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Speaker 1: Hey, everyone, Welcome back to the Official Yellowstone Podcast, presented

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Speaker 1: by Win Las Vegas. Thank you so so so much

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Speaker 1: for tuning in. Thank you for all your kind words

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Speaker 1: about this podcast, the comments, the reviews. That really means

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Speaker 1: the world to us, especially because this is the final

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Speaker 1: episode of the podcast. It has been such an incredible journey.

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Speaker 1: I've been so lucky to have you with me. This

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Speaker 1: has been a huge learning experience for me, and it's

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Speaker 1: been such a pleasure to be a part of this

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Speaker 1: conversation and to continue these conversations that I've seen our

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Speaker 1: fans having for years. So as a fan of the

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Speaker 1: show and as a member of the Yellowstone community, I

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Speaker 1: just feel so lucky to have been a part of this,

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Speaker 1: and thank you for that. Today I've got a really

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Speaker 1: special episode for you. I have some amazing guests from

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Speaker 1: the broader, expanded world of Yellowstone Today. I feel so lucky,

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Speaker 1: tod I've deeper into the amazing show eighteen eighty three.

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Speaker 1: Yet this is my favorite show, maybe of the last decade.

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Speaker 1: If you're not watching the show yet, you need to

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Speaker 1: see it. Today I get to sit down with three

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Speaker 1: actors whose work I admire so much. Two of them

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Speaker 1: I had never met before, people whose work I had

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Speaker 1: admired from AFAR, and I'm so grateful to get the

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Speaker 1: chance to talk to them, to talk about their process,

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Speaker 1: to talk about how they approach this work, and talk

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Speaker 1: about the incredible experience of spending months and months in

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Speaker 1: eighteen eighty three working on this show. So I feel

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Speaker 1: so lucky to have had the opportunity to talk to

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Speaker 1: the iconic Sam Elliott. So we're going to speak to

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Speaker 1: mister Elliott. We're also speaking to his cohort on the show,

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Speaker 1: the incredible actor Lamonica Garrett who plays Thomas, as well

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Speaker 1: as my good personal friend, badass cowboy Eric Nelson who

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Speaker 1: plays Ennis. So I'm so grateful for these actors' times,

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Speaker 1: so glad to get the chance to talk to him today.

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Speaker 1: Stand by, we're going to be right back. I feel

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Speaker 1: incredibly honored to have with me in the studio today,

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Speaker 1: Sam Elliott, whose accomplishments are too many today are obviously

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Speaker 1: deserve their own podcast. Mister Elliott, thank you so so

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Speaker 1: much for being here, Thank you for having me. So,

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Speaker 1: I've seen the first two episodes of eighteen eighty three.

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Speaker 1: I've been a fan of your work for a long

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Speaker 1: time and This really feels like such an incredible extension

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Speaker 1: of a body of work that you've been working on

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Speaker 1: for a long time for your entire life. You're in

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Speaker 1: the incredibly well earned, inviewable position as an actor of

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Speaker 1: getting to choose, basically to work on whatever you want

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Speaker 1: to work on. What is it about eighteen eighty three

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Speaker 1: that drew you to this project?

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Speaker 2: Well, thanks for that number one. I haven't been doing

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Speaker 2: it my whole life, but I've been doing it for

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Speaker 2: fifty four years of my life, and I'm not in

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Speaker 2: that inviewable position of choosing to do I'll take that

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Speaker 2: one or I'll take that one. I just I have

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Speaker 2: a good fortune on my side, I think, and I've

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Speaker 2: been very lucky with what's come my way over those

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Speaker 2: fifty four years, this being no exception. You know, Taylor

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Speaker 2: reached out to me almost a year ago about doing

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Speaker 2: a little thing on Yellowstone, and I passed on it.

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Speaker 2: But during that time that he made that offer to me,

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Speaker 2: we started talking. I'd never crossed paths with him before,

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Speaker 2: I'd certainly seen his work. I'd seen stuff that he'd written,

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Speaker 2: I'd watched Sons of Ranarchy, on whom as an actor.

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Speaker 2: When I first discovered him as a writer, was in Sacario,

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Speaker 2: and I thought, Wow, how can one guy have so

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Speaker 2: many different talents going for him, But to get an

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Speaker 2: opportunity to work with Taylor and you know, do this

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Speaker 2: piece of work. You know it's It's always been for

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Speaker 2: me during that career about I shouldn't say always. In

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Speaker 2: the beginning, I would have done anything, But at some

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Speaker 2: point I made the conscious decision that if I wanted

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Speaker 2: to have a career, I needed to try to do

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Speaker 2: good work. And good work for me has always been

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Speaker 2: born on the page first. So it's always about the script.

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Speaker 2: And this guy we're talking about is a brilliant writer,

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Speaker 2: is a genius of sorts. I suspect, and that's why

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Speaker 2: I'm here.

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Speaker 1: Something I admire about Taylor's writing so much as he

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Speaker 1: holds these these two seemingly incompatible things at the same time.

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Speaker 1: There's the kind of legend of the West, the sort

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Speaker 1: of myth, the idea of it, the narrative, and then

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Speaker 1: there's the often brutal reality of it. And I think

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Speaker 1: that you embody that in your performance in this show

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Speaker 1: So Holy. Your character has seen so much of the

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Speaker 1: West and has come face to face with both of

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Speaker 1: those things, the dream and the nightmare, the sort of

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Speaker 1: heaven and the hell, and it really even in the

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Speaker 1: first two episodes of the show, from scene to scene,

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Speaker 1: there's these scenes that happen on an epic scale, these

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Speaker 1: huge shootouts, these massive, kind of legendary scenes with a

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Speaker 1: legendary quality, and then also stuff that is so intimate

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Speaker 1: and human and personal and happens on such a kind

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Speaker 1: of small scale, the micro and the macro. Will you

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Speaker 1: talk about navigating both of those extremes on set, going

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Speaker 1: from these big set pieces hundreds of horses, to then

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Speaker 1: the very quiet, interpersonal stuff that.

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Speaker 2: To me is what makes Shay a human. But you know,

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Speaker 2: and who knows whether those great, big, as you refer

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Speaker 2: to set pieces are really the way it was. You know,

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Speaker 2: there's no doubt that Hell's half Acre was, you know,

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Speaker 2: well named down there where we started this thing, and

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Speaker 2: that a lot of shit went on there, There's no

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Speaker 2: doubt about that. But who knows where the myth and

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Speaker 2: where the reality you know, diverge or cunnverge or whatever.

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Speaker 2: There's certainly Taylor's vision that was a violent vout, violent time.

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Speaker 2: It was certainly certainly physically different in terms of certainly

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Speaker 2: physically difficult in terms of just life in general back

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Speaker 2: in those days. She's a troubled character. You know, he's

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Speaker 2: a troubled man, I think probably in the beginning because

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Speaker 2: he's a vetteran of the Civil War. You know, he

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Speaker 2: and Thomas both and James as well, they're all vets

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Speaker 2: of the Civil War. So they're troubled in the beginning.

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Speaker 2: And the fact that Shane he loses his wife and

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Speaker 2: daughter and burns his house down in the very beginning,

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Speaker 2: you know. And then the other thing about having charge

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Speaker 2: of all of these immigrants on this wagon train. You know,

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Speaker 2: whether he gravitated toward that because of you looking for

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Speaker 2: some stability or some diversion from what troubles him or what,

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Speaker 2: I'm not sure. But he suffers that, he suffers the

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Speaker 2: losses of those characters along the way. Every time an

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Speaker 2: immigrant rise, you see that it cuts him to the bone.

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Speaker 2: And at the same time he's willing to pull a

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Speaker 2: pistol out and shoot some guy on ahead because he

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Speaker 2: s told somebody's bacon. He's like, he's a complex man,

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Speaker 2: and he's on his own journey. You know, he's on

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Speaker 2: a journey to the ocean. I don't tell you tell

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Speaker 2: you why, but that's where he's heading. He's been to

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Speaker 2: Oregon before, but he's he's taking himself back and he's

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Speaker 2: taking these people along the way that he's on his

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Speaker 2: own journey to Oregon as well.

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Speaker 1: Yeah, it really seems like that responsibility, the weight that

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Speaker 1: he carries of protecting this innocence. Right, he's seen the

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Speaker 1: opposite of innocence. He's seen the devil to a certain extent,

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Speaker 1: he's seen the evil that men do to each other.

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Speaker 1: And then the way he's drawn to the responsibility to

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Speaker 1: protect these innocence I think is fascinating. It it's fascinating

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Speaker 1: to see how that animates him. Right when we first

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Speaker 1: see him, he's almost ready to end his life. It

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Speaker 1: almost feels like he's ready to move on, he's done

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Speaker 1: with it. But then over the course of it, we

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Speaker 1: see him animated and sort of re awoken by this responsibility.

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Speaker 1: So will you talk a little bit. I mean, I

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Speaker 1: can't help but notice in some ways, obviously there's obviously

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Speaker 1: huge divergences, but in some ways your responsibility leading this show,

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Speaker 1: taking a weight on yourself to beleep physically demanding job

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Speaker 1: you're in the middle of West Texas. It's exhausting and difficult.

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Speaker 1: What's your relationship to that responsibility, the responsibility of leading

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Speaker 1: and carrying this show, and then how that relates to

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Speaker 1: and mirrors Shay's responsibility.

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Speaker 2: Wow, Wow, you're a smart man. I don't feel like

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Speaker 2: I'm carrying the show on my own shoulders. Well, we

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Speaker 2: all have a hand in it, whether we're on the

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Speaker 2: crew or we're on the cast, or what we're up to.

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Speaker 2: But there is a comparison to draw there. I can

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Speaker 2: appreciate that. I'm just I have a job to do,

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Speaker 2: and the better I can do my job, the job

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Speaker 2: I was hired to do, I feel like, the better

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Speaker 2: the final product is going to be. You know, I

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Speaker 2: think that probably is so obvious and I shouldn't even

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Speaker 2: have said it that way. And I think it's probably

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Speaker 2: the same with Chet. You know, the better he is

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Speaker 2: at protecting those souls that are in his charge, and

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Speaker 2: the better he's going to feel about himself. And that's

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Speaker 2: one of the things about you know, there's a lot

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Speaker 2: of there's a lot of loss. There's a lot of

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Speaker 2: tragedy along the way. You'll see if you stick with

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Speaker 2: this thing. There's bodies littered along you know, there's a

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Speaker 2: graveyard along the Oregon Trail. From previous ones, they crossed

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Speaker 2: a number of graveyards and the trails littered with bodies,

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Speaker 2: and you know, I think in the end that that's

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Speaker 2: what makes Shave make his final decision, and it does.

