1 00:00:00,120 --> 00:00:03,040 Speaker 1: Hello the Internet, and welcome to season three, episode two 2 00:00:03,160 --> 00:00:07,080 Speaker 1: of The Daily Zeitgeist for October seventeen. My name is 3 00:00:07,160 --> 00:00:10,520 Speaker 1: Jack O'Brien a K A Potatoes O'Brien a K A 4 00:00:10,720 --> 00:00:13,920 Speaker 1: young jackfruit a k A Obi one play no D 5 00:00:14,160 --> 00:00:18,680 Speaker 1: and I am joined by my co host, Mr Miles Gray. Yes, 6 00:00:18,760 --> 00:00:21,160 Speaker 1: your boys in the building, Miles Gray, a K A 7 00:00:21,280 --> 00:00:25,720 Speaker 1: young boy kusama a k A Yoko. Oh no you didn't. 8 00:00:26,160 --> 00:00:28,680 Speaker 1: That's a new one for you. I love it. And 9 00:00:29,000 --> 00:00:31,760 Speaker 1: in our third seat today, we're thrilled to be joined 10 00:00:31,760 --> 00:00:35,600 Speaker 1: by Jamie Loftus. Hello, a k A. Jerry lor Bach. 11 00:00:36,800 --> 00:00:39,879 Speaker 1: Jerry Lorba. Yeah, yeah, yeah, where did that name come from? 12 00:00:39,960 --> 00:00:45,520 Speaker 1: Jerry lor Bach? I'm Jerry Orbach, equal twins, still alive. 13 00:00:45,920 --> 00:00:49,040 Speaker 1: His eyes are in someone's head, right and but yeah, 14 00:00:49,080 --> 00:00:52,640 Speaker 1: you're looking at him, maybe Jerry lor Bach. Jamie, what's 15 00:00:52,640 --> 00:00:55,400 Speaker 1: something that you've searched for in the past couple of 16 00:00:55,440 --> 00:00:57,720 Speaker 1: days that is revealing of who you are as a 17 00:00:57,840 --> 00:01:00,280 Speaker 1: human being? Oh boy? Okay, So last night it I 18 00:01:00,520 --> 00:01:03,160 Speaker 1: uh there was Dateline was on at a bar because 19 00:01:03,200 --> 00:01:07,039 Speaker 1: that's the kind of bar I frequent, and it's my 20 00:01:07,120 --> 00:01:10,240 Speaker 1: favorite season. I watched Dateline religiously but it's my favorite 21 00:01:10,240 --> 00:01:13,640 Speaker 1: season for Dateline because Lester Holt is wearing like really 22 00:01:13,720 --> 00:01:17,319 Speaker 1: thick turtlenecks and Keith Morrison was reporting. So I I 23 00:01:17,360 --> 00:01:21,640 Speaker 1: looked up one of my old favorite Instagram accounts, Keith 24 00:01:21,720 --> 00:01:25,160 Speaker 1: leans on Things, where Keith Morrison has found leaning on 25 00:01:25,360 --> 00:01:29,680 Speaker 1: really every object you can imagine anything. He's it's a 26 00:01:29,920 --> 00:01:33,679 Speaker 1: he can he is in control of his body because 27 00:01:33,880 --> 00:01:36,360 Speaker 1: these things he's leaning on are not always stable. There's 28 00:01:36,360 --> 00:01:39,280 Speaker 1: a picture of him leaning on a leaf, like a 29 00:01:39,400 --> 00:01:44,040 Speaker 1: large palm leaf. He's in total control and uh and uh, 30 00:01:44,080 --> 00:01:46,600 Speaker 1: and he's hot. I just like to think he's incapable 31 00:01:46,640 --> 00:01:49,440 Speaker 1: of standing, so he always has to sort of it's 32 00:01:49,480 --> 00:01:52,720 Speaker 1: actually like this just like propped up there all and 33 00:01:52,800 --> 00:01:55,720 Speaker 1: we're gonna he's got like a faulty leg. I feel like, 34 00:01:55,800 --> 00:01:57,720 Speaker 1: let's not rule out that he has like little hollow 35 00:01:57,760 --> 00:02:00,000 Speaker 1: bird bones, you know, like he might just he might 36 00:02:00,000 --> 00:02:01,920 Speaker 1: just be trying to ground himself somewhere so it doesn't 37 00:02:01,920 --> 00:02:05,880 Speaker 1: blow away. He is the guy who Bill Hayter does 38 00:02:05,920 --> 00:02:12,640 Speaker 1: the impression of right, yeah, yeah, flawlessly yeah, uh so overrated, underrated? 39 00:02:12,720 --> 00:02:16,640 Speaker 1: What what do you got for your Alright? My ovie 40 00:02:17,120 --> 00:02:21,160 Speaker 1: is uh weird Al's music being used on The Walking Dead. 41 00:02:21,520 --> 00:02:25,320 Speaker 1: I think, man, what a what a dumb I can't man, 42 00:02:25,480 --> 00:02:27,960 Speaker 1: I've what do you meet? Wait? They used it like 43 00:02:27,960 --> 00:02:31,400 Speaker 1: as a theme song? They used it during an episode? 44 00:02:31,400 --> 00:02:34,560 Speaker 1: What song did they use again? Another one rides the Bus? 45 00:02:35,240 --> 00:02:40,200 Speaker 1: Incredible creative genius weird Aled. Did they use it as 46 00:02:40,200 --> 00:02:42,480 Speaker 1: like a music bed to a scene or like it 47 00:02:42,520 --> 00:02:44,600 Speaker 1: was ambient within the scene, like they just happened to 48 00:02:44,639 --> 00:02:46,280 Speaker 1: be in a car that was playing weird Now. I'm 49 00:02:46,280 --> 00:02:48,799 Speaker 1: pretty sure it was like using it as a bed 50 00:02:48,919 --> 00:02:53,639 Speaker 1: under a scene like wow, yeah, okay cool. Potentially accidentally, 51 00:02:53,720 --> 00:02:58,920 Speaker 1: I don't know, maybe they thought they were using another one. 52 00:02:59,320 --> 00:03:02,160 Speaker 1: It got to the point they cheaper for licensing, like 53 00:03:02,280 --> 00:03:06,040 Speaker 1: its alternative but overrated weird Al in general, if you 54 00:03:06,160 --> 00:03:08,799 Speaker 1: if you're over eight years old and still about that life, 55 00:03:09,320 --> 00:03:11,680 Speaker 1: uh maybe maybe time to grow up. I'm sorry, I 56 00:03:11,800 --> 00:03:16,000 Speaker 1: personally don't add me. I don't have me bro I 57 00:03:16,440 --> 00:03:21,360 Speaker 1: personally and of the same mind. I'm not a huge 58 00:03:21,760 --> 00:03:25,720 Speaker 1: weird alfan. I haven't been since I was like eight. 59 00:03:28,360 --> 00:03:32,160 Speaker 1: I'm sorry, Yeah, I mean sitting on stacks of New York. 60 00:03:33,600 --> 00:03:37,119 Speaker 1: Jack's whole outfit is made of economist covers, but like, yeah, 61 00:03:37,160 --> 00:03:39,960 Speaker 1: I liked weird out as a kid. You're right, but 62 00:03:40,000 --> 00:03:41,680 Speaker 1: I think I wrote it out to at least thirteen. 63 00:03:41,720 --> 00:03:43,080 Speaker 1: I wasn't like one of these. I didn't jump off 64 00:03:43,120 --> 00:03:45,960 Speaker 1: the ship at eight. Like after Amish Paradise, I was like, Okay, 65 00:03:46,000 --> 00:03:49,320 Speaker 1: we're good. There's there's men in there are thirties who 66 00:03:49,320 --> 00:03:52,600 Speaker 1: are still like firmly like, how could you not want 67 00:03:52,640 --> 00:03:54,880 Speaker 1: to listen to this with me in my car? Like, 68 00:03:55,720 --> 00:03:59,680 Speaker 1: I don't know, listen, I'm going to some real sinister dates. 69 00:04:00,360 --> 00:04:02,240 Speaker 1: Go to a bar that plays Dateline on the TV 70 00:04:02,320 --> 00:04:03,440 Speaker 1: and there's like, hey, you really want to go to 71 00:04:03,480 --> 00:04:07,240 Speaker 1: my cart? Is some weird what a time to be alive? 72 00:04:08,120 --> 00:04:12,560 Speaker 1: What's underrated? My my undy would be? And this is 73 00:04:12,600 --> 00:04:15,000 Speaker 1: just something that I've been listening to a lot recently. 74 00:04:15,560 --> 00:04:20,560 Speaker 1: Is the music of Yanni? I feel like no, because 75 00:04:20,640 --> 00:04:23,719 Speaker 1: you can't ov the music of Yanni, But I feel 76 00:04:23,720 --> 00:04:26,160 Speaker 1: like people will talk about his music. It doesn't come 77 00:04:26,200 --> 00:04:28,200 Speaker 1: up enough in my regular life. Hold on what's like 78 00:04:28,200 --> 00:04:32,080 Speaker 1: a Yanni jam? Because I think most people dismiss Yanni. 79 00:04:32,160 --> 00:04:34,400 Speaker 1: Actually it's true, like by just looking at him and 80 00:04:34,400 --> 00:04:37,039 Speaker 1: they're like, oh that's not for me. That's they do 81 00:04:37,120 --> 00:04:38,839 Speaker 1: the same thing to Kenny G where it's just like 82 00:04:38,920 --> 00:04:42,000 Speaker 1: the men are very talented. I feel like Yanni should 83 00:04:42,000 --> 00:04:44,520 Speaker 1: be just as in pop culture as Kenny G is, 84 00:04:44,520 --> 00:04:46,080 Speaker 1: because at least he's like, you know, he's in like 85 00:04:46,120 --> 00:04:48,720 Speaker 1: funny or Die stuff. He's all over the place, Yanni 86 00:04:48,880 --> 00:04:51,760 Speaker 1: Yanni Like maybe it's personal preference where he's like, actually, 87 00:04:51,760 --> 00:04:54,520 Speaker 1: I'm going to keep it real. I'm a musician, but 88 00:04:54,560 --> 00:04:57,200 Speaker 1: I feel like Yanni should be everywhere. Well, it's not 89 00:04:57,240 --> 00:04:59,080 Speaker 1: shout out to KENNYGI because he's mastally. The art of 90 00:04:59,120 --> 00:05:01,880 Speaker 1: circular breathing. So someone who's played a woodwind or trumpet 91 00:05:01,880 --> 00:05:04,800 Speaker 1: instrument to sustain a note for however like an hour 92 00:05:04,960 --> 00:05:08,280 Speaker 1: or however long he did that, that's that's that's some techers. 93 00:05:08,320 --> 00:05:10,800 Speaker 1: Wait what did you play? I played trumpet? I played 94 00:05:11,520 --> 00:05:14,040 Speaker 1: did Yeah? Good for you. Did you make your own reads? 95 00:05:14,640 --> 00:05:16,880 Speaker 1: I did make my own? Oh so you're about that life. 96 00:05:16,920 --> 00:05:19,520 Speaker 1: I was about that life. Circular breathing is I mean 97 00:05:19,560 --> 00:05:23,200 Speaker 1: I never arrived there. I couldn't either. It's in depth, 98 00:05:23,320 --> 00:05:25,240 Speaker 1: we can't. But making reads is crazy because I was 99 00:05:25,279 --> 00:05:28,120 Speaker 1: in high school and my band and start literally gave 100 00:05:28,160 --> 00:05:29,839 Speaker 1: me a knife, which you should not do. The high 101 00:05:29,839 --> 00:05:31,920 Speaker 1: schooler but you need a knife to make a read. 102 00:05:32,000 --> 00:05:33,960 Speaker 1: So He's just like, and now I give you a 103 00:05:34,000 --> 00:05:37,160 Speaker 1: teenager a knife that was only he aspired later that 104 00:05:37,279 --> 00:05:40,640 Speaker 1: I had. I had the only sanctioned knife in the 105 00:05:40,760 --> 00:05:44,920 Speaker 1: entire high school. Really regretting, uh, jumping on the same 106 00:05:44,960 --> 00:05:48,280 Speaker 1: bandwagon as as you with your musical taste with the 107 00:05:48,360 --> 00:05:51,640 Speaker 1: weird al thing. Now that you're going pro Yanni and 108 00:05:51,920 --> 00:05:56,040 Speaker 1: I'm taking that weird al. I'm lifting up Yanni and 109 00:05:56,240 --> 00:05:58,440 Speaker 1: Kenny g I mean, Kenny g Is is a master, 110 00:05:58,560 --> 00:06:00,279 Speaker 1: but he gets he gets a lot of it. Ten shinn. 