1 00:00:00,160 --> 00:00:02,680 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,720 --> 00:00:04,840 Speaker 1: am your host Movie Mike, and today I'm sitting down 3 00:00:04,840 --> 00:00:07,720 Speaker 1: with Tom Basdin and Tim Key. They are the stars 4 00:00:07,760 --> 00:00:10,440 Speaker 1: and writers of the Ballad of Wallace Island, which is 5 00:00:10,480 --> 00:00:14,040 Speaker 1: a fantastic movie in theaters right now. We'll talk about 6 00:00:14,080 --> 00:00:16,040 Speaker 1: all that went into making that movie and why you 7 00:00:16,040 --> 00:00:19,599 Speaker 1: should be supporting independent films like this right now. Some 8 00:00:19,680 --> 00:00:23,160 Speaker 1: great music in it, some great comedy. In the movie review. 9 00:00:23,320 --> 00:00:26,200 Speaker 1: We'll be talking about Snow White, which is getting dragged 10 00:00:26,239 --> 00:00:28,240 Speaker 1: through the mud right now, people calling it the worst 11 00:00:28,400 --> 00:00:31,479 Speaker 1: live action Disney movie of all time. I might be 12 00:00:31,560 --> 00:00:33,720 Speaker 1: defending it a little bit, but we'll get into that, 13 00:00:33,920 --> 00:00:36,160 Speaker 1: and then we'll keep the theme alive in the trailer park. 14 00:00:36,240 --> 00:00:38,880 Speaker 1: We'll talk about the Freaky Your Friday trailer, which has 15 00:00:38,960 --> 00:00:43,000 Speaker 1: Lindsay Loewen and Jamie Lee Curtis returning this summer. Thank 16 00:00:43,040 --> 00:00:45,720 Speaker 1: you for being here, Thank you for being subscribed. Shout 17 00:00:45,720 --> 00:00:48,440 Speaker 1: out to the Monday Morning Movie crew. And now let's 18 00:00:48,440 --> 00:00:49,960 Speaker 1: talk movies from. 19 00:00:49,800 --> 00:00:53,480 Speaker 2: The Dustville Podcast Network. This is Movie Mike. 20 00:00:53,640 --> 00:00:56,840 Speaker 1: Some movie pop about to get into my conversation with 21 00:00:56,880 --> 00:00:59,240 Speaker 1: Tim Key and Tom Basden. They are the stars of 22 00:00:59,280 --> 00:01:02,200 Speaker 1: the Ballat of Wall Island. Not only did they star 23 00:01:02,320 --> 00:01:04,760 Speaker 1: in the movie, they also wrote it. It started as 24 00:01:04,800 --> 00:01:07,040 Speaker 1: a short way back when and now is a full 25 00:01:07,120 --> 00:01:10,080 Speaker 1: length feature out in theaters right now, and I highly 26 00:01:10,120 --> 00:01:13,200 Speaker 1: recommend it. It's about Tim Key's character, who is this 27 00:01:13,400 --> 00:01:16,560 Speaker 1: superfan of a group called Maguire and Mortimer. They are 28 00:01:16,600 --> 00:01:19,440 Speaker 1: a duo. Tom Basden, who sits down with me in 29 00:01:19,480 --> 00:01:22,160 Speaker 1: this interview, is the male in the duo, and then 30 00:01:22,240 --> 00:01:24,760 Speaker 1: Carrie Mulligan is the female in the duo. And they 31 00:01:24,760 --> 00:01:27,040 Speaker 1: were a really big deal back in the late two 32 00:01:27,080 --> 00:01:30,520 Speaker 1: thousand's early twenty tens. They were like together, there's some 33 00:01:30,640 --> 00:01:33,959 Speaker 1: romantic tension, and then the duo broke up and haven't 34 00:01:33,959 --> 00:01:37,000 Speaker 1: seen each other since. But this guy won the lottery. 35 00:01:37,040 --> 00:01:40,360 Speaker 1: He is a superfan, kind of weird, so he invites 36 00:01:40,400 --> 00:01:43,400 Speaker 1: them to come play as Island for a lot of money, 37 00:01:43,840 --> 00:01:46,720 Speaker 1: and that is the first time they reunite. They get 38 00:01:46,840 --> 00:01:50,200 Speaker 1: hired to play this show, but can they pull it off. 39 00:01:50,560 --> 00:01:53,640 Speaker 1: The movie is a mix of comedy music and has 40 00:01:53,640 --> 00:01:57,040 Speaker 1: some really heartfelt moments. I found this movie to really 41 00:01:57,080 --> 00:02:01,120 Speaker 1: resonate with me because I am oddly nostalgic for music 42 00:02:01,240 --> 00:02:04,960 Speaker 1: of the twenty tens, particularly indie music of the twenty tens, 43 00:02:05,160 --> 00:02:08,359 Speaker 1: which anytime I hear an acoustic guitar and some mellow 44 00:02:08,480 --> 00:02:11,800 Speaker 1: music and mellow lyrics. Uh, that takes me back to college. 45 00:02:12,120 --> 00:02:14,400 Speaker 1: But Tim and Tom are from the UK that've been 46 00:02:14,400 --> 00:02:18,240 Speaker 1: in the US touring this movie, going around to screenings, 47 00:02:18,280 --> 00:02:21,160 Speaker 1: telling people about it, and I just think it's really 48 00:02:21,200 --> 00:02:23,640 Speaker 1: great that a movie like this can be made right now, 49 00:02:23,840 --> 00:02:26,440 Speaker 1: So let's get into it now. My conversation with Tim 50 00:02:26,520 --> 00:02:28,920 Speaker 1: Key and Tom Baz then the stars of the ballot 51 00:02:28,919 --> 00:02:31,280 Speaker 1: of Wallace Island, sitting down with them and my favorite 52 00:02:31,360 --> 00:02:34,800 Speaker 1: theater in Nashville, the Bell Court. If I said Bob Barker, 53 00:02:34,800 --> 00:02:35,800 Speaker 1: would you get the reference? 54 00:02:36,480 --> 00:02:42,120 Speaker 3: Yeah, well, because he's beat up at him so there, Well, yeah, 55 00:02:42,280 --> 00:02:44,080 Speaker 3: a lot of that conversations about but Buka. 56 00:02:44,080 --> 00:02:48,080 Speaker 1: Yeah, we're we'll going to those listening or to those watching, 57 00:02:48,160 --> 00:02:50,080 Speaker 1: we are holding really long marcrophones. 58 00:02:50,440 --> 00:02:51,600 Speaker 2: That is the Bob Barker reference. 59 00:02:52,480 --> 00:02:54,400 Speaker 1: You guys being from the UK, I wondered, like, does 60 00:02:54,480 --> 00:02:55,760 Speaker 1: Bob Barker get over there? 61 00:02:56,160 --> 00:02:56,320 Speaker 4: No? 62 00:02:56,919 --> 00:02:59,880 Speaker 3: Well no, but if there was a guy in the 63 00:03:00,040 --> 00:03:01,560 Speaker 3: UK who has a longer microphone than. 64 00:03:01,440 --> 00:03:05,959 Speaker 4: This than this, yeah, we're he's not around it anymore. We're 65 00:03:05,960 --> 00:03:07,160 Speaker 4: not messing around In the UK. 66 00:03:07,480 --> 00:03:09,480 Speaker 1: It just goes like, as long, give me the longest 67 00:03:09,480 --> 00:03:10,800 Speaker 1: microphone you can find. 68 00:03:10,600 --> 00:03:12,880 Speaker 4: Tory Woken. It's longer and it's thiller. 69 00:03:12,919 --> 00:03:14,600 Speaker 1: Okay, I'm gonna go to Google area. 70 00:03:15,360 --> 00:03:17,680 Speaker 5: Freddie Merkley used to perform with a microphone on the 71 00:03:17,720 --> 00:03:19,799 Speaker 5: stand that didn't touch the ground. It's a different thing, 72 00:03:19,880 --> 00:03:21,440 Speaker 5: so it'd be like a kind of four foot long 73 00:03:21,480 --> 00:03:22,600 Speaker 5: stand that he would hold. 74 00:03:22,880 --> 00:03:26,440 Speaker 3: No, No, that doesn't, that doesn't doesn't the conversation at all. 75 00:03:28,360 --> 00:03:29,320 Speaker 2: Does it feel. 76 00:03:29,040 --> 00:03:31,160 Speaker 1: Weird to you guys that I feel like I know 77 00:03:31,520 --> 00:03:33,200 Speaker 1: each of you after watching this movie. 78 00:03:33,200 --> 00:03:35,280 Speaker 4: I think that's terrible because my character is quite specific. 79 00:03:37,440 --> 00:03:42,560 Speaker 1: How much how much of yourself did you put it 80 00:03:42,560 --> 00:03:44,280 Speaker 1: into each of your characters at all? 81 00:03:44,480 --> 00:03:47,040 Speaker 4: Well, I'm zero, but I think I think. 82 00:03:48,760 --> 00:03:51,760 Speaker 5: There's a huge amount of him in Charles, and there's 83 00:03:51,800 --> 00:03:53,200 Speaker 5: a fair bit of me and her. 84 00:03:53,360 --> 00:03:54,520 Speaker 6: I would say. 85 00:03:54,800 --> 00:03:57,040 Speaker 3: He was asked this last night and I thought I 86 00:03:57,080 --> 00:03:58,520 Speaker 3: was We haven't talked about this, but that was an 87 00:03:58,520 --> 00:04:01,760 Speaker 3: incredible insight when he's said that his character is seventeen 88 00:04:01,840 --> 00:04:05,400 Speaker 3: year old himself and my character is his mother at 89 00:04:05,400 --> 00:04:07,960 Speaker 3: the time, and I think it's I know his mother 90 00:04:08,240 --> 00:04:10,320 Speaker 3: love his mother's paces. But yeah, I can see there's 91 00:04:10,320 --> 00:04:11,760 Speaker 3: a lot of his mother in my character. 92 00:04:17,680 --> 00:04:20,599 Speaker 1: Now, you guys both have a background in comedy, which 93 00:04:20,600 --> 00:04:22,520 Speaker 1: I have toured doing stand up. The thing about doing 94 00:04:22,600 --> 00:04:25,440 Speaker 1: stand up is you get an immediate reaction. You know 95 00:04:25,520 --> 00:04:27,080 Speaker 1: if a joke is good or not based on how 96 00:04:27,080 --> 00:04:28,160 Speaker 1: the audience responds. 97 00:04:28,600 --> 00:04:30,600 Speaker 2: When you put out a movie. What is that like? 98 00:04:30,640 --> 00:04:33,039 Speaker 1: Now, when the movie's coming out, people are starting to 99 00:04:33,080 --> 00:04:35,920 Speaker 1: watch it, You're starting to hear rumblings of reviews. How 100 00:04:36,040 --> 00:04:38,520 Speaker 1: is that different from that instant comedy approach. 101 00:04:39,080 --> 00:04:43,960 Speaker 3: It's totally different and kind of mind blowing. We did 102 00:04:44,760 --> 00:04:47,719 Speaker 3: the first time we saw the film was in sun Dance, 103 00:04:48,400 --> 00:04:51,159 Speaker 3: And I think with any kind of new stand up show, 104 00:04:51,640 --> 00:04:54,160 Speaker 3: it just starts as a tiny acorn in front of 105 00:04:54,279 --> 00:04:57,159 Speaker 3: thirty or forty people and gradually grows, and you gradually 106 00:04:57,240 --> 00:05:00,520 Speaker 3: work out what works and what doesn't, and prove it 107 00:05:00,600 --> 00:05:02,560 Speaker 3: and get it better and better. By the end of it, 108 00:05:02,600 --> 00:05:04,359 Speaker 3: you might be planning to quite a big room, but 109 00:05:04,440 --> 00:05:07,880 Speaker 3: with complete assurance that everything sort of works. Whereas with 110 00:05:07,960 --> 00:05:11,039 Speaker 3: this we didn't have any screenings at all. We didn't 111 00:05:11,080 --> 00:05:13,520 Speaker 3: know what exactly we had. We knew we liked it, 112 00:05:13,800 --> 00:05:17,240 Speaker 3: but we didn't know you know, exactly how much would 113 00:05:17,279 --> 00:05:19,560 Speaker 3: sort of grow to be more affectionate of our own movie. 114 00:05:19,760 --> 00:05:21,120 Speaker 3: It's the first time we saw it was in front 115 00:05:21,120 --> 00:05:24,120 Speaker 3: of fourteen hundred people, and it's kind of petrifying because 116 00:05:24,839 --> 00:05:27,240 Speaker 3: you know, if you could be city, it could be 117 00:05:27,240 --> 00:05:29,719 Speaker 3: a very long hour and a half. You know, you're 118 00:05:29,760 --> 00:05:32,960 Speaker 3: waiting in that first ninety seconds to see whether this 119 00:05:33,080 --> 00:05:35,640 Speaker 3: movie can create any kind of a connection with an audience. 120 00:05:35,720 --> 00:05:38,680 Speaker 3: You hope it will, but yeah, that is the difference. 121 00:05:38,720 --> 00:05:42,360 Speaker 3: There's no you get everything all at once, right at 122 00:05:42,360 --> 00:05:44,200 Speaker 3: the end, when all of the work has been done, 123 00:05:44,240 --> 00:05:46,320 Speaker 3: and you're just sort of praying that people will like it. 124 00:05:46,480 --> 00:05:48,520 Speaker 1: And how does that feel watching yourself back for the 125 00:05:48,520 --> 00:05:50,839 Speaker 1: first time at Sunday and seeing like, oh. 126 00:05:50,760 --> 00:05:51,640 Speaker 2: Like that's my performance. 