WEBVTT - #500 - Snoop Dogg

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<v Speaker 1>What to do with your boy big Snoop d O

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<v Speaker 1>DOUBLEG and I want you to check me out on

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<v Speaker 1>the five hundred hear me five double ot episode of

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<v Speaker 1>Bootleg cav Oh.

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<v Speaker 2>Yeah, the interview was smoking.

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<v Speaker 3>Before we start the episode. Man, I gotta remind everybody

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<v Speaker 3>that we are on the radio in eighty cities every

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<v Speaker 3>single day across the country. Man Real ninety two to

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<v Speaker 3>three every day Monday through Friday in Los Angeles, Wild

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<v Speaker 3>ninety four to one in Tampa, KKFI in Phoenix. We're

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<v Speaker 3>all over the place, Miami, Vegas, we can go on

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<v Speaker 3>and on. Want to give a shout out to our

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<v Speaker 3>latest affiliate, shout out to Knoxville, Tennessee, Man Hot one

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<v Speaker 3>O four point five for being the latest city to

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<v Speaker 3>join the Bootleg CAV Show network. All right, now, I

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<v Speaker 3>don't ever really talk about the radio show on the podcast,

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<v Speaker 3>keep them separate. But if you want to listen to

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<v Speaker 3>the radio show, you can click the link in the

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<v Speaker 3>bio for a list of all the cities you can

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<v Speaker 3>listen to at Yeah that makes sense. Oh, let's get

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<v Speaker 3>to the interview. All right, man, Look, Boulet Cab podcast.

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<v Speaker 3>This is actually the five hundredth episode and it's only right.

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<v Speaker 3>We have quite possibly the greatest of all time Snoop

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<v Speaker 3>Dogg five hundred, five hundred.

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<v Speaker 2>Man, that's crazy. I like that number.

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<v Speaker 3>It's a great number.

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<v Speaker 2>Yeah, times five, yo.

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<v Speaker 3>I gotta tell you. I always tell the story about

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<v Speaker 3>how your album Dog You Style like changed the trajectory

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<v Speaker 3>of my life. M because when I was like six

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<v Speaker 3>years old, my grandma You remember, Columbia House used to

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<v Speaker 3>send like fifteen out albums for like a penny.

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<v Speaker 2>Yeah.

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<v Speaker 3>Sure, So my grandma somehow got DOGI Style in the

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<v Speaker 3>maule on tape.

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<v Speaker 2>Good shot shot off to Grandma.

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<v Speaker 3>I wanted to keep it, but she had no I

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<v Speaker 3>don't think she meant to.

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<v Speaker 2>It the fuck. She did the right thing, good shit, Granny.

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<v Speaker 1>See, I'm a grandfather, so sometimes grandparents do shit that

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<v Speaker 1>y'all don't understand.

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<v Speaker 3>So it was like, obviously a cartoon cover, so that's

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<v Speaker 3>what she went for. So she gave it to me,

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<v Speaker 3>and I fucking like, within I don't know three weeks,

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<v Speaker 3>knew the whole album, like front to back, every skit

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<v Speaker 3>by heart. I mean literally, by the time my mom

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<v Speaker 3>heard me listening to it and took it from me,

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<v Speaker 3>it was too late. It was over with and your sister,

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<v Speaker 3>it was over.

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<v Speaker 2>When your DNA.

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<v Speaker 1>Yes, let it go, Grandma. I got to get Grandma

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<v Speaker 1>shout out. Man, that's see, that's g ship right there.

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<v Speaker 1>When your grandparents have a forward way of thinking and

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<v Speaker 1>knowing that my grandson is going to be somebody, I

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<v Speaker 1>got to put this in his DNA to make sure

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<v Speaker 1>when he gets to the point where he's at that

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<v Speaker 1>it's all way any and not only.

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<v Speaker 3>Yeah, always say that that that album to change my life.

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<v Speaker 2>Man, thank you boy.

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<v Speaker 3>I'm here, I'm here, I'm here a lot because the

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<v Speaker 3>dog style bro that album.

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<v Speaker 1>That album was a It was a fun experience because

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<v Speaker 1>being a young rapper and being so infatuated with Doctor

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<v Speaker 1>Tryan and wa being able to work with him on

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<v Speaker 1>the Chronic and then to say okay, it's my turn

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<v Speaker 1>for my album you mean already like right now? Like yeah,

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<v Speaker 1>Like that was an amazing because I had all my

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<v Speaker 1>homies with me too, the people that I had started with,

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<v Speaker 1>the people that you know watched me growing to the

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<v Speaker 1>MC that I became, and then to have Doctor dre

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<v Speaker 1>perfect my craft with DC and the whole team, it

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<v Speaker 1>was a blessing.

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<v Speaker 2>Yo.

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<v Speaker 3>I was curious, like the like were you the brain

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<v Speaker 3>child behind the skits? Because when we're talking about like

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<v Speaker 3>using skips, skits within an album, just memorable skits, I

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<v Speaker 3>think about the beginning of Jesu and Hustlers with like

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<v Speaker 3>the school Teacher and even like the bathtub intro, the

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<v Speaker 3>Murder was the case intro, Like I feel like skits

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<v Speaker 3>are a lost art form and I can't think of

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<v Speaker 3>more iconic skits than on Doggy Style.

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<v Speaker 2>That's the fact.

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<v Speaker 1>Well, you got to understand, Doctor Dre was learning me.

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<v Speaker 1>We had just finished the Chronic album. We just forged

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<v Speaker 1>the friendship. We had been together for about a year,

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<v Speaker 1>and we started like hanging together like every day, like

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<v Speaker 1>just me and him, like and we pulled away from

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<v Speaker 1>everybody else. So he was learning the things that I

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<v Speaker 1>loved and liked while he was crafting my album. And

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<v Speaker 1>when we would be together, we would always either listen

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<v Speaker 1>to old school music or I will pop in the

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<v Speaker 1>VCR of an old black you know, explotation movie and

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<v Speaker 1>he would get that and get my spirit and say, Okay,

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<v Speaker 1>when we make your record, not only do I have

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<v Speaker 1>to capture your sound, but I gotta capture the essence

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<v Speaker 1>of who you are and that's sometimes isn't in the music,

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<v Speaker 1>it's in an inner sketch or skit before the song

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<v Speaker 1>or after the song. So we creatively came up with

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<v Speaker 1>things that made sense, like the shit.

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<v Speaker 2>Would Nigga yo bitch chose me?

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<v Speaker 3>Yep.

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<v Speaker 1>I always loved that scene in the Maget and then

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<v Speaker 1>the bathtub scene is from Superfly when he trying to

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<v Speaker 1>get out and Eddie telling him to stay in.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>So it's like you're getting all these movies scenes instilled

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<v Speaker 1>into my album because I'm such a fan of that.

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<v Speaker 1>And Dre as a producer captured every element of Snoop Dogg,

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<v Speaker 1>which was funny, gangster real.

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<v Speaker 3>And it's crazy too because I think back to like

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<v Speaker 3>the way that the Chronic. You were the first voice

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<v Speaker 3>on the Chronic, but you weren't the first voice on

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<v Speaker 3>Doggie Style. No Rage, Lady of Rage just blacked the

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<v Speaker 3>fuck out to kick that album.

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<v Speaker 1>Off right, So it was Rage and George Clinton well

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<v Speaker 1>the first voices on my album, and Doctor Dre. He

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<v Speaker 1>has a different way of thinking. He always know what

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<v Speaker 1>he's doing and we never know what the fuck he's doing.

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<v Speaker 1>But when he finishes, the shit sounds amazing. He knew

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<v Speaker 1>that he wanted Rage on the intro because Rage was

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<v Speaker 1>supposed to be next up with the album. Yeah, so

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<v Speaker 1>that's what that set up was about, hearing her voice.

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<v Speaker 3>First, kind of like you were next up with the Chronic.

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<v Speaker 1>Yeah, that was his train of thought. But it didn't

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<v Speaker 1>come to life, but that was his train of thought

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<v Speaker 1>for sure.

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<v Speaker 3>It's crazy, man. I think I ran through the entire

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<v Speaker 3>album last night for a couple of times. The new

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<v Speaker 3>album Missionary, it's different, and I feel like it's like

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<v Speaker 3>kind of like an evolved I mean, cause if you

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<v Speaker 3>kind of go through the years of like even like

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<v Speaker 3>between Doggy Style to you guys getting back together for

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<v Speaker 3>two thousand and one, and obviously you guys have done

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<v Speaker 3>music since then, you know, but there's some shit on

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<v Speaker 3>this album and that's like, like the Tom Petty jelly

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<v Speaker 3>Roll record is crazy, like talk about because I saw

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<v Speaker 3>you went out to jelly Rolls Nashville show, which you

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<v Speaker 3>know was super dope shot the jelly. But how did

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<v Speaker 3>like the idea of bringing jelly roll onto the album

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<v Speaker 3>come up?

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<v Speaker 1>Well, when we got the concept right to beat the hook,

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<v Speaker 1>my verse, Dray didn't want me to come with a

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<v Speaker 1>second verse because I had a second verse on there.

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<v Speaker 2>He was like, nah, we need to get somebody on it.

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<v Speaker 1>So they start throwing names out, like all kinds of names,

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<v Speaker 1>big name artists, country artists, this style of artists, and

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<v Speaker 1>the shit just didn't match. It didn't feel like. Then

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<v Speaker 1>the motherfucker said jelly Roll, and the whole room lit up.

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<v Speaker 1>Was like, that's the nigga him, and so we reached out.

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<v Speaker 1>And when we reached out, Drey was gonna send him

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<v Speaker 1>the track. Jelly Roll was like, no, I.

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<v Speaker 2>Want to pull up.

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<v Speaker 3>Yeah, for sure.

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<v Speaker 2>He told me he came through. So I wasn't even

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<v Speaker 2>there though. So that's how gangsta it was.

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<v Speaker 1>It was like I had to hear it after the fact,

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<v Speaker 1>and I didn't even meet him until I went to Nashville.

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<v Speaker 2>Oh you didn't meet him. It's first time meeting him.

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<v Speaker 3>You got to meet Bunny, his wife, and the wife, his.

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<v Speaker 1>Whole team, his cruel, his best friend, and his other

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<v Speaker 1>best friend. This motherfucker had five best friends like this.

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<v Speaker 1>How they came in introduced me, Hey Snoop, I'm jelly

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<v Speaker 1>Roll's best friend. Look take my hand. Then so was

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<v Speaker 1>he finished, Hey Snoop, I'm jelly Roll's other best friend.

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<v Speaker 1>Then motherfucker. Hey Snoop Dogg. I'm Jelly Roll's real best friend.

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<v Speaker 1>I'm the one that discovered.

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<v Speaker 2>All this shit.

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<v Speaker 1>I said, I love Jelly Row because he got the

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<v Speaker 1>same kind of crew I got.

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<v Speaker 2>My homies loved me the same way.

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<v Speaker 1>If you ask seven of my homies right now, they

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<v Speaker 1>all gonna tell you, Nigga, I'm his best friend because

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<v Speaker 1>I'm friends with everybody.

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<v Speaker 3>Yeah, yeah, yeah, yo. I saw you talk about like

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<v Speaker 3>I saw a quote. It was an article you did

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<v Speaker 3>but essentially said that, you know, with this album, you

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<v Speaker 3>kind of wanted to remind people that you're like one

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<v Speaker 3>of the greatest of all time as an MC. Do

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<v Speaker 3>you feel like, one do you care about that conversation?

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<v Speaker 3>And two do you feel like when that conversation happens,

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<v Speaker 3>your name gets brought up enough?

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<v Speaker 1>I mean, I ain't got time to watch my highlights.

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<v Speaker 1>I got a game to play them all here, so

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<v Speaker 1>I can't worry about if I'm into Sports Center Top

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<v Speaker 1>ten or the Hip Hop top ten. I keep putting

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<v Speaker 1>in work, you know what I'm saying. That's one thing

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<v Speaker 1>that's undeniable. You could check my resume. I came out

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<v Speaker 1>in ninety two and this is twenty twenty four, and

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<v Speaker 1>I've been relevant ever since I came out the dough forever.

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<v Speaker 1>In music, let's say that first music first, and then

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<v Speaker 1>other things culturally musically, yes, but music first, every year,

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<v Speaker 1>every decade, and then the other things are my side quest,

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<v Speaker 1>the things that I enjoy doing that I love doing it.

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<v Speaker 1>I want to inspire others to do by taking chances

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<v Speaker 1>on myself, like engaging and believing, believing in me, like

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<v Speaker 1>I don't have to have nobody confirm that I can

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<v Speaker 1>do this or try this. I just do it and

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<v Speaker 1>get it done, and then it becomes you know, spectacular

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<v Speaker 1>and famous and people love it, and hopefully it inspires

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<v Speaker 1>the next generation to try and do it because I

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<v Speaker 1>used to be a shy kid that was afraid to

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<v Speaker 1>make moves and jump out there and do things. And

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<v Speaker 1>now I'm a leader and I want to inspire the

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<v Speaker 1>next man that may be shy or embarrassed to step

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<v Speaker 1>up and become who he's supposed to be.

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<v Speaker 3>I mean, you are the side quest, you know, master,

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<v Speaker 3>I would say.

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<v Speaker 2>Well, me and Shaquille O'Neil.

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<v Speaker 3>I'll look, shaq is close, but I feel like you're

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<v Speaker 3>kind of you've ran away with it for a while.

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<v Speaker 1>But that's what I do do I do usually run

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<v Speaker 1>away with it, you know what I'm saying. That's what

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<v Speaker 1>I've been known to do. I'm a closer. You know

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<v Speaker 1>what I'm saying. A lot of guys are relief pictures.

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<v Speaker 1>I'm a closer. I close shit. You know what I'm saying.

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<v Speaker 1>When I get up there, expect a w because I

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<v Speaker 1>play hard, I practice hard, I study and I respect

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<v Speaker 1>the game. And when you do all those things, it

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<v Speaker 1>usually ends up in a successful way.

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<v Speaker 3>I was gonna say, man like throughout like the last

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<v Speaker 3>thirty years, we've seen you have so many business ventures.

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<v Speaker 3>I think till like back in the day, owning like

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<v Speaker 3>Snoop Dogg clothing and like getting it from Burlington co

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<v Speaker 3>Factory as a kid. You know what I'm saying, It

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<v Speaker 3>was Outcast clothing and Snoop dog clothing around the same time.

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<v Speaker 1>Shout out to CADATAI Jones Quincy Jones daughter. She the

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<v Speaker 1>one who took me to a guy by the name

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<v Speaker 1>of Michael Well. She took me to Andy Hill figure

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<v Speaker 1>first and Tommy Hill figure and she got me a

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<v Speaker 1>brand and deal with them. And then she said you

0:10:41.640 --> 0:10:45.200
<v Speaker 1>need to create your own line. Snoop Dogg clothing. She

0:10:45.280 --> 0:10:47.880
<v Speaker 1>gave me the idea, introduced me to the people, and

0:10:47.920 --> 0:10:51.280
<v Speaker 1>that's how Snoop Dogg Clothing got kicked off. And it's

0:10:51.320 --> 0:10:52.640
<v Speaker 1>before she even met Tupac.

0:10:53.280 --> 0:10:55.960
<v Speaker 3>Yet, No Snoop dog Clothing was crazy. It literally was

0:10:56.040 --> 0:10:58.200
<v Speaker 3>like if like if you like it looked like shit,

0:10:58.240 --> 0:11:01.360
<v Speaker 3>you would just Snoop Dogg, like straight out the closet

0:11:01.400 --> 0:11:04.920
<v Speaker 3>is stupid. But I just feel like, you know, even

0:11:04.960 --> 0:11:07.200
<v Speaker 3>like going into the crypto space, like I feel like

0:11:07.280 --> 0:11:11.680
<v Speaker 3>you were like a real pioneer when it comes to

0:11:11.840 --> 0:11:15.559
<v Speaker 3>like showing artists like that, there is this other world

0:11:15.600 --> 0:11:17.280
<v Speaker 3>in which you can kind of monetize, you know. I

0:11:17.320 --> 0:11:20.880
<v Speaker 3>feel like maybe three years ago, there was people spending

0:11:20.920 --> 0:11:23.839
<v Speaker 3>serious money to have digital real estate next to your house.

0:11:23.720 --> 0:11:27.280
<v Speaker 1>In sandbox niggas by buying digital property for hundreds and

0:11:27.320 --> 0:11:29.400
<v Speaker 1>hundreds of thousands of dollars, and the shit was like

0:11:29.440 --> 0:11:31.840
<v Speaker 1>this big and you couldn't touch it. But it was

0:11:31.880 --> 0:11:33.679
<v Speaker 1>the fact that I had went over to that industry

0:11:33.679 --> 0:11:36.240
<v Speaker 1>and I had went on the ground I had started

0:11:36.240 --> 0:11:37.680
<v Speaker 1>from the ground up. I didn't come over there and

0:11:37.679 --> 0:11:39.600
<v Speaker 1>try to grab money. I went over there and I

0:11:39.640 --> 0:11:41.360
<v Speaker 1>built what the creators. I went over there and let

0:11:41.440 --> 0:11:45.520
<v Speaker 1>them use my name, my likeness, did collaborations, you know,

0:11:45.800 --> 0:11:49.040
<v Speaker 1>changed the game, brought music over there, did things in

0:11:49.080 --> 0:11:53.200
<v Speaker 1>an unorthodox way to where it was appealing to that

0:11:53.280 --> 0:11:55.640
<v Speaker 1>world because that world is that same way, and I

0:11:55.679 --> 0:11:56.800
<v Speaker 1>wasn't a superstar to them.

0:11:56.840 --> 0:11:58.240
<v Speaker 2>I was on the ground level with them.

0:11:58.520 --> 0:12:01.360
<v Speaker 1>So whenever I would put something out, they would respect

0:12:01.360 --> 0:12:03.240
<v Speaker 1>it and buy it because I would usually do things

0:12:03.280 --> 0:12:05.719
<v Speaker 1>with them or allow them to use my name on

0:12:05.800 --> 0:12:08.520
<v Speaker 1>my likeness. Early when I first got into that world,

0:12:09.000 --> 0:12:10.960
<v Speaker 1>people was using my face and all kinds of shit.

0:12:11.080 --> 0:12:14.679
<v Speaker 1>My son was like, Pops, you gotta let 'em use it.

0:12:14.800 --> 0:12:17.200
<v Speaker 1>They love you, That's why they doing it. It's not

0:12:17.240 --> 0:12:18.560
<v Speaker 1>that they trying to make money off you.

0:12:18.600 --> 0:12:19.080
<v Speaker 2>They love you.

0:12:19.480 --> 0:12:22.079
<v Speaker 1>And once I understood that, then me and my relationship

0:12:22.120 --> 0:12:24.400
<v Speaker 1>with the metaverse took a whole new lift because it

0:12:24.440 --> 0:12:27.800
<v Speaker 1>was like Wow, Snoopers allowing us to use his face

0:12:27.840 --> 0:12:30.840
<v Speaker 1>and his likeness as a creator and musically use his

0:12:30.960 --> 0:12:32.640
<v Speaker 1>voice and blah blah this and that, and it was

0:12:32.640 --> 0:12:35.520
<v Speaker 1>a connection that can't nobody break cause I built that.

0:12:35.679 --> 0:12:38.520
<v Speaker 3>Nah, that shit's crazy, definitely, uh O the first to

0:12:38.559 --> 0:12:41.440
<v Speaker 3>do that. I mean for sure, but in terms of

0:12:41.600 --> 0:12:43.959
<v Speaker 3>just like the new ventures, like obviously you and Dre

0:12:44.800 --> 0:12:45.839
<v Speaker 3>have a new drink.

0:12:46.840 --> 0:12:49.040
<v Speaker 2>Gin and Juice, the gin and Juice and steal.

0:12:48.880 --> 0:12:52.280
<v Speaker 3>Gen uh w th Like there's just so much. I

0:12:52.320 --> 0:12:55.400
<v Speaker 3>feel like every other week we see something new. What

0:12:55.600 --> 0:12:58.600
<v Speaker 3>is like your bandwidth like on a daily basis? Cause

0:12:58.679 --> 0:13:02.120
<v Speaker 3>I j I mean I see death Row on everything

0:13:02.720 --> 0:13:05.280
<v Speaker 3>I go to the store. There's death Row t shirts

0:13:05.280 --> 0:13:09.079
<v Speaker 3>at Walmart. There's the death Row Happy Dad. You know

0:13:09.120 --> 0:13:13.760
<v Speaker 3>what I'm saying, Like you got to have just I mean,

0:13:13.800 --> 0:13:15.560
<v Speaker 3>the work ethic is still so crazy at this point

0:13:15.559 --> 0:13:18.240
<v Speaker 3>in time in your career, Like how do you kind

0:13:18.240 --> 0:13:20.520
<v Speaker 3>of manage and deal with just all of the ventures?

