WEBVTT - Connie + Skylar

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<v Speaker 1>You got me? You what? Yeah, you're there? Hold on,

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<v Speaker 1>don't okay, okay, okay, okay, I'm here. I'm here lately

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<v Speaker 1>I'm trying all my pants and all my pants are

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<v Speaker 1>long on me, and I could you have gotten shorter?

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<v Speaker 1>I had to get short of My pants are all

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<v Speaker 1>along and I'm not investing in new pants. I'm just

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<v Speaker 1>pulling them up. I listen, I'm gonna be ninety two.

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<v Speaker 1>Doesn't pay to me to invest in a good pair

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<v Speaker 1>of pants. How many years you think i'll bear them? It? Listen?

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<v Speaker 1>And if you live in New York City, to take

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<v Speaker 1>a pair of pants and to be shortened that they

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<v Speaker 1>got lining, you could buy a new pair. Not worth

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<v Speaker 1>That's very true. Bring them to me, read, I'll shorten

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<v Speaker 1>them for you. Rita, are you excited? We're going to

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<v Speaker 1>be speaking to Connie Stevens, who was one of my

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<v Speaker 1>favorite actresses when I was younger. Oh my goodness, and

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<v Speaker 1>granddaughter Skyler. This is our granddaughter with ex husband Eddie Fisher.

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<v Speaker 1>Oh my goodness. Also one of our favorite when we

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<v Speaker 1>were growing up. Connie Stevens. I could see her in

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<v Speaker 1>front of me. Now she was and probably still lives

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<v Speaker 1>a beautiful blond woman. She was gorgeous and she could sing.

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<v Speaker 1>You know what, they don't have the beautiful musicals and

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<v Speaker 1>love stories that they had in the day of Connie Stevens.

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<v Speaker 1>I could hardly think of a starve today in that category.

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<v Speaker 1>Can you know we gotta hear it's Connie Stevens exactly.

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<v Speaker 1>Rina Scorchy is the funniest thing ever. You guys have

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<v Speaker 1>to look up. Connie Stevens is Scorchy, the hottest cop

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<v Speaker 1>on the force. She plays like a spy. She's like

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<v Speaker 1>but she had nobody move a musself. Me and my

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<v Speaker 1>cousins used to do that like all the time to

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<v Speaker 1>each other. And you know the reproduction song from Greece

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<v Speaker 1>to reproduction. Oh god, she was the teacher, the hot teacher. Okay,

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<v Speaker 1>are you ready? I've been ready, I'm born ready. Connie

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<v Speaker 1>Stevens is my grandmother. I call her Nana. She's eighty

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<v Speaker 1>three years old and she lives in Los Angeles. I

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<v Speaker 1>call her Sky, my precious gym and my best girl,

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<v Speaker 1>my best girl. I've been here in that my whole life,

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<v Speaker 1>and I'm like, sure that's front of the other grandchildren.

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<v Speaker 1>You might know her from Scorchy Love Boat or being

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<v Speaker 1>the hot teacher from Greece too. You're just so cool. No,

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<v Speaker 1>I like her charm. She's always laughing, and she's steadfast

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<v Speaker 1>and in charge. She's a leo, so I think lion,

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<v Speaker 1>I think strong, and she's sparkly, sparkly. It wasn't like, oh,

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<v Speaker 1>there's nothing else to do, let's go to Nana's house.

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<v Speaker 1>As is like, no, that is the thing to do.

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<v Speaker 1>She's like, here for a good time, not a long time, yes,

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<v Speaker 1>just as long as you live life fully to the

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<v Speaker 1>very very inch of it. There's definitely a difference between

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<v Speaker 1>having like a famous nana versus a regular grandma. I mean,

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<v Speaker 1>here's someone who has the most expertise and has been

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<v Speaker 1>in the industry a long time. I mean after my

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<v Speaker 1>dance shows, you know, you come out the stage door,

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<v Speaker 1>people are giving flowers and you're talking to your family

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<v Speaker 1>and there's a whole crowd of people, and then I

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<v Speaker 1>would go, all right, it's time to go get nana's notes.

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<v Speaker 1>Go get Nana's notes. Get your arm? How was it?

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<v Speaker 1>And you'd be like, you know, you could extend your

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<v Speaker 1>arm a little bit more than that one part couldn't help,

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<v Speaker 1>But couldn't help that made me better though. You know,

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<v Speaker 1>no one else's grandparents is going to be like, this

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<v Speaker 1>is what you need to do tomorrow night to make

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<v Speaker 1>it better. Every performance, Nana's there with flowers, with flowers

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<v Speaker 1>and those very nice. Not only a grandmother and a

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<v Speaker 1>grandchild of relationship, it's a professional relationship. She goes to

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<v Speaker 1>all her performances and then gives a critique on it,

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<v Speaker 1>just like we do. You think a critique on their relationship.

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<v Speaker 1>That's our thing. We give critiques. That's our talent with

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<v Speaker 1>critical critics, you know. But this was interesting. It's just

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<v Speaker 1>sort of on a little different level. You can see

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<v Speaker 1>she respects her grandmother all the way. And you can

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<v Speaker 1>hear Connie Stevens love for that child too. Oh absolutely,

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<v Speaker 1>you can absolutely hear. You don't have to be famous.

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<v Speaker 1>That love that a grandmother has is just magical. Okay,

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<v Speaker 1>wed To, The producers have handed me the part titles,

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<v Speaker 1>and here's the first one, Part one, Grandma's Cocoon. What

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<v Speaker 1>was the song something, Lend me your comb Cookie, lend

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<v Speaker 1>me your combed. It was so stupid, cook sweetheart, I

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<v Speaker 1>bought a house with that. It was like number one

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<v Speaker 1>for years. So cool. What made you want to go

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<v Speaker 1>into show business. Well, I was lonely as a little girl.

