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Speaker 1: On that Friday morning, were you like, you know, it's

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Speaker 1: going to be an intense day.

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Speaker 2: Yeah.

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Speaker 3: So we're staying in a hotel in downtown Minneapolis, and

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Speaker 3: so we basically meet in the lobby of the hotel

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Speaker 3: and then caravan out to this site.

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Speaker 2: We parked a few blocks away.

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Speaker 3: We put on hard hat ball caps, you know that

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Speaker 3: have just a layer of protection beneath that. We bring

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Speaker 3: some goggles just in case. Our photographer make sure that

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Speaker 3: he's bringing a light load so he can be mobile

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Speaker 3: with this camera and we're not necessarily planted in one spot.

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Speaker 2: We minimize the lights that we bring.

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Speaker 3: We just want to make sure we're watching out for

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Speaker 3: ourselves as much as trying to report what was going

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Speaker 3: on around us.

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Speaker 1: But you weren't feeling like, man, something's not good here,

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Speaker 1: or did you didn't have like this present dement or anything,

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Speaker 1: or did you.

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Speaker 3: Well, even on that Thursday when we got there at

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Speaker 3: three am, half the buildings that we saw were on

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Speaker 3: fire and people were running through the streets. And I

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Speaker 3: mean these weren't just little flames. I mean buildings, multiple

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Speaker 3: story buildings were completely on fire. So when we got

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Speaker 3: to the scene Friday morning, it was the same deal.

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Speaker 3: This huge building. I think this was a six maybe

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Speaker 3: even seven story building was completely engulfed in flames, flame

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Speaker 3: shooting out every single opening you had in the building.

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Speaker 3: A piece of the building had collapsed while we were

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Speaker 3: on air, and.

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Speaker 4: It just collapsed. There you go, the building just collapsed

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Speaker 4: in the mid section.

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Speaker 3: I think I already sort of could see how the

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Speaker 3: day was going to go.

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Speaker 1: Were you thinking? And you know, I really have to

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Speaker 1: make sure that we protect our crew and myself from

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Speaker 1: the police at that point, No from Futuro media. It's Latino, USA.

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Speaker 1: I'm Maria Inojosa.

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Speaker 4: You see them pulling out to this intersection here again,

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Speaker 4: this is the first form of law enforcement we have

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Speaker 4: seen this entire morning, at least the last two hours.

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Speaker 1: Most of the country was fast asleep on the morning

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Speaker 1: of May twenty ninth. When Omar he Mintz was reporting

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Speaker 1: live on television.

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Speaker 4: I'm lost for words. Really at this point, it is

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Speaker 4: like something out of a movie.

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Speaker 1: Omar was covering the mass protests sparked by the murder

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Speaker 1: of George Floyd.

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Speaker 3: Protests intensifying overnight in Minneapolis for police.

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Speaker 1: At around five am Omar, who is Afro Latino, went

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Speaker 1: from being a reporter of the story to a subject himself.

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Speaker 3: CNN reporter Omar Jimenez was arrested live on air Friday

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Speaker 3: morning for me.

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Speaker 4: Yep, we're gonna be yep, I got you.

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Speaker 2: I got you.

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Speaker 1: As people woke up and picked up their phones and computers,

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Speaker 1: Omar's story would be viewed millions of times as it

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Speaker 1: went viral.

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Speaker 4: They had us here, they had us here.

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Speaker 1: His unwarranted arrest became yet another example of a black

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Speaker 1: man just trying to do his job and the racist

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Speaker 1: comportment of the police.

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Speaker 4: The police asked his wife colleague what he was doing, and.

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Speaker 2: He said, I worked for CNN. He said fine, and

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Speaker 2: you see the difference in the result.

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Speaker 1: I mean, the contrast is.

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Speaker 4: So stark it almost feels like a caricature of reality.

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Speaker 1: But it is back.

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Speaker 2: He is reality.

