1 00:00:05,000 --> 00:00:13,400 Speaker 1: So I am standing there on the field with cheddar Bob. Yes, 2 00:00:13,880 --> 00:00:21,599 Speaker 1: damous for I think cooking. Uh no, no, no, no, no, no, 3 00:00:21,680 --> 00:00:23,040 Speaker 1: I didn't want to ask about it. 4 00:00:23,920 --> 00:00:27,320 Speaker 2: He you believe that he cooked be wrapped? 5 00:00:27,440 --> 00:00:29,680 Speaker 1: Yes, no, not the case. 6 00:00:29,880 --> 00:00:32,240 Speaker 2: Cheddar Bob shot himself from the leg. 7 00:00:33,280 --> 00:00:35,199 Speaker 3: He had a gun tucked into his waistband that went 8 00:00:35,240 --> 00:00:36,159 Speaker 3: off accidentally. 9 00:00:36,240 --> 00:00:38,400 Speaker 1: Okay, I'm picturing the right person, but I thought he 10 00:00:38,600 --> 00:00:41,239 Speaker 1: was the one who No, that was one of the 11 00:00:41,280 --> 00:00:47,400 Speaker 1: members of the free World, not Lotto, not Papa Doc. 12 00:00:47,720 --> 00:00:56,680 Speaker 1: It's in the song and yeah blank did yeah did. Anyway, 13 00:00:57,240 --> 00:01:02,240 Speaker 1: there's all these we're there's all these new football weeks. Yes, 14 00:01:02,360 --> 00:01:07,160 Speaker 1: yes we are. We got assigned to play in this 15 00:01:07,240 --> 00:01:07,920 Speaker 1: new football. 16 00:01:07,959 --> 00:01:09,960 Speaker 2: Oh and then what position? 17 00:01:10,360 --> 00:01:19,000 Speaker 1: It's baseball football? So I am the second base. I 18 00:01:19,040 --> 00:01:22,399 Speaker 1: am the second base. Oh wow, And they have to 19 00:01:22,400 --> 00:01:25,880 Speaker 1: catch the football and yes, but it's like so they 20 00:01:25,880 --> 00:01:28,080 Speaker 1: have and they have to run to the base, but 21 00:01:28,160 --> 00:01:29,520 Speaker 1: the base can run away. 22 00:01:31,000 --> 00:01:34,039 Speaker 2: Oh wow, why didn't we ever do it that way? 23 00:01:34,440 --> 00:01:36,760 Speaker 3: Because one thing, when I am watching baseball and they 24 00:01:36,800 --> 00:01:40,160 Speaker 3: get to the base, it seems a little easy because. 25 00:01:39,920 --> 00:01:43,559 Speaker 1: The base literally is not allowed to do anything. No 26 00:01:44,560 --> 00:01:50,480 Speaker 1: that is get smushed all the time. So you're running away, Yes, 27 00:01:50,560 --> 00:01:53,960 Speaker 1: I'm running away. You can leave, you can go anywhere. Yeah, 28 00:01:54,040 --> 00:01:57,280 Speaker 1: did you actually just leave the entire game? Yes, I'm 29 00:01:57,280 --> 00:01:59,559 Speaker 1: still You're supposed to be there. I'm playing right now. 30 00:02:00,160 --> 00:02:02,480 Speaker 3: So anyone could run in cheddar Bob could come bursting 31 00:02:02,520 --> 00:02:03,640 Speaker 3: in the door and stop but here. 32 00:02:03,560 --> 00:02:07,440 Speaker 1: Comes yeah, all right, well we'll see. Hey, welcome to Hollywood, 33 00:02:07,440 --> 00:02:08,919 Speaker 1: handbucking insiders. 34 00:02:08,440 --> 00:02:12,320 Speaker 3: Guy too, but dropping names Bob's red carpet line back 35 00:02:12,400 --> 00:02:15,560 Speaker 3: hallways of this industry we call showbiz. And only one 36 00:02:15,560 --> 00:02:18,440 Speaker 3: of my ear side of my earphones is working. And 37 00:02:18,520 --> 00:02:19,800 Speaker 3: I don't like the way it said that. 38 00:02:19,919 --> 00:02:22,200 Speaker 1: I couldn't believe how well, how well good a job 39 00:02:22,280 --> 00:02:26,720 Speaker 1: you're doing in the beginning part considering yes, And I 40 00:02:26,760 --> 00:02:29,720 Speaker 1: hope people listen back and say like, wow, that's amazing. 41 00:02:29,760 --> 00:02:32,600 Speaker 1: And Sean was talking like it was totally normal, and sheer, 42 00:02:32,639 --> 00:02:34,720 Speaker 1: don't you agree that he was doing a really good job? 43 00:02:35,000 --> 00:02:39,880 Speaker 2: Any wait, shear? I rewind it. I think I heard 44 00:02:39,960 --> 00:02:40,680 Speaker 2: him sace here. 45 00:02:42,080 --> 00:02:44,119 Speaker 4: I'm here too. Yeah, my headphones work. 46 00:02:45,320 --> 00:02:47,760 Speaker 2: Congratulations, I wish I knew what that felt like. 47 00:02:48,360 --> 00:02:52,280 Speaker 1: Welcome to being on the show. Yeah, welcome to la 48 00:02:52,520 --> 00:02:57,280 Speaker 1: Can I just say, really, that you are happening here now. 49 00:02:57,560 --> 00:02:59,600 Speaker 4: Yeah, I'm letting me here. I've been gifted a lot 50 00:02:59,600 --> 00:03:02,079 Speaker 4: of Chris Dolls already. I feel very la. 51 00:03:02,280 --> 00:03:04,720 Speaker 3: Okay, and just run me through some of the airs 52 00:03:04,760 --> 00:03:06,280 Speaker 3: that are in these crystals. 53 00:03:05,919 --> 00:03:06,760 Speaker 4: That rose quarts. 54 00:03:06,840 --> 00:03:11,040 Speaker 2: Oh, yes, that's happiness maybe okay. 55 00:03:11,080 --> 00:03:13,680 Speaker 3: Tourmaline, Yeah, I don't know what that does, but I 56 00:03:13,680 --> 00:03:16,280 Speaker 3: think it makes it sad when the rose quartz is 57 00:03:16,360 --> 00:03:18,480 Speaker 3: too powerful, brings you down. 58 00:03:18,520 --> 00:03:20,440 Speaker 4: I need to even it out. I can't remember the 59 00:03:20,440 --> 00:03:21,639 Speaker 4: other ones, but they all look. 60 00:03:21,760 --> 00:03:25,600 Speaker 3: Very pretty tormaline. Yes, and a lot of times for 61 00:03:25,680 --> 00:03:28,160 Speaker 3: people who don't know. When you're in LA, you need 62 00:03:28,200 --> 00:03:30,600 Speaker 3: to lay your crystals on top of the different scripts, 63 00:03:30,760 --> 00:03:32,919 Speaker 3: and that is a way to choose which. 64 00:03:32,720 --> 00:03:35,680 Speaker 2: Project when you are offer only correct. 65 00:03:36,360 --> 00:03:41,040 Speaker 1: I wish what's your birthday stone? 66 00:03:41,480 --> 00:03:42,000 Speaker 4: Emerald? 67 00:03:44,160 --> 00:03:48,119 Speaker 1: Don't love it? Why to green? Yeah? 68 00:03:48,200 --> 00:03:50,000 Speaker 4: Yeah, it's just like I don't know. 69 00:03:50,400 --> 00:03:51,480 Speaker 1: Well, don't say too green. 70 00:03:51,520 --> 00:03:53,680 Speaker 2: Mind's green paradot? 71 00:03:54,720 --> 00:03:55,440 Speaker 1: Can you picture it? 72 00:03:55,760 --> 00:03:56,200 Speaker 4: I can't. 73 00:03:56,360 --> 00:03:58,560 Speaker 1: Actually, it's a little bit of a muted green. 74 00:04:01,600 --> 00:04:04,160 Speaker 2: Hey's talk about your birthday stone. 75 00:04:04,200 --> 00:04:10,320 Speaker 1: My birthday stone is micah Ah, yes, which I got. 76 00:04:10,520 --> 00:04:12,800 Speaker 1: I went to We took a trip to Alaska and 77 00:04:12,920 --> 00:04:15,960 Speaker 1: did a. We went panning for our birthday stones and 78 00:04:16,040 --> 00:04:17,000 Speaker 1: I found mine. 79 00:04:17,279 --> 00:04:20,200 Speaker 3: Oh, congratulations for my birthday. 80 00:04:20,520 --> 00:04:22,920 Speaker 4: Was there another point to the trip or was that it? 81 00:04:23,120 --> 00:04:25,839 Speaker 1: No, so go find a birthday stone for me? Cool? 82 00:04:25,960 --> 00:04:27,599 Speaker 1: Did I have one? You know? 83 00:04:27,720 --> 00:04:30,279 Speaker 2: Chef Kevin's birthday stone is fools gold. 84 00:04:30,839 --> 00:04:35,279 Speaker 1: So that is I think what my day is. No, Yeah, 85 00:04:35,440 --> 00:04:42,039 Speaker 1: Mike is different. Okay, Hi, brah, Hey, so I didn't ask. 86 00:04:42,960 --> 00:04:47,360 Speaker 1: Here's what we were gonna do today. Kevin has been 87 00:04:47,400 --> 00:04:49,400 Speaker 1: telling you we want to do work. So we're getting 88 00:04:49,440 --> 00:04:51,880 Speaker 1: close to the month where we try really hard on 89 00:04:51,920 --> 00:04:52,320 Speaker 1: this show. 90 00:04:52,520 --> 00:04:54,880 Speaker 3: Yeah, we have one coming up where we promised the 91 00:04:54,920 --> 00:04:56,800 Speaker 3: fans that we're gonna try really hard. We've been on 92 00:04:56,920 --> 00:05:02,520 Speaker 3: cruise control from day one and we've seen what that 93 00:05:02,560 --> 00:05:03,120 Speaker 3: gets us. 94 00:05:03,760 --> 00:05:07,240 Speaker 1: And this is not one of those episodes. This is 95 00:05:07,279 --> 00:05:11,159 Speaker 1: not a trying episode. Sure, but is it Kevin? 96 00:05:11,640 --> 00:05:12,920 Speaker 5: Hey, guys, Chef Kevin here. 97 00:05:13,040 --> 00:05:16,720 Speaker 1: Not yet, But it's kind of a bridge to when 98 00:05:16,760 --> 00:05:20,200 Speaker 1: we are trying really hard. Yes, okay. And so we're 99 00:05:20,760 --> 00:05:23,760 Speaker 1: playing with concepts that people will get really excited about 100 00:05:24,200 --> 00:05:28,120 Speaker 1: and like really and tell our friends and they listen 101 00:05:28,160 --> 00:05:28,640 Speaker 1: to the show. 102 00:05:29,080 --> 00:05:30,719 Speaker 2: Have you told your friends to listen to the show? 103 00:05:30,800 --> 00:05:32,720 Speaker 2: I know you haven't heard it personally. 