WEBVTT - "Crushed" Recap Season 5, Episode 16

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<v Speaker 1>Hello, aby, hi, yah, hi, I have to formally announce

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<v Speaker 1>something on the show.

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<v Speaker 2>Wait what I was wrong?

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<v Speaker 3>Oh? Wait, we're wait, Maddie, you're recording this, right, you

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<v Speaker 3>get this.

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<v Speaker 2>You're recording it.

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<v Speaker 3>I'm regarding it.

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<v Speaker 2>We're going to put this out into the world.

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<v Speaker 3>What you're wrong? Tell me? Tell me about what.

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<v Speaker 2>About the sight from the shoes? See?

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<v Speaker 3>See, I was right. Sorry, that was a little too loud.

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<v Speaker 2>You No, it was Yeah, you're being too loud.

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<v Speaker 3>I was. Wait, so you've changed your mind?

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<v Speaker 2>What happened? Wait?

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<v Speaker 3>What happened besides you admiring my kid shoes?

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<v Speaker 1>Well, first of all, I had well once I saw

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<v Speaker 1>them in person.

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<v Speaker 2>And you have the.

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<v Speaker 3>Kissicks, right, I have the kiss the athens to Yes,

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<v Speaker 3>I have pak Okay.

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<v Speaker 1>So after I was in the airport with you and

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<v Speaker 1>I complimented you on your cute tennis shoes, and you

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<v Speaker 1>then informed me that they were the slip ons.

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<v Speaker 2>Yes they are, I had I.

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<v Speaker 1>You know, I had a moment where I had to

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<v Speaker 1>consider the fact that maybe I didn't know all of

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<v Speaker 1>the things that were out.

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<v Speaker 2>Wow, And I took you forty four years sweet forty three,

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<v Speaker 2>but maybe by forty four I'll have it but they

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<v Speaker 2>they sent me several pairs.

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<v Speaker 3>Oh nice, and which ones and which ones?

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<v Speaker 1>Don't worry, I have them here. We're going to show

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<v Speaker 1>until time.

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<v Speaker 3>Yes, I also.

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<v Speaker 1>Got the got the athens too. But they're like lavender.

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<v Speaker 2>And white and yellow like little accents of yellow on

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<v Speaker 2>the hill. Cute, super cute, super cute.

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<v Speaker 1>So freaking comfortable, right, Oh my god, so easy.

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<v Speaker 2>The other day they were amazing.

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<v Speaker 1>And you know, Mescal was gone last week for work stuff,

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<v Speaker 1>and he's gonna be gone a bunch of the the

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<v Speaker 1>next coming weeks.

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<v Speaker 2>So I'm in charge of the.

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<v Speaker 1>Dog walking usually he's that's so I'm constantly I don't

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<v Speaker 1>like to wear shoes at home, so I'm like, con

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<v Speaker 1>oh god, I gotta go upstairs. And then the dog's

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<v Speaker 1>excited because she saw me walk to the door, and

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<v Speaker 1>now she you know, now I can just sleep them on.

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<v Speaker 1>But not only can I slip these on, I can

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<v Speaker 1>also slip these on.

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<v Speaker 3>Oh oh, what what else do you have?

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<v Speaker 2>And tell them in an all, I don't know.

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<v Speaker 3>If these are these are like color.

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<v Speaker 2>This is a it's a light that's adorable, looks almost

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<v Speaker 2>like a Nike like. Misc has some very similar shoes

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<v Speaker 2>to this. Their nikes. So those are my like, pir.

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<v Speaker 3>You have two pairs of slip arms shoes, I have three? Three? Yes,

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<v Speaker 3>what's the third pair?

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<v Speaker 2>Third pair?

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<v Speaker 1>Oh? I wish I remembered what names are so cute.

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<v Speaker 1>I don't remember. I don't remember the style name of these.

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<v Speaker 3>This isn't an AD.

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<v Speaker 2>This isn't an AD. It's just really excited about it.

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<v Speaker 1>It's not it is. It's an old lady talking to another.

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<v Speaker 1>But these these ones almost like like a like golden

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<v Speaker 1>goose or like.

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<v Speaker 2>Kind of like tumas.

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<v Speaker 1>They're like a very red everyday shoe, like thin flat,

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<v Speaker 1>kind of like almost like a like a samba, like

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<v Speaker 1>an Adidas samba or something like that.

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<v Speaker 3>But they've thought all different.

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<v Speaker 1>Kinds of texture, like some fuzzy and light blue and

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<v Speaker 1>the blue on the front.

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<v Speaker 2>Like it's kind of like it's.

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<v Speaker 3>Like, uh.

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<v Speaker 2>And these are also huge step ins. So I want

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<v Speaker 2>that pair.

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<v Speaker 3>I'm going to go order that pair as soon as

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<v Speaker 3>we're done.

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<v Speaker 1>I'm like, I said, you guys, this is not I

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<v Speaker 1>I'm no one from Kissick is paying us to say this.

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<v Speaker 3>We're just like old ladies.

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<v Speaker 2>Sharing between each other.

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<v Speaker 1>And and I and I had to give Andrea, uh

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<v Speaker 1>the satisfaction of saying that I was wrong.

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<v Speaker 3>Yeah, this is a moment. And it took thirty eight years.

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<v Speaker 3>Thirty eight years, you finally admitted you're wrong and I'm right.

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<v Speaker 3>You were remarking this on my calendar.

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<v Speaker 2>Yeah, you were right. This is yeah, Andrew was right.

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<v Speaker 3>Day. I didn't know this was coming people. I didn't know,

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<v Speaker 3>Like when we logged on today to record, I did

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<v Speaker 3>not know that this had happened.

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<v Speaker 2>No. I I thought about texting, going to text you

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<v Speaker 2>a picture of him and be like, look who's come

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<v Speaker 2>to the dark. But then I was like, no, this

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<v Speaker 2>is an excellent pre show.

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<v Speaker 3>Chatter, so excellent pre show chatter. I am so proud

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<v Speaker 3>of you. I am dude.

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<v Speaker 2>Change.

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<v Speaker 3>It's life changing. It is life changing.

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<v Speaker 2>I hate tying my shoes. It's one of the.

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<v Speaker 1>Things, like rushing my teeth or do Like, there's certain things.

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<v Speaker 2>Of the day that I don't like. I like all

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<v Speaker 2>of the other activities. I don't like that one with

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<v Speaker 2>rush your teeth. Tying shoes it's just tea. Yeah you

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<v Speaker 2>don't so I would step into shoes, but you know

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<v Speaker 2>you can't. They ruse the back blah blah blah.

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<v Speaker 3>Now, yeah, the back always folds in.

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<v Speaker 1>I got I'm stepping in and out just for fun.

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<v Speaker 1>Halfway through the room, I just.

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<v Speaker 2>Step out of my shoes because I can't go back.

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<v Speaker 2>Kicking back on you.

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<v Speaker 3>You're so fast and life like. You're just you can

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<v Speaker 3>just glide through your house, glide through your neighborhood.

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<v Speaker 2>You know what, I will feel fast.

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<v Speaker 1>I will say it is an excellent pair of shoes

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<v Speaker 1>to have by your bed in case of an emergency.

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<v Speaker 3>Oh yeah, okay, because you won't store.

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<v Speaker 1>So you know they always say, like in an emergence,

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<v Speaker 1>don't run out in.

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<v Speaker 2>Slippers or especially with the bake or a hurricane or something.

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<v Speaker 3>Yeah, you need broken shoes on, like decent shoes. This

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<v Speaker 3>I need a pair to put by, like.

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<v Speaker 2>A pair to put by the front door whatever.

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<v Speaker 3>Like I thought about that the other.

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<v Speaker 1>Day and I was like, yeah, this is that because

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<v Speaker 1>I have always thought that, like.

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<v Speaker 2>Oh god, what you know run out barefoot? But now

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<v Speaker 2>I need to.

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<v Speaker 3>Now you are so prepared. I am prepared for you,

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<v Speaker 3>and you're fast. You're prepared like your life is almost

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<v Speaker 3>completely true. This is amazing. See it's not old lady like,

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<v Speaker 3>it's it's about function and fashion.

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<v Speaker 1>Look once I saw yours in person, and I thought

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<v Speaker 1>yours were like, you know, like I said, like Nike's

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<v Speaker 1>or the Hookahs or something like that.

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<v Speaker 3>I was like, Okay, so cute. I need compliments everywhere.

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<v Speaker 1>I wait, my my feeling about it. And I when

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<v Speaker 1>I warmed it the gym the other day, I got

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<v Speaker 1>so many to get comments.

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<v Speaker 2>Oh my god, I love your shoes. I was like, yeah,

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<v Speaker 2>let me tell you.

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<v Speaker 1>I mean I I basically was like just an ad

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<v Speaker 1>for them because I got a ton of compliments on

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<v Speaker 1>them and people were like, oh my god, they're just

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<v Speaker 1>the slip on ones.

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<v Speaker 2>I was like, hell, they are.

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<v Speaker 3>The slip on shoes. Don't have to be orthopedic or

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<v Speaker 3>bad looking, like they can.

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<v Speaker 2>Be cute and fast, cute and like flat sort of

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<v Speaker 2>retro looking ones. I've been wearing those of a bunch.

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<v Speaker 3>Yeah, yeah, I'm putting that on my list. That is

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<v Speaker 3>just really cute, stinking.

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<v Speaker 1>They're really cute, and and yeah they don't they're not

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<v Speaker 1>like big workout you know, they.

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<v Speaker 3>Just look like big white platform orthopedic shoes. No, they're

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<v Speaker 3>super cute.

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<v Speaker 2>So I'm very excited and.

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<v Speaker 3>Very excited I should get a pair for Michael. Michael,

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<v Speaker 3>I but if they make a size fourteen shoe, that's true.

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<v Speaker 3>We're on two wins of the spectrum, and I'm one

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<v Speaker 3>of you can.

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<v Speaker 2>Find shoes were clothes.

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<v Speaker 3>Right, so one of you? Right? Yes, but kissicks does

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<v Speaker 3>make them. Neither make the coaster because he's too short. Right, Oh,

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<v Speaker 3>it's hot. It's difficult. This is why when we go

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<v Speaker 3>to like the movies or to a concert like these

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<v Speaker 3>away self conscious because he's like the one behind him

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<v Speaker 3>and I can't see because I'm trying, and that really

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<v Speaker 3>is it's it's very difficult. It's very difficult. This is

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<v Speaker 3>why we need simplify our lives and have slip on shoes.

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<v Speaker 3>That eliminates one more problem from your life. You don't

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<v Speaker 3>have to stop, but.

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<v Speaker 2>No, but he'll be making him more efficient, way more efficient.

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<v Speaker 3>This makes me so happy.

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<v Speaker 2>There you go. It's a it's an early Christmas present, so.

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<v Speaker 3>Thank you so much. Want wrong, Honestly, this is better

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<v Speaker 3>than like any sort of fruitcake, like this is amazing

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<v Speaker 3>that you're wrong. You're now wearing slip on.

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<v Speaker 2>Shoes like I am.

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<v Speaker 3>We're ready for gladly, Gladly, let's get our kaftans and

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<v Speaker 3>go sit.

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<v Speaker 1>On your close a lemon calf tan. I have a

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<v Speaker 1>leopard print calf tan. Honey, I got calf hands.

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<v Speaker 2>I'm this is I'm.

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<v Speaker 1>Ready have arrived about like Missus Roper.

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<v Speaker 3>I love Missus Roper. She was the best.

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<v Speaker 2>That's what I want to be.

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<v Speaker 1>Just give me a moomoo and some big weird jewelry

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<v Speaker 1>and I'm set.

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<v Speaker 3>That's goals and goals.

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<v Speaker 2>And with some slip on shoes and a calf hand,

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<v Speaker 2>I'll be like the cool, funky old lady. They'll be like,

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<v Speaker 2>look at her, She's so cool, and I'll be like, no,

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<v Speaker 2>it's just comfortable.

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<v Speaker 1>It's just basically I'm wearing a shift and shoes that

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<v Speaker 1>I don't have to bend over for.

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<v Speaker 3>Yes, yes, hey, you know what. Comfort is something that

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<v Speaker 3>we all need in our lives, especially.

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<v Speaker 1>To be uncomfortable these days. Yes, and that I'm not

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<v Speaker 1>even that old, but I just have given up I

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<v Speaker 1>mean it being uncomfortable. No, I will, I will pay

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<v Speaker 1>for the seat. I will do whatever, like just yeah,

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<v Speaker 1>give me a place to slip down. It's worth I

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<v Speaker 1>can slip on my shoes, questions and make myself comfortable.

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<v Speaker 3>It's quick either way, slip on or slip off.

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<v Speaker 1>Right, Yeah, Anyways, slipping slipping, Let's slip into a strange

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<v Speaker 1>fever dream of an episode.

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<v Speaker 3>That is, you do slip in this. I mean you

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<v Speaker 3>don't see it on camera, but I watch it happened.

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<v Speaker 3>You slipped when running around the kitchen table like five times.

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<v Speaker 2>Yeah, it's all on the gag reel too.

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<v Speaker 1>Yeah.

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<v Speaker 3>I find with gag reels.

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<v Speaker 1>I think remember this scene. Oh that's right, it's the

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<v Speaker 1>gag reel. I was falling down and I thinks.

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<v Speaker 2>What are you even tripped? What is there?

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<v Speaker 3>There's nothing you tripped on. Nothing, You tripped on nut carpet.

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<v Speaker 3>That's what you tripped on.

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<v Speaker 2>Is amazing, man, you know.

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<v Speaker 3>Anyways, Welcome back to Howard Tanertos. I'm Andrea Barber and

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<v Speaker 3>I'm Jody Sweeten, and today we're discussing season five, episode sixteen, Crushed.

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<v Speaker 3>It originally aired January fourteenth, nineteen ninety two, and it

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<v Speaker 3>goes a little something like this. Pop singer Tommy Page

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<v Speaker 3>perform at Stephanie's tenth birthday party, which creates a love

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<v Speaker 3>triangle between Stephanie and Djoh the Tommy Page episode. This

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<v Speaker 3>is like, and this took place right before your real birthday,

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<v Speaker 3>real day or right around my real birthday.

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<v Speaker 1>And yeah, and this was like in the days before

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<v Speaker 1>you know, people were paying pop stars a million dollars

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<v Speaker 1>to complain at a birthday party.

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<v Speaker 3>This was full house likes to do this though. We

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<v Speaker 3>did this in fuller with the New Kids. Hey just

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<v Speaker 3>stop by the house and sing some songs?

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<v Speaker 2>Is it every day?

0:11:32.040 --> 0:11:35.960
<v Speaker 3>Yeah, Beach Boys, Tommy Page, this is just the Tanner's

0:11:36.480 --> 0:11:38.840
<v Speaker 3>you know, it's the Tanner's universe. We're all just living

0:11:38.840 --> 0:11:39.080
<v Speaker 3>in it.

0:11:39.120 --> 0:11:41.480
<v Speaker 1>Tommy was like, actually, I got to do some recording anyway.

0:11:41.600 --> 0:11:44.040
<v Speaker 1>I'll just bop right over to your recording studio and

0:11:44.240 --> 0:11:47.000
<v Speaker 1>we'll call it even I have to.

0:11:47.000 --> 0:11:51.439
<v Speaker 3>Pay for recordings, so yeah, this was a win win,

0:11:51.720 --> 0:11:57.200
<v Speaker 3>you know, I scratch your mutually beneficial absolutely. This was

0:11:57.240 --> 0:12:00.920
<v Speaker 3>directed by joel's Wick. It was written by Diana Airs

0:12:01.280 --> 0:12:05.000
<v Speaker 3>and Susan Sebastian, two names that do not ring a bell.

0:12:05.440 --> 0:12:07.679
<v Speaker 1>But I do like that It was two women writers

0:12:07.679 --> 0:12:10.280
<v Speaker 1>sort of writing about the girl's crush moments.

0:12:10.360 --> 0:12:14.160
<v Speaker 3>Yeah, oh it's yeah, it's this is a very milestone,

0:12:14.679 --> 0:12:17.920
<v Speaker 3>you know, having you your first crush or getting your

0:12:17.920 --> 0:12:20.960
<v Speaker 3>heart broken for the first time. Yeah, that's a universal experience.

0:12:22.600 --> 0:12:26.560
<v Speaker 3>We have two excellent guest stars. We have the incomparable

0:12:26.720 --> 0:12:31.200
<v Speaker 3>Tommy Page as Tommy Page, who was a very famous

0:12:31.240 --> 0:12:34.720
<v Speaker 3>pop star at the time. His song I'll Be Your Everything,

0:12:35.160 --> 0:12:37.480
<v Speaker 3>which was co written by Jordan Knight, it was Danny

0:12:37.480 --> 0:12:38.160
<v Speaker 3>Wood of New Kids.

0:12:38.200 --> 0:12:40.160
<v Speaker 1>I was gonna say, didn't wasn't there a New Kids

0:12:40.200 --> 0:12:41.160
<v Speaker 1>connection somewhere?

0:12:41.280 --> 0:12:41.720
<v Speaker 2>Yeah?

0:12:41.840 --> 0:12:45.480
<v Speaker 3>Big connection, big connection. Okay, So Jordan and Danny they

0:12:45.480 --> 0:12:48.040
<v Speaker 3>co wrote the song and they sang the background vocals

0:12:48.040 --> 0:12:50.960
<v Speaker 3>on it. Tommy Page opened for The New Kids on

0:12:51.120 --> 0:12:53.400
<v Speaker 3>both their Hang and Tough tour in nineteen eighty nine

0:12:53.440 --> 0:12:56.559
<v Speaker 3>and their Magic Summer Tour in nineteen ninety and so

0:12:56.600 --> 0:13:00.040
<v Speaker 3>that's what sort of launched him into you know, the

0:13:00.120 --> 0:13:04.120
<v Speaker 3>fandom of screaming teenage girls who couldn't get enough of

0:13:04.160 --> 0:13:08.320
<v Speaker 3>these handsome boys. So yeah, he was dubbed like the

0:13:08.360 --> 0:13:12.560
<v Speaker 3>sixth New Kid or the little brother to the New Kids. Yeah,

0:13:12.559 --> 0:13:14.560
<v Speaker 3>so that's I was thrilled that he was on the show,

0:13:14.679 --> 0:13:17.200
<v Speaker 3>just because it was like, you know, six degrees of separation.

0:13:17.240 --> 0:13:18.600
<v Speaker 3>I was like, oh, I'm closer to the New Kids

0:13:18.760 --> 0:13:22.760
<v Speaker 3>because Tommy opened for them exactly. But yeah, he's so

0:13:22.880 --> 0:13:25.120
<v Speaker 3>talented or he was so talented in his own right.

0:13:25.679 --> 0:13:29.840
<v Speaker 3>He was the publisher of Billboard Magazine, vice president at Pandora.