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Speaker 1: I sat down with Omar to talk about that incident

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Speaker 1: and what he was thinking while it all unfolded. But

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Speaker 1: first we talked about his path into journalism and how

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Speaker 1: as a twenty six year old news correspondent he still

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Speaker 1: continues to think about his role bringing the audience to

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Speaker 1: his stories. Omar he Menez. Welcome to let you Know USA.

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Speaker 2: Thank you, thanks for having me, So you're.

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Speaker 1: Like, from where you grow up? Where you know? Like,

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Speaker 1: what's the short story of omer? He menaced his background.

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Speaker 3: Yeah, the short story for me is I grew up

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Speaker 3: in a suburb of Atlanta, Kennesaw, Georgia, and my mom's

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Speaker 3: side of the family is generations from Atlanta. My dad's

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Speaker 3: side of the family is from Columbia. He was born

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Speaker 3: there in Ghati, and then he came over when he

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Speaker 3: was a kid, and then our family sort of grew

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Speaker 3: here in the United States. And I guess I went

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Speaker 3: to Northwestern University for college where I played basketball, studied journalism,

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Speaker 3: and then next thing I knew, I was at working

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Speaker 3: local news and making my way to CNN.

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Speaker 1: Do you remember the first black man you saw reporting?

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Speaker 3: I don't remember the exact first person I ever saw,

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Speaker 3: but I do remember one of the earliest people that

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Speaker 3: had an impact on me about wanting to get in

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Speaker 3: TV was watching Stuart Scott again SportsCenter, bringing it alongside

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Speaker 3: Rich Eisen. I'm Stuart's I'm Sports Center. May he rests

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Speaker 3: in peace, but just watching him do Sports Center and

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Speaker 3: talk the way he did, which was super.

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Speaker 2: It was very casual. It wasn't like.

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Speaker 3: The the you know, the proper, welcome to the evening news. Hey,

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Speaker 3: tonight on right, yeah, tonight new controversy. No, he was

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Speaker 3: sort of like boo boo, yeah, cooler than the other

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Speaker 3: side of the pillow ladies. Yeah, like things, little things

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Speaker 3: that obviously were very natural for him, but all of

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Speaker 3: a sudden, I think drew me in. Whether I was

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Speaker 3: conscious of the fact as a as a seventh grader,

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Speaker 3: I remember when I was watching him, of Wow, that's

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Speaker 3: another black guy on TV, and I could be that.

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Speaker 3: I don't want to give myself that much intellectual credit

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Speaker 3: at seventh grade, but I think there was something inherent

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Speaker 3: in seeing someone who looked like me be themselves and

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Speaker 3: to do it so well and to be liked by

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Speaker 3: basically everybody. I was a little too nerdy at the

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Speaker 3: time to maybe pull off the exact things that Suet

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Speaker 3: Scott was doing, but just get paid to talk about

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Speaker 3: sports on and I could be on TV and all

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Speaker 3: my friends could watch me. That was the seventh grade

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Speaker 3: mentality in me that I think was playing off that

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Speaker 3: initial spark.

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Speaker 1: You know, was there a part of you that was like,

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Speaker 1: I also want to make my immigrant dad proud, and

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Speaker 1: being on television and talking sports did that enter into

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Speaker 1: it at all.

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Speaker 3: So again I don't want to give my seventh grader

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Speaker 3: self too much intellectual credit. But later on, when you know,

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Speaker 3: offers started to get serious about what I was going

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Speaker 3: to do in college and what I was going to

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Speaker 3: pursue after that. I mean, I come from a doctor family.

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Speaker 3: My dad came to the US, he's a neurosurgeon. My

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Speaker 3: uncles are all doctors too, and so in my mom's

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Speaker 3: side of the family.

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Speaker 2: They're all doctors too. So there was a pressure.

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Speaker 3: Coming from both sides of the family that you want

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Speaker 3: to do what you want to get into what you know.

