1 00:00:00,720 --> 00:00:01,480 Speaker 1: Kabbooms. 2 00:00:02,279 --> 00:00:05,400 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,440 --> 00:00:09,160 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,200 --> 00:00:12,480 Speaker 2: of the Old Republic, a soul fashion of fairness. He 5 00:00:12,600 --> 00:00:15,520 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,640 --> 00:00:17,480 Speaker 2: rich pill poppers in the penthouse. 7 00:00:18,079 --> 00:00:18,400 Speaker 1: Wow. 8 00:00:18,600 --> 00:00:22,280 Speaker 2: The Clearinghouse of Hot takes break free for something special. 9 00:00:22,680 --> 00:00:29,360 Speaker 2: The Fifth Hour with Ben Maller starts right now. 10 00:00:29,000 --> 00:00:29,880 Speaker 1: In the a. 11 00:00:31,800 --> 00:00:37,720 Speaker 3: Everywhere you have stumbled into the magical dimension that is 12 00:00:37,800 --> 00:00:42,640 Speaker 3: The Fifth Hour with Ben Mahler and Danny G. Radio, 13 00:00:42,840 --> 00:00:46,200 Speaker 3: a spinoff of the Overnight Show. You hear me five 14 00:00:46,400 --> 00:00:51,199 Speaker 3: nights a week hanging out in the radio dojo Danny G. 15 00:00:51,360 --> 00:00:54,360 Speaker 3: You hear him during the day with Covino Enrich and 16 00:00:54,400 --> 00:01:00,320 Speaker 3: we join forces in the air everywhere every weekend, eight 17 00:01:00,680 --> 00:01:05,560 Speaker 3: days a week. You can hear this podcast or the 18 00:01:05,680 --> 00:01:10,039 Speaker 3: radio shows, and we are available wherever you found this podcast. 19 00:01:10,080 --> 00:01:11,600 Speaker 1: The great thing about podcasting. 20 00:01:11,640 --> 00:01:16,200 Speaker 3: The Fifth Hour is available on demand everywhere on. 21 00:01:16,200 --> 00:01:19,360 Speaker 1: The iHeartRadio app. So we thank you for finding the show. 22 00:01:19,400 --> 00:01:24,640 Speaker 3: Telling a friend and all that jazz, and here we 23 00:01:24,680 --> 00:01:26,119 Speaker 3: are Danny the NFL Draft. 24 00:01:26,160 --> 00:01:28,800 Speaker 1: We are competing today with the NFL Draft. 25 00:01:29,160 --> 00:01:33,640 Speaker 3: Yesterday was round one yep in Kansas City, and today 26 00:01:33,720 --> 00:01:37,960 Speaker 3: is round two and round three on Friday. 27 00:01:38,680 --> 00:01:41,600 Speaker 4: And really that's the cutoff as far as watching it 28 00:01:41,640 --> 00:01:45,200 Speaker 4: on TV for me and my favorite team. After that, 29 00:01:45,720 --> 00:01:48,720 Speaker 4: I'll just check my phone. You don't really need to 30 00:01:48,760 --> 00:01:52,320 Speaker 4: be sitting there watching it for all the later rounds. 31 00:01:52,360 --> 00:01:54,920 Speaker 4: I mean, I guess you can, but right, it's one 32 00:01:55,000 --> 00:01:57,680 Speaker 4: through three that really matters as far as viewing it. 33 00:01:58,600 --> 00:02:00,600 Speaker 3: Yeah, and as a RAM fan, you don't even worry 34 00:02:00,600 --> 00:02:02,400 Speaker 3: about the first round, so you don't need to worry 35 00:02:02,440 --> 00:02:06,639 Speaker 3: about that. It's you know, it's like in the NFL Draft, 36 00:02:06,800 --> 00:02:09,760 Speaker 3: friends and family. If you have friends or family in 37 00:02:09,800 --> 00:02:10,760 Speaker 3: the draft. 38 00:02:10,800 --> 00:02:11,639 Speaker 1: You're gonna watch. 39 00:02:12,200 --> 00:02:12,440 Speaker 5: Yeah. 40 00:02:13,520 --> 00:02:15,440 Speaker 1: I don't have any friends that are being drafted or 41 00:02:15,480 --> 00:02:19,240 Speaker 1: family or anything like that. So yeah, you know, it's 42 00:02:19,280 --> 00:02:19,800 Speaker 1: really cool. 43 00:02:19,880 --> 00:02:21,600 Speaker 3: At the end of the day, you're out doing stuff 44 00:02:21,880 --> 00:02:24,239 Speaker 3: and you go back and you maybe you're doing your phone. 45 00:02:25,000 --> 00:02:27,520 Speaker 3: I love doing this, and I'll click, like, I say, 46 00:02:27,560 --> 00:02:30,320 Speaker 3: who do they draft? And then you can a whole 47 00:02:30,320 --> 00:02:31,960 Speaker 3: list of players and then you can like click on 48 00:02:32,000 --> 00:02:32,800 Speaker 3: their bios and. 49 00:02:33,280 --> 00:02:36,760 Speaker 4: Oh yeah, all of a sudden, we become experts on 50 00:02:37,000 --> 00:02:41,000 Speaker 4: guys that were like at Northwestern well, you're watching the 51 00:02:41,560 --> 00:02:44,359 Speaker 4: highlight tape of this guy and you're like, wow, he's 52 00:02:44,400 --> 00:02:47,079 Speaker 4: a thumper. And of course we talk about this every year, 53 00:02:47,560 --> 00:02:51,560 Speaker 4: all the classic cliches, Oh boy, the motor on this guy, 54 00:02:52,160 --> 00:02:56,000 Speaker 4: he could what is it sideline, the sideline coach. 55 00:02:55,720 --> 00:02:56,440 Speaker 1: On the field. 56 00:02:56,560 --> 00:03:00,440 Speaker 3: You know, he's a all the nonsense that comes up. 57 00:03:00,440 --> 00:03:01,880 Speaker 1: But it is a slippery slope. 58 00:03:01,919 --> 00:03:05,800 Speaker 3: The NFL Draft is a slippery slope because and I've 59 00:03:05,840 --> 00:03:08,760 Speaker 3: become more jaded over the years and more cynical, and 60 00:03:08,840 --> 00:03:12,359 Speaker 3: I realized how booby trapped, for lack of a better term, 61 00:03:12,400 --> 00:03:15,400 Speaker 3: the NFL Draft is, and so it's become a. 62 00:03:15,360 --> 00:03:17,320 Speaker 1: Bit of a bane of my existence. 63 00:03:17,320 --> 00:03:21,960 Speaker 3: I do like it from the storyline standpoint, like we 64 00:03:22,000 --> 00:03:24,480 Speaker 3: get an assortment of new storylines to talk about. I 65 00:03:24,520 --> 00:03:25,840 Speaker 3: guess that's one of the cool things that we do 66 00:03:25,880 --> 00:03:28,119 Speaker 3: sports radio. I've been doing this a long time, and 67 00:03:28,919 --> 00:03:31,480 Speaker 3: like the names are always changing. That's kind of cool, 68 00:03:31,480 --> 00:03:33,040 Speaker 3: Like the names are always changing, and we get some 69 00:03:33,080 --> 00:03:36,280 Speaker 3: new quarterbacks to talk about, and since quarterbacks are more 70 00:03:36,320 --> 00:03:40,720 Speaker 3: important people, we can talk about the different stories are. 71 00:03:40,720 --> 00:03:43,600 Speaker 4: You're talking more like how that dude had the framed 72 00:03:43,880 --> 00:03:46,800 Speaker 4: picture of his grandmother that he brought up on stage 73 00:03:46,800 --> 00:03:47,880 Speaker 4: with him a few years ago. 74 00:03:48,120 --> 00:03:50,440 Speaker 3: Oh yeah, I mean there's that kind of stuff and 75 00:03:49,920 --> 00:03:53,400 Speaker 3: the other thing that's really the stuff that's better talk radio, 76 00:03:53,520 --> 00:03:56,040 Speaker 3: like if we have you know, I don't know what 77 00:03:56,160 --> 00:03:56,840 Speaker 3: happened yesterday. 78 00:03:56,840 --> 00:03:58,600 Speaker 1: I guess we got to go back. But like, remember 79 00:03:58,600 --> 00:04:00,200 Speaker 1: the Laramie Tunzel thing from. 80 00:04:00,120 --> 00:04:03,200 Speaker 5: Years ago, Oh yeah, every day. 81 00:04:03,680 --> 00:04:07,760 Speaker 1: It was an all time ridiculous story. Actually mentioned. 82 00:04:08,800 --> 00:04:11,240 Speaker 3: I did a monologue the other day about the the 83 00:04:11,360 --> 00:04:15,840 Speaker 3: NFL Draft drinking game, which is a lot of fun. 84 00:04:16,360 --> 00:04:17,479 Speaker 1: It was for the first round of. 85 00:04:17,440 --> 00:04:19,520 Speaker 3: The draft, but it was like, you know, if anybody 86 00:04:19,560 --> 00:04:22,920 Speaker 3: on the TV says that's a freak athlete or a 87 00:04:22,920 --> 00:04:26,360 Speaker 3: workhorse or as you said, I votor, you take a drink. 88 00:04:26,560 --> 00:04:29,280 Speaker 1: If there's a trade, you had to take a drink. 89 00:04:29,680 --> 00:04:32,440 Speaker 3: If they mentioned off field issues, you have to take 90 00:04:32,480 --> 00:04:35,000 Speaker 3: a drink, you know. And then if you if they 91 00:04:35,040 --> 00:04:38,280 Speaker 3: showed I'm sure they did, uh looking back to Kansas 92 00:04:38,279 --> 00:04:40,479 Speaker 3: City Barbecue, if they mentioned that or showed it, you 93 00:04:40,480 --> 00:04:40,800 Speaker 3: had to. 94 00:04:40,720 --> 00:04:43,200 Speaker 1: Take two drinks, you know, and and uh and you 95 00:04:43,279 --> 00:04:44,400 Speaker 1: go point by point. 