WEBVTT - INTERVIEW: Tank & J. Valentine Talk R&B Money Podcast, Hell's Kitchen, How R&B Has Evolved, AI Music + More

0:00:01.560 --> 0:00:04.120
<v Speaker 1>Every day a week ago. Click your ass up the

0:00:04.160 --> 0:00:06.160
<v Speaker 1>Breakfast Club finish for y'all.

0:00:06.200 --> 0:00:10.640
<v Speaker 2>Done morning everybody, It's the j Envy, Jess Hilarious, Charlamagne

0:00:10.640 --> 0:00:13.280
<v Speaker 2>the guy. We are the Breakfast Club. Laurla Rose is

0:00:13.320 --> 0:00:15.280
<v Speaker 2>here with us as well. We got some special guests.

0:00:15.040 --> 0:00:15.480
<v Speaker 3>In the villoty.

0:00:15.560 --> 0:00:18.720
<v Speaker 4>Yes, indeed we have Jay Valentine and Alicia Keys, Pops,

0:00:18.760 --> 0:00:19.440
<v Speaker 4>ladies and gentlemen.

0:00:21.840 --> 0:00:25.599
<v Speaker 1>Let me take ladies and gentlemen.

0:00:23.560 --> 0:00:32.040
<v Speaker 5>I'm not that old back you are, David, but I'm

0:00:32.880 --> 0:00:36.800
<v Speaker 5>you know what I'm saying, Dad on Broadway. Yeah, I

0:00:36.840 --> 0:00:41.040
<v Speaker 5>play a twenty twenty something, almost thirty year old, phenomenal job.

0:00:41.080 --> 0:00:42.680
<v Speaker 2>By the way, if you haven't seen it, you've got

0:00:42.720 --> 0:00:45.000
<v Speaker 2>to see him. Now you're back on Broadway for how long?

0:00:45.120 --> 0:00:46.800
<v Speaker 2>I actually took the whole family to go see it.

0:00:46.840 --> 0:00:48.280
<v Speaker 2>But how long are you back on Broadway for?

0:00:48.840 --> 0:00:51.559
<v Speaker 5>It was originally two weeks, but then I added a weekend,

0:00:52.040 --> 0:00:55.560
<v Speaker 5>so it was what like twenty two shows? So I'm

0:00:55.560 --> 0:00:56.320
<v Speaker 5>here to the thirtieth.

0:00:57.840 --> 0:00:59.720
<v Speaker 2>It's a perfect Christmas gift if you want to take

0:00:59.720 --> 0:01:02.120
<v Speaker 2>something christ especially your parents.

0:01:02.120 --> 0:01:04.040
<v Speaker 1>Definitely a phenomenal job.

0:01:05.200 --> 0:01:06.399
<v Speaker 4>He does a phenomenal job.

0:01:06.400 --> 0:01:10.240
<v Speaker 6>I love the show that's that's when he walked into Charlataanne'

0:01:10.280 --> 0:01:13.840
<v Speaker 6>getting old. You should use my product, my kit, my kid. Yeah,

0:01:13.920 --> 0:01:16.000
<v Speaker 6>and I'm like, rewind.

0:01:15.560 --> 0:01:18.920
<v Speaker 1>The time, wind the time. Then you say, let me go.

0:01:19.640 --> 0:01:24.440
<v Speaker 1>You got to have hair. You want to? You want to?

0:01:24.520 --> 0:01:30.640
<v Speaker 1>You want to see my hair? That's crazy, No on

0:01:30.640 --> 0:01:33.440
<v Speaker 1>your face. I don't know what you're talking about that hair.

0:01:33.800 --> 0:01:34.240
<v Speaker 3>Just keep it.

0:01:37.000 --> 0:01:40.400
<v Speaker 5>That's a stocking cat for all those I'm used to

0:01:40.440 --> 0:01:41.680
<v Speaker 5>cutting off the foot of the stock.

0:01:41.760 --> 0:01:42.920
<v Speaker 1>And I'm a school.

0:01:45.800 --> 0:01:46.280
<v Speaker 3>I don't know.

0:01:47.319 --> 0:01:49.640
<v Speaker 5>One day I was asking to change my picture because

0:01:49.640 --> 0:01:53.920
<v Speaker 5>the picture on the box looks looks like they put

0:01:53.960 --> 0:01:58.040
<v Speaker 5>a crackhead filter on me. And I said crazy, I said, Joe,

0:01:58.160 --> 0:02:01.040
<v Speaker 5>that's not how I look. I never looked like that.

0:02:01.600 --> 0:02:04.080
<v Speaker 5>Somebody hated on me. Can you please change the picture.

0:02:04.640 --> 0:02:07.400
<v Speaker 5>I'm gonna change the picture for you fans. I promise

0:02:07.400 --> 0:02:09.960
<v Speaker 5>I'm gonna change the picture. We went through.

0:02:09.919 --> 0:02:13.919
<v Speaker 1>Months and months and months, please change the picture. Finally,

0:02:13.919 --> 0:02:16.480
<v Speaker 1>I'm like, Joe, this is getting disrespect changed.

0:02:21.480 --> 0:02:24.040
<v Speaker 5>He's getting disrespectful, and that next thing I know, I'm

0:02:24.040 --> 0:02:25.000
<v Speaker 5>getting the letter in the mail.

0:02:25.200 --> 0:02:30.520
<v Speaker 1>You will not be renewed. And never changed the picture.

0:02:32.120 --> 0:02:36.680
<v Speaker 3>Look, they got to.

0:02:38.680 --> 0:02:42.600
<v Speaker 7>Inventory so I think they kicked me out and brought

0:02:42.720 --> 0:02:43.240
<v Speaker 7>Nori in.

0:02:45.480 --> 0:02:47.720
<v Speaker 4>You Andy got the same? I guess color we don't

0:02:47.760 --> 0:02:48.320
<v Speaker 4>have the same.

0:02:48.480 --> 0:02:48.840
<v Speaker 1>Nothing.

0:02:49.760 --> 0:02:52.000
<v Speaker 6>On the next episode of Joe and Jada, we find

0:02:52.000 --> 0:02:53.400
<v Speaker 6>out why actually got.

0:02:56.240 --> 0:02:58.960
<v Speaker 8>You ain't called him back and say no, no, Joe

0:02:58.960 --> 0:02:59.960
<v Speaker 8>ain't hitting me back.

0:03:00.160 --> 0:03:03.480
<v Speaker 1>Damn damn you New.

0:03:03.400 --> 0:03:10.080
<v Speaker 9>York, New York, right, Papa, I'm gonna pull up on him.

0:03:10.120 --> 0:03:12.240
<v Speaker 3>You know who else in New York? Ray J and

0:03:12.320 --> 0:03:13.800
<v Speaker 3>Rage said he won't smoke.

0:03:15.360 --> 0:03:18.520
<v Speaker 6>Can't mess with me by training. Wow, it's gonna take

0:03:18.560 --> 0:03:22.040
<v Speaker 6>me nine months. What do you think, Valentine.

0:03:22.000 --> 0:03:29.800
<v Speaker 5>Begins, that's a fact. Yes, he can beat me. What

0:03:34.960 --> 0:03:36.680
<v Speaker 5>doing pool out? Doing pool?

0:03:36.840 --> 0:03:37.160
<v Speaker 1>Nigga?

0:03:38.160 --> 0:03:39.720
<v Speaker 6>He said, you can't mess with him if he trained,

0:03:39.720 --> 0:03:42.400
<v Speaker 6>but it's gonna take him nine months only specify.

0:03:42.440 --> 0:03:44.400
<v Speaker 1>I guess, but guess, but guess what he said? I

0:03:44.440 --> 0:03:54.920
<v Speaker 1>love you. He don't love nobody. Everybody. Everybody else said

0:03:54.960 --> 0:03:57.400
<v Speaker 1>I'm going j can do no wrong.

0:03:58.120 --> 0:03:59.640
<v Speaker 6>Ranch So funny because he said it, but then he

0:03:59.680 --> 0:04:01.480
<v Speaker 6>thought of about it like it's going to take me.

0:04:03.960 --> 0:04:06.200
<v Speaker 5>Here's the thing about ray J is that nobody's really

0:04:06.200 --> 0:04:11.680
<v Speaker 5>paying attention to he's smart. He's smart, and he has

0:04:11.680 --> 0:04:14.080
<v Speaker 5>a diversified portfolio.

0:04:15.160 --> 0:04:15.760
<v Speaker 1>I get it you.

0:04:16.080 --> 0:04:18.599
<v Speaker 5>Some people may be able to sing better than him,

0:04:18.720 --> 0:04:22.039
<v Speaker 5>some people may may be able to outperform him, whatever,

0:04:22.320 --> 0:04:25.240
<v Speaker 5>but you're not going to beat him in terms of

0:04:25.480 --> 0:04:29.760
<v Speaker 5>lasting and being in a relevant conversation as long as

0:04:29.800 --> 0:04:33.480
<v Speaker 5>he's been in it period. It's connected to everything, everything

0:04:33.680 --> 0:04:39.240
<v Speaker 5>from music, everything to making social social.

0:04:39.880 --> 0:04:42.280
<v Speaker 6>I said that morning, he's what I call an anchor being.

0:04:42.320 --> 0:04:44.240
<v Speaker 6>In comic books, they call it an anchor being. He's

0:04:44.240 --> 0:04:46.200
<v Speaker 6>an anchor bean to tech.

0:04:47.120 --> 0:04:57.280
<v Speaker 1>He's in tech didn't break, but soon they broke. I

0:04:57.320 --> 0:04:57.599
<v Speaker 1>don't know.

0:05:02.200 --> 0:05:04.200
<v Speaker 8>If he if J stopped like doing all the things

0:05:04.200 --> 0:05:06.479
<v Speaker 8>he's doing and really focus on his voice, we would

0:05:06.480 --> 0:05:16.200
<v Speaker 8>hear a better singer of a ray J. Yeah, Brady,

0:05:16.800 --> 0:05:20.400
<v Speaker 8>But conversation it was him versus Mario, and people are

0:05:20.480 --> 0:05:20.920
<v Speaker 8>like he can.

0:05:21.200 --> 0:05:24.000
<v Speaker 5>In the beginning, ray J was going there and then

0:05:24.200 --> 0:05:26.359
<v Speaker 5>I just think that he just I think he was

0:05:26.440 --> 0:05:30.680
<v Speaker 5>just happier doing more like to be a singer. Singer

0:05:30.800 --> 0:05:33.880
<v Speaker 5>like you really got a hyper focus on singing, and

0:05:34.040 --> 0:05:41.080
<v Speaker 5>other things suffer as a result of that. You know,

0:05:41.360 --> 0:05:44.360
<v Speaker 5>a lot of those guys are good listen good singers,

0:05:44.920 --> 0:05:47.360
<v Speaker 5>got it, but they're not there.

0:05:47.480 --> 0:05:52.960
<v Speaker 1>They can't out entertain ray J. That's true. They can crowd,

0:05:53.600 --> 0:05:59.000
<v Speaker 1>you know. I don't know what he what's what's the

0:05:59.040 --> 0:06:00.160
<v Speaker 1>what's the one you?

0:06:00.520 --> 0:06:04.279
<v Speaker 5>I don't know what's going on, But.

0:06:04.320 --> 0:06:06.080
<v Speaker 1>It felt like it was a panther on the inside

0:06:06.080 --> 0:06:07.200
<v Speaker 1>of that. I don't know.

0:06:10.960 --> 0:06:12.920
<v Speaker 5>And guess what we were talking about. I don't care

0:06:12.920 --> 0:06:15.840
<v Speaker 5>who performed well at that one music festival. Guess who

0:06:15.839 --> 0:06:16.440
<v Speaker 5>we were talking about.

0:06:17.920 --> 0:06:19.400
<v Speaker 6>I wanted to ask both of y'all a question, right

0:06:19.440 --> 0:06:21.320
<v Speaker 6>y'all all the host of the R and B Money podcast,

0:06:21.320 --> 0:06:23.800
<v Speaker 6>and I was thinking about this with the conversation that

0:06:23.880 --> 0:06:27.520
<v Speaker 6>Mario and Cam Newton was having. Is there a proper

0:06:27.640 --> 0:06:30.200
<v Speaker 6>R and B etiquette? Should other R and B singers

0:06:30.240 --> 0:06:31.760
<v Speaker 6>talk about who can and can't sing?

0:06:33.640 --> 0:06:35.920
<v Speaker 1>I believe you can. You can say what you feel.

0:06:36.800 --> 0:06:37.359
<v Speaker 1>That's you know.

0:06:37.800 --> 0:06:40.000
<v Speaker 10>I don't tell nobody what they can say or how

0:06:40.040 --> 0:06:43.359
<v Speaker 10>they can feel about anyone else. And music is subjective,

0:06:44.360 --> 0:06:46.360
<v Speaker 10>you know what I'm saying? Like and Tankers tell you,

0:06:46.400 --> 0:06:47.640
<v Speaker 10>I'm the guy who calls him.

0:06:47.560 --> 0:06:50.080
<v Speaker 1>I'm like, have you heard this song? And it might

0:06:50.120 --> 0:06:51.640
<v Speaker 1>be the whole song might be off key.

0:06:52.080 --> 0:06:54.520
<v Speaker 10>I'm like that ship jammin though, right, Nigga, that ship

0:06:54.600 --> 0:06:57.599
<v Speaker 10>jam mhm it's about how music make you feel.

0:06:58.360 --> 0:07:00.760
<v Speaker 1>If we're gonna go back into who's the rated singers,

0:07:00.839 --> 0:07:03.240
<v Speaker 1>then we just got to go to church mhm.

0:07:04.320 --> 0:07:07.919
<v Speaker 10>And we all know outside of Kurt Franklin and the

0:07:08.040 --> 0:07:10.840
<v Speaker 10>ORLANDA Adams, it ain't a whole bunch of money on.

0:07:10.720 --> 0:07:11.480
<v Speaker 1>That side of it.

0:07:11.800 --> 0:07:15.600
<v Speaker 10>So if we're talking about making money and making popular music,

0:07:16.640 --> 0:07:21.000
<v Speaker 10>the voice is subjective and and can can people really

0:07:21.760 --> 0:07:23.440
<v Speaker 10>get what they're trying to get out of.

0:07:23.320 --> 0:07:25.280
<v Speaker 1>The song we're talking about? What's the song we were

0:07:25.320 --> 0:07:26.160
<v Speaker 1>just listening to in the back.

0:07:30.120 --> 0:07:34.080
<v Speaker 5>If that would have been like a gospel style, if

0:07:34.080 --> 0:07:36.880
<v Speaker 5>that had been a gospel style singer, it wouldn't have worked.

0:07:37.120 --> 0:07:40.800
<v Speaker 5>Mark Morrison returning to Mac No no good singer could

0:07:40.800 --> 0:07:43.440
<v Speaker 5>It's no elevated singer could have singing that.

0:07:43.520 --> 0:07:45.160
<v Speaker 10>It had to be that, you know what I mean.

0:07:45.200 --> 0:07:47.800
<v Speaker 10>It's like, it's it's a style. When we're talking about

0:07:47.800 --> 0:07:48.760
<v Speaker 10>in popular music.

0:07:48.560 --> 0:07:49.960
<v Speaker 1>It's it's it's style wised.

0:07:50.480 --> 0:07:53.960
<v Speaker 5>So when you have the okay, who's gonna come out

0:07:53.960 --> 0:07:55.920
<v Speaker 5>here and flat foot sing for each other, we don't.

0:07:55.920 --> 0:07:56.800
<v Speaker 1>We don't really have it.

0:07:56.840 --> 0:07:58.760
<v Speaker 10>So I mean you can you can say it and

0:07:58.840 --> 0:08:01.440
<v Speaker 10>oh this person is best singer, and that person better singer.

0:08:01.440 --> 0:08:04.720
<v Speaker 10>But then it's like the who sells the most records,

0:08:04.720 --> 0:08:05.880
<v Speaker 10>But that would say that.

0:08:06.200 --> 0:08:07.720
<v Speaker 6>I put a list right now, and I said, Tank,

0:08:07.800 --> 0:08:09.600
<v Speaker 6>who can really sing? You would play that game.

0:08:10.440 --> 0:08:15.920
<v Speaker 1>I already see where this is going. I don't. I can't.

0:08:16.360 --> 0:08:20.720
<v Speaker 5>You know what I'm saying, because because my voice means

0:08:20.840 --> 0:08:25.280
<v Speaker 5>so much more. When when when these guys hear me

0:08:25.320 --> 0:08:28.240
<v Speaker 5>say something like if if if I didn't matter, if

0:08:28.240 --> 0:08:30.280
<v Speaker 5>we weren't the authority on all things R and B,

0:08:30.400 --> 0:08:33.959
<v Speaker 5>if I wasn't a guy who's written and produced and

0:08:34.080 --> 0:08:37.000
<v Speaker 5>sat down and had conversations with all these guys about

0:08:37.120 --> 0:08:39.480
<v Speaker 5>music and life and how you know this is what

0:08:39.520 --> 0:08:40.920
<v Speaker 5>you need to do to do this and do that.

