1 00:00:00,280 --> 00:00:03,240 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,279 --> 00:00:06,680 Speaker 1: am your host Movie Mike. Today we are talking Eighties movies. 3 00:00:06,760 --> 00:00:10,160 Speaker 1: It's a genre I often overlook, but there are so 4 00:00:10,200 --> 00:00:13,480 Speaker 1: many essential eighties movies I wanted to dedicate an entire 5 00:00:13,560 --> 00:00:16,920 Speaker 1: episode depict some of my favorites. In the movie review, 6 00:00:16,920 --> 00:00:19,240 Speaker 1: we'll talk about a new A twenty four film starring 7 00:00:19,239 --> 00:00:22,920 Speaker 1: Pete Davidson called Bodies, Bodies, Bodies. It's being described as 8 00:00:22,920 --> 00:00:25,280 Speaker 1: a gen Z slasher, so i'll give you my thoughts 9 00:00:25,320 --> 00:00:27,680 Speaker 1: on that and in the trailer park we'll keep it 10 00:00:27,760 --> 00:00:31,480 Speaker 1: in the film productions. And we'll talk about a new 11 00:00:31,520 --> 00:00:34,519 Speaker 1: movie that just came out called Funny Pages that I 12 00:00:34,560 --> 00:00:37,599 Speaker 1: can't wait to see because it looks very nostalgic. So 13 00:00:37,840 --> 00:00:40,159 Speaker 1: that is what we have coming up on this week's episode. 14 00:00:40,280 --> 00:00:43,000 Speaker 1: Thanks everybody for being subscribed, Shout out to the Monday 15 00:00:43,000 --> 00:00:46,839 Speaker 1: Morning Movie crew. And now let's talk movies. In a 16 00:00:46,920 --> 00:00:50,560 Speaker 1: world where everyone and their mother has a podcast, one 17 00:00:50,640 --> 00:00:54,560 Speaker 1: man stands to infiltrate the ears of listeners like never 18 00:00:54,600 --> 00:00:58,600 Speaker 1: before in a movie podcast, A man with so much 19 00:00:58,680 --> 00:01:04,440 Speaker 1: movie knowledge, he's basically like walking audio. David's Glass from 20 00:01:04,440 --> 00:01:11,280 Speaker 1: the Nashville Podcast Network I was asked recently, what are 21 00:01:11,319 --> 00:01:13,920 Speaker 1: some of your favorite eighties movies? And I think unfairly 22 00:01:15,280 --> 00:01:18,240 Speaker 1: I overlooked the Eighties when it comes to film. I 23 00:01:18,280 --> 00:01:22,600 Speaker 1: think I tend to associate them with very cheesy rom 24 00:01:22,760 --> 00:01:25,840 Speaker 1: coms or teen movies. That is just kind of what 25 00:01:25,959 --> 00:01:28,520 Speaker 1: I think about when I think about eighties movies. But 26 00:01:28,600 --> 00:01:31,200 Speaker 1: when I really sat down to study the decade, I 27 00:01:31,280 --> 00:01:34,680 Speaker 1: realized there are so many essential films, and I think 28 00:01:34,680 --> 00:01:37,360 Speaker 1: it was such a pivotal time in movies that that 29 00:01:37,440 --> 00:01:40,319 Speaker 1: the decade doesn't get the credit that it deserves. Just 30 00:01:40,480 --> 00:01:43,240 Speaker 1: the decade before. In the seventies, we had our first 31 00:01:43,240 --> 00:01:46,440 Speaker 1: summer blockbuster with movies like Jaws. We were coming off 32 00:01:46,520 --> 00:01:48,960 Speaker 1: Star Wars, so a lot of big movies were starting 33 00:01:49,000 --> 00:01:52,280 Speaker 1: to happen, and I think the Eighties is what really 34 00:01:52,320 --> 00:01:54,040 Speaker 1: cemented that when you look back on some of the 35 00:01:54,040 --> 00:01:57,160 Speaker 1: biggest movies. So I decided to put together a list 36 00:01:57,160 --> 00:01:59,920 Speaker 1: of my top ten eighties movies, and I had to 37 00:02:00,040 --> 00:02:03,080 Speaker 1: go very personal on these. It would be easy just 38 00:02:03,160 --> 00:02:05,880 Speaker 1: to pick all the big eighties classics, and I'll kind 39 00:02:05,880 --> 00:02:08,280 Speaker 1: of get to those in the honorable mentions. But my 40 00:02:08,440 --> 00:02:11,560 Speaker 1: reasoning behind these are movies I watched as a kid 41 00:02:11,680 --> 00:02:14,760 Speaker 1: or maybe discovered later as an adult, and movies I 42 00:02:14,800 --> 00:02:18,959 Speaker 1: also feel have big contributions when it comes to film history. 43 00:02:19,160 --> 00:02:21,720 Speaker 1: And a lot of these movies I just in my 44 00:02:21,760 --> 00:02:24,200 Speaker 1: head didn't really place them in the eighties. So when 45 00:02:24,200 --> 00:02:26,240 Speaker 1: I was asked about my favorite eighties movies, I should 46 00:02:26,240 --> 00:02:27,959 Speaker 1: have included more of these on my list. So now 47 00:02:28,000 --> 00:02:30,520 Speaker 1: I have my diffinite list. But let's kick it off 48 00:02:30,560 --> 00:02:34,680 Speaker 1: with number ten. I'm going with from five, The Breakfast 49 00:02:34,680 --> 00:02:39,280 Speaker 1: Club from director John Hughes. Who John Hughes directed so 50 00:02:39,320 --> 00:02:42,080 Speaker 1: many movies in the eighties, so many essential eighties movies, 51 00:02:42,240 --> 00:02:45,400 Speaker 1: and he went on to write even countless more iconic movies. 52 00:02:45,520 --> 00:02:48,040 Speaker 1: But in the eighties, not only did he do Breakfast Club, 53 00:02:48,080 --> 00:02:52,320 Speaker 1: he also did Sixteen Candles, Weird Science, Ferris Bueller's Day Off, Planes, 54 00:02:52,360 --> 00:02:55,440 Speaker 1: Trains and Automobiles, She's having a Baby, and Uncle Buck. 55 00:02:55,639 --> 00:02:58,600 Speaker 1: And if I had to just associate a director with 56 00:02:58,680 --> 00:03:01,520 Speaker 1: the eighties, I go with John on Hughes. His movies 57 00:03:01,600 --> 00:03:06,080 Speaker 1: had what really shaped the best eighties teen movies in 58 00:03:06,240 --> 00:03:09,160 Speaker 1: that decade. Now, The Breakfast Club had a budget of 59 00:03:09,240 --> 00:03:12,040 Speaker 1: just one million dollars when it came out in nine five, 60 00:03:12,040 --> 00:03:14,200 Speaker 1: and it went on to make fifty one million at 61 00:03:14,200 --> 00:03:17,920 Speaker 1: the box office, and it is the quintessential coming of 62 00:03:18,000 --> 00:03:20,760 Speaker 1: age comedy. If you haven't seen The Breakfast Club, It's 63 00:03:20,760 --> 00:03:24,240 Speaker 1: about five students from five different walks of life and 64 00:03:24,280 --> 00:03:26,679 Speaker 1: they all have to go to an all day detention 65 00:03:26,760 --> 00:03:30,440 Speaker 1: on a Saturday at a high school in nineteen eighty four. 66 00:03:30,680 --> 00:03:34,080 Speaker 1: The group has the Princess, the rebel, they owtcast, the 67 00:03:34,160 --> 00:03:37,000 Speaker 1: brainy dude, and the jock, and you get to learn 68 00:03:37,040 --> 00:03:40,160 Speaker 1: about each of their story, how they are intertwined, and 69 00:03:40,200 --> 00:03:41,840 Speaker 1: by the end of the movie maybe you have a 70 00:03:41,880 --> 00:03:45,119 Speaker 1: little bit of a different perspective on knowing where everybody 71 00:03:45,160 --> 00:03:48,720 Speaker 1: comes from. So many iconic scenes and iconic lines. I 72 00:03:48,760 --> 00:03:52,280 Speaker 1: have to put The Breakfast Club from five at number 73 00:03:52,320 --> 00:03:56,000 Speaker 1: ten at number nine. One of my favorite Disney live 74 00:03:56,080 --> 00:03:59,240 Speaker 1: action movies, I'm going with Honey I Shrunk the Kids 75 00:03:59,480 --> 00:04:02,320 Speaker 1: from direct or Joe Johnson. The movie cost eighteen million 76 00:04:02,360 --> 00:04:04,560 Speaker 1: dollars to make, but went on to make two hundred 77 00:04:04,600 --> 00:04:07,839 Speaker 1: and twenty seven million dollars in the United States. Rick 78 00:04:07,920 --> 00:04:12,600 Speaker 1: moranis is a great comedic actor, and I really loved 79 00:04:12,680 --> 00:04:15,760 Speaker 1: every installment in the Honey I Shrunk the Kids franchise, 80 00:04:15,880 --> 00:04:18,919 Speaker 1: But this without a doubt is the best one. You 81 00:04:19,000 --> 00:04:22,679 Speaker 1: have him playing Wayne Zelinsky, who is this inventor maybe 82 00:04:22,720 --> 00:04:25,600 Speaker 1: a little bit of a mad scientist trying to invent 83 00:04:25,760 --> 00:04:28,599 Speaker 1: this shrinking ray and he thinks he has it. He 84 00:04:28,680 --> 00:04:31,839 Speaker 1: thinks this is going to change his life, and can't 85 00:04:31,880 --> 00:04:34,839 Speaker 1: really quite get it to work, and he thinks he's 86 00:04:34,880 --> 00:04:39,239 Speaker 1: wasted his entire existence. He is a detriment to his family, 87 00:04:39,520 --> 00:04:43,599 Speaker 1: but then comes to find out the machine actually works 88 00:04:43,839 --> 00:04:47,039 Speaker 1: and he shrunk his kids. He destroys the machine and 89 00:04:47,120 --> 00:04:50,200 Speaker 1: throws out the kids in the trash and then they 90 00:04:50,279 --> 00:04:53,080 Speaker 1: have to go from out on the curb in the 91 00:04:53,120 --> 00:04:55,599 Speaker 1: trash and make it all the way back into the house. 92 00:04:55,960 --> 00:04:59,320 Speaker 1: This is one of my favorite family adventure movies, and 93 00:04:59,320 --> 00:05:01,240 Speaker 1: I think it's because of all the things they have 94 00:05:01,320 --> 00:05:04,039 Speaker 1: to encounter getting back into the house. And this is 95 00:05:04,040 --> 00:05:07,279 Speaker 1: a movie that I felt really played into kids imagination. 