96 00:04:44,560 --> 00:04:46,680 Speaker 3: But the storylines I love from the Draft are like 97 00:04:46,760 --> 00:04:50,440 Speaker 3: Laramie Tunzel's gas mask, World War two or World War 98 00:04:50,480 --> 00:04:54,280 Speaker 3: one gas mask. Remember when the Vikings screwed up and 99 00:04:54,320 --> 00:04:56,320 Speaker 3: they missed their pick all together. 100 00:04:58,000 --> 00:04:59,720 Speaker 1: They didn't get it in. That was that was in 101 00:04:59,800 --> 00:05:00,440 Speaker 1: the All Times. 102 00:05:00,520 --> 00:05:02,280 Speaker 3: And then and then I love the dumb quotes like 103 00:05:02,400 --> 00:05:05,920 Speaker 3: Josh Rosen who said that nine teams made a mistake 104 00:05:06,080 --> 00:05:07,640 Speaker 3: not drafting him. 105 00:05:08,080 --> 00:05:11,280 Speaker 1: You know, that kind of stuff. Is He's wonderful. And 106 00:05:11,320 --> 00:05:14,400 Speaker 1: if anybody, if anybody harasses Roger Goodell. 107 00:05:16,960 --> 00:05:20,560 Speaker 5: Also there's the one player, the one poor player who 108 00:05:20,800 --> 00:05:23,160 Speaker 5: sat in the green room for way too long. 109 00:05:23,880 --> 00:05:25,560 Speaker 1: Well that's right, yeah, yeah. 110 00:05:25,279 --> 00:05:27,640 Speaker 4: They put the egg timer on it, and the camera 111 00:05:27,760 --> 00:05:31,360 Speaker 4: starts feeling really bad for him. You start feeling really 112 00:05:31,440 --> 00:05:34,040 Speaker 4: bad for him at home because he's been there for 113 00:05:34,080 --> 00:05:36,000 Speaker 4: two days now in the same suit. 114 00:05:36,920 --> 00:05:39,560 Speaker 3: Yeah, and his family's like got this nervous look. You know, 115 00:05:39,640 --> 00:05:42,000 Speaker 3: his mom's there, his agent, you know, to be and 116 00:05:42,040 --> 00:05:42,680 Speaker 3: all that stuff. 117 00:05:42,720 --> 00:05:44,680 Speaker 1: And then but hey, you might end up doing a 118 00:05:44,720 --> 00:05:45,720 Speaker 1: morning show at Fox Sports. 119 00:05:45,760 --> 00:05:47,920 Speaker 3: Figure that happened to Brady Quinn back in the day, right, 120 00:05:48,000 --> 00:05:51,400 Speaker 3: he ended up at our place and Aaron Rodgers, the 121 00:05:51,440 --> 00:05:52,480 Speaker 3: most famous of them all. 122 00:05:53,480 --> 00:05:56,159 Speaker 4: Oh, yeah, yeah, you're right about Brady Quinn. Look at 123 00:05:56,200 --> 00:05:58,760 Speaker 4: he's in a brand new, state of the art studio 124 00:05:59,120 --> 00:06:00,479 Speaker 4: at Fox Sports Radio. 125 00:06:00,600 --> 00:06:03,480 Speaker 1: Now that's right, nothing better, nothing better. 126 00:06:03,560 --> 00:06:06,120 Speaker 3: Fact, that is a big part of this on the 127 00:06:06,160 --> 00:06:09,720 Speaker 3: Friday podcast, So we will go over what has been 128 00:06:09,760 --> 00:06:13,400 Speaker 3: a very interesting week there for a medley of reasons 129 00:06:13,839 --> 00:06:17,719 Speaker 3: there has it's been. It's been quite quite the week 130 00:06:17,920 --> 00:06:20,560 Speaker 3: at the Mothership. So we'll talk about that and we 131 00:06:20,600 --> 00:06:24,279 Speaker 3: will also have seven Heaven and Pop Goes the Culture. 132 00:06:25,000 --> 00:06:26,600 Speaker 3: So we've got a lot to get to, but it 133 00:06:26,640 --> 00:06:29,680 Speaker 3: has been a fun week, a lot of people excited 134 00:06:29,720 --> 00:06:34,680 Speaker 3: about it as we have made the big move, as 135 00:06:34,720 --> 00:06:39,440 Speaker 3: we have gone down the hall to the other side 136 00:06:39,480 --> 00:06:43,159 Speaker 3: of the building in totality and Fox Sports Radio. 137 00:06:43,200 --> 00:06:45,039 Speaker 1: After twenty plus. 138 00:06:44,800 --> 00:06:49,360 Speaker 3: Years in our old studio, we have now moved across 139 00:06:50,000 --> 00:06:53,400 Speaker 3: to what used to be the rock Line Studio. Then 140 00:06:53,440 --> 00:06:57,080 Speaker 3: it was the Rush Limbaugh Studio when he did a 141 00:06:57,120 --> 00:06:59,400 Speaker 3: show remotely from la and more recently it was the 142 00:06:59,440 --> 00:07:03,760 Speaker 3: Steve Hardy the Studio. And we were all excited to 143 00:07:03,760 --> 00:07:07,720 Speaker 3: get in there. And it's kind of like when you 144 00:07:08,560 --> 00:07:12,960 Speaker 3: buy a house and you think everything's perfect, but once 145 00:07:13,000 --> 00:07:15,320 Speaker 3: you buy the house, you give some things that need 146 00:07:15,960 --> 00:07:20,240 Speaker 3: pictures so that you didn't quite notice that weren't obvious 147 00:07:20,320 --> 00:07:22,160 Speaker 3: to you that you thought would be all right, but 148 00:07:22,240 --> 00:07:24,840 Speaker 3: they're not quite. But it's all stuff that I what 149 00:07:24,920 --> 00:07:27,160 Speaker 3: do they say, Danny, They're gonna circle back to they're 150 00:07:27,160 --> 00:07:28,280 Speaker 3: gonna re examine it. 151 00:07:28,280 --> 00:07:30,120 Speaker 1: Right, They're gonna they're gonna look, look and. 152 00:07:30,040 --> 00:07:32,920 Speaker 3: Reinvestigate the situation. But we'll work that out. 153 00:07:33,000 --> 00:07:36,760 Speaker 1: But it did may make for some interesting times on 154 00:07:36,800 --> 00:07:37,680 Speaker 1: the radio this week. 155 00:07:37,760 --> 00:07:39,640 Speaker 3: I don't know about you guys during the day, but 156 00:07:39,760 --> 00:07:43,280 Speaker 3: at night I found out five minutes before the show 157 00:07:43,320 --> 00:07:47,000 Speaker 3: that we had no working phones. Then I found out 158 00:07:47,160 --> 00:07:51,000 Speaker 3: when I walked into the studio that there was no computer, like, 159 00:07:51,040 --> 00:07:54,880 Speaker 3: not even a partial computer, there was no computer. So 160 00:07:55,040 --> 00:07:56,960 Speaker 3: I was I was a little I think the word 161 00:07:57,080 --> 00:07:58,360 Speaker 3: is ambivalent, Danny. 162 00:07:59,360 --> 00:08:01,280 Speaker 1: I had, i'd mixed feelings. 163 00:08:01,280 --> 00:08:04,400 Speaker 3: But we'll work out all the kinks and all that, 164 00:08:04,600 --> 00:08:07,880 Speaker 3: and you know, the big picture, it'll be something we 165 00:08:08,000 --> 00:08:10,240 Speaker 3: tell stories about down line. Do you remember when this 166 00:08:10,280 --> 00:08:12,320 Speaker 3: went wrong? And then everything will be working fun? Isn't 167 00:08:12,360 --> 00:08:13,480 Speaker 3: that the way it's gonna work, Danny. 168 00:08:13,720 --> 00:08:16,920 Speaker 4: Yeah, there's no good reason I guess to stress too 169 00:08:16,960 --> 00:08:20,440 Speaker 4: much over little things. It's like I'll tell my girl 170 00:08:20,680 --> 00:08:24,240 Speaker 4: when she stresses on something too hard, doesn't help out 171 00:08:24,280 --> 00:08:25,000 Speaker 4: the situation. 172 00:08:25,760 --> 00:08:28,640 Speaker 5: You got to fix it. And I kept telling. 173 00:08:28,400 --> 00:08:32,280 Speaker 4: Myself that this past week, because yeah, it looks beautiful 174 00:08:32,320 --> 00:08:35,960 Speaker 4: and that's great, But as far as functioning, a lot 175 00:08:35,960 --> 00:08:38,640 Speaker 4: of what I do behind the scenes is I need 176 00:08:38,679 --> 00:08:41,400 Speaker 4: to communicate with the hosts. I need to talk into 177 00:08:41,440 --> 00:08:44,320 Speaker 4: your ear. I need to get sponsors on the air, 178 00:08:44,720 --> 00:08:47,120 Speaker 4: I need to get callers on the air, and I 179 00:08:47,160 --> 00:08:49,920 Speaker 4: couldn't do any of that this past week. So you 180 00:08:49,960 --> 00:08:54,080 Speaker 4: can imagine running notes into the studio. I don't think 181 00:08:54,080 --> 00:08:57,600 Speaker 4: I've made this many handwritten notes since junior high when 182 00:08:57,600 --> 00:09:02,000 Speaker 4: I was trying to mac on little Girls. At least 183 00:09:02,040 --> 00:09:04,800 Speaker 4: they're working on the list of things to iron out. 184 00:09:05,040 --> 00:09:06,280 Speaker 1: Yeah, one hundred percent. 