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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama Girl Drama Girl, all

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Speaker 2: about them.

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Speaker 1: High school queens.

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Speaker 2: We'll take you for a ride, and our comic girl

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Speaker 2: shared for the right team. Drama Queens, Jayleen's My Girl,

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Speaker 2: Ugh Girl Fashion mch your tough girl, you could.

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Speaker 1: Sit with us.

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Speaker 3: Girl Drama, Queens, Drama, Queense Drama, Queens Drama, Drama, Queen's

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Speaker 3: Drama Queens.

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Speaker 4: All right, everybody, I'm just gonna jump in and steal

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Speaker 4: this intro because I am particularly excited about today's episode.

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Speaker 4: We have dare I say a drama Queen's exclusive, never

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Speaker 4: been done, might never be done again. So if you're listening,

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Speaker 4: well done, you're here for a great one. Because today

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Speaker 4: we have not one, not two, but three of the

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Speaker 4: James sisters. That's right. We have Taylor aka Lindsay McKeon.

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Speaker 4: We have Quinn aka Chantelle, Van Santon aka Van Scranton,

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Speaker 4: and we have Hayley aka Bethany joy Lands and of

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Speaker 4: course you have my self, Hillary Burton Morgan. Ladies, welcome

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Speaker 4: to the show.

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Speaker 1: Thanks, thanks for coming you guys, so happy to.

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Speaker 5: See you, so good to be here with all of us.

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Speaker 4: We made it happen.

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Speaker 6: It's only been like two three years, right, so much

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Speaker 6: the same how.

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Speaker 4: You all at the same time. It's like the Olympics.

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Speaker 4: We get it once every four years. It's gone too soon.

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Speaker 1: I'm so glad you're finally here Chantell, in particular because

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Speaker 1: we've had Lindsay, but we've talked with I've had conversations

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Speaker 1: with so many people who were like, oh, even Austin

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Speaker 1: was saying, like, gosh, the drama Queen's been going on

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Speaker 1: for so long and they haven't invited me on the show.

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Speaker 1: I wonder what's going on. I hope they're not mad

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Speaker 1: at me. And then we're like, oh no, wait, you

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Speaker 1: literally just your character's not on the show yet, so

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Speaker 1: it hasn't happened. I'm so glad we've finally reached the

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Speaker 1: Chantelle season where you're here. Yay.

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Speaker 5: I love it.

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Speaker 6: I love it. It's so funny because I'll sit back,

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Speaker 6: I'm like, I wonder what's going to be like the introduction.

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Speaker 6: Is it going to be like Clay and Quinn's first kiss,

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Speaker 6: like which was Sophia directed you know what I mean.

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Speaker 6: I'm like yeah, And then it was like can you

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Speaker 6: come because your mom's dying and you're like, oh, got

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Speaker 6: punt means it wasn't the divorce that happened like you know,

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Speaker 6: seventeen sixteen episodes ago within one season.

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Speaker 1: Yeah, yeah, Well I thought this was great because all

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Speaker 1: three of us really got I mean, aside from the

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Speaker 1: episode where we were fighting in the pool, which was

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Speaker 1: you know, there was a lot to say about that episode.

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Speaker 1: We had a lot of work to do, and it

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Speaker 1: was certainly fun to play with you guys, but this

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Speaker 1: felt really poignant and meaningful. And I certainly hear more

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Speaker 1: comments than anything about this episode from fans. And I

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Speaker 1: don't know about you guys, but when people come up

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Speaker 1: to me, I get a lot of Nathan and Haley.

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Speaker 1: But the one consistent thing that I hear is when

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Speaker 1: you guys did the storyline and where your mom died.

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Speaker 1: I was going through AB and C in my life

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Speaker 1: and it made a huge impact on me and thank you,

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Speaker 1: and so this felt like the right time to have

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Speaker 1: us all together.

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Speaker 7: I love hearing that. That's like probably the favorite thing

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Speaker 7: about being an actor. There's not too many anymore, ha ha,

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Speaker 7: but that is one of.

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Speaker 4: The best things to hear before we jump into it. Joy,

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Speaker 4: do you want to give the rundown of the episode,

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Speaker 4: I would love to do.

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Speaker 1: Thank you. Yes. So this is a season seven episode eighteen,

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Speaker 1: the Last day of Our Acquaintance air date February twenty second,

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Speaker 1: twenty ten. As Brook angrily deals with Alex's trist with Julian,

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Speaker 1: Lydia's condition worsens, prompting Quinn and Haley to try and

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Speaker 1: reconnect with Taylor. Clay is forced to deal with Katie's

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Speaker 1: unsettling advances and were they unsettling? And Nathan helps Jamie

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Speaker 1: come to terms with Lydia's impending death. This was written

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Speaker 1: by our dear friend Mike Daniels. Oh. I love Mike

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Speaker 1: and he did such a great job writing this episode

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Speaker 1: and combining the sort of tenderness with also the necessary

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Speaker 1: comedy and the other storylines. I mean, that was That's

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Speaker 1: a hard blend to do, but you can always rely

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Speaker 1: on Mike.

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Speaker 6: When we when we got done, I watched it last night.

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Speaker 6: I went in Texas with I actually watched it with

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Speaker 6: my mom and it was the first episode I've ever

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Speaker 6: watched with my family. My mom and I got to

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Speaker 6: watch it together. But when we got done, she said, wow,

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Speaker 6: there was a lot of sexy time as well, mixed

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Speaker 6: in with grief. I said, so we call it sexy

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Speaker 6: chicken soup for the soul. Oh Likena the episode.

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Speaker 1: That's I love that. I love that you watched it

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Speaker 1: with your mom. That's really sweet.

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Speaker 6: It just happened to be this way, and I thought

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Speaker 6: it was very yeah, like poignant and perfect to.

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Speaker 5: Watch it with my mother.

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Speaker 4: Yeah, for both of you. Lindsay, have you watched the

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Speaker 4: show at all since we wrapped?

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Speaker 7: No, I mean, honestly, I've never watched it fully anyway,

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Speaker 7: But this I didn't remember so much of this. I

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Speaker 7: remember the emotions of being in the scene. I watched

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Speaker 7: it with my husband last night and he's like, are

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Speaker 7: you getting emotional. I'm like, yeah, because it's I was

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Speaker 7: emotional in the scene. It's bringing up that same feeling.

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Speaker 6: Yeah.

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Speaker 7: But yeah, it's surprising watching it, Like Tim, it's such

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Speaker 7: a different era one and you know, where we all

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Speaker 7: were in our lives at that time is probably like

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Speaker 7: a very different space to go back to and have

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Speaker 7: memories of that. Yeah. So yeah, all of that is

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Speaker 7: kind of wild. And then to see it and be like,

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Speaker 7: oh wow, like there's a lot of crazy.

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Speaker 5: This is like crazy female storylines.

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Speaker 7: There's a lot of exposure, as your mother said, and

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Speaker 7: like how many times did Taylor come into a scene

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Speaker 7: with her boobs out and a robe on?

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Speaker 5: And it's just it's wild to see.

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Speaker 7: It's just wild to see and be forty two now

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Speaker 7: and have such a different perspective on life and bodies

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Speaker 7: and all of the things.

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Speaker 1: Yeah, yeah, I like that. I realized in this episode

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Speaker 1: Alexander really just was brought in to serve as this

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Speaker 1: boy toy character, just to serve as this it's like

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Speaker 1: a facilitator for women's It was like a cattiness or something.

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Speaker 1: I couldn't quite figure out what the point was. It

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Speaker 1: just felt like he's here to make to give alex

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Speaker 1: and Victoria and Brook a reason to be caddy. It

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Speaker 1: was just so strange. He didn't have any other real

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Speaker 1: function so far. Maybe it gets better, but I mean

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Speaker 1: I liked him at the end with Daphne, that was fun.

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Speaker 6: Yeah, it was funny to you're just like full makeout

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Speaker 6: in the middle of the street.

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Speaker 4: Also, like a slap by an icon just hits different.

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Speaker 4: And that scene I love because when she slapped it

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Speaker 4: was just better. You know, there was just there and

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Speaker 4: so the slap and the kiss.

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Speaker 1: Oh yeah, that's so it's so Dynasty, it's so old movie.

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Speaker 4: So good, am mine an episode of melrose Place?

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Speaker 1: What's happening? That it felt like, I mean, before we

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Speaker 1: dive too deep into our stuff, which it gets so

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Speaker 1: you know, can get so heavy. And there's so many

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Speaker 1: things to talk about behind the scenes of how this

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Speaker 1: episode went. But can we talk about Brooke and Daphne

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Speaker 1: on the floor talking that those shots were great. It

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Speaker 1: was really fun to see them doing something other than

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Speaker 1: anything in our episode where it's not talking heads people

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Speaker 1: just standing there talking to each other. I love, but

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Speaker 1: this was this is good. This is a long time coming,

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Speaker 1: the final revelation of Brook's love for Julian and they're

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Speaker 1: coming back together, and the punch with Alex and all

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Speaker 1: of it.

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Speaker 6: I thought it was fun, the slap, the punch, that

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Speaker 6: it was so good.

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Speaker 4: Also that it was this interesting thing happening. Where as

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Speaker 4: you all were losing your mom, we were watching Brooke

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Speaker 4: get her mom back. So that's that scene. I didn't

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Speaker 4: notice it until the close over Bros. Scene where she

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Speaker 4: sits down with there and she's like, obviously, Victoria's always

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Speaker 4: kind of just been like Victoria who's just all about

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Speaker 4: herself and she's cutting. This season, we've seen her start

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Speaker 4: to soften, but that moment in particular, I thought like, oh,

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Speaker 4: how interesting. It's like they're losing the mom that they've

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Speaker 4: always had and Brooke is finally getting back the mom

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Speaker 4: that she never had.

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Speaker 5: Yeah, that's like a take.

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Speaker 4: On it, Mike daniels Man.

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Speaker 1: Yeah, you can always count on Mike.

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Speaker 4: Also, Jane has that great line after Solph's punched her

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Speaker 4: and Brook goes to Alex's hotel room and Alex opens

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Speaker 4: the door and Brook goes, oh my god because she

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Speaker 4: sees the black eye and she goes, yeah, I didn't

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Speaker 4: know your own strength, did you? Bam bam.

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Speaker 5: That's cute.

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Speaker 4: Did.

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Speaker 1: I think it's funny how you guys never I don't

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Speaker 1: know if you crossed paths for a long time. The

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Speaker 1: Quinn and Taylor and Brooke characters were always in Clay too,

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Speaker 1: other than Quinn and Clay, but like, you guys were no,

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Speaker 1: I mean, Clay was there for You were there for

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Speaker 1: the whole Taylor reveal with Quinn's husband, right, were you

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Speaker 1: in that episode.

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Speaker 4: Oh, the awkward dinner table makeout scene?

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Speaker 5: Yeah, yeah, that's super fun.

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Speaker 1: I think I missed that episode, so I don't.

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Speaker 4: I didn't remember that they made you guys look like

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Speaker 4: sociopaths for a couple of episodes there. That was crazy,

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Speaker 4: way weird, man, And the fact that no one chimed

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Speaker 4: up was even weirder.

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Speaker 1: Yeah.

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Speaker 6: No, I mean we really were only like Quinn was

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Speaker 6: really only intertwined in the story with family and then Clay.

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Speaker 6: You know.

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Speaker 1: Yeah, it took a while before everybody really started integrating.

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Speaker 1: But I think that's good. I guess that's part of

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Speaker 1: when you're renewing a show and you've got a new

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Speaker 1: cast and you're doing new storylines and new things, it's

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Speaker 1: better to draw things out a little bit.

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Speaker 5: This is my first time.

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Speaker 7: I remember having the one on one scene with you

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Speaker 7: Chantel too, and really enjoying that because that was the

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Speaker 7: first time we got to actually like work together, you know.

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Speaker 6: Yeah, yeah where. I so remember doing that scene as

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Speaker 6: well and being like, gosh, this is so bizarre, like

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Speaker 6: we have where sisters, we're supposed to have this history

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Speaker 6: and you're like, Hi, nice to meet you, I'm your sister. Okay, okay,

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Speaker 6: let's do this scene that's like charged with all this

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Speaker 6: history and stuff. And you know that's where your traumatic

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Speaker 6: family toolbox comes in and helps out and man, but

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Speaker 6: it's always like that. You know, you're like it's you'll

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Speaker 6: do a movie and like the first day they're like, okay,

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Speaker 6: sex scene is up. First day, you guys go, you

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Speaker 6: know how it is. But it was so beautiful the

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Speaker 6: just the dynamic you know, lindsay that you brought because

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Speaker 6: they had shown you know, Hailey and Quinn and like

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Speaker 6: the bond that they had, and then you know, you

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Speaker 6: always have to have the sibling that like throws a rift.

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Speaker 6: But I felt but it wasn't just you coming in

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Speaker 6: and being you know, a selfish or whatever we say.

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Speaker 6: It really like you can see your pain, you can

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Speaker 6: see where it comes from, and that you know, the

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Speaker 6: beautiful scene you had with our mom where you were

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Speaker 6: like in her hospital room alone and all of the

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Speaker 6: things that were underneath the surface that came out in

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Speaker 6: that scene where you just feel like you don't belong

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Speaker 6: and you know you're not the good child and all

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Speaker 6: of these things that you were so wrong about that

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Speaker 6: you held on to that story and you start to empathize.

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Speaker 6: I mean, you know you're not some evil and who

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Speaker 6: just sleeps with our men. You know, you're somebody who's

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Speaker 6: in pain and a real, you know, complex human, and

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Speaker 6: you just did such a beautiful job of all of

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Speaker 6: it that I think, you know, I felt her and

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Speaker 6: I was like, oh, she's my favorite sibling. Okay.

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Speaker 7: So I love the fact, like doing this show and

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Speaker 7: doing Supernatural, where these shows go on for years and

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Speaker 7: there's like an arc of my character and each time

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Speaker 7: I come back, I'm in different stages of my life,

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Speaker 7: and I feel like the ending of.

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Speaker 5: These shows is like this was Taylor's.

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Speaker 7: Redemption, Like this was me getting to come back, and

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Speaker 7: you get to see the Taylor's actually a human, you know,

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Speaker 7: she's not just an evil, horrible.

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Speaker 4: And how great that you had that moment with Lydia

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Speaker 4: where it's just the two of you and Lydia says

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Speaker 4: to Taylor, She's like, you are the most like me.

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Speaker 4: Yeah I was. I was a whole different person before

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Speaker 4: I was Lydia the mom. And I thought that was

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Speaker 4: it was just so smart and so lovely.

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Speaker 5: Why'd you hide that from us? Mom?

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Speaker 1: Why did you wait so long?

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Speaker 5: Played the good girl all these years?

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Speaker 1: Because Taylor never went home, she was never around long

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Speaker 1: enough for Mom to tell her that's okay.

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Speaker 5: Yeah, I get me.

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Speaker 4: But yeah, Lindsay, your stuff was so great and to

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Speaker 4: finally see you soft and because yeah, I mean like

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Speaker 4: your whole thing this far has been like her uniform

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Speaker 4: is booty shirt shorts, her one speed is bitchy, like

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Speaker 4: you know, and so it was so nice to get

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Speaker 4: to see like a talented actor go more and do

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Speaker 4: you know, do deep or do softer? And it was

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Speaker 4: just such I think, a great you know reveal for

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Speaker 4: the audience to see like, oh, there you are, like

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Speaker 4: that's the person who's in pain. And Sean tell you,

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Speaker 4: we were talking about this last week. You uh, you

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Speaker 4: do such a great job of being on the verge

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Speaker 4: of emotion, which is such a such a tricky thing

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Speaker 4: to do, but where it's like it's such a powerful

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Speaker 4: tool though, because I think it really pulls the audience in,

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Speaker 4: you know, because it's like, oh, it's like there's there's

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Speaker 4: more power to someone fighting back their tears than there

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Speaker 4: is to someone pushing them. And we were having this

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Speaker 4: conversation last week about how you do that so well.

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Speaker 4: But yeah, like your stuff was fantastic. Joy, your stuff

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Speaker 4: was great, And what I liked about it was all

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Speaker 4: three of you were kind of different levels of grieving,

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Speaker 4: like you each had your own flavor and all of

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Speaker 4: it was relatable. Yeah, So it's like I think for

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Speaker 4: anyone watching, they can find themselves in one of the

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Speaker 4: three of you at any given point.

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Speaker 1: I think that's probably why this is the storyline that

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Speaker 1: gets the most feedback on my end anyway, because no

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Speaker 1: matter what part of the grief journey you're in, and

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Speaker 1: whether you're losing a parent or a sibling or just

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Speaker 1: going through a time when you're even the loss of

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Speaker 1: a relationship, can you know is a death in many ways,

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Speaker 1: And I think people just connected with that and the

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Speaker 1: different the different ways that you process grief and try

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Speaker 1: and find your way through. I totally agree, Chantelle. Yeah,

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Speaker 1: neither of you guys were here when you don't hear

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Speaker 1: what we say about you behind your back and all

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Speaker 1: the lovely things that we say about you, but it's true, yeah, Chantelle.

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Speaker 1: The sense of holding everything in and the way that

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Speaker 1: you there's a fragility to you that has a strength,

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Speaker 1: like a spine of strength, the way that you are

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Speaker 1: able to stand experience what you're experiencing. You're so solid.

