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Speaker 1: Every day a week ago. Click your ass up the

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Speaker 1: Breakfast Club finish for y'all.

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Speaker 2: Done morning everybody, It's the j Envy, Jess Hilarious, Charlamagne

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Speaker 2: the guy. We are the Breakfast Club. Laurla Rose is

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Speaker 2: here with us as well. We got some special guests.

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Speaker 3: In the villoty.

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Speaker 4: Yes, indeed we have Jay Valentine and Alicia Keys, Pops,

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Speaker 4: ladies and gentlemen.

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Speaker 1: Let me take ladies and gentlemen.

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Speaker 5: I'm not that old back you are, David, but I'm

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Speaker 5: you know what I'm saying, Dad on Broadway. Yeah, I

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Speaker 5: play a twenty twenty something, almost thirty year old, phenomenal job.

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Speaker 2: By the way, if you haven't seen it, you've got

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Speaker 2: to see him. Now you're back on Broadway for how long?

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Speaker 2: I actually took the whole family to go see it.

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Speaker 2: But how long are you back on Broadway for?

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Speaker 5: It was originally two weeks, but then I added a weekend,

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Speaker 5: so it was what like twenty two shows? So I'm

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Speaker 5: here to the thirtieth.

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Speaker 2: It's a perfect Christmas gift if you want to take

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Speaker 2: something christ especially your parents.

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Speaker 1: Definitely a phenomenal job.

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Speaker 4: He does a phenomenal job.

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Speaker 6: I love the show that's that's when he walked into Charlataanne'

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Speaker 6: getting old. You should use my product, my kit, my kid. Yeah,

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Speaker 6: and I'm like, rewind.

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Speaker 1: The time, wind the time. Then you say, let me go.

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Speaker 1: You got to have hair. You want to? You want to?

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Speaker 1: You want to see my hair? That's crazy, No on

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Speaker 1: your face. I don't know what you're talking about that hair.

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Speaker 3: Just keep it.

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Speaker 5: That's a stocking cat for all those I'm used to

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Speaker 5: cutting off the foot of the stock.

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Speaker 1: And I'm a school.

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Speaker 3: I don't know.

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Speaker 5: One day I was asking to change my picture because

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Speaker 5: the picture on the box looks looks like they put

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Speaker 5: a crackhead filter on me. And I said crazy, I said, Joe,

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Speaker 5: that's not how I look. I never looked like that.

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Speaker 5: Somebody hated on me. Can you please change the picture.

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Speaker 5: I'm gonna change the picture for you fans. I promise

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Speaker 5: I'm gonna change the picture. We went through.

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Speaker 1: Months and months and months, please change the picture. Finally,

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Speaker 1: I'm like, Joe, this is getting disrespect changed.

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Speaker 5: He's getting disrespectful, and that next thing I know, I'm

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Speaker 5: getting the letter in the mail.

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Speaker 1: You will not be renewed. And never changed the picture.

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Speaker 3: Look, they got to.

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Speaker 7: Inventory so I think they kicked me out and brought

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Speaker 7: Nori in.

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Speaker 4: You Andy got the same? I guess color we don't

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Speaker 4: have the same.

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Speaker 1: Nothing.

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Speaker 6: On the next episode of Joe and Jada, we find

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Speaker 6: out why actually got.

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Speaker 8: You ain't called him back and say no, no, Joe

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Speaker 8: ain't hitting me back.

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Speaker 1: Damn damn you New.

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Speaker 9: York, New York, right, Papa, I'm gonna pull up on him.

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Speaker 3: You know who else in New York? Ray J and

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Speaker 3: Rage said he won't smoke.

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Speaker 6: Can't mess with me by training. Wow, it's gonna take

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Speaker 6: me nine months. What do you think, Valentine.

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Speaker 5: Begins, that's a fact. Yes, he can beat me. What

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Speaker 5: doing pool out? Doing pool?

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Speaker 1: Nigga?

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Speaker 6: He said, you can't mess with him if he trained,

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Speaker 6: but it's gonna take him nine months only specify.

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Speaker 1: I guess, but guess, but guess what he said? I

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Speaker 1: love you. He don't love nobody. Everybody. Everybody else said

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Speaker 1: I'm going j can do no wrong.

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Speaker 6: Ranch So funny because he said it, but then he

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Speaker 6: thought of about it like it's going to take me.

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Speaker 5: Here's the thing about ray J is that nobody's really

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Speaker 5: paying attention to he's smart. He's smart, and he has

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Speaker 5: a diversified portfolio.

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Speaker 1: I get it you.

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Speaker 5: Some people may be able to sing better than him,

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Speaker 5: some people may may be able to outperform him, whatever,

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Speaker 5: but you're not going to beat him in terms of

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Speaker 5: lasting and being in a relevant conversation as long as

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Speaker 5: he's been in it period. It's connected to everything, everything

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Speaker 5: from music, everything to making social social.

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Speaker 6: I said that morning, he's what I call an anchor being.

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Speaker 6: In comic books, they call it an anchor being. He's

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Speaker 6: an anchor bean to tech.

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Speaker 1: He's in tech didn't break, but soon they broke. I

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Speaker 1: don't know.

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Speaker 8: If he if J stopped like doing all the things

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Speaker 8: he's doing and really focus on his voice, we would

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Speaker 8: hear a better singer of a ray J. Yeah, Brady,

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Speaker 8: But conversation it was him versus Mario, and people are

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Speaker 8: like he can.

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Speaker 5: In the beginning, ray J was going there and then

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Speaker 5: I just think that he just I think he was

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Speaker 5: just happier doing more like to be a singer. Singer

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Speaker 5: like you really got a hyper focus on singing, and

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Speaker 5: other things suffer as a result of that. You know,

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Speaker 5: a lot of those guys are good listen good singers,

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Speaker 5: got it, but they're not there.

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Speaker 1: They can't out entertain ray J. That's true. They can crowd,

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Speaker 1: you know. I don't know what he what's what's the

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Speaker 1: what's the one you?

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Speaker 5: I don't know what's going on, But.

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Speaker 1: It felt like it was a panther on the inside

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Speaker 1: of that. I don't know.

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Speaker 5: And guess what we were talking about. I don't care

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Speaker 5: who performed well at that one music festival. Guess who

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Speaker 5: we were talking about.

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Speaker 6: I wanted to ask both of y'all a question, right

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Speaker 6: y'all all the host of the R and B Money podcast,

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Speaker 6: and I was thinking about this with the conversation that

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Speaker 6: Mario and Cam Newton was having. Is there a proper

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Speaker 6: R and B etiquette? Should other R and B singers

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Speaker 6: talk about who can and can't sing?

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Speaker 1: I believe you can. You can say what you feel.

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Speaker 1: That's you know.

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Speaker 10: I don't tell nobody what they can say or how

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Speaker 10: they can feel about anyone else. And music is subjective,

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Speaker 10: you know what I'm saying? Like and Tankers tell you,

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Speaker 10: I'm the guy who calls him.

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Speaker 1: I'm like, have you heard this song? And it might

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Speaker 1: be the whole song might be off key.

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Speaker 10: I'm like that ship jammin though, right, Nigga, that ship

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Speaker 10: jam mhm it's about how music make you feel.

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Speaker 1: If we're gonna go back into who's the rated singers,

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Speaker 1: then we just got to go to church mhm.

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Speaker 10: And we all know outside of Kurt Franklin and the

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Speaker 10: ORLANDA Adams, it ain't a whole bunch of money on.

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Speaker 1: That side of it.

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Speaker 10: So if we're talking about making money and making popular music,

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Speaker 10: the voice is subjective and and can can people really

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Speaker 10: get what they're trying to get out of.

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Speaker 1: The song we're talking about? What's the song we were

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Speaker 1: just listening to in the back.

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Speaker 5: If that would have been like a gospel style, if

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Speaker 5: that had been a gospel style singer, it wouldn't have worked.

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Speaker 5: Mark Morrison returning to Mac No no good singer could

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Speaker 5: It's no elevated singer could have singing that.

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Speaker 10: It had to be that, you know what I mean.

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Speaker 10: It's like, it's it's a style. When we're talking about

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Speaker 10: in popular music.

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Speaker 1: It's it's it's style wised.

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Speaker 5: So when you have the okay, who's gonna come out

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Speaker 5: here and flat foot sing for each other, we don't.

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Speaker 1: We don't really have it.

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Speaker 10: So I mean you can you can say it and

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Speaker 10: oh this person is best singer, and that person better singer.

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Speaker 10: But then it's like the who sells the most records,

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Speaker 10: But that would say that.

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Speaker 6: I put a list right now, and I said, Tank,

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Speaker 6: who can really sing? You would play that game.

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Speaker 1: I already see where this is going. I don't. I can't.

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Speaker 5: You know what I'm saying, because because my voice means

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Speaker 5: so much more. When when when these guys hear me

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Speaker 5: say something like if if if I didn't matter, if

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Speaker 5: we weren't the authority on all things R and B,

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Speaker 5: if I wasn't a guy who's written and produced and

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Speaker 5: sat down and had conversations with all these guys about

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Speaker 5: music and life and how you know this is what

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Speaker 5: you need to do to do this and do that.

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Speaker 5: Like I'm in a place where I can't even I

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Speaker 5: can't even do that. I gotta, I gotta. I gotta

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Speaker 5: encourage all of them, because I inspire all of them,

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Speaker 5: you know what I mean? So I gotta tell, I

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Speaker 5: gotta tell either whatever you have, this is how, this

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Speaker 5: is how you frame that, do that, put that there

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Speaker 5: and then with that sonic by this, and then that's

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Speaker 5: the guy I can be. So you know when you say,

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Speaker 5: is Mario allowed to do that? Mario can he can't

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Speaker 5: every right, I can't.

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Speaker 2: So now let me ask you, when you have a

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Speaker 2: computer that can make that voice perfect, right, I'm talking

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Speaker 2: about the AI Young. How does that make you feel

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Speaker 2: when somebody could type in lyrics into a program, push

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Speaker 2: into and it comes out with this amazing song with

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Speaker 2: this amazing voice, and this person gets paid a lot

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Speaker 2: of money.

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Speaker 1: I'm not mad at it.

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Speaker 10: Why I'm not mad at it because I just believe

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Speaker 10: that we are constantly evolving into something right if it's

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Speaker 10: and it's just another form of business. And I'm and

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Speaker 10: I'm happy for a young girl out of Memphis, Mississippi,

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Speaker 10: where somewhere out there where she's from, that was able

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Speaker 10: to make a living off of it. To me, I'm

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Speaker 10: never I'm never knocking anybody who figures out a way

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Speaker 10: to make a living.

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Speaker 4: Does that hurt the craft?

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Speaker 5: But let's take it back though. But let's take it

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Speaker 5: back though, because we've got to go back to the beginning.

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Speaker 5: Because me, I have albums, many albums, many songs with

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Speaker 5: no auto tune mm hmm. Now, all of a sudden,

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Speaker 5: I'm competing against singers who aren't singers who can't necessarily

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Speaker 5: hold that note, that can't necessarily do that run that

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Speaker 5: they're not as technical as I am, but the autotune

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Speaker 5: is holding them up and helping them almost.

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Speaker 1: Sound as good as I sound. Technically.

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Speaker 5: We've been fighting against AI for a long time, Grammy

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Speaker 5: for absolutely.

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Speaker 1: Absolutely, And guess what I said. I don't. I don't

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Speaker 1: care what the playing field is.

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Speaker 6: Let's play fight out and I think it's a time

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Speaker 6: and place for all.

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Speaker 3: Then I don't think all the two works in the bedroom.

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Speaker 5: You I just I disagree with you because you have

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Speaker 5: heard a tank with you just don't. It's not just

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Speaker 5: I don't. I don't t paying my auto tune right,

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Speaker 5: but I understand how to use the tool.

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Speaker 8: And I also think have you seen Tank perform live?

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Speaker 1: Yes?

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Speaker 8: So I think once we've seen I'm a live performer,

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Speaker 8: we wouldn't even think there would be.

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Speaker 5: Anything because I don't need it, right, But I understand

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Speaker 5: the sonic behind it. I understand why it cuts through

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Speaker 5: and why what it does on radio and what it

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Speaker 5: does when it comes through your head. I understand sonically

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Speaker 5: what that is. That's just me being an engineer time rewind.

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Speaker 6: But I think it's something to being able to grab

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Speaker 6: a microphone anytime, anywhere.

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Speaker 1: And.

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Speaker 5: That's why, and that's why it doesn't matter. It's just

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Speaker 5: another player in the game that we are competing against.

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Speaker 5: I don't care who it is. Let's fight, let's compete.

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Speaker 1: And it's enough space for ever. It's enough space.

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Speaker 5: You have Whitney Houston, you had what's what's uh American idol? No no, no, no, no, no,

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Speaker 5: the one that we should be, the Laker dancer.

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Speaker 1: Like you are.

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Speaker 10: People are acting like this is new where you don't

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Speaker 10: have one end to the other end you're always going

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Speaker 10: to have.

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Speaker 1: But it's still a person. This ain't a person, but

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Speaker 1: it was.

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Speaker 3: Still assisted was in a video with a cat, a

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Speaker 3: cartoon cat.

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Speaker 1: Yeah, it's different, he was.

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Speaker 5: It's different, but it's just today's version of it. And

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Speaker 5: you gotta understand we're not going back. We're not going back.

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Speaker 5: So does that figure out your prompts? You're executive, right, yes?

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Speaker 2: Would you have a sign and artist that you got

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Speaker 2: to deal with, makeup, hair, manager, security, all that, or

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Speaker 2: AI person that you ain't got to deal with nothing?

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Speaker 4: You cut a check and just let the money come.

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Speaker 10: If you tell me that person you just said, it's

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Speaker 10: Caliney telling in Kayliney, it's perfect tell me that person,

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Speaker 10: it's Scissor summer Walker.

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Speaker 1: I'm taking it.

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Speaker 4: Most people won't invest that money to get to where

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Speaker 4: a Scissor is, won't take that.

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Speaker 10: The real executive is going to see that. They're going

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Speaker 10: to see Victoria Monday. They're going to see her drive.

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Speaker 10: They're going to see how hard she goes in and go, oh,

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Speaker 10: this is going to connect. Because that's the other thing. Now,

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Speaker 10: you also have to talk about how an artist feels

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Speaker 10: to people. An ar artist, you know, you're just like, Okay,

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Speaker 10: that's a video game. You like to play it a

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Speaker 10: little bit, But are you in love with it like that?

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Speaker 1: You know what I'm saying.

