WEBVTT - Dwight Yoakam

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is my friend Dwight. Yoakum, Dwight. Good

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<v Speaker 1>to be talking to you.

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<v Speaker 2>Good to talk to you, buddy. I'm I'm always flattered

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<v Speaker 2>you will consider me a friend and thank you. From

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<v Speaker 2>the time we last sol and I think we were

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<v Speaker 2>in the bottom of the it was pre COVID because

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<v Speaker 2>we were in the building over at the at XM

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<v Speaker 2>when we all were going up. You were passing me

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<v Speaker 2>in the night on an elevator. You were coming from

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<v Speaker 2>doing your show and I was just starting my you know,

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<v Speaker 2>my nocturnal vampire kind of you know.

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<v Speaker 1>Okay, people can't see. This is audio only, but you're

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<v Speaker 1>wearing a hat with STP.

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<v Speaker 2>Yeah, and I just don't have my foster grants on.

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<v Speaker 2>You know, Richard Petty, you won't see remember, you won't

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<v Speaker 2>see me driving without him.

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<v Speaker 1>Well, I just remember the sixties STP was such a

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<v Speaker 1>big and people started talking what did it mean? And

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<v Speaker 1>it was stop teenage pregnancy.

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<v Speaker 2>And no scientifically treated petroleum.

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<v Speaker 1>I do know that, but you know, in the pre

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<v Speaker 1>internet era, it took years to figure to find that out.

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<v Speaker 2>When I walk around with this at tow. I always

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<v Speaker 2>let a cool hat and I go not the Stone

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<v Speaker 2>Temple pilots.

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<v Speaker 1>It's like, yeah, that's what it is. How many baseball

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<v Speaker 1>style hats do you have?

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<v Speaker 2>Too many? You can't get the good ones anymore. The

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<v Speaker 2>problem is they went to low Crown. Look, you and

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<v Speaker 2>I we've never really gotten deep into what year are

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<v Speaker 2>you born? You born? You older than me.

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<v Speaker 1>I'm three years older. I was born in fifty three

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<v Speaker 1>year were born in fifty six?

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<v Speaker 2>Fifty six? Yes, but we're in a window. I've I

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<v Speaker 2>came I think from a point of origin that left

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<v Speaker 2>me with the uh, the cynical side of the sixties.

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<v Speaker 2>You know, I kind of came out of it because

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<v Speaker 2>I graduated high school in seventy four. You got out

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<v Speaker 2>in seventy one or seventy seventy, seventy seventy. Yeah, would

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<v Speaker 2>you graduate early?

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<v Speaker 1>I skipped a grade way back.

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<v Speaker 2>Whatever I was gonna see, I want you to show off.

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<v Speaker 1>You set that up for me pretty well.

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<v Speaker 2>You were scheduled. Yes, he's an advanced placement kid, this

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<v Speaker 2>guy so so. I, on the other hand, should have

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<v Speaker 2>been held back a year because my birthday's almost November

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<v Speaker 2>is October twenty third, and now they wouldn't have let

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<v Speaker 2>me go. I would have done better academically, as I

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<v Speaker 2>looked back at it, because I was, you know, I

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<v Speaker 2>used to we get in junior high. You had, you know,

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<v Speaker 2>no singular class that you were stuck in and you

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<v Speaker 2>could do whatever. And I had study hall periods and

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<v Speaker 2>I skipped him, you know where I didn't go outside

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<v Speaker 2>and you know, screw around and smoke with friends or anything,

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<v Speaker 2>because I never smoked. But I was in the library.

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<v Speaker 2>They had a library in the junior high and I

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<v Speaker 2>would sit there and just read the encyclopedia. And when

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<v Speaker 2>I thought back about it, after I did some college,

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<v Speaker 2>you got went to Ohio State. My favorite courses were

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<v Speaker 2>you know, lecture courses, you know, things where there was

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<v Speaker 2>a full professor dealing in rhetoric, you know. And then

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<v Speaker 2>these were because you went to a small school. Right now,

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<v Speaker 2>my high.

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<v Speaker 1>School, well everything's relative. I grew up in the suburbs.

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<v Speaker 1>High school had eighteen hundred people.

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<v Speaker 2>Well I had two thousand. We were in Columbus at

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<v Speaker 2>that point, so I was a two thousand, you know

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<v Speaker 2>person high school. It was a spread over of the

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<v Speaker 2>three classes. It was a sophomore, junior, senior but meaning

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<v Speaker 2>university though college you went to.

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<v Speaker 1>I went to a very small college in Vermont. It

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<v Speaker 1>had eighteen hundred students. And that was in the dark era,

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<v Speaker 1>pre internet, pre DVD, pre cable, like you had to

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<v Speaker 1>entertain yourself.

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<v Speaker 2>Well, I was at Ohio State when it was sixty

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<v Speaker 2>one thousand students on one campus. It was a small

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<v Speaker 2>city in itself, but so I had So you had

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<v Speaker 2>tas you know usually you know grad students that were

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<v Speaker 2>you know for a freshman chorus or a sophomore course.

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<v Speaker 2>You pick those up. But once a week you would

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<v Speaker 2>end up in that in a grand lecture hall with

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<v Speaker 2>the full professor you know who ran you know that

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<v Speaker 2>it was, you know, sometimes head of a department or whatever.

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<v Speaker 2>I found myself really fascinating with that when I and

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<v Speaker 2>I what, we just went off and I took you

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<v Speaker 2>down a rabbit hole here that you.

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<v Speaker 1>No, no, no, that digression is a spice of life.

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<v Speaker 1>I got a lot of questions. Let's start at the end.

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<v Speaker 1>So how hard How hard was it to drop out

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<v Speaker 1>of college?

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<v Speaker 2>Not at all. I kind of did it by default.

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<v Speaker 2>I was just kind of just quit going to classes

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<v Speaker 2>and there was no formal kind of you know, removing

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<v Speaker 2>them myself. I just uh, I left and and and

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<v Speaker 2>I came. Well, I'd gone to Nashville first. And then

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<v Speaker 2>a buddy of mine, a kid that was a year

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<v Speaker 2>younger kid, uh, a guitar player named Bill Alves who

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<v Speaker 2>was in stage band with me in high school, a

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<v Speaker 2>year behind my class, and he was in this greaser

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<v Speaker 2>band that we had had out of the theater department

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<v Speaker 2>that you know, because Shananah and all that had blown up,

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<v Speaker 2>you know, in the ensuing years after Woodstock, they kind

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<v Speaker 2>of you know, that whole revival, the throwback stuff of

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<v Speaker 2>the fifties. And at this this variety show that the

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<v Speaker 2>theater department had at my high school, I front of

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<v Speaker 2>this band. It became Dwight and the Greasers because they

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<v Speaker 2>were all gassed back with duct tails and everything. And

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<v Speaker 2>we actually opened in Columbus at the Loew's Theater the

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<v Speaker 2>weekend they opened American Graffiti. They had us perform. Wow

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<v Speaker 2>people did people well, no, but people didn't know what

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<v Speaker 2>between the showing the screenings, and it was one of

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<v Speaker 2>those old, you know, eight hundred seat modern but that

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<v Speaker 2>big span of you know, not like the Cinerama dome,

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<v Speaker 2>but but big and we were this tiny thing down there,

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<v Speaker 2>jumping around between the screenings of the different you know

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<v Speaker 2>of graffiti and doing that. It was kind of you know,

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<v Speaker 2>it was kind of interesting and weird. But I so

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<v Speaker 2>Bill Alves, the guitar player who was in that, and

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<v Speaker 2>have been in Stage Man a couple of years after

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<v Speaker 2>I was out of high school and was at Ohio State.

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<v Speaker 2>You noticed my colloquialism there. My granny would always down

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<v Speaker 2>in southeast Kentucky where I was born, would say, are

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<v Speaker 2>you all doing well up in Ohio, Ohio? Very properly say?

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<v Speaker 2>And I'd say, you know, we would, those of us

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<v Speaker 2>from Columbus and south to the river. It was a

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<v Speaker 2>Hia high It's like so Ohio State. And you know,

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<v Speaker 2>I left, and my intention was I went back to

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<v Speaker 2>La City. Out here, I actually had better professors. I

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<v Speaker 2>had guys at La City College that were full PhD teaching.

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<v Speaker 2>You know, where I was picking up, you know, sophomore

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<v Speaker 2>year stuff. You know, I thought, well, I'll pick up

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<v Speaker 2>you know where I left off there and do an

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<v Speaker 2>AA and go to UCLA. I will transfer over. And

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<v Speaker 2>that got interrupted by what I was doing, you know,

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<v Speaker 2>finally in the clubs out here and then having a

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<v Speaker 2>moment of you know, just seeing the reality of what

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<v Speaker 2>I'd come to the you know, West Coast for. But

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<v Speaker 2>Billy olves went back to the finished this said to me.

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<v Speaker 2>In the winter of seventy seven, he said, Hey, you're

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<v Speaker 2>gonna go with me. I'm going to my He and

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<v Speaker 2>aunt and uncle lived out and here in Tustin, the

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<v Speaker 2>you know, down in Orange County. He said, I'm going

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<v Speaker 2>out there. You're going with me. He had its nineteen

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<v Speaker 2>seventy Volkswagen bug and we loaded everything I owned, which

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<v Speaker 2>wasn't much, but we had you know, Duffel bags on

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<v Speaker 2>the roof and drove from Columbus on I seventy. You know,

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<v Speaker 2>we took that highway away and he spent a couple

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<v Speaker 2>three months and went home. By July fourth, he was

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<v Speaker 2>out and U I stayed. I didn't even have a bicycle,

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<v Speaker 2>you know. I rode the bus and we ended up

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<v Speaker 2>in Long Beach, living on the beach, and I rode

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<v Speaker 2>the bus to Bullock's Lakewood. Are you've been out here

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<v Speaker 2>long enough to remember Bullocks? Right?

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<v Speaker 1>Oh? Yeah, absolutely, I've been out here longer than you.

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<v Speaker 2>Yeah. So it's a mid seventies, so seventy seven. I

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<v Speaker 2>got here, arrived and I ended up working there, and

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<v Speaker 2>I worked at moving furniture for a time and then

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<v Speaker 2>I drove air freight. But anyway, so yeah, I ended

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<v Speaker 2>up out here and stayed and planning. Let's go back

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<v Speaker 2>a few seconds.

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<v Speaker 1>You brought up the fact that you were born in

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<v Speaker 1>November in the fact that today, well, lamber hold on

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<v Speaker 1>one second, since you were one of the youngest kids

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<v Speaker 1>in the class, did that affect how people treated you

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<v Speaker 1>in your personality?

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<v Speaker 2>Maybe maybe, I think back, I never got bullied. I

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<v Speaker 2>was kind of the wallflower kid. That was what was

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<v Speaker 2>weird when I got to I remember at the end

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<v Speaker 2>of elementary, I was in a large old school, McGuffey Elementary,

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<v Speaker 2>Junior High combined, and so they would have a talent

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<v Speaker 2>show and I was up in there until fifth grade.

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<v Speaker 2>And this is in Columbus. Like I said, we had

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<v Speaker 2>made the move, you know, out of Appalachia at that

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<v Speaker 2>point up and for anybody that wants me to say Appalachia,

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<v Speaker 2>I ain't gonna do it. No. Somebody started chastising me

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<v Speaker 2>on either how can you being from here? And I'd

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<v Speaker 2>say Apple, I'd say, yeah, I've never heard it called Appalachia,

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<v Speaker 2>except if you're in Florida, you know Apple, Apa Cola

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<v Speaker 2>or whatever the swamps and the lakes are anyway, and

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<v Speaker 2>Stuart Copelan would have said Appalachian Spring. Right. So in

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<v Speaker 2>any event, this is a great book. By the way,

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<v Speaker 2>have you read the United States Appalachian I haven't.

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<v Speaker 1>But if we're going to digress, I remember my roommate

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<v Speaker 1>first year in college, his girlfriend went to Appalachian State,

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<v Speaker 1>which was in western Pennsylvania.

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<v Speaker 2>The other one is in North Carolina, Appalachian State, right, Oh,

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<v Speaker 2>that's what I meant. Yeah, North Carolina, boone, North Carolina.

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<v Speaker 1>I'm confusing two parts of my life, but you're right.

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<v Speaker 1>I had friends went to Appalachian State.

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<v Speaker 2>Who I do that myself on more than one occasion.

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<v Speaker 2>I confuse.

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<v Speaker 1>But also there's an ally I kind of ed what

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<v Speaker 1>I would say to so many times. It's like a

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<v Speaker 1>tongue twister. Appalachia Cola in Florida too.

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<v Speaker 2>That's what yeah, which to me, that's where I heard Appalachia,

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<v Speaker 2>and it's Appalachia where I was, and I was born

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<v Speaker 2>there anyway, So I mean, so whatever I ended up, Uh, well,

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<v Speaker 2>you started to say something, how was affected by that.

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<v Speaker 2>I didn't think about it at the time, because you know,

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<v Speaker 2>I was gonna be five years old and he told,

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<v Speaker 2>you know, nineteen whatever. That was sixty one. I guess.

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<v Speaker 2>I went to kindergarten and I was the oldest kid

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<v Speaker 2>in my family. They didn't have an older sibling, which

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<v Speaker 2>had a lot to do with how I embraced music

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<v Speaker 2>or didn't. In other words, the Beatles were a little

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<v Speaker 2>beyond me. And I said to Mike ness With one time,

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<v Speaker 2>you know, I was a huge Monkeys fan, and I

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<v Speaker 2>probably got one of the best educations I could have

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<v Speaker 2>ever had with those first two Monkeys albums. Now that

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<v Speaker 2>I know what went on with that, right, that's the

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<v Speaker 2>Wrecking Crew. I'm listening to Carol King, Neil Diamond, the writers, right,

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<v Speaker 2>John Stewart people and Boyce and Hart, you know, do

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<v Speaker 2>backwards inversions of Paperback Writer when they do you know,

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<v Speaker 2>last prand to Clarksville's opening. And I was down in

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<v Speaker 2>the basement with a half baked drum kit because I

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<v Speaker 2>had a real snare drumm and then we had one

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<v Speaker 2>of those sort of not real the rest of the kit.

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<v Speaker 2>My parents couldn't afford, you know, to do that. But

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<v Speaker 2>I had that, and my mother ranted. She was at

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<v Speaker 2>that point working at a place called Columbus Autoparts, a

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<v Speaker 2>factory that supplied stuff out of Detroit. Used to Joe

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<v Speaker 2>and say that our family didn't make it to Detroit.

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<v Speaker 2>We only got gas enough to get to Columbus, and

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<v Speaker 2>had to make her stand there was actually that there

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<v Speaker 2>were a family that was there, you know, on her side,

0:12:29.280 --> 0:12:32.760
<v Speaker 2>out of Kentucky, that had moved up ahead. And you know,

0:12:33.520 --> 0:12:36.840
<v Speaker 2>I don't know if you've read Hibiliology. I'm sure you have,

0:12:37.040 --> 0:12:41.199
<v Speaker 2>and yeah, I have the book and I told Ron Howard.

0:12:41.240 --> 0:12:43.520
<v Speaker 2>I did the reading with him, and he had asked

0:12:43.559 --> 0:12:46.520
<v Speaker 2>me about doing a role, and I couldn't schedule wise

0:12:46.559 --> 0:12:51.560
<v Speaker 2>do it. But the thing that I was remiss about

0:12:51.679 --> 0:12:53.240
<v Speaker 2>was that they weren't doing it as a series. I

0:12:53.280 --> 0:12:55.880
<v Speaker 2>thought as a series he would give the breath and

0:12:55.960 --> 0:12:57.800
<v Speaker 2>width of that life and what he was, you know,

0:12:57.840 --> 0:13:00.400
<v Speaker 2>the story he was telling that as opposed to a film,

0:13:00.559 --> 0:13:03.959
<v Speaker 2>which we got four hours. Right, we can get into.

0:13:03.800 --> 0:13:05.520
<v Speaker 1>This with we go as long as you want.

0:13:05.600 --> 0:13:10.880
<v Speaker 2>Digress No, but your streaming observations are the greatest, because

0:13:11.800 --> 0:13:15.720
<v Speaker 2>it's maddening to me that we have to wait like

0:13:15.760 --> 0:13:20.280
<v Speaker 2>it's nineteen sixty six for the next episode or something.

0:13:20.320 --> 0:13:23.000
<v Speaker 2>I want to strangle the TV when I look up

0:13:23.040 --> 0:13:26.800
<v Speaker 2>on and Amazon used to not do it right going backwards.

0:13:26.840 --> 0:13:31.559
<v Speaker 2>Now they're doing it. It's like what in the anyway?

0:13:31.800 --> 0:13:35.840
<v Speaker 2>So I'm an oldest kid of three, so I'm kind

0:13:35.840 --> 0:13:38.360
<v Speaker 2>of on my where were you in family line? Were

0:13:38.400 --> 0:13:40.000
<v Speaker 2>you give an older son? No?

0:13:40.240 --> 0:13:43.080
<v Speaker 1>But since you're the oldest kids to three, how old

0:13:43.120 --> 0:13:44.360
<v Speaker 1>are the other?

0:13:44.679 --> 0:13:48.600
<v Speaker 2>Next? It's three little Indians. It's like two years separate

0:13:48.679 --> 0:13:51.360
<v Speaker 2>my brother and then three to my sister. You know,

0:13:51.600 --> 0:13:54.760
<v Speaker 2>it's a three total, right, there's still that hierarchy because

0:13:54.800 --> 0:13:57.600
<v Speaker 2>of school. I'm two grades ahead of him and three

0:13:57.600 --> 0:13:59.520
<v Speaker 2>grades ahead of her, you know, but.

0:13:59.640 --> 0:14:02.560
<v Speaker 1>Usually the oldest, my younger sister's really into birth order.

0:14:02.600 --> 0:14:05.160
<v Speaker 1>I'm the middle. Usually all the hopes and dreams in

0:14:05.200 --> 0:14:06.560
<v Speaker 1>the family are in the oldest.

0:14:07.080 --> 0:14:10.559
<v Speaker 2>Yeah. No, it's a lot of weight. It's like, even

0:14:10.600 --> 0:14:14.800
<v Speaker 2>if it's only two, they make that and uh, you're

0:14:14.840 --> 0:14:17.600
<v Speaker 2>the middle. You went outside the home to seek attention.

0:14:17.760 --> 0:14:24.200
<v Speaker 2>That's I'm still seeking attention. Well, there was there was, Well,

0:14:24.200 --> 0:14:27.320
<v Speaker 2>there was a great book I think my sophomore year

0:14:27.320 --> 0:14:32.200
<v Speaker 2>of college at Ohio State that that Uh, it was

0:14:32.240 --> 0:14:35.480
<v Speaker 2>called firstborn second born. I've never been able to find

0:14:35.480 --> 0:14:38.720
<v Speaker 2>it since I've looked on Amazon. Every firstborn second born

0:14:38.840 --> 0:14:41.920
<v Speaker 2>sibling birth order traits and it broke down, you know,

0:14:42.080 --> 0:14:44.560
<v Speaker 2>and in large families, it goes in subgroups. You know.

0:14:44.720 --> 0:14:47.440
<v Speaker 2>They used the Kennedy family as an example of there's

0:14:47.480 --> 0:14:50.280
<v Speaker 2>a second oldest, there's a My mom came from six

0:14:50.560 --> 0:14:54.760
<v Speaker 2>my wife Emily, who actually shot photos of us and

0:14:54.880 --> 0:14:56.920
<v Speaker 2>videoed us that night that we had you do the

0:14:56.920 --> 0:15:03.520
<v Speaker 2>Beatles song with us. We She is the oldest daughter

0:15:03.720 --> 0:15:06.360
<v Speaker 2>of twelve kids, so that's a whole another dynamic because

0:15:06.360 --> 0:15:11.840
<v Speaker 2>she becomes the mother. Hint right, the last three could Yeah, yeah,

0:15:11.880 --> 0:15:15.120
<v Speaker 2>they were. Well, there was an eleveniese Catholic family that

0:15:15.520 --> 0:15:18.560
<v Speaker 2>on the one side, she Danish Irish on the other

0:15:19.200 --> 0:15:25.440
<v Speaker 2>and uh but anyway, so yeah, I remember one time

0:15:25.480 --> 0:15:29.280
<v Speaker 2>I went to camp and the councilors my brother hadn't

0:15:29.320 --> 0:15:31.640
<v Speaker 2>been there the previous year I had gone. I was old,

0:15:31.680 --> 0:15:34.760
<v Speaker 2>you know, going to a summer you know, uh, a

0:15:34.800 --> 0:15:37.400
<v Speaker 2>youth camp, church, youth camp. So I went down there

0:15:37.400 --> 0:15:39.520
<v Speaker 2>and this is I think back, because at the time,

0:15:39.720 --> 0:15:42.840
<v Speaker 2>it's just the kind you know, it's your life. You

0:15:42.880 --> 0:15:45.040
<v Speaker 2>don't know any different right, you don't know, there's no

0:15:45.840 --> 0:15:51.480
<v Speaker 2>counterpoint to it. And uh, I went down there. It's

0:15:51.520 --> 0:15:54.520
<v Speaker 2>in southern Ohio. It was an old it was an old. Uh.

0:15:55.200 --> 0:15:58.280
<v Speaker 2>I think may had predated World War One, but it

0:15:58.280 --> 0:16:01.360
<v Speaker 2>was an old. It was called Fort Hill in southeastern

0:16:01.480 --> 0:16:08.040
<v Speaker 2>Ohio between Cincinnati and Portsmouth along you know, and you know,

0:16:08.520 --> 0:16:12.600
<v Speaker 2>kind of north of the Ohio River. Beautiful down there

0:16:12.600 --> 0:16:15.920
<v Speaker 2>in the hills. And they had these huge cabins that

0:16:16.120 --> 0:16:18.200
<v Speaker 2>all the you know, the boys would stay in and

0:16:18.240 --> 0:16:19.760
<v Speaker 2>the girls were on the other side of the camp,

0:16:20.080 --> 0:16:22.480
<v Speaker 2>on the other And I had a ball the first

0:16:22.520 --> 0:16:24.480
<v Speaker 2>year I was there. The next year that I went,

0:16:25.440 --> 0:16:28.080
<v Speaker 2>my brother was of age that he could go, so

0:16:28.120 --> 0:16:36.240
<v Speaker 2>he came with right the middle right, and they called

0:16:36.320 --> 0:16:40.440
<v Speaker 2>my parents after about the third day and said, look, uh,

0:16:40.760 --> 0:16:43.480
<v Speaker 2>they says there's something wrong because my brother had some

0:16:43.520 --> 0:16:45.720
<v Speaker 2>issues when he was young. He had had some convulsions

0:16:45.760 --> 0:16:47.680
<v Speaker 2>and he had some I don't know what meds. He

0:16:47.760 --> 0:16:50.120
<v Speaker 2>probably on riddle and I don't know now what, you

0:16:50.160 --> 0:16:53.040
<v Speaker 2>know what the fifties, sixties, you know, were giving kids whatever.

0:16:53.160 --> 0:16:55.560
<v Speaker 2>He was. He was an ad D kid, you know,

0:16:56.880 --> 0:17:01.240
<v Speaker 2>became actually later classically flew jets. You know, he was

0:17:01.480 --> 0:17:04.520
<v Speaker 2>a charter jet pilot and you know, really smart guy,

0:17:04.680 --> 0:17:10.359
<v Speaker 2>brilliant kid. He but but he had his struggles, you know,

0:17:10.480 --> 0:17:14.800
<v Speaker 2>and he and he wasn't taking his medicine. He had

0:17:14.880 --> 0:17:16.719
<v Speaker 2>something he had to take. I can't remember what it was,

0:17:17.119 --> 0:17:19.560
<v Speaker 2>and it made me sick at my stuff. I could.

0:17:19.920 --> 0:17:22.840
<v Speaker 2>They called my parents, They said, something wrong? Is something

0:17:22.880 --> 0:17:26.199
<v Speaker 2>wrong wrong? And I said, no, no, it's it's the

0:17:26.240 --> 0:17:28.919
<v Speaker 2>other it's your son, twit. You got to let him

0:17:28.960 --> 0:17:33.639
<v Speaker 2>off the hook. He's miserable, he won't he's worried to death.

0:17:34.119 --> 0:17:36.679
<v Speaker 2>The other kid running around having a ball, you know,

0:17:36.720 --> 0:17:39.040
<v Speaker 2>and he's probably not taken whatever he's supposed to take.

0:17:39.119 --> 0:17:41.880
<v Speaker 2>But so that's what was you know, that's what you're

0:17:41.920 --> 0:17:44.800
<v Speaker 2>living with when you said that, the hero kid. And

0:17:44.880 --> 0:17:48.680
<v Speaker 2>I read also that the firstborns will either stay very

0:17:48.720 --> 0:17:52.399
<v Speaker 2>close to the family or they leave and never come back.

0:17:53.280 --> 0:17:56.320
<v Speaker 2>And I fell in the latter category. Finally, I kind

0:17:56.320 --> 0:17:58.959
<v Speaker 2>of left came to the West Coast. Now. I had

0:17:58.960 --> 0:18:01.760
<v Speaker 2>a great relationship with my parents that till to my

0:18:01.840 --> 0:18:04.320
<v Speaker 2>dad's death. My mother is still alive, thank goodness. She's

0:18:04.760 --> 0:18:09.159
<v Speaker 2>eighty nine o ninety coming up and in this next spring.

0:18:09.880 --> 0:18:14.679
<v Speaker 2>But she and I had as again perspective from me

0:18:15.560 --> 0:18:18.119
<v Speaker 2>over the years and growing to know other people. And

0:18:18.160 --> 0:18:20.640
<v Speaker 2>I was I was reading, you know, because I get

0:18:20.680 --> 0:18:26.520
<v Speaker 2>your your your your online letter and the what is

0:18:26.560 --> 0:18:31.200
<v Speaker 2>it the Guest? The new book you're reading sounds great,

0:18:31.440 --> 0:18:34.879
<v Speaker 2>sounds fantastic, actually, because I'm a fan of, like, you know,

0:18:34.920 --> 0:18:38.320
<v Speaker 2>Pete Dexter and the writings you ever read Spooner by

0:18:38.320 --> 0:18:41.520
<v Speaker 2>Pete he wrote Paris Trout and Deadwood. He wrote the

0:18:41.560 --> 0:18:42.760
<v Speaker 2>book in the early nineties.

0:18:43.160 --> 0:18:44.560
<v Speaker 1>I have not read it.

0:18:45.160 --> 0:18:48.600
<v Speaker 2>Yeah, Deadwood is great. It's one of the most brilliant

0:18:49.040 --> 0:18:52.879
<v Speaker 2>Western descriptions of the Old West that I've ever come across.

0:18:53.359 --> 0:18:56.280
<v Speaker 2>They attempted it twice. The first one was Walter Hill

0:18:56.280 --> 0:19:00.080
<v Speaker 2>in the nineties with with Jeff Bridges, and they as

0:19:00.080 --> 0:19:01.719
<v Speaker 2>soon as I heard the title, I think, okay, they

0:19:01.760 --> 0:19:04.720
<v Speaker 2>missed the mark. They called it wild Bill and that's

0:19:04.720 --> 0:19:08.120
<v Speaker 2>one foot in old school. And then the early two

0:19:08.160 --> 0:19:11.080
<v Speaker 2>thousands they actually did the series. HBO did dead Wood

0:19:11.040 --> 0:19:13.639
<v Speaker 2>and now they got close, but it's still not the

0:19:13.680 --> 0:19:17.520
<v Speaker 2>same visceral kind of element that Pete Dexter captured in that.

0:19:17.680 --> 0:19:26.320
<v Speaker 2>And so my parents were because you're talking about the Guests,

0:19:26.359 --> 0:19:28.840
<v Speaker 2>and it was really interesting what you were saying about

0:19:29.640 --> 0:19:32.760
<v Speaker 2>that kind of personality and especially if you don't grow

0:19:32.840 --> 0:19:35.400
<v Speaker 2>up within that, you know, and I had. They were

0:19:35.480 --> 0:19:43.680
<v Speaker 2>lacking my parents, but they were never for a moment ever,

0:19:43.800 --> 0:19:46.160
<v Speaker 2>ever malicious to any one of the three of us.

0:19:47.080 --> 0:19:51.119
<v Speaker 2>And we knew every day they loved us. And I

0:19:51.160 --> 0:19:54.639
<v Speaker 2>think back about the lacking of whatever, you know, and

0:19:55.000 --> 0:19:58.040
<v Speaker 2>maybe not being held back a year, you know, and

0:19:58.280 --> 0:20:00.399
<v Speaker 2>I probably would have done, you know, I would have

0:20:00.400 --> 0:20:03.040
<v Speaker 2>been grown a little more. You know. What. What's the

0:20:03.240 --> 0:20:06.439
<v Speaker 2>is it in Outliers where he talks about or is

0:20:06.440 --> 0:20:11.159
<v Speaker 2>it uh uh? The other one that he wrote before.

0:20:11.040 --> 0:20:14.560
<v Speaker 1>Well, Outliers is what he talks about with the best soccer.

0:20:14.280 --> 0:20:17.520
<v Speaker 2>Players, after the hockey players, the hockey players, right, yeah,

0:20:17.560 --> 0:20:20.359
<v Speaker 2>the hockey that's Outliers, because Tipping Point was the earlier

0:20:20.400 --> 0:20:22.000
<v Speaker 2>one that was about writ you know, yeah, you know,

0:20:22.680 --> 0:20:25.800
<v Speaker 2>but which deals with the hushpuppy issue. Right remember the

0:20:26.960 --> 0:20:30.640
<v Speaker 2>kids in South like in Lower East Side, the hipsters

0:20:30.640 --> 0:20:33.960
<v Speaker 2>couldn't afford cool shoes, des are buying hushpuppies and blue

0:20:34.000 --> 0:20:34.800
<v Speaker 2>hush puppies up.

0:20:35.280 --> 0:20:38.200
<v Speaker 1>But him talking about the Gladwell books in case people don't.

0:20:38.359 --> 0:20:42.560
<v Speaker 2>Yeah, Malcolm Gladwell, you know, brilliantly written stuff, and he

0:20:44.000 --> 0:20:47.720
<v Speaker 2>uh uh, I just forgot my point. What was it?

0:20:47.760 --> 0:20:50.440
<v Speaker 2>What was I referencing? I'm gladwell and outlined.

0:20:50.160 --> 0:20:52.440
<v Speaker 1>He was talking in Blink, which was the second book,

0:20:52.960 --> 0:20:55.720
<v Speaker 1>that if you were born all the great hockey players

0:20:55.800 --> 0:20:57.880
<v Speaker 1>right born in the first half of the year.

0:20:58.400 --> 0:21:00.960
<v Speaker 2>We take them because they're bigger, you know, at that

0:21:01.119 --> 0:21:04.199
<v Speaker 2>age you're physically bigger. So I was there and I

0:21:04.320 --> 0:21:07.119
<v Speaker 2>was just, you know, slight, skinny kid. I wasn't I

0:21:07.200 --> 0:21:10.560
<v Speaker 2>wasn't small, but I wasn't you know, like a guy

0:21:10.600 --> 0:21:12.600
<v Speaker 2>going to be six ' four, you know. I ended

0:21:12.680 --> 0:21:15.119
<v Speaker 2>up being roughly right six feet tall. But it was

0:21:15.200 --> 0:21:18.679
<v Speaker 2>like so with that age in answer to the question,

0:21:18.880 --> 0:21:21.600
<v Speaker 2>not succinctly answering it, but with all the tangents I

0:21:21.600 --> 0:21:28.000
<v Speaker 2>can muster. It was at the time I thought, Okay,

0:21:28.040 --> 0:21:30.640
<v Speaker 2>this is what I'm supposed to do. You know, at

0:21:31.000 --> 0:21:33.439
<v Speaker 2>four years and three quarters, I went into you know,

0:21:33.600 --> 0:21:36.440
<v Speaker 2>the school and was always the youngest kid in the class,

0:21:36.560 --> 0:21:39.480
<v Speaker 2>you or one of the youngest. There were probably kids

0:21:39.600 --> 0:21:42.000
<v Speaker 2>born in November and December actually when I think back

0:21:42.040 --> 0:21:46.560
<v Speaker 2>to that time, but not many. And it was later

0:21:46.880 --> 0:21:49.080
<v Speaker 2>like in fifth grade there was this talent show that

0:21:49.200 --> 0:21:55.520
<v Speaker 2>was I mentioned that, and uh, I was a hey

0:21:55.640 --> 0:21:58.160
<v Speaker 2>crossing guard, a safety patrol kid, you know, like.

0:21:58.400 --> 0:21:59.960
<v Speaker 1>Oh yeah, that was a great honor.

0:22:00.600 --> 0:22:02.760
<v Speaker 2>Oh no, they let you do it right, and that

0:22:02.920 --> 0:22:05.440
<v Speaker 2>was trying. I remember after that afternoon, because they held

0:22:05.480 --> 0:22:07.399
<v Speaker 2>it in the afternoon, I went down and played a monkey.

0:22:07.440 --> 0:22:10.800
<v Speaker 2>I played I'm not your stepping style, and my class

0:22:10.880 --> 0:22:12.919
<v Speaker 2>voted me to go down to the to the to

0:22:13.000 --> 0:22:18.800
<v Speaker 2>the variety show centre in the big auditorium combined on

0:22:18.880 --> 0:22:22.360
<v Speaker 2>toury in the junior high and elementary and do it.

0:22:22.400 --> 0:22:24.320
<v Speaker 2>And I remember the older kids, you know, kids that

0:22:24.359 --> 0:22:27.400
<v Speaker 2>were you know, fourteen, coming across the crosswalk and look

0:22:27.440 --> 0:22:32.840
<v Speaker 2>at me, kid, that wasn't bad in my little flag.

0:22:33.240 --> 0:22:36.479
<v Speaker 2>So that was the first handhold right of actually thinking.

0:22:37.320 --> 0:22:39.879
<v Speaker 1>It's funny you mention this because I always had a

0:22:40.000 --> 0:22:44.159
<v Speaker 1>history since I was a year younger than everybody. I

0:22:44.160 --> 0:22:46.679
<v Speaker 1>would get along with the older people when I was

0:22:46.720 --> 0:22:50.760
<v Speaker 1>in college whatever. It's sort of a similar thing. But well,

0:22:50.840 --> 0:22:53.800
<v Speaker 1>let's go through a few other things. Okay, you said

0:22:53.840 --> 0:22:56.760
<v Speaker 1>you can't get a good hat anymore. What's a good hat?

0:22:56.800 --> 0:22:57.560
<v Speaker 1>And what can you get?

0:22:57.640 --> 0:23:01.440
<v Speaker 2>Well, a high crown, this hot the old classic seventies

0:23:01.440 --> 0:23:03.639
<v Speaker 2>look you and I know the truck stop hat was

0:23:03.840 --> 0:23:07.040
<v Speaker 2>twenty feet tall, right, the ball cap running rolled and

0:23:07.440 --> 0:23:11.439
<v Speaker 2>you don't bend, you roll the brim if you if

0:23:11.440 --> 0:23:15.320
<v Speaker 2>you're a real hot rod Gaylord Perry Pitcher, you roll

0:23:15.400 --> 0:23:17.960
<v Speaker 2>that brim. And the same thing with you know guys

0:23:18.160 --> 0:23:21.199
<v Speaker 2>the old Air Force caps, they had a different kind

0:23:21.200 --> 0:23:22.959
<v Speaker 2>of crown on there. If the Marine Corps had the

0:23:23.440 --> 0:23:28.920
<v Speaker 2>that you know, high peaked anyway, crazy, I'm into observing. Oh,

0:23:29.400 --> 0:23:29.720
<v Speaker 2>I know.

0:23:29.640 --> 0:23:32.119
<v Speaker 1>Exactly what you're talking about with the crown, because that

0:23:32.200 --> 0:23:33.920
<v Speaker 1>was a big thing in Little League. I mean, you wouldn't,

0:23:34.160 --> 0:23:36.520
<v Speaker 1>like Babe Ruth the old schools how it is now

0:23:36.520 --> 0:23:38.280
<v Speaker 1>if they're even smaller now where it goes straight to

0:23:38.320 --> 0:23:38.800
<v Speaker 1>the head.

0:23:39.119 --> 0:23:41.840
<v Speaker 2>But what bothers me, which is horrible, it's not it's

0:23:41.880 --> 0:23:44.760
<v Speaker 2>not aesthetically very flattering. No.

0:23:44.880 --> 0:23:46.840
<v Speaker 1>But the other thing is in the old days they

0:23:46.880 --> 0:23:50.320
<v Speaker 1>were not adjustable. You got your own size and they

0:23:50.440 --> 0:23:51.720
<v Speaker 1>really fit well.

0:23:51.800 --> 0:23:53.560
<v Speaker 2>You had to fight. Yeah, you had to know your

0:23:53.560 --> 0:23:55.719
<v Speaker 2>hats and get the size because it was wool all

0:23:55.720 --> 0:23:59.040
<v Speaker 2>the way around. The pro teams are still that, I

0:23:59.080 --> 0:24:03.280
<v Speaker 2>mean you still buy them sized. But the adjustable this

0:24:03.320 --> 0:24:05.520
<v Speaker 2>is dnhim. The one I got on it was a

0:24:05.560 --> 0:24:09.040
<v Speaker 2>great store on Melrose that had stocks of these blank

0:24:09.200 --> 0:24:13.800
<v Speaker 2>denim Classic trucker caps. They come and go every few years.

0:24:13.920 --> 0:24:16.680
<v Speaker 2>Even still, I've tried with my merch people. I said,

0:24:16.720 --> 0:24:20.040
<v Speaker 2>you know, I really want to get the Classic. I

0:24:20.040 --> 0:24:21.760
<v Speaker 2>don't know how many answers I And we measured at

0:24:21.800 --> 0:24:24.199
<v Speaker 2>one point with the height of the crown should be,

0:24:25.320 --> 0:24:27.080
<v Speaker 2>you know, for the label to be sticked to whatever

0:24:27.200 --> 0:24:29.439
<v Speaker 2>you know, patch you're putting on the front. Another when

0:24:29.440 --> 0:24:31.760
<v Speaker 2>I've got to Union seventy six, big old Union seventy

0:24:31.800 --> 0:24:35.440
<v Speaker 2>six badges, the last gas station job I had right

0:24:35.480 --> 0:24:38.400
<v Speaker 2>after i'd quit going to you know, college in Ohio state,

0:24:38.440 --> 0:24:41.880
<v Speaker 2>and right before in the months ensuing before I left

0:24:41.920 --> 0:24:46.080
<v Speaker 2>and came to California. But I was Union seventy six.

0:24:46.240 --> 0:24:49.160
<v Speaker 2>My dad owned a Texico for a time, so we'd

0:24:50.640 --> 0:24:52.880
<v Speaker 2>as a kid, you know, growing up with with that.

0:25:00.040 --> 0:25:01.919
<v Speaker 1>Okay, but I'm gonna switch to another thing before we

0:25:01.960 --> 0:25:05.040
<v Speaker 1>go forward. One of the other things you said earlier

0:25:05.600 --> 0:25:11.600
<v Speaker 1>was being cynical, as they say in class. Amplify that well.

0:25:13.040 --> 0:25:15.679
<v Speaker 2>I remember, I had a great I had what I

0:25:15.760 --> 0:25:18.360
<v Speaker 2>was I mentioned I touched on a second ago. When

0:25:18.400 --> 0:25:21.560
<v Speaker 2>I went to La City College, I was fascinated because

0:25:21.600 --> 0:25:26.679
<v Speaker 2>I had this professor O'Mara was his name, and I

0:25:26.760 --> 0:25:30.919
<v Speaker 2>realized halfway through it was a Western CIVI class that

0:25:31.000 --> 0:25:34.560
<v Speaker 2>the book on Egyptology we were using he had authored

0:25:34.640 --> 0:25:38.119
<v Speaker 2>at the University of Chicago. I thought, whoa this guy?

0:25:38.760 --> 0:25:41.679
<v Speaker 2>Because he could teach at La City, I think it

0:25:41.760 --> 0:25:44.320
<v Speaker 2>was five years and they could pick up another state

0:25:44.359 --> 0:25:47.400
<v Speaker 2>of California. At the time, this is in the early eighties,

0:25:47.840 --> 0:25:50.879
<v Speaker 2>they could pick up a full retirement, a second full retirement,

0:25:51.400 --> 0:25:53.480
<v Speaker 2>and so I had that. And I had a professor

0:25:54.080 --> 0:26:00.000
<v Speaker 2>from USC, an English lit professor or creative writing professor

0:26:00.200 --> 0:26:04.480
<v Speaker 2>who had been a publisher and again was retired out

0:26:04.480 --> 0:26:09.359
<v Speaker 2>of USC as a full PhD and was picking up

0:26:09.359 --> 0:26:12.680
<v Speaker 2>a second retirement, right, And so the you know, at

0:26:12.680 --> 0:26:15.639
<v Speaker 2>close range, you know, with twenty kids in the class,

0:26:16.400 --> 0:26:19.560
<v Speaker 2>and they said to me. The one said, well, you know,

0:26:19.800 --> 0:26:22.200
<v Speaker 2>this philosophy professor I had it was also a full

0:26:22.240 --> 0:26:27.160
<v Speaker 2>professor from USC that was doing double duty. He said,

0:26:27.240 --> 0:26:30.880
<v Speaker 2>you know, the difference in a skeptic and a cynic

0:26:31.000 --> 0:26:34.200
<v Speaker 2>is that the cynic has been a true believer that's

0:26:34.240 --> 0:26:39.639
<v Speaker 2>become disillusioned. Right. I always held that I understood as

0:26:39.680 --> 0:26:44.760
<v Speaker 2>soon as I said, yeah, that's one of the Yeah,

0:26:45.080 --> 0:26:50.000
<v Speaker 2>you know, and so when I said cynical, I was

0:26:50.160 --> 0:26:55.800
<v Speaker 2>watching the older part of that generation of boomers, you

0:26:55.920 --> 0:26:59.919
<v Speaker 2>still probably believed. See I'm the kids sitting there watching

0:27:00.359 --> 0:27:03.440
<v Speaker 2>you and the older parts of the boomers. Right, I'm

0:27:03.520 --> 0:27:08.000
<v Speaker 2>the tail in the last years of the boomers, watching

0:27:08.040 --> 0:27:12.520
<v Speaker 2>it go to shit, right, watching the Summer of Love

0:27:13.560 --> 0:27:14.639
<v Speaker 2>become ultamont.

0:27:16.200 --> 0:27:21.000
<v Speaker 1>You know, you know, I understand your point. It's well taken,

0:27:21.560 --> 0:27:23.520
<v Speaker 1>and there are certainly people older than me. The line

0:27:23.520 --> 0:27:25.960
<v Speaker 1>of demarcation that's so important to me was I was

0:27:26.000 --> 0:27:29.480
<v Speaker 1>fully conscious when the Beatles hit. But I always I

0:27:29.560 --> 0:27:33.960
<v Speaker 1>always use the analogy. I have a beach analogy, okay,

0:27:34.280 --> 0:27:38.760
<v Speaker 1>where the wave comes in, the wave goes out, and

0:27:38.800 --> 0:27:41.640
<v Speaker 1>there are certain people from that era who are still

0:27:41.680 --> 0:27:44.359
<v Speaker 1>on the beach. They don't go back out. So you know,

0:27:44.440 --> 0:27:48.400
<v Speaker 1>in the fifties wave came in, we got Mayner, g Krebs,

0:27:48.400 --> 0:27:51.520
<v Speaker 1>et cetera, et cetera, wave went out, people like Alan

0:27:51.600 --> 0:27:54.359
<v Speaker 1>Ginsburg whatever, they were left on the beach. For those

0:27:54.359 --> 0:27:58.959
<v Speaker 1>of us who lived had the sixties values, okay, and

0:27:59.040 --> 0:28:04.000
<v Speaker 1>then Reagan legitimized greed. It's like our values don't square

0:28:04.080 --> 0:28:06.959
<v Speaker 1>with everybody else. It's like the same thing. You know,

0:28:07.119 --> 0:28:10.120
<v Speaker 1>even in music, you know, the first thing people want

0:28:10.160 --> 0:28:12.360
<v Speaker 1>to know is how do they get paid and how

0:28:12.359 --> 0:28:14.359
<v Speaker 1>do they extend it. Not that the people in the

0:28:14.400 --> 0:28:17.639
<v Speaker 1>old ages weren't interested in getting paid, it just wasn't

0:28:17.680 --> 0:28:21.680
<v Speaker 1>the first question. So I believe, you know, it's hard

0:28:21.760 --> 0:28:23.680
<v Speaker 1>for me. This is going to be controversial.

0:28:24.600 --> 0:28:24.840
<v Speaker 2>You know.

0:28:25.000 --> 0:28:29.359
<v Speaker 1>Even in the Joni Mitchell album Blue California, she says

0:28:29.359 --> 0:28:33.119
<v Speaker 1>she's going to kiss a sunset pig. Okay, pig is

0:28:33.119 --> 0:28:37.280
<v Speaker 1>a cop. Subsequent to nine to eleven, the firemen and

0:28:37.280 --> 0:28:41.600
<v Speaker 1>when the policemen they're venerated, whereas in the sixties you

0:28:41.720 --> 0:28:44.560
<v Speaker 1>have to beware. And it's funny because a cop has

0:28:44.560 --> 0:28:46.520
<v Speaker 1>never done anything good for me. Cop has done a

0:28:46.560 --> 0:28:49.160
<v Speaker 1>lot of bad shit for me, but never anything good.

0:28:50.440 --> 0:28:54.920
<v Speaker 2>Really, that's fascinating. I mean, and I I've had Look,

0:28:56.480 --> 0:29:00.440
<v Speaker 2>I've had experiences with cops that are not great. But

0:29:01.480 --> 0:29:05.320
<v Speaker 2>I didn't What I was going to say was I

0:29:05.320 --> 0:29:12.960
<v Speaker 2>I felt like, I guess the disillusionment by the early seventies,

0:29:13.040 --> 0:29:15.800
<v Speaker 2>right when Vietnam finally.

0:29:15.480 --> 0:29:18.480
<v Speaker 1>But I have to tell you we all felt that.

0:29:19.360 --> 0:29:20.920
<v Speaker 2>Yeah, well that's what I understand.

0:29:20.600 --> 0:29:22.800
<v Speaker 1>The concept of being ripped off because they talked about

0:29:22.800 --> 0:29:24.320
<v Speaker 1>that a lot with Generation X.

0:29:24.560 --> 0:29:25.520
<v Speaker 2>You got to do it.

0:29:25.560 --> 0:29:28.120
<v Speaker 1>And we're in the trails and we're picking up the

0:29:28.120 --> 0:29:29.760
<v Speaker 1>the ship from the elephant.

0:29:29.360 --> 0:29:31.880
<v Speaker 2>In the circus, and it was one of the It was.

0:29:32.160 --> 0:29:36.600
<v Speaker 1>Very very strange to have Ken state in May and

0:29:36.640 --> 0:29:40.040
<v Speaker 1>then everything switched. It was back to the land and

0:29:40.080 --> 0:29:42.440
<v Speaker 1>all the protests they ended after that.

0:29:42.520 --> 0:29:48.920
<v Speaker 2>It was very weird. Well, Kent States were seventy yeah,

0:29:49.440 --> 0:29:53.840
<v Speaker 2>so but by I remember I was sitting in I

0:29:53.920 --> 0:29:56.640
<v Speaker 2>was a junior year because I had to go down

0:29:56.640 --> 0:29:58.160
<v Speaker 2>and I had to go down and take the physical

0:29:58.200 --> 0:30:00.000
<v Speaker 2>for the draft or anything. Even though they had stopped

0:30:00.440 --> 0:30:02.680
<v Speaker 2>right the active draft by the time I, you know,

0:30:02.720 --> 0:30:07.440
<v Speaker 2>got out when I turned eighteen, uh in late seventy four,

0:30:07.880 --> 0:30:10.280
<v Speaker 2>I still had to get on that bus and drive

0:30:10.400 --> 0:30:14.080
<v Speaker 2>down there, you know, ride a bus full of dudes

0:30:14.680 --> 0:30:18.040
<v Speaker 2>down with an army sergeant hollering at you and getting

0:30:18.080 --> 0:30:20.160
<v Speaker 2>the line. That's why I got up there and went

0:30:20.760 --> 0:30:25.280
<v Speaker 2>now neck one yello him and he's calling out and

0:30:25.320 --> 0:30:27.040
<v Speaker 2>I'm standing in my own word and he's measuring my

0:30:27.040 --> 0:30:29.400
<v Speaker 2>Hair's a five ft eleven and three quarter inches. I said,

0:30:29.400 --> 0:30:31.120
<v Speaker 2>you can't just give me to the other quarter inch

0:30:31.800 --> 0:30:32.080
<v Speaker 2>get on.

0:30:34.120 --> 0:30:36.840
<v Speaker 1>Well. The great thing is you remember the movie stripes

0:30:37.360 --> 0:30:40.920
<v Speaker 1>with barn Oates is Sergeant Holka. And what I loved

0:30:40.960 --> 0:30:43.239
<v Speaker 1>about was, you know, they're sitting there and gon't think

0:30:43.240 --> 0:30:47.160
<v Speaker 1>he's taking a little too seriously and that irreverence really

0:30:47.240 --> 0:30:48.880
<v Speaker 1>is the sixties, That's what I love.

0:30:49.440 --> 0:30:54.040
<v Speaker 2>Yeah. And by the seventies, I mean they were letting guys.

0:30:54.080 --> 0:30:57.560
<v Speaker 2>It was, it was. There was cynicism even in the military.

0:30:57.600 --> 0:31:01.160
<v Speaker 2>You know, it was like, what with the hell was

0:31:01.160 --> 0:31:03.600
<v Speaker 2>that ten years? And why you know what I mean

0:31:03.680 --> 0:31:05.600
<v Speaker 2>if you talk to guys and I know you have

0:31:06.240 --> 0:31:10.520
<v Speaker 2>that that came out of it, They're like, what a waste,

0:31:11.000 --> 0:31:13.200
<v Speaker 2>you know? And how many young lives, how many young

0:31:13.280 --> 0:31:17.160
<v Speaker 2>I used to look in Columbus there was a little newspaper,

0:31:17.200 --> 0:31:20.080
<v Speaker 2>a local thing called the Londen News. At the height

0:31:20.120 --> 0:31:23.240
<v Speaker 2>of that warrant. I remember the pictures of those kids,

0:31:23.280 --> 0:31:27.040
<v Speaker 2>some of them with acne, acne still their photo from

0:31:27.040 --> 0:31:30.200
<v Speaker 2>boot camp, right with their dressed uniform, and it would

0:31:30.280 --> 0:31:33.880
<v Speaker 2>run and they weren't coming back. They would run them

0:31:33.880 --> 0:31:39.160
<v Speaker 2>every week, the kids that were gone. And I really

0:31:39.200 --> 0:31:44.080
<v Speaker 2>sad when I think back at those faces, those young kids.

0:31:44.320 --> 0:31:47.320
<v Speaker 1>You know, I remember being in high school remember being

0:31:47.320 --> 0:31:49.680
<v Speaker 1>in high school and over the intercom for the first

0:31:49.720 --> 0:31:53.520
<v Speaker 1>time they announced all the school that a student, you know,

0:31:53.560 --> 0:31:55.600
<v Speaker 1>a previous student had died in Vietnam.

0:31:55.760 --> 0:32:02.800
<v Speaker 2>Yeah. Yeah, very sobering, and it's a an experience that,

0:32:04.000 --> 0:32:07.000
<v Speaker 2>like you've said, watched you write, I mean, we're very

0:32:07.600 --> 0:32:10.120
<v Speaker 2>nine on one to now is not the same because

0:32:10.120 --> 0:32:12.400
<v Speaker 2>it's still an all volunteer force. It's not.

0:32:12.600 --> 0:32:17.160
<v Speaker 1>There's okay, but growing up forgetting that Vietnam, you know,

0:32:17.960 --> 0:32:20.760
<v Speaker 1>bad war, et cetera, et cetera. But you're growing up

0:32:20.840 --> 0:32:25.000
<v Speaker 1>and you say, shit, I can't see ever fighting for

0:32:25.160 --> 0:32:33.120
<v Speaker 1>my country, And now I can see fighting against people

0:32:33.120 --> 0:32:35.520
<v Speaker 1>who want to end democracy, of which there's a good

0:32:35.600 --> 0:32:37.440
<v Speaker 1>number in America. I hear from them every day.

0:32:38.440 --> 0:32:41.960
<v Speaker 2>Yeah. Well, I mean there's an argument to me, mate.

0:32:42.000 --> 0:32:46.560
<v Speaker 2>I was a few years ago Pire's Morgan's show on CNN.

0:32:47.640 --> 0:32:50.600
<v Speaker 2>I did a thing about and he wanted to interview

0:32:50.640 --> 0:32:53.000
<v Speaker 2>me and talk about the Second Amendment, and I said, look,

0:32:53.400 --> 0:32:59.200
<v Speaker 2>it's not about hunting, it's not about you know, sporting rifle.

0:33:00.360 --> 0:33:02.400
<v Speaker 2>There's a reason I believe that it was written in

0:33:02.440 --> 0:33:04.480
<v Speaker 2>there that way, and it was to prevent tyranny, and

0:33:04.520 --> 0:33:07.520
<v Speaker 2>it was to rise up against the tyranny of a government,

0:33:07.600 --> 0:33:11.120
<v Speaker 2>the tyranny of someone taking over the government, you know,

0:33:11.440 --> 0:33:16.760
<v Speaker 2>the military, you know, performing a coup whatever. So I

0:33:16.760 --> 0:33:23.640
<v Speaker 2>didn't I was I guess I was hopeful, and hopefully

0:33:23.680 --> 0:33:27.000
<v Speaker 2>I was more of a skeptic than a cynic, because

0:33:27.000 --> 0:33:29.400
<v Speaker 2>a cynic it's hard to it's hard to go on,

0:33:29.760 --> 0:33:32.360
<v Speaker 2>you know, cynicism, it's hard to kind of overcome it.

0:33:33.440 --> 0:33:37.960
<v Speaker 2>But I remained skeptical and remain skeptical. You know of

0:33:40.280 --> 0:33:43.880
<v Speaker 2>a lot of people power, right power, and those who

0:33:43.920 --> 0:33:46.720
<v Speaker 2>get it and the wrong people getting it and who knows,

0:33:46.800 --> 0:33:48.000
<v Speaker 2>you know, it's a coin toss.

0:33:48.040 --> 0:33:50.360
<v Speaker 1>Well, it's skeptical. You do you talk about that my father,

0:33:51.200 --> 0:33:53.959
<v Speaker 1>you know, you'd hear the old what's the real story here?

0:33:54.000 --> 0:33:56.160
<v Speaker 1>It's like when you see somebody driving down the street

0:33:56.200 --> 0:34:00.640
<v Speaker 1>in the Bentley and they don't have a job, Well

0:34:00.720 --> 0:34:03.600
<v Speaker 1>they either have a rich father or something. Especially in

0:34:03.760 --> 0:34:06.200
<v Speaker 1>LA when somebody you can't accept it if face value,

0:34:06.200 --> 0:34:08.400
<v Speaker 1>when it's incredibly go oh wait a second. There's a

0:34:08.440 --> 0:34:10.959
<v Speaker 1>real story here. Part of being a skeptic, and.

0:34:10.880 --> 0:34:17.080
<v Speaker 2>A lot of them are leased in lamed.

0:34:14.920 --> 0:34:16.800
<v Speaker 1>As I say there, there are a lot of people

0:34:17.200 --> 0:34:20.200
<v Speaker 1>live in that way. But there's all kinds of things.

0:34:20.239 --> 0:34:23.600
<v Speaker 1>It's like, you know, HBO Max has now been turned

0:34:23.600 --> 0:34:26.880
<v Speaker 1>into max Max and that makes no sense to me.

0:34:27.680 --> 0:34:31.720
<v Speaker 2>And then I can't remember who owns it, but.

0:34:32.360 --> 0:34:34.520
<v Speaker 1>Well, you know, it's more of discovery and it's run

0:34:34.560 --> 0:34:36.799
<v Speaker 1>by this guy Zoslav. And I was listening to this guy,

0:34:36.880 --> 0:34:41.160
<v Speaker 1>Scot Galloway, big business guy says, no brand person, no

0:34:41.280 --> 0:34:44.480
<v Speaker 1>branding person in the world would say to change it.

0:34:45.480 --> 0:34:50.440
<v Speaker 1>This guybo Yeah, that's a guy brand This guy changed

0:34:50.480 --> 0:34:54.240
<v Speaker 1>it because if he wins, he wants all the credits credit.

0:34:54.560 --> 0:34:57.080
<v Speaker 1>And then I was listening to this podcast with his

0:34:57.200 --> 0:35:00.360
<v Speaker 1>economist from Columbia talking about what he said to the

0:35:00.360 --> 0:35:03.759
<v Speaker 1>White House, et cetera. They won't listen. It's a dick thing.

0:35:03.960 --> 0:35:06.959
<v Speaker 1>It's like I guess I was brought up my parents

0:35:07.000 --> 0:35:10.000
<v Speaker 1>always telling me, you're not the guy. There's always somebody

0:35:10.000 --> 0:35:13.479
<v Speaker 1>who knows better, who knows more. Find them, but you're

0:35:13.520 --> 0:35:14.120
<v Speaker 1>not the guy.