0:13:20.600 --> 0:13:22.840
<v Speaker 1>What I did, keV, I put a team around me.

0:13:23.200 --> 0:13:25.080
<v Speaker 1>For many years it would be me and a couple

0:13:25.160 --> 0:13:28.120
<v Speaker 1>of people making things happen. So what I did was,

0:13:28.120 --> 0:13:30.600
<v Speaker 1>I got a bigger team, I got a smarter team.

0:13:30.640 --> 0:13:34.400
<v Speaker 1>I got employees or professionals at what they do. And

0:13:34.440 --> 0:13:37.480
<v Speaker 1>then I'm back managed by William Morris and Aria Manuel.

0:13:38.000 --> 0:13:41.280
<v Speaker 1>So positioning myself to get the best out of me

0:13:41.360 --> 0:13:43.360
<v Speaker 1>while I'm putting in the best of my work right

0:13:43.400 --> 0:13:46.160
<v Speaker 1>now and not having to focus on so many different

0:13:46.160 --> 0:13:49.559
<v Speaker 1>things but being the creator, the boss, and the connector.

0:13:50.320 --> 0:13:52.400
<v Speaker 3>I love it. I wanted to ask you about your

0:13:52.440 --> 0:13:54.520
<v Speaker 3>second album because it's an album I feel like doesn't

0:13:54.520 --> 0:13:56.800
<v Speaker 3>get talked about enough. It was probably one of the

0:13:56.880 --> 0:13:59.880
<v Speaker 3>highest anticipated albums of all time because it's obviously the

0:14:00.040 --> 0:14:02.800
<v Speaker 3>follow up The Doggy Style of The dog Father. What

0:14:02.840 --> 0:14:06.200
<v Speaker 3>do you feel like? Because I love that album, like

0:14:06.320 --> 0:14:10.920
<v Speaker 3>that that the you thought record was too short and Superflies?

0:14:13.679 --> 0:14:16.920
<v Speaker 3>But what what do you think kind of went wrong

0:14:16.960 --> 0:14:19.000
<v Speaker 3>with it? Was it like kind of like the beginning

0:14:19.040 --> 0:14:21.160
<v Speaker 3>your the splintering of the relationship with Sugar, Like what

0:14:21.280 --> 0:14:23.040
<v Speaker 3>kind of went wrong you think with dog Father? And

0:14:23.040 --> 0:14:25.440
<v Speaker 3>why it kind of doesn't get looked at in the

0:14:25.480 --> 0:14:26.080
<v Speaker 3>same kind.

0:14:25.960 --> 0:14:29.120
<v Speaker 1>Of You got to think about what the dog Father was?

0:14:29.880 --> 0:14:31.840
<v Speaker 1>What was the dog Father? It was the follow up

0:14:31.840 --> 0:14:34.280
<v Speaker 1>album The Doggy Style, But what it was was Snoop

0:14:34.320 --> 0:14:37.840
<v Speaker 1>Dogg becoming a man. Snoop Dogg realized that he wanted

0:14:37.840 --> 0:14:40.640
<v Speaker 1>to live, that he wanted to separate from the madness,

0:14:41.280 --> 0:14:44.480
<v Speaker 1>and at that time it was looked at as it

0:14:44.520 --> 0:14:47.040
<v Speaker 1>was frowned upon because I was so gangster on my

0:14:47.200 --> 0:14:50.240
<v Speaker 1>intro and so gangster with the way I was living,

0:14:50.320 --> 0:14:52.960
<v Speaker 1>Like why don't you want to be gangster anymore. Well,

0:14:53.000 --> 0:14:55.920
<v Speaker 1>how about I'm fighting a murder case, and when I

0:14:55.960 --> 0:14:58.640
<v Speaker 1>win this murder case, I want to do right by

0:14:58.680 --> 0:15:01.280
<v Speaker 1>the system, by God, by the way I was raised.

0:15:01.920 --> 0:15:04.800
<v Speaker 1>And if the people around me don't get it, if

0:15:04.800 --> 0:15:07.720
<v Speaker 1>the fans don't get it, if the label don't get it,

0:15:08.160 --> 0:15:11.720
<v Speaker 1>fuck them, because in twenty twenty four, I'll be talking

0:15:11.760 --> 0:15:15.200
<v Speaker 1>about why I made that decision, why that record sounds

0:15:15.280 --> 0:15:17.280
<v Speaker 1>like that, why I was hope on that record, why

0:15:17.280 --> 0:15:21.160
<v Speaker 1>I wrote about life more than death. Why I seen

0:15:21.840 --> 0:15:26.200
<v Speaker 1>visions of me becoming a grandfather and living into my

0:15:26.360 --> 0:15:30.160
<v Speaker 1>sixties and seventies by saying the right things in my music.

0:15:30.200 --> 0:15:32.760
<v Speaker 1>Because realizing that the chronic and doggy style and the

0:15:32.800 --> 0:15:34.680
<v Speaker 1>dog pound ap and everything that I had worked on,

0:15:35.360 --> 0:15:38.080
<v Speaker 1>I had wrote all of the things that happened to

0:15:38.120 --> 0:15:42.120
<v Speaker 1>me that were negative. I manifested it. So I wanted

0:15:42.120 --> 0:15:43.680
<v Speaker 1>to write some positive shit.

0:15:43.520 --> 0:15:46.640
<v Speaker 3>To matter ifest some positive shit, and it happened. Would

0:15:46.680 --> 0:15:50.240
<v Speaker 3>you say that going through that trial, which is obviously

0:15:50.240 --> 0:15:54.080
<v Speaker 3>one of the biggest trials in hip hop history, I know.

0:15:54.120 --> 0:15:55.520
<v Speaker 3>I talked to Warren G about it. He said he

0:15:55.560 --> 0:15:57.360
<v Speaker 3>was like, I got interrogated during that shit. You know

0:15:57.360 --> 0:16:00.200
<v Speaker 3>what I mean like, would you say the uncertainty of

0:16:00.240 --> 0:16:01.960
<v Speaker 3>like what your future looked like while you're going through

0:16:01.960 --> 0:16:05.200
<v Speaker 3>that trial like kind of like change, Like because what if,

0:16:05.240 --> 0:16:08.560
<v Speaker 3>like Doggy Style, you had that success and you were

0:16:08.600 --> 0:16:10.760
<v Speaker 3>on that meteoric rise and that trial didn't happen and

0:16:10.800 --> 0:16:12.640
<v Speaker 3>there wasn't something to kind of like shake you up

0:16:12.680 --> 0:16:14.840
<v Speaker 3>a little and be like, hey man, this shit you

0:16:14.880 --> 0:16:17.840
<v Speaker 3>know could get taken away, Like do you feel like that?

0:16:17.880 --> 0:16:19.960
<v Speaker 3>It kind of changed your trajectory as like a man

0:16:20.040 --> 0:16:20.720
<v Speaker 3>and an artist.

0:16:21.600 --> 0:16:26.640
<v Speaker 1>Well, remember my good friend Tupacat got murdered, Sugar gets

0:16:26.640 --> 0:16:29.800
<v Speaker 1>separated from got separated from us. All this happening while

0:16:29.840 --> 0:16:31.840
<v Speaker 1>the dog Father is about to come out and then

0:16:31.960 --> 0:16:32.440
<v Speaker 1>comes out.

0:16:33.080 --> 0:16:33.680
<v Speaker 2>So it's like.

0:16:35.480 --> 0:16:43.440
<v Speaker 1>The label is in disarray, there's death, there's division. I'm

0:16:43.480 --> 0:16:48.000
<v Speaker 1>a crip bluzs and Crips is at it now. Sugar

0:16:48.000 --> 0:16:51.320
<v Speaker 1>ain't fucking with me no more really, So it's like

0:16:51.400 --> 0:16:53.920
<v Speaker 1>you don't really have the push and the support. And

0:16:53.960 --> 0:16:56.840
<v Speaker 1>then the record that I made wasn't as violent or

0:16:56.880 --> 0:16:59.840
<v Speaker 1>as gangster as the first one. So it's like if

0:16:59.880 --> 0:17:03.320
<v Speaker 1>you go see Scarface, or you go see a better analogy,

0:17:03.360 --> 0:17:08.119
<v Speaker 1>you go see a movie with Robert de Narrow where Casino,

0:17:08.800 --> 0:17:11.359
<v Speaker 1>and then you see him in Meet the.

0:17:11.280 --> 0:17:13.919
<v Speaker 3>Foxers ah BO.

0:17:14.200 --> 0:17:17.760
<v Speaker 1>Both great, right, but the gangsters don't want to go

0:17:17.800 --> 0:17:22.200
<v Speaker 1>see him in this family funny movie, but the shit

0:17:22.320 --> 0:17:28.000
<v Speaker 1>is amazing. They only want to see him shooting, chilling mafia.

0:17:28.600 --> 0:17:31.199
<v Speaker 1>That's all they want to see. So my audience was

0:17:31.240 --> 0:17:33.720
<v Speaker 1>brainwashed at the time to think that that's all we did.

0:17:33.720 --> 0:17:38.320
<v Speaker 1>And then you had Tupac smashing on niggas doing the

0:17:38.400 --> 0:17:41.720
<v Speaker 1>gangster shit. I'm wood him on America's Most Warning, but

0:17:41.720 --> 0:17:45.000
<v Speaker 1>then I ain't like that on my album. So it's

0:17:45.080 --> 0:17:49.480
<v Speaker 1>like I'm two people because when I'm with Tupac, I'm

0:17:49.480 --> 0:17:51.800
<v Speaker 1>fighting the murder case, but when I do the dog Father,

0:17:51.920 --> 0:17:52.960
<v Speaker 1>I win the murder case.

0:17:54.400 --> 0:17:54.720
<v Speaker 3>Different.

0:17:54.800 --> 0:17:55.439
<v Speaker 2>So when I'm.

0:17:55.280 --> 0:17:57.080
<v Speaker 1>Fighting he, I'm gonna try to keep a gangster and

0:17:57.119 --> 0:17:58.920
<v Speaker 1>stay down and all that shit. But damn, I got

0:17:58.920 --> 0:18:02.560
<v Speaker 1>these yours looking at me. So when I finished, I

0:18:02.560 --> 0:18:03.119
<v Speaker 1>got to get.

0:18:03.000 --> 0:18:03.399
<v Speaker 2>Back in there.

0:18:05.280 --> 0:18:08.440
<v Speaker 1>I gotta beat this mode, right because you're on probation

0:18:08.600 --> 0:18:09.960
<v Speaker 1>right now, you're on bail.

0:18:11.160 --> 0:18:12.359
<v Speaker 2>I'm fighting a murder case.

0:18:13.320 --> 0:18:18.240
<v Speaker 1>Sugar is in between both, so it's like Dre is

0:18:18.280 --> 0:18:20.560
<v Speaker 1>on the way out and we don't know it.

0:18:20.880 --> 0:18:21.400
<v Speaker 3>Crazy.

0:18:21.720 --> 0:18:22.880
<v Speaker 2>So all this is going on.

0:18:23.080 --> 0:18:26.639
<v Speaker 1>Yeah, and the murder case pre existed because it was

0:18:26.720 --> 0:18:29.760
<v Speaker 1>wild Mark wild Doggie style. It's just dragging on, it's

0:18:29.800 --> 0:18:31.960
<v Speaker 1>just dragging out. So I got to build my best

0:18:32.000 --> 0:18:34.840
<v Speaker 1>behavior so I won't get violated and get took to jail.

0:18:35.280 --> 0:18:36.960
<v Speaker 1>I had a house niggas you know. I had house

0:18:37.040 --> 0:18:40.600
<v Speaker 1>arrest for like six months. Yeah, because I damn near violated.

0:18:41.160 --> 0:18:43.280
<v Speaker 1>It was like walking that fine line trying to keep

0:18:43.280 --> 0:18:45.919
<v Speaker 1>a gangster. Then while I'm keeping a gangster with y'all,

0:18:46.080 --> 0:18:48.040
<v Speaker 1>then eight in the morning, guess where I gotta be

0:18:48.080 --> 0:18:52.320
<v Speaker 1>at in court with a suit on? Right, my client

0:18:52.480 --> 0:18:56.440
<v Speaker 1>is not gang affiliate, Mike client as soon as I leave. Yeah,

0:18:56.520 --> 0:19:00.680
<v Speaker 1>cub woo. It's a double life. Some got to give

0:19:01.200 --> 0:19:03.600
<v Speaker 1>and it's my life. So at the end of the day,

0:19:03.640 --> 0:19:06.320
<v Speaker 1>God gives you the control to control your life, to

0:19:06.359 --> 0:19:08.800
<v Speaker 1>make a decisions. And I made a decision to do

0:19:08.880 --> 0:19:10.640
<v Speaker 1>what I thought was the right thing, which is make

0:19:10.680 --> 0:19:13.600
<v Speaker 1>a record that was aim in that direction to deal

0:19:13.640 --> 0:19:16.280
<v Speaker 1>with what I was dealing with in life.

0:19:16.280 --> 0:19:20.840
<v Speaker 3>In real life, I talked with Damian Young chot to Demiza.

0:19:21.080 --> 0:19:24.359
<v Speaker 3>He had said that you don't get enough credit for

0:19:26.119 --> 0:19:29.000
<v Speaker 3>trying to be a peacemaker during the East Coast West

0:19:29.000 --> 0:19:32.679
<v Speaker 3>Coast drama that was happening. He mentioned the show at

0:19:32.720 --> 0:19:35.520
<v Speaker 3>the Palace. It was like a power one a six show,

0:19:36.840 --> 0:19:40.840
<v Speaker 3>and I guess Biggie pulled up. You guys met backstage.

0:19:40.960 --> 0:19:43.399
<v Speaker 3>Biggie goes on stage. Does I think he did crush

0:19:43.440 --> 0:19:45.239
<v Speaker 3>on you or something like that? And he said that

0:19:45.280 --> 0:19:47.399
<v Speaker 3>you you walked out behind him like while he was

0:19:47.440 --> 0:19:49.280
<v Speaker 3>on stage, like while he was performing, and did your

0:19:49.320 --> 0:19:51.399
<v Speaker 3>you know, your snoop dance and shit, and he was

0:19:51.440 --> 0:19:53.639
<v Speaker 3>just like that was that was never something that you

0:19:53.640 --> 0:19:56.280
<v Speaker 3>would kind of like subscribe to. And I think that's

0:19:56.320 --> 0:20:00.960
<v Speaker 3>obviously you know, well, well, well that we kind of

0:20:01.000 --> 0:20:04.199
<v Speaker 3>know that, But like, was that like something that you

0:20:04.200 --> 0:20:07.120
<v Speaker 3>know just the whole time that was happening. Obviously there's

0:20:07.119 --> 0:20:10.560
<v Speaker 3>a source of words thing. But was that something that

0:20:10.560 --> 0:20:12.159
<v Speaker 3>that never just sat right with you in terms of

0:20:12.200 --> 0:20:13.040
<v Speaker 3>just that whole narrative.

0:20:13.160 --> 0:20:16.000
<v Speaker 1>No, it didn't, because the East Coast was always the

0:20:17.000 --> 0:20:19.480
<v Speaker 1>pinnacle of rap. They was always the gods. They was

0:20:19.480 --> 0:20:20.800
<v Speaker 1>the ones who did it before anybody.

0:20:20.840 --> 0:20:22.040
<v Speaker 3>I mean, you paid how much a slick rick on

0:20:22.080 --> 0:20:22.840
<v Speaker 3>donk oh Man.

0:20:22.840 --> 0:20:24.600
<v Speaker 1>They was the ones who showed us how to do it.

0:20:25.000 --> 0:20:26.520
<v Speaker 1>So we would never want to get into it with

0:20:26.520 --> 0:20:30.240
<v Speaker 1>the inventors or the creators, but a certain situations made

0:20:30.320 --> 0:20:32.240
<v Speaker 1>us feel a certain way because we would never get

0:20:32.280 --> 0:20:34.640
<v Speaker 1>our songs played on radio with certain things that would

0:20:34.680 --> 0:20:37.639
<v Speaker 1>be biased towards us, and it was built up frustration.

0:20:38.160 --> 0:20:41.080
<v Speaker 1>And then you got you know things that's happened in

0:20:41.119 --> 0:20:43.919
<v Speaker 1>the industry with artists being shot at and being shot

0:20:44.560 --> 0:20:46.119
<v Speaker 1>you know what I'm saying. So it's like it built

0:20:46.200 --> 0:20:49.320
<v Speaker 1>up a hostility that was out of control.

0:20:49.359 --> 0:20:51.119
<v Speaker 2>And I was a part of it. You know, New

0:20:51.240 --> 0:20:53.600
<v Speaker 2>York and New York video was fucking but that was

0:20:53.640 --> 0:20:55.600
<v Speaker 2>after them Nigga shot at us. We went out.

0:20:55.680 --> 0:20:58.080
<v Speaker 1>We went out there to have them be in the video.

0:20:58.119 --> 0:21:00.000
<v Speaker 1>They wouldn't let us sit a radio station. Then they

0:21:00.080 --> 0:21:03.919
<v Speaker 1>us on ers and we didn't say nothing. Seven We

0:21:03.960 --> 0:21:06.320
<v Speaker 1>came up to high ninety seven, so we can tell you, hey,

0:21:06.400 --> 0:21:08.680
<v Speaker 1>New York, we're here to shoot a video. You know

0:21:08.720 --> 0:21:10.760
<v Speaker 1>what I'm saying. Dog Brown, pull up, come show us

0:21:10.800 --> 0:21:12.760
<v Speaker 1>some love. We're gonna be a Times Square. They wouldn't

0:21:12.840 --> 0:21:15.680
<v Speaker 1>let us on. Then the word gets out Dog Pound

0:21:15.760 --> 0:21:18.920
<v Speaker 1>Snoop Dogg and Tupac shooting a video and read hood

0:21:18.960 --> 0:21:23.080
<v Speaker 1>brook Brooklyn and we had to exit. So but we

0:21:23.160 --> 0:21:25.320
<v Speaker 1>kept it low. We didn't say nothing. We left it,

0:21:25.440 --> 0:21:27.720
<v Speaker 1>left it alone. And that was sort of kind of

0:21:27.760 --> 0:21:31.639
<v Speaker 1>like why Tupac had like animosity towards me, because he

0:21:31.760 --> 0:21:34.800
<v Speaker 1>knew that that happened to me, and he suspected that

0:21:34.800 --> 0:21:37.880
<v Speaker 1>that happened in it to him by the same circle.

0:21:38.880 --> 0:21:42.240
<v Speaker 1>And I was still willing to forgive.

0:21:42.480 --> 0:21:44.200
<v Speaker 3>Right, you were still willing to be the bigger man.

0:21:44.880 --> 0:21:47.800
<v Speaker 1>When he was locked up, I was the gangster. So

0:21:47.840 --> 0:21:50.560
<v Speaker 1>when he gets out, he expected me to stay the gainst.

0:21:51.040 --> 0:21:55.160
<v Speaker 1>When you watch gangster movies, it's always two gangsters, right,

0:21:55.960 --> 0:21:57.320
<v Speaker 1>and they ride it all the way out and then

0:21:57.400 --> 0:22:00.080
<v Speaker 1>one and then one of them like, man, I'm on.

0:22:00.440 --> 0:22:03.080
<v Speaker 3>It's like Nasa and Belly. Nasa is like I want

0:22:03.080 --> 0:22:05.040
<v Speaker 3>to go to Africa and Tommy Buns is like fuck that.

0:22:05.720 --> 0:22:08.080
<v Speaker 1>But that's life. That's just how it is. It's like

0:22:08.800 --> 0:22:11.600
<v Speaker 1>all of my relationships have been like that. Even with

0:22:11.720 --> 0:22:14.240
<v Speaker 1>me and Warren g when we started off, we was

0:22:14.359 --> 0:22:16.280
<v Speaker 1>tied it in the glove musically, and then it had

0:22:16.320 --> 0:22:18.040
<v Speaker 1>to take a point to where he had to separate

0:22:18.080 --> 0:22:20.160
<v Speaker 1>and do his own shit to create who the fuck

0:22:20.200 --> 0:22:22.920
<v Speaker 1>Warrene is because he would have just been up under

0:22:23.000 --> 0:22:25.679
<v Speaker 1>us and being Dre's little brother. And this now, motherfuckers

0:22:25.680 --> 0:22:28.679
<v Speaker 1>know that's Warren G the creator, g Funk, the regulator.

0:22:28.920 --> 0:22:30.720
<v Speaker 2>He produced this. He did that.

0:22:30.840 --> 0:22:33.600
<v Speaker 3>Only I mean saved deaf Jam as a West Coast artist, right.

0:22:33.680 --> 0:22:35.719
<v Speaker 1>But you don't know the struggle of what it was

0:22:35.880 --> 0:22:38.119
<v Speaker 1>before he got to that point. It wasn't just all right,

0:22:38.160 --> 0:22:39.760
<v Speaker 1>Warren G, go do your own thing. It was maybe

0:22:39.800 --> 0:22:42.320
<v Speaker 1>it's arguments. When you see my biopick.

