WEBVTT - From Ferguson to Palestine

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<v Speaker 1>You are listening to Waiting on Reparations, a production of

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<v Speaker 1>I Heart Radio, Yo Yo Yo. You don't know us

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<v Speaker 1>thinking we won't touch like his's hammer time, wait on

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<v Speaker 1>reparations and literation of Palestine, talents flying. If you criticize,

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<v Speaker 1>you can chast a size while they turned the city

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<v Speaker 1>blocks into disaster sides. Take a pick rasterized flight on

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<v Speaker 1>panic line. Put it on the screen, let them see

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<v Speaker 1>and read the caption line. It ain't all right. The

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<v Speaker 1>far right ship and millions of people living in the

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<v Speaker 1>partis grip. Black people know the struggle. Imperialists degreed, Go

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<v Speaker 1>ahead and grab a blood. We're gonna tell you what

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<v Speaker 1>you need. Linn with Franka Dope Knife. I don't want

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<v Speaker 1>the stems to seed. I'm saying, dope ship, hoping you

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<v Speaker 1>remember me living in for me, my name's Dope Night.

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<v Speaker 1>We are waiting on reparations and freedom for palestime. Yeah, well, okay, okay,

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<v Speaker 1>So this is one of those episodes where something's going

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<v Speaker 1>on in the news or in the world around us that, yeah,

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<v Speaker 1>it just kind of makes me feel like we have

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<v Speaker 1>to touch on the subject and we can't just go

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<v Speaker 1>on with the regular scheduled programming, you know, like makes

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<v Speaker 1>us feel like at least we should talk about something

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<v Speaker 1>that's kind of related to the subject, you know. So

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<v Speaker 1>with that, we're going to be discussing a little bit

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<v Speaker 1>about the situation going on in the Middle East with

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<v Speaker 1>Israel and Palestine. This past Saturday was Knock the day,

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<v Speaker 1>the annual commemoration of the destruction of Palistin villages and

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<v Speaker 1>the expulsion escape of more than seven hundred thousand in

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<v Speaker 1>Palestinian eras, about half of pre war Palestines Arab population

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<v Speaker 1>UM from their homes during the Palestine War. I know

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<v Speaker 1>that you were before that we you know, started the show,

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<v Speaker 1>mac you're talking about marches going down down in Savannah.

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<v Speaker 1>Oh yeah, they were marching earlier today down by City Hall. UM.

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<v Speaker 1>I mean, I've been seeing a lot of that in

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<v Speaker 1>the news, just like people all over the world arching

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<v Speaker 1>in solidary of Palestine. UM. All over the country. UM.

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<v Speaker 1>On Saturday, people marched in the streets to show their

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<v Speaker 1>solidarity with the folks UM who have been living under

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<v Speaker 1>occupation and are currently you know, getting bomber shipped in Palestine.

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<v Speaker 1>But here in Atlanta, we had, you know, thousands of

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<v Speaker 1>people marching the streets for Palestinian Liberation, and interestingly, the

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<v Speaker 1>Knockba March in Atlanta ended up joining this Justice for

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<v Speaker 1>Jabell Robinson rally. Jabril Robinson in two thousand and sixty

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<v Speaker 1>and was shot twice in the back and once in

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<v Speaker 1>the head by Atlanta police after leaving an altercation in

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<v Speaker 1>its girlfriend's house. People are still calling for justice and

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<v Speaker 1>his name to this day. And so when the marches converge,

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<v Speaker 1>Jabberl's family started chanting from Palestine and then the palest

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<v Speaker 1>Stinian Solidarity marchers began saying say his name, And this

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<v Speaker 1>beautiful moment where these two movements came together to to

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<v Speaker 1>like reflect on the linkages between our struggles and how

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<v Speaker 1>our liberation is all sort of bound up together. And

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<v Speaker 1>the black liberation in Palestinian liberation movements actually have a

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<v Speaker 1>long history of going to connect a struggle um and

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<v Speaker 1>today we are going to explore some of those connections

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<v Speaker 1>between the fights for black and Palestinian lives, stretching back

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<v Speaker 1>to the black liberation movements of the nineteen sixties and

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<v Speaker 1>seventy is all the way up to you what's been

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<v Speaker 1>going on today? So what is going on today over there?

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<v Speaker 1>I mean pretty much in a nutshell. The Israeli military

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<v Speaker 1>and Hamas are lobbying missiles at each other, with people

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<v Speaker 1>caught in the crossfire. Um It's further the New York

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<v Speaker 1>Times a week of fighting has left more than two

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<v Speaker 1>hundred people dead in the Israeli occupied territories, the vast

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<v Speaker 1>majority of them Palestinians killed by Israeli air strikes and

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<v Speaker 1>the Gaza Strip. The violence is intensified over the past

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<v Speaker 1>eight days as diplomatic efforts of stalled and Israel has

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<v Speaker 1>scaled up its bombing campaign against SAMAS. The war is

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<v Speaker 1>being fought on multiple fronts. According to the Israeli Air Force, AMAS,

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<v Speaker 1>the militant group that rules the Gaza Strip, has fired

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<v Speaker 1>more than three thousand rockets towards Israeli cities and towns,

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<v Speaker 1>killing at least ten people. Israeli forces and settlers have

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<v Speaker 1>killed twenty Palestinians during the unrest in the West Bank,

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<v Speaker 1>a Palestinian human rights group said, and the wave of

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<v Speaker 1>mob attacks hit at least one mixed Arab Jewish city

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<v Speaker 1>in Israel. I agree with some people to the extent

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<v Speaker 1>when they say that the Israeli Palestinian conflict is very complicated,

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<v Speaker 1>but there are some things that aren't that complicated. Yeah,

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<v Speaker 1>when you like you know how and then and there

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<v Speaker 1>are immediate parallels as someone that's been involved in like

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<v Speaker 1>Black Lives Matter too, you know, very different in scale,

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<v Speaker 1>but similar in UM in what's the word for it,

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<v Speaker 1>in asymmetricality of force UM that we see here and

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<v Speaker 1>we're seeing over there right now. So, yes, motherfucker's a

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<v Speaker 1>shooting rockets at each other. But you've got one side

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<v Speaker 1>that has you know, billions of dollars in military technology

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<v Speaker 1>and weapons, the backing of the US government UM, A Navy,

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<v Speaker 1>air force, a military UM attacking people who are largely

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<v Speaker 1>throwing rocks and yeah, shooting rockets sometimes, but like dispossessed

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<v Speaker 1>from their lands, only have electricity several hours a day,

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<v Speaker 1>many of whom don't have clean drinking water, and so

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<v Speaker 1>you just have to think about who has got the

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<v Speaker 1>power to do more harm and how are they using

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<v Speaker 1>it UM, Which is kind of how I've come to

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<v Speaker 1>like understand like, even if the history is very fraught,

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<v Speaker 1>there's some things that are not fraught. That's very clear

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<v Speaker 1>asymmetricality in this struggle. Similar to when we are out

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<v Speaker 1>of these protests in the United States, someone might throw

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<v Speaker 1>a water bottle. Next thing we have no, No, you

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<v Speaker 1>have rubber bullets, shoot like taking your eye out, uh,

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<v Speaker 1>to your gas building, your lungs, and the you know,

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<v Speaker 1>the the state is able to drag you off to

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<v Speaker 1>jail and charge you, um, and then didn't you perhaps

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<v Speaker 1>for decades for participation in an expression of freedom of speech.