0:08:41.000 --> 0:08:43.880
<v Speaker 5>Like I'm in a place where I can't even I

0:08:43.880 --> 0:08:47.600
<v Speaker 5>can't even do that. I gotta, I gotta. I gotta

0:08:47.880 --> 0:08:52.880
<v Speaker 5>encourage all of them, because I inspire all of them,

0:08:53.040 --> 0:08:54.319
<v Speaker 5>you know what I mean? So I gotta tell, I

0:08:54.320 --> 0:08:56.960
<v Speaker 5>gotta tell either whatever you have, this is how, this

0:08:57.040 --> 0:08:59.600
<v Speaker 5>is how you frame that, do that, put that there

0:08:59.640 --> 0:09:02.080
<v Speaker 5>and then with that sonic by this, and then that's

0:09:02.120 --> 0:09:04.400
<v Speaker 5>the guy I can be. So you know when you say,

0:09:04.840 --> 0:09:08.720
<v Speaker 5>is Mario allowed to do that? Mario can he can't

0:09:09.000 --> 0:09:10.480
<v Speaker 5>every right, I can't.

0:09:11.080 --> 0:09:13.600
<v Speaker 2>So now let me ask you, when you have a

0:09:13.640 --> 0:09:16.800
<v Speaker 2>computer that can make that voice perfect, right, I'm talking

0:09:16.840 --> 0:09:20.400
<v Speaker 2>about the AI Young. How does that make you feel

0:09:20.400 --> 0:09:24.480
<v Speaker 2>when somebody could type in lyrics into a program, push

0:09:24.600 --> 0:09:26.880
<v Speaker 2>into and it comes out with this amazing song with

0:09:26.920 --> 0:09:29.839
<v Speaker 2>this amazing voice, and this person gets paid a lot

0:09:29.880 --> 0:09:30.320
<v Speaker 2>of money.

0:09:30.640 --> 0:09:31.480
<v Speaker 1>I'm not mad at it.

0:09:31.600 --> 0:09:33.800
<v Speaker 10>Why I'm not mad at it because I just believe

0:09:33.840 --> 0:09:38.199
<v Speaker 10>that we are constantly evolving into something right if it's

0:09:38.440 --> 0:09:40.760
<v Speaker 10>and it's just another form of business. And I'm and

0:09:40.800 --> 0:09:43.520
<v Speaker 10>I'm happy for a young girl out of Memphis, Mississippi,

0:09:43.520 --> 0:09:46.120
<v Speaker 10>where somewhere out there where she's from, that was able

0:09:46.120 --> 0:09:48.520
<v Speaker 10>to make a living off of it. To me, I'm

0:09:49.000 --> 0:09:51.720
<v Speaker 10>never I'm never knocking anybody who figures out a way

0:09:51.760 --> 0:09:52.200
<v Speaker 10>to make a living.

0:09:52.240 --> 0:09:53.040
<v Speaker 4>Does that hurt the craft?

0:09:54.600 --> 0:09:56.040
<v Speaker 5>But let's take it back though. But let's take it

0:09:56.080 --> 0:09:58.040
<v Speaker 5>back though, because we've got to go back to the beginning.

0:09:58.640 --> 0:10:06.880
<v Speaker 5>Because me, I have albums, many albums, many songs with

0:10:06.960 --> 0:10:10.240
<v Speaker 5>no auto tune mm hmm. Now, all of a sudden,

0:10:10.760 --> 0:10:16.480
<v Speaker 5>I'm competing against singers who aren't singers who can't necessarily

0:10:16.559 --> 0:10:19.720
<v Speaker 5>hold that note, that can't necessarily do that run that

0:10:19.720 --> 0:10:23.440
<v Speaker 5>they're not as technical as I am, but the autotune

0:10:23.559 --> 0:10:29.000
<v Speaker 5>is holding them up and helping them almost.

0:10:28.640 --> 0:10:30.920
<v Speaker 1>Sound as good as I sound. Technically.

0:10:31.920 --> 0:10:36.160
<v Speaker 5>We've been fighting against AI for a long time, Grammy

0:10:36.280 --> 0:10:41.320
<v Speaker 5>for absolutely.

0:10:42.040 --> 0:10:45.200
<v Speaker 1>Absolutely, And guess what I said. I don't. I don't

0:10:45.200 --> 0:10:46.640
<v Speaker 1>care what the playing field is.

0:10:47.320 --> 0:10:52.760
<v Speaker 6>Let's play fight out and I think it's a time

0:10:52.760 --> 0:10:53.200
<v Speaker 6>and place for all.

0:10:53.240 --> 0:10:55.199
<v Speaker 3>Then I don't think all the two works in the bedroom.

0:10:55.559 --> 0:10:59.320
<v Speaker 5>You I just I disagree with you because you have

0:10:59.400 --> 0:11:01.800
<v Speaker 5>heard a tank with you just don't. It's not just

0:11:03.000 --> 0:11:06.960
<v Speaker 5>I don't. I don't t paying my auto tune right,

0:11:07.000 --> 0:11:08.720
<v Speaker 5>but I understand how to use the tool.

0:11:09.400 --> 0:11:11.240
<v Speaker 8>And I also think have you seen Tank perform live?

0:11:11.800 --> 0:11:12.000
<v Speaker 1>Yes?

0:11:12.120 --> 0:11:14.679
<v Speaker 8>So I think once we've seen I'm a live performer,

0:11:15.600 --> 0:11:17.080
<v Speaker 8>we wouldn't even think there would be.

0:11:17.080 --> 0:11:20.800
<v Speaker 5>Anything because I don't need it, right, But I understand

0:11:20.840 --> 0:11:24.560
<v Speaker 5>the sonic behind it. I understand why it cuts through

0:11:24.600 --> 0:11:26.360
<v Speaker 5>and why what it does on radio and what it

0:11:26.360 --> 0:11:29.040
<v Speaker 5>does when it comes through your head. I understand sonically

0:11:29.080 --> 0:11:37.160
<v Speaker 5>what that is. That's just me being an engineer time rewind.

0:11:38.760 --> 0:11:40.600
<v Speaker 6>But I think it's something to being able to grab

0:11:40.600 --> 0:11:43.079
<v Speaker 6>a microphone anytime, anywhere.

0:11:42.640 --> 0:11:42.720
<v Speaker 1>And.

0:11:44.600 --> 0:11:49.480
<v Speaker 5>That's why, and that's why it doesn't matter. It's just

0:11:49.600 --> 0:11:52.480
<v Speaker 5>another player in the game that we are competing against.

0:11:52.800 --> 0:11:57.600
<v Speaker 5>I don't care who it is. Let's fight, let's compete.

0:11:57.720 --> 0:11:59.880
<v Speaker 1>And it's enough space for ever. It's enough space.

0:12:00.080 --> 0:12:07.720
<v Speaker 5>You have Whitney Houston, you had what's what's uh American idol? No no, no, no, no, no,

0:12:08.000 --> 0:12:10.160
<v Speaker 5>the one that we should be, the Laker dancer.

0:12:12.320 --> 0:12:12.880
<v Speaker 1>Like you are.

0:12:13.880 --> 0:12:16.679
<v Speaker 10>People are acting like this is new where you don't

0:12:16.720 --> 0:12:20.760
<v Speaker 10>have one end to the other end you're always going

0:12:20.840 --> 0:12:21.040
<v Speaker 10>to have.

0:12:21.120 --> 0:12:23.719
<v Speaker 1>But it's still a person. This ain't a person, but

0:12:24.120 --> 0:12:24.480
<v Speaker 1>it was.

0:12:24.440 --> 0:12:27.600
<v Speaker 3>Still assisted was in a video with a cat, a

0:12:27.600 --> 0:12:28.400
<v Speaker 3>cartoon cat.

0:12:28.720 --> 0:12:31.680
<v Speaker 1>Yeah, it's different, he was.

0:12:33.400 --> 0:12:37.679
<v Speaker 5>It's different, but it's just today's version of it. And

0:12:37.720 --> 0:12:42.760
<v Speaker 5>you gotta understand we're not going back. We're not going back.

0:12:43.080 --> 0:12:46.680
<v Speaker 5>So does that figure out your prompts? You're executive, right, yes?

0:12:46.840 --> 0:12:48.560
<v Speaker 2>Would you have a sign and artist that you got

0:12:48.559 --> 0:12:53.920
<v Speaker 2>to deal with, makeup, hair, manager, security, all that, or

0:12:54.000 --> 0:12:55.520
<v Speaker 2>AI person that you ain't got to deal with nothing?

0:12:55.559 --> 0:12:56.840
<v Speaker 4>You cut a check and just let the money come.

0:12:56.960 --> 0:12:58.760
<v Speaker 10>If you tell me that person you just said, it's

0:12:58.840 --> 0:13:04.040
<v Speaker 10>Caliney telling in Kayliney, it's perfect tell me that person,

0:13:04.040 --> 0:13:05.760
<v Speaker 10>it's Scissor summer Walker.

0:13:06.440 --> 0:13:07.000
<v Speaker 1>I'm taking it.

0:13:07.040 --> 0:13:09.120
<v Speaker 4>Most people won't invest that money to get to where

0:13:09.120 --> 0:13:10.360
<v Speaker 4>a Scissor is, won't take that.

0:13:11.480 --> 0:13:15.640
<v Speaker 10>The real executive is going to see that. They're going

0:13:15.679 --> 0:13:18.800
<v Speaker 10>to see Victoria Monday. They're going to see her drive.

0:13:19.040 --> 0:13:21.040
<v Speaker 10>They're going to see how hard she goes in and go, oh,

0:13:21.760 --> 0:13:24.920
<v Speaker 10>this is going to connect. Because that's the other thing. Now,

0:13:24.960 --> 0:13:29.280
<v Speaker 10>you also have to talk about how an artist feels

0:13:29.320 --> 0:13:32.559
<v Speaker 10>to people. An ar artist, you know, you're just like, Okay,

0:13:32.600 --> 0:13:35.280
<v Speaker 10>that's a video game. You like to play it a

0:13:35.280 --> 0:13:37.520
<v Speaker 10>little bit, But are you in love with it like that?

0:13:37.600 --> 0:13:38.240
<v Speaker 1>You know what I'm saying.

0:13:38.360 --> 0:13:42.080
<v Speaker 10>So the human aspect still kicks in when it comes

0:13:42.080 --> 0:13:45.600
<v Speaker 10>to that, Oh I love this artist. These people love

0:13:45.720 --> 0:13:48.680
<v Speaker 10>the artists that I just named. They love Chris Brown,

0:13:48.960 --> 0:13:53.040
<v Speaker 10>I love Mario, they love ray J bro. I go

0:13:53.120 --> 0:13:55.880
<v Speaker 10>to my phone and I'm trying to see what Raj

0:13:56.000 --> 0:13:57.840
<v Speaker 10>said today.

0:13:58.440 --> 0:14:01.760
<v Speaker 1>I'm not I ain't gonna help you. Yeah. Yeah, so

0:14:02.600 --> 0:14:03.600
<v Speaker 1>you can't replace that.

0:14:04.679 --> 0:14:07.120
<v Speaker 5>But I ain't mad at somebody getting their bread in

0:14:07.160 --> 0:14:09.360
<v Speaker 5>another way, you know, I mean I'm not.

0:14:09.440 --> 0:14:12.640
<v Speaker 1>You know that. Don't bother me. The labels are going to.

0:14:14.480 --> 0:14:18.320
<v Speaker 5>They're gonna sign AI, Yes they are, and then they're

0:14:18.320 --> 0:14:21.360
<v Speaker 5>gonna use some of that aid money to take a

0:14:21.480 --> 0:14:23.000
<v Speaker 5>chance on humans.

0:14:23.080 --> 0:14:23.920
<v Speaker 4>How do you patent it?

0:14:24.120 --> 0:14:26.640
<v Speaker 2>Because you're putting it into a system so yours could

0:14:26.680 --> 0:14:28.160
<v Speaker 2>sound exactly like hers.

0:14:28.760 --> 0:14:30.080
<v Speaker 1>Well not, they're not gonna be able to do that.

0:14:30.400 --> 0:14:31.880
<v Speaker 1>So that's where it gets everybody.

0:14:32.000 --> 0:14:34.800
<v Speaker 5>Because the little Barney thing that almost kind of sound

0:14:34.920 --> 0:14:38.880
<v Speaker 5>like me and and Sam Smith and and somebody else

0:14:38.920 --> 0:14:42.400
<v Speaker 5>had a baby, the little Bernie. I'm thinking about it.

0:14:42.600 --> 0:14:44.400
<v Speaker 5>I'm thinking about going to see them niggas.

0:14:44.400 --> 0:14:47.360
<v Speaker 1>You know what I'm saying, Like little Barnie.

0:14:47.360 --> 0:14:49.360
<v Speaker 5>You ain't seen the Barney guys singing R and B

0:14:49.440 --> 0:14:53.120
<v Speaker 5>in the rain. It's going around. Everybody can tagging me on.

0:14:53.280 --> 0:14:55.760
<v Speaker 5>I'll show it tell you. But I mean, once you

0:14:55.840 --> 0:14:59.360
<v Speaker 5>start trying to sound like people that already exist and that,

0:14:59.360 --> 0:15:02.680
<v Speaker 5>that's when we start are having an issue.

0:15:01.520 --> 0:15:05.120
<v Speaker 10>And I think that's that's probably in the works as well.

0:15:05.200 --> 0:15:07.120
<v Speaker 10>I mean, I got some homies that's trying to figure

0:15:07.120 --> 0:15:10.800
<v Speaker 10>out how to copyright all of that, and you know

0:15:11.040 --> 0:15:14.600
<v Speaker 10>cultural you know cultural I P and that those those

0:15:14.640 --> 0:15:17.720
<v Speaker 10>type of things. So as in anything, they got to

0:15:17.760 --> 0:15:19.320
<v Speaker 10>figure it out, you know what I'm saying, you know,

0:15:19.360 --> 0:15:21.920
<v Speaker 10>we're all old enough to realize napster and and and

0:15:22.360 --> 0:15:24.360
<v Speaker 10>know what we went through during that time and seeing

0:15:24.360 --> 0:15:27.680
<v Speaker 10>the music business change, and they figured it out. I mean,

0:15:27.720 --> 0:15:31.000
<v Speaker 10>they figured out another way to rob us again. But

0:15:31.040 --> 0:15:33.120
<v Speaker 10>then you you also figured out a way to give

0:15:33.320 --> 0:15:35.240
<v Speaker 10>opportunities to people who would have never had them.

0:15:35.480 --> 0:15:36.520
<v Speaker 3>Well, let's stay here for a second.

0:15:36.560 --> 0:15:39.200
<v Speaker 6>Y'all too have seen damn near every evolution of the

0:15:39.200 --> 0:15:41.840
<v Speaker 6>industry for the most part. What's the biggest lie the

0:15:41.920 --> 0:15:43.160
<v Speaker 6>industry ever sold?

0:15:43.280 --> 0:15:45.359
<v Speaker 3>R and B artists.

0:15:46.280 --> 0:15:47.400
<v Speaker 1>M I don't.

0:15:47.920 --> 0:15:51.480
<v Speaker 5>I don't think that there's I don't think that there's

0:15:51.520 --> 0:15:55.760
<v Speaker 5>a lot that they sold. I think the truth about

0:15:55.800 --> 0:15:58.240
<v Speaker 5>what happened to us was never told. And I think

0:15:58.240 --> 0:16:00.600
<v Speaker 5>we've had that conversation in terms of what we ended

0:16:00.680 --> 0:16:05.240
<v Speaker 5>up having to compete against as male artists, against you know,

0:16:05.560 --> 0:16:09.000
<v Speaker 5>rappers singing melody and kind of replacing us in the

0:16:09.120 --> 0:16:12.480
<v Speaker 5>charts space. Like we weren't honest about that conversation. It's

0:16:12.520 --> 0:16:14.880
<v Speaker 5>like R and B died. No, R and B didn't die.

0:16:15.520 --> 0:16:20.240
<v Speaker 5>We're still here. But you're just you're not giving us

0:16:20.560 --> 0:16:24.000
<v Speaker 5>our spots. You're giving our spots You're not You're you're

0:16:24.080 --> 0:16:30.240
<v Speaker 5>letting bad singers, uh sing songs, but you're penalizing good singers.

0:16:30.400 --> 0:16:34.200
<v Speaker 1>We're doing too much. Well, you singing gen and Juice

0:16:34.280 --> 0:16:43.800
<v Speaker 1>on the podcast Nobody Nobody.

0:16:46.960 --> 0:16:48.400
<v Speaker 4>You're blaming it on the rappers.

0:16:48.440 --> 0:16:50.520
<v Speaker 1>No, no, no, no, no, I blame it on I blame

0:16:50.560 --> 0:16:52.280
<v Speaker 1>it on economics. It was just math.

0:16:53.080 --> 0:16:54.920
<v Speaker 5>You know how much it took to make you know

0:16:54.960 --> 0:16:58.840
<v Speaker 5>what I'm saying, A Voice too men album? You know

0:16:58.840 --> 0:17:02.440
<v Speaker 5>how much it took to make a Jackson album? Yeah,

0:17:02.480 --> 0:17:05.680
<v Speaker 5>but then when you had that first hit, come Come,

0:17:05.760 --> 0:17:09.360
<v Speaker 5>Come out of the basement of the Bronx or in Harlem.