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Speaker 1: But it's like I want to reach out and give

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Speaker 1: you a hug because it seems like you might collapse

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Speaker 1: at any moment, and yet I have no doubt that

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Speaker 1: Quinn is one hundred percent going to be okay, whether

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Speaker 1: somebody is there to catch her or not. And it's

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Speaker 1: a really interesting dynamic to see Lindsay. We were saying

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Speaker 1: a couple of weeks ago, especially with that episode where

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Speaker 1: the one was it the one before this rob were

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Speaker 1: Lydia tells us that she's got cancer or was it

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Speaker 1: two before this.

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Speaker 4: One before this? I think right, I think it's a

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Speaker 4: very quick storyline.

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Speaker 6: Like we're going through the photos in the living room, right.

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Speaker 1: But it's at the end of that episode.

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Speaker 7: Is this where we're packing, Like we're in the room

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Speaker 7: and I'm packing. I remember I have scene with you.

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Speaker 5: I do too.

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Speaker 1: I don't remember if that's the one I directed her,

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Speaker 1: if it was before that, But you are a firework.

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Speaker 1: It's like I never you never know when Lindsay's going

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Speaker 1: to go off on camera, and it's so exciting, like

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Speaker 1: I never know what to expect from you, and it

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Speaker 1: always made it so fun to work with you too,

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Speaker 1: because it's the unpredictability was so exciting as an actor

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Speaker 1: and as an audience member now to be so removed

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Speaker 1: from it and watch you on camera and be like,

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Speaker 1: what what what is she going to do next? I

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Speaker 1: have no idea if you're going to laugh, if you're

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Speaker 1: gonna cry, gonna hit somebody, if you're going to hit yourself.

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Speaker 1: I don't know, if you're gonna run out of the scene.

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Speaker 1: I don't know if you're gonna just like stop everything

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Speaker 1: and calm down. Like I have no idea what to

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Speaker 1: expect at any given moment. It makes it so fun

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Speaker 1: to watch you. Thank you, Yeah, it's true. And I

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Speaker 1: felt that way in the scene between you, guys, and

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Speaker 1: when you walked in the room with Bess in her

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Speaker 1: hospital bed and I mean Bess Armstrong, like what an actress?

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Speaker 1: Oh yeah, I cried a lot watching this back, guys.

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Speaker 1: This is a rough one.

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Speaker 6: She's a force, but everything she says just like cuts.

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Speaker 6: It's so clear when she speaks, you know, there's no fluff,

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Speaker 6: there's no she doesn't put a whole lot And I

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Speaker 6: don't know how to explain. It's like she doesn't put

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Speaker 6: a whole lot of her emotion through it. She's just like,

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Speaker 6: this is what I need to say. I need you

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Speaker 6: to get it, you know, and yeah, like we were

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Speaker 6: so lucky to have her. And I remember looking at

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Speaker 6: her and she eerily looked very similar to my mother.

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Speaker 6: And I had this telling my mom last night, sitting there,

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Speaker 6: I was like, Mom, you guys, look, my mom has

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Speaker 6: like short blonde hair like similar. Does so crazy how

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Speaker 6: similar they look?

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Speaker 1: Chantella? I never noticed that. You're absolutely right.

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Speaker 6: It was really I remember at the time being like, wow,

350
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Speaker 6: this is really freaky, like did they look at picture?

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Speaker 6: Did they? And you know, you were like no, these

352
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Speaker 6: were our parents all along, and I'm like, oh, it's

353
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Speaker 6: so crazy. You know, I want to I want to

354
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Speaker 6: share a small interesting anecdote, you know, you you talk

355
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Speaker 6: about like kind of holding that that thread of like fragility.

356
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Speaker 6: But I found out the scene where Bess and I

357
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Speaker 6: are in again, I don't know remember if it was

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Speaker 6: one or two episodes back, but we're in the space

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Speaker 6: that she rents for Quinn to have a gallery. I

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Speaker 6: took a phone call from my mother that night and

361
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Speaker 6: while we were shooting it and found out that my

362
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Speaker 6: grandmother got has had breast cancer. So while we were

363
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Speaker 6: going through and my grandmother was such a warrior and

364
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Speaker 6: you know, fought it and survived, but it was such

365
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Speaker 6: a bizarre timing of things, of course, you know, which

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Speaker 6: I find throughout my career, things like that happened where

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Speaker 6: you know, you're like, this just could not be happening

368
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Speaker 6: at a worst time. But then that's kind of the

369
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Speaker 6: through line of what I'm watching for me, this twenty

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Speaker 6: three year old version of myself going through and grappling

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Speaker 6: with as We're doing an episode where my mother's dying

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Speaker 6: and I'm wondering if my grandmother, who is like my

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Speaker 6: second mother, you know, is going to die and what

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Speaker 6: is this going to be like? And what are goodbyes like?

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Speaker 6: And you know, what is the big C word like?

376
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Speaker 6: And it's just it's it's really crazy the way that

377
00:20:00,200 --> 00:20:03,359
Speaker 6: sometimes life parallels what our characters are going through and

378
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Speaker 6: nobody knew about it.

379
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Speaker 1: To shooting this episode. Help you process grief or did

380
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Speaker 1: it feel false and strange? Like I'm crying about something

381
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Speaker 1: that's not real, but there is something that is real

382
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Speaker 1: going on. But how do I like, you're having to

383
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Speaker 1: muster emotions maybe when you're not wanting to or you're

384
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Speaker 1: feeling okay, and you like, how did you manage that?

385
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Speaker 6: I just remember I had never had a significant death

386
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Speaker 6: like a mother, my grandmother, you know pasked ten years

387
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Speaker 6: ago now, but from lung cancer. But at the time

388
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Speaker 6: it was like the biggest shop. And I think I

389
00:20:58,760 --> 00:21:02,000
Speaker 6: felt a bit like a zombie be doing this episode,

390
00:21:02,000 --> 00:21:04,280
Speaker 6: and a bit like out of my own body and

391
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Speaker 6: not understanding and not really being able to process and

392
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Speaker 6: grieve what it would even be like. And I think

393
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Speaker 6: about the other parallel of when my grandmother did die

394
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Speaker 6: in my last conversation I got to have with her,

395
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Speaker 6: and it's nothing like you know what this episode is.

396
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Speaker 6: But you know, I had to just go with it.

397
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Speaker 6: But it felt a little bit more out of body

398
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Speaker 6: and not actually real and this isn't what would happen,

399
00:21:35,200 --> 00:21:38,119
Speaker 6: and a bit like I just wanted to be removed

400
00:21:38,240 --> 00:21:42,840
Speaker 6: and more have the scenes with my sisters because that

401
00:21:42,960 --> 00:21:45,679
Speaker 6: felt like an anchor for me rather than the reality

402
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Speaker 6: of what was actually happening.

403
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Speaker 1: You know, such a strange thing about our job, Like,

404
00:21:52,359 --> 00:21:59,800
Speaker 1: no matter what's going on in your personal life, death, divorce, childbirth,

405
00:22:00,600 --> 00:22:05,480
Speaker 1: physical sickness, you got the flu, Yeah, Like, no matter what,

406
00:22:06,320 --> 00:22:08,399
Speaker 1: you got to show up at work and hit your

407
00:22:08,440 --> 00:22:09,520
Speaker 1: mark on your call time.

408
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Speaker 4: Yeah, And if you're on a show like ours, there's

409
00:22:13,960 --> 00:22:17,359
Speaker 4: a lot of emotional vamporism. So there's there's coincidence like

410
00:22:17,400 --> 00:22:20,119
Speaker 4: you're talking about, and then there's stuff that's literally just

411
00:22:20,240 --> 00:22:23,160
Speaker 4: being mined from your life to put into the show.

412
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Speaker 6: Yeah, Joy and lindsay, had you guys ever had like

413
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Speaker 6: a significant death before we did this scene?

414
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Speaker 1: No?

415
00:22:31,160 --> 00:22:33,320
Speaker 5: No, I don't think before we did it.

416
00:22:33,440 --> 00:22:36,040
Speaker 6: So my question back to you guys is what Joy said, like,

417
00:22:36,080 --> 00:22:39,080
Speaker 6: how did it feel for you? Did it feel false?

418
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Speaker 6: Did it feel like you were processing different grief?

419
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Speaker 7: I mean, obviously like the scenes with you and Mom

420
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Speaker 7: and all of the things. It's there was so much

421
00:22:47,600 --> 00:22:50,480
Speaker 7: to pull on, you know, in regular life for that,

422
00:22:50,880 --> 00:22:55,280
Speaker 7: But the scene where she actually died, Like I remember

423
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Speaker 7: working with my coach at the time and like the

424
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Speaker 7: way she was explaining death to me and how people

425
00:23:02,600 --> 00:23:06,640
Speaker 7: process it, it's, you know, it's so weird when you're

426
00:23:06,680 --> 00:23:11,399
Speaker 7: actually in like the death scene and it's not necessarily

427
00:23:11,440 --> 00:23:13,040
Speaker 7: how you think it would be. Like a lot of

428
00:23:13,040 --> 00:23:16,399
Speaker 7: people aren't like, oh, somebody's dying. You're not like kicking

429
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Speaker 7: and screaming and crying. Usually it's like there's something else

430
00:23:19,800 --> 00:23:26,080
Speaker 7: that washes over you that's this surreal, present, like almost

431
00:23:26,160 --> 00:23:29,960
Speaker 7: attached like experience of like I haven't really processed this before.

432
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Speaker 7: How do you process what's actually happening? You know, it's

433
00:23:34,080 --> 00:23:38,399
Speaker 7: a reality that everybody must face, but it's not something

434
00:23:38,480 --> 00:23:42,440
Speaker 7: usually we're dealing with every day, and it's something so shocking,

435
00:23:42,560 --> 00:23:46,399
Speaker 7: especially in our culture, like the American culture doesn't really

436
00:23:46,600 --> 00:23:49,480
Speaker 7: know how to deal with grief and death in like

437
00:23:49,920 --> 00:23:53,240
Speaker 7: a beautiful integrated way in our culture.

438
00:23:53,320 --> 00:23:55,400
Speaker 5: So it's something that's.

439
00:23:55,240 --> 00:23:58,879
Speaker 7: Always a little bit like surreal and we're afraid of

440
00:23:58,920 --> 00:24:00,560
Speaker 7: and we don't fully end stand.

441
00:24:00,880 --> 00:24:03,080
Speaker 1: You know that so beautifully said.

442
00:24:03,320 --> 00:24:05,320
Speaker 4: I thought there was a really good moment of that

443
00:24:05,400 --> 00:24:07,360
Speaker 4: with Haley and Lydia when it was just the two

444
00:24:07,400 --> 00:24:10,040
Speaker 4: of you in the hospital room and you have this

445
00:24:10,240 --> 00:24:14,080
Speaker 4: moment where you realize, oh, and you say you're talking

446
00:24:14,160 --> 00:24:17,280
Speaker 4: about her soup and you say, I don't even have

447
00:24:17,359 --> 00:24:21,000
Speaker 4: the recipe mm hmm. And that was such an interesting

448
00:24:21,040 --> 00:24:24,320
Speaker 4: glims because obviously, like you're it's just you realizing like

449
00:24:24,840 --> 00:24:27,359
Speaker 4: the impermanence of everything, about how it's all about to

450
00:24:27,359 --> 00:24:29,400
Speaker 4: be gone. And then the next little snippet where she's

451
00:24:29,440 --> 00:24:31,800
Speaker 4: writing it down and all you're doing is just watching

452
00:24:31,840 --> 00:24:34,399
Speaker 4: her like you could see the shift. That was one

453
00:24:34,440 --> 00:24:37,600
Speaker 4: of those moments where you were like, oh, oh god,

454
00:24:37,640 --> 00:24:39,520
Speaker 4: this is what this is, what this means.

455
00:24:40,400 --> 00:24:41,960
Speaker 7: And then when you give it back to your son,

456
00:24:42,280 --> 00:24:44,879
Speaker 7: like at the end, when you're like, oh, this is

457
00:24:44,960 --> 00:24:46,720
Speaker 7: up to me now I carry.

458
00:24:46,440 --> 00:24:51,359
Speaker 5: This torch forward, Like those were very real moments of

459
00:24:51,440 --> 00:24:53,680
Speaker 5: like what happens when you realize.

460
00:24:53,320 --> 00:24:55,919
Speaker 7: Somebody is going to be gone and how do you

461
00:24:55,960 --> 00:24:56,560
Speaker 7: move forward?

462
00:24:56,600 --> 00:24:59,000
Speaker 5: And what do you bring of them with you?

463
00:24:59,000 --> 00:24:59,199
Speaker 4: You know?

464
00:25:00,240 --> 00:25:03,240
Speaker 1: But yeah, and I think you're right that there's if

465
00:25:03,280 --> 00:25:08,320
Speaker 1: you don't have personal experiencing processing personal experience processing a

466
00:25:08,320 --> 00:25:15,119
Speaker 1: certain type of emotion, it's one of the interesting, maybe

467
00:25:15,160 --> 00:25:17,560
Speaker 1: blessings of our job. But to get to show up

468
00:25:17,560 --> 00:25:19,840
Speaker 1: and have the opportunity to learn how to process that,

469
00:25:20,320 --> 00:25:24,960
Speaker 1: I mean, I think that's that can be so freeing

470
00:25:25,000 --> 00:25:28,919
Speaker 1: if you alleviate yourself from the pressure of I have

471
00:25:29,000 --> 00:25:33,040
Speaker 1: to perform this scene, I have to convey this thing

472
00:25:33,080 --> 00:25:35,600
Speaker 1: that I don't know how to convey, and instead lean

473
00:25:35,640 --> 00:25:37,600
Speaker 1: into that I don't know how to convey this, I

474
00:25:37,640 --> 00:25:40,720
Speaker 1: haven't experienced this before. I wonder what's going to happen?

475
00:25:41,320 --> 00:25:43,639
Speaker 1: And then they say action and you're like, what's going

476
00:25:43,680 --> 00:25:46,879
Speaker 1: to happen, but I'm here for it. I'm here to

477
00:25:47,000 --> 00:25:51,280
Speaker 1: believe the moment. I'm looking at best thinking this is

478
00:25:51,320 --> 00:25:54,800
Speaker 1: my mom and she's dying. How do I feel? And

479
00:25:55,160 --> 00:26:02,920
Speaker 1: you just fall into it. Yeah, it's really interesting.

480
00:26:03,320 --> 00:26:05,760
Speaker 4: And best to kind of going back to what Sean

481
00:26:05,800 --> 00:26:09,120
Speaker 4: Tell said, I think Bess is like if you ever

482
00:26:09,160 --> 00:26:12,879
Speaker 4: watched a really good athlete and you go, this sport

483
00:26:12,920 --> 00:26:18,159
Speaker 4: doesn't look so hard. Best as an actor, she's so

484
00:26:18,440 --> 00:26:21,119
Speaker 4: good that it looks like what she's doing is little

485
00:26:21,160 --> 00:26:25,640
Speaker 4: to nothing. Yes, but that's only because she's that good. Yeah,

486
00:26:25,680 --> 00:26:27,119
Speaker 4: but I think if you were just watching this, I

487
00:26:27,119 --> 00:26:29,119
Speaker 4: think a lot of people could go I could do

488
00:26:29,160 --> 00:26:32,439
Speaker 4: that role, not doing much, and it's like it's because

489
00:26:32,440 --> 00:26:33,480
Speaker 4: she's really good.

490
00:26:33,760 --> 00:26:36,440
Speaker 1: Yeah, she knows how to not do much, because very

491
00:26:36,480 --> 00:26:39,320
Speaker 1: often in life there's a lot going on under the

492
00:26:39,359 --> 00:26:42,000
Speaker 1: surface and not too much coming out on your face.

493
00:26:42,040 --> 00:26:46,000
Speaker 1: You're not making faces, You're experiencing something, and there's an

494
00:26:46,000 --> 00:26:50,640
Speaker 1: intimacy that only someone who's up close can see what's

495
00:26:50,680 --> 00:26:54,040
Speaker 1: going on behind the veil. And that's what the camera

496
00:26:54,280 --> 00:26:57,199
Speaker 1: provides for us. Is that a close experience?

497
00:26:58,000 --> 00:27:00,600
Speaker 6: You know, there's a quote I always loved. Didn't discover

498
00:27:00,680 --> 00:27:03,440
Speaker 6: it until you know not. When I was twenty three

499
00:27:03,560 --> 00:27:07,320
Speaker 6: during the show by a playwright Mammot, and he says,

500
00:27:07,480 --> 00:27:11,600
Speaker 6: in life, there's no emotional preparation for lost, surprise, betrayal,

501
00:27:11,720 --> 00:27:15,359
Speaker 6: or discovery, and neither is there on stage. So forget

502
00:27:15,359 --> 00:27:18,600
Speaker 6: the funny voices, pick up your cue and speak out

503
00:27:18,640 --> 00:27:24,600
Speaker 6: even though frightened. Yeah, why I come back to it still, ma'am,

504
00:27:24,680 --> 00:27:26,879
Speaker 6: As I think, I don't have to know how to

505
00:27:26,920 --> 00:27:30,679
Speaker 6: do this. I can be you know, I can't have

506
00:27:30,760 --> 00:27:32,679
Speaker 6: an idea of how I'm going to do it, because

507
00:27:32,800 --> 00:27:36,040
Speaker 6: we're not prepared when we're betrayed, frightened, we have loss,

508
00:27:36,080 --> 00:27:40,800
Speaker 6: we you know, and and it's just you're just present

509
00:27:40,920 --> 00:27:46,040
Speaker 6: and honest and truthful. And I know when my when

510
00:27:46,080 --> 00:27:50,520
Speaker 6: my grandmother actually passed shortly before I was, I was

511
00:27:50,560 --> 00:27:53,320
Speaker 6: living in a in the hospice with her and I

512
00:27:53,359 --> 00:27:55,600
Speaker 6: had to leave to go do a job. And she

513
00:27:55,800 --> 00:27:57,480
Speaker 6: was like, you have to go. This is what you're

514
00:27:57,520 --> 00:27:59,840
Speaker 6: calling you, this is you know, and gave me her

515
00:28:00,320 --> 00:28:04,200
Speaker 6: to go. And I remember sitting on the floor next

516
00:28:04,240 --> 00:28:06,760
Speaker 6: to her chair, and I knew it was going to

517
00:28:06,800 --> 00:28:11,080
Speaker 6: be my last conversation face to face. And let me

518
00:28:11,119 --> 00:28:13,040
Speaker 6: tell you, I did not sleep the night before, I

519
00:28:13,080 --> 00:28:15,000
Speaker 6: was like, Okay, I gotta ask her questions. I gotta

520
00:28:15,040 --> 00:28:17,639
Speaker 6: I gotta find out you know something about her and

521
00:28:17,680 --> 00:28:20,040
Speaker 6: Grandpa I got to you know you. I was just

522
00:28:20,119 --> 00:28:23,360
Speaker 6: so anxious of like, how do I tell her everything

523
00:28:23,440 --> 00:28:25,399
Speaker 6: I need to say? Like do I write? Do I?

