WEBVTT - Short Stuff: Khipu

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<v Speaker 1>Hey, and welcome to the podcast. I'm INCA Josh, and

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<v Speaker 1>there's INCA Chuck and INCA Jerry's over there. So this

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<v Speaker 1>is an INCA cast. Stuff. You should INCA short stuff,

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<v Speaker 1>you should INCA. Do you like that one? Huh yeah,

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<v Speaker 1>I'm surprised. Just dumb enough. Wait what do you mean, Oh,

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<v Speaker 1>I mean dumb in a good way. A dumb joke

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<v Speaker 1>is what my one of my biggest compliments. You know,

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<v Speaker 1>we have really been hit with the accusations of dad

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<v Speaker 1>jokes a lot more frequently lately. Have you noticed, well

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<v Speaker 1>more than we did ten years ago. Yeah, you know,

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<v Speaker 1>we're getting older and that's when dad jokes start creeping in.

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<v Speaker 1>So these people are right, they are correct. Man, never

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<v Speaker 1>would have thought I'd live to see the day. Literally,

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<v Speaker 1>that's right. We we we still stopped before we hit puns. Yeah,

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<v Speaker 1>we're no strickling. Nope, that's ageless. That's just some sort

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<v Speaker 1>of mental defect. Has nothing to do with age. Yeah.

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<v Speaker 1>Not ageless is in timeless and you could do that

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<v Speaker 1>anytime and it's great, right, Yeah, the opposite of that.

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<v Speaker 1>So Chuck, speaking of um opposites of that, let's talk

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<v Speaker 1>about whether or not the INCA actually ever created a

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<v Speaker 1>written language of any sort. Yeah, this was cool, and

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<v Speaker 1>I would love to do a longer form show on

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<v Speaker 1>the Inca period the Inca people, because, man, when you

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<v Speaker 1>when you start poking around a little bit, uh, the

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<v Speaker 1>things that they achieved and when it happened, it's pretty striking. Well,

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<v Speaker 1>you know, we did an episode called how did a

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<v Speaker 1>hundred and sixty eight Conquistadors bring down the Inca Empire?

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<v Speaker 1>Did we Really? That was a good one, But I'm

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<v Speaker 1>sure there's still plenty more to talk about with them.

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<v Speaker 1>We could do one just on the Inca I'll bet yeah. So, Uh,

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<v Speaker 1>I mean, here's here's a couple of things in the

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<v Speaker 1>way of an overview. Uh, they had the largest pre

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<v Speaker 1>columbia An empire in the America's a lot of people

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<v Speaker 1>during the Bronze Age. And you're not successful as a

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<v Speaker 1>people that that that can grow and thrive like that

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<v Speaker 1>unless you're doing some of these things like building roads

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<v Speaker 1>to the tune of twenty five thousand miles of highway, right,

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<v Speaker 1>that's amazing. Yeah, there was something like twelve I saw

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<v Speaker 1>ten to twelve million people in the Inca Empire who

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<v Speaker 1>were walking along the twenty five thousand miles of highway,

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<v Speaker 1>which by the way, cut through the Andies. It was

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<v Speaker 1>largely in the Andes, up in the Andes, which was

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<v Speaker 1>not a hospitable place to form a civilization in the

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<v Speaker 1>first place, no man, but they did. They thrived where

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<v Speaker 1>it was dry and harsh and steep, and they were

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<v Speaker 1>able to engineer like the kind of farmland at the altitudes,

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<v Speaker 1>at these altitudes that you would never think would be possible,

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<v Speaker 1>like millions of acres of high altitude terrorist farms. And

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<v Speaker 1>the way that I saw that the whole thing worked

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<v Speaker 1>was there were clans and villages and groups that all

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<v Speaker 1>kind of um. They did their own thing, and they

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<v Speaker 1>paid tribute to the what you would call kind of

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<v Speaker 1>the federal government, the Inca chiefs, the people um who

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<v Speaker 1>were who had the whole empire together, and then the

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<v Speaker 1>Inca who were running the show, would in turn provide

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<v Speaker 1>these these people, like the farmers and the villages and

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<v Speaker 1>the clans with stuff they needed. It bore a striking

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<v Speaker 1>resemblance to like Soviet communism. Yeah, and they kept it

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<v Speaker 1>going for about a hundred and fifty years again until

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<v Speaker 1>the Spans showed up. They were they were very powerful

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<v Speaker 1>empire But the weird thing about the Inca is that

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<v Speaker 1>they were able to do all this that included math

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<v Speaker 1>and abstract thought and um major like socio political administration.

