1
00:00:00,680 --> 00:00:04,960
Speaker 1: Hello the Internet, and welcome to this very special edition

2
00:00:05,280 --> 00:00:06,880
Speaker 1: of I don't even know how to start this show.

3
00:00:06,920 --> 00:00:09,360
Speaker 1: I think we say welcome the season to forty eight.

4
00:00:09,400 --> 00:00:12,319
Speaker 1: That's exactly what we do Episode one of the Daily

5
00:00:12,400 --> 00:00:15,080
Speaker 1: Zee Guys at production of Our Heart Radio. I'm your

6
00:00:15,120 --> 00:00:17,640
Speaker 1: substitute teacher. You already know that because I'm kicking off

7
00:00:17,640 --> 00:00:19,680
Speaker 1: the show. This is a podcast where we take a

8
00:00:19,720 --> 00:00:25,040
Speaker 1: deep dive into America's shared consciousness. It's Monday, August one, two,

9
00:00:25,360 --> 00:00:30,120
Speaker 1: which means it is World Lung Cancer Day, International, Child

10
00:00:30,200 --> 00:00:33,920
Speaker 1: Free Day, International, Ma Young Day. If you play Magen,

11
00:00:34,000 --> 00:00:36,160
Speaker 1: shout out to you, and also Respect for Parents Day,

12
00:00:36,320 --> 00:00:38,839
Speaker 1: Respect your parents. I guess if if you need a

13
00:00:38,920 --> 00:00:42,320
Speaker 1: day to tell you that, I will enjoy one of

14
00:00:42,360 --> 00:00:45,440
Speaker 1: those holidays whatever is most appropriate for me. I just

15
00:00:45,479 --> 00:00:47,440
Speaker 1: want to get to it. My name is Miles Gray,

16
00:00:47,479 --> 00:00:51,000
Speaker 1: a k A glizz Oh a k A Glizzie Maguire

17
00:00:51,080 --> 00:00:55,160
Speaker 1: a k A King Glizzard and the Glizzard Glizzard. Because yes,

18
00:00:55,280 --> 00:00:57,480
Speaker 1: I'm I've been needing a lot of hot dogs last week.

19
00:00:57,520 --> 00:00:59,920
Speaker 1: I just want to show at the Greek about one

20
00:01:00,080 --> 00:01:02,200
Speaker 1: the like an Ali dog, like a straight you know,

21
00:01:02,400 --> 00:01:05,400
Speaker 1: l a street dog. I know, inflations, hidden that ship

22
00:01:05,520 --> 00:01:09,240
Speaker 1: was ten dollars, and I was like for a sidewalk

23
00:01:09,280 --> 00:01:11,560
Speaker 1: hot dog, yeah, yeah, yeah. And I think there was

24
00:01:11,600 --> 00:01:13,679
Speaker 1: a tax because there's a white people concert. And I

25
00:01:13,720 --> 00:01:16,199
Speaker 1: was like, look, I get okay, listen, yeah, you gotta

26
00:01:16,240 --> 00:01:19,360
Speaker 1: get what you can. And I saw and I looked

27
00:01:19,400 --> 00:01:21,760
Speaker 1: at person. I was like ten dollars and I was

28
00:01:21,800 --> 00:01:23,520
Speaker 1: like looking, I was like looking at my arm, like

29
00:01:24,080 --> 00:01:27,759
Speaker 1: ten dollars? Are we sure? And and there were too

30
00:01:27,760 --> 00:01:29,160
Speaker 1: many white people around me, and I was like, I

31
00:01:29,160 --> 00:01:30,720
Speaker 1: can't sunk up their back. I was like, yep, you

32
00:01:30,720 --> 00:01:34,000
Speaker 1: know what, keep the change we have? UM anyway, that's me.

33
00:01:34,280 --> 00:01:37,040
Speaker 1: And who is that wonderful voice I hear across from me,

34
00:01:37,120 --> 00:01:40,080
Speaker 1: that soothing, soothing voice. I hear, well, it's none other

35
00:01:40,280 --> 00:01:43,759
Speaker 1: than my guest co host, someone who's look the single

36
00:01:43,800 --> 00:01:46,840
Speaker 1: tweet off of them seeing Nope gave me goose bumps.

37
00:01:46,880 --> 00:01:49,880
Speaker 1: And I am going to see that ship tomorrow. Somebody

38
00:01:49,880 --> 00:01:53,559
Speaker 1: whose media takes I respect, somebody whose sense of humor

39
00:01:53,680 --> 00:01:58,240
Speaker 1: and humanity I admire. It's none other than the wonderful writer, host,

40
00:01:58,440 --> 00:02:04,400
Speaker 1: producer Joe Nique, Carol a k A Purple Lipstick, Don

41
00:02:04,560 --> 00:02:08,760
Speaker 1: Marvel Avenger Beyonce's number one. I feel confident saying that

42
00:02:08,800 --> 00:02:11,080
Speaker 1: now because I'm in the point oh one percent of

43
00:02:11,120 --> 00:02:15,280
Speaker 1: listeners on Spotify to Beyonce according to last year's Spotify staff.

44
00:02:16,040 --> 00:02:19,560
Speaker 1: So you know, me and b it's a holiday today.

45
00:02:19,639 --> 00:02:22,399
Speaker 1: We got new music at nine o'clock last night. What's

46
00:02:22,400 --> 00:02:25,600
Speaker 1: your sign? I'm a libra. Oh that's no wonder. You

47
00:02:25,639 --> 00:02:28,560
Speaker 1: get along. We fu we virgos you know virgua libras

48
00:02:28,560 --> 00:02:33,720
Speaker 1: were connected? Yes, of course right there, number four. Okay, anyway,

49
00:02:33,760 --> 00:02:36,519
Speaker 1: so you're in the top point oh of billionaires that

50
00:02:36,600 --> 00:02:38,760
Speaker 1: have NATed to the GOP. Is that what you said?

51
00:02:39,600 --> 00:02:42,400
Speaker 1: I have listened to Beyonce and we twisted my words

52
00:02:42,400 --> 00:02:45,400
Speaker 1: out here giving stories housing streets. I'm like, hey's come

53
00:02:45,440 --> 00:02:49,880
Speaker 1: on out. Yeah, I've heard of this album and I'm

54
00:02:49,919 --> 00:02:51,959
Speaker 1: going to do more research. As you told me, there's

55
00:02:52,000 --> 00:02:53,600
Speaker 1: a new look. I know there's a new album. You're

56
00:02:53,600 --> 00:02:57,239
Speaker 1: gonna love it. It is like the first two albums.

57
00:02:57,240 --> 00:03:01,960
Speaker 1: Of course you did, because it was fabulous histories of

58
00:03:02,040 --> 00:03:06,840
Speaker 1: like exploration of black history music basically like would have

59
00:03:06,840 --> 00:03:11,680
Speaker 1: been like your hand going up the walls and it's happening.

60
00:03:11,919 --> 00:03:14,959
Speaker 1: It's happening. It's it's house music, it's club music. It's

61
00:03:15,040 --> 00:03:18,760
Speaker 1: go go it's like every kind of how style music

62
00:03:18,800 --> 00:03:21,640
Speaker 1: that crafted by black folks who like really imbute it.

63
00:03:21,639 --> 00:03:24,720
Speaker 1: And then it's queer as hell for a straight lady.

64
00:03:25,360 --> 00:03:28,160
Speaker 1: Woman's only out here for Dick. It's very gay and

65
00:03:28,200 --> 00:03:30,120
Speaker 1: I love it. I love to see it, love to

66
00:03:30,160 --> 00:03:32,639
Speaker 1: see it. Um, well, that's good to have you here.

67
00:03:32,680 --> 00:03:35,000
Speaker 1: Thank you so much for joining me because you make

68
00:03:35,040 --> 00:03:37,720
Speaker 1: things so much easier. And also, nope, it was good. Huh.

69
00:03:38,320 --> 00:03:41,880
Speaker 1: Oh listen, we don't have time to get into it.

70
00:03:41,960 --> 00:03:47,760
Speaker 1: But as she said, actually actual awe, as I was

71
00:03:47,760 --> 00:03:52,920
Speaker 1: watching it might be my number one favorite Jordan Peel movie,

72
00:03:53,200 --> 00:03:55,520
Speaker 1: which is controversial. Not everyone's gonna like it. I think

73
00:03:55,600 --> 00:03:58,880
Speaker 1: that should also be said. It's not a guaranteed you'll

74
00:03:59,000 --> 00:04:01,920
Speaker 1: enjoy it, but if you, if you're you'll like it

75
00:04:02,000 --> 00:04:05,240
Speaker 1: because it speaks to the Hollywood. To me, it's a

76
00:04:05,280 --> 00:04:09,680
Speaker 1: film about old Hollywood interacting with this current phase of

77
00:04:09,760 --> 00:04:12,920
Speaker 1: Hollywood filmmakers and what does that mean and how do

78
00:04:13,000 --> 00:04:15,440
Speaker 1: they interact and what are they actually trying to do?

79
00:04:15,880 --> 00:04:19,799
Speaker 1: And it's so beautiful and so thought provoking and everyone

80
00:04:19,839 --> 00:04:23,120
Speaker 1: is so talented in it. And then the main thing,

81
00:04:23,200 --> 00:04:24,920
Speaker 1: which you can't really talk about just with me. But

82
00:04:24,960 --> 00:04:29,280
Speaker 1: the main thing is so impressive and inventive and new.

83
00:04:29,400 --> 00:04:33,440
Speaker 1: You've never seen anything like it. All right, don't okay?

84
00:04:34,800 --> 00:04:38,640
Speaker 1: Shooting off my body. Well, let's introduce our guest for today. Please,

85
00:04:38,800 --> 00:04:42,080
Speaker 1: we have a fantastic, hilarious stand up comedian and writer,

86
00:04:42,520 --> 00:04:44,960
Speaker 1: somebody who you've seen on you know, TV doing their

87
00:04:45,000 --> 00:04:47,200
Speaker 1: stand up thing. I saw a clip of Kimmel that

88
00:04:47,400 --> 00:04:50,000
Speaker 1: basically made me laugh so hard. I was like, who

89
00:04:50,160 --> 00:04:52,599
Speaker 1: is this dude? And why isn't why aren't we doing

90
00:04:52,640 --> 00:04:54,880
Speaker 1: something with him? Well? Guess what? Shout out to super

91
00:04:55,000 --> 00:04:58,440
Speaker 1: super producer Anna holst the because this person is also

92
00:04:58,560 --> 00:05:02,680
Speaker 1: contributing to the late latest series on the Clown Parade

93
00:05:02,920 --> 00:05:06,680
Speaker 1: Feed on Big Money Players Network. The first episode just

94
00:05:06,800 --> 00:05:11,360
Speaker 1: dropped last week. It's called Don Saldivar Presents the Weakest Loser. Okay,

95
00:05:11,360 --> 00:05:13,520
Speaker 1: and you got to check this out. Please welcome none

96
00:05:13,520 --> 00:05:17,880
Speaker 1: other than Martin Nirvano. Welcome Martin, thanks for having me.

97
00:05:18,080 --> 00:05:20,400
Speaker 1: How's it going? It's coming on, man. You got Don

98
00:05:20,440 --> 00:05:24,719
Speaker 1: Saldivar Presents the Weakest Loser. So in your Clown Parade

99
00:05:24,720 --> 00:05:26,800
Speaker 1: Feed because this is like every you know, last time

100
00:05:26,880 --> 00:05:28,840
Speaker 1: we had greta title went on who was doing her

101
00:05:28,880 --> 00:05:32,840
Speaker 1: step mom character. Martin, You're taking over this time, and

102
00:05:32,880 --> 00:05:35,520
Speaker 1: you're doing a lot of like game show stuff. Every

103
00:05:35,560 --> 00:05:38,120
Speaker 1: every episode is gonna be a different game show, right, yes,

104
00:05:39,240 --> 00:05:41,440
Speaker 1: how like what what's what? Where does you? Where's your mind? That?

105
00:05:41,480 --> 00:05:44,160
Speaker 1: Where you go? Like where we're the comedians like you

106
00:05:44,160 --> 00:05:46,120
Speaker 1: can do whatever you want. You're like, yeah, yeah, yeah, okay,

107
00:05:46,160 --> 00:05:47,840
Speaker 1: I want to do a bunch of different game shows.

108
00:05:48,080 --> 00:05:50,120
Speaker 1: What's this? This is a very big, big thing for you.

109
00:05:50,160 --> 00:05:53,599
Speaker 1: Game shows. All of the coolest comedians end up becoming

110
00:05:53,640 --> 00:05:58,040
Speaker 1: game show host you know, right, Howie Mandel, Steve Harvey

111
00:05:58,240 --> 00:06:04,240
Speaker 1: the goat, Chris Hardwick the go uh, you know, on

112
00:06:04,279 --> 00:06:07,640
Speaker 1: an equal level. Yeah, yeah, I don't know. I like games.

113
00:06:07,720 --> 00:06:09,599
Speaker 1: I like to play games. I like to make people happy.

114
00:06:09,800 --> 00:06:12,680
Speaker 1: My stand up is, you know, a lot of interaction.

115
00:06:13,160 --> 00:06:14,640
Speaker 1: So I kind of figured, you know what, let me

116
00:06:14,680 --> 00:06:16,919
Speaker 1: just make a game show and let me do a

117
00:06:17,000 --> 00:06:22,320
Speaker 1: character of somebody who is canceled. Game shows and podcasts

118
00:06:22,320 --> 00:06:24,000
Speaker 1: are not easy because you don't have any of the

119
00:06:24,120 --> 00:06:27,159
Speaker 1: visuals that thinks someone who has to craft a unique

120
00:06:27,160 --> 00:06:30,719
Speaker 1: game show every week. It is so challenging. I tried

121
00:06:30,720 --> 00:06:32,480
Speaker 1: to be like, you can go look at pictures on

122
00:06:32,520 --> 00:06:34,599
Speaker 1: Instagram and the audience was like, we don't want to

123
00:06:34,600 --> 00:06:36,960
Speaker 1: do that, girl, We do not We want everything house

124
00:06:37,080 --> 00:06:39,719
Speaker 1: in just this podcast. How did you go about like

125
00:06:39,760 --> 00:06:41,600
Speaker 1: deciding which games you wanted to use and like how

126
00:06:41,640 --> 00:06:44,599
Speaker 1: you're gonna like implement them into like an audio based

127
00:06:45,480 --> 00:06:50,120
Speaker 1: sounds place. Well, Also, I didn't quite understand the project

128
00:06:50,200 --> 00:06:52,400
Speaker 1: when I initially had signed up for it, and so

129
00:06:52,520 --> 00:06:55,600
Speaker 1: I made it very complicated and maybe a little too

130
00:06:55,600 --> 00:06:57,680
Speaker 1: hard to produce. There was a lot of a lot

131
00:06:57,760 --> 00:06:59,359
Speaker 1: of work that had to be done on it. So

132
00:06:59,400 --> 00:07:02,400
Speaker 1: I appreciate Anna and Olivia. Yeah, I don't know. I

133
00:07:02,920 --> 00:07:05,920
Speaker 1: had been doing a Zoom game show. That was what

134
00:07:06,080 --> 00:07:09,640
Speaker 1: I did during pandemic. Like every week, I was just

135
00:07:09,640 --> 00:07:11,600
Speaker 1: like writing a bunch of new jokes in a bunch

136
00:07:11,600 --> 00:07:13,200
Speaker 1: of new games. So I have a bunch to pick

137
00:07:13,240 --> 00:07:16,040
Speaker 1: from to fill you know, four episodes since I've been

138
00:07:16,040 --> 00:07:19,360
Speaker 1: doing it like a week every week for like a year.

139
00:07:20,480 --> 00:07:21,960
Speaker 1: And Martin, you're in New York right now? Right? You're

140
00:07:21,960 --> 00:07:25,600
Speaker 1: a New York based comedian, Yes, you love it? Here

141
00:07:25,640 --> 00:07:29,040
Speaker 1: are you from out there? Not from Texas? But I

142
00:07:29,120 --> 00:07:34,000
Speaker 1: have been here six years today actually wow, it's not

143
00:07:34,000 --> 00:07:35,640
Speaker 1: not actually today, but like in a couple of weeks.

144
00:07:35,640 --> 00:07:37,720
Speaker 1: But doesn't it feel special when I say it's today?

145
00:07:38,280 --> 00:07:41,280
Speaker 1: Does it feels serendipitous? Also? But it feels like a

146
00:07:41,320 --> 00:07:42,920
Speaker 1: thing Like you could tell people in New York. They

147
00:07:42,920 --> 00:07:46,760
Speaker 1: wouldn't give a fuck, Like if you're like, actually six

148
00:07:46,880 --> 00:07:48,960
Speaker 1: years since I moved to the city, hunt, they like,

149
00:07:49,000 --> 00:07:51,880
Speaker 1: get the funk out of my way. Everybody remembers actually

150
00:07:52,600 --> 00:07:55,120
Speaker 1: when I moved here, because I feel like I see

151
00:07:55,160 --> 00:07:56,760
Speaker 1: that all the time in l A. Like you'll go

152
00:07:56,840 --> 00:07:58,880
Speaker 1: to like like Griffith Park or like a park and

153
00:07:58,920 --> 00:08:01,120
Speaker 1: somebody's having like a already and then you overhear them

154
00:08:01,320 --> 00:08:03,880
Speaker 1: like you've been in l A for five years party,

155
00:08:04,240 --> 00:08:07,760
Speaker 1: and I'm like, what the fund is this ship? Okay? Cool, listen,

156
00:08:07,800 --> 00:08:10,680
Speaker 1: we it takes some time to adjust. Okay, you don't

157
00:08:10,680 --> 00:08:15,120
Speaker 1: know because you've been here for average. You migrate here,

158
00:08:15,160 --> 00:08:17,480
Speaker 1: You're like, a crap, how am I going to do

159
00:08:17,520 --> 00:08:20,040
Speaker 1: anything here? It's so hard. I have no money. You

160
00:08:20,120 --> 00:08:23,400
Speaker 1: gotta pay to get in everywhere. Street festivals cost money here.

161
00:08:23,440 --> 00:08:25,920
Speaker 1: It makes no sense. It's a wild space. That's why.

162
00:08:26,080 --> 00:08:29,280
Speaker 1: That's why you know, you're like, I survived ten years.