111 00:06:00,320 --> 00:06:03,440 Speaker 1: Yanni doesn't get the attention he deserves. Does Yanni have 112 00:06:03,440 --> 00:06:06,200 Speaker 1: anything to do with the Yanni Steam? That's why I've 113 00:06:06,240 --> 00:06:10,120 Speaker 1: been thinking about Yanni a lot, because I'm getting a 114 00:06:10,320 --> 00:06:13,760 Speaker 1: Yanni Steam. I've purchased a Yanni Egg, which is just 115 00:06:13,839 --> 00:06:17,080 Speaker 1: the vagina rock that is supposed to give you superpowers 116 00:06:17,160 --> 00:06:19,839 Speaker 1: or something. And uh, and so I've been thinking a 117 00:06:19,839 --> 00:06:22,120 Speaker 1: lot about Yanni. I'm gonna listen to Yanni while I've 118 00:06:22,160 --> 00:06:27,480 Speaker 1: got team exactly like, yeah, why is it called the 119 00:06:27,520 --> 00:06:30,719 Speaker 1: Yanni Steam? And also tell people what the Yanni Steam is? Okay, 120 00:06:30,760 --> 00:06:34,920 Speaker 1: So I am getting a Yanni Steam tomorrow, which is basically, uh, 121 00:06:35,120 --> 00:06:39,000 Speaker 1: as I understand it. It's just blowing steam up your 122 00:06:39,080 --> 00:06:43,600 Speaker 1: vagina and it's supposed to make you happy or like 123 00:06:43,240 --> 00:06:47,400 Speaker 1: like fertile, and like it's an ancient art like Yanni 124 00:06:47,480 --> 00:06:51,880 Speaker 1: is like a very very old centuries old term for like, uh, 125 00:06:52,200 --> 00:06:56,479 Speaker 1: just like fertility. Um, and so the egg and the 126 00:06:56,560 --> 00:06:59,120 Speaker 1: steam is supposed to just like up your fertility like 127 00:06:59,160 --> 00:07:01,240 Speaker 1: I should in the area after tomorrow just be able 128 00:07:01,240 --> 00:07:04,200 Speaker 1: to like walk around and get pregnant like pollen from 129 00:07:04,240 --> 00:07:09,640 Speaker 1: like a three Accidentally, if yeah, how much semen do 130 00:07:09,680 --> 00:07:11,080 Speaker 1: you think you're just floating on in the air. We're 131 00:07:11,080 --> 00:07:15,680 Speaker 1: gonna find out ambient semen semen in this room. Uh, 132 00:07:15,960 --> 00:07:19,720 Speaker 1: let's a black light to it. Let's get uh, let's 133 00:07:19,720 --> 00:07:24,480 Speaker 1: get into today's stories. We wanted to start out with, uh, 134 00:07:24,560 --> 00:07:28,480 Speaker 1: something I hadn't even heard about, but apparently the US 135 00:07:28,600 --> 00:07:34,800 Speaker 1: revoked Bill Browder's visa. Uh. So this guy is like 136 00:07:35,720 --> 00:07:41,520 Speaker 1: Vladimir Putin's Vladimir Putin Uh, to quote Steven Seagal's uh 137 00:07:41,880 --> 00:07:46,040 Speaker 1: sort of main enemy. He was one of the richest 138 00:07:47,560 --> 00:07:54,240 Speaker 1: people to be like, heavily invested in Russia for long 139 00:07:54,320 --> 00:07:58,600 Speaker 1: period of time, and uh he suddenly had his money 140 00:07:58,680 --> 00:08:02,480 Speaker 1: seized and he like made a complaint to the Russian 141 00:08:02,520 --> 00:08:07,360 Speaker 1: government because he thought it was, you know, corrupt people. 142 00:08:07,400 --> 00:08:10,480 Speaker 1: This was back before people realized Putin was, you know, 143 00:08:10,960 --> 00:08:15,040 Speaker 1: the bad guy in Russia. And so he was like, hey, 144 00:08:14,240 --> 00:08:18,040 Speaker 1: h our money was seized by this bank. What's going on? Like, 145 00:08:18,080 --> 00:08:22,239 Speaker 1: can you help us out? And they threw his lawyer 146 00:08:22,680 --> 00:08:26,000 Speaker 1: in prison, and that's when he realized, oh, Putin is 147 00:08:26,040 --> 00:08:30,600 Speaker 1: behind this, uh, and they basically tortured and beat the 148 00:08:30,600 --> 00:08:34,640 Speaker 1: ship out of his lawyer, this guy, Vladimir Magnitsky UH 149 00:08:34,800 --> 00:08:39,439 Speaker 1: until he died after being in prison for eleven months. 150 00:08:39,840 --> 00:08:44,160 Speaker 1: So this guy Bill Browder then, you know, in Magnitsky's name, 151 00:08:44,760 --> 00:08:49,719 Speaker 1: UH got this legislation past that basically seized any money 152 00:08:49,720 --> 00:08:54,240 Speaker 1: that UH could be directly connected to Putin, and um, 153 00:08:54,440 --> 00:08:57,880 Speaker 1: this is the law that Putin's lawyer was trying to 154 00:08:57,920 --> 00:09:01,840 Speaker 1: talk to Trump's kids about UH when they had that 155 00:09:01,960 --> 00:09:06,559 Speaker 1: meeting UH in Trump Tower. Because it's that act is 156 00:09:06,600 --> 00:09:09,559 Speaker 1: like the first thing, the first step of easing sanctions, 157 00:09:09,600 --> 00:09:12,440 Speaker 1: like all that money that's frozen, Like it's just it's 158 00:09:12,480 --> 00:09:16,319 Speaker 1: basically this this guy's Putin's like worst enemy, and he's 159 00:09:16,360 --> 00:09:20,680 Speaker 1: tried many times to silence him or get him arrested, 160 00:09:20,720 --> 00:09:23,600 Speaker 1: Like he's tried to get Interpoll to issue warrants I 161 00:09:23,640 --> 00:09:26,719 Speaker 1: think four times before this, and every time Interpoll is 162 00:09:26,760 --> 00:09:29,240 Speaker 1: like no, dude, like this is politically motivated, Like there's 163 00:09:29,280 --> 00:09:31,800 Speaker 1: no way we're gonna do this. I think basically this 164 00:09:31,840 --> 00:09:34,600 Speaker 1: time Putin has found a loophole to get this arrest 165 00:09:34,600 --> 00:09:39,040 Speaker 1: warrant issued by Interpoll. Um, so I guess he finally 166 00:09:39,080 --> 00:09:41,600 Speaker 1: has found a way to get Interpoll to issue this 167 00:09:41,720 --> 00:09:44,800 Speaker 1: arrest warrant. But what's interesting is like, yes, the State 168 00:09:44,840 --> 00:09:48,600 Speaker 1: Department also revoked this man's visa, uh, which means like 169 00:09:49,600 --> 00:09:52,079 Speaker 1: the US State Department has revoked his visa at the 170 00:09:52,120 --> 00:09:55,240 Speaker 1: same time. It's very odd. I mean it could it 171 00:09:55,280 --> 00:09:58,199 Speaker 1: could legitimately be a mistake because sometimes like these, these 172 00:09:58,440 --> 00:09:59,839 Speaker 1: warrants go out and then they're like sort of a 173 00:10:00,000 --> 00:10:04,720 Speaker 1: dedately deleted. But there's also you know, obviously, with the 174 00:10:04,800 --> 00:10:06,959 Speaker 1: interesting relationships we see and connections we seem to have 175 00:10:07,040 --> 00:10:11,240 Speaker 1: with Russia, who knows what this is really about. But yeah, again, 176 00:10:11,280 --> 00:10:14,200 Speaker 1: with this, it doesn't seem surprising considering like Trump still 177 00:10:14,200 --> 00:10:17,800 Speaker 1: hasn't done anything with Russian sanctions, and now suddenly our 178 00:10:17,800 --> 00:10:20,440 Speaker 1: State Department is like, you know, helping Putin's agenda at 179 00:10:20,520 --> 00:10:23,959 Speaker 1: least limit the movement of some of his biggest enemies. 180 00:10:24,280 --> 00:10:27,120 Speaker 1: But some people argue makes it easier for this man 181 00:10:27,200 --> 00:10:30,600 Speaker 1: to be located by Putin's henchmen or whatever, because he 182 00:10:30,640 --> 00:10:34,640 Speaker 1: doesn't have the ability to move pretty freely at this point. Um, So, 183 00:10:34,840 --> 00:10:37,720 Speaker 1: to be fair, our our president is pretty busy harassing 184 00:10:37,760 --> 00:10:40,920 Speaker 1: gold Star families. He got a full sketch, does have 185 00:10:40,960 --> 00:10:43,360 Speaker 1: a lot going on. It's interesting looking at Bill Browder's 186 00:10:43,400 --> 00:10:46,760 Speaker 1: at Twitter feed. Um, just that we live in a 187 00:10:46,960 --> 00:10:49,840 Speaker 1: in a time where people can literally be live tweeting 188 00:10:50,559 --> 00:10:53,600 Speaker 1: their own like ability to be in the country, and 189 00:10:53,800 --> 00:10:57,559 Speaker 1: whether he's arrested or not, like he's his whole feed 190 00:10:57,640 --> 00:10:59,959 Speaker 1: is just like this is what's happening to me. Everything 191 00:11:00,120 --> 00:11:02,600 Speaker 1: is bad. And then occasionally like a very nice picture 192 00:11:02,640 --> 00:11:08,400 Speaker 1: of him, Yeah, yeah, at all of garden enjoying, like 193 00:11:08,480 --> 00:11:12,400 Speaker 1: he's he's looking fresh. He's clearly you know, moisturizing through 194 00:11:12,440 --> 00:11:16,400 Speaker 1: the pain, which is great a respect. He also is 195 00:11:16,520 --> 00:11:20,080 Speaker 1: apparently a British citizen, but he speaks like an American. 196 00:11:20,559 --> 00:11:23,560 Speaker 1: He was born in America, but he's a UK citizen. 197 00:11:23,760 --> 00:11:26,560 Speaker 1: And also he's extremely wealthy and probably not eating at 198 00:11:26,559 --> 00:11:28,680 Speaker 1: the olive garden. I don't know why that is where 199 00:11:28,679 --> 00:11:34,200 Speaker 1: I pictured him for some reason. You're right, Um, but yeah, 200 00:11:34,240 --> 00:11:39,360 Speaker 1: I mean this guy, and specifically Magnitsky who died, was 201 00:11:39,440 --> 00:11:43,080 Speaker 1: like a total badass. Like the entire time that he 202 00:11:43,160 --> 00:11:45,920 Speaker 1: was in prison, like they were just trying to get 203 00:11:46,000 --> 00:11:50,000 Speaker 1: him to like admit to some trumped up charge they 204 00:11:50,000 --> 00:11:52,920 Speaker 1: were accusing him of, and the whole time he would 205 00:11:53,000 --> 00:11:56,040 Speaker 1: just like take diligent notes. He'd be like, Okay, this 206 00:11:56,120 --> 00:11:58,120 Speaker 1: is the law you're breaking by asking me that. He 207 00:11:58,200 --> 00:12:01,240 Speaker 1: was just like such a hard and like refused to 208 00:12:01,280 --> 00:12:04,959 Speaker 1: give in, uh and eventually died for it. And so 209 00:12:05,800 --> 00:12:12,800 Speaker 1: that's that's why this is so fucking annoying and frustrating. Uh. 210 00:12:12,840 --> 00:12:16,360 Speaker 1: But again, yeah, it's it's it's a disturbing trend. I 211 00:12:16,360 --> 00:12:18,480 Speaker 1: don't know, it's just weird to see that suddenly. I mean, 212 00:12:18,559 --> 00:12:21,600 Speaker 1: usually you know, America would be uh a haven, a 213 00:12:21,600 --> 00:12:24,080 Speaker 1: place to protect people who would speak out against Putin, 214 00:12:24,600 --> 00:12:26,920 Speaker 1: And now we're sort of like, oh, yeah, okay, well 215 00:12:27,080 --> 00:12:30,160 Speaker 1: I guess we'll cancel your visa. Yeah I like that. 216 00:12:30,840 --> 00:12:35,439 Speaker 1: All right, Well let's move on to uh more serious news. Uh, 217 00:12:35,720 --> 00:12:40,360 Speaker 1: the media films are back and uh crushing it at 218 00:12:40,360 --> 00:12:44,439 Speaker 1: the at the old box office. Uh. Tyler Perry's Boo 219 00:12:44,520 --> 00:12:48,280 Speaker 1: two A Media Halloween took in twenty one point seven 220 00:12:48,280 --> 00:12:53,440 Speaker 1: million dollars at North American theaters over the weekend, which 221 00:12:53,840 --> 00:12:58,720 Speaker 1: gives him his sixth number one opening. Um, it's really 222 00:12:58,760 --> 00:13:04,400 Speaker 1: the first success in like Hollywood for the past few weeks, 223 00:13:04,440 --> 00:13:07,800 Speaker 1: like it's been nothing but bad news other than this, 224 00:13:08,080 --> 00:13:12,160 Speaker 1: and uh, I guess Happy Death Day also did pretty well. 225 00:13:12,559 --> 00:13:15,360 Speaker 1: But everything else like the Blade Runner sequel and the 226 00:13:15,520 --> 00:13:20,320 Speaker 1: Firefighting movie, like, oh yeah, there's firefighting. Who wants to 227 00:13:20,360 --> 00:13:23,119 Speaker 1: see if? Okay, well, who wants to see a firefighting 228 00:13:23,280 --> 00:13:26,920 Speaker 1: right when like real people are being killed by wildfires? Yeah? Tim, 229 00:13:27,440 --> 00:13:30,880 Speaker 1: Yeah the timing was rough, yeah, not good for them, 230 00:13:30,880 --> 00:13:35,720 Speaker 1: not not ideal. Uh but but there was no real 231 00:13:35,760 --> 00:13:40,839 Speaker 1: world activities to ruin Tyler Perry's Boo too m Adia Halloween, 232 00:13:41,360 --> 00:13:45,640 Speaker 1: which uh that there's never a bad time for that. Um, 233 00:13:45,720 --> 00:13:48,839 Speaker 1: but so I I don't I've never seen him Adia movie. 234 00:13:49,480 --> 00:13:54,199 Speaker 1: Uh no, I know, I give you the Ludovico treatment 235 00:13:54,240 --> 00:13:58,400 Speaker 1: then from Clockwork, Horns and Ingest all these Tyler Perry films, 236 00:13:58,440 --> 00:14:03,160 Speaker 1: So miles, you I've seen, I've seen a few Yes, 237 00:14:04,960 --> 00:14:07,160 Speaker 1: look Diary of a Mad Black Woman. I think it 238 00:14:07,240 --> 00:14:09,400 Speaker 1: was great. That was like his first one. I think 239 00:14:09,440 --> 00:14:11,120 Speaker 1: that was that was like the first thing that had 240 00:14:11,160 --> 00:14:13,280 Speaker 1: people kind of like, okay, like what's going on with 241 00:14:13,280 --> 00:14:17,600 Speaker 1: Tyler Perry. But over time, uh, you know, Tyler Perry 242 00:14:17,679 --> 00:14:20,360 Speaker 1: is kind of an interesting figure, like especially with black 243 00:14:20,360 --> 00:14:23,680 Speaker 1: movie goers. Some people think what he's doing is great. 