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<v Speaker 1>My brother went in the army, my dad was on

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<v Speaker 1>the road, my grandma passed away. So I used to

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<v Speaker 1>go to the movies all the time for twenty one since,

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<v Speaker 1>Oh my gosh, that's great, and I just grew up

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<v Speaker 1>with the idea that I was going to do that. Ah.

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<v Speaker 1>After I became popular, I went back to Brooklyn and

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<v Speaker 1>I was so excited to talk to everybody on the block.

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<v Speaker 1>And there was this lady. Your name was Mazie. Did

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<v Speaker 1>I ever tell you this, I don't think. So. We

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<v Speaker 1>had stoops and Mazie. She'd sweep the stoop every day,

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<v Speaker 1>and if you went near her talk to her, which

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<v Speaker 1>we did, we teased her. She tried to hit you

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<v Speaker 1>with the broom. She said, get out of here, you

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<v Speaker 1>damn kid, Get out of here. Said we'd laugh and

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<v Speaker 1>run away. So I go home my pictures playing at

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<v Speaker 1>Radio City Musical, and I see her across. She's an old,

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<v Speaker 1>old woman, and I go quietly over there and I said, Mazie,

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<v Speaker 1>do you remember me? And she looked at me and said,

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<v Speaker 1>get out of here, you damn kid, Get out. That's

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<v Speaker 1>so funny. Nothing changed, and that's the way life is. Really.

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<v Speaker 1>That's Brooklyn too, Yeah it is. I wish I could

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<v Speaker 1>time travel and go back and see you when you

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<v Speaker 1>were in Brooklyn. I wish you could. I lived in

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<v Speaker 1>the Italian section and on the next side was the

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<v Speaker 1>Jewish section, so my grandma spoke Yiddish and the lady

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<v Speaker 1>next door spoke a little Italian, so they both spoke

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<v Speaker 1>each other's languages. Yeah, that's very cute. What was your

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<v Speaker 1>relationship like with your parents and your grandparents, because I

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<v Speaker 1>know you had an interesting kind of dynamic. I was

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<v Speaker 1>a daddy's girl and he was a musician, and he

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<v Speaker 1>went on the road. So I was awarded by court

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<v Speaker 1>to my grandparents, my Italian grandparents. Consequently, I spoke only

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<v Speaker 1>Italian to allow us five. My dad, of course, came

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<v Speaker 1>home off the road many times, and his beautiful packard

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<v Speaker 1>convertible with his cashmere coat, that's where you got it from.

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<v Speaker 1>When he came home, all the windows would go up,

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<v Speaker 1>and the ladies in the neighborhood would say, your father's home,

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<v Speaker 1>Your father's home, teddy, teddy, And he'd weighed, he just sparkled,

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<v Speaker 1>you know, he just had it. I almost want to say,

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<v Speaker 1>he's like the Godfather. He was funny, he was talented.

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<v Speaker 1>I loved my family very much. I never knew that

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<v Speaker 1>we were poor till I was about thirty. Right, I

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<v Speaker 1>was in a cocoon. I feel like you've provided that

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<v Speaker 1>for at least your grandkids. And I got it from

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<v Speaker 1>my grandmother. Yeah, so it's been passed down for sure.

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<v Speaker 1>I feel like I was in such a little cocoon

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<v Speaker 1>and I felt very safe growing up. Well, that's the

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<v Speaker 1>way you're supposed to feel. That's what we want for you.

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<v Speaker 1>You're growing up to be self sufficient so that somebody

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<v Speaker 1>can't come along and bust your bubble. And you're compassionate,

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<v Speaker 1>which is my favorite attribute. Very sweet relationship. And she

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<v Speaker 1>talks about the Brooklyn One side of this street was Jewish,

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<v Speaker 1>one side of the street was it Tagian. Absolutely, that's

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<v Speaker 1>the way Brooklyn was. That's how I grew up as well,

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<v Speaker 1>exactly how I grew exactly. And I think it's still

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<v Speaker 1>like that. There's a connection between Italian and Jewish grandmothers

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<v Speaker 1>from families I alway Jewish and Italian. You can intermingle them.

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<v Speaker 1>You'd never know the difference. From Italian people were your

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<v Speaker 1>best friends and they felt the same way about Jewish.

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<v Speaker 1>They knew were always there for each other exactly. You

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<v Speaker 1>know what. I used to go to my grandmother's have

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<v Speaker 1>and there was a woman, of course, is what she

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<v Speaker 1>was talking about. I used to stand by my grandmother's

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<v Speaker 1>window and watching yet yet a on the street. Everybody

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<v Speaker 1>hang it up. She think the same thing. She was

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<v Speaker 1>always cleaning up the street we had, Mrs Sweeney. It

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<v Speaker 1>was the same thing. There was always somebody. There's always

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<v Speaker 1>somebody and saying, get out of your kids. I'm telling

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<v Speaker 1>you you lived in a neighborhood. It wasn't just your building.

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<v Speaker 1>Most of your shopping wasn't a footstore. A butcher. Absolutely,

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<v Speaker 1>I remember there was a butcher that used to say

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<v Speaker 1>to my mother, Mrs Binstein, I got for you a

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<v Speaker 1>piece flesh. You'll die from eating it. Listen, times have changed.

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<v Speaker 1>She's still good with her grandkids, and she's giving that

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<v Speaker 1>sense of security and the what should I say, the

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<v Speaker 1>cocoonness a grandchild too. Right. Oh, that's a good word. Right,

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<v Speaker 1>It's a word I made up, but it's not in

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<v Speaker 1>the dipitionary. Really still the words that I use. Okay, reader,

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<v Speaker 1>Next up we have part two the last contract player

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<v Speaker 1>were already So when you were young, the big Hollywood

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<v Speaker 1>studios used to have contract players. They basically were on

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<v Speaker 1>contract to perform just for those studios. Right, yeah, I

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<v Speaker 1>know you were like one of the last ones. I

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<v Speaker 1>was the last one, the very last one. I have

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<v Speaker 1>a picture on the wall inside of all the contract players,

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<v Speaker 1>as you know, Natalie Wood and Carol Linley in the

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<v Speaker 1>dining room. Yes you saw, yeah, I've seen it. So

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<v Speaker 1>that meant that you couldn't go work at any other studios.

