WEBVTT - Good Old Boys

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<v Speaker 1>Pushkin. This episode contains explicit language. In the fall of

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<v Speaker 1>nineteen seventy four, the musician Randy Newman released an album

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<v Speaker 1>called Good Old Boys. The most beautiful song on the

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<v Speaker 1>record is the third song on the first side, Wait

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<v Speaker 1>Can I Prevail on? You did disteal a little bit

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<v Speaker 1>of Marie Sure So. I love that song so much.

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<v Speaker 2>We thank you very much. Look like a princess night

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<v Speaker 2>with your hair part of that.

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<v Speaker 3>I will know.

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<v Speaker 1>My name is Malcolm Well. You're listening to Revisionist History,

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<v Speaker 1>my podcast about things overlooked and misunderstood. This episode is

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<v Speaker 1>about Randy Newman's Good Old Boys, one of the most

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<v Speaker 1>remarkable albums of its era. I listened to it for

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<v Speaker 1>the first time years ago, but then I happened to

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<v Speaker 1>listen to it again very recently and realized that Good

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<v Speaker 1>Old Boys is not an album you can hear just

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<v Speaker 1>once and hope to do it justice, because it's not

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<v Speaker 1>just remarkable, it's unsettling. I don't think an album like

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<v Speaker 1>this could be made today, and by the end of

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<v Speaker 1>this episode, I suspect you'll agree with me. I decided

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<v Speaker 1>to go to California, sit down with Randy Newman, and

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<v Speaker 1>create a listener's guide to one of the most perplexing

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<v Speaker 1>works of music that I have ever encountered.

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<v Speaker 2>Drug Well, I've got to be a little bit.

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<v Speaker 4>What you mean me?

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<v Speaker 5>He lo you the first time, so you.

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<v Speaker 2>Always love you.

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<v Speaker 1>Newman is in his seventies, still writing music, Tall and

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<v Speaker 1>slightly intimidating. He's Hollywood Royalty. His uncle, Alfred, was a

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<v Speaker 1>composer who was nominated for an Academy Award forty four times,

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<v Speaker 1>won nine times. Newman has had a second career writing

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<v Speaker 1>for the movies as well, like You've Got a Friend

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<v Speaker 1>in Me for Toy Story. Newman is unusual among songwriters

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<v Speaker 1>because he writes in character, and the narrator of Good

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<v Speaker 1>Old Boys is a creation of Newman's. He's called Johnny Cutler,

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<v Speaker 1>a steel worker from Birmingham, Alabama, thirty years old. The

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<v Speaker 1>song Marie is about Johnny Cutler coming home late after

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<v Speaker 1>a night out with the boys and gazing love struck

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<v Speaker 1>at his sleeping wife.

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<v Speaker 2>I like the idea very much about being inarticulate without

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<v Speaker 2>that's not the right word, in articulate, but being unable

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<v Speaker 2>to have the words unless you drink something. You know,

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<v Speaker 2>I can't say this to you and maybe to lack

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<v Speaker 2>the ability to say those kind of words.

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<v Speaker 1>But he's the fact that he has been drinking and

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<v Speaker 1>he and you realize he can only say what he's

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<v Speaker 1>saying because he's and because she's asleep. Yeah right, yeah,

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<v Speaker 1>but that even that makes me humanizes him and even

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<v Speaker 1>more I sort of feel so love her.

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<v Speaker 2>I mean, it would seem that that isn't drink, but

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<v Speaker 2>it might be. Is this a good guy? And my

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<v Speaker 2>answer to that is I don't know. I mean, I'm

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<v Speaker 2>suspicious of.

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<v Speaker 3>This.

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<v Speaker 2>I'm drunk right now, baby, but maybe when I'm awake,

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<v Speaker 2>I might knock this shit out of you.

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<v Speaker 1>Sometimes, Randy Newman wrote, Marie, he created Johnny Cutler. He

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<v Speaker 1>dreamt up a beautiful love song for him, but he

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<v Speaker 1>doesn't know if he understands him or even if he

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<v Speaker 1>likes him. As if Johnny Cutler came from his imagination

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<v Speaker 1>but is now somehow independent of it, it makes you

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<v Speaker 1>wonder who's in charge of this song.

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<v Speaker 4>Sometimes I'm crazy, but I guess you know, in a

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<v Speaker 4>week it all Liz.

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<v Speaker 5>And a hurt so and I never listen to the

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<v Speaker 5>world you say when you calmed me in trouble doll,

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<v Speaker 5>and I just try awake, but I love you, and

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<v Speaker 5>I love you the first time my sign.

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<v Speaker 4>And oh we love.

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<v Speaker 1>The story behind Good Old Boys begins with a man

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<v Speaker 1>named Lester Maddox. Maddox was governor of Georgia from nineteen

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<v Speaker 1>sixty seven to nineteen seventy one. Now he's mostly forgotten,

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<v Speaker 1>but in his day he was notorious.

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<v Speaker 6>I thank his full to act for real. I don't

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<v Speaker 6>look at myself as one of the very smart people,

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<v Speaker 6>so I try to act like Lester Maddox like inside

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<v Speaker 6>I feel and think and believe.

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<v Speaker 1>Maddox grew up in the Depression in Atlanta. His father

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<v Speaker 1>was an alcoholic.

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<v Speaker 6>My dad never made hardly any money. We times we

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<v Speaker 6>didn't even have a bathroom in the house. We had

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<v Speaker 6>four rooms in a path rather than four rooms in

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<v Speaker 6>a bathroom. We didn't have electricity.

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<v Speaker 1>Maddox dropped out of high school, got a job as

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<v Speaker 1>a steel worker to help his five younger siblings, married

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<v Speaker 1>his childhood sweetheart Virginia, and after the war he started

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<v Speaker 1>a diner near Georgia Tech. The house specialty was skillip

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<v Speaker 1>fried chicken. He called his place the Pickrick.

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<v Speaker 6>So I wanted to name no one else had. Now

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<v Speaker 6>I came on the name upon the name Pickwick, and

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<v Speaker 6>I found out it really wick doesn't meaning thing except

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<v Speaker 6>what you know it to be wick. That's what Webster

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<v Speaker 6>will even tell you that Wick and someone had already

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<v Speaker 6>used the name Pickwick in England, so I couldn't use that.

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<v Speaker 6>So it was about three o'clock one morning. I'd been

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<v Speaker 6>working on it for weeks.

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<v Speaker 1>Maddox was one of those people who you can't do

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<v Speaker 1>a cartoon version of because he already looks like a

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<v Speaker 1>cartoon version of himself. He's skinny, with an oversized head,

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<v Speaker 1>bald dome, black plastic glasses, always in a black suit,

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<v Speaker 1>moves with a kind of loose, slimmed floppiness, like a clown.

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<v Speaker 1>There are so many oral history interviews with Lester Maddox

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<v Speaker 1>floating around the State of Georgia that he must have

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<v Speaker 1>spent as many hours reminiscing about his time as governor

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<v Speaker 1>as he actually spent serving as governor. The man liked

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<v Speaker 1>to talk.

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<v Speaker 6>See the pick means to fastidiously, to pick out, to

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<v Speaker 6>choose a select, and rick means to pile up to

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<v Speaker 6>heap or damas. So I named my restaurant Pickrick and said,

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<v Speaker 6>if you'd picnic at the Pickrick and pick it out.

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<v Speaker 6>We would rick it up, and we would we did,

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<v Speaker 6>and that's why it was named Pickrick. I've never heard

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<v Speaker 6>anything else being named Pickrick.

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<v Speaker 1>Maddix advertised the Pickrick in the Saturday edition of the

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<v Speaker 1>Atlanta Journal in a column with the title Pickrick says.

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<v Speaker 1>Lots of one liners in Matoxisms, like the nineteen fifties

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<v Speaker 1>version of tweets well.

