1
00:00:00,840 --> 00:00:04,440
Speaker 1: To The Black Guy Who Tips Podcast. I listen because

2
00:00:04,640 --> 00:00:05,920
Speaker 1: Rod and Karen are hot.

3
00:00:07,400 --> 00:00:10,200
Speaker 2: Hey, welcome to another episode of The Black Guy Who

4
00:00:10,200 --> 00:00:13,720
Speaker 2: Took His Podcast. I'm your host, Rod joined us always on.

5
00:00:13,800 --> 00:00:16,360
Speaker 3: My co host Krrie, and we're live on.

6
00:00:16,320 --> 00:00:22,000
Speaker 2: A Walking Dead Recap Wednesday, the official last Walking Dead

7
00:00:22,079 --> 00:00:25,520
Speaker 2: Recap Wednesday of all time, of all time.

8
00:00:25,600 --> 00:00:27,920
Speaker 3: Somebody said in the chat, I didn't realize, nigga, we've

9
00:00:27,920 --> 00:00:29,400
Speaker 3: been here for twelve years.

10
00:00:29,840 --> 00:00:32,080
Speaker 2: Yeah, I didn't realize that. If I know, we haven't

11
00:00:32,120 --> 00:00:36,120
Speaker 2: recapped it the whole twelve years. But remember we I

12
00:00:36,159 --> 00:00:39,200
Speaker 2: think we started in like season two or three. But yeah,

13
00:00:39,280 --> 00:00:42,520
Speaker 2: we've been watching this show. I think it started season.

14
00:00:42,040 --> 00:00:44,879
Speaker 1: I think the first season we actually just did like

15
00:00:44,880 --> 00:00:47,320
Speaker 1: a show and kind of recap like what happened, because I.

16
00:00:47,320 --> 00:00:49,159
Speaker 3: Think you started an off season review.

17
00:00:49,479 --> 00:00:52,480
Speaker 1: Yes, that's what we did. Okay, so it's behind a paywall. Okay,

18
00:00:52,520 --> 00:00:55,920
Speaker 1: So we leave like an off season review of season one,

19
00:00:56,480 --> 00:00:58,720
Speaker 1: and then we actually started doing it kind of weekly,

20
00:00:58,840 --> 00:00:59,880
Speaker 1: started with season two.

21
00:01:00,360 --> 00:01:02,320
Speaker 3: So if you premium and you.

22
00:01:02,320 --> 00:01:04,880
Speaker 1: Actually love us recapping this, you can actually go back

23
00:01:05,880 --> 00:01:09,679
Speaker 1: and listen to like us covering all of the Walking Dead, yeah,

24
00:01:09,720 --> 00:01:11,640
Speaker 1: the regular Walking Dead, not none, of the spin offs

25
00:01:11,760 --> 00:01:14,800
Speaker 1: except for Fear, and we'll be picking that back up

26
00:01:14,800 --> 00:01:16,440
Speaker 1: because this is last season of Fear too.

27
00:01:16,880 --> 00:01:19,319
Speaker 2: Yeah, but let's not get into all the details about

28
00:01:19,319 --> 00:01:23,040
Speaker 2: all that. Let's just say, welcome to the last one.

29
00:01:23,600 --> 00:01:28,559
Speaker 2: I hope you are ready. We're ready. Yes, this episode

30
00:01:28,760 --> 00:01:32,560
Speaker 2: was called well ah wait Yeah. The official weapon of

31
00:01:32,560 --> 00:01:34,919
Speaker 2: the show is the volting chair and the un official

32
00:01:34,959 --> 00:01:36,960
Speaker 2: sport but buller bar extreme leave us.

33
00:01:36,959 --> 00:01:40,080
Speaker 3: Five star reviews. Y'alla y'alla, y'alla. Show notes by merch.

34
00:01:40,480 --> 00:01:41,600
Speaker 3: You know all that.

35
00:01:41,600 --> 00:01:44,120
Speaker 2: Cool stuff that you can do, do it. You know,

36
00:01:44,240 --> 00:01:49,360
Speaker 2: we appreciate y'all for doing that. And uh yeah, we

37
00:01:49,400 --> 00:01:51,880
Speaker 2: can go ahead and start talking about the show now.

38
00:01:51,920 --> 00:01:55,080
Speaker 2: So this is episode one hundred and seventy seven, episode

39
00:01:55,120 --> 00:01:58,480
Speaker 2: twenty four of season eleven. Uh, directed by of course

40
00:01:58,480 --> 00:02:03,000
Speaker 2: Greg nikatarro Nigga taro is. Rest in Peace is the title.

41
00:02:03,080 --> 00:02:06,480
Speaker 2: The story was about Angela Kings make sense, which makes

42
00:02:06,520 --> 00:02:07,360
Speaker 2: a lot of sense.

43
00:02:07,640 --> 00:02:10,280
Speaker 1: Yes, and uh, we'll probably get this to the end

44
00:02:10,400 --> 00:02:11,880
Speaker 1: when we get to the end, But shout out to

45
00:02:11,919 --> 00:02:15,720
Speaker 1: Angela King because in my opinion, she re salvaged the show.

46
00:02:15,760 --> 00:02:17,400
Speaker 1: I don't mean no harm like, because it was to

47
00:02:17,440 --> 00:02:19,360
Speaker 1: the point where you was like, okay, and me and

48
00:02:19,400 --> 00:02:20,680
Speaker 1: Rogerck actually.

49
00:02:21,800 --> 00:02:23,040
Speaker 3: We started watching the show.

50
00:02:22,880 --> 00:02:25,919
Speaker 1: Went back and read the comic books, and so, I

51
00:02:26,840 --> 00:02:30,919
Speaker 1: it's one of my favorite comic books. I absolutely love it,

52
00:02:31,440 --> 00:02:34,760
Speaker 1: and I really do enjoy the adaptations and things like

53
00:02:34,840 --> 00:02:36,960
Speaker 1: that today did they you know, have done to it.

54
00:02:37,000 --> 00:02:41,480
Speaker 1: And honestly, the TV show is a better version of

55
00:02:41,520 --> 00:02:43,680
Speaker 1: The Walking Dead than the comics. And I love the comics,

56
00:02:43,760 --> 00:02:46,240
Speaker 1: but just it's just some things that you can do

57
00:02:47,080 --> 00:02:48,799
Speaker 1: on TV that you can't.

58
00:02:48,560 --> 00:02:50,120
Speaker 3: Do in the comics and vice versa.

59
00:02:50,400 --> 00:02:53,520
Speaker 1: And so I appreciate Angela King for actually taking things

60
00:02:53,600 --> 00:02:55,880
Speaker 1: and speeding things up and taking out a lot of

61
00:02:55,919 --> 00:02:59,600
Speaker 1: things that we didn't need. And so I think once

62
00:02:59,639 --> 00:03:02,760
Speaker 1: she took over, I could it was the pace of

63
00:03:02,800 --> 00:03:04,240
Speaker 1: the show spit up and I loved it.

64
00:03:04,680 --> 00:03:05,600
Speaker 3: Yeah, I agree.

65
00:03:05,720 --> 00:03:09,040
Speaker 2: I really think it's sad that so many seasons went

66
00:03:09,080 --> 00:03:12,440
Speaker 2: by that you know, people didn't like, people hopped off.

67
00:03:12,480 --> 00:03:12,960
Speaker 3: I get it.

68
00:03:13,000 --> 00:03:16,160
Speaker 2: I'm not saying, but it's sad because I really think

69
00:03:16,200 --> 00:03:18,639
Speaker 2: it became a much better show under Angela.

70
00:03:18,320 --> 00:03:19,480
Speaker 3: Kane as a showrunner.

71
00:03:20,040 --> 00:03:23,160
Speaker 2: I think she she just got the critiques that people

72
00:03:23,240 --> 00:03:26,720
Speaker 2: were having issues with, and you know, it's kind of

73
00:03:26,760 --> 00:03:30,240
Speaker 2: like once that water's been spilled, you can't pick it

74
00:03:30,240 --> 00:03:32,200
Speaker 2: back up. So a lot of people are never were

75
00:03:32,200 --> 00:03:34,640
Speaker 2: never just gonna come back. But that didn't make the

76
00:03:34,680 --> 00:03:38,840
Speaker 2: show bad to me. I really think she, especially in

77
00:03:38,880 --> 00:03:41,320
Speaker 2: this episode, you know, would whether it be great n

78
00:03:41,320 --> 00:03:44,119
Speaker 2: the guitaro or angel Kaine who did the story, there's

79
00:03:44,160 --> 00:03:47,080
Speaker 2: so many there's so many well I don't think so,

80
00:03:47,560 --> 00:03:51,280
Speaker 2: but there's so many touches that Angela Kane I think

81
00:03:51,360 --> 00:03:54,200
Speaker 2: put in this script that made characters have full circle

82
00:03:54,200 --> 00:03:59,720
Speaker 2: moment was Yes, okay, he was the more slow it down.

83
00:04:00,280 --> 00:04:02,800
Speaker 2: I think he was at the helm when they were,

84
00:04:02,920 --> 00:04:06,320
Speaker 2: to me, milking episodes, making things that should have been

85
00:04:06,360 --> 00:04:09,480
Speaker 2: one episode in the two or three hour and a

86
00:04:09,520 --> 00:04:11,720
Speaker 2: half episodes that didn't have an hour and a half

87
00:04:11,760 --> 00:04:15,160
Speaker 2: work of storytelling, you know, things like that. But you know,

88
00:04:15,160 --> 00:04:20,000
Speaker 2: I don't want to harp on anything native anyway, let's

89
00:04:20,080 --> 00:04:24,200
Speaker 2: talk about this episode, rest in Peace. Let me play

90
00:04:24,240 --> 00:04:40,240
Speaker 2: the theme song. Now, this whole thing happens down at

91
00:04:40,240 --> 00:04:44,560
Speaker 2: the Commonwealth. At the Commonwealth one location. I think we

92
00:04:44,640 --> 00:04:47,200
Speaker 2: get like a little bit of Alexandria near the end,

93
00:04:47,440 --> 00:04:50,760
Speaker 2: but it's basically one location, and we started immediately where

94
00:04:50,760 --> 00:04:51,400
Speaker 2: we left off.

95
00:04:51,560 --> 00:04:53,080
Speaker 3: Yes, Judith was shot.

96
00:04:53,520 --> 00:04:55,720
Speaker 2: Daryl was trying to get her to the hospital so

97
00:04:55,760 --> 00:04:56,560
Speaker 2: she could be treated.

98
00:04:57,240 --> 00:04:59,200
Speaker 3: Zombies are flooding the Commonwealth.

99
00:04:59,680 --> 00:05:02,960
Speaker 2: The Commonwealth soldiers are not even hunting our crew anymore.

100
00:05:03,440 --> 00:05:07,960
Speaker 2: They've been instructed to abandon everyone to the in the

101
00:05:07,960 --> 00:05:10,839
Speaker 2: lower wards and only defend the Estates, which is the

102
00:05:10,920 --> 00:05:11,720
Speaker 2: rich part of town.

103
00:05:11,880 --> 00:05:12,159
Speaker 3: Yep.

104
00:05:12,520 --> 00:05:17,200
Speaker 2: And so they're just they're just picking up stakes and

105
00:05:17,240 --> 00:05:19,200
Speaker 2: moving the fuck out of there and leaving everybody to

106
00:05:19,240 --> 00:05:22,719
Speaker 2: fend for themselves, which means it is our crew versus

107
00:05:23,320 --> 00:05:25,760
Speaker 2: the most fucking zombies I've ever seen on this show.

108
00:05:26,360 --> 00:05:26,640
Speaker 3: Yep.

109
00:05:26,800 --> 00:05:31,040
Speaker 1: And this is all the Mayor's fault, is Governor, I mean,

110
00:05:31,160 --> 00:05:34,919
Speaker 1: I'm sorry, all the Governor's fought because it's this. She

111
00:05:35,160 --> 00:05:37,599
Speaker 1: created this, and it's something that she did all the time,

112
00:05:37,640 --> 00:05:39,040
Speaker 1: but this time it just happened to get.

113
00:05:38,880 --> 00:05:40,279
Speaker 3: Out of control. Yep.

114
00:05:40,520 --> 00:05:45,000
Speaker 2: You can't play with a natural disaster. So they make

115
00:05:45,040 --> 00:05:48,680
Speaker 2: it to the hospital. Daryl's taking Judith and he's carrying her,

116
00:05:49,320 --> 00:05:52,160
Speaker 2: and we see it through her hazy vision.

117
00:05:53,360 --> 00:05:56,040
Speaker 3: Judith sees Daryl.

118
00:05:56,080 --> 00:05:59,680
Speaker 2: Like she sees some soldiers taking supplies out of the hospital.

119
00:06:00,320 --> 00:06:02,200
Speaker 2: You see, like Darryl go around the corner and get

120
00:06:02,279 --> 00:06:03,560
Speaker 2: knocked the fuck out somehow.