185 00:09:06,559 --> 00:09:11,000 Speaker 3: And it it was you mentioned your your gig in 186 00:09:11,080 --> 00:09:14,360 Speaker 3: what you were trying to do, and Cooper Loop's main 187 00:09:14,559 --> 00:09:16,880 Speaker 3: job is to screen calls. Well, we didn't take any 188 00:09:16,880 --> 00:09:19,920 Speaker 3: calls because we couldn't take calls. So he was sitting 189 00:09:19,960 --> 00:09:21,480 Speaker 3: there kind of like, I don't know what to do. 190 00:09:23,080 --> 00:09:25,719 Speaker 1: But they there have been studies that it pointed out. 191 00:09:25,720 --> 00:09:26,920 Speaker 1: I bring this up from time to time. 192 00:09:27,040 --> 00:09:29,440 Speaker 5: That was one big long smoke break for Coop. 193 00:09:29,800 --> 00:09:30,079 Speaker 1: Cooper. 194 00:09:30,160 --> 00:09:33,160 Speaker 3: Coop was literally getting paid for nothing because he was 195 00:09:33,240 --> 00:09:34,960 Speaker 3: kind of there just kind of hang up. But he 196 00:09:35,000 --> 00:09:37,199 Speaker 3: did put the podcast up, but there was a study 197 00:09:37,240 --> 00:09:40,360 Speaker 3: done years ago that said eighty five percent of what 198 00:09:40,840 --> 00:09:44,760 Speaker 3: people worry about never actually is as bad as they think. 199 00:09:45,240 --> 00:09:46,560 Speaker 1: You know, they they freak out. 200 00:09:46,960 --> 00:09:50,040 Speaker 3: So you know, this was there was a lot of 201 00:09:50,160 --> 00:09:52,720 Speaker 3: nooise and stuff and all that, and you pointed out 202 00:09:52,760 --> 00:09:55,760 Speaker 3: it does look great. And you think about some of 203 00:09:55,800 --> 00:09:57,720 Speaker 3: the big names that have worked in there, as I mentioned, 204 00:09:57,720 --> 00:09:59,560 Speaker 3: and so that's kind of cool to think you're following 205 00:09:59,600 --> 00:10:02,319 Speaker 3: in the foot steps some of these big names. It's 206 00:10:02,320 --> 00:10:04,560 Speaker 3: like the podcast studio that we have. I think of 207 00:10:05,040 --> 00:10:08,480 Speaker 3: Casey Casem that was in that studio, and I think 208 00:10:09,000 --> 00:10:11,080 Speaker 3: how how amazing that was. You know, this was a 209 00:10:11,120 --> 00:10:14,480 Speaker 3: bigger than life legend and all that. The analogy in 210 00:10:14,520 --> 00:10:17,880 Speaker 3: the dating game, Danny would be the beautiful vixen that 211 00:10:17,960 --> 00:10:20,880 Speaker 3: you're dating that every guy's I can't believe that guy's 212 00:10:20,920 --> 00:10:23,880 Speaker 3: with her. And then you know stuff that that guy 213 00:10:23,920 --> 00:10:24,760 Speaker 3: doesn't know, like. 214 00:10:24,760 --> 00:10:27,320 Speaker 5: Yeah, yeah, like about her herpes. 215 00:10:27,280 --> 00:10:31,000 Speaker 1: Oh that, or she's she's a little on the spectrum. 216 00:10:31,160 --> 00:10:34,480 Speaker 3: You know, there's some some things going on there and uh, 217 00:10:34,920 --> 00:10:35,640 Speaker 3: you know, so. 218 00:10:37,880 --> 00:10:38,240 Speaker 1: Things. 219 00:10:38,320 --> 00:10:40,880 Speaker 3: Uh, you don't always judge a book by its cover, right, 220 00:10:40,920 --> 00:10:43,480 Speaker 3: That's the I think that's the idiom that we're looking for. 221 00:10:43,520 --> 00:10:44,920 Speaker 1: You always judge a book by its cover. 222 00:10:45,160 --> 00:10:48,760 Speaker 3: But in honor of this being a new week, we're 223 00:10:48,840 --> 00:10:50,240 Speaker 3: christening the new studio. 224 00:10:50,800 --> 00:10:53,640 Speaker 1: Boy, are we ever christening the new studios like the Titanic? 225 00:10:53,920 --> 00:10:58,280 Speaker 3: But I'm kidding, I'm kidding, But I do have seven 226 00:10:58,400 --> 00:11:01,240 Speaker 3: Heaven And as you know, oh, Danny g you've been 227 00:11:01,400 --> 00:11:03,520 Speaker 3: with me, you were on the radio show, we've done 228 00:11:03,559 --> 00:11:06,160 Speaker 3: the podcast a while so together, and you know I 229 00:11:06,200 --> 00:11:08,360 Speaker 3: do not do lists. 230 00:11:07,600 --> 00:11:11,679 Speaker 5: That no, No, you do a board, which is way. 231 00:11:11,440 --> 00:11:13,720 Speaker 1: Different exactly so a list. 232 00:11:13,840 --> 00:11:17,319 Speaker 3: Let me educate you as a consumer of audio content. 233 00:11:17,400 --> 00:11:22,200 Speaker 3: You listening, so a list is lazy River sports radio stuff. 234 00:11:22,720 --> 00:11:24,400 Speaker 1: And I would never. 235 00:11:25,720 --> 00:11:33,679 Speaker 3: Ever subject you, the consumer to lazy River list radio 236 00:11:33,840 --> 00:11:39,640 Speaker 3: slash podcast. I'm anti list. I would like to present 237 00:11:39,800 --> 00:11:42,960 Speaker 3: Benny's big board, which is much different, as you know, Danny, 238 00:11:43,240 --> 00:11:47,200 Speaker 3: from a list. And these are the seven Heaven, the 239 00:11:47,360 --> 00:11:52,920 Speaker 3: top seven moments in what is now the old. 240 00:11:52,320 --> 00:11:53,520 Speaker 1: Fox Sports Radio Students. 241 00:11:53,520 --> 00:11:56,000 Speaker 3: Now I'm gonna give my seven Danny, if you were 242 00:11:56,280 --> 00:11:57,920 Speaker 3: to touch up my list, if you would like to 243 00:11:57,960 --> 00:12:00,280 Speaker 3: add to my list. But I have been with the 244 00:12:00,320 --> 00:12:03,079 Speaker 3: company for a long time. I had a six month 245 00:12:03,240 --> 00:12:07,400 Speaker 3: twenty six day vacation back on January twentieth of nine. 246 00:12:07,880 --> 00:12:10,680 Speaker 3: But I've been back after that ever since, and I 247 00:12:10,760 --> 00:12:14,640 Speaker 3: have continued to be gamefully employed by the company since then. 248 00:12:14,679 --> 00:12:16,960 Speaker 3: So these are and I want to save this for 249 00:12:17,040 --> 00:12:21,160 Speaker 3: posterity sake in case I lose my memory and I 250 00:12:21,240 --> 00:12:23,760 Speaker 3: become senile and I forget all this stuff over the 251 00:12:23,800 --> 00:12:26,199 Speaker 3: course of time. So I will share this with you, 252 00:12:26,280 --> 00:12:28,440 Speaker 3: and then from time to time as a refresher course, 253 00:12:28,760 --> 00:12:31,720 Speaker 3: maybe I will go back and I will listen. So 254 00:12:31,760 --> 00:12:33,440 Speaker 3: these are these seven things. I don't try to go 255 00:12:33,480 --> 00:12:35,160 Speaker 3: quickly as possible. And you want to touch any of 256 00:12:35,200 --> 00:12:38,520 Speaker 3: these things up, Danny and add a footnote or an antidote, 257 00:12:40,200 --> 00:12:44,000 Speaker 3: You're more than what. So anyway, these seven things seven 258 00:12:44,080 --> 00:12:46,600 Speaker 3: heaven seven moments that stand out to me about the 259 00:12:46,600 --> 00:12:51,280 Speaker 3: old Fox Sports radio studio. So number seven Bang Bam 260 00:12:51,480 --> 00:12:54,480 Speaker 3: boom is number seven, and that is year. I don't 261 00:12:54,559 --> 00:12:58,440 Speaker 3: remember the year. This is probably twenty one years ago. 262 00:12:58,600 --> 00:13:01,680 Speaker 3: I mean, it's ridiculous. So there was a car accident 263 00:13:02,760 --> 00:13:06,800 Speaker 3: outside of the studio and the studios the Premier networks 264 00:13:06,800 --> 00:13:09,800 Speaker 3: are right on the corner of Spalvaa and Ventura in 265 00:13:09,840 --> 00:13:13,360 Speaker 3: the San Fernando Valley. It's down the hill from bell 266 00:13:13,480 --> 00:13:18,000 Speaker 3: Air and some very wealthy people in entertainment and whatnot live. 267 00:13:18,640 --> 00:13:20,800 Speaker 3: I think, isn't Lebron still living in bel Air? 268 00:13:20,840 --> 00:13:21,200 Speaker 1: I don't know. 269 00:13:21,240 --> 00:13:23,520 Speaker 3: There's a bunch of big people live up there. So 270 00:13:24,160 --> 00:13:27,400 Speaker 3: that's where the studio is. Very congested, airy, very busy area. 271 00:13:27,760 --> 00:13:31,840 Speaker 3: So bang bam boom. There was a big car accident 272 00:13:31,880 --> 00:13:34,240 Speaker 3: that happened right out in front of the studio in 273 00:13:34,280 --> 00:13:39,120 Speaker 3: SAPULVAA car was on fire, and so one of the producers, 274 00:13:40,360 --> 00:13:42,000 Speaker 3: I will not name it the producer, but one of 