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<v Speaker 6>I talked about Christmas, I talked about marriage. I talked

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<v Speaker 6>about the monkey house at Grant Park. I talked about whether.

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<v Speaker 6>I talked about fishing in my edge.

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<v Speaker 1>But soon his column, Pickrick says becomes more and more

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<v Speaker 1>political because this is Atlanta in the mid nineteen fifties,

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<v Speaker 1>one of the birthplaces of the civil rights movement, and

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<v Speaker 1>Pickcrick is a ten minute drive from Auburn Avenue, where

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<v Speaker 1>Martin Luther King, and Andrew Young and Vernon Jordan and

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<v Speaker 1>everyone else are starting to stir things up and less

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<v Speaker 1>Dramattox is not at all happy with that. He's a segregationist.

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<v Speaker 1>And the more strident Maddox gets in his weekly ads,

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<v Speaker 1>the more popular Pickwrick says becomes. People start buying the

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<v Speaker 1>Atlanta Journal on Saturday just to read what Maddox is

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<v Speaker 1>up to. Maddox decides to run for mayor of Atlanta.

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<v Speaker 1>He is no organization, no money. He drives himself around

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<v Speaker 1>and he loses. But the race is closer than you'd think,

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<v Speaker 1>so he runs again and loses, and runs a third

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<v Speaker 1>time and loses. But then the wave of desegregation protests

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<v Speaker 1>hits Atlanta in the early nineteen sixties. The public schools

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<v Speaker 1>are integrated first, then the lunch counters than the restaurants,

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<v Speaker 1>and since the Pickcrick restaurant does not admit black people,

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<v Speaker 1>the civil rights protesters come knocking.

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<v Speaker 6>Well, the first time, I was about four wives and

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<v Speaker 6>tree blacks came in in Virginia and I were about

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<v Speaker 6>to eat our luncheon Saturday afternoon. They told me what

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<v Speaker 6>they're gonna do, and I told them, You're not gonna

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<v Speaker 6>do any such things.

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<v Speaker 1>What they were gonna do was eat a pickrick with

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<v Speaker 1>the television cameras as witness.

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<v Speaker 6>I said, you never been here before. You just wanna

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<v Speaker 6>fuss and fight. So I grabbed two of them. I

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<v Speaker 6>think on them was John Lewis or Brown or somebody,

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<v Speaker 6>and I just had him out the door. When they

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<v Speaker 6>happen to remember they were supposed to lay down on

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<v Speaker 6>the floor. If you hadn't thought about that, I'd had

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<v Speaker 6>them both out and they got on the floor because

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<v Speaker 6>I couldn't drag them. So I called my black employees.

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<v Speaker 6>I hat the kitchen and I said, these people trying

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<v Speaker 6>to destroy our business. They don't want to eat with us.

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<v Speaker 6>They just want to create a problem. They got the

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<v Speaker 6>television and radio and everyone with them, and I said,

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<v Speaker 6>I'm going to give you ten dollars for each one

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<v Speaker 6>of them threw out. In the next thirty second.

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<v Speaker 1>Them Maddox's employees through them out, but the protesters came back.

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<v Speaker 1>This time Maddox met them at the door, with the

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<v Speaker 1>television cameras rolling and a crowd starting to gather.

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<v Speaker 6>India, now you want.

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<v Speaker 1>There's Maddox in front of the pickrick with his black

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<v Speaker 1>suit and bald head, protesters shouting cameras all around. He's

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<v Speaker 1>in heaven.

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<v Speaker 6>I'll use a channels, I'll use guns, I'll use pain,

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<v Speaker 6>I'll use my fist, I'll use my customers, I'll use

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<v Speaker 6>my employees, I'll use anything. It's mind as bold. This

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<v Speaker 6>property belongs to me, my wife and my children.

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<v Speaker 7>It doesn't belong to anybody.

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<v Speaker 2>Else, I'll throw out a white one or black one.

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<v Speaker 6>Or a red headed one, or ball when it doesn't

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<v Speaker 6>make any difference.

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<v Speaker 1>Maddox gets hauled into court because the Civil Rights Act

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<v Speaker 1>has been passed and what he's doing is illegal. He's

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<v Speaker 1>given a choice integrate or shut his doors, and he

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<v Speaker 1>decides to shut to Pickwrick, one of the most popular

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<v Speaker 1>and successful restaurants in Atlanta, the business that he has

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<v Speaker 1>spent his lifetime building that made him famous, and to

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<v Speaker 1>every Southern er angry at the way the world is turning,

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<v Speaker 1>he becomes a hero. A friend says to him, you know,

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<v Speaker 1>maybe you should run for governor, and Maddox says, okay.

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<v Speaker 1>And in nineteen sixty six, he wins. A white nationalist

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<v Speaker 1>in the hospitality business who came to public attention writing pithy,

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<v Speaker 1>politically charged statements in a widely read media forum, runs

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<v Speaker 1>against the political establishment and pulls off an upset victory.

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<v Speaker 1>And by the way, it's a very close race. Maddox

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<v Speaker 1>doesn't actually get as many votes as his opponent, but

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<v Speaker 1>he wins when the election is thrown to the legislature.

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<v Speaker 1>Oh and a huge part of Maddox's rhetoric is how

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<v Speaker 1>the media can't be trusted. He's constantly accusing newspapers of

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<v Speaker 1>lying about him. In fact, in the corner of his

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<v Speaker 1>official governor's portrait, there's a little table with a dead

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<v Speaker 1>fish on it, wrapped in a copy of the Atlanta Journal.

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<v Speaker 1>A white nationalist in the hospitality business who wrote pithy

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<v Speaker 1>statements on a media platform, runs against the political establishment,

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<v Speaker 1>accuses the news media of running fake news about him,

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<v Speaker 1>doesn't get as many votes as his opponent, and nonetheless

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<v Speaker 1>stakes over the highest executive office. I mean, when has

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<v Speaker 1>that ever happen? Maddox serves four years, has to step

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<v Speaker 1>down because of term limits. Jimmy Carter takes over as

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<v Speaker 1>governor of Georgia, as the state, he might say, returns

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<v Speaker 1>to its senses, and Maddox consoles himself with running for

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<v Speaker 1>and winning the job of lieutenant governor. He is well

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<v Speaker 1>on his way to obscurity. And then he gets a

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<v Speaker 1>call from New York from the Dick Cavot Show, the

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<v Speaker 1>great late night talk show of the nineteen seventies. They

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<v Speaker 1>want him as a guest. That's when we return in America.

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<v Speaker 2>You get foody.

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<v Speaker 4>Won't have to run through the jungle and scuff up

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<v Speaker 4>your feet.

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<v Speaker 1>The first Randy Newman song I ever heard was sail Away.

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<v Speaker 8>You just sing about Jesus and drink wine all day.

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<v Speaker 2>It's great to be an American.

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<v Speaker 1>Sail Away is the title track of the album Randy

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<v Speaker 1>Newman made right before he wrote Good Old Boys. I

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<v Speaker 1>was a kid when I first heard it, and I

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<v Speaker 1>had the same experience I would later have with Newman's

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<v Speaker 1>other songs. I didn't get it at first. I'm not

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<v Speaker 1>sure I even paid attention to the words. I just

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<v Speaker 1>loved how grand it was.

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<v Speaker 8>Ain't no lie side of me, no mama snake, just

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<v Speaker 8>a sweet wall amelon the bug wheat.

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<v Speaker 9>Everybody is happy as make it be.

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<v Speaker 2>Climb a ball, little wog.

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<v Speaker 5>Stay the way within.