163
00:08:29,360 --> 00:08:31,400
Speaker 1: It's like, you know, I want to compare to like

164
00:08:31,400 --> 00:08:33,840
Speaker 1: a prison sentence, but sometimes to be like chocking it

165
00:08:33,920 --> 00:08:36,120
Speaker 1: up like I did it another year, I didn't leave

166
00:08:36,360 --> 00:08:40,239
Speaker 1: state can happen. It's the one prison where the prisoners

167
00:08:40,320 --> 00:08:43,280
Speaker 1: try to like move up to the next nicer prison,

168
00:08:43,600 --> 00:08:45,360
Speaker 1: like the next deal that they're in. It's like, and

169
00:08:45,400 --> 00:08:48,520
Speaker 1: now I'm in this creative prison. It's actually this prison

170
00:08:48,520 --> 00:08:50,000
Speaker 1: is a lot better than the last one. It's still

171
00:08:50,000 --> 00:08:52,520
Speaker 1: a prison, though. Anyway. We're going to get to know

172
00:08:52,600 --> 00:08:54,679
Speaker 1: you better Martin in a second, but first let's tell

173
00:08:54,679 --> 00:08:57,880
Speaker 1: everybody what we are talking about. First, we're gonna catch

174
00:08:57,960 --> 00:09:01,960
Speaker 1: up with the shattered man from Missouri, Senator Josh Holly,

175
00:09:02,040 --> 00:09:04,640
Speaker 1: who if you remember last week everyone, or or a

176
00:09:04,679 --> 00:09:06,959
Speaker 1: week maybe two weeks ago actually when the J and

177
00:09:07,000 --> 00:09:09,240
Speaker 1: six committee showed that clip of him running for his

178
00:09:09,400 --> 00:09:12,040
Speaker 1: life and the Capitol and everybody laughed at him. Well,

179
00:09:12,080 --> 00:09:14,560
Speaker 1: he's got a response. Okay, you thought he was not

180
00:09:14,640 --> 00:09:17,080
Speaker 1: a man? Will guess what. He will prove that to

181
00:09:17,200 --> 00:09:20,280
Speaker 1: you in the most fucking weird way you could imagine.

182
00:09:20,320 --> 00:09:23,760
Speaker 1: It's toxic. Also, we're gonna check him with Marvel movies

183
00:09:24,040 --> 00:09:26,840
Speaker 1: and just vfs in general. We love the VFX. We

184
00:09:26,920 --> 00:09:29,600
Speaker 1: love that that makes the magic happen. But is it

185
00:09:29,679 --> 00:09:32,360
Speaker 1: hard to be one of these VFX artists on these

186
00:09:32,400 --> 00:09:38,160
Speaker 1: films spoiler alert, Yes it is. It's very fucked up. Uh.

187
00:09:38,240 --> 00:09:41,920
Speaker 1: Then we're gonna talk about game Stop and their recent

188
00:09:42,000 --> 00:09:45,720
Speaker 1: pivot to selling n f T s, like even though

189
00:09:46,800 --> 00:09:49,160
Speaker 1: it's like a rap for n f T s and ship.

190
00:09:49,280 --> 00:09:51,680
Speaker 1: But we'll look into that and some of the terrible

191
00:09:51,720 --> 00:09:56,240
Speaker 1: business decisions being made there and plenty more. But first, Martin,

192
00:09:56,600 --> 00:09:59,520
Speaker 1: we gotta ask our guests, man, what's something from your

193
00:09:59,640 --> 00:10:03,720
Speaker 1: search history? Oh we're opening with that. Okay, how to

194
00:10:03,840 --> 00:10:08,320
Speaker 1: delete Google search history? Let me pull can FBI ce

195
00:10:08,480 --> 00:10:16,960
Speaker 1: my search history right now? Uh? Oh, Young Sheldon okay

196
00:10:17,920 --> 00:10:27,640
Speaker 1: you Miles, Oh my god, Sheldon over here, this is news.

197
00:10:27,640 --> 00:10:31,959
Speaker 1: Here's somebody just say that ship like seriously, I was

198
00:10:32,000 --> 00:10:41,679
Speaker 1: taking the simple coffee. I'm sorry, what, Young Sheldon? What

199
00:10:42,080 --> 00:10:44,520
Speaker 1: were you hoping to get information about what you type in?

200
00:10:44,720 --> 00:10:49,640
Speaker 1: Young Sheldon? Google search? Far? I got Young Sheldon viewership,

201
00:10:50,360 --> 00:10:57,080
Speaker 1: Young ratings okay, Young Sheldon Season five ratings and Young

202
00:10:57,120 --> 00:11:02,600
Speaker 1: Sheldon Wikipedia. Are you working with Young Sheldon? I'm doing research, okay.

203
00:11:04,920 --> 00:11:08,440
Speaker 1: I'm trying to understand how it became such a success

204
00:11:08,600 --> 00:11:12,040
Speaker 1: or trying to emulate that success. I was just trying

205
00:11:12,040 --> 00:11:14,400
Speaker 1: to see the level of success that had, and it's

206
00:11:14,480 --> 00:11:17,079
Speaker 1: quite successful. How does I'm sorry, dude, you've really sucked

207
00:11:17,120 --> 00:11:19,800
Speaker 1: me up by just that young Sheldon like earnestly and that.

208
00:11:20,280 --> 00:11:22,640
Speaker 1: I don't know, why is there any other way to

209
00:11:22,679 --> 00:11:25,839
Speaker 1: say it is? Young? Is Young Sheldon like a meme?

210
00:11:26,320 --> 00:11:28,840
Speaker 1: And are my? I did? I have a weird response

211
00:11:28,880 --> 00:11:31,080
Speaker 1: to that? Or in my mind I remember seeing in

212
00:11:31,280 --> 00:11:34,360
Speaker 1: l A they were blasting every billboard and bus bench

213
00:11:34,440 --> 00:11:36,520
Speaker 1: and ship with Young Sheldon, and I was like, this

214
00:11:36,600 --> 00:11:39,320
Speaker 1: is so stupid. I don't give a fuck, like y'allre

215
00:11:39,400 --> 00:11:41,079
Speaker 1: just trying to turn back the clock on like your

216
00:11:41,120 --> 00:11:43,880
Speaker 1: I P that's successful, like what? So in my mind

217
00:11:43,920 --> 00:11:45,760
Speaker 1: I was like, man, fuck you. I don't know. That

218
00:11:45,840 --> 00:11:48,560
Speaker 1: was always my towards So when you said, I was like,

219
00:11:49,520 --> 00:11:53,040
Speaker 1: I think those billboards worked. It has five seasons out

220
00:11:53,080 --> 00:11:55,920
Speaker 1: that one just wrapped in May h and they got

221
00:11:55,920 --> 00:11:59,880
Speaker 1: renewed for two more seasons fuck and five episodes, but

222
00:12:00,080 --> 00:12:08,319
Speaker 1: for their finale they reached syndication. Well TNT here they

223
00:12:08,360 --> 00:12:13,760
Speaker 1: come already sometimes America, Joel, what the funk are we doing?

224
00:12:14,760 --> 00:12:16,400
Speaker 1: We need to we need to do I think we

225
00:12:16,440 --> 00:12:18,600
Speaker 1: just need to make some like white people feel good

226
00:12:18,600 --> 00:12:22,600
Speaker 1: ship and its syndication and then just sucking funnel the

227
00:12:22,640 --> 00:12:26,520
Speaker 1: money into like you know, radical political ship. That seems

228
00:12:26,559 --> 00:12:28,640
Speaker 1: to be the way to do it. First appeal to

229
00:12:28,640 --> 00:12:31,760
Speaker 1: white people and then disrupt their system, you know, gain

230
00:12:31,880 --> 00:12:35,720
Speaker 1: some power and the leverage of finance, and then attack

231
00:12:36,240 --> 00:12:40,640
Speaker 1: Yeah yeah, jam six to like white media, you know

232
00:12:40,679 --> 00:12:42,240
Speaker 1: what I mean, Put the pieces this place and be

233
00:12:42,320 --> 00:12:46,040
Speaker 1: like surprise, motherfucker. They're like, we have we sent our

234
00:12:46,040 --> 00:12:52,520
Speaker 1: own slate of electors to green light this show. Like okay, okay,

235
00:12:52,559 --> 00:12:54,200
Speaker 1: but young Sheldren and it is a it is a

236
00:12:54,320 --> 00:12:56,240
Speaker 1: very It's like it ranks up there with Big Bang

237
00:12:56,280 --> 00:13:01,480
Speaker 1: Theory as far as what like in terms of like significance,

238
00:13:01,559 --> 00:13:05,559
Speaker 1: Like it's because it's based off Big Bang theory, right, yeah, yeah,

239
00:13:05,960 --> 00:13:08,840
Speaker 1: which is huge. I think it had like ten seasons.

240
00:13:08,880 --> 00:13:11,720
Speaker 1: I don't know, alright, so it's catching up. It's catching up.

241
00:13:12,080 --> 00:13:14,400
Speaker 1: But no, unfortunately I do not have Big Bang Theory

242
00:13:14,480 --> 00:13:17,400
Speaker 1: my search history, so I don't know the on that blazinga.

243
00:13:18,000 --> 00:13:20,880
Speaker 1: That's all I know from that. That's his catchphrase is

244
00:13:20,920 --> 00:13:24,480
Speaker 1: that Sheldon's catchphrase. I just remember I worked with somebody

245
00:13:24,520 --> 00:13:26,640
Speaker 1: who had all these Bazinger ship on their desk, and

246
00:13:26,679 --> 00:13:28,480
Speaker 1: I remember the first day I worked there, I'm like,

247
00:13:28,559 --> 00:13:30,840
Speaker 1: what the fund is? This isn't like this. They're like

248
00:13:30,920 --> 00:13:33,600
Speaker 1: they're they're really into big bang theory, and I was like,

249
00:13:33,720 --> 00:13:36,679
Speaker 1: I I need to start doing jobs that I like.

250
00:13:38,720 --> 00:13:42,679
Speaker 1: If it brings them joy, yeah, if it brings them happiness,

251
00:13:43,320 --> 00:13:46,360
Speaker 1: I'm young Sheldon now right, exactly, all right, I'm not

252
00:13:46,360 --> 00:13:48,440
Speaker 1: gonna yet there, you know, I'm shot up bazinga okay

253
00:13:48,480 --> 00:13:51,200
Speaker 1: all day. What some of you think is underrated, Martin?

254
00:13:51,760 --> 00:13:54,440
Speaker 1: Underrated is a good question. You did tell me to

255
00:13:54,480 --> 00:13:57,080
Speaker 1: have that prepared. And that's the one part I left

256
00:13:57,120 --> 00:14:00,439
Speaker 1: blank because I just kind of think everything that I

257
00:14:00,520 --> 00:14:06,319
Speaker 1: like people like it's good. Right, everybody knows. Yeah. I

258
00:14:06,600 --> 00:14:08,760
Speaker 1: can't name a single thing that I think is good

259
00:14:08,800 --> 00:14:10,600
Speaker 1: that people don't also think it's good. It's just my

260
00:14:10,679 --> 00:14:14,520
Speaker 1: taste is just at that perfect level where everything's rated perfectly.

261
00:14:14,640 --> 00:14:18,640
Speaker 1: But I like I've triangulated culture and I'm just right there,

262
00:14:18,679 --> 00:14:24,840
Speaker 1: dead center. I'm a cultural centrist. Like, yeah, I'm like

263
00:14:24,960 --> 00:14:26,920
Speaker 1: right up there, right down the middle of everything. Do

264
00:14:27,000 --> 00:14:30,120
Speaker 1: y'all ever feel like you like the thing that you

265
00:14:30,160 --> 00:14:33,160
Speaker 1: thought was niche like years before and then now it's

266
00:14:33,160 --> 00:14:39,280
Speaker 1: like the most popping thing ever. Hell yeah, I discovered anime. Okay,

267
00:14:38,800 --> 00:14:41,480
Speaker 1: that's really enjoying this UU hockey show. I can't believe

268
00:14:41,520 --> 00:14:44,760
Speaker 1: nobody's ever heard of it. Whild totally unique to just

269
00:14:44,800 --> 00:14:47,960
Speaker 1: me and my personality. I'm so creative. Uh yeah, that

270
00:14:48,040 --> 00:14:50,520
Speaker 1: ship I was hitting before I was born. People really

271
00:14:50,600 --> 00:14:53,200
Speaker 1: enjoyed it had major success. That's why I got to

272
00:14:53,200 --> 00:14:56,520
Speaker 1: hear it in English, so you know, right right, Yeah, definitely.

273
00:14:58,000 --> 00:14:59,680
Speaker 1: There are times I feel like that about music. When

274
00:14:59,680 --> 00:15:01,680
Speaker 1: I was like, I was working with this music, not

275
00:15:01,800 --> 00:15:04,000
Speaker 1: even like an artist, but like a genre. Like you

276
00:15:04,000 --> 00:15:05,960
Speaker 1: can kind of watch a genre be like this was

277
00:15:06,080 --> 00:15:08,920
Speaker 1: niche a second ago, and now it's like foundational to

278
00:15:09,000 --> 00:15:12,200
Speaker 1: like all music. Now that it really means you're just

279
00:15:12,240 --> 00:15:14,880
Speaker 1: the first person in your friendship circle to point it out,

280
00:15:16,000 --> 00:15:17,720
Speaker 1: the first one to be like, oh I like this,

281
00:15:17,840 --> 00:15:19,800
Speaker 1: and I introduced all my friends to it. So I've

282
00:15:19,840 --> 00:15:23,240
Speaker 1: become like the away was like a hub. But you know,

283
00:15:23,560 --> 00:15:28,160
Speaker 1: you're amazing. You're a tastemaker. Yes, exactly exactly. So what

284
00:15:28,200 --> 00:15:30,560
Speaker 1: about you your ahead of the trends? Man? What what

285
00:15:30,560 --> 00:15:33,280
Speaker 1: what trends were you getting ahead of? Actually I'm I'm

286
00:15:33,360 --> 00:15:37,280
Speaker 1: quite behind on trends. I don't keep up. Maybe not

287
00:15:37,360 --> 00:15:39,120
Speaker 1: the best guests to have on this where we talk

288
00:15:39,200 --> 00:15:43,640
Speaker 1: about topical you know guys stuff. I'm not great at that. Um.

289
00:15:43,680 --> 00:15:47,840
Speaker 1: But I did just get into a song called Ignition

290
00:15:47,880 --> 00:15:59,400
Speaker 1: remix something. Okay, it's a really good oh man. Yeah,

291
00:15:59,440 --> 00:16:00,840
Speaker 1: I'll send you, I'll send you. I'll send you a

292
00:16:00,880 --> 00:16:04,080
Speaker 1: couple of links after this, So what you can read

293
00:16:04,160 --> 00:16:06,680
Speaker 1: up on the fate the fate of that song. Yeah,

294
00:16:06,680 --> 00:16:08,680
Speaker 1: it's the reason we're not hearing it how much these days.

295
00:16:09,640 --> 00:16:12,400
Speaker 1: I started hearing it a lot because it's the number

296
00:16:12,440 --> 00:16:15,920
Speaker 1: one thing I've listened to on Spotify. Um. You know,

297
00:16:16,040 --> 00:16:18,720
Speaker 1: I I just like, I don't listen to too much music.

298
00:16:18,920 --> 00:16:21,120
Speaker 1: If you look at my playlist, it's all like throwback

299
00:16:21,240 --> 00:16:24,880
Speaker 1: songs from like early two thousands, like some forty one

300
00:16:24,880 --> 00:16:27,560
Speaker 1: and like teenage dirtbag like that kind of stuff. So

301
00:16:27,680 --> 00:16:30,480
Speaker 1: my music tastes. Uh. I don't listen to much music.

302
00:16:31,240 --> 00:16:35,440
Speaker 1: So when somebody is being defended by people after they've

303
00:16:35,480 --> 00:16:38,400
Speaker 1: done those things, I'm like, they must have some good stuff.

304
00:16:38,400 --> 00:16:42,120
Speaker 1: I should check it out. Like they can't put the

305
00:16:42,200 --> 00:16:44,560
Speaker 1: art down. Huh. Yeah, that's how good it is. These

306
00:16:44,600 --> 00:16:49,760
Speaker 1: people are defending anyway, Sorry about that. Huh, what some

307
00:16:49,800 --> 00:16:54,960
Speaker 1: of you think is overrated? Martin Young Sheldon? That's why

308
00:16:55,000 --> 00:16:56,800
Speaker 1: I was doing the research. I was trying to look

309
00:16:56,800 --> 00:16:59,720
Speaker 1: at the numbers. I didn't know you're gonna ask the

310
00:16:59,720 --> 00:17:02,400
Speaker 1: search US three first, Yeah, what's up with Young Sheldon Man?

311
00:17:03,040 --> 00:17:06,000
Speaker 1: You know? I it's not for me. Yeah, it's not

312
00:17:06,040 --> 00:17:07,920
Speaker 1: for me, but a lot of people watch it. Let's see,

313
00:17:07,920 --> 00:17:09,600
Speaker 1: I got I got the numbers pulled up right here.

314
00:17:09,640 --> 00:17:12,880
Speaker 1: All right, So the season finale got seven million viewers.

315
00:17:13,040 --> 00:17:16,920
Speaker 1: I mean in this day and age seven million. That

316
00:17:17,119 --> 00:17:22,639
Speaker 1: is that? That is you know, they deserve Scent on

317
00:17:22,760 --> 00:17:26,200
Speaker 1: Rotten Tomatoes and five seasons with two more on the way.

318
00:17:26,280 --> 00:17:29,040
Speaker 1: I mean that that means people love it. It's highly rated,

319
00:17:29,400 --> 00:17:33,080
Speaker 1: but I personally it's not for me. Yeah, are you

320
00:17:33,400 --> 00:17:36,600
Speaker 1: Joe Well you ever seen Young Sheldon? No, The Big

321
00:17:36,640 --> 00:17:39,639
Speaker 1: Bang Universal. I watched two episodes of Big Bang and

322
00:17:39,680 --> 00:17:42,120
Speaker 1: I said, oh, it's it's not for me. It hits

323
00:17:42,160 --> 00:17:44,639
Speaker 1: like all the other CBS, you know, two and a

324
00:17:44,640 --> 00:17:49,119
Speaker 1: half men, it's just the comedies again for me, not hitting.

325
00:17:49,320 --> 00:17:52,919
Speaker 1: And then I just don't care about these characters or

326
00:17:52,920 --> 00:17:56,160
Speaker 1: their journeys. Catch me over on each for you. That's right.

327
00:17:57,880 --> 00:18:01,639
Speaker 1: What's the show you do, like Thill Martin the rehearsal,

328
00:18:02,240 --> 00:18:08,200
Speaker 1: the rehearsal. Yeah, I mean it's on HBO. Yeah, on HBO.

329
00:18:08,560 --> 00:18:10,639
Speaker 1: It's sort of the young Sheldon of HBO X. You

330
00:18:10,680 --> 00:18:13,600
Speaker 1: might wake up up right on miracle status after watching it.

331
00:18:13,680 --> 00:18:19,240
Speaker 1: You never know, because on episode oh oh yeah, yes, dude,

332
00:18:19,480 --> 00:18:22,040
Speaker 1: but I just love again just the repetition of somebody

333
00:18:22,040 --> 00:18:23,960
Speaker 1: who has like this one thing that happened to them

334
00:18:24,000 --> 00:18:25,399
Speaker 1: and they say it over and over, which is when

335
00:18:25,440 --> 00:18:27,120
Speaker 1: I crashed my sign on TC going a hundred miles

336
00:18:27,160 --> 00:18:29,440
Speaker 1: an hour, like I have a friend. It was like, yeah,

337
00:18:29,480 --> 00:18:30,880
Speaker 1: you know, like when I was on that cruise ship

338
00:18:30,920 --> 00:18:32,560
Speaker 1: and like I almost fell off. And it's like you

339
00:18:32,680 --> 00:18:36,280
Speaker 1: say that three times a week, apropo of nothing, but

340
00:18:36,400 --> 00:18:40,760
Speaker 1: I get it. It's like his numbers thing. It's awesome. Yeah, yeah,

341
00:18:41,680 --> 00:18:45,879
Speaker 1: random numbers. Yo. Yeah, it looked twenty two eight. Look, Joel,

342
00:18:45,960 --> 00:18:48,520
Speaker 1: you gotta it's I'm very curious to see what our

343
00:18:48,520 --> 00:18:50,159
Speaker 1: take is on it. If okay, I'm gonna check it out.