244 00:14:24,120 --> 00:14:28,520 Speaker 1: Other people, to quote Spike Lee, he calls a coonery buffoonery, 245 00:14:29,000 --> 00:14:31,320 Speaker 1: like you know that he says it's really problematic because 246 00:14:31,320 --> 00:14:34,520 Speaker 1: he's just sort of perpetuating stereotypes and in in a 247 00:14:34,560 --> 00:14:37,960 Speaker 1: time when like, uh there we had a black president, 248 00:14:38,240 --> 00:14:40,640 Speaker 1: it just seems sort of counterproductive to sort of like 249 00:14:40,760 --> 00:14:44,560 Speaker 1: have these really one dimensional characters. Uh. But you know, 250 00:14:44,600 --> 00:14:47,240 Speaker 1: for me, I don't personally, I'm not a fan of 251 00:14:47,240 --> 00:14:49,720 Speaker 1: any of his work. It's just like all really bad. 252 00:14:49,920 --> 00:14:53,080 Speaker 1: Like it's like regardless of like what I think of 253 00:14:53,120 --> 00:14:56,760 Speaker 1: the portrayal of like African American characters, I just think, like, 254 00:14:56,800 --> 00:15:00,000 Speaker 1: as stories, the ship is weak, like everything is mad, predictable. 255 00:15:00,560 --> 00:15:02,680 Speaker 1: People criticize his work because you know, he started off 256 00:15:02,720 --> 00:15:05,800 Speaker 1: doing theater and they say that basically now his films 257 00:15:05,800 --> 00:15:08,480 Speaker 1: are just versions of like theater where they're so big 258 00:15:08,520 --> 00:15:13,400 Speaker 1: an extra because he's still caught in the mindset of like, yeah, 259 00:15:13,440 --> 00:15:15,240 Speaker 1: it's extra, and he's like, you know, he's just trying 260 00:15:15,240 --> 00:15:17,360 Speaker 1: to play to the back of the room, and it's 261 00:15:18,240 --> 00:15:21,400 Speaker 1: I don't know. I mean, the films still do well 262 00:15:21,480 --> 00:15:23,680 Speaker 1: because clearly he has a lane, right, Like, there are 263 00:15:23,680 --> 00:15:26,600 Speaker 1: people who do like what he does in his movies, 264 00:15:26,640 --> 00:15:28,920 Speaker 1: and maybe they like it because it's it's not really 265 00:15:28,960 --> 00:15:30,920 Speaker 1: in a challenge the way you think, and it's kind 266 00:15:30,920 --> 00:15:34,880 Speaker 1: of like it's just mindless, sort of mind numbing entertainment. Um. 267 00:15:34,920 --> 00:15:37,440 Speaker 1: But for me, I don't know. I I'm not really 268 00:15:37,520 --> 00:15:39,640 Speaker 1: checking for it. But I also don't hate on people 269 00:15:39,720 --> 00:15:41,400 Speaker 1: that who want to because at the end of the day, 270 00:15:41,400 --> 00:15:43,320 Speaker 1: like Tyler Perry has done a lot of like really 271 00:15:44,120 --> 00:15:47,520 Speaker 1: pretty uh spectacular and and and noteworthy things like you know, 272 00:15:47,560 --> 00:15:51,360 Speaker 1: he's basically built up the filmmaking industry in Atlanta and 273 00:15:51,400 --> 00:15:53,920 Speaker 1: given a lot of black actors and people like he's 274 00:15:53,920 --> 00:15:58,920 Speaker 1: created a really solid film industry in Atlanta. Um, and 275 00:15:59,280 --> 00:16:01,320 Speaker 1: you know, he is the successful and he's doing his thing. 276 00:16:01,360 --> 00:16:03,080 Speaker 1: I really can't take any of that away from him. 277 00:16:03,120 --> 00:16:05,800 Speaker 1: But objectively, like what his work is regardless of what 278 00:16:05,840 --> 00:16:08,720 Speaker 1: I think of the content of it. It's not it's 279 00:16:08,720 --> 00:16:10,760 Speaker 1: not interesting, it's not moving the needle in any way. 280 00:16:10,960 --> 00:16:13,480 Speaker 1: It's just it is what it is. And yeah, I 281 00:16:13,520 --> 00:16:17,000 Speaker 1: feel like especially, I mean right now, I feel like 282 00:16:17,040 --> 00:16:19,760 Speaker 1: a lot of movies are taking the box office because 283 00:16:20,240 --> 00:16:24,480 Speaker 1: they're so overly serious and just like a lot just 284 00:16:24,560 --> 00:16:27,120 Speaker 1: too much. Like I feel like that's probably beside the 285 00:16:27,120 --> 00:16:30,200 Speaker 1: fact that I can't stand Blade runner Um and would 286 00:16:30,280 --> 00:16:32,920 Speaker 1: rather take a blade to myself than see it. But 287 00:16:33,000 --> 00:16:35,360 Speaker 1: like it's just like you know, it's forty five minute 288 00:16:35,360 --> 00:16:38,160 Speaker 1: long shots and just like all this very heavy stuff 289 00:16:38,360 --> 00:16:41,040 Speaker 1: where a media movie right now especially is just like 290 00:16:41,080 --> 00:16:44,640 Speaker 1: straight up levity and fun. And I feel like right 291 00:16:44,680 --> 00:16:49,000 Speaker 1: now we're in such are the climate is such that 292 00:16:49,000 --> 00:16:53,080 Speaker 1: that's like needed almost like how movies would serve their 293 00:16:53,120 --> 00:16:55,920 Speaker 1: audience in like a depression era of like we just 294 00:16:56,080 --> 00:16:59,040 Speaker 1: want to see someone who's happy, like we don't want 295 00:16:59,040 --> 00:17:01,560 Speaker 1: to be as were bull in every space we walk 296 00:17:01,640 --> 00:17:04,960 Speaker 1: into and and and in that way, like and again 297 00:17:05,000 --> 00:17:06,840 Speaker 1: I haven't seen them at DA movies, but there's like 298 00:17:07,560 --> 00:17:10,880 Speaker 1: back in like depression era Hollywood, there's like a million 299 00:17:11,600 --> 00:17:14,399 Speaker 1: series like this that would crank out a couple of 300 00:17:14,600 --> 00:17:17,200 Speaker 1: films a year sometimes and people would go and see 301 00:17:17,200 --> 00:17:20,160 Speaker 1: it because it made them feel good, and they they 302 00:17:20,200 --> 00:17:23,600 Speaker 1: weren't especially challenging, but like, even if you think about 303 00:17:23,600 --> 00:17:26,240 Speaker 1: like old Andy Hardy movies and stuff, it just made 304 00:17:26,240 --> 00:17:28,879 Speaker 1: you feel good. You knew who the character was, you 305 00:17:28,920 --> 00:17:32,000 Speaker 1: weren't going to be challenged, and it was gonna it 306 00:17:32,000 --> 00:17:35,440 Speaker 1: would be a way to forget about stuff for sure. 307 00:17:35,480 --> 00:17:39,159 Speaker 1: And I think, yeah, given the situation of things in 308 00:17:39,200 --> 00:17:41,440 Speaker 1: the world right now, there's probably the kind of movie 309 00:17:41,440 --> 00:17:44,520 Speaker 1: you would want to see just like you'll fuck it, Like, 310 00:17:44,600 --> 00:17:46,760 Speaker 1: let me just go to a bizarre parallel dimension where 311 00:17:46,800 --> 00:17:49,040 Speaker 1: like people like have no idea what North Korea is. 312 00:17:49,280 --> 00:17:51,960 Speaker 1: Like we're just we're able to just sort of focus 313 00:17:52,000 --> 00:17:55,280 Speaker 1: on something else, just about Halloween and this eccentric woman. 314 00:17:55,880 --> 00:17:58,639 Speaker 1: There are fires outside. I don't want to pay twelve 315 00:17:58,640 --> 00:18:07,800 Speaker 1: dollars to watch another fire, and twelve dollars is very low. Um. Yeah. 316 00:18:07,840 --> 00:18:10,320 Speaker 1: And the other movie that tanks this weekend was Geo Storm, 317 00:18:10,400 --> 00:18:15,440 Speaker 1: which was full of just other like weather bound disasters, 318 00:18:15,960 --> 00:18:19,600 Speaker 1: uh coming and you know, coming out of the news 319 00:18:19,720 --> 00:18:23,520 Speaker 1: to you know, kill people in in these high budget 320 00:18:23,960 --> 00:18:28,359 Speaker 1: blockbuster movies that are no longer blockbusters because nobody's going 321 00:18:28,400 --> 00:18:30,880 Speaker 1: to see them. Yeah, I also just wonder how much 322 00:18:30,920 --> 00:18:35,239 Speaker 1: of it is that he is, you know, one of 323 00:18:35,600 --> 00:18:41,120 Speaker 1: the only people who is making authentically black comedies by 324 00:18:41,160 --> 00:18:45,879 Speaker 1: a black man, like featuring black characters, like you know, 325 00:18:46,000 --> 00:18:49,320 Speaker 1: Barbershop three made twenty million dollars in its opening weekend. 326 00:18:50,000 --> 00:18:54,560 Speaker 1: Uh you know, I I just wonder, like, uh, the 327 00:18:54,600 --> 00:18:58,240 Speaker 1: big breakout like blockbuster movies from the past ten years 328 00:18:58,440 --> 00:19:02,159 Speaker 1: are The Fast and the Furious Ranchiz and you know, 329 00:19:02,359 --> 00:19:06,080 Speaker 1: we tend not to like even mentioned the fact that 330 00:19:06,720 --> 00:19:09,600 Speaker 1: these are the only blockbuster movies that has an actual 331 00:19:09,800 --> 00:19:12,879 Speaker 1: diverse cast with like people of color and like the 332 00:19:12,960 --> 00:19:15,280 Speaker 1: lead roles, and well, I mean I will say, like 333 00:19:15,359 --> 00:19:19,560 Speaker 1: Girls Trip is definitely is the kind of movie that 334 00:19:19,640 --> 00:19:22,000 Speaker 1: I wish, Like, I think that's where we the direction 335 00:19:22,040 --> 00:19:23,439 Speaker 1: we need to keep going in like that as a 336 00:19:23,440 --> 00:19:26,680 Speaker 1: black director was written by uh like the screenplays written 337 00:19:26,680 --> 00:19:28,960 Speaker 1: by a black writer, and it did a hundred thirty 338 00:19:29,040 --> 00:19:31,840 Speaker 1: six million box office. So yeah, I mean, I don't 339 00:19:31,840 --> 00:19:33,679 Speaker 1: know if I would. It's hard because then I know 340 00:19:33,720 --> 00:19:36,760 Speaker 1: you said, like again, the use of like authentically black comedy, 341 00:19:36,760 --> 00:19:39,439 Speaker 1: I don't know, like that sort of sense shivers up 342 00:19:39,480 --> 00:19:42,280 Speaker 1: my spine to think because I I understand how again, 343 00:19:42,760 --> 00:19:46,240 Speaker 1: people are so divided over Tyler Perry, Like like, I 344 00:19:46,280 --> 00:19:48,600 Speaker 1: think it's it's a good it's a great thing that 345 00:19:48,640 --> 00:19:51,880 Speaker 1: he is able to do this and and create opportunities 346 00:19:51,920 --> 00:19:54,440 Speaker 1: for these actors. But yeah, again, I think I also 347 00:19:54,520 --> 00:19:56,600 Speaker 1: like that we're starting to see these other films like 348 00:19:56,640 --> 00:19:58,879 Speaker 1: Girls Trip that are coming up, because I think that 349 00:19:58,960 --> 00:20:02,560 Speaker 1: also that brought in such a diverse audience, Like I 350 00:20:02,560 --> 00:20:05,800 Speaker 1: mean I remember seeing like like white people on Twitter like, 351 00:20:05,840 --> 00:20:10,560 Speaker 1: oh my god, this Girls Trip is great. People. Yeah, 352 00:20:10,600 --> 00:20:12,360 Speaker 1: it's such a good movie. It's just a good yeah. 353 00:20:12,400 --> 00:20:15,639 Speaker 1: And I think it wasn't really leaning into like obviously 354 00:20:15,720 --> 00:20:18,720 Speaker 1: the cast was all women of color, but it didn't 355 00:20:18,720 --> 00:20:21,160 Speaker 1: seem like you know, with like the way media films 356 00:20:21,160 --> 00:20:23,480 Speaker 1: are marketed. Sometimes it's almost like it's time for the 357 00:20:23,600 --> 00:20:26,960 Speaker 1: Tyler Perry film. I think this again, things are evolving 358 00:20:27,000 --> 00:20:28,960 Speaker 1: and I think, you know, Tyler Perry, he does his thing, 359 00:20:29,400 --> 00:20:31,960 Speaker 1: but something new is coming, right, I mean, Tyler Perry, 360 00:20:31,960 --> 00:20:34,080 Speaker 1: I feel like everyone can agree, is like not the 361 00:20:34,160 --> 00:20:37,680 Speaker 1: highest common denomina. You know, he's not, But it's it's 362 00:20:37,760 --> 00:20:42,040 Speaker 1: movies that are written and directed by exactly And I 363 00:20:42,080 --> 00:20:44,439 Speaker 1: think