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Speaker 3: You know how difficult that is, right, Look at what

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Speaker 3: the starting salary is. No, no, no, you need to go

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Speaker 3: to school. You can become a doctor, and then from

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Speaker 3: there you can decide what you want to do.

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Speaker 1: You could just become a neurosurgeon. I'm a neurosurgeon. I mean,

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Speaker 1: you know that's it.

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Speaker 3: Just knock it out, knock it out real quick. They

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Speaker 3: would always say, oh, no, do what makes me feel comfortable.

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Speaker 3: But and so I think that but motivated me to say, well, Okay,

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Speaker 3: if I am going to pursue this, I need and

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Speaker 3: I owe it to my parents to succeed as much

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Speaker 3: as I can, to push as hard as I can,

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Speaker 3: and to really give it my all, because if they

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Speaker 3: really want me in one path, I need to show

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Speaker 3: them why the path that I chose is the one

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Speaker 3: that works for me. And even going to a Northwestern

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Speaker 3: Middle School of journalism, the best in the country, that

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Speaker 3: was one stepping stone that I said, look, hey, look

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Speaker 3: where we are, Look where we're starting. They're like, oh,

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Speaker 3: that's fine, Well you can still take the m CAT

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Speaker 3: while you're there. I'm like, okay, all right, just give me,

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Speaker 3: give me, give me some time, and I started looking

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Speaker 3: for local jobs. I got Baltimore, which is an amazing

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Speaker 3: market to start in coming out of college. I I'm

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Speaker 3: still surprised to this day, but it was like, hey,

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Speaker 3: look look I'm starting starting in Baltimore. And even then

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Speaker 3: they said, well, what are the criteria to come back

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Speaker 3: to grad school for medicine.

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Speaker 1: So they're like, you know, Johns Hopkins is in Baltimore,

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Speaker 1: could you do some night classes in.

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Speaker 3: Euro search exactly. I was still getting sent things to

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Speaker 3: study for the MCAT. And then it wasn't until I

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Speaker 3: got the CNN job that I think they finally said okay.

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Speaker 1: When you start working in Baltimore, you did stories where

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Speaker 1: you went with FBI agents to try to save young

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Speaker 1: people who were being sex.

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Speaker 3: Trafficked alongside local and state law enforcement. This is the

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Speaker 3: FBI's Maryland Child Exploitation Task Force in action.

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Speaker 1: You wrote along with FBI agents into the Dark Web

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Speaker 1: to follow the sale of fentanyl.

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Speaker 3: Well, it's now become a few clicks on a computer

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Speaker 3: can mean drugs from anywhere in the world to a

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Speaker 3: doorstep here and Maryland.

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Speaker 1: You even did a segment where you actually got into

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Speaker 1: a plane and flew with the Blue Angels.

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Speaker 2: Don't pass out.

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Speaker 3: I like that pre you squeeze, don't pass out.

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Speaker 1: Yeah, obviously you don't suffer from nausea. So anyway, the

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Speaker 1: point is, it seems like you're okay with inserting yourself

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Speaker 1: into particular kind of action packed situations. And for any

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Speaker 1: of these stories, what role do you think that your

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Speaker 1: identity played well?

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Speaker 3: From a reporter standpoint, I like to be the window

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Speaker 3: into these into uncommon scenarios that we're familiar with on

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Speaker 3: a surface level, but maybe don't quite see the intricacies

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Speaker 3: of how it works. For example, you see and arrests

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Speaker 3: in a sex trafficking from a sex Trafficking Task Force

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Speaker 3: and the FBI, but you don't know what goes into that.

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Speaker 3: You may see the Blue Angel show as it flies

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Speaker 3: over your city, but you don't know what goes into that.