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<v Speaker 1>And so this asymmetricality between like the powers of a

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<v Speaker 1>state that's militarized to the teeth, armed to the teeth,

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<v Speaker 1>funded to the teeth, and the people you know, in

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<v Speaker 1>the streets just trying to like maintain and survive UM

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<v Speaker 1>is part of the lens through which I've come to

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<v Speaker 1>understand what's happening UM in Israel and Palestine right now. Well,

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<v Speaker 1>the the thing that I'm noticing this go around is

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<v Speaker 1>just that at least, you know, uh, opinion over the

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<v Speaker 1>situation there has definitely been traditionally more nuanced and objective

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<v Speaker 1>in other countries than the US, like just historically, like

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<v Speaker 1>you know, like for for the for the most part,

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<v Speaker 1>other countries, you know that the general population is kind

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<v Speaker 1>of you know, have an understanding that it's like, hey,

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<v Speaker 1>this this situation is is you know, Palestine is getting

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<v Speaker 1>a real raw deal in this situation, Like most people

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<v Speaker 1>can recognize that, but in the here in the US,

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<v Speaker 1>because of obvious propaganda, I think we've all been you know,

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<v Speaker 1>like for a long time, people were conditioned to just

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<v Speaker 1>kind of you know, tow the lines like nope, uh,

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<v Speaker 1>it's terrorists, you know, Israel it has to defend themselves.

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<v Speaker 1>Israel has to defend themselves. And it's like this go around,

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<v Speaker 1>there seems to be a lot more like public if

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<v Speaker 1>not necessarily support, But just like the situation isn't being

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<v Speaker 1>painted as black and white as it has in the past,

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<v Speaker 1>just from a like media perspective. I mean it granted,

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<v Speaker 1>there's tons and tons of awful coverage of this whole

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<v Speaker 1>situation if you watch the corporate news, but you know,

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<v Speaker 1>I could get into some headlines and some like digging

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<v Speaker 1>into the grammatical constructions of agency and victimhood or lack

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<v Speaker 1>thereof in a lot of these New York Times articles

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<v Speaker 1>and just like all of the place sort of erasing

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<v Speaker 1>the humanity of one side of the people in the struggle.

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<v Speaker 1>Um no, you were mentioning John Oliver had like a

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<v Speaker 1>scathing session and there was a couple other clips that

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<v Speaker 1>went viral. Um I think it was all from MSNBC,

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<v Speaker 1>but media San had one. Yeah he had one. He

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<v Speaker 1>had one as well. And it's just you know, even

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<v Speaker 1>back in when they were going at it, you wouldn't

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<v Speaker 1>have seen like a segment like that on either on

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<v Speaker 1>the that channel. And yeah, you wouldn't hear Palestinian voices

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<v Speaker 1>in these conversations. Social media particularly, I think under the pandemic,

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<v Speaker 1>the way people have become really really in like Wisconsin

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<v Speaker 1>spheres like Twitter, um, it allows for voices to be

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<v Speaker 1>elevated that previously would get quashed as well. I think

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<v Speaker 1>through the the radicalization of the general public, the shift

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<v Speaker 1>of the Overton window left with regards to the military

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<v Speaker 1>and policing, and this desire are for under represented voices,

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<v Speaker 1>under represented perspectives. People are like I like, they just

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<v Speaker 1>want to know like this, like they've just we've never

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<v Speaker 1>been given the chance to understand the Palestine inside of

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<v Speaker 1>this situation. People just are thirsty to hear what, like

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<v Speaker 1>what they have to say. I think all of this

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<v Speaker 1>post I think the post pandemic era in terms of

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<v Speaker 1>people's awareness of like global situations and things like that,

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<v Speaker 1>I think we're gonna will be in for a pleasant

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<v Speaker 1>surprise at least on that end, because I think it's important.

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<v Speaker 1>I think this happening now between Israel and Palestine, the

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<v Speaker 1>way that it's being viewed is very different because it's

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<v Speaker 1>it's being viewed in a world that's just been shaped

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<v Speaker 1>by a year of COVID and everything that's followed with it,

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<v Speaker 1>and in America the election that we just had, the trauma,

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<v Speaker 1>the post trauma that we're going through, you know. So

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<v Speaker 1>I think I think all that makes everybody have like,

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<v Speaker 1>you know, more of a unique perrective and then also

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<v Speaker 1>you know, it's got a new generation that's a lot

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<v Speaker 1>more progressive in and confute things in the light that

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<v Speaker 1>you know, I think it should be so right, did

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<v Speaker 1>a challenge, challenge the dominant narrative, like you just rather

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<v Speaker 1>than passively receiving knowledge just like m like that, like

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<v Speaker 1>authentically like there are two sides in this, in this

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<v Speaker 1>and I want to hear from both of them. From

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<v Speaker 1>hearing from one, and when you hear from the other,

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<v Speaker 1>when you see the children, you know, walking around in

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<v Speaker 1>the rubble, or you hit the story of the fifteen

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<v Speaker 1>year old kid who threw his self off of the

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<v Speaker 1>eight story building because his entire family have been obliterated

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<v Speaker 1>by rockets like you do with that information what you will? So, yeah,

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<v Speaker 1>you mentioned to the fourteen, one of the more recent

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<v Speaker 1>uh flare reps of conflict that I think captured the

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<v Speaker 1>collective consciousness um in the United States. Since we're gonna

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<v Speaker 1>get into that to that's of fourteen, we're gonna go

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<v Speaker 1>back even further than that, talk about Malcolm X, talk

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<v Speaker 1>about quam Terrey, talk about uh Student Non Violent Coordinating Committee,

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<v Speaker 1>and various other black liberation groups that have weighed in

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<v Speaker 1>on the struggle previously. After the Jump, Black power activists

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<v Speaker 1>have long identified with the Palestinian struggle against Israel, seeing

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<v Speaker 1>in the former of kindred people of color fighting for

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<v Speaker 1>freedom against imperialist domination. Now Historically, a bevy of thinkers

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<v Speaker 1>have seen the United States and Israel as white supremacist,

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<v Speaker 1>settler colonial projects that shared core tenants, oppressive tactics, aggressive strategies,

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<v Speaker 1>propaganda techniques, and apparatus is. As a result, key historical

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<v Speaker 1>figures such as Malcolm X, James Baldwin, A Mere Baraka,

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<v Speaker 1>and various other black organizations, including Student Non Violent Coordination

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<v Speaker 1>Committee and the Black Panthers of All express support for Palestine.

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<v Speaker 1>For example, the Student Non Violent Coordinating Committee, which was

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<v Speaker 1>a civil rights group form to give younger black people

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<v Speaker 1>more of a voice during the civil rights movement, declared

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<v Speaker 1>solidarity with Palestine during the Arabs really War in nineteen seventies.

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<v Speaker 1>In nine seven, a couple of years later, the League

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<v Speaker 1>of Revolutionary Black Workers formed in Detroit. Nine nine. It's

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<v Speaker 1>one of the first workers organizations to take up the

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<v Speaker 1>cause of Palestinian liberation. Black and Arab autoworkers joined together

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<v Speaker 1>to participate in l RBW led wildcat strikes, and the

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<v Speaker 1>group's solidarity with Palestine became a point of struggle between

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<v Speaker 1>them and the city's ruling class. The l RBW transform

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<v Speaker 1>the Wayne State University student newspaper into a radical citywide paper,

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<v Speaker 1>but after publishing pro Palestine articles, the administration used false

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<v Speaker 1>charges of anti Semitism to launch an all out attack

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<v Speaker 1>on the LBW on campus. So they've been doing that stuff,

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<v Speaker 1>you know, for fifty years. That's the aspect of it

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<v Speaker 1>that really annoys me, because it's like my whole ship

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<v Speaker 1>is I'm just like I don't funk with right wing stuffy,

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<v Speaker 1>Like I don't care if the right wing, if the

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<v Speaker 1>right wing stuff isn't is white, I don't funk with it.

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<v Speaker 1>If the right wing stuff is black, I don't funk

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<v Speaker 1>with it. If it's Muslim right wing stuff, I don't

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<v Speaker 1>work with it. And if it's Jewish right wing stuff,

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<v Speaker 1>I don't funk with it. You know what I mean? Yeah, yeah, period.