0:13:29.960 --> 0:13:32.960
<v Speaker 3>Yeah oh yeah wow. And he was the executive of

0:13:33.120 --> 0:13:35.680
<v Speaker 3>Warner Brothers Records, and he helped shape the careers of

0:13:35.720 --> 0:13:40.160
<v Speaker 3>Michael Boublet, Alanis Morrissette, Josh Grobin, and Green Day.

0:13:41.240 --> 0:13:41.440
<v Speaker 2>Yeah.

0:13:41.640 --> 0:13:43.959
<v Speaker 3>Well he was a big time music executive. Yes, this

0:13:44.080 --> 0:13:46.640
<v Speaker 3>wasn't like a one hit wonder or whatever.

0:13:46.760 --> 0:13:48.800
<v Speaker 2>I need. I knew he had remained in the business.

0:13:48.840 --> 0:13:51.960
<v Speaker 1>We had a couple mutual friends like back and forth

0:13:52.280 --> 0:13:53.559
<v Speaker 1>that I would hear about every once in a while,

0:13:53.600 --> 0:13:56.080
<v Speaker 1>but I had no idea that he had Like was

0:13:56.120 --> 0:13:57.760
<v Speaker 1>that good for him?

0:13:57.960 --> 0:13:58.200
<v Speaker 2>Yeah?

0:13:58.240 --> 0:13:59.960
<v Speaker 3>Good for him, Like he took what could have just

0:14:00.080 --> 0:14:01.840
<v Speaker 3>spend like a one hit like I mean, you know,

0:14:01.880 --> 0:14:03.640
<v Speaker 3>riding on the backs of the new kids. But he

0:14:03.760 --> 0:14:06.199
<v Speaker 3>really made a name for himself in the music industry.

0:14:06.280 --> 0:14:10.440
<v Speaker 3>So yes, good for him. Sadly, he passed away in

0:14:10.480 --> 0:14:14.560
<v Speaker 3>twenty seventeen, so I'm very glad that we can honor

0:14:14.640 --> 0:14:19.240
<v Speaker 3>him this episode and last, but certainly not least, we

0:14:19.320 --> 0:14:22.480
<v Speaker 3>have Todd McKenzie as boy at Party.

0:14:22.760 --> 0:14:25.320
<v Speaker 2>I don't know. He might be last and least in

0:14:25.360 --> 0:14:25.920
<v Speaker 2>this is.

0:14:26.120 --> 0:14:30.920
<v Speaker 3>His only credit on IMDb, Like this is I don't

0:14:30.960 --> 0:14:34.040
<v Speaker 3>know Mackenzie. That name doesn't ring a bell. So yeah,

0:14:34.080 --> 0:14:36.480
<v Speaker 3>whose kid was he? I don't know? Yeah he was

0:14:36.840 --> 0:14:40.800
<v Speaker 3>last and least Todd Mackenzie. Sorry Todd, but they should

0:14:40.800 --> 0:14:44.440
<v Speaker 3>have given you more to do. We'll blame the writers.

0:14:45.520 --> 0:14:48.960
<v Speaker 3>So we start, We start. We start with teaser. In

0:14:49.000 --> 0:14:53.440
<v Speaker 3>the kitchen, Michelle and Becky are decorating Stephanie's birthday cake,

0:14:53.680 --> 0:14:57.960
<v Speaker 3>and Michelle is dying to lick the spoon as usual,

0:14:58.840 --> 0:15:02.400
<v Speaker 3>I get it regular the sugar binge. Yeah, in this case, yeah,

0:15:02.400 --> 0:15:05.800
<v Speaker 3>I'd be the same. It's delicious to lick the spoons part.

0:15:06.880 --> 0:15:07.240
<v Speaker 2>Uh.

0:15:07.280 --> 0:15:10.680
<v Speaker 3>So, after a millisecond of spreading some frosting onto the cake,

0:15:10.800 --> 0:15:14.880
<v Speaker 3>Michelle asks, now can we lick the spatula. Becky gives

0:15:14.880 --> 0:15:17.680
<v Speaker 3>her the go ahead, and so Michelle proceeds to scrape

0:15:17.680 --> 0:15:20.720
<v Speaker 3>off a huge layer of frosting directly from the cake

0:15:21.160 --> 0:15:25.640
<v Speaker 3>and she devours it. Becky laughs before emphasizing now we

0:15:25.760 --> 0:15:29.440
<v Speaker 3>have to make more frosting. Michelle responds with a mouth

0:15:29.560 --> 0:15:35.160
<v Speaker 3>covered in frosting and says, really, what a shade, and

0:15:35.240 --> 0:15:37.160
<v Speaker 3>continues to lick the spatula. I didn't even know what

0:15:37.240 --> 0:15:40.640
<v Speaker 3>she said, So I'm glad that madam was able to translate, I'm.

0:15:40.600 --> 0:15:47.240
<v Speaker 1>Just like, yeah, very much enjoying the sugar binge chocolateasting

0:15:47.320 --> 0:15:48.080
<v Speaker 1>off of a spatula.

0:15:48.160 --> 0:15:49.120
<v Speaker 2>There's nothing, there's.

0:15:49.000 --> 0:15:52.400
<v Speaker 3>Really nothing better than chocolate frosting off a spatula. Truly

0:15:52.640 --> 0:15:54.600
<v Speaker 3>like it tastes better. It tastes better off a spatula

0:15:54.640 --> 0:15:56.240
<v Speaker 3>than it does off of a cake.

0:15:56.320 --> 0:15:59.600
<v Speaker 1>Yeah, for sure, there's something about it. It feels slightly forbidden, psychologic.

0:15:59.680 --> 0:16:02.920
<v Speaker 1>You're like, oh, like not, I'm licking the thing before it's.

0:16:02.800 --> 0:16:16.440
<v Speaker 3>Ready, But it's delicious, delicious. Next in the kitchen, Becky

0:16:16.520 --> 0:16:19.600
<v Speaker 3>is attending to one twin while Jesse handles the other twin.

0:16:20.360 --> 0:16:23.760
<v Speaker 3>He realizes it's Friday, which means he cleans the baby

0:16:23.760 --> 0:16:28.880
<v Speaker 3>bottles and Becky cleans the baby bottoms. Then Joey walks

0:16:28.880 --> 0:16:32.400
<v Speaker 3>in and does his Bullwinkle impression for the twins, also

0:16:32.480 --> 0:16:36.040
<v Speaker 3>known as his biggest fans. One of the boys gives

0:16:36.080 --> 0:16:39.400
<v Speaker 3>him a big belly laugh in return, and Joey beams.

0:16:40.000 --> 0:16:43.560
<v Speaker 3>Becky admits, don't get too excited. They crack up at anything.

0:16:43.800 --> 0:16:44.640
<v Speaker 2>This was so cute.

0:16:44.640 --> 0:16:46.360
<v Speaker 1>It was kind of one of the first like big

0:16:46.520 --> 0:16:49.200
<v Speaker 1>like smile laugh moments that we'd seen from the babies.

0:16:49.520 --> 0:16:52.560
<v Speaker 3>Yes, kids, they were so cute after looking like those

0:16:52.560 --> 0:16:53.840
<v Speaker 3>worried little.

0:16:56.000 --> 0:16:58.600
<v Speaker 1>Like one was laughing, the other one was like, not

0:16:58.680 --> 0:17:03.240
<v Speaker 1>here for you to mistro He can entertain him easily,

0:17:03.280 --> 0:17:03.720
<v Speaker 1>but not me.

0:17:04.400 --> 0:17:06.480
<v Speaker 3>Yeah, he's like, I'm a tougher critic. You gotta work

0:17:06.520 --> 0:17:10.240
<v Speaker 3>harder for my laugh. So Michelle decides to take a

0:17:10.240 --> 0:17:12.960
<v Speaker 3>whack at it. She puts on her fake antlers and

0:17:13.000 --> 0:17:18.439
<v Speaker 3>her best Bullwinkle voice, saying Hello, I'm Michelle Winkle. But

0:17:18.440 --> 0:17:21.400
<v Speaker 3>the boys give her nothing, and she's appalled. Hey, what's

0:17:21.440 --> 0:17:25.240
<v Speaker 3>your problem? This is funny stuff, she says. Becky tells

0:17:25.240 --> 0:17:27.800
<v Speaker 3>her not to worry. The babies are just tired. She

0:17:27.880 --> 0:17:29.879
<v Speaker 3>tells her boys that they need their beauty sleep, and

0:17:30.000 --> 0:17:34.640
<v Speaker 3>Jesse corrects her, You mean they're ruggedly handsome sleep. Jesse

0:17:34.720 --> 0:17:40.720
<v Speaker 3>and his masculinity need to strict gender roles here.

0:17:40.760 --> 0:17:44.880
<v Speaker 2>Gender, let's gender our sleep too.

0:17:46.520 --> 0:17:49.560
<v Speaker 3>Not enough gendered things in life. Jesse picks up one

0:17:49.600 --> 0:17:51.720
<v Speaker 3>of the boys and they head upstairs for nap time.

0:17:52.080 --> 0:17:54.280
<v Speaker 3>Michelle stays in the kitchen with Joey and she lets

0:17:54.320 --> 0:17:56.920
<v Speaker 3>out a big sigh. I want to be funny like you.

0:17:57.920 --> 0:18:00.480
<v Speaker 3>Joey puts on his announcer voice and takes a seat

0:18:00.520 --> 0:18:04.680
<v Speaker 3>across from her. Welcome to Joey Gladstone's Comedy College. You'll

0:18:04.680 --> 0:18:07.399
<v Speaker 3>have those babies laughing so hard, there won't be a

0:18:07.480 --> 0:18:10.359
<v Speaker 3>dry diaper in the house. He lets out a roaring

0:18:10.440 --> 0:18:12.760
<v Speaker 3>laugh at his own joke, and Michelle mimicks the low

0:18:12.800 --> 0:18:17.360
<v Speaker 3>pitched laugh Dave's power laugh, the power laugh. Yeah. He

0:18:17.400 --> 0:18:19.879
<v Speaker 3>gives her some pointers to enhance the laugh and she

0:18:20.000 --> 0:18:22.399
<v Speaker 3>tries a few more times. Then they walk out of

0:18:22.400 --> 0:18:24.639
<v Speaker 3>the door together and she gives him a big ha

0:18:25.200 --> 0:18:27.720
<v Speaker 3>and he nods, there you go, which is this was

0:18:27.720 --> 0:18:28.359
<v Speaker 3>such a cute bit.

0:18:28.600 --> 0:18:31.680
<v Speaker 2>It's cute, but I made me go are you Are

0:18:31.680 --> 0:18:32.800
<v Speaker 2>you okay? You know what I mean?

0:18:33.359 --> 0:18:34.840
<v Speaker 1>I would have actually done that. I'd be like, are

0:18:34.880 --> 0:18:36.160
<v Speaker 1>you choky?

0:18:36.440 --> 0:18:36.880
<v Speaker 2>Right? Guys?

0:18:36.920 --> 0:18:38.000
<v Speaker 3>Are you put your arms?

0:18:38.280 --> 0:18:39.040
<v Speaker 2>Let me hit you on the back.

0:18:39.760 --> 0:18:41.520
<v Speaker 3>Do you need the highlights? Do you need some water?

0:18:43.359 --> 0:18:46.400
<v Speaker 3>So then Danny walks downstairs with stephan Dj trailing him.

0:18:47.240 --> 0:18:50.399
<v Speaker 3>Stephanie is begging, please take me to your show today.

0:18:50.600 --> 0:18:53.719
<v Speaker 3>I gotta meet Tommy Page. Maybe he'll autograph this picture,

0:18:54.200 --> 0:18:56.960
<v Speaker 3>and she shows off a large poster of the celebrity

0:18:57.280 --> 0:18:59.840
<v Speaker 3>and Danny size, I'll try to get him to sign

0:18:59.880 --> 0:19:02.879
<v Speaker 3>it for you. But you cannot cut school just because

0:19:02.920 --> 0:19:05.879
<v Speaker 3>some rock star is on my show. But you should

0:19:05.880 --> 0:19:08.560
<v Speaker 3>know this because we went through this Q in season one.

0:19:08.720 --> 0:19:09.879
<v Speaker 3>Right right, I've already done this.

0:19:10.400 --> 0:19:14.080
<v Speaker 1>We've already done the random giant poster appearing over the

0:19:14.119 --> 0:19:16.919
<v Speaker 1>bed that suddenly we had never seen before.

0:19:17.000 --> 0:19:18.720
<v Speaker 2>And then right right, we're just say.

0:19:19.240 --> 0:19:21.879
<v Speaker 3>We're repeating storylines in five years, you've got to repeat

0:19:21.880 --> 0:19:28.159
<v Speaker 3>some storylines now, I don't so, Stephanie argues, he's not

0:19:28.400 --> 0:19:31.840
<v Speaker 3>just any rock star. His poster is hanging over my bed.

0:19:31.760 --> 0:19:32.800
<v Speaker 2>Last three days.

0:19:34.359 --> 0:19:40.240
<v Speaker 3>As Yes, as soon as came through, he's the last

0:19:40.240 --> 0:19:43.120
<v Speaker 3>thing I see before I fall asleep, except the inside

0:19:43.119 --> 0:19:46.240
<v Speaker 3>of my eyelids. I was so jealous of your black

0:19:46.280 --> 0:19:49.040
<v Speaker 3>and plaid jacket here, Like this was the key little

0:19:49.119 --> 0:19:53.800
<v Speaker 3>jacket jacket. I was speaking of plaid jackets. Yeah, it

0:19:53.880 --> 0:19:58.919
<v Speaker 3>was so cute, the color, the like, the styling. It

0:19:59.040 --> 0:19:59.960
<v Speaker 3>was just adorable.

0:20:00.240 --> 0:20:03.720
<v Speaker 2>And you looked so the my style in this whole

0:20:03.720 --> 0:20:04.960
<v Speaker 2>episode I really liked.

0:20:05.720 --> 0:20:06.560
<v Speaker 3>Yeah, I wasn't.

0:20:06.640 --> 0:20:09.720
<v Speaker 1>I wasn't girly like I've never really been the girly

0:20:09.800 --> 0:20:13.880
<v Speaker 1>girly one. So I liked like I it reflected that.

0:20:13.720 --> 0:20:15.480
<v Speaker 2>She was kind of in a relationship thing.

0:20:15.680 --> 0:20:23.520
<v Speaker 3>Yeah, You're not just wearing like floral dresses like A yeah, exactly, No,

0:20:23.680 --> 0:20:26.760
<v Speaker 3>you had you were on trend and making your own trends.

0:20:27.000 --> 0:20:31.359
<v Speaker 3>I loved that jacket, so DJ smiles. This is so

0:20:31.520 --> 0:20:35.480
<v Speaker 3>cute Stephanie's first childhood crush. You know, I had the

0:20:35.520 --> 0:20:38.240
<v Speaker 3>same thing with George Michael until his ear rings got

0:20:38.240 --> 0:20:41.240
<v Speaker 3>bigger than mine. Oh is that jokes?

0:20:42.400 --> 0:20:44.440
<v Speaker 2>We didn't well know, but we didn't know at the time.

0:20:44.480 --> 0:20:46.359
<v Speaker 3>I don't think we didn't know, right, No, we didn't

0:20:46.359 --> 0:20:51.280
<v Speaker 3>know at the time, So that's okay. Stephanie reminds her,

0:20:51.320 --> 0:20:54.720
<v Speaker 3>I am not a child. Today is my tenth birthday,

0:20:54.840 --> 0:20:57.600
<v Speaker 3>the big one. Oh. She turns to Danny and tries

0:20:57.640 --> 0:20:59.720
<v Speaker 3>to guilt trip him. I can't believe you won't. You

0:20:59.720 --> 0:21:02.640
<v Speaker 3>wouldn't let your own daughter meet her all time favorite

0:21:02.680 --> 0:21:06.240
<v Speaker 3>singer in the whole universe on her birthday. She sighs,

0:21:06.280 --> 0:21:10.840
<v Speaker 3>and I thought you loved me. DJ applauds this dramatic performance,

0:21:11.040 --> 0:21:13.560
<v Speaker 3>and Steph looks at her dad with hope. Did it work?

0:21:14.240 --> 0:21:19.159
<v Speaker 3>And Danny responds bluntly no. Steph shrugs, I'm losing my touch.

0:21:20.160 --> 0:21:22.239
<v Speaker 3>Danny hands over her lunchbox and tells her to get

0:21:22.280 --> 0:21:25.320
<v Speaker 3>out of here. After she's out the door, DJ tells

0:21:25.359 --> 0:21:28.000
<v Speaker 3>her dad that was pretty cool. I mean, it is

0:21:28.040 --> 0:21:31.600
<v Speaker 3>her birthday and she does worship the guy. Danny spills

0:21:31.640 --> 0:21:34.480
<v Speaker 3>the beans. I told Tommy what a big fan Stephanie

0:21:34.520 --> 0:21:36.920
<v Speaker 3>is and he agreed to stop by her party after

0:21:37.080 --> 0:21:43.400
<v Speaker 3>school today. DJ exclaims Stephanie's gonna go nuts, and Danny grins, am,

0:21:43.400 --> 0:21:48.320
<v Speaker 3>I the raddest, baddest dad a kid ever had no

0:21:48.520 --> 0:21:51.600
<v Speaker 3>and she admits, well you were until you said that, yeah,

0:21:51.640 --> 0:21:55.239
<v Speaker 3>and exits. He had a good thing going and then

0:21:55.280 --> 0:21:58.399
<v Speaker 3>he just he did a Danny Tanner. Yeah, made a

0:21:58.480 --> 0:22:03.000
<v Speaker 3>cheesy joke. So later in the day, we are in

0:22:03.040 --> 0:22:07.440
<v Speaker 3>the living room at Stephanie's tenth birthday party.

0:22:07.480 --> 0:22:09.280
<v Speaker 2>There's the dancing.

0:22:09.480 --> 0:22:15.560
<v Speaker 3>Yeah, it's so great. Marky Mark's Good Vibrations is playing

0:22:15.880 --> 0:22:18.120
<v Speaker 3>as kids are gathered around for the.

0:22:18.040 --> 0:22:20.720
<v Speaker 2>Party, which I've told you the Marky Mark story.

0:22:20.520 --> 0:22:22.879
<v Speaker 3>Right have you? Have? You reminded me.

0:22:24.400 --> 0:22:26.760
<v Speaker 1>Probably around this age because it was just like Marky

0:22:26.840 --> 0:22:30.919
<v Speaker 1>Mark era. I was flying to Boston for something and

0:22:31.920 --> 0:22:35.000
<v Speaker 1>he was like in the row, like in front and

0:22:35.200 --> 0:22:35.840
<v Speaker 1>over whatever.

0:22:37.080 --> 0:22:44.080
<v Speaker 2>I was dying, but Mom was like, say hi.

0:22:44.200 --> 0:22:47.800
<v Speaker 1>Like you could go see it and I was like no, no, no, no,

0:22:47.920 --> 0:22:48.320
<v Speaker 1>like I do.