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Speaker 1: It really feels you're exactly right that it's in the

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Speaker 1: same way that you don't carry that weight alone. You

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Speaker 1: carry a tremendous burden, but you also share it with

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Speaker 1: an incredible ensemble cast. So will you talk about working

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Speaker 1: with other actors, all of whom are you know, stars

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Speaker 1: like this sort of the shared responsibility, especially as it

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Speaker 1: relates to you and Thomas Lamonica Garrett, because from the

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Speaker 1: very first moment we see the two of you, the

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Speaker 1: history between you is so rich. There's this kind of

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Speaker 1: incredible relationship. Will you talk about working with Lamonica and

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Speaker 1: how you guys together fleshed out that that rich relationship.

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Speaker 2: We're still fleshing. You know, That's the great thing is

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Speaker 2: we're still fleshing. We're going to be at this until

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Speaker 2: the mid January. Lamonica and I I knew in Lea

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Speaker 2: Monica's work, but I never met Lamonica before. When we

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Speaker 2: first crossed paths on a gun range, you know, shooting,

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Speaker 2: shooting gun, shooting live animal, AMMO, shooting blanks, shooting, which

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Speaker 2: opens up a whole other question, but I think it's

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Speaker 2: safe to save that. Lamonica and I really hit it off,

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Speaker 2: like immediately, and I think today, you know, we call

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Speaker 2: each other brother and we differently we love each other,

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Speaker 2: and we've we've brought something to that relationship within the

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Speaker 2: show that makes it ultra special to me. They're brothers

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Speaker 2: in arms. Lemonica rode with the Buffalo soldiers, such as

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Speaker 2: a cavalry unit in the Civil War. Taylor says that

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Speaker 2: Shay was with them at some point, which I doubt

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Speaker 2: all the photographs I've ever seen the Buffalo soldiers, there

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Speaker 2: weren't any white guys with them. Lamonica or Thomas pulls

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Speaker 2: Shaye out of shooting himself on the head a number

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Speaker 2: of times he does that daily. There's a point down

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Speaker 2: the road where Thomas says to Shay, I stop you

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Speaker 2: from committing suicide every morning. Oh there's that. And you know,

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Speaker 2: it's just having these two characters in the eighteen hundreds

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Speaker 2: sharing the same tint and sharing this journey that they're on,

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Speaker 2: to me is a wonderful thing. I'm more excited about

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Speaker 2: that maybe than anything in this thing in terms of

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Speaker 2: character and so forth.

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Speaker 1: It's funny because the show, the show, both eighteen eighty

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Speaker 1: three and Yellowstone revolve around families, but then I think

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Speaker 1: also continue to question and examine that family structure. Yeah right,

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Speaker 1: it feels like you also find these credible, incredible characters

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Speaker 1: who are kind of bereft of family, who have experienced

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Speaker 1: loss and are seeking these new family structures, are seeking

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Speaker 1: these new sort of you know, communities, these new sort

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Speaker 1: of modes of family. Will you talk just in the

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Speaker 1: last few minutes we have here, there's the image over

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Speaker 1: and over again between the first in the first couple

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Speaker 1: episodes of Heaven and Hell, the extreme dichotomy and making

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Speaker 1: these shows. Making eighteen eighty three, from everything I've heard,

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Speaker 1: has been an incredibly immersive experience. You're really out there,

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Speaker 1: You're really doing this stuff. Will you talk about a

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Speaker 1: moment that has felt like each of those extremes, a

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Speaker 1: moment of heaven and a moment of extreme difficulty of Hell.

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Speaker 2: Heaven would have been a day in Fort Worth when

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Speaker 2: we shot inside the White Elephant, when the barber came

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Speaker 2: and shadow my lap. Stephanie Knewer's her name. She came

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Speaker 2: in as a day player from La and just knocked

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Speaker 2: it out of the park for everyone. And that was

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Speaker 2: early on. In that moment, that whole thing, that whole

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Speaker 2: encounter with that girl was just you know, she's devastatingly beautiful,

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Speaker 2: and she's brilliant, and she's a wonderful actor, and she's

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Speaker 2: at the beginning of what I hope for her is

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Speaker 2: a long, long career. That's the heaven side of it.

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Speaker 2: I think the hell of it is just dealing with

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Speaker 2: the elements more than anything. There were times when it

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Speaker 2: was like one hundred and eight degrees down there in

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Speaker 2: Fort Worth when we first started. We're out in the

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Speaker 2: sun all day long. We're wearing wolfs jackets, and the

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Speaker 2: immigrants are wearing layers and layers of wool clothes. And

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Speaker 2: then we go up to Montana and it's fucking freezing cold,

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Speaker 2: and I mean cold, and I don't have a lot

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Speaker 2: of clothes on. I'm wearing like a pair of pants

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Speaker 2: and a jacket through most of the things in a

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Speaker 2: vest and a shirt. We got layered up up there,

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Speaker 2: of course, but there were times when it rains just

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Speaker 2: enough to get wet, and then it started ice up,

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Speaker 2: and I just remember thinking, after fuck, man, am I

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Speaker 2: going to die on this trail? I wondered that a

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Speaker 2: few times. I wondered if I was up to the

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Speaker 2: physicality of this thing when.

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Speaker 3: We started it.

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Speaker 2: As I read the script and Taylor's character description he

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Speaker 2: was forty five years old, said hey, Taylor, man, I'm

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Speaker 2: almost twice that age. You know, well not quite, but

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Speaker 2: I said, I'm way too old for this thing. And

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Speaker 2: he said, no, I write everybody at forty five. Bullshit.

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Speaker 2: He promised me one thing he promised me when we

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Speaker 2: started this thing. He says, you're going to hate me

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Speaker 2: by the end of the show. And he was talking

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Speaker 2: about the elements. He was talking about how difficult it

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Speaker 2: was going to be, and you know it is. I've

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Speaker 2: worked harder probably on other shows, or just as hard,

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Speaker 2: not for such a length at time. Excuse me as this,

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Speaker 2: but it's the price to pay to be on the

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Speaker 2: Oregon Trail and to tell this story. And in the end,

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Speaker 2: if you know, that's what we all keep focused on,

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Speaker 2: because we're all out there suffering this stuff. You know,

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Speaker 2: it's not just a cast, it's the crew, it's everybody,

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Speaker 2: the company, everybody just keeps talking about, you know, the

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Speaker 2: fews that are lucky enough to see some of it.

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Speaker 2: Not everybody sees it. Although we did screen, they did

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Speaker 2: screen the first two hours for the company when we

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Speaker 2: were oh god, maybe that was in Emma really as well,

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Speaker 2: it's important for him to see the work, to see

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Speaker 2: what we're all doing out here. But in the end,

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Speaker 2: you know, if we feel like we did justice to

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Speaker 2: Taylor's script, then we caught it somehow, like it, like

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Speaker 2: he envisioned it, like David Glasser envisioned it, like all

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Speaker 2: of them, and you know, the creative people envisioned it,

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Speaker 2: then well worth a little suffering.

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Speaker 3: It's amazing.

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Speaker 1: Yeah, I can't. I'm so struck by the way that

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Speaker 1: those journeys run parallel to each other, the journey of

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Speaker 1: at a cast of hundreds, because there's the entire wagon train,

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Speaker 1: a cast of hundreds, a crew of three hundred, four

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Speaker 1: hundred people from all over the country coming together to

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Speaker 1: tell a story to a certain extent about coming together

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Speaker 1: to go on a journey. And it really every I

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Speaker 1: hate to say it because you're in the middle of it,

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Speaker 1: but every every sort of difficulty, every every hard time

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Speaker 1: from the outside, from a comfortable seat on the outside,

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Speaker 1: can't help but flavor the whole thing and give the

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Speaker 1: show a truly, I think, unparalleled feeling of immersion and authenticity.

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Speaker 1: It's incredible to see, it's spectacular to see. It's a

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Speaker 1: feat that I think can't be overstated. And I just

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Speaker 1: want to say thank you, first of all for coming

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Speaker 1: to talk with me today. I so appreciate it, and

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Speaker 1: thank you for this journey you've been on, because those

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Speaker 1: of us who are viewing it from the outside, it's

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Speaker 1: really a once in a lifetime experience as a viewer.

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Speaker 1: So thank you, so so much.

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Speaker 3: Thank you, thank you.

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Speaker 2: It's some pleasure to be here.

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Speaker 3: Wow.

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Speaker 1: Mister Elliott is obviously an incredible actor, but I'm also

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Speaker 1: just so so grateful, so lucky to have the opportunity

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Speaker 1: to get to know him as a person. That's someone

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Speaker 1: I've been learning from watching his work for years, So

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Speaker 1: getting to talk to him about it, getting to dive

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Speaker 1: into his experience of working on the show a little bit,

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Speaker 1: just teaches me so much about the kind of actor

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Speaker 1: I want to be. So I'm so so grateful for

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Speaker 1: his time. We're going to take a quick break and

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Speaker 1: then we're going to be back with Lamonica Garrett, who

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Speaker 1: plays Thomas on eighteen eighty three. I feel incredibly lucky

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Speaker 1: to have with me in the studio today, Loamonica Garrett,

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Speaker 1: Lamnica plays Thomas on eighteen eighty three. Thank you so

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Speaker 1: so much for being.

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Speaker 3: Here, man, thanks for having me. This is great.

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Speaker 1: We've seen the first two episodes of the show. Something

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Speaker 1: that strikes me immediately about it as we were just saying,

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Speaker 1: making this show must feel like really traveling back in time.