121
00:06:04,000 --> 00:06:04,200
Speaker 3: Yeah.

122
00:06:04,200 --> 00:06:06,080
Speaker 1: I didn't realize that at the time. I didn't realize he

123
00:06:06,080 --> 00:06:07,839
Speaker 1: got knocked out and he just went down. So I

124
00:06:07,880 --> 00:06:09,440
Speaker 1: was like, did they fuck him up?

125
00:06:09,520 --> 00:06:09,720
Speaker 3: Like what?

126
00:06:10,320 --> 00:06:13,640
Speaker 2: Someone got to drop on them something. They didn't kill them,

127
00:06:13,680 --> 00:06:17,559
Speaker 2: but they knocked them out. Now the soldiers leave the

128
00:06:17,560 --> 00:06:20,920
Speaker 2: hospitals unprotected. They're not like locking doors and make sure

129
00:06:20,920 --> 00:06:23,400
Speaker 2: everybody's safe inside. They're like, fuck the people in the hospital.

130
00:06:23,520 --> 00:06:25,800
Speaker 1: Fuck everybody, right, fuck the people they might be And

131
00:06:25,920 --> 00:06:28,520
Speaker 1: I see you don't need any medical attention.

132
00:06:28,600 --> 00:06:29,279
Speaker 2: They on their own.

133
00:06:29,360 --> 00:06:31,320
Speaker 3: Yeah, should have went to the rich hospital, right.

134
00:06:32,000 --> 00:06:37,520
Speaker 2: And so Judith, Judith mother fucking has shown grind. She

135
00:06:37,600 --> 00:06:40,560
Speaker 2: had goddamn g ain't She gets up off of her

136
00:06:40,680 --> 00:06:42,760
Speaker 2: deathbed when she's fucking bleeding out.

137
00:06:42,880 --> 00:06:45,000
Speaker 3: She was like, wait a minute, something wrong, I got

138
00:06:45,000 --> 00:06:45,400
Speaker 3: to move.

139
00:06:46,360 --> 00:06:51,279
Speaker 2: She in her haze. She like tries to close the

140
00:06:51,279 --> 00:06:53,720
Speaker 2: doors for this so the zombies won't get to her

141
00:06:53,720 --> 00:06:57,880
Speaker 2: and Darryl bitchy what all? She's been shot in the shoulder,

142
00:06:58,360 --> 00:07:03,000
Speaker 2: she's bleeding. She closes the door, pushes a desk in

143
00:07:03,040 --> 00:07:06,040
Speaker 2: front of the door to keep the walkers from getting in.

144
00:07:06,320 --> 00:07:09,200
Speaker 2: With all the strength she can summon and then she

145
00:07:09,400 --> 00:07:12,880
Speaker 2: passes the fuck out right beside Darryl. They buff out,

146
00:07:13,400 --> 00:07:17,760
Speaker 2: Oh this girl just a real.

147
00:07:17,560 --> 00:07:21,880
Speaker 1: One, a real g a real champion. The thing about her,

148
00:07:22,160 --> 00:07:25,520
Speaker 1: I actually love her spirit, you know, because she is like,

149
00:07:25,920 --> 00:07:29,960
Speaker 1: what you not gonna do is count me out.

150
00:07:30,080 --> 00:07:32,480
Speaker 2: That's what you ain't gonna do. It's the spirit that

151
00:07:32,520 --> 00:07:34,320
Speaker 2: she got from Laurie and her father.

152
00:07:34,440 --> 00:07:35,200
Speaker 3: Shame, you know.

153
00:07:35,360 --> 00:07:38,880
Speaker 2: But it was two things the motherfuckers had in space.

154
00:07:38,960 --> 00:07:43,240
Speaker 2: It was audacity. She used all the audacity in their

155
00:07:43,360 --> 00:07:47,440
Speaker 2: DNA to summon up that strength. So then we get

156
00:07:47,440 --> 00:07:52,360
Speaker 2: along montage sequence that is the you know, the open

157
00:07:52,360 --> 00:07:54,960
Speaker 2: where they play the theme song, except in this case, they

158
00:07:55,120 --> 00:07:59,360
Speaker 2: really show every location that they've ever based the season in.

159
00:07:59,480 --> 00:08:04,000
Speaker 2: So we see the prison, we see helltops, every yeah,

160
00:08:04,080 --> 00:08:07,120
Speaker 2: we see everything. It was really cool really because.

161
00:08:06,840 --> 00:08:08,880
Speaker 1: Because I was like the music signs, I was like, oh,

162
00:08:09,040 --> 00:08:10,560
Speaker 1: that's what I mean, it sound different because the music

163
00:08:10,560 --> 00:08:12,720
Speaker 1: would sound different according to the season. So they kind

164
00:08:12,720 --> 00:08:15,600
Speaker 1: of did them, meddlely of them all and blitted them

165
00:08:15,600 --> 00:08:16,120
Speaker 1: all together.

166
00:08:16,120 --> 00:08:17,120
Speaker 3: It was beautiful.

167
00:08:17,560 --> 00:08:19,800
Speaker 2: Okay, Yeah, I didn't even pick up on the music change.

168
00:08:19,920 --> 00:08:21,480
Speaker 2: I just knew it was longer than normal.

169
00:08:21,600 --> 00:08:26,200
Speaker 3: Okay, Gabe and crew. We cut back to them.

170
00:08:26,240 --> 00:08:30,400
Speaker 2: They're still in the alley fighting walkers and this motherfucking

171
00:08:30,440 --> 00:08:31,280
Speaker 2: show got on.

172
00:08:31,200 --> 00:08:33,840
Speaker 3: The road this episode. They say it's the last one.

173
00:08:34,000 --> 00:08:38,880
Speaker 2: Were going all out, so they killing walkers, Jewels, Luke's

174
00:08:38,880 --> 00:08:43,080
Speaker 2: girlfriend gets bit on the arm. Luke tries a savor,

175
00:08:43,960 --> 00:08:46,680
Speaker 2: he gets bit on the leg. The zombies dragged Jewels

176
00:08:46,679 --> 00:08:47,839
Speaker 2: away and eat her.

177
00:08:48,360 --> 00:08:51,160
Speaker 1: Yesterday do I was like, and he was screaming. I

178
00:08:51,200 --> 00:08:53,040
Speaker 1: was like, baby, I don't think you go bad for

179
00:08:53,080 --> 00:08:53,880
Speaker 1: the same house.

180
00:08:54,400 --> 00:08:57,560
Speaker 2: And we're at that point where you know, our crew

181
00:08:57,600 --> 00:08:59,560
Speaker 2: knows what they do. Someone gets bit on the armor leg,

182
00:08:59,600 --> 00:09:01,199
Speaker 2: you cut the armor the leg off if you get

183
00:09:01,200 --> 00:09:02,839
Speaker 2: to any time, the person has a chance to live.

184
00:09:03,320 --> 00:09:07,480
Speaker 2: But they just did that with Lydia, and for me,

185
00:09:07,600 --> 00:09:09,840
Speaker 2: I'm like, you not fit to do that for everybody.

186
00:09:10,000 --> 00:09:11,640
Speaker 3: Some of these motherfuckers been there to die.

187
00:09:11,840 --> 00:09:14,760
Speaker 2: So Jules seemed like she was gonna get the arm treatment,

188
00:09:14,840 --> 00:09:17,920
Speaker 2: and then the designie said, no, we want the full

189
00:09:18,000 --> 00:09:22,800
Speaker 2: buffeting you. They went to town on her. They put

190
00:09:23,000 --> 00:09:25,640
Speaker 2: yeast rolls in the person left the buffet.

191
00:09:25,880 --> 00:09:28,400
Speaker 3: Yes, they did extra jewels, they got the ice cream

192
00:09:28,600 --> 00:09:29,760
Speaker 3: that we did the dessert ball.

193
00:09:30,600 --> 00:09:33,760
Speaker 2: Then they bit like I said, they bit Luke's leg

194
00:09:34,320 --> 00:09:37,400
Speaker 2: his crew because you can't forget. And this is one of,

195
00:09:37,600 --> 00:09:39,520
Speaker 2: like I said, the little notes in this episode that

196
00:09:39,640 --> 00:09:41,480
Speaker 2: was so great.

197
00:09:41,800 --> 00:09:43,839
Speaker 3: Luke's crew was that.

198
00:09:43,960 --> 00:09:50,640
Speaker 2: Crew of Yumico, Connie, Kelly, Magna and so all.

199
00:09:50,520 --> 00:09:52,120
Speaker 3: Of them, they knew what to do. They was like,

200
00:09:52,200 --> 00:09:53,160
Speaker 3: come on, it's.

201
00:09:53,000 --> 00:09:55,000
Speaker 2: Not about them knowing what to do. That's not my point.

202
00:09:55,200 --> 00:09:57,920
Speaker 2: They grabbed him and pulled him off. It was specific

203
00:09:57,960 --> 00:10:00,319
Speaker 2: that it was those people. There's a shiit ton of

204
00:10:00,360 --> 00:10:02,920
Speaker 2: people over here fighting. Maggie's here, Nigas here, all these people.

205
00:10:04,280 --> 00:10:06,440
Speaker 2: These are the little touches to the episode that made

206
00:10:06,440 --> 00:10:11,520
Speaker 2: me be like craft, Yes, give give us poetic license,

207
00:10:11,640 --> 00:10:14,560
Speaker 2: give us that symmetry, you know what I mean. So

208
00:10:14,760 --> 00:10:17,720
Speaker 2: like kids folks being the ones that grab him. Jus

209
00:10:17,800 --> 00:10:19,559
Speaker 2: is from Ocean Side. They don't really know her from

210
00:10:19,559 --> 00:10:21,360
Speaker 2: a campaign, not that they didn't want her to live,

211
00:10:21,400 --> 00:10:23,760
Speaker 2: but they were gonna take care of their man, so

212
00:10:23,800 --> 00:10:26,679
Speaker 2: they grab him up to take him to the hospital.

213
00:10:28,400 --> 00:10:31,760
Speaker 2: We get a once again great storytelling. We get a

214
00:10:31,800 --> 00:10:34,760
Speaker 2: flash forward basically to Daryl waking up in the hospital.

215
00:10:35,280 --> 00:10:38,640
Speaker 2: He's in the hospital bed, meaning enough time has passed

216
00:10:38,640 --> 00:10:41,120
Speaker 2: for someone to have put him in the hospital bed

217
00:10:41,240 --> 00:10:43,960
Speaker 2: and him to wake up on his own. He wakes up,

218
00:10:44,200 --> 00:10:48,920
Speaker 2: We see Lucas in there. His leg has been cut off.

219
00:10:50,160 --> 00:10:55,000
Speaker 2: His crew is around him, Magna, Connie, Kelly, and Yumica.

220
00:10:55,280 --> 00:10:57,240
Speaker 3: The look of concern on their face.

221
00:10:57,320 --> 00:11:01,199
Speaker 1: They was like, look, they have Actually, this team has

222
00:11:01,280 --> 00:11:04,160
Speaker 1: held tough for a few seasons. They all shut up

223
00:11:04,160 --> 00:11:07,160
Speaker 1: together and they have all survived together, even though they're

224
00:11:07,520 --> 00:11:10,559
Speaker 1: they're a small old piece of a larger group. With

225
00:11:10,640 --> 00:11:13,840
Speaker 1: this particular crew, they went through shit separate from our crew,

226
00:11:14,280 --> 00:11:17,559
Speaker 1: and so their closeness is different than our crew's closeness.

227
00:11:18,400 --> 00:11:20,559
Speaker 2: It's yeah, it's I want to say it's different, but

228
00:11:20,559 --> 00:11:23,720
Speaker 2: but yeah, it's they're they're tight, is what I'm saying.

229
00:11:24,040 --> 00:11:26,880
Speaker 2: Our crew is tight. They're tight. And this felt like

230
00:11:26,960 --> 00:11:30,400
Speaker 2: an insular moment for them, like and I love that

231
00:11:30,440 --> 00:11:33,440
Speaker 2: it wasn't violated by like you know, Carol or Maggie

232
00:11:33,520 --> 00:11:36,400
Speaker 2: or needing somebody coming over there to say something. They

233
00:11:36,520 --> 00:11:39,559
Speaker 2: understood this was their chance to say goodbye to this

234
00:11:39,640 --> 00:11:44,120
Speaker 2: man because you know he was doing that final you

235
00:11:44,160 --> 00:11:46,160
Speaker 2: know he started you could tell he was gonna die

236
00:11:46,160 --> 00:11:49,720
Speaker 2: because he started doing them like you know them like

237
00:11:49,800 --> 00:11:51,720
Speaker 2: them death, you know that black acting school.

238
00:11:51,760 --> 00:11:55,960
Speaker 3: Shit, it's Hollywood to such black acting school. It teaches

239
00:11:56,000 --> 00:11:56,920
Speaker 3: you everything.

