1 00:00:01,840 --> 00:00:06,159 Speaker 1: You are now Angelo? What ir? 2 00:00:06,400 --> 00:00:13,720 Speaker 2: Ye ay? 3 00:00:14,160 --> 00:00:17,440 Speaker 3: Yeah, way up on a Monday. I'm angela ye beat 4 00:00:17,480 --> 00:00:19,720 Speaker 3: out his here sensation. 5 00:00:21,160 --> 00:00:21,759 Speaker 1: How are you doing? 6 00:00:21,960 --> 00:00:22,360 Speaker 4: I'm good? 7 00:00:22,360 --> 00:00:24,360 Speaker 1: How are you my mathough you forgot about me? 8 00:00:24,520 --> 00:00:25,200 Speaker 4: Oh my gosh. 9 00:00:25,239 --> 00:00:28,400 Speaker 3: Well, you know, there's a lot of things happening musically today, 10 00:00:28,480 --> 00:00:31,680 Speaker 3: that's right. I saw Bia put out a response to 11 00:00:31,760 --> 00:00:34,240 Speaker 3: Cardi B. Cardi B gave an explanation of their beef. 12 00:00:34,240 --> 00:00:38,600 Speaker 3: We'll be discussing that this morning. Also more Diddy news, 13 00:00:38,680 --> 00:00:41,720 Speaker 3: of course, yes, more did news. 14 00:00:42,520 --> 00:00:43,760 Speaker 4: You have a relationship with Diddy? 15 00:00:43,800 --> 00:00:46,280 Speaker 1: Come in them? A couple of times we partied, but 16 00:00:46,360 --> 00:00:47,520 Speaker 1: not like that in that kind of way. 17 00:00:48,479 --> 00:00:51,479 Speaker 3: And also, y'all know I'm a big fan of Broadway plays. Well, 18 00:00:51,520 --> 00:00:54,360 Speaker 3: I'm excited that Shelley Williams is going to be joining us. 19 00:00:54,760 --> 00:00:59,000 Speaker 3: She directs The Notebook also The Whiz at the same 20 00:00:59,120 --> 00:01:02,320 Speaker 3: damn time and should be directing Aida as well, So 21 00:01:02,360 --> 00:01:03,000 Speaker 3: shout out to her. 22 00:01:03,040 --> 00:01:04,840 Speaker 4: And she's a black woman. There you go, love to 23 00:01:04,840 --> 00:01:05,160 Speaker 4: see it. 24 00:01:05,360 --> 00:01:07,840 Speaker 3: Okay, So let's start the show up with some love 25 00:01:07,840 --> 00:01:10,040 Speaker 3: and positivity. Let's shine a light eight hundred and two 26 00:01:10,160 --> 00:01:12,360 Speaker 3: nine two fifty one fifty call us up and let 27 00:01:12,400 --> 00:01:14,080 Speaker 3: us know who you want to spread some love to 28 00:01:14,160 --> 00:01:14,800 Speaker 3: it's way up. 29 00:01:14,880 --> 00:01:16,240 Speaker 5: I'm sham. 30 00:01:17,400 --> 00:01:20,520 Speaker 6: Turn your lights on, y'all, light spreading love to those 31 00:01:20,520 --> 00:01:21,640 Speaker 6: who are doing greatness. 32 00:01:21,800 --> 00:01:25,240 Speaker 1: Shine a light on them, Shine a light on him. 33 00:01:26,360 --> 00:01:28,000 Speaker 5: It's time to shine a light on him. 34 00:01:28,560 --> 00:01:31,800 Speaker 3: Yes, way up, beat out here with me. I'm here 35 00:01:32,240 --> 00:01:34,559 Speaker 3: and we are gonna shine a light. Now. Let's shine 36 00:01:34,560 --> 00:01:38,720 Speaker 3: a light this morning on Elijah Hogan nineteen years old right, 37 00:01:38,760 --> 00:01:41,880 Speaker 3: who is also the valedictorian at a school. But what 38 00:01:42,000 --> 00:01:44,120 Speaker 3: makes this unique is that he was living in a 39 00:01:44,160 --> 00:01:47,320 Speaker 3: homeless shelter wow, and managed to overcome those struggles and 40 00:01:47,360 --> 00:01:50,520 Speaker 3: graduated as valedictorian from the Walter elkoh In High School 41 00:01:50,520 --> 00:01:53,559 Speaker 3: class of twenty twenty four this spring. Annie is planning 42 00:01:53,560 --> 00:01:56,560 Speaker 3: to attend college this fall. He was living in Covenant 43 00:01:56,560 --> 00:01:59,040 Speaker 3: House and attribute to his success to all of the 44 00:01:59,040 --> 00:02:00,960 Speaker 3: people at the shelter and school who went out of 45 00:02:01,000 --> 00:02:03,520 Speaker 3: their way to help him excel, as well as his 46 00:02:03,560 --> 00:02:08,520 Speaker 3: own hard work and determination. And you know it's according 47 00:02:08,560 --> 00:02:12,680 Speaker 3: to one of the people who works there, jar Kayla Cobb, 48 00:02:12,800 --> 00:02:15,360 Speaker 3: the Hogan's Rights to Passages case worker, she said she 49 00:02:15,440 --> 00:02:17,840 Speaker 3: watched him come out of his shell. She said, being 50 00:02:17,880 --> 00:02:20,000 Speaker 3: in a homeless shelter is traumatic. Whatever you went through 51 00:02:20,040 --> 00:02:22,400 Speaker 3: to get you here is traumatic. He was very shy, 52 00:02:22,600 --> 00:02:24,720 Speaker 3: he had very little words at first. So it's awesome 53 00:02:24,760 --> 00:02:27,160 Speaker 3: to see how much he has developed and become so 54 00:02:27,280 --> 00:02:30,360 Speaker 3: well spoken over the last seven or eight months. So 55 00:02:30,480 --> 00:02:34,119 Speaker 3: now he's going to attend Xavier University of Louisiana this fall. 56 00:02:34,160 --> 00:02:36,560 Speaker 3: He plans to major in graphic design. Good for him, 57 00:02:36,800 --> 00:02:39,080 Speaker 3: isn't that beautiful? Give it up for Elijah Hogan. 58 00:02:39,200 --> 00:02:40,639 Speaker 1: I really graduated high school. 59 00:02:40,800 --> 00:02:44,120 Speaker 3: Yeah, so imagine if you had to go overcome these obstacles. 60 00:02:44,360 --> 00:02:46,400 Speaker 3: All right, Well, who do you want to shine a 61 00:02:46,440 --> 00:02:49,160 Speaker 3: light on? Eight hundred two nine two fifty one fifty Tanisha? 62 00:02:49,200 --> 00:02:50,160 Speaker 3: Who you want to shine a light on? 63 00:02:51,120 --> 00:02:56,440 Speaker 7: My daughter, Lenisia Bird? Okay, just graduated from Howard University. 64 00:02:57,320 --> 00:03:01,600 Speaker 7: I guess the real hu Yeah, the real a cue? 65 00:03:01,600 --> 00:03:02,600 Speaker 7: When she got two degrees? 66 00:03:02,960 --> 00:03:03,520 Speaker 3: What does she get? 67 00:03:03,520 --> 00:03:04,200 Speaker 4: Her degrees in. 68 00:03:04,680 --> 00:03:06,520 Speaker 7: Political science and sociology? 69 00:03:06,840 --> 00:03:09,839 Speaker 3: All right, okay, baby genius, Lenisha? 70 00:03:10,240 --> 00:03:10,680 Speaker 7: Thank you? 71 00:03:11,040 --> 00:03:11,919 Speaker 4: Where's she gonna live? 72 00:03:11,960 --> 00:03:12,120 Speaker 6: Now? 73 00:03:12,160 --> 00:03:14,399 Speaker 3: She coming back home? Did she already move out? 74 00:03:14,440 --> 00:03:14,520 Speaker 8: Like? 75 00:03:14,520 --> 00:03:15,120 Speaker 3: What's the plan? 76 00:03:15,720 --> 00:03:18,480 Speaker 7: Well, her niece is up in July, so she's coming 77 00:03:18,520 --> 00:03:21,040 Speaker 7: back to Michigan. And then she's gonna take a year 78 00:03:21,080 --> 00:03:22,680 Speaker 7: off to study for the Elten's. 79 00:03:23,600 --> 00:03:27,280 Speaker 3: Oh my gosh, okay, all right, you did your thing. 80 00:03:27,960 --> 00:03:30,480 Speaker 7: Yeah, she's really awesome. I had her at seventeen. 81 00:03:31,080 --> 00:03:33,280 Speaker 3: Uh well, thank you so much for calling. And you 82 00:03:33,320 --> 00:03:36,000 Speaker 3: get a light shine on you as well, Tanisha. That's amazing. 83 00:03:36,320 --> 00:03:36,960 Speaker 7: Thank you guys. 84 00:03:37,040 --> 00:03:38,080 Speaker 4: Have a great day you too. 85 00:03:38,560 --> 00:03:40,400 Speaker 3: All right, Well that was shining a light eight hundred 86 00:03:40,400 --> 00:03:42,240 Speaker 3: and two ninet two fifty one fifty If you couldn't 87 00:03:42,280 --> 00:03:44,720 Speaker 3: get through and still want to spread some love to somebody, 88 00:03:44,880 --> 00:03:46,920 Speaker 3: and when we come back, we got your ye, t 89 00:03:47,120 --> 00:03:50,640 Speaker 3: Let's start off with some ditty news, blood, threats and tears. 90 00:03:51,080 --> 00:03:54,080 Speaker 4: That is the title of this Daily Beast exclusive. 91 00:03:54,120 --> 00:03:57,760 Speaker 3: It's way up, they says in the rooms. 92 00:03:57,760 --> 00:04:01,800 Speaker 6: From industry shade to all of gods. Angela's feeling that. 93 00:04:03,720 --> 00:04:05,680 Speaker 4: It's way up by Angela. Ye beat up. 94 00:04:05,960 --> 00:04:09,400 Speaker 3: Yat priam at Ow is here journalist extraordinaire. 95 00:04:09,520 --> 00:04:09,840 Speaker 1: Thank you. 96 00:04:09,920 --> 00:04:10,280 Speaker 4: All right. 97 00:04:10,320 --> 00:04:13,680 Speaker 3: First, let's get into this Nicki Minaj arrest. Now, if 98 00:04:13,680 --> 00:04:17,040 Speaker 3: you guys recall she was arrested in Amsterdam last weekend 99 00:04:17,360 --> 00:04:20,880 Speaker 3: and she definitely felt like she was treated disgusting by 100 00:04:20,960 --> 00:04:21,680 Speaker 3: the authorities. 101 00:04:21,720 --> 00:04:23,880 Speaker 4: If you recall, she said this on station head. 102 00:04:24,279 --> 00:04:27,120 Speaker 9: I don't know when was the last time I felt 103 00:04:27,160 --> 00:04:30,920 Speaker 9: that low, And not only that, but just knowing that 104 00:04:30,960 --> 00:04:35,120 Speaker 9: something is being done to you on purpose, simply because 105 00:04:35,240 --> 00:04:38,279 Speaker 9: you are a confident other race. 106 00:04:39,400 --> 00:04:42,159 Speaker 3: Now the BBC is saying that Dutch police have rejected this. 107 00:04:42,360 --> 00:04:44,600 Speaker 3: They said, we just do our job and it's protocol 108 00:04:44,680 --> 00:04:47,920 Speaker 3: to search luggage and arrested person when we find drugs. 109 00:04:48,520 --> 00:04:51,160 Speaker 3: They said they are a professional organization and treats everybody 110 00:04:51,240 --> 00:04:53,760 Speaker 3: equal no matter what. And they said she had been 111 00:04:53,760 --> 00:04:56,400 Speaker 3: carrying thirty to one hundred grams of cannabis, but she 112 00:04:56,480 --> 00:04:59,279 Speaker 3: said they were pre rolls that belonged to her security guard. 