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Speaker 4: Yeah, it's the first thing I noticed when I got

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Speaker 4: the Cowboy camp, when I got to Taylor's ranch and

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Speaker 4: I got in there and I didn't have Wi Fi

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Speaker 4: and I didn't have cable, and I was like, all right,

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Speaker 4: no cable, but it's you know, it's football season. I

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Speaker 4: need to watch my Niners and couldn't do that. So

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Speaker 4: didn't have cable, didn't have cell signals, didn't have it.

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Speaker 4: So we just went back in time in that aspect.

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Speaker 4: And it's just everywhere we travel to the next location,

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Speaker 4: no cable, next location, this it's just one location, no TV,

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Speaker 4: like we're really in it, and no cell service.

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Speaker 3: Got a call home, call the family, you know, and

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Speaker 3: that's that.

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Speaker 4: The hotels were at and the barns and the ranches

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Speaker 4: were living in. And then when you go to the

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Speaker 4: shooting locations, you're out in the middle of nowhere, so

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Speaker 4: you're just dead to the world, you.

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Speaker 3: Know, for the whole day, sometimes the whole night.

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Speaker 1: And right now you're in Las Vegas for about forty

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Speaker 1: eight hours promoting the show. In between shooting it, did

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Speaker 1: you spend that entire time just catching up on football games?

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Speaker 5: Just game, the game, the game.

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Speaker 3: I wish I had that kind of time.

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Speaker 4: It was nice getting here like a remote control, I

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Speaker 4: got cable, I could watch some games.

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Speaker 3: But it as soon as we got here, it was interviews.

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Speaker 3: It was interviews.

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Speaker 4: My family came, I had friends in town, so I

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Speaker 4: made sure everybody was checked in, and then it was

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Speaker 4: time to get ready for the premiere.

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Speaker 3: And that was that.

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Speaker 4: And walk up this morning and interviews, interviews, and now

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Speaker 4: we're done in a minute, and we're back on a plane,

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Speaker 4: and yeah, start studying some more lines and get back

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Speaker 4: to work tomorrow.

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Speaker 1: I can't believe it, and I feel so incredibly grateful

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Speaker 1: that in the middle of all of that, you're taking

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Speaker 1: this time to talk to us.

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Speaker 3: It's amazing man. Yeah, this is dope.

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Speaker 1: Thank you so much for being here. Something that I

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Speaker 1: can't help but notice characterizers. I think a lot of

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Speaker 1: Tailor's writing is these extremes, Right, is the kind of

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Speaker 1: legend of the West, the myth, the idea we have

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Speaker 1: of it? Yeah, the idea we've seen in movies and

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Speaker 1: television since we were young, and then the brutal reality

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Speaker 1: the truth of it.

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Speaker 3: Now.

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Speaker 1: In the first two episodes I've seen the first two

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Speaker 1: episodes of the show, both of those things are really exemplified.

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Speaker 1: And your character, Thomas, it feels like, it feels like,

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Speaker 1: to a certain extent, has seen the worst of what

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Speaker 1: humanity has to offer, and it sort of is sort

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Speaker 1: of very disenchanted with that idea of the myth of

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Speaker 1: the West.

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Speaker 5: Will you talk about that a little bit?

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Speaker 3: Yeah?

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Speaker 4: To me, Thomas he's the soul of the show. He's

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Speaker 4: the humanity of the show. When life, you know, being

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Speaker 4: a black man in the eighteen hundreds, it was hard

382
00:23:06,520 --> 00:23:08,439
Speaker 4: for Thomas. It was hard for everybody back then. It

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00:23:08,440 --> 00:23:10,000
Speaker 4: was a hard way of life back then, but for

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Speaker 4: some more than others.

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Speaker 3: And Thomas he.

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Speaker 4: Has a way about him where he he sees hope

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Speaker 4: in places where he shouldn't see it, like Shae has.

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Speaker 4: He balances Shaye Sam's character. You know, they have this

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Speaker 4: great relationship, but Thomas has this way of looking at

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Speaker 4: life like it is what it is, but I know

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Speaker 4: it can be better, and I believe it can be better.

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Speaker 4: And that's the hope that drives us all to keep going,

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Speaker 4: to keep waking up in the morning, and to keep

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Speaker 4: putting one foot in front of the other.

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Speaker 1: You mentioned Sam Elliott's character Shay. From the very first

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Speaker 1: time we see the two of you on screen together,

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00:23:46,400 --> 00:23:50,720
Speaker 1: it feels like there's this incredibly rich history. It feels

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Speaker 1: like the two of you have a relationship that's gone

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Speaker 1: on for years. Will you talk about the process of

400
00:23:55,119 --> 00:23:57,399
Speaker 1: finding that history together with Sam.

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00:23:57,520 --> 00:23:59,960
Speaker 3: Yeah. When I first met Sam, we were at the RAM.

402
00:24:00,440 --> 00:24:03,840
Speaker 4: It was like a week end to cowboy camp and

403
00:24:04,000 --> 00:24:06,520
Speaker 4: Sam spotted me at the saloon and you know, see

404
00:24:06,520 --> 00:24:09,000
Speaker 4: a people, and he comes over. He puts his hands

405
00:24:09,000 --> 00:24:10,600
Speaker 4: on my shoulder and he's like, man, we're gonna we're

406
00:24:10,600 --> 00:24:13,000
Speaker 4: gonna be great together. And any nerves I had or

407
00:24:13,160 --> 00:24:15,600
Speaker 4: you're about to work with Sam Elliott, all that went

408
00:24:15,640 --> 00:24:19,040
Speaker 4: out the door and we just embraced each other we

409
00:24:19,040 --> 00:24:23,119
Speaker 4: were inseparable, and that led into filming and it just

410
00:24:23,280 --> 00:24:24,480
Speaker 4: it went amazing.

411
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Speaker 3: And the characters Thomas and.

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Speaker 4: Shaye they served together back in the Civil War, like

413
00:24:30,880 --> 00:24:34,720
Speaker 4: he was a Buffalo soldier, Shae was a captain. And

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00:24:35,000 --> 00:24:37,439
Speaker 4: when the war was over that they didn't really like

415
00:24:37,480 --> 00:24:41,560
Speaker 4: what the Buffalo soldiers assignments, their new responsibilities were. They

416
00:24:41,560 --> 00:24:44,119
Speaker 4: didn't sign up for that. So they went right, you know,

417
00:24:44,160 --> 00:24:47,280
Speaker 4: they took off. They became Pingerton agents. And now the

418
00:24:47,359 --> 00:24:49,560
Speaker 4: right hand knows what the leftist doing with Thomas and

419
00:24:49,640 --> 00:24:52,359
Speaker 4: say like they considered a campfire for an hour or

420
00:24:52,400 --> 00:24:54,879
Speaker 4: two and not say a word, but so much as

421
00:24:54,920 --> 00:24:58,240
Speaker 4: said in silence with them two, like they just they

422
00:24:58,240 --> 00:24:58,800
Speaker 4: get each other.

423
00:24:58,800 --> 00:25:01,240
Speaker 3: They're protective over each other, and they have a it's

424
00:25:01,280 --> 00:25:04,680
Speaker 3: an equal friendship and equal relationship, and it's just it's

425
00:25:04,720 --> 00:25:07,600
Speaker 3: fun to it's fun to play off Sam, but it's

426
00:25:07,680 --> 00:25:08,600
Speaker 3: really nice to watch.

427
00:25:09,000 --> 00:25:11,119
Speaker 1: It's also amazing. You're totally right that so much of

428
00:25:11,160 --> 00:25:14,639
Speaker 1: their communication feels like it's nonverbal. You know, there's so

429
00:25:14,680 --> 00:25:18,520
Speaker 1: many sort of quiet moments both of extreme gravity but

430
00:25:18,560 --> 00:25:20,800
Speaker 1: also of humor between the two of them. There's so

431
00:25:20,800 --> 00:25:23,160
Speaker 1: many looks they share with each other that become these

432
00:25:23,560 --> 00:25:25,840
Speaker 1: you could really a story told in a look.

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00:25:25,880 --> 00:25:26,120
Speaker 2: There.

434
00:25:26,440 --> 00:25:28,800
Speaker 1: Something I am really struck by with your performance that

435
00:25:28,840 --> 00:25:31,080
Speaker 1: I think is remarkable. You spoke a minute ago about

436
00:25:31,119 --> 00:25:34,440
Speaker 1: you know, meeting sam Ellie at this legend, this someone

437
00:25:34,480 --> 00:25:37,639
Speaker 1: who I feel personally very intimidated by. But something I

438
00:25:37,640 --> 00:25:40,800
Speaker 1: see in your performance is this incredible feeling.

439
00:25:40,760 --> 00:25:43,760
Speaker 5: Of ease, of physical ease.

440
00:25:44,160 --> 00:25:48,440
Speaker 1: You're obviously a very powerful physical presence, You're incredibly sort

441
00:25:48,440 --> 00:25:51,600
Speaker 1: of physically powerful presence in these scenes, but you also

442
00:25:51,640 --> 00:25:56,159
Speaker 1: have such an easy kind of minimalism, and that's an

443
00:25:56,200 --> 00:25:58,840
Speaker 1: incredible gift as an actor to go back and forth

444
00:25:58,920 --> 00:26:03,840
Speaker 1: between these extremes, right these gunfights, these huge, high pressure,

445
00:26:03,960 --> 00:26:06,840
Speaker 1: tense moments, but still be able to find this sort

446
00:26:06,840 --> 00:26:11,640
Speaker 1: of quiet breath that you find. That's a remarkable. I'm

447
00:26:11,720 --> 00:26:15,240
Speaker 1: learning so much from watching you as an actor.

448
00:26:15,840 --> 00:26:16,040
Speaker 2: Thank you.

449
00:26:16,119 --> 00:26:18,600
Speaker 3: I appreciate that, man, I really do thank.

450
00:26:18,480 --> 00:26:21,080
Speaker 1: Because you have such It's so hard. These are very

451
00:26:21,920 --> 00:26:24,320
Speaker 1: it's a lot of pressure. It's maybe the biggest television

452
00:26:24,320 --> 00:26:29,080
Speaker 1: show ever made. You're surrounded by hundreds of crew, millions

453
00:26:29,080 --> 00:26:32,920
Speaker 1: of dollars of filmmaking infrastructure. Me I feel like all

454
00:26:32,920 --> 00:26:34,760
Speaker 1: I ever feel on set is tension. I feel my

455
00:26:34,800 --> 00:26:39,320
Speaker 1: body just freezing up, feeling his tension, and it feels

456
00:26:39,320 --> 00:26:41,920
Speaker 1: like something you guys have found together as a as

457
00:26:41,960 --> 00:26:45,600
Speaker 1: a cast, is you found this incredible ability to feel

458
00:26:46,320 --> 00:26:51,200
Speaker 1: ease and comfort while there's a tremendous amount of pressure

459
00:26:51,240 --> 00:26:51,520
Speaker 1: on you.

