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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 1: Either way, we want to be there.

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Speaker 3: Doesn't matter how much baggage you claim.

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Speaker 4: Give us time and a termino and gay. We want

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Speaker 4: to send you off InStyle. We wanna welcome you back home.

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Speaker 1: Tell us all about it. We scared her? Was it fine?

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Speaker 2: Now?

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Speaker 1: Porn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 4: Do your need ride.

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Speaker 2: With Karen and Chris? Welcome to Do you need a ride?

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Speaker 2: This is Chris Fairbanks is Garaff and we are on Vine.

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Speaker 1: Very famous. It's just, you know, it's not what everybody

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Speaker 1: says it is. It's just a street like anybody else.

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Speaker 2: Yeah, a lot of people, people from out of town

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Speaker 2: will come and say Vine Boulevard, Oh.

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Speaker 1: God, I love Vine.

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Speaker 2: I'll say yeah, or just Vine go back to Wisconsin.

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Speaker 1: Yeah, you don't know what you're talking.

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Speaker 2: It's a street.

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Speaker 1: Yeah.

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Speaker 2: We are headed on it due south to pick up

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Speaker 2: Andy Kindler.

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Speaker 1: And we are headed in the direction of the airport,

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Speaker 1: which is south if you're driving in Los Angeles. But

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Speaker 1: Andy is not at the airport. He already landed at

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Speaker 1: the airport. Then he had to get quickly to a job.

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Speaker 1: And Andy is a highly neurotic Jew. If you have never

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Speaker 1: heard of Andy Kindler, please know that about him first

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Speaker 1: and foremost. So he wanted us to pick him up

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Speaker 1: at the job and not from the airport, right because

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Speaker 1: he didn't want us to make him late, stood that

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Speaker 1: we would feel bad.

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Speaker 2: And call me neurotic too. Paint me neurotic jew because

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Speaker 2: I too did not want to make him late for

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Speaker 2: his thing.

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Speaker 1: And paint me like one of your neurotic Jews.

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Speaker 2: Actually, could you paint me like a cat? That would

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Speaker 2: be great.

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Speaker 1: Could you paint me Sorry, I didn't have one. I

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Speaker 1: just want to be a part of the conversation.

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Speaker 2: You paint me with a butterfly under my eye, and

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Speaker 2: just like I've been licking a lollipop all day.

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Speaker 1: Could you paint me and then two wolves on either

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Speaker 1: side of me and we're all near a moon.

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Speaker 2: Ooh, paint me like the Gold Lady from James Bond.

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Speaker 1: Oh no, she died, Oh yes, she died of paint.

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Speaker 2: Yeah. I do believe that might be an urban legend.

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Speaker 1: In the movie. Isn't that how they is not that

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Speaker 1: how they kill somebody? They cover them in paint.

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Speaker 2: I don't know. I don't think so you think I

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Speaker 2: have a tank of.

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Speaker 1: Sharks viewers, you tell us who's.

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Speaker 2: Yes, I believe it was just during an opening sequence

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Speaker 2: there's a scantily clad lady. Maybe she's not clad at all,

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Speaker 2: she's just been dipped in latex. Yeah, and then there's

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Speaker 2: a rumor that that lady then her skin closed up,

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Speaker 2: closed up on her, and she ceased to exist, go

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Speaker 2: binga going.

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Speaker 1: That's not how that song goes at all. None of

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Speaker 1: those tries we're even close to it.

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Speaker 2: I could keep trying all day and not accidentally nail

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Speaker 2: the way that song goes.

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Speaker 1: There's no funner song to try and fail at them.

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Speaker 2: The finger And if you're listening right now and you're like,

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Speaker 2: funner is not a word, it is now? Yeah, it's

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Speaker 2: in the dictionary now. Oh, I'm tired of people correcting

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Speaker 2: me just because they're not up on their webster.

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Speaker 1: Yeah, guess guess what the Urban Dictionary says? What's true anymore?

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Speaker 1: And Funner's in there along with a lot of dirty stuff.

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Speaker 2: Next to twerk and Blaine. It's not alphabetized anymore.

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Speaker 1: Yeah, that doesn't matter. Spelling doesn't matter. Definitions don't matter.

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Speaker 1: It's just whatever the kids want to put in.

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Speaker 2: It's an order of newness and irritability.

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Speaker 1: What's the most annoying? We'll put that at the top.

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Speaker 2: I think I was thinking about that the other day.

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Speaker 2: I think it's I think someone voted actually, and I agree,

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Speaker 2: selfie is the worst word in our lexicon. The next

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Speaker 2: word is, of course, lexical lexicon. What's work for?

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Speaker 1: Whatxicography?

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Speaker 2: I do not know.

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Speaker 1: I don't like selfie only because I just don't understand.

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Speaker 1: But I do understand. But it's just this new trend

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Speaker 1: of everybody, truly in insincerity, taking pictures of themselves and

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Speaker 1: doing everything all the time right, and thinking other people

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Speaker 1: want to see that all.

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Speaker 2: To the point where even I do it?

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Speaker 1: Do you do it?

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Speaker 2: Well? I don't hand my phone to some lunatic here

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Speaker 2: take my picture. That's embarrassing.

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Speaker 1: Well, that wouldn't be a selfie. Selfie is when you

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Speaker 1: do it yourself right, right.

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Speaker 2: So that's why I end up selfieing, because I'm not, oh,

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Speaker 2: I see, I'm not ever gonna invite someone to take

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Speaker 2: a photo of me. That's the most humiliating venture I

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Speaker 2: can think of.

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Speaker 1: Here, could you capture me in my loneeness.

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Speaker 2: You don't know me very well, but I'd like you

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Speaker 2: to hold my phone. It's worth upwards of two hundred dollars.

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Speaker 2: Please don't run, and I'm gonna smile at you as

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Speaker 2: if you aren't a stranger holding the most important pocket

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Speaker 2: computer I own. That's what that's why I'll just go

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Speaker 2: oh right, I'm in Spain. Clic min ghost.

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Speaker 1: Does it and then it goes you have a football.

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Speaker 2: The band is called Yellow Oh.

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Speaker 1: Someone knows his eighties life.

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Speaker 2: Eighties I do I have? Actually that song was also

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Speaker 2: featured in Bright Lights Big City. Oh, prior to.

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Speaker 1: Feris Bueller Feris Bueler No really, yes, yes, bright Light's

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Speaker 1: Big City. They really did a brave casting choice by

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Speaker 1: putting Michael J. Fox into that film.

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Speaker 2: Isn't it about coke? Isn't it like a lighthearted version

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Speaker 2: of uh of? Yeah? Fuck? You know what? My brain

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Speaker 2: is a shriveling raising. I think it's because of the

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Speaker 2: heat today.

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Speaker 1: That's what we always do. That's our theme is like

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Speaker 1: we can't think of words, we can't pronounce.

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Speaker 2: Words, and we get angry at our brains.

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Speaker 1: Yeah, we get angried our brains and then I say

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Speaker 1: fuck it.

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Speaker 2: Means that I thought that you were gonna cut down

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Speaker 2: on the fuck word.

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Speaker 1: You That'll be my last one, I swear to I like.

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Speaker 2: To call it the fuck word.

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Speaker 1: Don't shorten it.

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Speaker 2: You know. Oh what's the it's uh Robert Downey Junior

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Speaker 2: and James Spader and there's cocaine us.

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Speaker 1: Oh that was a lesson zero less than zero?

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Speaker 2: Why isn't Why isn't Bright Lights Big City? A lighthearted

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Speaker 2: version of Lesson zero?

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Speaker 1: Well, I believe it was the same author, So you're

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Speaker 1: gonna get proper the same tone. Oh yeah, similar. It's

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Speaker 1: Brettie Stonellis, right.

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Speaker 2: Oh, Breddy, We love Stonellis. There's a person named Bretty

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Speaker 2: Freddy like, no, how's that sandwich? It's a little too bretty?

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Speaker 1: Are you joking?

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Speaker 2: I don't know Brettie Stenellis is because everyone knows that is.

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Speaker 5: Okay, Brett Brett, Oh Brett in front of me?

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Speaker 2: So far?

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Speaker 1: God bless you?

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Speaker 2: Do you want a hard candy? Bretty Bretty Stanellis.

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Speaker 1: He was named after his father, who was a baker,

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Speaker 1: is a.

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Speaker 2: Bret and his mother was a stenographer and her name

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Speaker 2: was Elice. So Brettie Stanellis became an obvious Oh look,

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Speaker 2: this house to the left was it's the early home

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Speaker 2: of a shaky Burfler who was the first prop Oh see,

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Speaker 2: I don't like them when someone opens the door and

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Speaker 2: just leaps into traffic.

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Speaker 1: Well, uh, we are right now, and just I'm going

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Speaker 1: to tell the people we're in Rossmore. The Rossmore district

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Speaker 1: pretty much is Vine Vine turns into Rossmore, Yeah.

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Speaker 2: And it becomes beautiful homes and.

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Speaker 1: Mansions, such gorgeous homes.

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Speaker 2: I wonder what that person does for a living, beautiful

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Speaker 2: house like that eighty nine Nissan CenTra in the.

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Speaker 1: Driveway right, because you know why they let the help

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Speaker 1: park in the driveway. Oh, that's what it is, the help.

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Speaker 2: I'm just when I get out of my car and

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Speaker 2: there's passing cars. And we may have talked about this

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Speaker 2: in the past, but I am so cautious. I hug

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Speaker 2: the side of my car, a shimmy to the side,

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Speaker 2: getting my pants and shirt dirty.

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Speaker 1: Because you don't wash your car.

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Speaker 2: No, because there's a rout. There's a drought. Now, don't

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Speaker 2: care of the water lines are breaking in thirteen thousand

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Speaker 2: gallons are spilling into the sea.

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Speaker 1: You don't care, I do care, You do care.

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Speaker 2: That's what I meant to say the opposite good. I

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Speaker 2: do care good, I said no. I here's what I

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Speaker 2: was saying. I don't care if we are wasting so

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Speaker 2: much with when water line breakages. I'm not going to

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Speaker 2: wash my car because that's my version of the ice

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Speaker 2: bucket challenge.

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Speaker 1: Oh, you're supporting. You are raising money for als by

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Speaker 1: washing your car, even though no one's set up a program.

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Speaker 2: Slash actually raising awareness about the drought in Los Angeles.

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Speaker 2: Oh okay, it's always been a confusing double edge charity

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Speaker 2: story for me. Maybe I'm having a stroke. Is my

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Speaker 2: face looking weird because my brain is just not working?

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Speaker 1: No, it's fine. I think it's five o'clock.

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Speaker 2: That's a perfect time of the day for me to

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Speaker 2: be firing on all cylinders.

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Speaker 1: But maybe you are.

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Speaker 2: I've had my afternoon coffee.

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Speaker 1: Maybe you need more.

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Speaker 2: Maybe I do need more.

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Speaker 1: Yeah, maybe we should have got coffee with any Kidler.

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Speaker 2: We should. Oh, then we'd totally be ripping off Seinfeld's thing.

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Speaker 1: Oh yea, oh, that's right.

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Speaker 2: He's letters comedians and cars getting coffee with Andy Kindler. Yeah,

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Speaker 2: it's just Elie's Andy. I'm so excited to watch that.

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Speaker 2: Did he tell you what his meeting was about, or

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Speaker 2: is that it's a hush hush.

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Speaker 1: Thing Andy's You know, he was very vague. He was

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Speaker 1: all worried, like, I don't think I can talk about it,

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Speaker 1: so don't ask me about it. So I think we

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Speaker 1: should guess and see what we think it is. Yeah,

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Speaker 1: if it's secretive, then they it might be JFK two,

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Speaker 1: Oliver Stone's sequel to the JFK film, which.

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Speaker 2: Of course he would be involved with.

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Speaker 1: Of course Andy would write that, Yes, Oh that's my guess.

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Speaker 1: What's your guest?

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Speaker 2: Well, the bretty Easton seamstress would be the writer on that.

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Speaker 6: Yeah.

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Speaker 1: I mean, don't count that as a misfire, because Breddy's

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Speaker 1: and Eli's is the best mistake you've ever made. And

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Speaker 1: that's how art happens.

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Speaker 2: Oh Joe, come on, gmc sierra. Oh, he just coughed

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Speaker 2: up a cartoonish black cloud onto us, and and we

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Speaker 2: all know I try and keep this Honda clean, sir, seriously,

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Speaker 2: that was Oh my god, I why do I His

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Speaker 2: car did just die? Oh man, he didn't even spit

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Speaker 2: out his cigarette.

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Speaker 1: But I literally have to roll down the window because

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Speaker 1: there's so much carbon dioxide in this car.

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Speaker 2: That was amazing. He did in one fail cough swoop.

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Speaker 2: First of it's in my mouth. God, that was like

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Speaker 2: being in a garage for an afternoon. It's almost like

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Speaker 2: we were a sad dad trying to offer ourselves.

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Speaker 1: Yes, seriously, I want to live. Yeah, I don't want to.

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Speaker 2: I want to see my kids go to college, the

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Speaker 2: kids I don't have. All. Honk yourself.

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Speaker 1: Now, we're in a very We're in a hot button area.

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Speaker 1: I would say Rossmoren's Third is where a lot of

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Speaker 1: rich people live, the kind of people who don't believe

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Speaker 1: they should wait for anything.

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Speaker 2: Right, right, You're.

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Speaker 1: Gonna here honking. There's gonna be some screechy land rovers.

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Speaker 2: Yep, and there's going to be houses that have gardeners

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Speaker 2: with trucks that are breaking down.

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Speaker 1: With trucks that try to kill you like you're a

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Speaker 1: spy chasing them in their James Bond releasing Humongous.

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Speaker 2: Black straight out of Spy Hunter, the video game, What next,

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Speaker 2: Sir an oil Slick, I would like to say to him,

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Speaker 2: you know.

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Speaker 1: I don't get video game references.

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Speaker 2: Well, Spy Hunter it's a little game. It's a bird's

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Speaker 2: eye view. You control it and you can do one

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Speaker 2: of two things, outrun the cars or leave oil in

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Speaker 2: the road, and or smoke screen. I see it was great.

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Speaker 2: It was one of those games that you sit in

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Speaker 2: a thing. All my video game knowledge is from the arcade.

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Speaker 2: Let's just let it be known. I do not I'm

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Speaker 2: not a home gamer.

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Speaker 1: Oh, I see this is from so is it an

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Speaker 1: old one?

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Speaker 2: It is a very old game.

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Speaker 1: We're going to right and then we're gonna go left

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Speaker 1: on mirror Fields.

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Speaker 2: Okay, and he just said.

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Speaker 1: The corner of Wilshire and Mirrorfield.

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Speaker 2: I can't wait. I would be surprised if he is

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Speaker 2: hesitant to talk about stuff because I'm he's the man

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Speaker 2: who does the state of the Industry address and he's

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Speaker 2: not afraid.

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Speaker 1: That maybe Jabs is that mirror Field. No, let's Brookside.

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Speaker 2: Well, I'm excited for him to enter the vehicle. Maybe

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Speaker 2: you can pick up and fill in the gaps with

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Speaker 2: some of my dad Hudson Mullen.

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Speaker 1: Mullen, mirror Field. This is rimpau fucking ah.

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Speaker 2: Did we miss it? Because I it seemed like it

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Speaker 2: was right there on the old map.

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Speaker 1: I mean, let me look at this map. I know

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Speaker 1: it did seem like that. Hudson. Oh, it's oh yeah,

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Speaker 1: it's behind us.

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Speaker 2: Sorry, okay, that's all right, we're gonna turn around us. Yes, sorry,

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Speaker 2: I get cold. Oh here I go.

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Speaker 1: Run that yell and then yeah I can't. It's the

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Speaker 1: worst have in the world. I'm the ultimate front seat driver.

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Speaker 1: This podcast is making me work on all my bad habits.

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Speaker 2: It's work on making them stronger.

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Speaker 1: Yea, god damn it. There she goes. Oh that guy

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Speaker 1: just taking a rest. I look at what people lay

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Speaker 1: around in LA.

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Speaker 2: It's such a precarious, like balanced like he's a cat.

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Speaker 1: Yeah, he was balanced kind of on a what would

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Speaker 1: that be, like a little planter wall?

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Speaker 2: Yeah, that is as narrow as his body. Yeah, he

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Speaker 2: was almost in full slumber.

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Speaker 1: What a great guy.

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Speaker 2: He's great. He was like a cartoon mouse the way

287
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Speaker 2: he was sleeping, just snoring, and his hat hovering above

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Speaker 2: his head and sucked back down and then blowing up.

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Speaker 1: I found I foundr field. I found it.

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Speaker 2: It's just a field of mirrors.

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Speaker 1: Okay, I'm going to be able to tell you exactly

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Speaker 1: when it turned so exciting it was. It was basically

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Speaker 1: a block after our we turned off.

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Speaker 2: Will I be taking a right?

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Speaker 3: Uh?

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Speaker 1: He said south?

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Speaker 6: So yes, I believe so.

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Speaker 2: Mirfield popular mer Cat.

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Speaker 1: I don't like when or it might be on the corner,

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Speaker 1: so you know what Mullen, Well that's Mullen interesting. Yeah,

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Speaker 1: we're not there yet.

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00:15:23,200 --> 00:15:27,600
Speaker 2: Oh we have about it blocked. This looks like Airfield Road.

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Speaker 1: We'll try it this way first.

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Speaker 2: Yeah or Moore? Oh that says Moory and.

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Speaker 1: You jeez, that was Korean.

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Speaker 2: Yeah that was a bizarre word.

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Speaker 1: So I think it was up above God damn it.

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Speaker 6: Oh so we.

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Speaker 1: Let me text him to see if he can come

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Speaker 1: to the corner.

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Speaker 2: Yeah, that'd be great. So I'm gonna do another. There's

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Speaker 2: a lot of these episodes we are going to be

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Speaker 2: listening driving logistics. Thank you. That guy fancies himself a

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Speaker 2: bit of a traffic director. Oh yeah, Oh I'm gonna

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00:16:06,320 --> 00:16:09,960
Speaker 2: wait here, okay, because every once in a while, you know,

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Speaker 2: you can't not just talk about what is happening currently.

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Speaker 1: Right in your car as you drive. You're being forced

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Speaker 1: ton nary your own U turn.

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Speaker 2: Oftentimes I do it out of it said safety. Really,

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00:16:23,480 --> 00:16:26,840
Speaker 2: I'm like, I'm taking U turn. Does any if anyone opposes,

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Speaker 2: say nay, he is right there.

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Speaker 1: We have to get across this. I think you can

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Speaker 1: do it.

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Speaker 2: We're coming fing of it, sir, Kitdler, Come on Andy,

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Speaker 2: Oh he can't hear it. We're so far away. Wait,

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Speaker 2: he waved. Let everyone know that he waved. He is

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Speaker 2: confirming that we are arriving and he will be entering

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Speaker 2: and judging by this traffic, it'll only be thirty minutes.

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Speaker 1: So the mistake I just made made Chris go right

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Speaker 1: instead of left, And now we are on one side

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Speaker 1: of Wiltshire. And this is like the game Frogger, where

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Speaker 1: the chances of us getting to the other side of blusher.

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00:17:04,640 --> 00:17:10,560
Speaker 2: Are no but me the chances of me side stepping

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Speaker 2: and leaping on a floating log are very are to one.

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Speaker 1: There we go, well done.

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00:17:16,400 --> 00:17:23,360
Speaker 2: Alrighty here he goes and here we are yay already

337
00:17:23,520 --> 00:17:25,320
Speaker 2: like what he's doing?

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Speaker 1: Hello, sir, would you like a rye?

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Speaker 2: Hi? There?

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Speaker 6: I have my.