0:22:41.960 --> 0:22:43.680
<v Speaker 2>You'll see it. I ain't gonna give you too much man.

0:22:44.160 --> 0:22:45.800
<v Speaker 3>Now, he explained a little bit, like he was kind

0:22:45.800 --> 0:22:47.560
<v Speaker 3>of explaining like things got a little weird because he

0:22:48.119 --> 0:22:49.440
<v Speaker 3>was like kind of the only guy who wasn't with

0:22:49.480 --> 0:22:51.159
<v Speaker 3>Death Row and like kind of went and did his

0:22:51.200 --> 0:22:52.120
<v Speaker 3>own thing, right.

0:22:52.240 --> 0:22:54.760
<v Speaker 1>Yeah, And he's the one that brought the main piece

0:22:54.800 --> 0:22:57.160
<v Speaker 1>to death Row, which is facts you.

0:22:57.119 --> 0:22:58.600
<v Speaker 2>Bring the engine and you don't have to get in

0:22:58.600 --> 0:22:58.920
<v Speaker 2>the car.

0:22:59.200 --> 0:23:04.080
<v Speaker 3>That's craziness. That is that's interesting, YO, talk to me

0:23:04.119 --> 0:23:10.600
<v Speaker 3>about you. Obviously getting with Pharrell kind of carved out

0:23:10.640 --> 0:23:14.720
<v Speaker 3>another era of your career. Paid the cost to be

0:23:14.760 --> 0:23:20.560
<v Speaker 3>the boss. Rhythmic Gangs to These were albums that I

0:23:20.600 --> 0:23:22.720
<v Speaker 3>feel like are are kind of like up there with

0:23:23.080 --> 0:23:25.280
<v Speaker 3>any of your bodies of work. Also shots of Blue

0:23:25.280 --> 0:23:27.080
<v Speaker 3>Carmont Treatment that's one of my favorites. And last meal

0:23:27.119 --> 0:23:29.600
<v Speaker 3>time Blue car Treatment so good.

0:23:29.640 --> 0:23:31.800
<v Speaker 2>That's just so hard. Oh my god, that's my ship.

0:23:32.680 --> 0:23:36.919
<v Speaker 3>But you like like being locked in with Dre in

0:23:36.960 --> 0:23:40.120
<v Speaker 3>a way that you have the level you have. You've

0:23:40.119 --> 0:23:42.200
<v Speaker 3>also worked with guys like DJ Premier throughout your career,

0:23:42.240 --> 0:23:44.040
<v Speaker 3>like you've worked with the greatest of all time, Tim Molann,

0:23:44.040 --> 0:23:47.199
<v Speaker 3>et cetera. But but like catching like that vibe with

0:23:47.240 --> 0:23:49.320
<v Speaker 3>Pharrell where you guys are able to like really kind

0:23:49.320 --> 0:23:53.239
<v Speaker 3>of ride a wave and like have multiple I mean,

0:23:53.320 --> 0:23:56.800
<v Speaker 3>drop it like it's hot. It's like I mean as

0:23:56.840 --> 0:23:59.400
<v Speaker 3>big a record that you have, you know what I mean,

0:23:59.480 --> 0:24:02.240
<v Speaker 3>Like how cool is that to kind of like get

0:24:02.240 --> 0:24:03.720
<v Speaker 3>in a group because a lot of people can get

0:24:03.720 --> 0:24:05.680
<v Speaker 3>in with producers and like, hey, Pharrel made the album.

0:24:05.680 --> 0:24:07.199
<v Speaker 3>We got a single, but you guys got into like

0:24:07.200 --> 0:24:09.119
<v Speaker 3>a real I mean the Bush album was Dope slept

0:24:09.160 --> 0:24:09.480
<v Speaker 3>on too.

0:24:10.119 --> 0:24:11.720
<v Speaker 2>You know what people don't know about for real?

0:24:13.200 --> 0:24:16.600
<v Speaker 1>This is what I really love about Cuz when he

0:24:16.680 --> 0:24:19.160
<v Speaker 1>worked with me, when we was doing the first couple

0:24:19.200 --> 0:24:22.000
<v Speaker 1>of things that we did, all he wanted to do

0:24:22.160 --> 0:24:25.440
<v Speaker 1>was be around my gangster homies as R and B

0:24:25.560 --> 0:24:28.080
<v Speaker 1>as he is and as melodic as he is.

0:24:28.200 --> 0:24:32.840
<v Speaker 2>He was so infatuated with like, Snoop, bring your homies

0:24:32.920 --> 0:24:35.160
<v Speaker 2>up here, cuffs, have your homies up here. Cut.

0:24:35.480 --> 0:24:38.639
<v Speaker 1>He's just just like that. He's like, that's how he

0:24:38.640 --> 0:24:40.760
<v Speaker 1>talked with being your homies up here, he cut, and

0:24:40.880 --> 0:24:43.240
<v Speaker 1>all my homies like I want the worst of the

0:24:43.280 --> 0:24:45.480
<v Speaker 1>worst of your homies, the one that steals, the one

0:24:45.520 --> 0:24:48.560
<v Speaker 1>that are getting to fight, or what I need.

0:24:48.880 --> 0:24:50.960
<v Speaker 3>I want these studio sessions to be a real liability.

0:24:50.960 --> 0:24:53.120
<v Speaker 2>I want niggas up here. It's so many words.

0:24:53.200 --> 0:24:55.480
<v Speaker 1>So I would bring all the niggas up there and

0:24:54.800 --> 0:24:58.199
<v Speaker 1>that he would get. Like to me, he did what

0:24:58.280 --> 0:25:00.760
<v Speaker 1>Dre did with Doggy's chaff. He had to learn me,

0:25:01.280 --> 0:25:03.480
<v Speaker 1>but he had to learn my elements. And you can't

0:25:03.520 --> 0:25:05.359
<v Speaker 1>just do that sit in the studio with me. You

0:25:05.400 --> 0:25:07.159
<v Speaker 1>got to see me around my people. You got to

0:25:07.200 --> 0:25:09.040
<v Speaker 1>see how I interact with my people. You got to

0:25:09.040 --> 0:25:11.200
<v Speaker 1>get the vibe busts and when we made those records.

0:25:11.400 --> 0:25:14.439
<v Speaker 1>He even allowed people like LT Hunting to produce tracks.

0:25:14.440 --> 0:25:17.960
<v Speaker 1>He allowed Jelly Roll and other people to present because

0:25:17.960 --> 0:25:19.560
<v Speaker 1>he knew that they was a part of my team,

0:25:19.600 --> 0:25:21.639
<v Speaker 1>so it wasn't like it was a produced by Forarral

0:25:21.760 --> 0:25:24.720
<v Speaker 1>top to bottom. He had the majority of it. But

0:25:24.800 --> 0:25:28.280
<v Speaker 1>he allowed, hey man, your home way over there. Bring

0:25:28.359 --> 0:25:29.920
<v Speaker 1>him in there, don't you do beats, Let's see what

0:25:30.000 --> 0:25:33.040
<v Speaker 1>he got like. He was that type of you know,

0:25:36.160 --> 0:25:39.200
<v Speaker 1>collaborated with me to where it was like we had

0:25:39.280 --> 0:25:42.040
<v Speaker 1>fun together, and he was interesting because he wanted to

0:25:42.080 --> 0:25:44.919
<v Speaker 1>tap in to this gangster shit. Then when we was

0:25:44.960 --> 0:25:47.920
<v Speaker 1>into it with sug Knight, that's when he was trying

0:25:47.920 --> 0:25:50.280
<v Speaker 1>to pull up. He was like, hold on, wait a minute,

0:25:51.080 --> 0:25:53.520
<v Speaker 1>y'all really into it with the nigga, said, nigga, don't trip, nigga,

0:25:53.520 --> 0:25:54.520
<v Speaker 1>stay out with this cripshit.

0:25:54.600 --> 0:25:54.879
<v Speaker 2>Nigga.

0:25:54.880 --> 0:25:57.639
<v Speaker 1>We got this nigga and then once we handle Cuz

0:25:58.119 --> 0:26:00.320
<v Speaker 1>he was able to see all of that to see

0:26:00.359 --> 0:26:06.320
<v Speaker 1>how the situation resolved not with violence, but which is

0:26:06.359 --> 0:26:10.280
<v Speaker 1>standing up and being a man and putting your foot down.

0:26:11.320 --> 0:26:13.480
<v Speaker 3>And then it's and then like that Bush album me

0:26:13.520 --> 0:26:15.680
<v Speaker 3>all there, I don't know that ship is done.

0:26:15.760 --> 0:26:18.200
<v Speaker 1>I get talked about that overseas. They love that. That

0:26:18.240 --> 0:26:20.119
<v Speaker 1>was a great big hit overseas.

0:26:20.280 --> 0:26:22.960
<v Speaker 3>Yeah, and it was I think the like what I

0:26:23.000 --> 0:26:25.400
<v Speaker 3>like I bought the CD, and I think the CD

0:26:25.520 --> 0:26:27.520
<v Speaker 3>reminded me like the old No Limit cases because it

0:26:27.560 --> 0:26:28.920
<v Speaker 3>was like a solid color case.

0:26:29.240 --> 0:26:31.280
<v Speaker 2>Did you see the videos to Thattu, Yeah, for sure.

0:26:31.359 --> 0:26:34.360
<v Speaker 1>The Stevie Wonder woan was amazing, the one with Charlie Wilson,

0:26:34.440 --> 0:26:37.520
<v Speaker 1>like his thought process to me that when I'm not

0:26:37.600 --> 0:26:40.560
<v Speaker 1>hearing on this earth anymore is when that record is

0:26:40.600 --> 0:26:43.960
<v Speaker 1>going to be thoroughly appreciated because it's so dynamic and

0:26:43.960 --> 0:26:47.560
<v Speaker 1>it's so futuristic that it was so ahead of its time.

0:26:47.600 --> 0:26:49.320
<v Speaker 1>People were so used to hearing me and him do

0:26:49.880 --> 0:26:52.440
<v Speaker 1>slappers and bangers, but we went to a whole other

0:26:52.480 --> 0:26:53.080
<v Speaker 1>region with that.

0:26:55.040 --> 0:26:57.359
<v Speaker 3>I want to talk about, Like, I just watched your

0:26:57.400 --> 0:26:58.879
<v Speaker 3>cam interview and I know you touched a lot on

0:26:58.920 --> 0:27:04.199
<v Speaker 3>your No Limit era. I remember the anticipation because I

0:27:04.320 --> 0:27:07.600
<v Speaker 3>was a big MASTERP fan, like, ghetto dopeses my shit.

0:27:07.520 --> 0:27:08.440
<v Speaker 2>I have my shit too.

0:27:08.800 --> 0:27:11.879
<v Speaker 1>My home boy Badass Rest in Peace pulled up on

0:27:11.920 --> 0:27:14.640
<v Speaker 1>me in a Cadillac and he was like, Doggie, dog,

0:27:14.680 --> 0:27:17.320
<v Speaker 1>you gotta hit this shit, and he put the cassette

0:27:17.359 --> 0:27:19.480
<v Speaker 1>in and ghetto Dope and I fell in love with him.

0:27:19.480 --> 0:27:23.360
<v Speaker 3>No Limit and whole fire. But when you first dropped

0:27:23.560 --> 0:27:25.240
<v Speaker 3>the game is to be Sold, not to be Told,

0:27:25.480 --> 0:27:28.680
<v Speaker 3>and you had like the like the no Limit style

0:27:28.800 --> 0:27:31.480
<v Speaker 3>cover and it was like your first I remember like

0:27:31.680 --> 0:27:33.400
<v Speaker 3>running to the Wear. I think I saved my money.

0:27:33.440 --> 0:27:36.040
<v Speaker 3>I might have sold some older CDs to get that motherfucker.

0:27:37.760 --> 0:27:40.199
<v Speaker 3>But that album felt to me like it was like

0:27:41.880 --> 0:27:45.000
<v Speaker 3>you go into No Limits world as to where uh,

0:27:45.640 --> 0:27:48.080
<v Speaker 3>top Dog felt to me like you brought back. Yeah,

0:27:48.080 --> 0:27:49.200
<v Speaker 3>now y'all got to come over here.

0:27:49.640 --> 0:27:53.680
<v Speaker 2>Last Meal. Last Meal was straight see what you don't know? Three?

0:27:53.760 --> 0:27:54.760
<v Speaker 3>Last Week is my favorite.

0:27:54.920 --> 0:27:55.480
<v Speaker 2>Last Meal.

0:27:55.520 --> 0:27:58.920
<v Speaker 1>Doctor Dre mixed it from top to bottom, every song

0:27:58.960 --> 0:27:59.320
<v Speaker 1>on there.

0:28:00.080 --> 0:28:01.520
<v Speaker 3>So when you were working on Last Meal, where you

0:28:01.640 --> 0:28:03.200
<v Speaker 3>also simultaneously working on.

0:28:03.200 --> 0:28:06.320
<v Speaker 2>Two thousand and one and the East Siders.

0:28:06.080 --> 0:28:07.800
<v Speaker 3>Because we didn't get two thousand and one until after

0:28:07.840 --> 0:28:08.480
<v Speaker 3>Last Meal.

0:28:08.400 --> 0:28:11.639
<v Speaker 1>Right, last Meal, East Siders first album and Chronic two

0:28:11.680 --> 0:28:14.359
<v Speaker 1>thousand and one time, and then we started working on

0:28:14.400 --> 0:28:16.439
<v Speaker 1>the Wash because we had wrote the Wash while we

0:28:16.480 --> 0:28:17.200
<v Speaker 1>did the Up a Smoke.

0:28:17.280 --> 0:28:18.760
<v Speaker 3>Dude very slept on the soundtrack.

0:28:18.880 --> 0:28:20.240
<v Speaker 2>Come on the.

0:28:20.240 --> 0:28:23.840
<v Speaker 3>Nocturnalment that motherfucker. No but Last Meal. I remember when

0:28:23.960 --> 0:28:27.280
<v Speaker 3>when Dre was on the there's the voicemail.

0:28:26.840 --> 0:28:27.639
<v Speaker 2>On that Snoop.

0:28:27.960 --> 0:28:30.200
<v Speaker 1>I've been listening to your album and I ain't saying

0:28:30.240 --> 0:28:34.159
<v Speaker 1>nothing on this whole motherfucker on Layloy Laylo. But he

0:28:34.720 --> 0:28:38.080
<v Speaker 1>sequenced the whole album. He mixed everybody's song. Everybody gave

0:28:38.360 --> 0:28:41.920
<v Speaker 1>him the music. He sequest the Snoop Snoop Snoop, all

0:28:41.920 --> 0:28:45.200
<v Speaker 1>that into boom boom boom boom into that, into all

0:28:45.200 --> 0:28:48.280
<v Speaker 1>of that. He sequenced everything, even the ark yelly song

0:28:48.720 --> 0:28:50.240
<v Speaker 1>crazy that's that ship.

0:28:50.480 --> 0:28:52.160
<v Speaker 2>Yeah, me and DLC wrote that.

0:28:52.240 --> 0:28:55.200
<v Speaker 3>By the way, very slept on our record. That record

0:28:55.280 --> 0:28:57.000
<v Speaker 3>was big, big record at radio.

0:28:57.200 --> 0:28:57.600
<v Speaker 2>No Me.

0:28:57.720 --> 0:28:59.520
<v Speaker 1>I used to perform that record with COUD when he

0:28:59.560 --> 0:29:01.800
<v Speaker 1>was on the street. He's nigga that regular shooes nigga

0:29:02.720 --> 0:29:08.400
<v Speaker 1>Young Chank kank kank Kang guanank kankankankank kank Gang.

0:29:08.520 --> 0:29:10.520
<v Speaker 2>Shout out to my nigga nots for making that beat

0:29:10.520 --> 0:29:10.880
<v Speaker 2>about the.

0:29:10.960 --> 0:29:19.000
<v Speaker 3>Vah Yeah, oh man, But I'm curious, like, uh there.

0:29:19.080 --> 0:29:22.400
<v Speaker 3>I remember having a bootleg version of the album that

0:29:22.440 --> 0:29:25.160
<v Speaker 3>was supposed to come out, the fuck Death Row album.

0:29:25.240 --> 0:29:26.800
<v Speaker 3>There was like a I don't know if I don't

0:29:26.840 --> 0:29:29.240
<v Speaker 3>know how official it was, but I had like a

0:29:29.360 --> 0:29:33.920
<v Speaker 3>napster downloaded version of like a fake Snoop Dogg album,

0:29:33.960 --> 0:29:36.720
<v Speaker 3>but it was all it was you, But like that

0:29:36.840 --> 0:29:38.720
<v Speaker 3>was an album You're gonna drop with Mac.

0:29:38.640 --> 0:29:41.720
<v Speaker 1>Ten Yeah, and a couple of songs that got out

0:29:41.760 --> 0:29:44.000
<v Speaker 1>because one of the engineers that I had worked ended

0:29:44.080 --> 0:29:45.840
<v Speaker 1>up going to work for Death Row and was sugared

0:29:45.920 --> 0:29:47.960
<v Speaker 1>him trying to put out that Walking Dead album.

0:29:48.320 --> 0:29:49.200
<v Speaker 2>He slid them a field.

0:29:49.280 --> 0:29:52.200
<v Speaker 3>Oh I remember that album. This Death Row chronic two

0:29:52.240 --> 0:29:55.480
<v Speaker 3>thousand comes out. There's a guy on there that sounds

0:29:56.120 --> 0:29:56.520
<v Speaker 3>just like.

0:29:56.520 --> 0:29:57.680
<v Speaker 2>You, Top Doll.

0:29:57.880 --> 0:30:00.800
<v Speaker 3>Oh he's he It's almost like like they went out

0:30:00.840 --> 0:30:03.360
<v Speaker 3>and they were like, we have to find a Snoop

0:30:03.360 --> 0:30:07.600
<v Speaker 3>Dogg impersonator to try to fool people. And then the

0:30:07.680 --> 0:30:09.480
<v Speaker 3>name top Dog. You had an album called top Dog.

0:30:09.520 --> 0:30:12.240
<v Speaker 3>You know, right, what were your thoughts when you heard that?

0:30:12.800 --> 0:30:16.400
<v Speaker 1>Just that whole I was like, this nigga Sugar is

0:30:16.440 --> 0:30:20.240
<v Speaker 1>a real hater. Like That's what my thoughts was, you

0:30:20.280 --> 0:30:22.560
<v Speaker 1>know what I'm saying at the time. But then master

0:30:22.640 --> 0:30:25.960
<v Speaker 1>P had seized me to like forgive and to move

0:30:26.000 --> 0:30:28.600
<v Speaker 1>forward and not look back. Yeah, So I had to

0:30:28.600 --> 0:30:31.720
<v Speaker 1>get trained into not paying attention to it because it

0:30:31.800 --> 0:30:33.560
<v Speaker 1>was so much of it going on, Like every time

0:30:33.640 --> 0:30:35.840
<v Speaker 1>I would try to drop or Dre would drop.

0:30:36.560 --> 0:30:38.640
<v Speaker 3>There would be something where if someone went to a

0:30:38.680 --> 0:30:40.320
<v Speaker 3>record store they'd see something else next to it and

0:30:40.320 --> 0:30:41.160
<v Speaker 3>be like, wait, what what's this?

0:30:41.480 --> 0:30:42.800
<v Speaker 2>And then like the dead Man walking shit.

0:30:42.840 --> 0:30:43.400
<v Speaker 3>I forgot about that.

0:30:43.440 --> 0:30:46.000
<v Speaker 1>And then my fuck death Row album had leaked a

0:30:46.000 --> 0:30:48.479
<v Speaker 1>little bit of it because one of the guys that

0:30:49.120 --> 0:30:51.280
<v Speaker 1>was my engineers had ended up getting paid off by

0:30:51.360 --> 0:30:53.960
<v Speaker 1>death Row to work for them, and he slid a

0:30:53.960 --> 0:30:55.600
<v Speaker 1>couple of my songs over there. And that's when they

0:30:55.640 --> 0:30:58.520
<v Speaker 1>started creating finding somebody to sound like me?

0:31:00.200 --> 0:31:00.800
<v Speaker 2>Can you believe that?

0:31:00.800 --> 0:31:02.280
<v Speaker 1>It's like they did a talent search to find a

0:31:02.320 --> 0:31:04.680
<v Speaker 1>nigga that sound like me, which to me, it was

0:31:04.760 --> 0:31:09.120
<v Speaker 1>like I was. I was happy, like I'm really on

0:31:09.120 --> 0:31:11.240
<v Speaker 1>your nigga's mind, like that where y'all trying.

0:31:11.000 --> 0:31:12.640
<v Speaker 3>To find a nigga that sound you can't just find

0:31:12.640 --> 0:31:13.680
<v Speaker 3>someone new, right.