240
00:11:57,360 --> 00:12:01,960
Speaker 2: So he was giving us full like Jules, know, he

241
00:12:02,040 --> 00:12:04,680
Speaker 2: was crying and shit and nings, oh, I see the light.

242
00:12:05,080 --> 00:12:06,760
Speaker 2: I'm going into the light.

243
00:12:08,000 --> 00:12:09,400
Speaker 3: Keep the music alive.

244
00:12:10,400 --> 00:12:12,320
Speaker 1: We know he if it was one of them things.

245
00:12:12,320 --> 00:12:15,760
Speaker 1: But I was like, I can't see him if anything.

246
00:12:16,679 --> 00:12:18,599
Speaker 1: The way they did it, it was like, oh, I

247
00:12:18,640 --> 00:12:21,040
Speaker 1: could see him just dying of a broken heart, you know,

248
00:12:21,200 --> 00:12:23,000
Speaker 1: because in his mind he was like, what is the

249
00:12:23,080 --> 00:12:24,880
Speaker 1: kind of the point if she's not here.

250
00:12:25,000 --> 00:12:28,120
Speaker 2: They also just didn't have time to do a lot

251
00:12:28,200 --> 00:12:31,280
Speaker 2: of everybody getting injured, everybody cutting off limb. So I

252
00:12:31,400 --> 00:12:35,800
Speaker 2: just figured he was dying and he passes, and then

253
00:12:36,240 --> 00:12:39,880
Speaker 2: I believe it's uh as this is happening. Carol is

254
00:12:39,920 --> 00:12:42,840
Speaker 2: talking to Darryl and she's informing him that like Pamela

255
00:12:42,880 --> 00:12:44,960
Speaker 2: took all the doctors, all the nurses, and all the

256
00:12:45,000 --> 00:12:47,600
Speaker 2: medicine with her to the gated community. That's why they

257
00:12:47,600 --> 00:12:52,320
Speaker 2: don't have anything in there to really treat Luke, and

258
00:12:52,360 --> 00:12:55,000
Speaker 2: they don't have anything really to treat Judith.

259
00:12:55,280 --> 00:12:58,080
Speaker 1: And also it was the thing, And when she said that,

260
00:12:58,160 --> 00:13:01,040
Speaker 1: I was like, because it's it's a terrible thing.

261
00:13:01,280 --> 00:13:03,959
Speaker 3: Altogether. But I was like, they got to sit there

262
00:13:03,960 --> 00:13:04,640
Speaker 3: and watch their.

263
00:13:04,559 --> 00:13:08,560
Speaker 1: Friend die and they literally can't give him anything to actually,

264
00:13:08,600 --> 00:13:11,680
Speaker 1: you know, reduce the pain, like no pain killers, no nothing, nigga.

265
00:13:12,520 --> 00:13:17,440
Speaker 2: So so Daryl says, Okay, well we need to go

266
00:13:17,480 --> 00:13:20,120
Speaker 2: to the gated community and fuck up Pamela get the

267
00:13:20,120 --> 00:13:24,120
Speaker 2: supplies back. And of course Carol's like, they got way

268
00:13:24,120 --> 00:13:26,360
Speaker 2: too many troops up there. We got to find a

269
00:13:26,440 --> 00:13:29,160
Speaker 2: quieter way, and Darrel says, what do we get mercerer

270
00:13:29,280 --> 00:13:31,719
Speaker 2: let us in now. They don't know that Pamela had

271
00:13:31,760 --> 00:13:34,600
Speaker 2: mercer Race arrested at this moment, but.

272
00:13:34,840 --> 00:13:37,120
Speaker 3: Because everybody's kind of been separated.

273
00:13:36,640 --> 00:13:39,480
Speaker 2: But Carol's like, Max thinks that could work, So that's

274
00:13:39,760 --> 00:13:43,400
Speaker 2: that might be the plan. Meanwhile, Luke is over there

275
00:13:43,480 --> 00:13:47,080
Speaker 2: dying all slow and shit, and it's like, uh, Umico

276
00:13:47,200 --> 00:13:50,640
Speaker 2: takes his harmonica and I think she's like, we promised.

277
00:13:50,200 --> 00:13:52,480
Speaker 3: To keep the music alive for you always.

278
00:13:52,760 --> 00:13:55,240
Speaker 1: I think, uh one of them put it out of

279
00:13:55,240 --> 00:13:59,240
Speaker 1: his pocket, yeah, one of the sisters, and.

280
00:13:59,200 --> 00:14:03,200
Speaker 2: Then he goes uh. And then he just dies like

281
00:14:03,760 --> 00:14:10,720
Speaker 2: a quiet, like fade away death. Oh I'm dead, And

282
00:14:10,760 --> 00:14:14,520
Speaker 2: then I'm magna make sure he doesn't become a walker by,

283
00:14:14,640 --> 00:14:18,040
Speaker 2: you know, stabbing him through the head. And I just

284
00:14:18,080 --> 00:14:20,440
Speaker 2: realized while I was watching this, it's all women in

285
00:14:20,480 --> 00:14:24,320
Speaker 2: his crew. Yes, Kelly, Connie, Magna and you me. That's

286
00:14:24,320 --> 00:14:27,600
Speaker 2: that's the only people left. Uh. Darryl gives his blood

287
00:14:27,640 --> 00:14:30,720
Speaker 2: to Judith through an ivy because he knows when he

288
00:14:30,840 --> 00:14:32,880
Speaker 2: was poor, he used to go down to the bloodstn't

289
00:14:32,960 --> 00:14:35,360
Speaker 2: give blood and you know, he got like tight oh

290
00:14:35,480 --> 00:14:38,560
Speaker 2: or whatever the fuck the universal blood given is. So

291
00:14:38,920 --> 00:14:40,440
Speaker 2: he was like, you can give some of my blood

292
00:14:40,480 --> 00:14:42,600
Speaker 2: to Judith and maybe it'll help.

293
00:14:42,880 --> 00:14:45,600
Speaker 1: Yes, because basically, my eight shit daddy had us do

294
00:14:45,680 --> 00:14:46,920
Speaker 1: this basically.

295
00:14:46,560 --> 00:14:49,800
Speaker 2: And he was giving blood like standing up as an

296
00:14:49,960 --> 00:14:51,760
Speaker 2: like he was standing up, like he was the ivy,

297
00:14:52,200 --> 00:14:54,200
Speaker 2: Like he didn't lay in the bed next to her nothing.

298
00:14:54,640 --> 00:14:56,440
Speaker 2: And this mattered to me because when we came back,

299
00:14:56,440 --> 00:14:59,400
Speaker 2: he was still standing, like we came back to the scene,

300
00:15:00,200 --> 00:15:01,400
Speaker 2: so he stood the whole time.

301
00:15:01,520 --> 00:15:04,520
Speaker 1: Stepdaddy was like, I promised them I was gonna take

302
00:15:04,520 --> 00:15:06,360
Speaker 1: care of you, and bitch, I'm gonna take care of you.

303
00:15:07,680 --> 00:15:09,920
Speaker 3: Mercer. We cut to him and his cell.

304
00:15:11,760 --> 00:15:16,440
Speaker 2: The cells wherever he's in prison have basically been overrun.

305
00:15:16,720 --> 00:15:19,880
Speaker 2: There's no security because we see a walker standing outside

306
00:15:19,920 --> 00:15:20,680
Speaker 2: the door to his.

307
00:15:20,720 --> 00:15:23,440
Speaker 1: Cell, and I was like, I was like, oh, so,

308
00:15:23,840 --> 00:15:25,480
Speaker 1: I was like when they meant that, they meant they

309
00:15:25,560 --> 00:15:28,480
Speaker 1: abandoned everything, probably left all the doors open, all that shit.

310
00:15:28,560 --> 00:15:31,080
Speaker 1: So when the zombies just basically walking free. So if

311
00:15:31,080 --> 00:15:33,120
Speaker 1: you in your cell, that's probably the safest place for

312
00:15:33,160 --> 00:15:33,960
Speaker 1: you to be right now.

313
00:15:34,120 --> 00:15:37,040
Speaker 2: Maybe I mean this a slow death if they're not

314
00:15:37,080 --> 00:15:40,440
Speaker 2: coming back, probably and you starving, like they just that's

315
00:15:40,480 --> 00:15:43,920
Speaker 2: just how little of a fuck they gave about people. True. Meanwhile,

316
00:15:43,960 --> 00:15:45,880
Speaker 2: you hear some guns go off in the background as

317
00:15:45,960 --> 00:15:48,400
Speaker 2: he's pacing the cell. He gets away from the door

318
00:15:48,400 --> 00:15:51,120
Speaker 2: because he's like, motherfucking bullet, myke ricochet here or something,

319
00:15:51,120 --> 00:15:54,960
Speaker 2: and the guns are getting closer, and then we hear baby,

320
00:15:55,200 --> 00:15:59,960
Speaker 2: get back and cover your head. Yeah, prisons done came

321
00:16:00,160 --> 00:16:00,960
Speaker 2: for her man.

322
00:16:01,160 --> 00:16:05,840
Speaker 1: Princess because and also I think they was saying with

323
00:16:05,840 --> 00:16:08,440
Speaker 1: with it. I think they said somethingbout yeah, they sent

324
00:16:08,520 --> 00:16:10,840
Speaker 1: somebody to get him or something like that when they

325
00:16:10,960 --> 00:16:14,000
Speaker 1: was talking. So I was like, oh, so she volunteered,

326
00:16:15,360 --> 00:16:17,520
Speaker 1: princess And the sister was like, we're going to get him.

327
00:16:17,880 --> 00:16:20,880
Speaker 2: So Princess and Max come in. Max hugs Mercer and

328
00:16:20,920 --> 00:16:23,800
Speaker 2: then him and Princess just hardcore makeout.

329
00:16:24,000 --> 00:16:24,640
Speaker 3: Yes they do.

330
00:16:25,240 --> 00:16:28,800
Speaker 2: Babby a mischief and honestly, man, that's why I always say,

331
00:16:28,840 --> 00:16:32,080
Speaker 2: crazy women get a bad rap, you know, like a

332
00:16:32,240 --> 00:16:34,640
Speaker 2: sane woman is not coming to the prison fighting off

333
00:16:34,680 --> 00:16:37,360
Speaker 2: all the zombies to save your ass. She was like this,

334
00:16:37,680 --> 00:16:41,680
Speaker 2: she miss practical. It's not practical, too bad, you know whatever,

335
00:16:42,120 --> 00:16:44,360
Speaker 2: but crazy woman like, I'm getting my man, And that's

336
00:16:44,360 --> 00:16:45,560
Speaker 2: what I love about Princess.

337
00:16:45,640 --> 00:16:48,080
Speaker 3: Don't don't sleep on it, don't count that out. And

338
00:16:48,080 --> 00:16:48,960
Speaker 3: she meant that thing.

339
00:16:50,520 --> 00:16:54,760
Speaker 2: Maggie and Ngan load up weapons, and he lets her

340
00:16:54,840 --> 00:16:57,200
Speaker 2: know while they're like loading up weapons to ride on

341
00:16:57,240 --> 00:16:59,360
Speaker 2: Pamela as a crew, he's like, you know, my office

342
00:16:59,360 --> 00:17:01,960
Speaker 2: still stays that me and you can do this shit

343
00:17:02,040 --> 00:17:03,920
Speaker 2: together and just get it done.

344
00:17:03,920 --> 00:17:06,439
Speaker 1: Right and not fucking around. Wehenin't get to drag everybody

345
00:17:06,440 --> 00:17:06,879
Speaker 1: else in this.

346
00:17:07,640 --> 00:17:10,800
Speaker 2: And she says, I'm good. Basically, she don't want she

347
00:17:10,840 --> 00:17:13,080
Speaker 2: don't want nothing to do with his ass. And then

348
00:17:14,880 --> 00:17:17,879
Speaker 2: we in this another once again another we jumped forward

349
00:17:17,920 --> 00:17:22,080
Speaker 2: to something that's important. So Mercer's already backing his orange armor.

350
00:17:22,240 --> 00:17:24,120
Speaker 3: He's like he's.

351
00:17:23,920 --> 00:17:26,920
Speaker 2: Got his troops coming up, like they're they're loading boxes

352
00:17:26,960 --> 00:17:30,080
Speaker 2: of weapons that like we skipped all the like bullshit

353
00:17:30,119 --> 00:17:30,520
Speaker 2: and when.

354
00:17:30,440 --> 00:17:32,439
Speaker 1: Sick, like it's time to fight. Yes, And that's what

355
00:17:32,480 --> 00:17:34,120
Speaker 1: I love about alrel K. She's like, what the fuck?

356
00:17:34,200 --> 00:17:37,480
Speaker 1: We we we we everybody we've seen what happened. Okay,

357
00:17:37,600 --> 00:17:40,400
Speaker 1: he dressed, so everybody know that. Everybody's caught up, everybody's

358
00:17:40,440 --> 00:17:43,240
Speaker 1: been informed, like why we dragging us own with some bullshit.

