1
00:00:19,120 --> 00:00:23,960
Speaker 1: Hello, aby, hi, yah, hi, I have to formally announce

2
00:00:24,360 --> 00:00:25,320
Speaker 1: something on the show.

3
00:00:25,960 --> 00:00:27,840
Speaker 2: Wait what I was wrong?

4
00:00:28,600 --> 00:00:32,680
Speaker 3: Oh? Wait, we're wait, Maddie, you're recording this, right, you

5
00:00:33,080 --> 00:00:33,360
Speaker 3: get this.

6
00:00:33,479 --> 00:00:34,280
Speaker 2: You're recording it.

7
00:00:34,440 --> 00:00:35,120
Speaker 3: I'm regarding it.

8
00:00:35,159 --> 00:00:36,680
Speaker 2: We're going to put this out into the world.

9
00:00:37,280 --> 00:00:41,560
Speaker 3: What you're wrong? Tell me? Tell me about what.

10
00:00:42,000 --> 00:00:45,280
Speaker 2: About the sight from the shoes? See?

11
00:00:45,720 --> 00:00:49,680
Speaker 3: See, I was right. Sorry, that was a little too loud.

12
00:00:49,680 --> 00:00:52,000
Speaker 2: You No, it was Yeah, you're being too loud.

13
00:00:54,000 --> 00:00:55,560
Speaker 3: I was. Wait, so you've changed your mind?

14
00:00:55,560 --> 00:00:56,080
Speaker 2: What happened? Wait?

15
00:00:56,160 --> 00:00:58,960
Speaker 3: What happened besides you admiring my kid shoes?

16
00:00:59,000 --> 00:01:03,000
Speaker 1: Well, first of all, I had well once I saw

17
00:01:03,040 --> 00:01:03,840
Speaker 1: them in person.

18
00:01:04,080 --> 00:01:05,720
Speaker 2: And you have the.

19
00:01:05,280 --> 00:01:08,920
Speaker 3: Kissicks, right, I have the kiss the athens to Yes,

20
00:01:09,200 --> 00:01:10,480
Speaker 3: I have pak Okay.

21
00:01:10,560 --> 00:01:15,800
Speaker 1: So after I was in the airport with you and

22
00:01:15,840 --> 00:01:18,200
Speaker 1: I complimented you on your cute tennis shoes, and you

23
00:01:18,280 --> 00:01:20,440
Speaker 1: then informed me that they were the slip ons.

24
00:01:20,880 --> 00:01:23,399
Speaker 2: Yes they are, I had I.

25
00:01:24,120 --> 00:01:26,319
Speaker 1: You know, I had a moment where I had to

26
00:01:26,400 --> 00:01:28,600
Speaker 1: consider the fact that maybe I didn't know all of

27
00:01:28,600 --> 00:01:29,679
Speaker 1: the things that were out.

28
00:01:29,720 --> 00:01:34,319
Speaker 2: Wow, And I took you forty four years sweet forty three,

29
00:01:34,400 --> 00:01:40,279
Speaker 2: but maybe by forty four I'll have it but they

30
00:01:40,480 --> 00:01:42,759
Speaker 2: they sent me several pairs.

31
00:01:43,360 --> 00:01:46,240
Speaker 3: Oh nice, and which ones and which ones?

32
00:01:46,319 --> 00:01:49,760
Speaker 1: Don't worry, I have them here. We're going to show

33
00:01:49,840 --> 00:01:50,400
Speaker 1: until time.

34
00:01:51,280 --> 00:01:53,240
Speaker 3: Yes, I also.

35
00:01:54,880 --> 00:02:00,400
Speaker 1: Got the got the athens too. But they're like lavender.

36
00:02:00,080 --> 00:02:03,640
Speaker 2: And white and yellow like little accents of yellow on

37
00:02:03,840 --> 00:02:06,480
Speaker 2: the hill. Cute, super cute, super cute.

38
00:02:06,400 --> 00:02:11,000
Speaker 1: So freaking comfortable, right, Oh my god, so easy.

39
00:02:11,120 --> 00:02:12,440
Speaker 2: The other day they were amazing.

40
00:02:13,960 --> 00:02:18,600
Speaker 1: And you know, Mescal was gone last week for work stuff,

41
00:02:18,639 --> 00:02:19,960
Speaker 1: and he's gonna be gone a bunch of the the

42
00:02:20,240 --> 00:02:21,080
Speaker 1: next coming weeks.

43
00:02:21,400 --> 00:02:23,080
Speaker 2: So I'm in charge of the.

44
00:02:22,919 --> 00:02:28,440
Speaker 1: Dog walking usually he's that's so I'm constantly I don't

45
00:02:28,520 --> 00:02:30,079
Speaker 1: like to wear shoes at home, so I'm like, con

46
00:02:30,240 --> 00:02:33,400
Speaker 1: oh god, I gotta go upstairs. And then the dog's

47
00:02:33,560 --> 00:02:35,880
Speaker 1: excited because she saw me walk to the door, and

48
00:02:35,919 --> 00:02:38,280
Speaker 1: now she you know, now I can just sleep them on.

49
00:02:38,720 --> 00:02:40,400
Speaker 1: But not only can I slip these on, I can

50
00:02:40,400 --> 00:02:41,160
Speaker 1: also slip these on.

51
00:02:42,080 --> 00:02:43,880
Speaker 3: Oh oh, what what else do you have?

52
00:02:44,680 --> 00:02:47,400
Speaker 2: And tell them in an all, I don't know.

53
00:02:47,400 --> 00:02:49,560
Speaker 3: If these are these are like color.

54
00:02:49,760 --> 00:02:55,360
Speaker 2: This is a it's a light that's adorable, looks almost

55
00:02:55,400 --> 00:02:59,080
Speaker 2: like a Nike like. Misc has some very similar shoes

56
00:02:59,120 --> 00:03:01,840
Speaker 2: to this. Their nikes. So those are my like, pir.

57
00:03:04,000 --> 00:03:10,520
Speaker 3: You have two pairs of slip arms shoes, I have three? Three? Yes,

58
00:03:10,639 --> 00:03:11,480
Speaker 3: what's the third pair?

59
00:03:11,600 --> 00:03:12,160
Speaker 2: Third pair?

60
00:03:12,440 --> 00:03:15,560
Speaker 1: Oh? I wish I remembered what names are so cute.

61
00:03:15,919 --> 00:03:18,520
Speaker 1: I don't remember. I don't remember the style name of these.

62
00:03:19,120 --> 00:03:19,840
Speaker 3: This isn't an AD.

63
00:03:20,840 --> 00:03:23,200
Speaker 2: This isn't an AD. It's just really excited about it.

64
00:03:23,560 --> 00:03:27,600
Speaker 1: It's not it is. It's an old lady talking to another.

65
00:03:28,560 --> 00:03:32,880
Speaker 1: But these these ones almost like like a like golden

66
00:03:32,880 --> 00:03:34,600
Speaker 1: goose or like.

67
00:03:34,800 --> 00:03:36,520
Speaker 2: Kind of like tumas.

68
00:03:36,760 --> 00:03:41,960
Speaker 1: They're like a very red everyday shoe, like thin flat,

69
00:03:42,120 --> 00:03:44,760
Speaker 1: kind of like almost like a like a samba, like

70
00:03:44,760 --> 00:03:46,400
Speaker 1: an Adidas samba or something like that.

71
00:03:46,720 --> 00:03:49,000
Speaker 3: But they've thought all different.

72
00:03:48,720 --> 00:03:52,640
Speaker 1: Kinds of texture, like some fuzzy and light blue and

73
00:03:52,680 --> 00:03:53,640
Speaker 1: the blue on the front.

74
00:03:53,680 --> 00:03:56,440
Speaker 2: Like it's kind of like it's.

75
00:03:56,240 --> 00:03:58,600
Speaker 3: Like, uh.

76
00:03:58,760 --> 00:04:03,119
Speaker 2: And these are also huge step ins. So I want

77
00:04:03,160 --> 00:04:03,560
Speaker 2: that pair.

78
00:04:03,760 --> 00:04:05,480
Speaker 3: I'm going to go order that pair as soon as

79
00:04:05,480 --> 00:04:06,000
Speaker 3: we're done.

80
00:04:06,240 --> 00:04:08,600
Speaker 1: I'm like, I said, you guys, this is not I

81
00:04:08,800 --> 00:04:12,240
Speaker 1: I'm no one from Kissick is paying us to say this.

82
00:04:12,840 --> 00:04:15,280
Speaker 3: We're just like old ladies.

83
00:04:14,960 --> 00:04:16,920
Speaker 2: Sharing between each other.

84
00:04:17,080 --> 00:04:21,200
Speaker 1: And and I and I had to give Andrea, uh

85
00:04:21,680 --> 00:04:23,520
Speaker 1: the satisfaction of saying that I was wrong.

86
00:04:24,000 --> 00:04:27,480
Speaker 3: Yeah, this is a moment. And it took thirty eight years.

87
00:04:27,640 --> 00:04:30,760
Speaker 3: Thirty eight years, you finally admitted you're wrong and I'm right.

88
00:04:31,200 --> 00:04:32,799
Speaker 3: You were remarking this on my calendar.

89
00:04:32,880 --> 00:04:35,560
Speaker 2: Yeah, you were right. This is yeah, Andrew was right.

90
00:04:35,640 --> 00:04:37,680
Speaker 3: Day. I didn't know this was coming people. I didn't know,

91
00:04:37,880 --> 00:04:40,120
Speaker 3: Like when we logged on today to record, I did

92
00:04:40,120 --> 00:04:41,760
Speaker 3: not know that this had happened.

93
00:04:41,960 --> 00:04:44,680
Speaker 2: No. I I thought about texting, going to text you

94
00:04:44,720 --> 00:04:47,640
Speaker 2: a picture of him and be like, look who's come

95
00:04:47,680 --> 00:04:50,520
Speaker 2: to the dark. But then I was like, no, this

96
00:04:50,600 --> 00:04:52,039
Speaker 2: is an excellent pre show.

97
00:04:51,920 --> 00:04:54,840
Speaker 3: Chatter, so excellent pre show chatter. I am so proud

98
00:04:54,880 --> 00:04:56,000
Speaker 3: of you. I am dude.

99
00:04:56,080 --> 00:04:56,320
Speaker 2: Change.

100
00:04:56,320 --> 00:04:58,279
Speaker 3: It's life changing. It is life changing.

101
00:04:58,640 --> 00:05:01,040
Speaker 2: I hate tying my shoes. It's one of the.

102
00:05:01,080 --> 00:05:08,039
Speaker 1: Things, like rushing my teeth or do Like, there's certain things.

103
00:05:07,760 --> 00:05:10,520
Speaker 2: Of the day that I don't like. I like all

104
00:05:10,560 --> 00:05:14,000
Speaker 2: of the other activities. I don't like that one with

105
00:05:14,160 --> 00:05:18,080
Speaker 2: rush your teeth. Tying shoes it's just tea. Yeah you

106
00:05:17,320 --> 00:05:20,200
Speaker 2: don't so I would step into shoes, but you know

107
00:05:20,320 --> 00:05:23,200
Speaker 2: you can't. They ruse the back blah blah blah.

108
00:05:23,240 --> 00:05:25,160
Speaker 3: Now, yeah, the back always folds in.

109
00:05:25,680 --> 00:05:28,119
Speaker 1: I got I'm stepping in and out just for fun.

110
00:05:28,520 --> 00:05:29,839
Speaker 1: Halfway through the room, I just.

111
00:05:29,800 --> 00:05:31,480
Speaker 2: Step out of my shoes because I can't go back.

112
00:05:31,560 --> 00:05:33,560
Speaker 2: Kicking back on you.

113
00:05:33,560 --> 00:05:37,960
Speaker 3: You're so fast and life like. You're just you can

114
00:05:38,000 --> 00:05:40,640
Speaker 3: just glide through your house, glide through your neighborhood.

115
00:05:41,160 --> 00:05:43,240
Speaker 2: You know what, I will feel fast.

116
00:05:43,520 --> 00:05:46,760
Speaker 1: I will say it is an excellent pair of shoes

117
00:05:46,880 --> 00:05:49,680
Speaker 1: to have by your bed in case of an emergency.

118
00:05:50,480 --> 00:05:55,039
Speaker 3: Oh yeah, okay, because you won't store.

119
00:05:55,960 --> 00:05:58,760
Speaker 1: So you know they always say, like in an emergence,

120
00:05:58,800 --> 00:06:00,320
Speaker 1: don't run out in.

121
00:06:00,320 --> 00:06:03,760
Speaker 2: Slippers or especially with the bake or a hurricane or something.

122
00:06:03,839 --> 00:06:08,240
Speaker 3: Yeah, you need broken shoes on, like decent shoes. This

123
00:06:08,320 --> 00:06:10,039
Speaker 3: I need a pair to put by, like.

124
00:06:10,040 --> 00:06:11,640
Speaker 2: A pair to put by the front door whatever.

125
00:06:11,760 --> 00:06:13,200
Speaker 3: Like I thought about that the other.

126
00:06:13,120 --> 00:06:15,640
Speaker 1: Day and I was like, yeah, this is that because

127
00:06:15,680 --> 00:06:17,000
Speaker 1: I have always thought that, like.

128
00:06:16,960 --> 00:06:20,040
Speaker 2: Oh god, what you know run out barefoot? But now

129
00:06:20,080 --> 00:06:20,599
Speaker 2: I need to.

130
00:06:21,240 --> 00:06:23,719
Speaker 3: Now you are so prepared. I am prepared for you,

131
00:06:23,560 --> 00:06:26,479
Speaker 3: and you're fast. You're prepared like your life is almost

132
00:06:26,480 --> 00:06:30,000
Speaker 3: completely true. This is amazing. See it's not old lady like,

133
00:06:30,040 --> 00:06:32,440
Speaker 3: it's it's about function and fashion.

134
00:06:32,600 --> 00:06:35,400
Speaker 1: Look once I saw yours in person, and I thought

135
00:06:35,440 --> 00:06:38,400
Speaker 1: yours were like, you know, like I said, like Nike's

136
00:06:38,520 --> 00:06:39,800
Speaker 1: or the Hookahs or something like that.

137
00:06:39,880 --> 00:06:44,760
Speaker 3: I was like, Okay, so cute. I need compliments everywhere.

138
00:06:44,800 --> 00:06:49,120
Speaker 1: I wait, my my feeling about it. And I when

139
00:06:49,120 --> 00:06:51,000
Speaker 1: I warmed it the gym the other day, I got

140
00:06:51,120 --> 00:06:53,040
Speaker 1: so many to get comments.

141
00:06:52,960 --> 00:06:55,360
Speaker 2: Oh my god, I love your shoes. I was like, yeah,

142
00:06:55,440 --> 00:06:56,200
Speaker 2: let me tell you.

143
00:06:56,279 --> 00:06:59,160
Speaker 1: I mean I I basically was like just an ad

144
00:06:59,240 --> 00:07:02,600
Speaker 1: for them because I got a ton of compliments on

145
00:07:02,640 --> 00:07:04,240
Speaker 1: them and people were like, oh my god, they're just

146
00:07:04,240 --> 00:07:04,880
Speaker 1: the slip on ones.

147
00:07:04,880 --> 00:07:05,839
Speaker 2: I was like, hell, they are.

148
00:07:06,320 --> 00:07:08,960
Speaker 3: The slip on shoes. Don't have to be orthopedic or

149
00:07:09,560 --> 00:07:10,920
Speaker 3: bad looking, like they can.

150
00:07:10,800 --> 00:07:13,840
Speaker 2: Be cute and fast, cute and like flat sort of

151
00:07:13,840 --> 00:07:15,840
Speaker 2: retro looking ones. I've been wearing those of a bunch.

152
00:07:16,000 --> 00:07:18,080
Speaker 3: Yeah, yeah, I'm putting that on my list. That is

153
00:07:18,160 --> 00:07:20,000
Speaker 3: just really cute, stinking.

154
00:07:19,640 --> 00:07:22,880
Speaker 1: They're really cute, and and yeah they don't they're not

155
00:07:23,040 --> 00:07:24,920
Speaker 1: like big workout you know, they.

156
00:07:24,840 --> 00:07:29,960
Speaker 3: Just look like big white platform orthopedic shoes. No, they're

157
00:07:30,120 --> 00:07:30,720
Speaker 3: super cute.

158
00:07:30,800 --> 00:07:32,200
Speaker 2: So I'm very excited and.

159
00:07:32,480 --> 00:07:34,800
Speaker 3: Very excited I should get a pair for Michael. Michael,

160
00:07:34,840 --> 00:07:38,600
Speaker 3: I but if they make a size fourteen shoe, that's true.

161
00:07:38,840 --> 00:07:42,160
Speaker 3: We're on two wins of the spectrum, and I'm one

162
00:07:42,200 --> 00:07:42,800
Speaker 3: of you can.

163
00:07:42,680 --> 00:07:45,360
Speaker 2: Find shoes were clothes.

164
00:07:45,320 --> 00:07:49,560
Speaker 3: Right, so one of you? Right? Yes, but kissicks does

165
00:07:49,720 --> 00:07:54,680
Speaker 3: make them. Neither make the coaster because he's too short. Right, Oh,

166
00:07:54,680 --> 00:07:57,280
Speaker 3: it's hot. It's difficult. This is why when we go

167
00:07:57,360 --> 00:07:59,880
Speaker 3: to like the movies or to a concert like these

168
00:08:00,000 --> 00:08:02,880
Speaker 3: away self conscious because he's like the one behind him

169
00:08:03,440 --> 00:08:07,440
Speaker 3: and I can't see because I'm trying, and that really

170
00:08:07,720 --> 00:08:11,280
Speaker 3: is it's it's very difficult. It's very difficult. This is

171
00:08:11,280 --> 00:08:13,880
Speaker 3: why we need simplify our lives and have slip on shoes.

172
00:08:14,560 --> 00:08:16,800
Speaker 3: That eliminates one more problem from your life. You don't

173
00:08:16,800 --> 00:08:19,120
Speaker 3: have to stop, but.

174
00:08:19,640 --> 00:08:24,800
Speaker 2: No, but he'll be making him more efficient, way more efficient.

175
00:08:25,960 --> 00:08:27,080
Speaker 3: This makes me so happy.

176
00:08:27,080 --> 00:08:31,320
Speaker 2: There you go. It's a it's an early Christmas present, so.

177
00:08:31,440 --> 00:08:38,400
Speaker 3: Thank you so much. Want wrong, Honestly, this is better

178
00:08:38,480 --> 00:08:42,599
Speaker 3: than like any sort of fruitcake, like this is amazing

179
00:08:42,800 --> 00:08:46,600
Speaker 3: that you're wrong. You're now wearing slip on.

180
00:08:46,559 --> 00:08:47,679
Speaker 2: Shoes like I am.

181
00:08:48,480 --> 00:08:53,960
Speaker 3: We're ready for gladly, Gladly, let's get our kaftans and

182
00:08:54,000 --> 00:08:54,440
Speaker 3: go sit.

183
00:08:54,320 --> 00:08:58,600
Speaker 1: On your close a lemon calf tan. I have a

184
00:08:58,679 --> 00:09:01,360
Speaker 1: leopard print calf tan. Honey, I got calf hands.

185
00:09:01,600 --> 00:09:03,959
Speaker 2: I'm this is I'm.

186
00:09:03,800 --> 00:09:08,160
Speaker 1: Ready have arrived about like Missus Roper.

187
00:09:10,040 --> 00:09:12,439
Speaker 3: I love Missus Roper. She was the best.

188
00:09:13,000 --> 00:09:13,760
Speaker 2: That's what I want to be.

189
00:09:13,960 --> 00:09:16,880
Speaker 1: Just give me a moomoo and some big weird jewelry

190
00:09:16,960 --> 00:09:17,800
Speaker 1: and I'm set.

191
00:09:19,400 --> 00:09:20,680
Speaker 3: That's goals and goals.

192
00:09:20,760 --> 00:09:24,120
Speaker 2: And with some slip on shoes and a calf hand,

193
00:09:24,640 --> 00:09:26,560
Speaker 2: I'll be like the cool, funky old lady. They'll be like,

194
00:09:26,600 --> 00:09:28,439
Speaker 2: look at her, She's so cool, and I'll be like, no,

195
00:09:28,559 --> 00:09:30,000
Speaker 2: it's just comfortable.