344
00:18:50,480 --> 00:18:53,520
Speaker 1: Deeply uncomfortable you think it's hilarious or you can't believe

345
00:18:53,520 --> 00:18:56,600
Speaker 1: someone put this much thought into making a TV shows.

346
00:18:56,680 --> 00:19:02,639
Speaker 1: Did you watch Nathan for you much to make them? No? Okay, okay,

347
00:19:03,280 --> 00:19:05,159
Speaker 1: miss a lot of the like I didn't watch too

348
00:19:05,200 --> 00:19:08,080
Speaker 1: much Kirby your enthusiasm, lots of like Sanda Pedias are like,

349
00:19:08,400 --> 00:19:11,280
Speaker 1: this is it? I watched What's the show with the Lady?

350
00:19:11,600 --> 00:19:17,000
Speaker 1: Not the return? Y'all knowing comedy twitters packs that thing. Yeah,

351
00:19:17,440 --> 00:19:19,200
Speaker 1: season one, I like that a lot. I would check

352
00:19:19,200 --> 00:19:22,040
Speaker 1: out season to you plan too. Yeah. Yeah, I mean

353
00:19:22,240 --> 00:19:24,119
Speaker 1: you know, you know me, I'm watching the Marvel and

354
00:19:24,160 --> 00:19:27,359
Speaker 1: the Fantasy. I'm not trying to be on this planet

355
00:19:27,400 --> 00:19:32,960
Speaker 1: when I'm watching somewhere else. Please like Earth based content,

356
00:19:34,040 --> 00:19:38,359
Speaker 1: pass pass you watch Harley Quinn new season just started.

357
00:19:38,600 --> 00:19:41,480
Speaker 1: Love Harley Quinn. Harley Quinn's awesome. Yes, also on HBO.

358
00:19:42,080 --> 00:19:44,960
Speaker 1: See there we go. Okay, now I'm excited to watch it. Now,

359
00:19:44,960 --> 00:19:47,119
Speaker 1: what if Young Sheldon was on Harley Quinn? Would you

360
00:19:47,119 --> 00:19:50,200
Speaker 1: be working with a thing that would be multiverse stuff?

361
00:19:50,200 --> 00:19:53,639
Speaker 1: And you know you're excited about multiverse? You cowards the

362
00:19:53,760 --> 00:19:58,200
Speaker 1: multiversive madness. Young Sheldon comes out, Sheldon's appear on rap

363
00:19:58,240 --> 00:20:01,200
Speaker 1: ship just in the middle of my FAMI figure it out.

364
00:20:02,920 --> 00:20:06,760
Speaker 1: They're like, who's that little boy in the turn it up.

365
00:20:07,040 --> 00:20:09,479
Speaker 1: He bought three balls of doo. Say tonight, all right,

366
00:20:09,800 --> 00:20:11,960
Speaker 1: let's take a quick break and we'll be right back

367
00:20:12,000 --> 00:20:25,919
Speaker 1: to talk some news right after this and we're back. Uh.

368
00:20:26,160 --> 00:20:31,400
Speaker 1: Masculinity is something that's really centered in our culture right now,

369
00:20:31,440 --> 00:20:34,040
Speaker 1: and toxic men seem to be at the wheel of

370
00:20:34,080 --> 00:20:37,040
Speaker 1: many things, and we see it manifesting all over the place.

371
00:20:37,080 --> 00:20:39,560
Speaker 1: You've got white men that are angry that they're losing status,

372
00:20:39,560 --> 00:20:42,720
Speaker 1: so they double down on xenophobia and racism. They see

373
00:20:42,760 --> 00:20:46,600
Speaker 1: themselves as less potent, gender equality as an existential threat,

374
00:20:46,640 --> 00:20:49,080
Speaker 1: so we get even more severe laws that restrict people's

375
00:20:49,080 --> 00:20:53,000
Speaker 1: body autonomy. So many conservatives are living in this like

376
00:20:53,080 --> 00:20:55,520
Speaker 1: fucked up hell world where men are at risk of

377
00:20:55,560 --> 00:20:57,680
Speaker 1: being wiped off the face of the earth because someone

378
00:20:57,760 --> 00:21:00,320
Speaker 1: used the word patriarchy in front of, like around them,

379
00:21:00,800 --> 00:21:02,560
Speaker 1: which feels like just the general I was like, what,

380
00:21:02,760 --> 00:21:06,159
Speaker 1: so I'm the fucking bad guy now? Like oh, is

381
00:21:06,320 --> 00:21:09,240
Speaker 1: like what? They chill the funk out? And also yes,

382
00:21:09,920 --> 00:21:12,639
Speaker 1: but we see it in like I brought up the

383
00:21:12,680 --> 00:21:16,000
Speaker 1: fake as tough guy persona of like Ted Cruz when

384
00:21:16,000 --> 00:21:17,800
Speaker 1: he wants to act like a real badass when he

385
00:21:17,880 --> 00:21:21,280
Speaker 1: is shook one with a like a noodle spine, and

386
00:21:21,680 --> 00:21:24,119
Speaker 1: we definitely saw it a couple of weeks ago with

387
00:21:24,240 --> 00:21:28,520
Speaker 1: Senator Josh Holly. So, for those that don't recall, Josh

388
00:21:28,560 --> 00:21:32,760
Speaker 1: Holly's a senator from Missouri. He on January six, there's

389
00:21:32,760 --> 00:21:35,400
Speaker 1: a very famous picture of him gassing up the rioters.

390
00:21:35,400 --> 00:21:38,200
Speaker 1: He's like giving him like the power fists, like yeah,

391
00:21:38,280 --> 00:21:41,920
Speaker 1: y'all gonna fucking fun up in the capitol thing, take

392
00:21:41,960 --> 00:21:46,119
Speaker 1: back your country. And then when ship got so dire

393
00:21:46,600 --> 00:21:50,879
Speaker 1: in the actual capital, he fucking ran away for his

394
00:21:51,000 --> 00:21:55,880
Speaker 1: life like some non patriot man. What the funk was that? Josh, So,

395
00:21:56,200 --> 00:21:57,840
Speaker 1: I just set the table. I just want to, like,

396
00:21:57,920 --> 00:22:00,440
Speaker 1: before we get into his response about the January six stuff,

397
00:22:00,440 --> 00:22:02,960
Speaker 1: I just want people to understand where Josh Holly comes from,

398
00:22:02,960 --> 00:22:06,560
Speaker 1: like as a guy, like as some just American politician.

399
00:22:07,160 --> 00:22:09,600
Speaker 1: He's not stepped out of an eighties movie. He's not

400
00:22:09,640 --> 00:22:12,040
Speaker 1: the bully in an eighties movie. I mean, he's he's

401
00:22:12,080 --> 00:22:14,639
Speaker 1: like a guy who it's like like it's almost like

402
00:22:14,680 --> 00:22:17,879
Speaker 1: a villain origin story where you the whole time you

403
00:22:17,960 --> 00:22:20,440
Speaker 1: think like this is the bully grown up and he's

404
00:22:20,520 --> 00:22:23,199
Speaker 1: the villain, and it's actually the victim of the bully

405
00:22:23,280 --> 00:22:30,159
Speaker 1: who like became the bully after years it was you. Yeah.

406
00:22:30,480 --> 00:22:32,720
Speaker 1: So I just want to play this clip of him

407
00:22:32,760 --> 00:22:35,840
Speaker 1: saying this out loud at a conference of other like

408
00:22:36,040 --> 00:22:40,239
Speaker 1: minded creeps, and just you know, listen to this. This

409
00:22:40,320 --> 00:22:43,359
Speaker 1: is his explanation as to why I'm just masculinity in

410
00:22:43,359 --> 00:22:48,159
Speaker 1: America's going down the heffing drain. We'd be surprised that

411
00:22:48,240 --> 00:22:51,160
Speaker 1: after years of being told that they are the problem,

412
00:22:51,200 --> 00:22:54,800
Speaker 1: that their manhood is the problem, more and more men

413
00:22:55,240 --> 00:22:59,400
Speaker 1: are withdrawing into the enclave of idleness and pornography and

414
00:22:59,640 --> 00:23:03,600
Speaker 1: video games. I found the comment by one young man

415
00:23:04,320 --> 00:23:08,280
Speaker 1: to a Wall Street Journal reporter particularly evocative, particular dirty,

416
00:23:08,480 --> 00:23:12,600
Speaker 1: particularly heartbreaking. Particularly, he said, I'm sort of waiting for

417
00:23:12,640 --> 00:23:15,560
Speaker 1: a light to come on so I can figure out

418
00:23:15,600 --> 00:23:19,320
Speaker 1: what to do next. That that sounds like someone who's

419
00:23:19,359 --> 00:23:25,080
Speaker 1: just been crushed by capitalism. But sure that does sound

420
00:23:25,280 --> 00:23:29,600
Speaker 1: that that does sound bad man, or I'm I'm I

421
00:23:29,640 --> 00:23:32,080
Speaker 1: am pissed right now he is stealing all of my

422
00:23:32,160 --> 00:23:38,320
Speaker 1: material that's straight from my stand up, the idolists of

423
00:23:38,320 --> 00:23:44,080
Speaker 1: manhood right now, pornography, video games. So you know, he's

424
00:23:44,080 --> 00:23:47,000
Speaker 1: like one of these guys who's constantly like banging the drum,

425
00:23:47,040 --> 00:23:50,320
Speaker 1: being like, yo, the Left is on a campaign to

426
00:23:50,520 --> 00:23:55,840
Speaker 1: make men less masculine and diminish their role in family

427
00:23:56,000 --> 00:23:58,880
Speaker 1: life in order to bring up about the end of

428
00:23:58,920 --> 00:24:01,840
Speaker 1: the white family, which is where all these roads lead,

429
00:24:01,880 --> 00:24:04,040
Speaker 1: which is all just off the tree of like anti

430
00:24:04,040 --> 00:24:08,159
Speaker 1: semitic tropes about like who's really trying to destroy the

431
00:24:08,200 --> 00:24:12,280
Speaker 1: American family kind of ship? And anyway, that guy, the

432
00:24:12,320 --> 00:24:16,480
Speaker 1: one who is very secure in his dickness, was probably

433
00:24:16,520 --> 00:24:19,040
Speaker 1: not going to react well to a room full of

434
00:24:19,080 --> 00:24:22,520
Speaker 1: people laughing their asses off at a clip of him

435
00:24:22,680 --> 00:24:25,639
Speaker 1: running like a scared shook one. Uh. And that's what

436
00:24:25,800 --> 00:24:28,680
Speaker 1: happened during the January six commission when they played the

437
00:24:28,720 --> 00:24:31,880
Speaker 1: footage of him like on a security camera, like running

438
00:24:32,119 --> 00:24:35,080
Speaker 1: like away from the like rotunda to be like give

439
00:24:35,119 --> 00:24:36,840
Speaker 1: me out of here, and you could hear the whole

440
00:24:36,880 --> 00:24:42,360
Speaker 1: audience be like there, like, that's the guy earlier who

441
00:24:42,440 --> 00:24:46,359
Speaker 1: was so raw, raw about the fucking insurrection. Well, he

442
00:24:46,480 --> 00:24:49,720
Speaker 1: is now combined the absurdity of that earlier sort of

443
00:24:49,760 --> 00:24:52,879
Speaker 1: speech that I played for you, uh, and he is

444
00:24:52,920 --> 00:24:55,600
Speaker 1: now melding that with his anger at the people for

445
00:24:55,680 --> 00:24:58,639
Speaker 1: seeing how scared he was to announce that he is

446
00:24:58,720 --> 00:25:02,800
Speaker 1: a man actual just so you know, so much so

447
00:25:02,960 --> 00:25:06,840
Speaker 1: in fact, that he is writing a book on manliness,

448
00:25:07,000 --> 00:25:09,439
Speaker 1: and I don't know how much of a better defense

449
00:25:09,440 --> 00:25:10,880
Speaker 1: you can come up with, and saying I'm right, I'm

450
00:25:10,880 --> 00:25:13,719
Speaker 1: literally writing the book on manliness. So back the funk up.

451
00:25:14,119 --> 00:25:18,240
Speaker 1: What's it called? You know, get ready Martin? What would

452
00:25:18,280 --> 00:25:20,119
Speaker 1: you call it? I mean, I'm guessing if you were

453
00:25:20,160 --> 00:25:22,640
Speaker 1: doing this as a very transparent play to be like,

454
00:25:23,040 --> 00:25:26,760
Speaker 1: I felt emasculated in this clip. Now I'm gonna double

455
00:25:26,800 --> 00:25:29,399
Speaker 1: down by saying, I'm writing the book on masculinity. What

456
00:25:29,440 --> 00:25:33,160
Speaker 1: would you title it? Twelve Rules for Living your life?

457
00:25:34,560 --> 00:25:37,120
Speaker 1: That feels about right? What was that, Jordan Peters? Wasn't

458
00:25:37,160 --> 00:25:40,480
Speaker 1: it that? Oh yeah, yeah, right, something some dumb ship

459
00:25:40,600 --> 00:25:42,320
Speaker 1: like that. Wait, what do you say to him? That's

460
00:25:42,320 --> 00:25:45,600
Speaker 1: the no vaginas how to be a man? No? Right, exactly? Well,

461
00:25:45,640 --> 00:25:49,920
Speaker 1: it's both were close. It's called manhood, the masculine virtues

462
00:25:49,960 --> 00:25:55,080
Speaker 1: Americans need, Josh, shut the funk up? Oh my god,

463
00:25:55,119 --> 00:25:57,240
Speaker 1: hold on, Joel, let me tell you if it's inspired

464
00:25:57,240 --> 00:26:00,760
Speaker 1: by cool ship though too? This is him? I think

465
00:26:00,800 --> 00:26:03,840
Speaker 1: the Kansas City the local papers saying, quote, the book

466
00:26:03,840 --> 00:26:06,000
Speaker 1: appears to be a more in depth version of the

467
00:26:06,040 --> 00:26:08,919
Speaker 1: speech of which I told I played an extract from

468
00:26:08,960 --> 00:26:13,520
Speaker 1: in which Hollywooll draw from Greek and Roman philosophers, Jesus

469
00:26:14,000 --> 00:26:17,840
Speaker 1: and his political icon Teddy Roosevelt. The focus on traits

470
00:26:17,960 --> 00:26:23,639
Speaker 1: he defines as masculine responsibility, bravery, fidelity, and leadership. He

471
00:26:23,760 --> 00:26:25,720
Speaker 1: just hopped on four chane. He's like, okay, so they're

472
00:26:25,760 --> 00:26:30,320
Speaker 1: quoting some Greeks and Romans, right, Teddy Roosevelt carried a gun.

473
00:26:30,800 --> 00:26:33,359
Speaker 1: Uh none of that conservation ship, We're not gonna talk

474
00:26:33,359 --> 00:26:35,320
Speaker 1: about none of that, but the gun part. He was

475
00:26:35,400 --> 00:26:38,040
Speaker 1: in the army, dope or the navy, so that will

476
00:26:38,080 --> 00:26:42,280
Speaker 1: be perfect and uh okay, cool, yeah, bravery leader. This

477
00:26:42,320 --> 00:26:46,159
Speaker 1: sounds like the whatever they put like when you know

478
00:26:46,240 --> 00:26:48,440
Speaker 1: in high school you get like a little it's like

479
00:26:48,480 --> 00:26:50,919
Speaker 1: a school quote, and then it'll be like, I don't know,

480
00:26:51,080 --> 00:26:54,920
Speaker 1: oh yes, responsibility, but like these are our core value beliefs.

481
00:26:54,960 --> 00:26:59,159
Speaker 1: Like you sound like a child. I also think if

482
00:26:59,200 --> 00:27:00,520
Speaker 1: you have to write a boo look on how to

483
00:27:00,560 --> 00:27:05,440
Speaker 1: be masculine, I don't know, man, I don't know. He

484
00:27:05,800 --> 00:27:09,080
Speaker 1: sounded insecure in the daylight. We got to read the

485
00:27:09,080 --> 00:27:11,840
Speaker 1: book to be fair before we can't think. So I

486
00:27:11,840 --> 00:27:13,919
Speaker 1: think so I mean to read the book in its

487
00:27:14,080 --> 00:27:16,160
Speaker 1: entirety at least twice, just so that we can really

488
00:27:16,160 --> 00:27:19,359
Speaker 1: know have we thought about this. I think, like, you know,

489
00:27:19,960 --> 00:27:22,240
Speaker 1: as men, we should think about this. Like he said,

490
00:27:22,280 --> 00:27:27,560
Speaker 1: you should never sit down to pete. What, Yeah, that's cool,

491
00:27:27,640 --> 00:27:28,840
Speaker 1: not mean, I don't know that. I feel like that's

492
00:27:28,840 --> 00:27:30,320
Speaker 1: the kind of ship that's going to be in his book.

493
00:27:30,359 --> 00:27:33,200
Speaker 1: It's like sitting down to pee is a slippery slope

494
00:27:33,240 --> 00:27:36,160
Speaker 1: to you being in like a reprogramming camp to pick

495
00:27:36,240 --> 00:27:39,320
Speaker 1: your new gender, which is how all of these fucking

496
00:27:39,320 --> 00:27:42,280
Speaker 1: people think. But just so you guys know, because if

497
00:27:42,800 --> 00:27:46,240
Speaker 1: just when you thought he couldn't get fucking weirder, because look,

498
00:27:46,320 --> 00:27:49,960
Speaker 1: the book is about compensating for not being man enough,

499
00:27:50,200 --> 00:27:52,480
Speaker 1: whatever the funk he even thinks a man is. He's

500
00:27:52,520 --> 00:27:55,040
Speaker 1: going to be doing some press and some promotion that

501
00:27:55,119 --> 00:27:57,720
Speaker 1: he tied to the announcement of this book being released.