96 00:05:07,400 --> 00:05:09,919 Speaker 1: As a kid, That's kind of where my mind went to, 97 00:05:10,160 --> 00:05:13,039 Speaker 1: like what would happen if I was really small? How 98 00:05:13,080 --> 00:05:16,159 Speaker 1: would things kind of be from that perspective, And that 99 00:05:16,320 --> 00:05:19,039 Speaker 1: is what this movie did. And I love the eighties 100 00:05:19,080 --> 00:05:22,320 Speaker 1: feel in this movie. From the wardrobe, you have the 101 00:05:22,440 --> 00:05:24,960 Speaker 1: neighbors and the way they battle against each other. It 102 00:05:25,040 --> 00:05:29,120 Speaker 1: just has that eighties American feel to it. But what 103 00:05:29,279 --> 00:05:32,560 Speaker 1: this movie really captured through the use of real life 104 00:05:32,640 --> 00:05:36,320 Speaker 1: animatronics is that had a very practical feel to it. 105 00:05:36,400 --> 00:05:40,960 Speaker 1: The director of this movie wanted the characters to interact 106 00:05:41,320 --> 00:05:43,279 Speaker 1: with some of the things going on to give that 107 00:05:43,360 --> 00:05:46,600 Speaker 1: more authentic feel. So that's another thing I really loved 108 00:05:46,640 --> 00:05:49,480 Speaker 1: about the eighties. They didn't really have that c g 109 00:05:49,680 --> 00:05:53,040 Speaker 1: I technology yet, They couldn't just green screen everything, and 110 00:05:53,160 --> 00:05:55,520 Speaker 1: they had to create real robots like the ant in 111 00:05:55,560 --> 00:06:00,680 Speaker 1: this movie and do things through practical effects or camera positionings, 112 00:06:01,000 --> 00:06:03,920 Speaker 1: do some forced perspective. But a lot of that just 113 00:06:03,960 --> 00:06:06,240 Speaker 1: feels a little bit more authentic, feels a little bit 114 00:06:06,240 --> 00:06:08,440 Speaker 1: more warm to me. And this is also a movie 115 00:06:08,480 --> 00:06:12,039 Speaker 1: I try to revisit pretty frequently, especially now that it 116 00:06:12,200 --> 00:06:14,880 Speaker 1: is on Disney Plus. So if you haven't seen this 117 00:06:14,920 --> 00:06:17,000 Speaker 1: movie in a very long time, or if you have 118 00:06:17,240 --> 00:06:20,440 Speaker 1: kids and haven't exposed them to this movie yet, let 119 00:06:20,480 --> 00:06:22,480 Speaker 1: them watch it and see if they enjoy it too, 120 00:06:22,880 --> 00:06:25,440 Speaker 1: or if they just think it looks really outdated. That 121 00:06:25,440 --> 00:06:28,240 Speaker 1: would crush me a little bit, but I think everybody 122 00:06:28,279 --> 00:06:30,559 Speaker 1: deserves to see Honey I shrunk the kids at least 123 00:06:30,560 --> 00:06:33,600 Speaker 1: once so at number nine from I'm going with this 124 00:06:33,640 --> 00:06:38,000 Speaker 1: one at number eight, Speaking of action adventure from the eighties, 125 00:06:38,120 --> 00:06:41,640 Speaker 1: I'm going with the Goonies from Night Five. Directed by 126 00:06:41,720 --> 00:06:44,880 Speaker 1: Richard Donner, the movie costs nineteen million dollars to make 127 00:06:44,920 --> 00:06:46,760 Speaker 1: and went on to make a hundred and twenty five 128 00:06:46,800 --> 00:06:50,159 Speaker 1: million dollars at the US box office. This movie has 129 00:06:50,279 --> 00:06:53,840 Speaker 1: my favorite group of kids in any movie. Not only 130 00:06:53,839 --> 00:06:57,240 Speaker 1: do you have such great actors like Seawan Aston, Josh Brolin, 131 00:06:57,360 --> 00:07:02,000 Speaker 1: Corey Feldman, Jeff Cohen, Kerry Green, Martha Plimpton, one of 132 00:07:02,040 --> 00:07:05,479 Speaker 1: the iconic actresses from the eighties, and you have all 133 00:07:05,520 --> 00:07:09,640 Speaker 1: those actors, but each one plays such a great character, 134 00:07:09,800 --> 00:07:12,480 Speaker 1: and that's what really makes this movie. They're all just 135 00:07:12,520 --> 00:07:16,120 Speaker 1: so well defined and have their own individual roles and personalities. 136 00:07:16,360 --> 00:07:18,520 Speaker 1: And as a kid, when you watch this movie, you 137 00:07:18,880 --> 00:07:21,000 Speaker 1: kind of put yourself in the position of which one 138 00:07:21,040 --> 00:07:23,600 Speaker 1: you would be. And not just because my name is Mike, 139 00:07:23,640 --> 00:07:26,560 Speaker 1: but I greatly identified with Mikey in this movie. But 140 00:07:26,640 --> 00:07:29,200 Speaker 1: I love that it is a story about a group 141 00:07:29,240 --> 00:07:32,880 Speaker 1: of young misfits and growing up. I think we all 142 00:07:32,960 --> 00:07:36,040 Speaker 1: kind of feel a little bit like outcast. We feel 143 00:07:36,160 --> 00:07:39,360 Speaker 1: like we're not the coolest or the most popular, and 144 00:07:39,480 --> 00:07:42,400 Speaker 1: that is what the Goonies set out to represent, that 145 00:07:42,480 --> 00:07:45,560 Speaker 1: group of misfits, that group of kids who never really 146 00:07:45,600 --> 00:07:49,480 Speaker 1: fit in anywhere, but can do crazy, amazing things with 147 00:07:49,520 --> 00:07:52,360 Speaker 1: the power of friendship. So they call themselves the Goonies. 148 00:07:52,440 --> 00:07:54,800 Speaker 1: They discover this ancient map and set out on an 149 00:07:54,840 --> 00:07:58,360 Speaker 1: adventure to find the legendary pirates lost treasure. And I 150 00:07:58,360 --> 00:08:00,240 Speaker 1: think if you were making a list of the most 151 00:08:00,440 --> 00:08:04,280 Speaker 1: iconic characters from the eighties, it wouldn't be complete without 152 00:08:04,360 --> 00:08:08,640 Speaker 1: Chunk in the truffle Shuffle. Probably couldn't make that scene today. 153 00:08:08,680 --> 00:08:10,760 Speaker 1: I think it would be a little bit too offensive, 154 00:08:10,960 --> 00:08:13,360 Speaker 1: But growing up as a Chunky kid, I felt that. 155 00:08:13,480 --> 00:08:17,760 Speaker 1: So at number eight, I'm going with the Goonies. At 156 00:08:17,840 --> 00:08:21,200 Speaker 1: number seven, we're getting to our first R rated movie 157 00:08:21,480 --> 00:08:23,520 Speaker 1: on the list. Maybe could have even had a more 158 00:08:23,640 --> 00:08:28,400 Speaker 1: hardcore rating, but I'm going with nineteen eight threes. Scarface 159 00:08:29,000 --> 00:08:32,200 Speaker 1: the most twisted version of the American dream that has 160 00:08:32,240 --> 00:08:35,680 Speaker 1: ever been created. You have al Pacino as the one 161 00:08:35,720 --> 00:08:40,360 Speaker 1: and only Scarface, and just talking about iconic eighties characters, 162 00:08:40,400 --> 00:08:45,040 Speaker 1: he would easily be in the top five most recognizable lines, 163 00:08:45,160 --> 00:08:48,080 Speaker 1: most recognizable look. And this is a movie that I 164 00:08:48,120 --> 00:08:51,120 Speaker 1: didn't really associate with the eighties. It's my favorite al 165 00:08:51,160 --> 00:08:54,920 Speaker 1: Pacino movie and it kind of transcends that decade to me. 166 00:08:55,080 --> 00:08:57,720 Speaker 1: So while I was thinking about all these different movies 167 00:08:57,720 --> 00:09:00,440 Speaker 1: from the eighties, I was pleasantly remind it when I 168 00:09:00,440 --> 00:09:03,559 Speaker 1: realized this movie was made and put out in nineteen three, 169 00:09:03,600 --> 00:09:06,120 Speaker 1: had a budget of twenty five million dollars and went 170 00:09:06,160 --> 00:09:09,040 Speaker 1: on to make sixty six million in the United States. 171 00:09:09,080 --> 00:09:11,440 Speaker 1: If you haven't seen Scarface, it is the story of 172 00:09:11,480 --> 00:09:15,400 Speaker 1: Tony Mandana and the drug trade in Miami in the eighties. 173 00:09:15,720 --> 00:09:18,920 Speaker 1: He comes to the United States looking for the American dream, 174 00:09:18,960 --> 00:09:22,080 Speaker 1: and for him, that is murdering anybody who kind of 175 00:09:22,120 --> 00:09:26,120 Speaker 1: stands in his way, and he eventually becomes the biggest 176 00:09:26,200 --> 00:09:29,160 Speaker 1: drug lord in Florida as he controls nearly all of 177 00:09:29,160 --> 00:09:32,960 Speaker 1: the cocaine coming in from Miami. I love the struggle 178 00:09:33,040 --> 00:09:37,080 Speaker 1: in this movie and Scarface going from being kind of 179 00:09:37,120 --> 00:09:39,680 Speaker 1: a nobody at the very bottom of the rings and 180 00:09:39,720 --> 00:09:43,640 Speaker 1: then being at the ultimate position of power. And it's 181 00:09:43,640 --> 00:09:47,360 Speaker 1: a story about how power affects you. When you get that, 182 00:09:47,679 --> 00:09:50,000 Speaker 1: I guess you would call him successful even though he 183 00:09:50,160 --> 00:09:53,160 Speaker 1: is a drug lord. As you get that successful and 184 00:09:53,160 --> 00:09:56,600 Speaker 1: reach that higher point. How even once you achieve your dream, 185 00:09:56,679 --> 00:09:58,440 Speaker 1: it's still not be what you set out to be. 186 00:09:58,600 --> 00:10:01,920 Speaker 1: It's still much more complicated and a lot more problems 187 00:10:01,960 --> 00:10:05,160 Speaker 1: that you weren't expecting. But overall this is just a fun, 188 00:10:05,360 --> 00:10:09,160 Speaker 1: brutal movie. Al Pacino and Michelle Peiffer in the same 189 00:10:09,200 --> 00:10:14,199 Speaker 1: film is just eighties perfection. The iconic imagery of him 190 00:10:14,240 --> 00:10:16,880 Speaker 1: in the Tommy gun, or him in the pile of 191 00:10:16,960 --> 00:10:19,880 Speaker 1: white powder on his desk, or some of my favorite 192 00:10:19,960 --> 00:10:23,000 Speaker 1: visuals ever in an action movie. And also it's one 193 00:10:23,080 --> 00:10:26,240 Speaker 1: of my favorite longer movies at almost three hours long. 194 00:10:26,840 --> 00:10:29,200 Speaker 1: It was on the double vhs back in the day 195 00:10:29,640 --> 00:10:32,880 Speaker 1: and just proves when you make something still compelling, nobody 196 00:10:32,960 --> 00:10:36,000 Speaker 1: really remembers the run time. So also a win for 197 00:10:36,120 --> 00:10:39,360 Speaker 1: longer films, and that is why I put Scarface at 198 00:10:39,440 --> 00:10:42,880 Speaker 1: number seven on my list of eighties movies. Moving on 199 00:10:42,920 --> 00:10:48,280 Speaker 1: now to number six from a movie I just love 200 00:10:48,720 --> 00:10:51,080 Speaker 1: and maybe not a whole lot of people have heard 201 00:10:51,120 --> 00:10:54,400 Speaker 1: of or let alone scene, but I'm going with Born 202 00:10:54,480 --> 00:10:57,200 Speaker 1: in East l A starring Cheach Martin and directed by 203 00:10:57,240 --> 00:11:01,200 Speaker 1: Cheach Martin and his directorial debut, a really low budget 204 00:11:01,240 --> 00:11:04,160 Speaker 1: comedy but went on to make seventeen million dollars at 205 00:11:04,160 --> 00:11:07,440 Speaker 1: the box office. But beyond the numbers, beyond maybe this 206 00:11:07,600 --> 00:11:11,040 Speaker 1: not being one of the most recognizable films of the eighties, 207 00:11:11,640 --> 00:11:14,200 Speaker 1: this movie was very important for me. It's about his 208 00:11:14,360 --> 00:11:18,680 Speaker 1: character named Rudy, who plays an l a born American 209 00:11:19,240 --> 00:11:22,679 Speaker 1: who is mistaken for a Mexican legal immigrant and deported 210 00:11:22,720 --> 00:11:26,200 Speaker 1: to Mexico, and then the entire movie is him trying 211 00:11:26,240 --> 00:11:29,280 Speaker 1: to do everything he can to get across the border 212 00:11:29,400 --> 00:11:32,160 Speaker 1: and get back home, so he takes on all these 213 00:11:32,160 --> 00:11:35,319 Speaker 1: odd jobs in Mexico. He's also having to fit in 214 00:11:35,400 --> 00:11:39,640 Speaker 1: because he's more American than he is Mexican. Hardly even 215 00:11:39,640 --> 00:11:43,120 Speaker 1: speak Spanish, so the whole idea of him being in 216 00:11:43,200 --> 00:11:46,439 Speaker 1: Mexico is bizarre to him, even though he is Mexican American. 217 00:11:46,720 --> 00:11:48,840 Speaker 1: This is a movie that my family and I would 218 00:11:48,840 --> 00:11:52,240 Speaker 1: sit down and watch together, and it really brought us 219 00:11:52,240 --> 00:11:55,439 Speaker 1: all together because there aren't a whole lot of movies, 220 00:11:55,559 --> 00:12:00,480 Speaker 1: especially comedies, that are put out in America, that represent 221 00:12:00,559 --> 00:12:03,080 Speaker 1: Mexican Americans. It was one of the first films that 222 00:12:03,160 --> 00:12:05,680 Speaker 1: really did that for me. And although it is a 223 00:12:05,720 --> 00:12:10,720 Speaker 1: comedic approach to this situation, the movie is still really 224 00:12:10,760 --> 00:12:14,120 Speaker 1: relevant to today's world. It pokes fun and a lot 225 00:12:14,160 --> 00:12:16,840 Speaker 1: of the things and doesn't take itself too seriously, but 226 00:12:16,920 --> 00:12:19,000 Speaker 1: at the core of the movie, it does show some 227 00:12:19,080 --> 00:12:22,120 Speaker 1: of the struggles that Mexican Americans face when it comes 228 00:12:22,160 --> 00:12:27,200 Speaker 1: to discrimination. So I always kind of latched onto that 229 00:12:27,320 --> 00:12:29,839 Speaker 1: theme of this movie. Even though it is a pretty 230 00:12:29,920 --> 00:12:33,200 Speaker 1: ridiculous and fun movie, it can still say something. And 231 00:12:33,240 --> 00:12:36,120 Speaker 1: I did find there was a brief period in the 232 00:12:36,160 --> 00:12:40,080 Speaker 1: eighties where movies were getting made like this, geared towards 233 00:12:40,120 --> 00:12:43,880 Speaker 1: telling Mexican American stories. Almost put another movie on this list, 234 00:12:43,920 --> 00:12:46,520 Speaker 1: Standing Delivery, which is another one of my favorites, and 235 00:12:46,559 --> 00:12:49,800 Speaker 1: that movie came out in so I feel like there 236 00:12:49,840 --> 00:12:52,720 Speaker 1: were a lot of these movies made in the eighties 237 00:12:52,920 --> 00:12:56,400 Speaker 1: speaking with Latino voices, and I would quite honestly like 238 00:12:56,480 --> 00:12:58,440 Speaker 1: to see more of them. And here's just one of 239 00:12:58,440 --> 00:13:01,360 Speaker 1: my favorite scenes from the movie, whenever he is going 240 00:13:01,400 --> 00:13:04,520 Speaker 1: to pick up his cousin from the factory and the 241 00:13:04,600 --> 00:13:07,920 Speaker 1: factory gets rated and they find him hiding inside of 242 00:13:07,960 --> 00:13:10,120 Speaker 1: a giant Teddy Bear. So that is kind of the 243 00:13:10,280 --> 00:13:14,800 Speaker 1: scope of the comedy in this movie. Huh was a 244 00:13:14,880 --> 00:13:17,800 Speaker 1: green card? I don't got a green card? Man? Where 245 00:13:17,800 --> 00:13:20,400 Speaker 1: were you born. I was born in East l A. Man. 246 00:13:22,120 --> 00:13:25,120 Speaker 1: And who's the President of the United States? That the 247 00:13:25,200 --> 00:13:29,000 Speaker 1: coupley guy on TV? So I was on Death Valley Days, 248 00:13:29,120 --> 00:13:33,920 Speaker 1: Um I was John Wayne here. So at number six 249 00:13:33,960 --> 00:13:37,439 Speaker 1: from seven, let's go with Born in East l A. 250 00:13:37,640 --> 00:13:40,400 Speaker 1: Made it to the top five. Now going all the 251 00:13:40,440 --> 00:13:44,600 Speaker 1: way back to kicking off the decade with the Empire 252 00:13:44,679 --> 00:13:48,440 Speaker 1: strikes Back. That's what I'm putting at number five. Quite 253 00:13:48,480 --> 00:13:52,920 Speaker 1: possibly the best sequel ever made. And even though A 254 00:13:52,960 --> 00:13:55,439 Speaker 1: New Hope is my favorite Star Wars movie, this is 255 00:13:55,480 --> 00:13:58,200 Speaker 1: such a strong follow up and has some of the 256 00:13:58,200 --> 00:14:01,400 Speaker 1: most iconic Star Wars in a dree ever like this 257 00:14:01,480 --> 00:14:03,640 Speaker 1: is the movie that you kind of associate all the 258 00:14:03,679 --> 00:14:06,839 Speaker 1: big moments with Star Wars. The movie was directed by 259 00:14:06,960 --> 00:14:11,280 Speaker 1: Irwin Kirshner, who had never directed a blockbuster before. It 260 00:14:11,400 --> 00:14:15,000 Speaker 1: cost eighteen million dollars but went on to make over 261 00:14:15,200 --> 00:14:18,480 Speaker 1: half a billion. And I found a clip of the director, 262 00:14:18,520 --> 00:14:22,720 Speaker 1: Irwin Kirshner talking about the struggles taking on his first 263 00:14:22,760 --> 00:14:27,240 Speaker 1: blockbuster and how complicated the balance between sci fi and 264 00:14:27,360 --> 00:14:30,760 Speaker 1: comedy and love is. While making this movie, I felt 265 00:14:30,800 --> 00:14:34,360 Speaker 1: I needed humor in the picture, and yet I couldn't 266 00:14:34,400 --> 00:14:38,600 Speaker 1: have gags I felt I needed a love story, and 267 00:14:38,680 --> 00:14:42,760 Speaker 1: yet I couldn't have a lot of smooching and kissing 268 00:14:42,840 --> 00:14:46,960 Speaker 1: and alledge stuff, and it had to all be more implied. 269 00:14:47,720 --> 00:14:54,000 Speaker 1: I knew I needed something powerful going on inside Luke's soul, 270 00:14:54,480 --> 00:14:58,600 Speaker 1: and he really carries the picture, of course, and hearing 271 00:14:58,680 --> 00:15:02,920 Speaker 1: him talk about that, I realized he completely set out 272 00:15:02,960 --> 00:15:05,680 Speaker 1: and accomplished what he was trying to do. Because I 273 00:15:05,720 --> 00:15:08,800 Speaker 1: think that is what makes the Empire Strikes Back so great. 274 00:15:09,200 --> 00:15:11,440 Speaker 1: It's also funny but doesn't try to be a straight 275 00:15:11,480 --> 00:15:14,720 Speaker 1: on comedy. There's a very delicate balance that a Star 276 00:15:14,720 --> 00:15:18,160 Speaker 1: Wars movie has to go through, even so early on, 277 00:15:18,480 --> 00:15:21,960 Speaker 1: to be that perfect balance and blend of everything to 278 00:15:22,160 --> 00:15:26,280 Speaker 1: not appear cheesy, to be taken seriously by audiences, and 279 00:15:26,280 --> 00:15:29,119 Speaker 1: I feel like that is exactly what this movie captures. 