0:35:14.960 --> 0:35:17.239
<v Speaker 2>And then you don't don't think you're the smartest guy

0:35:17.239 --> 0:35:21.520
<v Speaker 2>in the room. I don't. Yeah, I go in, I think, look,

0:35:21.560 --> 0:35:24.799
<v Speaker 2>i'm I'm I'm pretty good. I'm quick. I'm quick. I'm

0:35:24.840 --> 0:35:30.279
<v Speaker 2>not fast, but i'm pretty quick. And uh that I

0:35:30.320 --> 0:35:34.480
<v Speaker 2>want to have smarter people than me, you know, informing me.

0:35:35.080 --> 0:35:38.400
<v Speaker 2>That's what I hope always, and somebody smartest me.

0:35:39.120 --> 0:35:41.920
<v Speaker 1>You know, as one gets older and time starts to

0:35:42.000 --> 0:35:46.320
<v Speaker 1>run out of the hour glass, it's very weird because Okay,

0:35:46.480 --> 0:35:49.239
<v Speaker 1>when you go back when you're still in school, there's

0:35:49.280 --> 0:35:52.520
<v Speaker 1>a big organization. They're into what you're doing. Are you

0:35:52.640 --> 0:35:56.280
<v Speaker 1>cutting class, you're getting good grades, whatever. Then you graduate,

0:35:56.400 --> 0:35:59.879
<v Speaker 1>they don't give a fuck. Do whatever you want, you know, living,

0:36:00.160 --> 0:36:03.799
<v Speaker 1>gutter whatever. And it's funny that there's that side. So

0:36:04.160 --> 0:36:08.080
<v Speaker 1>you're ultimately forced to find your own way with no structure.

0:36:08.880 --> 0:36:17.080
<v Speaker 1>And it's weird because you have you outgrow people, primarily

0:36:17.160 --> 0:36:20.160
<v Speaker 1>because not that they're stupid, but the choices they made.

0:36:21.120 --> 0:36:23.560
<v Speaker 1>They don't want to continue to go down the path.

0:36:24.160 --> 0:36:26.279
<v Speaker 1>And it's very weird because then you're hanging with them.

0:36:26.320 --> 0:36:28.000
<v Speaker 1>It's not as satisfying as it used to be, and

0:36:28.040 --> 0:36:29.160
<v Speaker 1>you have to find new people.

0:36:30.480 --> 0:36:32.799
<v Speaker 2>Yeah. Well, I've over the year has been asked well

0:36:32.800 --> 0:36:34.480
<v Speaker 2>how do I how do I do this? Or that?

0:36:34.600 --> 0:36:39.520
<v Speaker 2>You know musicians that are talented maybe, and they go, well, yeah,

0:36:39.600 --> 0:36:42.319
<v Speaker 2>I said, well, first of all, you got to get

0:36:42.360 --> 0:36:44.759
<v Speaker 2>out of where you are. You know, it's like you're

0:36:44.760 --> 0:36:49.240
<v Speaker 2>in You're you're in Indianapolis, or you're in Des Moines,

0:36:49.239 --> 0:36:54.319
<v Speaker 2>you're in Omaha. Okay, cool, But you got to go

0:36:54.360 --> 0:36:57.400
<v Speaker 2>to New York, go to La or at least Nashville

0:36:57.760 --> 0:37:00.080
<v Speaker 2>so you can compete, you know, and put it in

0:37:00.080 --> 0:37:05.800
<v Speaker 2>front of people, right, and and it surprises me, especially

0:37:05.800 --> 0:37:08.280
<v Speaker 2>as a point of age. You know, you've you've written

0:37:08.280 --> 0:37:12.360
<v Speaker 2>about this. I've read where you where there are those

0:37:12.440 --> 0:37:15.960
<v Speaker 2>that do and those that don't and those that don't.

0:37:16.040 --> 0:37:18.719
<v Speaker 2>You could tell over and over again. Are you when

0:37:18.719 --> 0:37:22.480
<v Speaker 2>you're beach analogy? Are you saying you're one of those

0:37:22.800 --> 0:37:27.759
<v Speaker 2>one of those persons left on the beach you feel beat? Right? Yeah?

0:37:27.800 --> 0:37:29.840
<v Speaker 2>And you didn't go back out with the current or

0:37:29.880 --> 0:37:33.080
<v Speaker 2>the wave, right, yeah, I probably went out with the wave.

0:37:33.680 --> 0:37:36.640
<v Speaker 2>And maybe that's what you know it's like because I

0:37:36.719 --> 0:37:38.480
<v Speaker 2>understand the analogy, I get it.

0:37:39.000 --> 0:37:42.759
<v Speaker 1>Okay, Okay, let's just say you bring up you know,

0:37:42.840 --> 0:37:45.120
<v Speaker 1>you go on tour. A lot of places you tour

0:37:45.520 --> 0:37:48.719
<v Speaker 1>are not the top line of the metropolis. All right,

0:37:49.120 --> 0:37:52.320
<v Speaker 1>if you are just by being there the brief period

0:37:52.320 --> 0:37:55.319
<v Speaker 1>of time, is it just another gig or do you

0:37:55.480 --> 0:37:56.280
<v Speaker 1>learn something?

0:37:56.560 --> 0:38:01.080
<v Speaker 2>You learned something insight, you learn something every night. Everywhere

0:38:01.160 --> 0:38:04.759
<v Speaker 2>you go, I think, I mean, I'm just curious enough

0:38:04.800 --> 0:38:09.200
<v Speaker 2>that I look for what there is. I'm fascinated with

0:38:09.280 --> 0:38:13.000
<v Speaker 2>people in places. The thing I never had to study,

0:38:13.000 --> 0:38:15.040
<v Speaker 2>and I probably would have made it bout I was

0:38:15.040 --> 0:38:17.440
<v Speaker 2>going to major in philosophy, but as I look back

0:38:17.840 --> 0:38:22.759
<v Speaker 2>in history, history and geography, I never had to open

0:38:22.800 --> 0:38:25.200
<v Speaker 2>a book. It seemed like it just was in me

0:38:25.400 --> 0:38:30.040
<v Speaker 2>from some previous lifetime. I knew the globe, and that

0:38:30.160 --> 0:38:31.800
<v Speaker 2>was what I was saying when I would cut class,

0:38:31.960 --> 0:38:34.880
<v Speaker 2>I would, you know, actually cut classes. I could get

0:38:34.920 --> 0:38:38.120
<v Speaker 2>away with it and sit in the library and read.

0:38:38.560 --> 0:38:43.480
<v Speaker 2>Because my dad, God bless him, he tried to. I

0:38:43.640 --> 0:38:49.080
<v Speaker 2>was raised very devoutly in Church of Christ, which they

0:38:49.200 --> 0:38:53.840
<v Speaker 2>founded Pepperdine University out here. But the Church of Christ

0:38:54.080 --> 0:39:02.440
<v Speaker 2>is a non denominational, you know, Christian church, and in Columbus,

0:39:02.440 --> 0:39:05.960
<v Speaker 2>the fascinating thing for me, again in retrospect, was that

0:39:07.160 --> 0:39:10.640
<v Speaker 2>it was this major university hub, right, so we had

0:39:10.640 --> 0:39:13.640
<v Speaker 2>this influx of guys that were teaching my Sunday school

0:39:13.640 --> 0:39:16.480
<v Speaker 2>classes that were doing I know it now because I

0:39:16.520 --> 0:39:22.439
<v Speaker 2>remember doing their PhDs, one of them in high level

0:39:22.480 --> 0:39:28.440
<v Speaker 2>mathematics at Ohio State. Another one we had a friend

0:39:28.480 --> 0:39:30.680
<v Speaker 2>of our family, became very close to my dad because

0:39:30.680 --> 0:39:33.680
<v Speaker 2>they both shared a love for cars, and he loved

0:39:33.840 --> 0:39:38.040
<v Speaker 2>he had a little old Porsche Sea the C model

0:39:38.040 --> 0:39:41.000
<v Speaker 2>looked like the bathtub, you know, because he was finishing

0:39:41.040 --> 0:39:45.319
<v Speaker 2>his residency there in antestesiology. So I got exposed, you know,

0:39:45.400 --> 0:39:49.640
<v Speaker 2>this cross polarization of culture. My dad was a ten

0:39:49.719 --> 0:39:51.960
<v Speaker 2>year career Army sergeant. All I came, I was going

0:39:52.040 --> 0:39:55.279
<v Speaker 2>to stay do the twenty you know, and because of me,

0:39:55.360 --> 0:40:00.320
<v Speaker 2>he used to look at you, you know, boy, he

0:40:00.840 --> 0:40:05.160
<v Speaker 2>lamented it until the end of his life. Almost I

0:40:05.400 --> 0:40:08.399
<v Speaker 2>have been I'd have been retard. But now if I'd

0:40:08.400 --> 0:40:11.880
<v Speaker 2>have stayed in but you don't because he couldn't. He

0:40:12.000 --> 0:40:15.920
<v Speaker 2>was last posted in Korea posts the truth and people

0:40:15.920 --> 0:40:20.880
<v Speaker 2>don't realize the Korean War, remember Korean conflict, John Prime,

0:40:21.640 --> 0:40:23.640
<v Speaker 2>Hello in There is one of the great songs that

0:40:24.880 --> 0:40:28.040
<v Speaker 2>deals with that. And you know the couple the old

0:40:28.080 --> 0:40:31.360
<v Speaker 2>man on the bench and Hello in there and the

0:40:31.480 --> 0:40:33.799
<v Speaker 2>Korean War. We don't know what for? You know, that

0:40:33.960 --> 0:40:38.240
<v Speaker 2>lyric was so poignant and great. Anyway, it was post

0:40:38.320 --> 0:40:41.319
<v Speaker 2>the war, the active war, and it's still to this day.

0:40:41.360 --> 0:40:43.440
<v Speaker 2>I guess just a truce, you know, that's why it's

0:40:43.480 --> 0:40:44.040
<v Speaker 2>such a you.

0:40:44.080 --> 0:40:46.360
<v Speaker 1>Know, well I read just to you know, put this

0:40:46.480 --> 0:40:48.239
<v Speaker 1>in and you hear about how is it going to

0:40:48.400 --> 0:40:52.040
<v Speaker 1>end between Ukraine and Russia and they say it might

0:40:52.080 --> 0:40:55.120
<v Speaker 1>be like Korea and that there was never a treaty.

0:40:55.200 --> 0:40:55.640
<v Speaker 2>Is the truth.

0:40:55.640 --> 0:40:58.080
<v Speaker 1>They just kind of decided to stop fighting.

0:40:57.760 --> 0:41:00.400
<v Speaker 2>Stop and just became a truth. That that's what had

0:41:00.440 --> 0:41:04.000
<v Speaker 2>DMZ is real. It's like right, it's like they're looking

0:41:04.040 --> 0:41:07.120
<v Speaker 2>at each other still with loaded guns. So anyway, he

0:41:07.239 --> 0:41:10.880
<v Speaker 2>was there and couldn't take us. He left. My mom

0:41:11.040 --> 0:41:14.600
<v Speaker 2>was just pregnant with me, and he spent the time

0:41:14.880 --> 0:41:17.439
<v Speaker 2>and he didn't meet me till I was nine months old,

0:41:18.080 --> 0:41:20.960
<v Speaker 2>and that it was an interesting dynamic between the two.

0:41:21.160 --> 0:41:24.120
<v Speaker 2>But he looked he said, you know, i'd have been retard.

0:41:24.280 --> 0:41:27.800
<v Speaker 2>But I said, you'd have been in Vietnam. He said, well,

0:41:28.640 --> 0:41:31.600
<v Speaker 2>you know maybe, but he ran a motor pool and

0:41:31.640 --> 0:41:35.719
<v Speaker 2>he ran tank transporters, which you know, but those old

0:41:35.800 --> 0:41:38.439
<v Speaker 2>sergeants did end up over there. And then I said,

0:41:38.480 --> 0:41:41.520
<v Speaker 2>you know, the first thing I ever wrote, funny enough

0:41:42.880 --> 0:41:44.960
<v Speaker 2>because I was watching all the news reel footage. I

0:41:45.040 --> 0:41:49.080
<v Speaker 2>was eight years old and I had my first real guitar. Well,

0:41:49.120 --> 0:41:50.920
<v Speaker 2>he had one he brought home. There's a shot of

0:41:51.000 --> 0:41:53.879
<v Speaker 2>me in my box. Said that it's a k F hole,

0:41:54.080 --> 0:41:57.640
<v Speaker 2>remember the old F hole guitars a k that he

0:41:57.640 --> 0:42:00.279
<v Speaker 2>he couldn't play. He brought more instruments on the never

0:42:00.280 --> 0:42:03.359
<v Speaker 2>could play a lick. He brought one from Westinghouse when

0:42:03.360 --> 0:42:06.240
<v Speaker 2>he worked out there after he lost his gas station.

0:42:07.120 --> 0:42:09.719
<v Speaker 2>That's another whole topic that they give these guys gas

0:42:09.719 --> 0:42:13.520
<v Speaker 2>stations or great mechanics that have no business acumen whatsoever.

0:42:13.800 --> 0:42:16.480
<v Speaker 2>And the oil companies know that, by the way, I've

0:42:16.520 --> 0:42:19.920
<v Speaker 2>read analysis of that. They knew because they owned the

0:42:19.960 --> 0:42:22.759
<v Speaker 2>real estate. So they would just flip every three or

0:42:22.760 --> 0:42:26.520
<v Speaker 2>four years another, give another mechanic, you know, the station lab,

0:42:26.560 --> 0:42:30.400
<v Speaker 2>try and run it. And but he brought a bass.

0:42:30.600 --> 0:42:35.640
<v Speaker 2>He brought a bull horn Dan electro bass home. And

0:42:35.760 --> 0:42:38.320
<v Speaker 2>so I bought this from this guy out at the plant.

0:42:38.480 --> 0:42:40.720
<v Speaker 2>He said, he's young guy. He just needed money. He said,

0:42:40.880 --> 0:42:44.359
<v Speaker 2>I figured you could play an electric guitar. I said, well, dad,

0:42:44.400 --> 0:42:46.520
<v Speaker 2>that's not a guitar. I don't know how to play

0:42:46.560 --> 0:42:49.920
<v Speaker 2>a bass a base. And when I thought about we

0:42:50.520 --> 0:42:54.160
<v Speaker 2>in my it was black. It's a classic. It's probably

0:42:54.160 --> 0:42:58.080
<v Speaker 2>worth multiple thousand dollars now. I think about that bullhorn,

0:42:58.480 --> 0:43:02.080
<v Speaker 2>Dan electro bass and we painted at baby blue. For

0:43:02.120 --> 0:43:05.319
<v Speaker 2>some reason, we sprayed my brother and I, you know neither.

0:43:05.760 --> 0:43:08.000
<v Speaker 2>You know, I fooled around with it, but I couldn't play.

0:43:08.680 --> 0:43:10.799
<v Speaker 2>But I had a real acoustic guitar. He had this

0:43:10.880 --> 0:43:13.279
<v Speaker 2>k that I had when I was about two years old.

0:43:13.360 --> 0:43:16.640
<v Speaker 2>Three there photos me with it, just bellering and trying

0:43:16.640 --> 0:43:18.960
<v Speaker 2>to hold my granny hole in the top and the headstock,

0:43:20.200 --> 0:43:23.040
<v Speaker 2>and I tripped and fell and crushed that. So then

0:43:23.080 --> 0:43:24.880
<v Speaker 2>I had a couple of toy things that you know,

0:43:24.920 --> 0:43:29.040
<v Speaker 2>between then and at eight years old. And this goes

0:43:29.080 --> 0:43:34.080
<v Speaker 2>to who he was. And my parents saw the earth

0:43:34.120 --> 0:43:39.520
<v Speaker 2>people that worked really hard, and he had a bit

0:43:39.520 --> 0:43:42.040
<v Speaker 2>of walder Midie and he was always dreaming. And this

0:43:42.200 --> 0:43:44.000
<v Speaker 2>was back to what I was talking about with the

0:43:44.120 --> 0:43:49.080
<v Speaker 2>people that he knew, the cross pollinization of culture because

0:43:49.120 --> 0:43:51.200
<v Speaker 2>they knew he was a great mechanic. And some of

0:43:51.239 --> 0:43:54.920
<v Speaker 2>these guys like cars and they had that in common,

0:43:54.960 --> 0:43:58.520
<v Speaker 2>but nothing else with him. And even him trying to

0:43:58.600 --> 0:44:01.440
<v Speaker 2>learn to golf was hilarious. I caddied for him till

0:44:01.440 --> 0:44:05.400
<v Speaker 2>the last time I laughing, so I collapsed onto the course.

0:44:05.480 --> 0:44:13.160
<v Speaker 2>And anyway, but I wrote this song on that guitar

0:44:13.840 --> 0:44:18.319
<v Speaker 2>because the newsreels were coming at dinner. You'd hear, you know,

0:44:18.360 --> 0:44:20.880
<v Speaker 2>the Marines have gone into landed at Danang, Remember that

0:44:21.440 --> 0:44:24.880
<v Speaker 2>they did. They did a landing craft landing if you remember,

0:44:24.880 --> 0:44:29.439
<v Speaker 2>it was like a big staged you know, bit sort

0:44:29.440 --> 0:44:32.600
<v Speaker 2>of all of World War two. And that must have

0:44:32.680 --> 0:44:35.440
<v Speaker 2>prompted me because I was starting to see, you know,

0:44:35.480 --> 0:44:38.160
<v Speaker 2>in that first couple of years of the active war.

0:44:38.280 --> 0:44:41.520
<v Speaker 2>You know, it's would have been what eight, I was

0:44:41.600 --> 0:44:43.520
<v Speaker 2>sixty four, eight years old, but.

0:44:43.640 --> 0:44:46.480
<v Speaker 1>Sixty four was really before that. I was just advisory.

0:44:46.520 --> 0:44:49.560
<v Speaker 2>Yeah, yeah, no, when went in when of the Marines?

0:44:49.560 --> 0:44:53.120
<v Speaker 2>Actually sixty five. But anyway, I wrote this song called

0:44:53.160 --> 0:44:56.799
<v Speaker 2>how Far Is Heaven? And my parents didn't quite they

0:44:56.840 --> 0:44:59.560
<v Speaker 2>didn't know it was a hillbilly thing. It was half finished.

0:45:00.080 --> 0:45:01.960
<v Speaker 2>That talks about it over the years a few times

0:45:02.000 --> 0:45:06.400
<v Speaker 2>in interviews, but it went uh and it started with

0:45:06.440 --> 0:45:10.080
<v Speaker 2>this hillbilly waltz ching ing, which is not all. I

0:45:10.080 --> 0:45:12.239
<v Speaker 2>could plague two couple of chords. I don't play much

0:45:12.239 --> 0:45:15.560
<v Speaker 2>more than that now, but I was getting interested. My

0:45:15.719 --> 0:45:20.160
<v Speaker 2>daddy got killed over in Vietnam. Then there's just a

0:45:20.200 --> 0:45:25.000
<v Speaker 2>few things that I don't understand boom boom boom. How

0:45:25.200 --> 0:45:30.800
<v Speaker 2>far is heaven? When can I go? I love my daddy, Lord,

0:45:30.880 --> 0:45:33.399
<v Speaker 2>I miss him. So so anyway, they heard me doing

0:45:33.440 --> 0:45:36.400
<v Speaker 2>something they hadn't. I came downstairs, said what are you playing?

0:45:37.440 --> 0:45:39.239
<v Speaker 2>And so I played it for him. My dad was

0:45:39.280 --> 0:45:42.799
<v Speaker 2>flabbergast and almost offended. He said, whoa what in the

0:45:42.840 --> 0:45:46.760
<v Speaker 2>world's he writing? Like I'm dead? My mother? He didn't

0:45:48.120 --> 0:45:52.360
<v Speaker 2>like he's you know, poetic license. He didn't quite great,

0:45:52.520 --> 0:45:55.640
<v Speaker 2>didn't grasp it. It's like you want me dead? You

0:45:55.680 --> 0:45:59.319
<v Speaker 2>think he's looking at my mom. It's like he was hilarious.

0:45:59.400 --> 0:46:03.799
<v Speaker 2>Actually a tough dude, tough guy, but a soft heart.

0:46:10.880 --> 0:46:13.760
<v Speaker 1>Okay, okay, A couple of things. So with your father,

0:46:15.040 --> 0:46:17.600
<v Speaker 1>this was really you're a little young, as you said,

0:46:17.960 --> 0:46:21.839
<v Speaker 1>but anti Vietnam and pro Vietnam was. I don't want

0:46:21.840 --> 0:46:24.320
<v Speaker 1>to equate it with abortion because there are two different things,

0:46:24.560 --> 0:46:28.919
<v Speaker 1>but the vociferousness that people held their positions. Was your

0:46:28.960 --> 0:46:33.480
<v Speaker 1>father always pro Vietnam? Or did he ever start to crump?

0:46:33.880 --> 0:46:36.160
<v Speaker 2>I think he well, no, I think by the end

0:46:36.680 --> 0:46:40.080
<v Speaker 2>he like a lot of xgis were like watching that

0:46:40.320 --> 0:46:44.640
<v Speaker 2>from the distance and going, I don't know what in

0:46:44.680 --> 0:46:52.719
<v Speaker 2>the hell there you know, yeah, he became disillusioned. But again, uh,

0:46:52.840 --> 0:46:56.080
<v Speaker 2>there was. It's not as clear as black and white

0:46:56.280 --> 0:47:01.120
<v Speaker 2>if your memory, if you really in line is the moments, Bob,

0:47:01.719 --> 0:47:06.080
<v Speaker 2>there was, especially where we were, you know, the Ohio Valley.

0:47:06.440 --> 0:47:12.239
<v Speaker 2>You've moved out into Greater Appalachian, right, you're out there

0:47:12.239 --> 0:47:17.120
<v Speaker 2>in that region, and it's I mean I came from.

0:47:17.600 --> 0:47:19.440
<v Speaker 2>He was in a union. He was a shop steward

0:47:19.600 --> 0:47:22.239
<v Speaker 2>in the union. But he became disillusioned because you know,

0:47:22.320 --> 0:47:26.200
<v Speaker 2>the power of unions becomes correct, they become corrupt, right,

0:47:27.520 --> 0:47:30.560
<v Speaker 2>whether it's Hoffer or whatever. I forget what. He was

0:47:30.560 --> 0:47:32.160
<v Speaker 2>a shop steward and one day he came home with

0:47:32.200 --> 0:47:34.839
<v Speaker 2>his eye cut open because a guy on the line,

0:47:34.880 --> 0:47:37.040
<v Speaker 2>because there was a guy that kept showing up drunk

0:47:37.719 --> 0:47:41.799
<v Speaker 2>right to work at a plant, big factory, you know,

0:47:42.480 --> 0:47:44.400
<v Speaker 2>and they're all on the line, and this guy was

0:47:44.400 --> 0:47:47.000
<v Speaker 2>going to get somebody killed. He said, this guy's drunk

0:47:48.040 --> 0:47:51.120
<v Speaker 2>and in not showing up, and it was his job

0:47:51.160 --> 0:47:53.440
<v Speaker 2>to go defend him to the teeth, right, you know,

0:47:53.520 --> 0:47:56.520
<v Speaker 2>and say he can be you know, he's absent now

0:47:56.760 --> 0:47:59.360
<v Speaker 2>he you know, he's sick. He was sick. He was sick,

0:48:00.040 --> 0:48:04.520
<v Speaker 2>and finally he said, and this is the old army sergeant.

0:48:05.480 --> 0:48:08.000
<v Speaker 2>I can't do that anymore. You know, I can't cover

0:48:08.080 --> 0:48:10.120
<v Speaker 2>for this clown, do you know what I mean? The

0:48:10.239 --> 0:48:13.120
<v Speaker 2>Union was saying, hey, dude, you're covering for him. You're

0:48:13.120 --> 0:48:16.879
<v Speaker 2>the shop steward. You're covering. And he said, not doing it.

0:48:18.040 --> 0:48:22.839
<v Speaker 2>And the guy down the line let a flywheel part

0:48:22.880 --> 0:48:25.000
<v Speaker 2>of a refrigerator like it was a it was a

0:48:25.040 --> 0:48:29.719
<v Speaker 2>Westinghouse plant, right, They built refrigerators to let that go

0:48:29.880 --> 0:48:33.359
<v Speaker 2>down the line the conveyor, but and it bounced, ricocheted

0:48:34.080 --> 0:48:37.960
<v Speaker 2>and caught the guy next to him his hand and

0:48:38.000 --> 0:48:39.959
<v Speaker 2>cut him and then hit my dad in the eye,

0:48:40.719 --> 0:48:42.399
<v Speaker 2>you know, came up and cut him and it could

0:48:42.440 --> 0:48:43.920
<v Speaker 2>have killed either of them. You know, it could have

0:48:44.040 --> 0:48:47.960
<v Speaker 2>killed him. That was the warning shot right from you know,

0:48:48.600 --> 0:48:51.440
<v Speaker 2>the Union. It's like, you know, so I saw that

0:48:51.480 --> 0:48:54.040
<v Speaker 2>at close range. I watched him come home with stitches

0:48:54.080 --> 0:48:57.640
<v Speaker 2>in that eye and what happened. And he said, well,

0:48:57.840 --> 0:49:01.040
<v Speaker 2>this guy didn't like that. I I'm fed up. I'm

0:49:01.080 --> 0:49:03.680
<v Speaker 2>not covering. You know, the Warren Oates moment. Remember the

0:49:03.760 --> 0:49:06.000
<v Speaker 2>scene in the barracks where the guy jumps up and goes,

0:49:06.800 --> 0:49:09.479
<v Speaker 2>it's his name, And they introduced themselves, and he says,

0:49:09.520 --> 0:49:12.000
<v Speaker 2>I'm Francis, So any of you guys, he said the

0:49:12.000 --> 0:49:16.120
<v Speaker 2>pejority of the interview mother, call me Francis. I'll kill you.

0:49:16.520 --> 0:49:19.840
<v Speaker 2>He goes, and you touch my ship, I'll kill you.

0:49:19.920 --> 0:49:22.719
<v Speaker 2>And he goes through a laundry list up. Anybody does

0:49:22.760 --> 0:49:24.480
<v Speaker 2>this and that, I'll kill you. And Warren Oates is

0:49:24.480 --> 0:49:28.719
<v Speaker 2>sitting there chewing on the cigar. He just sit down

0:49:28.760 --> 0:49:32.239
<v Speaker 2>and stow it. Francis were the top thing on the list.

0:49:32.239 --> 0:49:35.560
<v Speaker 2>Don't call me Francis. Sit down and stow it. Francis.

0:49:35.560 --> 0:49:38.680
<v Speaker 2>Which is that's those guys right that run the army.

0:49:38.760 --> 0:49:41.120
<v Speaker 2>They run the military. You know, anybody's smart, that's been

0:49:41.360 --> 0:49:44.520
<v Speaker 2>the officers will tell you the thing that'll get you saved.

0:49:45.520 --> 0:49:48.560
<v Speaker 2>Listen to your NCLs. Right. Let the old sergeant lead.

0:49:48.840 --> 0:49:50.520
<v Speaker 2>And that's who he was. You know. He had have

0:49:50.600 --> 0:49:52.920
<v Speaker 2>a career in and didn't want to get out. But

0:49:52.960 --> 0:49:57.080
<v Speaker 2>he couldn't take us. His heart wouldn't let him go back.

0:49:57.120 --> 0:49:59.440
<v Speaker 2>And his captain, I mean, he said, wow, my captain

0:49:59.480 --> 0:50:02.560
<v Speaker 2>told me just go home. Spent a few months as

0:50:02.600 --> 0:50:05.360
<v Speaker 2>you realist. I'll give you your full stripes back and

0:50:05.400 --> 0:50:07.160
<v Speaker 2>put a stripe on it and come back to me,

0:50:07.200 --> 0:50:10.440
<v Speaker 2>and he never did. But he never quit. And it

0:50:10.560 --> 0:50:15.120
<v Speaker 2>wasn't about you know, the raw, raw end of it.

0:50:15.120 --> 0:50:19.920
<v Speaker 2>It was about the function of the hierarchy of the military.

0:50:19.960 --> 0:50:23.200
<v Speaker 2>I think you know what I mean, the organization. Do

0:50:23.239 --> 0:50:26.040
<v Speaker 2>you know it made sense to him? Does that mean

0:50:26.080 --> 0:50:30.839
<v Speaker 2>you know? And and great, great mechanical aptitude, So order

0:50:30.960 --> 0:50:33.560
<v Speaker 2>probably made sense to him in that way. I was

0:50:33.640 --> 0:50:35.520
<v Speaker 2>fascinated with it. I would say, I could tell you

0:50:35.880 --> 0:50:40.840
<v Speaker 2>the crazy service in terms of rank and insignia is

0:50:40.880 --> 0:50:43.920
<v Speaker 2>the Navy. The Navy's and I have a whole theory

0:50:43.960 --> 0:50:50.720
<v Speaker 2>about the Navy that that the most uh suspect officer

0:50:50.760 --> 0:50:53.680
<v Speaker 2>corps might be the Navy, because I my theory is,

0:50:54.320 --> 0:50:56.480
<v Speaker 2>and this is my own barnyard theory is, you know,

0:50:56.520 --> 0:51:00.360
<v Speaker 2>from teenage years on, was that there there will He

0:51:00.400 --> 0:51:04.920
<v Speaker 2>didn't necessarily it can be compromised a little bit. There

0:51:04.960 --> 0:51:06.800
<v Speaker 2>was ever a real coop in the United States. I

0:51:06.800 --> 0:51:09.680
<v Speaker 2>think it might come from Naval intelligence rather than any

0:51:09.680 --> 0:51:12.399
<v Speaker 2>of the branch because they're so removed when you think

0:51:12.400 --> 0:51:16.400
<v Speaker 2>about their duty post from the country, especially in peacetime.

0:51:16.520 --> 0:51:19.480
<v Speaker 2>Right they're on the high seas, They're all over the world,

0:51:20.080 --> 0:51:25.080
<v Speaker 2>So there's a disconnect maybe possibly anyway, whatever, that's a

0:51:25.080 --> 0:51:26.719
<v Speaker 2>whole like I said, no.

0:51:26.480 --> 0:51:29.120
<v Speaker 1>No, okay, but tell me about him owning the Texico station.

0:51:29.480 --> 0:51:31.200
<v Speaker 2>Well, he had that. He was great. And then his

0:51:31.360 --> 0:51:35.000
<v Speaker 2>younger brother. He was one of three boys. He had

0:51:35.000 --> 0:51:36.880
<v Speaker 2>an older brother and he was in the middle, and

0:51:36.920 --> 0:51:39.560
<v Speaker 2>they had this younger brother and the two of them.

0:51:39.840 --> 0:51:44.800
<v Speaker 2>He owned it and this brother, and it's just managing

0:51:44.840 --> 0:51:46.680
<v Speaker 2>the money of it and all that stuff and trying

0:51:46.719 --> 0:51:48.719
<v Speaker 2>to make it go. And that's back in the day

0:51:48.760 --> 0:51:52.799
<v Speaker 2>when there were four corners. There were four stations, like

0:51:52.840 --> 0:51:55.520
<v Speaker 2>there was a Saint Clair or Chevron, and my mom's

0:51:56.080 --> 0:51:59.600
<v Speaker 2>cousins who had come out of Kentucky, the Christian Brothers,

0:52:00.400 --> 0:52:03.880
<v Speaker 2>he owned a Sinclair I think. Then one night I

0:52:03.920 --> 0:52:05.760
<v Speaker 2>remember all the stories, but he walked out and flicked

0:52:05.760 --> 0:52:10.080
<v Speaker 2>a cigarette or a cigar. But as the tanker was loading,

0:52:10.200 --> 0:52:13.240
<v Speaker 2>you know, fueled into the station and went it skipped

0:52:13.239 --> 0:52:20.400
<v Speaker 2>across the lot and exploded. His whole station burned to

0:52:20.440 --> 0:52:24.200
<v Speaker 2>the ground. That's the classic move. My dad didn't do

0:52:24.239 --> 0:52:28.439
<v Speaker 2>anything that because again he was our army sergeant, kind

0:52:28.440 --> 0:52:32.480
<v Speaker 2>of smart and and seizoned and he was like, what

0:52:32.239 --> 0:52:35.880
<v Speaker 2>you what the hell are you thinking? There? Flicker a cigarette,

0:52:35.880 --> 0:52:38.640
<v Speaker 2>a cigar butt across the lot. When that guy's out,

0:52:38.800 --> 0:52:41.879
<v Speaker 2>the fumes are gonna And that's what happened. The fumes

0:52:42.160 --> 0:52:44.800
<v Speaker 2>caught just one spark and it was like the whole

0:52:44.800 --> 0:52:47.560
<v Speaker 2>corner went up. And they're lucky that the four could.

0:52:47.840 --> 0:52:50.480
<v Speaker 2>I don't know, and and and uh because you were

0:52:50.520 --> 0:52:53.320
<v Speaker 2>raised in Connecticut, right, yeah, yeah.

0:52:53.200 --> 0:52:57.239
<v Speaker 1>Oh I remember the four gas the four corners. Now

0:52:57.280 --> 0:53:00.399
<v Speaker 1>it's like you have to think about buying gas. Oh yeah,

0:53:00.440 --> 0:53:03.560
<v Speaker 1>we're the never mind the price wars and the glasses

0:53:03.640 --> 0:53:04.000
<v Speaker 1>and all that.

0:53:05.400 --> 0:53:07.440
<v Speaker 2>And Sonoko he had a Texico and he had it

0:53:07.480 --> 0:53:09.440
<v Speaker 2>for about three and a half years. He had a

0:53:09.600 --> 0:53:13.520
<v Speaker 2>red pickup truck with that big star on the side,

0:53:14.080 --> 0:53:17.319
<v Speaker 2>and it was fascinating. We got our first real dog

0:53:17.400 --> 0:53:20.400
<v Speaker 2>from there. A guy didn't want to gave us his boy.

0:53:20.480 --> 0:53:23.719
<v Speaker 2>He had a boxer that he ended up in that

0:53:23.760 --> 0:53:26.359
<v Speaker 2>gas station. Uh, he had him there for a week

0:53:26.480 --> 0:53:29.160
<v Speaker 2>or two, and he brought him home, Duke and that

0:53:29.600 --> 0:53:32.640
<v Speaker 2>boxer that we ended up inheriting from from the gas station,

0:53:33.360 --> 0:53:38.200
<v Speaker 2>and uh uh, you know, he he just it ended

0:53:38.280 --> 0:53:40.120
<v Speaker 2>up financially failing. I was too young to know the

0:53:40.120 --> 0:53:42.279
<v Speaker 2>machinations of it, you know, But he just couldn't make

0:53:42.400 --> 0:53:44.520
<v Speaker 2>the business side of it go and makes sense. And

0:53:44.520 --> 0:53:47.680
<v Speaker 2>they were being charged rent by Texico and sometimes the

0:53:48.200 --> 0:53:51.480
<v Speaker 2>was set up on the margins when I look, you know,

0:53:51.520 --> 0:53:54.719
<v Speaker 2>I know now that and they expected a certain amount

0:53:54.719 --> 0:53:56.840
<v Speaker 2>of failure and they would just replace you with the

0:53:56.880 --> 0:53:59.719
<v Speaker 2>next guy. They didn't. Texao didn't lose the corner. You know,

0:53:59.760 --> 0:54:01.440
<v Speaker 2>they owned it and you were paying them.

0:54:01.480 --> 0:54:04.400
<v Speaker 1>You know, there's this there's the same scam now in

0:54:04.480 --> 0:54:08.560
<v Speaker 1>lawn haul truck drivers that they basically leash you the

0:54:08.600 --> 0:54:11.000
<v Speaker 1>car to own and the guys can't keep the payments

0:54:11.280 --> 0:54:13.360
<v Speaker 1>and they just you know, they charged a lot to

0:54:13.400 --> 0:54:15.120
<v Speaker 1>get in and they just pass it on to the.

0:54:15.080 --> 0:54:18.080
<v Speaker 2>Net next guy. And it's just a shame, but anybody.

0:54:18.280 --> 0:54:20.799
<v Speaker 2>So that was that world. And then he went on,

0:54:20.960 --> 0:54:27.000
<v Speaker 2>like I said, and always attempted to better himself. And

0:54:28.040 --> 0:54:30.120
<v Speaker 2>you know, it was always looking to like he went

0:54:30.160 --> 0:54:34.360
<v Speaker 2>to night school to try and you know, and just

0:54:34.480 --> 0:54:37.560
<v Speaker 2>wasn't hadn't been prepared for that, you know, because he

0:54:37.640 --> 0:54:39.800
<v Speaker 2>ended up dropping out of high school. He was sixteen

0:54:39.880 --> 0:54:41.680
<v Speaker 2>when he enlisted. He was under age when he went

0:54:41.680 --> 0:54:45.759
<v Speaker 2>in the army. It was post war, the Treatsy Forces.

0:54:46.080 --> 0:54:49.320
<v Speaker 2>Because Colonel David Hackwort was a great book called About Face.

0:54:50.239 --> 0:54:54.760
<v Speaker 2>He was a full bird colonel, highly decorated in Vietnam,

0:54:54.800 --> 0:54:59.840
<v Speaker 2>and he went on what was you know, the Sunday

0:54:59.840 --> 0:55:04.880
<v Speaker 2>morn warning should meet the press from Vietnam and railed

0:55:04.920 --> 0:55:07.799
<v Speaker 2>against the conduct of the military and you know, the

0:55:07.800 --> 0:55:11.239
<v Speaker 2>politicians running the war in I don't know what I

0:55:11.239 --> 0:55:14.239
<v Speaker 2>think nineteen seventy or seventy one whatever, in saying, this

0:55:14.280 --> 0:55:16.400
<v Speaker 2>is getting good kids killed for no reason. And he

0:55:16.920 --> 0:55:21.520
<v Speaker 2>immediately was you know, I don't know if he quit

0:55:21.560 --> 0:55:24.560
<v Speaker 2>the military at that point, but he was dumped. But

0:55:29.000 --> 0:55:30.759
<v Speaker 2>I don't know why I was talking about hack course book,

0:55:30.800 --> 0:55:36.920
<v Speaker 2>but about Face, and to you know, he was trying

0:55:37.000 --> 0:55:39.239
<v Speaker 2>attempting to oh, I know what it was. He went

0:55:39.280 --> 0:55:41.640
<v Speaker 2>in the army under age, like hack Corts had done

0:55:41.960 --> 0:55:44.279
<v Speaker 2>post World War Two. He jumped in as a way out.

0:55:44.480 --> 0:55:47.520
<v Speaker 2>You know. My granddad been a railroader, right, you know,

0:55:47.680 --> 0:55:50.759
<v Speaker 2>and was with Penn Central at that point. My great

0:55:50.760 --> 0:55:53.680
<v Speaker 2>grandfather had been a cabinet maker for the railroad. Came

0:55:53.719 --> 0:55:55.759
<v Speaker 2>out of he was a baby and came out of

0:55:55.800 --> 0:55:59.280
<v Speaker 2>the Shenandoah Valley and a constagle wagon across the Ohio,

0:55:59.320 --> 0:56:02.000
<v Speaker 2>you know, and in the Ohio Valley and that's where

0:56:02.040 --> 0:56:05.319
<v Speaker 2>they landed in southern Ohio across from Kentucky. And then

0:56:05.400 --> 0:56:11.080
<v Speaker 2>my mom's side of the families steeped in southeasternmost Kentucky

0:56:11.120 --> 0:56:15.080
<v Speaker 2>in deep western Virginia, you know, goes back. We don't

0:56:15.080 --> 0:56:17.880
<v Speaker 2>know how many generations. I never really explored enough of

0:56:17.920 --> 0:56:22.200
<v Speaker 2>it on that side, the Tibbs family, Ratlets, Gillhams, it's

0:56:22.320 --> 0:56:27.759
<v Speaker 2>old mountain names. But so he had this railroad background,

0:56:28.400 --> 0:56:35.480
<v Speaker 2>but he wanted to escape it, and I think I

0:56:35.480 --> 0:56:38.160
<v Speaker 2>got a bit of his optimism, you know. He you

0:56:38.200 --> 0:56:41.120
<v Speaker 2>know that he was always hoping for a better life,

0:56:41.360 --> 0:56:46.400
<v Speaker 2>you know, and not always successful at trying to attempt

0:56:46.400 --> 0:56:49.640
<v Speaker 2>the next move, you know. And ironically he ended up

0:56:49.800 --> 0:56:52.840
<v Speaker 2>living the last thirty years of his life in Kentucky,

0:56:53.280 --> 0:56:58.680
<v Speaker 2>in Louisville actually, but he became a state He worked

0:56:58.680 --> 0:57:00.439
<v Speaker 2>for the State of Ohio at one point he became

0:57:00.480 --> 0:57:03.719
<v Speaker 2>a construction inspector for the city and was really good

0:57:03.760 --> 0:57:07.440
<v Speaker 2>at that. He had great, you know, mechanical aptitude. And

0:57:07.480 --> 0:57:10.160
<v Speaker 2>then ended up working for the State of Kentucky his

0:57:10.280 --> 0:57:14.160
<v Speaker 2>last you know, I don't know, fifteen years of his

0:57:14.239 --> 0:57:21.480
<v Speaker 2>working life and retired from there. But I think back

0:57:21.520 --> 0:57:26.440
<v Speaker 2>he and I were just so different, as you know, personalities.

0:57:26.520 --> 0:57:29.720
<v Speaker 2>My brother and he were more in common with each

0:57:29.760 --> 0:57:33.000
<v Speaker 2>other any think, and locked horns a lot more than men.

0:57:33.000 --> 0:57:35.960
<v Speaker 2>I would look at my my younger brothers. You're the

0:57:36.000 --> 0:57:41.240
<v Speaker 2>rebel without the cause, Bob and the middle kid. Right, yeah, absolutely,

0:57:41.280 --> 0:57:42.120
<v Speaker 2>we'll get to that adventure.

0:57:42.200 --> 0:57:44.320
<v Speaker 1>But you know, we've talked about this before, but let's

0:57:44.320 --> 0:57:49.840
<v Speaker 1>go back here where. Yes, you basically grew up in Ohio,

0:57:50.400 --> 0:57:55.000
<v Speaker 1>but it's like Kentucky. It's the epicenter of the opioid

0:57:55.160 --> 0:57:58.520
<v Speaker 1>culture and bad things. So for those of us who

0:57:58.560 --> 0:58:01.520
<v Speaker 1>did not grow up there, you know, we hear about

0:58:01.600 --> 0:58:05.200
<v Speaker 1>coal miner's daughter, we hear about the holler. You know,

0:58:06.080 --> 0:58:08.520
<v Speaker 1>what exactly what was it like in your father's error?

0:58:08.600 --> 0:58:09.440
<v Speaker 2>What was it like for you?

0:58:09.520 --> 0:58:10.160
<v Speaker 1>What is it like?

0:58:10.240 --> 0:58:13.400
<v Speaker 2>Now? Well, there they were, you know, and my mother,

0:58:15.040 --> 0:58:18.760
<v Speaker 2>who I regret for her that she didn't go on

0:58:18.840 --> 0:58:24.680
<v Speaker 2>to college because she was an exceptional student and great

0:58:24.720 --> 0:58:28.160
<v Speaker 2>with English grammar. She would correct us, you know, and

0:58:28.520 --> 0:58:32.320
<v Speaker 2>a stickler for it. And my granny who barely you know,

0:58:32.400 --> 0:58:34.200
<v Speaker 2>maybe had an I don't know, in eighth grade, the

0:58:34.200 --> 0:58:37.520
<v Speaker 2>classic eighth grade education in the Mountain people, one of

0:58:37.560 --> 0:58:40.120
<v Speaker 2>the ironic moments for me was sitting in that holler.

0:58:40.160 --> 0:58:47.760
<v Speaker 2>It was dirt road. It was basically hollers. Rory Kennedy, huh.

0:58:48.920 --> 0:58:52.280
<v Speaker 2>She's one of Bobby's daughters, all right, Bobby Kennedy junior

0:58:52.480 --> 0:58:56.200
<v Speaker 2>domic Bobby Kennedy daughters is a documentary filmmaker. And she

0:58:56.240 --> 0:58:58.360
<v Speaker 2>did a piece a few years ago. It was a

0:58:58.360 --> 0:59:01.480
<v Speaker 2>great piece called American Hot. I only took exception with

0:59:01.800 --> 0:59:04.720
<v Speaker 2>her calling it a hollow instead of because in the

0:59:04.720 --> 0:59:08.240
<v Speaker 2>New England area where you would call it a hollow, right,

0:59:08.280 --> 0:59:11.080
<v Speaker 2>sleepy hollow or well, that's what they are. It's a hollow.

0:59:11.520 --> 0:59:13.960
<v Speaker 2>And it usually was a creek bed coming off the

0:59:14.040 --> 0:59:16.840
<v Speaker 2>mountain top, you know, in southeast Kentucky in that case,

0:59:16.960 --> 0:59:20.440
<v Speaker 2>or in West Virginia or wherever in the mountainous areas,

0:59:20.920 --> 0:59:26.040
<v Speaker 2>and this it was a single car wide dirt road

0:59:26.160 --> 0:59:28.680
<v Speaker 2>up that hollow to get to the top of them,

0:59:28.760 --> 0:59:31.920
<v Speaker 2>you know, from down at the bottom, and a creek

0:59:31.920 --> 0:59:36.560
<v Speaker 2>would run alongside of it out of there. So I was,

0:59:37.000 --> 0:59:40.120
<v Speaker 2>and that was only it was ninety miles you know,

0:59:40.400 --> 0:59:42.960
<v Speaker 2>to Kentucky from as we would go home, they call

0:59:43.000 --> 0:59:45.880
<v Speaker 2>it going home. That was what I my mother would

0:59:45.960 --> 0:59:48.800
<v Speaker 2>We're gonna go home this weekend and would take I

0:59:48.880 --> 0:59:51.240
<v Speaker 2>used to say we're tail like babies, because you would

0:59:51.280 --> 0:59:53.760
<v Speaker 2>see a line on Route twenty three out of Columbus.

0:59:54.600 --> 0:59:59.920
<v Speaker 2>You would get back onto Route twenty three and beheaded

1:00:00.080 --> 1:00:02.240
<v Speaker 2>south to Portsmouth, hind and go over to Ironan and

1:00:02.280 --> 1:00:04.919
<v Speaker 2>cross into Ashland, which is where the Juds are from.

1:00:05.800 --> 1:00:09.880
<v Speaker 2>And then Ricky Skaggs is another few miles in Louisa.

1:00:10.000 --> 1:00:13.800
<v Speaker 2>Down that road, that same highway, Loretta Lynn, Crystal Gale

1:00:13.880 --> 1:00:18.240
<v Speaker 2>or another county down. I'm on a sign that you

1:00:18.240 --> 1:00:20.040
<v Speaker 2>get to Pike County and that's where I was born.

1:00:20.120 --> 1:00:23.320
<v Speaker 2>Pipe Well, Patty Lovelas is a string of us that

1:00:23.440 --> 1:00:26.760
<v Speaker 2>came off that highway and that one section of Kentucky,

1:00:26.800 --> 1:00:29.120
<v Speaker 2>that state that went on. And then if you go

1:00:29.280 --> 1:00:33.920
<v Speaker 2>just across from Pike County where it borders it borders Virginia,

1:00:35.080 --> 1:00:37.440
<v Speaker 2>and you go across Ford Grundy and up and through

1:00:37.480 --> 1:00:41.760
<v Speaker 2>there's Clinch Mountain, which is where Ralph and Carter Stanley

1:00:41.800 --> 1:00:45.360
<v Speaker 2>came out up in the Carter family. Right ap card

1:00:45.600 --> 1:00:49.240
<v Speaker 2>the beginning of modern country music. Really right, they go

1:00:49.320 --> 1:00:51.800
<v Speaker 2>down and do the Bristol Sessions. Two acts came out

1:00:51.800 --> 1:00:57.360
<v Speaker 2>of the Bristol Sessions. Jimmy Rogers, right, and which was

1:00:57.400 --> 1:00:59.480
<v Speaker 2>it Ralph Pierre that went down with the recording. I

1:00:59.480 --> 1:01:01.840
<v Speaker 2>can't remember who went down and did the Bristol sessions

1:01:01.840 --> 1:01:06.800
<v Speaker 2>down anyway, And Jimmy Rodgers and the Carter family and

1:01:06.840 --> 1:01:09.480
<v Speaker 2>those of the two that blew up and made country

1:01:09.560 --> 1:01:16.240
<v Speaker 2>music in nineteen twenty seven commercial And so I'm born there, right,

1:01:16.800 --> 1:01:21.280
<v Speaker 2>and the escape route across the river lands me, you know,

1:01:21.480 --> 1:01:24.920
<v Speaker 2>up there in Columbus, And so my perspective was, and

1:01:24.960 --> 1:01:27.240
<v Speaker 2>I would get so carsick when we'd drive down through

1:01:27.240 --> 1:01:29.880
<v Speaker 2>therecause you follow Coultro as a two lane road, two

1:01:29.960 --> 1:01:32.919
<v Speaker 2>lane highway it was. It was a US Route Route

1:01:32.960 --> 1:01:36.880
<v Speaker 2>twenty three, and to this day it's widening and stuff,

1:01:36.880 --> 1:01:39.840
<v Speaker 2>but there's no interstate running over there. They were supposed

1:01:39.880 --> 1:01:42.320
<v Speaker 2>to put a new sixty six out of d C.

1:01:42.520 --> 1:01:44.680
<v Speaker 2>It's never been finished. It was going to go through there.

1:01:45.320 --> 1:01:52.640
<v Speaker 2>But and on one of the people that blocked you know,

1:01:52.880 --> 1:01:55.720
<v Speaker 2>a US road going down through there was I believe

1:01:56.200 --> 1:02:02.320
<v Speaker 2>Johnson post Lincoln, And it's weird. That's a weird presidency

1:02:02.360 --> 1:02:07.880
<v Speaker 2>and of itself and his his you know, kind of

1:02:08.320 --> 1:02:11.520
<v Speaker 2>hostility towards the South, you know at that point because

1:02:11.520 --> 1:02:16.040
<v Speaker 2>he's from Tennessee the form and vice president, right, I

1:02:16.040 --> 1:02:21.360
<v Speaker 2>mean Johnson who became the president and was impeached, you know,

1:02:21.560 --> 1:02:26.920
<v Speaker 2>prior to Trump, the only I think sitting president impeached. Anyway,

1:02:28.040 --> 1:02:31.920
<v Speaker 2>that culture was there up and down that highway, and

1:02:32.000 --> 1:02:34.880
<v Speaker 2>I used to say that on Friday nights and tail

1:02:34.920 --> 1:02:38.120
<v Speaker 2>a babies, you'd see all these license plates from Michigan

1:02:38.600 --> 1:02:42.440
<v Speaker 2>and Ohio headed south. They were going home from Detroit,

1:02:43.280 --> 1:02:45.760
<v Speaker 2>tons of these cars because they could make it. You know,

1:02:45.800 --> 1:02:48.880
<v Speaker 2>at that point it was it was mostly you could

1:02:48.880 --> 1:02:51.560
<v Speaker 2>do interstate coming down to Columbia. You could jump on

1:02:51.560 --> 1:02:55.640
<v Speaker 2>that US route and take it across into Kentucky. But

1:02:55.720 --> 1:02:58.920
<v Speaker 2>you could be down there from Columbus and you'd be

1:02:58.920 --> 1:03:01.200
<v Speaker 2>at the river an hour and a half and then

1:03:01.440 --> 1:03:04.320
<v Speaker 2>you'd start the hard part of it and there'd be another,

1:03:04.440 --> 1:03:06.600
<v Speaker 2>you know, three hours to get you know, to the

1:03:06.600 --> 1:03:08.640
<v Speaker 2>house in the holler. I wrote about it reading writing

1:03:08.720 --> 1:03:12.920
<v Speaker 2>Route twenty three. You know about the grandparents staying up

1:03:12.920 --> 1:03:14.880
<v Speaker 2>to see those grand babies. You know, they would bring

1:03:14.960 --> 1:03:18.320
<v Speaker 2>us in and then I would spend time down there

1:03:18.320 --> 1:03:20.080
<v Speaker 2>with them in the summers and you just stay there.

1:03:20.120 --> 1:03:22.240
<v Speaker 2>My you know, mother would leave me and you know

1:03:22.240 --> 1:03:24.560
<v Speaker 2>I'd be with them, and they were old mountain people.

1:03:25.240 --> 1:03:27.680
<v Speaker 2>My granddad was born in nineteen oh one, and it's

1:03:27.720 --> 1:03:30.080
<v Speaker 2>you know, it's you know, kind of the Sergeant York

1:03:30.640 --> 1:03:33.840
<v Speaker 2>you know version of that stuff, you know. But I

1:03:33.920 --> 1:03:36.120
<v Speaker 2>learned to shoot a shotgun with him. You know. It's

1:03:36.160 --> 1:03:38.600
<v Speaker 2>all that was, you know, part and parcel of what

1:03:38.640 --> 1:03:46.720
<v Speaker 2>I was living. And they'd had a tougher road to hoe,

1:03:47.160 --> 1:03:49.560
<v Speaker 2>you know than me. I was lucky, you know. They

1:03:49.680 --> 1:03:52.320
<v Speaker 2>they escaped me, you know, so I got to see

1:03:52.320 --> 1:03:54.880
<v Speaker 2>the world and then have it come into the living

1:03:54.920 --> 1:03:56.960
<v Speaker 2>room and color at some point, you know, and.

1:03:58.080 --> 1:04:02.240
<v Speaker 1>Have Okay, So with this late day, what is it

1:04:02.360 --> 1:04:06.840
<v Speaker 1>that people in the blue areas in the metropolis don't

1:04:06.920 --> 1:04:09.360
<v Speaker 1>get about people from that era area?

1:04:11.200 --> 1:04:14.600
<v Speaker 2>Well that there number one I think that I can

1:04:14.680 --> 1:04:17.520
<v Speaker 2>talk about holler that they're suspicious. One of the things

1:04:17.520 --> 1:04:21.760
<v Speaker 2>that stayed with me from Gladwell's book Outliers was his

1:04:21.840 --> 1:04:25.560
<v Speaker 2>discussion about not being able to keep a circuit judge

1:04:25.760 --> 1:04:28.800
<v Speaker 2>as late as the eighties, remember in Southeast Kentucky and

1:04:28.880 --> 1:04:31.840
<v Speaker 2>Harlan and he was talking about Harlan County specifically. But

1:04:32.520 --> 1:04:34.320
<v Speaker 2>if you remember that part of the book, he said

1:04:34.520 --> 1:04:36.560
<v Speaker 2>they were going in people would walk in with a

1:04:36.640 --> 1:04:40.520
<v Speaker 2>gun into court and threaten the judge. And they knew

1:04:40.600 --> 1:04:44.080
<v Speaker 2>him minute. I had a great oral surgeon out here

1:04:44.120 --> 1:04:47.720
<v Speaker 2>that had done his his his.

1:04:47.840 --> 1:04:50.040
<v Speaker 1>I think this is hillbilly elogy you're referring to.

1:04:50.160 --> 1:04:55.040
<v Speaker 2>Right, No, no, no, it's Gladwell's book Outliers. He talks

1:04:55.040 --> 1:04:59.400
<v Speaker 2>about Harlan County, Kentucky, and how the feuding culture it

1:04:59.480 --> 1:05:01.800
<v Speaker 2>crops up around the world in places that are not

1:05:01.880 --> 1:05:07.080
<v Speaker 2>hospitable to agrarian culture, that are herd cultures, like if

1:05:07.080 --> 1:05:11.480
<v Speaker 2>you remember the Highlands of Scotland, of the Mediterranean Crescent

1:05:11.600 --> 1:05:16.000
<v Speaker 2>right the menu, where they don't operate as a collective

1:05:16.080 --> 1:05:22.160
<v Speaker 2>force in it. They had to take any any suspicious person.

1:05:22.640 --> 1:05:25.640
<v Speaker 2>A stranger shows up and if he bumps into you

1:05:25.720 --> 1:05:28.160
<v Speaker 2>in a bar, you can't let it go because he

1:05:28.240 --> 1:05:31.760
<v Speaker 2>may be testing you like a perimeter, you know, probe

1:05:32.280 --> 1:05:33.960
<v Speaker 2>to see if he can come that if you're a

1:05:33.960 --> 1:05:36.400
<v Speaker 2>weekly and he can come back that night and steal

1:05:36.480 --> 1:05:39.240
<v Speaker 2>your herd of goats, steal your cattle. Because you can

1:05:39.320 --> 1:05:42.480
<v Speaker 2>do that overnight. You can't take a thousand acres of wheat.

1:05:43.040 --> 1:05:46.120
<v Speaker 2>You can't move that overnight. It takes a collective effort.

1:05:46.200 --> 1:05:48.439
<v Speaker 2>Right to harvest it, put it on a truck, put

1:05:48.440 --> 1:05:50.200
<v Speaker 2>it on you know whatever, and take it to market.

1:05:50.720 --> 1:05:54.800
<v Speaker 2>But with herds, and it moved out across the country

1:05:54.840 --> 1:05:57.120
<v Speaker 2>when you think about it, you know, with the last

1:05:57.160 --> 1:06:00.520
<v Speaker 2>bashing being the cattle country in the west right where

1:06:00.560 --> 1:06:03.080
<v Speaker 2>they fought the farmers coming in and putting up fences,

1:06:03.080 --> 1:06:07.240
<v Speaker 2>et cetera. And they even got down to killing with regulators,

1:06:07.240 --> 1:06:10.800
<v Speaker 2>you know, and things like that. So that culture's there.