359
00:17:43,080 --> 00:17:45,280
Speaker 2: And part of the her the Walkers goes walking by

360
00:17:45,320 --> 00:17:46,159
Speaker 2: the corner of the building.

361
00:17:46,280 --> 00:17:47,600
Speaker 3: Mercer gets ready to shoot one.

362
00:17:48,040 --> 00:17:50,959
Speaker 2: Zeke stops him and he's like, oh, don't do that,

363
00:17:51,080 --> 00:17:53,159
Speaker 2: and then Aaron, uh And then we find out that

364
00:17:53,240 --> 00:17:57,040
Speaker 2: it's Aaron. He's in the walker heard him and Lydia

365
00:17:57,040 --> 00:18:00,639
Speaker 2: are still you know, pretending to be zones so they

366
00:18:00,640 --> 00:18:03,240
Speaker 2: can survive. That's how they must have got out of

367
00:18:03,280 --> 00:18:06,120
Speaker 2: the trailer. Yeah, so Aaron and Lydia.

368
00:18:05,960 --> 00:18:07,880
Speaker 1: And they figured out they get into the city, David

369
00:18:07,960 --> 00:18:10,080
Speaker 1: eventually cross somebody that could help.

370
00:18:10,040 --> 00:18:12,960
Speaker 3: So they get so Aaron and Lydia come over to Zeke.

371
00:18:13,400 --> 00:18:16,359
Speaker 2: Zeke of course asked like, where's a lodge and Jerry

372
00:18:16,680 --> 00:18:18,320
Speaker 2: and he's like, they still.

373
00:18:18,080 --> 00:18:20,800
Speaker 3: Out there because they don't know right.

374
00:18:20,920 --> 00:18:23,600
Speaker 2: Somehow they beat them to the city or whatever, or

375
00:18:23,600 --> 00:18:26,840
Speaker 2: they just in another part of the herd. It's so right. Uh,

376
00:18:27,160 --> 00:18:29,280
Speaker 2: everyone gets in the transport vehicle on they head to

377
00:18:29,320 --> 00:18:29,960
Speaker 2: the hospital.

378
00:18:31,080 --> 00:18:31,520
Speaker 3: Uh.

379
00:18:32,600 --> 00:18:38,520
Speaker 2: Meanwhile, Rosita, Gave and Eugene go to the orphanage where

380
00:18:38,720 --> 00:18:42,120
Speaker 2: the uh they think the children are being kept where

381
00:18:42,160 --> 00:18:47,520
Speaker 2: they think Coco is and the caretakers are all dead. Yes,

382
00:18:47,560 --> 00:18:49,880
Speaker 2: they're either zombies or they got eight by zombies.

383
00:18:50,000 --> 00:18:53,119
Speaker 1: Yes, does you walked in the zombies was like thinger

384
00:18:53,160 --> 00:18:55,600
Speaker 1: looking good? Blood was it with like barbecue sauce and

385
00:18:55,640 --> 00:18:58,480
Speaker 1: they were the zombies, was like, hey, you want something too.

386
00:18:58,880 --> 00:19:03,679
Speaker 2: Carol's carol Daycare would never okay never, but they like

387
00:19:03,720 --> 00:19:05,879
Speaker 2: she might have some kids die, but it won't because

388
00:19:05,880 --> 00:19:08,080
Speaker 2: she just let she just let them herself get bit.

389
00:19:09,520 --> 00:19:13,480
Speaker 2: So then Rosita, it's very scary because everyone's dead and

390
00:19:13,520 --> 00:19:15,480
Speaker 2: you know the babies are in there that you don't

391
00:19:15,480 --> 00:19:18,200
Speaker 2: see any dead children, but come on, you know, like

392
00:19:18,880 --> 00:19:21,320
Speaker 2: if the fucking adults are dead, how the children alive?

393
00:19:21,400 --> 00:19:24,199
Speaker 2: But we hear a baby cry in the background. So

394
00:19:24,240 --> 00:19:27,600
Speaker 2: then Rosita runs to the to like this into the

395
00:19:27,640 --> 00:19:30,800
Speaker 2: back room, kills like three walkers.

396
00:19:31,760 --> 00:19:34,520
Speaker 3: And gets the Coco and saves her.

397
00:19:34,760 --> 00:19:36,440
Speaker 2: The reason she was saved because she was in a

398
00:19:36,520 --> 00:19:38,919
Speaker 2: crib that happened to have like a top to it

399
00:19:39,040 --> 00:19:39,439
Speaker 2: or something.

400
00:19:39,520 --> 00:19:40,040
Speaker 3: So I don't know.

401
00:19:41,359 --> 00:19:43,760
Speaker 2: Yeah, yeah, so I don't know if that's like the

402
00:19:43,800 --> 00:19:47,199
Speaker 2: caretaker decided to put it upside down to save like

403
00:19:47,640 --> 00:19:48,879
Speaker 2: you know, I don't know, or.

404
00:19:48,880 --> 00:19:50,800
Speaker 3: If you know, just being a baby may have tumbled

405
00:19:50,800 --> 00:19:51,440
Speaker 3: over some shit.

406
00:19:51,480 --> 00:19:53,600
Speaker 2: I feel like its tumbled over baby will get fucked

407
00:19:53,680 --> 00:19:55,280
Speaker 2: up by a crib on top.

408
00:19:55,080 --> 00:19:57,720
Speaker 1: Of them, and you know what, it may have been something.

409
00:19:57,760 --> 00:19:59,280
Speaker 1: It may have been one of the adults that put

410
00:19:59,280 --> 00:20:01,000
Speaker 1: it down. It was like, I'm gonna put you in here.

411
00:20:01,040 --> 00:20:02,200
Speaker 3: I'll be right, That's what I'm saying.

412
00:20:02,800 --> 00:20:05,640
Speaker 2: Like I wonder if they thought, you know, like zombies

413
00:20:05,640 --> 00:20:09,760
Speaker 2: are coming, I'll put the baby in the crib and uh,

414
00:20:09,920 --> 00:20:11,920
Speaker 2: you know, flip it upside down to protect the baby,

415
00:20:11,960 --> 00:20:13,200
Speaker 2: and then went out there and got big.

416
00:20:13,520 --> 00:20:17,040
Speaker 3: Yeah, the probability of that probably is what happened.

417
00:20:17,160 --> 00:20:21,399
Speaker 2: But anyway, Uh, they saved Coco, and Gabe is like,

418
00:20:21,480 --> 00:20:24,159
Speaker 2: you know, smiling because he always had faith they would

419
00:20:24,240 --> 00:20:26,520
Speaker 2: and he had faith in Rosita. And then there's just

420
00:20:26,560 --> 00:20:28,960
Speaker 2: a random baby in there. I don't I don't remember

421
00:20:28,960 --> 00:20:29,800
Speaker 2: this baby.

422
00:20:29,880 --> 00:20:32,679
Speaker 1: No, because you know, this baby just happened to be

423
00:20:32,720 --> 00:20:34,520
Speaker 1: with Rosita baby, so they like we saved one.

424
00:20:34,600 --> 00:20:35,720
Speaker 3: We got to say the other one too.

425
00:20:36,240 --> 00:20:38,920
Speaker 2: I think Eugene was with them, so Eugene like picked

426
00:20:39,000 --> 00:20:43,399
Speaker 2: up that baby. Then we go back to the hospital,

427
00:20:43,920 --> 00:20:46,439
Speaker 2: Judah starts to wake up for a little bit. She

428
00:20:46,600 --> 00:20:49,120
Speaker 2: freaks out because she feels like I'm going to die,

429
00:20:49,280 --> 00:20:53,040
Speaker 2: just basically am I dying? And she brings up Michean's

430
00:20:53,080 --> 00:20:55,840
Speaker 2: word about we're the ones who live or something like that,

431
00:20:56,520 --> 00:20:59,480
Speaker 2: and I couldn't really understand her point.

432
00:20:59,520 --> 00:21:03,200
Speaker 3: To be on, I rewound it. I know she was trying.

433
00:21:03,760 --> 00:21:08,280
Speaker 2: Later on, she alludes to these words as if they're

434
00:21:08,359 --> 00:21:11,520
Speaker 2: the reason her mom didn't come back. But I really

435
00:21:12,440 --> 00:21:15,240
Speaker 2: I'm not making the connection in my memory to when

436
00:21:15,440 --> 00:21:19,440
Speaker 2: Michelle said this and it meaning that she wasn't coming back.

437
00:21:19,520 --> 00:21:21,920
Speaker 3: I felt like it meant she was coming back.

438
00:21:21,960 --> 00:21:25,800
Speaker 2: But you know whatever, Maybe it's just a child misunderstanding

439
00:21:25,880 --> 00:21:27,600
Speaker 2: in a haze of blood lost.

440
00:21:27,640 --> 00:21:28,840
Speaker 3: I don't know, do you never know?

441
00:21:29,880 --> 00:21:36,720
Speaker 2: So then Rosita uh walkie talkies into the into the

442
00:21:36,760 --> 00:21:39,480
Speaker 2: hospital to let them know, hey, we outside in the

443
00:21:39,520 --> 00:21:43,280
Speaker 2: back in the alley, but we just ran over a

444
00:21:43,280 --> 00:21:46,720
Speaker 2: ship ton of walkers. Our car our van is busted.

445
00:21:46,960 --> 00:21:49,359
Speaker 1: Yes, like we can't go nowhere like Lily Day I

446
00:21:49,600 --> 00:21:51,720
Speaker 1: everywhere like and they're surrounded them.

447
00:21:51,800 --> 00:21:53,080
Speaker 3: And they got two babies.

448
00:21:54,800 --> 00:21:57,199
Speaker 2: So then, but the main thing that says is like

449
00:21:57,240 --> 00:21:59,359
Speaker 2: the hospitals about to be overrun. Y'all need to like

450
00:21:59,400 --> 00:22:00,639
Speaker 2: get out of there somehow.

451
00:22:00,480 --> 00:22:02,639
Speaker 3: Right, y'all can't come in here, And so Darryl and.

452
00:22:02,640 --> 00:22:05,119
Speaker 2: Carroll tried to wheel Judith out to the front, but

453
00:22:05,119 --> 00:22:06,480
Speaker 2: then there's too many walker's there.

454
00:22:07,119 --> 00:22:08,800
Speaker 3: Everybody starts fighting the walkers.

455
00:22:08,800 --> 00:22:13,159
Speaker 2: They're pushing into the like glass windows and stuff in

456
00:22:13,160 --> 00:22:16,440
Speaker 2: the front of the hospital, and one of the motherfucking

457
00:22:16,560 --> 00:22:21,119
Speaker 2: variants picks up a rock and starts smashing through the

458
00:22:21,160 --> 00:22:26,320
Speaker 2: glass partition. Like these motherfucking variants are a problem.

459
00:22:26,880 --> 00:22:29,240
Speaker 1: They are a problem. And I didn't notice. Somebody said

460
00:22:29,240 --> 00:22:31,359
Speaker 1: there was two other babies with Coco. They say, oh,

461
00:22:31,440 --> 00:22:33,639
Speaker 1: two other babies, and yeah, like two of them was

462
00:22:33,680 --> 00:22:36,240
Speaker 1: small and one was like an older child, you know,

463
00:22:37,040 --> 00:22:39,080
Speaker 1: And that makes sense, like they would say each adult

464
00:22:39,160 --> 00:22:40,040
Speaker 1: had a baby on the back.

465
00:22:40,119 --> 00:22:42,160
Speaker 3: Okay, okay, there, that makes sense.

466
00:22:42,560 --> 00:22:45,800
Speaker 2: We were saving babies now, looking like Ben Stiller in

467
00:22:46,520 --> 00:22:51,840
Speaker 2: the fake movie in Tropic Thunder, Yes, a deep cut, uh,

468
00:22:52,080 --> 00:22:54,920
Speaker 2: the crew. The crew has to retreat back further into

469
00:22:54,960 --> 00:22:58,160
Speaker 2: the hospital because the zombies are breaking in, so they

470
00:22:58,200 --> 00:23:01,000
Speaker 2: try to head out the back take judas like you know.

471
00:23:01,080 --> 00:23:03,280
Speaker 2: Of course, her bed has wheels on it because the hospital,

472
00:23:03,440 --> 00:23:05,200
Speaker 2: so they are trying to wheel her through, but this

473
00:23:05,320 --> 00:23:06,960
Speaker 2: walker's in the fucking back hallway.

474
00:23:07,359 --> 00:23:08,920
Speaker 3: Then Walker was like, bitch, you thout.

475
00:23:09,080 --> 00:23:13,120
Speaker 2: And while this is happening in the back alley, Eugene

476
00:23:13,280 --> 00:23:19,800
Speaker 2: and Gay clear an area behind the van and they started, like,

477
00:23:20,000 --> 00:23:22,560
Speaker 2: you know, trying to like kill off the zombies and stuff.