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Speaker 3: So I really do appreciate the fact of being a

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Speaker 3: window and in some ways as a reporter, you get

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Speaker 3: an excuse to do some cool stuff, and that's that's

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Speaker 3: part of it. But again, it's that window that really

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Speaker 3: that really plays into it. As far as a my

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Speaker 3: personal what do I feel my personal identity plays into things,

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Speaker 3: It's kind of hard to answer because for those stories

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Speaker 3: in particular, they weren't ones that that identified.

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Speaker 2: With you know, how I grew up personally.

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Speaker 1: So you did do a lot of stories with the police, like,

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Speaker 1: for example, the one with human trafficking and kind of

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Speaker 1: uncovering that. So what do you think that a journalist,

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Speaker 1: but specifically your relationship to the police is.

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Speaker 3: Police and reporters work together all the time, make no

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Speaker 3: mistake about it. Every day police are in communication with

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Speaker 3: the reporters, especially at the local level and then at

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Speaker 3: the national level. Whenever there's an incident that happens, police

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Speaker 3: are in communication with reporters every day. There is a

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Speaker 3: working relationship there, and so when I was doing those stories,

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Speaker 3: it was kind of an evolvement of that, an evolution

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Speaker 3: of that. Now, what I recall, based on my experience

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Speaker 3: in Minneapolis, was that when an incident happens, it's a

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Speaker 3: lot of the times you default to that working relationship

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Speaker 3: and they say, well, police say that a man came

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Speaker 3: up the street on the eight hundred block of so,

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Speaker 3: so and so. But it's always police say, and this

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Speaker 3: the information that's being fed to you by police. Well,

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Speaker 3: in Baltimore, I learned from just people in the community

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Speaker 3: there that the police accounts weren't always quite accurate, or

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Speaker 3: the police would give you an account and you talk

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Speaker 3: to a witness and they're like, no, no, that's not

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Speaker 3: how it happened.

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Speaker 2: This is how it happened.

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Speaker 4: Everybody's running as police seem to be pulling in with sirens.

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Speaker 1: So on that Friday morning, take us to the moment

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Speaker 1: when you're in the middle of that live shot.

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Speaker 3: We had moved out of the way of police and

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Speaker 3: we were standing basically to the side of the intersection

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Speaker 3: that they sort of decided to form a perimeter around,

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Speaker 3: and we start our live shot right after the top

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Speaker 3: of the hour.

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Speaker 2: What I want to make sure is not lost in

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Speaker 2: this as we're seeing these.

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Speaker 3: Forms, and honestly, everything started out completely normally.

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Speaker 2: Is taking place. There is some action behind you.

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Speaker 3: Hang on, and there's one thing that happened over the

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Speaker 3: course of that report. Yep, we've got one person being

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Speaker 3: arrested here. The report I was doing is now out

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Speaker 3: the window. Let's talk about what's happening right here.

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Speaker 1: We've got for me.

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Speaker 4: Yeah, we're good.

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Speaker 3: So as I'm talking and doing that, I feel a

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Speaker 3: Minnesota State Patrol person come up behind me and they've

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Speaker 3: got their arm on the back of my arm.

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Speaker 4: They had us here, they had us here. We're speaking

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Speaker 4: with State Patrol right now.

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Speaker 3: Give us a second, guys, no reason to be suspicious.

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Speaker 3: In my head, even at this point, I just assumed

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Speaker 3: as I kept talking, that they're handling the situation with

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Speaker 3: this woman and they want to make sure that we

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Speaker 3: don't run in the way and get in the way.

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Speaker 2: So I continue talking.

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Speaker 4: We are live on the air at the moments.

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Speaker 2: Put us back where you want us.

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Speaker 4: We were getting out of your way, So just let

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Speaker 4: us know wherever you want us we will go. We

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Speaker 4: were just getting out of your way when you were

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Speaker 4: advancing through the intersection, So just let.

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Speaker 2: Us know, and we got you.

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Speaker 3: You can't even see me at that point, but this

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Speaker 3: person already has their hand again on my tricep and

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Speaker 3: I continue talking, continue talking, continue talking.