275 00:13:42,040 --> 00:13:46,439 Speaker 3: the producers went out, grabbed a fire extinguisher from the 276 00:13:46,559 --> 00:13:50,240 Speaker 3: kitchen and went out and helped put out the fire. 277 00:13:50,320 --> 00:13:53,319 Speaker 3: The engine of the car was on fire. So you 278 00:13:53,360 --> 00:13:57,840 Speaker 3: would think this would lead to some kind of honor 279 00:13:58,400 --> 00:14:02,560 Speaker 3: from the company and some kind of award. Well, it 280 00:14:02,640 --> 00:14:04,959 Speaker 3: turns out there were a series of emails that were 281 00:14:05,000 --> 00:14:08,000 Speaker 3: sent within the company. And I want to point out 282 00:14:08,040 --> 00:14:09,680 Speaker 3: the reason I'm putting this on the list. 283 00:14:09,720 --> 00:14:10,720 Speaker 1: All these people are gone. 284 00:14:11,160 --> 00:14:12,920 Speaker 3: None of these people are at the company, No the 285 00:14:12,960 --> 00:14:18,200 Speaker 3: management people. So they they were getting upset because I 286 00:14:18,240 --> 00:14:20,440 Speaker 3: didn't know this either, but when you use a fire 287 00:14:20,520 --> 00:14:23,880 Speaker 3: extinguisher you have to, and you're in a business, you 288 00:14:24,000 --> 00:14:27,240 Speaker 3: have to contact like the fire department and the city 289 00:14:27,320 --> 00:14:29,640 Speaker 3: of La had to come out to put the thing 290 00:14:29,720 --> 00:14:31,800 Speaker 3: back in up the code. 291 00:14:31,880 --> 00:14:33,680 Speaker 5: And oh then they send you a big. 292 00:14:33,520 --> 00:14:36,080 Speaker 1: Bill exactly, and it cost a lot of money. 293 00:14:36,280 --> 00:14:39,760 Speaker 3: So the producer who's like thinking he's the hero because 294 00:14:39,800 --> 00:14:41,920 Speaker 3: he put out a fire the car was on fire, 295 00:14:42,440 --> 00:14:46,160 Speaker 3: and ends up getting an angry email saying, you know 296 00:14:46,280 --> 00:14:49,880 Speaker 3: you in the future, call the fire department and do 297 00:14:50,120 --> 00:14:51,040 Speaker 3: not do not. 298 00:14:51,760 --> 00:14:53,960 Speaker 5: Let them deal with it on their own time. 299 00:14:54,400 --> 00:14:54,640 Speaker 3: Ah. 300 00:14:56,280 --> 00:14:59,240 Speaker 1: Oh, so good. I was so hilarious. 301 00:15:00,000 --> 00:15:04,800 Speaker 3: Oh God, behind the scenes Radio Storry now number six 302 00:15:04,880 --> 00:15:07,680 Speaker 3: on Benny's big board. I call this one Peppi of 303 00:15:07,720 --> 00:15:10,480 Speaker 3: the pew and you know where I'm going with this, Danny. So, 304 00:15:10,560 --> 00:15:14,560 Speaker 3: on those warm southern California nights in the San Fernando 305 00:15:14,680 --> 00:15:15,920 Speaker 3: Valley where the studio is. 306 00:15:15,880 --> 00:15:18,560 Speaker 1: It gets ridiculously hot. 307 00:15:18,320 --> 00:15:21,920 Speaker 3: And from time to time there would there would be 308 00:15:21,960 --> 00:15:27,160 Speaker 3: some critters that would try to get cool. And it 309 00:15:27,520 --> 00:15:29,920 Speaker 3: almost always happened in the summer. I don't remember what 310 00:15:29,960 --> 00:15:31,640 Speaker 3: happening in the world, maybe it did, but I remember 311 00:15:31,680 --> 00:15:34,240 Speaker 3: it in the summer. So there would be a skunk 312 00:15:35,000 --> 00:15:37,480 Speaker 3: that would get into the air conditioning which is on 313 00:15:37,560 --> 00:15:41,960 Speaker 3: the roof of the Fox Sports Radio studios in the 314 00:15:42,000 --> 00:15:46,360 Speaker 3: old studios, and they would get into the events and 315 00:15:46,440 --> 00:15:52,160 Speaker 3: they would squirt their skunk stank and the whole building 316 00:15:52,920 --> 00:15:56,320 Speaker 3: would smell like skunk. And when I say, Danny, you've 317 00:15:56,360 --> 00:15:59,840 Speaker 3: been there, like my eyes would be running from the spell. 318 00:16:00,080 --> 00:16:01,480 Speaker 1: It was that intense. 319 00:16:02,840 --> 00:16:06,160 Speaker 4: I mean it was insane, like cat boxing with Coop 320 00:16:06,200 --> 00:16:08,360 Speaker 4: and Mike Tyson at the same time. 321 00:16:08,440 --> 00:16:12,080 Speaker 3: In a phone booth, exactly a phone booth. There's skunk, 322 00:16:12,520 --> 00:16:15,600 Speaker 3: and there's no windows that open because it's a radio station, 323 00:16:15,760 --> 00:16:18,760 Speaker 3: so you're pretty much at the mercy of the air conditioner. 324 00:16:19,120 --> 00:16:20,640 Speaker 1: So that's number six, number. 325 00:16:20,400 --> 00:16:25,280 Speaker 3: Five on the seven Heaven the top seven moments on 326 00:16:25,320 --> 00:16:27,800 Speaker 3: Benny's Big Board from the Fox Sports Radios old the 327 00:16:27,800 --> 00:16:31,120 Speaker 3: old Fox Sports Radio studios. And if you're enjoying this content, 328 00:16:31,200 --> 00:16:33,560 Speaker 3: give us five stars. By the way, on the podcast. 329 00:16:33,600 --> 00:16:35,000 Speaker 3: That helps us out a lot. We might give you 330 00:16:35,040 --> 00:16:38,000 Speaker 3: a shout out on the podcast later on. We were 331 00:16:38,000 --> 00:16:40,360 Speaker 3: allowed to do that on the podcast. Do that on 332 00:16:40,400 --> 00:16:43,040 Speaker 3: the Apple podcast pages. In the description, Danny puts it up. 333 00:16:43,040 --> 00:16:48,520 Speaker 3: So number five is Batman on multiple occasions. Oh yeah, 334 00:16:48,560 --> 00:16:53,520 Speaker 3: somehow flying rodents got into the FSR Premier Networks building. 335 00:16:53,920 --> 00:16:57,280 Speaker 3: I'm not sure how that happened because the doors are 336 00:16:57,320 --> 00:17:01,480 Speaker 3: always closed, but I guess some opportunistic bat at the 337 00:17:01,560 --> 00:17:04,240 Speaker 3: perfect time when the door opened, went flying in there 338 00:17:05,080 --> 00:17:08,359 Speaker 3: and seeing a bunch of people Danny and this happened 339 00:17:08,400 --> 00:17:10,200 Speaker 3: within recent years. This has happened a few times over 340 00:17:10,200 --> 00:17:14,080 Speaker 3: the years, but seeing grown men. Pretty much all men 341 00:17:14,119 --> 00:17:17,400 Speaker 3: worked there, but a few women like freaking out because 342 00:17:17,400 --> 00:17:20,239 Speaker 3: there's a bat flying through the hallway. And when I 343 00:17:20,400 --> 00:17:21,960 Speaker 3: was told the last time, I was like, oh, there's 344 00:17:21,960 --> 00:17:23,760 Speaker 3: a bat. I said, no, there's no bat until I 345 00:17:23,800 --> 00:17:26,880 Speaker 3: saw the bat. I saw the bat, I saw the light. 346 00:17:26,960 --> 00:17:28,200 Speaker 1: It was great, insane. 347 00:17:28,560 --> 00:17:32,200 Speaker 4: Yeah, I remember Mike Carmon being on his cell phone 348 00:17:32,600 --> 00:17:34,840 Speaker 4: live on the air as he was back in the 349 00:17:34,880 --> 00:17:36,520 Speaker 4: Blue kitchen and trying to catch it. 350 00:17:37,200 --> 00:17:39,560 Speaker 3: Yes, we did a bit on the air. We had 351 00:17:39,680 --> 00:17:42,240 Speaker 3: play by play of the batgate. 352 00:17:42,359 --> 00:17:42,960 Speaker 1: I remember that. 353 00:17:42,960 --> 00:17:45,960 Speaker 3: That was a fun night. That's right. Who was the 354 00:17:46,000 --> 00:17:47,960 Speaker 3: guy that was it? Harmon that opened the door was 355 00:17:48,000 --> 00:17:49,520 Speaker 3: one of the other producers who I don't think he's 356 00:17:49,560 --> 00:17:50,640 Speaker 3: even at the company anymore. 357 00:17:51,119 --> 00:17:54,840 Speaker 4: Yeah, Harmon and an editor, a sound editor were the 358 00:17:54,880 --> 00:17:55,919 Speaker 4: two that corraled it. 359 00:17:55,960 --> 00:17:57,760 Speaker 1: Finally got it out of the building. 