0:31:13.560 --> 0:31:15.600
<v Speaker 1>And it's like, okay, so I must be hurting, y'all.

0:31:15.920 --> 0:31:17.760
<v Speaker 1>And that's what put me on a mission. I started,

0:31:17.840 --> 0:31:21.400
<v Speaker 1>like when I went to make music. After that, my

0:31:21.520 --> 0:31:23.720
<v Speaker 1>mission was to make great fucking music. And I think

0:31:23.760 --> 0:31:26.000
<v Speaker 1>I went on a mission for like six straight years.

0:31:26.000 --> 0:31:27.440
<v Speaker 3>So you went on a run.

0:31:27.360 --> 0:31:29.480
<v Speaker 2>Like Snoop Dogg wasn't playing with nobody.

0:31:29.560 --> 0:31:33.720
<v Speaker 1>Yeah, doing songs with everybody, putting people on, making sure

0:31:33.760 --> 0:31:36.160
<v Speaker 1>my records was right, doing big tours.

0:31:36.480 --> 0:31:37.160
<v Speaker 2>You know what I'm saying.

0:31:37.440 --> 0:31:40.320
<v Speaker 1>Getting down in the mixtape world, like whatever was coming out,

0:31:40.360 --> 0:31:41.600
<v Speaker 1>I was always ahead of it.

0:31:41.840 --> 0:31:44.200
<v Speaker 2>Even with fifty cent was open enough for me.

0:31:44.840 --> 0:31:48.240
<v Speaker 1>And we showed g Unit how to get his background

0:31:48.440 --> 0:31:50.720
<v Speaker 1>right because in the beginning they just was up there.

0:31:50.960 --> 0:31:52.840
<v Speaker 1>So I had the dog panting, all my crew with me,

0:31:52.880 --> 0:31:55.160
<v Speaker 1>so fifty would come in my dress room, we chop

0:31:55.200 --> 0:31:56.600
<v Speaker 1>it up. I give him a little piece of game.

0:31:56.960 --> 0:31:59.520
<v Speaker 1>Then before you know it, his show got right. Hold on,

0:31:59.560 --> 0:32:01.640
<v Speaker 1>don't do that in the club. Shouldn't be your first song.

0:32:01.960 --> 0:32:04.400
<v Speaker 1>That's got to be your last song. You can't come

0:32:04.440 --> 0:32:07.480
<v Speaker 1>out to that. That's at the back boom. Take him

0:32:07.480 --> 0:32:09.680
<v Speaker 1>on the road again. This time were on the road.

0:32:10.280 --> 0:32:12.520
<v Speaker 1>He dropped one of the niggas off the tour and

0:32:12.680 --> 0:32:14.480
<v Speaker 1>ended up making it his tour. And now it's just

0:32:14.520 --> 0:32:15.760
<v Speaker 1>me and him.

0:32:15.800 --> 0:32:16.440
<v Speaker 2>Then I got a.

0:32:16.400 --> 0:32:19.640
<v Speaker 1>Band rocking with the band. Next time I see him

0:32:19.680 --> 0:32:22.120
<v Speaker 1>on the road, he rocking with a band. So it's

0:32:22.200 --> 0:32:26.160
<v Speaker 1>like we learn, we teach, we give information. When you associated,

0:32:26.160 --> 0:32:29.480
<v Speaker 1>you affiliated. And I've been able to like take my

0:32:29.600 --> 0:32:33.160
<v Speaker 1>career and give game to other people and receive game

0:32:33.200 --> 0:32:33.800
<v Speaker 1>along the way.

0:32:33.960 --> 0:32:39.160
<v Speaker 3>Yeah, for sure, during that kind of time where you

0:32:39.280 --> 0:32:41.920
<v Speaker 3>and and Sugar going back and forth, whether it be

0:32:42.160 --> 0:32:44.960
<v Speaker 3>you know, publicly or not, would you ever have thought

0:32:45.000 --> 0:32:47.720
<v Speaker 3>that like death Throw would be yours one day. Like

0:32:48.440 --> 0:32:50.000
<v Speaker 3>it's kind of crazy if you really think about it,

0:32:50.080 --> 0:32:54.120
<v Speaker 3>because you had you had your label Doghouse, which had

0:32:54.160 --> 0:32:56.960
<v Speaker 3>like doll these angels in the east Side is and

0:32:57.200 --> 0:32:59.840
<v Speaker 3>but fast forward and you I feel like you've taken

0:32:59.880 --> 0:33:03.920
<v Speaker 3>the death Row brand and like it's everywhere. Dude, Like

0:33:04.520 --> 0:33:07.040
<v Speaker 3>I feel like you've slapped that motherfucker on what, Like

0:33:07.960 --> 0:33:10.360
<v Speaker 3>you got that licensing shit going crazy, But.

0:33:10.360 --> 0:33:12.680
<v Speaker 1>That's what you're supposed to do. Like my thing was

0:33:12.720 --> 0:33:14.560
<v Speaker 1>getting it cleaning it up. I had to clean up

0:33:14.600 --> 0:33:16.880
<v Speaker 1>the bullshit first because it was so much negative energy

0:33:16.880 --> 0:33:19.640
<v Speaker 1>around it. People was afraid of what Sug was gonna

0:33:19.640 --> 0:33:22.320
<v Speaker 1>think and how you know the industry would react to

0:33:22.400 --> 0:33:25.160
<v Speaker 1>doing business but with death Row considering knowing that this

0:33:25.240 --> 0:33:26.920
<v Speaker 1>nigga would be in the back trying to hate us,

0:33:26.920 --> 0:33:29.200
<v Speaker 1>saying things negative. But I was like, I'm just gonna

0:33:29.240 --> 0:33:30.960
<v Speaker 1>clean up all of this shit, give it a whole

0:33:31.000 --> 0:33:34.000
<v Speaker 1>new approach, walk it out in a different light, and

0:33:34.040 --> 0:33:36.120
<v Speaker 1>move with love as the purpose of Death Row Records.

0:33:36.120 --> 0:33:38.560
<v Speaker 1>They connect the dots that they didn't do, like, they

0:33:38.560 --> 0:33:40.120
<v Speaker 1>didn't do none of the things that I'm doing with

0:33:40.160 --> 0:33:41.840
<v Speaker 1>the label, and they had it way longer than me.

0:33:42.200 --> 0:33:43.840
<v Speaker 1>I ain't had the label for two years and I've

0:33:43.880 --> 0:33:46.200
<v Speaker 1>done more things that's been done with this label in

0:33:46.280 --> 0:33:46.920
<v Speaker 1>thirty years.

0:33:47.000 --> 0:33:49.760
<v Speaker 3>I mean, the October London Kid is incredible, thank you,

0:33:50.000 --> 0:33:52.760
<v Speaker 3>and then obviously the new Dog Panama is crazy, east

0:33:52.760 --> 0:33:53.520
<v Speaker 3>Side is are back?

0:33:54.320 --> 0:33:58.600
<v Speaker 1>You're I mean D Smoked Smoke. I want D Smoke

0:33:58.680 --> 0:34:01.680
<v Speaker 1>on Death Row Records. I'll say it publicly. We always

0:34:01.760 --> 0:34:03.160
<v Speaker 1>talk about it. We need to figure it out.

0:34:03.160 --> 0:34:04.560
<v Speaker 3>I know we've been talked about. I know it was

0:34:04.600 --> 0:34:05.000
<v Speaker 3>in the air.

0:34:05.840 --> 0:34:07.720
<v Speaker 2>I'm not ashamed to say I won't de Smoke of

0:34:07.800 --> 0:34:08.480
<v Speaker 2>from Inglewood.

0:34:08.480 --> 0:34:10.640
<v Speaker 1>I live over here now, I'm in the Inglewood area,

0:34:10.719 --> 0:34:13.319
<v Speaker 1>and he's such a factor to the hip hop game,

0:34:13.360 --> 0:34:16.560
<v Speaker 1>to the community to just like even how I met

0:34:16.640 --> 0:34:17.680
<v Speaker 1>him on that show.

0:34:18.719 --> 0:34:20.560
<v Speaker 3>Yeah that's true. And when you ask him where you're

0:34:20.560 --> 0:34:22.440
<v Speaker 3>from right now? But where are you from?

0:34:22.600 --> 0:34:24.160
<v Speaker 1>And I'm checking him trying to see if he a

0:34:24.200 --> 0:34:26.440
<v Speaker 1>gang member, was he a rapper right, and come to

0:34:26.480 --> 0:34:27.960
<v Speaker 1>find out he becomes my brother.

0:34:28.160 --> 0:34:30.720
<v Speaker 3>Yeah, and one of the best guys, shocking him and Sir.

0:34:31.160 --> 0:34:35.400
<v Speaker 1>Bro won't you and Inglewood, Sir Davean, I take the

0:34:35.440 --> 0:34:36.000
<v Speaker 1>whole family.

0:34:38.080 --> 0:34:38.880
<v Speaker 2>We're playing with me.

0:34:40.120 --> 0:34:43.640
<v Speaker 3>In twenty eleven, I want to say, there's a historical

0:34:43.719 --> 0:34:51.200
<v Speaker 3>moment yourself corrupt the game. I'm missing somebody else. Essentially

0:34:51.400 --> 0:34:54.600
<v Speaker 3>passed the torch to Kendrick Lamar on stage. Yes, yes,

0:34:55.280 --> 0:34:58.239
<v Speaker 3>Kendrick gets emotional. I think that was like a real

0:34:58.320 --> 0:34:59.000
<v Speaker 3>turning point.

0:35:00.520 --> 0:35:03.919
<v Speaker 1>Well, at that time the game, he was the one

0:35:03.960 --> 0:35:06.520
<v Speaker 1>that was carrying the tour. He was fucking carrying the

0:35:06.560 --> 0:35:08.520
<v Speaker 1>toys game, was sucking it up, he was getting it in,

0:35:08.600 --> 0:35:10.920
<v Speaker 1>he was busting, he was battling niggas, he was keeping

0:35:10.920 --> 0:35:13.719
<v Speaker 1>the gangster. He was taking niggas on tour, selling hell

0:35:13.760 --> 0:35:16.600
<v Speaker 1>of records. But he was doing g shit and we

0:35:16.640 --> 0:35:18.719
<v Speaker 1>shouldn't forget that. A lot of times we run past

0:35:18.800 --> 0:35:19.879
<v Speaker 1>him to get to the game.

0:35:19.960 --> 0:35:22.279
<v Speaker 3>Had a grand I mean, he was holding the West Coast.

0:35:22.280 --> 0:35:25.000
<v Speaker 1>That's why he was on stage when Kendrick was presented

0:35:25.080 --> 0:35:27.760
<v Speaker 1>that because it was all a part of us seeing

0:35:27.760 --> 0:35:30.080
<v Speaker 1>that he was the next in line. That's how we

0:35:30.160 --> 0:35:32.399
<v Speaker 1>do it on the West, we give it to who

0:35:32.480 --> 0:35:36.840
<v Speaker 1>was accordingly running the show, so game naturally on stage

0:35:36.840 --> 0:35:39.799
<v Speaker 1>with me, we felt like he didn't won. And it

0:35:39.880 --> 0:35:41.800
<v Speaker 1>wasn't no discussion that we had three weeks ago. That

0:35:41.840 --> 0:35:42.680
<v Speaker 1>shit happened right there.

0:35:42.800 --> 0:35:43.600
<v Speaker 3>What happened on the spot.

0:35:43.719 --> 0:35:45.880
<v Speaker 1>This nigga was fucking it up. We in the crowd

0:35:45.880 --> 0:35:47.759
<v Speaker 1>watching this nigga fuck it up. I'm sitting with Doctor

0:35:47.800 --> 0:35:50.440
<v Speaker 1>Dre and the crowd watching this nigga fuck it up,

0:35:50.440 --> 0:35:52.400
<v Speaker 1>and I'm like, I gotta go on stage with this nigga.

0:35:52.440 --> 0:35:54.040
<v Speaker 2>Dream. I'm sorry, I can't be in the crowd.

0:35:54.200 --> 0:35:57.080
<v Speaker 1>So I go on stage and he do another song,

0:35:57.440 --> 0:35:59.200
<v Speaker 1>then another song, and they look over at me and

0:35:59.239 --> 0:36:00.960
<v Speaker 1>they had me to mic. I'm like, man, fuck all

0:36:01.000 --> 0:36:02.879
<v Speaker 1>this shit, nigga, this nigga.

0:36:02.600 --> 0:36:03.040
<v Speaker 2>Is the king.

0:36:03.760 --> 0:36:06.920
<v Speaker 1>And everybody agreed, and that nigga broke down in tears.

0:36:06.920 --> 0:36:10.319
<v Speaker 1>And it was beautiful because I watch him now and

0:36:10.400 --> 0:36:14.120
<v Speaker 1>I see all the work he put in before he

0:36:14.160 --> 0:36:16.920
<v Speaker 1>took the crown and after he got the crown.

0:36:17.120 --> 0:36:18.120
<v Speaker 2>He is a true king.

0:36:19.000 --> 0:36:21.799
<v Speaker 3>When you heard him talk about your and whacked out

0:36:21.840 --> 0:36:24.719
<v Speaker 3>mirros and posting the tailor freestyle, I I saw you

0:36:24.800 --> 0:36:28.279
<v Speaker 3>retweet it and say it was the Edibles. What were

0:36:28.320 --> 0:36:29.399
<v Speaker 3>your thoughts when you first heard.

0:36:29.400 --> 0:36:31.680
<v Speaker 1>That's my nephew. Man, he's a rapper man. He's supposed

0:36:31.680 --> 0:36:34.120
<v Speaker 1>to speak his mind and tell his truth. Yeah, that's

0:36:34.160 --> 0:36:35.919
<v Speaker 1>the way he felt, you know what I'm saying. And

0:36:36.640 --> 0:36:38.680
<v Speaker 1>he has the right to say that. I'm his big

0:36:38.719 --> 0:36:41.680
<v Speaker 1>home boy, So I have to take what's given to

0:36:41.760 --> 0:36:45.759
<v Speaker 1>me from his perspective because he's speaking truth, and the

0:36:45.840 --> 0:36:47.960
<v Speaker 1>truth shouldn't hurt you, It should make you better.

0:36:48.560 --> 0:36:49.200
<v Speaker 2>You know what I'm saying.

0:36:49.320 --> 0:36:52.719
<v Speaker 1>I'm one to accept truth when it's brought to me directly.

0:36:53.800 --> 0:36:56.759
<v Speaker 1>He feels that I shouldn't have played that damn I

0:36:56.800 --> 0:36:58.799
<v Speaker 1>was on him edibles, my Nigga, I gotta be more

0:36:58.840 --> 0:37:00.720
<v Speaker 1>careful you, right, nephew.

0:37:01.160 --> 0:37:03.319
<v Speaker 3>I mean there was like an AI transposed version of

0:37:03.360 --> 0:37:05.520
<v Speaker 3>you on that song, which was crazy, right, Like Yeah,

0:37:05.600 --> 0:37:08.799
<v Speaker 3>that shit was diabolically like I don't even know, like

0:37:10.239 --> 0:37:11.120
<v Speaker 3>one of the weirdest things.

0:37:11.200 --> 0:37:14.080
<v Speaker 1>But the crazy part is I can say it. What

0:37:14.239 --> 0:37:16.919
<v Speaker 1>happened was what had happened was That's how Nigga said.

0:37:17.000 --> 0:37:21.600
<v Speaker 1>What had happened was I did a collaborative post with someone.

0:37:22.280 --> 0:37:22.960
<v Speaker 2>You know, you do a.

0:37:22.880 --> 0:37:25.600
<v Speaker 1>Collaborative post and you do a lot of those, right,

0:37:25.680 --> 0:37:28.320
<v Speaker 1>So when I do it, I don't listen to the music.

0:37:28.480 --> 0:37:31.839
<v Speaker 2>I just see Jen and Juice because it's my brand. Right.

0:37:32.200 --> 0:37:35.879
<v Speaker 1>So when I posted, I'm thinking I'm posting Jen and Juice.

0:37:35.880 --> 0:37:37.480
<v Speaker 1>I don't know what song it says. I don't I'm

0:37:37.520 --> 0:37:38.800
<v Speaker 1>not hip to everybody's music.

0:37:38.920 --> 0:37:43.759
<v Speaker 2>Right. Then I get the word Nephew didn't like what

0:37:43.800 --> 0:37:47.320
<v Speaker 2>you did? What did I do? You play some music?

0:37:47.360 --> 0:37:48.000
<v Speaker 3>What music?

0:37:48.400 --> 0:37:50.640
<v Speaker 2>Then I had to go look at them. I'm like, oh,

0:37:50.760 --> 0:37:53.120
<v Speaker 2>that's cuz damn.

0:37:53.320 --> 0:37:57.120
<v Speaker 1>So then I deleted it, called nephew, left him a

0:37:57.120 --> 0:37:58.840
<v Speaker 1>message because he ain't picked up. He was working on

0:37:58.880 --> 0:38:01.360
<v Speaker 1>this shit. I left him a message, Nephew, it's uncle Snoop.

0:38:01.760 --> 0:38:06.120
<v Speaker 1>I got the message. I apologize. I was fucked up.

0:38:06.880 --> 0:38:08.360
<v Speaker 1>My bad.

0:38:08.400 --> 0:38:11.839
<v Speaker 3>Did you feel like at all, like weird about like that?

0:38:12.040 --> 0:38:13.680
<v Speaker 3>Like Drake using your voice?

0:38:14.440 --> 0:38:16.600
<v Speaker 1>Man? I don't want to be in nobody's shit. Man,

0:38:16.680 --> 0:38:18.320
<v Speaker 1>I like being in my own shit. You know what

0:38:18.360 --> 0:38:18.680
<v Speaker 1>I'm saying.

0:38:18.680 --> 0:38:21.080
<v Speaker 3>Because you didn't know that was happening. No, I didn't

0:38:21.239 --> 0:38:23.000
<v Speaker 3>to me like if you were gonna do that, like

0:38:23.160 --> 0:38:25.440
<v Speaker 3>you should like tap in, like, hey, I'm gonna use

0:38:25.440 --> 0:38:26.439
<v Speaker 3>your voice on some shit.

0:38:27.280 --> 0:38:31.640
<v Speaker 2>But see I'm such a big figure. It's I'm Uncle Snoop.

0:38:31.920 --> 0:38:34.759
<v Speaker 1>I'm accessible to everybody, so everybody feels like they can

0:38:34.880 --> 0:38:37.799
<v Speaker 1>because I don't have too many parameters when they come

0:38:37.840 --> 0:38:40.239
<v Speaker 1>to me. But when it comes to beef, that's a

0:38:40.280 --> 0:38:42.360
<v Speaker 1>real parameter that I do have. I don't get in

0:38:42.400 --> 0:38:45.360
<v Speaker 1>nobody's beef. I'm usually the one who ends the beef,

0:38:45.680 --> 0:38:47.680
<v Speaker 1>but if it's out of my reach, then I step

0:38:47.800 --> 0:38:50.680
<v Speaker 1>out and allow two men to get an understanding. And

0:38:50.680 --> 0:38:53.239
<v Speaker 1>that's what I feel like, these two men and two

0:38:53.400 --> 0:38:58.399
<v Speaker 1>rappers should establish where they don't need me to take

0:38:58.520 --> 0:39:01.520
<v Speaker 1>side or jump in. I'm from no West, so my

0:39:01.640 --> 0:39:02.920
<v Speaker 1>heart lies on the West.

0:39:03.200 --> 0:39:03.399
<v Speaker 3>Yeah.

0:39:03.560 --> 0:39:06.359
<v Speaker 1>Well, when it comes to this ship, you gonna handle

0:39:06.400 --> 0:39:09.439
<v Speaker 1>your business because you from the motherfucking West. You don't

0:39:09.480 --> 0:39:12.280
<v Speaker 1>need no help. And if you needed help, you wouldn't

0:39:12.320 --> 0:39:13.840
<v Speaker 1>have to ask. I would have been on the double.

0:39:14.280 --> 0:39:16.400
<v Speaker 3>That's fair. What are your thoughts on the lawsuit?

0:39:21.440 --> 0:39:22.120
<v Speaker 2>Next question?

0:39:22.320 --> 0:39:24.759
<v Speaker 3>I didn't got to ask.

0:39:25.040 --> 0:39:27.920
<v Speaker 2>Next question? You know, we in on the West, we

0:39:27.960 --> 0:39:29.560
<v Speaker 2>hold court in the streets. Guh.

0:39:30.040 --> 0:39:32.200
<v Speaker 3>Fair See, that's that's all. Yeah, that's a fair point.

0:39:32.239 --> 0:39:33.279
<v Speaker 2>That's just what we call it.