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Speaker 10: So the human aspect still kicks in when it comes

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Speaker 10: to that, Oh I love this artist. These people love

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Speaker 10: the artists that I just named. They love Chris Brown,

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Speaker 10: I love Mario, they love ray J bro. I go

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Speaker 10: to my phone and I'm trying to see what Raj

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Speaker 10: said today.

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Speaker 1: I'm not I ain't gonna help you. Yeah. Yeah, so

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Speaker 1: you can't replace that.

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Speaker 5: But I ain't mad at somebody getting their bread in

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Speaker 5: another way, you know, I mean I'm not.

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Speaker 1: You know that. Don't bother me. The labels are going to.

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Speaker 5: They're gonna sign AI, Yes they are, and then they're

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Speaker 5: gonna use some of that aid money to take a

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Speaker 5: chance on humans.

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Speaker 4: How do you patent it?

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Speaker 2: Because you're putting it into a system so yours could

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Speaker 2: sound exactly like hers.

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Speaker 1: Well not, they're not gonna be able to do that.

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Speaker 1: So that's where it gets everybody.

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Speaker 5: Because the little Barney thing that almost kind of sound

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Speaker 5: like me and and Sam Smith and and somebody else

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Speaker 5: had a baby, the little Bernie. I'm thinking about it.

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Speaker 5: I'm thinking about going to see them niggas.

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Speaker 1: You know what I'm saying, Like little Barnie.

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Speaker 5: You ain't seen the Barney guys singing R and B

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Speaker 5: in the rain. It's going around. Everybody can tagging me on.

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Speaker 5: I'll show it tell you. But I mean, once you

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Speaker 5: start trying to sound like people that already exist and that,

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Speaker 5: that's when we start are having an issue.

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Speaker 10: And I think that's that's probably in the works as well.

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Speaker 10: I mean, I got some homies that's trying to figure

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Speaker 10: out how to copyright all of that, and you know

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Speaker 10: cultural you know cultural I P and that those those

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Speaker 10: type of things. So as in anything, they got to

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Speaker 10: figure it out, you know what I'm saying, you know,

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Speaker 10: we're all old enough to realize napster and and and

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Speaker 10: know what we went through during that time and seeing

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Speaker 10: the music business change, and they figured it out. I mean,

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Speaker 10: they figured out another way to rob us again. But

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Speaker 10: then you you also figured out a way to give

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Speaker 10: opportunities to people who would have never had them.

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Speaker 3: Well, let's stay here for a second.

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Speaker 6: Y'all too have seen damn near every evolution of the

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Speaker 6: industry for the most part. What's the biggest lie the

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Speaker 6: industry ever sold?

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Speaker 3: R and B artists.

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Speaker 1: M I don't.

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Speaker 5: I don't think that there's I don't think that there's

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Speaker 5: a lot that they sold. I think the truth about

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Speaker 5: what happened to us was never told. And I think

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Speaker 5: we've had that conversation in terms of what we ended

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Speaker 5: up having to compete against as male artists, against you know,

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Speaker 5: rappers singing melody and kind of replacing us in the

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Speaker 5: charts space. Like we weren't honest about that conversation. It's

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Speaker 5: like R and B died. No, R and B didn't die.

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Speaker 5: We're still here. But you're just you're not giving us

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Speaker 5: our spots. You're giving our spots You're not You're you're

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Speaker 5: letting bad singers, uh sing songs, but you're penalizing good singers.

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Speaker 1: We're doing too much. Well, you singing gen and Juice

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Speaker 1: on the podcast Nobody Nobody.

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Speaker 4: You're blaming it on the rappers.

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Speaker 1: No, no, no, no, no, I blame it on I blame

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Speaker 1: it on economics. It was just math.

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Speaker 5: You know how much it took to make you know

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Speaker 5: what I'm saying, A Voice too men album? You know

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Speaker 5: how much it took to make a Jackson album? Yeah,

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Speaker 5: but then when you had that first hit, come Come,

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Speaker 5: Come out of the basement of the Bronx or in Harlem.

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Speaker 1: You know what I'm saying, for.

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Speaker 5: Two hundred dollars and some chicken and you sold two

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Speaker 5: million of them.

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Speaker 1: Right, there's a whoo how do we get more of that?

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Speaker 10: But I think what what him and I figured out

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Speaker 10: early on too, was we could make R and B

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Speaker 10: cost effective and that like we had a conversation with

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Speaker 10: Atlantic Records, I don't know, fifteen years ago and we

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Speaker 10: and you know, we were trying to figure out how

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Speaker 10: to make it make sense. And him and I were like, yeah,

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Speaker 10: we got home studios. We can write and produce it ourselves.

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Speaker 10: If we want to bring in our friends, we can

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Speaker 10: and we'll set a certain number that we go up

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Speaker 10: to so that when we turn in this album, he

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Speaker 10: makes money week one.

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Speaker 1: YEP.

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Speaker 10: And we went in Atlantic and we restructured our deal

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Speaker 10: and we was like, now, don't we don't want that upfront.

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Speaker 10: We're trying to make back end money. Now, we're trying

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Speaker 10: to make, you know, money that's gonna last for our kids,

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Speaker 10: for us later on in our lives. So that upfront

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Speaker 10: that you've been selling people on which you know everybody knows,

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Speaker 10: that's debate.

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Speaker 1: You know what I mean. If I give you a dollar,

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Speaker 1: I gave you a dollar, so you owe me.

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Speaker 10: We're saying, you know, we're saying, okay, well this is

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Speaker 10: what this is what's gonna take for us to make it.

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Speaker 10: And then we proved that the business model worked, and

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Speaker 10: we saw a lot of other people in R and

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Speaker 10: B start doing the same thing because before it was

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Speaker 10: very expensive to make R and B music. You need

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Speaker 10: a studio for a month, two months that you know,

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Speaker 10: the artist is showing up to two three days out

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Speaker 10: of that time. We're like, no, no, we're gonna do

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Speaker 10: this right. You know, We're gonna cut the fat and

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Speaker 10: we're going to really do real business. And I think

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Speaker 10: R and B had to figure out how to do

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Speaker 10: real business. For a minute, R and B was it

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Speaker 10: was wild, like niggas was charging.

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Speaker 1: One fit track.

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Speaker 3: I know, I know.

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Speaker 10: Niggas that was getting jewelry on the on the budget

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Speaker 10: absolutely like wait, producers, y'all got y'all got jury off

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Speaker 10: of his song.

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Speaker 5: But you know what, all right, there was that So

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Speaker 5: and we were in a privileged position, yea, because we're

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Speaker 5: we're a to Z so we can write it, produce it,

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Speaker 5: all of that, you know what I mean, at a

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Speaker 5: at a level, you know what I mean. So at

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Speaker 5: a at a point where some artists they need to

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Speaker 5: run to that high level producer, they need to run

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Speaker 5: to that high level writer, and it is going to

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Speaker 5: cost them to get in the game. We we kind

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Speaker 5: of were blessed to wear I mean charging ourselves. So

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Speaker 5: we just we just bet on the back end. We

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Speaker 5: just created a different type of business so that we

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Speaker 5: could do we could do rapper business.

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Speaker 6: So let's simplify. If you had the power to change

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Speaker 6: one thing about the business side of R and B,

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Speaker 6: what gets fixed for us that like what you're talking about.

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Speaker 1: Now, budgets budgets.

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Speaker 5: No, I think the budget part is easy because I

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Speaker 5: think at this point, now everybody understands that, you know,

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Speaker 5: the days of you know, fifty hundred thousand dollars tracks over.

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Speaker 5: Everybody's trying to figure Now everybody's trying to get placements

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Speaker 5: because everybody can produce. Now, everybody can write. Now you

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Speaker 5: see AI, don't don't think it's not don't think those

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Speaker 5: submissions have of those submissions aren't AI. So now everybody's

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Speaker 5: now trying to figure out how to get those placements.

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Speaker 5: The only thing that I would change in terms of

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Speaker 5: of R and B business is just the marketing promotion

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Speaker 5: of it. I would just add more money to that

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Speaker 5: part of it, because yeah, but we need to we

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Speaker 5: need to.

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Speaker 1: Be put on bigger stages. Yeah, you know what I mean.

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Speaker 10: I think asking artists to try to figure out how

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Speaker 10: to go viral all the time it's tough. That's that's

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Speaker 10: really that's a tough space to put an artist in.

404
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Speaker 10: And it's and it's really it's the same thing when

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Speaker 10: you talk about promoters and they're like, oh, we we

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Speaker 10: need tank to post a hundred times, Well, nigga, aren't

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Speaker 10: you a promoter?

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Speaker 1: Title?

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Speaker 10: This is your title. This is what you do right.

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Speaker 10: We need to be able to see you know, that

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Speaker 10: street team again. We need to see those type of

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Speaker 10: things we need. And I think for me, I would

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Speaker 10: love to see artists campaigning again, meaning like really going

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Speaker 10: going to those you know, doing those school tours, doing

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Speaker 10: those HBCU tours, getting out there because everybody can't come

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Speaker 10: up here. We know that now you guys are you

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Speaker 10: know this is a premium, but there are so many

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Speaker 10: people walking around with cameras and and with phones that

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Speaker 10: are trying to interview artists and artist like, oh yah,

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Speaker 10: I'm good.

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Speaker 1: Now when you're trying.

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Speaker 10: To get popping, I don't care who walk up to you.

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Speaker 10: You better hop on that, hop on the on their

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Speaker 10: little phone and help.

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Speaker 1: Let me help you.

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Speaker 10: I didn't watch this man like, hey man, your camera dirty.

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Speaker 10: Let me let me wipe that down for you. It's

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Speaker 10: cook so we got a good picture. That's to me,

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Speaker 10: that's what I want to see change. I want to

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Speaker 10: see the artists not just live behind the computer no more.

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Speaker 10: And you know, I kind of answered the question around,

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Speaker 10: but that's what I would I would like to see

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Speaker 10: a change as far as from from an art and

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Speaker 10: be standpoint too.

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Speaker 4: There's no street teams anymore.

436
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Speaker 1: There's no labels that do. You got to be on

437
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Speaker 1: street team. You got to get out in the streets.

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Speaker 2: The majority of the artists I've ever seen a lot

439
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Speaker 2: of them before doing radio was at Hampton.

440
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Speaker 1: That was a stop.

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Speaker 2: There was the Morgan Howard Carolina stop and you see

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Speaker 2: everybody right, and it would always come for free and

443
00:22:19,119 --> 00:22:21,480
Speaker 2: they would perform on the yard on top of a car,

444
00:22:21,640 --> 00:22:22,080
Speaker 2: on top.

445
00:22:21,960 --> 00:22:23,440
Speaker 1: Of a bustle in the auditorium.

446
00:22:23,720 --> 00:22:24,919
Speaker 4: That's but they don't have that.

447
00:22:25,000 --> 00:22:26,399
Speaker 1: And that was the promo tour.

448
00:22:26,560 --> 00:22:27,440
Speaker 4: That was the promo tour.

449
00:22:27,640 --> 00:22:30,760
Speaker 5: Now the promo tour is just on your phone, TikTok.

450
00:22:31,840 --> 00:22:33,600
Speaker 5: That's that's their version of promo tour.

451
00:22:34,520 --> 00:22:36,680
Speaker 3: Here, he said, Man go outside and feel the day.

452
00:22:36,880 --> 00:22:41,360
Speaker 1: Man feel the day is what they call that. I'm

453
00:22:41,359 --> 00:22:44,320
Speaker 1: going outside the field. Like how Cardi B did her

454
00:22:44,359 --> 00:22:49,240
Speaker 1: roll out for her amazing. She was amazing. But that's her.

455
00:22:49,680 --> 00:22:53,840
Speaker 5: But that's her anyway, that's her a static anyway, she's

456
00:22:54,000 --> 00:22:57,320
Speaker 5: tapped in with the people. That's my thing. I'm I

457
00:22:57,359 --> 00:22:59,520
Speaker 5: don't I don't care when nobody else do. I'm with

458
00:22:59,560 --> 00:23:03,960
Speaker 5: the people. I judge my success off people and and

459
00:23:03,960 --> 00:23:05,800
Speaker 5: and and the money and all these other things. Those

460
00:23:05,800 --> 00:23:08,640
Speaker 5: are the byproduct of taking care of people, being there

461
00:23:08,680 --> 00:23:12,800
Speaker 5: for people, and that's what artists, again seconding with J

462
00:23:13,040 --> 00:23:15,000
Speaker 5: Jay is saying, you got to get back to the people.

463
00:23:15,040 --> 00:23:18,639
Speaker 5: Man Like I am an advocate. Atlantic Records will tell

464
00:23:18,640 --> 00:23:20,399
Speaker 5: you I just got the BMG shout out to BMG

465
00:23:20,600 --> 00:23:23,080
Speaker 5: uh with our with our new deal here. But I'm

466
00:23:23,119 --> 00:23:25,359
Speaker 5: just saying from in terms of the past, I was

467
00:23:25,359 --> 00:23:26,960
Speaker 5: an advocate. Hey, guys, I want to go on a

468
00:23:26,960 --> 00:23:28,720
Speaker 5: promo tour, but Tank, you don't have to do that.

469
00:23:29,240 --> 00:23:33,639
Speaker 5: I want to go on a promo tour right right, So,

470
00:23:33,680 --> 00:23:35,720
Speaker 5: as a Tank who didn't have to do a promo tour,

471
00:23:35,800 --> 00:23:38,080
Speaker 5: I'm laying in the back of a of an s

472
00:23:38,160 --> 00:23:41,480
Speaker 5: u V, a suburban going from state to state, the

473
00:23:41,520 --> 00:23:45,159
Speaker 5: state to state, city to city. That's what I'm doing

474
00:23:45,560 --> 00:23:49,080
Speaker 5: because the people are important. You can't lose sight of that.

475
00:23:49,800 --> 00:23:52,800
Speaker 6: I'm old enough to remember, Jay Records Recording Artists. Tank

476
00:23:52,840 --> 00:23:54,480
Speaker 6: will be at the Guilliard Auditor.

477
00:23:58,320 --> 00:23:59,440
Speaker 4: Recently seen climps do with the.

478
00:23:59,359 --> 00:24:04,200
Speaker 1: Same meet and greets, luncheons. You know what I'm saying.

479
00:24:04,240 --> 00:24:06,600
Speaker 5: You know how many program directors I done call it

480
00:24:06,640 --> 00:24:10,639
Speaker 5: their kids, I done call it. They wise baby, Mama's

481
00:24:11,600 --> 00:24:15,160
Speaker 5: all of it. That's what we gotta do. That's what

482
00:24:15,200 --> 00:24:19,159
Speaker 5: AI can't do right right. It's a separator.