280 00:15:29,520 --> 00:15:32,400 Speaker 1: I think the love story and the comedy is perfectly 281 00:15:32,480 --> 00:15:36,760 Speaker 1: detailed in this scene with Hans Solo and Princess Leiah, 282 00:15:36,960 --> 00:15:42,080 Speaker 1: I love you. I know, like that's a that is 283 00:15:42,120 --> 00:15:45,600 Speaker 1: Star Wars Empire strikes Back in a clip. And you 284 00:15:45,680 --> 00:15:49,000 Speaker 1: also have in this movie Luke training with Yoda, Luke 285 00:15:49,400 --> 00:15:53,040 Speaker 1: Skywalker really being the one who carries this entire movie 286 00:15:53,560 --> 00:15:56,240 Speaker 1: and then, of course, the most iconic scene in Star 287 00:15:56,280 --> 00:16:01,000 Speaker 1: Wars history, Luke Skywalker's fight with Darth Vader, in one 288 00:16:01,040 --> 00:16:04,080 Speaker 1: of the most famous movie quotes of all time. If 289 00:16:04,120 --> 00:16:07,960 Speaker 1: you only knew the power of a dark side will 290 00:16:08,000 --> 00:16:12,760 Speaker 1: be a little to you. What happened, father? He told 291 00:16:12,800 --> 00:16:17,720 Speaker 1: me enough, He told me you kill it. I am 292 00:16:17,800 --> 00:16:25,120 Speaker 1: you father. Could you imagine the audience reaction if that 293 00:16:25,240 --> 00:16:28,800 Speaker 1: scene happened in two for the first time, we see 294 00:16:28,840 --> 00:16:31,760 Speaker 1: people flipping out at Marvel movies, yelling at the screen, 295 00:16:31,800 --> 00:16:35,680 Speaker 1: throwing their popcorn, doing back flips in the chairs. Could 296 00:16:35,680 --> 00:16:39,760 Speaker 1: you imagine if that was recaptured now? No, probably not, 297 00:16:39,920 --> 00:16:42,360 Speaker 1: because people just hate on Star Wars for any reason 298 00:16:42,400 --> 00:16:45,400 Speaker 1: they get and can't let anything new happen because of 299 00:16:45,520 --> 00:16:48,640 Speaker 1: this affinity we have with the original trilogy. But if 300 00:16:48,640 --> 00:16:53,520 Speaker 1: we let ourselves open our minds to recreating some of 301 00:16:53,560 --> 00:16:56,520 Speaker 1: these iconic moments and allowing things to be new and fun, 302 00:16:57,040 --> 00:16:59,640 Speaker 1: we could have that again, but we probably won't, So 303 00:16:59,680 --> 00:17:02,880 Speaker 1: we'll go back to nineteen eighties. The Empire Strikes back 304 00:17:02,920 --> 00:17:07,040 Speaker 1: at number five. At number four was just speaking about 305 00:17:07,080 --> 00:17:10,720 Speaker 1: Mexican American voices, and it wouldn't be an eighties list 306 00:17:10,800 --> 00:17:13,479 Speaker 1: without one of my favorite movies of all time at 307 00:17:13,600 --> 00:17:17,840 Speaker 1: number four, I'm going with La Bamba from seven, directed 308 00:17:17,840 --> 00:17:21,560 Speaker 1: by Luis Valdes. Movie cost only six point five million 309 00:17:21,600 --> 00:17:24,880 Speaker 1: dollars to make and went on to earn fifty four 310 00:17:25,000 --> 00:17:28,919 Speaker 1: point two million dollars at the US box office. La 311 00:17:29,000 --> 00:17:32,720 Speaker 1: Bamba is the story of Richie Valens and his rise 312 00:17:32,760 --> 00:17:36,280 Speaker 1: to fame, which happened so quickly, and he was also 313 00:17:36,880 --> 00:17:40,160 Speaker 1: taken from us just as quickly as his star started 314 00:17:40,160 --> 00:17:42,800 Speaker 1: to rise. But at the core of this movie, it 315 00:17:42,920 --> 00:17:46,040 Speaker 1: is the story about two brothers, Richie Valens and his 316 00:17:46,119 --> 00:17:49,200 Speaker 1: brother Bob, and how one of them has always been 317 00:17:49,280 --> 00:17:51,680 Speaker 1: kind of the poster child of the family, the one 318 00:17:51,800 --> 00:17:55,800 Speaker 1: everybody believes in, the one everybody invests in and knows 319 00:17:55,920 --> 00:17:58,560 Speaker 1: that will go on to do great things. And then 320 00:17:58,600 --> 00:18:01,040 Speaker 1: you have Bob and is kind of the black sheep 321 00:18:01,080 --> 00:18:03,880 Speaker 1: of the family who has made some bad choices, made 322 00:18:03,920 --> 00:18:08,280 Speaker 1: some bad mistakes, and resents his other brother for that 323 00:18:08,400 --> 00:18:11,399 Speaker 1: and resents his brother when he does become successful and 324 00:18:11,520 --> 00:18:14,760 Speaker 1: is able to take their family from an impoverished living 325 00:18:15,040 --> 00:18:19,880 Speaker 1: situation and helped them achieve the American dream. And speaking 326 00:18:19,920 --> 00:18:24,240 Speaker 1: of you know, Latino and Mexican American voices in film, 327 00:18:24,400 --> 00:18:26,159 Speaker 1: I think this is one of the best to do 328 00:18:26,240 --> 00:18:29,359 Speaker 1: it because it shows somebody who was born in the 329 00:18:29,440 --> 00:18:33,320 Speaker 1: United States, but because of their last name, gets associated 330 00:18:33,359 --> 00:18:36,920 Speaker 1: with being Mexican, even though Richie Vallens didn't speak Spanish, 331 00:18:36,960 --> 00:18:39,280 Speaker 1: and everybody kind of assumed he did just by the 332 00:18:39,320 --> 00:18:41,760 Speaker 1: way he looked in his last name, and he took 333 00:18:41,800 --> 00:18:44,840 Speaker 1: that and covered La Bamba and made it a rock 334 00:18:44,880 --> 00:18:47,800 Speaker 1: and roll hit. And why I love the representation of 335 00:18:47,880 --> 00:18:51,600 Speaker 1: Latinos in this movie and really every movie in the eighties. 336 00:18:51,840 --> 00:18:55,000 Speaker 1: I felt like it really captured our culture in the 337 00:18:55,040 --> 00:18:59,000 Speaker 1: most honest way because you do have Mexican American directors 338 00:18:59,359 --> 00:19:02,720 Speaker 1: at the four front of these films. It felt very 339 00:19:02,840 --> 00:19:06,440 Speaker 1: authentic to me and still does. Sometimes when I see 340 00:19:06,480 --> 00:19:10,800 Speaker 1: Mexican American characters portrayed on the screen, it's told through 341 00:19:10,840 --> 00:19:12,919 Speaker 1: the eyes, and maybe somebody who didn't grow up that 342 00:19:12,960 --> 00:19:15,960 Speaker 1: way and doesn't get everything completely down sometimes has to 343 00:19:16,080 --> 00:19:21,120 Speaker 1: over emphasize things like use certain Spanish phrases or Spanish 344 00:19:21,160 --> 00:19:25,439 Speaker 1: words or small Spanish characteristics of our culture. That doesn't 345 00:19:25,480 --> 00:19:28,280 Speaker 1: really feel as authentic as it should. So I think 346 00:19:28,320 --> 00:19:30,520 Speaker 1: when I go back to some of my favorite films, 347 00:19:30,800 --> 00:19:33,040 Speaker 1: it's always back to the eighties. They just really head 348 00:19:33,080 --> 00:19:35,879 Speaker 1: it down in this decade. So that is why I 349 00:19:35,920 --> 00:19:38,320 Speaker 1: look back to movies like LaBamba, Born in the East, 350 00:19:38,480 --> 00:19:41,520 Speaker 1: l A and Stand and Deliver, And this movie will 351 00:19:41,560 --> 00:19:44,480 Speaker 1: continue to be one of my favorites. And I'm sorry, 352 00:19:44,720 --> 00:19:47,240 Speaker 1: I think I've probably met my quota of talking about 353 00:19:47,280 --> 00:19:49,520 Speaker 1: this movie for this year. But at number four, I'm 354 00:19:49,560 --> 00:19:53,199 Speaker 1: going with Labama from Night Seven. We'll move now to 355 00:19:53,280 --> 00:19:57,040 Speaker 1: the top three. At number three, I'm going with Batman 356 00:19:57,160 --> 00:20:02,560 Speaker 1: from nine, directed by Tim Burton, a box office success, 357 00:20:02,640 --> 00:20:06,840 Speaker 1: making four hundred and eleven million dollars from a forty 358 00:20:06,880 --> 00:20:09,960 Speaker 1: eight million dollar budget, which is a pretty pricey movie, 359 00:20:10,119 --> 00:20:12,520 Speaker 1: especially for one of the eighties. I think this is 360 00:20:12,520 --> 00:20:15,600 Speaker 1: one of the most important superhero films, and I'll tell 361 00:20:15,600 --> 00:20:19,800 Speaker 1: you why. We did have the Superman movies from seventy 362 00:20:19,880 --> 00:20:22,919 Speaker 1: eight through the early eighties, but I think this is 363 00:20:22,960 --> 00:20:26,720 Speaker 1: the one that showed that superhero movies could be a 364 00:20:26,760 --> 00:20:29,359 Speaker 1: little bit grittier. And I think that's because of the 365 00:20:29,480 --> 00:20:33,560 Speaker 1: character that is Batman. The storyline was a little darker, 366 00:20:33,720 --> 00:20:37,560 Speaker 1: there was more violence. You have Jack Nicholson as the Joker, 367 00:20:38,000 --> 00:20:43,080 Speaker 1: who is really responsible for making playing the Joker the 368 00:20:43,240 --> 00:20:45,560 Speaker 1: role that it is today that he was one of 369 00:20:45,640 --> 00:20:48,280 Speaker 1: the first ones to realize what a toll it is 370 00:20:48,320 --> 00:20:52,160 Speaker 1: to really take on this character, to play the psycho path, 371 00:20:52,840 --> 00:20:55,240 Speaker 1: and how much that can really affect you when you 372 00:20:55,280 --> 00:20:57,800 Speaker 1: have to live in that day after day while filming 373 00:20:57,840 --> 00:21:00,800 Speaker 1: this movie. And then you have Michael Keaton, who is 374 00:21:00,880 --> 00:21:04,320 Speaker 1: my favorite Batman. I just love the world that Tim 375 00:21:04,359 --> 00:21:08,240 Speaker 1: Burton created in Batman and in the sequel Batman Returns. 