113 00:04:59,360 --> 00:05:01,359 Speaker 1: Fathing like this is an episode of To Catch a 114 00:05:01,360 --> 00:05:02,560 Speaker 1: Smuggler or something like that. 115 00:05:02,680 --> 00:05:05,640 Speaker 3: By the way, the crazy part is in Amsterdam, that 116 00:05:05,680 --> 00:05:07,640 Speaker 3: was one of the first places everybody used to go 117 00:05:07,680 --> 00:05:10,599 Speaker 3: to all the time, with the coffee shops and stuff 118 00:05:10,640 --> 00:05:11,359 Speaker 3: like that to smoke. 119 00:05:11,440 --> 00:05:14,160 Speaker 1: They need a rebrand, Yeah, passed the Dutch indeed. 120 00:05:14,920 --> 00:05:17,440 Speaker 4: Okay, and now that was very clever. 121 00:05:17,600 --> 00:05:21,280 Speaker 3: Let's talk about this Daily Beast exclusive about Ditty. It's 122 00:05:21,320 --> 00:05:26,160 Speaker 3: called Blood Threats and Tears Inside Ditty's Nightmare Workplace. In 123 00:05:26,160 --> 00:05:29,640 Speaker 3: this article, five different ex employees of Ditty talked about 124 00:05:29,640 --> 00:05:32,120 Speaker 3: his behavior. Now, there were some people that said they 125 00:05:32,120 --> 00:05:34,359 Speaker 3: didn't feel that it would escalate to this point of 126 00:05:34,440 --> 00:05:36,640 Speaker 3: violence of what they saw on the tape. But one 127 00:05:36,680 --> 00:05:39,359 Speaker 3: female Sean John Ex employee talked about the time that 128 00:05:39,400 --> 00:05:45,160 Speaker 3: he grabbed her face following a disagreement about a creative decision. 129 00:05:45,160 --> 00:05:47,440 Speaker 3: She said, he didn't like that I wasn't agreeing with him, 130 00:05:47,440 --> 00:05:50,400 Speaker 3: and he started to yell and compared himself to Carl Lagerfeldt. 131 00:05:50,760 --> 00:05:53,920 Speaker 3: Then he said he told her to stick out your tongue. 132 00:05:53,960 --> 00:05:55,880 Speaker 3: He put his hands on both sides of her cheeks 133 00:05:55,920 --> 00:05:59,200 Speaker 3: and started squeezing her face really hard. And then when 134 00:05:59,200 --> 00:06:00,800 Speaker 3: she stuck out her tongue, she said he wanted to 135 00:06:00,800 --> 00:06:03,479 Speaker 3: see if her tongue was bleeding because she was clearly 136 00:06:03,520 --> 00:06:05,640 Speaker 3: biting it. And she said I started to look for 137 00:06:05,680 --> 00:06:09,719 Speaker 3: a job immediately after that moment. Another employee said the 138 00:06:09,720 --> 00:06:12,920 Speaker 3: work environment was like game of thrones. Everybody was walking 139 00:06:12,960 --> 00:06:15,640 Speaker 3: on eggshells and some colleagues would throw others under the 140 00:06:15,680 --> 00:06:19,200 Speaker 3: bus to stay in his good graces. That employee said, 141 00:06:19,200 --> 00:06:21,080 Speaker 3: when people ask me about it, I always tell them 142 00:06:21,080 --> 00:06:24,679 Speaker 3: it was the worst experience I ever had in my life. Wow, 143 00:06:25,240 --> 00:06:28,760 Speaker 3: And they said it was called somebody threw a brick. 144 00:06:28,800 --> 00:06:29,599 Speaker 4: That's what they call it. 145 00:06:29,640 --> 00:06:31,800 Speaker 3: Working in that office out of the blue if he 146 00:06:31,920 --> 00:06:33,880 Speaker 3: was unhappy with something, you might not have done, but 147 00:06:33,920 --> 00:06:36,680 Speaker 3: he thought you did, you caught a brick. And they 148 00:06:36,720 --> 00:06:39,920 Speaker 3: said that's when he basically would verbally attack you. And 149 00:06:40,000 --> 00:06:42,400 Speaker 3: this one employee said he was verbally attacked until I 150 00:06:42,440 --> 00:06:45,599 Speaker 3: was surrounded by security guards who rushed over while he's 151 00:06:45,640 --> 00:06:48,200 Speaker 3: six inches from my face screaming at me, telling me 152 00:06:48,279 --> 00:06:49,039 Speaker 3: I eft up. 153 00:06:49,400 --> 00:06:50,920 Speaker 4: That's when I learned what a brick is. 154 00:06:51,120 --> 00:06:53,039 Speaker 10: Wow, those who wants to work for Diddy episodes are 155 00:06:53,040 --> 00:06:55,479 Speaker 10: going to hit different now those Yeah, man, remember Laverne 156 00:06:55,480 --> 00:06:57,200 Speaker 10: Cox was a contestant on that. 157 00:06:57,440 --> 00:06:59,880 Speaker 4: I didn't even remember that. Well listen. 158 00:07:00,000 --> 00:07:03,600 Speaker 3: And one former Blue Flame employee that's his marketing agency, 159 00:07:03,680 --> 00:07:06,760 Speaker 3: said a lot of calling women's the B word, fu 160 00:07:06,880 --> 00:07:09,479 Speaker 3: or stupid or off fire. Y'all be's right now. She 161 00:07:09,560 --> 00:07:11,760 Speaker 3: said she'd never seen him be like that with men 162 00:07:12,280 --> 00:07:15,040 Speaker 3: unless they had no power or stature in the industry. 163 00:07:15,360 --> 00:07:17,200 Speaker 1: Wow, So not the Diddler. 164 00:07:17,640 --> 00:07:20,480 Speaker 3: That is just some of the experiences from people who 165 00:07:20,560 --> 00:07:21,240 Speaker 3: used to work there. 166 00:07:21,400 --> 00:07:21,720 Speaker 11: All right. 167 00:07:21,800 --> 00:07:24,400 Speaker 3: Jennifer Lopez has canceled her twenty twenty four tour. 168 00:07:24,560 --> 00:07:25,080 Speaker 4: This is me. 169 00:07:25,320 --> 00:07:29,200 Speaker 3: Oh no, shut up, bet that you don't like j Lo. 170 00:07:30,480 --> 00:07:30,680 Speaker 1: You know. 171 00:07:30,800 --> 00:07:33,160 Speaker 3: She made the announcement on Friday in her on the 172 00:07:33,280 --> 00:07:36,760 Speaker 3: JLO fan newsletter. She is taking time off to be 173 00:07:36,800 --> 00:07:39,440 Speaker 3: with her children, family and close friends. You know, we've 174 00:07:39,440 --> 00:07:41,720 Speaker 3: been telling you certain tour dates have been canceled. They 175 00:07:41,720 --> 00:07:45,840 Speaker 3: were talking about issues with ticket sales, and yeah, seven 176 00:07:45,920 --> 00:07:48,000 Speaker 3: tour days have been canceled. Prior to that, they were 177 00:07:48,000 --> 00:07:51,080 Speaker 3: talking about this Vegas residency. Maybe that's not going to happen. 178 00:07:51,120 --> 00:07:54,520 Speaker 3: Now they may have rescinded that offer, but if you 179 00:07:54,600 --> 00:07:58,120 Speaker 3: have tickets to see j Lo, those tickets will be refunded. 180 00:07:58,160 --> 00:07:59,840 Speaker 4: According to the newsletter. 181 00:08:00,040 --> 00:08:02,680 Speaker 10: Jimmy's Cafe or something like that, the residency over there? 182 00:08:02,720 --> 00:08:04,480 Speaker 10: What right off the Grand concourse? 183 00:08:04,720 --> 00:08:05,960 Speaker 4: What's your favorite j Low song? 184 00:08:06,320 --> 00:08:08,320 Speaker 10: The one she was on the block, the one with 185 00:08:08,360 --> 00:08:10,320 Speaker 10: the Okay, yeah, that's pretty good. 186 00:08:10,480 --> 00:08:12,760 Speaker 3: I'm still j there we go, yeah, all right, well 187 00:08:12,760 --> 00:08:14,400 Speaker 3: that is your yet when we come back, we have 188 00:08:14,480 --> 00:08:16,720 Speaker 3: about last night. That's where we discussed what we did 189 00:08:16,800 --> 00:08:19,280 Speaker 3: last night went on whether you watched a movie a 190 00:08:19,400 --> 00:08:20,600 Speaker 3: series on television. 191 00:08:20,720 --> 00:08:22,080 Speaker 4: I'm gonna tell you about the show that I was 192 00:08:22,120 --> 00:08:22,920 Speaker 4: watching on TV. 193 00:08:23,040 --> 00:08:25,400 Speaker 3: All right, and see if you guys, if anybody else 194 00:08:25,440 --> 00:08:26,760 Speaker 3: has seen it, it's on Netflix. 195 00:08:26,800 --> 00:08:27,120 Speaker 4: All right. 196 00:08:27,160 --> 00:08:29,400 Speaker 3: It's way up. About last night is next? Let's hear 197 00:08:29,440 --> 00:08:30,320 Speaker 3: some dra. 198 00:08:34,240 --> 00:08:39,720 Speaker 6: So about last night went down? 199 00:08:40,679 --> 00:08:43,120 Speaker 3: All right, it's way up. I'm angela yee beat out, 200 00:08:43,160 --> 00:08:47,000 Speaker 3: wandered off. But we're doing about last night. And I 201 00:08:47,000 --> 00:08:50,000 Speaker 3: wanted to talk about a show that I was watching 202 00:08:50,480 --> 00:08:54,800 Speaker 3: on Netflix. It's called Tires and it's a six episode series. 203 00:08:54,840 --> 00:08:55,400 Speaker 4: Have you seen it? 204 00:08:55,480 --> 00:08:59,040 Speaker 1: Dan? I haven't. I was actually watching Eric over the weekend. Okay, 205 00:08:59,080 --> 00:09:02,920 Speaker 1: what's Eric? Is like a kidnapping story? Continue about Tires 206 00:09:02,920 --> 00:09:03,959 Speaker 1: because I'm a Shane Gillis fan. 207 00:09:04,080 --> 00:09:07,240 Speaker 3: All right, Well, Shane Gillis actually plays a guy named Shane. Okay, 208 00:09:08,120 --> 00:09:11,320 Speaker 3: and it's about an auto repair chain and the I 209 00:09:11,320 --> 00:09:15,000 Speaker 3: guess the guy's father owns the auto repair store and 210 00:09:15,040 --> 00:09:18,000 Speaker 3: he's in charge of this particular chain. Shane is his cousin, 211 00:09:18,559 --> 00:09:21,040 Speaker 3: and they just do it's a lot of male humor. 212 00:09:21,120 --> 00:09:23,400 Speaker 3: And I thought about it because I've always had to 213 00:09:23,440 --> 00:09:26,079 Speaker 3: like bring my car in for repairs and it's such 214 00:09:26,120 --> 00:09:28,600 Speaker 3: a male dominated space when you go to like an 215 00:09:28,640 --> 00:09:31,480 Speaker 3: auto repair shop. So the kind of jokes that they 216 00:09:31,480 --> 00:09:33,720 Speaker 3: make there's one episode where they're trying to make the 217 00:09:33,920 --> 00:09:38,120 Speaker 3: environment more friendly for women. Hey, beat, I hi, bathroom 218 00:09:38,200 --> 00:09:41,160 Speaker 3: and a journalist comes in to do an article on 219 00:09:41,200 --> 00:09:44,160 Speaker 3: them and how they're making the space, you know, friendlier 220 00:09:44,240 --> 00:09:46,679 Speaker 3: toward women. And all they basically did was put up 221 00:09:46,720 --> 00:09:49,560 Speaker 3: signs like you know, we're friendly for women or. 222 00:09:49,559 --> 00:09:51,400 Speaker 4: Something like that, and that was the reason. 