483
00:24:20,040 --> 00:24:20,240
Speaker 1: Yeah.

484
00:24:21,240 --> 00:24:23,040
Speaker 6: It R and B finally at the point where artists

485
00:24:23,080 --> 00:24:27,200
Speaker 6: can be financially free without having the crossover cross over

486
00:24:27,240 --> 00:24:29,040
Speaker 6: to what like when everybody was doing like.

487
00:24:29,000 --> 00:24:31,120
Speaker 1: The pop records, the big Yeah, the one, the one,

488
00:24:31,119 --> 00:24:31,600
Speaker 1: big Friend.

489
00:24:35,160 --> 00:24:39,640
Speaker 10: Well, I think you you gotta make music for the masses, right,

490
00:24:39,680 --> 00:24:43,639
Speaker 10: you have to, you know, because that we're entertainers. But

491
00:24:44,040 --> 00:24:49,080
Speaker 10: sometimes the best you crosses over, you know what I'm saying.

492
00:24:49,119 --> 00:24:51,600
Speaker 10: And I feel like and I feel like Rap showed

493
00:24:51,680 --> 00:24:54,240
Speaker 10: us that, you know what I'm saying. Fifty second perform

494
00:24:54,440 --> 00:25:00,480
Speaker 10: anywhere anywhere with the same records that he made for queens.

495
00:25:01,240 --> 00:25:06,040
Speaker 1: Mm hmmm, they were they were you know I I

496
00:25:06,040 --> 00:25:09,120
Speaker 1: if you have a strong enough hook that can take

497
00:25:09,119 --> 00:25:13,760
Speaker 1: you anywhere. I mean, shoot, Kaylney Kate had.

498
00:25:13,760 --> 00:25:17,200
Speaker 5: That's a very army record. Very different kinds of records,

499
00:25:17,359 --> 00:25:19,639
Speaker 5: very R and B all different kinds. Chris Brown is

500
00:25:19,640 --> 00:25:22,600
Speaker 5: at all different kinds of record. Residuals are very armby

501
00:25:22,680 --> 00:25:27,400
Speaker 5: residuals unfolded or as R and B as they come,

502
00:25:28,160 --> 00:25:28,760
Speaker 5: and they are.

503
00:25:29,280 --> 00:25:33,040
Speaker 1: They are math world records. Like you said, the best

504
00:25:33,080 --> 00:25:34,840
Speaker 1: version of you. Yeah, yeah, that to me.

505
00:25:35,200 --> 00:25:37,920
Speaker 10: You know, I felt like when artists were chasing that,

506
00:25:38,119 --> 00:25:40,159
Speaker 10: it just didn't seem authentic, you know what I mean.

507
00:25:40,160 --> 00:25:43,119
Speaker 10: It didn't seem like who they were. And you know,

508
00:25:43,160 --> 00:25:45,000
Speaker 10: they were chasing the whole four on the floor thing

509
00:25:45,160 --> 00:25:48,360
Speaker 10: and it came and went, and I feel like it.

510
00:25:48,400 --> 00:25:49,760
Speaker 10: I feel like it hurt. I feel like it hurts

511
00:25:49,760 --> 00:25:51,600
Speaker 10: some people. I feel like I heard some artists too

512
00:25:51,640 --> 00:25:55,280
Speaker 10: when they did that chase that big like I.

513
00:25:55,280 --> 00:25:58,280
Speaker 2: Don't want to say people were raposited to it hurt,

514
00:25:58,400 --> 00:25:58,760
Speaker 2: but for.

515
00:25:58,760 --> 00:25:59,679
Speaker 1: Some I think they won.

516
00:25:59,720 --> 00:26:02,280
Speaker 5: I think it just depends on how you do it too, though,

517
00:26:03,080 --> 00:26:05,880
Speaker 5: how you you know, how you add that aesthetic into

518
00:26:06,040 --> 00:26:07,520
Speaker 5: into your brand, you know what I'm saying.

519
00:26:07,520 --> 00:26:10,720
Speaker 3: Like when Neil did it, Like when Nel did it.

520
00:26:10,760 --> 00:26:11,679
Speaker 1: I don't think it hurt him.

521
00:26:11,720 --> 00:26:14,560
Speaker 5: I don't think it hurt Neil. I think that was Neil. Yeah,

522
00:26:14,720 --> 00:26:17,760
Speaker 5: I think I think Neil is. I think Neil is

523
00:26:17,800 --> 00:26:19,720
Speaker 5: a world artist. I think he's a He's a great

524
00:26:19,840 --> 00:26:22,159
Speaker 5: R and B artist, songwriter, all of these things. But

525
00:26:22,520 --> 00:26:25,960
Speaker 5: I think Neil is is great at appealing to the world.

526
00:26:26,359 --> 00:26:27,920
Speaker 5: He's a world artist.

527
00:26:28,560 --> 00:26:31,959
Speaker 6: Point appealing to the world with sexy loves and stuff

528
00:26:32,000 --> 00:26:32,239
Speaker 6: like that.

529
00:26:32,359 --> 00:26:35,400
Speaker 5: Not when you but even sexy but even sexy Love,

530
00:26:35,440 --> 00:26:38,879
Speaker 5: if you listen to it, it's like it's it's still

531
00:26:38,880 --> 00:26:42,199
Speaker 5: a bigger record. It's not a traditional arm Sexy Love

532
00:26:42,280 --> 00:26:44,040
Speaker 5: is not a traditional R and B record.

533
00:26:44,040 --> 00:26:44,439
Speaker 3: A little bit.

534
00:26:44,600 --> 00:26:46,280
Speaker 1: It's it's got you know what I'm saying.

535
00:26:46,840 --> 00:26:50,760
Speaker 5: Now, when you go okay, Now, when you go there

536
00:26:50,800 --> 00:26:53,400
Speaker 5: and you say, okay, maybe that was far, but when

537
00:26:53,400 --> 00:26:55,760
Speaker 5: you watch him actually perform it, you said, oh no,

538
00:26:55,800 --> 00:26:57,760
Speaker 5: that's crazy, No, that's him.

539
00:26:57,840 --> 00:26:59,880
Speaker 4: But when I play those crossover parties, I don't place

540
00:27:00,160 --> 00:27:03,240
Speaker 4: you love. I played that record him.

541
00:27:03,119 --> 00:27:05,200
Speaker 1: And it goes crazy.

542
00:27:05,840 --> 00:27:08,640
Speaker 5: You go, yeah you you try to close after nail

543
00:27:08,760 --> 00:27:11,280
Speaker 5: somewhere overseas, somewhere in London.

544
00:27:11,440 --> 00:27:18,000
Speaker 1: Good luck, my friend. You're talking about that now.

545
00:27:18,040 --> 00:27:21,240
Speaker 2: You said online that you believe that Usha is a

546
00:27:21,240 --> 00:27:21,920
Speaker 2: better singing than R.

547
00:27:22,000 --> 00:27:25,840
Speaker 1: Kelly and people they did it at.

548
00:27:28,160 --> 00:27:30,639
Speaker 9: Lussia, is a better vocalist than Kelly.

549
00:27:31,240 --> 00:27:35,639
Speaker 5: Yeah, USh is technically a better vocalist than R. Kelly,

550
00:27:35,640 --> 00:27:36,600
Speaker 5: way more tools.

551
00:27:37,200 --> 00:27:39,240
Speaker 9: I thought you you can't say that type of stuff though,

552
00:27:44,520 --> 00:27:45,600
Speaker 9: I see you growing up.

553
00:27:45,480 --> 00:27:46,360
Speaker 1: Over there like.

554
00:27:49,200 --> 00:27:53,000
Speaker 5: These guys are these are my actual peers. Got you

555
00:27:53,560 --> 00:27:56,359
Speaker 5: these guys are you know what I'm saying? R Kelly

556
00:27:56,480 --> 00:27:59,040
Speaker 5: is O g This is a different conversation.

557
00:27:59,200 --> 00:28:02,240
Speaker 3: It's like joy. It's like Jordan Lebron Jordan's.

558
00:28:02,960 --> 00:28:06,120
Speaker 5: We're talking about guys at the top of the stratosphere,

559
00:28:06,160 --> 00:28:07,400
Speaker 5: like we're having a different conversation.

560
00:28:07,720 --> 00:28:08,800
Speaker 1: Is gonna lead this nigga voice?

561
00:28:08,800 --> 00:28:08,960
Speaker 6: Man?

562
00:28:09,000 --> 00:28:12,159
Speaker 1: I know you didn't say he was better than you

563
00:28:12,160 --> 00:28:16,640
Speaker 1: wouldn't say he was technically technically okay, technically.

564
00:28:16,880 --> 00:28:17,320
Speaker 3: We don't hear.

565
00:28:17,560 --> 00:28:19,680
Speaker 1: I don't even know what that means. Technically okay.

566
00:28:19,760 --> 00:28:23,640
Speaker 5: Like like like I said, for instance, I always bring

567
00:28:23,640 --> 00:28:28,359
Speaker 5: this record up. But Climax mm hmm. Or Kelly couldn't

568
00:28:28,359 --> 00:28:31,760
Speaker 5: have saen Climax mm hmm. Not many people could have

569
00:28:31,800 --> 00:28:36,439
Speaker 5: stayed Climax. But where Usher went from from false to

570
00:28:36,600 --> 00:28:42,520
Speaker 5: natural mm hmmm without without without hearing, the hearing the transfer,

571
00:28:43,640 --> 00:28:48,680
Speaker 5: like that type of thing special incredible. It's like watching gymnastics,

572
00:28:50,120 --> 00:28:52,719
Speaker 5: you know what I mean? Like everybody lands, for some

573
00:28:52,760 --> 00:28:54,440
Speaker 5: people stick, you know what.

574
00:28:54,440 --> 00:28:59,160
Speaker 10: I'm saying, Singing everybody don't always stick. Like if you

575
00:28:59,200 --> 00:29:02,880
Speaker 10: listen to Climax, every note that he sings on that record,

576
00:29:02,880 --> 00:29:06,880
Speaker 10: he sticks, like it's like this period, no move, ain't

577
00:29:06,880 --> 00:29:09,600
Speaker 10: no step back, you know what I mean?

578
00:29:11,880 --> 00:29:17,400
Speaker 1: That shit is flawless. So I mean, but sticks sticks.

579
00:29:18,320 --> 00:29:21,240
Speaker 1: Everything she's singing on there, it just sticks.

580
00:29:21,280 --> 00:29:23,280
Speaker 5: I mean, which why you have so many singers trying

581
00:29:23,320 --> 00:29:27,680
Speaker 5: to emulate it, right. They're trying to because because now

582
00:29:28,320 --> 00:29:32,640
Speaker 5: now certain certain singers or certain songs are study material,

583
00:29:33,760 --> 00:29:37,840
Speaker 5: it becomes that, like R. Kelly is a product of

584
00:29:38,040 --> 00:29:40,880
Speaker 5: so many things when it comes to study material. It

585
00:29:41,000 --> 00:29:46,400
Speaker 5: was swag, it was content. It was actually him, excuse me,

586
00:29:46,560 --> 00:29:50,600
Speaker 5: him turning R and B into this rap thing that

587
00:29:50,760 --> 00:29:54,680
Speaker 5: was like what what what is this? The first R

588
00:29:54,760 --> 00:29:57,160
Speaker 5: and B thug? Like what are we looking at? And

589
00:29:57,200 --> 00:29:59,600
Speaker 5: not that R and B cats ain't been tough, but

590
00:29:59,680 --> 00:30:01,760
Speaker 5: he framed it in a way to where it's like

591
00:30:01,920 --> 00:30:04,440
Speaker 5: R and B singer was like, I gotta get a chain.

592
00:30:08,760 --> 00:30:09,880
Speaker 1: Our castle corral.

593
00:30:10,040 --> 00:30:11,560
Speaker 5: R Kelly made it so you had to get a

594
00:30:11,760 --> 00:30:16,440
Speaker 5: has some tims like you gotta it can't be too

595
00:30:16,520 --> 00:30:17,320
Speaker 5: soft no more.

596
00:30:17,440 --> 00:30:17,560
Speaker 1: Now.

597
00:30:17,560 --> 00:30:19,840
Speaker 5: Then he then he gave you balance with you know,

598
00:30:19,960 --> 00:30:22,400
Speaker 5: half on the baby with the silk pajamas on. You know,

599
00:30:22,400 --> 00:30:24,280
Speaker 5: I'm walking barefoot like wife a minute, so I can

600
00:30:24,320 --> 00:30:27,240
Speaker 5: do both. So when you talk about r Kelly, You

601
00:30:27,240 --> 00:30:30,479
Speaker 5: talk about it's so much that goes into that, but

602
00:30:30,560 --> 00:30:32,920
Speaker 5: when you just break it down to one thing vocally,

603
00:30:33,000 --> 00:30:36,080
Speaker 5: that's just that's just an elite. He's an elite vocalist.

604
00:30:36,240 --> 00:30:38,600
Speaker 6: So what's the one vocal mistake you see new artists

605
00:30:38,640 --> 00:30:39,800
Speaker 6: making the day.

606
00:30:40,960 --> 00:30:42,160
Speaker 1: That's a great question.

607
00:30:42,640 --> 00:30:46,200
Speaker 10: They don't rehearse, there's one they don't rehearse, and you

608
00:30:46,240 --> 00:30:48,840
Speaker 10: can tell there's one. You can tell, you can you

609
00:30:48,840 --> 00:30:50,800
Speaker 10: can you can see it. You know, my father used

610
00:30:50,800 --> 00:30:55,720
Speaker 10: to call it polish Dad. They're not polished, and you

611
00:30:55,760 --> 00:30:59,240
Speaker 10: don't see a lot of new artists that are polished unfortunately,

612
00:30:59,520 --> 00:31:02,080
Speaker 10: you know what I mean. And you just like, damn man,

613
00:31:02,240 --> 00:31:03,880
Speaker 10: like you should have left that in the oven a

614
00:31:03,920 --> 00:31:05,560
Speaker 10: little longer, you know what I mean, Like you should

615
00:31:05,600 --> 00:31:09,000
Speaker 10: have just because there's there's something like when people call

616
00:31:09,120 --> 00:31:11,360
Speaker 10: you and they have you perform at things, or they

617
00:31:11,360 --> 00:31:13,760
Speaker 10: have you show up for something, you can always tell

618
00:31:13,800 --> 00:31:18,600
Speaker 10: that somebody spent hours and hours rehearsing going over that.

