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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and his drink Cha's motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's greed is your boy

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Speaker 1: in o R. He's a Miami hip hop and mioneer.

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Speaker 1: Up is d j e f N. Together they drink

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Speaker 1: it up with some of the biggest players in the

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Speaker 1: most professional, unprofessional podcast and yet number one source for

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Speaker 1: drunk fast drinks. Mother is New Year's time for Drink Champs.

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Speaker 1: Drink Up, motherfuck Mother? Would it good? Be? Hopully? Wouldn't be?

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Speaker 1: This is your boy? What up? Is d j e

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Speaker 1: FN And it's monitament crazy Wall Drink Champs? Yeah, Yo,

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Speaker 1: mix up now? This is This is one of my

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Speaker 1: closest friends. I can said to him a brother. I

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Speaker 1: consider him family. But I didn't wanna um make him

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Speaker 1: any different than any other guests. I wanted to go

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Speaker 1: and study him. And when I basically listened to every

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Speaker 1: one of his albums, I believe since coming up to

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Speaker 1: this moment, it feels like it was a big I

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Speaker 1: told you so for like he trald Us in two thousands,

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Speaker 1: that our lives would change and then and all lives

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Speaker 1: to be changed in two thousands. But when you listen

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Speaker 1: to him, it's like he's been preaching us anarchy and

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Speaker 1: been preaching us that about twenty years ago, and it's

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Speaker 1: like we're just now catching up. This man is an innovator.

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Speaker 1: This man is running a conglomerate records. He is holding

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Speaker 1: down his artists. Every week they dropping a goddamn video

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Speaker 1: or goddamn project, goddamn something. See on the FU the

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Speaker 1: only man who could go see fives car Town. He

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Speaker 1: will bust your ass on the record and then bust

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Speaker 1: your ass on stage what the same record he did

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Speaker 1: with you. He has been lasting out here in through

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Speaker 1: different decades that have been relevant. People can be lasting

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Speaker 1: through uh these these these these times and periods of

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Speaker 1: hip hop, But can they be relevant? Can they still

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Speaker 1: have them great looking videos? Can they still be looking great?

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Speaker 1: He's back in the best shape of his life. And

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Speaker 1: in case you don't know who we're talking about, I

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Speaker 1: telling about my good friend Bucks. Now that fucking shows

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Speaker 1: that happened again, this is your life. But I'm not

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Speaker 1: gonna lie. I really we really speak together at least

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Speaker 1: once a week, you know. But like I said, and

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Speaker 1: in the intro. I didn't want it to be like

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Speaker 1: no difference. I really went looked at your albums and

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Speaker 1: I actually listened to them, like I mean album album

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Speaker 1: and it really did feel like you predicted, Like I

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Speaker 1: just feel like you knew this year was gonna come.

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Speaker 1: What have you been reading? I just feel like that.

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Speaker 1: But it's like it's like it's like you really predicted

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Speaker 1: that life was going to change for us. I didn't

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Speaker 1: really predict nothing. I don't. I don't want to say

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Speaker 1: that I was prophesizing some ship. What I will say though,

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Speaker 1: is um hm, the same information that I was that

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Speaker 1: I became a fanatic about everybody was accessible to the ship.

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Speaker 1: It was just I was just fascinated by this ship

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Speaker 1: that I was stumbling on, and I was fascinated by

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Speaker 1: the what if of this ship I was stumbling on.

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Speaker 1: So even if the ship never came to fruition, the

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Speaker 1: fact that there was these these these ideas and these

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Speaker 1: plans and these things set up to actually carry out

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Speaker 1: and somebody took the time to create these ideas and

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Speaker 1: these plans and they just were waiting to be executed,

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Speaker 1: that ship funcked with me alone. Because I just always

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Speaker 1: said to myself as fucked up as this information was

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Speaker 1: looking and sounding when you read it to yourself or

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Speaker 1: when you see some kind of video about the ship.

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Speaker 1: If any of this ship was to happen there in

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Speaker 1: our lifetime, we're in't some serious ship. And I just

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Speaker 1: thought that that alone was just a super intriguing ship

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Speaker 1: to me. So I fussed with it because you know,

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Speaker 1: all of that ship was the seed of all of

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Speaker 1: that was planted by being blessed with notledge yourself. Thank you,

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Speaker 1: you already know how I go. God, you you got

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Speaker 1: knowledge yourself. You know what I'm saying. And you know,

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Speaker 1: we come up in a time where I want you

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Speaker 1: to choose with Champagne I drink which one do you

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Speaker 1: think I hear? I got to dick the Rosehucker. I

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Speaker 1: didn't even thought continue you. You know that we come

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Speaker 1: from a time when it was actually super cool and

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Speaker 1: super important to be smart Neggert. No this ever some

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Speaker 1: other ship. But but you know, we come from a

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Speaker 1: time where you know, Zulu nation was strong, and the

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Speaker 1: fire present nation of the gods and earths was strong,

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Speaker 1: and and you know that's why in hip hop they

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Speaker 1: had brand Nuby and and they had ex clan and

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Speaker 1: poor righteous teachers and just sit slock kim shabad, caress

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Speaker 1: public enemy. Goody mob, goody mob came after that, so

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Speaker 1: so so so it's like, you know, back then it

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Speaker 1: was important and it was cool to be smart, you

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Speaker 1: know what I'm saying, And it was also accountability if

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Speaker 1: you aligned yourself with any one of these brotherhoods and

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Speaker 1: you didn't actually live up to the responsibility and obligation

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Speaker 1: to upholy integrity of these brotherhoods. If you said you

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Speaker 1: was five percent and God's actually what degrees you dealing

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Speaker 1: with and you ain't going your degrees, you like got

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Speaker 1: your gass bust in the street. And that came with

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Speaker 1: a certain code of ethics like we you know that.

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Speaker 1: We also came from a time during these times where

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Speaker 1: you're in the corner with your homies and y'all seller

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Speaker 1: we um and and say noormy mom's got off the

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Speaker 1: bus and we all lived on the same block. We

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Speaker 1: see normy moms or my mom's or your mom's carry

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Speaker 1: we carry her shopping bag when she got off the bus.

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Speaker 1: And if niggas was on the corner and we sell

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Speaker 1: a weed or we were smoking weed or cigarette, you

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Speaker 1: ain't put your weed or your cigarette out. The niggas

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Speaker 1: that went to go carry moms shipped to the crib.

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Speaker 1: We come back. We was actually gonna get bust your

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Speaker 1: ass because it just looked like he wasn't exemplifying the

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Speaker 1: proper level of respect, which was a code that we

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Speaker 1: lived by back then. So everything was based on accountability

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Speaker 1: and proper Cola ethics and having respect and having managed

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Speaker 1: even though you were still a street nigger. You know

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Speaker 1: what I'm saying. You bust your gun. You might have

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Speaker 1: went to jail, you might have sold drugs, but the

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Speaker 1: parents on that block knew that you had enough integrity

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Speaker 1: and respect to still uphold the integrity and respect of

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Speaker 1: the block. You were. You protected the block. You ain't

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Speaker 1: the slackness happened on the block recklessly. So that's the

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Speaker 1: ship we come from. So that was the seed of

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Speaker 1: what created all of this desire to want to research

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Speaker 1: the information. So when I stumbled on ship like that,

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Speaker 1: I was just blooming away because I wanted to be

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Speaker 1: able to add on to the knowledge that I had

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Speaker 1: when I was building with the guards and would be

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Speaker 1: like yo, it was almost like when you get the

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Speaker 1: new pair sneakers the the the the gift of discovery. Right.

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Speaker 1: It's like when you find a new artist that's popping.

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Speaker 1: The niggas got some ship that's scorching, but you introduced

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Speaker 1: niggas to it before everybody started dick routing it. Right.

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Speaker 1: It's the same thing with knowledge yourself. You wanted to

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Speaker 1: show the guards that you stumbled on something that you

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Speaker 1: was introducing to them, even if they was the PhDs

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Speaker 1: and the scholars of the neighborhood. So that's what it

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Speaker 1: was for me. One thing led to the next. I

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Speaker 1: break up with leaders at the New School, which we're

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Speaker 1: gonna get into the Yeah, that happened on MTV. Yeah

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Speaker 1: with Fab five Freddie. But Dallas Austin had us come

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Speaker 1: down to Atlanta and at the time he had a

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Speaker 1: studio called Dark Studio. He was eighteen years old. Since

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Speaker 1: you're talked about Das, yeah, yeah, he introduced a lot

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Speaker 1: of us to the executive perspective because as an eighteen

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Speaker 1: year old, you know, Dallas had this money. He was

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Speaker 1: the poster child of producers as a young producer with

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Speaker 1: Clive Davis was a lot of business too. I mean,

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Speaker 1: I am not at liberty to discuss anything of that. Dynamic.

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Speaker 1: You know, Dallas was a young fly matherfucker, and he

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Speaker 1: was getting to the bag and he was putting the

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Speaker 1: most disrespectful numbers on the schoolboard as a producer. Between

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Speaker 1: TLC and another bad creation and boys demanding his his

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Speaker 1: money was different. And when we's down there going through

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Speaker 1: our transition, you know, George Clinton was sucking with him

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Speaker 1: a lot. So George, George Clinton gave me this book

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Speaker 1: called Behold the Pale Horse Smell, written by William Jake's.

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Speaker 1: I got several copies of that booking. I got the

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Speaker 1: George Clinton copy. For sure, that ship has got a

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Speaker 1: little wear and tear on it, but I'm never gonna

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Speaker 1: get rid of. That's like the greatest gift because that

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Speaker 1: book gave birth to the mentality that Buster Rhymes went

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Speaker 1: into for the rest of his solo career. I gave

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Speaker 1: that book to Goody Mob. That's what turned Goody mab

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Speaker 1: into you. No no, no, no, no, um yeah, yeah,

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Speaker 1: who's that looking at him my window? Yeah you do?

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Speaker 1: But but but but long story short, that that man,

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Speaker 1: George Clinton, created this movement amongst us with this book

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Speaker 1: that sent us all on these different journeys, but still

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Speaker 1: dealing with the same level of high science. So that's

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Speaker 1: that's that's what led to the coming and when disaster

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Speaker 1: strikes an extinction level event anarchy and genesis, it ain't

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Speaker 1: safe no more on the Big Bang and all of

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Speaker 1: that ship. So that's that's how that kick. Did you

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Speaker 1: know you were gonna create like keep that legacy or

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Speaker 1: that like like a trilogy of of this theme and

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Speaker 1: keep going. We're not a trilogy, but but but like

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Speaker 1: a book of Eli with different chapters in it that

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Speaker 1: all connected to create this Book of Eli, which was

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Speaker 1: like a Bible. But see the foundation even before the

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Speaker 1: George Clinton information came from Public Enemy, which is who

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Speaker 1: I got it from, because they made all of these

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Speaker 1: concept albums like and he bust the Rhymes and named

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Speaker 1: the group leaders at the New School. But he, you know,

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Speaker 1: shocked when they created the albums like the Yo Bum,

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Speaker 1: Rushed the Show album that wasn't even like the Fucking

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Speaker 1: It Takes the Nation of Millions, the Holders Back album,

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Speaker 1: that album and Fear of a Black Planet. Them albums

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Speaker 1: is what I modeled all of my entire solo catalog on,

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Speaker 1: Like those were like the the templates that I followed

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Speaker 1: the script of to do the ships that I was doing,

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Speaker 1: and then the information and I was stumbling on. I

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Speaker 1: would just incorporate in the albums that I felt at

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Speaker 1: the time. That information reflected what was going on at

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Speaker 1: that time the most, you know what I'm saying. And

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Speaker 1: because that information is infinite, I could go forever talking

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Speaker 1: about this type of ship. Because I put out and

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Speaker 1: ninety six to come and came outland right. We dropped

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Speaker 1: everything with mains raw ninety six and I'm getting information

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Speaker 1: that's saying some ship is gonna change forever. Five years

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Speaker 1: later as far as the world is concerned, as we

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Speaker 1: knew it. Two thousand and one ninety six is when

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Speaker 1: the World Trade happened on the World Trade, didn't you

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Speaker 1: huh you had an apartment by the World Trade. Yeah,

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Speaker 1: I was in Tribeca happened. I wasn't dead when the

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Speaker 1: ship came down. I was dead when the second plane

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Speaker 1: hit and DJ Scratch woke me up and told me

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Speaker 1: get the funk about it there. So I'm right by

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Speaker 1: the Brooklyn Bridge. So I just dipped on that ship

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Speaker 1: and just skated out the Long Island and I went

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Speaker 1: to my house a Long Island and sort of ship

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Speaker 1: on the news with Will from Unique Auto Sport Will Castro.

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Speaker 1: But But but the point that I'm trying to make

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Speaker 1: is on the third solo album, the album cover was

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Speaker 1: what happened in the Wall Trade Wall Street. You look

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Speaker 1: at that cover, you see the whole Wall Street in flames,

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Speaker 1: you see South Street support, You'll see the Brooklyn Bridge

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Speaker 1: in the Manhattan Bridge, and everything is on fire. This

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Speaker 1: just three years before it happened. Again, I'm not prophetizing ship.

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Speaker 1: I'm just looking at the information that I'm getting, because,

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Speaker 1: believe it or not, this information was out there and

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Speaker 1: they was telling niggers the best way to hide some

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Speaker 1: ship is about putting it in your face. But you

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Speaker 1: know how they got his condition already. When you tap

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Speaker 1: into some type of truth, they want to discredit the

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Speaker 1: truth by calling it conspiracy theory so that you don't

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Speaker 1: realize that you're actually on something. You know what I'm saying. So,

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Speaker 1: as I was seeing the ship that I was talking about,

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Speaker 1: as time passed and when they transpired that confirmations was

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Speaker 1: real to this information that I was talking about, it

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Speaker 1: changed whatepps to what the fuck? And I like, all

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Speaker 1: I gotta start telling niggas about all of this ship

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Speaker 1: in a very different kind of way, because this ship

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Speaker 1: is some of this ship is happening for real, you

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Speaker 1: know what I'm saying. How do you do that without

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Speaker 1: like becoming preachy? Because I guess you know that's really

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Speaker 1: really what information like. You know, when you can present information,

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Speaker 1: sometimes it's not what you present is how you presented.

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Speaker 1: You know what I'm saying. You came across where you

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Speaker 1: was giving information, intelligent information, but you never came across

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Speaker 1: like you was being preaching. How do you balance that?

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Speaker 1: First things, First, I don't think no nigga like to

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Speaker 1: be preached to, you know what I'm saying. Secondly, you know,

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Speaker 1: for those who got kids in in and remember when

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Speaker 1: you was a kid, we ain't really liked medicine unless

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Speaker 1: we like how to medicine taste. So the medicine sometimes

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Speaker 1: when your mom's had to give it to you, they

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Speaker 1: had to mix that ship up with something that tastes

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Speaker 1: good in order for you to take the medicine. Right,

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Speaker 1: So when you give them motherfucker science, you gotta spoon

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Speaker 1: feed them some ship. They're don't like the taste stuff,

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Speaker 1: which is why all of my singles was feel good

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Speaker 1: energy ship and turn up party ship. And the albums

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Speaker 1: were always made with a balance of science and and

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Speaker 1: just hot ship. You gotta lowering thing is in with

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Speaker 1: the hot ship. And once you get them lowered in,

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Speaker 1: that's when you can start busting the ass with the

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Speaker 1: science and the information because now you got them. You

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Speaker 1: didn't give them some ship that they wanted from you,

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Speaker 1: you know what I'm saying. So that's that was always

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Speaker 1: the approach, like, hey, on the bait, like when you

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Speaker 1: go fishing at the fish, bite on the worm, and

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Speaker 1: then really assen and that's it once you got them,

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Speaker 1: really men, you know what I'm saying. So that was

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Speaker 1: the whole mentality always when I try to make these albums,

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Speaker 1: it's just finding the right balance. So um about bouncing around,

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Speaker 1: bouncing around. We just had James Cruise um on drink

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Speaker 1: Chance and we also had Eric Nixon Drinks and it

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Speaker 1: kind of uh reunited the legacy of chrisality obviously right

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Speaker 1: and a violator. So before we get to the christality

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Speaker 1: part of it, I wanted because although we because that

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Speaker 1: was the reason why we were violated, violated, it is

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Speaker 1: his own entity on its own as well. So you

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Speaker 1: being in the beginning of Violator. I think he was

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Speaker 1: the first artist right act. It was it was Leaders,

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Speaker 1: it was Trialed, it was Jungle Brothers, and it was Daylight. Yeah,

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Speaker 1: because we was all being represented by Chris as a

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Speaker 1: management rep under Rush management. So when Leo and Russian

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Speaker 1: Simmons had Russian manage meant on Elizabeth Street down in

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Speaker 1: uh kind of town you know it was. It was

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Speaker 1: like Lower east Side, near Lower east Side, Manhattan and

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Speaker 1: Alphabet City side. Um Leo made an announcement one day

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Speaker 1: that they were shutting down Rush. So Leo told all

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Speaker 1: of the management reps that were supervising, whatever groups they

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Speaker 1: were supervising, you could take whoever y'all want and do

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Speaker 1: what y'all want with them. So Chris said, I I'm

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Speaker 1: gonna take Tribe, Daylight, Leaders and Jungle Brothers because they

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Speaker 1: already had the Native tongueship moving and we wasn't officially

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Speaker 1: a native tongue, but we were like distant family members

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Speaker 1: of native tongue. And Chris ran with that and started Violator.

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Speaker 1: But then Tribe left and Daylight left and Jungle Brothers

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Speaker 1: left and Leaders broke up. But all I knew it

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Speaker 1: was Chris, so I wasn't going no motherfucking where I

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Speaker 1: stayed with Chris. I did the solo album, The Coming,

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Speaker 1: and the Wuha single went platinum in four weeks, and

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Speaker 1: then the album went platinum, and like so so the

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Speaker 1: success that came from that ship attracted everything else that

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Speaker 1: ended up coming to Violator. So then you know the

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Speaker 1: MISSI came and nas and LLL and uh mom mom

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Speaker 1: deep how rock Nation feels right now because of what

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Speaker 1: Violator has laid out I can't, I can't. I can

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Speaker 1: remember at a time, but where I didn't know how

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Speaker 1: to hang out outside the hood, I really did, and

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Speaker 1: the only place I could feel comfortable was like Violated.

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Speaker 1: When it was in the depth jam building, I can

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Speaker 1: get a hit, cuts and weed and give the motherfucking

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Speaker 1: beat at the same time, all the same fucking building

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Speaker 1: like that it was. I mean, Leo Cons would come

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Speaker 1: in and smoke a blunt with you. It was like

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Speaker 1: it was nothing. But when you talking about Violator was

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Speaker 1: on very Street derect. That's my favorite, right, right, I say,

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Speaker 1: tell King, I always called it. I mean that mother

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Speaker 1: might have been my favorite place to be because I

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Speaker 1: literally can can conduct the whole album from there, Like

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Speaker 1: if I want to mention, man, I just gotta killed

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Speaker 1: it for one, like a couple of hours. Christ doesn't

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Speaker 1: gonna walk through a race car. It was just really

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Speaker 1: a vibe. I always wanted to make a Entourage type

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Speaker 1: Uh what is that? Cause? Dr drama about that? Violet?

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Speaker 1: Is that crazy? That's incredible? You should actually do that.

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Speaker 1: I'm I'm really gonna try to want to hit no nigga,

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Speaker 1: let's do so. But and I'm, like I said, I'm

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Speaker 1: bouncing around one of the most What was you gonna

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Speaker 1: say about James Cruise? I was gonna say, because I'm

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Speaker 1: getting mixed reviews, right, James versus I? I M, you know,

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Speaker 1: even they right, let's just let's let's let's just the elephant.

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Speaker 1: And I forget how that phrase got in the room.

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Speaker 1: More is the elephant in the room. More addressed the elephant.

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Speaker 1: Let's address that motherfucker. Right. So Freddie says James never

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Speaker 1: banished him, and a whole bunch of other things, and

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Speaker 1: he even brings about ninety seven. The craziest thing is

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Speaker 1: James did that to me, and how ninty seven as well.

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Speaker 1: I was a part of that. But there was mixed

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Speaker 1: reviews when people uh. View of the James Cruise thing.

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Speaker 1: For the most part, to tell you the truth, it

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Speaker 1: was seventy percent positive. But the dirty percent that was

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Speaker 1: negative or thirty percent that did it was people who

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Speaker 1: was valid people and there was people of stories that

335
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Speaker 1: I didn't know. What did you personally feel when you

336
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Speaker 1: found out that I had James Cruise on drink chaps

337
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Speaker 1: and representing violator and what dot? What would I feel

338
00:22:01,200 --> 00:22:03,840
Speaker 1: about what something he said or just having him all?

339
00:22:05,200 --> 00:22:09,240
Speaker 1: I felt that that was legitimate. That's a fact, you know.

340
00:22:09,520 --> 00:22:15,679
Speaker 1: I got James was a violator, brother. Nobody can't discredit that.

341
00:22:15,680 --> 00:22:19,919
Speaker 1: That's undisputed truth. As far as his relationship dynamic with

342
00:22:20,040 --> 00:22:22,320
Speaker 1: certain individuals, just but so much in depth that I

343
00:22:22,320 --> 00:22:24,000
Speaker 1: could go about that because I don't really know what

344
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Speaker 1: everybody's business was. As far as the intricacies with James Cruise.

345
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Speaker 1: You know what I'm saying, um um. From the outside

346
00:22:33,800 --> 00:22:36,399
Speaker 1: looking in, it's close to the situations that I was.

347
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Speaker 1: It looked like James Cruise was involved with certain things

348
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Speaker 1: concerning fifty business. But I know that from a confirmation level.

349
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Speaker 1: When you say violated was managing fifty, I can't speak

350
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Speaker 1: nothing for nothing outside of Chris Lighty. That's for people

351
00:23:01,280 --> 00:23:04,480
Speaker 1: who don't know. We we have our beating with Chris.

352
00:23:04,560 --> 00:23:06,840
Speaker 1: Like Christide, he can't be there for twenty four hours,

353
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Speaker 1: so he does a sign certain pole doesn't sign. My

354
00:23:09,600 --> 00:23:12,440
Speaker 1: person that was assigned to me was Claudine Joseph. You

355
00:23:12,480 --> 00:23:14,720
Speaker 1: know what I'm saying, who was the person that the

356
00:23:14,760 --> 00:23:19,960
Speaker 1: Scott was assigned to me? Your big Dog side bus

357
00:23:21,320 --> 00:23:28,280
Speaker 1: only I was playing you know that's like you Missy

358
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Speaker 1: had motives that was like that was Chris, That was

359
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Speaker 1: actually Chris Chris. So I just I really want to

360
00:23:35,000 --> 00:23:37,640
Speaker 1: like you know, it was like I said, having James

361
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Speaker 1: Cruise was mixed feelers, not mixed unders from me, but

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Speaker 1: James park took and busting rhymes business as well. Know

363
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Speaker 1: what I'm saying, Like, I'm not gonna sit here not

364
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Speaker 1: acknowledge James cruise involvement in my business as well. You know,

365
00:23:49,440 --> 00:23:52,040
Speaker 1: Eric Knicks was very much involved in my business as well.

366
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Speaker 1: Eric Knicks was running around chasing DMX to get versus

367
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Speaker 1: for me on the Anarchy album, and you know he

368
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Speaker 1: helped me get you know, to jay Z vers done

369
00:24:01,119 --> 00:24:06,720
Speaker 1: on the Anarchy album. And you know every mixing Cruise

370
00:24:07,080 --> 00:24:12,480
Speaker 1: played significant roles in my valiated story. I can't flund

371
00:24:12,480 --> 00:24:18,639
Speaker 1: on neither one of them. Father. The story has to

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Speaker 1: be told. It has to be told now. You Big

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Speaker 1: and Jay went to the same high school. Me, Big

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Speaker 1: and j went to the same high school. Me specialist

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Speaker 1: and Chip Fu from fush Nikin went to the same

376
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Speaker 1: anig hip hop high school. Two different high schools. Me so, Me, Me,

377
00:24:42,560 --> 00:24:45,760
Speaker 1: J and Big went to George Westinghouse Technical and Vocational

378
00:24:45,800 --> 00:24:50,399
Speaker 1: High School. That was very smart. That's what the boys

379
00:24:50,440 --> 00:24:56,560
Speaker 1: came from. Um Me specialised and Chip Food from fush

380
00:24:56,640 --> 00:24:58,920
Speaker 1: Nikins went to Tilden High School. They might have set

381
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Speaker 1: to me there you got it till to the sounds

382
00:25:03,200 --> 00:25:06,480
Speaker 1: like a we We went to Till then then we

383
00:25:06,520 --> 00:25:10,840
Speaker 1: went to Western House and them experiences was golden, man,

384
00:25:10,960 --> 00:25:14,240
Speaker 1: you know what I'm saying. It was. It was you know,

385
00:25:14,600 --> 00:25:16,280
Speaker 1: I think this is the only grap Broutley. You said

386
00:25:16,280 --> 00:25:19,240
Speaker 1: you lost. Yeah, but I didn't told that story a

387
00:25:19,280 --> 00:25:29,880
Speaker 1: trillion times. Not. Let you want to be believing like that.

388
00:25:30,840 --> 00:25:36,720
Speaker 1: Be doing over there, wow, sucking up over there, um

389
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Speaker 1: so uh in in In in Western House, Me and

390
00:25:42,000 --> 00:25:45,960
Speaker 1: Jay battled the speedbrap ship because he was up. He

391
00:25:46,040 --> 00:25:48,040
Speaker 1: was killing it. Already with the Originators, and he was

392
00:25:48,119 --> 00:25:50,800
Speaker 1: killing it with Jazz already, so I was kind of

393
00:25:50,880 --> 00:25:52,960
Speaker 1: just getting my feet wet with the speed Rap ship

394
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Speaker 1: and he definitely got the edge on me in that

395
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Speaker 1: particular battle in the lunch room at Western House. Um.

396
00:26:00,560 --> 00:26:03,800
Speaker 1: But that that that, that's kind of what inspired me

397
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Speaker 1: to become so dangerous with the speed Rap because I

398
00:26:07,760 --> 00:26:11,480
Speaker 1: always was looking forward to my rematch day and I

399
00:26:11,560 --> 00:26:15,760
Speaker 1: never got that. But it's cool now because the speed

400
00:26:15,840 --> 00:26:20,280
Speaker 1: Rap you have to have perfect like control, not just

401
00:26:20,359 --> 00:26:24,080
Speaker 1: breath control. You just gotta not to relax, you know,

402
00:26:24,160 --> 00:26:30,720
Speaker 1: you you that's your slogan. Nig I can't. It's like

403
00:26:30,880 --> 00:26:36,080
Speaker 1: with me and Spliff, right, get a snaked jack for

404
00:26:36,200 --> 00:26:45,040
Speaker 1: the one. What's good with you? But he can't see you,

405
00:26:45,080 --> 00:26:47,720
Speaker 1: but he sees you. But like I was saying, with

406
00:26:47,880 --> 00:26:52,240
Speaker 1: me and Slim, y'all might see us losing it like

407
00:26:52,240 --> 00:26:56,760
Speaker 1: when we do scenario and all of that or can

408
00:26:56,880 --> 00:27:28,400
Speaker 1: do from you, you know, like how way back your

409
00:27:28,480 --> 00:27:34,400
Speaker 1: ear friend, how you deal with this crazy drinking souse.

410
00:27:34,400 --> 00:27:36,560
Speaker 1: You're my friend, but you to deal it's quite always

411
00:27:36,600 --> 00:27:38,600
Speaker 1: crazy for me because you're my friend, but you're one

412
00:27:38,640 --> 00:27:41,919
Speaker 1: of my favorite artists now you're talking my favorite artists.

413
00:27:41,920 --> 00:27:43,480
Speaker 1: Sometimes I've been on the phone with You'll be like,

414
00:27:43,480 --> 00:27:50,360
Speaker 1: I'll be like all the damn stuff. Listen, listen, Yeah

415
00:27:51,600 --> 00:27:54,240
Speaker 1: about talking tell her story. We talk about telling you.

416
00:27:54,760 --> 00:27:58,440
Speaker 1: I'm I'm about telling my story about about how norm

417
00:27:58,480 --> 00:28:01,520
Speaker 1: we ended up on Violet that kill whose seconds I

418
00:28:01,600 --> 00:28:03,600
Speaker 1: was on my super fan ship about Norri. But I'm

419
00:28:03,600 --> 00:28:05,840
Speaker 1: gonna get back to that. The point that I was

420
00:28:05,840 --> 00:28:08,240
Speaker 1: trying to make though, when they come of the speed

421
00:28:08,280 --> 00:28:14,840
Speaker 1: Wrap ship, the ability to articulate and speak clearly, it's

422
00:28:14,920 --> 00:28:17,560
Speaker 1: better off when you calm down. You know what? I

423
00:28:17,680 --> 00:28:22,239
Speaker 1: noticed that about you because because I got you make

424
00:28:22,280 --> 00:28:25,160
Speaker 1: scratch turn the music down so I ain't gonna raise

425
00:28:25,240 --> 00:28:29,400
Speaker 1: my voice, and you come back up and I could

426
00:28:29,440 --> 00:28:34,639
Speaker 1: get the fucking articulation off properly. So I'll stand in

427
00:28:34,680 --> 00:28:38,840
Speaker 1: one spot and I JUSTII and Split World come over

428
00:28:39,120 --> 00:28:41,760
Speaker 1: and he'll do all of this ship and Split will

429
00:28:41,800 --> 00:28:46,040
Speaker 1: become the animation while I'm just on my second. That's

430
00:28:46,080 --> 00:28:49,520
Speaker 1: exactly what it is. It's just it's that signs and

431
00:28:49,560 --> 00:28:54,160
Speaker 1: then so so it's it's a complete opposite of the

432
00:28:54,200 --> 00:28:58,080
Speaker 1: spats out because the spats out now becomes me getting

433
00:28:58,080 --> 00:29:01,320
Speaker 1: the ship off clearly and letting all of the antics

434
00:29:01,320 --> 00:29:06,160
Speaker 1: and the animation be between what I'm doing lyrically and Spliff,

435
00:29:07,120 --> 00:29:09,760
Speaker 1: like you said, orchestra conducting the ship with his fingers

436
00:29:09,800 --> 00:29:12,640
Speaker 1: against my mouth and whatever ship he's gonna do around me.

437
00:29:12,680 --> 00:29:16,000
Speaker 1: I let Spliff control of animation around me at that point.

438
00:29:23,520 --> 00:29:26,440
Speaker 1: So it's it's, it's it's it's that kind of understanding

439
00:29:26,480 --> 00:29:30,360
Speaker 1: as far as chemistry that makes when me and Spliff

440
00:29:30,400 --> 00:29:33,320
Speaker 1: come together unfunk withable, you know what I'm saying, Because

441
00:29:33,360 --> 00:29:38,360
Speaker 1: like Spliff, he knows when to do it, and he'll

442
00:29:38,440 --> 00:29:42,000
Speaker 1: do He'll just just we don't practice though, Like we'll

443
00:29:42,040 --> 00:29:44,640
Speaker 1: just figure out what the sequence of songs is gonna be,

444
00:29:45,560 --> 00:29:48,880
Speaker 1: and the moments will happen where we'll stop, pause, do

445
00:29:49,040 --> 00:29:52,040
Speaker 1: some ship blackout, and pause based on the song arrangement

446
00:29:52,080 --> 00:29:54,760
Speaker 1: that we know the song already got. So that's why

447
00:29:54,760 --> 00:29:56,720
Speaker 1: I looked like we're be in sync all the time.

448
00:29:57,480 --> 00:30:00,000
Speaker 1: When a drop runner beat, what happened here and we'll

449
00:30:00,960 --> 00:30:03,800
Speaker 1: together it's like each other. It just happened to the

450
00:30:03,800 --> 00:30:07,480
Speaker 1: Moment's hard to believe us just looks very rehearsed. Now

451
00:30:07,520 --> 00:30:11,040
Speaker 1: we don't have a never practice. We we just learned

452
00:30:11,080 --> 00:30:14,040
Speaker 1: the songs. That's the practice. We asked your question for us,

453
00:30:14,160 --> 00:30:16,680
Speaker 1: how many times have you ribbed at the show? And

454
00:30:16,720 --> 00:30:19,200
Speaker 1: the promoter said, your buss. We had the movie because

455
00:30:19,200 --> 00:30:21,600
Speaker 1: no one wants to go before after you. That was

456
00:30:21,680 --> 00:30:23,920
Speaker 1: regular all the time. No one wants to go after us.

457
00:30:24,000 --> 00:30:26,640
Speaker 1: That's regular basis. Brother, No, no one wants to go

458
00:30:26,680 --> 00:30:29,520
Speaker 1: after That's a regular thing. Brother. Oh, that's a fact

459
00:30:29,560 --> 00:30:31,840
Speaker 1: that nobody who said I can't go out to bust

460
00:30:31,840 --> 00:30:35,720
Speaker 1: the bronc you was shot. He was shocked about. I

461
00:30:35,800 --> 00:30:38,600
Speaker 1: was one of the ones. I ain't gonna after that.

462
00:30:39,840 --> 00:30:42,040
Speaker 1: I get to the show early on purpose. Listen, that

463
00:30:42,160 --> 00:30:46,000
Speaker 1: ain't the way. That's okay, and nor we and no,

464
00:30:46,120 --> 00:30:48,680
Speaker 1: we've got some of the biggest motherfuckers like Nigga can't come.

465
00:30:49,520 --> 00:30:52,720
Speaker 1: You're a different type of I'm gonna be honest. You

466
00:30:52,840 --> 00:30:54,880
Speaker 1: like you like like there's certain people that you go

467
00:30:54,960 --> 00:30:56,800
Speaker 1: to the gym with them, you don't never want to

468
00:30:56,800 --> 00:31:01,440
Speaker 1: go back. That's like you want to say exactly what

469
00:31:01,520 --> 00:31:03,239
Speaker 1: you want to say. I know you've heard a lot

470
00:31:03,240 --> 00:31:08,120
Speaker 1: of people feelings like Snoop Snoop. Snoop comfortably says it

471
00:31:08,160 --> 00:31:11,600
Speaker 1: on the record. Snoop says it all the time, and

472
00:31:11,600 --> 00:31:13,680
Speaker 1: I love Snoop and I ain't gonna lie. We know

473
00:31:13,800 --> 00:31:15,680
Speaker 1: you're supposed to do the verses together. That's what it

474
00:31:15,760 --> 00:31:18,160
Speaker 1: was visually set up, you and Snoop. He just took

475
00:31:18,160 --> 00:31:20,160
Speaker 1: it somewhere else before I get even finished answering the

476
00:31:20,240 --> 00:31:25,840
Speaker 1: damn yes, he was supposed to me, and Stoop was

477
00:31:25,880 --> 00:31:29,000
Speaker 1: supposed to do the verses before him and DMX did it,

478
00:31:29,920 --> 00:31:35,000
Speaker 1: and I just we couldn't work it out to be

479
00:31:35,040 --> 00:31:37,320
Speaker 1: in the same space. You know what I'm saying, I'm

480
00:31:37,360 --> 00:31:42,320
Speaker 1: not really with the I'm not with complying without questioning things.

481
00:31:43,120 --> 00:31:45,480
Speaker 1: You know what I'm saying. I was You know again,

482
00:31:45,520 --> 00:31:47,560
Speaker 1: it comes back to having knowledge itself. We know take

483
00:31:47,640 --> 00:31:49,719
Speaker 1: nothing on face value. We need to be showing improve

484
00:31:50,640 --> 00:31:53,480
Speaker 1: So you're not gonna just tell me Larry Jackson out

485
00:31:53,480 --> 00:31:55,920
Speaker 1: there cutting somebody and checks some way. We don't know who.

486
00:31:56,280 --> 00:32:03,360
Speaker 1: A matter of fact, Big up Larry jack sits out

487
00:32:04,880 --> 00:32:08,080
Speaker 1: in Big up Swiss and Temple and they created that

488
00:32:08,160 --> 00:32:10,920
Speaker 1: whole situation and maybe dream chance a little bit. We

489
00:32:10,960 --> 00:32:13,520
Speaker 1: got a little credit. We did kind of credit up.

490
00:32:15,040 --> 00:32:17,760
Speaker 1: We gassed up, just gassed it. Don't want to shot.

491
00:32:17,800 --> 00:32:20,040
Speaker 1: I want a shot shot, but put me on although

492
00:32:20,080 --> 00:32:22,760
Speaker 1: we gassed it up well Jess Blaze and Swiss, that's

493
00:32:22,800 --> 00:32:26,200
Speaker 1: where they regnited kind of, I'm about to say, because

494
00:32:26,200 --> 00:32:28,840
Speaker 1: the Temple and Swiss ship was before the Judge Blaze

495
00:32:28,840 --> 00:32:33,600
Speaker 1: and yeah, when we just got reunited plaid on and

496
00:32:33,640 --> 00:32:35,080
Speaker 1: then that's when they saw the going on the game.

497
00:32:35,120 --> 00:32:37,000
Speaker 1: But you know, we re bought a hip hop man.

498
00:32:37,080 --> 00:32:38,840
Speaker 1: I ain't gonna lie. I was at that Judge Blaze ship.

499
00:32:38,880 --> 00:32:41,040
Speaker 1: If y'all had everything to do with that motherfucker, that

500
00:32:41,200 --> 00:32:43,440
Speaker 1: was a different type of historical moment. It was a

501
00:32:43,480 --> 00:32:45,640
Speaker 1: beautiful thing. It was My face didn't get bent up

502
00:32:45,680 --> 00:32:48,640
Speaker 1: that much in the situation consecutively on that level and

503
00:32:48,720 --> 00:32:53,520
Speaker 1: a long fucking time, very crazy situation that day. Big

504
00:32:53,560 --> 00:32:55,920
Speaker 1: up to Judge Blaze too. You never fell out of

505
00:32:55,960 --> 00:32:57,680
Speaker 1: hip hop. I fell in love for hip hop. If

506
00:32:57,680 --> 00:32:59,640
Speaker 1: I ever fell out of love with hip like at

507
00:32:59,640 --> 00:33:01,800
Speaker 1: one point, like you know, you ever like, man fun

508
00:33:01,920 --> 00:33:05,360
Speaker 1: with this ship. Never, I ain't gonna lie. I could

509
00:33:05,480 --> 00:33:09,640
Speaker 1: one minute that never felt that I should almost sound

510
00:33:09,680 --> 00:33:12,680
Speaker 1: weird like fall out of love with hip hop for real?

511
00:33:12,960 --> 00:33:16,600
Speaker 1: They think about it, though, I almost feel like because

512
00:33:16,600 --> 00:33:18,600
Speaker 1: I feel like everyone goes to the like, you know,

513
00:33:18,840 --> 00:33:22,040
Speaker 1: even for real like um at one point, I wouldn't

514
00:33:22,080 --> 00:33:24,560
Speaker 1: hit for a real like after he became very very successful,

515
00:33:24,680 --> 00:33:26,880
Speaker 1: and he would he would taste it like this to me,

516
00:33:26,920 --> 00:33:29,160
Speaker 1: like I'm not doing hip hop for two weeks. I'm like,

517
00:33:29,160 --> 00:33:33,680
Speaker 1: what na that to me too? But I'm gonna join

518
00:33:33,760 --> 00:33:35,920
Speaker 1: my brothers. But I think it's used me some minds.

519
00:33:36,080 --> 00:33:38,080
Speaker 1: But but you understand what I'm saying, bus like nah,

520
00:33:38,280 --> 00:33:40,640
Speaker 1: and then and then I'm not gonna lie. I went.

521
00:33:40,760 --> 00:33:43,440
Speaker 1: I used to be so mad at forever when he

522
00:33:43,440 --> 00:33:46,200
Speaker 1: would getting on that thing. I went through that. Nigga,

523
00:33:46,280 --> 00:33:48,640
Speaker 1: we just doing. We just both in that same place

524
00:33:48,800 --> 00:33:52,120
Speaker 1: with remember matter of fact, super huge, big up to

525
00:33:52,160 --> 00:33:56,040
Speaker 1: Farrell figure. Motherfucker's a genius and he is in a

526
00:33:56,080 --> 00:33:58,719
Speaker 1: position where he can afford to feel like that because

527
00:33:58,720 --> 00:34:09,920
Speaker 1: Pharrell ain't just hip hop. Farrell's music yea motherfucker. I

528
00:34:08,200 --> 00:34:12,279
Speaker 1: think I don't know, but but for real, it's all

529
00:34:12,360 --> 00:34:15,719
Speaker 1: the way hip hop. Let's not get done of. But

530
00:34:16,000 --> 00:34:19,839
Speaker 1: his range is so crazy that he'll make some He'll

531
00:34:20,280 --> 00:34:22,480
Speaker 1: you know, he he threw a movie twice in mind

532
00:34:22,760 --> 00:34:26,880
Speaker 1: we're fucking Hans Zimmer for the millions, be like, you

533
00:34:26,920 --> 00:34:30,760
Speaker 1: know what I'm saying, Like Forrell ship. He's he about

534
00:34:31,400 --> 00:34:33,359
Speaker 1: for real, Like when you saying I am early, he's

535
00:34:33,440 --> 00:34:37,280
Speaker 1: really other you know what I'm saying. But he's still

536
00:34:37,480 --> 00:34:39,920
Speaker 1: hip hop. So I just want to clarify that. But

537
00:34:40,400 --> 00:34:42,600
Speaker 1: my point is, like I didn't I didn't know what

538
00:34:42,640 --> 00:34:44,239
Speaker 1: he was saying at the time of Junior shot took

539
00:34:44,320 --> 00:34:46,200
Speaker 1: right here. I didn't know what he was saying time

540
00:34:46,360 --> 00:34:49,560
Speaker 1: until like I got a chance to spend time away

541
00:34:49,600 --> 00:34:51,759
Speaker 1: and like you know, do certain things in hip hop,

542
00:34:51,800 --> 00:34:54,439
Speaker 1: and I kind of did at one moment fell out

543
00:34:54,480 --> 00:34:56,959
Speaker 1: of love with it. By the way, you know, Fat

544
00:34:57,040 --> 00:35:00,080
Speaker 1: Joe and me spoke today on the phone about you.

545
00:35:01,560 --> 00:35:03,279
Speaker 1: I didn't do nothing wrong, No, you didn got the

546
00:35:05,080 --> 00:35:09,759
Speaker 1: teacher come friends, I think it's just call me hold

547
00:35:09,800 --> 00:35:14,799
Speaker 1: on salutlett to let me. Let me just take your

548
00:35:15,080 --> 00:35:20,520
Speaker 1: godfather Joe crack salute. Motherfucker makes some noise for the doms.

549
00:35:26,400 --> 00:35:28,239
Speaker 1: I don't know if you know what our show is about.

550
00:35:28,440 --> 00:35:32,240
Speaker 1: It is a violated too, But our show is about

551
00:35:32,239 --> 00:35:35,200
Speaker 1: celebrating people career. So many times in this life when

552
00:35:35,200 --> 00:35:37,480
Speaker 1: people get ten years and people get twenty years, and

553
00:35:37,520 --> 00:35:39,520
Speaker 1: people if you're lucky to get twenty five or whatever,

554
00:35:39,719 --> 00:35:41,480
Speaker 1: people want to say you are sed uff and it's

555
00:35:41,480 --> 00:35:44,160
Speaker 1: gonna be over every every years. This is last year.

556
00:35:44,200 --> 00:35:46,920
Speaker 1: This is last year. You have survived monkey foot in

557
00:35:46,920 --> 00:35:50,400
Speaker 1: this game, stick under the bubble gum with the tipple

558
00:35:50,480 --> 00:35:53,799
Speaker 1: in this ship, and we're gonna salute you. Now hold

559
00:35:54,040 --> 00:36:08,120
Speaker 1: your back until your goddamn face like take that. Thank you,

560
00:36:08,360 --> 00:36:13,080
Speaker 1: Thank y'all. Now I gotta ask you this question because

561
00:36:13,440 --> 00:36:16,600
Speaker 1: and I think if I know who you are as

562
00:36:16,640 --> 00:36:19,080
Speaker 1: an artist, that's the water amount of alot. By the way,

563
00:36:19,120 --> 00:36:24,680
Speaker 1: got down. Some boy forgot that more. I don't want

564
00:36:24,719 --> 00:36:29,120
Speaker 1: that one no more do So Look, if I everything,

565
00:36:29,080 --> 00:36:32,319
Speaker 1: if I think I know who was an artist, this

566
00:36:32,360 --> 00:36:36,320
Speaker 1: is due, y'all. Love y'all, love it. But this is

567
00:36:36,320 --> 00:36:38,200
Speaker 1: gonna be a hard question for you. If I think

568
00:36:38,239 --> 00:36:40,680
Speaker 1: I know you you as an artist, what do you

569
00:36:40,719 --> 00:36:47,560
Speaker 1: like more performing or actually making the record? God damn,

570
00:36:47,640 --> 00:36:49,480
Speaker 1: that's a hard question. It's gonna be hard for you.

571
00:36:54,440 --> 00:36:56,560
Speaker 1: I might have to say, I like making the record

572
00:36:56,600 --> 00:37:01,000
Speaker 1: more rotist bomb. And the reason why I like making

573
00:37:01,000 --> 00:37:09,000
Speaker 1: the record more, it's because the performance can't exist without

574
00:37:09,040 --> 00:37:12,440
Speaker 1: the record, without the record being made a certain kind

575
00:37:12,480 --> 00:37:18,279
Speaker 1: of way, you know. But thank you. It's it's it's

576
00:37:18,320 --> 00:37:22,560
Speaker 1: it's it's it's I think I think on a deeper level. Two,

577
00:37:25,400 --> 00:37:28,120
Speaker 1: I don't think a lot of people realize how beautiful

578
00:37:28,200 --> 00:37:41,200
Speaker 1: it isn't kill me. I don't think people realize how

579
00:37:41,200 --> 00:37:43,680
Speaker 1: beautiful it is to be able to go in the

580
00:37:43,800 --> 00:37:48,879
Speaker 1: studio as an artist and lock yourself in them four

581
00:37:48,960 --> 00:37:55,400
Speaker 1: walls and you ain't around nothing that gives you back talk.