524
00:28:26,040 --> 00:28:29,960
Speaker 6: And that moment came, and man, do I remember it

525
00:28:30,280 --> 00:28:34,720
Speaker 6: so clearly. And we looked at each other and were sobbing,

526
00:28:34,800 --> 00:28:38,640
Speaker 6: of course, and all that came out of our mouth

527
00:28:39,160 --> 00:28:43,360
Speaker 6: was I love you. I was like, I just I

528
00:28:43,400 --> 00:28:47,160
Speaker 6: love you, and it's all encompassing. And we both knew,

529
00:28:47,680 --> 00:28:51,560
Speaker 6: we knew the life and the bond and the memories

530
00:28:51,600 --> 00:28:54,440
Speaker 6: and everything that I was, you know, going to carry forward.

531
00:28:54,440 --> 00:28:56,520
Speaker 6: And it was that was those were the only words.

532
00:28:56,560 --> 00:28:58,920
Speaker 6: We're just repeating I love you, I love you, and

533
00:28:58,960 --> 00:29:01,840
Speaker 6: crying into each other's arms. And I gave her a

534
00:29:01,920 --> 00:29:04,840
Speaker 6: kiss and I left, and I just thought how perfect.

535
00:29:04,920 --> 00:29:08,960
Speaker 6: I could never have prepared for that. When I watched

536
00:29:09,000 --> 00:29:12,120
Speaker 6: this episode back, I give myself, you know, I was

537
00:29:12,160 --> 00:29:14,800
Speaker 6: saying this to Rob earlier. I give myself some grace

538
00:29:14,920 --> 00:29:18,800
Speaker 6: because you know, that twenty three year old girl was

539
00:29:18,840 --> 00:29:22,240
Speaker 6: going through so much and really didn't have any idea

540
00:29:22,320 --> 00:29:25,840
Speaker 6: what loss was, but me as thirty nine. Now I

541
00:29:27,160 --> 00:29:31,520
Speaker 6: know I'm me and Loss are best friends, and nothing

542
00:29:31,640 --> 00:29:35,040
Speaker 6: could prepare me for the way I think I'm going

543
00:29:35,120 --> 00:29:36,959
Speaker 6: to be strong, or the way i think I'm going

544
00:29:37,040 --> 00:29:39,640
Speaker 6: to say things when I'm going through and the expectation

545
00:29:39,840 --> 00:29:44,560
Speaker 6: I have for the moments or for myself. And it's

546
00:29:44,600 --> 00:29:47,080
Speaker 6: so interesting that I come back to that Mammock quote

547
00:29:47,240 --> 00:29:49,840
Speaker 6: even in my own life, just to be like, I

548
00:29:49,840 --> 00:29:52,400
Speaker 6: don't have to know how to do this. I just

549
00:29:52,480 --> 00:29:56,600
Speaker 6: want to be present and honest and in life, in

550
00:29:56,640 --> 00:29:59,040
Speaker 6: my heart, and that's it. That's all I can do.

551
00:30:00,000 --> 00:30:02,200
Speaker 4: Wish I had I wish we had both had this

552
00:30:02,320 --> 00:30:04,440
Speaker 4: quote when we were doing the show, because I like,

553
00:30:04,520 --> 00:30:07,680
Speaker 4: you found myself in situations where I was way you know,

554
00:30:07,800 --> 00:30:09,320
Speaker 4: like this show all of a sudden, Like we signed

555
00:30:09,360 --> 00:30:12,000
Speaker 4: on and they're like, great, your wife's super dead, you're.

556
00:30:11,840 --> 00:30:14,320
Speaker 6: Going through a divorce and you're twenty three. I'm like,

557
00:30:14,360 --> 00:30:16,720
Speaker 6: I would have to listen, I've now been through a divorce.

558
00:30:16,960 --> 00:30:17,960
Speaker 6: Oh you know what I.

559
00:30:17,960 --> 00:30:22,360
Speaker 1: Mean, no idea what a divorce would be Like, I'm like, well.

560
00:30:22,320 --> 00:30:24,760
Speaker 6: Thank god I didn't know, because this would have these

561
00:30:24,760 --> 00:30:26,320
Speaker 6: episodes would have been real different.

562
00:30:27,120 --> 00:30:30,000
Speaker 4: But how much it would have been so freeing to

563
00:30:30,160 --> 00:30:32,000
Speaker 4: know that though, right, because back then I thought, like

564
00:30:32,080 --> 00:30:36,160
Speaker 4: I would, I imposed all of this imaginary pressure on myself.

565
00:30:36,200 --> 00:30:39,000
Speaker 4: This is what grief has to look like. Tears equal sadness,

566
00:30:39,960 --> 00:30:42,320
Speaker 4: you know. And that's just like the opposite way to

567
00:30:42,400 --> 00:30:45,600
Speaker 4: approach being just in the moment and present. And like

568
00:30:45,640 --> 00:30:47,640
Speaker 4: you said, it's like I have to remind myself just

569
00:30:47,680 --> 00:30:49,280
Speaker 4: in day to day life of like I have to

570
00:30:49,320 --> 00:30:52,720
Speaker 4: give myself permission to be a human being. Yeah, which

571
00:30:52,760 --> 00:30:55,640
Speaker 4: means it's going to be constantly imperfect and it's going

572
00:30:55,720 --> 00:30:58,320
Speaker 4: to be messy, you know. But it's like, am I

573
00:30:58,360 --> 00:31:01,960
Speaker 4: trending in the right direction? Am I towards growth? Great?

574
00:31:02,520 --> 00:31:02,720
Speaker 1: Yeah?

575
00:31:02,720 --> 00:31:04,880
Speaker 4: And all the hiccups are okay, you know, but like

576
00:31:05,520 --> 00:31:07,800
Speaker 4: when I catch myself being hard on myself, it's like, hey, Bud,

577
00:31:08,080 --> 00:31:10,080
Speaker 4: you get to be a human being today. This is

578
00:31:10,120 --> 00:31:10,959
Speaker 4: part for the course.

579
00:31:11,320 --> 00:31:15,800
Speaker 7: Okay, Okay, yes, still figuring it out. At any age,

580
00:31:15,840 --> 00:31:18,480
Speaker 7: you're still figuring it out, you know, you know more

581
00:31:18,480 --> 00:31:22,280
Speaker 7: than you did yesterday, hopefully, But like none of us,

582
00:31:22,440 --> 00:31:24,240
Speaker 7: I think really kind of are going to leave this

583
00:31:24,320 --> 00:31:27,400
Speaker 7: earth like totally exalted being, Like I got that in the.

584
00:31:27,280 --> 00:31:31,200
Speaker 1: Bag, you know, do it all over.

585
00:31:31,320 --> 00:31:32,560
Speaker 6: I'd be so good at this.

586
00:31:33,280 --> 00:31:36,080
Speaker 4: As people probably haven't gone to therapy, like haven't looked inward.

587
00:31:36,080 --> 00:31:37,800
Speaker 4: If they're like I crushed it ten out of ten,

588
00:31:39,200 --> 00:31:42,600
Speaker 4: it's like, but did you did you ask around? Speaking

589
00:31:42,720 --> 00:31:46,680
Speaker 4: of work in progress, there was a hilarious moment. There

590
00:31:46,720 --> 00:31:51,040
Speaker 4: was two very funny, unintentional moments in this episode for me,

591
00:31:51,080 --> 00:31:55,400
Speaker 4: which I greatly appreciated. And speaking of just being a

592
00:31:55,480 --> 00:31:58,960
Speaker 4: human and trying to learn, there was a beautiful moment

593
00:31:59,000 --> 00:32:01,640
Speaker 4: when Haley's making the chicken dumpling soup back at home.

594
00:32:02,600 --> 00:32:04,040
Speaker 4: It's at the top of the scene. Joe, I don't

595
00:32:04,040 --> 00:32:06,320
Speaker 4: know if you've caught this. You go to take a

596
00:32:06,400 --> 00:32:09,239
Speaker 4: little sip of it, and you're using a ladle that

597
00:32:09,320 --> 00:32:12,760
Speaker 4: has a hole in it, so all of the water

598
00:32:12,920 --> 00:32:16,120
Speaker 4: pours out through the hole and you just kind of

599
00:32:16,160 --> 00:32:17,920
Speaker 4: like at the edge of it.

600
00:32:18,920 --> 00:32:20,000
Speaker 1: I totally caught it.

601
00:32:20,440 --> 00:32:23,280
Speaker 4: I laughed so hard, going like, I know set deck

602
00:32:23,320 --> 00:32:26,280
Speaker 4: had a ladle or a spoon on set. Why did

603
00:32:26,320 --> 00:32:29,640
Speaker 4: we give her the one thing not designed to hold liquid?

604
00:32:29,760 --> 00:32:33,880
Speaker 1: No, this was this was notoriously one of my constant

605
00:32:35,200 --> 00:32:38,560
Speaker 1: thorn in my sides was not having a working set.

606
00:32:38,920 --> 00:32:42,520
Speaker 1: There was all kinds of facade, but I would open

607
00:32:42,600 --> 00:32:45,200
Speaker 1: cupboards and there would be nothing there, and it was

608
00:32:45,240 --> 00:32:48,160
Speaker 1: so frustrating because I would go in for a rehearsal

609
00:32:48,360 --> 00:32:51,160
Speaker 1: and I might have opened the cupboard. I might not have,

610
00:32:51,280 --> 00:32:53,520
Speaker 1: but in the scene I'm like, actually, if I'm over here,

611
00:32:53,560 --> 00:32:55,560
Speaker 1: I'm going to make myself a mug of tea or

612
00:32:55,600 --> 00:32:57,320
Speaker 1: whatever and open it up. And it was just a

613
00:32:57,320 --> 00:33:01,200
Speaker 1: completely empty cupboard. So I actually am not convinced that

614
00:33:01,240 --> 00:33:05,880
Speaker 1: there was any kind of spoon on set. I think

615
00:33:06,000 --> 00:33:08,560
Speaker 1: perhaps I asked for one at the last moment and

616
00:33:08,640 --> 00:33:11,160
Speaker 1: that's what was available. He said, great, let's go.

617
00:33:11,760 --> 00:33:13,440
Speaker 4: They were like could you just use your hand and

618
00:33:13,480 --> 00:33:15,960
Speaker 4: you're like, no, it's boiling liquid and a spoon, and

619
00:33:16,000 --> 00:33:29,800
Speaker 4: this was like this is all we got. The other

620
00:33:29,880 --> 00:33:33,200
Speaker 4: really funny moment actually happened in the kitchen. It's when

621
00:33:33,600 --> 00:33:37,640
Speaker 4: you are prior to I think your mom passing. Yes,

622
00:33:37,840 --> 00:33:41,520
Speaker 4: you are in the kitchen chopping vegetables and you're having

623
00:33:41,600 --> 00:33:44,640
Speaker 4: a very hard moment and Nathan walks in and he's

624
00:33:44,680 --> 00:33:47,520
Speaker 4: like are you okay, and you chop your thumb or

625
00:33:47,520 --> 00:33:49,360
Speaker 4: your finger and you're like oh, and he's like is

626
00:33:49,400 --> 00:33:51,760
Speaker 4: it bad and you're like, yeah, it's bad. And you

627
00:33:51,800 --> 00:33:54,280
Speaker 4: have like a rag over it, and then you proceed

628
00:33:55,000 --> 00:33:58,000
Speaker 4: to put your hands on your face to talk with

629
00:33:58,120 --> 00:34:00,960
Speaker 4: your hands, to put your hands on on your face again,

630
00:34:01,520 --> 00:34:03,320
Speaker 4: And I just love going and onions.

631
00:34:03,360 --> 00:34:04,480
Speaker 1: I was chopping onions.

632
00:34:04,920 --> 00:34:07,240
Speaker 4: Yes, I just wish we could play the reality of

633
00:34:07,280 --> 00:34:09,600
Speaker 4: it where there is just blood on your face. There's

634
00:34:09,719 --> 00:34:14,160
Speaker 4: blood on him. Because you're gesticulating wildly that that killed me.

635
00:34:14,200 --> 00:34:16,759
Speaker 1: I was like, yeah, and onions in my eyes, Like

636
00:34:16,800 --> 00:34:20,200
Speaker 1: I put my hands immediately up to my eyes, like hello.

637
00:34:20,400 --> 00:34:22,520
Speaker 4: Yeah, I like caring at the end of the movie.

638
00:34:22,600 --> 00:34:25,200
Speaker 4: Not gorgeous, perfectly lit, perfect hair.

639
00:34:26,480 --> 00:34:27,400
Speaker 1: Yeah. Fail.

640
00:34:28,200 --> 00:34:30,640
Speaker 7: I watched you doing the chopping too, and you're chopping

641
00:34:30,680 --> 00:34:32,719
Speaker 7: like so pervently that I was like, she's going to

642
00:34:32,800 --> 00:34:35,759
Speaker 7: chop her finger, thinking it was I didn't know that

643
00:34:35,760 --> 00:34:38,600
Speaker 7: that was the scene that was about to play out,

644
00:34:38,600 --> 00:34:42,279
Speaker 7: but I was like, she's actually gonna chop ank careful.

645
00:34:45,360 --> 00:34:48,320
Speaker 1: Oh god, Yeah, that was fun.

646
00:34:49,000 --> 00:34:51,799
Speaker 6: I remember reading the episode and thinking, is this just

647
00:34:51,840 --> 00:34:54,880
Speaker 6: going to be like three whaling sisters, you know what

648
00:34:54,920 --> 00:34:56,960
Speaker 6: I mean? Like that was my idea of well off

649
00:34:57,000 --> 00:34:58,920
Speaker 6: her mom's dying. How are we even going to speak

650
00:34:58,960 --> 00:35:03,239
Speaker 6: through these scenes? Like I mean, and you know it

651
00:35:03,480 --> 00:35:08,920
Speaker 6: just I I find myself so uh. When I was

652
00:35:08,960 --> 00:35:14,040
Speaker 6: watching it so like taken back instantly to those versions

653
00:35:14,160 --> 00:35:16,719
Speaker 6: of us and the conversations on the side of set

654
00:35:16,960 --> 00:35:21,839
Speaker 6: and all of the stories behind the scenes, you know

655
00:35:21,960 --> 00:35:24,680
Speaker 6: that play in like a separate movie the whole time

656
00:35:24,800 --> 00:35:29,200
Speaker 6: I'm watching at the very end, when we were this

657
00:35:29,880 --> 00:35:31,799
Speaker 6: is so not funny, but I had to share it

658
00:35:31,800 --> 00:35:34,799
Speaker 6: with my mom. When we were you were dumping joy

659
00:35:34,880 --> 00:35:36,560
Speaker 6: the ashes and the wind.

660
00:35:36,400 --> 00:35:38,160
Speaker 1: Was blowing ashes.

661
00:35:38,480 --> 00:35:42,680
Speaker 6: Guys, Mom's ashes. We're all over our black boats and

662
00:35:42,719 --> 00:35:46,000
Speaker 6: we and they're like, you're crying, You're sad, and we

663
00:35:46,040 --> 00:35:49,160
Speaker 6: are just like, guys, we can't our mom is all

664
00:35:49,160 --> 00:35:49,680
Speaker 6: over us.

665
00:35:49,800 --> 00:35:53,080
Speaker 1: Like, do you also remember how full that earn was?

666
00:35:56,360 --> 00:36:00,120
Speaker 8: Mom was heavy, Like I don't mean to be crass,

667
00:36:00,120 --> 00:36:03,400
Speaker 8: but like it was so like we kept I remember

668
00:36:03,480 --> 00:36:05,520
Speaker 8: when they said action, it was like we're finally going

669
00:36:05,520 --> 00:36:07,680
Speaker 8: to pour it, and we start to pour, and then

670
00:36:07,680 --> 00:36:09,880
Speaker 8: it's like there's more, and there's more, and.

671
00:36:10,239 --> 00:36:12,200
Speaker 1: Went on and on to the point where I was like,

672
00:36:12,680 --> 00:36:14,680
Speaker 1: I either have to laugh or cry right now, this

673
00:36:14,760 --> 00:36:17,879
Speaker 1: is so absurd, but the camera's still rolling, so I'm

674
00:36:17,920 --> 00:36:21,040
Speaker 1: just going to keep dumping and just become overwhelmed. With

675
00:36:21,120 --> 00:36:23,360
Speaker 1: the fact that this is so much more than I expected,

676
00:36:23,360 --> 00:36:26,040
Speaker 1: and I allowed it to make me, you know, cry more,

677
00:36:26,400 --> 00:36:30,640
Speaker 1: but objectively I wanted to laugh because it was so absurd.