619
00:31:18,720 --> 00:31:22,720
Speaker 10: Like when you know, let's be two kay, those guys

620
00:31:22,720 --> 00:31:26,640
Speaker 10: are polished, and when they came out they were polished.

621
00:31:26,760 --> 00:31:28,920
Speaker 10: You could tell they were in the lab for years

622
00:31:29,320 --> 00:31:31,760
Speaker 10: waiting for that opportunity. You'll see a group now and

623
00:31:31,800 --> 00:31:35,760
Speaker 10: you're like they called a wave or artists or whatever,

624
00:31:35,800 --> 00:31:38,320
Speaker 10: and you're like, damn, I just wish when you catch

625
00:31:38,360 --> 00:31:41,920
Speaker 10: that wave, I hope you look in that mirror and go, Okay,

626
00:31:41,920 --> 00:31:44,040
Speaker 10: I gotta get ready now. I got to really start

627
00:31:44,280 --> 00:31:46,640
Speaker 10: because these people want me to perform. So I'm not

628
00:31:46,640 --> 00:31:51,120
Speaker 10: gonna take this show in August. I'll take it in

629
00:31:51,360 --> 00:31:52,480
Speaker 10: October or November.

630
00:31:53,040 --> 00:31:53,720
Speaker 1: You know what I'm saying.

631
00:31:54,280 --> 00:31:56,080
Speaker 5: I'm a wait because when they see me, because when

632
00:31:56,120 --> 00:31:59,000
Speaker 5: they see me, they gotta see me like, yeah, as

633
00:31:59,000 --> 00:32:01,920
Speaker 5: this polish started, the stake they make too is And

634
00:32:02,920 --> 00:32:04,840
Speaker 5: I actually was able to do this with a Marion

635
00:32:04,880 --> 00:32:07,200
Speaker 5: as you bring up B two que. A lot of

636
00:32:07,240 --> 00:32:13,000
Speaker 5: producers just write songs and produce songs, and they aren't

637
00:32:13,040 --> 00:32:18,240
Speaker 5: considering the vocal range of an R and B artist,

638
00:32:19,080 --> 00:32:21,000
Speaker 5: And so a lot of times when you're in the studio,

639
00:32:21,520 --> 00:32:24,480
Speaker 5: you can get something off in the studio because it's takes,

640
00:32:24,960 --> 00:32:28,120
Speaker 5: you're fresh every take. But when you have to sing

641
00:32:28,120 --> 00:32:31,120
Speaker 5: a song from top to bottom live in the show,

642
00:32:31,520 --> 00:32:34,560
Speaker 5: that's where it gets different. And so a producer, a songwriter,

643
00:32:34,760 --> 00:32:38,240
Speaker 5: even that artist for that matter, has to understand what

644
00:32:38,480 --> 00:32:42,960
Speaker 5: key they can actually sing in it, Like, so what

645
00:32:43,080 --> 00:32:45,160
Speaker 5: can you what key can you sing in where you

646
00:32:45,160 --> 00:32:47,800
Speaker 5: can deliver this song from top to bottom every night?

647
00:32:47,840 --> 00:32:50,520
Speaker 5: And that's what I did for Marion and oh and

648
00:32:50,560 --> 00:32:52,719
Speaker 5: I was I was listening to him sing and I

649
00:32:52,760 --> 00:32:55,760
Speaker 5: was like, I was like, they're writing everything outside of

650
00:32:55,760 --> 00:32:56,120
Speaker 5: your key.

651
00:32:56,200 --> 00:32:56,600
Speaker 1: I get it.

652
00:32:56,640 --> 00:32:58,720
Speaker 5: We want the hype because the hype when it comes

653
00:32:58,720 --> 00:33:01,520
Speaker 5: on the radio and the people singing live. I said,

654
00:33:01,520 --> 00:33:04,160
Speaker 5: but that's not your key. I said, you sing down here,

655
00:33:04,720 --> 00:33:07,000
Speaker 5: even when you're here talking voice. He's like, I was like, no, no,

656
00:33:07,040 --> 00:33:10,480
Speaker 5: we're going to bring you down here. The highest note

657
00:33:10,480 --> 00:33:12,600
Speaker 5: that you're going to sing is that's the highest note

658
00:33:12,640 --> 00:33:14,640
Speaker 5: you're That's that's how you're going and we're going to

659
00:33:14,680 --> 00:33:17,840
Speaker 5: stay right there. And so that's I think that's not

660
00:33:18,040 --> 00:33:20,920
Speaker 5: even just on the singer. That's on the people who

661
00:33:20,920 --> 00:33:23,440
Speaker 5: are actually crafting the music and don't take time to

662
00:33:23,520 --> 00:33:27,280
Speaker 5: actually get to know the artists and there and what

663
00:33:27,320 --> 00:33:28,280
Speaker 5: they're bringing to the table.

664
00:33:28,320 --> 00:33:31,200
Speaker 2: And I think that's why people compare Chris to Michael

665
00:33:31,240 --> 00:33:33,400
Speaker 2: Jackson all the time, not that they can be a comparison,

666
00:33:33,760 --> 00:33:36,200
Speaker 2: but if you ever see his show, you see him

667
00:33:36,240 --> 00:33:39,480
Speaker 2: flying around the air and flipping and stancing, and it

668
00:33:39,880 --> 00:33:41,040
Speaker 2: still sounding.

669
00:33:40,800 --> 00:33:43,200
Speaker 9: Glen Mike is still on from top to bottom of

670
00:33:43,200 --> 00:33:46,360
Speaker 9: the show, like that's ridiculous, and then here go do

671
00:33:46,400 --> 00:33:49,480
Speaker 9: a meet and greet and then probably go in the studio.

672
00:33:53,880 --> 00:33:55,440
Speaker 1: Is different and it was long.

673
00:33:55,520 --> 00:33:57,240
Speaker 4: His show is like four hours hours.

674
00:33:57,320 --> 00:34:01,400
Speaker 5: No, we're not all aliens, We're not on aliens. The

675
00:34:01,440 --> 00:34:06,120
Speaker 5: two people completely not from this planet. Whitney he was another,

676
00:34:07,120 --> 00:34:09,120
Speaker 5: said christ Michael Jack.

677
00:34:10,480 --> 00:34:12,320
Speaker 2: But Whitney to Whitney. When you when you listen to

678
00:34:12,320 --> 00:34:14,520
Speaker 2: Whitney alien, no matter what she sings, you.

679
00:34:14,480 --> 00:34:15,480
Speaker 1: Be like, how the hell you get that?

680
00:34:15,560 --> 00:34:21,720
Speaker 9: No doubt, and then be singing, smiling, smiling, Yeah damn

681
00:34:21,760 --> 00:34:23,520
Speaker 9: she got stand up, hold the stomach.

682
00:34:23,520 --> 00:34:25,800
Speaker 8: And that happens when the artists right, So like and

683
00:34:25,880 --> 00:34:28,080
Speaker 8: Omary was lucky that you were able to hear that

684
00:34:28,120 --> 00:34:30,880
Speaker 8: and do that, But like today, these artists aren't getting

685
00:34:30,920 --> 00:34:34,080
Speaker 8: those producers right sometimes and then they don't know their

686
00:34:34,120 --> 00:34:35,960
Speaker 8: own identity enough to be like, no, I shouldn't be

687
00:34:35,960 --> 00:34:38,799
Speaker 8: singing there. How do you navigate that if you have

688
00:34:38,960 --> 00:34:40,839
Speaker 8: that wave? And it's because I think sometimes I see

689
00:34:40,920 --> 00:34:43,319
Speaker 8: artists and I'm like, dang, they have the moment, but

690
00:34:43,360 --> 00:34:45,680
Speaker 8: you can tell their still trying to figure out who

691
00:34:45,719 --> 00:34:47,880
Speaker 8: they show up as, like what they got it.

692
00:34:47,880 --> 00:34:51,400
Speaker 5: Well, it's it's two part, right, because as an artist,

693
00:34:52,040 --> 00:34:53,759
Speaker 5: a lot of times you don't even know what to

694
00:34:53,840 --> 00:34:58,200
Speaker 5: ask for, right, You're you're just looking for success, and

695
00:34:58,440 --> 00:35:00,920
Speaker 5: however it comes right, you don't know what to do.

696
00:35:00,960 --> 00:35:02,400
Speaker 5: On the other side of it, You don't even know

697
00:35:02,400 --> 00:35:04,520
Speaker 5: what to do going into it. You just look up

698
00:35:04,520 --> 00:35:06,960
Speaker 5: and have this thing. And so a lot of the

699
00:35:07,000 --> 00:35:10,120
Speaker 5: oners or the responsibility is on the artists who desire

700
00:35:10,200 --> 00:35:13,919
Speaker 5: or seek more in terms of understanding from the gift,

701
00:35:13,960 --> 00:35:16,080
Speaker 5: to the marketing, to all of these things. But then

702
00:35:16,200 --> 00:35:19,480
Speaker 5: it falls on the people around them. Right, So if

703
00:35:19,480 --> 00:35:21,600
Speaker 5: there's a manager and all of these cool things that

704
00:35:21,600 --> 00:35:23,520
Speaker 5: are that are coming into play, and then let's go

705
00:35:23,560 --> 00:35:26,319
Speaker 5: even further than that, when people who do know when

706
00:35:26,320 --> 00:35:28,839
Speaker 5: the label comes in and the people who are trying

707
00:35:28,880 --> 00:35:29,959
Speaker 5: to make money off of all.

708
00:35:29,880 --> 00:35:33,120
Speaker 1: Of these things, who know better, they should know better,

709
00:35:33,200 --> 00:35:33,839
Speaker 1: they should know.

710
00:35:33,800 --> 00:35:34,839
Speaker 3: Better, and they should do better.

711
00:35:34,840 --> 00:35:38,680
Speaker 8: But they always right because because back to the labels,

712
00:35:38,880 --> 00:35:41,440
Speaker 8: Hey where's my camera, where's my camera?

713
00:35:41,719 --> 00:35:47,080
Speaker 10: Start hiring black executive again. Okay, hire people who actually

714
00:35:47,120 --> 00:35:49,640
Speaker 10: grew up in the music, know the music and can

715
00:35:49,680 --> 00:35:52,040
Speaker 10: tell you how to make the music all right, go ahead,

716
00:35:52,080 --> 00:35:52,600
Speaker 10: ty yep.

717
00:35:53,920 --> 00:35:57,280
Speaker 5: Well, because because again if we go back to where

718
00:35:57,719 --> 00:36:02,640
Speaker 5: you know, there was a plethora of black executives, you

719
00:36:02,640 --> 00:36:05,440
Speaker 5: see the difference in how the artists l A. Re

720
00:36:05,560 --> 00:36:14,279
Speaker 5: wrote songs, wrote songs. Jimmy Seme, Terry Lewis Maker and

721
00:36:14,280 --> 00:36:17,080
Speaker 5: Andre Herrel was music.

722
00:36:17,600 --> 00:36:20,160
Speaker 1: He was music, I mean like and we can go

723
00:36:20,200 --> 00:36:21,480
Speaker 1: down the list of like.

724
00:36:21,719 --> 00:36:26,440
Speaker 5: Is music like Jermaine dupri Is music and.

725
00:36:26,400 --> 00:36:31,520
Speaker 8: They were talking about how the boutique labels and like, yeah,

726
00:36:31,560 --> 00:36:34,160
Speaker 8: clip go so virbral and is exactly what you're talking

727
00:36:34,200 --> 00:36:36,839
Speaker 8: to search it for that now we know it.

728
00:36:36,920 --> 00:36:40,360
Speaker 5: And so if when we see somebody that's doing something

729
00:36:40,400 --> 00:36:45,279
Speaker 5: like you understand, we sit and talk with everybody, all

730
00:36:45,360 --> 00:36:47,960
Speaker 5: of them, and we say, hey, man, you should try

731
00:36:48,080 --> 00:36:50,359
Speaker 5: this and and think about doing this. And when your

732
00:36:50,360 --> 00:36:54,279
Speaker 5: people that's what we do so much, unpaid consulting, we

733
00:36:54,320 --> 00:36:55,400
Speaker 5: do that just as.

734
00:36:58,719 --> 00:37:03,760
Speaker 1: Much, so much. But it's not even about it's not.

735
00:37:03,680 --> 00:37:06,880
Speaker 10: Even it's not even about it's not even about labels

736
00:37:06,960 --> 00:37:09,960
Speaker 10: hitting us up. To me, it's it's it's more so

737
00:37:10,080 --> 00:37:14,520
Speaker 10: about person. It's about labels really putting us back in power.

738
00:37:14,560 --> 00:37:15,840
Speaker 10: And it's not when I say us. I don't just

739
00:37:15,880 --> 00:37:18,800
Speaker 10: even mean me and him. Dallas Austin should run a label.

740
00:37:19,320 --> 00:37:24,120
Speaker 1: Absolutely. Jermaine depreciated run a label. Yeah you get what

741
00:37:24,160 --> 00:37:26,799
Speaker 1: I'm saying, Like, why not?

742
00:37:28,560 --> 00:37:34,040
Speaker 5: They know this ship, they know it, they live, they

743
00:37:34,960 --> 00:37:35,760
Speaker 5: like everything.

744
00:37:35,880 --> 00:37:38,200
Speaker 9: The work ethic is the same coming from the artist,

745
00:37:38,280 --> 00:37:39,920
Speaker 9: like y'all were hungry like people.

746
00:37:40,040 --> 00:37:41,319
Speaker 5: You know what you know where the work you know

747
00:37:41,400 --> 00:37:42,759
Speaker 5: a lot of times you know where a lot of

748
00:37:42,760 --> 00:37:45,880
Speaker 5: times the work ethic comes from. It comes from It

749
00:37:45,920 --> 00:37:50,799
Speaker 5: comes from respect, right, because certain that that's if we

750
00:37:50,960 --> 00:37:54,240
Speaker 5: check it. The sports, certain players know when a certain

751
00:37:54,280 --> 00:37:56,960
Speaker 5: coach walk in, it ain't no ship to be played.

752
00:37:56,760 --> 00:37:59,600
Speaker 1: Today, right, Are they playing with a certain player? Yeah?

753
00:38:00,000 --> 00:38:02,480
Speaker 1: Cooka back in shape. Yeah yeah, they was.