0:22:48.400 --> 0:22:50.720
<v Speaker 2>I'm like no, I'm that's not you know, I get it.

0:22:50.760 --> 0:22:53.840
<v Speaker 2>You don't bother you. I'm not gonna don't. I don't

0:22:53.840 --> 0:22:55.320
<v Speaker 2>want to bother you. Anyway.

0:22:55.920 --> 0:22:59.720
<v Speaker 1>As we're getting off the plane, uh, we're like, you know,

0:22:59.800 --> 0:23:01.439
<v Speaker 1>in before you get off, and he just leans over

0:23:01.480 --> 0:23:02.120
<v Speaker 1>and he goes.

0:23:01.920 --> 0:23:04.840
<v Speaker 2>Hey, I got to tell you I love your show.

0:23:05.080 --> 0:23:07.720
<v Speaker 2>And I was like I melted right there.

0:23:07.760 --> 0:23:11.640
<v Speaker 3>And then so the Boston accent and everything was very good.

0:23:11.680 --> 0:23:12.880
<v Speaker 2>I actually did that very well.

0:23:13.480 --> 0:23:17.320
<v Speaker 3>You did very good. Yes, but yeah a moment, Yeah,

0:23:17.560 --> 0:23:19.119
<v Speaker 3>you were just floating right on the.

0:23:20.680 --> 0:23:23.399
<v Speaker 2>I was real, I remember it to this day.

0:23:23.560 --> 0:23:25.640
<v Speaker 3>Yeah, that's so bad.

0:23:25.720 --> 0:23:28.560
<v Speaker 1>And then the fact that I was like, oh, hell yeah,

0:23:28.560 --> 0:23:31.240
<v Speaker 1>we even like we even could play it on the show.

0:23:31.359 --> 0:23:33.360
<v Speaker 3>So I was like, yeah, it's like great, they got

0:23:33.400 --> 0:23:35.760
<v Speaker 3>the clearance and they it was a perfect song for

0:23:35.840 --> 0:23:40.720
<v Speaker 3>this party. If you can't get one, you got to

0:23:40.760 --> 0:23:45.520
<v Speaker 3>get together. So the boys are eating caramel apples while

0:23:45.560 --> 0:23:47.440
<v Speaker 3>the girls are out on the dance floor.

0:23:47.440 --> 0:23:50.000
<v Speaker 2>It seems like a strange party snack. But what else.

0:23:51.480 --> 0:23:53.360
<v Speaker 3>Yeah, that's more of like a halloween.

0:23:53.800 --> 0:23:56.159
<v Speaker 2>Especially losing their teeth.

0:23:56.400 --> 0:24:00.159
<v Speaker 1>It's gonna be like like a shark in there, me

0:24:00.240 --> 0:24:00.879
<v Speaker 1>laying all over.

0:24:00.760 --> 0:24:06.120
<v Speaker 3>The floor another too, Yeah you need more finger foods,

0:24:06.119 --> 0:24:07.680
<v Speaker 3>not something that you get all over.

0:24:07.520 --> 0:24:10.399
<v Speaker 2>Your face and a slice.

0:24:10.480 --> 0:24:13.480
<v Speaker 3>They're very difficult. Yeah, not not the best party snack.

0:24:13.560 --> 0:24:17.240
<v Speaker 3>I agree. So Jesse joins the dance circle for a

0:24:17.240 --> 0:24:20.119
<v Speaker 3>minute to show off his awkward moves, and then we

0:24:20.160 --> 0:24:23.280
<v Speaker 3>see Joey up on a pedestal acting as the DJ

0:24:23.480 --> 0:24:26.120
<v Speaker 3>for the party. The group of girls cheer for him

0:24:26.160 --> 0:24:27.359
<v Speaker 3>when the song is over.

0:24:27.640 --> 0:24:29.080
<v Speaker 2>And these were a bunch of my dance friends.

0:24:29.119 --> 0:24:34.240
<v Speaker 1>By the way, Yes.

0:24:34.040 --> 0:24:37.320
<v Speaker 3>That little one with the blonde hair like she's always

0:24:37.400 --> 0:24:38.199
<v Speaker 3>staring right at the.

0:24:38.560 --> 0:24:41.960
<v Speaker 2>Staring right in them. I can't remember her name now,

0:24:42.680 --> 0:24:44.920
<v Speaker 2>but yeah, she was. She was in it.

0:24:45.400 --> 0:24:47.760
<v Speaker 3>They got a lot of screen time in this season.

0:24:47.960 --> 0:24:52.120
<v Speaker 3>That's so amazing. I love this. So Joey speaks into

0:24:52.119 --> 0:24:55.080
<v Speaker 3>the microphone. Yo, yo, yo, this is Joey Joe bad

0:24:55.240 --> 0:24:59.000
<v Speaker 3>Stone at Stephanie Tanner's birthday party, pumping up the jams

0:24:59.000 --> 0:25:01.200
<v Speaker 3>and jamming up the pump. You know what I'm saying.

0:25:02.359 --> 0:25:04.439
<v Speaker 3>The crowd does not know what he's saying. They shrug

0:25:04.440 --> 0:25:07.760
<v Speaker 3>in confusion, and so he changes course. Hey, neither do

0:25:07.840 --> 0:25:12.160
<v Speaker 3>I all right? Everybody party and the music resumes. Steph

0:25:12.240 --> 0:25:14.760
<v Speaker 3>walks up to Jesse and complains none of the boys

0:25:14.760 --> 0:25:17.360
<v Speaker 3>will dance, and he assures her that he can help.

0:25:17.520 --> 0:25:18.639
<v Speaker 2>Never going to change stuff.

0:25:19.680 --> 0:25:25.120
<v Speaker 3>No, this is common at these gender parties. On either

0:25:25.240 --> 0:25:28.640
<v Speaker 3>side that's divided. I'm more impressed that you invited boys

0:25:28.680 --> 0:25:30.359
<v Speaker 3>to this party at ten I did not want.

0:25:30.200 --> 0:25:33.280
<v Speaker 2>Anything to do it. It looks like eight you know what

0:25:33.320 --> 0:25:33.560
<v Speaker 2>I mean?

0:25:33.600 --> 0:25:38.119
<v Speaker 1>They look as usual, The girls look like much more mature,

0:25:38.119 --> 0:25:39.359
<v Speaker 1>and the boys I was like, well, I mean, I

0:25:39.359 --> 0:25:40.879
<v Speaker 1>can see why these boys aren't wanting to talk to

0:25:40.920 --> 0:25:42.800
<v Speaker 1>These girls are at least three years.

0:25:42.680 --> 0:25:45.720
<v Speaker 3>Older than them, right, they have no social skills and

0:25:45.800 --> 0:25:51.000
<v Speaker 3>they are feeling awkward for being at this party. Uh So,

0:25:51.160 --> 0:25:53.359
<v Speaker 3>Jesse walks over to the boys and tries to lend

0:25:53.520 --> 0:25:56.280
<v Speaker 3>some encouragement. I realize you guys might be a little

0:25:56.320 --> 0:26:00.199
<v Speaker 3>shy around women. You're wondering if you're overmoosed under yodory.

0:26:00.640 --> 0:26:03.479
<v Speaker 3>I know how you feel. One of the boys asks

0:26:03.760 --> 0:26:06.920
<v Speaker 3>you mean you were shy around girls, and Jesse scoffs, No,

0:26:07.240 --> 0:26:09.440
<v Speaker 3>what am I a dork? Go ask them to dance?

0:26:10.200 --> 0:26:13.119
<v Speaker 3>They all cringe and say you at the suggestion, So

0:26:13.280 --> 0:26:16.360
<v Speaker 3>Jesse takes a different approach. He tells the girls it's

0:26:16.560 --> 0:26:20.200
<v Speaker 3>lady's choice. They can grab their favorite guy and go

0:26:20.280 --> 0:26:23.520
<v Speaker 3>for it. On cue. All of the girls swarm Uncle

0:26:23.560 --> 0:26:26.399
<v Speaker 3>Jesse and he cringes, Oh oh no, no, no, not me.

0:26:26.840 --> 0:26:29.920
<v Speaker 3>The little ones. Their face is sour as they say

0:26:30.000 --> 0:26:34.679
<v Speaker 3>you at the thought. They don't want to intermingle like that.

0:26:35.160 --> 0:26:39.159
<v Speaker 1>Boys and girls agels are having fun dancing and the

0:26:39.160 --> 0:26:41.240
<v Speaker 1>boys are heaving been eating and that's usually how I just.

0:26:41.160 --> 0:26:44.040
<v Speaker 3>Want to eat. Yep, this is this is how it goes.

0:26:45.040 --> 0:26:48.479
<v Speaker 3>So the girls resume their dancing to good Vibrations and

0:26:48.520 --> 0:26:51.840
<v Speaker 3>Steph leads them in a cool dance routine.

0:26:51.960 --> 0:26:54.000
<v Speaker 1>I did love this one. This was a fun one

0:26:54.080 --> 0:26:55.399
<v Speaker 1>and it does make the rounds.

0:26:58.040 --> 0:27:00.920
<v Speaker 2>It makes it. I mean, it's been done to I think,

0:27:01.119 --> 0:27:05.160
<v Speaker 2>like Kendrick Lamar, they not like us. It's ben Zunde

0:27:05.280 --> 0:27:05.800
<v Speaker 2>like and.

0:27:05.720 --> 0:27:08.840
<v Speaker 1>It weirdly like depending on like whatever the bpm is

0:27:09.480 --> 0:27:13.960
<v Speaker 1>of good vibrations, you know, if you find something.

0:27:13.720 --> 0:27:17.040
<v Speaker 3>That goes with the kind of similar it works perfectly.

0:27:17.200 --> 0:27:19.320
<v Speaker 1>And I've seen a lot of versions of it and

0:27:19.359 --> 0:27:20.440
<v Speaker 1>I'm like, oh I like that.

0:27:20.600 --> 0:27:22.440
<v Speaker 3>Okay, that's a good one.

0:27:22.520 --> 0:27:24.800
<v Speaker 2>But yeah, that was a fun dance. It was. I

0:27:24.840 --> 0:27:26.960
<v Speaker 2>loved that it was. It was cute.

0:27:27.640 --> 0:27:29.840
<v Speaker 3>It was very full house just to break out into

0:27:29.960 --> 0:27:33.639
<v Speaker 3>dance randomly, at least dance friends.

0:27:33.640 --> 0:27:37.680
<v Speaker 1>Obviously they've been working on this in class.

0:27:37.800 --> 0:27:41.960
<v Speaker 3>Very true, very true. Do you remember who choreographed as Staley?

0:27:42.119 --> 0:27:47.119
<v Speaker 1>It was Dennis Caspery, My my dance teacher, Dennis Caspery

0:27:47.200 --> 0:27:49.520
<v Speaker 1>and the Casbury family owned.

0:27:49.240 --> 0:27:53.480
<v Speaker 3>Studio C which was where I.

0:27:53.200 --> 0:27:56.520
<v Speaker 1>Danced growing up, along with a couple other places later on,

0:27:56.600 --> 0:28:01.000
<v Speaker 1>but Studio CE and Dennis was our teacher and he

0:28:01.160 --> 0:28:04.040
<v Speaker 1>was there like competition dance teacher too.

0:28:04.359 --> 0:28:06.160
<v Speaker 2>So he choreographed all that stuff.

0:28:06.160 --> 0:28:09.479
<v Speaker 1>And yeah, whenever we needed Motown Philly or you know whatever,

0:28:09.680 --> 0:28:12.720
<v Speaker 1>like he came in and uh and love shack.

0:28:15.359 --> 0:28:17.000
<v Speaker 3>So he did fantastic.

0:28:17.560 --> 0:28:21.320
<v Speaker 1>Yeah, his brothers was on. So you think you can

0:28:21.400 --> 0:28:23.320
<v Speaker 1>dance as a choreographer for a while really?

0:28:23.640 --> 0:28:26.359
<v Speaker 3>Oh okay, Yeah, so it runs in the family.

0:28:26.520 --> 0:28:29.840
<v Speaker 2>Indeed, this waslight to watch.

0:28:30.800 --> 0:28:33.879
<v Speaker 1>Was in Don't Tell Mom, the Babysitters Dead. And she

0:28:34.080 --> 0:28:36.359
<v Speaker 1>was also a backup dancer for Janet Jackson for a

0:28:36.359 --> 0:28:38.320
<v Speaker 1>long time too. Yeah, it was They were a whole

0:28:38.440 --> 0:28:39.240
<v Speaker 1>dance family.

0:28:40.000 --> 0:28:43.200
<v Speaker 3>Oh that's amazing, Oh so cool. Yes, so glad that

0:28:43.280 --> 0:28:45.960
<v Speaker 3>he got some of his work to show you and show.

0:28:45.760 --> 0:28:47.920
<v Speaker 1>It was so much fun. But this dance had some

0:28:48.120 --> 0:28:49.760
<v Speaker 1>This was like a good dance. This was when I

0:28:49.800 --> 0:28:53.719
<v Speaker 1>was getting like more into like the fun sort of

0:28:53.880 --> 0:28:57.560
<v Speaker 1>like had coordination of arms and legs all at one

0:28:57.600 --> 0:29:01.680
<v Speaker 1>time right right that before. But it was it felt

0:29:02.040 --> 0:29:03.840
<v Speaker 1>like a little more secure in it.

0:29:03.840 --> 0:29:06.720
<v Speaker 3>It was a little more mature. Ye it wasn't you know,

0:29:06.880 --> 0:29:08.920
<v Speaker 3>So I don't know, but yeah, it was. It was

0:29:09.040 --> 0:29:11.000
<v Speaker 3>mature and cute and trendy.

0:29:12.200 --> 0:29:13.480
<v Speaker 2>I had some shoulder pads going.

0:29:13.920 --> 0:29:18.160
<v Speaker 3>It's the shoulder pads were all the point. If TikTok

0:29:18.200 --> 0:29:20.120
<v Speaker 3>had been a thing back then, this would have definite

0:29:20.760 --> 0:29:26.320
<v Speaker 3>TikTok down absolutely easily. So next in the kitchen, Kimmy

0:29:26.400 --> 0:29:28.800
<v Speaker 3>bursts through the back door and runs up to Danny,

0:29:28.840 --> 0:29:32.920
<v Speaker 3>who is decorating Stuff's birthday cake, and she demands Wor's

0:29:33.000 --> 0:29:36.240
<v Speaker 3>Tommy page tell him his love slave is ready to

0:29:36.320 --> 0:29:40.880
<v Speaker 3>fulfill his every wish. Oh, Kimmy, Kimmy is so extra,

0:29:41.280 --> 0:29:44.960
<v Speaker 3>She's so extra right now, Danny looks at his daughter

0:29:45.000 --> 0:29:48.240
<v Speaker 3>and questions, why did you tell Kimmy? And DJ admits,

0:29:48.280 --> 0:29:51.600
<v Speaker 3>because I tell Kimmy everything. He smiles okay, then tell

0:29:51.640 --> 0:29:54.600
<v Speaker 3>her to go home. Kimmy gives him a smug grin

0:29:54.680 --> 0:29:57.760
<v Speaker 3>in return. No can do, mister, t I saw tim

0:29:57.920 --> 0:29:59.800
<v Speaker 3>Tommy's limo outside.

0:29:59.360 --> 0:30:03.160
<v Speaker 2>Timmy's where Timmy. Timmy's lama outside.

0:30:04.800 --> 0:30:11.240
<v Speaker 3>Related to the lama, but it's a toy lama Alamo. Well,

0:30:11.240 --> 0:30:15.280
<v Speaker 3>we ride horses up the front stairs and his lama

0:30:15.400 --> 0:30:20.720
<v Speaker 3>lamo upstairs. Uh so, Kimmy continues, Now, where are you

0:30:20.800 --> 0:30:25.800
<v Speaker 3>hiding that hunk delicious boy toy? Danny reveals he's waiting downstairs,

0:30:25.960 --> 0:30:29.040
<v Speaker 3>and Kimmy starts to sprint towards the stairs, but Danny shouts,

0:30:29.040 --> 0:30:32.600
<v Speaker 3>freeze Gibbler, I need him in one piece. He walks

0:30:32.600 --> 0:30:34.840
<v Speaker 3>over to Kimmy and declares, right now, I want the

0:30:34.840 --> 0:30:37.040
<v Speaker 3>two of you to go out there and tell Jesse

0:30:37.120 --> 0:30:40.560
<v Speaker 3>and Joey that we're ready. Okay. He wags his finger

0:30:40.600 --> 0:30:43.959
<v Speaker 3>in Kimmy's face and demands, don't do anything to embarrass us,

0:30:44.640 --> 0:30:48.000
<v Speaker 3>and Kimmy assures him I'll be the perfect lady until

0:30:48.000 --> 0:30:50.280
<v Speaker 3>I see Tommy, and then you'll have to hose me down.

0:30:51.400 --> 0:30:57.440
<v Speaker 3>Calm down, Kimmy, like she's just thirsting, kim Wow, I

0:30:57.480 --> 0:31:00.800
<v Speaker 3>know she's just boyfriends.

0:31:00.280 --> 0:31:02.160
<v Speaker 2>Like Kimmy's frustrated.

0:31:02.280 --> 0:31:05.280
<v Speaker 3>You know, she's gone from Patrick Swayze and she's all

0:31:05.320 --> 0:31:06.760
<v Speaker 3>about Tommy.

0:31:08.120 --> 0:31:10.200
<v Speaker 2>You know, it's just yeah.

0:31:09.720 --> 0:31:12.600
<v Speaker 3>Bitterman's gone. So she needs somebody to fit the bill,

0:31:12.680 --> 0:31:15.600
<v Speaker 3>and she's chosen poor Tommy Page to be the one.

0:31:16.920 --> 0:31:20.680
<v Speaker 3>So DJ grabs Kimmy and they go into the living room.

0:31:21.080 --> 0:31:23.560
<v Speaker 3>DJ runs up to Joey and says he's ready, and

0:31:23.680 --> 0:31:27.120
<v Speaker 3>all of the family members get into place. Danny walks

0:31:27.120 --> 0:31:29.960
<v Speaker 3>in and grabs the microphone. He asks everyone to move

0:31:30.080 --> 0:31:32.800
<v Speaker 3>back and motions Stephanie to sit in the chair that

0:31:32.920 --> 0:31:36.120
<v Speaker 3>was placed in the middle of the room. Once she seated,

0:31:36.120 --> 0:31:39.760
<v Speaker 3>he announces, this is my special gift from me to you.

0:31:40.720 --> 0:31:44.240
<v Speaker 3>Jesse begins to play the keyboard, and then Tommy Page

0:31:44.360 --> 0:31:49.680
<v Speaker 3>appears in the doorway. Stephanie screams his name at the

0:31:49.680 --> 0:31:52.400
<v Speaker 3>top of her lungs, and the rest of the girls follow.

0:31:52.760 --> 0:31:56.440
<v Speaker 3>Kimmy lunges for celebrity crush, but DJ holds her back.