223 00:09:51,400 --> 00:09:53,559 Speaker 3: And they make the most inappropriate jokes, and they were 224 00:09:53,600 --> 00:09:56,040 Speaker 3: doing it in front of the reporter. But it's a funny, 225 00:09:56,120 --> 00:09:59,080 Speaker 3: like guy humor, stupid humor type of show. 226 00:09:59,120 --> 00:09:59,920 Speaker 4: You'll probably like it. 227 00:10:00,000 --> 00:10:02,760 Speaker 3: It's up Yeah, it's right up your ally when I 228 00:10:02,800 --> 00:10:05,000 Speaker 3: tell you, because I was like chuckling at it while 229 00:10:05,000 --> 00:10:07,600 Speaker 3: I was watching it certain things like I was doing 230 00:10:07,640 --> 00:10:09,000 Speaker 3: stuff in my house, so I didn't want to have 231 00:10:09,000 --> 00:10:11,560 Speaker 3: to like concentrate too hard on a plot. So that's 232 00:10:11,600 --> 00:10:13,000 Speaker 3: the kind of thing that you can watch if you 233 00:10:13,040 --> 00:10:14,080 Speaker 3: just want to get a quick laugh. 234 00:10:14,120 --> 00:10:15,960 Speaker 1: All right, Bet, I'm putting on my to do list. 235 00:10:16,000 --> 00:10:16,520 Speaker 4: What did you do? 236 00:10:16,640 --> 00:10:19,559 Speaker 1: I was doing activities anctivities, yeah, you know. 237 00:10:19,559 --> 00:10:22,720 Speaker 10: Like finding good parking spaces and all right, mowing your 238 00:10:22,800 --> 00:10:23,800 Speaker 10: lawn things like that. 239 00:10:23,960 --> 00:10:27,040 Speaker 3: And you watched Eric and you said it's a kidnapping series. 240 00:10:27,240 --> 00:10:30,080 Speaker 3: All right, sounds good to me. All right, well anyway 241 00:10:30,120 --> 00:10:31,600 Speaker 3: and the other thing, and we'll hear a lot more 242 00:10:31,600 --> 00:10:33,360 Speaker 3: about this. My god daughter is staying with me for 243 00:10:33,400 --> 00:10:34,960 Speaker 3: the summer. So she just moved in. 244 00:10:35,040 --> 00:10:35,760 Speaker 4: It's like a fresh air. 245 00:10:36,000 --> 00:10:38,079 Speaker 3: She went to the roots picnic and then now she's 246 00:10:38,480 --> 00:10:40,200 Speaker 3: on her way back. So I shout out to mea 247 00:10:40,559 --> 00:10:41,960 Speaker 3: she'll be with me. I know we'll have a lot 248 00:10:42,040 --> 00:10:45,240 Speaker 3: of things to discuss. I'm like the cool god MoMA. 249 00:10:45,360 --> 00:10:48,120 Speaker 1: So you're doing activities, yes, I am all right. 250 00:10:48,120 --> 00:10:50,840 Speaker 3: In the meantime, tell us a secret is coming up 251 00:10:50,840 --> 00:10:53,880 Speaker 3: when we come back. Eight hundred two nine two fifty 252 00:10:53,920 --> 00:10:55,880 Speaker 3: one fifty. You know we are a vault up here, 253 00:10:56,120 --> 00:10:58,280 Speaker 3: so anything you tell us, we're not going to tell anyone. 254 00:10:58,480 --> 00:11:00,280 Speaker 3: You are all right, and it might be post it 255 00:11:00,320 --> 00:11:03,360 Speaker 3: on Instagram. Eight hundred two nine two fifty one fifty. 256 00:11:03,400 --> 00:11:05,800 Speaker 3: You get to remain anonymous. Call us up and tell 257 00:11:05,840 --> 00:11:08,520 Speaker 3: us a secret. It's no judgment beat out, okay, all right? 258 00:11:08,520 --> 00:11:10,840 Speaker 3: Eight hundred two nine two fifty one fifty. When we 259 00:11:10,880 --> 00:11:12,920 Speaker 3: come back, tell us a secret. Where a vault. 260 00:11:13,080 --> 00:11:18,079 Speaker 5: Oh this is a judgment free zone. Tell us a secret. 261 00:11:20,000 --> 00:11:21,000 Speaker 12: Happy my day. 262 00:11:21,360 --> 00:11:23,000 Speaker 3: It's the way up and we're going to start it off. 263 00:11:23,000 --> 00:11:24,679 Speaker 3: It's a confessions beat out us here. 264 00:11:24,840 --> 00:11:26,640 Speaker 1: One of its beat Out Confession is one of my 265 00:11:26,640 --> 00:11:27,640 Speaker 1: favorite albums. 266 00:11:27,760 --> 00:11:31,880 Speaker 3: Oh yeah, yeah, man, I wonder why oh man, Brian Millar, 267 00:11:31,960 --> 00:11:35,000 Speaker 3: would you like to confess something? I have a journalist 268 00:11:35,080 --> 00:11:36,600 Speaker 3: beat out us here, and we are here to not 269 00:11:36,760 --> 00:11:39,320 Speaker 3: judge you and listen to your secret. Eight hundred two 270 00:11:39,400 --> 00:11:42,280 Speaker 3: nine two fifty one fifty anonymous caller tell us your secret. 271 00:11:43,000 --> 00:11:46,480 Speaker 2: About two three years ago, a cousin of my wife 272 00:11:46,920 --> 00:11:49,920 Speaker 2: went to a party about to be a swinger party. 273 00:11:50,320 --> 00:11:53,520 Speaker 3: Oh, a swinger's party, okay, and so you participated. 274 00:11:54,160 --> 00:11:54,600 Speaker 5: We did. 275 00:11:55,360 --> 00:11:58,680 Speaker 13: It was really really crazy. My cousin and I. We 276 00:11:58,760 --> 00:12:03,079 Speaker 13: had two or three different three th different women throughout 277 00:12:03,120 --> 00:12:05,280 Speaker 13: the night, which was something else I never thought I 278 00:12:05,280 --> 00:12:05,600 Speaker 13: would do. 279 00:12:05,640 --> 00:12:08,160 Speaker 3: You have a three throw tax You had a night 280 00:12:08,240 --> 00:12:10,760 Speaker 3: that you did not anticipate word and. 281 00:12:10,640 --> 00:12:12,760 Speaker 13: Then we kept it going after that and maybe like 282 00:12:12,920 --> 00:12:14,720 Speaker 13: another sixty seven mom. 283 00:12:15,080 --> 00:12:17,480 Speaker 14: It was pretty thrown after a while, but they got 284 00:12:17,480 --> 00:12:18,440 Speaker 14: another two taboo. 285 00:12:18,600 --> 00:12:18,760 Speaker 1: Bro. 286 00:12:19,559 --> 00:12:21,880 Speaker 3: What was one of the craziest things that happened was 287 00:12:21,880 --> 00:12:22,400 Speaker 3: Diddy There. 288 00:12:22,679 --> 00:12:26,559 Speaker 13: Craziest thing is like just the older women like they 289 00:12:26,679 --> 00:12:27,480 Speaker 13: literally want to. 290 00:12:27,440 --> 00:12:31,640 Speaker 14: Get by like thirty guys like something crazy like the 291 00:12:31,679 --> 00:12:35,160 Speaker 14: older white women in the fifty you're fee people like 292 00:12:35,520 --> 00:12:38,880 Speaker 14: on that bondage type stuff like really really hardcore bond ude. 293 00:12:39,200 --> 00:12:41,760 Speaker 3: Okay, all right, well, thank you for calling and sharing 294 00:12:41,800 --> 00:12:43,120 Speaker 3: with us and everyone else. 295 00:12:43,440 --> 00:12:43,960 Speaker 8: Thank you. 296 00:12:44,040 --> 00:12:47,840 Speaker 1: Blood threats and tears man sweat sweat threats. 297 00:12:48,400 --> 00:12:49,880 Speaker 3: Hey, anonymous color, how are you? 298 00:12:50,520 --> 00:12:51,120 Speaker 15: Good morning? 299 00:12:51,200 --> 00:12:51,760 Speaker 12: I'm crazy? 300 00:12:51,800 --> 00:12:52,720 Speaker 4: I love you. 301 00:12:52,760 --> 00:12:54,200 Speaker 3: Want to tell me and beat out a secret? 302 00:12:54,320 --> 00:12:55,199 Speaker 1: Tell us a secret. 303 00:12:55,640 --> 00:13:02,360 Speaker 12: I have been fantasizing about another woman's him heterspctual. I've 304 00:13:02,360 --> 00:13:07,360 Speaker 12: been married before before for a long time, and I've 305 00:13:07,400 --> 00:13:11,600 Speaker 12: never thought about another woman. But I've been sandasizing about 306 00:13:11,640 --> 00:13:12,400 Speaker 12: a certain lady. 307 00:13:12,679 --> 00:13:16,439 Speaker 3: Okay, so it's somebody special in particular. 308 00:13:16,640 --> 00:13:19,120 Speaker 12: Someone I know. She doesn't know this. 309 00:13:20,240 --> 00:13:21,360 Speaker 4: Are you going to act on it? 310 00:13:21,760 --> 00:13:24,200 Speaker 12: I don't know. I don't know if she's still in 311 00:13:24,240 --> 00:13:27,199 Speaker 12: the same way or if she has feelings for women? 312 00:13:27,559 --> 00:13:32,800 Speaker 3: All right, well, it is Pride month, you know, it's 313 00:13:32,880 --> 00:13:33,480 Speaker 3: Pride month. 314 00:13:34,880 --> 00:13:39,000 Speaker 12: Be outside. 315 00:13:39,840 --> 00:13:41,600 Speaker 3: All right, Well, thank you for sharing with us. I 316 00:13:41,640 --> 00:13:42,720 Speaker 3: hope it works out. 317 00:13:43,120 --> 00:13:43,480 Speaker 12: Thank you? 318 00:13:44,280 --> 00:13:44,760 Speaker 4: All right? 319 00:13:44,800 --> 00:13:48,280 Speaker 3: Well those are Yeah, everybody's out here, you know, living 320 00:13:48,320 --> 00:13:51,720 Speaker 3: their best life, checking all the boxes off the bucket list. 321 00:13:51,920 --> 00:13:55,160 Speaker 1: You got freak golfs the secret admirers. 322 00:13:55,200 --> 00:13:57,000 Speaker 3: All right, well, when we come back, we have your 323 00:13:57,080 --> 00:13:59,120 Speaker 3: yet as Sean Kingston. 324 00:13:59,360 --> 00:14:00,520 Speaker 4: We have his mugshot. 325 00:14:00,520 --> 00:14:03,240 Speaker 3: Will tell you all the details about him turning himself in. 326 00:14:03,840 --> 00:14:06,320 Speaker 3: He has ten charges its way up shore. 327 00:14:06,440 --> 00:14:07,839 Speaker 5: She's about to blow the lead ab off this. 328 00:14:07,960 --> 00:14:11,240 Speaker 6: But let's get it Angelus building at YE team, come 329 00:14:11,280 --> 00:14:12,000 Speaker 6: and get to see. 330 00:14:13,080 --> 00:14:18,240 Speaker 3: Yeah, it's way up. I'm here with journalists. Brian millar aks. 331 00:14:18,760 --> 00:14:21,720 Speaker 3: All right, let's get into some YU team now. Cameron 332 00:14:22,040 --> 00:14:25,480 Speaker 3: and Anthony Edwards are right, there's no I guess some issues. 