196
00:09:30,120 --> 00:09:32,720
Speaker 1: It's just basically I'm wearing a shift and shoes that

197
00:09:32,760 --> 00:09:33,880
Speaker 1: I don't have to bend over for.

198
00:09:34,440 --> 00:09:39,040
Speaker 3: Yes, yes, hey, you know what. Comfort is something that

199
00:09:39,080 --> 00:09:41,400
Speaker 3: we all need in our lives, especially.

200
00:09:41,640 --> 00:09:44,360
Speaker 1: To be uncomfortable these days. Yes, and that I'm not

201
00:09:44,400 --> 00:09:48,440
Speaker 1: even that old, but I just have given up I

202
00:09:48,480 --> 00:09:51,280
Speaker 1: mean it being uncomfortable. No, I will, I will pay

203
00:09:51,320 --> 00:09:54,200
Speaker 1: for the seat. I will do whatever, like just yeah,

204
00:09:54,320 --> 00:09:56,640
Speaker 1: give me a place to slip down. It's worth I

205
00:09:56,640 --> 00:10:02,360
Speaker 1: can slip on my shoes, questions and make myself comfortable.

206
00:10:02,559 --> 00:10:04,800
Speaker 3: It's quick either way, slip on or slip off.

207
00:10:04,920 --> 00:10:11,480
Speaker 1: Right, Yeah, Anyways, slipping slipping, Let's slip into a strange

208
00:10:11,520 --> 00:10:12,920
Speaker 1: fever dream of an episode.

209
00:10:13,040 --> 00:10:15,640
Speaker 3: That is, you do slip in this. I mean you

210
00:10:15,640 --> 00:10:18,040
Speaker 3: don't see it on camera, but I watch it happened.

211
00:10:18,120 --> 00:10:22,079
Speaker 3: You slipped when running around the kitchen table like five times.

212
00:10:22,160 --> 00:10:24,360
Speaker 2: Yeah, it's all on the gag reel too.

213
00:10:24,520 --> 00:10:24,720
Speaker 1: Yeah.

214
00:10:24,760 --> 00:10:26,200
Speaker 3: I find with gag reels.

215
00:10:26,280 --> 00:10:28,559
Speaker 1: I think remember this scene. Oh that's right, it's the

216
00:10:28,559 --> 00:10:32,360
Speaker 1: gag reel. I was falling down and I thinks.

217
00:10:31,760 --> 00:10:33,839
Speaker 2: What are you even tripped? What is there?

218
00:10:34,000 --> 00:10:37,440
Speaker 3: There's nothing you tripped on. Nothing, You tripped on nut carpet.

219
00:10:37,480 --> 00:10:38,480
Speaker 3: That's what you tripped on.

220
00:10:38,600 --> 00:10:40,960
Speaker 2: Is amazing, man, you know.

221
00:10:41,240 --> 00:10:44,800
Speaker 3: Anyways, Welcome back to Howard Tanertos. I'm Andrea Barber and

222
00:10:44,880 --> 00:10:51,679
Speaker 3: I'm Jody Sweeten, and today we're discussing season five, episode sixteen, Crushed.

223
00:10:52,040 --> 00:10:55,720
Speaker 3: It originally aired January fourteenth, nineteen ninety two, and it

224
00:10:55,760 --> 00:10:59,280
Speaker 3: goes a little something like this. Pop singer Tommy Page

225
00:10:59,600 --> 00:11:04,520
Speaker 3: perform at Stephanie's tenth birthday party, which creates a love

226
00:11:04,600 --> 00:11:11,440
Speaker 3: triangle between Stephanie and Djoh the Tommy Page episode. This

227
00:11:11,559 --> 00:11:13,960
Speaker 3: is like, and this took place right before your real birthday,

228
00:11:14,240 --> 00:11:16,480
Speaker 3: real day or right around my real birthday.

229
00:11:16,720 --> 00:11:19,520
Speaker 1: And yeah, and this was like in the days before

230
00:11:19,679 --> 00:11:22,240
Speaker 1: you know, people were paying pop stars a million dollars

231
00:11:22,280 --> 00:11:23,600
Speaker 1: to complain at a birthday party.

232
00:11:23,720 --> 00:11:26,560
Speaker 3: This was full house likes to do this though. We

233
00:11:26,600 --> 00:11:28,240
Speaker 3: did this in fuller with the New Kids. Hey just

234
00:11:28,280 --> 00:11:30,360
Speaker 3: stop by the house and sing some songs?

235
00:11:31,160 --> 00:11:31,760
Speaker 2: Is it every day?

236
00:11:32,040 --> 00:11:35,960
Speaker 3: Yeah, Beach Boys, Tommy Page, this is just the Tanner's

237
00:11:36,480 --> 00:11:38,840
Speaker 3: you know, it's the Tanner's universe. We're all just living

238
00:11:38,840 --> 00:11:39,080
Speaker 3: in it.

239
00:11:39,120 --> 00:11:41,480
Speaker 1: Tommy was like, actually, I got to do some recording anyway.

240
00:11:41,600 --> 00:11:44,040
Speaker 1: I'll just bop right over to your recording studio and

241
00:11:44,240 --> 00:11:47,000
Speaker 1: we'll call it even I have to.

242
00:11:47,000 --> 00:11:51,439
Speaker 3: Pay for recordings, so yeah, this was a win win,

243
00:11:51,720 --> 00:11:57,200
Speaker 3: you know, I scratch your mutually beneficial absolutely. This was

244
00:11:57,240 --> 00:12:00,920
Speaker 3: directed by joel's Wick. It was written by Diana Airs

245
00:12:01,280 --> 00:12:05,000
Speaker 3: and Susan Sebastian, two names that do not ring a bell.

246
00:12:05,440 --> 00:12:07,679
Speaker 1: But I do like that It was two women writers

247
00:12:07,679 --> 00:12:10,280
Speaker 1: sort of writing about the girl's crush moments.

248
00:12:10,360 --> 00:12:14,160
Speaker 3: Yeah, oh it's yeah, it's this is a very milestone,

249
00:12:14,679 --> 00:12:17,920
Speaker 3: you know, having you your first crush or getting your

250
00:12:17,920 --> 00:12:20,960
Speaker 3: heart broken for the first time. Yeah, that's a universal experience.

251
00:12:22,600 --> 00:12:26,560
Speaker 3: We have two excellent guest stars. We have the incomparable

252
00:12:26,720 --> 00:12:31,200
Speaker 3: Tommy Page as Tommy Page, who was a very famous

253
00:12:31,240 --> 00:12:34,720
Speaker 3: pop star at the time. His song I'll Be Your Everything,

254
00:12:35,160 --> 00:12:37,480
Speaker 3: which was co written by Jordan Knight, it was Danny

255
00:12:37,480 --> 00:12:38,160
Speaker 3: Wood of New Kids.

256
00:12:38,200 --> 00:12:40,160
Speaker 1: I was gonna say, didn't wasn't there a New Kids

257
00:12:40,200 --> 00:12:41,160
Speaker 1: connection somewhere?

258
00:12:41,280 --> 00:12:41,720
Speaker 2: Yeah?

259
00:12:41,840 --> 00:12:45,480
Speaker 3: Big connection, big connection. Okay, So Jordan and Danny they

260
00:12:45,480 --> 00:12:48,040
Speaker 3: co wrote the song and they sang the background vocals

261
00:12:48,040 --> 00:12:50,960
Speaker 3: on it. Tommy Page opened for The New Kids on

262
00:12:51,120 --> 00:12:53,400
Speaker 3: both their Hang and Tough tour in nineteen eighty nine

263
00:12:53,440 --> 00:12:56,559
Speaker 3: and their Magic Summer Tour in nineteen ninety and so

264
00:12:56,600 --> 00:13:00,040
Speaker 3: that's what sort of launched him into you know, the

265
00:13:00,120 --> 00:13:04,120
Speaker 3: fandom of screaming teenage girls who couldn't get enough of

266
00:13:04,160 --> 00:13:08,320
Speaker 3: these handsome boys. So yeah, he was dubbed like the

267
00:13:08,360 --> 00:13:12,560
Speaker 3: sixth New Kid or the little brother to the New Kids. Yeah,

268
00:13:12,559 --> 00:13:14,560
Speaker 3: so that's I was thrilled that he was on the show,

269
00:13:14,679 --> 00:13:17,200
Speaker 3: just because it was like, you know, six degrees of separation.

270
00:13:17,240 --> 00:13:18,600
Speaker 3: I was like, oh, I'm closer to the New Kids

271
00:13:18,760 --> 00:13:22,760
Speaker 3: because Tommy opened for them exactly. But yeah, he's so

272
00:13:22,880 --> 00:13:25,120
Speaker 3: talented or he was so talented in his own right.

273
00:13:25,679 --> 00:13:29,840
Speaker 3: He was the publisher of Billboard Magazine, vice president at Pandora.

274
00:13:29,960 --> 00:13:32,960
Speaker 3: Yeah oh yeah wow. And he was the executive of

275
00:13:33,120 --> 00:13:35,680
Speaker 3: Warner Brothers Records, and he helped shape the careers of

276
00:13:35,720 --> 00:13:40,160
Speaker 3: Michael Boublet, Alanis Morrissette, Josh Grobin, and Green Day.

277
00:13:41,240 --> 00:13:41,440
Speaker 2: Yeah.

278
00:13:41,640 --> 00:13:43,959
Speaker 3: Well he was a big time music executive. Yes, this

279
00:13:44,080 --> 00:13:46,640
Speaker 3: wasn't like a one hit wonder or whatever.

280
00:13:46,760 --> 00:13:48,800
Speaker 2: I need. I knew he had remained in the business.

281
00:13:48,840 --> 00:13:51,960
Speaker 1: We had a couple mutual friends like back and forth

282
00:13:52,280 --> 00:13:53,559
Speaker 1: that I would hear about every once in a while,

283
00:13:53,600 --> 00:13:56,080
Speaker 1: but I had no idea that he had Like was

284
00:13:56,120 --> 00:13:57,760
Speaker 1: that good for him?

285
00:13:57,960 --> 00:13:58,200
Speaker 2: Yeah?

286
00:13:58,240 --> 00:13:59,960
Speaker 3: Good for him, Like he took what could have just

287
00:14:00,080 --> 00:14:01,840
Speaker 3: spend like a one hit like I mean, you know,

288
00:14:01,880 --> 00:14:03,640
Speaker 3: riding on the backs of the new kids. But he

289
00:14:03,760 --> 00:14:06,199
Speaker 3: really made a name for himself in the music industry.

290
00:14:06,280 --> 00:14:10,440
Speaker 3: So yes, good for him. Sadly, he passed away in

291
00:14:10,480 --> 00:14:14,560
Speaker 3: twenty seventeen, so I'm very glad that we can honor

292
00:14:14,640 --> 00:14:19,240
Speaker 3: him this episode and last, but certainly not least, we

293
00:14:19,320 --> 00:14:22,480
Speaker 3: have Todd McKenzie as boy at Party.

294
00:14:22,760 --> 00:14:25,320
Speaker 2: I don't know. He might be last and least in

295
00:14:25,360 --> 00:14:25,920
Speaker 2: this is.

296
00:14:26,120 --> 00:14:30,920
Speaker 3: His only credit on IMDb, Like this is I don't

297
00:14:30,960 --> 00:14:34,040
Speaker 3: know Mackenzie. That name doesn't ring a bell. So yeah,

298
00:14:34,080 --> 00:14:36,480
Speaker 3: whose kid was he? I don't know? Yeah he was

299
00:14:36,840 --> 00:14:40,800
Speaker 3: last and least Todd Mackenzie. Sorry Todd, but they should

300
00:14:40,800 --> 00:14:44,440
Speaker 3: have given you more to do. We'll blame the writers.

301
00:14:45,520 --> 00:14:48,960
Speaker 3: So we start, We start. We start with teaser. In

302
00:14:49,000 --> 00:14:53,440
Speaker 3: the kitchen, Michelle and Becky are decorating Stephanie's birthday cake,

303
00:14:53,680 --> 00:14:57,960
Speaker 3: and Michelle is dying to lick the spoon as usual,

304
00:14:58,840 --> 00:15:02,400
Speaker 3: I get it regular the sugar binge. Yeah, in this case, yeah,

305
00:15:02,400 --> 00:15:05,800
Speaker 3: I'd be the same. It's delicious to lick the spoons part.

306
00:15:06,880 --> 00:15:07,240
Speaker 2: Uh.

307
00:15:07,280 --> 00:15:10,680
Speaker 3: So, after a millisecond of spreading some frosting onto the cake,

308
00:15:10,800 --> 00:15:14,880
Speaker 3: Michelle asks, now can we lick the spatula. Becky gives

309
00:15:14,880 --> 00:15:17,680
Speaker 3: her the go ahead, and so Michelle proceeds to scrape

310
00:15:17,680 --> 00:15:20,720
Speaker 3: off a huge layer of frosting directly from the cake

311
00:15:21,160 --> 00:15:25,640
Speaker 3: and she devours it. Becky laughs before emphasizing now we

312
00:15:25,760 --> 00:15:29,440
Speaker 3: have to make more frosting. Michelle responds with a mouth

313
00:15:29,560 --> 00:15:35,160
Speaker 3: covered in frosting and says, really, what a shade, and

314
00:15:35,240 --> 00:15:37,160
Speaker 3: continues to lick the spatula. I didn't even know what

315
00:15:37,240 --> 00:15:40,640
Speaker 3: she said, So I'm glad that madam was able to translate, I'm.

316
00:15:40,600 --> 00:15:47,240
Speaker 1: Just like, yeah, very much enjoying the sugar binge chocolateasting

317
00:15:47,320 --> 00:15:48,080
Speaker 1: off of a spatula.

318
00:15:48,160 --> 00:15:49,120
Speaker 2: There's nothing, there's.

319
00:15:49,000 --> 00:15:52,400
Speaker 3: Really nothing better than chocolate frosting off a spatula. Truly

320
00:15:52,640 --> 00:15:54,600
Speaker 3: like it tastes better. It tastes better off a spatula

321
00:15:54,640 --> 00:15:56,240
Speaker 3: than it does off of a cake.

322
00:15:56,320 --> 00:15:59,600
Speaker 1: Yeah, for sure, there's something about it. It feels slightly forbidden, psychologic.

323
00:15:59,680 --> 00:16:02,920
Speaker 1: You're like, oh, like not, I'm licking the thing before it's.

324
00:16:02,800 --> 00:16:16,440
Speaker 3: Ready, But it's delicious, delicious. Next in the kitchen, Becky

325
00:16:16,520 --> 00:16:19,600
Speaker 3: is attending to one twin while Jesse handles the other twin.

326
00:16:20,360 --> 00:16:23,760
Speaker 3: He realizes it's Friday, which means he cleans the baby

327
00:16:23,760 --> 00:16:28,880
Speaker 3: bottles and Becky cleans the baby bottoms. Then Joey walks

328
00:16:28,880 --> 00:16:32,400
Speaker 3: in and does his Bullwinkle impression for the twins, also

329
00:16:32,480 --> 00:16:36,040
Speaker 3: known as his biggest fans. One of the boys gives

330
00:16:36,080 --> 00:16:39,400
Speaker 3: him a big belly laugh in return, and Joey beams.

331
00:16:40,000 --> 00:16:43,560
Speaker 3: Becky admits, don't get too excited. They crack up at anything.

332
00:16:43,800 --> 00:16:44,640
Speaker 2: This was so cute.

333
00:16:44,640 --> 00:16:46,360
Speaker 1: It was kind of one of the first like big

334
00:16:46,520 --> 00:16:49,200
Speaker 1: like smile laugh moments that we'd seen from the babies.

335
00:16:49,520 --> 00:16:52,560
Speaker 3: Yes, kids, they were so cute after looking like those

336
00:16:52,560 --> 00:16:53,840
Speaker 3: worried little.

337
00:16:56,000 --> 00:16:58,600
Speaker 1: Like one was laughing, the other one was like, not

338
00:16:58,680 --> 00:17:03,240
Speaker 1: here for you to mistro He can entertain him easily,

339
00:17:03,280 --> 00:17:03,720
Speaker 1: but not me.

340
00:17:04,400 --> 00:17:06,480
Speaker 3: Yeah, he's like, I'm a tougher critic. You gotta work

341
00:17:06,520 --> 00:17:10,240
Speaker 3: harder for my laugh. So Michelle decides to take a

342
00:17:10,240 --> 00:17:12,960
Speaker 3: whack at it. She puts on her fake antlers and

343
00:17:13,000 --> 00:17:18,439
Speaker 3: her best Bullwinkle voice, saying Hello, I'm Michelle Winkle. But

344
00:17:18,440 --> 00:17:21,400
Speaker 3: the boys give her nothing, and she's appalled. Hey, what's

345
00:17:21,440 --> 00:17:25,240
Speaker 3: your problem? This is funny stuff, she says. Becky tells

346
00:17:25,240 --> 00:17:27,800
Speaker 3: her not to worry. The babies are just tired. She

347
00:17:27,880 --> 00:17:29,879
Speaker 3: tells her boys that they need their beauty sleep, and

348
00:17:30,000 --> 00:17:34,640
Speaker 3: Jesse corrects her, You mean they're ruggedly handsome sleep. Jesse

349
00:17:34,720 --> 00:17:40,720
Speaker 3: and his masculinity need to strict gender roles here.

350
00:17:40,760 --> 00:17:44,880
Speaker 2: Gender, let's gender our sleep too.

351
00:17:46,520 --> 00:17:49,560
Speaker 3: Not enough gendered things in life. Jesse picks up one

352
00:17:49,600 --> 00:17:51,720
Speaker 3: of the boys and they head upstairs for nap time.

353
00:17:52,080 --> 00:17:54,280
Speaker 3: Michelle stays in the kitchen with Joey and she lets

354
00:17:54,320 --> 00:17:56,920
Speaker 3: out a big sigh. I want to be funny like you.

355
00:17:57,920 --> 00:18:00,480
Speaker 3: Joey puts on his announcer voice and takes a seat

356
00:18:00,520 --> 00:18:04,680
Speaker 3: across from her. Welcome to Joey Gladstone's Comedy College. You'll

357
00:18:04,680 --> 00:18:07,399
Speaker 3: have those babies laughing so hard, there won't be a

358
00:18:07,480 --> 00:18:10,359
Speaker 3: dry diaper in the house. He lets out a roaring

359
00:18:10,440 --> 00:18:12,760
Speaker 3: laugh at his own joke, and Michelle mimicks the low

360
00:18:12,800 --> 00:18:17,360
Speaker 3: pitched laugh Dave's power laugh, the power laugh. Yeah. He

361
00:18:17,400 --> 00:18:19,879
Speaker 3: gives her some pointers to enhance the laugh and she

362
00:18:20,000 --> 00:18:22,399
Speaker 3: tries a few more times. Then they walk out of

363
00:18:22,400 --> 00:18:24,639
Speaker 3: the door together and she gives him a big ha

364
00:18:25,200 --> 00:18:27,720
Speaker 3: and he nods, there you go, which is this was

365
00:18:27,720 --> 00:18:28,359
Speaker 3: such a cute bit.

366
00:18:28,600 --> 00:18:31,680
Speaker 2: It's cute, but I made me go are you Are

367
00:18:31,680 --> 00:18:32,800
Speaker 2: you okay? You know what I mean?

368
00:18:33,359 --> 00:18:34,840
Speaker 1: I would have actually done that. I'd be like, are

369
00:18:34,880 --> 00:18:36,160
Speaker 1: you choky?

370
00:18:36,440 --> 00:18:36,880
Speaker 2: Right? Guys?

371
00:18:36,920 --> 00:18:38,000
Speaker 3: Are you put your arms?

372
00:18:38,280 --> 00:18:39,040
Speaker 2: Let me hit you on the back.

373
00:18:39,760 --> 00:18:41,520
Speaker 3: Do you need the highlights? Do you need some water?

374
00:18:43,359 --> 00:18:46,400
Speaker 3: So then Danny walks downstairs with stephan Dj trailing him.

375
00:18:47,240 --> 00:18:50,399
Speaker 3: Stephanie is begging, please take me to your show today.