478
00:23:22,600 --> 00:23:28,399
Speaker 2: Well while they carrying babies and shit, and Rosita is

479
00:23:28,440 --> 00:23:31,040
Speaker 2: trying to protect the babies, you know, her Coco.

480
00:23:32,600 --> 00:23:34,560
Speaker 3: So they they they get surrounded.

481
00:23:34,600 --> 00:23:37,639
Speaker 2: They realize we gotta go up a pipe on the

482
00:23:37,680 --> 00:23:39,679
Speaker 2: side of the building and climbing through a window.

483
00:23:40,320 --> 00:23:43,040
Speaker 1: I have good court strength because child somebody me probably

484
00:23:43,040 --> 00:23:44,639
Speaker 1: would not have made it because I can't climb.

485
00:23:44,880 --> 00:23:47,879
Speaker 2: Rosita said She's gonna go last for some reason. So

486
00:23:48,000 --> 00:23:52,360
Speaker 2: Eugene and Gay both make it. Rosita gets like almost

487
00:23:52,440 --> 00:23:55,919
Speaker 2: to the to the window and then she just fucking

488
00:23:56,000 --> 00:23:59,920
Speaker 2: eats it. Man. She falls on her back. Luckily Coco

489
00:24:00,160 --> 00:24:03,040
Speaker 2: was on her was on her front right, but still

490
00:24:03,119 --> 00:24:06,439
Speaker 2: even a fall from that. It's fucking walking dad. You know,

491
00:24:06,880 --> 00:24:13,960
Speaker 2: convenient babies. I guess Coco probably got CTE now, but

492
00:24:14,560 --> 00:24:18,480
Speaker 2: like she it looks like fuck her and that baby

493
00:24:18,560 --> 00:24:20,719
Speaker 2: just got eight. And I was thinking to myself, I

494
00:24:20,720 --> 00:24:22,639
Speaker 2: can't believe this show went that dark.

495
00:24:23,359 --> 00:24:27,520
Speaker 3: Yes, I was like, what the screen it was like,

496
00:24:28,119 --> 00:24:29,359
Speaker 3: you gotta be kidding me? What?

497
00:24:30,000 --> 00:24:32,080
Speaker 2: Yeah, I could, I said, this is the darkest ship

498
00:24:32,240 --> 00:24:36,159
Speaker 2: they may have ever done. Right, woman, she saved her baby,

499
00:24:36,280 --> 00:24:39,320
Speaker 2: only to be eating my fucking zombies five minutes later,

500
00:24:39,680 --> 00:24:43,080
Speaker 2: and a and a beloved character, but wrong.

501
00:24:43,400 --> 00:24:44,159
Speaker 3: She hopped up.

502
00:24:44,200 --> 00:24:47,399
Speaker 2: She got her second win. Adrenaline kicked in. She fucking

503
00:24:47,520 --> 00:24:48,920
Speaker 2: pushed them zombies up off of.

504
00:24:48,880 --> 00:24:51,240
Speaker 3: Her, was killing them, lightning them the fuck up.

505
00:24:51,400 --> 00:24:53,280
Speaker 1: Yeah, she was like, bitch, you thought I came too

506
00:24:53,359 --> 00:24:54,800
Speaker 1: far with my baby that died right now.

507
00:24:54,800 --> 00:24:56,400
Speaker 3: If I'm gonna die, that won't be right now.

508
00:24:56,520 --> 00:24:59,120
Speaker 2: Yeah. She had the Glenn plot armor on her, Yes

509
00:24:59,240 --> 00:25:01,440
Speaker 2: she did, and she used it the full effect.

510
00:25:01,600 --> 00:25:04,680
Speaker 3: And then she jumped on top of the van from

511
00:25:04,720 --> 00:25:05,120
Speaker 3: the van.

512
00:25:05,720 --> 00:25:09,399
Speaker 2: Some some variant walkers started climbing to the top of

513
00:25:09,440 --> 00:25:11,520
Speaker 2: the van to try to get her, and she jumped

514
00:25:11,560 --> 00:25:13,679
Speaker 2: from the van to the window and they pulled her in.

515
00:25:14,480 --> 00:25:17,280
Speaker 3: Oh my fucking god, that was intense. It was.

516
00:25:19,000 --> 00:25:21,600
Speaker 1: It hadn't been that intense in a really long time,

517
00:25:21,680 --> 00:25:24,000
Speaker 1: because you know, it's been a long time since been

518
00:25:24,000 --> 00:25:25,600
Speaker 1: in coming. If it's been a long time since you've

519
00:25:25,600 --> 00:25:28,400
Speaker 1: seen them actually have to, you know, use a lot

520
00:25:28,400 --> 00:25:31,280
Speaker 1: of their skills and consistently be running and moving around.

521
00:25:31,320 --> 00:25:33,679
Speaker 1: Our crew is built for that. But it's still one

522
00:25:33,680 --> 00:25:36,560
Speaker 1: of those things where it's like, oh.

523
00:25:35,720 --> 00:25:38,080
Speaker 2: All right, I need to put some music here so

524
00:25:38,160 --> 00:25:39,600
Speaker 2: that we know where to put a commercial later.

525
00:26:06,920 --> 00:26:09,040
Speaker 3: All right, now, let's get back to it.

526
00:26:09,280 --> 00:26:12,760
Speaker 2: Yes, later at night, Mercer and Maggie and the whole

527
00:26:12,800 --> 00:26:17,119
Speaker 2: crew prepared to take down Pamela, and Zeke and Aaron

528
00:26:17,520 --> 00:26:21,840
Speaker 2: have a quick talk about how they still need to

529
00:26:21,880 --> 00:26:25,680
Speaker 2: help the people of the Commonwealth, something Zeke's been consistently

530
00:26:25,720 --> 00:26:26,840
Speaker 2: on as a character.

531
00:26:26,560 --> 00:26:29,119
Speaker 3: The whole time. I give him credit, he's been consistent.

532
00:26:29,160 --> 00:26:30,960
Speaker 1: He was like, they're not our people, but we just

533
00:26:31,000 --> 00:26:33,359
Speaker 1: can't abandon these people just because you know, they're not

534
00:26:33,359 --> 00:26:34,640
Speaker 1: a part of quote uncle our crew.

535
00:26:34,800 --> 00:26:37,280
Speaker 2: Yeah, he was never gonna leave those people. He was

536
00:26:37,280 --> 00:26:39,920
Speaker 2: going to stay there even if everyone went back to Alexandria. Right,

537
00:26:40,160 --> 00:26:42,159
Speaker 2: So you know, him and Aaron are agree, and then

538
00:26:42,200 --> 00:26:45,520
Speaker 2: it makes sense for Aaron too, because it's sending Colin

539
00:26:45,560 --> 00:26:48,000
Speaker 2: bitter as Aaron can be. Aaron is still the dude

540
00:26:48,000 --> 00:26:50,840
Speaker 2: that went to community community to recruit people.

541
00:26:50,960 --> 00:26:52,240
Speaker 3: So we first met him.

542
00:26:52,280 --> 00:26:55,480
Speaker 1: That was his thing out out there reaching damasses.

543
00:26:56,080 --> 00:26:58,960
Speaker 2: Yeah, him and Eric, you know, as a couple doing that,

544
00:26:59,000 --> 00:27:02,359
Speaker 2: and uh, at his heart, he's still a person that

545
00:27:02,480 --> 00:27:06,199
Speaker 2: cares about, you know, people. So they're like, yeah, we

546
00:27:06,280 --> 00:27:08,119
Speaker 2: need to make sure there's people stuck on like the

547
00:27:08,160 --> 00:27:12,040
Speaker 2: second and third floor buildings, and obviously Pamela's doing nothing

548
00:27:12,040 --> 00:27:14,240
Speaker 2: to help them. You know, we need to do something

549
00:27:14,240 --> 00:27:16,600
Speaker 2: for them. But first we need to take care of Judith.

550
00:27:16,680 --> 00:27:18,840
Speaker 3: She been shot. We gotta get her medical attention.

551
00:27:19,680 --> 00:27:19,800
Speaker 4: Uh.

552
00:27:19,960 --> 00:27:25,440
Speaker 2: Mercer's loyal soldier shows up, the black dude, and he's like, listen, Tommy,

553
00:27:25,640 --> 00:27:30,600
Speaker 2: who's Jumico's doctor brother, the surgeon who who Uh yeah,

554
00:27:30,640 --> 00:27:32,840
Speaker 2: I'll get to that later, but uh, he's set up

555
00:27:32,840 --> 00:27:35,800
Speaker 2: a safe house where they can do surgery and help

556
00:27:35,880 --> 00:27:36,400
Speaker 2: the wounded.

557
00:27:36,800 --> 00:27:41,159
Speaker 3: They're gonna take Judith there. They take her to the house.

558
00:27:41,720 --> 00:27:44,040
Speaker 2: Tommy checks her wound and says that Darryl is good

559
00:27:44,040 --> 00:27:47,320
Speaker 2: that y'all gave her blood. And that's why I said,

560
00:27:47,400 --> 00:27:50,040
Speaker 2: you know, when we had cut to Daryl and he

561
00:27:50,119 --> 00:27:53,720
Speaker 2: was still standing over her giving his blood, and you're

562
00:27:53,760 --> 00:27:56,320
Speaker 2: just like, man, that might have that saved her life?

563
00:27:56,359 --> 00:28:00,400
Speaker 1: Literally yes, and you know because with time, who knows

564
00:28:00,400 --> 00:28:02,080
Speaker 1: how long he had been there, and you know, he

565
00:28:02,119 --> 00:28:05,200
Speaker 1: had to be fucking exhausted. And also, in my opinion,

566
00:28:05,200 --> 00:28:07,040
Speaker 1: I think the biggest reason why he stood up was

567
00:28:07,080 --> 00:28:09,080
Speaker 1: so it would be a probably continual blood flow.

568
00:28:09,800 --> 00:28:16,840
Speaker 2: And so they give they give uh, Judas surgery and

569
00:28:17,080 --> 00:28:21,920
Speaker 2: Zeke assist Tony in the surgery, which is once again,

570
00:28:22,040 --> 00:28:24,919
Speaker 2: these are this is this is this is the the

571
00:28:24,960 --> 00:28:28,720
Speaker 2: touch I'm talking about. We saw them set that up

572
00:28:29,160 --> 00:28:32,080
Speaker 2: last season or earlier in this season, and I remember

573
00:28:32,160 --> 00:28:34,680
Speaker 2: kind of being like, what, why why does it matter

574
00:28:34,720 --> 00:28:36,600
Speaker 2: that if Zeke is trying to help them with surgeries,

575
00:28:36,640 --> 00:28:39,680
Speaker 2: that's such a weird thing to throw like a subplot

576
00:28:39,720 --> 00:28:42,960
Speaker 2: to put into this like this this this show. And

577
00:28:43,000 --> 00:28:46,400
Speaker 2: now it comes full circle. He immediately is able to

578
00:28:46,400 --> 00:28:48,200
Speaker 2: assist Tony to save Judas's life.

579
00:28:48,240 --> 00:28:50,520
Speaker 1: That's amazing, correct, And it was one of those things

580
00:28:50,560 --> 00:28:53,320
Speaker 1: where they was basically doing like black market surgeries and

581
00:28:53,360 --> 00:28:54,040
Speaker 1: shit like that.

582
00:28:54,280 --> 00:28:56,560
Speaker 3: But it's one of those things all bbl's over there.

583
00:28:57,000 --> 00:29:01,280
Speaker 1: Yeah that thing, well, him doing that actually mattered when

584
00:29:01,280 --> 00:29:01,840
Speaker 1: it counted.

585
00:29:02,080 --> 00:29:02,960
Speaker 3: Yeah, that's what I'm saying.

586
00:29:02,960 --> 00:29:05,920
Speaker 2: It's great writing. It's great. I really, like I said,

587
00:29:05,960 --> 00:29:07,840
Speaker 2: I get you know, y'all over it, Bob, but this

588
00:29:07,920 --> 00:29:10,920
Speaker 2: shit was so fucking I love stuff like that because

589
00:29:10,960 --> 00:29:14,240
Speaker 2: it meant y'all made it matter. It's something that at

590
00:29:14,320 --> 00:29:17,080
Speaker 2: the time people could have just judge hardishly and probably

591
00:29:17,080 --> 00:29:19,080
Speaker 2: did judge Harshley. I don't know what people were saying

592
00:29:19,080 --> 00:29:21,840
Speaker 2: at the time, but it's the kind of thing people

593
00:29:21,880 --> 00:29:25,040
Speaker 2: normally shit on and who cares, and then later you're like, fuck,

594
00:29:25,120 --> 00:29:28,720
Speaker 2: that was so smart. So I love that he assisted

595
00:29:28,760 --> 00:29:33,880
Speaker 2: in the surgery. Lydia's arm gets bandaged by Aaron once again.