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<v Speaker 1>And obviously the world is rife with anti Semitism that

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<v Speaker 1>we have to get rid of. That you can easily

0:13:40.200 --> 0:13:43.680
<v Speaker 1>point to for an example, but simply not the basis

0:13:43.760 --> 0:13:46.600
<v Speaker 1>of this criticism. My whole ship is. I just don't

0:13:46.679 --> 0:13:51.400
<v Speaker 1>understand how, oh well, the bad guy was hiding amongst

0:13:51.440 --> 0:13:53.840
<v Speaker 1>all the kids, so we had to kill everybody. I

0:13:53.880 --> 0:13:57.800
<v Speaker 1>don't understand how that is the explanation, Like, how is

0:13:57.840 --> 0:14:00.760
<v Speaker 1>that a thing? Um? Not just there is an anti

0:14:00.800 --> 0:14:05.600
<v Speaker 1>Semitism within um with with like you know, famous figures

0:14:05.600 --> 0:14:09.640
<v Speaker 1>within uh, like Black liberation struggles historically. You know that

0:14:10.240 --> 0:14:16.040
<v Speaker 1>Malcolm X tow the lines sometimes and perhaps crossed it. Um.

0:14:16.080 --> 0:14:18.760
<v Speaker 1>But you know, I think a movement that rejects both

0:14:18.760 --> 0:14:23.640
<v Speaker 1>of us saying that you can leverage logical critiques, you know,

0:14:23.720 --> 0:14:27.440
<v Speaker 1>based on the facts, while also you know, not smearing

0:14:27.520 --> 0:14:32.520
<v Speaker 1>a people as necessarily you know, uh, monolithic or you

0:14:32.560 --> 0:14:35.680
<v Speaker 1>know all all all these folks, you know, I think

0:14:35.720 --> 0:14:39.160
<v Speaker 1>this way or something like that. Like its it requires nuance.

0:14:39.240 --> 0:14:42.280
<v Speaker 1>But it's critical because we can't fall forward the same

0:14:42.360 --> 0:14:47.520
<v Speaker 1>right wing shit that you know, that uh, that we

0:14:47.640 --> 0:14:49.360
<v Speaker 1>claim to reject. We can't fall for that ship. We

0:14:49.360 --> 0:14:51.200
<v Speaker 1>can't we can't get tack into that. No funk that

0:14:52.120 --> 0:14:58.360
<v Speaker 1>I mean if if some if somebody from like I

0:14:58.360 --> 0:15:02.200
<v Speaker 1>don't know, if somebody from like Norway who was like, man,

0:15:02.560 --> 0:15:06.560
<v Speaker 1>funk Trump, it just seems like for my reactually be like,

0:15:06.800 --> 0:15:08.880
<v Speaker 1>why are you talking about me? Why would you why

0:15:08.880 --> 0:15:13.920
<v Speaker 1>would you exactly exactly? Oh, you hate America, you hate

0:15:13.960 --> 0:15:17.920
<v Speaker 1>my family? No, man, I hate this guy that's doing

0:15:18.000 --> 0:15:23.640
<v Speaker 1>racist like oppressive ship to people. This guy's enacting policy.

0:15:23.680 --> 0:15:27.520
<v Speaker 1>But anyway, so um so. The Black Panther Party was

0:15:27.560 --> 0:15:30.920
<v Speaker 1>also supporters of the Palestinian struggle. In his article on

0:15:30.960 --> 0:15:34.480
<v Speaker 1>the Middle East, Black Panther Party leader Huey Newton states,

0:15:34.920 --> 0:15:39.320
<v Speaker 1>we support the Palestinians just struggle for liberation. We will

0:15:39.360 --> 0:15:41.160
<v Speaker 1>go on doing this and we would like for all

0:15:41.200 --> 0:15:43.800
<v Speaker 1>progressive people around the world to join our ranks in

0:15:43.920 --> 0:15:46.240
<v Speaker 1>order to make a world in which all people can live.

0:15:46.800 --> 0:15:50.800
<v Speaker 1>Is The BPP evolved into an internationalist organization focusing not

0:15:50.920 --> 0:15:54.400
<v Speaker 1>only on struggle for black liberation the United States, but

0:15:54.560 --> 0:16:01.360
<v Speaker 1>seeing the linkages between other resistance movements against subjugation of

0:16:01.400 --> 0:16:04.360
<v Speaker 1>peoples of color and the way that the way that

0:16:04.360 --> 0:16:08.040
<v Speaker 1>they use similar tactics of militarization and police occupation in

0:16:08.080 --> 0:16:11.120
<v Speaker 1>other countries. The Black Panther Party recognized that in order

0:16:11.160 --> 0:16:13.040
<v Speaker 1>to end the oppression of people United States say to

0:16:13.080 --> 0:16:15.800
<v Speaker 1>work to end imperialism all over the world, because the

0:16:15.880 --> 0:16:19.320
<v Speaker 1>United States not only perpetrating a form of genocide against

0:16:19.320 --> 0:16:22.040
<v Speaker 1>black people here, but you know the way that we've

0:16:22.080 --> 0:16:26.239
<v Speaker 1>been exploiting Africa, the way that we fund uh the struggles,

0:16:26.240 --> 0:16:30.960
<v Speaker 1>and the way we fund oppression through um you know,

0:16:31.080 --> 0:16:34.280
<v Speaker 1>military coups in South America, like all over the world.

0:16:34.640 --> 0:16:37.040
<v Speaker 1>We got our fingers and some ship. It's all imperialism.

0:16:37.200 --> 0:16:39.280
<v Speaker 1>And so for them, Palestine with the forefront of that

0:16:39.360 --> 0:16:45.200
<v Speaker 1>worldwide confrontation. Malcolm X was a known staunch opponent of Zionism.

0:16:45.240 --> 0:16:47.880
<v Speaker 1>He contended against it in an article that was published

0:16:47.920 --> 0:16:50.880
<v Speaker 1>by the Egyptian Gazette called Zionist Logic Goes Back in

0:16:51.040 --> 0:16:54.200
<v Speaker 1>nineteen sixty four, and the document Malcolm X notes the

0:16:54.240 --> 0:16:58.280
<v Speaker 1>parallels between subjugation of Palestinians and Africans. He pointed out

0:16:58.280 --> 0:17:01.960
<v Speaker 1>the strategic value of Israel to world imperialism. He stated,

0:17:02.640 --> 0:17:06.679
<v Speaker 1>the ever scheming European imperialist wisely placed Israel where she

0:17:06.720 --> 0:17:10.840
<v Speaker 1>could geographically divide the Arab world infiltrate and so seeds

0:17:10.840 --> 0:17:14.480
<v Speaker 1>of dissension amongst African leaders who also divide the Africans

0:17:14.520 --> 0:17:17.080
<v Speaker 1>against Asians. Damn, that would have been a good opportunity

0:17:17.160 --> 0:17:19.639
<v Speaker 1>to my Denzel Washington voice. So what do you what

0:17:19.680 --> 0:17:21.800
<v Speaker 1>do you think about that? He saw how like the

0:17:21.880 --> 0:17:24.320
<v Speaker 1>powers that be, like the elites, they wanted us to

0:17:24.440 --> 0:17:28.520
<v Speaker 1>like to and and we see this happening now like

0:17:28.640 --> 0:17:32.679
<v Speaker 1>oh well, um, I didn't see you come out to

0:17:32.760 --> 0:17:34.960
<v Speaker 1>the you know, stop Asian hate rally. So why should

0:17:34.960 --> 0:17:36.560
<v Speaker 1>I put a Black Lives Matter to found in my

0:17:36.600 --> 0:17:39.240
<v Speaker 1>front yard and vice versa? Or oh, we gotta like

0:17:39.359 --> 0:17:41.800
<v Speaker 1>look out for our people in our country first, so

0:17:41.840 --> 0:17:44.520
<v Speaker 1>that we can you know, and funk whatever is happening

0:17:44.560 --> 0:17:48.720
<v Speaker 1>in me and mar or you know, or Vietnam. But

0:17:49.080 --> 0:17:52.880
<v Speaker 1>it's all part of the same system and same struggle,

0:17:53.000 --> 0:17:56.480
<v Speaker 1>same struggle. Yeah, And so we sow dissension among African leaders,

0:17:56.520 --> 0:18:00.720
<v Speaker 1>so they're fighting amongst themselves or you know, so hatred

0:18:00.920 --> 0:18:04.600
<v Speaker 1>for the four Asians among the Africans, or you know

0:18:04.640 --> 0:18:07.800
<v Speaker 1>among uh for Africans among the Asians. That way they

0:18:07.800 --> 0:18:09.520
<v Speaker 1>can't come together to fucking fight off the people who

0:18:09.600 --> 0:18:13.400
<v Speaker 1>are really fucking up everyone. Ship and he saw that, yeah,

0:18:13.720 --> 0:18:15.800
<v Speaker 1>and the n Actually he was one of the first

0:18:15.800 --> 0:18:18.480
<v Speaker 1>African American leaders to meet with the newly formed Palestine

0:18:18.520 --> 0:18:22.560
<v Speaker 1>Liberation Organization. So fast forwarding a little bit too present.