376
00:18:50,600 --> 00:18:53,719
Speaker 3: I gotta meet Tommy Page. Maybe he'll autograph this picture,

377
00:18:54,200 --> 00:18:56,960
Speaker 3: and she shows off a large poster of the celebrity

378
00:18:57,280 --> 00:18:59,840
Speaker 3: and Danny size, I'll try to get him to sign

379
00:18:59,880 --> 00:19:02,879
Speaker 3: it for you. But you cannot cut school just because

380
00:19:02,920 --> 00:19:05,879
Speaker 3: some rock star is on my show. But you should

381
00:19:05,880 --> 00:19:08,560
Speaker 3: know this because we went through this Q in season one.

382
00:19:08,720 --> 00:19:09,879
Speaker 3: Right right, I've already done this.

383
00:19:10,400 --> 00:19:14,080
Speaker 1: We've already done the random giant poster appearing over the

384
00:19:14,119 --> 00:19:16,919
Speaker 1: bed that suddenly we had never seen before.

385
00:19:17,000 --> 00:19:18,720
Speaker 2: And then right right, we're just say.

386
00:19:19,240 --> 00:19:21,879
Speaker 3: We're repeating storylines in five years, you've got to repeat

387
00:19:21,880 --> 00:19:28,159
Speaker 3: some storylines now, I don't so, Stephanie argues, he's not

388
00:19:28,400 --> 00:19:31,840
Speaker 3: just any rock star. His poster is hanging over my bed.

389
00:19:31,760 --> 00:19:32,800
Speaker 2: Last three days.

390
00:19:34,359 --> 00:19:40,240
Speaker 3: As Yes, as soon as came through, he's the last

391
00:19:40,240 --> 00:19:43,120
Speaker 3: thing I see before I fall asleep, except the inside

392
00:19:43,119 --> 00:19:46,240
Speaker 3: of my eyelids. I was so jealous of your black

393
00:19:46,280 --> 00:19:49,040
Speaker 3: and plaid jacket here, Like this was the key little

394
00:19:49,119 --> 00:19:53,800
Speaker 3: jacket jacket. I was speaking of plaid jackets. Yeah, it

395
00:19:53,880 --> 00:19:58,919
Speaker 3: was so cute, the color, the like, the styling. It

396
00:19:59,040 --> 00:19:59,960
Speaker 3: was just adorable.

397
00:20:00,240 --> 00:20:03,720
Speaker 2: And you looked so the my style in this whole

398
00:20:03,720 --> 00:20:04,960
Speaker 2: episode I really liked.

399
00:20:05,720 --> 00:20:06,560
Speaker 3: Yeah, I wasn't.

400
00:20:06,640 --> 00:20:09,720
Speaker 1: I wasn't girly like I've never really been the girly

401
00:20:09,800 --> 00:20:13,880
Speaker 1: girly one. So I liked like I it reflected that.

402
00:20:13,720 --> 00:20:15,480
Speaker 2: She was kind of in a relationship thing.

403
00:20:15,680 --> 00:20:23,520
Speaker 3: Yeah, You're not just wearing like floral dresses like A yeah, exactly, No,

404
00:20:23,680 --> 00:20:26,760
Speaker 3: you had you were on trend and making your own trends.

405
00:20:27,000 --> 00:20:31,359
Speaker 3: I loved that jacket, so DJ smiles. This is so

406
00:20:31,520 --> 00:20:35,480
Speaker 3: cute Stephanie's first childhood crush. You know, I had the

407
00:20:35,520 --> 00:20:38,240
Speaker 3: same thing with George Michael until his ear rings got

408
00:20:38,240 --> 00:20:41,240
Speaker 3: bigger than mine. Oh is that jokes?

409
00:20:42,400 --> 00:20:44,440
Speaker 2: We didn't well know, but we didn't know at the time.

410
00:20:44,480 --> 00:20:46,359
Speaker 3: I don't think we didn't know, right, No, we didn't

411
00:20:46,359 --> 00:20:51,280
Speaker 3: know at the time, So that's okay. Stephanie reminds her,

412
00:20:51,320 --> 00:20:54,720
Speaker 3: I am not a child. Today is my tenth birthday,

413
00:20:54,840 --> 00:20:57,600
Speaker 3: the big one. Oh. She turns to Danny and tries

414
00:20:57,640 --> 00:20:59,720
Speaker 3: to guilt trip him. I can't believe you won't. You

415
00:20:59,720 --> 00:21:02,640
Speaker 3: wouldn't let your own daughter meet her all time favorite

416
00:21:02,680 --> 00:21:06,240
Speaker 3: singer in the whole universe on her birthday. She sighs,

417
00:21:06,280 --> 00:21:10,840
Speaker 3: and I thought you loved me. DJ applauds this dramatic performance,

418
00:21:11,040 --> 00:21:13,560
Speaker 3: and Steph looks at her dad with hope. Did it work?

419
00:21:14,240 --> 00:21:19,159
Speaker 3: And Danny responds bluntly no. Steph shrugs, I'm losing my touch.

420
00:21:20,160 --> 00:21:22,239
Speaker 3: Danny hands over her lunchbox and tells her to get

421
00:21:22,280 --> 00:21:25,320
Speaker 3: out of here. After she's out the door, DJ tells

422
00:21:25,359 --> 00:21:28,000
Speaker 3: her dad that was pretty cool. I mean, it is

423
00:21:28,040 --> 00:21:31,600
Speaker 3: her birthday and she does worship the guy. Danny spills

424
00:21:31,640 --> 00:21:34,480
Speaker 3: the beans. I told Tommy what a big fan Stephanie

425
00:21:34,520 --> 00:21:36,920
Speaker 3: is and he agreed to stop by her party after

426
00:21:37,080 --> 00:21:43,400
Speaker 3: school today. DJ exclaims Stephanie's gonna go nuts, and Danny grins, am,

427
00:21:43,400 --> 00:21:48,320
Speaker 3: I the raddest, baddest dad a kid ever had no

428
00:21:48,520 --> 00:21:51,600
Speaker 3: and she admits, well you were until you said that, yeah,

429
00:21:51,640 --> 00:21:55,239
Speaker 3: and exits. He had a good thing going and then

430
00:21:55,280 --> 00:21:58,399
Speaker 3: he just he did a Danny Tanner. Yeah, made a

431
00:21:58,480 --> 00:22:03,000
Speaker 3: cheesy joke. So later in the day, we are in

432
00:22:03,040 --> 00:22:07,440
Speaker 3: the living room at Stephanie's tenth birthday party.

433
00:22:07,480 --> 00:22:09,280
Speaker 2: There's the dancing.

434
00:22:09,480 --> 00:22:15,560
Speaker 3: Yeah, it's so great. Marky Mark's Good Vibrations is playing

435
00:22:15,880 --> 00:22:18,120
Speaker 3: as kids are gathered around for the.

436
00:22:18,040 --> 00:22:20,720
Speaker 2: Party, which I've told you the Marky Mark story.

437
00:22:20,520 --> 00:22:22,879
Speaker 3: Right have you? Have? You reminded me.

438
00:22:24,400 --> 00:22:26,760
Speaker 1: Probably around this age because it was just like Marky

439
00:22:26,840 --> 00:22:30,919
Speaker 1: Mark era. I was flying to Boston for something and

440
00:22:31,920 --> 00:22:35,000
Speaker 1: he was like in the row, like in front and

441
00:22:35,200 --> 00:22:35,840
Speaker 1: over whatever.

442
00:22:37,080 --> 00:22:44,080
Speaker 2: I was dying, but Mom was like, say hi.

443
00:22:44,200 --> 00:22:47,800
Speaker 1: Like you could go see it and I was like no, no, no, no,

444
00:22:47,920 --> 00:22:48,320
Speaker 1: like I do.

445
00:22:48,400 --> 00:22:50,720
Speaker 2: I'm like no, I'm that's not you know, I get it.

446
00:22:50,760 --> 00:22:53,840
Speaker 2: You don't bother you. I'm not gonna don't. I don't

447
00:22:53,840 --> 00:22:55,320
Speaker 2: want to bother you. Anyway.

448
00:22:55,920 --> 00:22:59,720
Speaker 1: As we're getting off the plane, uh, we're like, you know,

449
00:22:59,800 --> 00:23:01,439
Speaker 1: in before you get off, and he just leans over

450
00:23:01,480 --> 00:23:02,120
Speaker 1: and he goes.

451
00:23:01,920 --> 00:23:04,840
Speaker 2: Hey, I got to tell you I love your show.

452
00:23:05,080 --> 00:23:07,720
Speaker 2: And I was like I melted right there.

453
00:23:07,760 --> 00:23:11,640
Speaker 3: And then so the Boston accent and everything was very good.

454
00:23:11,680 --> 00:23:12,880
Speaker 2: I actually did that very well.

455
00:23:13,480 --> 00:23:17,320
Speaker 3: You did very good. Yes, but yeah a moment, Yeah,

456
00:23:17,560 --> 00:23:19,119
Speaker 3: you were just floating right on the.

457
00:23:20,680 --> 00:23:23,399
Speaker 2: I was real, I remember it to this day.

458
00:23:23,560 --> 00:23:25,640
Speaker 3: Yeah, that's so bad.

459
00:23:25,720 --> 00:23:28,560
Speaker 1: And then the fact that I was like, oh, hell yeah,

460
00:23:28,560 --> 00:23:31,240
Speaker 1: we even like we even could play it on the show.

461
00:23:31,359 --> 00:23:33,360
Speaker 3: So I was like, yeah, it's like great, they got

462
00:23:33,400 --> 00:23:35,760
Speaker 3: the clearance and they it was a perfect song for

463
00:23:35,840 --> 00:23:40,720
Speaker 3: this party. If you can't get one, you got to

464
00:23:40,760 --> 00:23:45,520
Speaker 3: get together. So the boys are eating caramel apples while

465
00:23:45,560 --> 00:23:47,440
Speaker 3: the girls are out on the dance floor.

466
00:23:47,440 --> 00:23:50,000
Speaker 2: It seems like a strange party snack. But what else.

467
00:23:51,480 --> 00:23:53,360
Speaker 3: Yeah, that's more of like a halloween.

468
00:23:53,800 --> 00:23:56,159
Speaker 2: Especially losing their teeth.

469
00:23:56,400 --> 00:24:00,159
Speaker 1: It's gonna be like like a shark in there, me

470
00:24:00,240 --> 00:24:00,879
Speaker 1: laying all over.

471
00:24:00,760 --> 00:24:06,120
Speaker 3: The floor another too, Yeah you need more finger foods,

472
00:24:06,119 --> 00:24:07,680
Speaker 3: not something that you get all over.

473
00:24:07,520 --> 00:24:10,399
Speaker 2: Your face and a slice.

474
00:24:10,480 --> 00:24:13,480
Speaker 3: They're very difficult. Yeah, not not the best party snack.

475
00:24:13,560 --> 00:24:17,240
Speaker 3: I agree. So Jesse joins the dance circle for a

476
00:24:17,240 --> 00:24:20,119
Speaker 3: minute to show off his awkward moves, and then we

477
00:24:20,160 --> 00:24:23,280
Speaker 3: see Joey up on a pedestal acting as the DJ

478
00:24:23,480 --> 00:24:26,120
Speaker 3: for the party. The group of girls cheer for him

479
00:24:26,160 --> 00:24:27,359
Speaker 3: when the song is over.

480
00:24:27,640 --> 00:24:29,080
Speaker 2: And these were a bunch of my dance friends.

481
00:24:29,119 --> 00:24:34,240
Speaker 1: By the way, Yes.

482
00:24:34,040 --> 00:24:37,320
Speaker 3: That little one with the blonde hair like she's always

483
00:24:37,400 --> 00:24:38,199
Speaker 3: staring right at the.

484
00:24:38,560 --> 00:24:41,960
Speaker 2: Staring right in them. I can't remember her name now,

485
00:24:42,680 --> 00:24:44,920
Speaker 2: but yeah, she was. She was in it.

486
00:24:45,400 --> 00:24:47,760
Speaker 3: They got a lot of screen time in this season.

487
00:24:47,960 --> 00:24:52,120
Speaker 3: That's so amazing. I love this. So Joey speaks into

488
00:24:52,119 --> 00:24:55,080
Speaker 3: the microphone. Yo, yo, yo, this is Joey Joe bad

489
00:24:55,240 --> 00:24:59,000
Speaker 3: Stone at Stephanie Tanner's birthday party, pumping up the jams

490
00:24:59,000 --> 00:25:01,200
Speaker 3: and jamming up the pump. You know what I'm saying.

491
00:25:02,359 --> 00:25:04,439
Speaker 3: The crowd does not know what he's saying. They shrug

492
00:25:04,440 --> 00:25:07,760
Speaker 3: in confusion, and so he changes course. Hey, neither do

493
00:25:07,840 --> 00:25:12,160
Speaker 3: I all right? Everybody party and the music resumes. Steph

494
00:25:12,240 --> 00:25:14,760
Speaker 3: walks up to Jesse and complains none of the boys

495
00:25:14,760 --> 00:25:17,360
Speaker 3: will dance, and he assures her that he can help.

496
00:25:17,520 --> 00:25:18,639
Speaker 2: Never going to change stuff.

497
00:25:19,680 --> 00:25:25,120
Speaker 3: No, this is common at these gender parties. On either

498
00:25:25,240 --> 00:25:28,640
Speaker 3: side that's divided. I'm more impressed that you invited boys

499
00:25:28,680 --> 00:25:30,359
Speaker 3: to this party at ten I did not want.

500
00:25:30,200 --> 00:25:33,280
Speaker 2: Anything to do it. It looks like eight you know what

501
00:25:33,320 --> 00:25:33,560
Speaker 2: I mean?

502
00:25:33,600 --> 00:25:38,119
Speaker 1: They look as usual, The girls look like much more mature,

503
00:25:38,119 --> 00:25:39,359
Speaker 1: and the boys I was like, well, I mean, I

504
00:25:39,359 --> 00:25:40,879
Speaker 1: can see why these boys aren't wanting to talk to

505
00:25:40,920 --> 00:25:42,800
Speaker 1: These girls are at least three years.

506
00:25:42,680 --> 00:25:45,720
Speaker 3: Older than them, right, they have no social skills and

507
00:25:45,800 --> 00:25:51,000
Speaker 3: they are feeling awkward for being at this party. Uh So,

508
00:25:51,160 --> 00:25:53,359
Speaker 3: Jesse walks over to the boys and tries to lend

509
00:25:53,520 --> 00:25:56,280
Speaker 3: some encouragement. I realize you guys might be a little

510
00:25:56,320 --> 00:26:00,199
Speaker 3: shy around women. You're wondering if you're overmoosed under yodory.

511
00:26:00,640 --> 00:26:03,479
Speaker 3: I know how you feel. One of the boys asks

512
00:26:03,760 --> 00:26:06,920
Speaker 3: you mean you were shy around girls, and Jesse scoffs, No,

513
00:26:07,240 --> 00:26:09,440
Speaker 3: what am I a dork? Go ask them to dance?

514
00:26:10,200 --> 00:26:13,119
Speaker 3: They all cringe and say you at the suggestion, So

515
00:26:13,280 --> 00:26:16,360
Speaker 3: Jesse takes a different approach. He tells the girls it's

516
00:26:16,560 --> 00:26:20,200
Speaker 3: lady's choice. They can grab their favorite guy and go

517
00:26:20,280 --> 00:26:23,520
Speaker 3: for it. On cue. All of the girls swarm Uncle

518
00:26:23,560 --> 00:26:26,399
Speaker 3: Jesse and he cringes, Oh oh no, no, no, not me.

519
00:26:26,840 --> 00:26:29,920
Speaker 3: The little ones. Their face is sour as they say

520
00:26:30,000 --> 00:26:34,679
Speaker 3: you at the thought. They don't want to intermingle like that.

521
00:26:35,160 --> 00:26:39,159
Speaker 1: Boys and girls agels are having fun dancing and the

522
00:26:39,160 --> 00:26:41,240
Speaker 1: boys are heaving been eating and that's usually how I just.

523
00:26:41,160 --> 00:26:44,040
Speaker 3: Want to eat. Yep, this is this is how it goes.

524
00:26:45,040 --> 00:26:48,479
Speaker 3: So the girls resume their dancing to good Vibrations and

525
00:26:48,520 --> 00:26:51,840
Speaker 3: Steph leads them in a cool dance routine.

526
00:26:51,960 --> 00:26:54,000
Speaker 1: I did love this one. This was a fun one

527
00:26:54,080 --> 00:26:55,399
Speaker 1: and it does make the rounds.

528
00:26:58,040 --> 00:27:00,920
Speaker 2: It makes it. I mean, it's been done to I think,

529
00:27:01,119 --> 00:27:05,160
Speaker 2: like Kendrick Lamar, they not like us. It's ben Zunde

530
00:27:05,280 --> 00:27:05,800
Speaker 2: like and.

531
00:27:05,720 --> 00:27:08,840
Speaker 1: It weirdly like depending on like whatever the bpm is

532
00:27:09,480 --> 00:27:13,960
Speaker 1: of good vibrations, you know, if you find something.

533
00:27:13,720 --> 00:27:17,040
Speaker 3: That goes with the kind of similar it works perfectly.

534
00:27:17,200 --> 00:27:19,320
Speaker 1: And I've seen a lot of versions of it and

535
00:27:19,359 --> 00:27:20,440
Speaker 1: I'm like, oh I like that.

536
00:27:20,600 --> 00:27:22,440
Speaker 3: Okay, that's a good one.

537
00:27:22,520 --> 00:27:24,800
Speaker 2: But yeah, that was a fun dance. It was. I

538
00:27:24,840 --> 00:27:26,960
Speaker 2: loved that it was. It was cute.

539
00:27:27,640 --> 00:27:29,840
Speaker 3: It was very full house just to break out into

540
00:27:29,960 --> 00:27:33,639
Speaker 3: dance randomly, at least dance friends.

541
00:27:33,640 --> 00:27:37,680
Speaker 1: Obviously they've been working on this in class.

542
00:27:37,800 --> 00:27:41,960
Speaker 3: Very true, very true. Do you remember who choreographed as Staley?

543
00:27:42,119 --> 00:27:47,119
Speaker 1: It was Dennis Caspery, My my dance teacher, Dennis Caspery

544
00:27:47,200 --> 00:27:49,520
Speaker 1: and the Casbury family owned.

545
00:27:49,240 --> 00:27:53,480
Speaker 3: Studio C which was where I.

546
00:27:53,200 --> 00:27:56,520
Speaker 1: Danced growing up, along with a couple other places later on,

547
00:27:56,600 --> 00:28:01,000
Speaker 1: but Studio CE and Dennis was our teacher and he

548
00:28:01,160 --> 00:28:04,040
Speaker 1: was there like competition dance teacher too.

549
00:28:04,359 --> 00:28:06,160
Speaker 2: So he choreographed all that stuff.

550
00:28:06,160 --> 00:28:09,479
Speaker 1: And yeah, whenever we needed Motown Philly or you know whatever,

551
00:28:09,680 --> 00:28:12,720
Speaker 1: like he came in and uh and love shack.

552
00:28:15,359 --> 00:28:17,000
Speaker 3: So he did fantastic.

553
00:28:17,560 --> 00:28:21,320
Speaker 1: Yeah, his brothers was on. So you think you can

554
00:28:21,400 --> 00:28:23,320
Speaker 1: dance as a choreographer for a while really?

555
00:28:23,640 --> 00:28:26,359
Speaker 3: Oh okay, Yeah, so it runs in the family.

556
00:28:26,520 --> 00:28:29,840
Speaker 2: Indeed, this waslight to watch.

557
00:28:30,800 --> 00:28:33,879
Speaker 1: Was in Don't Tell Mom, the Babysitters Dead. And she

558
00:28:34,080 --> 00:28:36,359
Speaker 1: was also a backup dancer for Janet Jackson for a

559
00:28:36,359 --> 00:28:38,320
Speaker 1: long time too. Yeah, it was They were a whole

560
00:28:38,440 --> 00:28:39,240
Speaker 1: dance family.

561
00:28:40,000 --> 00:28:43,200
Speaker 3: Oh that's amazing, Oh so cool. Yes, so glad that

562
00:28:43,280 --> 00:28:45,960
Speaker 3: he got some of his work to show you and show.

563
00:28:45,760 --> 00:28:47,920
Speaker 1: It was so much fun. But this dance had some

564
00:28:48,120 --> 00:28:49,760
Speaker 1: This was like a good dance. This was when I

565
00:28:49,800 --> 00:28:53,719
Speaker 1: was getting like more into like the fun sort of

566
00:28:53,880 --> 00:28:57,560
Speaker 1: like had coordination of arms and legs all at one

567
00:28:57,600 --> 00:29:01,680
Speaker 1: time right right that before. But it was it felt

568
00:29:02,040 --> 00:29:03,840
Speaker 1: like a little more secure in it.