360 00:17:57,880 --> 00:18:01,959 Speaker 3: So that is number five, number four or bang bang, 361 00:18:02,320 --> 00:18:04,359 Speaker 3: or should I say boom boom. 362 00:18:04,600 --> 00:18:05,360 Speaker 1: So I'm on the air. 363 00:18:05,400 --> 00:18:08,800 Speaker 3: It's a Sunday night shift, end of the weekend. I'm 364 00:18:08,800 --> 00:18:11,640 Speaker 3: on the air working with Jim Daniels, who was a 365 00:18:11,680 --> 00:18:14,680 Speaker 3: Fox Sports radio host. We're doing the that's right, we're 366 00:18:14,680 --> 00:18:17,240 Speaker 3: doing the show together, and in the middle of the show, 367 00:18:18,440 --> 00:18:23,119 Speaker 3: we we notice that the glass looks a little odd 368 00:18:23,200 --> 00:18:26,439 Speaker 3: out on the on the on the side of the 369 00:18:26,440 --> 00:18:29,680 Speaker 3: building where we have these Showcase studios, the old studios 370 00:18:29,720 --> 00:18:33,200 Speaker 3: at Showcase at windows out on se Pulpit the boulevard, 371 00:18:33,600 --> 00:18:42,960 Speaker 3: and somebody had driven by and shot the studio and 372 00:18:44,440 --> 00:18:49,320 Speaker 3: they busted a capital yeah, And so the things I 373 00:18:49,359 --> 00:18:52,080 Speaker 3: remember that we're like, who would do that? Like what 374 00:18:52,480 --> 00:18:54,600 Speaker 3: you know I mean, And we were like kind of 375 00:18:54,920 --> 00:18:57,320 Speaker 3: obviously freaked out. It's bulletproof glass, but if you shoot 376 00:18:57,400 --> 00:19:00,800 Speaker 3: enough bullets, it's no longer bulletproof glass. And the things 377 00:19:00,840 --> 00:19:05,520 Speaker 3: I remember about that night was my engineer at the time. 378 00:19:06,359 --> 00:19:09,160 Speaker 3: We'll just say, hey, profit froze, dude. It's not my fault, 379 00:19:09,160 --> 00:19:12,199 Speaker 3: profit dude. And he's a very good guy, but he 380 00:19:12,320 --> 00:19:14,919 Speaker 3: might have had some run ins with the police. So 381 00:19:15,359 --> 00:19:17,760 Speaker 3: I told him, I said, listen, you gotta call the 382 00:19:17,960 --> 00:19:19,399 Speaker 3: You got to call the police, not that they're going 383 00:19:19,440 --> 00:19:21,359 Speaker 3: to do anything, but you got to call him and 384 00:19:21,400 --> 00:19:23,199 Speaker 3: let him know that there's I mean, maybe they'll at 385 00:19:23,280 --> 00:19:25,800 Speaker 3: least put a patrol car out here so we don't 386 00:19:25,800 --> 00:19:30,600 Speaker 3: get shot again. Shot it again, and he's you know 387 00:19:30,640 --> 00:19:33,440 Speaker 3: what he did, Danny, his idea instead of calling the 388 00:19:33,440 --> 00:19:36,199 Speaker 3: police because he's a little afraid of police, instead of 389 00:19:36,200 --> 00:19:37,560 Speaker 3: contacting the security guard. 390 00:19:37,560 --> 00:19:39,480 Speaker 1: He eventually did contact the security guard. 391 00:19:39,920 --> 00:19:43,520 Speaker 3: He lowered all the blinds, so at least the people 392 00:19:43,560 --> 00:19:45,919 Speaker 3: shoot if it came by and shot again, they wouldn't 393 00:19:45,960 --> 00:19:46,679 Speaker 3: know where to aim. 394 00:19:46,960 --> 00:19:49,080 Speaker 5: Come on, that's the best line of defense. 395 00:19:51,760 --> 00:19:54,080 Speaker 3: Yeah, Yeah, he just he lowered all the blinds in 396 00:19:54,119 --> 00:19:57,359 Speaker 3: the studio and turn off the lights. 397 00:19:57,720 --> 00:19:58,360 Speaker 1: Yeah. 398 00:19:58,480 --> 00:20:03,840 Speaker 3: And we are pretty sure, as a gum show investigator, 399 00:20:03,880 --> 00:20:08,280 Speaker 3: we're pretty sure, Danny, that we know who did that. 400 00:20:08,280 --> 00:20:11,639 Speaker 3: That there was somebody who had been let go by 401 00:20:11,680 --> 00:20:17,200 Speaker 3: the company, who had moved from a far away location 402 00:20:17,600 --> 00:20:22,359 Speaker 3: to the West coast and was there only for a 403 00:20:22,400 --> 00:20:25,960 Speaker 3: few weeks and was so bad at their job they 404 00:20:26,000 --> 00:20:30,040 Speaker 3: got let go. And the theory is that on their 405 00:20:30,080 --> 00:20:34,359 Speaker 3: way out of town on a Sunday night, packed up 406 00:20:34,400 --> 00:20:37,199 Speaker 3: their stuff on Saturday. They were leaving Sunday night and 407 00:20:37,280 --> 00:20:41,639 Speaker 3: on their way out bang bang. Now we're not we 408 00:20:41,680 --> 00:20:47,600 Speaker 3: don't know for sure. By the timeline kind of fits. 409 00:20:47,920 --> 00:20:50,920 Speaker 4: Wow, man, that Pat O'Brien guy's a feisty motherfucker. 410 00:20:51,119 --> 00:20:51,520 Speaker 1: EO b. 411 00:20:51,680 --> 00:20:55,120 Speaker 3: Don't mess with p o big Man. Jim Lampley, let 412 00:20:55,119 --> 00:20:58,399 Speaker 3: me tell you, LAMB saw my God all right? Number 413 00:20:58,440 --> 00:21:01,480 Speaker 3: three on Benny's Big Boy, Number three on Benny's Big Board. 414 00:21:02,560 --> 00:21:07,639 Speaker 3: Jasey at the bat a legendary. So all these are 415 00:21:07,680 --> 00:21:09,200 Speaker 3: things that happen in the old Fox. 416 00:21:09,040 --> 00:21:10,000 Speaker 1: Sports Radio studio. 417 00:21:10,040 --> 00:21:14,720 Speaker 3: So this goes back probably fifteen years or so. I'm 418 00:21:14,760 --> 00:21:19,320 Speaker 3: working an afternoon shift with Chris Myers. I kid because 419 00:21:19,359 --> 00:21:20,879 Speaker 3: I care, but this is a true story. So I 420 00:21:20,960 --> 00:21:23,160 Speaker 3: had to go to the bathroom. You know, nature calls. 421 00:21:23,800 --> 00:21:26,159 Speaker 3: So I went to do my business, and then I 422 00:21:26,240 --> 00:21:28,840 Speaker 3: realized that I had taken a little too long. It 423 00:21:28,920 --> 00:21:30,840 Speaker 3: was taking longer than I expected. So I had to 424 00:21:30,840 --> 00:21:35,040 Speaker 3: get back to do the show. So I'm rushing. I'm 425 00:21:35,200 --> 00:21:37,360 Speaker 3: running through the studio as much as I can run. 426 00:21:37,400 --> 00:21:40,080 Speaker 3: I'm morbidly obese, and so I run down the hall 427 00:21:40,119 --> 00:21:44,760 Speaker 3: from the bathroom I make a left turn and then 428 00:21:44,800 --> 00:21:48,080 Speaker 3: a quick right turn. And as I make the right 429 00:21:48,119 --> 00:21:51,200 Speaker 3: turn to turn, and then there's a door to the studio. 430 00:21:50,880 --> 00:21:51,800 Speaker 1: Which is on the left. 431 00:21:52,480 --> 00:21:55,480 Speaker 3: As I'm making the second turn, I come face to 432 00:21:55,600 --> 00:22:02,119 Speaker 3: face with what would be my career defining moment. If 433 00:22:02,240 --> 00:22:04,359 Speaker 3: this had gone a different way in another dimension that 434 00:22:04,400 --> 00:22:06,679 Speaker 3: probably did, this would be the end of me. So 435 00:22:06,840 --> 00:22:11,920 Speaker 3: right in front of me Casey at the bat radio 436 00:22:12,080 --> 00:22:16,040 Speaker 3: legend Casey Cason, who had worked out of what is 437 00:22:16,080 --> 00:22:19,240 Speaker 3: now our podcast. I just mentioned him earlier in this podcast, 438 00:22:19,280 --> 00:22:25,080 Speaker 3: but he was the voice of American Top forty and 439 00:22:25,119 --> 00:22:29,240 Speaker 3: an icon in the radio business. He was the original 440 00:22:29,920 --> 00:22:33,320 Speaker 3: voice of Shaggy from Scooby Doo. When I was a kid, 441 00:22:33,359 --> 00:22:36,640 Speaker 3: I watched the cartoon he was that he was Robin 442 00:22:36,960 --> 00:22:39,680 Speaker 3: Batman and Robin on Super Friends, which I also watched 443 00:22:39,720 --> 00:22:42,679 Speaker 3: when I was a kid. He was in Sesame Street 444 00:22:42,800 --> 00:22:44,640 Speaker 3: and trans So, I mean, this guy's a big fan 445 00:22:44,720 --> 00:22:47,560 Speaker 3: deal and a legend and a Hall of Famer and 446 00:22:47,600 --> 00:22:50,760 Speaker 3: all that stuff. And so anyway, at this point, Casey's 447 00:22:50,760 --> 00:22:55,600 Speaker 3: in his seventies. He's a frail old man. It's probably 448 00:22:55,640 --> 00:22:58,840 Speaker 3: two thousand and three, so it's about twenty years ago. 449 00:22:59,200 --> 00:23:03,480 Speaker 3: And maybe even long the time. I forget the time 450 00:23:03,520 --> 00:23:04,760 Speaker 3: on all this stuff. I want to say, it's like 451 00:23:04,800 --> 00:23:08,919 Speaker 3: around twenty oh three. So needless to say, he was 452 00:23:09,040 --> 00:23:11,720 Speaker 3: kind of a big effing deal. So as I go 453 00:23:11,800 --> 00:23:13,879 Speaker 3: back to the story, So as I was turning the corner, 454 00:23:13,960 --> 00:23:18,720 Speaker 3: he froze and he you know that look somebody gives you, like, 455 00:23:18,760 --> 00:23:21,399 Speaker 3: oh my god, your eyes you get bug eyed. You 456 00:23:21,440 --> 00:23:26,760 Speaker 3: know that your eyeball. So I mean, he's looking like 457 00:23:26,920 --> 00:23:30,160 Speaker 3: he's looking at me. He freezes, and he thinks, I'm 458 00:23:30,160 --> 00:23:32,439 Speaker 3: gonna run him over. Mack truck Mather is gonna run 459 00:23:32,480 --> 00:23:34,960 Speaker 3: him over. But what I did is I used an 460 00:23:35,000 --> 00:23:38,320 Speaker 3: old high school football move. I used a swim technique. 