0:18:22.800 --> 0:18:26.800
<v Speaker 1>More recently, um, when Israel unleashed war on Lebanon thousand six,

0:18:27.400 --> 0:18:31.200
<v Speaker 1>h Tony Morrison, along with seventeen other prominent intellectuals, issued

0:18:31.640 --> 0:18:35.119
<v Speaker 1>very principled statement condemning Israeli aggression and refusing to equivocate

0:18:35.119 --> 0:18:38.240
<v Speaker 1>in the face of the demonization of the Palestinian National

0:18:38.240 --> 0:18:42.920
<v Speaker 1>Liberation Forces. Is stated, the subsequent arguments, accupuizations, and vows

0:18:42.960 --> 0:18:45.680
<v Speaker 1>all served as a distraction in order to divert world

0:18:45.680 --> 0:18:49.360
<v Speaker 1>attention from the long term military, economic, and geographic practice

0:18:49.359 --> 0:18:52.600
<v Speaker 1>whose political aim is nothing less than liquidation or of

0:18:52.640 --> 0:18:57.400
<v Speaker 1>the Palestine Palestinian nation. So like not no both size

0:18:57.440 --> 0:19:01.159
<v Speaker 1>is um coming from Tony Morrison on a ship. The

0:19:01.240 --> 0:19:06.000
<v Speaker 1>solidarity continues today on many fronts, including support for International Boycott,

0:19:06.040 --> 0:19:10.880
<v Speaker 1>Divestment and Sanctions movement. Prominent black intellectuals including Angela Davis,

0:19:10.880 --> 0:19:15.520
<v Speaker 1>Cornell West, Alice Walker, they've all endorsed the call for BDS,

0:19:15.640 --> 0:19:20.080
<v Speaker 1>which you know that even itself has been, you know,

0:19:20.160 --> 0:19:23.600
<v Speaker 1>a hot button topic. They've actually been passing anti BDS

0:19:23.720 --> 0:19:29.840
<v Speaker 1>laws where um companies or or people who are involved

0:19:29.880 --> 0:19:33.360
<v Speaker 1>in b D in anti or in b DS protests

0:19:34.000 --> 0:19:39.040
<v Speaker 1>or boycotts, they can't get government contracts to do things.

0:19:39.040 --> 0:19:41.679
<v Speaker 1>So for example, if you've been involved in it and

0:19:41.800 --> 0:19:46.960
<v Speaker 1>you have like a cleaning business, then like they've got

0:19:47.000 --> 0:19:49.400
<v Speaker 1>your cleaning business on like a list that you can

0:19:49.480 --> 0:19:52.000
<v Speaker 1>never get like a government contract. I'm just pulling out

0:19:52.040 --> 0:19:55.359
<v Speaker 1>cleaning business out of the hat. But yeah, like yeah,

0:19:56.200 --> 0:19:59.680
<v Speaker 1>so that's another point of contention too. So let's let's

0:19:59.720 --> 0:20:03.080
<v Speaker 1>jump head to two thousand and fourteen. Black Lives Matter

0:20:03.160 --> 0:20:06.600
<v Speaker 1>start popping off in Ferguson, Missouri. There was a famous

0:20:06.720 --> 0:20:09.119
<v Speaker 1>well not when he got famous through this Palestine and

0:20:09.119 --> 0:20:11.600
<v Speaker 1>activist by the name of Bassim Masuri who was very

0:20:11.640 --> 0:20:13.960
<v Speaker 1>engaged in the protests in St. Louis after Mike Brown

0:20:14.040 --> 0:20:17.360
<v Speaker 1>was murdered, live stream lots of events around Ferguson during

0:20:17.400 --> 0:20:20.640
<v Speaker 1>the uprising and was arrested and interrogated in the protests.

0:20:20.640 --> 0:20:23.600
<v Speaker 1>And actually he was one of many Ferguson activists who

0:20:23.600 --> 0:20:25.720
<v Speaker 1>has died since two thousand fourteen, which we talked a

0:20:25.720 --> 0:20:28.680
<v Speaker 1>little bit about in our very our second episode wire

0:20:28.680 --> 0:20:32.000
<v Speaker 1>Tap reps but Um at the time of the Ferguson protests,

0:20:32.000 --> 0:20:34.679
<v Speaker 1>Masury wrote, when Mike Brown was murdered in Ferguson, my

0:20:34.720 --> 0:20:37.080
<v Speaker 1>people in Gothap were being slaughtered by Israel and Operation

0:20:37.160 --> 0:20:39.719
<v Speaker 1>Protective Edge. The timing of the two events woke up

0:20:39.720 --> 0:20:41.600
<v Speaker 1>a lot of people. When Mike was killed, much of

0:20:41.640 --> 0:20:44.679
<v Speaker 1>the media started demonizing him in the protesters, often the

0:20:44.720 --> 0:20:47.480
<v Speaker 1>same sources that blame Palestinians for their own deaths and Gaza.

0:20:47.920 --> 0:20:50.120
<v Speaker 1>He went on to say, when the police use military

0:20:50.160 --> 0:20:53.239
<v Speaker 1>tanks and checkpoints to imprison the residence of Ferguson, I

0:20:53.320 --> 0:20:55.040
<v Speaker 1>was reminded of life in the West Bank, where I

0:20:55.040 --> 0:20:58.240
<v Speaker 1>saw the Israeli military used the same tactics of repression.

0:20:58.840 --> 0:21:01.040
<v Speaker 1>Our common goal it's to live in peace and to

0:21:01.160 --> 0:21:03.639
<v Speaker 1>not fear our children's lives when they are walking down

0:21:03.680 --> 0:21:07.879
<v Speaker 1>the street. That same summer, at the beginning of the

0:21:07.920 --> 0:21:12.119
<v Speaker 1>Black Lives Matter, Israel launched yet another military assault in Gaza,

0:21:12.200 --> 0:21:15.440
<v Speaker 1>killing more than two d two thousand and two hundred Palestinians,

0:21:15.640 --> 0:21:19.520
<v Speaker 1>including five hundred children, and people like Angela Davis have

0:21:20.400 --> 0:21:23.719
<v Speaker 1>highlighted the links between Israel's widespread use of detention imprisonment

0:21:23.840 --> 0:21:26.560
<v Speaker 1>against Palestinian the way it evokes the same kind of

0:21:26.560 --> 0:21:30.480
<v Speaker 1>mass incarceration black people United States experience. Um companies like

0:21:30.560 --> 0:21:33.800
<v Speaker 1>GFRS profit off the racist mass incarceration of both African

0:21:33.800 --> 0:21:37.359
<v Speaker 1>Americans the United States and Palestinians and Palestine. H G

0:21:37.520 --> 0:21:40.520
<v Speaker 1>Forest describes itself as the world leading provider and security

0:21:40.600 --> 0:21:44.640
<v Speaker 1>solutions and provide security services for over forty embassies around

0:21:44.680 --> 0:21:48.040
<v Speaker 1>the world. They've supplied security equipment and services and maintenance

0:21:48.080 --> 0:21:50.919
<v Speaker 1>for use to Israeli prisons, checkpoints and settlements of the

0:21:50.920 --> 0:21:54.960
<v Speaker 1>West Bank, including the highly controversial Israeli West Bank Barrier.

0:21:58.560 --> 0:22:01.359
<v Speaker 1>In October two thousand ten, three G four est guards

0:22:01.400 --> 0:22:04.159
<v Speaker 1>restrained and held down forty six year old and Golden

0:22:04.240 --> 0:22:08.400
<v Speaker 1>Deporti Jimmy Mumbenga on departing British Airways Flight seventy seven.