104 00:05:33,080 --> 00:05:37,000 Speaker 4: Yeah, yeah, I forgot I was doing this until this morning. 105 00:05:37,120 --> 00:05:40,600 Speaker 2: Sure, yeah, yes, and we could tell a little bit 106 00:05:40,600 --> 00:05:41,279 Speaker 2: by the time. 107 00:05:41,160 --> 00:05:50,839 Speaker 1: What reminded you my alarm? But so you would have 108 00:05:50,880 --> 00:05:51,960 Speaker 1: woken up otherwise. 109 00:05:53,120 --> 00:05:55,040 Speaker 4: I don't usually get this early, and I know it's 110 00:05:55,080 --> 00:05:57,360 Speaker 4: not that early, and I don't Were. 111 00:05:57,240 --> 00:05:59,400 Speaker 1: You getting shwasty face last night? Was that part of 112 00:05:59,400 --> 00:06:01,719 Speaker 1: the issue. Do you get twisted? No? 113 00:06:01,960 --> 00:06:05,160 Speaker 4: I just get so tired that makes. 114 00:06:04,240 --> 00:06:07,000 Speaker 1: You drink that much and you didn't even get wasted. 115 00:06:07,720 --> 00:06:13,280 Speaker 3: Damn that's insane not to get schted off that. So 116 00:06:13,279 --> 00:06:16,160 Speaker 3: so we are going to do an idea that's very big, 117 00:06:16,320 --> 00:06:18,240 Speaker 3: very hot, obviously, Hayes, and I know. 118 00:06:18,360 --> 00:06:20,360 Speaker 1: Things are going well so far. I can say there 119 00:06:20,440 --> 00:06:25,000 Speaker 1: is the screen says something went wrong, yep, okay, and 120 00:06:25,040 --> 00:06:26,000 Speaker 1: now we're probably okay. 121 00:06:26,160 --> 00:06:29,599 Speaker 3: Now displayer, and I'm going to read the error code 122 00:06:29,640 --> 00:06:31,200 Speaker 3: so people at home can follow a log. 123 00:06:31,680 --> 00:06:32,839 Speaker 1: It's s seven. 124 00:06:32,600 --> 00:06:36,000 Speaker 2: Three six three one two six o four four four 125 00:06:36,040 --> 00:06:36,520 Speaker 2: three five. 126 00:06:36,600 --> 00:06:39,880 Speaker 3: Oh, go ahead and email you the er code, chef 127 00:06:40,839 --> 00:06:42,159 Speaker 3: how to fix the error code. 128 00:06:42,480 --> 00:06:44,279 Speaker 2: But why is Chef Kevin pulling up a screen? 129 00:06:44,320 --> 00:06:47,000 Speaker 3: Well, I guess it's because we're actually doing something that's 130 00:06:47,120 --> 00:06:50,320 Speaker 3: very now that's very hot, and it's actually the hottest 131 00:06:50,320 --> 00:06:52,200 Speaker 3: thing in the world, which is fire. 132 00:06:52,320 --> 00:06:54,559 Speaker 2: We're doing a Firefest documentary. 133 00:06:54,800 --> 00:06:57,680 Speaker 1: And this especially, I think by the time this episode 134 00:06:57,720 --> 00:07:01,520 Speaker 1: comes out will be the kind of really everyone is 135 00:07:01,560 --> 00:07:04,520 Speaker 1: talking about. Oh yeah, absolute bleeding edge of the culture. 136 00:07:05,120 --> 00:07:08,280 Speaker 3: It's been sort of percolating under the surface that somebody 137 00:07:08,360 --> 00:07:12,680 Speaker 3: might do a Firefest documentary and we're gonna be if 138 00:07:12,720 --> 00:07:14,520 Speaker 3: not first best. 139 00:07:15,040 --> 00:07:16,760 Speaker 1: Have you seen these things? 140 00:07:16,840 --> 00:07:18,680 Speaker 4: I've seen part of the Netflix one. 141 00:07:19,560 --> 00:07:23,080 Speaker 1: That's huge because I have not seen either of them. Okay, 142 00:07:23,560 --> 00:07:27,040 Speaker 1: i've seen part of the Netflix one. Great, but we thought, 143 00:07:27,160 --> 00:07:29,040 Speaker 1: who do we get for something like this, and we 144 00:07:29,120 --> 00:07:31,240 Speaker 1: have to get this year because my understanding is you 145 00:07:31,280 --> 00:07:32,720 Speaker 1: have been to bumber Shoot before. 146 00:07:33,040 --> 00:07:33,720 Speaker 4: Yeah, love. 147 00:07:35,720 --> 00:07:39,240 Speaker 1: Huge bumberhead, fusted you are sort of the signature bumberhead 148 00:07:39,400 --> 00:07:41,400 Speaker 1: I am. Yeah, talk about bumber Shot. 149 00:07:41,920 --> 00:07:44,840 Speaker 4: Bumber Shoot is like kind of it's more about love 150 00:07:45,920 --> 00:07:48,800 Speaker 4: than like music or drugs or anything like that. You 151 00:07:48,880 --> 00:07:50,480 Speaker 4: just gonna get you, like get high on just like 152 00:07:50,640 --> 00:07:54,520 Speaker 4: energies and drugs and drugs. Yeah, yeah, they're drugs are 153 00:07:54,520 --> 00:07:58,040 Speaker 4: definitely involved, but they don't like advertise that. Yeah, so 154 00:07:58,080 --> 00:08:00,120 Speaker 4: you kind of just get there into a field, like 155 00:08:00,160 --> 00:08:02,720 Speaker 4: spinning around in circles until you get dizzy, and that 156 00:08:02,920 --> 00:08:05,960 Speaker 4: gets you dizzy bats. Dizzy bats. 157 00:08:05,960 --> 00:08:12,080 Speaker 1: Oh no, yeah, plus the drugs. I bet you forget it? 158 00:08:12,120 --> 00:08:14,840 Speaker 2: Is this something Kendededict Bumber Shoot? 159 00:08:15,560 --> 00:08:17,080 Speaker 1: Was that Kendededict Bumber Shoot? 160 00:08:17,200 --> 00:08:17,360 Speaker 6: Yeah? 161 00:08:17,400 --> 00:08:22,080 Speaker 1: Yeah? The owner Candidict is your your switch? Yes, the 162 00:08:22,120 --> 00:08:24,360 Speaker 1: owner of Bumber Shoot, the owner of Bumber Shoot. 163 00:08:25,760 --> 00:08:29,560 Speaker 2: So well, Kevin, do you want us to do dizzy 164 00:08:29,560 --> 00:08:31,920 Speaker 2: boats or something? When you try to get the I. 165 00:08:32,040 --> 00:08:35,640 Speaker 1: Noticed Vin has tried to turn on iCloud photos, which 166 00:08:35,920 --> 00:08:38,440 Speaker 1: I don't see how that is going to help us 167 00:08:38,440 --> 00:08:42,640 Speaker 1: at this point. Although Kevin going through his personal photo 168 00:08:42,679 --> 00:08:44,640 Speaker 1: collection on his phone, it is a good idea for 169 00:08:44,679 --> 00:08:45,400 Speaker 1: an episode that's. 170 00:08:45,280 --> 00:08:47,880 Speaker 3: Maybe a better episode than Firefest. Kevin, do we want 171 00:08:47,880 --> 00:08:50,880 Speaker 3: to have disorder? Describe your photos? 172 00:08:51,559 --> 00:08:54,680 Speaker 1: What is your plan? Ideavin's whole plan? We are going 173 00:08:54,760 --> 00:08:57,559 Speaker 1: to do a Firefest documentary and it sounds good, sounds 174 00:08:57,559 --> 00:08:59,320 Speaker 1: like it could be a famous episode. But I do 175 00:08:59,400 --> 00:09:00,560 Speaker 1: worry about the execution. 176 00:09:00,760 --> 00:09:02,679 Speaker 3: None of us really knew what to do, and Kevin 177 00:09:02,720 --> 00:09:07,199 Speaker 3: seemed confident enough that we are Lettinger find out. 178 00:09:07,320 --> 00:09:08,520 Speaker 1: Sure in real time? 179 00:09:09,440 --> 00:09:11,920 Speaker 7: Well, I was thinking we could like play a clip 180 00:09:12,120 --> 00:09:16,240 Speaker 7: and then you guys could talk about your version of it. 181 00:09:16,640 --> 00:09:19,680 Speaker 3: So we are talking heads in the documentary. It's like, 182 00:09:20,040 --> 00:09:22,240 Speaker 3: so you're playing a clip of a real talking head 183 00:09:22,360 --> 00:09:25,560 Speaker 3: and then you're sort of stitching us in afterwards as 184 00:09:25,600 --> 00:09:27,240 Speaker 3: like also being talking heads. 185 00:09:27,440 --> 00:09:30,840 Speaker 7: Yes, and if you could spend as much time as 186 00:09:30,880 --> 00:09:34,800 Speaker 7: possible during that talking head segment and talking about your 187 00:09:34,840 --> 00:09:38,240 Speaker 7: experiences with it, and then maybe Brett could help out 188 00:09:38,240 --> 00:09:41,760 Speaker 7: with some of the music of it, and maybe there 189 00:09:41,760 --> 00:09:44,040 Speaker 7: are some other bands that we didn't know about that 190 00:09:44,160 --> 00:09:45,319 Speaker 7: played at the festival. 191 00:09:45,440 --> 00:09:47,080 Speaker 3: Well, when you say some of the music of it, 192 00:09:47,160 --> 00:09:49,719 Speaker 3: you mean like the music that would be scoring the documentary. 193 00:09:49,840 --> 00:09:51,840 Speaker 8: I asked the exact same thing. Yeah, couldn't get an 194 00:09:51,840 --> 00:09:52,440 Speaker 8: answer both. 195 00:09:54,200 --> 00:09:55,320 Speaker 1: He wouldn't tell you. 196 00:09:55,840 --> 00:09:59,880 Speaker 7: Okay, both scoring the documentary and the bands that played 197 00:10:00,080 --> 00:10:01,120 Speaker 7: at the actual festival. 