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<v Speaker 1>They appeared to have done it without any written language whatsoever.

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<v Speaker 1>That's been basically the way that people have viewed the

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<v Speaker 1>Inca for a very long time. Yeah, which is is

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<v Speaker 1>remarkable because it's not like, oh, well, this was back

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<v Speaker 1>during the Bronze Age, like the Maya had written languages,

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<v Speaker 1>the az Text did, Mesopotamians did, Egyptians of course did,

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<v Speaker 1>Chinese did. So a lot of people were writing things

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<v Speaker 1>down and uh, it appeared and we're still not super sure,

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<v Speaker 1>but or are we Like, can we say definitively we're

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<v Speaker 1>almost but no, I don't think we can definitively say

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<v Speaker 1>it is sure starting to look that way, all right,

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<v Speaker 1>So let's let's get to the sort of the heart

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<v Speaker 1>of the story. Then, is is it? I believe it's

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<v Speaker 1>pronounced keepu k h I p you or or key

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<v Speaker 1>q u i p u r, which would also be

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<v Speaker 1>pronounced keep who right. But if you look this up

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<v Speaker 1>on the internet, if you can pull your car over, whatever,

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<v Speaker 1>don't anything dangerous. They are these really kind of cool.

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<v Speaker 1>It looks like Macromay almost. These knotted which I know

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<v Speaker 1>you like, uh, these knotted links of cord made from cotton.

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<v Speaker 1>Sometimes sometimes it's a llama or alpaca wool. And you

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<v Speaker 1>would see them hung up in rows that looks like

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<v Speaker 1>like from a curtain rod or something from but that

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<v Speaker 1>that curtain rod is really like a thicker central rope

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<v Speaker 1>and these things would just hang down and for many

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<v Speaker 1>many years someone more color coded. But for many years

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<v Speaker 1>people thought that these were just like art, right arts crafts,

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<v Speaker 1>that kind of thing, like something somebody would do when

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<v Speaker 1>they were bored, you know. And a lot of them

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<v Speaker 1>were lost because there's the Spanish. When they showed up,

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<v Speaker 1>the found them everywhere and they were like, well, I

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<v Speaker 1>don't know what this is, so I'm just gonna burn them. Yeah,

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<v Speaker 1>I'm gonna kill everybody and burn everything. And so for

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<v Speaker 1>a long time people, yeah, they just had them in museums.

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<v Speaker 1>They were they were ink and relics of an empire

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<v Speaker 1>that had crumbled and gone away. So people are like,

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<v Speaker 1>we gotta preserve these, and they took them to be museums. Um.

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<v Speaker 1>But it wasn't until the nineteen twenties that a guy

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<v Speaker 1>named Leland Locke, who was studying them at the Museum

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<v Speaker 1>of Natural History in New York, who said, you know what,

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<v Speaker 1>I think these actually are symbolic. I think they encode information,

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<v Speaker 1>and I think that they probably are used to kind

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<v Speaker 1>of tabulate things. And he he was right, boy, that

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<v Speaker 1>sounds like a good cliffhanger, my friend. Okay, I should

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<v Speaker 1>take out that he was right part then? But was he?