0:22:08.840 --> 0:22:12.240
<v Speaker 1>This is a Heathrow Airport. Security guards kept them restraining

0:22:12.240 --> 0:22:14.800
<v Speaker 1>the seat as he began shouting and seeking to resist

0:22:14.800 --> 0:22:19.000
<v Speaker 1>this deportation. Later, the guards were accused of forcing Mbenga's

0:22:19.040 --> 0:22:22.199
<v Speaker 1>head down as he sat handcuffed from behind for thirty

0:22:22.200 --> 0:22:27.440
<v Speaker 1>six minutes. The restraint technique is UH. The restraint technique

0:22:27.560 --> 0:22:30.879
<v Speaker 1>used is known as carpet karaoke and it's known to

0:22:31.040 --> 0:22:34.720
<v Speaker 1>create risk of asphyxia. Mumbenga was pronounced dead later that

0:22:34.800 --> 0:22:38.400
<v Speaker 1>evening in Hillington Hospital. So In October two thousand thirteen,

0:22:38.520 --> 0:22:42.480
<v Speaker 1>the BBC report allegations of prisoners being tortured at Mangwang

0:22:42.920 --> 0:22:46.240
<v Speaker 1>Prison in South Africa. The BBC sided research from which

0:22:46.240 --> 0:22:49.760
<v Speaker 1>Justice Project at was University in Johannesburg, which claimed that

0:22:49.840 --> 0:22:52.080
<v Speaker 1>dozens of the nearly three thousand inmates of the G

0:22:52.200 --> 0:22:56.040
<v Speaker 1>four prison I've been portrayed using electro shock and forced injections.

0:22:56.880 --> 0:23:01.159
<v Speaker 1>And then this is a fucking crazy twist um. In

0:23:01.280 --> 0:23:06.200
<v Speaker 1>June two th sixteen, Chief Ors employee or Omar mateen Um,

0:23:06.440 --> 0:23:09.680
<v Speaker 1>via the u S subsidiary G Forrest of Care Solutions,

0:23:10.440 --> 0:23:13.080
<v Speaker 1>was identified the perpetrator of the two thousand sixteen or

0:23:13.160 --> 0:23:17.920
<v Speaker 1>Lando nightclub shooting, the second deadliest mass shooting in US history, which, okay,

0:23:18.840 --> 0:23:21.480
<v Speaker 1>the others. The other instances highlight the way that like

0:23:21.920 --> 0:23:25.320
<v Speaker 1>this one company with global reach is perpetrating similar kinds

0:23:25.320 --> 0:23:28.240
<v Speaker 1>of violence on people of color in countries all over

0:23:28.280 --> 0:23:30.840
<v Speaker 1>the world, whether it's in Palestine, whether it's in the

0:23:30.920 --> 0:23:35.720
<v Speaker 1>United Kingdom, whether it's in South Africa, whether it's um

0:23:35.800 --> 0:23:38.600
<v Speaker 1>in there's another incident that happened, I think it was

0:23:38.640 --> 0:23:42.680
<v Speaker 1>in Jacksonville, Florida. Um And then the way that these

0:23:42.680 --> 0:23:46.560
<v Speaker 1>people are trained in violence that ends up eking out

0:23:46.800 --> 0:23:50.920
<v Speaker 1>into the way they deal with people in the their

0:23:51.040 --> 0:23:53.119
<v Speaker 1>day to day life. So this guy who worked for

0:23:53.160 --> 0:23:57.840
<v Speaker 1>g Fors goes on to fucking splatter fifty LGBTQ people

0:23:58.200 --> 0:24:01.840
<v Speaker 1>in a nightclub because on his day job, he's a

0:24:01.880 --> 0:24:03.919
<v Speaker 1>part of the system that's killing people. All of that

0:24:04.240 --> 0:24:07.200
<v Speaker 1>humanize people all over the world. So all around the world,

0:24:07.240 --> 0:24:11.520
<v Speaker 1>this company is making money off incarcerations and sometimes torturing

0:24:11.600 --> 0:24:13.680
<v Speaker 1>and killing people of color, and it is part of

0:24:13.720 --> 0:24:18.000
<v Speaker 1>the Black Liberation of Palestine solidarity movement involves understanding these

0:24:18.000 --> 0:24:21.399
<v Speaker 1>global systems of capital and power, how they're used against

0:24:21.480 --> 0:24:24.560
<v Speaker 1>people of color in different countries, and how liberation for

0:24:24.640 --> 0:24:27.240
<v Speaker 1>us all involves taking these systems down. Yeah, if you

0:24:27.240 --> 0:24:30.400
<v Speaker 1>take down, you take down for us. That's Palestinian liberation.

0:24:30.480 --> 0:24:33.600
<v Speaker 1>Its liberation for the people in South Africa. That's liberation

0:24:33.640 --> 0:24:35.920
<v Speaker 1>for the young folks in Jackson and Ville, Florida that

0:24:35.960 --> 0:24:40.320
<v Speaker 1>are that are in child detention facilities like that's that's

0:24:40.359 --> 0:24:42.680
<v Speaker 1>that's kind of the link that people in the Black

0:24:42.680 --> 0:24:45.800
<v Speaker 1>Lives Matter movement and the you know, in the Palestina

0:24:46.160 --> 0:24:50.080
<v Speaker 1>Palestinian liberation movements are coming to see these days. Well,

0:24:50.119 --> 0:24:51.399
<v Speaker 1>one thing I think it is really beautiful is that

0:24:51.480 --> 0:24:54.600
<v Speaker 1>the way that under this bombardment, under the suppression, under

0:24:54.600 --> 0:24:56.639
<v Speaker 1>the living in this open air prison, the people of

0:24:56.640 --> 0:24:59.879
<v Speaker 1>Palestine have shown up for the Black Lives Matter movement,

0:25:00.000 --> 0:25:01.840
<v Speaker 1>perhaps and in a way that I don't think was

0:25:01.880 --> 0:25:06.240
<v Speaker 1>reciprocated until recently. So with the acquittal of George Zimmerman

0:25:06.320 --> 0:25:08.520
<v Speaker 1>in the case of Trade Bon Martin's murder, because it

0:25:08.600 --> 0:25:11.719
<v Speaker 1>sparked outrage and demonstrations all over the United States and

0:25:11.760 --> 0:25:14.359
<v Speaker 1>all over the world, Palestinians took to the streets and

0:25:14.359 --> 0:25:17.520
<v Speaker 1>circulated pictures of themselves holding signs that are at Palestinians

0:25:17.840 --> 0:25:20.439
<v Speaker 1>stand with those who mourned trade on Martin's death. We

0:25:20.480 --> 0:25:22.159
<v Speaker 1>know what it feels like to lose level ones and

0:25:22.200 --> 0:25:24.840
<v Speaker 1>watch the murderers of aid justice. So they were out

0:25:24.880 --> 0:25:29.320
<v Speaker 1>there in the streets for US way before, honestly, way before.