376 00:21:08,520 --> 00:21:12,040 Speaker 1: It felt very true to the comic books, and the 377 00:21:12,080 --> 00:21:15,760 Speaker 1: movie had such great imagery. The movie memory that I 378 00:21:15,920 --> 00:21:20,000 Speaker 1: created after watching this movie was as Batman is flying 379 00:21:20,040 --> 00:21:24,080 Speaker 1: towards the Joker, he pulls out this ridiculously long gun 380 00:21:24,480 --> 00:21:27,159 Speaker 1: and fires it. And I think that's what made this 381 00:21:27,240 --> 00:21:30,960 Speaker 1: movie great was all the gadgets, Like that's what Batman 382 00:21:31,080 --> 00:21:33,960 Speaker 1: is known for, and that is where this movie really 383 00:21:34,000 --> 00:21:37,040 Speaker 1: comes through. So at number three, I'm going with nine 384 00:21:37,680 --> 00:21:42,200 Speaker 1: nine Batman. At number two from four, I'm going with 385 00:21:42,240 --> 00:21:45,919 Speaker 1: A Nightmare on Elm Street from director Wes Craven. The 386 00:21:45,960 --> 00:21:48,680 Speaker 1: movie cost one point eight million dollars to make, which 387 00:21:48,720 --> 00:21:51,919 Speaker 1: at the time was a very large amount to spend 388 00:21:52,160 --> 00:21:56,280 Speaker 1: on a small horror production. This movie set the standard 389 00:21:56,400 --> 00:21:59,480 Speaker 1: for horror movies in the eighties, but really in the 390 00:21:59,600 --> 00:22:04,840 Speaker 1: John since then, there's so much iconic imagery from this movie, 391 00:22:04,880 --> 00:22:09,840 Speaker 1: from Freddy Krueger's knife wielding hand ascending from the bathtub 392 00:22:09,880 --> 00:22:12,720 Speaker 1: bubbles while Nancy is in their drifting off into sleep. 393 00:22:13,080 --> 00:22:16,439 Speaker 1: Freddy Krueger on Fire on the Bed has one of 394 00:22:16,440 --> 00:22:21,399 Speaker 1: the most brutal openings to a horror movie that immediately 395 00:22:21,520 --> 00:22:23,879 Speaker 1: killed off a character, which was such a big shock 396 00:22:24,160 --> 00:22:28,320 Speaker 1: and a tactic now used in horror movies to stun audiences. 397 00:22:28,440 --> 00:22:30,720 Speaker 1: Right from the beginning. I love one of the first 398 00:22:30,760 --> 00:22:33,639 Speaker 1: times to see Freddy Krueger walking down the alley and 399 00:22:33,760 --> 00:22:37,320 Speaker 1: his arms expand. Even though it looks a little bit fake, 400 00:22:37,359 --> 00:22:40,960 Speaker 1: it a little bit cheesy, it's still pretty horrifying. But 401 00:22:41,040 --> 00:22:43,119 Speaker 1: without a doubt, the best scene in the entire movie 402 00:22:43,160 --> 00:22:45,680 Speaker 1: is when Johnny Depp dies and all the blood comes 403 00:22:45,720 --> 00:22:48,560 Speaker 1: flowing from the bed, And that also goes back to 404 00:22:48,600 --> 00:22:52,160 Speaker 1: the use of practical effects and director Wes Craven's vision 405 00:22:52,200 --> 00:22:55,399 Speaker 1: to show audience is something they've never seen before, and 406 00:22:55,440 --> 00:22:58,400 Speaker 1: the design of that effect was pretty cool to see 407 00:22:58,400 --> 00:23:00,240 Speaker 1: the behind the scenes of that of them actually leap 408 00:23:00,320 --> 00:23:03,600 Speaker 1: dumping all of that red liquid, creating all these electrical 409 00:23:03,640 --> 00:23:08,800 Speaker 1: sort shortages and putting essentially everybody's life in danger on 410 00:23:08,840 --> 00:23:11,120 Speaker 1: the set of that movie. But they got the shot 411 00:23:11,119 --> 00:23:14,639 Speaker 1: a movie I tried to rewatch every Halloween and I 412 00:23:14,640 --> 00:23:16,880 Speaker 1: think it still holds up. And at the time when 413 00:23:16,880 --> 00:23:20,360 Speaker 1: this came out in the eighties, I loved all the posters, 414 00:23:20,400 --> 00:23:22,360 Speaker 1: all of the TV spots for this. I go back 415 00:23:22,400 --> 00:23:24,639 Speaker 1: and watch those on YouTube from time to time. And 416 00:23:24,680 --> 00:23:27,720 Speaker 1: the reason why this movie just had a lasting effect 417 00:23:27,760 --> 00:23:31,840 Speaker 1: and made so many ways when it came out, it's 418 00:23:31,880 --> 00:23:35,439 Speaker 1: because of that idea of us not being safe in 419 00:23:35,520 --> 00:23:38,600 Speaker 1: our sleep, and that is really where this horror movie 420 00:23:38,640 --> 00:23:41,719 Speaker 1: goes on an entirely different level. To think there are 421 00:23:41,760 --> 00:23:43,960 Speaker 1: movies that came out you would watch them and it 422 00:23:44,000 --> 00:23:46,760 Speaker 1: would affect your real life. You would struggle going to 423 00:23:46,760 --> 00:23:50,439 Speaker 1: sleep that night at fears that Freddy Krueger would invade 424 00:23:50,440 --> 00:23:53,080 Speaker 1: your dreams. That is the power of a great movie 425 00:23:53,359 --> 00:23:56,159 Speaker 1: and a grade eighties movie. So at number two, I 426 00:23:56,200 --> 00:23:59,280 Speaker 1: am going with a nightmare on Elm Street before I 427 00:23:59,320 --> 00:24:02,320 Speaker 1: get to my nun one movie from the eighties. There 428 00:24:02,359 --> 00:24:04,800 Speaker 1: are so many honorable mentions. The eighties are such a 429 00:24:04,840 --> 00:24:09,760 Speaker 1: huge decade. I could probably do several different episodes dedicated 430 00:24:09,800 --> 00:24:12,400 Speaker 1: to them, But movies that almost made my list, and 431 00:24:12,480 --> 00:24:15,840 Speaker 1: some that you sent in on Facebook, Twitter, and Instagram 432 00:24:16,080 --> 00:24:20,600 Speaker 1: were Beetlejuice from This Is Spinal Tap from four, which 433 00:24:20,600 --> 00:24:24,640 Speaker 1: is one of my favorite comedies, The Terminator, Ghostbusters, RoboCop, 434 00:24:25,040 --> 00:24:29,400 Speaker 1: The Shining die Hard, Dirty Dancing Footloose Bill, and Ted's 435 00:24:29,920 --> 00:24:34,160 Speaker 1: Various Bueller's Day Off, Beverly Hills Cop, which Eddie Murphy 436 00:24:34,320 --> 00:24:38,360 Speaker 1: had an incredible run at the box office in the eighties, 437 00:24:38,400 --> 00:24:40,640 Speaker 1: one of the biggest stars in all of Hollywood during 438 00:24:40,680 --> 00:24:43,080 Speaker 1: that time. Full Metal Jacket, which is one of my 439 00:24:43,119 --> 00:24:45,440 Speaker 1: favorite movies. You know, so that some other great horror 440 00:24:45,480 --> 00:24:48,280 Speaker 1: movies like The Evil Dead. I was never the biggest 441 00:24:48,320 --> 00:24:51,040 Speaker 1: Indiana Jones fan, but Raiders of the Lost start came 442 00:24:51,040 --> 00:24:55,000 Speaker 1: out in one The Outsiders big. We didn't even get 443 00:24:55,040 --> 00:24:58,160 Speaker 1: into any Tom Hanks movies on this list, who also 444 00:24:58,240 --> 00:25:01,359 Speaker 1: had a great run in the eighties, The Karate Kid Airplane, 445 00:25:01,600 --> 00:25:03,560 Speaker 1: some people said The Little Mermaid, which came out in 446 00:25:04,800 --> 00:25:06,879 Speaker 1: I still think this wasn't that great a decade for 447 00:25:07,000 --> 00:25:10,320 Speaker 1: the eighties Disney movies. They were still in that xerox 448 00:25:10,359 --> 00:25:13,240 Speaker 1: era where everything kind of looked photocopied over the top. 449 00:25:13,359 --> 00:25:16,240 Speaker 1: From Sylvester stallone top Gun. I may have said that 450 00:25:16,280 --> 00:25:19,439 Speaker 1: one already in the movie I couldn't quite put on 451 00:25:19,560 --> 00:25:21,840 Speaker 1: my list that people will rip me up for was 452 00:25:21,920 --> 00:25:26,520 Speaker 1: et From Night two. I love that movie. I think 453 00:25:26,560 --> 00:25:29,720 Speaker 1: it is an important and iconic movie, but when it 454 00:25:29,800 --> 00:25:33,520 Speaker 1: comes to my favorites from the decade, I never really 455 00:25:33,560 --> 00:25:36,520 Speaker 1: had that emotional attachment to ET I think that was 456 00:25:36,600 --> 00:25:40,000 Speaker 1: one I needed to experience earlier on. I was born 457 00:25:40,040 --> 00:25:43,000 Speaker 1: in nine one, so that movie felt really old to me, 458 00:25:43,040 --> 00:25:45,000 Speaker 1: which is weird for me to say. But the one 459 00:25:45,040 --> 00:25:47,040 Speaker 1: that did make my list was a movie that came 460 00:25:47,040 --> 00:25:50,760 Speaker 1: out three years after Et From five, and it is 461 00:25:50,960 --> 00:25:54,520 Speaker 1: Back to the Future, directed by Robert Zamakas, who also 462 00:25:54,560 --> 00:25:57,679 Speaker 1: did Forrest Gump, who framed Roger Rabbit, and did the 463 00:25:57,880 --> 00:26:00,840 Speaker 1: entire Back to the Future trilogy, actually from parts one 464 00:26:00,920 --> 00:26:03,600 Speaker 1: to part three. The movie costs nineteen million dollars to 465 00:26:03,680 --> 00:26:06,480 Speaker 1: make and went on to make three d eight million 466 00:26:06,600 --> 00:26:09,800 Speaker 1: at the US box office. And even though I discovered 467 00:26:09,800 --> 00:26:12,840 Speaker 1: this movie much later in life, this is truly a 468 00:26:12,880 --> 00:26:16,399 Speaker 1: movie that defies the eighties. I think it is timeless, 469 00:26:16,600 --> 00:26:19,800 Speaker 1: even though