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Speaker 4: And this is a scene here playing out in Minneapolis.

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Speaker 4: This is part of the advanced police presence that we

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Speaker 4: saw come over the course of early minutes.

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Speaker 2: When the local police showed.

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Speaker 3: Up, and then eventually that person's arrested, the camera swings

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Speaker 3: back around. I keep going and now you can see

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Speaker 3: the person's now I think it's it's escalated a little

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Speaker 3: from a hand resting to I would say a grab.

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Speaker 3: And the only words that we're ever spoken from that

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Speaker 3: point were you're under arrest I'm.

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Speaker 4: Sorry, okay, do you mind tell me why I'm under arrestler?

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Speaker 4: Why why am I under arrestler?

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Speaker 3: Even as we had been showing our credentials, even as

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Speaker 3: we had our full camera crew there, even as we

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Speaker 3: are live on TV, as my producer, photographer and myself

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Speaker 3: were telling them, they took the microphone out of my hands.

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Speaker 3: I made sure to try and show the fact that

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Speaker 3: I was cuffed to the camera, and they walked me away.

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Speaker 3: As again the city was burning in that particular area,

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Speaker 3: and the live report, at least from my contribution, was over.

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Speaker 2: If you're just tuning in, you.

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Speaker 4: Are watching our car respondent Omakamenez being arrested by state

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Speaker 4: police in Minnesota.

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Speaker 2: We're not sure why.

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Speaker 1: I mean, it really is extraordinary, especially because he never

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Speaker 1: once said why you were being placed under arrest.

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Speaker 3: I never even got an explanation as I was being

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Speaker 3: led away because I asked the officer that was leading

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Speaker 3: me away and said, hey, look, we're going to be

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Speaker 3: out here every single day. I got more teammates coming

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Speaker 3: this afternoon. What did we do? Because I want to

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Speaker 3: make sure that's communicated to other people that are coming in.

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Speaker 3: And the guy said, look, man, I'm sorry, I don't know.

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Speaker 3: I'm just following orders.

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Speaker 1: Coming up on Latino Usay, what happened in the aftermath

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Speaker 1: of Omar being arrested and how he has processed the

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Speaker 1: experience stay with us, not about yes, hey, we're back.

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Speaker 1: When we left off, Omar Hi Menez, correspondent for CNN,

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Speaker 1: was telling us about his experience and being arrested by

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Speaker 1: Minnesota State Patrol officers while covering the protests. In the aftermath,

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Speaker 1: of the George Floyd murder. We're going to continue that

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Speaker 1: conversation now with Omar khumenis. Were you afraid?

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Speaker 3: I think in the immediacy of it, I wasn't, But

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Speaker 3: there was a moment where I did feel especially uneasy.

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Speaker 3: When I was on camera. There was a sense of

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Speaker 3: comfort knowing that we're live on TV, people are watching me,

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Speaker 3: I'm being as respectful as they can be, and anything

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Speaker 3: that they do to me will be almost immediately accountable

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Speaker 3: by people watching across the world. For that particular broadcast

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Speaker 3: where things did get a little uneasy was there was

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Speaker 3: a delay between when the rest of my crew is arrested.

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Speaker 3: So for a while I thought I was the only

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Speaker 3: person that was under arrest. I had been led completely away.

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Speaker 3: I was now surrounded by a bunch of Minnesota State

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Speaker 3: Police without my crew, and I truly was like, okay,

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Speaker 3: what's happening now, I'm now off camera. Nobody can see

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Speaker 3: what's about to may or may not happen to me,

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Speaker 3: and so in my head there was a brief moment

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Speaker 3: of like, Okay, I think I snapped out of professional

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Speaker 3: mode there.

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Speaker 1: At that moment. Did you also when you were like, uh, oh,

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Speaker 1: I'm alone here was there also a realization that said,

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Speaker 1: and I am a black.