127 00:05:51,640 --> 00:05:54,440 Speaker 1: I'm seeing people reacting here like is this a motion 128 00:05:54,520 --> 00:05:55,440 Speaker 1: going to come across? 129 00:05:55,720 --> 00:05:58,840 Speaker 5: I mean it's yeah, it's really exciting, and I mean 130 00:05:58,839 --> 00:06:00,320 Speaker 5: I was just found it very movie when I was 131 00:06:00,320 --> 00:06:00,680 Speaker 5: watching it. 132 00:06:00,680 --> 00:06:02,880 Speaker 6: Some mus I don't like watching stuff that I'm in 133 00:06:03,080 --> 00:06:03,520 Speaker 6: very much. 134 00:06:06,560 --> 00:06:09,560 Speaker 4: If you see his body of work, isn't that weird though? 135 00:06:09,560 --> 00:06:11,800 Speaker 1: In the creative space where it almost feels weird to 136 00:06:11,839 --> 00:06:14,720 Speaker 1: take in your own work something you work so hard on, 137 00:06:15,120 --> 00:06:16,839 Speaker 1: and you're like, if I sit around listening to my 138 00:06:16,880 --> 00:06:18,919 Speaker 1: own jokes or watching my own movies, it feels like 139 00:06:18,960 --> 00:06:19,960 Speaker 1: I'm self absorbed here. 140 00:06:20,000 --> 00:06:20,840 Speaker 2: But it's like, I'm proud of that. 141 00:06:21,000 --> 00:06:22,840 Speaker 5: But I don't know if it's self absorption as much 142 00:06:22,880 --> 00:06:25,000 Speaker 5: as you just want to sort of you just want 143 00:06:25,040 --> 00:06:26,760 Speaker 5: to focus on the thing that you're working on in 144 00:06:26,800 --> 00:06:29,160 Speaker 5: a way, and once you've done it and you've finished it, 145 00:06:29,160 --> 00:06:30,800 Speaker 5: it's lovely to talk about it, and it's lovely to 146 00:06:30,839 --> 00:06:33,159 Speaker 5: sort of see people enjoying it. But in a way, 147 00:06:33,200 --> 00:06:35,680 Speaker 5: it can be quite torturous to watch stuff and go, oh, 148 00:06:35,720 --> 00:06:37,080 Speaker 5: that could have been a bit better, or I could 149 00:06:37,120 --> 00:06:39,159 Speaker 5: have done that there, or I could have you know. 150 00:06:39,240 --> 00:06:41,279 Speaker 5: And I think that's what's funny about when we watch 151 00:06:41,320 --> 00:06:43,840 Speaker 5: the film now, because we've both come from comedy, I 152 00:06:43,839 --> 00:06:45,760 Speaker 5: think it's actually a really good thing that we didn't 153 00:06:45,760 --> 00:06:47,840 Speaker 5: watch it with audiences at a point where we had 154 00:06:47,960 --> 00:06:50,320 Speaker 5: the chance to go back into the edit, because I 155 00:06:50,320 --> 00:06:51,800 Speaker 5: think we'd put some jokes back in. 156 00:06:51,920 --> 00:06:52,520 Speaker 6: It's the truth. 157 00:06:52,880 --> 00:06:54,279 Speaker 5: I think when you watch it with an audience and 158 00:06:54,320 --> 00:06:56,480 Speaker 5: they start laughing, you go, oh, they would have loved 159 00:06:56,520 --> 00:06:58,479 Speaker 5: that joke, and they would have loved that joke that 160 00:06:58,520 --> 00:07:01,080 Speaker 5: we can and you forget that. Actually, what you're doing 161 00:07:01,160 --> 00:07:04,040 Speaker 5: is you're crafting a story that's got to be sort 162 00:07:04,080 --> 00:07:05,880 Speaker 5: of coherent, and it's got to have a certain pace 163 00:07:05,880 --> 00:07:07,640 Speaker 5: and rhythm to it. And if you start cramming it 164 00:07:07,680 --> 00:07:09,520 Speaker 5: with jokes, because you can tell that they Audiers like 165 00:07:09,600 --> 00:07:14,400 Speaker 5: certain jokes, you then you unbalanced the whole thing. So actually, 166 00:07:14,640 --> 00:07:17,080 Speaker 5: I'm very glad that we didn't get the chance to 167 00:07:17,960 --> 00:07:20,280 Speaker 5: fiddle with the film after people had seen it. 168 00:07:20,560 --> 00:07:23,960 Speaker 3: We might have been quite greedy and self sabotaging. But 169 00:07:24,040 --> 00:07:26,120 Speaker 3: our director is very he's got a very good eye 170 00:07:26,120 --> 00:07:28,640 Speaker 3: for it and a very good he's more he's wiser 171 00:07:28,680 --> 00:07:31,640 Speaker 3: than us and sort of knows that actually, if we 172 00:07:31,640 --> 00:07:35,240 Speaker 3: get to a certain point in the movie by you know, 173 00:07:35,800 --> 00:07:38,480 Speaker 3: eighteen minutes, then that would just be much much better 174 00:07:38,520 --> 00:07:40,600 Speaker 3: for the movie. And so it doesn't help if us 175 00:07:40,640 --> 00:07:42,360 Speaker 3: two were saying it'd be great to have a decent 176 00:07:42,440 --> 00:07:45,920 Speaker 3: joke about a vacuum cleanerough to find next movie. 177 00:07:46,320 --> 00:07:49,600 Speaker 1: So going into the filming process talking about like, oh 178 00:07:49,600 --> 00:07:52,000 Speaker 1: we would have changed some things. Was everything that's in 179 00:07:52,040 --> 00:07:53,960 Speaker 1: the movie exactly what was on the page? 180 00:07:55,000 --> 00:07:58,560 Speaker 5: No, No, But but you know, a fair bit of it. 181 00:07:58,760 --> 00:08:01,440 Speaker 5: I think there's obvious, you know, you can tell watching it. 182 00:08:01,480 --> 00:08:01,920 Speaker 6: I think that. 183 00:08:01,880 --> 00:08:04,960 Speaker 5: There's a fair bit of improv particularly in that first 184 00:08:05,000 --> 00:08:08,480 Speaker 5: act between Herb and Charles. You know, there's there's scenes 185 00:08:08,520 --> 00:08:10,640 Speaker 5: where they go quite loose and they and we and 186 00:08:10,680 --> 00:08:13,920 Speaker 5: we sort of play around a bit. But a lot 187 00:08:13,920 --> 00:08:16,960 Speaker 5: of it is pretty you know, it's pretty tightly written, 188 00:08:17,000 --> 00:08:19,080 Speaker 5: and we wanted to kind of we wanted to be 189 00:08:19,120 --> 00:08:21,520 Speaker 5: able to sort of drive the story on at certain 190 00:08:21,560 --> 00:08:23,360 Speaker 5: times in the film and didn't want it to feel 191 00:08:23,440 --> 00:08:25,920 Speaker 5: loose at all. So you know, in the edit you're 192 00:08:25,960 --> 00:08:28,160 Speaker 5: kind of trying to calibrate when you when you want 193 00:08:28,200 --> 00:08:32,520 Speaker 5: little periods that feel quite meandering and feel quite characterful, 194 00:08:32,520 --> 00:08:35,680 Speaker 5: but nothing's much is happening, and periods when suddenly you 195 00:08:35,760 --> 00:08:37,599 Speaker 5: go through the gears and a lot happens in the 196 00:08:37,640 --> 00:08:38,840 Speaker 5: space of five or so minutes. 197 00:08:39,040 --> 00:08:40,360 Speaker 4: I'd say most of the improv is. 198 00:08:40,520 --> 00:08:43,000 Speaker 3: A lot of the improv is instead of a little 199 00:08:43,000 --> 00:08:46,520 Speaker 3: interaction that's two lines long, those lines might just get 200 00:08:46,720 --> 00:08:50,319 Speaker 3: chopped into five bits and just happen really really quickly, 201 00:08:51,000 --> 00:08:52,920 Speaker 3: like more and more like what a conversation would be like. 202 00:08:53,360 --> 00:08:56,040 Speaker 3: So you get I think, yeah, if it was written 203 00:08:56,080 --> 00:08:58,560 Speaker 3: like that it would be so weird on the page. 204 00:08:58,600 --> 00:09:00,760 Speaker 3: I think, so we know exactly what we want to say, 205 00:09:00,760 --> 00:09:02,280 Speaker 3: and then after we've done it a couple of takes, 206 00:09:02,559 --> 00:09:05,199 Speaker 3: maybe it then becomes a little bit more detailed. 207 00:09:05,240 --> 00:09:05,920 Speaker 6: I think that's true. 208 00:09:05,960 --> 00:09:08,400 Speaker 5: I think I think it's it's like a blueprint for 209 00:09:08,480 --> 00:09:10,719 Speaker 5: us that we stick to you pretty closely. But we 210 00:09:11,440 --> 00:09:14,960 Speaker 5: couldn't other actors couldn't do it because it's not like 211 00:09:15,040 --> 00:09:17,480 Speaker 5: we say the exact words as they're written, because it 212 00:09:17,559 --> 00:09:18,600 Speaker 5: just wouldn't kind of feel right. 213 00:09:18,679 --> 00:09:20,480 Speaker 3: But then when the other actors come in, they can 214 00:09:20,559 --> 00:09:24,960 Speaker 3: do it because that was really It's not like Carry 215 00:09:25,120 --> 00:09:27,319 Speaker 3: Mulligan is kind of going, how on earth are you 216 00:09:27,360 --> 00:09:27,680 Speaker 3: doing this? 217 00:09:29,800 --> 00:09:31,199 Speaker 2: That brings me to my next question. 218 00:09:31,280 --> 00:09:35,360 Speaker 1: With the scenes with Carrie and you figuring out the songs, 219 00:09:35,480 --> 00:09:38,240 Speaker 1: you know, rewriting after all this time, how much of 220 00:09:38,280 --> 00:09:41,640 Speaker 1: that was actually you two learning those songs for the 221 00:09:41,679 --> 00:09:42,240 Speaker 1: first time. 222 00:09:42,760 --> 00:09:45,240 Speaker 6: I mean, you're very perceptive, like. 223 00:09:46,760 --> 00:09:49,520 Speaker 4: It hadn't you prepared for that scene? 224 00:09:50,600 --> 00:09:52,800 Speaker 6: We hadn't. We hadn't had a lot of time. 225 00:09:53,360 --> 00:09:57,880 Speaker 5: The mad thing was that that Carry turned up the 226 00:09:57,920 --> 00:10:02,439 Speaker 5: evening before she started shooting, and she brought her baby, 227 00:10:03,200 --> 00:10:05,240 Speaker 5: who was a few weeks old maybe what seven eight 228 00:10:05,280 --> 00:10:07,800 Speaker 5: weeks on and you know, and as soon as she 229 00:10:07,880 --> 00:10:09,760 Speaker 5: was there, she threw herself into it, and we you know, 230 00:10:10,000 --> 00:10:12,760 Speaker 5: was very happy to kind of talk through characters and 231 00:10:12,760 --> 00:10:14,480 Speaker 5: rehearse some stuff and try out the songs and all 232 00:10:14,520 --> 00:10:16,080 Speaker 5: these things. But we didn't have a lot of time, 233 00:10:16,679 --> 00:10:18,719 Speaker 5: and we just had to kind of go with our 234 00:10:18,760 --> 00:10:20,640 Speaker 5: gut a little bit and what felt right and just 235 00:10:21,200 --> 00:10:24,559 Speaker 5: you know, as you say, hope that you can organically 236 00:10:24,600 --> 00:10:28,439 Speaker 5: create an atmosphere as two actors that feels very very 237 00:10:28,440 --> 00:10:29,200 Speaker 5: close to what the two. 238 00:10:29,160 --> 00:10:30,840 Speaker 6: Characters are doing. And I think I think we did 239 00:10:30,880 --> 00:10:31,199 Speaker 6: do that. 240 00:10:32,320 --> 00:10:34,800 Speaker 5: But it's it's a risk, you know, you don't quite 241 00:10:34,840 --> 00:10:36,600 Speaker 5: know what you're going to get. But that's that is 242 00:10:36,640 --> 00:10:38,560 Speaker 5: what's sort of lovely about it, I think for us, 243 00:10:38,640 --> 00:10:42,600 Speaker 5: and was particularly nice during the shooting was it was 244 00:10:42,720 --> 00:10:45,440 Speaker 5: it was a genuine surprise to all of the crew 245 00:10:45,480 --> 00:10:48,680 Speaker 5: and to Tim, like when we started playing songs in 246 00:10:48,720 --> 00:10:51,760 Speaker 5: front of him, you'd never heard us play songs before. 