:31,800 --> 00:35:33,719 Speaker 3: him to say yes at all and then just get 716 00:35:33,760 --> 00:35:35,200 Speaker 3: his number and connect. 717 00:35:35,239 --> 00:35:35,520 Speaker 1: Wow. 718 00:35:36,480 --> 00:35:40,000 Speaker 3: Man, Yeah, I hope so, And honestly, if he gets 719 00:35:40,040 --> 00:35:41,480 Speaker 3: on the show, I hope he gets Danny. 720 00:35:41,719 --> 00:35:42,600 Speaker 2: Oh. 721 00:35:42,640 --> 00:35:44,439 Speaker 3: I really do feel like it'd be such a good parent. 722 00:35:44,560 --> 00:35:45,560 Speaker 2: That would be a great pairing. 723 00:35:46,120 --> 00:35:48,720 Speaker 1: If you were going to be a celebrity on the show, 724 00:35:49,040 --> 00:35:49,920 Speaker 1: who would be. 725 00:35:50,040 --> 00:35:51,040 Speaker 2: Your Prosha pick? 726 00:35:51,400 --> 00:35:52,240 Speaker 3: Really Russia? 727 00:35:52,880 --> 00:35:54,319 Speaker 1: Do you know how many people have said that to me? 728 00:35:54,440 --> 00:35:55,480 Speaker 2: That is so funny. 729 00:35:55,760 --> 00:35:57,359 Speaker 1: So many people said that to me when I first started, 730 00:35:57,360 --> 00:35:58,279 Speaker 1: Like if I were going to be on the show, 731 00:35:58,280 --> 00:35:59,160 Speaker 1: Pasha be who I pick. 732 00:35:59,239 --> 00:36:02,800 Speaker 3: Yeah, I definitely feel like he's the most team player, 733 00:36:02,920 --> 00:36:05,399 Speaker 3: most endearing. But also I trained with him growing up, 734 00:36:05,880 --> 00:36:07,760 Speaker 3: so I definitely feel like I can learn the most 735 00:36:07,840 --> 00:36:10,680 Speaker 3: from him. Yeah, and I also like I see his routines. 736 00:36:10,680 --> 00:36:13,360 Speaker 3: His choreography is amazingly even watching his routine with you, 737 00:36:13,760 --> 00:36:16,440 Speaker 3: the figures that he does, the way that he formulates 738 00:36:16,440 --> 00:36:19,719 Speaker 3: it so inspiring. So I feel like as a celebrity 739 00:36:20,040 --> 00:36:22,839 Speaker 3: as just a dancer myself. Like I just love every 740 00:36:22,840 --> 00:36:24,120 Speaker 3: single time I get to work with him. 741 00:36:24,200 --> 00:36:27,920 Speaker 1: Yeah, he is the like what a what a gift 742 00:36:28,120 --> 00:36:30,080 Speaker 1: to humanity is Pasha? 743 00:36:30,440 --> 00:36:34,000 Speaker 3: Like, honestly, I love I will. I love him so 744 00:36:34,120 --> 00:36:36,239 Speaker 3: much even on tour. I feel like on tour too, 745 00:36:36,239 --> 00:36:39,279 Speaker 3: you see everyone's side like you We truly do, and 746 00:36:39,280 --> 00:36:41,600 Speaker 3: there is no quarters. There was never a moment where 747 00:36:41,640 --> 00:36:44,840 Speaker 3: Pasha like lost as cool. He was such a gentleman 748 00:36:44,880 --> 00:36:48,239 Speaker 3: to everyone and also just having his daughter out in 749 00:36:48,280 --> 00:36:50,480 Speaker 3: the road with Danny and just see how amazing the 750 00:36:50,640 --> 00:36:54,520 Speaker 3: father he is is like so endearing it really is. 751 00:36:54,600 --> 00:36:57,600 Speaker 1: I know, he said yesterday, he was like during my audition, 752 00:36:57,680 --> 00:36:59,359 Speaker 1: I told them that I was like a bear because 753 00:36:59,400 --> 00:37:01,799 Speaker 1: I could be like I could be cuddly, but I. 754 00:37:01,760 --> 00:37:02,719 Speaker 2: Could also like gurr. 755 00:37:02,840 --> 00:37:08,520 Speaker 1: And I was like, when are you girl, I've never 756 00:37:08,560 --> 00:37:10,440 Speaker 1: seen ger and he was like, I am when I 757 00:37:10,480 --> 00:37:13,600 Speaker 1: need to be ooh oh, Like. 758 00:37:13,600 --> 00:37:16,879 Speaker 5: We're going to backpedal from that one, Okay, I guess 759 00:37:16,920 --> 00:37:20,399 Speaker 5: I don't need the story or whatever, but like, I'm 760 00:37:20,560 --> 00:37:23,359 Speaker 5: so curious, how excited are you to go back out 761 00:37:23,400 --> 00:37:24,120 Speaker 5: on the road for tour? 762 00:37:24,320 --> 00:37:25,480 Speaker 1: Tour was just announced? 