754
00:38:02,400 --> 00:38:04,880
Speaker 5: Taking beers and ship from him in Dallas. He played

755
00:38:04,880 --> 00:38:07,680
Speaker 5: at Lakers with Brian Nigga. Look like you're reading a

756
00:38:07,719 --> 00:38:13,000
Speaker 5: model and everybody around you falls in line. So artists

757
00:38:13,000 --> 00:38:15,759
Speaker 5: are going to Artists are going to do or get

758
00:38:15,760 --> 00:38:17,640
Speaker 5: away with what you let them get away with, right,

759
00:38:18,120 --> 00:38:19,040
Speaker 5: and what they respect.

760
00:38:19,080 --> 00:38:20,520
Speaker 10: Like if you when you go in the studio with

761
00:38:20,640 --> 00:38:24,280
Speaker 10: Jermaine dupri you're like, and you look at that wall?

762
00:38:24,640 --> 00:38:26,719
Speaker 10: Are you look at the wall and Jimmy Jimmy Tyr

763
00:38:26,800 --> 00:38:29,040
Speaker 10: Lewis or baby Face Wall and you're like, this is

764
00:38:29,120 --> 00:38:33,840
Speaker 10: everything I want. I'm going to give my best, you

765
00:38:33,920 --> 00:38:36,879
Speaker 10: know what I'm saying. And then they you know, they

766
00:38:36,880 --> 00:38:39,520
Speaker 10: walk us out the pasture too early, right they ah,

767
00:38:39,800 --> 00:38:40,800
Speaker 10: you knows.

768
00:38:40,760 --> 00:38:42,560
Speaker 1: You used to do this. So that person used to

769
00:38:42,560 --> 00:38:42,879
Speaker 1: do that.

770
00:38:43,239 --> 00:38:46,840
Speaker 5: Jermaine dupri just had here records, big ones, you know

771
00:38:46,880 --> 00:38:47,799
Speaker 5: what I'm saying, Like.

772
00:38:48,040 --> 00:38:49,080
Speaker 3: But even bigger than the hits.

773
00:38:49,080 --> 00:38:52,840
Speaker 6: If you create something that's timeless, if somebody's created something that's.

774
00:38:52,920 --> 00:38:56,279
Speaker 10: They can do it again, give me a chance to

775
00:38:56,280 --> 00:38:57,959
Speaker 10: do it again, you know what I'm saying, Like.

776
00:38:57,960 --> 00:39:01,360
Speaker 5: We have this thing just what you said, we gotta

777
00:39:01,400 --> 00:39:06,040
Speaker 5: we gotta, we gotta dive into that more. Why is

778
00:39:06,080 --> 00:39:10,040
Speaker 5: it that? Why is it that we allow our black

779
00:39:10,160 --> 00:39:14,040
Speaker 5: artists to age out and writers and producers and writers

780
00:39:14,040 --> 00:39:18,839
Speaker 5: in producer, Why do you know a producer unfolded Drey

781
00:39:18,920 --> 00:39:22,160
Speaker 5: Harris from Drey and Vidal, who was part of creating

782
00:39:22,200 --> 00:39:27,799
Speaker 5: neo soul in Philly, Jill Scott Music Soul, he's a producer.

783
00:39:28,920 --> 00:39:30,160
Speaker 5: He's a producer on folded.

784
00:39:30,239 --> 00:39:33,759
Speaker 10: Absolutely, you know what I'm saying, Like, all these these

785
00:39:33,840 --> 00:39:36,160
Speaker 10: young artists, why aren't these labels send them to like

786
00:39:36,200 --> 00:39:38,279
Speaker 10: a Brian Alexander Morgan.

787
00:39:38,040 --> 00:39:39,920
Speaker 1: Who did s w V period.

788
00:39:43,719 --> 00:39:47,080
Speaker 10: That turned out, so it has to happen more and

789
00:39:47,080 --> 00:39:49,840
Speaker 10: and and and salute to the artists that are saying

790
00:39:50,120 --> 00:39:52,480
Speaker 10: because it's it's not even I don't believe it's their

791
00:39:52,520 --> 00:39:55,000
Speaker 10: teams in there in the labels.

792
00:39:55,040 --> 00:39:58,080
Speaker 1: It's the artist now saying this. You know, I need

793
00:39:58,120 --> 00:39:59,160
Speaker 1: to go see such and such.

794
00:39:59,080 --> 00:40:02,040
Speaker 5: As an example of that, you know, as as you

795
00:40:02,080 --> 00:40:06,120
Speaker 5: see the the texture that Kilane is playing with now

796
00:40:06,920 --> 00:40:10,440
Speaker 5: in this very R and B, very early two thousands

797
00:40:10,520 --> 00:40:11,560
Speaker 5: kind of things that she's doing.

798
00:40:11,640 --> 00:40:14,080
Speaker 1: Guess who she called. She called me.

799
00:40:15,360 --> 00:40:19,520
Speaker 5: She called Antonio Dixon like she's like, I need that,

800
00:40:20,480 --> 00:40:23,160
Speaker 5: I need some of that. And so that's why I

801
00:40:23,200 --> 00:40:26,160
Speaker 5: go back to some of the onuses on the artists

802
00:40:26,840 --> 00:40:28,600
Speaker 5: to do your do your work, do your homework.

803
00:40:28,719 --> 00:40:31,279
Speaker 6: That makes a lot because you all did that with

804
00:40:31,320 --> 00:40:33,239
Speaker 6: her A folded folded gonna be around for a long

805
00:40:33,280 --> 00:40:44,759
Speaker 6: time since the babyface did snooze.

806
00:40:39,680 --> 00:40:43,480
Speaker 10: Right, Chris Rick times like it's it's some really talented

807
00:40:43,480 --> 00:40:47,560
Speaker 10: people out here, man, and you know him and I

808
00:40:47,560 --> 00:40:48,040
Speaker 10: both do this.

809
00:40:48,120 --> 00:40:49,600
Speaker 1: Man, I'll call him.

810
00:40:49,600 --> 00:40:51,160
Speaker 10: I'll be like, bro, I just came from I just

811
00:40:51,320 --> 00:40:54,239
Speaker 10: I was at the studio of Victoria Monday. You'll call

812
00:40:54,320 --> 00:40:57,520
Speaker 10: me just hit me, kline hit me. I gotta play

813
00:40:57,520 --> 00:41:00,279
Speaker 10: some records, you know what I mean? Leon Thomas out

814
00:41:01,080 --> 00:41:04,920
Speaker 10: Tie Dollar Sign. We like, I think, what's what's happening?

815
00:41:05,040 --> 00:41:07,279
Speaker 10: And we're we're trying to be the people who stand

816
00:41:07,320 --> 00:41:11,319
Speaker 10: in front of it is the real tap in, Like

817
00:41:11,360 --> 00:41:14,279
Speaker 10: we really, we really are tapping in. We really are

818
00:41:14,360 --> 00:41:17,200
Speaker 10: sitting with artists. Jacob Latimore, you know what I mean.

819
00:41:17,440 --> 00:41:19,359
Speaker 10: You know, we all love Jake. We're like, listen, you're

820
00:41:19,360 --> 00:41:20,880
Speaker 10: a superstar TV. Now it's time for you to be

821
00:41:20,880 --> 00:41:25,520
Speaker 10: a superstar music. So here are the steps, you know

822
00:41:25,560 --> 00:41:29,200
Speaker 10: what I mean. Luke James, Ye, Trevor Jackson.

823
00:41:29,920 --> 00:41:33,319
Speaker 1: You know what I mean? Like Jaydon m h Yeah,

824
00:41:33,960 --> 00:41:36,840
Speaker 1: Like that's like my little brother this ver. You know

825
00:41:36,880 --> 00:41:37,160
Speaker 1: what i mean.

826
00:41:37,200 --> 00:41:39,640
Speaker 10: I'm like, listen, I'm seeing okay, you know, maybe maybe

827
00:41:39,680 --> 00:41:42,080
Speaker 10: one or two extra spin moves that you're doing you

828
00:41:42,120 --> 00:41:42,560
Speaker 10: might need to.

829
00:41:43,800 --> 00:41:50,040
Speaker 1: It's turning into a parelt. I got this stand still

830
00:41:50,040 --> 00:41:51,520
Speaker 1: sing a little more love that, you know what I mean?

831
00:41:51,560 --> 00:41:53,319
Speaker 1: But love him well.

832
00:41:53,360 --> 00:41:55,799
Speaker 10: Tank said the respect of that though, because they know

833
00:41:55,840 --> 00:41:58,120
Speaker 10: that we're coming from a pure place, you know, what

834
00:41:58,160 --> 00:42:00,560
Speaker 10: I'm saying, and you have absolutely.

835
00:42:00,120 --> 00:42:04,080
Speaker 1: It would be smart for a label to say, hey, you.

836
00:42:04,080 --> 00:42:06,319
Speaker 10: Guys run our black division, if y'all want to call

837
00:42:06,360 --> 00:42:09,520
Speaker 10: it that, hm, you know what I mean? And that

838
00:42:09,640 --> 00:42:12,400
Speaker 10: and that could be in the works. But I'm saying

839
00:42:12,960 --> 00:42:16,319
Speaker 10: it shouldn't just be us mm hmm. It has to

840
00:42:16,360 --> 00:42:18,560
Speaker 10: be more of us and it don't. And I get

841
00:42:18,560 --> 00:42:22,160
Speaker 10: the boutaque boutique label that that's cool too, But I'm

842
00:42:22,160 --> 00:42:25,240
Speaker 10: talking about literally in the building too though, right, because

843
00:42:25,239 --> 00:42:27,160
Speaker 10: this one thing would be to be a partner with

844
00:42:27,200 --> 00:42:29,440
Speaker 10: them and be a little bit on the outside. But

845
00:42:29,520 --> 00:42:31,840
Speaker 10: you gotta be, you gotta be at that Wednesday marketing meeting.

846
00:42:31,960 --> 00:42:34,640
Speaker 8: The system gym because I felt like at first depth

847
00:42:34,680 --> 00:42:36,719
Speaker 8: Jim was trying to do something like that.

848
00:42:38,360 --> 00:42:43,520
Speaker 1: Okay, if j where who R and B was? They

849
00:42:43,560 --> 00:42:46,000
Speaker 1: had they had death, So.

850
00:42:46,719 --> 00:42:49,719
Speaker 2: Yeah, like producers would be in studios and then at

851
00:42:49,760 --> 00:42:52,000
Speaker 2: that that label the next day.

852
00:42:51,880 --> 00:42:53,759
Speaker 1: I mean, and then you had you had, you had.

853
00:42:53,920 --> 00:42:56,960
Speaker 10: You had real label heads like Jimmy I Van who

854
00:42:57,040 --> 00:43:01,839
Speaker 10: believed in empowering the producers. And my thing is that

855
00:43:01,840 --> 00:43:05,040
Speaker 10: if you've seen what he did with all those producers

856
00:43:05,080 --> 00:43:07,520
Speaker 10: from Polo to Timberland to Doctor Dre.

857
00:43:08,280 --> 00:43:12,120
Speaker 1: You know, why wouldn't y'all continue to follow suit? You

858
00:43:12,200 --> 00:43:13,160
Speaker 1: know what I mean? Like too much?

859
00:43:13,239 --> 00:43:14,880
Speaker 3: Niggas made too much money. They had to cut this

860
00:43:14,880 --> 00:43:15,279
Speaker 3: shit off.

861
00:43:15,280 --> 00:43:20,480
Speaker 1: I mean, listen, the business wasn't made for us. You,

862
00:43:20,520 --> 00:43:22,360
Speaker 1: me and d just made a billion dollars, you know

863
00:43:22,400 --> 00:43:22,759
Speaker 1: what I mean?

864
00:43:22,840 --> 00:43:26,680
Speaker 10: And I think that's the that's that's the mistake that

865
00:43:26,680 --> 00:43:28,760
Speaker 10: that that sometimes.

866
00:43:28,320 --> 00:43:30,680
Speaker 1: We make is in thinking that the business was made

867
00:43:30,680 --> 00:43:32,360
Speaker 1: for us. Entertainment.

868
00:43:32,840 --> 00:43:35,320
Speaker 10: Yeah, the entertainment part is for us, but the business

869
00:43:35,360 --> 00:43:36,600
Speaker 10: never was behind.

870
00:43:36,640 --> 00:43:40,120
Speaker 1: Somebody that just blew my mind. Recently came Brown. Come on, man,

871
00:43:40,160 --> 00:43:40,520
Speaker 1: I get it.

872
00:43:40,600 --> 00:43:43,040
Speaker 10: I tell you, I tell you, shout out to Polo

873
00:43:43,080 --> 00:43:46,759
Speaker 10: the don come on man, you talk about you talk

874
00:43:46,800 --> 00:43:49,120
Speaker 10: about bringing black people back into country music.

875
00:43:49,480 --> 00:43:53,239
Speaker 1: Polo to Doe, he kicked that off. He kicked it off.

876
00:43:53,320 --> 00:43:57,279
Speaker 10: Came Brown is black for people that don't know. And

877
00:43:57,360 --> 00:44:00,480
Speaker 10: I remember, I remember he played him for me. I'm like,

878
00:44:00,920 --> 00:44:04,520
Speaker 10: you got young brother, you she canna.

879
00:44:04,280 --> 00:44:08,920
Speaker 1: Work for credible. She can be credible. Take her the

880
00:44:08,960 --> 00:44:12,080
Speaker 1: world again. Yeah, yeah, you know what I mean. But

881
00:44:12,120 --> 00:44:14,160
Speaker 1: they found a way to, you know, to not to

882
00:44:14,239 --> 00:44:17,400
Speaker 1: not mention Polo about that no more. Well we're on

883
00:44:17,440 --> 00:44:20,080
Speaker 1: Breakfast Club. Today, we're gonna mention it and we will

884
00:44:20,120 --> 00:44:21,240
Speaker 1: talk about it. I heard that somewhere.

885
00:44:21,239 --> 00:44:22,640
Speaker 3: I was like polo behind Kate Brown.

886
00:44:22,880 --> 00:44:26,759
Speaker 10: Yes, absolutely, you got a new young girl juicy two

887
00:44:26,800 --> 00:44:28,080
Speaker 10: times that I with too, like.

888
00:44:28,080 --> 00:44:32,400
Speaker 9: He got listen. She used to cover through his covers

889
00:44:32,440 --> 00:44:38,319
Speaker 9: all the time. His voice immaculate and she was doing this.

890
00:44:38,480 --> 00:44:42,399
Speaker 9: I remember ago, Yeah, yeah, my girl.

891
00:44:42,520 --> 00:44:43,359
Speaker 1: We hear we here.