678
00:36:31,239 --> 00:36:34,440
Speaker 4: Apparently she was cremated with all of her earthly possessions

679
00:36:35,480 --> 00:36:36,520
Speaker 4: to everything.

680
00:36:37,680 --> 00:36:38,879
Speaker 5: Have very Egyptian of her.

681
00:36:39,920 --> 00:36:42,800
Speaker 6: When we talk about not being able to be prepared

682
00:36:42,920 --> 00:36:44,560
Speaker 6: like that moment, I was the same. I was like,

683
00:36:44,600 --> 00:36:46,560
Speaker 6: oh gosh, I've never you know, what is this going

684
00:36:46,640 --> 00:36:49,480
Speaker 6: to be like? And it was between the wind and

685
00:36:49,520 --> 00:36:51,840
Speaker 6: the amount of ashes and the fact you were still

686
00:36:51,960 --> 00:36:55,080
Speaker 6: dumping like two three minutes in and it was all

687
00:36:55,160 --> 00:36:56,759
Speaker 6: over us, I was the same. I was just like,

688
00:36:57,360 --> 00:36:58,720
Speaker 6: this is this comedy?

689
00:36:58,840 --> 00:37:00,920
Speaker 1: Like, is this okay? Honked right now?

690
00:37:04,520 --> 00:37:06,480
Speaker 6: It was one of those that when I watched it,

691
00:37:06,560 --> 00:37:08,560
Speaker 6: I had to share the anecdote with my mom last

692
00:37:08,640 --> 00:37:12,719
Speaker 6: night and I was just like, Yeah.

693
00:37:11,560 --> 00:37:14,160
Speaker 1: I wonder if that's because remember, we didn't rehearse it

694
00:37:14,280 --> 00:37:16,560
Speaker 1: because we wanted to be surprised. We wanted to like

695
00:37:16,640 --> 00:37:19,520
Speaker 1: experience the emotions, so we didn't dump any ashes on purpose.

696
00:37:21,760 --> 00:37:24,439
Speaker 7: So there were rehearsal ashes in there, and that's it.

697
00:37:24,840 --> 00:37:27,520
Speaker 1: That's what we should have done. Some rehearsal ashes. I

698
00:37:27,520 --> 00:37:29,920
Speaker 1: don't know, but that was rough and it was it

699
00:37:29,960 --> 00:37:31,879
Speaker 1: was all over us and then we're like do we cut?

700
00:37:32,040 --> 00:37:34,600
Speaker 1: Do we react to the fact that we rush of

701
00:37:35,000 --> 00:37:35,719
Speaker 1: brush it home?

702
00:37:36,080 --> 00:37:40,640
Speaker 6: What do we do? Just cry on each other?

703
00:37:41,280 --> 00:37:44,480
Speaker 1: God? Also, who were all those people? And where were

704
00:37:44,480 --> 00:37:45,400
Speaker 1: the rest of our siblings?

705
00:37:46,120 --> 00:37:48,319
Speaker 6: Do you remember? Like they were like okay, so like

706
00:37:48,560 --> 00:37:50,560
Speaker 6: these three people are going to stand behind you, like

707
00:37:50,600 --> 00:37:53,799
Speaker 6: we'll assume these are kind of like your brothers or.

708
00:37:54,040 --> 00:37:54,799
Speaker 1: You know that's right.

709
00:37:54,960 --> 00:38:00,480
Speaker 6: I never understood, you know, the order of when we

710
00:38:00,480 --> 00:38:03,759
Speaker 6: were born, how many siblings we had, who our parents were. Ye,

711
00:38:04,520 --> 00:38:07,000
Speaker 6: I would have been a senior when you were in

712
00:38:07,120 --> 00:38:09,239
Speaker 6: high school. So then people will bring it up to

713
00:38:09,280 --> 00:38:10,560
Speaker 6: me like, well, why didn't they show you? It was

714
00:38:10,600 --> 00:38:14,400
Speaker 6: like because I wasn't on the show, but yeah, you

715
00:38:14,440 --> 00:38:16,040
Speaker 6: know there's all of that. They were like, so, well,

716
00:38:16,040 --> 00:38:19,640
Speaker 6: cluster some people behind you just choosing some of our

717
00:38:19,680 --> 00:38:23,399
Speaker 6: background extras is like and what these people are? Oh

718
00:38:23,480 --> 00:38:25,520
Speaker 6: high sibling, you know, but we're not going to interact

719
00:38:25,560 --> 00:38:30,040
Speaker 6: with them, will only interact with each other all last minute.

720
00:38:30,320 --> 00:38:35,880
Speaker 4: Whatever we paid for Landslide was worth it. Oh my goodness.

721
00:38:35,960 --> 00:38:38,800
Speaker 4: I gotta say that's one thing this show consistently Knocks

722
00:38:38,800 --> 00:38:42,040
Speaker 4: out of the Park is the score. It's just it's

723
00:38:42,120 --> 00:38:44,880
Speaker 4: so good. And then I think there's a Shania Twain

724
00:38:44,960 --> 00:38:47,839
Speaker 4: song that played after that that was Cheryl Crow. Cheryl.

725
00:38:48,800 --> 00:38:55,640
Speaker 1: Now, I think I actually recorded that. I might be

726
00:38:55,719 --> 00:38:58,600
Speaker 1: mixing up memories, but I know I recorded it. I

727
00:38:59,239 --> 00:39:01,759
Speaker 1: think they asked me to record that song for this

728
00:39:01,880 --> 00:39:05,160
Speaker 1: episode in case they couldn't afford the Cheryl Crow version.

729
00:39:05,719 --> 00:39:08,080
Speaker 5: I feel like I vaguely remember that story.

730
00:39:08,120 --> 00:39:11,399
Speaker 1: And then they did end up getting Cheryl's Cheryl's version

731
00:39:11,440 --> 00:39:12,920
Speaker 1: of it, which is great, but I was also kind

732
00:39:12,960 --> 00:39:14,200
Speaker 1: of like, I want to do.

733
00:39:14,360 --> 00:39:14,960
Speaker 6: My version of it.

734
00:39:15,120 --> 00:39:18,680
Speaker 4: Yeah, how lucky they are that they just had you

735
00:39:19,040 --> 00:39:22,880
Speaker 4: on the bench that they could go, yeah, that you

736
00:39:22,920 --> 00:39:26,640
Speaker 4: were someone's plan. B Like, how fortunate for the producers

737
00:39:26,920 --> 00:39:29,120
Speaker 4: that they had you in the back pocket you can

738
00:39:29,120 --> 00:39:29,800
Speaker 4: cover usb.

739
00:39:29,800 --> 00:39:32,680
Speaker 5: Why didn't they ask you a weird thing?

740
00:39:32,760 --> 00:39:34,680
Speaker 4: I wondered the same thing, and then I remembered I

741
00:39:34,719 --> 00:39:38,120
Speaker 4: am absolutely tone deaf, so that it's either that or

742
00:39:38,120 --> 00:39:40,600
Speaker 4: my availability was just not great back then.

743
00:39:41,120 --> 00:39:42,600
Speaker 1: Yeah, there was.

744
00:39:42,560 --> 00:39:45,520
Speaker 6: Another song too. There was a song as It Opened

745
00:39:45,560 --> 00:39:48,320
Speaker 6: your Eyes. I forget is it Maybe it's Trent DApps.

746
00:39:48,320 --> 00:39:50,440
Speaker 6: I forget who sings it? But I remember at the

747
00:39:50,480 --> 00:39:53,560
Speaker 6: time discovering that song and hearing that it was going

748
00:39:53,640 --> 00:39:56,320
Speaker 6: to be in the episode and listening to it before

749
00:39:56,400 --> 00:40:02,440
Speaker 6: we shot the scene where our mother actually like passes. Oh,

750
00:40:02,480 --> 00:40:05,120
Speaker 6: and that was like just a stab in the stomach

751
00:40:05,200 --> 00:40:08,520
Speaker 6: to like hear over and over open your eyes because

752
00:40:09,320 --> 00:40:12,960
Speaker 6: she was do that. And just like the thoughts.

753
00:40:13,040 --> 00:40:15,920
Speaker 1: How beautiful this thing that Mike wrote in of Jamie

754
00:40:15,960 --> 00:40:20,359
Speaker 1: bringing in his solar system stars, Oh, that just broke

755
00:40:20,400 --> 00:40:21,920
Speaker 1: my heart. It was so beautiful.

756
00:40:22,239 --> 00:40:24,120
Speaker 4: Well about the make a wish, you know, he's like,

757
00:40:24,160 --> 00:40:26,359
Speaker 4: I have Grandma to thank for that because she told

758
00:40:26,400 --> 00:40:27,800
Speaker 4: me to make a wish. And then when he brought

759
00:40:27,800 --> 00:40:29,880
Speaker 4: that in full circle, it was so nice.

760
00:40:30,480 --> 00:40:34,839
Speaker 6: Yep, just like the honest kid moment of you know,

761
00:40:35,600 --> 00:40:38,600
Speaker 6: him being able to like tell that she's sick and

762
00:40:38,640 --> 00:40:42,400
Speaker 6: she's going to die and just there there isn't like

763
00:40:42,560 --> 00:40:46,000
Speaker 6: you know, this breakdown of like an adult understanding of

764
00:40:46,120 --> 00:40:48,759
Speaker 6: you know, how it's going to change his life. But

765
00:40:49,000 --> 00:40:52,360
Speaker 6: just that scene where he's like she's gonna die, you know,

766
00:40:52,600 --> 00:40:55,080
Speaker 6: and there's like this gravity to it that a kid

767
00:40:55,120 --> 00:41:00,239
Speaker 6: brings that is so honest and raw, and you know,

768
00:41:00,280 --> 00:41:04,000
Speaker 6: then there's still this beautiful hope filled moment where he

769
00:41:04,080 --> 00:41:05,960
Speaker 6: brings it in and he's like make the wish Grandma

770
00:41:06,040 --> 00:41:09,080
Speaker 6: like being able to give her what she gave him.

771
00:41:09,440 --> 00:41:11,760
Speaker 6: You know, that was so it was so special.

772
00:41:11,920 --> 00:41:14,920
Speaker 1: Our show was good at that bringing things around full circle,

773
00:41:15,120 --> 00:41:17,200
Speaker 1: remembering things from a long time ago. I mean, even

774
00:41:17,239 --> 00:41:20,640
Speaker 1: what you were saying earlier about the Taylor storyline, like lindsay,

775
00:41:20,680 --> 00:41:22,400
Speaker 1: when you came in in the beginning, I mean, was

776
00:41:22,400 --> 00:41:24,239
Speaker 1: it season two that you first came in.

777
00:41:24,560 --> 00:41:25,600
Speaker 5: I want to say it was too.

778
00:41:25,840 --> 00:41:28,239
Speaker 1: I think I feel like it was, yeah, because I

779
00:41:28,239 --> 00:41:33,680
Speaker 1: had just gotten married, right, Yeah, I think so. But

780
00:41:33,719 --> 00:41:37,080
Speaker 1: to see that arc all the way through and to

781
00:41:37,239 --> 00:41:42,200
Speaker 1: watch your this redemption arc, it's just so interesting. It's

782
00:41:42,239 --> 00:41:45,000
Speaker 1: so interesting the choices you made, and that they really

783
00:41:45,040 --> 00:41:47,239
Speaker 1: allowed you to run with that too. I feel like

784
00:41:47,960 --> 00:41:50,680
Speaker 1: I love that. I feel like they just gave you space,

785
00:41:50,840 --> 00:41:54,080
Speaker 1: like here's your lines, just we trust you.

786
00:41:55,320 --> 00:41:56,280
Speaker 5: I was so yeah.

787
00:41:56,440 --> 00:41:58,360
Speaker 7: I mean that's such a beautiful thing that they didn't, like,

788
00:41:59,280 --> 00:42:04,439
Speaker 7: you know, with this arc, didn't just pigeonhole Taylor, Yeah,

789
00:42:04,480 --> 00:42:08,280
Speaker 7: and actually just wanted to see her experience and emotion

790
00:42:08,520 --> 00:42:10,520
Speaker 7: and human side.

791
00:42:11,040 --> 00:42:14,960
Speaker 1: It was so interesting to me the roles that each

792
00:42:14,960 --> 00:42:17,319
Speaker 1: of us played, and the way that you got to

793
00:42:17,480 --> 00:42:20,439
Speaker 1: just back off and say I don't want to deal

794
00:42:20,480 --> 00:42:22,759
Speaker 1: with this. No, I can't believe you're first it was

795
00:42:22,800 --> 00:42:25,680
Speaker 1: I can't believe you're giving up, and I'm not going

796
00:42:25,719 --> 00:42:28,399
Speaker 1: to engage with this. I'm not going to enable you

797
00:42:28,600 --> 00:42:32,480
Speaker 1: in this giving up of life. I refuse, And how

798
00:42:32,520 --> 00:42:35,000
Speaker 1: that actually turned out to be just an indicator of

799
00:42:35,040 --> 00:42:39,560
Speaker 1: your own pain. I wanted to see a whole movie

800
00:42:39,560 --> 00:42:44,080
Speaker 1: of it, like it was. It's such an interesting character arc.

801
00:42:46,200 --> 00:42:48,480
Speaker 1: Was that fun for you to be able to come

802
00:42:48,520 --> 00:42:50,880
Speaker 1: in and every single time I feel like there was

803
00:42:50,920 --> 00:42:54,960
Speaker 1: something new because you were always so good at creating

804
00:42:55,040 --> 00:42:58,440
Speaker 1: layers underneath what was on top, Like, yeah, Taylor's speed

805
00:42:58,520 --> 00:43:00,839
Speaker 1: is bitchy, but there was so many layers. There were

806
00:43:00,840 --> 00:43:04,279
Speaker 1: so many layers of pain underneath it. Like how did

807
00:43:04,280 --> 00:43:06,120
Speaker 1: you manage that all the time? How did you manage

808
00:43:06,120 --> 00:43:08,120
Speaker 1: for us to still love you and want you back

809
00:43:08,160 --> 00:43:11,200
Speaker 1: and still like be interested in this girl and all

810
00:43:11,239 --> 00:43:14,360
Speaker 1: of her issues and relate to Taylor and yet also

811
00:43:14,840 --> 00:43:17,360
Speaker 1: be on the surface just crazy and bitching.

812
00:43:18,280 --> 00:43:20,560
Speaker 7: That is very sweet of you to say all of that.

813
00:43:23,480 --> 00:43:26,560
Speaker 7: I think there's just you know, I always, no matter

814
00:43:26,600 --> 00:43:28,600
Speaker 7: where I was in my life or my career. I

815
00:43:28,680 --> 00:43:33,520
Speaker 7: just always tried to be as like true as possible

816
00:43:33,560 --> 00:43:36,799
Speaker 7: and bring all of the layers of me as much

817
00:43:36,800 --> 00:43:39,920
Speaker 7: as I could access anyway at that time and space.

818
00:43:40,000 --> 00:43:45,960
Speaker 7: But I think joy honestly, it's just like the levels

819
00:43:45,960 --> 00:43:49,879
Speaker 7: and layers of pain in my own life experience, and

820
00:43:50,920 --> 00:43:54,799
Speaker 7: you know, wanting to get to feel that and excavate

821
00:43:54,840 --> 00:43:57,200
Speaker 7: that as an actress too was one of the reasons

822
00:43:57,520 --> 00:44:00,120
Speaker 7: I liked being an actress. It's like, if I I

823
00:44:00,160 --> 00:44:02,400
Speaker 7: have a hard time experiencing this in my life, or

824
00:44:03,120 --> 00:44:05,560
Speaker 7: this is under the surface but it's not healed, and

825
00:44:05,600 --> 00:44:09,319
Speaker 7: I get to play a character that also brings that out.

826
00:44:09,400 --> 00:44:11,200
Speaker 7: It's a It's a cathartic experience.

827
00:44:12,560 --> 00:44:14,799
Speaker 1: That's such a gift, though, because it's not always the case.

828
00:44:14,840 --> 00:44:17,360
Speaker 1: I think there's a lot of actors that put on

829
00:44:17,440 --> 00:44:19,919
Speaker 1: a mask and they go play a character because they're

830
00:44:19,920 --> 00:44:23,239
Speaker 1: trying to actually escape from whatever their current pain is

831
00:44:23,320 --> 00:44:25,960
Speaker 1: or the thing that they're trying to process through it.

832
00:44:26,440 --> 00:44:28,960
Speaker 1: It's a real gift that you have and that you

833
00:44:29,040 --> 00:44:33,880
Speaker 1: give to the audience to be able to allow people

834
00:44:33,920 --> 00:44:37,239
Speaker 1: to see in it's almost permission to process their own

835
00:44:37,239 --> 00:44:40,400
Speaker 1: pain too, like you in whatever whatever you're doing wherever

836
00:44:40,440 --> 00:44:43,680
Speaker 1: you are in life, don't shove it down in order

837
00:44:43,719 --> 00:44:46,680
Speaker 1: to perform and put something else on. Just use it,

838
00:44:46,760 --> 00:44:48,160
Speaker 1: like let's keep working through it.

839
00:44:48,719 --> 00:44:50,719
Speaker 7: Yeah, I mean, I think that's what we're taught so

840
00:44:50,840 --> 00:44:53,399
Speaker 7: much in life in our culture, is to just shove

841
00:44:53,440 --> 00:44:56,360
Speaker 7: it down, you know, like you don't really have that

842
00:44:56,400 --> 00:44:59,440
Speaker 7: emotion like get to work, like just live your.