it is dealing with predicting the future and 470 00:26:20,119 --> 00:26:22,159 Speaker 1: a date that we've already passed, which is weird to 471 00:26:22,200 --> 00:26:25,680 Speaker 1: think about, but I just think it has all the 472 00:26:25,720 --> 00:26:29,159 Speaker 1: best elements of what makes a great movie, of what 473 00:26:29,280 --> 00:26:33,440 Speaker 1: makes something spectacular to watch. It has comedy, it has action, 474 00:26:33,520 --> 00:26:36,199 Speaker 1: and has a love story, and it has that sci fi. 475 00:26:36,320 --> 00:26:38,359 Speaker 1: So we just talked about last week of movies. I 476 00:26:38,400 --> 00:26:41,719 Speaker 1: would recommend to somebody just coming out of a tenure coma, 477 00:26:42,240 --> 00:26:44,560 Speaker 1: this is a movie in that same kind of vein 478 00:26:45,040 --> 00:26:48,280 Speaker 1: that I would recommend to somebody who has never seen 479 00:26:48,280 --> 00:26:51,720 Speaker 1: a movie before, say an alien just dropped into Earth, 480 00:26:52,000 --> 00:26:54,280 Speaker 1: and you're trying to explain to them what a movie is. 481 00:26:54,320 --> 00:26:56,360 Speaker 1: I think this is the movie I would show them 482 00:26:56,400 --> 00:26:59,639 Speaker 1: because it has all of those elements, and it is 483 00:26:59,680 --> 00:27:02,840 Speaker 1: a movie me that I struggle with it ever being remade, 484 00:27:03,760 --> 00:27:08,840 Speaker 1: because I selfishly would like to see how much this 485 00:27:08,880 --> 00:27:13,600 Speaker 1: story would benefit from having the technology that we have today. 486 00:27:13,680 --> 00:27:16,320 Speaker 1: And I know as much as we hate having movies 487 00:27:16,440 --> 00:27:19,000 Speaker 1: rebooted that we know and love, and I think they 488 00:27:19,000 --> 00:27:21,320 Speaker 1: don't need to be touched because they are perfect. I 489 00:27:21,359 --> 00:27:23,920 Speaker 1: think if I had to pick one and was able 490 00:27:24,000 --> 00:27:28,360 Speaker 1: to handpick the director and hand pick the movie studio 491 00:27:28,480 --> 00:27:31,280 Speaker 1: that would go on to make the remake, I would 492 00:27:31,359 --> 00:27:33,320 Speaker 1: want to see a new Back to the Future. Well 493 00:27:33,320 --> 00:27:36,320 Speaker 1: maybe that's just me, but those are my top ten 494 00:27:36,640 --> 00:27:38,760 Speaker 1: eighties movies. If you have more that you want to 495 00:27:38,760 --> 00:27:41,520 Speaker 1: submit to the conversation, hit me up on Twitter or 496 00:27:41,560 --> 00:27:44,920 Speaker 1: Instagram at Mike Distro, shoot me an email movie Mike 497 00:27:45,000 --> 00:27:51,760 Speaker 1: d at gmail dot com. Let's get into a movie 498 00:27:51,800 --> 00:27:55,280 Speaker 1: review now. I want to talk about Bodies, Bodies Bodies, 499 00:27:55,359 --> 00:27:59,800 Speaker 1: which is a horror comedy movie from It follows a 500 00:28:00,040 --> 00:28:04,919 Speaker 1: group of rich, twentysome things who throw this elaborate and 501 00:28:05,200 --> 00:28:09,800 Speaker 1: somewhat odd hurricane party at one of their mansions, and 502 00:28:09,840 --> 00:28:13,360 Speaker 1: they play this game called Bodies Bodies Bodies, where one 503 00:28:13,400 --> 00:28:15,919 Speaker 1: person is assigned the killer and everybody else has to 504 00:28:15,960 --> 00:28:19,560 Speaker 1: figure it out. But then some people start getting murdered 505 00:28:19,840 --> 00:28:22,480 Speaker 1: and they try to figure out who the real killer 506 00:28:22,680 --> 00:28:25,400 Speaker 1: is outside of this game. So before I get into 507 00:28:25,480 --> 00:28:27,400 Speaker 1: what I think about this movie, here's just a little 508 00:28:27,440 --> 00:28:30,280 Speaker 1: bit of the Body's Bodies Bodies trailer. Who wants to 509 00:28:30,280 --> 00:28:35,080 Speaker 1: play Bodies Bodies ties? I get so stressed out every 510 00:28:35,080 --> 00:28:41,560 Speaker 1: time we play that someone always has a crime. So 511 00:28:41,600 --> 00:28:44,480 Speaker 1: how do you play? Well, I'm not coming to say 512 00:28:44,600 --> 00:28:46,720 Speaker 1: that if you draw the tiece of paper that has 513 00:28:46,760 --> 00:28:50,640 Speaker 1: the X on it, you are the murderer. Our friend 514 00:28:51,000 --> 00:28:53,560 Speaker 1: is dead. So if you could just like not escalate 515 00:28:53,600 --> 00:28:55,920 Speaker 1: the situation that I'm not escalating, you're holding the knife 516 00:28:55,920 --> 00:28:58,520 Speaker 1: and you're moving your hands while you talk. So this 517 00:28:58,680 --> 00:29:01,680 Speaker 1: movie has a cast of a lot of fresh new faces, 518 00:29:01,760 --> 00:29:05,960 Speaker 1: which I found pretty refreshing. The most recognizable face, though, 519 00:29:06,000 --> 00:29:08,720 Speaker 1: you have, is Pete Davidson. He is one of the 520 00:29:08,840 --> 00:29:12,200 Speaker 1: rich kids in this movie. So where the story starts 521 00:29:12,280 --> 00:29:14,160 Speaker 1: is you find one of the characters who has a 522 00:29:14,160 --> 00:29:17,280 Speaker 1: new girlfriend and she is introducing her to all of 523 00:29:17,280 --> 00:29:20,000 Speaker 1: her new friends, who are all these rich twenty year olds, 524 00:29:20,600 --> 00:29:23,840 Speaker 1: and they're all getting together at one of their parents 525 00:29:23,960 --> 00:29:27,440 Speaker 1: mansions where they're going to drink and take drugs as 526 00:29:27,480 --> 00:29:30,680 Speaker 1: they await this hurricane that is about to hit. So 527 00:29:30,920 --> 00:29:33,360 Speaker 1: one night where they're all partying, they decided to play 528 00:29:33,360 --> 00:29:36,560 Speaker 1: this game called Bodies, Bodies, Bodies, where everybody draws a 529 00:29:36,640 --> 00:29:39,800 Speaker 1: card and on one of those cards marks that that 530 00:29:39,840 --> 00:29:42,520 Speaker 1: person is assigned to be the killer, and they all 531 00:29:42,560 --> 00:29:45,080 Speaker 1: have to figure out who the killer is. They turned 532 00:29:45,120 --> 00:29:47,880 Speaker 1: the lights off, that killer taps one of them, and 533 00:29:47,920 --> 00:29:50,960 Speaker 1: that person is now dead in the game, and they 534 00:29:51,040 --> 00:29:54,120 Speaker 1: keep trying to guess and make all these kind of 535 00:29:54,120 --> 00:29:57,320 Speaker 1: accusations and reasonings of who they think the killer is, 536 00:29:57,680 --> 00:30:00,600 Speaker 1: while the killer is trying not to be revealed and 537 00:30:00,640 --> 00:30:03,280 Speaker 1: be able to take out as many people as possible. 538 00:30:03,320 --> 00:30:06,040 Speaker 1: So that's the game they're playing called Bodies, Bodies Bodies. 539 00:30:06,560 --> 00:30:11,280 Speaker 1: But then one of them actually dies, so suddenly it 540 00:30:11,320 --> 00:30:15,000 Speaker 1: gets very serious as they realize there is a killer 541 00:30:15,200 --> 00:30:18,800 Speaker 1: among them. So what the movie is really about is 542 00:30:18,880 --> 00:30:21,680 Speaker 1: how well do you know your friends, how well do 543 00:30:21,760 --> 00:30:23,680 Speaker 1: you know the people you hang out with, and what 544 00:30:23,800 --> 00:30:28,280 Speaker 1: happens when you start accusing them of killing people. So 545 00:30:28,360 --> 00:30:31,200 Speaker 1: it goes from them trying to find out who done 546 00:30:31,200 --> 00:30:35,040 Speaker 1: it in the fictional game, to them throughout the entire 547 00:30:35,080 --> 00:30:37,520 Speaker 1: movie really trying to find the killer. So it is 548 00:30:37,560 --> 00:30:39,959 Speaker 1: a fun modern twist on that who Done It genre. 549 00:30:40,480 --> 00:30:43,560 Speaker 1: And I do think this is a pretty important film. 550 00:30:43,600 --> 00:30:46,160 Speaker 1: And even though I didn't love it, but I did 551 00:30:46,280 --> 00:30:51,000 Speaker 1: enjoy it. I felt this movie was very fresh and entertaining. 552 00:30:51,560 --> 00:30:55,000 Speaker 1: It is the first real gen Z slasher I have seen, 553 00:30:55,320 --> 00:30:58,360 Speaker 1: and it was a little bit more horror slasher than 554 00:30:58,400 --> 00:31:00,640 Speaker 1: I was expecting. I was kind of inspecting a full 555 00:31:00,880 --> 00:31:03,680 Speaker 1: on comedy. It kind of felt like the movie Spring 556 00:31:03,720 --> 00:31:07,280 Speaker 1: Breakers meets like a scream. I guess I was just 557 00:31:07,320 --> 00:31:10,280 Speaker 1: expecting a little bit more ha ha comedy, and it 558 00:31:10,360 --> 00:31:12,800 Speaker 1: was a little bit more of a clever satire on 559 00:31:12,880 --> 00:31:16,160 Speaker 1: the genre and also poking fun at rich kids. But 560 00:31:16,240 --> 00:31:18,640 Speaker 1: I think the thing I really enjoyed about the movie 561 00:31:18,840 --> 00:31:21,680 Speaker 1: is it was very well written. I love the dialogue 562 00:31:21,680 --> 00:31:24,760 Speaker 1: in this movie, how it really tried to capture what 563 00:31:25,000 --> 00:31:28,040 Speaker 1: people in their early twenties are like right now. So 564 00:31:28,120 --> 00:31:30,400 Speaker 1: I think this will later be looked at it is 565 00:31:30,480 --> 00:31:33,360 Speaker 1: one of the most quintessential gen Z movies made. I 566 00:31:33,360 --> 00:31:36,800 Speaker 1: think for my generation from millennials. I kind of felt 567 00:31:36,880 --> 00:31:41,080 Speaker 1: represented this way back in with a movie called Unfriended, 568 00:31:41,360 --> 00:31:44,480 Speaker 1: which is also a horror movie. I felt like that 569 00:31:44,640 --> 00:31:47,960 Speaker 1: really kind of came out at a time when I 570 00:31:48,000 --> 00:31:50,920 Speaker 1: was going through the things that the characters were in 571 00:31:50,960 --> 00:31:54,560 Speaker 1: that movie. That movie took place entirely over Skype, so 572 00:31:55,720 --> 00:31:59,320 Speaker 1: the technology was very set in that period of time 573 00:31:59,400 --> 00:32:02,360 Speaker 1: that I have really seen a movie really captured that sense. 