198 00:10:01,160 --> 00:10:04,120 Speaker 3: Wow, that's a lot, that's and that's how does part 199 00:10:04,160 --> 00:10:05,320 Speaker 3: of any of the documentaries? 200 00:10:05,960 --> 00:10:08,840 Speaker 1: Then how does iCloud photos play? 201 00:10:10,280 --> 00:10:13,560 Speaker 5: I didn't know that was popping up. It looks like 202 00:10:13,640 --> 00:10:14,640 Speaker 5: airplay doesn't work. 203 00:10:14,679 --> 00:10:17,000 Speaker 7: So you guys are just gonna listen to the clips, okay, 204 00:10:17,200 --> 00:10:17,920 Speaker 7: which is great. 205 00:10:18,160 --> 00:10:20,760 Speaker 1: That's so good. That's fine. Yeah, I did not need 206 00:10:20,800 --> 00:10:22,439 Speaker 1: to see it, okay? 207 00:10:22,480 --> 00:10:22,760 Speaker 5: Cool? 208 00:10:22,960 --> 00:10:24,920 Speaker 3: And and when I'm listening to the clips, will there 209 00:10:25,000 --> 00:10:27,199 Speaker 3: be one single clip of a band from the festival 210 00:10:27,200 --> 00:10:29,240 Speaker 3: playing in the documentary because that's not. 211 00:10:29,240 --> 00:10:31,480 Speaker 2: Part of it, right, No, that's what we're going to 212 00:10:31,520 --> 00:10:31,960 Speaker 2: be adding. 213 00:10:32,120 --> 00:10:34,280 Speaker 7: Okay, so we probably are just going to be like 214 00:10:34,360 --> 00:10:36,959 Speaker 7: stealing their clips to make our own documentary. 215 00:10:37,080 --> 00:10:39,680 Speaker 1: And we're releasing this documentary. 216 00:10:39,320 --> 00:10:39,800 Speaker 5: That's right. 217 00:10:40,280 --> 00:10:42,840 Speaker 1: This is the premiere of it on what platform? 218 00:10:43,360 --> 00:10:44,319 Speaker 5: Apple? Podcast? 219 00:10:45,520 --> 00:10:48,120 Speaker 1: Okay, not stitching and. 220 00:10:48,040 --> 00:10:52,959 Speaker 5: Stitcher and Stitcher all podcast platforms. 221 00:10:53,000 --> 00:10:54,120 Speaker 1: Have you pitched Stitcher yet? 222 00:10:54,200 --> 00:10:56,400 Speaker 3: Since you've been out here this year, it's a real 223 00:10:56,480 --> 00:11:00,800 Speaker 3: rate of passage. Your actual LA transplants you. You must 224 00:11:00,920 --> 00:11:05,520 Speaker 3: pitch them a podcast behind the paywall only that's where 225 00:11:05,559 --> 00:11:06,480 Speaker 3: the fans are. 226 00:11:06,520 --> 00:11:10,200 Speaker 1: The real fans who care this one. They never even 227 00:11:11,120 --> 00:11:13,960 Speaker 1: behind the paywall. Well they live in there at this point. 228 00:11:14,360 --> 00:11:14,760 Speaker 9: Mm hmm. 229 00:11:15,480 --> 00:11:18,120 Speaker 1: What other podcasts have you been on? Their Grandma's Basement? 230 00:11:18,240 --> 00:11:19,000 Speaker 5: I just did. 231 00:11:20,800 --> 00:11:21,360 Speaker 4: Off book? 232 00:11:21,679 --> 00:11:24,800 Speaker 1: Yes, oh yes, did they talk about that episode we 233 00:11:24,840 --> 00:11:27,600 Speaker 1: did listening? They didn't mention it, you sure? 234 00:11:28,920 --> 00:11:31,000 Speaker 4: Oh yeah, they were like, I hope it doesn't happen 235 00:11:31,080 --> 00:11:31,480 Speaker 4: like that. 236 00:11:32,360 --> 00:11:34,479 Speaker 1: No way, yeah, not sustainable? 237 00:11:34,679 --> 00:11:38,320 Speaker 3: Yeah, yeah, I think that actually hurt their next several episodes, 238 00:11:38,360 --> 00:11:38,960 Speaker 3: How well ours? 239 00:11:39,920 --> 00:11:41,480 Speaker 4: Oh the impression I got? 240 00:11:42,280 --> 00:11:43,960 Speaker 2: Okay, Yeah, that's nice of them to make. 241 00:11:44,000 --> 00:11:46,720 Speaker 1: Did you have a singing time on there? Yeah? 242 00:11:46,840 --> 00:11:50,880 Speaker 4: It was fun. I do improv and I sing that 243 00:11:51,280 --> 00:11:54,480 Speaker 4: rarely the twain have met in my life. But then 244 00:11:54,520 --> 00:11:56,520 Speaker 4: people will be like, well, you do both, so you 245 00:11:56,600 --> 00:11:59,000 Speaker 4: can yeah, and then I do. 246 00:11:59,120 --> 00:12:00,840 Speaker 1: I do it right, Okay, you can do it on 247 00:12:00,880 --> 00:12:05,679 Speaker 1: this one too. We have a guitar there. This is Bosh. 248 00:12:06,400 --> 00:12:11,000 Speaker 1: This is my dog Bosh. He is a bit hungry 249 00:12:11,040 --> 00:12:12,040 Speaker 1: for pets this morning. 250 00:12:12,600 --> 00:12:15,360 Speaker 3: Yeah, he's feeling a little lonesome. Well, you know, it's 251 00:12:15,360 --> 00:12:17,280 Speaker 3: been raining so much that he's been. 252 00:12:17,720 --> 00:12:19,880 Speaker 1: Cooped up and you won't pet him when it writes. 253 00:12:21,600 --> 00:12:24,600 Speaker 2: No, he too sticky, He too sticky. 254 00:12:24,800 --> 00:12:30,200 Speaker 1: He's stinky. He gets stick I think gots sticky. Oh yeah, 255 00:12:31,120 --> 00:12:35,200 Speaker 1: let's face it. He gets in it just about anything. Well, 256 00:12:35,240 --> 00:12:41,040 Speaker 1: other shows, I don't know, whatever the shows have they done? 257 00:12:41,320 --> 00:12:42,400 Speaker 2: Damn it's been a whirlwind. 258 00:12:42,480 --> 00:12:43,839 Speaker 1: Huh but not. 259 00:12:43,840 --> 00:12:45,599 Speaker 4: Actually it's funny because everyone's like, you're going to be 260 00:12:45,640 --> 00:12:48,200 Speaker 4: on every podcast and then it's been pretty chill. Honestly, 261 00:12:48,280 --> 00:12:49,959 Speaker 4: if you're I think people don't know I'm here and 262 00:12:50,040 --> 00:12:51,640 Speaker 4: that's fine if. 263 00:12:51,600 --> 00:12:57,960 Speaker 1: This is the second one, they don't know. Yes, Scott, 264 00:12:58,080 --> 00:13:00,720 Speaker 1: we're sort of like the farm legs for Kamie Bang 265 00:13:00,760 --> 00:13:03,240 Speaker 1: Bang and Sky will listen to this. Yeah you have again. 266 00:13:03,360 --> 00:13:06,480 Speaker 1: People will we will call you, call your number. Yeah, 267 00:13:06,720 --> 00:13:10,959 Speaker 1: it's already happening. All right, Kevin, let's all right's do 268 00:13:11,400 --> 00:13:14,400 Speaker 1: what's this thing? And again this is a bridge episode 269 00:13:14,559 --> 00:13:15,840 Speaker 1: to us doing a good. 270 00:13:15,800 --> 00:13:19,680 Speaker 4: Job, so it feels like the beginning of the bridge. 271 00:13:20,040 --> 00:13:20,880 Speaker 1: Yes, yeah, we are. 272 00:13:23,160 --> 00:13:25,679 Speaker 3: We're actually watching the bridge lower so that we can 273 00:13:25,880 --> 00:13:29,000 Speaker 3: cross it. This is a great it's about to be 274 00:13:29,120 --> 00:13:30,160 Speaker 3: in It could be pretty fun. 275 00:13:30,800 --> 00:13:36,400 Speaker 1: Just those big machines. All right, people, a little issue today, 276 00:13:38,080 --> 00:13:38,719 Speaker 1: talk talk to me. 277 00:13:38,880 --> 00:13:40,480 Speaker 10: Okay, okay, let's start start. 278 00:13:42,120 --> 00:13:42,960 Speaker 5: Grand a little issue. 279 00:13:44,559 --> 00:13:46,319 Speaker 11: There was no like this is the story we want 280 00:13:46,320 --> 00:13:47,679 Speaker 11: to tell, this is what we want to capture. There 281 00:13:47,720 --> 00:13:48,840 Speaker 11: was just just capture everything. 282 00:13:49,200 --> 00:13:52,680 Speaker 1: We need genuine shots. We need genuine people interacting having 283 00:13:52,720 --> 00:13:53,240 Speaker 1: a good time. 284 00:13:53,760 --> 00:13:55,440 Speaker 3: I need a wide yacht shot. 285 00:13:55,520 --> 00:13:57,440 Speaker 8: And we are to do the cave underwater. We need 286 00:13:57,520 --> 00:13:59,120 Speaker 8: the boats in a flying v formation. 287 00:13:59,480 --> 00:14:01,920 Speaker 1: Can we tell Herbie to have a big big big 288 00:14:02,000 --> 00:14:04,040 Speaker 1: big big big big big big big. 289 00:14:04,040 --> 00:14:06,439 Speaker 8: Big bonfire tomorrow night, like a huge Bonfire. 290 00:14:06,880 --> 00:14:10,920 Speaker 11: Grant was a neurotic person. He was he was smart, 291 00:14:10,920 --> 00:14:13,160 Speaker 11: He's a smart dude. He was just overwhelmed. 292 00:14:13,480 --> 00:14:16,880 Speaker 8: I'm our chief marketing officer, our chief marketing officer. 293 00:14:16,920 --> 00:14:18,959 Speaker 7: I wouldn't call myself a perfectionist, but everything needs to 294 00:14:19,000 --> 00:14:19,720 Speaker 7: be perfect, you know. 295 00:14:20,040 --> 00:14:21,840 Speaker 11: I mean it was like a job of five people 296 00:14:22,120 --> 00:14:24,600 Speaker 11: and he like had no experience in doing music festivals, 297 00:14:24,640 --> 00:14:27,600 Speaker 11: no experience in doing events, but he did work hard. 298 00:14:28,240 --> 00:14:30,840 Speaker 8: So I know Billy wants to go see the pigs 299 00:14:30,840 --> 00:14:32,120 Speaker 8: and this is the only way to make it work. 300 00:14:34,440 --> 00:14:37,760 Speaker 3: There's a long clip, dude, are we what are we 301 00:14:37,800 --> 00:14:39,000 Speaker 3: thinking about the length of the clips? 