1:06:10.840 --> 1:06:13.160
<v Speaker 2>And what I would say is just know that they're

1:06:13.280 --> 1:06:18.919
<v Speaker 2>suspect of everybody that doesn't, you know, come from their

1:06:18.960 --> 1:06:23.160
<v Speaker 2>local area. Any outside that shows up, they're watching you.

1:06:23.680 --> 1:06:25.840
<v Speaker 2>I was going to say, I had this this this

1:06:27.320 --> 1:06:31.560
<v Speaker 2>oral surgeon out here who found out me. You got

1:06:31.600 --> 1:06:33.600
<v Speaker 2>acquainted with me a little bit, and he went, wait

1:06:33.600 --> 1:06:37.120
<v Speaker 2>a minute, you're from Kentucky's I want the University of Kentucky.

1:06:37.440 --> 1:06:39.400
<v Speaker 2>He's wearing diners and know where you've ever heard of

1:06:39.400 --> 1:06:40.800
<v Speaker 2>it either. I went to the University of Kentucky and

1:06:40.880 --> 1:06:43.480
<v Speaker 2>did my They had a program there where you did.

1:06:44.160 --> 1:06:46.600
<v Speaker 2>He had gotten his degree in dentistry and went back

1:06:46.640 --> 1:06:48.920
<v Speaker 2>there to specialize in oral surgery. And while you're doing it,

1:06:48.960 --> 1:06:51.480
<v Speaker 2>they became an MD, became a medical doctor. Along with

1:06:52.400 --> 1:06:57.120
<v Speaker 2>you know, getting his specially in oral surgery, he said.

1:06:57.160 --> 1:06:59.400
<v Speaker 2>But part of the deal was, I said, well, I'm

1:06:59.400 --> 1:07:02.560
<v Speaker 2>from You probably never been where I'm born, Pipewell, Kentucky.

1:07:02.680 --> 1:07:07.040
<v Speaker 2>We down it's last corner of the state. And he said,

1:07:07.200 --> 1:07:11.040
<v Speaker 2>are you kidding? He said, our professor, the head of

1:07:11.040 --> 1:07:16.720
<v Speaker 2>the department at University of Kentucky, had had dental offices

1:07:16.800 --> 1:07:19.840
<v Speaker 2>in Pike County, in Floyd County, which is where I lived,

1:07:20.200 --> 1:07:22.320
<v Speaker 2>he said, and we had to Part of the deal

1:07:22.520 --> 1:07:25.560
<v Speaker 2>was we had to go work those on the weekends

1:07:25.960 --> 1:07:28.280
<v Speaker 2>for him. He said, let me tell you something I

1:07:28.360 --> 1:07:32.040
<v Speaker 2>learned a lot. He said. There was a guy had

1:07:32.080 --> 1:07:34.640
<v Speaker 2>a dog near him. He was living and he had

1:07:34.640 --> 1:07:37.920
<v Speaker 2>a little house that was owned by the by whoever.

1:07:37.960 --> 1:07:42.600
<v Speaker 2>This doctor was at University of Kentucky. And he said,

1:07:43.640 --> 1:07:45.800
<v Speaker 2>I was asleep the first couple of nights and there

1:07:45.840 --> 1:07:48.880
<v Speaker 2>was a hound dog, like you know I was. It

1:07:49.000 --> 1:07:51.240
<v Speaker 2>wasn't even it was a hunting dog, but he was.

1:07:51.360 --> 1:07:55.320
<v Speaker 2>They were in this pen on an adjacent lot and

1:07:55.360 --> 1:07:57.040
<v Speaker 2>they were barking all night, and he said, I had

1:07:57.040 --> 1:07:59.200
<v Speaker 2>to get sleep, he said, so I went over and

1:07:59.360 --> 1:08:02.400
<v Speaker 2>just lifted the thing. They weren't going to stop. They're

1:08:02.480 --> 1:08:05.000
<v Speaker 2>hound dogs, you know, just in there, bellering and hollering.

1:08:05.600 --> 1:08:08.640
<v Speaker 2>He said, I just lifted the latch and kind of

1:08:08.680 --> 1:08:15.080
<v Speaker 2>let them go. He said. About two days later, he said,

1:08:15.080 --> 1:08:17.800
<v Speaker 2>I gotta knock on my door in that little house,

1:08:17.840 --> 1:08:20.800
<v Speaker 2>shotgun house, he said. He said. The guy came up

1:08:22.040 --> 1:08:26.360
<v Speaker 2>and he said, uh, I said, hey, mister. He said,

1:08:26.520 --> 1:08:29.639
<v Speaker 2>just two guys. He said. They were scary looking, haunted,

1:08:30.120 --> 1:08:34.040
<v Speaker 2>gaunt faced, you know, coal miner looking guys, and they're

1:08:34.439 --> 1:08:39.040
<v Speaker 2>hunting caps. And there to them, he said, said our

1:08:39.160 --> 1:08:43.599
<v Speaker 2>dog got out. And he said, oh really, he said yeah, yeah,

1:08:43.840 --> 1:08:47.360
<v Speaker 2>he said we got them back. He said, but you

1:08:47.360 --> 1:08:50.720
<v Speaker 2>wouldn't know anything about that, would you let them getting out?

1:08:51.120 --> 1:08:53.720
<v Speaker 2>And he said I was like, he said, I literally.

1:08:54.120 --> 1:08:56.400
<v Speaker 2>But he talked about the culture. He told me. He said,

1:08:56.439 --> 1:08:58.400
<v Speaker 2>you know, they would pay in cash and somebody said,

1:08:58.400 --> 1:09:01.439
<v Speaker 2>I knew they couldn't afford any of it. And they

1:09:01.479 --> 1:09:03.800
<v Speaker 2>would come in and have wads of cash to give

1:09:03.880 --> 1:09:07.040
<v Speaker 2>him to fix their kid's tooth or fix and he

1:09:07.040 --> 1:09:09.760
<v Speaker 2>said it was just it was heartbreaking at times. He said,

1:09:09.760 --> 1:09:12.679
<v Speaker 2>and what was you know, part of that experience? And

1:09:12.680 --> 1:09:15.439
<v Speaker 2>and but he said they looked at him and he said,

1:09:16.920 --> 1:09:19.760
<v Speaker 2>you know, you don't let a man dog loose and

1:09:19.800 --> 1:09:21.960
<v Speaker 2>he said, I took it. He said, I got the warning.

1:09:22.280 --> 1:09:23.920
<v Speaker 2>He said. They were both standing. He said they were

1:09:23.920 --> 1:09:26.519
<v Speaker 2>holding shotguns because there were hunters, you know, and hunter

1:09:26.560 --> 1:09:29.439
<v Speaker 2>caps and he said staring at him. He said, because

1:09:29.920 --> 1:09:32.240
<v Speaker 2>so his experience there, it was interesting, you know. He

1:09:32.280 --> 1:09:37.519
<v Speaker 2>and I uh talked about it many times over the years.

1:09:37.560 --> 1:09:42.360
<v Speaker 2>So that culture it's a lost part of America, you know,

1:09:42.400 --> 1:09:46.280
<v Speaker 2>in a way it's it's it's and it's been forgotten

1:09:46.320 --> 1:09:48.680
<v Speaker 2>a lot, you know, they've been left, you know, like

1:09:48.720 --> 1:09:51.160
<v Speaker 2>you said, the opioid crisis that's gone on down there

1:09:51.560 --> 1:09:56.160
<v Speaker 2>and throughout that area of the region, you know. And

1:09:56.160 --> 1:09:59.280
<v Speaker 2>and he'll be theology. He touches on all that the

1:09:59.320 --> 1:10:02.840
<v Speaker 2>aspects of it you get out and Gladwell discusses that

1:10:03.000 --> 1:10:07.520
<v Speaker 2>aspect about in outliers about at the University of michigand

1:10:07.640 --> 1:10:09.920
<v Speaker 2>a double blind study of kids that were removed from

1:10:09.960 --> 1:10:12.360
<v Speaker 2>the South or just recently moved from them stuff, but

1:10:12.439 --> 1:10:15.720
<v Speaker 2>even those that were two and three generations removed. And

1:10:15.800 --> 1:10:17.880
<v Speaker 2>I believe they found in the nineties when they were

1:10:17.960 --> 1:10:21.800
<v Speaker 2>unlocking the DNA code, right, they finally pre prior to

1:10:21.840 --> 1:10:25.679
<v Speaker 2>twenty three and meterison all that stuff they discovered maybe

1:10:25.680 --> 1:10:28.200
<v Speaker 2>a gene why people think they've had past lives. You

1:10:28.240 --> 1:10:31.240
<v Speaker 2>know that you're carrying a sense memory gene. If you've

1:10:31.360 --> 1:10:37.000
<v Speaker 2>read about the sense memories, you're carrying memories from all

1:10:37.080 --> 1:10:42.439
<v Speaker 2>the relative your parents, grandparents, great grandparents, great great great

1:10:42.880 --> 1:10:46.080
<v Speaker 2>as long as they lived through experiences long enough to

1:10:48.720 --> 1:10:51.960
<v Speaker 2>you know, convey those thoughts and experiences through their DNA

1:10:52.320 --> 1:10:55.640
<v Speaker 2>by pro creating forward right, so that if you had

1:10:55.640 --> 1:10:59.519
<v Speaker 2>a great great grandfather that fought in something, you have

1:10:59.640 --> 1:11:03.120
<v Speaker 2>this it's memory, Or you have apprehensions about height, or

1:11:03.160 --> 1:11:06.000
<v Speaker 2>you have you know, you know what I mean. And

1:11:06.360 --> 1:11:10.000
<v Speaker 2>they were talking. Gladwell discusses that these kids that were

1:11:10.120 --> 1:11:12.920
<v Speaker 2>even a generation or two generations removed from the South

1:11:13.200 --> 1:11:18.919
<v Speaker 2>still behaved with the umbrage of Southerners at the University

1:11:18.920 --> 1:11:22.040
<v Speaker 2>of Michigan when they were presented with a circumstance that

1:11:22.880 --> 1:11:25.800
<v Speaker 2>felt insulting to them, How they would react versus a

1:11:25.880 --> 1:11:27.920
<v Speaker 2>kid from New York or you know, a kid from

1:11:27.920 --> 1:11:31.080
<v Speaker 2>the Northeast who didn't react the same way, didn't take

1:11:31.280 --> 1:11:33.800
<v Speaker 2>you know, as much umbrage was something you know, the

1:11:33.880 --> 1:11:37.120
<v Speaker 2>you know the challenge of it. And I do believe

1:11:37.160 --> 1:11:41.280
<v Speaker 2>that it has to do with with being a lost element.

1:11:42.120 --> 1:11:44.920
<v Speaker 2>And I used to tell people, I said, look, Kentucky

1:11:45.080 --> 1:11:47.880
<v Speaker 2>is a mountain state. There's parts of it that are

1:11:48.000 --> 1:11:52.520
<v Speaker 2>that are dixiefied, you know, the central and western part,

1:11:52.720 --> 1:11:57.880
<v Speaker 2>but eastern and southeastern Kentucky, eastern West Kentucky. It's mountain culture. Billy,

1:11:57.880 --> 1:11:59.599
<v Speaker 2>Bob Thornton and I have talked about that because he's

1:11:59.600 --> 1:12:04.080
<v Speaker 2>from arc which is a mountain state again, and it's different.

1:12:04.160 --> 1:12:08.160
<v Speaker 2>The dialects are different. It's not Southern, it's not Southern

1:12:10.320 --> 1:12:14.840
<v Speaker 2>colloquialism the same. It's not you know, Dixie Land kind

1:12:14.840 --> 1:12:19.240
<v Speaker 2>of you know stuff. It's and it was a border

1:12:19.240 --> 1:12:21.120
<v Speaker 2>state for that reason, I think, and that's why West

1:12:21.200 --> 1:12:24.479
<v Speaker 2>Virginia broke away from Virginia, that section of the state,

1:12:24.880 --> 1:12:28.760
<v Speaker 2>you know, within you know, within those states. There was

1:12:28.800 --> 1:12:31.960
<v Speaker 2>this conflict going on. The Hatfields of McCoy's feuded in

1:12:31.960 --> 1:12:35.599
<v Speaker 2>that county historically, that's where it happened, Pike County, Kentucky,

1:12:36.080 --> 1:12:38.000
<v Speaker 2>and they believed that it was an outgrowth of the

1:12:38.040 --> 1:12:41.000
<v Speaker 2>Civil War. I think the McCoys sided with the Union

1:12:41.479 --> 1:12:45.400
<v Speaker 2>and the hat Fields were sympathizers to the Confederacy, and

1:12:45.439 --> 1:12:49.519
<v Speaker 2>they had sons that were in the Southern Army and

1:12:49.600 --> 1:12:51.280
<v Speaker 2>one of them came back and was hiding in a

1:12:51.320 --> 1:12:54.840
<v Speaker 2>cave and the McCoy's allegedly gave him up to the

1:12:54.960 --> 1:12:58.360
<v Speaker 2>Union troops that were there and pipe Bull and they

1:12:58.360 --> 1:13:00.920
<v Speaker 2>went up and killed it. And they believe that's where

1:13:00.960 --> 1:13:03.920
<v Speaker 2>the feud began with the Hatfields of McCoy's and it

1:13:04.000 --> 1:13:07.439
<v Speaker 2>went on, you know that one, you know, for about

1:13:07.479 --> 1:13:11.559
<v Speaker 2>forty five years. A sheriff finally arrested one of each

1:13:11.800 --> 1:13:14.760
<v Speaker 2>part of each family, put them on a barge because

1:13:14.760 --> 1:13:16.800
<v Speaker 2>they couldn't keep them. They would go break them out

1:13:16.800 --> 1:13:19.040
<v Speaker 2>of the jail, you know, literally, and he put them

1:13:19.080 --> 1:13:21.400
<v Speaker 2>on a logging barge at that time before the coal

1:13:21.400 --> 1:13:24.720
<v Speaker 2>barges and sent him up river to Ashland and over

1:13:24.760 --> 1:13:26.479
<v Speaker 2>to Louisville and they were held there and stood a

1:13:26.520 --> 1:13:28.680
<v Speaker 2>trial and that tamped it down and they both went

1:13:28.720 --> 1:13:32.120
<v Speaker 2>to prison and that stopped the feud. As you know

1:13:32.200 --> 1:13:37.280
<v Speaker 2>what historically I've read anyway, that culture is different than

1:13:37.320 --> 1:13:42.040
<v Speaker 2>the Deep South. It's it's the isolationists, you know, they

1:13:42.280 --> 1:13:46.040
<v Speaker 2>really are. It's like the Scottish Highland culture. You know,

1:13:46.360 --> 1:13:51.280
<v Speaker 2>the Scots they're not you know, they weren't like those

1:13:51.320 --> 1:13:54.640
<v Speaker 2>from England, you know, going back as far as you know,

1:13:54.840 --> 1:13:57.240
<v Speaker 2>Mary Queen of Scotts, all of it. You know, it's

1:13:57.439 --> 1:14:02.160
<v Speaker 2>so I think that the Blue States don't understand that

1:14:02.400 --> 1:14:08.040
<v Speaker 2>dynamic of American culture, the you know, the outlier culture

1:14:08.400 --> 1:14:15.519
<v Speaker 2>that's part of that, right, those that are disenfranchised, no

1:14:15.560 --> 1:14:19.400
<v Speaker 2>matter what race, you know, the disenfranchised that are part

1:14:19.400 --> 1:14:20.760
<v Speaker 2>of that. You know.

1:14:28.240 --> 1:14:32.880
<v Speaker 1>Okay, your father was such an organization company man structure.

1:14:32.920 --> 1:14:35.760
<v Speaker 1>You said he liked that. How'd you end up being

1:14:35.800 --> 1:14:37.920
<v Speaker 1>so entrepreneurial? Me?

1:14:39.320 --> 1:14:41.960
<v Speaker 2>Yeah, me being I don't think I'm not that much.

1:14:42.960 --> 1:14:46.439
<v Speaker 1>Two things, it's you're inherently an entrepreneur if you're a

1:14:46.520 --> 1:14:50.559
<v Speaker 1>musician making it's like he did a weekly he.

1:14:51.400 --> 1:14:54.040
<v Speaker 2>Would have never done that. He looked at me one time,

1:14:54.120 --> 1:14:56.840
<v Speaker 2>he said, well, I'm just graduated high school. He said, son, boy,

1:14:56.880 --> 1:14:59.000
<v Speaker 2>you got to know your station in life. And I

1:14:59.040 --> 1:15:02.320
<v Speaker 2>thought I was sad for him when I looked at

1:15:02.400 --> 1:15:04.519
<v Speaker 2>him across you know, I was. I guess I was

1:15:04.560 --> 1:15:07.479
<v Speaker 2>eighteen or nineteen at that point, and I'm still living

1:15:07.479 --> 1:15:10.440
<v Speaker 2>at home and going to school, you know, school at

1:15:09.960 --> 1:15:14.400
<v Speaker 2>a high state. And I thought, wow, it kind of

1:15:14.520 --> 1:15:17.280
<v Speaker 2>broke my heart for him. You know that he felt

1:15:17.960 --> 1:15:20.040
<v Speaker 2>there was a point as much as that Walter Mitty

1:15:20.160 --> 1:15:24.559
<v Speaker 2>was in him, he didn't fully believe he could really,

1:15:25.439 --> 1:15:29.320
<v Speaker 2>you know, grab that ring, you know, and that brass

1:15:29.400 --> 1:15:30.840
<v Speaker 2>ring was not okay?

1:15:30.880 --> 1:15:34.000
<v Speaker 1>Did you always know that you were gonna make it

1:15:34.000 --> 1:15:36.400
<v Speaker 1>that you were going to grab the brass ring doing something?

1:15:36.439 --> 1:15:39.960
<v Speaker 2>For what I said fifth grade? Right that I even earlier,

1:15:40.000 --> 1:15:44.080
<v Speaker 2>there was a craziness, you know. So I'm just egotistical enough,

1:15:44.080 --> 1:15:47.760
<v Speaker 2>because enough of the narcissist maybe that I that I

1:15:47.920 --> 1:15:52.519
<v Speaker 2>anyone that gave me encouragement again outside family, because they

1:15:52.520 --> 1:15:56.000
<v Speaker 2>were and my parents were not. They didn't tamp me down,

1:15:56.360 --> 1:15:58.240
<v Speaker 2>you know, they didn't criticize you know, you know what

1:15:58.280 --> 1:16:00.960
<v Speaker 2>I mean. It's like I've been I've been witnessed now

1:16:01.000 --> 1:16:05.960
<v Speaker 2>as an adult to some families. I'm stunned. I like, wow,

1:16:06.120 --> 1:16:09.680
<v Speaker 2>That's why I said earlier. They weren't malicious ever, And

1:16:09.760 --> 1:16:12.000
<v Speaker 2>I look at it now and I think you where

1:16:12.040 --> 1:16:14.120
<v Speaker 2>you've got parents that are competing. I don't think what

1:16:14.120 --> 1:16:16.160
<v Speaker 2>I've read from you that your parents competed with you.

1:16:16.720 --> 1:16:20.320
<v Speaker 1>They love not what I think my mother on a

1:16:20.439 --> 1:16:23.519
<v Speaker 1>very subtle level, but the difference between my family and

1:16:23.560 --> 1:16:27.160
<v Speaker 1>your family sounds like by today's standards, we were abused kids.

1:16:27.280 --> 1:16:28.840
<v Speaker 1>My father used to hit us all the time.

1:16:29.000 --> 1:16:32.160
<v Speaker 2>Well we got spanked, oh and you didn't my dad,

1:16:32.479 --> 1:16:34.519
<v Speaker 2>but my mother, my mother would make us go pick

1:16:34.520 --> 1:16:37.479
<v Speaker 2>our own switch. That's a hillbalid deal. We would have

1:16:37.479 --> 1:16:39.559
<v Speaker 2>to go pick our own switch. And it wasn't one

1:16:39.600 --> 1:16:44.080
<v Speaker 2>you should bring back that would break. I remember testing

1:16:44.080 --> 1:16:46.960
<v Speaker 2>the switch out on my bare legs and shorts, going

1:16:47.040 --> 1:16:50.360
<v Speaker 2>back across the yard because she had this. We had

1:16:50.360 --> 1:16:54.880
<v Speaker 2>this huge hedge that was we're on this house that

1:16:54.920 --> 1:16:57.479
<v Speaker 2>we had and we have to pick a switch out

1:16:57.520 --> 1:16:59.680
<v Speaker 2>of there. This is brutal, right, we have to go

1:16:59.720 --> 1:17:04.799
<v Speaker 2>pick the element of your of your torture yourself. And

1:17:05.280 --> 1:17:08.200
<v Speaker 2>so we got switched, but they didn't. Never got hit

1:17:08.240 --> 1:17:10.880
<v Speaker 2>in the face, never got hit with you, you know

1:17:10.920 --> 1:17:14.920
<v Speaker 2>what I mean. It was I was spanked, you know.

1:17:15.160 --> 1:17:18.080
<v Speaker 1>It was a little bit more vicious where I grew up. Really,

1:17:18.080 --> 1:17:21.240
<v Speaker 1>my father was a little out of control. He'd had

1:17:21.360 --> 1:17:24.439
<v Speaker 1>his father lost a hand in a railroad accident and

1:17:24.479 --> 1:17:27.360
<v Speaker 1>had been married before. And when he lost die he

1:17:27.439 --> 1:17:29.960
<v Speaker 1>left all whatever money he had to the first family.

1:17:30.040 --> 1:17:33.680
<v Speaker 1>My father had a heart upbringing, and it wasn't until

1:17:35.400 --> 1:17:37.040
<v Speaker 1>very you know, we were way out of the house

1:17:37.600 --> 1:17:40.719
<v Speaker 1>where I remember there used to be this chairlifted Aspen Highlands.

1:17:40.720 --> 1:17:43.160
<v Speaker 1>He was a shitty skier, but he was a terrible athlete.

1:17:43.160 --> 1:17:44.960
<v Speaker 1>It's one thing he could do. And there was this

1:17:45.040 --> 1:17:47.040
<v Speaker 1>chair that took a half an hour. And it would

1:17:47.080 --> 1:17:49.559
<v Speaker 1>be difficult to talk to my father. You could listen

1:17:49.600 --> 1:17:51.880
<v Speaker 1>to him, but it's hard to have a conversation. And

1:17:51.920 --> 1:17:54.920
<v Speaker 1>he started pontificating about all these things that happened to

1:17:55.000 --> 1:17:58.880
<v Speaker 1>him growing up. Never told any of those stories until

1:17:58.920 --> 1:17:59.679
<v Speaker 1>he had made.

1:17:59.520 --> 1:18:05.200
<v Speaker 2>It right right. Wow, did you did you get hit

1:18:06.600 --> 1:18:10.559
<v Speaker 2>like around the face and all that? I mean, oh,

1:18:10.680 --> 1:18:11.160
<v Speaker 2>I mean.

1:18:13.520 --> 1:18:15.519
<v Speaker 1>You know that great line, I'm gonna hit you till

1:18:15.560 --> 1:18:20.720
<v Speaker 1>you stop crying. Wow, that was all that, you know?

1:18:21.240 --> 1:18:21.960
<v Speaker 2>Yeah, that was me.

1:18:22.080 --> 1:18:25.400
<v Speaker 1>Usually it was the belt, sometimes the hair brush, They

1:18:25.680 --> 1:18:27.960
<v Speaker 1>get the hair brush in the head. My father would

1:18:27.960 --> 1:18:28.840
<v Speaker 1>slap you in the face.

1:18:28.920 --> 1:18:32.720
<v Speaker 2>Sure, and yeah we didn't. My father, he contains him.

1:18:32.880 --> 1:18:33.519
<v Speaker 2>Not a guy.

1:18:34.479 --> 1:18:36.840
<v Speaker 1>My father was not the type of guy who was

1:18:36.960 --> 1:18:41.080
<v Speaker 1>beefy and scary that way. But man, when he lost it,

1:18:41.160 --> 1:18:44.320
<v Speaker 1>he was it was almost like this guy is losing control.

1:18:44.439 --> 1:18:45.599
<v Speaker 1>It's like you felt sane.

1:18:45.880 --> 1:18:49.839
<v Speaker 2>Yeah yeah, yeah, yeah, no, I mean, well, they believed

1:18:49.880 --> 1:18:54.200
<v Speaker 2>in corporal punishment, they were you know, they they spanked,

1:18:54.840 --> 1:18:58.439
<v Speaker 2>but we again I didn't. I'm trying to think of

1:18:58.479 --> 1:19:00.760
<v Speaker 2>my brother. My brother probably came to closest because he

1:19:01.360 --> 1:19:07.280
<v Speaker 2>threatened my dad. And uh, one time I heard him.

1:19:08.520 --> 1:19:12.400
<v Speaker 2>I was in college. My brother was in a bedroom

1:19:12.439 --> 1:19:14.720
<v Speaker 2>next to me. But at that point we had a

1:19:14.760 --> 1:19:17.320
<v Speaker 2>you know, a house you know, on the sub we'd

1:19:17.320 --> 1:19:20.559
<v Speaker 2>gotten one car garage, but had had four bedrooms. My

1:19:20.600 --> 1:19:23.840
<v Speaker 2>sister had a bedroom, brother and I and my parents.

1:19:23.920 --> 1:19:27.160
<v Speaker 2>And he came upstairs and my brother was still in bed.

1:19:27.200 --> 1:19:29.000
<v Speaker 2>He was supposed to be out and going to you know,

1:19:29.120 --> 1:19:32.880
<v Speaker 2>high school, getting and I remember he was grown. He

1:19:33.400 --> 1:19:38.200
<v Speaker 2>was probably in his senior year and I was in

1:19:38.320 --> 1:19:41.800
<v Speaker 2>bed because I didn't have a class at at high State.

1:19:41.840 --> 1:19:44.759
<v Speaker 2>I was and I heard my dad walk in and go, hey,

1:19:45.200 --> 1:19:48.120
<v Speaker 2>get up, and my brother turned or no, he opened

1:19:48.120 --> 1:19:50.439
<v Speaker 2>the door with me first is what was? He said,

1:19:50.479 --> 1:19:52.320
<v Speaker 2>you're getting up? And I said yeah, I mean you know,

1:19:53.479 --> 1:19:57.800
<v Speaker 2>and opened the door of my brother. My dad got up,

1:19:58.160 --> 1:20:00.040
<v Speaker 2>even when he didn't. I never knew dated he and

1:20:00.160 --> 1:20:02.599
<v Speaker 2>have another job. He would leave a job and go

1:20:02.720 --> 1:20:05.439
<v Speaker 2>right to another job, you know, he did. He just

1:20:05.560 --> 1:20:09.439
<v Speaker 2>had that ethic, you know, he would find work in

1:20:09.560 --> 1:20:12.760
<v Speaker 2>early because the army. He was up even in his

1:20:12.880 --> 1:20:14.879
<v Speaker 2>days off. He was up to six am with coffee,

1:20:15.000 --> 1:20:18.160
<v Speaker 2>you know, down there, you know. And so he walked

1:20:18.160 --> 1:20:21.680
<v Speaker 2>into my door first, and he closed and opened my

1:20:21.720 --> 1:20:25.200
<v Speaker 2>brother's door, and my brother rolled over in the bed

1:20:25.240 --> 1:20:29.680
<v Speaker 2>said I heard your mouth. Now what's the t ow

1:20:30.479 --> 1:20:33.920
<v Speaker 2>He said that, and all I heard was my dad

1:20:33.960 --> 1:20:37.160
<v Speaker 2>crossed the room in like three strides and he picked

1:20:37.240 --> 1:20:42.080
<v Speaker 2>him up by the collar and the butt of the

1:20:42.080 --> 1:20:46.120
<v Speaker 2>sheets grabbed his body, picked him up and threw him.

1:20:46.280 --> 1:20:48.800
<v Speaker 2>And that was the barracks I'm sure that was a

1:20:48.840 --> 1:20:53.400
<v Speaker 2>barracks moment. Across the room. He hit the wall. He goes, hey, boy,

1:20:53.520 --> 1:20:57.439
<v Speaker 2>you could you call me my mouth again? Whatever it

1:20:57.520 --> 1:21:00.400
<v Speaker 2>wasn't it stormed out and left, didn't it even face?

1:21:01.120 --> 1:21:02.720
<v Speaker 2>And I got him. I remember, I walked down. I went,

1:21:04.000 --> 1:21:06.120
<v Speaker 2>I leaned on the door John, I said, look at him,

1:21:06.120 --> 1:21:08.759
<v Speaker 2>and he's on the floor, still in a pile of sheets.

1:21:09.840 --> 1:21:13.960
<v Speaker 2>And I said, dude, what were you thinking? It's like,

1:21:14.080 --> 1:21:17.280
<v Speaker 2>what are you thinking? And I and he threatened. I

1:21:17.320 --> 1:21:23.519
<v Speaker 2>heard threats, like another great euphemism. He said. My brother

1:21:23.600 --> 1:21:26.200
<v Speaker 2>had the refrigerator door. You know, this is when we're

1:21:26.280 --> 1:21:30.200
<v Speaker 2>manchild's right. You know, I'm like seventeen, my brother's you know, fifteen.

1:21:30.240 --> 1:21:32.920
<v Speaker 2>We're all standing and he's drinking out of the cart

1:21:32.920 --> 1:21:35.280
<v Speaker 2>and you know, instead of pouring it into the glass, right,

1:21:35.840 --> 1:21:39.439
<v Speaker 2>which which turned my stomach. I didn't do it because

1:21:40.320 --> 1:21:41.880
<v Speaker 2>I don't want to see it done and I'm not

1:21:41.960 --> 1:21:44.479
<v Speaker 2>doing But he was standing there and he did something

1:21:44.560 --> 1:21:46.679
<v Speaker 2>like that, and he left the door just standing open

1:21:46.720 --> 1:21:48.439
<v Speaker 2>and looked over at My dad was sitting at the

1:21:48.479 --> 1:21:50.920
<v Speaker 2>other end of the kitchen table drinking coffee and read

1:21:50.960 --> 1:21:53.920
<v Speaker 2>the newspaper. And he looked up and he said, hell

1:21:54.080 --> 1:21:58.720
<v Speaker 2>you think you're doing He said what he goes, how

1:21:58.720 --> 1:22:00.679
<v Speaker 2>would you like to have to drop up your parts

1:22:00.760 --> 1:22:03.559
<v Speaker 2>to eat your next meal? And we both looked at

1:22:03.560 --> 1:22:09.240
<v Speaker 2>each other, like, how would that happen? He let us.

1:22:09.439 --> 1:22:12.479
<v Speaker 2>He let that sink in for a minute, and he said,

1:22:13.479 --> 1:22:16.559
<v Speaker 2>because that's about how far down your throat your teeth

1:22:16.600 --> 1:22:19.320
<v Speaker 2>are going to be if you keep this up. When

1:22:19.360 --> 1:22:25.280
<v Speaker 2>I got that's the army sergeant going on. And like

1:22:25.320 --> 1:22:29.879
<v Speaker 2>I said, he grew up. My granddad I barely remember.

1:22:29.920 --> 1:22:32.280
<v Speaker 2>He died young. I mean it was early fifties. He

1:22:32.320 --> 1:22:34.920
<v Speaker 2>had a heart attack. My grandmother at forty nine, so

1:22:35.000 --> 1:22:38.080
<v Speaker 2>My dad's parents are both gone. My mom's parents the

1:22:38.360 --> 1:22:42.360
<v Speaker 2>Kentucky side. My granddad, Luke, I knew till I was grown,

1:22:42.840 --> 1:22:46.120
<v Speaker 2>and he was really a soft spoken mountain man, you know.

1:22:46.160 --> 1:22:50.920
<v Speaker 2>He was just this humble coal miner. And I knew

1:22:50.960 --> 1:22:54.360
<v Speaker 2>about all that from the mate Wan point of view, right.

1:22:54.640 --> 1:22:57.120
<v Speaker 2>You know. He was there when the shootings happened, all

1:22:57.160 --> 1:22:59.799
<v Speaker 2>of it. You know, they were back in the twenties

1:22:59.800 --> 1:23:02.680
<v Speaker 2>and thirties. He was a minor, and when they unionized

1:23:02.720 --> 1:23:05.320
<v Speaker 2>and the Pinkertons came in and killed people, you know,

1:23:06.240 --> 1:23:08.439
<v Speaker 2>so I saw all of it, you know, I saw

1:23:08.720 --> 1:23:13.360
<v Speaker 2>you know, the plus and minus of the unionists, you know,

1:23:13.520 --> 1:23:18.519
<v Speaker 2>and what happened and how it happened, and watched in

1:23:18.640 --> 1:23:22.240
<v Speaker 2>any event, my dad said, no, my brother came the

1:23:22.280 --> 1:23:25.280
<v Speaker 2>closest because they would lock horns like that. Example. You know,

1:23:26.040 --> 1:23:28.720
<v Speaker 2>it's like what he's the middle kid, Bob. You know,

1:23:29.400 --> 1:23:30.600
<v Speaker 2>you can't help believe me.

1:23:31.080 --> 1:23:35.679
<v Speaker 1>My older sister used to test my father all the time,

1:23:35.720 --> 1:23:38.040
<v Speaker 1>I remember, because we all ate dinner together.

1:23:38.240 --> 1:23:41.240
<v Speaker 2>Oh yeah, and we didn't take didn't take.

1:23:41.200 --> 1:23:43.679
<v Speaker 1>Much set my father off, and he would reach over

1:23:43.760 --> 1:23:46.280
<v Speaker 1>and smack you. It was about how much could you

1:23:46.400 --> 1:23:49.240
<v Speaker 1>tamp it down, and my sister would get in our

1:23:49.320 --> 1:23:51.720
<v Speaker 1>One time she got in an argument with him and

1:23:51.800 --> 1:23:56.879
<v Speaker 1>took his car. What just could not fucking believe it.

1:23:56.880 --> 1:24:00.160
<v Speaker 2>It's like, what were you thinking of it? Oh?

1:24:00.240 --> 1:24:00.479
<v Speaker 1>Broke?

1:24:02.160 --> 1:24:02.240
<v Speaker 2>No.

1:24:04.080 --> 1:24:07.360
<v Speaker 1>But the only thing is my mother. You know, when

1:24:07.400 --> 1:24:09.559
<v Speaker 1>Reggie Jackson came to New York, he said, I'm the

1:24:09.600 --> 1:24:12.880
<v Speaker 1>straw that stirs the drink. My mother socially was the

1:24:12.960 --> 1:24:15.400
<v Speaker 1>straw that stirs the drink, right, But she was a

1:24:15.400 --> 1:24:20.200
<v Speaker 1>hard ass. Where's my father? As crazy as he could be?

1:24:21.040 --> 1:24:23.480
<v Speaker 1>If he sensed you were really in a bad spot,

1:24:23.920 --> 1:24:27.000
<v Speaker 1>he says, yeah, it sounds like you're really a bad

1:24:27.200 --> 1:24:29.559
<v Speaker 1>Send you twenty dollars, go out for a good deal,

1:24:29.880 --> 1:24:30.840
<v Speaker 1>try to figure it out.

1:24:31.240 --> 1:24:31.519
<v Speaker 2>Yeah.

1:24:31.920 --> 1:24:34.080
<v Speaker 1>My mother would say, go get a job tomorrow.

1:24:34.080 --> 1:24:35.120
<v Speaker 2>Blah blah blah, blahlah blah.

1:24:35.200 --> 1:24:36.559
<v Speaker 1>You know, I don't want to hear it.

1:24:36.880 --> 1:24:41.840
<v Speaker 2>My mom was actually is a tender hearted person. My

1:24:41.960 --> 1:24:49.919
<v Speaker 2>dad was actually underneath that facade. You know, he would

1:24:50.600 --> 1:24:53.640
<v Speaker 2>he was you know, the thing that I regret that

1:24:53.680 --> 1:24:57.880
<v Speaker 2>we're forgetting is forgiveness on our society and life. Do

1:24:57.880 --> 1:25:02.160
<v Speaker 2>you know, Bob, forgiveness is a lost thought?

1:25:02.720 --> 1:25:06.519
<v Speaker 1>Well, hey, there's two types of forgiveness. I think, you know,

1:25:06.720 --> 1:25:11.720
<v Speaker 1>they hold people to unreasonable standards. Now, we all make mistakes.

1:25:12.120 --> 1:25:14.479
<v Speaker 1>If you make the mistake and you apologize, we can't

1:25:14.520 --> 1:25:18.000
<v Speaker 1>hold it against it forever. But I must admit there

1:25:18.040 --> 1:25:21.160
<v Speaker 1>are people who've done things in my life where I

1:25:21.240 --> 1:25:23.400
<v Speaker 1>don't forgive them, and then people say, well if you

1:25:23.479 --> 1:25:26.920
<v Speaker 1>give them, you know, forget that third party. You know, well,

1:25:26.920 --> 1:25:29.679
<v Speaker 1>if you forgive them, you'll feel better. I don't think

1:25:29.720 --> 1:25:32.719
<v Speaker 1>so as far as letting my father off the hook.

1:25:32.760 --> 1:25:35.840
<v Speaker 1>He came from such a hard background whatever, sure.

1:25:36.280 --> 1:25:39.720
<v Speaker 2>Well yeah, that's but also I think my dad had

1:25:39.760 --> 1:25:43.439
<v Speaker 2>the willingness to you know, and as guys you know,

1:25:44.920 --> 1:25:49.040
<v Speaker 2>and my wife sometimes was like, look, yeah, guys fighting

1:25:49.080 --> 1:25:51.599
<v Speaker 2>and you get over you like, you know, you wrestle

1:25:51.640 --> 1:25:55.639
<v Speaker 2>around to one and then you guys now are friends.

1:25:55.960 --> 1:25:59.559
<v Speaker 2>It's like, yeah, but that's the listen.

1:26:00.520 --> 1:26:02.679
<v Speaker 1>You know, that's one thing you learn growing up my mother.

1:26:02.760 --> 1:26:06.160
<v Speaker 1>You know, people today they'll call up the school and

1:26:06.200 --> 1:26:09.719
<v Speaker 1>say they have to stop bullying my kid. In my era,

1:26:09.960 --> 1:26:10.880
<v Speaker 1>that would be like.

1:26:11.240 --> 1:26:12.320
<v Speaker 2>The curse of death.

1:26:12.920 --> 1:26:15.320
<v Speaker 1>If your parents stood up for you, these kids would

1:26:15.320 --> 1:26:18.120
<v Speaker 1>beat the shit out of you. So, you know, my

1:26:18.200 --> 1:26:20.400
<v Speaker 1>mother would never get involved, and she had the right

1:26:20.479 --> 1:26:25.799
<v Speaker 1>lesson unless you stand up to them. Once you stand

1:26:25.880 --> 1:26:29.559
<v Speaker 1>up to them, then they get over it. It's just amazing.

1:26:29.640 --> 1:26:30.879
<v Speaker 1>They move on to the next.

1:26:30.960 --> 1:26:32.720
<v Speaker 2>Some of the culture that's going on now, to the

1:26:33.160 --> 1:26:35.880
<v Speaker 2>whole thing with us. You were referring to that we're

1:26:35.960 --> 1:26:44.120
<v Speaker 2>being so zealous in destroying people for a mistake.

1:26:45.240 --> 1:26:46.080
<v Speaker 1>Is I couldn't agree.

1:26:46.200 --> 1:26:49.080
<v Speaker 2>He was a bully. Called a bully culture to the

1:26:49.160 --> 1:26:51.800
<v Speaker 2>victim can become the in fact, most of the time,

1:26:52.840 --> 1:26:55.800
<v Speaker 2>you know. I talked with Billy Bob Thornton and I

1:26:55.880 --> 1:27:00.320
<v Speaker 2>when he wrote gave me the script for Sling Blade.

1:26:59.800 --> 1:27:03.519
<v Speaker 2>I said, this character is interesting because he's he's a bully,

1:27:03.520 --> 1:27:06.760
<v Speaker 2>and bullies are usually those that are most afraid. And

1:27:06.760 --> 1:27:09.479
<v Speaker 2>I said, he said, yeah, he said he. I said,

1:27:09.520 --> 1:27:12.200
<v Speaker 2>you know the character that I was playing, And I said,

1:27:12.240 --> 1:27:14.320
<v Speaker 2>he's the one that's the most afraid in the room

1:27:14.320 --> 1:27:17.400
<v Speaker 2>and that's why he's or it's out of his control

1:27:17.520 --> 1:27:21.760
<v Speaker 2>and he freaks and starts to But the bullying is

1:27:22.160 --> 1:27:26.080
<v Speaker 2>usually born out of oftentimes being having been the bullied, right,

1:27:26.160 --> 1:27:28.720
<v Speaker 2>the victim, Oh, yeah, the last person you want in

1:27:28.800 --> 1:27:30.919
<v Speaker 2>charge of something. And that's what they do at prisons.

1:27:31.800 --> 1:27:34.760
<v Speaker 2>They make you know, trustees out of other inmates, and

1:27:34.760 --> 1:27:37.439
<v Speaker 2>they you know, put them in charge of the other

1:27:37.479 --> 1:27:41.960
<v Speaker 2>and they're oftentimes the worst you know, uh, you know,

1:27:42.000 --> 1:27:44.479
<v Speaker 2>the worst thing that could happen to the other prisoners

1:27:44.840 --> 1:27:48.200
<v Speaker 2>is another prisoner being elevated being in charge of them. Anyway.

1:27:48.880 --> 1:27:50.840
<v Speaker 1>But well, no, it's the same type of thing, you know,

1:27:51.000 --> 1:27:54.400
<v Speaker 1>talking about your forgiveness. There are all these people who

1:27:54.479 --> 1:27:57.840
<v Speaker 1>can't change their mind. What kind of life is that,

1:27:57.920 --> 1:28:01.040
<v Speaker 1>you know, like in politics, Okay, I believed one thing,

1:28:01.160 --> 1:28:02.679
<v Speaker 1>I now know I'm nothing else.

1:28:02.800 --> 1:28:03.400
<v Speaker 2>Let's move on.

1:28:03.680 --> 1:28:06.160
<v Speaker 1>Yeah, but you can't do that. It's all a team sports.

1:28:07.040 --> 1:28:10.720
<v Speaker 2>To me, that shows a capacity of intelligence that you're

1:28:10.760 --> 1:28:14.800
<v Speaker 2>able to evolve, right, and we can all evolve, you know,

1:28:15.000 --> 1:28:22.599
<v Speaker 2>all of us and anyway, so yeah, but my mom

1:28:22.720 --> 1:28:26.519
<v Speaker 2>also tamped that down. She wouldn't stand. She said, he

1:28:26.560 --> 1:28:28.679
<v Speaker 2>shook me one time when he had just gotten back,

1:28:28.760 --> 1:28:30.400
<v Speaker 2>you know, and just kind of knew me. And she

1:28:30.600 --> 1:28:33.360
<v Speaker 2>was driving in the car and he was holding me

1:28:33.720 --> 1:28:37.240
<v Speaker 2>and I started crying, screeching, like you know, the ten

1:28:37.280 --> 1:28:39.920
<v Speaker 2>month old or whatever I was, and he kind of

1:28:39.920 --> 1:28:44.160
<v Speaker 2>just said he shook me. And she took the car

1:28:44.240 --> 1:28:47.040
<v Speaker 2>across the highway into the medium and back up the

1:28:47.040 --> 1:28:51.240
<v Speaker 2>other side yelling at him into about he's all right, okay,

1:28:51.400 --> 1:28:55.760
<v Speaker 2>don't kill him whatever. I'll never touch the kid. It's like.

1:28:56.600 --> 1:29:00.280
<v Speaker 2>But she, very early on was our protector, and she

1:29:00.360 --> 1:29:03.080
<v Speaker 2>wouldn't allow my granddad, who I was touched on a

1:29:03.080 --> 1:29:06.360
<v Speaker 2>minute ago. My dad had a tough way, you know,

1:29:06.360 --> 1:29:09.960
<v Speaker 2>like your dad, you know, he got knocked around. I mean,

1:29:10.240 --> 1:29:14.040
<v Speaker 2>my granddad was a frustrated prize fighter. He had fought

1:29:14.080 --> 1:29:16.479
<v Speaker 2>in clubs what they call a club fighter when he

1:29:16.560 --> 1:29:20.559
<v Speaker 2>was underage, like at seventeen eighteen nineteen, and you had

1:29:20.560 --> 1:29:23.240
<v Speaker 2>to be twenty one. And they went to his parents.

1:29:23.240 --> 1:29:25.080
<v Speaker 2>There was a guy manager came through and saw him.

1:29:25.080 --> 1:29:27.479
<v Speaker 2>He had a lot of fights and was evidently had

1:29:27.479 --> 1:29:31.599
<v Speaker 2>a really vicious right hand, and they tried to get

1:29:31.680 --> 1:29:34.800
<v Speaker 2>him turned pro and his parents. The old railroad or

1:29:34.800 --> 1:29:38.360
<v Speaker 2>my great granddad, who I knew, actually I knew years

1:29:38.439 --> 1:29:42.479
<v Speaker 2>beyond my grandfather because he outlived he lived into his nineties.

1:29:44.479 --> 1:29:47.599
<v Speaker 2>Samuel Burt, who had come in the wagon, that covered

1:29:47.640 --> 1:29:53.479
<v Speaker 2>wagon into the Ohio territory, come across. He he wouldn't sign.

1:29:54.080 --> 1:30:00.960
<v Speaker 2>He said, nope, nope, Lawrence. That was LR Lawrence. He's

1:30:01.000 --> 1:30:05.400
<v Speaker 2>gonna work on a railroad. And he said destroyed him.

1:30:05.520 --> 1:30:08.439
<v Speaker 2>So he never could. And he drank, even though you

1:30:08.479 --> 1:30:11.639
<v Speaker 2>know he was true to my grandmother, but he drank

1:30:12.439 --> 1:30:15.960
<v Speaker 2>and fistfought. He became a yard boss from the Penn

1:30:16.000 --> 1:30:20.200
<v Speaker 2>Centry and ran the yard railroad yards. But tough guy.

1:30:20.439 --> 1:30:24.400
<v Speaker 2>And my brother, my my my dad and my uncle's

1:30:24.920 --> 1:30:29.760
<v Speaker 2>you know, were uh, you know, treated pretty rough, you

1:30:29.800 --> 1:30:34.320
<v Speaker 2>know by him. So my dad had an empathy for us.

1:30:34.600 --> 1:30:37.200
<v Speaker 2>But my mom is who guided it. You know. I

1:30:37.240 --> 1:30:40.680
<v Speaker 2>watched her at the dinner. He never hit one of

1:30:40.760 --> 1:30:42.439
<v Speaker 2>us in the you know, like you were saying the

1:30:45.000 --> 1:30:49.280
<v Speaker 2>never back. And he threatened, he threatened. I could see

1:30:49.320 --> 1:30:53.640
<v Speaker 2>he was trying real hard not to With my brother especially.

1:30:55.120 --> 1:30:58.040
<v Speaker 2>I used to say to him, said, dude, just say

1:30:58.160 --> 1:31:01.760
<v Speaker 2>yes whatever, and when you get gone and do what

1:31:01.880 --> 1:31:05.439
<v Speaker 2>you're gonna do, get out, you know, don't be the

1:31:05.479 --> 1:31:08.120
<v Speaker 2>rebel that has no cause here. You know, you're not

1:31:08.120 --> 1:31:11.800
<v Speaker 2>gonna win, right. Family dynamics. It's funny that you and

1:31:11.840 --> 1:31:14.000
<v Speaker 2>then you're the youngest of your family.

1:31:14.200 --> 1:31:16.439
<v Speaker 1>Well what happens is my older sister would be out

1:31:16.479 --> 1:31:19.919
<v Speaker 1>of control, then my younger sister would act.

1:31:19.720 --> 1:31:23.280
<v Speaker 2>Like the baby. Well they stay there. You know.

1:31:23.520 --> 1:31:26.519
<v Speaker 1>The key is just don't get caught in the crossfire. Yeah,

1:31:26.600 --> 1:31:29.719
<v Speaker 1>there was so much. My father owned a liquor store. Oh,

1:31:29.720 --> 1:31:33.640
<v Speaker 1>my sister started to have these parties on on the

1:31:33.680 --> 1:31:38.320
<v Speaker 1>weekends where not only would they drink his booze, they

1:31:38.320 --> 1:31:40.559
<v Speaker 1>would leave the boxes at the end of the street.

1:31:40.760 --> 1:31:41.000
<v Speaker 2>Oh.

1:31:41.120 --> 1:31:44.599
<v Speaker 1>My father would go bersirque, say you know, I'm gonna

1:31:44.640 --> 1:31:48.400
<v Speaker 1>lose my liquor license. Forget. It's like you're there's gonna

1:31:48.439 --> 1:31:52.400
<v Speaker 1>be no money. The other thing my father, my father

1:31:52.439 --> 1:31:56.320
<v Speaker 1>would turn around in the station wagon and smack all

1:31:56.360 --> 1:31:57.920
<v Speaker 1>of us in the back to eat, and we were

1:31:58.000 --> 1:31:59.360
<v Speaker 1>less scared to get expacked.

1:31:59.600 --> 1:32:01.280
<v Speaker 2>The thing's got to drive the car right off the

1:32:01.880 --> 1:32:06.280
<v Speaker 2>road was the bigger issue was dying at that point.

1:32:07.160 --> 1:32:10.000
<v Speaker 2>The only time I've got my old man. We had

1:32:10.000 --> 1:32:14.599
<v Speaker 2>a Buick Electra to twenty five convertibles. They inherited from

1:32:14.640 --> 1:32:17.640
<v Speaker 2>my aunt and uncle had it for they sold it

1:32:17.680 --> 1:32:20.040
<v Speaker 2>to my parents. My mom drove it. So we were

1:32:20.040 --> 1:32:22.760
<v Speaker 2>going to Kentucky in that and we were taking this

1:32:22.920 --> 1:32:25.800
<v Speaker 2>cat that we had a duce in a quarter, duce

1:32:25.880 --> 1:32:27.519
<v Speaker 2>in a quarter. I heard it at the at the

1:32:27.560 --> 1:32:30.559
<v Speaker 2>carboys the gap came up and said, where's y'all's car,

1:32:30.600 --> 1:32:32.240
<v Speaker 2>And I said, it's over there. He goes that deduce

1:32:32.280 --> 1:32:35.439
<v Speaker 2>in a quarter that. I was like, wow, that's cool.

1:32:36.120 --> 1:32:40.320
<v Speaker 2>I heard more slang from my dad pre anybody in

1:32:40.400 --> 1:32:43.160
<v Speaker 2>my junior high or high school saying it, because he

1:32:43.240 --> 1:32:45.839
<v Speaker 2>was this old army guy, right, They had the slang,

1:32:46.280 --> 1:32:49.400
<v Speaker 2>the stuff like he'd say, the dude thought he was bad.

1:32:50.080 --> 1:32:54.280
<v Speaker 2>I said bad. My mother said, David, David, will you

1:32:54.360 --> 1:32:58.599
<v Speaker 2>please just go easy on how you talk to these kids.

1:32:58.720 --> 1:33:00.920
<v Speaker 2>He said, well, that's what he said. He thought he

1:33:01.040 --> 1:33:04.000
<v Speaker 2>was bad. He thought he was a bad dude. I

1:33:04.040 --> 1:33:06.439
<v Speaker 2>mean a decade before I heard anybody on the streets

1:33:06.479 --> 1:33:09.839
<v Speaker 2>say that guy's bad, right, and it's like bad badly

1:33:09.880 --> 1:33:12.640
<v Speaker 2>where Brown was late catching up to me, and my

1:33:12.760 --> 1:33:16.240
<v Speaker 2>dad said it and all other kinds of slang. And

1:33:16.280 --> 1:33:18.680
<v Speaker 2>he said, well meaning he thought he was tough, you know,

1:33:18.760 --> 1:33:21.800
<v Speaker 2>he thought he was a real bad cat. And I

1:33:21.880 --> 1:33:24.680
<v Speaker 2>used to say and it was a fascinating moment. I

1:33:24.720 --> 1:33:27.120
<v Speaker 2>got to take he and his wife to Europe with me.

1:33:27.200 --> 1:33:29.599
<v Speaker 2>He had not been back to Germany and he didn't

1:33:29.600 --> 1:33:31.160
<v Speaker 2>want to leave. He was going to get married. I mean,

1:33:31.160 --> 1:33:35.400
<v Speaker 2>thank god he didn't get I wouldn't exist. And the

1:33:35.400 --> 1:33:39.040
<v Speaker 2>commanding general took over his division had been the colonel

1:33:39.040 --> 1:33:43.679
<v Speaker 2>at bestone in the famous note where he wrote back

1:33:43.720 --> 1:33:46.400
<v Speaker 2>to the Germans, nuts and the guy reads it and

1:33:46.400 --> 1:33:48.080
<v Speaker 2>remember them. It's in the midde of the Battle of Ball.

1:33:48.200 --> 1:33:52.160
<v Speaker 2>He was nuts Buss and he's like and so he

1:33:52.240 --> 1:33:54.760
<v Speaker 2>spoke German at the dinner table to us because he

1:33:54.840 --> 1:33:57.400
<v Speaker 2>was there six years. He would speak at go Ah,

1:33:57.600 --> 1:34:02.720
<v Speaker 2>expl said Dodd shot because he dated this, and so

1:34:02.800 --> 1:34:04.880
<v Speaker 2>that general took over and said, anybody'd been over here

1:34:04.920 --> 1:34:09.000
<v Speaker 2>longer than eighteen months, they're gone. He'd been there six years,

1:34:09.080 --> 1:34:12.360
<v Speaker 2>he loved it, and so he had never been back.

1:34:13.280 --> 1:34:15.200
<v Speaker 2>So I think it was in nineteen I was playing

1:34:15.200 --> 1:34:19.400
<v Speaker 2>the Monterey Jazz Festival Montro Jazz Festival, not Monterey, Montro

1:34:19.520 --> 1:34:23.599
<v Speaker 2>Jazz Festival in Switzerland, and they did a bunch of

1:34:23.600 --> 1:34:25.920
<v Speaker 2>things with this. I took them. We had several dates

1:34:25.920 --> 1:34:29.400
<v Speaker 2>across around Europe, a whole run of stuff, and I

1:34:29.439 --> 1:34:31.639
<v Speaker 2>took Key and his wife. And one of the great

1:34:31.640 --> 1:34:33.560
<v Speaker 2>moments for my dad and I to have shared was

1:34:33.600 --> 1:34:35.400
<v Speaker 2>I got to introduce him to Johnny Cash. You know,

1:34:35.479 --> 1:34:39.080
<v Speaker 2>he was the songs that made him famous. Sun record

1:34:39.800 --> 1:34:43.640
<v Speaker 2>I had because my dad had it. The albums that

1:34:43.680 --> 1:34:46.160
<v Speaker 2>I got exposed to her because my dad, my dad

1:34:46.280 --> 1:34:48.200
<v Speaker 2>was one of those what I used to call and

1:34:48.680 --> 1:34:52.280
<v Speaker 2>Cash knew when I met the hillbilly cats that were

1:34:52.280 --> 1:34:55.880
<v Speaker 2>the gis right, that were otherwise would have been locked.

1:34:56.080 --> 1:35:00.240
<v Speaker 2>He What helped open my dad was the almost ten

1:35:00.320 --> 1:35:04.519
<v Speaker 2>years in the army he went culture shopping. Right, they

1:35:04.520 --> 1:35:07.920
<v Speaker 2>were exposed to the world in the way that his

1:35:08.080 --> 1:35:11.200
<v Speaker 2>dad never was. Right. They were locked in the Ohio

1:35:11.360 --> 1:35:14.639
<v Speaker 2>that didn't go outside, you know, from wherever he run

1:35:14.680 --> 1:35:18.360
<v Speaker 2>from Pittsburgh to Evansville, Indiana, along that river and the

1:35:18.680 --> 1:35:22.840
<v Speaker 2>railroad that was it. And my great my granddad and

1:35:22.920 --> 1:35:26.280
<v Speaker 2>my mom's a man. He I remember my granny moved

1:35:26.280 --> 1:35:30.400
<v Speaker 2>out to north of Dallas and Texas with her daughter,

1:35:30.600 --> 1:35:35.559
<v Speaker 2>the youngest of my mom's family, my aunt Kay, and

1:35:35.640 --> 1:35:38.200
<v Speaker 2>lived with them the last year of her life. And

1:35:38.280 --> 1:35:40.559
<v Speaker 2>she used to look. She said, Luther would have never

1:35:41.160 --> 1:35:45.040
<v Speaker 2>imagined this Texas. She said, he never thought there was

1:35:45.080 --> 1:35:49.080
<v Speaker 2>any places flat, you know, because we were just because

1:35:49.120 --> 1:35:51.639
<v Speaker 2>you could see the sunrise and the horizon sun set

1:35:51.640 --> 1:35:56.120
<v Speaker 2>in the horizon, you know, for one hundred miles. So anyway,

1:35:56.560 --> 1:36:01.439
<v Speaker 2>my dad in this really element in a weird way,

1:36:01.880 --> 1:36:04.840
<v Speaker 2>you know. Hillbilly Katz they were the post World War

1:36:04.840 --> 1:36:09.960
<v Speaker 2>two generation of GI's right that occupied remember Elvis's great

1:36:10.000 --> 1:36:13.679
<v Speaker 2>song out of g I blues occupation GI blues right,

1:36:14.280 --> 1:36:17.559
<v Speaker 2>meaning it was his occupation. But they were occupying those

1:36:17.680 --> 1:36:21.120
<v Speaker 2>places that were conquered, right. So that's what my dad was.