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<v Speaker 1>But then I got a little older, and as I

0:14:28.236 --> 0:14:32.796
<v Speaker 1>heard sail Away, I said, wait a minute. Everybody is

0:14:32.836 --> 0:14:37.716
<v Speaker 1>as happy as a man can be. Climb aboard little wog,

0:14:38.316 --> 0:14:43.076
<v Speaker 1>sail away with me. Wog really offensive British colonial slang

0:14:43.116 --> 0:14:46.356
<v Speaker 1>for someone who's not white. It's the N word. Basically,

0:14:46.916 --> 0:14:49.916
<v Speaker 1>I noticed some interesting story at behind sail Away.

0:14:50.196 --> 0:14:53.676
<v Speaker 2>The song, Oh it was a A guy was going

0:14:53.756 --> 0:14:56.556
<v Speaker 2>to make a movie and he was going to give

0:14:56.596 --> 0:15:01.476
<v Speaker 2>ten minutes to five or six pop people, Van Morrison,

0:15:01.636 --> 0:15:07.076
<v Speaker 2>I remember, and Hendrickson to do ten minute thing, and

0:15:07.156 --> 0:15:09.036
<v Speaker 2>I came up with this thing. It had a sort

0:15:09.036 --> 0:15:12.996
<v Speaker 2>of a sea shanny before it, you know, very irish

0:15:13.116 --> 0:15:16.996
<v Speaker 2>kind of yo hoo, you know there and then this

0:15:17.076 --> 0:15:21.676
<v Speaker 2>guy be standing in a clearing in the jungle and

0:15:21.716 --> 0:15:23.956
<v Speaker 2>singing this song, and that was what I was going

0:15:24.036 --> 0:15:25.156
<v Speaker 2>to do with my ten minutes.

0:15:25.996 --> 0:15:29.436
<v Speaker 1>Randy Newman wrote a song about an American slave trader

0:15:29.916 --> 0:15:33.756
<v Speaker 1>standing somewhere in West Africa giving his sales pitch to

0:15:33.836 --> 0:15:38.596
<v Speaker 1>potential recruits come to America. You're gonna love this little

0:15:38.596 --> 0:15:40.756
<v Speaker 1>cotton plantation that I've lined up for you.

0:15:42.036 --> 0:15:48.156
<v Speaker 2>Oh no, lion, no moms sleep. It's a sweet watermelon

0:15:48.236 --> 0:15:52.156
<v Speaker 2>and a book. So those laugh.

0:15:52.676 --> 0:15:57.556
<v Speaker 1>Yeah, the character is so kind of outrageous. Yeah, but

0:15:57.556 --> 0:16:00.236
<v Speaker 1>we're not laughing along with him. We're horrified by him.

0:16:00.236 --> 0:16:03.156
<v Speaker 2>I mean it's yeah, but people laugh at that in

0:16:03.196 --> 0:16:08.796
<v Speaker 2>a nervous way, at the watermelon joke, and sit around

0:16:08.796 --> 0:16:10.956
<v Speaker 2>to think about Jesus drink wine all day.

0:16:11.556 --> 0:16:13.316
<v Speaker 1>Now, there's a way to do that song so that

0:16:13.356 --> 0:16:19.756
<v Speaker 1>it's not so shocking. In like the cover version done

0:16:19.836 --> 0:16:22.516
<v Speaker 1>later the same year by Bobby Darren who was one

0:16:22.516 --> 0:16:25.436
<v Speaker 1>of the biggest pop stars of the nineteen sixties, won't

0:16:25.556 --> 0:16:27.636
<v Speaker 1>have the wrong through the jungle.

0:16:28.196 --> 0:16:31.996
<v Speaker 2>Bobby Darren is happy, Yeah, come to America, little one,

0:16:32.556 --> 0:16:34.916
<v Speaker 2>when we get rid of the wog. Oh my god.

0:16:36.516 --> 0:16:41.636
<v Speaker 1>But no, that's that's like blasphemy. I'm a born Little

0:16:41.716 --> 0:16:42.876
<v Speaker 1>one sail.

0:16:42.596 --> 0:16:43.796
<v Speaker 2>Away with me.

0:16:45.076 --> 0:16:48.956
<v Speaker 1>In Bobby Darren's version, the line climb a board, little

0:16:49.076 --> 0:16:52.876
<v Speaker 1>Wog sail away with me, which is crucial in establishing

0:16:52.876 --> 0:16:57.476
<v Speaker 1>how vile the narrator is, becomes climber board, little one

0:16:57.956 --> 0:17:00.156
<v Speaker 1>sail away with me. I'm sorry, I can't get I

0:17:00.156 --> 0:17:03.516
<v Speaker 1>can't get pass it so quickly. That's unbelievable that.

0:17:03.556 --> 0:17:04.556
<v Speaker 2>He did a happy version.

0:17:04.756 --> 0:17:07.516
<v Speaker 1>Yes, it's this, It isn't.

0:17:07.796 --> 0:17:09.516
<v Speaker 2>I mean, there's there it is.

0:17:09.716 --> 0:17:13.196
<v Speaker 1>The thing is Newman liked Bobby Darren. He knew him,

0:17:13.396 --> 0:17:16.156
<v Speaker 1>and he didn't know what to think. I mean, there

0:17:16.236 --> 0:17:20.476
<v Speaker 1>is a world of difference between wog and one. Also,

0:17:20.676 --> 0:17:25.036
<v Speaker 1>if I'm not mistaken, Bobby Darren substitutes the words mamba

0:17:25.116 --> 0:17:30.316
<v Speaker 1>snake with mama snake eight no lions and tigers and

0:17:30.396 --> 0:17:31.996
<v Speaker 1>no nurturing mama snake.

0:17:32.516 --> 0:17:34.996
<v Speaker 2>You know, he was all, do I like to do that?

0:17:35.436 --> 0:17:38.396
<v Speaker 2>And it's like come to America, you know, become.

0:17:39.756 --> 0:17:41.796
<v Speaker 1>But this is this, this song is like this.

0:17:42.116 --> 0:17:43.316
<v Speaker 2>Is not a dumb guy either.

0:17:43.676 --> 0:17:46.716
<v Speaker 1>This is this song is like a It is a wallop.

0:17:46.796 --> 0:17:51.436
<v Speaker 1>It is emotional wallop. He searing song about this the

0:17:51.516 --> 0:17:53.356
<v Speaker 1>darkest moment in America's past.

0:17:53.356 --> 0:17:59.076
<v Speaker 2>It's a jaw dress like springtime for Hitler, a little one,

0:18:00.036 --> 0:18:02.676
<v Speaker 2>little wall like come away with me. You know, he

0:18:02.836 --> 0:18:08.676
<v Speaker 2>just was so right, his Shulvia's instincts couldn't restrain himself.

0:18:09.596 --> 0:18:11.476
<v Speaker 1>How did you feel when you first heard that version?

0:18:12.676 --> 0:18:16.236
<v Speaker 2>I felt, you know, oh, my Jesus Christ. And that

0:18:16.356 --> 0:18:16.596
<v Speaker 2>was it.

0:18:17.156 --> 0:18:19.956
<v Speaker 1>The original intention of sail Away was to make the

0:18:20.036 --> 0:18:25.756
<v Speaker 1>listener uncomfortable. Newman takes a familiar figure, a salesman, an entrepreneur,

0:18:25.956 --> 0:18:30.116
<v Speaker 1>a patriot, and gives him a rollicking sea shanty. But

0:18:30.236 --> 0:18:33.716
<v Speaker 1>then he forces you to acknowledge that underneath all that

0:18:34.436 --> 0:18:38.756
<v Speaker 1>there looks a monster. Bobby Darren chickened out. He couldn't

0:18:38.756 --> 0:18:41.556
<v Speaker 1>do it. He didn't want us to be uncomfortable, and

0:18:41.596 --> 0:18:46.116
<v Speaker 1>so Wog became one and sail Away became a glorified

0:18:46.236 --> 0:18:49.956
<v Speaker 1>nursery rhyme. I don't mean to single Bobby Darren out,

0:18:50.156 --> 0:18:52.236
<v Speaker 1>because I think that most of us take the easy

0:18:52.276 --> 0:18:56.236
<v Speaker 1>path in these situations too. But the particular genius of

0:18:56.316 --> 0:19:00.036
<v Speaker 1>Randy Newman is that he won't do that. He can't.