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00:17:34,640 --> 00:17:39,639
Speaker 1: You have camerastick this?

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00:17:40,520 --> 00:17:42,600
Speaker 6: Oh you can't hear me? Did you? Did you not

343
00:17:42,680 --> 00:17:43,360
Speaker 6: hear the first part?

344
00:17:44,000 --> 00:17:45,119
Speaker 2: I saw that I do like you?

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00:17:45,440 --> 00:17:47,359
Speaker 6: Do you want to do it? Wah lah? Do you

346
00:17:47,440 --> 00:17:47,960
Speaker 6: want to catch it?

347
00:17:48,000 --> 00:17:49,440
Speaker 2: Wild? Let's do it a cappella.

348
00:17:49,520 --> 00:17:51,880
Speaker 6: Let's go in the studio and do it wild? Are

349
00:17:51,880 --> 00:17:56,200
Speaker 6: we gonna do any a d R and the additional

350
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Speaker 6: record get in. Do you need help? Well, the airport's

351
00:18:01,920 --> 00:18:06,560
Speaker 6: just crazy today. I don't no, no, I just meant

352
00:18:06,600 --> 00:18:11,119
Speaker 6: to general. Who's with me? Wait? Is there a cup holder?

353
00:18:12,400 --> 00:18:17,200
Speaker 2: There can be what I've never said.

354
00:18:17,200 --> 00:18:19,080
Speaker 6: People like the fourth Wall being broken.

355
00:18:19,240 --> 00:18:21,000
Speaker 1: They love it. It's so real.

356
00:18:21,160 --> 00:18:25,480
Speaker 2: Yeah, we've been talking about traffic this whole time. And

357
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Speaker 2: and he's entering the vehicle, he's getting his luggage.

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00:18:28,119 --> 00:18:30,639
Speaker 1: He looks like a pharmaceutical rep. He's got two small

359
00:18:30,640 --> 00:18:31,800
Speaker 1: black roller bags.

360
00:18:33,119 --> 00:18:33,639
Speaker 2: Products.

361
00:18:34,520 --> 00:18:35,879
Speaker 6: I love the way you say. I'll have to pretend

362
00:18:36,000 --> 00:18:41,160
Speaker 6: tell that to Peter pan. Oh my god, taker? Who's

363
00:18:41,200 --> 00:18:46,119
Speaker 6: tinker belt? Why they call it taker belt? I'm taking

364
00:18:46,320 --> 00:18:54,040
Speaker 6: four hours to put two bags, all right? And I

365
00:18:54,080 --> 00:18:56,800
Speaker 6: will do the bit that I do all the time.

366
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Speaker 6: I'm sorry, I can't sign if I signed for you,

367
00:19:00,080 --> 00:19:03,840
Speaker 6: I have the time for everybody. Also, like Louis c K,

368
00:19:04,520 --> 00:19:07,359
Speaker 6: I refuse to take a picture with you. It takes

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00:19:07,400 --> 00:19:10,680
Speaker 6: me longer to tell you that I refuse to take

370
00:19:10,680 --> 00:19:14,040
Speaker 6: a picture with you then it would be is that true?

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00:19:15,840 --> 00:19:16,560
Speaker 1: Can't be true?

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00:19:16,760 --> 00:19:17,320
Speaker 6: It is true.

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00:19:17,400 --> 00:19:19,240
Speaker 1: It simply can't telling you.

374
00:19:19,280 --> 00:19:21,760
Speaker 2: But all the stories I've heard it's that he's just

375
00:19:21,800 --> 00:19:22,560
Speaker 2: a sweetheart.

376
00:19:24,920 --> 00:19:27,800
Speaker 6: You know what, he is the greatest comic of our generation.

377
00:19:27,960 --> 00:19:31,040
Speaker 1: It's true and uh andy, wait all right, let's talk

378
00:19:31,040 --> 00:19:33,080
Speaker 1: get into this. Let's talk about you, though, is what

379
00:19:33,160 --> 00:19:33,800
Speaker 1: I know.

380
00:19:33,760 --> 00:19:35,520
Speaker 6: And how I'm not the greatest.

381
00:19:36,040 --> 00:19:37,280
Speaker 2: I think you are here.

382
00:19:37,320 --> 00:19:39,040
Speaker 6: I'm gonna do not reveal where you're going.

383
00:19:39,160 --> 00:19:40,920
Speaker 1: You are of my whole life. You know we will

384
00:19:40,960 --> 00:19:41,360
Speaker 1: not you.

385
00:19:41,280 --> 00:19:43,080
Speaker 6: Hold this mike one more seconds. I don't know about you.

386
00:19:43,119 --> 00:19:44,000
Speaker 6: Guys like trapped in?

387
00:19:44,440 --> 00:19:46,119
Speaker 1: Oh good idea. No, we're all strapped in.

388
00:19:46,280 --> 00:19:47,320
Speaker 2: We are all strapped in.

389
00:19:47,760 --> 00:19:53,000
Speaker 6: Someone in start the sexual joke. Strapped in more like

390
00:19:53,760 --> 00:19:59,240
Speaker 6: hanging from a harness with as fiction? Is that the kids.

391
00:19:59,040 --> 00:20:02,880
Speaker 2: Like the that's what she said?

392
00:20:03,359 --> 00:20:06,119
Speaker 6: No, no, but I'll take this quota back there. Okay, No, no,

393
00:20:06,160 --> 00:20:08,760
Speaker 6: it's the guy your so I can't say what the

394
00:20:08,800 --> 00:20:10,560
Speaker 6: brand is. I like COLA.

395
00:20:11,440 --> 00:20:14,040
Speaker 2: You don't want to get sued again? No, we remember

396
00:20:14,080 --> 00:20:15,360
Speaker 2: that Shasta debacle.

397
00:20:15,880 --> 00:20:19,000
Speaker 6: Where's your joke was in the A's A. I don't

398
00:20:19,040 --> 00:20:24,520
Speaker 6: want to get that dot dot dot again. Claren still

399
00:20:24,520 --> 00:20:25,359
Speaker 6: loves the classics.

400
00:20:26,119 --> 00:20:30,440
Speaker 1: I love any so hilarious.

401
00:20:30,880 --> 00:20:32,480
Speaker 6: Should turn my phone off? Who cares?

402
00:20:32,800 --> 00:20:33,560
Speaker 2: Turn right or left?

403
00:20:33,600 --> 00:20:34,400
Speaker 1: You should go right?

404
00:20:34,800 --> 00:20:36,400
Speaker 6: Say where you're going though, Oh I won't.

405
00:20:36,440 --> 00:20:38,399
Speaker 2: I want. It's going to be a series.

406
00:20:38,119 --> 00:20:41,480
Speaker 6: Of you know, even if you say the most expensive

407
00:20:41,520 --> 00:20:43,000
Speaker 6: water Malibu, that's too much.

408
00:20:44,560 --> 00:20:47,719
Speaker 1: Even then the people will be driving wildly towards your

409
00:20:47,720 --> 00:20:49,240
Speaker 1: whom you're you.

410
00:20:49,359 --> 00:20:53,320
Speaker 2: Just say whom? That one that's her. Anytime we talk

411
00:20:53,359 --> 00:20:56,520
Speaker 2: about Malibu, she does this rich person accent.

412
00:20:56,200 --> 00:20:59,520
Speaker 1: Who said, hello, I belove Can I come.

413
00:20:59,600 --> 00:21:02,359
Speaker 2: Until you do? You have to.

414
00:21:02,359 --> 00:21:04,879
Speaker 6: Get the idea. Are Young's podcast with you? I d

415
00:21:05,200 --> 00:21:08,040
Speaker 6: fifteen minutes before the hour and uh, we can do

416
00:21:08,080 --> 00:21:10,320
Speaker 6: that and no, but every one of my bits that

417
00:21:10,440 --> 00:21:12,240
Speaker 6: break the fourth wall are all tired old.

418
00:21:13,440 --> 00:21:16,000
Speaker 2: Well, if you could do some of the occasional traffic report,

419
00:21:16,040 --> 00:21:18,879
Speaker 2: that'd be great because my Ways app is not being well.

420
00:21:18,920 --> 00:21:20,760
Speaker 6: I'll be in my jet. Oh I love. The thing

421
00:21:20,760 --> 00:21:23,479
Speaker 6: I love about Ways is when I'm driving and I

422
00:21:23,520 --> 00:21:27,200
Speaker 6: can't even need task how I think popping up? Bubbles

423
00:21:27,200 --> 00:21:27,760
Speaker 6: popping up?

424
00:21:27,920 --> 00:21:32,000
Speaker 2: Yeah, it's a gun. It's a game or something like

425
00:21:32,040 --> 00:21:33,840
Speaker 2: you get calling on a g oh no.

426
00:21:33,800 --> 00:21:41,840
Speaker 6: Game days no gaze GZ a guy who was in

427
00:21:41,880 --> 00:21:45,440
Speaker 6: the village. People gives you directions too much.

428
00:21:46,520 --> 00:21:48,400
Speaker 1: You have to get the microphone out of your mouth.

429
00:21:50,720 --> 00:21:57,719
Speaker 6: I'm sorry you really days, really are I think you're

430
00:21:57,760 --> 00:21:59,600
Speaker 6: going the opposite the way, but I don't even care

431
00:21:59,760 --> 00:22:02,440
Speaker 6: you live in the valley. Oh you're going south.

432
00:22:02,640 --> 00:22:03,119
Speaker 1: No, we're not.

433
00:22:03,400 --> 00:22:04,560
Speaker 2: We're going north right now?

434
00:22:04,800 --> 00:22:09,879
Speaker 6: Hello, I think I don't know where I know. Hello. Hello,

435
00:22:10,520 --> 00:22:16,480
Speaker 6: that's that's still good, right, Yes? Are you watching the levels?

436
00:22:16,680 --> 00:22:17,400
Speaker 2: Yeah, it's great.

437
00:22:17,800 --> 00:22:19,800
Speaker 6: And then you might hear my new joke that just

438
00:22:19,840 --> 00:22:22,359
Speaker 6: came up with please because I have to. Instead of

439
00:22:22,359 --> 00:22:25,440
Speaker 6: writing it down, you send it to me. Joke is, uh,

440
00:22:25,680 --> 00:22:29,040
Speaker 6: you know, to compare everybody at Hitler, right, yeah, so, uh,

441
00:22:29,040 --> 00:22:33,360
Speaker 6: Harvey Levin is evil. He's uh, he's I'd say he's

442
00:22:33,359 --> 00:22:36,280
Speaker 6: worse than Hitler because Hitler wasn't a gossip.

443
00:22:38,440 --> 00:22:42,040
Speaker 2: Thank you too soon, Harve tmz Oh that's why people

444
00:22:42,080 --> 00:22:43,880
Speaker 2: around the country don't know yeh yeh see. I think

445
00:22:44,160 --> 00:22:45,760
Speaker 2: this is an international audience.

446
00:22:46,040 --> 00:22:47,160
Speaker 6: So when did you get married?

447
00:22:47,359 --> 00:22:50,080
Speaker 2: Well, it was shotgun style?

448
00:22:50,560 --> 00:22:54,879
Speaker 6: Literally, what about your dad with a shotgun? That's not funny.

449
00:22:54,880 --> 00:22:56,160
Speaker 6: My father just got shot this morning.

450
00:22:56,240 --> 00:22:57,840
Speaker 2: I'm sorry, that was this morning.

451
00:22:58,080 --> 00:23:01,320
Speaker 6: I love that joke. After he dies, un you.

452
00:23:01,240 --> 00:23:02,680
Speaker 2: Can rewrite it after he died.

453
00:23:02,720 --> 00:23:05,480
Speaker 6: Oh yeah, else, you know why I don't want to

454
00:23:05,480 --> 00:23:06,960
Speaker 6: get divorced so I love my wife, but I want

455
00:23:06,960 --> 00:23:09,840
Speaker 6: to have ex wife jokes. You can, well, my first

456
00:23:09,840 --> 00:23:10,480
Speaker 6: wife jokes.

457
00:23:10,520 --> 00:23:12,040
Speaker 1: I feel like people expect that from you.

458
00:23:12,320 --> 00:23:16,080
Speaker 2: Yeah, first wife jokes, or better your next wife jokes.

459
00:23:15,640 --> 00:23:17,359
Speaker 1: Your first wife because she is your first wife.

460
00:23:17,480 --> 00:23:19,320
Speaker 6: Right, that's true, that's true.

461
00:23:19,000 --> 00:23:19,800
Speaker 1: It is accurate.

462
00:23:20,040 --> 00:23:22,200
Speaker 6: But can I do a couple of can Burns things?

463
00:23:22,520 --> 00:23:22,960
Speaker 2: Of course?

464
00:23:23,480 --> 00:23:27,679
Speaker 6: Uh? Is my career over? Okay? Well I wouldn't say, oh,

465
00:23:28,160 --> 00:23:30,919
Speaker 6: you always have to identify the question. Am I the

466
00:23:30,960 --> 00:23:34,360
Speaker 6: oldest person of my group? Still doing it and it's

467
00:23:34,440 --> 00:23:38,080
Speaker 6: not looking good? Maybe? All right, take that out. I'm

468
00:23:38,119 --> 00:23:39,640
Speaker 6: going to be one of those take that out.

469
00:23:39,680 --> 00:23:42,919
Speaker 1: Guys are workshopping ship, have a conversation.

470
00:23:43,040 --> 00:23:46,639
Speaker 6: Oh okay, have a problem with me whatever they say, Like,

471
00:23:46,680 --> 00:23:49,600
Speaker 6: if actors have to listen, then then let's take me

472
00:23:49,600 --> 00:23:50,400
Speaker 6: out of the loop bit.

473
00:23:50,760 --> 00:23:54,440
Speaker 2: Right right, I'm just wait. You're waiting to tell jokes.

474
00:23:54,480 --> 00:23:56,159
Speaker 6: That's what I I do that when you see their

475
00:23:56,200 --> 00:23:58,399
Speaker 6: lips when I'm acting with someone, I see their lists moving.

476
00:23:58,680 --> 00:24:00,919
Speaker 6: All I can say is like, I don't remember the script?

477
00:24:00,920 --> 00:24:02,000
Speaker 6: Are they completely dying?

478
00:24:03,320 --> 00:24:05,960
Speaker 1: That's not true? You're very good on Maren Andrew.

479
00:24:05,800 --> 00:24:08,160
Speaker 6: Oh god, I wind you away seven minutes more because

480
00:24:08,800 --> 00:24:09,400
Speaker 6: you didn't give.

481
00:24:09,320 --> 00:24:10,000
Speaker 1: Me the schedule.

482
00:24:10,440 --> 00:24:12,720
Speaker 2: Oh yeah, the Marin mentioned was supposed to be twenty.

483
00:24:13,560 --> 00:24:14,199
Speaker 1: I'm supposed to be.

484
00:24:15,920 --> 00:24:17,000
Speaker 6: That's why I have thirty on the dot.

485
00:24:18,000 --> 00:24:20,560
Speaker 2: J We have a we have a four or five

486
00:24:20,720 --> 00:24:21,359
Speaker 2: is blocked up.

487
00:24:21,800 --> 00:24:24,439
Speaker 6: We have a fender bender, and so what there's a.

488
00:24:24,320 --> 00:24:27,800
Speaker 2: Tan saturn when a child back, he belongs there, leave

489
00:24:27,880 --> 00:24:30,040
Speaker 2: them alone his parents.

490
00:24:30,119 --> 00:24:32,879
Speaker 6: What is someone refer to a terrible accident. Oh, we

491
00:24:32,920 --> 00:24:35,520
Speaker 6: have a feather bender. Fifty five people were killed on

492
00:24:35,640 --> 00:24:39,199
Speaker 6: the I. I was a fender bend tragedy. It was

493
00:24:39,200 --> 00:24:41,600
Speaker 6: ready and they ran into a little bit of wet stuff.

494
00:24:42,520 --> 00:24:46,480
Speaker 6: So coming up blood o dying in the desert today

495
00:24:46,480 --> 00:24:47,920
Speaker 6: because they hit triple digits.

496
00:24:48,960 --> 00:24:51,840
Speaker 2: Now the new one from this old mud.

497
00:24:52,160 --> 00:24:54,359
Speaker 6: I think we're all over the top. Now we should

498
00:24:54,359 --> 00:24:54,840
Speaker 6: bring it down.

499
00:24:54,920 --> 00:24:58,720
Speaker 2: Yeah that's a notch, all right, my laugh. So you're

500
00:24:59,200 --> 00:25:03,119
Speaker 2: you were at a you were a high pressure Hollywood meeting.

501
00:25:03,160 --> 00:25:03,919
Speaker 2: We just picked you up.

502
00:25:03,960 --> 00:25:06,639
Speaker 6: Oh yeah, well I did a thing, and I can

503
00:25:06,760 --> 00:25:09,000
Speaker 6: say this part of the thing I did, and this

504
00:25:09,080 --> 00:25:11,880
Speaker 6: has happened to me once a week now. First of all,

505
00:25:11,920 --> 00:25:14,120
Speaker 6: I want to thank Karen because I realized I didn't

506
00:25:14,119 --> 00:25:18,280
Speaker 6: say anything embarrassing, except that in the I will say

507
00:25:18,320 --> 00:25:19,119
Speaker 6: what I said in the tweet.

508
00:25:19,240 --> 00:25:21,399
Speaker 1: Oh, it wasn't tweet, it was a text.

509
00:25:21,440 --> 00:25:21,800
Speaker 2: That's right.

510
00:25:21,800 --> 00:25:24,320
Speaker 6: I'm not tweeting to you this I text you. I

511
00:25:24,359 --> 00:25:25,920
Speaker 6: can't say that what I was doing. But here's what

512
00:25:26,000 --> 00:25:29,520
Speaker 6: I text. I think I'm doing it to Susan. I say, oh,

513
00:25:29,720 --> 00:25:33,960
Speaker 6: it's a five diamond hotel, and it's the and the

514
00:25:34,000 --> 00:25:36,399
Speaker 6: incidentals things. I didn't have to put a credit card

515
00:25:36,440 --> 00:25:40,520
Speaker 6: down on the room. It's beginning a free food and

516
00:25:40,600 --> 00:25:44,000
Speaker 6: I got perdem. How sad is my life that I

517
00:25:44,160 --> 00:25:46,720
Speaker 6: you know that or stand up comics life that not

518
00:25:46,800 --> 00:25:50,600
Speaker 6: being asked for credit card is caused for celebrations though,

519
00:25:50,960 --> 00:25:52,960
Speaker 6: and once a week I do this because something with

520
00:25:53,040 --> 00:25:56,639
Speaker 6: the iPhone. If you if I'm texting to you and

521
00:25:56,680 --> 00:25:59,359
Speaker 6: then a new text comes in, and then I text

522
00:25:59,400 --> 00:26:01,760
Speaker 6: back somehow, always to to the last person.

523
00:26:04,160 --> 00:26:04,800
Speaker 1: This is interesting.

524
00:26:04,880 --> 00:26:08,800
Speaker 2: Yeah, yeah, get get up, always spilled.

525
00:26:08,800 --> 00:26:11,440
Speaker 6: It should be a great hand of my sitcom.

526
00:26:11,520 --> 00:26:12,159
Speaker 2: Wake up.

527
00:26:12,520 --> 00:26:15,399
Speaker 6: This is interesting. Okay, you will explain to me why

528
00:26:15,440 --> 00:26:15,920
Speaker 6: it happens.

529
00:26:16,160 --> 00:26:19,920
Speaker 1: Well, yes, because I bet you don't. You don't touch

530
00:26:20,040 --> 00:26:22,639
Speaker 1: the like the blue dot where the new message comes in.