461 00:23:38,840 --> 00:23:40,880 Speaker 3: Remember the swim technique in football? We are you gonna 462 00:23:40,920 --> 00:23:43,160 Speaker 3: got up? You move your arm around. So I used 463 00:23:43,160 --> 00:23:48,440 Speaker 3: the swim technique to barely get around Casey, narrowly avoiding 464 00:23:49,280 --> 00:23:54,080 Speaker 3: killing the legend. And also I would have killed my career, Danny, 465 00:23:54,840 --> 00:23:57,440 Speaker 3: And you could say I I guess you could say 466 00:23:57,440 --> 00:23:59,560 Speaker 3: I kept my feet on the ground and kept reaching 467 00:23:59,560 --> 00:24:05,000 Speaker 3: for the store. See that was his catchphrase. But Casey 468 00:24:05,040 --> 00:24:10,160 Speaker 3: did eventually pass away. He died in twenty fourteen. I think, 469 00:24:10,200 --> 00:24:13,080 Speaker 3: so he's been gone for almost almost ten years, but 470 00:24:13,200 --> 00:24:14,199 Speaker 3: a very nice man. 471 00:24:14,280 --> 00:24:15,840 Speaker 1: I didn't really talk to him that much. 472 00:24:16,400 --> 00:24:19,639 Speaker 3: Certainly after that he avoided me at all costs, and 473 00:24:19,800 --> 00:24:23,760 Speaker 3: rightfully so. But that was my number three, number two 474 00:24:25,280 --> 00:24:28,680 Speaker 3: on the big board. Great moments of the old FSR studios. 475 00:24:28,800 --> 00:24:33,880 Speaker 3: Lights out, lights out. Now my computer was malfunctioning, and 476 00:24:34,440 --> 00:24:36,480 Speaker 3: rather than me go in what we call the rack 477 00:24:36,560 --> 00:24:39,679 Speaker 3: room where all the satellite equipment is, because you had 478 00:24:39,680 --> 00:24:42,280 Speaker 3: to reset it for the other room, and so I was. 479 00:24:42,440 --> 00:24:44,640 Speaker 3: It was a short break. So I told Bob Gara, 480 00:24:44,800 --> 00:24:47,399 Speaker 3: my producer. I said, Bob, can you run back and 481 00:24:47,440 --> 00:24:51,120 Speaker 3: reset the PC? He said, no problem, because I needed 482 00:24:51,160 --> 00:24:55,879 Speaker 3: to check the text line. So his stories back runs 483 00:24:55,960 --> 00:25:00,360 Speaker 3: past me and then goes makes a right turn. He's right, 484 00:25:00,400 --> 00:25:03,120 Speaker 3: and you're in the room, and so whatever. And then 485 00:25:03,320 --> 00:25:07,600 Speaker 3: about ninety seconds later, give or take as the crow flix. 486 00:25:07,880 --> 00:25:15,760 Speaker 3: Ninety seconds later, the light start flickering, and let's just say, 487 00:25:16,119 --> 00:25:22,440 Speaker 3: radio silence takes over as somehow Bob Gara had flipped 488 00:25:22,480 --> 00:25:27,280 Speaker 3: the nuclear button and turned the entire Fox Sports radio 489 00:25:27,320 --> 00:25:28,880 Speaker 3: network off the air. 490 00:25:29,600 --> 00:25:31,800 Speaker 5: This doesn't have the number one station anymore. 491 00:25:31,480 --> 00:25:31,639 Speaker 2: Is it. 492 00:25:33,119 --> 00:25:37,280 Speaker 3: At the time, three hundred or more radio stations and 493 00:25:37,400 --> 00:25:40,239 Speaker 3: so what happened was we went off the air. We 494 00:25:40,280 --> 00:25:45,440 Speaker 3: heard nothing but silence, and then they flipped. I guess 495 00:25:45,480 --> 00:25:50,439 Speaker 3: the master control flipped on emergency filler programming. And that 496 00:25:50,640 --> 00:25:52,560 Speaker 3: was the day. One of the great nicknames we've ever 497 00:25:52,600 --> 00:25:56,479 Speaker 3: given out was born Bob for the rest of his life. 498 00:25:56,960 --> 00:26:00,280 Speaker 3: He's a proud family man and a good husband. But 499 00:26:00,359 --> 00:26:05,359 Speaker 3: Bob Gara was Christen wrong Button, Bob. 500 00:26:06,440 --> 00:26:10,960 Speaker 1: The best, and he kept this. He got promoted. He's 501 00:26:11,000 --> 00:26:12,000 Speaker 1: on a better show though. 502 00:26:12,280 --> 00:26:15,200 Speaker 4: I mean, it goes to show you, instead of getting fired, 503 00:26:15,680 --> 00:26:21,399 Speaker 4: sometimes you can fail upwards. Now, there's also a fun 504 00:26:21,520 --> 00:26:24,080 Speaker 4: fact that comes out of this. A lot of people 505 00:26:24,200 --> 00:26:28,600 Speaker 4: want to know what programming gets put on a major 506 00:26:28,720 --> 00:26:30,960 Speaker 4: national network if it goes off the air. 507 00:26:31,440 --> 00:26:31,880 Speaker 1: That's right. 508 00:26:31,960 --> 00:26:34,480 Speaker 5: We found out the answer to that trivia question. 509 00:26:34,440 --> 00:26:39,159 Speaker 3: Is Steve de Sager and an old update from like 510 00:26:39,359 --> 00:26:40,600 Speaker 3: fifteen years prior. 511 00:26:41,520 --> 00:26:42,840 Speaker 1: Yeah, yeah, yeah, it was. 512 00:26:43,200 --> 00:26:46,040 Speaker 5: Sager giving a stat about Steve Sachs. 513 00:26:46,280 --> 00:26:47,719 Speaker 1: Yeah it was. It was so much. 514 00:26:47,760 --> 00:26:51,080 Speaker 3: It was the Sager and it was I don't I 515 00:26:51,080 --> 00:26:53,680 Speaker 3: don't remember exactly what month this happened, but I think 516 00:26:53,680 --> 00:26:56,720 Speaker 3: it was during the summer and the Saga's giving like 517 00:26:57,000 --> 00:27:00,120 Speaker 3: March Madness scores or something like that. 518 00:27:00,400 --> 00:27:03,640 Speaker 4: Yeah, somebody told me it was like an update from 519 00:27:03,680 --> 00:27:04,359 Speaker 4: twenty ten. 520 00:27:05,160 --> 00:27:08,600 Speaker 3: Yeah, it was several years prior. It was several years prior. 521 00:27:08,720 --> 00:27:11,120 Speaker 3: So that was the number two and the. 522 00:27:11,119 --> 00:27:17,560 Speaker 6: Number one story, Number one, number one, number one on 523 00:27:17,760 --> 00:27:23,400 Speaker 6: Big Bends, Big Board seven, Heaven, the top seven moments 524 00:27:23,440 --> 00:27:26,120 Speaker 6: as we closed out the old Fox Sports Radio studio. 525 00:27:27,280 --> 00:27:32,760 Speaker 1: Number one. It was a random night. This is probably 526 00:27:32,800 --> 00:27:34,000 Speaker 1: two thousand. 527 00:27:33,600 --> 00:27:37,960 Speaker 3: And nine, I want to say two thousand and nine, 528 00:27:38,480 --> 00:27:40,639 Speaker 3: So about fifteen years ago, a little less than that, 529 00:27:40,720 --> 00:27:44,280 Speaker 3: I was working the third shift and LA Radio legend 530 00:27:44,320 --> 00:27:47,320 Speaker 3: of the late great Joe McDonald was doing his local show 531 00:27:47,359 --> 00:27:50,639 Speaker 3: on our flagship station. So Joe thought it would be 532 00:27:50,640 --> 00:27:52,439 Speaker 3: fun if I would call into his show and do 533 00:27:52,440 --> 00:27:55,639 Speaker 3: a little cross talk and promote my show which was 534 00:27:55,680 --> 00:27:57,680 Speaker 3: on the network. And we you know, it was fun. 535 00:27:57,760 --> 00:27:59,640 Speaker 3: I had Joseh a friend, I'd known her for years, 536 00:27:59,640 --> 00:28:02,280 Speaker 3: and so I was like, sure, why not, I'll do it. 537 00:28:02,280 --> 00:28:03,720 Speaker 3: It was a little bit of a pain in the ass, 538 00:28:03,760 --> 00:28:05,960 Speaker 3: and I don't like talking on the phone when there's 539 00:28:05,960 --> 00:28:07,680 Speaker 3: other people in the room. It's kind of a thing 540 00:28:07,880 --> 00:28:10,320 Speaker 3: I have, and so it's when I'm Missigaz and so 541 00:28:10,440 --> 00:28:12,720 Speaker 3: what I would do is I would walk outside the studio. 