460
00:26:51,760 --> 00:26:52,000
Speaker 3: Yeah.

461
00:26:52,040 --> 00:26:55,520
Speaker 4: Sam has that way about him where he just he

462
00:26:55,520 --> 00:26:59,600
Speaker 4: he's a common presence in reality with everyone that's around us.

463
00:26:59,640 --> 00:26:59,800
Speaker 3: You know.

464
00:27:00,040 --> 00:27:02,159
Speaker 4: There was a there was a scene in the in

465
00:27:02,160 --> 00:27:04,560
Speaker 4: the second episode where Thomas and She are trying to

466
00:27:04,560 --> 00:27:07,000
Speaker 4: recruit a couple of cowboys and they're sitting at the

467
00:27:07,040 --> 00:27:10,439
Speaker 4: table with us and some of the background players.

468
00:27:10,440 --> 00:27:11,399
Speaker 3: There was a woman.

469
00:27:11,760 --> 00:27:14,800
Speaker 4: She was supposed to pour water in our in our

470
00:27:14,840 --> 00:27:17,320
Speaker 4: glasses and I don't know if she knew that ahead

471
00:27:17,320 --> 00:27:18,840
Speaker 4: of time, but she was nervous. They told her on

472
00:27:18,880 --> 00:27:21,000
Speaker 4: the spot, like hey, can you fill them up? And

473
00:27:21,119 --> 00:27:23,480
Speaker 4: you could see her hand was shaking like this, you're

474
00:27:23,480 --> 00:27:25,400
Speaker 4: about to fill up Sam Elliott's.

475
00:27:24,920 --> 00:27:26,480
Speaker 3: Cup, you know, day on set.

476
00:27:26,600 --> 00:27:29,359
Speaker 4: Yeah, and her hand was shaking and it was like,

477
00:27:29,600 --> 00:27:31,800
Speaker 4: you know, they said action and she came and she

478
00:27:31,800 --> 00:27:34,679
Speaker 4: she spilled it and it over, It came over and

479
00:27:34,680 --> 00:27:35,760
Speaker 4: it was all over the table.

480
00:27:35,560 --> 00:27:36,959
Speaker 3: And she was just she was a mess.

481
00:27:37,359 --> 00:27:39,800
Speaker 4: And Sam was like and someone come, you know, clean

482
00:27:39,840 --> 00:27:41,600
Speaker 4: this up, and it was like, all right, cool, Sam

483
00:27:41,640 --> 00:27:42,040
Speaker 4: gets up.

484
00:27:42,080 --> 00:27:43,040
Speaker 3: No one sees this but me.

485
00:27:43,080 --> 00:27:45,600
Speaker 4: I'm kind of looking over and he walks over to

486
00:27:45,640 --> 00:27:48,159
Speaker 4: her and he embraces her and just tells her something

487
00:27:48,240 --> 00:27:51,960
Speaker 4: and the biggest smile came over her face, steadied the hand,

488
00:27:52,520 --> 00:27:54,440
Speaker 4: and every take she did after.

489
00:27:54,200 --> 00:27:56,520
Speaker 3: That it was just solid, solid, solid, and that was

490
00:27:56,560 --> 00:27:57,680
Speaker 3: a great job. Great job.

491
00:27:58,280 --> 00:28:02,200
Speaker 4: Sam has that effect with everybody, and that's Sam as

492
00:28:02,240 --> 00:28:05,639
Speaker 4: the person. Thomas and Shay's relationship, the calm and the

493
00:28:05,640 --> 00:28:10,439
Speaker 4: ease that they have. Shae can be a bit temperamental,

494
00:28:10,440 --> 00:28:12,200
Speaker 4: he could be a hot head, he could be impulsive.

495
00:28:13,119 --> 00:28:15,480
Speaker 3: Thomas is the cool, calm and collected.

496
00:28:15,760 --> 00:28:18,919
Speaker 4: He balances Shaye out so and he's the one that

497
00:28:19,000 --> 00:28:21,719
Speaker 4: tells Shay straight like, look, when you got to have

498
00:28:21,720 --> 00:28:24,199
Speaker 4: that friend in your life that you might not you

499
00:28:24,280 --> 00:28:26,080
Speaker 4: might not want to hear what they have to say,

500
00:28:26,440 --> 00:28:29,040
Speaker 4: but it's the truth. And he tells him straight up.

501
00:28:29,119 --> 00:28:31,600
Speaker 4: He tells them what it is and they just they

502
00:28:31,960 --> 00:28:32,840
Speaker 4: bounce off each other.

503
00:28:32,840 --> 00:28:33,359
Speaker 3: Well like that.

504
00:28:33,760 --> 00:28:36,399
Speaker 1: It's amazing to identify, Yes, that Sam Elliott is this

505
00:28:36,440 --> 00:28:40,560
Speaker 1: incredibly professional, easy, cool, calm presence and in some ways

506
00:28:40,600 --> 00:28:43,560
Speaker 1: it's your job to provide that for his character. Yeah,

507
00:28:43,680 --> 00:28:47,880
Speaker 1: it's your job to steady out his character. Thank you

508
00:28:48,000 --> 00:28:50,760
Speaker 1: so so much for taking the time to do this.

509
00:28:50,800 --> 00:28:52,960
Speaker 1: I'm incredibly grateful. I've seen the first two episodes, and

510
00:28:53,000 --> 00:28:55,400
Speaker 1: I think your journey, Thomas's journey is the one I'm

511
00:28:55,400 --> 00:28:56,640
Speaker 1: most looking forward to seeing more of.

512
00:28:56,720 --> 00:28:58,560
Speaker 3: So I love that. Man, Thanks for having me. I

513
00:28:58,560 --> 00:28:59,280
Speaker 3: appreciate it.

514
00:28:59,360 --> 00:28:59,680
Speaker 2: Cheers.

515
00:29:01,240 --> 00:29:03,680
Speaker 1: I love talking to Lamonica, getting the opportunity to know

516
00:29:03,800 --> 00:29:07,000
Speaker 1: him and his work. He's incredible in eighteen eighty three,

517
00:29:07,040 --> 00:29:09,040
Speaker 1: one of my favorite characters on the show. Can't wait

518
00:29:09,080 --> 00:29:11,040
Speaker 1: to see more when we get back. We're gonna chat

519
00:29:11,040 --> 00:29:17,400
Speaker 1: with my friend Eric Nelson today. I feel incredibly lucky,

520
00:29:17,400 --> 00:29:20,440
Speaker 1: incredibly blessed to have with us in the studio. Eric Nelson.

521
00:29:20,960 --> 00:29:24,720
Speaker 1: Eric Nelson plays Innis on eighteen eighty three. Eric has

522
00:29:24,800 --> 00:29:27,520
Speaker 1: become a fast friend of mine, and I'm incredibly grateful

523
00:29:27,600 --> 00:29:29,120
Speaker 1: for his time. So Eric, thank you so much for

524
00:29:29,160 --> 00:29:29,520
Speaker 1: being here.

525
00:29:29,840 --> 00:29:31,320
Speaker 5: Jeff, thanks so much for having me.

526
00:29:31,360 --> 00:29:31,600
Speaker 3: Man.

527
00:29:32,000 --> 00:29:35,000
Speaker 5: I couldn't be more grateful to be here with you, especially,

528
00:29:35,520 --> 00:29:37,720
Speaker 5: and it's kind of nice that we got to warm

529
00:29:37,800 --> 00:29:39,800
Speaker 5: up a little before. It's not like we're meeting right

530
00:29:39,840 --> 00:29:42,360
Speaker 5: now we've been able to hang out and actually work

531
00:29:42,400 --> 00:29:44,960
Speaker 5: together and have some fun. So I couldn't be happier

532
00:29:45,000 --> 00:29:45,400
Speaker 5: right now.

533
00:29:45,520 --> 00:29:48,200
Speaker 1: And so you correct me if I'm wrong. You've been

534
00:29:48,440 --> 00:29:51,000
Speaker 1: working on eighteen eighty three. You're in the thick of it.

535
00:29:51,200 --> 00:29:52,880
Speaker 1: How long now have you guys been shooting for?

536
00:29:53,720 --> 00:29:56,800
Speaker 5: Well, the whole thing started in the very first week

537
00:29:56,840 --> 00:30:01,760
Speaker 5: of August, started with a cowboy camp before we jumped

538
00:30:01,800 --> 00:30:05,240
Speaker 5: into filming, which I actually was at for three weeks.

539
00:30:06,320 --> 00:30:08,720
Speaker 5: I got to have an extra week before the rest

540
00:30:08,760 --> 00:30:10,760
Speaker 5: of the cast got there, just one on one with Taylor,

541
00:30:10,800 --> 00:30:13,959
Speaker 5: which was incredible, and then the whole cast got there

542
00:30:14,000 --> 00:30:15,520
Speaker 5: the next week and we pumped it out for two

543
00:30:15,560 --> 00:30:19,480
Speaker 5: more weeks and then started filming I think that next Monday.

544
00:30:19,840 --> 00:30:23,200
Speaker 1: So it talk to me about this concept of cowboy

545
00:30:23,200 --> 00:30:25,720
Speaker 1: camp is pretty familiar to me. It talk to me

546
00:30:25,760 --> 00:30:29,320
Speaker 1: about your experience riding before the show, and your experience

547
00:30:29,400 --> 00:30:31,600
Speaker 1: riding now, what have you learned? What have you been

548
00:30:31,600 --> 00:30:32,040
Speaker 1: working on?