531
00:26:22,720 --> 00:26:27,879
Speaker 1: You just start writing in my mind, just.

532
00:26:28,960 --> 00:26:31,720
Speaker 2: Like a rabbit, like an animal of some kind.

533
00:26:31,760 --> 00:26:33,280
Speaker 6: Well, I just said to the you know, this is

534
00:26:33,320 --> 00:26:34,080
Speaker 6: another sad thing.

535
00:26:34,160 --> 00:26:35,719
Speaker 2: I know it seemed like I was going to hit

536
00:26:35,720 --> 00:26:36,680
Speaker 2: that car, but I didn't know.

537
00:26:36,760 --> 00:26:39,480
Speaker 6: You didn't carry on. I'm telling you. One thing that

538
00:26:39,600 --> 00:26:41,360
Speaker 6: I know for a fact is that you guys are

539
00:26:41,400 --> 00:26:42,080
Speaker 6: going south.

540
00:26:42,440 --> 00:26:45,120
Speaker 1: It's not true. We're heading toward the mountains. Do you see?

541
00:26:45,359 --> 00:26:46,639
Speaker 2: Yeah?

542
00:26:46,560 --> 00:26:50,760
Speaker 6: Why would how even more wrong when I let it go? Well,

543
00:26:50,760 --> 00:26:53,879
Speaker 6: that's right, because I see this restaurant. Guys, we're heading nord.

544
00:26:55,040 --> 00:26:56,560
Speaker 1: What I hope is that when we get up to

545
00:26:56,560 --> 00:26:59,760
Speaker 1: the Highland in Hollywood area, you triple down and once

546
00:26:59,800 --> 00:27:01,160
Speaker 1: again and tell us for going sound.

547
00:27:01,240 --> 00:27:02,240
Speaker 6: Yeah, I'm sure.

548
00:27:03,680 --> 00:27:06,159
Speaker 2: I hope that after we're done recording and you're walking

549
00:27:06,160 --> 00:27:08,280
Speaker 2: into your house, you would look back and you go,

550
00:27:08,560 --> 00:27:09,879
Speaker 2: I don't know why we went south.

551
00:27:10,560 --> 00:27:11,919
Speaker 1: We went out the whole way together.

552
00:27:12,000 --> 00:27:14,600
Speaker 6: It makes sense if we don't. If I don't say,

553
00:27:14,640 --> 00:27:17,040
Speaker 6: we'll do them when we do the other Wildlnes.

554
00:27:16,600 --> 00:27:18,560
Speaker 2: Oh right, yeah, Well we do have to pick up

555
00:27:18,560 --> 00:27:21,520
Speaker 2: a little room tone too. Yeah, I'll just do that.

556
00:27:22,119 --> 00:27:28,400
Speaker 2: We'll just play it's a room tone. Oh, it's fun

557
00:27:28,440 --> 00:27:28,800
Speaker 2: to do it.

558
00:27:28,920 --> 00:27:31,600
Speaker 6: Are you have wacky sound effects.

559
00:27:32,920 --> 00:27:33,240
Speaker 2: Whatever.

560
00:27:33,600 --> 00:27:34,879
Speaker 6: Do you know what? You can get room tone? You

561
00:27:34,880 --> 00:27:38,159
Speaker 6: can get that at any Andy Killers show, and a

562
00:27:38,200 --> 00:27:40,040
Speaker 6: lot of people can't. What do you think here, here's

563
00:27:40,040 --> 00:27:42,840
Speaker 6: the way I go into the regular materialize that I

564
00:27:42,880 --> 00:27:44,680
Speaker 6: love that joke. That is a good lot of them.

565
00:27:44,720 --> 00:27:47,600
Speaker 2: A lot of filmmakers come to my comedy Shoes shows

566
00:27:47,800 --> 00:27:49,320
Speaker 2: just to pick up some room tone.

567
00:27:50,160 --> 00:27:52,240
Speaker 6: Yeah you say that that's your joke.

568
00:27:52,680 --> 00:27:53,639
Speaker 1: You're index cards and right.

569
00:27:54,280 --> 00:27:57,160
Speaker 6: I want to, but then it'll take Maybe I could

570
00:27:57,160 --> 00:27:59,399
Speaker 6: put it on a thing. Oh maybe I get my

571
00:27:59,440 --> 00:28:00,800
Speaker 6: phone out and you know what I've been using a

572
00:28:00,840 --> 00:28:02,639
Speaker 6: lot is uh and maybe the kids will like to

573
00:28:02,680 --> 00:28:05,600
Speaker 6: hear this is I use the voice memo a lot.

574
00:28:05,960 --> 00:28:09,280
Speaker 6: Oh yeah, right, so like uh, And the thing is,

575
00:28:09,680 --> 00:28:12,159
Speaker 6: people will say, listening to this, why isn't he just

576
00:28:12,440 --> 00:28:16,120
Speaker 6: listen to the podcast. Let's not get crazy. You're okay.

577
00:28:16,160 --> 00:28:19,680
Speaker 6: So here's what I do here. You go A lot

578
00:28:19,680 --> 00:28:23,199
Speaker 6: of movie directors and producers, they come down to my

579
00:28:23,280 --> 00:28:26,560
Speaker 6: comedy shows just to get room tone.

580
00:28:29,920 --> 00:28:33,880
Speaker 2: Yeah, okay, I would just say directors, okay. Producers are

581
00:28:33,960 --> 00:28:38,120
Speaker 2: rarely on set. They're usually the money. Yeah, it could

582
00:28:38,240 --> 00:28:41,280
Speaker 2: just be a lot of a lot of camera no.

583
00:28:41,480 --> 00:28:45,640
Speaker 6: To self, don't go with producers, stick with directors, and

584
00:28:45,680 --> 00:28:47,640
Speaker 6: don't forget that Harvey Levin Gold.

585
00:28:50,000 --> 00:28:50,760
Speaker 2: I'm a lawyer.

586
00:28:52,480 --> 00:28:55,600
Speaker 6: I think we're going diagonally a diagonally.

587
00:28:55,600 --> 00:28:57,920
Speaker 2: Why are we heading directly towards the beach? Karen? Now,

588
00:28:57,960 --> 00:28:58,960
Speaker 2: I don't know what I'm doing.

589
00:28:59,040 --> 00:29:01,160
Speaker 1: Just drive into the ocean, please, I know what I'm

590
00:29:01,200 --> 00:29:01,720
Speaker 1: talking about.

591
00:29:02,160 --> 00:29:05,400
Speaker 6: One for one block. Let's do the morning too. Uh

592
00:29:05,520 --> 00:29:08,280
Speaker 6: sixty five degrees? And the Karen you were over at

593
00:29:08,320 --> 00:29:09,600
Speaker 6: TJ Gribbers Like.

594
00:29:11,680 --> 00:29:12,640
Speaker 2: When is she not?

595
00:29:15,520 --> 00:29:19,080
Speaker 6: Was fart Wednesday? Not to be said.

596
00:29:21,760 --> 00:29:23,880
Speaker 1: That's all the women on there are just always like

597
00:29:23,920 --> 00:29:26,560
Speaker 1: these sad milk toasty like are you kidding me?

598
00:29:27,400 --> 00:29:28,920
Speaker 2: Last night in sports?

599
00:29:29,240 --> 00:29:30,640
Speaker 6: Oh she carriage offended.

600
00:29:32,280 --> 00:29:33,840
Speaker 2: Oh you mean for a change.

601
00:29:33,920 --> 00:29:36,080
Speaker 6: Yeah, she doesn't like when the jokes up the colon

602
00:29:36,480 --> 00:29:36,840
Speaker 6: one thing.

603
00:29:37,400 --> 00:29:39,520
Speaker 2: Here's here's what I don't get about women.

604
00:29:40,280 --> 00:29:42,680
Speaker 6: Yeah, you give Karen assels for us.

605
00:29:42,600 --> 00:29:45,520
Speaker 2: You give them, you give them their hand and they

606
00:29:45,600 --> 00:29:47,040
Speaker 2: take all the fingers.

607
00:29:47,520 --> 00:29:51,760
Speaker 6: That's exactly right. Why can't I say woobles all the rat? Sorry,

608
00:29:51,760 --> 00:29:53,480
Speaker 6: glorious Steyne, you're on the rat.

609
00:29:53,560 --> 00:29:56,200
Speaker 2: And that's what she would say, That's what women would say.

610
00:29:56,400 --> 00:29:57,160
Speaker 6: She did not die.

611
00:29:57,200 --> 00:29:59,280
Speaker 1: You know she didn't. But the woman on a morning

612
00:29:59,400 --> 00:30:02,680
Speaker 1: Zoo show with the she died. Yeah, that's right. I'm

613
00:30:02,680 --> 00:30:04,800
Speaker 1: going deep with my character subt.

614
00:30:04,960 --> 00:30:07,920
Speaker 6: Yes, and I like it. But you know, a woman

615
00:30:08,000 --> 00:30:09,800
Speaker 6: comic to get mad at me, I think, And here's

616
00:30:09,840 --> 00:30:14,560
Speaker 6: what I think. It's hilarious to every time I introduce

617
00:30:14,640 --> 00:30:16,520
Speaker 6: a woman comic To me, it's funny to say, are

618
00:30:16,560 --> 00:30:18,840
Speaker 6: you ready for a lady now? Or change up?

619
00:30:18,840 --> 00:30:19,160
Speaker 2: The end.

620
00:30:20,600 --> 00:30:23,040
Speaker 6: Is annoying because now someone has to react to it.

621
00:30:23,120 --> 00:30:24,840
Speaker 6: So I've decided to stop it. Are you agreed that

622
00:30:24,880 --> 00:30:28,040
Speaker 6: I should stop it even though it's funny to me? No? Okay,

623
00:30:28,360 --> 00:30:30,320
Speaker 6: screw that woman, not.

624
00:30:30,240 --> 00:30:32,640
Speaker 1: Literally, because here's the thing, all the things that can

625
00:30:32,680 --> 00:30:34,480
Speaker 1: happen to you as a female comic, that is the

626
00:30:34,600 --> 00:30:35,960
Speaker 1: least bad of all of them.

627
00:30:36,120 --> 00:30:38,680
Speaker 2: The worst version I've heard is, are you guys ready

628
00:30:38,720 --> 00:30:42,400
Speaker 2: for a little estrogen? Yeah?

629
00:30:42,680 --> 00:30:44,520
Speaker 1: Yeah, It all depends on how you're doing it. If

630
00:30:44,520 --> 00:30:47,000
Speaker 1: you're doing it as a joke and people understand that, Oh.

631
00:30:46,920 --> 00:30:50,120
Speaker 6: No, I'm not doing it, Karen. Do you really think

632
00:30:50,320 --> 00:30:51,720
Speaker 6: I am going up there and say.

633
00:30:51,720 --> 00:30:53,120
Speaker 1: No, I'm just making the point clear.

634
00:30:54,480 --> 00:30:56,520
Speaker 6: Look, I don't know what's happening, you know, what I'm.

635
00:30:56,440 --> 00:31:01,440
Speaker 1: Ovulated well, and also women are women who do it that?

636
00:31:01,440 --> 00:31:04,680
Speaker 1: That was one of my favorite flyers. In San Francisco,

637
00:31:04,760 --> 00:31:08,239
Speaker 1: there was a comedy team what the uh what was it?

638
00:31:08,280 --> 00:31:11,960
Speaker 1: Called its No, No, it was all women and it

639
00:31:12,040 --> 00:31:14,760
Speaker 1: was a play on something like estrogen. What the hell

640
00:31:14,920 --> 00:31:17,840
Speaker 1: was it? Of course I forget it. Do you remember

641
00:31:17,880 --> 00:31:21,320
Speaker 1: it was? Yes, it was something like that, and it

642
00:31:21,360 --> 00:31:23,360
Speaker 1: was so terrible, and it was their fucking idea.

643
00:31:23,480 --> 00:31:25,560
Speaker 6: Yeah. Oh yeah, because now because a lot of the

644
00:31:25,600 --> 00:31:28,720
Speaker 6: young kids who listen, because I'm sure your your your

645
00:31:29,240 --> 00:31:30,640
Speaker 6: demographic is the sweet spot.

646
00:31:30,960 --> 00:31:33,600
Speaker 2: Yeah, fifteen, eleven, fifteen, it's.

647
00:31:33,480 --> 00:31:34,080
Speaker 6: Younger now.

648
00:31:36,960 --> 00:31:39,120
Speaker 1: All my people, it goes backwards, it goes south.

649
00:31:39,240 --> 00:31:42,400
Speaker 6: Yeah, I don't want to leave at the two year old.

650
00:31:44,360 --> 00:31:48,560
Speaker 6: But you remember the eighties comedy shows where everyone was

651
00:31:48,640 --> 00:31:51,680
Speaker 6: named a woman of the night. Yes, that kind of thing.

652
00:31:51,760 --> 00:31:54,960
Speaker 1: Yes, overreaction, thank you, I knew i'd remember it. It

653
00:31:55,000 --> 00:32:02,320
Speaker 1: was called overreaction overy. I'm sorry I didn't hit that.

654
00:32:02,320 --> 00:32:04,920
Speaker 6: That is a really good joke. That's a good All

655
00:32:05,680 --> 00:32:06,959
Speaker 6: puns are funny.

656
00:32:07,160 --> 00:32:09,920
Speaker 2: There's a pretty good show right now called Transparent, and

657
00:32:09,960 --> 00:32:12,480
Speaker 2: I it was I was halfway through the siloight and

658
00:32:12,640 --> 00:32:18,520
Speaker 2: I realized it's about a transgendered parent. I never get that,

659
00:32:18,600 --> 00:32:19,480
Speaker 2: And isn't it great?

660
00:32:19,560 --> 00:32:21,880
Speaker 6: Oh it's transparent. I wouldn't have gotten that in a million,

661
00:32:22,120 --> 00:32:25,800
Speaker 6: just like I don't get that sweetheart sweethearts are a

662
00:32:25,920 --> 00:32:26,960
Speaker 6: version of sweethearts?

663
00:32:27,600 --> 00:32:28,440
Speaker 1: You mean the candy?

664
00:32:28,560 --> 00:32:29,280
Speaker 6: Yes, the candy.

665
00:32:29,400 --> 00:32:31,400
Speaker 2: Got there is a sweet tart?

666
00:32:31,640 --> 00:32:31,960
Speaker 6: You know what.

667
00:32:32,000 --> 00:32:32,880
Speaker 1: Turn this car around?

668
00:32:32,880 --> 00:32:34,800
Speaker 2: We need to go south. Hey, this car around? And

669
00:32:34,840 --> 00:32:36,600
Speaker 2: I swear to God, that's all news to me. I

670
00:32:36,640 --> 00:32:37,840
Speaker 2: thought they were just sweethearts.

671
00:32:37,920 --> 00:32:41,160
Speaker 6: I think I'm wrong. No, no, no, there's sweethearts, sweethearts.

672
00:32:41,560 --> 00:32:43,760
Speaker 6: Maybe there were sweethearts too. I remember there's a big

673
00:32:43,800 --> 00:32:45,360
Speaker 6: lawsuit in the candy industry.

674
00:32:46,320 --> 00:32:47,880
Speaker 2: Oh yeah, never did you get it?

675
00:32:49,000 --> 00:32:51,320
Speaker 1: I would never, Yes, you would get it. But I

676
00:32:51,400 --> 00:32:54,080
Speaker 1: knew the story beforehand. I knew that Jill's dad had

677
00:32:54,120 --> 00:32:56,040
Speaker 1: become what transgender?

678
00:32:56,200 --> 00:33:00,280
Speaker 6: Yeah? I don't know this. Yeah, yeah, unbelievable. We now

679
00:33:00,360 --> 00:33:01,959
Speaker 6: noticed his dad or dad think about it.

680
00:33:02,320 --> 00:33:03,600
Speaker 1: I'm not sure. I haven't seen the show.

681
00:33:03,680 --> 00:33:05,920
Speaker 2: Wait, you know the actual people that show is based on.

682
00:33:06,200 --> 00:33:09,800
Speaker 1: I know Jill Soloway and when that show they made

683
00:33:09,800 --> 00:33:12,000
Speaker 1: that show and then it was the thing on Amazon

684
00:33:12,360 --> 00:33:15,000
Speaker 1: got up voted so like that they made a pilot

685
00:33:15,080 --> 00:33:16,120
Speaker 1: or something, and then it was like.

686
00:33:16,120 --> 00:33:18,600
Speaker 6: Up voted, why are you distancing me with lingo?

687
00:33:19,880 --> 00:33:21,520
Speaker 1: You get away voted?

688
00:33:21,600 --> 00:33:25,520
Speaker 6: Okay, cool, that's cool. You're in dream is to get

689
00:33:25,640 --> 00:33:28,440
Speaker 6: up voted. Here's the thing. If she was like Woody

690
00:33:28,480 --> 00:33:30,920
Speaker 6: Allen or something and she says it's not based on

691
00:33:30,960 --> 00:33:34,800
Speaker 6: my life, don't draw that conclusion. People say their stuff

692
00:33:34,840 --> 00:33:37,200
Speaker 6: isn't based on their life. But now it's okay, what

693
00:33:37,280 --> 00:33:38,760
Speaker 6: do I say that I say the joke, it's not

694
00:33:38,800 --> 00:33:40,640
Speaker 6: even a joke, and I have to repeat it if

695
00:33:40,920 --> 00:33:42,000
Speaker 6: you didn't hear it correctly.

696
00:33:43,080 --> 00:33:43,680
Speaker 1: That's what I do.

697
00:33:43,960 --> 00:33:45,280
Speaker 6: I thought I was to go for Woody Allen and

698
00:33:45,320 --> 00:33:47,040
Speaker 6: get into the whole Woody on the I.

699
00:33:46,960 --> 00:33:49,040
Speaker 1: Got real nervous that you were going to go straight too.

700
00:33:49,720 --> 00:33:55,520
Speaker 6: No, no, I'm anti you just you really do like

701
00:33:55,520 --> 00:33:59,960
Speaker 6: a morning super anti. People thinking that this was a joke,

702
00:34:00,080 --> 00:34:01,800
Speaker 6: I said, was the quart of public opinions on the

703
00:34:01,840 --> 00:34:04,920
Speaker 6: actual court and enraged me that people who had known

704
00:34:05,040 --> 00:34:07,240
Speaker 6: nothing were all of a sudden saying he was guilty.

705
00:34:07,360 --> 00:34:09,480
Speaker 6: Let's not get into this because I'll get into atheism,

706
00:34:09,520 --> 00:34:11,920
Speaker 6: the angry atheist Jesus, and you'll throw you'll kick me

707
00:34:11,960 --> 00:34:12,319
Speaker 6: out of the car.

708
00:34:12,440 --> 00:34:15,960
Speaker 1: You're becoming the people that you hate. I said it

709
00:34:16,000 --> 00:34:16,359
Speaker 1: to your.

710
00:34:16,280 --> 00:34:17,879
Speaker 2: Face the hand.

711
00:34:18,000 --> 00:34:19,919
Speaker 6: Why do you go the extra step.

712
00:34:20,400 --> 00:34:23,960
Speaker 1: Because I'm dedicated to this podcast very.

713
00:34:23,840 --> 00:34:26,320
Speaker 6: Matter of factly. Yep, of course, oh halfn't.

714
00:34:26,360 --> 00:34:29,160
Speaker 1: I always run straight at you, Andy, from since nineteen

715
00:34:29,239 --> 00:34:30,800
Speaker 1: ninety when I first met you.

716
00:34:30,640 --> 00:34:33,040
Speaker 6: Coming straight at me for over twenty five.

717
00:34:32,920 --> 00:34:36,000
Speaker 2: Years, with open arms, and it's in a nice way,

718
00:34:36,080 --> 00:34:37,239
Speaker 2: like you're gonna hug him, right.