542 00:28:12,960 --> 00:28:17,520 Speaker 3: I will walk down Sepulvita to Ventura Boulevard, far away 543 00:28:17,560 --> 00:28:20,560 Speaker 3: from any humanity, and I would just do a little 544 00:28:20,560 --> 00:28:24,200 Speaker 3: casual cross talk. And so this would be about ten 545 00:28:24,240 --> 00:28:26,200 Speaker 3: minutes ten fifteen minutes before the show. 546 00:28:26,200 --> 00:28:27,160 Speaker 1: I would go out and do this. 547 00:28:28,040 --> 00:28:32,520 Speaker 3: So the normal night, I walk out and in typical 548 00:28:32,680 --> 00:28:36,080 Speaker 3: La night, there's a vagrant out in front of the studio, 549 00:28:36,240 --> 00:28:39,800 Speaker 3: like there's a guy down on his luck, and this 550 00:28:39,840 --> 00:28:41,320 Speaker 3: guy engages me in conversation. 551 00:28:41,440 --> 00:28:46,200 Speaker 1: This guy says, hey, he says, are you on the radio? Now? 552 00:28:46,320 --> 00:28:51,160 Speaker 3: Keep in mind, Danny, that I am strolling out of 553 00:28:51,200 --> 00:28:54,240 Speaker 3: the building, which has a giant Fox Sports radio sign 554 00:28:54,840 --> 00:28:57,800 Speaker 3: right about my head, right, but the guys are you 555 00:28:57,880 --> 00:29:00,480 Speaker 3: on the radio? So I of course kept my posure. 556 00:29:00,560 --> 00:29:02,600 Speaker 3: I kept walking. I said, no, I'm not on the radio. 557 00:29:03,640 --> 00:29:06,000 Speaker 3: And so I just I went and I did my 558 00:29:06,560 --> 00:29:10,760 Speaker 3: cross talk with Joe and Joe McDonald and and so 559 00:29:10,760 --> 00:29:12,520 Speaker 3: I'm walking back and I say, wait a minute, the 560 00:29:12,760 --> 00:29:15,240 Speaker 3: bum's still there. The guy's still there. He's kind of 561 00:29:15,240 --> 00:29:16,920 Speaker 3: wandering around the door, and I'm like, well, I'm bigger 562 00:29:16,960 --> 00:29:18,680 Speaker 3: than him, so I don't, you know whatever, He's a 563 00:29:18,720 --> 00:29:19,680 Speaker 3: normal sized guy. 564 00:29:19,920 --> 00:29:22,640 Speaker 1: I don't really care that much. And so I walked 565 00:29:22,680 --> 00:29:26,479 Speaker 1: by the guy and he sees me and he says, 566 00:29:26,680 --> 00:29:31,200 Speaker 1: you're fucking lying to me. You're on the radio. I'm 567 00:29:31,320 --> 00:29:33,800 Speaker 1: Henry Hill. I want to get on the radio. 568 00:29:33,840 --> 00:29:37,880 Speaker 3: I have things to say, and and so I ignore him. 569 00:29:38,000 --> 00:29:41,920 Speaker 3: I keep walking. He's like, I'm Henry fucking Hill. So 570 00:29:42,000 --> 00:29:43,960 Speaker 3: then I quit. I somehow I was able to get 571 00:29:43,960 --> 00:29:46,440 Speaker 3: in the door opened. I used my card key to 572 00:29:46,800 --> 00:29:48,360 Speaker 3: the pass key to get in the door open. 573 00:29:48,400 --> 00:29:50,360 Speaker 1: I got in. I pulled the door closed. 574 00:29:50,400 --> 00:29:50,560 Speaker 5: Right. 575 00:29:50,800 --> 00:29:54,240 Speaker 3: The guy kind of stumbles because he's drunk. He starts 576 00:29:54,360 --> 00:29:56,880 Speaker 3: banging on the door with both hands, like banging on 577 00:29:56,920 --> 00:30:00,760 Speaker 3: the door. Right, I'm Henry fucking Hill. Put me in. 578 00:30:01,040 --> 00:30:03,120 Speaker 1: You know, I want to be on the air. I 579 00:30:03,240 --> 00:30:05,600 Speaker 1: think you know. 580 00:30:04,960 --> 00:30:10,880 Speaker 3: Now, So I assume, why why would you think anything else? 581 00:30:10,880 --> 00:30:12,800 Speaker 3: I thought, this is just a drunk guy who's having 582 00:30:12,840 --> 00:30:18,480 Speaker 3: hallucinations when he's confused, guys down on his luck, he's 583 00:30:18,480 --> 00:30:21,840 Speaker 3: a holbo whatever. So then somebody in the buildings, I 584 00:30:22,400 --> 00:30:26,000 Speaker 3: remember Greg Bergman was my producer Old Pinky, and I 585 00:30:26,600 --> 00:30:29,120 Speaker 3: told Bergie, I said, hey, take care of. 586 00:30:29,080 --> 00:30:31,120 Speaker 1: This, you know, I I don't take care of. 587 00:30:33,160 --> 00:30:35,320 Speaker 3: Anyway. So I went in there and somebody said, you know, 588 00:30:36,000 --> 00:30:40,320 Speaker 3: you might want to check out the the images thing, 589 00:30:40,480 --> 00:30:42,920 Speaker 3: just to make sure, you know, because my my favorite 590 00:30:42,960 --> 00:30:48,480 Speaker 3: movie was about a guy named Henry Hill Goodfellas. So 591 00:30:48,600 --> 00:30:52,320 Speaker 3: I did a Google image search Danny and hand the 592 00:30:52,400 --> 00:30:58,800 Speaker 3: god that drunk guy outside the studio was Henry Hill. 593 00:30:59,000 --> 00:31:03,560 Speaker 3: The fucking mob guy was a notorious mobster who was 594 00:31:03,680 --> 00:31:07,280 Speaker 3: part of the is it lou lu Cheesy crime family? 595 00:31:07,320 --> 00:31:09,440 Speaker 1: I don't know, some crime family in New York and 596 00:31:09,800 --> 00:31:11,200 Speaker 1: like killed people and he was. 597 00:31:11,120 --> 00:31:14,120 Speaker 3: An FBI informant and the guy was in the witness 598 00:31:14,120 --> 00:31:17,360 Speaker 3: protection program. So I it's blew me away and my 599 00:31:17,440 --> 00:31:21,520 Speaker 3: mind is still blown all these years later that I mean. 600 00:31:21,600 --> 00:31:23,800 Speaker 1: It's just insane. And I guess he had lived in 601 00:31:23,840 --> 00:31:26,440 Speaker 1: Sherman Oaks, which is up the hill or where the 602 00:31:26,440 --> 00:31:29,960 Speaker 1: studios are, and he died. 603 00:31:30,160 --> 00:31:32,680 Speaker 3: He's an alcoholic, I mean that killed him. He actually 604 00:31:32,720 --> 00:31:34,080 Speaker 3: died a couple of years after that. 605 00:31:35,400 --> 00:31:39,440 Speaker 7: But it's crazy since I blew past the guy that 606 00:31:39,640 --> 00:31:43,280 Speaker 7: killed people and walked I walked into the building and 607 00:31:43,400 --> 00:31:46,160 Speaker 7: he was involved in point shaving at Boston College. 608 00:31:46,640 --> 00:31:51,280 Speaker 3: Yeah, he was in the drug trade. I mean the 609 00:31:51,320 --> 00:31:54,680 Speaker 3: whole They made a book about him, and then Martin 610 00:31:54,720 --> 00:31:59,120 Speaker 3: Scorsese made Goodfellas and the Late Leota Right, he was 611 00:31:59,160 --> 00:32:03,080 Speaker 3: the one that played Henry Hill. I believe in that. Yes, yeah, 612 00:32:03,280 --> 00:32:06,880 Speaker 3: rip yeah, So that was the number one on the 613 00:32:06,880 --> 00:32:07,360 Speaker 3: big board. 614 00:32:07,520 --> 00:32:09,160 Speaker 1: Anything I'm forgetting here, Danny. 615 00:32:08,880 --> 00:32:10,840 Speaker 3: Anything that said we did not get to on the 616 00:32:10,840 --> 00:32:13,440 Speaker 3: Great Moments of Fox Sports Radio, Stu. 617 00:32:14,000 --> 00:32:17,400 Speaker 4: I would give an honorable mention to the night where 618 00:32:17,480 --> 00:32:23,000 Speaker 4: Helmet Man surprised us with a visit. Yes, pushing all 619 00:32:23,040 --> 00:32:25,840 Speaker 4: of his belongings. Do you know, we just thought it 620 00:32:25,880 --> 00:32:30,680 Speaker 4: was another person struggling outside on the sidewalk, but this 621 00:32:30,760 --> 00:32:34,600 Speaker 4: guy kept banging on the door persistently, so we finally 622 00:32:34,640 --> 00:32:37,880 Speaker 4: went to check and he's like, it's me Helmet Man, 623 00:32:38,560 --> 00:32:40,680 Speaker 4: and we let him in, put him on the mic, 624 00:32:40,720 --> 00:32:42,600 Speaker 4: and of course we got the famous drop. 625 00:32:42,800 --> 00:32:49,760 Speaker 1: I'm actually on the live air. Yes you're on the Yeah. 626 00:32:49,840 --> 00:32:52,240 Speaker 3: There would be people that randomly stuff by. Were you 627 00:32:52,320 --> 00:32:54,600 Speaker 3: there the night remember the guy from Nashville. Were you 628 00:32:54,720 --> 00:32:57,880 Speaker 3: there when the kid from Nashville showed up and was 629 00:32:57,960 --> 00:32:59,080 Speaker 3: hiding in the bushes? 