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<v Speaker 1>You had to do well, not without permission, right right, right?

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<v Speaker 1>How did you first get to Hollywood? What was the

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<v Speaker 1>big break? Well? I sang with three boys and we

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<v Speaker 1>had a group called the Foremost. We sang four part

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<v Speaker 1>harmony that was very intricate at the time. Then the

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<v Speaker 1>boys went on to become the Letterman. I went to

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<v Speaker 1>high school with them, and they're still popular today. I

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<v Speaker 1>should have stayed with them. I got discovered from that

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<v Speaker 1>group by Jerry Lewis. He made me laugh so hard,

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<v Speaker 1>he always did. It was embarrassing. I was laughing so hard.

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<v Speaker 1>So I went to meet Jerry Lewis and he said,

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<v Speaker 1>she's got a funny bone. She's got the part, and

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<v Speaker 1>Warner Brothers bought my contract and they put me in

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<v Speaker 1>a series Hawaiian I, which became maybe number two in

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<v Speaker 1>the world with Bonanza. The other big shure you did

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<v Speaker 1>was love Boat right, love Boat I was the most

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<v Speaker 1>frequent guest. I should be rich, but I'm not. They

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<v Speaker 1>didn't give me any residuals. Warner Brothers so cheap. So

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<v Speaker 1>I asked for permission to do a film and they said, no,

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<v Speaker 1>your contract isn't up for another fifty thou dollars or

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<v Speaker 1>some crazy thing. And I said, keep the money, let

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<v Speaker 1>me go. That's what I did. Crazy Girl gave away

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<v Speaker 1>my money. Guests who had their dressing rooms right above me,

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<v Speaker 1>Sammy Davis, Joey Bishop, Dean Martin, Frank Sinatra, the rat Pack.

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<v Speaker 1>They were the most popular people in the all of

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<v Speaker 1>show business at the time. One day I'm walking by

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<v Speaker 1>and they're all laughing and stuff, and they said, I

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<v Speaker 1>think she is I said, she's what they said, shorter

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<v Speaker 1>than Sammy Davis. So we had a contest and they

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<v Speaker 1>measured me and I was shorter thant Sammy, so I won.

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<v Speaker 1>I took the brunt of it. All the time, were

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<v Speaker 1>they loud yes, until they went to work. What did

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<v Speaker 1>you do in your breaks? Played basketball? Oh my gosh,

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<v Speaker 1>because we had a lot of time together, so in

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<v Speaker 1>between we would get our shots together. That's cool. It

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<v Speaker 1>was fun. She was a star, absolutely a big star.

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<v Speaker 1>And I can't imagine that she's shorter than Sammy Davis.

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<v Speaker 1>She must be my height. I love her that. I

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<v Speaker 1>love her and basketball. I could never play basketball. I

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<v Speaker 1>just was a little bit bigger than the ball. I mean,

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<v Speaker 1>I don't know how she played. I gotta meet her.

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<v Speaker 1>We have to arrange for us to meet her. She's sweets,

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<v Speaker 1>she's really sweet, and she's very humble. Um kind of

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<v Speaker 1>you know, she's not afterwards. She was a big I

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<v Speaker 1>love Bote. I used to love that. I remember, I

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<v Speaker 1>do love boat. Yeah no, no, no, no. It was

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<v Speaker 1>really a nice program. I don't know if you got

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<v Speaker 1>the feeling that it was a little bit not anger. Regret, regret,

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<v Speaker 1>a little regret exactly. They did take advantage of her, yes,

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<v Speaker 1>but I think that they took advantage of everybody in

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<v Speaker 1>those days. They did. The Water Brothers had that reputation

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<v Speaker 1>to start with. They were not easy to deal with it.

0:14:51.880 --> 0:14:55.160
<v Speaker 1>I don't know that any of the studios were particularly

0:14:55.280 --> 0:14:59.200
<v Speaker 1>kind to their players. That's true. That's true. Listen, everybody

0:14:59.240 --> 0:15:01.440
<v Speaker 1>has regrets. I should have, I should have, I could have.

0:15:02.080 --> 0:15:05.160
<v Speaker 1>That's the way life is. The movie stars handed well

0:15:05.240 --> 0:15:08.680
<v Speaker 1>as the public. I guess we all have nothing major

0:15:08.760 --> 0:15:11.360
<v Speaker 1>that I could think of, and if I did certain

0:15:11.360 --> 0:15:14.160
<v Speaker 1>things and I could, I'm not telling me. Well, we

0:15:14.200 --> 0:15:16.520
<v Speaker 1>have to take a little break now so you can

0:15:16.600 --> 0:15:19.200
<v Speaker 1>find out how to buy a new mattress, or get

0:15:19.200 --> 0:15:23.880
<v Speaker 1>a new website, or or the stamps. Very exciting stuff.

0:15:23.920 --> 0:15:37.760
<v Speaker 1>So hang in there, folks. Okay, guys, we're back Cookie

0:15:37.800 --> 0:15:40.440
<v Speaker 1>Cookie letting me. I don't remember the tune, but I

0:15:40.600 --> 0:15:42.560
<v Speaker 1>remember the words. What have they say? Don't give up

0:15:42.600 --> 0:15:47.600
<v Speaker 1>your day job? That's right, that's right, okay rider. Next up,

0:15:48.040 --> 0:15:56.920
<v Speaker 1>we have part three, sixteen Reasons Why I Love You.