302 00:14:39,040 --> 00:14:41,000 Speaker 2: Do we wanted to be about seven eight minutes long? 303 00:14:41,400 --> 00:14:43,360 Speaker 5: I thought you guys were going to jump in at 304 00:14:43,400 --> 00:14:43,960 Speaker 5: any point. 305 00:14:44,080 --> 00:14:46,440 Speaker 1: Oh really, this was a talk over the clips. 306 00:14:46,760 --> 00:14:47,960 Speaker 5: Why would it turned it down? 307 00:14:48,560 --> 00:14:52,880 Speaker 3: No, Kevin, No, okay, play the clip because now we've 308 00:14:53,480 --> 00:14:56,120 Speaker 3: zoomed by like fifteen things that we could have done 309 00:14:56,200 --> 00:14:58,160 Speaker 3: like half a thing about and. 310 00:14:58,280 --> 00:15:00,440 Speaker 1: You can we can edit it down when we're when 311 00:15:00,480 --> 00:15:03,040 Speaker 1: you're submitting the actual documentary, you can cut the in 312 00:15:03,160 --> 00:15:07,440 Speaker 1: between parts. So you want us to do commentary on 313 00:15:07,600 --> 00:15:09,720 Speaker 1: our experience at the fire festival. There is a certain 314 00:15:09,760 --> 00:15:12,440 Speaker 1: amount of vocal fry that I think, I know you 315 00:15:12,600 --> 00:15:15,480 Speaker 1: have to do when you're talking about the best of all, 316 00:15:15,800 --> 00:15:19,920 Speaker 1: I'm not. Yeah, so you want to based on the 317 00:15:20,000 --> 00:15:23,600 Speaker 1: clip which contains which is mostly commentary, what was the 318 00:15:24,520 --> 00:15:26,280 Speaker 1: idea of picking that clip specifically? 319 00:15:26,360 --> 00:15:31,680 Speaker 7: Maybe maybe you guys helped with the photo shoot with 320 00:15:31,800 --> 00:15:32,320 Speaker 7: the pigs. 321 00:15:32,840 --> 00:15:34,120 Speaker 1: Wait, I got one line for it. 322 00:15:34,520 --> 00:15:36,920 Speaker 2: I'm not saying I'm a chocoholic, but everything has to 323 00:15:37,000 --> 00:15:37,840 Speaker 2: be made out of chocolate. 324 00:15:40,360 --> 00:15:43,080 Speaker 1: That's my joke on his perfectionist thing. Do you like it, Kevin? 325 00:15:43,240 --> 00:15:46,520 Speaker 5: That's great that I'll use that a couple of times. 326 00:15:47,840 --> 00:15:50,000 Speaker 2: Look, I'm not saying I'm a chocoholic, but there better 327 00:15:50,040 --> 00:15:50,720 Speaker 2: be a lot of chocolate. 328 00:15:50,760 --> 00:15:55,240 Speaker 1: Everything better be made out of it. Everything at the festival. 329 00:15:54,880 --> 00:15:56,920 Speaker 2: Everything at the festival better be made out of chocolate. 330 00:15:57,040 --> 00:15:59,240 Speaker 4: And that's why it wasn't sustainable because it just melts. 331 00:15:59,280 --> 00:16:01,720 Speaker 3: Oh yeah, well, don't do that on a warm island. 332 00:16:01,840 --> 00:16:03,800 Speaker 3: Do that in like a Antarctica or something. 333 00:16:04,560 --> 00:16:06,880 Speaker 2: Yeah, into Alaska where he's funding Burstone. 334 00:16:08,080 --> 00:16:08,720 Speaker 7: Think about that. 335 00:16:10,840 --> 00:16:13,640 Speaker 4: Part of the festival. Everyone finds their birth chocolate and fire. 336 00:16:13,960 --> 00:16:19,000 Speaker 1: No, thank you. They hate each other, you know, But 337 00:16:19,200 --> 00:16:22,480 Speaker 1: that is mostly the chocolate is not touching the fire. 338 00:16:22,680 --> 00:16:25,560 Speaker 1: I have been through this before, which is creating it 339 00:16:25,840 --> 00:16:28,600 Speaker 1: entires more and then doing the fire. 340 00:16:28,840 --> 00:16:30,760 Speaker 2: If you put the chocolate on the stick and put 341 00:16:30,760 --> 00:16:32,680 Speaker 2: it in the fire, you're going to be let down 342 00:16:32,760 --> 00:16:36,720 Speaker 2: by this more So, I'm glad you brought it up 343 00:16:36,760 --> 00:16:37,080 Speaker 2: this year. 344 00:16:37,200 --> 00:16:39,680 Speaker 3: Don't be embarrassed, because I think that that actually is 345 00:16:39,760 --> 00:16:43,280 Speaker 3: really helpful to people. We've all tried to put together 346 00:16:43,360 --> 00:16:49,280 Speaker 3: fulls more inside the flames. 347 00:16:50,000 --> 00:16:52,880 Speaker 4: I'm realizing that's a huge mess. Chocolate will melt. 348 00:16:53,040 --> 00:16:56,240 Speaker 2: Primarily the marshmallow is the only thing that gets into 349 00:16:56,280 --> 00:16:56,720 Speaker 2: the fire. 350 00:16:57,720 --> 00:16:59,240 Speaker 1: And even the part of the stick. I kind of 351 00:16:59,280 --> 00:17:00,480 Speaker 1: want to hover it the stick. 352 00:17:00,560 --> 00:17:03,240 Speaker 4: Yeah, sometimes part of the Graham cracker piles burned. 353 00:17:04,280 --> 00:17:11,080 Speaker 1: I think it would. Yeah, unfortunately, I think it would. Okay, Kevin, Oh, genuine? 354 00:17:11,920 --> 00:17:17,640 Speaker 1: This from the festival or is this for the document? 355 00:17:17,760 --> 00:17:17,920 Speaker 6: Yeah? 356 00:17:17,920 --> 00:17:20,399 Speaker 8: Well he mentioned genuine and this. 357 00:17:21,440 --> 00:17:28,520 Speaker 1: This is the kind of vocal fry. They how are 358 00:17:28,560 --> 00:17:32,040 Speaker 1: you players on the guitar? Look? Can I say, man, 359 00:17:33,119 --> 00:17:37,480 Speaker 1: very talented? I don't know we have for this? Yeah, 360 00:17:38,720 --> 00:17:41,000 Speaker 1: so I forget what was happening in the club. 361 00:17:41,119 --> 00:17:43,080 Speaker 2: They said, big big big big big big big big 362 00:17:43,119 --> 00:17:46,160 Speaker 2: big big big big big big bondfire like huge bonfire. 363 00:17:46,440 --> 00:17:48,720 Speaker 1: Okay, I did see this part of the documentary. 364 00:17:48,880 --> 00:17:53,399 Speaker 4: Yes, and they were creating the weapon. I have the 365 00:17:53,480 --> 00:17:58,320 Speaker 4: inside scoop is when they were creating the promo video 366 00:17:59,080 --> 00:18:02,320 Speaker 4: for fire Fest that would get everyone excited about it 367 00:18:02,359 --> 00:18:07,520 Speaker 4: and had like huge models in it and like in boats, 368 00:18:07,600 --> 00:18:10,680 Speaker 4: and it just looked like a music video basically. And 369 00:18:10,920 --> 00:18:13,400 Speaker 4: they never really explained how they got those models that part. 370 00:18:13,440 --> 00:18:15,720 Speaker 4: I was always like, why is bellahdid here? Like why 371 00:18:15,840 --> 00:18:17,800 Speaker 4: is Kendall Jenner? Why are any people here? 372 00:18:18,280 --> 00:18:18,800 Speaker 2: What did he do? 373 00:18:18,880 --> 00:18:19,240 Speaker 10: He lie? 374 00:18:19,520 --> 00:18:23,399 Speaker 4: Did they get paid? I mean, even that's still like 375 00:18:23,480 --> 00:18:24,800 Speaker 4: a why are they? 376 00:18:25,000 --> 00:18:26,760 Speaker 2: You don't think John Rule's friends with Kendall Jenner? 377 00:18:27,119 --> 00:18:28,200 Speaker 10: No, I did not. 378 00:18:28,400 --> 00:18:30,760 Speaker 4: I never would have assumed it's possible. 379 00:18:30,880 --> 00:18:32,480 Speaker 10: But it's quite likely. 380 00:18:32,600 --> 00:18:33,480 Speaker 1: Have you seen the video. 381 00:18:36,160 --> 00:18:39,639 Speaker 3: When you're a certain echelon, you know, up in the 382 00:18:39,720 --> 00:18:43,880 Speaker 3: freaking ozone there in the stratosphere, you just all start 383 00:18:44,000 --> 00:18:44,640 Speaker 3: to know each other. 384 00:18:44,800 --> 00:18:47,879 Speaker 4: Yeah, but John Rule, I would say, you used to 385 00:18:48,000 --> 00:18:51,280 Speaker 4: be in the stratus area. But he's like, he's still recognizable, 386 00:18:51,359 --> 00:18:51,760 Speaker 4: we still know. 387 00:18:51,760 --> 00:18:54,040 Speaker 1: His name, but he's definitely in the sky. 388 00:18:54,760 --> 00:18:57,640 Speaker 2: In the sky, yes, but not where. 389 00:18:58,240 --> 00:19:03,040 Speaker 3: These supermodels are Okay, okay, we don't typically get into 390 00:19:03,320 --> 00:19:06,320 Speaker 3: huge fights on this show. That's not part of that's 391 00:19:06,359 --> 00:19:10,040 Speaker 3: not fun for anyone, But we also don't necessarily have 392 00:19:10,400 --> 00:19:15,000 Speaker 3: like people come in saying the wildest shit I've ever heard, 393 00:19:15,160 --> 00:19:19,120 Speaker 3: which is the jaw rule is not currently today an 394 00:19:19,240 --> 00:19:24,080 Speaker 3: A list megastar who Bell and Kendall Jenner would be 395 00:19:24,640 --> 00:19:27,560 Speaker 3: lucky to be on a boat with in a promo 396 00:19:27,720 --> 00:19:29,480 Speaker 3: video for a fake music festival. 