0:19:05.036 --> 0:19:06.036
<v Speaker 2>Dick have a troll.

0:19:08.436 --> 0:19:12.156
<v Speaker 1>So it's nineteen seventy. Lester Maddox gets a call from

0:19:12.156 --> 0:19:15.236
<v Speaker 1>Dick Caviot, come on our show. He flies to New

0:19:15.316 --> 0:19:20.396
<v Speaker 1>York and who tunes in that night Randy Newman, Ladies

0:19:20.436 --> 0:19:28.796
<v Speaker 1>and gentlemen, Dick Cabot. Dick Caviott is a year into

0:19:28.836 --> 0:19:32.396
<v Speaker 1>his legendary late night show on ABC, up against Johnny

0:19:32.396 --> 0:19:36.276
<v Speaker 1>Carson's Tonight show. Cavit show was like a highlight reel

0:19:36.316 --> 0:19:39.236
<v Speaker 1>of the nineteen seventies. He did the greatest ever interview

0:19:39.316 --> 0:19:42.876
<v Speaker 1>with Jimmy Hendrix. Groucho Marx was a regular, so was

0:19:42.956 --> 0:19:45.916
<v Speaker 1>Muhammad Ali. He once had Salvador Dally on the same

0:19:45.956 --> 0:19:49.796
<v Speaker 1>show as a legendary pitching great Satchel Page. The famous

0:19:49.796 --> 0:19:55.116
<v Speaker 1>debate between Gorvadal and Norman Mailer that was on Dick Caviot. Listen,

0:19:55.156 --> 0:19:55.556
<v Speaker 1>we have a.

0:19:55.556 --> 0:19:57.476
<v Speaker 7>Very good show tonight, and I want to move right

0:19:57.516 --> 0:20:00.836
<v Speaker 7>into it. Excellent show. I think I don't know, how

0:20:00.836 --> 0:20:02.116
<v Speaker 7>do I know? I haven't seen it. It might be a

0:20:02.156 --> 0:20:05.556
<v Speaker 7>big dead brow Why do people say that at the

0:20:05.596 --> 0:20:06.676
<v Speaker 7>beginning of his show.

0:20:06.836 --> 0:20:10.076
<v Speaker 1>Cavot looks like Paul Newman's baby brother, no more than

0:20:10.116 --> 0:20:14.356
<v Speaker 1>five or six, impish, big polka dotted tie. His first

0:20:14.396 --> 0:20:17.316
<v Speaker 1>guest is a woman named Alice Gray, an entomologist from

0:20:17.316 --> 0:20:21.236
<v Speaker 1>the American Museum of Natural History, cat eye, glasses, hair,

0:20:21.316 --> 0:20:24.316
<v Speaker 1>and a bun who brings a box full of cockroaches

0:20:24.356 --> 0:20:24.836
<v Speaker 1>to the set.

0:20:25.076 --> 0:20:26.796
<v Speaker 7>What can we do about then? What can we learn

0:20:26.836 --> 0:20:28.116
<v Speaker 7>about them? Are they our friends?

0:20:29.516 --> 0:20:32.436
<v Speaker 6>No, they're not exactly our friends, but there are certainly

0:20:32.476 --> 0:20:34.036
<v Speaker 6>our companions.

0:20:34.196 --> 0:20:34.916
<v Speaker 7>And all our.

0:20:36.876 --> 0:20:39.716
<v Speaker 1>All our doings, and I'm rather fond of them.

0:20:39.916 --> 0:20:41.356
<v Speaker 6>They have a distinguished linage.

0:20:41.876 --> 0:20:44.076
<v Speaker 8>How many of us could meet our ancestors of three

0:20:44.156 --> 0:20:47.076
<v Speaker 8>hundred million years ago and recognize them the cockroaches?

0:20:47.116 --> 0:20:48.716
<v Speaker 7>Can they go back that far?

0:20:48.796 --> 0:20:49.516
<v Speaker 1>They go back that far.

0:20:49.916 --> 0:20:51.636
<v Speaker 7>It's older than the dinosaurs.

0:20:51.076 --> 0:20:53.076
<v Speaker 6>Twice as old as the dinosaurs. All the way back

0:20:53.116 --> 0:20:56.236
<v Speaker 6>to the coald Age, they were already recognizably cockroaches.

0:20:57.716 --> 0:21:00.076
<v Speaker 7>That's it's always the people who don't like We're the

0:21:00.156 --> 0:21:01.036
<v Speaker 7>last to leave, isn't it.

0:21:03.996 --> 0:21:06.076
<v Speaker 6>They'll be here long after we have quitted this earth.

0:21:06.116 --> 0:21:09.996
<v Speaker 1>I'm sure Cavit does a good ten minutes. I'm cockroaches

0:21:10.196 --> 0:21:10.516
<v Speaker 1>are these?

0:21:10.636 --> 0:21:12.276
<v Speaker 7>Your cockroaches are some of ours?

0:21:13.756 --> 0:21:16.036
<v Speaker 1>The cockroach lady finally leaves the stage.

0:21:16.836 --> 0:21:19.956
<v Speaker 7>And then my next guest tonight is Governor Lester Maddox.

0:21:23.276 --> 0:21:28.076
<v Speaker 1>How comes Maddox, the gleaming bald head, the black suit Governorm.

0:21:27.756 --> 0:21:30.716
<v Speaker 7>Maddics, I still call you, Governor, dont.

0:21:30.636 --> 0:21:32.396
<v Speaker 6>Call me mostly anything you won't do everybody else?

0:21:32.436 --> 0:21:32.636
<v Speaker 2>Does?

0:21:34.996 --> 0:21:36.476
<v Speaker 7>Have you ever followed bugs before?

0:21:37.276 --> 0:21:39.076
<v Speaker 6>Yes, a few moments ago on your problem.

0:21:39.436 --> 0:21:40.156
<v Speaker 7>That's the only time.

0:21:40.516 --> 0:21:44.156
<v Speaker 1>That's the only time. God, I love Dick Cavit. They

0:21:44.196 --> 0:21:48.316
<v Speaker 1>shake hands, they take their seats rust colored swivel loungers

0:21:48.316 --> 0:21:51.276
<v Speaker 1>atop a gray shag carpet. Kavit shows the audience a

0:21:51.276 --> 0:21:55.556
<v Speaker 1>photograph of Maddox holding his axe handle outside the Pickrick restaurant,

0:21:56.036 --> 0:21:59.596
<v Speaker 1>and Maddox then corrects him and says, no, it's not

0:21:59.636 --> 0:22:03.116
<v Speaker 1>an axe handle, it's a pickhandle, and goes off on

0:22:03.116 --> 0:22:06.156
<v Speaker 1>one of his long, endless digressions about the meaning of the.

0:22:06.116 --> 0:22:10.716
<v Speaker 6>Pickrick hard work. And we had in the restaurant some

0:22:10.796 --> 0:22:13.156
<v Speaker 6>of these pick candles, two cakes of them, by a

0:22:13.156 --> 0:22:15.996
<v Speaker 6>big old fireplace where we burned hickory wood, And there

0:22:15.996 --> 0:22:17.796
<v Speaker 6>were six of them in each of the cakes. And

0:22:17.836 --> 0:22:22.036
<v Speaker 6>they were dark red because that was the look something

0:22:22.076 --> 0:22:24.956
<v Speaker 6>similar to a chicken leg or pit. Candle does not

0:22:25.076 --> 0:22:27.636
<v Speaker 6>like the axe handle. It's the news me he talks about.