569
00:29:03,840 --> 00:29:06,720
Speaker 3: It was a little more mature. Ye it wasn't you know,

570
00:29:06,880 --> 00:29:08,920
Speaker 3: So I don't know, but yeah, it was. It was

571
00:29:09,040 --> 00:29:11,000
Speaker 3: mature and cute and trendy.

572
00:29:12,200 --> 00:29:13,480
Speaker 2: I had some shoulder pads going.

573
00:29:13,920 --> 00:29:18,160
Speaker 3: It's the shoulder pads were all the point. If TikTok

574
00:29:18,200 --> 00:29:20,120
Speaker 3: had been a thing back then, this would have definite

575
00:29:20,760 --> 00:29:26,320
Speaker 3: TikTok down absolutely easily. So next in the kitchen, Kimmy

576
00:29:26,400 --> 00:29:28,800
Speaker 3: bursts through the back door and runs up to Danny,

577
00:29:28,840 --> 00:29:32,920
Speaker 3: who is decorating Stuff's birthday cake, and she demands Wor's

578
00:29:33,000 --> 00:29:36,240
Speaker 3: Tommy page tell him his love slave is ready to

579
00:29:36,320 --> 00:29:40,880
Speaker 3: fulfill his every wish. Oh, Kimmy, Kimmy is so extra,

580
00:29:41,280 --> 00:29:44,960
Speaker 3: She's so extra right now, Danny looks at his daughter

581
00:29:45,000 --> 00:29:48,240
Speaker 3: and questions, why did you tell Kimmy? And DJ admits,

582
00:29:48,280 --> 00:29:51,600
Speaker 3: because I tell Kimmy everything. He smiles okay, then tell

583
00:29:51,640 --> 00:29:54,600
Speaker 3: her to go home. Kimmy gives him a smug grin

584
00:29:54,680 --> 00:29:57,760
Speaker 3: in return. No can do, mister, t I saw tim

585
00:29:57,920 --> 00:29:59,800
Speaker 3: Tommy's limo outside.

586
00:29:59,360 --> 00:30:03,160
Speaker 2: Timmy's where Timmy. Timmy's lama outside.

587
00:30:04,800 --> 00:30:11,240
Speaker 3: Related to the lama, but it's a toy lama Alamo. Well,

588
00:30:11,240 --> 00:30:15,280
Speaker 3: we ride horses up the front stairs and his lama

589
00:30:15,400 --> 00:30:20,720
Speaker 3: lamo upstairs. Uh so, Kimmy continues, Now, where are you

590
00:30:20,800 --> 00:30:25,800
Speaker 3: hiding that hunk delicious boy toy? Danny reveals he's waiting downstairs,

591
00:30:25,960 --> 00:30:29,040
Speaker 3: and Kimmy starts to sprint towards the stairs, but Danny shouts,

592
00:30:29,040 --> 00:30:32,600
Speaker 3: freeze Gibbler, I need him in one piece. He walks

593
00:30:32,600 --> 00:30:34,840
Speaker 3: over to Kimmy and declares, right now, I want the

594
00:30:34,840 --> 00:30:37,040
Speaker 3: two of you to go out there and tell Jesse

595
00:30:37,120 --> 00:30:40,560
Speaker 3: and Joey that we're ready. Okay. He wags his finger

596
00:30:40,600 --> 00:30:43,959
Speaker 3: in Kimmy's face and demands, don't do anything to embarrass us,

597
00:30:44,640 --> 00:30:48,000
Speaker 3: and Kimmy assures him I'll be the perfect lady until

598
00:30:48,000 --> 00:30:50,280
Speaker 3: I see Tommy, and then you'll have to hose me down.

599
00:30:51,400 --> 00:30:57,440
Speaker 3: Calm down, Kimmy, like she's just thirsting, kim Wow, I

600
00:30:57,480 --> 00:31:00,800
Speaker 3: know she's just boyfriends.

601
00:31:00,280 --> 00:31:02,160
Speaker 2: Like Kimmy's frustrated.

602
00:31:02,280 --> 00:31:05,280
Speaker 3: You know, she's gone from Patrick Swayze and she's all

603
00:31:05,320 --> 00:31:06,760
Speaker 3: about Tommy.

604
00:31:08,120 --> 00:31:10,200
Speaker 2: You know, it's just yeah.

605
00:31:09,720 --> 00:31:12,600
Speaker 3: Bitterman's gone. So she needs somebody to fit the bill,

606
00:31:12,680 --> 00:31:15,600
Speaker 3: and she's chosen poor Tommy Page to be the one.

607
00:31:16,920 --> 00:31:20,680
Speaker 3: So DJ grabs Kimmy and they go into the living room.

608
00:31:21,080 --> 00:31:23,560
Speaker 3: DJ runs up to Joey and says he's ready, and

609
00:31:23,680 --> 00:31:27,120
Speaker 3: all of the family members get into place. Danny walks

610
00:31:27,120 --> 00:31:29,960
Speaker 3: in and grabs the microphone. He asks everyone to move

611
00:31:30,080 --> 00:31:32,800
Speaker 3: back and motions Stephanie to sit in the chair that

612
00:31:32,920 --> 00:31:36,120
Speaker 3: was placed in the middle of the room. Once she seated,

613
00:31:36,120 --> 00:31:39,760
Speaker 3: he announces, this is my special gift from me to you.

614
00:31:40,720 --> 00:31:44,240
Speaker 3: Jesse begins to play the keyboard, and then Tommy Page

615
00:31:44,360 --> 00:31:49,680
Speaker 3: appears in the doorway. Stephanie screams his name at the

616
00:31:49,680 --> 00:31:52,400
Speaker 3: top of her lungs, and the rest of the girls follow.

617
00:31:52,760 --> 00:31:56,440
Speaker 3: Kimmy lunges for celebrity crush, but DJ holds her back.

618
00:31:57,440 --> 00:32:00,920
Speaker 3: Then Tommy begins to sing a personalized song for steph

619
00:32:01,240 --> 00:32:05,080
Speaker 3: called Stephanie. Oh. She watches an awe.

620
00:32:05,360 --> 00:32:11,360
Speaker 2: Stephanie, Remember Bob and Dave, you had a whole joke

621
00:32:11,400 --> 00:32:11,880
Speaker 2: about it.

622
00:32:11,960 --> 00:32:14,160
Speaker 3: Oh. They they they whole week.

623
00:32:14,440 --> 00:32:16,160
Speaker 2: They were a week. They could not shut up.

624
00:32:16,480 --> 00:32:18,760
Speaker 3: They could not because they weren't in the really in

625
00:32:18,800 --> 00:32:19,840
Speaker 3: the a storyline much.

626
00:32:19,920 --> 00:32:23,480
Speaker 1: So they were there and there was some music dancing

627
00:32:23,720 --> 00:32:26,400
Speaker 1: at which and they were like, let's be idiots.

628
00:32:26,440 --> 00:32:29,040
Speaker 3: It was idiots, complete idiots.

629
00:32:29,200 --> 00:32:31,080
Speaker 2: Yes us.

630
00:32:31,200 --> 00:32:33,240
Speaker 3: The other girls are swaying to the music in the

631
00:32:33,280 --> 00:32:35,560
Speaker 3: background after the song is over.

632
00:32:35,920 --> 00:32:37,480
Speaker 2: Was so creepy to me.

633
00:32:38,880 --> 00:32:41,640
Speaker 3: This, okay, are we starting out? Like we gotta start?

634
00:32:41,640 --> 00:32:44,520
Speaker 2: How we can't not we got a start? This was

635
00:32:44,600 --> 00:32:48,560
Speaker 2: so strange and it only gets stranger too.

636
00:32:49,240 --> 00:32:52,360
Speaker 3: It's so he's I think he was twenty one or

637
00:32:52,360 --> 00:32:57,680
Speaker 3: twenty two at the time. You're ten, right, DJ is fifteen, Yeah,

638
00:32:58,320 --> 00:33:02,680
Speaker 3: and he's just you know, kissing everybody on lips and everybody.

639
00:33:03,080 --> 00:33:05,320
Speaker 2: I was like, I'm sorry, sir, are you European? What

640
00:33:05,440 --> 00:33:07,480
Speaker 2: is why are you doing this? Don't we don't do

641
00:33:07,560 --> 00:33:08,000
Speaker 2: this here?

642
00:33:08,200 --> 00:33:11,080
Speaker 3: But okay, we don't do this here. No, And he

643
00:33:11,160 --> 00:33:14,280
Speaker 3: knows that. And also Stephanie loves him and adores him.

644
00:33:14,360 --> 00:33:16,760
Speaker 2: And it has a huge children that you don't know

645
00:33:16,840 --> 00:33:18,040
Speaker 2: on the lips, just.

646
00:33:18,000 --> 00:33:21,240
Speaker 3: Don't don't do that, kiss any underage children on the lips.

647
00:33:20,960 --> 00:33:25,680
Speaker 2: That don't It's like grandma or you know what I mean.

648
00:33:26,280 --> 00:33:28,360
Speaker 3: Well, grandma's not underage. Just don't kiss any of the

649
00:33:28,720 --> 00:33:31,680
Speaker 3: would grandma, Well yeah, grandma can kiss you on the lips,

650
00:33:31,880 --> 00:33:34,040
Speaker 3: but yeah, Tommy Page cannot.

651
00:33:34,120 --> 00:33:39,360
Speaker 1: Don't random children whose living rooms you happen to wind

652
00:33:39,440 --> 00:33:41,880
Speaker 1: up in serenading them, don't kiss them on the lips

653
00:33:41,880 --> 00:33:43,520
Speaker 1: after It really creates confusion.

654
00:33:44,200 --> 00:33:49,280
Speaker 2: Yes, agreed, Yeah, I know this song was uh creepy and.

655
00:33:49,200 --> 00:33:52,000
Speaker 3: I the song, Yeah, that song wasn't my favorite.

656
00:33:52,040 --> 00:33:54,800
Speaker 1: Well it wasn't what the song itself wasn't creepy. It

657
00:33:54,880 --> 00:33:59,280
Speaker 1: was the singing it to a ten year old, uh,

658
00:33:59,320 --> 00:34:03,160
Speaker 1: without change, jing like the lyrics of it were.

659
00:34:04,600 --> 00:34:06,280
Speaker 2: It was creepy.

660
00:34:06,360 --> 00:34:09,920
Speaker 3: Yes, it's the the whole thing, the whole thing.

661
00:34:09,960 --> 00:34:11,879
Speaker 2: It didn't make me uncomfortable, you know what I mean.

662
00:34:12,080 --> 00:34:14,400
Speaker 2: It's like watching it, you're.

663
00:34:14,239 --> 00:34:18,759
Speaker 3: Like, oh, like really, yeah, I can't remember if this

664
00:34:18,880 --> 00:34:22,160
Speaker 3: was a song that was written for this show. I

665
00:34:22,160 --> 00:34:24,719
Speaker 3: hope so, I hope so, okay, so they could have

666
00:34:24,800 --> 00:34:26,720
Speaker 3: changed the lyrics. It's not like they were.

667
00:34:27,239 --> 00:34:30,839
Speaker 1: No, I'm sure this was the established It was one

668
00:34:30,880 --> 00:34:32,359
Speaker 1: of those songs that it's like, we got to write

669
00:34:32,360 --> 00:34:34,520
Speaker 1: a song next by next week here, you know.

670
00:34:34,560 --> 00:34:37,200
Speaker 2: You have to go for eight hours to write a great.

671
00:34:36,960 --> 00:34:39,160
Speaker 1: Song, and they're like, uh, you know, and it's got

672
00:34:39,160 --> 00:34:40,960
Speaker 1: to be about Stephanie and it's got it, you know.

673
00:34:41,760 --> 00:34:45,120
Speaker 3: So and double as the girlfriends Lee.

674
00:34:46,600 --> 00:34:50,440
Speaker 2: Yeah, it was it was odd.

675
00:34:51,200 --> 00:34:53,400
Speaker 3: I get what they were going for, like this is

676
00:34:53,560 --> 00:34:56,880
Speaker 3: I love the plot of this, It just was not

677
00:34:57,040 --> 00:34:57,800
Speaker 3: well executed.

678
00:34:57,840 --> 00:35:01,640
Speaker 1: Would have picked a different song, yeah, I would have

679
00:35:02,239 --> 00:35:05,360
Speaker 1: picked less of a Sarah Nade and more of some

680
00:35:05,440 --> 00:35:08,480
Speaker 1: sort of you know, maybe they dance together and she

681
00:35:08,600 --> 00:35:10,040
Speaker 1: get you know what I mean, Like there were there's

682
00:35:10,400 --> 00:35:13,839
Speaker 1: pleas do it that aren't Like an.

683
00:35:13,760 --> 00:35:15,279
Speaker 2: Adult man singing to a ten year old and then

684
00:35:15,320 --> 00:35:17,800
Speaker 2: kissing her on the lips at the end. That's strange. Strange.

685
00:35:18,320 --> 00:35:20,680
Speaker 3: Yeah, yeah, you know it. It took me out of

686
00:35:20,680 --> 00:35:22,200
Speaker 3: the It took me out of the moment. It took

687
00:35:22,200 --> 00:35:24,840
Speaker 3: me out the scene and I just all went downhill

688
00:35:24,840 --> 00:35:29,280
Speaker 3: from there. But yeah, I mean, this is Stephanie's dream,

689
00:35:29,440 --> 00:35:31,799
Speaker 3: Like of course she's going to just fall madly in

690
00:35:31,840 --> 00:35:34,839
Speaker 3: love with him and think that their soulmates. You could

691
00:35:34,840 --> 00:35:38,879
Speaker 3: see this coming a mile away, and poor clueless Tommy.

692
00:35:38,560 --> 00:35:40,520
Speaker 2: Page no idea.

693
00:35:40,560 --> 00:35:43,279
Speaker 3: I don't know, man, I don't I mean, I guess

694
00:35:43,320 --> 00:35:44,360
Speaker 3: he was clueless.

695
00:35:45,560 --> 00:35:47,680
Speaker 1: If he can't do you know what I mean, you

696
00:35:47,760 --> 00:35:50,480
Speaker 1: have to figure out his like fan interaction moments.

697
00:35:50,840 --> 00:35:53,239
Speaker 3: This is true. Yeah, he needs some media training and

698
00:35:53,320 --> 00:35:55,200
Speaker 3: a handler just to get him through all this.

699
00:35:55,400 --> 00:35:57,920
Speaker 2: Just let some show to some random family's house. It's strange.

700
00:35:58,080 --> 00:36:01,120
Speaker 3: Yeah, he has no security bodyguard, he is no manager.

701
00:36:02,480 --> 00:36:07,920
Speaker 3: He was set up for failure. He really was sure. Yeah.

702
00:36:07,920 --> 00:36:11,359
Speaker 3: So anyways, after this.

703
00:36:12,160 --> 00:36:13,719
Speaker 2: Love ballad to a child.

704
00:36:14,880 --> 00:36:18,680
Speaker 3: He uh, Tommy kisses Stephanie's hand wishes her a happy birthday.

705
00:36:18,760 --> 00:36:22,560
Speaker 3: As everyone applauds his performance. Stephanie gives her dad a

706
00:36:22,640 --> 00:36:26,320
Speaker 3: huge hug and exclaims he's the best birthday present ever?

707
00:36:26,680 --> 00:36:29,600
Speaker 3: Can I keep him? Meanwhile, dj is holding on to

708
00:36:29,680 --> 00:36:32,359
Speaker 3: Kimmy for safety, but Kimmy assures her that she can

709
00:36:32,480 --> 00:36:35,359
Speaker 3: let go now. As soon as dj unhooks her arm,

710
00:36:35,520 --> 00:36:39,720
Speaker 3: Kimmy darts toward Tommy and jumps into his arms. Luckily,

711
00:36:39,760 --> 00:36:43,080
Speaker 3: he catches her and gives her an awkward hello. And

712
00:36:43,160 --> 00:36:44,960
Speaker 3: all I could think about was how I had to

713
00:36:45,040 --> 00:36:48,480
Speaker 3: cheat my look so I wasn't looking to Joel kept saying,

714
00:36:48,520 --> 00:36:51,160
Speaker 3: you're looking too far upstage, and so you're like, you

715
00:36:51,160 --> 00:36:53,840
Speaker 3: can I have to look out the in my eye,

716
00:36:54,080 --> 00:36:56,640
Speaker 3: which is the most awkward thing ever. And then I'm

717
00:36:56,640 --> 00:37:00,360
Speaker 3: performing it with this this hunka Honka pop star, and

718
00:37:00,440 --> 00:37:01,040
Speaker 3: so I just.

719
00:37:00,920 --> 00:37:03,719
Speaker 2: Like have had interactions with the new kids, which at the.

720
00:37:03,719 --> 00:37:07,080
Speaker 3: Time, I absolutely had interactions with the new kids. So

721
00:37:07,200 --> 00:37:09,120
Speaker 3: I was like, what if he goes back to the

722
00:37:09,160 --> 00:37:12,960
Speaker 3: new kids and tells them this weird child actress kept

723
00:37:13,040 --> 00:37:17,120
Speaker 3: looking at me like, you know, her eyes and crossed did.

724
00:37:17,640 --> 00:37:19,560
Speaker 2: That's probably why they didn't and they didn't come on

725
00:37:19,560 --> 00:37:19,879
Speaker 2: the show.

726
00:37:20,400 --> 00:37:22,600
Speaker 3: I know it all. This is the origin, this is

727
00:37:22,600 --> 00:37:23,000
Speaker 3: how it all.

728
00:37:23,680 --> 00:37:25,960
Speaker 2: Why she's the one is she won't look at you

729
00:37:26,000 --> 00:37:26,919
Speaker 2: in the eye. It's kind of weird.

730
00:37:27,040 --> 00:37:29,240
Speaker 3: She won't look at you in the eye, and it's awkward.

731
00:37:29,440 --> 00:37:33,280
Speaker 3: This girl is awkward, and it was so Kimmy wraps

732
00:37:33,280 --> 00:37:37,480
Speaker 3: her arms around Tommy's neck and she explains, I'm Stephanie's

733
00:37:37,480 --> 00:37:40,880
Speaker 3: best friend, Kimmy Gibbler. Can I have your autograph? Just

734
00:37:40,920 --> 00:37:44,680
Speaker 3: sign it to Kimmy the woman of my dreams. Danny

735
00:37:44,760 --> 00:37:47,520
Speaker 3: chimes in, he writes music, not science fiction.

736
00:37:48,360 --> 00:37:48,760
Speaker 2: Damn.

737
00:37:49,360 --> 00:37:54,160
Speaker 3: It's a good burn though. It's yeah, burned, but and

738
00:37:54,280 --> 00:37:57,040
Speaker 3: Kimmy deserves it, like she's so unhinged in this episode

739
00:37:57,080 --> 00:38:01,839
Speaker 3: like somebody hoes her down. So Tommy sets Kimmy down

740
00:38:01,880 --> 00:38:04,200
Speaker 3: and insists, it's no problem. Where do you want me

741
00:38:04,239 --> 00:38:07,560
Speaker 3: to sign? Kimmy reaches for her foot and says, here,

742
00:38:08,000 --> 00:38:11,799
Speaker 3: sign my shoe. But as soon as her foot is exposed,

743
00:38:11,960 --> 00:38:15,160
Speaker 3: everyone plugs their noses and says you in unison.

744
00:38:15,520 --> 00:38:17,600
Speaker 1: I would love to tell people that that is something

745
00:38:17,640 --> 00:38:20,359
Speaker 1: that never happens, but I cannot tell you how many

746
00:38:20,360 --> 00:38:22,080
Speaker 1: times someone has ripped off a shoe for me to

747
00:38:22,120 --> 00:38:22,480
Speaker 1: sign it.

748
00:38:23,760 --> 00:38:26,239
Speaker 3: Oh yeah, no, that's whatever they got on hand. You know.