247 00:10:52,000 --> 00:10:55,560 Speaker 3: No, that's so there's that's that first time you see 248 00:10:55,600 --> 00:10:58,480 Speaker 3: my character listening to their music. That's also the first 249 00:10:58,480 --> 00:11:02,760 Speaker 3: time my nature's character, my character in real life me. 250 00:11:03,000 --> 00:11:05,000 Speaker 6: Yeah, I. 251 00:11:06,960 --> 00:11:07,640 Speaker 4: Heard it as well. 252 00:11:07,920 --> 00:11:10,559 Speaker 1: That is the moment that hit me the most emotionally 253 00:11:10,559 --> 00:11:13,040 Speaker 1: seeing you react to your love. Yeah, in the in 254 00:11:13,080 --> 00:11:14,640 Speaker 1: the first moment when you hear it, and then also 255 00:11:14,720 --> 00:11:15,800 Speaker 1: at the concert performance. 256 00:11:15,840 --> 00:11:19,359 Speaker 2: Where where do you go to there? Because I could feel. 257 00:11:19,080 --> 00:11:21,680 Speaker 1: The backstory of your character come out of what's what 258 00:11:21,760 --> 00:11:24,079 Speaker 1: he's been through. But where do you go to as 259 00:11:24,080 --> 00:11:25,600 Speaker 1: an actor to get that performance? 260 00:11:26,240 --> 00:11:28,280 Speaker 4: Yeah? Well, I don't know. 261 00:11:28,360 --> 00:11:30,760 Speaker 3: I mean, actually that first time where I see them 262 00:11:30,760 --> 00:11:32,920 Speaker 3: around the dinner table, I think there's a lot going on. 263 00:11:33,000 --> 00:11:36,720 Speaker 3: I feel like for me and Tom that we are 264 00:11:36,760 --> 00:11:41,400 Speaker 3: we are quite kind of passionate about this project. It's 265 00:11:41,480 --> 00:11:44,679 Speaker 3: taken a long time to come to fruition. I think 266 00:11:44,720 --> 00:11:45,400 Speaker 3: all of that is. 267 00:11:45,360 --> 00:11:46,000 Speaker 4: Going into it. 268 00:11:46,040 --> 00:11:50,160 Speaker 3: So when they're when they're singing, I loved hearing them sing. 269 00:11:50,160 --> 00:11:54,280 Speaker 3: But also there's like pinch yourself moment that you're the 270 00:11:54,360 --> 00:11:57,080 Speaker 3: movie is being made and that Carrie Mulligan is in 271 00:11:57,120 --> 00:11:59,760 Speaker 3: front of you singing with your pal and the music 272 00:11:59,800 --> 00:12:02,640 Speaker 3: so nice, And I think it was a real moment 273 00:12:02,720 --> 00:12:04,920 Speaker 3: for all of us where the crew were really invested. 274 00:12:04,960 --> 00:12:07,600 Speaker 3: We were shooting it really quickly, probably only did that 275 00:12:07,679 --> 00:12:11,000 Speaker 3: take about that scene about two or three times. And 276 00:12:11,120 --> 00:12:13,720 Speaker 3: Griff the director is like behind the camera just you 277 00:12:13,760 --> 00:12:16,120 Speaker 3: can see that he's kind of like welling up. It's 278 00:12:16,200 --> 00:12:18,720 Speaker 3: kind of a moment for all of us. So yeah, 279 00:12:18,720 --> 00:12:20,640 Speaker 3: there wasn't really a great deal of acting. It's just 280 00:12:20,679 --> 00:12:21,760 Speaker 3: sort of this is. 281 00:12:22,280 --> 00:12:25,040 Speaker 4: It was quite a moving moment. I wasn't. I wasn't. 282 00:12:25,640 --> 00:12:29,640 Speaker 3: I wasn't drawing on other times where you know, beloved 283 00:12:29,640 --> 00:12:32,960 Speaker 3: folk duos had sung to me, this is insane that 284 00:12:33,000 --> 00:12:33,720 Speaker 3: this is happening. 285 00:12:33,920 --> 00:12:34,760 Speaker 4: So it kind of came. 286 00:12:35,559 --> 00:12:38,640 Speaker 3: I think if it was hard to draw emotion, I 287 00:12:38,720 --> 00:12:39,480 Speaker 3: think I'd struggle. 288 00:12:39,800 --> 00:12:41,000 Speaker 4: It sort of came quite naturally. 289 00:12:41,280 --> 00:12:43,000 Speaker 1: Can you guys speak on that a little bit, because 290 00:12:43,000 --> 00:12:45,880 Speaker 1: I don't think people realize not only how hard it 291 00:12:45,920 --> 00:12:48,200 Speaker 1: is to get a movie greenlit, how hard it is 292 00:12:48,200 --> 00:12:50,160 Speaker 1: to get a movie made, but to get a movie 293 00:12:50,160 --> 00:12:52,400 Speaker 1: in theaters, and to be here sitting here today talking 294 00:12:52,440 --> 00:12:54,960 Speaker 1: about that, like hearing you reflecting on that moment on 295 00:12:55,000 --> 00:12:57,920 Speaker 1: the set, which is huge. Yeah, Like how important is 296 00:12:57,960 --> 00:12:59,600 Speaker 1: it to support a movie like this? 297 00:13:00,200 --> 00:13:00,320 Speaker 3: Oh? 298 00:13:00,360 --> 00:13:02,000 Speaker 6: Well, I think it's it's vitally important. 299 00:13:02,040 --> 00:13:04,680 Speaker 5: And I think it's been so lovely for us to 300 00:13:04,880 --> 00:13:07,480 Speaker 5: go to screenings this last week and see these full 301 00:13:07,520 --> 00:13:10,000 Speaker 5: cinemas of people just really enjoying it. 302 00:13:09,960 --> 00:13:13,720 Speaker 6: But also genuinely, you know, surprised. 303 00:13:13,120 --> 00:13:16,120 Speaker 5: By this, this this story that they knew nothing about, 304 00:13:16,160 --> 00:13:18,400 Speaker 5: and going into the cinema completely blind, you know, not 305 00:13:18,480 --> 00:13:21,920 Speaker 5: seeing a reboot or a sequel or something that they 306 00:13:22,080 --> 00:13:24,040 Speaker 5: kind of know what it is. After five minutes, they're 307 00:13:24,040 --> 00:13:28,720 Speaker 5: seeing a completely new story and and just going with it, 308 00:13:28,800 --> 00:13:30,920 Speaker 5: just being taken up by it and being carried along 309 00:13:30,920 --> 00:13:32,760 Speaker 5: by the other people in the room. And there's something 310 00:13:32,800 --> 00:13:36,640 Speaker 5: that's just just magical about that. And you know, I'm 311 00:13:36,720 --> 00:13:38,960 Speaker 5: quite greedy for it, I think, having seen it, you know, 312 00:13:39,240 --> 00:13:41,120 Speaker 5: experienced it the last few days, I just feel like 313 00:13:41,480 --> 00:13:43,480 Speaker 5: I just I just really want to want everyone to 314 00:13:43,480 --> 00:13:44,040 Speaker 5: see it that way. 315 00:13:44,120 --> 00:13:46,240 Speaker 3: Yeah, yeah, I think I think we don't take it 316 00:13:46,240 --> 00:13:49,200 Speaker 3: for granted. And I think, you know, we do lots 317 00:13:49,240 --> 00:13:52,079 Speaker 3: of different things in lots of different areas live and TV, 318 00:13:52,200 --> 00:13:54,920 Speaker 3: and I think you sort of know when you're doing 319 00:13:54,960 --> 00:13:58,160 Speaker 3: this one that with kind of something is connecting. And 320 00:13:58,400 --> 00:14:00,800 Speaker 3: I feel very lucky that, I mean, this could not 321 00:14:00,920 --> 00:14:01,679 Speaker 3: see the light of day. 322 00:14:01,720 --> 00:14:02,280 Speaker 4: We could make it. 323 00:14:03,320 --> 00:14:03,640 Speaker 6: Obviously. 324 00:14:03,679 --> 00:14:05,640 Speaker 3: The first thing is no one could have filmed it 325 00:14:05,679 --> 00:14:08,319 Speaker 3: because no one likes the script. Once it's filmed, there's 326 00:14:08,320 --> 00:14:10,600 Speaker 3: a chance it's a movie which not many people see, 327 00:14:10,960 --> 00:14:13,360 Speaker 3: so to see it playing in a cinema is kind 328 00:14:13,400 --> 00:14:14,920 Speaker 3: of I don't think we take it for granted. 329 00:14:15,360 --> 00:14:16,559 Speaker 4: No, I don't think we do take it for grant. 330 00:14:16,600 --> 00:14:18,600 Speaker 3: Of course, now you know it may never happen again 331 00:14:18,679 --> 00:14:19,000 Speaker 3: for us. 332 00:14:19,840 --> 00:14:23,200 Speaker 1: So I think I love the movie, and a great 333 00:14:23,240 --> 00:14:28,440 Speaker 1: movie inspires you to do something. Do the number seven, eleven, eighteen, 334 00:14:28,560 --> 00:14:32,640 Speaker 1: twenty seven, forty five, forty forty eight, forty seven, forty. 335 00:14:32,480 --> 00:14:33,160 Speaker 2: Eight mean anything? 336 00:14:33,240 --> 00:14:34,400 Speaker 6: You are lucky numbers. 337 00:14:34,680 --> 00:14:36,640 Speaker 2: They're a lucky number. Where do those originate from? 338 00:14:36,840 --> 00:14:37,760 Speaker 4: It's a great question. 339 00:14:38,080 --> 00:14:39,280 Speaker 6: What do you mean, why do we pick them? 340 00:14:39,360 --> 00:14:40,320 Speaker 2: Yeah? Why did you pick those? 341 00:14:41,680 --> 00:14:43,840 Speaker 6: Yeah? But he went and bought a lottery ticket in it? 342 00:14:44,000 --> 00:14:46,480 Speaker 3: Yeah sure, yeah, yeah when we made the short film 343 00:14:46,560 --> 00:14:49,360 Speaker 3: years ago, I must have bought the lottery ticket. But 344 00:14:51,080 --> 00:14:53,400 Speaker 3: it feels like they could numbers now. I like when 345 00:14:53,440 --> 00:14:55,880 Speaker 3: I'm like saying them on screen. They've got a good 346 00:14:55,920 --> 00:14:58,040 Speaker 3: rhythm to them. I love forty seven and forty eight. 347 00:14:58,400 --> 00:14:59,600 Speaker 3: Who could think of writing that? 348 00:15:00,080 --> 00:15:03,160 Speaker 4: Brilliant? But no, there's there, They're not. 349 00:15:04,960 --> 00:15:06,640 Speaker 3: Or are they such long a time a game? Maybe 350 00:15:06,640 --> 00:15:09,680 Speaker 3: they are significant? Maybe don't we each picked one or something? 351 00:15:09,800 --> 00:15:11,120 Speaker 6: Maybe it might have been a lucky dip. 352 00:15:11,120 --> 00:15:12,400 Speaker 5: In the UK, you can do a thing called the 353 00:15:12,440 --> 00:15:14,360 Speaker 5: lucky dip where you get the computer to pick your 354 00:15:14,440 --> 00:15:14,960 Speaker 5: numbers for you. 355 00:15:15,040 --> 00:15:18,239 Speaker 3: It might have been that, yeah, but yeah, the directors 356 00:15:18,880 --> 00:15:20,000 Speaker 3: is starting to play those numbers. 357 00:15:20,080 --> 00:15:22,240 Speaker 2: Now, well, I believe in doing things. 358 00:15:23,600 --> 00:15:24,240 Speaker 4: Into the inside. 359 00:15:24,360 --> 00:15:26,640 Speaker 1: I went today, here we go, and I got the lottery, 360 00:15:27,200 --> 00:15:30,840 Speaker 1: played the numbers as the game happened. Yet there's one. 361 00:15:30,880 --> 00:15:33,520 Speaker 1: I bought two tickets, so one is happening tonight, and 362 00:15:33,560 --> 00:15:35,120 Speaker 1: there's one happening Friday night. 363 00:15:35,240 --> 00:15:38,800 Speaker 5: And if you win, would you feel compelled susplicit with us? 364 00:15:39,000 --> 00:15:43,800 Speaker 1: I would feel compelled to hire you to come at Okay, great, 365 00:15:44,120 --> 00:15:47,160 Speaker 1: if you guys won the lottery, who would you hire 366 00:15:47,200 --> 00:15:48,200 Speaker 1: to come play your house? 367 00:15:49,440 --> 00:15:51,200 Speaker 4: Oh yeah, yeah, you go first? 368 00:15:52,400 --> 00:15:59,360 Speaker 5: I think, hmm, do you know what we were talking about, 369 00:15:59,360 --> 00:16:02,320 Speaker 5: Happy Gilmore? We were Adam Salma's got some really good 370 00:16:02,320 --> 00:16:04,400 Speaker 5: comedy songs that he did when he was first starting out, 371 00:16:04,400 --> 00:16:05,960 Speaker 5: and I'd quite like him to come around and he 372 00:16:06,000 --> 00:16:07,880 Speaker 5: could maybe do a couple of them and then we'd 373 00:16:07,880 --> 00:16:09,320 Speaker 5: sort of have dinner and that'd be nice. 374 00:16:09,320 --> 00:16:10,400 Speaker 6: I'd like to hang out with him. 375 00:16:10,440 --> 00:16:13,080 Speaker 1: So, you know, I saw him randomly at the airport, 376 00:16:13,120 --> 00:16:15,760 Speaker 1: and it was like seeing a ghost because it's like 377 00:16:15,840 --> 00:16:18,120 Speaker 1: somebody you've seen for so long in so many movies. 