0:31:57.440 --> 0:32:00.920
<v Speaker 3>Then Tommy begins to sing a personalized song for steph

0:32:01.240 --> 0:32:05.080
<v Speaker 3>called Stephanie. Oh. She watches an awe.

0:32:05.360 --> 0:32:11.360
<v Speaker 2>Stephanie, Remember Bob and Dave, you had a whole joke

0:32:11.400 --> 0:32:11.880
<v Speaker 2>about it.

0:32:11.960 --> 0:32:14.160
<v Speaker 3>Oh. They they they whole week.

0:32:14.440 --> 0:32:16.160
<v Speaker 2>They were a week. They could not shut up.

0:32:16.480 --> 0:32:18.760
<v Speaker 3>They could not because they weren't in the really in

0:32:18.800 --> 0:32:19.840
<v Speaker 3>the a storyline much.

0:32:19.920 --> 0:32:23.480
<v Speaker 1>So they were there and there was some music dancing

0:32:23.720 --> 0:32:26.400
<v Speaker 1>at which and they were like, let's be idiots.

0:32:26.440 --> 0:32:29.040
<v Speaker 3>It was idiots, complete idiots.

0:32:29.200 --> 0:32:31.080
<v Speaker 2>Yes us.

0:32:31.200 --> 0:32:33.240
<v Speaker 3>The other girls are swaying to the music in the

0:32:33.280 --> 0:32:35.560
<v Speaker 3>background after the song is over.

0:32:35.920 --> 0:32:37.480
<v Speaker 2>Was so creepy to me.

0:32:38.880 --> 0:32:41.640
<v Speaker 3>This, okay, are we starting out? Like we gotta start?

0:32:41.640 --> 0:32:44.520
<v Speaker 2>How we can't not we got a start? This was

0:32:44.600 --> 0:32:48.560
<v Speaker 2>so strange and it only gets stranger too.

0:32:49.240 --> 0:32:52.360
<v Speaker 3>It's so he's I think he was twenty one or

0:32:52.360 --> 0:32:57.680
<v Speaker 3>twenty two at the time. You're ten, right, DJ is fifteen, Yeah,

0:32:58.320 --> 0:33:02.680
<v Speaker 3>and he's just you know, kissing everybody on lips and everybody.

0:33:03.080 --> 0:33:05.320
<v Speaker 2>I was like, I'm sorry, sir, are you European? What

0:33:05.440 --> 0:33:07.480
<v Speaker 2>is why are you doing this? Don't we don't do

0:33:07.560 --> 0:33:08.000
<v Speaker 2>this here?

0:33:08.200 --> 0:33:11.080
<v Speaker 3>But okay, we don't do this here. No, And he

0:33:11.160 --> 0:33:14.280
<v Speaker 3>knows that. And also Stephanie loves him and adores him.

0:33:14.360 --> 0:33:16.760
<v Speaker 2>And it has a huge children that you don't know

0:33:16.840 --> 0:33:18.040
<v Speaker 2>on the lips, just.

0:33:18.000 --> 0:33:21.240
<v Speaker 3>Don't don't do that, kiss any underage children on the lips.

0:33:20.960 --> 0:33:25.680
<v Speaker 2>That don't It's like grandma or you know what I mean.

0:33:26.280 --> 0:33:28.360
<v Speaker 3>Well, grandma's not underage. Just don't kiss any of the

0:33:28.720 --> 0:33:31.680
<v Speaker 3>would grandma, Well yeah, grandma can kiss you on the lips,

0:33:31.880 --> 0:33:34.040
<v Speaker 3>but yeah, Tommy Page cannot.

0:33:34.120 --> 0:33:39.360
<v Speaker 1>Don't random children whose living rooms you happen to wind

0:33:39.440 --> 0:33:41.880
<v Speaker 1>up in serenading them, don't kiss them on the lips

0:33:41.880 --> 0:33:43.520
<v Speaker 1>after It really creates confusion.

0:33:44.200 --> 0:33:49.280
<v Speaker 2>Yes, agreed, Yeah, I know this song was uh creepy and.

0:33:49.200 --> 0:33:52.000
<v Speaker 3>I the song, Yeah, that song wasn't my favorite.

0:33:52.040 --> 0:33:54.800
<v Speaker 1>Well it wasn't what the song itself wasn't creepy. It

0:33:54.880 --> 0:33:59.280
<v Speaker 1>was the singing it to a ten year old, uh,

0:33:59.320 --> 0:34:03.160
<v Speaker 1>without change, jing like the lyrics of it were.

0:34:04.600 --> 0:34:06.280
<v Speaker 2>It was creepy.

0:34:06.360 --> 0:34:09.920
<v Speaker 3>Yes, it's the the whole thing, the whole thing.

0:34:09.960 --> 0:34:11.879
<v Speaker 2>It didn't make me uncomfortable, you know what I mean.

0:34:12.080 --> 0:34:14.400
<v Speaker 2>It's like watching it, you're.

0:34:14.239 --> 0:34:18.759
<v Speaker 3>Like, oh, like really, yeah, I can't remember if this

0:34:18.880 --> 0:34:22.160
<v Speaker 3>was a song that was written for this show. I

0:34:22.160 --> 0:34:24.719
<v Speaker 3>hope so, I hope so, okay, so they could have

0:34:24.800 --> 0:34:26.720
<v Speaker 3>changed the lyrics. It's not like they were.

0:34:27.239 --> 0:34:30.839
<v Speaker 1>No, I'm sure this was the established It was one

0:34:30.880 --> 0:34:32.359
<v Speaker 1>of those songs that it's like, we got to write

0:34:32.360 --> 0:34:34.520
<v Speaker 1>a song next by next week here, you know.

0:34:34.560 --> 0:34:37.200
<v Speaker 2>You have to go for eight hours to write a great.

0:34:36.960 --> 0:34:39.160
<v Speaker 1>Song, and they're like, uh, you know, and it's got

0:34:39.160 --> 0:34:40.960
<v Speaker 1>to be about Stephanie and it's got it, you know.

0:34:41.760 --> 0:34:45.120
<v Speaker 3>So and double as the girlfriends Lee.

0:34:46.600 --> 0:34:50.440
<v Speaker 2>Yeah, it was it was odd.

0:34:51.200 --> 0:34:53.400
<v Speaker 3>I get what they were going for, like this is

0:34:53.560 --> 0:34:56.880
<v Speaker 3>I love the plot of this, It just was not

0:34:57.040 --> 0:34:57.800
<v Speaker 3>well executed.

0:34:57.840 --> 0:35:01.640
<v Speaker 1>Would have picked a different song, yeah, I would have

0:35:02.239 --> 0:35:05.360
<v Speaker 1>picked less of a Sarah Nade and more of some

0:35:05.440 --> 0:35:08.480
<v Speaker 1>sort of you know, maybe they dance together and she

0:35:08.600 --> 0:35:10.040
<v Speaker 1>get you know what I mean, Like there were there's

0:35:10.400 --> 0:35:13.839
<v Speaker 1>pleas do it that aren't Like an.

0:35:13.760 --> 0:35:15.279
<v Speaker 2>Adult man singing to a ten year old and then

0:35:15.320 --> 0:35:17.800
<v Speaker 2>kissing her on the lips at the end. That's strange. Strange.

0:35:18.320 --> 0:35:20.680
<v Speaker 3>Yeah, yeah, you know it. It took me out of

0:35:20.680 --> 0:35:22.200
<v Speaker 3>the It took me out of the moment. It took

0:35:22.200 --> 0:35:24.840
<v Speaker 3>me out the scene and I just all went downhill

0:35:24.840 --> 0:35:29.280
<v Speaker 3>from there. But yeah, I mean, this is Stephanie's dream,

0:35:29.440 --> 0:35:31.799
<v Speaker 3>Like of course she's going to just fall madly in

0:35:31.840 --> 0:35:34.839
<v Speaker 3>love with him and think that their soulmates. You could

0:35:34.840 --> 0:35:38.879
<v Speaker 3>see this coming a mile away, and poor clueless Tommy.

0:35:38.560 --> 0:35:40.520
<v Speaker 2>Page no idea.

0:35:40.560 --> 0:35:43.279
<v Speaker 3>I don't know, man, I don't I mean, I guess

0:35:43.320 --> 0:35:44.360
<v Speaker 3>he was clueless.

0:35:45.560 --> 0:35:47.680
<v Speaker 1>If he can't do you know what I mean, you

0:35:47.760 --> 0:35:50.480
<v Speaker 1>have to figure out his like fan interaction moments.

0:35:50.840 --> 0:35:53.239
<v Speaker 3>This is true. Yeah, he needs some media training and

0:35:53.320 --> 0:35:55.200
<v Speaker 3>a handler just to get him through all this.

0:35:55.400 --> 0:35:57.920
<v Speaker 2>Just let some show to some random family's house. It's strange.

0:35:58.080 --> 0:36:01.120
<v Speaker 3>Yeah, he has no security bodyguard, he is no manager.

0:36:02.480 --> 0:36:07.920
<v Speaker 3>He was set up for failure. He really was sure. Yeah.

0:36:07.920 --> 0:36:11.359
<v Speaker 3>So anyways, after this.

0:36:12.160 --> 0:36:13.719
<v Speaker 2>Love ballad to a child.

0:36:14.880 --> 0:36:18.680
<v Speaker 3>He uh, Tommy kisses Stephanie's hand wishes her a happy birthday.

0:36:18.760 --> 0:36:22.560
<v Speaker 3>As everyone applauds his performance. Stephanie gives her dad a

0:36:22.640 --> 0:36:26.320
<v Speaker 3>huge hug and exclaims he's the best birthday present ever?

0:36:26.680 --> 0:36:29.600
<v Speaker 3>Can I keep him? Meanwhile, dj is holding on to

0:36:29.680 --> 0:36:32.359
<v Speaker 3>Kimmy for safety, but Kimmy assures her that she can

0:36:32.480 --> 0:36:35.359
<v Speaker 3>let go now. As soon as dj unhooks her arm,

0:36:35.520 --> 0:36:39.720
<v Speaker 3>Kimmy darts toward Tommy and jumps into his arms. Luckily,

0:36:39.760 --> 0:36:43.080
<v Speaker 3>he catches her and gives her an awkward hello. And

0:36:43.160 --> 0:36:44.960
<v Speaker 3>all I could think about was how I had to

0:36:45.040 --> 0:36:48.480
<v Speaker 3>cheat my look so I wasn't looking to Joel kept saying,

0:36:48.520 --> 0:36:51.160
<v Speaker 3>you're looking too far upstage, and so you're like, you

0:36:51.160 --> 0:36:53.840
<v Speaker 3>can I have to look out the in my eye,

0:36:54.080 --> 0:36:56.640
<v Speaker 3>which is the most awkward thing ever. And then I'm

0:36:56.640 --> 0:37:00.360
<v Speaker 3>performing it with this this hunka Honka pop star, and

0:37:00.440 --> 0:37:01.040
<v Speaker 3>so I just.

0:37:00.920 --> 0:37:03.719
<v Speaker 2>Like have had interactions with the new kids, which at the.

0:37:03.719 --> 0:37:07.080
<v Speaker 3>Time, I absolutely had interactions with the new kids. So

0:37:07.200 --> 0:37:09.120
<v Speaker 3>I was like, what if he goes back to the

0:37:09.160 --> 0:37:12.960
<v Speaker 3>new kids and tells them this weird child actress kept

0:37:13.040 --> 0:37:17.120
<v Speaker 3>looking at me like, you know, her eyes and crossed did.

0:37:17.640 --> 0:37:19.560
<v Speaker 2>That's probably why they didn't and they didn't come on

0:37:19.560 --> 0:37:19.879
<v Speaker 2>the show.

0:37:20.400 --> 0:37:22.600
<v Speaker 3>I know it all. This is the origin, this is

0:37:22.600 --> 0:37:23.000
<v Speaker 3>how it all.

0:37:23.680 --> 0:37:25.960
<v Speaker 2>Why she's the one is she won't look at you

0:37:26.000 --> 0:37:26.919
<v Speaker 2>in the eye. It's kind of weird.

0:37:27.040 --> 0:37:29.240
<v Speaker 3>She won't look at you in the eye, and it's awkward.

0:37:29.440 --> 0:37:33.280
<v Speaker 3>This girl is awkward, and it was so Kimmy wraps

0:37:33.280 --> 0:37:37.480
<v Speaker 3>her arms around Tommy's neck and she explains, I'm Stephanie's

0:37:37.480 --> 0:37:40.880
<v Speaker 3>best friend, Kimmy Gibbler. Can I have your autograph? Just

0:37:40.920 --> 0:37:44.680
<v Speaker 3>sign it to Kimmy the woman of my dreams. Danny

0:37:44.760 --> 0:37:47.520
<v Speaker 3>chimes in, he writes music, not science fiction.

0:37:48.360 --> 0:37:48.760
<v Speaker 2>Damn.

0:37:49.360 --> 0:37:54.160
<v Speaker 3>It's a good burn though. It's yeah, burned, but and

0:37:54.280 --> 0:37:57.040
<v Speaker 3>Kimmy deserves it, like she's so unhinged in this episode

0:37:57.080 --> 0:38:01.839
<v Speaker 3>like somebody hoes her down. So Tommy sets Kimmy down

0:38:01.880 --> 0:38:04.200
<v Speaker 3>and insists, it's no problem. Where do you want me

0:38:04.239 --> 0:38:07.560
<v Speaker 3>to sign? Kimmy reaches for her foot and says, here,

0:38:08.000 --> 0:38:11.799
<v Speaker 3>sign my shoe. But as soon as her foot is exposed,

0:38:11.960 --> 0:38:15.160
<v Speaker 3>everyone plugs their noses and says you in unison.

0:38:15.520 --> 0:38:17.600
<v Speaker 1>I would love to tell people that that is something

0:38:17.640 --> 0:38:20.359
<v Speaker 1>that never happens, but I cannot tell you how many

0:38:20.360 --> 0:38:22.080
<v Speaker 1>times someone has ripped off a shoe for me to

0:38:22.120 --> 0:38:22.480
<v Speaker 1>sign it.

0:38:23.760 --> 0:38:26.239
<v Speaker 3>Oh yeah, no, that's whatever they got on hand. You know.

0:38:26.520 --> 0:38:31.080
<v Speaker 3>Sometimes you signed on foot, on hand, on arm on Yeah,

0:38:31.120 --> 0:38:33.879
<v Speaker 3>I know. There's no shortage of things that you can

0:38:33.920 --> 0:38:39.160
<v Speaker 3>autograph for sure. Uh So Danny and Joey intervene. They

0:38:39.160 --> 0:38:41.319
<v Speaker 3>grab Kimy's arms and lift her out of the room,

0:38:41.680 --> 0:38:44.600
<v Speaker 3>while Kimmy protests, wait a minute, he hasn't signed it yet,

0:38:45.120 --> 0:38:46.000
<v Speaker 3>and they drag her out.

0:38:46.480 --> 0:38:49.960
<v Speaker 2>Hilarious though in this moment, very funny, thank you it was.

0:38:50.600 --> 0:38:53.279
<v Speaker 3>Kimmy deserved to be a scorty out just like that. Yes.

0:38:54.920 --> 0:38:57.120
<v Speaker 3>Then Steph makes her way up to Tommy and assures

0:38:57.160 --> 0:39:00.480
<v Speaker 3>him I've never seen that woman before in my life life.

0:39:01.480 --> 0:39:03.840
<v Speaker 3>She continues, thank you so much, for coming. Would you

0:39:03.880 --> 0:39:07.400
<v Speaker 3>sign my CD? And he responds, you're the birthday girl c.

0:39:07.600 --> 0:39:11.560
<v Speaker 1>D stuff Man CD y Height of Technology in nineteen

0:39:11.600 --> 0:39:12.000
<v Speaker 1>ninety two.

0:39:13.840 --> 0:39:16.480
<v Speaker 3>Steph grins and tells him she'll be right back. Then

0:39:16.480 --> 0:39:18.320
<v Speaker 3>she runs over to her group of friends and says,

0:39:18.560 --> 0:39:21.319
<v Speaker 3>watch him until I get back. They do exactly as

0:39:21.360 --> 0:39:23.600
<v Speaker 3>they're told, and they run up to Tommy all at once,

0:39:24.160 --> 0:39:27.959
<v Speaker 3>but Tommy dodges them to chat with Jesse. He thanks

0:39:28.000 --> 0:39:31.600
<v Speaker 3>Jesse for his help on the piano, and Jesse casually responds,

0:39:31.840 --> 0:39:35.080
<v Speaker 3>no problem. You know, I dabble in music myself there,

0:39:35.120 --> 0:39:37.480
<v Speaker 3>tom You may have heard of my band, Jesse and

0:39:37.480 --> 0:39:40.800
<v Speaker 3>the Rippers. Tommy nodds, Yeah, didn't you play in Seattle

0:39:40.840 --> 0:39:47.080
<v Speaker 3>this summer with the record Like again, wait, didn't.

0:39:46.880 --> 0:39:50.040
<v Speaker 2>I this summer last? Oh?

0:39:50.200 --> 0:39:52.400
<v Speaker 1>Because it was the summer that's true because Becky was

0:39:52.440 --> 0:39:54.759
<v Speaker 1>pregnant and went with him a little bit. So yeah,

0:39:54.840 --> 0:39:56.840
<v Speaker 1>and that was and then he fell from grace. He

0:39:56.880 --> 0:39:59.279
<v Speaker 1>had a tour and then he was Yeah, the.

0:39:59.239 --> 0:40:01.160
<v Speaker 3>Record company was like, we want to wash our hands

0:40:01.200 --> 0:40:06.480
<v Speaker 3>of you and sent him into a tailspin. So Jesse

0:40:06.840 --> 0:40:09.239
<v Speaker 3>is thrilled that he's getting this acknowledgment from Tommy and

0:40:09.239 --> 0:40:11.400
<v Speaker 3>he says, why, yes, we did. We played at a

0:40:11.400 --> 0:40:15.840
<v Speaker 3>little club near the university over there. Tommy humbly brags,

0:40:15.880 --> 0:40:20.600
<v Speaker 3>Oh cool, Yeah, I played at the Kingdome. Jesse tries

0:40:20.600 --> 0:40:22.640
<v Speaker 3>to play it off. Oh that's nice if you're into

0:40:22.800 --> 0:40:25.640
<v Speaker 3>big stadiums and lots of money, I prefer to play

0:40:25.680 --> 0:40:28.320
<v Speaker 3>these small, intimate places where I can split a pizza

0:40:28.440 --> 0:40:33.160
<v Speaker 3>with my audience. Great line. Becky lets out a big

0:40:33.160 --> 0:40:36.120
<v Speaker 3>fake laugh and asks the pop star to excuse them.