0:22:27.596 --> 0:22:32.156
<v Speaker 1>And Kaviot, who must be wondering what on earth, simply.

0:22:31.796 --> 0:22:33.796
<v Speaker 7>Says, well, I've certainly learned a lot.

0:22:36.156 --> 0:22:39.716
<v Speaker 1>Kaviot brings on his next guest, the football player Jim Brown,

0:22:39.996 --> 0:22:42.596
<v Speaker 1>then one of the most famous professional black athletes in

0:22:42.636 --> 0:22:46.196
<v Speaker 1>the country. Brown settles down next to Maddox, who is

0:22:46.236 --> 0:22:50.196
<v Speaker 1>literally half his size, and gives him a polite smile,

0:22:50.956 --> 0:22:53.476
<v Speaker 1>and Kavit says to the two of them, do you

0:22:53.476 --> 0:23:00.556
<v Speaker 1>feel separate but equal? I realized that's nineteen sixties civil

0:23:00.636 --> 0:23:04.356
<v Speaker 1>rights humor, but I still think it's hilarious. Maddox turns

0:23:04.356 --> 0:23:06.956
<v Speaker 1>to Brown and says, I thought you was the singer

0:23:07.716 --> 0:23:12.396
<v Speaker 1>he thought Jim Brown was James Brown. He then volunteers

0:23:12.396 --> 0:23:16.036
<v Speaker 1>his personal definition of what being a segregationist really means.

0:23:16.556 --> 0:23:19.076
<v Speaker 6>A segregation is a person that loves his race enough

0:23:19.236 --> 0:23:21.956
<v Speaker 6>or all the racers enough, has enough for racial pride

0:23:21.956 --> 0:23:24.836
<v Speaker 6>and integrity to want to preserve them. And I think

0:23:24.876 --> 0:23:26.836
<v Speaker 6>a racist is one that doesn't care enough for his

0:23:26.996 --> 0:23:29.396
<v Speaker 6>race or another race to where they would don't care

0:23:29.436 --> 0:23:31.396
<v Speaker 6>whether they are malcolmated or destroyed.

0:23:31.076 --> 0:23:38.956
<v Speaker 1>Or not amalgamated. Good lord, Now think about this for

0:23:38.996 --> 0:23:42.516
<v Speaker 1>a moment. Maddox is no longer governor Georgia has come

0:23:42.556 --> 0:23:45.836
<v Speaker 1>to its sinces an elected nice, safe, modern, non racist

0:23:45.876 --> 0:23:49.716
<v Speaker 1>Jimmy Carter. Maddox is a footnote. So what point is

0:23:49.756 --> 0:23:52.116
<v Speaker 1>there in having him on a mainstream talk show like

0:23:52.156 --> 0:23:55.356
<v Speaker 1>Dick Cavot. The magazine where I work, The New Yorker,

0:23:55.556 --> 0:23:59.116
<v Speaker 1>had a case like this recently. Donald Trump's Bengali Steve

0:23:59.156 --> 0:24:02.596
<v Speaker 1>Bannon was invited to speak at the magazine's annual literary festival,

0:24:03.076 --> 0:24:06.836
<v Speaker 1>and everyone flipped out. The New Yorkers writers took to Twitter.

0:24:07.076 --> 0:24:09.756
<v Speaker 1>A bunch of high profile celebrity in teas to the

0:24:09.756 --> 0:24:12.756
<v Speaker 1>festival dropped out. And the argument that was made about

0:24:12.796 --> 0:24:15.556
<v Speaker 1>Bennon is an argument that could as easily have been

0:24:15.596 --> 0:24:18.916
<v Speaker 1>applied to Maddox years ago. What's the point of giving

0:24:18.956 --> 0:24:23.716
<v Speaker 1>someone like that a platform? I mean, what could possibly

0:24:23.756 --> 0:24:28.836
<v Speaker 1>be learned from listening to them talk? And sure enough,

0:24:29.116 --> 0:24:31.156
<v Speaker 1>what happens over the course of the next hour of

0:24:31.196 --> 0:24:34.116
<v Speaker 1>the Dick Cavit Show exactly what you would think.

0:24:34.436 --> 0:24:36.676
<v Speaker 10>I think, what we're really talking about in this country's

0:24:36.676 --> 0:24:38.156
<v Speaker 10>economic development of black people.

0:24:38.236 --> 0:24:41.836
<v Speaker 1>At one point, Jim Brown says something thoughtful and reasonable

0:24:42.276 --> 0:24:44.996
<v Speaker 1>that he thinks the priority for black people ought to

0:24:44.996 --> 0:24:48.356
<v Speaker 1>be economic development, and Maddox jumps on.

0:24:48.356 --> 0:24:49.556
<v Speaker 6>Him economic development.

0:24:49.596 --> 0:24:55.836
<v Speaker 3>All people, Well, we're talking about I'll tell you what

0:24:56.596 --> 0:25:00.876
<v Speaker 3>I'll tell you everybody? Can I Can I give you

0:25:00.916 --> 0:25:02.076
<v Speaker 3>an answer?

0:25:03.116 --> 0:25:04.076
<v Speaker 2>Can I give you an answer?

0:25:04.956 --> 0:25:07.556
<v Speaker 6>Do you mind? I'll go ahead, be ready, I'll give

0:25:07.596 --> 0:25:08.076
<v Speaker 6>you fat.

0:25:09.396 --> 0:25:11.436
<v Speaker 10>What I'm really saying is that there are some people

0:25:11.436 --> 0:25:14.476
<v Speaker 10>that have suffered in this country, poor people generally. But

0:25:14.556 --> 0:25:16.716
<v Speaker 10>let's say that we have various ethnic groups in this

0:25:16.756 --> 0:25:19.476
<v Speaker 10>country that have attained a certain kind of equality. Black

0:25:19.516 --> 0:25:22.916
<v Speaker 10>people are more or less along with the Indians on

0:25:23.036 --> 0:25:25.116
<v Speaker 10>the last wrong of the ladder. Can I finish together?

0:25:25.836 --> 0:25:28.476
<v Speaker 10>Can I finish? I?

0:25:29.076 --> 0:25:29.636
<v Speaker 1>Do you mind?

0:25:30.516 --> 0:25:30.676
<v Speaker 2>Now?

0:25:30.716 --> 0:25:33.316
<v Speaker 10>What I'm really saying is that I feel that the

0:25:33.356 --> 0:25:35.796
<v Speaker 10>way to bring about equality of black people in the

0:25:35.876 --> 0:25:36.716
<v Speaker 10>system is three.

0:25:36.876 --> 0:25:37.636
<v Speaker 1>Quality white people.

0:25:37.636 --> 0:25:38.396
<v Speaker 6>Now I'm gonna interrupt.

0:25:38.396 --> 0:25:39.996
<v Speaker 1>You have time and black people.

0:25:41.636 --> 0:25:43.316
<v Speaker 3>If you interrupt me, I can't talk to you.

0:25:43.596 --> 0:25:46.356
<v Speaker 1>Then Maddox starts going on and on about all the

0:25:46.356 --> 0:25:48.956
<v Speaker 1>things he's done for black people in the State of Georgia,

0:25:49.476 --> 0:25:53.556
<v Speaker 1>and Jim Brown turns to him with genuine curiosity and

0:25:53.636 --> 0:25:57.636
<v Speaker 1>asks if he's had any blowback from white bigots the.

0:25:57.596 --> 0:26:01.196
<v Speaker 3>Bigots, have any problems with that from the white biggots

0:26:01.196 --> 0:26:01.956
<v Speaker 3>because you did so.

0:26:01.956 --> 0:26:02.796
<v Speaker 10>Much for the black man.