333 00:14:25,480 --> 00:14:26,560 Speaker 4: What's the issues between them? 334 00:14:26,760 --> 00:14:30,920 Speaker 10: I think that well, Aunt's upset that Cam had some 335 00:14:31,040 --> 00:14:32,120 Speaker 10: comments about his game. 336 00:14:32,240 --> 00:14:34,400 Speaker 3: All right, well this is in an Adidas commercial that's 337 00:14:34,440 --> 00:14:38,200 Speaker 3: out right now. And here is Anthony Edwards actually responding 338 00:14:38,280 --> 00:14:39,560 Speaker 3: reacting to those comments. 339 00:14:39,960 --> 00:14:46,560 Speaker 5: That's for my receipts. Receipts. Yeah, I hear all the Hey. 340 00:14:45,640 --> 00:14:48,200 Speaker 3: Camera said to me he's an all star but not 341 00:14:48,280 --> 00:14:49,200 Speaker 3: a superstar yet. 342 00:14:50,920 --> 00:14:52,000 Speaker 5: Buddy, it is what. 343 00:14:52,040 --> 00:14:53,040 Speaker 8: It ain't. 344 00:14:54,560 --> 00:14:58,760 Speaker 3: Now, Yeah, f buddy, buddy what he has to say? Well, 345 00:14:58,800 --> 00:15:03,280 Speaker 3: Cameron has or read he freestyled in response to this, 346 00:15:03,560 --> 00:15:06,120 Speaker 3: and here is we have two parts of this freestyle. 347 00:15:06,160 --> 00:15:09,040 Speaker 4: Here is here here he is naming him by name. 348 00:15:09,640 --> 00:15:12,880 Speaker 11: Well growing and man gave him his pops home. He 349 00:15:13,000 --> 00:15:16,240 Speaker 11: got love from me, new commercial, y'all ain't got love 350 00:15:16,320 --> 00:15:19,480 Speaker 11: from me. He shot and jump shot and say, oh buddy, 351 00:15:19,840 --> 00:15:23,680 Speaker 11: the receipt we either looking like it, buddy, and trust buddy. 352 00:15:23,680 --> 00:15:24,960 Speaker 5: I ain't want to judge buddy. 353 00:15:25,000 --> 00:15:27,920 Speaker 11: Buddy sitting there glazing at you like a love heartbeat. 354 00:15:28,520 --> 00:15:31,960 Speaker 1: Wow, whoa, whoa listen kill us back man. 355 00:15:32,040 --> 00:15:33,920 Speaker 10: You know, in a lot of ways, Cameron and Anthony 356 00:15:34,000 --> 00:15:36,920 Speaker 10: ed was a kind of similar Like Cameron reminds me 357 00:15:37,160 --> 00:15:39,360 Speaker 10: of like the Anthony Edwards are wrapped in a. 358 00:15:39,280 --> 00:15:39,800 Speaker 5: Lot of ways. 359 00:15:39,920 --> 00:15:40,520 Speaker 4: Why you say that. 360 00:15:40,600 --> 00:15:42,680 Speaker 10: I mean Anthony I was like in his fourth year 361 00:15:42,680 --> 00:15:44,160 Speaker 10: in the game, and like when Kim was in his 362 00:15:44,200 --> 00:15:46,640 Speaker 10: fourth year, he kind of had that the edge to him, 363 00:15:46,640 --> 00:15:47,720 Speaker 10: you know what I'm saying. He kind of was like 364 00:15:47,760 --> 00:15:50,440 Speaker 10: a forminal opponent of feared player in the game. So 365 00:15:50,840 --> 00:15:53,840 Speaker 10: in a lot of ways I see the similarities, like braggadocious. 366 00:15:54,120 --> 00:15:55,600 Speaker 4: But here's what he had to say. 367 00:15:56,880 --> 00:15:58,320 Speaker 5: Indeed, I'm blaming ju. 368 00:15:58,440 --> 00:16:01,160 Speaker 11: This is y'all fault campaign about to go. 369 00:16:01,440 --> 00:16:02,040 Speaker 5: Stan Ja. 370 00:16:02,400 --> 00:16:04,560 Speaker 11: Y'all think you'll got the b boll version of kan 371 00:16:04,680 --> 00:16:07,440 Speaker 11: Ye come on, stop it, due, y'all, just stop it 372 00:16:07,560 --> 00:16:10,520 Speaker 11: through he does something y'all don't like your drop him too. 373 00:16:11,320 --> 00:16:14,880 Speaker 11: Career is up T Mac, Derek Rose, RG three, John 374 00:16:15,000 --> 00:16:16,000 Speaker 11: Wall let him know. 375 00:16:16,440 --> 00:16:18,760 Speaker 4: Okay, well you know what, I'll tell you what. 376 00:16:18,880 --> 00:16:22,160 Speaker 3: Cameron and Mason definitely killing it with their sports podcast. 377 00:16:22,360 --> 00:16:25,040 Speaker 1: Right and Cam's a former basketball play too, sir on. 378 00:16:25,200 --> 00:16:27,280 Speaker 4: Brand right, right, right, all right. 379 00:16:27,320 --> 00:16:29,880 Speaker 3: Well, Sean Kingston was booked into Barra County Jail on 380 00:16:29,920 --> 00:16:34,000 Speaker 3: a million dollar fraud charges, so his mugshot is now out. 381 00:16:34,240 --> 00:16:36,760 Speaker 3: According to prosecutors, he and his mom committed more than 382 00:16:36,760 --> 00:16:40,080 Speaker 3: one million dollars worth of fraud, alleging that they stole money, jewelry, 383 00:16:40,080 --> 00:16:43,840 Speaker 3: a Cadillac escalade, and furniture. So he's expected to face 384 00:16:43,880 --> 00:16:44,840 Speaker 3: a judge today. 385 00:16:45,040 --> 00:16:46,400 Speaker 1: Don't make anybody suicidal. 386 00:16:46,480 --> 00:16:49,040 Speaker 4: By the way, what did That's not nice? 387 00:16:49,120 --> 00:16:49,560 Speaker 1: Sorry? 388 00:16:49,720 --> 00:16:51,200 Speaker 4: All right, be careful. 389 00:16:50,840 --> 00:16:52,720 Speaker 1: Saw that mugshot? Geez what a looker? 390 00:16:52,960 --> 00:16:55,600 Speaker 4: Oh my god. Well, anyway, we'll see what happens. 391 00:16:55,640 --> 00:16:58,000 Speaker 3: Maybe he'll have to give the items back, maybe he'll 392 00:16:58,040 --> 00:17:01,680 Speaker 3: have to restitution, who knows. All right, Meg the Stallion, 393 00:17:01,720 --> 00:17:04,520 Speaker 3: her concent in Atlanta has been postponed for the second time. 394 00:17:04,600 --> 00:17:05,080 Speaker 1: We're happing. 395 00:17:05,600 --> 00:17:07,600 Speaker 3: You know, they were having some issues at State Farm Arena. 396 00:17:07,640 --> 00:17:10,199 Speaker 3: There was a massive order main break, and so the 397 00:17:10,200 --> 00:17:14,359 Speaker 3: city of Atlanta was experiencing that they had to reschedule 398 00:17:14,400 --> 00:17:16,359 Speaker 3: the show, and then it ended up getting canceled and 399 00:17:16,440 --> 00:17:19,280 Speaker 3: well postponed, not canceled for a second time. So I'm 400 00:17:19,280 --> 00:17:21,600 Speaker 3: sure that's disappointing for people who had tickets just out 401 00:17:21,640 --> 00:17:24,919 Speaker 3: of their control though. Wow, all right, but yeah, so 402 00:17:25,240 --> 00:17:28,720 Speaker 3: that did happen, but they did actually, after several delays, 403 00:17:29,119 --> 00:17:33,399 Speaker 3: managed to do the show and Latto actually debuted the 404 00:17:33,440 --> 00:17:37,240 Speaker 3: remix to Sunday Service, So there you go, there you go. 405 00:17:37,119 --> 00:17:37,480 Speaker 4: All right. 406 00:17:37,520 --> 00:17:39,520 Speaker 3: And Meg the Stallion also has a release date and 407 00:17:39,560 --> 00:17:42,600 Speaker 3: cover art for her new album, Megan. She said, surprise, hotties, 408 00:17:42,640 --> 00:17:44,879 Speaker 3: my new album, Megan will be coming out June twenty eighth. 409 00:17:45,119 --> 00:17:47,199 Speaker 3: Click the link and bio to presave now. So she 410 00:17:47,240 --> 00:17:48,760 Speaker 3: announced it and it's coming out quick. 411 00:17:48,880 --> 00:17:49,919 Speaker 1: That's right around the corner. 412 00:17:50,160 --> 00:17:52,800 Speaker 3: Yeah, that's in how many weeks? Yeah, that's a little 413 00:17:52,840 --> 00:17:54,840 Speaker 3: more than three weeks, all right. And there are also 414 00:17:54,920 --> 00:17:58,640 Speaker 3: rumors of a Beyonce Vegas residency. After a Live Nation 415 00:17:59,080 --> 00:18:02,920 Speaker 3: teaser was post it said, Vegas, hold your horses wild horses. 416 00:18:03,000 --> 00:18:05,800 Speaker 3: That is big announcement coming tomorrow. And then it looks 417 00:18:05,840 --> 00:18:08,120 Speaker 3: like Beyonce in the shadows. 418 00:18:08,200 --> 00:18:10,399 Speaker 10: I think girls are still paying off their renaissance tickets. 419 00:18:10,400 --> 00:18:11,399 Speaker 10: Mandy going for the now. 420 00:18:11,440 --> 00:18:14,360 Speaker 4: You gotta do a whole trip, all right, all right? 421 00:18:14,440 --> 00:18:18,840 Speaker 3: And lastly, Thames has delivered a Tiny Desk performance where 422 00:18:18,880 --> 00:18:21,560 Speaker 3: she previewed a new song called Born in the Wild. 423 00:18:21,600 --> 00:18:22,840 Speaker 4: Here's what that sounded like. 424 00:18:25,760 --> 00:18:31,800 Speaker 9: Giving invictory and maybe is for your. 425 00:18:33,560 --> 00:18:36,919 Speaker 3: Wow, tiny desk already, Tiny desk already. I mean she 426 00:18:37,040 --> 00:18:40,439 Speaker 3: is a global star. She did right for Rihanna, she 427 00:18:40,480 --> 00:18:43,600 Speaker 3: did collaborate with Beyonce already, So it just seems like. 428 00:18:43,560 --> 00:18:45,560 Speaker 1: Tiny Desk is more for like the legacy X. 429 00:18:46,760 --> 00:18:49,920 Speaker 3: Yeah, but she's got some good hits. I think it 430 00:18:49,960 --> 00:18:52,119 Speaker 3: says people we also like to see perform live, so 431 00:18:52,119 --> 00:18:54,560 Speaker 3: maybe they're mixing it up. All right, Well that is 432 00:18:54,680 --> 00:18:57,040 Speaker 3: your Yet when we come back, we have under the radar. 433 00:18:57,080 --> 00:18:59,400 Speaker 3: These are the stories that are not necessarily in the headlines. 434 00:18:59,560 --> 00:19:01,840 Speaker 3: They're under the radar. And there's a whole article about 435 00:19:01,920 --> 00:19:04,240 Speaker 3: hip hop declining in popularity. 436 00:19:04,440 --> 00:19:06,159 Speaker 4: Way that was a newsweek it's way. 437 00:19:06,080 --> 00:19:08,040 Speaker 5: Up the news news. 438 00:19:08,160 --> 00:19:10,920 Speaker 6: This in the news that relates to you these stories 439 00:19:11,000 --> 00:19:12,320 Speaker 6: are flying under the radar. 440 00:19:13,320 --> 00:19:16,120 Speaker 3: All right, it's way. I'm Amandela ye beat out his hereat, 441 00:19:16,240 --> 00:19:18,399 Speaker 3: I'm here. I got this story in particular for you. 442 00:19:18,480 --> 00:19:20,439 Speaker 3: This was in Newsweek, and it says hip hop is 443 00:19:20,480 --> 00:19:24,920 Speaker 3: declining in popularity onion. Back in twenty eighteen, hip hop's 444 00:19:24,920 --> 00:19:27,200 Speaker 3: have passed back and roll to become the most popular 445 00:19:27,520 --> 00:19:30,480 Speaker 3: music genre in the US. But now they're saying, in 446 00:19:30,520 --> 00:19:33,520 Speaker 3: twenty twenty three, which is the fiftieth anniversary of hip hop, right, 447 00:19:34,119 --> 00:19:36,640 Speaker 3: that music genre seems to be losing its appeal. 