0:40:36.640 --> 0:40:38.600
<v Speaker 3>So Tommy walks back over to the middle of the

0:40:38.640 --> 0:40:42.480
<v Speaker 3>dance floor and the girls shuffle along with him. Michelle

0:40:42.480 --> 0:40:45.640
<v Speaker 3>pipes up and introduces herself to Tommy. She politely shakes

0:40:45.640 --> 0:40:47.920
<v Speaker 3>his hand and tells he tells her it's nice to

0:40:47.920 --> 0:40:51.840
<v Speaker 3>meet her. Then she declares, my birthdays in November, start

0:40:51.880 --> 0:40:55.200
<v Speaker 3>working on my song. Tommy laughs and tells her she's funny.

0:40:56.000 --> 0:40:57.480
<v Speaker 3>I don't think she was joking. I think she's a

0:40:57.600 --> 0:40:59.120
<v Speaker 3>checkting a song in November.

0:41:00.120 --> 0:41:04.720
<v Speaker 1>Demand has just been made of him that she's.

0:41:04.600 --> 0:41:08.600
<v Speaker 3>Gonna follow up November. First, she's like, it's November.

0:41:08.120 --> 0:41:09.680
<v Speaker 2>It's November. Where is my song?

0:41:12.120 --> 0:41:17.040
<v Speaker 3>So then Michelle braggs I'm in comedy college, and with

0:41:17.120 --> 0:41:17.839
<v Speaker 3>that she walks away.

0:41:17.880 --> 0:41:21.600
<v Speaker 2>I'd be like, are you is she kid? Okay?

0:41:21.640 --> 0:41:23.439
<v Speaker 3>What's wrong with gray?

0:41:23.520 --> 0:41:24.120
<v Speaker 2>Like a donkey?

0:41:24.239 --> 0:41:29.600
<v Speaker 3>What was that? So? Then DJ sees an opportunity to

0:41:29.800 --> 0:41:33.520
<v Speaker 3>introduce herself. She tells Tommy, I'm Stephanie's sister.

0:41:33.680 --> 0:41:33.960
<v Speaker 2>DJ.

0:41:34.360 --> 0:41:37.759
<v Speaker 3>Is this your first time in San Francisco? He responds, yeah,

0:41:38.000 --> 0:41:40.319
<v Speaker 3>but I haven't really had the chance to see anything yet.

0:41:40.960 --> 0:41:44.320
<v Speaker 3>She gives him some suggestions like Chinatown and Fisherman's Wharf,

0:41:44.920 --> 0:41:48.000
<v Speaker 3>and Tommy asks, maybe you could show me around tomorrow.

0:41:48.760 --> 0:41:53.640
<v Speaker 3>DJ can't hide her shock me I'd love to on cue.

0:41:53.719 --> 0:41:55.799
<v Speaker 3>Steph walks back into the room with her CD and

0:41:55.840 --> 0:41:59.959
<v Speaker 3>smiles at Tommy, saying, sorry, I took so long. DJ camment,

0:42:00.120 --> 0:42:03.120
<v Speaker 3>whoa Steph? How many gallons of perfume did you put on?

0:42:04.000 --> 0:42:07.440
<v Speaker 3>She responds, I just put on one little dab and

0:42:07.440 --> 0:42:09.960
<v Speaker 3>then she leans in and whispers on every inch of

0:42:09.960 --> 0:42:14.759
<v Speaker 3>my body that's so like, Yes, when you're new to perfume, what.

0:42:14.760 --> 0:42:15.080
<v Speaker 2>You do.

0:42:16.840 --> 0:42:21.640
<v Speaker 1>Walking through a middle school school hallway and like just

0:42:21.760 --> 0:42:31.040
<v Speaker 1>the mixture of undeodorized children and uh per spray and

0:42:31.040 --> 0:42:34.200
<v Speaker 1>and uh bathom body works body spray.

0:42:34.280 --> 0:42:35.600
<v Speaker 2>That's it's just that mixed.

0:42:35.640 --> 0:42:39.200
<v Speaker 3>Oh my gosh, Yes, there's just it's in my nose

0:42:39.320 --> 0:42:40.200
<v Speaker 3>is like vibrating.

0:42:40.719 --> 0:42:41.520
<v Speaker 2>Think about it.

0:42:44.840 --> 0:42:47.279
<v Speaker 3>So then steph hands the CD to Tommy so he

0:42:47.360 --> 0:42:50.719
<v Speaker 3>can sign it, and he reads his autograph out loud

0:42:51.160 --> 0:42:57.040
<v Speaker 3>to Stephanie, love Tommy, it's a little too much emphasis

0:42:57.080 --> 0:42:59.920
<v Speaker 3>on the love part. He hands it back to her

0:43:00.040 --> 0:43:02.480
<v Speaker 3>and then plants a kiss on her lips.

0:43:02.560 --> 0:43:05.480
<v Speaker 2>Why would you know it's so strange?

0:43:06.200 --> 0:43:08.040
<v Speaker 3>Kiss her hand again. If you got to kiss something,

0:43:08.160 --> 0:43:09.000
<v Speaker 3>just kiss her hand.

0:43:09.440 --> 0:43:12.320
<v Speaker 2>Don't kiss her fifteen year old on a date you're kissing.

0:43:15.120 --> 0:43:17.879
<v Speaker 3>This is a lawsuit waiting to happen, Tommy. That's that's

0:43:17.920 --> 0:43:18.520
<v Speaker 3>what this is.

0:43:19.560 --> 0:43:19.680
<v Speaker 2>Like.

0:43:19.760 --> 0:43:23.279
<v Speaker 3>This is I was very uncomfortable from this moment on.

0:43:23.680 --> 0:43:26.560
<v Speaker 3>I was like so much discomfort. It's like, oh boy.

0:43:27.880 --> 0:43:31.279
<v Speaker 3>Stephanie faints immediately after, and DJ has to drag her

0:43:31.320 --> 0:43:32.680
<v Speaker 3>over to the nearest chair.

0:43:33.040 --> 0:43:33.919
<v Speaker 2>Was Danny in the room?

0:43:34.560 --> 0:43:38.319
<v Speaker 3>Good question? Well, we know Becky and Jessie left. I

0:43:38.320 --> 0:43:39.360
<v Speaker 3>need to go do something.

0:43:39.480 --> 0:43:40.399
<v Speaker 2>Was Danny in the room.

0:43:40.560 --> 0:43:48.480
<v Speaker 3>Maybe not? If that was my daughter, he'll be like, okay, yes,

0:43:48.680 --> 0:43:54.719
<v Speaker 3>like a background check on this guy. No. So next

0:43:54.719 --> 0:43:57.160
<v Speaker 3>in the kitchen a little while later, Stephanie is sitting

0:43:57.200 --> 0:44:00.279
<v Speaker 3>by the phone asking comment which sounds better for her

0:44:00.360 --> 0:44:05.960
<v Speaker 3>name Missus Tommy Page, Stephanie Page, Stephanie Tanner Page, or

0:44:06.120 --> 0:44:10.680
<v Speaker 3>Missus Stephanie Judith Tanner Page Calm. It turns over for

0:44:10.719 --> 0:44:12.799
<v Speaker 3>a belly rub, but she reminds him that he can't

0:44:12.840 --> 0:44:15.440
<v Speaker 3>get one of those until the wedding invitations are done.

0:44:17.280 --> 0:44:20.880
<v Speaker 3>Then DJ and Tommy walk in from their sight seeing

0:44:20.960 --> 0:44:23.840
<v Speaker 3>date and Steph listens in on their conversation.

0:44:23.920 --> 0:44:24.799
<v Speaker 2>We call it a date.

0:44:26.680 --> 0:44:27.520
<v Speaker 3>I'm calling it a date.

0:44:27.600 --> 0:44:31.040
<v Speaker 2>I know it's weird. It was just the two of

0:44:31.080 --> 0:44:37.680
<v Speaker 2>them on the list. He doesn't know, terrible.

0:44:38.040 --> 0:44:42.759
<v Speaker 3>I'm telling you this. Tommy needs someone to sit him

0:44:42.760 --> 0:44:44.400
<v Speaker 3>down and say these are the things we don't do.

0:44:44.880 --> 0:44:50.160
<v Speaker 1>This is not going to end well, Uh, someone's going

0:44:50.239 --> 0:44:51.399
<v Speaker 1>to suit you.

0:44:51.520 --> 0:44:55.359
<v Speaker 2>Yeah. Yes, Also, don't do that. Just don't do that.

0:44:55.400 --> 0:44:59.160
<v Speaker 3>It just just stops underage girls like yeah, don't please.

0:45:01.000 --> 0:45:04.000
<v Speaker 3>So DJ thanks him for the day, admitting I've never

0:45:04.080 --> 0:45:07.000
<v Speaker 3>had tacos in a limo before. Actually, I've never been

0:45:07.040 --> 0:45:10.280
<v Speaker 3>in a limo before. Tommy laughs. I kind of figure

0:45:10.320 --> 0:45:11.680
<v Speaker 3>that out when you went to sit in the front

0:45:11.719 --> 0:45:12.800
<v Speaker 3>seat with the chauffeur.

0:45:13.400 --> 0:45:15.640
<v Speaker 1>Well, because it would be weird to sit in the

0:45:15.680 --> 0:45:17.680
<v Speaker 1>back of a limo with a man. I don't know

0:45:17.719 --> 0:45:19.879
<v Speaker 1>at fifteen, but whatever I know.

0:45:20.320 --> 0:45:24.080
<v Speaker 3>I know. So then he asks, do you want to

0:45:24.120 --> 0:45:27.120
<v Speaker 3>come to my concert tonight? I can get you backstage passes.

0:45:27.800 --> 0:45:33.640
<v Speaker 3>DJ excitedly tells him yes, but Stephanie looks disappointed. Tommy

0:45:33.640 --> 0:45:36.360
<v Speaker 3>says he has to go downstairs to see Jesse, explaining

0:45:36.719 --> 0:45:39.359
<v Speaker 3>I promised Stephanie I'd make her a tape of that song.

0:45:40.280 --> 0:45:43.520
<v Speaker 3>DJ thanks him for a great day, and then Tommy

0:45:43.640 --> 0:45:50.839
<v Speaker 3>kisses her on the lips. Stop it, Tommy, It's not

0:45:50.840 --> 0:45:53.760
<v Speaker 3>even a kiss on the cheeks, like kiss.

0:45:53.680 --> 0:45:56.480
<v Speaker 2>The lip on one on each side. It's a right

0:45:56.520 --> 0:45:57.360
<v Speaker 2>on the lips.

0:45:58.000 --> 0:46:00.520
<v Speaker 3>Was this weird at the time or is it just now?

0:46:00.680 --> 0:46:03.440
<v Speaker 3>Like like here's weird at the time too, Like just

0:46:03.760 --> 0:46:05.160
<v Speaker 3>these are things you just don't do.

0:46:05.400 --> 0:46:06.480
<v Speaker 2>You know now that I think about it.

0:46:06.480 --> 0:46:08.040
<v Speaker 1>There were a couple of times that John would do it,

0:46:08.080 --> 0:46:10.680
<v Speaker 1>but it felt different because John was like our family.

0:46:10.440 --> 0:46:13.640
<v Speaker 3>It's your uncle. Yeah we knew, Yes, that's true. John

0:46:13.680 --> 0:46:15.080
<v Speaker 3>did do this several times, but we.

0:46:15.120 --> 0:46:17.560
<v Speaker 2>Knew, but we knew him, and it didn't feel weird.

0:46:17.640 --> 0:46:21.040
<v Speaker 1>Then this felt weird just because it was like right,

0:46:21.120 --> 0:46:24.160
<v Speaker 1>it wasn't family, and he was just slightly older you

0:46:24.239 --> 0:46:25.320
<v Speaker 1>know what I mean, Like it wasn't.

0:46:25.480 --> 0:46:29.480
<v Speaker 3>Yeah, and they had just met and he know and

0:46:29.520 --> 0:46:31.800
<v Speaker 3>he I'm sorry. Tommy Page has to be smarter than this.

0:46:31.960 --> 0:46:35.160
<v Speaker 3>He knows that these girls are falling for him and

0:46:35.160 --> 0:46:37.000
<v Speaker 3>have crushes on him, Like he has to know that

0:46:37.040 --> 0:46:40.680
<v Speaker 3>he's a pop star, right, So like to very encourage that,

0:46:41.600 --> 0:46:46.239
<v Speaker 3>very oblivious. I couldn't read the room Tommy Page. Uh

0:46:46.360 --> 0:46:48.759
<v Speaker 3>So once Tommy's out at your shot, DJ whispers to

0:46:48.840 --> 0:46:53.520
<v Speaker 3>herself yes, and Stephanie quickly runs upstairs, goes into her

0:46:53.600 --> 0:46:58.800
<v Speaker 3>room and cries, that was so sad you and your tears. Hmmm,

0:46:59.360 --> 0:47:01.360
<v Speaker 3>I know I felt for you. I felt for you

0:47:01.560 --> 0:47:04.360
<v Speaker 3>in this moment. I mean, yes, is stuff a little

0:47:04.400 --> 0:47:05.920
<v Speaker 3>delusional with the wedding invitations?

0:47:05.960 --> 0:47:09.160
<v Speaker 1>Yes, when you get a crush on somebody, I remember

0:47:09.320 --> 0:47:13.040
<v Speaker 1>when in middle school being fooled by some boy that

0:47:13.160 --> 0:47:15.719
<v Speaker 1>told me that he was this was actually him in

0:47:15.760 --> 0:47:18.040
<v Speaker 1>a magazine that he was like a model, and I

0:47:18.160 --> 0:47:20.720
<v Speaker 1>felt I want for hook line and I was like, oh.

0:47:20.560 --> 0:47:22.680
<v Speaker 2>My god, so and everyone's like, yeah, that's like an

0:47:22.719 --> 0:47:25.439
<v Speaker 2>adult man. It's like no, no, no, no, he just looks

0:47:25.440 --> 0:47:27.840
<v Speaker 2>different in the pictures. And then like oh yeah, a

0:47:27.920 --> 0:47:30.960
<v Speaker 2>year later, I was like, that's absolutely ridiculous.

0:47:31.480 --> 0:47:35.279
<v Speaker 3>That is ridiculous. True, yeah, no, this was the very

0:47:35.360 --> 0:47:37.360
<v Speaker 3>com for ten year old girls like me. I was

0:47:37.400 --> 0:47:41.480
<v Speaker 3>always like missus Andrea McIntyre like that guess on my notebook,

0:47:41.600 --> 0:47:44.840
<v Speaker 3>over and over and over all the combinations, So I

0:47:44.920 --> 0:47:46.920
<v Speaker 3>get it, I get it. I felt really felt for

0:47:46.960 --> 0:47:50.760
<v Speaker 3>stuff in this moment. So next to the attic, Becky's

0:47:50.800 --> 0:47:53.200
<v Speaker 3>holding Nicki and Alex, trying to teach them their first

0:47:53.280 --> 0:47:57.279
<v Speaker 3>words mommy. Then Joey and Michelle entered the room and

0:47:57.360 --> 0:48:00.960
<v Speaker 3>Joey announces Nicki and Alex get ready to laugh because

0:48:01.000 --> 0:48:05.480
<v Speaker 3>here comes the first graduate of Joey Gladstone's comedy college.

0:48:06.280 --> 0:48:08.560
<v Speaker 3>Michelle walks behind the couch and re emerges with an

0:48:08.719 --> 0:48:12.440
<v Speaker 3>arrow on her head, saying, boy, do I have a headache?

0:48:12.520 --> 0:48:18.560
<v Speaker 2>A gotta go with it. Staby's Martin with the original Yep.

0:48:19.200 --> 0:48:23.160
<v Speaker 3>The babies have zero reaction, so Michelle tries again, maybe

0:48:23.160 --> 0:48:26.560
<v Speaker 3>he didn't see this arrow in my head. Still no

0:48:26.640 --> 0:48:29.960
<v Speaker 3>reaction from the babies, so Michelle turns to Joey and admits,

0:48:30.120 --> 0:48:33.440
<v Speaker 3>I'm dying out here. Joey suggests that she go for

0:48:33.520 --> 0:48:37.480
<v Speaker 3>her big finish, but Michelle doesn't really want to. He

0:48:37.520 --> 0:48:40.040
<v Speaker 3>emphasizes everyone knows that a pie in the face is

0:48:40.080 --> 0:48:42.959
<v Speaker 3>the oldest joke in the book, and it always gets

0:48:42.960 --> 0:48:46.799
<v Speaker 3>a laugh. Michelle gives in, Okay, let me have it,

0:48:47.400 --> 0:48:50.120
<v Speaker 3>so he pulls out a pie tin filled with whipped cream.

0:48:50.920 --> 0:48:54.200
<v Speaker 3>When Joey asks if Michelle Michelle if she's ready, Michelle

0:48:54.200 --> 0:48:56.880
<v Speaker 3>pulls a fast one on him and slams the pie

0:48:56.920 --> 0:48:58.920
<v Speaker 3>into his face instead.

0:48:59.239 --> 0:49:01.160
<v Speaker 2>I just be mad at the whip cream on the floor.

0:49:02.719 --> 0:49:03.600
<v Speaker 3>And it gets on the wall.

0:49:06.120 --> 0:49:08.000
<v Speaker 2>Do you think I don't have enough to deal with?

0:49:08.520 --> 0:49:08.719
<v Speaker 3>Right?

0:49:09.920 --> 0:49:11.400
<v Speaker 2>Change and carpet?

0:49:12.280 --> 0:49:12.520
<v Speaker 3>Right?

0:49:13.520 --> 0:49:14.359
<v Speaker 2>This poor goal?

0:49:14.560 --> 0:49:15.760
<v Speaker 3>Like give her a break.

0:49:16.880 --> 0:49:18.480
<v Speaker 2>The least could have done is done this joke in

0:49:18.520 --> 0:49:18.960
<v Speaker 2>the kitchen.

0:49:19.719 --> 0:49:22.800
<v Speaker 3>Yes, yes, like the floors already need to be waxed

0:49:22.840 --> 0:49:28.960
<v Speaker 3>from the last easy clean up. So but the babies

0:49:28.960 --> 0:49:32.400
<v Speaker 3>are finally smiling. One is laughing we at Michelle, and

0:49:32.440 --> 0:49:37.040
<v Speaker 3>she victoriously says, I did it. I'm funny. Joey is

0:49:37.080 --> 0:49:40.000
<v Speaker 3>stunned and he has a face full of pie. He

0:49:40.080 --> 0:49:43.520
<v Speaker 3>reminds her I'm supposed to throw the pie in your face,

0:49:44.200 --> 0:49:48.040
<v Speaker 3>but Michelle insists this was funnier, and as she tries

0:49:48.080 --> 0:49:51.640
<v Speaker 3>to quickly run away, Joey tries to catch her. Then

0:49:51.760 --> 0:49:55.160
<v Speaker 3>Steph walks in, Yet, Becky, can we talk woman to woman?