0:26:03.116 --> 0:26:06.156
<v Speaker 1>Which is kind of a great question, because if Maddox

0:26:06.196 --> 0:26:09.036
<v Speaker 1>has in fact been this great friend of black people,

0:26:09.716 --> 0:26:12.196
<v Speaker 1>then you'd think he would have angered all the hard

0:26:12.236 --> 0:26:15.436
<v Speaker 1>core segregationists and everyone else who was opposed to the

0:26:15.476 --> 0:26:17.236
<v Speaker 1>civil rights movement. Right.

0:26:17.716 --> 0:26:20.156
<v Speaker 7>Mister Brown asked your Governor Maddix, if you'd had any

0:26:20.196 --> 0:26:22.876
<v Speaker 7>trouble from your white admirers for the fact that you

0:26:22.956 --> 0:26:25.676
<v Speaker 7>have said no, he said, biggots, Well, what did you

0:26:25.716 --> 0:26:25.996
<v Speaker 7>say it?

0:26:26.116 --> 0:26:26.836
<v Speaker 6>Like he's said.

0:26:28.516 --> 0:26:28.796
<v Speaker 9>You have?

0:26:29.516 --> 0:26:30.956
<v Speaker 6>Why didn't you say and I say that while I'm

0:26:30.956 --> 0:26:33.876
<v Speaker 6>talking about Dick, take words, push them around, and you

0:26:33.956 --> 0:26:36.076
<v Speaker 6>mislead the people in your audience, and all you ought

0:26:36.076 --> 0:26:38.596
<v Speaker 6>to start being honest, all of you with your words

0:26:38.596 --> 0:26:41.476
<v Speaker 6>and what you're saying to people. You said admirers, and

0:26:41.476 --> 0:26:43.196
<v Speaker 6>he said, biggats a lot of difference his name.

0:26:43.476 --> 0:26:46.196
<v Speaker 1>The last half of the show is just Maddox getting

0:26:46.236 --> 0:26:49.596
<v Speaker 1>more and more agitated, Dick Cavot trying to calm him down,

0:26:49.956 --> 0:26:52.476
<v Speaker 1>and Jim Brown looking over at Maddox like he's a

0:26:52.516 --> 0:26:58.436
<v Speaker 1>misbehaving child. Maddox asks Kavot to apologize. Kavot refuses. The

0:26:58.476 --> 0:27:02.036
<v Speaker 1>audience makes astonished noises. Maddox stands up and starts to

0:27:02.116 --> 0:27:05.436
<v Speaker 1>walk off the stage. Kavot says, come on, sit down.

0:27:05.676 --> 0:27:08.476
<v Speaker 1>Maddix says, I'll sit down when you apologize.

0:27:08.756 --> 0:27:12.116
<v Speaker 7>So it says, if I called any of your admirers

0:27:12.636 --> 0:27:16.476
<v Speaker 7>bigots who were not biggots, I apologize.

0:27:17.156 --> 0:27:20.636
<v Speaker 1>This is insane. What was Dick Cavot thinking inviting this

0:27:20.676 --> 0:27:21.316
<v Speaker 1>guy in a show?

0:27:21.596 --> 0:27:24.556
<v Speaker 6>Why don't you, Georgia have those friends of mine for

0:27:24.676 --> 0:27:28.916
<v Speaker 6>calling him biggots? I think I may lay down, Dick.

0:27:30.876 --> 0:27:34.836
<v Speaker 7>I wait a minute, Please don't laise, I'd like that

0:27:35.276 --> 0:27:36.636
<v Speaker 7>with Georgia.

0:27:37.356 --> 0:27:39.796
<v Speaker 6>And he also apology to the only biggest.

0:27:39.476 --> 0:27:41.036
<v Speaker 7>So I'm wait, oh wait, wait wait.

0:27:41.316 --> 0:27:44.716
<v Speaker 1>Maddox gives Cabot an ultimatum one minute to take it

0:27:44.796 --> 0:27:47.796
<v Speaker 1>back or he'll walk out for good, at which point

0:27:47.916 --> 0:27:51.356
<v Speaker 1>Jim Brown pipes up, Wait, what about me? How much

0:27:51.356 --> 0:27:53.596
<v Speaker 1>time do I have? It's a circus.

0:27:53.796 --> 0:27:55.716
<v Speaker 7>I would say that I phrased the question in a

0:27:55.716 --> 0:27:58.276
<v Speaker 7>way that was not exactly accurate, in the sense that

0:27:58.356 --> 0:28:02.716
<v Speaker 7>he did say biggots have any white bigots been upset

0:28:02.836 --> 0:28:04.876
<v Speaker 7>because you have done certain things about your.

0:28:04.876 --> 0:28:07.956
<v Speaker 6>Boy back and said my admirs. You haven't apologized yet,

0:28:07.956 --> 0:28:08.916
<v Speaker 6>and you got fifteen six.

0:28:11.436 --> 0:28:13.596
<v Speaker 7>All right, now, let me use those fifteen seconds. I

0:28:13.596 --> 0:28:17.676
<v Speaker 7>apologize for suggesting that a bigot would be the way

0:28:17.676 --> 0:28:23.156
<v Speaker 7>of characterizing all of your admirers. Wait a minute, Wait

0:28:23.156 --> 0:28:24.316
<v Speaker 7>a minute, there's more time.

0:28:26.636 --> 0:28:32.156
<v Speaker 1>And less dramatic storms off the set. Oh oh, and

0:28:32.196 --> 0:28:35.156
<v Speaker 1>I haven't even mentioned that the writer Truman Capodi then

0:28:35.196 --> 0:28:39.156
<v Speaker 1>shows up. He's then at the height of his celebrity, tiny, fastidious,

0:28:39.436 --> 0:28:42.036
<v Speaker 1>wearing purple tinted round sunglasses.

0:28:42.876 --> 0:28:43.116
<v Speaker 9>You know.

0:28:43.316 --> 0:28:47.356
<v Speaker 11>Curiously enough, I had a cousin who lived in Atlanta

0:28:47.436 --> 0:28:50.316
<v Speaker 11>that I went to visit and who took me to

0:28:50.396 --> 0:28:53.916
<v Speaker 11>this restaurant that he ran. It was called Picareb or

0:28:53.916 --> 0:29:00.876
<v Speaker 11>something like that, you know, well mar and he was

0:29:00.916 --> 0:29:03.116
<v Speaker 11>always at the door with guns, you know, to keep

0:29:03.156 --> 0:29:07.276
<v Speaker 11>any any food of negroes out of the restaurant. But

0:29:07.636 --> 0:29:10.076
<v Speaker 11>I went there with this cousin because he was near

0:29:10.116 --> 0:29:13.636
<v Speaker 11>the campus, the college campus. And he wasn't bad, but

0:29:13.716 --> 0:29:15.156
<v Speaker 11>it wasn't finger lick him good.

0:29:21.596 --> 0:29:24.396
<v Speaker 1>The whole thing is so Banana's the Cavit feels the

0:29:24.396 --> 0:29:26.196
<v Speaker 1>need to apologize to his audience.

0:29:26.876 --> 0:29:29.396
<v Speaker 7>I'm sorry the governor has left. I went outside just

0:29:29.476 --> 0:29:31.396
<v Speaker 7>during the break and he's out there with his hat

0:29:31.436 --> 0:29:32.836
<v Speaker 7>and coat on, and asked him if he would please

0:29:32.836 --> 0:29:34.716
<v Speaker 7>come back and use the last minutes to say whatever

0:29:34.756 --> 0:29:38.756
<v Speaker 7>he I would like to say, because he felt that

0:29:38.796 --> 0:29:42.676
<v Speaker 7>I guess that he was insulted. I did not mean

0:29:42.756 --> 0:29:45.196
<v Speaker 7>to insult him at that moment. I have to say this,

0:29:45.236 --> 0:29:47.316
<v Speaker 7>and I hope I don't feel it doesn't come off

0:29:47.636 --> 0:29:51.356
<v Speaker 7>sounding I don't know what, but I found him in

0:29:51.396 --> 0:29:54.956
<v Speaker 7>spite of the fact that I would probably despise his

0:29:54.996 --> 0:29:59.116
<v Speaker 7>feelings about segregation if I were actually clear and what

0:29:59.276 --> 0:30:03.596
<v Speaker 7>they are a likable man. Would anyone go along with this?