448 00:19:37,280 --> 00:19:39,199 Speaker 4: I don't see it, but I don't know. Beat out. 449 00:19:39,240 --> 00:19:40,560 Speaker 4: You read this article, what do you think? 450 00:19:40,640 --> 00:19:42,800 Speaker 10: I think that's a hit piece, man, Like the biggest 451 00:19:42,840 --> 00:19:46,000 Speaker 10: conversation piece this year is Drake and Kendrick. Like hip 452 00:19:46,040 --> 00:19:49,680 Speaker 10: hop can be quantified just solely on numbers, if that's 453 00:19:49,720 --> 00:19:51,240 Speaker 10: the only gauge that they're going by. 454 00:19:51,480 --> 00:19:55,919 Speaker 3: Right, and according to their musicologists and historian Zachary Diaz 455 00:19:56,160 --> 00:19:59,400 Speaker 3: told Newsweek, there has been a musical gentrification of hip 456 00:19:59,400 --> 00:20:02,440 Speaker 3: hop has seeing corporations and big music labels try to 457 00:20:02,480 --> 00:20:05,400 Speaker 3: profit from its popularity. This has led to a dilution 458 00:20:05,520 --> 00:20:07,440 Speaker 3: of the sound that hip hop appears in all kinds 459 00:20:07,440 --> 00:20:11,160 Speaker 3: of music, movies, and advertisements that's crossed over into other genres, 460 00:20:11,320 --> 00:20:13,320 Speaker 3: so there's not even a clear idea of what hip 461 00:20:13,359 --> 00:20:14,320 Speaker 3: hop is anymore. 462 00:20:14,680 --> 00:20:17,719 Speaker 10: Have you seen that guy's picture? He looks like Chris Fawley, Man, Like, 463 00:20:17,800 --> 00:20:20,920 Speaker 10: I'm not listening to zach Zachary Diaz, so you're saying 464 00:20:20,960 --> 00:20:23,359 Speaker 10: he is he is the colonizer? What are you talking about? 465 00:20:23,400 --> 00:20:23,600 Speaker 5: Man? 466 00:20:23,960 --> 00:20:28,359 Speaker 3: All right, well, listen, it's definitely an interesting read because 467 00:20:28,359 --> 00:20:32,199 Speaker 3: they also refer to Drake and Kendrick in there as well, 468 00:20:32,400 --> 00:20:35,879 Speaker 3: and you know they're also in this article saying that 469 00:20:36,119 --> 00:20:39,040 Speaker 3: bad actors and hip hop have spoiled its image and authenticity. 470 00:20:39,200 --> 00:20:41,800 Speaker 1: Bad actors. What is Scott talking about? Man? 471 00:20:41,840 --> 00:20:45,280 Speaker 3: I feel like the gentrification maybe what spoiled its authenticity 472 00:20:45,520 --> 00:20:48,000 Speaker 3: in that case. All right, well, that is you're under 473 00:20:48,000 --> 00:20:49,280 Speaker 3: the radar now. You know, we have the Way Up 474 00:20:49,280 --> 00:20:50,840 Speaker 3: mixed at the top of the hours. 475 00:20:51,080 --> 00:20:52,520 Speaker 1: Keep that under the Radarlus. 476 00:20:53,240 --> 00:20:54,919 Speaker 4: Shelley Williams is going to be joining us. 477 00:20:54,960 --> 00:20:57,240 Speaker 3: She is the director of The Notebook and The Whiz 478 00:20:57,280 --> 00:20:59,919 Speaker 3: at the same time, and also the director of Ada, 479 00:21:00,040 --> 00:21:01,480 Speaker 3: and she's also a black woman. 480 00:21:02,040 --> 00:21:03,080 Speaker 4: All right, it's way. 481 00:21:02,960 --> 00:21:05,840 Speaker 15: Up, just like the talk like they Angela Jean like 482 00:21:05,840 --> 00:21:07,160 Speaker 15: they Angelae Gee. 483 00:21:07,359 --> 00:21:09,720 Speaker 5: And she's spilling it all this is. 484 00:21:09,720 --> 00:21:14,920 Speaker 3: Yet well, all right, it's way up am Angela Yee 485 00:21:14,920 --> 00:21:19,400 Speaker 3: and blogs is here aka b do Ak Ryan Millar. 486 00:21:20,000 --> 00:21:20,960 Speaker 4: And let's get right into this. 487 00:21:21,040 --> 00:21:21,920 Speaker 1: Ye. 488 00:21:22,000 --> 00:21:24,960 Speaker 3: I was watching all this transpire over the weekend between 489 00:21:25,119 --> 00:21:26,159 Speaker 3: Cardi b and be A. 490 00:21:26,320 --> 00:21:26,560 Speaker 16: Wow. 491 00:21:27,680 --> 00:21:29,639 Speaker 3: By the way, I really like both of them a 492 00:21:29,680 --> 00:21:32,840 Speaker 3: lot like obviously you know, I'm a big fan of Cardi, 493 00:21:32,920 --> 00:21:35,000 Speaker 3: and I like Cardi, and I also really like Bia, 494 00:21:35,160 --> 00:21:37,119 Speaker 3: so that's tough. I've been watching her since Sisterhood of 495 00:21:37,160 --> 00:21:40,920 Speaker 3: Hip Hop. All right, so this all started, I guess 496 00:21:41,040 --> 00:21:43,800 Speaker 3: out in the open when be A disc Cardi. 497 00:21:43,840 --> 00:21:46,320 Speaker 4: It was a sneak diss on the bed remix. Here's 498 00:21:46,359 --> 00:21:46,920 Speaker 4: what she said. 499 00:21:47,400 --> 00:21:49,480 Speaker 9: I have just your population and that's so funny. 500 00:21:49,520 --> 00:21:51,560 Speaker 3: That's so funny how you say you running down but 501 00:21:51,640 --> 00:21:52,680 Speaker 3: you can't walk on the bee. 502 00:21:53,119 --> 00:21:55,200 Speaker 4: I even know I had a say. 503 00:21:55,200 --> 00:21:58,399 Speaker 3: For me, all right, So people were speculating who was 504 00:21:58,400 --> 00:22:01,000 Speaker 3: that about? Well, Cardi and took some shot to be 505 00:22:01,080 --> 00:22:02,959 Speaker 3: it and this was, I feel like a lot more direct. 506 00:22:02,960 --> 00:22:04,960 Speaker 4: This was on the one to be remix guests some 507 00:22:05,040 --> 00:22:06,439 Speaker 4: manticaus and she want to sub me. 508 00:22:06,680 --> 00:22:09,000 Speaker 16: She said, well, I had no idea, so she was 509 00:22:09,000 --> 00:22:11,480 Speaker 16: on the shop I kill that want to. 510 00:22:11,440 --> 00:22:16,280 Speaker 3: See a please, don't nobody want to looking looking great value? 511 00:22:16,320 --> 00:22:22,399 Speaker 4: Me looking girl? These looking all right? Well. 512 00:22:23,080 --> 00:22:25,879 Speaker 3: Carti then went on live and gave a very detailed 513 00:22:25,920 --> 00:22:29,439 Speaker 3: explanation of what happened for the two of them to 514 00:22:29,600 --> 00:22:32,880 Speaker 3: not get along and you know, behind the scenes, and 515 00:22:32,920 --> 00:22:34,800 Speaker 3: she seems like she was a little confused. But they 516 00:22:34,800 --> 00:22:37,680 Speaker 3: did have a conversation on the phone prior to things 517 00:22:37,680 --> 00:22:38,480 Speaker 3: getting to this level. 518 00:22:38,480 --> 00:22:39,280 Speaker 4: Here's what she said. 519 00:22:39,800 --> 00:22:43,520 Speaker 16: The conversation started very nasty, and then I called her 520 00:22:43,520 --> 00:22:46,640 Speaker 16: back and we ended up the conversation a very great note. 521 00:22:46,680 --> 00:22:49,119 Speaker 16: After we had the conversation, you went and you started 522 00:22:49,119 --> 00:22:52,440 Speaker 16: saying that I copied your music video. Then you did 523 00:22:52,600 --> 00:22:54,920 Speaker 16: a record you dissed me on it. Then you went 524 00:22:55,000 --> 00:22:59,080 Speaker 16: around line about my my man's vois is now that 525 00:22:59,160 --> 00:23:01,120 Speaker 16: I said something about you I addressed on a song. 526 00:23:01,440 --> 00:23:01,680 Speaker 11: It's that. 527 00:23:01,840 --> 00:23:03,800 Speaker 16: Oh so it was you that was going around saying 528 00:23:03,800 --> 00:23:05,800 Speaker 16: that and when you lie by my p make sure 529 00:23:05,840 --> 00:23:08,720 Speaker 16: the is legit because I'm gonna take you to court. 530 00:23:09,280 --> 00:23:11,760 Speaker 4: Who would take you to court? All right? 531 00:23:11,920 --> 00:23:14,879 Speaker 3: Well, Bia then put out a disc track and she 532 00:23:14,960 --> 00:23:18,040 Speaker 3: put this out fairly quickly, all right. It was called 533 00:23:18,119 --> 00:23:20,399 Speaker 3: sue Me. And here's what she had to say on 534 00:23:20,400 --> 00:23:21,120 Speaker 3: one part of it. 535 00:23:21,400 --> 00:23:24,480 Speaker 16: Put it on your gang, put it on your name, 536 00:23:24,560 --> 00:23:26,360 Speaker 16: so she's okay, so let yours. 537 00:23:26,560 --> 00:23:28,439 Speaker 3: Put it on your hobby, so you look riting on 538 00:23:28,520 --> 00:23:30,560 Speaker 3: your go write it on my verses. 539 00:23:30,600 --> 00:23:33,040 Speaker 4: I can't do it. 540 00:23:32,040 --> 00:23:34,800 Speaker 1: I'll pay it inside my house. 541 00:23:35,080 --> 00:23:38,399 Speaker 3: Your money's going you split that. 542 00:23:38,960 --> 00:23:40,840 Speaker 1: Ground. So she hadn't give me my flowers. 543 00:23:41,160 --> 00:23:42,880 Speaker 4: I was up in a box and they said, I'm 544 00:23:42,880 --> 00:23:43,639 Speaker 4: good in the South. 545 00:23:44,720 --> 00:23:46,240 Speaker 3: And by the way, this is her in the studio. 546 00:23:46,359 --> 00:23:47,960 Speaker 3: She asked them to play it, so she's on live 547 00:23:48,040 --> 00:23:51,200 Speaker 3: playing it. It's not like the actual version of the song. 548 00:23:51,480 --> 00:23:53,480 Speaker 3: But you know, Cartie's main thing was she doesn't want 549 00:23:53,480 --> 00:23:56,240 Speaker 3: her lying about you know, a sex tape and her 550 00:23:56,320 --> 00:23:58,960 Speaker 3: cheating on offset and things like that. And here's some 551 00:23:59,000 --> 00:24:00,280 Speaker 3: more of what Bea had to say. 552 00:24:00,960 --> 00:24:04,840 Speaker 16: See a Cardie Crown night, catch another. 553 00:24:04,600 --> 00:24:06,520 Speaker 3: Tube because you couldn't catch a beat. 554 00:24:06,840 --> 00:24:09,080 Speaker 1: Do I beef you or do I be for party? 