502
00:27:58,040 --> 00:28:00,840
Speaker 1: Prior to the release, he will will be one of

503
00:28:00,880 --> 00:28:07,800
Speaker 1: the keynote speakers at the Stronger Men's Conference. Bitch what

504
00:28:08,400 --> 00:28:11,880
Speaker 1: I'm gonna tell you what because I got I got

505
00:28:11,880 --> 00:28:17,640
Speaker 1: the motherfucking trailer for the Stronger Men's Conference. Iteration. I'm

506
00:28:17,640 --> 00:28:19,560
Speaker 1: just gonna start a couple of seconds in just so

507
00:28:19,600 --> 00:28:22,400
Speaker 1: you can see. Okay, tell me if you can make

508
00:28:22,440 --> 00:28:25,399
Speaker 1: sense of what this fucking conferences when I play you

509
00:28:25,480 --> 00:28:27,720
Speaker 1: the fucking trailer for I got my tickets early Bird

510
00:28:27,760 --> 00:28:30,840
Speaker 1: Special Action. Oh but that before before even knowing Josh

511
00:28:30,840 --> 00:28:34,399
Speaker 1: Holly was even announced. Yeah, they're gonna I mean, not

512
00:28:34,480 --> 00:28:38,200
Speaker 1: the strength. I mean that was a memorable one. This

513
00:28:38,280 --> 00:28:42,440
Speaker 1: is just a part of the trailer. Incredible space men okay, immediately,

514
00:28:42,440 --> 00:28:55,560
Speaker 1: incredible stock footage, fire the concerts, Phallix, space Penis fires us,

515
00:28:56,120 --> 00:28:58,000
Speaker 1: all these people. I never heard of a guy swinging

516
00:28:58,000 --> 00:29:04,040
Speaker 1: a flaming log, a guy writing know what informed to

517
00:29:04,160 --> 00:29:08,120
Speaker 1: drinks will prosper. Oh they got the Jesus hands up.

518
00:29:09,000 --> 00:29:13,520
Speaker 1: They're really crazy and fight to whim okay, in what

519
00:29:14,520 --> 00:29:18,160
Speaker 1: you know, the fucking race war. They don't gotta tell

520
00:29:18,200 --> 00:29:21,480
Speaker 1: you out loud what the fun they're talking about. They're saying,

521
00:29:22,480 --> 00:29:24,960
Speaker 1: we gotta fight to win the race war against the

522
00:29:25,000 --> 00:29:27,880
Speaker 1: communists or whatever. Then they're talking about did did you

523
00:29:27,920 --> 00:29:29,960
Speaker 1: see the imagery in this? So for people, I know,

524
00:29:30,000 --> 00:29:32,240
Speaker 1: we were just ranting over it. What did we see?

525
00:29:32,280 --> 00:29:35,240
Speaker 1: We saw a bunch of space dicks being launched into there.

526
00:29:35,280 --> 00:29:38,240
Speaker 1: I don't know why there was repeated rocket launch footage,

527
00:29:38,320 --> 00:29:42,120
Speaker 1: but I get it because there's a space race and

528
00:29:42,120 --> 00:29:45,320
Speaker 1: we like Elon Musk that was trending for a while,

529
00:29:45,520 --> 00:29:51,160
Speaker 1: So space okay. Boxing the manliest of sports. Surprisingly no

530
00:29:51,360 --> 00:29:54,640
Speaker 1: football or basketball shots like boxing is essentially the only

531
00:29:55,520 --> 00:29:58,080
Speaker 1: what I'm gonna call a sport. You also tall, some

532
00:29:58,120 --> 00:30:03,640
Speaker 1: monster trucks, very strong man spinning some fire flaming log.

533
00:30:03,760 --> 00:30:06,840
Speaker 1: It looked like a telephone. It was not a small

534
00:30:06,880 --> 00:30:09,120
Speaker 1: it was not a baton, y'all. It was very much

535
00:30:09,120 --> 00:30:11,920
Speaker 1: a log because this is a man. Yeah, because he's

536
00:30:11,920 --> 00:30:15,440
Speaker 1: a man, right, man, not dinky bigger better. We get

537
00:30:15,480 --> 00:30:17,800
Speaker 1: it pretty much what you might see your dad flip

538
00:30:17,880 --> 00:30:20,520
Speaker 1: through on a Sunday when he's tired, if you just

539
00:30:20,960 --> 00:30:23,600
Speaker 1: rapid fire flipping through channels. These are like like his

540
00:30:23,680 --> 00:30:25,720
Speaker 1: favorite channels, you know, you know that's setting on your

541
00:30:25,760 --> 00:30:28,520
Speaker 1: so I like whatever, right, those are the image he

542
00:30:28,560 --> 00:30:32,760
Speaker 1: would see, like I mean like TV. Yeah, exactly. It

543
00:30:32,880 --> 00:30:36,480
Speaker 1: was very Spike TV. But there's everything Spike TV stood

544
00:30:36,480 --> 00:30:39,720
Speaker 1: for but condensed into like a forty second montage with

545
00:30:39,920 --> 00:30:44,120
Speaker 1: stock footage, So there will be monster No. Yeah, I

546
00:30:44,120 --> 00:30:46,720
Speaker 1: don't know. I can't think of a manlier event than that,

547
00:30:46,920 --> 00:30:50,400
Speaker 1: or people who couldn't know less what who they are

548
00:30:50,560 --> 00:30:53,320
Speaker 1: then if they have to go to something like that,

549
00:30:53,480 --> 00:30:57,000
Speaker 1: pretty tragic. I just Josh Holley is one of those

550
00:30:57,000 --> 00:31:01,560
Speaker 1: people who can't ever like you only ever seen him

551
00:31:01,720 --> 00:31:04,640
Speaker 1: yelling directly to the camera or talking directly to his audience,

552
00:31:04,640 --> 00:31:06,280
Speaker 1: because if he had to do any kind of debate,

553
00:31:06,560 --> 00:31:09,480
Speaker 1: he would crumple immediately, as we saw recently in the

554
00:31:10,120 --> 00:31:13,800
Speaker 1: congressional like discussions on abortion, where he was just going

555
00:31:13,840 --> 00:31:17,440
Speaker 1: after this professor and she was like, okay, but like,

556
00:31:17,520 --> 00:31:19,560
Speaker 1: let's take a step back. What did you actually say

557
00:31:19,560 --> 00:31:22,880
Speaker 1: and what do you actually believe? So that's violent? The

558
00:31:22,960 --> 00:31:27,040
Speaker 1: exce are you denying their existence, sir? Is that you

559
00:31:27,040 --> 00:31:31,840
Speaker 1: can a man get pregnant? No? Okay, Well then he's like,

560
00:31:31,880 --> 00:31:34,080
Speaker 1: I don't know, a man might. I'm going to the

561
00:31:34,080 --> 00:31:36,720
Speaker 1: Stronger Men's conference in a few months and there may

562
00:31:36,760 --> 00:31:39,200
Speaker 1: be a different speaker. They're showing that men can do it.

563
00:31:39,280 --> 00:31:43,280
Speaker 1: So elated at men wanting to be able to be like, listen,

564
00:31:43,520 --> 00:31:46,600
Speaker 1: now we are the creators of life. Being able to

565
00:31:46,920 --> 00:31:49,600
Speaker 1: like grow, develop and then push out a baby is

566
00:31:49,600 --> 00:31:51,600
Speaker 1: the most badass thing a woman can do. And I've

567
00:31:51,600 --> 00:31:54,360
Speaker 1: shocked that men aren't like fucking and now we can

568
00:31:54,400 --> 00:31:58,800
Speaker 1: do it too clearly where the superior like sex? Right, Yeah,

569
00:31:58,880 --> 00:32:03,280
Speaker 1: well I'm sure they sure you'd want something like that.

570
00:32:03,600 --> 00:32:05,880
Speaker 1: But yeah, we'll see at the Stronger Men's Conference what

571
00:32:06,000 --> 00:32:09,040
Speaker 1: comes to that. But I know the Harlem Globe Trotters,

572
00:32:09,120 --> 00:32:11,440
Speaker 1: it may have performed at a previous one. It's it's

573
00:32:11,560 --> 00:32:14,680
Speaker 1: really I think it's probably this intersection of like Christian

574
00:32:14,840 --> 00:32:19,280
Speaker 1: like evangelical stuff and like sort of like a convention

575
00:32:19,320 --> 00:32:22,040
Speaker 1: to try and court more young people into being fascists.

576
00:32:22,680 --> 00:32:25,320
Speaker 1: What I want to apologize to the hotel staff in advance,

577
00:32:25,440 --> 00:32:28,200
Speaker 1: this can't be a pretty weekend for you. You see

578
00:32:28,200 --> 00:32:31,120
Speaker 1: a lot of weird conferences come and go, but this

579
00:32:31,200 --> 00:32:33,160
Speaker 1: is going to be really hell for the ladies. I

580
00:32:33,160 --> 00:32:36,240
Speaker 1: hope the men step up and really, you know, y'all

581
00:32:36,280 --> 00:32:38,320
Speaker 1: clean the bedrooms and stuff this week or something. Give

582
00:32:38,360 --> 00:32:41,360
Speaker 1: these women some time. Or that's not what I learned

583
00:32:41,360 --> 00:32:45,840
Speaker 1: the Stronger Men's Conference. Actually so, and I heard that

584
00:32:45,880 --> 00:32:48,840
Speaker 1: the Strongest Men Conference, Kevin fig is gonna release more

585
00:32:49,120 --> 00:32:54,480
Speaker 1: Marvel movies. He's gonna unveil Phase sixty nine of The

586
00:32:54,960 --> 00:32:58,440
Speaker 1: Captain America. So you know, yeah, except the actor that

587
00:32:58,480 --> 00:33:01,160
Speaker 1: plays I think Chris loves them, but they love them

588
00:33:01,200 --> 00:33:04,160
Speaker 1: some cat. Yeah. All right, well, actually, speaking of Marvel,

589
00:33:04,680 --> 00:33:07,080
Speaker 1: I just want to talk just quickly because we also

590
00:33:07,120 --> 00:33:08,760
Speaker 1: like to talk about how hard it is, you know,

591
00:33:08,800 --> 00:33:11,240
Speaker 1: to be a working person in America, and even when

592
00:33:11,240 --> 00:33:16,160
Speaker 1: you're making VFX for blockbuster films that make literally billions

593
00:33:16,200 --> 00:33:20,480
Speaker 1: of dollars, sometimes it's hard to even get a living wage.

594
00:33:20,560 --> 00:33:24,040
Speaker 1: There's a recent quote from Natalie Portman where she was

595
00:33:24,080 --> 00:33:26,920
Speaker 1: talking about like one of her favorite scenes in thor

596
00:33:26,920 --> 00:33:30,200
Speaker 1: Love and Thunder was just literally shot in a best

597
00:33:30,200 --> 00:33:33,240
Speaker 1: By parking lot against like a blue screen or green

598
00:33:33,280 --> 00:33:35,160
Speaker 1: screen or you know whatever. It's the same thing. She said.

599
00:33:35,160 --> 00:33:37,160
Speaker 1: There's quote one scene that's one of the most visually

600
00:33:37,160 --> 00:33:39,440
Speaker 1: beautiful scenes I've seen on film, and we shot it

601
00:33:39,520 --> 00:33:41,520
Speaker 1: in real life in a in a real life best

602
00:33:41,520 --> 00:33:43,400
Speaker 1: By parking lot. It's so wild to be on the

603
00:33:43,480 --> 00:33:45,760
Speaker 1: size of a movie movie and we were literally in

604
00:33:45,800 --> 00:33:48,520
Speaker 1: a parking lot with a blue screen doing this really

605
00:33:48,600 --> 00:33:51,560
Speaker 1: dramatic thing. It looks so stunning on film, but every

606
00:33:51,560 --> 00:33:53,680
Speaker 1: time I see it, I'm like, that's the best By

607
00:33:53,760 --> 00:33:56,840
Speaker 1: parking lot, which is I think speaks to the amount

608
00:33:56,880 --> 00:33:59,520
Speaker 1: of work that visual effects artists have to do from

609
00:33:59,520 --> 00:34:02,600
Speaker 1: her saying, it's one of the most visually stunning scenes,

610
00:34:03,120 --> 00:34:05,400
Speaker 1: but we we just did the work of being in

611
00:34:05,440 --> 00:34:07,840
Speaker 1: the best by parking lot. The VFX teams have to

612
00:34:07,840 --> 00:34:09,840
Speaker 1: do the work of then making the best by parking

613
00:34:09,840 --> 00:34:12,760
Speaker 1: lot one of the most visually stunning scenes they've ever seen,

614
00:34:13,080 --> 00:34:15,440
Speaker 1: which is I think a very valid point. And then

615
00:34:15,480 --> 00:34:18,279
Speaker 1: recently people were like taking shots at some of like

616
00:34:18,320 --> 00:34:21,200
Speaker 1: the VFX in the she Hulk trailer. I mean, like

617
00:34:21,239 --> 00:34:23,440
Speaker 1: I looked at it didn't seem like the most effects

618
00:34:23,480 --> 00:34:26,160
Speaker 1: heavy trailer. But I don't know, like if what what

619
00:34:26,160 --> 00:34:29,920
Speaker 1: what exactly the criticisms were, But well, she is entirely

620
00:34:30,280 --> 00:34:35,520
Speaker 1: VFX because is a very tiny person into the six

621
00:34:35,560 --> 00:34:38,879
Speaker 1: foot seven all green. They I don't think they did

622
00:34:38,920 --> 00:34:41,840
Speaker 1: any kind of like body paint for them. She's a

623
00:34:41,880 --> 00:34:47,279
Speaker 1: completely CG character, so they're not even like editing her

624
00:34:47,560 --> 00:34:50,040
Speaker 1: like live face and then just like giving it a green.

625
00:34:50,120 --> 00:34:52,719
Speaker 1: They're doing a digital recording of her face. So the

626
00:34:52,760 --> 00:34:54,480
Speaker 1: thing with like there they put the dots on the

627
00:34:54,480 --> 00:34:57,640
Speaker 1: face and there they're mapping the movement in her face.

628
00:34:57,960 --> 00:35:01,040
Speaker 1: But no, she is not getting any kind of visual

629
00:35:01,080 --> 00:35:06,080
Speaker 1: effects makeup or anything like that. So character I was

630
00:35:06,120 --> 00:35:08,120
Speaker 1: over here. This is my old ass being like this

631
00:35:08,200 --> 00:35:11,839
Speaker 1: ship don't look that bad? Why everybody? In my mind,

632
00:35:11,880 --> 00:35:13,680
Speaker 1: I'm like, yeah, she could be six seven lifting that

633
00:35:13,760 --> 00:35:18,200
Speaker 1: dude to the bed. It looks better. It looks better.

634
00:35:18,239 --> 00:35:22,399
Speaker 1: Every time we get a new trailer, but definitely up throat,

635
00:35:22,400 --> 00:35:24,120
Speaker 1: you could tell it was rough in the same way

636
00:35:24,160 --> 00:35:26,200
Speaker 1: that if you saw a Black Panther when it originally

637
00:35:26,239 --> 00:35:28,880
Speaker 1: hit theater, CG I was not finished yet. You are

638
00:35:28,960 --> 00:35:33,239
Speaker 1: seeing like a mostly completed situation. But that's kind of

639
00:35:33,280 --> 00:35:36,000
Speaker 1: what happens. I mean. Visual effects and c G are

640
00:35:36,080 --> 00:35:38,640
Speaker 1: kind of the last, not the last step. You usually

641
00:35:38,680 --> 00:35:41,160
Speaker 1: have audio as the final step in a mix when

642
00:35:41,160 --> 00:35:44,319
Speaker 1: you're editing a movie, but visual effects come pretty close

643
00:35:44,360 --> 00:35:47,400
Speaker 1: to the end. It's a post production practice, and so

644
00:35:47,920 --> 00:35:51,120
Speaker 1: a lot of times they're under the gun for you know,

645
00:35:51,239 --> 00:35:53,480
Speaker 1: the time the studio said the movie would hit the theaters.

646
00:35:53,760 --> 00:35:56,600
Speaker 1: And on top of that, it is an absolute of work.

647
00:35:56,640 --> 00:35:58,680
Speaker 1: If you've seen a Marvel movie, they're shrinking people, they're

648
00:35:58,680 --> 00:36:02,680
Speaker 1: blowing them up there entirely new planets, like a lot

649
00:36:02,680 --> 00:36:05,719
Speaker 1: of their rooms and spaces are not practical, although they're

650
00:36:05,760 --> 00:36:10,520
Speaker 1: sort of starting to figure out ways to smooth that out.

651
00:36:10,520 --> 00:36:13,200
Speaker 1: A little bit. So they have the new um like

652
00:36:13,239 --> 00:36:16,160
Speaker 1: a three sixty room that's all screens on ceiling, the

653
00:36:16,200 --> 00:36:18,959
Speaker 1: ground all around, and so you can shoot in there

654
00:36:19,040 --> 00:36:22,080
Speaker 1: and kind of do a lot of treats work. Yeah,

655
00:36:22,120 --> 00:36:25,360
Speaker 1: it looks real, dope. They're also building some practical sets.

656
00:36:25,360 --> 00:36:28,880
Speaker 1: They built a street in New York for their back lots,

657
00:36:28,920 --> 00:36:31,200
Speaker 1: so now they're doing you know, most Marvel movies take

658
00:36:31,200 --> 00:36:33,120
Speaker 1: place in New York. The majority have at least some

659
00:36:33,160 --> 00:36:35,600
Speaker 1: scenes in New York. So they have four blocks of

660
00:36:35,920 --> 00:36:38,440
Speaker 1: New York Street that they can dress and design for

661
00:36:38,520 --> 00:36:40,920
Speaker 1: different sets that we're probably see in the future. This

662
00:36:40,960 --> 00:36:43,920
Speaker 1: will help, but not having to a good location or

663
00:36:43,960 --> 00:36:45,600
Speaker 1: be try to design a lot of this stuff in

664
00:36:45,600 --> 00:36:48,560
Speaker 1: a computer. But it's definitely been brutal, and especially if

665
00:36:48,560 --> 00:36:51,040
Speaker 1: you follow any of these visual effects artists, I mean,

666
00:36:52,480 --> 00:36:56,320
Speaker 1: working eighteen hour days or sometimes longer not being paid

667
00:36:56,520 --> 00:36:59,080
Speaker 1: is again not new for Disney or Marvel. We've seen it,

668
00:36:59,640 --> 00:37:02,280
Speaker 1: you know, even the original writers who created this character.