843
00:44:59,280 --> 00:45:02,440
Speaker 5: Life, but on a healing journey.

844
00:45:02,480 --> 00:45:06,719
Speaker 7: And if you're a spiritual person, which I am, it's

845
00:45:06,760 --> 00:45:09,800
Speaker 7: like what is life actually for? What's the deeper meaning?

846
00:45:10,320 --> 00:45:12,440
Speaker 7: Who am I as I'm here? What am I learning?

847
00:45:12,440 --> 00:45:17,080
Speaker 7: How am I growing? And as much as everything in

848
00:45:17,160 --> 00:45:20,879
Speaker 7: us wants to escape and run away and hide like one,

849
00:45:21,080 --> 00:45:21,759
Speaker 7: that doesn't help.

850
00:45:21,800 --> 00:45:22,480
Speaker 6: You always have to.

851
00:45:22,440 --> 00:45:25,080
Speaker 7: Deal with your shit either now or at a later date,

852
00:45:25,160 --> 00:45:27,320
Speaker 7: So like why don't you man woman.

853
00:45:27,120 --> 00:45:27,799
Speaker 4: Up and do it?

854
00:45:29,640 --> 00:45:32,719
Speaker 7: But also it's just like what, you know, what is

855
00:45:32,880 --> 00:45:35,759
Speaker 7: my own legacy for me as I'm here, you know,

856
00:45:36,920 --> 00:45:40,080
Speaker 7: and to me as I've gone through everything in life,

857
00:45:40,080 --> 00:45:43,680
Speaker 7: It's not just like making money being an actor doing this,

858
00:45:43,880 --> 00:45:47,160
Speaker 7: doing that. It's like it's what is my essence? Like

859
00:45:47,360 --> 00:45:48,880
Speaker 7: what what do I get to take with me? What

860
00:45:48,880 --> 00:45:51,200
Speaker 7: do these molecules get to take with me when I

861
00:45:51,239 --> 00:45:54,080
Speaker 7: transition out of my body, you know, and I used

862
00:45:54,280 --> 00:45:56,600
Speaker 7: acting to do that, I use my life to do

863
00:45:56,600 --> 00:46:00,640
Speaker 7: that a relationship. It makes it very difficult sometimes for

864
00:46:00,680 --> 00:46:03,640
Speaker 7: the people around me. Unfortunately, it's not an easy journey

865
00:46:03,680 --> 00:46:05,719
Speaker 7: and it's not one that everybody wants to take on.

866
00:46:05,960 --> 00:46:10,560
Speaker 7: But this is my life mission as I'm here, so

867
00:46:11,520 --> 00:46:13,680
Speaker 7: thank you for seeing that.

868
00:46:14,520 --> 00:46:18,640
Speaker 4: And also, messy is fun to watch. People who have

869
00:46:18,719 --> 00:46:22,920
Speaker 4: it altogether are boring. Yes, it's the shelf life of

870
00:46:22,920 --> 00:46:24,879
Speaker 4: someone who has all of their ducks in a row

871
00:46:24,960 --> 00:46:27,840
Speaker 4: is very short. Whereas I think as a viewer, we

872
00:46:27,920 --> 00:46:30,759
Speaker 4: are drawn to messiness. I think because we relate to it,

873
00:46:31,080 --> 00:46:33,719
Speaker 4: we see ourselves in it, and it's also just more interesting.

874
00:46:33,840 --> 00:46:38,040
Speaker 4: So that was I thought very appealing the way that

875
00:46:38,120 --> 00:46:40,839
Speaker 4: sort of your trajectory was over this last bit. And also,

876
00:46:42,080 --> 00:46:43,560
Speaker 4: and this is just a testament sort of how you

877
00:46:44,239 --> 00:46:47,319
Speaker 4: played Taylor. There was always sort of it was kind

878
00:46:47,360 --> 00:46:49,280
Speaker 4: of touched upon. I think Joy called you a firework.

879
00:46:49,360 --> 00:46:52,840
Speaker 4: There was always an unpredictability. And the only other character

880
00:46:52,880 --> 00:46:54,920
Speaker 4: on the show who has a similar kind of vibe

881
00:46:54,960 --> 00:46:57,440
Speaker 4: is Dan Scott. In that when Dan Scott comes on

882
00:46:57,480 --> 00:47:01,480
Speaker 4: a scene, I'm like, oh, that to happen, and it

883
00:47:01,520 --> 00:47:03,640
Speaker 4: was the same thing. Like you'd come on the screen,

884
00:47:03,680 --> 00:47:07,080
Speaker 4: I'd be like, oh, Hurricane Taylor are about to get

885
00:47:07,080 --> 00:47:09,360
Speaker 4: into and then you're like French and Quinn's exit the

886
00:47:09,400 --> 00:47:12,000
Speaker 4: dinner table. I'm like, damn, I did not see that come,

887
00:47:12,080 --> 00:47:14,200
Speaker 4: you know what I mean. Like it was great just

888
00:47:14,239 --> 00:47:17,319
Speaker 4: because the character has already written so big that I

889
00:47:17,320 --> 00:47:19,759
Speaker 4: think you just you wisely went like, well, then I'm

890
00:47:19,760 --> 00:47:21,960
Speaker 4: going to take big swings and I'm just going to

891
00:47:22,080 --> 00:47:23,680
Speaker 4: let them pull me back. And it made for this

892
00:47:23,840 --> 00:47:26,759
Speaker 4: really fun experience of watching her as being like I'm

893
00:47:26,760 --> 00:47:28,400
Speaker 4: going to lean in because I want to know what

894
00:47:28,440 --> 00:47:30,800
Speaker 4: she's going to do next well, And it was so fun.

895
00:47:30,640 --> 00:47:34,439
Speaker 7: For me because you know, so often you don't get

896
00:47:34,440 --> 00:47:36,839
Speaker 7: to play and all of that and like do all

897
00:47:36,880 --> 00:47:42,239
Speaker 7: of these quote unquote wrong, bad, extreme things, and like

898
00:47:42,400 --> 00:47:46,200
Speaker 7: Taylor lived in that space and so for me to

899
00:47:46,239 --> 00:47:48,960
Speaker 7: get to go in and play like the different levels

900
00:47:48,960 --> 00:47:50,040
Speaker 7: of that, how fun.

901
00:47:50,480 --> 00:47:54,200
Speaker 6: I mean, that's very beginning. I'm like, she's my favorite

902
00:47:54,200 --> 00:47:58,360
Speaker 6: sister because you ground her emotions in something that me

903
00:47:58,480 --> 00:48:01,239
Speaker 6: as my you know, thirty nine year old self. I understand,

904
00:48:01,320 --> 00:48:03,160
Speaker 6: I see the pain, I see you know where things

905
00:48:03,200 --> 00:48:06,319
Speaker 6: are coming from but your reactions to it, you know,

906
00:48:06,520 --> 00:48:09,880
Speaker 6: while they may be big and firework, you ground it

907
00:48:10,160 --> 00:48:15,399
Speaker 6: so beautifully. It's so funny because I at the time

908
00:48:15,400 --> 00:48:17,400
Speaker 6: when we were shooting, was like, oh, I'm just supposed

909
00:48:17,440 --> 00:48:20,400
Speaker 6: to hate her, and like she's bitchy, and so we're bitchy,

910
00:48:20,440 --> 00:48:21,920
Speaker 6: and you know what I mean. Like that was the

911
00:48:22,000 --> 00:48:25,400
Speaker 6: dynamic of me not I don't have Me and my

912
00:48:25,480 --> 00:48:28,839
Speaker 6: sister are best friends, so you know, I didn't have

913
00:48:28,880 --> 00:48:33,759
Speaker 6: that experience or understanding of that with a sister, and

914
00:48:33,840 --> 00:48:36,560
Speaker 6: so I just kind of leaned in on like, well whatever,

915
00:48:36,719 --> 00:48:38,799
Speaker 6: you know, Quinn thinks like she's not going to try

916
00:48:38,800 --> 00:48:41,279
Speaker 6: to understand her. But it was such a different experience

917
00:48:41,320 --> 00:48:46,000
Speaker 6: watching it, you know, and seeing you and being like, wow,

918
00:48:46,560 --> 00:48:49,440
Speaker 6: this is stellar, Like this is so cool that I

919
00:48:49,680 --> 00:48:52,919
Speaker 6: know and I can see everything under the surface, even

920
00:48:52,960 --> 00:48:55,920
Speaker 6: if your reactions are this, you know, it's like I

921
00:48:56,000 --> 00:48:58,520
Speaker 6: know what, I know what this really is about. So

922
00:48:58,760 --> 00:49:01,200
Speaker 6: it was it was really beautiful.

923
00:49:01,560 --> 00:49:04,960
Speaker 4: And I think that that kind of speaks to where

924
00:49:05,000 --> 00:49:08,080
Speaker 4: we were at in life versus like where we are now,

925
00:49:08,120 --> 00:49:10,080
Speaker 4: and that I think it is a much younger, I

926
00:49:10,120 --> 00:49:13,799
Speaker 4: would say, less experienced, perhaps immature approach just to be

927
00:49:13,840 --> 00:49:17,080
Speaker 4: able to label someone with one word that person's a

928
00:49:17,120 --> 00:49:19,400
Speaker 4: bit yeah, and you get older and you have some

929
00:49:19,440 --> 00:49:22,000
Speaker 4: life experience and you're like, there's a lot more to

930
00:49:22,040 --> 00:49:26,040
Speaker 4: that story. Oh yeah, yeah, that is symptomatic of a

931
00:49:26,080 --> 00:49:28,480
Speaker 4: whole different thing going on, you know. So it's kind

932
00:49:28,480 --> 00:49:30,040
Speaker 4: of funny that, like back then when we were playing

933
00:49:30,040 --> 00:49:32,160
Speaker 4: it, it was like, oh, yeah, she's that's just who she is,

934
00:49:32,239 --> 00:49:34,839
Speaker 4: and now's adults were like, no, it's not no.

935
00:49:34,560 --> 00:49:34,960
Speaker 1: It's not.

936
00:49:47,880 --> 00:49:48,120
Speaker 6: Chan.

937
00:49:48,120 --> 00:49:52,799
Speaker 1: Tell do you remember what happens for Quinn after this,

938
00:49:52,960 --> 00:49:56,879
Speaker 1: like in the next few episodes, how the grief kind

939
00:49:56,920 --> 00:50:00,640
Speaker 1: of like, I mean, is she immediately just take Oh

940
00:50:00,719 --> 00:50:02,680
Speaker 1: Rob's laughing. Is this because the whole Katie thing?

941
00:50:02,960 --> 00:50:05,200
Speaker 4: Yes, laughing.

942
00:50:05,280 --> 00:50:06,520
Speaker 6: Yeah, we don't get to grieve.

943
00:50:06,640 --> 00:50:08,960
Speaker 1: We just do a rabbit hole of right.

944
00:50:09,320 --> 00:50:11,799
Speaker 6: How have we not talked about the fact that in

945
00:50:11,880 --> 00:50:14,600
Speaker 6: between all of this, Clay is off and this is

946
00:50:14,760 --> 00:50:19,560
Speaker 6: I didn't realize this was the birth of the Katie story.

947
00:50:19,920 --> 00:50:22,600
Speaker 6: Oh yeah, I was like I was kind of shocked

948
00:50:22,600 --> 00:50:24,600
Speaker 6: a little bit about it was like, oh my gosh,

949
00:50:24,800 --> 00:50:27,239
Speaker 6: like this is where it started. And then so like

950
00:50:28,120 --> 00:50:30,840
Speaker 6: we that was a totally different tangent. I don't even

951
00:50:31,840 --> 00:50:35,000
Speaker 6: I don't even remember having an episode, not that I

952
00:50:35,000 --> 00:50:38,160
Speaker 6: would remember all of it where Quinn is still grieving.

953
00:50:38,560 --> 00:50:42,279
Speaker 6: You know, I feel like we're just dumped into the

954
00:50:42,320 --> 00:50:47,120
Speaker 6: next tumble dryer of drama.

955
00:50:47,200 --> 00:50:50,360
Speaker 4: I know for sure you don't grieve in seven nineteen

956
00:50:50,520 --> 00:50:53,960
Speaker 4: because it's your gallery opening. So the entire focus is

957
00:50:54,000 --> 00:50:54,880
Speaker 4: the gallery opening.

958
00:50:55,080 --> 00:50:56,720
Speaker 1: That's the next episode.

959
00:50:56,320 --> 00:50:57,040
Speaker 4: That's the next one.

960
00:50:57,120 --> 00:51:00,200
Speaker 1: Yeah, oh my gosh.

961
00:50:59,760 --> 00:51:01,560
Speaker 4: So I don't. I mean, I think maybe at one

962
00:51:01,560 --> 00:51:03,239
Speaker 4: point it's like we may we think we may we

963
00:51:03,360 --> 00:51:05,640
Speaker 4: off handedly say like your mom, would I love this?

964
00:51:05,760 --> 00:51:06,200
Speaker 4: Or something?

965
00:51:06,480 --> 00:51:08,800
Speaker 1: We must be in that. Of course, it's an honor

966
00:51:08,840 --> 00:51:09,280
Speaker 1: of her.

967
00:51:09,600 --> 00:51:11,720
Speaker 4: Everything else just kind of moves moves forward.

968
00:51:11,880 --> 00:51:15,479
Speaker 1: Yeah, this Katie stuff happened so much faster. The fact

969
00:51:15,520 --> 00:51:18,319
Speaker 1: that she was in the second scene of the episode

970
00:51:19,280 --> 00:51:23,480
Speaker 1: was really with this random roommate who we never see again.

971
00:51:25,719 --> 00:51:30,560
Speaker 1: It was very strange. I don't know, I don't. I

972
00:51:30,760 --> 00:51:33,240
Speaker 1: don't like this. I don't like this storyline that's coming.

973
00:51:33,320 --> 00:51:34,239
Speaker 1: I don't like it.

974
00:51:35,040 --> 00:51:37,480
Speaker 4: No, it's I will also tell you I don't like

975
00:51:37,520 --> 00:51:40,319
Speaker 4: it either. I remember when they said you're you're going

976
00:51:40,400 --> 00:51:42,600
Speaker 4: to have a stalker, and I was like, cool, Yeah,

977
00:51:43,000 --> 00:51:44,640
Speaker 4: that's a fun reversal. The guy is going to get

978
00:51:44,680 --> 00:51:45,479
Speaker 4: stopped for a change.

979
00:51:45,560 --> 00:51:46,040
Speaker 1: Let's do it.

980
00:51:46,080 --> 00:51:48,800
Speaker 4: You know who you getting And they're like, great news,

981
00:51:50,320 --> 00:51:53,920
Speaker 4: we we got her back. Amanda Schule's coming back, and

982
00:51:54,040 --> 00:51:56,200
Speaker 4: like wait what, but don't worry, We're going to put

983
00:51:56,200 --> 00:51:58,239
Speaker 4: her in a wig for an episode or.

984
00:51:58,239 --> 00:52:00,480
Speaker 1: An episode then she'll her.

985
00:52:00,840 --> 00:52:03,840
Speaker 6: I mean, it was like, okay, guys.

986
00:52:03,320 --> 00:52:05,839
Speaker 4: It's just odd to me again. It's that she like

987
00:52:06,840 --> 00:52:10,200
Speaker 4: she's being scouted by agents, which means she is clearly

988
00:52:10,320 --> 00:52:14,520
Speaker 4: playing at a pretty high level. And she meets this

989
00:52:14,600 --> 00:52:18,840
Speaker 4: guy and somehow goes straight up cuckoo for cocoa puffs

990
00:52:19,480 --> 00:52:23,200
Speaker 4: and just decides like this is minuw everything. I agree

991
00:52:23,239 --> 00:52:25,440
Speaker 4: with you, Joy. The roommate was weird. I think it

992
00:52:25,440 --> 00:52:27,200
Speaker 4: would have been more effective if she was just talking

993
00:52:27,239 --> 00:52:30,960
Speaker 4: to herself. It would have explained this craziness.

994
00:52:30,480 --> 00:52:33,279
Speaker 1: Exactly exactly, because do we ever see this girl again?

995
00:52:34,040 --> 00:52:36,040
Speaker 4: Well, she in seven nineteen. Here's the funny thing. In

996
00:52:36,040 --> 00:52:38,520
Speaker 4: seven nineteen she talks to her in the room again,

997
00:52:38,560 --> 00:52:39,799
Speaker 4: but we don't even see her.

998
00:52:40,520 --> 00:52:40,960
Speaker 6: Oh.

999
00:52:41,280 --> 00:52:43,680
Speaker 1: I mean, I'd rather at least just be crazy right

1000
00:52:43,719 --> 00:52:45,840
Speaker 1: off the back, because otherwise, now she's got this person

1001
00:52:45,880 --> 00:52:48,480
Speaker 1: in her life who's enabling her crazy and then we

1002
00:52:48,600 --> 00:52:52,279
Speaker 1: never address that, which is strange.