0:30:04.116 --> 0:30:04.956
<v Speaker 2>Would you agree?

0:30:05.636 --> 0:30:07.116
<v Speaker 1>The audience is not having it?

0:30:07.396 --> 0:30:11.876
<v Speaker 7>Why is it what? I'm not backing down. Shut up,

0:30:11.876 --> 0:30:13.116
<v Speaker 7>I'll tell you what. I'm backing down.

0:30:13.516 --> 0:30:14.476
<v Speaker 2>We'll be back after this.

0:30:17.276 --> 0:30:20.316
<v Speaker 1>It was a farce. What was the point except to

0:30:20.356 --> 0:30:23.436
<v Speaker 1>allow a segregationist to play the victim. What good is

0:30:23.516 --> 0:30:27.476
<v Speaker 1>there in getting someone like that a platform? Except Randy

0:30:27.556 --> 0:30:31.076
<v Speaker 1>Newman was watching whose imagination has a mind of its own?

0:30:35.676 --> 0:30:38.876
<v Speaker 1>So were you a regular Dick Cavot watcher in those years?

0:30:39.556 --> 0:30:43.996
<v Speaker 2>Not that I recall I was, but I would watch

0:30:44.036 --> 0:30:45.916
<v Speaker 2>and if I was up, i'd watch it. Yeah, And

0:30:45.956 --> 0:30:48.196
<v Speaker 2>I think I was usually up in those days.

0:30:48.756 --> 0:30:52.836
<v Speaker 1>And stereotypically, you are the Dick Caviot audience, right.

0:30:52.956 --> 0:30:56.196
<v Speaker 2>I am. Yeah. It seemed like half an hour, you

0:30:56.236 --> 0:30:59.116
<v Speaker 2>know where they were just yelling and yelling and yelling.

0:30:59.116 --> 0:30:59.436
<v Speaker 1>It was.

0:30:59.796 --> 0:31:04.676
<v Speaker 2>Yeah, it was so alien that I felt sorry for him.

0:31:05.036 --> 0:31:08.716
<v Speaker 1>He didn't dismiss that whole exchange or shrug or change

0:31:08.716 --> 0:31:12.396
<v Speaker 1>the channel. He reacted to it. He imagines what a

0:31:12.396 --> 0:31:15.876
<v Speaker 1>supporter of Lester Maddocks would think watching Lesterra Mattocks storm

0:31:15.916 --> 0:31:17.516
<v Speaker 1>off the stage.

0:31:17.836 --> 0:31:19.916
<v Speaker 6>Dick, I'm gonna give you. I'm gonna give you one minute,

0:31:20.236 --> 0:31:22.676
<v Speaker 6>so cle Jacksons be for you. Call big, I said, George,

0:31:22.756 --> 0:31:23.516
<v Speaker 6>I'm gonna Aavey show.

0:31:23.556 --> 0:31:25.676
<v Speaker 1>Now you do whatever you won't do back. He gives

0:31:25.676 --> 0:31:30.876
<v Speaker 1>that imaginary supporter a name, Johnny Cutler, a home Birmingham, Alabama,

0:31:31.196 --> 0:31:34.836
<v Speaker 1>a job steel worker. He imagines Johnny Cutler coming home

0:31:34.876 --> 0:31:38.676
<v Speaker 1>one night drunk, gazing at his sleeping wife, and then

0:31:38.876 --> 0:31:41.196
<v Speaker 1>he imagines him turning on the television.

0:31:42.236 --> 0:31:46.556
<v Speaker 4>Last night I saw less Domatics on the TV show

0:31:47.876 --> 0:31:53.276
<v Speaker 4>with some smart ass New York jew and the jew

0:31:53.436 --> 0:32:00.876
<v Speaker 4>laugh less dematics, and the autist laughed less dematics too.

0:32:02.556 --> 0:32:03.396
<v Speaker 5>Will it may.

0:32:04.836 --> 0:32:09.996
<v Speaker 2>So smart at New York too. That's good last, that's

0:32:10.076 --> 0:32:14.956
<v Speaker 2>the man. That's pretty good. Click a clicker, clicker.

0:32:15.556 --> 0:32:18.236
<v Speaker 1>That became the first song on Good Old Boys. It's

0:32:18.276 --> 0:32:20.996
<v Speaker 1>called Rednecks. When I first heard that, I didn't know

0:32:21.076 --> 0:32:23.196
<v Speaker 1>listra Max was. I didn't even know that it was.

0:32:23.476 --> 0:32:27.036
<v Speaker 1>But that idea of the Southerner going to New York

0:32:27.076 --> 0:32:28.076
<v Speaker 1>and sitting down.

0:32:27.996 --> 0:32:30.796
<v Speaker 2>Thinking as Jewish too fantastic.

0:32:31.916 --> 0:32:33.196
<v Speaker 5>Well, it may be.

0:32:32.996 --> 0:32:35.076
<v Speaker 9>A fool, but it's awfool.

0:32:36.436 --> 0:32:38.596
<v Speaker 12>Have to think the better than him.

0:32:38.956 --> 0:32:39.556
<v Speaker 4>They're wrong.

0:32:41.596 --> 0:32:43.876
<v Speaker 2>So when I came to this.

0:32:43.916 --> 0:32:46.516
<v Speaker 1>Park, I took you want to sing along, don't you?

0:32:47.236 --> 0:32:49.836
<v Speaker 1>It's like sail Away all over again. He well, I

0:32:50.116 --> 0:32:57.556
<v Speaker 1>made this song, but then comes this we talk.

0:32:57.836 --> 0:33:03.756
<v Speaker 12>We are all funded down here, drake too much and

0:33:04.036 --> 0:33:08.876
<v Speaker 12>we laughed too loud too. Dun't make it in no,

0:33:09.316 --> 0:33:13.596
<v Speaker 12>all them town keeping nails down.

0:33:15.396 --> 0:33:19.196
<v Speaker 1>It's nineteen seventy. The South is in upheaval. Lester Mattis

0:33:19.236 --> 0:33:23.156
<v Speaker 1>has just been humiliated by some smartass New York jew.

0:33:23.556 --> 0:33:25.636
<v Speaker 1>What do you think Johnny Cupp is gonna say?

0:33:25.756 --> 0:33:26.556
<v Speaker 13>College man?

0:33:27.476 --> 0:33:28.036
<v Speaker 2>It is.

0:33:30.036 --> 0:33:36.516
<v Speaker 13>When in dumb, come out dumpty, hustling around a lenner

0:33:36.676 --> 0:33:40.836
<v Speaker 13>in the alligator shoes, they getting drupped every weekend at

0:33:40.876 --> 0:33:45.516
<v Speaker 13>the barbecues and keeping the nails down.

0:33:46.476 --> 0:33:50.076
<v Speaker 1>How did people respond to that song at the time.