892
00:44:43,400 --> 00:44:45,719
Speaker 10: The were here to give people they credit man and

893
00:44:45,760 --> 00:44:47,839
Speaker 10: they flowers and to put light back on them, if

894
00:44:47,920 --> 00:44:49,560
Speaker 10: you know, if they try to take it off of them.

895
00:44:50,160 --> 00:44:51,680
Speaker 3: John he was up here last.

896
00:44:51,719 --> 00:44:52,399
Speaker 1: We love John.

897
00:44:52,920 --> 00:44:56,000
Speaker 6: He said he gave He said, Tank gave him the

898
00:44:56,080 --> 00:44:59,640
Speaker 6: comp gave him his confidence back as an artist. That's

899
00:44:59,680 --> 00:45:01,960
Speaker 6: what you that, he said, because he played a song

900
00:45:02,040 --> 00:45:04,920
Speaker 6: for you in the studio and you said to him, man,

901
00:45:04,920 --> 00:45:06,920
Speaker 6: I gotta get on that record. And he said that

902
00:45:07,000 --> 00:45:08,840
Speaker 6: gave him his confidence back as an artist.

903
00:45:08,840 --> 00:45:09,359
Speaker 3: Did you even know?

904
00:45:09,960 --> 00:45:10,680
Speaker 1: I don't even know that.

905
00:45:11,200 --> 00:45:13,440
Speaker 4: Did he put him on the record.

906
00:45:14,800 --> 00:45:16,600
Speaker 1: You're trying to find it. You're trying to find it.

907
00:45:16,840 --> 00:45:19,080
Speaker 1: You're trying to find it. But the record.

908
00:45:18,840 --> 00:45:26,560
Speaker 6: Thought believe he's like people always say, people say that

909
00:45:26,600 --> 00:45:27,120
Speaker 6: to you.

910
00:45:27,160 --> 00:45:28,960
Speaker 5: No, he played a record for me. He came and

911
00:45:29,239 --> 00:45:31,040
Speaker 5: he came into the pod because I've been asking him

912
00:45:31,080 --> 00:45:33,120
Speaker 5: to come and do the pod. I was like, he said, yeah,

913
00:45:33,120 --> 00:45:35,640
Speaker 5: when I get something going that come just.

914
00:45:35,960 --> 00:45:38,239
Speaker 1: We got you that disclaimer.

915
00:45:38,280 --> 00:45:40,840
Speaker 10: When I put out that disclaimer, you don't have to

916
00:45:40,960 --> 00:45:44,280
Speaker 10: like the Army Money show that we call the podcast

917
00:45:44,320 --> 00:45:44,919
Speaker 10: with a show.

918
00:45:45,800 --> 00:45:47,480
Speaker 1: It's not about an album rollout.

919
00:45:48,239 --> 00:45:50,759
Speaker 2: Most people want something to talk about.

920
00:45:50,239 --> 00:45:55,920
Speaker 10: But but but if you are tenured in this, you

921
00:45:56,000 --> 00:45:58,440
Speaker 10: have a lot to talk about and let's talk about it.

922
00:45:58,480 --> 00:46:00,000
Speaker 1: And you're not limited. You're not limited.

923
00:46:00,040 --> 00:46:03,400
Speaker 5: You're not limited to that time that you come to. Okay,

924
00:46:03,520 --> 00:46:06,080
Speaker 5: now you have something to promote, can you come back?

925
00:46:06,480 --> 00:46:11,200
Speaker 10: Yeah, see you tomorrow. Cool, Well he might be on Broadways.

926
00:46:11,200 --> 00:46:12,080
Speaker 10: We might not see tomorrow.

927
00:46:12,280 --> 00:46:16,040
Speaker 5: There think other things that I'm that I have sometimes

928
00:46:16,080 --> 00:46:19,640
Speaker 5: take precedents. No, But with John I've always been a

929
00:46:19,680 --> 00:46:21,480
Speaker 5: fan of John B. I've worked I worked with John

930
00:46:21,520 --> 00:46:24,240
Speaker 5: B way back in the day, like we Got Lately

931
00:46:24,360 --> 00:46:26,680
Speaker 5: and some other songs like you know what I'm saying from.

932
00:46:26,520 --> 00:46:30,839
Speaker 1: This feature man saying John B is like to.

933
00:46:30,800 --> 00:46:33,480
Speaker 5: Me, excuse me. He's one of those guys. And so

934
00:46:34,120 --> 00:46:35,719
Speaker 5: after the pod, he was like, man, you mind if

935
00:46:35,760 --> 00:46:36,760
Speaker 5: I play you guys some records.

936
00:46:36,760 --> 00:46:38,719
Speaker 1: I was like, man, play playing some shit. You mean

937
00:46:38,800 --> 00:46:40,840
Speaker 1: put him on a big man on a big speaker.

938
00:46:40,880 --> 00:46:44,120
Speaker 5: He played that record. I said, oh no, you can't

939
00:46:44,120 --> 00:46:47,160
Speaker 5: do that without me. You're not gonna get that off

940
00:46:47,200 --> 00:46:49,040
Speaker 5: without me. He said, what do you mean? I said, yeah,

941
00:46:49,040 --> 00:46:51,080
Speaker 5: I need to be on that. He said, are you serious?

942
00:46:51,120 --> 00:46:55,520
Speaker 5: And said, yeah, I'm serious. I made him put me

943
00:46:55,520 --> 00:46:57,520
Speaker 5: on the record, made him put me on records.

944
00:46:57,560 --> 00:46:59,920
Speaker 1: Crazy. And then I said, when are we shooting the video?

945
00:47:00,840 --> 00:47:03,239
Speaker 5: He's like, well, we're trying to. I said, John, we're

946
00:47:03,280 --> 00:47:06,959
Speaker 5: shooting a video. When are we shooting the video? Tell

947
00:47:07,000 --> 00:47:08,919
Speaker 5: me where the video is. I'm on my way.

948
00:47:09,640 --> 00:47:19,640
Speaker 7: I got clothes that comes along with when you when

949
00:47:19,680 --> 00:47:23,040
Speaker 7: you have a featured artist, may be asking for clothes.

950
00:47:25,719 --> 00:47:28,280
Speaker 1: Listen, close, listen. Let me say something.

951
00:47:28,560 --> 00:47:31,959
Speaker 5: When I did I did my Chris Brown shots fire

952
00:47:32,040 --> 00:47:35,840
Speaker 5: back in the day and Chris does everything on the

953
00:47:35,880 --> 00:47:38,440
Speaker 5: house like mind you this is this is one hundred

954
00:47:38,480 --> 00:47:43,600
Speaker 5: two hundred thousand dollars venture easy, easy, He said, big broken,

955
00:47:43,640 --> 00:47:46,359
Speaker 5: you just do do my do my just to cover

956
00:47:46,440 --> 00:47:46,840
Speaker 5: my style?

957
00:47:46,960 --> 00:47:50,040
Speaker 1: I said, absolutely? How much was that twenty?

958
00:47:50,320 --> 00:47:54,880
Speaker 5: But listen, Chris to be on their record with Chris

959
00:47:54,920 --> 00:47:57,800
Speaker 5: Brown and for him to put me on that stage

960
00:47:57,800 --> 00:48:00,719
Speaker 5: with that power. What saves was that when we went

961
00:48:00,760 --> 00:48:05,520
Speaker 5: to Orange County put me on stage for Power on

962
00:48:05,640 --> 00:48:11,640
Speaker 5: O six Power Jim priceless, priceless. You need a twenty

963
00:48:11,680 --> 00:48:15,880
Speaker 5: dollars twenty thousand dollars rack. Absolutely, here we go. And

964
00:48:15,960 --> 00:48:19,680
Speaker 5: so for me showing up for John is the same

965
00:48:19,719 --> 00:48:21,600
Speaker 5: way a lot of you know, Chris Brown would show

966
00:48:21,680 --> 00:48:25,279
Speaker 5: up for me and paying that forward and whatever you need.

967
00:48:25,360 --> 00:48:27,880
Speaker 5: And I'm talking to him about radio. I'm talking you

968
00:48:27,960 --> 00:48:30,120
Speaker 5: need me to interviews like what's going on? And you

969
00:48:30,160 --> 00:48:31,920
Speaker 5: need to hire this guy's in Indy to do you know,

970
00:48:32,040 --> 00:48:36,319
Speaker 5: I'm I'm all in because again John is one of

971
00:48:36,520 --> 00:48:40,239
Speaker 5: one of our guys and he it shouldn't be over

972
00:48:40,320 --> 00:48:40,719
Speaker 5: for him.

973
00:48:41,239 --> 00:48:42,560
Speaker 1: No, he's too good of.

974
00:48:42,480 --> 00:48:45,520
Speaker 10: Course, and we just we once again, you just you

975
00:48:45,680 --> 00:48:48,440
Speaker 10: have to continue to tap in. Charlie Wilson used our

976
00:48:48,440 --> 00:48:54,400
Speaker 10: studio for two months, Gory, I need a studio it

977
00:48:54,560 --> 00:48:58,040
Speaker 10: available to you get him in like that's what we

978
00:48:58,239 --> 00:49:00,200
Speaker 10: have to start doing that and it has to start

979
00:49:00,280 --> 00:49:01,840
Speaker 10: being at across the board.

980
00:49:02,480 --> 00:49:04,280
Speaker 2: What makes you the way that you all take because

981
00:49:04,800 --> 00:49:07,800
Speaker 2: you have great relationships with everybody.

982
00:49:07,640 --> 00:49:10,239
Speaker 4: Not just on b singers that are news except that Joe.

983
00:49:10,760 --> 00:49:13,040
Speaker 4: Besides Fat Joe fired you. I don't know why Fad

984
00:49:13,280 --> 00:49:13,680
Speaker 4: fired you.

985
00:49:13,840 --> 00:49:16,040
Speaker 1: I'm gonna run down does he have a lot of people.

986
00:49:15,800 --> 00:49:16,360
Speaker 4: With a lot of.

987
00:49:20,400 --> 00:49:23,759
Speaker 1: Okay, so got to be calculated when I roll up on.

988
00:49:26,560 --> 00:49:31,359
Speaker 5: What makes you that way? Jay Jay has this this

989
00:49:31,480 --> 00:49:34,560
Speaker 5: phrase for me. Tank has never met a stranger ever.

990
00:49:35,600 --> 00:49:38,440
Speaker 1: Ever. That's and that's just kind of how I live

991
00:49:38,520 --> 00:49:39,160
Speaker 1: my life. Man.

992
00:49:39,920 --> 00:49:43,600
Speaker 5: Everybody is important to me. Everybody means something to me.

993
00:49:44,239 --> 00:49:48,360
Speaker 5: If I can help, I'm gonna try and tell you

994
00:49:48,360 --> 00:49:53,680
Speaker 5: what you can. If I can't, I can't. But that's

995
00:49:53,680 --> 00:49:54,480
Speaker 5: what makes me me.

996
00:49:55,440 --> 00:49:57,520
Speaker 1: You know. I've often had people try to say.

997
00:49:57,320 --> 00:49:58,719
Speaker 5: Hey, man, you need to be a little bit more

998
00:49:58,880 --> 00:50:01,920
Speaker 5: mysterious man, to not be so accessible, you know, you

999
00:50:02,000 --> 00:50:07,080
Speaker 5: gotta be a star. And I'm like, but that's not me. Like,

1000
00:50:07,360 --> 00:50:09,440
Speaker 5: I like, I like touching the people. You know what

1001
00:50:09,440 --> 00:50:12,480
Speaker 5: I'm saying. I like I like walking through general populations.

1002
00:50:13,160 --> 00:50:13,759
Speaker 1: You know what I'm saying.

1003
00:50:13,760 --> 00:50:18,120
Speaker 5: We were at the bottom on me, Like, that's that's

1004
00:50:18,200 --> 00:50:20,959
Speaker 5: just me, man. You know, to me, that is your star,

1005
00:50:22,200 --> 00:50:24,160
Speaker 5: you know what I mean? Like you know the fact

1006
00:50:24,200 --> 00:50:26,120
Speaker 5: that you are like that, that that's that's your star.

1007
00:50:26,239 --> 00:50:28,239
Speaker 5: That's that's what makes you shine, you know what I mean.

1008
00:50:28,560 --> 00:50:31,319
Speaker 5: And I've watched him for years just you know, and

1009
00:50:31,360 --> 00:50:35,600
Speaker 5: it don't matter what city we're in, somebody is his homie.

1010
00:50:35,360 --> 00:50:35,919
Speaker 4: All the time.

1011
00:50:36,760 --> 00:50:41,719
Speaker 1: Connected. Absolutely, absolutely, he is the guy that's you.

1012
00:50:41,760 --> 00:50:44,120
Speaker 2: In the club, in the elevator, in the I didn't

1013
00:50:44,120 --> 00:50:45,800
Speaker 2: see taking so many places he stopped.

1014
00:50:45,800 --> 00:50:47,960
Speaker 1: He just starts talking to people. At least you people

1015
00:50:48,000 --> 00:50:48,879
Speaker 1: pay our bills. Man.

1016
00:50:50,160 --> 00:50:51,400
Speaker 4: He being a club.

1017
00:50:53,120 --> 00:50:57,320
Speaker 1: My wife be like, can we go even.

1018
00:50:57,200 --> 00:51:00,680
Speaker 9: In Baltimore it's a restaurant. Black sat listen on the counter,

1019
00:51:01,920 --> 00:51:03,240
Speaker 9: standing up on the counter.

1020
00:51:03,320 --> 00:51:06,520
Speaker 1: And we watched the fight in Baltimore. Yeah, watched it.

1021
00:51:06,640 --> 00:51:10,800
Speaker 9: Uh my friends like, you know, we just had to

1022
00:51:10,840 --> 00:51:12,560
Speaker 9: take it up on it and they just saying so

1023
00:51:12,680 --> 00:51:17,320
Speaker 9: regular and I'm like what he was on.

1024
00:51:15,760 --> 00:51:20,799
Speaker 1: The counters black swan acting. They don't let people do that.

1025
00:51:20,840 --> 00:51:22,480
Speaker 4: But I mean it's one time.

1026
00:51:23,840 --> 00:51:30,960
Speaker 1: You got to leave. Yeah, when they clean it up,

1027
00:51:31,040 --> 00:51:33,839
Speaker 1: that's my and I helped clean up, ip clean up.

1028
00:51:34,320 --> 00:51:34,680
Speaker 1: I will.

1029
00:51:35,280 --> 00:51:37,399
Speaker 3: We're getting on season for the Army money.

