WEBVTT - INTERVIEW: Harry O Speaks On Calculated Communication, Reputation, New Book + More

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club Morning,

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<v Speaker 1>Everybody's DJ Envy just hilarious. Charlamagne the God we are

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<v Speaker 1>the Breakfast Club Lawn. La Rosa is here as well.

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<v Speaker 1>And we got a special guest in the building. We

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<v Speaker 1>got the good brother Harold Wilkerson. Anybody gonna know who

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<v Speaker 1>that is?

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<v Speaker 2>Harry Old.

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<v Speaker 1>Ladies and gentlemen, what's up, brother?

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<v Speaker 3>What's going on? What's going on? Everyone? Thank you for

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<v Speaker 3>having me? L L Lauren?

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<v Speaker 1>What's up?

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<v Speaker 2>HARRYO? Got a new book called It's Beyond Words, which

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<v Speaker 2>is out right now.

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<v Speaker 1>And you talk, you're talking about.

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<v Speaker 2>The art of calculated communication.

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<v Speaker 1>Yes, what is that?

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<v Speaker 3>Great question? So the art of calculated communication? Let me

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<v Speaker 3>just rewind a little bit for the room who may

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<v Speaker 3>not know or those who don't know in the room

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<v Speaker 3>that besides an entertainment executive, I'm also a college professor

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<v Speaker 3>and I've been teaching communication courses for maybe twelve to

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<v Speaker 3>thirteen years.

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<v Speaker 1>You know that if you're gonna go that far, let's

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<v Speaker 1>go all the way back there. You know, HARRYO. It

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<v Speaker 1>was started off as a rapper. Yes, that's originally know HARRYO.

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<v Speaker 1>He's from high Bridge, He's from the Bronx he s

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<v Speaker 1>throught up as a rapper from and it was signed

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<v Speaker 1>to the Ink. Yes, signed to the Ink. You was

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<v Speaker 1>a hype man for Jo Roll for many years and

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<v Speaker 1>then you stop rapping and now break it that. Well,

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<v Speaker 1>first of all, how did you meet IRV and everybody

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<v Speaker 1>and go through that whole list of things?

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<v Speaker 3>Great question, So let me rewind, right, So first I

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<v Speaker 3>started entertainment business. I had a deal with Uptown Records

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<v Speaker 3>first with Andre Hrrell and everyone over there. God bless

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<v Speaker 3>it that level favorite favorite, right best for R and

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<v Speaker 3>B music, all right, So I was maybe like in

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<v Speaker 3>eighth grade, so that came went. Then I was working

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<v Speaker 3>with Puff for a while. Whoa, oh that bad boy. Yeah, listen,

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<v Speaker 3>I know my guy's going through a lot. But I

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<v Speaker 3>got to give him a lot of credit for helping

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<v Speaker 3>me of where I'm at today. Like I have to

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<v Speaker 3>give him his credit because I probably wouldn't be here

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<v Speaker 3>without the image of him.

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<v Speaker 2>Right, Well, we can't take away what he did professionally.

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<v Speaker 3>Professionally and what he and what he did for me

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<v Speaker 3>in my life. Person He did a lot for me

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<v Speaker 3>and and I you know, tell you about it if

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<v Speaker 3>I have time, Like he stuck up for me plenty

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<v Speaker 3>of times when executives tried to blackball me and things

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<v Speaker 3>like that. Puff found out about it, step in like you, now,

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<v Speaker 3>you're not doing that to my guy. So I got

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<v Speaker 3>to give him this credit. So from there we transition quick.

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<v Speaker 3>I had to deal with Motown, they had to deal

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<v Speaker 3>with murder inc Right.

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<v Speaker 1>How many deals do you have?

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<v Speaker 3>About four deals starting at eighth grade? Starting in eighth grade,

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<v Speaker 3>started in the eighth grade. Like, I've been doing entertainment

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<v Speaker 3>for a long time. So now fast forward. Let me

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<v Speaker 3>just tell you as far as me and Ja, I

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<v Speaker 3>met Ja on the set of a movie called Turn

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<v Speaker 3>It Up. Right, You're not gonna remember me in the

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<v Speaker 3>movie because they edited me out through movie.

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<v Speaker 1>You're not gonna remember me.

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<v Speaker 3>But you if you look at the credits, you'll see

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<v Speaker 3>me in the credits or whatever. So the movie was

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<v Speaker 3>shot in Canada, So we traveled to Canada. Right, I'm

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<v Speaker 3>there with my manager. We're trying to get into Canada.

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<v Speaker 3>My manager at the time, he gets arrested for some reason.

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<v Speaker 3>He can't get into Canada. You know how that goes.

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<v Speaker 3>So now I'm just I'm young. I'm in Canada about

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<v Speaker 3>to shoot this movie. I'm by myself. I'm a little nervous.

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<v Speaker 3>So my trailer is right next to Jo's trailer. But

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<v Speaker 3>I would always see Ja in the Violator office because

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<v Speaker 3>we was working with a violator death Jam. But we

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<v Speaker 3>never really, you know, knew each other. We saw each other,

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<v Speaker 3>we passed. So I'm in a trailer. He knocks on

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<v Speaker 3>my trailer door, so I opened up. He goes, yo,

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<v Speaker 3>you signed a death Jam, you signed a violator. I'm like, nah,

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<v Speaker 3>my god, my song this, and we're doing work over there.

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<v Speaker 3>He goes, man, I hear you here by yourself and

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<v Speaker 3>your manager got arrested. Listen, anything you need, come to

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<v Speaker 3>my trailer. If you need weed, if you need hennessy,

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<v Speaker 3>if you need anything. Joe has been trying to get

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<v Speaker 3>me high since I met him, Right, yeah, I don't

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<v Speaker 3>do any of that. So from there, John and I

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<v Speaker 3>had a connection. That was his first album, like right

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<v Speaker 3>before his first album came out. After this album came out,

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<v Speaker 3>he blew up and took off, and you know, my

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<v Speaker 3>career was going wherever it was going. But anytime we

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<v Speaker 3>would see each other, it would like we would stop

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<v Speaker 3>everything and give each other love. And then I met

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<v Speaker 3>Chris Gotti, Irv's brother, somewhere in the club and he

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<v Speaker 3>knew I did music. He said, listen, won't you come

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<v Speaker 3>down to the studio. Went to the studio. So I

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<v Speaker 3>recording records with IRV, records with Ashanti records with Joe. Next,

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<v Speaker 3>you know, a brotherhood form where although me and Joh

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<v Speaker 3>came in through entertainment, that's more my brother like that,

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<v Speaker 3>that's my guy. And on I said before my company

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<v Speaker 3>chased Republic, we serve as like an independent agency form.

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<v Speaker 3>We close a lot of different deals like I do

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<v Speaker 3>with you. I and we'll talked about made a lot

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<v Speaker 3>of money together. But more importantly, that's that's my brother,

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<v Speaker 3>that's my guy.

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<v Speaker 1>So now so now you get out of music, and

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<v Speaker 1>music never takes off. I see.

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<v Speaker 3>You can look at it that way, right, you tell me, well,

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<v Speaker 3>I had the transition. I always say this, right, somebody

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<v Speaker 3>can ask you, like, how do you view success? Right,

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<v Speaker 3>So in your eyes you may say Harry Yo as

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<v Speaker 3>an artist wasn't successful, and that's fine. You can see

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<v Speaker 3>it that way. I don't view it that way. I

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<v Speaker 3>view it as I came into the entertainment business in

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<v Speaker 3>eighth grade. I made a life out of it. I'm

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<v Speaker 3>sitting here doing an interview on a breakfast club, not

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<v Speaker 3>a rapper.

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<v Speaker 2>I'm not always doing you as an executive. Like that's

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<v Speaker 2>how I always looked at Harry as an executive. I

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<v Speaker 2>never even knew anything about.

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<v Speaker 3>Like being a DJ. Yeah, there's been plenty of times

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<v Speaker 3>where like I would have to wait for E outside

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<v Speaker 3>of the radio station, try to get music played, like

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<v Speaker 3>we have that relationship you and I met later on

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<v Speaker 3>in life as being an entertainment. Exact the same thing

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<v Speaker 3>with Lauren, like you and I met. First conversation I

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<v Speaker 3>have with you, it says, Listen could probably make some

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<v Speaker 3>money with you, right, Yeah, and that's how it went.

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<v Speaker 3>But he just knows a little bit of the backstory.

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<v Speaker 3>But yeah, so it all depends on how you want

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<v Speaker 3>to look at it as far as you're not being successful.

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<v Speaker 3>But I made a life for it, my dad, Listen,

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<v Speaker 3>I paid her tuition. That's entertainment. Do you understand her

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<v Speaker 3>private school tuition, which we all know is very expensive?

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<v Speaker 3>All through entertainment. So someone asks, hey, you weren't successful,

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<v Speaker 3>I don't know. I wouldn't say that. I say I

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<v Speaker 3>think them pretty well.