669
00:37:02,320 --> 00:37:04,719
Speaker 1: I think if you a character you created shows up

670
00:37:04,760 --> 00:37:06,759
Speaker 1: in a movie, you get like a five thousand dollar check,

671
00:37:07,120 --> 00:37:10,960
Speaker 1: which you know, if you're a regular person, you're like, sweet,

672
00:37:11,040 --> 00:37:13,279
Speaker 1: I love five thousand dollars for work I did twenty

673
00:37:13,360 --> 00:37:16,240
Speaker 1: years ago. But if you, you know, create that character

674
00:37:16,360 --> 00:37:18,960
Speaker 1: of whole clause, and especially if your stories are what

675
00:37:19,080 --> 00:37:21,520
Speaker 1: made them successful, and then they're taking parts of that

676
00:37:21,560 --> 00:37:25,200
Speaker 1: story and then building a billion dollar franchise out of it,

677
00:37:25,200 --> 00:37:28,360
Speaker 1: it's super frustrating because you're not consulted about how that

678
00:37:28,440 --> 00:37:31,120
Speaker 1: character appears. You're not consulted about you know, if or

679
00:37:31,160 --> 00:37:34,440
Speaker 1: when they appear, whom they appear next to, they often

680
00:37:34,880 --> 00:37:37,960
Speaker 1: change and articulate the story a little bit differently. So

681
00:37:38,120 --> 00:37:41,000
Speaker 1: it's just, yeah, it's it's frustrating. And the thing is,

682
00:37:41,040 --> 00:37:44,120
Speaker 1: you know we're seeing it with like Hulk as well

683
00:37:44,120 --> 00:37:46,560
Speaker 1: and with Thor too. I know there was a lot

684
00:37:46,560 --> 00:37:50,480
Speaker 1: of controversy when Tessa and Tika we're on and they

685
00:37:50,560 --> 00:37:53,480
Speaker 1: kind of like gently ribbed at some of the CPI

686
00:37:53,600 --> 00:37:58,319
Speaker 1: Thor not being a percent completed, and you know it's

687
00:37:58,360 --> 00:38:01,120
Speaker 1: set people off because the people that do this work,

688
00:38:01,200 --> 00:38:03,200
Speaker 1: you know, they're very dedicated. They are everyone who works

689
00:38:03,200 --> 00:38:05,200
Speaker 1: on a film wants it to look as best. They

690
00:38:05,200 --> 00:38:07,719
Speaker 1: want to do their best job, and so you know,

691
00:38:07,719 --> 00:38:09,520
Speaker 1: when your top of the line kind of poking fun

692
00:38:09,560 --> 00:38:13,640
Speaker 1: at bottom of the line, people that can be and

693
00:38:13,680 --> 00:38:15,600
Speaker 1: this is like against a backdrop to like with like

694
00:38:15,640 --> 00:38:17,560
Speaker 1: you're saying, a lot of VFX artists are on the

695
00:38:17,560 --> 00:38:21,279
Speaker 1: internet talking very directly about like their experiences working and

696
00:38:21,320 --> 00:38:23,799
Speaker 1: saying that they're you know, they would describe the relationship

697
00:38:23,840 --> 00:38:27,480
Speaker 1: with Marvel as like toxic and not being paid the

698
00:38:27,520 --> 00:38:30,120
Speaker 1: equivalent to the amount of work they put in, which

699
00:38:30,160 --> 00:38:33,160
Speaker 1: is just in general, I think in the world right now,

700
00:38:33,360 --> 00:38:35,680
Speaker 1: it's it's the same story, like no matter what the

701
00:38:35,719 --> 00:38:38,399
Speaker 1: industry is. They talked about how like on thor they

702
00:38:38,400 --> 00:38:41,800
Speaker 1: were asking for like complete mini sequences of like nearly

703
00:38:41,800 --> 00:38:45,160
Speaker 1: fleshed out like the effect sequences two to three weeks

704
00:38:45,160 --> 00:38:47,400
Speaker 1: before they actually needed to deliver it. So it's like

705
00:38:47,520 --> 00:38:50,160
Speaker 1: that's that doesn't act. That makes the deadline a lot

706
00:38:50,320 --> 00:38:52,080
Speaker 1: sooner based on the amount of work that has to

707
00:38:52,120 --> 00:38:55,600
Speaker 1: be done. One person talked about how like you know,

708
00:38:55,800 --> 00:38:59,920
Speaker 1: regularly they'll see other like VFX artists just like melt down,

709
00:39:00,239 --> 00:39:03,480
Speaker 1: like because they're so stressed, whether that's like throwing computer

710
00:39:03,600 --> 00:39:06,440
Speaker 1: monitors or like just just like losing their ship, like

711
00:39:06,560 --> 00:39:10,120
Speaker 1: marriage is becoming strained, and the problem is like a

712
00:39:10,120 --> 00:39:12,719
Speaker 1: lot of industries where people's labor gets exploited like that,

713
00:39:12,880 --> 00:39:17,080
Speaker 1: the VFX artists aren't unionized, And there was a report

714
00:39:17,120 --> 00:39:19,880
Speaker 1: in The Independent that said under half of the VFX

715
00:39:19,960 --> 00:39:24,000
Speaker 1: workforce in London is actually unionized. And it you can

716
00:39:24,080 --> 00:39:26,280
Speaker 1: kind of see how studios get around all this stuff

717
00:39:26,320 --> 00:39:29,080
Speaker 1: like cutting corners to save money, where a lot of

718
00:39:29,120 --> 00:39:32,800
Speaker 1: the costumes now are made impost like on the computer,

719
00:39:33,239 --> 00:39:35,920
Speaker 1: because it's much easier to ask a person on a

720
00:39:36,000 --> 00:39:39,120
Speaker 1: computer to work just longer hours to make the suit

721
00:39:39,200 --> 00:39:41,440
Speaker 1: look how it needs to, rather than to go to

722
00:39:41,520 --> 00:39:46,040
Speaker 1: the unionized costumers and be like, can you tweak this?

723
00:39:46,040 --> 00:39:48,680
Speaker 1: This like real garment that you're creating to look a

724
00:39:48,680 --> 00:39:53,000
Speaker 1: certain way. So it's all very murky, uh and exploitative

725
00:39:53,040 --> 00:39:54,560
Speaker 1: at the end of the day. And this isn't just

726
00:39:54,800 --> 00:39:57,239
Speaker 1: you know, this isn't just a necessarily a marvel thing.

727
00:39:57,280 --> 00:39:59,680
Speaker 1: This is like across the board, like people, especially during

728
00:39:59,719 --> 00:40:01,839
Speaker 1: the pen deemic, there are people who had to go

729
00:40:02,320 --> 00:40:03,880
Speaker 1: you know, they didn't they didn't want a lot of

730
00:40:03,960 --> 00:40:05,960
Speaker 1: VFX artists to work from home because they're like, they're

731
00:40:05,960 --> 00:40:08,640
Speaker 1: gonna leak ship. So they need to come inside to

732
00:40:08,800 --> 00:40:13,000
Speaker 1: this closed off office and work together during the pandemic

733
00:40:13,480 --> 00:40:15,880
Speaker 1: to make sure we don't leak anything. And I know

734
00:40:15,920 --> 00:40:18,000
Speaker 1: people who have worked post in the pandemic, and they

735
00:40:18,000 --> 00:40:21,120
Speaker 1: were getting sick all the time because there's no like

736
00:40:21,160 --> 00:40:23,480
Speaker 1: if you go to any place that does like post

737
00:40:23,680 --> 00:40:28,040
Speaker 1: like a post house, they're dark, windowless, poking spaces with

738
00:40:28,200 --> 00:40:31,520
Speaker 1: not very good airflow. So it's a very tough environment

739
00:40:31,560 --> 00:40:34,120
Speaker 1: for sure. Do you think, like people talking about it now,

740
00:40:34,120 --> 00:40:39,319
Speaker 1: it's it's gonna change things like the Sausage Party like

741
00:40:39,360 --> 00:40:43,320
Speaker 1: have something to it, like the animators, like we're unhappy

742
00:40:43,360 --> 00:40:47,239
Speaker 1: with Sony And did that change anything after people talked

743
00:40:47,280 --> 00:40:50,759
Speaker 1: about that. I think, like anything, right, it's it'll get

744
00:40:50,880 --> 00:40:53,480
Speaker 1: It's like everything, there will be the people and activists

745
00:40:53,520 --> 00:40:55,560
Speaker 1: or people who are like the most vocal about it.

746
00:40:55,560 --> 00:40:58,040
Speaker 1: It probably has like this lifespan of like it gets

747
00:40:58,040 --> 00:41:00,680
Speaker 1: a few headlines and then it died in the studios

748
00:41:00,680 --> 00:41:03,040
Speaker 1: like okay, good, no one's talking about it. But I

749
00:41:03,080 --> 00:41:05,600
Speaker 1: think now as I don't know, I think in this

750
00:41:05,640 --> 00:41:08,000
Speaker 1: era too, when you see more people are open to

751
00:41:08,040 --> 00:41:12,960
Speaker 1: the idea of unionizing, you'd think that this could change things.

752
00:41:13,000 --> 00:41:16,880
Speaker 1: But knowing like you know, certain companies like studios like Disney,

753
00:41:16,920 --> 00:41:21,399
Speaker 1: they're notorious for being cheap, like that's just like from

754
00:41:21,480 --> 00:41:23,560
Speaker 1: the people that work for them to like journalists that

755
00:41:23,600 --> 00:41:25,960
Speaker 1: have done like junkets with them, they're like Jesus, like

756
00:41:26,000 --> 00:41:27,960
Speaker 1: I had to bring my own chair to this press

757
00:41:28,000 --> 00:41:31,520
Speaker 1: conference kind of ship Um. To answer your question, I

758
00:41:31,560 --> 00:41:34,520
Speaker 1: don't think things are getting better, man, Yeah, I don't.

759
00:41:34,640 --> 00:41:37,000
Speaker 1: I don't know how any of it works, but you know,

760
00:41:37,239 --> 00:41:39,600
Speaker 1: I know what society we live in, sure, right, No,

761
00:41:40,160 --> 00:41:42,799
Speaker 1: And I think that's at the end of the day,

762
00:41:42,840 --> 00:41:45,120
Speaker 1: Like it's either gonna because like when you even the

763
00:41:45,120 --> 00:41:47,880
Speaker 1: business of getting these jobs is like VFX studios or

764
00:41:47,920 --> 00:41:51,000
Speaker 1: just undercutting each other to get the gig. They'll be like, oh, yeah,

765
00:41:51,200 --> 00:41:52,640
Speaker 1: how much work do you have, Like, oh yeah, we'll

766
00:41:52,640 --> 00:41:54,160
Speaker 1: do it, like we'll do it for this much, and

767
00:41:54,160 --> 00:41:56,400
Speaker 1: then another VFX because they want the gig and the credit,

768
00:41:56,440 --> 00:41:59,160
Speaker 1: they'll be like, oh, we can do it for less

769
00:41:59,200 --> 00:42:02,200
Speaker 1: than that, and all of that ends up coming like

770
00:42:02,320 --> 00:42:05,640
Speaker 1: all of that extra stress ends up just funneling down

771
00:42:05,680 --> 00:42:08,839
Speaker 1: to the person at the VFX artist level who's now

772
00:42:08,880 --> 00:42:11,680
Speaker 1: being like, oh, yeah, dude, you're getting less than you

773
00:42:11,719 --> 00:42:14,600
Speaker 1: normally would and you also need to do more work

774
00:42:14,680 --> 00:42:18,879
Speaker 1: in a the time. That's a lot of math. Yeah,

775
00:42:18,960 --> 00:42:23,880
Speaker 1: that sucks. Yeah, to put it lightly, that sucks. Okay, good, Okay,

776
00:42:23,920 --> 00:42:27,320
Speaker 1: that's just gonna make sure Martin your take is you're okay.

777
00:42:27,360 --> 00:42:30,000
Speaker 1: I'm gonna go out on allege here and say not

778
00:42:30,120 --> 00:42:34,440
Speaker 1: so good. Okay, good, okay good. He's always he always

779
00:42:34,440 --> 00:42:36,759
Speaker 1: manages to find the right take. I was just kind

780
00:42:36,760 --> 00:42:39,560
Speaker 1: of quietly listening on this because I enjoy Marvel movies.

781
00:42:40,000 --> 00:42:43,600
Speaker 1: But you know, I don't know anything about VFX as

782
00:42:43,600 --> 00:42:46,799
Speaker 1: someone who watches Marvel movies. Are you someone who is

783
00:42:46,840 --> 00:42:50,360
Speaker 1: particularly like fixated on the visual effects? Are you? Because

784
00:42:50,360 --> 00:42:52,120
Speaker 1: sometimes like, can you can you kind of tell if

785
00:42:52,160 --> 00:42:58,920
Speaker 1: ship looks jankie, I have noticed? Did you watch Spider

786
00:42:58,920 --> 00:43:01,680
Speaker 1: Man The New Spider Man? Yeah? I felt like a

787
00:43:01,719 --> 00:43:04,440
Speaker 1: lot of that. I couldn't really see what was going on.

788
00:43:04,480 --> 00:43:06,439
Speaker 1: I felt like a like a you know, you said,

789
00:43:06,480 --> 00:43:08,040
Speaker 1: like an old person, like you didn't even you thought

790
00:43:08,040 --> 00:43:09,640
Speaker 1: it was fine. I thought felt like an old person,

791
00:43:09,719 --> 00:43:11,640
Speaker 1: like I'm like, what's happening on the screen. It's too

792
00:43:11,680 --> 00:43:14,319
Speaker 1: busy for me, Like I can't really see. But I

793
00:43:14,320 --> 00:43:16,759
Speaker 1: don't want to say anything like that because I don't

794
00:43:16,760 --> 00:43:20,520
Speaker 1: want It's not to be effects people's fault. It's right, right, right, well,

795
00:43:20,560 --> 00:43:22,960
Speaker 1: And I think but this larger issue right because it

796
00:43:23,040 --> 00:43:25,040
Speaker 1: is something that people talk about it's like the VFX

797
00:43:25,080 --> 00:43:28,120
Speaker 1: have been like fucking steadily degrading, like in the films,

798
00:43:28,480 --> 00:43:30,880
Speaker 1: But the real thing is like it coincides like the

799
00:43:31,040 --> 00:43:35,799
Speaker 1: terrible business practices of like VFX studios and the film

800
00:43:35,880 --> 00:43:38,560
Speaker 1: studios to compensate them and the demands that are put

801
00:43:38,560 --> 00:43:41,120
Speaker 1: on them, which I think it's like sort of ultimately

802
00:43:41,160 --> 00:43:43,840
Speaker 1: what I think. But when when the VFX artists are

803
00:43:43,840 --> 00:43:45,479
Speaker 1: trying to get people to understand, it's like, dude, stop

804
00:43:45,520 --> 00:43:47,560
Speaker 1: fucking coming at us, like being like, yo, this ship

805
00:43:47,600 --> 00:43:50,880
Speaker 1: looks like Shrek six or whatever. It's like, how about again,

806
00:43:50,920 --> 00:43:54,759
Speaker 1: I'm barely making ends meet and I'm under terrible deadlines.

807
00:43:54,880 --> 00:43:57,359
Speaker 1: But all y'all are seeing is the finished product without

808
00:43:57,400 --> 00:44:01,040
Speaker 1: any consideration for the humans behind it. So yeah, and

809
00:44:01,120 --> 00:44:04,080
Speaker 1: they can be kind of sexist to Like the Hope

810
00:44:04,080 --> 00:44:08,240
Speaker 1: has always had some issues just with like general overall

811
00:44:08,280 --> 00:44:11,239
Speaker 1: design and maybe not looking polished and hasn't received like

812
00:44:11,280 --> 00:44:14,520
Speaker 1: a tenth of the criticism that she Hope has, And

813
00:44:14,560 --> 00:44:16,120
Speaker 1: I think a lot of that is that she's not

814
00:44:16,600 --> 00:44:18,839
Speaker 1: the sexy, giant green woman I wanted her to be.

815
00:44:19,360 --> 00:44:23,400
Speaker 1: Why or you know, the dimensions or whatever, like just

816
00:44:23,480 --> 00:44:25,600
Speaker 1: in the same way that women's bodies are overly critiqued.

817
00:44:25,640 --> 00:44:27,520
Speaker 1: I think that some of that has plastered over to

818
00:44:27,600 --> 00:44:29,640
Speaker 1: here as well. I think, for the most part, the

819
00:44:29,680 --> 00:44:32,080
Speaker 1: c g I is possible. I don't think Disney's ever

820
00:44:32,120 --> 00:44:34,640
Speaker 1: really say anything that isn't possible. But I also think

821
00:44:34,800 --> 00:44:37,000
Speaker 1: that there has got to be a better way for

822
00:44:37,040 --> 00:44:40,560
Speaker 1: them to support these folks coming up the other things.

823
00:44:40,560 --> 00:44:43,920
Speaker 1: To you start. You're seeing an interesting turn in Marvel

824
00:44:43,960 --> 00:44:48,080
Speaker 1: where they're hiring younger and younger and less experienced directors. Occusially,

825
00:44:48,080 --> 00:44:51,440
Speaker 1: they'll get a legacy director like Sam Raimi for the

826
00:44:51,520 --> 00:44:57,200
Speaker 1: New Strange. Yes, yeah, but I also think that that's

827
00:44:57,200 --> 00:45:01,280
Speaker 1: another way of them exercising control and bringing down costs.

828
00:45:01,920 --> 00:45:05,839
Speaker 1: You're gonna get paid for doing a Disney Marvel film

829
00:45:05,840 --> 00:45:08,120
Speaker 1: because it's Disney Marvel and they're superstige to that. But

830
00:45:08,440 --> 00:45:10,680
Speaker 1: there's also you know, I really was it's a huge

831
00:45:10,680 --> 00:45:12,600
Speaker 1: step for my career, and I'll take a little less

832
00:45:12,600 --> 00:45:15,680
Speaker 1: money because exposure still, even at that level, it seems insane,

833
00:45:15,680 --> 00:45:17,719
Speaker 1: But I promise you it's true. I think I talked

834
00:45:17,760 --> 00:45:20,279
Speaker 1: about it on this ship for but I once I

835
00:45:20,440 --> 00:45:23,440
Speaker 1: was talking to a writer for Disney who wrote them

836
00:45:23,440 --> 00:45:26,360
Speaker 1: a very successful animated film wanted to come back and

837
00:45:26,400 --> 00:45:29,880
Speaker 1: do another, and the offer was less second time around,

838
00:45:30,400 --> 00:45:32,520
Speaker 1: and they were like, yo, that doesn't make any sense.

839
00:45:32,719 --> 00:45:35,719
Speaker 1: We had success off of our first one. Money goes up,

840
00:45:35,840 --> 00:45:37,840
Speaker 1: where at the very least stays the same. And they

841
00:45:37,920 --> 00:45:40,240
Speaker 1: were like, but you're working for Disney. It's such a pleasure.

842
00:45:40,800 --> 00:45:42,800
Speaker 1: She was like the person she was talking to, she asked,

843
00:45:42,840 --> 00:45:46,640
Speaker 1: you know, would you take less money for the current

844
00:45:46,719 --> 00:45:49,640
Speaker 1: job you're doing? And they're like, absolutely, because I'm working

845
00:45:49,640 --> 00:45:52,719
Speaker 1: for Disney and I love it. Oh my goodness, no,

846
00:45:53,440 --> 00:45:56,799
Speaker 1: get out, get out, I mean, And I think the

847
00:45:56,880 --> 00:45:58,560
Speaker 1: thing with you know, there's also I mean, there's a

848
00:45:58,680 --> 00:46:02,319
Speaker 1: very similar pipeline where they take like young directors who

849
00:46:02,480 --> 00:46:05,719
Speaker 1: like are do well at festivals, and then you'll see

850
00:46:05,760 --> 00:46:08,279
Speaker 1: these people like their first films like a fucking tent

851
00:46:08,440 --> 00:46:11,800
Speaker 1: pole blockbuster. The whole point, too, is it's easier for

852
00:46:11,840 --> 00:46:15,560
Speaker 1: the studios to scapegoat those directors and treat them as

853
00:46:15,600 --> 00:46:17,279
Speaker 1: disposable and be like, well, you can never work with

854
00:46:17,320 --> 00:46:18,880
Speaker 1: them again. They complain, and they're gonna take all of

855
00:46:18,920 --> 00:46:20,960
Speaker 1: your notes because they don't want to be keen as difficult.