719
00:34:37,239 --> 00:34:41,800
Speaker 6: No real shark, and yeah, she has sharp elbows.

720
00:34:42,160 --> 00:34:44,319
Speaker 1: Andy. I met Andy when I was twenty years old.

721
00:34:44,480 --> 00:34:47,600
Speaker 1: He was the first comedian I ever met, and I

722
00:34:47,719 --> 00:34:51,080
Speaker 1: was so nervous to meet him. My friend Alicia Gonsalez

723
00:34:51,200 --> 00:34:53,719
Speaker 1: was dating him at the time, and so she was like,

724
00:34:54,040 --> 00:34:55,359
Speaker 1: I went to see him at the.

725
00:34:55,760 --> 00:35:02,279
Speaker 6: Laugh laughs, unlimited sack, not the nice one. And we

726
00:35:02,280 --> 00:35:04,360
Speaker 6: weren't on the way to Reds. We weren't driving up

727
00:35:04,400 --> 00:35:06,880
Speaker 6: to Reds and he was meddling.

728
00:35:06,560 --> 00:35:07,920
Speaker 1: For Steve Brunner.

729
00:35:08,160 --> 00:35:10,800
Speaker 6: I don't remember that part. Oh, he would raise his jokes.

730
00:35:10,800 --> 00:35:11,279
Speaker 6: He was gone.

731
00:35:11,920 --> 00:35:13,480
Speaker 1: Told me that's what I needed to do to my

732
00:35:13,520 --> 00:35:20,200
Speaker 1: set list. My jokes best first to least ten, and

733
00:35:20,239 --> 00:35:22,120
Speaker 1: then I needed to put number one at number ten

734
00:35:22,160 --> 00:35:24,400
Speaker 1: and number ten at number two and number eight at

735
00:35:24,480 --> 00:35:28,239
Speaker 1: number three, and he gave me literally a mathematics card.

736
00:35:28,320 --> 00:35:32,600
Speaker 2: Counter was he autistic? He was the who prioritizes jokes

737
00:35:32,640 --> 00:35:33,920
Speaker 2: and then reorganizes them.

738
00:35:34,120 --> 00:35:37,600
Speaker 6: I think thirty year road comic, right well, who decides

739
00:35:37,880 --> 00:35:41,439
Speaker 6: whose thirty years are up? Who in God's name would

740
00:35:41,440 --> 00:35:45,160
Speaker 6: say would want there to be jokes that weren't as funny?

741
00:35:45,160 --> 00:35:47,760
Speaker 6: I could never think, like, well, they're all pretty funny,

742
00:35:48,080 --> 00:35:48,600
Speaker 6: right well?

743
00:35:48,640 --> 00:35:50,600
Speaker 1: Yeah, That's what I was thinking is I don't think

744
00:35:50,640 --> 00:35:52,480
Speaker 1: I have a one, and I hope I don't have

745
00:35:52,520 --> 00:35:56,640
Speaker 1: a ten. You know, I think that all fours and

746
00:35:56,680 --> 00:35:59,520
Speaker 1: there's definitely some sevens when I'm working on them, or

747
00:35:59,520 --> 00:36:00,160
Speaker 1: I'll just get.

748
00:36:00,239 --> 00:36:02,520
Speaker 6: Them so it works. It works. You've already raised them

749
00:36:02,560 --> 00:36:05,239
Speaker 6: right back me up on this, Chris, I already raided them.

750
00:36:05,280 --> 00:36:09,359
Speaker 2: See we're making fun of him. But he helped youriiant man,

751
00:36:09,400 --> 00:36:09,920
Speaker 2: and he helped me.

752
00:36:09,920 --> 00:36:11,839
Speaker 1: More than Andy. But then the only thing Andy would

753
00:36:11,840 --> 00:36:14,440
Speaker 1: tell me as help. And I was panicking because the

754
00:36:14,480 --> 00:36:17,960
Speaker 1: first really big comedy said I did the third time

755
00:36:17,960 --> 00:36:19,320
Speaker 1: I did stand up, I was in a contact.

756
00:36:19,360 --> 00:36:20,759
Speaker 6: I can't even believe it was the third time. It

757
00:36:20,800 --> 00:36:25,360
Speaker 6: looked like it was the fourth time. At that, No,

758
00:36:25,440 --> 00:36:26,360
Speaker 6: you were so hilarious.

759
00:36:27,160 --> 00:36:29,399
Speaker 1: But Andy, all, Andy, the only advice he would give

760
00:36:29,440 --> 00:36:31,080
Speaker 1: me was stare at the back wall, like there's a

761
00:36:31,080 --> 00:36:31,719
Speaker 1: clock on it.

762
00:36:32,080 --> 00:36:32,880
Speaker 2: That's hilarious.

763
00:36:32,960 --> 00:36:34,719
Speaker 1: The only thing you would say. And I looking at

764
00:36:34,760 --> 00:36:36,279
Speaker 1: him like I knew there was something you could be

765
00:36:36,280 --> 00:36:38,080
Speaker 1: telling me that would help me. And that's all he

766
00:36:38,080 --> 00:36:38,560
Speaker 1: would say.

767
00:36:38,880 --> 00:36:41,080
Speaker 6: That that was not my best working And my whole

768
00:36:41,080 --> 00:36:43,399
Speaker 6: thing was I see this, I see this check coming

769
00:36:43,440 --> 00:36:46,359
Speaker 6: up my backside. I'm sorry about that one. But yeah,

770
00:36:46,600 --> 00:36:48,239
Speaker 6: I wanted to knock you out before you got good.

771
00:36:48,239 --> 00:36:51,960
Speaker 6: You're really good, I see. Yeah, sappotized. I'm gonna sabotaze

772
00:36:51,960 --> 00:36:52,239
Speaker 6: you guy.

773
00:36:52,520 --> 00:36:53,839
Speaker 1: Listen, all, y'all, this is.

774
00:36:55,680 --> 00:36:59,839
Speaker 6: You know. I oh, I don't know enough of them.

775
00:36:59,840 --> 00:37:02,680
Speaker 6: But I love the idea of lacking the Beastie Boys

776
00:37:03,000 --> 00:37:05,400
Speaker 6: because they were funny and I love them and I

777
00:37:05,440 --> 00:37:07,279
Speaker 6: know nothing about them, not even one song. You got

778
00:37:07,360 --> 00:37:08,719
Speaker 6: to fight the right to party.

779
00:37:08,400 --> 00:37:11,640
Speaker 2: That's what I like the concept of enjoying them too.

780
00:37:11,719 --> 00:37:14,399
Speaker 2: But I don't, in actuality enjoy the Beastie Boys.

781
00:37:15,360 --> 00:37:17,200
Speaker 6: I don't. Oh no, you got to fight the right

782
00:37:17,200 --> 00:37:17,520
Speaker 6: to party?

783
00:37:18,000 --> 00:37:20,760
Speaker 2: Well, no, I do that also because people are always

784
00:37:20,760 --> 00:37:22,160
Speaker 2: trying to shut my parties down.

785
00:37:22,200 --> 00:37:23,360
Speaker 1: He doesn't need a song about it.

786
00:37:23,400 --> 00:37:25,240
Speaker 6: He's living people. Oh, there's my agent.

787
00:37:25,440 --> 00:37:28,160
Speaker 2: Guess what they're all rushing to do. You were gonna

788
00:37:28,200 --> 00:37:30,600
Speaker 2: do it? Yeah, they're shutting down a party right now.

789
00:37:30,960 --> 00:37:33,640
Speaker 6: Oh I'm sorry. There's the career police.

790
00:37:34,120 --> 00:37:34,359
Speaker 2: Yeah.

791
00:37:34,440 --> 00:37:35,919
Speaker 6: Oh, I'm sorry, he's over here.

792
00:37:36,160 --> 00:37:37,600
Speaker 2: He already left the meeting.

793
00:37:38,719 --> 00:37:42,680
Speaker 6: Oh I'm sorry, I left my defibrillator at home. Two more,

794
00:37:42,960 --> 00:37:46,080
Speaker 6: I hope Dave Allan Gruger once heard this, but it's

795
00:37:46,120 --> 00:37:48,120
Speaker 6: a different one. He went to see the Glenn Miller

796
00:37:48,160 --> 00:37:51,000
Speaker 6: band and it wasn't the original members, but they actually

797
00:37:51,160 --> 00:37:54,560
Speaker 6: do you know Steve Miller, Uh not Steve Miller, Glenn Miller,

798
00:37:54,680 --> 00:37:55,240
Speaker 6: Len Miller.

799
00:37:55,160 --> 00:37:56,840
Speaker 2: The old band leader, the orchestra.

800
00:37:57,160 --> 00:37:58,799
Speaker 6: So he went to see the Glenn Miller band, but

801
00:37:58,840 --> 00:38:01,120
Speaker 6: they weren't, and of course Glenn Miller disappeared. But then

802
00:38:01,160 --> 00:38:03,480
Speaker 6: they weren't. Maybe they were in the original members or maybe.

803
00:38:03,920 --> 00:38:07,439
Speaker 6: So they hear a plane overhead and the guy says, hope,

804
00:38:07,480 --> 00:38:08,240
Speaker 6: that's one of ours.

805
00:38:08,640 --> 00:38:11,839
Speaker 2: Oh wow, I don't get it.

806
00:38:12,200 --> 00:38:14,000
Speaker 6: In other words, it was like it's World War two.

807
00:38:14,360 --> 00:38:16,120
Speaker 2: Oh I see w W two.

808
00:38:16,320 --> 00:38:19,319
Speaker 6: I tell a terrible story. I mean I got it.

809
00:38:19,480 --> 00:38:22,799
Speaker 2: I understood it. I'm sorry from that story. Spoke to

810
00:38:22,840 --> 00:38:24,120
Speaker 2: me like an old beastie boy.

811
00:38:24,239 --> 00:38:27,839
Speaker 6: So, oh, you know, if the Maimie eisenhowerd joke isn't strong,

812
00:38:27,840 --> 00:38:28,520
Speaker 6: you don't remember.

813
00:38:28,360 --> 00:38:31,359
Speaker 1: The reference you bring lady Bird Johnson and I'm there.

814
00:38:31,880 --> 00:38:33,680
Speaker 1: But any earlier than that, did.

815
00:38:33,600 --> 00:38:39,480
Speaker 6: You say earlier? From Palm of Them? Now here's the

816
00:38:39,480 --> 00:38:41,480
Speaker 6: thing about Karen. I was in love with Karen. I

817
00:38:41,520 --> 00:38:43,800
Speaker 6: don't mean like romantically loved. I mean, of course I was.

818
00:38:44,239 --> 00:38:47,400
Speaker 6: Who wouldn't be, I said I was in love. I

819
00:38:47,400 --> 00:38:49,680
Speaker 6: think with every woman I've seen since nineteen.

820
00:38:49,360 --> 00:38:52,239
Speaker 1: Eighty two, do comedy or just in general.

821
00:38:52,320 --> 00:38:54,480
Speaker 6: General, in general, I love women. I have never not.

822
00:38:54,920 --> 00:38:57,719
Speaker 6: It's like, oh that one's that one has, her hair

823
00:38:57,800 --> 00:39:00,759
Speaker 6: is too long, forget about it. Just keep keep me

824
00:39:00,960 --> 00:39:04,400
Speaker 6: not just a restraining order, keep me restrained. But I

825
00:39:04,440 --> 00:39:07,800
Speaker 6: love count so much. And I remember every single time

826
00:39:07,960 --> 00:39:10,040
Speaker 6: in the early days when we saw each other, because

827
00:39:10,040 --> 00:39:12,160
Speaker 6: I remember her in the green room when she came

828
00:39:12,160 --> 00:39:17,360
Speaker 6: in and she said, I know, Lisa Gomez, that's how nervous.

829
00:39:17,560 --> 00:39:19,279
Speaker 6: I thought it was a bit that she was doing

830
00:39:19,360 --> 00:39:23,319
Speaker 6: the nervous bit. It's just like this woman effects were hilarious,

831
00:39:23,480 --> 00:39:24,960
Speaker 6: but you really were nervous.

832
00:39:25,239 --> 00:39:28,680
Speaker 1: I was because I was doing stand up comedy, like

833
00:39:28,719 --> 00:39:32,080
Speaker 1: I had just started a month before, and I was

834
00:39:32,160 --> 00:39:34,600
Speaker 1: so thrilled that I was actually doing it.

835
00:39:34,520 --> 00:39:36,279
Speaker 2: A month later. You had a paid gig.

836
00:39:36,560 --> 00:39:38,879
Speaker 1: Okay, it wasn't paid. No, no, no, I wasn't opening.

837
00:39:38,960 --> 00:39:39,879
Speaker 1: I just went to see him.

838
00:39:40,120 --> 00:39:43,160
Speaker 2: No no, I thought it was you and flair down

839
00:39:43,200 --> 00:39:46,560
Speaker 2: at the guy that why did he prioritize your jokes?

840
00:39:46,560 --> 00:39:46,759
Speaker 6: Then?

841
00:39:47,239 --> 00:39:50,600
Speaker 1: Oh no, because he came to the comedy contest. The

842
00:39:50,640 --> 00:39:52,719
Speaker 1: comedy contest was in a little clok that we just

843
00:39:52,760 --> 00:39:53,120
Speaker 1: did it on.

844
00:39:53,400 --> 00:39:56,239
Speaker 6: I got you read our book about.

845
00:39:55,920 --> 00:40:01,200
Speaker 1: The last of the Sacramento scene. But I was so

846
00:40:01,239 --> 00:40:03,160
Speaker 1: excited to actually be doing stand up comedy because I

847
00:40:03,200 --> 00:40:05,160
Speaker 1: wanted to do it since I was twelve. But in

848
00:40:05,200 --> 00:40:07,560
Speaker 1: my mind I was like, you never will. And then

849
00:40:07,560 --> 00:40:09,480
Speaker 1: when I flunked out of college, I was like, will,

850
00:40:09,520 --> 00:40:11,759
Speaker 1: you might as well do it now because you're gonna

851
00:40:11,800 --> 00:40:14,279
Speaker 1: tack to lose. And then I actually was, And then

852
00:40:14,320 --> 00:40:15,960
Speaker 1: I was like, it was the first time I was

853
00:40:16,000 --> 00:40:18,880
Speaker 1: in a comedy club in a green room, meeting a

854
00:40:18,880 --> 00:40:21,719
Speaker 1: comedian that was a real professional comedian. It was like

855
00:40:22,239 --> 00:40:24,760
Speaker 1: all my dreams were coming true right on the heels

856
00:40:24,800 --> 00:40:25,920
Speaker 1: of everything falling apart.

857
00:40:26,280 --> 00:40:29,200
Speaker 6: So I was just it was so funny. To me,

858
00:40:29,520 --> 00:40:31,840
Speaker 6: it's so fun And the other thing is I other

859
00:40:31,880 --> 00:40:35,440
Speaker 6: thing was, guys went to see you in an Antigony.

860
00:40:36,280 --> 00:40:38,759
Speaker 6: You did it? Yes, I didn't know you saw that

861
00:40:39,040 --> 00:40:39,600
Speaker 6: with Lisa.

862
00:40:40,560 --> 00:40:44,160
Speaker 1: I that was my proudest, my starring role. I was

863
00:40:44,440 --> 00:40:47,360
Speaker 1: Antigony in the play at my junior college. After I

864
00:40:47,400 --> 00:40:49,440
Speaker 1: flunk out of college, I signed up for junior college.

865
00:40:49,520 --> 00:40:50,720
Speaker 2: It's a play called n Kidaney.

866
00:40:50,880 --> 00:40:53,160
Speaker 1: It's a Greek play called Antigny, and I was I

867
00:40:53,239 --> 00:40:56,600
Speaker 1: got the league the Greeks, against all odds. I totally

868
00:40:56,600 --> 00:40:58,600
Speaker 1: thought I didn't know any of these people. I auditioned,

869
00:40:58,640 --> 00:40:59,919
Speaker 1: and I thought it was gonna be all the people

870
00:41:00,160 --> 00:41:03,080
Speaker 1: got all the parts. You know, that's usually how theater

871
00:41:03,200 --> 00:41:05,680
Speaker 1: departments work, is you know the person that's going to

872
00:41:05,719 --> 00:41:07,600
Speaker 1: get the lead in this and Da da da. And

873
00:41:07,680 --> 00:41:11,400
Speaker 1: my the person Kelly Weir who taught my acting class

874
00:41:11,920 --> 00:41:18,480
Speaker 1: men names Bob Weir's relative. Somehow she cast me as

875
00:41:18,560 --> 00:41:23,320
Speaker 1: the lead, which I never like had at my other college,

876
00:41:23,320 --> 00:41:25,200
Speaker 1: had no chance of getting lead. I can't believe you

877
00:41:25,239 --> 00:41:25,600
Speaker 1: saw that.

878
00:41:25,680 --> 00:41:27,719
Speaker 6: I know it was so great and and but it

879
00:41:27,800 --> 00:41:32,200
Speaker 6: was also like a different time, by the way, against

880
00:41:32,280 --> 00:41:34,040
Speaker 6: all odds, I was up for the lead, and against

881
00:41:34,080 --> 00:41:35,799
Speaker 6: all odds I wanted to ten minutes.

882
00:41:35,880 --> 00:41:38,200
Speaker 2: Jeth Bridges has screwed me over. And now to hear

883
00:41:38,280 --> 00:41:39,640
Speaker 2: that he screwed you over? Once?

884
00:41:40,080 --> 00:41:42,800
Speaker 6: Is he? And that is it? James Woods, It's Bridges.

885
00:41:42,960 --> 00:41:45,480
Speaker 2: James wants is not a handsome man?

886
00:41:45,719 --> 00:41:49,000
Speaker 6: No, But is that with the Phil the Great Phil

887
00:41:49,480 --> 00:41:53,000
Speaker 6: Collins song against all odds? Oh my god, everything he did.

888
00:41:53,120 --> 00:41:56,320
Speaker 6: I love when he remakes like supreme songs. Yeah, because

889
00:41:56,320 --> 00:41:58,640
Speaker 6: the supreme songs, you're like, Okay, this is okay, but

890
00:41:59,080 --> 00:42:02,800
Speaker 6: went's Phil Collins Collins take but then and then they okay.

891
00:42:02,800 --> 00:42:06,360
Speaker 6: So here's the other memorable things. Karen slept in my

892
00:42:06,520 --> 00:42:08,640
Speaker 6: bed in her Mosa beach. You don't remember this.

893
00:42:08,640 --> 00:42:09,960
Speaker 1: Either, I think I do.

894
00:42:10,160 --> 00:42:14,040
Speaker 6: She got locked. But we were pals, we were, and

895
00:42:14,080 --> 00:42:16,960
Speaker 6: I was I was a what if The more I

896
00:42:17,000 --> 00:42:19,280
Speaker 6: say I was, if I say I was a gentleman,

897
00:42:19,400 --> 00:42:21,719
Speaker 6: the more people are gonna dig in to see what happened? Right?

898
00:42:21,719 --> 00:42:23,640
Speaker 6: And I was a complete gentleman. That's the guy.

899
00:42:23,680 --> 00:42:25,759
Speaker 1: You don't want it like, you don't get into the bed.

900
00:42:25,800 --> 00:42:28,400
Speaker 1: And while I was asleep, do you.

901
00:42:28,360 --> 00:42:29,880
Speaker 6: Remember how small my apartment.

902
00:42:29,960 --> 00:42:31,360
Speaker 1: Was it was was it a studio?

903
00:42:31,760 --> 00:42:34,439
Speaker 6: It was half of a garage and her Mosa beach

904
00:42:35,440 --> 00:42:37,040
Speaker 6: and you had lost your keys.