763 00:37:25,480 --> 00:37:29,680 Speaker 3: Excited? Yes, yes, I'm so excited. I like last season 764 00:37:29,680 --> 00:37:32,920 Speaker 3: was such a dream come true, and like like the 765 00:37:32,960 --> 00:37:35,640 Speaker 3: show is having a renaissance. So just performing for crowds 766 00:37:35,680 --> 00:37:38,399 Speaker 3: like that in ways that like the show hasn't seen 767 00:37:38,520 --> 00:37:41,960 Speaker 3: in so long is like a dream. It is such 768 00:37:41,960 --> 00:37:44,080 Speaker 3: a dream, Like we're on stage in your ears would 769 00:37:44,080 --> 00:37:47,279 Speaker 3: bleed from how loud people are screaming you. I don't 770 00:37:47,280 --> 00:37:50,359 Speaker 3: think as a performer, I've ever experienced that. For those 771 00:37:50,400 --> 00:37:53,920 Speaker 3: people to scream for you like that is so surreal. 772 00:37:55,320 --> 00:37:56,839 Speaker 2: How many dates are you guys doing? 773 00:37:57,239 --> 00:37:58,000 Speaker 3: I haven't even looked. 774 00:37:58,120 --> 00:37:58,840 Speaker 1: Okay, I don't know. 775 00:37:59,239 --> 00:38:01,200 Speaker 3: I just know, like December twelfth, I'm all, there is 776 00:38:01,280 --> 00:38:02,120 Speaker 3: up until May third? 777 00:38:02,280 --> 00:38:05,000 Speaker 1: So wow, December twelfth or May third? Where can people 778 00:38:05,000 --> 00:38:08,279 Speaker 1: buy tickets? Is it DWTS? Yeah, it's like tour dot 779 00:38:08,360 --> 00:38:10,359 Speaker 1: com Yeah, DWTS tour dot com. 780 00:38:10,440 --> 00:38:11,359 Speaker 2: Yeah, okay great. 781 00:38:11,360 --> 00:38:12,040 Speaker 3: Would you want to go? 782 00:38:13,239 --> 00:38:15,520 Speaker 2: Yes? I do want to go. 783 00:38:16,200 --> 00:38:18,720 Speaker 1: I was going to ask you how how do normal 784 00:38:18,800 --> 00:38:20,239 Speaker 1: how do celebrities normally do it? 785 00:38:20,280 --> 00:38:21,160 Speaker 2: How long do they go? 786 00:38:21,840 --> 00:38:24,440 Speaker 4: What's is it very It's like if it's it's like 787 00:38:24,560 --> 00:38:26,640 Speaker 4: up to you, really, yeah, it's up to you. 788 00:38:26,920 --> 00:38:27,799 Speaker 3: How long you want to go? 789 00:38:28,280 --> 00:38:29,920 Speaker 1: So, like, if I want to take my kids out 790 00:38:29,920 --> 00:38:32,760 Speaker 1: of school, bring a tutor and just go the whole time. 791 00:38:33,640 --> 00:38:37,480 Speaker 3: I mean sure. I mean we got Rome and Nikita, 792 00:38:37,680 --> 00:38:40,440 Speaker 3: so we're we're capable of doing it. 793 00:38:41,040 --> 00:38:42,160 Speaker 1: Wouldn't that too? 794 00:38:42,640 --> 00:38:44,719 Speaker 3: Having Nikida out on the road and like whenever Rome 795 00:38:44,760 --> 00:38:47,040 Speaker 3: would come down. I think it just brings so much humanity, 796 00:38:47,120 --> 00:38:50,080 Speaker 3: like humanity does because when you're going city to city 797 00:38:50,080 --> 00:38:51,400 Speaker 3: to city and you're just on a bus and you're 798 00:38:51,440 --> 00:38:54,279 Speaker 3: performing on a bus and performing, it's you see those 799 00:38:54,360 --> 00:38:56,560 Speaker 3: kids and just brings you back to your why. Yeah, 800 00:38:56,600 --> 00:38:58,120 Speaker 3: and it just helps keep you pushing. 