856
00:46:21,360 --> 00:46:23,479
Speaker 1: They're nervous and scared about you know, is it gonna

857
00:46:23,520 --> 00:46:27,360
Speaker 1: be good. So yeah, it's uh, it's it's you know,

858
00:46:27,400 --> 00:46:29,719
Speaker 1: it's the same industry it's always been. We're trying to

859
00:46:29,760 --> 00:46:32,840
Speaker 1: get a little more transparency here and there, but be

860
00:46:32,920 --> 00:46:37,400
Speaker 1: aware of children as you entered. It can be volatile. Yeah,

861
00:46:37,440 --> 00:46:39,560
Speaker 1: all right, let's take a quick break. We'll come back

862
00:46:39,880 --> 00:46:42,360
Speaker 1: and talk about like the real ship, which is n

863
00:46:42,400 --> 00:46:45,560
Speaker 1: f T S of like a blunt or something. That

864
00:46:45,600 --> 00:46:59,040
Speaker 1: game stopped the song. I don't know, And we're back

865
00:46:59,680 --> 00:47:06,480
Speaker 1: and tease the gates said, he's not buying them, so

866
00:47:06,600 --> 00:47:09,320
Speaker 1: neither am I. He's like, I don't. There's no actual

867
00:47:09,400 --> 00:47:12,200
Speaker 1: value in this property. So past he's not doing n

868
00:47:12,200 --> 00:47:15,200
Speaker 1: f T S and he's not doing cryptocurrency. So I

869
00:47:15,239 --> 00:47:18,560
Speaker 1: invested a little money in cryptocurrency just for frenzies to

870
00:47:18,600 --> 00:47:20,920
Speaker 1: see what would happen. It was horrifying, and then it

871
00:47:21,000 --> 00:47:22,799
Speaker 1: bounced back a little bit, and it was horrifying again.

872
00:47:22,880 --> 00:47:25,160
Speaker 1: I'm gonna just keep it there. It's fine, is it enough?

873
00:47:25,239 --> 00:47:28,279
Speaker 1: But I can't get into this n f T I

874
00:47:28,320 --> 00:47:33,959
Speaker 1: can't understand purchasing art. I can't physically own. You can, though,

875
00:47:34,239 --> 00:47:38,680
Speaker 1: own a piece of the blockchain that does contain a

876
00:47:38,960 --> 00:47:43,440
Speaker 1: link to a different server where the image is hosted,

877
00:47:44,280 --> 00:47:49,080
Speaker 1: which is pretty cool. Exactly, you have the seat for

878
00:47:49,160 --> 00:47:51,759
Speaker 1: a piece of art. Someone Someone was on Twitter being like,

879
00:47:52,040 --> 00:47:55,439
Speaker 1: people don't understand this, this whole concept. What you have

880
00:47:55,960 --> 00:48:00,000
Speaker 1: is the receipt for something. So even if that vanished

881
00:48:00,120 --> 00:48:03,600
Speaker 1: is you will always be holding the proof that it exists.

882
00:48:03,600 --> 00:48:06,200
Speaker 1: And people are like, Okay, so what if I just

883
00:48:06,320 --> 00:48:08,880
Speaker 1: keep eating hamburgers but I got a receipt and I

884
00:48:09,000 --> 00:48:11,000
Speaker 1: go to McDonald's and be like, I got the receipt,

885
00:48:11,040 --> 00:48:14,839
Speaker 1: where's my hamburger? And people are like, yeah, this this

886
00:48:14,920 --> 00:48:18,319
Speaker 1: is a very odd metaphor that this person's and what

887
00:48:18,320 --> 00:48:20,920
Speaker 1: we've seen is that they're not secure. I mean, Seth

888
00:48:20,960 --> 00:48:24,160
Speaker 1: Green had one stolen lost an entire show he had

889
00:48:24,239 --> 00:48:26,479
Speaker 1: based throughout that millions of dollars and lots of people

890
00:48:26,520 --> 00:48:30,719
Speaker 1: don't and it's funny, I mean, listen, it's true though,

891
00:48:30,760 --> 00:48:33,640
Speaker 1: Like there's an entire company's like this was gonna be

892
00:48:33,680 --> 00:48:36,239
Speaker 1: their next show launch, They had written many scripts, there

893
00:48:36,280 --> 00:48:38,440
Speaker 1: are lots of actors involved, like it was going to

894
00:48:38,440 --> 00:48:41,680
Speaker 1: be an actual project and well, you know, I know,

895
00:48:41,719 --> 00:48:44,160
Speaker 1: we don't want to empathize too much with like a

896
00:48:44,360 --> 00:48:46,719
Speaker 1: millionaire guy who's created all the things he wants to

897
00:48:46,719 --> 00:48:48,919
Speaker 1: create and is that here. But at the same time,

898
00:48:49,080 --> 00:48:52,319
Speaker 1: it's like, at the same time, I just think that

899
00:48:52,360 --> 00:48:56,040
Speaker 1: it's like a valid warning to everyone who's like, no,

900
00:48:56,280 --> 00:48:59,680
Speaker 1: I own this and it really truly helds value. There's

901
00:48:59,680 --> 00:49:03,640
Speaker 1: so it's imaginary zoom out right zoom out because n

902
00:49:03,680 --> 00:49:05,520
Speaker 1: f T s are just part of the crypto scam

903
00:49:05,560 --> 00:49:08,520
Speaker 1: to get people to buy crypto, right because the people

904
00:49:08,520 --> 00:49:10,600
Speaker 1: who are the o g like holders of a lot

905
00:49:10,600 --> 00:49:13,239
Speaker 1: of crypto that is worth a lot of money, they

906
00:49:13,280 --> 00:49:16,840
Speaker 1: need more stooges to come into the market and create

907
00:49:16,880 --> 00:49:19,440
Speaker 1: liquidity for them so they can cash out their crypto.

908
00:49:19,880 --> 00:49:22,600
Speaker 1: And when that start, when that sort of turns started

909
00:49:22,640 --> 00:49:24,920
Speaker 1: to slow down, they're like, what if we started selling

910
00:49:25,120 --> 00:49:26,880
Speaker 1: n f T s to get people to use to

911
00:49:26,960 --> 00:49:30,279
Speaker 1: normalize crypto use, and now people were buying gifts and

912
00:49:30,360 --> 00:49:32,600
Speaker 1: JPEGs and ship like that. There was an n f

913
00:49:32,640 --> 00:49:35,880
Speaker 1: T convention here in New York, like w or n

914
00:49:35,960 --> 00:49:37,920
Speaker 1: why or whatever the funk that was. Whatever it was coming,

915
00:49:38,000 --> 00:49:40,640
Speaker 1: I just happened to end up in multiple after parties

916
00:49:40,960 --> 00:49:44,239
Speaker 1: or stuff. Yeah, And I will say at the top

917
00:49:44,280 --> 00:49:47,880
Speaker 1: of my life, they're spending money that n f T

918
00:49:48,280 --> 00:49:51,440
Speaker 1: bros know how to party. Did you go with? Did

919
00:49:51,440 --> 00:49:53,160
Speaker 1: you go to the one that Snoop was at or

920
00:49:53,200 --> 00:49:56,880
Speaker 1: eminem Neither I was. I don't think I would be.

921
00:49:56,960 --> 00:50:01,120
Speaker 1: I snuck in. Basically, I love as one should. Much

922
00:50:01,239 --> 00:50:06,120
Speaker 1: much like n f T themselves. The convention was not secure, right,

923
00:50:06,200 --> 00:50:08,759
Speaker 1: exactly any fun. Any fucking body could have came in

924
00:50:09,200 --> 00:50:11,560
Speaker 1: and purported themselves to be the leader of the movement.

925
00:50:11,600 --> 00:50:15,000
Speaker 1: But uh, game stop right that about two years ago

926
00:50:15,080 --> 00:50:17,440
Speaker 1: is when they had the huge game stock boom, I

927
00:50:17,480 --> 00:50:19,800
Speaker 1: don't read it, and everyone's like, fucking we're going to

928
00:50:19,880 --> 00:50:22,800
Speaker 1: the fucking to the moon brag got these diamond hands

929
00:50:23,280 --> 00:50:29,360
Speaker 1: and now fucking game stop two weeks ago. Two weeks ago,

930
00:50:29,520 --> 00:50:32,440
Speaker 1: game Stop has basically said we're getting into the n

931
00:50:32,480 --> 00:50:35,239
Speaker 1: f T business. We're also an n f T marketplace.

932
00:50:35,800 --> 00:50:40,920
Speaker 1: We've watched the crypto market crash like fucking twice significantly

933
00:50:41,080 --> 00:50:44,040
Speaker 1: less like like once a month since like May. It's

934
00:50:44,040 --> 00:50:47,480
Speaker 1: just been like meltdown, meltdown, meltdown. We've seen all these

935
00:50:47,520 --> 00:50:51,759
Speaker 1: crypto exchanges go down. We've seen like different coins go

936
00:50:51,880 --> 00:50:54,680
Speaker 1: down and declare bankruptcy and believing a lot of bag holders.

937
00:50:54,760 --> 00:50:57,080
Speaker 1: So two weeks ago they're like, Okay, this is the

938
00:50:57,080 --> 00:51:00,120
Speaker 1: time to strike. So this is just wild because you

939
00:51:00,160 --> 00:51:01,640
Speaker 1: look just sort of overall at the health of the

940
00:51:01,640 --> 00:51:04,759
Speaker 1: game stop game stop business. They laid off like over

941
00:51:04,800 --> 00:51:07,760
Speaker 1: a hundred and sixty people recently, so you're just like, okay,

942
00:51:07,760 --> 00:51:12,920
Speaker 1: so things are going well or not well. But you know, luckily,

943
00:51:13,040 --> 00:51:15,720
Speaker 1: now rather than going into a game stop and seeing

944
00:51:15,760 --> 00:51:18,759
Speaker 1: like four thousand used copies of Grand Theft Auto five

945
00:51:18,840 --> 00:51:21,840
Speaker 1: on PlayStation four, you can now buy n f t

946
00:51:22,040 --> 00:51:25,440
Speaker 1: s from them, which are listed at amounts that I

947
00:51:25,480 --> 00:51:27,920
Speaker 1: don't know who the funk is affording. One gift that

948
00:51:27,960 --> 00:51:32,359
Speaker 1: they're selling is listening over four hundred thousand dollars, and

949
00:51:32,400 --> 00:51:35,040
Speaker 1: then there's this other what have I used? What have

950
00:51:35,120 --> 00:51:39,040
Speaker 1: I used for price? I know? Right? Could you imagine

951
00:51:39,080 --> 00:51:41,400
Speaker 1: that they do that ship like eventually where there's a

952
00:51:41,480 --> 00:51:43,799
Speaker 1: rack of like used n f t s even though

953
00:51:44,239 --> 00:51:46,960
Speaker 1: I mean, how can art? Is this something that cannot

954
00:51:46,960 --> 00:51:51,960
Speaker 1: be new or used just merely just yeah, yeah, that

955
00:51:52,560 --> 00:51:55,279
Speaker 1: would be the funniest business to sell is you have

956
00:51:55,320 --> 00:51:57,319
Speaker 1: a place called pre owned n f t s, but

957
00:51:57,360 --> 00:51:59,799
Speaker 1: you just print out a bunch of clip art and liked,

958
00:52:00,000 --> 00:52:03,239
Speaker 1: you want this one three bucks? Dude? This is yours man,

959
00:52:03,440 --> 00:52:05,520
Speaker 1: This is this is ape number three three three six

960
00:52:05,640 --> 00:52:08,239
Speaker 1: is the one that looks the most Nazi like. But

961
00:52:08,800 --> 00:52:11,160
Speaker 1: there is this one picture right now called roll e

962
00:52:11,480 --> 00:52:15,840
Speaker 1: Z and it's like a blunt. It's a picture of

963
00:52:15,840 --> 00:52:23,640
Speaker 1: a weird cartoon bluntture bad this I don't even know

964
00:52:23,680 --> 00:52:27,040
Speaker 1: if it's a blunt or a match stick, but the

965
00:52:27,200 --> 00:52:29,279
Speaker 1: end that doesn't have the match head on it, like

966
00:52:29,320 --> 00:52:31,920
Speaker 1: the bottom of a match stick. But this is selling

967
00:52:32,400 --> 00:52:38,120
Speaker 1: for it's listed for over five million dollars five million

968
00:52:38,760 --> 00:52:44,280
Speaker 1: dollars and it's not tangible. You can't touch it. I

969
00:52:44,280 --> 00:52:46,319
Speaker 1: will get into this stuff when we can upload our

970
00:52:46,360 --> 00:52:50,920
Speaker 1: consciousness to the matrix. Until such a time as that exists, again,

971
00:52:51,080 --> 00:52:54,279
Speaker 1: I say, what is the point? Please make better are

972
00:52:54,400 --> 00:52:55,799
Speaker 1: The thing too, is that I know there are n

973
00:52:55,840 --> 00:52:58,800
Speaker 1: f t artists out there making really great art that

974
00:52:58,960 --> 00:53:01,919
Speaker 1: just it's like it looks good on your computer screen,

975
00:53:01,920 --> 00:53:04,000
Speaker 1: which is the only placecracy. I guess you could have

976
00:53:04,040 --> 00:53:06,799
Speaker 1: it professionally printed if you wanted to, which is a

977
00:53:06,840 --> 00:53:10,200
Speaker 1: hard because they the people like with the crypto schemes,

978
00:53:10,239 --> 00:53:12,320
Speaker 1: they did a good job of rank like wrangling in

979
00:53:12,360 --> 00:53:15,240
Speaker 1: a lot of actual artists to get them to preach

980
00:53:15,320 --> 00:53:18,360
Speaker 1: this new idea of ownership when it's all of very

981
00:53:18,360 --> 00:53:21,000
Speaker 1: it's it's like vaporware, you know, like there's not I

982
00:53:21,040 --> 00:53:24,240
Speaker 1: can't find one computer scientist that's like worth of funck

983
00:53:24,360 --> 00:53:27,799
Speaker 1: who's actually expressed an opinion that's positive towards crypto. They're

984
00:53:27,840 --> 00:53:30,239
Speaker 1: like nothing these fools are saying actually even makes sense

985
00:53:30,280 --> 00:53:34,000
Speaker 1: to people. To me, a computer scientist who like created

986
00:53:34,080 --> 00:53:36,920
Speaker 1: created the foundation for like the language they're even using

987
00:53:37,000 --> 00:53:40,000
Speaker 1: right now, it's all bullshit. So's if we have to

988
00:53:40,000 --> 00:53:41,560
Speaker 1: go back to talking a little bit about this picture,

989
00:53:41,680 --> 00:53:44,000
Speaker 1: because I'm noticing a few things the longer I look

990
00:53:44,040 --> 00:53:48,040
Speaker 1: at it. First of all, it's entitled rollies R O

991
00:53:48,360 --> 00:53:52,919
Speaker 1: L L I E capital z no spaces roll number

992
00:53:52,920 --> 00:53:55,240
Speaker 1: three O nine, which I guess it's maybe the lot number.

993
00:53:55,760 --> 00:53:58,840
Speaker 1: It has a well you might call it French or

994
00:53:58,960 --> 00:54:02,919
Speaker 1: porn must stash on it too wild bugged out eyes

995
00:54:02,960 --> 00:54:05,959
Speaker 1: like it's on meth and not marijuana. It's a little

996
00:54:06,000 --> 00:54:12,399
Speaker 1: confusing teeth at a diagonal, which is what's really throwing me.

997
00:54:12,960 --> 00:54:15,680
Speaker 1: I don't know as a weed spoke for myself, I

998
00:54:15,680 --> 00:54:17,719
Speaker 1: don't know what I'm supposed to be getting from this

999
00:54:17,800 --> 00:54:21,160
Speaker 1: piece of art, Like is it It doesn't inspire me smoking.

1000
00:54:21,200 --> 00:54:23,480
Speaker 1: There's no smoke coming out of the top of this thing.

1001
00:54:23,560 --> 00:54:26,759
Speaker 1: Its head is not lit. It's a thin joint, I'll

1002
00:54:26,760 --> 00:54:32,399
Speaker 1: say to you. No. I would also say it's too

1003
00:54:32,480 --> 00:54:36,200
Speaker 1: perfectly straight up and down. Uh you know what I mean,

1004
00:54:36,280 --> 00:54:38,640
Speaker 1: Like it's there's no lumps in it, like you know,

1005
00:54:38,800 --> 00:54:41,279
Speaker 1: how are you rolling? Is this like in Ain here

1006
00:54:41,400 --> 00:54:45,799
Speaker 1: it's machine rolled and therefore has I can't let see this.

1007
00:54:45,800 --> 00:54:47,400
Speaker 1: I don't know if I'm high or something, but it

1008
00:54:47,440 --> 00:54:53,680
Speaker 1: looks like Steve Harvey to me. It looks like Steve

1009
00:54:53,719 --> 00:54:56,560
Speaker 1: Harvey to me. I don't know what else. I'm looking

1010
00:54:56,600 --> 00:54:59,799
Speaker 1: at Steve Harvey as a cartoon blunt because it's got

1011
00:54:59,800 --> 00:55:01,720
Speaker 1: them a stash and now that he's rocking his bald

1012
00:55:01,760 --> 00:55:04,600
Speaker 1: head all kind of and he got rid of the wig.

1013
00:55:04,880 --> 00:55:07,759
Speaker 1: You know, he's looking good. Okay, it's got to be

1014
00:55:07,760 --> 00:55:13,560
Speaker 1: a prank though, right like this grasp. They are low

1015
00:55:13,719 --> 00:55:16,399
Speaker 1: energy scams because there are some people who are still,

1016
00:55:16,440 --> 00:55:18,879
Speaker 1: because there are many people still, Like there's a car

1017
00:55:19,040 --> 00:55:23,520
Speaker 1: in my neighborhood that is emblazoned with big coin stickers

1018
00:55:23,560 --> 00:55:27,200
Speaker 1: and like different cryptos like logos, and it's like saying

1019
00:55:27,480 --> 00:55:31,880
Speaker 1: contact me about like securing your like fortune with crypto,

1020
00:55:32,280 --> 00:55:36,359
Speaker 1: like and this person just drives around constantly and I'm like, oh, ship,

1021
00:55:36,600 --> 00:55:39,080
Speaker 1: like you're a bag holder. That's you're not. I can

1022
00:55:39,160 --> 00:55:41,239
Speaker 1: only imagine like how chaotic ship is right now when

1023
00:55:41,440 --> 00:55:43,280
Speaker 1: all the like when you're like, yeah, I take crypto

1024
00:55:43,360 --> 00:55:45,319
Speaker 1: for stuff and it's worth like funk all right now,

1025
00:55:45,760 --> 00:55:47,920
Speaker 1: it's all very It's like all I mean, it is

1026
00:55:47,920 --> 00:55:49,839
Speaker 1: a prank essentially, because at the end of the day,

1027
00:55:49,840 --> 00:55:51,520
Speaker 1: you're gonna like, yeah, I own this thing. And what

1028
00:55:51,719 --> 00:55:54,440
Speaker 1: you own is a link to a like an image

1029
00:55:54,440 --> 00:55:57,040
Speaker 1: hosted on a different server where the person who actually

1030
00:55:57,040 --> 00:55:59,480
Speaker 1: owns the server where your image is that they could

1031
00:55:59,520 --> 00:56:02,759
Speaker 1: change the sure and you don't, and now you own

1032
00:56:02,800 --> 00:56:05,280
Speaker 1: some other ship. I mean, like it's that fucking like simple.