905
00:42:37,360 --> 00:42:38,280
Speaker 1: Yes, I was a drunk.

906
00:42:39,040 --> 00:42:40,960
Speaker 6: Oh, I didn't know was that I thought you were.

907
00:42:41,200 --> 00:42:43,600
Speaker 6: I thought you just found me hilarious that night, that

908
00:42:43,640 --> 00:42:44,680
Speaker 6: you were laughing so hard.

909
00:42:45,760 --> 00:42:47,600
Speaker 1: But didn't you notice I access for eyes.

910
00:42:48,360 --> 00:42:54,360
Speaker 6: Uh no, I wouldn't know, because uh you did say

911
00:42:53,480 --> 00:42:59,880
Speaker 6: I wears a cowl. Yeah, could I come in that

912
00:43:00,360 --> 00:43:01,120
Speaker 6: you're funny?

913
00:43:01,200 --> 00:43:04,440
Speaker 2: Hiccup the word hiccup.

914
00:43:04,760 --> 00:43:06,799
Speaker 6: And the thing is, we must not have been We

915
00:43:06,800 --> 00:43:08,759
Speaker 6: weren't in the club. And it was probably a club

916
00:43:08,760 --> 00:43:10,719
Speaker 6: in Hollywood or something like that. And she had a

917
00:43:10,800 --> 00:43:12,920
Speaker 6: drive all the way to her most beach drunk to

918
00:43:13,000 --> 00:43:15,400
Speaker 6: hear old man Kimdler talk about his future.

919
00:43:15,600 --> 00:43:17,279
Speaker 1: I think that was the first time I saw you

920
00:43:17,320 --> 00:43:18,120
Speaker 1: in running shorts.

921
00:43:18,280 --> 00:43:18,879
Speaker 6: Oh my god.

922
00:43:19,280 --> 00:43:21,879
Speaker 1: Very upsetting because I didn't realize you were like.

923
00:43:21,840 --> 00:43:25,400
Speaker 6: A marathon Yeah right, but I do have solid.

924
00:43:25,080 --> 00:43:27,719
Speaker 1: Legs, you have a runner's legs. But it was a

925
00:43:27,760 --> 00:43:29,960
Speaker 1: weird like I only ever pictured you, and you don't

926
00:43:29,960 --> 00:43:31,960
Speaker 1: need to picture me that comedy clothes.

927
00:43:32,040 --> 00:43:34,319
Speaker 2: I was given horrible legs. I'm just gonna throw that

928
00:43:34,400 --> 00:43:37,279
Speaker 2: in there believe that I have tiny spindly legs.

929
00:43:36,960 --> 00:43:40,400
Speaker 6: No calves, your jun hair now brow Yeah, I know

930
00:43:40,520 --> 00:43:43,160
Speaker 6: see that we're talking.

931
00:43:43,280 --> 00:43:46,359
Speaker 2: It was old timey. It was old timey. I'm in

932
00:43:46,400 --> 00:43:47,800
Speaker 2: that show that you.

933
00:43:50,520 --> 00:43:50,840
Speaker 1: Chris.

934
00:43:50,880 --> 00:43:52,239
Speaker 2: I am everyone's grandfather.

935
00:43:52,360 --> 00:43:55,239
Speaker 1: I told Chris his hair when we met up at

936
00:43:55,239 --> 00:43:57,600
Speaker 1: the cafe. I said, you could get a part on

937
00:43:57,640 --> 00:44:00,959
Speaker 1: Boardwalk Empire because your hair is as perfect thirty.

938
00:44:01,200 --> 00:44:03,440
Speaker 2: And then I said, in an hour it turns more

939
00:44:03,440 --> 00:44:04,440
Speaker 2: in pubic.

940
00:44:04,400 --> 00:44:07,440
Speaker 6: Fro like and now tell me that tell me that

941
00:44:07,560 --> 00:44:09,440
Speaker 6: same thing. I could say it to me that.

942
00:44:09,600 --> 00:44:12,560
Speaker 1: Okay, Andy, your hair is so thirties. Ish you could

943
00:44:12,600 --> 00:44:13,960
Speaker 1: get a part on Boardwalk Empire.

944
00:44:13,960 --> 00:44:16,600
Speaker 6: I'd like to get any part at this point anywhere.

945
00:44:18,360 --> 00:44:21,760
Speaker 1: Take it again, Andy, your hair so thirties?

946
00:44:21,880 --> 00:44:21,920
Speaker 2: Is?

947
00:44:22,080 --> 00:44:23,520
Speaker 6: I wish I even had enough money to go to

948
00:44:23,560 --> 00:44:24,680
Speaker 6: a boardwalk at this point.

949
00:44:25,000 --> 00:44:26,280
Speaker 1: You didn't even let me say a boardwalk.

950
00:44:27,640 --> 00:44:29,320
Speaker 6: Take it from the other day, Take.

951
00:44:29,160 --> 00:44:31,040
Speaker 1: Three and quite please?

952
00:44:31,200 --> 00:44:33,120
Speaker 6: What's Karen? Do you have a question for me? It's

953
00:44:33,120 --> 00:44:34,960
Speaker 6: like Byron Allen would do it. Karen, do you have

954
00:44:34,960 --> 00:44:36,680
Speaker 6: a question for me? I understand you have a question.

955
00:44:37,000 --> 00:44:39,920
Speaker 2: Understand we have a question about fish tanks for me?

956
00:44:40,040 --> 00:44:43,800
Speaker 6: Yeah, is it true that you comics unleash but unable

957
00:44:43,920 --> 00:44:45,399
Speaker 6: to get away from buyer the owl.

958
00:44:45,880 --> 00:44:47,880
Speaker 2: Oh god, Andy can ask.

959
00:44:47,760 --> 00:44:50,520
Speaker 1: You a question? Please do and Chris, you think about

960
00:44:50,520 --> 00:44:51,000
Speaker 1: your answer.

961
00:44:51,040 --> 00:44:52,360
Speaker 2: I might blurt out my answer.

962
00:44:52,520 --> 00:44:55,719
Speaker 1: Okay, answer seriously tooever? Yeah, whoever answers first?

963
00:44:55,840 --> 00:44:56,120
Speaker 2: Okay?

964
00:44:56,280 --> 00:44:59,880
Speaker 1: Because it is October. Second, Halloween is just around the corner.

965
00:45:00,440 --> 00:45:02,720
Speaker 1: What candy is your favorite Halloween candy?

966
00:45:02,880 --> 00:45:03,040
Speaker 2: Oh?

967
00:45:03,239 --> 00:45:05,600
Speaker 6: Thank god, I know what mine is. It is the

968
00:45:06,120 --> 00:45:07,200
Speaker 6: ones that candy corn.

969
00:45:08,040 --> 00:45:08,960
Speaker 1: Really, that's your favorite.

970
00:45:09,040 --> 00:45:11,160
Speaker 6: I can sick to my stomach after about eight of them.

971
00:45:11,239 --> 00:45:12,920
Speaker 2: That's cus they're made of candlebacks.

972
00:45:13,400 --> 00:45:16,480
Speaker 6: But I also have fooled myself into thinking that the

973
00:45:16,600 --> 00:45:19,760
Speaker 6: yellow part of the top tastes different than the orange

974
00:45:19,800 --> 00:45:22,920
Speaker 6: part at the bottom, and it's terrible candy. But I

975
00:45:23,000 --> 00:45:26,680
Speaker 6: love it. Oh and Sweethearts. That's not the ripe one.

976
00:45:27,040 --> 00:45:30,840
Speaker 6: That's Thanksgiving. No, that's a Valentine's.

977
00:45:31,000 --> 00:45:36,680
Speaker 2: What is the most famous Thanksgiving candymkinskin? How you say it?

978
00:45:37,120 --> 00:45:40,120
Speaker 2: Turkey turkey mints a.

979
00:45:40,080 --> 00:45:40,720
Speaker 6: Turkey mint.

980
00:45:44,239 --> 00:45:44,600
Speaker 2: Drops?

981
00:45:45,280 --> 00:45:47,600
Speaker 6: You know, when you're doing this podcast, I bet that

982
00:45:47,719 --> 00:45:50,680
Speaker 6: people it'd be interesting to know if people can sense

983
00:45:50,719 --> 00:45:53,839
Speaker 6: when everyone is looking at the lane next to you.

984
00:45:54,320 --> 00:45:56,400
Speaker 6: It's like a little paws. Are we gonna die?

985
00:45:57,800 --> 00:46:01,000
Speaker 2: Yeah? There is. There are awkward pauses, mostly because our

986
00:46:01,200 --> 00:46:04,360
Speaker 2: lives are in danger. But so far you have no complaints, right, Andy,

987
00:46:04,400 --> 00:46:05,759
Speaker 2: And this is so fun.

988
00:46:05,840 --> 00:46:08,959
Speaker 6: I really think this is so good that it should

989
00:46:09,000 --> 00:46:11,320
Speaker 6: be a show but on TV. But it won't because

990
00:46:11,320 --> 00:46:12,200
Speaker 6: it's that good.

991
00:46:12,600 --> 00:46:14,520
Speaker 2: Well, we had cameras on the car.

992
00:46:15,640 --> 00:46:16,960
Speaker 6: No, no, I mean, what do I have to make

993
00:46:17,000 --> 00:46:19,000
Speaker 6: it already? Is great? I don't know why this works

994
00:46:19,040 --> 00:46:19,480
Speaker 6: so great.

995
00:46:20,120 --> 00:46:22,319
Speaker 2: I don't know. I know I wouldn't say great it is.

996
00:46:22,400 --> 00:46:25,000
Speaker 6: No, here's my pitch. Here's my pitch, why why you

997
00:46:25,000 --> 00:46:25,880
Speaker 6: should do a show like this?

998
00:46:26,160 --> 00:46:26,640
Speaker 2: Okay?

999
00:46:28,000 --> 00:46:32,040
Speaker 6: No, because you're looking around and it's kind of like

1000
00:46:32,080 --> 00:46:35,080
Speaker 6: you're looking at the scenery and you're talking. So it's

1001
00:46:35,080 --> 00:46:37,200
Speaker 6: not like when you have the cans on, right.

1002
00:46:38,560 --> 00:46:41,759
Speaker 2: I don't like those cans, dude, Like when people put

1003
00:46:41,800 --> 00:46:43,960
Speaker 2: them on and there is a woman on the I

1004
00:46:44,040 --> 00:46:45,799
Speaker 2: like to say, look at the cans on that one.

1005
00:46:45,840 --> 00:46:49,080
Speaker 2: But then I after that, I ignore them. I'd like

1006
00:46:49,200 --> 00:46:50,560
Speaker 2: to take them off after that joke.

1007
00:46:50,760 --> 00:46:52,680
Speaker 6: I'd love to hear what you would say when a

1008
00:46:52,719 --> 00:46:56,759
Speaker 6: woman has her jug headphones on. I'm talking about they're

1009
00:46:56,800 --> 00:46:59,360
Speaker 6: made of jugs. Karen, you have to do? Is everything

1010
00:46:59,400 --> 00:47:00,759
Speaker 6: have to be code pink with you?

1011
00:47:02,120 --> 00:47:09,520
Speaker 1: That truly was an over reaction, overreaction and action. Here's

1012
00:47:09,560 --> 00:47:13,680
Speaker 1: my overason. I like this episode right now because we're

1013
00:47:13,719 --> 00:47:17,800
Speaker 1: actually on the one on one North in really terrible traffic.

1014
00:47:17,880 --> 00:47:18,880
Speaker 6: Yeah, and here's the thing.

1015
00:47:19,160 --> 00:47:19,719
Speaker 2: I love it.

1016
00:47:19,719 --> 00:47:21,759
Speaker 6: It's not as bad as everyone makes it to be.

1017
00:47:21,760 --> 00:47:23,279
Speaker 6: Who can't well because we're having fun?

1018
00:47:23,520 --> 00:47:23,719
Speaker 2: Right?

1019
00:47:23,760 --> 00:47:25,480
Speaker 6: But is this really the worst thing in the world?

1020
00:47:25,800 --> 00:47:28,239
Speaker 2: Being more quiet this episode because I am filled with

1021
00:47:28,280 --> 00:47:30,320
Speaker 2: anger because of the traffic. Isn't that interesting?

1022
00:47:30,440 --> 00:47:30,839
Speaker 1: Is that true?

1023
00:47:30,880 --> 00:47:33,080
Speaker 2: I do talk last when I'm filled with road ray.

1024
00:47:33,160 --> 00:47:35,920
Speaker 6: That's not what it is, Chris. Nobody can get a

1025
00:47:35,960 --> 00:47:38,200
Speaker 6: word in edgewise if I'm in a car, if I'm

1026
00:47:38,200 --> 00:47:40,759
Speaker 6: a podcast, I have to stop, you know what I'm

1027
00:47:40,800 --> 00:47:43,839
Speaker 6: saying to myself and the count internally. Maybe that will

1028
00:47:44,760 --> 00:47:47,239
Speaker 6: stop hogging every damn.

1029
00:47:47,000 --> 00:47:49,520
Speaker 2: That may be the case, but I absolutely do not

1030
00:47:49,640 --> 00:47:50,920
Speaker 2: want you to stop talking.

1031
00:47:50,960 --> 00:47:51,840
Speaker 1: You know you can't no.

1032
00:47:52,000 --> 00:47:53,880
Speaker 6: What I have to stop saying, though, and IMMANI it,

1033
00:47:54,000 --> 00:47:56,840
Speaker 6: I have to stop saying this. I used to say

1034
00:47:57,160 --> 00:47:59,680
Speaker 6: twice a day that I won't Robin Williams the conversation

1035
00:48:00,600 --> 00:48:04,080
Speaker 6: and I had more Robin Williams jokes than Robin Williams

1036
00:48:04,160 --> 00:48:05,040
Speaker 6: did see you know what?

1037
00:48:05,160 --> 00:48:06,040
Speaker 1: So did everybody?

1038
00:48:06,320 --> 00:48:08,520
Speaker 6: Yeah, do you really did you make fun of Robin Williams?

1039
00:48:08,800 --> 00:48:10,359
Speaker 2: I think everyone did it well.

1040
00:48:10,480 --> 00:48:12,880
Speaker 1: I don't think I that wasn't really I don't know,

1041
00:48:12,960 --> 00:48:16,040
Speaker 1: he wasn't like, but I would definitely have disdain for

1042
00:48:16,320 --> 00:48:18,920
Speaker 1: like he was known as a thief for these different things.

1043
00:48:19,160 --> 00:48:20,320
Speaker 2: That's what we were all told.

1044
00:48:20,440 --> 00:48:22,880
Speaker 1: That was that was kind of like the hip approach.

1045
00:48:23,200 --> 00:48:25,960
Speaker 1: And the only thing is, like, you know, I understand that,

1046
00:48:26,000 --> 00:48:29,000
Speaker 1: like everyone said, you get to change your mind and

1047
00:48:29,040 --> 00:48:32,319
Speaker 1: you get to see that maybe you were making judgmental

1048
00:48:32,880 --> 00:48:36,520
Speaker 1: generalizations because whatever, that's all fine, But it's the people

1049
00:48:36,560 --> 00:48:39,240
Speaker 1: that were making fun of him before and the second

1050
00:48:39,320 --> 00:48:42,120
Speaker 1: he died, it's like, here's a link to my think

1051
00:48:42,200 --> 00:48:45,520
Speaker 1: piece on how much he meant in my life. It's like, wow,

1052
00:48:45,880 --> 00:48:48,839
Speaker 1: that's a total one eighty. You're just going ahead, You're

1053
00:48:48,880 --> 00:48:50,320
Speaker 1: just gonna go ahead and take publicly.

1054
00:48:50,600 --> 00:48:54,120
Speaker 6: I felt fine about retweeting things that people say, and

1055
00:48:54,160 --> 00:48:56,480
Speaker 6: it wasn't like I'm lying, you know. I felt sad

1056
00:48:56,480 --> 00:48:58,360
Speaker 6: about it because it was he died under such terrible,

1057
00:48:58,560 --> 00:49:00,560
Speaker 6: very sad sure, and I know, like some some friends

1058
00:49:00,560 --> 00:49:02,120
Speaker 6: who love him and all this kind of stuff. But

1059
00:49:02,160 --> 00:49:04,040
Speaker 6: so I but I would have been ridiculous if I

1060
00:49:04,080 --> 00:49:07,640
Speaker 6: had said anything, because it would have been phony.

1061
00:49:07,160 --> 00:49:10,240
Speaker 2: If it seem even the people that did say something,

1062
00:49:10,239 --> 00:49:12,799
Speaker 2: it was phony because it was just an opportunity for

1063
00:49:12,840 --> 00:49:16,920
Speaker 2: everyone to tell their joke or their story that involved

1064
00:49:16,920 --> 00:49:20,080
Speaker 2: them somehow interacting with Robin Williams. It like was a

1065
00:49:20,920 --> 00:49:25,120
Speaker 2: everyone showing off. That's that time that they had picture.

1066
00:49:25,280 --> 00:49:27,600
Speaker 6: The worst ones were when people would say something sad

1067
00:49:27,719 --> 00:49:29,160
Speaker 6: and then promote their gig that night.

1068
00:49:31,000 --> 00:49:36,720
Speaker 1: Did you really see that? I mean, the thing that made.

1069
00:49:36,600 --> 00:49:38,920
Speaker 2: Me thinking about you tonight in the main room at

1070
00:49:38,960 --> 00:49:40,400
Speaker 2: Flappers at thirty.

1071
00:49:41,040 --> 00:49:43,560
Speaker 6: Please vote for me on my blog about my Robin Williams.

1072
00:49:43,560 --> 00:49:45,280
Speaker 6: If I get the most hits, I get a free

1073
00:49:45,600 --> 00:49:46,560
Speaker 6: Derby series.

1074
00:49:46,640 --> 00:49:49,960
Speaker 2: So far I'm in the lead parentheses. Well, it is

1075
00:49:50,000 --> 00:49:50,520
Speaker 2: my blog.

1076
00:49:50,600 --> 00:49:53,280
Speaker 1: I guess I was just sad that he.

1077
00:49:54,320 --> 00:49:55,320
Speaker 6: What was that motion?

1078
00:49:55,680 --> 00:49:58,400
Speaker 1: Like that was Chris's sign that I need to shut

1079
00:49:58,440 --> 00:49:59,640
Speaker 1: my mouth. He doesn't.

1080
00:50:00,280 --> 00:50:03,600
Speaker 2: I do a little backhand flinch. She usually quivers a little,

1081
00:50:03,640 --> 00:50:05,360
Speaker 2: and then it's that's when I start talking.

1082
00:50:05,480 --> 00:50:07,799
Speaker 6: That's what happened with my ex wife. It works every time.

1083
00:50:08,080 --> 00:50:10,400
Speaker 6: Quivering a little, and that's when I start talking.

1084
00:50:10,640 --> 00:50:14,160
Speaker 2: Your first wife. Let's read stick.

1085
00:50:13,960 --> 00:50:14,879
Speaker 1: With the first one.

1086
00:50:14,880 --> 00:50:18,000
Speaker 6: Stick with the jokes. I love it on Twitter? Is

1087
00:50:18,160 --> 00:50:20,960
Speaker 6: your favorite thing on Twitter? When they say, why don't

1088
00:50:20,960 --> 00:50:22,879
Speaker 6: you just go back and do the funny joke? Stop?

1089
00:50:23,600 --> 00:50:27,759
Speaker 6: Stick to what you do best, be funny people do.