549
00:30:33,160 --> 00:30:36,400
Speaker 5: So it's funny because when I auditioned for the show,

550
00:30:36,560 --> 00:30:38,680
Speaker 5: of course they were like, you know, riding skills is

551
00:30:38,720 --> 00:30:41,080
Speaker 5: a big plus. You gotta be you know, we're looking

552
00:30:41,120 --> 00:30:43,080
Speaker 5: for actors who can ride, so I was like, dude,

553
00:30:43,200 --> 00:30:45,640
Speaker 5: been riding my whole life. You know, I got this

554
00:30:45,720 --> 00:30:48,720
Speaker 5: in the bag, you know, just trust me. And I

555
00:30:48,880 --> 00:30:51,200
Speaker 5: wasn't lying. Both my parents were into horses, and I

556
00:30:51,240 --> 00:30:54,959
Speaker 5: grew up around them. But I think because they loved

557
00:30:54,960 --> 00:30:57,560
Speaker 5: horses so much, it made me go a different direction

558
00:30:57,560 --> 00:30:59,560
Speaker 5: because I was like, well, I want my thing. And

559
00:30:59,640 --> 00:31:02,960
Speaker 5: then and so I wasn't foreign to the whole riding,

560
00:31:03,120 --> 00:31:05,200
Speaker 5: but I hadn't been riding my whole life. I wrote

561
00:31:05,240 --> 00:31:07,520
Speaker 5: as a kid a little bit and that was about it.

562
00:31:08,040 --> 00:31:14,680
Speaker 5: And then got the audition and busted my butt with

563
00:31:14,760 --> 00:31:18,920
Speaker 5: a trainer and literally yeah yeah, literally sores red, but

564
00:31:19,120 --> 00:31:21,680
Speaker 5: the whole thing to make sure that I was on

565
00:31:21,800 --> 00:31:23,600
Speaker 5: par for by the time I got to see Taylor.

566
00:31:24,280 --> 00:31:26,600
Speaker 5: And I thought I was good by the time I

567
00:31:26,600 --> 00:31:28,720
Speaker 5: saw Taylor. And the first day I get on a

568
00:31:28,720 --> 00:31:30,240
Speaker 5: horse in front of Taylor, He's like, you're doing it

569
00:31:30,280 --> 00:31:32,520
Speaker 5: all wrong. He's like, you're not. You got to post

570
00:31:32,560 --> 00:31:34,040
Speaker 5: your trot, you got to you know, all these things.

571
00:31:34,080 --> 00:31:36,280
Speaker 5: And so I'm like, I have a lot to learn, still,

572
00:31:36,920 --> 00:31:37,560
Speaker 5: wake up call.

573
00:31:37,880 --> 00:31:39,400
Speaker 1: It feels like the more I learned, the more I

574
00:31:39,440 --> 00:31:43,040
Speaker 1: realized I don't know it. You know, a horsemanship cowboying.

575
00:31:43,040 --> 00:31:45,440
Speaker 1: That's kind of a lifelong pursuit, and it feels like

576
00:31:45,720 --> 00:31:47,920
Speaker 1: the more you learn, the more there is to.

577
00:31:47,920 --> 00:31:53,080
Speaker 5: Learn, exactly. So he wasted no time. We rode all

578
00:31:53,160 --> 00:31:55,239
Speaker 5: day every day and it's you know, we're in the

579
00:31:55,240 --> 00:31:58,440
Speaker 5: middle of the summer in Texas, so it's one hundred

580
00:31:58,480 --> 00:32:02,120
Speaker 5: and ten degrees and we are outside and we are

581
00:32:02,120 --> 00:32:04,200
Speaker 5: in pants, and at points he's like, you know, I

582
00:32:04,280 --> 00:32:06,360
Speaker 5: want you to wear your show chaps, and the layers

583
00:32:06,400 --> 00:32:08,719
Speaker 5: just kept coming on as it kept getting hotter. So

584
00:32:08,880 --> 00:32:11,160
Speaker 5: because I think he was really trying to mentally and

585
00:32:11,200 --> 00:32:15,000
Speaker 5: physically prepares for what was ahead filming wise, and it

586
00:32:15,080 --> 00:32:17,959
Speaker 5: did just that. I mean, having had those those weeks

587
00:32:18,000 --> 00:32:21,000
Speaker 5: with him and probably some of the best horse trainers

588
00:32:21,000 --> 00:32:25,040
Speaker 5: and riders in the world with us every day was

589
00:32:25,360 --> 00:32:28,760
Speaker 5: just the most incredible help an actor could have gotten

590
00:32:29,360 --> 00:32:32,360
Speaker 5: to play a role like this on television. So by

591
00:32:32,400 --> 00:32:36,840
Speaker 5: the time we started filming, at least in my own head,

592
00:32:37,120 --> 00:32:40,440
Speaker 5: I felt like I was a seasoned cowboy. I just

593
00:32:40,960 --> 00:32:44,440
Speaker 5: had to convince myself of that because of you know,

594
00:32:44,520 --> 00:32:45,960
Speaker 5: what was on the table.

595
00:32:46,200 --> 00:32:49,320
Speaker 1: Yeah, you're right. So your character Innis, particularly Innis is

596
00:32:49,400 --> 00:32:52,840
Speaker 1: hired Innis and Wade or hired by Sam Elliott's character

597
00:32:52,880 --> 00:32:57,120
Speaker 1: Shay to basically handle the cows for this wagon train.

598
00:32:57,240 --> 00:32:57,680
Speaker 2: Is that right?

599
00:32:57,800 --> 00:32:58,600
Speaker 5: Yeah, exactly.

600
00:32:58,760 --> 00:33:01,760
Speaker 1: So you guys, you base are working with cows all

601
00:33:01,880 --> 00:33:02,760
Speaker 1: day every day.

602
00:33:02,960 --> 00:33:08,480
Speaker 5: Yes, my my scene partner is a cow all all day. No,

603
00:33:08,680 --> 00:33:12,240
Speaker 5: but yeah, I mean we are. I spend probably ninety

604
00:33:12,880 --> 00:33:18,080
Speaker 5: percent of the show on a horse, maybe seventy or

605
00:33:18,080 --> 00:33:20,840
Speaker 5: eighty percent, but a good amount of time on a

606
00:33:20,880 --> 00:33:24,600
Speaker 5: horse and a good amount of time pushing cattle. And

607
00:33:25,280 --> 00:33:29,840
Speaker 5: it's you know, it's interesting because so much of what

608
00:33:29,880 --> 00:33:32,800
Speaker 5: we do is personal connections with other actors and we're

609
00:33:32,800 --> 00:33:35,840
Speaker 5: feeding off emotions and you know, there's so much of

610
00:33:35,880 --> 00:33:38,360
Speaker 5: that for Ennis, but there's also so much time when

611
00:33:38,400 --> 00:33:42,000
Speaker 5: it's just Nis and nature or Ennis and you know,

612
00:33:43,360 --> 00:33:46,680
Speaker 5: horses and cows and you know, just being in this environment,

613
00:33:47,480 --> 00:33:50,000
Speaker 5: so being able to kind of keep grounded and settled

614
00:33:50,040 --> 00:33:54,640
Speaker 5: and you know, surrounding yourself with that, uh, with something

615
00:33:54,680 --> 00:33:56,760
Speaker 5: I haven't gotten to do a lot as an actor

616
00:33:56,800 --> 00:34:00,280
Speaker 5: in any other project. You know, the horses and the

617
00:34:00,320 --> 00:34:03,440
Speaker 5: animals and the world were in were just as big

618
00:34:03,440 --> 00:34:06,360
Speaker 5: of a part as you know, Tim mcgral, Sam Elliott,

619
00:34:06,560 --> 00:34:07,440
Speaker 5: And that really.

620
00:34:07,200 --> 00:34:12,600
Speaker 1: Feels almost unique to eighteen eighty three in the world

621
00:34:12,680 --> 00:34:19,920
Speaker 1: of television, even because they have created a humongous epic story,

622
00:34:20,040 --> 00:34:27,520
Speaker 1: like a story with almost impossible scale, with hundreds of horses, cows,

623
00:34:27,600 --> 00:34:32,160
Speaker 1: this massive wagon train, a huge ensemble cast that the

624
00:34:32,280 --> 00:34:37,000
Speaker 1: scale of the show. As I watch it, my breath

625
00:34:37,040 --> 00:34:40,880
Speaker 1: is taken away over and over again by the scale

626
00:34:41,160 --> 00:34:43,640
Speaker 1: of it. And you're right that that has an incredibly

627
00:34:43,719 --> 00:34:47,440
Speaker 1: immersive effect. To a certain extent, you can't help but

628
00:34:47,520 --> 00:34:50,439
Speaker 1: be grounded in that reality because they've gone to such

629
00:34:50,640 --> 00:34:55,719
Speaker 1: painstaking lengths to literally surround you with that reality. Will

630
00:34:55,719 --> 00:34:59,480
Speaker 1: you talk about this sort of the immersive experience of

631
00:34:59,520 --> 00:35:01,160
Speaker 1: working on the show, of shooting the show.

632
00:35:01,680 --> 00:35:04,319
Speaker 5: I mean, it's unbelievable because whether you feel ready or

633
00:35:04,360 --> 00:35:08,279
Speaker 5: not for it, you're in it, you know when, And

634
00:35:08,360 --> 00:35:11,520
Speaker 5: it makes you think how these people actually did this

635
00:35:11,560 --> 00:35:14,520
Speaker 5: in the late eighteen hundreds with these huge wagon camps

636
00:35:14,520 --> 00:35:17,600
Speaker 5: and the whole thing, And we're crossing rivers and up

637
00:35:17,600 --> 00:35:21,120
Speaker 5: and down mountains, and we're actually doing it on the show.