1:36:21.600 --> 1:36:25.680
<v Speaker 2>And Johnny Cash and he they turned out that they

1:36:25.680 --> 1:36:27.600
<v Speaker 2>were standing there and I introduced it, Dad, this is

1:36:28.280 --> 1:36:31.639
<v Speaker 2>mister Cash, and Johnny this is my dad, and I said,

1:36:31.680 --> 1:36:33.880
<v Speaker 2>I think you guys might have been here, and they

1:36:33.920 --> 1:36:37.839
<v Speaker 2>turned out they were in Germany, stationed forty miles apart,

1:36:38.439 --> 1:36:40.920
<v Speaker 2>same years, and they hit it, you know, they were like,

1:36:41.000 --> 1:36:43.599
<v Speaker 2>oh yeah, but Johnny was in the Air Force, Dad,

1:36:43.680 --> 1:36:46.400
<v Speaker 2>My dad was in the Army, and so that was

1:36:46.439 --> 1:36:49.200
<v Speaker 2>a great moment to share with him, to watch him

1:36:49.640 --> 1:36:53.759
<v Speaker 2>somebody who he really you know, idolized and had those records,

1:36:53.800 --> 1:36:57.479
<v Speaker 2>those early Cash records, that stuff, and that's who he was,

1:36:57.640 --> 1:37:02.320
<v Speaker 2>you know, those guys Cash Dad, you know Cash out

1:37:02.320 --> 1:37:05.840
<v Speaker 2>of Arkansas and it's you know, Johnny Cash. And reading

1:37:05.840 --> 1:37:08.800
<v Speaker 2>his biography, you know he was a code breaker in

1:37:08.840 --> 1:37:12.200
<v Speaker 2>the Air Force. He listened to Russian code and was

1:37:12.200 --> 1:37:14.720
<v Speaker 2>a listener and that what is what is? But he

1:37:14.800 --> 1:37:18.280
<v Speaker 2>wrote walked the line. They still had to pull sentry duty.

1:37:18.800 --> 1:37:20.240
<v Speaker 2>He I don't know if you ever read this, but

1:37:20.320 --> 1:37:24.120
<v Speaker 2>he wrote that song about pulling sentry duty on the

1:37:24.120 --> 1:37:27.920
<v Speaker 2>flight line at the airbase in Germany, as I keep

1:37:27.960 --> 1:37:32.040
<v Speaker 2>a close watch on this heart of mine, right, brilliant. Huh,

1:37:32.080 --> 1:37:36.040
<v Speaker 2>how genius is that art? You're pulling guard duty. That's

1:37:36.040 --> 1:37:39.320
<v Speaker 2>a difference in a guy who's a poet and the

1:37:39.360 --> 1:37:42.040
<v Speaker 2>guy who just turned the wrench and going I just

1:37:42.080 --> 1:37:45.200
<v Speaker 2>got to get out of here, you know. John Johnny

1:37:45.200 --> 1:37:48.200
<v Speaker 2>writes that I walked the line out of pulling guard duty,

1:37:48.479 --> 1:37:50.559
<v Speaker 2>but it was an interesting moment for that and then

1:37:50.600 --> 1:37:54.479
<v Speaker 2>and so yeah, wow, we've talked so much. I've never

1:37:54.520 --> 1:37:56.280
<v Speaker 2>talked this much about my dad with anybody.

1:37:56.760 --> 1:38:07.880
<v Speaker 1>You know, Bob, did you know from a young age

1:38:08.240 --> 1:38:11.640
<v Speaker 1>you were somebody special and you were destined for a

1:38:11.640 --> 1:38:14.400
<v Speaker 1>different outcome from than your dad and your relatives?

1:38:15.120 --> 1:38:18.479
<v Speaker 2>Well, like I said, there's probably enough narcissism in me,

1:38:18.680 --> 1:38:20.960
<v Speaker 2>and it's just don't you come in with that. And

1:38:21.280 --> 1:38:25.960
<v Speaker 2>maybe you know, but firstborn, you know, you're kind of

1:38:26.240 --> 1:38:31.120
<v Speaker 2>treated like you're expected to be the shining star, but

1:38:31.560 --> 1:38:34.960
<v Speaker 2>you're also treated differently. You know, I've got a little

1:38:35.200 --> 1:38:38.360
<v Speaker 2>guy at this point, in my life. She know, I

1:38:38.360 --> 1:38:40.360
<v Speaker 2>thought that train left the station a long time ago.

1:38:40.400 --> 1:38:43.320
<v Speaker 2>It did not. We've got a little guy coming up

1:38:43.360 --> 1:38:46.360
<v Speaker 2>on three years old. Dalton and I watched and there's

1:38:46.400 --> 1:38:48.880
<v Speaker 2>a and I said, I said, he's kind of precocious.

1:38:48.920 --> 1:38:53.000
<v Speaker 2>You know, there's something about because firstborn's talk to more,

1:38:53.320 --> 1:38:56.280
<v Speaker 2>you know, and she and I and are you know,

1:38:56.960 --> 1:38:59.960
<v Speaker 2>I mean, I'm, you know, a bit older than my wife,

1:39:00.080 --> 1:39:02.880
<v Speaker 2>you know, and thank god that she's you know, still

1:39:02.880 --> 1:39:07.600
<v Speaker 2>got her youth on her side with him. But the

1:39:08.840 --> 1:39:11.559
<v Speaker 2>beauty of it is that we've never either of us.

1:39:12.040 --> 1:39:13.680
<v Speaker 2>I think we just talked to him like he's an

1:39:13.720 --> 1:39:16.360
<v Speaker 2>adult from the time he was born, just kind of

1:39:16.400 --> 1:39:20.160
<v Speaker 2>expecting and and my mother expected a lot, you know.

1:39:20.720 --> 1:39:25.439
<v Speaker 2>And I think I carry with my mom. I had

1:39:25.439 --> 1:39:27.720
<v Speaker 2>to get rid of some of it because it's it's

1:39:27.920 --> 1:39:31.320
<v Speaker 2>it's packweights. You can't carry up that mountain, you know,

1:39:31.320 --> 1:39:34.120
<v Speaker 2>if you're going to climb, you have to be able

1:39:34.160 --> 1:39:36.080
<v Speaker 2>to shed it at some point. And I know when

1:39:36.120 --> 1:39:39.559
<v Speaker 2>had happened. It kind of happened in stages. But one

1:39:39.600 --> 1:39:41.240
<v Speaker 2>of the moments was right before I left to come

1:39:41.280 --> 1:39:43.800
<v Speaker 2>to California. You know, I just had a moment where

1:39:43.840 --> 1:39:46.840
<v Speaker 2>we she and I had and my dad couldn't. He

1:39:47.000 --> 1:39:49.640
<v Speaker 2>never got in between my mother and I, and I

1:39:49.720 --> 1:39:52.880
<v Speaker 2>think it's because he felt we had a bond that

1:39:53.040 --> 1:39:57.519
<v Speaker 2>was unique and different, because she spent almost her entire

1:39:57.600 --> 1:40:00.479
<v Speaker 2>pregnancy alone with me, and we were down you know,

1:40:00.880 --> 1:40:04.120
<v Speaker 2>my grand her parents, and then the first nine months

1:40:04.160 --> 1:40:06.200
<v Speaker 2>of my life, he wasn't here right and he wasn't

1:40:06.520 --> 1:40:10.920
<v Speaker 2>with us. So I think he always left the two

1:40:11.000 --> 1:40:13.640
<v Speaker 2>of us, my brother, not his movies. He was, you

1:40:13.720 --> 1:40:17.320
<v Speaker 2>know there, you know, handed my brother and my sister

1:40:17.920 --> 1:40:20.320
<v Speaker 2>and my sister and dad had a very special relationship

1:40:20.360 --> 1:40:24.120
<v Speaker 2>with it, you know, unique and and her you know,

1:40:25.160 --> 1:40:27.600
<v Speaker 2>she was this little girl, you know, and you know,

1:40:28.000 --> 1:40:32.040
<v Speaker 2>and uh uh, I think the connection to his own

1:40:32.120 --> 1:40:35.360
<v Speaker 2>mother was was my sister, you know, and and who

1:40:35.439 --> 1:40:37.559
<v Speaker 2>he dearly loved, you know. And he used to say

1:40:37.600 --> 1:40:40.040
<v Speaker 2>that about his mom as much as his dad was

1:40:40.160 --> 1:40:42.760
<v Speaker 2>rough on the three of them. He said, but we

1:40:42.960 --> 1:40:47.800
<v Speaker 2>knew we were mom, mom, mother, your grandmother, Helen. She

1:40:48.160 --> 1:40:50.840
<v Speaker 2>never let us go to bed, not thinking we were loved.

1:40:51.360 --> 1:40:56.600
<v Speaker 2>And I said, well, good deal, good deal, you know,

1:40:56.760 --> 1:41:04.120
<v Speaker 2>so I'm in the through line. Uh was that for

1:41:04.360 --> 1:41:06.479
<v Speaker 2>us as kids? You know, we didn't have a lot

1:41:06.680 --> 1:41:08.400
<v Speaker 2>you know, and they were struggling, you know, week to

1:41:08.479 --> 1:41:12.519
<v Speaker 2>week paycheck people, and uh, you know, we had had

1:41:12.560 --> 1:41:14.720
<v Speaker 2>a double aunt and uncle. My dad's older brother was

1:41:14.760 --> 1:41:17.800
<v Speaker 2>married to my mom's older sister. That's how they met. Wow,

1:41:17.920 --> 1:41:20.719
<v Speaker 2>they almost became surrogate parents, for they lived very close

1:41:20.760 --> 1:41:23.400
<v Speaker 2>and they were both they never had kids, and so

1:41:23.640 --> 1:41:26.920
<v Speaker 2>we were there with them, very close to them. My

1:41:27.080 --> 1:41:29.759
<v Speaker 2>dad's brother was Larry, and my mom's sister was Margaret,

1:41:30.400 --> 1:41:34.320
<v Speaker 2>and she was about eight years old my mom and uh,

1:41:35.160 --> 1:41:38.640
<v Speaker 2>his brother Larry was six years old. I think that

1:41:38.760 --> 1:41:42.400
<v Speaker 2>my dad are five maybe five, but enough that there

1:41:42.479 --> 1:41:44.000
<v Speaker 2>was a gap and it was this you know, so

1:41:44.439 --> 1:41:46.479
<v Speaker 2>that was interesting the perspective there and you know this

1:41:46.680 --> 1:41:52.599
<v Speaker 2>is unique. And but this back to the car ride

1:41:52.760 --> 1:41:56.160
<v Speaker 2>and the threat of death. You know, there was two

1:41:56.240 --> 1:41:59.320
<v Speaker 2>times in that same buick that that that Electra two

1:41:59.400 --> 1:42:03.439
<v Speaker 2>twenty five convertible and funny what year was it? As

1:42:03.479 --> 1:42:06.280
<v Speaker 2>a sixty five? A cool look at me white, I'm

1:42:06.280 --> 1:42:09.519
<v Speaker 2>white on white? Right? My aunt had to talk about

1:42:09.560 --> 1:42:12.320
<v Speaker 2>something that would be worth a lot today. My oh yeah,

1:42:12.520 --> 1:42:15.360
<v Speaker 2>my aunt had a black on black on black and

1:42:17.360 --> 1:42:19.479
<v Speaker 2>and then my uncle got this white on white on

1:42:19.640 --> 1:42:22.360
<v Speaker 2>white when they went this pair of these and then

1:42:22.720 --> 1:42:25.560
<v Speaker 2>they graduated. As I wrote, that's why my you know,

1:42:25.680 --> 1:42:30.280
<v Speaker 2>the guitars, Cadillac's reference the album title and my original

1:42:30.360 --> 1:42:33.839
<v Speaker 2>that that second hit that I ever had about the culture,

1:42:35.360 --> 1:42:37.879
<v Speaker 2>the Hillblo culture. You made it if you had a Cadillac,

1:42:38.280 --> 1:42:40.120
<v Speaker 2>you know, and a lot of American culture. You had

1:42:40.240 --> 1:42:43.960
<v Speaker 2>made it if you oh where I was absolutely with

1:42:44.320 --> 1:42:46.800
<v Speaker 2>the Goombas and everybody. If you had a Cadillac, man

1:42:46.880 --> 1:42:49.120
<v Speaker 2>that was you know, Rolls Royce. We don't know nothing

1:42:49.120 --> 1:42:52.280
<v Speaker 2>about it, but if you had. So they graduated to

1:42:52.400 --> 1:42:54.639
<v Speaker 2>the first Cadillact they ever bought was a sixty nine.

1:42:54.720 --> 1:42:57.880
<v Speaker 2>That's when my mother inherited, you know, the the deuce

1:42:57.920 --> 1:43:00.560
<v Speaker 2>in a quarter. So she was driving. We were in

1:43:00.680 --> 1:43:02.880
<v Speaker 2>that and we had this cat that we had no

1:43:03.000 --> 1:43:07.200
<v Speaker 2>business having cats anyway. We had the cat for about

1:43:07.640 --> 1:43:10.080
<v Speaker 2>I don't know, nine months a year and they decided, okay,

1:43:10.120 --> 1:43:11.360
<v Speaker 2>we're going to take it down and give it to

1:43:11.920 --> 1:43:15.000
<v Speaker 2>you know, mother and daddy. They'll they'll, you know, they'll

1:43:15.160 --> 1:43:17.960
<v Speaker 2>like this cat. We were taking it to Kentucky to

1:43:18.040 --> 1:43:22.360
<v Speaker 2>the hills, right and my brother, my dad was put

1:43:22.400 --> 1:43:24.439
<v Speaker 2>the cat. Well, they had it in a box they

1:43:24.720 --> 1:43:26.960
<v Speaker 2>put so he would sleep you know, and he didn't

1:43:27.000 --> 1:43:29.040
<v Speaker 2>put in a trunk with the whole air. You know.

1:43:29.960 --> 1:43:34.080
<v Speaker 2>It was invented like a like a homemade kennel. And

1:43:34.200 --> 1:43:37.160
<v Speaker 2>my brother insisted on Topper being in the car with

1:43:37.280 --> 1:43:39.000
<v Speaker 2>him in the back seat with my sister brother in

1:43:39.040 --> 1:43:42.719
<v Speaker 2>I right, And that thing was cool. It had stereo,

1:43:43.600 --> 1:43:47.880
<v Speaker 2>but it didn't have air conditioning. Sixty file is still another. Yeah,

1:43:47.880 --> 1:43:51.000
<v Speaker 2>it was a convertible, a luxury car, that particular one,

1:43:51.160 --> 1:43:53.840
<v Speaker 2>the black one had air, but this one didn't have air.

1:43:53.920 --> 1:43:57.200
<v Speaker 2>And my uncle actually had an after remember those aftermarket

1:43:57.240 --> 1:43:59.000
<v Speaker 2>air conditionings. They would sit on the floor.

1:43:59.200 --> 1:44:01.560
<v Speaker 1>We had one in a sixty four olds will be on.

1:44:01.680 --> 1:44:03.840
<v Speaker 2>Yeah, they would put him in afterward. Right, the big

1:44:04.040 --> 1:44:07.679
<v Speaker 2>bobsolutely look like a microwave ove and dinner with events,

1:44:07.760 --> 1:44:12.120
<v Speaker 2>you know. And reverb units. My old man bought a

1:44:12.400 --> 1:44:16.800
<v Speaker 2>JC Whitney catalog reverb unit. Of course under the dash.

1:44:17.200 --> 1:44:20.120
<v Speaker 2>It's like it's just a reverb spring. Why would you

1:44:20.240 --> 1:44:22.080
<v Speaker 2>have it on the radio. But it had this the

1:44:22.240 --> 1:44:25.559
<v Speaker 2>front speaker and the one in the convertible the deck,

1:44:25.720 --> 1:44:27.680
<v Speaker 2>you know, the back seat, right, and you could have

1:44:27.760 --> 1:44:31.719
<v Speaker 2>those two because I remember listening to such great music

1:44:31.880 --> 1:44:34.160
<v Speaker 2>in that car and all He had a sixty four

1:44:34.400 --> 1:44:39.560
<v Speaker 2>Ford Galaxy convertible aqua blue with a white top with

1:44:39.760 --> 1:44:42.599
<v Speaker 2>the first glass back window I ever saw in a convertible,

1:44:42.640 --> 1:44:44.519
<v Speaker 2>And most of them were plastic up there, and it

1:44:44.600 --> 1:44:46.639
<v Speaker 2>came glass and it would split when they would put

1:44:46.680 --> 1:44:47.280
<v Speaker 2>the top down.

1:44:47.360 --> 1:44:47.559
<v Speaker 1>Yeah.

1:44:47.640 --> 1:44:51.040
<v Speaker 2>Yeah, that's sixty four Ford fair Lane five hundred. And

1:44:51.160 --> 1:44:55.320
<v Speaker 2>then she had that Electra and and he was another thing.

1:44:55.360 --> 1:44:58.600
<v Speaker 2>He was like, you know, Jack, these cars, all the

1:44:58.640 --> 1:45:00.760
<v Speaker 2>hot riders had him raise right in the back with

1:45:00.840 --> 1:45:04.360
<v Speaker 2>the big wide old tires, and he said, you ain't

1:45:04.400 --> 1:45:07.519
<v Speaker 2>gonna raise nothing on the old NASCAR. And he's the

1:45:07.560 --> 1:45:11.240
<v Speaker 2>boot layer, and he said, we would put weight that

1:45:11.520 --> 1:45:13.280
<v Speaker 2>back end to keep it on, you know, in the

1:45:13.360 --> 1:45:16.880
<v Speaker 2>trunk his cards. They were riding like this right on

1:45:17.000 --> 1:45:20.120
<v Speaker 2>the angle I'm doing like we're on TV, but you

1:45:20.200 --> 1:45:22.640
<v Speaker 2>and I are look but on that angle anyway, with

1:45:22.720 --> 1:45:25.960
<v Speaker 2>fenderskirts and all that. So we got this cat topper.

1:45:26.080 --> 1:45:29.240
<v Speaker 2>My brother argued wanted him in the back seat, so

1:45:29.360 --> 1:45:32.080
<v Speaker 2>I watched. He said, he said, you can't open that

1:45:32.320 --> 1:45:35.320
<v Speaker 2>box that cat, you know, leave leave them in there.

1:45:36.240 --> 1:45:40.639
<v Speaker 2>Well we weren't. We were fifteen miles from the house

1:45:41.320 --> 1:45:44.280
<v Speaker 2>doing a clover leave to get on the route twenty

1:45:44.400 --> 1:45:48.040
<v Speaker 2>three and my brother reached down popped it open to

1:45:48.240 --> 1:45:50.639
<v Speaker 2>check on him. You know, my brother was always also

1:45:50.800 --> 1:45:54.599
<v Speaker 2>very mechanically inclined, had tools. They would drive my dad

1:45:54.680 --> 1:45:57.200
<v Speaker 2>crazy with his tools stuff being missing, and my brother

1:45:57.240 --> 1:45:59.320
<v Speaker 2>would be out there in the garage with him. I

1:45:59.479 --> 1:46:01.000
<v Speaker 2>wasn't I was up in the room of the guitar

1:46:01.600 --> 1:46:05.439
<v Speaker 2>and my brother had to look. And the cat came

1:46:05.479 --> 1:46:09.360
<v Speaker 2>out of there straight up, hit the ceiling, ricocheted across.

1:46:09.400 --> 1:46:13.320
<v Speaker 2>It was nuts, you know, was like wow, it went

1:46:13.400 --> 1:46:16.920
<v Speaker 2>across the ceiling into the My dad tried to stop

1:46:17.000 --> 1:46:20.400
<v Speaker 2>it and pin it. Now we're doing seventy miles an hour,

1:46:20.640 --> 1:46:23.240
<v Speaker 2>you know, it's pre fifty five. You know, it's like,

1:46:23.479 --> 1:46:26.120
<v Speaker 2>you know, the speed limits sixty five there, and people

1:46:26.160 --> 1:46:29.040
<v Speaker 2>were driving seventy seventy five and eighty on the inn

1:46:29.240 --> 1:46:32.280
<v Speaker 2>on the highway, and he's coming round that cliffer and

1:46:32.360 --> 1:46:34.880
<v Speaker 2>the cat went crazy because we're doing a circle and

1:46:34.960 --> 1:46:37.400
<v Speaker 2>that's the little cat, and he hit the front windshield

1:46:37.439 --> 1:46:40.839
<v Speaker 2>and went across, hit my mom's side of the windshield,

1:46:40.840 --> 1:46:44.120
<v Speaker 2>went back and hit past the three of us, and

1:46:44.280 --> 1:46:46.599
<v Speaker 2>came back up and hit my dad and lent bit

1:46:46.720 --> 1:46:49.000
<v Speaker 2>him in the neck. Scratched him across the face all

1:46:49.080 --> 1:46:52.240
<v Speaker 2>the drum and I remember my dad, my dad. All

1:46:52.320 --> 1:46:54.640
<v Speaker 2>he did was pin him with that big arm and

1:46:54.720 --> 1:46:57.960
<v Speaker 2>he grabbed it and went bam on the dash, hit

1:46:58.000 --> 1:47:02.519
<v Speaker 2>the windshield, pinned him. He goes, I'm good, My mother said, David.

1:47:02.720 --> 1:47:05.400
<v Speaker 2>David slowed to kill us. He goes, I'm get in

1:47:05.479 --> 1:47:08.320
<v Speaker 2>his car. Off the road, and he pulled over off.

1:47:08.439 --> 1:47:10.000
<v Speaker 2>He got off the clover and got down to the

1:47:10.520 --> 1:47:12.720
<v Speaker 2>and he grabbed that cat and had him by the

1:47:13.000 --> 1:47:16.920
<v Speaker 2>and his cat flip, jumped out of the car, went

1:47:17.040 --> 1:47:20.160
<v Speaker 2>back out, got the cat, threw him in the cat tails.

1:47:20.200 --> 1:47:22.800
<v Speaker 2>There were cattails growing in the you know, against the

1:47:22.880 --> 1:47:25.439
<v Speaker 2>side of the road, down the medium, and threw him

1:47:25.479 --> 1:47:28.760
<v Speaker 2>into that and let the cat was out there by

1:47:28.840 --> 1:47:30.920
<v Speaker 2>that point because he had strangled him out, you know,

1:47:31.000 --> 1:47:33.040
<v Speaker 2>get him out of the car and he had a cut,

1:47:34.280 --> 1:47:36.880
<v Speaker 2>I mean he was and so he put him back

1:47:37.000 --> 1:47:39.519
<v Speaker 2>one after they both coughed it out for a minute

1:47:39.600 --> 1:47:42.160
<v Speaker 2>or two, he put the cat and back in the box,

1:47:42.200 --> 1:47:43.720
<v Speaker 2>said bring me in that box and put him in

1:47:43.760 --> 1:47:45.360
<v Speaker 2>a trunk and we drove him on that and he

1:47:45.520 --> 1:47:48.439
<v Speaker 2>lived with him for the next ten or twelve years.

1:47:48.479 --> 1:47:50.880
<v Speaker 2>That cat was still down there. And how he made

1:47:50.920 --> 1:47:53.880
<v Speaker 2>it he because he cause he stayed outside, but would

1:47:53.880 --> 1:47:56.599
<v Speaker 2>come and sit in there kitchen window on an old tree,

1:47:57.400 --> 1:47:59.439
<v Speaker 2>uh and stare in at him, and they'd go out

1:47:59.479 --> 1:48:02.519
<v Speaker 2>and feed him. There was a topper anyway, you were

1:48:02.520 --> 1:48:03.120
<v Speaker 2>talking about.

1:48:02.920 --> 1:48:06.439
<v Speaker 1>Your cat, my younger sisters. The cat went away for

1:48:06.560 --> 1:48:12.439
<v Speaker 1>two and a half years and came back, really lived

1:48:12.520 --> 1:48:13.280
<v Speaker 1>outside of him.

1:48:13.280 --> 1:48:15.840
<v Speaker 2>What was going on there? Because coyotes to get him

1:48:15.840 --> 1:48:17.640
<v Speaker 2>out here. You aren't going to live beyond you know,

1:48:17.880 --> 1:48:20.000
<v Speaker 2>cats are you know in jeopardy all.

1:48:20.160 --> 1:48:22.800
<v Speaker 1>Somebody else obviously adopted him and then didn't feed him,

1:48:23.280 --> 1:48:24.960
<v Speaker 1>and then he came back to your house.

1:48:25.600 --> 1:48:28.599
<v Speaker 2>Cats and strange creatures. Kinky Friedman. I don't know if

1:48:28.600 --> 1:48:31.360
<v Speaker 2>you've read any of his the kind of fictional little

1:48:31.400 --> 1:48:34.120
<v Speaker 2>pulp fiction things that he wrote, kind of pretty funny,

1:48:34.320 --> 1:48:37.400
<v Speaker 2>pretty funny stuff. And his whole cat routine is his

1:48:37.920 --> 1:48:39.920
<v Speaker 2>affection to his cats. He still has a lot of

1:48:40.120 --> 1:48:43.519
<v Speaker 2>cats in it. And uh, you know, I was never

1:48:43.600 --> 1:48:46.120
<v Speaker 2>a cat guy. I you know, kind of a dog.

1:48:46.560 --> 1:48:49.120
<v Speaker 1>Bunch of an animal guy. But why are you Dwight?

1:48:50.520 --> 1:48:53.519
<v Speaker 2>My mother just loved the name people assumed, and I'm

1:48:53.600 --> 1:48:56.519
<v Speaker 2>Dwight David, which was worse because everybody's like, oh, you

1:48:56.680 --> 1:48:59.160
<v Speaker 2>named It was like, no, my dad's name's David. So

1:48:59.320 --> 1:49:02.320
<v Speaker 2>she wanted to get you know, without making me a junior,

1:49:02.360 --> 1:49:06.960
<v Speaker 2>which I appreciated that, but uh, Dwight. She just liked,

1:49:07.320 --> 1:49:09.519
<v Speaker 2>you know, she just liked the name, and it was

1:49:10.000 --> 1:49:13.680
<v Speaker 2>it'd been not commonplace at that point, you know, and

1:49:14.040 --> 1:49:18.559
<v Speaker 2>Eisenhower was president. But but uh uh. And then my uncle,

1:49:18.680 --> 1:49:20.840
<v Speaker 2>her brother, the only boy in the six of them,

1:49:21.479 --> 1:49:25.720
<v Speaker 2>he was was he three years older than Yeah, I

1:49:25.720 --> 1:49:28.120
<v Speaker 2>think he's three years older than my mother. They were

1:49:28.240 --> 1:49:31.120
<v Speaker 2>very close. Guy Walton, my granddad always called him peanut.

1:49:31.200 --> 1:49:33.840
<v Speaker 2>He's a you know, old peanut. He's a pankerdons man.

1:49:34.520 --> 1:49:36.880
<v Speaker 2>He used to look at a peanut he goes. My

1:49:37.000 --> 1:49:41.040
<v Speaker 2>mom said, that's guy old grandfather. Daddy just always calls

1:49:41.080 --> 1:49:43.679
<v Speaker 2>him peanut. And they were both My granddad was about

1:49:43.680 --> 1:49:47.439
<v Speaker 2>six one or so, like he just just looks like

1:49:47.680 --> 1:49:51.599
<v Speaker 2>what those mountain men were. And uh and my uncle

1:49:51.680 --> 1:49:54.400
<v Speaker 2>was about six two is calling him peanut. This was

1:49:54.439 --> 1:49:57.640
<v Speaker 2>always beyond me, but you know, as a kid and

1:49:58.000 --> 1:50:01.880
<v Speaker 2>uh uh, he would walk up. He was a good

1:50:01.960 --> 1:50:05.400
<v Speaker 2>basketball player and he taught me how to balance it

1:50:05.479 --> 1:50:07.639
<v Speaker 2>on the tip of my finger, you know, spin the basketball,

1:50:07.680 --> 1:50:11.599
<v Speaker 2>and he he never would quit call me Ike. Ike

1:50:11.640 --> 1:50:15.680
<v Speaker 2>had nothing to do with Dwight's first name, right Ike,

1:50:16.080 --> 1:50:20.479
<v Speaker 2>And my mom said, yeah, he just like how you doing?

1:50:21.360 --> 1:50:24.080
<v Speaker 2>And book. My middle name was David from my dad

1:50:24.360 --> 1:50:29.599
<v Speaker 2>and uh, and we gave Dalton our little guy. One

1:50:29.600 --> 1:50:31.479
<v Speaker 2>of my great regrets is that he didn't get to

1:50:31.560 --> 1:50:34.320
<v Speaker 2>meet him. Uh. His middle name is Lauren and my

1:50:34.400 --> 1:50:38.280
<v Speaker 2>dad's middle name was Lauren. And uh, you know, so

1:50:38.560 --> 1:50:40.840
<v Speaker 2>there's a so what have you learned?

1:50:41.120 --> 1:50:42.639
<v Speaker 1>What have you learned from being a dad?

1:50:44.400 --> 1:50:54.280
<v Speaker 2>Uh? Hopefully and measured amounts some selflessness, uh, some willingness

1:50:54.360 --> 1:50:59.920
<v Speaker 2>to impatience. And I'm still learning. So I'm learning every day.

1:51:01.040 --> 1:51:05.479
<v Speaker 2>But uh, I've learned love in a whole new way.

1:51:05.840 --> 1:51:06.000
<v Speaker 1>You know.

1:51:06.760 --> 1:51:11.479
<v Speaker 2>That's the thing that I think. I really I shuddered

1:51:11.520 --> 1:51:13.639
<v Speaker 2>to think that I could have gone on through finished

1:51:13.880 --> 1:51:17.000
<v Speaker 2>life and not experienced it. Now that I have it,

1:51:17.160 --> 1:51:21.519
<v Speaker 2>you know that that you know, it's a I wrote

1:51:21.520 --> 1:51:23.000
<v Speaker 2>a song. It's going to be on this new album.

1:51:23.040 --> 1:51:27.200
<v Speaker 2>That'll that won two things with him in mind. One,

1:51:27.280 --> 1:51:29.120
<v Speaker 2>he came into me because he's fasting with the guitar.

1:51:29.120 --> 1:51:31.479
<v Speaker 2>Gphty makes me pulled out and he's got a little

1:51:32.200 --> 1:51:34.800
<v Speaker 2>finder makes a Yuku lele version of the telecaster, and

1:51:34.880 --> 1:51:36.920
<v Speaker 2>he's had it since he's done. He's been on the

1:51:36.960 --> 1:51:39.200
<v Speaker 2>side of the stage for like sixty shows over the

1:51:39.280 --> 1:51:41.640
<v Speaker 2>last year and a half or two of mine. And

1:51:42.520 --> 1:51:47.560
<v Speaker 2>it's been interesting to watch and his his kind of

1:51:47.640 --> 1:51:56.280
<v Speaker 2>almost eerie understanding of the me of both of us,

1:51:56.360 --> 1:51:59.960
<v Speaker 2>my wife Emily and his mom and me. And it's

1:52:00.160 --> 1:52:02.760
<v Speaker 2>interesting because he's born to you know parents. I mean,

1:52:02.840 --> 1:52:08.680
<v Speaker 2>she was thirty seven, I'm I'm so much older. And

1:52:09.120 --> 1:52:11.400
<v Speaker 2>it's an interesting dynamic to watch him, you know. And

1:52:11.560 --> 1:52:14.960
<v Speaker 2>and uh, but love, love is you know, the thing

1:52:15.960 --> 1:52:18.679
<v Speaker 2>I've learned, you know, at a different level.

1:52:19.360 --> 1:52:21.920
<v Speaker 1>You know, what about if you want to do one

1:52:22.040 --> 1:52:26.320
<v Speaker 1>thing and the kid wants attention, I need to.

1:52:26.360 --> 1:52:29.439
<v Speaker 2>Learn to give over. It's tough when you've been as

1:52:29.520 --> 1:52:32.639
<v Speaker 2>solo as I've been for as long as as much

1:52:32.680 --> 1:52:35.800
<v Speaker 2>as I love him, I have to remind myself, no,

1:52:37.240 --> 1:52:40.639
<v Speaker 2>I owe him my attention. I owe him my attention

1:52:40.800 --> 1:52:45.160
<v Speaker 2>because he needs it. You know, there's there's a need,

1:52:45.360 --> 1:52:53.800
<v Speaker 2>you know. And anyway, yeah, so, but did you plan

1:52:54.000 --> 1:52:56.080
<v Speaker 2>to have him or did you just well, we wanted,

1:52:56.240 --> 1:53:02.760
<v Speaker 2>we wanted to and we didn't know we were, Yes,

1:53:03.120 --> 1:53:06.760
<v Speaker 2>it was it was with you know, willingness that we did.

1:53:06.960 --> 1:53:11.960
<v Speaker 2>You know that we uh, but enough, we didn't need help,

1:53:12.760 --> 1:53:15.439
<v Speaker 2>just our own encouragement. And here he came.

1:53:15.600 --> 1:53:18.040
<v Speaker 1>And then what about a second you were mentioning, Oh,

1:53:18.120 --> 1:53:18.639
<v Speaker 1>I don't.

1:53:18.479 --> 1:53:24.640
<v Speaker 2>Know, maybe I don't know, you know, but you know,

1:53:24.800 --> 1:53:26.400
<v Speaker 2>I think I think it would stop there. I don't

1:53:26.400 --> 1:53:28.519
<v Speaker 2>think I'll have a middle and they have the oldest

1:53:28.560 --> 1:53:29.080
<v Speaker 2>and a younger.

1:53:29.320 --> 1:53:32.400
<v Speaker 1>You know, they need each other for when you're gone

1:53:32.479 --> 1:53:33.800
<v Speaker 1>or when you're in your old Well.

1:53:33.720 --> 1:53:35.880
<v Speaker 2>I see that. I think so because I had and

1:53:36.000 --> 1:53:38.560
<v Speaker 2>I see it. And of course my wife twelve, you know,

1:53:38.720 --> 1:53:42.479
<v Speaker 2>she just doesn't know how you have only kids. Only

1:53:42.600 --> 1:53:48.840
<v Speaker 2>kids I've known you know somew you know, uh and

1:53:49.000 --> 1:53:50.679
<v Speaker 2>oldest kids and only kids get along.

1:53:50.880 --> 1:53:51.040
<v Speaker 1>You know.

1:53:51.240 --> 1:53:54.320
<v Speaker 2>Only kids tend to be very adult, you know, because

1:53:54.320 --> 1:53:56.280
<v Speaker 2>they deal in an adult world in a different way

1:53:56.360 --> 1:53:58.640
<v Speaker 2>than you know, those of us that had, you know,

1:53:58.680 --> 1:54:01.080
<v Speaker 2>the siblings to fight and all with and you know,

1:54:01.200 --> 1:54:05.439
<v Speaker 2>and engage in any kind of you know, endie or

1:54:05.560 --> 1:54:07.280
<v Speaker 2>jealousy with you know all that.

1:54:07.600 --> 1:54:11.360
<v Speaker 1>But ah, it's just yeah, okay, let's go back.

1:54:13.400 --> 1:54:16.400
<v Speaker 2>Life's what goes on when you're making other plans.

1:54:18.560 --> 1:54:21.840
<v Speaker 1>Yeah, but now it's a little bit different when your

1:54:21.960 --> 1:54:23.280
<v Speaker 1>time is totally your own.

1:54:24.960 --> 1:54:26.760
<v Speaker 2>You know, once you have a kid.

1:54:26.880 --> 1:54:30.639
<v Speaker 1>I don't have any kids, so they say that you're

1:54:30.680 --> 1:54:33.600
<v Speaker 1>a kid yourself your whole life if you don't have

1:54:33.680 --> 1:54:34.160
<v Speaker 1>any kids.

1:54:34.240 --> 1:54:36.400
<v Speaker 2>Well that's what it feels like now when I think

1:54:36.520 --> 1:54:39.800
<v Speaker 2>back that I got away from being a kid. I pay.

1:54:39.960 --> 1:54:42.000
<v Speaker 1>But now the choices are different. I mean, if you

1:54:42.080 --> 1:54:45.120
<v Speaker 1>have a kid, you can say, well, you know, we're

1:54:45.280 --> 1:54:48.360
<v Speaker 1>just animals. We're here to reproduce. This is what it's

1:54:48.400 --> 1:54:51.800
<v Speaker 1>all about. When you don't have a kid, your choices

1:54:51.880 --> 1:54:54.240
<v Speaker 1>are more important, like, well, this has got to count.

1:54:54.320 --> 1:54:56.400
<v Speaker 1>I mean, some people are drifting. I don't want to

1:54:56.480 --> 1:54:59.240
<v Speaker 1>judge them, but myself it's like, well, you know, I

1:54:59.280 --> 1:55:01.600
<v Speaker 1>didn't invest in kid, I didn't invest in family, so

1:55:01.800 --> 1:55:05.440
<v Speaker 1>my career think it's got to work because I didn't sacrifice,

1:55:05.600 --> 1:55:05.760
<v Speaker 1>you know.

1:55:07.680 --> 1:55:13.120
<v Speaker 2>Yeah, it's an interesting dynamic. And and uh, I love

1:55:13.200 --> 1:55:15.760
<v Speaker 2>my wife even more than I loved her because she

1:55:16.840 --> 1:55:19.520
<v Speaker 2>because of her, she gave me this. You know, it's

1:55:19.600 --> 1:55:24.720
<v Speaker 2>just a very very unique gift that Emily brought to

1:55:24.840 --> 1:55:34.000
<v Speaker 2>my life. Uh and uh, yeah, she never thought anything

1:55:34.120 --> 1:55:37.600
<v Speaker 2>different than that. You know, we were we should have

1:55:37.640 --> 1:55:42.640
<v Speaker 2>a child. And I was never opposed to having kids,

1:55:42.680 --> 1:55:45.560
<v Speaker 2>and I always thought but again, my plan was, well,

1:55:45.600 --> 1:55:49.160
<v Speaker 2>when I'm really feeling that I've got it, you know,

1:55:49.360 --> 1:55:51.920
<v Speaker 2>handle and everything's in order, and you know, I've got

1:55:52.040 --> 1:55:54.800
<v Speaker 2>this and that, and then you look around one day

1:55:54.800 --> 1:55:59.000
<v Speaker 2>and you're like that ships sail, I guess I don't

1:55:59.080 --> 1:56:01.680
<v Speaker 2>think that, you know, my life is good. And then

1:56:01.760 --> 1:56:06.680
<v Speaker 2>it didn't, you know, you know, another another another horn

1:56:06.800 --> 1:56:09.400
<v Speaker 2>was heard coming across the horizon of the of the

1:56:10.480 --> 1:56:13.320
<v Speaker 2>you know, the ocean there and here he is. So

1:56:14.160 --> 1:56:17.880
<v Speaker 2>it's it's but this is your this is your old

1:56:18.080 --> 1:56:22.080
<v Speaker 2>married man. Right again, I didn't I didn't marry this

1:56:22.240 --> 1:56:22.920
<v Speaker 2>one different.

1:56:25.240 --> 1:56:26.880
<v Speaker 1>I've been married once before. I've been living with my

1:56:26.880 --> 1:56:33.680
<v Speaker 1>girlfriend now, I mean you and only been married once before?

1:56:33.760 --> 1:56:39.800
<v Speaker 2>Now, I just I just uh again, you know, had this.

1:56:41.360 --> 1:56:43.880
<v Speaker 2>My parents divorced, but it was after we were all

1:56:44.160 --> 1:56:46.920
<v Speaker 2>three grown. It is an interesting dynamic and they were

1:56:46.960 --> 1:56:49.640
<v Speaker 2>together that long and and it was tough on them.

1:56:49.680 --> 1:56:51.480
<v Speaker 2>I think it was tough with my aunt and uncle,

1:56:51.720 --> 1:56:54.520
<v Speaker 2>you know, the older brother and said they never divorced,

1:56:55.200 --> 1:57:00.240
<v Speaker 2>you know, and uh uh yeah, and so so I

1:57:00.440 --> 1:57:07.560
<v Speaker 2>probably felt apprehensive about it, you know, and I just avoided.

1:57:07.920 --> 1:57:11.240
<v Speaker 2>I just I also knew that I didn't want a

1:57:11.320 --> 1:57:16.000
<v Speaker 2>marriage where I wouldn't be able to uphold the integrity

1:57:16.120 --> 1:57:21.160
<v Speaker 2>of the of the promise, you know. You know, by

1:57:21.200 --> 1:57:23.640
<v Speaker 2>the time I really started to have any success success,

1:57:23.680 --> 1:57:26.440
<v Speaker 2>I was thirty. I was twenty nine when I signed

1:57:26.480 --> 1:57:29.560
<v Speaker 2>with Warner and re released the EP that had been

1:57:29.600 --> 1:57:32.640
<v Speaker 2>out about eighteen months or so. It was late twenties,

1:57:33.120 --> 1:57:37.000
<v Speaker 2>and I thought, man, I've been broke and single all

1:57:37.080 --> 1:57:39.920
<v Speaker 2>these this decade of my life. Maybe I should be

1:57:40.760 --> 1:57:44.000
<v Speaker 2>not broken single for a while. And then, you know,

1:57:44.240 --> 1:57:46.160
<v Speaker 2>life gets in your way, and you know, like I said,

1:57:46.560 --> 1:57:49.320
<v Speaker 2>the John Lennon quote, you know, that's what happens while

1:57:49.320 --> 1:57:54.440
<v Speaker 2>you're making other plans. And she and I met, we've

1:57:54.480 --> 1:57:59.240
<v Speaker 2>been to we've been together actually for almost ten years

1:58:00.000 --> 1:58:03.400
<v Speaker 2>before we got married. We've been engaged, and I know,

1:58:03.480 --> 1:58:07.760
<v Speaker 2>I knew I wanted to marry her. And but again

1:58:07.840 --> 1:58:13.360
<v Speaker 2>I was, you know, still trying to make things feel complete,

1:58:13.960 --> 1:58:15.880
<v Speaker 2>you know, for lack of a better way to put it,

1:58:16.400 --> 1:58:19.560
<v Speaker 2>you know, with my own just personal life. Believe me,

1:58:19.760 --> 1:58:20.240
<v Speaker 2>I know that.

1:58:20.560 --> 1:58:22.960
<v Speaker 1>I know, when you get married the first time, it's

1:58:23.080 --> 1:58:25.400
<v Speaker 1>like yeah, And then I was a year old enough

1:58:25.480 --> 1:58:27.080
<v Speaker 1>and you're in a position where you realize you never

1:58:27.200 --> 1:58:27.920
<v Speaker 1>feel that no.

1:58:28.080 --> 1:58:29.960
<v Speaker 2>You finally yeah, I tried to give over.

1:58:30.440 --> 1:58:31.840
<v Speaker 1>So how did you and Emily meet?

1:58:33.520 --> 1:58:36.600
<v Speaker 2>We met in Nashville. She was working two three different

1:58:36.680 --> 1:58:41.000
<v Speaker 2>jobs she had left you know. Uh. She was raised

1:58:41.040 --> 1:58:43.280
<v Speaker 2>in Omaha, and she came from one side of the

1:58:43.320 --> 1:58:48.480
<v Speaker 2>family had cattle ranchers outside and well both sides of

1:58:48.520 --> 1:58:51.240
<v Speaker 2>her parents, you know, the Joyce says her name is

1:58:51.240 --> 1:58:55.200
<v Speaker 2>Emily Joyce as her maiden name, and she, uh, she

1:58:56.240 --> 1:58:58.600
<v Speaker 2>grew up there and then went to creyton a on

1:58:58.720 --> 1:59:01.320
<v Speaker 2>a full academic scholar She was a volleyball player and

1:59:01.400 --> 1:59:03.480
<v Speaker 2>was going to own volleyball scholarship in her junior year.

1:59:04.000 --> 1:59:07.440
<v Speaker 2>Right after the season she was a sectional player and

1:59:07.520 --> 1:59:10.240
<v Speaker 2>there was a car accident. A drunk ran a light

1:59:10.360 --> 1:59:12.560
<v Speaker 2>and hit she and a girlfriend. She was in the

1:59:12.600 --> 1:59:16.360
<v Speaker 2>pastor's side, hit her in that side and destroyed a

1:59:16.480 --> 1:59:20.120
<v Speaker 2>rotator cup. I mean, just so it ended the aspirations.

1:59:20.240 --> 1:59:22.520
<v Speaker 2>She would have been a these five eleven. I mean,

1:59:22.560 --> 1:59:24.480
<v Speaker 2>she was on her track to probably go to a

1:59:24.600 --> 1:59:27.800
<v Speaker 2>Big ten school or whatever, and Creighton gave her a

1:59:27.880 --> 1:59:31.360
<v Speaker 2>full ride to do pre med and so she graduated

1:59:31.360 --> 1:59:34.720
<v Speaker 2>a year and she like you. She was a year ahead.

1:59:34.920 --> 1:59:37.160
<v Speaker 2>She had done so much advanced placement and so forth,

1:59:37.880 --> 1:59:40.400
<v Speaker 2>and she burned out finally because you know, she was

1:59:40.520 --> 1:59:44.400
<v Speaker 2>there with family, you know, she was still being made

1:59:44.480 --> 1:59:48.720
<v Speaker 2>to feel responsible, you know, for all those siblings under her,

1:59:48.800 --> 1:59:51.240
<v Speaker 2>you know, the other ten beneath her. There was one

1:59:51.320 --> 1:59:55.160
<v Speaker 2>older brother. They're twelve months apart, Irish twins that I

1:59:55.200 --> 1:59:58.440
<v Speaker 2>think they're referred to as and that close. So her

1:59:58.480 --> 2:00:03.320
<v Speaker 2>older brother and she and she left. She did one

2:00:03.400 --> 2:00:05.600
<v Speaker 2>year pre med. Then she decided she could take getting

2:00:05.640 --> 2:00:08.360
<v Speaker 2>close to patients. She was working in a hospital and

2:00:09.120 --> 2:00:14.320
<v Speaker 2>and and studying, and then she did nursing for two

2:00:14.440 --> 2:00:17.200
<v Speaker 2>more years. She had three years of you know, almost

2:00:17.240 --> 2:00:20.120
<v Speaker 2>a nursing room. She left and went to Nashville, joined

2:00:20.120 --> 2:00:22.400
<v Speaker 2>the circus and thought she'd go back to school there, didn't.

2:00:23.280 --> 2:00:28.400
<v Speaker 2>And we met in a restaurant there, and she was

2:00:28.480 --> 2:00:31.440
<v Speaker 2>working at one of the Cumulus stations there and radio

2:00:31.640 --> 2:00:35.400
<v Speaker 2>like working with a radio group. And and we didn't

2:00:35.440 --> 2:00:39.120
<v Speaker 2>meet in the station, and we kind of stayed in touch,

2:00:39.400 --> 2:00:41.560
<v Speaker 2>you know, both of us were in all with different people.

2:00:41.640 --> 2:00:46.120
<v Speaker 2>And then she traveled out here at one point, just

2:00:46.240 --> 2:00:49.360
<v Speaker 2>on a brief vacation, and we saw each other out

2:00:49.360 --> 2:00:51.400
<v Speaker 2>here and then we began she then she took a

2:00:51.560 --> 2:00:55.160
<v Speaker 2>scholarship again at Mount Saint Mary's University, you know in

2:00:55.240 --> 2:00:58.120
<v Speaker 2>Brentwood on top of the mountain there that'll run by

2:00:58.160 --> 2:01:01.600
<v Speaker 2>the used to be an all girls. Uh, it's a

2:01:01.640 --> 2:01:06.040
<v Speaker 2>Catholic university up there, but she did it. Some years

2:01:06.120 --> 2:01:08.200
<v Speaker 2>later she picked up and then she had moved out

2:01:08.200 --> 2:01:09.920
<v Speaker 2>here and was doing that and we began to date,

2:01:10.080 --> 2:01:15.000
<v Speaker 2>you know that following in and and uh, uh that's

2:01:15.040 --> 2:01:17.440
<v Speaker 2>how we you know, I met and just there was

2:01:17.520 --> 2:01:21.400
<v Speaker 2>some soul connection, you know. At that point she's uh,

2:01:22.360 --> 2:01:25.840
<v Speaker 2>you know, pretty, but it's beyond that. It's it's it was,

2:01:26.040 --> 2:01:33.320
<v Speaker 2>there's beauty. Uh. And her best described by the third party.

2:01:33.400 --> 2:01:35.360
<v Speaker 2>One night, we were coming out of a restaurant and

2:01:36.240 --> 2:01:42.400
<v Speaker 2>and the actor Mira Sorvina's father wanted to forget his

2:01:42.480 --> 2:01:48.000
<v Speaker 2>first name from Goodfellows to all and he just passed

2:01:48.480 --> 2:01:54.600
<v Speaker 2>a year before last. Paul, you know, Paul Sorvino was

2:01:54.680 --> 2:01:56.800
<v Speaker 2>there and he flagged me over and we were talking

2:01:56.840 --> 2:01:58.840
<v Speaker 2>because he was doing a bit of opera here in

2:01:58.920 --> 2:02:01.160
<v Speaker 2>town at the time. He's saying opera if you knew that,

2:02:01.320 --> 2:02:05.040
<v Speaker 2>or the actor Pulserman and there was somebody else, a

2:02:05.120 --> 2:02:07.240
<v Speaker 2>friend with us that was an actress, and she reached

2:02:07.280 --> 2:02:11.160
<v Speaker 2>over for very you know, fused toward him and kind

2:02:11.200 --> 2:02:13.880
<v Speaker 2>of telling him, you know, some things she was doing.

2:02:14.200 --> 2:02:17.120
<v Speaker 2>And he looked across behind me at Emily and he said,

2:02:18.600 --> 2:02:22.400
<v Speaker 2>you you're soulful. And I told her, I said, that's

2:02:22.440 --> 2:02:25.000
<v Speaker 2>the best description I've ever heard of you. You know,

2:02:25.360 --> 2:02:29.160
<v Speaker 2>there is a soulfulness. And so we met and you know,

2:02:30.400 --> 2:02:34.520
<v Speaker 2>fell for each other and in that way, and and

2:02:35.040 --> 2:02:39.920
<v Speaker 2>stayed with it. And I'm not easy, to say the least.

2:02:40.800 --> 2:02:44.000
<v Speaker 1>I'm okay, Well, why are you not easy?

2:02:44.280 --> 2:02:46.720
<v Speaker 2>Just who I am? You know, my nature and my

2:02:47.720 --> 2:02:49.600
<v Speaker 2>my idiosyncratic nature.

2:02:49.800 --> 2:02:51.720
<v Speaker 1>You know, well tell us a little more.

2:02:51.920 --> 2:02:53.680
<v Speaker 2>I don't want to go into it, Bob, because that'd

2:02:53.720 --> 2:02:57.120
<v Speaker 2>be given up too much. I can't tell you you

2:02:57.200 --> 2:03:00.480
<v Speaker 2>already got somebody who was my idiosyncras. I mean, I

2:03:00.640 --> 2:03:05.680
<v Speaker 2>just you know, look, I've lived alone the order of

2:03:05.800 --> 2:03:08.160
<v Speaker 2>my how I'm a neat freak. You know. I keep

2:03:08.280 --> 2:03:11.400
<v Speaker 2>things in, you know, like certain spots and places.

2:03:11.040 --> 2:03:11.760
<v Speaker 3>And and.

2:03:13.520 --> 2:03:19.560
<v Speaker 2>I'm not uh uh, I don't really have a d D.

2:03:20.040 --> 2:03:24.080
<v Speaker 2>But I'm obsessive compulsive. Probably you know, I've got tend

2:03:24.120 --> 2:03:29.880
<v Speaker 2>to Warren zvon. One night Billy Bob Thornton was talking

2:03:29.920 --> 2:03:37.600
<v Speaker 2>about you know, uh O c D. And he said, yeah,

2:03:37.600 --> 2:03:39.760
<v Speaker 2>I've got We were at a restaurant, remember Elsa Leigh

2:03:39.880 --> 2:03:44.760
<v Speaker 2>on the Strip. Uh rest great great food and uh

2:03:46.360 --> 2:03:49.560
<v Speaker 2>he was talking about it one night. Warrens zvone was

2:03:49.600 --> 2:03:51.680
<v Speaker 2>a friend and and and he said, and did you

2:03:51.720 --> 2:03:55.480
<v Speaker 2>ever meet Warren and all your I'm surprised because he

2:03:56.200 --> 2:04:01.280
<v Speaker 2>charming guy and real rye wit obviously and were wolfs

2:04:01.320 --> 2:04:03.840
<v Speaker 2>of London was the you know, the tip of it.

2:04:03.960 --> 2:04:08.040
<v Speaker 2>But but you know Thompson, the headless gunner and all

2:04:08.120 --> 2:04:13.680
<v Speaker 2>you know, you know, excitable boy, all the stuff that

2:04:13.720 --> 2:04:19.600
<v Speaker 2>he wrote, Lawyers, guns and money. You know, We're sitting

2:04:19.640 --> 2:04:22.080
<v Speaker 2>there and I used to say, I knew Warren post graduate.

2:04:22.160 --> 2:04:23.920
<v Speaker 2>You know, he was settled down by the time I

2:04:24.040 --> 2:04:26.280
<v Speaker 2>met him. He was not doing the you know, the

2:04:26.600 --> 2:04:30.080
<v Speaker 2>Peruvian marching powder. That can't he talks about doing it

2:04:30.080 --> 2:04:32.960
<v Speaker 2>anymore because I've heard the stories, he said. So we're

2:04:33.000 --> 2:04:35.960
<v Speaker 2>sitting there and we're Billy's talking about obsessive compulsive you

2:04:36.040 --> 2:04:38.000
<v Speaker 2>know stuff, and he's I got to do this, and

2:04:38.080 --> 2:04:41.200
<v Speaker 2>he goes on and on about obsessive compulsive Billy Bob

2:04:41.240 --> 2:04:43.560
<v Speaker 2>Thornton now disorder and he's very open about it, you know.

2:04:43.640 --> 2:04:47.880
<v Speaker 2>He's like, and Warren's listening and just smiles. That cheshuire

2:04:47.960 --> 2:04:52.520
<v Speaker 2>cat grinned as he's like, that's smiling is He said,

2:04:52.560 --> 2:04:54.120
<v Speaker 2>have you ever had it with guns?

2:04:55.720 --> 2:04:56.800
<v Speaker 1>Like what have you ever had?

2:04:56.840 --> 2:05:02.840
<v Speaker 2>What have you ever had it with guns? And we

2:05:02.960 --> 2:05:06.760
<v Speaker 2>both like right up, like no, I never had it

2:05:06.920 --> 2:05:11.600
<v Speaker 2>was obsessive couples of Warrens like hmm. He just nodded

2:05:11.640 --> 2:05:16.680
<v Speaker 2>at he would like since I know he was guilty

2:05:16.720 --> 2:05:21.400
<v Speaker 2>of doing something up in Santa barber with guns anyway, Uh,

2:05:22.440 --> 2:05:25.360
<v Speaker 2>the same deal when Billy was talking about that at

2:05:25.400 --> 2:05:29.080
<v Speaker 2>the same restaurant and the guy that one of the owners, Paulo,

2:05:29.440 --> 2:05:31.800
<v Speaker 2>who would sit and he was a little pit bowl

2:05:31.880 --> 2:05:34.760
<v Speaker 2>from Tuscany and he but he was like sit there

2:05:34.960 --> 2:05:38.600
<v Speaker 2>and he would smoke a cigarette holding it a lah

2:05:40.080 --> 2:05:44.200
<v Speaker 2>you know MASTRIONI or somebody like, holding it like upside

2:05:44.280 --> 2:05:47.320
<v Speaker 2>down with his index finger and thumb to smoke. He

2:05:47.440 --> 2:05:49.640
<v Speaker 2>was sitting there sideways to Billy and I. He would

2:05:49.680 --> 2:05:52.720
<v Speaker 2>just plots down in anybody's table if he knew if

2:05:52.760 --> 2:05:54.200
<v Speaker 2>you were a regular at all, and he knew you

2:05:54.800 --> 2:05:57.760
<v Speaker 2>and just insert himself in your dinner, you know. And

2:05:58.000 --> 2:06:01.360
<v Speaker 2>so he goes, and Billy was saying, you know, well

2:06:01.680 --> 2:06:04.520
<v Speaker 2>if I if I don't do this four times in

2:06:04.600 --> 2:06:07.360
<v Speaker 2>a row, he'd chop at his thighs with his hands.

2:06:07.960 --> 2:06:09.640
<v Speaker 2>He said. He looked at me and he said, you'll

2:06:09.720 --> 2:06:11.840
<v Speaker 2>die in the way home. Then I said, I'll die

2:06:11.920 --> 2:06:14.560
<v Speaker 2>if you don't do it. Why why die if you

2:06:14.640 --> 2:06:16.640
<v Speaker 2>don't do the obsessive complete He goes, I don't know,

2:06:16.920 --> 2:06:20.720
<v Speaker 2>but that's just how it works. And Pablo Hollow Paulo

2:06:20.920 --> 2:06:23.400
<v Speaker 2>was sitting there with his back to us, half listening.

2:06:23.480 --> 2:06:27.440
<v Speaker 2>He was not realizing Billy's talking about HIMSELFOD He goes, see,

2:06:27.640 --> 2:06:30.680
<v Speaker 2>see he's stuck with a cigarette. See see is maniac?