0:39:34.480 --> 0:39:38.600
<v Speaker 3>YO on this new album is there's there's a I

0:39:38.640 --> 0:39:40.600
<v Speaker 3>love the way you ended it. The negotiator was hard,

0:39:41.400 --> 0:39:43.479
<v Speaker 3>it's it's it's a lot of sonics on this album.

0:39:43.520 --> 0:39:45.000
<v Speaker 3>There's a lot of dope, like what I feel like

0:39:45.000 --> 0:39:46.440
<v Speaker 3>what you all were able to do was also like

0:39:46.520 --> 0:39:50.400
<v Speaker 3>shine a light on some features that weren't necessarily like

0:39:50.480 --> 0:39:53.160
<v Speaker 3>household names that have been like doing their thing for

0:39:53.200 --> 0:39:58.760
<v Speaker 3>a while. Was there any anything that didn't get finished

0:39:59.480 --> 0:40:03.479
<v Speaker 3>feature in time for like that almost you knows cross

0:40:03.520 --> 0:40:05.560
<v Speaker 3>the finish line making the album, or that you were

0:40:05.560 --> 0:40:07.879
<v Speaker 3>trying to make happen that just didn't end up working out.

0:40:08.520 --> 0:40:11.200
<v Speaker 2>Nah. We were specific about what we wanted.

0:40:12.440 --> 0:40:15.280
<v Speaker 1>We had a white board in the room, white board,

0:40:15.440 --> 0:40:17.440
<v Speaker 1>not a white boy a board, and the nixt thame

0:40:17.480 --> 0:40:19.440
<v Speaker 1>you had a white boy in the room, white board,

0:40:19.560 --> 0:40:23.600
<v Speaker 1>b old ard, and we would write down, you know,

0:40:23.680 --> 0:40:26.080
<v Speaker 1>the songs accordingly that we thought that would make it.

0:40:26.120 --> 0:40:28.399
<v Speaker 1>And then we had another list called shit out of Luck.

0:40:28.840 --> 0:40:30.440
<v Speaker 1>So the Shit out of Luck was the songs that

0:40:30.480 --> 0:40:34.239
<v Speaker 1>didn't make the album. So we would always look at

0:40:34.239 --> 0:40:35.840
<v Speaker 1>these and then look at Shit out of Luck and

0:40:35.880 --> 0:40:37.160
<v Speaker 1>be like, which one?

0:40:37.520 --> 0:40:39.040
<v Speaker 2>So give you a perfect example.

0:40:39.800 --> 0:40:41.480
<v Speaker 1>It's probably not the answer you're looking for it, but

0:40:41.520 --> 0:40:44.960
<v Speaker 1>I think it's good we had the album right here.

0:40:45.480 --> 0:40:46.919
<v Speaker 2>Then we're looking that Shit out of Luck.

0:40:47.760 --> 0:40:51.319
<v Speaker 1>I don't like this one song on the album, and

0:40:52.400 --> 0:40:55.360
<v Speaker 1>Draine really fucking with it either, So we're trying to

0:40:55.360 --> 0:40:57.520
<v Speaker 1>figure out what should we do.

0:40:57.560 --> 0:40:58.640
<v Speaker 2>Or how can we make it better?

0:40:58.680 --> 0:41:02.040
<v Speaker 1>So I say, hey, that motherfuck over there on Shit

0:41:02.080 --> 0:41:04.840
<v Speaker 1>out of Love, that's a hit if.

0:41:04.719 --> 0:41:10.560
<v Speaker 2>You just touch it. It's sticky, situation, fire, banging fire.

0:41:10.680 --> 0:41:12.000
<v Speaker 2>That motherfucker was over there.

0:41:12.719 --> 0:41:14.160
<v Speaker 3>It wasn't even gonna make the album, no way.

0:41:14.280 --> 0:41:19.680
<v Speaker 1>Yeah, I had to go fish hooking back in and say, cuh, nigga, you.

0:41:19.680 --> 0:41:20.640
<v Speaker 2>Hear what I'm saying on that.

0:41:20.880 --> 0:41:21.919
<v Speaker 3>Yeah, no, you're going in.

0:41:22.040 --> 0:41:23.879
<v Speaker 1>And you hear if you touch that music and put

0:41:23.920 --> 0:41:25.680
<v Speaker 1>all that and then when it changes into.

0:41:25.480 --> 0:41:28.719
<v Speaker 2>The oh my god, it's an experience for sure.

0:41:29.000 --> 0:41:31.680
<v Speaker 1>So that was one of those records where I had

0:41:31.680 --> 0:41:36.040
<v Speaker 1>to go save it rather than records that didn't make it.

0:41:36.760 --> 0:41:39.600
<v Speaker 3>Was there like other attempts of you guys doing a

0:41:39.680 --> 0:41:42.200
<v Speaker 3>version of this throughout the years, because we always hear

0:41:42.400 --> 0:41:45.399
<v Speaker 3>like Dre is so like I don't know how many

0:41:45.440 --> 0:41:47.399
<v Speaker 3>times we've heard about the Detox and how many times

0:41:47.440 --> 0:41:50.040
<v Speaker 3>it's been restarted, Like did you guys ever attempt to

0:41:50.160 --> 0:41:54.560
<v Speaker 3>do this specific mission of an album and it just

0:41:54.600 --> 0:41:56.760
<v Speaker 3>didn't end up coming to fruition in the past.

0:41:57.040 --> 0:41:57.360
<v Speaker 2>Nope.

0:41:57.760 --> 0:41:59.000
<v Speaker 3>So this is the first time.

0:41:58.840 --> 0:41:59.560
<v Speaker 2>The don't miss.

0:41:59.719 --> 0:42:02.879
<v Speaker 1>Yeah, that motherfucker don't miss when me and him say

0:42:03.600 --> 0:42:04.880
<v Speaker 1>we going in, we're locked in.

0:42:05.239 --> 0:42:07.719
<v Speaker 2>Yeah. We never locked in after this.

0:42:07.840 --> 0:42:09.879
<v Speaker 1>The last time we locked in was the last meal

0:42:10.520 --> 0:42:11.920
<v Speaker 1>when it was like, Hey, card I need you to

0:42:11.920 --> 0:42:14.080
<v Speaker 1>mix my album and I sat up there with him

0:42:14.120 --> 0:42:17.399
<v Speaker 1>and he mixed every song, but he didn't produce every song,

0:42:18.080 --> 0:42:20.120
<v Speaker 1>but he heard all of my lyrics on every song.

0:42:20.480 --> 0:42:22.520
<v Speaker 1>So when I got to certain songs, when we got

0:42:22.520 --> 0:42:24.239
<v Speaker 1>to that's that shit, he was like, you got you

0:42:24.360 --> 0:42:26.960
<v Speaker 1>in DLC, gotta write this again. So he made me

0:42:27.080 --> 0:42:29.640
<v Speaker 1>like rewrite certain things, and when we did the wrong idea,

0:42:30.840 --> 0:42:33.759
<v Speaker 1>he loved badass verse and then my verse. He was like,

0:42:33.800 --> 0:42:35.359
<v Speaker 1>I like the way you started, but you got even

0:42:35.400 --> 0:42:37.000
<v Speaker 1>to change. That's why when I changed, I said I'm

0:42:37.040 --> 0:42:39.720
<v Speaker 1>down with P and d r E A real nigga

0:42:39.760 --> 0:42:42.840
<v Speaker 1>from the motherfucking LBC. I just looked like this, I

0:42:42.880 --> 0:42:44.960
<v Speaker 1>stay down with the twist. I'm real with this some

0:42:45.040 --> 0:42:47.719
<v Speaker 1>deepest abits. I gave you a pound, then I gave

0:42:47.760 --> 0:42:49.960
<v Speaker 1>you a wife a kiss. I had to dip because

0:42:50.000 --> 0:42:52.879
<v Speaker 1>y'all was full of that bullshit. Yeah, so he made

0:42:52.880 --> 0:42:55.840
<v Speaker 1>me change all of that when it wasn't even his beat.

0:42:56.120 --> 0:42:59.040
<v Speaker 1>So now when we lock up on this project, it

0:42:59.040 --> 0:43:03.200
<v Speaker 1>ain't like that. It's like I'm producing you snoop. So

0:43:03.239 --> 0:43:05.640
<v Speaker 1>that means when you come over here, you sit down

0:43:05.680 --> 0:43:08.960
<v Speaker 1>and you follow my instructions. And I wanted That's what

0:43:09.040 --> 0:43:10.800
<v Speaker 1>I wanted. With all of the shit that I'm doing,

0:43:11.520 --> 0:43:14.480
<v Speaker 1>I was missing that last piece, that musical piece that

0:43:14.640 --> 0:43:17.839
<v Speaker 1>was dynamic and transparent with how I'm living right now,

0:43:17.920 --> 0:43:20.320
<v Speaker 1>rather than you judging me off of Doggie style Blue

0:43:20.360 --> 0:43:22.880
<v Speaker 1>Carpet Paid the Calls. No, you're judging me off a

0:43:23.000 --> 0:43:27.239
<v Speaker 1>missionary twenty twenty four, How I'm Living and har I'm Rocket.

0:43:27.360 --> 0:43:29.920
<v Speaker 3>You had said when I first walked in, you were

0:43:29.960 --> 0:43:34.640
<v Speaker 3>saying that this is like this is like your main shit,

0:43:34.920 --> 0:43:37.040
<v Speaker 3>Like all the other shit are off side quests, right,

0:43:37.400 --> 0:43:39.800
<v Speaker 3>But the music has always been the lifeline. Like I

0:43:39.840 --> 0:43:42.600
<v Speaker 3>think about the algorithm, we're super dope, Like you've had

0:43:43.360 --> 0:43:45.200
<v Speaker 3>even the gangster grill shit, you know what I mean,

0:43:45.280 --> 0:43:47.360
<v Speaker 3>Like I fuck Mount Wesmore came out. You know what

0:43:47.360 --> 0:43:52.560
<v Speaker 3>I mean? Is it hard for you to still be inspired,

0:43:52.800 --> 0:43:57.160
<v Speaker 3>like to like get in the studio, and when you

0:43:57.200 --> 0:44:00.200
<v Speaker 3>lose any inspiration, what do you do to kind to

0:44:01.080 --> 0:44:03.160
<v Speaker 3>light that fire back to kind.

0:44:02.960 --> 0:44:06.319
<v Speaker 1>Of I think having a record label, I would never

0:44:06.400 --> 0:44:08.839
<v Speaker 1>lose interest in the studio. And then I got three

0:44:08.880 --> 0:44:12.640
<v Speaker 1>studios here, and then I got so many dynamic artists

0:44:12.680 --> 0:44:16.560
<v Speaker 1>that I love working with and love seeing them make records.

0:44:16.760 --> 0:44:20.319
<v Speaker 1>And then I'm always listening to what's hot and what's new,

0:44:20.480 --> 0:44:23.120
<v Speaker 1>and then I'm listening to what's old that last forever.

0:44:23.800 --> 0:44:27.120
<v Speaker 1>So it's like I'm challenging myself to try to make

0:44:27.360 --> 0:44:31.120
<v Speaker 1>shit that matters. Music is the universal language of all people,

0:44:31.160 --> 0:44:32.799
<v Speaker 1>and if you bless with the abilities to do it,

0:44:32.840 --> 0:44:34.760
<v Speaker 1>you're supposed to give up as much as you can.

0:44:35.280 --> 0:44:37.200
<v Speaker 1>I look at the ones that have passed away and

0:44:37.239 --> 0:44:40.600
<v Speaker 1>moved on and how their music remains and how their

0:44:40.680 --> 0:44:44.480
<v Speaker 1>music like really touches the soul because they put their

0:44:44.480 --> 0:44:46.520
<v Speaker 1>heart into it. And that's what I'm doing.

0:44:49.040 --> 0:44:52.200
<v Speaker 3>I gotta there's an album that I can't get on Spotify.

0:44:52.280 --> 0:44:54.120
<v Speaker 3>I only can listen to it on YouTube, and it's

0:44:54.120 --> 0:44:56.200
<v Speaker 3>a shitty upload, the two on three album.

0:44:56.280 --> 0:44:58.279
<v Speaker 1>I'm gonna get it back. I'm gonna get contrued. What's

0:44:58.320 --> 0:45:00.400
<v Speaker 1>going Like TVT had it in they l.

0:45:00.600 --> 0:45:03.279
<v Speaker 3>I remember it was out on TVT so flies by ship.

0:45:03.040 --> 0:45:05.120
<v Speaker 2>Dog like yeah, and they dissolved.

0:45:05.120 --> 0:45:06.719
<v Speaker 1>They were ones who gave me the first deal for

0:45:07.960 --> 0:45:10.520
<v Speaker 1>the East Siders two one three. They was the realist.

0:45:10.560 --> 0:45:13.600
<v Speaker 1>Motherfucker Mark Binnich rest in Peace was a great guy.

0:45:14.160 --> 0:45:16.160
<v Speaker 1>But they had that album and the label I think

0:45:16.200 --> 0:45:19.080
<v Speaker 1>went bankrupt. So they got to call Tom Wada knows

0:45:19.120 --> 0:45:20.799
<v Speaker 1>who got that motherfucker.

0:45:20.320 --> 0:45:21.000
<v Speaker 2>What's his name?

0:45:21.200 --> 0:45:23.200
<v Speaker 3>This is not on Spotify.

0:45:23.440 --> 0:45:26.319
<v Speaker 1>No, I gotta get I can get the whole album,

0:45:26.640 --> 0:45:30.400
<v Speaker 1>like you want to release it on death Row like remastered,

0:45:30.600 --> 0:45:31.000
<v Speaker 1>that'd be.

0:45:30.960 --> 0:45:32.279
<v Speaker 3>The way to go. I mean, I know when I

0:45:32.320 --> 0:45:34.000
<v Speaker 3>was talking to Warren, he said he has like a

0:45:34.040 --> 0:45:37.480
<v Speaker 3>pretty serious he do well. He's also got like unreleased

0:45:37.560 --> 0:45:38.120
<v Speaker 3>Nate Dog shit.

0:45:38.239 --> 0:45:40.960
<v Speaker 1>He got him and fred Reg both they got a

0:45:41.000 --> 0:45:43.920
<v Speaker 1>bunch of n Nate Dog used to go from Warren

0:45:43.960 --> 0:45:46.279
<v Speaker 1>G's house to Fred Reg's house. Then he used to

0:45:46.280 --> 0:45:49.480
<v Speaker 1>fuck with this dude named Lance. But Lance was his engineer,

0:45:49.880 --> 0:45:51.800
<v Speaker 1>so Nate would work out of his house. He would

0:45:51.800 --> 0:45:54.000
<v Speaker 1>make song after song. Him and Tupac got the same

0:45:54.000 --> 0:45:54.600
<v Speaker 1>work ethics.

0:45:54.600 --> 0:45:56.480
<v Speaker 3>Oh so that'll tell you how much unreleased Nate doalk

0:45:56.520 --> 0:45:57.120
<v Speaker 3>news because.

0:45:56.960 --> 0:45:59.520
<v Speaker 1>Too, him and Tuplac got the same work ethic. I'll

0:45:59.520 --> 0:46:01.360
<v Speaker 1>say that that's how he's on so many different hooks.

0:46:01.400 --> 0:46:04.000
<v Speaker 1>That's why when people will call, Nate would show up.

0:46:04.040 --> 0:46:05.440
<v Speaker 1>He gonna get that bag and give you a hell

0:46:05.440 --> 0:46:05.839
<v Speaker 1>of a hook.

0:46:07.040 --> 0:46:12.000
<v Speaker 3>Would you consider a version of like a like finding

0:46:12.040 --> 0:46:14.319
<v Speaker 3>some of that unreleased Nate dog shit and maybe doing

0:46:14.360 --> 0:46:15.480
<v Speaker 3>something with it on death row?

0:46:15.680 --> 0:46:18.160
<v Speaker 1>Hell yeah, And I got a beautiful relationship with his

0:46:18.200 --> 0:46:20.360
<v Speaker 1>mother and Miss Ruth, so we would make sure that

0:46:20.440 --> 0:46:22.560
<v Speaker 1>the estate get the majority of the fire.

0:46:22.600 --> 0:46:24.080
<v Speaker 3>And his son is dope, and hell's dope.

0:46:24.120 --> 0:46:24.440
<v Speaker 2>Come on.

0:46:24.600 --> 0:46:26.719
<v Speaker 1>Nigel played in the Snoopy Football League. He was my

0:46:26.800 --> 0:46:28.160
<v Speaker 1>quarterback for a couple of years.

0:46:28.280 --> 0:46:28.920
<v Speaker 3>That's crazy.

0:46:29.040 --> 0:46:30.560
<v Speaker 2>I coached that kid. That's my guy.

0:46:30.680 --> 0:46:32.120
<v Speaker 3>By the way, shout out to the underdogs. I see

0:46:32.120 --> 0:46:32.800
<v Speaker 3>the poster behind.

0:46:32.640 --> 0:46:34.040
<v Speaker 1>Your speaking of the man. You know we don't play

0:46:34.080 --> 0:46:37.239
<v Speaker 1>no game that. I started the year up with that movie,

0:46:37.320 --> 0:46:41.040
<v Speaker 1>right movie. January twenty sixth, twenty twenty four is when

0:46:41.080 --> 0:46:43.160
<v Speaker 1>my mission began this year to become the man of

0:46:43.160 --> 0:46:43.480
<v Speaker 1>the Year.

0:46:44.520 --> 0:46:47.640
<v Speaker 3>Well, I mean you're on your fucking way. I mean

0:46:48.320 --> 0:46:49.160
<v Speaker 3>we got two weeks left.

0:46:49.440 --> 0:46:51.919
<v Speaker 2>You're gonna like what y'all doing Time magazine, What we're doing?

0:46:52.040 --> 0:46:54.799
<v Speaker 3>They put Trump on the cover. What he wasn't he

0:46:54.840 --> 0:46:57.360
<v Speaker 3>got it? Trump got it? How I don't know he

0:46:57.440 --> 0:47:01.200
<v Speaker 3>got it. It just dropped like, yes, we miss you,

0:47:01.560 --> 0:47:09.040
<v Speaker 3>Donnie oh Man. I also wanted to ask you. I

0:47:09.120 --> 0:47:12.800
<v Speaker 3>always wonder when a dope like like if a dope

0:47:12.840 --> 0:47:16.040
<v Speaker 3>disc record comes out, that's about you. But it's hard.

0:47:16.680 --> 0:47:20.319
<v Speaker 1>Okay, okay, check you out if you walk through my

0:47:20.400 --> 0:47:23.480
<v Speaker 1>hall on certain days, I got a radio station on

0:47:24.640 --> 0:47:27.120
<v Speaker 1>lit Life used to be Cadillac Music on a.

0:47:28.640 --> 0:47:29.839
<v Speaker 2>What was the name of that shit that.

0:47:29.800 --> 0:47:34.160
<v Speaker 1>Ski got oh dash, Yeah, they changed the lit Life

0:47:34.239 --> 0:47:38.600
<v Speaker 1>So I got a station called Cadillac Music. Every day

0:47:39.800 --> 0:47:44.600
<v Speaker 1>at about one point thirty two o'clock, walk down the hall,

0:47:45.560 --> 0:47:49.440
<v Speaker 1>Easy E Dreister and BG Knock. I'll be real, motherfucking

0:47:49.480 --> 0:47:51.520
<v Speaker 1>g and that shit be knocking and you hear me

0:47:51.560 --> 0:47:52.080
<v Speaker 1>singing it.

0:47:52.640 --> 0:47:52.759
<v Speaker 2>Yo.

0:47:52.840 --> 0:47:55.680
<v Speaker 1>I was gonna ask you what motherfuck drake, motherfuck shugar,

0:47:55.800 --> 0:47:59.200
<v Speaker 1>motherfuck death row yoh here comes to my left helse.

0:47:59.360 --> 0:48:02.839
<v Speaker 1>I know that that nigga Easy was on my.

0:48:02.840 --> 0:48:05.840
<v Speaker 3>Head, yo, And that started out with the calm tongue.

0:48:05.920 --> 0:48:09.000
<v Speaker 2>That shit so hard So when you first heard it,

0:48:09.040 --> 0:48:12.160
<v Speaker 2>did you think that falk no fuck them niggas.

0:48:13.280 --> 0:48:15.399
<v Speaker 3>Because that shit as hard as fuck, Like.

0:48:15.400 --> 0:48:17.440
<v Speaker 1>You don't want to give no nigga no credit with

0:48:17.520 --> 0:48:18.880
<v Speaker 1>a nigga dissing you nigga.

0:48:18.960 --> 0:48:20.560
<v Speaker 2>And we and we was on them nigga's head.

0:48:20.560 --> 0:48:23.600
<v Speaker 1>We had what would you do, We had dred, we

0:48:23.680 --> 0:48:25.680
<v Speaker 1>had all kind of shit. We was busting them upside

0:48:25.719 --> 0:48:28.440
<v Speaker 1>the head. But when they dropped that motherfucker, we felt

0:48:28.440 --> 0:48:30.560
<v Speaker 1>that one. That shit was hard, like we felt like

0:48:30.600 --> 0:48:32.839
<v Speaker 1>the other ship. We didn't put that motherfucker right there.