0:25:29.520 --> 0:25:31.800
<v Speaker 1>I think like there was a mass movement in the

0:25:31.880 --> 0:25:36.399
<v Speaker 1>United States here reciprocating that support. Circling back to the

0:25:36.400 --> 0:25:38.879
<v Speaker 1>story of Jabrielle Robinson and the Atlanta Police. Here in

0:25:38.880 --> 0:25:42.399
<v Speaker 1>Georgia there exists a unique relationship between the military and

0:25:42.400 --> 0:25:46.159
<v Speaker 1>police oppression experienced by the Palestinians and the police violence

0:25:46.200 --> 0:25:49.400
<v Speaker 1>in which black Georgians are subjective. We returned to considering

0:25:49.440 --> 0:25:54.040
<v Speaker 1>the Gilley Program, the law enforcement exchange between police officers

0:25:54.119 --> 0:25:58.720
<v Speaker 1>in Georgia and law enforcement officials in Israel to like

0:25:58.840 --> 0:26:01.040
<v Speaker 1>learn tactics from n HL there. So it started in

0:26:01.080 --> 0:26:05.119
<v Speaker 1>preparations to secure UH the Olympic Games in Atlanta, go

0:26:05.200 --> 0:26:08.439
<v Speaker 1>to State University and the law enforcement community established the

0:26:08.440 --> 0:26:13.320
<v Speaker 1>Georgia International Law Enforcement Exchange GILLY. The program UM was

0:26:13.359 --> 0:26:16.879
<v Speaker 1>given three objectives. To enhance inter agency cooperation between the

0:26:16.880 --> 0:26:19.639
<v Speaker 1>State of Georgia law enforcement agencies and the police for

0:26:19.840 --> 0:26:22.320
<v Speaker 1>the Force of Israel of the State of Israel. To

0:26:22.640 --> 0:26:26.840
<v Speaker 1>offer an educational professional programmed to senior is Really law

0:26:26.920 --> 0:26:31.280
<v Speaker 1>enforcement officials in Georgia. To offer an educational professional program

0:26:31.440 --> 0:26:35.480
<v Speaker 1>for senior Israeli law enforcement officials primarily in the areas

0:26:35.520 --> 0:26:39.320
<v Speaker 1>of counter terrorism and drug interdiction. So effectively, these motherfucker's

0:26:39.359 --> 0:26:41.280
<v Speaker 1>just learning fund up shop from each other. Going over

0:26:41.320 --> 0:26:42.920
<v Speaker 1>to Zerio, learn how to prut a lot of people,

0:26:42.920 --> 0:26:45.880
<v Speaker 1>fun people up bringing back to Georgia. Shoot Jibral Johnson

0:26:45.960 --> 0:26:48.720
<v Speaker 1>twice in the back as he is walking away. When

0:26:48.720 --> 0:26:53.080
<v Speaker 1>I lived in Africa, UM Cameroon specifically, there was definitely

0:26:53.640 --> 0:26:56.719
<v Speaker 1>like a contingent of some Israeli military that we're trading

0:26:56.880 --> 0:27:00.960
<v Speaker 1>the Cameroonian military. They exported their tactics and and when hardware,

0:27:01.119 --> 0:27:04.080
<v Speaker 1>you know, all of the world. So GILLY, with the

0:27:04.200 --> 0:27:07.840
<v Speaker 1>Israeli law enforcement as their primary exchange partners, teachers police

0:27:07.840 --> 0:27:12.000
<v Speaker 1>officials the tactics of military militarized police forces that treat

0:27:12.040 --> 0:27:15.639
<v Speaker 1>communities as enemies. For example, GILLY has thought that officers

0:27:15.680 --> 0:27:20.080
<v Speaker 1>should inspire fear by racking their firearms when they hosted them,

0:27:20.400 --> 0:27:24.480
<v Speaker 1>flash their vehicles blue lights when patrolling neighborhoods, and limit

0:27:24.560 --> 0:27:27.919
<v Speaker 1>free speech by targeting incitement to quote unquote. So in

0:27:27.920 --> 0:27:31.200
<v Speaker 1>addition to the abuses we've seen by global companies like GFRS,

0:27:31.240 --> 0:27:35.159
<v Speaker 1>there's programs like GILLY that like literally give opportunity for

0:27:35.240 --> 0:27:37.840
<v Speaker 1>these motherfucker's to like learn the worst of each other

0:27:37.920 --> 0:27:45.520
<v Speaker 1>ship and bring it back to wherever they live. But

0:27:45.720 --> 0:27:50.160
<v Speaker 1>in the spirit of Palestinians solidarity, this week we're gonna

0:27:50.160 --> 0:27:53.800
<v Speaker 1>be checking out some tracks by some Palestinian hip hop artists.

0:27:53.840 --> 0:27:57.000
<v Speaker 1>Oh yeah, what we what you guy for us this week? Mac? Alright?

0:27:57.040 --> 0:28:00.119
<v Speaker 1>So first up, we got the group Damn or e

0:28:00.280 --> 0:28:05.760
<v Speaker 1>a M. They are founded in by brothers Tamer and

0:28:06.200 --> 0:28:12.720
<v Speaker 1>Chanel Nafar and their friend Ma Dudjeri. I think that

0:28:12.720 --> 0:28:15.640
<v Speaker 1>that's not how you pronounce it, I assure you. Um.

0:28:15.640 --> 0:28:19.000
<v Speaker 1>Their songs are largely about racism and poverty. It's protests

0:28:19.080 --> 0:28:26.359
<v Speaker 1>driven stuff um, centering around the fight against depression, Israeli occupation, drugs,

0:28:26.760 --> 0:28:30.560
<v Speaker 1>and the fight for women's rights. So let's check out there.

0:28:31.320 --> 0:28:35.560
<v Speaker 1>What was their first breakthrough single almost fifteen years ago.

0:28:36.080 --> 0:28:42.120
<v Speaker 1>It's a song called min Ira mean Irabi or who is?

0:28:42.160 --> 0:28:46.160
<v Speaker 1>Who's the terrorists? Me it happy? I'm not happy happy

0:28:46.200 --> 0:28:52.880
<v Speaker 1>one blady me it happy and happy bl So they

0:28:52.880 --> 0:28:54.840
<v Speaker 1>talk about how like, oh, you're the witness, you're the

0:28:54.920 --> 0:28:57.840
<v Speaker 1>lawyer and the judge, like you control every arm of

0:28:58.640 --> 0:29:02.719
<v Speaker 1>the of the judicial system. So of course you're like,

0:29:02.760 --> 0:29:06.000
<v Speaker 1>you know what what justice can't exist for me if

0:29:06.080 --> 0:29:09.040
<v Speaker 1>like the folks that have already decided on the terrorists,

0:29:09.080 --> 0:29:12.959
<v Speaker 1>the one controlling every aspect of my judgment in sentencing.

0:29:13.800 --> 0:29:16.280
<v Speaker 1>I mean, yeah, there, it's it's it's it's an exclamation

0:29:16.560 --> 0:29:21.000
<v Speaker 1>of the underlying sources of aggression, of housing aggression, like well,

0:29:21.720 --> 0:29:24.200
<v Speaker 1>of course I ended up quote unquote terrorists, like you

0:29:24.280 --> 0:29:27.400
<v Speaker 1>buried my parents under rubble. Uh, you know, like what,

0:29:27.480 --> 0:29:29.440
<v Speaker 1>I don't know what else do you think I'm supposed

0:29:29.440 --> 0:29:35.120
<v Speaker 1>to do? I like that hooked the reframe who's the

0:29:35.240 --> 0:29:39.600
<v Speaker 1>terrorists and my terrorists? Who's the terrist? That's actually pretty yeah,

0:29:39.880 --> 0:29:44.960
<v Speaker 1>it is. It is fine. It definitely like the instrumental

0:29:45.560 --> 0:29:49.120
<v Speaker 1>it's got that um like it's either like a single

0:29:49.640 --> 0:29:53.640
<v Speaker 1>you know, single individual key sort of piano riff sample,

0:29:54.560 --> 0:29:59.120
<v Speaker 1>which is like really reminiscent of like that early Immortal

0:29:59.200 --> 0:30:06.240
<v Speaker 1>technique or of Jedi mind tricks sort of style where

0:30:06.240 --> 0:30:10.240
<v Speaker 1>it's like it's like that early two thousand's political rap beat.

0:30:11.520 --> 0:30:13.800
<v Speaker 1>Like pretty much, you know, it's pretty understand it and

0:30:13.800 --> 0:30:16.760
<v Speaker 1>it just lets the lyrics do all the talking. Yeah beautiful,

0:30:17.600 --> 0:30:20.120
<v Speaker 1>Yeah exactly. Now that was flying um And now we're

0:30:20.120 --> 0:30:25.000
<v Speaker 1>gonna switch it up because you know, Damn is probably

0:30:26.320 --> 0:30:31.480
<v Speaker 1>uh the premier Palestinian rap groups. So they've been around

0:30:31.520 --> 0:30:33.760
<v Speaker 1>for a while now. So you know, we're going back

0:30:33.760 --> 0:30:36.640
<v Speaker 1>to the early two thousands, so we're gonna flash forward

0:30:36.680 --> 0:30:39.440
<v Speaker 1>in time and check out something that's a bit new

0:30:39.520 --> 0:30:42.240
<v Speaker 1>from them. Um this song I could not this O.