397 00:19:31,160 --> 00:19:31,919 Speaker 4: Yeah, maybe I'm. 398 00:19:31,760 --> 00:19:32,280 Speaker 1: At a touch. 399 00:19:32,320 --> 00:19:34,640 Speaker 4: I don't know. I thought, I just haven't heard any 400 00:19:34,760 --> 00:19:36,240 Speaker 4: recent music from him. 401 00:19:36,440 --> 00:19:40,560 Speaker 1: Maybe let's leave it projects and let's leave it at 402 00:19:40,600 --> 00:19:43,639 Speaker 1: that so we can do a little commentary on like 403 00:19:44,920 --> 00:19:47,800 Speaker 1: so they So we had to go work on the 404 00:19:47,840 --> 00:19:50,119 Speaker 1: big big bonfire, But of course first we had to 405 00:19:50,240 --> 00:19:53,800 Speaker 1: create the big bigs more and the hardest part of 406 00:19:53,840 --> 00:19:58,520 Speaker 1: that is obviously the big marshmallow. So we we have 407 00:19:58,640 --> 00:20:02,240 Speaker 1: to make the marshmallow inside had a keg. You mix 408 00:20:02,800 --> 00:20:09,480 Speaker 1: sugar and wheat and milk and sealed the keg and 409 00:20:09,600 --> 00:20:12,280 Speaker 1: let it dry. But of course we had to pour 410 00:20:12,280 --> 00:20:12,679 Speaker 1: out all the. 411 00:20:12,720 --> 00:20:18,200 Speaker 3: Beer and the cake grant didn't know anything about marshmallows, 412 00:20:18,240 --> 00:20:19,000 Speaker 3: so that set. 413 00:20:18,880 --> 00:20:20,440 Speaker 1: Us back a full two days. 414 00:20:21,960 --> 00:20:25,240 Speaker 3: Basically when he put the marshmallow stuff inside the keg 415 00:20:25,280 --> 00:20:25,600 Speaker 3: of beer. 416 00:20:25,680 --> 00:20:28,320 Speaker 1: There was still beer in there, and I'm not sure 417 00:20:28,480 --> 00:20:33,720 Speaker 1: that beer is made of wheat or that is that 418 00:20:33,880 --> 00:20:35,600 Speaker 1: wasn't important marshmallow ingredient. 419 00:20:36,760 --> 00:20:40,840 Speaker 3: So the keg ended up exploding. I don't know what 420 00:20:40,960 --> 00:20:44,160 Speaker 3: he did to it. Wheat and sugar and beer should 421 00:20:44,240 --> 00:20:44,800 Speaker 3: not have done that. 422 00:20:45,040 --> 00:20:48,440 Speaker 12: But Grant had fourth degree burns all over his abdomen, 423 00:20:48,720 --> 00:20:52,480 Speaker 12: and we spent quite a bit of time just in 424 00:20:52,600 --> 00:20:55,120 Speaker 12: the first aid tent trying to calm him down. 425 00:20:57,000 --> 00:20:59,160 Speaker 4: Also tracked a lot of animals on the beach because 426 00:20:59,200 --> 00:21:02,040 Speaker 4: now there's just oop in the sand and that's hard 427 00:21:02,080 --> 00:21:04,200 Speaker 4: to get out. You can't sweep it. It just like 428 00:21:04,440 --> 00:21:06,360 Speaker 4: is in there, and I guess it has to dry 429 00:21:06,520 --> 00:21:08,879 Speaker 4: and just let nature take its course. 430 00:21:09,320 --> 00:21:13,000 Speaker 1: That was a misunderstanding. I had ordered, uh like, many 431 00:21:13,080 --> 00:21:16,040 Speaker 1: shipments of animal crackers to create the big grab cracker, 432 00:21:16,520 --> 00:21:19,040 Speaker 1: but we did end up getting actual animals instead. 433 00:21:21,680 --> 00:21:24,600 Speaker 2: Yeah, they didn't seem like island animals to me, which 434 00:21:24,720 --> 00:21:25,159 Speaker 2: was straight. 435 00:21:25,320 --> 00:21:26,960 Speaker 1: They were circus animals. 436 00:21:28,720 --> 00:21:32,440 Speaker 4: And the like abused kind that like these were like 437 00:21:32,560 --> 00:21:35,800 Speaker 4: fresh hot circus animals. They were like sad they'd been 438 00:21:35,840 --> 00:21:40,200 Speaker 4: whipped them. I retired yeah, yeah, really slow elephants. 439 00:21:40,480 --> 00:21:41,119 Speaker 1: They were circuits. 440 00:21:41,119 --> 00:21:43,760 Speaker 3: Animals at the circus did not currently need they did 441 00:21:43,880 --> 00:21:49,480 Speaker 3: not feel whips anymore. Anyway, they got tangled up at 442 00:21:49,480 --> 00:21:54,960 Speaker 3: the marshmallow pretty good, and at that point we considered 443 00:21:55,359 --> 00:22:00,320 Speaker 3: not even doing the video or the fest of all, but. 444 00:22:00,400 --> 00:22:03,000 Speaker 1: Out of respect to the animals, we've decided it would 445 00:22:03,040 --> 00:22:06,240 Speaker 1: be where I didn't go forward, so their sacrifice wouldn't 446 00:22:06,280 --> 00:22:09,760 Speaker 1: be in vain, and they didn't die, but they were 447 00:22:09,840 --> 00:22:10,359 Speaker 1: just tied up. 448 00:22:10,400 --> 00:22:15,240 Speaker 3: If you've ever seen an elephant trapped in marshmallow and sand, 449 00:22:16,480 --> 00:22:19,680 Speaker 3: unable to even lift his truck, tied up so good, 450 00:22:20,280 --> 00:22:22,920 Speaker 3: you know that the only right thing to do is 451 00:22:22,960 --> 00:22:23,800 Speaker 3: a fake festival. 452 00:22:23,920 --> 00:22:28,560 Speaker 1: We had a pound plus bar from Trader Joe's, the 453 00:22:28,720 --> 00:22:31,560 Speaker 1: chocolate bar, and I did hold that up against the 454 00:22:31,760 --> 00:22:34,000 Speaker 1: elephant tied in the marshmallow and hope that that was 455 00:22:34,080 --> 00:22:34,560 Speaker 1: a sport. 456 00:22:37,320 --> 00:22:37,679 Speaker 6: It was. 457 00:22:39,920 --> 00:22:41,399 Speaker 1: Okay, Kevin, you got another clip. 458 00:22:43,560 --> 00:22:46,640 Speaker 13: I flew here, we said, Billy just for a holiday, 459 00:22:46,800 --> 00:22:49,800 Speaker 13: and now this is a ballooned into a full production 460 00:22:50,119 --> 00:22:52,119 Speaker 13: team of dolls and cameras. 461 00:22:52,400 --> 00:22:57,040 Speaker 3: There was this crazy piley Keith pause pause pause, what's 462 00:22:57,080 --> 00:22:58,240 Speaker 3: funny about this clip to you? 463 00:22:58,400 --> 00:22:58,640 Speaker 1: Kevin? 464 00:22:58,720 --> 00:22:59,800 Speaker 2: That people have accents. 465 00:23:00,840 --> 00:23:04,879 Speaker 3: No, I'm from the different countries and places that we 466 00:23:04,960 --> 00:23:07,720 Speaker 3: live in a world where not everyone sounds like Chef. 467 00:23:07,600 --> 00:23:10,400 Speaker 1: Kevin Heaven's America Burger from Chicago. 468 00:23:11,840 --> 00:23:15,280 Speaker 5: No, No, it's the cliffs about to happen with with 469 00:23:15,480 --> 00:23:16,720 Speaker 5: Keith the pilot. 470 00:23:18,440 --> 00:23:19,720 Speaker 1: Pverty. I didn't know how we do it. 471 00:23:20,480 --> 00:23:21,959 Speaker 11: As we're like about to take off, he's like here 472 00:23:21,960 --> 00:23:23,560 Speaker 11: about this plane. Like six months ago, I just got 473 00:23:23,600 --> 00:23:24,160 Speaker 11: my license. 474 00:23:24,400 --> 00:23:26,800 Speaker 13: I ended up teaching myself and you can use Microsoft 475 00:23:26,800 --> 00:23:30,880 Speaker 13: Flight Simulator. Microsoft Flight Simulator has lessons and it's excellent. 476 00:23:31,240 --> 00:23:32,720 Speaker 11: Once we were in the arrows, what are we going 477 00:23:32,760 --> 00:23:34,280 Speaker 11: to do? You know, she'd be like cooling off, being 478 00:23:34,280 --> 00:23:35,920 Speaker 11: into the runway and just going straight up into the 479 00:23:36,000 --> 00:23:37,399 Speaker 11: thing and then like killing the engine. 480 00:23:37,600 --> 00:23:40,080 Speaker 1: You know. Whenever I'm just peelly, I have to to 481 00:23:40,200 --> 00:23:41,600 Speaker 1: at least three ze orchis. 482 00:23:44,640 --> 00:23:46,560 Speaker 8: Billy and John made their famous toast? 483 00:23:47,920 --> 00:23:54,040 Speaker 5: So maybe something about the famous toast? The famous toast? 484 00:23:54,640 --> 00:23:57,399 Speaker 2: Yeah, okay, we have to come up with a famous toast. 485 00:23:59,200 --> 00:24:01,920 Speaker 1: I guess, to me, most understand how you do a 486 00:24:02,119 --> 00:24:04,840 Speaker 1: famous version of it. It's so to me, the most 487 00:24:04,880 --> 00:24:09,000 Speaker 1: famous toast is probably s'mores. You know, that's a good point. 488 00:24:09,160 --> 00:24:11,960 Speaker 3: Because that's the only that's the last time we truly 489 00:24:12,040 --> 00:24:14,240 Speaker 3: innovated on the concept of toasting something. 490 00:24:14,680 --> 00:24:15,639 Speaker 4: Famous toaster. 491 00:24:18,680 --> 00:24:27,919 Speaker 1: Definitely brave a little toaster almost definitely the most famous 492 00:24:28,000 --> 00:24:31,000 Speaker 1: toaster except maybe the one in the beginning of Back 493 00:24:31,040 --> 00:24:35,840 Speaker 1: to the Future. Uh from the from the Breakfast Machine. Okay, 494 00:24:37,520 --> 00:24:39,280 Speaker 1: that was a huge movie if you think about it, 495 00:24:39,440 --> 00:24:42,760 Speaker 1: how many people saw the toaster for the Breakfast Machine 496 00:24:43,359 --> 00:24:46,199 Speaker 1: compared to uh, the Brave Braveil. 