582
00:37:58,360 --> 00:38:03,480
Speaker 1: You love your woman, you love your kids, your mom's,

583
00:38:04,520 --> 00:38:08,600
Speaker 1: your friends, everybody, but the studio don't argue with you.

584
00:38:10,080 --> 00:38:14,040
Speaker 1: The studio don't ask you no questions, and studio don't

585
00:38:14,040 --> 00:38:18,040
Speaker 1: stress you out. Bro. Studio don't make no demands other

586
00:38:18,080 --> 00:38:24,400
Speaker 1: than to pay for the studio time. And it's the

587
00:38:24,440 --> 00:38:29,960
Speaker 1: people who run. So there's a lot of times when

588
00:38:30,000 --> 00:38:33,560
Speaker 1: you go on the studio and I just sit there

589
00:38:33,560 --> 00:38:37,279
Speaker 1: and I don't even create nothing. I'm just going there

590
00:38:37,440 --> 00:38:40,319
Speaker 1: just for some peace of mind. I want to be

591
00:38:40,360 --> 00:38:42,560
Speaker 1: in a studio, So I don't. I don't. I don't.

592
00:38:42,560 --> 00:38:44,840
Speaker 1: I don't have to hear nobody's mouth that I gotta

593
00:38:44,880 --> 00:38:49,160
Speaker 1: hear in my house or in a workspace. And we

594
00:38:49,320 --> 00:38:52,960
Speaker 1: disagreeing and going back and forth about ship concerning your

595
00:38:53,000 --> 00:38:56,560
Speaker 1: life and their life, especially if you affect their life

596
00:38:56,600 --> 00:38:59,760
Speaker 1: directly or indirectly. Right but I go on the studio,

597
00:38:59,800 --> 00:39:04,560
Speaker 1: and not only can I not not only do I

598
00:39:04,600 --> 00:39:07,200
Speaker 1: have the opportunity to avoid hearing ship that I don't

599
00:39:07,200 --> 00:39:10,040
Speaker 1: want to be bothered with, but I can also become

600
00:39:10,120 --> 00:39:14,080
Speaker 1: whoever I choose to be. If I think about being

601
00:39:14,080 --> 00:39:17,399
Speaker 1: a fucking avenger in the studio, I can become an avenger.

602
00:39:18,080 --> 00:39:20,720
Speaker 1: If I want to be the incredible Hulk in the studio,

603
00:39:20,880 --> 00:39:27,359
Speaker 1: I can be the incredible Hulk. That's a fact. And

604
00:39:27,400 --> 00:39:31,399
Speaker 1: if you can freely share whatever those thoughts and those

605
00:39:31,400 --> 00:39:35,879
Speaker 1: feelings are and capture it and without repercussions, with no repercussion,

606
00:39:36,120 --> 00:39:38,839
Speaker 1: because you can then't live with it for a week

607
00:39:38,920 --> 00:39:40,920
Speaker 1: or two and determine whether or not you even want

608
00:39:40,920 --> 00:39:44,080
Speaker 1: to share this ship in the world ain't gonna give

609
00:39:44,120 --> 00:39:46,359
Speaker 1: you no criticism while you, in that space are trying

610
00:39:46,400 --> 00:39:48,040
Speaker 1: to create it. And then you could go back and

611
00:39:48,080 --> 00:39:51,960
Speaker 1: revisit it and perfect it, and revisit it and perfect

612
00:39:52,000 --> 00:39:54,239
Speaker 1: it and revision and get it to a place where

613
00:39:54,600 --> 00:39:59,000
Speaker 1: it's so impeccable that before you even share it with

614
00:39:59,080 --> 00:40:03,040
Speaker 1: a motherfucking as to play for him, you've you've you've

615
00:40:03,239 --> 00:40:08,800
Speaker 1: you've mastered the intricacies of this ship so so phenomenally

616
00:40:08,880 --> 00:40:12,520
Speaker 1: that you already know what it's gonna be when you

617
00:40:12,680 --> 00:40:15,239
Speaker 1: hear it. You already know what it's gonna be when

618
00:40:15,239 --> 00:40:17,399
Speaker 1: the world hear it. You already know what it's gonna

619
00:40:17,400 --> 00:40:20,480
Speaker 1: be on that stage, and you already know what it's

620
00:40:20,480 --> 00:40:23,920
Speaker 1: gonna be when it's time to compete. Have you ever

621
00:40:24,000 --> 00:40:26,160
Speaker 1: been wrong when you made a record, Like you made

622
00:40:26,360 --> 00:40:28,560
Speaker 1: a certain record, you put a hundred percent to it.

623
00:40:28,640 --> 00:40:31,080
Speaker 1: You thought it was it was it, and it just didn't.

624
00:40:31,200 --> 00:40:33,239
Speaker 1: It just didn't stick, it didn't work. I've never been

625
00:40:33,239 --> 00:40:36,360
Speaker 1: wrong about the record. I might have been wrong about

626
00:40:36,360 --> 00:40:42,280
Speaker 1: who had to support the record. You feel me, because see,

627
00:40:42,840 --> 00:40:48,000
Speaker 1: you make your children right, you raise your children right.

628
00:40:48,719 --> 00:40:52,200
Speaker 1: You can't necessarily know what's gonna happen to their life

629
00:40:52,480 --> 00:40:56,240
Speaker 1: once they leave home, but you pretty much gotta hold

630
00:40:56,280 --> 00:40:58,359
Speaker 1: on what's gonna happen with their life while they live

631
00:40:58,400 --> 00:41:02,160
Speaker 1: in your house. That's like, that's like a record. N't

632
00:41:02,160 --> 00:41:06,440
Speaker 1: even looked at my kids like a record. But I

633
00:41:06,520 --> 00:41:22,280
Speaker 1: will do, okay, M a little suit dolls. That's a fact.

634
00:41:24,640 --> 00:41:27,800
Speaker 1: I think why you shot a little so much because

635
00:41:28,000 --> 00:41:30,040
Speaker 1: I don't like anyway more. I don't gotta you gotta

636
00:41:30,040 --> 00:41:32,000
Speaker 1: balance out. I was you know what you gotta You

637
00:41:32,000 --> 00:41:35,160
Speaker 1: gotta balance out with your kid, you know a little

638
00:41:35,200 --> 00:41:37,920
Speaker 1: bit more. Yeah, you gotta got a bouncing out. We

639
00:41:38,000 --> 00:41:42,200
Speaker 1: can disrespect for Mama Juana. Yeah, that is Dominicans type

640
00:41:42,239 --> 00:41:49,319
Speaker 1: of bone right there with you said about the good.

641
00:41:56,840 --> 00:41:59,799
Speaker 1: So you've been wrong about the system. I've been wrong

642
00:41:59,840 --> 00:42:05,319
Speaker 1: about who I when once I let it go, and

643
00:42:05,680 --> 00:42:08,000
Speaker 1: you know, you gotta start having these conversations about what's

644
00:42:08,040 --> 00:42:10,520
Speaker 1: the plan, what's the rollout, what's the marketing scheme, and

645
00:42:10,520 --> 00:42:14,600
Speaker 1: what's all of this ship that you curate these initiatives

646
00:42:14,640 --> 00:42:19,600
Speaker 1: that need to be activated. Sometimes motherfucker's could say some

647
00:42:19,640 --> 00:42:23,000
Speaker 1: ship and then they really just ain't in the position

648
00:42:23,000 --> 00:42:26,160
Speaker 1: to execute it the way they say they are. And

649
00:42:26,160 --> 00:42:29,160
Speaker 1: then you know they don't never ever take responsibility when

650
00:42:29,160 --> 00:42:32,440
Speaker 1: the time comes when it don't work. You know, nobody

651
00:42:32,480 --> 00:42:33,800
Speaker 1: don't want to stand next to the ship when it

652
00:42:33,880 --> 00:42:36,719
Speaker 1: don't work. But every motherfuckingbody even they got nothing to

653
00:42:36,760 --> 00:42:39,239
Speaker 1: do with it. You know, they're standing next to it

654
00:42:39,320 --> 00:42:41,800
Speaker 1: when that ship work, like a motherfucker is sticking against

655
00:42:41,800 --> 00:42:46,120
Speaker 1: the wall, you know what I'm saying. So you know

656
00:42:47,360 --> 00:42:52,600
Speaker 1: the beautiful thing about that is when you learn that

657
00:42:52,680 --> 00:42:56,960
Speaker 1: ship and you know God willing you learn that, Sally,

658
00:42:57,040 --> 00:43:02,319
Speaker 1: and later you know how to proactive really avoid those

659
00:43:02,360 --> 00:43:04,920
Speaker 1: situations the next time, because then you got to start

660
00:43:04,920 --> 00:43:10,640
Speaker 1: going to your support system outside of those people, and

661
00:43:10,680 --> 00:43:12,319
Speaker 1: you got to find them and when you find them,

662
00:43:12,320 --> 00:43:15,600
Speaker 1: and they're the ones that really because he like believe

663
00:43:15,640 --> 00:43:18,880
Speaker 1: it or not, the greatest support system is the motherfucker

664
00:43:18,960 --> 00:43:22,200
Speaker 1: in the position to support your ship that's actually a

665
00:43:22,239 --> 00:43:25,520
Speaker 1: fucking fan of what you do. You know what I'm saying.

666
00:43:26,400 --> 00:43:30,319
Speaker 1: The person that's the fan, like, they know how to

667
00:43:30,360 --> 00:43:33,600
Speaker 1: get you to the place when they fell in love

668
00:43:33,640 --> 00:43:37,080
Speaker 1: with you, and you were your best self to them

669
00:43:37,719 --> 00:43:41,000
Speaker 1: that time, when you made them fall in love with you.

670
00:43:41,560 --> 00:43:45,920
Speaker 1: They know how to revisit that. But that's why the

671
00:43:46,000 --> 00:43:48,480
Speaker 1: fan always try to tell niggas, why don't you make

672
00:43:48,520 --> 00:43:52,360
Speaker 1: your old ship again? No, I'm never gonna make my

673
00:43:52,440 --> 00:43:55,560
Speaker 1: old ship again. But one thing that I've learned to

674
00:43:55,719 --> 00:44:01,200
Speaker 1: master the art of is revisiting the old energy that

675
00:44:01,239 --> 00:44:06,680
Speaker 1: you feel that why is that why? The z that

676
00:44:06,840 --> 00:44:10,640
Speaker 1: is a significant part of why this ship to bro,

677
00:44:11,080 --> 00:44:14,000
Speaker 1: I knew you the wrath of God. I knew you

678
00:44:14,080 --> 00:44:17,200
Speaker 1: twenty years and I knew each other through the ups

679
00:44:17,200 --> 00:44:20,120
Speaker 1: and downs or whatever. But for this time. It's just

680
00:44:20,200 --> 00:44:23,040
Speaker 1: it feels different. It's go around, Thank you, Ke. It

681
00:44:23,080 --> 00:44:25,480
Speaker 1: feels like, and I'm gonna tell you, I'm gonna be

682
00:44:25,560 --> 00:44:28,919
Speaker 1: honest with you. It feels like you use your haters energy.

683
00:44:30,120 --> 00:44:32,120
Speaker 1: I felt like you use your haters this time. I

684
00:44:32,160 --> 00:44:37,000
Speaker 1: felt like you actually embedded body of everybody who said

685
00:44:37,080 --> 00:44:39,319
Speaker 1: something about I felt like you woke up one day,

686
00:44:39,400 --> 00:44:42,120
Speaker 1: looked at your Instagram and only looked at all the

687
00:44:42,160 --> 00:44:45,480
Speaker 1: negative comments. Listen, I'm gonna smack these guys in the

688
00:44:45,600 --> 00:44:49,440
Speaker 1: fucking face. That's what it feels like. I'm gonna outside

689
00:44:49,480 --> 00:44:51,960
Speaker 1: looking and I'm not sure. No, I'm gonna be honest

690
00:44:52,000 --> 00:44:55,719
Speaker 1: with you. I know we're on camera, but you know

691
00:44:55,800 --> 00:44:59,319
Speaker 1: a lot more than motion. You know when we talk.

692
00:44:59,520 --> 00:45:02,640
Speaker 1: I'm guess in this one, you know you're hitting it

693
00:45:02,680 --> 00:45:09,400
Speaker 1: in the center the bull's eye. Um, you know I

694
00:45:10,040 --> 00:45:12,440
Speaker 1: was a three hundred and forty pounds nigger. Bro. That

695
00:45:12,440 --> 00:45:14,080
Speaker 1: makes age for that, I mean, that does matter, does

696
00:45:14,120 --> 00:45:31,440
Speaker 1: not make alloy for that. Finished. I'm sorry, So so

697
00:45:31,560 --> 00:45:36,839
Speaker 1: I was three hundred and forty pounds. I heard the comments, Bro.

698
00:45:38,080 --> 00:45:40,040
Speaker 1: Don't think it started like when we fell off stage.

699
00:45:40,760 --> 00:45:43,319
Speaker 1: I know what started before that. It was before that. Yeah,

700
00:45:43,320 --> 00:45:45,440
Speaker 1: because even when I fell off stage, man, I was

701
00:45:45,600 --> 00:45:55,640
Speaker 1: two millions sold with old T Genesis. We're saying, I'm

702
00:45:56,000 --> 00:45:58,520
Speaker 1: all of these years later, still breaking artists during the

703
00:45:58,640 --> 00:46:01,000
Speaker 1: streaming in the did you do when a lot of

704
00:46:01,080 --> 00:46:04,560
Speaker 1: Niggers are still trying to figure out how to navigate thetis?

705
00:46:04,640 --> 00:46:06,600
Speaker 1: Right now? Because I think he still help you, I'll

706
00:46:06,680 --> 00:46:09,760
Speaker 1: understand something. We still ain't drop an albumistic got six millions,

707
00:46:09,760 --> 00:46:23,600
Speaker 1: So like, I don't know what and I'm affective. How

708
00:46:23,600 --> 00:46:25,840
Speaker 1: do you get to read this beforeever? I don't know.

709
00:46:26,840 --> 00:46:29,120
Speaker 1: Sometimes I just watching ship like I make sure nobody

710
00:46:29,120 --> 00:46:30,800
Speaker 1: looking because you know, I'm from New York and doesn't

711
00:46:30,800 --> 00:46:34,839
Speaker 1: look good. So good dude, man, he's a good dude

712
00:46:34,840 --> 00:46:38,080
Speaker 1: looking up every time. Thank you for that. Yeah, you

713
00:46:38,160 --> 00:46:40,719
Speaker 1: do a great job that. It ain't just me though

714
00:46:41,600 --> 00:46:45,200
Speaker 1: I'm a support system for o T. It's him. He

715
00:46:45,239 --> 00:46:48,879
Speaker 1: knows how to make his music. Ain't nobody telling them

716
00:46:48,880 --> 00:46:51,800
Speaker 1: what beats to pick, Ain't nobody telling him what choruses

717
00:46:51,880 --> 00:46:54,040
Speaker 1: to come up with, and he's having fun. Ain't nobody

718
00:46:54,080 --> 00:46:56,560
Speaker 1: telling them how to flow on the record. He is

719
00:46:56,640 --> 00:47:00,720
Speaker 1: one hundred percent in charge of his cree creative space.

720
00:47:01,440 --> 00:47:04,200
Speaker 1: All I am is the motherfucker that know how to

721
00:47:04,200 --> 00:47:07,440
Speaker 1: get the support system right and the bags to make

722
00:47:07,440 --> 00:47:09,960
Speaker 1: sure that he supported and and show him how to

723
00:47:10,120 --> 00:47:12,920
Speaker 1: get to the bag. And he figured out how to

724
00:47:12,960 --> 00:47:16,000
Speaker 1: get to it on his own, even separate from the

725
00:47:16,080 --> 00:47:18,640
Speaker 1: information and he got from me on how to get

726
00:47:18,680 --> 00:47:23,040
Speaker 1: to it. So Ot is one of those dream come

727
00:47:23,160 --> 00:47:28,319
Speaker 1: true artists that you wish you could find. And he

728
00:47:28,440 --> 00:47:30,680
Speaker 1: was one of those artists that knew how to create

729
00:47:30,800 --> 00:47:36,600
Speaker 1: his own excitement, traction, enthusiasm and buzz, which is what

730
00:47:36,760 --> 00:47:38,840
Speaker 1: attracted me to him in the first place. He was

731
00:47:38,880 --> 00:47:42,879
Speaker 1: signing the fifty before he came to me. And when

732
00:47:42,880 --> 00:47:45,760
Speaker 1: I've seen Ot Genesis, he was sucking up a club

733
00:47:45,840 --> 00:47:49,560
Speaker 1: with one record called Touchdown and l a called Playhouse

734
00:47:49,640 --> 00:47:54,040
Speaker 1: where it was almost like a direct correlation to when

735
00:47:54,080 --> 00:47:56,439
Speaker 1: I was performing put your hands with my eyes could

736
00:47:56,440 --> 00:47:58,600
Speaker 1: see three four times in a row the last night

737
00:47:58,640 --> 00:48:02,759
Speaker 1: the Palladium was open. A new y'all Nicker had this

738
00:48:02,840 --> 00:48:06,359
Speaker 1: club in a Tornado ver this one record called Touchdown,

739
00:48:08,120 --> 00:48:10,520
Speaker 1: where I stood by the speaker that he climbed up

740
00:48:10,560 --> 00:48:13,600
Speaker 1: on just to wait for him to climb down so

741
00:48:13,640 --> 00:48:15,360
Speaker 1: I could grab his ass by the all him and

742
00:48:15,400 --> 00:48:18,320
Speaker 1: say wait a minute now, we're gonna when you signed

743
00:48:18,320 --> 00:48:24,359
Speaker 1: to M who's your manager? Nobody? Okay, you gotta come

744
00:48:24,400 --> 00:48:27,799
Speaker 1: see me the mom And then we got together. We

745
00:48:27,840 --> 00:48:31,480
Speaker 1: had this conversation about business, and then we had a

746
00:48:32,160 --> 00:48:36,879
Speaker 1: a real man conversation about respect, principles, morals, and integrity.

747
00:48:38,600 --> 00:48:42,400
Speaker 1: And when both of those conversations was honored, the business

748
00:48:42,400 --> 00:48:47,280
Speaker 1: got handled and we became a fucking United Front fast

749
00:48:47,320 --> 00:48:52,719
Speaker 1: life conglomerate. And then at that point, oh T knew

750
00:48:52,719 --> 00:48:54,960
Speaker 1: what he had to do, and then I knew what

751
00:48:55,000 --> 00:48:57,680
Speaker 1: I had to do because once he figured it out,

752
00:48:58,160 --> 00:49:00,000
Speaker 1: I mean, I knew what I was gonna do with him,

753
00:49:00,000 --> 00:49:01,960
Speaker 1: but I just needed him to figure out what he

754
00:49:02,000 --> 00:49:03,920
Speaker 1: needed to do. All right, let me let me be

755
00:49:04,000 --> 00:49:09,799
Speaker 1: Devil's advocate right now. People from the beginning of hip

756
00:49:09,800 --> 00:49:15,200
Speaker 1: hop beginning to bust this thing, you know, Larry Cool, uh,

757
00:49:15,239 --> 00:49:17,359
Speaker 1: you know the essence of hip hop? Have you ever

758
00:49:17,400 --> 00:49:21,000
Speaker 1: got slacked for? You know? Because because like, for lack

759
00:49:21,040 --> 00:49:23,160
Speaker 1: of a better term, he's like a new school type

760
00:49:23,200 --> 00:49:25,759
Speaker 1: of artist. Like, like we said, he stops that he

761
00:49:25,760 --> 00:49:28,680
Speaker 1: didn't he doesn't. He didn't even drop an album, so

762
00:49:29,080 --> 00:49:31,400
Speaker 1: some people will call him a single driven Excuse me,

763
00:49:31,440 --> 00:49:33,600
Speaker 1: by the way, O T. Genesis just dropped a new

764
00:49:33,680 --> 00:49:37,560
Speaker 1: single with Chris Brown and Mr Charlie Wilson about one

765
00:49:37,640 --> 00:49:39,640
Speaker 1: week ago, and I need y'all go and peep with

766
00:49:39,719 --> 00:49:49,480
Speaker 1: the funk going on, because this is one second. I

767
00:49:49,520 --> 00:49:52,600
Speaker 1: got a motherfucking record out with motherfucking bobs called Tel

768
00:49:52,719 --> 00:49:56,320
Speaker 1: called Donning the Box, and I got a disrespectful record.

769
00:49:56,040 --> 00:50:02,040
Speaker 1: I have another b respectful record after Anderson pack Cord

770
00:50:05,200 --> 00:50:08,680
Speaker 1: more time. I got an incredible collaborat Trippy ran out

771
00:50:08,719 --> 00:50:15,840
Speaker 1: there for all of the young generations. It's got another

772
00:50:15,840 --> 00:50:18,200
Speaker 1: collaborator just came out of West Side Gunner, Slick Rape,

773
00:50:21,400 --> 00:50:25,480
Speaker 1: super big up the West Side Gunning, the whole result

774
00:50:25,480 --> 00:50:28,080
Speaker 1: of the family Conway and motherfucking Benny, that butcher Benny

775
00:50:28,080 --> 00:50:30,200
Speaker 1: to put your ship is out, Conway ship is out.

776
00:50:30,280 --> 00:50:33,960
Speaker 1: All the ship is disrespectful out it. Excuse me one

777
00:50:33,960 --> 00:50:40,520
Speaker 1: more second. I just dropped the motherfucking amazing collaboration the

778
00:50:40,600 --> 00:50:50,640
Speaker 1: legendary Stevie Wonder court Day. I didn't see this reading

779
00:50:50,680 --> 00:50:58,520
Speaker 1: all the features Stevie Wonder featuring corn Day, Rapsit and

780
00:50:58,640 --> 00:51:03,760
Speaker 1: buns the rhymes. Okay, I'm not done. I'm not done.

781
00:51:03,960 --> 00:51:06,120
Speaker 1: I heard you see Stevie Roll. We want to rolled

782
00:51:06,200 --> 00:51:08,680
Speaker 1: up in that session I never ever seen because brother

783
00:51:08,920 --> 00:51:15,600
Speaker 1: rolled up. No session, I'm gonna Stevie. No, I'm not playing.

784
00:51:16,040 --> 00:51:17,960
Speaker 1: Jack told me that him and Stevie can really see him.

785
00:51:28,640 --> 00:51:36,960
Speaker 1: Jack big up to my brother Exhibit be real and

786
00:51:37,080 --> 00:51:41,400
Speaker 1: Demericky who just came my son of some of some

787
00:51:41,560 --> 00:51:45,600
Speaker 1: of Sam and uh. I got an incredible collap with

788
00:51:45,760 --> 00:51:49,480
Speaker 1: exhibit in Demrick and this brother named John C. It's

789
00:51:49,560 --> 00:51:56,400
Speaker 1: just called man Down that just dropped last Friday. We

790
00:51:56,520 --> 00:51:59,120
Speaker 1: gotta asked, We gotta ask you see the brother has

791
00:51:59,120 --> 00:52:04,560
Speaker 1: been working by the way, just yeah, we see it.

792
00:52:04,960 --> 00:52:06,840
Speaker 1: We see you in the name exhibit. But it's a

793
00:52:06,880 --> 00:52:08,880
Speaker 1: few doctor Drake pictures getting ready to come out to

794
00:52:08,960 --> 00:52:10,520
Speaker 1: that the world. I see it. You know where I'm

795
00:52:10,520 --> 00:52:12,920
Speaker 1: going with. I know exactly where you're going. It's Dr

796
00:52:13,040 --> 00:52:16,880
Speaker 1: dre on E L p Hi. Everybody's gonna have to

797
00:52:16,920 --> 00:52:21,040
Speaker 1: find out October thirty dropping this October twenty nine, October

798
00:52:21,160 --> 00:52:26,040
Speaker 1: right now, yeah, yeah, yeah, we can officially calling. Yeah,

799
00:52:26,120 --> 00:52:35,759
Speaker 1: what's mother Toober? So you're gonna be successful. I'm not

800
00:52:35,800 --> 00:52:39,280
Speaker 1: getting nobody. No, I'm about this closing no information about

801
00:52:39,320 --> 00:52:42,960
Speaker 1: who's on my album because I'm not I'm not really

802
00:52:43,000 --> 00:52:45,040
Speaker 1: good at the right time to get Dr Drake Right now,

803
00:52:45,320 --> 00:52:51,880
Speaker 1: I think it's just think. I think it's biscuit right now.

804
00:52:54,600 --> 00:53:01,239
Speaker 1: I think I think the most amazing thing about mystique

805
00:53:03,080 --> 00:53:24,560
Speaker 1: is that's what used to make our motherfucker let me

806
00:53:24,680 --> 00:53:36,319
Speaker 1: see you going. So it's like I was saying, I

807
00:53:36,360 --> 00:53:38,920
Speaker 1: think that I think the most amazing thing about the

808
00:53:39,040 --> 00:53:45,959
Speaker 1: mystique that's been lost in this game is it mere's

809
00:53:45,960 --> 00:53:49,000
Speaker 1: a there's a there's a few artists that still hold

810
00:53:49,080 --> 00:53:54,360
Speaker 1: on to it that it contributes to the amazing nous

811
00:53:54,400 --> 00:53:58,479
Speaker 1: of who they are because see, absence makes the heart

812
00:53:58,520 --> 00:54:06,600
Speaker 1: grow fonder. You know what I'm saying. That's a motherfucking fact.

813
00:54:07,000 --> 00:54:14,920
Speaker 1: That's a motherfucker fact. You know, I need ice in

814
00:54:14,960 --> 00:54:20,239
Speaker 1: my joint. Always put the ice cube in my shot.

815
00:54:20,840 --> 00:54:30,560
Speaker 1: Hove and Beyonce incredible with mistake, Kendrick Lamar's incredible mistake.

816
00:54:36,440 --> 00:54:43,680
Speaker 1: M hmm. Nas nas that's been his whole ship. Nas

817
00:54:44,440 --> 00:54:50,040
Speaker 1: Andre been on the incredible mystique ship, and I think,

818
00:54:50,040 --> 00:54:53,160
Speaker 1: thank you, brother, And I think that it's a lost

819
00:54:53,400 --> 00:54:57,799
Speaker 1: treasure in hip hop. I've seen Beyonce say one time

820
00:54:58,520 --> 00:55:01,759
Speaker 1: on something that was a post on the Graham that

821
00:55:04,400 --> 00:55:09,640
Speaker 1: and I'm from the error where that was important way

822
00:55:09,680 --> 00:55:13,200
Speaker 1: before Beyonce came out. But what was beautiful about the

823
00:55:13,200 --> 00:55:17,719
Speaker 1: way Beyonce articulated it, and don't quote me verbatim, was

824
00:55:17,800 --> 00:55:25,839
Speaker 1: she addressed the fact that it's strange how the game

825
00:55:25,920 --> 00:55:31,560
Speaker 1: evolved into this thing where having to share when you

826
00:55:31,600 --> 00:55:37,160
Speaker 1: ship pissed, fart, sleep, throw up, burn became more important

827
00:55:37,160 --> 00:55:41,400
Speaker 1: than actually the talent itself that connects with the consumer,

828
00:55:42,040 --> 00:55:47,520
Speaker 1: the final product. The only thing that the consumers should

829
00:55:47,560 --> 00:55:50,280
Speaker 1: be entitled to is the gift that you was blessed

830
00:55:50,280 --> 00:55:53,919
Speaker 1: with that you choose to share all this extra other

831
00:55:53,960 --> 00:55:56,480
Speaker 1: ship that you feel like, I gotta show you when

832
00:55:56,520 --> 00:56:01,360
Speaker 1: I'm giving birth when I fucking threw up after drinking

833
00:56:01,360 --> 00:56:04,000
Speaker 1: too much into party one time, I was, what, you're

834
00:56:04,000 --> 00:56:10,080
Speaker 1: a club less somebody. Somebody told you about it. We're

835
00:56:10,080 --> 00:56:13,279
Speaker 1: going we told about somebody take a picture about it.

836
00:56:13,560 --> 00:56:15,600
Speaker 1: And you came to them you can't and said you

837
00:56:16,120 --> 00:56:18,680
Speaker 1: raised that picture. And at first I said, maybe Buss

838
00:56:18,760 --> 00:56:21,600
Speaker 1: is going too far until it happened to me. And

839
00:56:21,640 --> 00:56:23,319
Speaker 1: when it happened to me, I think I called you

840
00:56:23,360 --> 00:56:27,520
Speaker 1: and I said, mus you're right, this new generation is

841
00:56:27,560 --> 00:56:30,800
Speaker 1: just fat. But because they don't just film you without

842
00:56:31,480 --> 00:56:34,400
Speaker 1: without asking, without none of that. But see, that's not

843
00:56:34,480 --> 00:56:41,360
Speaker 1: really their fault how they was raised. It's just the programming. Programming.

844
00:56:42,000 --> 00:56:44,040
Speaker 1: Such a boy said he's from the hood, and Nigga said,

845
00:56:44,080 --> 00:56:56,120
Speaker 1: you are not sold soldiery sold you sudable, a situation

846
00:56:57,200 --> 00:57:00,680
Speaker 1: not soldiable, not the clean up you a director. I'm

847
00:57:00,680 --> 00:57:04,120
Speaker 1: saying the situation from that moming on. Everybody said we

848
00:57:04,160 --> 00:57:06,920
Speaker 1: need that on film, now, we need it on film. No,

849
00:57:07,040 --> 00:57:09,759
Speaker 1: I'm not gonna agree with you. I think he's been

850
00:57:09,760 --> 00:57:13,320
Speaker 1: going on way before, way before that, you know what

851
00:57:13,360 --> 00:57:16,440
Speaker 1: I'm saying. But but, but but my thing is early

852
00:57:16,480 --> 00:57:20,400
Speaker 1: on checking that. Yeah, early on. How can I be

853
00:57:20,440 --> 00:57:26,480
Speaker 1: down early days? Just crazy that you said that was

854
00:57:26,520 --> 00:57:29,520
Speaker 1: just rocking with Peter Thomas and fucking Atlanta. That's what

855
00:57:29,640 --> 00:57:31,560
Speaker 1: you can do in the Caribbean car That's when I

856
00:57:31,600 --> 00:57:45,760
Speaker 1: see you shutting phones that pull up solut This is bust. Agree.

857
00:57:46,720 --> 00:57:53,919
Speaker 1: So so the reason why it's an issue for me,

858
00:57:54,400 --> 00:57:57,520
Speaker 1: I think a lot of us can agree. It comes

859
00:57:57,520 --> 00:58:04,240
Speaker 1: from the nineties. You know, I'm still a Reagonomics error child, right,

860
00:58:05,360 --> 00:58:09,840
Speaker 1: so a lot of crack. I mean, it doesn't automatic,

861
00:58:11,120 --> 00:58:16,920
Speaker 1: it does mean that and and and and and because

862
00:58:17,000 --> 00:58:21,080
Speaker 1: of what we was doing two things. He wasn't allowed

863
00:58:21,120 --> 00:58:24,840
Speaker 1: to talk about it because it was self incriminating. And

864
00:58:24,920 --> 00:58:28,959
Speaker 1: number two Task Force and DS and FED just coming

865
00:58:28,960 --> 00:58:31,800
Speaker 1: around filming you without your permission to get intelligence you

866
00:58:31,840 --> 00:58:35,240
Speaker 1: to build a case. Why the funk would I be

867
00:58:35,320 --> 00:58:38,720
Speaker 1: comfortable with a motherfucker just randomly filming me, especially now

868
00:58:38,800 --> 00:58:40,920
Speaker 1: when the police looked like the niggers you hang out with.

869
00:58:42,240 --> 00:58:44,320
Speaker 1: At least the police back then, he looked nothing like

870
00:58:44,360 --> 00:58:47,440
Speaker 1: the niggas we hung out with. Now, these niggas got tattoos,

871
00:58:47,440 --> 00:58:50,919
Speaker 1: don't want them, gang sounds and the whole ship. That's

872
00:58:50,920 --> 00:58:56,360
Speaker 1: what I'm trying to tell the niggas. So what I'm

873
00:58:56,400 --> 00:59:01,040
Speaker 1: saying is I need to be very concerned, especially with

874
00:59:01,160 --> 00:59:04,800
Speaker 1: the experience that I come from, and anowledge yourself did

875
00:59:04,800 --> 00:59:07,400
Speaker 1: I come from? And just the ship that I'm bed

876
00:59:07,400 --> 00:59:10,720
Speaker 1: witness too. If you're feeling something, I just want to know,

877
00:59:11,440 --> 00:59:15,600
Speaker 1: and I'm I'm approachable. It's your approach that determined outcome.

878
00:59:16,200 --> 00:59:19,320
Speaker 1: You get what I'm saying. Your body language, how it's

879
00:59:19,120 --> 00:59:22,120
Speaker 1: it's it's your it's how you. You are in complete

880
00:59:22,120 --> 00:59:27,640
Speaker 1: control of how a fire who don't know if you're

881
00:59:27,720 --> 00:59:31,960
Speaker 1: trying to protest and you're already feeling us. You're already up.

882
00:59:32,120 --> 00:59:35,400
Speaker 1: You're starting from because you don't know if I want

883
00:59:35,400 --> 00:59:37,200
Speaker 1: to be in this conversation or not, and you don't

884
00:59:37,200 --> 00:59:39,600
Speaker 1: know what I'm going through on that day. That's the fact.

885
00:59:39,760 --> 00:59:41,160
Speaker 1: You could be feeling me on the day they're a

886
00:59:41,240 --> 00:59:43,400
Speaker 1: close loved one that died, or I could be going

887
00:59:43,440 --> 00:59:46,520
Speaker 1: through a divorce, so I could be going through, you know,

888
00:59:46,840 --> 00:59:53,160
Speaker 1: a beef with my closest brother. Come and how you doing.

889
00:59:54,000 --> 00:59:56,440
Speaker 1: Pleasure to meet you, brother. I'm a huge fan of

890
00:59:56,480 --> 00:59:58,960
Speaker 1: what you're doing. Whatever you want to say, whatever the verbiages,

891
00:59:59,040 --> 01:00:01,840
Speaker 1: just as long as it's respect ful and cannot get

892
01:00:01,880 --> 01:00:05,800
Speaker 1: this picture cool. And if I say no because I'm

893
01:00:05,840 --> 01:00:12,240
Speaker 1: dealing with something, respect that show your love. You're gonna

894
01:00:12,240 --> 01:00:15,280
Speaker 1: get it in return because everything is reciprocation over here.

895
01:00:15,720 --> 01:00:17,520
Speaker 1: And at the end of the day, get back to

896
01:00:17,680 --> 01:00:20,320
Speaker 1: enjoying your evening, because if you ain't see me at all,

897
01:00:20,400 --> 01:00:23,560
Speaker 1: you would have still enjoyed the evening. You know. I

898
01:00:23,560 --> 01:00:27,200
Speaker 1: would at something in the Grand today and it was

899
01:00:27,240 --> 01:00:32,720
Speaker 1: a Denzel Post. Denzel Post said, I don't know if

900
01:00:32,720 --> 01:00:34,880
Speaker 1: it was his post, but it was somebody who took

901
01:00:34,880 --> 01:00:39,080
Speaker 1: a snapshot of a tweet that he supposedly posted. He said,

902
01:00:39,120 --> 01:00:45,840
Speaker 1: everybody got eighty four thousand dollars. Right. If somebody took

903
01:00:46,000 --> 01:00:51,400
Speaker 1: sixty dollars from you and you was left with eighty

904
01:00:51,480 --> 01:00:57,560
Speaker 1: four thousand, five hundred excuse me, eighty three thousand, three

905
01:00:58,320 --> 01:01:04,800
Speaker 1: five d and forty dollars, would you risk losing that

906
01:01:06,240 --> 01:01:10,880
Speaker 1: forty dollars over sixty dollars? I don't let me. Let

907
01:01:10,880 --> 01:01:19,680
Speaker 1: me answered the jewel. He says, everybody got eighty four

908
01:01:19,760 --> 01:01:27,120
Speaker 1: thousand seconds in a day, right, would you let somebody

909
01:01:27,360 --> 01:01:32,920
Speaker 1: take sixty seconds? Would you risk eighty four thousand, five

910
01:01:33,000 --> 01:01:38,640
Speaker 1: hundred and forty seconds of your day for sixty seconds? Ah,

911
01:01:40,840 --> 01:01:45,760
Speaker 1: you killed that, You killed that killed that, saying that

912
01:01:45,960 --> 01:01:50,800
Speaker 1: one sixty seconds could destroy the rest of your eighty

913
01:01:50,880 --> 01:01:56,320
Speaker 1: four thousand, five hundred and forty seconds because you're being impulsive.

914
01:01:58,680 --> 01:02:01,880
Speaker 1: This is a bigger picture. Let that nigga have them

915
01:02:01,880 --> 01:02:06,120
Speaker 1: in sixty seconds and hold on to your eighty four thousand,

916
01:02:06,280 --> 01:02:09,680
Speaker 1: five hundred and four eighty three thousand, five hundred and

917
01:02:09,720 --> 01:02:13,640
Speaker 1: forty seconds, because that's sixty seconds. Ain't worth fucking up

918
01:02:13,760 --> 01:02:19,480
Speaker 1: all of that, you feel me? So that's the jewel

919
01:02:19,520 --> 01:02:25,560
Speaker 1: at the end of the day. That's the jewel. You can't.

920
01:02:25,600 --> 01:02:31,720
Speaker 1: You can't. You can't let even if your interaction is wrong.

921
01:02:31,760 --> 01:02:34,680
Speaker 1: And I learned this the hard way, right. I caught

922
01:02:34,720 --> 01:02:39,320
Speaker 1: a few assault charges, yeah, all of them, since was

923
01:02:39,800 --> 01:02:44,760
Speaker 1: based on respect that I felt was being compromised. It

924
01:02:44,800 --> 01:02:48,240
Speaker 1: wasn't worth it. I went upside nigga's heads for no reason.

925
01:02:48,320 --> 01:02:50,840
Speaker 1: But that's a pet pee for mine. When I was younger,

926
01:02:51,080 --> 01:02:55,360
Speaker 1: she respected everything in my upbringing, my mother, my father.

927
01:02:57,680 --> 01:03:03,640
Speaker 1: We're West Indian house. West Indian culture is a proud

928
01:03:03,840 --> 01:03:07,200
Speaker 1: people of very proud and let me be clear, we're

929
01:03:07,200 --> 01:03:09,640
Speaker 1: gonna make sure there's a distinguishing more difference from that

930
01:03:09,680 --> 01:03:13,560
Speaker 1: proud boy ship that they're talking about and the proud

931
01:03:13,720 --> 01:03:20,680
Speaker 1: people your back news, you understand, So you know what

932
01:03:20,800 --> 01:03:27,360
Speaker 1: that being said. The proudness of the West Indian people

933
01:03:28,640 --> 01:03:30,920
Speaker 1: is as a result of the great sufferer and it

934
01:03:31,080 --> 01:03:35,560
Speaker 1: sacrifice that we have been able to rise from that

935
01:03:35,680 --> 01:03:37,720
Speaker 1: proud boy Shoot, I don't know what the funk that

936
01:03:37,760 --> 01:03:40,200
Speaker 1: ship is about, but I'm not working with none of that,

937
01:03:41,320 --> 01:03:43,400
Speaker 1: and I hope at nobody in this room sucking with that.

938
01:03:44,280 --> 01:03:46,200
Speaker 1: But what I'm saying is, at the end of the day,

939
01:03:47,400 --> 01:03:54,480
Speaker 1: that's how I was raised. So respect is important, Proper

940
01:03:54,560 --> 01:03:59,040
Speaker 1: manners is important, proper code of ethics is importing, and

941
01:03:59,160 --> 01:04:05,320
Speaker 1: etiquette is important. So if we meet each other and

942
01:04:05,400 --> 01:04:07,320
Speaker 1: because you want this picture and I don't give it

943
01:04:07,320 --> 01:04:10,760
Speaker 1: to you, you want to be disrespectful of the time,

944
01:04:11,400 --> 01:04:13,720
Speaker 1: It's not gonna result in a good way. It's gonna

945
01:04:13,760 --> 01:04:16,680
Speaker 1: be reciprocated from you. It's going to be reciprocated and

946
01:04:16,800 --> 01:04:22,080
Speaker 1: giving back the same way you initiated it. Because for

947
01:04:22,440 --> 01:04:25,600
Speaker 1: one second, because a lot of people forget that we're humans,

948
01:04:26,800 --> 01:04:28,960
Speaker 1: that's the fact. And the thing is, the thing is

949
01:04:29,040 --> 01:04:32,880
Speaker 1: I get that you know, we give you as certain

950
01:04:33,800 --> 01:04:37,040
Speaker 1: persona of us that where we are, you can talk

951
01:04:37,040 --> 01:04:39,120
Speaker 1: to us and you do know us. But at the

952
01:04:39,120 --> 01:04:42,200
Speaker 1: same token, we are humans. Like I want to walk

953
01:04:42,240 --> 01:04:44,680
Speaker 1: into a restaurant. Why can't I just walk into a restaurant?

954
01:04:44,720 --> 01:04:46,640
Speaker 1: Why don't have to be stopped? A lot of people

955
01:04:46,640 --> 01:04:49,479
Speaker 1: don't just understand that if you was just a normal version,

956
01:04:49,480 --> 01:04:53,880
Speaker 1: which we are, we're just normal people, it would be

957
01:04:53,880 --> 01:04:59,360
Speaker 1: took you that way. So because I remember it was

958
01:04:59,400 --> 01:05:01,200
Speaker 1: foot is if I think it was outside the club

959
01:05:01,280 --> 01:05:04,720
Speaker 1: live right, and somebody said something to you, and I

960
01:05:04,800 --> 01:05:07,840
Speaker 1: would get what it was what it was and and

961
01:05:08,720 --> 01:05:11,960
Speaker 1: the foot is envirouls. I'm trying to recall because was

962
01:05:11,960 --> 01:05:18,360
Speaker 1: it living with just something else? And And the thing

963
01:05:18,520 --> 01:05:23,520
Speaker 1: is t people think they just can say anything to us,

964
01:05:24,120 --> 01:05:27,200
Speaker 1: like as rappers. If you say you're listening, give me,

965
01:05:27,480 --> 01:05:30,520
Speaker 1: give me a moment, Like I was just in my hood.

966
01:05:30,520 --> 01:05:32,720
Speaker 1: I can't say this person's name, but he needed just

967
01:05:33,000 --> 01:05:34,640
Speaker 1: how that mean? I just told him, I said, just

968
01:05:34,680 --> 01:05:36,240
Speaker 1: give me a minute. I could imagine. I don't know

969
01:05:36,440 --> 01:05:39,040
Speaker 1: how he felt, but I really was in the middle

970
01:05:39,080 --> 01:05:41,720
Speaker 1: of working and I can imagine how he felt. So

971
01:05:41,960 --> 01:05:44,000
Speaker 1: I wouldn't polize in bad but I can't say his name.

972
01:05:44,040 --> 01:05:45,479
Speaker 1: He just I don't know if he felt that way.

973
01:05:45,960 --> 01:05:48,560
Speaker 1: But the thing is a lot of people don't realize

974
01:05:48,600 --> 01:05:51,520
Speaker 1: that we're human. Like I just want to walk into

975
01:05:51,600 --> 01:05:54,320
Speaker 1: the in the spot and I remember, you know, seeing

976
01:05:54,320 --> 01:05:57,360
Speaker 1: that and knowing you would knowing your side. Obviously you

977
01:05:57,440 --> 01:06:00,400
Speaker 1: don't remember that. You said no, I actually remember more

978
01:06:00,440 --> 01:06:08,920
Speaker 1: than one. But you have the fountain blue. That's what

979
01:06:08,920 --> 01:06:13,840
Speaker 1: I'm saying, more than one. So outside of live in

980
01:06:14,200 --> 01:06:18,120
Speaker 1: parking lot, valley area and in the hotel by the

981
01:06:18,160 --> 01:06:26,680
Speaker 1: swimming pool, under estimate how famous you are? Okay, you know, no,

982
01:06:27,960 --> 01:06:29,960
Speaker 1: I don't underestimate that I work hard for that mother.

983
01:06:31,000 --> 01:06:32,840
Speaker 1: But what what what? What? What I what I do

984
01:06:33,000 --> 01:06:44,320
Speaker 1: sometimes misconceptualize is people's consideration. I think sometimes we don't

985
01:06:44,320 --> 01:06:49,360
Speaker 1: consider each other enough. And I'm guilty of that as well,

986
01:06:49,480 --> 01:06:56,760
Speaker 1: sometimes I think, and I'm I'm completely apologetic to any

987
01:06:56,880 --> 01:07:01,720
Speaker 1: and everybody that I might have offended and Mike rubbed

988
01:07:01,720 --> 01:07:04,480
Speaker 1: the wrong way in the future. Like, you gotta understand,

989
01:07:05,760 --> 01:07:10,600
Speaker 1: we're human beings. We all have our shortcomings. Ain't nobody perfect.

990
01:07:11,320 --> 01:07:16,280
Speaker 1: We have our flaws. It's okay if we are rubbing

991
01:07:16,280 --> 01:07:20,720
Speaker 1: each other the wrong way. Let's have a civil building

992
01:07:20,760 --> 01:07:24,040
Speaker 1: discussion about it. It ain't gotta be long and drawn out.