2:06:30.720 --> 2:06:34.920
<v Speaker 2>Who does this? Is maniac? Who was like, yeah, so

2:06:35.000 --> 2:06:39.080
<v Speaker 2>I'm not you know, I'm not. I'm a little obsessive compulsive,

2:06:39.120 --> 2:06:42.920
<v Speaker 2>I guess, And but I'm not really add because if

2:06:42.960 --> 2:06:45.280
<v Speaker 2>you stay with me long enough, my tangent will come

2:06:45.400 --> 2:06:48.280
<v Speaker 2>back around. I'll figure out Oh yeah, I got that. Yeah, yeah,

2:06:48.320 --> 2:06:50.680
<v Speaker 2>which is that there's a difference some people assume if

2:06:50.680 --> 2:06:53.600
<v Speaker 2>they're only with me for fifteen minutes and I'm add

2:06:53.800 --> 2:06:54.840
<v Speaker 2>it's not that. No.

2:06:55.120 --> 2:06:57.200
<v Speaker 1>That was the shrink when I first started to see

2:06:57.240 --> 2:07:01.040
<v Speaker 1>the shrink. I was in a bad space, and he

2:07:01.120 --> 2:07:04.480
<v Speaker 1>thought that I couldn't track. That's like a big things. No, no,

2:07:04.600 --> 2:07:06.880
<v Speaker 1>that I realized it always comes back to the beginning

2:07:06.920 --> 2:07:07.440
<v Speaker 1>of the story.

2:07:07.680 --> 2:07:10.680
<v Speaker 2>Well, watching reading your writing, that's what was always That's

2:07:10.720 --> 2:07:13.240
<v Speaker 2>where I'd stepped on your train years ago when I started,

2:07:13.360 --> 2:07:16.160
<v Speaker 2>you know, reading the you know the stuff you would

2:07:16.200 --> 2:07:21.000
<v Speaker 2>you know, your letter and uh and I was fascinated

2:07:21.080 --> 2:07:23.520
<v Speaker 2>with and that must make it makes you a great writer,

2:07:23.840 --> 2:07:25.920
<v Speaker 2>you know, the way you can take us on the

2:07:26.080 --> 2:07:29.920
<v Speaker 2>journey and take the tangents and bring it back, you know.

2:07:30.960 --> 2:07:34.200
<v Speaker 2>And so yeah, I'm a little untethered.

2:07:34.840 --> 2:07:37.440
<v Speaker 1>Okay, well let me ask you a different question. The

2:07:37.560 --> 2:07:40.000
<v Speaker 1>limo's there to pick you up, take you to the airport,

2:07:41.480 --> 2:07:45.080
<v Speaker 1>limo pulls away. Do you think you are you concerned

2:07:45.120 --> 2:07:46.320
<v Speaker 1>whether you lock the door or not.

2:07:47.400 --> 2:07:51.920
<v Speaker 2>A little bit. I'm usually so compulsive enough that I've

2:07:51.960 --> 2:07:54.480
<v Speaker 2>done and I have a routine like you know, touch three,

2:07:54.800 --> 2:07:58.840
<v Speaker 2>you know, touch this, I don't do. I'm not I'm

2:07:58.880 --> 2:08:03.800
<v Speaker 2>not quite as extreme. You know, Bill is extremely well,

2:08:03.840 --> 2:08:05.240
<v Speaker 2>you know they can treat that now.

2:08:05.840 --> 2:08:08.560
<v Speaker 1>And I went to a special doctor for it because

2:08:08.640 --> 2:08:10.320
<v Speaker 1>regular talk therapy doesn't work.

2:08:10.680 --> 2:08:12.200
<v Speaker 2>No, no, no, no, I didn't know.

2:08:13.360 --> 2:08:16.040
<v Speaker 1>No, you have to do exposures. I remember. It's like

2:08:16.600 --> 2:08:18.640
<v Speaker 1>there are certain things to be able to let go.

2:08:19.720 --> 2:08:19.880
<v Speaker 2>You know.

2:08:20.000 --> 2:08:22.960
<v Speaker 1>Well, it's like, uh, if you know all the cans

2:08:23.000 --> 2:08:25.240
<v Speaker 1>with poison on them, like don't do this, don't do

2:08:25.360 --> 2:08:29.240
<v Speaker 1>that whatever, they'll scare me. So you work your way,

2:08:29.440 --> 2:08:32.400
<v Speaker 1>you work your way up a ladder, just touching them

2:08:32.440 --> 2:08:34.840
<v Speaker 1>at first. Then you get to the point where you

2:08:35.120 --> 2:08:39.240
<v Speaker 1>use them. So it's it's an interesting thing. I mean,

2:08:39.280 --> 2:08:41.920
<v Speaker 1>it never goes away, but you learn how to cope

2:08:41.960 --> 2:08:43.400
<v Speaker 1>because otherwise it can torture.

2:08:43.680 --> 2:08:45.680
<v Speaker 2>Well with Billy Boba does. That's why I know I

2:08:45.720 --> 2:08:47.840
<v Speaker 2>don't have it as severely because I've been like what

2:08:48.000 --> 2:08:51.880
<v Speaker 2>you're describing, and I'll turn the cans facing away. But

2:08:52.040 --> 2:08:54.320
<v Speaker 2>that's just kind of an aesthetic thing with me. I'm

2:08:54.840 --> 2:08:59.840
<v Speaker 2>I'm really given to do whatever you want. Yeah that's no, okay,

2:09:00.200 --> 2:09:02.200
<v Speaker 2>So I turned the cans. But it's not OCD. It's

2:09:02.240 --> 2:09:06.560
<v Speaker 2>it's aesthetically. It's the aesthetics, but not all. But I

2:09:06.640 --> 2:09:11.560
<v Speaker 2>don't freak out if they're although I will move something

2:09:11.600 --> 2:09:16.200
<v Speaker 2>on the I and I like asymmetry. I you know,

2:09:16.320 --> 2:09:20.640
<v Speaker 2>I like things to be slightly asymmetrical, you know, just

2:09:20.720 --> 2:09:23.120
<v Speaker 2>in a room or you know, on the angle on

2:09:23.240 --> 2:09:26.240
<v Speaker 2>the top of a desk, and and then I but

2:09:26.320 --> 2:09:28.480
<v Speaker 2>I let go, you know, I tend to let go

2:09:28.640 --> 2:09:31.600
<v Speaker 2>of stuff. I mean like, there's certain spots that are

2:09:31.640 --> 2:09:33.360
<v Speaker 2>just a mess. They're going to be a mess until

2:09:33.400 --> 2:09:34.640
<v Speaker 2>I can get around to do it. And I don't.

2:09:35.080 --> 2:09:37.760
<v Speaker 2>I don't, you know, I won't. People often think it's like,

2:09:37.880 --> 2:09:39.800
<v Speaker 2>are you a hoarder. It's like, no, I don't hoard,

2:09:40.280 --> 2:09:42.520
<v Speaker 2>because then they're shocked when I walk in and I

2:09:42.600 --> 2:09:47.000
<v Speaker 2>have the time. I desperately feel like I need the

2:09:47.160 --> 2:09:51.040
<v Speaker 2>time to focus, you know, and and I'll go through

2:09:51.120 --> 2:09:53.400
<v Speaker 2>and when I clean it out, it's gone. It's like,

2:09:53.480 --> 2:09:55.240
<v Speaker 2>get rid of that now, I don't need I haven't

2:09:55.320 --> 2:09:58.760
<v Speaker 2>used that in five years. That is that was a dream,

2:09:59.040 --> 2:10:00.760
<v Speaker 2>you know, I was like I was. I thought it

2:10:00.880 --> 2:10:03.240
<v Speaker 2>was being a boy scout, you know, my holding this

2:10:03.400 --> 2:10:05.040
<v Speaker 2>and this and this and it. So I don't I

2:10:05.120 --> 2:10:06.840
<v Speaker 2>have bits of it. I have bits of it.

2:10:07.080 --> 2:10:09.240
<v Speaker 1>Well, you know, not all the things. You know, you

2:10:09.320 --> 2:10:12.360
<v Speaker 1>can have different characteristics. I do have the hoarding characteristic.

2:10:14.640 --> 2:10:16.560
<v Speaker 2>Progress is it hoarding or just preparing?

2:10:18.440 --> 2:10:22.280
<v Speaker 1>First and foremost? I know where everything is.

2:10:22.960 --> 2:10:25.320
<v Speaker 2>I used to you had to give that up with

2:10:25.480 --> 2:10:27.280
<v Speaker 2>marriage and the child.

2:10:29.160 --> 2:10:33.640
<v Speaker 1>You know, certain things are really hard to throw out anyway. Okay,

2:10:34.080 --> 2:10:34.920
<v Speaker 1>what books?

2:10:35.680 --> 2:10:40.480
<v Speaker 3>Well, books especially I don't want to Well, I mean,

2:10:41.120 --> 2:10:43.000
<v Speaker 3>not only do I have the books that I have,

2:10:43.640 --> 2:10:46.560
<v Speaker 3>I have the books that everybody sends me like, okay, yeah,

2:10:46.600 --> 2:10:51.240
<v Speaker 3>you must get Okay, Rick Rubin, they did that special

2:10:51.640 --> 2:10:55.120
<v Speaker 3>with him on HBO Showtime whatever, and he bought Shangri

2:10:55.240 --> 2:10:58.080
<v Speaker 3>Lass Studios, you know, up in Malibu, and he's got

2:10:58.160 --> 2:11:01.960
<v Speaker 3>a library with all these books. What you learn is

2:11:02.600 --> 2:11:06.640
<v Speaker 3>an incredible percentage of the books I have will never

2:11:06.800 --> 2:11:09.600
<v Speaker 3>be reprinted, and no one else has these.

2:11:11.080 --> 2:11:13.360
<v Speaker 1>So I'm saying, well, when I can reach that level,

2:11:14.520 --> 2:11:17.840
<v Speaker 1>I'll have like the same thing drives my girlfriend nuts

2:11:17.960 --> 2:11:20.560
<v Speaker 1>because in the garage, I got stacks and stacks of

2:11:20.640 --> 2:11:24.160
<v Speaker 1>these books. And then as you get old, the older

2:11:24.200 --> 2:11:27.960
<v Speaker 1>you get, everything becomes meaningless anyway. But it's like, well,

2:11:28.200 --> 2:11:32.160
<v Speaker 1>all my vinyl records, I chose each and every one

2:11:32.200 --> 2:11:36.840
<v Speaker 1>of those. I'm my partner with those. I say, when

2:11:36.920 --> 2:11:39.920
<v Speaker 1>I die, do not throw those away. They're worth tens

2:11:40.000 --> 2:11:42.640
<v Speaker 1>and tens and tens of thousands of dollars, you know,

2:11:42.680 --> 2:11:46.320
<v Speaker 1>because they're meaningless to you know, like my girlfriend. But

2:11:47.120 --> 2:11:49.400
<v Speaker 1>and you know she's like you in the house. It's

2:11:49.520 --> 2:11:52.440
<v Speaker 1>like she likes order. But let me go one step further.

2:11:52.680 --> 2:11:55.000
<v Speaker 1>Do you tend to ruminate on things?

2:11:56.800 --> 2:11:59.800
<v Speaker 2>No, I let go. I will let go. That's that's

2:11:59.840 --> 2:12:01.680
<v Speaker 2>a difference. You know, Like you're getting ready to get

2:12:01.840 --> 2:12:04.640
<v Speaker 2>this at the airport, It's like, uh, and I'll just

2:12:04.800 --> 2:12:07.320
<v Speaker 2>make a plan to avoid it the next time. If

2:12:07.320 --> 2:12:10.360
<v Speaker 2>I've left something, you know, I'll make a you know,

2:12:10.400 --> 2:12:13.600
<v Speaker 2>I'll do something in order of getting out that.

2:12:14.120 --> 2:12:16.600
<v Speaker 1>I will tell you when they go for treatment, they

2:12:16.680 --> 2:12:17.440
<v Speaker 1>get rid of all.

2:12:17.440 --> 2:12:21.000
<v Speaker 2>That which the order of getting out of the rituals.

2:12:20.560 --> 2:12:22.720
<v Speaker 1>You have to be able to lock the door and

2:12:22.880 --> 2:12:26.040
<v Speaker 1>walk away. And the funny thing is you have to

2:12:26.120 --> 2:12:28.640
<v Speaker 1>do everything three times you get to the point where

2:12:28.640 --> 2:12:30.280
<v Speaker 1>you could do it. Because I used to be like you,

2:12:30.640 --> 2:12:33.520
<v Speaker 1>I would hold okay, I'm gonna rush, I'm gonna hold

2:12:33.600 --> 2:12:35.880
<v Speaker 1>the key, and I'm gonna think about it so I

2:12:36.040 --> 2:12:38.520
<v Speaker 1>know that I can remember, well, you got it, do

2:12:38.640 --> 2:12:41.920
<v Speaker 1>it just quickly. You know, this is a whole nother

2:12:42.280 --> 2:12:43.640
<v Speaker 1>avenue to go down.

2:12:44.200 --> 2:12:46.080
<v Speaker 2>I don't have as much of the ritual That's what

2:12:46.160 --> 2:12:49.240
<v Speaker 2>I mean about Billy Bob, and what you're describing. I

2:12:49.360 --> 2:12:51.600
<v Speaker 2>never had the ritual stuff that I had to turn

2:12:51.720 --> 2:12:55.160
<v Speaker 2>three like stand tap tap tap and and turn or something.

2:12:55.760 --> 2:13:00.680
<v Speaker 2>Mine was more pragmatic based, I guess me the function

2:13:01.040 --> 2:13:02.360
<v Speaker 2>actually to some degree.

2:13:02.800 --> 2:13:07.040
<v Speaker 1>Okay, let's go back to the essence. Here Emily comes

2:13:07.080 --> 2:13:10.280
<v Speaker 1>into the house and she moves something.

2:13:10.440 --> 2:13:16.520
<v Speaker 2>Might bug me. She was great though. We had a

2:13:16.600 --> 2:13:20.480
<v Speaker 2>housekeeper a few a couple of housekeepers back that came

2:13:20.560 --> 2:13:25.320
<v Speaker 2>in over and she said, I watched you. We were

2:13:25.400 --> 2:13:27.040
<v Speaker 2>walking her through and I was saying, okay, and this

2:13:27.160 --> 2:13:28.600
<v Speaker 2>and then, but you don't need to move. You can

2:13:28.680 --> 2:13:31.400
<v Speaker 2>dust around like there's a an athmost clock, one of

2:13:31.440 --> 2:13:33.800
<v Speaker 2>those you know brass you know. And I said, but

2:13:34.240 --> 2:13:37.040
<v Speaker 2>in there it's not an angle. It's not straight, okay,

2:13:37.120 --> 2:13:40.480
<v Speaker 2>but for just the aesthetic, I just like it on

2:13:40.480 --> 2:13:42.600
<v Speaker 2>an angle, not because I think I'm gonna if I

2:13:42.680 --> 2:13:44.760
<v Speaker 2>don't do the angle, I'm gonna walk out. And I

2:13:45.000 --> 2:13:48.560
<v Speaker 2>got it, I got it. It's literally what pleases me.

2:13:48.680 --> 2:13:53.360
<v Speaker 2>The energy that almost almost the what's the Japanese the

2:13:53.440 --> 2:13:59.080
<v Speaker 2>you know the way huh feng shui? Yeah, yeah, feng

2:13:59.120 --> 2:14:04.560
<v Speaker 2>shui of that, so that it's almost that maybe of

2:14:04.680 --> 2:14:09.280
<v Speaker 2>what and she watched her go over. I literally said, so, stuffs,

2:14:09.320 --> 2:14:13.240
<v Speaker 2>didn't you just leave? I haven't placed very specifically, just

2:14:13.680 --> 2:14:15.440
<v Speaker 2>because that's where I want it and how I like it.

2:14:15.920 --> 2:14:19.280
<v Speaker 2>And she walked over two minutes after I had said

2:14:19.320 --> 2:14:24.680
<v Speaker 2>that and turned that carck she goes and Emily was like,

2:14:25.360 --> 2:14:28.920
<v Speaker 2>that's not going to go. Well, yes, we hired she

2:14:29.040 --> 2:14:32.040
<v Speaker 2>worked for us for two years, I guess, but there

2:14:32.080 --> 2:14:37.640
<v Speaker 2>were those moments just and because Emily's a shrewd observer

2:14:38.440 --> 2:14:40.480
<v Speaker 2>of you know, she had to learn. You know, she

2:14:40.600 --> 2:14:44.240
<v Speaker 2>had all these kids, she cut the um biblical court on,

2:14:44.760 --> 2:14:48.320
<v Speaker 2>you know, her youngest brother in the hospital, you know,

2:14:48.440 --> 2:14:52.240
<v Speaker 2>with her mom. I mean, she she was made a caretaker.

2:14:52.360 --> 2:14:56.160
<v Speaker 2>So she's had to observe. So she's been an interesting,

2:14:57.280 --> 2:15:02.000
<v Speaker 2>you know, observational you know, a person to have at

2:15:02.080 --> 2:15:03.640
<v Speaker 2>close range of me.

2:15:03.800 --> 2:15:06.920
<v Speaker 1>You know, it's like, well, usually when there's that, when

2:15:06.920 --> 2:15:10.000
<v Speaker 1>there's that many kids, they know how to compromise. Like

2:15:10.080 --> 2:15:13.440
<v Speaker 1>on all the reality shows they say the Mormons, you're

2:15:13.440 --> 2:15:16.400
<v Speaker 1>not supposed to use that word anymore. The Church of

2:15:16.400 --> 2:15:19.280
<v Speaker 1>the Latter day Saints, they say they're really Mormon.

2:15:19.680 --> 2:15:21.600
<v Speaker 2>I didn't get the memo, man.

2:15:22.080 --> 2:15:23.440
<v Speaker 1>Well you're getting it now.

2:15:24.720 --> 2:15:27.440
<v Speaker 2>And why not. Why is Mormon?

2:15:27.680 --> 2:15:30.120
<v Speaker 1>You know, I'm tuned into this only because I lived

2:15:30.160 --> 2:15:33.280
<v Speaker 1>in Utah for two years and that was an experience.

2:15:33.360 --> 2:15:37.200
<v Speaker 1>It's much more cosmopolitan now. But uh, there's a reason

2:15:37.240 --> 2:15:37.920
<v Speaker 1>and I forgot it.

2:15:39.120 --> 2:15:41.640
<v Speaker 2>WHOA, you can't leave me like that. Now, I'm gonna

2:15:41.640 --> 2:15:42.960
<v Speaker 2>have to go look this up.

2:15:43.760 --> 2:15:44.440
<v Speaker 1>I could look it up.

2:15:44.480 --> 2:15:48.040
<v Speaker 2>All we're about Christ of the Latter Day saying LDS, right.

2:15:48.160 --> 2:15:50.520
<v Speaker 1>Right, You could say, hey, they're LDS.

2:15:50.800 --> 2:15:56.000
<v Speaker 2>But at the extremist version of no, no, oh, okay,

2:15:56.520 --> 2:15:57.640
<v Speaker 2>I thought extremists.

2:15:57.960 --> 2:16:01.880
<v Speaker 1>I don't even think there's a specific for the extremists, okay,

2:16:02.320 --> 2:16:04.640
<v Speaker 1>of which I remember when I lived in Utah, we

2:16:04.680 --> 2:16:08.280
<v Speaker 1>would go buy somebody's house where there were six front doors. Said,

2:16:08.280 --> 2:16:09.720
<v Speaker 1>that's where the polygamists lived.

2:16:09.920 --> 2:16:11.440
<v Speaker 2>Yeah. Wow, okay.

2:16:12.000 --> 2:16:15.720
<v Speaker 1>But since she's has to get along with so many people,

2:16:16.760 --> 2:16:19.200
<v Speaker 1>does that make it easier for her to be with you.

2:16:21.160 --> 2:16:25.160
<v Speaker 2>Probably allowed her to put up with me. Yeah yeah,

2:16:25.640 --> 2:16:26.640
<v Speaker 2>probably maybe.

2:16:26.760 --> 2:16:30.440
<v Speaker 1>So Okay, someone like you who's very determined in the mediate.

2:16:30.720 --> 2:16:33.240
<v Speaker 1>Let's say you come home and you say, you know,

2:16:33.760 --> 2:16:36.000
<v Speaker 1>I'm going out to dinner with this person. I'm going

2:16:36.040 --> 2:16:38.200
<v Speaker 1>to to the studio tomorrow, and then I'm going on

2:16:38.240 --> 2:16:41.600
<v Speaker 1>the road for a week. She's gonna say that's fine,

2:16:42.280 --> 2:16:43.640
<v Speaker 1>or why didn't you tell no?

2:16:43.800 --> 2:16:46.040
<v Speaker 2>No, none, no, I mean she and she traveled a

2:16:46.080 --> 2:16:48.200
<v Speaker 2>lot with me. She was shooting a lot of my

2:16:49.280 --> 2:16:52.920
<v Speaker 2>live shows. She started shooting. She had great eyes photographer.

2:16:53.560 --> 2:16:59.080
<v Speaker 2>She finished her undergrad degree. She completely chucked medicine anyway

2:16:59.200 --> 2:17:03.320
<v Speaker 2>in science and ended up doing her undergrad when she

2:17:03.400 --> 2:17:07.199
<v Speaker 2>finished her degree in history and English with a minor

2:17:07.200 --> 2:17:10.560
<v Speaker 2>in English. And and but she had so many credits

2:17:10.560 --> 2:17:13.320
<v Speaker 2>amassed from all of her you know, academic you know,

2:17:13.680 --> 2:17:18.720
<v Speaker 2>uh years that she had to still put in on

2:17:19.000 --> 2:17:21.760
<v Speaker 2>campus there at Mount Saint Mary's. And so she the

2:17:21.879 --> 2:17:26.480
<v Speaker 2>last year studied film photography with a pretty talented you know,

2:17:26.720 --> 2:17:29.920
<v Speaker 2>uh instructor, and she began to develop and you know,

2:17:30.360 --> 2:17:34.039
<v Speaker 2>using film and then transcend transitioned into her digital camera.

2:17:34.120 --> 2:17:38.120
<v Speaker 2>And uh, but you can't teach someone to have a

2:17:38.200 --> 2:17:40.320
<v Speaker 2>good composition, law, you can't, you know what I mean,

2:17:41.080 --> 2:17:43.160
<v Speaker 2>You know you can't teach it. You can't teach speed,

2:17:43.200 --> 2:17:47.160
<v Speaker 2>as the old coach's you know somebody you can coach it,

2:17:47.280 --> 2:17:50.240
<v Speaker 2>But you can't teach people to be fast, right, And

2:17:51.760 --> 2:17:54.200
<v Speaker 2>have you watched that Reggie Jackson documentary by the way,

2:17:55.280 --> 2:17:55.680
<v Speaker 2>I have.

2:17:55.959 --> 2:17:57.840
<v Speaker 1>Not watched it. I'm familiar with what you're telling.

2:17:57.959 --> 2:18:00.600
<v Speaker 2>Yeah, I really did. I was a bit. We were

2:18:01.240 --> 2:18:03.400
<v Speaker 2>out on the road coming back and I but she

2:18:03.680 --> 2:18:06.160
<v Speaker 2>traveled with me. It's it's it's a good watch. It's

2:18:06.160 --> 2:18:10.480
<v Speaker 2>an interesting perspective on him. It's a whole different perspective

2:18:10.520 --> 2:18:12.760
<v Speaker 2>than what you and I probably had because he was

2:18:13.240 --> 2:18:16.000
<v Speaker 2>Reggie Jackson in capital letters right when we you know,

2:18:16.760 --> 2:18:19.400
<v Speaker 2>from the Oakland A's to the But when you hear

2:18:19.680 --> 2:18:22.320
<v Speaker 2>his whole when he tells it now and now, it's

2:18:22.360 --> 2:18:25.200
<v Speaker 2>a little bit, it's just it's it's pretty touching you

2:18:25.280 --> 2:18:28.080
<v Speaker 2>know him, you know, and where he is and and

2:18:28.400 --> 2:18:35.720
<v Speaker 2>uh what he did and how he's anyway, because I

2:18:35.800 --> 2:18:38.880
<v Speaker 2>was a Cincinnati Reds kid, you know, like I hated

2:18:38.920 --> 2:18:41.440
<v Speaker 2>the Orioles, you know, and I didn't like the Dodgers.

2:18:41.520 --> 2:18:44.440
<v Speaker 2>I still, you know, it's tough sometimes. I was at

2:18:44.480 --> 2:18:45.360
<v Speaker 2>the game the other day.

2:18:45.400 --> 2:18:47.320
<v Speaker 1>I saw more people in the music business than I

2:18:47.400 --> 2:18:51.119
<v Speaker 1>do at a concert. But I am not a Dodgers fan.

2:18:51.400 --> 2:18:52.000
<v Speaker 2>Well I was.

2:18:52.160 --> 2:18:54.240
<v Speaker 1>I'm an American League fan, that's just the way.

2:18:54.280 --> 2:18:56.680
<v Speaker 2>Well, I rooted for the Angels and then turned that

2:18:56.800 --> 2:18:59.440
<v Speaker 2>Gene Autry owned him and he took me, you know,

2:18:59.560 --> 2:19:02.879
<v Speaker 2>once my career had succeeded. He had me come down

2:19:02.920 --> 2:19:04.880
<v Speaker 2>and sit in his box one night and he and

2:19:04.920 --> 2:19:06.720
<v Speaker 2>they were playing the Rangers, and I said, you know,

2:19:06.879 --> 2:19:10.560
<v Speaker 2>mister Roubrey, I said, I don't you know. Jean looked

2:19:10.560 --> 2:19:12.360
<v Speaker 2>at me. He said, I said, I don't want to

2:19:12.440 --> 2:19:16.920
<v Speaker 2>offend you, but I'm a huge Nolan Ryan fan. Time.

2:19:16.959 --> 2:19:18.480
<v Speaker 2>I moved out here because I could root for you

2:19:18.600 --> 2:19:21.920
<v Speaker 2>guys and hate the Dodgers. Still the Angels, right, and

2:19:22.000 --> 2:19:25.240
<v Speaker 2>I loved that there were the California Angels, not anaheind angels.

2:19:25.280 --> 2:19:27.840
<v Speaker 2>There were the Californians. So I went to He said, O,

2:19:28.440 --> 2:19:30.600
<v Speaker 2>come on, Nolan loved to meet you. Come on, and

2:19:30.640 --> 2:19:32.240
<v Speaker 2>he was on the bike. He wasn't pitching that day.

2:19:32.280 --> 2:19:35.520
<v Speaker 2>He was down in the clubhouse and he was peddling

2:19:35.680 --> 2:19:38.520
<v Speaker 2>watching the game. You know, Nolan just never get nobody

2:19:38.560 --> 2:19:41.640
<v Speaker 2>will ever break that record, you know, of no hitters.

2:19:42.480 --> 2:19:47.360
<v Speaker 2>But anyway, so I because being a Reds kid, you know,

2:19:49.280 --> 2:19:52.119
<v Speaker 2>the Dodgers, it was always exotic though, because their games

2:19:52.160 --> 2:19:55.760
<v Speaker 2>would come on out of WLW in Cincinnati at like

2:19:55.879 --> 2:19:58.400
<v Speaker 2>eleven at night. You know, we were right and it

2:19:58.520 --> 2:20:01.560
<v Speaker 2>was Dusty in the Palm trees and the Dodgers Stadium

2:20:02.040 --> 2:20:04.240
<v Speaker 2>no place like it. It's one of the most beautiful

2:20:04.280 --> 2:20:06.959
<v Speaker 2>settings ever you know up there. And that old Union

2:20:07.080 --> 2:20:09.840
<v Speaker 2>seventy six gas station used to be in a parking

2:20:09.920 --> 2:20:11.000
<v Speaker 2>lot right out there right.

2:20:11.120 --> 2:20:13.520
<v Speaker 1>Yeah, yeah, I remember that because we didn't have seventy

2:20:13.600 --> 2:20:15.440
<v Speaker 1>six where I grew up, and you had to wait

2:20:15.520 --> 2:20:17.640
<v Speaker 1>till you had to wait till the next morning to

2:20:17.720 --> 2:20:18.600
<v Speaker 1>get the results.

2:20:19.160 --> 2:20:20.840
<v Speaker 2>Yeah, certainly from the West coast.

2:20:21.080 --> 2:20:25.080
<v Speaker 1>Wait, cross was it Crossley Field with the Cincinnati.

2:20:24.640 --> 2:20:27.640
<v Speaker 2>Reds then, Yeah, the Crawsley Field before they built Riverfront

2:20:27.879 --> 2:20:31.120
<v Speaker 2>right by seventy when they became the big red machinery

2:20:31.120 --> 2:20:34.320
<v Speaker 2>in the Riverfront, they were but Pete and Johnny Bench

2:20:34.360 --> 2:20:36.160
<v Speaker 2>and all. And they came out of Crawsley Field because

2:20:36.160 --> 2:20:38.400
<v Speaker 2>they were those guys that were coming up in the

2:20:38.480 --> 2:20:41.840
<v Speaker 2>sixties and the Reds and brought to you a Burger

2:20:41.920 --> 2:20:50.320
<v Speaker 2>beer down on the river anyway, So yeah, I why

2:20:50.360 --> 2:20:52.280
<v Speaker 2>did I talk about the Dodgers and the Reds?

2:20:52.320 --> 2:20:54.080
<v Speaker 1>You well, I remember to have to do with your

2:20:54.080 --> 2:20:56.000
<v Speaker 1>wife and the photography. But I want to go back

2:20:56.080 --> 2:20:59.840
<v Speaker 1>and traveling with me. Okay, I get and we let's

2:21:00.600 --> 2:21:02.240
<v Speaker 1>why did your parents get divorced?

2:21:03.879 --> 2:21:13.120
<v Speaker 2>I I think I think on some levels they were

2:21:13.160 --> 2:21:18.920
<v Speaker 2>ill suited to each other. My mother was had hoped

2:21:19.040 --> 2:21:23.080
<v Speaker 2>for I knew why she fell in love with it,

2:21:23.480 --> 2:21:25.360
<v Speaker 2>you know, and he felt for her. He never quit,

2:21:25.520 --> 2:21:28.360
<v Speaker 2>you know, he he was smitten when he met her,

2:21:28.720 --> 2:21:32.720
<v Speaker 2>you know. But she wasn't prepared. She was a demure

2:21:33.640 --> 2:21:37.080
<v Speaker 2>young girl from southeast you know, in the holler there,

2:21:37.160 --> 2:21:43.520
<v Speaker 2>and just had not been prepared for his voisterous self,

2:21:43.840 --> 2:21:49.840
<v Speaker 2>you know kind of and his nature. And I think

2:21:51.200 --> 2:21:55.800
<v Speaker 2>the fears she lived with that, his Walter midyishness, you know,

2:21:55.959 --> 2:21:58.480
<v Speaker 2>kind of the dreaming and the we're gonna you know

2:21:59.280 --> 2:22:02.120
<v Speaker 2>it finally, you know, kind of got to her to

2:22:02.200 --> 2:22:04.440
<v Speaker 2>the point that she couldn't. And I don't think she

2:22:06.480 --> 2:22:08.000
<v Speaker 2>you know, he he was the one I think that

2:22:08.120 --> 2:22:11.360
<v Speaker 2>suggested it. You know, Okay, well let's we should just

2:22:11.600 --> 2:22:14.880
<v Speaker 2>we should split up. And my sister had gone to

2:22:14.959 --> 2:22:19.600
<v Speaker 2>college and we were I was gone, my brother trying

2:22:19.600 --> 2:22:23.400
<v Speaker 2>to think if he had anyway whatever, I don't think

2:22:23.520 --> 2:22:30.600
<v Speaker 2>was at home, and uh, you know it was never.

2:22:30.720 --> 2:22:32.240
<v Speaker 2>It wasn't a case of either of them, you know,

2:22:32.520 --> 2:22:40.840
<v Speaker 2>one like one cheated and my dad never and uh, disillusionment,

2:22:41.280 --> 2:22:43.880
<v Speaker 2>you know, truly, I think they just you know, and

2:22:45.080 --> 2:22:49.280
<v Speaker 2>they had they had had to really just stay on

2:22:49.600 --> 2:22:52.160
<v Speaker 2>top of it for so long to get us grown

2:22:52.320 --> 2:22:56.320
<v Speaker 2>and you know out and I don't know, but I

2:22:56.400 --> 2:22:59.080
<v Speaker 2>tried to understand, you know, for both of them. It

2:22:59.200 --> 2:23:04.240
<v Speaker 2>was really My mother was really conflicted, you know, because

2:23:04.280 --> 2:23:08.680
<v Speaker 2>she'd been raised to believe, you know, that you didn't divorce,

2:23:09.240 --> 2:23:13.080
<v Speaker 2>and you know, her parents didn't divorce never, and my

2:23:13.760 --> 2:23:18.039
<v Speaker 2>the the closest people to them, his brother, her sister,

2:23:19.160 --> 2:23:21.040
<v Speaker 2>never divorced, you know, to the end of their you know,

2:23:21.320 --> 2:23:28.400
<v Speaker 2>my aunt died preceded my uncle, and uh. And she

2:23:28.480 --> 2:23:30.320
<v Speaker 2>always loved my dad, I mean, you know, to the end.

2:23:30.480 --> 2:23:33.360
<v Speaker 2>You know. You say he was a good man, And

2:23:33.440 --> 2:23:37.600
<v Speaker 2>I said, yeah, I said, you know, and we know

2:23:37.720 --> 2:23:39.720
<v Speaker 2>the bond if you can you imagine your parents were

2:23:39.800 --> 2:23:41.840
<v Speaker 2>together right absolutely.

2:23:41.920 --> 2:23:44.240
<v Speaker 1>You know, I don't come from divorce. If my ex

2:23:44.320 --> 2:23:46.160
<v Speaker 1>wife didn't leave me, i'd still be married.

2:23:46.360 --> 2:23:48.640
<v Speaker 2>Weirdly, it doesn't feel like I came from divorce because

2:23:48.720 --> 2:23:50.920
<v Speaker 2>I was two years out here, you know, I was gone,

2:23:51.240 --> 2:23:52.279
<v Speaker 2>you know, and it happened.

2:23:52.640 --> 2:23:54.400
<v Speaker 1>I have a friend I went to college with went

2:23:54.440 --> 2:23:58.440
<v Speaker 1>through the identical situation, and he still hasn't gotten over

2:23:58.560 --> 2:24:00.879
<v Speaker 1>his parents before to cease now.

2:24:00.840 --> 2:24:02.880
<v Speaker 2>But my sister had the toughest time because she had

2:24:03.080 --> 2:24:07.440
<v Speaker 2>literally just left him and felt somewhat betrayed that she

2:24:07.600 --> 2:24:10.879
<v Speaker 2>went to college and they you know, came back home

2:24:11.040 --> 2:24:14.039
<v Speaker 2>there like the first you know, Christmas break or whatever.

2:24:14.080 --> 2:24:16.320
<v Speaker 2>The that was like, what do you mean you're broken up?

2:24:16.879 --> 2:24:21.080
<v Speaker 2>You know it happened within that window and you know

2:24:21.160 --> 2:24:26.840
<v Speaker 2>you're you're divorcing. So yeah, but I also saw, you know,

2:24:27.800 --> 2:24:30.160
<v Speaker 2>I saw the things that made them different in the

2:24:30.240 --> 2:24:35.240
<v Speaker 2>struggle that they had, the arguments. Again, I didn't come

2:24:35.320 --> 2:24:38.640
<v Speaker 2>from Knockwood. My dad never struck my mother. You know.

2:24:39.520 --> 2:24:44.360
<v Speaker 2>One time, one time he might have threatened to spank her.

2:24:45.440 --> 2:24:47.480
<v Speaker 2>The kids, Well you're a kid, You're like, you're gonna

2:24:47.520 --> 2:24:52.040
<v Speaker 2>spank her. I'm gonna turn you over my neighbors. That's like,

2:24:52.120 --> 2:24:55.400
<v Speaker 2>it's like you and it's like but that was more

2:24:55.560 --> 2:24:59.360
<v Speaker 2>just absurd than anything that's right. But see, my mother

2:24:59.640 --> 2:25:03.360
<v Speaker 2>worked from the time I was She stopped working for

2:25:04.400 --> 2:25:11.440
<v Speaker 2>about three years, uh, I think post my sister's birth,

2:25:12.120 --> 2:25:15.039
<v Speaker 2>and then went back when I was in first grade,

2:25:15.160 --> 2:25:18.680
<v Speaker 2>I think, to work and she ran a data center.

2:25:18.760 --> 2:25:21.040
<v Speaker 2>She'd been a typist and she knew how to type.

2:25:21.120 --> 2:25:25.200
<v Speaker 2>She started running and doing key punch operator, right, and

2:25:25.320 --> 2:25:29.360
<v Speaker 2>she became uh uh, she was a very smart woman.

2:25:29.480 --> 2:25:32.320
<v Speaker 2>She became a computer operator. That was when they were

2:25:32.360 --> 2:25:36.360
<v Speaker 2>the big old Univac. You know they were four feet

2:25:36.760 --> 2:25:40.000
<v Speaker 2>five four and a half feet high by eight feet long,

2:25:40.120 --> 2:25:41.400
<v Speaker 2>you know, and you fed cards.

2:25:41.440 --> 2:25:41.560
<v Speaker 1>You know.

2:25:42.120 --> 2:25:44.640
<v Speaker 2>That was our scratch pads at home, the left of

2:25:44.640 --> 2:25:47.280
<v Speaker 2>her punch card, right, you know, the key punch cards.

2:25:48.000 --> 2:25:51.800
<v Speaker 2>And uh she worked then that job for twenty five years.

2:25:52.840 --> 2:25:56.720
<v Speaker 2>And uh uh she drove her own car. From the

2:25:56.800 --> 2:25:59.360
<v Speaker 2>time I was a baby, she drove you know, she

2:25:59.680 --> 2:26:03.080
<v Speaker 2>had her own she had her own credit cards. She

2:26:04.400 --> 2:26:07.760
<v Speaker 2>come home from work, she followed sales. She knew how

2:26:07.800 --> 2:26:11.000
<v Speaker 2>to you know, she was a very thrifty woman. She

2:26:11.080 --> 2:26:14.440
<v Speaker 2>knew how to manage money, you know, with my dad

2:26:14.680 --> 2:26:17.760
<v Speaker 2>on the other end, you know, been the army. Army

2:26:17.800 --> 2:26:19.720
<v Speaker 2>took care of if you ran out, you were still

2:26:19.879 --> 2:26:24.040
<v Speaker 2>had a place to sleep and eat. And she she

2:26:25.680 --> 2:26:28.160
<v Speaker 2>would take us to sales at the big department store.

2:26:28.200 --> 2:26:30.080
<v Speaker 2>There was Lazarus. You know, you go down in the

2:26:30.200 --> 2:26:32.240
<v Speaker 2>basement sale, you know, you know what I mean. And

2:26:32.400 --> 2:26:36.960
<v Speaker 2>it's like she that was that and I I she

2:26:37.720 --> 2:26:46.320
<v Speaker 2>she really did, you know, uh conduct herself on an

2:26:46.360 --> 2:26:48.920
<v Speaker 2>equal left footing with my father. You know that way

2:26:49.120 --> 2:26:53.280
<v Speaker 2>we you know, we knew Mom would was able to

2:26:53.360 --> 2:26:55.640
<v Speaker 2>do things on her own, you know, from the time

2:26:55.680 --> 2:26:58.640
<v Speaker 2>I was a kid. I it probably makes me expect more,

2:26:59.280 --> 2:27:02.960
<v Speaker 2>you know, from women than what some are raised to be.

2:27:03.080 --> 2:27:07.800
<v Speaker 2>You know, like I like assumed, well, yeah, you can

2:27:07.920 --> 2:27:10.600
<v Speaker 2>do all your own things. You can take your drive, yourself,

2:27:11.000 --> 2:27:20.080
<v Speaker 2>do this, and uh yeah, so I didn't you know,

2:27:21.600 --> 2:27:27.400
<v Speaker 2>suffer the consequence of a broken family. You know, we

2:27:27.520 --> 2:27:32.160
<v Speaker 2>were grown and it was over, and they remained civil

2:27:32.240 --> 2:27:34.560
<v Speaker 2>with each other, and you know, we're able to be

2:27:34.640 --> 2:27:35.400
<v Speaker 2>around one another.

2:27:35.560 --> 2:27:37.600
<v Speaker 1>You did either of them find someone new?

2:27:38.360 --> 2:27:43.560
<v Speaker 2>Yeah? They both remarried and and stayed with the person

2:27:43.560 --> 2:27:45.480
<v Speaker 2>who were married to to the end. You know. My

2:27:45.840 --> 2:27:49.440
<v Speaker 2>mom's husband passed just about three was it four years ago?

2:27:50.240 --> 2:27:52.600
<v Speaker 2>And he was a bit older than her. He was

2:27:52.680 --> 2:27:55.560
<v Speaker 2>probably eight or ten maybe ten years older my mom

2:27:56.400 --> 2:28:00.920
<v Speaker 2>and and my dad remarried and he outlived his his spouse.

2:28:01.120 --> 2:28:07.240
<v Speaker 2>And yeah, but you know, I mean I'm fortunate. It

2:28:07.440 --> 2:28:14.240
<v Speaker 2>lets me as an artist, I think in writing, uh

2:28:15.320 --> 2:28:17.160
<v Speaker 2>you know, that's maybe why I'm drawing the things that

2:28:18.280 --> 2:28:23.760
<v Speaker 2>like in film. You know, you were mentioning and writing

2:28:23.800 --> 2:28:27.880
<v Speaker 2>about the guests that book. That's not entertainment. I've never

2:28:28.120 --> 2:28:31.680
<v Speaker 2>liked just entertainment. I like, like, I'd rather watch a

2:28:31.760 --> 2:28:35.480
<v Speaker 2>Robert Oltman movie. Oh yeah. If you remember when he

2:28:35.560 --> 2:28:38.400
<v Speaker 2>got the Lifetime Achievement Academy Award at the end of

2:28:38.440 --> 2:28:41.040
<v Speaker 2>his life, he said, Now, I know some of you

2:28:41.160 --> 2:28:43.879
<v Speaker 2>haven't liked all the movies that I've made, he said,

2:28:44.400 --> 2:28:47.640
<v Speaker 2>but I just asked you to keep watching. It gets better,

2:28:48.760 --> 2:28:51.320
<v Speaker 2>meaning it's all one movie. Right. It was a brilliant

2:28:51.360 --> 2:28:51.840
<v Speaker 2>statement of it.

2:28:52.000 --> 2:28:55.480
<v Speaker 1>I just remember when h fuck, what was the name

2:28:55.520 --> 2:28:57.920
<v Speaker 1>of the one with Warren Beatty shot in the Pacific

2:28:58.000 --> 2:28:59.280
<v Speaker 1>Northwest with all the snow.

2:29:00.120 --> 2:29:03.000
<v Speaker 2>Missus Miller. Yeah, oh, that's one of the best. And

2:29:03.600 --> 2:29:06.440
<v Speaker 2>I heard Warren Batty didn't, I said, yeah, because he

2:29:06.440 --> 2:29:09.240
<v Speaker 2>did not doesn't act like a movie star in it.

2:29:09.840 --> 2:29:12.760
<v Speaker 2>He's like a real person. I care. And the compression

2:29:12.840 --> 2:29:15.560
<v Speaker 2>of time and that and now the charge me that

2:29:15.640 --> 2:29:18.120
<v Speaker 2>for chippies. I'm not paying that for chippies. And you know,

2:29:18.440 --> 2:29:20.320
<v Speaker 2>the hookers he's going And.

2:29:20.640 --> 2:29:23.360
<v Speaker 1>If a frog had wings, he wouldn't bump his asshole,

2:29:24.120 --> 2:29:26.560
<v Speaker 1>and and the and the deal and because it goes

2:29:26.640 --> 2:29:30.240
<v Speaker 1>from you know, it's not the first time compressed time

2:29:30.400 --> 2:29:32.760
<v Speaker 1>is being used, but it's Altman's use of it in

2:29:32.840 --> 2:29:37.199
<v Speaker 1>that film was amazing in that you see Warren Baby

2:29:37.280 --> 2:29:40.800
<v Speaker 1>go in to get you know, the chippies, and it

2:29:40.920 --> 2:29:44.480
<v Speaker 1>can it comes back up like it's now the spring

2:29:44.640 --> 2:29:45.280
<v Speaker 1>coming out of the winter.

2:29:46.240 --> 2:29:49.160
<v Speaker 2>Seven months later and the place is built and he's gotten,

2:29:49.240 --> 2:29:53.680
<v Speaker 2>it's working, and that always fascinated me. And even the

2:29:53.760 --> 2:29:56.160
<v Speaker 2>scene with Keith Carrody. It's one of keys first on

2:29:56.280 --> 2:29:59.440
<v Speaker 2>the bridge where and the guy says, oh, that's you

2:29:59.560 --> 2:30:01.920
<v Speaker 2>got now it's a nice looking gun, and you're going,

2:30:02.080 --> 2:30:04.400
<v Speaker 2>don't He goes, let me see that? Can you let

2:30:04.440 --> 2:30:07.480
<v Speaker 2>me see it? Oh, you're going, don't you know? And

2:30:07.720 --> 2:30:09.600
<v Speaker 2>because the women in the place are watching it and

2:30:09.680 --> 2:30:12.840
<v Speaker 2>they like him, you know, he's just this young green

2:30:13.120 --> 2:30:16.680
<v Speaker 2>cowboy that is you know, and you're going no. But

2:30:16.800 --> 2:30:20.279
<v Speaker 2>his ability with stuff like that, you know, is always.

2:30:20.680 --> 2:30:23.840
<v Speaker 1>Oh no, i think I've seen every close to every

2:30:23.920 --> 2:30:27.360
<v Speaker 1>one of them, and kind of like it's very rare

2:30:28.040 --> 2:30:31.879
<v Speaker 1>that someone can peak later in their career. But like shortcuts,

2:30:31.920 --> 2:30:32.760
<v Speaker 1>shortcuts was.

2:30:32.840 --> 2:30:38.240
<v Speaker 2>Great, Oh yeah, yeah again his telling of because his

2:30:38.760 --> 2:30:42.000
<v Speaker 2>movies are about the interaction of people with each other,

2:30:42.720 --> 2:30:46.320
<v Speaker 2>always it's not plot driven. There's a plot, and he'll

2:30:46.360 --> 2:30:48.760
<v Speaker 2>get to it, but he's not in such a hurry,

2:30:48.840 --> 2:30:51.840
<v Speaker 2>and he's not so overwhelming that that's the issue, because

2:30:51.879 --> 2:30:56.560
<v Speaker 2>that's entertainment, right plot. You know, anybody can write plot,

2:30:56.680 --> 2:31:00.120
<v Speaker 2>but not many people can write character and dial all

2:31:00.240 --> 2:31:03.200
<v Speaker 2>the way. The other one is is even Peckingpad later

2:31:03.320 --> 2:31:07.119
<v Speaker 2>in his life, right when he delivers the seminal Western

2:31:07.200 --> 2:31:09.800
<v Speaker 2>is wild bunch because it takes you into and the

2:31:09.879 --> 2:31:13.520
<v Speaker 2>way he was using slow motion, ptigraphy, the violence and

2:31:13.560 --> 2:31:17.480
<v Speaker 2>all that. But that movie, i argue, always is much

2:31:17.600 --> 2:31:21.199
<v Speaker 2>more with one foot still in the traditional Hollywood filmmaking

2:31:21.280 --> 2:31:23.640
<v Speaker 2>because of the score Pat Garrett and Billy the Kid

2:31:23.680 --> 2:31:26.360
<v Speaker 2>is the first rock and roll Western because of the

2:31:26.440 --> 2:31:29.080
<v Speaker 2>way he scored it. Right now, I'm not having to

2:31:29.200 --> 2:31:31.400
<v Speaker 2>dore all this stuff, you know, just all the recurring,

2:31:32.560 --> 2:31:35.400
<v Speaker 2>the way it was done, Pat Garrett, Billy the Kid.

2:31:35.440 --> 2:31:38.240
<v Speaker 2>But bring me the head of Alfredo Garcia is the

2:31:38.320 --> 2:31:45.800
<v Speaker 2>one with Warren Oates going crazy, what right the hook

2:31:45.879 --> 2:31:47.800
<v Speaker 2>or that he's in love with right and trying to

2:31:47.840 --> 2:31:51.280
<v Speaker 2>get that head. I mean to me that you know,

2:31:52.000 --> 2:31:57.240
<v Speaker 2>that's fascinating, and it's maybe because I didn't suffer the

2:31:57.360 --> 2:32:01.880
<v Speaker 2>same kind of angst. I never felt fearful in our house.

2:32:02.959 --> 2:32:06.440
<v Speaker 2>I never felt fear from the outside world. As my

2:32:06.520 --> 2:32:09.880
<v Speaker 2>old man was, I always felt it was a protector

2:32:09.959 --> 2:32:12.560
<v Speaker 2>from the time I was a kid. For whatever his

2:32:12.720 --> 2:32:16.760
<v Speaker 2>flaws were, nothing that you were. It was over that

2:32:16.920 --> 2:32:19.360
<v Speaker 2>guy's dead body. You were gonna do anything to our family,

2:32:19.920 --> 2:32:20.920
<v Speaker 2>do you know what I mean? I mean, there's a

2:32:21.320 --> 2:32:25.520
<v Speaker 2>and I realized now and knowing friends and close people

2:32:25.600 --> 2:32:28.440
<v Speaker 2>that are close to me that didn't grow up that

2:32:28.520 --> 2:32:33.360
<v Speaker 2>way or suffered the under the threat of violence within

2:32:33.440 --> 2:32:37.000
<v Speaker 2>the house outside you know, people coming into the house

2:32:37.040 --> 2:32:40.200
<v Speaker 2>that were extended family that were violent towards you know,

2:32:40.320 --> 2:32:44.520
<v Speaker 2>their you know them and their family. I've just experienced

2:32:44.560 --> 2:32:49.080
<v Speaker 2>it with people and I'm like, wow, yeah, I'm lucky.

2:32:49.160 --> 2:32:52.520
<v Speaker 2>And maybe that's what allows me to write about things

2:32:52.600 --> 2:32:58.400
<v Speaker 2>that I you know, the sadness of some things and

2:32:59.200 --> 2:33:03.840
<v Speaker 2>and uh, the willingness to you know, to watch it

2:33:04.080 --> 2:33:08.480
<v Speaker 2>in film and observe it. And anyway, let's.

2:33:08.320 --> 2:33:12.560
<v Speaker 1>Stay with Peckapah for a minute. People say movies are

2:33:12.640 --> 2:33:16.240
<v Speaker 1>too bloody, too gory. I've never had a problem without

2:33:16.280 --> 2:33:20.240
<v Speaker 1>it all but the only movie that pushed me over

2:33:20.280 --> 2:33:23.320
<v Speaker 1>the line. But I sat there in the theater straw Dogs.

2:33:23.760 --> 2:33:28.400
<v Speaker 1>WHOA remember was Susan Joya? Yeah, pretty, he's seeing those guys.

2:33:28.680 --> 2:33:30.080
<v Speaker 1>Wow it dustn't Hoffman?

2:33:30.440 --> 2:33:31.280
<v Speaker 2>Right? Yeah?

2:33:31.520 --> 2:33:33.000
<v Speaker 1>Is it Dustin Hoffman or that guy?

2:33:33.680 --> 2:33:35.840
<v Speaker 2>Is it? I have to look it up. Yeah it is.

2:33:36.080 --> 2:33:38.240
<v Speaker 2>It's Dustin Hoffman. Is her husband? Right?

2:33:38.520 --> 2:33:38.720
<v Speaker 1>Yeah?

2:33:39.040 --> 2:33:40.920
<v Speaker 2>And they come in there and are they in Ironland

2:33:41.000 --> 2:33:44.879
<v Speaker 2>or England? I can't remember where it takes place. It's

2:33:44.920 --> 2:33:49.120
<v Speaker 2>either they're out of their cultural element and you know

2:33:49.200 --> 2:33:53.240
<v Speaker 2>they are Americans that are there and living. Oh yeah,

2:33:53.360 --> 2:33:55.920
<v Speaker 2>I haven't watched it in years, but it's very disturbing,

2:33:56.680 --> 2:33:59.959
<v Speaker 2>very disturbing. More so Clwork or Clarkwork Orange has been

2:34:00.040 --> 2:34:04.080
<v Speaker 2>a cartoon of that. This is so reality based that

2:34:04.200 --> 2:34:07.480
<v Speaker 2>it it'll make you, you know, check, go get a

2:34:07.520 --> 2:34:09.720
<v Speaker 2>gun exactly.

2:34:10.360 --> 2:34:13.520
<v Speaker 1>But there's one of the scariest movies I've ever seen,

2:34:14.560 --> 2:34:16.720
<v Speaker 1>Angel Heart. Is that the name of the book or

2:34:16.720 --> 2:34:17.520
<v Speaker 1>the name of the movie.

2:34:18.040 --> 2:34:21.400
<v Speaker 2>That's the movie both, I think with Mickey ro Hoffman.

2:34:22.400 --> 2:34:28.440
<v Speaker 1>Dustin Hoffman played Louis Seiffer ship. Oh yeah, yeah, yeah,

2:34:28.520 --> 2:34:32.640
<v Speaker 1>sat in New Orleans, et cetera. Wow. I even remember

2:34:32.760 --> 2:34:35.840
<v Speaker 1>reading the book. Yeah, it was called Angel Heart. And

2:34:37.560 --> 2:34:39.480
<v Speaker 1>I remember reading the book because I had it. Somebody

2:34:39.560 --> 2:34:41.320
<v Speaker 1>sent it to me that even scared me.

2:34:42.280 --> 2:34:48.039
<v Speaker 2>Yeah, no, no, no, and well straw Dogs, like you said,

2:34:48.840 --> 2:34:55.600
<v Speaker 2>is disturbing, and it's you know, I've thought about it.

2:34:55.720 --> 2:35:00.160
<v Speaker 2>I thought, you know what, there is something and the

2:35:03.240 --> 2:35:06.119
<v Speaker 2>safety of the life I was, you know, I lived,

2:35:06.160 --> 2:35:08.760
<v Speaker 2>and not that we didn't have up down problems and

2:35:09.520 --> 2:35:12.520
<v Speaker 2>you know, and my brother, you know, had his own

2:35:12.600 --> 2:35:16.440
<v Speaker 2>issues and there was stuff, you know, even in his

2:35:16.600 --> 2:35:20.200
<v Speaker 2>early adult life that bled over into the family of him.

2:35:21.080 --> 2:35:28.200
<v Speaker 2>But I realize the the lack of being fearful in

2:35:28.320 --> 2:35:30.200
<v Speaker 2>our own home that somebody else was going to come in,

2:35:30.440 --> 2:35:33.720
<v Speaker 2>you know, and and do something to us, or be

2:35:33.800 --> 2:35:36.320
<v Speaker 2>able to you know, have a free hand, you know,

2:35:36.440 --> 2:35:40.960
<v Speaker 2>in coming over. And you know I didn't have to

2:35:41.040 --> 2:35:42.600
<v Speaker 2>live with that kind of fear.

2:35:43.080 --> 2:35:45.720
<v Speaker 1>Well, we didn't have that at all. But I think,

2:35:45.760 --> 2:35:48.920
<v Speaker 1>you know, you're talking about being the youngest. My father

2:35:49.120 --> 2:35:51.800
<v Speaker 1>was a guy didn't fit in and he ultimately made

2:35:51.840 --> 2:35:55.760
<v Speaker 1>his success individually and didn't have.

2:35:55.879 --> 2:35:58.440
<v Speaker 2>To fit in because he was the youngest of the family.

2:35:59.560 --> 2:36:02.080
<v Speaker 1>Was he in terms of the kids he was the oldest?

2:36:02.480 --> 2:36:07.440
<v Speaker 1>Oh okay, I mean he had a rough family. One sister,

2:36:08.040 --> 2:36:11.920
<v Speaker 1>one brother was run over and killed in the driveway.

2:36:12.000 --> 2:36:15.200
<v Speaker 1>Another sister committed suicide. I mean, it wasn't just your

2:36:15.240 --> 2:36:23.480
<v Speaker 1>everyday family. But he, you know, not by today's rich standards.

2:36:24.120 --> 2:36:26.760
<v Speaker 1>He would support you. He would buy you the sporting

2:36:26.840 --> 2:36:29.680
<v Speaker 1>equipment and do that as long as you were geting

2:36:29.680 --> 2:36:32.480
<v Speaker 1>good grades in school. Didn't want to hear that you

2:36:32.520 --> 2:36:35.640
<v Speaker 1>wanted to be a professional athlete. But as long as

2:36:35.680 --> 2:36:38.080
<v Speaker 1>you were doing this, he would do it. To the degree.

2:36:38.400 --> 2:36:40.920
<v Speaker 1>He wasn't trying to teach us a lesson. I remember

2:36:41.520 --> 2:36:43.920
<v Speaker 1>talking about this the other day, but I was ten.

2:36:44.720 --> 2:36:48.920
<v Speaker 1>My father bought me golf clubs. Almost no clubs in

2:36:49.000 --> 2:36:54.760
<v Speaker 1>the There was a driver three five seven, three five

2:36:54.840 --> 2:36:58.680
<v Speaker 1>seven and a putter. Everybody in the community went berserk.

