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Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of

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Speaker 1: the unexplainable, and if history is an open book, all

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Speaker 1: of these amazing tales are right there on display, just

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Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.

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Speaker 1: For most people, watching movies is an escape. It's easy

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Speaker 1: to forget your worries watching Luke Skywalker blow up The

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Speaker 1: Death Star or Lauren Bacall confess her love to Humphrey Bogart.

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Speaker 1: But for South Korean director Shing Sang oh and movie

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Speaker 1: star Choi yung e, the opposite was true. Films weren't

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Speaker 1: an escape. They were a prison, and their tailor was

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Speaker 1: future North Korean dictator Kim Jong il. In the nineteen sixties,

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Speaker 1: Shin and Choi were South Korea's it couple. Choi was

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Speaker 1: one of South Korea's biggest stars after the Korean War.

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Speaker 1: Her husband Shin was an acclaimed director who, along with Choi,

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Speaker 1: founded one of the largest film studios in Korea. From

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Speaker 1: the mid nineteen fifties to the nineteen seventies, they made

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Speaker 1: dozens of movies that defined Korean post war cinema. But

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Speaker 1: all was not perfect in paradise, and in the nineteen seventies,

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Speaker 1: Shin Studios was forced to shut down. In nineteen seventy six,

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Speaker 1: Shin and Choi's relationship fell apart as well, when Choi

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Speaker 1: discovered Shin had fathered two children with another woman. The

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Speaker 1: its couple decided to call it quits. By nineteen seventy eight,

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Speaker 1: Choi traveled to Hong Kong in the hopes that she

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Speaker 1: could direct a film there. It had been hard for

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Speaker 1: her to book rolls after the very public divorce, but

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Speaker 1: a Hong Kong film company had offered her a job.

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Speaker 1: When Choi arrived, however, she discovered it was a ruse.

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Speaker 1: She was forced onto a boat and taken away to

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Speaker 1: North Korea. News of Choi's disappearance drove Shin to fire

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Speaker 1: follow her to Hong Kong, and six months later, North

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Speaker 1: Korean operatives kidnapped him as well. He was imprisoned, with

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Speaker 1: his sentence eventually stretching to five years due to repeated

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Speaker 1: escape attempts. While Shin was languishing in prison, Choi was

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Speaker 1: ushered into the inner circle of King Jong Il, son

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Speaker 1: of North Korean dictator Kim Jong sung. She was taught

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Speaker 1: the government approved history of the country and was taken

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Speaker 1: to performances and parties by Kim. Shin was finally released

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Speaker 1: from prison in early nineteen eighty three, and at a

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Speaker 1: party in March of that year, the former couple were

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Speaker 1: reunited after five long years in captivity. They were finally

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Speaker 1: told the reason for their capture. Their host, Kim Jong Il,

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Speaker 1: wanted their help to make movies. Kim Jong il had

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Speaker 1: always been a film buff with a personal collection of

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Speaker 1: nearly fifteen thousand movies from around the world. When he

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Speaker 1: took over North Korea's propaganda department in the nineteen sixties,

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Speaker 1: he dreamed of making movies that would rival the ones

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Speaker 1: from the West, But after several attempts, it became clear

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Speaker 1: that North Korean actors and filmmaks, who had been cut

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Speaker 1: off from new ideas and technology in film for decades,

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Speaker 1: couldn't make his dreams come true. So he looked to

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Speaker 1: the South, and he kidnapped Choi and Shin. For the

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Speaker 1: next three years, Choi and Shin made films with Kim

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Speaker 1: Jong Ill. Many were adaptations of Korean myths and folk

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Speaker 1: tales or historical epics, all with a communist bent, of course,

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Speaker 1: and all making sure to paint the Kims as heroes

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Speaker 1: and saviors. But during their captivity, something unexpected happened. Choi

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Speaker 1: and Shin fell back in love. Choi was touched by Shin,

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Speaker 1: tracking her down to Hong Kong, and after years working

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Speaker 1: together under the pressure of a dictator, all her anger

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Speaker 1: towards him softened. The two remarried and waited patiently for

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Speaker 1: their chance to escape. Their opportunity finally came in nineteen

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Speaker 1: eighty six, when Choi and Shin traveled to Vienna to

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Speaker 1: secure funding for a film about Genghis Khan. Typically, Kim

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Speaker 1: Jong Ung would send them out of the country before

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Speaker 1: film festivals, but usually only one at a time, so

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Speaker 1: with both of them in Austria, they saw their chance,

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Speaker 1: and they took it. On March twelfth of nineteen eighty six,

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Speaker 1: Choi and Shin arrived at the Intercontinental Hotel to meet

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Speaker 1: with a journalist. When their North Korean bodyguards stepped out

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Speaker 1: of the room, the two made a break for it.

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Speaker 1: They ran out of the hotel, hailed a cab, and

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Speaker 1: jumped in. Choi and Shin took the taxi to the

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Speaker 1: US embassy and sprinted inside. Once there, they presented American

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Speaker 1: officials with secret recordings they made of Kim Jong ung,

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Speaker 1: in which he admitted to the kidnapping scheme and holding

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Speaker 1: them against their will. The Americans granted them asylum, and

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Speaker 1: after eight long years of captivity, they were finally free.

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Speaker 1: Shin and Choi ended up in Los Angeles, where Shin

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Speaker 1: produced several children's martial arts movies before moving back to

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Speaker 1: South Korea in nineteen ninety nine. After extensive interrogation of

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Speaker 1: the two kidnap filmmakers, the South Korean government cleared them

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Speaker 1: of any suspicion of willingly defecting to North Korea. The

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Speaker 1: two remained together until Shin's death in two thousand and six.