0:48:33.440 --> 0:48:36.160
<v Speaker 1>Because Easy was going in on the nigga. I was like, damn,

0:48:36.200 --> 0:48:38.400
<v Speaker 1>I love Easy, Why are you going so hard on me?

0:48:38.920 --> 0:48:40.920
<v Speaker 1>But then I had to think, look what you did

0:48:41.000 --> 0:48:43.480
<v Speaker 1>to him, Look what you said about him, Like you

0:48:43.480 --> 0:48:45.320
<v Speaker 1>didn't even get off to a good start with somebody

0:48:45.320 --> 0:48:46.240
<v Speaker 1>that you really loved.

0:48:46.239 --> 0:48:46.479
<v Speaker 2>Dog.

0:48:47.239 --> 0:48:49.440
<v Speaker 3>It's crazy because Warren was telling me there was a

0:48:49.440 --> 0:48:52.840
<v Speaker 3>certain point in time during the beef that like Easy

0:48:52.880 --> 0:48:58.239
<v Speaker 3>and Dre were like communicating yeah, and damn near You're like,

0:48:58.239 --> 0:49:00.120
<v Speaker 3>like I want to say, he said, they were like,

0:49:00.200 --> 0:49:01.600
<v Speaker 3>damn your neighbors.

0:49:01.360 --> 0:49:02.160
<v Speaker 2>And we didn't know it.

0:49:02.440 --> 0:49:06.479
<v Speaker 1>Yeah, so we we taking to be personal this nigga

0:49:06.520 --> 0:49:10.080
<v Speaker 1>Doctor dre making records.

0:49:08.719 --> 0:49:10.920
<v Speaker 2>Like he ain't. It ain't that serious for him.

0:49:10.920 --> 0:49:12.799
<v Speaker 1>That's what we have seen because we come from a

0:49:12.800 --> 0:49:17.080
<v Speaker 1>lifestyle of we do what we say, so if we're

0:49:17.080 --> 0:49:19.320
<v Speaker 1>gonna say it, we gotta do it. You know what

0:49:19.320 --> 0:49:22.279
<v Speaker 1>I'm saying, Doctor Drake come from there. We making records.

0:49:22.760 --> 0:49:25.360
<v Speaker 1>We took his shit personal. When it was just business

0:49:25.440 --> 0:49:27.240
<v Speaker 1>with him, he was just trying to get his business straight,

0:49:27.480 --> 0:49:29.680
<v Speaker 1>but we took it personal and dis niggas and when

0:49:29.680 --> 0:49:31.440
<v Speaker 1>we see y'all, niggas is on and pop and what's

0:49:31.440 --> 0:49:32.719
<v Speaker 1>happening the cub what y'all want to do?

0:49:33.600 --> 0:49:36.120
<v Speaker 2>When he wasn't like that. If he's seeing easy, he

0:49:36.320 --> 0:49:38.280
<v Speaker 2>just be like, what's haddening? Neighbors?

0:49:39.360 --> 0:49:40.040
<v Speaker 3>We didn't know that.

0:49:40.880 --> 0:49:42.600
<v Speaker 2>We think of this nigga lived in confetence.

0:49:43.080 --> 0:49:44.920
<v Speaker 3>Wardry was like they would see each other like, well,

0:49:44.920 --> 0:49:46.600
<v Speaker 3>they were taking the trash out all the time.

0:49:47.640 --> 0:49:49.560
<v Speaker 2>Wow, Like what come on? Man?

0:49:49.600 --> 0:49:50.400
<v Speaker 3>Who would have thought?

0:49:50.719 --> 0:49:52.399
<v Speaker 1>See, Warren was in the middle of all that shit

0:49:52.480 --> 0:49:55.560
<v Speaker 1>because he was there from the beginning game verway, so

0:49:55.719 --> 0:49:58.000
<v Speaker 1>all of them was his family members, so he could

0:49:58.040 --> 0:49:59.160
<v Speaker 1>never take a side.

0:50:00.200 --> 0:50:01.880
<v Speaker 3>Not that that was interesting.

0:50:02.040 --> 0:50:03.799
<v Speaker 1>They are easy And then y'all got us on that

0:50:03.880 --> 0:50:06.960
<v Speaker 1>draister knock out. Y'all, y'all answered us on some crip shit.

0:50:07.040 --> 0:50:10.240
<v Speaker 1>Y'all did that cause it's a great record, great motherfucking record.

0:50:10.280 --> 0:50:11.480
<v Speaker 1>You know what I'm saying. That's what a real man

0:50:11.560 --> 0:50:13.400
<v Speaker 1>do when he gets stolen. He got to take that.

0:50:15.000 --> 0:50:18.360
<v Speaker 3>They it's been said that you smoked in the White House.

0:50:20.120 --> 0:50:22.240
<v Speaker 2>You have footage?

0:50:24.719 --> 0:50:25.839
<v Speaker 3>Did you smoke in the White House?

0:50:26.000 --> 0:50:27.600
<v Speaker 2>Do you have footage? I don't have footage.

0:50:27.640 --> 0:50:30.640
<v Speaker 1>Well, I might have not to answer that question, and

0:50:31.000 --> 0:50:34.160
<v Speaker 1>my lawyer advised me, I don't know how much time

0:50:34.200 --> 0:50:34.919
<v Speaker 1>you can get for that.

0:50:35.239 --> 0:50:36.560
<v Speaker 3>I don't think you got I mean, I think it's

0:50:36.600 --> 0:50:38.800
<v Speaker 3>probably uh. I mean, they just found cocaine in the

0:50:38.800 --> 0:50:39.800
<v Speaker 3>White House, to be quite.

0:50:39.719 --> 0:50:41.200
<v Speaker 2>Fair, and that nigga just got out.

0:50:42.880 --> 0:50:43.800
<v Speaker 3>He did get parted.

0:50:44.320 --> 0:50:44.480
<v Speaker 2>Well.

0:50:44.480 --> 0:50:46.520
<v Speaker 1>I ain't gonna tell on myself, but let me say

0:50:46.760 --> 0:50:49.359
<v Speaker 1>the bathroom had a nice aroma to it after I left.

0:50:49.560 --> 0:50:53.239
<v Speaker 3>Hypothetically speaking, someone who's passed passed through security at the

0:50:53.239 --> 0:50:55.160
<v Speaker 3>White House, how would someone sneak of pre.

0:50:55.160 --> 0:50:56.480
<v Speaker 2>Roll in in your sock?

0:50:56.520 --> 0:50:57.080
<v Speaker 3>In your sock?

0:50:57.320 --> 0:50:58.960
<v Speaker 1>That's fair, you know, to pat a nigga down if

0:50:59.000 --> 0:51:00.680
<v Speaker 1>you got them socks with those of that. They feel

0:51:00.680 --> 0:51:02.560
<v Speaker 1>like it's part of the sock. Nigga roll got out

0:51:02.600 --> 0:51:04.239
<v Speaker 1>of rolls in the sock, so he slide him in

0:51:04.320 --> 0:51:06.160
<v Speaker 1>the road. And they ain't for the I'm the d

0:51:06.239 --> 0:51:08.279
<v Speaker 1>O double. They not fora pat me down like that nigga.

0:51:08.280 --> 0:51:09.120
<v Speaker 1>They happy to see me.

0:51:09.480 --> 0:51:11.799
<v Speaker 2>Oh my god, Snoop Dog's here, he's here, he's work

0:51:11.880 --> 0:51:12.360
<v Speaker 2>right there.

0:51:12.600 --> 0:51:14.360
<v Speaker 1>How are you, mister dog? Can you go through the

0:51:14.440 --> 0:51:16.880
<v Speaker 1>metal detection? I have my lovely wife my daughter with

0:51:16.960 --> 0:51:19.279
<v Speaker 1>me as well. Yes, let them come through as well. Oh,

0:51:19.400 --> 0:51:22.080
<v Speaker 1>the Obamas are expecting you in a real way. Oh

0:51:22.120 --> 0:51:23.879
<v Speaker 1>you don't even have to go through that room. Then

0:51:23.880 --> 0:51:27.120
<v Speaker 1>when I get in, they like, hey, dog, the butler

0:51:27.200 --> 0:51:30.720
<v Speaker 1>want to holler at you. So I go in the kitchen.

0:51:31.320 --> 0:51:34.520
<v Speaker 1>The butler's a nigga like me, real nigga too, What

0:51:34.680 --> 0:51:35.080
<v Speaker 1>up deal?

0:51:35.239 --> 0:51:35.479
<v Speaker 3>Dub?

0:51:36.480 --> 0:51:38.319
<v Speaker 1>Want to hook you up something real because they out

0:51:38.320 --> 0:51:40.560
<v Speaker 1>there eating that rich shit. You want some wings or something?

0:51:40.600 --> 0:51:43.719
<v Speaker 1>I'm like, yeah, I said, man, where can I hit something?

0:51:44.000 --> 0:51:45.840
<v Speaker 1>He said, go to the bathroom over there to the

0:51:45.960 --> 0:51:48.800
<v Speaker 1>left and spray that light saw two times.

0:51:48.800 --> 0:51:52.320
<v Speaker 2>When you leave, shout out to the bus nutler.

0:51:55.200 --> 0:51:58.600
<v Speaker 3>Oh shit, yo, Me and me and g Malone shout

0:51:58.600 --> 0:52:02.319
<v Speaker 3>to g Malone uh with Glasses, Yeah, I love that guy. Man.

0:52:02.760 --> 0:52:05.560
<v Speaker 1>We have what I call him my hip hop statistician.

0:52:06.320 --> 0:52:08.799
<v Speaker 1>We always have all of the stats on Snoop Dogg,

0:52:08.840 --> 0:52:10.799
<v Speaker 1>and he has all of the history when it comes

0:52:10.800 --> 0:52:13.120
<v Speaker 1>to defending me. He would be my lawyer and my

0:52:13.239 --> 0:52:14.560
<v Speaker 1>hip hop statistician.

0:52:14.800 --> 0:52:17.960
<v Speaker 3>Well, I have Doggy Style. I kind of have like

0:52:18.040 --> 0:52:21.040
<v Speaker 3>a one, two three at any given time of my

0:52:21.040 --> 0:52:24.680
<v Speaker 3>favorite album ever, it's doggy Style. It's really doggy Style

0:52:25.080 --> 0:52:26.960
<v Speaker 3>or Illmatic to be quite honest, what's one of those two?

0:52:27.000 --> 0:52:29.120
<v Speaker 3>And it's for me it's doggy Style. I mean doggy

0:52:29.120 --> 0:52:31.840
<v Speaker 3>Style changed my life, like I told you, But he

0:52:32.040 --> 0:52:34.920
<v Speaker 3>looked like doggy Style to me is like the kind

0:52:34.920 --> 0:52:38.439
<v Speaker 3>of epicenter of like everything in like you could trace

0:52:38.480 --> 0:52:41.320
<v Speaker 3>so much back to that album. But me and Glasses

0:52:41.360 --> 0:52:45.080
<v Speaker 3>always talk about how when we're talking about like like

0:52:45.160 --> 0:52:47.479
<v Speaker 3>there's like a you're a one of one, You're the

0:52:47.520 --> 0:52:52.120
<v Speaker 3>most famous motherfucker on the planet Loki, Like there's I

0:52:52.120 --> 0:52:55.720
<v Speaker 3>think you're You're like like are you like a self

0:52:55.760 --> 0:52:58.279
<v Speaker 3>aware to realize like you're you might be the most

0:52:58.360 --> 0:52:59.720
<v Speaker 3>famous person alive.

0:53:00.560 --> 0:53:03.480
<v Speaker 2>I don't know. I can't go certain places I know that.

0:53:03.520 --> 0:53:07.360
<v Speaker 3>Where can't you go to your mama house? No fucking

0:53:08.320 --> 0:53:09.920
<v Speaker 3>but like I mean you you might be the most

0:53:09.920 --> 0:53:11.840
<v Speaker 3>famous person like on the planet. Like who doesn't know

0:53:11.880 --> 0:53:13.600
<v Speaker 3>who you are? You know what I'm saying, Like there's

0:53:13.600 --> 0:53:16.439
<v Speaker 3>people who don't know who Lebron James is. There's people

0:53:16.480 --> 0:53:18.960
<v Speaker 3>who don't know even Donald Trump, you know what I mean? Like,

0:53:19.000 --> 0:53:20.120
<v Speaker 3>I feel that's crazy, keV.

0:53:20.160 --> 0:53:20.920
<v Speaker 2>I don't. I don't know.

0:53:20.960 --> 0:53:23.040
<v Speaker 1>I mean, you know, when you when you're in the body,

0:53:23.080 --> 0:53:26.799
<v Speaker 1>you don't have that experienced out of body experience. But

0:53:26.880 --> 0:53:30.200
<v Speaker 1>at the same time, I'm watching how my base is growing,

0:53:30.880 --> 0:53:34.279
<v Speaker 1>how the fan base of people that would never look

0:53:34.320 --> 0:53:36.360
<v Speaker 1>at me, speak to me, recognize me.

0:53:36.719 --> 0:53:39.400
<v Speaker 2>You have an Elf on the shelf, Snoop on the stoop.

0:53:39.440 --> 0:53:41.680
<v Speaker 3>Do you know how fucking crazy that is? And my

0:53:41.840 --> 0:53:43.360
<v Speaker 3>kid We've been doing Elf on the shelf with this

0:53:43.440 --> 0:53:46.319
<v Speaker 3>kid since he was a baby, right, And this year

0:53:46.719 --> 0:53:49.000
<v Speaker 3>he said, next year I want the snoop.

0:53:51.280 --> 0:53:53.320
<v Speaker 2>I said, what the d o? Double man? The kids

0:53:53.320 --> 0:53:55.359
<v Speaker 2>love him. He get down there and talk to him.

0:53:55.360 --> 0:53:55.799
<v Speaker 2>You know what I'm saying.

0:53:55.800 --> 0:53:57.839
<v Speaker 1>It's a big difference from a superstar that's up here

0:53:57.880 --> 0:54:00.839
<v Speaker 1>and the kids gotta can I have your Yeah?

0:54:00.920 --> 0:54:03.280
<v Speaker 2>Snoop Dogg. Good right here? Hey, what's that now you doing?

0:54:04.320 --> 0:54:06.440
<v Speaker 3>Yo? I wanted to ask you to speak shout to

0:54:06.960 --> 0:54:08.799
<v Speaker 3>Jason Martin the Homely Problem. Him and I had a

0:54:08.800 --> 0:54:15.920
<v Speaker 3>debate on my pod. We're talking about which label is greater,

0:54:18.360 --> 0:54:23.279
<v Speaker 3>Death Row or TDE. I said death Row because I

0:54:23.280 --> 0:54:27.080
<v Speaker 3>think of the tree that came from everything that came

0:54:27.120 --> 0:54:32.160
<v Speaker 3>from Death Row. But TD is right there for you, man, Like,

0:54:32.239 --> 0:54:36.759
<v Speaker 3>what has it been like watching just like some even

0:54:36.880 --> 0:54:39.680
<v Speaker 3>another like West Coast label, just even being in that

0:54:39.719 --> 0:54:40.640
<v Speaker 3>conversation like.

0:54:40.760 --> 0:54:43.440
<v Speaker 1>Well, first of all, let me say this Top is

0:54:43.560 --> 0:54:46.759
<v Speaker 1>my god. I love him. I watched his hustle, his

0:54:46.840 --> 0:54:49.880
<v Speaker 1>climb to where he got to, getting his artists together

0:54:50.520 --> 0:54:53.680
<v Speaker 1>as simbling all of that talent, putting the gangs to

0:54:53.719 --> 0:54:56.560
<v Speaker 1>the back, putting the talent to the front, keeping that

0:54:56.680 --> 0:55:00.680
<v Speaker 1>family vibe, making sure everybody supports each other, keeping a

0:55:00.760 --> 0:55:06.160
<v Speaker 1>legit clean business, non violent. Top deserves a lot of respect,

0:55:06.360 --> 0:55:10.200
<v Speaker 1>been clean, been righteous, got his boys working with him, got.

0:55:10.040 --> 0:55:13.080
<v Speaker 3>His kids and his sons are helping with Man like this.

0:55:13.000 --> 0:55:16.080
<v Speaker 1>Needs to be commended. Does the annual Christmas event that

0:55:16.880 --> 0:55:20.759
<v Speaker 1>beauty peaceful? They did the walk in Compton where it

0:55:20.800 --> 0:55:24.759
<v Speaker 1>was beautiful like the things that he does is overshadowed

0:55:24.760 --> 0:55:27.360
<v Speaker 1>sometimes by the music and the things that his artists do.

0:55:27.480 --> 0:55:29.960
<v Speaker 1>But he's got to be a backbone and the foundation

0:55:30.080 --> 0:55:34.560
<v Speaker 1>to this. And he watched for many years label executives

0:55:34.560 --> 0:55:38.640
<v Speaker 1>mishandled power and abuse artists and do things the wrong way.

0:55:39.160 --> 0:55:41.720
<v Speaker 1>So he just practices the great way of doing business.

0:55:41.760 --> 0:55:44.040
<v Speaker 1>That's why I love him and appreciate him and support him.

0:55:44.320 --> 0:55:46.480
<v Speaker 1>And he got my back and I got his back

0:55:46.520 --> 0:55:50.600
<v Speaker 1>when it comes to anything musically community wise, and that

0:55:50.680 --> 0:55:52.720
<v Speaker 1>needs to be commended. As far as what he does,

0:55:53.239 --> 0:55:55.880
<v Speaker 1>as far as the simboling and keeping his business legit.

0:55:55.960 --> 0:55:59.120
<v Speaker 1>You never hear no smut nothing negative about TDE. He

0:55:59.200 --> 0:56:01.799
<v Speaker 1>don't have that back lash of death Row that I

0:56:01.840 --> 0:56:05.480
<v Speaker 1>had to take on right and get rid of. So naturally, yes,

0:56:05.560 --> 0:56:08.759
<v Speaker 1>you would say that TDE is the new version of

0:56:08.800 --> 0:56:09.279
<v Speaker 1>death Row.

0:56:09.480 --> 0:56:11.920
<v Speaker 3>I mean, and also like better, a much longer run,

0:56:12.040 --> 0:56:14.200
<v Speaker 3>but better, because I feel like people forget how short

0:56:14.320 --> 0:56:15.759
<v Speaker 3>like the death Row run was, like.

0:56:15.760 --> 0:56:18.600
<v Speaker 2>We was the Michael Jordan bulls cuh right.

0:56:18.880 --> 0:56:20.719
<v Speaker 3>Like it felt like it was forever. But if you

0:56:20.719 --> 0:56:21.560
<v Speaker 3>really look back.

0:56:21.400 --> 0:56:25.360
<v Speaker 1>To Michael Jordan was ninety two to ninety six, Michael

0:56:25.480 --> 0:56:28.240
<v Speaker 1>when Michael Jordan win this championship with the Bulls.

0:56:28.920 --> 0:56:31.000
<v Speaker 3>It was ninety ninety one was the first one, right,

0:56:31.520 --> 0:56:34.839
<v Speaker 3>and then to ninety three and then yeah, I mean

0:56:35.320 --> 0:56:35.960
<v Speaker 3>two three Pietz.

0:56:36.040 --> 0:56:38.000
<v Speaker 2>Yeah, right, so we went up to ninety six.

0:56:38.040 --> 0:56:40.239
<v Speaker 1>I say ninety six cause that's when Tupac came, right,

0:56:40.760 --> 0:56:42.920
<v Speaker 1>Dupac came in ninety six and he passed away in

0:56:43.000 --> 0:56:45.600
<v Speaker 1>ninety six, So you got to think about that's how

0:56:45.640 --> 0:56:48.439
<v Speaker 1>long our run was, ninety two to ninety six.

0:56:48.560 --> 0:56:51.520
<v Speaker 3>Yeah, TV's going on nine to now. I mean, and

0:56:51.640 --> 0:56:54.280
<v Speaker 3>TD got R and B and he got the biggest

0:56:54.280 --> 0:56:56.239
<v Speaker 3>one of the biggest pop stars in the world, Sissa.

0:56:56.400 --> 0:57:00.759
<v Speaker 1>And they got that new girl she shees supers. They

0:57:00.880 --> 0:57:03.560
<v Speaker 1>like they keep hitting you upside the head with shit abs.

0:57:03.560 --> 0:57:08.680
<v Speaker 1>So motherfucking schoolboy, Q Jay Rock Sir, Inglewood Sir.

0:57:08.840 --> 0:57:10.719
<v Speaker 2>Like they just flood in the game. And it's like,

0:57:11.080 --> 0:57:12.320
<v Speaker 2>you got to commend.