801 00:38:58,560 --> 00:38:59,919 Speaker 1: Do you want to have kids? Yeah? 802 00:39:00,280 --> 00:39:01,120 Speaker 2: Oh my gosh. 803 00:39:01,160 --> 00:39:02,840 Speaker 3: And do you know what's crazy? And I Toopostia this, 804 00:39:02,960 --> 00:39:05,799 Speaker 3: I never wanted to have kids until I saw how 805 00:39:05,840 --> 00:39:08,440 Speaker 3: he handled Nikita and Danny on the road. Like it 806 00:39:08,480 --> 00:39:11,520 Speaker 3: was like it just I was like, I just never 807 00:39:11,680 --> 00:39:14,480 Speaker 3: thought as a performer and as a dancer, I could 808 00:39:14,640 --> 00:39:18,319 Speaker 3: have kids in this type of climate and environment. You're 809 00:39:18,320 --> 00:39:19,960 Speaker 3: just seeing how they're able to make it work, just 810 00:39:20,040 --> 00:39:22,600 Speaker 3: in their love for each other. Yeah, I hope I 811 00:39:22,600 --> 00:39:23,600 Speaker 3: have that one day. I know. 812 00:39:23,960 --> 00:39:28,160 Speaker 1: It really also helps so much that his mom and dad, Yes, 813 00:39:28,320 --> 00:39:31,000 Speaker 1: I mean, how sweet are they? I know, I asked him, 814 00:39:31,000 --> 00:39:33,360 Speaker 1: because you know, we have two kids and we have 815 00:39:33,400 --> 00:39:35,840 Speaker 1: an annie. Our family doesn't live down the street like 816 00:39:35,880 --> 00:39:37,920 Speaker 1: their family does. But I said, do you guys have 817 00:39:37,920 --> 00:39:40,040 Speaker 1: an Anni? And he was like, no, it's my mom. 818 00:39:40,719 --> 00:39:45,960 Speaker 1: And I was like, that is the perfect scenario. Just 819 00:39:46,000 --> 00:39:50,239 Speaker 1: to have your little tribe be taking care of your 820 00:39:50,320 --> 00:39:54,120 Speaker 1: Family's so great. That's so sweet. You're going to have 821 00:39:54,200 --> 00:39:56,560 Speaker 1: that someday, I hope, so really you will for sure. 822 00:39:57,440 --> 00:39:59,680 Speaker 1: Have you already started thinking of TikTok ideas for the bus? 823 00:40:00,640 --> 00:40:02,719 Speaker 3: They'll just come to me, I guess. And if you 824 00:40:02,800 --> 00:40:04,480 Speaker 3: got any too, we could do the Void meets World 825 00:40:04,520 --> 00:40:04,880 Speaker 3: themes on it. 826 00:40:05,080 --> 00:40:09,440 Speaker 1: I mean, have fun with that. So TikTok dancing is 827 00:40:09,640 --> 00:40:10,280 Speaker 1: very viby. 828 00:40:10,400 --> 00:40:11,279 Speaker 3: Do you want to my hot take? 829 00:40:11,360 --> 00:40:11,560 Speaker 1: Yeah? 830 00:40:11,560 --> 00:40:13,080 Speaker 2: Please take? I want to take, me do this and 831 00:40:13,120 --> 00:40:13,520 Speaker 2: I want. 832 00:40:13,360 --> 00:40:17,000 Speaker 3: To do by this. TikTok has brought so much joy 833 00:40:17,040 --> 00:40:18,640 Speaker 3: and like brought a new lecture the show. But I 834 00:40:18,680 --> 00:40:20,240 Speaker 3: don't think it needs to be on the ballroom floor 835 00:40:20,719 --> 00:40:24,080 Speaker 3: personally as a TikToker, I did not. I did not 836 00:40:24,239 --> 00:40:26,000 Speaker 3: think it. I don't think it belonged there. 