1090
00:50:28,360 --> 00:50:32,920
Speaker 2: I don't like those, Rando calriss Okay, I have to

1091
00:50:33,000 --> 00:50:35,920
Speaker 2: answer my wife's text. Go ahead, Oh yes, and I

1092
00:50:35,960 --> 00:50:37,759
Speaker 2: don't have to talk while you do that.

1093
00:50:37,840 --> 00:50:39,680
Speaker 6: We will do a thing between you two.

1094
00:50:40,160 --> 00:50:41,960
Speaker 1: So you keep going straight for a long time.

1095
00:50:42,080 --> 00:50:46,320
Speaker 6: Okay, not that long though, No, but it's up for debate.

1096
00:50:46,560 --> 00:50:48,799
Speaker 2: It's up for debate about how long for Right now,

1097
00:50:48,920 --> 00:50:51,080
Speaker 2: it's gonna be a long time. When we are getting

1098
00:50:51,160 --> 00:50:56,520
Speaker 2: near the exit, I want to give an in car period.

1099
00:50:56,840 --> 00:50:59,280
Speaker 6: I'm using the voice memo period.

1100
00:50:59,360 --> 00:51:00,800
Speaker 1: Oh, I get over so you don't get on that

1101
00:51:00,880 --> 00:51:01,800
Speaker 1: they think this is the one.

1102
00:51:01,680 --> 00:51:05,120
Speaker 2: Seventy things you're using. Siri didn't pick up what I

1103
00:51:05,239 --> 00:51:05,640
Speaker 2: just said.

1104
00:51:06,000 --> 00:51:08,479
Speaker 6: Nope. But then it makes it sounds crazy that my wife, Yeah,

1105
00:51:09,840 --> 00:51:11,320
Speaker 6: I'm sorry, know what we're gonna.

1106
00:51:11,080 --> 00:51:14,880
Speaker 1: Do, Chris. We just decided Chris is gonna give me

1107
00:51:14,920 --> 00:51:18,040
Speaker 1: the abusive hand signal. When when we're getting close.

1108
00:51:18,200 --> 00:51:20,359
Speaker 2: No, no, when we get close and you laying over

1109
00:51:20,400 --> 00:51:22,160
Speaker 2: and I don't know, tap me or mount the horn

1110
00:51:22,280 --> 00:51:25,800
Speaker 2: or something. Yeah, lay on the horn as me get closer,

1111
00:51:25,880 --> 00:51:27,719
Speaker 2: lay on the horn, no matter what I'm doing as

1112
00:51:27,800 --> 00:51:28,240
Speaker 2: the driver.

1113
00:51:28,680 --> 00:51:31,239
Speaker 6: Okay, well it'll be funny if we do uh, if

1114
00:51:31,239 --> 00:51:34,479
Speaker 6: we do this, we go. Yeah. I told you, don't

1115
00:51:34,480 --> 00:51:38,520
Speaker 6: tell them I live in I can't don't. I told

1116
00:51:38,520 --> 00:51:40,520
Speaker 6: you can't tell them I live in Wittier.

1117
00:51:42,160 --> 00:51:43,279
Speaker 1: What do your California?

1118
00:51:43,320 --> 00:51:50,200
Speaker 6: That joke always works, it does. Why are we all

1119
00:51:50,239 --> 00:51:51,120
Speaker 6: depressed now?

1120
00:51:51,560 --> 00:51:53,680
Speaker 1: And two seconds of silence doesn't mean?

1121
00:51:53,760 --> 00:51:54,920
Speaker 6: Yeah, that's my problem.

1122
00:51:54,960 --> 00:51:55,800
Speaker 2: You gotta let him on.

1123
00:51:55,960 --> 00:51:56,680
Speaker 6: That's my problem.

1124
00:51:56,840 --> 00:51:57,240
Speaker 1: The problem.

1125
00:51:57,320 --> 00:51:58,680
Speaker 2: You can't handle that air.

1126
00:51:59,200 --> 00:52:00,800
Speaker 6: I'm if I could put to put a button or

1127
00:52:00,800 --> 00:52:03,120
Speaker 6: a pin or stick a button or a pin in

1128
00:52:03,160 --> 00:52:04,960
Speaker 6: the Robin Williams thing, because I think we left it.

1129
00:52:05,239 --> 00:52:08,040
Speaker 6: Here's the thing. Yeah, what I feel about it is

1130
00:52:09,000 --> 00:52:13,279
Speaker 6: that I think, you know, I was always hesitant to

1131
00:52:13,320 --> 00:52:15,880
Speaker 6: say someone stole unless I was there. But there's so

1132
00:52:16,160 --> 00:52:19,160
Speaker 6: I have to say, there's so much information, and he

1133
00:52:19,200 --> 00:52:21,759
Speaker 6: did give out checks, and so I don't think it's

1134
00:52:21,800 --> 00:52:26,200
Speaker 6: really in dispute. Then it goes on too and of course,

1135
00:52:26,280 --> 00:52:28,200
Speaker 6: I never was a big fan of him commediately, but

1136
00:52:28,239 --> 00:52:30,759
Speaker 6: I did like his I thought he could act really

1137
00:52:30,800 --> 00:52:33,320
Speaker 6: well in certain things and the garp and other things.

1138
00:52:33,520 --> 00:52:36,280
Speaker 6: So then you have to say, can you judge someone

1139
00:52:36,400 --> 00:52:41,000
Speaker 6: the gar Can you judge someone completely based on the

1140
00:52:41,000 --> 00:52:43,960
Speaker 6: fact that you know they did this, they consistently did

1141
00:52:44,000 --> 00:52:44,680
Speaker 6: this one bad thing.

1142
00:52:45,080 --> 00:52:47,520
Speaker 1: I mean, it's to me, it's two different things because

1143
00:52:47,640 --> 00:52:50,440
Speaker 1: he was a comedian, but he was mostly an actor,

1144
00:52:51,000 --> 00:52:53,040
Speaker 1: because when he did comedy, it was just it was

1145
00:52:53,080 --> 00:52:56,400
Speaker 1: basically like one man improv and so he really was

1146
00:52:56,480 --> 00:52:59,560
Speaker 1: doing stuff off the top of his head. I understand.

1147
00:52:59,640 --> 00:53:02,160
Speaker 1: I know, I've heard all the stories about Jeremy Kramer

1148
00:53:02,200 --> 00:53:03,080
Speaker 1: and big chunks of stuff.

1149
00:53:03,080 --> 00:53:04,680
Speaker 6: He still Oh, why didn't hear that part?

1150
00:53:04,960 --> 00:53:07,239
Speaker 1: Yeah, I mean heh and Kramer were very close, and

1151
00:53:07,239 --> 00:53:09,799
Speaker 1: so a lot of his source material became stuff he

1152
00:53:09,840 --> 00:53:13,279
Speaker 1: saw Kramer do. But at the same time, you know,

1153
00:53:13,400 --> 00:53:15,440
Speaker 1: to me, it makes a difference that he gave out checks,

1154
00:53:15,440 --> 00:53:18,200
Speaker 1: because that means he was saying, I'm sorry, here's money, right,

1155
00:53:18,239 --> 00:53:20,960
Speaker 1: which is really at the bottom line, that's not stealing anymore.

1156
00:53:21,160 --> 00:53:25,200
Speaker 1: That's like paying someone for their stuff. Although I understand

1157
00:53:25,200 --> 00:53:28,160
Speaker 1: that that's like it's almost like you're writing for him involuntarily.

1158
00:53:28,480 --> 00:53:30,560
Speaker 1: It doesn't work that way, but at least he was

1159
00:53:30,600 --> 00:53:33,520
Speaker 1: compensating people, which a lot of people don't do. They

1160
00:53:33,560 --> 00:53:36,520
Speaker 1: just blatantly steal, and stealing happens a lot in stand

1161
00:53:36,600 --> 00:53:37,520
Speaker 1: up as we all know.

1162
00:53:37,640 --> 00:53:39,319
Speaker 6: It definitely happens, you know. I think of your point,

1163
00:53:39,520 --> 00:53:41,440
Speaker 6: and the further point I wanted to say was like,

1164
00:53:41,880 --> 00:53:44,360
Speaker 6: I actually believe, and it's hard to It's not like

1165
00:53:44,440 --> 00:53:46,320
Speaker 6: the harp for me, he says, but I actually believe

1166
00:53:46,680 --> 00:53:49,680
Speaker 6: that he was undeniably a sweet person, you know what

1167
00:53:49,680 --> 00:53:52,680
Speaker 6: I mean? Yeah, so many people felt this way that,

1168
00:53:52,920 --> 00:53:54,920
Speaker 6: and I think it's hard because I grew up. I'm

1169
00:53:55,000 --> 00:53:58,759
Speaker 6: very judgmental, yes, as everyone knows, and I feel very

1170
00:53:58,800 --> 00:54:02,399
Speaker 6: guilty if I like, say, I, well, I don't think

1171
00:54:02,440 --> 00:54:04,840
Speaker 6: anything about Jay Leno could do. I could take positively,

1172
00:54:05,080 --> 00:54:08,920
Speaker 6: But if someone I don't like does something like good,

1173
00:54:09,360 --> 00:54:11,480
Speaker 6: then I always feel like, oh, I feel bad about it.

1174
00:54:11,480 --> 00:54:13,759
Speaker 6: But the truth is his life's both ways. Someone has

1175
00:54:13,840 --> 00:54:16,960
Speaker 6: many different facets of their personality.

1176
00:54:16,440 --> 00:54:17,120
Speaker 2: Right, Yeah.

1177
00:54:17,120 --> 00:54:19,279
Speaker 1: People are very complex, and I think we came up

1178
00:54:19,320 --> 00:54:22,800
Speaker 1: in a time in you two, Chris, before the internet

1179
00:54:23,080 --> 00:54:26,680
Speaker 1: comedy was very competitive and mean, it was there was

1180
00:54:26,719 --> 00:54:28,600
Speaker 1: a lot of bullying. There was a lot of like

1181
00:54:29,239 --> 00:54:31,600
Speaker 1: telling people that they're face stuff. There was a lot.

1182
00:54:31,760 --> 00:54:32,400
Speaker 1: It was hard.

1183
00:54:32,520 --> 00:54:34,520
Speaker 2: It was I used to turn the mic.

1184
00:54:35,640 --> 00:54:38,640
Speaker 6: I used to go suck. I used to it used

1185
00:54:38,680 --> 00:54:40,799
Speaker 6: to disturb me what happened in the Velveta room when

1186
00:54:40,800 --> 00:54:44,719
Speaker 6: I first went there, I said, this is really cruel.

1187
00:54:44,960 --> 00:54:45,799
Speaker 6: They kickle each other.

1188
00:54:46,000 --> 00:54:48,560
Speaker 2: Wow, that's where I started. I mean, and that's so

1189
00:54:49,080 --> 00:54:50,040
Speaker 2: it's not that way.

1190
00:54:51,600 --> 00:54:52,040
Speaker 6: At the time.

1191
00:54:52,120 --> 00:54:55,360
Speaker 2: I did like it. At the time, I was angry, uh,

1192
00:54:55,640 --> 00:55:00,399
Speaker 2: and I wanted to like. Uh. I confront a lot

1193
00:55:00,440 --> 00:55:02,440
Speaker 2: of people. I didn't like it, I guess, but I

1194
00:55:02,920 --> 00:55:04,600
Speaker 2: think you were right not to like it. Yeah. Yeah,

1195
00:55:05,080 --> 00:55:07,879
Speaker 2: I was getting mad a lot. But then once they

1196
00:55:07,920 --> 00:55:10,160
Speaker 2: realized I would get mad, they're like, okay, let's not

1197
00:55:10,200 --> 00:55:13,200
Speaker 2: do it to him anymore. He might hit us and

1198
00:55:14,000 --> 00:55:18,479
Speaker 2: my statue. I'm very intimidating. I pushed a door open

1199
00:55:18,560 --> 00:55:20,919
Speaker 2: on carry On once and hit him with the door,

1200
00:55:20,920 --> 00:55:23,440
Speaker 2: and I feel bad about carry On. His name was

1201
00:55:23,480 --> 00:55:26,719
Speaker 2: carry On. He did a character called Ronnie Velveta, and

1202
00:55:26,760 --> 00:55:29,359
Speaker 2: that's what the club was named after him.

1203
00:55:29,360 --> 00:55:30,880
Speaker 6: Maybe he should They should have pushed a door on

1204
00:55:31,040 --> 00:55:34,719
Speaker 6: just for that of Ronnievedo. We never did that. We

1205
00:55:34,760 --> 00:55:36,560
Speaker 6: never did that, but I want to ask, and that's

1206
00:55:36,920 --> 00:55:39,920
Speaker 6: go off this topic with Karen. I always felt that

1207
00:55:39,960 --> 00:55:41,759
Speaker 6: we were part of this, like you know, almost like

1208
00:55:42,160 --> 00:55:43,279
Speaker 6: I mean, I hate to even say it, but like

1209
00:55:43,320 --> 00:55:45,440
Speaker 6: a historical movement, you know what I mean with the

1210
00:55:45,480 --> 00:55:48,040
Speaker 6: Mister Show, all these people. Yeah, I always felt that

1211
00:55:48,160 --> 00:55:50,960
Speaker 6: everybody else was on the inside and I was the

1212
00:55:50,960 --> 00:55:52,680
Speaker 6: only one who was an outsider. But now I think

1213
00:55:52,719 --> 00:55:55,160
Speaker 6: everyone felt it was a clickish exactly.

1214
00:55:55,320 --> 00:55:57,719
Speaker 1: No, I think that that's a very I think that's

1215
00:55:57,800 --> 00:56:01,680
Speaker 1: kind of standard human experience, is right, no matter where

1216
00:56:01,760 --> 00:56:04,319
Speaker 1: you are, you feel like you don't belong and you

1217
00:56:04,360 --> 00:56:07,000
Speaker 1: feel like there's the group is elsewhere and you need

1218
00:56:07,040 --> 00:56:09,359
Speaker 1: to get there, and then people will come and tell

1219
00:56:09,400 --> 00:56:11,879
Speaker 1: you like, oh, you were this or that. I mean,

1220
00:56:12,000 --> 00:56:14,359
Speaker 1: it's very It surprises me to this day. I knew

1221
00:56:14,360 --> 00:56:16,760
Speaker 1: that I was in the midst of a lot of people,

1222
00:56:16,840 --> 00:56:19,799
Speaker 1: but you're constantly comparing yourself to other people, so of

1223
00:56:19,800 --> 00:56:21,200
Speaker 1: course you are never the one.

1224
00:56:21,320 --> 00:56:23,839
Speaker 2: Yeah, it's always ever. It's been interesting to hear your

1225
00:56:23,880 --> 00:56:26,799
Speaker 2: stories about those times because I would consider you to

1226
00:56:26,840 --> 00:56:29,239
Speaker 2: be someone that was totally in that group, and your

1227
00:56:29,280 --> 00:56:33,399
Speaker 2: stories are yeah, that you felt like an outsider at times, right, I.

1228
00:56:33,360 --> 00:56:35,480
Speaker 1: Mean everybody does. I think that's just common.

1229
00:56:35,520 --> 00:56:37,520
Speaker 2: But I also think to me, I always it was

1230
00:56:37,600 --> 00:56:44,560
Speaker 2: very popular in school, homecoming, Prince sure athletic. You were

1231
00:56:44,800 --> 00:56:47,000
Speaker 2: just touch problem with girls and.

1232
00:56:48,960 --> 00:56:49,359
Speaker 6: From them.

1233
00:56:49,480 --> 00:56:52,920
Speaker 2: It's weird because I'm doing a combination of sarcasm. People

1234
00:56:52,920 --> 00:56:56,759
Speaker 2: did like me, but I wasn't athletic socause I saw

1235
00:56:56,880 --> 00:56:57,319
Speaker 2: you in.

1236
00:56:57,239 --> 00:56:59,080
Speaker 6: Like the old timey bathing suit.

1237
00:56:59,320 --> 00:57:01,839
Speaker 1: I hear some pyramids with.

1238
00:57:01,760 --> 00:57:06,480
Speaker 2: People and then boxing with my fingers towards my face,

1239
00:57:07,040 --> 00:57:10,480
Speaker 2: and a lot of it was like I'm young George

1240
00:57:10,520 --> 00:57:11,920
Speaker 2: Atlas without the muscles.

1241
00:57:12,000 --> 00:57:14,879
Speaker 1: Wow. Yeah, well you're a very lucky man.

1242
00:57:15,000 --> 00:57:15,640
Speaker 2: Thank you.

1243
00:57:15,680 --> 00:57:17,840
Speaker 6: Well, most are the things I never knew that about you,

1244
00:57:17,920 --> 00:57:20,080
Speaker 6: And I didn't know about you kicking sand and everyone

1245
00:57:21,360 --> 00:57:22,880
Speaker 6: even when you were at the beach.

1246
00:57:23,120 --> 00:57:26,880
Speaker 2: Here's the thing. It was never on purpose, never on purpose.

1247
00:57:26,960 --> 00:57:28,720
Speaker 2: I was just I did a lot of jogging on

1248
00:57:28,720 --> 00:57:31,480
Speaker 2: the beach and I didn't see there's people laying there.

1249
00:57:31,640 --> 00:57:33,480
Speaker 1: It was more of an awareness.

1250
00:57:33,600 --> 00:57:36,080
Speaker 2: I should have been more conscious of the fact that

1251
00:57:36,160 --> 00:57:39,480
Speaker 2: my feet were covered with sand and I was wildly

1252
00:57:39,560 --> 00:57:41,480
Speaker 2: kicked than towards people's faces.

1253
00:57:41,640 --> 00:57:44,360
Speaker 6: Now, I was anything. I think you don't say any names.

1254
00:57:44,360 --> 00:57:46,120
Speaker 6: But you don't know you went too far? No, no,

1255
00:57:47,160 --> 00:57:52,600
Speaker 6: but you I wanted to say. I want to say, now,

1256
00:57:53,080 --> 00:57:56,120
Speaker 6: can you see that the next thing? You want to

1257
00:57:56,120 --> 00:57:57,080
Speaker 6: get the next thing?

1258
00:57:57,480 --> 00:58:00,000
Speaker 2: I'm sorry, Oh, I'll get off in the next thing.

1259
00:58:00,400 --> 00:58:01,240
Speaker 6: Yeah, tell any about it.

1260
00:58:01,360 --> 00:58:03,680
Speaker 2: If we have to go to that, definitely come back.

1261
00:58:03,840 --> 00:58:05,200
Speaker 6: Because we're directly into the sun.

1262
00:58:05,240 --> 00:58:09,320
Speaker 2: I definitely need to get off the most direct we.

1263
00:58:09,280 --> 00:58:11,760
Speaker 1: Are driving into the sun. We are definitely not going.

1264
00:58:11,840 --> 00:58:14,240
Speaker 2: So is there we are going? There's something going on

1265
00:58:14,320 --> 00:58:16,560
Speaker 2: with the earth? Is this connected with the water mine?

1266
00:58:16,800 --> 00:58:18,640
Speaker 6: And I'm saying you may go to puppers? You do,

1267
00:58:18,720 --> 00:58:20,800
Speaker 6: you can get up. You actually could get off for

1268
00:58:20,880 --> 00:58:21,600
Speaker 6: the next one.

1269
00:58:21,760 --> 00:58:23,360
Speaker 2: I want to do it.