378 00:16:18,160 --> 00:16:20,120 Speaker 1: You're like, that person shouldn't be here right now. 379 00:16:20,960 --> 00:16:24,800 Speaker 3: Yeah, when you see a really famous person, is it's weird? Yeah, yeah, 380 00:16:24,840 --> 00:16:27,840 Speaker 3: it's because I had that when I first met Ricky Gives. 381 00:16:28,280 --> 00:16:29,840 Speaker 3: Just it doesn't it doesn't seem right that he's an 382 00:16:29,840 --> 00:16:31,960 Speaker 3: actual human being. He's still sat there. I'm thinking, that's 383 00:16:32,000 --> 00:16:35,400 Speaker 3: that is that's actual Ricky gives. I mean it sort 384 00:16:35,400 --> 00:16:37,360 Speaker 3: of goes away that feeling off well once you sort. 385 00:16:37,200 --> 00:16:37,800 Speaker 4: Of talk to someone. 386 00:16:38,040 --> 00:16:39,280 Speaker 6: Yeah, it's a weird feeling. 387 00:16:40,480 --> 00:16:43,400 Speaker 2: Dolly Parton probably Dolly Dolly is great. 388 00:16:43,480 --> 00:16:46,680 Speaker 1: She is somebody who like people who are really famous 389 00:16:46,720 --> 00:16:49,520 Speaker 1: and really successful, they do the little things. And she 390 00:16:49,640 --> 00:16:52,200 Speaker 1: came into our studio once and had no reason to 391 00:16:52,200 --> 00:16:54,840 Speaker 1: say hi to me. But I hear like these heels 392 00:16:54,880 --> 00:16:57,720 Speaker 1: coming down the hallway and then with her in them, yes, 393 00:16:57,800 --> 00:16:59,520 Speaker 1: and his voice comes down and says, who is in 394 00:16:59,560 --> 00:17:01,160 Speaker 1: there with wilder than mine? 395 00:17:01,400 --> 00:17:02,400 Speaker 2: And I'll never forget it. 396 00:17:03,000 --> 00:17:05,040 Speaker 1: She had no reason to talk to me, Like I'm 397 00:17:05,040 --> 00:17:07,480 Speaker 1: a producer in the back hanging out and she comes 398 00:17:07,480 --> 00:17:08,640 Speaker 1: by and like makes my day. 399 00:17:08,720 --> 00:17:11,840 Speaker 5: You have a scene by Dolly Dollywood in Nashville or 400 00:17:12,359 --> 00:17:13,240 Speaker 5: it's in Gatlinburg. 401 00:17:13,280 --> 00:17:15,760 Speaker 1: So it's just like, we can't make it there tonight. 402 00:17:15,800 --> 00:17:16,560 Speaker 1: If that's what you're on. 403 00:17:18,760 --> 00:17:21,240 Speaker 2: We had a movie at a wise Far How Far 404 00:17:21,320 --> 00:17:22,920 Speaker 2: was talking probably like four hours. 405 00:17:22,920 --> 00:17:25,960 Speaker 5: Oh okay, you're like, I hear it's close. 406 00:17:27,359 --> 00:17:29,800 Speaker 6: It's close for America, but that's not close for us. 407 00:17:29,840 --> 00:17:30,679 Speaker 6: That's a long wait for us. 408 00:17:30,800 --> 00:17:33,720 Speaker 1: Something else that stuck out for me for the movie 409 00:17:34,119 --> 00:17:37,159 Speaker 1: was the wardrobe. I feel like wardrobe gets overlook, like 410 00:17:37,160 --> 00:17:39,080 Speaker 1: nobody gives love to the wardrobe. 411 00:17:38,960 --> 00:17:41,440 Speaker 2: But for actors, does that put. 412 00:17:41,280 --> 00:17:43,360 Speaker 1: You in the mindset of your character of like when 413 00:17:43,359 --> 00:17:45,399 Speaker 1: you put on the clothes they're wearing, to kind of 414 00:17:45,400 --> 00:17:46,440 Speaker 1: transform into them. 415 00:17:46,840 --> 00:17:47,080 Speaker 4: Yeah. 416 00:17:47,320 --> 00:17:50,560 Speaker 3: The first time we did it was with the short film, 417 00:17:50,680 --> 00:17:53,880 Speaker 3: which we've seen like several times over the years, and yeah, 418 00:17:53,880 --> 00:17:57,040 Speaker 3: that's definitely my Dad's Cardigan where I must have gone 419 00:17:57,080 --> 00:18:01,280 Speaker 3: home for the weekend right before shooting and raided is 420 00:18:01,280 --> 00:18:03,960 Speaker 3: is wardrobe basically, So it kind of feels like, yeah, 421 00:18:04,040 --> 00:18:07,200 Speaker 3: sort of sentimental watching that one and this one. They 422 00:18:07,200 --> 00:18:10,080 Speaker 3: had seen it the wardrobe department, that short film, and 423 00:18:10,119 --> 00:18:14,359 Speaker 3: then they just created Yeah beautiful. I mean, weirdly, my 424 00:18:14,640 --> 00:18:17,359 Speaker 3: Charles's costume is also herbs costume for the majority of 425 00:18:17,400 --> 00:18:19,919 Speaker 3: the film because he gets wet and has to go 426 00:18:19,960 --> 00:18:22,280 Speaker 3: into my clothes, so it's kind of a sea of 427 00:18:22,320 --> 00:18:26,239 Speaker 3: these yeah, Charles Heath clothes and it looks Yeah, I 428 00:18:26,280 --> 00:18:29,880 Speaker 3: agree when you Yeah, they've done a really great job 429 00:18:29,920 --> 00:18:30,520 Speaker 3: on the costume. 430 00:18:30,920 --> 00:18:31,840 Speaker 6: Yeah. I think you're right, though. 431 00:18:31,880 --> 00:18:34,200 Speaker 5: I think that people often focus on costume when it's 432 00:18:34,600 --> 00:18:36,840 Speaker 5: like sci fi or something, or like Wicked or something 433 00:18:36,840 --> 00:18:40,760 Speaker 5: where it's just like completely otherworldly kind of costume as 434 00:18:40,840 --> 00:18:44,919 Speaker 5: opposed to character for costume, which is just clothes that 435 00:18:45,000 --> 00:18:47,399 Speaker 5: exists in the world, but they're just selected in such 436 00:18:47,440 --> 00:18:48,280 Speaker 5: a way they tell you so. 437 00:18:48,280 --> 00:18:49,119 Speaker 6: Much about the character. 438 00:18:49,320 --> 00:18:52,680 Speaker 5: Yeah, and I love that about particularly Charles's costume, and 439 00:18:52,960 --> 00:18:55,119 Speaker 5: it's the kind of you know, the cardigans with the 440 00:18:55,160 --> 00:18:56,520 Speaker 5: whale embroidered into. 441 00:18:56,400 --> 00:18:58,000 Speaker 1: And I'd say, I saw you were green cardigan. I'm like, 442 00:18:58,000 --> 00:18:59,760 Speaker 1: I gotta find the like I want to wear there. 443 00:19:00,560 --> 00:19:03,480 Speaker 3: Yeah, that first the first shot of that, when you 444 00:19:03,480 --> 00:19:06,240 Speaker 3: see Charles for the first time facing away from camera 445 00:19:06,359 --> 00:19:09,479 Speaker 3: putting the record on. That's a pretty spectacular cardigan. 446 00:19:09,680 --> 00:19:09,879 Speaker 6: It is. 447 00:19:09,920 --> 00:19:11,200 Speaker 4: It's a lot of while on the back. 448 00:19:11,280 --> 00:19:14,000 Speaker 3: Yeah, there was talk at some point of that being much, 449 00:19:14,600 --> 00:19:15,720 Speaker 3: so I'll look. 450 00:19:15,560 --> 00:19:19,400 Speaker 5: Into that that exact one or getting loads of them. 451 00:19:19,560 --> 00:19:24,399 Speaker 4: I mean, merch can't just be one. Getting loads of 452 00:19:24,440 --> 00:19:27,920 Speaker 4: them is not right. The bedrock of merchandise Oka. 453 00:19:28,240 --> 00:19:31,280 Speaker 1: Was Maguire and Mortimer, based on any real duo, because 454 00:19:31,280 --> 00:19:33,959 Speaker 1: I have an affinity for anything. Twenty ten's like that 455 00:19:34,000 --> 00:19:36,399 Speaker 1: was when I was in college. That's like the music 456 00:19:36,440 --> 00:19:38,040 Speaker 1: I go to when I need to feel comfort? Was 457 00:19:38,040 --> 00:19:39,440 Speaker 1: it based on the specific being? 458 00:19:39,720 --> 00:19:41,600 Speaker 6: I mean, I'm the same, I'm sort of very much. 459 00:19:42,200 --> 00:19:44,280 Speaker 5: You know, sometimes in my head I still think it's 460 00:19:44,359 --> 00:19:47,040 Speaker 5: kind of twenty ten, and then I forget in terms 461 00:19:47,040 --> 00:19:48,639 Speaker 5: of a lot of the music that I've sort of 462 00:19:49,000 --> 00:19:50,560 Speaker 5: you know, it's kind of glued to my brain. 463 00:19:50,600 --> 00:19:51,840 Speaker 6: It's sort of from that period. 464 00:19:52,920 --> 00:19:55,560 Speaker 5: No specific bands, I think, but people like maybe Gillian 465 00:19:55,600 --> 00:19:57,960 Speaker 5: Watch and Dave all into that kind of like Double 466 00:19:58,000 --> 00:20:02,080 Speaker 5: Act and you know, I don't know a little bit 467 00:20:02,080 --> 00:20:06,720 Speaker 5: of David Crosbian and Roger mcgwinn kind of you know, 468 00:20:06,800 --> 00:20:10,240 Speaker 5: those kind of groups where those are sort of falling out. 469 00:20:10,240 --> 00:20:11,960 Speaker 5: Buckingham Nick's a little bit, you know what I mean, 470 00:20:12,040 --> 00:20:15,040 Speaker 5: like that kind of bands who were together and then 471 00:20:15,440 --> 00:20:18,600 Speaker 5: fellow fell out again. But yeah, in terms of the 472 00:20:18,680 --> 00:20:21,919 Speaker 5: kind of sound certainly sort of that I don't know, 473 00:20:22,040 --> 00:20:24,720 Speaker 5: sort of Ryan Adams, kind of like twenty ten sort 474 00:20:24,720 --> 00:20:26,359 Speaker 5: of period, that kind of if it's been quite a 475 00:20:26,359 --> 00:20:26,719 Speaker 5: lot of thing. 476 00:20:27,760 --> 00:20:29,760 Speaker 1: Well, I love the movie. I hope everybody goes to 477 00:20:29,800 --> 00:20:31,800 Speaker 1: watch it. I really appreciate the time. It's been really 478 00:20:31,840 --> 00:20:33,160 Speaker 1: great hanging out with you guys. 479 00:20:33,880 --> 00:20:34,919 Speaker 2: Thanks so much, Thank you. 480 00:20:38,680 --> 00:20:41,200 Speaker 1: Let's get into it now. A spoiler free movie review 481 00:20:41,280 --> 00:20:44,639 Speaker 1: of snow White, the new one live action in theaters now. 482 00:20:45,040 --> 00:20:46,840 Speaker 1: Although I don't really know if you can spoil this movie. 483 00:20:46,880 --> 00:20:49,680 Speaker 1: The original one came out in nineteen thirty seven. If 484 00:20:49,680 --> 00:20:52,119 Speaker 1: this movie is spoiled for you, it's probably because you 485 00:20:52,160 --> 00:20:55,240 Speaker 1: are the target audience, which is kids and families. I'm 486 00:20:55,240 --> 00:20:58,520 Speaker 1: not gonna be harsh on the spoiler rules on this 487 00:20:58,560 --> 00:21:01,640 Speaker 1: episode because it's an old story. It's almost one hundred 488 00:21:01,720 --> 00:21:04,600 Speaker 1: years old. So what this version is about. You have Galagadot, 489 00:21:04,600 --> 00:21:08,240 Speaker 1: who plays the evil Queen. Rachel Zegler is snow White, 490 00:21:08,800 --> 00:21:11,280 Speaker 1: living in perfect peace and harmony with her mom and 491 00:21:11,320 --> 00:21:15,879 Speaker 1: her dad until her mom falls ill. Her dad meets 492 00:21:15,960 --> 00:21:18,760 Speaker 1: up with Galagadot, they start hanging out, they get married, 493 00:21:18,800 --> 00:21:22,119 Speaker 1: but then he dies, so Galagadot, the evil queen takes 494 00:21:22,240 --> 00:21:26,159 Speaker 1: over and she ruins the kingdom. She turns all the 495 00:21:26,280 --> 00:21:29,679 Speaker 1: farmers into soldiers and takes all the riches for herself 496 00:21:30,240 --> 00:21:33,600 Speaker 1: and then vanishes. Snow White actually tries to kill her 497 00:21:34,000 --> 00:21:36,240 Speaker 1: after she's talking to her magic mirror and says, who 498 00:21:36,280 --> 00:21:38,520 Speaker 1: is the fairest of them all? And he's like, it's 499 00:21:38,560 --> 00:21:41,879 Speaker 1: not you anymore, lady. You were the most beautiful person, 500 00:21:41,920 --> 00:21:45,879 Speaker 1: the nicest person, up until snow White came around and 501 00:21:45,920 --> 00:21:48,120 Speaker 1: started to be more fair than you, and the Queen 502 00:21:48,200 --> 00:21:50,600 Speaker 1: can't have it. The Queen's like, no way, I gotta 503 00:21:50,640 --> 00:21:52,320 Speaker 1: be the fairest of them all. Look at this skin. 504 00:21:52,680 --> 00:21:54,920 Speaker 1: It is the best skin. You don't lie to me, 505 00:21:55,000 --> 00:21:59,199 Speaker 1: magic mirror. So what does she do? She plans and 506 00:21:59,240 --> 00:22:02,920 Speaker 1: tells one of her huntsmen takes no White out apple picking, 507 00:22:03,240 --> 00:22:06,080 Speaker 1: tell her to put on a really nice dress that's blue, yellow, 508 00:22:06,119 --> 00:22:08,760 Speaker 1: and red and go out and pick some apples, and 509 00:22:08,800 --> 00:22:11,320 Speaker 1: once she's done picking those apples, you kill her. But 510 00:22:11,359 --> 00:22:13,800 Speaker 1: then obviously she doesn't die, because otherwise she would have 511 00:22:13,800 --> 00:22:16,560 Speaker 1: died in the first act of the movie. But obviously 512 00:22:16,560 --> 00:22:18,800 Speaker 1: the huntsman gets a little bit of like, oh, I 513 00:22:18,800 --> 00:22:21,920 Speaker 1: can't kill her, go into the forest and never come back, 514 00:22:22,000 --> 00:22:24,199 Speaker 1: hide from the evil queen, and that is where she 515 00:22:24,400 --> 00:22:28,840 Speaker 1: encounters the seven dwarves, and you have to decide what 516 00:22:28,880 --> 00:22:30,359 Speaker 1: does she want to do. Does she want to go 517 00:22:30,440 --> 00:22:32,480 Speaker 1: back and fight against the queen? Does she want to 518 00:22:32,520 --> 00:22:34,880 Speaker 1: find out the truth about her dad? Is she going 519 00:22:34,920 --> 00:22:37,080 Speaker 1: to live up to the princess that everybody wants her 520 00:22:37,119 --> 00:22:39,840 Speaker 1: to be? I would say that is kind of where 521 00:22:40,320 --> 00:22:43,879 Speaker 1: this one differs from the original nineteen thirty seven version. 