596
00:29:33,920 --> 00:29:38,200
Speaker 2: Full Circle tells her about phatom limb syndrome. He's had

597
00:29:38,240 --> 00:29:41,800
Speaker 2: the same thing with his arm. But all she's thinking

598
00:29:41,800 --> 00:29:46,640
Speaker 2: about is Elijah and Luke Elijah, and she's just assuming

599
00:29:47,080 --> 00:29:49,520
Speaker 2: him and Jerry are dead because Luke and Jules died

600
00:29:50,160 --> 00:29:52,840
Speaker 2: and you know, she didn't see it, but I think

601
00:29:52,880 --> 00:29:56,040
Speaker 2: in her mind she's thinking, like, see, that's what's gonna

602
00:29:56,080 --> 00:29:58,720
Speaker 2: happen to Elijah and Jerry. And of course she has

603
00:29:58,840 --> 00:30:02,719
Speaker 2: all kinds of trauma TSD around losing folks. She's not

604
00:30:02,880 --> 00:30:07,320
Speaker 2: thinking rationally right now, and she just you know, she

605
00:30:07,760 --> 00:30:11,200
Speaker 2: looks now. She she does look much better with her

606
00:30:11,200 --> 00:30:13,920
Speaker 2: face cleaned up. I don't know, it's like, you know,

607
00:30:14,120 --> 00:30:16,040
Speaker 2: they have to ugly these people up to do these

608
00:30:16,080 --> 00:30:18,960
Speaker 2: roles sometimes, and she looked amazing with her face cleared

609
00:30:19,040 --> 00:30:21,760
Speaker 2: up and stuff. But she sounded like Jail Covin talking

610
00:30:21,800 --> 00:30:22,880
Speaker 2: about this comedy album.

611
00:30:23,240 --> 00:30:25,640
Speaker 3: It's go die, It's gonna die.

612
00:30:26,200 --> 00:30:28,720
Speaker 1: She's like, they never gonna come back. It's over already,

613
00:30:28,760 --> 00:30:31,720
Speaker 1: over already. Why do I even put the effort into it?

614
00:30:31,720 --> 00:30:34,000
Speaker 2: Why did you even help save my arm? You made

615
00:30:34,000 --> 00:30:41,000
Speaker 2: my life and suffering longer. So then Maggie realizes looking around,

616
00:30:41,040 --> 00:30:41,600
Speaker 2: she's counting.

617
00:30:41,680 --> 00:30:43,400
Speaker 3: She's like, wait a minute, where's Niggan.

618
00:30:44,840 --> 00:30:47,920
Speaker 2: She goes outside because she know Nigan said, listen, we

619
00:30:48,040 --> 00:30:50,479
Speaker 2: don't need these niggas. We should do this ourselves. So

620
00:30:50,520 --> 00:30:53,680
Speaker 2: she goes after him. He's outside with a gun and

621
00:30:53,760 --> 00:30:55,880
Speaker 2: a go bag and he's about to leave.

622
00:30:56,280 --> 00:30:57,840
Speaker 3: He was like he was like, he was like, you

623
00:30:57,840 --> 00:30:59,360
Speaker 3: thought it was bullshit, And I do it with you

624
00:30:59,480 --> 00:30:59,880
Speaker 3: without you.

625
00:31:00,040 --> 00:31:02,640
Speaker 2: Yeah, fuck it, I'll do it myself. They know style

626
00:31:03,360 --> 00:31:06,280
Speaker 2: and she's like, what's your angle? Give me the fucking

627
00:31:06,360 --> 00:31:12,760
Speaker 2: rifle and he's like, I don't have an angle. He says,

628
00:31:13,360 --> 00:31:18,080
Speaker 2: I'm gonna do this for you because whoever kills Pamela

629
00:31:18,240 --> 00:31:21,000
Speaker 2: is basically gona have to deal with the blowback because

630
00:31:21,040 --> 00:31:23,160
Speaker 2: this is, you know, it's like assassinating the president at

631
00:31:23,200 --> 00:31:28,200
Speaker 2: this point, that person, regardless of how positive the outcome is,

632
00:31:28,280 --> 00:31:31,480
Speaker 2: how terrible that person the president was acting whatever the

633
00:31:31,520 --> 00:31:34,200
Speaker 2: fuck you get the death penalty that they are coming.

634
00:31:34,480 --> 00:31:36,160
Speaker 3: They need rules and laws, and one.

635
00:31:36,000 --> 00:31:37,720
Speaker 2: Of them has to be you can't just fucking kill

636
00:31:38,440 --> 00:31:40,680
Speaker 2: a sitting you know, leader of the other.

637
00:31:40,680 --> 00:31:42,680
Speaker 3: Kind of city, city governor.

638
00:31:42,720 --> 00:31:46,440
Speaker 2: Basically yes, and so he says, I'm basically gonna do it.

639
00:31:47,000 --> 00:31:50,040
Speaker 2: And he said, She's like, why are you acting like this?

640
00:31:50,120 --> 00:31:52,920
Speaker 2: And he said, because when I was on my knees

641
00:31:53,120 --> 00:31:55,520
Speaker 2: last night and that Warden was about to kill me,

642
00:31:56,200 --> 00:31:59,440
Speaker 2: he said, I must I must have felt what you

643
00:31:59,600 --> 00:32:03,440
Speaker 2: felt when I killed Glenn, like at least a little bit,

644
00:32:04,160 --> 00:32:08,320
Speaker 2: And then shout out to Jeffrey Dean Morgan because he

645
00:32:08,360 --> 00:32:12,560
Speaker 2: gave us some black acting school. Okay, he he hit

646
00:32:12,760 --> 00:32:15,320
Speaker 2: Hollywood's first black acting school.

647
00:32:15,720 --> 00:32:18,000
Speaker 3: He teaches you everything.

648
00:32:17,920 --> 00:32:21,280
Speaker 2: He hit us with with some real tears, and he

649
00:32:21,480 --> 00:32:25,720
Speaker 2: was like talking about how sorry he was and apologized

650
00:32:26,320 --> 00:32:31,720
Speaker 2: and says like, you know, I like, you know, uh

651
00:32:32,000 --> 00:32:34,520
Speaker 2: just just all the all the you know, like it

652
00:32:34,600 --> 00:32:38,040
Speaker 2: still was meaning, but it was like a like I know,

653
00:32:38,360 --> 00:32:40,080
Speaker 2: like genuine remorse and regrets.

654
00:32:40,120 --> 00:32:42,120
Speaker 1: Yeah, you could you could tell that it was a

655
00:32:42,600 --> 00:32:46,200
Speaker 1: sincere and it was one of those things where he

656
00:32:46,440 --> 00:32:49,120
Speaker 1: never thought he would be in those shoes. So when

657
00:32:49,120 --> 00:32:50,560
Speaker 1: he felt it for the first time, he's like, well,

658
00:32:50,640 --> 00:32:53,800
Speaker 1: damn this, this is why the people got had that

659
00:32:53,960 --> 00:32:56,560
Speaker 1: rage at me and that unforgiveness towards me.

660
00:32:56,680 --> 00:32:57,120
Speaker 3: I get it.

661
00:32:57,280 --> 00:33:01,560
Speaker 2: And Maggie wasn't reacting this way out of like like

662
00:33:01,680 --> 00:33:03,720
Speaker 2: I love this the way that she reacted to it,

663
00:33:03,760 --> 00:33:06,960
Speaker 2: because she didn't go well all water under the bridge,

664
00:33:07,040 --> 00:33:10,040
Speaker 2: hugged this man to walk away. She just she takes

665
00:33:10,160 --> 00:33:12,560
Speaker 2: she's already taking his gun. She starts walking off and

666
00:33:12,560 --> 00:33:16,000
Speaker 2: then she looks back and goes you coming. And so

667
00:33:16,040 --> 00:33:18,360
Speaker 2: now we know they will go out to fight to

668
00:33:18,400 --> 00:33:21,440
Speaker 2: try to kill Pamela together with this rifle. But what

669
00:33:21,520 --> 00:33:26,760
Speaker 2: I liked about this the most is that it solidifies

670
00:33:27,680 --> 00:33:30,880
Speaker 2: Meagan had a good plan, and it's a plan she

671
00:33:30,920 --> 00:33:35,560
Speaker 2: would have done with anybody else. Yes, And this is

672
00:33:35,600 --> 00:33:38,240
Speaker 2: a very human thing and a something like I said

673
00:33:38,240 --> 00:33:41,040
Speaker 2: walking dad to me, it'll never get to do it

674
00:33:41,080 --> 00:33:44,520
Speaker 2: deserves but to just do. But it is the most

675
00:33:44,800 --> 00:33:48,280
Speaker 2: the show that encapsulate humanity the most, because that is

676
00:33:48,400 --> 00:33:52,560
Speaker 2: so many things in life where the wrong motherfucker has

677
00:33:52,600 --> 00:33:55,040
Speaker 2: the right idea and people are like, well then fuck it,

678
00:33:55,240 --> 00:33:57,240
Speaker 2: let's just do the I'm not doing it. I'd rather

679
00:33:57,280 --> 00:33:59,560
Speaker 2: do the hard thing and more people die than to

680
00:33:59,600 --> 00:34:02,000
Speaker 2: do the shit your way and save everybody. Fuck Yet,

681
00:34:02,040 --> 00:34:04,240
Speaker 2: I don't like you. You did something and I can't

682
00:34:04,240 --> 00:34:06,560
Speaker 2: get over it. And I don't even blame you. It's

683
00:34:06,600 --> 00:34:09,800
Speaker 2: just it's human. We all have those moments we do. Uh.

684
00:34:09,960 --> 00:34:13,720
Speaker 2: Then we cut back to inside. Eugene's sitting inside rubbing

685
00:34:13,760 --> 00:34:15,400
Speaker 2: Max's feet. She done fell asleep.

686
00:34:16,160 --> 00:34:18,319
Speaker 3: That's a good man right there. Okay, he know what

687
00:34:18,360 --> 00:34:20,640
Speaker 3: he got love that woman. He know what he got.

688
00:34:20,719 --> 00:34:23,160
Speaker 2: He not fitting it and I messed that up. He

689
00:34:23,200 --> 00:34:25,840
Speaker 2: done prayed many a night, didn't it. Okay?

690
00:34:26,160 --> 00:34:28,840
Speaker 1: He said Liz, like I wanted somebody to love me.

691
00:34:29,080 --> 00:34:32,200
Speaker 1: Chill out of out of loan. This is computing love.

692
00:34:32,239 --> 00:34:33,920
Speaker 1: We donet died at all. I got it here in

693
00:34:33,960 --> 00:34:35,560
Speaker 1: front of me, and I ain't about to blow it.

694
00:34:36,320 --> 00:34:41,600
Speaker 2: So then he looks over to Rosita, who's sitting with Coco,

695
00:34:42,400 --> 00:34:44,759
Speaker 2: and he offers to take Coco for a while if

696
00:34:44,840 --> 00:34:47,000
Speaker 2: Rosita wants to get some rest or something, but Rosita

697
00:34:47,040 --> 00:34:51,000
Speaker 2: says she don't want to let her go. Uh. He

698
00:34:51,120 --> 00:34:55,760
Speaker 2: talks about Coco and teaching her to swim in the summer,

699
00:34:56,800 --> 00:34:59,200
Speaker 2: and eventually, you know, as he's talking about these future

700
00:34:59,239 --> 00:35:04,279
Speaker 2: plans and she's not really responding money pieces, I think

701
00:35:04,320 --> 00:35:06,719
Speaker 2: he already knew, but this is his way of beating

702
00:35:06,719 --> 00:35:09,560
Speaker 2: around the bush to get to it. He asked her basically,

703
00:35:09,600 --> 00:35:11,239
Speaker 2: did you get bit when you fell down there with

704
00:35:11,280 --> 00:35:11,880
Speaker 2: the zombies?

705
00:35:11,920 --> 00:35:13,000
Speaker 3: I thought, I saw you got bit?

706
00:35:13,120 --> 00:35:13,839
Speaker 2: And she said she.

707
00:35:13,840 --> 00:35:17,560
Speaker 3: Did, and she showed him. She showed him the spot.

708
00:35:17,560 --> 00:35:21,680
Speaker 2: Yes, she showed him the bike and he the man

709
00:35:22,880 --> 00:35:27,680
Speaker 2: once again. Full circle moments. That's what this episode was

710
00:35:27,719 --> 00:35:31,960
Speaker 2: about to me. And when you consider where they came from,

711
00:35:32,600 --> 00:35:38,520
Speaker 2: seat up being with a this nigga being cooked, yes

712
00:35:39,640 --> 00:35:42,000
Speaker 2: with her love, being in love with her, and then

713
00:35:42,640 --> 00:35:45,200
Speaker 2: being a coward a man that she could never love

714
00:35:45,320 --> 00:35:48,080
Speaker 2: back in that way, and then the amount of shit

715
00:35:48,200 --> 00:35:50,160
Speaker 2: and suffering they went through together. I remember when she

716
00:35:50,200 --> 00:35:52,120
Speaker 2: was chasing him, trying to kill him when he was

717
00:35:52,120 --> 00:35:55,440
Speaker 2: with the Saviors, Like, I remember that shit. She was hot,

718
00:35:55,719 --> 00:35:59,279
Speaker 2: like she was going to fucking take this motherfucker off

719
00:35:59,280 --> 00:36:01,439
Speaker 2: the planet. And I was totally with her for that shit.