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<v Speaker 4>Are you probably about to ask this, Well, then I'm

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<v Speaker 4>interested in know so from the artist's perspective, then you

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<v Speaker 4>transition into the executive side because of the relationships.

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<v Speaker 3>And what is that transition because.

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<v Speaker 4>You started at eight, an executive is an adult making

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<v Speaker 4>real doark decisions.

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<v Speaker 3>Right, Well, it's two folds to it, right. As I said,

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<v Speaker 3>I've been a college professor teaching communication courses. Now with

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<v Speaker 3>communication to understand the art of connecting with others, we're

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<v Speaker 3>first connecting with yourself. And what we were talking about.

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<v Speaker 3>Once I understood and fully came of who I am,

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<v Speaker 3>a higher sense of awareness of me, I understood my abilities.

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<v Speaker 3>I understood how I can build relationships. So I just

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<v Speaker 3>started to build and form credible relationships with people, building trust,

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<v Speaker 3>but in a strategic way, not in a manipulative way,

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<v Speaker 3>just very strategic and like I can talk a lot

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<v Speaker 3>about me and MV because MB and I made some

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<v Speaker 3>money together and our relationship build, and I was intentional

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<v Speaker 3>on how we're building our relationship. So what I did

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<v Speaker 3>is I just merged the world between entertainment and education

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<v Speaker 3>and made a life.

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<v Speaker 2>So what is the art of calculator communication? And how

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<v Speaker 2>has that helped you? Okay, got to get through all

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<v Speaker 2>those different worlds.

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<v Speaker 3>So the art of calculator communication and to make it sure.

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<v Speaker 3>Because you can talk about this all day. But what

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<v Speaker 3>I would do is this, right, say with Lauren, for instance,

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<v Speaker 3>right I met Lauren at the Brooklyn Nets event. Now

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<v Speaker 3>you said, hey, Lauren's on her way here, can you

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<v Speaker 3>send somebody to get it in Immediately, I'm like, all right,

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<v Speaker 3>I know who she is. I absolutely know that we

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<v Speaker 3>can probably do business with her.

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<v Speaker 1>Lauren was two hours late, by.

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<v Speaker 4>The way, I wasn't gonna say, is like driving to

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<v Speaker 4>another planning and it was raining, but I will pull

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<v Speaker 4>up for y'all later or not.

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<v Speaker 3>We had an event in the Barclay Center for the

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<v Speaker 3>Brooklyn Nets, which are one of my partners, and I

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<v Speaker 3>hire you to do different events. So he while we're there,

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<v Speaker 3>he's like, listen, Lauren's on the way, can you send

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<v Speaker 3>somebody to get it. You know how difficult it is

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<v Speaker 3>to get someone inside the Barclay Center when it's closed,

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<v Speaker 3>like it's really closed at this point. But I understand

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<v Speaker 3>I have to be a little bit strategic. I want

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<v Speaker 3>to build a relationship with this young lady possibly do business.

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<v Speaker 3>So we sent an executive to go outside and figure

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<v Speaker 3>it out to get her in now as she's in.

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<v Speaker 3>I understand it takes more than one encounter for us

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<v Speaker 3>to start building some type of relationship, but we have

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<v Speaker 3>to have that first encounter. It have to be a

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<v Speaker 3>genuine encounter. It has to be maybe someone can help

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<v Speaker 3>build that bridge between you and I, and I use June.

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<v Speaker 3>June em he's manager. Whoever's listening. I said, June, ju

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<v Speaker 3>me in favor, let her know, stamp me right, let

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<v Speaker 3>her know. So June went to you and said, Hey, Harry, yo,

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<v Speaker 3>this is my guy. That's all I needed to start

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<v Speaker 3>building some type of communication with you. Now, to make

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<v Speaker 3>it a little bit shorter. In order for Lauren and

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<v Speaker 3>I to build a relationship, I have to get her

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<v Speaker 3>to peel back hilarious. I have to try to get

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<v Speaker 3>to know her. The closer I get to her, the

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<v Speaker 3>more of a chance I have of doing great business

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<v Speaker 3>with her. I just can't pick up the phone and say, hey,

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<v Speaker 3>I have a bunch of deals for you. She doesn't

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<v Speaker 3>even know who I am. Yeah, we have to build trust.

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<v Speaker 3>So I have to get her to pill back layers.

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<v Speaker 3>I have to ask her questions. But if she never responds,

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<v Speaker 3>like say, if I say, hey, as simple as this, Laurna,

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<v Speaker 3>how was your day today?

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<v Speaker 4>Great so far besides dealing with Charlamagne.

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<v Speaker 2>But other than that, I'm the best part of her

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<v Speaker 2>day the other day.

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<v Speaker 3>What are your plans tomorrow?

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<v Speaker 4>We have a flight. We're going to la for the

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<v Speaker 4>BT Awards. Me and the team at the Breakfast Club. Wow, well,

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<v Speaker 4>not them, but the producers and stuff.

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<v Speaker 3>You have a lot of work at the BT Awards.

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<v Speaker 4>We do the latest with Laurena Rose is in the

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<v Speaker 4>radio room for the first time ever for two days.

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<v Speaker 3>Pretty cool. Congratulations, I love that. Now check this out right.

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<v Speaker 3>So I would have to work a little bit harder

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<v Speaker 3>now with Lauren because although I asked these questions, and

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<v Speaker 3>I know we're on air's a lot going on. I

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<v Speaker 3>asked her how it was her day, right, and she

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<v Speaker 3>said how what they was? She didn't say, how is yours? Too?

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<v Speaker 4>Oh shoot, sorry, so's I'm intating the next question.

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<v Speaker 3>I know I would know it's fine. I'm interested in

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<v Speaker 3>knowing about her day, but I want to see how

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<v Speaker 3>much interest she's holding in me to know about me

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<v Speaker 3>as well, and sooner or later that would come. This

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<v Speaker 3>is our made me like our second encounter, But if

0:09:51.160 --> 0:09:53.120
<v Speaker 3>I can't get you to have that exchange with me,

0:09:53.240 --> 0:09:54.960
<v Speaker 3>I have to work a lot harder and be more

0:09:55.000 --> 0:09:57.520
<v Speaker 3>strategic and to get you to communicate with me.

0:09:58.160 --> 0:10:00.600
<v Speaker 1>And if you never do that, it's right.

0:10:00.480 --> 0:10:02.959
<v Speaker 3>This person doesn't have any interest in building with me

0:10:03.120 --> 0:10:03.880
<v Speaker 3>in this area.

0:10:04.120 --> 0:10:06.839
<v Speaker 4>I think also too in business. I've never had a

0:10:06.840 --> 0:10:09.400
<v Speaker 4>business interaction where my first thought is to say, how

0:10:09.559 --> 0:10:11.600
<v Speaker 4>is your Like most people come to you just like so, like,

0:10:11.720 --> 0:10:12.880
<v Speaker 4>this is what I want, this is what I need.

0:10:12.880 --> 0:10:14.320
<v Speaker 4>So you just kind of sit and listen and then

0:10:14.360 --> 0:10:16.319
<v Speaker 4>you try and think through can I even do that

0:10:16.360 --> 0:10:17.439
<v Speaker 4>with everything else that have happening.

0:10:17.559 --> 0:10:21.600
<v Speaker 3>That's the problem with communication where I don't want any

0:10:21.640 --> 0:10:25.840
<v Speaker 3>communication with anyone to feel transactional. And I'm only using

0:10:25.920 --> 0:10:27.679
<v Speaker 3>NBA as example because we made some money they give

0:10:27.720 --> 0:10:30.440
<v Speaker 3>me through business. NBA and I have a relationship where

0:10:30.559 --> 0:10:33.120
<v Speaker 3>NBA called me at five o'clock in the morning and

0:10:33.120 --> 0:10:34.120
<v Speaker 3>we're talking about dance.

0:10:35.240 --> 0:10:37.320
<v Speaker 1>We're not even talking about business, we're talking about dance.

0:10:37.320 --> 0:10:38.559
<v Speaker 1>He's like, Yo, do you do this with your daughter?

0:10:38.800 --> 0:10:41.000
<v Speaker 3>Look at these classes? Check this out. How did it

0:10:41.080 --> 0:10:41.560
<v Speaker 3>get there?

0:10:41.760 --> 0:10:43.040
<v Speaker 1>It got there through.

0:10:43.000 --> 0:10:46.400
<v Speaker 3>Strategic communication and connecting and building. If every time I

0:10:46.440 --> 0:10:48.560
<v Speaker 3>seee it's just hey, I got a you got B

0:10:49.120 --> 0:10:52.440
<v Speaker 3>sooner or later. If I don't have a anymore, or

0:10:52.920 --> 0:10:55.160
<v Speaker 3>I'm in a downside, I can't get either really pick

0:10:55.240 --> 0:10:57.080
<v Speaker 3>up my calls because we don't have a connection. If

0:10:57.120 --> 0:10:58.160
<v Speaker 3>I'm making sense here.