1030
00:51:38,040 --> 00:51:40,680
Speaker 1: Absolutely not playing with that.

1031
00:51:40,840 --> 00:51:44,360
Speaker 10: Sure were we were up now tell them we are, Yeah,

1032
00:51:44,120 --> 00:51:45,359
Speaker 10: we we're back, We're back.

1033
00:51:45,520 --> 00:51:50,799
Speaker 1: We look here off top authority, whos gonna tell us?

1034
00:51:51,560 --> 00:51:54,240
Speaker 1: She said, the authority want somebody said we wouldn't.

1035
00:51:54,560 --> 00:51:56,520
Speaker 8: She said that we've already been saying it, but she

1036
00:51:56,640 --> 00:51:58,440
Speaker 8: also said it, and I thought that was a great moment.

1037
00:51:59,040 --> 00:51:59,880
Speaker 1: Keys not.

1038
00:52:00,080 --> 00:52:03,560
Speaker 10: I think now it's just time for us. What we

1039
00:52:03,680 --> 00:52:09,640
Speaker 10: realized by taking the hiatus was how important we are

1040
00:52:09,680 --> 00:52:12,200
Speaker 10: to our culture, because I don't think we even really

1041
00:52:12,280 --> 00:52:14,200
Speaker 10: knew honestly.

1042
00:52:15,360 --> 00:52:18,439
Speaker 1: But it's only R and B platform. But it's tough.

1043
00:52:18,560 --> 00:52:20,600
Speaker 10: It's tough when you when you're doing it and you

1044
00:52:20,680 --> 00:52:22,239
Speaker 10: got your head down and you're doing it, and then

1045
00:52:22,280 --> 00:52:24,719
Speaker 10: you're like, okay, you take that little break, and you're

1046
00:52:24,719 --> 00:52:27,120
Speaker 10: literally being threatened every day threatened.

1047
00:52:27,560 --> 00:52:29,040
Speaker 5: I was putting out a record that it was like, yeah,

1048
00:52:29,040 --> 00:52:32,239
Speaker 5: that's all cool and well, but where's the podcast.

1049
00:52:34,080 --> 00:52:36,759
Speaker 1: I can't do no music because I think it's It

1050
00:52:36,880 --> 00:52:39,239
Speaker 1: started off for us as a side quest, you know what.

1051
00:52:39,200 --> 00:52:42,280
Speaker 10: I mean, just just love Yeah, just love too, homies.

1052
00:52:42,280 --> 00:52:43,920
Speaker 10: It's like we're doing it from a pure place of

1053
00:52:45,000 --> 00:52:46,759
Speaker 10: you know, we we want to we want to put

1054
00:52:46,760 --> 00:52:49,160
Speaker 10: some good energy out into the world, and then it

1055
00:52:49,239 --> 00:52:52,200
Speaker 10: turned into what it's turned into, where you know, I

1056
00:52:52,239 --> 00:52:54,440
Speaker 10: always say it, I'm like, if they if they stopping

1057
00:52:54,440 --> 00:52:57,920
Speaker 10: you at t s A you popping because they see everybody.

1058
00:52:58,600 --> 00:53:01,359
Speaker 10: So if they like know that episode with such and such,

1059
00:53:01,440 --> 00:53:04,239
Speaker 10: I'm like, ships exactly what this is A this is

1060
00:53:04,239 --> 00:53:06,960
Speaker 10: a thing like pople spending time.

1061
00:53:07,040 --> 00:53:08,920
Speaker 3: That's why the ARM and B money awards gotta happen.

1062
00:53:08,960 --> 00:53:13,239
Speaker 5: Man, what we're doing, Man to break down in the deck,

1063
00:53:13,360 --> 00:53:16,160
Speaker 5: man and man driving slow?

1064
00:53:16,280 --> 00:53:21,480
Speaker 1: It don't take that long. Man. Maybe you are getting older.

1065
00:53:25,840 --> 00:53:29,120
Speaker 3: I think next year we're gonna yeah, no, nothing, let's take.

1066
00:53:30,840 --> 00:53:33,759
Speaker 1: We have to happen. What happened. You gotta do it

1067
00:53:33,800 --> 00:53:45,000
Speaker 1: in my backyard. You gotta do it live. Yeah, yeah,

1068
00:53:45,280 --> 00:53:48,080
Speaker 1: cut it out, cut it out, will.

1069
00:53:47,960 --> 00:53:52,680
Speaker 6: Do it, will never do it absolute in his backyard.

1070
00:53:55,719 --> 00:53:57,560
Speaker 1: Cut it out right away.

1071
00:53:57,560 --> 00:54:01,440
Speaker 6: Speaking of pure thingers, that's another one on Tree saying

1072
00:54:01,440 --> 00:54:03,680
Speaker 6: at my boy but car Seller's wedding a couple of

1073
00:54:03,680 --> 00:54:07,839
Speaker 6: months ago, no backup track, just the microphone and did

1074
00:54:07,920 --> 00:54:11,120
Speaker 6: like force on. I'm like, I forgot this nigga really

1075
00:54:11,200 --> 00:54:11,719
Speaker 6: can sing?

1076
00:54:12,600 --> 00:54:15,040
Speaker 1: And can I say something? Can I say something?

1077
00:54:15,400 --> 00:54:21,400
Speaker 5: And that's what I try to tell this nigga.

1078
00:54:22,320 --> 00:54:24,080
Speaker 1: No, no, no, That's why I try to tell this nigga.

1079
00:54:24,760 --> 00:54:25,359
Speaker 1: Cut it out.

1080
00:54:25,960 --> 00:54:29,720
Speaker 5: M hmm. Cut it out. You need to talk to somebody.

1081
00:54:30,120 --> 00:54:33,719
Speaker 5: Call me mm hmm, or call G or call J.

1082
00:54:35,760 --> 00:54:40,520
Speaker 5: Don't call them because they don't care about you. They

1083
00:54:40,560 --> 00:54:44,719
Speaker 5: don't love you. They're just looking for a reason to

1084
00:54:44,719 --> 00:54:48,560
Speaker 5: tear you down. I said, Nigga, you are too good

1085
00:54:49,280 --> 00:54:53,040
Speaker 5: and too important and too important for that not to matter.

1086
00:54:54,280 --> 00:54:55,640
Speaker 5: When he was making this album and he let me

1087
00:54:55,640 --> 00:54:57,320
Speaker 5: hear this album, I said, Nigga, this is the greatest

1088
00:54:57,320 --> 00:55:01,840
Speaker 5: album you've ever made. This album is a Grammy Award

1089
00:55:01,960 --> 00:55:06,000
Speaker 5: winning album. Don't don't say nothing else.

1090
00:55:08,640 --> 00:55:10,759
Speaker 1: And what he do? What do you do? No?

1091
00:55:10,760 --> 00:55:13,160
Speaker 5: No, here's the part. It's the part to get on

1092
00:55:13,239 --> 00:55:15,080
Speaker 5: my nerves about to ra he be like this. I

1093
00:55:15,160 --> 00:55:18,560
Speaker 5: understand you, King, I respect you coming to me this

1094
00:55:18,640 --> 00:55:22,160
Speaker 5: way and giving me the good information. And I'm taking

1095
00:55:22,280 --> 00:55:25,879
Speaker 5: note and I'm definitely gonna be better as soon as

1096
00:55:25,880 --> 00:55:28,120
Speaker 5: I get in the car and pull off seeing this

1097
00:55:28,200 --> 00:55:28,880
Speaker 5: is the thing.

1098
00:55:34,360 --> 00:55:37,040
Speaker 2: Is live like he's a thousands like that, like I

1099
00:55:37,080 --> 00:55:40,000
Speaker 2: told he saying when I was going through my problems

1100
00:55:40,000 --> 00:55:42,200
Speaker 2: with my wife and and he came, he's saying in

1101
00:55:42,239 --> 00:55:48,040
Speaker 2: the basement of Chiles, no mike, no acoustics, and destroyed.

1102
00:55:48,040 --> 00:55:50,680
Speaker 10: It's a croner unless you finally admit that he was

1103
00:55:50,920 --> 00:55:51,920
Speaker 10: there for you because.

1104
00:56:06,920 --> 00:56:09,080
Speaker 1: I was always.

1105
00:56:10,560 --> 00:56:11,239
Speaker 3: Man with.

1106
00:56:15,000 --> 00:56:15,360
Speaker 1: Violence.

1107
00:56:17,800 --> 00:56:23,240
Speaker 2: That was he comes, it's pause, and sometimes that was crazy.

1108
00:56:23,719 --> 00:56:26,760
Speaker 2: And sometimes I think he chased this and that pisces

1109
00:56:26,800 --> 00:56:27,160
Speaker 2: me off.

1110
00:56:27,560 --> 00:56:28,520
Speaker 1: Is this killed?

1111
00:56:29,360 --> 00:56:33,080
Speaker 5: Listen, listen, if you if if you eliminate that from Tyrese,

1112
00:56:34,000 --> 00:56:36,799
Speaker 5: is his one of one of our greatest talents. He's

1113
00:56:36,800 --> 00:56:39,960
Speaker 5: one of our greatest talents. He's singing, acting, all on

1114
00:56:40,600 --> 00:56:45,160
Speaker 5: all on the elite level. Absolutely, and and and that's

1115
00:56:45,200 --> 00:56:48,200
Speaker 5: what I want from my brother. I want that for him.

1116
00:56:48,239 --> 00:56:50,960
Speaker 5: I want That's what I want people to remember him for,

1117
00:56:52,040 --> 00:56:54,600
Speaker 5: not that, not the phoney.

1118
00:56:54,719 --> 00:56:56,360
Speaker 8: I got a show coming up together.

1119
00:56:57,080 --> 00:57:00,840
Speaker 1: Yeah, we're in l A November twenty seconds.

1120
00:57:00,880 --> 00:57:04,080
Speaker 5: This this this weekend, this Sunday YouTube theater.

1121
00:57:04,760 --> 00:57:07,719
Speaker 1: Yeah, this Saturday, sorry, this Saturday YouTube theater. Was leading

1122
00:57:07,719 --> 00:57:08,120
Speaker 1: the choreo.

1123
00:57:08,719 --> 00:57:10,600
Speaker 9: Wine, you're doing the choreo?

1124
00:57:10,960 --> 00:57:12,360
Speaker 3: What the what the choreo?

1125
00:57:12,520 --> 00:57:12,680
Speaker 8: Yo?

1126
00:57:12,840 --> 00:57:13,400
Speaker 1: You gotta.

1127
00:57:15,320 --> 00:57:18,120
Speaker 5: You did see fall up speaker talking about from who's

1128
00:57:18,160 --> 00:57:18,800
Speaker 5: leading the choreo.

1129
00:57:18,920 --> 00:57:19,280
Speaker 1: That's what she.

1130
00:57:22,160 --> 00:57:27,800
Speaker 3: Speaking speaking of, not rehearsing rehearsed when you and this.

1131
00:57:27,760 --> 00:57:33,400
Speaker 5: Is the problem I have withwhere clear don't you know

1132
00:57:33,920 --> 00:57:35,320
Speaker 5: we know I'm just.

1133
00:57:35,800 --> 00:57:39,919
Speaker 1: I'm just trying to be excellent. I'll schedule two days

1134
00:57:39,920 --> 00:57:41,600
Speaker 1: of rehearsals two figures.

1135
00:57:41,280 --> 00:57:43,920
Speaker 5: And said, what are we doing rehearsal? I said, was

1136
00:57:43,920 --> 00:57:45,680
Speaker 5: rehearsing eight hours?

1137
00:57:45,800 --> 00:57:48,680
Speaker 1: Yes, you ain't got to be there for a hour?

1138
00:57:48,720 --> 00:57:51,320
Speaker 4: And I hit fatial for a coming here and responding

1139
00:57:51,320 --> 00:57:51,920
Speaker 4: to me, I got hit.

1140
00:57:51,960 --> 00:57:53,360
Speaker 1: That's what I'm saying. I did hear him.

1141
00:57:53,360 --> 00:57:57,080
Speaker 4: I said, hey, I said, bro tankers here. He says,

1142
00:57:57,120 --> 00:57:59,920
Speaker 4: you fired him any kind?

1143
00:58:00,800 --> 00:58:01,400
Speaker 1: He responded.

1144
00:58:01,480 --> 00:58:02,720
Speaker 4: I had to tell him what take it was, because

1145
00:58:02,720 --> 00:58:03,560
Speaker 4: I was like, he might think it the.

1146
00:58:03,480 --> 00:58:08,760
Speaker 5: Box take, you know what? He respond Yet he here

1147
00:58:08,840 --> 00:58:11,640
Speaker 5: be back since the firing. I hit him a couple

1148
00:58:11,680 --> 00:58:12,120
Speaker 5: of times.

1149
00:58:13,600 --> 00:58:15,200
Speaker 8: I was gonna say with y'all, like, you know, the

1150
00:58:15,280 --> 00:58:17,400
Speaker 8: ringion happened a while ago, y'all are running back around now.

1151
00:58:17,800 --> 00:58:20,240
Speaker 8: What's different with you guys with T g T being

1152
00:58:20,280 --> 00:58:22,720
Speaker 8: back together now and running around like that, y'all learned

1153
00:58:22,760 --> 00:58:25,560
Speaker 8: from everything that happened prior to Yeah, what.

1154
00:58:25,480 --> 00:58:26,280
Speaker 1: If y'all learn.

1155
00:58:30,240 --> 00:58:35,520
Speaker 5: This this? This will probably be my last tg T show.

1156
00:58:36,240 --> 00:58:38,000
Speaker 5: What That's what I've learned?

1157
00:58:38,080 --> 00:58:38,880
Speaker 8: Did they find that out?

1158
00:58:38,920 --> 00:58:40,480
Speaker 1: We don't dance that bad?

1159
00:58:40,560 --> 00:58:40,600
Speaker 5: Like?

1160
00:58:50,960 --> 00:58:51,439
Speaker 1: I love?

1161
00:58:52,040 --> 00:58:54,680
Speaker 5: I love those brothers on a on a on a

1162
00:58:54,720 --> 00:59:02,080
Speaker 5: personal level, and just in in artistry. I'm just chasing

1163
00:59:02,120 --> 00:59:06,600
Speaker 5: something different. Yeah, and I love, love, love love those brothers.

1164
00:59:07,160 --> 00:59:09,720
Speaker 5: My new album is coming out, It's Lonely a Flash.