0:30:42.360 --> 0:30:46.280
<v Speaker 1>This doesnt have the translation in it. This is their

0:30:46.320 --> 0:30:59.120
<v Speaker 1>song the Milder at looking and it sounds like some

0:30:59.280 --> 0:31:03.640
<v Speaker 1>missy ellie. It like I just noticed a parallel, so

0:31:03.720 --> 0:31:05.520
<v Speaker 1>we said, should I pay off my debts or fight

0:31:05.520 --> 0:31:07.480
<v Speaker 1>the system? Reminds me of that line from the Vince

0:31:07.520 --> 0:31:11.440
<v Speaker 1>Staples song. Um, it's caught between my conscious and the

0:31:11.440 --> 0:31:13.320
<v Speaker 1>skin that's on my body. Man, I need to fight

0:31:13.360 --> 0:31:17.120
<v Speaker 1>the power, but I need that new Ferrari like like

0:31:17.200 --> 0:31:19.320
<v Speaker 1>same ship, the same ship. We also want the same thing,

0:31:20.000 --> 0:31:23.360
<v Speaker 1>all right, I just stopped it. Okay. Yeah. So it's

0:31:23.440 --> 0:31:26.920
<v Speaker 1>like it's sort of like a I don't even want

0:31:26.960 --> 0:31:29.400
<v Speaker 1>to say it's like a clubby Joint, but it's definitely

0:31:29.440 --> 0:31:32.520
<v Speaker 1>like a lot more accessible, like if the first Joint

0:31:33.560 --> 0:31:37.680
<v Speaker 1>was kind of like their underground early two thousand's sort

0:31:37.720 --> 0:31:43.320
<v Speaker 1>of beggar. This is a very very modern but still

0:31:43.360 --> 0:31:45.760
<v Speaker 1>in keeping with what they do, but it's very like

0:31:46.920 --> 0:31:50.840
<v Speaker 1>made for for mainstream consumption. Yeah, this if this ship

0:31:50.960 --> 0:31:53.840
<v Speaker 1>is what's this If you're gonna go throw rocks at

0:31:53.840 --> 0:31:56.000
<v Speaker 1>the I d F. This is this is the ship

0:31:56.080 --> 0:31:59.440
<v Speaker 1>you put on to get hyped up exactly. Um, It's

0:31:59.480 --> 0:32:01.600
<v Speaker 1>it's like, uh, you know, they're they're talking about the

0:32:01.640 --> 0:32:05.320
<v Speaker 1>powers that be trying to keep us separated and not

0:32:05.440 --> 0:32:08.320
<v Speaker 1>have us unify, you know, unify like we're talking about

0:32:08.360 --> 0:32:11.240
<v Speaker 1>in this episode. But there's a one line that stood out.

0:32:11.280 --> 0:32:13.920
<v Speaker 1>I like that. It was, you know, they spend billions

0:32:13.920 --> 0:32:17.320
<v Speaker 1>of dollars to keep us separated. That the thing. Yeah,

0:32:17.400 --> 0:32:23.080
<v Speaker 1>that's a direct indictment of the infusion of of dollars,

0:32:23.240 --> 0:32:26.600
<v Speaker 1>billions of dollars a military aid to uphold this our

0:32:26.640 --> 0:32:30.440
<v Speaker 1>part apartheid regime. When we were listening to it, I

0:32:30.480 --> 0:32:34.440
<v Speaker 1>was mentioning that it gave me Missy Elliott vibes. The

0:32:34.480 --> 0:32:39.520
<v Speaker 1>instrumental was very The instrumental sounded like if you went

0:32:39.600 --> 0:32:43.760
<v Speaker 1>on YouTube and found like Timberland type beat. Yeah, one

0:32:43.800 --> 0:32:47.080
<v Speaker 1>of those you know, not the disrespect. It just sounded

0:32:47.200 --> 0:32:51.880
<v Speaker 1>very Timberland influence, but that that era of Timberland, you

0:32:51.920 --> 0:32:54.240
<v Speaker 1>know what I'm saying. And and they were rocking at

0:32:54.280 --> 0:32:57.360
<v Speaker 1>The video also is dope, but it starts off with

0:32:57.720 --> 0:33:02.760
<v Speaker 1>all three of the members heads on the ground. Yeah yeah, yeah,

0:33:02.880 --> 0:33:04.800
<v Speaker 1>with boots on top of it, sort of like they're

0:33:04.880 --> 0:33:10.840
<v Speaker 1>in an interrogation rooms fresh moves with some strobe lights

0:33:10.880 --> 0:33:13.560
<v Speaker 1>going on. Later on in this yeah yeah, they had

0:33:13.600 --> 0:33:16.520
<v Speaker 1>that b boy be girl vibe with the dancers. Yeah, no,

0:33:16.960 --> 0:33:20.400
<v Speaker 1>it was that was really fresh and that was nineteen too,

0:33:20.480 --> 0:33:24.240
<v Speaker 1>so yeah, yeah, like you just you just heard Mariah

0:33:24.240 --> 0:33:27.320
<v Speaker 1>since she's putting that in her Spotify playlist, so that

0:33:27.360 --> 0:33:30.680
<v Speaker 1>ship is certain. We don't we don't normally do it,

0:33:30.760 --> 0:33:36.240
<v Speaker 1>but that should have certified waiting on reparations fresh. So

0:33:36.280 --> 0:33:39.200
<v Speaker 1>for this last track, we're gonna go to a English

0:33:39.200 --> 0:33:45.200
<v Speaker 1>speaking rapper, Palestinian Canadian rapper who I first heard of

0:33:45.240 --> 0:33:48.959
<v Speaker 1>him from a pretty popping freestyle that he did on

0:33:49.200 --> 0:33:51.920
<v Speaker 1>some radio thing that was a YouTube clip for a while.

0:33:51.960 --> 0:33:55.560
<v Speaker 1>But this is the rapper Belly. He's also a singer

0:33:55.560 --> 0:34:01.920
<v Speaker 1>and songwriter as well. But this is his track history

0:34:01.920 --> 0:34:06.840
<v Speaker 1>of Violence. Let what has been to Palestinaian right? Flipping

0:34:06.920 --> 0:34:11.160
<v Speaker 1>these freedom of all aimed just to religion life, just

0:34:11.360 --> 0:34:13.480
<v Speaker 1>shut them. I like that. He's like, I'm not trying

0:34:13.520 --> 0:34:15.480
<v Speaker 1>to say that we're perfect, you know, like he had

0:34:15.560 --> 0:34:18.360
<v Speaker 1>you know, amidst that, like, yo, yeah, we kind of

0:34:18.440 --> 0:34:21.480
<v Speaker 1>you know, there's been some fun up ship, but there's

0:34:21.520 --> 0:34:24.719
<v Speaker 1>a history of violence. You gotta understand the whole like

0:34:24.800 --> 0:34:27.880
<v Speaker 1>where all of this began, like who did what, to

0:34:27.920 --> 0:34:31.440
<v Speaker 1>whom win and to what degree? Which again coming back

0:34:31.440 --> 0:34:33.439
<v Speaker 1>to that asymmetricality I was talking about at the top,

0:34:34.200 --> 0:34:37.239
<v Speaker 1>um in order to like understand how things became the

0:34:37.239 --> 0:34:39.759
<v Speaker 1>way that they are. That was fresh. You know, it

0:34:39.880 --> 0:34:43.640
<v Speaker 1>started off kind of wobbly for me personally as far

0:34:43.680 --> 0:34:45.960
<v Speaker 1>as like the styles I like, but he picked it up,

0:34:46.040 --> 0:34:49.239
<v Speaker 1>especially with that second verse. He um. One of the

0:34:49.280 --> 0:34:55.880
<v Speaker 1>things that I really appreciated him mentioning was the second