0:17:09.480 --> 0:17:10.760
<v Speaker 1>You know what I'm saying, for.

0:17:12.560 --> 0:17:16.000
<v Speaker 5>Two hundred dollars and some chicken and you sold two

0:17:16.080 --> 0:17:17.040
<v Speaker 5>million of them.

0:17:17.400 --> 0:17:22.560
<v Speaker 1>Right, there's a whoo how do we get more of that?

0:17:23.720 --> 0:17:26.880
<v Speaker 10>But I think what what him and I figured out

0:17:26.880 --> 0:17:30.600
<v Speaker 10>early on too, was we could make R and B

0:17:30.680 --> 0:17:34.240
<v Speaker 10>cost effective and that like we had a conversation with

0:17:34.280 --> 0:17:37.960
<v Speaker 10>Atlantic Records, I don't know, fifteen years ago and we

0:17:38.119 --> 0:17:40.520
<v Speaker 10>and you know, we were trying to figure out how

0:17:40.520 --> 0:17:43.720
<v Speaker 10>to make it make sense. And him and I were like, yeah,

0:17:43.760 --> 0:17:47.720
<v Speaker 10>we got home studios. We can write and produce it ourselves.

0:17:47.760 --> 0:17:49.240
<v Speaker 10>If we want to bring in our friends, we can

0:17:49.960 --> 0:17:52.520
<v Speaker 10>and we'll set a certain number that we go up

0:17:52.560 --> 0:17:55.440
<v Speaker 10>to so that when we turn in this album, he

0:17:55.520 --> 0:17:57.360
<v Speaker 10>makes money week one.

0:17:58.080 --> 0:17:58.320
<v Speaker 1>YEP.

0:17:58.720 --> 0:18:01.640
<v Speaker 10>And we went in Atlantic and we restructured our deal

0:18:02.240 --> 0:18:05.120
<v Speaker 10>and we was like, now, don't we don't want that upfront.

0:18:05.280 --> 0:18:07.120
<v Speaker 10>We're trying to make back end money. Now, we're trying

0:18:07.119 --> 0:18:09.280
<v Speaker 10>to make, you know, money that's gonna last for our kids,

0:18:09.280 --> 0:18:13.120
<v Speaker 10>for us later on in our lives. So that upfront

0:18:13.119 --> 0:18:17.160
<v Speaker 10>that you've been selling people on which you know everybody knows,

0:18:17.160 --> 0:18:17.639
<v Speaker 10>that's debate.

0:18:18.119 --> 0:18:19.960
<v Speaker 1>You know what I mean. If I give you a dollar,

0:18:20.920 --> 0:18:22.480
<v Speaker 1>I gave you a dollar, so you owe me.

0:18:23.280 --> 0:18:25.720
<v Speaker 10>We're saying, you know, we're saying, okay, well this is

0:18:25.760 --> 0:18:27.439
<v Speaker 10>what this is what's gonna take for us to make it.

0:18:28.080 --> 0:18:30.800
<v Speaker 10>And then we proved that the business model worked, and

0:18:31.400 --> 0:18:33.040
<v Speaker 10>we saw a lot of other people in R and

0:18:33.080 --> 0:18:36.000
<v Speaker 10>B start doing the same thing because before it was

0:18:36.119 --> 0:18:38.960
<v Speaker 10>very expensive to make R and B music. You need

0:18:38.960 --> 0:18:43.119
<v Speaker 10>a studio for a month, two months that you know,

0:18:43.160 --> 0:18:45.480
<v Speaker 10>the artist is showing up to two three days out

0:18:45.480 --> 0:18:47.320
<v Speaker 10>of that time. We're like, no, no, we're gonna do

0:18:47.359 --> 0:18:49.359
<v Speaker 10>this right. You know, We're gonna cut the fat and

0:18:49.359 --> 0:18:52.200
<v Speaker 10>we're going to really do real business. And I think

0:18:52.320 --> 0:18:53.679
<v Speaker 10>R and B had to figure out how to do

0:18:53.720 --> 0:18:55.800
<v Speaker 10>real business. For a minute, R and B was it

0:18:55.880 --> 0:18:57.800
<v Speaker 10>was wild, like niggas was charging.

0:18:58.640 --> 0:19:01.000
<v Speaker 1>One fit track.

0:19:01.119 --> 0:19:01.720
<v Speaker 3>I know, I know.

0:19:01.800 --> 0:19:04.040
<v Speaker 10>Niggas that was getting jewelry on the on the budget

0:19:04.119 --> 0:19:06.920
<v Speaker 10>absolutely like wait, producers, y'all got y'all got jury off

0:19:06.920 --> 0:19:07.840
<v Speaker 10>of his song.

0:19:07.920 --> 0:19:10.639
<v Speaker 5>But you know what, all right, there was that So

0:19:10.800 --> 0:19:13.680
<v Speaker 5>and we were in a privileged position, yea, because we're

0:19:14.040 --> 0:19:16.479
<v Speaker 5>we're a to Z so we can write it, produce it,

0:19:16.880 --> 0:19:19.240
<v Speaker 5>all of that, you know what I mean, at a

0:19:19.240 --> 0:19:21.520
<v Speaker 5>at a level, you know what I mean. So at

0:19:21.520 --> 0:19:24.080
<v Speaker 5>a at a point where some artists they need to

0:19:24.359 --> 0:19:26.560
<v Speaker 5>run to that high level producer, they need to run

0:19:26.600 --> 0:19:28.280
<v Speaker 5>to that high level writer, and it is going to

0:19:28.359 --> 0:19:33.560
<v Speaker 5>cost them to get in the game. We we kind

0:19:33.560 --> 0:19:37.760
<v Speaker 5>of were blessed to wear I mean charging ourselves. So

0:19:37.800 --> 0:19:39.320
<v Speaker 5>we just we just bet on the back end. We

0:19:39.400 --> 0:19:40.960
<v Speaker 5>just created a different type of business so that we

0:19:41.000 --> 0:19:43.080
<v Speaker 5>could do we could do rapper business.

0:19:43.480 --> 0:19:45.320
<v Speaker 6>So let's simplify. If you had the power to change

0:19:45.320 --> 0:19:46.960
<v Speaker 6>one thing about the business side of R and B,

0:19:47.040 --> 0:19:49.720
<v Speaker 6>what gets fixed for us that like what you're talking about.

0:19:49.440 --> 0:19:51.520
<v Speaker 1>Now, budgets budgets.

0:19:52.880 --> 0:19:55.440
<v Speaker 5>No, I think the budget part is easy because I

0:19:55.480 --> 0:20:00.280
<v Speaker 5>think at this point, now everybody understands that, you know,

0:20:00.440 --> 0:20:04.880
<v Speaker 5>the days of you know, fifty hundred thousand dollars tracks over.

0:20:04.920 --> 0:20:07.919
<v Speaker 5>Everybody's trying to figure Now everybody's trying to get placements

0:20:09.000 --> 0:20:12.720
<v Speaker 5>because everybody can produce. Now, everybody can write. Now you

0:20:12.760 --> 0:20:17.120
<v Speaker 5>see AI, don't don't think it's not don't think those

0:20:17.119 --> 0:20:21.240
<v Speaker 5>submissions have of those submissions aren't AI. So now everybody's

0:20:21.320 --> 0:20:23.760
<v Speaker 5>now trying to figure out how to get those placements.

0:20:24.000 --> 0:20:27.400
<v Speaker 5>The only thing that I would change in terms of

0:20:27.400 --> 0:20:30.879
<v Speaker 5>of R and B business is just the marketing promotion

0:20:31.000 --> 0:20:32.520
<v Speaker 5>of it. I would just add more money to that

0:20:32.560 --> 0:20:35.679
<v Speaker 5>part of it, because yeah, but we need to we

0:20:35.720 --> 0:20:35.960
<v Speaker 5>need to.

0:20:35.920 --> 0:20:38.119
<v Speaker 1>Be put on bigger stages. Yeah, you know what I mean.

0:20:38.560 --> 0:20:42.000
<v Speaker 10>I think asking artists to try to figure out how

0:20:42.040 --> 0:20:45.400
<v Speaker 10>to go viral all the time it's tough. That's that's

0:20:45.440 --> 0:20:47.399
<v Speaker 10>really that's a tough space to put an artist in.

0:20:48.080 --> 0:20:49.960
<v Speaker 10>And it's and it's really it's the same thing when

0:20:49.960 --> 0:20:52.439
<v Speaker 10>you talk about promoters and they're like, oh, we we

0:20:52.480 --> 0:20:54.760
<v Speaker 10>need tank to post a hundred times, Well, nigga, aren't

0:20:54.760 --> 0:20:56.520
<v Speaker 10>you a promoter?

0:20:56.840 --> 0:20:57.080
<v Speaker 1>Title?

0:20:57.160 --> 0:20:58.960
<v Speaker 10>This is your title. This is what you do right.

0:21:00.040 --> 0:21:01.560
<v Speaker 10>We need to be able to see you know, that

0:21:01.680 --> 0:21:03.800
<v Speaker 10>street team again. We need to see those type of

0:21:03.840 --> 0:21:07.080
<v Speaker 10>things we need. And I think for me, I would

0:21:07.119 --> 0:21:14.359
<v Speaker 10>love to see artists campaigning again, meaning like really going

0:21:14.920 --> 0:21:17.960
<v Speaker 10>going to those you know, doing those school tours, doing

0:21:18.000 --> 0:21:21.679
<v Speaker 10>those HBCU tours, getting out there because everybody can't come

0:21:21.720 --> 0:21:23.840
<v Speaker 10>up here. We know that now you guys are you

0:21:23.880 --> 0:21:27.359
<v Speaker 10>know this is a premium, but there are so many

0:21:27.400 --> 0:21:30.439
<v Speaker 10>people walking around with cameras and and with phones that

0:21:30.480 --> 0:21:32.400
<v Speaker 10>are trying to interview artists and artist like, oh yah,

0:21:32.600 --> 0:21:33.040
<v Speaker 10>I'm good.

0:21:33.560 --> 0:21:34.600
<v Speaker 1>Now when you're trying.

0:21:34.359 --> 0:21:38.200
<v Speaker 10>To get popping, I don't care who walk up to you.

0:21:38.200 --> 0:21:40.000
<v Speaker 10>You better hop on that, hop on the on their

0:21:40.000 --> 0:21:41.679
<v Speaker 10>little phone and help.

0:21:41.760 --> 0:21:42.240
<v Speaker 1>Let me help you.

0:21:42.280 --> 0:21:44.160
<v Speaker 10>I didn't watch this man like, hey man, your camera dirty.

0:21:44.800 --> 0:21:46.800
<v Speaker 10>Let me let me wipe that down for you. It's

0:21:46.840 --> 0:21:49.879
<v Speaker 10>cook so we got a good picture. That's to me,

0:21:49.960 --> 0:21:51.440
<v Speaker 10>that's what I want to see change. I want to

0:21:51.440 --> 0:21:54.040
<v Speaker 10>see the artists not just live behind the computer no more.

0:21:54.280 --> 0:21:56.359
<v Speaker 10>And you know, I kind of answered the question around,

0:21:56.400 --> 0:21:58.320
<v Speaker 10>but that's what I would I would like to see

0:21:58.320 --> 0:22:00.040
<v Speaker 10>a change as far as from from an art and

0:22:00.119 --> 0:22:00.840
<v Speaker 10>be standpoint too.

0:22:00.960 --> 0:22:02.040
<v Speaker 4>There's no street teams anymore.

0:22:02.040 --> 0:22:03.600
<v Speaker 1>There's no labels that do. You got to be on

0:22:03.680 --> 0:22:05.760
<v Speaker 1>street team. You got to get out in the streets.

0:22:05.960 --> 0:22:07.800
<v Speaker 2>The majority of the artists I've ever seen a lot

0:22:07.880 --> 0:22:10.000
<v Speaker 2>of them before doing radio was at Hampton.

0:22:10.800 --> 0:22:11.520
<v Speaker 1>That was a stop.

0:22:11.600 --> 0:22:16.760
<v Speaker 2>There was the Morgan Howard Carolina stop and you see

0:22:16.760 --> 0:22:19.080
<v Speaker 2>everybody right, and it would always come for free and

0:22:19.119 --> 0:22:21.480
<v Speaker 2>they would perform on the yard on top of a car,

0:22:21.640 --> 0:22:22.080
<v Speaker 2>on top.

0:22:21.960 --> 0:22:23.440
<v Speaker 1>Of a bustle in the auditorium.

0:22:23.720 --> 0:22:24.919
<v Speaker 4>That's but they don't have that.

0:22:25.000 --> 0:22:26.399
<v Speaker 1>And that was the promo tour.

0:22:26.560 --> 0:22:27.440
<v Speaker 4>That was the promo tour.

0:22:27.640 --> 0:22:30.760
<v Speaker 5>Now the promo tour is just on your phone, TikTok.

0:22:31.840 --> 0:22:33.600
<v Speaker 5>That's that's their version of promo tour.

0:22:34.520 --> 0:22:36.680
<v Speaker 3>Here, he said, Man go outside and feel the day.

0:22:36.880 --> 0:22:41.360
<v Speaker 1>Man feel the day is what they call that. I'm

0:22:41.359 --> 0:22:44.320
<v Speaker 1>going outside the field. Like how Cardi B did her

0:22:44.359 --> 0:22:49.240
<v Speaker 1>roll out for her amazing. She was amazing. But that's her.

0:22:49.680 --> 0:22:53.840
<v Speaker 5>But that's her anyway, that's her a static anyway, she's

0:22:54.000 --> 0:22:57.320
<v Speaker 5>tapped in with the people. That's my thing. I'm I

0:22:57.359 --> 0:22:59.520
<v Speaker 5>don't I don't care when nobody else do. I'm with

0:22:59.560 --> 0:23:03.960
<v Speaker 5>the people. I judge my success off people and and

0:23:03.960 --> 0:23:05.800
<v Speaker 5>and and the money and all these other things. Those

0:23:05.800 --> 0:23:08.640
<v Speaker 5>are the byproduct of taking care of people, being there

0:23:08.680 --> 0:23:12.800
<v Speaker 5>for people, and that's what artists, again seconding with J

0:23:13.040 --> 0:23:15.000
<v Speaker 5>Jay is saying, you got to get back to the people.

0:23:15.040 --> 0:23:18.639
<v Speaker 5>Man Like I am an advocate. Atlantic Records will tell

0:23:18.640 --> 0:23:20.399
<v Speaker 5>you I just got the BMG shout out to BMG

0:23:20.600 --> 0:23:23.080
<v Speaker 5>uh with our with our new deal here. But I'm

0:23:23.119 --> 0:23:25.359
<v Speaker 5>just saying from in terms of the past, I was

0:23:25.359 --> 0:23:26.960
<v Speaker 5>an advocate. Hey, guys, I want to go on a

0:23:26.960 --> 0:23:28.720
<v Speaker 5>promo tour, but Tank, you don't have to do that.

0:23:29.240 --> 0:23:33.639
<v Speaker 5>I want to go on a promo tour right right, So,

0:23:33.680 --> 0:23:35.720
<v Speaker 5>as a Tank who didn't have to do a promo tour,

0:23:35.800 --> 0:23:38.080
<v Speaker 5>I'm laying in the back of a of an s

0:23:38.160 --> 0:23:41.480
<v Speaker 5>u V, a suburban going from state to state, the

0:23:41.520 --> 0:23:45.159
<v Speaker 5>state to state, city to city. That's what I'm doing

0:23:45.560 --> 0:23:49.080
<v Speaker 5>because the people are important. You can't lose sight of that.

0:23:49.800 --> 0:23:52.800
<v Speaker 6>I'm old enough to remember, Jay Records Recording Artists. Tank

0:23:52.840 --> 0:23:54.480
<v Speaker 6>will be at the Guilliard Auditor.

0:23:58.320 --> 0:23:59.440
<v Speaker 4>Recently seen climps do with the.

0:23:59.359 --> 0:24:04.200
<v Speaker 1>Same meet and greets, luncheons. You know what I'm saying.

0:24:04.240 --> 0:24:06.600
<v Speaker 5>You know how many program directors I done call it

0:24:06.640 --> 0:24:10.639
<v Speaker 5>their kids, I done call it. They wise baby, Mama's

0:24:11.600 --> 0:24:15.160
<v Speaker 5>all of it. That's what we gotta do. That's what

0:24:15.200 --> 0:24:19.159
<v Speaker 5>AI can't do right right. It's a separator.

0:24:20.040 --> 0:24:20.240
<v Speaker 1>Yeah.

0:24:21.240 --> 0:24:23.040
<v Speaker 6>It R and B finally at the point where artists

0:24:23.080 --> 0:24:27.200
<v Speaker 6>can be financially free without having the crossover cross over

0:24:27.240 --> 0:24:29.040
<v Speaker 6>to what like when everybody was doing like.