because for a long time there weren't many films 364 00:20:44,480 --> 00:20:46,200 Speaker 1: like that. You know that that was like the reason 365 00:20:46,280 --> 00:20:48,760 Speaker 1: why you know you tune in the TBS to see 366 00:20:48,760 --> 00:20:51,399 Speaker 1: like Meet the Browns or House of Pain and those shows, 367 00:20:51,400 --> 00:20:53,560 Speaker 1: because this was at a time where there were not 368 00:20:53,760 --> 00:20:56,600 Speaker 1: shows like this around. So all right, we're gonna take 369 00:20:56,640 --> 00:21:09,000 Speaker 1: a quick break and be right back after this. And 370 00:21:09,160 --> 00:21:13,000 Speaker 1: we're back. So you guys wanted to talk about a 371 00:21:13,080 --> 00:21:16,919 Speaker 1: couple of things. I wanted to talk about the the 372 00:21:16,960 --> 00:21:24,920 Speaker 1: controversy over Trump's call to the military widow, but also, um, 373 00:21:24,960 --> 00:21:29,879 Speaker 1: you know, just classism in America, and uh, it is 374 00:21:29,920 --> 00:21:33,240 Speaker 1: something that we talk about from time to time on 375 00:21:33,240 --> 00:21:37,119 Speaker 1: on the show because America, it tends to be like 376 00:21:37,160 --> 00:21:41,080 Speaker 1: a thing that America isn't aware that they have. We 377 00:21:41,240 --> 00:21:44,520 Speaker 1: kind of like actively ignore the existence of a class 378 00:21:44,520 --> 00:21:49,400 Speaker 1: system in America. Um, Trump is kind of a good 379 00:21:49,400 --> 00:21:54,159 Speaker 1: way to notice that there is a class system because 380 00:21:54,640 --> 00:21:57,840 Speaker 1: we tend to just think, okay, high class equals are 381 00:21:57,920 --> 00:22:01,720 Speaker 1: like upper class is somebody with a lot of money, 382 00:22:01,800 --> 00:22:06,159 Speaker 1: and we associate class with money, but there's actually like 383 00:22:06,320 --> 00:22:15,000 Speaker 1: culturally prescribed class divisions, and um, you know, Trump, even 384 00:22:15,000 --> 00:22:17,040 Speaker 1: though he has a lot of money, a lot of 385 00:22:17,119 --> 00:22:21,680 Speaker 1: his class indicators like his accent, his participation in w 386 00:22:21,920 --> 00:22:26,520 Speaker 1: w E wrestling, his taste in furniture tend to all 387 00:22:26,600 --> 00:22:31,879 Speaker 1: be more blue collar and things that aren't upper class 388 00:22:31,920 --> 00:22:34,560 Speaker 1: and sort of appeal to a lot of the people 389 00:22:34,920 --> 00:22:39,600 Speaker 1: who you know, ended up voting for him. Um. But 390 00:22:39,840 --> 00:22:41,760 Speaker 1: so we we were talking about that. One of our 391 00:22:41,760 --> 00:22:46,400 Speaker 1: writers pointed out that military service kind of is starting 392 00:22:46,600 --> 00:22:51,720 Speaker 1: more and more to be a sort of class based thing, 393 00:22:51,960 --> 00:22:57,720 Speaker 1: where there's like a military class that specifically fights in wars, 394 00:22:58,000 --> 00:23:01,640 Speaker 1: and uh, you know the at ANNEC wrote that as 395 00:23:01,640 --> 00:23:04,200 Speaker 1: a country, America has been at war NonStop for the 396 00:23:04,240 --> 00:23:08,119 Speaker 1: past thirteen years, but as a public it has not 397 00:23:09,040 --> 00:23:11,639 Speaker 1: because like a total of two point five million Americans, 398 00:23:11,800 --> 00:23:14,840 Speaker 1: like three quarters of one percent of the US population 399 00:23:15,119 --> 00:23:18,639 Speaker 1: served in Iraq or Afghanistan. Uh, and a lot of 400 00:23:18,680 --> 00:23:23,760 Speaker 1: them went back more than once. But then culturally that 401 00:23:23,880 --> 00:23:27,159 Speaker 1: doesn't really reach the rest of the population to a 402 00:23:27,240 --> 00:23:30,280 Speaker 1: large degree. Um, you just mean in terms of like 403 00:23:30,359 --> 00:23:33,399 Speaker 1: proximity of like how far we're removed from someone that 404 00:23:33,440 --> 00:23:35,920 Speaker 1: we know who's an active military service or her, Yeah, 405 00:23:35,960 --> 00:23:38,639 Speaker 1: and just yeah, how how much that crosses over how 406 00:23:38,720 --> 00:23:43,840 Speaker 1: much the culture that we consume concerns itself with like 407 00:23:44,200 --> 00:23:48,560 Speaker 1: those issues. Um. I think they were saying that about 408 00:23:48,640 --> 00:23:52,760 Speaker 1: eight percent of new recruits across the different branches of 409 00:23:52,800 --> 00:23:57,440 Speaker 1: military have a family or extended family member who served, uh, 410 00:23:57,680 --> 00:24:02,199 Speaker 1: which means that if service duty isn't a value you 411 00:24:02,200 --> 00:24:05,280 Speaker 1: were raised with, UH, you're not going to seek it 412 00:24:05,320 --> 00:24:10,400 Speaker 1: out yourself. Um. So it's almost like this division whereof 413 00:24:10,520 --> 00:24:16,080 Speaker 1: it's uh unique group of people that is separated out. 414 00:24:16,160 --> 00:24:18,119 Speaker 1: And I think it ties into the Trump thing in 415 00:24:18,119 --> 00:24:24,280 Speaker 1: the sense that he has no conception whatsoever of of 416 00:24:24,560 --> 00:24:28,639 Speaker 1: you know, the values of that particular group of people. 417 00:24:29,160 --> 00:24:33,439 Speaker 1: He has no conception of what, you know, that the 418 00:24:33,560 --> 00:24:38,800 Speaker 1: idea of sacrifice for country or or anything anything that 419 00:24:38,920 --> 00:24:44,719 Speaker 1: is not his own reputation. So I think when Kelly 420 00:24:44,800 --> 00:24:49,000 Speaker 1: comes out and tries to imply that Trump was like 421 00:24:49,320 --> 00:24:55,200 Speaker 1: secretly meant to say these things that completely go along with, 422 00:24:55,680 --> 00:24:59,639 Speaker 1: you know, the values of the military class, like, I 423 00:24:59,680 --> 00:25:04,760 Speaker 1: think he's being disingenuous and probably uh not being totally 424 00:25:04,800 --> 00:25:11,120 Speaker 1: honest with himself. Um wait a second, Donald Trump not honest, 425 00:25:11,160 --> 00:25:18,440 Speaker 1: possibly delusional with himself, and I think Kelly too to to. 426 00:25:18,960 --> 00:25:22,760 Speaker 1: I don't know Kelly, Uh. I think when he took 427 00:25:22,800 --> 00:25:28,120 Speaker 1: over for Ryan's previous we were all like well, good, 428 00:25:28,320 --> 00:25:33,800 Speaker 1: finally somebody who doesn't behave and doesn't have the name 429 00:25:33,880 --> 00:25:37,280 Speaker 1: of somebody who is a bad guy and like a 430 00:25:37,280 --> 00:25:41,880 Speaker 1: Harry Potter book. Um, but I don't know, I think 431 00:25:41,920 --> 00:25:46,640 Speaker 1: that was probably wishful thinking and I'm not totally sure 432 00:25:46,760 --> 00:25:51,359 Speaker 1: like where our hope came from, Like general Kelly ran 433 00:25:51,960 --> 00:25:56,440 Speaker 1: Gitmo for a long time. Um, so well, yeah, I 434 00:25:56,440 --> 00:25:58,479 Speaker 1: think it just shows you relative to where everything is. 435 00:25:58,760 --> 00:26:00,480 Speaker 1: It's like, well, as long as it's not the thing 436 00:26:00,520 --> 00:26:03,600 Speaker 1: that's happening now, then it has to be better. And 437 00:26:03,600 --> 00:26:06,080 Speaker 1: it's like like, well, if it's not previous what someone different, 438 00:26:06,119 --> 00:26:08,480 Speaker 1: that means maybe something different will happen. Therefore it could 439 00:26:08,560 --> 00:26:11,480 Speaker 1: be better. But yeah, I mean, I mean, and to 440 00:26:11,480 --> 00:26:15,080 Speaker 1: to Kelly's credit, I think I mean, he has a history, 441 00:26:15,119 --> 00:26:17,399 Speaker 1: and he has a troubled history, but I feel like 442 00:26:17,440 --> 00:26:21,199 Speaker 1: at least presents himself more on paper as like someone 443 00:26:21,320 --> 00:26:26,800 Speaker 1: who wants to serve his country. Um. And so I mean, 444 00:26:26,840 --> 00:26:29,800 Speaker 1: even though you can go into him like what, I 445 00:26:29,880 --> 00:26:31,840 Speaker 1: don't know, It's it's hard because it's like who is 446 00:26:31,880 --> 00:26:37,640 Speaker 1: the option then, because at least Kelly has experience, but 447 00:26:37,640 --> 00:26:41,879 Speaker 1: but it's an interesting experience. Yeah, exactly. His CV is 448 00:26:41,880 --> 00:26:43,520 Speaker 1: a kind of interesting. But he also too, he was 449 00:26:43,840 --> 00:26:46,800 Speaker 1: in charge of the DHS. He was like for the 450 00:26:46,840 --> 00:26:49,800 Speaker 1: travel bands and for a lot of like this aggressive 451 00:26:49,920 --> 00:26:53,640 Speaker 1: like you know, like immigration stuff. So yeah, he's he's 452 00:26:53,680 --> 00:26:56,560 Speaker 1: been a big supporter of the Trump agenda. Uh So 453 00:26:57,200 --> 00:26:59,040 Speaker 1: it's hard to see like, oh, how he could be 454 00:26:59,119 --> 00:27:01,960 Speaker 1: the savior anyway. But again, I think it just speaks 455 00:27:01,960 --> 00:27:04,880 Speaker 1: to the fact that we are so sort of demoralized, 456 00:27:04,880 --> 00:27:07,000 Speaker 1: you're just down about everything that it's like, oh, well, 457 00:27:07,040 --> 00:27:09,560 Speaker 1: it's it's someone different. Maybe maybe this will be the 458 00:27:09,560 --> 00:27:12,320 Speaker 1: person that will finally get trumpeted, get in line, but 459 00:27:12,600 --> 00:27:15,560 Speaker 1: clearly that hasn't happened. I mean, yeah, I think we're 460 00:27:15,560 --> 00:27:17,399 Speaker 1: at the point where it's like, oh, the person with 461 00:27:17,440 --> 00:27:20,639 Speaker 1: the job has like even if it's like terrifying and 462 00:27:20,800 --> 00:27:27,840 Speaker 1: bad experience in the job, unbelievable, like it's yeah. At 463 00:27:27,840 --> 00:27:29,679 Speaker 1: the same I do think there's also sort of a 464 00:27:29,720 --> 00:27:33,320 Speaker 1: tacit awareness that, you know, a lot of the people 465 00:27:33,400 --> 00:27:37,680 Speaker 1: who are criticizing Trump about the way he spoke Todd 466 00:27:37,760 --> 00:27:43,360 Speaker 1: David Johnson's Johnson, uh that the people who are criticizing 467 00:27:43,640 --> 00:27:48,680 Speaker 1: that conversation are not overly familiar themselves with military values, 468 00:27:48,920 --> 00:27:51,680 Speaker 1: and so I feel like, you know, when Kelly came 469 00:27:51,720 --> 00:27:54,879 Speaker 1: out and you know, gave his speech. I don't know 470 00:27:54,920 --> 00:27:58,639 Speaker 1: if everybody saw his speech, but he talked about what 471 00:27:58,800 --> 00:28:02,520 Speaker 1: happens to a soldier when they are killed in on duty. 472 00:28:03,080 --> 00:28:06,520 Speaker 1: Um and you know, it was very heartfelt and emotional, 473 00:28:07,280 --> 00:28:12,720 Speaker 1: but underlying the speech there were like these weird kind 474 00:28:12,760 --> 00:28:16,680 Speaker 1: of values where he was basically saying that, uh, people 475 00:28:16,720 --> 00:28:20,639 Speaker 1: shouldn't be able to criticize the president if they haven't 476 00:28:20,720 --> 00:28:24,920 Speaker 1: served in the military. He's like, has this whole thing 477 00:28:24,920 --> 00:28:29,840 Speaker 1: about how he was so upset after hearing criticism of 478 00:28:29,880 --> 00:28:32,720 Speaker 1: Trump's phone call that he had to go walk among 479 00:28:32,800 --> 00:28:35,040 Speaker 1: the finest men and women on this earth and you 480 00:28:35,080 --> 00:28:39,440 Speaker 1: can always find them because they're in Arlington National Cemetery. 