1003
00:52:52,200 --> 00:52:54,200
Speaker 4: And then like the roommate should have been like eating

1004
00:52:54,239 --> 00:52:58,800
Speaker 4: paint chips, so you'd go like, oh, they're both clearly crazy, right, oh, Lauren,

1005
00:52:59,440 --> 00:53:02,520
Speaker 4: you know. But and the funniest thing was that at

1006
00:53:02,520 --> 00:53:06,560
Speaker 4: the end of the episode, after she has researched Clay

1007
00:53:06,760 --> 00:53:10,800
Speaker 4: and apparently even though there was zero people at Sarah's funeral,

1008
00:53:11,200 --> 00:53:14,440
Speaker 4: there is a page about her memorial where people are

1009
00:53:14,480 --> 00:53:18,799
Speaker 4: like miss you girl, rip queen, you know, and she

1010
00:53:19,080 --> 00:53:21,839
Speaker 4: found that she's dyed her hair, and then like, it's

1011
00:53:21,880 --> 00:53:25,080
Speaker 4: not already so obvious, we just brought the same actress back.

1012
00:53:25,600 --> 00:53:29,600
Speaker 4: She turns to the roommate who and she goes like, plus,

1013
00:53:29,600 --> 00:53:31,840
Speaker 4: I have a feeling. She takes off the towel, reveals

1014
00:53:31,880 --> 00:53:35,000
Speaker 4: Amanda Schule's hair. I'm his type, and then she kind

1015
00:53:35,000 --> 00:53:37,719
Speaker 4: of is in the exact same pose and does the

1016
00:53:37,760 --> 00:53:41,320
Speaker 4: same smile that's on the computer. And then the camera,

1017
00:53:41,440 --> 00:53:44,240
Speaker 4: as if it's not wildly clear to everyone in the audience,

1018
00:53:44,400 --> 00:53:48,319
Speaker 4: the camera pans to the computer like, see, don't they

1019
00:53:48,400 --> 00:53:51,640
Speaker 4: look alike? Yes, it's like hat on a hat. What

1020
00:53:51,719 --> 00:53:52,319
Speaker 4: are we doing?

1021
00:53:52,400 --> 00:53:55,400
Speaker 6: Guys? By the way, she's looking at a picture of

1022
00:53:55,440 --> 00:53:58,120
Speaker 6: herself as you know what I mean, She's like, we're

1023
00:53:58,160 --> 00:54:01,200
Speaker 6: just the same, Like really, Also.

1024
00:54:01,160 --> 00:54:04,759
Speaker 4: She had no moment of going, holy cow, I look

1025
00:54:05,040 --> 00:54:07,920
Speaker 4: exactly like his way, Like, she didn't balk at the

1026
00:54:07,960 --> 00:54:10,360
Speaker 4: fact that she might actually have an identical twin in

1027
00:54:10,360 --> 00:54:10,760
Speaker 4: the world.

1028
00:54:11,120 --> 00:54:14,719
Speaker 1: This was so badly done. I'm sorry. The fact that

1029
00:54:14,800 --> 00:54:17,479
Speaker 1: they could have, Like, if they're gonna do this for real,

1030
00:54:18,080 --> 00:54:19,839
Speaker 1: first of all, why not draw it out? Why not

1031
00:54:19,960 --> 00:54:23,640
Speaker 1: have her seem like a normal a normal girl made

1032
00:54:23,680 --> 00:54:26,080
Speaker 1: me actually Diemanda's hair brown, Like is it that hard?

1033
00:54:26,400 --> 00:54:29,520
Speaker 1: Can you not do like a rinse? Anyway, if they

1034
00:54:29,520 --> 00:54:31,719
Speaker 1: had to have Amanda back, could she not have had

1035
00:54:31,840 --> 00:54:35,520
Speaker 1: an accent or like a completely different personality, maybe some

1036
00:54:35,640 --> 00:54:38,520
Speaker 1: kind of something that they could have let her explore

1037
00:54:38,640 --> 00:54:42,239
Speaker 1: a different side of her acting abilities that she's clearly so,

1038
00:54:42,440 --> 00:54:46,480
Speaker 1: you know, she's so talented. And then why couldn't it

1039
00:54:46,520 --> 00:54:49,560
Speaker 1: have been a real slow burn, Like when you meet

1040
00:54:49,600 --> 00:54:52,400
Speaker 1: somebody who's a little off their rocker, you don't always

1041
00:54:52,400 --> 00:54:55,279
Speaker 1: notice it right away. You kind of think, like, this

1042
00:54:55,320 --> 00:54:58,279
Speaker 1: person's fun or they're a little wild, Just get like

1043
00:54:58,400 --> 00:55:02,040
Speaker 1: little clues here and there, and then eventually, maybe like

1044
00:55:02,120 --> 00:55:05,120
Speaker 1: six episodes in, she dyes her hair and like, oh,

1045
00:55:05,160 --> 00:55:07,200
Speaker 1: oh my god, that's right, you're oh, I'm so sorry.

1046
00:55:07,200 --> 00:55:09,000
Speaker 1: I didn't mean to is this is freaking you out?

1047
00:55:09,040 --> 00:55:11,000
Speaker 1: I can I can dye my hair back. I really

1048
00:55:11,040 --> 00:55:12,800
Speaker 1: didn't mean to freak out. I'm god, I'm so embarrassed.

1049
00:55:12,800 --> 00:55:16,880
Speaker 1: This is terrible, Like slow, make it creepy. Where's the

1050
00:55:16,960 --> 00:55:18,680
Speaker 1: hitchcock of it all? Where's the vertigo?

1051
00:55:19,280 --> 00:55:22,360
Speaker 4: Well that would acquire or require self awareness, which clearly

1052
00:55:22,440 --> 00:55:25,320
Speaker 4: she has absolutely none. She traded that in for more cuckoo.

1053
00:55:25,400 --> 00:55:28,239
Speaker 4: And like, there's a scene when we first reveal her

1054
00:55:28,239 --> 00:55:29,799
Speaker 4: and she turns herun on the tennis court. There's this

1055
00:55:29,920 --> 00:55:32,080
Speaker 4: there's the shot when we put cut back to Clay

1056
00:55:32,280 --> 00:55:35,719
Speaker 4: of him reacting and I remember just that was just

1057
00:55:35,840 --> 00:55:38,919
Speaker 4: Rob reacting to what was happening on the show, Like holy,

1058
00:55:39,280 --> 00:55:42,240
Speaker 4: we're actually doing this right now here we go okay,

1059
00:55:42,600 --> 00:55:45,959
Speaker 4: And then the fact that, like, you know, what would

1060
00:55:45,960 --> 00:55:48,439
Speaker 4: have made more sense is that Clay is just so

1061
00:55:48,560 --> 00:55:52,200
Speaker 4: caught off guard that he allows some sort of a

1062
00:55:52,400 --> 00:55:56,840
Speaker 4: romantic brief moment to happen, Like if there was anything

1063
00:55:56,880 --> 00:56:00,920
Speaker 4: that justified giving her a crumb, yeah, Because the thing

1064
00:56:00,960 --> 00:56:04,520
Speaker 4: that's weird is Clay is nothing but professional. He calls

1065
00:56:04,600 --> 00:56:06,240
Speaker 4: or he meets her in public to have a meeting.

1066
00:56:06,960 --> 00:56:09,520
Speaker 4: He quickly whether he was really interested or not doesn't matter.

1067
00:56:09,560 --> 00:56:11,799
Speaker 4: He quickly just goes, hey, I'm not your guy.

1068
00:56:12,239 --> 00:56:12,520
Speaker 6: Sorry.

1069
00:56:12,560 --> 00:56:12,840
Speaker 1: Yeah.

1070
00:56:12,920 --> 00:56:14,680
Speaker 4: She offers him a number. He goes, first of all,

1071
00:56:14,680 --> 00:56:16,799
Speaker 4: he should have said I have a girlfriend. Shame on you, Clay,

1072
00:56:16,800 --> 00:56:19,520
Speaker 4: but whatever. But then she offers the number, and he's like,

1073
00:56:19,800 --> 00:56:22,760
Speaker 4: ain't gonna happen, sister, I'm good. So it's odd.

1074
00:56:23,520 --> 00:56:25,520
Speaker 6: It's like, how do you just taking the number? Maybe

1075
00:56:25,560 --> 00:56:27,879
Speaker 6: had you just taken the number and been like, uh, yeah, okay,

1076
00:56:27,880 --> 00:56:29,520
Speaker 6: I'll deal with this later, you know what I mean?

1077
00:56:30,120 --> 00:56:33,000
Speaker 4: Yeah, And all she knows is like Clay's cute and

1078
00:56:33,040 --> 00:56:35,120
Speaker 4: he drives a nice car, and she's like that's enough

1079
00:56:35,160 --> 00:56:36,760
Speaker 4: for me to throw my whole life away.

1080
00:56:37,000 --> 00:56:38,120
Speaker 5: I'm in, We're getting married.

1081
00:56:38,160 --> 00:56:39,960
Speaker 6: On how women are I.

1082
00:56:39,920 --> 00:56:42,359
Speaker 4: Mean on this show occasionally and also the fact that

1083
00:56:42,600 --> 00:56:46,480
Speaker 4: because this is one of those ones where it's like

1084
00:56:46,520 --> 00:56:48,480
Speaker 4: the movie Home Alone, like if you've seen the People

1085
00:56:48,520 --> 00:56:50,960
Speaker 4: Redo it where like it's home Alone. But Kevin just

1086
00:56:50,960 --> 00:56:52,680
Speaker 4: picks up the phone and like calls the hotel and

1087
00:56:52,719 --> 00:56:54,640
Speaker 4: calls his mom, and it's like the movie's over in

1088
00:56:54,680 --> 00:56:55,600
Speaker 4: thirty five seconds.

1089
00:56:55,600 --> 00:56:55,799
Speaker 6: You know.

1090
00:56:56,320 --> 00:56:59,439
Speaker 4: This is one where it's like, I don't understand why

1091
00:56:59,520 --> 00:57:04,080
Speaker 4: Clayton go back to Quinn and absolutely download like, holy babe,

1092
00:57:04,400 --> 00:57:06,640
Speaker 4: you're never gonna believe this. Can I show you a picture?

1093
00:57:07,080 --> 00:57:10,080
Speaker 4: Like the fact The part that I bump on and

1094
00:57:10,200 --> 00:57:13,480
Speaker 4: it gets much worse than seven nineteen is that Clay

1095
00:57:13,560 --> 00:57:17,600
Speaker 4: treats it as if something inappropriate or untort has happened,

1096
00:57:18,040 --> 00:57:19,680
Speaker 4: and to the point where she shows up at the

1097
00:57:19,720 --> 00:57:24,280
Speaker 4: gallery and buya is a picture of Clay and Quinn goes, hey, Clay,

1098
00:57:24,280 --> 00:57:25,720
Speaker 4: I want to introduce you to the girl I'm gonna

1099
00:57:25,760 --> 00:57:28,160
Speaker 4: have to share you with, and Clay walks up and

1100
00:57:28,240 --> 00:57:30,040
Speaker 4: pretends like he hasn't met her.

1101
00:57:31,920 --> 00:57:34,160
Speaker 6: I need to watch them in nineteen, I don't remember

1102
00:57:34,200 --> 00:57:37,120
Speaker 6: that she came to the gallop and Quinn doesn't recognize her,

1103
00:57:37,160 --> 00:57:40,480
Speaker 6: Like Quinn hasn't poured over photos of Clay's dead ex wife.

1104
00:57:40,560 --> 00:57:43,520
Speaker 4: Yeah. No, one has a moment of going like quin

1105
00:57:43,560 --> 00:57:46,200
Speaker 4: should have one hundred percent gon like what the hell?

1106
00:57:46,280 --> 00:57:48,360
Speaker 4: Who is that? And then like Clay grabs her by

1107
00:57:48,360 --> 00:57:49,680
Speaker 4: the arm and he's like, what are you doing here?

1108
00:57:49,800 --> 00:57:51,720
Speaker 4: I told you like the way you would talk to

1109
00:57:51,800 --> 00:57:52,480
Speaker 4: a mistress.

1110
00:57:53,960 --> 00:57:57,000
Speaker 1: So it's like, buddy, God, guys, Suddy so.

1111
00:57:57,040 --> 00:57:59,360
Speaker 6: Joe, you asked if I was grieving. Obviously, I'm in

1112
00:57:59,440 --> 00:58:03,240
Speaker 6: such deep about my mother. I don't recognize this woman

1113
00:58:03,840 --> 00:58:07,440
Speaker 6: looks like his dad. I was just I can't, I can't.

1114
00:58:07,720 --> 00:58:09,360
Speaker 1: I mean, we need to come up with a drinking

1115
00:58:09,360 --> 00:58:11,640
Speaker 1: game for the next for this whole storyline. There has

1116
00:58:11,680 --> 00:58:14,120
Speaker 1: to be something for this Katie storyline that we can

1117
00:58:14,160 --> 00:58:16,520
Speaker 1: all take shots every time it happens. We're going to

1118
00:58:16,560 --> 00:58:17,120
Speaker 1: figure it out.

1119
00:58:17,480 --> 00:58:21,400
Speaker 6: This goes into like next season, doesn't it. It's true.

1120
00:58:21,480 --> 00:58:23,640
Speaker 1: I just remember walking on set that day. You guys

1121
00:58:23,640 --> 00:58:25,920
Speaker 1: were in some kind of hurricane and the house is

1122
00:58:25,960 --> 00:58:28,440
Speaker 1: but you know, like trying to escape her in the

1123
00:58:28,480 --> 00:58:30,680
Speaker 1: house in the rain. But we were shooting on set,

1124
00:58:30,840 --> 00:58:34,480
Speaker 1: so it was like inside the studio and I watched

1125
00:58:34,480 --> 00:58:37,440
Speaker 1: it for probably half an hour and was like, this

1126
00:58:37,480 --> 00:58:38,360
Speaker 1: is so crazy.

1127
00:58:38,400 --> 00:58:38,880
Speaker 4: I gotta go.

1128
00:58:40,240 --> 00:58:42,640
Speaker 6: She like locks me in the house and hunts me down.

1129
00:58:42,720 --> 00:58:44,440
Speaker 6: It's like a whole thing. She tries to kill me.

1130
00:58:44,520 --> 00:58:46,640
Speaker 6: We shot outside, we shot at the pool at the stage.

1131
00:58:46,920 --> 00:58:49,240
Speaker 6: But I feel like I don't I have to look.

1132
00:58:49,280 --> 00:58:51,520
Speaker 6: I wouldn't really not know, but I feel like this

1133
00:58:51,600 --> 00:58:56,880
Speaker 6: goes into something happens like my revenge happens like in

1134
00:58:57,080 --> 00:58:57,920
Speaker 6: season eight.

1135
00:58:59,000 --> 00:59:00,600
Speaker 1: Geez that long?

1136
00:59:01,080 --> 00:59:03,919
Speaker 4: Well I know that. Yeah, I think I remember how

1137
00:59:03,920 --> 00:59:05,800
Speaker 4: this season ends for Clay and Quinn.

1138
00:59:06,680 --> 00:59:08,560
Speaker 6: Well yeah, I remember how it ends too. But then

1139
00:59:08,600 --> 00:59:11,720
Speaker 6: there's like I come back and like avenge us in

1140
00:59:11,960 --> 00:59:12,720
Speaker 6: eight with her.

1141
00:59:13,160 --> 00:59:14,680
Speaker 4: I couldn't remember that at all.

1142
00:59:15,560 --> 00:59:17,200
Speaker 1: Chantal, Did you and Amanda have fun?

1143
00:59:17,880 --> 00:59:20,240
Speaker 6: Yeah? We did, I mean, of course, you know, like

1144
00:59:20,320 --> 00:59:24,440
Speaker 6: we had. I mean, Amanda's just great. You know, we've

1145
00:59:24,480 --> 00:59:27,920
Speaker 6: seen her like in subsequent years and stuff, and it

1146
00:59:28,000 --> 00:59:31,440
Speaker 6: really was. I mean, it's difficult, I think, to play

1147
00:59:32,040 --> 00:59:36,160
Speaker 6: any villain and she's actually just such a lovely human

1148
00:59:36,200 --> 00:59:39,120
Speaker 6: being that God the hell were we going to do

1149
00:59:39,200 --> 00:59:41,280
Speaker 6: this one? But a lot of the stuff was so

1150
00:59:41,800 --> 00:59:44,640
Speaker 6: intense with her, and I like, you know, once we

1151
00:59:45,320 --> 00:59:49,960
Speaker 6: like actually realize what she's doing and she's she's great.

1152
00:59:50,320 --> 00:59:53,840
Speaker 6: You know. I felt lucky to like get to do

1153
00:59:53,960 --> 00:59:57,000
Speaker 6: such intense stuff with somebody that we had fun with.

1154
00:59:57,960 --> 00:59:58,439
Speaker 1: That's good.

1155
00:59:59,040 --> 01:00:00,920
Speaker 4: Yeah, Katie's one of those roles you have to go

1156
01:00:01,040 --> 01:00:04,520
Speaker 4: all in on and you can't. You can't hedge or

1157
01:00:04,560 --> 01:00:06,200
Speaker 4: worry about the way you look. You know, you just

1158
01:00:06,240 --> 01:00:09,440
Speaker 4: have to go go full psycho. Yeah, you know, which

1159
01:00:10,440 --> 01:00:12,880
Speaker 4: is very It's a far cry from who Amanda schul is,

1160
01:00:12,920 --> 01:00:16,240
Speaker 4: but she, to her credit, man she she went in

1161
01:00:16,480 --> 01:00:20,880
Speaker 4: to committed them what they wrote.