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Speaker 3: Man in that moment, I wasn't even there yet. Now

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Speaker 3: that I've had time to reflect, of course, it adds

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Speaker 3: an even scarier context and even more mind boggling context

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Speaker 3: of not just being a black man, but also being

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Speaker 3: a microcosm of the story that I was already covering

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Speaker 3: at this point.

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Speaker 1: You are part of this story. Yeah, And you have

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Speaker 1: said that you were kind of all professional up until

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Speaker 1: a certain point, and I'm wondering when you say that

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Speaker 1: you got out of professional mode, is like, is that

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Speaker 1: the difference between professional mode is one thing being a

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Speaker 1: black man who is being cuffed by police with you know,

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Speaker 1: and again do process being violated, et cetera, et cetera.

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Speaker 1: That's something else.

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Speaker 3: Well, And that was one of the major lessons I

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Speaker 3: think I took away from from this whole experience was

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Speaker 3: that I think I had been viewing it as two

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Speaker 3: separate things. And this was the first story, even before

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Speaker 3: that arrest. This was the first story where the human

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Speaker 3: side of me and the work side of me seemed

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Speaker 3: to be bridged or get closer to being bridged. And

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Speaker 3: then the arrest happened, and then it was unavoidable. And

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Speaker 3: I think the biggest shift that I now had was

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Speaker 3: that I had been trying.

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Speaker 2: To keep these two worlds separate.

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Speaker 3: That Oh, I step into this story and I tell

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Speaker 3: what's going on, and I use maybe my experience to

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Speaker 3: help guide me. But then I step back out and

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Speaker 3: I go home, or I leave the story, and boom,

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Speaker 3: that's it. This story. There was no stepping in one.

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Speaker 3: I was being pulled in, and then once I was in,

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Speaker 3: there was no escaping it. Because this was the reality

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Speaker 3: of my experience, whether I was a reporter or not.

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Speaker 1: Your mom comes from many generations of Atlanta African American family,

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Speaker 1: am I right?

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Speaker 2: Yep?

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Speaker 3: Correct?

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Speaker 1: I hear. Your mom was not happy when she saw

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Speaker 1: her son, who she loves in Adoors being arrested live

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Speaker 1: on television.

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Speaker 3: So the night before, my mom had texted me saying, hey,

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Speaker 3: I haven't really seen you on this much, even though

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Speaker 3: I'd been on a lot. But she had just had

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Speaker 3: a really busy week, so she said, when's the next

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Speaker 3: time you'll be on. I said, oh, tomorrow morning, six am,

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Speaker 3: and she's like, okay, I'll wake up. So she woke

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Speaker 3: up early and was watching it live sitting in bed

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Speaker 3: as the whole situation unfolded right before her eyes. So

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Speaker 3: if she wasn't awake before, she was definitely awake. Then

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Speaker 3: she was on the phone maybe forty seconds into me

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Speaker 3: being in cuffs, calling everybody that she could. Throughout all

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Speaker 3: of this, she's in tears, just trying to process the

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Speaker 3: personal side of things, but then also that motherly instinct

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Speaker 3: of trying to do something. She went through a lot

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Speaker 3: that morning. She was the first one to sort of

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Speaker 3: contextualize things a little more for me and a little

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Speaker 3: seriously in her head. She didn't want to be another

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Speaker 3: mother who had had a black son die in police custody,

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Speaker 3: another mother who had a son transported by police and

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Speaker 3: then somehow end up in the hospital.

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Speaker 1: So Omar, your story has clearly struck a nerve. Your

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Speaker 1: video of you getting arrested has nine million views. But

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Speaker 1: you know, there's an article in The New Yorker that

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Speaker 1: suggests that your story got so much attention partially because

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Speaker 1: it's centered on you, you know, a good looking graduate from

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Speaker 1: Northwestern who works at an elite media institution like CNN,

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Speaker 1: And there's this notion of you know, respectability politics. It's complicated, right,

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Speaker 1: but I'm wondering whether or not you've thought about if

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Speaker 1: it has played a role in your life as a journalist.