1033
00:56:05,760 --> 00:56:09,319
Speaker 1: Oh no, could you imagine that's the worst time to

1034
00:56:09,320 --> 00:56:15,680
Speaker 1: get a dick pick, Just be like, no, five million

1035
00:56:15,680 --> 00:56:17,560
Speaker 1: dollars to look at this bad picture of a joint

1036
00:56:19,520 --> 00:56:23,040
Speaker 1: like that everyone has access to look at. We're looking

1037
00:56:23,080 --> 00:56:25,560
Speaker 1: at it right now and we're like, fuck this thing.

1038
00:56:25,600 --> 00:56:28,759
Speaker 1: It's almost like well, what's oddly enough is before they

1039
00:56:28,800 --> 00:56:31,000
Speaker 1: was listed for five millions, someone bought it for thirty bucks.

1040
00:56:31,600 --> 00:56:33,000
Speaker 1: And they went and turned around and said Hey, I

1041
00:56:33,040 --> 00:56:35,160
Speaker 1: want to solve this thing for five million, like that

1042
00:56:35,320 --> 00:56:38,040
Speaker 1: the time has coming gone, y'all, Like you're you're you're

1043
00:56:38,080 --> 00:56:40,440
Speaker 1: more likely to make your thirty bucks back by selling

1044
00:56:40,480 --> 00:56:43,360
Speaker 1: six team used copies of Grand Theft Auto five PlayStation

1045
00:56:43,400 --> 00:56:47,160
Speaker 1: four like let's be let's be real here. But even then,

1046
00:56:47,200 --> 00:56:48,600
Speaker 1: like a lot of people are looking at just like

1047
00:56:48,640 --> 00:56:51,280
Speaker 1: even at like n f T marketplace sort of standards,

1048
00:56:51,400 --> 00:56:54,239
Speaker 1: the game stop site is absolutely terrible, and on top

1049
00:56:54,280 --> 00:56:56,319
Speaker 1: of it, they're selling like the most fucked up ship.

1050
00:56:56,360 --> 00:56:59,520
Speaker 1: There's a picture of a piast they called the Falling Man,

1051
00:56:59,560 --> 00:57:03,080
Speaker 1: which looked like an astronaut like descending to Earth, and

1052
00:57:03,120 --> 00:57:06,080
Speaker 1: it was like these geometric lines behind it. But some

1053
00:57:06,120 --> 00:57:09,560
Speaker 1: people were like, hold on, that looks like the famous

1054
00:57:09,640 --> 00:57:13,000
Speaker 1: photograph of the guy who was falling from the World Trades.

1055
00:57:14,560 --> 00:57:19,000
Speaker 1: And it was that big based costume on this picture.

1056
00:57:19,560 --> 00:57:21,680
Speaker 1: And we're like, that's n f T called Falling Man.

1057
00:57:21,720 --> 00:57:23,840
Speaker 1: And you're like, that's the picture of the guy on

1058
00:57:23,960 --> 00:57:27,000
Speaker 1: at nine eleven. But it's the n f T though.

1059
00:57:28,720 --> 00:57:32,640
Speaker 1: So that's that's how this website is operating. Right now,

1060
00:57:32,680 --> 00:57:36,600
Speaker 1: I have zero words. I had zero What were you thinking?

1061
00:57:36,720 --> 00:57:40,440
Speaker 1: Oh my god, no, I mean look they're desperate. Look

1062
00:57:40,440 --> 00:57:42,360
Speaker 1: how many crypto things are going down. I'm telling you,

1063
00:57:42,360 --> 00:57:44,960
Speaker 1: Staples is gonna be called Staples Center fucking next week.

1064
00:57:45,080 --> 00:57:48,240
Speaker 1: Fuck that crypto dot com ship back, bringing back I

1065
00:57:48,320 --> 00:57:50,200
Speaker 1: called it last time, Like that ship won't go more

1066
00:57:50,240 --> 00:57:52,439
Speaker 1: than a year. I feel like they're gonna be laid

1067
00:57:52,480 --> 00:57:55,240
Speaker 1: on their payments. Are already a few different like sports

1068
00:57:55,280 --> 00:57:57,920
Speaker 1: teams that are complaining that their crypto sponsors are behind

1069
00:57:57,960 --> 00:58:00,960
Speaker 1: on their payments. And ship. Well, yeah, the market fucking crash.

1070
00:58:01,280 --> 00:58:03,760
Speaker 1: They not do any research before you encourage people with

1071
00:58:03,880 --> 00:58:05,800
Speaker 1: no money you'd start buying this ship. Well you know.

1072
00:58:06,080 --> 00:58:08,880
Speaker 1: But I think that's what was intoxicating about it is

1073
00:58:08,920 --> 00:58:11,320
Speaker 1: that rich people kept talking about it, So we were like,

1074
00:58:11,360 --> 00:58:15,680
Speaker 1: were they rich? It's got to make money. It's like, no, motherfucker,

1075
00:58:15,720 --> 00:58:17,760
Speaker 1: they're trying to dupe your ass into jump in the

1076
00:58:17,800 --> 00:58:20,040
Speaker 1: pool so they can get the funk out. This isn't

1077
00:58:20,040 --> 00:58:22,160
Speaker 1: the first time, though a company out of nowhere. It

1078
00:58:22,240 --> 00:58:24,120
Speaker 1: was like, hey, we're getting into crypto. I don't know

1079
00:58:24,120 --> 00:58:26,480
Speaker 1: if you noticed this radio shack did the same thing.

1080
00:58:26,640 --> 00:58:28,680
Speaker 1: Do you know, like when you watch it, have you

1081
00:58:28,680 --> 00:58:31,000
Speaker 1: seen a YouTube video where the dude with glasses Ty

1082
00:58:31,120 --> 00:58:34,720
Speaker 1: Lopez he's like, look look at my garage. I got

1083
00:58:34,760 --> 00:58:38,520
Speaker 1: a Lambo. I also got this Ferrari also, look at

1084
00:58:38,560 --> 00:58:42,520
Speaker 1: this in my garage full of books? How do I

1085
00:58:42,640 --> 00:58:45,440
Speaker 1: do it? That same dude, it was like that prosperity

1086
00:58:45,480 --> 00:58:48,760
Speaker 1: nonsense dude. He like went in on buying like the

1087
00:58:49,160 --> 00:58:51,680
Speaker 1: like sort of the copy like the brand of Radio

1088
00:58:51,760 --> 00:58:54,320
Speaker 1: Shack to try and get it to do something cooler,

1089
00:58:54,640 --> 00:58:58,520
Speaker 1: and he immediately pivoted to doing like edge Lord tweets

1090
00:58:58,560 --> 00:59:01,360
Speaker 1: and selling crypto. So I don't if you saw these tweets.

1091
00:59:01,600 --> 00:59:03,640
Speaker 1: Did you all see these fund up radio Shack tweets

1092
00:59:03,640 --> 00:59:05,640
Speaker 1: from like a couple weeks ago. I kind of saw it.

1093
00:59:05,880 --> 00:59:09,919
Speaker 1: What were they funny? Or no? Prepare your ears for

1094
00:59:10,000 --> 00:59:13,280
Speaker 1: what happened when Ty Lopez, the YouTube pre roll guy

1095
00:59:13,320 --> 00:59:15,560
Speaker 1: who's like, how do I get this Lambeau took over

1096
00:59:15,640 --> 00:59:17,640
Speaker 1: Radio Shack and was like, this is the brand now

1097
00:59:18,120 --> 00:59:22,840
Speaker 1: June ten pm at Radio Shack tweets if you find

1098
00:59:22,880 --> 00:59:27,760
Speaker 1: a squirt or marry her radio shock help from radio?

1099
00:59:28,680 --> 00:59:31,480
Speaker 1: What were you? That's just the thing you ran only

1100
00:59:31,480 --> 00:59:35,720
Speaker 1: tweeted yes that I don't understand. Any community manager worth

1101
00:59:35,720 --> 00:59:39,520
Speaker 1: their salt is like standing right behind you essentially as

1102
00:59:39,560 --> 00:59:42,240
Speaker 1: you're you know, when you have someone takeover, which is

1103
00:59:42,280 --> 00:59:45,120
Speaker 1: something companies do a lot. You know, there's somebody on

1104
00:59:45,160 --> 00:59:47,960
Speaker 1: the other end being like and we nope, not putting

1105
00:59:47,960 --> 00:59:53,200
Speaker 1: that out there. So no, how about this one? Just

1106
00:59:53,240 --> 00:59:56,800
Speaker 1: took an upper decker and at Applebee's asking me anything.

1107
00:59:57,360 --> 01:00:00,680
Speaker 1: That's when the Radio Shack acount. Now, okay, how about

1108
01:00:00,680 --> 01:00:02,800
Speaker 1: this one? Taking the second half of an edible after

1109
01:00:02,840 --> 01:00:05,240
Speaker 1: feeling nothing from the first half is always a bad idea.

1110
01:00:05,440 --> 01:00:08,560
Speaker 1: This cholcolate bar got me out here fighting for my life.

1111
01:00:09,080 --> 01:00:11,400
Speaker 1: I mean relatable, but I don't see what it has

1112
01:00:11,480 --> 01:00:15,560
Speaker 1: to do. Radio Shack also this childcolate bar got me

1113
01:00:15,640 --> 01:00:20,120
Speaker 1: out here. Oh you're out heredio, I don't know about that.

1114
01:00:20,400 --> 01:00:22,760
Speaker 1: How about this one? Because I think Radio Shack must

1115
01:00:22,760 --> 01:00:25,400
Speaker 1: be this This really cool black person says any interaction

1116
01:00:25,440 --> 01:00:27,600
Speaker 1: with this tweet will be considered for a chance to

1117
01:00:27,600 --> 01:00:33,800
Speaker 1: win catching these motherfucking radio hands. Oh you want you

1118
01:00:33,840 --> 01:00:35,800
Speaker 1: really know the Internet? It looks isn't it? Isn't it

1119
01:00:35,840 --> 01:00:40,480
Speaker 1: such a uh? So Radio Shack pivoted to that they're

1120
01:00:40,520 --> 01:00:42,880
Speaker 1: tweeting that ship out. They put out their own token

1121
01:00:42,960 --> 01:00:45,080
Speaker 1: that was called a radio coin or some dumb ship.

1122
01:00:45,200 --> 01:00:47,040
Speaker 1: It's not like worth like I think less than a

1123
01:00:47,080 --> 01:00:50,160
Speaker 1: fucking penny. And this is this is just like a

1124
01:00:50,200 --> 01:00:53,400
Speaker 1: tale as old as time to watch Radio Shack get

1125
01:00:53,440 --> 01:00:56,600
Speaker 1: rebooted to also just fail again. It's pretty funny though,

1126
01:00:57,120 --> 01:01:01,439
Speaker 1: right can exactly like resurrected just for some fucking this

1127
01:01:01,520 --> 01:01:05,120
Speaker 1: dude the lambo garage pre roll guy from YouTube to

1128
01:01:05,160 --> 01:01:07,880
Speaker 1: be like, dude, if she's a fucking squirter, marry her,

1129
01:01:07,960 --> 01:01:11,720
Speaker 1: dude at radio Shack, this will help my business. What

1130
01:01:12,480 --> 01:01:15,800
Speaker 1: well it gets eyes on it, right, like, and all

1131
01:01:15,840 --> 01:01:18,480
Speaker 1: of the all of the jokes, it's only you know

1132
01:01:18,880 --> 01:01:23,440
Speaker 1: the jokes. Uh, it's because it's radio shock that it's funny.

1133
01:01:23,560 --> 01:01:27,080
Speaker 1: That's that's it's relying on that one thing, right exactly.

1134
01:01:27,120 --> 01:01:29,919
Speaker 1: But even then, like it reads like ship Elon Musk

1135
01:01:30,000 --> 01:01:33,360
Speaker 1: tweets Yeah, it's like so then you're like, but then

1136
01:01:33,400 --> 01:01:35,360
Speaker 1: you realize that people who are there, like dude Elon

1137
01:01:35,520 --> 01:01:38,160
Speaker 1: is fucking sick. Dude, we've gotta fucking like we need

1138
01:01:38,240 --> 01:01:45,320
Speaker 1: that vibe for Radio Shack, like ship posting still doing crypto. Yeah,

1139
01:01:45,440 --> 01:01:47,200
Speaker 1: you know when it when it makes sense for him

1140
01:01:47,240 --> 01:01:49,680
Speaker 1: to create some more revenue. I don't know, I mean,

1141
01:01:49,680 --> 01:01:51,400
Speaker 1: I don't think he's talked about does and I'm pretty

1142
01:01:51,400 --> 01:01:55,040
Speaker 1: sure Tesla is no longer taking crypto anymore for payments.

1143
01:01:55,080 --> 01:01:58,960
Speaker 1: I wonder why, because it's worthless. I think they there's

1144
01:01:59,120 --> 01:02:02,640
Speaker 1: some asht anomical amount Tesla lost from like holding a

1145
01:02:02,680 --> 01:02:06,320
Speaker 1: ton of crypto, and it's just things are compounding whatever,

1146
01:02:06,440 --> 01:02:10,520
Speaker 1: somebody is still standing, hey man, just just a matter

1147
01:02:10,560 --> 01:02:12,560
Speaker 1: of time. But I mean, honestly, like I feel like

1148
01:02:12,600 --> 01:02:14,440
Speaker 1: that's why I'm like always when I talk my hear

1149
01:02:14,480 --> 01:02:16,400
Speaker 1: my friends talk about crypt I'm like, please don't do this.

1150
01:02:16,480 --> 01:02:19,280
Speaker 1: Like I'm like, I know enough people who have lost

1151
01:02:19,360 --> 01:02:21,840
Speaker 1: significant amounts of money because they bought hook Line and

1152
01:02:21,920 --> 01:02:24,520
Speaker 1: sinker this idea that this was like their ticket to

1153
01:02:24,560 --> 01:02:28,640
Speaker 1: the top and over investing, not being balanced with ship

1154
01:02:28,760 --> 01:02:32,120
Speaker 1: and then being like severn, you a little hundred dollars,

1155
01:02:32,120 --> 01:02:35,160
Speaker 1: fiftre dollars, ten dollars and just see where it is. Yeah,

1156
01:02:35,400 --> 01:02:37,880
Speaker 1: that's what you know. What's wild? I'm put in like

1157
01:02:37,880 --> 01:02:39,720
Speaker 1: a couple of hundred and when I lost fifty bucks,

1158
01:02:39,720 --> 01:02:44,560
Speaker 1: I was like, yeah, so what is going on? That

1159
01:02:44,760 --> 01:02:49,880
Speaker 1: inn immigrant kid? I was like this ship Like wow,

1160
01:02:50,360 --> 01:02:52,800
Speaker 1: That's why I'm so bad at like investing ship like

1161
01:02:52,880 --> 01:02:56,680
Speaker 1: traditionally like that and I only gamble, you know, like Pore,

1162
01:02:57,000 --> 01:02:59,200
Speaker 1: we only had the money. We created a system that

1163
01:02:59,440 --> 01:03:01,919
Speaker 1: intentionally left people out, and now that y'all are figuring

1164
01:03:01,960 --> 01:03:04,160
Speaker 1: it out, we're gonna keep making it harder, keep making

1165
01:03:04,200 --> 01:03:07,560
Speaker 1: it more challenging and less again tangible. It's hard for

1166
01:03:07,560 --> 01:03:10,560
Speaker 1: me to wrap my mind around, like no stocks. I'm like,

1167
01:03:11,040 --> 01:03:13,080
Speaker 1: I put it in this company, and I don't take

1168
01:03:13,120 --> 01:03:17,720
Speaker 1: it out my value. What I gotta find this. We'll

1169
01:03:17,760 --> 01:03:19,240
Speaker 1: try to have a shoebox full of mone I'm gonna

1170
01:03:19,240 --> 01:03:21,200
Speaker 1: do like my grandma did, just a shoebox full of money,

1171
01:03:21,560 --> 01:03:24,479
Speaker 1: cash in and drawers were don't keep it safe with me?

1172
01:03:25,240 --> 01:03:27,720
Speaker 1: Can I keep this? Let me just read you this again,

1173
01:03:27,720 --> 01:03:29,960
Speaker 1: This description of this person who is trying to defend

1174
01:03:30,120 --> 01:03:32,880
Speaker 1: n f T s like as the markets are dying,

1175
01:03:33,120 --> 01:03:35,000
Speaker 1: if you make an n f T of a real

1176
01:03:35,160 --> 01:03:39,440
Speaker 1: diamond and the diamond itself gets destroyed in a fire tomorrow,

1177
01:03:39,440 --> 01:03:42,080
Speaker 1: I'm pretty sure diamond can't be destroyed in a fire.

1178
01:03:42,240 --> 01:03:47,800
Speaker 1: Just whatever. If you want to call it that, you're

1179
01:03:48,400 --> 01:03:51,480
Speaker 1: dirty to throw it away? Yeah, And I imagine he

1180
01:03:51,600 --> 01:03:54,680
Speaker 1: got all dirty and you can ditch it. It says

1181
01:03:54,680 --> 01:03:56,560
Speaker 1: if the diamond stuff gets destroyed in the fire tomorrow,

1182
01:03:56,720 --> 01:04:00,400
Speaker 1: you still have the same asset because the token still

1183
01:04:00,440 --> 01:04:04,680
Speaker 1: exists and is in limited supply, just as before. Nothing

1184
01:04:04,720 --> 01:04:07,560
Speaker 1: has changed what n f T is doing to the

1185
01:04:07,600 --> 01:04:14,080
Speaker 1: concept of asset. I few understand. That's bullshit. I'm sorry,

1186
01:04:14,160 --> 01:04:17,840
Speaker 1: Like I don't want I want my motherfucking diamond. Yeah,

1187
01:04:17,880 --> 01:04:21,360
Speaker 1: I don't. I did propose to my wife with a

1188
01:04:21,480 --> 01:04:28,000
Speaker 1: with a picture of this ring in the image. It

1189
01:04:28,160 --> 01:04:33,000
Speaker 1: was destroyed in a fire yesterday, but this asset remains.

1190
01:04:33,040 --> 01:04:34,680
Speaker 1: So will you here, Let me turn it, let me

1191
01:04:34,800 --> 01:04:37,000
Speaker 1: roll it up into a ring I can put around

1192
01:04:37,040 --> 01:04:41,240
Speaker 1: your hands. Will you marry me? Now? Oh? It's very Graham,

1193
01:04:41,320 --> 01:04:43,480
Speaker 1: It's very Graham. Everybody please keep your head on the

1194
01:04:43,520 --> 01:04:46,560
Speaker 1: swivel because many people in this age of lack are

1195
01:04:46,960 --> 01:04:50,600
Speaker 1: preaching all kinds of ways to become, you know, attain wealth,

1196
01:04:51,200 --> 01:04:54,360
Speaker 1: and it is just a way for you to become

1197
01:04:54,400 --> 01:04:57,880
Speaker 1: a bag holder. But Martin, thank you so much for

1198
01:04:57,880 --> 01:05:01,400
Speaker 1: coming on the show and being honest with us about

1199
01:05:01,400 --> 01:05:04,320
Speaker 1: your takes, where you stand on the big issues. Where

1200
01:05:04,320 --> 01:05:07,000
Speaker 1: can people find you and follow you and listen to you?