993
01:07:24,560 --> 01:07:28,440
Speaker 1: But before you get to the level of zero to

994
01:07:28,600 --> 01:07:34,920
Speaker 1: a hundred, does every every choice comes with an invoice,

995
01:07:35,680 --> 01:07:38,600
Speaker 1: So be mindful with what you're choosing to do when

996
01:07:38,600 --> 01:07:51,480
Speaker 1: you deal with me that It's just it's the same

997
01:07:51,520 --> 01:07:54,000
Speaker 1: thing as every ian. Every choice you make got a

998
01:07:54,000 --> 01:07:56,320
Speaker 1: price to pick. It's the same saying it's done in

999
01:07:56,320 --> 01:08:02,480
Speaker 1: a different way. But what I'm saying is perfect well whatever,

1000
01:08:03,320 --> 01:08:05,840
Speaker 1: But but what I'm saying is, you know it's the

1001
01:08:05,880 --> 01:08:09,600
Speaker 1: same thing vice versa. We do have to be mindful

1002
01:08:09,960 --> 01:08:13,040
Speaker 1: of how we deal with people and their excitement too

1003
01:08:13,160 --> 01:08:15,560
Speaker 1: that they don't know. That's what I'm saying. It's not

1004
01:08:15,600 --> 01:08:20,040
Speaker 1: like they're doing something malicious or wrong. Sometimes you have

1005
01:08:20,080 --> 01:08:24,439
Speaker 1: you are trying to use fans ship to to troll

1006
01:08:24,600 --> 01:08:28,680
Speaker 1: and get a fucking follow up by filming the disrespect.

1007
01:08:28,960 --> 01:08:33,280
Speaker 1: But see, that's the real risky gambling part because they

1008
01:08:33,320 --> 01:08:37,160
Speaker 1: can't control the outcome while it's being filmed. So be

1009
01:08:37,280 --> 01:08:39,920
Speaker 1: mindful of what you're doing. But what I'm saying is,

1010
01:08:40,280 --> 01:08:42,840
Speaker 1: at the end of the day, we still all have

1011
01:08:43,000 --> 01:08:46,400
Speaker 1: to be considerate of how we deal with each other.

1012
01:08:46,760 --> 01:08:49,040
Speaker 1: A lot of the times I have become a lot

1013
01:08:49,120 --> 01:08:53,000
Speaker 1: better with being able to say, if I tell somebody now,

1014
01:08:53,040 --> 01:08:56,760
Speaker 1: this ain't the right time, I still shake their hand,

1015
01:08:56,960 --> 01:08:59,360
Speaker 1: pull them in, give him a hug, and help them

1016
01:08:59,439 --> 01:09:02,240
Speaker 1: understand and why it's not the right time, instead of

1017
01:09:02,280 --> 01:09:04,400
Speaker 1: just saying it ain't the right time and bouncing on

1018
01:09:04,479 --> 01:09:07,320
Speaker 1: them and making them feel like I ain't even acknowledging

1019
01:09:08,000 --> 01:09:10,479
Speaker 1: or appreciating the love that they're trying to give me.

1020
01:09:11,120 --> 01:09:13,960
Speaker 1: You know what I'm saying, that's important. Understanding is the

1021
01:09:14,000 --> 01:09:16,920
Speaker 1: best part. It's the reflection of knowledge and wisdom. And

1022
01:09:17,000 --> 01:09:19,880
Speaker 1: do you understand what kind of fan do you have? Like,

1023
01:09:20,120 --> 01:09:22,280
Speaker 1: because like I had to narrow it down like me

1024
01:09:22,400 --> 01:09:25,200
Speaker 1: at one point, right, I do you know what I'm going?

1025
01:09:25,280 --> 01:09:27,200
Speaker 1: You know what I'm going, like I got drunk fans,

1026
01:09:27,360 --> 01:09:30,519
Speaker 1: right So no, that's seriously even before a dream chance.

1027
01:09:30,600 --> 01:09:33,160
Speaker 1: So I had to realize that some of these guys

1028
01:09:33,160 --> 01:09:36,080
Speaker 1: are coming up to me aggressive because they think that's

1029
01:09:36,080 --> 01:09:40,040
Speaker 1: what I want. They think they thinking what what what what? What?

1030
01:09:40,200 --> 01:09:41,960
Speaker 1: So they come up to me on some what what

1031
01:09:41,960 --> 01:09:44,320
Speaker 1: what energy? And I have to let him know, like Nigga,

1032
01:09:44,400 --> 01:09:54,439
Speaker 1: that was a record, so I'll be happening. And I

1033
01:09:54,760 --> 01:09:57,760
Speaker 1: realized Uncle you know, is a big guy, and I

1034
01:09:57,760 --> 01:09:59,880
Speaker 1: had to kind of explain to him because why was

1035
01:10:00,040 --> 01:10:02,639
Speaker 1: just be so protective? And I was like, you know,

1036
01:10:03,200 --> 01:10:17,120
Speaker 1: certain people energies I read Uncle good I would have

1037
01:10:17,520 --> 01:10:19,960
Speaker 1: I would have to literally look at somebody and say

1038
01:10:20,760 --> 01:10:23,559
Speaker 1: the energy might have been aggressive, but their words and

1039
01:10:23,600 --> 01:10:26,600
Speaker 1: their character was so passive. It was just you know,

1040
01:10:26,680 --> 01:10:28,599
Speaker 1: I love Lloyd. You know what I'm saying. I did

1041
01:10:28,600 --> 01:10:30,680
Speaker 1: a bit to him, But the way they're saying it,

1042
01:10:31,000 --> 01:10:34,200
Speaker 1: you would think they're out of passionate, But but what

1043
01:10:34,240 --> 01:10:37,479
Speaker 1: they're actually saying is like that's just regular fan ship.

1044
01:10:37,920 --> 01:10:39,800
Speaker 1: You know what I'm saying. I'm saying, did you did

1045
01:10:39,800 --> 01:10:41,880
Speaker 1: you ever get a chance to say? You know what

1046
01:10:42,120 --> 01:10:44,840
Speaker 1: I identify? I bust a ryand fan. Is there a

1047
01:10:44,840 --> 01:10:47,880
Speaker 1: bust the Ryan fan type? Because my type is drunk? No? No, no,

1048
01:10:48,000 --> 01:10:52,120
Speaker 1: no no no, You're absolutely right. The buster rhymes the

1049
01:10:53,960 --> 01:10:58,920
Speaker 1: majority of the time, I think you gotta really yeah,

1050
01:10:59,800 --> 01:11:10,799
Speaker 1: I'm after that come the bustermund fan that I noticed

1051
01:11:10,840 --> 01:11:15,400
Speaker 1: on the majority level is the ones that want me

1052
01:11:15,439 --> 01:11:17,600
Speaker 1: to do the woo hide and all of that animated

1053
01:11:17,600 --> 01:11:22,080
Speaker 1: ship in the videos all the time on site, Like

1054
01:11:22,120 --> 01:11:24,000
Speaker 1: as soon as I'm making gonna do it, it's like

1055
01:11:24,000 --> 01:11:25,640
Speaker 1: I'm supposed to do it on some wind up. Do

1056
01:11:27,400 --> 01:11:29,759
Speaker 1: you know what I'm saying? Like I ain't on front

1057
01:11:30,000 --> 01:11:36,480
Speaker 1: and and and I think the little bit of frustration

1058
01:11:36,520 --> 01:11:39,680
Speaker 1: that comes from it for me, and that when I

1059
01:11:39,720 --> 01:11:41,960
Speaker 1: try to help them understand that I ain't. That's not

1060
01:11:42,000 --> 01:11:45,160
Speaker 1: who I am twenty four hours a day. The let

1061
01:11:45,200 --> 01:11:49,000
Speaker 1: down that I see in them that sucks me up.

1062
01:11:50,240 --> 01:11:53,720
Speaker 1: They know that's exactly what they do. That's where they go.

1063
01:11:54,080 --> 01:11:57,080
Speaker 1: I'm like, there's so many levels before you're thinking that

1064
01:11:57,160 --> 01:11:58,720
Speaker 1: I'm just on some funny ship with you. I'm not

1065
01:11:58,720 --> 01:12:01,000
Speaker 1: on the funny ship with you was school face all day.

1066
01:12:05,640 --> 01:12:11,320
Speaker 1: You don't want to Stevens shooting school face. Ain't know.

1067
01:12:15,560 --> 01:12:18,960
Speaker 1: I'm sorry, no, no, not but but but but but

1068
01:12:18,960 --> 01:12:22,559
Speaker 1: but but but but that's that's that's that's frustrating for

1069
01:12:22,640 --> 01:12:25,360
Speaker 1: me because I don't want to let the love down.

1070
01:12:25,720 --> 01:12:28,760
Speaker 1: I don't want to let no one down that that

1071
01:12:28,960 --> 01:12:32,879
Speaker 1: is genuinely showing love and that genuinely wants to express

1072
01:12:32,920 --> 01:12:34,680
Speaker 1: their loves. You don't think that's the trade off of

1073
01:12:34,720 --> 01:12:37,839
Speaker 1: the mystique because the people who don't give that mystique,

1074
01:12:38,200 --> 01:12:40,679
Speaker 1: when the fan approaches them, they've seen them shipped, fart

1075
01:12:40,680 --> 01:12:42,519
Speaker 1: and piss like you said, and they're like, all right,

1076
01:12:42,600 --> 01:12:46,960
Speaker 1: we're taking you on. All humans, but the mystique, they

1077
01:12:46,960 --> 01:12:49,559
Speaker 1: see you as a god. I think that might be

1078
01:12:49,920 --> 01:12:53,400
Speaker 1: that's that's a jewel. That's a jew that's a serious,

1079
01:12:53,439 --> 01:13:01,400
Speaker 1: sucking me up serious. That's ill though, because because because

1080
01:13:06,760 --> 01:13:09,000
Speaker 1: like like I mean, we do know that absence makes

1081
01:13:09,000 --> 01:13:13,200
Speaker 1: the love go find makes the heart gro fonder. So yes,

1082
01:13:13,320 --> 01:13:15,679
Speaker 1: it doesn't make people hold you in the higher regard

1083
01:13:15,760 --> 01:13:21,120
Speaker 1: the less they see you. But that perspective, and particularly

1084
01:13:23,000 --> 01:13:26,720
Speaker 1: interesting perspective, I haven't looked at it from that perspective,

1085
01:13:27,400 --> 01:13:30,680
Speaker 1: and it might be right. I think you know what

1086
01:13:30,680 --> 01:13:33,559
Speaker 1: I'm seeing you ship, fun, piss and all of that

1087
01:13:34,320 --> 01:13:37,720
Speaker 1: and not getting that when they see you is where

1088
01:13:37,720 --> 01:13:42,599
Speaker 1: the letdown comes from. But the mystique is what makes

1089
01:13:42,680 --> 01:13:46,559
Speaker 1: the let down greater. You're right, and let me just

1090
01:13:46,600 --> 01:13:52,320
Speaker 1: tell you something. Right, you have the biggest Unfortunately, it's

1091
01:13:52,479 --> 01:13:59,240
Speaker 1: very efforculate with Mariah Carey and Janet Jackson, like I'm

1092
01:13:59,240 --> 01:14:01,679
Speaker 1: not gonna lie counting your money doing the Janet Jackson

1093
01:14:04,320 --> 01:14:10,920
Speaker 1: was this thing. It is rich Rick Hunt dollar video

1094
01:14:11,000 --> 01:14:13,559
Speaker 1: seth Hunter fi dollar and that's how it did. See

1095
01:14:13,600 --> 01:14:15,479
Speaker 1: they say you had a million dollars video. That was

1096
01:14:15,479 --> 01:14:18,240
Speaker 1: a bullshit. You had a seven hundred villion dollars dollar video.

1097
01:14:18,400 --> 01:14:22,720
Speaker 1: And the hype led Mr Childs from from New y

1098
01:14:23,840 --> 01:14:29,719
Speaker 1: in a million a million bus. She started two point five.

1099
01:14:30,479 --> 01:14:37,840
Speaker 1: She was just respectful out here. I'm just being honest.

1100
01:14:38,479 --> 01:14:40,680
Speaker 1: I went, I looked at the records. Bigger ship was

1101
01:14:40,800 --> 01:14:45,479
Speaker 1: nine eight what I'm saying, and then you over a

1102
01:14:45,560 --> 01:14:47,559
Speaker 1: bunch of it and then you hit a million because

1103
01:14:47,800 --> 01:14:50,479
Speaker 1: this wasn't co signing the man like I think it

1104
01:14:50,720 --> 01:14:59,280
Speaker 1: was supposed to hide a million for the actual signing

1105
01:14:59,600 --> 01:15:02,040
Speaker 1: but I you get far hunted and then they're gonna

1106
01:15:02,040 --> 01:15:04,360
Speaker 1: be all right. Even wanted because that was it, like

1107
01:15:04,680 --> 01:15:07,200
Speaker 1: everybody wanted them me and out of vision budget, so

1108
01:15:07,320 --> 01:15:09,920
Speaker 1: Hype would being cahusive the label I'm making this up.

1109
01:15:09,920 --> 01:15:12,040
Speaker 1: I'm swear to God, I really don't know if I'm

1110
01:15:12,080 --> 01:15:15,479
Speaker 1: this is true or not. I can't guess how happened

1111
01:15:16,320 --> 01:15:21,960
Speaker 1: ruined me alright, so was not a million dollars, seven

1112
01:15:22,040 --> 01:15:25,000
Speaker 1: hundred and fifty thousand dollars, and I'm sorry, I just

1113
01:15:25,040 --> 01:15:26,439
Speaker 1: don't bring it right back to you. But let me

1114
01:15:26,479 --> 01:15:28,400
Speaker 1: just tell you how Hype caught me. And he's from Queen,

1115
01:15:28,439 --> 01:15:33,439
Speaker 1: so it makes it even worse. Okay, some dollars I

1116
01:15:33,479 --> 01:15:38,840
Speaker 1: went to I went to the I. I gotta say,

1117
01:15:38,840 --> 01:15:45,720
Speaker 1: it's just fucking crazy Williams right home. It's my friend. Okay,

1118
01:15:45,760 --> 01:15:50,160
Speaker 1: it's my friends Williams. Yes, we love you, brother, but

1119
01:15:50,640 --> 01:15:56,439
Speaker 1: you was he was vilely U'll tell you how this

1120
01:15:56,479 --> 01:15:58,120
Speaker 1: ispecter he was with me. Bus let me just take

1121
01:15:58,200 --> 01:16:03,240
Speaker 1: this crazy I so we I paid the budget everything right,

1122
01:16:03,920 --> 01:16:05,760
Speaker 1: So we're in the middle of the desert. Were in

1123
01:16:05,760 --> 01:16:07,320
Speaker 1: the middle of the desert, but I was looking at

1124
01:16:07,400 --> 01:16:12,120
Speaker 1: me and my feelings a little bit this. Oh no,

1125
01:16:12,280 --> 01:16:17,520
Speaker 1: just right. So I like, we ordered the regular craftsmanship.

1126
01:16:17,600 --> 01:16:20,920
Speaker 1: So I'm like, all right, cool, I'm eating whenever was

1127
01:16:21,000 --> 01:16:24,719
Speaker 1: foul out there. And then I see these Milo bitches

1128
01:16:25,080 --> 01:16:28,200
Speaker 1: excuse me, this minol woman, and they're walking out. They

1129
01:16:28,280 --> 01:16:35,760
Speaker 1: got chicken so tane and I said, wait a minute,

1130
01:16:34,960 --> 01:16:41,840
Speaker 1: where is that peanut sauce? And they're like, yeah, hype lick.

1131
01:16:43,280 --> 01:16:45,400
Speaker 1: I go the hype trailer. I swear to god, I

1132
01:16:45,400 --> 01:16:50,080
Speaker 1: wish I was exaggerated. His whole trails filled. Mr Chaz

1133
01:16:51,240 --> 01:16:53,880
Speaker 1: So I was like, we was at Maria. I wandered,

1134
01:16:53,920 --> 01:16:57,680
Speaker 1: this was it? Put the bottom bitches in there? And

1135
01:16:57,920 --> 01:17:02,600
Speaker 1: you didn't You did not tell me you didn't get

1136
01:17:02,960 --> 01:17:05,320
Speaker 1: none of my friends you have. Mr Childers. I said,

1137
01:17:05,320 --> 01:17:07,960
Speaker 1: all right, cool, I'm sitting there. I'm like, we're in

1138
01:17:08,040 --> 01:17:11,040
Speaker 1: Las Vegas. You know, listen, Mr Childs and LA So

1139
01:17:11,080 --> 01:17:13,919
Speaker 1: I'm like, okay, that's how we do it, high By.

1140
01:17:14,160 --> 01:17:16,120
Speaker 1: We got Mr Childs from l A to build up

1141
01:17:16,120 --> 01:17:20,200
Speaker 1: in the Las Vegas you're doing. He said, right, I

1142
01:17:20,240 --> 01:17:22,840
Speaker 1: got this flu in from New York that I had

1143
01:17:22,960 --> 01:17:27,400
Speaker 1: Mr Childs flown in from New York to Vegas in

1144
01:17:27,479 --> 01:17:38,439
Speaker 1: the desert or me nor bust gets worse, it gets worse.

1145
01:17:39,400 --> 01:17:41,760
Speaker 1: We Hearnissey drinkers, and I'm gonna say this from now,

1146
01:17:42,640 --> 01:17:45,280
Speaker 1: I'm gonna let you end, and we're gonna move on

1147
01:17:45,400 --> 01:17:53,639
Speaker 1: to the next See. I do not want to elaborate. Listen,

1148
01:17:53,680 --> 01:17:55,640
Speaker 1: so I don't think you'll be heartisy drinkers at the

1149
01:17:55,680 --> 01:18:00,479
Speaker 1: time gives us a cooler, cooler full of some other ship.

1150
01:18:01,240 --> 01:18:03,720
Speaker 1: We're sitting there drinking this other ship. Do you even

1151
01:18:03,720 --> 01:18:05,720
Speaker 1: know what this other ship was? The whole time, you're

1152
01:18:05,720 --> 01:18:08,479
Speaker 1: mixing it with pepsi, this thing. It gave us a

1153
01:18:08,520 --> 01:18:13,559
Speaker 1: cooler for the Louis. The thirteen bozo asses didn't even

1154
01:18:13,680 --> 01:18:16,839
Speaker 1: know it. We're sitting there and drinking it with pepsi.

1155
01:18:16,920 --> 01:18:20,599
Speaker 1: The whole crew was like, oh my god, Louis PEPSI

1156
01:18:20,760 --> 01:18:27,200
Speaker 1: were mixing everybody. It was Dave chapelle Ski you should

1157
01:18:27,240 --> 01:18:33,439
Speaker 1: know no money. So I felt like that were out.

1158
01:18:33,479 --> 01:18:37,160
Speaker 1: Sorry you had a flask of hype Winds And I

1159
01:18:37,200 --> 01:18:39,040
Speaker 1: still love hype Wins. I love him too. What we

1160
01:18:39,080 --> 01:18:41,600
Speaker 1: could we need to change it? Something? Just opeting with

1161
01:18:41,680 --> 01:18:46,360
Speaker 1: Janet Jackson two point five, it was actually two point four.

1162
01:18:47,360 --> 01:18:54,719
Speaker 1: That's sick with two point five. First, I'm gonna be honest,

1163
01:18:55,000 --> 01:18:56,639
Speaker 1: I think my wife would even let me get away

1164
01:18:56,680 --> 01:18:59,160
Speaker 1: with this. I don't think I could like cheat with

1165
01:18:59,240 --> 01:19:01,800
Speaker 1: Janet Jackson. But Penny from Good Times, I think I'll

1166
01:19:01,800 --> 01:19:05,040
Speaker 1: get away with it. You know who Beenny from Good Times?

1167
01:19:05,200 --> 01:19:06,960
Speaker 1: You have to ask me, no crazy ship like that?

1168
01:19:07,040 --> 01:19:12,000
Speaker 1: My niggas to film with any Good Times? How does

1169
01:19:12,080 --> 01:19:15,559
Speaker 1: this happen? You hype whims and a bunch of silver

1170
01:19:15,640 --> 01:19:24,759
Speaker 1: and platinum in the background. Let's go this video, man, video,

1171
01:19:24,840 --> 01:19:29,599
Speaker 1: it's so crazy. I'm saying that likes so terminated too.

1172
01:19:29,720 --> 01:19:35,439
Speaker 1: Movie The Liquid Robot Janet Jackson on the Velvet Rope Tour.

1173
01:19:36,280 --> 01:19:39,280
Speaker 1: She smells like pieces. She smelled like she was bathing

1174
01:19:39,320 --> 01:19:52,240
Speaker 1: in fruits and berries. And we can't. Yeah, we can't.

1175
01:19:52,320 --> 01:19:55,960
Speaker 1: We can't front every everything. Everything about Janet is an

1176
01:19:56,000 --> 01:20:02,599
Speaker 1: immaculate conception. I don't I have yet, No, not that

1177
01:20:02,640 --> 01:20:08,880
Speaker 1: I have yet. I have never witnessed the flaws. That's hard. Um,

1178
01:20:09,240 --> 01:20:12,400
Speaker 1: everybody got these shortcomings. I just don't. I never interacted

1179
01:20:12,439 --> 01:20:15,680
Speaker 1: with her enough to experience that side. So it is

1180
01:20:15,720 --> 01:20:20,480
Speaker 1: what it is. She's she's she's uh, she's a goddess

1181
01:20:20,640 --> 01:20:27,639
Speaker 1: to me. Um. So Terminated two. Movie The Liquid Rollbock

1182
01:20:28,160 --> 01:20:32,080
Speaker 1: Velvet Rope Tour, Angie Martinez, that's how I came together,

1183
01:20:33,000 --> 01:20:35,040
Speaker 1: Angie Martinez, who you have with Janet Jackson has just

1184
01:20:35,080 --> 01:20:36,960
Speaker 1: throw the room out there right now now what happened

1185
01:20:37,000 --> 01:20:48,160
Speaker 1: with right now? Right now? Janet was on Angie Martinez

1186
01:20:48,240 --> 01:20:51,360
Speaker 1: when she was on Hard on the seven promoting rope

1187
01:20:51,400 --> 01:20:55,200
Speaker 1: tour and she's and Angie asked her if she ever

1188
01:20:55,280 --> 01:20:58,519
Speaker 1: worked with what hip hop artists that she has never

1189
01:20:58,560 --> 01:21:01,160
Speaker 1: worked with that she wants it, would like to work with.

1190
01:21:02,000 --> 01:21:04,519
Speaker 1: She said Busch two rhymes, I'm in I'm in the

1191
01:21:04,600 --> 01:21:06,799
Speaker 1: whip driving and I had to pull over. I couldn't

1192
01:21:06,840 --> 01:21:13,200
Speaker 1: take it. So you hit on the Twitter back, Twitter back,

1193
01:21:14,040 --> 01:21:19,040
Speaker 1: this was did you do page? Somebody I called Mona

1194
01:21:19,080 --> 01:21:23,080
Speaker 1: Scott Mona, I need you to get in touch with Janet.

1195
01:21:23,439 --> 01:21:27,160
Speaker 1: This is so that I got the song for you.

1196
01:21:27,160 --> 01:21:35,720
Speaker 1: Already had the record, no song booker. I didn't have

1197
01:21:35,840 --> 01:21:41,120
Speaker 1: no song when it found the song and she got

1198
01:21:41,120 --> 01:21:42,920
Speaker 1: in touch with Janet and Janet was with it to

1199
01:21:42,920 --> 01:21:45,559
Speaker 1: talk and we got on the phone and she was

1200
01:21:45,600 --> 01:21:49,880
Speaker 1: with the whole clad I did. So we got the

1201
01:21:49,920 --> 01:21:52,519
Speaker 1: song done. The center the ref She loved the idea.

1202
01:21:53,320 --> 01:21:57,920
Speaker 1: After that, now I was about coordinating. You got another shot,

1203
01:21:58,080 --> 01:22:02,920
Speaker 1: I got another shot. I don't playing out what we're playing.

1204
01:22:03,160 --> 01:22:18,800
Speaker 1: Drink he is a drink gam So we sent the

1205
01:22:18,880 --> 01:22:23,960
Speaker 1: queen the song and she she loved it. Now it

1206
01:22:24,080 --> 01:22:26,400
Speaker 1: was about figuring out how we're gonna get the song

1207
01:22:26,439 --> 01:22:29,400
Speaker 1: we called it. So we had to go through this

1208
01:22:30,160 --> 01:22:34,719
Speaker 1: particular protocol because we fuck with a goddess. It's royalty.

1209
01:22:34,800 --> 01:22:39,080
Speaker 1: You know what I'm saying, us a royalty. Right there,

1210
01:22:39,000 --> 01:22:40,640
Speaker 1: he went walking this room. She made this whole room

1211
01:22:40,720 --> 01:22:43,160
Speaker 1: get cleared out walking No no, no, no, no, no,

1212
01:22:43,280 --> 01:22:45,760
Speaker 1: she's not. It ain't gonna make the room get cleared out.

1213
01:22:45,760 --> 01:22:49,640
Speaker 1: They got to be cleared the at Nobody going to

1214
01:22:49,680 --> 01:22:51,280
Speaker 1: be in the room before when they first pull up,

1215
01:22:51,520 --> 01:22:56,400
Speaker 1: Nobody in the room. So it had to be advanced. Obviously,

1216
01:22:57,360 --> 01:23:00,640
Speaker 1: security pull up. Well, she picked the studio and it

1217
01:23:00,760 --> 01:23:03,720
Speaker 1: was a neutral location. It wasn't no way that she

1218
01:23:03,760 --> 01:23:06,479
Speaker 1: would be expected to be where that I would be expecting.

1219
01:23:11,960 --> 01:23:21,120
Speaker 1: It was at location to do it with everything that

1220
01:23:21,400 --> 01:23:27,120
Speaker 1: was not to be where she might have been, or

1221
01:23:27,120 --> 01:23:29,680
Speaker 1: where she's known to be, or I might have been

1222
01:23:29,680 --> 01:23:35,679
Speaker 1: away I'm known to be to be pieces city service

1223
01:23:35,720 --> 01:23:40,519
Speaker 1: levels the fact, So they advanced the spot. She picked it.

1224
01:23:40,800 --> 01:23:43,639
Speaker 1: Since this the location, we approve it. Let's called green light.

1225
01:23:44,520 --> 01:23:49,080
Speaker 1: Now we gotta make the environment sexunt comfortable for the queen.

1226
01:23:50,200 --> 01:23:53,679
Speaker 1: Don't do my research. Kind of candles she like, kind

1227
01:23:53,680 --> 01:23:58,640
Speaker 1: of like kind of fragrance, she like, get the confirmation

1228
01:23:58,680 --> 01:24:00,720
Speaker 1: on all of that. That rape the ship out of

1229
01:24:00,720 --> 01:24:03,640
Speaker 1: the room. In my mind, you was playing you just

1230
01:24:03,920 --> 01:24:08,680
Speaker 1: like Erica by Dude pussy escense in my mind, and

1231
01:24:10,040 --> 01:24:13,560
Speaker 1: do you know Ericone do that incense? And yeah, she

1232
01:24:13,920 --> 01:24:24,599
Speaker 1: got yeah, she got up, she got yeah, just cool.

1233
01:24:24,680 --> 01:24:28,120
Speaker 1: It's just know it's hers, it's hers, it's her, it's

1234
01:24:28,160 --> 01:24:35,960
Speaker 1: her smell. Yea, yeah, just what happened? What's the smell?

1235
01:24:36,400 --> 01:24:44,960
Speaker 1: Like the break? I gotta p Yeah, we all let

1236
01:24:44,960 --> 01:24:48,240
Speaker 1: me in. Yeah yeah, let go work beyond the pistough

1237
01:24:49,000 --> 01:24:53,760
Speaker 1: have to reap it. Yeah, the work, Michael jack what's

1238
01:24:53,800 --> 01:25:04,200
Speaker 1: around the jack? Okay? Boss here, I'm here, Okay, boss.

1239
01:25:04,320 --> 01:25:07,000
Speaker 1: Let me just be honest. I think we left off recording.

1240
01:25:07,600 --> 01:25:12,839
Speaker 1: Um what Janet Jackson and studios was burning in the studio.

1241
01:25:13,400 --> 01:25:15,920
Speaker 1: I think that's where we left off. Is it candles

1242
01:25:15,960 --> 01:25:20,920
Speaker 1: or incense and candles? It was in my mind. She

1243
01:25:21,280 --> 01:25:28,920
Speaker 1: car car fresh m as well is crazy car in freshman.

1244
01:25:29,720 --> 01:25:34,280
Speaker 1: So so, like I said, we did the investigation to

1245
01:25:34,320 --> 01:25:41,920
Speaker 1: see what the queen likes, flower wise, fragrance wise, and

1246
01:25:42,040 --> 01:25:46,280
Speaker 1: just decorative um ship. They just just create the moved,

1247
01:25:46,320 --> 01:25:50,120
Speaker 1: you know, set the moved, and once we found out

1248
01:25:51,560 --> 01:25:56,800
Speaker 1: we successfully executed, made sure everything was there that she

1249
01:25:57,000 --> 01:26:03,760
Speaker 1: liked or that we researched that she liked. So I

1250
01:26:03,840 --> 01:26:09,120
Speaker 1: get to the studio first, and security comes once we

1251
01:26:09,160 --> 01:26:11,040
Speaker 1: knew that they showed up, you knew she was on

1252
01:26:11,080 --> 01:26:14,960
Speaker 1: the way. So the main room that we were supposed

1253
01:26:15,000 --> 01:26:21,280
Speaker 1: to record in, I was so nervous that I actually

1254
01:26:21,479 --> 01:26:24,960
Speaker 1: booked another room because I didn't want to stay in

1255
01:26:25,000 --> 01:26:28,400
Speaker 1: the room or around her too long. No, I just

1256
01:26:28,439 --> 01:26:31,360
Speaker 1: didn't want to be around her too long period because

1257
01:26:31,360 --> 01:26:33,840
Speaker 1: I didn't want to do nothing wrong. That's very rich.

1258
01:26:33,960 --> 01:26:35,920
Speaker 1: That's like, you let me book the other room. Yeah,

1259
01:26:36,439 --> 01:26:43,559
Speaker 1: the whole studio being careful and respectful and and and

1260
01:26:43,560 --> 01:26:52,639
Speaker 1: and proactive. Back then, it was a lockout, that's might

1261
01:26:52,760 --> 01:26:55,880
Speaker 1: you might have spent twelve thous just to walk through.

1262
01:26:56,080 --> 01:26:57,840
Speaker 1: Fortunately it was one day, so I ain't have to

1263
01:26:57,840 --> 01:27:03,680
Speaker 1: spend that much and feel like that. But the thing

1264
01:27:03,760 --> 01:27:05,960
Speaker 1: that was the most important part was just making sure

1265
01:27:06,040 --> 01:27:08,120
Speaker 1: that sorry, was this is Los Angeles? I feel like

1266
01:27:08,120 --> 01:27:09,880
Speaker 1: this is Los Angeles. No, it was somewhere in the

1267
01:27:09,920 --> 01:27:12,680
Speaker 1: middle of the country, like some remote location in the

1268
01:27:12,680 --> 01:27:18,800
Speaker 1: middle of the country. You know something, I mean, you

1269
01:27:18,840 --> 01:27:22,439
Speaker 1: know something it was. It was something weird, middle of

1270
01:27:22,479 --> 01:27:28,040
Speaker 1: America place like that. She picked that she was in

1271
01:27:28,120 --> 01:27:32,160
Speaker 1: total control of the way this went down because obviously

1272
01:27:32,280 --> 01:27:34,880
Speaker 1: her comfort is priority, so that he pulled us off

1273
01:27:34,920 --> 01:27:38,400
Speaker 1: the right way rightfully, So she fucking earned that. She's

1274
01:27:38,840 --> 01:27:44,440
Speaker 1: Queen royal Empress got us, so we're gonna move accordingly.

1275
01:27:44,600 --> 01:27:47,680
Speaker 1: So cool, We're working all out, whatever the case may be.

1276
01:27:47,840 --> 01:27:51,439
Speaker 1: And you know, when the security shows up, I'm like,

1277
01:27:51,479 --> 01:27:55,360
Speaker 1: I let me get another room because I just didn't

1278
01:27:55,360 --> 01:27:59,080
Speaker 1: want to be working in a at a pace creatively

1279
01:27:59,600 --> 01:28:03,600
Speaker 1: that isn't matching her pace, so she would have to

1280
01:28:03,600 --> 01:28:07,680
Speaker 1: be sitting around waiting for me to finish creatively. So

1281
01:28:08,000 --> 01:28:10,040
Speaker 1: I went in another room so that I wouldn't be

1282
01:28:10,080 --> 01:28:12,840
Speaker 1: distracted by being in the same space with her. You know,

1283
01:28:12,880 --> 01:28:15,840
Speaker 1: it's it's hard to not look at you. And I

1284
01:28:15,880 --> 01:28:17,880
Speaker 1: laid all of my verses in another role so that

1285
01:28:18,200 --> 01:28:21,760
Speaker 1: my ship could be done right away, no distractions. I'm

1286
01:28:21,800 --> 01:28:25,280
Speaker 1: not staring at her the whole session. I'm giving her

1287
01:28:25,920 --> 01:28:29,360
Speaker 1: absolutely that was the most important not doing nothing that

1288
01:28:29,439 --> 01:28:33,800
Speaker 1: was gonna be extra around her. So we get it,

1289
01:28:33,800 --> 01:28:40,120
Speaker 1: We get it done, song finished, phenomenal results, Everything is amazing.

1290
01:28:40,960 --> 01:28:53,240
Speaker 1: Now it's time to shoot the video. Now is that

1291
01:28:53,360 --> 01:28:57,760
Speaker 1: something you established before you record the record that, um,

1292
01:28:58,840 --> 01:29:01,599
Speaker 1: this is not just me doing record with you, but

1293
01:29:01,640 --> 01:29:04,320
Speaker 1: this is the full flesh single, you know, like we're

1294
01:29:04,320 --> 01:29:06,080
Speaker 1: going we're going all out. That is that's some of

1295
01:29:06,080 --> 01:29:08,360
Speaker 1: you would crest prior or that's you get the record

1296
01:29:08,360 --> 01:29:10,880
Speaker 1: done and you think about it later. I think everybody

1297
01:29:10,960 --> 01:29:13,519
Speaker 1: is very clear that you don't use Janet Jackson as

1298
01:29:13,520 --> 01:29:23,000
Speaker 1: an album dust collected besides album. Excuse me, I'm sorry, brother,

1299
01:29:24,000 --> 01:29:27,240
Speaker 1: Let's be act, but let's be clear. They can front

1300
01:29:27,240 --> 01:29:29,519
Speaker 1: on you. You're going to she did the record, you know,

1301
01:29:29,560 --> 01:29:31,719
Speaker 1: the regular I think she's a virgin at that time,

1302
01:29:33,960 --> 01:29:36,519
Speaker 1: I believe. So that's what I'm saying. That's you're right,

1303
01:29:36,640 --> 01:29:39,479
Speaker 1: they can front on it. Do a record. You want

1304
01:29:39,479 --> 01:29:40,880
Speaker 1: to do a record with me? That do mean you're

1305
01:29:40,880 --> 01:29:44,040
Speaker 1: getting video right when you're getting a single right. You're right,

1306
01:29:44,040 --> 01:29:46,160
Speaker 1: But it all depends on how this record comes out.

1307
01:29:46,200 --> 01:29:47,680
Speaker 1: At the end of the day. It all depends on

1308
01:29:47,680 --> 01:29:50,880
Speaker 1: how Janet feels. That's really what it all balls down to,

1309
01:29:50,960 --> 01:29:52,960
Speaker 1: because at the end of the day, she was super

1310
01:29:53,000 --> 01:29:55,479
Speaker 1: Bowl stuff to the point where she is the shot

1311
01:29:55,520 --> 01:29:58,000
Speaker 1: calling the end. All says all when it comes to

1312
01:29:57,640 --> 01:30:00,479
Speaker 1: the decision making process, when it comes to her ship,

1313
01:30:00,960 --> 01:30:06,559
Speaker 1: her likeness, her being, whatever she said goes rightfully. So

1314
01:30:07,080 --> 01:30:12,519
Speaker 1: now I get the blessing of everything. Video clarance, single clearance,

1315
01:30:12,600 --> 01:30:18,720
Speaker 1: album clearance, everything to go. I'm super on cloud to trillion,

1316
01:30:20,160 --> 01:30:24,400
Speaker 1: trying to shoot the video. M treatment is done. We

1317
01:30:24,400 --> 01:30:27,080
Speaker 1: discussed treatment. We see the budget, budget out of control.

1318
01:30:27,160 --> 01:30:29,320
Speaker 1: Can't believe it. Sylvia Wrong, got to do all types

1319
01:30:29,360 --> 01:30:31,400
Speaker 1: of ship to get it approved. She gets it approved.

1320
01:30:32,280 --> 01:30:36,400
Speaker 1: Big up Sylvia Wrong. She was big up Sylvia Wrong.

1321
01:30:42,000 --> 01:30:46,120
Speaker 1: Mother of my career. She helped introduced bust the rhyme

1322
01:30:46,240 --> 01:30:50,519
Speaker 1: to the disrespectful tax bracket and conjunction with violator. She

1323
01:30:50,680 --> 01:30:57,200
Speaker 1: also was extremely passionate and confess committed to making sure

1324
01:30:57,240 --> 01:31:01,320
Speaker 1: that whatever our dreams were, our ideas were, she saw

1325
01:31:01,360 --> 01:31:04,440
Speaker 1: it through, even if it might have meant some backlash

1326
01:31:04,520 --> 01:31:11,720
Speaker 1: for her. Okay, now we're shooting the video. I get

1327
01:31:11,760 --> 01:31:15,280
Speaker 1: to the video shoot. Janet Jackson got this dress on

1328
01:31:16,360 --> 01:31:19,000
Speaker 1: and it got these different rings on it, and the

1329
01:31:19,120 --> 01:31:22,240
Speaker 1: different rings on it, I don't understand what they was.

1330
01:31:24,680 --> 01:31:26,600
Speaker 1: And she had them little she had the rings on

1331
01:31:26,640 --> 01:31:29,760
Speaker 1: her ends of her fingernails, so she had them on

1332
01:31:29,800 --> 01:31:36,080
Speaker 1: her fingernails. She had I don't think that's where he

1333
01:31:36,120 --> 01:31:51,400
Speaker 1: was going with. So so I'm looking at these rings

1334
01:31:51,560 --> 01:31:57,280
Speaker 1: and I'm just like it was Queen, what's the significance

1335
01:31:57,320 --> 01:32:00,240
Speaker 1: of all of these rings? And she goes this cockerings

1336
01:32:01,600 --> 01:32:05,040
Speaker 1: WHOA just straight up she said, these is cock rings.

1337
01:32:06,080 --> 01:32:15,000
Speaker 1: Trying to understand you, correct, Nori, I don't feel comfortable

1338
01:32:15,040 --> 01:32:19,880
Speaker 1: further than it's just we around a bunch of men.

1339
01:32:19,960 --> 01:32:26,439
Speaker 1: I already said the cock that that that is a

1340
01:32:27,439 --> 01:32:33,479
Speaker 1: a use your imagination. So something with the rings and

1341
01:32:33,560 --> 01:32:39,040
Speaker 1: the man's Johnson was conducive to each other. And I

1342
01:32:39,400 --> 01:32:41,519
Speaker 1: this was news to me. I never knew nothing about

1343
01:32:41,600 --> 01:32:44,080
Speaker 1: this and I didn't understand it. But I just thought

1344
01:32:44,120 --> 01:32:46,400
Speaker 1: that the ship was incredible. As she was willing to

1345
01:32:46,439 --> 01:32:53,240
Speaker 1: go there for my video, well our video, so we

1346
01:32:53,320 --> 01:32:57,320
Speaker 1: do what we do shoot the video and the interaction

1347
01:32:57,439 --> 01:33:01,559
Speaker 1: between us was so beautiful because she didn't have any

1348
01:33:01,680 --> 01:33:07,200
Speaker 1: discomfort with allowing me to interact with her very essentially,

1349
01:33:08,320 --> 01:33:10,600
Speaker 1: so I was able to hold around her waist, and

1350
01:33:11,520 --> 01:33:28,040
Speaker 1: we're sticking tongues at each other and ain't gonna look

1351
01:33:28,120 --> 01:33:31,640
Speaker 1: at how many more takes. I'm not even gonna lie.

1352
01:33:32,520 --> 01:33:36,760
Speaker 1: And she didn't let me get away like pity. You know,

1353
01:33:36,840 --> 01:33:39,439
Speaker 1: every man in the right mind is imagining, wishing and

1354
01:33:39,560 --> 01:33:42,240
Speaker 1: hoping that there was an opportunity, even in a millions

1355
01:33:42,280 --> 01:33:45,240
Speaker 1: of a fraction, for that to be a possibility. But

1356
01:33:45,400 --> 01:33:53,800
Speaker 1: unfortunately it was a super dub perspectfully, so we'respectfullly so

1357
01:33:56,320 --> 01:33:59,880
Speaker 1: and would we dare try to have a cross that

1358
01:34:00,040 --> 01:34:04,520
Speaker 1: line in the sand. You were deserving of every repercussion

1359
01:34:04,600 --> 01:34:07,760
Speaker 1: that game behind it, So you don't even try your hand,

1360
01:34:07,800 --> 01:34:10,040
Speaker 1: and she commands a certain level of respect. It's not

1361
01:34:10,080 --> 01:34:12,800
Speaker 1: even worth rolling the dice on that type of ship.

1362
01:34:12,840 --> 01:34:17,400
Speaker 1: So you smell like beaches, he said, don basket the

1363
01:34:17,439 --> 01:34:23,320
Speaker 1: whole food basket. Cocktail, food baskets food cocktail, got fruit

1364
01:34:23,360 --> 01:34:32,960
Speaker 1: tostion on type of organic with the cocktail. She's better

1365
01:34:33,000 --> 01:34:44,360
Speaker 1: than that ship. Got a bust. Now this is another thing. Now,

1366
01:34:44,439 --> 01:34:46,200
Speaker 1: this is just a great sect where you gotta shot.

1367
01:34:46,439 --> 01:34:48,760
Speaker 1: I gotta shot as one. Hold on, let me get

1368
01:34:48,760 --> 01:34:50,800
Speaker 1: a shot. Hold up, Look this is this foul ship

1369
01:34:50,800 --> 01:34:55,240
Speaker 1: in America? Be honest, I got a whole little respect

1370
01:34:55,280 --> 01:34:58,519
Speaker 1: for you because I didn't see anybody else touch model.

1371
01:34:58,680 --> 01:35:03,840
Speaker 1: This is you. I gave ye. Charlie's your friend for real. Man,

1372
01:35:03,880 --> 01:35:08,880
Speaker 1: y'all going through each other. Hold up, big up to

1373
01:35:09,400 --> 01:35:13,840
Speaker 1: hold up slip chill. I want to pick up. We

1374
01:35:14,000 --> 01:35:18,200
Speaker 1: picked up splip, start properly, right again, Up again, big

1375
01:35:18,360 --> 01:35:26,600
Speaker 1: up again, swift from the head. You gotta pick up

1376
01:35:26,640 --> 01:35:29,320
Speaker 1: slip the right way. That's right. I gotta bigger my brother,

1377
01:35:29,439 --> 01:35:36,320
Speaker 1: fu you to connector got the motherfucker. I gotta bring

1378
01:35:36,400 --> 01:35:42,840
Speaker 1: up my motherfucking brother. He nixed from Black Brega's bomb.

1379
01:35:43,040 --> 01:35:47,160
Speaker 1: So so so the floor's yours and I'm sorry, Holy

1380
01:35:47,160 --> 01:35:51,880
Speaker 1: morning morning, I'm so happy. Really. Okay, So what we

1381
01:35:51,920 --> 01:35:53,800
Speaker 1: was going he was that we was with Janet and

1382
01:35:53,800 --> 01:35:56,519
Speaker 1: then he was going somewhere else, right, I think he

1383
01:35:56,600 --> 01:36:01,160
Speaker 1: was going to Mariah. Yes, okay, So here's a crazy ship.

1384
01:36:03,040 --> 01:36:06,240
Speaker 1: What he did that you conduct in this interview. I

1385
01:36:06,320 --> 01:36:10,160
Speaker 1: like that he's the conduct conducted, But your name is

1386
01:36:10,240 --> 01:36:17,400
Speaker 1: a conductor, bust. So listen. The crazy ship was. Maria

1387
01:36:17,680 --> 01:36:20,960
Speaker 1: was different. But I'm gonna tell you why Mariot was different.

1388
01:36:21,439 --> 01:36:25,880
Speaker 1: Because it was your turn in my opinion, looking from

1389
01:36:25,920 --> 01:36:29,759
Speaker 1: the outside, and not to be selfish because the Maria

1390
01:36:29,920 --> 01:36:33,800
Speaker 1: record is not with you by yourself. Are we clear

1391
01:36:33,880 --> 01:36:38,280
Speaker 1: on that? Very clear? This is the flip mold. Maybe

1392
01:36:38,360 --> 01:36:50,640
Speaker 1: would you give it to me? You know that was

1393
01:36:50,720 --> 01:36:53,920
Speaker 1: what your food? What made you say? I had a

1394
01:36:53,920 --> 01:36:58,639
Speaker 1: favor from my wire carry the princess from the outs

1395
01:36:58,680 --> 01:37:02,519
Speaker 1: of everywhere, the alps of everywhere. I didn't think of

1396
01:37:02,520 --> 01:37:08,280
Speaker 1: anything else. She's she's so so rutiful person. She's an angel.