2:36:59.000 --> 2:37:01.600
<v Speaker 1>He's too young, I mean we just played the public course.

2:37:01.800 --> 2:37:04.119
<v Speaker 1>He's the young to have alc golf clubs within a year.

2:37:04.640 --> 2:37:07.520
<v Speaker 1>All their kids had much better golf sets than I did,

2:37:08.080 --> 2:37:10.880
<v Speaker 1>you know, but he was one. He didn't give a

2:37:10.920 --> 2:37:12.920
<v Speaker 1>shit what anybody else thought.

2:37:13.120 --> 2:37:14.959
<v Speaker 2>I mean, my father made a.

2:37:15.000 --> 2:37:18.400
<v Speaker 1>Living speaking his truth. And I guess, you know, you

2:37:18.520 --> 2:37:20.720
<v Speaker 1>get old, you think you're so different from people, and

2:37:20.800 --> 2:37:22.320
<v Speaker 1>you find out you're the same. I guess, you know,

2:37:22.480 --> 2:37:25.640
<v Speaker 1>there's some lessons I got from him, same thing.

2:37:26.040 --> 2:37:29.920
<v Speaker 2>Yeah, speaking your truth. I don't think you'd be accused

2:37:29.959 --> 2:37:31.440
<v Speaker 2>of not right.

2:37:31.480 --> 2:37:33.360
<v Speaker 1>But I really don't know any other way. I mean

2:37:33.800 --> 2:37:36.000
<v Speaker 1>I tried to be the other way where you know,

2:37:36.480 --> 2:37:40.040
<v Speaker 1>kissed but played politics. And you know, it's funny. I

2:37:40.120 --> 2:37:43.400
<v Speaker 1>had a dream about this just the other night. You know,

2:37:43.720 --> 2:37:45.600
<v Speaker 1>they said, how can you say this? You know, you

2:37:45.720 --> 2:37:49.400
<v Speaker 1>gotta be ostracized. Most people learn to be a member

2:37:49.440 --> 2:37:51.760
<v Speaker 1>of the group. That's not what my father taught me.

2:37:52.280 --> 2:37:54.800
<v Speaker 2>Yeah, he stay an outsider.

2:37:55.560 --> 2:38:01.400
<v Speaker 1>Yeah, so you were, you were successful. Classic thing is

2:38:01.520 --> 2:38:05.120
<v Speaker 1>people buy their parents a house or something. To what

2:38:05.400 --> 2:38:09.040
<v Speaker 1>degree did you buy your parents and your sister and

2:38:09.160 --> 2:38:10.280
<v Speaker 1>brother on the payroll?

2:38:10.959 --> 2:38:13.600
<v Speaker 2>No, I didn't. I didn't do that. Didn't have to,

2:38:13.879 --> 2:38:15.959
<v Speaker 2>Thank goodness, it didn't. I mean, you know, they both

2:38:16.959 --> 2:38:20.040
<v Speaker 2>had their lives that were you know, okay. But I

2:38:20.160 --> 2:38:22.080
<v Speaker 2>was able to retire my mom early, you know, let

2:38:22.120 --> 2:38:25.959
<v Speaker 2>her after twenty five years instead of working another five

2:38:26.160 --> 2:38:30.680
<v Speaker 2>or eight or you know whatever. And that much I

2:38:30.840 --> 2:38:35.320
<v Speaker 2>was able to do was help her retire early, earlier,

2:38:36.680 --> 2:38:40.240
<v Speaker 2>and you know, being able to give them things, you know,

2:38:40.280 --> 2:38:44.080
<v Speaker 2>over the years, you know, gifts and stuff, but but

2:38:44.280 --> 2:38:47.640
<v Speaker 2>never really And then I was able to help my

2:38:47.760 --> 2:38:50.040
<v Speaker 2>dad and his wife, you know, a similar kind of thing,

2:38:50.200 --> 2:38:53.400
<v Speaker 2>just you know, help help them, you know along. You know.

2:38:53.520 --> 2:38:56.720
<v Speaker 2>So that was a benefit of the success, a great

2:38:56.800 --> 2:38:59.360
<v Speaker 2>benefit of success. But as I always felt like I

2:38:59.560 --> 2:39:05.520
<v Speaker 2>owed because that guitar he ended up for several years

2:39:05.920 --> 2:39:08.119
<v Speaker 2>having to do piece meal when we go hunting, rabbit

2:39:08.200 --> 2:39:10.440
<v Speaker 2>hunting or whatever. He always had kind of a bowl

2:39:10.520 --> 2:39:14.800
<v Speaker 2>that he ended up with, not great shotguns. And uh,

2:39:15.760 --> 2:39:19.039
<v Speaker 2>because I found out years later that that that guitar

2:39:19.200 --> 2:39:21.360
<v Speaker 2>I wanted so desperately eight years old, I wanted a

2:39:21.400 --> 2:39:26.160
<v Speaker 2>real guitar. He hocked a great shotgun that he had

2:39:26.640 --> 2:39:32.600
<v Speaker 2>and actually just sold it to you know, have the

2:39:32.680 --> 2:39:35.879
<v Speaker 2>money to buy that guitar that Christmas. So I owe

2:39:35.920 --> 2:39:39.120
<v Speaker 2>them a debt of gratitude. But I felt like, look,

2:39:40.320 --> 2:39:42.280
<v Speaker 2>you know, and I think that kids that are able

2:39:42.320 --> 2:39:45.280
<v Speaker 2>to get back to their parents, it's a gift to

2:39:45.400 --> 2:39:49.040
<v Speaker 2>the kid for me. Anything that I was able to

2:39:49.080 --> 2:39:51.160
<v Speaker 2>do for them, I thought was a gift because, like

2:39:51.240 --> 2:39:54.400
<v Speaker 2>I said, I was lucky. And I realized how lucky

2:39:54.480 --> 2:39:59.920
<v Speaker 2>now when I meet some you know, friends and here

2:40:00.200 --> 2:40:05.080
<v Speaker 2>of their life with parents that were less than mature

2:40:05.160 --> 2:40:08.680
<v Speaker 2>about love, you know what I mean? Love, I believe me.

2:40:08.760 --> 2:40:11.960
<v Speaker 2>We're talking about love. The sacrifice they'll make for love,

2:40:12.520 --> 2:40:15.080
<v Speaker 2>you know, nothing else that they'll give up their own

2:40:15.160 --> 2:40:19.280
<v Speaker 2>selfishness for love. And my mother had that and women,

2:40:19.640 --> 2:40:22.400
<v Speaker 2>you know, the mothers do you know, for the most part.

2:40:24.360 --> 2:40:28.400
<v Speaker 2>Obviously there are nominlies and exceptions to everything, the rules

2:40:28.440 --> 2:40:31.160
<v Speaker 2>that that is. But guys, we have to learn what

2:40:31.360 --> 2:40:33.920
<v Speaker 2>we tend to be selfish, you know, all right, you know,

2:40:34.840 --> 2:40:42.720
<v Speaker 2>and and but selflessness is there when if you've got

2:40:42.800 --> 2:40:45.360
<v Speaker 2>it in you, it comes out when they you know,

2:40:45.440 --> 2:40:48.760
<v Speaker 2>they look up at you, and like you said, you

2:40:48.959 --> 2:40:52.480
<v Speaker 2>learn a different love. And that's that's selfless love, you know,

2:40:53.200 --> 2:40:57.840
<v Speaker 2>with a child. And that's what I felt. Look, I've

2:40:57.920 --> 2:41:00.160
<v Speaker 2>read enough of you. With your mom, you would do

2:41:00.440 --> 2:41:03.400
<v Speaker 2>small things, whether you didn't necessarily buy you didn't have to,

2:41:03.879 --> 2:41:06.880
<v Speaker 2>you know, buy her house. I didn't have to with

2:41:07.080 --> 2:41:09.800
<v Speaker 2>my mother and her husband were okay, you know, they

2:41:09.840 --> 2:41:14.840
<v Speaker 2>were uh and and uh. She was always very cautious,

2:41:14.959 --> 2:41:17.680
<v Speaker 2>you know, with with her money. I would you know,

2:41:17.800 --> 2:41:20.120
<v Speaker 2>I had a little bit of it. I mean, you know,

2:41:20.520 --> 2:41:23.840
<v Speaker 2>at least save some you know, had some you know,

2:41:23.920 --> 2:41:26.320
<v Speaker 2>underneath the stereo or something in my room. I was

2:41:26.400 --> 2:41:33.720
<v Speaker 2>getting paper route or whatever. And you know, yeah, I

2:41:33.800 --> 2:41:36.959
<v Speaker 2>mean you've talked about even taking your mom to dinner

2:41:37.040 --> 2:41:38.600
<v Speaker 2>right now, you know, and just things that you're able

2:41:38.640 --> 2:41:39.680
<v Speaker 2>to do well.

2:41:39.800 --> 2:41:43.320
<v Speaker 1>My mother, I mean, I'm going to talk about my mother.

2:41:43.480 --> 2:41:46.840
<v Speaker 1>My mother was the inspir Like if I wanted to

2:41:46.879 --> 2:41:48.880
<v Speaker 1>go to a movie, or I wanted to go to

2:41:49.000 --> 2:41:51.039
<v Speaker 1>a play, or I wanted to go to a concert,

2:41:51.600 --> 2:41:55.400
<v Speaker 1>unlimited money for that. If you wanted to buy an

2:41:55.440 --> 2:41:58.680
<v Speaker 1>item whatever, that was a whole different thing, okay.

2:41:58.600 --> 2:42:05.400
<v Speaker 2>But to engage in and art, art, watching art, you participating.

2:42:05.480 --> 2:42:07.200
<v Speaker 1>I mean my mother once I remember my mother tell

2:42:07.240 --> 2:42:09.000
<v Speaker 1>me is hey, Country, Joe and the Fish are going

2:42:09.080 --> 2:42:12.880
<v Speaker 1>to be a new haven. It's like, okay, you know,

2:42:13.240 --> 2:42:15.920
<v Speaker 1>I'm gonna go whereas he said, you know, give me

2:42:16.040 --> 2:42:18.880
<v Speaker 1>some money to go hang with my buds. No, but

2:42:20.240 --> 2:42:22.760
<v Speaker 1>she would encourage you, and then if you got really

2:42:22.920 --> 2:42:26.320
<v Speaker 1>into it, she would push back and.

2:42:28.200 --> 2:42:29.800
<v Speaker 2>You know, ha ha.

2:42:30.680 --> 2:42:32.440
<v Speaker 1>And I told some of these stories before, but my

2:42:32.640 --> 2:42:35.640
<v Speaker 1>one of my favorite stories. In the earlier part of

2:42:35.680 --> 2:42:39.600
<v Speaker 1>this century, basically everybody had a computer, even your parents,

2:42:39.680 --> 2:42:42.039
<v Speaker 1>because if they are well whatever, So you send email

2:42:42.080 --> 2:42:46.440
<v Speaker 1>to your parents and I forward, like, you know, sometime

2:42:46.560 --> 2:42:49.880
<v Speaker 1>two thousand and four or three whatever. I forwarded an

2:42:49.920 --> 2:42:56.040
<v Speaker 1>email from Quincy Jones and I never heard anything. So

2:42:56.120 --> 2:42:58.000
<v Speaker 1>the next time I spoke with my mother, I said,

2:42:58.879 --> 2:43:00.400
<v Speaker 1>you know, you know I sent you email.

2:43:00.600 --> 2:43:01.400
<v Speaker 2>Yeah, yeah, you know.

2:43:01.720 --> 2:43:02.280
<v Speaker 1>Did you read it?

2:43:02.360 --> 2:43:02.560
<v Speaker 2>Yeah?

2:43:02.680 --> 2:43:05.200
<v Speaker 1>I redreamail, you know the one, Yeah, Quincy Jones, Yeah,

2:43:05.280 --> 2:43:08.720
<v Speaker 1>I read. Well, you weren't impressive with Quincy Jones whatever,

2:43:08.760 --> 2:43:14.360
<v Speaker 1>blah blah blah. I said, Quincy Jones, you mean the

2:43:14.520 --> 2:43:17.200
<v Speaker 1>artist I figured with somebody the same same name. How

2:43:17.240 --> 2:43:19.000
<v Speaker 1>would you know Quincy Jones?

2:43:21.240 --> 2:43:25.360
<v Speaker 2>You mean the artist she figured?

2:43:25.400 --> 2:43:26.480
<v Speaker 1>You know, she would put you down?

2:43:26.560 --> 2:43:26.920
<v Speaker 2>Who are you?

2:43:27.160 --> 2:43:28.040
<v Speaker 1>How would you know that?

2:43:28.120 --> 2:43:35.160
<v Speaker 2>Would you? Bob? No, Quincy Jones. That's hilarious? Yeah, no,

2:43:35.320 --> 2:43:39.720
<v Speaker 2>I you know. Yeah. The dynamic with with family is

2:43:40.000 --> 2:43:45.000
<v Speaker 2>is interesting. I mean, fortunately they were they never traded

2:43:45.080 --> 2:43:48.080
<v Speaker 2>on it, you know, when it, you know, the success happened.

2:43:49.040 --> 2:43:56.600
<v Speaker 2>They they what's going on? Oh, somebody overheard as I

2:43:56.680 --> 2:43:59.920
<v Speaker 2>heard somebody outside repeating what you said. They're they're hearing

2:44:00.160 --> 2:44:03.080
<v Speaker 2>another speaker, and they were laughing about the fact that

2:44:03.160 --> 2:44:09.680
<v Speaker 2>your mother was shocked, you know, Quinn. They yeah, so

2:44:10.240 --> 2:44:11.400
<v Speaker 2>you know, knock Wood.

2:44:13.400 --> 2:44:16.720
<v Speaker 1>Sings. How'd your siblings cope with your level of success?

2:44:17.720 --> 2:44:21.720
<v Speaker 2>Really well, really well? Actually, I mean they they didn't again,

2:44:22.520 --> 2:44:24.720
<v Speaker 2>didn't expect much. I mean I would. My brother had

2:44:24.760 --> 2:44:27.360
<v Speaker 2>a bit of a struggle, you know, and life, and

2:44:27.480 --> 2:44:30.720
<v Speaker 2>he helped my sister and I enormously. He went down

2:44:30.760 --> 2:44:33.840
<v Speaker 2>and took care of my father when my father had dementia.

2:44:33.920 --> 2:44:37.440
<v Speaker 2>He didn't have Alzheimer's thinking he had an arterial dementia.

2:44:37.480 --> 2:44:39.800
<v Speaker 2>In the last couple of years with life and my brother,

2:44:40.320 --> 2:44:42.200
<v Speaker 2>he had gone through a divorce and it was kind

2:44:42.200 --> 2:44:45.960
<v Speaker 2>of in a different space. He moved there and stayed,

2:44:46.200 --> 2:44:49.880
<v Speaker 2>you know, and stayed the course with him and and actually,

2:44:50.120 --> 2:44:52.800
<v Speaker 2>you know, witnessed he was in an assisted you know,

2:44:53.040 --> 2:44:55.080
<v Speaker 2>a place where my brother would go every day, you know,

2:44:55.280 --> 2:44:57.360
<v Speaker 2>take him wherever he needed to go and do whatever.

2:44:58.000 --> 2:45:00.920
<v Speaker 2>And for him, that was one of the greatest gifts

2:45:00.959 --> 2:45:02.760
<v Speaker 2>he could give my sister and I. You know that

2:45:02.879 --> 2:45:05.720
<v Speaker 2>he did that, that he did that for my dad.

2:45:06.760 --> 2:45:08.680
<v Speaker 2>I loved him even deeper than I did, you know,

2:45:09.840 --> 2:45:14.160
<v Speaker 2>my brother, I loved him, but but you know, it

2:45:14.560 --> 2:45:20.640
<v Speaker 2>really played on him hard. He We think he casually

2:45:20.720 --> 2:45:23.840
<v Speaker 2>of that first year of COVID he passed young. I

2:45:24.000 --> 2:45:30.080
<v Speaker 2>think sixty two, wow, no, sixty what even was sixty one?

2:45:31.160 --> 2:45:34.199
<v Speaker 2>And we think now that he may have had Louis

2:45:34.280 --> 2:45:37.320
<v Speaker 2>body dimension, which is what Robin Williams was diagnosed with

2:45:37.440 --> 2:45:39.840
<v Speaker 2>after the fact, because they don't know what and they

2:45:39.920 --> 2:45:43.840
<v Speaker 2>start having And my brother had been at close range

2:45:43.959 --> 2:45:47.879
<v Speaker 2>watching dementia take my dad and it was tough on him,

2:45:48.040 --> 2:45:51.480
<v Speaker 2>and so I was, you know, but I was able

2:45:51.520 --> 2:45:54.160
<v Speaker 2>to you know, help him by helping us and let him,

2:45:54.240 --> 2:45:57.520
<v Speaker 2>you know, do that. And but no, they never expect that.

2:45:57.600 --> 2:46:00.680
<v Speaker 2>They'd never tapped me, you know. I mean I've been

2:46:00.720 --> 2:46:04.240
<v Speaker 2>able to do things with and for them and with them,

2:46:05.080 --> 2:46:11.640
<v Speaker 2>but you know, uh, now, there was no no house

2:46:11.720 --> 2:46:13.879
<v Speaker 2>buying or things like that. I was, you know, I've

2:46:13.959 --> 2:46:16.840
<v Speaker 2>done some bit of lavish gift giving and over over

2:46:16.959 --> 2:46:19.560
<v Speaker 2>time and and I did, you know, end up with

2:46:19.600 --> 2:46:21.640
<v Speaker 2>a plane. One of the ways my brother built some

2:46:22.240 --> 2:46:25.520
<v Speaker 2>multi time we have because I loved flying and I

2:46:25.600 --> 2:46:29.160
<v Speaker 2>couldn't do it, and I bought a small twin engine jet,

2:46:29.720 --> 2:46:31.800
<v Speaker 2>not jet, but a plane, and he flew and then

2:46:31.840 --> 2:46:34.600
<v Speaker 2>he built his time and he on his own and

2:46:34.720 --> 2:46:37.920
<v Speaker 2>he started doing you know, flying and jet flying and

2:46:38.000 --> 2:46:41.680
<v Speaker 2>so forth, and doing it with first you know, carrying

2:46:42.800 --> 2:46:45.960
<v Speaker 2>uh overnight banking, you know, back in the even the

2:46:46.080 --> 2:46:48.400
<v Speaker 2>early night. They were still it was paper. They had

2:46:48.440 --> 2:46:50.840
<v Speaker 2>to move it overnight. And that's one of the ways

2:46:50.920 --> 2:46:53.879
<v Speaker 2>these guys will build enormous amounts of hours and flying

2:46:54.520 --> 2:46:58.760
<v Speaker 2>is they'll they'll hire on to uh, you know, check flying.

2:46:59.560 --> 2:47:01.480
<v Speaker 2>And he did that for you know, a couple of

2:47:01.560 --> 2:47:09.440
<v Speaker 2>three years, you know, flew charter anyway. But yeah, so no,

2:47:09.600 --> 2:47:16.080
<v Speaker 2>I mean, I mean, you know, not having to struggle

2:47:17.200 --> 2:47:24.480
<v Speaker 2>with the function of life allowed me the luxury of

2:47:24.600 --> 2:47:31.960
<v Speaker 2>being able to explore within myself whatever I needed to do,

2:47:32.080 --> 2:47:35.000
<v Speaker 2>you know, I mean saying, it's like I'm not having

2:47:35.040 --> 2:47:38.080
<v Speaker 2>to put myself back together, you know. And I didn't.

2:47:38.160 --> 2:47:42.600
<v Speaker 2>I never never drank. I just I was raised, like

2:47:42.720 --> 2:47:45.720
<v Speaker 2>I said, in a very absent environment, you know, until

2:47:45.760 --> 2:47:47.680
<v Speaker 2>I was an adult. And by the time I got there,

2:47:47.760 --> 2:47:50.120
<v Speaker 2>I almost kissed. Like I'm like, and I've watched it

2:47:50.240 --> 2:47:53.640
<v Speaker 2>all you have, but at close range bars and I've

2:47:53.680 --> 2:47:57.320
<v Speaker 2>seen professionals, I know, you know, and just it never

2:47:57.520 --> 2:48:02.920
<v Speaker 2>because I had an event horizon that I kept staring at.

2:48:03.120 --> 2:48:04.880
<v Speaker 2>I thought, I need to you know, I need to

2:48:04.920 --> 2:48:08.960
<v Speaker 2>be awake and alert and sober, and I need to

2:48:09.800 --> 2:48:12.840
<v Speaker 2>know what the hell I'm doing, you know, And I

2:48:12.959 --> 2:48:17.920
<v Speaker 2>don't want they just never It's just not my nature

2:48:17.959 --> 2:48:22.119
<v Speaker 2>to want to to come in. My old man smoked

2:48:22.120 --> 2:48:25.039
<v Speaker 2>cigarettes and never never because of my throat. I didn't

2:48:25.080 --> 2:48:29.080
<v Speaker 2>want to wreck you know. Weird early on, I knew

2:48:29.160 --> 2:48:31.400
<v Speaker 2>from an early age I wanted to do this. I

2:48:31.520 --> 2:48:34.480
<v Speaker 2>wanted to sing, and I thought I may I may

2:48:34.520 --> 2:48:36.840
<v Speaker 2>be able to do this, you know. And and.

2:48:38.520 --> 2:48:43.720
<v Speaker 1>I just, uh, well, tell me about I know you

2:48:43.760 --> 2:48:45.879
<v Speaker 1>didn't want to abuse yourself, But tell me about knowing

2:48:46.000 --> 2:48:47.040
<v Speaker 1>that you wanted to do this.

2:48:49.360 --> 2:48:54.240
<v Speaker 2>Yeah, I just from my earliest memories. And it's strange.

2:48:54.320 --> 2:48:57.760
<v Speaker 2>I see it in my little one. He it's almost

2:48:57.840 --> 2:49:03.480
<v Speaker 2>a knowing about like he knows, you know. And it's

2:49:03.879 --> 2:49:06.520
<v Speaker 2>my wife observes it in a different way because for me,

2:49:06.680 --> 2:49:10.119
<v Speaker 2>it just reminds me of like, oh, yeah, I remember feeling,

2:49:10.840 --> 2:49:13.959
<v Speaker 2>you know that I can do this, I could make people.

2:49:15.320 --> 2:49:23.119
<v Speaker 2>Uh it's just yeah, I I And again, you can't

2:49:23.200 --> 2:49:26.840
<v Speaker 2>teach it, and you have to have an experience along

2:49:26.959 --> 2:49:29.520
<v Speaker 2>the way that lets you confirm if you've got any

2:49:29.640 --> 2:49:31.800
<v Speaker 2>level of intelligence. I think you have to. You want

2:49:31.920 --> 2:49:35.480
<v Speaker 2>to make sure you're not just delusional, right, So you've

2:49:35.480 --> 2:49:38.320
<v Speaker 2>got to do it outside. Two things can happen at home.

2:49:38.400 --> 2:49:40.360
<v Speaker 2>You need to be on the coffee table, and you're just,

2:49:40.640 --> 2:49:43.800
<v Speaker 2>you know, the precocious little darling that you know they're

2:49:43.840 --> 2:49:46.160
<v Speaker 2>going to dote over whether you're any good or not,

2:49:47.000 --> 2:49:49.800
<v Speaker 2>or you can get the tall poppy cut down right.

2:49:49.879 --> 2:49:53.400
<v Speaker 2>You know, I've seen both in families mine would you

2:49:53.440 --> 2:49:55.480
<v Speaker 2>would it was not either, you know, they weren't just

2:49:55.680 --> 2:49:59.760
<v Speaker 2>indulging me. But they knew when I came down with

2:49:59.840 --> 2:50:03.720
<v Speaker 2>that concoction of a song about Vietnam, that there was

2:50:03.840 --> 2:50:06.280
<v Speaker 2>something up. They didn't know what because they didn't know.

2:50:06.520 --> 2:50:09.320
<v Speaker 2>You know, there are people they're so far removed from

2:50:09.360 --> 2:50:12.240
<v Speaker 2>show business, you know, they don't know anybody that's even

2:50:12.280 --> 2:50:17.200
<v Speaker 2>got a cousin that you know, did anything at the

2:50:17.280 --> 2:50:21.000
<v Speaker 2>local radio or television station. So I was left to

2:50:21.080 --> 2:50:23.080
<v Speaker 2>my own devices. And then by the time I got

2:50:23.840 --> 2:50:26.560
<v Speaker 2>junior high, the first two years of my junior high

2:50:26.680 --> 2:50:29.120
<v Speaker 2>was at a school. It wasn't middle schools junior high,

2:50:29.120 --> 2:50:32.720
<v Speaker 2>but they the freshman class had been It was a

2:50:32.800 --> 2:50:35.440
<v Speaker 2>new area that been built and we'd moved to this

2:50:35.959 --> 2:50:41.160
<v Speaker 2>track home out there, and the high school had freshman

2:50:41.200 --> 2:50:44.600
<v Speaker 2>through senior and so my junior high only had a

2:50:45.959 --> 2:50:49.760
<v Speaker 2>seventh and eighth grade and in my freshman year, my

2:50:49.920 --> 2:50:53.120
<v Speaker 2>ninth grade year was at that junior high and in

2:50:53.320 --> 2:50:56.720
<v Speaker 2>that year, my former eighth grade history teacher, because they

2:50:56.879 --> 2:51:04.600
<v Speaker 2>added the third class of students, he started a drama program.

2:51:04.920 --> 2:51:07.120
<v Speaker 2>He started teaching you could take a drama class, and

2:51:07.840 --> 2:51:09.840
<v Speaker 2>so he started putting up one act plays and I

2:51:10.640 --> 2:51:13.720
<v Speaker 2>walked in and was able to be cast like I

2:51:13.920 --> 2:51:17.560
<v Speaker 2>was good. I used to be doing the reading and

2:51:17.920 --> 2:51:20.720
<v Speaker 2>he cast me, and I did a couple of these plays,

2:51:21.120 --> 2:51:23.880
<v Speaker 2>and then I started doing it in high school. There

2:51:23.959 --> 2:51:26.920
<v Speaker 2>was a great theater department there and a fellow named

2:51:27.000 --> 2:51:32.199
<v Speaker 2>Chuck Lewis who was the theater teacher at that high school,

2:51:32.760 --> 2:51:36.400
<v Speaker 2>who ran a summerstock company, weather Vane Playoffs is saying

2:51:36.400 --> 2:51:40.040
<v Speaker 2>at Newark, Ohio. So he brought a certain level of

2:51:40.120 --> 2:51:43.760
<v Speaker 2>professional expectation to how the stage was going to be around,

2:51:43.800 --> 2:51:46.480
<v Speaker 2>how you were supposed to behave. So I got exposed

2:51:46.560 --> 2:51:48.520
<v Speaker 2>to that in there, and I was always in band

2:51:48.600 --> 2:51:51.280
<v Speaker 2>to march. I was trying to play football that was

2:51:51.760 --> 2:51:53.400
<v Speaker 2>all of one hundred and thirty five pounds when I

2:51:53.400 --> 2:51:55.120
<v Speaker 2>was a sophomore in high school and we had an

2:51:55.160 --> 2:51:57.280
<v Speaker 2>all city team. I mean, it was like getting knocked

2:51:57.320 --> 2:52:00.760
<v Speaker 2>around like a rag doll. And so by my sophomore year.

2:52:00.800 --> 2:52:04.520
<v Speaker 2>I stopped after my sophomore year, I and it was

2:52:04.680 --> 2:52:08.080
<v Speaker 2>became marched, one of the two based drums in marching band.

2:52:08.160 --> 2:52:14.200
<v Speaker 2>My letter jacket is banned. That's funny enough, ironically. And

2:52:15.280 --> 2:52:17.640
<v Speaker 2>we had a great marching band and had an instrumental

2:52:17.720 --> 2:52:20.520
<v Speaker 2>drum band, you know, pro a stage band. I played drums,

2:52:20.680 --> 2:52:26.440
<v Speaker 2>not well, but and the theater department and every other

2:52:26.600 --> 2:52:29.520
<v Speaker 2>year they would do this combined variety show, you know,

2:52:29.640 --> 2:52:31.840
<v Speaker 2>And I was back to what I was going to say.

2:52:31.879 --> 2:52:37.120
<v Speaker 2>One day, the theater teacher in the junior high it

2:52:37.240 --> 2:52:39.560
<v Speaker 2>was stubborn, gave me a ride home, give me a

2:52:39.600 --> 2:52:43.240
<v Speaker 2>left home and from something we're doing. I don't know

2:52:43.320 --> 2:52:47.800
<v Speaker 2>if it was a rehearsal or whatever. And he pulled

2:52:47.840 --> 2:52:49.720
<v Speaker 2>on the driveway and he said, you know, I don't

2:52:49.800 --> 2:52:52.120
<v Speaker 2>know what your parents do for a living or how

2:52:52.800 --> 2:52:56.000
<v Speaker 2>they are. I said, but I don't know how to say.

2:52:56.280 --> 2:53:01.360
<v Speaker 2>I think, if you want to, you could make a

2:53:01.440 --> 2:53:05.199
<v Speaker 2>living doing this. And I was kind of like taking

2:53:05.240 --> 2:53:08.240
<v Speaker 2>aback a little bit. I said, mean make a living

2:53:08.440 --> 2:53:12.080
<v Speaker 2>doing what you meant, no performing, you know what you

2:53:12.280 --> 2:53:15.280
<v Speaker 2>do in in what we're doing in plays, And so

2:53:15.879 --> 2:53:17.360
<v Speaker 2>he said, I'm not sure how to tell you how

2:53:17.400 --> 2:53:20.440
<v Speaker 2>to do it, you know, because it's a history teacher.

2:53:21.640 --> 2:53:24.280
<v Speaker 2>But that moment, you know, there's a moment that someone

2:53:25.560 --> 2:53:29.280
<v Speaker 2>gives you confirmation a third party who's not your parent,

2:53:29.400 --> 2:53:32.680
<v Speaker 2>not your aunt, uncle, no relative. At that moment, I

2:53:33.360 --> 2:53:42.680
<v Speaker 2>and again, I'm just obstinately, obstinately optimistic enough, maybe egotistical

2:53:42.840 --> 2:53:47.360
<v Speaker 2>enough to use that as a handhold, you know. That

2:53:47.520 --> 2:53:51.320
<v Speaker 2>was the next And then in that high school theater department,

2:53:51.360 --> 2:53:54.720
<v Speaker 2>I started doing plays very immediately. And in my junior year,

2:53:55.640 --> 2:53:57.280
<v Speaker 2>I haping to be walking down the hall and heard

2:53:57.560 --> 2:54:01.040
<v Speaker 2>part of the stage band guys trying to do some

2:54:02.920 --> 2:54:07.040
<v Speaker 2>in some fashion rockabilly and the drum major from the

2:54:07.160 --> 2:54:08.960
<v Speaker 2>marching band and he was a trumpet player in stage

2:54:09.000 --> 2:54:12.640
<v Speaker 2>man was attempting to be the singer and it was awful.

2:54:13.200 --> 2:54:15.360
<v Speaker 2>I heard it outside the band and I walked in

2:54:15.440 --> 2:54:18.080
<v Speaker 2>and said, well, you guys doing and they said, well,

2:54:18.120 --> 2:54:19.840
<v Speaker 2>you know we're gonna do it for the show because

2:54:19.879 --> 2:54:21.880
<v Speaker 2>I was gonna host it with this other guy. We

2:54:21.959 --> 2:54:24.760
<v Speaker 2>were doing a Smothers Brothers stick, you know, and he

2:54:24.840 --> 2:54:27.120
<v Speaker 2>had an upright bass and I was playing guitar. I

2:54:27.160 --> 2:54:30.560
<v Speaker 2>remember I performed Loud and Wainwrights hit Dead Skunk, in

2:54:30.600 --> 2:54:33.320
<v Speaker 2>the middle of the road during that, which was a

2:54:33.840 --> 2:54:38.760
<v Speaker 2>brilliant song. Actually, so on crossing the highway late last night,

2:54:38.840 --> 2:54:40.440
<v Speaker 2>he should have looked left and he should have looked

2:54:40.520 --> 2:54:44.720
<v Speaker 2>right right, didn't see the station flagging, cars got squashed

2:54:44.800 --> 2:54:46.920
<v Speaker 2>and there you are. You got a dead skunk in

2:54:47.040 --> 2:54:50.720
<v Speaker 2>the middle again. You talking about post hippie them kind

2:54:50.760 --> 2:54:54.360
<v Speaker 2>of weird, oh yeah, weird song world. You know, it

2:54:54.560 --> 2:54:57.080
<v Speaker 2>was there by then, you know, nineteen seventy three, right

2:54:57.480 --> 2:55:01.920
<v Speaker 2>right and h So I was doing that and they

2:55:02.000 --> 2:55:04.200
<v Speaker 2>knew and they said, well, we're you know, doing this

2:55:04.480 --> 2:55:08.039
<v Speaker 2>kind of like you know Seannan I kind of, I said, well,

2:55:08.320 --> 2:55:11.039
<v Speaker 2>he said, but yeah, but he's not, you know, I said,

2:55:11.040 --> 2:55:12.720
<v Speaker 2>you mean like that. I took the mind and they

2:55:12.760 --> 2:55:15.560
<v Speaker 2>started playing whatever, and I started singing. And they didn't

2:55:15.600 --> 2:55:17.080
<v Speaker 2>know I sang, because this was the stuff I did

2:55:17.120 --> 2:55:19.840
<v Speaker 2>at home. You know, I wasn't in chorus or choir,

2:55:20.000 --> 2:55:24.080
<v Speaker 2>I mean some perfunctory one course, you know, I whatever

2:55:24.200 --> 2:55:27.920
<v Speaker 2>vocal music as an elective, but nobody knew I sang.

2:55:28.120 --> 2:55:31.720
<v Speaker 2>And in fact, the theater folks for my sophomore year

2:55:32.879 --> 2:55:37.720
<v Speaker 2>thought that I couldn't sing at all because I did

2:55:37.760 --> 2:55:39.840
<v Speaker 2>a play Miracle Worker, right, you know, that was the

2:55:39.920 --> 2:55:41.680
<v Speaker 2>kind of you know, and I was playing the younger

2:55:41.760 --> 2:55:44.039
<v Speaker 2>brother and he had to sing Buffalo Gallantry. I never

2:55:44.120 --> 2:55:47.920
<v Speaker 2>heard the song, so they and I couldn't. I was

2:55:48.000 --> 2:55:51.480
<v Speaker 2>like in the theater and started directing. It was like

2:55:52.120 --> 2:55:55.400
<v Speaker 2>he said, it's They hollered it out to me from

2:55:55.480 --> 2:55:58.160
<v Speaker 2>the seats, you know, rehearsal one day and like hollering.

2:55:58.240 --> 2:56:00.720
<v Speaker 2>I was like, okay, I don't know. I think so

2:56:00.840 --> 2:56:03.040
<v Speaker 2>it was this you know, kind of weak performance of

2:56:03.120 --> 2:56:05.440
<v Speaker 2>that that I did during the play. So they were

2:56:05.520 --> 2:56:07.720
<v Speaker 2>stunned when they saw me come out with this band

2:56:08.400 --> 2:56:11.080
<v Speaker 2>and take over that show and kind of have that

2:56:11.320 --> 2:56:15.959
<v Speaker 2>moment and it's and it's it's that weird seminal kind

2:56:16.000 --> 2:56:19.440
<v Speaker 2>of thing, and there were girls went crazy and we

2:56:19.480 --> 2:56:22.560
<v Speaker 2>were you know, it was like this nutty moment and

2:56:22.720 --> 2:56:26.520
<v Speaker 2>you kind of again a confirmation of something. And it

2:56:26.680 --> 2:56:29.959
<v Speaker 2>probably did more to wreck any kind of academic pursuit

2:56:30.040 --> 2:56:33.360
<v Speaker 2>that I would have ever had, you know, because because

2:56:33.520 --> 2:56:35.200
<v Speaker 2>and now in the back of my head, and I

2:56:35.280 --> 2:56:37.960
<v Speaker 2>had that band and we started playing at other schools

2:56:38.000 --> 2:56:41.080
<v Speaker 2>you know that wanted to have throwback sock hops and

2:56:41.200 --> 2:56:44.120
<v Speaker 2>you know that kind of stuff. And I mean I

2:56:44.160 --> 2:56:46.600
<v Speaker 2>had like a Golden may suit done after that, and

2:56:47.080 --> 2:56:48.640
<v Speaker 2>it was ridiculous, but.

2:56:48.680 --> 2:56:48.920
<v Speaker 1>It was this.

2:56:49.080 --> 2:56:51.040
<v Speaker 2>It was rockable because I was showing them. I so like, well,

2:56:51.080 --> 2:56:53.480
<v Speaker 2>what about this the Everly Brothers and Buddy Holly stuff

2:56:53.680 --> 2:56:57.000
<v Speaker 2>which had more hellbilly to it. And I didn't really

2:56:57.200 --> 2:57:01.560
<v Speaker 2>delve into that aspect of what I was going to

2:57:01.600 --> 2:57:04.880
<v Speaker 2>do till I started writing right at my senior year

2:57:04.879 --> 2:57:08.240
<v Speaker 2>of high school and writing stuff to sing. You know,

2:57:08.520 --> 2:57:11.039
<v Speaker 2>I wrote something called Lovely Brown, and I wrote something

2:57:11.080 --> 2:57:16.960
<v Speaker 2>else called Anyway. And after moving out here to the

2:57:17.000 --> 2:57:20.040
<v Speaker 2>West Coast, because by then I knew because that was

2:57:20.080 --> 2:57:22.600
<v Speaker 2>in those years where the transition was happening. You know,

2:57:22.760 --> 2:57:24.600
<v Speaker 2>the whole thing with the Bakersfield be is I told

2:57:24.640 --> 2:57:30.720
<v Speaker 2>you is about how the California sound springs forward from

2:57:30.800 --> 2:57:33.640
<v Speaker 2>the Tom Jod wrote, you know, from the Great Sarathia,

2:57:34.160 --> 2:57:36.840
<v Speaker 2>when Buck and Merle's family end up out here in

2:57:37.040 --> 2:57:42.600
<v Speaker 2>labor camps, right and they bring that music from Oklahoma, Arkansas, Texas,

2:57:43.240 --> 2:57:46.800
<v Speaker 2>the dust Bowl to the West Coast. And then there

2:57:46.800 --> 2:57:49.400
<v Speaker 2>are those that preceded the Maddox Brothers and Rose all

2:57:49.480 --> 2:57:52.880
<v Speaker 2>that stuff, Woody Guthrie alllet But then by the fifties,

2:57:53.200 --> 2:57:56.760
<v Speaker 2>late fifties, Buck starts to have the sixties in the sixties,

2:57:56.879 --> 2:57:59.760
<v Speaker 2>Mrle and Chris Hillman and I have talked about it.

2:58:00.320 --> 2:58:04.040
<v Speaker 2>He was this West Coast mandolin playing kid who loved

2:58:04.040 --> 2:58:08.360
<v Speaker 2>bluegrass music right late fifties, early sixties and ends up

2:58:09.320 --> 2:58:13.760
<v Speaker 2>by default the bass player for the Birds. Because I'm

2:58:13.800 --> 2:58:15.640
<v Speaker 2>trying to remember the name of the guy that produced

2:58:15.720 --> 2:58:18.200
<v Speaker 2>and put that together. But Tickner, I think was his

2:58:18.320 --> 2:58:22.440
<v Speaker 2>last name. He knew Chris from the bluegrass band that

2:58:22.480 --> 2:58:25.920
<v Speaker 2>he'd been in and had recorded him and said, hey,

2:58:27.480 --> 2:58:31.400
<v Speaker 2>I think it was Jeane Clark first, and then Jim

2:58:31.520 --> 2:58:35.120
<v Speaker 2>mgwin at the Troubadour put themselves together, right, And so

2:58:35.440 --> 2:58:40.119
<v Speaker 2>all that was going on in my late adolescent early teens,

2:58:40.640 --> 2:58:43.520
<v Speaker 2>and I started hearing it, and it was the hidden

2:58:43.600 --> 2:58:46.560
<v Speaker 2>part of my culture right that I couldn't have much

2:58:46.600 --> 2:58:49.200
<v Speaker 2>affinity with with those kids at that high school in Columbus,

2:58:49.640 --> 2:58:53.920
<v Speaker 2>they didn't understand what I listened to at home. Like

2:58:54.080 --> 2:58:57.800
<v Speaker 2>my best friend across the street in that track house

2:58:58.760 --> 2:59:02.520
<v Speaker 2>world that we were. Now, his mother was from South Carolina,

2:59:02.600 --> 2:59:04.520
<v Speaker 2>but he didn't grow up with that same kind of

2:59:04.640 --> 2:59:08.320
<v Speaker 2>hillbil edge, but he watched me listen to Stonewall Jackson Records.

2:59:08.440 --> 2:59:12.200
<v Speaker 2>I mean, you know, fourteen fifteen years old I've Got

2:59:12.280 --> 2:59:15.240
<v Speaker 2>Life to Go, which is written by George Jones. That

2:59:15.360 --> 2:59:18.680
<v Speaker 2>song is I've been in here eighteen years and still

2:59:18.760 --> 2:59:21.040
<v Speaker 2>got life to go. He talks about his family left.

2:59:21.120 --> 2:59:24.960
<v Speaker 2>Its brilliant, brilliant song. George Jones wrote it. Stonewall Jackson

2:59:25.520 --> 2:59:28.600
<v Speaker 2>had a country hit with it. But my dad had

2:59:28.640 --> 2:59:32.680
<v Speaker 2>bought that album as an apology to my mother. It's

2:59:32.760 --> 2:59:35.520
<v Speaker 2>called Don't Be Angry with Me. It was the hit

2:59:35.720 --> 2:59:39.280
<v Speaker 2>off of it, Don't Be Angry with Me, darling h

2:59:39.520 --> 2:59:43.640
<v Speaker 2>I fail to understand all your little because they'd had

2:59:43.680 --> 2:59:46.640
<v Speaker 2>an argument. That's his way of he brought this album

2:59:46.720 --> 2:59:50.960
<v Speaker 2>home to her to apologize. So I was listening to

2:59:51.160 --> 2:59:53.920
<v Speaker 2>all the other stuff on that record. Johnny Horton. My

2:59:54.040 --> 2:59:57.120
<v Speaker 2>mother was in the Columbia Record Club. The only thing

2:59:57.360 --> 3:00:01.040
<v Speaker 2>that she ever regretted being in there was when she

3:00:01.400 --> 3:00:03.240
<v Speaker 2>ordered because she was a big fan of Herbalbert and

3:00:03.320 --> 3:00:06.320
<v Speaker 2>Tijuana Brass, and got the Whipped Cream album and my

3:00:06.440 --> 3:00:08.840
<v Speaker 2>brother and I got it first at like nine or

3:00:09.000 --> 3:00:12.640
<v Speaker 2>ten years old. I think it was eleven, which was

3:00:12.720 --> 3:00:15.720
<v Speaker 2>even more dangerous space. I always look at that album

3:00:15.840 --> 3:00:19.800
<v Speaker 2>cover and she forever regretted that she ordered that album,

3:00:19.800 --> 3:00:22.680
<v Speaker 2>although she loved the music on it. But so I

3:00:22.800 --> 3:00:25.560
<v Speaker 2>was listening, but my dad had and like I said,

3:00:25.879 --> 3:00:28.080
<v Speaker 2>the Johnny cashed up. But she had the Johnny Horton

3:00:28.800 --> 3:00:33.280
<v Speaker 2>stuff that had whispering pines. You know, of course the

3:00:33.400 --> 3:00:37.160
<v Speaker 2>hits Bismarck and all that north to Alaska. But the

3:00:37.320 --> 3:00:39.240
<v Speaker 2>other one that I clung to. I was playing it

3:00:39.320 --> 3:00:42.280
<v Speaker 2>in clubs after I was out here in southern California.

3:00:42.280 --> 3:00:45.360
<v Speaker 2>I would do when it's springtime in Alaska, it's forty below,

3:00:45.560 --> 3:00:48.880
<v Speaker 2>you know. Just I mean all that they didn't know

3:00:48.920 --> 3:00:51.640
<v Speaker 2>about my peers, they wouldn't understand.

3:00:52.280 --> 3:00:52.440
<v Speaker 1>You know.

3:00:53.040 --> 3:00:55.039
<v Speaker 2>I had a cousin, Mike Christian. He played a bit

3:00:55.080 --> 3:00:57.720
<v Speaker 2>of guitar, and he got it because his family were

3:00:57.760 --> 3:01:01.720
<v Speaker 2>the same hillbilly transplants, but not many did. So it

3:01:01.840 --> 3:01:03.920
<v Speaker 2>was a kind of a hidden part of me. But

3:01:04.080 --> 3:01:07.080
<v Speaker 2>what country rock happening did. And I've said that the

3:01:07.120 --> 3:01:09.800
<v Speaker 2>Brito Brothers were the most famous band that nobody ever heard,

3:01:10.520 --> 3:01:15.080
<v Speaker 2>you know, their reputation preceded him and out out distanced

3:01:15.120 --> 3:01:19.000
<v Speaker 2>there the reality right of their records, And Chris and

3:01:19.040 --> 3:01:22.199
<v Speaker 2>I talked about that, and I knew of Graham Parsons

3:01:22.240 --> 3:01:25.320
<v Speaker 2>out of that moment and him being these long haired

3:01:25.400 --> 3:01:29.640
<v Speaker 2>kind of hippie cowboy, you know, guys doing this thing,

3:01:29.760 --> 3:01:33.440
<v Speaker 2>and Mike Nessmuth from the Monkeys was doing it, you know.

3:01:33.480 --> 3:01:36.400
<v Speaker 2>And then when he post Monkeys formed the first national band,

3:01:36.600 --> 3:01:39.959
<v Speaker 2>right and did Joe Anne and standing in the lonely

3:01:40.080 --> 3:01:46.080
<v Speaker 2>light of the silver move all that, you know, and

3:01:46.280 --> 3:01:49.360
<v Speaker 2>I was like, you know what maybe country music and

3:01:49.440 --> 3:01:52.120
<v Speaker 2>the thing Brian and Hearn did with Emmy Lou Harris,

3:01:53.000 --> 3:01:56.959
<v Speaker 2>and she gives that credit to Brian that after Graham died,

3:01:57.040 --> 3:01:59.240
<v Speaker 2>she went back into the folk scene, back to d C,

3:01:59.560 --> 3:02:03.400
<v Speaker 2>you know, and kind of, you know, just in shock

3:02:03.560 --> 3:02:06.840
<v Speaker 2>and and I think in a moment of depression back there,

3:02:07.280 --> 3:02:10.480
<v Speaker 2>and I think it was I can't remember Mary Martin,

3:02:11.480 --> 3:02:17.000
<v Speaker 2>that from the record label that showed Emmy and gave

3:02:17.080 --> 3:02:21.080
<v Speaker 2>demos of Emmy's stuff to Brian, and Brian had a

3:02:21.160 --> 3:02:22.880
<v Speaker 2>deal with Warner and he moved her out here and

3:02:22.959 --> 3:02:25.560
<v Speaker 2>he put the band together, the first hot band, and

3:02:25.760 --> 3:02:28.120
<v Speaker 2>more so than the Linda Ronstats because the first couple

3:02:28.120 --> 3:02:30.440
<v Speaker 2>of Londa Ronstadt appems I was a huge fan of too.

3:02:30.840 --> 3:02:33.040
<v Speaker 2>And then Peter Asher came aboard and they kind of

3:02:33.080 --> 3:02:35.760
<v Speaker 2>moved it into the pop I can as you know,

3:02:35.840 --> 3:02:41.080
<v Speaker 2>the iconography that became her sound, you know. And then

3:02:41.240 --> 3:02:44.240
<v Speaker 2>of course the Begat and Begat was you know, you

3:02:44.400 --> 3:02:46.520
<v Speaker 2>got the birds and all that stuff. The Sweetheart of

3:02:46.560 --> 3:02:48.520
<v Speaker 2>the Rodeo album that happened. But I didn't have it

3:02:48.560 --> 3:02:51.080
<v Speaker 2>because they am an older sibling to direct me there.

3:02:51.120 --> 3:02:52.960
<v Speaker 2>You know. It wasn't the hits. I just had what

3:02:53.080 --> 3:02:57.880
<v Speaker 2>I could find on my own. But I felt inside

3:02:57.959 --> 3:03:03.520
<v Speaker 2>and creating scle Revival was, yeah, there were. John was

3:03:03.600 --> 3:03:05.840
<v Speaker 2>a hero of mine just because of what he was

3:03:06.000 --> 3:03:09.520
<v Speaker 2>doing musically, and as I grew to know what it

3:03:09.760 --> 3:03:13.480
<v Speaker 2>was later he's writing the songs, playing the lead guitar,

3:03:13.600 --> 3:03:16.160
<v Speaker 2>producing the records really you know, and control, you know.

3:03:16.640 --> 3:03:20.400
<v Speaker 2>And then he did that Blue Ridge Ranger solo excursion

3:03:20.440 --> 3:03:24.520
<v Speaker 2>they did after it, and he took again, and there

3:03:24.640 --> 3:03:28.600
<v Speaker 2>became this pertinence of country music having its moment again.

3:03:29.440 --> 3:03:33.400
<v Speaker 2>So I realized because I had an epiphany one day

3:03:33.440 --> 3:03:35.560
<v Speaker 2>when I was the last trip I ever took with

3:03:35.640 --> 3:03:40.800
<v Speaker 2>my aunt and my mother, when I was still just

3:03:40.920 --> 3:03:47.920
<v Speaker 2>in to Kentucky. We sorry bumpedo that mike with the

3:03:48.040 --> 3:03:51.760
<v Speaker 2>last trip I took with them, my aunt's Cadillac, my

3:03:51.920 --> 3:03:53.800
<v Speaker 2>sister and I went. My brother didn't. He stayed on

3:03:53.879 --> 3:03:56.680
<v Speaker 2>with my dad that weekend and we went down and

3:03:56.879 --> 3:04:00.560
<v Speaker 2>I remember listening as we crossed the river from Ohio

3:04:00.720 --> 3:04:04.119
<v Speaker 2>and to Kentucky, and these AM stations began. You would

3:04:04.160 --> 3:04:07.760
<v Speaker 2>pick up i mean, religious programs even during the week

3:04:08.840 --> 3:04:12.520
<v Speaker 2>and it was very rural radio. All of a sudden

3:04:12.560 --> 3:04:16.680
<v Speaker 2>you were there and it was exposed and hardcore hillbilly stuff.

3:04:17.560 --> 3:04:22.400
<v Speaker 2>And I remembered on that drive this is maybe at

3:04:22.440 --> 3:04:25.720
<v Speaker 2>that point fifteen or sixteen. I wasn't driving it, so

3:04:25.800 --> 3:04:28.680
<v Speaker 2>I was probably fifteen years old, sixteen, but old enough

3:04:28.760 --> 3:04:33.000
<v Speaker 2>to feel the future, you know, the sense I wasn't

3:04:33.040 --> 3:04:35.640
<v Speaker 2>going to be here. And I remember looking across at

3:04:35.640 --> 3:04:39.400
<v Speaker 2>the hills when we were just north, just out of Ashley, Kentucky,

3:04:39.879 --> 3:04:43.800
<v Speaker 2>and headed into Catholicsburg, where I would always hear about

3:04:43.840 --> 3:04:46.200
<v Speaker 2>the car wreck where they went off and they flipped.

3:04:46.200 --> 3:04:49.320
<v Speaker 2>They're lucky they lived, my mother and my aunt and

3:04:49.440 --> 3:04:55.280
<v Speaker 2>uncle going back home and flipped a car. Because it

3:04:55.400 --> 3:04:58.920
<v Speaker 2>was just a dangerous, dangerous road. And I remember we

3:04:59.040 --> 3:05:01.640
<v Speaker 2>got past there, talked about that again. Every time we

3:05:01.720 --> 3:05:03.400
<v Speaker 2>went through it. We had to hear about the wreck.

3:05:04.040 --> 3:05:09.800
<v Speaker 2>And I remember looking out and thinking and not knowing

3:05:10.000 --> 3:05:12.400
<v Speaker 2>anything about what that meant or why you have the

3:05:12.560 --> 3:05:16.520
<v Speaker 2>thought other than you know, like unbridled ego. I don't.

3:05:17.000 --> 3:05:20.080
<v Speaker 2>I thought, I'm supposed to. I'm going to sing about this,

3:05:20.640 --> 3:05:25.040
<v Speaker 2>about these people in this world. I'm supposed to. I

3:05:25.400 --> 3:05:31.600
<v Speaker 2>felt like that epiphanous moment was that in retrospect, I've

3:05:31.640 --> 3:05:34.960
<v Speaker 2>thought about it several times over the years that ensued

3:05:35.000 --> 3:05:40.039
<v Speaker 2>and once my career started, because you don't You can

3:05:40.800 --> 3:05:43.720
<v Speaker 2>attempt to plan to have a journey, but you cannot

3:05:43.840 --> 3:05:48.880
<v Speaker 2>be prepared for the topography of the journey. Right the

3:05:49.000 --> 3:05:52.720
<v Speaker 2>landscape is going to be different than you imagined, and

3:05:53.000 --> 3:05:55.600
<v Speaker 2>and you won't be prepared for it. I wasn't. I

3:05:55.720 --> 3:05:58.560
<v Speaker 2>wasn't prepared for that, you know, for the for the

3:06:00.320 --> 3:06:03.440
<v Speaker 2>the physical geography of you know, you can look at

3:06:03.480 --> 3:06:07.320
<v Speaker 2>a map, but that's one dimensional. You can look on

3:06:07.360 --> 3:06:10.840
<v Speaker 2>a map all day long and plan and think, but

3:06:10.959 --> 3:06:13.840
<v Speaker 2>when you're really there, it's different. And I remember that,

3:06:14.120 --> 3:06:16.640
<v Speaker 2>as I said, looking back over the years and thinking

3:06:16.720 --> 3:06:19.240
<v Speaker 2>of that moment in that car with them, it was

3:06:19.320 --> 3:06:22.280
<v Speaker 2>just a silent thought as that radio was playing all

3:06:22.360 --> 3:06:28.680
<v Speaker 2>this various fading in and out am station stuff, and

3:06:29.680 --> 3:06:32.520
<v Speaker 2>I'm supposed to this is what I'm supposed to talk

3:06:32.560 --> 3:06:36.400
<v Speaker 2>about and do. And then after I was here for

3:06:36.440 --> 3:06:38.320
<v Speaker 2>about a year and a half or so, I came

3:06:38.360 --> 3:06:41.800
<v Speaker 2>across the very first John Prime album, that first Atlantic

3:06:41.879 --> 3:06:44.480
<v Speaker 2>record that he did with the Memphis Boys. As you

3:06:44.600 --> 3:06:47.760
<v Speaker 2>read the book, the Memphis Boys not great writing, but

3:06:48.200 --> 3:06:52.720
<v Speaker 2>it's such a wonderful That's Chips Moments group that started out.

3:06:52.800 --> 3:06:55.440
<v Speaker 2>The first record they ever had was I'm Your Puppet

3:06:55.680 --> 3:06:59.440
<v Speaker 2>that he and Dan pencut and which became an East

3:06:59.560 --> 3:07:03.640
<v Speaker 2>Lams like Sophie I'm Your Puppet. The Lowder going to

3:07:03.760 --> 3:07:07.320
<v Speaker 2>just always imagine Art Bell not was it Art? I

3:07:07.400 --> 3:07:11.440
<v Speaker 2>mean Art Lebaux Leau remember Art Lebau, I'm Your all

3:07:11.520 --> 3:07:14.680
<v Speaker 2>those songs. Uh was it k R l A that

3:07:14.840 --> 3:07:18.280
<v Speaker 2>Art lebaul was? Yeah, yeah, kr LA the amer I

3:07:18.360 --> 3:07:20.360
<v Speaker 2>mean that was La. You know in the seventies, right,

3:07:20.400 --> 3:07:22.600
<v Speaker 2>it was still there. You know, the you know, the culture,

3:07:22.959 --> 3:07:27.080
<v Speaker 2>the car culture, you know hot Rod, those songs. But

3:07:27.360 --> 3:07:31.440
<v Speaker 2>they did that and they made the spectrum on those guys,

3:07:32.160 --> 3:07:36.600
<v Speaker 2>the Memphis Boys, like the Wrecking Crew, they did stuff

3:07:37.440 --> 3:07:41.560
<v Speaker 2>that was I mean, Dan Penn produced the box tops,

3:07:42.000 --> 3:07:44.360
<v Speaker 2>give Me a Dig Up One Air, Alex Chilton right

3:07:44.680 --> 3:07:47.640
<v Speaker 2>of these teenagers, and he was so his voice sounded

3:07:47.720 --> 3:07:50.000
<v Speaker 2>like that from what I've read, because he was so

3:07:50.240 --> 3:07:53.040
<v Speaker 2>jacked up. See, he and his girlfriend were so excited

3:07:53.040 --> 3:07:54.800
<v Speaker 2>he was going to go in and record. They stayed

3:07:54.840 --> 3:07:56.840
<v Speaker 2>up for like two days straight before and they drank

3:07:56.920 --> 3:07:59.440
<v Speaker 2>and he was all messed up when he walked in

3:07:59.440 --> 3:08:02.640
<v Speaker 2>and sang that way. The cry like a baby's one

3:08:02.680 --> 3:08:05.880
<v Speaker 2>of my favorite too, because Dan Penn wrote that, right, Yeah,

3:08:06.000 --> 3:08:10.840
<v Speaker 2>the electric cetar. Right. But but those guys went from

3:08:12.080 --> 3:08:14.560
<v Speaker 2>that's end of the spectrum. And they also did the

3:08:14.640 --> 3:08:19.160
<v Speaker 2>gentries I keep on dancing, sades out and fades back in. Yeah,

3:08:19.760 --> 3:08:24.560
<v Speaker 2>and and and they did that. They did Neil Diamond

3:08:24.959 --> 3:08:28.279
<v Speaker 2>like a month before they cut the comeback record for Elvis,

3:08:28.720 --> 3:08:31.760
<v Speaker 2>the Memphis record. That's the one they did. And I

3:08:31.920 --> 3:08:34.240
<v Speaker 2>was reading in the in the book it was the

3:08:34.320 --> 3:08:39.640
<v Speaker 2>guitar player for Oh, I just went completely blank on.