0:15:56.920 --> 0:16:02.360
<v Speaker 1>Your most famous song, though, was sixteen res Why I

0:16:02.400 --> 0:16:12.960
<v Speaker 1>Love You? Why they comb you here? See, you don't

0:16:13.040 --> 0:16:16.440
<v Speaker 1>think of things like that anymore. We used to think

0:16:16.480 --> 0:16:19.880
<v Speaker 1>of you the way you comb your hair, the way

0:16:19.960 --> 0:16:26.480
<v Speaker 1>your tie whatever. Now they go to first base immediately

0:16:29.000 --> 0:16:35.760
<v Speaker 1>you stay off first base. I wanted to ask you

0:16:35.800 --> 0:16:40.800
<v Speaker 1>how you met Eddie, how you met my grandfather, because

0:16:40.840 --> 0:16:43.320
<v Speaker 1>I don't think I ever heard the full story. Well,

0:16:44.040 --> 0:16:49.000
<v Speaker 1>I was in trouble. I was confused. I was coming

0:16:49.000 --> 0:16:52.640
<v Speaker 1>out of a divorce with Jim Stacy. I didn't know

0:16:52.720 --> 0:16:54.840
<v Speaker 1>what I was gonna do. I was going to go

0:16:54.880 --> 0:16:59.560
<v Speaker 1>to Broadway or stay and do another television show. And

0:16:59.800 --> 0:17:03.280
<v Speaker 1>I took a job and I played the Plaza Hotel

0:17:03.360 --> 0:17:07.800
<v Speaker 1>in New York and he had just finished there, so

0:17:07.880 --> 0:17:10.800
<v Speaker 1>he came to see my show. And he was really

0:17:10.960 --> 0:17:14.359
<v Speaker 1>kind and sweet, and he was the kind of guy.

0:17:14.400 --> 0:17:18.320
<v Speaker 1>I'd say, I love the New York pretzels on the street.

0:17:18.760 --> 0:17:21.320
<v Speaker 1>So he said, can I get you anything? I said,

0:17:21.359 --> 0:17:24.200
<v Speaker 1>he didn't get me a pretzel, and he came back

0:17:24.240 --> 0:17:27.040
<v Speaker 1>with ten of them. Oh my gosh, I like that.

0:17:28.920 --> 0:17:31.639
<v Speaker 1>And he could say he could just open up his

0:17:31.720 --> 0:17:36.200
<v Speaker 1>mouth and just say five o'clock in the morning. I

0:17:36.240 --> 0:17:40.840
<v Speaker 1>have often. He was kind. He would give you the

0:17:40.880 --> 0:17:45.720
<v Speaker 1>shirt office back if you liked it. And he was fun.

0:17:45.960 --> 0:17:49.040
<v Speaker 1>He was a fun guy. His problem with the drugs,

0:17:50.040 --> 0:17:54.600
<v Speaker 1>otherwise I'd probably still be with him. Yeah. Mom always

0:17:54.600 --> 0:17:57.920
<v Speaker 1>said he was very charming, like everybody was charmed by him.

0:17:58.040 --> 0:18:02.239
<v Speaker 1>He was. He was just the golden boy, you know,

0:18:02.480 --> 0:18:06.320
<v Speaker 1>he really was. I didn't really know him. That's right,

0:18:06.400 --> 0:18:09.399
<v Speaker 1>you didn't. He would have made you laugh. He was

0:18:09.440 --> 0:18:12.760
<v Speaker 1>good at that. Yeah, he was a little strange character.

0:18:13.400 --> 0:18:15.399
<v Speaker 1>What do you mean by strange? You know, he was

0:18:15.520 --> 0:18:18.640
<v Speaker 1>from another era and he was from the old country

0:18:18.680 --> 0:18:22.720
<v Speaker 1>and he acted like it. And I was a shick sah,

0:18:23.160 --> 0:18:26.840
<v Speaker 1>that's a non Jewish girl. And he say, Eddie, what

0:18:26.880 --> 0:18:30.240
<v Speaker 1>are you doing with another shick sah? Well, there is

0:18:30.320 --> 0:18:33.919
<v Speaker 1>like kind of a special club of Eddie Fisher's wife. Yeah, well,

0:18:34.800 --> 0:18:40.720
<v Speaker 1>never mind, you gotta lay it on me. What's the

0:18:40.800 --> 0:18:46.440
<v Speaker 1>dating advice? Dating advice? I go with you. I gotta

0:18:46.480 --> 0:18:51.280
<v Speaker 1>see what he looks like, check his pockets, Nana's approval. Yeah, no,

0:18:51.520 --> 0:18:54.160
<v Speaker 1>I think you can pick the n ice guy. We've

0:18:54.200 --> 0:19:02.040
<v Speaker 1>trained you. Well, Well, can we talk about Elvis? Little Bill?

0:19:02.760 --> 0:19:06.280
<v Speaker 1>Elvis was the best kisser. Oh la la la to

0:19:06.320 --> 0:19:10.360
<v Speaker 1>hear that. He was the sweetest. He was a lot

0:19:10.400 --> 0:19:18.000
<v Speaker 1>of fun and we were friends till he died. I

0:19:18.080 --> 0:19:20.560
<v Speaker 1>think she's holding back, and though he is, it doesn't

0:19:20.560 --> 0:19:23.000
<v Speaker 1>stop at a kiss. But so on, you don't know,

0:19:23.160 --> 0:19:25.960
<v Speaker 1>I don't know, nobody knows. You know, there used to

0:19:26.040 --> 0:19:29.000
<v Speaker 1>be rumors about her and Elvis, So whatever it is,

0:19:29.000 --> 0:19:32.160
<v Speaker 1>it wasn't you know what I don't care about what's

0:19:32.160 --> 0:19:36.119
<v Speaker 1>doing in anybody else's bed. I really don't. No listen,

0:19:36.119 --> 0:19:39.439
<v Speaker 1>what's good for them. It's good for them, that's all. Absolutely.