497 00:24:46,760 --> 00:24:50,320 Speaker 4: But the movie is named after the brave litl toaster. 498 00:24:50,480 --> 00:24:56,160 Speaker 4: And even if you haven't seen Eyeballs, you know, all right, yeah, 499 00:24:56,160 --> 00:24:59,919 Speaker 4: I mean the eyeballs help. Yeah, and and braveile does 500 00:25:00,160 --> 00:25:02,000 Speaker 4: Oh I thought even the ill was on the test. 501 00:25:04,800 --> 00:25:10,080 Speaker 3: So okay, I have to play mediator for a moment 502 00:25:10,760 --> 00:25:13,600 Speaker 3: because this again we normally we did, and it's not 503 00:25:13,720 --> 00:25:16,000 Speaker 3: normally not a confrontational show. A lot of times it's 504 00:25:16,080 --> 00:25:18,600 Speaker 3: just us kind of like being friendly and having fun 505 00:25:18,680 --> 00:25:22,240 Speaker 3: with people. But sometimes you find someone who has to 506 00:25:22,320 --> 00:25:26,159 Speaker 3: poke the hornet's nest, who is addicted to controversy, and 507 00:25:26,680 --> 00:25:29,800 Speaker 3: I think that's the situation we're in now. So all right, 508 00:25:29,880 --> 00:25:32,000 Speaker 3: I'm not going to fight about whether Back to the 509 00:25:32,080 --> 00:25:34,840 Speaker 3: Future was more successful the brave little toaster that seems 510 00:25:34,960 --> 00:25:37,760 Speaker 3: like something that you know, that's a battle to be 511 00:25:37,800 --> 00:25:38,920 Speaker 3: fought in the press later on. 512 00:25:40,400 --> 00:25:43,440 Speaker 1: So we should we just do some commentary? Yes, okay, 513 00:25:45,600 --> 00:25:48,560 Speaker 1: so I I, of course had learned from a Microsoft 514 00:25:48,640 --> 00:25:54,000 Speaker 1: program how to sweep minds, and we, of course the 515 00:25:54,119 --> 00:25:58,360 Speaker 1: festival was happening on an island that had a lot 516 00:25:58,440 --> 00:26:01,200 Speaker 1: of minds buried in the same from the Korean War. 517 00:26:02,600 --> 00:26:06,520 Speaker 1: But I used a technique that I learned from Microsoft, 518 00:26:06,720 --> 00:26:08,960 Speaker 1: where you dig a little hole in the sand and 519 00:26:09,040 --> 00:26:12,000 Speaker 1: there is a number under there that tells you how 520 00:26:12,080 --> 00:26:14,760 Speaker 1: far away the minds are. Eats me. 521 00:26:15,240 --> 00:26:18,400 Speaker 3: Chef Kevin thinks it's so funny the way that I talk, 522 00:26:18,520 --> 00:26:20,280 Speaker 3: because I took like chift Kevin. 523 00:26:20,359 --> 00:26:23,479 Speaker 2: It's so I should be left at right, Jeff Kevin, 524 00:26:25,640 --> 00:26:26,680 Speaker 2: that's me, bravo. 525 00:26:30,440 --> 00:26:34,440 Speaker 1: And I admit I had a larger role in the movie. 526 00:26:34,200 --> 00:26:34,639 Speaker 11: I was in. 527 00:26:35,000 --> 00:26:37,680 Speaker 1: But I'm not as famous as the duster from the 528 00:26:37,800 --> 00:26:41,440 Speaker 1: Breakfast Machine and Back to the Future. Not as many 529 00:26:41,520 --> 00:26:48,080 Speaker 1: people have looked at me twenty one. Was that a 530 00:26:48,160 --> 00:26:48,960 Speaker 1: breakfast machine? 531 00:26:49,840 --> 00:26:50,359 Speaker 4: I don't know. 532 00:26:50,640 --> 00:26:52,840 Speaker 1: I don't really remember. You haven't seen Back to the Future. 533 00:26:52,920 --> 00:26:54,400 Speaker 4: I've seen it, I don't remember it as. 534 00:26:54,359 --> 00:26:56,200 Speaker 1: Well as the Braville. I think it does a few 535 00:26:56,320 --> 00:26:59,919 Speaker 1: different things. Kevin, can you can you just confirm. 536 00:26:59,640 --> 00:27:01,879 Speaker 3: Now my mind, there's a breakfast machine at the beginning 537 00:27:01,920 --> 00:27:02,880 Speaker 3: of Gremlins as well. 538 00:27:02,960 --> 00:27:05,439 Speaker 1: Am I crazy in my memory? 539 00:27:05,640 --> 00:27:09,159 Speaker 8: Ei peewee a great breakfast machine. 540 00:27:10,000 --> 00:27:12,320 Speaker 1: What happens at the beginning of Back to the Future. 541 00:27:13,840 --> 00:27:18,399 Speaker 7: Uh, plays the guitar, all the clocks are ticking and 542 00:27:18,480 --> 00:27:19,600 Speaker 7: he strums the guitar. 543 00:27:19,680 --> 00:27:21,480 Speaker 1: He turns it up and oh, he's turning on all 544 00:27:21,480 --> 00:27:24,240 Speaker 1: the amps and stuff. So there's no breakfast machine. 545 00:27:25,080 --> 00:27:27,000 Speaker 2: Well maybe at Doc Brown's house there would be. 546 00:27:27,760 --> 00:27:31,440 Speaker 1: That's that's where he is. Oh, he's there at the beginning. Yeah, 547 00:27:31,520 --> 00:27:32,159 Speaker 1: that's where I think. 548 00:27:32,200 --> 00:27:35,280 Speaker 3: That's where all the amp st Brown's house, that's where 549 00:27:35,280 --> 00:27:36,600 Speaker 3: he's allowed to practice his music. 550 00:27:36,640 --> 00:27:39,360 Speaker 1: That's right. What else happens in Back to the Future. Yeah, 551 00:27:39,680 --> 00:27:41,280 Speaker 1: we do a clip from that and talk about that. 552 00:27:41,440 --> 00:27:43,200 Speaker 2: Yeah, should we do a clip from just a more 553 00:27:43,280 --> 00:27:44,000 Speaker 2: famous thing? 554 00:27:45,160 --> 00:27:48,159 Speaker 3: Well, it's sort of my personal thing is that I 555 00:27:48,640 --> 00:27:50,639 Speaker 3: liked Back to the Future, which is like one of 556 00:27:50,720 --> 00:27:52,280 Speaker 3: my defining characteristics. 557 00:27:52,400 --> 00:27:55,080 Speaker 2: I don't know, and I believe I'm unique in this respect. 558 00:27:55,359 --> 00:28:00,159 Speaker 3: Yea, that I liked that movie as a kid, and 559 00:28:00,400 --> 00:28:04,480 Speaker 3: so I like remember stuff from it and talking about 560 00:28:04,520 --> 00:28:06,920 Speaker 3: it is actually a huge part of my personality. 561 00:28:08,600 --> 00:28:13,080 Speaker 1: What else is like to me? For fries? Fries? Uh, 562 00:28:13,640 --> 00:28:16,280 Speaker 1: eating fries? Do you have anything like that? So year, 563 00:28:16,359 --> 00:28:19,760 Speaker 1: that's like sort of your main thing. Yeah, I really 564 00:28:19,800 --> 00:28:23,600 Speaker 1: like going to the park. Oh yeah, I had heard this. 565 00:28:24,480 --> 00:28:28,880 Speaker 4: That's like my thing. See me go to the park. 566 00:28:29,000 --> 00:28:30,040 Speaker 4: Coming from the park. 567 00:28:30,520 --> 00:28:32,040 Speaker 1: You go all the way in, all the way in, 568 00:28:32,440 --> 00:28:33,680 Speaker 1: not even just outskirts. 569 00:28:34,280 --> 00:28:34,560 Speaker 3: Wow. 570 00:28:35,119 --> 00:28:37,200 Speaker 2: Yeah, well we yeah, we had heard about and I 571 00:28:37,280 --> 00:28:39,600 Speaker 2: was like, bring it the middle of Center park. 572 00:28:40,560 --> 00:28:42,960 Speaker 4: Yeah, I'm a big park head. 573 00:28:43,000 --> 00:28:43,200 Speaker 1: Yeah. 574 00:28:43,360 --> 00:28:46,720 Speaker 2: Yeah, the sexy duck. Did you see the sexy duck? 575 00:28:47,120 --> 00:28:49,800 Speaker 1: Did see the sexy duck? Yeah? Got a kiss sore? 576 00:28:50,840 --> 00:28:53,320 Speaker 4: No, I didn't want to a lot of people kissing this. 577 00:28:54,880 --> 00:28:55,920 Speaker 1: That could be dangerous. 578 00:28:56,120 --> 00:29:03,600 Speaker 4: Yeah, yeah, exactly. Yeah, but we did chat for a 579 00:29:03,640 --> 00:29:04,080 Speaker 4: little while. 580 00:29:04,280 --> 00:29:07,920 Speaker 1: Oh yeah, okay, she's doing good. That's nice. 581 00:29:08,080 --> 00:29:08,760 Speaker 4: Taking care of our. 582 00:29:08,680 --> 00:29:12,680 Speaker 3: Kids, yeah, well you have to these days. That's something 583 00:29:12,760 --> 00:29:15,120 Speaker 3: about you know. It used to be the whole neighborhood 584 00:29:15,120 --> 00:29:16,080 Speaker 3: would take care of your kids. 585 00:29:16,600 --> 00:29:19,760 Speaker 4: R A very independent lifestyle makes a village. 586 00:29:19,880 --> 00:29:25,600 Speaker 2: Yeah, and now we've created all these walls and everybody. 587 00:29:25,240 --> 00:29:29,960 Speaker 1: Else takes a farmville. Basically, it's pretty much what we 588 00:29:30,040 --> 00:29:33,479 Speaker 1: would say now because of all these these games, these 589 00:29:33,520 --> 00:29:37,120 Speaker 1: phone games. Yeah, ok So Kevin is going to narrate 590 00:29:37,280 --> 00:29:39,600 Speaker 1: the opening title sequence of Back to the Future for us, 591 00:29:39,640 --> 00:29:42,480 Speaker 1: and we will see if there is a toaster or 592 00:29:42,520 --> 00:29:46,160 Speaker 1: a breakfast machine of any kind that's happening in the movie. 