0:33:50.716 --> 0:33:57.756
<v Speaker 2>I played it in Lafayette? Uh, it was young and

0:33:57.796 --> 0:34:02.116
<v Speaker 2>they loved it. I got a letter, the only one

0:34:02.116 --> 0:34:06.756
<v Speaker 2>I ever got on this song from somebody, and he said,

0:34:07.156 --> 0:34:12.036
<v Speaker 2>dear sir, I was in the audience in Lafayette when

0:34:12.036 --> 0:34:16.116
<v Speaker 2>you played this song. He's a black kid, And he said,

0:34:18.996 --> 0:34:22.076
<v Speaker 2>I don't know where you're coming from, but there I was,

0:34:22.236 --> 0:34:24.956
<v Speaker 2>and I was enjoying the concert up to then, and

0:34:24.996 --> 0:34:26.676
<v Speaker 2>all of a sudden, I'm sitting in the middle of

0:34:26.716 --> 0:34:33.476
<v Speaker 2>fifteen hundred white guys yelling red next. We're red next,

0:34:33.516 --> 0:34:36.676
<v Speaker 2>you know? And he said it made him very uncomfortable,

0:34:37.156 --> 0:34:39.036
<v Speaker 2>and he wanted to let me know.

0:34:39.796 --> 0:34:45.596
<v Speaker 12>Weir read, weard, we don't know.

0:34:45.876 --> 0:34:49.396
<v Speaker 9>I ask normal, holding the ground, we read.

0:34:50.716 --> 0:34:54.316
<v Speaker 1>Southern audiences started yelling for it so they could sing

0:34:54.356 --> 0:34:57.756
<v Speaker 1>along with the chorus. Did it become was it taken

0:34:57.796 --> 0:35:01.196
<v Speaker 1>over by didn't become a kind of Southern anthem for

0:35:01.236 --> 0:35:02.076
<v Speaker 1>a certain kind of.

0:35:02.596 --> 0:35:05.196
<v Speaker 2>Or did When I thought that that was happening. I

0:35:05.236 --> 0:35:06.076
<v Speaker 2>stopped playing it.

0:35:06.396 --> 0:35:10.916
<v Speaker 1>You know, in the South, he had to stop singing it.

0:35:11.316 --> 0:35:14.996
<v Speaker 1>Many radio stations wouldn't play it, and you definitely wouldn't

0:35:15.036 --> 0:35:17.996
<v Speaker 1>hear that song on the radio today. It even feels

0:35:17.996 --> 0:35:23.156
<v Speaker 1>strange to play it here. We've become appropriately uncomfortable with

0:35:23.236 --> 0:35:26.676
<v Speaker 1>the N word in almost any context. You can only

0:35:26.716 --> 0:35:30.156
<v Speaker 1>play Rednecks now if you explain where it came from

0:35:30.476 --> 0:35:34.396
<v Speaker 1>and who Johnny Cutler was. But you can't not play

0:35:34.436 --> 0:35:38.156
<v Speaker 1>it just because it makes you feel uncomfortable, because Johnny

0:35:38.156 --> 0:35:43.436
<v Speaker 1>Cutler in Birmingham, Alabama, in nineteen seventy absolutely wanted to

0:35:43.516 --> 0:35:46.476
<v Speaker 1>keep the niggers down, and we can't gloss over that

0:35:46.556 --> 0:35:50.276
<v Speaker 1>fact if we're being honest. Oh and by the way,

0:35:50.436 --> 0:35:52.316
<v Speaker 1>Johnny Cutler wasn't done.

0:35:52.556 --> 0:35:57.756
<v Speaker 9>Down here, we twigger were to realize at the North

0:35:58.036 --> 0:35:59.636
<v Speaker 9>sent the niaga free.

0:35:59.916 --> 0:36:02.716
<v Speaker 1>He then names every slum in every northern city.

0:36:02.796 --> 0:36:05.676
<v Speaker 9>Put in a cage in Harlem, in New York City,

0:36:06.436 --> 0:36:08.956
<v Speaker 9>it's free to be put in a cage. In the south.

0:36:09.276 --> 0:36:12.236
<v Speaker 9>Out of Chicago, on the West Side, he's free to

0:36:12.276 --> 0:36:15.356
<v Speaker 9>be putt in a cage. And he Saint Louis and

0:36:15.516 --> 0:36:19.676
<v Speaker 9>then put a minute cage and Houghing please, and then

0:36:19.796 --> 0:36:24.676
<v Speaker 9>put a minutic cage filmont Sian Francisco, and then put

0:36:24.756 --> 0:36:26.996
<v Speaker 9>him in the cage Lenox here.

0:36:26.916 --> 0:36:28.716
<v Speaker 2>And Boston they gathered.

0:36:28.956 --> 0:36:32.236
<v Speaker 1>He says to all those smug Northerners, when you drive

0:36:32.276 --> 0:36:34.956
<v Speaker 1>with your windows up and your door is locked through

0:36:34.956 --> 0:36:38.596
<v Speaker 1>the projects of your own inner cities, are you still

0:36:38.676 --> 0:36:43.316
<v Speaker 1>sure you're better than me? Now you have to play

0:36:43.356 --> 0:36:46.836
<v Speaker 1>that too, because if you're going to be honest about

0:36:46.836 --> 0:36:50.316
<v Speaker 1>who Lester Maddox really was, you have to be honest

0:36:50.596 --> 0:36:55.196
<v Speaker 1>about his critics too. Did you ever hear from Lester Maddox?

0:36:55.996 --> 0:36:58.676
<v Speaker 2>He sent me an axe and didn't really know.

0:36:59.836 --> 0:37:01.036
<v Speaker 1>Oh that's fantastic.

0:37:01.876 --> 0:37:04.556
<v Speaker 2>From his store he sold the axe handles.

0:37:04.636 --> 0:37:09.036
<v Speaker 1>Yeah, yeah, pickhandless. Lester Maddox listened to a song about

0:37:09.276 --> 0:37:11.876
<v Speaker 1>racial hatred, and he sent the man who wrote it

0:37:12.276 --> 0:37:27.596
<v Speaker 1>a pickhandle as a token of his gratitude. Revisionist History

0:37:27.756 --> 0:37:31.996
<v Speaker 1>is produced by me LaBelle and Jacob Smith with Camille Baptista.

0:37:32.596 --> 0:37:36.836
<v Speaker 1>Our editor is Julia Barton. Flonn Williams is our engineer.

0:37:37.076 --> 0:37:41.036
<v Speaker 1>Fact checking by Beth Johnson. Original music by Luis Gierra.

0:37:41.476 --> 0:37:47.396
<v Speaker 1>Special thanks to Carle Migliori, Heather Fein Maggie Taylor, Maya Kanigg,

0:37:47.556 --> 0:37:51.196
<v Speaker 1>and Jacob Weisberg. Revision's history is brought to you by

0:37:51.236 --> 0:37:58.996
<v Speaker 1>Pushkin Industries. I'm Malcolm Gladwell. By the way, there's a

0:37:59.036 --> 0:38:02.036
<v Speaker 1>great essay on this subject in the twenty fourteen book

0:38:02.396 --> 0:38:05.836
<v Speaker 1>let The Devil Speak by Stephen Hart. Heart writes that

0:38:06.356 --> 0:38:10.116
<v Speaker 1>in sail Away, Randy Newman showed one of America's greatest

0:38:10.196 --> 0:38:14.436
<v Speaker 1>lies being crafted. In his next album, Newman would show

0:38:14.476 --> 0:38:24.796
<v Speaker 1>how the lie soaked into America's bones. Com aboard Little One.

0:38:24.796 --> 0:38:33.276
<v Speaker 2>And Yeah, then what you can't I think this is

0:38:33.316 --> 0:38:36.076
<v Speaker 2>sort of happy. I mean, certainly the voices make it

0:38:36.076 --> 0:38:38.756
<v Speaker 2>that way. You can't do it?

0:38:39.116 --> 0:38:49.796
<v Speaker 1>Yeah, it's lost all of it's you know. I like that,

0:38:53.516 --> 0:38:56.356
<v Speaker 1>Like it's something of delicacy you're getting at this. Yeah,

0:38:56.516 --> 0:38:59.996
<v Speaker 1>artisanal bakery.