0:19:39.920 --> 0:19:43.240
<v Speaker 1>How long was Connie married to Eddie? Long enough to

0:19:43.320 --> 0:19:47.159
<v Speaker 1>give her two daughters and grandchildren. Eddie Fisher in his

0:19:47.359 --> 0:19:50.400
<v Speaker 1>day was a big deal. He had songs like, oh

0:19:50.440 --> 0:19:54.399
<v Speaker 1>my Papa, Oh my Papa, Oh my Papa. I really

0:19:54.520 --> 0:19:57.240
<v Speaker 1>was a very big Eddie Fisher fan. Everybody was. I

0:19:57.280 --> 0:20:00.359
<v Speaker 1>had an autography picture of him that hung on my mirror.

0:20:00.440 --> 0:20:02.919
<v Speaker 1>He had a beautiful voice, he really did. And he

0:20:03.000 --> 0:20:07.040
<v Speaker 1>had curly hair especially. I hate to say that, I

0:20:07.080 --> 0:20:09.480
<v Speaker 1>don't want if he were Jewish, he was like you know,

0:20:10.040 --> 0:20:12.000
<v Speaker 1>that was a big thing. That was a big thing.

0:20:12.160 --> 0:20:13.919
<v Speaker 1>That was a big deal for the Jews. I mean,

0:20:13.960 --> 0:20:18.399
<v Speaker 1>how many they were, all Italians, Victor Moone, Frankie Valley

0:20:18.600 --> 0:20:21.439
<v Speaker 1>all then, not one was a Jew. He was the

0:20:21.520 --> 0:20:32.280
<v Speaker 1>only Jew, Oh my Papapa, to medful, Oh my Papa.

0:20:32.480 --> 0:20:36.480
<v Speaker 1>He was so good, Oh my Papa was like a

0:20:36.560 --> 0:20:40.320
<v Speaker 1>Jewish love song. Reata. Do you remember that? When he

0:20:40.359 --> 0:20:42.919
<v Speaker 1>was married to Debbie Reynolds and they were like the

0:20:42.960 --> 0:20:47.320
<v Speaker 1>hottest couple in Hollywood, Alright, they had two children and everything,

0:20:47.480 --> 0:20:51.000
<v Speaker 1>one of which was Carrie Fisher Harry Fisher, right right,

0:20:51.560 --> 0:20:55.560
<v Speaker 1>And then all of a sudden he divorced Debbie Reynolds

0:20:55.720 --> 0:20:59.439
<v Speaker 1>and he married Elizabeth Taylor. Oh my goodness. Mike Todd

0:20:59.560 --> 0:21:03.000
<v Speaker 1>was married to Elizabeth Taylor, and Eddie Fishing was his

0:21:03.080 --> 0:21:07.879
<v Speaker 1>best friend. When Mike Todd died, he tried to console

0:21:08.280 --> 0:21:13.359
<v Speaker 1>Elizabeth Taylor, and that consoling became, I mean to get

0:21:13.560 --> 0:21:16.920
<v Speaker 1>Elizabeth Taylor to marry you. It was not a big deal.

0:21:17.000 --> 0:21:21.440
<v Speaker 1>She only had eight or nine my right, absolutely right.

0:21:21.640 --> 0:21:27.280
<v Speaker 1>And after Elizabeth Taylor left him for Richard Burton, Eddie

0:21:27.280 --> 0:21:32.199
<v Speaker 1>went from Elizabeth Taylor to Conne But she said he

0:21:32.240 --> 0:21:35.000
<v Speaker 1>had a problem of drugs. That's a big problem in

0:21:35.040 --> 0:21:39.280
<v Speaker 1>a relationship. Sweet and kind is nice, but that's that's

0:21:39.320 --> 0:21:42.919
<v Speaker 1>a big thing. Yeah, And you know what, it was

0:21:42.960 --> 0:21:46.040
<v Speaker 1>a marriage that didn't work out. But look what she

0:21:46.119 --> 0:21:50.200
<v Speaker 1>got from it, exactly. She had wonderful children and grandchildren.

0:21:50.359 --> 0:21:54.960
<v Speaker 1>So that's where heart is at this point. Alright, time

0:21:55.000 --> 0:21:57.800
<v Speaker 1>for another ad break. What should we do this time? Ellen?

0:21:58.359 --> 0:22:00.720
<v Speaker 1>You know what, maybe we should better her us And

0:22:00.880 --> 0:22:04.480
<v Speaker 1>on a horse. I'm lucky reading, I am very very lucky.

0:22:04.680 --> 0:22:06.560
<v Speaker 1>The first time I ever went to a horse race.

0:22:06.680 --> 0:22:09.320
<v Speaker 1>I bet on a horse, Barnie's boy. I made a

0:22:09.400 --> 0:22:12.640
<v Speaker 1>killing my close to a thousand dollars. Peter said, whatever

0:22:12.720 --> 0:22:15.560
<v Speaker 1>made your bet on Bonnie's boy? I said, your father

0:22:15.720 --> 0:22:20.159
<v Speaker 1>is Bonnie and your Bonnie's boy. So all that was

0:22:20.240 --> 0:22:23.359
<v Speaker 1>so killed. That's as good as reason to bet on

0:22:23.400 --> 0:22:33.520
<v Speaker 1>a horse as any Okay, we're back, reader. How much

0:22:33.560 --> 0:22:36.320
<v Speaker 1>did you put on that head break? Oh? My goodness,

0:22:36.359 --> 0:22:38.440
<v Speaker 1>that's it. You know, I went to a a on

0:22:38.600 --> 0:22:42.120
<v Speaker 1>a bet on horses anymore, I was the only one

0:22:42.160 --> 0:22:45.480
<v Speaker 1>that famous the a a with a gambling problem. Reading,

0:22:45.560 --> 0:22:49.000
<v Speaker 1>you needed to see a psychiatrist for that. It's for nothing,

0:22:49.000 --> 0:22:52.639
<v Speaker 1>and so conscious quants you a lot of money. And

0:22:52.720 --> 0:22:55.520
<v Speaker 1>I'm back on the headphones, ready to start the rest

0:22:55.560 --> 0:22:59.320
<v Speaker 1>of the podcast. Okay, reader, let's see what happens. It's