1397
01:37:08,720 --> 01:37:20,559
Speaker 1: Like every Christmas Carol should be heard. She needs to

1398
01:37:20,640 --> 01:37:30,759
Speaker 1: use that as well. In my mind, carry out yourself.

1399
01:37:31,439 --> 01:37:35,559
Speaker 1: I take my carrying favo dolo what you said, Let

1400
01:37:35,600 --> 01:37:40,880
Speaker 1: me put my who. Let me be honest. I made

1401
01:37:40,920 --> 01:37:49,280
Speaker 1: the record with my crew before we called Mariah. Because no,

1402
01:37:49,400 --> 01:37:51,320
Speaker 1: she was never playing B. She was always she was

1403
01:37:51,320 --> 01:37:54,800
Speaker 1: always playing A. But see, the collective of all of

1404
01:37:54,880 --> 01:37:57,960
Speaker 1: us was the plan A. If the collective of all

1405
01:37:58,040 --> 01:38:00,400
Speaker 1: of us didn't work, then I would have had to

1406
01:38:00,479 --> 01:38:04,600
Speaker 1: create a plan B. So it was always planning A.

1407
01:38:05,160 --> 01:38:07,120
Speaker 1: So me and Spliff was on the toy bus because

1408
01:38:07,120 --> 01:38:12,760
Speaker 1: there was a period of time for like four years. Yeah,

1409
01:38:12,840 --> 01:38:16,840
Speaker 1: we just did. I mean, I need some water over

1410
01:38:17,080 --> 01:38:23,679
Speaker 1: because now I gotta start so so me and splif

1411
01:38:24,120 --> 01:38:26,400
Speaker 1: there was a period of time I just refused to

1412
01:38:26,520 --> 01:38:33,040
Speaker 1: ride on the plane commercially. And I also like from

1413
01:38:33,200 --> 01:38:37,120
Speaker 1: childhood days. You know a week as children, you riding

1414
01:38:37,160 --> 01:38:39,439
Speaker 1: on a car, you had it in the car. You're

1415
01:38:39,439 --> 01:38:43,360
Speaker 1: in a parkway and those long, little semi long drives

1416
01:38:43,360 --> 01:38:47,040
Speaker 1: on the parkway. As a kid, that ship was relaxing.

1417
01:38:48,240 --> 01:38:54,120
Speaker 1: The fucking engine humming and the fucking just the coasting

1418
01:38:54,200 --> 01:38:55,920
Speaker 1: on the park where you ain't stopping and going with

1419
01:38:55,960 --> 01:38:59,280
Speaker 1: traffic lights. Ship. You know, I'm talking about just regular

1420
01:38:59,400 --> 01:39:13,760
Speaker 1: driving and the car with you. I don't you know

1421
01:39:14,120 --> 01:39:17,040
Speaker 1: it's a child ow you know the way the way

1422
01:39:17,080 --> 01:39:19,439
Speaker 1: I grew up, I always loved being a car, just

1423
01:39:19,479 --> 01:39:23,640
Speaker 1: being driven by my my father. I fall asleep in

1424
01:39:23,680 --> 01:39:26,240
Speaker 1: the car every time I'm with my father driving. And

1425
01:39:26,360 --> 01:39:28,120
Speaker 1: you know, when we're on the Parkway and we're driving

1426
01:39:28,240 --> 01:39:30,160
Speaker 1: me going to visit family and Queens or we're going

1427
01:39:30,200 --> 01:39:33,880
Speaker 1: to visit family among allan from Brooklyn, that ship just

1428
01:39:33,960 --> 01:39:37,439
Speaker 1: was relaxing to me. So I fall asleep all the time. Yeah,

1429
01:39:37,520 --> 01:39:40,679
Speaker 1: it was safe, it was comfortable, and it was soothing

1430
01:39:41,240 --> 01:39:45,400
Speaker 1: between the music on the radio and the motherfucking feeling

1431
01:39:45,439 --> 01:39:48,640
Speaker 1: of the car moving at seventy miles per hour and

1432
01:39:48,680 --> 01:39:53,880
Speaker 1: the fucking engine humming right, and she was relaxing for me.

1433
01:39:54,080 --> 01:39:59,040
Speaker 1: So I really appreciated being on tour buses, you know

1434
01:39:59,040 --> 01:40:01,960
Speaker 1: what I'm saying. That led to me being able to

1435
01:40:02,160 --> 01:40:04,920
Speaker 1: really enjoy relaxed time that I never really got the

1436
01:40:04,920 --> 01:40:09,040
Speaker 1: opportunity to enjoy because we're grinding so much. You feel me.

1437
01:40:09,960 --> 01:40:11,400
Speaker 1: You get on the toy bus, there's only one of

1438
01:40:11,479 --> 01:40:14,040
Speaker 1: two things to do. You can watch a shipload of TV,

1439
01:40:14,960 --> 01:40:20,679
Speaker 1: all right, or you go to sleep listen to music.

1440
01:40:23,080 --> 01:40:25,800
Speaker 1: I took advantage of that ship and rested a lot

1441
01:40:26,880 --> 01:40:29,680
Speaker 1: driving from New York to l A. And I had

1442
01:40:29,720 --> 01:40:32,720
Speaker 1: two days. Now I had two phenomenal bus drivers. I

1443
01:40:32,720 --> 01:40:34,840
Speaker 1: would get to l A in thirty eight hours. Wow,

1444
01:40:37,120 --> 01:40:43,639
Speaker 1: some flights. Let's make goings for MA and Cisco. Real quick,

1445
01:40:48,240 --> 01:40:55,360
Speaker 1: rested piece of Cisco. What should I go? Gold? Now?

1446
01:40:55,800 --> 01:41:00,120
Speaker 1: Absolutely with the rose? All right, you permission about that?

1447
01:41:00,240 --> 01:41:06,920
Speaker 1: Lets so as we drive course country, we obviously listened

1448
01:41:06,920 --> 01:41:09,679
Speaker 1: to the beats, were getting beat packed from a fucker's

1449
01:41:09,720 --> 01:41:12,240
Speaker 1: left and right. Rick Rock sends us the Mariah b

1450
01:41:12,840 --> 01:41:16,040
Speaker 1: pick up the Rick Rock Bob salute the Rick Rock

1451
01:41:19,400 --> 01:41:24,400
Speaker 1: salute the Mr uh Rick Rock real quick, and and

1452
01:41:24,400 --> 01:41:27,000
Speaker 1: and when he sent the beat, me and Spliff, we're

1453
01:41:27,000 --> 01:41:28,840
Speaker 1: on the tour bus and we're going through beats, and

1454
01:41:29,560 --> 01:41:31,280
Speaker 1: you know, we might blaze the tree and sip a

1455
01:41:31,320 --> 01:41:33,680
Speaker 1: little yak or whatever. At the time when I was

1456
01:41:33,760 --> 01:41:36,760
Speaker 1: drinking the brown and were riding across the country and

1457
01:41:36,800 --> 01:41:39,720
Speaker 1: the beat come on, and we're humming this melody to

1458
01:41:39,760 --> 01:41:42,080
Speaker 1: govern and ship. And then I came up with the

1459
01:41:42,120 --> 01:41:44,640
Speaker 1: words to it. And then mme and Spliff was just

1460
01:41:45,280 --> 01:41:47,280
Speaker 1: locking in on that ship. He was like, this is it.

1461
01:41:49,479 --> 01:41:52,760
Speaker 1: Me and Spliff came up with our verses. First song

1462
01:41:52,880 --> 01:41:56,760
Speaker 1: starts we get home. We were called the ship. We

1463
01:41:56,840 --> 01:41:59,759
Speaker 1: called flip mode and they hit our verses. These niggers

1464
01:41:59,760 --> 01:42:04,679
Speaker 1: want in rampage, get busy. I did. Get busy, baby sham,

1465
01:42:04,760 --> 01:42:09,280
Speaker 1: get busy. Lord Have Mercy wasn't too much into the

1466
01:42:09,400 --> 01:42:12,400
Speaker 1: chick records because Lord A Mercy he liked to beat

1467
01:42:12,439 --> 01:42:16,160
Speaker 1: your head and on some some dully ship. That's the

1468
01:42:16,240 --> 01:42:23,280
Speaker 1: Lord Have Mercy, Thank you brother. So so basically the

1469
01:42:23,360 --> 01:42:27,000
Speaker 1: song gets done. We sent it to the Queen Mariah.

1470
01:42:27,439 --> 01:42:31,000
Speaker 1: She's with all the smoke. She don't come to the

1471
01:42:31,000 --> 01:42:34,080
Speaker 1: studio like Danne did. Well, now we we didn't. We didn't.

1472
01:42:34,320 --> 01:42:36,280
Speaker 1: This is when the technology is you can send the

1473
01:42:36,320 --> 01:42:38,759
Speaker 1: record now. Yeah, but it was the same ship with Janet.

1474
01:42:39,000 --> 01:42:42,080
Speaker 1: We just needed to be in the same room. Um,

1475
01:42:42,080 --> 01:42:44,400
Speaker 1: but it was a different time because the Mariah ship

1476
01:42:44,479 --> 01:42:46,760
Speaker 1: came in. Oh, we put it out an O three.

1477
01:42:46,800 --> 01:42:50,240
Speaker 1: We recorded it a No. Two. The Janet record was

1478
01:42:50,280 --> 01:42:55,519
Speaker 1: recorded in. It's two different time, friends, you know what

1479
01:42:55,520 --> 01:42:59,080
Speaker 1: I'm saying. And technology definitely an advanced significant need by

1480
01:42:59,120 --> 01:43:04,160
Speaker 1: the time we got around to the Mariah joint. But

1481
01:43:04,520 --> 01:43:07,560
Speaker 1: you heard this song and fell in love with it.

1482
01:43:07,600 --> 01:43:09,519
Speaker 1: As a matter of fact that we big up Mariah

1483
01:43:09,560 --> 01:43:19,840
Speaker 1: Carry right character. I'm not gonna lie Maria Carry or

1484
01:43:19,920 --> 01:43:22,479
Speaker 1: Janet come here. I know that my niggas is gonna

1485
01:43:22,520 --> 01:43:24,400
Speaker 1: slip their chair when they get me, they get up.

1486
01:43:26,360 --> 01:43:28,120
Speaker 1: I don't even to put that out there first. I'm

1487
01:43:28,360 --> 01:43:30,960
Speaker 1: going out there, man, so after the year, you might

1488
01:43:30,960 --> 01:43:36,120
Speaker 1: need to win. I haven't been doing out there in jail.

1489
01:43:36,280 --> 01:43:43,160
Speaker 1: Some cheers now they'll never come. You sunked it up, man,

1490
01:43:43,200 --> 01:43:46,200
Speaker 1: I sunked it up. You suck up, damn man. I'm sorry.

1491
01:43:46,200 --> 01:43:48,760
Speaker 1: That's why girls ain't coming to drink. Champ Yeah, that's why. Man,

1492
01:43:48,800 --> 01:43:51,640
Speaker 1: they're gonna spive some chairs. Man's absolutely want we come

1493
01:43:51,760 --> 01:43:54,320
Speaker 1: to drink. Make sure you're right, make sure you just

1494
01:43:54,479 --> 01:44:02,040
Speaker 1: really clean. You're gonna I don't know, I listen to you.

1495
01:44:03,760 --> 01:44:07,519
Speaker 1: At the end of the day, the Queen Mariah jumped

1496
01:44:07,520 --> 01:44:10,080
Speaker 1: on the record and it turned out to be magical.

1497
01:44:10,240 --> 01:44:11,800
Speaker 1: But now let me ask you. But she could have

1498
01:44:11,880 --> 01:44:15,000
Speaker 1: easily say, your boss fucking with you? I know who

1499
01:44:15,040 --> 01:44:17,439
Speaker 1: Spiff is. Yeah, I'm not gonna do I'm not gonna

1500
01:44:17,439 --> 01:44:21,720
Speaker 1: be but healthy or why am I? Part of you know,

1501
01:44:21,800 --> 01:44:24,760
Speaker 1: the establishment of that has to be the respect, Yes,

1502
01:44:24,800 --> 01:44:27,679
Speaker 1: for you. I think it was a combination of things.

1503
01:44:29,000 --> 01:44:31,120
Speaker 1: The first thing, obviously is the respect and love we

1504
01:44:31,200 --> 01:44:34,040
Speaker 1: got for each other. That goes without saying I don't

1505
01:44:34,040 --> 01:44:37,200
Speaker 1: think that we even entertain anything without loving and respecting

1506
01:44:37,240 --> 01:44:41,479
Speaker 1: each other, especially at the stage we were both steaming,

1507
01:44:41,680 --> 01:44:43,800
Speaker 1: you know what I'm saying that like in a very

1508
01:44:43,840 --> 01:44:50,880
Speaker 1: serious way at that time. But secondly, you can't front

1509
01:44:51,000 --> 01:44:56,919
Speaker 1: on an undeniable feeling. When the ship is a smash,

1510
01:44:57,000 --> 01:45:01,599
Speaker 1: it's a smash from the actual record. Yes, that's what's

1511
01:45:01,760 --> 01:45:06,400
Speaker 1: it's like. Let's go back to the reagonomics. Serra A

1512
01:45:06,400 --> 01:45:12,639
Speaker 1: lot of crack, A lot of crack. Right. You pull

1513
01:45:12,760 --> 01:45:16,960
Speaker 1: up out of town and you want the fee to

1514
01:45:17,080 --> 01:45:19,880
Speaker 1: let all of the custodys know you're back in town

1515
01:45:20,240 --> 01:45:23,000
Speaker 1: because you're from out of town. You give the fee

1516
01:45:23,080 --> 01:45:27,800
Speaker 1: a sample, tell them that they friends taste it. You

1517
01:45:27,840 --> 01:45:30,439
Speaker 1: ain't gotta talk with the night hour with a two.

1518
01:45:31,680 --> 01:45:38,000
Speaker 1: The fiends just lined up down the block. You're gonna bubble, okay, cool.

1519
01:45:39,439 --> 01:45:43,400
Speaker 1: The product will speak for itself. When you got that ship,

1520
01:45:43,880 --> 01:45:46,880
Speaker 1: it's going to sell itself. My mom and barbecue walking

1521
01:45:47,160 --> 01:45:49,479
Speaker 1: here with pop bott it's missing child. You need different.

1522
01:45:51,840 --> 01:45:56,720
Speaker 1: I don't know why you're coming. That's just there like

1523
01:45:56,760 --> 01:45:59,000
Speaker 1: he floss it. I don't know what's your problem about

1524
01:46:00,000 --> 01:46:05,519
Speaker 1: the no. I'm like, I'm sorry, but he just I

1525
01:46:05,520 --> 01:46:20,280
Speaker 1: don't know why he was so again that the queen.

1526
01:46:20,280 --> 01:46:24,280
Speaker 1: She heard the record and obviously she got a trillion

1527
01:46:24,360 --> 01:46:28,240
Speaker 1: number ones. She didn't sold two hundred million, three hundred

1528
01:46:28,240 --> 01:46:31,680
Speaker 1: million records. She know what the hit is, but I

1529
01:46:31,760 --> 01:46:35,080
Speaker 1: mean she didn't question it. But absolutely not. But still

1530
01:46:35,120 --> 01:46:39,880
Speaker 1: a hit with a established artist and a hit, what's

1531
01:46:40,640 --> 01:46:44,120
Speaker 1: what people that's not established? It's a risk, right, But

1532
01:46:44,520 --> 01:46:48,840
Speaker 1: a hit is a hit. Damn, but a hit. She

1533
01:46:48,920 --> 01:46:52,360
Speaker 1: heard it. She heard it, she envisioned it, she heard it.

1534
01:46:52,439 --> 01:47:04,200
Speaker 1: Thank you to your fact. There was no convincing her. No,

1535
01:47:04,439 --> 01:47:09,360
Speaker 1: you know, she's a woman of music and she ain't scared.

1536
01:47:10,040 --> 01:47:12,400
Speaker 1: You see, Mariya ain't got no problem working with and

1537
01:47:12,439 --> 01:47:15,040
Speaker 1: she's him. Bro. She went and got with Old dB

1538
01:47:15,240 --> 01:47:17,200
Speaker 1: before a lot of armb artists. And this is what

1539
01:47:17,439 --> 01:47:20,759
Speaker 1: d did when he was a troublemaker. Yeah, he's throwing

1540
01:47:20,800 --> 01:47:23,880
Speaker 1: speakers and killing she she she went and God, thank

1541
01:47:23,920 --> 01:47:26,479
Speaker 1: you bro. She want to get old about five back

1542
01:47:26,479 --> 01:47:36,400
Speaker 1: then because he's a dig of his nose. You're crazy, yo, Na, Yeah,

1543
01:47:36,600 --> 01:47:42,000
Speaker 1: taking this ship too far, that's bast ship and the ship.

1544
01:47:42,120 --> 01:47:44,759
Speaker 1: That's why he did it in state property, that ship

1545
01:47:45,200 --> 01:47:47,280
Speaker 1: and state problem. That's because of seeing a lot when

1546
01:47:47,280 --> 01:47:49,200
Speaker 1: he was cooking, when he was cooking, when he was cooking,

1547
01:47:49,240 --> 01:47:51,880
Speaker 1: that's my scene because Dave was like, you know, you know,

1548
01:47:51,920 --> 01:47:54,400
Speaker 1: Old DVS like, I never gave Old DP five by

1549
01:47:54,439 --> 01:47:58,160
Speaker 1: my life, and it's like because every time I see

1550
01:47:58,240 --> 01:47:59,360
Speaker 1: though I don't know if he did it to me

1551
01:47:59,400 --> 01:48:02,240
Speaker 1: on burgers, you probably did, because like you know, old

1552
01:48:02,600 --> 01:48:04,880
Speaker 1: was crazy. I was sorry, but in a great way,

1553
01:48:04,920 --> 01:48:08,479
Speaker 1: but I was sorry. O. D B was one of

1554
01:48:08,479 --> 01:48:13,240
Speaker 1: the first artists that she decided to feel like. I

1555
01:48:13,320 --> 01:48:16,360
Speaker 1: love him and you OLDB had a crazy one. My

1556
01:48:16,479 --> 01:48:22,360
Speaker 1: brother out of Control. No, that's my brother. O dB

1557
01:48:22,560 --> 01:48:25,000
Speaker 1: is on my new album Extinction Level Event to the

1558
01:48:25,040 --> 01:48:44,679
Speaker 1: rap of God you you held it this long? Yes, Yes,

1559
01:48:45,720 --> 01:48:51,280
Speaker 1: o d B. A song unique, Big Baby Jesus Dirk

1560
01:48:51,360 --> 01:48:56,759
Speaker 1: McGurk the God and let me tell you something about

1561
01:48:56,800 --> 01:49:02,519
Speaker 1: a song unique, I would say n Leaders in the

1562
01:49:02,600 --> 01:49:04,920
Speaker 1: New School before we put out The Future Without a

1563
01:49:04,960 --> 01:49:08,599
Speaker 1: Pass album at ninety one, we performed at this venue

1564
01:49:08,680 --> 01:49:12,320
Speaker 1: called hot Rod in Manhattan, down on the West Side Highway.

1565
01:49:12,479 --> 01:49:14,519
Speaker 1: It was an event for the five percent Nation of

1566
01:49:14,520 --> 01:49:16,519
Speaker 1: the Gods and Nerves and hot Rock was a venue

1567
01:49:16,560 --> 01:49:19,760
Speaker 1: with a piece of the Gods and Nerves. Hot Rock

1568
01:49:19,920 --> 01:49:25,439
Speaker 1: was a video earlier. No, we're not picking up nothing, man,

1569
01:49:26,080 --> 01:49:48,800
Speaker 1: I think it made me earlier. Now ruin hot Rod,

1570
01:49:49,320 --> 01:49:53,360
Speaker 1: We're so. This is a venue where you can come

1571
01:49:53,400 --> 01:49:57,519
Speaker 1: inside and sit down and eat drink. But the tables

1572
01:49:57,520 --> 01:50:00,960
Speaker 1: are set up where it's like you have have these

1573
01:50:01,040 --> 01:50:05,880
Speaker 1: old school cars from the sixties and you sit down

1574
01:50:06,840 --> 01:50:10,600
Speaker 1: in these little dining area where the tables that you

1575
01:50:10,680 --> 01:50:14,040
Speaker 1: were sitting at had like old school cars. You sit down,

1576
01:50:14,120 --> 01:50:15,920
Speaker 1: you eat all your food. It was kind of like

1577
01:50:16,040 --> 01:50:18,840
Speaker 1: some males dining ship, just a little more sophisticated and

1578
01:50:18,960 --> 01:50:22,720
Speaker 1: sexy because they had the old school cars as the

1579
01:50:22,840 --> 01:50:25,559
Speaker 1: areas where you sit up. Johnny rockets and Johnny Rocks.

1580
01:50:26,240 --> 01:50:28,720
Speaker 1: It was kind of like the boat for the Right,

1581
01:50:28,800 --> 01:50:31,560
Speaker 1: because they both had similar things. This was just a

1582
01:50:31,600 --> 01:50:33,760
Speaker 1: little more elaborate than that because they would actually have

1583
01:50:34,120 --> 01:50:36,400
Speaker 1: the cars the cars, and you would sit in the

1584
01:50:36,520 --> 01:50:42,080
Speaker 1: areas of the cars and eat. Now, the Jess before

1585
01:50:42,120 --> 01:50:45,000
Speaker 1: he was the Jesse was just a genius. Genius when

1586
01:50:45,040 --> 01:50:50,639
Speaker 1: he was Prince Rock King, big Daddy came. Yeah, Prince Rock,

1587
01:50:51,200 --> 01:50:58,360
Speaker 1: Big Daddy came, lead us in a new school. Might

1588
01:50:58,439 --> 01:51:08,040
Speaker 1: have been positive k and uh was it poor rats? No,

1589
01:51:09,720 --> 01:51:12,960
Speaker 1: it might have been poor righteous teachers. I'm could be

1590
01:51:13,080 --> 01:51:19,680
Speaker 1: mistaken or eating at the spot or performing. So this

1591
01:51:19,920 --> 01:51:23,320
Speaker 1: was an event that was specifically organized by I promoted

1592
01:51:23,400 --> 01:51:25,599
Speaker 1: at was a part of the fi pers the Nation

1593
01:51:25,640 --> 01:51:30,759
Speaker 1: of the Gods and Earths. We do the show, we finished,

1594
01:51:34,160 --> 01:51:38,200
Speaker 1: everybody leaving, we get outside, we're in front of the venue.

1595
01:51:42,120 --> 01:51:45,120
Speaker 1: The building session had to start perform. Motherfuckers could go home.

1596
01:51:47,040 --> 01:51:49,400
Speaker 1: So everybody that was in the Nation of the Five

1597
01:51:49,479 --> 01:51:53,320
Speaker 1: percent anybody was in the Fipers, the nation of the

1598
01:51:53,360 --> 01:51:56,360
Speaker 1: Gods and earths. Excuse me, had to partake in the

1599
01:51:56,439 --> 01:52:07,560
Speaker 1: building session, all right, Rizard is old, dirty bastard. It

1600
01:52:07,720 --> 01:52:10,120
Speaker 1: kind of like was the ones that took charge of

1601
01:52:10,280 --> 01:52:15,680
Speaker 1: the building session. Just like all three of them is

1602
01:52:15,720 --> 01:52:19,000
Speaker 1: from Brooklyn. This is pre Stating Island. And if they

1603
01:52:19,080 --> 01:52:21,599
Speaker 1: was Rocket and Staton Alan yet it wasn't disclosed to us,

1604
01:52:22,960 --> 01:52:26,160
Speaker 1: but I knew them from the Brooklyn history. Whoever phone

1605
01:52:26,160 --> 01:52:35,320
Speaker 1: that needs to be put on, whoever phone that is going, No,

1606
01:52:35,520 --> 01:52:40,479
Speaker 1: this is actually west Side Highway, Manhattan. So in the

1607
01:52:40,640 --> 01:52:44,880
Speaker 1: building session, we're dealing with the day's degrees and we're

1608
01:52:44,880 --> 01:52:49,760
Speaker 1: going through degrees and lessons depending on whatever lessons he

1609
01:52:49,960 --> 01:52:55,000
Speaker 1: was dealing with. I'm gonna tell you right now, as

1610
01:52:55,120 --> 01:53:00,439
Speaker 1: crazy as you say, oh dirty Basht is, there really

1611
01:53:00,560 --> 01:53:05,719
Speaker 1: wasn't nothing crazy about him. Crazy needs to be changed

1612
01:53:05,800 --> 01:53:14,720
Speaker 1: to calculate it. Understand, the god was very calculated. See,

1613
01:53:15,080 --> 01:53:19,599
Speaker 1: a dumb nigger can't act like a smart nigger. I mean,

1614
01:53:19,760 --> 01:53:22,439
Speaker 1: smart nigga can act like a dumb crazy on some

1615
01:53:22,560 --> 01:53:26,679
Speaker 1: other nigger. So a song knew exactly what he was doing.

1616
01:53:28,479 --> 01:53:32,160
Speaker 1: When it was time to build. He was one of

1617
01:53:32,200 --> 01:53:34,519
Speaker 1: the swiftest and the most sharpest guards that I haven't

1618
01:53:34,520 --> 01:53:40,160
Speaker 1: met in my life, a man who went twenty in

1619
01:53:40,240 --> 01:53:42,720
Speaker 1: a profound way. I just want to be clear for

1620
01:53:42,800 --> 01:53:44,920
Speaker 1: the fast you just call the a song. I just

1621
01:53:45,000 --> 01:53:47,599
Speaker 1: want to just just for the fast that's going over

1622
01:53:47,640 --> 01:53:49,800
Speaker 1: the head to my old dirty bass. I'm talking about

1623
01:53:49,840 --> 01:53:52,000
Speaker 1: all dirty basket. And if you go back to Brooklyn Zoo.

1624
01:53:52,080 --> 01:53:55,920
Speaker 1: He says his acute a son. See we say a

1625
01:53:56,040 --> 01:53:59,160
Speaker 1: song because it was spelled a s o n. Your

1626
01:53:59,240 --> 01:54:02,559
Speaker 1: son's name is spelled s o n, But it really

1627
01:54:02,720 --> 01:54:06,680
Speaker 1: was s u n A son a son because you

1628
01:54:06,800 --> 01:54:09,479
Speaker 1: called your son a s o n. But you also

1629
01:54:09,600 --> 01:54:11,719
Speaker 1: call the son that shine in the sky the brightest

1630
01:54:12,439 --> 01:54:16,519
Speaker 1: as you n a son. I keep playing it in

1631
01:54:16,640 --> 01:54:18,720
Speaker 1: all of it. So he was basically giving you the

1632
01:54:18,800 --> 01:54:23,360
Speaker 1: signs when he gave me a lunchline. I'm the foundation

1633
01:54:23,439 --> 01:54:28,160
Speaker 1: of the solar system. I'm the foundation of my family

1634
01:54:30,479 --> 01:54:33,760
Speaker 1: because the original man is symbolic to the sun. That's knowledge.

1635
01:54:35,680 --> 01:54:38,640
Speaker 1: Knowledge is the key to all aspects. Black man is

1636
01:54:38,680 --> 01:54:41,000
Speaker 1: the foundation of his family. So if the foundation of

1637
01:54:41,080 --> 01:54:44,600
Speaker 1: the solar system, it's the son and the son of

1638
01:54:44,680 --> 01:54:47,280
Speaker 1: symbolic to the original man, who was the Agadic black

1639
01:54:47,360 --> 01:54:49,200
Speaker 1: Band and make it only the cream of the planet

1640
01:54:49,640 --> 01:54:52,080
Speaker 1: for the civilization and god of the universe. Then the

1641
01:54:52,120 --> 01:55:04,080
Speaker 1: black Man is the foundation of his family. Now we're

1642
01:55:04,120 --> 01:55:08,640
Speaker 1: gonna go from that to a son unique the god

1643
01:55:08,880 --> 01:55:12,440
Speaker 1: old dirty Bassy that y'all know, and that level of

1644
01:55:12,600 --> 01:55:16,040
Speaker 1: science that he was so swift with. I knew him

1645
01:55:16,400 --> 01:55:20,640
Speaker 1: from back then, and I bear witness to him back then,

1646
01:55:21,720 --> 01:55:24,840
Speaker 1: being one of the swiftest gods that I've ever seen

1647
01:55:26,200 --> 01:55:28,200
Speaker 1: when they came to the science and building with the

1648
01:55:28,280 --> 01:55:30,720
Speaker 1: air likes, and the air likes is the other gods

1649
01:55:32,360 --> 01:55:35,640
Speaker 1: and the Earth's and the Earth saw the women. That

1650
01:55:35,800 --> 01:55:37,680
Speaker 1: was a part of the five presentation of the gods

1651
01:55:37,720 --> 01:55:41,919
Speaker 1: and Earth. And the way he commanded those building sessions,

1652
01:55:43,480 --> 01:55:48,640
Speaker 1: and the way that he corrected those that wasn't the

1653
01:55:48,720 --> 01:55:51,640
Speaker 1: swift with the science, and the way he held those

1654
01:55:51,720 --> 01:55:55,320
Speaker 1: accountable that said that they bid witness to certain degrees

1655
01:55:55,400 --> 01:55:57,840
Speaker 1: and dealt with certain degrees that they were not dealing with,

1656
01:55:59,760 --> 01:56:02,760
Speaker 1: were in such a profound aesthetic that I thought that

1657
01:56:02,920 --> 01:56:08,240
Speaker 1: he was avenger and a superhero, you know what I mean,

1658
01:56:09,360 --> 01:56:13,760
Speaker 1: Because the contrast of him being so crazy as an

1659
01:56:13,880 --> 01:56:17,400
Speaker 1: artist but being such a PhD in a scholar with

1660
01:56:17,560 --> 01:56:22,880
Speaker 1: high science with some other ship. It was a testament

1661
01:56:22,960 --> 01:56:27,600
Speaker 1: to how brill of a mind he was so all

1662
01:56:27,640 --> 01:56:30,120
Speaker 1: that digging up your own ship and things that you

1663
01:56:30,200 --> 01:56:32,400
Speaker 1: were saying he was doing. He was doing that, but

1664
01:56:32,560 --> 01:56:39,640
Speaker 1: he was very calculated and and I got so many

1665
01:56:39,680 --> 01:56:41,920
Speaker 1: stories about the God. Man, it's gonna turn into an

1666
01:56:41,960 --> 01:56:46,280
Speaker 1: old dirty bass to drink Champs. Man. I appreciate what

1667
01:56:46,360 --> 01:56:50,560
Speaker 1: I'm saying. I just loved that brother. I love his family.

1668
01:56:51,800 --> 01:56:54,600
Speaker 1: Piece to the Queen is Selene, his son, young dirty

1669
01:56:54,640 --> 01:56:59,240
Speaker 1: Bass and his beautiful daughters. And just look forward to

1670
01:56:59,320 --> 01:57:01,680
Speaker 1: the unbelief evil will collap me and the God got

1671
01:57:01,800 --> 01:57:18,000
Speaker 1: produced by the incredible Knots on not told. That's another

1672
01:57:18,120 --> 01:57:22,240
Speaker 1: thing with you, boss, is when you you know, Jay Dealers,

1673
01:57:22,400 --> 01:57:27,600
Speaker 1: the Knots like you always seem to kind of find

1674
01:57:27,720 --> 01:57:31,160
Speaker 1: like the underground. Like you you know how to balance

1675
01:57:31,320 --> 01:57:34,960
Speaker 1: having a commercial record for lack of a better term,

1676
01:57:35,000 --> 01:57:37,120
Speaker 1: and what is called a commercial record, but then you

1677
01:57:37,280 --> 01:57:42,240
Speaker 1: also to learn how to balance the underground underground of

1678
01:57:44,400 --> 01:57:48,520
Speaker 1: you know, the Jay Dealers and the knots Is and

1679
01:57:48,600 --> 01:57:51,760
Speaker 1: all this. What do you do you do? What do

1680
01:57:51,800 --> 01:57:57,360
Speaker 1: you what kind of email you got of like yeah,

1681
01:57:57,480 --> 01:58:00,320
Speaker 1: it was like how do you be finding out who

1682
01:58:00,440 --> 01:58:03,120
Speaker 1: the next producer is? Because I remember when you messed

1683
01:58:03,120 --> 01:58:08,000
Speaker 1: with J Diller and nobody really understanding what you were doing, Like,

1684
01:58:08,080 --> 01:58:11,800
Speaker 1: how did you get onto J? Yeah, my big brother

1685
01:58:11,920 --> 01:58:21,120
Speaker 1: Q Tip que Tip introduced J Diller to all of us. VACU.

1686
01:58:22,360 --> 01:58:28,240
Speaker 1: You respect that VACU. Oh that's the I couldn't get

1687
01:58:28,280 --> 01:58:44,960
Speaker 1: that's the work at all Enix you were saying something Wow, WHOA.

1688
01:58:54,560 --> 01:58:59,200
Speaker 1: I appreciate it, you king, and Enix was the producer

1689
01:58:59,280 --> 01:59:12,760
Speaker 1: manager at Violator. I'm gonna get into that. I'm Enis

1690
01:59:12,960 --> 01:59:15,800
Speaker 1: Enis and this is how the dots connect. That's why

1691
01:59:15,840 --> 01:59:19,120
Speaker 1: I'm so beautiful that you had Enicks and now I'm

1692
01:59:19,200 --> 01:59:23,040
Speaker 1: here and he's here, So this is divine ship. So

1693
01:59:23,200 --> 01:59:29,520
Speaker 1: what I'm saying is is bro was the producer manager

1694
01:59:30,880 --> 01:59:34,120
Speaker 1: and A and A and he was the producer manager

1695
01:59:34,200 --> 01:59:38,120
Speaker 1: on Violet. The management he was a A our Violator records.

1696
01:59:39,280 --> 01:59:44,240
Speaker 1: See these two different executive titles in one infrastructure, but

1697
01:59:44,440 --> 01:59:50,360
Speaker 1: distinguishably different job responsibilities. See, he had to help producers

1698
01:59:51,120 --> 01:59:54,800
Speaker 1: place their hits from the management side. He had to

1699
01:59:55,040 --> 01:59:59,640
Speaker 1: find the hits on the and and our side completely done.

1700
02:00:00,120 --> 02:00:03,120
Speaker 1: He had to get the beats, then get this artist

1701
02:00:03,400 --> 02:00:10,440
Speaker 1: to queet it. It's so when he came to the

1702
02:00:10,560 --> 02:00:12,440
Speaker 1: A and our side, he had to bring the songs

1703
02:00:12,480 --> 02:00:17,200
Speaker 1: complete on the n our side, So that's out of Violet.

1704
02:00:17,240 --> 02:00:21,000
Speaker 1: The album got done with him. So you know, all

1705
02:00:21,040 --> 02:00:24,000
Speaker 1: of our records, he chose those. It had to go

1706
02:00:24,120 --> 02:00:26,360
Speaker 1: through his judgment call. If he ain't sanction it. He

1707
02:00:26,480 --> 02:00:29,160
Speaker 1: wasn't on that. You hear it. You know what I'm saying,

1708
02:00:29,800 --> 02:00:36,960
Speaker 1: So right it is right now, same session, nigger, God,

1709
02:00:37,160 --> 02:00:43,560
Speaker 1: damn it, shout out. I was had a little room

1710
02:00:43,760 --> 02:00:47,680
Speaker 1: and I was in the room next door that I'm

1711
02:00:47,720 --> 02:00:54,400
Speaker 1: not I was not coming. I was like, why about here?

1712
02:00:54,440 --> 02:01:00,960
Speaker 1: I didn't. But but boats we both we both got

1713
02:01:01,040 --> 02:01:03,880
Speaker 1: put in the same studio session in d at the

1714
02:01:03,960 --> 02:01:06,800
Speaker 1: same time because of him and Chris and they was

1715
02:01:06,920 --> 02:01:10,920
Speaker 1: both in the studio with us in one room and

1716
02:01:11,000 --> 02:01:15,600
Speaker 1: the grinding all the room and both both records was

1717
02:01:15,680 --> 02:01:25,400
Speaker 1: produced by an original video. The original video was in

1718
02:01:25,760 --> 02:01:29,600
Speaker 1: l A. Yes, yes, hy Williams did that. Yes, Yes

1719
02:01:30,120 --> 02:01:32,040
Speaker 1: he didn't grind me too, Yes he didn't grab me.

1720
02:01:32,800 --> 02:01:45,880
Speaker 1: They stick. Yes, I'm remember how many years ago this was.

1721
02:01:46,560 --> 02:01:49,440
Speaker 1: But I'm checking into what's the White Boy Hotel? That's

1722
02:01:49,480 --> 02:01:51,680
Speaker 1: right by like Jimmy Kimball one of those ships with

1723
02:01:51,840 --> 02:01:55,280
Speaker 1: the Roseman Hotel. So I'm checking in and the guys like,

1724
02:01:55,360 --> 02:01:58,760
Speaker 1: what's up Nor he got his beard. It's like he

1725
02:01:58,920 --> 02:02:01,440
Speaker 1: fucking had a skate board and a skiboard at the

1726
02:02:01,520 --> 02:02:06,800
Speaker 1: same time. Skiboard it was like Wills like it was

1727
02:02:06,920 --> 02:02:08,920
Speaker 1: skiing or some ship. I was like it was a

1728
02:02:10,000 --> 02:02:12,760
Speaker 1: wasp board. And I'm like I didn't even know how

1729
02:02:12,800 --> 02:02:14,680
Speaker 1: to tell him, like, you know, you bought me for

1730
02:02:14,720 --> 02:02:20,400
Speaker 1: a million dollars, it's all. I'm just a great guys

1731
02:02:20,400 --> 02:02:23,880
Speaker 1: like you want to drink. It was like it makes

1732
02:02:23,880 --> 02:02:26,440
Speaker 1: you back downstairs and I had to go to Jimmy Kimble.

1733
02:02:26,600 --> 02:02:31,720
Speaker 1: This is good talking, all right? Put only money mony now,

1734
02:02:31,880 --> 02:02:43,720
Speaker 1: bust Man, did you go to a karati class right

1735
02:02:51,120 --> 02:02:54,280
Speaker 1: to teach stick? It's like how to keep energy on stage?

1736
02:02:54,400 --> 02:02:57,600
Speaker 1: Like that's like, I don't know that. That's like a

1737
02:02:57,680 --> 02:03:00,840
Speaker 1: different type of art what you're doing. It is martial art. Bro.

1738
02:03:01,680 --> 02:03:04,200
Speaker 1: I know I told you earlier, but you are spent

1739
02:03:04,280 --> 02:03:06,840
Speaker 1: for you staying with That was the fact feeder rap.

1740
02:03:06,960 --> 02:03:10,560
Speaker 1: But it's like a certain energy that you coming out

1741
02:03:12,200 --> 02:03:15,600
Speaker 1: and we went to we went to West Indian and

1742
02:03:15,840 --> 02:03:21,240
Speaker 1: we went to West Indian upbringing high school, naked junior

1743
02:03:21,320 --> 02:03:24,920
Speaker 1: high school and eventual school name. That's what the funk

1744
02:03:24,960 --> 02:03:29,520
Speaker 1: we went to. Me and Spliff, I'm a Jamaican nigga.

1745
02:03:29,560 --> 02:03:35,400
Speaker 1: Here trinit Daddy and nigga. My bro Webb is a

1746
02:03:35,440 --> 02:03:44,840
Speaker 1: guy and these naked ya got the United Continue. DJ

1747
02:03:45,000 --> 02:03:50,400
Speaker 1: Scratch Tour is a Beliegian. My whole crew was Caribbean name.

1748
02:03:51,600 --> 02:03:59,520
Speaker 1: Hip hop was given birth to Bye Caribbean culture, Jamaica

1749
02:04:00,200 --> 02:04:05,200
Speaker 1: birth to hip hop tables without hip hop, he's a

1750
02:04:05,320 --> 02:04:27,000
Speaker 1: yard man, Jamaican yard don't do that right now. So

1751
02:04:28,200 --> 02:04:30,920
Speaker 1: so so you know, with with that being said, we

1752
02:04:31,280 --> 02:04:38,560
Speaker 1: do have to understand that there's a lost history that

1753
02:04:39,560 --> 02:04:46,640
Speaker 1: is being significantly neglected by everyone in hip hop as

1754
02:04:46,680 --> 02:04:51,360
Speaker 1: far as research is concerned. Nobody thinks to go to

1755
02:04:51,600 --> 02:04:55,800
Speaker 1: the West Indian culture to acknowledge how the birth of

1756
02:04:55,880 --> 02:05:01,320
Speaker 1: this culture was even conceived. And I think that that's

1757
02:05:01,360 --> 02:05:04,200
Speaker 1: something that I take great pride in being able to

1758
02:05:06,880 --> 02:05:11,080
Speaker 1: bring to the forefront on this Drink Champs platform, because

1759
02:05:12,960 --> 02:05:15,880
Speaker 1: there ain't no other place more deemed appropriacy. We all

1760
02:05:16,440 --> 02:05:23,760
Speaker 1: New York niggas in Miami. You know, at the end

1761
02:05:23,800 --> 02:05:29,200
Speaker 1: of the day, Miami is the segue did you make it?

1762
02:05:30,480 --> 02:05:32,480
Speaker 1: When they get on that boat. If they can't get

1763
02:05:32,520 --> 02:05:37,720
Speaker 1: on the plane, where is the port that they enter America? Miami?

1764
02:05:38,240 --> 02:05:42,240
Speaker 1: The Port of Miami. All the immigrants that can't get

1765
02:05:42,280 --> 02:05:45,160
Speaker 1: on the plane, they're coming in by boat to Miami.

1766
02:05:45,760 --> 02:05:49,920
Speaker 1: You're the direct conduit. So I don't even gotta say that,

1767
02:05:50,680 --> 02:05:54,680
Speaker 1: but I do have to acknowledge that part because what

1768
02:05:54,840 --> 02:05:57,120
Speaker 1: I was getting to is the birthplace of hip hop.

1769
02:05:58,120 --> 02:06:00,920
Speaker 1: You're the segue to a lot out of the families

1770
02:06:00,960 --> 02:06:03,720
Speaker 1: that had the goal to New York to actually find

1771
02:06:05,840 --> 02:06:11,000
Speaker 1: home home. New York is the moltenpot more than any

1772
02:06:11,040 --> 02:06:14,800
Speaker 1: other city in the entire United States for Caribbean culture,

1773
02:06:16,560 --> 02:06:24,880
Speaker 1: Trinidaddy and Belgian incension, Trinidaddy and Guyanese, every fucking thing

1774
02:06:25,520 --> 02:06:29,680
Speaker 1: is in the Five Boroughs concentrated more than any other

1775
02:06:29,760 --> 02:06:33,520
Speaker 1: city in the entire United States. So with that being said,

1776
02:06:33,840 --> 02:06:39,320
Speaker 1: when I say what I'm saying, my point is with

1777
02:06:39,600 --> 02:06:42,160
Speaker 1: New York being the birthplace in the Five Boroughs, No,

1778
02:06:42,440 --> 02:06:54,000
Speaker 1: the Bronx in particularly love, I love my family, Salute

1779
02:06:54,120 --> 02:06:57,760
Speaker 1: m R W the fucking Mike both. You know, I

1780
02:06:57,840 --> 02:07:02,520
Speaker 1: love y'all. Chick Bank already talk to you outside, you

1781
02:07:03,080 --> 02:07:05,400
Speaker 1: in the general of the motherfucking movement. Come on there,

1782
02:07:05,440 --> 02:07:09,440
Speaker 1: we we're talking about We're talking about now you know, listen,

1783
02:07:11,560 --> 02:07:16,000
Speaker 1: the most significant and neglected component about the history and

1784
02:07:16,040 --> 02:07:20,280
Speaker 1: the research of hip hop. It's its origin. Wow, we

1785
02:07:20,440 --> 02:07:24,960
Speaker 1: got to start changing that narrative. We can't just keep

1786
02:07:25,000 --> 02:07:28,240
Speaker 1: saying cool Hurd gave birth to it. Jamaica gave birth

1787
02:07:28,320 --> 02:07:32,640
Speaker 1: to it by way of cool Hurd fact through the Bronx,

1788
02:07:33,080 --> 02:07:47,280
Speaker 1: through the Bronxx. So ain't nobody say ain't nobody is

1789
02:07:47,360 --> 02:07:50,560
Speaker 1: saying that. Ain't nobody is saying that. Nobody's gotta be

1790
02:07:50,680 --> 02:07:53,400
Speaker 1: nobody has to be said on the record. Oh, I

1791
02:07:53,480 --> 02:07:58,560
Speaker 1: do need to address this to my brother James Cruz

1792
02:07:59,080 --> 02:08:01,440
Speaker 1: said that part of Rikans was guest in hip hop

1793
02:08:01,640 --> 02:08:11,800
Speaker 1: Latinos in general. Let's just say all of us correct, definitely,

1794
02:08:12,640 --> 02:08:14,520
Speaker 1: can I can? I cannot know it's not the way

1795
02:08:14,560 --> 02:08:18,000
Speaker 1: with word it is, okay, But I mean, I'm just

1796
02:08:18,080 --> 02:08:19,680
Speaker 1: going on the clip that I saw, and I didn't

1797
02:08:19,720 --> 02:08:21,280
Speaker 1: see the whole thing. And I spoke to my brother

1798
02:08:21,400 --> 02:08:23,120
Speaker 1: James Cruz and he told me there was a whole

1799
02:08:23,240 --> 02:08:28,120
Speaker 1: thing that was missing from the clip. Cool I'm saying

1800
02:08:28,320 --> 02:08:30,840
Speaker 1: it's on the record. If this is going to be

1801
02:08:31,040 --> 02:08:36,880
Speaker 1: used as a clip Latino on a hole, I am

1802
02:08:36,960 --> 02:08:41,160
Speaker 1: not speaking for that. I'm speaking for Puerto Rican people,

1803
02:08:42,680 --> 02:08:48,800
Speaker 1: which is Latino. So it's conducive, big words. I like it.