555 00:24:09,680 --> 00:24:14,280 Speaker 3: You've been stepping since twenty nineteen. Yeah, I mean there's 556 00:24:14,280 --> 00:24:15,880 Speaker 3: a lot more to it, and she said a lot 557 00:24:15,880 --> 00:24:16,359 Speaker 3: more on it. 558 00:24:16,400 --> 00:24:17,440 Speaker 4: You didn't like that hook at all. 559 00:24:17,800 --> 00:24:19,880 Speaker 1: I definitely thought it was fun. I like the beat. 560 00:24:21,840 --> 00:24:23,600 Speaker 3: And you know the thing is, Cardi said she has 561 00:24:23,640 --> 00:24:26,439 Speaker 3: no problem if they are going to go back and 562 00:24:26,440 --> 00:24:27,120 Speaker 3: forth on track. 563 00:24:27,200 --> 00:24:29,680 Speaker 1: She's just yeah, there's a there's a problem. 564 00:24:30,359 --> 00:24:31,560 Speaker 4: Do you think Cardi should respond? 565 00:24:32,160 --> 00:24:34,400 Speaker 1: I don't think Cardi respects her. That's the problem. 566 00:24:34,440 --> 00:24:36,439 Speaker 10: Like Biya is in a lose lose situation with this 567 00:24:36,520 --> 00:24:39,439 Speaker 10: because even if she has ether for her, she's you know, 568 00:24:39,560 --> 00:24:40,920 Speaker 10: has a lower profile than Cardi. 569 00:24:41,160 --> 00:24:44,520 Speaker 3: Well, I think that when stuff like this happens, you actually, 570 00:24:45,280 --> 00:24:47,600 Speaker 3: if you have an ether like that, you can do 571 00:24:47,680 --> 00:24:48,400 Speaker 3: what Nas did. 572 00:24:48,440 --> 00:24:49,359 Speaker 4: When it came to jay Z. 573 00:24:50,119 --> 00:24:52,560 Speaker 10: It was evenly match. It was like evenly yoked a 574 00:24:52,560 --> 00:24:54,199 Speaker 10: little bit, you know what I'm saying. I just think that, 575 00:24:54,359 --> 00:24:56,359 Speaker 10: you know, she's operating from behind the eight ball at 576 00:24:56,359 --> 00:24:57,760 Speaker 10: this point. I don't think she looks at her as 577 00:24:57,760 --> 00:24:59,639 Speaker 10: a formal old poem. She was even saying, hey, go 578 00:25:00,240 --> 00:25:02,639 Speaker 10: BEA's music, like Cardi doesn't care, you know. 579 00:25:02,680 --> 00:25:05,199 Speaker 3: And it's interesting because Carti did reach out and have 580 00:25:05,240 --> 00:25:07,320 Speaker 3: a conversation with her, so she clearly was trying to 581 00:25:07,320 --> 00:25:09,960 Speaker 3: squash things, you know, behind the scenes. So I don't 582 00:25:09,960 --> 00:25:12,400 Speaker 3: know if there's more to it than this. It also 583 00:25:12,400 --> 00:25:14,960 Speaker 3: feels kind of out of character for bea. Yeah, to 584 00:25:15,080 --> 00:25:17,639 Speaker 3: see her doing something like this, But you know everybody's 585 00:25:17,680 --> 00:25:19,760 Speaker 3: watching all the beefs that are happening back and forth 586 00:25:19,800 --> 00:25:21,200 Speaker 3: between different people right now. 587 00:25:21,280 --> 00:25:23,560 Speaker 10: So yeah, if you kind of come at Cardi, you 588 00:25:23,560 --> 00:25:25,960 Speaker 10: gotta come a little bit harder than that, all right. 589 00:25:26,080 --> 00:25:27,800 Speaker 3: Or maybe it's like what Kendrick did when you take 590 00:25:27,800 --> 00:25:30,760 Speaker 3: these little jabs first, Yeah, and then maybe you have 591 00:25:30,840 --> 00:25:34,320 Speaker 3: something else in store in case they respond hopefully all right, 592 00:25:34,359 --> 00:25:36,119 Speaker 3: Well that is your yee t. When we come back, 593 00:25:36,160 --> 00:25:38,440 Speaker 3: we have ask yee eight hundred two nine two fifty 594 00:25:38,480 --> 00:25:40,800 Speaker 3: one fifty is a number. Call us up anything that 595 00:25:40,840 --> 00:25:42,440 Speaker 3: you have a question about. We are here to help 596 00:25:42,440 --> 00:25:45,520 Speaker 3: you out. In the meantime. Here's some Cardi B this way, 597 00:25:45,920 --> 00:25:46,480 Speaker 3: whether it's. 598 00:25:46,359 --> 00:25:49,200 Speaker 6: Relationship or career advice. Angela's dropping facts. 599 00:25:50,600 --> 00:25:51,320 Speaker 5: This is as Kee. 600 00:25:52,080 --> 00:25:53,680 Speaker 4: What's up? As way up? But Angela yee. 601 00:25:53,680 --> 00:25:56,400 Speaker 3: I'm Angela Yee and my guy Brian malar Aka beat 602 00:25:56,400 --> 00:25:59,560 Speaker 3: out his here gotch and we're doing ask ye eight 603 00:25:59,680 --> 00:26:03,000 Speaker 3: hundred fifty one fifty. We have do well on the line. 604 00:26:03,000 --> 00:26:04,000 Speaker 3: What's up, duel? 605 00:26:04,280 --> 00:26:05,120 Speaker 5: What's what's up? 606 00:26:05,640 --> 00:26:05,720 Speaker 11: So? 607 00:26:05,760 --> 00:26:07,240 Speaker 4: What's up? What's your question today? 608 00:26:07,640 --> 00:26:10,240 Speaker 2: So my question is recently on how this situation is 609 00:26:10,280 --> 00:26:12,359 Speaker 2: with me and my girl and I wound up cheating 610 00:26:12,400 --> 00:26:15,320 Speaker 2: on her, but she wanted to know the whole truth, 611 00:26:15,359 --> 00:26:18,240 Speaker 2: the whole nine yards of the whole thing, and I 612 00:26:18,280 --> 00:26:20,920 Speaker 2: wanted to know just like why she needed that full closure, 613 00:26:21,000 --> 00:26:23,199 Speaker 2: Like why couldn't she just leave that what it is? 614 00:26:23,280 --> 00:26:23,840 Speaker 5: What it was? 615 00:26:24,359 --> 00:26:26,000 Speaker 2: If she didn't just leave it at that, and then 616 00:26:25,920 --> 00:26:27,520 Speaker 2: if you could move on and fix things. 617 00:26:27,560 --> 00:26:29,560 Speaker 3: But it's hard to move on when you don't know 618 00:26:29,600 --> 00:26:33,240 Speaker 3: all the details. You know, sometimes you need to know everything, 619 00:26:33,760 --> 00:26:36,440 Speaker 3: because hey, now there's somebody out there that knows more 620 00:26:36,480 --> 00:26:39,440 Speaker 3: than I do about what happened between the two of you, Right, 621 00:26:39,520 --> 00:26:42,359 Speaker 3: so if she ever tried to contact her or something 622 00:26:42,440 --> 00:26:43,840 Speaker 3: like that, I need to be able to be like 623 00:26:43,880 --> 00:26:46,040 Speaker 3: he already told me that. Think about the power that 624 00:26:46,080 --> 00:26:48,280 Speaker 3: a woman has when she could tell the other women 625 00:26:48,320 --> 00:26:51,000 Speaker 3: that you cheated on I already know. We discussed it, 626 00:26:51,040 --> 00:26:53,520 Speaker 3: and he told me because then later on things will 627 00:26:53,600 --> 00:26:56,800 Speaker 3: end up coming up, and when those things come up, 628 00:26:56,840 --> 00:26:58,560 Speaker 3: it's like it starts all over again. You might as 629 00:26:58,560 --> 00:27:01,320 Speaker 3: well get it all out there one and rip that 630 00:27:01,400 --> 00:27:03,800 Speaker 3: band aid off because things will come up in the 631 00:27:03,800 --> 00:27:05,800 Speaker 3: future when you cheat on somebody they are going to 632 00:27:05,840 --> 00:27:07,520 Speaker 3: bring it up over and over again. 633 00:27:07,920 --> 00:27:08,840 Speaker 4: Have you ever treated be that? 634 00:27:08,960 --> 00:27:10,400 Speaker 1: No, I'm a faithful black man. 635 00:27:11,440 --> 00:27:13,080 Speaker 4: I'm gonna say he's a liar. 636 00:27:14,400 --> 00:27:16,200 Speaker 3: Did you have an issue with telling her everything? 637 00:27:16,920 --> 00:27:16,960 Speaker 15: No? 638 00:27:17,640 --> 00:27:19,320 Speaker 2: When you know, once you found out, I just, you know, 639 00:27:19,480 --> 00:27:20,800 Speaker 2: told everything that she wanted to know. 640 00:27:20,840 --> 00:27:23,400 Speaker 4: And you know what, did you want to know if 641 00:27:23,440 --> 00:27:23,760 Speaker 4: it was you? 642 00:27:24,560 --> 00:27:27,199 Speaker 2: Yeah, I guess, I guess. But I mean, like for me, 643 00:27:27,280 --> 00:27:28,560 Speaker 2: I think I would leave it as this. You know, 644 00:27:28,600 --> 00:27:30,960 Speaker 2: you hurt me, you broke my heart, you give it away. 645 00:27:31,040 --> 00:27:33,240 Speaker 2: I'm gonna just leave it at that. Yeah, it's gonna 646 00:27:33,240 --> 00:27:34,680 Speaker 2: be on my mind. But other than that, I'm gonna 647 00:27:34,680 --> 00:27:35,320 Speaker 2: try to leave it at that. 648 00:27:35,640 --> 00:27:37,159 Speaker 1: Yeah, let podons be bygones. 649 00:27:37,200 --> 00:27:38,680 Speaker 4: Man, are you guys still together? 650 00:27:39,000 --> 00:27:39,200 Speaker 8: Yeah? 651 00:27:39,920 --> 00:27:40,320 Speaker 7: Nah. 652 00:27:40,560 --> 00:27:42,000 Speaker 2: Now I'm trying to get her back. I'm trying to 653 00:27:42,000 --> 00:27:42,520 Speaker 2: get her back. 654 00:27:42,520 --> 00:27:45,000 Speaker 1: I don't know what to do money, patience. 655 00:27:46,280 --> 00:27:49,639 Speaker 3: I think you know, patients, work on yourself in the meantime, 656 00:27:49,720 --> 00:27:52,520 Speaker 3: because I think for women, we need you to show 657 00:27:52,600 --> 00:27:55,040 Speaker 3: us you know, and that's a long process for us 658 00:27:55,080 --> 00:27:56,000 Speaker 3: to be able to trust you. 659 00:27:56,040 --> 00:27:56,320 Speaker 1: Again. 660 00:27:56,680 --> 00:27:58,159 Speaker 3: You have to do a lot of different things to 661 00:27:58,200 --> 00:28:00,639 Speaker 3: show us it may happen and her it may not 662 00:28:00,680 --> 00:28:03,400 Speaker 3: it's really up to her at this point. But anything 663 00:28:03,400 --> 00:28:06,080 Speaker 3: that she needs, you need to provide that. You know, 664 00:28:06,119 --> 00:28:09,080 Speaker 3: you're in a doghouse right now and a lot of times, 665 00:28:09,119 --> 00:28:11,080 Speaker 3: and I've seen it happen. You know, at first she's 666 00:28:11,160 --> 00:28:14,000 Speaker 3: disgusted by you. But if you're consistent, if you can 667 00:28:14,040 --> 00:28:17,840 Speaker 3: be honest moving forward, if there's no questions, if you don't. Also, 668 00:28:17,960 --> 00:28:19,879 Speaker 3: by the way, you might feel like we're not together, 669 00:28:19,960 --> 00:28:21,240 Speaker 3: but I'm still dating other people. 