593 00:29:47,000 --> 00:29:50,000 Speaker 1: All the okay, all the clocks, Well, yeah, Kevin, go. 594 00:29:50,520 --> 00:29:54,080 Speaker 5: There's clocks and we're zooming out. It's a starring Michael J. 595 00:29:54,360 --> 00:29:54,560 Speaker 13: Fox. 596 00:29:55,200 --> 00:29:57,520 Speaker 5: We hear the ticking of the clocks is very quiet, 597 00:29:58,160 --> 00:30:01,320 Speaker 5: and we're panning and we're seeing there's more clocks. Tell 598 00:30:01,360 --> 00:30:05,560 Speaker 5: them what time it is, Yeah, seven fifty three and 599 00:30:06,840 --> 00:30:08,120 Speaker 5: and uh there's still more. 600 00:30:08,680 --> 00:30:11,880 Speaker 1: You shouldn't have to Yeah, that was so clear, so clear. 601 00:30:12,920 --> 00:30:15,920 Speaker 1: I wouldn't say it's very quiet. There's like thousands of 602 00:30:15,960 --> 00:30:19,640 Speaker 1: the quality gentle to Kevin is silenced. 603 00:30:20,640 --> 00:30:23,880 Speaker 7: There's cat clocks, the eyes slowly going back and forth, 604 00:30:23,960 --> 00:30:29,160 Speaker 7: feel back and forth. Owl. Well, if anyone else wants 605 00:30:29,240 --> 00:30:33,440 Speaker 7: to commentate, you could jump in. Brown Mansion destroyed. We're 606 00:30:33,440 --> 00:30:38,680 Speaker 7: seeing newspaper headlines, uh, and some presidents and there's a bet. 607 00:30:38,960 --> 00:30:42,600 Speaker 5: There's a pillow. It's very messy. The whole place is 608 00:30:42,680 --> 00:30:44,520 Speaker 5: filthy when we. 609 00:30:44,560 --> 00:30:45,120 Speaker 10: Hear the radio. 610 00:30:45,680 --> 00:30:51,680 Speaker 3: Benjamin Franklin, he saw Benjamin Franklin and said, some presidents better. 611 00:30:53,640 --> 00:30:56,680 Speaker 1: Okay, so there is a Okay, there's a coffee machine going, 612 00:30:56,760 --> 00:30:59,320 Speaker 1: but the pot is in the wrong place, so it's 613 00:30:59,360 --> 00:31:02,520 Speaker 1: not working correct. But there are breakfast elements playing out 614 00:31:02,680 --> 00:31:03,000 Speaker 1: right now. 615 00:31:03,080 --> 00:31:05,800 Speaker 2: I just want to say, and we machine is one 616 00:31:05,840 --> 00:31:07,040 Speaker 2: of the big parts of breakfast. 617 00:31:07,120 --> 00:31:08,800 Speaker 1: We might see some toast and a toaster. 618 00:31:09,000 --> 00:31:12,360 Speaker 14: We have denied the rumor that a case of missing plutonium. 619 00:31:11,880 --> 00:31:12,400 Speaker 6: Was in facts. 620 00:31:12,480 --> 00:31:15,640 Speaker 2: This should go in our fire festo this this pays off. 621 00:31:17,160 --> 00:31:22,640 Speaker 1: The plutonium. Yeah. Yeah, Wait a second, that sounds very 622 00:31:22,760 --> 00:31:33,960 Speaker 1: far the friggin toast from the beginning. Oh yes, wow wow. 623 00:31:34,240 --> 00:31:36,480 Speaker 1: And no one was challenging me on whether there was 624 00:31:36,600 --> 00:31:39,720 Speaker 1: a breakfast machine in this movie. 625 00:31:42,320 --> 00:31:43,000 Speaker 5: I really was. 626 00:31:43,120 --> 00:31:46,000 Speaker 1: She here just wither up and blow away. 627 00:31:47,560 --> 00:31:52,000 Speaker 4: Yeah, you really should be. I regretless. 628 00:31:54,000 --> 00:31:56,400 Speaker 1: Okay, can you get the beginning of Gremlins? Please? 629 00:31:57,240 --> 00:31:59,640 Speaker 8: The pee wee one's better than I don't. 630 00:31:59,480 --> 00:32:00,160 Speaker 1: Care about that. 631 00:32:00,480 --> 00:32:03,400 Speaker 2: I'm asking him to find the opening of Kremlins. 632 00:32:05,560 --> 00:32:09,160 Speaker 1: And this is your plan, Kevin for a fire best documentary. 633 00:32:09,960 --> 00:32:13,560 Speaker 1: Understand Oh this has anything to do with Firefest. 634 00:32:14,400 --> 00:32:15,680 Speaker 5: Okay, here's the beginning. 635 00:32:16,000 --> 00:32:20,920 Speaker 1: This is the beginning of Gremlins, the Boys of King Simpkin. 636 00:32:21,960 --> 00:32:27,800 Speaker 1: Skip forward, skip forward, and you have to turn it down. 637 00:32:28,560 --> 00:32:32,960 Speaker 2: Come on, Jesus, Judge Reinhold Bright, you score it. 638 00:32:40,560 --> 00:32:43,960 Speaker 1: Due. This would be pretty scary. It's a bunch of 639 00:32:44,000 --> 00:32:45,200 Speaker 1: you buying on Christmas tree. 640 00:32:45,240 --> 00:32:45,800 Speaker 3: I don't. 641 00:32:49,000 --> 00:33:01,200 Speaker 10: Pay for mine, Frank, Okay, that was that it? 642 00:33:02,160 --> 00:33:04,680 Speaker 1: I think? Yeah, that car is his breakfast machine? 643 00:33:05,200 --> 00:33:08,520 Speaker 6: Did a car with his dog? Don't see any breakfast ducks? 644 00:33:08,600 --> 00:33:12,840 Speaker 6: So huppy for breakfast ducks? Love bacon? You think that 645 00:33:12,920 --> 00:33:15,440 Speaker 6: Doug's is fallowing around? He doesn't have any bacon anywhere 646 00:33:15,480 --> 00:33:17,680 Speaker 6: in the car. I think that for time they weren't 647 00:33:17,680 --> 00:33:19,280 Speaker 6: able to show all the breakfast stuff. 648 00:33:19,320 --> 00:33:21,840 Speaker 1: But it's it's so the breakfast machine here is I 649 00:33:21,920 --> 00:33:26,080 Speaker 1: guess a car is a machine that that is implied 650 00:33:26,280 --> 00:33:28,960 Speaker 1: has some breakfast. Well, he's taking it to the drive 651 00:33:29,080 --> 00:33:31,200 Speaker 1: through to get. 652 00:33:31,120 --> 00:33:32,040 Speaker 4: Him to breakfast. 653 00:33:32,160 --> 00:33:33,640 Speaker 2: Oh yeah, oh yeah. 654 00:33:33,760 --> 00:33:35,880 Speaker 4: Can we now play in the beginning of Weekend at Burnings? 655 00:33:37,080 --> 00:33:38,320 Speaker 1: Is there a breakfast machine in that? 656 00:33:38,520 --> 00:33:40,880 Speaker 4: I just want to see it. I can't remember how 657 00:33:40,920 --> 00:33:41,240 Speaker 4: it goes. 658 00:33:41,600 --> 00:33:45,480 Speaker 1: I've never seen this movie. Oh really, it's it's good. 659 00:33:45,560 --> 00:33:47,880 Speaker 4: It's good like Fuldham in a dishwasher. 660 00:33:48,160 --> 00:33:50,520 Speaker 1: Okay, so this is not the beginning. This is one 661 00:33:50,640 --> 00:33:53,760 Speaker 1: of ten. It is a movie clip on movie clips. 662 00:33:54,000 --> 00:33:57,400 Speaker 3: So I understand how opening Opening nineteen eighty nine VHS. 663 00:33:59,480 --> 00:34:01,760 Speaker 1: Okay, Weekend at Bernie's one intro. 664 00:34:02,760 --> 00:34:05,560 Speaker 2: I like this poster. Who knew that you might be 665 00:34:05,640 --> 00:34:06,280 Speaker 2: looking for too? 666 00:34:10,480 --> 00:34:12,160 Speaker 1: And Kevin, you have to turn it down? 667 00:34:13,320 --> 00:34:19,920 Speaker 3: Sorry, my god, Kevin, So this is your firefest documentary. 668 00:34:20,040 --> 00:34:21,240 Speaker 5: Pitch, there's a movie. 669 00:34:21,360 --> 00:34:23,880 Speaker 2: Part is that it's freaking weekend at Bernie. 670 00:34:24,040 --> 00:34:26,360 Speaker 8: How am I supposed to play while the music stop? 671 00:34:27,160 --> 00:34:29,360 Speaker 5: This would be playing, This would be playing. 672 00:34:29,440 --> 00:34:31,200 Speaker 1: Are you in a band that you have to play 673 00:34:31,200 --> 00:34:32,960 Speaker 1: while there's music playing all the time? 674 00:34:33,239 --> 00:34:35,359 Speaker 8: And I always say that, like turn it down? 675 00:34:37,760 --> 00:34:40,040 Speaker 5: So this would be the movie element of the festival. 676 00:34:40,960 --> 00:34:44,399 Speaker 4: Spray watching the sidewalk, people are leaving their house. 677 00:34:45,360 --> 00:34:49,320 Speaker 1: Yeah, this guy, is this what you were thinking of? 678 00:34:49,920 --> 00:34:52,520 Speaker 4: You know, I honestly don't remember how this movie starts. 679 00:34:52,520 --> 00:34:53,200 Speaker 4: I just wanted to see it. 680 00:34:53,520 --> 00:34:57,759 Speaker 1: Yeah, she didn't pitch anything. Oh, there's they're on Center Park. 681 00:34:57,840 --> 00:34:59,480 Speaker 4: App the guy's a book on his head. 682 00:34:59,560 --> 00:35:05,600 Speaker 1: Oh a talk about a breakfast machine? How is that 683 00:35:05,760 --> 00:35:06,360 Speaker 1: a what. 684 00:35:06,520 --> 00:35:09,080 Speaker 4: I'm not promising a breakfast machine. I just wanted to say, no, what. 685 00:35:09,120 --> 00:35:11,200 Speaker 1: Said you were? But I'm saying, let's talk about it. 686 00:35:14,680 --> 00:35:18,399 Speaker 3: It's about times though, huh, just like seven fifty three 687 00:35:18,480 --> 00:35:19,200 Speaker 3: and Back to the Future. 688 00:35:19,239 --> 00:35:20,600 Speaker 1: But then he says ten thirty. 