0:10:58.280 --> 0:11:01.480
<v Speaker 2>You are making sense what I will say, hate small talk, right,

0:11:01.640 --> 0:11:04.040
<v Speaker 2>So when I hear that conversation with you and law

0:11:04.080 --> 0:11:05.319
<v Speaker 2>and I'm like, Okay, what does he want?

0:11:05.679 --> 0:11:06.439
<v Speaker 1>That's what I was thinking.

0:11:06.480 --> 0:11:08.600
<v Speaker 2>To what I'm saying, I'd rather you just get to it.

0:11:08.800 --> 0:11:13.199
<v Speaker 2>And I don't think there's anything wrong with a transactional conversation.

0:11:13.360 --> 0:11:15.120
<v Speaker 2>Like you know, if you have something to offer me

0:11:15.559 --> 0:11:17.079
<v Speaker 2>and you think that I'm a person that can help

0:11:17.120 --> 0:11:21.360
<v Speaker 2>you execute something, bring it to the table. That's intentional conversation.

0:11:21.440 --> 0:11:24.000
<v Speaker 3>Now here's the thing that may work in your professional world.

0:11:24.640 --> 0:11:27.520
<v Speaker 3>It may not work in your personal life though, because communication.

0:11:27.679 --> 0:11:31.080
<v Speaker 3>Listen to understand communication will be the key to your

0:11:31.120 --> 0:11:33.600
<v Speaker 3>professional and your personal life. That may be okay for

0:11:33.679 --> 0:11:38.320
<v Speaker 3>your business relationship, but not every personal relationship. Not somebody

0:11:38.320 --> 0:11:40.640
<v Speaker 3>that's just trying to build a genuine friendship with You

0:11:41.280 --> 0:11:42.480
<v Speaker 3>don't want it to feel transaction.

0:11:42.559 --> 0:11:44.080
<v Speaker 2>That's what you're trying to do. You're trying to build

0:11:44.080 --> 0:11:45.240
<v Speaker 2>a personal relationship with lawn.

0:11:45.360 --> 0:11:49.120
<v Speaker 3>Well, for me, my success comes when I'm building a

0:11:49.160 --> 0:11:52.079
<v Speaker 3>relationship with a person where we have some type of friendship.

0:11:53.040 --> 0:11:55.600
<v Speaker 3>If we have some type of some kind of friendship,

0:11:55.640 --> 0:11:58.320
<v Speaker 3>like we don't have to talk at five o'clock in

0:11:58.320 --> 0:12:00.559
<v Speaker 3>the morning, but we have some type of action, some

0:12:00.559 --> 0:12:04.240
<v Speaker 3>type of friendship, it's a higher ratio that we can

0:12:04.320 --> 0:12:06.400
<v Speaker 3>do great business together.

0:12:06.720 --> 0:12:08.480
<v Speaker 4>I think people there are some people that would argue

0:12:08.520 --> 0:12:10.920
<v Speaker 4>against that though, because I mean I think too. It's

0:12:11.120 --> 0:12:13.240
<v Speaker 4>kind of like the background that you have, like knowing

0:12:13.600 --> 0:12:15.760
<v Speaker 4>the type of like music and era that you come from.

0:12:15.880 --> 0:12:17.600
<v Speaker 4>You value that, but a lot of people don't have

0:12:17.720 --> 0:12:19.160
<v Speaker 4>values today. So it's like I don't want to be

0:12:19.200 --> 0:12:20.720
<v Speaker 4>your friend. If we're gonna do business, will do it,

0:12:20.760 --> 0:12:22.360
<v Speaker 4>and then we determine what that looks like after.

0:12:22.480 --> 0:12:24.800
<v Speaker 1>I won't say this though. The one thing for people

0:12:24.840 --> 0:12:27.360
<v Speaker 1>listening to me, Harry O is like Steve stout right,

0:12:27.360 --> 0:12:29.280
<v Speaker 1>And when I say like Steve stout that might.

0:12:29.160 --> 0:12:30.480
<v Speaker 2>Not be a good thing for some people.

0:12:30.640 --> 0:12:34.160
<v Speaker 1>No, well, let me tell you, I'm go politest I made.

0:12:34.559 --> 0:12:40.720
<v Speaker 1>He connects businesses to people to talent. So for instance, okay,

0:12:41.400 --> 0:12:44.400
<v Speaker 1>he had a one of his clients was East New York,

0:12:44.400 --> 0:12:46.600
<v Speaker 1>which was a show that was on out of Channel

0:12:46.840 --> 0:12:49.280
<v Speaker 1>nine or whatever it was, uh, And he called me

0:12:49.320 --> 0:12:51.080
<v Speaker 1>one day and was like, I have a part for

0:12:51.120 --> 0:12:54.439
<v Speaker 1>you in this in this show. I'm like, bro, I'm

0:12:54.480 --> 0:12:56.760
<v Speaker 1>not acting. I'm taken acting lessons a long time. He

0:12:56.840 --> 0:12:58.199
<v Speaker 1>was like, nah, I really want you to read the

0:12:58.200 --> 0:13:01.360
<v Speaker 1>script and try it right. And I'm like, because of

0:13:01.400 --> 0:13:03.040
<v Speaker 1>our relationship, I was like, no, let me give it

0:13:03.040 --> 0:13:06.200
<v Speaker 1>a shot. And when I did it, it went well.

0:13:06.200 --> 0:13:07.679
<v Speaker 1>They loved me. They wanted to bring me back for

0:13:07.760 --> 0:13:10.720
<v Speaker 1>more episodes. But what impressed me more was, you know,

0:13:10.760 --> 0:13:14.160
<v Speaker 1>I know Harrio from a street rapper, like from the Bronx,

0:13:14.240 --> 0:13:18.040
<v Speaker 1>like gangster rapper, so but to see him being a

0:13:18.120 --> 0:13:20.160
<v Speaker 1>guy that's in the middle of East New York and

0:13:20.280 --> 0:13:23.400
<v Speaker 1>me we're in the trailer, but he's teaching a class

0:13:23.440 --> 0:13:26.040
<v Speaker 1>in the middle of me shooting on as a professor.

0:13:26.400 --> 0:13:28.240
<v Speaker 1>And I'm like, this is amazing because you see how

0:13:28.280 --> 0:13:30.200
<v Speaker 1>people evolve, you know what I mean, And a lot

0:13:30.240 --> 0:13:32.120
<v Speaker 1>of people don't evolve, a lot of people still want

0:13:32.160 --> 0:13:35.600
<v Speaker 1>to be the toughest, hardest rapper at you know whatever agent.

0:13:35.640 --> 0:13:37.800
<v Speaker 1>It just doesn't make sense. And I appreciated that. I'm like,

0:13:37.840 --> 0:13:40.319
<v Speaker 1>because he revolved. But that relationship, like you said, was

0:13:40.360 --> 0:13:42.960
<v Speaker 1>the reason why I trusted you to try East New York. Yeah.

0:13:43.000 --> 0:13:46.120
<v Speaker 3>Absolutely, And to Laurren's point, listen, Yeah, when we discussing

0:13:46.160 --> 0:13:49.959
<v Speaker 3>communication Shaul and everyone, it's all theoretical, like what I'm

0:13:50.000 --> 0:13:52.600
<v Speaker 3>saying may not work with you or resonate with you.

0:13:53.000 --> 0:13:55.400
<v Speaker 3>It just happens that it resonates with me, and it's

0:13:55.400 --> 0:13:58.440
<v Speaker 3>been proven to be successful for me. And like I said,

0:13:58.440 --> 0:14:01.080
<v Speaker 3>I'm glad he like mentioned that because he is a

0:14:01.120 --> 0:14:03.600
<v Speaker 3>testament to what I'm saying. As far as how we

0:14:03.640 --> 0:14:06.880
<v Speaker 3>build this relationship where it's trust, I call him and say, Vy,

0:14:07.080 --> 0:14:09.560
<v Speaker 3>I'm gonna put you on TV. Is a network. We're

0:14:09.559 --> 0:14:12.160
<v Speaker 3>doing this cop show, wants you to act in it?

0:14:12.760 --> 0:14:15.800
<v Speaker 3>All right? Cool? After we discussed whatever the logistics are,

0:14:16.679 --> 0:14:18.760
<v Speaker 3>he doesn't even have to think anymore because you're like,

0:14:18.800 --> 0:14:21.240
<v Speaker 3>you know what, I trust Harry, Yo. But we built

0:14:21.320 --> 0:14:24.200
<v Speaker 3>our relationship to that point and I was intentional about that.

0:14:24.240 --> 0:14:26.440
<v Speaker 2>Yeah, I give you saying like the established a real connection.

0:14:26.720 --> 0:14:28.320
<v Speaker 2>I think the established a real connection has to be

0:14:28.360 --> 0:14:29.800
<v Speaker 2>some form of real communication.

0:14:29.960 --> 0:14:33.840
<v Speaker 4>Yes, absolutely absolutely, And I think guard too depends on

0:14:33.920 --> 0:14:36.320
<v Speaker 4>because like there are certain times where like if people

0:14:36.320 --> 0:14:37.840
<v Speaker 4>approach me to do certain things and they say that

0:14:37.880 --> 0:14:40.240
<v Speaker 4>they've worked with Charlamage or Envy, I'll call them and say, hey,

0:14:40.320 --> 0:14:41.080
<v Speaker 4>do you know this person?