1162
01:00:19,400 --> 01:00:22,160
Speaker 6: That this is like in the midst of this episode,

1163
01:00:22,240 --> 01:00:25,560
Speaker 6: there is I guess, you know, sometimes I feel like

1164
01:00:25,600 --> 01:00:28,920
Speaker 6: we were always in our own storyline or whatever was happening,

1165
01:00:28,960 --> 01:00:31,000
Speaker 6: and we wouldn't be shooting on the same days. So

1166
01:00:32,200 --> 01:00:34,800
Speaker 6: when I watch, I'm like, oh my gosh, there's so

1167
01:00:35,040 --> 01:00:39,720
Speaker 6: much happening in everybody's life that they had to wasn't

1168
01:00:39,800 --> 01:00:42,200
Speaker 6: like they had a dedicated episode of every scene was,

1169
01:00:42,640 --> 01:00:46,880
Speaker 6: you know, our mother passing. So it's just so crazy

1170
01:00:46,920 --> 01:00:49,200
Speaker 6: to look back and be like, oh, cool, while mom

1171
01:00:49,360 --> 01:00:53,520
Speaker 6: was dying, you know, Clays out meeting the stalker that

1172
01:00:53,680 --> 01:00:56,480
Speaker 6: you know, we're going to jump into that storyline.

1173
01:00:56,880 --> 01:00:58,800
Speaker 1: Oh that's right, Yeah, so great.

1174
01:00:59,040 --> 01:01:04,280
Speaker 4: How about Mouth and Miss Lauren because I have big

1175
01:01:04,320 --> 01:01:06,960
Speaker 4: feelings around this. So what you don't know is at

1176
01:01:06,960 --> 01:01:09,880
Speaker 4: the end of seven seventeen it ended. So they've been

1177
01:01:09,880 --> 01:01:14,520
Speaker 4: doing this very weird dance now skills left for la

1178
01:01:14,720 --> 01:01:18,640
Speaker 4: earlier this season. So he and Miss Lauren just sort

1179
01:01:18,640 --> 01:01:21,760
Speaker 4: of broke up like it was this weird thing, and

1180
01:01:21,760 --> 01:01:23,840
Speaker 4: then we find out that they're like not even talking

1181
01:01:24,200 --> 01:01:27,520
Speaker 4: it's odd, and then like she just starts coming out

1182
01:01:27,560 --> 01:01:30,200
Speaker 4: and of course Millie had her terrible after school special

1183
01:01:30,240 --> 01:01:34,680
Speaker 4: drug story. So they broke up and and Miss Lauren

1184
01:01:34,920 --> 01:01:37,040
Speaker 4: just kind of start hanging out. And it was one

1185
01:01:37,040 --> 01:01:38,800
Speaker 4: of those ones where every time I watched a scene,

1186
01:01:38,840 --> 01:01:41,920
Speaker 4: I kept thinking, oh, are they about to kiss, because

1187
01:01:41,960 --> 01:01:44,360
Speaker 4: like I don't remember, you know, but the vibe is

1188
01:01:44,480 --> 01:01:47,400
Speaker 4: very like, what's happening in this room right now. So

1189
01:01:47,480 --> 01:01:52,520
Speaker 4: the way episode seven seventeen ended was with mouth saying

1190
01:01:52,560 --> 01:01:54,480
Speaker 4: to someone because there was a bunch of there was

1191
01:01:54,480 --> 01:01:56,400
Speaker 4: a whole through line of like seize the day, go

1192
01:01:56,960 --> 01:01:59,120
Speaker 4: after what you want, and so there was this misdirective

1193
01:01:59,160 --> 01:02:01,040
Speaker 4: mouth going like I want I want to date you,

1194
01:02:01,120 --> 01:02:02,720
Speaker 4: I want to take you out on a date. The

1195
01:02:02,840 --> 01:02:05,440
Speaker 4: reveal was he wasn't saying that to Millie. He was

1196
01:02:05,480 --> 01:02:08,040
Speaker 4: saying that to Miss Lauren. So at the top of

1197
01:02:08,080 --> 01:02:12,400
Speaker 4: this episode, I was bummed that it opened with him

1198
01:02:12,440 --> 01:02:18,080
Speaker 4: being like, oh, yeah, sorry, I was drunk, and yeah

1199
01:02:17,600 --> 01:02:21,240
Speaker 4: I was. First for a brief period, I was disappointed

1200
01:02:21,240 --> 01:02:23,640
Speaker 4: because it's like, we've been planting these seeds for like

1201
01:02:23,920 --> 01:02:26,120
Speaker 4: half a season. What are we doing with these two?

1202
01:02:26,400 --> 01:02:28,000
Speaker 4: And she's like, I'd rather be your wing man than

1203
01:02:28,000 --> 01:02:30,000
Speaker 4: your rebound. I'm like, all right, I respect that, I

1204
01:02:30,120 --> 01:02:30,600
Speaker 4: get that.

1205
01:02:30,720 --> 01:02:33,240
Speaker 1: But also they're out, like they're already out, didn't the

1206
01:02:33,280 --> 01:02:36,080
Speaker 1: when did this conversation? Like this kind of stuff always

1207
01:02:36,160 --> 01:02:38,680
Speaker 1: drives me crazy in a show when you're like, okay,

1208
01:02:38,680 --> 01:02:40,280
Speaker 1: but how did you get from point A to point

1209
01:02:40,280 --> 01:02:41,640
Speaker 1: B without having this conversation?

1210
01:02:41,760 --> 01:02:45,560
Speaker 4: First, clearly they drove separate cars, joy clear.

1211
01:02:45,560 --> 01:02:47,400
Speaker 1: So he asked her to go out with him. She

1212
01:02:47,520 --> 01:02:49,560
Speaker 1: just stood there staring at him at the door. And

1213
01:02:49,600 --> 01:02:53,640
Speaker 1: then what happened between that moment and now they're suddenly

1214
01:02:53,680 --> 01:02:57,720
Speaker 1: walking through Mayfair like the shopping center in Wilmington. They've

1215
01:02:57,720 --> 01:03:02,560
Speaker 1: got they've picked up food, So something happened. They're hanging out.

1216
01:03:03,000 --> 01:03:04,880
Speaker 4: You're totally right. I didn't even think about the night

1217
01:03:04,920 --> 01:03:08,280
Speaker 4: when it happened. Anyway, Oh wow, that's weird. Well we

1218
01:03:08,640 --> 01:03:10,920
Speaker 4: do get a bit of a payoff though, because later

1219
01:03:10,960 --> 01:03:14,400
Speaker 4: in the episode, Miss Lauren shows up at the apartment

1220
01:03:14,960 --> 01:03:18,120
Speaker 4: and she kiss his mouth and I'm like, let's go.

1221
01:03:18,400 --> 01:03:28,560
Speaker 4: This is exciting, and then Skills walks in the room. Okay,

1222
01:03:28,840 --> 01:03:30,840
Speaker 4: how did how did yeah?

1223
01:03:30,880 --> 01:03:33,400
Speaker 1: Did he in the suitcases? I feel like he was

1224
01:03:33,440 --> 01:03:35,080
Speaker 1: had with like a coke I feel like he just

1225
01:03:35,120 --> 01:03:38,760
Speaker 1: had a styrophoam cup and like something in his hands.

1226
01:03:39,120 --> 01:03:42,280
Speaker 4: So funny. Also the fact that they were their their

1227
01:03:42,440 --> 01:03:46,920
Speaker 4: entrances were spaced out by about twelve seconds. So I

1228
01:03:46,960 --> 01:03:48,880
Speaker 4: just love the fact that like they didn't see each

1229
01:03:48,880 --> 01:03:53,640
Speaker 4: other well opposite stairwells. She stopped to send a text message.

1230
01:03:54,360 --> 01:03:58,880
Speaker 4: But uh, it was fun writing that. I found myself going, yeah,

1231
01:03:59,040 --> 01:04:01,600
Speaker 4: all right, let's expe this, and then immediately it's like,

1232
01:04:01,960 --> 01:04:03,520
Speaker 4: and here's the crimp in that plan.

1233
01:04:04,720 --> 01:04:07,920
Speaker 1: Yeah. I don't know. I don't know what's going to happen.

1234
01:04:08,040 --> 01:04:11,560
Speaker 1: I think I think the whole thing feels a little

1235
01:04:11,600 --> 01:04:13,760
Speaker 1: daycopoged together and I.

1236
01:04:13,640 --> 01:04:16,720
Speaker 4: Wish does that mean piece together like randomly?

1237
01:04:16,880 --> 01:04:19,160
Speaker 1: Yeah, you know, it's like messy glue.

1238
01:04:20,160 --> 01:04:22,320
Speaker 4: You don't know fashion words.

1239
01:04:24,520 --> 01:04:27,120
Speaker 1: No, it's glue. It's glue and like little pieces of

1240
01:04:27,120 --> 01:04:30,080
Speaker 1: cuts of pieces of paper that are cut up. Okay,

1241
01:04:30,080 --> 01:04:32,520
Speaker 1: thank you, we did it in like fourth grade, No

1242
01:04:33,080 --> 01:04:34,320
Speaker 1: did decopaj. Thanks.

1243
01:04:34,440 --> 01:04:36,200
Speaker 4: I went to public school, Lindsay. I don't think we

1244
01:04:36,280 --> 01:04:40,480
Speaker 4: used any frenchy decopaj.

1245
01:04:39,960 --> 01:04:41,920
Speaker 1: Okay, poster plasta. I don't know if.

1246
01:04:42,880 --> 01:04:47,720
Speaker 4: Dumb it down for the guys on the podcast, but.

1247
01:04:47,720 --> 01:04:50,280
Speaker 1: I liked that they had skills walk in. I think

1248
01:04:50,280 --> 01:04:52,200
Speaker 1: that it'll be interesting to see what happens. I just

1249
01:04:52,200 --> 01:04:54,640
Speaker 1: wish I believed it more. I wish I was more invested,

1250
01:04:55,040 --> 01:04:55,520
Speaker 1: that's all.

1251
01:04:56,160 --> 01:04:58,200
Speaker 6: I love how Rob is invested though, I mean he

1252
01:04:58,320 --> 01:04:59,480
Speaker 6: was like waiting.

1253
01:04:59,120 --> 01:05:02,240
Speaker 4: For this kissed Yeah, and I will tell you joy

1254
01:05:02,280 --> 01:05:06,960
Speaker 4: having watched the I've watched nineteen and so I have,

1255
01:05:07,280 --> 01:05:09,960
Speaker 4: we're gonna have a much larger discussion about it because

1256
01:05:10,720 --> 01:05:13,240
Speaker 4: more stuff goes down and I have a hot take.

1257
01:05:13,400 --> 01:05:17,320
Speaker 4: So there's your teaser for next episode. Listener, tune in

1258
01:05:17,320 --> 01:05:20,000
Speaker 4: to hear Mighana Soapbox about Miss Lauren and Mouth.

1259
01:05:20,520 --> 01:05:23,600
Speaker 1: I can't wait. Well, okay, we have a couple things

1260
01:05:23,640 --> 01:05:26,360
Speaker 1: before we wrap up the episode. We've got a listener question.

1261
01:05:26,440 --> 01:05:28,400
Speaker 1: This is from Tina, and she wants to know if

1262
01:05:28,400 --> 01:05:30,400
Speaker 1: you had to pick a reality show to be on,

1263
01:05:30,760 --> 01:05:33,760
Speaker 1: what show would you choose? The Great British Baking Show?

1264
01:05:33,800 --> 01:05:35,200
Speaker 1: Even though I can't bake, I would want to be

1265
01:05:35,240 --> 01:05:37,240
Speaker 1: on that show. I also might go on Love is

1266
01:05:37,240 --> 01:05:39,040
Speaker 1: Blind because I think that's hilarious.

1267
01:05:39,360 --> 01:05:45,640
Speaker 6: I would want to host f Boy Island so good.

1268
01:05:45,720 --> 01:05:47,920
Speaker 6: I mean, listen, I can't host because I think that

1269
01:05:48,280 --> 01:05:51,040
Speaker 6: Nikki who hosted is amazing and she's wonderful. But like

1270
01:05:51,560 --> 01:05:54,160
Speaker 6: I just I fell in love with watching f Boy

1271
01:05:54,200 --> 01:05:56,840
Speaker 6: Island because this is this character study of like the

1272
01:05:57,000 --> 01:06:00,720
Speaker 6: new generation that I'm no longer a part of because

1273
01:06:00,760 --> 01:06:03,480
Speaker 6: I'm not going to I'm like, thank god, I don't

1274
01:06:03,520 --> 01:06:06,160
Speaker 6: have to date nowadays. This is like when you're in

1275
01:06:06,200 --> 01:06:08,960
Speaker 6: your twenties. This is terrible. So yeah, I would just

1276
01:06:09,000 --> 01:06:11,280
Speaker 6: want to like go host, you know, I wouldn't want

1277
01:06:11,280 --> 01:06:11,880
Speaker 6: to be on it.

1278
01:06:13,680 --> 01:06:17,040
Speaker 7: Lindsey the question if you didn't reality show question, No,

1279
01:06:17,160 --> 01:06:21,200
Speaker 7: I just say no. I would just say no. So

1280
01:06:21,280 --> 01:06:23,640
Speaker 7: many of them are so filled with drama. I would

1281
01:06:23,680 --> 01:06:28,960
Speaker 7: just like my nervous system would just shut down. But

1282
01:06:29,240 --> 01:06:30,840
Speaker 7: I think now that I've done a lot of like

1283
01:06:31,040 --> 01:06:34,040
Speaker 7: construction and home decorating and stuff, I was like, man,

1284
01:06:34,080 --> 01:06:36,760
Speaker 7: I should have just been filming all of this, Yes,

1285
01:06:37,840 --> 01:06:40,400
Speaker 7: scent it out and done that kind of reality show.

1286
01:06:40,520 --> 01:06:41,400
Speaker 7: That would be kind of cool.

1287
01:06:41,680 --> 01:06:46,480
Speaker 1: You could and you should do it. Robert.

1288
01:06:47,040 --> 01:06:51,840
Speaker 4: I think, listen, if summer's approaching, it's obviously going to

1289
01:06:51,880 --> 01:06:53,920
Speaker 4: be Survivor because there's no better way to get that

1290
01:06:53,960 --> 01:06:55,960
Speaker 4: hot summer mood than three weeks of starvation.

1291
01:06:56,920 --> 01:06:59,000
Speaker 5: I love Survivor by the way. We're just watching it

1292
01:06:59,080 --> 01:06:59,520
Speaker 5: last night.

1293
01:07:00,200 --> 01:07:02,480
Speaker 4: Yeah, it's our show here, so every week, I mean, listen,

1294
01:07:02,520 --> 01:07:05,440
Speaker 4: it's that show is difficult.

1295
01:07:05,600 --> 01:07:06,680
Speaker 6: What season are they on?

1296
01:07:07,480 --> 01:07:09,800
Speaker 4: We're watching forty six right now, but there's at least

1297
01:07:10,040 --> 01:07:12,320
Speaker 4: four we haven't seen, so they've they've done.

1298
01:07:12,680 --> 01:07:16,520
Speaker 7: Easy is like eighty years old by now, still looks,

1299
01:07:16,880 --> 01:07:18,000
Speaker 7: still look amazing.

1300
01:07:19,040 --> 01:07:21,680
Speaker 4: But I think I just I watched the show, and

1301
01:07:21,720 --> 01:07:23,760
Speaker 4: I know every when you hear contestants say it, they're like,

1302
01:07:23,800 --> 01:07:25,919
Speaker 4: it's so much easier to watch the show, like, because

1303
01:07:25,960 --> 01:07:28,320
Speaker 4: I was thinking about, like, could you imagine not there's

1304
01:07:28,320 --> 01:07:31,520
Speaker 4: a tribe right now it's like historically bad. They haven't

1305
01:07:31,520 --> 01:07:36,040
Speaker 4: had fire for ten days. They've been only eating coconuts

1306
01:07:36,120 --> 01:07:40,520
Speaker 4: for ten days, and they're not sleeping. Can you imagine

1307
01:07:40,560 --> 01:07:44,360
Speaker 4: what version of yourself you would do after no sleep

1308
01:07:44,600 --> 01:07:48,240
Speaker 4: and no food for ten days and you're losing every challenge.

1309
01:07:48,880 --> 01:07:51,120
Speaker 4: I would be the worst talking head because I would

1310
01:07:51,160 --> 01:07:55,400
Speaker 4: either just be crying hysterically or I would be pure vitual.

1311
01:07:55,800 --> 01:07:57,000
Speaker 4: It would be terrible.

1312
01:07:57,200 --> 01:07:59,560
Speaker 6: Have you guys ever watched the one I'm obsessed with?

1313
01:08:00,720 --> 01:08:04,200
Speaker 6: And yeah, you know, and I'm upset, Like they film

1314
01:08:04,280 --> 01:08:07,640
Speaker 6: themselves and there are times they like make puppets, like

1315
01:08:07,960 --> 01:08:11,880
Speaker 6: just like Wilson, Yes, just like Wilson, but they make

1316
01:08:11,920 --> 01:08:15,160
Speaker 6: puppets or they've painted their faces or and I'm like,

1317
01:08:15,560 --> 01:08:17,600
Speaker 6: because they're alone. And at the beginning, I was like,

1318
01:08:17,640 --> 01:08:19,400
Speaker 6: oh my gosh, I would love this, Like I'm such

1319
01:08:19,400 --> 01:08:23,040
Speaker 6: a hermit crab alone would I would totally wouldn't survive,

1320
01:08:23,400 --> 01:08:24,160
Speaker 6: but I would.

1321
01:08:24,040 --> 01:08:24,640
Speaker 1: Love to do this.

1322
01:08:25,360 --> 01:08:28,080
Speaker 6: And then you know, you get into like a few

1323
01:08:28,080 --> 01:08:31,160
Speaker 6: episodes and you're like, I don't think people were ever

1324
01:08:31,240 --> 01:08:35,479
Speaker 6: meant to be alone, like actually really truly sequestered, because

1325
01:08:35,800 --> 01:08:37,759
Speaker 6: almost all of them go a little cuckoo.