0:24:29.000 --> 0:24:31.120
<v Speaker 1>The pop records, the big Yeah, the one, the one,

0:24:31.119 --> 0:24:31.600
<v Speaker 1>big Friend.

0:24:35.160 --> 0:24:39.640
<v Speaker 10>Well, I think you you gotta make music for the masses, right,

0:24:39.680 --> 0:24:43.639
<v Speaker 10>you have to, you know, because that we're entertainers. But

0:24:44.040 --> 0:24:49.080
<v Speaker 10>sometimes the best you crosses over, you know what I'm saying.

0:24:49.119 --> 0:24:51.600
<v Speaker 10>And I feel like and I feel like Rap showed

0:24:51.680 --> 0:24:54.240
<v Speaker 10>us that, you know what I'm saying. Fifty second perform

0:24:54.440 --> 0:25:00.480
<v Speaker 10>anywhere anywhere with the same records that he made for queens.

0:25:01.240 --> 0:25:06.040
<v Speaker 1>Mm hmmm, they were they were you know I I

0:25:06.040 --> 0:25:09.120
<v Speaker 1>if you have a strong enough hook that can take

0:25:09.119 --> 0:25:13.760
<v Speaker 1>you anywhere. I mean, shoot, Kaylney Kate had.

0:25:13.760 --> 0:25:17.200
<v Speaker 5>That's a very army record. Very different kinds of records,

0:25:17.359 --> 0:25:19.639
<v Speaker 5>very R and B all different kinds. Chris Brown is

0:25:19.640 --> 0:25:22.600
<v Speaker 5>at all different kinds of record. Residuals are very armby

0:25:22.680 --> 0:25:27.400
<v Speaker 5>residuals unfolded or as R and B as they come,

0:25:28.160 --> 0:25:28.760
<v Speaker 5>and they are.

0:25:29.280 --> 0:25:33.040
<v Speaker 1>They are math world records. Like you said, the best

0:25:33.080 --> 0:25:34.840
<v Speaker 1>version of you. Yeah, yeah, that to me.

0:25:35.200 --> 0:25:37.920
<v Speaker 10>You know, I felt like when artists were chasing that,

0:25:38.119 --> 0:25:40.159
<v Speaker 10>it just didn't seem authentic, you know what I mean.

0:25:40.160 --> 0:25:43.119
<v Speaker 10>It didn't seem like who they were. And you know,

0:25:43.160 --> 0:25:45.000
<v Speaker 10>they were chasing the whole four on the floor thing

0:25:45.160 --> 0:25:48.360
<v Speaker 10>and it came and went, and I feel like it.

0:25:48.400 --> 0:25:49.760
<v Speaker 10>I feel like it hurt. I feel like it hurts

0:25:49.760 --> 0:25:51.600
<v Speaker 10>some people. I feel like I heard some artists too

0:25:51.640 --> 0:25:55.280
<v Speaker 10>when they did that chase that big like I.

0:25:55.280 --> 0:25:58.280
<v Speaker 2>Don't want to say people were raposited to it hurt,

0:25:58.400 --> 0:25:58.760
<v Speaker 2>but for.

0:25:58.760 --> 0:25:59.679
<v Speaker 1>Some I think they won.

0:25:59.720 --> 0:26:02.280
<v Speaker 5>I think it just depends on how you do it too, though,

0:26:03.080 --> 0:26:05.880
<v Speaker 5>how you you know, how you add that aesthetic into

0:26:06.040 --> 0:26:07.520
<v Speaker 5>into your brand, you know what I'm saying.

0:26:07.520 --> 0:26:10.720
<v Speaker 3>Like when Neil did it, Like when Nel did it.

0:26:10.760 --> 0:26:11.679
<v Speaker 1>I don't think it hurt him.

0:26:11.720 --> 0:26:14.560
<v Speaker 5>I don't think it hurt Neil. I think that was Neil. Yeah,

0:26:14.720 --> 0:26:17.760
<v Speaker 5>I think I think Neil is. I think Neil is

0:26:17.800 --> 0:26:19.720
<v Speaker 5>a world artist. I think he's a He's a great

0:26:19.840 --> 0:26:22.159
<v Speaker 5>R and B artist, songwriter, all of these things. But

0:26:22.520 --> 0:26:25.960
<v Speaker 5>I think Neil is is great at appealing to the world.

0:26:26.359 --> 0:26:27.920
<v Speaker 5>He's a world artist.

0:26:28.560 --> 0:26:31.959
<v Speaker 6>Point appealing to the world with sexy loves and stuff

0:26:32.000 --> 0:26:32.239
<v Speaker 6>like that.

0:26:32.359 --> 0:26:35.400
<v Speaker 5>Not when you but even sexy but even sexy Love,

0:26:35.440 --> 0:26:38.879
<v Speaker 5>if you listen to it, it's like it's it's still

0:26:38.880 --> 0:26:42.199
<v Speaker 5>a bigger record. It's not a traditional arm Sexy Love

0:26:42.280 --> 0:26:44.040
<v Speaker 5>is not a traditional R and B record.

0:26:44.040 --> 0:26:44.439
<v Speaker 3>A little bit.

0:26:44.600 --> 0:26:46.280
<v Speaker 1>It's it's got you know what I'm saying.

0:26:46.840 --> 0:26:50.760
<v Speaker 5>Now, when you go okay, Now, when you go there

0:26:50.800 --> 0:26:53.400
<v Speaker 5>and you say, okay, maybe that was far, but when

0:26:53.400 --> 0:26:55.760
<v Speaker 5>you watch him actually perform it, you said, oh no,

0:26:55.800 --> 0:26:57.760
<v Speaker 5>that's crazy, No, that's him.

0:26:57.840 --> 0:26:59.880
<v Speaker 4>But when I play those crossover parties, I don't place

0:27:00.160 --> 0:27:03.240
<v Speaker 4>you love. I played that record him.

0:27:03.119 --> 0:27:05.200
<v Speaker 1>And it goes crazy.

0:27:05.840 --> 0:27:08.640
<v Speaker 5>You go, yeah you you try to close after nail

0:27:08.760 --> 0:27:11.280
<v Speaker 5>somewhere overseas, somewhere in London.

0:27:11.440 --> 0:27:18.000
<v Speaker 1>Good luck, my friend. You're talking about that now.

0:27:18.040 --> 0:27:21.240
<v Speaker 2>You said online that you believe that Usha is a

0:27:21.240 --> 0:27:21.920
<v Speaker 2>better singing than R.

0:27:22.000 --> 0:27:25.840
<v Speaker 1>Kelly and people they did it at.

0:27:28.160 --> 0:27:30.639
<v Speaker 9>Lussia, is a better vocalist than Kelly.

0:27:31.240 --> 0:27:35.639
<v Speaker 5>Yeah, USh is technically a better vocalist than R. Kelly,

0:27:35.640 --> 0:27:36.600
<v Speaker 5>way more tools.

0:27:37.200 --> 0:27:39.240
<v Speaker 9>I thought you you can't say that type of stuff though,

0:27:44.520 --> 0:27:45.600
<v Speaker 9>I see you growing up.

0:27:45.480 --> 0:27:46.360
<v Speaker 1>Over there like.

0:27:49.200 --> 0:27:53.000
<v Speaker 5>These guys are these are my actual peers. Got you

0:27:53.560 --> 0:27:56.359
<v Speaker 5>these guys are you know what I'm saying? R Kelly

0:27:56.480 --> 0:27:59.040
<v Speaker 5>is O g This is a different conversation.

0:27:59.200 --> 0:28:02.240
<v Speaker 3>It's like joy. It's like Jordan Lebron Jordan's.

0:28:02.960 --> 0:28:06.120
<v Speaker 5>We're talking about guys at the top of the stratosphere,

0:28:06.160 --> 0:28:07.400
<v Speaker 5>like we're having a different conversation.

0:28:07.720 --> 0:28:08.800
<v Speaker 1>Is gonna lead this nigga voice?

0:28:08.800 --> 0:28:08.960
<v Speaker 6>Man?

0:28:09.000 --> 0:28:12.159
<v Speaker 1>I know you didn't say he was better than you

0:28:12.160 --> 0:28:16.640
<v Speaker 1>wouldn't say he was technically technically okay, technically.

0:28:16.880 --> 0:28:17.320
<v Speaker 3>We don't hear.

0:28:17.560 --> 0:28:19.680
<v Speaker 1>I don't even know what that means. Technically okay.

0:28:19.760 --> 0:28:23.640
<v Speaker 5>Like like like I said, for instance, I always bring

0:28:23.640 --> 0:28:28.359
<v Speaker 5>this record up. But Climax mm hmm. Or Kelly couldn't

0:28:28.359 --> 0:28:31.760
<v Speaker 5>have saen Climax mm hmm. Not many people could have

0:28:31.800 --> 0:28:36.439
<v Speaker 5>stayed Climax. But where Usher went from from false to

0:28:36.600 --> 0:28:42.520
<v Speaker 5>natural mm hmmm without without without hearing, the hearing the transfer,

0:28:43.640 --> 0:28:48.680
<v Speaker 5>like that type of thing special incredible. It's like watching gymnastics,

0:28:50.120 --> 0:28:52.719
<v Speaker 5>you know what I mean? Like everybody lands, for some

0:28:52.760 --> 0:28:54.440
<v Speaker 5>people stick, you know what.

0:28:54.440 --> 0:28:59.160
<v Speaker 10>I'm saying, Singing everybody don't always stick. Like if you

0:28:59.200 --> 0:29:02.880
<v Speaker 10>listen to Climax, every note that he sings on that record,

0:29:02.880 --> 0:29:06.880
<v Speaker 10>he sticks, like it's like this period, no move, ain't

0:29:06.880 --> 0:29:09.600
<v Speaker 10>no step back, you know what I mean?

0:29:11.880 --> 0:29:17.400
<v Speaker 1>That shit is flawless. So I mean, but sticks sticks.

0:29:18.320 --> 0:29:21.240
<v Speaker 1>Everything she's singing on there, it just sticks.

0:29:21.280 --> 0:29:23.280
<v Speaker 5>I mean, which why you have so many singers trying

0:29:23.320 --> 0:29:27.680
<v Speaker 5>to emulate it, right. They're trying to because because now

0:29:28.320 --> 0:29:32.640
<v Speaker 5>now certain certain singers or certain songs are study material,

0:29:33.760 --> 0:29:37.840
<v Speaker 5>it becomes that, like R. Kelly is a product of

0:29:38.040 --> 0:29:40.880
<v Speaker 5>so many things when it comes to study material. It

0:29:41.000 --> 0:29:46.400
<v Speaker 5>was swag, it was content. It was actually him, excuse me,

0:29:46.560 --> 0:29:50.600
<v Speaker 5>him turning R and B into this rap thing that

0:29:50.760 --> 0:29:54.680
<v Speaker 5>was like what what what is this? The first R

0:29:54.760 --> 0:29:57.160
<v Speaker 5>and B thug? Like what are we looking at? And

0:29:57.200 --> 0:29:59.600
<v Speaker 5>not that R and B cats ain't been tough, but

0:29:59.680 --> 0:30:01.760
<v Speaker 5>he framed it in a way to where it's like

0:30:01.920 --> 0:30:04.440
<v Speaker 5>R and B singer was like, I gotta get a chain.

0:30:08.760 --> 0:30:09.880
<v Speaker 1>Our castle corral.

0:30:10.040 --> 0:30:11.560
<v Speaker 5>R Kelly made it so you had to get a

0:30:11.760 --> 0:30:16.440
<v Speaker 5>has some tims like you gotta it can't be too

0:30:16.520 --> 0:30:17.320
<v Speaker 5>soft no more.

0:30:17.440 --> 0:30:17.560
<v Speaker 1>Now.

0:30:17.560 --> 0:30:19.840
<v Speaker 5>Then he then he gave you balance with you know,

0:30:19.960 --> 0:30:22.400
<v Speaker 5>half on the baby with the silk pajamas on. You know,

0:30:22.400 --> 0:30:24.280
<v Speaker 5>I'm walking barefoot like wife a minute, so I can

0:30:24.320 --> 0:30:27.240
<v Speaker 5>do both. So when you talk about r Kelly, You

0:30:27.240 --> 0:30:30.479
<v Speaker 5>talk about it's so much that goes into that, but

0:30:30.560 --> 0:30:32.920
<v Speaker 5>when you just break it down to one thing vocally,

0:30:33.000 --> 0:30:36.080
<v Speaker 5>that's just that's just an elite. He's an elite vocalist.

0:30:36.240 --> 0:30:38.600
<v Speaker 6>So what's the one vocal mistake you see new artists

0:30:38.640 --> 0:30:39.800
<v Speaker 6>making the day.

0:30:40.960 --> 0:30:42.160
<v Speaker 1>That's a great question.

0:30:42.640 --> 0:30:46.200
<v Speaker 10>They don't rehearse, there's one they don't rehearse, and you

0:30:46.240 --> 0:30:48.840
<v Speaker 10>can tell there's one. You can tell, you can you

0:30:48.840 --> 0:30:50.800
<v Speaker 10>can you can see it. You know, my father used

0:30:50.800 --> 0:30:55.720
<v Speaker 10>to call it polish Dad. They're not polished, and you

0:30:55.760 --> 0:30:59.240
<v Speaker 10>don't see a lot of new artists that are polished unfortunately,

0:30:59.520 --> 0:31:02.080
<v Speaker 10>you know what I mean. And you just like, damn man,

0:31:02.240 --> 0:31:03.880
<v Speaker 10>like you should have left that in the oven a

0:31:03.920 --> 0:31:05.560
<v Speaker 10>little longer, you know what I mean, Like you should

0:31:05.600 --> 0:31:09.000
<v Speaker 10>have just because there's there's something like when people call

0:31:09.120 --> 0:31:11.360
<v Speaker 10>you and they have you perform at things, or they

0:31:11.360 --> 0:31:13.760
<v Speaker 10>have you show up for something, you can always tell

0:31:13.800 --> 0:31:18.600
<v Speaker 10>that somebody spent hours and hours rehearsing going over that.

0:31:18.720 --> 0:31:22.720
<v Speaker 10>Like when you know, let's be two kay, those guys

0:31:22.720 --> 0:31:26.640
<v Speaker 10>are polished, and when they came out they were polished.

0:31:26.760 --> 0:31:28.920
<v Speaker 10>You could tell they were in the lab for years

0:31:29.320 --> 0:31:31.760
<v Speaker 10>waiting for that opportunity. You'll see a group now and

0:31:31.800 --> 0:31:35.760
<v Speaker 10>you're like they called a wave or artists or whatever,

0:31:35.800 --> 0:31:38.320
<v Speaker 10>and you're like, damn, I just wish when you catch

0:31:38.360 --> 0:31:41.920
<v Speaker 10>that wave, I hope you look in that mirror and go, Okay,

0:31:41.920 --> 0:31:44.040
<v Speaker 10>I gotta get ready now. I got to really start

0:31:44.280 --> 0:31:46.640
<v Speaker 10>because these people want me to perform. So I'm not

0:31:46.640 --> 0:31:51.120
<v Speaker 10>gonna take this show in August. I'll take it in

0:31:51.360 --> 0:31:52.480
<v Speaker 10>October or November.

0:31:53.040 --> 0:31:53.720
<v Speaker 1>You know what I'm saying.

0:31:54.280 --> 0:31:56.080
<v Speaker 5>I'm a wait because when they see me, because when

0:31:56.120 --> 0:31:59.000
<v Speaker 5>they see me, they gotta see me like, yeah, as

0:31:59.000 --> 0:32:01.920
<v Speaker 5>this polish started, the stake they make too is And

0:32:02.920 --> 0:32:04.840
<v Speaker 5>I actually was able to do this with a Marion

0:32:04.880 --> 0:32:07.200
<v Speaker 5>as you bring up B two que. A lot of

0:32:07.240 --> 0:32:13.000
<v Speaker 5>producers just write songs and produce songs, and they aren't

0:32:13.040 --> 0:32:18.240
<v Speaker 5>considering the vocal range of an R and B artist,

0:32:19.080 --> 0:32:21.000
<v Speaker 5>And so a lot of times when you're in the studio,

0:32:21.520 --> 0:32:24.480
<v Speaker 5>you can get something off in the studio because it's takes,

0:32:24.960 --> 0:32:28.120
<v Speaker 5>you're fresh every take. But when you have to sing

0:32:28.120 --> 0:32:31.120
<v Speaker 5>a song from top to bottom live in the show,

0:32:31.520 --> 0:32:34.560
<v Speaker 5>that's where it gets different. And so a producer, a songwriter,

0:32:34.760 --> 0:32:38.240
<v Speaker 5>even that artist for that matter, has to understand what

0:32:38.480 --> 0:32:42.960
<v Speaker 5>key they can actually sing in it, Like, so what

0:32:43.080 --> 0:32:45.160
<v Speaker 5>can you what key can you sing in where you

0:32:45.160 --> 0:32:47.800
<v Speaker 5>can deliver this song from top to bottom every night?