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Speaker 3: Well, it's a reality of growing up as a black

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Speaker 3: man after Latino, all of that, because it's what you're

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Speaker 3: taught in those households. With my when I got my

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Speaker 3: driver's license, I explicitly remember the talk. Here's how you

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Speaker 3: interact with police when you're pulled over. Here's what you do.

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Speaker 3: You always are polite. That's not a conversation that's happening

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Speaker 3: in white households.

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Speaker 2: It's just not.

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Speaker 3: And so that is beat so much into you over

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Speaker 3: the years that it's now a part of who I am.

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Speaker 3: And a part of that, too is in some ways

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Speaker 3: you're so thankful to be where you are because there

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Speaker 3: may not be as much to fall back onto that

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Speaker 3: you are always going to be the submissive one. You're

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Speaker 3: always going to defer off to someone else. You're always

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Speaker 3: going to, uh, you're right, you're right, let's do it

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Speaker 3: this way, because these are habits that have been beat

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Speaker 3: into our community for decades. And so as far as

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Speaker 3: having that being pointed out, I don't take offense to that.

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Speaker 3: I say, yeah, I'm glad you're pointing that out everything

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Speaker 3: that happened in that moment wasn't an on the fly thing.

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Speaker 3: It came from years of unconsciously picking up different things

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Speaker 3: from here and there, here and there, tell me where

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Speaker 3: you want to stand. Oh well you don't want us

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Speaker 3: to stand here? Okay, well we'll go over here. Here's

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Speaker 3: my press credential. I'm trying to polite my way out

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Speaker 3: of an interaction that seemed to be predetermined. Did come

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Speaker 3: from years of that mentality when it comes to interactions

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Speaker 3: with police, make it out of the situation alive.

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Speaker 1: All mat Hei Mann is thank you so much for

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Speaker 1: joining me on Latino USA.

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Speaker 2: Of course, thanks for having me.

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Speaker 1: This episode was produced by Antonio Serrjuido and edited by

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Speaker 1: Sophia Palisaka. The Latino USA team includes Niel Massiez, Luis

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Speaker 1: Rees Gamoca, Julieta Martinelli, Gini Montalbo, alisaes Garcin, and Alejandra Salasa,

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Speaker 1: with Hope from Raul Verees. Our engineers are Stephanie Lebou

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Speaker 1: and Julia Caruso. Additional engineering this week by Lea Shaw.

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Speaker 1: Our director of programming and Operations is Natalia Fidelhotz. Our

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Speaker 1: digital editor is Amandel Cantra. Our New York Women's Foundation

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00:25:42,040 --> 00:25:45,760
Speaker 1: Ignite fellow is Julia Roja. Our interns are Sophia Sanchez

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Speaker 1: and Marie Mendosa. Our theme music was composed by ze Ronos.

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Speaker 1: If you like the music you heard on this episode,

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Speaker 1: stop by Latino Usa dot org and check out our

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Speaker 1: weekly Spotify playlist. I'm your host and executive producer Marieno Posa.

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Speaker 1: Join again on our next episode, and in the meantime,

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Speaker 1: you can find us on all of your social media.

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Speaker 1: Remember stay safe, Joe.

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Speaker 5: Latino USA is made possible in part by the New

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Speaker 5: York Women's Foundation, funding women leaders that build solutions in

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Speaker 5: their communities and celebrating thirty years of radical generosity. Carnegie

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Speaker 5: Corporation promoting the advancement and diffusion of knowledge and understanding,

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Speaker 5: and the Annie Casey Foundation creates a brighter future for

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Speaker 5: the nation's children by strengthening families, building greater economic opportunity,

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Speaker 5: and transforming communities.

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Speaker 3: Dark on Netflix US Unbelievable

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Speaker 1: Nad Too, Scary Man, Nah