1326
01:08:38,280 --> 01:08:41,519
Speaker 1: Yeah, that's a little crazy. I'm going to change my answer. Though,

1327
01:08:41,960 --> 01:08:44,600
Speaker 1: History's Mysteries, You guys are inspiring me. The more that

1328
01:08:44,640 --> 01:08:46,040
Speaker 1: I think I would want to go do some kind

1329
01:08:46,040 --> 01:08:48,120
Speaker 1: of histories mystery show where I get to go like

1330
01:08:48,760 --> 01:08:53,240
Speaker 1: explore places that have to do with historical archaeological sites

1331
01:08:53,280 --> 01:08:56,040
Speaker 1: and find out things about history that we never knew.

1332
01:08:56,240 --> 01:08:57,320
Speaker 1: I think that would be really fun.

1333
01:08:57,320 --> 01:08:59,240
Speaker 6: And I try to choose that over being on Love

1334
01:08:59,400 --> 01:08:59,719
Speaker 6: is Blind.

1335
01:09:01,200 --> 01:09:05,400
Speaker 1: That's a tough one. Yes, absolutely, yes, sign me up

1336
01:09:05,439 --> 01:09:05,920
Speaker 1: to travel.

1337
01:09:06,200 --> 01:09:07,760
Speaker 4: I would you know, if we're gonna change answers, I

1338
01:09:07,800 --> 01:09:11,160
Speaker 4: would say if I was hosting a show anything food related,

1339
01:09:11,400 --> 01:09:16,000
Speaker 4: like phit me on Great British Bakeoff, Iron Chef. I mean,

1340
01:09:16,520 --> 01:09:17,559
Speaker 4: I'll even do beat Body.

1341
01:09:18,640 --> 01:09:21,320
Speaker 6: I'll do the Great British Gluten Free Bake Off. I'll

1342
01:09:21,320 --> 01:09:24,639
Speaker 6: do I mean where I can have all the gluten

1343
01:09:24,720 --> 01:09:27,280
Speaker 6: free treats that people try to make. I'm down.

1344
01:09:40,320 --> 01:09:41,759
Speaker 1: Okay, do we want to spin a wheel?

1345
01:09:41,960 --> 01:09:42,759
Speaker 4: Let's spin a wheel?

1346
01:09:43,000 --> 01:09:44,160
Speaker 5: What is spinning a wheel?

1347
01:09:44,600 --> 01:09:46,280
Speaker 4: You're about to find out. Lindsay mckinnons.

1348
01:09:46,280 --> 01:09:48,080
Speaker 1: You know, in high school when they have the most

1349
01:09:48,160 --> 01:09:50,960
Speaker 1: Likely Too's at the end of the year book. All right,

1350
01:09:51,000 --> 01:09:53,920
Speaker 1: so this is our most likely too. So you choose

1351
01:09:54,520 --> 01:09:57,240
Speaker 1: who in real life of our cast, and then who

1352
01:09:57,680 --> 01:10:01,360
Speaker 1: of the characters in the in the cast are most

1353
01:10:01,400 --> 01:10:08,080
Speaker 1: likely to host their own talk show. That's really funny.

1354
01:10:07,080 --> 01:10:11,439
Speaker 4: Well listen, I mean Dan Scott's the layup answer for characters, right.

1355
01:10:11,640 --> 01:10:13,920
Speaker 1: Yes, for sure, I think Mouth could come in a

1356
01:10:13,960 --> 01:10:17,160
Speaker 1: hot second place. I could see Mouth hosting his own

1357
01:10:17,200 --> 01:10:20,880
Speaker 1: talk show. Yes, yeah, I mean I don't know in

1358
01:10:20,960 --> 01:10:22,240
Speaker 1: real life.

1359
01:10:22,640 --> 01:10:25,519
Speaker 6: I mean, in real life it's Robbed Come on, give

1360
01:10:25,560 --> 01:10:26,280
Speaker 6: me both of you.

1361
01:10:28,320 --> 01:10:31,800
Speaker 4: Joy. Would you want to No?

1362
01:10:31,800 --> 01:10:35,880
Speaker 1: No, I didn't. I just did. Kelly Clarkson and I

1363
01:10:35,920 --> 01:10:40,400
Speaker 1: haven't done anything that's that fast paced before. Like I'm

1364
01:10:40,400 --> 01:10:43,920
Speaker 1: more of a drop in conversation. And I realized leaving

1365
01:10:44,000 --> 01:10:45,640
Speaker 1: that it was the first show I'd ever done that

1366
01:10:45,760 --> 01:10:48,000
Speaker 1: was that, like, you have to just get your thing

1367
01:10:48,040 --> 01:10:50,840
Speaker 1: out in soundbites. It's got you have five minutes to

1368
01:10:50,880 --> 01:10:53,040
Speaker 1: say everything that you need to say, and it is

1369
01:10:53,080 --> 01:10:56,960
Speaker 1: a skill that I don't have. And to have multiple

1370
01:10:57,000 --> 01:11:00,479
Speaker 1: people come in throughout an entire day and you shooting

1371
01:11:00,520 --> 01:11:03,160
Speaker 1: for you do two episodes a day is what she does,

1372
01:11:03,200 --> 01:11:06,559
Speaker 1: I think, and you get like three to five minutes

1373
01:11:06,600 --> 01:11:10,120
Speaker 1: with each person. That just sounds miserable to me. It's

1374
01:11:10,160 --> 01:11:12,599
Speaker 1: like all small talk all day long. I couldn't do it.

1375
01:11:12,960 --> 01:11:15,839
Speaker 6: But Rob does such a good job of I always

1376
01:11:15,960 --> 01:11:19,120
Speaker 6: found this from like day one of meeting. You like

1377
01:11:19,360 --> 01:11:23,919
Speaker 6: the references that you can pull from years and years

1378
01:11:23,960 --> 01:11:27,680
Speaker 6: even before you were born, and then you like definitely

1379
01:11:27,760 --> 01:11:29,840
Speaker 6: make jokes and sound bites. I'm like, it is a

1380
01:11:30,000 --> 01:11:32,840
Speaker 6: skill that I don't have either. I'm like a long

1381
01:11:32,920 --> 01:11:37,080
Speaker 6: winded take you on a journey, yeah, I mean you'll

1382
01:11:37,160 --> 01:11:40,000
Speaker 6: end up at the answer somewhere. But like Rob is

1383
01:11:40,040 --> 01:11:42,920
Speaker 6: so good, You're so good at like the comedy, but

1384
01:11:42,960 --> 01:11:45,280
Speaker 6: then having the heart and you know, the sound bite

1385
01:11:45,280 --> 01:11:49,200
Speaker 6: moments and you know, looping in historical things about boys

1386
01:11:49,240 --> 01:11:54,320
Speaker 6: to men, even though you know whatever the historical moments.

1387
01:11:54,479 --> 01:11:57,400
Speaker 1: Boy that you just combined those two things in a sentence,

1388
01:11:57,439 --> 01:11:58,880
Speaker 1: This is my favorite history.

1389
01:11:58,600 --> 01:11:59,360
Speaker 5: From the nineties.

1390
01:12:00,280 --> 01:12:02,280
Speaker 4: Well, thank you for saying that. I give all the

1391
01:12:02,320 --> 01:12:04,160
Speaker 4: credit to high functioning anxiety.

1392
01:12:04,720 --> 01:12:07,120
Speaker 5: There you go, there you go.

1393
01:12:07,520 --> 01:12:10,760
Speaker 4: Yeah, childhood trauma and high functioning anxiety.

1394
01:12:11,160 --> 01:12:11,559
Speaker 1: Oh yeah.

1395
01:12:11,600 --> 01:12:15,000
Speaker 4: So we also do an honorable mention, which is just

1396
01:12:16,120 --> 01:12:18,639
Speaker 4: sort of like your shout out of the one thing

1397
01:12:18,640 --> 01:12:21,080
Speaker 4: you really liked the episode. Maybe, yeah, your favorite, your

1398
01:12:21,080 --> 01:12:23,439
Speaker 4: favorite takeaway. Maybe it's something we haven't discussed as much.

1399
01:12:25,720 --> 01:12:28,720
Speaker 6: I mean, honorable mention for me is to mom like

1400
01:12:28,800 --> 01:12:31,960
Speaker 6: she was, like you said, she was the glue. She

1401
01:12:32,160 --> 01:12:34,519
Speaker 6: was the glue of it all that and I could

1402
01:12:34,600 --> 01:12:37,599
Speaker 6: see us all looking like sisters, and that was our

1403
01:12:37,600 --> 01:12:41,519
Speaker 6: mom and she was our glue. So that's my honorable mention.

1404
01:12:42,439 --> 01:12:46,439
Speaker 1: I love that. Well, I mean, I've complimented both of

1405
01:12:46,479 --> 01:12:50,559
Speaker 1: you enough to say that you both did an exceptional

1406
01:12:50,640 --> 01:12:55,240
Speaker 1: job in this episode through all the grief and everything

1407
01:12:55,240 --> 01:12:58,320
Speaker 1: that we had to process through. So I'll give my

1408
01:12:58,400 --> 01:13:03,400
Speaker 1: honorable mention then to yourself to Jana Kramer. Can you

1409
01:13:03,439 --> 01:13:10,760
Speaker 1: imagine to myself to Jana? She she always surprises me.

1410
01:13:10,880 --> 01:13:13,760
Speaker 1: She's one of those another one of those actors where

1411
01:13:13,920 --> 01:13:16,439
Speaker 1: you never quite know what to expect. It's a different

1412
01:13:16,560 --> 01:13:19,839
Speaker 1: type of unpredictability because of the nature of the character.

1413
01:13:20,320 --> 01:13:26,559
Speaker 1: But she was much more grounded in this episode. Uh,

1414
01:13:26,880 --> 01:13:30,360
Speaker 1: this character was so much more. She just keeps dropping

1415
01:13:30,400 --> 01:13:33,400
Speaker 1: into better and better versions of herself. And I think

1416
01:13:33,479 --> 01:13:37,519
Speaker 1: Jane has been really masterful at that arc, going from

1417
01:13:37,520 --> 01:13:40,639
Speaker 1: someone who started out almost as wild and crazy as

1418
01:13:40,800 --> 01:13:46,880
Speaker 1: our friend Katie to going you know, much more mellowing out,

1419
01:13:46,960 --> 01:13:53,040
Speaker 1: going through her own dramatic grief trauma journey and finding

1420
01:13:53,080 --> 01:13:56,960
Speaker 1: herself into a place of like some semblance of peace.

1421
01:13:57,200 --> 01:13:59,840
Speaker 1: And I'm really enjoying watching her. Every time she doesn't screen,

1422
01:13:59,840 --> 01:14:01,000
Speaker 1: it's like getting better and better.

1423
01:14:01,960 --> 01:14:04,000
Speaker 4: Yeah, she's great. It's been nice to see her get

1424
01:14:04,040 --> 01:14:06,320
Speaker 4: to have levels, you know, because initially it was just

1425
01:14:06,680 --> 01:14:09,160
Speaker 4: the only two speeds were high high and low low.

1426
01:14:09,320 --> 01:14:11,040
Speaker 4: You know, it was very manic with her and that's

1427
01:14:11,040 --> 01:14:12,559
Speaker 4: so tough to play. And now that she gets to

1428
01:14:12,600 --> 01:14:16,400
Speaker 4: do some smaller stuff, you know, you see that she's very,

1429
01:14:16,520 --> 01:14:19,559
Speaker 4: very good you know, she brings it my honorable mention.

1430
01:14:20,280 --> 01:14:21,720
Speaker 4: I know we've talked about at Land, but it would

1431
01:14:21,760 --> 01:14:25,400
Speaker 4: be the quartet of the James Women. I'd say, the

1432
01:14:25,479 --> 01:14:28,000
Speaker 4: three of you and Best. I mean, you guys are

1433
01:14:28,080 --> 01:14:32,519
Speaker 4: this whole episode and everyone brought it. It was all

1434
01:14:32,640 --> 01:14:35,800
Speaker 4: so good. It was also just so grounded. None of

1435
01:14:35,840 --> 01:14:38,120
Speaker 4: it felt like it was a push or a pull.

1436
01:14:38,200 --> 01:14:40,599
Speaker 4: It all felt like like the you know, the audience

1437
01:14:40,640 --> 01:14:43,880
Speaker 4: got to come to you and it was believable. And

1438
01:14:43,920 --> 01:14:46,240
Speaker 4: like I said, I think there's so many entry points

1439
01:14:46,240 --> 01:14:49,640
Speaker 4: for people to relate their own experiences of grief and

1440
01:14:49,720 --> 01:14:53,479
Speaker 4: loss between the three of you and then just the

1441
01:14:53,479 --> 01:14:55,720
Speaker 4: way Best played it. So yeah, man, hats off to

1442
01:14:55,760 --> 01:14:57,080
Speaker 4: the four of you. Y'all crushed it.

1443
01:14:57,520 --> 01:14:59,840
Speaker 5: Thanks working with you girls too.

1444
01:15:00,040 --> 01:15:03,080
Speaker 7: Like I always felt good about our scenes and what

1445
01:15:03,280 --> 01:15:05,600
Speaker 7: was being brought to the scenes and the openness and

1446
01:15:05,640 --> 01:15:09,479
Speaker 7: the willingness to play and feel and all of that.

1447
01:15:10,000 --> 01:15:13,799
Speaker 7: You know, sometimes with actors or scenes you can feel

1448
01:15:13,880 --> 01:15:16,960
Speaker 7: blockages or they have all their own stuff going on.

1449
01:15:17,000 --> 01:15:19,839
Speaker 7: But I feel both of you always showed up present

1450
01:15:19,880 --> 01:15:22,439
Speaker 7: and to play and to like get your hands dirty,

1451
01:15:22,760 --> 01:15:25,679
Speaker 7: and that makes life so much easier, you know, especially

1452
01:15:25,680 --> 01:15:26,639
Speaker 7: with these kinds of scenes.

1453
01:15:27,640 --> 01:15:30,599
Speaker 1: Thanks. Yeah, I feel that we bought you too, you too, Chateau.

1454
01:15:31,040 --> 01:15:33,799
Speaker 4: All right, so we'll see you all in another four years?

1455
01:15:33,840 --> 01:15:34,679
Speaker 4: Is that what we said.

1456
01:15:36,080 --> 01:15:38,599
Speaker 1: I'm so glad we got the three of us together,

1457
01:15:38,680 --> 01:15:40,600
Speaker 1: the four of us, Rob, I'm so glad that you

1458
01:15:40,880 --> 01:15:43,600
Speaker 1: helped to facilitate all this too, and just to have

1459
01:15:43,720 --> 01:15:46,559
Speaker 1: the three James sisters together felt really amazing.

1460
01:15:47,520 --> 01:15:49,080
Speaker 4: Thanks for letting me sep over.

1461
01:15:49,200 --> 01:15:50,559
Speaker 1: Guys.

1462
01:15:51,439 --> 01:15:54,559
Speaker 6: You learned about you learned about new arts and crafts

1463
01:15:54,600 --> 01:15:55,400
Speaker 6: that you're now going to.

1464
01:15:55,400 --> 01:15:56,360
Speaker 5: Have to go like Daco.

1465
01:15:56,479 --> 01:15:56,719
Speaker 3: Pause.

1466
01:15:56,960 --> 01:15:59,479
Speaker 4: I can't wait to talk about deco page to all

1467
01:15:59,520 --> 01:16:01,880
Speaker 4: of my dude real friends them go what now, I'm

1468
01:16:01,880 --> 01:16:04,599
Speaker 4: gonna go. You don't know what it is? Google it

1469
01:16:04,640 --> 01:16:05,599
Speaker 4: bro right.

1470
01:16:06,320 --> 01:16:09,360
Speaker 1: Next episode, Season seven, episode nineteen, Every picture tells a

1471
01:16:09,400 --> 01:16:14,160
Speaker 1: different story come back. Robert has quite an opinion for

1472
01:16:14,200 --> 01:16:17,840
Speaker 1: you guys on this next episode. I love you both.

1473
01:16:17,880 --> 01:16:22,200
Speaker 1: Thank you so much for joining us, thanking us, love

1474
01:16:22,200 --> 01:16:26,680
Speaker 1: you guys. Bye, Hey, thanks for listening. Don't forget to

1475
01:16:26,760 --> 01:16:29,040
Speaker 1: leave us a review. You can also follow us on

1476
01:16:29,080 --> 01:16:33,240
Speaker 1: Instagram at drama Queen's ot h or email us at

1477
01:16:33,320 --> 01:16:36,240
Speaker 1: drama Queens at iHeartRadio dot com.

1478
01:16:36,479 --> 01:16:40,120
Speaker 6: See you next time we all about that.

1479
01:16:40,160 --> 01:16:43,040
Speaker 2: High school drama Girl, drama girl, all about them high

1480
01:16:43,080 --> 01:16:46,240
Speaker 2: school queens, we'll take you for a ride at our

1481
01:16:46,240 --> 01:16:49,960
Speaker 2: comic girl cheering for the right teen drama queens.

1482
01:16:51,080 --> 01:16:52,040
Speaker 6: Up girl fashion.

1483
01:16:52,080 --> 01:16:54,000
Speaker 1: But your tough girl, you could sit with us.

1484
01:16:54,040 --> 01:16:58,519
Speaker 3: Girl Drama, Queens, drama, queise drama, queens Drama, Drama, Queens Drama,

1485
01:16:58,600 --> 01:17:13,000
Speaker 3: Queens