522 00:22:44,760 --> 00:22:47,560 Speaker 1: It plays and puts more of an emphasis on snow 523 00:22:47,600 --> 00:22:50,000 Speaker 1: White being a little bit more independent, which obviously you 524 00:22:50,000 --> 00:22:52,320 Speaker 1: would do in a twenty twenty five movie. I think 525 00:22:52,359 --> 00:22:55,280 Speaker 1: that is what Rachel Zegler was trying to say whenever 526 00:22:55,320 --> 00:22:58,200 Speaker 1: she was first interviewed about this film that I feel 527 00:22:58,240 --> 00:23:00,960 Speaker 1: put a lot of bad taste in people's mouths about 528 00:23:00,960 --> 00:23:03,600 Speaker 1: this where she kind of didn't really praise the first one. 529 00:23:03,640 --> 00:23:05,439 Speaker 1: She's like, the first one is so old, which she 530 00:23:05,520 --> 00:23:07,600 Speaker 1: is right. When you look at a lot of classic 531 00:23:08,000 --> 00:23:10,560 Speaker 1: Disney movies that are based on these fairy tales, they 532 00:23:10,600 --> 00:23:14,760 Speaker 1: are very outdated. I think even the theme of having 533 00:23:14,800 --> 00:23:17,520 Speaker 1: seven doors is a little bit outdated, and you run 534 00:23:17,560 --> 00:23:21,520 Speaker 1: into some controversies when trying to update these movies because 535 00:23:21,520 --> 00:23:23,719 Speaker 1: it's like, how do you honor the original ones but 536 00:23:23,800 --> 00:23:27,400 Speaker 1: also update them to reflect today's moderns and today's standards. 537 00:23:28,000 --> 00:23:28,960 Speaker 2: I think that is what. 538 00:23:28,880 --> 00:23:32,080 Speaker 1: She was trying to say, but it came across as 539 00:23:33,080 --> 00:23:34,959 Speaker 1: she didn't want to be a part of this movie, 540 00:23:35,400 --> 00:23:37,840 Speaker 1: didn't like the original one, and was kind of hating 541 00:23:37,920 --> 00:23:40,159 Speaker 1: on the entire ideology, which I think was just a 542 00:23:40,160 --> 00:23:42,159 Speaker 1: bad way to answer that. You could have answered that 543 00:23:42,240 --> 00:23:45,520 Speaker 1: much differently while not sounding like you're trashing the movie 544 00:23:45,560 --> 00:23:48,120 Speaker 1: that you're about to make an adaptation do I would 545 00:23:48,119 --> 00:23:49,879 Speaker 1: have been like, you know, the first one, it is 546 00:23:49,920 --> 00:23:52,800 Speaker 1: a classic and there's a reason for it being a classic. 547 00:23:52,880 --> 00:23:56,640 Speaker 1: But I wanted to approach this role differently and bring 548 00:23:56,680 --> 00:24:00,680 Speaker 1: new life into snow White, the character me, I don't 549 00:24:00,720 --> 00:24:02,679 Speaker 1: look traditionally what you would think of snow White, and 550 00:24:02,680 --> 00:24:05,639 Speaker 1: we want to also update the values and not have 551 00:24:05,720 --> 00:24:08,679 Speaker 1: it so focused on her needing saving. So that is 552 00:24:08,720 --> 00:24:11,480 Speaker 1: what they kind of tried to a little bit steer 553 00:24:11,560 --> 00:24:13,399 Speaker 1: this story in, but I don't really think they nailed 554 00:24:13,400 --> 00:24:17,320 Speaker 1: it because pretty much it's the same one beat for beat. 555 00:24:17,359 --> 00:24:19,879 Speaker 1: There's not really a moment that this one becomes its own, 556 00:24:20,280 --> 00:24:22,080 Speaker 1: which has been kind of the formula with all the 557 00:24:22,119 --> 00:24:24,879 Speaker 1: Disney live action remakes. They just take the first one 558 00:24:24,920 --> 00:24:28,320 Speaker 1: and to quote unquote, make them live action, slap the 559 00:24:28,320 --> 00:24:30,480 Speaker 1: sticker on it and put them out in theaters and 560 00:24:30,640 --> 00:24:33,480 Speaker 1: hope that nobody notices, and hope that people just enjoy 561 00:24:33,560 --> 00:24:36,000 Speaker 1: that first one so much that they don't really care 562 00:24:36,080 --> 00:24:38,919 Speaker 1: that they're seeing exactly what they've seen before. And I 563 00:24:39,080 --> 00:24:42,000 Speaker 1: realized it while sitting in this theater. I realized when 564 00:24:42,040 --> 00:24:45,320 Speaker 1: I saw all the outrage online people saying how bad 565 00:24:45,359 --> 00:24:47,919 Speaker 1: it was, because I was going into it thinking this 566 00:24:48,000 --> 00:24:50,600 Speaker 1: is going to be terrible. I've been pretty outspoken on 567 00:24:50,720 --> 00:24:52,919 Speaker 1: not liking a lot of these live action remakes. I 568 00:24:52,960 --> 00:24:55,920 Speaker 1: think Pinocchio by far is the worst of all time. 569 00:24:56,280 --> 00:24:59,440 Speaker 1: Little Mermaid had its moments, that's probably the best one 570 00:24:59,480 --> 00:25:02,280 Speaker 1: in recent history. But once I walked into that theater 571 00:25:02,400 --> 00:25:06,080 Speaker 1: and I saw families enjoying the film throughout and laughing, 572 00:25:06,480 --> 00:25:08,560 Speaker 1: I think the most heartwarming thing that kind of hit 573 00:25:08,600 --> 00:25:11,200 Speaker 1: me in the Feelds was afterwards I saw another group 574 00:25:11,280 --> 00:25:14,840 Speaker 1: of kids and parents coming in, and it was a 575 00:25:14,960 --> 00:25:17,359 Speaker 1: dad taking his daughters to go see this movie, and 576 00:25:17,400 --> 00:25:20,240 Speaker 1: they were taking a picture in front of the cardboard 577 00:25:20,320 --> 00:25:23,359 Speaker 1: cutout of the snow White display in the lobby and 578 00:25:23,400 --> 00:25:25,720 Speaker 1: they look so happy, And just the thought of a 579 00:25:25,800 --> 00:25:28,480 Speaker 1: dad taking his two daughters to go see this movie. 580 00:25:28,880 --> 00:25:31,200 Speaker 1: That is who this film is for. And the Disney 581 00:25:31,240 --> 00:25:35,080 Speaker 1: adults are gonna be outraged because it's not for them. 582 00:25:35,119 --> 00:25:37,360 Speaker 1: They don't really update it, they don't really add any 583 00:25:37,400 --> 00:25:41,280 Speaker 1: adult themes to it, so obviously you're gonna have a 584 00:25:41,440 --> 00:25:43,400 Speaker 1: problem with it. For the most part in my theater. 585 00:25:43,480 --> 00:25:45,960 Speaker 1: Even though this was a March release when I saw 586 00:25:46,000 --> 00:25:48,400 Speaker 1: it and kind of on part with all the other 587 00:25:48,480 --> 00:25:52,119 Speaker 1: March releases, is pretty lowly attended. Just by looking at 588 00:25:52,119 --> 00:25:55,399 Speaker 1: the first week numbers, who it was rough snow White 589 00:25:55,400 --> 00:25:59,199 Speaker 1: opened to forty three million dollars domestically, and before this 590 00:25:59,280 --> 00:26:01,719 Speaker 1: the two movies I saw that were also number one 591 00:26:01,720 --> 00:26:04,800 Speaker 1: at the box office. Novacane opened at eight point seven 592 00:26:04,800 --> 00:26:07,800 Speaker 1: million dollars and that was number one. A number one 593 00:26:07,880 --> 00:26:11,119 Speaker 1: movie made eight point seven million dollars. Eight point seven 594 00:26:11,840 --> 00:26:15,440 Speaker 1: million would maybe gets you top five maybe, And before that, 595 00:26:16,240 --> 00:26:18,960 Speaker 1: leading up to snow White, Mickey seventeen was also the 596 00:26:19,000 --> 00:26:22,480 Speaker 1: number one movie in America with nineteen million. That's pretty low. 597 00:26:23,240 --> 00:26:25,800 Speaker 1: I was surprised to see it make this much, And 598 00:26:25,840 --> 00:26:28,400 Speaker 1: I think it's because the people who are actually going 599 00:26:28,440 --> 00:26:31,560 Speaker 1: to see this movie aren't the people writing reviews online. 600 00:26:31,560 --> 00:26:34,800 Speaker 1: They aren't the people trashing it and saying how lifeless 601 00:26:34,800 --> 00:26:38,240 Speaker 1: it is. It is just families with young kids looking 602 00:26:38,280 --> 00:26:40,159 Speaker 1: to have a good time at the movie theater. And 603 00:26:40,200 --> 00:26:42,280 Speaker 1: I think I try to remember that when talking about 604 00:26:42,320 --> 00:26:45,240 Speaker 1: movies and recognizing when movies aren't for me. And I 605 00:26:45,240 --> 00:26:47,080 Speaker 1: think that is why I love going to the theater, 606 00:26:47,680 --> 00:26:50,920 Speaker 1: actually seeing the people who are putting their money where 607 00:26:50,960 --> 00:26:53,440 Speaker 1: their mouth is and going to the theater to watch 608 00:26:53,480 --> 00:26:56,159 Speaker 1: these movies, because sometimes I get so sucked into the 609 00:26:56,200 --> 00:26:59,440 Speaker 1: comments section of people replying to things, people posting things 610 00:26:59,440 --> 00:27:02,280 Speaker 1: on x on TikTok, and all the comments are just 611 00:27:02,320 --> 00:27:05,439 Speaker 1: like this is stupid, this is terrible, nobody wants this, 612 00:27:05,480 --> 00:27:08,159 Speaker 1: who asks for this? And sometimes I get in on 613 00:27:08,200 --> 00:27:09,960 Speaker 1: those as well, because there are moments that I feel 614 00:27:10,000 --> 00:27:12,240 Speaker 1: slighted against from Disney, and I think they are the 615 00:27:12,280 --> 00:27:14,639 Speaker 1: major offender. But if you look at those comments and 616 00:27:14,680 --> 00:27:16,960 Speaker 1: actually ask those people like, hey, what is the last 617 00:27:17,000 --> 00:27:18,960 Speaker 1: movie you saw in theaters? I don't go to the 618 00:27:18,960 --> 00:27:21,560 Speaker 1: movies anymore, so why are you commenting online? 619 00:27:21,640 --> 00:27:22,359 Speaker 2: Why do you care? 620 00:27:22,800 --> 00:27:25,639 Speaker 1: Why are you trying to take away that joy from somebody. 