1804
02:08:50,920 --> 02:08:54,040
Speaker 1: Puerto Rican. It's hip hop high school all winter, Puerto

1805
02:08:54,120 --> 02:09:02,720
Speaker 1: Rican and black people, right, sorry, take you away, please

1806
02:09:02,760 --> 02:09:06,440
Speaker 1: please please please keep going because you're going to. I

1807
02:09:06,480 --> 02:09:08,520
Speaker 1: don't want to suck it up. I just to tell

1808
02:09:08,560 --> 02:09:18,640
Speaker 1: about amazing high school. It's a magazine program, get scholarships,

1809
02:09:19,320 --> 02:09:31,160
Speaker 1: hip hop university summary just around. That's like that. But yeah,

1810
02:09:32,040 --> 02:09:43,680
Speaker 1: Puerto Ricans and Blacks created hip hop period. Speaks a

1811
02:09:43,760 --> 02:09:51,320
Speaker 1: noise for that too. But my real place before and

1812
02:09:51,440 --> 02:09:53,800
Speaker 1: you tell me if I'm wrong. Based on what you're saying.

1813
02:09:54,360 --> 02:09:58,440
Speaker 1: Us as a DJ, we all, I mean, I think

1814
02:09:58,600 --> 02:10:01,920
Speaker 1: most DJs, no, there wouldn't have be hip hop. There

1815
02:10:01,960 --> 02:10:08,360
Speaker 1: would not be two turntables without Jamaican culture. To what

1816
02:10:08,440 --> 02:10:13,879
Speaker 1: I'm saying, hip hop is an embodiment of five elements.

1817
02:10:15,320 --> 02:10:18,920
Speaker 1: It ain't just DJing and wrapping. That's a component in

1818
02:10:19,080 --> 02:10:24,920
Speaker 1: hip hop culture. Two significant components just too though actually no,

1819
02:10:25,160 --> 02:10:29,880
Speaker 1: it's not just true. It's true, and it's the most

1820
02:10:30,040 --> 02:10:37,120
Speaker 1: significant components because everything else came as a spinoff of

1821
02:10:37,240 --> 02:10:40,600
Speaker 1: that microphone and them two turntables, So it's the foundation.

1822
02:10:41,080 --> 02:10:43,720
Speaker 1: So cou Hirk still gets his credit as being the

1823
02:10:43,800 --> 02:10:47,120
Speaker 1: one who spearheaded the birth of the culture. But when

1824
02:10:47,160 --> 02:10:49,879
Speaker 1: I said it was created by Puerto Ricans and blacks,

1825
02:10:50,480 --> 02:10:55,879
Speaker 1: is because co Hurricane create breakdancing graffiti. He ain't create graffiti.

1826
02:10:56,720 --> 02:10:59,040
Speaker 1: Puerto Ricans had a lot to do with that part,

1827
02:10:59,720 --> 02:11:03,760
Speaker 1: and that part is what helped create the embodiment of

1828
02:11:03,960 --> 02:11:07,920
Speaker 1: all of the five elements becomes a culture. Popping, breakdance

1829
02:11:08,040 --> 02:11:14,400
Speaker 1: and DJing and seeing and graffiti the five elements that

1830
02:11:14,600 --> 02:11:18,440
Speaker 1: gave birth to the entire culture. And to this day

1831
02:11:18,960 --> 02:11:22,080
Speaker 1: nothing has been added to it, or taken away from

1832
02:11:22,120 --> 02:11:28,080
Speaker 1: it or changed it. It is the and all says all,

1833
02:11:29,800 --> 02:11:34,400
Speaker 1: And that's an underspeak. The truth and truth don't change,

1834
02:11:34,480 --> 02:11:37,080
Speaker 1: only lives do. So anybody that want to talk different

1835
02:11:37,160 --> 02:11:42,320
Speaker 1: from that is a liar. Sorry, and I'm the last

1836
02:11:42,400 --> 02:11:46,560
Speaker 1: one you could argue with. My history is too long,

1837
02:11:46,960 --> 02:11:50,080
Speaker 1: through my work and through my action, and that ain't

1838
02:11:50,080 --> 02:11:52,480
Speaker 1: even speaking about the research that I had to invest

1839
02:11:52,640 --> 02:11:55,720
Speaker 1: before I actually had the opportunity to show it through

1840
02:11:55,800 --> 02:11:59,879
Speaker 1: my action. So twenty nine years is my professional recording,

1841
02:12:00,080 --> 02:12:03,120
Speaker 1: real legacy. If I started adding the numbers of the

1842
02:12:03,200 --> 02:12:05,160
Speaker 1: research that I had to do before I even was

1843
02:12:05,240 --> 02:12:10,960
Speaker 1: allowed to bless opportunity to confessionally, you know that you

1844
02:12:11,040 --> 02:12:12,920
Speaker 1: might have might you might have taken the thirty five

1845
02:12:13,800 --> 02:12:17,120
Speaker 1: thirty eight years it took me seven eight years was

1846
02:12:17,200 --> 02:12:19,600
Speaker 1: to research and figure this ship out before I actually

1847
02:12:19,640 --> 02:12:23,080
Speaker 1: got on. You feel me? So all I'm saying is

1848
02:12:25,720 --> 02:12:28,560
Speaker 1: I ain't got no time for that debate. It's a

1849
02:12:28,640 --> 02:12:32,600
Speaker 1: pointless debate with bust rhymes. It's just to me. Just

1850
02:12:32,920 --> 02:12:35,080
Speaker 1: share the information and you take the ship and apply

1851
02:12:35,160 --> 02:12:38,080
Speaker 1: it the way you suppost, like, let's do this shot please?

1852
02:12:47,560 --> 02:12:52,760
Speaker 1: You know who? I'm so serious about that because I

1853
02:12:52,920 --> 02:12:55,760
Speaker 1: see how mad men you have spoke about doing a

1854
02:12:55,920 --> 02:13:03,000
Speaker 1: volley though something something about botolate that you see this,

1855
02:13:03,920 --> 02:13:07,360
Speaker 1: you see my sec No, no, no, look you see

1856
02:13:07,440 --> 02:13:09,120
Speaker 1: I don't make that. First of all, I love you

1857
02:13:09,200 --> 02:13:14,840
Speaker 1: for this. You see where this is going? Right? Okay? Cool?

1858
02:13:15,000 --> 02:13:18,080
Speaker 1: We had this conversation how long ago, not even not

1859
02:13:18,200 --> 02:13:22,280
Speaker 1: even except two hours ago? Right, And I see how

1860
02:13:22,360 --> 02:13:25,320
Speaker 1: emotion you got when we started to say, like a

1861
02:13:25,480 --> 02:13:29,920
Speaker 1: volley of the festival or volley that's something should be happening. Next,

1862
02:13:30,040 --> 02:13:33,040
Speaker 1: you're getting confirmation nixt about my testament on this, bro,

1863
02:13:33,640 --> 02:13:39,840
Speaker 1: my sentiment on excuse me, it's foresight and and like

1864
02:13:39,920 --> 02:13:42,120
Speaker 1: I said, we're spoken to earlier, but now it's time

1865
02:13:42,200 --> 02:13:44,120
Speaker 1: to get back to it, like it's time to get deep.

1866
02:13:44,240 --> 02:13:48,440
Speaker 1: Because there's two things I want to ask you. One.

1867
02:13:49,840 --> 02:13:55,760
Speaker 1: Maybe I'm naive, maybe I'm retarded, maybe I'm crazy, but

1868
02:13:56,000 --> 02:14:01,080
Speaker 1: I still don't believe Chris like he kills itself. Wow,

1869
02:14:01,200 --> 02:14:06,520
Speaker 1: you want to go there? Bro? I just can't my

1870
02:14:06,720 --> 02:14:08,600
Speaker 1: naive can you can? I mean, this is this is

1871
02:14:08,640 --> 02:14:12,200
Speaker 1: therapy for me, buss. You know big dudes were hood therapy,

1872
02:14:12,280 --> 02:14:15,200
Speaker 1: but it's therapy for me, for me because I'm never

1873
02:14:15,400 --> 02:14:19,800
Speaker 1: really me and useful. Oh I can't. I just can't.

1874
02:14:19,880 --> 02:14:22,000
Speaker 1: I just can't, Bust. I mean, how many years has

1875
02:14:22,040 --> 02:14:26,400
Speaker 1: it been. It's just two thousand and twelve Chris passed

1876
02:14:26,520 --> 02:14:31,200
Speaker 1: right next? Oh that's August thirty, right, Yes, I just can't.

1877
02:14:31,320 --> 02:14:35,920
Speaker 1: I mean, am I naive? Boss? No, you're not. There's

1878
02:14:35,920 --> 02:14:40,880
Speaker 1: a lot of complexities with the way the information is

1879
02:14:40,920 --> 02:14:45,440
Speaker 1: circulated about is passing. I need you all to stop

1880
02:14:45,720 --> 02:14:50,480
Speaker 1: talking and I ain't really ain't asking again? Please please, please, please, please,

1881
02:14:50,480 --> 02:14:53,640
Speaker 1: please everybody really begging all of the spaces because we're

1882
02:14:53,680 --> 02:14:56,600
Speaker 1: he't going the place he's going to now with this conversation,

1883
02:14:57,320 --> 02:15:04,720
Speaker 1: it's a different type of emotional roller coach. Please okay, okay, Nori.

1884
02:15:05,240 --> 02:15:21,560
Speaker 1: So first thing first, right, I was with Chris to

1885
02:15:21,680 --> 02:15:27,240
Speaker 1: day before he died. I was on my first transformation journey.

1886
02:15:30,400 --> 02:15:32,560
Speaker 1: Chris saw me. I was in the best shape of

1887
02:15:32,640 --> 02:15:38,800
Speaker 1: my life. Not as crazy as now, but I was

1888
02:15:39,720 --> 02:15:43,560
Speaker 1: for the first time. It was it was it looked

1889
02:15:43,760 --> 02:15:48,720
Speaker 1: like it magnified differently because it was the first time. Right,

1890
02:15:48,720 --> 02:15:52,120
Speaker 1: it's a Big Bang theory after Big This was right

1891
02:15:52,200 --> 02:15:59,160
Speaker 1: around the time that. No, it's my second time getting

1892
02:15:59,200 --> 02:16:02,320
Speaker 1: in shape, because I got in shape the first time

1893
02:16:02,400 --> 02:16:06,240
Speaker 1: for Big Bang, and that was oh six. Chris died

1894
02:16:06,320 --> 02:16:10,240
Speaker 1: in two thousand and twelve. This is my second time

1895
02:16:10,280 --> 02:16:20,680
Speaker 1: getting in shape. And Chris had merged with Michael Ovis

1896
02:16:20,760 --> 02:16:22,040
Speaker 1: No no, no, no, no, no no no no, Michael

1897
02:16:22,080 --> 02:16:32,280
Speaker 1: Ovis Company, Downtown six Team Street with Celo Green was

1898
02:16:32,360 --> 02:16:37,600
Speaker 1: with them, UM Primary Way, Primary Waves Chris. Chris had

1899
02:16:37,720 --> 02:16:40,920
Speaker 1: merged with Primary Wave, and Blue was there Blue from

1900
02:16:41,200 --> 02:16:49,280
Speaker 1: from Family Tree. Um. I come to see Chris and

1901
02:16:49,400 --> 02:16:53,119
Speaker 1: for a few months before this particular moment that I'm

1902
02:16:53,160 --> 02:16:59,320
Speaker 1: talking about Chris Lody, who's going through a few issues.

1903
02:17:01,360 --> 02:17:05,920
Speaker 1: This is never I've never disclosed this, never spoke about this.

1904
02:17:07,800 --> 02:17:13,440
Speaker 1: Chris was having some issues and he wasn't really too

1905
02:17:14,080 --> 02:17:19,920
Speaker 1: articulate about what he was dealing with, but from the

1906
02:17:20,000 --> 02:17:23,400
Speaker 1: outside looking and it was like he was going through

1907
02:17:23,480 --> 02:17:25,680
Speaker 1: some serious ship and he had to go to these

1908
02:17:25,720 --> 02:17:29,280
Speaker 1: retreats in Connecticut at least that's where I thought it was,

1909
02:17:29,600 --> 02:17:39,240
Speaker 1: but it was outside of New York and mh. Whatever

1910
02:17:39,400 --> 02:17:42,000
Speaker 1: he was going to do, it was to fix and

1911
02:17:42,160 --> 02:17:46,600
Speaker 1: help him find a different kind of resource to balance

1912
02:17:46,680 --> 02:17:51,959
Speaker 1: out his spiritual mental equilibrium. I don't really know exactly

1913
02:17:52,040 --> 02:17:53,480
Speaker 1: what it was that he was going through, but I

1914
02:17:53,600 --> 02:17:56,240
Speaker 1: know it was for the first time I've ever seen

1915
02:17:56,360 --> 02:17:59,959
Speaker 1: Chris since Russian Management days in eighty nine and nine.

1916
02:18:00,000 --> 02:18:06,680
Speaker 1: Indeed we started with him to that time frame, it

1917
02:18:06,840 --> 02:18:17,320
Speaker 1: was looking like chris spirit was broken. I was seeing

1918
02:18:17,520 --> 02:18:21,240
Speaker 1: Chris for the first time in a way that seemed

1919
02:18:21,280 --> 02:18:34,240
Speaker 1: like he was ghost. In the Shall you Know at

1920
02:18:34,360 --> 02:18:38,200
Speaker 1: Japanimation series, it looked like he was a ghost in

1921
02:18:38,240 --> 02:18:44,560
Speaker 1: the show. It was like he he was alive, but

1922
02:18:44,640 --> 02:19:00,680
Speaker 1: he wasn't alive right. UM, I would hearing things, I

1923
02:19:00,840 --> 02:19:04,000
Speaker 1: was seeing things. I ain't disclosing all of that on

1924
02:19:04,080 --> 02:19:08,560
Speaker 1: this interview, but what I do know is that what

1925
02:19:08,680 --> 02:19:16,320
Speaker 1: it was doing to him was it was It wasn't good, So,

1926
02:19:16,879 --> 02:19:21,280
Speaker 1: you know, criticism. He's a man's man, and I think

1927
02:19:21,680 --> 02:19:26,000
Speaker 1: a very challenging thing about our reality, especially as black man,

1928
02:19:27,000 --> 02:19:32,600
Speaker 1: is we're not really allowed to disclose vulnerability. You know

1929
02:19:32,640 --> 02:19:35,600
Speaker 1: what I'm saying, You ain't really allowed to show weakness.

1930
02:19:37,400 --> 02:19:40,720
Speaker 1: And we also was living in a time and I

1931
02:19:40,760 --> 02:19:43,400
Speaker 1: ain't talking about them technology was a little different, but

1932
02:19:44,800 --> 02:19:48,680
Speaker 1: the standards wasn't. And when I say that, I'm saying

1933
02:19:48,720 --> 02:19:54,080
Speaker 1: that to say, you can't let another thing, you know,

1934
02:19:54,240 --> 02:19:56,760
Speaker 1: when you in a funded up situation, because that man

1935
02:19:56,879 --> 02:20:02,320
Speaker 1: might use that information against you. Oh so even when

1936
02:20:02,360 --> 02:20:08,320
Speaker 1: you really need help, reaching out to somebody for it's

1937
02:20:08,400 --> 02:20:16,680
Speaker 1: scary to do. And can you imagine what that was

1938
02:20:16,800 --> 02:20:19,480
Speaker 1: like for man that was responsible for making sure that

1939
02:20:19,600 --> 02:20:21,880
Speaker 1: we had all the help we needed when we needed it.

1940
02:20:25,040 --> 02:20:28,680
Speaker 1: He was our manager. He had to manage our lives,

1941
02:20:29,840 --> 02:20:37,400
Speaker 1: neglecting managing his own. Who was managing his feel me?

1942
02:20:40,200 --> 02:20:46,520
Speaker 1: Who could he call to help him manage his But

1943
02:20:46,640 --> 02:20:51,360
Speaker 1: whenever we needed him, he helped us manage ours. That's

1944
02:20:51,440 --> 02:20:55,240
Speaker 1: a very scary place to be in. That's a very

1945
02:20:55,640 --> 02:21:04,119
Speaker 1: heavy place to be in. Daddy, he had me puff.

1946
02:21:04,440 --> 02:21:08,320
Speaker 1: I'm not talking about Hey, Dave violated days. I'm talking

1947
02:21:08,320 --> 02:21:11,959
Speaker 1: about Primary Way Valley, the days he had me married

1948
02:21:12,120 --> 02:21:15,119
Speaker 1: and Diddy excuse me me, Mariah? And did he pick

1949
02:21:15,200 --> 02:21:21,120
Speaker 1: up to Mary J. Blige by the way everybody he

1950
02:21:21,320 --> 02:21:25,680
Speaker 1: had me? Maria? Did he? Nor were you? Still was

1951
02:21:25,760 --> 02:21:28,080
Speaker 1: there when during the primary wave or you you slid

1952
02:21:28,160 --> 02:21:32,800
Speaker 1: already Primary Way when the Primary Way was? Who valid

1953
02:21:32,879 --> 02:21:36,760
Speaker 1: e merged with when Valtor left twenty sixth Street, across

1954
02:21:36,840 --> 02:21:43,600
Speaker 1: the street from Henchman Entertainment. I never left, Okay, But

1955
02:21:43,680 --> 02:21:45,959
Speaker 1: I'm just saying I never seen Norway in the prim

1956
02:21:46,000 --> 02:21:48,760
Speaker 1: every Way. I still came back to got shot up.

1957
02:22:00,000 --> 02:22:02,160
Speaker 1: So that's why I acts. But what But what I'm

1958
02:22:02,200 --> 02:22:07,160
Speaker 1: saying is fast forward with all of the ship that

1959
02:22:07,240 --> 02:22:11,440
Speaker 1: I was seeing on my bro which was concerning in itself.

1960
02:22:12,680 --> 02:22:20,160
Speaker 1: Who was but you look incredible? I want to come

1961
02:22:20,240 --> 02:22:25,360
Speaker 1: train with you? He has I'm talking about Chris. He

1962
02:22:25,440 --> 02:22:29,840
Speaker 1: wanted to come and train with me. He had an

1963
02:22:29,879 --> 02:22:34,440
Speaker 1: assistant that became a management rep for minds that I

1964
02:22:34,520 --> 02:22:36,840
Speaker 1: don't funk with. No more. But I'm not nasty. I'm

1965
02:22:36,879 --> 02:22:39,440
Speaker 1: not talking about this nagging pearl. I don't say his

1966
02:22:39,560 --> 02:22:42,960
Speaker 1: name to me, please, I know you ain't saying you

1967
02:22:43,000 --> 02:22:49,199
Speaker 1: ain't do nothing wrong. Yes, I'm not working with anything.

1968
02:22:49,240 --> 02:22:52,600
Speaker 1: We're talking about him, thank you. But he was cool

1969
02:22:52,720 --> 02:22:58,080
Speaker 1: at that time, all right, Chris, me and the book talk.

1970
02:22:58,400 --> 02:23:01,800
Speaker 1: Chris told Pat because gym closing the bag, to go

1971
02:23:01,959 --> 02:23:04,400
Speaker 1: train with me. The next day, Chris got in the

1972
02:23:04,520 --> 02:23:07,560
Speaker 1: car with me to take him to Grand Central Station

1973
02:23:07,640 --> 02:23:09,880
Speaker 1: to go pick up his daughter because he was coming

1974
02:23:09,920 --> 02:23:13,520
Speaker 1: home from college. It's the last day I've seen Chris.

1975
02:23:15,440 --> 02:23:19,119
Speaker 1: The next morning, I get a phone call nine something

1976
02:23:19,200 --> 02:23:24,480
Speaker 1: in the morning. I wasn't told that Chris is dead.

1977
02:23:25,280 --> 02:23:31,080
Speaker 1: I was told that something happened to Chris. Okay, sh

1978
02:23:31,320 --> 02:23:34,920
Speaker 1: happens to us all the time. What happened to Chris?

1979
02:23:36,640 --> 02:23:39,320
Speaker 1: We call Violator. I forget the young lady's name up

1980
02:23:39,360 --> 02:23:41,960
Speaker 1: at Violator that was working with us at the time

1981
02:23:42,120 --> 02:23:45,840
Speaker 1: in the Primary Wave offices when Violator had merged with

1982
02:23:45,920 --> 02:23:50,119
Speaker 1: Primarywain after they left twenty six streak between fifth and six.

1983
02:23:52,720 --> 02:23:54,879
Speaker 1: Spoke to the young lady on the phone. She was crying.

1984
02:23:55,520 --> 02:24:02,240
Speaker 1: She said, Chris hurt himself Okay, I get a call

1985
02:24:02,320 --> 02:24:07,879
Speaker 1: from on the Scott. She's crying too. On the Scott

1986
02:24:07,959 --> 02:24:12,640
Speaker 1: tells me something bad happened to Chris. You need to

1987
02:24:12,720 --> 02:24:25,360
Speaker 1: come now. I called Bro. You know, I don't want

1988
02:24:25,400 --> 02:24:27,240
Speaker 1: to talk to about the studs. I don't want to

1989
02:24:27,280 --> 02:24:30,960
Speaker 1: call his name, but I call this dude that was

1990
02:24:31,080 --> 02:24:34,840
Speaker 1: working as Chris's former assistant and became a young new

1991
02:24:34,879 --> 02:24:39,640
Speaker 1: management rep. I called him and said, look, I'm pulling

1992
02:24:39,760 --> 02:24:41,160
Speaker 1: up on you. I need you to come with me

1993
02:24:41,240 --> 02:24:47,000
Speaker 1: and take me to Chris Crib in the Bronx. He

1994
02:24:48,240 --> 02:24:51,200
Speaker 1: meet him in Manhattan. I've been to Chris Crib prior

1995
02:24:51,240 --> 02:24:55,360
Speaker 1: to that in the city. Never been to Chris Crib

1996
02:24:55,440 --> 02:24:59,400
Speaker 1: in the Bronx. Chris had a five million dollar crib

1997
02:25:00,320 --> 02:25:04,000
Speaker 1: in the city, two or three blocks away from the

1998
02:25:04,080 --> 02:25:10,800
Speaker 1: Volator office from Street. He lost that crib and went

1999
02:25:10,920 --> 02:25:16,920
Speaker 1: back to the Bronx. Is that that is weird? Because again,

2000
02:25:17,280 --> 02:25:20,760
Speaker 1: this ship that went down that I can't get into

2001
02:25:20,879 --> 02:25:31,200
Speaker 1: on this camera with who he was fucking with, that

2002
02:25:31,360 --> 02:25:34,480
Speaker 1: regressed his hard work and his progress back to having

2003
02:25:34,560 --> 02:25:36,960
Speaker 1: to go to the Bronx from where he was at.

2004
02:25:37,080 --> 02:25:40,199
Speaker 1: He had a crib on Fifth five, Bro, it wasn't

2005
02:25:40,240 --> 02:25:42,879
Speaker 1: Fifth five. It was in the proximity. It was three

2006
02:25:42,959 --> 02:25:50,320
Speaker 1: or four blocks away from Violator Park AV. It wasn't

2007
02:25:50,360 --> 02:25:54,520
Speaker 1: on Park half King because Park AV went the other

2008
02:25:54,600 --> 02:25:57,360
Speaker 1: way towards the east from the valley to office. This

2009
02:25:57,440 --> 02:26:01,400
Speaker 1: ship was going towards the west from the valley to office. Yeah,

2010
02:26:01,840 --> 02:26:08,040
Speaker 1: but hear what I'm saying. Hear what I'm saying. Kaluated

2011
02:26:08,120 --> 02:26:11,160
Speaker 1: was a one way going towards the west side. Park

2012
02:26:11,240 --> 02:26:14,640
Speaker 1: AV was towards the east side. His crib was towards

2013
02:26:14,720 --> 02:26:17,480
Speaker 1: the west side. I believe it was off for sixth

2014
02:26:17,520 --> 02:26:22,040
Speaker 1: Avenue because that street went upwards, which was six and

2015
02:26:22,160 --> 02:26:27,160
Speaker 1: his crib was like two blocks away from off for

2016
02:26:27,280 --> 02:26:30,600
Speaker 1: six AV. It was a building to the right. Go inside.

2017
02:26:30,959 --> 02:26:35,200
Speaker 1: It was too multimillion dollar condos that he connected together

2018
02:26:35,280 --> 02:26:41,360
Speaker 1: as one and that became the five million dollar crib. Now,

2019
02:26:46,760 --> 02:26:50,400
Speaker 1: not to get too much into that. Chris ended up

2020
02:26:50,440 --> 02:26:55,640
Speaker 1: back in the bronx. And when we get to the crib,

2021
02:26:56,080 --> 02:27:00,840
Speaker 1: Chris was dead already. Yeah, he went to the house.

2022
02:27:01,120 --> 02:27:03,320
Speaker 1: I was at the house and I watched Chris body

2023
02:27:04,360 --> 02:27:07,880
Speaker 1: come out of the house in a black bag and

2024
02:27:08,080 --> 02:27:13,640
Speaker 1: put into a vehicle with no windows in it. Ambulance

2025
02:27:14,120 --> 02:27:23,760
Speaker 1: or corner vehicle. Excuse me, I saw that myself and

2026
02:27:23,879 --> 02:27:31,160
Speaker 1: I stood out there and I beefed with Mike Laddy, Mona, Scott,

2027
02:27:34,360 --> 02:27:38,680
Speaker 1: A B. Butler, some of the other Voletor members, the

2028
02:27:38,760 --> 02:27:45,039
Speaker 1: original Violator members, Chris Ali and the rest of them

2029
02:27:45,080 --> 02:27:50,959
Speaker 1: brothers about where was Chris Laddy's belongings gonna go? Because

2030
02:27:51,160 --> 02:27:54,840
Speaker 1: everybody from Chris side one of his belongings out of

2031
02:27:54,959 --> 02:27:57,840
Speaker 1: that house and taken to a storage place that they

2032
02:27:57,959 --> 02:28:04,600
Speaker 1: controlled the key of h and his widowed wife at

2033
02:28:04,640 --> 02:28:07,960
Speaker 1: the time was trying to fight that with her family.

2034
02:28:12,720 --> 02:28:24,120
Speaker 1: And this was a horrible day. This day was a

2035
02:28:24,280 --> 02:28:34,600
Speaker 1: day where what fox with me the most about this

2036
02:28:34,720 --> 02:28:46,240
Speaker 1: ship is because you know, being the first of all

2037
02:28:46,360 --> 02:28:51,200
Speaker 1: of the artists, Christ nevercame to my studio sessions. You

2038
02:28:51,360 --> 02:29:06,680
Speaker 1: feel me so Rish Chris. He started coming in my

2039
02:29:06,840 --> 02:29:09,960
Speaker 1: studio sessions in two thousand eleven. Mind you, I've been

2040
02:29:10,040 --> 02:29:13,080
Speaker 1: doing this with him since eight ninety. I signed my

2041
02:29:13,200 --> 02:29:18,320
Speaker 1: deal December fifty December twelfth, nine nine, when I was seventeen.

2042
02:29:18,400 --> 02:29:25,560
Speaker 1: I'm I'm forty eight years old now, bro. So he

2043
02:29:25,720 --> 02:29:31,160
Speaker 1: never came to my studio sessions. So you know, I

2044
02:29:31,240 --> 02:29:33,840
Speaker 1: used to watch when all other incredible artists came to

2045
02:29:33,920 --> 02:29:38,920
Speaker 1: the roster and he was moving around with them todays

2046
02:29:39,040 --> 02:29:40,680
Speaker 1: set up. No, he didn't set up none of my

2047
02:29:40,760 --> 02:29:43,840
Speaker 1: studio sessions, Chris. He had nothing to do with my

2048
02:29:43,879 --> 02:29:46,880
Speaker 1: studio sessions. Chris set up all of my incredible record deals.

2049
02:29:48,280 --> 02:29:50,160
Speaker 1: But I'm not gonna lot of buzz. I don't think

2050
02:29:50,200 --> 02:29:53,760
Speaker 1: you needed anybody. You were seven sounds, yeah, my manager

2051
02:29:53,879 --> 02:29:57,400
Speaker 1: I was I'm hands on sound tracks and they would

2052
02:29:57,400 --> 02:30:00,120
Speaker 1: be like, are you a buster? I'm like, jeez, littuise out.

2053
02:30:00,160 --> 02:30:02,760
Speaker 1: But that's my West Indian ship though, like you know,

2054
02:30:03,240 --> 02:30:08,440
Speaker 1: my mom's my mother. She um would take away any

2055
02:30:08,520 --> 02:30:12,160
Speaker 1: studio you ever, like, just rented any studio that I

2056
02:30:12,320 --> 02:30:15,000
Speaker 1: had the opportunity to work in. I'm booking my own session,

2057
02:30:15,080 --> 02:30:18,840
Speaker 1: I'm signing my own invoice on the POS and to

2058
02:30:19,000 --> 02:30:21,480
Speaker 1: this day, to this day, I'm paying for my own

2059
02:30:21,480 --> 02:30:31,280
Speaker 1: studio times yesterday. That's the motherfucker' fact. Get up. And

2060
02:30:31,400 --> 02:30:33,920
Speaker 1: I was like this, Nick Buss is gonna about to

2061
02:30:33,959 --> 02:30:40,200
Speaker 1: go to sleep. But Chris never came to my studio sessions.

2062
02:30:40,760 --> 02:30:44,240
Speaker 1: So to see when LLL and fifty and Missy and

2063
02:30:44,360 --> 02:30:47,760
Speaker 1: Naas and Mo but Nori and everybody came to this

2064
02:30:48,680 --> 02:30:51,560
Speaker 1: violate the family. And he was popping up two sessions

2065
02:30:51,640 --> 02:30:54,520
Speaker 1: and from the other artists from rostand and was a

2066
02:30:54,560 --> 02:30:57,240
Speaker 1: buzzing coming to mind that that fucked with me. I'm

2067
02:30:57,280 --> 02:31:02,400
Speaker 1: not gonna lie and funsed with me. But the way

2068
02:31:02,440 --> 02:31:04,600
Speaker 1: I was raised was to not complain. It was just

2069
02:31:04,720 --> 02:31:06,960
Speaker 1: about doing what you needed to do to make the

2070
02:31:07,080 --> 02:31:11,120
Speaker 1: big homie pull up to your session, because nobody cares

2071
02:31:11,200 --> 02:31:16,680
Speaker 1: when you complain anyway, or nobody adn't listening to your complaints.

2072
02:31:17,520 --> 02:31:19,520
Speaker 1: They got a bunch of ship to complain about two

2073
02:31:20,640 --> 02:31:22,960
Speaker 1: but if they ain't burdened and you would they complaining?

2074
02:31:23,000 --> 02:31:24,960
Speaker 1: And what the fund you're gonna burden them with yours for?

2075
02:31:26,680 --> 02:31:38,680
Speaker 1: Do your job. So I tapped into a frequency somehow,

2076
02:31:39,040 --> 02:31:41,280
Speaker 1: the most high line of stars in the universe for

2077
02:31:41,400 --> 02:31:43,600
Speaker 1: me man, and I just started making some ship that

2078
02:31:43,760 --> 02:31:45,640
Speaker 1: made Chris feel like he needed to pull up to

2079
02:31:45,720 --> 02:31:48,760
Speaker 1: my sessions and my nigger. And not only did he

2080
02:31:48,840 --> 02:31:51,080
Speaker 1: pull up, Man, he started pulling up so regularly on

2081
02:31:51,160 --> 02:31:53,400
Speaker 1: an unannounced level. It was almost like he had something

2082
02:31:53,440 --> 02:31:56,120
Speaker 1: to prove to the people that he was talking to

2083
02:31:56,240 --> 02:31:59,200
Speaker 1: about my ship. And he was like, Oh, you don't

2084
02:31:59,240 --> 02:32:01,600
Speaker 1: believe me, let me bring you to the studio, so

2085
02:32:01,720 --> 02:32:05,119
Speaker 1: you can see that what I'm saying is truth. I'm

2086
02:32:05,160 --> 02:32:15,480
Speaker 1: not finished. You're not gonna interrupt me, Nori, thank you now,

2087
02:32:15,560 --> 02:32:17,480
Speaker 1: it's this disimportant to me. That's why I just want

2088
02:32:17,480 --> 02:32:19,200
Speaker 1: to get it off. Let me just finish this part.

2089
02:32:20,360 --> 02:32:24,040
Speaker 1: My brother came to the studio with his children and

2090
02:32:24,160 --> 02:32:27,280
Speaker 1: made me press play. He came to the studio with

2091
02:32:27,480 --> 02:32:30,480
Speaker 1: other movie and television execution made me press the play.

2092
02:32:30,920 --> 02:32:33,840
Speaker 1: He pulled up with other powerful music industry exacts and

2093
02:32:33,879 --> 02:32:37,360
Speaker 1: made me press play. As a proud big brother and

2094
02:32:37,480 --> 02:32:45,360
Speaker 1: a proud father of busting Rhyme's career. So as I

2095
02:32:45,480 --> 02:32:52,240
Speaker 1: watched him shaperoon the whole planet with fifty l L

2096
02:32:53,600 --> 02:33:00,960
Speaker 1: sometimes Nori, sometimes Mom, and he wasn't pulling up to

2097
02:33:01,040 --> 02:33:04,560
Speaker 1: my ship when he finally decided to pull up to

2098
02:33:04,640 --> 02:33:11,120
Speaker 1: my ship and then he died. Right you know how

2099
02:33:11,200 --> 02:33:17,640
Speaker 1: that made me feel I'm not gonna lie. That shouldn't

2100
02:33:17,720 --> 02:33:21,520
Speaker 1: fucking hurt Bro. You know what I'm saying. Like Chris

2101
02:33:21,600 --> 02:33:24,200
Speaker 1: sent me an email in my BlackBerry and Bro was like, Yo,

2102
02:33:26,520 --> 02:33:31,200
Speaker 1: I'm proud of you. It's just two dollars eleven. I'm

2103
02:33:31,280 --> 02:33:41,640
Speaker 1: proud of you, Bro, He goes, you finally did it.

2104
02:33:43,600 --> 02:33:47,000
Speaker 1: Pink Floyd didn't record their greatest album, called The Wall,

2105
02:33:47,160 --> 02:33:54,320
Speaker 1: until the eighth album, You Finally Caught that train. Congratulations,

2106
02:33:54,440 --> 02:33:58,720
Speaker 1: bunch the rhymes. Oh so now you're telling me that

2107
02:33:58,800 --> 02:34:02,840
Speaker 1: I'm and this is yearly two back in two thousand eleven.

2108
02:34:02,879 --> 02:34:05,400
Speaker 1: I started this album in O nine, eleven years ago.

2109
02:34:09,959 --> 02:34:12,080
Speaker 1: So he tells me this in two thousand and eleven,

2110
02:34:12,720 --> 02:34:15,880
Speaker 1: and then you die. You don't live to chaperoon around

2111
02:34:15,920 --> 02:34:24,119
Speaker 1: the planet with me. I feel cheated. I'm being short changed.

2112
02:34:24,200 --> 02:34:32,400
Speaker 1: This ain't fair, this ain't right, this ain't right. I

2113
02:34:32,600 --> 02:34:37,119
Speaker 1: was the first ship. I don't get my turn, nigger.

2114
02:34:49,720 --> 02:35:02,400
Speaker 1: I'm sorry that would be so so Oh I didn't

2115
02:35:02,480 --> 02:35:05,560
Speaker 1: I lose my father too while I made this album.

2116
02:35:09,920 --> 02:35:14,080
Speaker 1: I lose Chris Slatty, and I lose my daddy making

2117
02:35:14,120 --> 02:35:19,240
Speaker 1: this album. Niggas want to know why I took so

2118
02:35:19,400 --> 02:35:22,160
Speaker 1: long to put out an album. I was going through

2119
02:35:22,200 --> 02:35:25,080
Speaker 1: all kinds of ship, nigger. I had to lose weight,

2120
02:35:29,959 --> 02:35:34,920
Speaker 1: I had to find refuge and people that didn't mean

2121
02:35:35,040 --> 02:35:40,480
Speaker 1: as much to me as Chris and my father, and

2122
02:35:42,480 --> 02:35:44,760
Speaker 1: I started to walk around with this smile like I

2123
02:35:44,920 --> 02:35:50,160
Speaker 1: was doing well, that's how hard things to fucking do

2124
02:35:52,440 --> 02:35:54,959
Speaker 1: and I ain't looking for no sympathy. I just want

2125
02:35:55,000 --> 02:36:00,600
Speaker 1: to share because I want niggas to know pain that

2126
02:36:00,760 --> 02:36:03,600
Speaker 1: you go through too. You could look at me and

2127
02:36:03,800 --> 02:36:09,960
Speaker 1: see your pain in me, because none of us exempt

2128
02:36:10,000 --> 02:36:18,920
Speaker 1: from suffering as all as it's about that, I'm sharing,

2129
02:36:19,520 --> 02:36:24,040
Speaker 1: and it's therapeutically beautiful for me because I'm finally in

2130
02:36:24,120 --> 02:36:26,640
Speaker 1: a space in my life where I'm comfortable enough to

2131
02:36:26,840 --> 02:36:30,160
Speaker 1: share it. Now. Long it took for me to start

2132
02:36:30,240 --> 02:36:35,840
Speaker 1: having these kind of conversations with the public m now

2133
02:36:35,959 --> 02:36:38,720
Speaker 1: many years I've been walking around with this ship, afraid

2134
02:36:38,800 --> 02:36:40,680
Speaker 1: to talk about it because I don't want is to

2135
02:36:40,840 --> 02:36:46,480
Speaker 1: use this vulnerability against me. Can't. No, it's strength, man,

2136
02:36:46,800 --> 02:36:50,200
Speaker 1: They can't. You don't know that at the time. When

2137
02:36:50,200 --> 02:36:53,760
Speaker 1: you do, you know what I'm saying, I'll agree with

2138
02:36:53,920 --> 02:36:57,119
Speaker 1: that part as well what I'm saying. They can't they

2139
02:36:59,320 --> 02:37:01,520
Speaker 1: because I feel the same thing that you feel, like

2140
02:37:01,800 --> 02:37:05,080
Speaker 1: we all feel. Nor when you asked the question that

2141
02:37:05,160 --> 02:37:09,560
Speaker 1: I didn't even respond to yet, you said, did Chris

2142
02:37:09,720 --> 02:37:14,400
Speaker 1: kill himself? Because you can't believe it, I'm gonna say

2143
02:37:14,480 --> 02:37:22,840
Speaker 1: this to you. I don't want to believe it. What

2144
02:37:23,040 --> 02:37:40,000
Speaker 1: he was going through. It won't allow But we know

2145
02:37:40,120 --> 02:37:44,400
Speaker 1: if Chris won't allow us to accept that possible reality.

2146
02:37:46,560 --> 02:37:50,520
Speaker 1: But what he was going through, I don't know if

2147
02:37:50,600 --> 02:37:54,560
Speaker 1: we understood the significance of how serious it was. Neither

2148
02:37:56,040 --> 02:38:03,120
Speaker 1: fee me. So I don't have the answer for that.

2149
02:38:03,280 --> 02:38:05,040
Speaker 1: But I'm gonna leave you with that, and you can

2150
02:38:05,120 --> 02:38:07,920
Speaker 1: take that and walk with it and figure out what

2151
02:38:08,040 --> 02:38:11,120
Speaker 1: it is that you think I might be saying. But

2152
02:38:11,280 --> 02:38:13,440
Speaker 1: what I am saying is there ain't no statue of

2153
02:38:13,560 --> 02:38:19,400
Speaker 1: limitation to a murder neither. So I ain't gonna stop

2154
02:38:19,520 --> 02:38:22,000
Speaker 1: till I get to the bottom of it. I need

2155
02:38:22,120 --> 02:38:35,920
Speaker 1: to take a break about this when it came to

2156
02:38:36,040 --> 02:38:45,599
Speaker 1: bro because he does not his value and his significance

2157
02:38:45,640 --> 02:38:49,440
Speaker 1: and other people's lives are not the same as it

2158
02:38:49,600 --> 02:38:53,560
Speaker 1: is in ours. What he means to us. A lot

2159
02:38:53,640 --> 02:38:56,240
Speaker 1: of people can't relate to that, you know what I'm saying,

2160
02:38:56,320 --> 02:39:00,760
Speaker 1: So it doesn't resonate the same way when you talk

2161
02:39:00,840 --> 02:39:04,360
Speaker 1: about him to them. If he did not impact your

2162
02:39:04,400 --> 02:39:08,080
Speaker 1: life in the way that he impact ours, you know

2163
02:39:08,080 --> 02:39:12,840
Speaker 1: what I mean. So it's actually a pleasure and in

2164
02:39:13,000 --> 02:39:17,880
Speaker 1: honor to be able to disclose these feelings with people

2165
02:39:17,959 --> 02:39:22,320
Speaker 1: that I know, you and him, y'all know Chris, you

2166
02:39:22,360 --> 02:39:25,200
Speaker 1: know what I'm saying, he knows Chris, Like how I

2167
02:39:25,320 --> 02:39:31,920
Speaker 1: know Chris? You know Chris because you had to deal

2168
02:39:32,000 --> 02:39:35,519
Speaker 1: with Violator when he was alive and at his apex.

2169
02:39:36,760 --> 02:39:43,520
Speaker 1: So our understanding, nixt understanding, less understanding, fuzzy understanding. Even

2170
02:39:43,600 --> 02:39:48,640
Speaker 1: wheb right where used to ship management credit with Mona

2171
02:39:48,720 --> 02:39:52,560
Speaker 1: Scott and Chris Lidy as a co manager for me.

2172
02:39:54,080 --> 02:39:56,640
Speaker 1: You can look at the credits for my first three

2173
02:39:56,720 --> 02:40:04,480
Speaker 1: solo albums and see managers Kevin Webb Welch for Flip

2174
02:40:04,560 --> 02:40:09,879
Speaker 1: Mode Management and Chris Lady and Mona Scott for Violated

2175
02:40:09,920 --> 02:40:17,240
Speaker 1: Management Real Ship. And it's my brother who introduced me

2176
02:40:17,320 --> 02:40:19,320
Speaker 1: to how to survive as a fifteen year old in

2177
02:40:19,360 --> 02:40:34,560
Speaker 1: the Reaganomics era, which so so you don't want a

2178
02:40:34,600 --> 02:40:38,560
Speaker 1: bigger split, right, that's one of the steps. Now I'm

2179
02:40:39,040 --> 02:40:42,480
Speaker 1: enjoying my Gurker Cigargar. I feel like, you know the

2180
02:40:42,560 --> 02:40:45,440
Speaker 1: owner of Yes I do Big Up the kais from

2181
02:40:45,760 --> 02:41:00,920
Speaker 1: Kirk Kirki Cigar your money Now again about Chris, I

2182
02:41:01,080 --> 02:41:07,960
Speaker 1: just felt like when you were talking about festival ship

2183
02:41:09,120 --> 02:41:15,160
Speaker 1: with Violator and how emotional you see me get probably

2184
02:41:15,160 --> 02:41:21,000
Speaker 1: the only time that is a indirect correlation with the

2185
02:41:21,120 --> 02:41:26,840
Speaker 1: fact that from two thousand twelve to now, we ain't

2186
02:41:26,959 --> 02:41:30,280
Speaker 1: organized nothing to honor to violate a legacy other than

2187
02:41:30,360 --> 02:41:35,080
Speaker 1: trying to talk on the fucking podcast about how great

2188
02:41:35,120 --> 02:41:38,000
Speaker 1: he was that ship is corny to me. I don't

2189
02:41:38,000 --> 02:41:45,080
Speaker 1: want to talk about Chris on nobody's podcast. I'm only

2190
02:41:45,160 --> 02:41:47,480
Speaker 1: doing it now because I'm with my brothers. That was

2191
02:41:47,560 --> 02:41:53,640
Speaker 1: a part of the violated legacy. Only other person that

2192
02:41:54,160 --> 02:41:55,840
Speaker 1: actually to do it, and I actually told him I

2193
02:41:55,879 --> 02:42:00,640
Speaker 1: ain't with it, was Fat Joe, because I told Fat

2194
02:42:00,760 --> 02:42:04,040
Speaker 1: Joe like I'm gonna tell you Mari, and like I

2195
02:42:04,200 --> 02:42:09,040
Speaker 1: told he Nicks, something's wrong with the fact that we

2196
02:42:09,120 --> 02:42:12,959
Speaker 1: ain't do nothing to uphold the violate the legacy properly.

2197
02:42:14,800 --> 02:42:16,840
Speaker 1: I got a song on my album called Deep Thought,

2198
02:42:21,320 --> 02:42:27,080
Speaker 1: and I specifically address how we ain't screaming violated like

2199
02:42:27,200 --> 02:42:41,080
Speaker 1: we used to. And my biggest problem with that is damn.

2200
02:42:42,480 --> 02:42:46,039
Speaker 1: Then he introduced all of us to a different tax bracket.