749
00:38:26,520 --> 00:38:31,080
Speaker 3: Sometimes you signed on foot, on hand, on arm on Yeah,

750
00:38:31,120 --> 00:38:33,879
Speaker 3: I know. There's no shortage of things that you can

751
00:38:33,920 --> 00:38:39,160
Speaker 3: autograph for sure. Uh So Danny and Joey intervene. They

752
00:38:39,160 --> 00:38:41,319
Speaker 3: grab Kimy's arms and lift her out of the room,

753
00:38:41,680 --> 00:38:44,600
Speaker 3: while Kimmy protests, wait a minute, he hasn't signed it yet,

754
00:38:45,120 --> 00:38:46,000
Speaker 3: and they drag her out.

755
00:38:46,480 --> 00:38:49,960
Speaker 2: Hilarious though in this moment, very funny, thank you it was.

756
00:38:50,600 --> 00:38:53,279
Speaker 3: Kimmy deserved to be a scorty out just like that. Yes.

757
00:38:54,920 --> 00:38:57,120
Speaker 3: Then Steph makes her way up to Tommy and assures

758
00:38:57,160 --> 00:39:00,480
Speaker 3: him I've never seen that woman before in my life life.

759
00:39:01,480 --> 00:39:03,840
Speaker 3: She continues, thank you so much, for coming. Would you

760
00:39:03,880 --> 00:39:07,400
Speaker 3: sign my CD? And he responds, you're the birthday girl c.

761
00:39:07,600 --> 00:39:11,560
Speaker 1: D stuff Man CD y Height of Technology in nineteen

762
00:39:11,600 --> 00:39:12,000
Speaker 1: ninety two.

763
00:39:13,840 --> 00:39:16,480
Speaker 3: Steph grins and tells him she'll be right back. Then

764
00:39:16,480 --> 00:39:18,320
Speaker 3: she runs over to her group of friends and says,

765
00:39:18,560 --> 00:39:21,319
Speaker 3: watch him until I get back. They do exactly as

766
00:39:21,360 --> 00:39:23,600
Speaker 3: they're told, and they run up to Tommy all at once,

767
00:39:24,160 --> 00:39:27,959
Speaker 3: but Tommy dodges them to chat with Jesse. He thanks

768
00:39:28,000 --> 00:39:31,600
Speaker 3: Jesse for his help on the piano, and Jesse casually responds,

769
00:39:31,840 --> 00:39:35,080
Speaker 3: no problem. You know, I dabble in music myself there,

770
00:39:35,120 --> 00:39:37,480
Speaker 3: tom You may have heard of my band, Jesse and

771
00:39:37,480 --> 00:39:40,800
Speaker 3: the Rippers. Tommy nodds, Yeah, didn't you play in Seattle

772
00:39:40,840 --> 00:39:47,080
Speaker 3: this summer with the record Like again, wait, didn't.

773
00:39:46,880 --> 00:39:50,040
Speaker 2: I this summer last? Oh?

774
00:39:50,200 --> 00:39:52,400
Speaker 1: Because it was the summer that's true because Becky was

775
00:39:52,440 --> 00:39:54,759
Speaker 1: pregnant and went with him a little bit. So yeah,

776
00:39:54,840 --> 00:39:56,840
Speaker 1: and that was and then he fell from grace. He

777
00:39:56,880 --> 00:39:59,279
Speaker 1: had a tour and then he was Yeah, the.

778
00:39:59,239 --> 00:40:01,160
Speaker 3: Record company was like, we want to wash our hands

779
00:40:01,200 --> 00:40:06,480
Speaker 3: of you and sent him into a tailspin. So Jesse

780
00:40:06,840 --> 00:40:09,239
Speaker 3: is thrilled that he's getting this acknowledgment from Tommy and

781
00:40:09,239 --> 00:40:11,400
Speaker 3: he says, why, yes, we did. We played at a

782
00:40:11,400 --> 00:40:15,840
Speaker 3: little club near the university over there. Tommy humbly brags,

783
00:40:15,880 --> 00:40:20,600
Speaker 3: Oh cool, Yeah, I played at the Kingdome. Jesse tries

784
00:40:20,600 --> 00:40:22,640
Speaker 3: to play it off. Oh that's nice if you're into

785
00:40:22,800 --> 00:40:25,640
Speaker 3: big stadiums and lots of money, I prefer to play

786
00:40:25,680 --> 00:40:28,320
Speaker 3: these small, intimate places where I can split a pizza

787
00:40:28,440 --> 00:40:33,160
Speaker 3: with my audience. Great line. Becky lets out a big

788
00:40:33,160 --> 00:40:36,120
Speaker 3: fake laugh and asks the pop star to excuse them.

789
00:40:36,640 --> 00:40:38,600
Speaker 3: So Tommy walks back over to the middle of the

790
00:40:38,640 --> 00:40:42,480
Speaker 3: dance floor and the girls shuffle along with him. Michelle

791
00:40:42,480 --> 00:40:45,640
Speaker 3: pipes up and introduces herself to Tommy. She politely shakes

792
00:40:45,640 --> 00:40:47,920
Speaker 3: his hand and tells he tells her it's nice to

793
00:40:47,920 --> 00:40:51,840
Speaker 3: meet her. Then she declares, my birthdays in November, start

794
00:40:51,880 --> 00:40:55,200
Speaker 3: working on my song. Tommy laughs and tells her she's funny.

795
00:40:56,000 --> 00:40:57,480
Speaker 3: I don't think she was joking. I think she's a

796
00:40:57,600 --> 00:40:59,120
Speaker 3: checkting a song in November.

797
00:41:00,120 --> 00:41:04,720
Speaker 1: Demand has just been made of him that she's.

798
00:41:04,600 --> 00:41:08,600
Speaker 3: Gonna follow up November. First, she's like, it's November.

799
00:41:08,120 --> 00:41:09,680
Speaker 2: It's November. Where is my song?

800
00:41:12,120 --> 00:41:17,040
Speaker 3: So then Michelle braggs I'm in comedy college, and with

801
00:41:17,120 --> 00:41:17,839
Speaker 3: that she walks away.

802
00:41:17,880 --> 00:41:21,600
Speaker 2: I'd be like, are you is she kid? Okay?

803
00:41:21,640 --> 00:41:23,439
Speaker 3: What's wrong with gray?

804
00:41:23,520 --> 00:41:24,120
Speaker 2: Like a donkey?

805
00:41:24,239 --> 00:41:29,600
Speaker 3: What was that? So? Then DJ sees an opportunity to

806
00:41:29,800 --> 00:41:33,520
Speaker 3: introduce herself. She tells Tommy, I'm Stephanie's sister.

807
00:41:33,680 --> 00:41:33,960
Speaker 2: DJ.

808
00:41:34,360 --> 00:41:37,759
Speaker 3: Is this your first time in San Francisco? He responds, yeah,

809
00:41:38,000 --> 00:41:40,319
Speaker 3: but I haven't really had the chance to see anything yet.

810
00:41:40,960 --> 00:41:44,320
Speaker 3: She gives him some suggestions like Chinatown and Fisherman's Wharf,

811
00:41:44,920 --> 00:41:48,000
Speaker 3: and Tommy asks, maybe you could show me around tomorrow.

812
00:41:48,760 --> 00:41:53,640
Speaker 3: DJ can't hide her shock me I'd love to on cue.

813
00:41:53,719 --> 00:41:55,799
Speaker 3: Steph walks back into the room with her CD and

814
00:41:55,840 --> 00:41:59,959
Speaker 3: smiles at Tommy, saying, sorry, I took so long. DJ camment,

815
00:42:00,120 --> 00:42:03,120
Speaker 3: whoa Steph? How many gallons of perfume did you put on?

816
00:42:04,000 --> 00:42:07,440
Speaker 3: She responds, I just put on one little dab and

817
00:42:07,440 --> 00:42:09,960
Speaker 3: then she leans in and whispers on every inch of

818
00:42:09,960 --> 00:42:14,759
Speaker 3: my body that's so like, Yes, when you're new to perfume, what.

819
00:42:14,760 --> 00:42:15,080
Speaker 2: You do.

820
00:42:16,840 --> 00:42:21,640
Speaker 1: Walking through a middle school school hallway and like just

821
00:42:21,760 --> 00:42:31,040
Speaker 1: the mixture of undeodorized children and uh per spray and

822
00:42:31,040 --> 00:42:34,200
Speaker 1: and uh bathom body works body spray.

823
00:42:34,280 --> 00:42:35,600
Speaker 2: That's it's just that mixed.

824
00:42:35,640 --> 00:42:39,200
Speaker 3: Oh my gosh, Yes, there's just it's in my nose

825
00:42:39,320 --> 00:42:40,200
Speaker 3: is like vibrating.

826
00:42:40,719 --> 00:42:41,520
Speaker 2: Think about it.

827
00:42:44,840 --> 00:42:47,279
Speaker 3: So then steph hands the CD to Tommy so he

828
00:42:47,360 --> 00:42:50,719
Speaker 3: can sign it, and he reads his autograph out loud

829
00:42:51,160 --> 00:42:57,040
Speaker 3: to Stephanie, love Tommy, it's a little too much emphasis

830
00:42:57,080 --> 00:42:59,920
Speaker 3: on the love part. He hands it back to her

831
00:43:00,040 --> 00:43:02,480
Speaker 3: and then plants a kiss on her lips.

832
00:43:02,560 --> 00:43:05,480
Speaker 2: Why would you know it's so strange?

833
00:43:06,200 --> 00:43:08,040
Speaker 3: Kiss her hand again. If you got to kiss something,

834
00:43:08,160 --> 00:43:09,000
Speaker 3: just kiss her hand.

835
00:43:09,440 --> 00:43:12,320
Speaker 2: Don't kiss her fifteen year old on a date you're kissing.

836
00:43:15,120 --> 00:43:17,879
Speaker 3: This is a lawsuit waiting to happen, Tommy. That's that's

837
00:43:17,920 --> 00:43:18,520
Speaker 3: what this is.

838
00:43:19,560 --> 00:43:19,680
Speaker 2: Like.

839
00:43:19,760 --> 00:43:23,279
Speaker 3: This is I was very uncomfortable from this moment on.

840
00:43:23,680 --> 00:43:26,560
Speaker 3: I was like so much discomfort. It's like, oh boy.

841
00:43:27,880 --> 00:43:31,279
Speaker 3: Stephanie faints immediately after, and DJ has to drag her

842
00:43:31,320 --> 00:43:32,680
Speaker 3: over to the nearest chair.

843
00:43:33,040 --> 00:43:33,919
Speaker 2: Was Danny in the room?

844
00:43:34,560 --> 00:43:38,319
Speaker 3: Good question? Well, we know Becky and Jessie left. I

845
00:43:38,320 --> 00:43:39,360
Speaker 3: need to go do something.

846
00:43:39,480 --> 00:43:40,399
Speaker 2: Was Danny in the room.

847
00:43:40,560 --> 00:43:48,480
Speaker 3: Maybe not? If that was my daughter, he'll be like, okay, yes,

848
00:43:48,680 --> 00:43:54,719
Speaker 3: like a background check on this guy. No. So next

849
00:43:54,719 --> 00:43:57,160
Speaker 3: in the kitchen a little while later, Stephanie is sitting

850
00:43:57,200 --> 00:44:00,279
Speaker 3: by the phone asking comment which sounds better for her

851
00:44:00,360 --> 00:44:05,960
Speaker 3: name Missus Tommy Page, Stephanie Page, Stephanie Tanner Page, or

852
00:44:06,120 --> 00:44:10,680
Speaker 3: Missus Stephanie Judith Tanner Page Calm. It turns over for

853
00:44:10,719 --> 00:44:12,799
Speaker 3: a belly rub, but she reminds him that he can't

854
00:44:12,840 --> 00:44:15,440
Speaker 3: get one of those until the wedding invitations are done.

855
00:44:17,280 --> 00:44:20,880
Speaker 3: Then DJ and Tommy walk in from their sight seeing

856
00:44:20,960 --> 00:44:23,840
Speaker 3: date and Steph listens in on their conversation.

857
00:44:23,920 --> 00:44:24,799
Speaker 2: We call it a date.

858
00:44:26,680 --> 00:44:27,520
Speaker 3: I'm calling it a date.

859
00:44:27,600 --> 00:44:31,040
Speaker 2: I know it's weird. It was just the two of

860
00:44:31,080 --> 00:44:37,680
Speaker 2: them on the list. He doesn't know, terrible.

861
00:44:38,040 --> 00:44:42,759
Speaker 3: I'm telling you this. Tommy needs someone to sit him

862
00:44:42,760 --> 00:44:44,400
Speaker 3: down and say these are the things we don't do.

863
00:44:44,880 --> 00:44:50,160
Speaker 1: This is not going to end well, Uh, someone's going

864
00:44:50,239 --> 00:44:51,399
Speaker 1: to suit you.

865
00:44:51,520 --> 00:44:55,359
Speaker 2: Yeah. Yes, Also, don't do that. Just don't do that.

866
00:44:55,400 --> 00:44:59,160
Speaker 3: It just just stops underage girls like yeah, don't please.

867
00:45:01,000 --> 00:45:04,000
Speaker 3: So DJ thanks him for the day, admitting I've never

868
00:45:04,080 --> 00:45:07,000
Speaker 3: had tacos in a limo before. Actually, I've never been

869
00:45:07,040 --> 00:45:10,280
Speaker 3: in a limo before. Tommy laughs. I kind of figure

870
00:45:10,320 --> 00:45:11,680
Speaker 3: that out when you went to sit in the front

871
00:45:11,719 --> 00:45:12,800
Speaker 3: seat with the chauffeur.

872
00:45:13,400 --> 00:45:15,640
Speaker 1: Well, because it would be weird to sit in the

873
00:45:15,680 --> 00:45:17,680
Speaker 1: back of a limo with a man. I don't know

874
00:45:17,719 --> 00:45:19,879
Speaker 1: at fifteen, but whatever I know.

875
00:45:20,320 --> 00:45:24,080
Speaker 3: I know. So then he asks, do you want to

876
00:45:24,120 --> 00:45:27,120
Speaker 3: come to my concert tonight? I can get you backstage passes.

877
00:45:27,800 --> 00:45:33,640
Speaker 3: DJ excitedly tells him yes, but Stephanie looks disappointed. Tommy

878
00:45:33,640 --> 00:45:36,360
Speaker 3: says he has to go downstairs to see Jesse, explaining

879
00:45:36,719 --> 00:45:39,359
Speaker 3: I promised Stephanie I'd make her a tape of that song.

880
00:45:40,280 --> 00:45:43,520
Speaker 3: DJ thanks him for a great day, and then Tommy

881
00:45:43,640 --> 00:45:50,839
Speaker 3: kisses her on the lips. Stop it, Tommy, It's not

882
00:45:50,840 --> 00:45:53,760
Speaker 3: even a kiss on the cheeks, like kiss.

883
00:45:53,680 --> 00:45:56,480
Speaker 2: The lip on one on each side. It's a right

884
00:45:56,520 --> 00:45:57,360
Speaker 2: on the lips.

885
00:45:58,000 --> 00:46:00,520
Speaker 3: Was this weird at the time or is it just now?

886
00:46:00,680 --> 00:46:03,440
Speaker 3: Like like here's weird at the time too, Like just

887
00:46:03,760 --> 00:46:05,160
Speaker 3: these are things you just don't do.

888
00:46:05,400 --> 00:46:06,480
Speaker 2: You know now that I think about it.

889
00:46:06,480 --> 00:46:08,040
Speaker 1: There were a couple of times that John would do it,

890
00:46:08,080 --> 00:46:10,680
Speaker 1: but it felt different because John was like our family.

891
00:46:10,440 --> 00:46:13,640
Speaker 3: It's your uncle. Yeah we knew, Yes, that's true. John

892
00:46:13,680 --> 00:46:15,080
Speaker 3: did do this several times, but we.

893
00:46:15,120 --> 00:46:17,560
Speaker 2: Knew, but we knew him, and it didn't feel weird.

894
00:46:17,640 --> 00:46:21,040
Speaker 1: Then this felt weird just because it was like right,

895
00:46:21,120 --> 00:46:24,160
Speaker 1: it wasn't family, and he was just slightly older you

896
00:46:24,239 --> 00:46:25,320
Speaker 1: know what I mean, Like it wasn't.

897
00:46:25,480 --> 00:46:29,480
Speaker 3: Yeah, and they had just met and he know and

898
00:46:29,520 --> 00:46:31,800
Speaker 3: he I'm sorry. Tommy Page has to be smarter than this.

899
00:46:31,960 --> 00:46:35,160
Speaker 3: He knows that these girls are falling for him and

900
00:46:35,160 --> 00:46:37,000
Speaker 3: have crushes on him, Like he has to know that

901
00:46:37,040 --> 00:46:40,680
Speaker 3: he's a pop star, right, So like to very encourage that,

902
00:46:41,600 --> 00:46:46,239
Speaker 3: very oblivious. I couldn't read the room Tommy Page. Uh

903
00:46:46,360 --> 00:46:48,759
Speaker 3: So once Tommy's out at your shot, DJ whispers to

904
00:46:48,840 --> 00:46:53,520
Speaker 3: herself yes, and Stephanie quickly runs upstairs, goes into her

905
00:46:53,600 --> 00:46:58,800
Speaker 3: room and cries, that was so sad you and your tears. Hmmm,

906
00:46:59,360 --> 00:47:01,360
Speaker 3: I know I felt for you. I felt for you

907
00:47:01,560 --> 00:47:04,360
Speaker 3: in this moment. I mean, yes, is stuff a little

908
00:47:04,400 --> 00:47:05,920
Speaker 3: delusional with the wedding invitations?

909
00:47:05,960 --> 00:47:09,160
Speaker 1: Yes, when you get a crush on somebody, I remember

910
00:47:09,320 --> 00:47:13,040
Speaker 1: when in middle school being fooled by some boy that

911
00:47:13,160 --> 00:47:15,719
Speaker 1: told me that he was this was actually him in

912
00:47:15,760 --> 00:47:18,040
Speaker 1: a magazine that he was like a model, and I

913
00:47:18,160 --> 00:47:20,720
Speaker 1: felt I want for hook line and I was like, oh.

914
00:47:20,560 --> 00:47:22,680
Speaker 2: My god, so and everyone's like, yeah, that's like an

915
00:47:22,719 --> 00:47:25,439
Speaker 2: adult man. It's like no, no, no, no, he just looks

916
00:47:25,440 --> 00:47:27,840
Speaker 2: different in the pictures. And then like oh yeah, a

917
00:47:27,920 --> 00:47:30,960
Speaker 2: year later, I was like, that's absolutely ridiculous.

918
00:47:31,480 --> 00:47:35,279
Speaker 3: That is ridiculous. True, yeah, no, this was the very

919
00:47:35,360 --> 00:47:37,360
Speaker 3: com for ten year old girls like me. I was

920
00:47:37,400 --> 00:47:41,480
Speaker 3: always like missus Andrea McIntyre like that guess on my notebook,

921
00:47:41,600 --> 00:47:44,840
Speaker 3: over and over and over all the combinations, So I

922
00:47:44,920 --> 00:47:46,920
Speaker 3: get it, I get it. I felt really felt for

923
00:47:46,960 --> 00:47:50,760
Speaker 3: stuff in this moment. So next to the attic, Becky's

924
00:47:50,800 --> 00:47:53,200
Speaker 3: holding Nicki and Alex, trying to teach them their first

925
00:47:53,280 --> 00:47:57,279
Speaker 3: words mommy. Then Joey and Michelle entered the room and

926
00:47:57,360 --> 00:48:00,960
Speaker 3: Joey announces Nicki and Alex get ready to laugh because

927
00:48:01,000 --> 00:48:05,480
Speaker 3: here comes the first graduate of Joey Gladstone's comedy college.

928
00:48:06,280 --> 00:48:08,560
Speaker 3: Michelle walks behind the couch and re emerges with an

929
00:48:08,719 --> 00:48:12,440
Speaker 3: arrow on her head, saying, boy, do I have a headache?

930
00:48:12,520 --> 00:48:18,560
Speaker 2: A gotta go with it. Staby's Martin with the original Yep.