0:49:55.840 --> 0:49:58.640
<v Speaker 3>Becky nods sure, but I thought you'd be downstairs listening

0:49:58.719 --> 0:50:02.840
<v Speaker 3>to Tommy record your song. Stephanie admits this is more important,

0:50:03.280 --> 0:50:05.239
<v Speaker 3>so Becky takes a seat on the couch right next

0:50:05.239 --> 0:50:09.040
<v Speaker 3>to her. I love these heart hearts be they always

0:50:09.080 --> 0:50:11.280
<v Speaker 3>fill my heart with you know, it's.

0:50:11.160 --> 0:50:13.520
<v Speaker 2>Just like a mother figure.

0:50:14.760 --> 0:50:19.240
<v Speaker 3>Yeah, I just it always makes me smile. So Stephanie

0:50:19.320 --> 0:50:22.920
<v Speaker 3>asks Becky, what would you do if another woman stole

0:50:23.040 --> 0:50:26.799
<v Speaker 3>Uncle Jesse from you? Becky explains, well, that would never

0:50:26.840 --> 0:50:29.520
<v Speaker 3>happen because your uncle Jesse and I have a loving

0:50:29.600 --> 0:50:33.600
<v Speaker 3>and committed relationship based on mutual trust and respect, and

0:50:33.640 --> 0:50:37.360
<v Speaker 3>then she scoffs she'd never know what hit her stuff.

0:50:37.400 --> 0:50:40.399
<v Speaker 3>Seems pleased, got it, Aunt, Becky? She's toast and gets

0:50:40.480 --> 0:50:43.360
<v Speaker 3>up to leave, but Becky stops her and asks, is

0:50:43.400 --> 0:50:47.000
<v Speaker 3>this about a boy at your party? And Steph responds, well, yeah,

0:50:47.160 --> 0:50:50.680
<v Speaker 3>sort of. He really liked me, but another woman stole

0:50:50.719 --> 0:50:54.200
<v Speaker 3>my man right out from under my nose, the scuz queen.

0:50:55.280 --> 0:50:58.240
<v Speaker 3>Becky is just as appalled as Stephanie is, and she asks,

0:50:58.480 --> 0:51:00.239
<v Speaker 3>so who is this scugz Queen?

0:51:00.239 --> 0:51:02.719
<v Speaker 2>I feel like scus Queen would be a great name

0:51:02.800 --> 0:51:06.400
<v Speaker 2>for a punk band. Yeah, the Scugs Queens Queens.

0:51:06.840 --> 0:51:09.800
<v Speaker 1>Yeah, it's giving. I would give the germs kind of vibe,

0:51:09.840 --> 0:51:14.880
<v Speaker 1>you know. Yeah, yeah, I would watch them in concert. H.

0:51:15.000 --> 0:51:18.800
<v Speaker 3>Then Steph cleverly explains, well, she was like a sister

0:51:18.840 --> 0:51:21.600
<v Speaker 3>to me, but not anymore. I'm gonna win him back.

0:51:22.360 --> 0:51:25.040
<v Speaker 3>Becky suggests, well, there's nothing wrong with letting him know

0:51:25.120 --> 0:51:27.719
<v Speaker 3>why you're the one he should be with, and Steph

0:51:27.800 --> 0:51:31.040
<v Speaker 3>nods in agreement. Right, and if that doesn't work, she's

0:51:31.160 --> 0:51:36.400
<v Speaker 3>toast and she marches out with determination. Okay, okay, not

0:51:36.600 --> 0:51:39.799
<v Speaker 3>not Becky's best talk, but that's okay.

0:51:39.920 --> 0:51:45.000
<v Speaker 1>She's going on went unanswered, but many or and then unasked.

0:51:45.200 --> 0:51:48.720
<v Speaker 3>Really but what stuff got? What she needed?

0:51:49.640 --> 0:51:52.239
<v Speaker 2>A vague answers to create confusion.

0:51:52.480 --> 0:51:55.239
<v Speaker 3>Right, like, we're on we're on minute eighteen. I need

0:51:55.280 --> 0:51:57.200
<v Speaker 3>to wrap this up, so there's really no time for

0:51:57.239 --> 0:52:07.520
<v Speaker 3>a heart to heart. Let's just speed it up. In

0:52:07.560 --> 0:52:10.680
<v Speaker 3>the kitchen, DJ is anxiously waiting for the red recording

0:52:10.760 --> 0:52:13.959
<v Speaker 3>light to turn off. When Kimmy barges in. She looks

0:52:14.000 --> 0:52:16.520
<v Speaker 3>around frantically and slams the door. I know he's here.

0:52:16.600 --> 0:52:20.840
<v Speaker 3>Where'd you stash him? DJ explains Tommy's downstairs in the

0:52:20.880 --> 0:52:23.600
<v Speaker 3>studio recording, but I can't go down there until the

0:52:23.640 --> 0:52:27.040
<v Speaker 3>red light is off. Kimmy grins and immediately starts to

0:52:27.080 --> 0:52:30.520
<v Speaker 3>inquire about their date. I want details, what happened with

0:52:30.560 --> 0:52:35.360
<v Speaker 3>you and Tommy? DJ smirks before or after he kissed me.

0:52:36.200 --> 0:52:40.239
<v Speaker 3>Kimmy is stunned. No, you were lip wrestling with the

0:52:40.400 --> 0:52:41.440
<v Speaker 3>stud puppy.

0:52:41.480 --> 0:52:46.200
<v Speaker 1>That was such a Kimmy line. It's fantastic.

0:52:47.200 --> 0:52:49.000
<v Speaker 3>Things normally the stud puppy.

0:52:49.840 --> 0:52:52.920
<v Speaker 2>Yeah, liip wrestling. Wow.

0:52:54.120 --> 0:52:57.800
<v Speaker 3>Kimmy's very colorful with her descriptions and her choice of words.

0:52:57.920 --> 0:53:01.399
<v Speaker 3>So yeah, that was a very Kimmy Gibler comment. DJ

0:53:01.520 --> 0:53:04.759
<v Speaker 3>nods yes, and Kimmy exclaims, I am so happy for you,

0:53:05.560 --> 0:53:07.400
<v Speaker 3>and I'm thinking of that meme. Well, you wouldn't know this,

0:53:07.560 --> 0:53:11.239
<v Speaker 3>the Friends meme with Jennifer Aniston where she's just like,

0:53:11.400 --> 0:53:13.319
<v Speaker 3>I'm so happy for you and I'm not jealous at all.

0:53:13.920 --> 0:53:18.920
<v Speaker 3>That's like what I'm thinking. DJ has stolen Kimmy's crush.

0:53:19.000 --> 0:53:20.359
<v Speaker 3>Stephanie's crushing.

0:53:21.760 --> 0:53:26.000
<v Speaker 2>No, cool, you got yours? I'm gonna She's.

0:53:25.840 --> 0:53:28.600
<v Speaker 3>Like, yeah, can I take a crack at it? And

0:53:28.640 --> 0:53:31.600
<v Speaker 3>DJ's like, yes, I mind, he's not running a kissing booth.

0:53:31.680 --> 0:53:35.960
<v Speaker 3>We're starting a real relationship. Kimmy shrugs, Hey, it was

0:53:36.000 --> 0:53:38.960
<v Speaker 3>worth a shot. Well, good luck. When that red light

0:53:39.040 --> 0:53:42.520
<v Speaker 3>goes off, it's a green light for love, and she

0:53:42.520 --> 0:53:44.759
<v Speaker 3>does a little shimmy before heading out the door. I

0:53:44.840 --> 0:53:47.359
<v Speaker 3>hated that line. I don't I was just embarrassed about

0:53:47.360 --> 0:53:51.920
<v Speaker 3>this whole bit. I don't know green. It was just cringey,

0:53:52.000 --> 0:53:54.160
<v Speaker 3>corny language, and I was selling I was trying to

0:53:54.200 --> 0:53:55.720
<v Speaker 3>sell it, and I can't sell.

0:53:55.560 --> 0:54:00.200
<v Speaker 1>It otherwise it's even worse, and you it's worse thing

0:54:00.239 --> 0:54:00.839
<v Speaker 1>is race.

0:54:01.520 --> 0:54:05.000
<v Speaker 3>I didn't want to say that step puppy or wrestlingly.

0:54:04.440 --> 0:54:09.120
<v Speaker 1>Aloof and uninterested and the most non of nonchalant.

0:54:09.360 --> 0:54:12.399
<v Speaker 3>Yeah right, but no, I shil made my way out

0:54:12.520 --> 0:54:17.720
<v Speaker 3>that door and tried to sell it. Uh so, yeah, anyways,

0:54:17.719 --> 0:54:20.440
<v Speaker 3>that was a thing that happened. Next, in the studio,

0:54:20.880 --> 0:54:23.919
<v Speaker 3>Tommy is finishing up the vocals for his Stephanie song

0:54:24.239 --> 0:54:27.759
<v Speaker 3>while Jesse helps him record it. Jesse admits, that was

0:54:27.840 --> 0:54:30.239
<v Speaker 3>really nice of you to write that song for Stephanie,

0:54:31.000 --> 0:54:34.280
<v Speaker 3>but Tommy comes clean, I didn't really write it for Stephanie.

0:54:34.400 --> 0:54:37.280
<v Speaker 3>I wrote it for my girlfriend, Melanie. I just changed

0:54:37.280 --> 0:54:39.200
<v Speaker 3>all the Melanies to Stephanie's.

0:54:39.760 --> 0:54:42.080
<v Speaker 2>Does Melanie laugh about your kissing of people?

0:54:43.080 --> 0:54:45.720
<v Speaker 3>Were Melanie at all this, Melanie would not be happy

0:54:45.760 --> 0:54:48.280
<v Speaker 3>to see what has transpired at the Tanner House today

0:54:48.680 --> 0:54:51.520
<v Speaker 3>between his date with the fifteen year old kissing ten

0:54:51.600 --> 0:54:54.279
<v Speaker 3>year olds on the lips. If I was Melanie, I'd

0:54:54.320 --> 0:54:56.200
<v Speaker 3>be like, this is a big red flag, dude, right.

0:54:57.800 --> 0:54:58.440
<v Speaker 2>Uh so?

0:54:58.520 --> 0:55:01.640
<v Speaker 3>Jesse laughs, telling him not to mention that to Stephanie

0:55:01.680 --> 0:55:04.040
<v Speaker 3>and Tommy grinns asking him not to mention it to

0:55:04.080 --> 0:55:07.640
<v Speaker 3>Melanie either. Then Jesse turns the red light off and

0:55:07.719 --> 0:55:11.680
<v Speaker 3>DJ immediately walks downstairs. She tells them, oh, I just

0:55:11.719 --> 0:55:13.719
<v Speaker 3>happen to see the red light go off, not that

0:55:13.800 --> 0:55:15.520
<v Speaker 3>I was waiting for the red light to go off,

0:55:15.520 --> 0:55:18.839
<v Speaker 3>because I do have a life. She sees Tommy and says,

0:55:18.840 --> 0:55:21.919
<v Speaker 3>oh hi, completely bypassing Uncle Jesse on the way over

0:55:21.960 --> 0:55:25.200
<v Speaker 3>to him. Then Stephanie walks in and says, oh hi, Tommy,

0:55:25.400 --> 0:55:28.719
<v Speaker 3>and she also bypasses Jesse. He jokes that he's the

0:55:29.400 --> 0:55:32.240
<v Speaker 3>invisible uncle and then asks if Tommy wants a drink.

0:55:33.160 --> 0:55:36.160
<v Speaker 3>DJ and Steph both answer for him in unison iced

0:55:36.200 --> 0:55:40.279
<v Speaker 3>tea lemon, no sugar. Jesse shakes his head. I say

0:55:40.280 --> 0:55:42.880
<v Speaker 3>the magic word, Tommy, and bada bing, I'm back in

0:55:42.880 --> 0:55:46.239
<v Speaker 3>the room. Steph grabs Tommy's arm and leads him to

0:55:46.360 --> 0:55:49.040
<v Speaker 3>a nearby chair. She pulls out a box and says,

0:55:49.200 --> 0:55:52.000
<v Speaker 3>I got the party pictures back. Here's a nice one

0:55:52.040 --> 0:55:56.200
<v Speaker 3>of us, suitable for framing. DJ looks at her little

0:55:56.200 --> 0:55:59.840
<v Speaker 3>sister in questions, don't you have something to do? And

0:56:00.080 --> 0:56:03.200
<v Speaker 3>Steph narrows her eyes at the trader. Don't you worry

0:56:03.239 --> 0:56:09.160
<v Speaker 3>your pretty little pointed head about me? This whole exchange

0:56:09.239 --> 0:56:13.800
<v Speaker 3>is so great. Steph is just on her game, like

0:56:13.960 --> 0:56:17.080
<v Speaker 3>she's just like, I'm going to embarrass discuss queen if

0:56:17.120 --> 0:56:22.239
<v Speaker 3>it's the last thing I do. DJ frowns, I really

0:56:22.239 --> 0:56:24.440
<v Speaker 3>don't think Tommy wants to look at pictures of a

0:56:24.480 --> 0:56:28.120
<v Speaker 3>ten year old's birthday party, but Tommy insists that it's okay.

0:56:28.880 --> 0:56:33.360
<v Speaker 3>Steph was prepared for this. No, DJ's right, you'd probably

0:56:33.600 --> 0:56:36.960
<v Speaker 3>rather look at pictures of her. Steph proceeds to pull

0:56:37.000 --> 0:56:39.920
<v Speaker 3>out a photo of DJ with the mumps. When she

0:56:39.960 --> 0:56:42.680
<v Speaker 3>hands it to Tommy, she asks, doesn't she remind you

0:56:42.719 --> 0:56:46.320
<v Speaker 3>of mister potato head? DJ quickly snatches it out of

0:56:46.320 --> 0:56:49.120
<v Speaker 3>his hand, but then Steph shows off another photo of

0:56:49.200 --> 0:56:53.480
<v Speaker 3>DJ's first bath. Again, DJ grabs it out of Tommy's hand,

0:56:53.719 --> 0:56:56.600
<v Speaker 3>but Steph isn't done. She shows him another photo where

0:56:56.640 --> 0:56:59.879
<v Speaker 3>you can see a rash on DJ's fanny, and DJ

0:57:00.040 --> 0:57:02.680
<v Speaker 3>had it. She grabs her sister by the arm and

0:57:02.680 --> 0:57:04.960
<v Speaker 3>tries to pull her upstairs to have a chat, but

0:57:05.040 --> 0:57:07.600
<v Speaker 3>Stephanie breaks out of her grip and says, no, that's okay.

0:57:07.719 --> 0:57:11.319
<v Speaker 3>I don't really feel like chatting. DJ angrily insists I

0:57:11.440 --> 0:57:15.360
<v Speaker 3>do now. As Steph is being dragged upstairs, she calls

0:57:15.360 --> 0:57:18.520
<v Speaker 3>out to her man, don't worry Tommy, I'll be right back,

0:57:18.920 --> 0:57:23.560
<v Speaker 3>and DJ assures him no, she won't. I promise. As

0:57:23.600 --> 0:57:26.000
<v Speaker 3>soon as they're upstairs in the kitchen, DJ shouts how

0:57:26.000 --> 0:57:29.040
<v Speaker 3>could you do this to me? And Stephanie spits back,

0:57:29.480 --> 0:57:32.840
<v Speaker 3>what about what you did to me? You backstabbing boyfriends,

0:57:32.880 --> 0:57:38.440
<v Speaker 3>stealing trader? Oh, it's getting it's getting ugly. DJ is shocked.

0:57:38.880 --> 0:57:42.880
<v Speaker 3>You thought Tommy was your boyfriend? You're dreaming, and Steph shouts,

0:57:43.000 --> 0:57:46.800
<v Speaker 3>he was to my boyfriend. Jesse intervenes and tries to

0:57:46.840 --> 0:57:50.680
<v Speaker 3>get them to calm down, but Stephanie continues he's going

0:57:50.720 --> 0:57:52.960
<v Speaker 3>to dump you and come back to me after he

0:57:53.040 --> 0:57:57.880
<v Speaker 3>finds out you drool in your sleep. DJ argues I

0:57:57.960 --> 0:58:00.520
<v Speaker 3>do not, and Stephan says, yes, you do, and I

0:58:00.560 --> 0:58:03.800
<v Speaker 3>have the picture to put it. Stuff comes with receipts.

0:58:04.480 --> 0:58:07.680
<v Speaker 3>Impressed with this level of petty looks prepared.

0:58:07.760 --> 0:58:09.600
<v Speaker 1>I knew it was gonna happen at some time. I

0:58:09.680 --> 0:58:11.480
<v Speaker 1>didn't know what or when, but I knew i'd need

0:58:11.480 --> 0:58:12.360
<v Speaker 1>the pictures.

0:58:13.320 --> 0:58:16.200
<v Speaker 3>You're an A plus student and so prepared for these

0:58:16.320 --> 0:58:17.480
<v Speaker 3>petty little arguments.

0:58:17.640 --> 0:58:18.640
<v Speaker 2>I love it.

0:58:20.280 --> 0:58:23.160
<v Speaker 3>So she holds the photo out of DJ's reach and smiles.

0:58:23.520 --> 0:58:25.800
<v Speaker 3>You didn't know I took this, did you? I knew

0:58:25.840 --> 0:58:29.040
<v Speaker 3>it would come in handy yep. Steph runs away, but

0:58:29.200 --> 0:58:32.200
<v Speaker 3>DJ chases after her. The girls run into the living

0:58:32.280 --> 0:58:35.280
<v Speaker 3>room and Jesse's on their tail trying to stop them.

0:58:35.880 --> 0:58:38.040
<v Speaker 3>Joey and Danny don't know what's happening, but they follow

0:58:38.080 --> 0:58:41.000
<v Speaker 3>after Jesse to try to help. They run back into

0:58:41.080 --> 0:58:43.960
<v Speaker 3>the kitchen and the guys are finally able to separate

0:58:44.000 --> 0:58:44.440
<v Speaker 3>the girls.

0:58:44.680 --> 0:58:47.720
<v Speaker 1>When I kept coming around the kitchen table because there

0:58:47.760 --> 0:58:50.280
<v Speaker 1>was that rug that like braided rug under it too,

0:58:50.800 --> 0:58:52.800
<v Speaker 1>and I just wouldn't pick my feet up all the

0:58:52.800 --> 0:58:55.080
<v Speaker 1>way and my toe would like catch and I would

0:58:55.080 --> 0:58:55.520
<v Speaker 1>just eat it.

0:58:56.400 --> 0:59:00.720
<v Speaker 3>Every single take you would fall, and I'm like, can

0:59:00.760 --> 0:59:03.720
<v Speaker 3>we get some different blocking in here? You just kept falling,

0:59:04.120 --> 0:59:04.680
<v Speaker 3>showing up.

0:59:04.680 --> 0:59:07.280
<v Speaker 2>Child like you know what are you doing?

0:59:08.120 --> 0:59:11.880
<v Speaker 1>You're like, you just choreographed all the time. When I fall,

0:59:12.000 --> 0:59:15.280
<v Speaker 1>it's because my brain is over ahead of me already

0:59:15.360 --> 0:59:17.720
<v Speaker 1>and I'm not in my body, so I'm not really

0:59:18.240 --> 0:59:19.360
<v Speaker 1>paying attention to.