0:57:11.920 --> 0:57:13.640
<v Speaker 3>That ras from Long Beach.

0:57:13.719 --> 0:57:17.960
<v Speaker 1>So we at Death Row we look up to them

0:57:18.520 --> 0:57:20.120
<v Speaker 1>as opposed to the other way around.

0:57:20.160 --> 0:57:20.960
<v Speaker 2>And how it used to be.

0:57:21.600 --> 0:57:24.000
<v Speaker 1>He used to be they'd look up to us because

0:57:24.040 --> 0:57:26.320
<v Speaker 1>we was the big fish in the small pond. Now

0:57:26.360 --> 0:57:28.280
<v Speaker 1>I's like they sat in the board setting the trend

0:57:28.280 --> 0:57:30.120
<v Speaker 1>and the things that his artists and what they're doing

0:57:30.680 --> 0:57:32.920
<v Speaker 1>is things that I can follow and do for my

0:57:33.040 --> 0:57:35.600
<v Speaker 1>artists and for myself. That's what the game is about,

0:57:35.680 --> 0:57:38.480
<v Speaker 1>learning and getting information and not being too big to ask.

0:57:39.320 --> 0:57:42.959
<v Speaker 1>I called Kendrick maybe a year and a half ago

0:57:43.000 --> 0:57:47.560
<v Speaker 1>when I was overseas and I had watched him perform

0:57:48.080 --> 0:57:50.440
<v Speaker 1>at the Paris He had did a show in Paris

0:57:50.960 --> 0:57:54.120
<v Speaker 1>on Amazon, and I was so fucking intrigued with his

0:57:54.200 --> 0:57:57.040
<v Speaker 1>show and his showmanship and the way he had his

0:57:57.120 --> 0:57:59.880
<v Speaker 1>shit together. I hit Terrys Mare and I said, cook

0:58:00.160 --> 0:58:02.960
<v Speaker 1>me k dot number. He gave me his number and

0:58:03.000 --> 0:58:06.800
<v Speaker 1>I called cause. I said, man, how the fuck did

0:58:06.840 --> 0:58:07.240
<v Speaker 1>you do that?

0:58:07.280 --> 0:58:07.720
<v Speaker 2>Show? Man?

0:58:07.760 --> 0:58:09.960
<v Speaker 1>What I got to do to make my show like that?

0:58:10.040 --> 0:58:12.400
<v Speaker 1>And he gave me some simple shit about like just

0:58:13.200 --> 0:58:16.480
<v Speaker 1>keep doing the shit you do, and but it was

0:58:16.520 --> 0:58:21.280
<v Speaker 1>so much information in that small conversation that I ended

0:58:21.360 --> 0:58:25.360
<v Speaker 1>up making my show like even better. But that's me

0:58:25.480 --> 0:58:29.800
<v Speaker 1>not having an ego and reaching out to someone who's

0:58:29.840 --> 0:58:32.040
<v Speaker 1>younger than me, flyer in me to open in me

0:58:32.440 --> 0:58:34.120
<v Speaker 1>and got a tap on some shit that I need

0:58:34.120 --> 0:58:35.000
<v Speaker 1>to get information on.

0:58:35.600 --> 0:58:39.280
<v Speaker 3>Would you see would you say? Because I feel like

0:58:39.360 --> 0:58:41.320
<v Speaker 3>that is one thing about you, Snoop is it feels

0:58:41.360 --> 0:58:43.400
<v Speaker 3>like you are like as big as you are, as

0:58:43.600 --> 0:58:45.600
<v Speaker 3>legendary as you are, You're like you have a lot

0:58:45.600 --> 0:58:47.800
<v Speaker 3>of humility, Like you you're willing to like step aside

0:58:47.800 --> 0:58:51.320
<v Speaker 3>from your ego. Would you say that like that is

0:58:51.320 --> 0:58:52.440
<v Speaker 3>a key to longevity.

0:58:53.440 --> 0:58:56.800
<v Speaker 1>Yeah, whatever you put out to what you're gonna get. Like,

0:58:57.920 --> 0:59:00.600
<v Speaker 1>it's a lot of shit that be happening to people,

0:59:00.720 --> 0:59:03.440
<v Speaker 1>and then you wonder why. It's the energy that they

0:59:03.480 --> 0:59:07.040
<v Speaker 1>put out, Like I went through mins early because that

0:59:07.120 --> 0:59:09.400
<v Speaker 1>was the energy I put out. So, like I told

0:59:09.440 --> 0:59:10.920
<v Speaker 1>you when I got to The dog Father, I was

0:59:10.960 --> 0:59:13.160
<v Speaker 1>trying to find a new energy and I've just been

0:59:13.200 --> 0:59:15.840
<v Speaker 1>sticking with it and it is what it is. You

0:59:15.840 --> 0:59:18.240
<v Speaker 1>got to find the energy that the universe provides for

0:59:18.280 --> 0:59:21.120
<v Speaker 1>you to keep you in a safe space. And some

0:59:21.120 --> 0:59:23.360
<v Speaker 1>people don't do that. They always go to the negative

0:59:23.440 --> 0:59:25.840
<v Speaker 1>energy or they try to find ways to you know,

0:59:25.920 --> 0:59:28.000
<v Speaker 1>impress people instead of trying to be the best version

0:59:28.040 --> 0:59:28.760
<v Speaker 1>of themselves.

0:59:29.080 --> 0:59:32.760
<v Speaker 3>That's fair, that's fair, man. Look, Missionary is out. It

0:59:32.880 --> 0:59:34.880
<v Speaker 3>is a great body of work.

0:59:35.640 --> 0:59:38.880
<v Speaker 1>What what would you rate it on a So when

0:59:38.880 --> 0:59:40.320
<v Speaker 1>I got a new dog album, I ain't even talking

0:59:40.320 --> 0:59:41.680
<v Speaker 1>about wanted ten just snooped off.

0:59:41.720 --> 0:59:44.840
<v Speaker 3>I have two fool listens, so you can't give me

0:59:44.880 --> 0:59:46.760
<v Speaker 3>no radio. So that's what I'm saying. So I was

0:59:46.760 --> 0:59:48.000
<v Speaker 3>at the TD thing last night.

0:59:48.560 --> 0:59:50.440
<v Speaker 2>I came to your mixed up. You had all that

0:59:50.480 --> 0:59:51.040
<v Speaker 2>good music.

0:59:51.280 --> 0:59:53.520
<v Speaker 3>So on my on my way to your DJ at

0:59:53.520 --> 0:59:55.480
<v Speaker 3>the Teah event, Well I came. I came to your

0:59:55.480 --> 0:59:57.040
<v Speaker 3>thing last night, so on my way to your thing,

0:59:57.080 --> 0:59:57.640
<v Speaker 3>I listened.

0:59:57.440 --> 0:59:59.680
<v Speaker 1>By the way you DJing first at the TD event

0:59:59.680 --> 1:00:01.640
<v Speaker 1>when you walked in KIV, you was rocking.

1:00:01.720 --> 1:00:03.960
<v Speaker 2>You had the party rocking and got some rounded and

1:00:03.960 --> 1:00:05.000
<v Speaker 2>I couldn't see you no more.

1:00:05.400 --> 1:00:07.920
<v Speaker 3>This was crazy. Forest Whitaker caught a crazy straight on

1:00:07.960 --> 1:00:11.680
<v Speaker 3>the album. By the way, he says lier than.

1:00:12.160 --> 1:00:19.280
<v Speaker 1>I said, it's the only boy that that that Ron Well,

1:00:19.320 --> 1:00:21.840
<v Speaker 1>he's in the room discussing. It was like, what Ron

1:00:21.960 --> 1:00:24.800
<v Speaker 1>with that? Oh Forest, Okay, let's go.

1:00:27.360 --> 1:00:29.200
<v Speaker 3>I would say, I mean, dude, I would say this

1:00:29.440 --> 1:00:35.280
<v Speaker 3>like it would be just I mean, I can't really

1:00:35.280 --> 1:00:37.400
<v Speaker 3>give you, like a serious rating off off of because

1:00:37.480 --> 1:00:40.520
<v Speaker 3>because even like on our way over here listening to

1:00:40.560 --> 1:00:44.080
<v Speaker 3>it for a third time, it just felt good.

1:00:45.400 --> 1:00:46.920
<v Speaker 2>It's one of them things gonna ruin you.

1:00:47.520 --> 1:00:48.600
<v Speaker 3>I think all the great albums do.

1:00:48.720 --> 1:00:50.520
<v Speaker 2>That's what I was about to say.

1:00:50.760 --> 1:00:57.800
<v Speaker 1>The Chronic album, Yeah, it became when it first came out,

1:00:58.160 --> 1:01:02.880
<v Speaker 1>g than it had to row. She thing had to grow,

1:01:03.680 --> 1:01:07.920
<v Speaker 1>then Dreda, it grew a little bit more. By the

1:01:07.960 --> 1:01:10.959
<v Speaker 1>time he got to Let Me Ride, motherfuckers had lived

1:01:10.960 --> 1:01:13.600
<v Speaker 1>with the album and they had understood what it was about.

1:01:14.200 --> 1:01:17.520
<v Speaker 1>So then when we get to Doggystown, that's what all

1:01:17.560 --> 1:01:20.600
<v Speaker 1>the expectation and anticipation because you didn't hurt all this

1:01:20.680 --> 1:01:25.480
<v Speaker 1>great shit. This has been so many years separated from

1:01:25.520 --> 1:01:29.160
<v Speaker 1>me and doctor Dre, so you expecting snooping Dre, but

1:01:29.200 --> 1:01:30.880
<v Speaker 1>you ain't heard it so long you don't even know

1:01:30.880 --> 1:01:31.640
<v Speaker 1>what the fuck it is.

1:01:31.800 --> 1:01:33.480
<v Speaker 3>Yeah, because it's new too, and it's.

1:01:33.360 --> 1:01:36.520
<v Speaker 2>Always been new. We've never been what they are.

1:01:36.840 --> 1:01:39.320
<v Speaker 1>Ye think about the records that we've done, they've never

1:01:39.400 --> 1:01:42.439
<v Speaker 1>sounded like anything that was out that year, and they've

1:01:42.480 --> 1:01:45.640
<v Speaker 1>never been in the world of I think.

1:01:45.480 --> 1:01:46.880
<v Speaker 3>That's just kind of I mean, I think even like

1:01:46.920 --> 1:01:49.440
<v Speaker 3>Central Seduction is like, no one has ever made a

1:01:49.440 --> 1:01:51.200
<v Speaker 3>song like that since or before.

1:01:52.040 --> 1:01:53.360
<v Speaker 2>He read for writing that record for.

1:01:53.440 --> 1:01:54.600
<v Speaker 3>Me, such a great fucking record.

1:01:54.920 --> 1:01:57.760
<v Speaker 1>He wrote it for himself. But then he said, I

1:01:57.800 --> 1:01:59.840
<v Speaker 1>don't want to say this record what you think you won't.

1:02:01.000 --> 1:02:06.240
<v Speaker 1>I said, I'm going up might check, I'm going Figatto.

1:02:09.160 --> 1:02:11.640
<v Speaker 3>When you guys like were getting like like finishing up

1:02:11.640 --> 1:02:15.280
<v Speaker 3>this album. Was this around the time like the Kendrick

1:02:15.320 --> 1:02:17.400
<v Speaker 3>shit was really because it feels like there's this West

1:02:17.400 --> 1:02:21.720
<v Speaker 3>Coast moment that, like you know, my boy DJ Head

1:02:21.760 --> 1:02:25.680
<v Speaker 3>always says, like all the like everyone's setting it up

1:02:25.720 --> 1:02:29.600
<v Speaker 3>for like the West Coast to have another moment to

1:02:29.680 --> 1:02:31.920
<v Speaker 3>like run hip hop like you guys did in the nineties, Right,

1:02:33.520 --> 1:02:36.280
<v Speaker 3>do you feel that that same energy, like yo, like

1:02:36.360 --> 1:02:38.120
<v Speaker 3>kind of all eyes are on us over here now,

1:02:38.200 --> 1:02:40.080
<v Speaker 3>like it's a matter of like delivering now.

1:02:39.920 --> 1:02:43.000
<v Speaker 1>With the records. I'm gonna tell you this hip hop

1:02:43.040 --> 1:02:47.920
<v Speaker 1>always shifts. It shifted from day one. East Coasts had it,

1:02:47.960 --> 1:02:49.439
<v Speaker 1>They ran it. It was they whirl.

1:02:49.760 --> 1:02:53.479
<v Speaker 2>They controlled the media, radio, look the look, the style.

1:02:53.520 --> 1:02:55.400
<v Speaker 3>By the way, they still control the media for the most.

1:02:55.240 --> 1:02:58.840
<v Speaker 1>They look, the style, the everything. Right then it shifted

1:03:00.080 --> 1:03:01.440
<v Speaker 1>the West Coast. We took it.

1:03:02.040 --> 1:03:04.360
<v Speaker 2>Yeah, we didn't ask for it. We took it. And

1:03:04.400 --> 1:03:06.480
<v Speaker 2>when we took it, we ran with it.

1:03:07.200 --> 1:03:09.840
<v Speaker 1>We showed motherfuckers how you can have it outside of

1:03:09.880 --> 1:03:14.400
<v Speaker 1>New York and remain you while doing it. Then it

1:03:14.600 --> 1:03:16.960
<v Speaker 1>shifted back to the East coast because Biggie and them

1:03:17.000 --> 1:03:19.880
<v Speaker 1>came and took that motherfucker back. Then DM Mex and

1:03:19.920 --> 1:03:22.400
<v Speaker 1>all the niggas came in fifty, said jay Z, And

1:03:22.440 --> 1:03:24.840
<v Speaker 1>then nigga New York niggas was not playing nigga like,

1:03:24.840 --> 1:03:27.080
<v Speaker 1>hold on, y'all gonna take some shit that we created. Nigga,

1:03:27.120 --> 1:03:31.280
<v Speaker 1>Wait a minute, Boom took it. But when they took it,

1:03:31.840 --> 1:03:33.720
<v Speaker 1>they was not respecting.

1:03:33.720 --> 1:03:35.480
<v Speaker 3>The South, and the South has had it.

1:03:36.040 --> 1:03:38.840
<v Speaker 1>They did not respect the South, but the West always

1:03:38.880 --> 1:03:39.920
<v Speaker 1>respected the South.

1:03:40.400 --> 1:03:41.200
<v Speaker 2>So what the.

1:03:41.240 --> 1:03:43.720
<v Speaker 1>South did was said, hey, let's call our cousins from

1:03:43.760 --> 1:03:46.200
<v Speaker 1>the West and asked them what they did. We just

1:03:46.320 --> 1:03:48.640
<v Speaker 1>gang bang and took our shit. Oh that's what you

1:03:48.680 --> 1:03:51.360
<v Speaker 1>gotta do, yep. And guess what else we did. We

1:03:51.400 --> 1:03:54.120
<v Speaker 1>made them do what we do. What you mean they

1:03:54.200 --> 1:03:57.800
<v Speaker 1>gang bang? Now, Oh that's all you gotta do. Cool,

1:03:58.240 --> 1:04:02.240
<v Speaker 1>we gonna bounce, We're gonna get crunked, we're gonna put

1:04:02.240 --> 1:04:03.360
<v Speaker 1>these grills in our mouth.

1:04:03.560 --> 1:04:05.320
<v Speaker 2>We're gonna talk about these strip clubs.

1:04:05.600 --> 1:04:08.520
<v Speaker 1>We're gonna pop this players ship from down South, and

1:04:08.600 --> 1:04:11.360
<v Speaker 1>we're gonna take this motherfucking rap game, and we're gonna

1:04:11.360 --> 1:04:15.600
<v Speaker 1>hold it longer than y'all niggas had it. I mean, hello, jeez,

1:04:15.680 --> 1:04:18.880
<v Speaker 1>they probably had the longest run. It's so good for

1:04:18.920 --> 1:04:24.040
<v Speaker 1>the South. Niggas rap like them now. Everybody stop me

1:04:24.080 --> 1:04:26.800
<v Speaker 1>when I'm stop me when I'm lying. No, I didn't

1:04:26.800 --> 1:04:30.040
<v Speaker 1>even wrap on something, but remember who saved me from death?

1:04:30.120 --> 1:04:31.200
<v Speaker 3>Row Master P?

1:04:31.480 --> 1:04:32.600
<v Speaker 2>Where you from from?

1:04:32.640 --> 1:04:33.280
<v Speaker 3>New Orleans?

1:04:33.600 --> 1:04:33.920
<v Speaker 2>Hello?

1:04:34.240 --> 1:04:35.439
<v Speaker 3>Yeah?

1:04:36.000 --> 1:04:39.560
<v Speaker 1>South West connect We've always been there. It's just been

1:04:39.600 --> 1:04:41.920
<v Speaker 1>a disconnect with the East. So when the South took it,

1:04:42.480 --> 1:04:45.360
<v Speaker 1>they don't want to give it back. The South don't

1:04:45.360 --> 1:04:48.360
<v Speaker 1>want to give it back. But there's somebody strong that

1:04:48.480 --> 1:04:49.680
<v Speaker 1>can take it from the South.

1:04:50.560 --> 1:04:52.640
<v Speaker 2>That's us the West.

1:04:53.240 --> 1:04:56.240
<v Speaker 3>I think that's what's dope about the timing of Missionary.

1:04:56.520 --> 1:04:58.520
<v Speaker 2>You could have made that motherfucker to a cartoon that

1:04:58.520 --> 1:04:59.160
<v Speaker 2>should have been.

1:04:59.080 --> 1:05:02.760
<v Speaker 3>Hard Missionary and gn X coming out in the same

1:05:02.840 --> 1:05:04.080
<v Speaker 3>like months.

1:05:03.720 --> 1:05:05.840
<v Speaker 1>Hey, hey, don't sleep on ice Cube album and the

1:05:05.920 --> 1:05:06.920
<v Speaker 1>Cube album is dope.

1:05:06.960 --> 1:05:10.680
<v Speaker 3>It's my egos, my shit. Great that it is so sensitive,

1:05:11.600 --> 1:05:13.600
<v Speaker 3>but there's even like the dog Pan album a few

1:05:13.640 --> 1:05:15.240
<v Speaker 3>months ago, the east side of shit is. I just

1:05:15.280 --> 1:05:17.400
<v Speaker 3>feel like it's like it's and I just hope that

1:05:17.720 --> 1:05:20.160
<v Speaker 3>is there anybody on the younger side of La hip

1:05:20.160 --> 1:05:21.520
<v Speaker 3>hop that you got your eye on that you're just

1:05:21.560 --> 1:05:24.200
<v Speaker 3>a fan of isn't necessarily associated.

1:05:23.680 --> 1:05:26.040
<v Speaker 2>That Meet the WAPs, that's the name of Meet the Woops.

1:05:26.160 --> 1:05:28.840
<v Speaker 1>I love him, Yeah, I love him because I love

1:05:28.920 --> 1:05:33.160
<v Speaker 1>I love the Red Side, I love the JA. But

1:05:33.200 --> 1:05:36.040
<v Speaker 1>I love how the rap game on the West is

1:05:36.120 --> 1:05:38.760
<v Speaker 1>leveling out. Like for a while, you know, the crips,

1:05:39.520 --> 1:05:42.920
<v Speaker 1>we was like dominate for sure, So now you're starting

1:05:42.920 --> 1:05:46.040
<v Speaker 1>to see young blood homies get it in and collaborate

1:05:46.120 --> 1:05:48.080
<v Speaker 1>and win and then do things on their own and

1:05:48.120 --> 1:05:49.480
<v Speaker 1>peace up and network.

1:05:49.520 --> 1:05:50.600
<v Speaker 2>That's what the West is about.

1:05:50.640 --> 1:05:53.400
<v Speaker 1>It's about And I command Kendrick for this too, for

1:05:53.440 --> 1:05:56.400
<v Speaker 1>bringing the Hispanics in as well, because that's what the

1:05:56.440 --> 1:05:59.640
<v Speaker 1>West is. We are made up of many cultures, and

1:06:00.040 --> 1:06:04.959
<v Speaker 1>basically Hispanic Blacks are the dominant off the top.

1:06:05.240 --> 1:06:07.360
<v Speaker 3>Yeah, and there's such so many dope Mexican rappers out

1:06:07.360 --> 1:06:10.200
<v Speaker 3>of La right, So it's like the Coyote Lefty Gun

1:06:10.240 --> 1:06:10.800
<v Speaker 3>plays the.

1:06:10.680 --> 1:06:12.800
<v Speaker 1>Work that we do. You know a lot of times

1:06:12.800 --> 1:06:15.240
<v Speaker 1>we do work and it don't be broadcast. Like it's

1:06:15.240 --> 1:06:18.200
<v Speaker 1>an artist that I got on Death Row named Julean

1:06:18.320 --> 1:06:21.760
<v Speaker 1>Tordaz who makes a mediachi music and fred Rick brought

1:06:21.840 --> 1:06:23.720
<v Speaker 1>him to me. He performs at the Dodger games and

1:06:23.720 --> 1:06:26.480
<v Speaker 1>does all kinds of things. Come to find out, the

1:06:26.520 --> 1:06:29.160
<v Speaker 1>girl that's singing on kendrick album is in his band.