931
00:48:19,200 --> 00:48:23,160
Speaker 3: The babies have zero reaction, so Michelle tries again, maybe

932
00:48:23,160 --> 00:48:26,560
Speaker 3: he didn't see this arrow in my head. Still no

933
00:48:26,640 --> 00:48:29,960
Speaker 3: reaction from the babies, so Michelle turns to Joey and admits,

934
00:48:30,120 --> 00:48:33,440
Speaker 3: I'm dying out here. Joey suggests that she go for

935
00:48:33,520 --> 00:48:37,480
Speaker 3: her big finish, but Michelle doesn't really want to. He

936
00:48:37,520 --> 00:48:40,040
Speaker 3: emphasizes everyone knows that a pie in the face is

937
00:48:40,080 --> 00:48:42,959
Speaker 3: the oldest joke in the book, and it always gets

938
00:48:42,960 --> 00:48:46,799
Speaker 3: a laugh. Michelle gives in, Okay, let me have it,

939
00:48:47,400 --> 00:48:50,120
Speaker 3: so he pulls out a pie tin filled with whipped cream.

940
00:48:50,920 --> 00:48:54,200
Speaker 3: When Joey asks if Michelle Michelle if she's ready, Michelle

941
00:48:54,200 --> 00:48:56,880
Speaker 3: pulls a fast one on him and slams the pie

942
00:48:56,920 --> 00:48:58,920
Speaker 3: into his face instead.

943
00:48:59,239 --> 00:49:01,160
Speaker 2: I just be mad at the whip cream on the floor.

944
00:49:02,719 --> 00:49:03,600
Speaker 3: And it gets on the wall.

945
00:49:06,120 --> 00:49:08,000
Speaker 2: Do you think I don't have enough to deal with?

946
00:49:08,520 --> 00:49:08,719
Speaker 3: Right?

947
00:49:09,920 --> 00:49:11,400
Speaker 2: Change and carpet?

948
00:49:12,280 --> 00:49:12,520
Speaker 3: Right?

949
00:49:13,520 --> 00:49:14,359
Speaker 2: This poor goal?

950
00:49:14,560 --> 00:49:15,760
Speaker 3: Like give her a break.

951
00:49:16,880 --> 00:49:18,480
Speaker 2: The least could have done is done this joke in

952
00:49:18,520 --> 00:49:18,960
Speaker 2: the kitchen.

953
00:49:19,719 --> 00:49:22,800
Speaker 3: Yes, yes, like the floors already need to be waxed

954
00:49:22,840 --> 00:49:28,960
Speaker 3: from the last easy clean up. So but the babies

955
00:49:28,960 --> 00:49:32,400
Speaker 3: are finally smiling. One is laughing we at Michelle, and

956
00:49:32,440 --> 00:49:37,040
Speaker 3: she victoriously says, I did it. I'm funny. Joey is

957
00:49:37,080 --> 00:49:40,000
Speaker 3: stunned and he has a face full of pie. He

958
00:49:40,080 --> 00:49:43,520
Speaker 3: reminds her I'm supposed to throw the pie in your face,

959
00:49:44,200 --> 00:49:48,040
Speaker 3: but Michelle insists this was funnier, and as she tries

960
00:49:48,080 --> 00:49:51,640
Speaker 3: to quickly run away, Joey tries to catch her. Then

961
00:49:51,760 --> 00:49:55,160
Speaker 3: Steph walks in, Yet, Becky, can we talk woman to woman?

962
00:49:55,840 --> 00:49:58,640
Speaker 3: Becky nods sure, but I thought you'd be downstairs listening

963
00:49:58,719 --> 00:50:02,840
Speaker 3: to Tommy record your song. Stephanie admits this is more important,

964
00:50:03,280 --> 00:50:05,239
Speaker 3: so Becky takes a seat on the couch right next

965
00:50:05,239 --> 00:50:09,040
Speaker 3: to her. I love these heart hearts be they always

966
00:50:09,080 --> 00:50:11,280
Speaker 3: fill my heart with you know, it's.

967
00:50:11,160 --> 00:50:13,520
Speaker 2: Just like a mother figure.

968
00:50:14,760 --> 00:50:19,240
Speaker 3: Yeah, I just it always makes me smile. So Stephanie

969
00:50:19,320 --> 00:50:22,920
Speaker 3: asks Becky, what would you do if another woman stole

970
00:50:23,040 --> 00:50:26,799
Speaker 3: Uncle Jesse from you? Becky explains, well, that would never

971
00:50:26,840 --> 00:50:29,520
Speaker 3: happen because your uncle Jesse and I have a loving

972
00:50:29,600 --> 00:50:33,600
Speaker 3: and committed relationship based on mutual trust and respect, and

973
00:50:33,640 --> 00:50:37,360
Speaker 3: then she scoffs she'd never know what hit her stuff.

974
00:50:37,400 --> 00:50:40,399
Speaker 3: Seems pleased, got it, Aunt, Becky? She's toast and gets

975
00:50:40,480 --> 00:50:43,360
Speaker 3: up to leave, but Becky stops her and asks, is

976
00:50:43,400 --> 00:50:47,000
Speaker 3: this about a boy at your party? And Steph responds, well, yeah,

977
00:50:47,160 --> 00:50:50,680
Speaker 3: sort of. He really liked me, but another woman stole

978
00:50:50,719 --> 00:50:54,200
Speaker 3: my man right out from under my nose, the scuz queen.

979
00:50:55,280 --> 00:50:58,240
Speaker 3: Becky is just as appalled as Stephanie is, and she asks,

980
00:50:58,480 --> 00:51:00,239
Speaker 3: so who is this scugz Queen?

981
00:51:00,239 --> 00:51:02,719
Speaker 2: I feel like scus Queen would be a great name

982
00:51:02,800 --> 00:51:06,400
Speaker 2: for a punk band. Yeah, the Scugs Queens Queens.

983
00:51:06,840 --> 00:51:09,800
Speaker 1: Yeah, it's giving. I would give the germs kind of vibe,

984
00:51:09,840 --> 00:51:14,880
Speaker 1: you know. Yeah, yeah, I would watch them in concert. H.

985
00:51:15,000 --> 00:51:18,800
Speaker 3: Then Steph cleverly explains, well, she was like a sister

986
00:51:18,840 --> 00:51:21,600
Speaker 3: to me, but not anymore. I'm gonna win him back.

987
00:51:22,360 --> 00:51:25,040
Speaker 3: Becky suggests, well, there's nothing wrong with letting him know

988
00:51:25,120 --> 00:51:27,719
Speaker 3: why you're the one he should be with, and Steph

989
00:51:27,800 --> 00:51:31,040
Speaker 3: nods in agreement. Right, and if that doesn't work, she's

990
00:51:31,160 --> 00:51:36,400
Speaker 3: toast and she marches out with determination. Okay, okay, not

991
00:51:36,600 --> 00:51:39,799
Speaker 3: not Becky's best talk, but that's okay.

992
00:51:39,920 --> 00:51:45,000
Speaker 1: She's going on went unanswered, but many or and then unasked.

993
00:51:45,200 --> 00:51:48,720
Speaker 3: Really but what stuff got? What she needed?

994
00:51:49,640 --> 00:51:52,239
Speaker 2: A vague answers to create confusion.

995
00:51:52,480 --> 00:51:55,239
Speaker 3: Right, like, we're on we're on minute eighteen. I need

996
00:51:55,280 --> 00:51:57,200
Speaker 3: to wrap this up, so there's really no time for

997
00:51:57,239 --> 00:52:07,520
Speaker 3: a heart to heart. Let's just speed it up. In

998
00:52:07,560 --> 00:52:10,680
Speaker 3: the kitchen, DJ is anxiously waiting for the red recording

999
00:52:10,760 --> 00:52:13,959
Speaker 3: light to turn off. When Kimmy barges in. She looks

1000
00:52:14,000 --> 00:52:16,520
Speaker 3: around frantically and slams the door. I know he's here.

1001
00:52:16,600 --> 00:52:20,840
Speaker 3: Where'd you stash him? DJ explains Tommy's downstairs in the

1002
00:52:20,880 --> 00:52:23,600
Speaker 3: studio recording, but I can't go down there until the

1003
00:52:23,640 --> 00:52:27,040
Speaker 3: red light is off. Kimmy grins and immediately starts to

1004
00:52:27,080 --> 00:52:30,520
Speaker 3: inquire about their date. I want details, what happened with

1005
00:52:30,560 --> 00:52:35,360
Speaker 3: you and Tommy? DJ smirks before or after he kissed me.

1006
00:52:36,200 --> 00:52:40,239
Speaker 3: Kimmy is stunned. No, you were lip wrestling with the

1007
00:52:40,400 --> 00:52:41,440
Speaker 3: stud puppy.

1008
00:52:41,480 --> 00:52:46,200
Speaker 1: That was such a Kimmy line. It's fantastic.

1009
00:52:47,200 --> 00:52:49,000
Speaker 3: Things normally the stud puppy.

1010
00:52:49,840 --> 00:52:52,920
Speaker 2: Yeah, liip wrestling. Wow.

1011
00:52:54,120 --> 00:52:57,800
Speaker 3: Kimmy's very colorful with her descriptions and her choice of words.

1012
00:52:57,920 --> 00:53:01,399
Speaker 3: So yeah, that was a very Kimmy Gibler comment. DJ

1013
00:53:01,520 --> 00:53:04,759
Speaker 3: nods yes, and Kimmy exclaims, I am so happy for you,

1014
00:53:05,560 --> 00:53:07,400
Speaker 3: and I'm thinking of that meme. Well, you wouldn't know this,

1015
00:53:07,560 --> 00:53:11,239
Speaker 3: the Friends meme with Jennifer Aniston where she's just like,

1016
00:53:11,400 --> 00:53:13,319
Speaker 3: I'm so happy for you and I'm not jealous at all.

1017
00:53:13,920 --> 00:53:18,920
Speaker 3: That's like what I'm thinking. DJ has stolen Kimmy's crush.

1018
00:53:19,000 --> 00:53:20,359
Speaker 3: Stephanie's crushing.

1019
00:53:21,760 --> 00:53:26,000
Speaker 2: No, cool, you got yours? I'm gonna She's.

1020
00:53:25,840 --> 00:53:28,600
Speaker 3: Like, yeah, can I take a crack at it? And

1021
00:53:28,640 --> 00:53:31,600
Speaker 3: DJ's like, yes, I mind, he's not running a kissing booth.

1022
00:53:31,680 --> 00:53:35,960
Speaker 3: We're starting a real relationship. Kimmy shrugs, Hey, it was

1023
00:53:36,000 --> 00:53:38,960
Speaker 3: worth a shot. Well, good luck. When that red light

1024
00:53:39,040 --> 00:53:42,520
Speaker 3: goes off, it's a green light for love, and she

1025
00:53:42,520 --> 00:53:44,759
Speaker 3: does a little shimmy before heading out the door. I

1026
00:53:44,840 --> 00:53:47,359
Speaker 3: hated that line. I don't I was just embarrassed about

1027
00:53:47,360 --> 00:53:51,920
Speaker 3: this whole bit. I don't know green. It was just cringey,

1028
00:53:52,000 --> 00:53:54,160
Speaker 3: corny language, and I was selling I was trying to

1029
00:53:54,200 --> 00:53:55,720
Speaker 3: sell it, and I can't sell.

1030
00:53:55,560 --> 00:54:00,200
Speaker 1: It otherwise it's even worse, and you it's worse thing

1031
00:54:00,239 --> 00:54:00,839
Speaker 1: is race.

1032
00:54:01,520 --> 00:54:05,000
Speaker 3: I didn't want to say that step puppy or wrestlingly.

1033
00:54:04,440 --> 00:54:09,120
Speaker 1: Aloof and uninterested and the most non of nonchalant.

1034
00:54:09,360 --> 00:54:12,399
Speaker 3: Yeah right, but no, I shil made my way out

1035
00:54:12,520 --> 00:54:17,720
Speaker 3: that door and tried to sell it. Uh so, yeah, anyways,

1036
00:54:17,719 --> 00:54:20,440
Speaker 3: that was a thing that happened. Next, in the studio,

1037
00:54:20,880 --> 00:54:23,919
Speaker 3: Tommy is finishing up the vocals for his Stephanie song

1038
00:54:24,239 --> 00:54:27,759
Speaker 3: while Jesse helps him record it. Jesse admits, that was

1039
00:54:27,840 --> 00:54:30,239
Speaker 3: really nice of you to write that song for Stephanie,

1040
00:54:31,000 --> 00:54:34,280
Speaker 3: but Tommy comes clean, I didn't really write it for Stephanie.

1041
00:54:34,400 --> 00:54:37,280
Speaker 3: I wrote it for my girlfriend, Melanie. I just changed

1042
00:54:37,280 --> 00:54:39,200
Speaker 3: all the Melanies to Stephanie's.

1043
00:54:39,760 --> 00:54:42,080
Speaker 2: Does Melanie laugh about your kissing of people?

1044
00:54:43,080 --> 00:54:45,720
Speaker 3: Were Melanie at all this, Melanie would not be happy

1045
00:54:45,760 --> 00:54:48,280
Speaker 3: to see what has transpired at the Tanner House today

1046
00:54:48,680 --> 00:54:51,520
Speaker 3: between his date with the fifteen year old kissing ten

1047
00:54:51,600 --> 00:54:54,279
Speaker 3: year olds on the lips. If I was Melanie, I'd

1048
00:54:54,320 --> 00:54:56,200
Speaker 3: be like, this is a big red flag, dude, right.

1049
00:54:57,800 --> 00:54:58,440
Speaker 2: Uh so?

1050
00:54:58,520 --> 00:55:01,640
Speaker 3: Jesse laughs, telling him not to mention that to Stephanie

1051
00:55:01,680 --> 00:55:04,040
Speaker 3: and Tommy grinns asking him not to mention it to

1052
00:55:04,080 --> 00:55:07,640
Speaker 3: Melanie either. Then Jesse turns the red light off and

1053
00:55:07,719 --> 00:55:11,680
Speaker 3: DJ immediately walks downstairs. She tells them, oh, I just

1054
00:55:11,719 --> 00:55:13,719
Speaker 3: happen to see the red light go off, not that

1055
00:55:13,800 --> 00:55:15,520
Speaker 3: I was waiting for the red light to go off,

1056
00:55:15,520 --> 00:55:18,839
Speaker 3: because I do have a life. She sees Tommy and says,

1057
00:55:18,840 --> 00:55:21,919
Speaker 3: oh hi, completely bypassing Uncle Jesse on the way over

1058
00:55:21,960 --> 00:55:25,200
Speaker 3: to him. Then Stephanie walks in and says, oh hi, Tommy,

1059
00:55:25,400 --> 00:55:28,719
Speaker 3: and she also bypasses Jesse. He jokes that he's the

1060
00:55:29,400 --> 00:55:32,240
Speaker 3: invisible uncle and then asks if Tommy wants a drink.

1061
00:55:33,160 --> 00:55:36,160
Speaker 3: DJ and Steph both answer for him in unison iced

1062
00:55:36,200 --> 00:55:40,279
Speaker 3: tea lemon, no sugar. Jesse shakes his head. I say

1063
00:55:40,280 --> 00:55:42,880
Speaker 3: the magic word, Tommy, and bada bing, I'm back in

1064
00:55:42,880 --> 00:55:46,239
Speaker 3: the room. Steph grabs Tommy's arm and leads him to

1065
00:55:46,360 --> 00:55:49,040
Speaker 3: a nearby chair. She pulls out a box and says,

1066
00:55:49,200 --> 00:55:52,000
Speaker 3: I got the party pictures back. Here's a nice one

1067
00:55:52,040 --> 00:55:56,200
Speaker 3: of us, suitable for framing. DJ looks at her little

1068
00:55:56,200 --> 00:55:59,840
Speaker 3: sister in questions, don't you have something to do? And

1069
00:56:00,080 --> 00:56:03,200
Speaker 3: Steph narrows her eyes at the trader. Don't you worry

1070
00:56:03,239 --> 00:56:09,160
Speaker 3: your pretty little pointed head about me? This whole exchange

1071
00:56:09,239 --> 00:56:13,800
Speaker 3: is so great. Steph is just on her game, like

1072
00:56:13,960 --> 00:56:17,080
Speaker 3: she's just like, I'm going to embarrass discuss queen if

1073
00:56:17,120 --> 00:56:22,239
Speaker 3: it's the last thing I do. DJ frowns, I really

1074
00:56:22,239 --> 00:56:24,440
Speaker 3: don't think Tommy wants to look at pictures of a

1075
00:56:24,480 --> 00:56:28,120
Speaker 3: ten year old's birthday party, but Tommy insists that it's okay.

1076
00:56:28,880 --> 00:56:33,360
Speaker 3: Steph was prepared for this. No, DJ's right, you'd probably

1077
00:56:33,600 --> 00:56:36,960
Speaker 3: rather look at pictures of her. Steph proceeds to pull

1078
00:56:37,000 --> 00:56:39,920
Speaker 3: out a photo of DJ with the mumps. When she

1079
00:56:39,960 --> 00:56:42,680
Speaker 3: hands it to Tommy, she asks, doesn't she remind you

1080
00:56:42,719 --> 00:56:46,320
Speaker 3: of mister potato head? DJ quickly snatches it out of

1081
00:56:46,320 --> 00:56:49,120
Speaker 3: his hand, but then Steph shows off another photo of

1082
00:56:49,200 --> 00:56:53,480
Speaker 3: DJ's first bath. Again, DJ grabs it out of Tommy's hand,

1083
00:56:53,719 --> 00:56:56,600
Speaker 3: but Steph isn't done. She shows him another photo where

1084
00:56:56,640 --> 00:56:59,879
Speaker 3: you can see a rash on DJ's fanny, and DJ

1085
00:57:00,040 --> 00:57:02,680
Speaker 3: had it. She grabs her sister by the arm and

1086
00:57:02,680 --> 00:57:04,960
Speaker 3: tries to pull her upstairs to have a chat, but

1087
00:57:05,040 --> 00:57:07,600
Speaker 3: Stephanie breaks out of her grip and says, no, that's okay.

1088
00:57:07,719 --> 00:57:11,319
Speaker 3: I don't really feel like chatting. DJ angrily insists I

1089
00:57:11,440 --> 00:57:15,360
Speaker 3: do now. As Steph is being dragged upstairs, she calls

1090
00:57:15,360 --> 00:57:18,520
Speaker 3: out to her man, don't worry Tommy, I'll be right back,

1091
00:57:18,920 --> 00:57:23,560
Speaker 3: and DJ assures him no, she won't. I promise. As

1092
00:57:23,600 --> 00:57:26,000
Speaker 3: soon as they're upstairs in the kitchen, DJ shouts how

1093
00:57:26,000 --> 00:57:29,040
Speaker 3: could you do this to me? And Stephanie spits back,

1094
00:57:29,480 --> 00:57:32,840
Speaker 3: what about what you did to me? You backstabbing boyfriends,

1095
00:57:32,880 --> 00:57:38,440
Speaker 3: stealing trader? Oh, it's getting it's getting ugly. DJ is shocked.

1096
00:57:38,880 --> 00:57:42,880
Speaker 3: You thought Tommy was your boyfriend? You're dreaming, and Steph shouts,

1097
00:57:43,000 --> 00:57:46,800
Speaker 3: he was to my boyfriend. Jesse intervenes and tries to

1098
00:57:46,840 --> 00:57:50,680
Speaker 3: get them to calm down, but Stephanie continues he's going

1099
00:57:50,720 --> 00:57:52,960
Speaker 3: to dump you and come back to me after he

1100
00:57:53,040 --> 00:57:57,880
Speaker 3: finds out you drool in your sleep. DJ argues I

1101
00:57:57,960 --> 00:58:00,520
Speaker 3: do not, and Stephan says, yes, you do, and I

1102
00:58:00,560 --> 00:58:03,800
Speaker 3: have the picture to put it. Stuff comes with receipts.

1103
00:58:04,480 --> 00:58:07,680
Speaker 3: Impressed with this level of petty looks prepared.

1104
00:58:07,760 --> 00:58:09,600
Speaker 1: I knew it was gonna happen at some time. I

1105
00:58:09,680 --> 00:58:11,480
Speaker 1: didn't know what or when, but I knew i'd need

1106
00:58:11,480 --> 00:58:12,360
Speaker 1: the pictures.

1107
00:58:13,320 --> 00:58:16,200
Speaker 3: You're an A plus student and so prepared for these

1108
00:58:16,320 --> 00:58:17,480
Speaker 3: petty little arguments.

1109
00:58:17,640 --> 00:58:18,640
Speaker 2: I love it.

1110
00:58:20,280 --> 00:58:23,160
Speaker 3: So she holds the photo out of DJ's reach and smiles.