837 00:40:26,080 --> 00:40:27,920 Speaker 2: You know what, don't disagree with you? 838 00:40:28,000 --> 00:40:31,120 Speaker 3: Okay? And I also too, like our TikTok week. I 839 00:40:31,120 --> 00:40:33,120 Speaker 3: feel like a lot of people were expecting me to 840 00:40:33,160 --> 00:40:35,680 Speaker 3: do a TikTok dance in my dance and I was like, no, 841 00:40:36,000 --> 00:40:38,399 Speaker 3: I'm sorry, I'm sorry. I just don't think. 842 00:40:38,600 --> 00:40:40,640 Speaker 1: Pasha and I didn't do it either. Yeah, Pasha and 843 00:40:40,680 --> 00:40:44,239 Speaker 1: I said, the way we're incorporating TikTok is that we 844 00:40:44,280 --> 00:40:47,360 Speaker 1: are using a song that grows viral on TikTok. 845 00:40:47,480 --> 00:40:50,360 Speaker 2: Yes, but we are not going to do the TikTok 846 00:40:50,440 --> 00:40:52,600 Speaker 2: dance part. Yeah. 847 00:40:53,040 --> 00:40:56,640 Speaker 1: I agree, And I also think it was a very 848 00:40:56,840 --> 00:41:02,839 Speaker 1: polarizing thing for the audience. One of the incredible things 849 00:41:02,840 --> 00:41:05,520 Speaker 1: about Dancing with the Stars is that, especially right now, 850 00:41:05,600 --> 00:41:09,000 Speaker 1: it feels like everyone would like a safe space to 851 00:41:09,040 --> 00:41:14,360 Speaker 1: be able to go for no politics, yes and maybe 852 00:41:14,440 --> 00:41:19,560 Speaker 1: just pure joy. And TikTok was a little like half 853 00:41:19,600 --> 00:41:22,200 Speaker 1: the audience is like, what even is TikTok? I don't 854 00:41:22,200 --> 00:41:24,880 Speaker 1: know these songs, I don't know these dances. I'm not 855 00:41:24,920 --> 00:41:27,800 Speaker 1: sure why we're doing this. And then the TikTok audience 856 00:41:28,000 --> 00:41:31,960 Speaker 1: was then not really thrilled that it wasn't enough TikTok. Yeah, 857 00:41:32,120 --> 00:41:34,520 Speaker 1: I'm and so no one really felt I agree, No 858 00:41:34,560 --> 00:41:36,239 Speaker 1: one really. I didn't I don't know that it would 859 00:41:36,239 --> 00:41:39,759 Speaker 1: need to happen again. I will say that who won 860 00:41:39,840 --> 00:41:45,520 Speaker 1: the Internet during TikTok Week was on the comment about 861 00:41:45,640 --> 00:41:51,160 Speaker 1: Lauren and Brandon going home on TikTok Week, Instagram wrote 862 00:41:51,800 --> 00:41:54,080 Speaker 1: would have never happened on Instagram night. 863 00:41:54,400 --> 00:41:59,839 Speaker 3: Yes, yes, but that we've never had a social media night. 864 00:42:00,640 --> 00:42:06,000 Speaker 1: I know Instagram won the night as far as. 865 00:42:05,719 --> 00:42:09,520 Speaker 3: Look at that leting how that turned out? Wow. 866 00:42:11,040 --> 00:42:13,200 Speaker 1: So I have been asking everybody who's come on the show, 867 00:42:13,239 --> 00:42:15,279 Speaker 1: this as someone who has not only seen all of 868 00:42:15,320 --> 00:42:18,480 Speaker 1: my routines but has had a close seat, if you 869 00:42:18,520 --> 00:42:22,359 Speaker 1: had one piece of advice for me moving forward, if 870 00:42:22,360 --> 00:42:24,080 Speaker 1: you could just get me one thing that you think 871 00:42:24,120 --> 00:42:25,719 Speaker 1: would help me, what do you think it would be? 872 00:42:25,760 --> 00:42:29,640 Speaker 3: Oh my gosh, I feel like my advice for you 873 00:42:29,680 --> 00:42:33,040 Speaker 3: to trust the process? Okay, yeah, I mean you have 874 00:42:33,120 --> 00:42:35,080 Speaker 3: such a good pro you really do. And I do 875 00:42:35,200 --> 00:42:36,960 Speaker 3: believe that you have such a good head on your 876 00:42:36,960 --> 00:42:40,640 Speaker 3: shoulders too about the whole journey and everything. So, and 877 00:42:40,640 --> 00:42:43,120 Speaker 3: I'm sure everyone told you this too. Enjoy it, yeah, 878 00:42:43,120 --> 00:42:45,879 Speaker 3: have fun, but also just trust the process. Every single 879 00:42:45,920 --> 00:42:48,799 Speaker 3: week is an ebb and flow of disaster and then 880 00:42:48,840 --> 00:42:50,960 Speaker 3: trying to piece it all together and then magically it 881 00:42:51,000 --> 00:42:51,879 Speaker 3: always works out. 882 00:42:52,040 --> 00:42:53,279 Speaker 2: Yeah, so just trust it. 883 00:42:53,320 --> 00:42:55,919 Speaker 3: But honestly, like you're in such good hands, I don't 884 00:42:55,960 --> 00:42:56,920 Speaker 3: know what else I could. 885 00:42:56,760 --> 00:43:01,200 Speaker 6: Say to elevate your experience, like truthfully, well, like Mandy 886 00:43:01,239 --> 00:43:03,360 Speaker 6: Moore when we had Mandy Moore on the podcast, Mandy 887 00:43:03,360 --> 00:43:07,919 Speaker 6: Moore said, go bigger, be bigger, just there's no room 888 00:43:07,920 --> 00:43:09,320 Speaker 6: for subtlety on the ballroom floor. 889 00:43:09,360 --> 00:43:12,040 Speaker 1: Which as an actor, someone who spends a lot of 890 00:43:12,080 --> 00:43:14,520 Speaker 1: time being subtle assuming the camera will pick it up, 891 00:43:14,840 --> 00:43:16,160 Speaker 1: that's not gonna help, no girl. 892 00:43:16,239 --> 00:43:19,239 Speaker 3: Yeah, I definitely agree with that, especially on camera things 893 00:43:19,239 --> 00:43:21,080 Speaker 3: are a little bit smaller, so you has to dance 894 00:43:21,080 --> 00:43:21,840 Speaker 3: a little bit bigger. 895 00:43:21,920 --> 00:43:24,960 Speaker 2: Yeah, I'm struggling with that. I'll be honest, Like in 896 00:43:25,000 --> 00:43:25,600 Speaker 2: the room. 897 00:43:25,600 --> 00:43:27,600 Speaker 1: You know, Pasha's like and there's a big sweeping arm movement, 898 00:43:27,600 --> 00:43:31,719 Speaker 1: and I'm like, and what if I do it like 899 00:43:31,880 --> 00:43:32,800 Speaker 1: a little more subdued. 900 00:43:32,840 --> 00:43:35,080 Speaker 3: But sometimes it doesn't mean dance it bigger, just means 901 00:43:35,120 --> 00:43:38,160 Speaker 3: have more tone. Yeah, because if someone told me to 902 00:43:38,239 --> 00:43:40,759 Speaker 3: raise my arm and all like this, Yeah, there's a 903 00:43:40,760 --> 00:43:44,040 Speaker 3: difference between that and this, right, Like just they're just 904 00:43:44,080 --> 00:43:46,120 Speaker 3: having a little bit more muscle tone in my arm. 905 00:43:46,239 --> 00:43:48,520 Speaker 2: It just it'll make your movement unless you're doing cha chaw. 906 00:43:48,600 --> 00:43:51,040 Speaker 1: And then the amount of times I had stiff arms 907 00:43:51,080 --> 00:43:54,239 Speaker 1: and Pashua was like, Danielle, what are those arms? You 908 00:43:54,280 --> 00:43:56,640 Speaker 1: cannot do that? Please relax your arms like and I 909 00:43:56,680 --> 00:43:57,480 Speaker 1: was like I can't. 910 00:43:57,719 --> 00:44:00,120 Speaker 3: Well those give yourself grace because those technically are the 911 00:44:00,120 --> 00:44:04,520 Speaker 3: hardest styles for women on the show Women's Celebrities, Chasha 912 00:44:04,600 --> 00:44:07,239 Speaker 3: and Rumba. Those have jam packed technique and not in 913 00:44:07,280 --> 00:44:10,800 Speaker 3: close holds. So you're like, there, yeah. 914 00:44:10,760 --> 00:44:12,200 Speaker 1: That was a terrible week for me to be injured. 