670 00:28:21,520 --> 00:28:22,200 Speaker 4: Terrible idea. 671 00:28:22,600 --> 00:28:26,240 Speaker 10: Listen, her love languages are probably cash, app venmozel. 672 00:28:26,400 --> 00:28:31,520 Speaker 1: It's true. It is the truth. Right, Oh my god, 673 00:28:31,600 --> 00:28:33,520 Speaker 1: I'm bro get your girl back. 674 00:28:33,680 --> 00:28:36,080 Speaker 3: All right, guys, all right, well, thank you for calling in. 675 00:28:36,119 --> 00:28:36,639 Speaker 4: Good luck to. 676 00:28:36,680 --> 00:28:38,960 Speaker 2: You you too. 677 00:28:39,040 --> 00:28:39,160 Speaker 15: Man. 678 00:28:39,440 --> 00:28:41,080 Speaker 4: All right, take her to her Broadway play. 679 00:28:41,520 --> 00:28:43,600 Speaker 3: You know, we have Shelley Williams coming up when we 680 00:28:43,640 --> 00:28:46,600 Speaker 3: come back, and she is the director of The Whiz 681 00:28:47,000 --> 00:28:48,880 Speaker 3: the Notebook. If we take her to go see The Notebook, 682 00:28:48,920 --> 00:28:51,920 Speaker 3: oh my god, that might do it right now. No, 683 00:28:51,960 --> 00:28:54,640 Speaker 3: he's not. It's on Broadway. It's a musical. It's a 684 00:28:54,640 --> 00:28:58,440 Speaker 3: little different than the original. Yes, and also Aida, so 685 00:28:58,720 --> 00:29:01,800 Speaker 3: she'll be joining us. She's a woman director, black woman. 686 00:29:02,240 --> 00:29:04,920 Speaker 3: But by the way, super overly qualified for this. 687 00:29:05,000 --> 00:29:10,560 Speaker 6: So you way up with Angela Yee more, now. 688 00:29:10,480 --> 00:29:12,960 Speaker 3: What's up his way up with Angela Yee. I'm Angela Yee. 689 00:29:12,960 --> 00:29:16,720 Speaker 3: And how exciting Shelley Williams is here with me. Hey, listen, 690 00:29:16,720 --> 00:29:18,880 Speaker 3: we were just before this interview even started having a 691 00:29:18,960 --> 00:29:21,920 Speaker 3: lot of conversations about Broadway and I was telling you 692 00:29:21,960 --> 00:29:24,520 Speaker 3: I took my mom to see Aita twice and you 693 00:29:24,560 --> 00:29:24,960 Speaker 3: were in it. 694 00:29:25,040 --> 00:29:26,520 Speaker 4: You did the whole round with Tony Braxton. 695 00:29:26,680 --> 00:29:31,560 Speaker 15: I did the whole run, yeah, Tony, Heather Deborah Cox, Wow, 696 00:29:31,560 --> 00:29:32,200 Speaker 15: the whole run. 697 00:29:32,400 --> 00:29:32,720 Speaker 1: Yeah. 698 00:29:32,760 --> 00:29:35,160 Speaker 4: And now so wait, Aida is coming back too, right, 699 00:29:35,280 --> 00:29:39,800 Speaker 4: Aida is coming back. Yes, that's amazing that revival. Okay, 700 00:29:39,840 --> 00:29:40,680 Speaker 4: that's what I'm talking about. 701 00:29:40,760 --> 00:29:43,440 Speaker 3: Now, that's a full circle moment, right it is. So 702 00:29:43,600 --> 00:29:45,520 Speaker 3: talk to me about how exciting that was to get 703 00:29:45,520 --> 00:29:46,880 Speaker 3: that call and what it was like when you were 704 00:29:46,920 --> 00:29:48,640 Speaker 3: actually in the Broadway play. 705 00:29:48,720 --> 00:29:51,800 Speaker 15: It was transformation to get that call because I had 706 00:29:51,840 --> 00:29:54,680 Speaker 15: been thinking about that story ever since I did it. 707 00:29:55,120 --> 00:29:57,760 Speaker 15: Right when I finished Aita is when I became a director, 708 00:29:58,640 --> 00:30:02,280 Speaker 15: because I had gone through show that was about enslaved 709 00:30:02,320 --> 00:30:07,360 Speaker 15: people and we didn't have the conversations about blackness, about 710 00:30:07,440 --> 00:30:10,880 Speaker 15: African culture in the ways that I had wished, and 711 00:30:10,960 --> 00:30:14,080 Speaker 15: I came out of that production thinking I want to 712 00:30:14,120 --> 00:30:16,480 Speaker 15: become the person behind the table so I can begin 713 00:30:16,560 --> 00:30:19,760 Speaker 15: to shift these narratives and have the conversations. And so 714 00:30:20,000 --> 00:30:22,080 Speaker 15: I got the privilege a few years ago to be 715 00:30:22,120 --> 00:30:26,360 Speaker 15: asked by Disney to reimagine a new Ida, and I 716 00:30:26,440 --> 00:30:29,240 Speaker 15: have entrenched it in an African history. 717 00:30:29,520 --> 00:30:33,640 Speaker 3: Broadway director Shelley Williams is here with us. Broadway in 718 00:30:33,680 --> 00:30:37,480 Speaker 3: particular is a place that for myself, I love going 719 00:30:37,560 --> 00:30:39,760 Speaker 3: to place and I love taking my friends, and I 720 00:30:39,840 --> 00:30:42,400 Speaker 3: really am always trying to advocate for us to go 721 00:30:42,480 --> 00:30:44,080 Speaker 3: to the theatre more because I feel like it's such 722 00:30:44,080 --> 00:30:45,040 Speaker 3: a great experience. 723 00:30:45,400 --> 00:30:46,920 Speaker 4: And that brings me to The Notebook. 724 00:30:47,000 --> 00:30:49,880 Speaker 3: Can you talk about this because it's a musical way, 725 00:30:50,000 --> 00:30:53,400 Speaker 3: and so you're directing the Notebook. This is your directorial 726 00:30:53,640 --> 00:30:54,720 Speaker 3: Broadway debut. 727 00:30:54,560 --> 00:30:55,200 Speaker 4: Right, It's correct? 728 00:30:55,280 --> 00:30:57,720 Speaker 3: Yes, Okay, So we got to get into all of 729 00:30:57,720 --> 00:31:01,440 Speaker 3: that because the Notebook is an iconic love story and 730 00:31:01,520 --> 00:31:04,240 Speaker 3: I heard they're selling Kleenex in the theater. 731 00:31:04,640 --> 00:31:06,000 Speaker 4: Well, I mean we kind of had to. 732 00:31:06,240 --> 00:31:08,360 Speaker 15: It was like, we got to give people's sleeves a break. 733 00:31:12,080 --> 00:31:15,040 Speaker 15: People are passingly next in the aisles, past people were like, okay, 734 00:31:15,040 --> 00:31:16,320 Speaker 15: we'll let you have your own box. 735 00:31:16,360 --> 00:31:16,840 Speaker 4: How about that. 736 00:31:17,280 --> 00:31:21,080 Speaker 3: Yeah, so tell me about reimagining the Notebook as a 737 00:31:21,240 --> 00:31:22,360 Speaker 3: musical lumbroadway. 738 00:31:23,120 --> 00:31:25,360 Speaker 15: So I was approached about this piece in twenty twenty, 739 00:31:25,880 --> 00:31:28,560 Speaker 15: and I co directed with my dear friend Michael Grife. 740 00:31:28,800 --> 00:31:31,600 Speaker 15: But he said, we're telling this piece in a different 741 00:31:31,680 --> 00:31:35,520 Speaker 15: kind of way, and we are imagining a world in 742 00:31:35,560 --> 00:31:39,760 Speaker 15: which the Alleys and Noah's represent many racial cultures, and 743 00:31:39,840 --> 00:31:43,000 Speaker 15: we want to talk with you about that because it's 744 00:31:43,080 --> 00:31:45,440 Speaker 15: really important that we're representing them authentically. 745 00:31:45,560 --> 00:31:48,120 Speaker 4: Ooh, okay, And I said, well, let me read it. 746 00:31:48,360 --> 00:31:51,320 Speaker 15: And my mom has Alzheimer's And so as I was 747 00:31:51,440 --> 00:31:54,040 Speaker 15: reading this, I was living it. 748 00:31:54,440 --> 00:31:54,680 Speaker 11: You know. 749 00:31:54,840 --> 00:31:57,400 Speaker 15: My dad is Noah, my mom is Ali, their high 750 00:31:57,400 --> 00:32:00,480 Speaker 15: school sweethearts. It was just like it hit me so hard. 751 00:32:01,400 --> 00:32:05,040 Speaker 15: And because they were imagining the younger Ali's as black, 752 00:32:05,600 --> 00:32:09,680 Speaker 15: I knew how important it was to expand this narrative 753 00:32:10,160 --> 00:32:12,479 Speaker 15: to us too, to say the story belongs to us. 754 00:32:12,680 --> 00:32:15,680 Speaker 15: We also know this kind of love. We also know 755 00:32:16,080 --> 00:32:19,640 Speaker 15: the pain of Alzheimer's. We also have the joy of 756 00:32:19,720 --> 00:32:23,680 Speaker 15: first love. It was an opportunity to say that we 757 00:32:23,720 --> 00:32:25,160 Speaker 15: belong inside these stories. 758 00:32:25,720 --> 00:32:29,040 Speaker 3: Okay, Shelley Williams is here. She is the Broadway director 759 00:32:29,120 --> 00:32:32,600 Speaker 3: for The Whiz, for Aida, and of course for The Notebook. 760 00:32:32,600 --> 00:32:34,640 Speaker 3: It's on Broadway right now. We have more with her 761 00:32:34,680 --> 00:32:36,040 Speaker 3: when we come back as way Up. 762 00:32:39,880 --> 00:32:44,320 Speaker 6: You rab It, Way Up with Angela Yee more now. 763 00:32:44,160 --> 00:32:45,720 Speaker 4: What's up his way up with Angela Yee. 764 00:32:45,760 --> 00:32:47,800 Speaker 3: I'm Angela Yee, and I am the first one to 765 00:32:47,840 --> 00:32:50,520 Speaker 3: tell you the best date night or the best friend 766 00:32:50,600 --> 00:32:53,760 Speaker 3: date is to go to our Broadway play Family Experience. 767 00:32:53,800 --> 00:32:55,040 Speaker 4: And right now we. 768 00:32:55,040 --> 00:32:59,080 Speaker 3: Have a director from Broadway, Shelley Williams joining us. You 769 00:32:59,160 --> 00:33:02,440 Speaker 3: decided it's time for me to move behind the scenes. Yes, 770 00:33:02,640 --> 00:33:06,480 Speaker 3: as well? Would you ever go back to being imagine it? 771 00:33:06,520 --> 00:33:08,480 Speaker 3: You can't imagine it? So you like this scene? 