3:08:40.879 --> 3:08:45.280
<v Speaker 2>Oh that's it's horrible. I can't even anyway. Uh, he

3:08:45.440 --> 3:08:47.800
<v Speaker 2>was saying, you know, we were non plussed you and Elvis.

3:08:47.879 --> 3:08:50.360
<v Speaker 2>He said, yeah, sure, Elvis wants to come and cut

3:08:50.440 --> 3:08:53.320
<v Speaker 2>with us. He knows who we are. Now we've just

3:08:53.400 --> 3:08:56.040
<v Speaker 2>cut Neil Diamond. Sweet Caroline we've done this and that.

3:08:56.560 --> 3:08:59.000
<v Speaker 2>And he said, but the night of the session, because

3:08:59.040 --> 3:09:01.280
<v Speaker 2>it was at night, because you know, started at like

3:09:01.400 --> 3:09:04.240
<v Speaker 2>seven in the evening or hey, he said, the door opened.

3:09:04.440 --> 3:09:06.640
<v Speaker 2>He said, we were all sitting there just going yeah,

3:09:06.640 --> 3:09:10.680
<v Speaker 2>I guess again. And he said, we looked up and went,

3:09:11.840 --> 3:09:14.960
<v Speaker 2>holy ship, that's Elvis. He said. There was nobody that

3:09:15.120 --> 3:09:18.000
<v Speaker 2>ever came to that studio but that. But to finish

3:09:18.080 --> 3:09:22.920
<v Speaker 2>that thought, they did that spectrum of music. I mean,

3:09:22.920 --> 3:09:25.400
<v Speaker 2>they were doing all the Wilson picket stuff like Mustang

3:09:25.480 --> 3:09:28.360
<v Speaker 2>staly and allying. They were doing some of it first

3:09:28.400 --> 3:09:31.400
<v Speaker 2>in muscle shows until he built the studio American Recorders

3:09:31.480 --> 3:09:34.880
<v Speaker 2>in Memphis, but Elvis that was in Memphis, Neil Diamond

3:09:35.440 --> 3:09:39.880
<v Speaker 2>and then they did John Primece first time because Wexler

3:09:40.560 --> 3:09:44.640
<v Speaker 2>right at Atlantic that he heard the I'm your puppy,

3:09:44.680 --> 3:09:46.920
<v Speaker 2>He said, who did this? He said, I want to

3:09:46.959 --> 3:09:48.920
<v Speaker 2>wreath it a cut with them, and that's the famous

3:09:49.040 --> 3:09:52.600
<v Speaker 2>story of how they went. But and then she left

3:09:52.720 --> 3:09:54.959
<v Speaker 2>the whole session, you know, and fame because of whatever

3:09:55.120 --> 3:09:57.200
<v Speaker 2>was said to her. There was some you know, a

3:09:57.280 --> 3:10:01.640
<v Speaker 2>horrible off color remark or whatever, and he said, she

3:10:01.680 --> 3:10:03.880
<v Speaker 2>won't come back down there. He called Chip's moment, he said,

3:10:03.920 --> 3:10:07.080
<v Speaker 2>but she liked you guys, and he said, she ain't

3:10:07.120 --> 3:10:10.960
<v Speaker 2>coming back to Memphis or must shows, he said, but

3:10:11.680 --> 3:10:13.320
<v Speaker 2>she wants you to do it, but I'll bring it

3:10:13.400 --> 3:10:15.280
<v Speaker 2>to New York. So he brought those cats up there.

3:10:15.520 --> 3:10:18.440
<v Speaker 2>And you know who's on on that chain of fools

3:10:18.879 --> 3:10:21.480
<v Speaker 2>because Dan Penn had written do Right Woman for and

3:10:21.720 --> 3:10:23.640
<v Speaker 2>and he was smart. You know what they did. They

3:10:23.720 --> 3:10:26.880
<v Speaker 2>let her play piano, that's what Wexle was smart, but

3:10:27.040 --> 3:10:29.800
<v Speaker 2>d the first time all of her career after that

3:10:29.879 --> 3:10:33.160
<v Speaker 2>on Clembing, she'd not you know, been allowed to company

3:10:33.240 --> 3:10:36.080
<v Speaker 2>herself and she played you and sang do it and

3:10:36.360 --> 3:10:39.080
<v Speaker 2>it took off. But Chaine of Fools is Joe South

3:10:39.160 --> 3:10:44.200
<v Speaker 2>doing that pop stables literally that guitar change, change chang.

3:10:44.959 --> 3:10:48.600
<v Speaker 2>It's amazing they cut. Did you never see her? No?

3:10:48.800 --> 3:10:50.920
<v Speaker 2>I never saw her. And I saw her an Award show.

3:10:51.400 --> 3:10:53.400
<v Speaker 2>I saw her do one you know like that, but

3:10:53.440 --> 3:10:55.879
<v Speaker 2>I didn't see her in colle She it was you.

3:10:55.920 --> 3:10:59.560
<v Speaker 1>Know, it was very interesting because she knew who she was.

3:11:00.040 --> 3:11:05.560
<v Speaker 1>Yeah okay, and she sauntered out and she just delivered.

3:11:07.400 --> 3:11:09.120
<v Speaker 1>It was it was kind of like the Elvis moment

3:11:09.240 --> 3:11:12.320
<v Speaker 1>walking Oh, that's Elvis. Yeah, well that's a wreatha. She

3:11:12.480 --> 3:11:15.840
<v Speaker 1>can do it effortlessly. She can blow your mind and

3:11:16.040 --> 3:11:18.880
<v Speaker 1>walk off the stage knowing she's a wreatha. It's not

3:11:19.000 --> 3:11:21.360
<v Speaker 1>like she's feeding off of you. It's like your stunt.

3:11:22.560 --> 3:11:24.800
<v Speaker 2>Just dropped the mic and say exactly.

3:11:25.520 --> 3:11:28.160
<v Speaker 1>It's like, yeah, I mean I can remember she said

3:11:28.240 --> 3:11:30.840
<v Speaker 1>when you're a chain chain chain, oh, because that that

3:11:31.000 --> 3:11:32.160
<v Speaker 1>was really the killer.

3:11:32.120 --> 3:11:35.160
<v Speaker 2>That opening guitar riff, and it's a it's like like

3:11:35.320 --> 3:11:37.600
<v Speaker 2>Joe South. I found out later Joe South is who's

3:11:37.600 --> 3:11:40.520
<v Speaker 2>playing that guitar with those guys, because he knew Chips

3:11:40.560 --> 3:11:43.200
<v Speaker 2>and Chips was from Atlanta and that's where I mean

3:11:43.320 --> 3:11:45.520
<v Speaker 2>Joe South. That's another story altogether of somebody.

3:11:45.600 --> 3:11:46.080
<v Speaker 1>Joe South.

3:11:46.160 --> 3:11:48.840
<v Speaker 2>He had the one hit. We had two. He had

3:11:48.879 --> 3:11:50.600
<v Speaker 2>walked a mile of my shoes and in the games

3:11:50.640 --> 3:11:52.520
<v Speaker 2>people play, Okay, I forgot the first one.

3:11:52.920 --> 3:11:54.320
<v Speaker 1>But could he survive? Is?

3:11:54.840 --> 3:11:55.120
<v Speaker 2>Could he?

3:11:55.520 --> 3:11:56.680
<v Speaker 1>Did he write anything else?

3:11:56.840 --> 3:12:05.320
<v Speaker 2>Oh? My god, Bob, he wrote He wrote Nana Hush hush,

3:12:05.440 --> 3:12:10.240
<v Speaker 2>deep purple, I think out here name now hush hush.

3:12:10.600 --> 3:12:13.280
<v Speaker 2>And he wrote one of my favorites. It wasn't a

3:12:13.360 --> 3:12:18.840
<v Speaker 2>huge it, but it was he wrote down in the

3:12:19.000 --> 3:12:22.080
<v Speaker 2>Boondocks down in There, down in It with Billy Joe

3:12:22.200 --> 3:12:26.119
<v Speaker 2>Royal Billy. You remember the labor from down in the Boon.

3:12:26.240 --> 3:12:28.960
<v Speaker 1>Do you remember what label the Deep Purple record was on?

3:12:29.280 --> 3:12:36.200
<v Speaker 1>No for Grammaton It was Bill Cosby's label. Okay, since yeah,

3:12:36.600 --> 3:12:39.520
<v Speaker 1>since we're so deep into this, what did Billy Joe

3:12:39.720 --> 3:12:40.840
<v Speaker 1>Shaver survive on?

3:12:42.080 --> 3:12:45.360
<v Speaker 2>Well? He wrote that whole Honkey Talks and Heroes first

3:12:45.400 --> 3:12:48.760
<v Speaker 2>album for Whaling, right, and his son, Eddie Shaver. What

3:12:48.879 --> 3:12:51.960
<v Speaker 2>a sweet soul, a kid that grew up right in

3:12:52.000 --> 3:12:53.560
<v Speaker 2>the thick of it. I mean he was with Whaling

3:12:53.600 --> 3:12:55.400
<v Speaker 2>and all of them, and Willie and I mean, you know,

3:12:55.640 --> 3:12:58.320
<v Speaker 2>from the time he was a year old wandering around

3:12:59.080 --> 3:13:02.520
<v Speaker 2>and Eddie had demons, but he was such a sweetheart

3:13:02.600 --> 3:13:05.320
<v Speaker 2>and what a great guitar player. I saw him play

3:13:05.400 --> 3:13:10.199
<v Speaker 2>with his dad at the club Lingerie when he was fifteen,

3:13:10.440 --> 3:13:15.680
<v Speaker 2>maybe years old, in nineteen eighty three or four, because

3:13:15.800 --> 3:13:17.680
<v Speaker 2>right as so I was putting out my EP now

3:13:17.720 --> 3:13:22.959
<v Speaker 2>it was eighty four. And then in eighty seven Pete Anderson,

3:13:22.959 --> 3:13:25.280
<v Speaker 2>who had been playing lead guitar with me and going out,

3:13:26.000 --> 3:13:29.160
<v Speaker 2>couldn't do it. He had fourteen offers to produce. He said,

3:13:29.200 --> 3:13:30.800
<v Speaker 2>I got to do this. I got to stay here.

3:13:30.920 --> 3:13:32.680
<v Speaker 2>We have to find a guy. I said, I know

3:13:32.760 --> 3:13:35.360
<v Speaker 2>who to call, and I called Eddie Shaver and he

3:13:35.440 --> 3:13:38.600
<v Speaker 2>can't do it. Yeah, Eddie Shaver played with me that year,

3:13:38.600 --> 3:13:40.280
<v Speaker 2>and he did it again in eighty nine when Pete

3:13:40.280 --> 3:13:43.440
<v Speaker 2>couldn't go out for you know, producing, and Eddie twured

3:13:43.680 --> 3:13:47.640
<v Speaker 2>in eighty nine again into ninety and just I mean

3:13:47.720 --> 3:13:50.360
<v Speaker 2>a whole different style playing. He's a Texas big hand,

3:13:50.480 --> 3:13:53.600
<v Speaker 2>you know, lead player. But Billy Joe, I mean, he's

3:13:53.640 --> 3:13:55.880
<v Speaker 2>written some great stuff. I'm just an old chunk of coal.

3:13:56.080 --> 3:13:58.400
<v Speaker 2>John Anderson had a huge hit. But you know I'm

3:13:58.440 --> 3:14:01.400
<v Speaker 2>going to be a diamond someday. That rye tongue in cheek.

3:14:01.440 --> 3:14:05.840
<v Speaker 2>But but what was I talking about with the chain

3:14:05.920 --> 3:14:09.720
<v Speaker 2>of old Joe South? The other one, the other one

3:14:09.800 --> 3:14:11.640
<v Speaker 2>that he wrote because he owes songs. He was on

3:14:11.760 --> 3:14:15.200
<v Speaker 2>a plane to la to meet with his publisher to

3:14:15.280 --> 3:14:17.840
<v Speaker 2>get a new check. You know, he's living on the

3:14:18.040 --> 3:14:21.880
<v Speaker 2>you know advances, and he and he hadn't delivered two

3:14:22.000 --> 3:14:25.480
<v Speaker 2>or three songs, right And on the plane ride from

3:14:25.600 --> 3:14:29.840
<v Speaker 2>Atlanta out here, he wrote, I beg your pardon. I

3:14:30.000 --> 3:14:35.240
<v Speaker 2>never promised you. Rose Garden along with the sunshine. He's

3:14:35.320 --> 3:14:37.880
<v Speaker 2>got to come a little rain some time. So, I

3:14:37.959 --> 3:14:40.720
<v Speaker 2>mean he wrote some great stuff for other people. The

3:14:40.840 --> 3:14:42.840
<v Speaker 2>one that I love is don't it make you want

3:14:42.879 --> 3:14:45.920
<v Speaker 2>to go Home? Which I think bj Thomas had a

3:14:46.640 --> 3:14:50.120
<v Speaker 2>don't make you want to go home? Children? Don't make

3:14:50.160 --> 3:14:53.240
<v Speaker 2>you want to go home? All guy's chilling, get weary

3:14:53.400 --> 3:14:57.600
<v Speaker 2>when they roam. Don't make you want to go home? Anyway.

3:14:58.680 --> 3:15:01.920
<v Speaker 1>Well, you know I grew up you know where we

3:15:02.080 --> 3:15:06.000
<v Speaker 1>only heard those songs when they crossed over. Yeah, it's

3:15:06.080 --> 3:15:08.480
<v Speaker 1>like Tom Petty. One of the last times I saw

3:15:08.760 --> 3:15:11.120
<v Speaker 1>he played some country song and he called you know,

3:15:11.320 --> 3:15:14.359
<v Speaker 1>today's modern country music is the rock of the seventies.

3:15:14.800 --> 3:15:17.600
<v Speaker 1>If you grew up in the Northeast and you hit

3:15:17.680 --> 3:15:20.720
<v Speaker 1>the country station, you saw the shit kickers. It's not

3:15:21.000 --> 3:15:25.160
<v Speaker 1>like today. So there's a lot of history we don't know. Conversely,

3:15:25.280 --> 3:15:27.880
<v Speaker 1>I have to ask you to what degree were you

3:15:28.000 --> 3:15:28.800
<v Speaker 1>into the Beatles?

3:15:28.879 --> 3:15:31.600
<v Speaker 2>In the rock seat? Oh? I was. You couldn't escape

3:15:31.640 --> 3:15:34.720
<v Speaker 2>the Beatles because am rady right? You know the buttons

3:15:35.080 --> 3:15:39.760
<v Speaker 2>And my mom listened to every station she loved. The

3:15:40.240 --> 3:15:43.120
<v Speaker 2>Big Top forty station was on her car radio. My

3:15:43.280 --> 3:15:46.960
<v Speaker 2>dad was the Hillbalay station, you know WMN I was

3:15:47.000 --> 3:15:50.080
<v Speaker 2>the hillbalay station you didn't get in his car, and

3:15:50.160 --> 3:15:51.960
<v Speaker 2>it wasn't on anything else. It was on that I

3:15:52.080 --> 3:15:55.040
<v Speaker 2>was hearing. The one that crossed over a little bit

3:15:55.200 --> 3:15:59.720
<v Speaker 2>was Hintson Cargil with the skip Rope. The Doom Doom

3:16:00.520 --> 3:16:03.320
<v Speaker 2>skipp borro ain't a kind of fun and what to

3:16:03.480 --> 3:16:07.440
<v Speaker 2>children say, skippero. It was about a divorce and a couple,

3:16:07.600 --> 3:16:10.119
<v Speaker 2>And it was like there was that kind of stuff

3:16:10.200 --> 3:16:14.000
<v Speaker 2>going on at that time, late sixties, the psychobilly era

3:16:14.200 --> 3:16:16.440
<v Speaker 2>had kind of taken hold in Nashville and there were

3:16:16.520 --> 3:16:20.200
<v Speaker 2>crossover hits. Harper Valley Pta that was a huge top hit,

3:16:20.680 --> 3:16:23.040
<v Speaker 2>and that was a straight up hillbilly record to begin with.

3:16:23.240 --> 3:16:25.240
<v Speaker 2>It was out of you know, kind of the country

3:16:25.320 --> 3:16:29.840
<v Speaker 2>polatant moment. But so all that was going on, I mean,

3:16:30.640 --> 3:16:32.120
<v Speaker 2>you know, and then by the early seventies you got

3:16:32.200 --> 3:16:35.000
<v Speaker 2>Jerry Reid breaking out of the Nashville scene doing Amos

3:16:35.120 --> 3:16:38.440
<v Speaker 2>Moses and all that stuff. You had Tony Joe White

3:16:38.879 --> 3:16:41.960
<v Speaker 2>doing Poke Salad Anning which almost first covered and so

3:16:42.120 --> 3:16:46.000
<v Speaker 2>there was this that was the beauty of Top forty radio.

3:16:46.160 --> 3:16:48.560
<v Speaker 2>Really was that right in that moment?

3:16:48.640 --> 3:16:52.240
<v Speaker 1>Well, I remember the last crossover record was Charlie Rich

3:16:52.840 --> 3:16:56.880
<v Speaker 1>Beautiful Girl in the World. After that, everybody had an

3:16:57.000 --> 3:16:59.320
<v Speaker 1>FM radio. Yeah, they didn't have to listen to the

3:16:59.400 --> 3:17:02.200
<v Speaker 1>top four, right. It became segregary when you come like

3:17:02.280 --> 3:17:04.560
<v Speaker 1>you know, Polk Salad anyhow. I just know those listening to.

3:17:04.600 --> 3:17:08.360
<v Speaker 2>The top forty. Yeah, no, it was and I didn't. Uh.

3:17:08.520 --> 3:17:11.280
<v Speaker 2>And Charlie Rich, yes, along with the other guy that

3:17:11.440 --> 3:17:14.120
<v Speaker 2>Freddie Hart had Easy Lovin that crossed over, which was

3:17:14.200 --> 3:17:17.600
<v Speaker 2>this West Coast thing and you know he did, uh,

3:17:18.240 --> 3:17:20.920
<v Speaker 2>Charlie Rich with the most Beautiful Girl. Yeah, and Behind

3:17:21.000 --> 3:17:26.880
<v Speaker 2>Closed Doors that thing right, yeah, yeah, Behind Closed Doors

3:17:27.040 --> 3:17:29.520
<v Speaker 2>was you know. The funny thing about Charlie Rich was

3:17:30.360 --> 3:17:32.280
<v Speaker 2>he was out of Arkansas and he was studying. He

3:17:32.320 --> 3:17:36.160
<v Speaker 2>was a very literate cat he was, I mean really musically. Yeah,

3:17:36.240 --> 3:17:39.520
<v Speaker 2>he was a jazz piano player, right, and studying I

3:17:39.600 --> 3:17:43.160
<v Speaker 2>think at Arkansas State. And he went to Memphis and

3:17:43.440 --> 3:17:48.160
<v Speaker 2>had an audition with with Jack Clements, right, you know

3:17:48.360 --> 3:17:52.240
<v Speaker 2>who produced Charlie Lee and everybody, and and worked with

3:17:52.440 --> 3:17:55.880
<v Speaker 2>Sam Phillips, you know, after Elvis left, Jack was and

3:17:56.040 --> 3:17:58.840
<v Speaker 2>Johnny Cash all that you know, Home of the Blues

3:17:58.840 --> 3:18:00.920
<v Speaker 2>and all that stuff, you know, was with Jack Clements

3:18:01.440 --> 3:18:05.120
<v Speaker 2>and he wrote, what was it? He wrote, I guess

3:18:05.160 --> 3:18:07.480
<v Speaker 2>things happened that way. I think was him. I don't

3:18:07.600 --> 3:18:13.880
<v Speaker 2>like it, but I guess things happened anyway. Jack. He

3:18:14.400 --> 3:18:18.880
<v Speaker 2>auditions Charlie Rich and he said, not bad kid. He said,

3:18:18.920 --> 3:18:22.480
<v Speaker 2>you're really good. You're very sophisticated, accomplished musician, aren't you.

3:18:22.520 --> 3:18:24.240
<v Speaker 2>And he said, well, I've studied.

3:18:23.959 --> 3:18:24.280
<v Speaker 1>This, sir.

3:18:25.959 --> 3:18:28.960
<v Speaker 2>And he said he dropped the needle on one of

3:18:29.120 --> 3:18:32.000
<v Speaker 2>Jerry Lee's before he they had just done, hadn't released.

3:18:32.080 --> 3:18:35.600
<v Speaker 2>He started playing Jerry Lewis. He said, you know, Son,

3:18:35.720 --> 3:18:39.000
<v Speaker 2>He said, when you can play that bad, won't you

3:18:39.080 --> 3:18:44.600
<v Speaker 2>come back and see me? But you can play that poorly,

3:18:44.879 --> 3:18:47.200
<v Speaker 2>come back and see you. Right, that was And then

3:18:47.360 --> 3:18:49.960
<v Speaker 2>Charlie wrote he did sign with Son and he put

3:18:50.000 --> 3:18:52.960
<v Speaker 2>out Lonely Weekends. That was when his Sun record. It

3:18:53.040 --> 3:18:56.160
<v Speaker 2>was like Orbison. They didn't have they didn't blow up

3:18:56.200 --> 3:18:59.160
<v Speaker 2>on Son. You know, Roy had this day.

3:19:00.040 --> 3:19:03.480
<v Speaker 1>People don't realize how different Nashville and Memphis are.

3:19:03.840 --> 3:19:05.840
<v Speaker 2>Oh, you're a student of the game.

3:19:06.240 --> 3:19:10.440
<v Speaker 1>They hear that Memphis is like Mississippi. Oh yeah, Doc,

3:19:10.800 --> 3:19:12.360
<v Speaker 1>it's like a whole different thing.

3:19:12.480 --> 3:19:16.960
<v Speaker 2>Yeah, it's another world. And and uh, and even Elvis.

3:19:17.000 --> 3:19:19.320
<v Speaker 2>There was a story that I hold heard George Klein

3:19:19.400 --> 3:19:23.080
<v Speaker 2>tell in the Elvis channel one time about when Sam

3:19:23.160 --> 3:19:26.440
<v Speaker 2>Phillips sold Elvis to sold the contract to our ce.

3:19:27.240 --> 3:19:29.400
<v Speaker 2>He warned, oh, he said, Now, Elvis, he said, you're

3:19:29.400 --> 3:19:32.280
<v Speaker 2>going to be around those guys and they're gonna, you know,

3:19:32.360 --> 3:19:33.880
<v Speaker 2>start cuting. He said, they're going to try and change

3:19:33.879 --> 3:19:36.440
<v Speaker 2>you because they're not they don't understand you said, I

3:19:36.520 --> 3:19:39.600
<v Speaker 2>guarantee you they will not understand what you've done and

3:19:39.720 --> 3:19:43.160
<v Speaker 2>what we've done. He said, And you're a really good singer,

3:19:43.520 --> 3:19:47.240
<v Speaker 2>Sam Phillips, this is what he told Elvis, he said.

3:19:48.320 --> 3:19:50.800
<v Speaker 2>And don't let them change you, he said, And don't

3:19:50.920 --> 3:19:54.920
<v Speaker 2>let them change your band, because you've put your sound together.

3:19:54.959 --> 3:19:58.760
<v Speaker 2>You know, Elvis in DJ, the drummer Fontaine, you know

3:19:58.800 --> 3:20:01.120
<v Speaker 2>who come on board with him the last year and

3:20:01.160 --> 3:20:03.360
<v Speaker 2>a half before he signed with the RCA, because they

3:20:03.360 --> 3:20:06.680
<v Speaker 2>were a trio first Scottie and Bill Black and you

3:20:06.760 --> 3:20:09.920
<v Speaker 2>know upright bass and he said, man, he said, well,

3:20:09.959 --> 3:20:12.480
<v Speaker 2>people don't realize that's Elvis playing that rhythm guitar and

3:20:12.520 --> 3:20:15.840
<v Speaker 2>all those Sun records that slapped them backed because they're

3:20:15.840 --> 3:20:18.720
<v Speaker 2>no drums, he said. And I never played with a

3:20:18.800 --> 3:20:21.120
<v Speaker 2>guy that had as good a right hand on the

3:20:21.200 --> 3:20:25.240
<v Speaker 2>guitar as Elvis, he said, or that sang with the

3:20:25.400 --> 3:20:29.920
<v Speaker 2>sense of time. That's what people don't get about Elvis Presley,

3:20:30.640 --> 3:20:33.800
<v Speaker 2>you know, is how good a singer he was in

3:20:33.959 --> 3:20:37.640
<v Speaker 2>terms of that's why rock and roll became rock and roll.

3:20:37.800 --> 3:20:40.879
<v Speaker 2>In Capitol Letters and Little Richard, which there's a new

3:20:40.959 --> 3:20:44.039
<v Speaker 2>documentary on him, I have everything, which is I liked

3:20:44.080 --> 3:20:48.600
<v Speaker 2>watching Richard met Little Richard. Huh Old. Yeah.

3:20:49.440 --> 3:20:52.600
<v Speaker 1>The funniest thing about Richard is he was the same guy.

3:20:52.879 --> 3:20:57.879
<v Speaker 2>Yep, yep, he was. Little Richard was like he would

3:20:57.879 --> 3:20:59.880
<v Speaker 2>come and he would see me and he did gravity,

3:21:00.120 --> 3:21:03.560
<v Speaker 2>Oh baby, come here, and and everybody had to pray

3:21:03.640 --> 3:21:05.959
<v Speaker 2>with him, you know, you had to pray prayer circle.

3:21:06.040 --> 3:21:09.160
<v Speaker 2>Marty Stewart had me they were cutting over I don't know.

3:21:09.240 --> 3:21:10.960
<v Speaker 2>It was a I don't know what it was a

3:21:11.080 --> 3:21:14.720
<v Speaker 2>don Imus record that we were all anyway, he and

3:21:14.879 --> 3:21:16.400
<v Speaker 2>he said you got to come over here me. He said,

3:21:16.400 --> 3:21:18.280
<v Speaker 2>I got Richard of the Village recorders, and I went

3:21:18.320 --> 3:21:20.200
<v Speaker 2>over that night and I hung out and he spotted me.

3:21:20.640 --> 3:21:23.000
<v Speaker 2>He was living at the top of the old you know,

3:21:23.160 --> 3:21:25.680
<v Speaker 2>the rock and roll Hiatt on. So I said, you know,

3:21:25.760 --> 3:21:27.240
<v Speaker 2>he was living there for a year or so and

3:21:27.320 --> 3:21:29.400
<v Speaker 2>I was doing a video on the roof and he

3:21:29.480 --> 3:21:32.320
<v Speaker 2>caught me then and he was just always really really

3:21:32.480 --> 3:21:36.360
<v Speaker 2>kind to me, and the few interactions I had with him,

3:21:36.400 --> 3:21:39.400
<v Speaker 2>he was just a you know, a sweet guy. Uh

3:21:39.440 --> 3:21:41.120
<v Speaker 2>and you got to feel, well, you watch this, you

3:21:41.240 --> 3:21:44.640
<v Speaker 2>feel what a what a shattered kind of torn soul?

3:21:44.959 --> 3:21:49.520
<v Speaker 2>You know. He boy the original version of Tooty Fruity.

3:21:49.560 --> 3:21:54.480
<v Speaker 2>I'd never heard the original lyrics till that documentary Tooty Fruity,

3:21:54.600 --> 3:21:58.959
<v Speaker 2>Good Booty. It was like wow, and uh, but anyway,

3:21:59.200 --> 3:22:01.720
<v Speaker 2>so he pre sees he's Elvis, and of course the

3:22:01.800 --> 3:22:06.120
<v Speaker 2>Pat Boone stuff of you know, is something it's like,

3:22:06.640 --> 3:22:14.000
<v Speaker 2>you know, like wow, it's sacrilegious. But Elvis and I

3:22:14.080 --> 3:22:16.560
<v Speaker 2>understood when DJ talked about he said, yeah, but you

3:22:16.640 --> 3:22:19.000
<v Speaker 2>got to understand, man, when he and he actually was

3:22:19.160 --> 3:22:22.960
<v Speaker 2>ahead of Richard regionally. You know, he was out in

3:22:23.120 --> 3:22:26.320
<v Speaker 2>fifty three, fifty four or five, you know, those three years,

3:22:26.400 --> 3:22:29.840
<v Speaker 2>and Richard doesn't hit till that day in New Orleans

3:22:30.040 --> 3:22:35.080
<v Speaker 2>with the Old Session. Durm Earl Palmer talked about it.

3:22:35.160 --> 3:22:38.280
<v Speaker 2>He's like, man, we all went to lunch Richard said,

3:22:38.280 --> 3:22:40.280
<v Speaker 2>And they didn't know I played piano. They had him

3:22:40.320 --> 3:22:43.080
<v Speaker 2>standard doing arms, like thinking he'll just be this guy

3:22:43.200 --> 3:22:46.240
<v Speaker 2>standards sing sing blues, R and B. He said, I

3:22:46.320 --> 3:22:48.880
<v Speaker 2>didn't want to do that. They didn't understand, he said.

3:22:48.959 --> 3:22:51.080
<v Speaker 2>At lunch they all went over to this little dive

3:22:51.240 --> 3:22:53.880
<v Speaker 2>that nearby and had a piano in her, he said,

3:22:53.920 --> 3:22:55.800
<v Speaker 2>and Richard got up and started playing her, like what

3:22:56.080 --> 3:23:01.000
<v Speaker 2>the and he started tooty fruity and said, we've never

3:23:01.080 --> 3:23:04.160
<v Speaker 2>seen anything like that or heard anything that was like

3:23:04.760 --> 3:23:08.600
<v Speaker 2>to be pretty good booty. And so they went back

3:23:08.640 --> 3:23:10.080
<v Speaker 2>and the guy that was the A and R guy

3:23:10.120 --> 3:23:12.039
<v Speaker 2>can't remember his name now this is in the documentary,

3:23:12.080 --> 3:23:15.240
<v Speaker 2>but he goes back over and says to the owner

3:23:15.360 --> 3:23:20.800
<v Speaker 2>of whoever's studio they had him in there, not carusive,

3:23:20.800 --> 3:23:28.680
<v Speaker 2>but uh anyway that because that label, which is LA based,

3:23:28.760 --> 3:23:32.080
<v Speaker 2>I think that that he was on right that decided

3:23:32.120 --> 3:23:34.400
<v Speaker 2>to go with it. When he went in and said

3:23:34.440 --> 3:23:36.920
<v Speaker 2>that the an R cat he said, hey, he just

3:23:37.000 --> 3:23:38.840
<v Speaker 2>did something over there. We got to now we got

3:23:38.959 --> 3:23:40.800
<v Speaker 2>to clean the lyrics up. And there was a staff

3:23:40.920 --> 3:23:43.960
<v Speaker 2>woman who and she's interviewed and now she said it

3:23:44.160 --> 3:23:50.040
<v Speaker 2>was nasty, nasty, nasty, Richard got him and he said, oh,

3:23:50.120 --> 3:23:54.760
<v Speaker 2>that wasn't that was just her mind. You know, you're

3:23:54.840 --> 3:23:58.800
<v Speaker 2>literally saying it, Richard. But so you between the two,

3:23:59.720 --> 3:24:03.320
<v Speaker 2>rich has that hit. But again it was ostracized to

3:24:04.920 --> 3:24:08.199
<v Speaker 2>race stations, right, black radio, and it had to find

3:24:08.240 --> 3:24:14.320
<v Speaker 2>the white audience and Elvis you know, doing that, you know,

3:24:14.440 --> 3:24:17.000
<v Speaker 2>it was just and so I'm a kid that the

3:24:17.160 --> 3:24:20.600
<v Speaker 2>meant the Sun stuff was with me from the time

3:24:20.720 --> 3:24:24.000
<v Speaker 2>I was a baby. I was an Elvis free but

3:24:24.120 --> 3:24:27.039
<v Speaker 2>mystery trained, you know. And and then by the time

3:24:27.080 --> 3:24:29.359
<v Speaker 2>I got in high school, that album they re released,

3:24:29.760 --> 3:24:32.480
<v Speaker 2>you know, the Sun album, the Sun Records as a collection,

3:24:33.160 --> 3:24:35.240
<v Speaker 2>and I had them and I had them and I

3:24:35.320 --> 3:24:37.640
<v Speaker 2>knew that's when I knew. I said, but this is

3:24:37.879 --> 3:24:40.400
<v Speaker 2>and I was listening simultaneously at the same time, same

3:24:40.480 --> 3:24:44.480
<v Speaker 2>window credence, you know. One of the first albums, well,

3:24:44.520 --> 3:24:47.960
<v Speaker 2>the first record ever bought by myself was that this

3:24:48.879 --> 3:24:53.040
<v Speaker 2>this shopping center and it was an old you know,

3:24:53.080 --> 3:24:56.000
<v Speaker 2>apothecary drug store was record racks, you know, and stuff.

3:24:56.280 --> 3:24:56.879
<v Speaker 1>Yeah, my mom.

3:24:57.000 --> 3:24:59.800
<v Speaker 2>I had money in my own from whatever allowance I

3:24:59.840 --> 3:25:03.480
<v Speaker 2>got from working George stuff around the house, and and

3:25:03.600 --> 3:25:06.200
<v Speaker 2>I had you know, a few dollars and I bought

3:25:06.400 --> 3:25:10.160
<v Speaker 2>Roy orbitson. They did a re release of pretty Woman,

3:25:10.600 --> 3:25:14.400
<v Speaker 2>but the song that I found on the backside it

3:25:14.600 --> 3:25:18.199
<v Speaker 2>was a double single because it was they were both singles,

3:25:18.720 --> 3:25:22.480
<v Speaker 2>but it was re released uh as a spotlight series.

3:25:22.600 --> 3:25:26.400
<v Speaker 2>It was Candy Man and Candy Man was cut monument

3:25:27.120 --> 3:25:31.160
<v Speaker 2>in Nashville, you know, post the Memphis stuff with the

3:25:31.320 --> 3:25:37.320
<v Speaker 2>first ever uh, playing on record of harmonica by Charlie

3:25:37.400 --> 3:25:40.080
<v Speaker 2>McCoy who goes on to become a great harmonica session player.

3:25:40.480 --> 3:25:50.520
<v Speaker 2>But it opens wet bone, Bone Bone. I'm That song

3:25:50.720 --> 3:25:55.720
<v Speaker 2>fascinated me to this day. Come on Baby, And that

3:25:56.120 --> 3:25:58.560
<v Speaker 2>was the extension of the Elvis thing. You because the

3:25:58.600 --> 3:26:00.880
<v Speaker 2>other stuff with Roy I loved Woman, I love all,

3:26:01.320 --> 3:26:04.040
<v Speaker 2>but it's a little more operatic. And Candy Man was

3:26:04.120 --> 3:26:06.720
<v Speaker 2>swinging man. It was in that groove at shovel and

3:26:07.160 --> 3:26:11.240
<v Speaker 2>and Elvis, especially the sun stuff, and I found it.

3:26:12.000 --> 3:26:15.240
<v Speaker 2>That was the first single I bought. Album album was

3:26:15.320 --> 3:26:19.680
<v Speaker 2>probably Cosmos Factory because I was on my bikes. I

3:26:19.800 --> 3:26:23.400
<v Speaker 2>rode from this this uh, you know box store that

3:26:24.280 --> 3:26:26.840
<v Speaker 2>had started, you know, sprung up by the early seventies.

3:26:26.840 --> 3:26:29.720
<v Speaker 2>There were these things and it had racks of music

3:26:29.800 --> 3:26:31.440
<v Speaker 2>and I was looking through it, and I found the

3:26:31.480 --> 3:26:34.400
<v Speaker 2>Cosmos Factory because I wanted tracks off of that. And

3:26:34.440 --> 3:26:37.320
<v Speaker 2>then I bought Green River. I bought the preceding things

3:26:37.360 --> 3:26:38.039
<v Speaker 2>that I heard single.

3:26:38.200 --> 3:26:40.240
<v Speaker 1>Green River was the first one I bought. Yeah, I

3:26:40.360 --> 3:26:42.679
<v Speaker 1>was Born on the bay unbelievable.

3:26:42.760 --> 3:26:46.879
<v Speaker 2>Oh how how great? Huh? I mean born on the Bayou, right,

3:26:47.640 --> 3:26:50.280
<v Speaker 2>because I mean all of it. But anyway, so I'm

3:26:50.360 --> 3:26:53.000
<v Speaker 2>listening to that and this re release, this stuff they

3:26:53.000 --> 3:26:56.400
<v Speaker 2>were rediscovering, you know, of the sun stuff of Elvis,

3:26:56.840 --> 3:26:59.200
<v Speaker 2>you know, because the Brits all knew that. And yes,

3:26:59.360 --> 3:27:01.320
<v Speaker 2>I was listening to the Beatles because of my mom

3:27:02.080 --> 3:27:05.360
<v Speaker 2>with that AM radio, and I was hearing those hits

3:27:05.640 --> 3:27:08.680
<v Speaker 2>and I really got And when you see the get

3:27:08.800 --> 3:27:10.320
<v Speaker 2>back down here and you see the two of them

3:27:10.360 --> 3:27:13.120
<v Speaker 2>looking up each other at one point point later in

3:27:13.200 --> 3:27:16.160
<v Speaker 2>the in the movie, you know, after George leaves and

3:27:16.200 --> 3:27:20.560
<v Speaker 2>then comes back and they're staring and John and George

3:27:20.760 --> 3:27:25.520
<v Speaker 2>just like just by Osmosa begins singing bye Bye Love

3:27:26.040 --> 3:27:30.760
<v Speaker 2>identically to the Everlas. Right, you realize they loved it.

3:27:31.440 --> 3:27:36.360
<v Speaker 2>They loved that music, they loved that stuff, and uh

3:27:38.480 --> 3:27:41.160
<v Speaker 2>so I could hear that in there. I could find

3:27:41.240 --> 3:27:44.200
<v Speaker 2>it in the Beatles. I understood it, you know, Yeah,

3:27:44.400 --> 3:27:48.640
<v Speaker 2>I was listening to the Beatles, and I've done homages

3:27:48.720 --> 3:27:51.000
<v Speaker 2>to them, you know, you and I we did. You know,

3:27:52.400 --> 3:27:54.039
<v Speaker 2>I've just seen a face. Right.

3:27:54.120 --> 3:27:57.160
<v Speaker 1>But when when you come to LA this is not

3:27:57.360 --> 3:28:00.760
<v Speaker 1>the music that's being signed and on the road.

3:28:01.360 --> 3:28:04.560
<v Speaker 2>But but I get here in seventy seven and seventy eight,

3:28:04.600 --> 3:28:07.200
<v Speaker 2>I'm up on the strip one night. One day in

3:28:07.240 --> 3:28:10.360
<v Speaker 2>the afternoon, I'm roaming around and looking at tower because

3:28:10.360 --> 3:28:12.480
<v Speaker 2>I'm living in Long Beach and I hadn't moved yet

3:28:12.600 --> 3:28:15.080
<v Speaker 2>up here. I was driving. Okay, Joe, why Long Beach

3:28:15.160 --> 3:28:17.800
<v Speaker 2>because that's the cheapest beach on the buddy of mine.

3:28:17.840 --> 3:28:21.040
<v Speaker 2>And I came out. I said, dude, we can't live

3:28:21.280 --> 3:28:25.880
<v Speaker 2>down in landlocked Orange count We've come this far, that's

3:28:26.720 --> 3:28:30.800
<v Speaker 2>come this fighting. No, you either got to be in Hollywood.

3:28:30.879 --> 3:28:34.240
<v Speaker 2>We should be right in Hollywood or early Ocean, all right.

3:28:34.680 --> 3:28:37.440
<v Speaker 2>So we started in Santama. He goes, Okay, okay, we

3:28:37.600 --> 3:28:39.600
<v Speaker 2>started in Santa Monica because we were staying with his

3:28:39.760 --> 3:28:42.800
<v Speaker 2>relatives in Tustin, right, and so we drove up, spent

3:28:42.840 --> 3:28:45.960
<v Speaker 2>a whole day. Dress we start in Santa Monica and

3:28:46.120 --> 3:28:49.600
<v Speaker 2>we can't afford any of that, right, Santa Monica, Venice.

3:28:49.920 --> 3:28:55.480
<v Speaker 2>We just go down down Route one. We're down Pacific

3:28:55.560 --> 3:28:57.960
<v Speaker 2>Goes Highway, going all the way into the Then we

3:28:58.040 --> 3:29:00.720
<v Speaker 2>get to Manhattan Beach and we can't or that and

3:29:00.840 --> 3:29:02.160
<v Speaker 2>we get over it and we come up. I said,

3:29:02.200 --> 3:29:04.200
<v Speaker 2>what what this thing? I'm looking at, Madie, there's somebody,

3:29:04.240 --> 3:29:06.480
<v Speaker 2>come on, get back on the freeway. And we crossed,

3:29:06.800 --> 3:29:10.840
<v Speaker 2>you know, over the San Pedro and roll into Long

3:29:10.920 --> 3:29:12.720
<v Speaker 2>Beach and we go down there and the old pike

3:29:12.959 --> 3:29:16.120
<v Speaker 2>was there, the Remuvement Park. It was still a run

3:29:16.240 --> 3:29:21.280
<v Speaker 2>down ocean town, you know, Harbortown, Long Beach, and the

3:29:21.400 --> 3:29:25.280
<v Speaker 2>apartments were literally on ninth Place, right dead end of

3:29:25.320 --> 3:29:29.240
<v Speaker 2>the beach for nothing. And we got this little single

3:29:29.440 --> 3:29:31.640
<v Speaker 2>you know, with a bat, you know, a little tiny kitchen.

3:29:32.240 --> 3:29:35.000
<v Speaker 2>And he only stayed about three months. He left by

3:29:35.640 --> 3:29:38.520
<v Speaker 2>the last week of June, and I was there, Okay, Well,

3:29:38.600 --> 3:29:39.600
<v Speaker 2>why did he leave?

3:29:39.720 --> 3:29:40.680
<v Speaker 1>How much of it?

3:29:41.160 --> 3:29:45.360
<v Speaker 2>He just didn't? He never, I think I looking back.

3:29:46.280 --> 3:29:49.080
<v Speaker 2>He wanted to visit his aunt and uncle and was

3:29:49.160 --> 3:29:52.440
<v Speaker 2>held bent on delivering me to La. He knew I

3:29:52.480 --> 3:29:53.960
<v Speaker 2>had already been to Nashville a couple of times, and

3:29:54.520 --> 3:29:58.120
<v Speaker 2>in seventy six, seventy two. It was if you did.

3:29:58.480 --> 3:30:01.120
<v Speaker 2>I didn't know. I've said this to Steve Earl. I said,

3:30:01.920 --> 3:30:05.080
<v Speaker 2>I didn't realize that those houses were the business, the

3:30:05.200 --> 3:30:09.600
<v Speaker 2>publishing houses, right, music Row, it's quiet. There was no

3:30:09.760 --> 3:30:11.600
<v Speaker 2>there was Lower there was Lower Broad, but it was

3:30:11.720 --> 3:30:14.280
<v Speaker 2>just a few drunk bars. And there's Printer's Alley which

3:30:14.400 --> 3:30:16.440
<v Speaker 2>Boots Randolph had a club and it was you know,

3:30:16.520 --> 3:30:19.400
<v Speaker 2>it's a nightclub thing, but there was no live music,

3:30:19.920 --> 3:30:22.840
<v Speaker 2>not like La or New York or you know, and

3:30:22.959 --> 3:30:26.080
<v Speaker 2>it was it was the quiet. They got up nine am,

3:30:26.160 --> 3:30:29.000
<v Speaker 2>they had coffee and we're writing solid right, and they're

3:30:29.040 --> 3:30:31.440
<v Speaker 2>cutting them with the I didn't know that that that's

3:30:31.520 --> 3:30:33.160
<v Speaker 2>how you did it there. And I went there a

3:30:33.200 --> 3:30:36.240
<v Speaker 2>couple of times. I auditioned for the Grandel Opry Park,

3:30:36.360 --> 3:30:40.160
<v Speaker 2>the Opry Land, and I got a slot in January

3:30:40.200 --> 3:30:42.880
<v Speaker 2>as as an alternate. And they said, well, you come

3:30:42.959 --> 3:30:45.280
<v Speaker 2>back to summer and if somebody gets sick or they

3:30:45.640 --> 3:30:49.440
<v Speaker 2>will pull you in. And he said to me, do

3:30:49.480 --> 3:30:52.120
<v Speaker 2>you really want to do that? I said no, I said,

3:30:52.520 --> 3:30:55.600
<v Speaker 2>I guess. He said, man, you're coming with me, and

3:30:55.720 --> 3:30:58.400
<v Speaker 2>he said and he paid for the gas, and I

3:30:58.440 --> 3:31:01.480
<v Speaker 2>didn't have, you know, couple hundred bucks. We packed everything

3:31:01.800 --> 3:31:04.680
<v Speaker 2>on which was nothing. My guitar and I had a

3:31:04.760 --> 3:31:10.240
<v Speaker 2>k at that point, big open sound, okay, And he

3:31:10.440 --> 3:31:13.440
<v Speaker 2>deposited me on the West coast, and then by his

3:31:13.640 --> 3:31:15.160
<v Speaker 2>plan was all he wasn't staying.

3:31:16.120 --> 3:31:18.480
<v Speaker 1>Well, how did you feel when he abandoned you?

3:31:19.560 --> 3:31:22.680
<v Speaker 2>Not not crushed, because I kind of preferred to be alone,

3:31:23.280 --> 3:31:25.160
<v Speaker 2>you know, scale I was like, you know, I wanted

3:31:25.200 --> 3:31:27.400
<v Speaker 2>my own room. I never had a room, and I

3:31:27.480 --> 3:31:30.240
<v Speaker 2>stayed in the smallest little apartments on the face of

3:31:30.280 --> 3:31:33.760
<v Speaker 2>the earth, just a lit alone. I never shared the

3:31:33.879 --> 3:31:38.920
<v Speaker 2>space because it would interrupt my I knew what it was.

3:31:39.160 --> 3:31:42.000
<v Speaker 2>It would interrupt my thoughts and what I needed to do,

3:31:42.200 --> 3:31:45.160
<v Speaker 2>and you know, write and to try and create songs.

3:31:45.240 --> 3:31:47.240
<v Speaker 2>I knew then you had to write, you know, you

3:31:47.280 --> 3:31:51.800
<v Speaker 2>had to create your material. And so no, what was

3:31:51.879 --> 3:31:53.840
<v Speaker 2>going on out here then? I mean, you had you

3:31:53.959 --> 3:31:56.959
<v Speaker 2>had the burgeoning La punk thing, but I don't even

3:31:56.959 --> 3:31:58.880
<v Speaker 2>think Los Angeles had come out yet with the X

3:31:58.959 --> 3:32:01.640
<v Speaker 2>hadn't happened. But you still had Fleetwood, Matt, you had

3:32:01.680 --> 3:32:04.240
<v Speaker 2>all the that stuff. You know. The other end of

3:32:04.280 --> 3:32:07.520
<v Speaker 2>the spectrum of country rock had become the new pop,

3:32:07.720 --> 3:32:10.560
<v Speaker 2>right the Eagles had now become the pop rock act.

3:32:11.040 --> 3:32:14.520
<v Speaker 2>Fleetwood Mac was everything, and you know, and and then

3:32:14.600 --> 3:32:17.120
<v Speaker 2>you started hearing in the summer seventy seven. I remember,

3:32:17.200 --> 3:32:20.600
<v Speaker 2>I think watching the Detectives Elvis in the attract. The

3:32:20.680 --> 3:32:24.760
<v Speaker 2>English new waves started coming, right, So seventy eight, I'm

3:32:24.840 --> 3:32:28.760
<v Speaker 2>up at Tower Records and one afternoon and stumbling around.

3:32:28.760 --> 3:32:31.040
<v Speaker 2>We're looking through it and there's free tickets like you

3:32:31.200 --> 3:32:33.840
<v Speaker 2>highlight tickets to the Whiskey. You go. There's a show

3:32:33.959 --> 3:32:39.440
<v Speaker 2>that night and it's Robert Gordon with Link Ray and Yeah.

3:32:40.040 --> 3:32:43.080
<v Speaker 2>And Robert Gordon at the time had had on FM.

3:32:43.160 --> 3:32:44.640
<v Speaker 2>I would hear on the wirl if it was k

3:32:44.800 --> 3:32:48.800
<v Speaker 2>R o Q or whatever. But he had a revival

3:32:48.959 --> 3:32:51.800
<v Speaker 2>rockabillity thing of UH. I forget who the band was

3:32:51.840 --> 3:32:58.520
<v Speaker 2>it did Lex Lex Lexlex remember that? And Robert Gordon

3:32:58.600 --> 3:33:01.680
<v Speaker 2>was out of d c any he had well the

3:33:01.800 --> 3:33:07.000
<v Speaker 2>first the opening act that night was UH was Billy

3:33:07.120 --> 3:33:12.120
<v Speaker 2>Zoom pre X. Billy Zoom, the guitar player for X

3:33:12.440 --> 3:33:16.240
<v Speaker 2>had a rockabilly band and he and he had that

3:33:16.360 --> 3:33:18.760
<v Speaker 2>duo jets and he was out there slamming it and

3:33:18.840 --> 3:33:20.120
<v Speaker 2>he was out and it was one of the last

3:33:20.200 --> 3:33:22.920
<v Speaker 2>gigs he ever did, because he told Pete Anderson at

3:33:22.920 --> 3:33:24.480
<v Speaker 2>the time told me. Larry said, yeah, he told me.

3:33:24.560 --> 3:33:26.640
<v Speaker 2>He said, I you are gonna believe this. He said,

3:33:26.640 --> 3:33:29.119
<v Speaker 2>I've been trying to do what I do great for years.

3:33:30.160 --> 3:33:32.680
<v Speaker 2>I've just put this band together just doing We're doing

3:33:32.800 --> 3:33:37.440
<v Speaker 2>trash punkins and we're signed. We're doing it. It was

3:33:37.760 --> 3:33:39.640
<v Speaker 2>x he said. They got out and then did John

3:33:39.680 --> 3:33:41.680
<v Speaker 2>Doe and Exen. They did Los Angeles and it was

3:33:41.760 --> 3:33:45.000
<v Speaker 2>the cultural explosion of that. But I go in there

3:33:45.040 --> 3:33:47.480
<v Speaker 2>and see Robert Gordon with link Ray. That was one

3:33:47.520 --> 3:33:50.040
<v Speaker 2>of the loudest things I've ever heard to this day,

3:33:50.760 --> 3:33:54.000
<v Speaker 2>nothing louder than link Ray because he would open do

3:33:54.080 --> 3:33:58.160
<v Speaker 2>a couple did rumble of course, you know, brown, brown brown.

3:33:58.879 --> 3:34:01.680
<v Speaker 2>I mean, it was a sight to see. And the

3:34:01.840 --> 3:34:06.840
<v Speaker 2>Blasters were somehow connected because Ronnie Weisner or whatever, this

3:34:07.000 --> 3:34:10.320
<v Speaker 2>guy this he was either Czechoslovaki or Hungarian. He was

3:34:10.320 --> 3:34:12.200
<v Speaker 2>a little guy, was out of his mind. He saw

3:34:12.280 --> 3:34:14.360
<v Speaker 2>me leaning on a pole because I you know, you're

3:34:15.000 --> 3:34:18.600
<v Speaker 2>you just want to drink in every single second of

3:34:18.760 --> 3:34:21.400
<v Speaker 2>any of it. So I stayed that the show's over

3:34:22.080 --> 3:34:24.240
<v Speaker 2>and they've all but turned the ugly lights on and

3:34:24.280 --> 3:34:26.160
<v Speaker 2>their tearings. You know, they don't run you out of

3:34:26.200 --> 3:34:27.760
<v Speaker 2>the whiskeys. You just stand there if you want to

3:34:27.760 --> 3:34:31.160
<v Speaker 2>buy a drink. And I'm leaning against the pole, just watching,

3:34:31.720 --> 3:34:33.879
<v Speaker 2>just to watch it, you know, watch them tear down

3:34:33.920 --> 3:34:37.359
<v Speaker 2>the gear, watch them carry it to the curb, watching everybody.

3:34:37.360 --> 3:34:39.800
<v Speaker 2>And I'm alone, and I'm and this guy comes to

3:34:39.920 --> 3:34:44.560
<v Speaker 2>running Weisner. Wisner. Yeah. Anyway, He goes, what you do?

3:34:45.280 --> 3:34:50.160
<v Speaker 2>What are you doing? The broken English Eastern European accident?

3:34:51.040 --> 3:34:53.280
<v Speaker 2>Well do you know I think? I said, well I do,

3:34:53.520 --> 3:34:55.320
<v Speaker 2>I said. He said, you're a musician, because he's just

3:34:55.440 --> 3:34:58.680
<v Speaker 2>looking at me, and I'm leaning on you know, at

3:34:58.720 --> 3:35:01.039
<v Speaker 2>that point, I'm more a David Essex. Looked at anything.

3:35:01.080 --> 3:35:03.640
<v Speaker 2>I've got boots on, but I got you know, bells,

3:35:03.680 --> 3:35:06.240
<v Speaker 2>it's bell bottom blues. Right at that point in La

3:35:07.040 --> 3:35:09.720
<v Speaker 2>leaning against the wall, and he goes, look at of music.

3:35:09.760 --> 3:35:12.080
<v Speaker 2>I said, well, you know, kind of country rock. For

3:35:12.240 --> 3:35:14.120
<v Speaker 2>lack of a better discrete. You know, I'm letting them

3:35:14.200 --> 3:35:17.360
<v Speaker 2>know that we're He goes, ah full you you know

3:35:17.400 --> 3:35:22.320
<v Speaker 2>what you need to rockabilly? Rockabilly, rockabilly, that's what's bigger. Rockabilly.

3:35:22.600 --> 3:35:25.400
<v Speaker 2>I'm like, dude, I know rockabilly from the inside out

3:35:25.440 --> 3:35:29.040
<v Speaker 2>of me. I was born to rockabilly, and that was

3:35:29.160 --> 3:35:32.400
<v Speaker 2>my first experience when you said, what was going on here?

3:35:33.080 --> 3:35:36.320
<v Speaker 2>Was that moment? Think about seventy eight. You're already here.

3:35:36.360 --> 3:35:40.400
<v Speaker 2>You're in the business. Right, it's the chains shift. Right.

3:35:41.320 --> 3:35:47.359
<v Speaker 2>Petty comes out looking like a seventies rocker but playing

3:35:48.040 --> 3:35:50.640
<v Speaker 2>like new wave. Right, you know, you know what I mean.

3:35:51.000 --> 3:35:53.720
<v Speaker 2>That's the economy of Tom Petty and the Heartbreakers.

3:35:54.560 --> 3:35:58.359
<v Speaker 1>I saw them all at the whiskey, Tom Petty, Elvis Costello.

3:35:58.240 --> 3:36:01.520
<v Speaker 2>In even the band, Joe Jackson, Yeah right, you know,

3:36:02.600 --> 3:36:05.959
<v Speaker 2>and even the band was Joe Jackson watching the detectives.

3:36:06.760 --> 3:36:07.520
<v Speaker 1>No, that was Elvis.

3:36:07.680 --> 3:36:11.480
<v Speaker 2>That's Elvis. But what Joe Jackson was, uh usually really

3:36:11.560 --> 3:36:12.400
<v Speaker 2>going out with him.

3:36:12.600 --> 3:36:16.880
<v Speaker 1>One more time goes on. But they saw the papers.

3:36:17.280 --> 3:36:20.280
<v Speaker 2>Anyway, and Joe Jackson was the sharp you know the

3:36:20.360 --> 3:36:24.120
<v Speaker 2>two tone shoes, you know, man, so so sharp? Yeah,

3:36:24.360 --> 3:36:26.840
<v Speaker 2>really sure sharp? You know the Teddy Boys shoes right

3:36:26.840 --> 3:36:31.520
<v Speaker 2>at the needle point. But but uh, that's the moment,

3:36:31.840 --> 3:36:39.240
<v Speaker 2>and I'm thinking, man, you know, when the tide comes

3:36:39.280 --> 3:36:43.360
<v Speaker 2>in and goes out, you know, when you can beach combe,

3:36:43.480 --> 3:36:47.320
<v Speaker 2>you can go up and down and find the leftover

3:36:47.360 --> 3:36:50.200
<v Speaker 2>if you see what's going to happen. And I just

3:36:50.680 --> 3:36:53.760
<v Speaker 2>had a sense that there was going to be this moment,

3:36:53.840 --> 3:36:57.360
<v Speaker 2>and because I had known about the whole buck Merle,

3:36:57.680 --> 3:37:00.680
<v Speaker 2>the whole traditional country that was out here, Appitol Tower,

3:37:00.800 --> 3:37:05.640
<v Speaker 2>the Capitol Records sound, the Bakersfield sound, and it led

3:37:05.680 --> 3:37:09.120
<v Speaker 2>to and I knew it begat Chris Hillman, the Birds Sweetheart,

3:37:09.200 --> 3:37:12.920
<v Speaker 2>at which begat Burritos, which gives Lynda Ronstat the footing.