621 00:27:26,040 --> 00:27:28,600 Speaker 1: A kid going to this movie isn't good to look 622 00:27:28,600 --> 00:27:31,360 Speaker 1: at reviews. They see the poster, they see the trailer online, 623 00:27:31,400 --> 00:27:33,800 Speaker 1: or they see it while watching TV, and I'm like, 624 00:27:33,960 --> 00:27:35,399 Speaker 1: I want to go see that. I want to go 625 00:27:35,400 --> 00:27:37,639 Speaker 1: see the new Disney Princess movie. Because if you ask 626 00:27:37,720 --> 00:27:39,400 Speaker 1: the kid in that moment, what are they gonna say? 627 00:27:39,440 --> 00:27:42,959 Speaker 1: Five out of five hundred percent, I loved it. So 628 00:27:43,960 --> 00:27:46,560 Speaker 1: I think that is why I still love going to 629 00:27:46,600 --> 00:27:49,959 Speaker 1: the theater and actually seeing people take in these movies 630 00:27:50,040 --> 00:27:53,639 Speaker 1: and getting that audience response and listening to people laughing, 631 00:27:53,680 --> 00:27:56,280 Speaker 1: people cheering, because I think that is a bigger indicator 632 00:27:56,960 --> 00:27:59,679 Speaker 1: of what is actually happening with movies, instead of the 633 00:27:59,720 --> 00:28:03,240 Speaker 1: small comment section that we focus on so much. Every 634 00:28:03,240 --> 00:28:05,639 Speaker 1: time I see a negative comment, it just sticks with me. 635 00:28:06,119 --> 00:28:08,320 Speaker 1: There's still a comment that haunts me to this day. 636 00:28:08,680 --> 00:28:11,439 Speaker 1: I did a review of Priscilla and somebody compared me 637 00:28:12,040 --> 00:28:14,000 Speaker 1: to fat Elvis, and I think about that all the time, 638 00:28:14,040 --> 00:28:17,000 Speaker 1: the one just meet us comment ever, But it's always 639 00:28:17,000 --> 00:28:19,840 Speaker 1: that one comment. It's always the comment section with the 640 00:28:19,880 --> 00:28:23,040 Speaker 1: negative ones that stick with us and seem like the loudest. 641 00:28:23,080 --> 00:28:25,120 Speaker 1: But I don't think we need to always make those 642 00:28:25,160 --> 00:28:27,720 Speaker 1: the narrative for everything. And that is why I like 643 00:28:27,800 --> 00:28:32,439 Speaker 1: doing longer movie discussions here because there is new ones 644 00:28:33,080 --> 00:28:36,040 Speaker 1: two reviews. You can have good things to say about 645 00:28:36,080 --> 00:28:38,440 Speaker 1: a movie and also bad things to say. There will 646 00:28:38,440 --> 00:28:41,080 Speaker 1: always be multiple layers. But when you just see a score, 647 00:28:41,120 --> 00:28:44,120 Speaker 1: when you just see the outrage, it's like, man, that's 648 00:28:44,120 --> 00:28:47,800 Speaker 1: a bad representation of it. So overall, I felt the 649 00:28:47,800 --> 00:28:50,400 Speaker 1: movie just wasn't for me, and I don't think it's 650 00:28:50,440 --> 00:28:53,400 Speaker 1: the worst live action Disney remake that they've ever made. 651 00:28:53,560 --> 00:28:56,600 Speaker 1: I got a little bit into it the problem I had. 652 00:28:56,720 --> 00:29:00,800 Speaker 1: It just felt so awkward. The acting was pretty bad, 653 00:29:01,040 --> 00:29:03,640 Speaker 1: and I know everybody's ripping Galagadot to shred, saying she's 654 00:29:03,680 --> 00:29:07,760 Speaker 1: a terrible actor, saying she doesn't deserve the stars she 655 00:29:07,800 --> 00:29:11,520 Speaker 1: got on the Hollywood Walk of Fame posting compilations of 656 00:29:11,560 --> 00:29:14,320 Speaker 1: her acting like kaal hell no. And I think she 657 00:29:14,520 --> 00:29:17,600 Speaker 1: did what she needed to do in this movie, even 658 00:29:17,640 --> 00:29:20,000 Speaker 1: though it is pretty flat. But it wasn't just from her. 659 00:29:20,080 --> 00:29:22,440 Speaker 1: There was one moment where one of the huntsmen, and 660 00:29:22,520 --> 00:29:24,560 Speaker 1: I wrote down the line because it stuck with me 661 00:29:24,600 --> 00:29:27,880 Speaker 1: so much. He yelled to snow White, go before I 662 00:29:28,040 --> 00:29:31,560 Speaker 1: changed my mind and it just felt so empty. That 663 00:29:31,680 --> 00:29:33,600 Speaker 1: was probably the worst line of acting out of the 664 00:29:33,720 --> 00:29:36,160 Speaker 1: entire movie, and there was a lot of that from 665 00:29:36,440 --> 00:29:40,440 Speaker 1: everybody involved. And I also think coming off of Wicked, 666 00:29:40,840 --> 00:29:44,200 Speaker 1: there is such a higher standard for a musical. Even 667 00:29:44,240 --> 00:29:47,840 Speaker 1: looking at the budgets, this movie cost over two hundred 668 00:29:47,880 --> 00:29:52,120 Speaker 1: and fifty million dollars to make. Meanwhile, Wicked only cost 669 00:29:52,240 --> 00:29:54,560 Speaker 1: one hundred and forty five million dollars, which I know 670 00:29:55,040 --> 00:29:56,760 Speaker 1: they made two at the same time, so they probably 671 00:29:56,840 --> 00:29:59,720 Speaker 1: ended up spending like three hundred million. But whatever that 672 00:30:00,600 --> 00:30:03,120 Speaker 1: When you just look at the numbers, where did the 673 00:30:03,160 --> 00:30:06,240 Speaker 1: two hundred and fifty million dollars go. It wasn't to 674 00:30:06,320 --> 00:30:09,640 Speaker 1: the set design. The set design looked really empty. It 675 00:30:09,800 --> 00:30:14,040 Speaker 1: wasn't to the CGI because the seven dwarves looked creepy. 676 00:30:14,480 --> 00:30:16,880 Speaker 1: I was freaked out by them the entire time. I 677 00:30:16,920 --> 00:30:20,520 Speaker 1: think Dopey in the live action is probably the worst 678 00:30:20,520 --> 00:30:24,720 Speaker 1: Disney character ever put on screen. He took the slot 679 00:30:24,760 --> 00:30:27,720 Speaker 1: from Flounder from The Little Mermaid in twenty twenty three 680 00:30:28,040 --> 00:30:30,200 Speaker 1: that Flounder looked like he needed to be taken out 681 00:30:30,200 --> 00:30:33,080 Speaker 1: of his misery. But Dopey didn't work because all the 682 00:30:33,120 --> 00:30:38,600 Speaker 1: other seven Dwarfs, they looked more cartoonish and more like 683 00:30:38,680 --> 00:30:42,840 Speaker 1: mythical creatures. Dopey looked a little bit too human realistic, 684 00:30:42,960 --> 00:30:45,640 Speaker 1: and it just felt weird. I felt like at some 685 00:30:45,720 --> 00:30:47,760 Speaker 1: point he was gonna pull out a knife and stab 686 00:30:48,040 --> 00:30:51,120 Speaker 1: snow White himself. It just felt really creepy. And even 687 00:30:51,160 --> 00:30:53,240 Speaker 1: all the animals. And I know it's hard to make 688 00:30:53,800 --> 00:30:58,080 Speaker 1: lifelike animated animals, but you're Disney. You're spending two hundred 689 00:30:58,080 --> 00:31:01,240 Speaker 1: and fifty million dollars on a movie, and all the 690 00:31:01,320 --> 00:31:05,560 Speaker 1: characters looked so bad. And again, I know the kids 691 00:31:05,720 --> 00:31:08,800 Speaker 1: probably aren't gonna care so much about that. I've just 692 00:31:08,840 --> 00:31:12,280 Speaker 1: seen things look more realistic with a smaller budget, and 693 00:31:12,360 --> 00:31:14,520 Speaker 1: for something that's supposed to be a classic, and when 694 00:31:14,560 --> 00:31:16,320 Speaker 1: they put out a movie like this, it's supposed to 695 00:31:16,320 --> 00:31:19,160 Speaker 1: be able to live forever. This is not going to 696 00:31:19,200 --> 00:31:23,800 Speaker 1: live forever. The nineteen thirty seven hand drawn, hand animated movie. 697 00:31:24,200 --> 00:31:26,840 Speaker 1: There's a reason people can still go back and rewatch 698 00:31:26,920 --> 00:31:28,800 Speaker 1: that movie. I think when they made that it costs 699 00:31:28,800 --> 00:31:31,280 Speaker 1: a million dollars. There is just something being lost here. 700 00:31:31,320 --> 00:31:34,680 Speaker 1: Maybe they spent too much money getting Dot and I 701 00:31:34,680 --> 00:31:36,480 Speaker 1: think the reason they cast her, which is another thing. 702 00:31:36,520 --> 00:31:38,120 Speaker 1: People say, like, why do they keep casting her? I 703 00:31:38,160 --> 00:31:42,000 Speaker 1: think it's because she looks flawless, like her skin is flawless. 704 00:31:42,280 --> 00:31:44,680 Speaker 1: There were mega close ups on her, and you're like, man, 705 00:31:44,720 --> 00:31:46,720 Speaker 1: she is like the perfect human when it comes to 706 00:31:46,760 --> 00:31:49,280 Speaker 1: her face complexion and when you put her in all 707 00:31:49,280 --> 00:31:51,800 Speaker 1: the different costumes. That's the other thing. Wicked kind of ruined. 708 00:31:51,880 --> 00:31:56,400 Speaker 1: Had amazing set design, had amazing costume and wardrobe and makeup, 709 00:31:56,920 --> 00:31:59,880 Speaker 1: and it just felt like Wicked was the Broadway me 710 00:32:00,040 --> 00:32:03,120 Speaker 1: musical and this was the high school musical. And you 711 00:32:03,160 --> 00:32:06,160 Speaker 1: have movies coming out like Wicked that are top tier 712 00:32:06,240 --> 00:32:09,360 Speaker 1: that people are just itching to rewatch listening to the soundtrack. 713 00:32:09,800 --> 00:32:12,840 Speaker 1: Nobody except where these kids and families are going to 714 00:32:12,880 --> 00:32:15,600 Speaker 1: listen to the snow White soundtrack. I would say the 715 00:32:15,640 --> 00:32:18,880 Speaker 1: major standouts, of course, the classic high ho whistle, why 716 00:32:18,960 --> 00:32:21,000 Speaker 1: You Work, and outside from that, none of the other 717 00:32:21,080 --> 00:32:23,760 Speaker 1: songs really hit that hard. I kind of liked the 718 00:32:23,800 --> 00:32:26,560 Speaker 1: Princess Problem song. So it wasn't that the songs were bad, 719 00:32:26,680 --> 00:32:29,280 Speaker 1: they just weren't as memorable and at that a level 720 00:32:29,320 --> 00:32:31,440 Speaker 1: tier that you need for a musical right now. So 721 00:32:31,480 --> 00:32:33,200 Speaker 1: I went into it thinking it was going to be 722 00:32:33,240 --> 00:32:36,160 Speaker 1: the worst Disney Live Action remake. It is a little 723 00:32:36,160 --> 00:32:39,720 Speaker 1: bit lifeless. It is a little awkward, but I realize 724 00:32:39,760 --> 00:32:43,360 Speaker 1: again these kids and families don't care about that. They 725 00:32:43,480 --> 00:32:46,320 Speaker 1: still paid money to go see it. It did better 726 00:32:46,840 --> 00:32:49,480 Speaker 1: than I thought it was going to. I think in 727 00:32:49,520 --> 00:32:54,000 Speaker 1: its theatrical run it'll probably do okay, maybe earn back 728 00:32:54,040 --> 00:32:57,480 Speaker 1: its production budget. But again, I still feel like you 729 00:32:57,520 --> 00:33:01,160 Speaker 1: could probably wait to watch this on Disney Plus. For 730 00:33:01,400 --> 00:33:03,960 Speaker 1: snow White, I give it two point five out of 731 00:33:04,080 --> 00:33:05,600 Speaker 1: five Poison Apples. 732 00:33:09,320 --> 00:33:12,960 Speaker 2: It's time to head down to movie Mike Trayler, Paul, 733 00:33:13,680 --> 00:33:16,840 Speaker 2: you thought things were freaky before? Hey, did you think 734 00:33:16,880 --> 00:33:18,000 Speaker 2: things are freaky before? 735 00:33:18,440 --> 00:33:21,800 Speaker 1: They're about to get freakier freaky? Your Friday is coming 736 00:33:21,800 --> 00:33:23,600 Speaker 1: out in theaters on August eight. 737 00:33:23,440 --> 00:33:25,920 Speaker 2: Hey, you think things are freaking before? 