1165
00:59:10,880 --> 00:59:15,160
Speaker 1: My new single, Controls is out right now. Jay Valentine

1166
00:59:15,200 --> 00:59:15,920
Speaker 1: is selling Canadas.

1167
00:59:18,400 --> 00:59:20,680
Speaker 8: I talk about that, this is the first time they're

1168
00:59:20,680 --> 00:59:23,280
Speaker 8: hearing this to y'all. Talk about this because the people

1169
00:59:23,280 --> 00:59:24,200
Speaker 8: think that it's like about to be.

1170
00:59:24,200 --> 00:59:29,240
Speaker 1: A whole run. Is that the people that I promise you?

1171
00:59:29,240 --> 00:59:35,560
Speaker 1: The people don't think that I promise you. Ain't no people, No,

1172
00:59:35,680 --> 00:59:39,200
Speaker 1: people know, people don't want off. We're trying to get

1173
00:59:39,200 --> 00:59:41,400
Speaker 1: it off real quick. The people believe.

1174
00:59:43,320 --> 00:59:43,360
Speaker 6: You.

1175
00:59:44,800 --> 00:59:56,160
Speaker 1: Nice, I said, people, people, No, there's no run.

1176
00:59:56,720 --> 01:00:00,320
Speaker 6: End on this from from from your vantage points? Where

1177
01:00:00,400 --> 01:00:02,880
Speaker 6: is R and B right now? Are we in a renaissance,

1178
01:00:03,480 --> 01:00:04,880
Speaker 6: a rebuild or some type of reading?

1179
01:00:04,960 --> 01:00:08,400
Speaker 1: We're taking over? We're taking over. Ain't no reading nothing.

1180
01:00:08,520 --> 01:00:13,520
Speaker 10: Yes, we are taking over and we are fully behind it.

1181
01:00:13,800 --> 01:00:15,600
Speaker 10: We're fully behind it. And part of it mean he's

1182
01:00:15,600 --> 01:00:17,160
Speaker 10: still putting our music, you know what I mean. He

1183
01:00:17,680 --> 01:00:21,400
Speaker 10: got a great record, Control It's available now, uh everywhere.

1184
01:00:21,600 --> 01:00:23,600
Speaker 1: R and B money slash b MG.

1185
01:00:24,960 --> 01:00:27,720
Speaker 8: So y'all are behind the business of the record too.

1186
01:00:28,080 --> 01:00:32,800
Speaker 5: Yes, they're the distributor. We're not playing you know what

1187
01:00:32,800 --> 01:00:33,120
Speaker 5: I mean.

1188
01:00:33,120 --> 01:00:35,160
Speaker 10: And we got the R and B Awards coming if

1189
01:00:35,200 --> 01:00:40,440
Speaker 10: this man ever, I believe, we believe that we're you know,

1190
01:00:40,520 --> 01:00:43,480
Speaker 10: we're doing the first awards at his backyard in one

1191
01:00:43,520 --> 01:00:48,800
Speaker 10: of his estates.

1192
01:00:49,440 --> 01:00:51,360
Speaker 4: And I love this. RB is taking over. We started

1193
01:00:51,360 --> 01:00:51,720
Speaker 4: with ray J.

1194
01:00:52,720 --> 01:00:56,800
Speaker 1: He is there Like ray J.

1195
01:00:57,520 --> 01:00:59,520
Speaker 5: It can't last in the verses, I don't understand what's

1196
01:00:59,560 --> 01:01:02,320
Speaker 5: going on. Wait a minute, could not.

1197
01:01:04,400 --> 01:01:04,600
Speaker 3: Could?

1198
01:01:04,840 --> 01:01:07,480
Speaker 5: I didn't say over anybody. I said, let's not act

1199
01:01:07,520 --> 01:01:10,600
Speaker 5: like he can't last any versus. He's a problem in

1200
01:01:10,600 --> 01:01:11,560
Speaker 5: a versus.

1201
01:01:11,720 --> 01:01:15,480
Speaker 1: And he is the problem versus.

1202
01:01:17,680 --> 01:01:17,960
Speaker 3: Listen.

1203
01:01:18,200 --> 01:01:20,800
Speaker 1: You know, did you notice walked across the stage like

1204
01:01:20,800 --> 01:01:23,520
Speaker 1: eighty two times for no reason.

1205
01:01:26,160 --> 01:01:32,880
Speaker 8: Because he can can't Today can begins.

1206
01:01:30,480 --> 01:01:34,080
Speaker 1: And that's listen, you said, that's the truth.

1207
01:01:34,360 --> 01:01:37,480
Speaker 5: R and B is R and B is here here

1208
01:01:37,480 --> 01:01:40,480
Speaker 5: heavy and to stay. We are killing the ship. So

1209
01:01:40,600 --> 01:01:43,400
Speaker 5: many dope R and B artists think about the tours

1210
01:01:43,400 --> 01:01:44,800
Speaker 5: that can go out man.

1211
01:01:44,760 --> 01:01:48,640
Speaker 10: Boys to men In new additions, Tony Braxton shout out

1212
01:01:48,640 --> 01:01:53,320
Speaker 10: to the b PC. Listen, we got black promoting out.

1213
01:01:56,360 --> 01:02:05,200
Speaker 5: Kelly, you know to say, Kelly Rowland.

1214
01:02:07,400 --> 01:02:10,880
Speaker 10: One twelve, the young boy that just won American Idol,

1215
01:02:12,840 --> 01:02:15,080
Speaker 10: Roberts that nigga can sing his face off.

1216
01:02:15,480 --> 01:02:19,240
Speaker 5: He on the boys face off, the B two K

1217
01:02:20,560 --> 01:02:28,960
Speaker 5: boys that right now, Eric and come on now cooking.

1218
01:02:29,480 --> 01:02:31,920
Speaker 5: They can't mess with us cooking you.

1219
01:02:31,920 --> 01:02:33,280
Speaker 10: We're gonna figure out a way to get these young

1220
01:02:33,320 --> 01:02:35,840
Speaker 10: boys on the road together, the two B y G S,

1221
01:02:35,920 --> 01:02:40,560
Speaker 10: the Jads Wars, the Papa Jays, Papa Ja.

1222
01:02:41,480 --> 01:02:43,800
Speaker 1: It's time people want to have a sexy good time

1223
01:02:45,600 --> 01:02:48,000
Speaker 1: without feeling like it's gonna get violent. That's right.

1224
01:02:48,160 --> 01:02:50,880
Speaker 10: You sing what Leon Thomas said. I don't have a

1225
01:02:50,920 --> 01:02:53,480
Speaker 10: song that would make y'all want.

1226
01:02:53,400 --> 01:02:53,840
Speaker 1: To do this.

1227
01:02:55,840 --> 01:02:57,320
Speaker 6: Over the years, the R and B niggas been the

1228
01:02:57,320 --> 01:02:59,240
Speaker 6: one putting beats on people way more than rappers.

1229
01:02:59,440 --> 01:03:01,400
Speaker 5: I'm just saying, when you come to my dead well,

1230
01:03:01,800 --> 01:03:07,640
Speaker 5: there's no nobody knew but charl Man. Nobody was talking

1231
01:03:07,680 --> 01:03:10,160
Speaker 5: about it because we handled ourselves.

1232
01:03:09,760 --> 01:03:12,560
Speaker 1: In a certain way. Hey man, come back here real quick.

1233
01:03:12,640 --> 01:03:14,720
Speaker 5: Let's get this done, and then we're gonna walk out

1234
01:03:14,760 --> 01:03:15,720
Speaker 5: there and sing our songs.

1235
01:03:16,720 --> 01:03:18,640
Speaker 1: We're gonna sing our songs. You know what I'm saying.

1236
01:03:18,680 --> 01:03:21,320
Speaker 1: You know now, it's a little different. You know that

1237
01:03:21,440 --> 01:03:23,600
Speaker 1: you're pulling out here and I don't have a song

1238
01:03:23,760 --> 01:03:25,280
Speaker 1: that requires a fighting audience.

1239
01:03:26,080 --> 01:03:29,919
Speaker 10: I don't have a song, yeah, like, but it's it's

1240
01:03:30,000 --> 01:03:33,480
Speaker 10: time for this, this good feeling, you know what I mean,

1241
01:03:33,480 --> 01:03:37,280
Speaker 10: And everybody wants that especially, It's just it happens with

1242
01:03:37,280 --> 01:03:38,000
Speaker 10: with society.

1243
01:03:38,960 --> 01:03:41,479
Speaker 1: When shi it is wild in the world, you gotta

1244
01:03:41,520 --> 01:03:44,480
Speaker 1: have something to keep you calm, looking for refuge. Shout

1245
01:03:44,520 --> 01:03:51,400
Speaker 1: out that the family record and I got them.

1246
01:03:52,160 --> 01:03:54,560
Speaker 9: Yes, y'all got a song you featured him on R

1247
01:03:54,600 --> 01:03:57,680
Speaker 9: and B Money that song My God Lojah?

1248
01:03:57,920 --> 01:04:00,680
Speaker 3: What is it? No is Lisa, y'all?

1249
01:04:01,000 --> 01:04:05,280
Speaker 9: Why can't I upload the video to that song? You

1250
01:04:05,400 --> 01:04:08,800
Speaker 9: don't know you'll on the country or something like I

1251
01:04:09,080 --> 01:04:11,120
Speaker 9: put I tried to put that song, that's one of

1252
01:04:11,160 --> 01:04:11,920
Speaker 9: my favorite songs on.

1253
01:04:11,920 --> 01:04:12,840
Speaker 1: I'm gonna fix that for you.

1254
01:04:12,840 --> 01:04:13,240
Speaker 3: Put on it.

1255
01:04:13,320 --> 01:04:14,920
Speaker 1: Yeah, y'all in this scene, I know you want to

1256
01:04:14,960 --> 01:04:17,760
Speaker 1: do something to what you're gonna do to what service

1257
01:04:17,760 --> 01:04:21,920
Speaker 1: you have? She tried to and she tried to throw

1258
01:04:22,040 --> 01:04:22,560
Speaker 1: the globals.

1259
01:04:22,600 --> 01:04:26,000
Speaker 5: They blocked me in Romania, one of my biggest markets.

1260
01:04:28,480 --> 01:04:31,360
Speaker 9: That Yeah, shout out the rot Man, He's another We're back.

1261
01:04:31,480 --> 01:04:35,880
Speaker 1: R Vy Mundy Podcast we back black Heart.

1262
01:04:36,040 --> 01:04:37,520
Speaker 4: Appreciate you brothers for joining us.

1263
01:04:37,640 --> 01:04:40,320
Speaker 2: And if you haven't seen Tink on Broadway, go see

1264
01:04:40,600 --> 01:04:41,600
Speaker 2: Kitchen on Broadway.

1265
01:04:41,920 --> 01:04:42,680
Speaker 4: Amazing show.

1266
01:04:42,680 --> 01:04:44,520
Speaker 2: If you look at for something to get your your mama,

1267
01:04:44,600 --> 01:04:47,880
Speaker 2: your daddy, or any Alicia Keys fan Christmas.

1268
01:04:47,520 --> 01:04:49,760
Speaker 1: The holidays, oh nough for Christmas? Yes, yeah, get it.

1269
01:04:49,760 --> 01:04:52,800
Speaker 1: Tell me cans R and B money shot talk about it.

1270
01:04:52,840 --> 01:04:53,280
Speaker 1: You know what I mean.

1271
01:04:53,360 --> 01:04:55,320
Speaker 10: We about to start putting more merch on there and everything.

1272
01:04:55,360 --> 01:04:56,480
Speaker 10: You know, I mean, we got to crack it out.

1273
01:04:56,520 --> 01:04:58,640
Speaker 10: It's for marbles. You know what they be saying is

1274
01:04:58,720 --> 01:05:00,479
Speaker 10: so and organic and all other stuff.

1275
01:05:00,560 --> 01:05:01,920
Speaker 1: Yeah, yeah, all that stuff.

1276
01:05:02,000 --> 01:05:02,920
Speaker 4: Whatever they say.

1277
01:05:03,080 --> 01:05:05,439
Speaker 1: You know, does it smell good? Whatever?

1278
01:05:06,080 --> 01:05:08,160
Speaker 3: My period smell like you need to be in my house.

1279
01:05:08,240 --> 01:05:08,920
Speaker 4: Thank you.

1280
01:05:08,960 --> 01:05:11,080
Speaker 1: But I'm sending them to the to the show that

1281
01:05:11,160 --> 01:05:12,000
Speaker 1: y'all will all have them.

1282
01:05:12,240 --> 01:05:15,280
Speaker 4: Thank you. You know, keep that we can't burn it up.

1283
01:05:16,000 --> 01:05:18,000
Speaker 9: Every Now You'll got a lot of other candles up here.

1284
01:05:18,200 --> 01:05:19,040
Speaker 4: You're gonna send it up.

1285
01:05:20,040 --> 01:05:24,840
Speaker 1: Where's the where's the envy water man in the back?

1286
01:05:24,920 --> 01:05:25,320
Speaker 3: You know what?

1287
01:05:25,560 --> 01:05:31,280
Speaker 2: D I I got fired, not that we get fired,

1288
01:05:31,440 --> 01:05:33,800
Speaker 2: but when Walmart to stopped doing the de I business

1289
01:05:34,120 --> 01:05:35,080
Speaker 2: and they start doing the business.

1290
01:05:35,080 --> 01:05:36,880
Speaker 4: They took the black a lot of the owners of

1291
01:05:36,880 --> 01:05:38,160
Speaker 4: black businesses.

1292
01:05:37,640 --> 01:05:39,800
Speaker 1: Out of their stores, which makes it more difficult.

1293
01:05:39,840 --> 01:05:41,240
Speaker 3: So how did you get fired?

1294
01:05:41,240 --> 01:05:43,520
Speaker 4: Then if they get they took my water out.

1295
01:05:43,640 --> 01:05:45,520
Speaker 2: So all the water we have now goes to the

1296
01:05:45,560 --> 01:05:50,360
Speaker 2: other mom and pop stores to make sure we can.

1297
01:05:52,480 --> 01:05:54,919
Speaker 1: We're supporting all things black. You know what I'm saying.

1298
01:05:55,360 --> 01:05:55,720
Speaker 1: You have it.

1299
01:05:56,480 --> 01:05:58,440
Speaker 4: J Valentine is the breakfast club. Good morning?

1300
01:06:00,400 --> 01:06:03,920
Speaker 1: Hold up? Every day I wake up, click your glass up.

1301
01:06:03,960 --> 01:06:04,880
Speaker 1: The Breakfast Club