3:37:12.959 --> 3:37:15.160
<v Speaker 2>You know, they all that m com mingling. And then

3:37:15.240 --> 3:37:18.600
<v Speaker 2>by Eagles and Emmy Lou and those records with Brian

3:37:18.720 --> 3:37:22.400
<v Speaker 2>hern were a beacon that drew me. I thought, that's

3:37:23.240 --> 3:37:26.080
<v Speaker 2>what I am, that's me, you know, with the purtiness

3:37:26.120 --> 3:37:29.160
<v Speaker 2>of that. The John Prime thing, I didn't finish. They

3:37:29.280 --> 3:37:32.760
<v Speaker 2>cut that album on him in Memphis. That first album

3:37:33.800 --> 3:37:36.720
<v Speaker 2>was again one of the similar moments in the revelatory

3:37:36.800 --> 3:37:39.800
<v Speaker 2>moments of my life in terms of in terms of

3:37:44.400 --> 3:37:47.680
<v Speaker 2>my own family's experiences. I remember, I said, the epiphanius

3:37:47.760 --> 3:37:50.040
<v Speaker 2>moment that I fell, I had, you know, at fifteen

3:37:50.120 --> 3:37:52.959
<v Speaker 2>or six, riding in the back of that car down

3:37:53.080 --> 3:37:56.280
<v Speaker 2>Route twenty three of my mom and my aunt and

3:37:56.400 --> 3:38:00.880
<v Speaker 2>I thought John Prime and the song paradise about his

3:38:00.959 --> 3:38:04.879
<v Speaker 2>own family moving from western Kentucky up into Illinois and Chicago,

3:38:05.600 --> 3:38:09.160
<v Speaker 2>and he articulately and I thought, that's what it is.

3:38:09.360 --> 3:38:11.680
<v Speaker 2>And it's almost like having to be moved so far

3:38:11.760 --> 3:38:15.280
<v Speaker 2>away from it, so far removed that I wrote reading

3:38:15.360 --> 3:38:21.000
<v Speaker 2>writing Route twenty three about those tailight baby years, you know,

3:38:21.240 --> 3:38:23.640
<v Speaker 2>when we would leave on a Friday evening after they

3:38:23.680 --> 3:38:28.520
<v Speaker 2>got off work. You have you ever seen folks pull

3:38:28.600 --> 3:38:31.040
<v Speaker 2>up in a hollow after work on Friday night, you know,

3:38:31.680 --> 3:38:37.720
<v Speaker 2>Prestonsburg can all that stuff. It was I realized it's pertinent.

3:38:38.120 --> 3:38:42.320
<v Speaker 2>It's pertinent because it's me. It's pertinent to my you know,

3:38:43.440 --> 3:38:47.200
<v Speaker 2>my expression musically in my life. But John Primes who

3:38:47.280 --> 3:38:51.000
<v Speaker 2>inspired me to self examine and think. And it's like,

3:38:51.120 --> 3:38:55.840
<v Speaker 2>what was it that I read that Dickens wrote all

3:38:55.879 --> 3:38:59.160
<v Speaker 2>the great stories about London and the winter right Christmas

3:38:59.200 --> 3:39:03.040
<v Speaker 2>Carol living on the Tuscany coast in Italy when he

3:39:03.080 --> 3:39:06.480
<v Speaker 2>had moved far removed, you know, on the Mediterranean coast

3:39:06.560 --> 3:39:12.360
<v Speaker 2>in Italy, you know, living expatriate, as you know, as

3:39:12.360 --> 3:39:14.960
<v Speaker 2>a lender out of it. And he wrote from the

3:39:15.080 --> 3:39:17.600
<v Speaker 2>vantage point because you're able to see, I think you

3:39:17.760 --> 3:39:22.080
<v Speaker 2>pull focus when you write about the elements of your

3:39:22.120 --> 3:39:26.280
<v Speaker 2>own life. When I read you from your distance, right,

3:39:26.800 --> 3:39:29.960
<v Speaker 2>you're able to see from the distance with a greater

3:39:30.120 --> 3:39:34.000
<v Speaker 2>degree of clarity what it was you came from Connecticut,

3:39:34.120 --> 3:39:36.280
<v Speaker 2>the whole scene when you talk about your dad in

3:39:36.320 --> 3:39:38.560
<v Speaker 2>the liquor store, and you know all of it, the

3:39:38.680 --> 3:39:41.560
<v Speaker 2>ice cream, the ice cream, you know. I mean, it's

3:39:41.760 --> 3:39:44.480
<v Speaker 2>visceral when you write, it's visceral, and that's what people

3:39:44.640 --> 3:39:47.680
<v Speaker 2>love to read. That's why they read, you know. I

3:39:47.760 --> 3:39:51.879
<v Speaker 2>mean you haven't have you excuse me if I'm insulting

3:39:51.920 --> 3:39:54.680
<v Speaker 2>you by not knowing that you You haven't published in

3:39:54.840 --> 3:39:58.440
<v Speaker 2>book form, have you? No? I mean I have got to, Bob.

3:39:58.959 --> 3:40:02.480
<v Speaker 1>Well, I mean just taking a detour here. If you

3:40:02.720 --> 3:40:07.360
<v Speaker 1>talk to the major people, they only want fiction. Because

3:40:07.400 --> 3:40:10.439
<v Speaker 1>I said I would do this, then I had publishers

3:40:10.440 --> 3:40:14.440
<v Speaker 1>who would do it. But the advances were like ten

3:40:14.520 --> 3:40:15.360
<v Speaker 1>to twenty grand.

3:40:15.800 --> 3:40:18.280
<v Speaker 2>You can't afford to do it, you can't take the time.

3:40:18.720 --> 3:40:23.240
<v Speaker 1>No, no, but yeah no, When I hit send, I

3:40:23.440 --> 3:40:25.840
<v Speaker 1>reach more people than all these people who read their

3:40:25.879 --> 3:40:27.039
<v Speaker 1>back their books.

3:40:27.600 --> 3:40:29.920
<v Speaker 2>But I think a collection of all of it, Bob,

3:40:30.080 --> 3:40:31.600
<v Speaker 2>has to happen, and somebody's going.

3:40:31.560 --> 3:40:31.720
<v Speaker 3>To do it.

3:40:32.000 --> 3:40:35.880
<v Speaker 1>I was thinking, right. But the other thing about it

3:40:36.120 --> 3:40:40.480
<v Speaker 1>is nothing sells itself these days, not only making it

3:40:40.640 --> 3:40:42.680
<v Speaker 1>is not the hard part. Then you got to go

3:40:42.760 --> 3:40:44.200
<v Speaker 1>out and flog it.

3:40:44.600 --> 3:40:45.120
<v Speaker 2>Yeah, And.

3:40:46.840 --> 3:40:49.560
<v Speaker 1>That's both time and not quite my personality.

3:40:49.600 --> 3:40:52.000
<v Speaker 2>But I hear you not your nature. No, But I'm

3:40:52.080 --> 3:40:54.680
<v Speaker 2>telling you there are enough people that know that would

3:40:55.120 --> 3:40:58.320
<v Speaker 2>love to have it all in one space and in

3:40:58.400 --> 3:41:02.960
<v Speaker 2>a hardbacked version. I think people would love reading, and

3:41:03.160 --> 3:41:06.160
<v Speaker 2>especially I mean, you've got va you could do more

3:41:06.200 --> 3:41:08.320
<v Speaker 2>than one book. It's like you could just do just

3:41:08.440 --> 3:41:10.640
<v Speaker 2>the things you've written about your family would be you know,

3:41:11.040 --> 3:41:13.920
<v Speaker 2>it would be its own, you know, tome of four

3:41:14.000 --> 3:41:17.760
<v Speaker 2>hundred pages. You know you would have. But so the

3:41:18.040 --> 3:41:21.160
<v Speaker 2>visceral nature. What the John Pride album, that first one

3:41:21.160 --> 3:41:24.360
<v Speaker 2>where he's on the Bailahet which has Sam Stone uh

3:41:24.959 --> 3:41:28.720
<v Speaker 2>has has uh uh? Your flag decal won't get you

3:41:28.840 --> 3:41:31.840
<v Speaker 2>to have anymore? I mean all that but Paradise Spanish

3:41:31.879 --> 3:41:34.280
<v Speaker 2>pipe Dream. I used to play that in nightclubs out

3:41:34.320 --> 3:41:37.039
<v Speaker 2>in the Corral in the lake View Terra Foothill in Osborne.

3:41:37.280 --> 3:41:40.160
<v Speaker 2>There was a cowboy bar that was hardcore. They would

3:41:40.240 --> 3:41:42.800
<v Speaker 2>ride down from up there in Tonga, and that ain't

3:41:43.040 --> 3:41:48.800
<v Speaker 2>to Panga. People that someone to Honga ain't to Panga.

3:41:48.879 --> 3:41:51.680
<v Speaker 2>Don't confuse it too, because the hippies are in Topanga,

3:41:52.600 --> 3:41:56.039
<v Speaker 2>the bikers that sell meth or in Tonga. It's like exactly.

3:41:56.520 --> 3:41:58.920
<v Speaker 2>But I played for a year straight the off nights

3:41:59.000 --> 3:42:03.120
<v Speaker 2>the year Johnt John Lennon was killed on the night

3:42:03.200 --> 3:42:04.800
<v Speaker 2>that I drove into work and got in there and

3:42:04.920 --> 3:42:08.760
<v Speaker 2>we heard and Delaney Bramlet lived down the road and

3:42:09.040 --> 3:42:11.120
<v Speaker 2>came in. He was torn up and got up and

3:42:11.200 --> 3:42:14.280
<v Speaker 2>played with us, just to just to give Trivty a

3:42:14.320 --> 3:42:19.720
<v Speaker 2>couple a couple of John's songs. And so my experience

3:42:19.920 --> 3:42:22.520
<v Speaker 2>this is like nineteen what was eighty because he died

3:42:22.560 --> 3:42:24.879
<v Speaker 2>in December of eighty, But I had been in there

3:42:27.040 --> 3:42:31.080
<v Speaker 2>playing Sunday, Monday, Tuesday, Wednesday. Because I wasn't good enough

3:42:31.120 --> 3:42:33.480
<v Speaker 2>to play the weekends. They were fearful I wasn't because

3:42:33.480 --> 3:42:36.280
<v Speaker 2>I wasn't. I wasn't doing I just wouldn't, you know.

3:42:37.000 --> 3:42:40.720
<v Speaker 2>I was doing Bill and Row and doing some merle

3:42:40.840 --> 3:42:43.240
<v Speaker 2>I was doing. You know, it was it was hardcore,

3:42:43.760 --> 3:42:46.360
<v Speaker 2>you know, hillbilly stuff. Because to that point, once I

3:42:46.440 --> 3:42:52.480
<v Speaker 2>got here and found just my headspace around it, I realized,

3:42:52.600 --> 3:42:56.080
<v Speaker 2>but the vantage point I had, dude. That's what the

3:42:56.240 --> 3:43:01.680
<v Speaker 2>car ride was about who I and my who I

3:43:02.120 --> 3:43:05.640
<v Speaker 2>was by the birthright of my family, you know, and

3:43:05.760 --> 3:43:08.720
<v Speaker 2>where I was born, and I need to take this

3:43:09.480 --> 3:43:12.600
<v Speaker 2>and I need to, you know, pay tribute to that

3:43:12.920 --> 3:43:15.640
<v Speaker 2>and those people that gave me a chance, you know,

3:43:16.200 --> 3:43:19.040
<v Speaker 2>to get away from mining coal as a way to

3:43:19.080 --> 3:43:19.600
<v Speaker 2>make a living.

3:43:19.720 --> 3:43:22.840
<v Speaker 1>Okay, you're out, you know, the hungun you're playing the

3:43:22.920 --> 3:43:27.560
<v Speaker 1>week nights. Okay, the nature of being in your twenties

3:43:27.640 --> 3:43:31.080
<v Speaker 1>and the nature of someone who actually made it. On

3:43:31.240 --> 3:43:34.120
<v Speaker 1>some level, you're happy. On some level, you're incredibly frustrated.

3:43:34.680 --> 3:43:36.800
<v Speaker 1>I'm out of the far end of the valley singing

3:43:36.840 --> 3:43:41.400
<v Speaker 1>Bill Monroe and the billboards are on sunset and everybody's touring.

3:43:41.600 --> 3:43:43.000
<v Speaker 1>How am I going to get from A to B?

3:43:43.680 --> 3:43:48.520
<v Speaker 2>Well, that happens because as fate what have Like I said,

3:43:48.720 --> 3:43:52.520
<v Speaker 2>you sensed the tide, you know, the changing of the tide, right,

3:43:53.360 --> 3:43:58.520
<v Speaker 2>you know, seventy eight, seventy nine, so eighty that entire year.

3:43:58.560 --> 3:44:01.039
<v Speaker 2>I'm out there, you know, and it's still a life

3:44:01.160 --> 3:44:05.240
<v Speaker 2>altering experience. I mean, I'm learning. You're from the bandstand.

3:44:05.280 --> 3:44:09.600
<v Speaker 2>You see life go by every number, you see them

3:44:09.680 --> 3:44:12.480
<v Speaker 2>dance pass on that dance floor and you're watching from

3:44:12.520 --> 3:44:15.880
<v Speaker 2>the fist fights to the the to the heartache to

3:44:16.000 --> 3:44:19.120
<v Speaker 2>the screaming matches. You you're in there long, five sets

3:44:19.160 --> 3:44:23.400
<v Speaker 2>a night. You get an education. And I'm writing, I'm

3:44:23.440 --> 3:44:26.880
<v Speaker 2>writing songs. I'm driving air freight during the day, Airborne

3:44:27.320 --> 3:44:30.000
<v Speaker 2>getting off work, rolling out there and in between and

3:44:30.000 --> 3:44:33.280
<v Speaker 2>on the weekend, I'm writing, it won't hurt about those

3:44:33.360 --> 3:44:36.880
<v Speaker 2>people when I fall down from this barstool. There was

3:44:37.240 --> 3:44:40.160
<v Speaker 2>I mean, it was a woman. I won't give your name,

3:44:40.200 --> 3:44:42.600
<v Speaker 2>and it's just a different but she was.

3:44:42.640 --> 3:44:45.440
<v Speaker 1>I think it's hilarious. You drove Airborne. I used to

3:44:45.520 --> 3:44:46.640
<v Speaker 1>use Airborne all the time.

3:44:46.680 --> 3:44:50.240
<v Speaker 2>Instead, Airborne was a competitive fed X. Right, there were

3:44:50.280 --> 3:44:54.240
<v Speaker 2>three Emory right was the purple, the band, and Airborne

3:44:54.360 --> 3:44:56.720
<v Speaker 2>was the red and black, you know, and then FedEx

3:44:56.800 --> 3:44:57.240
<v Speaker 2>was the purple.

3:44:57.280 --> 3:44:59.920
<v Speaker 1>There were I just have that like silver, red and black.

3:45:00.120 --> 3:45:01.960
<v Speaker 2>Yeah, it would over. Red and black was a who

3:45:02.040 --> 3:45:04.640
<v Speaker 2>had a red shirt and a crack of dam. And

3:45:04.760 --> 3:45:09.280
<v Speaker 2>so I'm driving Airborne air freight and and look at

3:45:09.320 --> 3:45:11.160
<v Speaker 2>this bar. There was a woman that wo come in

3:45:11.320 --> 3:45:14.720
<v Speaker 2>came in there almost every night and I won't give

3:45:14.720 --> 3:45:18.840
<v Speaker 2>her name, and they called her Lady something, and it

3:45:19.000 --> 3:45:22.880
<v Speaker 2>wasn't ladylike behavior. She was the screaming us. She'd be

3:45:22.920 --> 3:45:24.280
<v Speaker 2>down at the end of the bar, and about the

3:45:24.400 --> 3:45:28.040
<v Speaker 2>third set she would go off and start because somebody

3:45:28.080 --> 3:45:30.640
<v Speaker 2>would be looking at her, she thought from down the others.

3:45:30.800 --> 3:45:34.040
<v Speaker 2>It was an L shaped bar, and this place probably

3:45:34.120 --> 3:45:36.240
<v Speaker 2>held two hundred people. I mean it was a good

3:45:36.280 --> 3:45:38.960
<v Speaker 2>sized bar, I mean know. And it had an L

3:45:39.120 --> 3:45:44.480
<v Speaker 2>shaped building that in the front. This is how rough,

3:45:44.560 --> 3:45:49.360
<v Speaker 2>this was how hardcore. Their banner across the crowd and

3:45:49.400 --> 3:45:53.360
<v Speaker 2>the outside of it said cock open for cocktail six am.

3:45:55.000 --> 3:45:58.440
<v Speaker 2>Because they had they had a breakfast counter. Okay, they

3:45:58.480 --> 3:46:01.840
<v Speaker 2>were close from two to set and they served breaktae.

3:46:02.840 --> 3:46:05.680
<v Speaker 2>I was asleep on the stage one day. And because

3:46:05.920 --> 3:46:08.520
<v Speaker 2>my drummer guy named stup Perry, who lived into Hungo,

3:46:08.600 --> 3:46:11.120
<v Speaker 2>That's how I got to know to Hunga well. He

3:46:11.200 --> 3:46:13.560
<v Speaker 2>had pit bulls in it. I remember, never forget. Stu

3:46:13.760 --> 3:46:15.520
<v Speaker 2>was so upset one night when I'd give him a

3:46:15.560 --> 3:46:17.920
<v Speaker 2>lift from there to get into He was a great drummer.

3:46:18.240 --> 3:46:20.879
<v Speaker 2>He'd been on the Dick Clark tours. And remember there

3:46:20.959 --> 3:46:23.000
<v Speaker 2>was a guy around town named Jimmy Rabbit. He was

3:46:23.000 --> 3:46:25.760
<v Speaker 2>a radio person. Now I had a Jimmy Rabbit, right,

3:46:25.879 --> 3:46:29.640
<v Speaker 2>not not related to Eddie Rabbit. And he was a

3:46:30.200 --> 3:46:34.160
<v Speaker 2>you know, a bar band guy, but had local fame

3:46:34.240 --> 3:46:36.200
<v Speaker 2>because of radio. You know, he was a radio now

3:46:36.360 --> 3:46:39.360
<v Speaker 2>the DJ, I guess. And so Stu played with him,

3:46:39.440 --> 3:46:41.280
<v Speaker 2>but he played with everybody. I mean he knew you know,

3:46:41.920 --> 3:46:44.360
<v Speaker 2>Delayning Bramlet, and he had played over the years because stupid.

3:46:44.840 --> 3:46:47.200
<v Speaker 2>So Stu was playing drums for me because this guy

3:46:47.280 --> 3:46:49.760
<v Speaker 2>from Oklahoma who had helped me get my first demos

3:46:49.800 --> 3:46:54.200
<v Speaker 2>done through a guy at Western Recorder, United Western at

3:46:54.240 --> 3:46:55.959
<v Speaker 2>that time, those were where I made my first demo.

3:46:56.680 --> 3:46:59.360
<v Speaker 1>And wait, wait, wait wait this guy who helped you,

3:46:59.480 --> 3:47:02.480
<v Speaker 1>who paid for that out of the Western's a real studio.

3:47:02.760 --> 3:47:05.320
<v Speaker 2>Yeah no, No, what happened was this drummer I had,

3:47:05.400 --> 3:47:11.800
<v Speaker 2>Stuart h Stuart Perry replaced him because Richard Coffee, the

3:47:12.200 --> 3:47:15.160
<v Speaker 2>guy that I met through another guy from Tulsa. There's

3:47:15.160 --> 3:47:17.680
<v Speaker 2>this whole weird you know, Tulsa is a weird music scene.

3:47:17.760 --> 3:47:20.040
<v Speaker 2>They don't know, they don't know if they're over under

3:47:20.120 --> 3:47:23.160
<v Speaker 2>sideways down right there. Because the culture the continent meets,

3:47:23.520 --> 3:47:27.760
<v Speaker 2>it's the South meeting the northeast, Midwest. It's oil money,

3:47:27.920 --> 3:47:31.760
<v Speaker 2>it's big oil money. You know, the Phillips petroleum fortunes there,

3:47:31.879 --> 3:47:34.280
<v Speaker 2>Phillips sixty six men. They've got one of the great

3:47:34.400 --> 3:47:38.040
<v Speaker 2>museums of art there. But they are Oakie's you know.

3:47:38.480 --> 3:47:41.240
<v Speaker 2>On top of it. Leon Russell is the example, right,

3:47:41.280 --> 3:47:44.440
<v Speaker 2>he comes out of oak you know. So the drummer

3:47:44.560 --> 3:47:47.440
<v Speaker 2>Richard Coffee who's from Tulsa, who I've met through another

3:47:48.440 --> 3:47:51.360
<v Speaker 2>Tulsa character. They are characters, the guys that come up.

3:47:51.680 --> 3:47:54.640
<v Speaker 2>Even Tom Petty has a Tulsa connection. Mudd Coach went

3:47:54.720 --> 3:47:59.119
<v Speaker 2>through their right and Tom Petty. If I'm not mistaken

3:47:59.560 --> 3:48:03.600
<v Speaker 2>what I've Yeah, he played bass on a Tulsa record

3:48:03.720 --> 3:48:07.400
<v Speaker 2>by Dwight Twilley I'm on Fire, remember that, which had

3:48:07.480 --> 3:48:13.040
<v Speaker 2>Phil of course, I'm on fire. You record in l A.

3:48:13.640 --> 3:48:17.400
<v Speaker 2>Oh you don't, you don't, you don't, God.

3:48:17.360 --> 3:48:24.520
<v Speaker 1>No, no, Phil Seymour was really and then he put

3:48:24.560 --> 3:48:26.680
<v Speaker 1>out a solo album. Then he died very quickly.

3:48:26.800 --> 3:48:30.520
<v Speaker 2>Yeah, very he had cancer, I guess. And but but

3:48:30.640 --> 3:48:33.320
<v Speaker 2>he was the drummer for Dwight Twilley and and right,

3:48:33.480 --> 3:48:34.279
<v Speaker 2>but he also.

3:48:35.600 --> 3:48:37.960
<v Speaker 1>He also sang in a lot. I would see Dwight

3:48:38.080 --> 3:48:41.200
<v Speaker 1>Twilly at Madam Wong remember, Oh my.

3:48:41.360 --> 3:48:45.520
<v Speaker 2>God, And and well, Phil then had the plym Souls.

3:48:45.840 --> 3:48:48.800
<v Speaker 2>That was his band, right, Well, the Phillip.

3:48:48.640 --> 3:48:52.000
<v Speaker 1>Soles was the guy who went Folky and went on Geffen.

3:48:52.640 --> 3:48:55.440
<v Speaker 1>Oh God, what it was married to the woman? Uh

3:48:57.120 --> 3:48:58.600
<v Speaker 1>not lud Williams, l.

3:48:59.240 --> 3:49:04.240
<v Speaker 2>Williams somebody, somebody Williams, Williams, Lucinda.

3:49:05.240 --> 3:49:08.120
<v Speaker 1>No, it wasn't Lucinda. The name was Williams. How come

3:49:08.120 --> 3:49:10.160
<v Speaker 1>I can't remember the name. I'll look this up in

3:49:10.200 --> 3:49:11.840
<v Speaker 1>a minute. Because the guy from the Plimso has been

3:49:11.880 --> 3:49:14.960
<v Speaker 1>in La forever and he changed from being a rocker

3:49:15.720 --> 3:49:19.840
<v Speaker 1>to be a country Uh, Peter Case.

3:49:20.440 --> 3:49:24.000
<v Speaker 2>Peter Case, that was his band. You're right, the Plymsols

3:49:24.880 --> 3:49:28.240
<v Speaker 2>Phil Seymour, and I've misstated that a few times over

3:49:28.280 --> 3:49:30.920
<v Speaker 2>the years. If Phil just went on to Geffen and

3:49:31.000 --> 3:49:34.360
<v Speaker 2>had a solo thing, right Phil Seymour, I think it was.

3:49:35.040 --> 3:49:39.200
<v Speaker 2>I owned the album on Arista for some reason, but

3:49:39.280 --> 3:49:41.440
<v Speaker 2>it was all about Denny Cordell's stuff at that point,

3:49:41.760 --> 3:49:45.680
<v Speaker 2>which was Leon's label. Right. They shared Shelter Records, right,

3:49:46.240 --> 3:49:51.960
<v Speaker 2>and Denny Cordell, who is famous for Flippers the roller

3:49:52.080 --> 3:49:54.960
<v Speaker 2>rink right at the corner of Losienega and Santa Monica,

3:49:55.160 --> 3:49:58.480
<v Speaker 2>believe me, where they would have everybody. The King Be's

3:49:58.560 --> 3:50:00.440
<v Speaker 2>played in the middle because I knew those guys and

3:50:00.480 --> 3:50:02.320
<v Speaker 2>I would go watch him try and get out there

3:50:02.360 --> 3:50:04.600
<v Speaker 2>with their gear in the middle of the roller rink.

3:50:05.040 --> 3:50:07.160
<v Speaker 2>It was in the whole rage of you know, chaer

3:50:07.360 --> 3:50:10.240
<v Speaker 2>was in their roller skating and yeah, it's crazy.

3:50:10.520 --> 3:50:16.280
<v Speaker 1>Okay, anyway, so wait, wait, wait, King Be's Jamie Paul Warren.

3:50:16.760 --> 3:50:20.280
<v Speaker 1>They used to play everywhere all the time. As far

3:50:20.360 --> 3:50:23.800
<v Speaker 1>as Flipper's Roller Disco, I certainly went there and roller skated.

3:50:24.440 --> 3:50:28.920
<v Speaker 1>But you remember when Reagan was shot and they delayed

3:50:29.160 --> 3:50:34.400
<v Speaker 1>the oscars by one day, and that second day second

3:50:34.480 --> 3:50:36.680
<v Speaker 1>day was Prince at Flippers.

3:50:36.960 --> 3:50:41.960
<v Speaker 2>At Flippers, it was on the Dirty Mind album. My God,

3:50:42.280 --> 3:50:43.040
<v Speaker 2>I went there.

3:50:44.160 --> 3:50:47.640
<v Speaker 1>Maybe there were thirty people in the audience, and he did.

3:50:47.560 --> 3:50:48.240
<v Speaker 2>The whole act.

3:50:48.360 --> 3:50:52.240
<v Speaker 1>He was jumping on the bed and everything unbelievable.

3:50:51.920 --> 3:50:54.240
<v Speaker 2>In the middle of the roller rink. Well, that's la

3:50:54.600 --> 3:50:57.080
<v Speaker 2>and that's where we were, you know. It's nineteen eighty

3:50:57.080 --> 3:51:01.520
<v Speaker 2>eighty one, so eighty and then leads into yeah, eighty

3:51:01.600 --> 3:51:06.280
<v Speaker 2>to eighty one. Because I'd switched from playing driving air freight,

3:51:06.360 --> 3:51:10.960
<v Speaker 2>I took a job with United Couriers uci there were

3:51:11.000 --> 3:51:15.000
<v Speaker 2>that red dot I drilled bank checks right in the

3:51:15.160 --> 3:51:19.560
<v Speaker 2>Armored Car Company, you know. Anyway, because i'd started, I

3:51:19.560 --> 3:51:22.760
<v Speaker 2>had gone back to La City College, like I mentioned

3:51:22.760 --> 3:51:27.440
<v Speaker 2>to earlier, and was fooling around with that, and uh,

3:51:28.320 --> 3:51:31.320
<v Speaker 2>you know, thinking, well, I guess, you know, if it

3:51:31.400 --> 3:51:33.760
<v Speaker 2>doesn't happen by the time I'm thirty or thirty one,

3:51:33.760 --> 3:51:36.080
<v Speaker 2>I'm probably twenty seven. At that point, I'm thinking I

3:51:36.200 --> 3:51:41.000
<v Speaker 2>better at least re you know, recalibrate or something. And

3:51:41.200 --> 3:51:45.800
<v Speaker 2>so I am doing that at daytime. And Richard Coffee

3:51:46.040 --> 3:51:48.920
<v Speaker 2>leaves me with stupe Perry as a drummer, but he

3:51:49.040 --> 3:51:52.040
<v Speaker 2>also introduces me to a house engineer at United Western.

3:51:52.600 --> 3:51:56.840
<v Speaker 2>His name's Gordon Shryock, and he was this real tall, lanky,

3:51:56.960 --> 3:51:59.560
<v Speaker 2>like six to two, with a redheaded guy that had

3:51:59.720 --> 3:52:02.800
<v Speaker 2>curved red hair like a you know, a natural and

3:52:03.680 --> 3:52:08.160
<v Speaker 2>he had a band called the Mundane Willis World Review.

3:52:08.320 --> 3:52:11.040
<v Speaker 2>That's a very tulsa kind of take on life, The

3:52:11.200 --> 3:52:14.600
<v Speaker 2>Mundane Willis World Review. But he was a staff engineer

3:52:15.080 --> 3:52:18.600
<v Speaker 2>and he did Andre Crouch, he did Natalie Cole, you

3:52:18.680 --> 3:52:22.280
<v Speaker 2>know at United Western Engineering, right, I mean everybody. He

3:52:22.360 --> 3:52:26.160
<v Speaker 2>knew Leon really well, you know, and he heard me

3:52:26.320 --> 3:52:29.880
<v Speaker 2>sing and I played these songs. He said, now dig

3:52:31.280 --> 3:52:33.920
<v Speaker 2>and he said, that's good stuff. So he decided, he said,

3:52:33.960 --> 3:52:36.280
<v Speaker 2>but they're going to call this rock and roll because

3:52:36.280 --> 3:52:40.000
<v Speaker 2>it's so you know, hillbilly and we cut and they're

3:52:40.120 --> 3:52:45.600
<v Speaker 2>on my thirtieth anniversary re released The Guitarist Cadillacts and

3:52:45.760 --> 3:52:49.680
<v Speaker 2>on the box set in two thousand and two. I

3:52:49.720 --> 3:52:52.520
<v Speaker 2>think we put that out, a three or four CD

3:52:52.680 --> 3:52:55.600
<v Speaker 2>box set Reprise Please Baby. But they're on the re

3:52:55.720 --> 3:52:59.920
<v Speaker 2>release of The Guitars Cadillacts, the thirtieth anniversary Deluxe dish

3:53:00.160 --> 3:53:03.720
<v Speaker 2>of that, those demos and it's interesting to hear because

3:53:04.200 --> 3:53:11.160
<v Speaker 2>Gordon put together Glendy Harden on piano. And I'm getting

3:53:11.200 --> 3:53:13.720
<v Speaker 2>off driving I was still driving Airborne at that point.

3:53:13.760 --> 3:53:16.880
<v Speaker 2>Actually I was getting off to Airborne and going to

3:53:16.960 --> 3:53:19.960
<v Speaker 2>the United Western because he had SPEC time so there's

3:53:20.000 --> 3:53:22.840
<v Speaker 2>no charge. And he was he said, okay, well, if

3:53:22.880 --> 3:53:24.600
<v Speaker 2>we make this go, if I get you signed, if

3:53:24.640 --> 3:53:27.760
<v Speaker 2>I do, I'll I'll take half the publishing. You know,

3:53:27.840 --> 3:53:29.680
<v Speaker 2>he was going to own part of the public. That's

3:53:29.680 --> 3:53:31.400
<v Speaker 2>why we do it on the on the spec right,

3:53:32.160 --> 3:53:34.320
<v Speaker 2>And I said, oh, you know, okay, look back now,

3:53:34.480 --> 3:53:37.760
<v Speaker 2>so I don't know it. You know, I didn't didn't

3:53:37.800 --> 3:53:43.520
<v Speaker 2>give it away. And but but we cut I think

3:53:43.640 --> 3:53:48.800
<v Speaker 2>we cut eight or nine tracks in there, and and

3:53:48.880 --> 3:53:50.920
<v Speaker 2>he had some connections in Nashville, and I went down

3:53:50.960 --> 3:53:52.760
<v Speaker 2>there and pitched around and they just looked at me.

3:53:52.840 --> 3:53:59.040
<v Speaker 2>But I did. Glendie Harden on piano, David Mansfield played

3:53:59.080 --> 3:54:03.880
<v Speaker 2>fiddle and mandolin. Yeah, I mean, coming right off of

3:54:04.360 --> 3:54:07.640
<v Speaker 2>Days of Heaven, you know the film the Michael Chimino, right,

3:54:08.160 --> 3:54:12.720
<v Speaker 2>and he come out of David rolling thunder renew right,

3:54:12.960 --> 3:54:16.080
<v Speaker 2>He's I mean it was the Prodigy, but so David's

3:54:16.120 --> 3:54:19.560
<v Speaker 2>playing the mandolin fiddle on those demos, Glendy Harden on piano,

3:54:20.240 --> 3:54:23.080
<v Speaker 2>Jerry McGee on guitar, you know Jerry McGee from The

3:54:23.200 --> 3:54:27.840
<v Speaker 2>Ventures and Monkeys, and again a Wrecking Crew guy peripherally, uh,

3:54:27.960 --> 3:54:30.840
<v Speaker 2>and Robert Wilson, this young bass player out of New Orleans.

3:54:31.880 --> 3:54:34.560
<v Speaker 2>So that's what And then we had I'm trying to

3:54:34.560 --> 3:54:38.960
<v Speaker 2>remember the steel players that did it. So that's what

3:54:39.040 --> 3:54:41.920
<v Speaker 2>I'm doing. It didn't cost me anything. I showed up,

3:54:42.400 --> 3:54:44.800
<v Speaker 2>you know, after work night, and we cut in the

3:54:44.960 --> 3:54:48.200
<v Speaker 2>smallest room over there where we tracked at a parquet floor.

3:54:48.600 --> 3:54:52.880
<v Speaker 2>It's now Studio D because they have no it's now

3:54:53.120 --> 3:54:57.320
<v Speaker 2>Studio four, but it was, uh one is the big

3:54:57.400 --> 3:55:00.320
<v Speaker 2>room over there, Studio one, two, and then three Rick

3:55:00.400 --> 3:55:03.360
<v Speaker 2>Rubin Love's Studio two over there a lot that's a

3:55:03.560 --> 3:55:05.320
<v Speaker 2>I mean those studios and I would be standing and

3:55:05.400 --> 3:55:08.680
<v Speaker 2>I cut vocals then out in the big room which

3:55:08.800 --> 3:55:11.840
<v Speaker 2>Sinatra built. I learned a lot of this later. I'm like,

3:55:12.640 --> 3:55:15.440
<v Speaker 2>what an auspicious start to that I'm cutting for a

3:55:15.560 --> 3:55:18.280
<v Speaker 2>first time in a real studio in LA and it's

3:55:18.320 --> 3:55:21.720
<v Speaker 2>with this guy, Gordon SHROI all this Tulsa connection. And

3:55:22.040 --> 3:55:25.160
<v Speaker 2>so I did that, and they had those demos, you know,

3:55:26.920 --> 3:55:30.440
<v Speaker 2>in hand, and it kind of gone Nashville for a

3:55:30.520 --> 3:55:33.680
<v Speaker 2>brief time to visit. My dad was in Louisville. I

3:55:33.760 --> 3:55:37.680
<v Speaker 2>took his truck, got the Louisville and drove down and

3:55:37.840 --> 3:55:39.840
<v Speaker 2>drove to Nashville and spent days down there trying to

3:55:39.880 --> 3:55:41.880
<v Speaker 2>get somebody to listen and look at this stuff. And

3:55:42.000 --> 3:55:45.160
<v Speaker 2>it was the songs that made up parts of the

3:55:45.200 --> 3:55:48.520
<v Speaker 2>first three albums, you know. Eventually and a couple of

3:55:48.560 --> 3:55:50.600
<v Speaker 2>them we became big hits. And they just kind of

3:55:50.640 --> 3:55:53.520
<v Speaker 2>looked at it and blinked and didn't quite know what

3:55:53.640 --> 3:55:54.920
<v Speaker 2>to make of me or what to do with it

3:55:55.560 --> 3:55:58.640
<v Speaker 2>and that's when things changed and we can pick it

3:55:58.720 --> 3:55:59.600
<v Speaker 2>up on the next one.

3:56:00.120 --> 3:56:02.120
<v Speaker 1>Yes, Dwight, I think we've come to the end of

3:56:02.160 --> 3:56:06.000
<v Speaker 1>the feeling we've known. There's a whole nother story when

3:56:06.040 --> 3:56:09.240
<v Speaker 1>you emerge on the national stage. We'll get back to that.

3:56:09.800 --> 3:56:12.120
<v Speaker 2>We want to thank you. The other side of the hills,

3:56:12.960 --> 3:56:14.920
<v Speaker 2>on the Hollywood side of the hills.

3:56:14.720 --> 3:56:18.600
<v Speaker 1>Well, you know, then there's there's that, and then there's

3:56:18.840 --> 3:56:22.840
<v Speaker 1>the twenty first century, which we're still figuring out on.

3:56:22.960 --> 3:56:23.880
<v Speaker 2>So many levels.

3:56:24.040 --> 3:56:26.560
<v Speaker 1>From one, I mean, you had, you had a kid,

3:56:26.760 --> 3:56:29.160
<v Speaker 1>so it makes sense the rest of us are still

3:56:29.240 --> 3:56:31.960
<v Speaker 1>wandering through the universe trying to figure out what's going on.

3:56:32.720 --> 3:56:36.480
<v Speaker 2>I don't know, but the kid just looks at me.

3:56:36.560 --> 3:56:41.920
<v Speaker 2>He was on the phone with them, Okay, daddy, hang up, daddy.

3:56:43.400 --> 3:56:46.680
<v Speaker 1>Oh little kids, right right right then I hung.

3:56:46.680 --> 3:56:48.920
<v Speaker 2>Up on me, and then she mayn't call back. I'm sorry.

3:56:49.560 --> 3:56:54.720
<v Speaker 2>You don't ever have to apologize to me, just anyone.

3:56:54.840 --> 3:56:57.120
<v Speaker 1>Well, I'll let you get back home to him.

3:56:57.320 --> 3:56:59.960
<v Speaker 2>Well, I'm actually head of the studio. I'm gonna stop

3:57:00.080 --> 3:57:02.760
<v Speaker 2>there and go I'm trying to finish his record. So

3:57:03.360 --> 3:57:07.400
<v Speaker 2>but you know, Bob, thank you for having me and

3:57:07.760 --> 3:57:08.440
<v Speaker 2>it's it's.

3:57:08.520 --> 3:57:14.480
<v Speaker 1>Well, it's great talking to you because it makes all

3:57:14.600 --> 3:57:17.000
<v Speaker 1>that stuff that I have in my brain important than

3:57:17.040 --> 3:57:18.320
<v Speaker 1>my parents. You know, what, are you going to stop

3:57:18.360 --> 3:57:21.480
<v Speaker 1>buying records for this girl I lived with? I didn't

3:57:21.480 --> 3:57:24.680
<v Speaker 1>think I was moving in with your records and you

3:57:24.760 --> 3:57:29.320
<v Speaker 1>know all these cultural references that means so much to us.

3:57:29.760 --> 3:57:31.240
<v Speaker 2>We got to talk about that, and we've got to

3:57:31.240 --> 3:57:34.120
<v Speaker 2>talk about free and how good all right now? Is?

3:57:35.240 --> 3:57:38.440
<v Speaker 2>I mean the stuff that we That's the best song

3:57:38.560 --> 3:57:41.600
<v Speaker 2>ever played on a state fair, County fair in Midway

3:57:42.040 --> 3:57:44.920
<v Speaker 2>because you know who play the guy doing the Himalayan ride?

3:57:44.960 --> 3:57:48.640
<v Speaker 2>Remember that ride? The Hemmel was the sled Because I

3:57:48.800 --> 3:57:52.680
<v Speaker 2>was not a ride freak. I'd get motion sick real quick.

3:57:53.520 --> 3:57:56.040
<v Speaker 2>But that ride with the mirror balloman and the guy

3:57:56.200 --> 3:57:59.600
<v Speaker 2>was up there ex connor and escape the microphone around

3:57:59.640 --> 3:58:02.960
<v Speaker 2>his neck, going you want to go faster? That's all

3:58:02.960 --> 3:58:05.920
<v Speaker 2>I would yell, and it would be all right.

3:58:05.840 --> 3:58:09.400
<v Speaker 1>Now, Well the other thing do you have? It was

3:58:09.440 --> 3:58:12.440
<v Speaker 1>a double CD. Now there are no CDs. There's a

3:58:12.600 --> 3:58:17.280
<v Speaker 1>free anthology called Molten Gold. I was a free fan.

3:58:17.680 --> 3:58:21.280
<v Speaker 1>I bought that album Fire and Water. There is shiit

3:58:21.440 --> 3:58:25.880
<v Speaker 1>on that album. You know there's I'll be Creeping.

3:58:28.280 --> 3:58:29.880
<v Speaker 2>All I knew was all right now.

3:58:30.200 --> 3:58:32.560
<v Speaker 1>Okay, and they have the Steeler. Do you know the Steeler?

3:58:32.800 --> 3:58:35.600
<v Speaker 2>I've heard the Steeler because.

3:58:35.320 --> 3:58:37.880
<v Speaker 1>Even Bob, you know, Bob Secret had all those Bob

3:58:37.920 --> 3:58:42.600
<v Speaker 1>Segart was on Capitol, went to Warner Brothers, then back

3:58:42.640 --> 3:58:46.680
<v Speaker 1>to Capitol when he went back to the Capitol, right yeah, okay,

3:58:47.040 --> 3:58:50.440
<v Speaker 1>well the Silver Bullet Man was on Capitol, right.

3:58:50.640 --> 3:58:51.680
<v Speaker 2>Yes, that was.

3:58:52.200 --> 3:58:55.240
<v Speaker 1>He came back with the Beautiful Loser album in nineteen

3:58:55.320 --> 3:58:59.240
<v Speaker 1>seventy five, right, But all the albums that he made

3:58:59.320 --> 3:59:05.200
<v Speaker 1>on Warner others he refuses to release really, which is

3:59:05.480 --> 3:59:06.000
<v Speaker 1>just pause.

3:59:06.240 --> 3:59:08.120
<v Speaker 2>You and I have to talk about the insanity of

3:59:08.280 --> 3:59:12.360
<v Speaker 2>fighting streaming. Come on, you know it's not that horse

3:59:12.440 --> 3:59:14.920
<v Speaker 2>is at the barn. You're not going to bring it back,

3:59:15.640 --> 3:59:16.200
<v Speaker 2>you know what I mean.

3:59:16.800 --> 3:59:18.800
<v Speaker 1>And it's like the song believe I know I mean,

3:59:18.880 --> 3:59:22.080
<v Speaker 1>but people don't know. I'm back in seventy two, which

3:59:22.160 --> 3:59:23.040
<v Speaker 1>is a great album.

3:59:23.200 --> 3:59:23.520
<v Speaker 2>Was that on.

3:59:25.680 --> 3:59:28.760
<v Speaker 1>The Katmandu was on Beautiful Loser and then on Live

3:59:28.840 --> 3:59:34.720
<v Speaker 1>Bullet in seventy five six? Okay, but the original version

3:59:34.800 --> 3:59:37.440
<v Speaker 1>of Turned the Page, which is now seen as a

3:59:37.520 --> 3:59:39.560
<v Speaker 1>Metallica song, do you know that song.

3:59:40.120 --> 3:59:44.360
<v Speaker 2>Yeah, ohly, I know Bob Seger's good loop Segret. It's

3:59:44.680 --> 3:59:49.000
<v Speaker 2>it's haunting, it's unbelievable to turn the page, Seeger. And

3:59:49.120 --> 3:59:52.400
<v Speaker 2>that's that Detroit stuff, because you know, Seeger was working

3:59:52.480 --> 3:59:56.680
<v Speaker 2>with Mitch Ryder when he was and Mit Mitch oh

3:59:56.880 --> 3:59:59.840
<v Speaker 2>Man and Pete told me a story when he said

4:00:00.080 --> 4:00:03.240
<v Speaker 2>want and saw the writer ramp through the Peppermint Lounge

4:00:03.280 --> 4:00:07.120
<v Speaker 2>and then just released Jenny Jenny, and you know, right

4:00:07.200 --> 4:00:10.640
<v Speaker 2>right right, he said. And they came on stage, he said,

4:00:10.800 --> 4:00:13.360
<v Speaker 2>the Fox, we're all down there in Detroit, and he said,

4:00:13.400 --> 4:00:15.800
<v Speaker 2>we're all jit he said. And they come on stage

4:00:16.120 --> 4:00:18.680
<v Speaker 2>and they stand with their backs to the audience and

4:00:18.840 --> 4:00:22.120
<v Speaker 2>start playing with their backs to the audience. He said.

4:00:22.240 --> 4:00:24.640
<v Speaker 2>They do one whole song, they do another song there

4:00:24.640 --> 4:00:27.680
<v Speaker 2>in the third song, and they won't turn around. Now,

4:00:27.760 --> 4:00:31.480
<v Speaker 2>he said, Detroit people are throwing shoes and throwing shit,

4:00:31.560 --> 4:00:35.120
<v Speaker 2>and he said, and all Seger did was hold his

4:00:35.440 --> 4:00:38.200
<v Speaker 2>middle finger up over his shoulder and keep singing with

4:00:38.320 --> 4:00:41.280
<v Speaker 2>his back to the ground, he said. And then when

4:00:41.320 --> 4:00:45.080
<v Speaker 2>they turned around on the next song, he said, the

4:00:45.240 --> 4:00:49.280
<v Speaker 2>place came apart. And I said, well, that's theater, right,

4:00:49.680 --> 4:00:50.280
<v Speaker 2>that's theater.

4:00:50.400 --> 4:00:52.160
<v Speaker 1>Well, Okay, I got to tell you one more story.

4:00:52.240 --> 4:00:57.240
<v Speaker 1>My friend Richard Griffiths, who ran Virgin Publishing and Epic

4:00:57.480 --> 4:00:59.680
<v Speaker 1>and as a maniter in one direction a million other

4:00:59.760 --> 4:01:03.320
<v Speaker 1>ates at this point, started out as an agent and

4:01:03.440 --> 4:01:07.040
<v Speaker 1>he was the agent for Backstreet Crawler, which was Paul

4:01:07.160 --> 4:01:11.280
<v Speaker 1>cass Off, a Freeze group after free broke up. Now

4:01:11.480 --> 4:01:15.760
<v Speaker 1>Paul was he not the bass player, the kid, no please,

4:01:15.800 --> 4:01:16.560
<v Speaker 1>the guitar player.

4:01:16.640 --> 4:01:19.440
<v Speaker 2>Okay, but the kid bass player you know, wrote that

4:01:19.600 --> 4:01:21.560
<v Speaker 2>in the dressing room. They came right right, right right,

4:01:21.640 --> 4:01:23.560
<v Speaker 2>said we got to have something up to go off. Well,

4:01:23.560 --> 4:01:26.400
<v Speaker 2>we can't just keep going off with blues. It's down man,

4:01:26.720 --> 4:01:28.600
<v Speaker 2>And he's walking around banging and.

4:01:32.440 --> 4:01:35.360
<v Speaker 1>Listen Chris Blackwell, who they were on island, He says

4:01:35.480 --> 4:01:37.760
<v Speaker 1>they were the best act. That was the best act

4:01:37.840 --> 4:01:39.960
<v Speaker 1>he had. They were just too young free well.

4:01:40.240 --> 4:01:43.200
<v Speaker 2>But in any event, never not had a hit with

4:01:43.320 --> 4:01:46.160
<v Speaker 2>anything he's ever done, any band. It was the next

4:01:46.200 --> 4:01:47.720
<v Speaker 2>one's bad company. Well.

4:01:47.720 --> 4:01:51.200
<v Speaker 1>The other thing about Paul Rodgers is he can still sing.

4:01:51.480 --> 4:01:55.480
<v Speaker 1>Oh man, I mean most of those guys cannot, but

4:01:55.960 --> 4:01:56.440
<v Speaker 1>he can.

4:01:56.440 --> 4:02:00.560
<v Speaker 2>Still deliver about Paul Rogers was sitting somewhere with me

4:02:00.720 --> 4:02:04.680
<v Speaker 2>just it's weird. Because they'd asked me to do this

4:02:04.880 --> 4:02:07.360
<v Speaker 2>duet thing he's doing and we're trying to schedule and

4:02:07.720 --> 4:02:09.680
<v Speaker 2>them coming in and out. I think he might have

4:02:09.720 --> 4:02:12.400
<v Speaker 2>had a little bit of help. Stuff go on. There's

4:02:12.400 --> 4:02:14.440
<v Speaker 2>a Paul Rodgers album on foot that he's going to

4:02:14.480 --> 4:02:17.160
<v Speaker 2>do what And I said, man, I'm are you kidding?

4:02:18.200 --> 4:02:20.840
<v Speaker 2>Just a school boy when I heard his very beetlestall

4:02:21.480 --> 4:02:21.840
<v Speaker 2>love him?

4:02:21.960 --> 4:02:23.360
<v Speaker 1>Oh think it wasn't from there.

4:02:23.360 --> 4:02:25.200
<v Speaker 2>It didn't take him long, don't you know?

4:02:26.240 --> 4:02:27.000
<v Speaker 1>Don't you know?

4:02:27.880 --> 4:02:33.080
<v Speaker 2>Don't you know shooting that? You are shooting stuff, don't

4:02:33.160 --> 4:02:33.400
<v Speaker 2>you know?

4:02:34.320 --> 4:02:39.000
<v Speaker 1>Ye Oh God? In the second side, good loving, gone bad,

4:02:39.440 --> 4:02:42.400
<v Speaker 1>all of it. And on the first album s the

4:02:42.560 --> 4:02:43.920
<v Speaker 1>Firm What chi mean, Paige?

4:02:44.480 --> 4:02:44.600
<v Speaker 2>Right?

4:02:44.760 --> 4:02:46.240
<v Speaker 1>Absolutely they had a hit.

4:02:46.320 --> 4:02:50.160
<v Speaker 2>Then he did in the nineties Bobby did the Law

4:02:50.360 --> 4:02:52.240
<v Speaker 2>and they had a hit laying.

4:02:52.080 --> 4:02:55.760
<v Speaker 1>Down the law. Yeah, I know because the same manager

4:02:55.880 --> 4:02:59.320
<v Speaker 1>is the manager of Ceezy top All was the one

4:03:00.120 --> 4:03:00.760
<v Speaker 1>send me the record.

4:03:00.840 --> 4:03:01.680
<v Speaker 2>I still have the record.

4:03:01.760 --> 4:03:05.880
<v Speaker 1>You can't even find that. But in any event, so

4:03:06.120 --> 4:03:11.080
<v Speaker 1>he's the manager for he's the agent. Paul Kasof is

4:03:11.160 --> 4:03:14.680
<v Speaker 1>the act. Paul Kassoff dies on the plane from New

4:03:14.800 --> 4:03:21.680
<v Speaker 1>York to London. The opening act is ac DC, but

4:03:21.840 --> 4:03:26.680
<v Speaker 1>the headliner is gone. A CDC says, we're going on

4:03:26.960 --> 4:03:32.040
<v Speaker 1>anyway in this club, okay, there are five people there.

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<v Speaker 1>You walk down the stairs and to this club in England. Okay,

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<v Speaker 1>they do the whole fucking act. They carry uh what's

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<v Speaker 1>his name around on the shoulders. You know, they're playing

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<v Speaker 1>blah blah blah. As soon as yeah, as soon as

4:03:46.600 --> 4:03:50.880
<v Speaker 1>the act is over, angus young. So as soon as

4:03:50.920 --> 4:03:55.240
<v Speaker 1>it's over, the five people, the five people run out

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<v Speaker 1>of the building and my friend is freaking out, not home.

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<v Speaker 1>Did the guy died? Five people came and they immediately left.

4:04:04.560 --> 4:04:06.000
<v Speaker 2>What they didn't know was.

4:04:07.520 --> 4:04:10.000
<v Speaker 1>They were so blown away that all those five people

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<v Speaker 1>ran out to the phone booth. They called me and said,

4:04:12.440 --> 4:04:14.360
<v Speaker 1>you're not going to believe this. You have to come

4:04:14.480 --> 4:04:18.640
<v Speaker 1>back for the second show completely full. But he got

4:04:18.720 --> 4:04:20.080
<v Speaker 1>fired as the agent anyway.

4:04:21.360 --> 4:04:22.720
<v Speaker 2>Yeah, oh.

4:04:24.120 --> 4:04:28.000
<v Speaker 1>Yeah, yeah, but you talk about theater, it used to

4:04:28.160 --> 4:04:31.520
<v Speaker 1>be you had to go see the act, Yeah, because

4:04:31.600 --> 4:04:34.920
<v Speaker 1>they would never play certain songs from the album again,

4:04:35.480 --> 4:04:37.720
<v Speaker 1>and you would come home and tell people say you're

4:04:37.760 --> 4:04:39.760
<v Speaker 1>not going to believe it. Yeah, it's like I remember

4:04:39.840 --> 4:04:43.600
<v Speaker 1>seeing Ziggy stardust Rales Cooper Killer.

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<v Speaker 2>So you're not going to believe it.

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<v Speaker 1>You have to come with me the next time. Now,

4:04:46.880 --> 4:04:49.080
<v Speaker 1>there's none of that because everybody sees everything.

4:04:49.600 --> 4:04:53.600
<v Speaker 2>Yeah, yeah, they think they did, but there's still nothing

4:04:53.680 --> 4:04:56.560
<v Speaker 2>like it live. You see it live. I saw Steely

4:04:56.680 --> 4:04:59.720
<v Speaker 2>Dan in Ohio State. They came out with that second

4:04:59.760 --> 4:05:02.040
<v Speaker 2>A in their debut. They said, here's something new. We're

4:05:02.080 --> 4:05:04.720
<v Speaker 2>just cutting it with Ricky, don't lose that number. And

4:05:04.880 --> 4:05:07.400
<v Speaker 2>I was up in the upper deck of that arena

4:05:07.560 --> 4:05:10.640
<v Speaker 2>was an old where the old basketball arena, and it

4:05:10.720 --> 4:05:12.520
<v Speaker 2>was up there in the nose but in Washington, And

4:05:12.560 --> 4:05:15.840
<v Speaker 2>as soon as you heard, We're like, Wow, that's a hit,

4:05:16.120 --> 4:05:18.520
<v Speaker 2>It's like, Ricky, don't lose.

4:05:19.560 --> 4:05:22.640
<v Speaker 1>Okay, one final question, We're gonna go, who have you

4:05:22.920 --> 4:05:24.960
<v Speaker 1>not met that you'd like to meet?

4:05:25.640 --> 4:05:35.600
<v Speaker 2>Alive? Wow? Alive? That's the trick because there are people

4:05:35.680 --> 4:05:37.800
<v Speaker 2>that I've not had the chance to meet that died

4:05:37.920 --> 4:05:40.480
<v Speaker 2>that I would have maybe had a chance to meet.

4:05:41.600 --> 4:05:44.840
<v Speaker 2>I'm trying to think of it as anybody that I've

4:05:44.880 --> 4:05:49.920
<v Speaker 2>actually I've met, Robert plant Uh and you know Fan Up,

4:05:50.120 --> 4:05:56.560
<v Speaker 2>you know guys somebody that used that he's deceased. God,

4:05:56.560 --> 4:05:59.120
<v Speaker 2>I would have loved to met Sam Cook. You know,

4:05:59.360 --> 4:06:02.880
<v Speaker 2>I'm i'm, I'm bending the margins here for your parameters.

4:06:02.920 --> 4:06:06.520
<v Speaker 2>But but I just think that's one of the tragedies

4:06:06.800 --> 4:06:10.720
<v Speaker 2>of early death ever. And what a pinky weird deal

4:06:10.840 --> 4:06:13.840
<v Speaker 2>that was, you know. And and it's still this dad

4:06:14.000 --> 4:06:16.840
<v Speaker 2>thing somewhat dubious as to how he got set up,

4:06:17.120 --> 4:06:19.960
<v Speaker 2>you know, that night with it. I mean, when you

4:06:20.080 --> 4:06:23.400
<v Speaker 2>think about what he did, what he was doing the

4:06:23.520 --> 4:06:26.320
<v Speaker 2>father of so really Sam Cook, you know, in terms

4:06:26.360 --> 4:06:30.120
<v Speaker 2>of taking gospel style stuff and bringing I mean, what

4:06:30.320 --> 4:06:33.960
<v Speaker 2>he was doing the songs he wrote. Bob, I mean, anyway,

4:06:34.080 --> 4:06:37.200
<v Speaker 2>so you you limited me to somebody alive, you know

4:06:37.280 --> 4:06:38.880
<v Speaker 2>what I'll know the next time we talk.

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<v Speaker 1>Okay, we'll leave it here, otherwise we'll be talking into

4:06:42.800 --> 4:06:45.840
<v Speaker 1>the next century. In any event, I want to thank.

4:06:45.680 --> 4:06:46.160
<v Speaker 2>You, Dwight.

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<v Speaker 1>Till next time. This is Bob left Sex