638
00:35:21,200 --> 00:35:23,800
Speaker 5: I mean, when we've got wagons crossing through the Brass

639
00:35:24,080 --> 00:35:28,760
Speaker 5: River that was done. We had to on horseback push

640
00:35:29,000 --> 00:35:33,360
Speaker 5: cattle through these you know, rivers, and there are days

641
00:35:33,440 --> 00:35:35,720
Speaker 5: when the current is very strong, and there are days

642
00:35:35,760 --> 00:35:38,800
Speaker 5: when the wind is insane, and you know, you can't

643
00:35:39,360 --> 00:35:43,319
Speaker 5: predict what's going to happen with Texas weather or Montana weather,

644
00:35:43,400 --> 00:35:47,480
Speaker 5: to be honest, So a lot of that environment was

645
00:35:47,600 --> 00:35:52,880
Speaker 5: just it lended itself to be as real and authentic

646
00:35:52,920 --> 00:35:55,320
Speaker 5: as it could be. Because when it looks like we're

647
00:35:56,000 --> 00:35:57,960
Speaker 5: a hot mess in the water and can't get the

648
00:35:58,000 --> 00:35:59,160
Speaker 5: cows to do what we want to do and the

649
00:35:59,200 --> 00:36:02,680
Speaker 5: wagons are tipping over and the chaos is happening, it's

650
00:36:02,680 --> 00:36:06,200
Speaker 5: written that that's what's supposed to happen, but it's actually happening,

651
00:36:06,360 --> 00:36:08,960
Speaker 5: you know, like we couldn't act that if we wanted to.

652
00:36:10,000 --> 00:36:12,560
Speaker 5: And that's what you know, Taylor's gift is. It's it's

653
00:36:12,640 --> 00:36:17,200
Speaker 5: pulling out the authenticity and it's there. I mean, you'll

654
00:36:17,200 --> 00:36:19,360
Speaker 5: see some of the stuff they that we had to

655
00:36:19,360 --> 00:36:22,920
Speaker 5: do with these animals. It's none of it is hollywood

656
00:36:22,920 --> 00:36:25,799
Speaker 5: ized in any way whatsoever we were doing it.

657
00:36:26,000 --> 00:36:28,560
Speaker 1: I think, I think you're totally right. What Taylor's gift

658
00:36:28,640 --> 00:36:33,400
Speaker 1: is is kind of I think of it as this contradiction.

659
00:36:33,560 --> 00:36:38,880
Speaker 1: So it's that stuff. It's this huge, immersive, authentic, mythic

660
00:36:39,719 --> 00:36:46,920
Speaker 1: epic world, and then it's these incredibly human, intimate, quiet

661
00:36:47,120 --> 00:36:51,320
Speaker 1: personal moments alongside that. And when I watch your work

662
00:36:51,320 --> 00:36:53,960
Speaker 1: on the show, that feels like it really characterizes your

663
00:36:54,080 --> 00:36:58,360
Speaker 1: performance too. Right, So you're participating in these huge cattle drives,

664
00:36:58,400 --> 00:37:01,720
Speaker 1: You're in this this kind of mythic version of the West,

665
00:37:02,040 --> 00:37:05,239
Speaker 1: but then also you have these quiet moments, you have

666
00:37:05,320 --> 00:37:08,279
Speaker 1: these sort of quiet personal moments. Will you talk about that?

667
00:37:08,320 --> 00:37:11,279
Speaker 1: Will you talk about the contrast going from being on

668
00:37:11,440 --> 00:37:15,760
Speaker 1: horseback surrounded by one hundred cows to having these these lovely, quiet,

669
00:37:15,800 --> 00:37:17,600
Speaker 1: sort of romantic moments. Yeah.

670
00:37:17,640 --> 00:37:22,440
Speaker 5: Absolutely, I mean it's it's the greatest gift as an actor.

671
00:37:22,520 --> 00:37:25,800
Speaker 5: I feel like to really be able to tap into

672
00:37:26,160 --> 00:37:30,839
Speaker 5: every string of emotion in a journey. And that's what

673
00:37:30,960 --> 00:37:34,640
Speaker 5: we were handed on a silver platter. And so to

674
00:37:34,760 --> 00:37:38,160
Speaker 5: go from you know, the big chaotic moments of of

675
00:37:38,440 --> 00:37:41,239
Speaker 5: of pushing these cows and wagons and everything through the

676
00:37:41,320 --> 00:37:44,680
Speaker 5: crazy current of a river, to being one on one

677
00:37:46,160 --> 00:37:48,880
Speaker 5: in a field, you know, with another actor and just

678
00:37:48,920 --> 00:37:55,200
Speaker 5: really having that intimacy. It makes it feel like I'm

679
00:37:55,200 --> 00:37:58,239
Speaker 5: doing a different movie all the time. Like you know,

680
00:37:58,400 --> 00:38:01,080
Speaker 5: so oftentimes we get on and you know you're going

681
00:38:01,120 --> 00:38:03,160
Speaker 5: to the same studio every day. You're doing the same

682
00:38:03,200 --> 00:38:06,440
Speaker 5: thing every day, and you know, it almost becomes redundant

683
00:38:06,480 --> 00:38:10,880
Speaker 5: at times. There is in no way for that to

684
00:38:10,880 --> 00:38:13,760
Speaker 5: be possible in eighteen eighty three because of what you're saying,

685
00:38:13,880 --> 00:38:17,720
Speaker 5: because of how drastically different scene from scene is, because

686
00:38:17,719 --> 00:38:22,640
Speaker 5: of not only the atmosphere and you know, the everything

687
00:38:22,640 --> 00:38:26,360
Speaker 5: that comes along with that, but the way it's written,

688
00:38:26,560 --> 00:38:30,120
Speaker 5: and you know, it's it's just been incredible to be

689
00:38:30,160 --> 00:38:32,640
Speaker 5: on that journey and it keeps it fresh, and it

690
00:38:32,719 --> 00:38:36,439
Speaker 5: keeps you super focused and super on your toes and

691
00:38:36,719 --> 00:38:39,799
Speaker 5: not really knowing what to expect, which in itself is

692
00:38:39,800 --> 00:38:41,120
Speaker 5: an exciting thing as an actor.

693
00:38:41,600 --> 00:38:45,319
Speaker 1: And it feels like that really also characterizes the authentic West, right.

694
00:38:45,360 --> 00:38:52,560
Speaker 1: It's it's it's incredibly sort of punishing, difficult, beautiful, brutal work,

695
00:38:52,920 --> 00:38:59,840
Speaker 1: and alongside that, it's these quiet, beautiful, still silent moments,

696
00:39:00,160 --> 00:39:00,479
Speaker 1: you know.

697
00:39:00,800 --> 00:39:02,760
Speaker 5: And the cool thing about Taylor is he's not afraid

698
00:39:02,760 --> 00:39:05,279
Speaker 5: to let the camera's role, as I'm sure you've seen

699
00:39:05,640 --> 00:39:09,319
Speaker 5: for a lot longer than I have, even is you know,

700
00:39:09,640 --> 00:39:13,920
Speaker 5: he really likes those moments. And so there's there's one

701
00:39:14,160 --> 00:39:17,040
Speaker 5: point in one of the episodes I guess I can't

702
00:39:17,080 --> 00:39:17,719
Speaker 5: really say, but.

703
00:39:18,160 --> 00:39:19,399
Speaker 1: You can go ahead and say, and they can cut

704
00:39:19,400 --> 00:39:20,000
Speaker 1: it if they need to.

705
00:39:20,200 --> 00:39:23,759
Speaker 5: Okay, there's there's this point where is about we ride

706
00:39:23,840 --> 00:39:29,160
Speaker 5: up on all these left goods of immigrants and travelers

707
00:39:29,239 --> 00:39:31,959
Speaker 5: that couldn't take what they wanted to across the river,

708
00:39:32,440 --> 00:39:36,120
Speaker 5: you know, a piano, big luggage, anything that they couldn't

709
00:39:36,160 --> 00:39:38,880
Speaker 5: physically get across because it would weigh them down or whatever.

710
00:39:39,360 --> 00:39:41,920
Speaker 5: And one of the things left is this piano in

711
00:39:42,040 --> 00:39:46,520
Speaker 5: Isabelle's character walks over to it, and James Landry Abery

712
00:39:46,520 --> 00:39:48,319
Speaker 5: and I are kind of on our horses watching what,

713
00:39:48,400 --> 00:39:50,520
Speaker 5: you know, what is she doing? And she sits and

714
00:39:50,560 --> 00:39:55,799
Speaker 5: plays Moonlight Sonata and Isabelle of course memorized the entire

715
00:39:55,840 --> 00:39:58,239
Speaker 5: thing perfectly, and it is a lot. I think it's

716
00:39:58,239 --> 00:40:00,680
Speaker 5: like a five to six minute song. And she goes

717
00:40:00,719 --> 00:40:03,200
Speaker 5: to Taylor and she's like, this is about a six

718
00:40:03,239 --> 00:40:05,480
Speaker 5: minute piece. I know it. I can play, but you know,

719
00:40:05,520 --> 00:40:07,400
Speaker 5: for camera's sake and for the show's like, should we

720
00:40:07,400 --> 00:40:10,520
Speaker 5: just do like a couple seconds or thirty to a minute.

721
00:40:10,520 --> 00:40:12,640
Speaker 5: And He's like, absolutely not, We're doing the entire thing,

722
00:40:12,960 --> 00:40:15,759
Speaker 5: and I want this moment, the whole thing and so

723
00:40:15,880 --> 00:40:19,239
Speaker 5: we're sitting there watching her play this, and there's such

724
00:40:19,320 --> 00:40:24,160
Speaker 5: a emotional heavy weight on it because she's playing this

725
00:40:24,320 --> 00:40:29,880
Speaker 5: beautiful piece knowing that once we cross that river, anything

726
00:40:29,920 --> 00:40:32,399
Speaker 5: could happen. You know, life as we know it now

727
00:40:32,480 --> 00:40:37,480
Speaker 5: is over. We're entering into a new territory of unknown uncertainty,

728
00:40:37,760 --> 00:40:41,719
Speaker 5: and honestly, you know, we're the moment we're over there,

729
00:40:41,760 --> 00:40:44,440
Speaker 5: we are so much more vulnerable to the world. And

730
00:40:44,520 --> 00:40:47,799
Speaker 5: so there's this heaviness to this beautiful song and he

731
00:40:47,960 --> 00:40:50,560
Speaker 5: lets the whole thing go, and I just think it's

732
00:40:50,640 --> 00:40:54,440
Speaker 5: such a powerful moment because all this craziness happening, and

733
00:40:54,480 --> 00:40:57,320
Speaker 5: then you just hear Moonlight Sonata and it's her playing

734
00:40:57,360 --> 00:40:59,080
Speaker 5: and James and I are doing everything in our power

735
00:40:59,120 --> 00:41:02,560
Speaker 5: not to cry ball listening to her do it. And

736
00:41:02,600 --> 00:41:05,080
Speaker 5: so that's just one of those many moments in the

737
00:41:05,160 --> 00:41:11,480
Speaker 5: show that like really hit hard, and to me was

738
00:41:11,600 --> 00:41:14,440
Speaker 5: you know, it just spoke volumes of the world that

739
00:41:14,440 --> 00:41:19,200
Speaker 5: they were in and contrasting to it as well, so.