0:32:47.840 --> 0:32:50.520
<v Speaker 5>And that's what I did for Marion and oh and

0:32:50.560 --> 0:32:52.719
<v Speaker 5>I was I was listening to him sing and I

0:32:52.760 --> 0:32:55.760
<v Speaker 5>was like, I was like, they're writing everything outside of

0:32:55.760 --> 0:32:56.120
<v Speaker 5>your key.

0:32:56.200 --> 0:32:56.600
<v Speaker 1>I get it.

0:32:56.640 --> 0:32:58.720
<v Speaker 5>We want the hype because the hype when it comes

0:32:58.720 --> 0:33:01.520
<v Speaker 5>on the radio and the people singing live. I said,

0:33:01.520 --> 0:33:04.160
<v Speaker 5>but that's not your key. I said, you sing down here,

0:33:04.720 --> 0:33:07.000
<v Speaker 5>even when you're here talking voice. He's like, I was like, no, no,

0:33:07.040 --> 0:33:10.480
<v Speaker 5>we're going to bring you down here. The highest note

0:33:10.480 --> 0:33:12.600
<v Speaker 5>that you're going to sing is that's the highest note

0:33:12.640 --> 0:33:14.640
<v Speaker 5>you're That's that's how you're going and we're going to

0:33:14.680 --> 0:33:17.840
<v Speaker 5>stay right there. And so that's I think that's not

0:33:18.040 --> 0:33:20.920
<v Speaker 5>even just on the singer. That's on the people who

0:33:20.920 --> 0:33:23.440
<v Speaker 5>are actually crafting the music and don't take time to

0:33:23.520 --> 0:33:27.280
<v Speaker 5>actually get to know the artists and there and what

0:33:27.320 --> 0:33:28.280
<v Speaker 5>they're bringing to the table.

0:33:28.320 --> 0:33:31.200
<v Speaker 2>And I think that's why people compare Chris to Michael

0:33:31.240 --> 0:33:33.400
<v Speaker 2>Jackson all the time, not that they can be a comparison,

0:33:33.760 --> 0:33:36.200
<v Speaker 2>but if you ever see his show, you see him

0:33:36.240 --> 0:33:39.480
<v Speaker 2>flying around the air and flipping and stancing, and it

0:33:39.880 --> 0:33:41.040
<v Speaker 2>still sounding.

0:33:40.800 --> 0:33:43.200
<v Speaker 9>Glen Mike is still on from top to bottom of

0:33:43.200 --> 0:33:46.360
<v Speaker 9>the show, like that's ridiculous, and then here go do

0:33:46.400 --> 0:33:49.480
<v Speaker 9>a meet and greet and then probably go in the studio.

0:33:53.880 --> 0:33:55.440
<v Speaker 1>Is different and it was long.

0:33:55.520 --> 0:33:57.240
<v Speaker 4>His show is like four hours hours.

0:33:57.320 --> 0:34:01.400
<v Speaker 5>No, we're not all aliens, We're not on aliens. The

0:34:01.440 --> 0:34:06.120
<v Speaker 5>two people completely not from this planet. Whitney he was another,

0:34:07.120 --> 0:34:09.120
<v Speaker 5>said christ Michael Jack.

0:34:10.480 --> 0:34:12.320
<v Speaker 2>But Whitney to Whitney. When you when you listen to

0:34:12.320 --> 0:34:14.520
<v Speaker 2>Whitney alien, no matter what she sings, you.

0:34:14.480 --> 0:34:15.480
<v Speaker 1>Be like, how the hell you get that?

0:34:15.560 --> 0:34:21.720
<v Speaker 9>No doubt, and then be singing, smiling, smiling, Yeah damn

0:34:21.760 --> 0:34:23.520
<v Speaker 9>she got stand up, hold the stomach.

0:34:23.520 --> 0:34:25.800
<v Speaker 8>And that happens when the artists right, So like and

0:34:25.880 --> 0:34:28.080
<v Speaker 8>Omary was lucky that you were able to hear that

0:34:28.120 --> 0:34:30.880
<v Speaker 8>and do that, But like today, these artists aren't getting

0:34:30.920 --> 0:34:34.080
<v Speaker 8>those producers right sometimes and then they don't know their

0:34:34.120 --> 0:34:35.960
<v Speaker 8>own identity enough to be like, no, I shouldn't be

0:34:35.960 --> 0:34:38.799
<v Speaker 8>singing there. How do you navigate that if you have

0:34:38.960 --> 0:34:40.839
<v Speaker 8>that wave? And it's because I think sometimes I see

0:34:40.920 --> 0:34:43.319
<v Speaker 8>artists and I'm like, dang, they have the moment, but

0:34:43.360 --> 0:34:45.680
<v Speaker 8>you can tell their still trying to figure out who

0:34:45.719 --> 0:34:47.880
<v Speaker 8>they show up as, like what they got it.

0:34:47.880 --> 0:34:51.400
<v Speaker 5>Well, it's it's two part, right, because as an artist,

0:34:52.040 --> 0:34:53.759
<v Speaker 5>a lot of times you don't even know what to

0:34:53.840 --> 0:34:58.200
<v Speaker 5>ask for, right, You're you're just looking for success, and

0:34:58.440 --> 0:35:00.920
<v Speaker 5>however it comes right, you don't know what to do.

0:35:00.960 --> 0:35:02.400
<v Speaker 5>On the other side of it, You don't even know

0:35:02.400 --> 0:35:04.520
<v Speaker 5>what to do going into it. You just look up

0:35:04.520 --> 0:35:06.960
<v Speaker 5>and have this thing. And so a lot of the

0:35:07.000 --> 0:35:10.120
<v Speaker 5>oners or the responsibility is on the artists who desire

0:35:10.200 --> 0:35:13.919
<v Speaker 5>or seek more in terms of understanding from the gift,

0:35:13.960 --> 0:35:16.080
<v Speaker 5>to the marketing, to all of these things. But then

0:35:16.200 --> 0:35:19.480
<v Speaker 5>it falls on the people around them. Right, So if

0:35:19.480 --> 0:35:21.600
<v Speaker 5>there's a manager and all of these cool things that

0:35:21.600 --> 0:35:23.520
<v Speaker 5>are that are coming into play, and then let's go

0:35:23.560 --> 0:35:26.319
<v Speaker 5>even further than that, when people who do know when

0:35:26.320 --> 0:35:28.839
<v Speaker 5>the label comes in and the people who are trying

0:35:28.880 --> 0:35:29.959
<v Speaker 5>to make money off of all.

0:35:29.880 --> 0:35:33.120
<v Speaker 1>Of these things, who know better, they should know better,

0:35:33.200 --> 0:35:33.839
<v Speaker 1>they should know.

0:35:33.800 --> 0:35:34.839
<v Speaker 3>Better, and they should do better.

0:35:34.840 --> 0:35:38.680
<v Speaker 8>But they always right because because back to the labels,

0:35:38.880 --> 0:35:41.440
<v Speaker 8>Hey where's my camera, where's my camera?

0:35:41.719 --> 0:35:47.080
<v Speaker 10>Start hiring black executive again. Okay, hire people who actually

0:35:47.120 --> 0:35:49.640
<v Speaker 10>grew up in the music, know the music and can

0:35:49.680 --> 0:35:52.040
<v Speaker 10>tell you how to make the music all right, go ahead,

0:35:52.080 --> 0:35:52.600
<v Speaker 10>ty yep.

0:35:53.920 --> 0:35:57.280
<v Speaker 5>Well, because because again if we go back to where

0:35:57.719 --> 0:36:02.640
<v Speaker 5>you know, there was a plethora of black executives, you

0:36:02.640 --> 0:36:05.440
<v Speaker 5>see the difference in how the artists l A. Re

0:36:05.560 --> 0:36:14.279
<v Speaker 5>wrote songs, wrote songs. Jimmy Seme, Terry Lewis Maker and

0:36:14.280 --> 0:36:17.080
<v Speaker 5>Andre Herrel was music.

0:36:17.600 --> 0:36:20.160
<v Speaker 1>He was music, I mean like and we can go

0:36:20.200 --> 0:36:21.480
<v Speaker 1>down the list of like.

0:36:21.719 --> 0:36:26.440
<v Speaker 5>Is music like Jermaine dupri Is music and.

0:36:26.400 --> 0:36:31.520
<v Speaker 8>They were talking about how the boutique labels and like, yeah,

0:36:31.560 --> 0:36:34.160
<v Speaker 8>clip go so virbral and is exactly what you're talking

0:36:34.200 --> 0:36:36.839
<v Speaker 8>to search it for that now we know it.

0:36:36.920 --> 0:36:40.360
<v Speaker 5>And so if when we see somebody that's doing something

0:36:40.400 --> 0:36:45.279
<v Speaker 5>like you understand, we sit and talk with everybody, all

0:36:45.360 --> 0:36:47.960
<v Speaker 5>of them, and we say, hey, man, you should try

0:36:48.080 --> 0:36:50.359
<v Speaker 5>this and and think about doing this. And when your

0:36:50.360 --> 0:36:54.279
<v Speaker 5>people that's what we do so much, unpaid consulting, we

0:36:54.320 --> 0:36:55.400
<v Speaker 5>do that just as.

0:36:58.719 --> 0:37:03.760
<v Speaker 1>Much, so much. But it's not even about it's not.

0:37:03.680 --> 0:37:06.880
<v Speaker 10>Even it's not even about it's not even about labels

0:37:06.960 --> 0:37:09.960
<v Speaker 10>hitting us up. To me, it's it's it's more so

0:37:10.080 --> 0:37:14.520
<v Speaker 10>about person. It's about labels really putting us back in power.

0:37:14.560 --> 0:37:15.840
<v Speaker 10>And it's not when I say us. I don't just

0:37:15.880 --> 0:37:18.800
<v Speaker 10>even mean me and him. Dallas Austin should run a label.

0:37:19.320 --> 0:37:24.120
<v Speaker 1>Absolutely. Jermaine depreciated run a label. Yeah you get what

0:37:24.160 --> 0:37:26.799
<v Speaker 1>I'm saying, Like, why not?

0:37:28.560 --> 0:37:34.040
<v Speaker 5>They know this ship, they know it, they live, they

0:37:34.960 --> 0:37:35.760
<v Speaker 5>like everything.

0:37:35.880 --> 0:37:38.200
<v Speaker 9>The work ethic is the same coming from the artist,

0:37:38.280 --> 0:37:39.920
<v Speaker 9>like y'all were hungry like people.

0:37:40.040 --> 0:37:41.319
<v Speaker 5>You know what you know where the work you know

0:37:41.400 --> 0:37:42.759
<v Speaker 5>a lot of times you know where a lot of

0:37:42.760 --> 0:37:45.880
<v Speaker 5>times the work ethic comes from. It comes from It

0:37:45.920 --> 0:37:50.799
<v Speaker 5>comes from respect, right, because certain that that's if we

0:37:50.960 --> 0:37:54.240
<v Speaker 5>check it. The sports, certain players know when a certain

0:37:54.280 --> 0:37:56.960
<v Speaker 5>coach walk in, it ain't no ship to be played.

0:37:56.760 --> 0:37:59.600
<v Speaker 1>Today, right, Are they playing with a certain player? Yeah?

0:38:00.000 --> 0:38:02.480
<v Speaker 1>Cooka back in shape. Yeah yeah, they was.

0:38:02.400 --> 0:38:04.880
<v Speaker 5>Taking beers and ship from him in Dallas. He played

0:38:04.880 --> 0:38:07.680
<v Speaker 5>at Lakers with Brian Nigga. Look like you're reading a

0:38:07.719 --> 0:38:13.000
<v Speaker 5>model and everybody around you falls in line. So artists

0:38:13.000 --> 0:38:15.759
<v Speaker 5>are going to Artists are going to do or get

0:38:15.760 --> 0:38:17.640
<v Speaker 5>away with what you let them get away with, right,

0:38:18.120 --> 0:38:19.040
<v Speaker 5>and what they respect.

0:38:19.080 --> 0:38:20.520
<v Speaker 10>Like if you when you go in the studio with

0:38:20.640 --> 0:38:24.280
<v Speaker 10>Jermaine dupri you're like, and you look at that wall?

0:38:24.640 --> 0:38:26.719
<v Speaker 10>Are you look at the wall and Jimmy Jimmy Tyr

0:38:26.800 --> 0:38:29.040
<v Speaker 10>Lewis or baby Face Wall and you're like, this is

0:38:29.120 --> 0:38:33.840
<v Speaker 10>everything I want. I'm going to give my best, you

0:38:33.920 --> 0:38:36.879
<v Speaker 10>know what I'm saying. And then they you know, they

0:38:36.880 --> 0:38:39.520
<v Speaker 10>walk us out the pasture too early, right they ah,

0:38:39.800 --> 0:38:40.800
<v Speaker 10>you knows.

0:38:40.760 --> 0:38:42.560
<v Speaker 1>You used to do this. So that person used to

0:38:42.560 --> 0:38:42.879
<v Speaker 1>do that.

0:38:43.239 --> 0:38:46.840
<v Speaker 5>Jermaine dupri just had here records, big ones, you know

0:38:46.880 --> 0:38:47.799
<v Speaker 5>what I'm saying, Like.

0:38:48.040 --> 0:38:49.080
<v Speaker 3>But even bigger than the hits.

0:38:49.080 --> 0:38:52.840
<v Speaker 6>If you create something that's timeless, if somebody's created something that's.

0:38:52.920 --> 0:38:56.279
<v Speaker 10>They can do it again, give me a chance to

0:38:56.280 --> 0:38:57.959
<v Speaker 10>do it again, you know what I'm saying, Like.

0:38:57.960 --> 0:39:01.360
<v Speaker 5>We have this thing just what you said, we gotta

0:39:01.400 --> 0:39:06.040
<v Speaker 5>we gotta, we gotta dive into that more. Why is

0:39:06.080 --> 0:39:10.040
<v Speaker 5>it that? Why is it that we allow our black

0:39:10.160 --> 0:39:14.040
<v Speaker 5>artists to age out and writers and producers and writers

0:39:14.040 --> 0:39:18.839
<v Speaker 5>in producer, Why do you know a producer unfolded Drey

0:39:18.920 --> 0:39:22.160
<v Speaker 5>Harris from Drey and Vidal, who was part of creating

0:39:22.200 --> 0:39:27.799
<v Speaker 5>neo soul in Philly, Jill Scott Music Soul, he's a producer.

0:39:28.920 --> 0:39:30.160
<v Speaker 5>He's a producer on folded.

0:39:30.239 --> 0:39:33.759
<v Speaker 10>Absolutely, you know what I'm saying, Like, all these these

0:39:33.840 --> 0:39:36.160
<v Speaker 10>young artists, why aren't these labels send them to like

0:39:36.200 --> 0:39:38.279
<v Speaker 10>a Brian Alexander Morgan.

0:39:38.040 --> 0:39:39.920
<v Speaker 1>Who did s w V period.

0:39:43.719 --> 0:39:47.080
<v Speaker 10>That turned out, so it has to happen more and

0:39:47.080 --> 0:39:49.840
<v Speaker 10>and and and salute to the artists that are saying

0:39:50.120 --> 0:39:52.480
<v Speaker 10>because it's it's not even I don't believe it's their

0:39:52.520 --> 0:39:55.000
<v Speaker 10>teams in there in the labels.

0:39:55.040 --> 0:39:58.080
<v Speaker 1>It's the artist now saying this. You know, I need

0:39:58.120 --> 0:39:59.160
<v Speaker 1>to go see such and such.

0:39:59.080 --> 0:40:02.040
<v Speaker 5>As an example of that, you know, as as you

0:40:02.080 --> 0:40:06.120
<v Speaker 5>see the the texture that Kilane is playing with now

0:40:06.920 --> 0:40:10.440
<v Speaker 5>in this very R and B, very early two thousands

0:40:10.520 --> 0:40:11.560
<v Speaker 5>kind of things that she's doing.

0:40:11.640 --> 0:40:14.080
<v Speaker 1>Guess who she called. She called me.

0:40:15.360 --> 0:40:19.520
<v Speaker 5>She called Antonio Dixon like she's like, I need that,

0:40:20.480 --> 0:40:23.160
<v Speaker 5>I need some of that. And so that's why I

0:40:23.200 --> 0:40:26.160
<v Speaker 5>go back to some of the onuses on the artists

0:40:26.840 --> 0:40:28.600
<v Speaker 5>to do your do your work, do your homework.

0:40:28.719 --> 0:40:31.279
<v Speaker 6>That makes a lot because you all did that with

0:40:31.320 --> 0:40:33.239
<v Speaker 6>her A folded folded gonna be around for a long

0:40:33.280 --> 0:40:44.759
<v Speaker 6>time since the babyface did snooze.

0:40:39.680 --> 0:40:43.480
<v Speaker 10>Right, Chris Rick times like it's it's some really talented

0:40:43.480 --> 0:40:47.560
<v Speaker 10>people out here, man, and you know him and I

0:40:47.560 --> 0:40:48.040
<v Speaker 10>both do this.

0:40:48.120 --> 0:40:49.600
<v Speaker 1>Man, I'll call him.