0:59:19.520 --> 0:59:22.520
<v Speaker 3>Like how far I need to step up.

0:59:22.480 --> 0:59:24.040
<v Speaker 2>Or do something, and then I fall.

0:59:25.160 --> 0:59:26.640
<v Speaker 3>It's the easiest thing in the world, just got to

0:59:26.680 --> 0:59:29.120
<v Speaker 3>run around the kitchen table. But nope, that's that is

0:59:29.400 --> 0:59:34.440
<v Speaker 3>a challenge for little Jodi Sweeten. So Danny asks what

0:59:34.560 --> 0:59:38.120
<v Speaker 3>is going on and Jesse emphasizes, next time you bring

0:59:38.160 --> 0:59:42.880
<v Speaker 3>a star home, try Angela Lansbury. DJ is being held

0:59:42.880 --> 0:59:46.200
<v Speaker 3>back by Danny, so she explains Stephanie thinks Tommy is

0:59:46.240 --> 0:59:49.400
<v Speaker 3>her boyfriend and she's showing him embarrassing pictures of me.

0:59:50.320 --> 0:59:53.800
<v Speaker 3>Steph argues, while being held back by Joey, he was

0:59:53.880 --> 0:59:57.720
<v Speaker 3>to my boyfriend until you stole him. DJ Fire's back,

0:59:57.760 --> 1:00:01.400
<v Speaker 3>You're insane, but Stephanie insists I am not insane. He

1:00:01.560 --> 1:00:07.040
<v Speaker 3>signed my CD Love Tommy and Joey admits he signed

1:00:07.160 --> 1:00:12.160
<v Speaker 3>my CD love Tommy, but Steph continues to defend her feelings.

1:00:12.520 --> 1:00:15.160
<v Speaker 3>But he wrote a special song just for me, and

1:00:15.200 --> 1:00:18.560
<v Speaker 3>he kissed me. I love him and he loves me.

1:00:18.400 --> 1:00:21.920
<v Speaker 2>I at first it was Harry, Now it's Tommy.

1:00:22.800 --> 1:00:25.400
<v Speaker 3>I know, like stuff is unlucky in love.

1:00:25.520 --> 1:00:28.800
<v Speaker 2>He keeps stilling her men, I know this.

1:00:29.000 --> 1:00:33.920
<v Speaker 3>It's so ugh darnut, older, sister, it's just how rude. Indeed,

1:00:35.320 --> 1:00:39.480
<v Speaker 3>So Danny walks over to Stephanie and explains, look, Steph,

1:00:39.720 --> 1:00:42.280
<v Speaker 3>I know you feel very strongly about this, and I

1:00:42.280 --> 1:00:45.120
<v Speaker 3>don't mean to hurt your feelings, but I don't think

1:00:45.240 --> 1:00:48.080
<v Speaker 3>this is really love. I think it's just a crush,

1:00:48.160 --> 1:00:52.400
<v Speaker 3>you know. Jesse adds, Yeah, Steph, your dad's right. You know,

1:00:52.440 --> 1:00:55.560
<v Speaker 3>when it's really love, your heart starts pounding and your

1:00:55.600 --> 1:00:59.720
<v Speaker 3>toes curl and you start sweating. Danny glances at him

1:00:59.800 --> 1:01:02.880
<v Speaker 3>or lairs at him. So Jesse backtracks and well, this

1:01:03.120 --> 1:01:06.800
<v Speaker 3>isn't it. Joey grabs her hand and says that they

1:01:06.840 --> 1:01:09.880
<v Speaker 3>all know what she's going through. Sometimes you wish for

1:01:09.960 --> 1:01:14.840
<v Speaker 3>something so badly that you start believing it's true that

1:01:14.960 --> 1:01:18.560
<v Speaker 3>now that's this is the good advice right here, coming

1:01:18.560 --> 1:01:23.040
<v Speaker 3>from Joey ironically, Yeah, you feel for Steph. It's like

1:01:23.080 --> 1:01:25.000
<v Speaker 3>no wonder she got caught up in all this excitement,

1:01:26.560 --> 1:01:30.480
<v Speaker 3>DJ adds with a lot less empathy. Yeah, face reality,

1:01:30.760 --> 1:01:33.160
<v Speaker 3>Tommy was just being nice. He's not in love with you,

1:01:33.800 --> 1:01:37.680
<v Speaker 3>He's in love with me and the guys true old sister.

1:01:40.680 --> 1:01:43.120
<v Speaker 3>She doesn't care that her sister is devastated.

1:01:43.880 --> 1:01:45.800
<v Speaker 2>Watch Times.

1:01:49.840 --> 1:01:51.960
<v Speaker 3>So the guys all look at DJ wide eyed, and

1:01:52.160 --> 1:01:55.400
<v Speaker 3>Danny questions, when did this happen? You just met him?

1:01:56.400 --> 1:01:59.240
<v Speaker 3>DJ explains, well, I know we only spent a couple

1:01:59.320 --> 1:02:02.080
<v Speaker 3>of hours together, and it's true we haven't talked about

1:02:02.080 --> 1:02:05.200
<v Speaker 3>commitment yet, but I think it's getting getting pretty serious.

1:02:06.200 --> 1:02:08.640
<v Speaker 3>Danny asks, you know that nice little talk we just

1:02:08.760 --> 1:02:11.960
<v Speaker 3>had with Stephanie, Well, right about now, I think we're

1:02:11.960 --> 1:02:15.520
<v Speaker 3>gonna have that talk with you. DJ shakes her head

1:02:15.560 --> 1:02:19.080
<v Speaker 3>in denial. Stephanie is a child. I am a woman.

1:02:20.240 --> 1:02:24.280
<v Speaker 3>And then the offender, Tommy walks upstairs and obliviously asks,

1:02:24.520 --> 1:02:25.880
<v Speaker 3>is it safe for me to come up yet?

1:02:27.040 --> 1:02:27.280
<v Speaker 2>Dude?

1:02:27.320 --> 1:02:29.560
<v Speaker 3>You caused this whole thing, like you've just been saying,

1:02:30.040 --> 1:02:30.640
<v Speaker 3>waiting for your.

1:02:32.040 --> 1:02:35.120
<v Speaker 2>Right clear this up and be like, I'm so sorry.

1:02:35.560 --> 1:02:40.600
<v Speaker 1>I have I come from a family whose cultural background

1:02:40.840 --> 1:02:43.160
<v Speaker 1>demands that we kiss people on the lips. And there

1:02:43.240 --> 1:02:46.640
<v Speaker 1>must have been a great amount of confusion because need

1:02:47.040 --> 1:02:50.200
<v Speaker 1>to be anything other than uh, hello, like.

1:02:50.280 --> 1:02:53.280
<v Speaker 3>This dude, man, he causes all this chaos and then

1:02:53.360 --> 1:02:55.760
<v Speaker 3>then just watches it unfold and yeah, you could have

1:02:55.920 --> 1:03:01.760
<v Speaker 3>solved this at least eighteen minutes ago. So uh. DJ

1:03:01.880 --> 1:03:04.720
<v Speaker 3>walks over to Tommy and asks, will you please straighten

1:03:04.800 --> 1:03:09.160
<v Speaker 3>everybody out about what's going on between us? Tommy tells them, well,

1:03:09.280 --> 1:03:11.640
<v Speaker 3>DJ and I had a really fun day and I

1:03:11.800 --> 1:03:16.640
<v Speaker 3>hope that we could be good friends. DJ WinCE's friends.

1:03:17.120 --> 1:03:22.600
<v Speaker 3>You mean just friends. Tommy finally responds, Yeah, I'm sorry

1:03:22.760 --> 1:03:27.240
<v Speaker 3>if you misunderstood. How about you're sorry you gave her

1:03:27.320 --> 1:03:36.360
<v Speaker 3>the wrong signals? Yes, sorry, Tommy, Tommy, Tommy sir. He

1:03:36.480 --> 1:03:39.360
<v Speaker 3>had to have been directed to kiss people like I'm

1:03:39.400 --> 1:03:41.840
<v Speaker 3>not blaming Tommy Page. I am blaming the writing on this.

1:03:42.160 --> 1:03:43.200
<v Speaker 3>I'm assuming.

1:03:47.240 --> 1:03:50.520
<v Speaker 1>Very clear, this is not this was not time. It

1:03:50.880 --> 1:03:53.720
<v Speaker 1>was the writing of the episode that that is what

1:03:54.320 --> 1:03:57.000
<v Speaker 1>caused the thing, right, So.

1:03:57.240 --> 1:03:59.360
<v Speaker 3>It was the writing and the direction to hey, kiss

1:03:59.440 --> 1:04:00.720
<v Speaker 3>these under girls on there.

1:04:01.280 --> 1:04:03.200
<v Speaker 2>The first second we read that at.

1:04:03.160 --> 1:04:05.520
<v Speaker 1>A table readly we've been like, uh, yeah, you guys,

1:04:05.560 --> 1:04:09.120
<v Speaker 1>you can't have an adult Yeah, yess, that's weird.

1:04:09.400 --> 1:04:15.400
<v Speaker 3>Yeah the legal department. A teacher is a social worker. Wait, yes,

1:04:16.960 --> 1:04:20.640
<v Speaker 3>uh so Stephanie confidently barges over and pushes her way

1:04:20.720 --> 1:04:23.080
<v Speaker 3>past DJ. Well, now that she's out of the way,

1:04:23.280 --> 1:04:26.800
<v Speaker 3>I guess it's just you and me Thomas. Tommy breaks

1:04:26.840 --> 1:04:28.760
<v Speaker 3>the news that he just wants to be friends with

1:04:28.880 --> 1:04:32.000
<v Speaker 3>her as well, and Steph reacts the same way. You

1:04:32.120 --> 1:04:36.560
<v Speaker 3>mean friends, like you're just friends with DJ. He nods,

1:04:37.040 --> 1:04:40.920
<v Speaker 3>but Stephanie's in denial. You wrote love Tommy on my CD,

1:04:42.360 --> 1:04:45.840
<v Speaker 3>he smiles. I always write love Tommy. Sometimes I'll even

1:04:45.920 --> 1:04:49.240
<v Speaker 3>forget and write it for a guy. Yeah. This made

1:04:49.280 --> 1:04:52.479
<v Speaker 3>me this. Since this episode, this has made me think

1:04:52.720 --> 1:04:56.480
<v Speaker 3>or think twice about writing love Andrea Barber. When I'm

1:04:56.480 --> 1:04:59.480
<v Speaker 3>signing autographs, it's like a.

1:04:59.480 --> 1:05:01.960
<v Speaker 2>Little heart and my name because for that reason that

1:05:02.040 --> 1:05:03.160
<v Speaker 2>I'm like, I don't want to.

1:05:04.000 --> 1:05:07.000
<v Speaker 3>Although there are some people that as you write me.

1:05:08.440 --> 1:05:12.720
<v Speaker 2>A personalized note about how great we are together, You're like,

1:05:12.840 --> 1:05:13.920
<v Speaker 2>I don't we can do that.

1:05:15.040 --> 1:05:18.280
<v Speaker 3>I'll give you a little tiny heart and joy Sweeten.

1:05:19.720 --> 1:05:22.440
<v Speaker 1>Yeah, I don't know, yes, And I mean I never

1:05:22.600 --> 1:05:25.240
<v Speaker 1>thought about that. I really, you know, stopped kissing all

1:05:25.240 --> 1:05:26.120
<v Speaker 1>my fans on the lips.

1:05:26.840 --> 1:05:29.440
<v Speaker 2>Yeah, yes, I mean I.

1:05:29.520 --> 1:05:31.680
<v Speaker 3>Learned that lesson, you know what I mean, that lesson

1:05:31.680 --> 1:05:35.200
<v Speaker 3>at the tender age of eleven. But yeah, it never

1:05:35.240 --> 1:05:38.040
<v Speaker 3>occurred to me that people could misinterpret. And I always

1:05:38.080 --> 1:05:40.200
<v Speaker 3>used to write love and everything.

1:05:40.240 --> 1:05:45.080
<v Speaker 2>I remember Gavin de Becker telling me as not well.

1:05:44.960 --> 1:05:47.080
<v Speaker 1>Yeah, me and my mom as a kid, uh to

1:05:47.280 --> 1:05:51.680
<v Speaker 1>not to specifically not write that down autographs and things,

1:05:51.720 --> 1:05:53.760
<v Speaker 1>because it does give some people the wrong intention because

1:05:53.760 --> 1:05:55.840
<v Speaker 1>they think it is just me that you're writing this too.

1:05:56.120 --> 1:05:59.959
<v Speaker 3>Yeah, back to love Tommy, and sometimes he'll even forget

1:06:00.120 --> 1:06:03.720
<v Speaker 3>and write it for a guy. Joey pipes up. Yeah,

1:06:03.720 --> 1:06:08.560
<v Speaker 3>you gotta watch that. Tommy continues his apology tour. Look,

1:06:08.960 --> 1:06:11.640
<v Speaker 3>I didn't mean to cause any trouble. He walks in

1:06:11.680 --> 1:06:14.440
<v Speaker 3>between Stephan DJ and says, I hope you'll still come

1:06:14.480 --> 1:06:18.240
<v Speaker 3>to my concert tonight. Okay, I gotta go. He shakes

1:06:18.280 --> 1:06:20.240
<v Speaker 3>the guy's hands and tells them it was nice meeting

1:06:20.280 --> 1:06:20.520
<v Speaker 3>them all.

1:06:20.560 --> 1:06:21.920
<v Speaker 2>He should have kissed them all in the lips.

1:06:22.440 --> 1:06:24.800
<v Speaker 3>I know, right, this is a double standard here.

1:06:24.840 --> 1:06:26.680
<v Speaker 2>That's what you're doing when you say hello and bide people,

1:06:27.720 --> 1:06:28.400
<v Speaker 2>you kiss them then.

1:06:29.560 --> 1:06:32.400
<v Speaker 3>Uh so before you can go. Michelle walks in and

1:06:32.520 --> 1:06:35.320
<v Speaker 3>she asks Tommy if he's leaving, and he kneels down

1:06:35.360 --> 1:06:38.160
<v Speaker 3>to say, yeah, it was really great meeting you, Michelle,

1:06:38.480 --> 1:06:41.040
<v Speaker 3>and he gives her a kiss on the cheek. Stop

1:06:41.600 --> 1:06:47.800
<v Speaker 3>stop kissing, just stop, yes, like it's just too much kissing, don't.

1:06:48.240 --> 1:06:50.080
<v Speaker 3>A wave from across the road is plenty.

1:06:53.000 --> 1:06:54.880
<v Speaker 2>Yeah, pat on the shoulder, you know what I mean?

1:06:55.280 --> 1:07:00.640
<v Speaker 3>My god, yeah, this was this was excruciating to watch, Michelle,

1:07:01.160 --> 1:07:03.560
<v Speaker 3>She grins. She falls for this. Wow, you are such

1:07:03.600 --> 1:07:08.280
<v Speaker 3>a babe, And as Tommy walks out, she turns to

1:07:08.360 --> 1:07:12.600
<v Speaker 3>the guys and declares, I'm gonna marry him, and Danny says,

1:07:12.640 --> 1:07:17.000
<v Speaker 3>oh man, it never ends. All the Tanner girls, all

1:07:17.040 --> 1:07:19.360
<v Speaker 3>three of them, and Kimmy are falling in love with

1:07:19.440 --> 1:07:23.960
<v Speaker 3>this guy. So later on in the girl's room, Steph

1:07:24.120 --> 1:07:26.680
<v Speaker 3>is solemnly sitting on her bed with mister Bear by

1:07:26.760 --> 1:07:30.800
<v Speaker 3>her side, always there, I know. DJ walks in and

1:07:30.920 --> 1:07:35.080
<v Speaker 3>she asks can I help you? DJ explains, well, I thought,

1:07:35.120 --> 1:07:37.920
<v Speaker 3>if I'm miserable and you're miserable, we might as well

1:07:38.000 --> 1:07:43.520
<v Speaker 3>be miserable together. Steph agrees, sit be miserable, DJ sits

1:07:43.560 --> 1:07:46.040
<v Speaker 3>in her desk chair and admits, I was so dumb.

1:07:46.560 --> 1:07:49.640
<v Speaker 3>I was so sure he liked me, and Steph jokes,

1:07:49.760 --> 1:07:52.040
<v Speaker 3>at least you didn't make up wedding invitations.

1:07:52.400 --> 1:07:56.720
<v Speaker 1>Have the calligrapher was such an expense. I really got

1:07:56.760 --> 1:08:01.160
<v Speaker 1>the huge expence embossed. Uh yeah, envelopes and everything.

1:08:01.520 --> 1:08:03.800
<v Speaker 3>With the wax on the stamp, with the wax on

1:08:03.920 --> 1:08:06.520
<v Speaker 3>the back and everything for two and fifty people.

1:08:06.560 --> 1:08:07.200
<v Speaker 2>That's not cheap.

1:08:08.120 --> 1:08:14.160
<v Speaker 3>Yeah. Anyway, that's well, that's a big lesson learned. So

1:08:14.320 --> 1:08:16.800
<v Speaker 3>DJ continues, you know what the weirdest part is.

1:08:17.000 --> 1:08:21.880
<v Speaker 2>He kissed all these young girls on the lips. Yes,

1:08:22.800 --> 1:08:28.280
<v Speaker 2>you're not wrong, I think is the weirdest part that is.

1:08:28.520 --> 1:08:32.760
<v Speaker 3>That's one of the weirdest parts of this episode. Uh.

1:08:33.200 --> 1:08:36.920
<v Speaker 3>DJ continues. Everything Dad, Joey and Uncle Jesse said was right,

1:08:37.360 --> 1:08:40.960
<v Speaker 3>and I hate it when that happens. Steph realizes if

1:08:41.000 --> 1:08:43.200
<v Speaker 3>this was just a crush, I don't know if I

1:08:43.240 --> 1:08:45.800
<v Speaker 3>can take it when I really fall in love, what's

1:08:46.000 --> 1:08:49.080
<v Speaker 3>that going to feel like. DJ doesn't know because she's

1:08:49.240 --> 1:08:51.760
<v Speaker 3>never really been in love before, but she hears it's

1:08:51.760 --> 1:08:55.280
<v Speaker 3>pretty intense. Just wait because Scott Wenger will be back

1:08:55.360 --> 1:08:58.640
<v Speaker 3>next season when they officially start dating. So the other

1:08:58.720 --> 1:09:01.920
<v Speaker 3>Steve will be back, Steve having Chang's name hyphen Hale.

1:09:02.120 --> 1:09:05.719
<v Speaker 2>Yes, coming back, returning from the Witness production program.

1:09:06.479 --> 1:09:11.240
<v Speaker 3>Yes, exactly, uh so, Steph nods, I hear the same thing.