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<v Speaker 1>Well find out right after this he was okay, so

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<v Speaker 1>he was right. Yeah, he was to right. Leland Luck

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<v Speaker 1>was correct. And what he found was that these uh

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<v Speaker 1>the keep who uh nots, We're definitely used. And this

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<v Speaker 1>is the part that we for sure know. Um. It

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<v Speaker 1>was sort of like a calculator or an abacus um

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<v Speaker 1>or a file that you would use to to like

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<v Speaker 1>instead of writing down numbers and putting in at a

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<v Speaker 1>file cabinet, you would not this thing up to represent

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<v Speaker 1>like a census or something like that, or maybe how

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<v Speaker 1>much you know, how many cowbrains you had on hand

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<v Speaker 1>in the back, or how many llamas you had cowbrains.

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<v Speaker 1>Sure they probably make cowbrains, right, I don't think so.

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<v Speaker 1>I think that's how rumors get started. Chunking. Okay, well,

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<v Speaker 1>whatever there whatever they want to keep track of. It

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<v Speaker 1>served as as an abacus essentially. Yeah, it's storied information,

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<v Speaker 1>like they kept track of all that tribute that was

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<v Speaker 1>coming in from the hundred and thirty different clans under them,

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<v Speaker 1>like it was. It was. It was a way to

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<v Speaker 1>store information. But that is boring and pedestrian, and it's

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<v Speaker 1>still says that the Inca managed to keep track of

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<v Speaker 1>all this and do all this stuff without a written

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<v Speaker 1>language like that does not happen. Usually you have a

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<v Speaker 1>written language and then math develops later. The Inca developed

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<v Speaker 1>all this, or it appeared that they did without a

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<v Speaker 1>written language, but that's just what it seemed to be.

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<v Speaker 1>Like nobody could figure out or see any written language

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<v Speaker 1>in this for a very long time. Well, and here's

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<v Speaker 1>the thing too, uh that I didn't mention. It's not

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<v Speaker 1>as simple as I have ten lama, so I'm gonna

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<v Speaker 1>te ten knots on this string. Yeah. So it was

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<v Speaker 1>like the height of the knot and where it was

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<v Speaker 1>positioned on the cord. Uh. It all symbolized different things.

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<v Speaker 1>The color symbolize something they had had multiples like one

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<v Speaker 1>thing the way you know it could be done in

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<v Speaker 1>such a way or represented a hundred or a thousand.

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<v Speaker 1>Uh So it wasn't just like you know, eight beads

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<v Speaker 1>means eight cows, right. Yeah. So like, um, if you

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<v Speaker 1>have three knots, right, and the top one has like

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<v Speaker 1>five loops, in the middle one has five loops, in

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<v Speaker 1>the bottom one has two loops, what you're seeing is

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<v Speaker 1>five hundred and fifty two. Like the top one is

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<v Speaker 1>the hundreds column, the middle ones the tens, and the

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<v Speaker 1>lower ones of the singles. Um. So yeah, and so

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<v Speaker 1>like there was it wasn't just like one yeah counting

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<v Speaker 1>off like that was much much more sophisticated that and

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<v Speaker 1>you know, the color that that they used, the type

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<v Speaker 1>of material that they used, the direction that not was

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<v Speaker 1>tied in the number of loops that had. There are

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<v Speaker 1>all sorts of things. So when you when you take that,

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<v Speaker 1>you know, if you have three different dimensions or five

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<v Speaker 1>or seven or ten different dimensions of something, um, those

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<v Speaker 1>things start to interact and now you have a lot

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<v Speaker 1>of different symbols to choose from doingcode information. But again,

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<v Speaker 1>everyone just thought that it was just numbers that they

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<v Speaker 1>were encoding until the I think the nineteen nineties when

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<v Speaker 1>a Harvard anthropologist named Gary Urton um who spent years

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<v Speaker 1>working on analyzing these finally was like, no, there's there's

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<v Speaker 1>words in here, there's names in here. And if there's

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<v Speaker 1>names in here, symbols of names, then that means that

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<v Speaker 1>they're encoding more than just numbers. They're encoding abstract thoughts

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<v Speaker 1>like a language does. Yeah, and and Burton started to

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<v Speaker 1>look into this because, like, despite all the great work

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<v Speaker 1>Locke did to crack this code about accounts, he pretty

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<v Speaker 1>much did, there were still a bunch of these UH

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<v Speaker 1>configurations that did not fit with the rest. And he

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<v Speaker 1>always just sort of thought those were outliers and maybe

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<v Speaker 1>those were arts and crafts or for ceremonies or something.