0:40:49.600 --> 0:40:51.160
<v Speaker 10>I'll be like, bro, I just came from I just

0:40:51.320 --> 0:40:54.239
<v Speaker 10>I was at the studio of Victoria Monday. You'll call

0:40:54.320 --> 0:40:57.520
<v Speaker 10>me just hit me, kline hit me. I gotta play

0:40:57.520 --> 0:41:00.279
<v Speaker 10>some records, you know what I mean? Leon Thomas out

0:41:01.080 --> 0:41:04.920
<v Speaker 10>Tie Dollar Sign. We like, I think, what's what's happening?

0:41:05.040 --> 0:41:07.279
<v Speaker 10>And we're we're trying to be the people who stand

0:41:07.320 --> 0:41:11.319
<v Speaker 10>in front of it is the real tap in, Like

0:41:11.360 --> 0:41:14.279
<v Speaker 10>we really, we really are tapping in. We really are

0:41:14.360 --> 0:41:17.200
<v Speaker 10>sitting with artists. Jacob Latimore, you know what I mean.

0:41:17.440 --> 0:41:19.359
<v Speaker 10>You know, we all love Jake. We're like, listen, you're

0:41:19.360 --> 0:41:20.880
<v Speaker 10>a superstar TV. Now it's time for you to be

0:41:20.880 --> 0:41:25.520
<v Speaker 10>a superstar music. So here are the steps, you know

0:41:25.560 --> 0:41:29.200
<v Speaker 10>what I mean. Luke James, Ye, Trevor Jackson.

0:41:29.920 --> 0:41:33.319
<v Speaker 1>You know what I mean? Like Jaydon m h Yeah,

0:41:33.960 --> 0:41:36.840
<v Speaker 1>Like that's like my little brother this ver. You know

0:41:36.880 --> 0:41:37.160
<v Speaker 1>what i mean.

0:41:37.200 --> 0:41:39.640
<v Speaker 10>I'm like, listen, I'm seeing okay, you know, maybe maybe

0:41:39.680 --> 0:41:42.080
<v Speaker 10>one or two extra spin moves that you're doing you

0:41:42.120 --> 0:41:42.560
<v Speaker 10>might need to.

0:41:43.800 --> 0:41:50.040
<v Speaker 1>It's turning into a parelt. I got this stand still

0:41:50.040 --> 0:41:51.520
<v Speaker 1>sing a little more love that, you know what I mean?

0:41:51.560 --> 0:41:53.319
<v Speaker 1>But love him well.

0:41:53.360 --> 0:41:55.799
<v Speaker 10>Tank said the respect of that though, because they know

0:41:55.840 --> 0:41:58.120
<v Speaker 10>that we're coming from a pure place, you know, what

0:41:58.160 --> 0:42:00.560
<v Speaker 10>I'm saying, and you have absolutely.

0:42:00.120 --> 0:42:04.080
<v Speaker 1>It would be smart for a label to say, hey, you.

0:42:04.080 --> 0:42:06.319
<v Speaker 10>Guys run our black division, if y'all want to call

0:42:06.360 --> 0:42:09.520
<v Speaker 10>it that, hm, you know what I mean? And that

0:42:09.640 --> 0:42:12.400
<v Speaker 10>and that could be in the works. But I'm saying

0:42:12.960 --> 0:42:16.319
<v Speaker 10>it shouldn't just be us mm hmm. It has to

0:42:16.360 --> 0:42:18.560
<v Speaker 10>be more of us and it don't. And I get

0:42:18.560 --> 0:42:22.160
<v Speaker 10>the boutaque boutique label that that's cool too, But I'm

0:42:22.160 --> 0:42:25.240
<v Speaker 10>talking about literally in the building too though, right, because

0:42:25.239 --> 0:42:27.160
<v Speaker 10>this one thing would be to be a partner with

0:42:27.200 --> 0:42:29.440
<v Speaker 10>them and be a little bit on the outside. But

0:42:29.520 --> 0:42:31.840
<v Speaker 10>you gotta be, you gotta be at that Wednesday marketing meeting.

0:42:31.960 --> 0:42:34.640
<v Speaker 8>The system gym because I felt like at first depth

0:42:34.680 --> 0:42:36.719
<v Speaker 8>Jim was trying to do something like that.

0:42:38.360 --> 0:42:43.520
<v Speaker 1>Okay, if j where who R and B was? They

0:42:43.560 --> 0:42:46.000
<v Speaker 1>had they had death, So.

0:42:46.719 --> 0:42:49.719
<v Speaker 2>Yeah, like producers would be in studios and then at

0:42:49.760 --> 0:42:52.000
<v Speaker 2>that that label the next day.

0:42:51.880 --> 0:42:53.759
<v Speaker 1>I mean, and then you had you had, you had.

0:42:53.920 --> 0:42:56.960
<v Speaker 10>You had real label heads like Jimmy I Van who

0:42:57.040 --> 0:43:01.839
<v Speaker 10>believed in empowering the producers. And my thing is that

0:43:01.840 --> 0:43:05.040
<v Speaker 10>if you've seen what he did with all those producers

0:43:05.080 --> 0:43:07.520
<v Speaker 10>from Polo to Timberland to Doctor Dre.

0:43:08.280 --> 0:43:12.120
<v Speaker 1>You know, why wouldn't y'all continue to follow suit? You

0:43:12.200 --> 0:43:13.160
<v Speaker 1>know what I mean? Like too much?

0:43:13.239 --> 0:43:14.880
<v Speaker 3>Niggas made too much money. They had to cut this

0:43:14.880 --> 0:43:15.279
<v Speaker 3>shit off.

0:43:15.280 --> 0:43:20.480
<v Speaker 1>I mean, listen, the business wasn't made for us. You,

0:43:20.520 --> 0:43:22.360
<v Speaker 1>me and d just made a billion dollars, you know

0:43:22.400 --> 0:43:22.759
<v Speaker 1>what I mean?

0:43:22.840 --> 0:43:26.680
<v Speaker 10>And I think that's the that's that's the mistake that

0:43:26.680 --> 0:43:28.760
<v Speaker 10>that that sometimes.

0:43:28.320 --> 0:43:30.680
<v Speaker 1>We make is in thinking that the business was made

0:43:30.680 --> 0:43:32.360
<v Speaker 1>for us. Entertainment.

0:43:32.840 --> 0:43:35.320
<v Speaker 10>Yeah, the entertainment part is for us, but the business

0:43:35.360 --> 0:43:36.600
<v Speaker 10>never was behind.

0:43:36.640 --> 0:43:40.120
<v Speaker 1>Somebody that just blew my mind. Recently came Brown. Come on, man,

0:43:40.160 --> 0:43:40.520
<v Speaker 1>I get it.

0:43:40.600 --> 0:43:43.040
<v Speaker 10>I tell you, I tell you, shout out to Polo

0:43:43.080 --> 0:43:46.759
<v Speaker 10>the don come on man, you talk about you talk

0:43:46.800 --> 0:43:49.120
<v Speaker 10>about bringing black people back into country music.

0:43:49.480 --> 0:43:53.239
<v Speaker 1>Polo to Doe, he kicked that off. He kicked it off.

0:43:53.320 --> 0:43:57.279
<v Speaker 10>Came Brown is black for people that don't know. And

0:43:57.360 --> 0:44:00.480
<v Speaker 10>I remember, I remember he played him for me. I'm like,

0:44:00.920 --> 0:44:04.520
<v Speaker 10>you got young brother, you she canna.

0:44:04.280 --> 0:44:08.920
<v Speaker 1>Work for credible. She can be credible. Take her the

0:44:08.960 --> 0:44:12.080
<v Speaker 1>world again. Yeah, yeah, you know what I mean. But

0:44:12.120 --> 0:44:14.160
<v Speaker 1>they found a way to, you know, to not to

0:44:14.239 --> 0:44:17.400
<v Speaker 1>not mention Polo about that no more. Well we're on

0:44:17.440 --> 0:44:20.080
<v Speaker 1>Breakfast Club. Today, we're gonna mention it and we will

0:44:20.120 --> 0:44:21.240
<v Speaker 1>talk about it. I heard that somewhere.

0:44:21.239 --> 0:44:22.640
<v Speaker 3>I was like polo behind Kate Brown.

0:44:22.880 --> 0:44:26.759
<v Speaker 10>Yes, absolutely, you got a new young girl juicy two

0:44:26.800 --> 0:44:28.080
<v Speaker 10>times that I with too, like.

0:44:28.080 --> 0:44:32.400
<v Speaker 9>He got listen. She used to cover through his covers

0:44:32.440 --> 0:44:38.319
<v Speaker 9>all the time. His voice immaculate and she was doing this.

0:44:38.480 --> 0:44:42.399
<v Speaker 9>I remember ago, Yeah, yeah, my girl.

0:44:42.520 --> 0:44:43.359
<v Speaker 1>We hear we here.

0:44:43.400 --> 0:44:45.719
<v Speaker 10>The were here to give people they credit man and

0:44:45.760 --> 0:44:47.839
<v Speaker 10>they flowers and to put light back on them, if

0:44:47.920 --> 0:44:49.560
<v Speaker 10>you know, if they try to take it off of them.

0:44:50.160 --> 0:44:51.680
<v Speaker 3>John he was up here last.

0:44:51.719 --> 0:44:52.399
<v Speaker 1>We love John.

0:44:52.920 --> 0:44:56.000
<v Speaker 6>He said he gave He said, Tank gave him the

0:44:56.080 --> 0:44:59.640
<v Speaker 6>comp gave him his confidence back as an artist. That's

0:44:59.680 --> 0:45:01.960
<v Speaker 6>what you that, he said, because he played a song

0:45:02.040 --> 0:45:04.920
<v Speaker 6>for you in the studio and you said to him, man,

0:45:04.920 --> 0:45:06.920
<v Speaker 6>I gotta get on that record. And he said that

0:45:07.000 --> 0:45:08.840
<v Speaker 6>gave him his confidence back as an artist.

0:45:08.840 --> 0:45:09.359
<v Speaker 3>Did you even know?

0:45:09.960 --> 0:45:10.680
<v Speaker 1>I don't even know that.

0:45:11.200 --> 0:45:13.440
<v Speaker 4>Did he put him on the record.

0:45:14.800 --> 0:45:16.600
<v Speaker 1>You're trying to find it. You're trying to find it.

0:45:16.840 --> 0:45:19.080
<v Speaker 1>You're trying to find it. But the record.

0:45:18.840 --> 0:45:26.560
<v Speaker 6>Thought believe he's like people always say, people say that

0:45:26.600 --> 0:45:27.120
<v Speaker 6>to you.

0:45:27.160 --> 0:45:28.960
<v Speaker 5>No, he played a record for me. He came and

0:45:29.239 --> 0:45:31.040
<v Speaker 5>he came into the pod because I've been asking him

0:45:31.080 --> 0:45:33.120
<v Speaker 5>to come and do the pod. I was like, he said, yeah,

0:45:33.120 --> 0:45:35.640
<v Speaker 5>when I get something going that come just.

0:45:35.960 --> 0:45:38.239
<v Speaker 1>We got you that disclaimer.

0:45:38.280 --> 0:45:40.840
<v Speaker 10>When I put out that disclaimer, you don't have to

0:45:40.960 --> 0:45:44.280
<v Speaker 10>like the Army Money show that we call the podcast

0:45:44.320 --> 0:45:44.919
<v Speaker 10>with a show.

0:45:45.800 --> 0:45:47.480
<v Speaker 1>It's not about an album rollout.

0:45:48.239 --> 0:45:50.759
<v Speaker 2>Most people want something to talk about.

0:45:50.239 --> 0:45:55.920
<v Speaker 10>But but but if you are tenured in this, you

0:45:56.000 --> 0:45:58.440
<v Speaker 10>have a lot to talk about and let's talk about it.

0:45:58.480 --> 0:46:00.000
<v Speaker 1>And you're not limited. You're not limited.

0:46:00.040 --> 0:46:03.400
<v Speaker 5>You're not limited to that time that you come to. Okay,

0:46:03.520 --> 0:46:06.080
<v Speaker 5>now you have something to promote, can you come back?

0:46:06.480 --> 0:46:11.200
<v Speaker 10>Yeah, see you tomorrow. Cool, Well he might be on Broadways.

0:46:11.200 --> 0:46:12.080
<v Speaker 10>We might not see tomorrow.

0:46:12.280 --> 0:46:16.040
<v Speaker 5>There think other things that I'm that I have sometimes

0:46:16.080 --> 0:46:19.640
<v Speaker 5>take precedents. No, But with John I've always been a

0:46:19.680 --> 0:46:21.480
<v Speaker 5>fan of John B. I've worked I worked with John

0:46:21.520 --> 0:46:24.240
<v Speaker 5>B way back in the day, like we Got Lately

0:46:24.360 --> 0:46:26.680
<v Speaker 5>and some other songs like you know what I'm saying from.

0:46:26.520 --> 0:46:30.839
<v Speaker 1>This feature man saying John B is like to.

0:46:30.800 --> 0:46:33.480
<v Speaker 5>Me, excuse me. He's one of those guys. And so

0:46:34.120 --> 0:46:35.719
<v Speaker 5>after the pod, he was like, man, you mind if

0:46:35.760 --> 0:46:36.760
<v Speaker 5>I play you guys some records.

0:46:36.760 --> 0:46:38.719
<v Speaker 1>I was like, man, play playing some shit. You mean

0:46:38.800 --> 0:46:40.840
<v Speaker 1>put him on a big man on a big speaker.

0:46:40.880 --> 0:46:44.120
<v Speaker 5>He played that record. I said, oh no, you can't

0:46:44.120 --> 0:46:47.160
<v Speaker 5>do that without me. You're not gonna get that off

0:46:47.200 --> 0:46:49.040
<v Speaker 5>without me. He said, what do you mean? I said, yeah,

0:46:49.040 --> 0:46:51.080
<v Speaker 5>I need to be on that. He said, are you serious?

0:46:51.120 --> 0:46:55.520
<v Speaker 5>And said, yeah, I'm serious. I made him put me

0:46:55.520 --> 0:46:57.520
<v Speaker 5>on the record, made him put me on records.

0:46:57.560 --> 0:46:59.920
<v Speaker 1>Crazy. And then I said, when are we shooting the video?

0:47:00.840 --> 0:47:03.239
<v Speaker 5>He's like, well, we're trying to. I said, John, we're

0:47:03.280 --> 0:47:06.959
<v Speaker 5>shooting a video. When are we shooting the video? Tell

0:47:07.000 --> 0:47:08.919
<v Speaker 5>me where the video is. I'm on my way.

0:47:09.640 --> 0:47:19.640
<v Speaker 7>I got clothes that comes along with when you when

0:47:19.680 --> 0:47:23.040
<v Speaker 7>you have a featured artist, may be asking for clothes.

0:47:25.719 --> 0:47:28.280
<v Speaker 1>Listen, close, listen. Let me say something.

0:47:28.560 --> 0:47:31.959
<v Speaker 5>When I did I did my Chris Brown shots fire

0:47:32.040 --> 0:47:35.840
<v Speaker 5>back in the day and Chris does everything on the

0:47:35.880 --> 0:47:38.440
<v Speaker 5>house like mind you this is this is one hundred

0:47:38.480 --> 0:47:43.600
<v Speaker 5>two hundred thousand dollars venture easy, easy, He said, big broken,

0:47:43.640 --> 0:47:46.359
<v Speaker 5>you just do do my do my just to cover

0:47:46.440 --> 0:47:46.840
<v Speaker 5>my style?

0:47:46.960 --> 0:47:50.040
<v Speaker 1>I said, absolutely? How much was that twenty?

0:47:50.320 --> 0:47:54.880
<v Speaker 5>But listen, Chris to be on their record with Chris

0:47:54.920 --> 0:47:57.800
<v Speaker 5>Brown and for him to put me on that stage

0:47:57.800 --> 0:48:00.719
<v Speaker 5>with that power. What saves was that when we went

0:48:00.760 --> 0:48:05.520
<v Speaker 5>to Orange County put me on stage for Power on

0:48:05.640 --> 0:48:11.640
<v Speaker 5>O six Power Jim priceless, priceless. You need a twenty

0:48:11.680 --> 0:48:15.880
<v Speaker 5>dollars twenty thousand dollars rack. Absolutely, here we go. And

0:48:15.960 --> 0:48:19.680
<v Speaker 5>so for me showing up for John is the same

0:48:19.719 --> 0:48:21.600
<v Speaker 5>way a lot of you know, Chris Brown would show

0:48:21.680 --> 0:48:25.279
<v Speaker 5>up for me and paying that forward and whatever you need.

0:48:25.360 --> 0:48:27.880
<v Speaker 5>And I'm talking to him about radio. I'm talking you

0:48:27.960 --> 0:48:30.120
<v Speaker 5>need me to interviews like what's going on? And you

0:48:30.160 --> 0:48:31.920
<v Speaker 5>need to hire this guy's in Indy to do you know,

0:48:32.040 --> 0:48:36.319
<v Speaker 5>I'm I'm all in because again John is one of

0:48:36.520 --> 0:48:40.239
<v Speaker 5>one of our guys and he it shouldn't be over

0:48:40.320 --> 0:48:40.719
<v Speaker 5>for him.