0:22:59.359 --> 0:23:04.359
<v Speaker 1>really like an enticing novel. Part four. Singing for the

0:23:04.440 --> 0:23:09.240
<v Speaker 1>Troops with Bob Hope. Oh, Bob Hope was the entertainer

0:23:09.320 --> 0:23:12.880
<v Speaker 1>of that era, and he used to gather together the

0:23:12.920 --> 0:23:16.600
<v Speaker 1>top entertainers and bring them to where the troops were

0:23:17.000 --> 0:23:19.240
<v Speaker 1>and put on a big show. And it was such

0:23:19.280 --> 0:23:22.159
<v Speaker 1>a shot in the arm for these people who are

0:23:22.359 --> 0:23:25.320
<v Speaker 1>battle weary it was a wonderful thing for the boys,

0:23:25.760 --> 0:23:28.640
<v Speaker 1>and I guess Connie Stevens was one of them that volunteered.

0:23:29.000 --> 0:23:36.159
<v Speaker 1>We're about to find out. I'm like fascinated that you

0:23:36.240 --> 0:23:41.600
<v Speaker 1>were there, not just alive, but present for so many

0:23:41.680 --> 0:23:45.760
<v Speaker 1>crazy world events that I can only read about. But

0:23:46.240 --> 0:23:49.720
<v Speaker 1>let's talk about this. Were are you dating Neil Armstrong?

0:23:51.000 --> 0:23:54.239
<v Speaker 1>I don't know if that's the word. Of course. I

0:23:54.280 --> 0:23:57.400
<v Speaker 1>went on the road with Neil and that was really something.

0:23:57.520 --> 0:24:00.119
<v Speaker 1>You went on tour with Neil Armstrong? Well, I was

0:24:00.200 --> 0:24:03.320
<v Speaker 1>in Vietnam. Oh so this was a part of the U.

0:24:03.480 --> 0:24:07.080
<v Speaker 1>S O tour. Yeah, so Neil Armstrong went with you

0:24:07.200 --> 0:24:09.679
<v Speaker 1>for that to like entertain the troops. Right after he

0:24:09.800 --> 0:24:12.800
<v Speaker 1>landed on the moon. He went with us. So that

0:24:12.920 --> 0:24:16.000
<v Speaker 1>was an interesting part of my life. Oh my gosh.

0:24:16.280 --> 0:24:20.760
<v Speaker 1>Neil and I met in Vietnam and continued our relationship.

0:24:21.000 --> 0:24:27.240
<v Speaker 1>We got a long, really great So it's kind of

0:24:27.240 --> 0:24:29.879
<v Speaker 1>a big deal that he performed with Bob Hope. Oh,

0:24:30.000 --> 0:24:33.240
<v Speaker 1>I went all over the world with Bob. You're my

0:24:33.320 --> 0:24:35.960
<v Speaker 1>kind of girl. You've got everything, talent, beauty and me.

0:24:36.200 --> 0:24:40.879
<v Speaker 1>I was in Vietnam many times, Bob, and you're my

0:24:40.960 --> 0:24:43.280
<v Speaker 1>kind of guy. Well, when you've got it, you've got it.

0:24:43.560 --> 0:24:47.480
<v Speaker 1>I was in Vietnam and the mood of the country

0:24:47.600 --> 0:24:52.040
<v Speaker 1>was not happy, and everybody wanted the soldiers to come home,

0:24:52.280 --> 0:24:55.640
<v Speaker 1>and there was a lot of unrest. So I went

0:24:55.680 --> 0:24:59.879
<v Speaker 1>out and sang, and I noticed that the whole country

0:25:00.320 --> 0:25:04.520
<v Speaker 1>was acting differently. As a matter of fact, they caught

0:25:04.600 --> 0:25:10.160
<v Speaker 1>some Viet com two young guys, and I ran over

0:25:10.240 --> 0:25:13.200
<v Speaker 1>there and they couldn't have been more than fifteen years old.

0:25:13.680 --> 0:25:16.840
<v Speaker 1>And I said, what are you doing? What they're fifteen

0:25:16.920 --> 0:25:20.440
<v Speaker 1>years old? What are you doing? You know, I said,

0:25:20.440 --> 0:25:24.560
<v Speaker 1>their babies, And of course they shut me up. That

0:25:24.680 --> 0:25:27.719
<v Speaker 1>was the first time I spoke up, and I wanted

0:25:27.800 --> 0:25:31.000
<v Speaker 1>us to get out of there, and I could see

0:25:31.040 --> 0:25:34.840
<v Speaker 1>what was happening politically, but they told me not to

0:25:34.920 --> 0:25:39.159
<v Speaker 1>attend any more press conferences. And then we came home

0:25:39.320 --> 0:25:42.480
<v Speaker 1>and I had a different opinion than when I went.

0:25:44.640 --> 0:25:47.760
<v Speaker 1>And you know, Uncle ralphin my own brother was there,

0:25:47.920 --> 0:25:53.000
<v Speaker 1>My nineteen year old brother was on clean up. Clean

0:25:53.119 --> 0:25:56.920
<v Speaker 1>up was the soldiers that went into a village and

0:25:57.200 --> 0:26:01.280
<v Speaker 1>cleaned up the mess. Whether they had to kill people

0:26:01.720 --> 0:26:04.040
<v Speaker 1>or get rid of the huts. It was not a

0:26:04.119 --> 0:26:08.000
<v Speaker 1>nice job, and a lot of Vietnamese people got hurt

0:26:08.280 --> 0:26:13.200
<v Speaker 1>in that, and Uncle Ralph did that. He was nineteen,

0:26:13.840 --> 0:26:17.120
<v Speaker 1>and he was so upset, and just because I had

0:26:17.320 --> 0:26:21.320
<v Speaker 1>stepped foot over there, he felt like he could talk

0:26:21.400 --> 0:26:25.280
<v Speaker 1>to me about it. And he called me and say,

0:26:25.760 --> 0:26:29.320
<v Speaker 1>I can't do this. I can't do this anymore. You know,

0:26:29.440 --> 0:26:33.840
<v Speaker 1>sometimes things happen and you don't believe they're real. I've

0:26:33.840 --> 0:26:43.080
<v Speaker 1>had a lot of those. Did you feel like you

0:26:43.400 --> 0:26:48.080
<v Speaker 1>got more into politics and into activism and stuff like that? After? Definitely?