740
00:41:19,120 --> 00:41:21,560
Speaker 1: That really, I mean, it speaks to the sort of quiet,

741
00:41:21,640 --> 00:41:26,920
Speaker 1: still heartbreaking, kind of melancholic sort of nature of the

742
00:41:26,960 --> 00:41:31,400
Speaker 1: West at times. There's obviously in the show heart pounding

743
00:41:31,600 --> 00:41:35,000
Speaker 1: action sequences from the very first episode. The show starts

744
00:41:35,040 --> 00:41:39,560
Speaker 1: out with a series of blistering action sequences, some of

745
00:41:39,719 --> 00:41:42,600
Speaker 1: my favorite action sequences I've ever seen on camera. And

746
00:41:42,640 --> 00:41:45,960
Speaker 1: then there's a sort of third character to a lot

747
00:41:46,000 --> 00:41:48,319
Speaker 1: of this, which is this what I think of is

748
00:41:48,320 --> 00:41:51,640
Speaker 1: the sort of joy and comedy, right, So I think

749
00:41:51,680 --> 00:41:56,799
Speaker 1: of your work with James Landriaberts, who plays Wade. You

750
00:41:56,880 --> 00:42:01,000
Speaker 1: guys have this rapport, right, you have this friendship, this

751
00:42:01,040 --> 00:42:05,000
Speaker 1: relationship they can only really come from years spent together,

752
00:42:05,200 --> 00:42:06,840
Speaker 1: just the two of you and a herd of cattle.

753
00:42:07,280 --> 00:42:10,120
Speaker 1: So you talk a little bit about developing that relationship

754
00:42:10,160 --> 00:42:14,040
Speaker 1: with James, about the relationship between your characters innoc and Wade,

755
00:42:14,080 --> 00:42:16,200
Speaker 1: and what that process was like as you guys work

756
00:42:16,280 --> 00:42:17,399
Speaker 1: together almost every day.

757
00:42:17,520 --> 00:42:20,480
Speaker 5: Absolutely, it's funny because you know, we is such a

758
00:42:20,520 --> 00:42:24,000
Speaker 5: heavy and dark world. Eighteen eighty three is an intense,

759
00:42:24,480 --> 00:42:28,160
Speaker 5: you know, emotionally driven series. And when I first read

760
00:42:28,160 --> 00:42:31,640
Speaker 5: the scripts and I'm reading through and it's funny. Originally

761
00:42:31,640 --> 00:42:33,640
Speaker 5: I was up for the role of Wade, and so

762
00:42:33,719 --> 00:42:35,960
Speaker 5: I taped for Wade and they wrote back within like

763
00:42:36,000 --> 00:42:38,759
Speaker 5: thirty seconds, Oh no, no, no, he's right for Redison. So

764
00:42:38,800 --> 00:42:41,080
Speaker 5: I did Nis, and then once I really dove into

765
00:42:41,120 --> 00:42:44,319
Speaker 5: the scripts with Nis and mine, who's you know, I've

766
00:42:44,320 --> 00:42:47,720
Speaker 5: felt much more connected to anyway. I was like, Okay,

767
00:42:47,880 --> 00:42:50,000
Speaker 5: this guy is a beacon of light and all this

768
00:42:50,160 --> 00:42:54,719
Speaker 5: crazy darkness, this guy needs to bring. You know, if

769
00:42:54,719 --> 00:42:57,160
Speaker 5: there's gonna be some chuckles in this show, I think,

770
00:42:57,360 --> 00:42:59,600
Speaker 5: you know, Ennis is the guy to do it, or

771
00:42:59,600 --> 00:43:02,200
Speaker 5: at least a smile on your face throughout this craziness.

772
00:43:02,600 --> 00:43:05,720
Speaker 5: And so James and I started developing a great friendship

773
00:43:05,760 --> 00:43:09,839
Speaker 5: throughout Cowboy Camp, and you know, we are the Ennis

774
00:43:09,880 --> 00:43:13,040
Speaker 5: and Wade relationship is real, and it actually is James

775
00:43:13,080 --> 00:43:17,759
Speaker 5: and I's relationship. We're so opposite but yet pull the

776
00:43:17,760 --> 00:43:21,000
Speaker 5: best qualities out of each other on and off screen.

777
00:43:21,280 --> 00:43:23,440
Speaker 5: And so it worked so well, and I'm so blessed

778
00:43:23,440 --> 00:43:25,879
Speaker 5: that that I got him as a partner throughout most

779
00:43:25,880 --> 00:43:30,360
Speaker 5: of this and it just lended itself to to you know,

780
00:43:30,480 --> 00:43:36,040
Speaker 5: these characters and to the you know rapport that they

781
00:43:36,120 --> 00:43:39,520
Speaker 5: have throughout the series. And had we not had that

782
00:43:39,560 --> 00:43:42,120
Speaker 5: opportunity in Cowboy Camp to get close and spend all

783
00:43:42,239 --> 00:43:45,359
Speaker 5: day every day with each other, I don't know if

784
00:43:45,360 --> 00:43:47,759
Speaker 5: we would have found that as quickly as we did,

785
00:43:49,120 --> 00:43:52,800
Speaker 5: but like you said it, you know it. It's a

786
00:43:52,880 --> 00:43:57,040
Speaker 5: nice uplifting feel throughout this show, I feel, and it's

787
00:43:57,120 --> 00:44:00,000
Speaker 5: been a lot of fun to explore. And the funny

788
00:44:00,120 --> 00:44:04,640
Speaker 5: part is Tim McGraw and I became super good friends,

789
00:44:04,640 --> 00:44:09,120
Speaker 5: and he's so much of a goofball and a big

790
00:44:09,160 --> 00:44:12,240
Speaker 5: brother and always doing pranks on me, and like, really

791
00:44:12,400 --> 00:44:14,759
Speaker 5: you'll see throughout the series that I give him a

792
00:44:14,760 --> 00:44:19,960
Speaker 5: lot of reasons to not necessarily like me or you know,

793
00:44:20,000 --> 00:44:23,200
Speaker 5: he's he plays the father and as a father does

794
00:44:23,280 --> 00:44:25,399
Speaker 5: he's very protective of his daughter, and so it lends

795
00:44:25,480 --> 00:44:28,600
Speaker 5: itself to a lot of you know, friction between him

796
00:44:28,600 --> 00:44:30,920
Speaker 5: and I and he takes that on and off screen.

797
00:44:31,640 --> 00:44:34,400
Speaker 5: He's so serious and intense and strong and grounded on

798
00:44:34,440 --> 00:44:36,600
Speaker 5: the show, but in real life he's so the opposite.

799
00:44:36,680 --> 00:44:40,000
Speaker 5: I mean, he's strong and grounded, but he's just always

800
00:44:40,160 --> 00:44:42,560
Speaker 5: always trying to make people laugh. And I mean he

801
00:44:42,600 --> 00:44:45,239
Speaker 5: would tip me off my chair or he would like

802
00:44:45,400 --> 00:44:47,640
Speaker 5: just like stare at me for thirty seconds before we

803
00:44:47,640 --> 00:44:51,719
Speaker 5: film the scene just to make me uncomfortable. But it's

804
00:44:51,760 --> 00:44:53,600
Speaker 5: just funny to see how, you know, people can be

805
00:44:53,600 --> 00:44:56,600
Speaker 5: completely opposite of their character, and that's a great example,

806
00:44:57,320 --> 00:44:59,760
Speaker 5: but on the flip side, James and I are pretty

807
00:44:59,760 --> 00:45:02,600
Speaker 5: sim learn to ours and that carried on and off,

808
00:45:02,640 --> 00:45:03,680
Speaker 5: so it could go either way.

809
00:45:03,880 --> 00:45:06,440
Speaker 1: It's funny, I mean, and this show, like I think,

810
00:45:06,480 --> 00:45:09,320
Speaker 1: another quality that Taylor has in his writing that feels

811
00:45:09,760 --> 00:45:14,040
Speaker 1: like a particular gift he has is immediately quickly creating

812
00:45:14,040 --> 00:45:18,040
Speaker 1: these relationships that feel like they're decades old, you know.

813
00:45:18,320 --> 00:45:21,239
Speaker 1: So he puts these characters on screen that from the

814
00:45:21,360 --> 00:45:24,359
Speaker 1: very first time you see them together, you understand their

815
00:45:24,520 --> 00:45:28,520
Speaker 1: rich history, You understand sort of where they've come from

816
00:45:28,560 --> 00:45:30,600
Speaker 1: and how much time they've spent together. And I think

817
00:45:30,600 --> 00:45:34,640
Speaker 1: that's very evident with Innocent Wade, it's very evident with

818
00:45:35,040 --> 00:45:38,120
Speaker 1: La Monica Garrett and Sam Elliott's characters that the sort

819
00:45:38,160 --> 00:45:41,000
Speaker 1: of history that they have together, I think is immediately

820
00:45:41,000 --> 00:45:44,040
Speaker 1: apparent the second you first see them on screen. And

821
00:45:44,080 --> 00:45:47,960
Speaker 1: then also, you know, in the case of eighteen eighty three,

822
00:45:48,040 --> 00:45:51,239
Speaker 1: there's the incredible gift of Tim McGraw on faith Hill

823
00:45:51,320 --> 00:45:55,719
Speaker 1: obviously being a family in real life and you're obviously

824
00:45:56,040 --> 00:45:58,239
Speaker 1: yourself a family man. Will you talk about, you know,

825
00:45:58,360 --> 00:46:01,080
Speaker 1: a family is one of the endurings of eighteen eighty

826
00:46:01,080 --> 00:46:04,719
Speaker 1: three and of Yellowstone. Will you talk about, you know,

827
00:46:05,000 --> 00:46:10,080
Speaker 1: things you've learned from filming, about what family means, things

828
00:46:10,120 --> 00:46:12,840
Speaker 1: you've taken from your own personal life as a father

829
00:46:13,000 --> 00:46:15,560
Speaker 1: and as a husband and brought to set. We just

830
00:46:15,560 --> 00:46:16,799
Speaker 1: talk about that experience.