0:48:41.239 --> 0:48:42.560
<v Speaker 1>No, he's too good of.

0:48:42.480 --> 0:48:45.520
<v Speaker 10>Course, and we just we once again, you just you

0:48:45.680 --> 0:48:48.440
<v Speaker 10>have to continue to tap in. Charlie Wilson used our

0:48:48.440 --> 0:48:54.400
<v Speaker 10>studio for two months, Gory, I need a studio it

0:48:54.560 --> 0:48:58.040
<v Speaker 10>available to you get him in like that's what we

0:48:58.239 --> 0:49:00.200
<v Speaker 10>have to start doing that and it has to start

0:49:00.280 --> 0:49:01.840
<v Speaker 10>being at across the board.

0:49:02.480 --> 0:49:04.280
<v Speaker 2>What makes you the way that you all take because

0:49:04.800 --> 0:49:07.800
<v Speaker 2>you have great relationships with everybody.

0:49:07.640 --> 0:49:10.239
<v Speaker 4>Not just on b singers that are news except that Joe.

0:49:10.760 --> 0:49:13.040
<v Speaker 4>Besides Fat Joe fired you. I don't know why Fad

0:49:13.280 --> 0:49:13.680
<v Speaker 4>fired you.

0:49:13.840 --> 0:49:16.040
<v Speaker 1>I'm gonna run down does he have a lot of people.

0:49:15.800 --> 0:49:16.360
<v Speaker 4>With a lot of.

0:49:20.400 --> 0:49:23.759
<v Speaker 1>Okay, so got to be calculated when I roll up on.

0:49:26.560 --> 0:49:31.359
<v Speaker 5>What makes you that way? Jay Jay has this this

0:49:31.480 --> 0:49:34.560
<v Speaker 5>phrase for me. Tank has never met a stranger ever.

0:49:35.600 --> 0:49:38.440
<v Speaker 1>Ever. That's and that's just kind of how I live

0:49:38.520 --> 0:49:39.160
<v Speaker 1>my life. Man.

0:49:39.920 --> 0:49:43.600
<v Speaker 5>Everybody is important to me. Everybody means something to me.

0:49:44.239 --> 0:49:48.360
<v Speaker 5>If I can help, I'm gonna try and tell you

0:49:48.360 --> 0:49:53.680
<v Speaker 5>what you can. If I can't, I can't. But that's

0:49:53.680 --> 0:49:54.480
<v Speaker 5>what makes me me.

0:49:55.440 --> 0:49:57.520
<v Speaker 1>You know. I've often had people try to say.

0:49:57.320 --> 0:49:58.719
<v Speaker 5>Hey, man, you need to be a little bit more

0:49:58.880 --> 0:50:01.920
<v Speaker 5>mysterious man, to not be so accessible, you know, you

0:50:02.000 --> 0:50:07.080
<v Speaker 5>gotta be a star. And I'm like, but that's not me. Like,

0:50:07.360 --> 0:50:09.440
<v Speaker 5>I like, I like touching the people. You know what

0:50:09.440 --> 0:50:12.480
<v Speaker 5>I'm saying. I like I like walking through general populations.

0:50:13.160 --> 0:50:13.759
<v Speaker 1>You know what I'm saying.

0:50:13.760 --> 0:50:18.120
<v Speaker 5>We were at the bottom on me, Like, that's that's

0:50:18.200 --> 0:50:20.959
<v Speaker 5>just me, man. You know, to me, that is your star,

0:50:22.200 --> 0:50:24.160
<v Speaker 5>you know what I mean? Like you know the fact

0:50:24.200 --> 0:50:26.120
<v Speaker 5>that you are like that, that that's that's your star.

0:50:26.239 --> 0:50:28.239
<v Speaker 5>That's that's what makes you shine, you know what I mean.

0:50:28.560 --> 0:50:31.319
<v Speaker 5>And I've watched him for years just you know, and

0:50:31.360 --> 0:50:35.600
<v Speaker 5>it don't matter what city we're in, somebody is his homie.

0:50:35.360 --> 0:50:35.919
<v Speaker 4>All the time.

0:50:36.760 --> 0:50:41.719
<v Speaker 1>Connected. Absolutely, absolutely, he is the guy that's you.

0:50:41.760 --> 0:50:44.120
<v Speaker 2>In the club, in the elevator, in the I didn't

0:50:44.120 --> 0:50:45.800
<v Speaker 2>see taking so many places he stopped.

0:50:45.800 --> 0:50:47.960
<v Speaker 1>He just starts talking to people. At least you people

0:50:48.000 --> 0:50:48.879
<v Speaker 1>pay our bills. Man.

0:50:50.160 --> 0:50:51.400
<v Speaker 4>He being a club.

0:50:53.120 --> 0:50:57.320
<v Speaker 1>My wife be like, can we go even.

0:50:57.200 --> 0:51:00.680
<v Speaker 9>In Baltimore it's a restaurant. Black sat listen on the counter,

0:51:01.920 --> 0:51:03.240
<v Speaker 9>standing up on the counter.

0:51:03.320 --> 0:51:06.520
<v Speaker 1>And we watched the fight in Baltimore. Yeah, watched it.

0:51:06.640 --> 0:51:10.800
<v Speaker 9>Uh my friends like, you know, we just had to

0:51:10.840 --> 0:51:12.560
<v Speaker 9>take it up on it and they just saying so

0:51:12.680 --> 0:51:17.320
<v Speaker 9>regular and I'm like what he was on.

0:51:15.760 --> 0:51:20.799
<v Speaker 1>The counters black swan acting. They don't let people do that.

0:51:20.840 --> 0:51:22.480
<v Speaker 4>But I mean it's one time.

0:51:23.840 --> 0:51:30.960
<v Speaker 1>You got to leave. Yeah, when they clean it up,

0:51:31.040 --> 0:51:33.839
<v Speaker 1>that's my and I helped clean up, ip clean up.

0:51:34.320 --> 0:51:34.680
<v Speaker 1>I will.

0:51:35.280 --> 0:51:37.399
<v Speaker 3>We're getting on season for the Army money.

0:51:38.040 --> 0:51:40.680
<v Speaker 1>Absolutely not playing with that.

0:51:40.840 --> 0:51:44.360
<v Speaker 10>Sure were we were up now tell them we are, Yeah,

0:51:44.120 --> 0:51:45.359
<v Speaker 10>we we're back, We're back.

0:51:45.520 --> 0:51:50.799
<v Speaker 1>We look here off top authority, whos gonna tell us?

0:51:51.560 --> 0:51:54.240
<v Speaker 1>She said, the authority want somebody said we wouldn't.

0:51:54.560 --> 0:51:56.520
<v Speaker 8>She said that we've already been saying it, but she

0:51:56.640 --> 0:51:58.440
<v Speaker 8>also said it, and I thought that was a great moment.

0:51:59.040 --> 0:51:59.880
<v Speaker 1>Keys not.

0:52:00.080 --> 0:52:03.560
<v Speaker 10>I think now it's just time for us. What we

0:52:03.680 --> 0:52:09.640
<v Speaker 10>realized by taking the hiatus was how important we are

0:52:09.680 --> 0:52:12.200
<v Speaker 10>to our culture, because I don't think we even really

0:52:12.280 --> 0:52:14.200
<v Speaker 10>knew honestly.

0:52:15.360 --> 0:52:18.439
<v Speaker 1>But it's only R and B platform. But it's tough.

0:52:18.560 --> 0:52:20.600
<v Speaker 10>It's tough when you when you're doing it and you

0:52:20.680 --> 0:52:22.239
<v Speaker 10>got your head down and you're doing it, and then

0:52:22.280 --> 0:52:24.719
<v Speaker 10>you're like, okay, you take that little break, and you're

0:52:24.719 --> 0:52:27.120
<v Speaker 10>literally being threatened every day threatened.

0:52:27.560 --> 0:52:29.040
<v Speaker 5>I was putting out a record that it was like, yeah,

0:52:29.040 --> 0:52:32.239
<v Speaker 5>that's all cool and well, but where's the podcast.

0:52:34.080 --> 0:52:36.759
<v Speaker 1>I can't do no music because I think it's It

0:52:36.880 --> 0:52:39.239
<v Speaker 1>started off for us as a side quest, you know what.

0:52:39.200 --> 0:52:42.280
<v Speaker 10>I mean, just just love Yeah, just love too, homies.

0:52:42.280 --> 0:52:43.920
<v Speaker 10>It's like we're doing it from a pure place of

0:52:45.000 --> 0:52:46.759
<v Speaker 10>you know, we we want to we want to put

0:52:46.760 --> 0:52:49.160
<v Speaker 10>some good energy out into the world, and then it

0:52:49.239 --> 0:52:52.200
<v Speaker 10>turned into what it's turned into, where you know, I

0:52:52.239 --> 0:52:54.440
<v Speaker 10>always say it, I'm like, if they if they stopping

0:52:54.440 --> 0:52:57.920
<v Speaker 10>you at t s A you popping because they see everybody.

0:52:58.600 --> 0:53:01.359
<v Speaker 10>So if they like know that episode with such and such,

0:53:01.440 --> 0:53:04.239
<v Speaker 10>I'm like, ships exactly what this is A this is

0:53:04.239 --> 0:53:06.960
<v Speaker 10>a thing like pople spending time.

0:53:07.040 --> 0:53:08.920
<v Speaker 3>That's why the ARM and B money awards gotta happen.

0:53:08.960 --> 0:53:13.239
<v Speaker 5>Man, what we're doing, Man to break down in the deck,

0:53:13.360 --> 0:53:16.160
<v Speaker 5>man and man driving slow?

0:53:16.280 --> 0:53:21.480
<v Speaker 1>It don't take that long. Man. Maybe you are getting older.

0:53:25.840 --> 0:53:29.120
<v Speaker 3>I think next year we're gonna yeah, no, nothing, let's take.

0:53:30.840 --> 0:53:33.759
<v Speaker 1>We have to happen. What happened. You gotta do it

0:53:33.800 --> 0:53:45.000
<v Speaker 1>in my backyard. You gotta do it live. Yeah, yeah,

0:53:45.280 --> 0:53:48.080
<v Speaker 1>cut it out, cut it out, will.

0:53:47.960 --> 0:53:52.680
<v Speaker 6>Do it, will never do it absolute in his backyard.

0:53:55.719 --> 0:53:57.560
<v Speaker 1>Cut it out right away.

0:53:57.560 --> 0:54:01.440
<v Speaker 6>Speaking of pure thingers, that's another one on Tree saying

0:54:01.440 --> 0:54:03.680
<v Speaker 6>at my boy but car Seller's wedding a couple of

0:54:03.680 --> 0:54:07.839
<v Speaker 6>months ago, no backup track, just the microphone and did

0:54:07.920 --> 0:54:11.120
<v Speaker 6>like force on. I'm like, I forgot this nigga really

0:54:11.200 --> 0:54:11.719
<v Speaker 6>can sing?

0:54:12.600 --> 0:54:15.040
<v Speaker 1>And can I say something? Can I say something?

0:54:15.400 --> 0:54:21.400
<v Speaker 5>And that's what I try to tell this nigga.

0:54:22.320 --> 0:54:24.080
<v Speaker 1>No, no, no, That's why I try to tell this nigga.

0:54:24.760 --> 0:54:25.359
<v Speaker 1>Cut it out.

0:54:25.960 --> 0:54:29.720
<v Speaker 5>M hmm. Cut it out. You need to talk to somebody.

0:54:30.120 --> 0:54:33.719
<v Speaker 5>Call me mm hmm, or call G or call J.

0:54:35.760 --> 0:54:40.520
<v Speaker 5>Don't call them because they don't care about you. They

0:54:40.560 --> 0:54:44.719
<v Speaker 5>don't love you. They're just looking for a reason to

0:54:44.719 --> 0:54:48.560
<v Speaker 5>tear you down. I said, Nigga, you are too good

0:54:49.280 --> 0:54:53.040
<v Speaker 5>and too important and too important for that not to matter.

0:54:54.280 --> 0:54:55.640
<v Speaker 5>When he was making this album and he let me

0:54:55.640 --> 0:54:57.320
<v Speaker 5>hear this album, I said, Nigga, this is the greatest

0:54:57.320 --> 0:55:01.840
<v Speaker 5>album you've ever made. This album is a Grammy Award

0:55:01.960 --> 0:55:06.000
<v Speaker 5>winning album. Don't don't say nothing else.

0:55:08.640 --> 0:55:10.759
<v Speaker 1>And what he do? What do you do? No?

0:55:10.760 --> 0:55:13.160
<v Speaker 5>No, here's the part. It's the part to get on

0:55:13.239 --> 0:55:15.080
<v Speaker 5>my nerves about to ra he be like this. I

0:55:15.160 --> 0:55:18.560
<v Speaker 5>understand you, King, I respect you coming to me this

0:55:18.640 --> 0:55:22.160
<v Speaker 5>way and giving me the good information. And I'm taking

0:55:22.280 --> 0:55:25.879
<v Speaker 5>note and I'm definitely gonna be better as soon as

0:55:25.880 --> 0:55:28.120
<v Speaker 5>I get in the car and pull off seeing this

0:55:28.200 --> 0:55:28.880
<v Speaker 5>is the thing.

0:55:34.360 --> 0:55:37.040
<v Speaker 2>Is live like he's a thousands like that, like I

0:55:37.080 --> 0:55:40.000
<v Speaker 2>told he saying when I was going through my problems

0:55:40.000 --> 0:55:42.200
<v Speaker 2>with my wife and and he came, he's saying in

0:55:42.239 --> 0:55:48.040
<v Speaker 2>the basement of Chiles, no mike, no acoustics, and destroyed.

0:55:48.040 --> 0:55:50.680
<v Speaker 10>It's a croner unless you finally admit that he was

0:55:50.920 --> 0:55:51.920
<v Speaker 10>there for you because.

0:56:06.920 --> 0:56:09.080
<v Speaker 1>I was always.

0:56:10.560 --> 0:56:11.239
<v Speaker 3>Man with.

0:56:15.000 --> 0:56:15.360
<v Speaker 1>Violence.

0:56:17.800 --> 0:56:23.240
<v Speaker 2>That was he comes, it's pause, and sometimes that was crazy.

0:56:23.719 --> 0:56:26.760
<v Speaker 2>And sometimes I think he chased this and that pisces

0:56:26.800 --> 0:56:27.160
<v Speaker 2>me off.

0:56:27.560 --> 0:56:28.520
<v Speaker 1>Is this killed?

0:56:29.360 --> 0:56:33.080
<v Speaker 5>Listen, listen, if you if if you eliminate that from Tyrese,

0:56:34.000 --> 0:56:36.799
<v Speaker 5>is his one of one of our greatest talents. He's

0:56:36.800 --> 0:56:39.960
<v Speaker 5>one of our greatest talents. He's singing, acting, all on

0:56:40.600 --> 0:56:45.160
<v Speaker 5>all on the elite level. Absolutely, and and and that's

0:56:45.200 --> 0:56:48.200
<v Speaker 5>what I want from my brother. I want that for him.

0:56:48.239 --> 0:56:50.960
<v Speaker 5>I want That's what I want people to remember him for,

0:56:52.040 --> 0:56:54.600
<v Speaker 5>not that, not the phoney.

0:56:54.719 --> 0:56:56.360
<v Speaker 8>I got a show coming up together.

0:56:57.080 --> 0:57:00.840
<v Speaker 1>Yeah, we're in l A November twenty seconds.

0:57:00.880 --> 0:57:04.080
<v Speaker 5>This this this weekend, this Sunday YouTube theater.

0:57:04.760 --> 0:57:07.719
<v Speaker 1>Yeah, this Saturday, sorry, this Saturday YouTube theater. Was leading

0:57:07.719 --> 0:57:08.120
<v Speaker 1>the choreo.

0:57:08.719 --> 0:57:10.600
<v Speaker 9>Wine, you're doing the choreo?

0:57:10.960 --> 0:57:12.360
<v Speaker 3>What the what the choreo?

0:57:12.520 --> 0:57:12.680
<v Speaker 8>Yo?

0:57:12.840 --> 0:57:13.400
<v Speaker 1>You gotta.

0:57:15.320 --> 0:57:18.120
<v Speaker 5>You did see fall up speaker talking about from who's

0:57:18.160 --> 0:57:18.800
<v Speaker 5>leading the choreo.

0:57:18.920 --> 0:57:19.280
<v Speaker 1>That's what she.

0:57:22.160 --> 0:57:27.800
<v Speaker 3>Speaking speaking of, not rehearsing rehearsed when you and this.

0:57:27.760 --> 0:57:33.400
<v Speaker 5>Is the problem I have withwhere clear don't you know

0:57:33.920 --> 0:57:35.320
<v Speaker 5>we know I'm just.

0:57:35.800 --> 0:57:39.919
<v Speaker 1>I'm just trying to be excellent. I'll schedule two days

0:57:39.920 --> 0:57:41.600
<v Speaker 1>of rehearsals two figures.

0:57:41.280 --> 0:57:43.920
<v Speaker 5>And said, what are we doing rehearsal? I said, was

0:57:43.920 --> 0:57:45.680
<v Speaker 5>rehearsing eight hours?