2201
02:42:49,400 --> 02:42:52,520
Speaker 1: He turned us, all, every last one of us into

2202
02:42:53,520 --> 02:42:59,160
Speaker 1: Rich Sniggers Man. Our whip game change, our jury game, changed,

2203
02:42:59,200 --> 02:43:05,960
Speaker 1: our crib game, a changed yep, Him and Mona Scott,

2204
02:43:07,600 --> 02:43:16,360
Speaker 1: Eric Knicks, James Cruise, Laurie Dobbins, Claudine Joseph Gail Hansen,

2205
02:43:17,440 --> 02:43:22,279
Speaker 1: a Keena Rock mind, Laura c o Cia, Mike Lady

2206
02:43:23,520 --> 02:43:27,800
Speaker 1: was over for a little bit, right now, Yeah, come

2207
02:43:27,840 --> 02:43:36,840
Speaker 1: on now, our team was it was Avengers for real.

2208
02:43:37,680 --> 02:43:43,240
Speaker 1: It was bro so to have that kind of support.

2209
02:43:43,360 --> 02:43:47,720
Speaker 1: And I'm not even saying everybody named it so much

2210
02:43:47,760 --> 02:43:52,880
Speaker 1: others that was intricate to the whole puzzle. And forgive

2211
02:43:52,920 --> 02:43:55,920
Speaker 1: me for not saying everybody name, but there was incredible

2212
02:43:56,040 --> 02:44:00,000
Speaker 1: people that was coming in and out of the infrastry

2213
02:44:00,040 --> 02:44:03,000
Speaker 1: up here at different times of the evolution of Violator,

2214
02:44:04,000 --> 02:44:13,040
Speaker 1: and they played significant roles at those times. And we

2215
02:44:13,480 --> 02:44:20,560
Speaker 1: have done the Valletor legacy a complete and total injustice,

2216
02:44:23,280 --> 02:44:27,600
Speaker 1: and we we should be ashamed of ourselves. I'm being

2217
02:44:27,640 --> 02:44:32,520
Speaker 1: honest with you. We're all included, We're all guilty of that.

2218
02:44:34,400 --> 02:44:37,879
Speaker 1: I don't want to talk about Violator unless we're doing something.

2219
02:44:38,800 --> 02:44:41,520
Speaker 1: I talked about it tonight because I wanted everyone that

2220
02:44:41,920 --> 02:44:45,039
Speaker 1: is and has been a part of the Valator legacy

2221
02:44:46,000 --> 02:44:53,840
Speaker 1: to realize how much we should be ashamed of ourselves. Me,

2222
02:44:54,080 --> 02:45:01,400
Speaker 1: you two, everybody. We shouldn't we should have missed, we

2223
02:45:01,480 --> 02:45:04,200
Speaker 1: should have we should have got together this and it

2224
02:45:04,240 --> 02:45:09,000
Speaker 1: ain't too late. Can we still can't. That's the beautiful

2225
02:45:09,040 --> 02:45:12,000
Speaker 1: line at the end of the tunnel. Now, what we

2226
02:45:12,120 --> 02:45:15,400
Speaker 1: do moving forward is a testament to whether or not

2227
02:45:15,680 --> 02:45:20,360
Speaker 1: we live our word or not. I'ma ask a tough question. Yeah,

2228
02:45:20,400 --> 02:45:23,039
Speaker 1: why do you think there wasn't one person to step

2229
02:45:23,160 --> 02:45:26,520
Speaker 1: up to say let me, let me, let me take this.

2230
02:45:26,680 --> 02:45:28,880
Speaker 1: Why you think I'll didn't do that? Why do you

2231
02:45:28,959 --> 02:45:31,920
Speaker 1: think you didn't do that or me didn't take up.

2232
02:45:32,120 --> 02:45:36,640
Speaker 1: I'm gonna give you. I'm gonna give you one reason.

2233
02:45:45,280 --> 02:45:59,720
Speaker 1: And as ugly as it might sound, I'm trying to

2234
02:45:59,800 --> 02:46:02,080
Speaker 1: find the right way to say this because I do

2235
02:46:02,240 --> 02:46:06,040
Speaker 1: want to be mindful of not offending anybody. I think

2236
02:46:06,280 --> 02:46:15,400
Speaker 1: once you come from the heart, no more were Maybe

2237
02:46:15,480 --> 02:46:18,480
Speaker 1: it's more of a question and a statement. How much

2238
02:46:18,560 --> 02:46:22,080
Speaker 1: did we really love Chris? We all love Chris. I

2239
02:46:22,160 --> 02:46:26,440
Speaker 1: don't think I said how much did we love Chris?

2240
02:46:28,000 --> 02:46:30,920
Speaker 1: And questioning whether or not we did love him? I'm

2241
02:46:31,040 --> 02:46:34,800
Speaker 1: questioning how much did we love him? How much did

2242
02:46:34,840 --> 02:46:42,960
Speaker 1: we appreciate him? Obviously we felt short somewhere. That's the

2243
02:46:43,120 --> 02:46:47,520
Speaker 1: common denominator in my nigger. Not enough was done. Not

2244
02:46:48,000 --> 02:46:54,720
Speaker 1: enough was done, which is a horrible truth about how

2245
02:46:54,840 --> 02:46:57,920
Speaker 1: much we really loved him because if we felt like

2246
02:46:58,160 --> 02:47:02,880
Speaker 1: he was worth going through whatever the due diligence was,

2247
02:47:03,800 --> 02:47:07,840
Speaker 1: we would have done it right. Okay, let's learn from

2248
02:47:07,920 --> 02:47:14,440
Speaker 1: this and let's swing. You know what I'm saying like,

2249
02:47:14,520 --> 02:47:17,480
Speaker 1: We're not going to sit here and act like errors

2250
02:47:17,520 --> 02:47:22,240
Speaker 1: ain't made to be corrected. Positive education always corrects errors.

2251
02:47:22,280 --> 02:47:26,400
Speaker 1: That's the acronym of peace, pieces the absence of confusion.

2252
02:47:27,400 --> 02:47:35,400
Speaker 1: Let's not confuse the situation any further and positively educate

2253
02:47:38,000 --> 02:47:41,760
Speaker 1: ourselves so that it can always correct the error. Now,

2254
02:47:41,879 --> 02:47:45,560
Speaker 1: let's correct the fucking error. That's why I pointed it

2255
02:47:45,600 --> 02:47:48,640
Speaker 1: out in my album in a song called Deep Thought

2256
02:47:49,280 --> 02:47:55,160
Speaker 1: on extinction level of Men to the God. Damn. So

2257
02:47:55,360 --> 02:48:00,560
Speaker 1: now we have been discussing things, me and Rick nis

2258
02:48:00,640 --> 02:48:09,680
Speaker 1: In particularly about planning for twenty one situation the Lecacy,

2259
02:48:10,520 --> 02:48:13,120
Speaker 1: our brother. It's like twelve days away, but I'm still scared.

2260
02:48:13,360 --> 02:48:27,320
Speaker 1: No one said twelve days away. Let me, you don't

2261
02:48:27,360 --> 02:48:29,879
Speaker 1: mean that literally. He didn't mean it literally. What you're

2262
02:48:29,879 --> 02:48:34,520
Speaker 1: saying around the corner. I got around the corner. It

2263
02:48:34,680 --> 02:48:37,880
Speaker 1: wasn't gonna be an early one. Thing that we was

2264
02:48:37,879 --> 02:48:40,119
Speaker 1: gonna try to organize is gonna be trying to try

2265
02:48:40,160 --> 02:48:42,000
Speaker 1: to we was gonna try to organize in like late summer,

2266
02:48:43,400 --> 02:48:47,160
Speaker 1: excuse me, August one, you know what I'm saying, that

2267
02:48:47,320 --> 02:48:53,840
Speaker 1: kind of time framek Okay, Yes, So my brother has

2268
02:48:53,840 --> 02:48:56,760
Speaker 1: already taking a lead on it. Discussions we've been having

2269
02:48:56,800 --> 02:49:01,080
Speaker 1: for the last two weeks, three weeks, and I got

2270
02:49:01,160 --> 02:49:04,600
Speaker 1: what he knicks because he's a facilitator. He ain't with

2271
02:49:04,760 --> 02:49:11,120
Speaker 1: the talk ship, you know, he he a sound Yeah,

2272
02:49:11,160 --> 02:49:13,760
Speaker 1: he knicks as a silencer. You know what I'm saying.

2273
02:49:14,120 --> 02:49:19,040
Speaker 1: So you need that in order to facilitate. You know,

2274
02:49:19,120 --> 02:49:24,680
Speaker 1: we're great with with the mouthpiece. That's why we lyricists exactly.

2275
02:49:25,160 --> 02:49:31,800
Speaker 1: He don't, he's rapping. He's about doing. The combination of

2276
02:49:31,879 --> 02:49:36,840
Speaker 1: the boat is what makes the magic happen. So that's

2277
02:49:36,959 --> 02:49:41,280
Speaker 1: that's the goal. And I just hope we don't get

2278
02:49:41,360 --> 02:49:45,440
Speaker 1: to a crossroads where we gotta deal with unnecessary obstacles

2279
02:49:45,520 --> 02:49:49,400
Speaker 1: that can block the blessing. As long as we don't

2280
02:49:49,440 --> 02:49:52,680
Speaker 1: go through something that we can't get around, this is

2281
02:49:52,720 --> 02:49:57,720
Speaker 1: gonna happen, and we're gonna organize this in a way

2282
02:49:57,840 --> 02:50:06,600
Speaker 1: so that the the kids are straight, his mom's is straight.

2283
02:50:09,640 --> 02:50:12,320
Speaker 1: The people that directly needs to be taken care of

2284
02:50:13,080 --> 02:50:18,320
Speaker 1: is taken care of, and then whatever the mother Chris's

2285
02:50:18,440 --> 02:50:25,560
Speaker 1: mother deems suitable with the kids, that the rest of

2286
02:50:25,720 --> 02:50:30,480
Speaker 1: the proceeds should go too. That's where it's gonna go.

2287
02:50:32,560 --> 02:50:36,040
Speaker 1: And a lot willen. This comes to fruition in the

2288
02:50:36,120 --> 02:50:40,400
Speaker 1: most magical and flawless way possible. And ship Man, I'm

2289
02:50:40,920 --> 02:50:44,360
Speaker 1: do everything on my side within my means to see

2290
02:50:44,400 --> 02:50:48,680
Speaker 1: this ship through E to Z. We're gonna cross every team,

2291
02:50:48,760 --> 02:50:51,920
Speaker 1: We're gonna dot every fucking eye, and we're gonna make

2292
02:50:51,959 --> 02:50:53,480
Speaker 1: sure that we see this ship through the way we're

2293
02:50:53,480 --> 02:50:55,800
Speaker 1: supposed to see it through. And that's what I got

2294
02:50:55,840 --> 02:50:59,840
Speaker 1: asked for, you know what I'm saying, especially for that

2295
02:51:03,640 --> 02:51:06,880
Speaker 1: anyway we can help guess anyway we can be there

2296
02:51:06,920 --> 02:51:09,240
Speaker 1: with you every step of getting part of the shop.

2297
02:51:09,320 --> 02:51:12,040
Speaker 1: And then we'll do a quick times slid quick time,

2298
02:51:12,080 --> 02:51:14,480
Speaker 1: I slide, I'm quick. This is this is just a

2299
02:51:14,720 --> 02:51:18,160
Speaker 1: commitment from Noria. Every next asked the question, you need

2300
02:51:18,200 --> 02:51:20,720
Speaker 1: to answer it. Answer the question again. Wait wait, wait

2301
02:51:20,720 --> 02:51:23,120
Speaker 1: wait wait, actually a game with nobody talking, why are

2302
02:51:23,120 --> 02:51:32,400
Speaker 1: you talking? Jink Chances hosting? What are you talking? No?

2303
02:51:32,520 --> 02:51:34,560
Speaker 1: But in addition to that, we need you the performance

2304
02:51:34,600 --> 02:51:38,160
Speaker 1: of Okay, so I need to hit up too. I

2305
02:51:38,320 --> 02:51:41,680
Speaker 1: want to hear what. I don't think too on my side,

2306
02:51:42,840 --> 02:51:48,880
Speaker 1: but call somethbody. I'll be busting out there this yeah,

2307
02:51:48,959 --> 02:51:53,840
Speaker 1: I've been doing. I don't know that. I'll be disrespectful.

2308
02:51:53,959 --> 02:51:58,520
Speaker 1: This is set at my in my mind. Spare stars

2309
02:51:58,680 --> 02:52:08,120
Speaker 1: covering older new book lined Wait a minute, Swift, yeah please, yeah, yeah,

2310
02:52:08,160 --> 02:52:10,879
Speaker 1: I ain't gonna lie this. This is a whole new wave.

2311
02:52:11,520 --> 02:52:14,680
Speaker 1: But Spiff gave me this wave like four years ago,

2312
02:52:14,800 --> 02:52:17,360
Speaker 1: and hit Factory told me about this is a new

2313
02:52:17,720 --> 02:52:21,039
Speaker 1: case of Brooklyn. I need you to say this, Solf

2314
02:52:21,080 --> 02:52:23,400
Speaker 1: about Splippers in the room. He gotta hear you address

2315
02:52:23,440 --> 02:52:29,400
Speaker 1: a proper him right now. Splits alright, Fine, already, fine,

2316
02:52:29,680 --> 02:52:41,480
Speaker 1: three more as slipper, God, damnit, give up ring che Listen, listen,

2317
02:52:41,600 --> 02:52:46,280
Speaker 1: check off. We got there's a whole listen. Swift, don't

2318
02:52:46,280 --> 02:52:50,840
Speaker 1: give me a Mike, No, Mike, you gotta talk. This

2319
02:52:51,000 --> 02:53:00,160
Speaker 1: is just project project now. He's gonna go. Yeah. The

2320
02:53:00,200 --> 02:53:04,560
Speaker 1: first they can put you in the rap game's relaxed slaking.

2321
02:53:05,520 --> 02:53:16,320
Speaker 1: This is rid be ready yet ready No, No, when

2322
02:53:16,400 --> 02:53:21,160
Speaker 1: you take the shot. Plus you've got it, brother Ice elevative.

2323
02:53:22,520 --> 02:53:33,800
Speaker 1: I can't come a shot ship he yes, yes, yes, yes,

2324
02:53:35,680 --> 02:53:37,640
Speaker 1: I get to play and you talk to split Wait

2325
02:53:37,680 --> 02:53:40,720
Speaker 1: a minute, give him a shot Splip. No no no

2326
02:53:40,760 --> 02:53:42,800
Speaker 1: no no no no no no no. My brother needs

2327
02:53:42,840 --> 02:53:46,040
Speaker 1: a shot. I'll take this. Hen that's what we're doing.

2328
02:53:46,959 --> 02:53:50,560
Speaker 1: Go for it. But I sing in for him though.

2329
02:53:50,680 --> 02:53:53,600
Speaker 1: He don't need to drink. No hot lit y'all. G

2330
02:53:54,840 --> 02:53:59,160
Speaker 1: Splip don't drink Splip bun down the room though, let's

2331
02:54:00,000 --> 02:54:16,199
Speaker 1: all right, you give me, give me, give me. I remember,

2332
02:54:16,720 --> 02:54:19,960
Speaker 1: it was going straight to point with you Smith, not

2333
02:54:20,120 --> 02:54:23,200
Speaker 1: bust though you know where you're going going. He was

2334
02:54:23,240 --> 02:54:26,240
Speaker 1: going into the Brooklyn artists that you feel like Spliff discovered.

2335
02:54:26,360 --> 02:54:29,600
Speaker 1: Now you said Flip Spliff discovered the wave, and you

2336
02:54:29,680 --> 02:54:33,880
Speaker 1: said you like four years ago. Listen, you told me

2337
02:54:34,000 --> 02:54:36,720
Speaker 1: like four years ago he was talking about these artists.

2338
02:54:36,760 --> 02:54:38,760
Speaker 1: And I'm looking at you. I think it was called

2339
02:54:38,760 --> 02:54:42,560
Speaker 1: paper Rock Rock. I call him paper Rock Gay. And

2340
02:54:43,600 --> 02:54:48,800
Speaker 1: now you show me these pictures, these all these artists. Now,

2341
02:54:49,000 --> 02:54:53,640
Speaker 1: who are you talking about? In particularly know who he

2342
02:54:53,760 --> 02:54:57,879
Speaker 1: talking about? Okay, I'm just making sure I'm clear. Then

2343
02:54:58,000 --> 02:55:00,480
Speaker 1: known as we see a little lescar, one of like

2344
02:55:00,720 --> 02:55:04,080
Speaker 1: doptor so his name is Swipey. You got five year

2345
02:55:04,200 --> 02:55:10,920
Speaker 1: four the connect the whole eight hunting, four side, handsome ball.

2346
02:55:13,440 --> 02:55:16,800
Speaker 1: It was over paper rock. At one time, I had

2347
02:55:17,720 --> 02:55:20,960
Speaker 1: over like I had different you know, against you, and

2348
02:55:21,040 --> 02:55:23,360
Speaker 1: I kid you not spec you told me and I

2349
02:55:23,520 --> 02:55:27,120
Speaker 1: was like you shure. I was like, yo, it's not

2350
02:55:27,200 --> 02:55:29,080
Speaker 1: because I always like I just want to go out

2351
02:55:29,120 --> 02:55:32,320
Speaker 1: there into my own thing for a second. And I

2352
02:55:32,680 --> 02:55:36,160
Speaker 1: doubted you. I know, it's okay. No, that's a friend,

2353
02:55:36,240 --> 02:55:38,040
Speaker 1: I mean, my friend, like I was to say, but

2354
02:55:38,160 --> 02:55:41,120
Speaker 1: you know what, I also supported you. I doubt do

2355
02:55:41,480 --> 02:55:47,520
Speaker 1: don support, don't support support sometimes a good one. Right

2356
02:55:47,560 --> 02:55:55,760
Speaker 1: now it was support everybody here. But but then there's

2357
02:55:55,840 --> 02:56:01,880
Speaker 1: four years later. I said, yo, effy goss if when

2358
02:56:03,480 --> 02:56:07,920
Speaker 1: it's out here good and that's the way dans all

2359
02:56:07,959 --> 02:56:16,800
Speaker 1: the time brok. Yeah, but I saw the way going

2360
02:56:16,920 --> 02:56:20,280
Speaker 1: time ago. It's just like when Drake went to UM

2361
02:56:21,040 --> 02:56:25,160
Speaker 1: it's still being no Jaz rental whether they said no,

2362
02:56:25,720 --> 02:56:28,080
Speaker 1: you know, sometimes people don't they don't catch there. I

2363
02:56:28,200 --> 02:56:30,760
Speaker 1: just saw something I just wanted to put my next.

2364
02:56:31,080 --> 02:56:33,840
Speaker 1: This is a flat push movement. This was n This

2365
02:56:34,000 --> 02:56:36,200
Speaker 1: is a picture go out moving. This was slipped our

2366
02:56:36,280 --> 02:56:40,480
Speaker 1: training camp. This was I learned. You see the greatest

2367
02:56:40,520 --> 02:56:43,880
Speaker 1: of around busting vines and around Dr Drakefies this and

2368
02:56:43,959 --> 02:56:47,640
Speaker 1: that well or something to the norwst exhorbed. I'm a

2369
02:56:47,720 --> 02:56:49,560
Speaker 1: hustle that he came in the rapper now a rapper

2370
02:56:49,640 --> 02:56:52,160
Speaker 1: that's trying to be a hustle. Put that talk to

2371
02:56:52,360 --> 02:56:54,960
Speaker 1: like exhambing, just like how we doing the street week,

2372
02:56:55,040 --> 02:56:57,000
Speaker 1: so we see we bag it out and put it

2373
02:56:57,040 --> 02:56:59,200
Speaker 1: on the show, if you know what they say? Far

2374
02:56:59,320 --> 02:57:04,880
Speaker 1: and farther right, Um five yeol, where was here? He

2375
02:57:05,080 --> 02:57:08,080
Speaker 1: was there? All from the nine. They're all from Groundsville,

2376
02:57:09,320 --> 02:57:13,160
Speaker 1: best side, Eastern New York, flatish, you know what I mean.

2377
02:57:13,520 --> 02:57:15,520
Speaker 1: Some of these guys are blood, some of them crypts

2378
02:57:15,600 --> 02:57:17,080
Speaker 1: or some of them are fun. But this is the

2379
02:57:17,160 --> 02:57:20,680
Speaker 1: first time actually I had blood crypt as fok together

2380
02:57:20,879 --> 02:57:25,720
Speaker 1: in the studio. It looked like this. It was just

2381
02:57:25,920 --> 02:57:30,200
Speaker 1: like this. And um, when I went to Miami, I

2382
02:57:30,400 --> 02:57:33,240
Speaker 1: got a record on him. Course I'm swipey. I saw

2383
02:57:33,320 --> 02:57:35,800
Speaker 1: a video and everything, and then we're kind of good

2384
02:57:35,879 --> 02:57:38,720
Speaker 1: little nine million used on the wall store and all that,

2385
02:57:38,800 --> 02:57:42,040
Speaker 1: and I'm like, okay, good, You're going to go week

2386
02:57:42,080 --> 02:57:47,840
Speaker 1: in Miami for two thousand and fifteen. You know, must

2387
02:57:47,840 --> 02:57:50,640
Speaker 1: pull up I Miami bus. Pull up. You see a

2388
02:57:50,680 --> 02:57:56,840
Speaker 1: bunch of niggas. Bus going on there. You told was

2389
02:57:56,879 --> 02:58:02,840
Speaker 1: in front of the sneaker store. So you didn't believe

2390
02:58:02,879 --> 02:58:07,680
Speaker 1: in the movie, man, like I just did anything. I

2391
02:58:08,120 --> 02:58:12,960
Speaker 1: watched it. I did it. Man. Yeah, I'm buying some

2392
02:58:13,120 --> 02:58:17,160
Speaker 1: sneakers and Souls Inc. On Washington as y'all know the

2393
02:58:17,240 --> 02:58:23,360
Speaker 1: sneaker storm, telling about you know, you know what sneaker storm.

2394
02:58:24,360 --> 02:58:29,520
Speaker 1: That's what I'm saying. Wait, you're talking about Sunny. Don't

2395
02:58:29,560 --> 02:58:35,440
Speaker 1: go there. Study he knows about it. Like you don't

2396
02:58:35,480 --> 02:58:42,400
Speaker 1: go here, he he go to the you go you market.

2397
02:58:47,320 --> 02:58:50,360
Speaker 1: You don't know, you don't know this, don't this expect

2398
02:58:50,400 --> 02:58:56,960
Speaker 1: the sunny. But you're going to us a free market.

2399
02:58:57,120 --> 02:59:13,560
Speaker 1: Let's pretend. Go go back to it. You know, you

2400
02:59:13,720 --> 02:59:18,400
Speaker 1: know you know Sunny. You know you know's go back

2401
02:59:18,440 --> 02:59:25,520
Speaker 1: to your car. Yeah, you know about souls and you

2402
02:59:25,560 --> 02:59:30,440
Speaker 1: know this is this is this is take two like

2403
02:59:30,560 --> 02:59:38,760
Speaker 1: Star Wars Take two, Tip three, Sla Take three. You know, hi,

2404
02:59:39,200 --> 02:59:45,000
Speaker 1: so bust it. You know about souls? I can't, all right,

2405
02:59:45,080 --> 02:59:53,119
Speaker 1: so thank you marking my better snake about of sneak

2406
02:59:53,280 --> 02:59:56,320
Speaker 1: is about two T shirts. I come out of Souls

2407
02:59:56,360 --> 03:00:05,600
Speaker 1: in spliff, got a sprinter in front of Soul, Zay, Fabio, Firing, Swippy,

2408
03:00:06,200 --> 03:00:11,959
Speaker 1: all of these artists eight hundred Fire Inside Whole Click.

2409
03:00:15,280 --> 03:00:21,920
Speaker 1: They performing their songs oh d levels like they on

2410
03:00:22,440 --> 03:00:27,080
Speaker 1: top of the sprinter, bouncing around like wow, jelly beans.

2411
03:00:28,160 --> 03:00:31,920
Speaker 1: They're in inside the sprinter. They on the curb. I

2412
03:00:32,080 --> 03:00:40,080
Speaker 1: come outside and Spicy trying to talk to me, and

2413
03:00:40,200 --> 03:00:42,480
Speaker 1: I don't Swipey excuse me, And I don't really know

2414
03:00:42,680 --> 03:00:47,920
Speaker 1: him yet, so as I'm going to approach Spliff Swippy,

2415
03:00:48,680 --> 03:00:52,440
Speaker 1: Swipey was being a little aggressive about me not acknowledging them.

2416
03:00:53,879 --> 03:01:00,000
Speaker 1: So the way he was addressing me, I couldn't understand.

2417
03:01:00,040 --> 03:01:04,360
Speaker 1: And it like he's on dust. No, he wasn't on nothing.

2418
03:01:04,480 --> 03:01:11,400
Speaker 1: He just you know, we're going agressive. I'm just like,

2419
03:01:11,520 --> 03:01:15,200
Speaker 1: I'm just like, I'm just like down that road. No,

2420
03:01:15,520 --> 03:01:20,760
Speaker 1: young aggressive, You're like, yo, you sick. I get what

2421
03:01:20,800 --> 03:01:25,120
Speaker 1: you're saying. I'm not saying he's not speaking from a

2422
03:01:25,120 --> 03:01:27,840
Speaker 1: little replaced I got you kids. Okay, cool so so

2423
03:01:28,000 --> 03:01:34,520
Speaker 1: but but but what was transpiring was there was an

2424
03:01:34,720 --> 03:01:38,240
Speaker 1: energy that felt like it was a little excessive in

2425
03:01:38,360 --> 03:01:43,520
Speaker 1: the moment from the young bro and we was getting

2426
03:01:43,560 --> 03:01:48,400
Speaker 1: ready to get into something. Me and Swipey Swipey looked

2427
03:01:48,440 --> 03:01:54,240
Speaker 1: like split child. They literally looked the same. It's not

2428
03:01:54,400 --> 03:02:04,199
Speaker 1: your child, though there might need to be a blood

2429
03:02:04,240 --> 03:02:18,760
Speaker 1: test right now. We're joking, joking, all right, we're joking.

2430
03:02:19,800 --> 03:02:23,520
Speaker 1: First of all, big bigger, bigger, bigger, bigger, bigger, the

2431
03:02:23,640 --> 03:02:27,680
Speaker 1: Swipey and big up the fucking Fabio faring make no wrong.

2432
03:02:33,600 --> 03:02:39,959
Speaker 1: I love now. Splits introduced me to them before anybody

2433
03:02:40,040 --> 03:02:44,320
Speaker 1: heard them. Split's been working with them, mold and shaping them,

2434
03:02:45,360 --> 03:02:49,600
Speaker 1: grooming them before the world heard them. I haven't seen

2435
03:02:49,680 --> 03:02:53,640
Speaker 1: Spliff at Airbnb's with them, with them jumping in and

2436
03:02:53,680 --> 03:02:56,720
Speaker 1: out of swimming pools, just happy to be away from them.

2437
03:02:57,720 --> 03:03:02,160
Speaker 1: The five Burrows, I saw all of this. I didn't

2438
03:03:02,200 --> 03:03:05,560
Speaker 1: connect with them because I needed to respect protocol. The

2439
03:03:05,760 --> 03:03:10,560
Speaker 1: just Spliffs soldiers, he the general. I'm not trying to

2440
03:03:10,720 --> 03:03:15,600
Speaker 1: intervene and act like I'm on some busting rhyme ship. No,

2441
03:03:16,120 --> 03:03:20,520
Speaker 1: my brother is Spliff Starr and like you, I should

2442
03:03:20,560 --> 03:03:25,280
Speaker 1: be appreciative that y'all are with my fucking brother. And

2443
03:03:25,480 --> 03:03:28,199
Speaker 1: he's been around me long enough to know how to lead.

2444
03:03:30,320 --> 03:03:33,480
Speaker 1: Let me stay out the way. See, sometimes you gotta

2445
03:03:33,480 --> 03:03:37,000
Speaker 1: know when to get out the way. A lot of

2446
03:03:37,120 --> 03:03:40,200
Speaker 1: Niggers don't know when to get out the way, and

2447
03:03:40,360 --> 03:03:45,160
Speaker 1: sometimes that leads to blessings being blocked. When you don't

2448
03:03:45,160 --> 03:03:47,760
Speaker 1: know to get out the way, you could block a blessing.

2449
03:03:49,040 --> 03:03:52,039
Speaker 1: I'm never gonna try to block my brother's blessing when

2450
03:03:52,080 --> 03:03:57,600
Speaker 1: I see him leading and doing a great job at leading. Now,

2451
03:03:57,640 --> 03:04:00,640
Speaker 1: if my brother needs to answer a question or two

2452
03:04:00,720 --> 03:04:04,800
Speaker 1: when it comes to anything leading or even something that's

2453
03:04:04,840 --> 03:04:09,840
Speaker 1: way off the record from dealing with this business, I'm

2454
03:04:09,879 --> 03:04:11,760
Speaker 1: always going to be the resource to him because he's

2455
03:04:11,800 --> 03:04:17,920
Speaker 1: always been a resource to me. But amazingly beautiful thing

2456
03:04:24,640 --> 03:04:29,040
Speaker 1: I want to say one time, you know spirits dried them?

2457
03:04:29,720 --> 03:04:31,320
Speaker 1: He trying to give me this foke a cigarette in

2458
03:04:31,320 --> 03:04:43,400
Speaker 1: the bathroom of the airplane. He looked at me, Dad,

2459
03:04:48,280 --> 03:04:53,280
Speaker 1: I want to sing, is the first artist on my shild?

2460
03:04:54,800 --> 03:04:56,760
Speaker 1: No no, no, no, no, no no not wait wait

2461
03:04:56,760 --> 03:04:58,360
Speaker 1: wait wait wait, let let me say it right. But

2462
03:04:58,560 --> 03:05:00,560
Speaker 1: don't I want to say it left. I want to

2463
03:05:00,600 --> 03:05:04,240
Speaker 1: say it right. I want to say it right. Spliff,

2464
03:05:04,280 --> 03:05:10,600
Speaker 1: they say it right in Spliff. Nor is the first

2465
03:05:10,840 --> 03:05:17,080
Speaker 1: artist out of the elite group of mcs to believe

2466
03:05:17,160 --> 03:05:19,280
Speaker 1: in Spliff enough to put Spliff on the record. When

2467
03:05:19,320 --> 03:05:26,480
Speaker 1: Spliff and can't have his own ship out here. It's

2468
03:05:26,560 --> 03:05:35,400
Speaker 1: honestly say, um who was to produce the time? Who shot?

2469
03:05:35,760 --> 03:05:38,560
Speaker 1: Oh yeah, yeah you was serious? Joy I was, and

2470
03:05:38,920 --> 03:05:52,840
Speaker 1: I don't know what nobuddy he definitely he called me up.

2471
03:05:52,920 --> 03:05:55,480
Speaker 1: I went to Daddy House and recorded that yo, and

2472
03:05:55,600 --> 03:06:00,360
Speaker 1: Spliff told me he was getting on the record normally.

2473
03:06:00,440 --> 03:06:04,400
Speaker 1: Probably that was Sniff Spliff directly. Yeah, he did called

2474
03:06:04,400 --> 03:06:07,720
Speaker 1: me to get Spliff he he That was Spliff directly

2475
03:06:09,200 --> 03:06:10,760
Speaker 1: telling me how long I've been a real thing. I

2476
03:06:10,800 --> 03:06:18,520
Speaker 1: think that's real. Bro Bro Bruin called me to be like, Yo,

2477
03:06:18,760 --> 03:06:21,320
Speaker 1: I need you to get your artists Spliff. No, he

2478
03:06:21,400 --> 03:06:24,560
Speaker 1: had his own relationship with Spliff. Spliff had his own

2479
03:06:24,600 --> 03:06:28,320
Speaker 1: relationship with him. When I heard that was happening, I

2480
03:06:28,520 --> 03:06:31,039
Speaker 1: was like, oh oh yeah, I think this ain't leave

2481
03:06:31,120 --> 03:06:35,520
Speaker 1: the me off this. But let's be clear, Buck always

2482
03:06:35,600 --> 03:06:38,000
Speaker 1: asked it. I did the moon walk slide up in

2483
03:06:38,040 --> 03:06:40,800
Speaker 1: that motherfucker and ended up on that record to fuck

2484
03:06:40,879 --> 03:06:44,040
Speaker 1: you mean man when they had Driver's Seat from R.

2485
03:06:44,120 --> 03:06:48,760
Speaker 1: Waring Port. Everybody thinks that you were on this record

2486
03:06:49,840 --> 03:06:54,280
Speaker 1: and Electra didn't clip, so what happened It was never

2487
03:06:54,400 --> 03:06:56,560
Speaker 1: that they did never even asked me the round on it,

2488
03:06:57,640 --> 03:07:00,040
Speaker 1: just talking and handing the dude with new Electra, not

2489
03:07:00,160 --> 03:07:03,680
Speaker 1: to clear battle. They only wanted me to talk. My

2490
03:07:03,840 --> 03:07:06,120
Speaker 1: brother didn't want me to rap. They just wanted me

2491
03:07:06,200 --> 03:07:10,720
Speaker 1: to talk. No, But that's the us. That's my point.

2492
03:07:10,920 --> 03:07:18,160
Speaker 1: The movie is he just said he didn't not they

2493
03:07:18,200 --> 03:07:20,920
Speaker 1: did asked me to round. That's the that's the truth.

2494
03:07:23,600 --> 03:07:27,080
Speaker 1: The clearance was not denied because they didn't act for

2495
03:07:27,920 --> 03:07:31,320
Speaker 1: verse to begin with. But the source had grown an

2496
03:07:31,480 --> 03:07:35,879
Speaker 1: article and it was like, what's the and now because

2497
03:07:35,920 --> 03:07:39,200
Speaker 1: what happened was music made these stucks calmed down and

2498
03:07:39,400 --> 03:07:44,879
Speaker 1: NASA and they related these two records. And what happened

2499
03:07:45,080 --> 03:07:50,880
Speaker 1: was he's right because I just you know, it was

2500
03:07:50,959 --> 03:07:55,680
Speaker 1: the last thing on on on the album. But it

2501
03:07:55,800 --> 03:07:59,400
Speaker 1: seemed like it didn't clear because Boss was such a

2502
03:08:00,440 --> 03:08:05,279
Speaker 1: a big artist. Remember nas the music we stuff come downs,

2503
03:08:05,320 --> 03:08:07,840
Speaker 1: not only the word word and buts not. You're not

2504
03:08:07,959 --> 03:08:10,400
Speaker 1: credit on the scene that either, are you. I don't

2505
03:08:10,480 --> 03:08:14,360
Speaker 1: recall he I don't think he's credit on that because

2506
03:08:14,360 --> 03:08:17,400
Speaker 1: I think that was a discrepancy as DJ. Youre like,

2507
03:08:18,879 --> 03:08:21,520
Speaker 1: I don't see the person I know is on the

2508
03:08:21,600 --> 03:08:24,840
Speaker 1: record credit on the record. So that's the reason why.

2509
03:08:25,440 --> 03:08:28,280
Speaker 1: You know, it was my time. It was like, Yo,

2510
03:08:28,400 --> 03:08:32,920
Speaker 1: you know what, if I'm gonna fail, I'm gonna go

2511
03:08:33,200 --> 03:08:37,160
Speaker 1: to the top. I'm gonna do it my way. And

2512
03:08:37,240 --> 03:08:43,920
Speaker 1: I remember so I said fuck it and I called

2513
03:08:44,000 --> 03:08:47,120
Speaker 1: you spend. I said, yo, man, I want you to

2514
03:08:47,560 --> 03:08:52,320
Speaker 1: drop my balls and you in my mind that cool

2515
03:08:53,000 --> 03:08:56,520
Speaker 1: surprised the shoot out of me because it came from

2516
03:08:56,560 --> 03:09:03,480
Speaker 1: an MC that I paid very close attention to, not

2517
03:09:03,680 --> 03:09:06,520
Speaker 1: just because of his lyrics, but i'm a i'm A.

2518
03:09:07,160 --> 03:09:11,880
Speaker 1: I played. I played the drums. I don't think people notice.

2519
03:09:12,440 --> 03:09:15,800
Speaker 1: As a matter of fact, I know people don't notice. Sorry,

2520
03:09:17,879 --> 03:09:20,400
Speaker 1: I played the drums. I got my first remo drums set,

2521
03:09:21,080 --> 03:09:24,119
Speaker 1: six piece remo drum set when I was eight years old,

2522
03:09:24,480 --> 03:09:29,800
Speaker 1: my father, six hundred dollar drum set. It was blue

2523
03:09:30,240 --> 03:09:35,960
Speaker 1: with white skins on my Tom Tom snares in my

2524
03:09:36,200 --> 03:09:42,880
Speaker 1: kick drum. And i'm a i'm a. I'm a very

2525
03:09:43,080 --> 03:09:48,520
Speaker 1: rhythmic motherfucker. So when it comes to rhyming, being in

2526
03:09:48,640 --> 03:09:51,320
Speaker 1: the pocket of a beat and becoming an instrument with

2527
03:09:51,440 --> 03:09:55,000
Speaker 1: the music is intricately important to me. It's not just

2528
03:09:55,160 --> 03:10:00,200
Speaker 1: about how cool you could say ship, It's about how

2529
03:10:00,680 --> 03:10:04,760
Speaker 1: amazingly a cool how amazingly cool you can say ship

2530
03:10:05,040 --> 03:10:07,760
Speaker 1: in the pocket, in the pocket and in the rhythm

2531
03:10:07,840 --> 03:10:12,080
Speaker 1: and rhythm and in the timing. That makes the feeling

2532
03:10:12,920 --> 03:10:16,119
Speaker 1: so much more exuberant, because me and another motherfucker could

2533
03:10:16,120 --> 03:10:19,720
Speaker 1: say the same rap, but my timing and how I'm

2534
03:10:19,760 --> 03:10:22,840
Speaker 1: gonna marry the pocket of where I'm gonna sit, the syllables,

2535
03:10:23,760 --> 03:10:27,840
Speaker 1: the bars diverse, the metaphors, the punchlines, in the pocket

2536
03:10:27,879 --> 03:10:30,400
Speaker 1: of the beat, and how I marry That it's gonna

2537
03:10:30,400 --> 03:10:33,800
Speaker 1: be different from your time and in your pocket flow. Yeah,

2538
03:10:33,840 --> 03:10:36,000
Speaker 1: because the feeling is going to be different from how

2539
03:10:36,080 --> 03:10:38,000
Speaker 1: it resonates with me and how it resonates with you.

2540
03:10:38,720 --> 03:10:46,760
Speaker 1: So with that being said, that one component distinguishes, distinguishes

2541
03:10:46,800 --> 03:10:49,760
Speaker 1: the difference between how you feel about my rhyme when

2542
03:10:49,800 --> 03:10:52,240
Speaker 1: I say it and how you feel about the same

2543
03:10:52,360 --> 03:10:58,400
Speaker 1: rhyme when somebody else say it. So I was so

2544
03:10:58,600 --> 03:11:07,240
Speaker 1: definitively that at my point is this nor me. This

2545
03:11:07,360 --> 03:11:11,400
Speaker 1: is circling back with your circle, This is just circling

2546
03:11:11,440 --> 03:11:14,400
Speaker 1: back to you. This is this is why it was

2547
03:11:14,480 --> 03:11:16,600
Speaker 1: a big deal to me when you called sliff. So

2548
03:11:16,720 --> 03:11:25,440
Speaker 1: let me finish making my point. Yes, yes, yes, So

2549
03:11:25,879 --> 03:11:30,160
Speaker 1: when the First World Report album came out and I

2550
03:11:30,240 --> 03:11:35,000
Speaker 1: heard Tire went why niggas trash shipped on me make history?

2551
03:11:35,160 --> 03:11:38,360
Speaker 1: Supposedly I was the man who was supposed to be

2552
03:11:38,480 --> 03:11:42,120
Speaker 1: ahead of the click when he did that line, don't

2553
03:11:42,160 --> 03:11:45,360
Speaker 1: would die smoke bogy when I'm like, you know me,

2554
03:11:45,840 --> 03:11:48,440
Speaker 1: shoot up your black act like you know me? When

2555
03:11:48,560 --> 03:11:59,680
Speaker 1: where you start down and white ball pop? Now, waid

2556
03:12:00,920 --> 03:12:08,280
Speaker 1: that nigga said, dining across like a Christian nigga. He's

2557
03:12:09,320 --> 03:12:14,880
Speaker 1: out let me players, Now, let me explain something. Let

2558
03:12:14,920 --> 03:12:21,240
Speaker 1: me explain something, Nix, No, my bucking. This is bone

2559
03:12:21,320 --> 03:12:23,280
Speaker 1: chilling rap. This is what we used to call that

2560
03:12:24,320 --> 03:12:28,680
Speaker 1: bone chilling rap. W know what we was going through?

2561
03:12:30,160 --> 03:12:39,640
Speaker 1: This something cool? Din across like a Christian you w

2562
03:12:41,400 --> 03:12:46,000
Speaker 1: let's do nigger, Let me splay something. The lyrics is

2563
03:12:46,080 --> 03:12:52,320
Speaker 1: one fans his voice and the pocket that that ground

2564
03:12:52,480 --> 03:12:57,000
Speaker 1: was sitting in was making me feel a little nervous

2565
03:12:57,320 --> 03:13:01,760
Speaker 1: about snack. I called Chris Letty. I told y'all gonna

2566
03:13:01,800 --> 03:13:03,800
Speaker 1: tell his story in the earlier part of the show.

2567
03:13:04,879 --> 03:13:07,720
Speaker 1: I called Chris Litty. I said, Chris, we need this

2568
03:13:07,920 --> 03:13:14,440
Speaker 1: thing on the team. Sign him. Now you knew I've

2569
03:13:14,520 --> 03:13:21,000
Speaker 1: told Chris to sign Normy Now and Chris signed normy

2570
03:13:21,320 --> 03:13:31,200
Speaker 1: on my word, and then they put a plaque on

2571
03:13:31,240 --> 03:13:34,480
Speaker 1: the wall every single time a project came out after

2572
03:13:34,560 --> 03:13:39,640
Speaker 1: that discussion and on all e Melvin Flint's every fucking

2573
03:13:39,720 --> 03:13:44,880
Speaker 1: thing after that. At some point there's nothing I don't

2574
03:13:44,920 --> 03:13:51,280
Speaker 1: know only nothing. Were not establishing, were not establish This

2575
03:13:51,440 --> 03:13:57,720
Speaker 1: is what we established it. We are establishing the fact

2576
03:13:57,800 --> 03:14:03,880
Speaker 1: that I don't think people realize. See, everybody is so

2577
03:14:04,760 --> 03:14:09,480
Speaker 1: caught up in the new norm success that they forget

2578
03:14:09,760 --> 03:14:14,720
Speaker 1: the origin of Norway history. Well, I'm not gonna lie, boss,

2579
03:14:15,360 --> 03:14:18,960
Speaker 1: today it's about you, and I don't want to about us.

2580
03:14:19,200 --> 03:14:29,800
Speaker 1: How about that? It's about us pleasure what? But I'm

2581
03:14:29,800 --> 03:14:35,280
Speaker 1: gonna be honest, Boss, I get no better pleasure, oh

2582
03:14:35,760 --> 03:14:42,640
Speaker 1: you know, bigging up, and I get no better bloodure

2583
03:14:43,080 --> 03:14:46,520
Speaker 1: biging up my own brother person that I really love

2584
03:14:46,600 --> 03:14:51,040
Speaker 1: and respect. But all that, I was a fan of

2585
03:14:51,120 --> 03:14:55,400
Speaker 1: you before I even knew who you were. And that's

2586
03:14:55,480 --> 03:15:00,200
Speaker 1: so beautiful because I can sit here. That's that's why

2587
03:15:00,280 --> 03:15:03,000
Speaker 1: I do drink Champs. It's because I don't want to

2588
03:15:03,120 --> 03:15:15,280
Speaker 1: pick up people, and you were someone. I love you, bro,

2589
03:15:16,920 --> 03:15:20,720
Speaker 1: I love you, bro. Finish. I know we fought from

2590
03:15:20,720 --> 03:15:22,680
Speaker 1: finishing this, this is the this is the thing that

2591
03:15:22,800 --> 03:15:29,080
Speaker 1: y'all don't understand this opportunity. I'm getting a ship. But

2592
03:15:29,200 --> 03:15:33,560
Speaker 1: if and the Nori this this is over all right,

2593
03:15:33,600 --> 03:15:36,520
Speaker 1: So how Patty La Belle that god Gladys Knight did it?

2594
03:15:36,560 --> 03:15:39,160
Speaker 1: On the verses, they was like yo collectively between the

2595
03:15:39,200 --> 03:15:41,160
Speaker 1: two of them, it was like a hundred of years ago.

2596
03:15:43,840 --> 03:15:48,160
Speaker 1: It was like like like a hundred episode we ever

2597
03:15:48,320 --> 03:15:54,080
Speaker 1: did and never use when you asked. But let's say why.

2598
03:15:55,600 --> 03:15:58,440
Speaker 1: Let's say why. The reason why we did not use

2599
03:15:58,560 --> 03:16:03,160
Speaker 1: the drink champs that we shot before was because Norrie

2600
03:16:04,320 --> 03:16:08,199
Speaker 1: went blank on me because his brother no let me finish.

2601
03:16:09,240 --> 03:16:15,240
Speaker 1: Norwy's brother, close friend, dear friend died in the middle

2602
03:16:15,280 --> 03:16:19,560
Speaker 1: of our interview and the beginning, and Normy got the

2603
03:16:19,760 --> 03:16:24,240
Speaker 1: email or the text excuse me as we were starting.

2604
03:16:24,879 --> 03:16:30,360
Speaker 1: He gave you was there and was like, no, he died.

2605
03:16:30,520 --> 03:16:34,760
Speaker 1: He died when he was he was going to and

2606
03:16:34,879 --> 03:16:39,920
Speaker 1: he he was dying or care a little bit. Brother.