0:26:48.960 --> 0:26:51.680
<v Speaker 1>I wanted him to come home, and I wanted all

0:26:51.760 --> 0:26:58.080
<v Speaker 1>those boys in that area, and especially cleanups to come home.

0:26:58.240 --> 0:27:02.440
<v Speaker 1>They didn't need to do that, and nobody, no government

0:27:02.480 --> 0:27:11.119
<v Speaker 1>should ask them to do that. Yeah, how about you

0:27:11.240 --> 0:27:16.040
<v Speaker 1>with your activism, You're amazing. I have it on tape,

0:27:16.080 --> 0:27:21.600
<v Speaker 1>you know, you speaking to the audience giving your speech

0:27:21.640 --> 0:27:28.600
<v Speaker 1>about black lives matter, and quietly and uniquely outspoken. That's

0:27:28.640 --> 0:27:32.000
<v Speaker 1>what you are. I like that. I don't like screaming

0:27:32.000 --> 0:27:35.240
<v Speaker 1>and yelling. I don't like screaming and yelling either. I

0:27:35.280 --> 0:27:39.679
<v Speaker 1>think you don't have to. You lead by example, and

0:27:39.840 --> 0:27:43.840
<v Speaker 1>you lead with your heart and soul, and you make

0:27:43.880 --> 0:27:48.720
<v Speaker 1>it known who you are, and that's the best you

0:27:48.760 --> 0:27:58.800
<v Speaker 1>can hope for with people. Very impressive. You see all

0:27:58.840 --> 0:28:01.600
<v Speaker 1>these things that affect at her. It does change a

0:28:01.680 --> 0:28:04.960
<v Speaker 1>person's outlook on life. Absolutely, don't you kind of get

0:28:05.359 --> 0:28:08.280
<v Speaker 1>like when she said, what was your relationship with Neil Armstrong?

0:28:08.680 --> 0:28:11.480
<v Speaker 1>There's a lot of things left on said doesn't matter,

0:28:11.560 --> 0:28:14.080
<v Speaker 1>it's her own business what she wants to tell. But

0:28:14.119 --> 0:28:17.280
<v Speaker 1>there's some depth to the woman. Yes, she's not just

0:28:17.359 --> 0:28:21.840
<v Speaker 1>another pretty face exactly. These women in that era were

0:28:21.920 --> 0:28:26.760
<v Speaker 1>portrayed as dumb blondes. But she's got a depth to her. Yes,

0:28:27.000 --> 0:28:30.240
<v Speaker 1>and she saw a lot about Vietnam and it's a

0:28:30.320 --> 0:28:34.359
<v Speaker 1>war that that was an unpopular war, very unpopular war.

0:28:34.440 --> 0:28:36.359
<v Speaker 1>I think the only good thing that came out of

0:28:36.359 --> 0:28:42.360
<v Speaker 1>that war was mash Okay reader. Next up, it's time

0:28:42.400 --> 0:28:46.600
<v Speaker 1>for the last part of the show, Part five. There's

0:28:46.720 --> 0:28:55.040
<v Speaker 1>no business like so business. That's cute, Allen, We're ready.

0:28:58.880 --> 0:29:02.400
<v Speaker 1>I tried really hard not to go into film and TV.

0:29:02.960 --> 0:29:06.720
<v Speaker 1>There are some really really big shoes to fill, and

0:29:07.280 --> 0:29:10.959
<v Speaker 1>it's like it's a lot of pressure. So I majored

0:29:10.960 --> 0:29:13.760
<v Speaker 1>in political science my first year of college. I was like,

0:29:13.800 --> 0:29:16.840
<v Speaker 1>I'm going to go into politics, but then the pandemic

0:29:16.960 --> 0:29:19.640
<v Speaker 1>hit and I was writing a lot, and we were

0:29:19.680 --> 0:29:24.200
<v Speaker 1>watching movies and I was like, who my kidding, Like,

0:29:24.800 --> 0:29:27.120
<v Speaker 1>this is what I'm supposed to be doing. I don't

0:29:27.160 --> 0:29:29.880
<v Speaker 1>know why I'm fighting against it. Like it was like,

0:29:29.920 --> 0:29:31.880
<v Speaker 1>if you can't beat him, join them. Kind of feeling

0:29:31.920 --> 0:29:34.880
<v Speaker 1>a little bit because I was like, it's big shoes

0:29:34.960 --> 0:29:37.719
<v Speaker 1>to fill, but like I'm just gonna walk alongside them

0:29:37.760 --> 0:29:42.320
<v Speaker 1>anyways and we'll see what happens. But yeah, I would

0:29:42.320 --> 0:29:49.640
<v Speaker 1>love to work in film and TV forever. I wanted

0:29:49.680 --> 0:29:54.240
<v Speaker 1>to ask you what your number one advice is for

0:29:54.680 --> 0:29:59.640
<v Speaker 1>young women going into the industry. Be careful, do you train,

0:30:01.160 --> 0:30:04.920
<v Speaker 1>pick the best, put your money in the bank, always

0:30:05.000 --> 0:30:11.000
<v Speaker 1>have some extra cash, keep good people around you, stay

0:30:11.040 --> 0:30:14.600
<v Speaker 1>close to the family that love you, and work really hard.

0:30:16.280 --> 0:30:19.760
<v Speaker 1>I heard a story, and you can confirm or deny

0:30:19.960 --> 0:30:25.160
<v Speaker 1>that You're managers told you to turn down Breakfast at Tiffany's.