481 00:28:39,800 --> 00:28:44,360 Speaker 1: Um So he's like saying that unless you have fought 482 00:28:44,600 --> 00:28:48,200 Speaker 1: and died for the country, then you don't really, I 483 00:28:48,240 --> 00:28:53,040 Speaker 1: don't know, like have the right to speak. And then 484 00:28:53,120 --> 00:28:56,120 Speaker 1: at the end of the press conference, he took questions, 485 00:28:56,160 --> 00:28:58,400 Speaker 1: but only for members of the press who had a 486 00:28:58,400 --> 00:29:02,320 Speaker 1: personal connection to a fallen soldier or people who knew 487 00:29:02,320 --> 00:29:05,360 Speaker 1: a gold Star family. UM So, I don't know if 488 00:29:05,360 --> 00:29:08,120 Speaker 1: he was like actively trying to comment on that, but 489 00:29:08,200 --> 00:29:11,640 Speaker 1: I think that was sort of the cultural divide that 490 00:29:11,720 --> 00:29:15,400 Speaker 1: he was working with, Like, look, you guys aren't aware 491 00:29:15,440 --> 00:29:17,880 Speaker 1: you like take for granted that there's just this class, 492 00:29:17,960 --> 00:29:21,280 Speaker 1: this military class of people who are always going to 493 00:29:21,360 --> 00:29:24,280 Speaker 1: be out there fighting your wars for you. And I 494 00:29:24,280 --> 00:29:28,040 Speaker 1: do think that there's some truth to that criticism. At 495 00:29:28,040 --> 00:29:30,240 Speaker 1: the same time, I don't think we should just be 496 00:29:31,160 --> 00:29:35,680 Speaker 1: so sensitive about the fact that, uh, you know a 497 00:29:35,680 --> 00:29:39,920 Speaker 1: lot of people don't know somebody who's active duty military 498 00:29:40,080 --> 00:29:44,719 Speaker 1: or who you know anybody who's in the military in general. Uh, 499 00:29:44,800 --> 00:29:46,960 Speaker 1: and we should be I don't think we should be 500 00:29:46,960 --> 00:29:50,840 Speaker 1: so sensitive that we just sort of let the general's 501 00:29:51,080 --> 00:29:53,720 Speaker 1: sort of do whatever they want. In this case, it's 502 00:29:53,720 --> 00:29:56,800 Speaker 1: a weird I mean, I was surprised when he came 503 00:29:56,800 --> 00:29:59,920 Speaker 1: out there and gave that press conference because I thought, 504 00:30:00,400 --> 00:30:03,280 Speaker 1: I think, like most people thought that it was a 505 00:30:03,320 --> 00:30:05,680 Speaker 1: weird move for Trump to bring in John Kelly's to 506 00:30:05,720 --> 00:30:08,040 Speaker 1: see his son as like a pawn in his game 507 00:30:08,040 --> 00:30:11,520 Speaker 1: and his chess game, and because Kelly like was very 508 00:30:11,560 --> 00:30:15,320 Speaker 1: intentionally not talking about that very frequently and had a 509 00:30:15,360 --> 00:30:17,920 Speaker 1: whole line of thought as to why he was like 510 00:30:18,000 --> 00:30:20,440 Speaker 1: didn't want to make it about him or about his 511 00:30:20,520 --> 00:30:23,280 Speaker 1: family too much. And his Yeah, so it was it 512 00:30:23,360 --> 00:30:25,600 Speaker 1: was extremely out of line for Trump to bring that 513 00:30:25,640 --> 00:30:28,880 Speaker 1: into it in the first place, and so it seems 514 00:30:28,920 --> 00:30:31,560 Speaker 1: like he was because obviously, like we've read a lot 515 00:30:31,560 --> 00:30:34,480 Speaker 1: about how General Kelly like and people in the cabinet 516 00:30:34,560 --> 00:30:37,440 Speaker 1: have to do a lot of double speaking, like outwardly, 517 00:30:37,480 --> 00:30:39,280 Speaker 1: they will say things that so when the when Trump 518 00:30:39,280 --> 00:30:42,040 Speaker 1: reads headlines will not sort of like trigger him to 519 00:30:42,040 --> 00:30:44,560 Speaker 1: to go off the rails, but like privately, like they 520 00:30:44,600 --> 00:30:46,520 Speaker 1: mean a whole other thing. It seems like this was 521 00:30:46,600 --> 00:30:49,600 Speaker 1: like the hand that Kelly had to play to try 522 00:30:49,640 --> 00:30:53,280 Speaker 1: and squash this whole scandal is by trying to say, like, look, 523 00:30:53,320 --> 00:30:55,400 Speaker 1: if you're not in the military, keep your mouth shut, 524 00:30:55,440 --> 00:30:58,400 Speaker 1: which is also like I don't think that that doesn't 525 00:30:58,560 --> 00:31:00,320 Speaker 1: people if they don't have a connect into like a 526 00:31:00,320 --> 00:31:02,600 Speaker 1: gold star family or someone serving. I don't think that 527 00:31:02,800 --> 00:31:05,840 Speaker 1: means you can nullify like anything they might have to 528 00:31:05,920 --> 00:31:09,640 Speaker 1: offer in a discussion about the subject um. I understand 529 00:31:09,680 --> 00:31:11,640 Speaker 1: like what you're saying, like, sure you have to if 530 00:31:11,680 --> 00:31:14,880 Speaker 1: you haven't lived through it, your lens of experiences quite 531 00:31:14,880 --> 00:31:18,160 Speaker 1: probably quite different than someone that has. But we also 532 00:31:18,240 --> 00:31:21,400 Speaker 1: need to be able to have like open discussions about 533 00:31:21,400 --> 00:31:24,280 Speaker 1: these kinds of things, especially when you have people who 534 00:31:24,280 --> 00:31:27,040 Speaker 1: are like Sergeant Johnson's widow, who personally was saying, like 535 00:31:27,080 --> 00:31:30,200 Speaker 1: I was offended by this um that there shouldn't then 536 00:31:30,240 --> 00:31:31,920 Speaker 1: suddenly be like, well, we can't talk about this because 537 00:31:31,920 --> 00:31:33,200 Speaker 1: you didn't serve in the military, and like, I'm only 538 00:31:33,360 --> 00:31:35,600 Speaker 1: take questions for people that have. Yeah, that's no, it's 539 00:31:35,680 --> 00:31:40,440 Speaker 1: definitely it's hugely problematic. Uh. The New Yorker reporter Masha Gessen, 540 00:31:40,560 --> 00:31:44,440 Speaker 1: who is you know, from Putin's Russia and actually had 541 00:31:44,480 --> 00:31:48,160 Speaker 1: to flee because she was so critical of Putin, Uh, 542 00:31:48,400 --> 00:31:50,760 Speaker 1: listened to that press conference and was basically like this 543 00:31:51,040 --> 00:31:56,360 Speaker 1: sounded super like military coup, Like it used the language 544 00:31:56,360 --> 00:31:58,920 Speaker 1: and the logic of a military coup in the sense 545 00:31:59,000 --> 00:32:03,440 Speaker 1: that you know, it glorified dying in war, and basically said, 546 00:32:03,720 --> 00:32:07,040 Speaker 1: the best people are people who have died for their country, 547 00:32:07,120 --> 00:32:09,840 Speaker 1: and if you didn't die for your country, you have 548 00:32:10,080 --> 00:32:15,000 Speaker 1: no right to even criticize the president. And like how 549 00:32:15,040 --> 00:32:17,640 Speaker 1: he spoke to this military widow, The way that that 550 00:32:17,680 --> 00:32:22,000 Speaker 1: whole press conference was framed was just a problem from 551 00:32:22,040 --> 00:32:24,920 Speaker 1: the start, because it's one thing, if he's if his 552 00:32:25,000 --> 00:32:27,520 Speaker 1: point of view is I don't think that we're like 553 00:32:27,880 --> 00:32:30,000 Speaker 1: listening to gold Star families enough. I don't think that 554 00:32:30,040 --> 00:32:32,720 Speaker 1: their voices are being heard enough. That's uh, something that 555 00:32:32,760 --> 00:32:34,480 Speaker 1: I don't think a lot of people would disagree with. 556 00:32:34,560 --> 00:32:36,600 Speaker 1: But the tone in the language and then the very 557 00:32:36,680 --> 00:32:39,760 Speaker 1: intentionally saying like these are the only people who are 558 00:32:39,880 --> 00:32:44,000 Speaker 1: allowed to ask questions just you know, it would have 559 00:32:44,040 --> 00:32:47,680 Speaker 1: been very easy to have made a point um that 560 00:32:47,760 --> 00:32:52,600 Speaker 1: wouldn't have been you know, excluding people intentionally, right. And 561 00:32:52,680 --> 00:32:57,040 Speaker 1: he he also made it seem like the politician Frederico Wilson, 562 00:32:57,040 --> 00:32:59,920 Speaker 1: the congresswoman who was listening in on the call, how 563 00:33:00,240 --> 00:33:06,440 Speaker 1: like sort of invaded the conversation. But Masha Johnson had voluntarily, 564 00:33:06,880 --> 00:33:10,000 Speaker 1: you know, put the call on speaker phone while she 565 00:33:10,080 --> 00:33:12,160 Speaker 1: was in the car with her mother in law and 566 00:33:12,320 --> 00:33:15,560 Speaker 1: the congresswoman. And he was like so mad about that. 567 00:33:15,960 --> 00:33:18,800 Speaker 1: General Kelly was he was like, there a few things 568 00:33:19,280 --> 00:33:22,200 Speaker 1: left their sacred in this world. He was like a 569 00:33:22,240 --> 00:33:26,840 Speaker 1: bunch of things have lost their sanctity in our lifetime women, 570 00:33:27,800 --> 00:33:33,320 Speaker 1: which is creepy. Uh life religion, gold Star families, which 571 00:33:33,480 --> 00:33:36,120 Speaker 1: I don't know if he was three, had four of those, Uh, 572 00:33:36,560 --> 00:33:38,480 Speaker 1: he has gone on the record is pretty much having 573 00:33:38,520 --> 00:33:42,040 Speaker 1: no respect for it. Yeah, that his boss exactly and 574 00:33:42,080 --> 00:33:45,960 Speaker 1: in fact, and he said that the gold Star families 575 00:33:46,000 --> 00:33:50,800 Speaker 1: had been profaned in the convention over the summer, uh right, 576 00:33:51,000 --> 00:33:53,280 Speaker 1: which that is that would have been Trump, right. But 577 00:33:53,320 --> 00:33:57,000 Speaker 1: I guess I guess he's mad that the Democrats like 578 00:33:57,320 --> 00:34:01,719 Speaker 1: used it. It just seems like she's he's adiculous. I mean, 579 00:34:01,760 --> 00:34:04,000 Speaker 1: even him saying like, oh, like, you know, communication between 580 00:34:04,000 --> 00:34:06,920 Speaker 1: the president and a gold Star family is sacred. Meanwhile, 581 00:34:07,000 --> 00:34:10,719 Speaker 1: Trump just dragged your son out, you know, like, but 582 00:34:10,840 --> 00:34:13,360 Speaker 1: that's not sacred. I mean, like this like picking and 583 00:34:13,440 --> 00:34:16,000 Speaker 1: choosing of like what is sacred is and the flawed, 584 00:34:16,040 --> 00:34:18,680 Speaker 1: the flawed logic from the get go of like, you know, 585 00:34:18,760 --> 00:34:22,600 Speaker 1: we're not being respectful of a president who has never 586 00:34:22,640 --> 00:34:25,879 Speaker 1: served the public at all, even as the president has 587 00:34:25,920 --> 00:34:29,440 Speaker 1: never served the public. Like it's just and he's he's 588 00:34:29,440 --> 00:34:34,799 Speaker 1: criticizing the media for reporting that this woman was offended, 589 00:34:35,000 --> 00:34:37,040 Speaker 1: and but I mean she was offended, and she came 590 00:34:37,040 --> 00:34:40,719 Speaker 1: out yesterday I think and specifically said, you know, I 591 00:34:40,800 --> 00:34:45,600 Speaker 1: was offended. The president kept referring to you know, my 592 00:34:45,680 --> 00:34:50,040 Speaker 1: husband as your guy and like didn't even learn anyone, 593 00:34:50,320 --> 00:34:54,080 Speaker 1: so like, but her her doing that is like somehow 594 00:34:54,120 --> 00:34:58,640 Speaker 1: like sacrilegious to to Kelly, It's just it's listening over 595 00:34:58,640 --> 00:35:02,040 Speaker 1: the weekend, I was listening to ABC News, uh, and 596 00:35:02,080 --> 00:35:04,680 Speaker 1: they were completely buying into it. They were like, well, 597 00:35:04,719 --> 00:35:07,640 Speaker 1: you can't criticize the general. He's the only one who knows. 598 00:35:07,680 --> 00:35:12,160 Speaker 1: He's a four star general, Like you have to for it. Yeah, yeah, 599 00:35:12,239 --> 00:35:14,719 Speaker 1: that doesn't make you above the law or above criticism. 600 00:35:14,719 --> 00:35:17,520 Speaker 1: That that's that's the slippery slope we're getting into. And 601 00:35:17,560 --> 00:35:24,960 Speaker 1: also if you're in GMO criticism, like I mean agree 602 00:35:25,000 --> 00:35:30,719 Speaker 1: that you know, in general, like especially on both coasts, 603 00:35:30,760 --> 00:35:34,319 Speaker 1: we probably don't hear enough from military families and and 604 00:35:34,520 --> 00:35:36,600 Speaker 1: that point of view, and we could stand to hear 605 00:35:36,640 --> 00:35:40,360 Speaker 1: more of it, but not at there's just just in general, 606 00:35:40,360 --> 00:35:42,239 Speaker 1: I have such a disconnect with people that have served. 