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<v Speaker 1>But it was Urton who picked that back up and

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<v Speaker 1>was like, I don't know, man, why would they go

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<v Speaker 1>through all this trouble to design this intricate numerical recording

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<v Speaker 1>system and then just have the same exact thing, just

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<v Speaker 1>be crafty. He's like, there's something else going on here,

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<v Speaker 1>right exactly? So Um he was, I guess teaching a

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<v Speaker 1>freshman economic student named Manny Madrono who managed to crack

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<v Speaker 1>a little bit more of the code um and and

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<v Speaker 1>was the one who showed I can't remember exactly what

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<v Speaker 1>he showed, but he he took Burton's decades of work

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<v Speaker 1>and in a spring break said, yep, here's some here's

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<v Speaker 1>some indications that the colors are actually indicating like abstract thoughts,

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<v Speaker 1>like like green um might be like cattle and that's

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<v Speaker 1>a concrete thought. But but red equals war or something.

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<v Speaker 1>So he cracked the coat a little further over spring break.

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<v Speaker 1>Over spring break, and he was like, and I figured

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<v Speaker 1>it out and passed me the beer bong, right, which

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<v Speaker 1>we called we didn't we called him funnel yeah bong.

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<v Speaker 1>I mean, I guess it makes sense because there's a

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<v Speaker 1>I'm sure it's a regional phrase. I'll bet you're right too.

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<v Speaker 1>We just called it funneling beer. And by the way,

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<v Speaker 1>you shouldn't do it everyone. It's dangerous stuff, it is,

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<v Speaker 1>and it's it's just dumb. I've never funneled the beer.

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<v Speaker 1>Oh I did it a few times. It's just stupid. Actually,

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<v Speaker 1>let me let me change that. I can't recall ever

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<v Speaker 1>funneling it. I never did any of that dumb stuff.

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<v Speaker 1>Keg stands or funneling just stupid. It is a little stupid,

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<v Speaker 1>but I mean, yeah, it is. I just sat there

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<v Speaker 1>as a nineteen year old on my my credit couardu

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<v Speaker 1>Roy Couch throwing my martini right, was clucking your tongue

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<v Speaker 1>at all? The Philistines. Yeah, uh, all right, so he

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<v Speaker 1>figures this out on spring break. It was a big like,

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<v Speaker 1>it was a big breakthrough that not only were these

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<v Speaker 1>uh used for numbers that's been record keeping, but like

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<v Speaker 1>you said, like potentially we do have an entire knot

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<v Speaker 1>language laid out in front of us, but most of

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<v Speaker 1>this stuff is gone, Like that's the big tragedy. Yeah.

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<v Speaker 1>So so this is the current thinking is that, yes,

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<v Speaker 1>they're definitely abstract thoughts possibly even phonetic sounds encoded in

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<v Speaker 1>these along with numbers. Like Leland Locke wasn't wrong, you

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<v Speaker 1>didn't misinterpret it, but he found he found um the

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<v Speaker 1>or the over time they found that, No, there's abstract

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<v Speaker 1>thoughts in here too. And there's a couple of pieces

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<v Speaker 1>of evidence that really back this up. One they found

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<v Speaker 1>key poos in burials. Right, why would you be buried

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<v Speaker 1>with a an avocus a census document? Nobody would, but

0:13:06.120 --> 0:13:08.640
<v Speaker 1>you might be. You might be buried with a something

0:13:08.679 --> 0:13:11.800
<v Speaker 1>that's basically like a narrative of some battle that you

0:13:11.840 --> 0:13:14.520
<v Speaker 1>showed your bravery in and that was like the greatest