2607
03:16:40,040 --> 03:16:44,200
Speaker 1: He didn't ask me a question for thirty minutes straight. Ye,

2608
03:16:45,240 --> 03:16:48,480
Speaker 1: And I saw something was wrong, so I kept talking

2609
03:16:48,640 --> 03:16:52,800
Speaker 1: to try to fake that something was wrong. And and

2610
03:16:54,440 --> 03:16:56,920
Speaker 1: when I realized that I was going too long without him,

2611
03:16:56,920 --> 03:17:00,240
Speaker 1: saying something to me, I said, this can't be done

2612
03:17:00,320 --> 03:17:03,720
Speaker 1: this way. We just came off of doing Drink Champs

2613
03:17:03,760 --> 03:17:08,160
Speaker 1: with trial. You're so beautiful and that was so powerful.

2614
03:17:08,640 --> 03:17:12,000
Speaker 1: So I was like, I'm not selling it. I don't

2615
03:17:12,080 --> 03:17:15,039
Speaker 1: want no ship that ain't gonna be it ain't gonna

2616
03:17:15,080 --> 03:17:18,800
Speaker 1: meet that standard or be great. So we can't put

2617
03:17:18,879 --> 03:17:22,080
Speaker 1: this out. Let me take what I appreciate the most,

2618
03:17:22,800 --> 03:17:25,960
Speaker 1: that you are honored that request. You know what, Let's

2619
03:17:26,000 --> 03:17:30,760
Speaker 1: tell me if we don't two hundred episodes, never can

2620
03:17:32,480 --> 03:17:34,960
Speaker 1: the only he's the only one we've ever done, the

2621
03:17:35,120 --> 03:17:39,120
Speaker 1: only one we ever can. But when you but the

2622
03:17:39,200 --> 03:17:42,760
Speaker 1: beautiful thing is this, this is the difference. I could

2623
03:17:42,920 --> 03:17:46,200
Speaker 1: understand and really appreciate that if I was the one

2624
03:17:46,320 --> 03:17:48,480
Speaker 1: that said I don't want it to come on because

2625
03:17:48,680 --> 03:17:55,640
Speaker 1: I was just on some extra seven ship. Right, ain't

2626
03:17:55,680 --> 03:17:57,760
Speaker 1: the right word that applies to women, but what I'm

2627
03:17:57,760 --> 03:18:00,160
Speaker 1: saying that, But I was like, if I was on

2628
03:18:00,320 --> 03:18:05,440
Speaker 1: some extra dudes extra I said the ship and y'all

2629
03:18:05,520 --> 03:18:07,720
Speaker 1: honor it, I would have been like, damn, I was

2630
03:18:07,840 --> 03:18:10,800
Speaker 1: really being a little selfish and then considerate. But no,

2631
03:18:11,520 --> 03:18:13,800
Speaker 1: I was also being sensitive to what my brother was

2632
03:18:13,879 --> 03:18:16,320
Speaker 1: going right now, and you didn't know that. You said

2633
03:18:16,600 --> 03:18:18,880
Speaker 1: you knew it after you said to me there was

2634
03:18:18,959 --> 03:18:21,600
Speaker 1: something wrong about that ship. So I looked at I know,

2635
03:18:21,959 --> 03:18:26,280
Speaker 1: I don't look at no episode. So when you I

2636
03:18:26,440 --> 03:18:29,760
Speaker 1: looked back at it, and I give you the same

2637
03:18:30,520 --> 03:18:33,080
Speaker 1: intro that I gave you. Heah. I tried to at least,

2638
03:18:34,000 --> 03:18:38,640
Speaker 1: but it's made it intro that you got the news.

2639
03:18:38,840 --> 03:18:43,520
Speaker 1: Yeah you know, I've just killed it. It was it

2640
03:18:43,720 --> 03:18:46,680
Speaker 1: was three different messages that got I don't want to

2641
03:18:46,720 --> 03:18:50,480
Speaker 1: be like to too. It's like, yo, slib just killed yourself.

2642
03:18:51,280 --> 03:18:59,000
Speaker 1: Slig By shot Slane got Birdie. So I don't know

2643
03:18:59,160 --> 03:19:03,360
Speaker 1: how answer what you want because I got my bro.

2644
03:19:04,160 --> 03:19:07,280
Speaker 1: Youre in the moment of some other ship. No, I

2645
03:19:07,360 --> 03:19:10,080
Speaker 1: couldn't even comprehend what she was dealing with it. So

2646
03:19:10,240 --> 03:19:12,760
Speaker 1: this is why then when we started it, this is

2647
03:19:13,879 --> 03:19:18,240
Speaker 1: we got the great good spot everything we in Miami

2648
03:19:18,320 --> 03:19:26,120
Speaker 1: ship super se as. I give you the enjoy like

2649
03:19:26,280 --> 03:19:27,680
Speaker 1: boom and that you hit me And I was like,

2650
03:19:28,000 --> 03:19:33,240
Speaker 1: oh that's why when you hit me, I'm not sure

2651
03:19:33,879 --> 03:19:36,800
Speaker 1: you we were all there and the same and sink

2652
03:19:37,240 --> 03:19:42,120
Speaker 1: it is the word. No. I saw the pain, bro, Yeah,

2653
03:19:42,720 --> 03:19:47,160
Speaker 1: I I saw that pain, bro, And and and it was.

2654
03:19:47,879 --> 03:19:51,800
Speaker 1: It was terrible what she wasn't during at that time,

2655
03:19:51,920 --> 03:19:56,840
Speaker 1: and I just I just tried to disguise it as

2656
03:19:56,920 --> 03:19:58,960
Speaker 1: much as I could. And when I realized that I

2657
03:19:59,120 --> 03:20:03,600
Speaker 1: was talking oh long and you couldn't even like, I

2658
03:20:03,800 --> 03:20:06,200
Speaker 1: was hoping that there was a moment Bro would be

2659
03:20:06,280 --> 03:20:11,520
Speaker 1: able to feed off of me keeping it going. That

2660
03:20:13,400 --> 03:20:17,119
Speaker 1: his tire was flat and it never got it flazed again.

2661
03:20:19,160 --> 03:20:23,120
Speaker 1: It was crazy. You were sitting right there. You were

2662
03:20:23,240 --> 03:20:30,800
Speaker 1: sitting right there. You didn't know because you know, but

2663
03:20:30,959 --> 03:20:34,720
Speaker 1: you you you you also, I didn't say nothing because

2664
03:20:34,840 --> 03:20:38,360
Speaker 1: you you realize something wasn't right, but you didn't know

2665
03:20:38,480 --> 03:20:43,080
Speaker 1: what it was. And I'm looking at you also hoping

2666
03:20:43,840 --> 03:20:46,960
Speaker 1: that you wouldn't jump in and give me something. And

2667
03:20:47,240 --> 03:20:50,280
Speaker 1: the two years just was because you someone sick with him.

2668
03:20:50,600 --> 03:20:53,640
Speaker 1: Y'all feet off each other. So when you wasn't getting

2669
03:20:53,680 --> 03:20:56,840
Speaker 1: it from him, he was like, you're trying to figure

2670
03:20:56,879 --> 03:21:01,080
Speaker 1: out your brother. You're trying to help figure chip brother

2671
03:21:01,680 --> 03:21:04,039
Speaker 1: couldn't figure it out because he wasn't telling you anyway

2672
03:21:04,040 --> 03:21:06,440
Speaker 1: you know what was going on, so so you you

2673
03:21:06,640 --> 03:21:09,520
Speaker 1: trying to help him and can't. You're trying to help

2674
03:21:09,600 --> 03:21:12,320
Speaker 1: me and can't. So you never he was in a

2675
03:21:12,400 --> 03:21:19,920
Speaker 1: whole Another fund was finished too, and he didn't even

2676
03:21:20,000 --> 03:21:24,560
Speaker 1: know why. It just was the energy was wrong and

2677
03:21:24,879 --> 03:21:29,640
Speaker 1: we needed to gubt it. That was it for that.

2678
03:21:33,840 --> 03:21:37,640
Speaker 1: Just so y'all know why we applauded, and it is

2679
03:21:37,720 --> 03:21:42,240
Speaker 1: because we're being sensitive to each other's pain, which is

2680
03:21:42,320 --> 03:21:44,600
Speaker 1: what a lot of motherfucker's need to learn how to do.

2681
03:21:45,560 --> 03:21:51,280
Speaker 1: He he each other's crush, keep each other up. That

2682
03:21:51,360 --> 03:21:54,920
Speaker 1: ship is important about you the first birth. You checked

2683
03:21:54,920 --> 03:21:57,080
Speaker 1: me on it, and we did it, and they want

2684
03:21:57,080 --> 03:21:59,279
Speaker 1: to look back on it because I could. I couldn't

2685
03:21:59,320 --> 03:22:02,480
Speaker 1: understand that first. We look back on it, and I said, damn,

2686
03:22:03,080 --> 03:22:07,240
Speaker 1: I understood. I was still when we was at the angle,

2687
03:22:07,879 --> 03:22:10,640
Speaker 1: and I understood that I couldn't have ever done what

2688
03:22:10,720 --> 03:22:13,400
Speaker 1: I'm doing right now. I couldn't have ever done that.

2689
03:22:13,520 --> 03:22:16,040
Speaker 1: This is you know you every Bardey is that trun

2690
03:22:17,440 --> 03:22:24,480
Speaker 1: of course one a little big brother. How does body

2691
03:22:24,720 --> 03:22:27,160
Speaker 1: trying to start? Motherfucker? You want to jump in here?

2692
03:22:27,200 --> 03:22:41,480
Speaker 1: Look like Louis? How does bard drum start? Don't don't

2693
03:22:41,520 --> 03:22:47,160
Speaker 1: google to enduell Come on? Got another ball, guy, man?

2694
03:22:48,200 --> 03:22:51,280
Speaker 1: You know what I credit him for that? I quit

2695
03:22:51,440 --> 03:23:01,000
Speaker 1: him for that. Another ball? Say brother, let him see

2696
03:23:01,000 --> 03:23:05,440
Speaker 1: it here because you said not how fun with you

2697
03:23:06,240 --> 03:23:13,080
Speaker 1: the strong way. I fought with you for that, So

2698
03:23:13,520 --> 03:23:18,960
Speaker 1: that's a beautiful So that's that. And then as we

2699
03:23:19,240 --> 03:23:21,560
Speaker 1: me and Boss dr Bottle. You see how the gold

2700
03:23:21,600 --> 03:23:24,200
Speaker 1: minks lay different, right, you see, guy, I don't know

2701
03:23:24,240 --> 03:23:28,600
Speaker 1: if y'all peep it. It's a little soul you see Guys.

2702
03:23:28,680 --> 03:23:31,120
Speaker 1: You see link laying around his neck different now right,

2703
03:23:32,200 --> 03:23:34,160
Speaker 1: she was going around his neck the wrong way. May

2704
03:23:34,400 --> 03:23:42,160
Speaker 1: fix that, gold Links. The gold links is laying right now. Shine.

2705
03:23:44,920 --> 03:23:48,960
Speaker 1: You never fell off, that's an impossibility, But love it.

2706
03:23:48,959 --> 03:23:56,400
Speaker 1: I'm gonna be honest. I've been. I've been, I've been,

2707
03:23:56,440 --> 03:24:02,200
Speaker 1: I've been humble this whole Drink Champs episode. I was

2708
03:24:02,320 --> 03:24:07,000
Speaker 1: also taught the whole my jounction with Bridena. You know,

2709
03:24:10,040 --> 03:24:12,760
Speaker 1: I'm never going to fall off because I love it

2710
03:24:12,800 --> 03:24:15,920
Speaker 1: too much. I'm I'm too much in love with the

2711
03:24:16,000 --> 03:24:19,039
Speaker 1: culture of the game and great to me and my family,

2712
03:24:20,520 --> 03:24:24,960
Speaker 1: and uh, I don't know what else has offered me

2713
03:24:26,480 --> 03:24:29,240
Speaker 1: a greater opportunity to be able to do something that

2714
03:24:29,320 --> 03:24:31,160
Speaker 1: I love and be able to take care of my

2715
03:24:31,280 --> 03:24:36,120
Speaker 1: family simultaneously in such a profound way. At the same time.

2716
03:24:37,840 --> 03:24:42,480
Speaker 1: I can't credit nothing when it comes to that outside

2717
03:24:42,560 --> 03:24:47,440
Speaker 1: of the culture other than to the most high all

2718
03:24:47,520 --> 03:24:54,840
Speaker 1: praises due to a lot because I don't want to

2719
03:24:54,840 --> 03:25:01,200
Speaker 1: ask you in between between like not not where you

2720
03:25:01,320 --> 03:25:03,640
Speaker 1: at now, like but sho, you're enough a lot of

2721
03:25:03,680 --> 03:25:11,760
Speaker 1: bitches down. Let's just let's be clear. Let's be clear.

2722
03:25:11,959 --> 03:25:23,560
Speaker 1: Let's I love your nor you nor nor nor no

2723
03:25:30,800 --> 03:25:35,280
Speaker 1: yeah yeah blow, You're not a lot of bitches down.

2724
03:25:35,520 --> 03:25:40,120
Speaker 1: Let me bad Nick. It's bad Nick, bad Nick, get back,

2725
03:25:40,520 --> 03:25:46,800
Speaker 1: get back. Anybody anybody had it back in its go north.

2726
03:25:47,360 --> 03:25:49,920
Speaker 1: I feel like you go everywhere to train together, Like

2727
03:25:50,400 --> 03:25:53,280
Speaker 1: I mean, I like nor met Michael Jackson. Let's be clear,

2728
03:25:54,640 --> 03:26:02,840
Speaker 1: Yes I have met Michael Jackson. I'm here to make

2729
03:26:02,959 --> 03:26:16,240
Speaker 1: noise for money. Jackson. It's like you about any nonory

2730
03:26:17,520 --> 03:26:24,440
Speaker 1: defuely a fan for pulling back up. I even please

2731
03:26:24,920 --> 03:26:30,000
Speaker 1: close this bit trapper closing our just this bear trapp.

2732
03:26:30,480 --> 03:26:33,320
Speaker 1: We just tak my head here thinking about where we're

2733
03:26:33,360 --> 03:26:38,560
Speaker 1: like already it's crazy they're talking about that to do

2734
03:26:38,640 --> 03:26:43,520
Speaker 1: the knockdown her life, Like, well, well got this, let's stop. Listen.

2735
03:26:48,000 --> 03:26:55,120
Speaker 1: We've lived, We've all lived. Yes, I'm in a very

2736
03:26:57,600 --> 03:27:03,160
Speaker 1: peaceful and tranquil space. I don't I'm not entertaining the

2737
03:27:03,280 --> 03:27:08,200
Speaker 1: games and the bullshit at the stage of my life. Brother, Um,

2738
03:27:09,760 --> 03:27:13,240
Speaker 1: I'm just, I'm just, I'm just, I'm just. I'll back

2739
03:27:14,160 --> 03:27:18,720
Speaker 1: back back back then. Nori was left back then. We're

2740
03:27:18,760 --> 03:27:22,640
Speaker 1: gonna leave back then, back then. In the current time

2741
03:27:22,720 --> 03:27:31,640
Speaker 1: and space, though, and right now, you gotta respected we

2742
03:27:31,959 --> 03:27:35,800
Speaker 1: we we we we the elite group, you know, Yes,

2743
03:27:37,080 --> 03:27:39,920
Speaker 1: we got we got we got queens now, bro, we

2744
03:27:40,080 --> 03:27:43,959
Speaker 1: got royal empresses now before That's what I'm saying. I'm

2745
03:27:44,000 --> 03:27:46,320
Speaker 1: talking about that before too, And I said, we're gonna

2746
03:27:46,400 --> 03:27:50,720
Speaker 1: leave the before in the before. That's what we're gonna do.

2747
03:27:52,840 --> 03:27:55,000
Speaker 1: Because when I'm gonna ask you, was this You're not

2748
03:27:55,240 --> 03:27:59,440
Speaker 1: down a whole lot of nastiness though before your wife. Okay, cool,

2749
03:27:59,640 --> 03:28:10,760
Speaker 1: that's why you wearing the moss. Just be clear. I've

2750
03:28:10,800 --> 03:28:19,240
Speaker 1: never had to put your never coming to America video. Hey, bro, right,

2751
03:28:19,440 --> 03:28:21,240
Speaker 1: I don't know about what you got at that time.

2752
03:28:22,400 --> 03:28:27,880
Speaker 1: I want to come into America. All the coming to

2753
03:28:27,920 --> 03:28:34,640
Speaker 1: America people, anybody, anybody, anybody can't tell America. That's the

2754
03:28:34,680 --> 03:28:39,080
Speaker 1: only want to get into America. There you want to

2755
03:28:39,120 --> 03:28:47,440
Speaker 1: get I'm sorry, I want to. I was like, what

2756
03:28:48,520 --> 03:28:52,640
Speaker 1: the fund is wrong with your little jack brother? What's

2757
03:28:52,680 --> 03:28:58,119
Speaker 1: wrong with doing? Can't see? You can't see what's wrong?

2758
03:28:58,320 --> 03:29:02,720
Speaker 1: Long would do? Jack? Man? Yo, listen, he gotta get

2759
03:29:02,720 --> 03:29:07,120
Speaker 1: a fun. That's like work. You don't want be working.

2760
03:29:07,160 --> 03:29:17,000
Speaker 1: I'm working on the same cannot as ye talk that

2761
03:29:17,160 --> 03:29:21,360
Speaker 1: ship Jack and blood. You can't talk that ship jack,

2762
03:29:23,920 --> 03:29:27,880
Speaker 1: the fact ship the boss you did. You did not

2763
03:29:27,879 --> 03:29:30,680
Speaker 1: a lot of ship down. Yeah, man, that's not hip

2764
03:29:30,720 --> 03:29:33,840
Speaker 1: hop that ship like that? Man, I like I like

2765
03:29:34,000 --> 03:29:36,160
Speaker 1: boys normal, we get a lot of movies. Normally. I

2766
03:29:36,240 --> 03:29:40,280
Speaker 1: had my fun. I had my fun. I didn't like

2767
03:29:40,400 --> 03:29:43,920
Speaker 1: it was something not saying you say, man, oh man,

2768
03:29:44,040 --> 03:29:49,280
Speaker 1: not that. I don't think he went to that home ship. Man,

2769
03:29:49,560 --> 03:30:08,600
Speaker 1: oh man, I don't that you say, oh man, you

2770
03:30:10,120 --> 03:30:24,080
Speaker 1: check the stop, check up door every Let me how

2771
03:30:24,120 --> 03:30:25,680
Speaker 1: you jump? I told my vat in the day, I'm

2772
03:30:28,840 --> 03:30:33,800
Speaker 1: everyone to say something. I got this phone. Stop stop,

2773
03:30:34,480 --> 03:30:43,400
Speaker 1: let anybody stop. He was slitch sto. This is rap?

2774
03:30:43,560 --> 03:30:45,960
Speaker 1: Are you a slitch? This is ra I ask you

2775
03:30:46,000 --> 03:30:48,960
Speaker 1: a question, i't even answer. Okay, cool. So then we

2776
03:30:49,200 --> 03:30:57,160
Speaker 1: just ended this part of the time. When you ask

2777
03:30:57,240 --> 03:31:01,400
Speaker 1: me sick, don't stay you would have can be I

2778
03:31:02,959 --> 03:31:08,360
Speaker 1: can ye. Are you a snitch? Stuff? No one's going

2779
03:31:08,440 --> 03:31:14,280
Speaker 1: to jail, are you? This is not the shots right quick.

2780
03:31:24,560 --> 03:31:26,640
Speaker 1: I was for the tenants of the y when we

2781
03:31:26,680 --> 03:31:38,560
Speaker 1: were quick yo, Queen, Queen, Queen ship I got I

2782
03:31:38,640 --> 03:31:40,600
Speaker 1: got to do it. Yes, I have to do what

2783
03:31:40,920 --> 03:31:47,920
Speaker 1: you do and need Yes, everybody, anybody's silence, Queen? Do

2784
03:31:48,040 --> 03:31:57,440
Speaker 1: you being this question appropriate? Yes? She's bad guy? Get

2785
03:31:58,360 --> 03:32:04,119
Speaker 1: this last question appropriate? Thank you? Queen? What question? The program?

2786
03:32:05,879 --> 03:32:11,520
Speaker 1: Who you got knocked? Damn it out of n't gonna

2787
03:32:11,520 --> 03:32:17,039
Speaker 1: be fun? What do you finger pop? It did not fingerpower?

2788
03:32:17,160 --> 03:32:27,280
Speaker 1: Michael Jackson, it's crazy gonna say you may have one

2789
03:32:27,360 --> 03:32:42,280
Speaker 1: of your son Sam second Martin, I don't mper amperaver one.

2790
03:32:42,440 --> 03:32:57,080
Speaker 1: That shady talasin. Ready, that's quay, I'm ready good Thomasine,

2791
03:32:58,600 --> 03:33:03,959
Speaker 1: I mean a shout purpose it is really quick. Hold,

2792
03:33:04,000 --> 03:33:06,879
Speaker 1: hold hold up, you know you know what's what's interesting

2793
03:33:06,959 --> 03:33:11,880
Speaker 1: is I told Nori because of my transformation journey and

2794
03:33:11,959 --> 03:33:14,000
Speaker 1: this health reasurement, and I've been on for the last

2795
03:33:14,120 --> 03:33:17,640
Speaker 1: year and a half, and I wasn't gonna drink, but

2796
03:33:18,680 --> 03:33:24,320
Speaker 1: I realized that we're living in a time where I

2797
03:33:24,440 --> 03:33:28,960
Speaker 1: think it's important to share with people how much it

2798
03:33:29,160 --> 03:33:34,360
Speaker 1: is to be able to celebrate life regardless of how

2799
03:33:34,600 --> 03:33:40,880
Speaker 1: fucked up these recent circumstances have been. You know, they

2800
03:33:40,879 --> 03:33:44,760
Speaker 1: didn't took every civil liberty of away from us. I

2801
03:33:44,879 --> 03:33:48,200
Speaker 1: think we don't realize how dangerous of the time that

2802
03:33:48,280 --> 03:33:51,040
Speaker 1: we live in in. They didn't told the common man

2803
03:33:51,120 --> 03:33:53,320
Speaker 1: that really want to earn an honest living that he

2804
03:33:53,360 --> 03:33:56,800
Speaker 1: can't go to work in earnest honest living. Like, what

2805
03:33:56,959 --> 03:33:59,560
Speaker 1: part of the game is that? And until motherfucker's we

2806
03:33:59,600 --> 03:34:02,040
Speaker 1: gotta put mask on it, we can't breathe freely or

2807
03:34:02,240 --> 03:34:04,440
Speaker 1: else you can get in trouble? What part of the

2808
03:34:04,560 --> 03:34:07,800
Speaker 1: game is that? And the niggas is complying to not

2809
03:34:07,920 --> 03:34:10,040
Speaker 1: asking no questions. I'm not saying to not be safe.

2810
03:34:10,879 --> 03:34:13,760
Speaker 1: I'm not saying to not deal with The nineteenth letter

2811
03:34:13,800 --> 03:34:18,320
Speaker 1: in the Supreme Alphabet called the letters self for savior.

2812
03:34:18,680 --> 03:34:21,960
Speaker 1: Save yourself before you save others. That's a survival instinct.

2813
03:34:22,640 --> 03:34:25,840
Speaker 1: That's before thinking for motherfucker to do something to you.

2814
03:34:25,920 --> 03:34:28,120
Speaker 1: You start dodging and moving out the way. You lose

2815
03:34:28,200 --> 03:34:30,920
Speaker 1: all everything that you look like to be cool. To

2816
03:34:31,000 --> 03:34:36,920
Speaker 1: save yourself, it's called instinct. Instinct is deeper than thought.

2817
03:34:39,840 --> 03:34:42,840
Speaker 1: So what I'm saying to you is if we're dealing

2818
03:34:42,920 --> 03:34:45,480
Speaker 1: with the knowledge born agreeing and supreme alphabet, which is

2819
03:34:45,520 --> 03:34:50,480
Speaker 1: the nineteenth letter in alphabet called survival instinct, which is

2820
03:34:50,520 --> 03:34:55,560
Speaker 1: self for savior, then that means that we should be

2821
03:34:55,720 --> 03:34:59,840
Speaker 1: questioning how do we save ourselves? And we're being told

2822
03:35:00,000 --> 03:35:04,600
Speaker 1: wear a mask. And when you wear the mask, it

2823
03:35:04,680 --> 03:35:09,039
Speaker 1: also creates health complications because you ain't supposed to recycle

2824
03:35:09,080 --> 03:35:14,440
Speaker 1: the attitude. Ex Hell, how about when you do that

2825
03:35:14,560 --> 03:35:20,160
Speaker 1: here child that was just being born recently, they ain't

2826
03:35:20,160 --> 03:35:22,440
Speaker 1: even experienced what it was like the breefe fresh air.

2827
03:35:23,320 --> 03:35:26,880
Speaker 1: But you're putting a mask on. How does that help

2828
03:35:26,959 --> 03:35:35,119
Speaker 1: their respiratory system developed? We just compliant without asking questions.

2829
03:35:36,160 --> 03:35:38,040
Speaker 1: I'm not saying not to do it if it's the

2830
03:35:38,160 --> 03:35:44,120
Speaker 1: right thing to do, but when do we stop thinking

2831
03:35:44,200 --> 03:35:57,120
Speaker 1: for ourselves? That's what it's all about. It, that's what

2832
03:35:57,200 --> 03:35:59,760
Speaker 1: it's all about. I'm thinking all that. I'm really gner

2833
03:35:59,760 --> 03:36:05,840
Speaker 1: know off balls, Yeah, you know something, I'm gonna say

2834
03:36:05,879 --> 03:36:11,120
Speaker 1: something about that too. Right, this is Paul's talk. I

2835
03:36:11,160 --> 03:36:19,320
Speaker 1: can speak backs, not saying no, no, wait's gonna come back.

2836
03:36:19,480 --> 03:36:22,640
Speaker 1: You gotta gotta you, gotta, you gotta, you gotta sit

2837
03:36:22,680 --> 03:36:25,520
Speaker 1: here when you talk down to don't you little way,

2838
03:36:28,040 --> 03:36:33,200
Speaker 1: I can't show me hand to school? Ye listen, buster

2839
03:36:33,560 --> 03:36:49,120
Speaker 1: the pause talkin that waits another bus. One of the

2840
03:36:49,200 --> 03:36:53,720
Speaker 1: most seas bring hum ever in hip hop history. Yes,

2841
03:36:53,959 --> 03:36:58,800
Speaker 1: the lead when we were silence, silence, go ahead, Nory,

2842
03:36:58,920 --> 03:37:02,680
Speaker 1: it's the leading starting over one of the craziest breakups ever.

2843
03:37:03,400 --> 03:37:09,600
Speaker 1: Leads of the New School. Yes, all right, so you

2844
03:37:09,680 --> 03:37:13,720
Speaker 1: want me to get into that. That's right, all right,

2845
03:37:17,360 --> 03:37:20,280
Speaker 1: leave this to the New School. That's where it all

2846
03:37:20,360 --> 03:37:45,039
Speaker 1: began for me, right and nineteen eighty five, mm hmm.

2847
03:37:48,840 --> 03:38:02,800
Speaker 1: I was fifteen mm hmm. Excuse me. When I was

2848
03:38:02,920 --> 03:38:10,080
Speaker 1: thirteen nineteen eighty four. I went to a junior high

2849
03:38:10,120 --> 03:38:14,960
Speaker 1: school in Hampstead, Long Island, excuse me, and Uniondale, Long Island.

2850
03:38:18,440 --> 03:38:25,920
Speaker 1: I moved to Long Island after I caught too two

2851
03:38:26,040 --> 03:38:31,680
Speaker 1: charges for selling crack at twelve years old. Reaganvous Era,

2852
03:38:32,920 --> 03:38:36,840
Speaker 1: Reagan nomous ever and he's flappersh Brooklyn. My mother wasn't

2853
03:38:36,879 --> 03:38:41,160
Speaker 1: with it. He said, we gotta get you out of Brooklyn.

2854
03:38:41,959 --> 03:38:47,560
Speaker 1: I moved to Union There along Island, I met Charlie

2855
03:38:47,640 --> 03:38:52,240
Speaker 1: Brown and a brother by the name of Course, and

2856
03:38:53,760 --> 03:38:56,360
Speaker 1: a junior high school called Turtle Hook Junior High School.

2857
03:38:58,400 --> 03:39:01,520
Speaker 1: Because his rap name was history. He was the original

2858
03:39:01,640 --> 03:39:06,320
Speaker 1: third member before dink O d So it was me,

2859
03:39:06,520 --> 03:39:13,280
Speaker 1: Charlie Brown and Mystery quis a god both that's his

2860
03:39:13,480 --> 03:39:17,000
Speaker 1: first and last name. That's a serious name as your government,

2861
03:39:18,360 --> 03:39:26,200
Speaker 1: bigger the Quesse God Both. I know that man. I

2862
03:39:26,240 --> 03:39:28,680
Speaker 1: ain't seen that man since he left the group, and

2863
03:39:28,800 --> 03:39:32,160
Speaker 1: I ain't spoke to him since he left the group. Ironically,

2864
03:39:32,560 --> 03:39:35,760
Speaker 1: his younger brother Ken yak Got both started to tutor

2865
03:39:35,879 --> 03:39:42,640
Speaker 1: my children. His younger brother became like a scientist and

2866
03:39:42,720 --> 03:39:46,720
Speaker 1: a professor with education. He started to tune to my

2867
03:39:46,879 --> 03:39:51,200
Speaker 1: children and uh, big up to King yak got Bot,

2868
03:39:51,680 --> 03:40:00,920
Speaker 1: please big up King Yall God. So when Cous decided

2869
03:40:00,959 --> 03:40:02,920
Speaker 1: to leave the group, it was because he got into

2870
03:40:02,959 --> 03:40:06,480
Speaker 1: the Reaganomics era lifestyle and decided he didn't have the

2871
03:40:06,520 --> 03:40:09,439
Speaker 1: patience to wait on some rap ship to come to fruition.

2872
03:40:10,480 --> 03:40:12,840
Speaker 1: So he said, funk this ship. I'm not went waiting.

2873
03:40:12,879 --> 03:40:15,000
Speaker 1: I'm gonna go get to this money in the street now,

2874
03:40:15,959 --> 03:40:19,840
Speaker 1: all right, I respect your big homie. So me and

2875
03:40:19,920 --> 03:40:23,080
Speaker 1: Brown the Wadi and Brown ended up becoming a part

2876
03:40:23,120 --> 03:40:27,440
Speaker 1: of a group. It was because Brown was rounding before me,

2877
03:40:28,600 --> 03:40:31,440
Speaker 1: so we and junior high school. Brown is two grades

2878
03:40:31,480 --> 03:40:33,520
Speaker 1: ahead of me. I'm in seventh grade and ninth grade.

2879
03:40:34,760 --> 03:40:37,160
Speaker 1: Dinker was in eighth grade. So it was seventh, eighth

2880
03:40:37,200 --> 03:40:40,920
Speaker 1: and ninth grade, and I had just moved Along Island

2881
03:40:40,959 --> 03:40:45,280
Speaker 1: from Brooklyn. Brown as a Long Island kid, I think

2882
03:40:45,320 --> 03:40:51,760
Speaker 1: he got Queen's history. Dinko was also a huh yeah.

2883
03:40:52,040 --> 03:40:56,400
Speaker 1: Brown was just trying to throw it on the bro

2884
03:40:56,600 --> 03:41:00,120
Speaker 1: got Queen's lineage. I know, I'm working with you to

2885
03:41:01,560 --> 03:41:08,280
Speaker 1: going home with this, but the facts are Brown has

2886
03:41:09,280 --> 03:41:14,360
Speaker 1: Queens lineage, Dinko got Brooklyn lineage. So and and my

2887
03:41:14,480 --> 03:41:17,720
Speaker 1: Brooklyn lineage. We all urban city kids and we moved

2888
03:41:17,720 --> 03:41:20,480
Speaker 1: to the suburbs to try, you know, get this better

2889
03:41:20,560 --> 03:41:26,160
Speaker 1: lifestyle based on our parents in doctor Nations decision making.

2890
03:41:26,720 --> 03:41:29,360
Speaker 1: So fuck it, We're moving forward with this and be

2891
03:41:29,480 --> 03:41:32,480
Speaker 1: going along with it. So it was so on and

2892
03:41:32,600 --> 03:41:35,480
Speaker 1: so forth, whatever the case may be. And C. Brown

2893
03:41:35,600 --> 03:41:38,199
Speaker 1: was the MC that was the superstar junior high school.

2894
03:41:38,680 --> 03:41:41,280
Speaker 1: So one day we come out of the school and

2895
03:41:41,800 --> 03:41:43,720
Speaker 1: you know, everybody waiting to go home, and the school

2896
03:41:43,760 --> 03:41:45,600
Speaker 1: buses is picking up the kids to take them to

2897
03:41:45,640 --> 03:41:49,720
Speaker 1: their cribs and whatever. Junior high school kids that was

2898
03:41:49,800 --> 03:41:51,800
Speaker 1: the privileged kids that had their own cars. They was

2899
03:41:52,440 --> 03:41:55,280
Speaker 1: driving home with their friends or whatever. So me and

2900
03:41:55,400 --> 03:41:59,920
Speaker 1: Brown and a couple of kids in the school yard

2901
03:42:00,840 --> 03:42:05,680
Speaker 1: and I'm beat boxing for Brown and Brown is rhyming,

2902
03:42:06,800 --> 03:42:09,600
Speaker 1: and Brown ended up starting to diss me while I

2903
03:42:09,760 --> 03:42:18,320
Speaker 1: was beatboxing form. Damn, that's ruth. Listen, ain't that's where

2904
03:42:18,360 --> 03:42:21,240
Speaker 1: the hell started. It started right there. That's that's how

2905
03:42:21,320 --> 03:42:27,080
Speaker 1: me and Brown started this. Naked the fucking Jack Thriller

2906
03:42:28,080 --> 03:42:33,840
Speaker 1: stick at Jack Thriller, laughing at his nigger. Then Nika, see,

2907
03:42:33,920 --> 03:42:38,880
Speaker 1: Brown started this and me while I was beat boxing form.

2908
03:42:41,000 --> 03:42:43,960
Speaker 1: My stupid ass kept beat boxing form while he was

2909
03:42:45,120 --> 03:42:47,800
Speaker 1: how was it this though? What was it this to you? Hey,

2910
03:42:47,879 --> 03:42:53,240
Speaker 1: excuse me? Can carry another concoction? King, So how do

2911
03:42:53,280 --> 03:42:56,080
Speaker 1: you know he's this in you? He was flaquently this

2912
03:42:56,280 --> 03:42:59,720
Speaker 1: and me how how like? Who was he saying? I mean,

2913
03:42:59,800 --> 03:43:02,120
Speaker 1: I don't remember the bars, but this punch lines was

2914
03:43:02,280 --> 03:43:06,760
Speaker 1: directed at He just knew. No. He was saying my name,

2915
03:43:06,920 --> 03:43:12,720
Speaker 1: and there was no misconception about what's going on, right,

2916
03:43:17,120 --> 03:43:25,720
Speaker 1: there's no confusion about what's happening. He's here here, I'm

2917
03:43:25,760 --> 03:43:29,199
Speaker 1: not gonna lie. I understand why he was asking no, questions,

2918
03:43:29,800 --> 03:43:31,760
Speaker 1: even though those questions kind of weird, but I know

2919
03:43:31,959 --> 03:43:35,760
Speaker 1: you was in disbelief too. That's why I had asked no,

2920
03:43:36,080 --> 03:43:39,160
Speaker 1: it didn't make no sense to me, didn't I didn't

2921
03:43:39,200 --> 03:43:44,119
Speaker 1: do nothing to initiate this disrespect from him. I think

2922
03:43:44,200 --> 03:43:49,120
Speaker 1: it probably came from the fact that I did have

2923
03:43:49,240 --> 03:43:53,560
Speaker 1: an appeal as the kid from Brooklyn in the school

2924
03:43:53,600 --> 03:43:56,840
Speaker 1: at the cool kid. I was a cool kid and

2925
03:43:58,600 --> 03:44:02,080
Speaker 1: whatever way it was interfering with his shine, he felt

2926
03:44:02,120 --> 03:44:05,000
Speaker 1: the need to shut that down, even though I didn't

2927
03:44:05,000 --> 03:44:06,880
Speaker 1: give him a reason. I was actually there is a

2928
03:44:06,959 --> 03:44:11,480
Speaker 1: support system for him. I'm be boxing phone, so he's

2929
03:44:11,520 --> 03:44:16,000
Speaker 1: shipping on me woman. But he didn't do it. He

2930
03:44:16,080 --> 03:44:18,480
Speaker 1: didn't do without the gate. That's the interesting part. It

2931
03:44:18,600 --> 03:44:21,240
Speaker 1: was like he was rocking for a minute and then

2932
03:44:21,280 --> 03:44:28,400
Speaker 1: he started to crack the whip. So I'm like, all right.

2933
03:44:31,000 --> 03:44:36,720
Speaker 1: I went home and I wrote my first rhynd and

2934
03:44:36,840 --> 03:44:42,880
Speaker 1: it was inspired by LLL. LLL is the reason I

2935
03:44:43,000 --> 03:44:49,160
Speaker 1: wrote my first rack record. It was It wasn't an

2936
03:44:49,320 --> 03:44:57,320
Speaker 1: LLL record, it was everything. He was my the aesthetic

2937
03:44:57,440 --> 03:45:01,080
Speaker 1: of LLL coo J. He was my favorite MC at

2938
03:45:01,120 --> 03:45:06,240
Speaker 1: the time. He was young, fly, full of energy and

2939
03:45:06,320 --> 03:45:09,560
Speaker 1: the motherfucker had big words and his ship that made

2940
03:45:09,600 --> 03:45:13,560
Speaker 1: him sound smart as fun while he was disrespecting you.

2941
03:45:14,000 --> 03:45:19,600
Speaker 1: And and again, like we spoke about earlier in the interview,

2942
03:45:21,600 --> 03:45:24,440
Speaker 1: at that time, it was super cool and important to

2943
03:45:24,720 --> 03:45:30,200
Speaker 1: be smart, remember that because the guard Nation of Zudal Nation.

2944
03:45:30,200 --> 03:45:34,320
Speaker 1: Remember I went into all of that already cool. So

2945
03:45:34,760 --> 03:45:38,760
Speaker 1: I took my bars and it was modeled after the

2946
03:45:38,800 --> 03:45:41,880
Speaker 1: way L L does his ship. And I came back

2947
03:45:42,560 --> 03:45:48,680
Speaker 1: the next day and I bust Brown ass m and

2948
03:45:48,840 --> 03:45:51,959
Speaker 1: Brown at that point realized he needed to align himself

2949
03:45:52,000 --> 03:45:53,640
Speaker 1: for me, when you can't beat him, he needed to

2950
03:45:53,760 --> 03:45:58,120
Speaker 1: join join what I'm saying. So when that happened, me

2951
03:45:58,200 --> 03:46:02,000
Speaker 1: and Brown became a crew. We wanted a third him, see,

2952
03:46:02,040 --> 03:46:07,000
Speaker 1: because we was modeling that with ship after Cold Cush Brothers. Wow,

2953
03:46:07,800 --> 03:46:10,920
Speaker 1: you know what I'm saying. The original architects of the ship,

2954
03:46:12,520 --> 03:46:16,840
Speaker 1: the keepers of the culture. So for those who don't

2955
03:46:16,879 --> 03:46:19,840
Speaker 1: know who Cold Crush Brothers is, because some of y'all

2956
03:46:19,959 --> 03:46:22,760
Speaker 1: is young in here, these are some of the most

2957
03:46:22,840 --> 03:46:28,640
Speaker 1: incredible mcs to ever start this ship. And these m

2958
03:46:28,760 --> 03:46:33,720
Speaker 1: c s are also responsible for the most huge and

2959
03:46:34,040 --> 03:46:37,840
Speaker 1: historical hip hop records in history. When Ghost Riding was

2960
03:46:37,920 --> 03:46:41,200
Speaker 1: being introduced for the first time in the game. Grand

2961
03:46:41,240 --> 03:46:44,959
Speaker 1: Master Cash wrote Rappers Delight for sugar Hill Game Never Knew,

2962
03:46:46,120 --> 03:46:48,400
Speaker 1: and he was the captain of the Cold Qush Brothers.

2963
03:46:49,720 --> 03:46:52,480
Speaker 1: You know what I'm saying. So I just need got

2964
03:46:52,560 --> 03:46:58,320
Speaker 1: to learn ghost Right's been around narrow. This ain't nothing new.

2965
03:46:59,080 --> 03:47:01,640
Speaker 1: The only difference between now and then was niggas that

2966
03:47:01,760 --> 03:47:06,240
Speaker 1: take credit for the ghostwriter's work. I couldn't take credit

2967
03:47:06,320 --> 03:47:15,000
Speaker 1: for it before speak on it, but I mean I

2968
03:47:15,080 --> 03:47:18,280
Speaker 1: will speak on it. That's something I'm comfortable speaking on

2969
03:47:20,800 --> 03:47:26,800
Speaker 1: the way I was raised. Number One, you can never

2970
03:47:26,920 --> 03:47:29,720
Speaker 1: be classified as top ten, top five, or top anything

2971
03:47:29,800 --> 03:47:33,480
Speaker 1: if you've got some assistance with your parts. Period, you

2972
03:47:33,640 --> 03:47:36,680
Speaker 1: automatically disqualified. I don't give a funk how great you

2973
03:47:36,800 --> 03:47:46,480
Speaker 1: think you are on your That don't make you any

2974
03:47:46,640 --> 03:47:51,760
Speaker 1: less of a dope. M c r oh, it doesn't.

2975
03:47:52,560 --> 03:47:54,880
Speaker 1: You could still be dope this niggas that are still

2976
03:47:55,200 --> 03:48:01,560
Speaker 1: more than capable of writing their own ship, but they

2977
03:48:01,600 --> 03:48:03,680
Speaker 1: didn't stick to the script of writing their own ship,

2978
03:48:03,840 --> 03:48:07,320
Speaker 1: which would warrant them being deemed top ten of top five.

2979
03:48:08,120 --> 03:48:12,960
Speaker 1: Once you get an assist with your pen, that's like

2980
03:48:13,120 --> 03:48:22,200
Speaker 1: the nigga. Uh, what's the triathlon, Lance arm Strong. Once

2981
03:48:22,240 --> 03:48:28,640
Speaker 1: you at once you get an assist that ain't coming

2982
03:48:28,720 --> 03:48:35,240
Speaker 1: from an organic place, it disqualifies everything. The same rules apply.

2983
03:48:36,520 --> 03:48:38,880
Speaker 1: I've never said a word out of my mouth that

2984
03:48:39,000 --> 03:48:43,280
Speaker 1: was written by another man in my entire twenty nine years.

2985
03:48:43,360 --> 03:48:53,240
Speaker 1: If another nigga wrote, who quick, Now, that's not a

2986
03:48:53,320 --> 03:48:56,440
Speaker 1: disrespect And I want people to really understanding distinguish the

2987
03:48:56,520 --> 03:49:00,640
Speaker 1: difference between what I'm saying and what it actually is. Right,

2988
03:49:00,760 --> 03:49:03,600
Speaker 1: like the disrespectful blunt you want something, he go to

2989
03:49:03,720 --> 03:49:07,360
Speaker 1: torch you see this, pull us down and deal with that.

2990
03:49:07,560 --> 03:49:11,320
Speaker 1: Corner La didn't deal with that, Carle seven hundred, deal

2991
03:49:11,360 --> 03:49:13,640
Speaker 1: with that. Go deal with that a cornerly, but love it.

2992
03:49:14,880 --> 03:49:22,080
Speaker 1: Pull it down there you go, there you go. That's that,

2993
03:49:22,280 --> 03:49:24,240
Speaker 1: that's that, that's that. That's that food on the north

2994
03:49:24,640 --> 03:49:33,520
Speaker 1: to watch. Yeah, fixed together, right enough? The little chest

2995
03:49:33,720 --> 03:49:41,640
Speaker 1: watch damn ship. All right, buck, I'm not done. Continue

2996
03:49:42,320 --> 03:49:56,280
Speaker 1: now COVID nor covid. We went you manute. As I

2997
03:49:56,400 --> 03:50:00,640
Speaker 1: was saying, I think that at the end of the day,

2998
03:50:05,200 --> 03:50:13,520
Speaker 1: you know, be be, be humble and your verbiage. If

2999
03:50:16,160 --> 03:50:20,000
Speaker 1: there's holes that can be poked, hm and your truth,

3000
03:50:21,760 --> 03:50:27,000
Speaker 1: that's all. It ain't gotta be transpired in a negative way.

3001
03:50:27,680 --> 03:50:32,160
Speaker 1: If you stand tolling the truth, you can credit others

3002
03:50:32,280 --> 03:50:35,200
Speaker 1: if others has played a role, that it's been significant

3003
03:50:35,280 --> 03:50:39,679
Speaker 1: in the success and then the gratification of your accomplishments.