607 00:35:42,280 --> 00:35:43,959 Speaker 1: I mean, we just look at the way we treat 608 00:35:43,960 --> 00:35:45,839 Speaker 1: our veterans when they come back, Like that's a huge 609 00:35:45,840 --> 00:35:49,319 Speaker 1: issue that is still barely really getting the kind of 610 00:35:49,320 --> 00:35:51,759 Speaker 1: attention it deserves. And also I think, uh, in that 611 00:35:51,880 --> 00:35:54,200 Speaker 1: article you're talking about, Jack, there was like this other 612 00:35:54,280 --> 00:35:56,680 Speaker 1: stat in there that basically the number of veterans that 613 00:35:56,719 --> 00:36:00,920 Speaker 1: serve in Congress has continually began declining. So are are 614 00:36:00,960 --> 00:36:04,520 Speaker 1: the people that are in government inherently have are disconnected 615 00:36:04,600 --> 00:36:07,040 Speaker 1: from the class of people or just this group of 616 00:36:07,080 --> 00:36:09,040 Speaker 1: people who serve in the military. And we only have 617 00:36:09,040 --> 00:36:11,239 Speaker 1: people sort of like John McCain, and you know, not 618 00:36:11,320 --> 00:36:14,280 Speaker 1: many others who are kind of embody this this actual 619 00:36:14,360 --> 00:36:18,439 Speaker 1: like war hero serving in government. Fewer and fewer of them. 620 00:36:18,880 --> 00:36:21,280 Speaker 1: I think it used to almost be like a prerequisite 621 00:36:21,320 --> 00:36:24,920 Speaker 1: that you had like military backgrounds to be like a 622 00:36:24,960 --> 00:36:28,240 Speaker 1: successful politician. But yeah, I think I I mean McCain 623 00:36:28,560 --> 00:36:33,160 Speaker 1: yesterday was uh, you know, throwing shade at Trump. I 624 00:36:33,160 --> 00:36:40,160 Speaker 1: think he talked about Yeah, it's like some people Trump 625 00:36:40,280 --> 00:36:43,760 Speaker 1: got out of going to the Vietnam War by claiming 626 00:36:43,760 --> 00:36:47,319 Speaker 1: he had bone spurs time and time again. Um. And 627 00:36:47,360 --> 00:36:52,480 Speaker 1: so McCain made reference to that in comments yesterday. Um. So, 628 00:36:52,960 --> 00:36:57,000 Speaker 1: I don't know, it seems like this sort of division 629 00:36:57,080 --> 00:37:01,839 Speaker 1: between military people and uh, non military people as sort 630 00:37:01,840 --> 00:37:04,279 Speaker 1: of I don't know, all over the place right now, 631 00:37:04,640 --> 00:37:08,239 Speaker 1: especially because John McCain, I mean older respects the man 632 00:37:08,440 --> 00:37:11,960 Speaker 1: is very old. Uh, And there's not a lot of 633 00:37:12,080 --> 00:37:15,160 Speaker 1: people working in government right now who are both veterans 634 00:37:15,239 --> 00:37:19,520 Speaker 1: and younger and like working with more progressive views than 635 00:37:19,800 --> 00:37:23,720 Speaker 1: John McCain. Grew up with UM, so it's it's interesting. 636 00:37:23,719 --> 00:37:26,600 Speaker 1: I feel like John McCain often becomes the default voice 637 00:37:27,000 --> 00:37:29,719 Speaker 1: for veterans, but he's also speaking from you know, a 638 00:37:29,760 --> 00:37:34,920 Speaker 1: couple of generations back as well as many as seven generations. Yeah, 639 00:37:34,960 --> 00:37:36,680 Speaker 1: but you may not know how. There has been kind 640 00:37:36,719 --> 00:37:38,960 Speaker 1: of like it with Democrats, like they have been starting 641 00:37:38,960 --> 00:37:43,359 Speaker 1: to test the waters with like veterans running. But we'll see, 642 00:37:43,360 --> 00:37:46,680 Speaker 1: we'll see how that experiment goes. UM. But yeah, I 643 00:37:46,719 --> 00:37:48,800 Speaker 1: think what's also interesting me is like with Trump, actually, 644 00:37:48,800 --> 00:37:52,440 Speaker 1: you know, having avoided serving in Vietnam like five times, 645 00:37:53,480 --> 00:37:56,759 Speaker 1: I'm actually surprised how much people like in this military 646 00:37:56,800 --> 00:38:00,879 Speaker 1: class who support him can look at him and think like, oh, yeah, 647 00:38:00,880 --> 00:38:03,840 Speaker 1: this guy gets it because normally, like that's something that 648 00:38:03,840 --> 00:38:06,200 Speaker 1: would that would be an attack that these people would 649 00:38:06,239 --> 00:38:08,560 Speaker 1: levey against anyone else if they're on the other side 650 00:38:08,680 --> 00:38:11,360 Speaker 1: sort of like, oh, they haven't served, they wouldn't know whatever. 651 00:38:11,719 --> 00:38:15,160 Speaker 1: But we have the embodiment of someone who has never served, 652 00:38:15,239 --> 00:38:18,800 Speaker 1: and we'll never know. By the way, a great candidate, 653 00:38:19,640 --> 00:38:24,000 Speaker 1: Pete Buddha Gedge, who is a I think thirty five 654 00:38:24,120 --> 00:38:27,640 Speaker 1: year old uh. He was commissioned as a naval intelligence 655 00:38:27,640 --> 00:38:30,640 Speaker 1: officer in the Naval Reserve in two thousand nine, deployed 656 00:38:30,640 --> 00:38:35,160 Speaker 1: to Afghanistan two thousand thirteen, served seven month deployment. I 657 00:38:35,200 --> 00:38:39,320 Speaker 1: think he is the mayor of South Bend or something. Yeah, 658 00:38:39,360 --> 00:38:42,840 Speaker 1: thirty five year old gay uh mayor of South Bend, 659 00:38:42,880 --> 00:38:45,359 Speaker 1: who's just like one of the smartest guys I've ever 660 00:38:45,400 --> 00:38:49,520 Speaker 1: heard interviewed. You'd be a great, great candidate to bring 661 00:38:49,560 --> 00:38:55,239 Speaker 1: the military service back to the elected office, Pete Drew. Pete, 662 00:38:56,280 --> 00:38:59,319 Speaker 1: all Right, we're gonna take a quick break and when 663 00:38:59,480 --> 00:39:02,520 Speaker 1: we come back, we're going to talk some boy scouts 664 00:39:02,719 --> 00:39:06,239 Speaker 1: and also Jamie's gonna tell us about some movies she's 665 00:39:06,280 --> 00:39:20,919 Speaker 1: been watching. T and we're back. So, Miles, apparently cub 666 00:39:20,960 --> 00:39:25,000 Speaker 1: Scouts aren't even safe from censorship. The headline that you 667 00:39:25,040 --> 00:39:28,560 Speaker 1: added to I had to yeah this this eleven year 668 00:39:28,600 --> 00:39:34,719 Speaker 1: old cub scout. His name is Ames Mayfield. He's from Broomfield, Colorado. 669 00:39:34,920 --> 00:39:37,840 Speaker 1: Fucking dope name, dude, Yeah, Aims Mayfield. He sounds like 670 00:39:37,920 --> 00:39:41,040 Speaker 1: a like a funk artist, like maybe Kurt Mayfield's brother 671 00:39:41,080 --> 00:39:44,520 Speaker 1: or something. Aims Mayfield. Anyway, he was he's in He's 672 00:39:44,560 --> 00:39:46,480 Speaker 1: in a cub Scout and he was asked to not 673 00:39:46,560 --> 00:39:49,319 Speaker 1: return to his den um after his group met with 674 00:39:49,360 --> 00:39:53,000 Speaker 1: a state senator named Vicky Marble, and because basically this kid, 675 00:39:53,120 --> 00:39:56,640 Speaker 1: like he came with some questions for some winning government 676 00:39:57,000 --> 00:39:59,920 Speaker 1: and asked like some hard hitting questions about gun control 677 00:40:00,000 --> 00:40:02,920 Speaker 1: and some problematic statements she made, and like this woman 678 00:40:02,960 --> 00:40:06,000 Speaker 1: was shook. The video was wild because it shot over 679 00:40:06,040 --> 00:40:09,759 Speaker 1: the shoulder of of the of aims. And you just 680 00:40:09,800 --> 00:40:12,600 Speaker 1: watch Vicky Marble, which also sounds like a fake name. 681 00:40:13,000 --> 00:40:19,320 Speaker 1: Just my girlfriend Vicky Marbles Canada, My girlfriend Vicky Marble cartoon. 682 00:40:19,400 --> 00:40:21,600 Speaker 1: You won't meet her because she don't lived too hot, 683 00:40:21,760 --> 00:40:23,520 Speaker 1: she wouldn't want to hang out with you guys. But 684 00:40:23,840 --> 00:40:25,960 Speaker 1: but yeah, so this kid, like, you know, she took 685 00:40:26,000 --> 00:40:28,279 Speaker 1: some questions from the Cub Scouts and he he this 686 00:40:28,480 --> 00:40:31,080 Speaker 1: kid sounds like a full grown adult and like he 687 00:40:31,200 --> 00:40:33,640 Speaker 1: sayings like I was shocked that you co sponsored a 688 00:40:33,719 --> 00:40:36,879 Speaker 1: bill to allow domestic violence offenders to continue to own 689 00:40:36,920 --> 00:40:39,440 Speaker 1: a gun. Why on earth would you want somebody who 690 00:40:39,520 --> 00:40:41,759 Speaker 1: beats their wife to have access to a gun? This 691 00:40:41,920 --> 00:40:44,440 Speaker 1: kid said it so calm, cool and collected, because I 692 00:40:44,440 --> 00:40:45,799 Speaker 1: think a lot of people want to levy the thing, 693 00:40:45,880 --> 00:40:48,600 Speaker 1: like his mom wrote that and she's just pushing her 694 00:40:48,600 --> 00:40:51,440 Speaker 1: agenda through her kid or whatever. But in an interview, 695 00:40:51,960 --> 00:40:55,440 Speaker 1: this kid actually seems like actually concerned by this. Obviously 696 00:40:55,640 --> 00:40:59,080 Speaker 1: he's probably hearing that in his house, but it didn't 697 00:40:59,120 --> 00:41:01,440 Speaker 1: seem like he was forced to just read this thing 698 00:41:01,600 --> 00:41:03,719 Speaker 1: like for a gotcha moment. No, it seems like he 699 00:41:03,920 --> 00:41:09,480 Speaker 1: was actually dumbing down his question for the exactly like this, 700 00:41:09,680 --> 00:41:14,200 Speaker 1: so that you'll understand Vicky Marvel. And then he said 701 00:41:14,239 --> 00:41:17,719 Speaker 1: another thing. Yo, he shout out to Wilke aims. Then 702 00:41:17,800 --> 00:41:20,400 Speaker 1: he says he told her straight up, he said quote, 703 00:41:20,719 --> 00:41:23,279 Speaker 1: he was, I was astonished that you blamed black people 704 00:41:23,360 --> 00:41:25,880 Speaker 1: for poor health and poverty because of all the chicken 705 00:41:25,960 --> 00:41:30,520 Speaker 1: and barbecue they eat. Whoam so? Okay? And then she 706 00:41:30,800 --> 00:41:32,279 Speaker 1: then she goes on and she was like, oh, that 707 00:41:32,400 --> 00:41:33,800 Speaker 1: was made up by the media, and it's like you 708 00:41:33,880 --> 00:41:35,440 Speaker 1: want to and then she says him, you want to 709 00:41:35,480 --> 00:41:37,719 Speaker 1: believe it, you believe it. But that's not how it 710 00:41:37,800 --> 00:41:40,960 Speaker 1: went down. Okay, So when you actually look at the 711 00:41:41,000 --> 00:41:43,400 Speaker 1: quote from Vicky Marvel, she straight up said, when you 712 00:41:43,480 --> 00:41:46,040 Speaker 1: look at life expectancy, this is a quote. Okay, when 713 00:41:46,080 --> 00:41:48,120 Speaker 1: you look at life expectancy, there are problems in the 714 00:41:48,200 --> 00:41:53,239 Speaker 1: black race. Okay, First of all, pause, pause, rewind uh, 715 00:41:53,520 --> 00:41:56,279 Speaker 1: sickle cell anemia is something that comes up. Diabetes is 716 00:41:56,360 --> 00:41:58,920 Speaker 1: something that's prevalent in the genetic makeup, and you just 717 00:41:59,120 --> 00:42:01,799 Speaker 1: can't help it. Although I've got to say I've never 718 00:42:01,880 --> 00:42:04,360 Speaker 1: had better barbecue and better chicken and ate better in 719 00:42:04,440 --> 00:42:06,400 Speaker 1: my life than when you go down South and you, 720 00:42:06,800 --> 00:42:11,279 Speaker 1: I mean, I love it. Everybody loves it. So fall 721 00:42:11,400 --> 00:42:13,520 Speaker 1: the funk back Vicky Marble with you. I don't know, 722 00:42:13,680 --> 00:42:17,520 Speaker 1: I mean again, thank you Ames Mayfield for being the 723 00:42:17,640 --> 00:42:20,560 Speaker 1: wokest cub Scout on Earth. Da He went in on 724 00:42:20,680 --> 00:42:25,400 Speaker 1: the recent exactly and it's because he was is he 725 00:42:25,640 --> 00:42:28,360 Speaker 1: like he's not in the same cub Scout den anymore? 