1:06:29.520 --> 1:06:32.000
<v Speaker 3>Oh yeah, because he found her at the Dodger game.

1:06:32.080 --> 1:06:32.360
<v Speaker 2>Hello.

1:06:32.920 --> 1:06:34.960
<v Speaker 1>So this is how we work on the West. Like

1:06:36.120 --> 1:06:38.240
<v Speaker 1>his plug, his plug, his plug. That's why on that

1:06:38.320 --> 1:06:43.520
<v Speaker 1>song gorgeous? What I say last time I checked, I

1:06:43.680 --> 1:06:45.960
<v Speaker 1>was the plug to your plug. I'm the fucking connect,

1:06:47.560 --> 1:06:50.720
<v Speaker 1>hear me. I am the plug to the plug.

1:06:50.760 --> 1:06:51.560
<v Speaker 3>The actual connect.

1:06:51.640 --> 1:06:51.840
<v Speaker 2>Hello.

1:06:52.120 --> 1:06:54.520
<v Speaker 3>Yes, the source, I'm the power, the source.

1:06:54.680 --> 1:06:56.240
<v Speaker 2>Yeah, I can turn you off.

1:06:58.920 --> 1:07:02.160
<v Speaker 3>Well listen everyone go get the album. It's incredible. The

1:07:02.240 --> 1:07:05.360
<v Speaker 3>vinyls Wild. If you guys want to a condom.

1:07:05.320 --> 1:07:07.600
<v Speaker 2>You want a condom to spend around on your s

1:07:07.640 --> 1:07:08.400
<v Speaker 2>P twelve.

1:07:08.200 --> 1:07:12.760
<v Speaker 3>Hundred literally, like you said, this is the clinic one.

1:07:12.680 --> 1:07:14.520
<v Speaker 2>Though you just want to get it. You got VD

1:07:14.680 --> 1:07:18.080
<v Speaker 2>the free one. What you're doing in here, Get you

1:07:18.080 --> 1:07:19.320
<v Speaker 2>a couple of rows and get on out of.

1:07:19.320 --> 1:07:21.360
<v Speaker 3>Here in a paper bag. They send you out the door.

1:07:21.560 --> 1:07:23.640
<v Speaker 2>And then you see you're a preacher on the way in.

1:07:23.760 --> 1:07:25.440
<v Speaker 2>Like what you're doing here? Brother? I just came to

1:07:25.440 --> 1:07:28.919
<v Speaker 2>take a physical. Brother is ain that kind of doctor though.

1:07:31.680 --> 1:07:34.000
<v Speaker 3>The drink is everywhere. I mean, it's everywhere.

1:07:34.440 --> 1:07:34.600
<v Speaker 2>Man.

1:07:34.600 --> 1:07:36.600
<v Speaker 1>We're working right now, okare right now. We're in our

1:07:36.640 --> 1:07:39.800
<v Speaker 1>wonder years, were having fun. We set in trends. We're

1:07:39.800 --> 1:07:41.960
<v Speaker 1>showing people that there's no such thing as age when

1:07:42.000 --> 1:07:44.080
<v Speaker 1>it comes to hip hop and business. A lot of

1:07:44.080 --> 1:07:47.160
<v Speaker 1>times we get categorized as far as like you're old.

1:07:47.480 --> 1:07:49.200
<v Speaker 1>But they don't do that to any other industry, but

1:07:49.320 --> 1:07:49.720
<v Speaker 1>hip hop.

1:07:49.840 --> 1:07:49.920
<v Speaker 2>No.

1:07:50.080 --> 1:07:52.040
<v Speaker 3>So your holy stores are still torn, they're like fucking

1:07:52.080 --> 1:07:52.600
<v Speaker 3>eighty years old.

1:07:52.720 --> 1:07:56.040
<v Speaker 1>But that's why we rewriting history with showing that there

1:07:56.080 --> 1:07:58.680
<v Speaker 1>should never be no limit on what you do based

1:07:58.720 --> 1:07:59.480
<v Speaker 1>off of how you do.

1:08:00.080 --> 1:08:02.520
<v Speaker 3>Yeah, I mean you're still I mean you were, by

1:08:02.560 --> 1:08:04.080
<v Speaker 3>the way, For people who don't know, the reason why

1:08:04.120 --> 1:08:05.720
<v Speaker 3>you weren't at the pop out was because you were

1:08:05.720 --> 1:08:06.920
<v Speaker 3>in Canada with DJ Quick.

1:08:07.080 --> 1:08:10.440
<v Speaker 1>You guys had a quick Warren g Yeah, dog Pound.

1:08:11.000 --> 1:08:13.120
<v Speaker 1>We went over there to put the West you know

1:08:13.160 --> 1:08:15.240
<v Speaker 1>what I'm saying, put the flag back up. Somebody had

1:08:15.240 --> 1:08:16.200
<v Speaker 1>to go over there and do it, you know what

1:08:16.200 --> 1:08:16.479
<v Speaker 1>I'm saying.

1:08:16.520 --> 1:08:18.679
<v Speaker 3>What was it like watching that moment though in Canada?

1:08:18.760 --> 1:08:19.439
<v Speaker 3>Being like fuck.

1:08:19.560 --> 1:08:22.080
<v Speaker 1>How about we in my dressing room, all of us

1:08:22.120 --> 1:08:23.760
<v Speaker 1>before I get on stage, and we got it on

1:08:23.800 --> 1:08:27.240
<v Speaker 1>YouTube and we rocking to that motherfucker, seeing everybody he

1:08:27.360 --> 1:08:31.080
<v Speaker 1>bringing on stage, watching how young k Dot takes his leadership,

1:08:31.160 --> 1:08:34.080
<v Speaker 1>roll into you know, the next level, having E forty's

1:08:34.160 --> 1:08:37.439
<v Speaker 1>voice come through the fucking speakers before he hit the stage,

1:08:37.560 --> 1:08:41.160
<v Speaker 1>just seeing the how the level of how everybody was performing.

1:08:41.200 --> 1:08:44.200
<v Speaker 1>Then when he came out, that shit was like here

1:08:44.760 --> 1:08:46.920
<v Speaker 1>facts and that's what the fuck is supposed to be.

1:08:47.360 --> 1:08:49.920
<v Speaker 3>I love it, man, the Missionary movie. I watched it.

1:08:49.920 --> 1:08:51.760
<v Speaker 3>It's like you guys, by the way, for people who

1:08:51.760 --> 1:08:54.280
<v Speaker 3>don't know, there's like a twelve minute movie that you

1:08:54.280 --> 1:08:54.920
<v Speaker 3>guys dropped.

1:08:55.240 --> 1:08:55.519
<v Speaker 2>Yep.

1:08:55.760 --> 1:08:58.720
<v Speaker 3>And if you love Dexter, which I do, did you

1:08:58.720 --> 1:08:59.840
<v Speaker 3>watch Dexter fucking love?

1:09:00.120 --> 1:09:01.439
<v Speaker 2>So I'm mad that shit discontinued.

1:09:01.520 --> 1:09:04.200
<v Speaker 3>No, no, they did, you see they they they dropped.

1:09:04.680 --> 1:09:07.240
<v Speaker 3>First of all, they dropped a new Dexter like two

1:09:07.320 --> 1:09:10.400
<v Speaker 3>years ago. He survives, and then his son, you know,

1:09:10.439 --> 1:09:14.040
<v Speaker 3>his son, remember his little boy. His son's grown. So

1:09:14.080 --> 1:09:17.040
<v Speaker 3>he finds his son, his son kills him. A well,

1:09:17.080 --> 1:09:20.120
<v Speaker 3>I can't, oh, come on now, anyway, you know, I

1:09:20.160 --> 1:09:24.360
<v Speaker 3>love that there's a Dexter prequel that comes out, so well.

1:09:24.320 --> 1:09:26.400
<v Speaker 2>I hope I did enough of my acting in this.

1:09:27.600 --> 1:09:31.160
<v Speaker 3>Have this fucking hilarious twelve minute mini movie where you,

1:09:31.200 --> 1:09:33.240
<v Speaker 3>oh it was bro. We were driving over here watching

1:09:33.240 --> 1:09:34.960
<v Speaker 3>it and like we laughed out loud like three times.

1:09:35.000 --> 1:09:37.439
<v Speaker 3>You had the one liners like when you get a

1:09:37.560 --> 1:09:39.800
<v Speaker 3>doctor dre You're like, you know, I don't like that shit,

1:09:41.000 --> 1:09:44.800
<v Speaker 3>but you guys are like in this fucking movie, like, uh,

1:09:45.200 --> 1:09:48.000
<v Speaker 3>I guess would you say mercy killing killing bad people?

1:09:48.080 --> 1:09:50.479
<v Speaker 2>We hit men that make hits, hit men.

1:09:50.360 --> 1:09:52.920
<v Speaker 3>That make hits. It was a nice metaphor, but it

1:09:52.960 --> 1:09:53.880
<v Speaker 3>was very Dexter.

1:09:53.880 --> 1:09:57.559
<v Speaker 1>Like, yeah, because we take care of the bad guys,

1:09:57.600 --> 1:10:01.000
<v Speaker 1>so to speak. You know, as kids, we always watched

1:10:01.080 --> 1:10:04.559
<v Speaker 1>the Spider Man, Superman fight crime and.

1:10:04.479 --> 1:10:07.360
<v Speaker 3>Like y'all smoke a fucking pedophile like off the rip.

1:10:07.280 --> 1:10:09.519
<v Speaker 2>Yees see, we fight crime in a different way, you know,

1:10:09.560 --> 1:10:10.960
<v Speaker 2>we do things that the Lord don't do.

1:10:12.040 --> 1:10:14.800
<v Speaker 3>How fun was that? And like who who? Like you

1:10:14.800 --> 1:10:16.839
<v Speaker 3>had some one liners in there that were fucking hilarious,

1:10:17.080 --> 1:10:18.920
<v Speaker 3>Like you just over here smoking and shit and you're like,

1:10:19.600 --> 1:10:20.800
<v Speaker 3>I'm trying to fix it. Spell.

1:10:22.240 --> 1:10:24.559
<v Speaker 1>Well, that's about when me and Dre get together and

1:10:24.600 --> 1:10:26.880
<v Speaker 1>we find a great director like Dave Myers who really

1:10:26.960 --> 1:10:27.880
<v Speaker 1>understands us.

1:10:28.160 --> 1:10:28.280
<v Speaker 2>Well.

1:10:28.360 --> 1:10:30.040
<v Speaker 3>That was Dave Meyers director. She's like one of the

1:10:30.040 --> 1:10:32.320
<v Speaker 3>greatest video directors. It felt like some shit like when

1:10:32.360 --> 1:10:35.280
<v Speaker 3>I was like, it felt like some guilty, conscious shit planning.

1:10:35.400 --> 1:10:38.559
<v Speaker 1>So when we all get together, we don't have no

1:10:38.600 --> 1:10:42.000
<v Speaker 1>problem with being funny and being hard at the same

1:10:42.080 --> 1:10:44.920
<v Speaker 1>time because we know what people love from us. Like

1:10:44.960 --> 1:10:47.599
<v Speaker 1>me and Dre always know that people love us when

1:10:47.600 --> 1:10:49.760
<v Speaker 1>we make records together and we rap back and forth.

1:10:49.760 --> 1:10:53.120
<v Speaker 1>But when we ever in something cinematically, they love when

1:10:53.160 --> 1:10:54.559
<v Speaker 1>we had odds, they loved.

1:10:54.360 --> 1:10:56.600
<v Speaker 2>When like when we did the wash, the wash was

1:10:56.640 --> 1:10:56.960
<v Speaker 2>so good.

1:10:56.960 --> 1:10:59.519
<v Speaker 1>Come on one nigga, like just that the banter between

1:10:59.520 --> 1:11:02.240
<v Speaker 1>me and him, I'm like this person that person.

1:11:02.280 --> 1:11:04.439
<v Speaker 2>But we always love each other.

1:11:04.479 --> 1:11:10.560
<v Speaker 1>But we always have arguments, misunderstandings and disagreements that are funny.

1:11:10.680 --> 1:11:12.960
<v Speaker 2>They're never too serious. It's like, man, they don't really

1:11:13.000 --> 1:11:14.519
<v Speaker 2>like each other. Be like, oh, that shit was funny

1:11:14.520 --> 1:11:15.240
<v Speaker 2>as a motherfucker.

1:11:15.280 --> 1:11:17.000
<v Speaker 3>And then at the end the dude with the eminem

1:11:17.080 --> 1:11:19.519
<v Speaker 3>Jordan's and then fifty cent shit, You're like, You're like, yes,

1:11:19.560 --> 1:11:23.479
<v Speaker 3>those are four thousand dollars, forty dollars take that and

1:11:23.520 --> 1:11:25.880
<v Speaker 3>then and then it ends with fifty cents drops.

1:11:26.439 --> 1:11:29.160
<v Speaker 1>Great Doctor Dred bad motherfuck ain'ty did he write that

1:11:29.320 --> 1:11:30.840
<v Speaker 1>Doctor Dred is a bad motherfucker?

1:11:30.880 --> 1:11:31.920
<v Speaker 2>Man, I'm trying to tell y'all.

1:11:31.960 --> 1:11:35.559
<v Speaker 1>Man, he when it comes to him and Snoop Dogg,

1:11:36.320 --> 1:11:39.519
<v Speaker 1>he always make me look the best.

1:11:39.640 --> 1:11:41.040
<v Speaker 2>He make me sound the best.

1:11:41.080 --> 1:11:43.360
<v Speaker 1>Like it looked like all the lines and all this

1:11:43.360 --> 1:11:44.840
<v Speaker 1>shits look like, man that Nigga snooped up.

1:11:44.880 --> 1:11:47.960
<v Speaker 2>But this is his mind knowing this is what you're

1:11:47.960 --> 1:11:48.559
<v Speaker 2>supposed to see.

1:11:48.560 --> 1:11:50.800
<v Speaker 1>You gotta write a movie for y'all. Thank you say

1:11:50.840 --> 1:11:54.040
<v Speaker 1>it loud please. I told him that. I called him

1:11:54.080 --> 1:11:56.840
<v Speaker 1>last night because he was like, we do if we

1:11:56.880 --> 1:11:59.759
<v Speaker 1>do a movie, we need uh to get acting coaches

1:11:59.800 --> 1:12:02.160
<v Speaker 1>for And I'm like, Nigga, I don't need no motherfucking

1:12:02.160 --> 1:12:02.599
<v Speaker 1>acting coach.

1:12:02.680 --> 1:12:03.559
<v Speaker 2>Nigga, I'm in the game.

1:12:03.600 --> 1:12:04.599
<v Speaker 3>You just got to play yourself.

1:12:04.640 --> 1:12:05.320
<v Speaker 2>Stupid No.

1:12:05.439 --> 1:12:08.320
<v Speaker 1>But then he was like he this how dope he is.

1:12:09.320 --> 1:12:11.240
<v Speaker 1>We do need acting coaching because these are going to

1:12:11.280 --> 1:12:13.840
<v Speaker 1>be roles that no one has ever thought of. Oh

1:12:14.320 --> 1:12:16.400
<v Speaker 1>so he thinks like that, he ain't thinking about like

1:12:16.439 --> 1:12:18.479
<v Speaker 1>what you see right now. On that twelve minute movie.

1:12:18.640 --> 1:12:21.960
<v Speaker 1>We wouldn't even extend that. We would go somewhere else.

1:12:22.320 --> 1:12:24.160
<v Speaker 3>When's the last time you watched Bones.

1:12:24.800 --> 1:12:30.559
<v Speaker 2>Jimmy, motherfucking Bone. I had that show on VHS about

1:12:30.600 --> 1:12:31.760
<v Speaker 2>three years ago. Yeah.

1:12:31.760 --> 1:12:34.000
<v Speaker 3>I just wonder because like that was like your first time,

1:12:34.960 --> 1:12:36.759
<v Speaker 3>and I'm not gonna lie it wasn't a great movie.

1:12:37.120 --> 1:12:39.240
<v Speaker 2>To me, it was. Let me tell you why it

1:12:39.280 --> 1:12:39.559
<v Speaker 2>was great.

1:12:39.560 --> 1:12:40.719
<v Speaker 3>It's like it was like a hood classic.

1:12:40.840 --> 1:12:42.000
<v Speaker 2>Let me tell you why it was great.

1:12:42.200 --> 1:12:45.080
<v Speaker 1>I got to act with Pam Grigg huh oh yeah

1:12:45.120 --> 1:12:48.720
<v Speaker 1>for three months in Canada, and then I got to

1:12:48.800 --> 1:12:52.519
<v Speaker 1>work with Ricky Harris. So the cast, Clifton Pile. Yeah,

1:12:52.880 --> 1:12:56.880
<v Speaker 1>the cast helped me to become a better actor. Like

1:12:56.920 --> 1:12:58.880
<v Speaker 1>everything is steps and stages.

1:12:58.800 --> 1:13:01.240
<v Speaker 3>Like it Bones was before Baby Boy, right, Yeah.

1:13:01.040 --> 1:13:03.519
<v Speaker 1>So when you're challenge with working with great actors and

1:13:03.520 --> 1:13:07.920
<v Speaker 1>a great cinematographer. Ernest Dickerson directed that movie. Who did Juice,

1:13:08.920 --> 1:13:11.840
<v Speaker 1>did all the Spike Lee shit. He was a cinematographer.

1:13:12.280 --> 1:13:16.320
<v Speaker 1>So working with those quality of people helped me to

1:13:16.400 --> 1:13:19.320
<v Speaker 1>take my shit serious because before that I was just

1:13:19.360 --> 1:13:22.280
<v Speaker 1>playing snoop. Though I would just go do a regular

1:13:22.360 --> 1:13:25.280
<v Speaker 1>role and just do some basic shit. After that, my

1:13:25.439 --> 1:13:27.800
<v Speaker 1>roles began to take on like more depth, and I

1:13:27.840 --> 1:13:31.320
<v Speaker 1>got serious about learning my lines and doing characters that

1:13:31.920 --> 1:13:34.040
<v Speaker 1>were not me that was so distant from me that

1:13:34.080 --> 1:13:36.600
<v Speaker 1>you would believe that I was actually that Personalso, I.

1:13:36.560 --> 1:13:39.320
<v Speaker 3>Mean, yeah, you're like one of the all time movie assholes.

1:13:39.320 --> 1:13:40.240
<v Speaker 3>And baby Boy for sure.

1:13:40.320 --> 1:13:42.960
<v Speaker 2>No right would you let me watch your kids.

1:13:44.680 --> 1:13:47.880
<v Speaker 3>If it's the Snooping Underdogs? Sure, I don't know about baby.

1:13:48.120 --> 1:13:50.200
<v Speaker 2>The underdog Snoop and the baby boy Snoop.

1:13:50.560 --> 1:13:52.680
<v Speaker 3>It's like if the baby boy Snoop evolved, grew up

1:13:52.680 --> 1:13:53.679
<v Speaker 3>and like got a shit together.

1:13:53.760 --> 1:13:54.519
<v Speaker 2>Yeah that's what he is.

1:13:56.200 --> 1:13:58.320
<v Speaker 1>He didn't move out of Event's house and now coaching

1:13:58.320 --> 1:14:00.719
<v Speaker 1>little league football talking shit for sure.

1:14:00.800 --> 1:14:03.599
<v Speaker 3>Man, Well look, I appreciate you for sitting down with me. Man,

1:14:04.800 --> 1:14:07.120
<v Speaker 3>Yo album is dope. Can't wait to see what else

1:14:07.120 --> 1:14:09.839
<v Speaker 3>you got up to sleeve, Snoop. This is my bucket

1:14:09.840 --> 1:14:14.960
<v Speaker 3>list interview. I've always said the one interview, Snoop, so.

1:14:15.120 --> 1:14:17.679
<v Speaker 2>Stretch that off your bucket list, bootleg kids.

1:14:17.680 --> 1:14:18.640
<v Speaker 3>I hope it's not the last one.

1:14:18.680 --> 1:14:22.160
<v Speaker 1>Matte say no bootleg interview either. It's a real motherfucking interview.

1:14:22.640 --> 1:14:23.800
<v Speaker 3>Five hundred episode.

1:14:24.240 --> 1:14:26.479
<v Speaker 2>That's why I say it ain't bootleg, it's real, My

1:14:26.560 --> 1:14:27.280
<v Speaker 2>guy Snoop Dogg.

1:14:27.280 --> 1:14:28.840
<v Speaker 3>Appreciate you, brother, Appreciate you.

1:14:28.920 --> 1:14:30.000
<v Speaker 2>Loved one Fi