1270
00:58:23,400 --> 00:58:24,960
Speaker 6: No, you could get off for the next one after

1271
00:58:25,040 --> 00:58:26,920
Speaker 6: if you miss it. Okay, because right was such a

1272
00:58:26,920 --> 00:58:31,280
Speaker 6: great convels. He does definitely want to say about Karen. No, Okay,

1273
00:58:31,280 --> 00:58:33,520
Speaker 6: here's the note. And I really mean this honestly, But

1274
00:58:33,760 --> 00:58:35,880
Speaker 6: I would say I would say it about you like

1275
00:58:35,920 --> 00:58:39,240
Speaker 6: I would say it about a lot of people. I mean,

1276
00:58:39,280 --> 00:58:42,520
Speaker 6: not like Okay, there are people like David Cross who

1277
00:58:42,560 --> 00:58:45,080
Speaker 6: you really thought would punch you in the face the

1278
00:58:45,080 --> 00:58:46,760
Speaker 6: next second. You know what I mean, Because he's he

1279
00:58:46,840 --> 00:58:48,840
Speaker 6: could be moody and stuff like that, or he could

1280
00:58:48,920 --> 00:58:50,320
Speaker 6: be the sweetest guy in the world.

1281
00:58:51,280 --> 00:58:52,440
Speaker 2: I never saw that version.

1282
00:58:52,480 --> 00:58:54,120
Speaker 6: But carry on, Oh you only saw the mean guy.

1283
00:58:54,160 --> 00:58:56,600
Speaker 6: All right now, stay here, don't worry about you missed

1284
00:58:56,600 --> 00:58:59,480
Speaker 6: the thing. Don't worry about it. Go to the next thing.

1285
00:58:59,600 --> 00:59:02,480
Speaker 2: Okay, Sorry, I really and then make a left, I think,

1286
00:59:02,520 --> 00:59:06,520
Speaker 2: because that's just a line with no words to do it.

1287
00:59:06,520 --> 00:59:10,200
Speaker 1: It flips around, just taking He's so irritating, and I

1288
00:59:10,760 --> 00:59:12,600
Speaker 1: thought I was the only one with the sun directly

1289
00:59:12,600 --> 00:59:14,439
Speaker 1: in my eyes. And then that's why I just freaked out,

1290
00:59:14,640 --> 00:59:16,240
Speaker 1: because all the lights went red on the back of

1291
00:59:16,240 --> 00:59:17,800
Speaker 1: these cars and I was like, he's as blind as

1292
00:59:17,840 --> 00:59:20,760
Speaker 1: I am. I want it's a dangerous situation.

1293
00:59:21,040 --> 00:59:24,120
Speaker 6: I've gotten better as I've gotten older of not panicking

1294
00:59:24,200 --> 00:59:26,280
Speaker 6: because what's and I'm not saying I'm perfect at it,

1295
00:59:26,320 --> 00:59:29,720
Speaker 6: but why would you want to panic when you're all

1296
00:59:29,760 --> 00:59:31,440
Speaker 6: that's happening is you're going one more exits. I'm just

1297
00:59:31,440 --> 00:59:34,080
Speaker 6: saying to the kids today, Yes, don't get an offender better.

1298
00:59:34,120 --> 00:59:36,480
Speaker 6: But here's what I want to say about Karen. Karen,

1299
00:59:38,200 --> 00:59:41,120
Speaker 6: is you are and what's what makes you hilarious? And

1300
00:59:41,160 --> 00:59:44,000
Speaker 6: what makes people love you. Is you have a tremendous

1301
00:59:44,040 --> 00:59:47,520
Speaker 6: amount of charisma in the right sense of the word.

1302
00:59:47,880 --> 00:59:50,320
Speaker 6: I'm not saying you don't, Chris. I'm just saying I

1303
00:59:50,360 --> 00:59:52,919
Speaker 6: came up with. I mean, even the fact I say

1304
00:59:53,000 --> 00:59:55,400
Speaker 6: I'm not saying you don't, it's a negative towards you.

1305
00:59:55,440 --> 00:59:57,960
Speaker 6: Why would I bring it up? Look, Chris, what you

1306
00:59:58,040 --> 01:00:01,640
Speaker 6: do is you're not as sexy is Karen? To me?

1307
01:00:01,720 --> 01:00:04,120
Speaker 2: At least, it's just right now. I'm just involved with

1308
01:00:04,200 --> 01:00:07,440
Speaker 2: the driving thing. Otherwise I'd be showing, I'd be puffing up,

1309
01:00:07,480 --> 01:00:11,160
Speaker 2: I'd be turning everyone proven it. Yeah, the world over.

1310
01:00:11,200 --> 01:00:14,800
Speaker 2: I'm having an anxiety about this driving.

1311
01:00:14,480 --> 01:00:19,120
Speaker 6: Thing, so I would be overly concerned with what Karen

1312
01:00:19,160 --> 01:00:22,040
Speaker 6: thought about me. But I'm just bringing you up as

1313
01:00:21,480 --> 01:00:24,680
Speaker 6: of one of eight or nine or ten people. I'm

1314
01:00:24,680 --> 01:00:26,280
Speaker 6: the only twenty people in that group.

1315
01:00:26,360 --> 01:00:29,440
Speaker 2: I'm the only one in the well Lord, did.

1316
01:00:29,280 --> 01:00:31,600
Speaker 6: You feel the same way though, Karen about those other people?

1317
01:00:31,680 --> 01:00:34,760
Speaker 6: Or is my my insecurity is different?

1318
01:00:34,880 --> 01:00:35,000
Speaker 2: No?

1319
01:00:35,000 --> 01:00:36,600
Speaker 1: No, no, I was very very insecure.

1320
01:00:36,840 --> 01:00:37,600
Speaker 2: My main.

1321
01:00:39,280 --> 01:00:41,160
Speaker 1: I was drunk all the time, as I will say

1322
01:00:41,200 --> 01:00:43,560
Speaker 1: a thousand times. Until nineteen ninety seven, I was just

1323
01:00:43,600 --> 01:00:48,680
Speaker 1: always drunk, and my thing was I loved I h

1324
01:00:48,920 --> 01:00:50,840
Speaker 1: I think the only people I worried about and I

1325
01:00:50,840 --> 01:00:54,439
Speaker 1: didn't understand that that's what was happening. Was I worried

1326
01:00:54,440 --> 01:00:57,080
Speaker 1: about David Cross and I worried about Doug Benson. Those

1327
01:00:57,160 --> 01:00:59,720
Speaker 1: were the two people that always seem to not like me,

1328
01:01:00,320 --> 01:01:02,880
Speaker 1: and so they were the people when I was writing,

1329
01:01:03,120 --> 01:01:06,440
Speaker 1: I would think, will this make them laugh? Which I

1330
01:01:06,560 --> 01:01:08,560
Speaker 1: actually think at the end of the day made me

1331
01:01:08,600 --> 01:01:14,320
Speaker 1: write funnier stuff because I was trying to hold myself

1332
01:01:14,320 --> 01:01:17,280
Speaker 1: to a standard that was I mean, David, you know,

1333
01:01:18,160 --> 01:01:20,800
Speaker 1: David is a tough customer, but I did have great

1334
01:01:20,800 --> 01:01:23,520
Speaker 1: times with him and we were friends, and he could

1335
01:01:23,520 --> 01:01:26,080
Speaker 1: actually be really fun when he was kind of like

1336
01:01:26,160 --> 01:01:27,040
Speaker 1: relaxed and in a.

1337
01:01:27,000 --> 01:01:29,240
Speaker 6: Good mood and very sweet and very sweet.

1338
01:01:29,320 --> 01:01:31,840
Speaker 1: But then he also could be super bitchy and mean.

1339
01:01:31,720 --> 01:01:33,640
Speaker 2: And say a girlfriend of mine crying once.

1340
01:01:34,160 --> 01:01:37,960
Speaker 1: Yeah, I mean he he, you know, he was that way.

1341
01:01:38,040 --> 01:01:40,240
Speaker 1: But this was like in the nineties. That was kind

1342
01:01:40,280 --> 01:01:41,400
Speaker 1: of how it got done.

1343
01:01:41,480 --> 01:01:45,600
Speaker 6: Sometimes I didn't feel like I ever overtly was I mean,

1344
01:01:45,640 --> 01:01:48,320
Speaker 6: I think I offended people or whatever, but I wasn't

1345
01:01:48,400 --> 01:01:49,720
Speaker 6: like I'm going to be mean.

1346
01:01:49,840 --> 01:01:50,880
Speaker 1: No, No, you were sweet.

1347
01:01:51,160 --> 01:01:53,560
Speaker 6: Are the problems. But here's the thing. I'll give example

1348
01:01:53,560 --> 01:01:57,040
Speaker 6: of David crosspul Davis. Once I went and this is perfect.

1349
01:01:57,240 --> 01:02:00,840
Speaker 6: I think shows who how we're all weird, But he

1350
01:02:00,880 --> 01:02:03,840
Speaker 6: was weird this way. He was wearing shorts, right, So

1351
01:02:03,880 --> 01:02:05,360
Speaker 6: I go and I go, hey, what are you the

1352
01:02:05,360 --> 01:02:10,000
Speaker 6: shorts guy? And he says, no, no, I happen to

1353
01:02:10,040 --> 01:02:15,200
Speaker 6: wear shorts right. And now he could say have heard

1354
01:02:15,200 --> 01:02:18,040
Speaker 6: that and just took it as a bit. But occasionally

1355
01:02:18,080 --> 01:02:19,200
Speaker 6: he didn't take it as a bit.

1356
01:02:19,320 --> 01:02:21,919
Speaker 1: No, he was actually and this is true, you can.

1357
01:02:21,880 --> 01:02:24,080
Speaker 6: Make you could make a left here if you don't say.

1358
01:02:25,880 --> 01:02:30,080
Speaker 1: The street. He was very very sensitive. And and I

1359
01:02:30,240 --> 01:02:34,040
Speaker 1: find as I get old, as they become more decrepit.

1360
01:02:34,600 --> 01:02:36,919
Speaker 1: That's that's a truth. If you find people that seem

1361
01:02:37,040 --> 01:02:41,040
Speaker 1: really harsh or judgmental or meaner, that intimidate you, those

1362
01:02:41,080 --> 01:02:44,120
Speaker 1: are actually the people that are the softest on the inside.

1363
01:02:44,160 --> 01:02:46,720
Speaker 1: They're they're putting on a show. And I was exactly

1364
01:02:46,760 --> 01:02:49,080
Speaker 1: the same way. I was a bully and I loved

1365
01:02:49,160 --> 01:02:51,520
Speaker 1: to be a bully. That was like that made me

1366
01:02:51,560 --> 01:02:55,280
Speaker 1: feel so much better because I was so insanely insecure

1367
01:02:55,760 --> 01:02:58,600
Speaker 1: and really filled with self loathing. So anytime I could

1368
01:02:58,600 --> 01:03:00,680
Speaker 1: turn it on somebody else, I would do it in

1369
01:03:00,720 --> 01:03:04,280
Speaker 1: a heartbeat. I was a gossip and a bully because

1370
01:03:04,360 --> 01:03:05,479
Speaker 1: because it made me feel better.

1371
01:03:05,640 --> 01:03:08,360
Speaker 6: Well, it's interesting, I thought it did. I never knew

1372
01:03:08,360 --> 01:03:10,280
Speaker 6: any about this stuff until I heard you talk on

1373
01:03:10,760 --> 01:03:13,320
Speaker 6: Mark Maron show, which I had all for the first

1374
01:03:13,320 --> 01:03:15,840
Speaker 6: time I heard all this stuff. But the interesting thing

1375
01:03:15,880 --> 01:03:19,400
Speaker 6: I think about it is like I think that I

1376
01:03:19,560 --> 01:03:23,080
Speaker 6: put too much like in my I think I'm better

1377
01:03:23,080 --> 01:03:24,560
Speaker 6: at it, way better at it. Now you just keep

1378
01:03:24,560 --> 01:03:28,960
Speaker 6: going straight, but you're way better. But I was unfair

1379
01:03:29,040 --> 01:03:33,640
Speaker 6: to people because I wanted you. I'm saying you as

1380
01:03:33,640 --> 01:03:36,320
Speaker 6: an example. I wanted you to like me so much.

1381
01:03:36,720 --> 01:03:38,640
Speaker 6: So let's say you did get this way. I had

1382
01:03:38,640 --> 01:03:40,360
Speaker 6: to make you a bad person. That was just things

1383
01:03:40,400 --> 01:03:42,919
Speaker 6: that you were going through. And so it is really

1384
01:03:42,960 --> 01:03:46,400
Speaker 6: my insecurity to have to have everybody around me be

1385
01:03:46,840 --> 01:03:48,919
Speaker 6: perfect towards me all the time exactly.

1386
01:03:48,680 --> 01:03:53,360
Speaker 1: You know, exactly, And that's that kind of uh, that

1387
01:03:53,480 --> 01:03:57,240
Speaker 1: kind of need of other people's approval. Like when I

1388
01:03:57,280 --> 01:04:00,800
Speaker 1: first got into therapy and my therapy kind of explained

1389
01:04:00,840 --> 01:04:02,440
Speaker 1: like that's the thing that we're gonna try to work on,

1390
01:04:02,480 --> 01:04:05,240
Speaker 1: I was like, I'm sorry, what are the options like

1391
01:04:05,280 --> 01:04:09,000
Speaker 1: it was like, how do you not need everybody's approval?

1392
01:04:09,080 --> 01:04:11,480
Speaker 1: And how do you not like because I kind of

1393
01:04:11,480 --> 01:04:13,720
Speaker 1: in my mind put it as like I was striving

1394
01:04:13,800 --> 01:04:16,800
Speaker 1: towards something. I was using their disapproval as a way

1395
01:04:16,840 --> 01:04:20,200
Speaker 1: to get better instead of seeing how the damage it did.

1396
01:04:20,560 --> 01:04:23,720
Speaker 1: And also because I was projecting their disapproval, Doug Benson

1397
01:04:23,720 --> 01:04:25,000
Speaker 1: doesn't give two shits about me.

1398
01:04:25,120 --> 01:04:26,080
Speaker 6: I know that for a fact.

1399
01:04:26,320 --> 01:04:27,840
Speaker 1: I mean, I'm sure I don't think he's a fan

1400
01:04:27,880 --> 01:04:30,080
Speaker 1: of mine, but I also know that he never spent

1401
01:04:30,120 --> 01:04:32,560
Speaker 1: a lot of time thinking about me. We were friends

1402
01:04:32,640 --> 01:04:34,280
Speaker 1: for a while, but it wasn't you know what I mean,

1403
01:04:34,800 --> 01:04:38,320
Speaker 1: I was projecting so much stuff onto him because I

1404
01:04:38,360 --> 01:04:38,800
Speaker 1: needed to.

1405
01:04:39,040 --> 01:04:41,560
Speaker 6: Well, I also had many times and I don't really care.

1406
01:04:41,640 --> 01:04:45,360
Speaker 6: I've had many things over the years, disappointing confrontations with him,

1407
01:04:45,480 --> 01:04:49,800
Speaker 6: So I yeah, but that part doesn't have to be said.

1408
01:04:49,960 --> 01:04:52,560
Speaker 6: I mean, although I was perfectly happy to bring it up,

1409
01:04:54,160 --> 01:04:57,160
Speaker 6: I felt like, I mean, and the way.

1410
01:04:56,880 --> 01:05:00,640
Speaker 2: But it's tu word fighting about which Twilight move much better.

1411
01:05:00,760 --> 01:05:03,800
Speaker 1: There's two goths fighting in the street. What a perfect

1412
01:05:03,800 --> 01:05:05,720
Speaker 1: symbol of what we're talking about right now.

1413
01:05:05,960 --> 01:05:08,320
Speaker 6: But you know the thing is, but that again, it's

1414
01:05:08,360 --> 01:05:11,200
Speaker 6: the thing about uh now, no, no, you guys, do whatever

1415
01:05:11,320 --> 01:05:12,720
Speaker 6: you want. I'm up here in the right. You can

1416
01:05:12,720 --> 01:05:14,320
Speaker 6: go around the corner. Do you feel like you've got

1417
01:05:14,360 --> 01:05:17,320
Speaker 6: with Yeah, let's keep driving, all right, So let's driving around.

1418
01:05:17,080 --> 01:05:21,800
Speaker 2: The corner the time. But now I sound like a party.

1419
01:05:21,800 --> 01:05:23,880
Speaker 6: I'll show you where it is for when you want to.

1420
01:05:24,640 --> 01:05:30,600
Speaker 6: It's not this one, this mansion. Not this mansion. It's

1421
01:05:30,640 --> 01:05:36,200
Speaker 6: the one with the lawn jockeys. It's just one yeah, yeah, okay,

1422
01:05:36,240 --> 01:05:38,200
Speaker 6: So we can go around the block. You want to

1423
01:05:38,240 --> 01:05:39,840
Speaker 6: go around the block, or just like, oh your stay

1424
01:05:39,920 --> 01:05:43,200
Speaker 6: stop whatever you want to do. The truth is is

1425
01:05:43,240 --> 01:05:46,320
Speaker 6: that again even that's like I've also had great times

1426
01:05:46,320 --> 01:05:49,120
Speaker 6: with Doug bed Center. I've hung around, so that's also

1427
01:05:49,200 --> 01:05:51,840
Speaker 6: another thing that's my could be my problem to But

1428
01:05:51,880 --> 01:05:54,040
Speaker 6: the other thing I've learned about that I feel like

1429
01:05:54,120 --> 01:05:58,080
Speaker 6: I'm better as a person. But I notice the only

1430
01:05:58,280 --> 01:06:02,080
Speaker 6: the healthier thing now is I notice, like about a

1431
01:06:02,120 --> 01:06:04,880
Speaker 6: week into where I'm into a thing where I'm making

1432
01:06:04,880 --> 01:06:08,360
Speaker 6: sure I'm okay with everybody. Yeah, and just being aware

1433
01:06:08,400 --> 01:06:10,080
Speaker 6: of it makes me stop doing it.

1434
01:06:10,200 --> 01:06:13,000
Speaker 1: Yes, right, that's all you can do really, But I

1435
01:06:13,000 --> 01:06:16,600
Speaker 1: mean in comedy it's hard, because who who do you

1436
01:06:16,640 --> 01:06:19,520
Speaker 1: want to love you and respect you more than fellow comedians.

1437
01:06:19,600 --> 01:06:23,320
Speaker 2: Yeah, I've that's always been Michael Is to make comics

1438
01:06:23,360 --> 01:06:26,720
Speaker 2: laugh too. It turns out it doesn't pay the bills. No,

1439
01:06:26,840 --> 01:06:30,640
Speaker 2: are you sure you don't live there beautifully color?

1440
01:06:32,120 --> 01:06:33,840
Speaker 6: Well, I do, No, I own that place. I read

1441
01:06:33,880 --> 01:06:36,080
Speaker 6: that own. Oh right, here's the thing too, and I

1442
01:06:36,400 --> 01:06:38,640
Speaker 6: get serious, which a lot of people feel like I

1443
01:06:38,680 --> 01:06:42,080
Speaker 6: am during my act. But pause, you'll put the leaf.