1201
01:05:07,040 --> 01:05:11,800
Speaker 1: And all that I am on Instagram at Martin or Banno.

1202
01:05:11,960 --> 01:05:14,520
Speaker 1: I also have that new or at Martin or bonnot Jr.

1203
01:05:15,080 --> 01:05:18,320
Speaker 1: It's my professional name, okay, my acting name like Robert

1204
01:05:18,320 --> 01:05:21,320
Speaker 1: Downey and I am doing that clown parade for the

1205
01:05:21,360 --> 01:05:25,880
Speaker 1: next few episodes. Those those are they turned out pretty good.

1206
01:05:26,200 --> 01:05:29,480
Speaker 1: I'm pretty happy with them. Also, I just remembered that

1207
01:05:29,680 --> 01:05:33,480
Speaker 1: I have an n f T Oh great, so which one?

1208
01:05:33,840 --> 01:05:35,520
Speaker 1: If you hit me up if you'd like to buy

1209
01:05:35,520 --> 01:05:38,040
Speaker 1: my n F T that I got for free at

1210
01:05:38,040 --> 01:05:41,400
Speaker 1: the n f T convention. Oh they oh, they're like,

1211
01:05:41,640 --> 01:05:45,760
Speaker 1: you're a tendency like free n F t um so

1212
01:05:45,800 --> 01:05:50,200
Speaker 1: I'll be selling that for five three three is a

1213
01:05:50,240 --> 01:05:53,680
Speaker 1: good fair price. Ah yeah, thanks for having me. Wait,

1214
01:05:53,720 --> 01:05:55,360
Speaker 1: what's the what's the n F what's the picture of

1215
01:05:56,360 --> 01:06:01,400
Speaker 1: I think just like like the nebula. I like, even

1216
01:06:01,720 --> 01:06:03,520
Speaker 1: you're really looking it up right now, because so you

1217
01:06:03,560 --> 01:06:06,560
Speaker 1: really do have I'm trying to. I'm like, I can't

1218
01:06:06,600 --> 01:06:10,160
Speaker 1: even remember how to access it. I think I'm locked

1219
01:06:10,160 --> 01:06:13,240
Speaker 1: out of my n f T account. Oh honey, fungus

1220
01:06:13,480 --> 01:06:19,160
Speaker 1: specimens are zero zero five n f T oh fantastic

1221
01:06:19,720 --> 01:06:24,400
Speaker 1: If that sounded interesting to you. If that's sound interesting

1222
01:06:24,440 --> 01:06:29,640
Speaker 1: to you and you have four thousand ether, please do

1223
01:06:30,000 --> 01:06:34,280
Speaker 1: four thousand. Sorry y'all. I'm not a broke boy. And

1224
01:06:34,320 --> 01:06:38,000
Speaker 1: what's like a tweet or uh, a contribution to social

1225
01:06:38,000 --> 01:06:40,000
Speaker 1: media work that you're enjoying that you want to put

1226
01:06:40,040 --> 01:06:42,480
Speaker 1: people onto. I wrote it down because I really enjoy

1227
01:06:42,680 --> 01:06:49,680
Speaker 1: chaotic nightclub photos. Y a classic Twitter account. Love it

1228
01:06:49,960 --> 01:06:52,320
Speaker 1: so good? Makes me happy every time I see it.

1229
01:06:52,520 --> 01:06:56,720
Speaker 1: Those are so fucking wild like and are most of

1230
01:06:56,720 --> 01:06:59,840
Speaker 1: them in Europe. They have to be feels very German.

1231
01:07:00,000 --> 01:07:03,960
Speaker 1: Berlin club scene to me, the girl peeing in the

1232
01:07:04,080 --> 01:07:06,400
Speaker 1: glass and then setting it on a table and someone

1233
01:07:06,440 --> 01:07:08,640
Speaker 1: throwing that p bath on her is my favorite one,

1234
01:07:09,120 --> 01:07:12,840
Speaker 1: the most chaotic so far. Also, black guy making out

1235
01:07:12,880 --> 01:07:14,680
Speaker 1: with a white girl and now her foundation is all

1236
01:07:14,720 --> 01:07:18,680
Speaker 1: over his face. They're classic. That's like a to frame

1237
01:07:18,720 --> 01:07:20,560
Speaker 1: one too, right there kissing and then the next one

1238
01:07:20,600 --> 01:07:23,440
Speaker 1: like he just got that like dust circle on his back.

1239
01:07:25,640 --> 01:07:28,040
Speaker 1: That's a great account. You ever needed a quick laugh

1240
01:07:28,240 --> 01:07:31,440
Speaker 1: head over there? Yeah, there's always some some good ones.

1241
01:07:31,520 --> 01:07:33,439
Speaker 1: I did not see the one with the person doing

1242
01:07:33,480 --> 01:07:37,280
Speaker 1: the p and then the being thrown. You hate to

1243
01:07:37,280 --> 01:07:41,120
Speaker 1: see it sat on a table like she's like, you know.

1244
01:07:41,240 --> 01:07:43,720
Speaker 1: Sometimes there's like elevated v I P spots and they've

1245
01:07:43,720 --> 01:07:45,560
Speaker 1: got bar so she grabs the glass off v I

1246
01:07:45,600 --> 01:07:47,760
Speaker 1: p table, p's in it, and then sets it back

1247
01:07:47,800 --> 01:07:49,800
Speaker 1: on the table, and the person just immediately picks up

1248
01:07:49,800 --> 01:07:52,439
Speaker 1: the glass and throws p all over her. I was like,

1249
01:07:53,200 --> 01:07:59,200
Speaker 1: oh ship, I just oh no, Yo. She was reckless,

1250
01:07:59,400 --> 01:08:05,200
Speaker 1: she was wow and everybody was like looking and it

1251
01:08:05,360 --> 01:08:08,560
Speaker 1: was not getting in the cup everywhere it's all over

1252
01:08:08,600 --> 01:08:12,240
Speaker 1: her hand. You can't. It's really challenging some vagina to

1253
01:08:12,320 --> 01:08:17,360
Speaker 1: aim colm next to possible. But actually, after watching that video,

1254
01:08:17,400 --> 01:08:22,640
Speaker 1: I realized I should marry her. According to Radio Shack,

1255
01:08:24,120 --> 01:08:29,320
Speaker 1: that's a keeper if and also to like, just to

1256
01:08:29,400 --> 01:08:32,320
Speaker 1: reference that line about weapons that are formed against me,

1257
01:08:32,400 --> 01:08:36,360
Speaker 1: cannot prosper when you're peeing all over yourself anyway, trying

1258
01:08:36,360 --> 01:08:39,600
Speaker 1: to get in a pint glass. Motherfucker, they've putting it on,

1259
01:08:39,640 --> 01:08:42,080
Speaker 1: throwing on them already. It's like they're already covered in peak.

1260
01:08:42,280 --> 01:08:45,479
Speaker 1: Like there's not gonna do much more to them. Sorry,

1261
01:08:45,520 --> 01:08:48,680
Speaker 1: you will only make her stronger. Joel, how about you?

1262
01:08:48,720 --> 01:08:50,720
Speaker 1: Thanks so much for joining me today, Thank you for

1263
01:08:50,880 --> 01:08:54,479
Speaker 1: being here, Thanks for having me. Where they where can

1264
01:08:54,479 --> 01:08:56,439
Speaker 1: they find you? Follow you? Listen to you? And what's

1265
01:08:56,479 --> 01:08:58,519
Speaker 1: a tweet that you like? Yes, we can find me

1266
01:08:58,560 --> 01:09:00,880
Speaker 1: all over the internet at when it's j O E

1267
01:09:01,040 --> 01:09:03,519
Speaker 1: L L E M O n I q u E.

1268
01:09:04,520 --> 01:09:08,000
Speaker 1: I have liked so many so here we go. One

1269
01:09:08,120 --> 01:09:10,680
Speaker 1: is from weird Al Yankovic. He says this is the

1270
01:09:10,680 --> 01:09:12,360
Speaker 1: second time in less than a year that there has

1271
01:09:12,400 --> 01:09:14,800
Speaker 1: been a TV episode entitled weird Al is Dead. Is

1272
01:09:14,800 --> 01:09:18,080
Speaker 1: the universe trying to tell me something? Uh? So? There

1273
01:09:18,200 --> 01:09:20,400
Speaker 1: is both a Why the Last Man which was sadly

1274
01:09:20,439 --> 01:09:23,519
Speaker 1: canceled before it's time episode called weird Al is Dead,

1275
01:09:23,760 --> 01:09:26,320
Speaker 1: and now Paper Girls has an episode called weird Al

1276
01:09:26,479 --> 01:09:29,519
Speaker 1: is Dead. Sorry' weird Al, You're gonna be okay. I

1277
01:09:29,520 --> 01:09:31,479
Speaker 1: don't know why people keep doing it, but it's funny

1278
01:09:31,560 --> 01:09:35,160
Speaker 1: to me. Another one is from the first Kiro that

1279
01:09:35,240 --> 01:09:36,840
Speaker 1: just says I'm gonna miss Scott lang R I t

1280
01:09:37,000 --> 01:09:39,400
Speaker 1: ant man and then just a swoll last picture of

1281
01:09:39,479 --> 01:09:42,680
Speaker 1: Jonathan Major's on beach. Uh He's coming as paying the

1282
01:09:42,680 --> 01:09:45,960
Speaker 1: Conqueror market. People destroy everyone and I'm here for it

1283
01:09:46,240 --> 01:09:49,720
Speaker 1: to Ron Moore at tear tweeted Beyonce, my eyes are

1284
01:09:49,760 --> 01:09:52,200
Speaker 1: so tired of rolling. How dare you just? I know

1285
01:09:52,280 --> 01:09:54,080
Speaker 1: you think we deserve the ship, but I promise you

1286
01:09:54,240 --> 01:09:56,320
Speaker 1: we don't And we don't. We are just blessed and

1287
01:09:56,320 --> 01:09:59,360
Speaker 1: honored to have fiance in our life. Thank you for

1288
01:09:59,600 --> 01:10:02,360
Speaker 1: blessing us with an album right before the weekend. Again,

1289
01:10:02,520 --> 01:10:06,120
Speaker 1: so Gay, so lovely. And then finally from Sarah benacasas

1290
01:10:06,240 --> 01:10:08,799
Speaker 1: she says, this is definitely a surprise extra kid album.

1291
01:10:08,880 --> 01:10:11,120
Speaker 1: A lot of untamed feral third children will be named

1292
01:10:11,120 --> 01:10:13,240
Speaker 1: Cozy for reasons that won't become clear to them for

1293
01:10:13,280 --> 01:10:18,439
Speaker 1: a while. And I agree Cozy is uh maybe the

1294
01:10:18,520 --> 01:10:23,160
Speaker 1: hit of the album after Alien Superstar. Those are probably

1295
01:10:23,160 --> 01:10:25,960
Speaker 1: my two favorites so far. It's a classic. If you

1296
01:10:26,080 --> 01:10:28,280
Speaker 1: have a booth thing, get on it. Make a third

1297
01:10:28,280 --> 01:10:33,800
Speaker 1: baby just for funzies, because wow, oh ship. Let's see

1298
01:10:33,880 --> 01:10:38,400
Speaker 1: some tweets that I like. First one is from p

1299
01:10:38,600 --> 01:10:42,000
Speaker 1: Smith as psychop Smith tweeted or Smith but with the

1300
01:10:42,040 --> 01:10:43,960
Speaker 1: P in front of it said in g t A six,

1301
01:10:43,960 --> 01:10:46,639
Speaker 1: the unionized sex workers will be earning a real living

1302
01:10:46,680 --> 01:10:48,960
Speaker 1: wage when you drive a tank through the Strip club.

1303
01:10:49,840 --> 01:10:52,400
Speaker 1: Everyone was talking about like it's so woke because they're

1304
01:10:52,439 --> 01:10:55,519
Speaker 1: gonna have their first Latina playable character in the game.

1305
01:10:55,560 --> 01:10:57,800
Speaker 1: And I think a lot of people were having all

1306
01:10:57,880 --> 01:11:01,600
Speaker 1: kinds of things of playing around with this progress that

1307
01:11:01,760 --> 01:11:03,439
Speaker 1: was made, but at the end of the day, you

1308
01:11:03,479 --> 01:11:06,000
Speaker 1: still just will be flattening people in a tank. So

1309
01:11:06,240 --> 01:11:13,519
Speaker 1: it's it's Alexandria Costio Cortez. They probably would. I'm sure

1310
01:11:13,520 --> 01:11:15,760
Speaker 1: there's going to be a mod eventually where people would

1311
01:11:15,760 --> 01:11:18,000
Speaker 1: be like, dude, you can can make anybody be anyone

1312
01:11:18,040 --> 01:11:20,360
Speaker 1: in this show. And then also Brian Lynch at Brian

1313
01:11:20,439 --> 01:11:22,879
Speaker 1: Lynch treated at one point New Line could make Friday

1314
01:11:23,720 --> 01:11:27,240
Speaker 1: movies and also Friday movies, and yet no one did

1315
01:11:27,240 --> 01:11:32,720
Speaker 1: the easiest math ever for Across Over, which would have

1316
01:11:32,760 --> 01:11:39,400
Speaker 1: been an instant Hood classic. On the table, money on

1317
01:11:39,439 --> 01:11:45,800
Speaker 1: the table reading the thirteenth is Jason right, yes, okay, yeah,

1318
01:11:45,840 --> 01:11:48,920
Speaker 1: Oh my god, dude, yeah, Jason trying to come through

1319
01:11:48,960 --> 01:11:51,439
Speaker 1: like South l A. Also, did they go to the

1320
01:11:51,520 --> 01:11:54,040
Speaker 1: lake or did he come? Because Jason didn't come to

1321
01:11:54,080 --> 01:11:56,920
Speaker 1: their neighborhoods, they have to go to him. No, Jason,

1322
01:11:57,240 --> 01:11:59,880
Speaker 1: Jason needs to come to the hood. There there isn't

1323
01:11:59,880 --> 01:12:02,519
Speaker 1: there is there no Jason in the Hood movies. I

1324
01:12:02,520 --> 01:12:05,960
Speaker 1: don't think so. I mean, and not in like a

1325
01:12:05,960 --> 01:12:08,439
Speaker 1: problematic way, but you know, I just wanted to be

1326
01:12:08,880 --> 01:12:11,800
Speaker 1: I feel like he should be in like you know,

1327
01:12:12,200 --> 01:12:15,240
Speaker 1: O man, tiny listers passed away, so Debo can't be

1328
01:12:15,280 --> 01:12:16,960
Speaker 1: in it. There would have been an epic fights name

1329
01:12:17,000 --> 01:12:22,040
Speaker 1: between Deo. Oh okay, and I know it's problematic to

1330
01:12:22,080 --> 01:12:24,920
Speaker 1: try and resurrect people who have passed away through CG,

1331
01:12:25,600 --> 01:12:29,840
Speaker 1: but cut the state of Tiny zoos lister, like, cut

1332
01:12:29,880 --> 01:12:32,280
Speaker 1: this date a big check so we can have Debo

1333
01:12:32,439 --> 01:12:40,280
Speaker 1: versus Jason. That's a fucking movie right there, Debo versus Jason. Okay,

1334
01:12:40,320 --> 01:12:42,960
Speaker 1: I'm sorry, I can't keep giving the fucking studios free

1335
01:12:43,000 --> 01:12:45,679
Speaker 1: IP ideas like that. You can find me at Miles

1336
01:12:45,680 --> 01:12:47,639
Speaker 1: of Gray on Twitter and Instagram. You can check Jack

1337
01:12:47,680 --> 01:12:50,160
Speaker 1: and I out Miles and Jack got Mad Boost. He's

1338
01:12:50,160 --> 01:12:53,240
Speaker 1: our basketball podcast. And if you like we a trash

1339
01:12:53,320 --> 01:12:56,519
Speaker 1: reality TV shows like I do, specifically ninety Day Fiance

1340
01:12:56,600 --> 01:12:58,559
Speaker 1: because that's, let's face, that's all I got right now,

1341
01:12:58,840 --> 01:13:02,240
Speaker 1: check me out on four any Day Fiance with Sophia Alexandra,

1342
01:13:02,640 --> 01:13:05,280
Speaker 1: and also check us out at Daily See Guys on Twitter,

1343
01:13:05,320 --> 01:13:07,160
Speaker 1: at the Daily See Guys on Instagram. We got a

1344
01:13:07,160 --> 01:13:09,400
Speaker 1: Facebook fan pays and a website, Dailies that guys dot

1345
01:13:09,439 --> 01:13:11,800
Speaker 1: Com where we post our episodes and our foot notes.

1346
01:13:12,080 --> 01:13:15,679
Speaker 1: But not thank you Joel for that where we also

1347
01:13:16,080 --> 01:13:18,639
Speaker 1: link off to the song that we're going to ride

1348
01:13:18,640 --> 01:13:21,760
Speaker 1: out on and I think I heard tell that there

1349
01:13:21,840 --> 01:13:25,799
Speaker 1: is this young woman that tales from my belief. Houston,

1350
01:13:25,920 --> 01:13:31,840
Speaker 1: Texas four and on September four, the Virgo has come

1351
01:13:31,880 --> 01:13:35,760
Speaker 1: back to her lest Yes with the album known as

1352
01:13:36,320 --> 01:13:39,920
Speaker 1: Renee Songs. And I'm just gonna say, listen to I'm

1353
01:13:39,920 --> 01:13:42,200
Speaker 1: That Girl because that's the first track on the album,

1354
01:13:42,400 --> 01:13:44,439
Speaker 1: and then you will have to continue listening to the

1355
01:13:44,560 --> 01:13:47,080
Speaker 1: rest of the album and it's already man as a

1356
01:13:47,200 --> 01:13:49,800
Speaker 1: first track. Um, that's the only part I listened to

1357
01:13:49,840 --> 01:13:51,599
Speaker 1: because I was really tired when I can't want to drop.

1358
01:13:51,680 --> 01:13:58,439
Speaker 1: But I'm these motherfucker's they stopping me said as she

1359
01:13:58,560 --> 01:14:03,439
Speaker 1: meant it it uh so yeah, thanks so much. Daily's

1360
01:14:03,560 --> 01:14:05,599
Speaker 1: Cases a production of I Heart Radio. So for more

1361
01:14:05,600 --> 01:14:08,120
Speaker 1: podcast checkout I Heeart Radio, app, Apple podcast, wherever you

1362
01:14:08,160 --> 01:14:10,559
Speaker 1: get your podcast. We'll be back later tell you what's trending.

1363
01:14:10,640 --> 01:14:14,360
Speaker 1: Until then, enjoy yourself. Bye bye,