574 00:32:02,520 --> 00:32:05,200 Speaker 1: And even though Unfriended isn't the best movie ever, I 575 00:32:05,320 --> 00:32:07,280 Speaker 1: just go back and watch that movie a lot because 576 00:32:07,280 --> 00:32:10,160 Speaker 1: it reminds me of that time. So I do think 577 00:32:10,200 --> 00:32:13,800 Speaker 1: that Bodies will be that for people probably here in 578 00:32:13,840 --> 00:32:16,560 Speaker 1: another eight or ten years, and why I do think 579 00:32:16,600 --> 00:32:20,200 Speaker 1: that dialogue is so important because it is so easy 580 00:32:20,280 --> 00:32:23,280 Speaker 1: to make a bad horror movie, and where horror movies 581 00:32:23,600 --> 00:32:25,680 Speaker 1: really kind of get it wrong, I really kind of 582 00:32:25,680 --> 00:32:28,760 Speaker 1: miss out on is that dialogue of really creating a 583 00:32:28,880 --> 00:32:32,920 Speaker 1: story and creating something believable, which I think Bodies did 584 00:32:33,000 --> 00:32:36,360 Speaker 1: do really well, because it's not enough just to rely 585 00:32:37,200 --> 00:32:40,479 Speaker 1: on the horror elements, to rely on the kills to 586 00:32:40,520 --> 00:32:43,760 Speaker 1: create a great horror movie, because there's a very kind 587 00:32:43,760 --> 00:32:46,480 Speaker 1: of delicate balance when it comes to that. If it's 588 00:32:46,520 --> 00:32:50,080 Speaker 1: just killing all the time, it loses all of its appeal, 589 00:32:50,160 --> 00:32:52,520 Speaker 1: it loses all of its dramatic effect, But if there's 590 00:32:52,560 --> 00:32:55,360 Speaker 1: not enough of it, it just becomes kind of boring. 591 00:32:55,480 --> 00:32:58,360 Speaker 1: So where you really need to kind of focus on 592 00:32:58,400 --> 00:33:02,000 Speaker 1: in a horror movie is creating great dialogue, creating memorable lines, 593 00:33:02,080 --> 00:33:04,960 Speaker 1: creating funny moments. In this movie, it is pretty subtle. 594 00:33:05,200 --> 00:33:07,800 Speaker 1: But even if you stripped out all of the kind 595 00:33:07,800 --> 00:33:10,680 Speaker 1: of shocking jump scares out of this movie, I still 596 00:33:10,680 --> 00:33:13,520 Speaker 1: think it's just a great written comedy. And the other 597 00:33:13,560 --> 00:33:16,240 Speaker 1: thing that this movie does pretty well is that it 598 00:33:16,280 --> 00:33:19,280 Speaker 1: does keep you guessing along. So the entertaining part of 599 00:33:19,280 --> 00:33:22,880 Speaker 1: this ninety minute movie is that you'll find yourself guessing 600 00:33:22,920 --> 00:33:25,080 Speaker 1: all the way through. I think I changed who I 601 00:33:25,120 --> 00:33:28,960 Speaker 1: thought the killer was two or three times, and it 602 00:33:29,160 --> 00:33:31,640 Speaker 1: is very rare that a movie keeps me guessing till 603 00:33:31,680 --> 00:33:34,280 Speaker 1: the end, but this movie really did that and something 604 00:33:34,320 --> 00:33:36,600 Speaker 1: else I kind of found funny. I know it was 605 00:33:36,720 --> 00:33:39,040 Speaker 1: kind of a satire, but it did poke fun at 606 00:33:39,080 --> 00:33:43,040 Speaker 1: gen Z lingo and just gen Z interactions. And then 607 00:33:43,040 --> 00:33:44,800 Speaker 1: as the first time I've seen that done in the 608 00:33:44,840 --> 00:33:47,640 Speaker 1: movie before. As a millennial, I feel like we've been 609 00:33:47,640 --> 00:33:49,760 Speaker 1: getting a lot of heat lately. Is now what we 610 00:33:49,760 --> 00:33:53,000 Speaker 1: are seeing as the older uncool generation. I'm not sure 611 00:33:53,000 --> 00:33:56,000 Speaker 1: when that happened. I felt like as millennials, we had 612 00:33:56,040 --> 00:33:59,320 Speaker 1: a really short time to one be just criticized by 613 00:33:59,360 --> 00:34:01,680 Speaker 1: the generation that came right before us, the people calling 614 00:34:01,760 --> 00:34:04,160 Speaker 1: us entitled, And I felt like for that reason, we 615 00:34:04,240 --> 00:34:06,640 Speaker 1: never got to make fun of anybody. We got it 616 00:34:06,720 --> 00:34:09,359 Speaker 1: so quickly of being hated on, and as soon as 617 00:34:09,360 --> 00:34:11,239 Speaker 1: we got to the point that we could make fun 618 00:34:11,239 --> 00:34:14,640 Speaker 1: of the older generation, the younger generation started taking stab 619 00:34:14,719 --> 00:34:16,640 Speaker 1: at us for being cringe e And I think this 620 00:34:16,680 --> 00:34:21,080 Speaker 1: movie showed me that their time will come too. It's 621 00:34:21,120 --> 00:34:24,080 Speaker 1: just weird us creating all these barriers, like we're so 622 00:34:24,239 --> 00:34:27,640 Speaker 1: different as generations were really all the same, we just 623 00:34:27,680 --> 00:34:30,400 Speaker 1: say words differently. So so what I'm just saying is 624 00:34:30,440 --> 00:34:33,279 Speaker 1: we shouldn't scrutinize people based on what decade they were 625 00:34:33,320 --> 00:34:35,799 Speaker 1: born in. And it took me watching this movie to 626 00:34:35,880 --> 00:34:38,799 Speaker 1: be a reminder of that. And I think when it 627 00:34:38,880 --> 00:34:42,840 Speaker 1: comes to recommending this movie, I think it is skewed 628 00:34:42,880 --> 00:34:45,480 Speaker 1: towards the younger generation, and I'm cool with that. I 629 00:34:45,520 --> 00:34:48,640 Speaker 1: think that is who this movie was made for. I 630 00:34:48,680 --> 00:34:51,719 Speaker 1: think it's supposed to be this generation scream and a 631 00:34:51,760 --> 00:34:54,680 Speaker 1: new take on horror, which I'm on four. I'm all 632 00:34:54,719 --> 00:34:57,360 Speaker 1: for keeping this genre as fresh as it can be. 633 00:34:57,880 --> 00:35:00,960 Speaker 1: So if you're just a fan of slasher movies, if 634 00:35:01,000 --> 00:35:03,239 Speaker 1: you're a fan of some dark and twisted humor, I 635 00:35:03,280 --> 00:35:05,759 Speaker 1: think you will enjoy it too. But I don't think 636 00:35:05,760 --> 00:35:07,880 Speaker 1: it's the movie for you. If you're wanting to watch 637 00:35:07,920 --> 00:35:11,640 Speaker 1: something that will make you laugh out loud continuously, and 638 00:35:11,680 --> 00:35:13,960 Speaker 1: you won't really be moved by some of the horror 639 00:35:14,000 --> 00:35:16,720 Speaker 1: and violence in this It's pretty subtle, it's pretty straight 640 00:35:16,719 --> 00:35:19,080 Speaker 1: to the point. But I still think overall it is 641 00:35:19,120 --> 00:35:23,040 Speaker 1: a pretty entertaining movie, and I found myself still thinking 642 00:35:23,080 --> 00:35:26,000 Speaker 1: about it days after I watched it, and that's all 643 00:35:26,040 --> 00:35:27,960 Speaker 1: I'll say about that. But if I had to rate 644 00:35:28,000 --> 00:35:30,759 Speaker 1: Bodies Bodies Bodies, I would give it three point five 645 00:35:30,960 --> 00:35:37,680 Speaker 1: out of five. Rich kids, It's time to head down 646 00:35:37,719 --> 00:35:41,399 Speaker 1: to movie Mike La Paul. I want to talk about 647 00:35:41,400 --> 00:35:44,000 Speaker 1: a movie called Funny Pages. It just came out in 648 00:35:44,200 --> 00:35:47,440 Speaker 1: very select theaters this past Friday and is available now 649 00:35:47,520 --> 00:35:49,560 Speaker 1: to rent on Amazon. You can watch it at home 650 00:35:49,600 --> 00:35:52,840 Speaker 1: for seven bucks. But it is a movie that you 651 00:35:52,880 --> 00:35:55,400 Speaker 1: could have convinced me. Came out back in the nineties 652 00:35:55,400 --> 00:35:57,319 Speaker 1: and I just missed it. This is one of the 653 00:35:57,360 --> 00:35:59,560 Speaker 1: trailers that came on before I went to go see 654 00:35:59,600 --> 00:36:03,799 Speaker 1: Emily the Criminal, and it looked and felt so nostalgic. 655 00:36:03,960 --> 00:36:06,239 Speaker 1: I immediately thought to myself, I have to watch this 656 00:36:06,280 --> 00:36:08,560 Speaker 1: movie when it comes out, and I wanted to share 657 00:36:08,600 --> 00:36:11,480 Speaker 1: it in the trailer park first before I even get 658 00:36:11,520 --> 00:36:13,880 Speaker 1: a chance to watch and review it, because maybe we 659 00:36:13,880 --> 00:36:16,840 Speaker 1: could experience this movie together. But what the movie is about. 