0:57:45.800 --> 0:57:48.680
<v Speaker 1>Yes, you ain't got to be there for a hour?

0:57:48.720 --> 0:57:51.320
<v Speaker 4>And I hit fatial for a coming here and responding

0:57:51.320 --> 0:57:51.920
<v Speaker 4>to me, I got hit.

0:57:51.960 --> 0:57:53.360
<v Speaker 1>That's what I'm saying. I did hear him.

0:57:53.360 --> 0:57:57.080
<v Speaker 4>I said, hey, I said, bro tankers here. He says,

0:57:57.120 --> 0:57:59.920
<v Speaker 4>you fired him any kind?

0:58:00.800 --> 0:58:01.400
<v Speaker 1>He responded.

0:58:01.480 --> 0:58:02.720
<v Speaker 4>I had to tell him what take it was, because

0:58:02.720 --> 0:58:03.560
<v Speaker 4>I was like, he might think it the.

0:58:03.480 --> 0:58:08.760
<v Speaker 5>Box take, you know what? He respond Yet he here

0:58:08.840 --> 0:58:11.640
<v Speaker 5>be back since the firing. I hit him a couple

0:58:11.680 --> 0:58:12.120
<v Speaker 5>of times.

0:58:13.600 --> 0:58:15.200
<v Speaker 8>I was gonna say with y'all, like, you know, the

0:58:15.280 --> 0:58:17.400
<v Speaker 8>ringion happened a while ago, y'all are running back around now.

0:58:17.800 --> 0:58:20.240
<v Speaker 8>What's different with you guys with T g T being

0:58:20.280 --> 0:58:22.720
<v Speaker 8>back together now and running around like that, y'all learned

0:58:22.760 --> 0:58:25.560
<v Speaker 8>from everything that happened prior to Yeah, what.

0:58:25.480 --> 0:58:26.280
<v Speaker 1>If y'all learn.

0:58:30.240 --> 0:58:35.520
<v Speaker 5>This this? This will probably be my last tg T show.

0:58:36.240 --> 0:58:38.000
<v Speaker 5>What That's what I've learned?

0:58:38.080 --> 0:58:38.880
<v Speaker 8>Did they find that out?

0:58:38.920 --> 0:58:40.480
<v Speaker 1>We don't dance that bad?

0:58:40.560 --> 0:58:40.600
<v Speaker 5>Like?

0:58:50.960 --> 0:58:51.439
<v Speaker 1>I love?

0:58:52.040 --> 0:58:54.680
<v Speaker 5>I love those brothers on a on a on a

0:58:54.720 --> 0:59:02.080
<v Speaker 5>personal level, and just in in artistry. I'm just chasing

0:59:02.120 --> 0:59:06.600
<v Speaker 5>something different. Yeah, and I love, love, love love those brothers.

0:59:07.160 --> 0:59:09.720
<v Speaker 5>My new album is coming out, It's Lonely a Flash.

0:59:10.880 --> 0:59:15.160
<v Speaker 1>My new single, Controls is out right now. Jay Valentine

0:59:15.200 --> 0:59:15.920
<v Speaker 1>is selling Canadas.

0:59:18.400 --> 0:59:20.680
<v Speaker 8>I talk about that, this is the first time they're

0:59:20.680 --> 0:59:23.280
<v Speaker 8>hearing this to y'all. Talk about this because the people

0:59:23.280 --> 0:59:24.200
<v Speaker 8>think that it's like about to be.

0:59:24.200 --> 0:59:29.240
<v Speaker 1>A whole run. Is that the people that I promise you?

0:59:29.240 --> 0:59:35.560
<v Speaker 1>The people don't think that I promise you. Ain't no people, No,

0:59:35.680 --> 0:59:39.200
<v Speaker 1>people know, people don't want off. We're trying to get

0:59:39.200 --> 0:59:41.400
<v Speaker 1>it off real quick. The people believe.

0:59:43.320 --> 0:59:43.360
<v Speaker 6>You.

0:59:44.800 --> 0:59:56.160
<v Speaker 1>Nice, I said, people, people, No, there's no run.

0:59:56.720 --> 1:00:00.320
<v Speaker 6>End on this from from from your vantage points? Where

1:00:00.400 --> 1:00:02.880
<v Speaker 6>is R and B right now? Are we in a renaissance,

1:00:03.480 --> 1:00:04.880
<v Speaker 6>a rebuild or some type of reading?

1:00:04.960 --> 1:00:08.400
<v Speaker 1>We're taking over? We're taking over. Ain't no reading nothing.

1:00:08.520 --> 1:00:13.520
<v Speaker 10>Yes, we are taking over and we are fully behind it.

1:00:13.800 --> 1:00:15.600
<v Speaker 10>We're fully behind it. And part of it mean he's

1:00:15.600 --> 1:00:17.160
<v Speaker 10>still putting our music, you know what I mean. He

1:00:17.680 --> 1:00:21.400
<v Speaker 10>got a great record, Control It's available now, uh everywhere.

1:00:21.600 --> 1:00:23.600
<v Speaker 1>R and B money slash b MG.

1:00:24.960 --> 1:00:27.720
<v Speaker 8>So y'all are behind the business of the record too.

1:00:28.080 --> 1:00:32.800
<v Speaker 5>Yes, they're the distributor. We're not playing you know what

1:00:32.800 --> 1:00:33.120
<v Speaker 5>I mean.

1:00:33.120 --> 1:00:35.160
<v Speaker 10>And we got the R and B Awards coming if

1:00:35.200 --> 1:00:40.440
<v Speaker 10>this man ever, I believe, we believe that we're you know,

1:00:40.520 --> 1:00:43.480
<v Speaker 10>we're doing the first awards at his backyard in one

1:00:43.520 --> 1:00:48.800
<v Speaker 10>of his estates.

1:00:49.440 --> 1:00:51.360
<v Speaker 4>And I love this. RB is taking over. We started

1:00:51.360 --> 1:00:51.720
<v Speaker 4>with ray J.

1:00:52.720 --> 1:00:56.800
<v Speaker 1>He is there Like ray J.

1:00:57.520 --> 1:00:59.520
<v Speaker 5>It can't last in the verses, I don't understand what's

1:00:59.560 --> 1:01:02.320
<v Speaker 5>going on. Wait a minute, could not.

1:01:04.400 --> 1:01:04.600
<v Speaker 3>Could?

1:01:04.840 --> 1:01:07.480
<v Speaker 5>I didn't say over anybody. I said, let's not act

1:01:07.520 --> 1:01:10.600
<v Speaker 5>like he can't last any versus. He's a problem in

1:01:10.600 --> 1:01:11.560
<v Speaker 5>a versus.

1:01:11.720 --> 1:01:15.480
<v Speaker 1>And he is the problem versus.

1:01:17.680 --> 1:01:17.960
<v Speaker 3>Listen.

1:01:18.200 --> 1:01:20.800
<v Speaker 1>You know, did you notice walked across the stage like

1:01:20.800 --> 1:01:23.520
<v Speaker 1>eighty two times for no reason.

1:01:26.160 --> 1:01:32.880
<v Speaker 8>Because he can can't Today can begins.

1:01:30.480 --> 1:01:34.080
<v Speaker 1>And that's listen, you said, that's the truth.

1:01:34.360 --> 1:01:37.480
<v Speaker 5>R and B is R and B is here here

1:01:37.480 --> 1:01:40.480
<v Speaker 5>heavy and to stay. We are killing the ship. So

1:01:40.600 --> 1:01:43.400
<v Speaker 5>many dope R and B artists think about the tours

1:01:43.400 --> 1:01:44.800
<v Speaker 5>that can go out man.

1:01:44.760 --> 1:01:48.640
<v Speaker 10>Boys to men In new additions, Tony Braxton shout out

1:01:48.640 --> 1:01:53.320
<v Speaker 10>to the b PC. Listen, we got black promoting out.

1:01:56.360 --> 1:02:05.200
<v Speaker 5>Kelly, you know to say, Kelly Rowland.

1:02:07.400 --> 1:02:10.880
<v Speaker 10>One twelve, the young boy that just won American Idol,

1:02:12.840 --> 1:02:15.080
<v Speaker 10>Roberts that nigga can sing his face off.

1:02:15.480 --> 1:02:19.240
<v Speaker 5>He on the boys face off, the B two K

1:02:20.560 --> 1:02:28.960
<v Speaker 5>boys that right now, Eric and come on now cooking.

1:02:29.480 --> 1:02:31.920
<v Speaker 5>They can't mess with us cooking you.

1:02:31.920 --> 1:02:33.280
<v Speaker 10>We're gonna figure out a way to get these young

1:02:33.320 --> 1:02:35.840
<v Speaker 10>boys on the road together, the two B y G S,

1:02:35.920 --> 1:02:40.560
<v Speaker 10>the Jads Wars, the Papa Jays, Papa Ja.

1:02:41.480 --> 1:02:43.800
<v Speaker 1>It's time people want to have a sexy good time

1:02:45.600 --> 1:02:48.000
<v Speaker 1>without feeling like it's gonna get violent. That's right.

1:02:48.160 --> 1:02:50.880
<v Speaker 10>You sing what Leon Thomas said. I don't have a

1:02:50.920 --> 1:02:53.480
<v Speaker 10>song that would make y'all want.

1:02:53.400 --> 1:02:53.840
<v Speaker 1>To do this.

1:02:55.840 --> 1:02:57.320
<v Speaker 6>Over the years, the R and B niggas been the

1:02:57.320 --> 1:02:59.240
<v Speaker 6>one putting beats on people way more than rappers.

1:02:59.440 --> 1:03:01.400
<v Speaker 5>I'm just saying, when you come to my dead well,

1:03:01.800 --> 1:03:07.640
<v Speaker 5>there's no nobody knew but charl Man. Nobody was talking

1:03:07.680 --> 1:03:10.160
<v Speaker 5>about it because we handled ourselves.

1:03:09.760 --> 1:03:12.560
<v Speaker 1>In a certain way. Hey man, come back here real quick.

1:03:12.640 --> 1:03:14.720
<v Speaker 5>Let's get this done, and then we're gonna walk out

1:03:14.760 --> 1:03:15.720
<v Speaker 5>there and sing our songs.

1:03:16.720 --> 1:03:18.640
<v Speaker 1>We're gonna sing our songs. You know what I'm saying.

1:03:18.680 --> 1:03:21.320
<v Speaker 1>You know now, it's a little different. You know that

1:03:21.440 --> 1:03:23.600
<v Speaker 1>you're pulling out here and I don't have a song

1:03:23.760 --> 1:03:25.280
<v Speaker 1>that requires a fighting audience.

1:03:26.080 --> 1:03:29.919
<v Speaker 10>I don't have a song, yeah, like, but it's it's

1:03:30.000 --> 1:03:33.480
<v Speaker 10>time for this, this good feeling, you know what I mean,

1:03:33.480 --> 1:03:37.280
<v Speaker 10>And everybody wants that especially, It's just it happens with

1:03:37.280 --> 1:03:38.000
<v Speaker 10>with society.

1:03:38.960 --> 1:03:41.479
<v Speaker 1>When shi it is wild in the world, you gotta

1:03:41.520 --> 1:03:44.480
<v Speaker 1>have something to keep you calm, looking for refuge. Shout

1:03:44.520 --> 1:03:51.400
<v Speaker 1>out that the family record and I got them.

1:03:52.160 --> 1:03:54.560
<v Speaker 9>Yes, y'all got a song you featured him on R

1:03:54.600 --> 1:03:57.680
<v Speaker 9>and B Money that song My God Lojah?

1:03:57.920 --> 1:04:00.680
<v Speaker 3>What is it? No is Lisa, y'all?

1:04:01.000 --> 1:04:05.280
<v Speaker 9>Why can't I upload the video to that song? You

1:04:05.400 --> 1:04:08.800
<v Speaker 9>don't know you'll on the country or something like I

1:04:09.080 --> 1:04:11.120
<v Speaker 9>put I tried to put that song, that's one of

1:04:11.160 --> 1:04:11.920
<v Speaker 9>my favorite songs on.

1:04:11.920 --> 1:04:12.840
<v Speaker 1>I'm gonna fix that for you.

1:04:12.840 --> 1:04:13.240
<v Speaker 3>Put on it.

1:04:13.320 --> 1:04:14.920
<v Speaker 1>Yeah, y'all in this scene, I know you want to

1:04:14.960 --> 1:04:17.760
<v Speaker 1>do something to what you're gonna do to what service

1:04:17.760 --> 1:04:21.920
<v Speaker 1>you have? She tried to and she tried to throw

1:04:22.040 --> 1:04:22.560
<v Speaker 1>the globals.

1:04:22.600 --> 1:04:26.000
<v Speaker 5>They blocked me in Romania, one of my biggest markets.

1:04:28.480 --> 1:04:31.360
<v Speaker 9>That Yeah, shout out the rot Man, He's another We're back.

1:04:31.480 --> 1:04:35.880
<v Speaker 1>R Vy Mundy Podcast we back black Heart.

1:04:36.040 --> 1:04:37.520
<v Speaker 4>Appreciate you brothers for joining us.

1:04:37.640 --> 1:04:40.320
<v Speaker 2>And if you haven't seen Tink on Broadway, go see

1:04:40.600 --> 1:04:41.600
<v Speaker 2>Kitchen on Broadway.

1:04:41.920 --> 1:04:42.680
<v Speaker 4>Amazing show.

1:04:42.680 --> 1:04:44.520
<v Speaker 2>If you look at for something to get your your mama,

1:04:44.600 --> 1:04:47.880
<v Speaker 2>your daddy, or any Alicia Keys fan Christmas.

1:04:47.520 --> 1:04:49.760
<v Speaker 1>The holidays, oh nough for Christmas? Yes, yeah, get it.

1:04:49.760 --> 1:04:52.800
<v Speaker 1>Tell me cans R and B money shot talk about it.

1:04:52.840 --> 1:04:53.280
<v Speaker 1>You know what I mean.

1:04:53.360 --> 1:04:55.320
<v Speaker 10>We about to start putting more merch on there and everything.

1:04:55.360 --> 1:04:56.480
<v Speaker 10>You know, I mean, we got to crack it out.

1:04:56.520 --> 1:04:58.640
<v Speaker 10>It's for marbles. You know what they be saying is

1:04:58.720 --> 1:05:00.479
<v Speaker 10>so and organic and all other stuff.

1:05:00.560 --> 1:05:01.920
<v Speaker 1>Yeah, yeah, all that stuff.

1:05:02.000 --> 1:05:02.920
<v Speaker 4>Whatever they say.

1:05:03.080 --> 1:05:05.439
<v Speaker 1>You know, does it smell good? Whatever?

1:05:06.080 --> 1:05:08.160
<v Speaker 3>My period smell like you need to be in my house.

1:05:08.240 --> 1:05:08.920
<v Speaker 4>Thank you.

1:05:08.960 --> 1:05:11.080
<v Speaker 1>But I'm sending them to the to the show that

1:05:11.160 --> 1:05:12.000
<v Speaker 1>y'all will all have them.

1:05:12.240 --> 1:05:15.280
<v Speaker 4>Thank you. You know, keep that we can't burn it up.

1:05:16.000 --> 1:05:18.000
<v Speaker 9>Every Now You'll got a lot of other candles up here.

1:05:18.200 --> 1:05:19.040
<v Speaker 4>You're gonna send it up.

1:05:20.040 --> 1:05:24.840
<v Speaker 1>Where's the where's the envy water man in the back?

1:05:24.920 --> 1:05:25.320
<v Speaker 3>You know what?

1:05:25.560 --> 1:05:31.280
<v Speaker 2>D I I got fired, not that we get fired,

1:05:31.440 --> 1:05:33.800
<v Speaker 2>but when Walmart to stopped doing the de I business

1:05:34.120 --> 1:05:35.080
<v Speaker 2>and they start doing the business.

1:05:35.080 --> 1:05:36.880
<v Speaker 4>They took the black a lot of the owners of

1:05:36.880 --> 1:05:38.160
<v Speaker 4>black businesses.

1:05:37.640 --> 1:05:39.800
<v Speaker 1>Out of their stores, which makes it more difficult.

1:05:39.840 --> 1:05:41.240
<v Speaker 3>So how did you get fired?

1:05:41.240 --> 1:05:43.520
<v Speaker 4>Then if they get they took my water out.

1:05:43.640 --> 1:05:45.520
<v Speaker 2>So all the water we have now goes to the

1:05:45.560 --> 1:05:50.360
<v Speaker 2>other mom and pop stores to make sure we can.

1:05:52.480 --> 1:05:54.919
<v Speaker 1>We're supporting all things black. You know what I'm saying.

1:05:55.360 --> 1:05:55.720
<v Speaker 1>You have it.

1:05:56.480 --> 1:05:58.440
<v Speaker 4>J Valentine is the breakfast club. Good morning?

1:06:00.400 --> 1:06:03.920
<v Speaker 1>Hold up? Every day I wake up, click your glass up.

1:06:03.960 --> 1:06:04.880
<v Speaker 1>The Breakfast Club