630 00:32:59,640 --> 00:33:01,720 Speaker 5: Oh yeah, yeah, yeah, I was there. Yeah. 631 00:33:01,840 --> 00:33:03,960 Speaker 1: One of our listeners in Nashville, he was in La. 632 00:33:04,360 --> 00:33:06,640 Speaker 5: He met some bring the entrance fee. 633 00:33:07,280 --> 00:33:08,560 Speaker 1: Yeah, he didn't bring any food. 634 00:33:08,840 --> 00:33:11,120 Speaker 3: And so he had met some girl on the internet, 635 00:33:11,160 --> 00:33:12,640 Speaker 3: and of course he wanted to hook up with her, 636 00:33:12,640 --> 00:33:15,680 Speaker 3: so he flew out to La and but he was 637 00:33:15,720 --> 00:33:17,760 Speaker 3: a fan of the show. But the rule was you 638 00:33:17,800 --> 00:33:19,320 Speaker 3: had to you're right, you had to bring food in. 639 00:33:20,280 --> 00:33:22,120 Speaker 3: And he didn't bring any food. 640 00:33:22,200 --> 00:33:24,720 Speaker 1: And but he was like creeper. He was like a 641 00:33:24,760 --> 00:33:26,600 Speaker 1: creeper hiding in the bushes and stuff. 642 00:33:27,160 --> 00:33:28,800 Speaker 5: Yeah, good memories. 643 00:33:30,240 --> 00:33:33,640 Speaker 3: How about the speaking of the vagrants, said, typical La story. 644 00:33:34,240 --> 00:33:40,080 Speaker 3: Multiple occasions, multiple occasions, a person who was on the 645 00:33:40,120 --> 00:33:43,520 Speaker 3: wrong side of the tracks on the hard scrabble streets, 646 00:33:43,640 --> 00:33:46,720 Speaker 3: got on to the there's a little guard. 647 00:33:46,800 --> 00:33:47,760 Speaker 1: I don't know what do you call it. 648 00:33:47,800 --> 00:33:51,000 Speaker 3: A there's this, there's a sidewalk, there's a street, and 649 00:33:51,040 --> 00:33:54,360 Speaker 3: then in between the sidewalk and the studio. 650 00:33:54,000 --> 00:33:54,880 Speaker 1: There's like a planter. 651 00:33:55,760 --> 00:33:59,520 Speaker 3: Oh okay, yeah, raised And so multiple times over the 652 00:33:59,560 --> 00:34:01,760 Speaker 3: years there have been homeless people that have gotten up, 653 00:34:02,200 --> 00:34:07,000 Speaker 3: pulled their pants down, pulled free Willie, and let the 654 00:34:07,160 --> 00:34:14,320 Speaker 3: elephant trunk urinate all over the glass. That's happened multiple times. Great, great, 655 00:34:14,560 --> 00:34:15,280 Speaker 3: great memories. 656 00:34:15,280 --> 00:34:17,719 Speaker 1: And we've had listened to some interesting things. 657 00:34:17,520 --> 00:34:20,719 Speaker 3: That last lot's a lot of your life, my life. 658 00:34:20,719 --> 00:34:22,799 Speaker 3: I've been there a while long time, so we spent 659 00:34:22,840 --> 00:34:24,040 Speaker 3: a lot of nights in that building. 660 00:34:24,040 --> 00:34:27,319 Speaker 4: And yeah, and as far as in that studio, I 661 00:34:27,360 --> 00:34:30,240 Speaker 4: think back to all the live feeds that we did. 662 00:34:30,719 --> 00:34:33,080 Speaker 5: But what was that even called. It's not around anymore 663 00:34:33,600 --> 00:34:34,480 Speaker 5: where we would. 664 00:34:34,560 --> 00:34:38,640 Speaker 4: Go live periscope pariscope, I think, I think of all 665 00:34:38,680 --> 00:34:42,800 Speaker 4: the great memories with us taking the show live on periscope. 666 00:34:43,320 --> 00:34:47,520 Speaker 4: Of course, Kooper Loop eating an eighteen hour old hot. 667 00:34:47,280 --> 00:34:50,239 Speaker 5: Dog with Relish on it as Berbant King. 668 00:34:51,080 --> 00:34:56,200 Speaker 4: Also us betting Coop about the vasoline because it was 669 00:34:56,239 --> 00:34:59,640 Speaker 4: in the news that a player eight spoonfuls of vassaline. 670 00:35:00,239 --> 00:35:05,960 Speaker 3: Guy that invented vasolene said that he took a spoonful 671 00:35:06,040 --> 00:35:07,960 Speaker 3: of it every day and he thought it gave him 672 00:35:08,000 --> 00:35:09,200 Speaker 3: longevity like he would. 673 00:35:10,520 --> 00:35:13,319 Speaker 4: Yeah, and there was some player that said he would 674 00:35:13,400 --> 00:35:16,080 Speaker 4: take little bites of it. And so we we would 675 00:35:16,160 --> 00:35:19,360 Speaker 4: pool our money to get Kooper Loop to eat things, 676 00:35:19,400 --> 00:35:23,920 Speaker 4: which always was a big hit, especially on periscope, Tinderoni 677 00:35:24,000 --> 00:35:27,160 Speaker 4: tips on periscope. There were times we set up the 678 00:35:27,200 --> 00:35:29,239 Speaker 4: studio to make it look like a nightclub with the 679 00:35:29,800 --> 00:35:34,160 Speaker 4: with the lights, that's right, Yeah, yeah, very good memories 680 00:35:34,200 --> 00:35:34,799 Speaker 4: in there. Man. 681 00:35:35,600 --> 00:35:37,640 Speaker 3: Yeah, We've had a lot of listeners that have come through. 682 00:35:37,680 --> 00:35:39,680 Speaker 3: We had Chris and Houston, we had. 683 00:35:40,520 --> 00:35:44,360 Speaker 1: Recently he came through. We had Robbed, the Ambassador of 684 00:35:44,400 --> 00:35:47,080 Speaker 1: Bakersfield came by. He I feel bad. 685 00:35:47,080 --> 00:35:49,200 Speaker 3: He came by one time with this guy that was 686 00:35:49,239 --> 00:35:52,840 Speaker 3: completely hammered and we had he brought some barbecue ribs 687 00:35:52,880 --> 00:35:53,600 Speaker 3: and stuff, and then. 688 00:35:53,520 --> 00:35:55,600 Speaker 1: We made him go. We made him leave immediately because 689 00:35:55,600 --> 00:35:57,319 Speaker 1: the guy was kind of freaking us out a little bit. 690 00:35:57,320 --> 00:35:58,680 Speaker 1: We were like, what's up with that cat? 691 00:35:59,640 --> 00:35:59,759 Speaker 3: Uh. 692 00:36:00,400 --> 00:36:02,200 Speaker 1: There have been some listeners that have come in there 693 00:36:02,239 --> 00:36:06,920 Speaker 1: and then they'd like we had some guys driving around 694 00:36:06,960 --> 00:36:07,480 Speaker 1: tow truck. 695 00:36:07,560 --> 00:36:10,359 Speaker 3: They were what do you call repo guys and they 696 00:36:10,440 --> 00:36:13,759 Speaker 3: came in there moving. Man, Matt's been in there. Maybe 697 00:36:13,760 --> 00:36:15,560 Speaker 3: there's a bunch of people have been over heres. And 698 00:36:15,600 --> 00:36:18,440 Speaker 3: we look forward to having new people on our overnight 699 00:36:18,480 --> 00:36:21,560 Speaker 3: show and the new studio and all that. But we 700 00:36:21,600 --> 00:36:24,839 Speaker 3: went very long on Benny's Big Board, and so we'll 701 00:36:24,920 --> 00:36:26,359 Speaker 3: leave it there. I think we'll do some of our 702 00:36:26,400 --> 00:36:28,799 Speaker 3: other features on Saturday. Got a lot of content so 703 00:36:28,840 --> 00:36:31,640 Speaker 3: that we'll kind of let this breathe and let this 704 00:36:31,760 --> 00:36:35,200 Speaker 3: be a tribute rest in peace to the old Fox 705 00:36:35,239 --> 00:36:39,160 Speaker 3: Sports Radio studio and good luck to the future, and 706 00:36:39,360 --> 00:36:41,800 Speaker 3: we'll look forward to the new studio and anything you 707 00:36:41,840 --> 00:36:44,080 Speaker 3: want to promote. Danny, I know it's a workday for you. 708 00:36:44,120 --> 00:36:47,280 Speaker 3: It's a double workday for you, as you have double 709 00:36:47,400 --> 00:36:51,919 Speaker 3: duty today in the brand Smanking new studio. Yeah. 710 00:36:52,080 --> 00:36:55,960 Speaker 4: Man, looking forward to the second round of the NFL 711 00:36:56,080 --> 00:36:59,960 Speaker 4: Draft and having some Friday afternoon fun on the Kobe 712 00:37:00,239 --> 00:37:02,640 Speaker 4: and Rich Show from two to four pm on the 713 00:37:02,680 --> 00:37:06,400 Speaker 4: West Coast, five to seven in New York, New. 714 00:37:06,320 --> 00:37:07,959 Speaker 1: York, New York, New York. 715 00:37:08,040 --> 00:37:12,240 Speaker 3: The Big Apple And that's that's Covino in Rich Territory, 716 00:37:12,239 --> 00:37:13,600 Speaker 3: the Big App that's their. 717 00:37:13,440 --> 00:37:16,400 Speaker 5: Their Holy Yeah, that's where they both are from. Mecca. 718 00:37:17,080 --> 00:37:20,200 Speaker 3: Have a great rest of you day, enjoy the draft 719 00:37:20,400 --> 00:37:25,480 Speaker 3: and enjoy the basketball playoffs and all that nonsense. And hey, 720 00:37:25,520 --> 00:37:28,120 Speaker 3: we'll be right back here in the podcast studio all 721 00:37:28,160 --> 00:37:31,919 Speaker 3: weekend long. Got another podcast on Saturday, and right back 722 00:37:31,960 --> 00:37:32,560 Speaker 3: on Sunday. 723 00:37:32,680 --> 00:37:37,520 Speaker 5: We'll talk to you then later. Skater got a murder. 724 00:37:37,560 --> 00:37:37,920 Speaker 2: I gotta go