689 00:35:20,840 --> 00:35:25,080 Speaker 2: Yeah, yes, all these movies connected a firm sense of time. 690 00:35:25,680 --> 00:35:29,920 Speaker 8: Kevin's related videos was the Tragic History of Colonel Sanders. 691 00:35:31,480 --> 00:35:32,520 Speaker 4: Tragic History. 692 00:35:35,040 --> 00:35:39,160 Speaker 1: Okay, Kevin, I don't understand how this is cut together, 693 00:35:39,280 --> 00:35:39,879 Speaker 1: and I mean. 694 00:35:39,840 --> 00:35:41,960 Speaker 2: It doesn't feel like Firefest to me at all. 695 00:35:42,000 --> 00:35:44,160 Speaker 1: I've never been wrong. I guess we have a couple 696 00:35:44,280 --> 00:35:47,759 Speaker 1: commentary tracks. And when you say there's a movie's component, 697 00:35:47,880 --> 00:35:50,080 Speaker 1: what does that mean you just play clips from movies 698 00:35:50,200 --> 00:35:51,120 Speaker 1: in the documentary. 699 00:35:51,239 --> 00:35:54,439 Speaker 7: Yeah, there's two elements. There's like the food element, which 700 00:35:54,480 --> 00:35:58,000 Speaker 7: we discussed with the Toaster, and then there's the movies element, 701 00:35:58,040 --> 00:36:01,560 Speaker 7: where we discussed with the Weekend of Knees and Gremlins. 702 00:36:01,840 --> 00:36:03,239 Speaker 3: Well, I think you have a way to tie this 703 00:36:03,360 --> 00:36:06,200 Speaker 3: all together, which is that Kevin did want to have 704 00:36:06,320 --> 00:36:10,560 Speaker 3: a big band performance at the end of this documentary 705 00:36:10,680 --> 00:36:14,360 Speaker 3: where we saw something from the festival and maybe a. 706 00:36:14,440 --> 00:36:18,359 Speaker 2: Certain band and musician could play his famous new song 707 00:36:18,480 --> 00:36:19,440 Speaker 2: to Breakfast Machine. 708 00:36:22,200 --> 00:36:26,040 Speaker 1: It would help. Okay this is not really breakfast related, 709 00:36:26,080 --> 00:36:28,560 Speaker 1: but I think it would help for just to get 710 00:36:28,640 --> 00:36:31,160 Speaker 1: everything that we want to accomplish here. So sure you 711 00:36:31,280 --> 00:36:32,440 Speaker 1: are the Pizza mine, correct? 712 00:36:32,680 --> 00:36:33,759 Speaker 4: I am the pizza mind. 713 00:36:33,840 --> 00:36:37,080 Speaker 1: Yeah, and that is the name of my stand up special. 714 00:36:37,239 --> 00:36:37,840 Speaker 1: I am the Puka. 715 00:36:38,200 --> 00:36:42,840 Speaker 4: No, it's just called Pizza Mines, right, and it's on Amazon. 716 00:36:43,000 --> 00:36:44,640 Speaker 4: On Amazon, it's standup special. 717 00:36:44,920 --> 00:36:48,080 Speaker 1: And they couldn't build the headquarters in New York because 718 00:36:48,200 --> 00:36:50,279 Speaker 1: your stand up special wouldn't fit inside. 719 00:36:50,760 --> 00:36:50,800 Speaker 15: No. 720 00:36:51,120 --> 00:36:53,560 Speaker 4: Yeah, we had to go to New Orleans because there's 721 00:36:53,600 --> 00:36:54,319 Speaker 4: no laws down there. 722 00:36:54,440 --> 00:36:55,280 Speaker 1: And is it pizza? 723 00:36:56,040 --> 00:36:59,160 Speaker 2: Am I ned working in the pizza mines? 724 00:36:59,600 --> 00:37:00,520 Speaker 1: You've been pizza money? 725 00:37:00,680 --> 00:37:01,320 Speaker 5: Am I in? 726 00:37:01,840 --> 00:37:04,160 Speaker 1: D like your like your brain? 727 00:37:04,760 --> 00:37:05,000 Speaker 2: Yeah? 728 00:37:05,480 --> 00:37:08,719 Speaker 1: Okay, yeah, okay that could work too. Could have been 729 00:37:08,760 --> 00:37:11,239 Speaker 1: pizza brains and then people wouldn't have that confusion. 730 00:37:11,480 --> 00:37:13,279 Speaker 4: Well, I guess I wanted to be like a pun. 731 00:37:13,520 --> 00:37:15,760 Speaker 4: So it's like, I'll give you a piece of my mind, 732 00:37:16,560 --> 00:37:20,440 Speaker 4: ah of mind. And also I like pizza. 733 00:37:21,200 --> 00:37:24,759 Speaker 1: What percentage of people are are getting the pun? Do 734 00:37:24,840 --> 00:37:25,160 Speaker 1: you think? 735 00:37:25,520 --> 00:37:27,360 Speaker 2: Like five five percent? 736 00:37:28,800 --> 00:37:33,320 Speaker 4: Hardly anyone gets the pun? So people call it pizzahead, okay, 737 00:37:35,880 --> 00:37:39,000 Speaker 4: which I also would watch so yeah, all are good 738 00:37:39,040 --> 00:37:40,560 Speaker 4: options as long as you watch it. 739 00:37:40,680 --> 00:37:42,640 Speaker 3: That's a safe pun to make, because if people don't 740 00:37:42,680 --> 00:37:44,440 Speaker 3: get it, it still sounds pretty good. 741 00:37:44,760 --> 00:37:51,160 Speaker 1: Yeah, so Brett the song is breakfast Machine, but it 742 00:37:51,200 --> 00:37:54,480 Speaker 1: would for promotional purposes. It would be great to get 743 00:37:54,560 --> 00:37:55,319 Speaker 1: pizza in there. 744 00:37:55,680 --> 00:37:58,800 Speaker 3: Yeah somewhere, well maybe somebody here. It's called pizza for breakfast. 745 00:37:58,920 --> 00:38:04,560 Speaker 1: Yeah, I don't know. I don't know. You have to 746 00:38:04,600 --> 00:38:06,560 Speaker 1: sing the song and sometimes you can have French bread 747 00:38:06,600 --> 00:38:08,160 Speaker 1: pizza for breakfast. 748 00:38:10,800 --> 00:38:13,839 Speaker 3: Breakfast machine, breakfast machine. 749 00:38:14,400 --> 00:38:17,879 Speaker 1: Oh yeah, breakfast. 750 00:38:19,440 --> 00:38:24,160 Speaker 15: Can I not breakfast machine, breakfast Machine. 751 00:38:27,080 --> 00:38:30,480 Speaker 1: I'm a grown up now. I can eat smalls for 752 00:38:30,840 --> 00:38:34,560 Speaker 1: breakfast if I want. I'll make one in a great big. 753 00:38:34,600 --> 00:38:39,080 Speaker 3: Bonfire mush than a marshmallow in between an I'm all. 754 00:38:39,120 --> 00:38:45,600 Speaker 15: Crack smalls breakfast breakfast Machine. 755 00:38:51,520 --> 00:38:56,000 Speaker 1: I'll try to do a pizza part breakfast Machine, breakfast Machine. 756 00:38:56,480 --> 00:39:02,000 Speaker 1: Having a dream making it means waking up eating pizza 757 00:39:02,200 --> 00:39:06,480 Speaker 1: all the time. French bread pizza from Stofas. 758 00:39:06,040 --> 00:39:07,120 Speaker 5: On my mind. 759 00:39:10,280 --> 00:39:19,240 Speaker 1: Breakfast Machine, The DearS are so clean, Breakfast Machine. That's 760 00:39:19,560 --> 00:39:20,320 Speaker 1: my sine. 761 00:39:20,840 --> 00:39:23,799 Speaker 14: Reckless machine, Breakfast Machine. 762 00:39:24,719 --> 00:39:27,240 Speaker 4: I'm gonna use a toaster over here. 763 00:39:27,520 --> 00:39:30,520 Speaker 15: Breakfast machine, breakfa ma sheet. 764 00:39:31,040 --> 00:39:33,239 Speaker 4: It's the most famous chaucer from the. 765 00:39:34,840 --> 00:39:35,880 Speaker 1: Rave little toasa. 766 00:39:37,000 --> 00:39:41,640 Speaker 9: Everyone knows that the toaster you first think of when 767 00:39:41,719 --> 00:39:43,040 Speaker 9: you think of toasters. 768 00:39:44,400 --> 00:39:47,120 Speaker 15: And the song's not a place to fight a bout 769 00:39:47,320 --> 00:39:54,080 Speaker 15: toasters all night, little breakfast machine, Bread's machine, shiny and 770 00:39:54,440 --> 00:39:59,600 Speaker 15: clean breakfast machine. Hage made it mean oh many, but 771 00:39:59,840 --> 00:40:02,279 Speaker 15: the sheer got really mean because. 772 00:40:02,360 --> 00:40:04,040 Speaker 1: Fitz she good. 773 00:40:06,080 --> 00:40:08,960 Speaker 9: Honestly fight. He was bringing up a point to say, 774 00:40:09,160 --> 00:40:12,640 Speaker 9: and that my favorite toaster is a little toaster. 775 00:40:13,280 --> 00:40:17,600 Speaker 4: That is okay you disagree, not. 776 00:40:17,760 --> 00:40:21,920 Speaker 15: About favorite at all, it's about what's more. 777 00:40:21,880 --> 00:40:27,200 Speaker 1: Famous, Yeah, toaster. You don't even know what the brave 778 00:40:27,360 --> 00:40:28,960 Speaker 1: little toaster his name is. 779 00:40:29,440 --> 00:40:33,040 Speaker 9: Your most fading missus also subject because again, as we 780 00:40:33,160 --> 00:40:36,160 Speaker 9: said before, I don't think Ta Brown is very famous, 781 00:40:36,239 --> 00:40:40,480 Speaker 9: but yet you think he's in the stratosphere Kittled. 782 00:40:40,160 --> 00:40:44,000 Speaker 14: Jenner and all of the smart boy you just can't 783 00:40:44,040 --> 00:40:51,200 Speaker 14: be from toll afraid of the asier your schartor how 784 00:40:51,239 --> 00:40:54,680 Speaker 14: can we have to get away my brave little toast. 785 00:40:55,080 --> 00:41:08,600 Speaker 1: I'm not put him wow And we did off Buck 786 00:41:10,960 --> 00:41:12,800 Speaker 1: and we ate their launch and their breakfast 787 00:41:14,680 --> 00:41:14,919 Speaker 6: Bye.