831
00:46:16,440 --> 00:46:19,719
Speaker 5: A little absolutely well. First and foremost effect that Tim

832
00:46:19,760 --> 00:46:22,480
Speaker 5: and Faith get to do this together is just out

833
00:46:22,520 --> 00:46:26,320
Speaker 5: of this world, I think for the fans of them personally.

834
00:46:26,480 --> 00:46:29,360
Speaker 5: And then you know what they bring to this show

835
00:46:30,120 --> 00:46:34,120
Speaker 5: is they raise it to a level that I just

836
00:46:34,719 --> 00:46:38,040
Speaker 5: blew me away from day one. And like you said,

837
00:46:38,160 --> 00:46:42,440
Speaker 5: that that chemistry and that love and that family that

838
00:46:42,480 --> 00:46:46,600
Speaker 5: they already have just transcends and follows right onto our

839
00:46:46,640 --> 00:46:50,080
Speaker 5: set and that just I mean so smart for Taylor

840
00:46:50,080 --> 00:46:53,959
Speaker 5: to do that, and it just worked so well. And

841
00:46:54,000 --> 00:46:56,120
Speaker 5: as you know, a married man myself, my wife is

842
00:46:56,160 --> 00:46:59,920
Speaker 5: an actress, you know to and she's actually here, I now,

843
00:47:00,080 --> 00:47:05,719
Speaker 5: hi it that would be a dream come true, you know,

844
00:47:05,880 --> 00:47:10,160
Speaker 5: to get to go on this journey with with you know,

845
00:47:10,400 --> 00:47:13,840
Speaker 5: your spouse and just get to play these characters that

846
00:47:13,880 --> 00:47:16,120
Speaker 5: are so unlike yourself, but yet you still get to

847
00:47:16,200 --> 00:47:20,560
Speaker 5: use so much of your uh developed love and chemistry

848
00:47:20,640 --> 00:47:25,120
Speaker 5: and relationship for each other on on a show. And

849
00:47:25,200 --> 00:47:27,920
Speaker 5: we've been fortunate enough to do that before, but not

850
00:47:27,920 --> 00:47:31,120
Speaker 5: not in this capacity on such a long running thing.

851
00:47:31,280 --> 00:47:37,719
Speaker 5: But you know, you can, you can act, and you

852
00:47:37,760 --> 00:47:41,400
Speaker 5: can develop these characters enrichments. But if you can start

853
00:47:41,400 --> 00:47:43,680
Speaker 5: with that already there and then get to that point,

854
00:47:43,840 --> 00:47:45,759
Speaker 5: it's like where do you go? You just keep going

855
00:47:45,840 --> 00:47:49,560
Speaker 5: up as opposed to starting and getting there. But like

856
00:47:49,600 --> 00:47:52,799
Speaker 5: you said, I think the way Taylor has developed these

857
00:47:52,880 --> 00:47:57,520
Speaker 5: characters and what the text does without even us opening

858
00:47:57,560 --> 00:48:01,759
Speaker 5: our mouths is bring it all the way up here

859
00:48:01,840 --> 00:48:04,560
Speaker 5: before we even started. And so that's been such a

860
00:48:04,600 --> 00:48:09,200
Speaker 5: gift to have it already laid out. When you read

861
00:48:09,239 --> 00:48:10,400
Speaker 5: these scripts.

862
00:48:09,960 --> 00:48:13,520
Speaker 6: It's like you see the show, you see the movie,

863
00:48:13,560 --> 00:48:17,000
Speaker 6: you see it before ever even opening your mouth, And

864
00:48:17,239 --> 00:48:20,040
Speaker 6: that's been, you know, the greatest gift as far as

865
00:48:20,560 --> 00:48:24,160
Speaker 6: you know, developing you know, the relationships that we have

866
00:48:24,280 --> 00:48:25,080
Speaker 6: in the show.

867
00:48:25,160 --> 00:48:28,479
Speaker 5: And it's just made it that much easier. And it's

868
00:48:28,560 --> 00:48:31,480
Speaker 5: kind of sad because now since I started the show,

869
00:48:31,520 --> 00:48:33,399
Speaker 5: I've read a few other scripts that people have sent

870
00:48:33,440 --> 00:48:37,120
Speaker 5: and I'm just like, it's hard to read now. It's

871
00:48:37,200 --> 00:48:39,560
Speaker 5: just has the bar so high. I'm just like, how

872
00:48:39,560 --> 00:48:42,400
Speaker 5: can I not compare anything else to history? We get spoiled.

873
00:48:42,480 --> 00:48:44,080
Speaker 1: Yeah, I think you're also right that it really has

874
00:48:44,080 --> 00:48:46,200
Speaker 1: a lot to do with casting, and that also is

875
00:48:46,280 --> 00:48:48,880
Speaker 1: another gift that Taylor has that David Glasser has our

876
00:48:48,920 --> 00:48:52,080
Speaker 1: executive producer, and the John Papsidera, the casting office that

877
00:48:52,280 --> 00:48:55,359
Speaker 1: cast both eighteen eighty three and Yellowstone has is if

878
00:48:55,360 --> 00:48:58,520
Speaker 1: you match the right person with the right part, a

879
00:48:58,560 --> 00:49:02,319
Speaker 1: lot of the work is done for you, you know. And Eric,

880
00:49:02,360 --> 00:49:04,800
Speaker 1: it's abundantly clear to me that you're the right person

881
00:49:04,960 --> 00:49:07,440
Speaker 1: in the right part. And I'm so so so grateful

882
00:49:07,480 --> 00:49:10,040
Speaker 1: to be your friend. I'm so so grateful to get

883
00:49:10,080 --> 00:49:11,960
Speaker 1: to know your work. I'm so excited to watch more

884
00:49:12,000 --> 00:49:14,279
Speaker 1: of your work. I can't wait to see all your

885
00:49:14,280 --> 00:49:16,759
Speaker 1: work on eighteen eighty three and beyond. So thank you again, brother,

886
00:49:16,840 --> 00:49:17,640
Speaker 1: so much for being here.

887
00:49:17,680 --> 00:49:20,360
Speaker 5: Thank you, thank you. This has been an absolute pleasure,

888
00:49:20,440 --> 00:49:23,680
Speaker 5: my man. And look forward to seeing you tonight. And

889
00:49:24,640 --> 00:49:26,840
Speaker 5: thanks for having me. You're killing it. Can't wait for

890
00:49:26,960 --> 00:49:31,120
Speaker 5: next next well, I guess I guess we'll both will

891
00:49:31,160 --> 00:49:34,480
Speaker 5: premiere on Sunday next week, and you'll have another episode

892
00:49:34,520 --> 00:49:36,799
Speaker 5: coming out next Sunday, So I'm just gonna have to

893
00:49:36,840 --> 00:49:38,239
Speaker 5: have a big party and watch them both.

894
00:49:38,320 --> 00:49:40,399
Speaker 1: That's right back and back here's brother.

895
00:49:40,480 --> 00:49:41,919
Speaker 5: Thanks again, Thanks so much, Jeff.

896
00:49:45,000 --> 00:49:51,000
Speaker 1: This has been an incredible journey. I feel so fortunate

897
00:49:51,040 --> 00:49:53,480
Speaker 1: to have had the opportunity to uh, to go through

898
00:49:53,480 --> 00:49:56,400
Speaker 1: this with you, to work on this podcast. I'm so

899
00:49:56,480 --> 00:49:59,200
Speaker 1: grateful to the team at the WIN who have been

900
00:49:59,280 --> 00:50:02,560
Speaker 1: so kind, so generous in accommodating us and making this

901
00:50:02,560 --> 00:50:06,080
Speaker 1: whole thing possible. To everybody I got the chance to

902
00:50:06,120 --> 00:50:09,800
Speaker 1: talk to, I'm so grateful for your time. You've taught

903
00:50:09,800 --> 00:50:13,240
Speaker 1: me so much. You've taught me so much about acting,

904
00:50:13,280 --> 00:50:16,480
Speaker 1: about filmmaking, and also just about life. So thank you

905
00:50:16,560 --> 00:50:18,880
Speaker 1: so much for taking the time to talk to me,

906
00:50:19,480 --> 00:50:21,160
Speaker 1: and to those of you out there listening. You guys

907
00:50:21,160 --> 00:50:22,480
Speaker 1: are the reason we get to do any of this.

908
00:50:22,920 --> 00:50:25,640
Speaker 1: Yellowstone has obviously changed my life in so many ways,

909
00:50:26,880 --> 00:50:28,680
Speaker 1: and it's because of you. It's because of you, guys,

910
00:50:28,719 --> 00:50:30,319
Speaker 1: that we get to keep making this stuff, that we

911
00:50:30,360 --> 00:50:33,960
Speaker 1: get to keep having these incredible, sort of life changing,

912
00:50:34,280 --> 00:50:36,840
Speaker 1: once in a lifetime experiences. So thank you, thank you,

913
00:50:36,960 --> 00:50:39,640
Speaker 1: thank you for listening to the podcast. If you want

914
00:50:39,640 --> 00:50:41,520
Speaker 1: to hear more, if you're not sick of me yet,

915
00:50:41,920 --> 00:50:44,160
Speaker 1: just let us know and we'll do our best to accommodate.

916
00:50:44,560 --> 00:50:48,760
Speaker 1: The Official Yellowstone Podcast is available on Apple Podcasts, Spotify,

917
00:50:48,840 --> 00:50:51,960
Speaker 1: wherever you get your podcasts. The Official Yellowstone Podcast is

918
00:50:52,000 --> 00:50:55,080
Speaker 1: hosted by me Jefferson White and produced by One on

919
00:50:55,080 --> 00:50:58,040
Speaker 1: one Podcast Studios in Paramount Network. Thank You, Thank You,

920
00:50:58,120 --> 00:50:59,200
Speaker 1: thank you, and good Night.