0:14:41.240 --> 0:14:41.960
<v Speaker 3>Like is it?

0:14:42.040 --> 0:14:46.160
<v Speaker 4>Because nowadays too, because you turned to this chapter or

0:14:46.240 --> 0:14:48.080
<v Speaker 4>page in your book you talk about like the influencer.

0:14:48.240 --> 0:14:51.760
<v Speaker 4>You talk about like media being the beauty and then

0:14:51.800 --> 0:14:54.520
<v Speaker 4>the beast being society because of the way that things

0:14:54.560 --> 0:14:57.520
<v Speaker 4>are distorted or like shown online. With people in business,

0:14:57.560 --> 0:14:59.320
<v Speaker 4>you never know what's real and what's faked. So it's

0:14:59.360 --> 0:15:01.240
<v Speaker 4>like you got to kind of like hold up what

0:15:01.320 --> 0:15:03.520
<v Speaker 4>you want before you even be like, let me allow

0:15:03.520 --> 0:15:05.280
<v Speaker 4>you to enter what I've worked on.

0:15:05.440 --> 0:15:08.040
<v Speaker 3>Right, absolutely, And for me, it is building your reputation.

0:15:08.520 --> 0:15:10.320
<v Speaker 3>I'm not sure if you heard the saying people meet

0:15:10.320 --> 0:15:11.440
<v Speaker 3>your reputation before.

0:15:11.200 --> 0:15:11.600
<v Speaker 2>They meet you.

0:15:11.840 --> 0:15:15.400
<v Speaker 3>Yeah, right, your reputation. My reputation is in this room

0:15:15.440 --> 0:15:17.320
<v Speaker 3>before I walked in. That's the only reason I was

0:15:17.360 --> 0:15:21.480
<v Speaker 3>able to get it. So I know, building my reputation,

0:15:21.560 --> 0:15:23.720
<v Speaker 3>that's a form of knowing how I connect with myself,

0:15:23.800 --> 0:15:26.680
<v Speaker 3>knowing how I see me and how what I project

0:15:26.680 --> 0:15:29.400
<v Speaker 3>for others to see. And if my reputation is solid,

0:15:29.880 --> 0:15:33.400
<v Speaker 3>people will vouch for it, so yes, absolutely, and he

0:15:33.560 --> 0:15:36.680
<v Speaker 3>represent me. I mentioned media and manipulation in the book

0:15:37.000 --> 0:15:39.080
<v Speaker 3>as well, which is really really important. And if I

0:15:39.080 --> 0:15:41.520
<v Speaker 3>have some time, can I touch on it all right?

0:15:42.720 --> 0:15:46.520
<v Speaker 3>Because in the book I mentioned I brought up Shine

0:15:46.840 --> 0:15:50.600
<v Speaker 3>in the book and the shooting that happened X amount

0:15:50.600 --> 0:15:53.440
<v Speaker 3>of years ago, And this is really important that I

0:15:53.480 --> 0:15:56.000
<v Speaker 3>don't want to seem as like I'm poking a hole

0:15:56.080 --> 0:16:01.680
<v Speaker 3>at Shine or picking at wounds anything like that. Now,

0:16:02.720 --> 0:16:04.720
<v Speaker 3>Sean was arrested for what, Like, what did he get

0:16:04.760 --> 0:16:08.280
<v Speaker 3>arrested for? What did you do? So it was.

0:16:08.760 --> 0:16:12.720
<v Speaker 1>Assault or something man shooting a gun and illegal fire.

0:16:12.760 --> 0:16:14.440
<v Speaker 3>That's when somebody else to say, that's all okay.

0:16:14.240 --> 0:16:16.320
<v Speaker 1>That's why I believe it thiss George and illegal fire?

0:16:16.360 --> 0:16:16.720
<v Speaker 1>All right?

0:16:16.960 --> 0:16:22.200
<v Speaker 3>So what happened? Meaning what led him to do that?

0:16:22.680 --> 0:16:24.960
<v Speaker 3>And it's not only that Sean that has these issues

0:16:25.240 --> 0:16:26.800
<v Speaker 3>or that had these issues a young a lot of

0:16:26.800 --> 0:16:29.360
<v Speaker 3>young people in our hip hop culture had these issues. Now,

0:16:29.400 --> 0:16:33.920
<v Speaker 3>let me connect it to media, manipulation and representation. Media,

0:16:34.360 --> 0:16:38.080
<v Speaker 3>how we describe it is any way you receive information,

0:16:38.160 --> 0:16:41.000
<v Speaker 3>any way you receive thoughts, right, So it could be

0:16:41.120 --> 0:16:44.080
<v Speaker 3>the movies you watch, it could be the music you're

0:16:44.080 --> 0:16:47.280
<v Speaker 3>listening to. So if you are young and you not

0:16:47.440 --> 0:16:50.800
<v Speaker 3>understand exactly who you are yet, you're not connecting with yourself.

0:16:51.040 --> 0:16:54.000
<v Speaker 3>But every time you see you, it's in the wire,

0:16:54.960 --> 0:16:59.520
<v Speaker 3>it's on these shows, of these criminal shows. All the

0:16:59.640 --> 0:17:02.000
<v Speaker 3>music you're listening to is telling you who you are.

0:17:02.040 --> 0:17:03.640
<v Speaker 3>You have to be this, you have to be that.

0:17:04.160 --> 0:17:07.920
<v Speaker 3>All of these images in media creates a distorted image

0:17:07.960 --> 0:17:11.800
<v Speaker 3>of who you supposed to be. But that distorted image

0:17:12.200 --> 0:17:15.520
<v Speaker 3>can cause a real life consequence for you. So when

0:17:15.520 --> 0:17:18.159
<v Speaker 3>I look at somebody like Sean and others, and I

0:17:18.200 --> 0:17:20.840
<v Speaker 3>can recall, like Sean saying the reason why I brought

0:17:20.840 --> 0:17:23.879
<v Speaker 3>it up, I was there, like I was there for

0:17:23.880 --> 0:17:27.320
<v Speaker 3>this whole thing. I remember Sean saying to someone, I'm

0:17:27.320 --> 0:17:29.399
<v Speaker 3>not gonna mention the person's name, but he said, I

0:17:29.440 --> 0:17:31.720
<v Speaker 3>need people to see me and respect me the way

0:17:31.760 --> 0:17:35.080
<v Speaker 3>they respect jay Z. Right, And it's like, all right,

0:17:35.560 --> 0:17:36.760
<v Speaker 3>but what you know of jay.

0:17:36.720 --> 0:17:39.240
<v Speaker 2>Z is, yeah, you don't get different busting your gun.

0:17:40.400 --> 0:17:44.199
<v Speaker 3>But something manipulated him to feel that way, right to

0:17:44.280 --> 0:17:47.159
<v Speaker 3>do that. But it's all about what he's singing in

0:17:47.200 --> 0:17:50.000
<v Speaker 3>the media and the music you're listening to and the

0:17:50.000 --> 0:17:52.720
<v Speaker 3>TV show you're watching all of this is polluting how

0:17:52.760 --> 0:17:54.639
<v Speaker 3>you feel about you and who you think you have

0:17:54.680 --> 0:17:54.879
<v Speaker 3>to be.

0:17:54.960 --> 0:17:56.920
<v Speaker 1>I have to be this. I need you.

0:17:56.960 --> 0:18:01.960
<v Speaker 3>No, I'm not Rick Ross, the uh the officer. I'm Ross.

0:18:02.160 --> 0:18:04.600
<v Speaker 3>I need you to see me like that. But all

0:18:04.640 --> 0:18:08.360
<v Speaker 3>of that is manipulating you. And if you're not understanding

0:18:08.359 --> 0:18:10.680
<v Speaker 3>who you are, it's going to cause a real life

0:18:10.800 --> 0:18:14.320
<v Speaker 3>consequence for you. And that's what happened with Sean. So

0:18:15.119 --> 0:18:16.720
<v Speaker 3>like when I look at you, right, this is a

0:18:16.720 --> 0:18:19.680
<v Speaker 3>brown girl grinding right. It's important that I brought my

0:18:19.760 --> 0:18:22.879
<v Speaker 3>daughter here today to see what we see in this box.

0:18:22.920 --> 0:18:26.080
<v Speaker 3>What we see this is a beautiful brown sister who

0:18:26.480 --> 0:18:30.040
<v Speaker 3>bullied her way onto the show, who's making noise, making moves,

0:18:30.080 --> 0:18:32.600
<v Speaker 3>she's covering the Diddy trial, and she's killing the outfits

0:18:32.600 --> 0:18:47.919
<v Speaker 3>are crazy, crazy, crazy in a good way crazy. So no,

0:18:48.119 --> 0:18:52.120
<v Speaker 3>and as we're viewing her in media, we're looking at her.