726 00:42:28,520 --> 00:42:30,560 Speaker 1: So Yeah, Like a few days after the event, the 727 00:42:30,680 --> 00:42:33,080 Speaker 1: leader of the cub Scout pack in the area, because 728 00:42:33,120 --> 00:42:35,120 Speaker 1: like there's the area, then there's like the dens within 729 00:42:35,200 --> 00:42:39,320 Speaker 1: the area. Anyway, they informed his mom that he wouldn't 730 00:42:39,320 --> 00:42:42,440 Speaker 1: be able to return to his den because it was 731 00:42:42,520 --> 00:42:46,880 Speaker 1: too politically charged. Let the kid returned to his damn it, 732 00:42:47,200 --> 00:42:50,600 Speaker 1: you think his his other like little cub Scout mates 733 00:42:50,600 --> 00:42:52,479 Speaker 1: in the denner Like yo, fam, Like you really don't 734 00:42:52,480 --> 00:42:54,360 Speaker 1: have to flame her like that, this is too political. 735 00:42:55,160 --> 00:42:57,520 Speaker 1: They're years old. Like he's the smartest kid anyway, He's 736 00:42:57,520 --> 00:43:00,719 Speaker 1: already he's already beyond these other kind of message? Is 737 00:43:00,800 --> 00:43:03,800 Speaker 1: that sending two kids like you keep your mouth shut? 738 00:43:03,920 --> 00:43:06,480 Speaker 1: And because it's not the kids making the decision, like 739 00:43:07,320 --> 00:43:10,919 Speaker 1: what eleven year old is going to not stand by there? 740 00:43:11,160 --> 00:43:14,160 Speaker 1: It just doesn't. It's so clearly being made by by 741 00:43:14,239 --> 00:43:17,680 Speaker 1: the adults and not the kids, because who wouldn't who 742 00:43:17,719 --> 00:43:20,640 Speaker 1: wouldn't chill with Aimes? Yeah, I'm down to chill with Aimes. 743 00:43:20,800 --> 00:43:23,520 Speaker 1: I mean you mean, like the decision to kick him 744 00:43:23,560 --> 00:43:25,520 Speaker 1: out as the adults and not like it's not like 745 00:43:25,640 --> 00:43:29,160 Speaker 1: the kids, Like we disagree with Aimes is politics, It's 746 00:43:29,239 --> 00:43:33,480 Speaker 1: not a right. Uh. And then to close things out, Jamie, Uh, 747 00:43:34,080 --> 00:43:37,880 Speaker 1: you have a podcast called The Bechdel Cast. Oh okay, 748 00:43:38,040 --> 00:43:40,600 Speaker 1: I didn't need to tell you that. Yeah, you're aware 749 00:43:40,640 --> 00:43:44,680 Speaker 1: of that. Uh So can you tell people the premise 750 00:43:45,000 --> 00:43:48,239 Speaker 1: or I guess what the Bechdel test is? Sure? So 751 00:43:48,440 --> 00:43:50,920 Speaker 1: I host The Bechdel Cast with my friend Caitlin Darante, 752 00:43:51,160 --> 00:43:55,320 Speaker 1: and we uh talk about in the podcast how women 753 00:43:56,239 --> 00:44:00,600 Speaker 1: are portrayed in famous movies. We use the Dell test 754 00:44:00,719 --> 00:44:04,080 Speaker 1: as kind of like a general yardstick. So if you've 755 00:44:04,120 --> 00:44:06,400 Speaker 1: never heard of it as at minted by Alison Beckdal, 756 00:44:06,760 --> 00:44:09,640 Speaker 1: whose author of Fun Home has been a cartoonist and 757 00:44:09,680 --> 00:44:12,279 Speaker 1: author for a long time. And it basically just does 758 00:44:12,440 --> 00:44:14,360 Speaker 1: a movie at any point it just has to be 759 00:44:14,440 --> 00:44:18,920 Speaker 1: two lines of dialogue between uh, two women who have 760 00:44:19,440 --> 00:44:23,080 Speaker 1: names and talk about something other than a man, right, 761 00:44:23,320 --> 00:44:27,759 Speaker 1: And this happens not often, and it literally can be 762 00:44:27,880 --> 00:44:32,799 Speaker 1: two female characters with names saying, how's the weather called done? 763 00:44:33,840 --> 00:44:36,960 Speaker 1: Or how's the weather? Eric broke my heart? Right? It's 764 00:44:37,000 --> 00:44:42,400 Speaker 1: like um and uh, you know a lot of famous 765 00:44:42,480 --> 00:44:44,799 Speaker 1: movies do not even come close to passing the test. 766 00:44:44,840 --> 00:44:47,760 Speaker 1: It's it's bleak, but we we'd talk about how women 767 00:44:47,800 --> 00:44:51,600 Speaker 1: are portrayed sort of uh in in general also very bleak. 768 00:44:52,000 --> 00:44:54,640 Speaker 1: But so you guys just did a big one for 769 00:44:55,520 --> 00:44:58,520 Speaker 1: the Beckdel cast. You did Manhattan, we did we did 770 00:44:58,560 --> 00:45:01,439 Speaker 1: a special U not a special, but we did sort 771 00:45:01,440 --> 00:45:05,080 Speaker 1: of an emergency episode on Manhattan, which is a movie 772 00:45:05,080 --> 00:45:09,719 Speaker 1: I hadn't seen since college. Uh. The so if if 773 00:45:09,760 --> 00:45:14,120 Speaker 1: you haven't seen it, please do not rush. There's no 774 00:45:14,280 --> 00:45:17,680 Speaker 1: pressure to see a Woody Allen movie ever. Okay, that's 775 00:45:17,840 --> 00:45:20,160 Speaker 1: that's how I'm not gonna lie. I'm not seeing Manhattan 776 00:45:20,200 --> 00:45:22,000 Speaker 1: I've only seen maybe two Woody Allen films in my 777 00:45:22,000 --> 00:45:23,520 Speaker 1: whole life because I don't know what it was. I'm 778 00:45:23,560 --> 00:45:25,319 Speaker 1: just like, I was just never vibe with Woody Adam 779 00:45:25,440 --> 00:45:27,800 Speaker 1: Allen film. So I'm glad I'm now justified in my 780 00:45:27,880 --> 00:45:30,839 Speaker 1: ignorance because Manytimes people like you haven't seen blah blah blah, 781 00:45:30,880 --> 00:45:32,880 Speaker 1: you haven't see any Hall. I'm like, bro, I don't know. 782 00:45:33,600 --> 00:45:37,640 Speaker 1: I'm like, you haven't seen Belly Hype Williams masterpiece. But 783 00:45:37,760 --> 00:45:41,160 Speaker 1: yet just enlightened me as someone who's completely ignorant to Manhattan. 784 00:45:41,360 --> 00:45:43,360 Speaker 1: What like, what is the film about? I will I 785 00:45:43,480 --> 00:45:46,400 Speaker 1: will say that I love Annie Hall, But even I 786 00:45:46,680 --> 00:45:51,960 Speaker 1: think I agree with you guys on Manhattan is insane. 787 00:45:52,080 --> 00:45:55,880 Speaker 1: It's still to this day on a fish list of 788 00:45:56,000 --> 00:45:59,560 Speaker 1: a hundred best films ever made. Uh? And what it 789 00:45:59,719 --> 00:46:02,719 Speaker 1: is I mean? And if you're familiar with the allegations 790 00:46:02,719 --> 00:46:05,400 Speaker 1: against Woody Allen, which is that you know, sexual abuse 791 00:46:05,480 --> 00:46:09,560 Speaker 1: of miners. Uh in Manhattan, They're a major plot point 792 00:46:09,680 --> 00:46:12,960 Speaker 1: is Woody Allen's character sexually abusing a minor and having 793 00:46:13,040 --> 00:46:17,160 Speaker 1: it be like, oh, he's got a young girlfriend he's dating. Uh. 794 00:46:17,560 --> 00:46:20,320 Speaker 1: Mariel Hemingway in the movie, who is seventeen at the 795 00:46:20,360 --> 00:46:23,560 Speaker 1: time of filming, and in the movie as well, Woody 796 00:46:23,560 --> 00:46:26,880 Speaker 1: Allen is in his forties at this point. Um you 797 00:46:27,040 --> 00:46:30,600 Speaker 1: find out and and and just the way it's treated, 798 00:46:30,600 --> 00:46:32,400 Speaker 1: I mean we get into it in any episode, but 799 00:46:32,440 --> 00:46:35,640 Speaker 1: just the way it's treated and galazed over constantly throughout 800 00:46:35,680 --> 00:46:39,439 Speaker 1: the movie is absolutely crazy because he's even there's there 801 00:46:39,520 --> 00:46:42,839 Speaker 1: are some well written female characters in that movie who 802 00:46:42,960 --> 00:46:45,200 Speaker 1: do not see him bothered by the fact that Woody 803 00:46:45,239 --> 00:46:48,680 Speaker 1: Allen is dating a high schooler and effectively assaulting her 804 00:46:48,760 --> 00:46:51,480 Speaker 1: over and over we see them in bed together. It's 805 00:46:51,520 --> 00:46:54,680 Speaker 1: just it's it's very disturbing and like pound for pound, 806 00:46:54,920 --> 00:46:59,760 Speaker 1: just awful, awful movie to watch. And and the crazy 807 00:46:59,840 --> 00:47:01,640 Speaker 1: thing is, you know, for so long and up until 808 00:47:01,719 --> 00:47:04,560 Speaker 1: a few years ago when these allegations uh with Woody 809 00:47:04,600 --> 00:47:09,640 Speaker 1: Allen were becoming extremely public, Uh, the main takeaway from 810 00:47:09,680 --> 00:47:12,000 Speaker 1: this movie was like, Wow, what a love letter to 811 00:47:12,120 --> 00:47:15,480 Speaker 1: New York, which is all you ever hear about crazy 812 00:47:16,080 --> 00:47:18,480 Speaker 1: to this day. Like if you don't listen to the 813 00:47:18,560 --> 00:47:20,960 Speaker 1: Bechdel Cast, like the thing you're most likely to have 814 00:47:21,080 --> 00:47:23,839 Speaker 1: heard of Manhattan as what a love letter to New York. 815 00:47:23,920 --> 00:47:28,239 Speaker 1: I mean, it's just I mean, yeah, a guy does 816 00:47:28,280 --> 00:47:30,640 Speaker 1: a thing with a light, but Woody Allen is assaulting 817 00:47:30,680 --> 00:47:33,160 Speaker 1: a child over and over in this movie, and no 818 00:47:33,239 --> 00:47:36,120 Speaker 1: one would ever talk about it. It's just it's, uh, 819 00:47:36,560 --> 00:47:40,200 Speaker 1: it's really really bad. The way that everything is treated 820 00:47:40,360 --> 00:47:45,279 Speaker 1: is just irresponsible and at best extremely juvenile. And it's 821 00:47:45,360 --> 00:47:48,200 Speaker 1: kind of glorifying this kind of relationship because at the 822 00:47:48,280 --> 00:47:51,840 Speaker 1: end of Manhattan's spoiler alert, Uh, there's sort of you know, 823 00:47:51,960 --> 00:47:54,399 Speaker 1: Mary all Hummingway and Woody Allen's characters are like, oh, 824 00:47:54,520 --> 00:47:57,120 Speaker 1: maybe things will work out like and then there's like 825 00:47:57,160 --> 00:47:59,680 Speaker 1: a little smile from Woody Allen and then more jerk 826 00:48:00,040 --> 00:48:03,880 Speaker 1: George gershwood and uh, you know, egregious shots of New 827 00:48:03,960 --> 00:48:05,800 Speaker 1: York in the seventies, and then it's over. But so 828 00:48:05,880 --> 00:48:09,200 Speaker 1: it sounds like I should watch this movie beautiful love 829 00:48:09,280 --> 00:48:13,359 Speaker 1: letter there's and then you read about I mean, there's 830 00:48:13,440 --> 00:48:15,680 Speaker 1: nothing good to say about Woody Allen. And also just 831 00:48:15,840 --> 00:48:19,000 Speaker 1: in light of the past couple of weeks, the as 832 00:48:19,280 --> 00:48:21,759 Speaker 1: far as I'm concerning the whole art separating art from 833 00:48:21,800 --> 00:48:25,359 Speaker 1: the artist is noe, We're done, we don't do that anymore. Uh, 834 00:48:25,560 --> 00:48:28,000 Speaker 1: It's this is a movie that no one should watch 835 00:48:29,000 --> 00:48:31,600 Speaker 1: there's nothing to take away from it except that there 836 00:48:31,680 --> 00:48:34,319 Speaker 1: are a couple of nice shots, but that has nothing 837 00:48:34,360 --> 00:48:35,920 Speaker 1: to do with Woody Allen and it has nothing to 838 00:48:36,000 --> 00:48:39,360 Speaker 1: do with the cinematography. Right, So essentially it's normalizing like 839 00:48:39,480 --> 00:48:43,719 Speaker 1: a very problematic adult and minor relationship, right. Yeah. Yeah, 840 00:48:43,800 --> 00:48:47,320 Speaker 1: it's completely glorifying and making it seem like a cute 841 00:48:47,560 --> 00:48:52,759 Speaker 1: like midlife crisis for Woody Allen a child. Yeah, It's 842 00:48:52,800 --> 00:48:56,560 Speaker 1: like it's like a thing where like another romantic comedy 843 00:48:56,600 --> 00:49:00,120 Speaker 1: would have like he's a business type and she is 