738 00:33:26,520 --> 00:33:30,080 Speaker 1: I knew you thought things were freakyer. Lindsey Lohan is back, 739 00:33:30,560 --> 00:33:33,480 Speaker 1: Jamie Lee Curtis is back, and apparently I have lost 740 00:33:33,520 --> 00:33:37,760 Speaker 1: my mind because after watching the trailer for this, I 741 00:33:37,840 --> 00:33:40,520 Speaker 1: honestly thought it was gonna be continuing the theme here 742 00:33:40,560 --> 00:33:45,760 Speaker 1: of Disney Live Action remakes legacy sequels. I thought it 743 00:33:45,800 --> 00:33:48,680 Speaker 1: was gonna be rinse repeat something we've seen time and 744 00:33:48,720 --> 00:33:52,800 Speaker 1: time again. When I started looking up how many new 745 00:33:53,080 --> 00:33:57,240 Speaker 1: original movies Disney has released, I thought, maybe in the 746 00:33:57,280 --> 00:34:00,520 Speaker 1: last five years. It has been over a decade. We've 747 00:34:00,520 --> 00:34:03,440 Speaker 1: got a movie like the original Freaky Friday, which came 748 00:34:03,440 --> 00:34:06,120 Speaker 1: out in two thousand and three. Two thousand and three, 749 00:34:06,160 --> 00:34:08,879 Speaker 1: it's been twenty two years, and we do not get 750 00:34:08,880 --> 00:34:11,560 Speaker 1: Disney movies like this anymore. And I guess it's because 751 00:34:11,560 --> 00:34:14,719 Speaker 1: I grew up in such a privileged time where it 752 00:34:14,800 --> 00:34:17,560 Speaker 1: was the norm to get a live action Disney movie 753 00:34:17,840 --> 00:34:22,160 Speaker 1: that had no affiliation with any big Disney property. It 754 00:34:22,280 --> 00:34:25,839 Speaker 1: was in a Cinderella. It wasn't anything based on their 755 00:34:25,920 --> 00:34:30,080 Speaker 1: legacy movies. It was just these original fun movies. Sometimes 756 00:34:30,120 --> 00:34:32,399 Speaker 1: it was Tim Allen as a Dog, but a lot 757 00:34:32,400 --> 00:34:35,080 Speaker 1: in the early two thousands, it was Lindsay Lohan. It 758 00:34:35,160 --> 00:34:37,760 Speaker 1: was movies like Freaky Friday. If you look at Lindsay 759 00:34:37,760 --> 00:34:40,759 Speaker 1: Lohan's first five movies with Disney, which I'll also include 760 00:34:40,920 --> 00:34:43,840 Speaker 1: her Disney Channel original movies. In ninety eight, the Parent 761 00:34:43,840 --> 00:34:47,400 Speaker 1: Trap that was Disney two thousand Live Size, the Disney 762 00:34:47,440 --> 00:34:50,839 Speaker 1: Original Channel movie Great Movie. Followed that up with Get 763 00:34:50,840 --> 00:34:52,799 Speaker 1: a Clue in two thousand and two, then moved into 764 00:34:52,840 --> 00:34:55,719 Speaker 1: theaters with Freaky Friday in two thousand and three, and 765 00:34:55,719 --> 00:34:59,000 Speaker 1: then in two thousand and four, also with Disney, Confessions 766 00:34:59,000 --> 00:35:02,360 Speaker 1: of a Teenage Drama. That is a great five film 767 00:35:02,400 --> 00:35:06,279 Speaker 1: introduction for Lindsay Lohan, and we just haven't had those 768 00:35:06,360 --> 00:35:09,560 Speaker 1: original movies anymore. After that. She did Mean Girls in 769 00:35:09,560 --> 00:35:12,040 Speaker 1: two thousand and four. That's when she really blew up, 770 00:35:12,080 --> 00:35:14,919 Speaker 1: and she did also with Disney Herbie Fully Loaded, which 771 00:35:15,040 --> 00:35:17,080 Speaker 1: was a remake. But she also did movies like Just 772 00:35:17,120 --> 00:35:20,200 Speaker 1: My Look, A Grand Prairie Home, companion Bobby in two 773 00:35:20,280 --> 00:35:24,120 Speaker 1: thousand and six, Georgia Rule in two thousand and seven. 774 00:35:24,520 --> 00:35:26,399 Speaker 1: Also in two thousand and seven did a movie called 775 00:35:26,440 --> 00:35:28,480 Speaker 1: I Know Who Killed Me. In two thousand and nine, 776 00:35:28,480 --> 00:35:31,480 Speaker 1: she did Labor Pains. In twenty ten, she did Machete, 777 00:35:31,520 --> 00:35:35,040 Speaker 1: which was an interesting casting for her. And then finally 778 00:35:35,160 --> 00:35:38,279 Speaker 1: she did The Canyons in twenty thirteen, and that was 779 00:35:38,320 --> 00:35:41,600 Speaker 1: the last major movie that Lindsay Lohan put out. She 780 00:35:41,680 --> 00:35:44,680 Speaker 1: went away. She has since returned and had a bit 781 00:35:44,719 --> 00:35:47,920 Speaker 1: of a resurgence over on Netflix, movies like Falling for Christmas, 782 00:35:47,960 --> 00:35:51,480 Speaker 1: Irish Wish. When Freaky Your Friday comes out in theaters 783 00:35:51,520 --> 00:35:54,799 Speaker 1: this summer, this is gonna be her apex of her 784 00:35:54,880 --> 00:35:57,800 Speaker 1: career as part of her comeback. This is the first 785 00:35:57,800 --> 00:36:01,319 Speaker 1: time Lindsay Lohan is going to be in theaters for 786 00:36:01,440 --> 00:36:04,160 Speaker 1: over a decade. And I have to say, after watching 787 00:36:04,200 --> 00:36:07,560 Speaker 1: this trailer, it just feels good. It feels right. Does 788 00:36:07,600 --> 00:36:09,840 Speaker 1: it feel a little cash grabby? Yes, it does. But 789 00:36:09,920 --> 00:36:11,920 Speaker 1: before I get into that, here's just a little bit 790 00:36:11,960 --> 00:36:18,480 Speaker 1: of the Freakier Friday trailer. Oh my god, who's that? 791 00:36:19,080 --> 00:36:20,160 Speaker 1: Oh no, not again? 792 00:36:20,360 --> 00:36:21,040 Speaker 6: What's happening? 793 00:36:21,120 --> 00:36:24,399 Speaker 1: It's body, It's okay, it's me, harp, it's mom. Wait 794 00:36:24,520 --> 00:36:25,480 Speaker 1: what if you're. 795 00:36:25,400 --> 00:36:26,399 Speaker 4: Me and I'm you? 796 00:36:26,440 --> 00:36:28,960 Speaker 2: Then you was that? I'm grandma? 797 00:36:29,080 --> 00:36:35,600 Speaker 6: Sweetheart? My face looks like a broken bag that's been 798 00:36:35,719 --> 00:36:36,440 Speaker 6: left out in. 799 00:36:36,440 --> 00:36:37,840 Speaker 3: The sun to run. 800 00:36:38,560 --> 00:36:41,560 Speaker 1: So what this movie is about. It takes place years 801 00:36:41,600 --> 00:36:45,040 Speaker 1: after Tess, who is played by Jamie Lee Curtis, and Anna, 802 00:36:45,080 --> 00:36:48,040 Speaker 1: who is played by Lindsay Lohan, went through everything that 803 00:36:48,080 --> 00:36:51,719 Speaker 1: went down in Freaky Friday. Now Lindsay Lohan's character has 804 00:36:51,719 --> 00:36:54,279 Speaker 1: a daughter and as soon to be stepdaughter, and it 805 00:36:54,320 --> 00:36:57,520 Speaker 1: looks like the old people trade places with the young 806 00:36:57,560 --> 00:37:00,560 Speaker 1: people as heard in that clip. So pretty much happened 807 00:37:00,560 --> 00:37:02,480 Speaker 1: in the original movie, but now there are four people 808 00:37:02,480 --> 00:37:05,719 Speaker 1: involved instead of two, and oftentimes when you hear the 809 00:37:05,840 --> 00:37:08,400 Speaker 1: long awaited sequel, it's just a way for them to 810 00:37:08,960 --> 00:37:12,319 Speaker 1: build anticipation that isn't quite there. But I would have 811 00:37:12,400 --> 00:37:16,520 Speaker 1: to say Freaky or Friday is actually a sequel that 812 00:37:16,680 --> 00:37:19,360 Speaker 1: I saw people wanting. A lot of times from Disney, 813 00:37:19,400 --> 00:37:22,400 Speaker 1: we get sequels that nobody wanted, nobody asked for, and 814 00:37:22,440 --> 00:37:24,080 Speaker 1: then they're like a long awaited sequel. 815 00:37:24,120 --> 00:37:25,200 Speaker 2: Who was waiting for this? 816 00:37:25,440 --> 00:37:28,640 Speaker 1: Nobody was anticipating this sequel. But I think it's because 817 00:37:28,880 --> 00:37:33,040 Speaker 1: Lindsay Lohan has had this resurgence and her movies are 818 00:37:33,120 --> 00:37:35,680 Speaker 1: so nostalgic all the ones I've been talking about here, 819 00:37:36,239 --> 00:37:39,640 Speaker 1: that people actually want more from her. People are actually 820 00:37:39,719 --> 00:37:42,839 Speaker 1: rooting for her, and this movie actually looks like it's 821 00:37:42,880 --> 00:37:45,320 Speaker 1: gonna be a lot of fun. This is the first 822 00:37:45,360 --> 00:37:48,080 Speaker 1: time a movie that's come out in theaters from Disney 823 00:37:48,480 --> 00:37:51,520 Speaker 1: actually has a little bit of that magic that they 824 00:37:51,640 --> 00:37:54,239 Speaker 1: captured in the early two thousands. It feels like a 825 00:37:54,280 --> 00:37:57,760 Speaker 1: real live action Disney release that isn't just you're taking 826 00:37:57,800 --> 00:38:00,680 Speaker 1: an animated movie and making it live action. So I 827 00:38:00,719 --> 00:38:04,160 Speaker 1: think this is a great step for Disney. Also the 828 00:38:04,160 --> 00:38:06,560 Speaker 1: fact that they're not pushing this straight directly to Disney 829 00:38:06,560 --> 00:38:08,680 Speaker 1: Plus tells me that they spend some more money on it. 830 00:38:08,920 --> 00:38:11,160 Speaker 1: The only real problem I have with this, because I 831 00:38:11,120 --> 00:38:13,600 Speaker 1: gotta have a problem with it, is it looks just 832 00:38:13,640 --> 00:38:15,640 Speaker 1: a little bit too polished to me. And this is 833 00:38:15,680 --> 00:38:17,880 Speaker 1: something that's just a personal preference for me, and I 834 00:38:17,960 --> 00:38:20,279 Speaker 1: have to get over it in twenty twenty five. But 835 00:38:20,360 --> 00:38:22,640 Speaker 1: back in two thousand and three, the first Freaky Friday 836 00:38:22,680 --> 00:38:24,680 Speaker 1: movie and a lot of those movies that we grew 837 00:38:24,719 --> 00:38:28,319 Speaker 1: up with were actually filmed using real film. When you 838 00:38:28,360 --> 00:38:31,040 Speaker 1: compare a shot from that or from The Parent Trap 839 00:38:31,480 --> 00:38:36,160 Speaker 1: to twenty twenty five Freaky or Friday, they look vastly different. 840 00:38:36,239 --> 00:38:38,879 Speaker 1: Some would say the twenty twenty five frame would look 841 00:38:38,920 --> 00:38:41,640 Speaker 1: better because it's more clear, a little bit more vibrant. 