915 00:44:12,200 --> 00:44:16,359 Speaker 3: Then yes, but then also, okay, okay, I'm gonna clock 916 00:44:16,400 --> 00:44:19,000 Speaker 3: Pasha because you're injured. And then I started a dance 917 00:44:19,000 --> 00:44:24,920 Speaker 3: a car will into a split Pasha and was handy, 918 00:44:25,200 --> 00:44:25,840 Speaker 3: was it the hammy? 919 00:44:25,960 --> 00:44:28,680 Speaker 1: It was my hamst It like it was a left 920 00:44:28,800 --> 00:44:29,800 Speaker 1: It was a left split. 921 00:44:29,920 --> 00:44:31,160 Speaker 3: So it was my left safe day. 922 00:44:31,200 --> 00:44:35,680 Speaker 1: So that was okay. The cartwheel was making me nervous, 923 00:44:36,239 --> 00:44:37,759 Speaker 1: but he kept He was like, do we just take 924 00:44:37,760 --> 00:44:38,560 Speaker 1: it out? We just take it out? 925 00:44:38,560 --> 00:44:40,239 Speaker 2: And I was like, no, we got this. 926 00:44:40,840 --> 00:44:44,000 Speaker 1: But then that day, like my legs and I couldn't 927 00:44:44,000 --> 00:44:45,600 Speaker 1: even feel my kneecaps. I was like, I don't know 928 00:44:45,640 --> 00:44:47,319 Speaker 1: if my legs straight or not can't even feel my knee. 929 00:44:48,040 --> 00:44:48,960 Speaker 3: Anyway, We're gonna do it. 930 00:44:49,239 --> 00:44:51,000 Speaker 1: We're gonna do it. If I get a redemption dance, 931 00:44:51,120 --> 00:44:52,680 Speaker 1: I want to do my Yeah. 932 00:44:52,760 --> 00:44:54,680 Speaker 3: Yeah, I hope you get a redemption dance. 933 00:44:55,760 --> 00:44:58,120 Speaker 1: Ezra. Thank you so much for being here. I am 934 00:44:58,280 --> 00:45:02,960 Speaker 1: absolutely rooting for you, and I think you are such 935 00:45:02,960 --> 00:45:05,160 Speaker 1: a delight and so much fun to be around. I 936 00:45:05,239 --> 00:45:08,200 Speaker 1: light up every time I see you. I just really 937 00:45:08,480 --> 00:45:11,200 Speaker 1: I appreciate you so much. I respect you so much. 938 00:45:11,280 --> 00:45:13,839 Speaker 1: You bring so much to the show, and I love 939 00:45:13,840 --> 00:45:16,319 Speaker 1: seeing your partnership with Jordan, And even though we are 940 00:45:16,440 --> 00:45:19,200 Speaker 1: quote unquote in competition, I hope we're. 941 00:45:19,080 --> 00:45:21,120 Speaker 3: In the land to the end, to the end. 942 00:45:21,280 --> 00:45:24,279 Speaker 2: Let's go, let's go final, and I'm rooting for you. 943 00:45:24,920 --> 00:45:25,239 Speaker 1: Thank you. 944 00:45:25,320 --> 00:45:28,319 Speaker 3: Yeah, you really are like your journey and seeing how 945 00:45:28,360 --> 00:45:30,200 Speaker 3: you are with Pasha is truly the heart of the show. 946 00:45:30,800 --> 00:45:32,840 Speaker 3: So I hope you know, like the impact you're making 947 00:45:32,960 --> 00:45:33,480 Speaker 3: is huge. 948 00:45:33,760 --> 00:45:35,879 Speaker 1: Thank you, babes, of course, thank you for being here. 949 00:45:36,080 --> 00:45:36,840 Speaker 3: Thanks for having me. 950 00:45:37,120 --> 00:45:42,560 Speaker 1: See you soon. Danielle with the Stars produced and hosted 951 00:45:42,600 --> 00:45:45,840 Speaker 1: by Danielle Fischl. Executive producers Jensen Karp and Amy Sugarman, 952 00:45:46,080 --> 00:45:49,480 Speaker 1: Executive in charge of production, Danielle Romo producer, editor and 953 00:45:49,560 --> 00:45:53,640 Speaker 1: engineer Tara Sudbosch. Theme song by Justin Siegel. Follow us 954 00:45:53,640 --> 00:45:57,360 Speaker 1: on Instagram at Danielle with Stars and vote for me