720
00:36:02,080 --> 00:36:08,160
Speaker 2: And so seeing this full circle moment where he says, like,

721
00:36:10,040 --> 00:36:13,239
Speaker 2: I wouldn't be like I think he said, she no,

722
00:36:13,360 --> 00:36:17,000
Speaker 2: She comforted him. She swarm the secrecy because you know,

723
00:36:17,040 --> 00:36:19,719
Speaker 2: he's about to start blubbering and tell everybody. Yes, and

724
00:36:19,800 --> 00:36:22,439
Speaker 2: she said, don't tell anybody. I haven't told anybody yet,

725
00:36:22,520 --> 00:36:25,120
Speaker 2: so don't tell anybody. I need I need this from

726
00:36:25,160 --> 00:36:27,840
Speaker 2: me and for you know, Coco, and I want to

727
00:36:27,840 --> 00:36:31,560
Speaker 2: tell people on my own time. And then he starts crying.

728
00:36:31,680 --> 00:36:35,759
Speaker 2: She comforts him and says, you're gonna be fine, And

729
00:36:36,040 --> 00:36:38,120
Speaker 2: that's such a full circle moment because I remember what

730
00:36:38,239 --> 00:36:40,520
Speaker 2: she wanted to kill him. And then they both say

731
00:36:40,520 --> 00:36:43,640
Speaker 2: they love each other, and he kisses her fore head

732
00:36:43,680 --> 00:36:46,399
Speaker 2: and they both cry solid tears, and he goes back

733
00:36:46,440 --> 00:36:49,680
Speaker 2: over towards Max and she asks, everything, okay, and I

734
00:36:49,719 --> 00:36:50,239
Speaker 2: love this one.

735
00:36:50,360 --> 00:36:53,839
Speaker 1: It was beautiful too, And also a lot of it

736
00:36:53,880 --> 00:36:57,640
Speaker 1: comes down to, you know, it was you know three

737
00:36:57,680 --> 00:37:00,600
Speaker 1: daddies in the Baby. You know, he was one of

738
00:37:00,600 --> 00:37:04,359
Speaker 1: the fathers, Like he character Coco a lot, like he's

739
00:37:04,800 --> 00:37:06,839
Speaker 1: like been there day one, like I don't care if

740
00:37:06,840 --> 00:37:08,799
Speaker 1: it's mine to not like who gets a fuck?

741
00:37:08,920 --> 00:37:11,280
Speaker 3: Like we in this together and it's not.

742
00:37:11,280 --> 00:37:15,759
Speaker 2: Just Coco for me. He loves Rosita. He loves her

743
00:37:16,560 --> 00:37:19,399
Speaker 2: and not on the surface level in titled love that

744
00:37:19,440 --> 00:37:21,920
Speaker 2: we saw from him in like season three, I mean

745
00:37:21,960 --> 00:37:25,800
Speaker 2: he has fully learned to love this person like a sister.

746
00:37:26,560 --> 00:37:29,279
Speaker 3: Like it's not, Oh, how come I don't get the fuck?

747
00:37:29,360 --> 00:37:31,880
Speaker 2: You know, he moved to Hilltop, you know, because he

748
00:37:31,920 --> 00:37:34,760
Speaker 2: had a kind of jealous feeling about her and Gabe

749
00:37:34,760 --> 00:37:37,000
Speaker 2: being together, and shit, I remember that.

750
00:37:37,160 --> 00:37:39,200
Speaker 3: And so seeing this.

751
00:37:39,200 --> 00:37:44,600
Speaker 2: Dude come full full circle, he's Maxis is the love

752
00:37:44,640 --> 00:37:46,719
Speaker 2: of his life and even still he has to go

753
00:37:46,760 --> 00:37:49,800
Speaker 2: over here and check on his friend, and because he

754
00:37:50,000 --> 00:37:53,239
Speaker 2: loves his friend. And there's something about that, because we've

755
00:37:53,280 --> 00:37:57,440
Speaker 2: seen this relationship go full like through every emotion.

756
00:37:57,560 --> 00:37:59,240
Speaker 3: Yes we have, so.

757
00:38:00,680 --> 00:38:03,680
Speaker 2: Daryl and Carroll watch over Judith as she wakes up.

758
00:38:04,239 --> 00:38:07,399
Speaker 2: Then that's when she said something about how mashone told

759
00:38:07,440 --> 00:38:09,879
Speaker 2: her about those words about we're the ones who live.

760
00:38:10,280 --> 00:38:12,040
Speaker 2: She had never finished the sentence the first time, but

761
00:38:12,200 --> 00:38:15,520
Speaker 2: she says something about how that means Micheone's never coming back,

762
00:38:15,560 --> 00:38:17,440
Speaker 2: and she never wanted to tell Darryl that because she

763
00:38:17,480 --> 00:38:19,279
Speaker 2: thought Daryl would leave and not come back.

764
00:38:19,360 --> 00:38:21,279
Speaker 3: I think that was her interpretation. It was, yeah, I'm

765
00:38:21,280 --> 00:38:22,400
Speaker 3: not I just don't remember.

766
00:38:22,480 --> 00:38:25,000
Speaker 2: It's possibly it's just been a long time, so I

767
00:38:25,080 --> 00:38:28,279
Speaker 2: probably forgot some context that I that is missing. If

768
00:38:28,280 --> 00:38:30,919
Speaker 2: I would remember, I'd be like, Oh, that's what she meant.

769
00:38:31,280 --> 00:38:35,680
Speaker 2: You know, it's just been too long. But then Mercer

770
00:38:36,640 --> 00:38:38,920
Speaker 2: gets in his binoculars, looks out the window and sees

771
00:38:38,960 --> 00:38:41,920
Speaker 2: Pamela and them in the States, and they are killing

772
00:38:41,960 --> 00:38:43,520
Speaker 2: people who climb over the fence.

773
00:38:44,440 --> 00:38:47,160
Speaker 3: Yeah, regular ass people. And now Zimba y'all like regulars.

774
00:38:47,120 --> 00:38:50,120
Speaker 2: Human beings who were just like let us in. Zombies

775
00:38:50,120 --> 00:38:54,760
Speaker 2: are literally like yas behind a few football fields away,

776
00:38:55,239 --> 00:38:57,359
Speaker 2: and they are acting like, oh, but if I let

777
00:38:57,400 --> 00:38:59,600
Speaker 2: you in, I have to let everybody in, then the

778
00:38:59,640 --> 00:39:02,319
Speaker 2: zombies gonna get in it. Like they clearly easily could

779
00:39:02,360 --> 00:39:04,879
Speaker 2: have let these people in, but they were they were

780
00:39:04,880 --> 00:39:07,440
Speaker 2: cruelly not letting them in because they believe in the

781
00:39:07,480 --> 00:39:11,040
Speaker 2: old ways of y'all poor, and they were Pamela was

782
00:39:11,120 --> 00:39:12,960
Speaker 2: just looking at them the way Care looks at the

783
00:39:12,960 --> 00:39:15,080
Speaker 2: people in regular seas when we go to Hornets game.

784
00:39:15,200 --> 00:39:17,200
Speaker 1: Yeah, she even looking at him like that, and I

785
00:39:17,280 --> 00:39:19,680
Speaker 1: was disgusted by it. She was looking like, hmm, couldn't

786
00:39:19,680 --> 00:39:19,880
Speaker 1: be me.

787
00:39:22,239 --> 00:39:27,319
Speaker 2: So then they go ahead. Mercer gets his gun and

788
00:39:27,400 --> 00:39:31,120
Speaker 2: he and he says, all right, alexandrins, y'all done did

789
00:39:31,120 --> 00:39:34,560
Speaker 2: a lot for us. All your people are safe. Right now,

790
00:39:35,960 --> 00:39:38,239
Speaker 2: we're gonna I'm gonna get y'all out of here, so

791
00:39:38,280 --> 00:39:40,120
Speaker 2: y'all can go back to Alexandra because I know this

792
00:39:40,160 --> 00:39:42,279
Speaker 2: ain't y'all fight. And then I'm gonna go down there

793
00:39:42,280 --> 00:39:45,640
Speaker 2: and handle this shit. And of course, our people, being

794
00:39:45,640 --> 00:39:47,640
Speaker 2: the people that we know they are, was like, the

795
00:39:47,760 --> 00:39:51,359
Speaker 2: fuck you mean right? We are not letting this shit go.

796
00:39:51,520 --> 00:39:53,880
Speaker 3: We and this together, This this is personal.

797
00:39:54,120 --> 00:39:57,120
Speaker 2: Zeke gives one of them king speeches. Come, you know,

798
00:39:57,239 --> 00:39:59,680
Speaker 2: are we not a nation of laws or whatever the

799
00:39:59,760 --> 00:40:05,640
Speaker 2: fuck say? You know, Zicker was like, look until all

800
00:40:05,680 --> 00:40:08,920
Speaker 2: the free non no free brothers. He went and he

801
00:40:09,000 --> 00:40:11,480
Speaker 2: did everything but get his tiger and his motherfucking sword back.

802
00:40:11,600 --> 00:40:14,000
Speaker 3: Oh yes, I missed this tiger.

803
00:40:13,960 --> 00:40:18,520
Speaker 2: And so he basically says, look, uh, we got your back.

804
00:40:18,560 --> 00:40:21,840
Speaker 2: And then everyone one by one agrees like, yeah, we staying.

805
00:40:22,080 --> 00:40:23,520
Speaker 3: We fucking were going.

806
00:40:24,000 --> 00:40:26,440
Speaker 2: And so we know when our motherfucking crew gets together,

807
00:40:27,120 --> 00:40:29,000
Speaker 2: the Neapolitan crew, it's.

808
00:40:28,920 --> 00:40:32,880
Speaker 3: Over come on. So the poors are outside the gate.

809
00:40:34,480 --> 00:40:37,160
Speaker 2: And Mercer shows up with the troops and with our crew,

810
00:40:37,560 --> 00:40:42,000
Speaker 2: and he's like, lower your weapons, and Pamela's like, arrest him.

811
00:40:42,280 --> 00:40:47,160
Speaker 2: And Vickers, old coon ass, who who at this lake juncture?

812
00:40:47,600 --> 00:40:48,520
Speaker 3: Victor Vickers?

813
00:40:48,600 --> 00:40:52,279
Speaker 2: Is this this black woman with the tightest braids, this

814
00:40:52,440 --> 00:40:55,920
Speaker 2: black woman is still a little confused as to if

815
00:40:55,960 --> 00:40:59,480
Speaker 2: Pamela is out her mother fucking mind, like what's right

816
00:40:59,560 --> 00:41:01,920
Speaker 2: and wrong? You don't know what's right and wrong right now?

817
00:41:02,200 --> 00:41:03,080
Speaker 3: Just following orders?

818
00:41:03,239 --> 00:41:06,040
Speaker 2: This is so easy. This is like, this is a

819
00:41:06,120 --> 00:41:08,799
Speaker 2: this is a past fell test, you know. And so

820
00:41:10,320 --> 00:41:13,520
Speaker 2: Vickers is like like, you know, looking like I guess

821
00:41:13,560 --> 00:41:16,640
Speaker 2: we gotta put our guns on Mercer too, And Mercers

822
00:41:16,760 --> 00:41:19,880
Speaker 2: is like, well, we not lowering our guns and we

823
00:41:20,040 --> 00:41:22,800
Speaker 2: all get shot. We just be shot inside the gates. Yes,

824
00:41:23,239 --> 00:41:26,640
Speaker 2: and we had ourselves a good old fashioned Caucasian standoff.

825
00:41:26,960 --> 00:41:29,200
Speaker 3: Yes, we did a good old fashion one.

826
00:41:29,280 --> 00:41:32,720
Speaker 2: That's why I'm not calling Mexican no more calling it Caucasian. Okay,

827
00:41:32,960 --> 00:41:34,960
Speaker 2: it's probably white people that did it. They just was

828
00:41:34,960 --> 00:41:40,719
Speaker 2: in Mexico. Uh So, Pamela says, you trade up to

829
00:41:40,880 --> 00:41:44,200
Speaker 2: Mercer and he's like, I know, I know you are,

830
00:41:44,239 --> 00:41:48,319
Speaker 2: but with him, I and he runs down the list

831
00:41:48,320 --> 00:41:50,839
Speaker 2: of shit. He's like, I know you ain't talking. I

832
00:41:50,880 --> 00:41:51,720
Speaker 2: know you ain't talking.

833
00:41:51,800 --> 00:41:53,880
Speaker 3: He's like, I got the list.