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Speaker 1: Choi later passed away in twenty eighteen. Choi and Shin

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Speaker 1: may have spent their lives making movies, but in a

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Speaker 1: real life plot twist, they staged a great escape that

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Speaker 1: would put any Hollywood thriller to shame. In today's world,

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Speaker 1: we have more sources of entertainment at our fingertips than

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Speaker 1: we know what to do with. With a few taps

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Speaker 1: on your phone, you can access hundreds of movies thousands

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Speaker 1: of hours of television and millions of songs. It would

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Speaker 1: take you over four years to watch everything on Netflix,

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Speaker 1: and over seventeen thousand years to get through all the

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Speaker 1: videos on YouTube. And for those of you who are curious,

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Speaker 1: if you listen to nothing but this podcast feed, it

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Speaker 1: would take you over one hundred hours to finish all

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Speaker 1: of the episodes. With so much content at our disposal,

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Speaker 1: it's easy to forget just how good we've got it.

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Speaker 1: As recently as the seventeenth century, people's entertainment options were

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Speaker 1: much more limited, not to mention expensive. If you wanted

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Speaker 1: to veg out by watching a show for a few hours,

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Speaker 1: you would need a stage, a director, a writer, and

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Speaker 1: a cast of actors. Feel like listening to some tunes, well,

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Speaker 1: then you'd better have a singer or a pianist on

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Speaker 1: hand to perform. And don't forget the variety and the

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Speaker 1: quality of the music will be limited by the performer's

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Speaker 1: knowledge and talent. With entertainment options so limited, having access

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Speaker 1: to skilled musicians became extremely important. In England, Queen Elizabeth

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Speaker 1: the First maintained a Royal children's choir which was ready

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Speaker 1: to perform whenever and wherever she desired. The master of

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Speaker 1: the choir, a guy named Nathaniel Giles, was charged with

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Speaker 1: scouting out new talent and to make sure that he

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Speaker 1: got the best singers around. He was given incredible power

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Speaker 1: is he Giles carried a warrant that allowed him to

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Speaker 1: force any child to join the choir. Whenever he wanted.

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Speaker 1: He could walk into a random church or theater in

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Speaker 1: the country, pick out the best singers, and decide that

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Speaker 1: they now worked for him. If the kid didn't want

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Speaker 1: to go, there was nothing they or their parents could

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Speaker 1: do about it. Now this seems unbelievable today, but it's

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Speaker 1: pretty consistent with Elizabethan society. Children were viewed as a

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Speaker 1: kind of property. They were owned by their parents until

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Speaker 1: they began an apprenticeship, at which point they then belonged

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Speaker 1: to their master. Oh and their training and education weren't

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Speaker 1: for their own benefit either. That was simply a way

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Speaker 1: to make the kids more useful so that the adults

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Speaker 1: could ring every last drop of value out of them.

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Speaker 1: At the same time, the British monarch was a symbolic

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Speaker 1: parent figure to her subjects. It was everyone's duty to

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Speaker 1: serve the crown in whatever way they could, so most

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Speaker 1: people wouldn't have found it particularly odd when talented kids

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Speaker 1: were forced to sing for the queen, but it was

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Speaker 1: still a lot of power for one man to hold,

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Speaker 1: and Nathaniel Giles wasn't above using it for his own ends.

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Speaker 1: He and a theater producer named Henry Evans routinely abducted

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Speaker 1: children right off the streets, then refused to return them

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Speaker 1: until their parents bought them back. They were effectively holding

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Speaker 1: the children ransom, and while this was a clear abuse

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Speaker 1: of power, it was also technically legal. They got away

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Speaker 1: with it for years and may never have been questioned

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Speaker 1: about it at all had they not taken the wrong child.

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Speaker 1: You see, in sixteen hundred, Giles and Evans kidnapped a

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Speaker 1: thirteen year old named Thomas Clifton while he was on

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Speaker 1: his way home from school. As it turns out, the boys'

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Speaker 1: parents were nobles and extremely litigious ones at that. After

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Speaker 1: getting their son back, they took Giles to court. Their

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Speaker 1: argument wasn't that the choir master had broken the law

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Speaker 1: by kidnapping their son. Everyone agreed that that was within

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Speaker 1: his rights. The problem was that Thomas couldn't sing to

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Speaker 1: save his life. As a result, he'd been made to

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Speaker 1: act in stage plays which were seen as less respectable

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Speaker 1: than singing, and Thomas's parents won the case. The producer,

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Speaker 1: Henry Evans was forced to resign and he was run

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Speaker 1: out of town, but Giles got off without so much

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Speaker 1: as a reprimand he continued to work as the master

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Speaker 1: of the Royal Choir, although his warrant was adjusted to

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Speaker 1: clarify that the children he took could not be employed

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Speaker 1: as comedians or actors. Singing was the Queen's entertainment of choice,

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Speaker 1: and she deserved to hear only the most angelic of voices.

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Speaker 1: And apparently if it took a devil of a choir

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Speaker 1: master to make that happen, it was still worth it

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Speaker 1: so long as the music never stopped. I hope you've

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Speaker 1: enjoyed today's guided tour of the Cabinet of Curiosities. Subscribe

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Speaker 1: for free on Apple Podcasts, or learn more about the

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Speaker 1: show by visiting Curiosities podcast dot com. The show was

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Speaker 1: created by me Aaron Mankey in partnership with how Stuff Works.

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Speaker 1: I make another award winning show called Lore, which is

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Speaker 1: a podcast, book series, and television show, and you can

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Speaker 1: learn all about it over at the Worldoflore dot com.

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Speaker 1: And until next time, stay curious,