0:18:52.520 --> 0:18:57.280
<v Speaker 3>This image is important because a brown girl is watching

0:18:57.640 --> 0:19:01.639
<v Speaker 3>and seeing that and that reality is something that she

0:19:01.880 --> 0:19:05.919
<v Speaker 3>can obtain and it's something that's authentic. Outside of that,

0:19:05.960 --> 0:19:08.440
<v Speaker 3>it can cause a disruption if you understand what I'm saying.

0:19:08.440 --> 0:19:10.160
<v Speaker 1>So now I got to ask you with murder ink

0:19:10.200 --> 0:19:13.440
<v Speaker 1>for a long time. How was the passing of Earth

0:19:13.720 --> 0:19:15.879
<v Speaker 1>have affected you? Because you know Irv in and outs,

0:19:15.880 --> 0:19:18.640
<v Speaker 1>and we've had conversations about it and conversations about his health.

0:19:18.680 --> 0:19:20.040
<v Speaker 1>So how has that affected you?

0:19:20.800 --> 0:19:24.480
<v Speaker 3>Well? The passion of Earth is still like in disbelief,

0:19:24.800 --> 0:19:27.959
<v Speaker 3>right when I'm talking about Irv or you know, up

0:19:27.960 --> 0:19:31.320
<v Speaker 3>in conversation to say, all right, rest in peace Earth God, Like,

0:19:31.359 --> 0:19:37.919
<v Speaker 3>it's really weird still now, the passion of him. I

0:19:37.960 --> 0:19:40.399
<v Speaker 3>see how it affects me and everyone around, Like I

0:19:40.440 --> 0:19:43.320
<v Speaker 3>am very very very close with Jah, right, and Irv

0:19:43.320 --> 0:19:45.200
<v Speaker 3>and I were really cool, but I'm closer with Jah.

0:19:46.000 --> 0:19:49.400
<v Speaker 3>It affects me because in this way, no one may

0:19:49.440 --> 0:19:52.960
<v Speaker 3>not know this outside of his family. Earth is such

0:19:53.080 --> 0:19:58.120
<v Speaker 3>a family family man, right. I have never seen a

0:19:58.240 --> 0:20:02.160
<v Speaker 3>family as close as his in my life. I've never

0:20:02.200 --> 0:20:06.159
<v Speaker 3>seen it so. And he was like the hero of

0:20:06.200 --> 0:20:10.080
<v Speaker 3>the family. And for no disrespect to anyone else in

0:20:10.119 --> 0:20:12.760
<v Speaker 3>the family that's doing great things, but he was like

0:20:12.800 --> 0:20:15.840
<v Speaker 3>a hero. And so for the hero to pass, and

0:20:15.960 --> 0:20:20.199
<v Speaker 3>see how that affects the family dynamic, it made me

0:20:20.560 --> 0:20:23.120
<v Speaker 3>how it affects me may become closer with my family,

0:20:23.400 --> 0:20:27.480
<v Speaker 3>like Irv is the type where listen if it was holidays.

0:20:27.800 --> 0:20:31.480
<v Speaker 3>His house is packed with the whole family, not just

0:20:31.600 --> 0:20:34.960
<v Speaker 3>him and the kids. It's nieces, it's nephews, his aunts

0:20:34.960 --> 0:20:37.840
<v Speaker 3>and uncles. It's like thirty people running around his house.

0:20:37.960 --> 0:20:40.879
<v Speaker 3>And it was just a loving, loving, loving family. Lot

0:20:40.880 --> 0:20:42.240
<v Speaker 3>of people didn't see that side of them. You see

0:20:42.320 --> 0:20:44.240
<v Speaker 3>murder inc. You see the music, or you see the

0:20:44.280 --> 0:20:46.520
<v Speaker 3>problems with the city sent or whatever, so on and

0:20:46.520 --> 0:20:50.560
<v Speaker 3>so forth. But the guy was an amazing family man

0:20:50.920 --> 0:20:53.080
<v Speaker 3>and to watch that and as a father, yeah, it

0:20:53.080 --> 0:20:56.320
<v Speaker 3>affects me. I want to be closer with my family

0:20:56.400 --> 0:20:57.919
<v Speaker 3>the way IRV is with his family. So that's how

0:20:57.920 --> 0:20:58.399
<v Speaker 3>I would say to.

0:20:58.400 --> 0:21:00.200
<v Speaker 2>Fame, you know what's in est when you talk about

0:21:00.200 --> 0:21:04.600
<v Speaker 2>the art of communication, like, I like the way of communicated.

0:21:05.200 --> 0:21:07.240
<v Speaker 2>It may have rubbed some people the wrong way, but

0:21:07.280 --> 0:21:09.280
<v Speaker 2>I like it because it's direct. Like when we talked

0:21:09.280 --> 0:21:12.400
<v Speaker 2>about how you know, it was intentional. He wasn't a

0:21:12.440 --> 0:21:15.080
<v Speaker 2>small talker. It was this is what we're doing, this

0:21:15.119 --> 0:21:16.520
<v Speaker 2>is how we're doing it, this is how I think

0:21:16.520 --> 0:21:17.000
<v Speaker 2>it should go.

0:21:17.280 --> 0:21:20.800
<v Speaker 3>Right. I like that, No, listen, absolutely, it's something to

0:21:21.000 --> 0:21:26.000
<v Speaker 3>be admired there. Everyone has different strategies on how they communicate.

0:21:26.440 --> 0:21:30.959
<v Speaker 3>IRV being direct may work for him with certain people,

0:21:31.520 --> 0:21:34.640
<v Speaker 3>but I'm quite sure it didn't work whatever, it didn't

0:21:34.640 --> 0:21:37.600
<v Speaker 3>work with everyone, right, But so it all depends on

0:21:37.640 --> 0:21:41.400
<v Speaker 3>what your style is. And I was thinking about something. Yeah,

0:21:41.440 --> 0:21:44.080
<v Speaker 3>some people don't like small talk, and that's fine. Like

0:21:44.119 --> 0:21:47.640
<v Speaker 3>in the book, I mentioned a term called farming and hunting.

0:21:48.000 --> 0:21:51.240
<v Speaker 3>Those are different ways of nurture and a relationship. When

0:21:51.240 --> 0:21:53.639
<v Speaker 3>we're cutting the small talk out with I'm hunting. I

0:21:53.680 --> 0:21:55.879
<v Speaker 3>know exactly what I want, I know what you have.

0:21:56.000 --> 0:21:57.800
<v Speaker 3>We know we can make that work. But every relation

0:21:57.960 --> 0:22:00.359
<v Speaker 3>doesn't work like that. Sometimes we have to find we

0:22:00.440 --> 0:22:03.720
<v Speaker 3>have to plant seeds. I don't know where the relationship

0:22:03.800 --> 0:22:07.080
<v Speaker 3>may go, but I know we can possibly build. So

0:22:07.119 --> 0:22:10.000
<v Speaker 3>I'm a plant seeds. Then we just water the seeds,

0:22:10.600 --> 0:22:13.040
<v Speaker 3>water the seeds, and next thing you know, we're eating

0:22:13.040 --> 0:22:16.560
<v Speaker 3>off the fruit from the seeds. And it's really important. Yes,

0:22:16.560 --> 0:22:19.000
<v Speaker 3>I'm an entertainment executive. So all we're talking about is

0:22:19.000 --> 0:22:22.960
<v Speaker 3>how these theories affect in business. It's in your personal

0:22:23.000 --> 0:22:25.760
<v Speaker 3>life as well. If a young man is trying to

0:22:25.760 --> 0:22:28.439
<v Speaker 3>get to know a young lady or vice versa. Is

0:22:29.040 --> 0:22:31.720
<v Speaker 3>ways you go about that. You have to be intentional,

0:22:31.760 --> 0:22:34.760
<v Speaker 3>you have to be strategic. Yes, what is your goal

0:22:34.800 --> 0:22:37.160
<v Speaker 3>by dating this woman? That's transaction. Cut the small talk

0:22:37.600 --> 0:22:40.439
<v Speaker 3>doesn't work like that in your personal life, right, you

0:22:40.560 --> 0:22:45.600
<v Speaker 3>have to farm. Your daughter is seeing someone, they're not engaging.

0:22:45.680 --> 0:22:46.040
<v Speaker 3>Nohing like that.

0:22:46.119 --> 0:22:53.679
<v Speaker 1>No, I'm sorry, he's twenty.

0:22:53.440 --> 0:22:57.480
<v Speaker 3>Three, right, But that young gentleman, he had to farm

0:22:57.520 --> 0:23:01.040
<v Speaker 3>the relationship with Madison, he had to farm. It wasn't

0:23:01.040 --> 0:23:03.479
<v Speaker 3>a transaction to a hunting relationship. It doesn't work like that.

0:23:03.520 --> 0:23:06.560
<v Speaker 3>He had to be intentional, farm, plant seeds, whatever those

0:23:06.560 --> 0:23:08.320
<v Speaker 3>seeds are, check up on it. No, her birthday, No,

0:23:08.359 --> 0:23:10.520
<v Speaker 3>her dad's birthday, so on and so forth. So farming

0:23:10.560 --> 0:23:13.240
<v Speaker 3>and hunting are two different ways of building a relationship.