844 00:49:00,160 --> 00:49:03,440 Speaker 1: like a free spirit. It's like he's a forty something 845 00:49:03,640 --> 00:49:09,440 Speaker 1: and she's she's it's bringing him out of I mean, 846 00:49:09,560 --> 00:49:12,240 Speaker 1: and like the age gap between female and male leads 847 00:49:12,440 --> 00:49:15,880 Speaker 1: in Hollywood in general is still a nightmare. But this is, 848 00:49:16,000 --> 00:49:18,960 Speaker 1: I mean, this is just like straight up illegal, like 849 00:49:19,320 --> 00:49:22,640 Speaker 1: are they kissing? So so one of the things I 850 00:49:23,400 --> 00:49:25,920 Speaker 1: learned when I was researching this movie is that Mariel Hemingway, 851 00:49:26,160 --> 00:49:28,799 Speaker 1: who is seventeen at the time of filming, got her 852 00:49:28,920 --> 00:49:32,160 Speaker 1: first kiss on screen in this movie from Woody Allen, 853 00:49:33,640 --> 00:49:35,920 Speaker 1: and then less than a year later went to her 854 00:49:36,000 --> 00:49:38,600 Speaker 1: parents house and asked if he could take Mariel Hemingway 855 00:49:38,640 --> 00:49:42,360 Speaker 1: who was eighteen then but still completely unacceptable. He was like, 856 00:49:42,440 --> 00:49:46,760 Speaker 1: can I take your daughter to Paris? And Mariel Hemingway asked, 857 00:49:47,080 --> 00:49:49,600 Speaker 1: will I get my own hotel room? And he said nope, 858 00:49:49,760 --> 00:49:52,719 Speaker 1: And so she said, okay, I'm not going, um, but 859 00:49:53,040 --> 00:49:59,680 Speaker 1: just just disgusting. Uh bad? No, don can you do that? Ship? 860 00:50:00,040 --> 00:50:03,480 Speaker 1: Can you kiss like a child? Even if it's apparently 861 00:50:03,520 --> 00:50:06,920 Speaker 1: in nine you could like right now, right if you 862 00:50:07,000 --> 00:50:09,799 Speaker 1: did that like first that that wouldn't even happen now, 863 00:50:09,880 --> 00:50:12,600 Speaker 1: I guess because people have finally woken up. Like the 864 00:50:12,680 --> 00:50:16,480 Speaker 1: late seventies had a weird like pedophilia thing going on. 865 00:50:16,760 --> 00:50:18,799 Speaker 1: It was like it was creepy, like there were all 866 00:50:18,880 --> 00:50:22,600 Speaker 1: these I did this on a video that Gett cracked 867 00:50:22,640 --> 00:50:24,719 Speaker 1: about just how they were like all these there are 868 00:50:24,800 --> 00:50:27,520 Speaker 1: these ads that were like nothing sexier than a baby, 869 00:50:27,680 --> 00:50:30,640 Speaker 1: where like a young woman was like dressed up as 870 00:50:30,680 --> 00:50:33,480 Speaker 1: like a baby doll licking a lollipop and it was 871 00:50:36,719 --> 00:50:41,879 Speaker 1: loves baby soft perfume. It was really problematic. And there 872 00:50:42,200 --> 00:50:44,080 Speaker 1: there was also like this was around the time that 873 00:50:44,440 --> 00:50:47,719 Speaker 1: brook Shields became like a sex symbol as like a 874 00:50:47,880 --> 00:50:51,960 Speaker 1: sixteen year old kid. Yeah that movie well yeah, but 875 00:50:52,040 --> 00:50:55,640 Speaker 1: then so Bluelue. Uh like I think it's maybe just 876 00:50:55,719 --> 00:50:57,760 Speaker 1: called Blue Lagoon and then returned to the Blue Lagoon 877 00:50:57,920 --> 00:51:03,000 Speaker 1: was like the sequel. But um like, even after that 878 00:51:03,120 --> 00:51:07,080 Speaker 1: movie came out, she was like, Calvin Klein Jeans is like, 879 00:51:07,920 --> 00:51:11,839 Speaker 1: uh sort of spokesperson. She was like the k Yeah, 880 00:51:11,920 --> 00:51:15,240 Speaker 1: And there's like a slow they're one of the famous ads. 881 00:51:15,320 --> 00:51:18,480 Speaker 1: Is like a slow shot that like goes up her 882 00:51:18,560 --> 00:51:21,120 Speaker 1: body and she's like, nothing gets between me and my 883 00:51:21,239 --> 00:51:25,600 Speaker 1: Calvin's and it's like really this like disgusting male gaze 884 00:51:25,680 --> 00:51:30,000 Speaker 1: thing that like, so I mean that is clearly something 885 00:51:30,120 --> 00:51:33,880 Speaker 1: that we're passed. Right. It was just announced that in 886 00:51:34,000 --> 00:51:37,759 Speaker 1: Woody Allen's new movie, aptly named Because He Cannot Grow Up, 887 00:51:38,040 --> 00:51:43,560 Speaker 1: Oh Rainy Dye, New York also features uh like a 888 00:51:43,800 --> 00:51:46,279 Speaker 1: relationship with this exact same age gap with a man 889 00:51:46,360 --> 00:51:48,680 Speaker 1: in his forties and a fifteen year old girl who 890 00:51:49,160 --> 00:51:51,080 Speaker 1: is referred to in quote in the Indie Wire article 891 00:51:51,120 --> 00:51:54,440 Speaker 1: I'm reading as a concubine played by l Fanning. So 892 00:51:55,440 --> 00:52:02,840 Speaker 1: uh just cool, very tight, very cool. Clearly you know, 893 00:52:03,160 --> 00:52:07,279 Speaker 1: like with age comes wisdom, except if you're like a 894 00:52:07,400 --> 00:52:09,200 Speaker 1: white man who can get away with whatever he wants. 895 00:52:09,960 --> 00:52:13,080 Speaker 1: If you're a pedophile. Apparently you don't grow out of it, 896 00:52:13,120 --> 00:52:15,560 Speaker 1: and you should be in jail. I I have not. 897 00:52:16,040 --> 00:52:17,920 Speaker 1: I can't claim to have seen the new Louis c. 898 00:52:18,120 --> 00:52:21,000 Speaker 1: K movie, uh, nor do I have any interest in it. 899 00:52:21,239 --> 00:52:24,040 Speaker 1: But I do know the plot of the movie. It's 900 00:52:24,040 --> 00:52:27,239 Speaker 1: a very clear homage to Manhattan and that uh. It 901 00:52:27,560 --> 00:52:31,880 Speaker 1: literally features character modeled after Woody Allen I believe, played 902 00:52:31,880 --> 00:52:36,160 Speaker 1: by John Malkovich um and Louis luisy K play as 903 00:52:36,200 --> 00:52:39,680 Speaker 1: a TV writer who has a young daughter who's sort 904 00:52:39,680 --> 00:52:43,719 Speaker 1: of handing off his daughter to this Woody Allen type. Uh. 905 00:52:44,400 --> 00:52:47,400 Speaker 1: While being a total like his his character is is 906 00:52:47,440 --> 00:52:51,360 Speaker 1: also very lecherous. You know. It's weird because louisy K 907 00:52:51,560 --> 00:52:55,080 Speaker 1: is essentially acknowledging the allegations against him, which is that 908 00:52:55,200 --> 00:52:59,800 Speaker 1: he serially masturbates in front of women uh in this movie, 909 00:53:00,000 --> 00:53:02,800 Speaker 1: but in a way that is totally like forgiving to 910 00:53:02,960 --> 00:53:07,320 Speaker 1: himself and saying like allegations or allegations and and and 911 00:53:07,480 --> 00:53:09,680 Speaker 1: the line that people are taking away from this movie 912 00:53:09,760 --> 00:53:12,799 Speaker 1: is like everyone's a pervert, which is the most apologist 913 00:53:13,040 --> 00:53:17,200 Speaker 1: bullshit in the entire world. Um. And it ends with 914 00:53:17,440 --> 00:53:21,759 Speaker 1: like him like sort of hitting on his daughter or something. Right. 915 00:53:21,800 --> 00:53:24,399 Speaker 1: I mean, and this is again secondhand information. I haven't 916 00:53:24,400 --> 00:53:28,680 Speaker 1: seen the full movie, Um, but yeah, where the sort 917 00:53:28,680 --> 00:53:32,319 Speaker 1: of conclusion as instead of it being like, hey, uh, 918 00:53:32,840 --> 00:53:36,360 Speaker 1: don't hand off your daughter to a known pervert, it 919 00:53:36,640 --> 00:53:39,759 Speaker 1: becomes like, well, everyone's a pervert and then pulling out 920 00:53:39,880 --> 00:53:45,680 Speaker 1: some garbage Freudian Uh excuse, she's only being protective of 921 00:53:45,800 --> 00:53:48,920 Speaker 1: her because he has like some weird Freudian thing. Right, 922 00:53:48,960 --> 00:53:51,680 Speaker 1: and then Chloe Grace Moretto places his daughter says a 923 00:53:51,760 --> 00:53:54,560 Speaker 1: line to the effect of like, well, I've wanted to 924 00:53:54,680 --> 00:53:57,200 Speaker 1: have sex with you since I was a kid, because 925 00:53:57,320 --> 00:54:01,600 Speaker 1: freud And it's like that your own to her own fire. Yeah, okay, 926 00:54:02,880 --> 00:54:06,960 Speaker 1: uh so hard pass on. I mean it seems like 927 00:54:07,200 --> 00:54:11,200 Speaker 1: and I hope that this movie has the opposite effect 928 00:54:11,360 --> 00:54:13,839 Speaker 1: on Louise K, because it seems like, you know, from 929 00:54:13,920 --> 00:54:15,800 Speaker 1: his point of views, like, oh, well, this will explain 930 00:54:15,880 --> 00:54:18,480 Speaker 1: everything and everyone's a pervert, so I'm not in trouble. 931 00:54:18,560 --> 00:54:19,840 Speaker 1: But I think that it's going to blow up in 932 00:54:19,880 --> 00:54:21,960 Speaker 1: his face in a major way. For people who aren't 933 00:54:21,960 --> 00:54:27,680 Speaker 1: aware there are there's lots of smoke that suggests that 934 00:54:27,800 --> 00:54:34,239 Speaker 1: Louis K does horrible, abusive things to women involving like 935 00:54:34,920 --> 00:54:36,800 Speaker 1: getting them in a room and masturbating in front of 936 00:54:36,840 --> 00:54:39,200 Speaker 1: them and acknowledges it in the movie where he has. 937 00:54:39,400 --> 00:54:42,320 Speaker 1: Charlie day is in this movie and has a scene 938 00:54:42,400 --> 00:54:45,320 Speaker 1: where Charlie Dave masturbates to completion in front of a 939 00:54:45,400 --> 00:54:47,600 Speaker 1: woman against her will. So he's very aware of what 940 00:54:47,760 --> 00:54:50,560 Speaker 1: these allegations are. So this is like his version of 941 00:54:50,640 --> 00:54:54,520 Speaker 1: OJ's book. If I did it exactly exactly, lawyers are like, 942 00:54:54,680 --> 00:54:57,600 Speaker 1: what are you doing? I don't know. I mean, thankfully 943 00:54:57,640 --> 00:54:59,520 Speaker 1: we cannot put ourselves in his head because he is 944 00:54:59,600 --> 00:55:04,320 Speaker 1: a person. I don't think he has masturbated to completion 945 00:55:04,400 --> 00:55:07,839 Speaker 1: in front of anyone in this room. But like if 946 00:55:08,120 --> 00:55:11,319 Speaker 1: you're an actress in Hollywood, like I know actresses who 947 00:55:12,360 --> 00:55:16,000 Speaker 1: who had auditions and you know their agent was like, 948 00:55:16,200 --> 00:55:18,520 Speaker 1: just so you know, like this guy masturbates in front 949 00:55:18,560 --> 00:55:21,759 Speaker 1: of people. So it's just what he's like. Yeah, so 950 00:55:21,960 --> 00:55:25,480 Speaker 1: just know that because everyone's a pervert. Yeah. So so 951 00:55:25,600 --> 00:55:29,240 Speaker 1: you can draw a direct line from Manhattan to this movie, 952 00:55:29,320 --> 00:55:33,359 Speaker 1: which of course is called I Love You Daddy. Uh Se, 953 00:55:34,000 --> 00:55:37,320 Speaker 1: see neither of them. That's that's my movie. Quarter two movies. 954 00:55:37,360 --> 00:55:41,359 Speaker 1: Do not see Jamie? Where can people follow you? I'm 955 00:55:41,480 --> 00:55:45,880 Speaker 1: on Twitter at Hamburger Phone uh, and I got a website, 956 00:55:45,960 --> 00:55:48,959 Speaker 1: Jamie Loftus is innocent dot com miles Where can people 957 00:55:48,960 --> 00:55:52,400 Speaker 1: follow you? You can find me on Twitter and Instagram 958 00:55:52,560 --> 00:55:56,080 Speaker 1: at Miles of Grade. You can follow me on Twitter 959 00:55:56,239 --> 00:55:59,400 Speaker 1: at Jack Underscore, O b R, I Eat. And the 960 00:55:59,520 --> 00:56:03,360 Speaker 1: dailies geist is at Daily Zeitgeist on Twitter, at the 961 00:56:03,600 --> 00:56:07,480 Speaker 1: Daily Zigeist on Instagram and the Daily Zeist on Facebook. 962 00:56:08,040 --> 00:56:11,440 Speaker 1: And Jamie, thank you so much for joining us, Thanks 963 00:56:11,480 --> 00:56:15,520 Speaker 1: for having me. We will be back tomorrow because it 964 00:56:15,680 --> 00:56:18,680 Speaker 1: is a daily podcast. I'm talky then,