842 00:38:41,880 --> 00:38:45,040 Speaker 1: But to me, there's just something about those old classic 843 00:38:45,080 --> 00:38:47,319 Speaker 1: movies we grew up with that actually looked like they 844 00:38:47,320 --> 00:38:50,160 Speaker 1: were filmed on film. And I know it's more expensive 845 00:38:50,320 --> 00:38:53,160 Speaker 1: to shoot it on real film. Also, it's a much 846 00:38:53,200 --> 00:38:55,440 Speaker 1: slower process where you could just do it digitally and 847 00:38:55,480 --> 00:38:57,520 Speaker 1: crank out this movie a lot faster, which is what 848 00:38:57,520 --> 00:38:59,680 Speaker 1: they're going for here. But every now and then I 849 00:38:59,719 --> 00:39:02,000 Speaker 1: wish when they did these remakes that they actually try 850 00:39:02,000 --> 00:39:04,759 Speaker 1: to make it look somewhat like the original, and I 851 00:39:04,760 --> 00:39:07,799 Speaker 1: think by shooting it on real film, what actually make 852 00:39:07,880 --> 00:39:10,040 Speaker 1: it feel like that. And it's not too much I'm 853 00:39:10,120 --> 00:39:12,719 Speaker 1: asking for here, I don't think so. But I just 854 00:39:12,760 --> 00:39:14,880 Speaker 1: feel like that adds a little bit to the lasting 855 00:39:14,920 --> 00:39:16,960 Speaker 1: effect of these movies and just doesn't feel like a 856 00:39:17,000 --> 00:39:19,360 Speaker 1: quick cash grab putting it out in theaters as quickly 857 00:39:19,360 --> 00:39:22,279 Speaker 1: as possible, trying to make a buck. Because when it 858 00:39:22,320 --> 00:39:24,839 Speaker 1: comes to these legacy sequels, they always kind of do 859 00:39:24,880 --> 00:39:27,239 Speaker 1: the same thing, and I'm okay with it in this situation, 860 00:39:27,719 --> 00:39:30,880 Speaker 1: whether it's Freaky Your Friday or when it's Girl Meets World, 861 00:39:31,360 --> 00:39:34,839 Speaker 1: whenever they bring back the legacy actors and now they 862 00:39:34,920 --> 00:39:37,439 Speaker 1: are older and have kids of their own, it's kind 863 00:39:37,440 --> 00:39:40,000 Speaker 1: of the same thing over and over again. Where it's 864 00:39:40,040 --> 00:39:41,880 Speaker 1: the young kids. In this case, it's going to be 865 00:39:41,920 --> 00:39:44,400 Speaker 1: the gen Z kids making fun of the millennials and 866 00:39:44,440 --> 00:39:47,040 Speaker 1: making fun of the boomer In this situation, Chad Michael 867 00:39:47,120 --> 00:39:50,239 Speaker 1: Murray in there, which that whole scene, it's like, oh man, 868 00:39:50,280 --> 00:39:52,440 Speaker 1: he's really back. Like he was itching for this, he 869 00:39:52,600 --> 00:39:55,640 Speaker 1: needed this, he had been waiting for this ever since 870 00:39:55,840 --> 00:39:58,239 Speaker 1: One Tree Hill Went Away, And he's done all these 871 00:39:58,320 --> 00:40:01,279 Speaker 1: random Christmas movies, which, yeah, I mean, it's just hard 872 00:40:01,280 --> 00:40:03,920 Speaker 1: for actors to stay relevant and keep working, So I'm 873 00:40:03,920 --> 00:40:05,640 Speaker 1: not hating on him for that, but I can only 874 00:40:05,680 --> 00:40:08,719 Speaker 1: imagine he was just waiting and couldn't believe when he 875 00:40:08,760 --> 00:40:10,719 Speaker 1: got the call from Disney that they wanted him back 876 00:40:10,719 --> 00:40:13,160 Speaker 1: because they easily could have done it without him, didn't 877 00:40:13,200 --> 00:40:14,040 Speaker 1: really need him. 878 00:40:14,280 --> 00:40:15,560 Speaker 2: He still looks good in the trailer. 879 00:40:15,600 --> 00:40:18,160 Speaker 1: He's forty three years old, so probably right at that 880 00:40:18,239 --> 00:40:20,799 Speaker 1: right page for this role to still makes sense for him. 881 00:40:20,840 --> 00:40:22,920 Speaker 1: So good for him, Get that money, get that bag. 882 00:40:23,040 --> 00:40:25,400 Speaker 1: So I don't really care about him returning. Who I 883 00:40:25,480 --> 00:40:27,640 Speaker 1: do care about that looks like is returning in this 884 00:40:27,719 --> 00:40:31,160 Speaker 1: movie are the members and the band Pink Slip. Because 885 00:40:31,200 --> 00:40:33,960 Speaker 1: you get a shot of Lindsay Lohan playing guitar, and 886 00:40:34,040 --> 00:40:37,840 Speaker 1: it looks like Christina vdal and Haley Hudson are listed 887 00:40:37,880 --> 00:40:41,040 Speaker 1: as cast members on Freaky or Friday, so we're getting 888 00:40:41,080 --> 00:40:43,560 Speaker 1: that Pink Slip reunion. I had a huge crush on 889 00:40:43,640 --> 00:40:46,840 Speaker 1: Christina vdoll back in the early two thousands, her and Brink. 890 00:40:46,960 --> 00:40:49,200 Speaker 1: Oh yeah, that was my girl. So is this movie 891 00:40:49,239 --> 00:40:51,759 Speaker 1: gonna be cheesy? Oh? Yeah, is it gonna be predictable. 892 00:40:51,840 --> 00:40:55,279 Speaker 1: Oh yeah, because I just feel it's gonna be the 893 00:40:55,400 --> 00:40:58,879 Speaker 1: exact same thing we got in Freaky Friday. Probably beat 894 00:40:58,920 --> 00:41:01,640 Speaker 1: for beat. There's gonna be your fortune Cookie involved. They're 895 00:41:01,640 --> 00:41:03,879 Speaker 1: gonna switch bodies, They're gonna freak out like we heard 896 00:41:03,960 --> 00:41:05,600 Speaker 1: in the clip and we see you in the trailer. 897 00:41:05,880 --> 00:41:07,680 Speaker 1: They're gonna try to figure out how to come back. 898 00:41:07,760 --> 00:41:09,920 Speaker 1: They're gonna do all the same things that happened in 899 00:41:09,960 --> 00:41:14,320 Speaker 1: the first one, make some gen Z references, talk about TikTok. 900 00:41:14,719 --> 00:41:17,680 Speaker 1: You have Jamie Lee Curtis using lingo that she can't use, 901 00:41:17,719 --> 00:41:20,160 Speaker 1: and the young kids cringing and making fun of her, 902 00:41:20,680 --> 00:41:23,560 Speaker 1: all those things. There's gonna be product placement out though. 903 00:41:23,640 --> 00:41:26,560 Speaker 1: But so even though I think the case is cash grab, 904 00:41:26,719 --> 00:41:29,240 Speaker 1: I'm still all here for it. For Freaking Your Friday. 905 00:41:29,480 --> 00:41:32,040 Speaker 1: It's coming out on August eighthez head. 906 00:41:32,080 --> 00:41:35,680 Speaker 4: That for is this week's edition of Movie Live Tramer 907 00:41:35,800 --> 00:41:36,399 Speaker 4: Bar and. 908 00:41:36,440 --> 00:41:38,480 Speaker 1: That is gonna do it for another episode here of 909 00:41:38,560 --> 00:41:40,880 Speaker 1: the podcast. But before I go, I gotta give my 910 00:41:40,960 --> 00:41:43,720 Speaker 1: listeners shout out of the week this week. I'm going 911 00:41:43,800 --> 00:41:46,240 Speaker 1: over to my YouTube channel, which is YouTube dot com 912 00:41:46,280 --> 00:41:48,640 Speaker 1: slash Mike Distro. If you ever forget that or any 913 00:41:48,680 --> 00:41:51,880 Speaker 1: of my socials. They are always linked in the episode notes. 914 00:41:52,160 --> 00:41:55,279 Speaker 1: But this week's listener shout out goes to venom Z 915 00:41:55,880 --> 00:41:58,480 Speaker 1: seven six eight to two, who wrote on my The 916 00:41:58,560 --> 00:42:02,399 Speaker 1: Electric State review, who said, I agree, definitely not as 917 00:42:02,440 --> 00:42:05,120 Speaker 1: bad as the reviews are making it seem. I do 918 00:42:05,160 --> 00:42:07,640 Speaker 1: feel like it is just getting hate for the sake 919 00:42:07,680 --> 00:42:10,279 Speaker 1: of it, trying to find anything they can justify for 920 00:42:10,440 --> 00:42:13,160 Speaker 1: not liking it, which I do believe is the case 921 00:42:13,600 --> 00:42:16,040 Speaker 1: when it comes to review bombing, when it seems like 922 00:42:16,520 --> 00:42:20,400 Speaker 1: one big publication or reviewer puts out a statement and 923 00:42:20,400 --> 00:42:24,000 Speaker 1: then everybody who kind of copies the same opinions think, well, 924 00:42:24,040 --> 00:42:25,880 Speaker 1: if they said that about that, they don't like it. 925 00:42:26,280 --> 00:42:28,839 Speaker 1: I can't be out here liking that too. I don't 926 00:42:28,880 --> 00:42:32,480 Speaker 1: buy into that. I will never read another review and 927 00:42:32,520 --> 00:42:34,360 Speaker 1: say I got to form my opinion based on what 928 00:42:34,400 --> 00:42:37,359 Speaker 1: they think. That is also why I speak so much 929 00:42:37,440 --> 00:42:40,120 Speaker 1: on emotion in my reviews, because I can't sit here 930 00:42:40,120 --> 00:42:42,880 Speaker 1: and say I know a whole lot about the technical aspect. 931 00:42:43,040 --> 00:42:46,640 Speaker 1: Even when I talk about cinematography, I talk about how 932 00:42:46,680 --> 00:42:49,880 Speaker 1: that cinematography makes me feel, and the angles and the 933 00:42:49,960 --> 00:42:52,560 Speaker 1: placement of things and the effect that has on the viewer. 934 00:42:53,080 --> 00:42:56,560 Speaker 1: I'm not breaking down what lenses they use or what 935 00:42:56,680 --> 00:42:59,239 Speaker 1: kind of lighting, because that's not me. And I'm never 936 00:42:59,280 --> 00:43:01,120 Speaker 1: going to get on here just to hate on a 937 00:43:01,160 --> 00:43:02,799 Speaker 1: movie for the sake of hating it. 938 00:43:03,000 --> 00:43:04,520 Speaker 2: I'm not above hating a movie. 939 00:43:04,600 --> 00:43:07,360 Speaker 1: Sometimes I do watch movies that I straight out don't like, 940 00:43:07,640 --> 00:43:09,239 Speaker 1: and I get heat for that as well, but it 941 00:43:09,239 --> 00:43:12,799 Speaker 1: will always be my genuine hatred for a movie. But 942 00:43:12,880 --> 00:43:15,480 Speaker 1: I do believe movies like this, movies we talked about earlier, 943 00:43:15,600 --> 00:43:18,759 Speaker 1: like Snow White, which now has the lowest rating on 944 00:43:18,840 --> 00:43:22,879 Speaker 1: IMDb ever, are gonna be subject to that from time 945 00:43:22,960 --> 00:43:26,080 Speaker 1: to time, So I appreciate that. Venoms, thank you for 946 00:43:26,120 --> 00:43:28,960 Speaker 1: watching over there on YouTube. And this week we did 947 00:43:28,960 --> 00:43:31,640 Speaker 1: have a guest, So if I post over on socials, 948 00:43:32,080 --> 00:43:34,600 Speaker 1: I will give out the secret emoji. I'll make a 949 00:43:34,640 --> 00:43:39,600 Speaker 1: post over on Facebook, Twitter, my Instagram, and TikTok probably, 950 00:43:40,000 --> 00:43:43,239 Speaker 1: but you can comment with the guitar emoji and that 951 00:43:43,320 --> 00:43:45,320 Speaker 1: is where I'll pick next week's listener shout out of 952 00:43:45,360 --> 00:43:47,200 Speaker 1: the week. So if you're new to this, anytime I 953 00:43:47,239 --> 00:43:50,040 Speaker 1: post about having a guest, just throw the emoji in 954 00:43:50,080 --> 00:43:52,160 Speaker 1: the comments and it's a way to say hey, I 955 00:43:52,239 --> 00:43:55,480 Speaker 1: listen to the interview, and I enjoyed it. Sometimes when podcasts, 956 00:43:55,520 --> 00:43:58,120 Speaker 1: I listen to postings and I enjoy it. Sometimes I 957 00:43:58,160 --> 00:43:59,440 Speaker 1: just don't know what to say. I'm like, oh, I 958 00:43:59,480 --> 00:44:02,279 Speaker 1: should I say, oh a great episode? Should I say 959 00:44:02,320 --> 00:44:05,400 Speaker 1: something about a comment that they've made? And sometimes just 960 00:44:05,440 --> 00:44:08,480 Speaker 1: putting an emoji is easier. It's saying, hey, I watched this, 961 00:44:08,680 --> 00:44:11,880 Speaker 1: I recognize this. I'm not the best at commenting sometimes 962 00:44:11,880 --> 00:44:14,520 Speaker 1: because it feels weird, so just drop an emoji. So 963 00:44:14,600 --> 00:44:16,759 Speaker 1: thank you for being here. Next week is gonna be 964 00:44:16,800 --> 00:44:18,920 Speaker 1: awesome too, because I'm sitting down with the stars of 965 00:44:18,960 --> 00:44:20,799 Speaker 1: Hell of a Summer, which is a new horror movie 966 00:44:20,840 --> 00:44:24,320 Speaker 1: coming out this Friday. Actually, Finn Wolfard, who you probably 967 00:44:24,360 --> 00:44:26,680 Speaker 1: know from Stranger Things. He plays mic on there. He 968 00:44:26,800 --> 00:44:30,400 Speaker 1: was also in it. He was also in Ghostbusters Afterlife 969 00:44:30,480 --> 00:44:32,320 Speaker 1: and Ghostbusters Frozen Empire. 970 00:44:32,800 --> 00:44:33,520 Speaker 2: Great actor. 971 00:44:34,040 --> 00:44:36,160 Speaker 1: He directed it, he also stars in it, made it 972 00:44:36,160 --> 00:44:38,319 Speaker 1: with a couple of his buddies who are also big 973 00:44:38,360 --> 00:44:41,479 Speaker 1: actors that we'll talk about. So be back for next week. 974 00:44:41,560 --> 00:44:44,640 Speaker 1: Be subscribe to this podcast wherever you listen to podcasts 975 00:44:44,719 --> 00:44:47,280 Speaker 1: right now because you're not gonna want to miss that episode. 976 00:44:47,280 --> 00:44:49,760 Speaker 1: Tell a friend thank you for being here. And until 977 00:44:49,880 --> 00:44:52,560 Speaker 1: next time, go out and watch good movies and I 978 00:44:52,640 --> 00:44:54,280 Speaker 1: will talk to you later