0:23:14.040 --> 0:23:16.720
<v Speaker 2>And you talk about the diher between interpersonal and interperson.

0:23:16.840 --> 0:23:22.439
<v Speaker 3>Oh yes, So the first form of communication, the most

0:23:22.480 --> 0:23:27.040
<v Speaker 3>important form is your intra personal I n tr A.

0:23:27.600 --> 0:23:31.480
<v Speaker 3>That's the conversation within how you see yourself? How do

0:23:31.520 --> 0:23:33.960
<v Speaker 3>you connect with yourself? What do you think about yourself?

0:23:34.200 --> 0:23:37.679
<v Speaker 3>How do you evaluate yourself? If you can't evaluate, if

0:23:37.720 --> 0:23:40.560
<v Speaker 3>you don't possess ability to self evaluate, then you got

0:23:40.640 --> 0:23:44.199
<v Speaker 3>to disconnect with you. So everything how I feel and

0:23:44.280 --> 0:23:49.040
<v Speaker 3>think about me, that's my intra will depict my inter

0:23:49.640 --> 0:23:53.639
<v Speaker 3>my interpersonal relationship. So you know, Charlemagne, you say something

0:23:53.680 --> 0:23:56.440
<v Speaker 3>that hurt people. Hurt people, you say that a lot. Right,

0:23:57.040 --> 0:24:00.520
<v Speaker 3>It's something internally that's got to disconnect. Since they're at

0:24:00.560 --> 0:24:05.280
<v Speaker 3>a disconnect internally, they're at a disconnect externally with others.

0:24:05.960 --> 0:24:09.200
<v Speaker 3>So when you understand who you are in your intra

0:24:09.760 --> 0:24:12.520
<v Speaker 3>and you've reached the highest level of who that person is,

0:24:13.080 --> 0:24:15.639
<v Speaker 3>you understand who you are, you understand what you can do,

0:24:15.720 --> 0:24:18.280
<v Speaker 3>and I understand how to connect. I can connect with

0:24:18.359 --> 0:24:21.920
<v Speaker 3>others better because I connect with myself at a certain level.

0:24:22.000 --> 0:24:26.080
<v Speaker 3>So intra depicts how your inter will turn out.

0:24:26.720 --> 0:24:29.080
<v Speaker 4>You also talk about in your book hip hop and

0:24:29.119 --> 0:24:32.280
<v Speaker 4>how it shaped you as a man, both good and bad.

0:24:33.000 --> 0:24:34.600
<v Speaker 4>How does that speak to your communication?

0:24:34.960 --> 0:24:35.320
<v Speaker 3>Wow?

0:24:36.280 --> 0:24:36.640
<v Speaker 1>All right?

0:24:36.680 --> 0:24:40.560
<v Speaker 3>So yes, hip hop aiding me on the path to

0:24:40.640 --> 0:24:43.240
<v Speaker 3>self actualization of being the man who I am today.

0:24:43.680 --> 0:24:45.040
<v Speaker 3>And I mentioned this in the book and I'm gonna

0:24:45.040 --> 0:24:46.560
<v Speaker 3>get the gentleman credit where I heard the term, And

0:24:46.600 --> 0:24:49.120
<v Speaker 3>I tell you, yes, hip hop got me on this path.

0:24:49.800 --> 0:24:53.160
<v Speaker 3>But I have to have accountability and understand that also

0:24:53.240 --> 0:24:57.440
<v Speaker 3>some of that content in the music could have caused

0:24:57.440 --> 0:25:01.800
<v Speaker 3>a self destruction, some form of self instruction, like some

0:25:01.880 --> 0:25:05.480
<v Speaker 3>of the artists were you know? I was mentioning in

0:25:05.520 --> 0:25:07.280
<v Speaker 3>the book I mentioned, are we the heroes? Are all

0:25:07.320 --> 0:25:09.960
<v Speaker 3>we the villains? And I heard this term through a pod.

0:25:10.520 --> 0:25:12.080
<v Speaker 3>Know it's a ted talk by the guy of Crete

0:25:12.080 --> 0:25:15.120
<v Speaker 3>and you're gonna make a documentary about it. Suit to him, Yes,

0:25:15.160 --> 0:25:17.280
<v Speaker 3>salute to him. So I want to give him his credit.

0:25:17.560 --> 0:25:19.840
<v Speaker 3>He mentioned hip hop? Are we the heroes or are

0:25:19.880 --> 0:25:24.920
<v Speaker 3>we the villains? Are we? The reason why I mentioned this, Yes,

0:25:25.119 --> 0:25:27.440
<v Speaker 3>I'm a child of hip hop. I have the credit

0:25:27.480 --> 0:25:29.840
<v Speaker 3>hip hop for being taking me where I am. But

0:25:30.000 --> 0:25:32.879
<v Speaker 3>also there's things in the music that's villain like that

0:25:32.920 --> 0:25:35.320
<v Speaker 3>can cause you on the wrong destruction, wrong path. We

0:25:35.400 --> 0:25:38.359
<v Speaker 3>glorify the person that's coming home from jail before we

0:25:38.400 --> 0:25:40.800
<v Speaker 3>glorify the person that's going away to college. Right, We

0:25:40.920 --> 0:25:43.360
<v Speaker 3>do a lot of that in this music. So are

0:25:43.359 --> 0:25:46.680
<v Speaker 3>we the heroes? Are all we the villains? Now? What's

0:25:46.680 --> 0:25:49.399
<v Speaker 3>the difference between the hero and the villain. A hero

0:25:50.000 --> 0:25:52.920
<v Speaker 3>has the same attributes as a villain, But a hero

0:25:53.080 --> 0:25:56.480
<v Speaker 3>becomes a person becomes a villain through trauma. Some type

0:25:56.480 --> 0:25:58.520
<v Speaker 3>of trauma can make you become a villain. You look

0:25:58.560 --> 0:26:01.879
<v Speaker 3>at anything and non thine of fiction. Batman, his parents

0:26:01.960 --> 0:26:04.040
<v Speaker 3>got killed and he became this if you can the

0:26:04.119 --> 0:26:07.200
<v Speaker 3>joke or something happened. He became a villain for these reasons.

0:26:07.760 --> 0:26:13.080
<v Speaker 3>What term hip hop music villain like? The crack epidemic?

0:26:13.760 --> 0:26:16.359
<v Speaker 3>The crack epidemic, as far as in my theory in

0:26:16.359 --> 0:26:20.440
<v Speaker 3>this documentary with shooting, the crack epidemic shaped and destroyed

0:26:21.119 --> 0:26:23.800
<v Speaker 3>hip hop music into the way where it turned into

0:26:23.920 --> 0:26:27.280
<v Speaker 3>more villain like and the music and the content that's

0:26:27.280 --> 0:26:30.320
<v Speaker 3>in it. So are we the heroes? Are are we the villains?

0:26:30.640 --> 0:26:34.000
<v Speaker 3>I understand that hip hop made me a hero, but

0:26:34.040 --> 0:26:37.080
<v Speaker 3>I also understand some of it could have made me

0:26:37.080 --> 0:26:38.120
<v Speaker 3>a villain as well.

0:26:38.600 --> 0:26:40.760
<v Speaker 2>In my last book, Get On as a Die Line

0:26:40.880 --> 0:26:43.679
<v Speaker 2>Watch Small Talk Sucks, I have a whole chapter with

0:26:43.960 --> 0:26:47.160
<v Speaker 2>basically the same thing. I'm just exploring hip hop's ability

0:26:47.160 --> 0:26:52.000
<v Speaker 2>to be a positive and self destructive force. Listen literally,

0:26:52.000 --> 0:26:53.399
<v Speaker 2>like I think that if you come, if you're a

0:26:53.440 --> 0:26:56.920
<v Speaker 2>certain age, at some point we got to have some accountability.

0:26:56.880 --> 0:26:59.560
<v Speaker 3>At some point. I'm glad we feel the same way

0:26:59.600 --> 0:27:01.879
<v Speaker 3>because that's at some point you have to have accountability.

0:27:02.320 --> 0:27:06.199
<v Speaker 3>I'm never disrespecting my hip hop music. It made me

0:27:06.200 --> 0:27:10.600
<v Speaker 3>who I am, But yes, there are images, it's things

0:27:10.600 --> 0:27:12.800
<v Speaker 3>that we put up on a pedestal. If we don't

0:27:12.800 --> 0:27:17.920
<v Speaker 3>have accountability, we are causing poison if we don't know

0:27:18.280 --> 0:27:20.159
<v Speaker 3>how to steer that ship in the right direction.