772 00:33:08,720 --> 00:33:12,280 Speaker 15: I love it. I love it so much, especially telling 773 00:33:12,440 --> 00:33:16,240 Speaker 15: young black actors it's okay to take up space the 774 00:33:16,280 --> 00:33:19,400 Speaker 15: amount of people that cry in my audition room because 775 00:33:19,400 --> 00:33:22,120 Speaker 15: I just give them permission to be their full selves 776 00:33:22,640 --> 00:33:24,400 Speaker 15: when they walk in and they think they always have 777 00:33:24,480 --> 00:33:27,320 Speaker 15: to be in the box that they expect that you 778 00:33:27,440 --> 00:33:29,640 Speaker 15: want them to be in. But to say, I want 779 00:33:29,680 --> 00:33:32,120 Speaker 15: you to be as expansive as you want to be. 780 00:33:32,680 --> 00:33:35,280 Speaker 15: I want to know that your authentic voice is the 781 00:33:35,360 --> 00:33:37,160 Speaker 15: voice that I want to hear, not the voice that 782 00:33:37,280 --> 00:33:40,280 Speaker 15: was trained you were trained to be, but your truth 783 00:33:41,040 --> 00:33:43,160 Speaker 15: is what I value and what I want to see. 784 00:33:43,480 --> 00:33:46,320 Speaker 15: And just giving them permission to be their full selves. 785 00:33:46,600 --> 00:33:49,400 Speaker 15: I can't imagine not doing that. 786 00:33:49,600 --> 00:33:53,000 Speaker 3: Wow, listen, and it feels like you're doing an amazing 787 00:33:53,080 --> 00:33:55,360 Speaker 3: job from the gigs that you've been getting because it's 788 00:33:55,400 --> 00:33:59,600 Speaker 3: like you're simultaneously directing two plays right now. Yeah, that's 789 00:33:59,840 --> 00:34:03,800 Speaker 3: that's tough. Broadway director Shelley Williams is here with us. 790 00:34:04,240 --> 00:34:07,080 Speaker 3: Is that a common thing in Broadway? I didn't think so. 791 00:34:07,200 --> 00:34:08,600 Speaker 5: Yeah, certainly not with musicals. 792 00:34:08,680 --> 00:34:11,920 Speaker 3: And then you also have two daughters. Yes, How do 793 00:34:12,000 --> 00:34:13,880 Speaker 3: you deal with all of that in the midst of 794 00:34:14,040 --> 00:34:14,480 Speaker 3: there there? 795 00:34:14,719 --> 00:34:15,239 Speaker 4: Oh my gosh. 796 00:34:15,280 --> 00:34:18,360 Speaker 15: Well, at some point I'm always failing somebody, right, But 797 00:34:18,480 --> 00:34:21,799 Speaker 15: you know, every day I have to forgive myself and 798 00:34:21,840 --> 00:34:25,439 Speaker 15: I just have to try harder and course correct, right, 799 00:34:25,960 --> 00:34:27,200 Speaker 15: and every day I model. 800 00:34:26,960 --> 00:34:27,680 Speaker 1: For my girls. 801 00:34:27,760 --> 00:34:27,960 Speaker 8: You know. 802 00:34:28,000 --> 00:34:30,680 Speaker 15: There's this my favorite gospel song as we fall down, 803 00:34:30,880 --> 00:34:33,160 Speaker 15: you know, but I'm like, hey, you know, every day 804 00:34:33,280 --> 00:34:36,319 Speaker 15: I get back up again, right. And So in this 805 00:34:36,440 --> 00:34:40,280 Speaker 15: year that was so challenging. I communicated a lot Okay, 806 00:34:40,400 --> 00:34:42,120 Speaker 15: like really was very clear. 807 00:34:42,280 --> 00:34:45,320 Speaker 4: You know, my husband is amazing. We have a great village. 808 00:34:45,840 --> 00:34:48,600 Speaker 15: We talked about where I needed to be, when I 809 00:34:48,640 --> 00:34:50,759 Speaker 15: needed to be, the things that I knew I was 810 00:34:50,800 --> 00:34:52,480 Speaker 15: going to miss. I was going to miss them in 811 00:34:52,520 --> 00:34:54,479 Speaker 15: their own musical. I was going to miss some really 812 00:34:54,480 --> 00:34:58,240 Speaker 15: big moments in their lives. There were events that happened 813 00:34:58,239 --> 00:34:59,680 Speaker 15: for the Notebook that I was going to miss because 814 00:34:59,680 --> 00:35:01,399 Speaker 15: I was working all the Whiz Like, there were just. 815 00:35:01,400 --> 00:35:04,080 Speaker 4: Like wow things that those are hard priorities. 816 00:35:04,080 --> 00:35:07,080 Speaker 1: They're hard priorities. But all I can do is my best. 817 00:35:07,160 --> 00:35:07,319 Speaker 16: Man. 818 00:35:07,360 --> 00:35:09,440 Speaker 3: I do not know how you do it all, but 819 00:35:09,840 --> 00:35:11,399 Speaker 3: I just want to say it seems like you're doing 820 00:35:11,440 --> 00:35:14,960 Speaker 3: it all to an amazing exceptional level. So I just 821 00:35:14,960 --> 00:35:17,040 Speaker 3: want to make sure and I know that, like you've 822 00:35:17,040 --> 00:35:20,160 Speaker 3: been getting your accolades, but they are well deserved. 823 00:35:20,239 --> 00:35:23,319 Speaker 4: I feel like this is just your time. Thank you. 824 00:35:23,600 --> 00:35:25,239 Speaker 3: I mean, it's been your time. But just to see 825 00:35:25,280 --> 00:35:29,200 Speaker 3: everything that you've been accomplishing, you know, these are like huge, 826 00:35:29,280 --> 00:35:32,840 Speaker 3: huge deals. I mean, the Notebook, the Whiz. Sometimes you 827 00:35:32,840 --> 00:35:34,440 Speaker 3: got to just sit back and think, like. 828 00:35:34,840 --> 00:35:35,600 Speaker 4: Thank you Jesus. 829 00:35:35,880 --> 00:35:37,000 Speaker 1: Yeah, I think that a lot. 830 00:35:37,160 --> 00:35:40,439 Speaker 3: I do, I feel but the work that you put in. 831 00:35:40,640 --> 00:35:43,400 Speaker 3: This is really helping other people you know that are 832 00:35:43,400 --> 00:35:44,279 Speaker 3: coming behind you too. 833 00:35:44,360 --> 00:35:46,840 Speaker 4: Is such a huge deal, So thank you for coming. 834 00:35:47,080 --> 00:35:49,240 Speaker 3: You can watch set Foot interview on my YouTube channel 835 00:35:49,280 --> 00:35:51,319 Speaker 3: Way Up with You and when we come back, you 836 00:35:51,360 --> 00:35:52,640 Speaker 3: guys have the last word. 837 00:35:53,200 --> 00:35:56,919 Speaker 6: Pick up the phone taping to get your voice heard. 838 00:35:57,000 --> 00:36:01,000 Speaker 5: What the word is the last word? Way up with Angela? 839 00:36:01,040 --> 00:36:01,360 Speaker 8: Ye? 840 00:36:01,440 --> 00:36:01,839 Speaker 4: What's up? 841 00:36:01,840 --> 00:36:01,880 Speaker 2: His? 842 00:36:01,960 --> 00:36:04,399 Speaker 3: Way up for Angela? He I'm here my guy beat 843 00:36:04,440 --> 00:36:07,640 Speaker 3: out his hair. You know what I like about you? 844 00:36:07,719 --> 00:36:08,040 Speaker 4: Beat out? 845 00:36:08,120 --> 00:36:08,600 Speaker 1: What's that in? 846 00:36:08,840 --> 00:36:09,399 Speaker 4: Right or wrong? 847 00:36:09,480 --> 00:36:12,400 Speaker 3: You are definitely brutally honest about your opinion. 848 00:36:12,640 --> 00:36:15,319 Speaker 1: I think he's going to say good looks, and. 849 00:36:15,239 --> 00:36:17,160 Speaker 3: Then you could tell when you said something wrong, and 850 00:36:17,280 --> 00:36:19,279 Speaker 3: he'd be like, was I not supposed to say that? 851 00:36:19,680 --> 00:36:21,520 Speaker 1: I'll still get used to this whole radio. 852 00:36:21,360 --> 00:36:22,920 Speaker 4: Thing, right, you're so uncensored. 853 00:36:23,000 --> 00:36:25,000 Speaker 3: Yeah, but anyway, make sure you guys follow my guy 854 00:36:25,080 --> 00:36:26,480 Speaker 3: beat out TM yes. 855 00:36:26,400 --> 00:36:28,960 Speaker 1: On Instagram, Twitter, everywhere you can find. 856 00:36:28,719 --> 00:36:31,320 Speaker 3: Me, everywhere you can find him. I'm headed out to Broadway. 857 00:36:31,400 --> 00:36:33,719 Speaker 3: Shout out to Shelley Williams for joining us. I'm going 858 00:36:33,719 --> 00:36:35,279 Speaker 3: to see Wicked yet again again. 859 00:36:35,320 --> 00:36:36,400 Speaker 1: How many times have you seen it? 860 00:36:36,960 --> 00:36:39,120 Speaker 3: This would be my third time but I do have 861 00:36:39,160 --> 00:36:42,040 Speaker 3: some listeners joining me tonight. But Shelley Williams, she didn't 862 00:36:42,080 --> 00:36:45,279 Speaker 3: direct Wicked, but she has a Notebook on Broadway right now, 863 00:36:45,280 --> 00:36:47,960 Speaker 3: the musicals. I'm definitely gonna check that out. She's also 864 00:36:48,040 --> 00:36:51,360 Speaker 3: got The Whiz on Broadway, and she's also doing Aida 865 00:36:51,480 --> 00:36:53,960 Speaker 3: on Broadway. She's directing all of those. Just give her 866 00:36:54,120 --> 00:36:56,239 Speaker 3: tony right now, I mean, shout out to her. She's 867 00:36:56,280 --> 00:36:59,959 Speaker 3: got too Broadway plays simultaneously. I don't know how many 868 00:37:00,040 --> 00:37:02,759 Speaker 3: people have done that. You know, she's a superwoman. But 869 00:37:02,760 --> 00:37:05,480 Speaker 3: thank you so much for joining us. And of course 870 00:37:06,000 --> 00:37:08,360 Speaker 3: y'all are the listeners. You guys are our family. 871 00:37:08,520 --> 00:37:09,640 Speaker 4: You have the last word. 872 00:37:10,040 --> 00:37:12,880 Speaker 8: So my husband cheated on me with my best friends, 873 00:37:13,239 --> 00:37:15,839 Speaker 8: and he didn't know that I knew. So to get 874 00:37:15,920 --> 00:37:19,520 Speaker 8: him back, I flet with his twin brother and his 875 00:37:19,680 --> 00:37:23,200 Speaker 8: best friends. Yeah, says a lot better. Thank you have 876 00:37:23,360 --> 00:37:24,919 Speaker 8: a good Hi. 877 00:37:25,160 --> 00:37:27,440 Speaker 17: My name is Shy and I would like to shine 878 00:37:27,440 --> 00:37:31,600 Speaker 17: the light on mister and missus Shelton of New Orleans, Louisiana. 879 00:37:31,680 --> 00:37:34,879 Speaker 17: They own Step Foundation, which is a non profit organization. 880 00:37:35,440 --> 00:37:36,920 Speaker 17: I want to shine the light on the fact that 881 00:37:36,960 --> 00:37:40,520 Speaker 17: they're gifting twenty lucky children a chance to start their 882 00:37:40,560 --> 00:37:41,560 Speaker 17: business this summer. 883 00:37:41,880 --> 00:37:42,560 Speaker 8: They're paying for. 884 00:37:42,520 --> 00:37:46,680 Speaker 17: The occupational license, the LLC, the trademark, the businessmank account, 885 00:37:47,080 --> 00:37:49,440 Speaker 17: and starting a personal business account. I just want to 886 00:37:49,440 --> 00:37:51,840 Speaker 17: tell them, thank you for all that you do in 887 00:37:51,840 --> 00:37:54,280 Speaker 17: the city of New Orleans, and thank you for changing 888 00:37:54,320 --> 00:37:56,440 Speaker 17: the trajectory of our children's lives. 889 00:37:57,280 --> 00:38:00,680 Speaker 6: Going way out with Angela Hey