3004
03:50:39,760 --> 03:50:41,840
Speaker 1: But at the end of the day, if you ain't

3005
03:50:41,880 --> 03:50:44,120
Speaker 1: going to start showing your own nigger, then give it

3006
03:50:44,240 --> 03:50:46,400
Speaker 1: up to who wants it being, giving it up, giving

3007
03:50:46,480 --> 03:50:49,840
Speaker 1: up to whoever it wants to, giving up to give

3008
03:50:49,920 --> 03:50:55,560
Speaker 1: it up. I take great pride say and ship like

3009
03:50:55,640 --> 03:51:00,200
Speaker 1: that because nobody in my squad is allowed to haven't

3010
03:51:00,200 --> 03:51:03,040
Speaker 1: assist with their pain. If that's the case, you need

3011
03:51:03,120 --> 03:51:06,600
Speaker 1: to be rocking with somebody else. You know what I'm saying,

3012
03:51:07,160 --> 03:51:13,400
Speaker 1: Because we just was raised a certain way. That doesn't

3013
03:51:13,440 --> 03:51:15,640
Speaker 1: make the new way that people feel they need to

3014
03:51:15,680 --> 03:51:18,680
Speaker 1: do things wrong. But if the noon n asks you

3015
03:51:18,840 --> 03:51:23,720
Speaker 1: to the bustle, I'm gonna do it because you know

3016
03:51:23,880 --> 03:51:26,320
Speaker 1: you don't you know why, you know why, because again

3017
03:51:26,360 --> 03:51:29,000
Speaker 1: it's not wrong. What makes it wrong is when you

3018
03:51:29,200 --> 03:51:38,640
Speaker 1: discredit who assists happen. That's what makes a wrong. When

3019
03:51:38,680 --> 03:51:41,600
Speaker 1: you try to conceive it. Rand Shampoo wrong since he

3020
03:51:41,720 --> 03:51:51,000
Speaker 1: was probably ship, he was shipools. All Shampoo's a fucking

3021
03:51:51,120 --> 03:51:52,920
Speaker 1: legend in his culture. Come we please give it up?

3022
03:52:00,040 --> 03:52:01,960
Speaker 1: Time was the one who I'll be break down and

3023
03:52:02,040 --> 03:52:04,840
Speaker 1: swipey record. Ain't got it on the radio for me.

3024
03:52:05,000 --> 03:52:14,600
Speaker 1: SHOT's story don't have many regging. Shampoo helped me breaking

3025
03:52:16,600 --> 03:52:25,400
Speaker 1: countless ship. Oh shampoo plaque? Fuck you talking about shampoo.

3026
03:52:25,520 --> 03:52:37,440
Speaker 1: I apologize that you have not been able to shape.

3027
03:52:38,160 --> 03:52:41,400
Speaker 1: Let's get to you for a second. I'm not gonna lie.

3028
03:52:42,040 --> 03:52:45,440
Speaker 1: I'll go to the cook shown fly Okay called me

3029
03:52:45,560 --> 03:52:54,560
Speaker 1: from spin. It's like, y'all, I got new Brooklyn. I

3030
03:52:54,680 --> 03:53:00,200
Speaker 1: looked at you, I said broken. I don't know if

3031
03:53:00,200 --> 03:53:07,120
Speaker 1: I said it to you, to you in my mind baby,

3032
03:53:07,200 --> 03:53:12,760
Speaker 1: in my mind right? But did everybody feel spiff all

3033
03:53:12,880 --> 03:53:19,360
Speaker 1: the young Niga. It killed me because I said, y'all

3034
03:53:19,680 --> 03:53:28,720
Speaker 1: told me that you told me it's a hit factory. Yeah,

3035
03:53:28,800 --> 03:53:31,640
Speaker 1: h factory. Yeah. I gotta think Bush you seeing me?

3036
03:53:32,200 --> 03:53:38,320
Speaker 1: You told me this is when boss? Was it cash money?

3037
03:53:39,440 --> 03:53:43,520
Speaker 1: And before I finished your question, I want to say,

3038
03:53:44,160 --> 03:53:50,200
Speaker 1: whoa was the problem with cash money? Was it a voluble?

3039
03:53:50,240 --> 03:53:58,040
Speaker 1: Cash money? Wow? Look where you're going? When I say nor,

3040
03:53:58,440 --> 03:54:01,280
Speaker 1: I must commend you when you are searching your homework.

3041
03:54:04,920 --> 03:54:07,600
Speaker 1: Jesus Christ, all right, look this is what I'm gonna do.

3042
03:54:10,080 --> 03:54:13,800
Speaker 1: And you both, Mari, were raised in our air dirty laundry, right,

3043
03:54:14,960 --> 03:54:18,080
Speaker 1: so this is what I'm gonna do. I'm going to

3044
03:54:18,160 --> 03:54:23,840
Speaker 1: big a birdman and I'm gonna pick up Slim. But

3045
03:54:23,960 --> 03:54:28,240
Speaker 1: what I will say is we got to a crossroads

3046
03:54:29,840 --> 03:54:37,480
Speaker 1: that wasn't conducive to the business that we needed to do.

3047
03:54:39,760 --> 03:54:48,800
Speaker 1: So respectfully, my request was honored to be able to

3048
03:54:48,880 --> 03:54:53,440
Speaker 1: continue to go and continue on my journey the way

3049
03:54:53,520 --> 03:54:56,840
Speaker 1: my journey was happening before we got in business, and

3050
03:54:56,920 --> 03:55:00,640
Speaker 1: how we needed to continue after we stopped own business.

3051
03:55:01,480 --> 03:55:09,920
Speaker 1: And there's nothing else that needs to be discussed. Let's

3052
03:55:10,000 --> 03:55:15,880
Speaker 1: be clear, and so let me just see this though,

3053
03:55:16,960 --> 03:55:21,640
Speaker 1: don't brothers will always be my allies, They will always

3054
03:55:21,680 --> 03:55:23,680
Speaker 1: be my friends, and they will always be my brothers.

3055
03:55:25,120 --> 03:55:30,360
Speaker 1: I think it's extremely important and even in having differences,

3056
03:55:30,800 --> 03:55:39,320
Speaker 1: especially in these times, that we honor the camaraderie that

3057
03:55:39,400 --> 03:55:44,480
Speaker 1: we have because there's a bigger picture. You know. The

3058
03:55:44,600 --> 03:55:47,240
Speaker 1: goal right now is to divide and conquer. That's been

3059
03:55:47,280 --> 03:55:49,360
Speaker 1: the goal even before right now, but it's like on

3060
03:55:49,520 --> 03:55:57,160
Speaker 1: a whole other level of hyper tension and promotion and

3061
03:55:57,240 --> 03:56:00,520
Speaker 1: propaganda right now for us to not be on the

3062
03:56:00,600 --> 03:56:04,280
Speaker 1: same accord with each other. I love my brothers man

3063
03:56:05,960 --> 03:56:08,520
Speaker 1: even do the good debating and difference to the twelfth

3064
03:56:08,600 --> 03:56:12,480
Speaker 1: degree and supreme alphabet is to let the L. Twelfth

3065
03:56:12,600 --> 03:56:17,200
Speaker 1: lettering alphabet is to let the L that degree love, helen, love,

3066
03:56:17,320 --> 03:56:22,000
Speaker 1: help or right that degreed means you gotta go through

3067
03:56:22,080 --> 03:56:24,040
Speaker 1: love and helen or for ship to turn out. Right

3068
03:56:24,920 --> 03:56:30,160
Speaker 1: podcast for four years continue Boston. I can't love my

3069
03:56:30,320 --> 03:56:33,440
Speaker 1: brother if I ain't gonna be able to love him,

3070
03:56:33,480 --> 03:56:38,200
Speaker 1: and we're going to hell too. You don't just love

3071
03:56:38,280 --> 03:56:43,480
Speaker 1: your brother when you to sweet finished norm me when

3072
03:56:43,480 --> 03:56:47,160
Speaker 1: I'm dealing with the signs let me Bill, but love it.

3073
03:56:48,760 --> 03:56:54,600
Speaker 1: But you don't just look at that. You don't you don't.

3074
03:56:59,040 --> 03:57:02,520
Speaker 1: You don't just love your brother when ship is good.

3075
03:57:03,680 --> 03:57:07,800
Speaker 1: You love your brother when it is challenging to That's

3076
03:57:07,920 --> 03:57:13,200
Speaker 1: that's what That's when the love is really being tested.

3077
03:57:14,280 --> 03:57:16,720
Speaker 1: That's where the love is testing for us. Can I

3078
03:57:16,840 --> 03:57:22,360
Speaker 1: finish snormy Please? Let me let me just complete because Joe,

3079
03:57:22,640 --> 03:57:24,520
Speaker 1: and then I'm gonna need you to elaborate because I

3080
03:57:24,720 --> 03:57:29,240
Speaker 1: know what you gotta say. It is important. King. You

3081
03:57:29,320 --> 03:57:32,520
Speaker 1: don't need for apology. We were on the same accord came.

3082
03:57:33,040 --> 03:57:37,200
Speaker 1: What I'm saying is it ended up turning out right, Man,

3083
03:57:39,280 --> 03:57:42,040
Speaker 1: you get what I'm saying. That's where you gotta understand.

3084
03:57:42,080 --> 03:57:44,080
Speaker 1: They gotta let me reach to that point of this

3085
03:57:44,320 --> 03:57:48,360
Speaker 1: dialogue so that you can understand. The upswing was beautiful.

3086
03:57:49,560 --> 03:57:54,000
Speaker 1: Me and Bird had real conversations and it wasn't easy

3087
03:57:54,040 --> 03:57:57,240
Speaker 1: and hear it out. It wasn't easy, but we figured

3088
03:57:57,280 --> 03:58:01,080
Speaker 1: it out and he ended up being beautiful conversation and

3089
03:58:01,240 --> 03:58:05,280
Speaker 1: it ended up being beautiful understanding, And there's nothing better

3090
03:58:05,320 --> 03:58:10,040
Speaker 1: than understanding. Understanding is the best part. So once you

3091
03:58:10,280 --> 03:58:14,280
Speaker 1: established that there's no confusion, that could be possible because

3092
03:58:14,360 --> 03:58:19,320
Speaker 1: we all are very clear, there's no misconception, we could

3093
03:58:19,320 --> 03:58:24,400
Speaker 1: walk away from the conversation really being on the same accord.

3094
03:58:26,960 --> 03:58:33,000
Speaker 1: That's the beauty of why the difference between me and

3095
03:58:33,200 --> 03:58:37,640
Speaker 1: other artists that was in business with him is while

3096
03:58:37,720 --> 03:58:40,480
Speaker 1: they might have aired dirty laundry, you've never heard me

3097
03:58:40,640 --> 03:58:46,280
Speaker 1: do it. No, that's not the way I was raised. Man. See,

3098
03:58:46,320 --> 03:58:51,200
Speaker 1: there's an etiquette thing that very important to how we

3099
03:58:51,400 --> 03:58:56,200
Speaker 1: was brought up. We was brought up a certain way.

3100
03:58:58,000 --> 03:59:00,600
Speaker 1: I want to try to do every thing in my

3101
03:59:00,840 --> 03:59:05,680
Speaker 1: power to reinstill that beautiful way we was brought up.

3102
03:59:06,880 --> 03:59:12,280
Speaker 1: It's not an old thing, it's a right thing. See,

3103
03:59:12,600 --> 03:59:16,120
Speaker 1: that's where NI is getting misconstrued. You want to talk

3104
03:59:16,200 --> 03:59:22,120
Speaker 1: about the old way. No, see what's right and wrong

3105
03:59:22,400 --> 03:59:33,600
Speaker 1: and got no timeline on it. What's what's what's right? Room,

3106
03:59:33,680 --> 03:59:39,320
Speaker 1: what's right or what's wrong has no timeline. It's like

3107
03:59:40,320 --> 03:59:42,200
Speaker 1: you wake up one day you think you're gonna just

3108
03:59:42,320 --> 03:59:47,120
Speaker 1: feel like, Okay, the planets ain't post to rotator around

3109
03:59:47,160 --> 03:59:54,080
Speaker 1: the sun. Fuck that sun rotator on the planets. That's

3110
03:59:54,280 --> 04:00:00,040
Speaker 1: never gonna happen because it's called right and wrong on

3111
04:00:00,200 --> 04:00:03,400
Speaker 1: there is no other way for the functioning of this

3112
04:00:03,680 --> 04:00:09,480
Speaker 1: universal infrastructure to operate. So if you're living on that accord,

3113
04:00:11,480 --> 04:00:14,160
Speaker 1: it's like slapping it again in the face and trying

3114
04:00:14,200 --> 04:00:19,080
Speaker 1: to control the repercussion. You can't control the repercussion. It's

3115
04:00:19,120 --> 04:00:21,600
Speaker 1: called right or wrong. You should You should have made

3116
04:00:21,680 --> 04:00:25,040
Speaker 1: a conscious decision. You should have never see what I

3117
04:00:25,120 --> 04:00:28,360
Speaker 1: was saying, That's where I was going. Before you did it,

3118
04:00:28,520 --> 04:00:32,040
Speaker 1: you knew what you was gonna do. Every action is

3119
04:00:32,080 --> 04:00:42,440
Speaker 1: a thought first. Every thought is something that So with

3120
04:00:42,560 --> 04:00:46,000
Speaker 1: that being said, if you think something and do it

3121
04:00:46,600 --> 04:00:48,280
Speaker 1: knowing it was wrong before you do, when it still

3122
04:00:48,360 --> 04:00:52,360
Speaker 1: choose to do it that in voice that's gonna come

3123
04:00:52,400 --> 04:00:55,520
Speaker 1: behind that it's gonna be expensive than the motherfucker I

3124
04:00:55,680 --> 04:00:59,880
Speaker 1: love the invoice. Every choice comes with an invoice or

3125
04:01:00,000 --> 04:01:03,800
Speaker 1: a fresh You gotta pay for that ship, especially when

3126
04:01:03,840 --> 04:01:06,040
Speaker 1: you knew how expensive it was gonna be before you

3127
04:01:06,160 --> 04:01:10,120
Speaker 1: did it and chose to do it anyway. This ship

3128
04:01:10,280 --> 04:01:14,080
Speaker 1: is like ten trillion times more expensive when you decide

3129
04:01:14,120 --> 04:01:16,680
Speaker 1: to do it anyway, knowing it was expensive before you

3130
04:01:16,800 --> 04:01:21,080
Speaker 1: did it. If you couldn't afford it, why didn't do it?

3131
04:01:22,560 --> 04:01:24,360
Speaker 1: Before you did it? You knew you couldn't afford it.

3132
04:01:25,000 --> 04:01:31,160
Speaker 1: See why the fund you doing anyway? Because he's too mad? Okay? Cool?

3133
04:01:31,240 --> 04:01:33,520
Speaker 1: So now this is where we at. You chose to

3134
04:01:33,600 --> 04:01:36,560
Speaker 1: do it, and now nigga want to try to control

3135
04:01:37,360 --> 04:01:42,040
Speaker 1: how much it's gonna cost. You can't control that no more.

3136
04:01:42,680 --> 04:01:47,240
Speaker 1: You slap a nigga, he shoots you. He wrong for shooting. Nah,

3137
04:01:49,680 --> 04:01:53,160
Speaker 1: You should have never slapped him. You slapped the room, nigga.

3138
04:01:53,320 --> 04:01:56,320
Speaker 1: How about that's the way that's mathematical equatement worked out.

3139
04:01:57,160 --> 04:01:59,720
Speaker 1: You should have never even thought that he was somebody

3140
04:01:59,840 --> 04:02:03,160
Speaker 1: you to slap and get away with it. How about

3141
04:02:03,200 --> 04:02:10,600
Speaker 1: that part? Deep ship. You thought wrong. Your mathematic equation

3142
04:02:11,280 --> 04:02:16,400
Speaker 1: was off. You should have never thought you could have

3143
04:02:16,520 --> 04:02:21,320
Speaker 1: got away with that. Now what you're gonna do, You're

3144
04:02:21,360 --> 04:02:25,080
Speaker 1: gonna take this out. It's called learning experience and it

3145
04:02:25,280 --> 04:02:34,080
Speaker 1: might be calls called your life deep experience. You they're

3146
04:02:34,120 --> 04:02:39,800
Speaker 1: feeling the video. No, don't don't do this. Don't do this, please,

3147
04:02:41,160 --> 04:02:44,800
Speaker 1: I'm begging you, don't do this. God damn no, we

3148
04:02:45,080 --> 04:02:50,760
Speaker 1: don't know. We going bad tonight, broy nor, we going bad?

3149
04:02:50,920 --> 04:02:56,000
Speaker 1: You know what? You know what? Alright, alright, give me

3150
04:02:56,040 --> 04:02:58,920
Speaker 1: a second, give me a second, little back phone because

3151
04:03:00,160 --> 04:03:24,480
Speaker 1: he's quiet. Good listen, ye men getting me where my heart? Minute?

3152
04:03:24,920 --> 04:03:32,080
Speaker 1: That came Throme where I fired at my fire? Where

3153
04:03:32,160 --> 04:03:34,800
Speaker 1: my fire? I ain't got that with my fine we

3154
04:03:35,000 --> 04:03:39,520
Speaker 1: call my guys. I ain't for strut blood cloud of

3155
04:03:39,640 --> 04:03:46,520
Speaker 1: that one to that. That's whop I can't tell you, yo,

3156
04:03:46,920 --> 04:03:57,520
Speaker 1: not f that they called you pussy on this side

3157
04:03:57,520 --> 04:04:01,960
Speaker 1: a point where a friend doing its duty like that

3158
04:04:04,480 --> 04:04:14,080
Speaker 1: found found he's a cute guy. You know, somebody old.

3159
04:04:14,600 --> 04:04:16,520
Speaker 1: I don't want to said that. Nobody said that. No,

3160
04:04:16,680 --> 04:04:24,480
Speaker 1: we don't believe me. Your fit is a terrorist right now, yo,

3161
04:04:24,560 --> 04:04:27,120
Speaker 1: he's not saying nothing he's saying. True with these ain't trus,

3162
04:04:27,160 --> 04:04:38,280
Speaker 1: I'm a terror. Somebody puts you on man, say, yeah,

3163
04:04:38,880 --> 04:04:41,480
Speaker 1: you know me. You know you know what they tell me?

3164
04:04:43,040 --> 04:04:51,840
Speaker 1: You shr me an attire. Isn't that funny brother, No,

3165
04:04:52,080 --> 04:04:58,920
Speaker 1: isn't not that funny man? Funny man? Yo, I applied

3166
04:05:00,000 --> 04:05:07,080
Speaker 1: trying time. You're trying. All right, the world will tek

3167
04:05:07,160 --> 04:05:12,600
Speaker 1: you where you are now, your pussy wall pussy all

3168
04:05:13,320 --> 04:05:16,640
Speaker 1: I'll give funk with the mean. There's nowhere in the

3169
04:05:16,800 --> 04:05:21,920
Speaker 1: world you're paying out that a little teph bringing down

3170
04:05:21,920 --> 04:05:25,080
Speaker 1: the pussy that I don't want to tell you. Don't

3171
04:05:25,200 --> 04:05:30,800
Speaker 1: do that, you slap, you fucking bastard. Yeah, I know

3172
04:05:31,000 --> 04:05:34,840
Speaker 1: why when you stop it, you're gonna stop doing this

3173
04:05:35,000 --> 04:05:40,680
Speaker 1: motherfucking damn MESSI ball. You know, I don't know why

3174
04:05:40,840 --> 04:05:44,440
Speaker 1: they called you that. Stop that ship, you fucking clus

3175
04:05:44,480 --> 04:05:49,920
Speaker 1: you plus your box of Craig his face. That's the way, buddy,

3176
04:05:49,960 --> 04:06:00,400
Speaker 1: culling pussy. Yes, Charles tells you not small click that slune.

3177
04:06:01,120 --> 04:06:04,800
Speaker 1: T Let men do quick tell I'm in give me

3178
04:06:04,880 --> 04:06:08,040
Speaker 1: the lift, us the batch, give me the bag. Don't

3179
04:06:08,080 --> 04:06:13,160
Speaker 1: read yet, fat, they ain't even do t when sting talk.

3180
04:06:13,160 --> 04:06:16,160
Speaker 1: I want you to back can back today you do

3181
04:06:16,320 --> 04:06:21,120
Speaker 1: Greek time slum, I'm not starting you're slick your bro

3182
04:06:27,240 --> 04:06:35,960
Speaker 1: ye so yeah, absolutely I can do it, but I'm

3183
04:06:35,960 --> 04:06:43,240
Speaker 1: not quick time do what you want? Your getting over

3184
04:06:43,320 --> 04:06:49,240
Speaker 1: this sad bad you got my background? Kick time is time? Yeah?

3185
04:06:50,320 --> 04:06:54,000
Speaker 1: That back to good. Let me look at the phone.

3186
04:06:54,360 --> 04:06:59,880
Speaker 1: Got to go slo okay, all right, man, can't nick

3187
04:07:02,440 --> 04:07:09,760
Speaker 1: doesn't work? Wait it again, it's quick time with this

3188
04:07:16,440 --> 04:07:23,040
Speaker 1: kimmer nicky kimer nick Yeah, kimmer nicky what she was

3189
04:07:23,160 --> 04:07:29,120
Speaker 1: one of the other kim All right? Jaar nas nas

3190
04:07:31,720 --> 04:07:38,200
Speaker 1: popeye's are churches popey Jamaicic's a tricky come on, it's ridiculous.

3191
04:07:38,760 --> 04:07:44,360
Speaker 1: Both that's great, jay z ands both that I'm fixing that.

3192
04:07:50,040 --> 04:07:57,040
Speaker 1: Let me finish quick telling something. Let me finish you

3193
04:07:57,120 --> 04:07:59,240
Speaker 1: telling me I can't fix something I ain't doing now

3194
04:07:59,320 --> 04:08:02,840
Speaker 1: you're fishing and how you can fix it? Come on, bokay,

3195
04:08:02,960 --> 04:08:06,240
Speaker 1: let me fix when I'm starting with hands started over? No, no,

3196
04:08:06,360 --> 04:08:12,080
Speaker 1: we we got no starting over. Kien niki kim j

3197
04:08:12,920 --> 04:08:18,800
Speaker 1: Both Popeyees and churches popl Jamaican's are Haitians that have

3198
04:08:18,960 --> 04:08:39,160
Speaker 1: a friend as Dominican Hi for all of Timberland, tim

3199
04:08:40,200 --> 04:08:44,440
Speaker 1: our Timberland both, Come on, brothers, both is really get

3200
04:08:44,440 --> 04:08:51,840
Speaker 1: at Sorr camera both holy sis, um, we gotta like

3201
04:08:52,040 --> 04:08:59,840
Speaker 1: my ast where get back to us? So the tell

3202
04:09:00,000 --> 04:09:07,920
Speaker 1: of speeding tunnel, fucking tunnel? This is one I'm unfamiliar with.

3203
04:09:08,440 --> 04:09:20,560
Speaker 1: Time the roles or Audi b oh, I think you

3204
04:09:21,840 --> 04:09:32,840
Speaker 1: rollics and there in Miami, I'm in relaxed everybody. Jude

3205
04:09:32,880 --> 04:09:40,200
Speaker 1: Black and Swiss both boom, Mariah Janet both Michael Jackson

3206
04:09:40,760 --> 04:09:44,520
Speaker 1: or Prince both Wait, hold on? He met back with Jackson.

3207
04:09:45,560 --> 04:09:52,840
Speaker 1: Hold I'm pretto alright, trying to constr underground. Try to

3208
04:09:52,920 --> 04:09:57,680
Speaker 1: call question, did your undergroube we're talking about? I was?

3209
04:09:58,000 --> 04:10:02,000
Speaker 1: I was trying to make the SENSI you met, Wait

3210
04:10:02,680 --> 04:10:09,240
Speaker 1: that you met, you met, you met, You've met my Jackson? Try,

3211
04:10:09,880 --> 04:10:14,840
Speaker 1: he said. Saxon said, in a month, you've met Bessy Jackson,

3212
04:10:16,000 --> 04:10:19,040
Speaker 1: Prince I met both of them. Yes, sir, let's press

3213
04:10:19,120 --> 04:10:24,840
Speaker 1: fakerpop with somebody bro where he met him? That's what happened.

3214
04:10:25,120 --> 04:10:43,400
Speaker 1: He met him, of course, pressing finger. It's not your fault,

3215
04:10:43,840 --> 04:10:47,160
Speaker 1: but I feel like it's like priss Yo, ask my ear.

3216
04:10:47,600 --> 04:10:51,280
Speaker 1: I'm sorry, bro, who was? I just feel like fresh

3217
04:10:51,440 --> 04:11:00,400
Speaker 1: is always fingerbout somebody's getting figger about princes around. I

3218
04:11:00,480 --> 04:11:04,640
Speaker 1: went to me, you don't think. You don't No, I

3219
04:11:04,640 --> 04:11:10,080
Speaker 1: don't think and play basketball break at the same time.

3220
04:11:10,280 --> 04:11:17,400
Speaker 1: Never the case. I believe the skin like play basketball.

3221
04:11:17,800 --> 04:11:21,920
Speaker 1: That's a factor, play basketball, and I no, no, I

3222
04:11:22,080 --> 04:11:25,800
Speaker 1: played basketball when I get busy. I ain't played with prince,

3223
04:11:25,920 --> 04:11:29,720
Speaker 1: but I get busy. What you're talking about is we

3224
04:11:29,800 --> 04:11:36,320
Speaker 1: speaking falling languages English on the weekends. Normal You gave

3225
04:11:36,360 --> 04:11:39,880
Speaker 1: me a look like you want disbelief. I'm not sure, Normay,

3226
04:11:39,880 --> 04:11:41,640
Speaker 1: I don't want you to be sure. I'm not sure.

3227
04:11:41,680 --> 04:11:44,040
Speaker 1: I just want you to fingure this ship out, and

3228
04:11:44,320 --> 04:11:46,400
Speaker 1: I gotta figure it out. Figure it out. No, no,

3229
04:11:46,600 --> 04:11:50,960
Speaker 1: not on your own time and actual time, like we

3230
04:11:51,040 --> 04:11:55,360
Speaker 1: could do with this. We can deal with this accordingly.

3231
04:11:55,720 --> 04:12:06,640
Speaker 1: Right now, do we know where a basketball? And we

3232
04:12:06,760 --> 04:12:13,080
Speaker 1: got cameras. We'll know I can straight to right. We

3233
04:12:13,200 --> 04:12:20,520
Speaker 1: got cameras, And I'm with all the smoke. I smoke cigars,

3234
04:12:21,440 --> 04:12:24,760
Speaker 1: I smoke weed, smoke cigarette and I shouldn't even be

3235
04:12:24,840 --> 04:12:27,360
Speaker 1: doing that. Animal. That's why you aways seen me smog

3236
04:12:28,640 --> 04:12:31,280
Speaker 1: or no weed in this whole drinke chance, I'm only

3237
04:12:31,320 --> 04:12:37,120
Speaker 1: smoking celebratory cigars. Rose Royce of the cigar by the way,

3238
04:12:39,200 --> 04:12:40,600
Speaker 1: you know what, let me let me tell this up

3239
04:12:40,680 --> 04:12:43,600
Speaker 1: that please do, because if we could only get right

3240
04:12:43,680 --> 04:12:46,680
Speaker 1: to it or this gout something else. But he's a

3241
04:12:46,720 --> 04:12:51,280
Speaker 1: great Thank you very much. I've never seen I've never

3242
04:12:51,400 --> 04:12:56,680
Speaker 1: seen you this focus ever in twenty years. I don't

3243
04:12:56,720 --> 04:12:58,720
Speaker 1: know what it is. I don't know what made you

3244
04:12:58,880 --> 04:13:06,520
Speaker 1: switch on that switch switches okay that it's like everything

3245
04:13:06,640 --> 04:13:10,160
Speaker 1: is strategic. I ain't gonna lie. You had the little

3246
04:13:10,240 --> 04:13:15,200
Speaker 1: white people putting the E L E ship all the ship.

3247
04:13:15,440 --> 04:13:21,440
Speaker 1: I felt like I was in Luminati as well. I

3248
04:13:21,480 --> 04:13:24,680
Speaker 1: don't know. Please be clear. That has nothing to do

3249
04:13:24,840 --> 04:13:28,600
Speaker 1: with luminary information. That that that that that that that

3250
04:13:28,800 --> 04:13:32,600
Speaker 1: that that that that commercial was a spinoff of the

3251
04:13:32,760 --> 04:13:39,600
Speaker 1: Ash Wednesdays concept from the Catholic Church, and and and

3252
04:13:40,240 --> 04:13:47,200
Speaker 1: and and I did all this. But you know that's

3253
04:13:47,320 --> 04:13:52,160
Speaker 1: that's good because she would I try to create this

3254
04:13:52,320 --> 04:14:01,640
Speaker 1: content that's gonna bot that was also Ash Wednesdays. The

3255
04:14:01,800 --> 04:14:04,720
Speaker 1: kind of content that I try to create is content

3256
04:14:04,840 --> 04:14:08,960
Speaker 1: that's gonna spark thought. You know what I'm saying. When

3257
04:14:09,000 --> 04:14:14,760
Speaker 1: I created that, there's a lot of different messages that's

3258
04:14:14,800 --> 04:14:20,000
Speaker 1: supposed to come from that commercial. Trailer advertising and coming

3259
04:14:20,040 --> 04:14:24,960
Speaker 1: of extinction level event to the Wrath of God. It's

3260
04:14:25,200 --> 04:14:29,120
Speaker 1: so many different dynamics and levels of science and high

3261
04:14:29,200 --> 04:14:33,520
Speaker 1: science that the album consists of that when I started

3262
04:14:33,560 --> 04:14:37,960
Speaker 1: to give people those pieces of content through the trailers

3263
04:14:38,000 --> 04:14:40,400
Speaker 1: and the album commercials, that was just so I can

3264
04:14:40,480 --> 04:14:44,120
Speaker 1: solidify with the consumer that's been with me since the

3265
04:14:45,400 --> 04:14:49,040
Speaker 1: two year ago release of the original leading up to now,

3266
04:14:49,960 --> 04:14:54,480
Speaker 1: that we have not abandoned the responsibility of addressing the

3267
04:14:54,840 --> 04:15:02,960
Speaker 1: social awareness response ability that we've been taken on from

3268
04:15:03,040 --> 04:15:07,600
Speaker 1: the beginning of my soul career. I just wanted people

3269
04:15:07,640 --> 04:15:09,680
Speaker 1: to know you get the done in the Boss, you

3270
04:15:09,760 --> 04:15:12,640
Speaker 1: get to me and then anishim back record, but like

3271
04:15:12,920 --> 04:15:17,240
Speaker 1: you need to see that the high science, it's a

3272
04:15:17,320 --> 04:15:22,920
Speaker 1: significant part of the embodiment of this project, the songs

3273
04:15:23,000 --> 04:15:26,240
Speaker 1: that consists of that information. I'm not giving it to

3274
04:15:26,320 --> 04:15:30,480
Speaker 1: the people until when the album drops because I'm dealing

3275
04:15:30,520 --> 04:15:33,640
Speaker 1: with levels of high science that's so powerful. I don't

3276
04:15:33,680 --> 04:15:35,800
Speaker 1: want no powers that be to feel like they are

3277
04:15:35,960 --> 04:15:38,520
Speaker 1: deemed worthy of blocking the information that I'm trying to

3278
04:15:38,560 --> 04:15:51,960
Speaker 1: share it. It goes to that as a personal personal person,

3279
04:15:52,160 --> 04:15:55,960
Speaker 1: personal person person, we might need to be mindful of

3280
04:15:56,040 --> 04:16:00,520
Speaker 1: what I just said. No, No, I'm what I just

3281
04:16:00,640 --> 04:16:03,000
Speaker 1: listen to what I'm saying. Yes, when I'm saying what

3282
04:16:03,120 --> 04:16:06,120
Speaker 1: I just said, I'm just telling on myself that I'm

3283
04:16:06,120 --> 04:16:09,120
Speaker 1: sharing ship that will put them in the position to

3284
04:16:09,200 --> 04:16:12,200
Speaker 1: prepare to block what I'm getting ready to share. So

3285
04:16:12,360 --> 04:16:15,160
Speaker 1: we might need to be conscious of how we share that.

3286
04:16:16,360 --> 04:16:18,760
Speaker 1: You get what I'm saying. Do y'all understand what I

3287
04:16:18,840 --> 04:16:22,920
Speaker 1: just said? Okay? Cool? All right, so just take that note, please,

3288
04:16:22,960 --> 04:16:27,240
Speaker 1: please please take that no? Which alright, cool, thank you?

3289
04:16:27,920 --> 04:16:32,560
Speaker 1: All right, let's add on now, boss, you've been on

3290
04:16:33,840 --> 04:16:39,600
Speaker 1: You've been on electric seven labels. Let's just sum it up.

3291
04:16:41,680 --> 04:16:53,760
Speaker 1: Ain't nobody. We're going through the music industry like bus rhymes. Okay,

3292
04:16:53,880 --> 04:16:55,720
Speaker 1: let me get one more concoction. I think this is

3293
04:16:58,960 --> 04:17:05,720
Speaker 1: so this is your first actual independent album, Yes, sir,

3294
04:17:06,920 --> 04:17:12,920
Speaker 1: first half? Yeah, what made you say? Because you know why? Boss?

3295
04:17:15,000 --> 04:17:18,640
Speaker 1: I don't know. Yeah, you know, you know than anybody, though,

3296
04:17:18,680 --> 04:17:20,840
Speaker 1: you know better than anybody. You got it, so you

3297
04:17:21,080 --> 04:17:24,720
Speaker 1: you don't have to you don't have to do anything.

3298
04:17:25,760 --> 04:17:28,640
Speaker 1: You could you could have dropped on your own by yourself.

3299
04:17:30,520 --> 04:17:32,600
Speaker 1: So what made you say? You know what? I'm gonna

3300
04:17:33,000 --> 04:17:40,760
Speaker 1: imp ghazi as my business partner is a genius in

3301
04:17:40,840 --> 04:17:49,760
Speaker 1: a brilliant mind. I'm an advocate of continuing to learn,

3302
04:17:51,760 --> 04:17:58,800
Speaker 1: and man has shared information with me that no major

3303
04:17:58,920 --> 04:18:05,000
Speaker 1: label executives as it's number one, number two. He put

3304
04:18:05,040 --> 04:18:08,960
Speaker 1: a support system around me and answers. They phoned at

3305
04:18:08,960 --> 04:18:13,400
Speaker 1: two and three o'clock in the morning as executives and

3306
04:18:13,640 --> 04:18:18,600
Speaker 1: heads of their departments. No major label has ever done

3307
04:18:18,640 --> 04:18:21,240
Speaker 1: that for me, neithern You think it's gonna bad when

3308
04:18:21,240 --> 04:18:25,840
Speaker 1: the workouts is over, Wow, that's what they traditionally do.

3309
04:18:27,680 --> 04:18:30,720
Speaker 1: My album leaks at three four o'clock in the morning.

3310
04:18:31,880 --> 04:18:35,160
Speaker 1: I can't call these niggers until tomorrow. While at three

3311
04:18:35,160 --> 04:18:36,600
Speaker 1: four in the morning there might be on two or

3312
04:18:36,640 --> 04:18:39,600
Speaker 1: three websites, and when they wake up, it's on fifty

3313
04:18:39,760 --> 04:18:43,520
Speaker 1: fucking websites. I need to call when that ship is

3314
04:18:43,560 --> 04:18:49,160
Speaker 1: on two or three websites to have them troubleshooting. You

3315
04:18:49,240 --> 04:18:51,080
Speaker 1: mean answering my phone call when I need you to.

3316
04:18:52,480 --> 04:18:53,960
Speaker 1: I don't need to be in business with you at

3317
04:18:54,000 --> 04:18:58,400
Speaker 1: the stage of my career. I'm twenty nine years and

3318
04:18:58,480 --> 04:19:02,680
Speaker 1: this ship. My politically correct filter is burned. I'm only

3319
04:19:02,840 --> 04:19:05,880
Speaker 1: dealing with right and wrong. I ain't dealing with politically

3320
04:19:05,920 --> 04:19:10,040
Speaker 1: correct no more. That's just where I'm at. I'm not

3321
04:19:10,200 --> 04:19:13,360
Speaker 1: saying that to be offensive. It ain't like because I

3322
04:19:13,440 --> 04:19:15,440
Speaker 1: say I ain't politically correct and I'm gonn running your

3323
04:19:15,480 --> 04:19:17,520
Speaker 1: fucking building and start yelling the screaming. That's not where

3324
04:19:17,520 --> 04:19:21,320
Speaker 1: I'm at. Everything about that is counterproductive. There's nothing that

3325
04:19:21,400 --> 04:19:23,080
Speaker 1: you can do to get people to work in your

3326
04:19:23,120 --> 04:19:25,080
Speaker 1: best interests if you're yelling and screaming at them and

3327
04:19:25,160 --> 04:19:28,760
Speaker 1: disrespecting them as human beings. That's not the way to work.

3328
04:19:29,040 --> 04:19:30,760
Speaker 1: It's not the way to operate if you're dealing with

3329
04:19:30,840 --> 04:19:34,640
Speaker 1: a collective. Because it takes phillis to raise the child right,

3330
04:19:36,520 --> 04:19:41,880
Speaker 1: it also takes a support system to create an empire. Right.

3331
04:19:45,480 --> 04:19:47,800
Speaker 1: This man right is one of my greatest support systems

3332
04:19:47,800 --> 04:19:49,880
Speaker 1: in the world. I've been able to create it and

3333
04:19:55,800 --> 04:19:58,720
Speaker 1: slip answering my phone call one of our call. When

3334
04:19:58,760 --> 04:20:01,120
Speaker 1: you don't answer my phone and our plane, he corrects

3335
04:20:01,160 --> 04:20:05,000
Speaker 1: the hour. I only need to be around people that

3336
04:20:05,080 --> 04:20:12,800
Speaker 1: can provide that level of prioritization in my life at

3337
04:20:12,840 --> 04:20:16,560
Speaker 1: this time and in the current space in time of

3338
04:20:16,720 --> 04:20:20,480
Speaker 1: my life. Because I'm going to answer the phone like

3339
04:20:20,600 --> 04:20:23,880
Speaker 1: that for you. I don't care how tired I am

3340
04:20:25,840 --> 04:20:27,520
Speaker 1: only time I don't answer my phone is if I'm

3341
04:20:27,520 --> 04:20:29,720
Speaker 1: on the plane. But I'll still respond be a WiFi

3342
04:20:29,840 --> 04:20:35,680
Speaker 1: on the text. So my correspondence in a timely Amanda,

3343
04:20:36,280 --> 04:20:39,240
Speaker 1: it's always going to be within the proximity when you

3344
04:20:39,320 --> 04:20:41,960
Speaker 1: reach out to me. That ship is important that you

3345
04:20:41,960 --> 04:20:43,960
Speaker 1: would separate, that they give me that ship in return,

3346
04:20:44,720 --> 04:20:46,240
Speaker 1: and if you can't, if we don't need to deal

3347
04:20:46,320 --> 04:20:49,200
Speaker 1: with each other, because I got a zero tolerance for

3348
04:20:49,320 --> 04:20:51,720
Speaker 1: you to think that you can see my message coming

3349
04:20:51,760 --> 04:20:53,720
Speaker 1: up on your phone and you're gonna act like you're

3350
04:20:53,720 --> 04:20:58,200
Speaker 1: gonna reach out to me way way, wait, wait after

3351
04:20:58,320 --> 04:21:03,360
Speaker 1: the fact, because he is a distinguishable difference between you're

3352
04:21:03,440 --> 04:21:05,880
Speaker 1: choosing to get back to me in a timely manner

3353
04:21:06,560 --> 04:21:09,440
Speaker 1: and you're choosing not to. It ain't that you don't

3354
04:21:09,440 --> 04:21:12,040
Speaker 1: see when I reach out to you. You see it.

3355
04:21:14,720 --> 04:21:19,880
Speaker 1: You do see it. So now I got a question,

3356
04:21:20,680 --> 04:21:22,720
Speaker 1: why did you take four hours to get back to

3357
04:21:22,800 --> 04:21:27,360
Speaker 1: me when you could have got back to me in

3358
04:21:27,440 --> 04:21:33,320
Speaker 1: five minutes? What what answer you're gonna give me that's

3359
04:21:33,320 --> 04:21:36,320
Speaker 1: gonna be acceptable outside of somebody dying in your family?

3360
04:21:36,920 --> 04:21:39,640
Speaker 1: But is that something that Chris Lady spoiled us with?

3361
04:21:40,680 --> 04:21:43,280
Speaker 1: Said it again, is that something that Chris Lady spoiled

3362
04:21:43,400 --> 04:21:53,240
Speaker 1: us with. It's called principle and it's called respect us

3363
04:21:53,320 --> 04:22:03,080
Speaker 1: for that. Mm hmm. That's all. It's like life can

3364
04:22:03,120 --> 04:22:05,320
Speaker 1: be simple. I'm not saying I got all the answers.

3365
04:22:05,400 --> 04:22:07,640
Speaker 1: Let me not sit up here and that like I

3366
04:22:07,720 --> 04:22:11,200
Speaker 1: got all the answers. I'm not trying to mislead nobody.

3367
04:22:11,360 --> 04:22:14,520
Speaker 1: I don't have all the answers. All I have is

3368
04:22:14,600 --> 04:22:22,640
Speaker 1: the answers based on my experience. That's it. I'm forty

3369
04:22:22,760 --> 04:22:28,120
Speaker 1: eight years old. Proudly we are the first generation of

3370
04:22:28,320 --> 04:22:33,880
Speaker 1: mcs that is showing everybody after us that they can

3371
04:22:34,000 --> 04:22:42,720
Speaker 1: still pull up in rolls Royces in a bunch of diamonds. Yeah, Holmes,

3372
04:22:44,480 --> 04:22:52,480
Speaker 1: diversified portfolios as grown ash man and still be super

3373
04:22:52,600 --> 04:23:01,440
Speaker 1: cool and super relevant and should is beautiful to fucking beautiful,

3374
04:23:02,160 --> 04:23:04,880
Speaker 1: you know what I'm saying. Fucking beautiful. Like I said,

3375
04:23:05,160 --> 04:23:07,080
Speaker 1: me and Fat Joe were talking about you when you

3376
04:23:07,200 --> 04:23:08,760
Speaker 1: cut me off, and to tell you what we were

3377
04:23:08,800 --> 04:23:11,720
Speaker 1: talking about you about me up, I'm gonna tell you

3378
04:23:11,840 --> 04:23:16,960
Speaker 1: right now. Me and Fat Joe were talking about how

3379
04:23:17,160 --> 04:23:23,200
Speaker 1: much incredible big hit records you gotta leave about and

3380
04:23:23,360 --> 04:23:27,440
Speaker 1: you've been hiding it from niggers. You're getting so much

3381
04:23:27,520 --> 04:23:30,440
Speaker 1: money doing this Drink Championship you don't even care about

3382
04:23:30,520 --> 04:23:34,280
Speaker 1: sharing the music. Sorry, I'm sorry and sorry. What you

3383
04:23:34,400 --> 04:23:45,560
Speaker 1: mean to say, it's what you what you want to

3384
04:23:45,680 --> 04:23:50,400
Speaker 1: tell you? This is the word of the streetdom. Sorry

3385
04:23:50,480 --> 04:23:57,720
Speaker 1: you want guest, when I ended this out, fine, All

3386
04:23:57,760 --> 04:24:01,400
Speaker 1: I'm saying is this was me and Fat Joe, that

3387
04:24:01,600 --> 04:24:08,480
Speaker 1: Don Carter genius conversation about our brother today Boston. I'm

3388
04:24:08,480 --> 04:24:12,000
Speaker 1: gonna be honest, bus today, today's your day and this

3389
04:24:12,200 --> 04:24:16,360
Speaker 1: is found the champagne like you, Boston, one of these?

3390
04:24:16,560 --> 04:24:18,240
Speaker 1: All right? Normally, this is what I'm gonna tell you.

3391
04:24:19,760 --> 04:24:23,960
Speaker 1: I've been on my vodka. You're not gonna mix him

3392
04:24:24,000 --> 04:24:32,280
Speaker 1: blend me up? Taking a picture? Brother, we say something.

3393
04:24:33,320 --> 04:24:37,920
Speaker 1: First couple of time days I met as a terrorist molitarist.

3394
04:24:39,080 --> 04:24:44,440
Speaker 1: Wasn't even about you're thinking, passed this stick up blood.

3395
04:24:44,520 --> 04:24:48,760
Speaker 1: This nig is never passing about blood back every but

3396
04:24:48,920 --> 04:24:53,560
Speaker 1: that's a fact. I don't do that ship no more.

3397
04:24:54,600 --> 04:24:57,160
Speaker 1: As you can see, he was not allowed to pass

3398
04:24:57,240 --> 04:25:15,440
Speaker 1: you no blood tonight. We don't know. Oh. Thanks for

3399
04:25:15,560 --> 04:25:18,040
Speaker 1: joining us for another episode of Drink Champs hosted by

3400
04:25:18,120 --> 04:25:20,280
Speaker 1: Yours truly d J. E f N and n O

3401
04:25:20,480 --> 04:25:22,480
Speaker 1: R E. Please make sure to follow us on all

3402
04:25:22,520 --> 04:25:26,200
Speaker 1: our socials. Let's at Drink Champs across all platforms at

3403
04:25:26,240 --> 04:25:30,160
Speaker 1: the Real Noriegon, I g at Noriega on Twitter, mine

3404
04:25:30,240 --> 04:25:33,080
Speaker 1: is at Who's Crazy on I g at d J

3405
04:25:33,280 --> 04:25:35,800
Speaker 1: e f N on Twitter, and most importantly, stay up

3406
04:25:35,840 --> 04:25:39,000
Speaker 1: to date with the latest releases, news and merged by

3407
04:25:39,040 --> 04:25:45,080
Speaker 1: going to drink champs dot com. For more podcasts from

3408
04:25:45,080 --> 04:25:49,160
Speaker 1: my heart Radio, visit the iHeart Radio app, Apple Podcast,

3409
04:25:49,400 --> 04:25:51,280
Speaker 1: or wherever you listen to your favorite shows.