0:27:20.240 --> 0:27:22.119
<v Speaker 1>But is it also how it's cultivated? Right? And the

0:27:22.119 --> 0:27:25.720
<v Speaker 1>reason I say that is if I put a gun

0:27:25.760 --> 0:27:28.400
<v Speaker 1>on the table and you use a gun, that could

0:27:28.400 --> 0:27:31.119
<v Speaker 1>be a negative thing. But if I teach somebody how

0:27:31.160 --> 0:27:33.160
<v Speaker 1>to use the gun the proper way, in the right way,

0:27:33.200 --> 0:27:35.560
<v Speaker 1>and what to use it for, it's a positive thing.

0:27:35.960 --> 0:27:38.159
<v Speaker 1>Same thing with hip hop, right, yes, hip hop. All

0:27:38.200 --> 0:27:42.679
<v Speaker 1>those images we've all seen, all seen. But my parents,

0:27:42.800 --> 0:27:45.080
<v Speaker 1>especially my dad, cultivated me to look at things a

0:27:45.080 --> 0:27:48.040
<v Speaker 1>certain way. I never sold crack, I never sold drugs

0:27:48.160 --> 0:27:50.359
<v Speaker 1>and I never used cocal crack or nothing like that

0:27:50.400 --> 0:27:53.240
<v Speaker 1>because my dad cultivated to me to like, no, this

0:27:53.320 --> 0:27:55.880
<v Speaker 1>is what this is for. These are messages from here.

0:27:55.920 --> 0:27:58.639
<v Speaker 1>But that's not You don't make that you you know

0:27:58.680 --> 0:28:01.479
<v Speaker 1>what I'm saying, So it's not different. Second, it's all

0:28:01.480 --> 0:28:03.600
<v Speaker 1>about side with your daughter. Your daughter dances, she listens

0:28:03.640 --> 0:28:06.320
<v Speaker 1>to hip hop music, and I'm sure she might dance

0:28:06.359 --> 0:28:08.720
<v Speaker 1>to some stuff that's a little salacious, but you tell

0:28:08.720 --> 0:28:10.600
<v Speaker 1>her this is cool for this, But that's not.

0:28:10.600 --> 0:28:13.000
<v Speaker 3>You listen and there's a job. Like you just said,

0:28:13.320 --> 0:28:15.760
<v Speaker 3>your dad, Your dad was dead. Like I always say,

0:28:15.920 --> 0:28:17.880
<v Speaker 3>you know how you take a kid bowling, and they

0:28:17.880 --> 0:28:19.679
<v Speaker 3>got to put the barriers up so the ball can

0:28:19.720 --> 0:28:21.760
<v Speaker 3>go down. That's what parents are, right.

0:28:21.880 --> 0:28:22.600
<v Speaker 1>We are the.

0:28:22.520 --> 0:28:26.080
<v Speaker 3>Barriers and we need both. We need both because you

0:28:26.200 --> 0:28:28.320
<v Speaker 3>have one parent and that ball could still gut her

0:28:28.359 --> 0:28:31.000
<v Speaker 3>that way, right, we are the barriers to keep the

0:28:31.040 --> 0:28:33.840
<v Speaker 3>kids going forward. So your dad was that to let

0:28:33.920 --> 0:28:35.560
<v Speaker 3>you know, like, yeah, this is what the world is,

0:28:35.600 --> 0:28:39.400
<v Speaker 3>but that's not what's good for you. Listen, there were times, Yeah,

0:28:39.440 --> 0:28:41.160
<v Speaker 3>my daughter dances, he dances to hip hop, and she's

0:28:41.200 --> 0:28:42.720
<v Speaker 3>not gonna remember this. We're getting the car and I

0:28:42.720 --> 0:28:45.480
<v Speaker 3>wouldn't play no hip hop in the car at all,

0:28:45.880 --> 0:28:48.960
<v Speaker 3>none whatsoever. When she was younger, when she was maybe four,

0:28:49.520 --> 0:28:53.160
<v Speaker 3>five six. It's not going to be certain shows on TV.

0:28:53.280 --> 0:28:55.840
<v Speaker 3>No disrespect to any of the shows, but certain shows,

0:28:55.840 --> 0:28:58.320
<v Speaker 3>excuse me, certain shows wouldn't be on television because I'm

0:28:58.320 --> 0:29:00.760
<v Speaker 3>trying to shape her mind to see a certain way.

0:29:01.000 --> 0:29:04.520
<v Speaker 3>Now we can listen to certain music because I see

0:29:05.000 --> 0:29:06.240
<v Speaker 3>that the barriers are working.

0:29:06.400 --> 0:29:08.720
<v Speaker 1>I see who this young lady is.

0:29:08.800 --> 0:29:10.880
<v Speaker 3>So yeah, we could listen to hip hop, and I

0:29:10.920 --> 0:29:13.400
<v Speaker 3>would rather have listened to you know, Drake than over

0:29:13.480 --> 0:29:17.080
<v Speaker 3>some other artists. But yeah, we have to be those

0:29:17.120 --> 0:29:19.920
<v Speaker 3>barriers because in hip hop we could be the heroes.

0:29:20.000 --> 0:29:20.960
<v Speaker 3>H we could be the villains.

0:29:21.080 --> 0:29:25.240
<v Speaker 2>That is a fact, Seductive Communication. You leave that chapter

0:29:25.320 --> 0:29:29.240
<v Speaker 2>blank in the book. Why it just says to be continued.

0:29:29.160 --> 0:29:32.000
<v Speaker 3>Right, So when I first wrote the book, I wrote

0:29:32.000 --> 0:29:34.400
<v Speaker 3>the book in twenty twenty during the pandemic, when I

0:29:34.400 --> 0:29:37.400
<v Speaker 3>started now as a college professor, there's different chapters in

0:29:37.440 --> 0:29:40.080
<v Speaker 3>the book, right, So I'm going to answer your question quickly.

0:29:40.440 --> 0:29:44.120
<v Speaker 3>We start off with intra personal communication, the conversation within.

0:29:44.280 --> 0:29:47.280
<v Speaker 3>So if I'm teaching the class and it's the first

0:29:47.320 --> 0:29:49.240
<v Speaker 3>day at the semester, and I say, all right, Charlae,

0:29:49.880 --> 0:29:52.560
<v Speaker 3>welcome to my class. Did you take any communication courses

0:29:52.560 --> 0:29:55.000
<v Speaker 3>before mine? And you may say, uh, yeah, I took

0:29:55.160 --> 0:29:57.320
<v Speaker 3>a leadership in communication class. I'm like that was your

0:29:57.360 --> 0:30:02.240
<v Speaker 3>first communication class. Communication should be taught with prerequisites in

0:30:02.760 --> 0:30:06.000
<v Speaker 3>a certain order, right, So the first order is intra.

0:30:06.920 --> 0:30:09.760
<v Speaker 3>Then I go into inter Then I speak about culture

0:30:09.760 --> 0:30:13.960
<v Speaker 3>and communication. I speak about media and communication, power and leadership.

0:30:14.000 --> 0:30:18.960
<v Speaker 3>I'm taking you on a journey. Seductive communication is sort

0:30:18.960 --> 0:30:21.280
<v Speaker 3>of like the final level of the book on how

0:30:21.320 --> 0:30:26.360
<v Speaker 3>you use seduction to communicate and not seduction in the

0:30:26.440 --> 0:30:29.800
<v Speaker 3>sense of a sexual form, just knowing how to seduce

0:30:29.800 --> 0:30:33.440
<v Speaker 3>someone's mind to navigate in a certain way. And the

0:30:33.440 --> 0:30:35.720
<v Speaker 3>reason why I left it blank because I have to

0:30:35.760 --> 0:30:36.640
<v Speaker 3>be a part two to the book.

0:30:36.680 --> 0:30:39.200
<v Speaker 1>Now, come on, I got to be a part two

0:30:39.240 --> 0:30:41.480
<v Speaker 1>to the book now as a professor, right, you know,

0:30:42.400 --> 0:30:46.240
<v Speaker 1>I look at college courses as sometimes outdated. Yes, right,

0:30:46.800 --> 0:30:48.880
<v Speaker 1>And that bothers me a lot, especially with my kids,

0:30:48.960 --> 0:30:50.800
<v Speaker 1>you know, going to college because a lot of things

0:30:50.840 --> 0:30:52.600
<v Speaker 1>that they want to learn or that they're into a

0:30:52.640 --> 0:30:56.080
<v Speaker 1>lot of times these colleges don't necessarily teach, right. My

0:30:56.120 --> 0:30:58.360
<v Speaker 1>first major was communications. I left communications, who went to

0:30:58.360 --> 0:31:02.040
<v Speaker 1>business management and marketing. But for me, what I wanted

0:31:02.080 --> 0:31:05.719
<v Speaker 1>to learn from communications wasn't helping me with what I

0:31:05.760 --> 0:31:08.800
<v Speaker 1>wanted to do, right. Communications was a lot of reading,

0:31:08.800 --> 0:31:10.040
<v Speaker 1>a lot of interro a lot of this, a lot

0:31:10.040 --> 0:31:12.480
<v Speaker 1>of that. But I wanted to be hands on this

0:31:12.520 --> 0:31:14.640
<v Speaker 1>stuff like that. So talk about some of the courses

0:31:14.680 --> 0:31:16.560
<v Speaker 1>that you think should be in college and some of

0:31:16.560 --> 0:31:18.480
<v Speaker 1>the things that should be taken out of college.