1111
00:58:23,520 --> 00:58:25,800
Speaker 3: You didn't know I took this, did you? I knew

1112
00:58:25,840 --> 00:58:29,040
Speaker 3: it would come in handy yep. Steph runs away, but

1113
00:58:29,200 --> 00:58:32,200
Speaker 3: DJ chases after her. The girls run into the living

1114
00:58:32,280 --> 00:58:35,280
Speaker 3: room and Jesse's on their tail trying to stop them.

1115
00:58:35,880 --> 00:58:38,040
Speaker 3: Joey and Danny don't know what's happening, but they follow

1116
00:58:38,080 --> 00:58:41,000
Speaker 3: after Jesse to try to help. They run back into

1117
00:58:41,080 --> 00:58:43,960
Speaker 3: the kitchen and the guys are finally able to separate

1118
00:58:44,000 --> 00:58:44,440
Speaker 3: the girls.

1119
00:58:44,680 --> 00:58:47,720
Speaker 1: When I kept coming around the kitchen table because there

1120
00:58:47,760 --> 00:58:50,280
Speaker 1: was that rug that like braided rug under it too,

1121
00:58:50,800 --> 00:58:52,800
Speaker 1: and I just wouldn't pick my feet up all the

1122
00:58:52,800 --> 00:58:55,080
Speaker 1: way and my toe would like catch and I would

1123
00:58:55,080 --> 00:58:55,520
Speaker 1: just eat it.

1124
00:58:56,400 --> 00:59:00,720
Speaker 3: Every single take you would fall, and I'm like, can

1125
00:59:00,760 --> 00:59:03,720
Speaker 3: we get some different blocking in here? You just kept falling,

1126
00:59:04,120 --> 00:59:04,680
Speaker 3: showing up.

1127
00:59:04,680 --> 00:59:07,280
Speaker 2: Child like you know what are you doing?

1128
00:59:08,120 --> 00:59:11,880
Speaker 1: You're like, you just choreographed all the time. When I fall,

1129
00:59:12,000 --> 00:59:15,280
Speaker 1: it's because my brain is over ahead of me already

1130
00:59:15,360 --> 00:59:17,720
Speaker 1: and I'm not in my body, so I'm not really

1131
00:59:18,240 --> 00:59:19,360
Speaker 1: paying attention to.

1132
00:59:19,520 --> 00:59:22,520
Speaker 3: Like how far I need to step up.

1133
00:59:22,480 --> 00:59:24,040
Speaker 2: Or do something, and then I fall.

1134
00:59:25,160 --> 00:59:26,640
Speaker 3: It's the easiest thing in the world, just got to

1135
00:59:26,680 --> 00:59:29,120
Speaker 3: run around the kitchen table. But nope, that's that is

1136
00:59:29,400 --> 00:59:34,440
Speaker 3: a challenge for little Jodi Sweeten. So Danny asks what

1137
00:59:34,560 --> 00:59:38,120
Speaker 3: is going on and Jesse emphasizes, next time you bring

1138
00:59:38,160 --> 00:59:42,880
Speaker 3: a star home, try Angela Lansbury. DJ is being held

1139
00:59:42,880 --> 00:59:46,200
Speaker 3: back by Danny, so she explains Stephanie thinks Tommy is

1140
00:59:46,240 --> 00:59:49,400
Speaker 3: her boyfriend and she's showing him embarrassing pictures of me.

1141
00:59:50,320 --> 00:59:53,800
Speaker 3: Steph argues, while being held back by Joey, he was

1142
00:59:53,880 --> 00:59:57,720
Speaker 3: to my boyfriend until you stole him. DJ Fire's back,

1143
00:59:57,760 --> 01:00:01,400
Speaker 3: You're insane, but Stephanie insists I am not insane. He

1144
01:00:01,560 --> 01:00:07,040
Speaker 3: signed my CD Love Tommy and Joey admits he signed

1145
01:00:07,160 --> 01:00:12,160
Speaker 3: my CD love Tommy, but Steph continues to defend her feelings.

1146
01:00:12,520 --> 01:00:15,160
Speaker 3: But he wrote a special song just for me, and

1147
01:00:15,200 --> 01:00:18,560
Speaker 3: he kissed me. I love him and he loves me.

1148
01:00:18,400 --> 01:00:21,920
Speaker 2: I at first it was Harry, Now it's Tommy.

1149
01:00:22,800 --> 01:00:25,400
Speaker 3: I know, like stuff is unlucky in love.

1150
01:00:25,520 --> 01:00:28,800
Speaker 2: He keeps stilling her men, I know this.

1151
01:00:29,000 --> 01:00:33,920
Speaker 3: It's so ugh darnut, older, sister, it's just how rude. Indeed,

1152
01:00:35,320 --> 01:00:39,480
Speaker 3: So Danny walks over to Stephanie and explains, look, Steph,

1153
01:00:39,720 --> 01:00:42,280
Speaker 3: I know you feel very strongly about this, and I

1154
01:00:42,280 --> 01:00:45,120
Speaker 3: don't mean to hurt your feelings, but I don't think

1155
01:00:45,240 --> 01:00:48,080
Speaker 3: this is really love. I think it's just a crush,

1156
01:00:48,160 --> 01:00:52,400
Speaker 3: you know. Jesse adds, Yeah, Steph, your dad's right. You know,

1157
01:00:52,440 --> 01:00:55,560
Speaker 3: when it's really love, your heart starts pounding and your

1158
01:00:55,600 --> 01:00:59,720
Speaker 3: toes curl and you start sweating. Danny glances at him

1159
01:00:59,800 --> 01:01:02,880
Speaker 3: or lairs at him. So Jesse backtracks and well, this

1160
01:01:03,120 --> 01:01:06,800
Speaker 3: isn't it. Joey grabs her hand and says that they

1161
01:01:06,840 --> 01:01:09,880
Speaker 3: all know what she's going through. Sometimes you wish for

1162
01:01:09,960 --> 01:01:14,840
Speaker 3: something so badly that you start believing it's true that

1163
01:01:14,960 --> 01:01:18,560
Speaker 3: now that's this is the good advice right here, coming

1164
01:01:18,560 --> 01:01:23,040
Speaker 3: from Joey ironically, Yeah, you feel for Steph. It's like

1165
01:01:23,080 --> 01:01:25,000
Speaker 3: no wonder she got caught up in all this excitement,

1166
01:01:26,560 --> 01:01:30,480
Speaker 3: DJ adds with a lot less empathy. Yeah, face reality,

1167
01:01:30,760 --> 01:01:33,160
Speaker 3: Tommy was just being nice. He's not in love with you,

1168
01:01:33,800 --> 01:01:37,680
Speaker 3: He's in love with me and the guys true old sister.

1169
01:01:40,680 --> 01:01:43,120
Speaker 3: She doesn't care that her sister is devastated.

1170
01:01:43,880 --> 01:01:45,800
Speaker 2: Watch Times.

1171
01:01:49,840 --> 01:01:51,960
Speaker 3: So the guys all look at DJ wide eyed, and

1172
01:01:52,160 --> 01:01:55,400
Speaker 3: Danny questions, when did this happen? You just met him?

1173
01:01:56,400 --> 01:01:59,240
Speaker 3: DJ explains, well, I know we only spent a couple

1174
01:01:59,320 --> 01:02:02,080
Speaker 3: of hours together, and it's true we haven't talked about

1175
01:02:02,080 --> 01:02:05,200
Speaker 3: commitment yet, but I think it's getting getting pretty serious.

1176
01:02:06,200 --> 01:02:08,640
Speaker 3: Danny asks, you know that nice little talk we just

1177
01:02:08,760 --> 01:02:11,960
Speaker 3: had with Stephanie, Well, right about now, I think we're

1178
01:02:11,960 --> 01:02:15,520
Speaker 3: gonna have that talk with you. DJ shakes her head

1179
01:02:15,560 --> 01:02:19,080
Speaker 3: in denial. Stephanie is a child. I am a woman.

1180
01:02:20,240 --> 01:02:24,280
Speaker 3: And then the offender, Tommy walks upstairs and obliviously asks,

1181
01:02:24,520 --> 01:02:25,880
Speaker 3: is it safe for me to come up yet?

1182
01:02:27,040 --> 01:02:27,280
Speaker 2: Dude?

1183
01:02:27,320 --> 01:02:29,560
Speaker 3: You caused this whole thing, like you've just been saying,

1184
01:02:30,040 --> 01:02:30,640
Speaker 3: waiting for your.

1185
01:02:32,040 --> 01:02:35,120
Speaker 2: Right clear this up and be like, I'm so sorry.

1186
01:02:35,560 --> 01:02:40,600
Speaker 1: I have I come from a family whose cultural background

1187
01:02:40,840 --> 01:02:43,160
Speaker 1: demands that we kiss people on the lips. And there

1188
01:02:43,240 --> 01:02:46,640
Speaker 1: must have been a great amount of confusion because need

1189
01:02:47,040 --> 01:02:50,200
Speaker 1: to be anything other than uh, hello, like.

1190
01:02:50,280 --> 01:02:53,280
Speaker 3: This dude, man, he causes all this chaos and then

1191
01:02:53,360 --> 01:02:55,760
Speaker 3: then just watches it unfold and yeah, you could have

1192
01:02:55,920 --> 01:03:01,760
Speaker 3: solved this at least eighteen minutes ago. So uh. DJ

1193
01:03:01,880 --> 01:03:04,720
Speaker 3: walks over to Tommy and asks, will you please straighten

1194
01:03:04,800 --> 01:03:09,160
Speaker 3: everybody out about what's going on between us? Tommy tells them, well,

1195
01:03:09,280 --> 01:03:11,640
Speaker 3: DJ and I had a really fun day and I

1196
01:03:11,800 --> 01:03:16,640
Speaker 3: hope that we could be good friends. DJ WinCE's friends.

1197
01:03:17,120 --> 01:03:22,600
Speaker 3: You mean just friends. Tommy finally responds, Yeah, I'm sorry

1198
01:03:22,760 --> 01:03:27,240
Speaker 3: if you misunderstood. How about you're sorry you gave her

1199
01:03:27,320 --> 01:03:36,360
Speaker 3: the wrong signals? Yes, sorry, Tommy, Tommy, Tommy sir. He

1200
01:03:36,480 --> 01:03:39,360
Speaker 3: had to have been directed to kiss people like I'm

1201
01:03:39,400 --> 01:03:41,840
Speaker 3: not blaming Tommy Page. I am blaming the writing on this.

1202
01:03:42,160 --> 01:03:43,200
Speaker 3: I'm assuming.

1203
01:03:47,240 --> 01:03:50,520
Speaker 1: Very clear, this is not this was not time. It

1204
01:03:50,880 --> 01:03:53,720
Speaker 1: was the writing of the episode that that is what

1205
01:03:54,320 --> 01:03:57,000
Speaker 1: caused the thing, right, So.

1206
01:03:57,240 --> 01:03:59,360
Speaker 3: It was the writing and the direction to hey, kiss

1207
01:03:59,440 --> 01:04:00,720
Speaker 3: these under girls on there.

1208
01:04:01,280 --> 01:04:03,200
Speaker 2: The first second we read that at.

1209
01:04:03,160 --> 01:04:05,520
Speaker 1: A table readly we've been like, uh, yeah, you guys,

1210
01:04:05,560 --> 01:04:09,120
Speaker 1: you can't have an adult Yeah, yess, that's weird.

1211
01:04:09,400 --> 01:04:15,400
Speaker 3: Yeah the legal department. A teacher is a social worker. Wait, yes,

1212
01:04:16,960 --> 01:04:20,640
Speaker 3: uh so Stephanie confidently barges over and pushes her way

1213
01:04:20,720 --> 01:04:23,080
Speaker 3: past DJ. Well, now that she's out of the way,

1214
01:04:23,280 --> 01:04:26,800
Speaker 3: I guess it's just you and me Thomas. Tommy breaks

1215
01:04:26,840 --> 01:04:28,760
Speaker 3: the news that he just wants to be friends with

1216
01:04:28,880 --> 01:04:32,000
Speaker 3: her as well, and Steph reacts the same way. You

1217
01:04:32,120 --> 01:04:36,560
Speaker 3: mean friends, like you're just friends with DJ. He nods,

1218
01:04:37,040 --> 01:04:40,920
Speaker 3: but Stephanie's in denial. You wrote love Tommy on my CD,

1219
01:04:42,360 --> 01:04:45,840
Speaker 3: he smiles. I always write love Tommy. Sometimes I'll even

1220
01:04:45,920 --> 01:04:49,240
Speaker 3: forget and write it for a guy. Yeah. This made

1221
01:04:49,280 --> 01:04:52,479
Speaker 3: me this. Since this episode, this has made me think

1222
01:04:52,720 --> 01:04:56,480
Speaker 3: or think twice about writing love Andrea Barber. When I'm

1223
01:04:56,480 --> 01:04:59,480
Speaker 3: signing autographs, it's like a.

1224
01:04:59,480 --> 01:05:01,960
Speaker 2: Little heart and my name because for that reason that

1225
01:05:02,040 --> 01:05:03,160
Speaker 2: I'm like, I don't want to.

1226
01:05:04,000 --> 01:05:07,000
Speaker 3: Although there are some people that as you write me.

1227
01:05:08,440 --> 01:05:12,720
Speaker 2: A personalized note about how great we are together, You're like,

1228
01:05:12,840 --> 01:05:13,920
Speaker 2: I don't we can do that.

1229
01:05:15,040 --> 01:05:18,280
Speaker 3: I'll give you a little tiny heart and joy Sweeten.

1230
01:05:19,720 --> 01:05:22,440
Speaker 1: Yeah, I don't know, yes, And I mean I never

1231
01:05:22,600 --> 01:05:25,240
Speaker 1: thought about that. I really, you know, stopped kissing all

1232
01:05:25,240 --> 01:05:26,120
Speaker 1: my fans on the lips.

1233
01:05:26,840 --> 01:05:29,440
Speaker 2: Yeah, yes, I mean I.

1234
01:05:29,520 --> 01:05:31,680
Speaker 3: Learned that lesson, you know what I mean, that lesson

1235
01:05:31,680 --> 01:05:35,200
Speaker 3: at the tender age of eleven. But yeah, it never

1236
01:05:35,240 --> 01:05:38,040
Speaker 3: occurred to me that people could misinterpret. And I always

1237
01:05:38,080 --> 01:05:40,200
Speaker 3: used to write love and everything.

1238
01:05:40,240 --> 01:05:45,080
Speaker 2: I remember Gavin de Becker telling me as not well.

1239
01:05:44,960 --> 01:05:47,080
Speaker 1: Yeah, me and my mom as a kid, uh to

1240
01:05:47,280 --> 01:05:51,680
Speaker 1: not to specifically not write that down autographs and things,

1241
01:05:51,720 --> 01:05:53,760
Speaker 1: because it does give some people the wrong intention because

1242
01:05:53,760 --> 01:05:55,840
Speaker 1: they think it is just me that you're writing this too.

1243
01:05:56,120 --> 01:05:59,959
Speaker 3: Yeah, back to love Tommy, and sometimes he'll even forget

1244
01:06:00,120 --> 01:06:03,720
Speaker 3: and write it for a guy. Joey pipes up. Yeah,

1245
01:06:03,720 --> 01:06:08,560
Speaker 3: you gotta watch that. Tommy continues his apology tour. Look,

1246
01:06:08,960 --> 01:06:11,640
Speaker 3: I didn't mean to cause any trouble. He walks in

1247
01:06:11,680 --> 01:06:14,440
Speaker 3: between Stephan DJ and says, I hope you'll still come

1248
01:06:14,480 --> 01:06:18,240
Speaker 3: to my concert tonight. Okay, I gotta go. He shakes

1249
01:06:18,280 --> 01:06:20,240
Speaker 3: the guy's hands and tells them it was nice meeting

1250
01:06:20,280 --> 01:06:20,520
Speaker 3: them all.

1251
01:06:20,560 --> 01:06:21,920
Speaker 2: He should have kissed them all in the lips.

1252
01:06:22,440 --> 01:06:24,800
Speaker 3: I know, right, this is a double standard here.

1253
01:06:24,840 --> 01:06:26,680
Speaker 2: That's what you're doing when you say hello and bide people,

1254
01:06:27,720 --> 01:06:28,400
Speaker 2: you kiss them then.

1255
01:06:29,560 --> 01:06:32,400
Speaker 3: Uh so before you can go. Michelle walks in and

1256
01:06:32,520 --> 01:06:35,320
Speaker 3: she asks Tommy if he's leaving, and he kneels down

1257
01:06:35,360 --> 01:06:38,160
Speaker 3: to say, yeah, it was really great meeting you, Michelle,

1258
01:06:38,480 --> 01:06:41,040
Speaker 3: and he gives her a kiss on the cheek. Stop

1259
01:06:41,600 --> 01:06:47,800
Speaker 3: stop kissing, just stop, yes, like it's just too much kissing, don't.

1260
01:06:48,240 --> 01:06:50,080
Speaker 3: A wave from across the road is plenty.

1261
01:06:53,000 --> 01:06:54,880
Speaker 2: Yeah, pat on the shoulder, you know what I mean?

1262
01:06:55,280 --> 01:07:00,640
Speaker 3: My god, yeah, this was this was excruciating to watch, Michelle,

1263
01:07:01,160 --> 01:07:03,560
Speaker 3: She grins. She falls for this. Wow, you are such

1264
01:07:03,600 --> 01:07:08,280
Speaker 3: a babe, And as Tommy walks out, she turns to

1265
01:07:08,360 --> 01:07:12,600
Speaker 3: the guys and declares, I'm gonna marry him, and Danny says,

1266
01:07:12,640 --> 01:07:17,000
Speaker 3: oh man, it never ends. All the Tanner girls, all

1267
01:07:17,040 --> 01:07:19,360
Speaker 3: three of them, and Kimmy are falling in love with

1268
01:07:19,440 --> 01:07:23,960
Speaker 3: this guy. So later on in the girl's room, Steph

1269
01:07:24,120 --> 01:07:26,680
Speaker 3: is solemnly sitting on her bed with mister Bear by

1270
01:07:26,760 --> 01:07:30,800
Speaker 3: her side, always there, I know. DJ walks in and

1271
01:07:30,920 --> 01:07:35,080
Speaker 3: she asks can I help you? DJ explains, well, I thought,

1272
01:07:35,120 --> 01:07:37,920
Speaker 3: if I'm miserable and you're miserable, we might as well

1273
01:07:38,000 --> 01:07:43,520
Speaker 3: be miserable together. Steph agrees, sit be miserable, DJ sits

1274
01:07:43,560 --> 01:07:46,040
Speaker 3: in her desk chair and admits, I was so dumb.

1275
01:07:46,560 --> 01:07:49,640
Speaker 3: I was so sure he liked me, and Steph jokes,

1276
01:07:49,760 --> 01:07:52,040
Speaker 3: at least you didn't make up wedding invitations.

1277
01:07:52,400 --> 01:07:56,720
Speaker 1: Have the calligrapher was such an expense. I really got

1278
01:07:56,760 --> 01:08:01,160
Speaker 1: the huge expence embossed. Uh yeah, envelopes and everything.

1279
01:08:01,520 --> 01:08:03,800
Speaker 3: With the wax on the stamp, with the wax on

1280
01:08:03,920 --> 01:08:06,520
Speaker 3: the back and everything for two and fifty people.

1281
01:08:06,560 --> 01:08:07,200
Speaker 2: That's not cheap.

1282
01:08:08,120 --> 01:08:14,160
Speaker 3: Yeah. Anyway, that's well, that's a big lesson learned. So

1283
01:08:14,320 --> 01:08:16,800
Speaker 3: DJ continues, you know what the weirdest part is.

1284
01:08:17,000 --> 01:08:21,880
Speaker 2: He kissed all these young girls on the lips. Yes,

1285
01:08:22,800 --> 01:08:28,280
Speaker 2: you're not wrong, I think is the weirdest part that is.

1286
01:08:28,520 --> 01:08:32,760
Speaker 3: That's one of the weirdest parts of this episode. Uh.