660 00:36:17,239 --> 00:36:20,040 Speaker 1: It follows the story of this kid named Robert, who 661 00:36:20,080 --> 00:36:23,480 Speaker 1: is a high school student and aspiring cartoonist. He is 662 00:36:23,560 --> 00:36:26,600 Speaker 1: living in the suburbs and his parents want him to 663 00:36:26,719 --> 00:36:28,839 Speaker 1: go to school and go on to be something, but 664 00:36:28,880 --> 00:36:32,200 Speaker 1: he decides to drop out of school, leaves home, moves 665 00:36:32,239 --> 00:36:35,040 Speaker 1: into a place with a really weird living situation, and 666 00:36:35,080 --> 00:36:38,520 Speaker 1: then finds this guy who used to work as a 667 00:36:38,520 --> 00:36:41,359 Speaker 1: comic artist and kind of wants him to take him 668 00:36:41,440 --> 00:36:44,280 Speaker 1: under his wing so he can also achieve his dream 669 00:36:44,520 --> 00:36:46,719 Speaker 1: of being a comic book artist. It's said to be 670 00:36:46,800 --> 00:36:50,040 Speaker 1: a really twisted coming of age story. Here is just 671 00:36:50,080 --> 00:36:55,480 Speaker 1: a little bit of the Funny Pages trailer. Robert meet 672 00:36:55,520 --> 00:36:59,400 Speaker 1: our friend Wallace. So it's just here. You worked for 673 00:36:59,480 --> 00:37:06,040 Speaker 1: a company Cold Image, Year Image Comics. I work in 674 00:37:06,080 --> 00:37:10,080 Speaker 1: an artist nobody get all recur. What would I say 675 00:37:10,120 --> 00:37:13,000 Speaker 1: for a drawing lesson? Honestly, you consider yourself a cartoonist? Right? 676 00:37:13,040 --> 00:37:19,680 Speaker 1: I'm paying you how much? This is really crazy for me. 677 00:37:19,719 --> 00:37:23,040 Speaker 1: I've just never met the professional cartoonists before. That's a 678 00:37:23,080 --> 00:37:28,160 Speaker 1: big deal, I know. So while watching this trailer, I 679 00:37:28,280 --> 00:37:31,319 Speaker 1: felt away I haven't felt since the nineties. If you 680 00:37:31,400 --> 00:37:35,720 Speaker 1: ever remember putting in a VHS and having to watch 681 00:37:35,880 --> 00:37:38,160 Speaker 1: all of the trailers leading up to the movie you 682 00:37:38,200 --> 00:37:41,480 Speaker 1: were going to watch, this is how I felt watching 683 00:37:41,520 --> 00:37:44,160 Speaker 1: the Funny Pages trailer. It had that feel to it. 684 00:37:44,239 --> 00:37:48,480 Speaker 1: From visually looking like it was being played from a VHS, 685 00:37:48,560 --> 00:37:52,719 Speaker 1: kind of this low budget nineties quality filming style. You 686 00:37:52,719 --> 00:37:54,799 Speaker 1: almost have to convince me a little bit that this 687 00:37:54,840 --> 00:37:58,560 Speaker 1: movie came out now in two. I also love that 688 00:37:59,440 --> 00:38:02,880 Speaker 1: there are no big recognizable faces in the trailer or 689 00:38:02,920 --> 00:38:06,320 Speaker 1: in the entire cast. But not only that is everybody 690 00:38:06,360 --> 00:38:09,440 Speaker 1: looks pretty ordinary, and I feel like that provides a 691 00:38:09,520 --> 00:38:13,080 Speaker 1: level of authenticity that you don't really get in movies anymore. 692 00:38:13,200 --> 00:38:15,960 Speaker 1: When you're telling a story like this and the characters 693 00:38:16,040 --> 00:38:18,239 Speaker 1: look real, they look like people you would encounter at 694 00:38:18,239 --> 00:38:21,880 Speaker 1: the grocery store or encounter living in your apartment complex, 695 00:38:22,360 --> 00:38:24,600 Speaker 1: that is what I want to see. So above all, 696 00:38:24,640 --> 00:38:27,120 Speaker 1: I'm kind of just excited that a movie can be 697 00:38:27,200 --> 00:38:30,400 Speaker 1: made like this in two and look like this, and 698 00:38:30,440 --> 00:38:33,040 Speaker 1: feel like this, and be a story that feels like 699 00:38:33,120 --> 00:38:37,200 Speaker 1: maybe a cross between Napoleon Dynamite and super Bad. It 700 00:38:37,239 --> 00:38:39,600 Speaker 1: also kind of reminds me of the movie Jonah Hill 701 00:38:39,640 --> 00:38:42,840 Speaker 1: directed mid nineties of Being One to kind of subtly 702 00:38:43,080 --> 00:38:46,520 Speaker 1: capture the energy of that decade. The only person I 703 00:38:46,640 --> 00:38:50,399 Speaker 1: recognize from the trailer was Andy Melanochis, who I find 704 00:38:50,480 --> 00:38:54,239 Speaker 1: hilarious on TikTok and just from that trailer. It contains 705 00:38:54,280 --> 00:38:58,240 Speaker 1: some very dry humor. I love the dead pant style 706 00:38:58,480 --> 00:39:02,440 Speaker 1: of comedy that reminds me of Yeah, watching Napoleon Dynamite 707 00:39:02,480 --> 00:39:05,239 Speaker 1: for the very first time, where maybe your first run 708 00:39:05,280 --> 00:39:07,200 Speaker 1: through you don't entirely get it, but the more and 709 00:39:07,239 --> 00:39:09,960 Speaker 1: more you think about it, the funnier you find it. 710 00:39:10,239 --> 00:39:12,120 Speaker 1: And I think maybe if this were a movie they 711 00:39:12,160 --> 00:39:15,200 Speaker 1: came out back ten twenty years ago, it could be 712 00:39:15,239 --> 00:39:17,279 Speaker 1: a movie up to that level. At least that's the 713 00:39:17,320 --> 00:39:20,160 Speaker 1: impression it's giving to me now. But that movie is 714 00:39:20,160 --> 00:39:23,399 Speaker 1: from out in select theaters now where you can rent 715 00:39:23,400 --> 00:39:26,120 Speaker 1: it on Amazon for seven bucks. Not getting paid to 716 00:39:26,160 --> 00:39:27,840 Speaker 1: say that anyway. It's just the movie that I know 717 00:39:27,920 --> 00:39:30,080 Speaker 1: I'm going to sit down and watch pretty soon. And 718 00:39:30,120 --> 00:39:32,239 Speaker 1: if that sounds appealing to you, we can watch and 719 00:39:32,320 --> 00:39:35,239 Speaker 1: experience this movie together and then talk about it in 720 00:39:35,280 --> 00:39:38,080 Speaker 1: the movie review. But again, that movie is called Funny Pages. 721 00:39:39,640 --> 00:39:44,400 Speaker 1: This maakes edition of movie, and that's gonna do it 722 00:39:44,480 --> 00:39:47,959 Speaker 1: for another episode here on the podcast before I hop out. 723 00:39:48,239 --> 00:39:50,680 Speaker 1: You know what I do every single week my listeners 724 00:39:50,719 --> 00:39:52,880 Speaker 1: shout out of the week, where I just show my 725 00:39:52,960 --> 00:39:56,560 Speaker 1: appreciation to you for tweeting me at Mike Destro sending 726 00:39:56,560 --> 00:39:59,320 Speaker 1: me a d M, tagging me in your Instagram story, 727 00:39:59,560 --> 00:40:01,919 Speaker 1: taking a picture of your car's dash as you listen 728 00:40:01,960 --> 00:40:05,240 Speaker 1: to that week's episode, or send me an email movie 729 00:40:05,280 --> 00:40:08,360 Speaker 1: Mike d at gmail dot com. But today the shoutout 730 00:40:08,400 --> 00:40:10,399 Speaker 1: is taking me to Twitter in a tweet I got 731 00:40:10,440 --> 00:40:13,440 Speaker 1: from Kira, who tweeted me and said, in my family, 732 00:40:13,520 --> 00:40:16,080 Speaker 1: when we discuss a new movie, we always ask what 733 00:40:16,160 --> 00:40:18,680 Speaker 1: did myke D say about it? So keep those movie 734 00:40:18,680 --> 00:40:22,399 Speaker 1: reviews coming. You never steer us wrong. So I appreciate that, Kira, 735 00:40:22,520 --> 00:40:24,839 Speaker 1: and that you and your family do that. I do 736 00:40:24,960 --> 00:40:27,520 Speaker 1: try to lead you and steer you in the right direction. 737 00:40:28,239 --> 00:40:30,920 Speaker 1: And I truly just share movies that I am passionate 738 00:40:30,960 --> 00:40:33,600 Speaker 1: about and that I like, and that I hope you 739 00:40:33,640 --> 00:40:37,040 Speaker 1: will like to all of my reviews or just straight 740 00:40:37,080 --> 00:40:40,600 Speaker 1: from the heart and straight from how movies make me feel. 741 00:40:40,920 --> 00:40:43,640 Speaker 1: And there are some movies that I know that I'm 742 00:40:43,680 --> 00:40:46,920 Speaker 1: going to love and you probably won't, So I do 743 00:40:47,040 --> 00:40:49,560 Speaker 1: try to give you that objective look of what kind 744 00:40:49,600 --> 00:40:52,040 Speaker 1: of a movie fan you have to be to enjoy it. 745 00:40:52,560 --> 00:40:55,680 Speaker 1: And when I do rate something so incredibly high, I 746 00:40:55,719 --> 00:40:57,680 Speaker 1: know that sometimes it's not going to live up to 747 00:40:57,719 --> 00:41:00,520 Speaker 1: those expectations. So as this line, I in a battle. 748 00:41:00,600 --> 00:41:03,239 Speaker 1: Every single review I do to give you my most 749 00:41:03,320 --> 00:41:06,680 Speaker 1: honest opinion and also recommend things that won't waste your time. 750 00:41:07,000 --> 00:41:11,000 Speaker 1: So just know you're always getting my honest, true opinions 751 00:41:11,040 --> 00:41:14,520 Speaker 1: without any outside agenda. I don't have to say anything, 752 00:41:14,760 --> 00:41:17,080 Speaker 1: but I don't want to say so again, appreciate that, Kira, 753 00:41:17,200 --> 00:41:20,240 Speaker 1: Appreciate you for listening to this week's episode. And until 754 00:41:20,320 --> 00:41:22,719 Speaker 1: next time, go out and watch good movies and I'll 755 00:41:22,719 --> 00:41:23,760 Speaker 1: talk to you later