0:31:18.760 --> 0:31:20.760
<v Speaker 3>Right, that's great, because I.

0:31:20.800 --> 0:31:22.400
<v Speaker 1>Have no disrespect a lot of the algorithms that I

0:31:22.480 --> 0:31:24.200
<v Speaker 1>learned in college I don't use.

0:31:24.280 --> 0:31:25.920
<v Speaker 3>I've never used. And if I have to, I have

0:31:26.320 --> 0:31:29.280
<v Speaker 3>a computer that will do absolutely. Now it's two parts

0:31:29.480 --> 0:31:31.080
<v Speaker 3>I want to get into. Now. Some of the courses

0:31:31.120 --> 0:31:33.160
<v Speaker 3>out in college, I have to be really careful because

0:31:33.160 --> 0:31:36.000
<v Speaker 3>I'm still a college professor and I don't want the

0:31:36.040 --> 0:31:39.400
<v Speaker 3>college to be listening right now. So I do believe

0:31:39.600 --> 0:31:44.480
<v Speaker 3>there should be more entrepreneur courses in college. We're going

0:31:44.480 --> 0:31:47.560
<v Speaker 3>to need AI courses in college. We're going to need

0:31:47.600 --> 0:31:50.880
<v Speaker 3>real estate courses in college. You're gonna need these things

0:31:50.960 --> 0:31:53.680
<v Speaker 3>in colleges now. I believe certain colleges are doing it.

0:31:54.520 --> 0:31:57.640
<v Speaker 3>Jar Rul's son shout out to Jordi. He just graduated

0:31:57.680 --> 0:32:03.920
<v Speaker 3>from SCAD in Atlanta, Savannah, I'm sorry, Savannah, and he

0:32:04.040 --> 0:32:06.720
<v Speaker 3>was home for his sister's wedding and we were in

0:32:06.760 --> 0:32:08.960
<v Speaker 3>the kitchen at Jo's house and he was saying, how

0:32:09.080 --> 0:32:11.520
<v Speaker 3>all these different courses that he's taking that gut that

0:32:11.840 --> 0:32:14.320
<v Speaker 3>it was never available to me as a student. So

0:32:14.360 --> 0:32:16.480
<v Speaker 3>some of the courses that we're talking about, like we've

0:32:16.480 --> 0:32:18.360
<v Speaker 3>been out, we've been removed from college for a little bit.

0:32:18.680 --> 0:32:21.320
<v Speaker 3>Some of these colleges are doing that like teaching him

0:32:21.320 --> 0:32:23.080
<v Speaker 3>how to cold. He can build games, he can do

0:32:23.120 --> 0:32:25.160
<v Speaker 3>all the things that I would never even.

0:32:24.960 --> 0:32:25.400
<v Speaker 1>Throw it up.

0:32:26.720 --> 0:32:27.640
<v Speaker 2>My daughter has been talking about.

0:32:27.720 --> 0:32:28.640
<v Speaker 1>She like, that's what.

0:32:29.560 --> 0:32:31.479
<v Speaker 3>But like even when John talks, He's like, listen, I've

0:32:31.520 --> 0:32:34.520
<v Speaker 3>visited campus, and I'm like, I've never seen a school

0:32:34.600 --> 0:32:37.160
<v Speaker 3>like this. So yeah, I do think we need those

0:32:37.160 --> 0:32:39.840
<v Speaker 3>particular courses. Now, let me just rewind as far as

0:32:39.840 --> 0:32:43.040
<v Speaker 3>like a communication course I mentioned in the book, I

0:32:43.120 --> 0:32:47.240
<v Speaker 3>credit Eddie Murphy to where to one of the reasons

0:32:47.280 --> 0:32:50.800
<v Speaker 3>I'm here today. In the movie Boomerang, Like Boomerang is

0:32:50.800 --> 0:32:52.800
<v Speaker 3>one of my favorite movies, it seemed like he was

0:32:53.160 --> 0:32:56.200
<v Speaker 3>a marketing executive. He garners so much attention for woman.

0:32:56.240 --> 0:32:58.640
<v Speaker 3>He was smart, he was he was everything. I'm watching

0:32:58.680 --> 0:33:00.880
<v Speaker 3>this and this goes back to my repensation. I'm watching

0:33:00.880 --> 0:33:04.560
<v Speaker 3>this movie, I'm like, I want to I want to

0:33:04.600 --> 0:33:06.520
<v Speaker 3>do that. I want to know how to do that.

0:33:06.800 --> 0:33:08.200
<v Speaker 3>So I was in college at the time. So I

0:33:08.240 --> 0:33:12.320
<v Speaker 3>went to my counselor. I said, listen, in this movie,

0:33:12.560 --> 0:33:16.200
<v Speaker 3>this guy Eddie Murphy play Marcus Grant, He's a marketing executive.

0:33:16.560 --> 0:33:19.000
<v Speaker 3>How do I get into marketing? She said, well, you

0:33:19.040 --> 0:33:21.880
<v Speaker 3>need to understand what communication is to understand what marketing is,

0:33:21.920 --> 0:33:24.840
<v Speaker 3>I said, well, Samnia for all communication courses. X amount

0:33:24.840 --> 0:33:28.320
<v Speaker 3>of years later, I'm doing marketing strategies for my own company,

0:33:28.840 --> 0:33:33.320
<v Speaker 3>so I needed that course. I needed these courses to

0:33:33.360 --> 0:33:34.480
<v Speaker 3>be able to do what I'm doing.

0:33:34.520 --> 0:33:38.080
<v Speaker 1>Now, gotcha, Well tell him where they could get this book.

0:33:38.120 --> 0:33:42.240
<v Speaker 3>Brother, You can get the book on Amazon. Right, if

0:33:42.240 --> 0:33:45.480
<v Speaker 3>you're listening, you could just type in Harold wilkersons to

0:33:45.480 --> 0:33:54.440
<v Speaker 3>be typing HARRYO. Nothing's going to come up. People always

0:33:54.440 --> 0:33:57.160
<v Speaker 3>make that mistake too, but that's a different story. Yeah,

0:33:57.200 --> 0:33:58.960
<v Speaker 3>but you can get the book on Amazon and a

0:33:59.000 --> 0:34:02.680
<v Speaker 3>search engine just putting It's beyond Words by Harold Wilkerson

0:34:03.800 --> 0:34:06.000
<v Speaker 3>and then to pop up. So please get the book

0:34:06.000 --> 0:34:07.760
<v Speaker 3>and one of the lessons I want you to understand

0:34:07.800 --> 0:34:11.000
<v Speaker 3>and learn to leave it off. I close deals with

0:34:11.040 --> 0:34:13.840
<v Speaker 3>the WNBA and I close deals with the NBA for

0:34:14.200 --> 0:34:17.560
<v Speaker 3>going over six six or seven seasons now. And it

0:34:17.680 --> 0:34:21.319
<v Speaker 3>all started for me attending one basketball game. I attended

0:34:21.400 --> 0:34:24.160
<v Speaker 3>a game, and it went from the person who handed

0:34:24.200 --> 0:34:27.680
<v Speaker 3>me my ticket to go sit on the floor, and

0:34:27.760 --> 0:34:33.400
<v Speaker 3>through strategic and intentional communication, I started closing deals with

0:34:33.480 --> 0:34:36.080
<v Speaker 3>the CEO of the New York Liberty, the CEO of

0:34:36.120 --> 0:34:38.759
<v Speaker 3>the Brooklyn Nets. Like it went from attending like how

0:34:38.760 --> 0:34:43.200
<v Speaker 3>do you attend a game? And then fast forward you

0:34:43.719 --> 0:34:48.160
<v Speaker 3>closing deals with the owners and CEOs of wnbas and

0:34:48.280 --> 0:34:50.200
<v Speaker 3>nbas and you hear all that and you pick up

0:34:50.200 --> 0:34:50.520
<v Speaker 3>the book.

0:34:51.239 --> 0:34:53.719
<v Speaker 1>All right, Harry, Old ladies and gentlemen, pick up the book.

0:34:53.719 --> 0:34:55.200
<v Speaker 1>It's beyond words available.

0:34:55.239 --> 0:34:55.439
<v Speaker 3>Now.

0:34:55.920 --> 0:34:57.319
<v Speaker 1>Appreciate you, brother, Thank you.

0:34:57.360 --> 0:34:59.640
<v Speaker 3>Do I get like the whole thing when they'd be like, Yo, tomorrow,

0:34:59.640 --> 0:35:00.879
<v Speaker 3>I'm gonna you on the Breakfast Club.

0:35:03.600 --> 0:35:06.759
<v Speaker 1>Can we close out the show first? I'm sorry, it's

0:35:06.760 --> 0:35:09.600
<v Speaker 1>Harry Yo. It's the Breakfast Club. Good morning. Wake that

0:35:09.719 --> 0:35:16.200
<v Speaker 1>ass up in the morning. The Breakfast clubm