0:34:56.160 --> 0:35:00.960
<v Speaker 1>or third class apartheid level living conditions the Palestinians have

0:35:01.040 --> 0:35:05.560
<v Speaker 1>to live in, not not having the proper municipalities and

0:35:05.840 --> 0:35:08.319
<v Speaker 1>running water or you know what I mean, and and

0:35:08.320 --> 0:35:12.400
<v Speaker 1>stuff like that. Um. Yeah, now that was I'm still

0:35:12.560 --> 0:35:15.560
<v Speaker 1>kind of taken aback. That was. I'd recommend y'all go

0:35:15.680 --> 0:35:18.719
<v Speaker 1>listen to that full song that was and it's like

0:35:19.200 --> 0:35:23.040
<v Speaker 1>it's like couching a bit of like direct material historical context,

0:35:23.120 --> 0:35:25.560
<v Speaker 1>but like if you strip that out. It sounds like

0:35:25.600 --> 0:35:27.520
<v Speaker 1>it could have been written in Compton. It sounds like

0:35:27.560 --> 0:35:29.439
<v Speaker 1>it could have been written in It sounds I could

0:35:29.480 --> 0:35:33.279
<v Speaker 1>have been written in Chicago, given that he's like an

0:35:33.680 --> 0:35:36.560
<v Speaker 1>actual songwriter, like he he writes for other people and

0:35:36.560 --> 0:35:39.480
<v Speaker 1>stuff too. I kind of the sense that I got

0:35:39.560 --> 0:35:41.560
<v Speaker 1>from it. I have no idea because I'm not in

0:35:41.600 --> 0:35:43.600
<v Speaker 1>his head, but the sense that I got from it

0:35:43.680 --> 0:35:47.080
<v Speaker 1>is that was the intent of that song was to

0:35:47.239 --> 0:35:50.600
<v Speaker 1>wrap about it in a way that it could just

0:35:50.680 --> 0:35:53.200
<v Speaker 1>be like he was rapping about Compton or rapping about

0:35:53.239 --> 0:35:55.919
<v Speaker 1>any hood that we you know what I mean that

0:35:55.920 --> 0:35:58.720
<v Speaker 1>that the people could recognize here in the US, but rapping,

0:35:58.880 --> 0:36:01.799
<v Speaker 1>but what like the he's actually talking about his Palestine,

0:36:01.960 --> 0:36:05.640
<v Speaker 1>And I think that is a cool concept to the instrumental.

0:36:05.719 --> 0:36:11.160
<v Speaker 1>The instrumental was it it left some to be desired. Um,

0:36:11.200 --> 0:36:14.600
<v Speaker 1>not that it was bad, but you know, it's just

0:36:14.680 --> 0:36:19.600
<v Speaker 1>kind of like you know, yes, I mean yeah. But

0:36:19.640 --> 0:36:23.800
<v Speaker 1>then again, it's a testament to Belly because his lyrics,

0:36:24.360 --> 0:36:28.279
<v Speaker 1>like his his pen game was so strong. As with

0:36:28.520 --> 0:36:31.680
<v Speaker 1>um the first Damn song we listened to, like the

0:36:31.719 --> 0:36:35.840
<v Speaker 1>Beata's understated in order for the songwriting to shine. I

0:36:35.920 --> 0:36:38.759
<v Speaker 1>felt like you're listening very intently to the words, because

0:36:38.760 --> 0:36:40.719
<v Speaker 1>you're not like bopping your head that hard to the

0:36:40.719 --> 0:36:44.040
<v Speaker 1>eight O waits there anything? And I dig how like

0:36:44.239 --> 0:36:48.640
<v Speaker 1>his uh. I felt like the more that the song

0:36:48.719 --> 0:36:55.280
<v Speaker 1>went on, the more complex I guess he started to rhyme,

0:36:55.320 --> 0:36:57.560
<v Speaker 1>you know what I mean. It started off very basic,

0:36:57.880 --> 0:37:00.719
<v Speaker 1>which for me was like, okay, so that's that's the

0:37:00.760 --> 0:37:02.279
<v Speaker 1>sort of rapper that he does, you know what I mean.

0:37:02.320 --> 0:37:04.719
<v Speaker 1>And it's like as you got into the middle of

0:37:04.760 --> 0:37:07.400
<v Speaker 1>the first verse, he started picking it up. In the

0:37:07.440 --> 0:37:11.200
<v Speaker 1>second verse, he just started going in like oh, oh okay,

0:37:11.239 --> 0:37:15.080
<v Speaker 1>Like yeah, so if the song covers a lot of fronts,

0:37:15.120 --> 0:37:18.680
<v Speaker 1>it's it's got really good rapping, and you know, the

0:37:19.680 --> 0:37:23.080
<v Speaker 1>subject matter and how he's going about discussing it is

0:37:24.520 --> 0:37:27.120
<v Speaker 1>a pretty fresh take. Yeah. Well that's all we got

0:37:27.160 --> 0:37:29.040
<v Speaker 1>for this week. Please go check out these artists and

0:37:29.080 --> 0:37:34.560
<v Speaker 1>support UM as well as you know, advocate for the

0:37:34.600 --> 0:37:37.560
<v Speaker 1>dismantling of the military industrial complex in the person industrial

0:37:37.560 --> 0:37:44.640
<v Speaker 1>complex worldwide. Preach Preach my name is Dope Knife. Wait

0:37:44.680 --> 0:37:46.319
<v Speaker 1>wait wait wait wait wait wait wait wait wait wait.

0:37:46.320 --> 0:37:47.920
<v Speaker 1>How the hell am I like trying to close the

0:37:47.920 --> 0:37:50.480
<v Speaker 1>shift off, Like I'm just trying to like end ship

0:37:50.840 --> 0:37:54.239
<v Speaker 1>like niggas ain't wrapped. I'm just trying to like like,

0:37:54.280 --> 0:37:56.440
<v Speaker 1>I'm like, no, we can't even do it like that.

0:37:56.920 --> 0:38:00.200
<v Speaker 1>I'm sorry, y'all, Like, how could I forget a my

0:38:00.239 --> 0:38:06.080
<v Speaker 1>homie Joel? Can we can we get an instrumental? Please? Uh?

0:38:12.600 --> 0:38:21.960
<v Speaker 1>I was gonna start, yo, yo, yo yo. I don't

0:38:22.000 --> 0:38:24.280
<v Speaker 1>gotta truly to spit when it comes to written versus.

0:38:24.280 --> 0:38:26.960
<v Speaker 1>I am truly legit on another different curve in school

0:38:26.960 --> 0:38:28.600
<v Speaker 1>with you, Brick, because when I dropped, give the urge,

0:38:28.680 --> 0:38:30.600
<v Speaker 1>kick a dude, and the ship proven it this bit

0:38:30.680 --> 0:38:32.560
<v Speaker 1>of scene words, and then I did. I stacked my

0:38:32.600 --> 0:38:34.719
<v Speaker 1>brain and that means work, and I persist. I mixed

0:38:34.719 --> 0:38:36.719
<v Speaker 1>the red and the green herb, and I quit, come

0:38:36.760 --> 0:38:38.719
<v Speaker 1>off the head with a mean verse and let it rip.

0:38:39.040 --> 0:38:42.160
<v Speaker 1>I can't rip because I lost my place, danger, danger

0:38:42.200 --> 0:38:45.840
<v Speaker 1>of loss of space, and I've lost some pace. I

0:38:45.960 --> 0:38:50.560
<v Speaker 1>looked greater, quit awesome, tick. That's what I can do it,

0:38:51.920 --> 0:38:56.160
<v Speaker 1>yo yo. My name's Dope Knife Franca, and we are

0:38:56.239 --> 0:39:00.600
<v Speaker 1>waiting on reparations. See you next week, See you next week.

0:39:02.560 --> 0:39:05.480
<v Speaker 1>Listen to Waiting on Reparations on the I Heart Radio app,

0:39:05.680 --> 0:39:10.000
<v Speaker 1>Apple podcasts, or wherever you get your podcasts m h

0:39:12.600 --> 0:39:14.440
<v Speaker 1>m hm