1287
01:08:33,200 --> 01:08:36,920
Speaker 3: DJ continues. Everything Dad, Joey and Uncle Jesse said was right,

1288
01:08:37,360 --> 01:08:40,960
Speaker 3: and I hate it when that happens. Steph realizes if

1289
01:08:41,000 --> 01:08:43,200
Speaker 3: this was just a crush, I don't know if I

1290
01:08:43,240 --> 01:08:45,800
Speaker 3: can take it when I really fall in love, what's

1291
01:08:46,000 --> 01:08:49,080
Speaker 3: that going to feel like. DJ doesn't know because she's

1292
01:08:49,240 --> 01:08:51,760
Speaker 3: never really been in love before, but she hears it's

1293
01:08:51,760 --> 01:08:55,280
Speaker 3: pretty intense. Just wait because Scott Wenger will be back

1294
01:08:55,360 --> 01:08:58,640
Speaker 3: next season when they officially start dating. So the other

1295
01:08:58,720 --> 01:09:01,920
Speaker 3: Steve will be back, Steve having Chang's name hyphen Hale.

1296
01:09:02,120 --> 01:09:05,719
Speaker 2: Yes, coming back, returning from the Witness production program.

1297
01:09:06,479 --> 01:09:11,240
Speaker 3: Yes, exactly, uh so, Steph nods, I hear the same thing.

1298
01:09:11,880 --> 01:09:13,679
Speaker 3: And then DJ gets out of her chair and sits

1299
01:09:13,720 --> 01:09:15,960
Speaker 3: next to Stephanie on her bed. You know what, I

1300
01:09:16,080 --> 01:09:18,920
Speaker 3: just realized. I'm sitting here talking to you about love

1301
01:09:19,000 --> 01:09:23,679
Speaker 3: and boys. Steph, you are really growing up. She can't

1302
01:09:23,680 --> 01:09:26,559
Speaker 3: help but agree. Ever since I turned ten, life got

1303
01:09:26,640 --> 01:09:29,040
Speaker 3: so complicated, truly preach.

1304
01:09:29,280 --> 01:09:29,479
Speaker 2: Yeah.

1305
01:09:30,479 --> 01:09:32,840
Speaker 3: DJ goes on to say, well, one day we are

1306
01:09:32,920 --> 01:09:35,360
Speaker 3: going to be dating like crazy, and I want you

1307
01:09:35,479 --> 01:09:38,040
Speaker 3: to know that I will never ever steal one of

1308
01:09:38,080 --> 01:09:40,920
Speaker 3: your boyfriends, because guys are gonna come and guys are

1309
01:09:40,960 --> 01:09:44,320
Speaker 3: gonna go, But you and I will be sisters forever,

1310
01:09:45,600 --> 01:09:48,880
Speaker 3: and Steph smiles. Sisters forever, and they give each other

1311
01:09:48,920 --> 01:09:53,439
Speaker 3: a big hug. Ah. DJ demands and I want every

1312
01:09:53,479 --> 01:09:56,880
Speaker 3: one of those embarrassing pictures back, and Stephanie nods, you

1313
01:09:57,000 --> 01:10:00,559
Speaker 3: got it. But when DJ asks for the negatives, Steph says,

1314
01:10:01,000 --> 01:10:04,479
Speaker 3: we'll talk. As DJ leaves the room, Steph turns on

1315
01:10:04,600 --> 01:10:08,000
Speaker 3: her radio and plays Stephanie with a big smile on

1316
01:10:08,080 --> 01:10:12,240
Speaker 3: her face, and that is our show. That's our show.

1317
01:10:13,280 --> 01:10:17,439
Speaker 3: Whoa I think again, I will say I I loved

1318
01:10:17,560 --> 01:10:20,920
Speaker 3: this plot sty It was a.

1319
01:10:20,960 --> 01:10:26,360
Speaker 2: Cute storyline that was premit was executed with.

1320
01:10:26,479 --> 01:10:29,760
Speaker 3: Some poor direction, yes, but absolutely it was.

1321
01:10:29,800 --> 01:10:31,840
Speaker 2: Also it was also balanced out with great dancing, so

1322
01:10:32,880 --> 01:10:35,960
Speaker 2: fabulous dance. I feel like, yeah, it's yeah, I did.

1323
01:10:36,040 --> 01:10:37,920
Speaker 2: I forgot that he kissed everybody.

1324
01:10:38,560 --> 01:10:41,560
Speaker 3: I was like, I don't, just so weird. Yeah, I

1325
01:10:41,600 --> 01:10:44,760
Speaker 3: don't remember cringing quite this hard when we were shooting it.

1326
01:10:44,840 --> 01:10:47,960
Speaker 3: I was just more like, oh my god, Charlie, nobody, no,

1327
01:10:49,280 --> 01:10:50,960
Speaker 3: nobody's batter than eye back then.

1328
01:10:52,520 --> 01:10:53,040
Speaker 2: But it did.

1329
01:10:53,120 --> 01:10:57,120
Speaker 3: Okay. So so Tommy Page in real life was gay,

1330
01:10:57,240 --> 01:10:59,240
Speaker 3: but he was in the closet at this point, and

1331
01:10:59,320 --> 01:11:03,040
Speaker 3: I think his manner was working overtime to portray that

1332
01:11:03,120 --> 01:11:05,920
Speaker 3: he's straight so that the teenage fans would still be

1333
01:11:06,040 --> 01:11:08,360
Speaker 3: in love with him or whatever. So this episode really

1334
01:11:08,439 --> 01:11:10,240
Speaker 3: felt like it was just sort of a part of

1335
01:11:10,280 --> 01:11:13,680
Speaker 3: the propaganda to convinced well he was straight, and that

1336
01:11:13,800 --> 01:11:16,040
Speaker 3: gives me the ick, like I'm just like, well, and

1337
01:11:16,160 --> 01:11:16,519
Speaker 3: that was.

1338
01:11:16,600 --> 01:11:21,679
Speaker 1: I mean, how you know, I mean, even the sorry

1339
01:11:21,720 --> 01:11:23,760
Speaker 1: I'm having to send Zoe money right now because she's like,

1340
01:11:23,800 --> 01:11:25,000
Speaker 1: I need food.

1341
01:11:25,040 --> 01:11:27,639
Speaker 3: Okay, that's changed lunch.

1342
01:11:27,760 --> 01:11:29,960
Speaker 2: He kept calling me and I'm like, no, I record

1343
01:11:32,040 --> 01:11:34,400
Speaker 2: you know it. I mean, but that was very of

1344
01:11:34,479 --> 01:11:36,080
Speaker 2: the time, right. We made the joke about you know,

1345
01:11:36,200 --> 01:11:38,519
Speaker 2: George Michael and like that was you know, it was

1346
01:11:38,600 --> 01:11:41,840
Speaker 2: all you. They were all in the closet, which was unfortunate.

1347
01:11:43,080 --> 01:11:46,439
Speaker 3: It is unfortunate, and I mean, and that's still.

1348
01:11:46,360 --> 01:11:48,320
Speaker 2: True, right, I mean of.

1349
01:11:50,080 --> 01:11:53,439
Speaker 1: I mean, we've known actors and people that like, if

1350
01:11:53,479 --> 01:11:56,720
Speaker 1: they're you know, super hunky and good looking, like and

1351
01:11:57,000 --> 01:11:59,519
Speaker 1: they happen to be gay, oftentimes their team is like,

1352
01:11:59,640 --> 01:12:02,280
Speaker 1: don't be super out with it because you're gonna kill

1353
01:12:02,400 --> 01:12:06,920
Speaker 1: your audience of you know, eighteen forty five year old women,

1354
01:12:07,120 --> 01:12:07,840
Speaker 1: and yeah, you.

1355
01:12:07,880 --> 01:12:10,720
Speaker 3: Can only be a heart throb to the opposite set. Yeah,

1356
01:12:10,800 --> 01:12:13,680
Speaker 3: that was the mindset in the day. But well it

1357
01:12:13,760 --> 01:12:15,920
Speaker 3: was for Juan Pablo, like he mean, yeah, come a

1358
01:12:15,960 --> 01:12:16,840
Speaker 3: long time it came out.

1359
01:12:16,920 --> 01:12:19,280
Speaker 2: I wasn't going to it, but he was. He was

1360
01:12:19,320 --> 01:12:22,360
Speaker 2: an attractive guy. He talks about it, Yeah, he talks.

1361
01:12:22,160 --> 01:12:26,320
Speaker 1: About it, and so yeah, it's, uh, it is something unfortunate. Yeah,

1362
01:12:26,320 --> 01:12:29,040
Speaker 1: and I'm sure and I'm sure it happens to women too,

1363
01:12:29,400 --> 01:12:33,559
Speaker 1: just it's not. Yeah, I still think culturally we don't

1364
01:12:33,920 --> 01:12:35,719
Speaker 1: freak out the same way, but it's.

1365
01:12:35,960 --> 01:12:40,439
Speaker 3: True, which is silly. We shouldn't agree either, But yeah,

1366
01:12:40,520 --> 01:12:41,720
Speaker 3: this was there was there was.

1367
01:12:41,920 --> 01:12:43,680
Speaker 1: This was one of those episodes that I was like,

1368
01:12:43,880 --> 01:12:49,760
Speaker 1: hmmm mm hmm, okay, well yeah, moving on, moving.

1369
01:12:49,560 --> 01:12:52,560
Speaker 3: Not right, and we I just couldn't figure out, Like,

1370
01:12:52,680 --> 01:12:56,479
Speaker 3: I don't think Tommy Page, the character was supposed to

1371
01:12:56,560 --> 01:12:58,720
Speaker 3: be a bad guy, like he came to this ten

1372
01:12:58,760 --> 01:13:00,519
Speaker 3: year old's birthday party and saying or a song like

1373
01:13:00,600 --> 01:13:03,559
Speaker 3: he's a good guy. Yeah, well meaning, but I felt

1374
01:13:03,600 --> 01:13:06,120
Speaker 3: like he was a bad guy because he caused all

1375
01:13:06,160 --> 01:13:08,439
Speaker 3: this drama and he led these girls on and he

1376
01:13:08,439 --> 01:13:10,400
Speaker 3: wouldn't stop kissing them on the mouth. And I'm just like,

1377
01:13:10,520 --> 01:13:12,960
Speaker 3: you give me the ick, but You're You're not written

1378
01:13:13,000 --> 01:13:15,439
Speaker 3: as a good guy, right, But it was executed as

1379
01:13:15,520 --> 01:13:18,360
Speaker 3: him being a creep, and I'm just like, I didn't

1380
01:13:18,479 --> 01:13:20,679
Speaker 3: like that. I think it did a disservice to Tommy Page.

1381
01:13:20,800 --> 01:13:23,840
Speaker 3: Yeah for sure, And it didn't it made this This

1382
01:13:23,960 --> 01:13:26,479
Speaker 3: episode didn't quite hit the way I wanted to do

1383
01:13:26,720 --> 01:13:27,200
Speaker 3: because of that.

1384
01:13:27,439 --> 01:13:31,240
Speaker 2: Yeah, well, look in twenty twenty five, we probably would

1385
01:13:31,240 --> 01:13:31,920
Speaker 2: have done it very.

1386
01:13:31,840 --> 01:13:36,000
Speaker 3: Differently, very very It's a you know, we hit a

1387
01:13:36,120 --> 01:13:37,080
Speaker 3: very nineteen.

1388
01:13:36,800 --> 01:13:39,080
Speaker 2: Ninety two moment in the last couple episodes of like.

1389
01:13:39,240 --> 01:13:44,599
Speaker 3: Ah well or yeah, big reminders that it's nineteen ninety two.

1390
01:13:45,680 --> 01:13:48,240
Speaker 1: But you know, other than that, I do love the

1391
01:13:48,320 --> 01:13:51,560
Speaker 1: storyline between Steph and DJ and the sort of ridiculousness

1392
01:13:51,600 --> 01:13:53,599
Speaker 1: of it that they both It's kind of it's very

1393
01:13:53,680 --> 01:13:58,160
Speaker 1: reminiscent of the Secret Admirer episode in that everyone is

1394
01:13:58,200 --> 01:14:01,599
Speaker 1: sort of in their own delusion about yes, what's.

1395
01:14:01,479 --> 01:14:02,080
Speaker 2: Really going on?

1396
01:14:02,360 --> 01:14:04,600
Speaker 1: And that's kind of the funny part is these you know,

1397
01:14:05,240 --> 01:14:08,160
Speaker 1: two ten and fifteen year olds are like, I'm actually

1398
01:14:08,200 --> 01:14:09,240
Speaker 1: and everyone's like, no.

1399
01:14:09,400 --> 01:14:13,519
Speaker 3: I'm his girlfriend, right, Yeah, that part was funny, the

1400
01:14:13,600 --> 01:14:17,960
Speaker 3: delusions of yes, you know, preteen and teenage girls exactly.

1401
01:14:18,560 --> 01:14:22,720
Speaker 1: But no, I I it was that was what we did,

1402
01:14:22,920 --> 01:14:25,880
Speaker 1: and that was now what we did. So we never

1403
01:14:26,000 --> 01:14:29,720
Speaker 1: have to have any more kissing pop stars in the

1404
01:14:29,800 --> 01:14:30,280
Speaker 1: living room.

1405
01:14:31,040 --> 01:14:33,560
Speaker 3: Thank God for this season. And we never see you, no,

1406
01:14:33,640 --> 01:14:35,640
Speaker 3: we never see you turn sixteen, so this is like

1407
01:14:35,720 --> 01:14:36,280
Speaker 3: your last now.

1408
01:14:36,360 --> 01:14:38,400
Speaker 1: Jeff always said, if we if I have shown have

1409
01:14:38,439 --> 01:14:39,479
Speaker 1: made it till I turned sixteen.

1410
01:14:39,520 --> 01:14:40,760
Speaker 3: He was like, I'll buy you a car.

1411
01:14:40,920 --> 01:14:46,840
Speaker 2: And I've damn it man tarn it ABC by.

1412
01:14:46,920 --> 01:14:52,439
Speaker 3: Like six more seasons. Oh man, dang it almost too bad.

1413
01:14:52,560 --> 01:14:54,519
Speaker 2: But that was all I had. Did you have any

1414
01:14:54,600 --> 01:14:55,599
Speaker 2: everywhere you look moments?

1415
01:14:56,240 --> 01:14:58,840
Speaker 3: Oh no, I was too squipped out.

1416
01:14:59,439 --> 01:15:01,320
Speaker 2: I any everywhere you had one?

1417
01:15:01,400 --> 01:15:08,080
Speaker 3: What was yours? My shark tooth? The sting there really starting.

1418
01:15:07,800 --> 01:15:12,639
Speaker 2: To protrude right down stage on on my right side.

1419
01:15:12,760 --> 01:15:16,320
Speaker 3: Oh yeah, downstage even so it's right there in the camera.

1420
01:15:16,160 --> 01:15:18,040
Speaker 2: Shot depends on which I'm looking, I guess, but it was.

1421
01:15:18,160 --> 01:15:19,760
Speaker 3: But in this shot, yeah, I was like, in that

1422
01:15:19,880 --> 01:15:23,160
Speaker 3: one shot, there's the tooth. So yes, if you if

1423
01:15:23,200 --> 01:15:25,840
Speaker 3: you guys haven't heard that story, it was on our

1424
01:15:26,080 --> 01:15:29,200
Speaker 3: when we collabed with pod Meats World a few months ago.

1425
01:15:30,120 --> 01:15:32,160
Speaker 3: Stephanie Jody told this snaggle.

1426
01:15:31,840 --> 01:15:33,519
Speaker 2: Tooth sweetened story.

1427
01:15:33,720 --> 01:15:38,640
Speaker 3: Yeah, too, sweetness, one of my favorite stories because you

1428
01:15:39,040 --> 01:15:40,880
Speaker 3: hate it so much because.

1429
01:15:40,640 --> 01:15:44,599
Speaker 2: It's just it was just a soul crushing at the time.

1430
01:15:44,760 --> 01:15:46,480
Speaker 2: Now I'm like, oh my god, it's hilarious.

1431
01:15:46,760 --> 01:15:52,679
Speaker 3: But like you, you were mortified, mortified about your snag tooth,

1432
01:15:53,000 --> 01:15:53,840
Speaker 3: your shark tooth.

1433
01:15:55,320 --> 01:15:58,200
Speaker 2: Yeah, but no, that was my only everwhere you look

1434
01:15:58,320 --> 01:15:59,559
Speaker 2: was my my shark tooth.

1435
01:15:59,760 --> 01:16:01,960
Speaker 3: So that's a good one. That that deserves its own

1436
01:16:02,040 --> 01:16:03,400
Speaker 3: everywhere you'll look there.

1437
01:16:04,439 --> 01:16:07,000
Speaker 2: And it's gonna be everywhere you look for probably the

1438
01:16:07,040 --> 01:16:07,920
Speaker 2: next season.

1439
01:16:07,880 --> 01:16:11,960
Speaker 3: Or two, so until you get your flipper. Finally, I

1440
01:16:12,000 --> 01:16:14,040
Speaker 3: couldn't get a for that because it was just so

1441
01:16:14,720 --> 01:16:15,160
Speaker 3: come down.

1442
01:16:15,360 --> 01:16:17,000
Speaker 2: It didn't come down. That was the whole problem.

1443
01:16:17,040 --> 01:16:19,120
Speaker 3: They have like extracted, what did they do?

1444
01:16:20,080 --> 01:16:23,840
Speaker 2: And because I didn't was too crowded in there, dang it.

1445
01:16:24,400 --> 01:16:28,120
Speaker 1: So I didn't move everything around anyway about my work history.

1446
01:16:28,360 --> 01:16:30,720
Speaker 1: I'm sure that you guys would like to be done

1447
01:16:30,760 --> 01:16:32,720
Speaker 1: with this episode because we would too.

1448
01:16:36,160 --> 01:16:37,960
Speaker 3: On another tangent, I.

1449
01:16:37,960 --> 01:16:41,400
Speaker 1: Don't even know another yeah Tanner engent. No, that didn't,

1450
01:16:41,760 --> 01:16:45,120
Speaker 1: that didn't, that didn't. Should should have not said that anyway.

1451
01:16:47,600 --> 01:16:50,920
Speaker 1: Thanks for hanging in with us until we hit our

1452
01:16:51,000 --> 01:16:54,400
Speaker 1: three of recording and are completely delirious and I have

1453
01:16:54,680 --> 01:16:55,200
Speaker 1: lost our.

1454
01:16:55,280 --> 01:16:59,680
Speaker 3: We need food, we need yeah, in and out.

1455
01:17:00,200 --> 01:17:02,880
Speaker 2: Thank you so much for listening to whatever we do

1456
01:17:03,000 --> 01:17:04,719
Speaker 2: on this show. We love you guys.

1457
01:17:05,479 --> 01:17:07,800
Speaker 1: Check us out on Instagram at how Red Podcast. Send

1458
01:17:07,840 --> 01:17:10,479
Speaker 1: us emails at how Rude Tannerto's at gmail dot com.

1459
01:17:11,320 --> 01:17:14,720
Speaker 1: Check out our merch store howardmerch dot com and and

1460
01:17:14,800 --> 01:17:15,360
Speaker 1: I think that's it.

1461
01:17:15,640 --> 01:17:21,719
Speaker 2: So we've done plenty to remember you guys. The world

1462
01:17:21,800 --> 01:17:24,839
Speaker 2: is small, but the house is full.

1463
01:17:26,520 --> 01:17:31,920
Speaker 1: Of unsent wedding invitations from from the page Tanner wedding

1464
01:17:32,080 --> 01:17:33,800
Speaker 1: that was called off at the last night.

1465
01:17:34,000 --> 01:17:35,759
Speaker 2: So yeah, just so many.

1466
01:17:38,600 --> 01:17:39,240
Speaker 3: Caligraphy.

1467
01:17:39,640 --> 01:17:42,200
Speaker 2: Yeah, it was yeah, the caliber for still waiting to

1468
01:17:42,240 --> 01:17:42,679
Speaker 2: get paid.

1469
01:17:42,720 --> 01:17:45,320
Speaker 3: You know. That was eight years ago or so.

1470
01:17:45,560 --> 01:17:49,080
Speaker 1: Yeah, sorry, uh anyway, it was the first of one

1471
01:17:49,120 --> 01:17:50,679
Speaker 1: of many weddings that I would.

1472
01:17:50,520 --> 01:17:50,800
Speaker 2: Wait for me.

1473
01:17:51,240 --> 01:17:53,559
Speaker 1: So all right, you guys, thanks so much for listening.

1474
01:17:53,640 --> 01:17:54,639
Speaker 1: We'll see you next time.

1475
01:17:55,160 --> 01:18:02,320
Speaker 3: By A wish