0:13:14.520 --> 0:13:16.400
<v Speaker 1>thing you ever did in your life. You might be

0:13:16.400 --> 0:13:18.920
<v Speaker 1>buried with something like that. So that's one point. And

0:13:18.960 --> 0:13:22.640
<v Speaker 1>then a researcher at St. Andrew's University in Scotland, so

0:13:22.760 --> 0:13:27.240
<v Speaker 1>being Highland UM, did some analysis of two key poos

0:13:27.280 --> 0:13:32.120
<v Speaker 1>that are incin that we're from the Spanish colonial area

0:13:32.360 --> 0:13:36.199
<v Speaker 1>or era that supposedly the people, the villagers who were

0:13:36.200 --> 0:13:39.440
<v Speaker 1>preserving these things said these are these two these tell

0:13:39.480 --> 0:13:43.160
<v Speaker 1>of a great war. Yeah, that's that was key for sure.

0:13:43.240 --> 0:13:45.840
<v Speaker 1>So these things are supposed to have a narrative code

0:13:45.960 --> 0:13:48.200
<v Speaker 1>within them. And she analyzed him and found like, yeah,

0:13:48.200 --> 0:13:50.480
<v Speaker 1>there's something going on here. Yeah, I mean she got

0:13:50.520 --> 0:13:53.760
<v Speaker 1>back up because they said, yeah, the different materials means something.

0:13:55.200 --> 0:13:57.840
<v Speaker 1>You guys are uh, you guys are figuring this out.

0:13:58.280 --> 0:14:02.720
<v Speaker 1>She she found that there different symbols encoded in these

0:14:02.800 --> 0:14:06.040
<v Speaker 1>key poos, which is way more than you need for

0:14:06.280 --> 0:14:09.680
<v Speaker 1>um like accounting system, but much more in line with

0:14:09.760 --> 0:14:13.319
<v Speaker 1>something like a language. We still haven't cracked it yet,

0:14:13.360 --> 0:14:16.880
<v Speaker 1>but it's starting to be clear that the Inca did

0:14:17.160 --> 0:14:21.080
<v Speaker 1>develop a written language. We just can't understand it and

0:14:21.120 --> 0:14:22.680
<v Speaker 1>the way that it was lost to history is the

0:14:22.760 --> 0:14:26.520
<v Speaker 1>same as if um, all of the monks in England

0:14:26.840 --> 0:14:29.760
<v Speaker 1>have been killed off in dred when they were the

0:14:29.800 --> 0:14:32.440
<v Speaker 1>only ones who knew how to read and write, that

0:14:32.680 --> 0:14:35.960
<v Speaker 1>the like that stuff that they encoded in in English

0:14:36.320 --> 0:14:39.520
<v Speaker 1>would have been lost to the English people who survived

0:14:40.000 --> 0:14:42.080
<v Speaker 1>and who are still around today but have no I

0:14:42.120 --> 0:14:44.520
<v Speaker 1>couldn't tell you what this Bible says because it's in

0:14:44.560 --> 0:14:47.280
<v Speaker 1>English and the monks didn't live long enough to pass

0:14:47.280 --> 0:14:51.640
<v Speaker 1>along how to do this. I loved that last analogy.

0:14:51.680 --> 0:14:55.800
<v Speaker 1>Thanks man, it's fantastic, Chuck, I appreciate that. I don't

0:14:55.840 --> 0:14:57.720
<v Speaker 1>want to push my luck any further, so let's end

0:14:57.760 --> 0:15:00.800
<v Speaker 1>this one, agreed. If you want to know more about

0:15:00.840 --> 0:15:02.800
<v Speaker 1>the Incas or keep you there's a lot out there

0:15:02.800 --> 0:15:04.680
<v Speaker 1>to learn. Just go check it out on the Internet

0:15:04.760 --> 0:15:07.000
<v Speaker 1>and in the meantime you can reach us via email,

0:15:07.040 --> 0:15:25.280
<v Speaker 1>It's Stuff podcast, how Stuff Works dot Com.