1:09:11.880 --> 1:09:13.679
<v Speaker 3>And then DJ gets out of her chair and sits

1:09:13.720 --> 1:09:15.960
<v Speaker 3>next to Stephanie on her bed. You know what, I

1:09:16.080 --> 1:09:18.920
<v Speaker 3>just realized. I'm sitting here talking to you about love

1:09:19.000 --> 1:09:23.679
<v Speaker 3>and boys. Steph, you are really growing up. She can't

1:09:23.680 --> 1:09:26.559
<v Speaker 3>help but agree. Ever since I turned ten, life got

1:09:26.640 --> 1:09:29.040
<v Speaker 3>so complicated, truly preach.

1:09:29.280 --> 1:09:29.479
<v Speaker 2>Yeah.

1:09:30.479 --> 1:09:32.840
<v Speaker 3>DJ goes on to say, well, one day we are

1:09:32.920 --> 1:09:35.360
<v Speaker 3>going to be dating like crazy, and I want you

1:09:35.479 --> 1:09:38.040
<v Speaker 3>to know that I will never ever steal one of

1:09:38.080 --> 1:09:40.920
<v Speaker 3>your boyfriends, because guys are gonna come and guys are

1:09:40.960 --> 1:09:44.320
<v Speaker 3>gonna go, But you and I will be sisters forever,

1:09:45.600 --> 1:09:48.880
<v Speaker 3>and Steph smiles. Sisters forever, and they give each other

1:09:48.920 --> 1:09:53.439
<v Speaker 3>a big hug. Ah. DJ demands and I want every

1:09:53.479 --> 1:09:56.880
<v Speaker 3>one of those embarrassing pictures back, and Stephanie nods, you

1:09:57.000 --> 1:10:00.559
<v Speaker 3>got it. But when DJ asks for the negatives, Steph says,

1:10:01.000 --> 1:10:04.479
<v Speaker 3>we'll talk. As DJ leaves the room, Steph turns on

1:10:04.600 --> 1:10:08.000
<v Speaker 3>her radio and plays Stephanie with a big smile on

1:10:08.080 --> 1:10:12.240
<v Speaker 3>her face, and that is our show. That's our show.

1:10:13.280 --> 1:10:17.439
<v Speaker 3>Whoa I think again, I will say I I loved

1:10:17.560 --> 1:10:20.920
<v Speaker 3>this plot sty It was a.

1:10:20.960 --> 1:10:26.360
<v Speaker 2>Cute storyline that was premit was executed with.

1:10:26.479 --> 1:10:29.760
<v Speaker 3>Some poor direction, yes, but absolutely it was.

1:10:29.800 --> 1:10:31.840
<v Speaker 2>Also it was also balanced out with great dancing, so

1:10:32.880 --> 1:10:35.960
<v Speaker 2>fabulous dance. I feel like, yeah, it's yeah, I did.

1:10:36.040 --> 1:10:37.920
<v Speaker 2>I forgot that he kissed everybody.

1:10:38.560 --> 1:10:41.560
<v Speaker 3>I was like, I don't, just so weird. Yeah, I

1:10:41.600 --> 1:10:44.760
<v Speaker 3>don't remember cringing quite this hard when we were shooting it.

1:10:44.840 --> 1:10:47.960
<v Speaker 3>I was just more like, oh my god, Charlie, nobody, no,

1:10:49.280 --> 1:10:50.960
<v Speaker 3>nobody's batter than eye back then.

1:10:52.520 --> 1:10:53.040
<v Speaker 2>But it did.

1:10:53.120 --> 1:10:57.120
<v Speaker 3>Okay. So so Tommy Page in real life was gay,

1:10:57.240 --> 1:10:59.240
<v Speaker 3>but he was in the closet at this point, and

1:10:59.320 --> 1:11:03.040
<v Speaker 3>I think his manner was working overtime to portray that

1:11:03.120 --> 1:11:05.920
<v Speaker 3>he's straight so that the teenage fans would still be

1:11:06.040 --> 1:11:08.360
<v Speaker 3>in love with him or whatever. So this episode really

1:11:08.439 --> 1:11:10.240
<v Speaker 3>felt like it was just sort of a part of

1:11:10.280 --> 1:11:13.680
<v Speaker 3>the propaganda to convinced well he was straight, and that

1:11:13.800 --> 1:11:16.040
<v Speaker 3>gives me the ick, like I'm just like, well, and

1:11:16.160 --> 1:11:16.519
<v Speaker 3>that was.

1:11:16.600 --> 1:11:21.679
<v Speaker 1>I mean, how you know, I mean, even the sorry

1:11:21.720 --> 1:11:23.760
<v Speaker 1>I'm having to send Zoe money right now because she's like,

1:11:23.800 --> 1:11:25.000
<v Speaker 1>I need food.

1:11:25.040 --> 1:11:27.639
<v Speaker 3>Okay, that's changed lunch.

1:11:27.760 --> 1:11:29.960
<v Speaker 2>He kept calling me and I'm like, no, I record

1:11:32.040 --> 1:11:34.400
<v Speaker 2>you know it. I mean, but that was very of

1:11:34.479 --> 1:11:36.080
<v Speaker 2>the time, right. We made the joke about you know,

1:11:36.200 --> 1:11:38.519
<v Speaker 2>George Michael and like that was you know, it was

1:11:38.600 --> 1:11:41.840
<v Speaker 2>all you. They were all in the closet, which was unfortunate.

1:11:43.080 --> 1:11:46.439
<v Speaker 3>It is unfortunate, and I mean, and that's still.

1:11:46.360 --> 1:11:48.320
<v Speaker 2>True, right, I mean of.

1:11:50.080 --> 1:11:53.439
<v Speaker 1>I mean, we've known actors and people that like, if

1:11:53.479 --> 1:11:56.720
<v Speaker 1>they're you know, super hunky and good looking, like and

1:11:57.000 --> 1:11:59.519
<v Speaker 1>they happen to be gay, oftentimes their team is like,

1:11:59.640 --> 1:12:02.280
<v Speaker 1>don't be super out with it because you're gonna kill

1:12:02.400 --> 1:12:06.920
<v Speaker 1>your audience of you know, eighteen forty five year old women,

1:12:07.120 --> 1:12:07.840
<v Speaker 1>and yeah, you.

1:12:07.880 --> 1:12:10.720
<v Speaker 3>Can only be a heart throb to the opposite set. Yeah,

1:12:10.800 --> 1:12:13.680
<v Speaker 3>that was the mindset in the day. But well it

1:12:13.760 --> 1:12:15.920
<v Speaker 3>was for Juan Pablo, like he mean, yeah, come a

1:12:15.960 --> 1:12:16.840
<v Speaker 3>long time it came out.

1:12:16.920 --> 1:12:19.280
<v Speaker 2>I wasn't going to it, but he was. He was

1:12:19.320 --> 1:12:22.360
<v Speaker 2>an attractive guy. He talks about it, Yeah, he talks.

1:12:22.160 --> 1:12:26.320
<v Speaker 1>About it, and so yeah, it's, uh, it is something unfortunate. Yeah,

1:12:26.320 --> 1:12:29.040
<v Speaker 1>and I'm sure and I'm sure it happens to women too,

1:12:29.400 --> 1:12:33.559
<v Speaker 1>just it's not. Yeah, I still think culturally we don't

1:12:33.920 --> 1:12:35.719
<v Speaker 1>freak out the same way, but it's.

1:12:35.960 --> 1:12:40.439
<v Speaker 3>True, which is silly. We shouldn't agree either, But yeah,

1:12:40.520 --> 1:12:41.720
<v Speaker 3>this was there was there was.

1:12:41.920 --> 1:12:43.680
<v Speaker 1>This was one of those episodes that I was like,

1:12:43.880 --> 1:12:49.760
<v Speaker 1>hmmm mm hmm, okay, well yeah, moving on, moving.

1:12:49.560 --> 1:12:52.560
<v Speaker 3>Not right, and we I just couldn't figure out, Like,

1:12:52.680 --> 1:12:56.479
<v Speaker 3>I don't think Tommy Page, the character was supposed to

1:12:56.560 --> 1:12:58.720
<v Speaker 3>be a bad guy, like he came to this ten

1:12:58.760 --> 1:13:00.519
<v Speaker 3>year old's birthday party and saying or a song like

1:13:00.600 --> 1:13:03.559
<v Speaker 3>he's a good guy. Yeah, well meaning, but I felt

1:13:03.600 --> 1:13:06.120
<v Speaker 3>like he was a bad guy because he caused all

1:13:06.160 --> 1:13:08.439
<v Speaker 3>this drama and he led these girls on and he

1:13:08.439 --> 1:13:10.400
<v Speaker 3>wouldn't stop kissing them on the mouth. And I'm just like,

1:13:10.520 --> 1:13:12.960
<v Speaker 3>you give me the ick, but You're You're not written

1:13:13.000 --> 1:13:15.439
<v Speaker 3>as a good guy, right, But it was executed as

1:13:15.520 --> 1:13:18.360
<v Speaker 3>him being a creep, and I'm just like, I didn't

1:13:18.479 --> 1:13:20.679
<v Speaker 3>like that. I think it did a disservice to Tommy Page.

1:13:20.800 --> 1:13:23.840
<v Speaker 3>Yeah for sure, And it didn't it made this This

1:13:23.960 --> 1:13:26.479
<v Speaker 3>episode didn't quite hit the way I wanted to do

1:13:26.720 --> 1:13:27.200
<v Speaker 3>because of that.

1:13:27.439 --> 1:13:31.240
<v Speaker 2>Yeah, well, look in twenty twenty five, we probably would

1:13:31.240 --> 1:13:31.920
<v Speaker 2>have done it very.

1:13:31.840 --> 1:13:36.000
<v Speaker 3>Differently, very very It's a you know, we hit a

1:13:36.120 --> 1:13:37.080
<v Speaker 3>very nineteen.

1:13:36.800 --> 1:13:39.080
<v Speaker 2>Ninety two moment in the last couple episodes of like.

1:13:39.240 --> 1:13:44.599
<v Speaker 3>Ah well or yeah, big reminders that it's nineteen ninety two.

1:13:45.680 --> 1:13:48.240
<v Speaker 1>But you know, other than that, I do love the

1:13:48.320 --> 1:13:51.560
<v Speaker 1>storyline between Steph and DJ and the sort of ridiculousness

1:13:51.600 --> 1:13:53.599
<v Speaker 1>of it that they both It's kind of it's very

1:13:53.680 --> 1:13:58.160
<v Speaker 1>reminiscent of the Secret Admirer episode in that everyone is

1:13:58.200 --> 1:14:01.599
<v Speaker 1>sort of in their own delusion about yes, what's.

1:14:01.479 --> 1:14:02.080
<v Speaker 2>Really going on?

1:14:02.360 --> 1:14:04.600
<v Speaker 1>And that's kind of the funny part is these you know,

1:14:05.240 --> 1:14:08.160
<v Speaker 1>two ten and fifteen year olds are like, I'm actually

1:14:08.200 --> 1:14:09.240
<v Speaker 1>and everyone's like, no.

1:14:09.400 --> 1:14:13.519
<v Speaker 3>I'm his girlfriend, right, Yeah, that part was funny, the

1:14:13.600 --> 1:14:17.960
<v Speaker 3>delusions of yes, you know, preteen and teenage girls exactly.

1:14:18.560 --> 1:14:22.720
<v Speaker 1>But no, I I it was that was what we did,

1:14:22.920 --> 1:14:25.880
<v Speaker 1>and that was now what we did. So we never

1:14:26.000 --> 1:14:29.720
<v Speaker 1>have to have any more kissing pop stars in the

1:14:29.800 --> 1:14:30.280
<v Speaker 1>living room.

1:14:31.040 --> 1:14:33.560
<v Speaker 3>Thank God for this season. And we never see you, no,

1:14:33.640 --> 1:14:35.640
<v Speaker 3>we never see you turn sixteen, so this is like

1:14:35.720 --> 1:14:36.280
<v Speaker 3>your last now.

1:14:36.360 --> 1:14:38.400
<v Speaker 1>Jeff always said, if we if I have shown have

1:14:38.439 --> 1:14:39.479
<v Speaker 1>made it till I turned sixteen.

1:14:39.520 --> 1:14:40.760
<v Speaker 3>He was like, I'll buy you a car.

1:14:40.920 --> 1:14:46.840
<v Speaker 2>And I've damn it man tarn it ABC by.

1:14:46.920 --> 1:14:52.439
<v Speaker 3>Like six more seasons. Oh man, dang it almost too bad.

1:14:52.560 --> 1:14:54.519
<v Speaker 2>But that was all I had. Did you have any

1:14:54.600 --> 1:14:55.599
<v Speaker 2>everywhere you look moments?

1:14:56.240 --> 1:14:58.840
<v Speaker 3>Oh no, I was too squipped out.

1:14:59.439 --> 1:15:01.320
<v Speaker 2>I any everywhere you had one?

1:15:01.400 --> 1:15:08.080
<v Speaker 3>What was yours? My shark tooth? The sting there really starting.

1:15:07.800 --> 1:15:12.639
<v Speaker 2>To protrude right down stage on on my right side.

1:15:12.760 --> 1:15:16.320
<v Speaker 3>Oh yeah, downstage even so it's right there in the camera.

1:15:16.160 --> 1:15:18.040
<v Speaker 2>Shot depends on which I'm looking, I guess, but it was.

1:15:18.160 --> 1:15:19.760
<v Speaker 3>But in this shot, yeah, I was like, in that

1:15:19.880 --> 1:15:23.160
<v Speaker 3>one shot, there's the tooth. So yes, if you if

1:15:23.200 --> 1:15:25.840
<v Speaker 3>you guys haven't heard that story, it was on our

1:15:26.080 --> 1:15:29.200
<v Speaker 3>when we collabed with pod Meats World a few months ago.

1:15:30.120 --> 1:15:32.160
<v Speaker 3>Stephanie Jody told this snaggle.

1:15:31.840 --> 1:15:33.519
<v Speaker 2>Tooth sweetened story.

1:15:33.720 --> 1:15:38.640
<v Speaker 3>Yeah, too, sweetness, one of my favorite stories because you

1:15:39.040 --> 1:15:40.880
<v Speaker 3>hate it so much because.

1:15:40.640 --> 1:15:44.599
<v Speaker 2>It's just it was just a soul crushing at the time.

1:15:44.760 --> 1:15:46.480
<v Speaker 2>Now I'm like, oh my god, it's hilarious.

1:15:46.760 --> 1:15:52.679
<v Speaker 3>But like you, you were mortified, mortified about your snag tooth,

1:15:53.000 --> 1:15:53.840
<v Speaker 3>your shark tooth.

1:15:55.320 --> 1:15:58.200
<v Speaker 2>Yeah, but no, that was my only everwhere you look

1:15:58.320 --> 1:15:59.559
<v Speaker 2>was my my shark tooth.

1:15:59.760 --> 1:16:01.960
<v Speaker 3>So that's a good one. That that deserves its own

1:16:02.040 --> 1:16:03.400
<v Speaker 3>everywhere you'll look there.

1:16:04.439 --> 1:16:07.000
<v Speaker 2>And it's gonna be everywhere you look for probably the

1:16:07.040 --> 1:16:07.920
<v Speaker 2>next season.

1:16:07.880 --> 1:16:11.960
<v Speaker 3>Or two, so until you get your flipper. Finally, I

1:16:12.000 --> 1:16:14.040
<v Speaker 3>couldn't get a for that because it was just so

1:16:14.720 --> 1:16:15.160
<v Speaker 3>come down.

1:16:15.360 --> 1:16:17.000
<v Speaker 2>It didn't come down. That was the whole problem.

1:16:17.040 --> 1:16:19.120
<v Speaker 3>They have like extracted, what did they do?

1:16:20.080 --> 1:16:23.840
<v Speaker 2>And because I didn't was too crowded in there, dang it.

1:16:24.400 --> 1:16:28.120
<v Speaker 1>So I didn't move everything around anyway about my work history.

1:16:28.360 --> 1:16:30.720
<v Speaker 1>I'm sure that you guys would like to be done

1:16:30.760 --> 1:16:32.720
<v Speaker 1>with this episode because we would too.

1:16:36.160 --> 1:16:37.960
<v Speaker 3>On another tangent, I.

1:16:37.960 --> 1:16:41.400
<v Speaker 1>Don't even know another yeah Tanner engent. No, that didn't,

1:16:41.760 --> 1:16:45.120
<v Speaker 1>that didn't, that didn't. Should should have not said that anyway.

1:16:47.600 --> 1:16:50.920
<v Speaker 1>Thanks for hanging in with us until we hit our

1:16:51.000 --> 1:16:54.400
<v Speaker 1>three of recording and are completely delirious and I have

1:16:54.680 --> 1:16:55.200
<v Speaker 1>lost our.

1:16:55.280 --> 1:16:59.680
<v Speaker 3>We need food, we need yeah, in and out.

1:17:00.200 --> 1:17:02.880
<v Speaker 2>Thank you so much for listening to whatever we do

1:17:03.000 --> 1:17:04.719
<v Speaker 2>on this show. We love you guys.

1:17:05.479 --> 1:17:07.800
<v Speaker 1>Check us out on Instagram at how Red Podcast. Send

1:17:07.840 --> 1:17:10.479
<v Speaker 1>us emails at how Rude Tannerto's at gmail dot com.

1:17:11.320 --> 1:17:14.720
<v Speaker 1>Check out our merch store howardmerch dot com and and

1:17:14.800 --> 1:17:15.360
<v Speaker 1>I think that's it.

1:17:15.640 --> 1:17:21.719
<v Speaker 2>So we've done plenty to remember you guys. The world

1:17:21.800 --> 1:17:24.839
<v Speaker 2>is small, but the house is full.

1:17:26.520 --> 1:17:31.920
<v Speaker 1>Of unsent wedding invitations from from the page Tanner wedding

1:17:32.080 --> 1:17:33.800
<v Speaker 1>that was called off at the last night.

1:17:34.000 --> 1:17:35.759
<v Speaker 2>So yeah, just so many.

1:17:38.600 --> 1:17:39.240
<v Speaker 3>Caligraphy.

1:17:39.640 --> 1:17:42.200
<v Speaker 2>Yeah, it was yeah, the caliber for still waiting to

1:17:42.240 --> 1:17:42.679
<v Speaker 2>get paid.

1:17:42.720 --> 1:17:45.320
<v Speaker 3>You know. That was eight years ago or so.

1:17:45.560 --> 1:17:49.080
<v Speaker 1>Yeah, sorry, uh anyway, it was the first of one

1:17:49.120 --> 1:17:50.679
<v Speaker 1>of many weddings that I would.

1:17:50.520 --> 1:17:50.800
<v Speaker 2>Wait for me.

1:17:51.240 --> 1:17:53.559
<v Speaker 1>So all right, you guys, thanks so much for listening.

1:17:53.640 --> 1:17:54.639
<v Speaker 1>We'll see you next time.

1:17:55.160 --> 1:18:02.320
<v Speaker 3>By A wish