1444
01:06:44,120 --> 01:06:47,880
Speaker 6: Here's the problem with comedy, you like to me comics

1445
01:06:47,880 --> 01:06:51,600
Speaker 6: who I always couldn't stand when comics would not acknowledge

1446
01:06:52,040 --> 01:06:53,959
Speaker 6: when they weren't doing well, or if a joke didn't

1447
01:06:53,960 --> 01:06:55,880
Speaker 6: get a reaction. And I think I go too far,

1448
01:06:56,000 --> 01:06:57,920
Speaker 6: Like I think if the crowd isn't like spitting up

1449
01:06:57,960 --> 01:07:03,720
Speaker 6: blood or double very Yeah. But the truth is, you

1450
01:07:03,760 --> 01:07:06,520
Speaker 6: don't do commedy in a vacuum. You want the You're

1451
01:07:06,520 --> 01:07:09,640
Speaker 6: doing it for other people, So it's natural to want

1452
01:07:09,680 --> 01:07:11,959
Speaker 6: to get the you know, it's great to get the left,

1453
01:07:12,000 --> 01:07:15,000
Speaker 6: but it's but it really is. It's like your achilles here,

1454
01:07:15,000 --> 01:07:17,440
Speaker 6: Like I think my strengths are my achilles here. Like

1455
01:07:17,440 --> 01:07:19,960
Speaker 6: I comment on everything, and I noticed that when like

1456
01:07:20,240 --> 01:07:22,680
Speaker 6: it's an achilles here. I can't stop commenting on it,

1457
01:07:22,760 --> 01:07:24,960
Speaker 6: you know. And it's the same thing with wanting people

1458
01:07:24,960 --> 01:07:28,320
Speaker 6: to like you or wanting to entertain people. Yes, that's

1459
01:07:28,400 --> 01:07:31,080
Speaker 6: part of the gig, but when you do it in

1460
01:07:31,120 --> 01:07:33,880
Speaker 6: life all the time, it's just exhausting. And that it

1461
01:07:33,880 --> 01:07:35,520
Speaker 6: comes from my family upbringing. You know. It's like I

1462
01:07:35,560 --> 01:07:37,160
Speaker 6: have to make sure I'm okay with everybody.

1463
01:07:37,160 --> 01:07:40,520
Speaker 2: It's impossible, yes, to please everybody.

1464
01:07:41,040 --> 01:07:42,400
Speaker 1: But I also think it isn't that kind of a

1465
01:07:42,440 --> 01:07:43,600
Speaker 1: comedian's personality.

1466
01:07:43,760 --> 01:07:46,720
Speaker 6: Yes, really, but some people more than others, you think.

1467
01:07:47,320 --> 01:07:50,800
Speaker 1: Probably yes, because there's some some people who clearly don't

1468
01:07:50,880 --> 01:07:54,560
Speaker 1: have any attachment to other people's opinions, or if they do,

1469
01:07:54,640 --> 01:07:55,920
Speaker 1: they're very good at hiding it.

1470
01:07:56,000 --> 01:07:58,320
Speaker 6: Yeah, you could say that's my couch. By the way, You're.

1471
01:08:00,040 --> 01:08:04,080
Speaker 2: Needs to be real polster, but I think, yeah, it's

1472
01:08:04,080 --> 01:08:05,880
Speaker 2: just a nice shape. I just wish that I could

1473
01:08:05,880 --> 01:08:08,880
Speaker 2: put the enjoyment of the audience before the other comics.

1474
01:08:09,080 --> 01:08:11,960
Speaker 6: That's what I know. That's interesting you said, because it

1475
01:08:12,080 --> 01:08:16,360
Speaker 6: is really true that that is again the greatest thing

1476
01:08:16,360 --> 01:08:18,559
Speaker 6: when you get it. But that's the one that will

1477
01:08:18,560 --> 01:08:21,040
Speaker 6: get you, especially if I've become fit like friends with

1478
01:08:21,080 --> 01:08:24,080
Speaker 6: someone who's like I always loved and I meet them,

1479
01:08:24,760 --> 01:08:26,639
Speaker 6: then it's like I up the I think about them

1480
01:08:26,640 --> 01:08:27,719
Speaker 6: responding to my tweets.

1481
01:08:28,880 --> 01:08:31,719
Speaker 1: Oh yeah, and then you're writing to people.

1482
01:08:31,840 --> 01:08:35,680
Speaker 2: I obsess about Twitter response things. So it is individual

1483
01:08:35,760 --> 01:08:38,479
Speaker 2: for me, and that's the problem I should be thinking about,

1484
01:08:38,479 --> 01:08:40,240
Speaker 2: how do you make a thousand people happy?

1485
01:08:40,479 --> 01:08:42,320
Speaker 6: I think you should take the clicker off? Was even

1486
01:08:42,320 --> 01:08:46,599
Speaker 6: if this, why should it end with clickers out?

1487
01:08:46,720 --> 01:08:49,000
Speaker 2: It helps with the timing. When I do editing, I

1488
01:08:49,479 --> 01:08:51,040
Speaker 2: time it with the click.

1489
01:08:53,200 --> 01:08:55,240
Speaker 1: Oh, we edit, we remix it and it becomes a

1490
01:08:55,320 --> 01:08:57,360
Speaker 1: dance song for Belgium.

1491
01:08:58,200 --> 01:09:01,640
Speaker 6: I like the way for Belgium at night, they just

1492
01:09:01,720 --> 01:09:03,120
Speaker 6: keep going, taking it acid.

1493
01:09:03,439 --> 01:09:06,320
Speaker 1: You taught me that one with an attitude like Elvis

1494
01:09:06,360 --> 01:09:09,800
Speaker 1: from Hell. I really was trained by that.

1495
01:09:09,880 --> 01:09:11,519
Speaker 2: Woman thinks that dog is a human.

1496
01:09:13,000 --> 01:09:16,559
Speaker 1: That's amazing, you guys. If you could only see this

1497
01:09:16,800 --> 01:09:19,600
Speaker 1: dog in a baby stroller, that was so upsetting. I

1498
01:09:19,640 --> 01:09:21,920
Speaker 1: thought it was a child with a little white wig on.

1499
01:09:21,960 --> 01:09:24,960
Speaker 6: It was so disgusting that was a little person in

1500
01:09:25,000 --> 01:09:29,120
Speaker 6: that And you guys hate people who look like dogs.

1501
01:09:29,160 --> 01:09:32,280
Speaker 1: She actually her baby is Jojo the dog Face.

1502
01:09:32,120 --> 01:09:36,120
Speaker 2: Boy about him in the National Inquirer it's real.

1503
01:09:36,960 --> 01:09:39,400
Speaker 1: That's one of the best references of all time. Jojo

1504
01:09:39,479 --> 01:09:40,240
Speaker 1: the dog Face Boy.

1505
01:09:41,000 --> 01:09:42,240
Speaker 6: Why, I'm not gonna use it, but it would we go,

1506
01:09:42,400 --> 01:09:44,320
Speaker 6: what's what's this guy's problem? What do you Jojo the

1507
01:09:44,360 --> 01:09:47,880
Speaker 6: dog Face Boy? You can use it is a check an.

1508
01:09:48,880 --> 01:09:52,479
Speaker 1: It was a guy from It was a boy from

1509
01:09:52,600 --> 01:09:55,559
Speaker 1: like the eighteen hundreds. That hair grew all over his face.

1510
01:09:55,640 --> 01:09:57,639
Speaker 2: Oh I remember, So he had a.

1511
01:09:57,600 --> 01:10:00,240
Speaker 1: Person underneath, but then like long dog hair. He look

1512
01:10:00,240 --> 01:10:03,559
Speaker 1: like a little dog. And it's a disease that happens

1513
01:10:03,600 --> 01:10:07,479
Speaker 1: sometimes where people their full face gets like long hair

1514
01:10:07,520 --> 01:10:09,439
Speaker 1: on it. But then they make lots of money in

1515
01:10:09,479 --> 01:10:11,959
Speaker 1: the circus. So let's be positive.

1516
01:10:12,120 --> 01:10:16,000
Speaker 6: Remember you remember Bob Worley, he had a great brother. No,

1517
01:10:16,320 --> 01:10:18,400
Speaker 6: we had a great joke. I think it was his joke.

1518
01:10:18,400 --> 01:10:20,240
Speaker 6: He goes, whatever happened to the elephant mat? He made

1519
01:10:20,280 --> 01:10:24,960
Speaker 6: that one movie And then I love jokes like that.

1520
01:10:25,080 --> 01:10:27,360
Speaker 6: You also had a joke that I never realized till

1521
01:10:27,360 --> 01:10:29,920
Speaker 6: he said it about toys when you were a kid.

1522
01:10:30,000 --> 01:10:34,320
Speaker 6: You go, it's think it's slink he uh. It was like,

1523
01:10:34,600 --> 01:10:37,120
Speaker 6: that's how I felt about it was a terrible toy.

1524
01:10:37,200 --> 01:10:39,759
Speaker 1: It's fun for the first time it's slink.

1525
01:10:40,040 --> 01:10:45,080
Speaker 6: Yeah, that's it. Well, kids, how do you wrap up

1526
01:10:45,120 --> 01:10:46,559
Speaker 6: these things? Now? First of all, how long have we done?

1527
01:10:46,760 --> 01:10:49,960
Speaker 2: We have a little Uh, it's we're perfect. We're on time.

1528
01:10:50,000 --> 01:10:52,599
Speaker 2: We go about an hour. We've done an hour nine minutes.

1529
01:10:52,680 --> 01:10:53,920
Speaker 2: That's a that's a decent.

1530
01:10:54,040 --> 01:10:55,600
Speaker 6: Did you do all your segments though? Don't you have

1531
01:10:55,600 --> 01:10:57,719
Speaker 6: segments during morning?

1532
01:10:58,320 --> 01:11:00,760
Speaker 2: We did morning too, that's something we did. You took

1533
01:11:00,760 --> 01:11:02,880
Speaker 2: the lead on that, which was amazing because you didn't

1534
01:11:02,880 --> 01:11:05,160
Speaker 2: even know that we did that. We didn't know the traffic.

1535
01:11:07,160 --> 01:11:09,519
Speaker 2: An EMPI very good with.

1536
01:11:10,120 --> 01:11:12,240
Speaker 6: Polish call in and they guess how many lanes you're on?

1537
01:11:12,280 --> 01:11:12,719
Speaker 6: You know something?

1538
01:11:13,960 --> 01:11:15,880
Speaker 2: Where is my car phone? Oh?

1539
01:11:15,920 --> 01:11:18,840
Speaker 1: If we can, if we can only do call in, watch.

1540
01:11:19,600 --> 01:11:23,440
Speaker 2: I love pulling out visual gags for the podcast podcast.

1541
01:11:23,640 --> 01:11:25,679
Speaker 6: Well, that's why car top never did well on the radio.

1542
01:11:26,280 --> 01:11:28,040
Speaker 6: Holding a tennis racket with a toaster.

1543
01:11:28,160 --> 01:11:29,760
Speaker 1: You should see how big this hammer is?

1544
01:11:30,160 --> 01:11:32,320
Speaker 2: Hey, what is this Michael Jackson's bicycle?

1545
01:11:36,200 --> 01:11:38,680
Speaker 6: You're the first person to go two three four? And

1546
01:11:38,720 --> 01:11:41,680
Speaker 6: I was the first person. If I stumbled vocally, I

1547
01:11:41,720 --> 01:11:44,599
Speaker 6: would hold my upper teeth and go Never order them

1548
01:11:44,640 --> 01:11:47,680
Speaker 6: through the mail. That was an actual comedian's joke. In

1549
01:11:47,680 --> 01:11:48,240
Speaker 6: the fifties.

1550
01:11:48,360 --> 01:11:49,000
Speaker 1: That's awesome.

1551
01:11:49,640 --> 01:11:52,280
Speaker 2: I love that. Why do I like that a lot?

1552
01:11:53,280 --> 01:11:55,479
Speaker 6: Never order them through the mail. I do want to.

1553
01:11:55,760 --> 01:11:58,080
Speaker 6: I want to thank the people over at filling the

1554
01:11:58,120 --> 01:11:59,800
Speaker 6: name of the sponsor. I also want to say I

1555
01:11:59,800 --> 01:12:02,320
Speaker 6: want that you guys, because you were so nice to me,

1556
01:12:02,760 --> 01:12:05,320
Speaker 6: what with my busy I can't again, I can't say

1557
01:12:05,320 --> 01:12:07,160
Speaker 6: what I did, but it was big time. It was

1558
01:12:07,200 --> 01:12:07,679
Speaker 6: a big time.

1559
01:12:07,720 --> 01:12:09,880
Speaker 2: I'm we're very excited about what you may or may

1560
01:12:09,920 --> 01:12:11,479
Speaker 2: not have in development.

1561
01:12:11,760 --> 01:12:13,760
Speaker 1: And we hope you're We're the first podcast that you

1562
01:12:14,000 --> 01:12:23,080
Speaker 1: come on on your uh PR tour all the one time.

1563
01:12:23,160 --> 01:12:25,720
Speaker 6: It's so great that that face that you gave, but

1564
01:12:25,840 --> 01:12:27,600
Speaker 6: never be done in a club where you gave a

1565
01:12:27,680 --> 01:12:29,080
Speaker 6: face like you do people can see you.

1566
01:12:29,080 --> 01:12:34,599
Speaker 2: But it's like, I'm losing it. Well, I'm gonna I'm

1567
01:12:34,640 --> 01:12:36,759
Speaker 2: gonna be the one to wrap this up to be funny.

1568
01:12:36,800 --> 01:12:38,040
Speaker 2: Right then I put on a condom.

1569
01:12:39,320 --> 01:12:41,560
Speaker 6: I don't know about that. I'm sorry, that's not what

1570
01:12:41,720 --> 01:12:44,200
Speaker 6: you know. Somethings are inappropriate and that's you far.

1571
01:12:45,000 --> 01:12:47,760
Speaker 2: Let's wrap it up and deserves okay, but it's been

1572
01:12:47,800 --> 01:12:49,000
Speaker 2: a good thank you for having.

1573
01:12:49,680 --> 01:12:52,800
Speaker 6: This is despressing. It's like every other time in my life. Oh,

1574
01:12:52,800 --> 01:12:54,280
Speaker 6: once you get out of the car, Now.

1575
01:12:54,360 --> 01:12:56,800
Speaker 1: Do you need a tip plug anything? Are you gonna?

1576
01:12:56,920 --> 01:13:02,400
Speaker 6: Yes? I do out? This drops is like a break

1577
01:13:02,400 --> 01:13:05,280
Speaker 6: it or something. Doesn't get what you're saying. Well, I'm

1578
01:13:05,280 --> 01:13:07,360
Speaker 6: going to be at t J. Cranberry's, I'm gonna be

1579
01:13:07,360 --> 01:13:13,679
Speaker 6: at McFunny, Mick or Gutbusters. I'm gonna be at Tickle

1580
01:13:13,760 --> 01:13:15,480
Speaker 6: Me rib Tickle mc ribs.

1581
01:13:15,760 --> 01:13:16,719
Speaker 1: Tickle Me Ribs.

1582
01:13:18,360 --> 01:13:20,559
Speaker 6: Why can't I think of anything that I'm doing? I

1583
01:13:20,600 --> 01:13:23,080
Speaker 6: was on guard, I was that's not a goodlug.

1584
01:13:24,520 --> 01:13:26,320
Speaker 1: It's a remember plug.

1585
01:13:26,400 --> 01:13:28,120
Speaker 2: If you have a d v R might still be

1586
01:13:28,160 --> 01:13:28,679
Speaker 2: sitting there.

1587
01:13:29,880 --> 01:13:31,400
Speaker 6: Get my new album? I got nothing.

1588
01:13:32,240 --> 01:13:33,120
Speaker 2: That's not no.

1589
01:13:33,200 --> 01:13:34,559
Speaker 6: I do have ano album coming up, but it's so

1590
01:13:34,640 --> 01:13:36,439
Speaker 6: depressing because I should have had it out by now.

1591
01:13:36,520 --> 01:13:37,400
Speaker 2: What are you calling it?

1592
01:13:37,400 --> 01:13:41,080
Speaker 6: It's called it's gonna be called hence the humor, and

1593
01:13:41,120 --> 01:13:42,920
Speaker 6: it should be in Janet. It should have been in December.

1594
01:13:42,960 --> 01:13:45,559
Speaker 6: It's probably January February. And my joke about it is

1595
01:13:45,560 --> 01:13:48,040
Speaker 6: it's available on vinyl for those people who don't want

1596
01:13:48,040 --> 01:13:50,760
Speaker 6: to listen to it. Do you get it?

1597
01:13:50,840 --> 01:13:57,520
Speaker 2: Well? Because I don't have a vinyl, I get it.

1598
01:13:57,960 --> 01:13:59,400
Speaker 2: I'm with you. I'm with you there.

1599
01:13:59,520 --> 01:14:01,360
Speaker 6: You have the don't I tell you have an appointment

1600
01:14:01,479 --> 01:14:03,760
Speaker 6: or a set at you have a set at the

1601
01:14:03,840 --> 01:14:04,519
Speaker 6: lab factory.

1602
01:14:04,720 --> 01:14:07,560
Speaker 2: It's at an appointment. That's a very serious dental appointment.

1603
01:14:07,640 --> 01:14:08,960
Speaker 6: All right, I'm leaving the carcase.

1604
01:14:09,080 --> 01:14:09,400
Speaker 2: How do you?

1605
01:14:10,080 --> 01:14:11,400
Speaker 6: How do you leave the car?

1606
01:14:11,560 --> 01:14:13,320
Speaker 1: I know right, that's so true.

1607
01:14:16,280 --> 01:14:18,840
Speaker 6: Please don't send that tweet. Not tweet the text out.

1608
01:14:18,880 --> 01:14:21,120
Speaker 1: Andy, I don't. I barely read it when he said

1609
01:14:21,160 --> 01:14:23,360
Speaker 1: it the first time. I don't give a ship if

1610
01:14:23,360 --> 01:14:24,840
Speaker 1: my name's not in it, I don't care.

1611
01:14:25,040 --> 01:14:27,799
Speaker 6: The funniest thing is the the idea that I'm obsessed

1612
01:14:28,280 --> 01:14:31,760
Speaker 6: like all the times, like, oh she's you couldn't care

1613
01:14:32,200 --> 01:14:33,280
Speaker 6: gimmed it the first time.

1614
01:14:33,320 --> 01:14:34,960
Speaker 1: I most of the time when you talk about it,

1615
01:14:35,000 --> 01:14:36,360
Speaker 1: I don't really know what you're talking about.

1616
01:14:36,360 --> 01:14:39,240
Speaker 6: Well, I said, I called my wife my little poop.

1617
01:14:39,720 --> 01:14:40,639
Speaker 1: That's not my business.

1618
01:14:40,760 --> 01:14:42,960
Speaker 6: And I said, are you my muffin head, my muff

1619
01:14:43,000 --> 01:14:46,160
Speaker 6: and head? Yes, you are my muffinhead.

1620
01:14:46,240 --> 01:14:47,519
Speaker 1: You have to stay here for the sign off.

1621
01:14:47,840 --> 01:14:50,600
Speaker 2: Okay, you've been listening to d Y n A R.

1622
01:14:53,120 --> 01:14:59,320
Speaker 1: That was I lead you way bad.

1623
01:15:00,120 --> 01:15:05,240
Speaker 4: Either way, we want to be there, doesn't matter how

1624
01:15:05,320 --> 01:15:09,840
Speaker 4: much baggage you claim. Give us time and a turn

1625
01:15:09,960 --> 01:15:14,880
Speaker 4: and al and gay. We want to send you off inside.

1626
01:15:16,160 --> 01:15:18,559
Speaker 4: Do you want to welcome you back home?

1627
01:15:20,360 --> 01:15:26,240
Speaker 1: Tell us all about every scared or was it fine? Malborn?

1628
01:15:42,200 --> 01:15:43,599
Speaker 2: Do you need to ride?

1629
01:15:44,240 --> 01:15:45,599
Speaker 1: Do you need to ride?

1630
01:15:46,200 --> 01:15:49,400
Speaker 3: Do you need to ride? Do you need to ride?

1631
01:15:50,120 --> 01:15:53,960
Speaker 3: Do you need to ride? Do you need ride?

1632
01:15:54,120 --> 01:15:55,479
Speaker 1: Do you need to ride?

1633
01:15:56,040 --> 01:16:00,400
Speaker 3: Do you need.

1634
01:16:03,280 --> 01:16:04,240
Speaker 2: With Karen and Cress

1635
01:16:06,080 --> 01:16:06,120
Speaker 1: M