0:30:25.480 --> 0:30:30.880
<v Speaker 1>Turned down Breakfast to Tiffany's, turned down the Lenny Bruce story.

0:30:31.040 --> 0:30:36.560
<v Speaker 1>She won an Academy Awards, turned down a few others

0:30:36.640 --> 0:30:40.920
<v Speaker 1>that were pretty important, but something was happening at the time,

0:30:41.320 --> 0:30:44.680
<v Speaker 1>like headlining in Las Vegas, and I loved it. It's

0:30:44.720 --> 0:30:48.120
<v Speaker 1>not bad working with Tina Turner and yeah, so do

0:30:48.160 --> 0:30:50.680
<v Speaker 1>you think things would be just like completely different if

0:30:50.680 --> 0:30:54.080
<v Speaker 1>you didn't turn down things like that? Yeah? You know,

0:30:54.480 --> 0:30:59.360
<v Speaker 1>I was up for the Diane Keaton role in The Godfather.

0:31:00.120 --> 0:31:03.040
<v Speaker 1>Blas said, I'd love to have her in the role.

0:31:03.160 --> 0:31:08.400
<v Speaker 1>She's perfect, but she's too popular right now, and everybody

0:31:08.440 --> 0:31:12.320
<v Speaker 1>would go, oh, that's Connie Stevens in that role, and

0:31:12.400 --> 0:31:16.080
<v Speaker 1>he's right, it would have been wrong. But I would

0:31:16.120 --> 0:31:19.160
<v Speaker 1>love to have done that role. I'm perfect for it.

0:31:20.640 --> 0:31:25.920
<v Speaker 1>I didn't know that. That's crazy. We're gonna do something together.

0:31:26.000 --> 0:31:29.720
<v Speaker 1>To remember that psychic party we went to. Every room

0:31:29.720 --> 0:31:33.000
<v Speaker 1>of the house had like at least five little tables

0:31:33.040 --> 0:31:38.000
<v Speaker 1>set up, crystals, palm reading, tarot cards. That's right. I

0:31:38.080 --> 0:31:40.720
<v Speaker 1>remember going to this one lady. She was in her

0:31:40.720 --> 0:31:43.719
<v Speaker 1>own private room, so I was like, she must be good, right.

0:31:45.320 --> 0:31:48.240
<v Speaker 1>She was like, is your grandmother here with you? And

0:31:48.280 --> 0:31:50.720
<v Speaker 1>I was like, as a matter of fact, she is.

0:31:52.320 --> 0:31:54.760
<v Speaker 1>And she was like, I just see that you guys

0:31:54.800 --> 0:31:59.320
<v Speaker 1>are gonna do something together, like writing or a movie

0:31:59.520 --> 0:32:02.800
<v Speaker 1>or something. And I was like, sold, I'm sold. We're

0:32:02.840 --> 0:32:09.560
<v Speaker 1>doing something together, absolutely, baby, do anything with you. We like,

0:32:09.680 --> 0:32:14.200
<v Speaker 1>weirdly work really well together. Yeah, let's do it. Let's

0:32:14.240 --> 0:32:21.200
<v Speaker 1>do it. Thank you, by sweetheart, Thank you. I love you,

0:32:21.280 --> 0:32:25.200
<v Speaker 1>love you, love you, love you so much. Yeah, call

0:32:25.280 --> 0:32:28.280
<v Speaker 1>me later. I'm gonna call you right after this. Okay,

0:32:28.280 --> 0:32:38.000
<v Speaker 1>bye bye, very nice, very nice, lovely relationship to lovely,

0:32:38.680 --> 0:32:42.560
<v Speaker 1>very sweet relationship. She wound up Connie in a nice place,

0:32:42.800 --> 0:32:47.920
<v Speaker 1>surrounded by love, by loving children and grandchildren. And if

0:32:47.960 --> 0:32:51.360
<v Speaker 1>that's the way that you wind up, that's the best. Exactly.

0:32:51.480 --> 0:32:54.280
<v Speaker 1>It's a crazy life being in show business. Yes, but

0:32:54.360 --> 0:32:58.280
<v Speaker 1>we're to look at us. We're so normal and where

0:32:58.320 --> 0:33:02.680
<v Speaker 1>did show business? We show business because we're on this

0:33:02.840 --> 0:33:06.480
<v Speaker 1>fabulous podcast. That's right, But listen, I'll pay, it's not

0:33:06.600 --> 0:33:15.760
<v Speaker 1>their pay. Why Not Call Your Grandmother is a production

0:33:15.920 --> 0:33:20.920
<v Speaker 1>of I Heart podcast Network and Superb Entertainment. Our lead

0:33:21.000 --> 0:33:26.120
<v Speaker 1>producers are Shina Ozaki and Nora cb. Executive producers are

0:33:26.320 --> 0:33:31.560
<v Speaker 1>Narrow Poster, Nikki Eatore, and Anna Stump. Our managing producer

0:33:31.680 --> 0:33:36.640
<v Speaker 1>is Lindsay Hoffman. Mastering by Bahed Fraser. A theme song

0:33:36.920 --> 0:33:41.280
<v Speaker 1>is by Anna Stump and Hamilton's Lighthouser. Listen to Call

0:33:41.360 --> 0:33:45.160
<v Speaker 1>Your Grandmother on the I Heart Radio app, Apple Podcasts

0:33:45.320 --> 0:33:48.520
<v Speaker 1>or wherever you get your podcasts, and don't forget leave

0:33:48.600 --> 0:33:52.720
<v Speaker 1>us a glowing five star review. You want, pick on

0:33:52.800 --> 0:33:55.200
<v Speaker 1>a couple of old ladies and give us less than

0:33:55.240 --> 0:33:58.840
<v Speaker 1>five stars, would you. We're not getting any younger, but

0:33:59.040 --> 0:34:13.680
<v Speaker 1>leave us ere we you and we might get more famous. M.