834
00:41:54,320 --> 00:41:58,799
Speaker 2: You done, kidnap your own citizens, disappearing motherfucker's left and right.

835
00:41:59,120 --> 00:42:02,399
Speaker 2: You led the this, this heard you led them here.

836
00:42:02,560 --> 00:42:05,560
Speaker 3: Yes, yeah he learned that probably just talking to the people. Yeah,

837
00:42:05,640 --> 00:42:08,760
Speaker 3: you led them here. This could have been all prevented.

838
00:42:09,040 --> 00:42:12,759
Speaker 3: Your shot a kid, when shot a kid.

839
00:42:12,960 --> 00:42:16,239
Speaker 2: And now you're pulling the Gabe like he gave at

840
00:42:16,280 --> 00:42:17,440
Speaker 2: his own church doors.

841
00:42:17,600 --> 00:42:20,319
Speaker 1: Yeah, that is a Gab move, ain't And yeah, Gabe

842
00:42:20,360 --> 00:42:21,520
Speaker 1: none came the long way too.

843
00:42:21,680 --> 00:42:26,560
Speaker 2: So once again, y'all the chef's kiss to this next

844
00:42:26,560 --> 00:42:31,680
Speaker 2: scene because who goes to open up the gate? Gabe.

845
00:42:32,600 --> 00:42:36,160
Speaker 1: These niggas thought of everything because Gabe was like, I

846
00:42:36,200 --> 00:42:39,279
Speaker 1: did it one time, I can't do it again. It

847
00:42:39,440 --> 00:42:42,279
Speaker 1: had to be gay, it had to be yes, because

848
00:42:42,320 --> 00:42:45,240
Speaker 1: he locked them people out of that motherforking church.

849
00:42:45,360 --> 00:42:48,520
Speaker 2: That's his full circle moment. That's that caramel. That's that

850
00:42:49,120 --> 00:42:51,480
Speaker 2: you know, yo, that that second chance to get this

851
00:42:51,520 --> 00:42:53,719
Speaker 2: ship right. And he didn't care about the cost because

852
00:42:53,719 --> 00:42:56,560
Speaker 2: now the zombies are closed. And he was like they

853
00:42:56,640 --> 00:42:59,120
Speaker 2: was under he was under gunpoint. Yeah.

854
00:42:59,160 --> 00:43:01,239
Speaker 1: They was like we had to. He was like, it is,

855
00:43:01,520 --> 00:43:04,239
Speaker 1: it is right, but I'm gonna open up this gate.

856
00:43:04,280 --> 00:43:07,160
Speaker 1: I'm not gonna see him and watch these people die

857
00:43:07,239 --> 00:43:08,280
Speaker 1: like I did before.

858
00:43:08,360 --> 00:43:11,120
Speaker 2: He said, I guess I'll be shot then, so y'all

859
00:43:11,160 --> 00:43:13,560
Speaker 2: gotta do what y'all gotta do, yes, And he goes

860
00:43:13,600 --> 00:43:15,279
Speaker 2: to open the gate. He don't even have a key.

861
00:43:15,800 --> 00:43:17,640
Speaker 2: He about to shoot the fucking lunk off the gate

862
00:43:17,640 --> 00:43:20,439
Speaker 2: to let them people in, and Penela demands he gets shot.

863
00:43:20,480 --> 00:43:21,200
Speaker 3: She like shoot him.

864
00:43:21,239 --> 00:43:26,239
Speaker 2: And then Darryl tells everybody stop. You You better than this,

865
00:43:26,400 --> 00:43:30,400
Speaker 2: We deserve better than this. This is the ghetto. You

866
00:43:30,480 --> 00:43:32,719
Speaker 2: built this place to be like the old world, and

867
00:43:32,719 --> 00:43:36,759
Speaker 2: that's the fucking problem. You got one enemy. It's the

868
00:43:36,840 --> 00:43:40,000
Speaker 2: walking it's the zombies. He says, we ate the walking Dead,

869
00:43:40,840 --> 00:43:41,840
Speaker 2: and I said, damn.

870
00:43:42,280 --> 00:43:42,839
Speaker 3: They took that.

871
00:43:42,840 --> 00:43:44,799
Speaker 2: Line from the comics and flipped it because it was

872
00:43:44,840 --> 00:43:48,080
Speaker 2: we are the Walking Dead, which was like mind blowing

873
00:43:48,120 --> 00:43:49,080
Speaker 2: moment in the comics.

874
00:43:50,880 --> 00:43:52,800
Speaker 3: And then you get this opposite.

875
00:43:52,440 --> 00:43:56,839
Speaker 2: We ain't the Walking Dead, and and it's Darryl saying it,

876
00:43:56,880 --> 00:44:01,600
Speaker 2: who is one of the most nonverbal people on this show. Nonverbal,

877
00:44:02,160 --> 00:44:04,680
Speaker 2: But I loved it. It was, it was, It.

878
00:44:04,680 --> 00:44:05,960
Speaker 3: Was one of my favorite lines.

879
00:44:06,560 --> 00:44:10,160
Speaker 2: And then Vickers comes to her fucking senses and says, everybody.

880
00:44:09,840 --> 00:44:11,640
Speaker 3: Lawyer your weapons. Yeah, we ain't got to have no

881
00:44:11,680 --> 00:44:12,239
Speaker 3: blood baths.

882
00:44:12,320 --> 00:44:15,120
Speaker 2: She said, give the preacher the key, let him open

883
00:44:15,200 --> 00:44:16,160
Speaker 2: up the lock to the gate.

884
00:44:16,560 --> 00:44:17,600
Speaker 3: She hands over command.

885
00:44:17,680 --> 00:44:20,640
Speaker 2: The mercer says, on your orders, and he says, arrest

886
00:44:20,719 --> 00:44:24,840
Speaker 2: Pamela Milton for treason an insurrection.

887
00:44:24,960 --> 00:44:27,000
Speaker 3: I said, oh, not a preview of what's gonna happen

888
00:44:27,040 --> 00:44:27,480
Speaker 3: with Trump.

889
00:44:29,200 --> 00:44:33,400
Speaker 2: And then Niaghan Maggie, who at the whole time have

890
00:44:33,520 --> 00:44:35,840
Speaker 2: been looking on with that. They have been in the

891
00:44:35,880 --> 00:44:38,600
Speaker 2: cut looking on with that rifle about the JFK ass

892
00:44:38,760 --> 00:44:41,719
Speaker 2: Come on, they was listen. If that ship would have

893
00:44:41,760 --> 00:44:44,480
Speaker 2: worked a different way, Pamela would have just ended up

894
00:44:44,480 --> 00:44:45,920
Speaker 2: getting shot in the middle. Everybody will be.

895
00:44:45,920 --> 00:44:46,439
Speaker 3: Like, what the fuck?

896
00:44:46,480 --> 00:44:47,040
Speaker 2: Who did that?

897
00:44:47,360 --> 00:44:48,160
Speaker 3: Who did that?

898
00:44:49,600 --> 00:44:53,320
Speaker 2: But no, they so they didn't shoot. And Megan says,

899
00:44:53,920 --> 00:44:57,640
Speaker 2: once again for a circle moment, he goes for somebody

900
00:44:57,719 --> 00:45:02,960
Speaker 2: like Pamela. Basically, getting locked up is worse than death. Yes,

901
00:45:03,040 --> 00:45:07,480
Speaker 2: And guess what he would know because if you die,

902
00:45:07,560 --> 00:45:09,960
Speaker 2: it's over with. If you got not know, because he

903
00:45:10,040 --> 00:45:12,760
Speaker 2: spent that time in jail, Yes, because he was supposed

904
00:45:12,800 --> 00:45:14,680
Speaker 2: to be the like he wanted to die.

905
00:45:15,160 --> 00:45:18,440
Speaker 1: Yes, that's what I say, because with death's over with, Yes,

906
00:45:18,600 --> 00:45:20,959
Speaker 1: you have to actually have to sit there.

907
00:45:21,320 --> 00:45:23,600
Speaker 2: I'm just saying when I say full circle, I'm talking

908
00:45:23,640 --> 00:45:26,000
Speaker 2: about this character being the one to say it. Anyone

909
00:45:26,040 --> 00:45:28,319
Speaker 2: could have said, I can say it. We always sitting

910
00:45:28,320 --> 00:45:31,239
Speaker 2: there thinking it because he experienced that, right, It's that

911
00:45:31,360 --> 00:45:33,760
Speaker 2: full circle of like the remorse, the regret.

912
00:45:34,440 --> 00:45:40,440
Speaker 3: It's honestly a great it's a great uh what do

913
00:45:40,480 --> 00:45:41,000
Speaker 3: you call it?

914
00:45:41,120 --> 00:45:45,600
Speaker 2: Uh, it's a great message for restorative justice or or

915
00:45:45,920 --> 00:45:48,200
Speaker 2: like I said, this show does things to me that

916
00:45:48,320 --> 00:45:51,120
Speaker 2: I feel like another show would be getting a lot

917
00:45:51,120 --> 00:45:53,360
Speaker 2: of credit for doing. But I think it illustrates like

918
00:45:53,440 --> 00:45:56,440
Speaker 2: this idea of like, look, man, killing people might not

919
00:45:56,480 --> 00:45:58,320
Speaker 2: always be the right thing to do, all right, Like

920
00:45:58,800 --> 00:46:00,520
Speaker 2: Nigga's done a lot of things that he clearly did

921
00:46:00,640 --> 00:46:03,359
Speaker 2: learn that lesson, no matter how horrible the fucking person

922
00:46:03,400 --> 00:46:05,840
Speaker 2: he was I'm not saying real life works like that,

923
00:46:05,920 --> 00:46:09,719
Speaker 2: but you know what I mean. Elijah makes it in

924
00:46:10,160 --> 00:46:12,960
Speaker 2: because they let the people in the gate. He was

925
00:46:13,000 --> 00:46:16,040
Speaker 2: in the zombie heard that was behind them, and so

926
00:46:16,120 --> 00:46:20,960
Speaker 2: he and Jerry make it in. He hugs Lydia, so

927
00:46:21,080 --> 00:46:25,120
Speaker 2: now she can stop being a mope, quit crying. Got

928
00:46:25,160 --> 00:46:27,840
Speaker 2: your dick back, girl, Glad for you, Happy for you.

929
00:46:29,080 --> 00:46:34,239
Speaker 2: Jerry sees Zeke immediately ask where's the billa, and Zeke

930
00:46:34,280 --> 00:46:36,080
Speaker 2: lets them know they're safe. We're gonna get you back

931
00:46:36,120 --> 00:46:39,759
Speaker 2: to Alexandra. Don't worry about that. They're not here, Pamela.

932
00:46:40,520 --> 00:46:42,400
Speaker 2: They closed the gate just in time for all the

933
00:46:42,480 --> 00:46:45,600
Speaker 2: rest of the zombies get in. Pamela sees a zombie

934
00:46:45,640 --> 00:46:47,560
Speaker 2: at the gate and walks towards it to let it

935
00:46:47,640 --> 00:46:50,760
Speaker 2: bite her. She gets all emotional shit because the zombie

936
00:46:50,960 --> 00:46:52,120
Speaker 2: is hornsby.

937
00:46:52,360 --> 00:46:56,600
Speaker 1: Yes, he walked in as all the way back.

938
00:46:56,440 --> 00:46:59,919
Speaker 2: To her, which is interesting because he only walked away

939
00:47:00,120 --> 00:47:03,520
Speaker 2: back to her because she ordered it right.

940
00:47:03,640 --> 00:47:07,959
Speaker 1: That's yeah, cold night, and he still had the arrow

941
00:47:07,960 --> 00:47:09,200
Speaker 1: in his neck.

942
00:47:09,880 --> 00:47:11,120
Speaker 3: Carol, shot of his neck.

943
00:47:11,280 --> 00:47:28,400
Speaker 2: I'll tell you that. The motherfucking poetry on this show. Yes, Karma,

944
00:47:28,600 --> 00:47:30,720
Speaker 2: oh oh, I love this stuff.

945
00:47:31,000 --> 00:47:33,400
Speaker 3: She hadn't did that. She had never seen that man again.

946
00:47:33,560 --> 00:47:37,319
Speaker 2: If you if you're gonna get flowery, flowery with your

947
00:47:37,480 --> 00:47:40,680
Speaker 2: pros and your points and your messages, just the episode

948
00:47:40,719 --> 00:47:43,200
Speaker 2: to do it, the final one, and it was just

949
00:47:43,280 --> 00:47:46,160
Speaker 2: hidden from me, like all the little touches. It was

950
00:47:46,200 --> 00:47:50,160
Speaker 2: so many little touches, but Hornsby as a zombie. The

951
00:47:50,200 --> 00:47:52,560
Speaker 2: only reason Pena was even seeing this nigga is because

952
00:47:52,600 --> 00:47:56,360
Speaker 2: she fucking convoluted this whole ship, you know.

953
00:47:56,760 --> 00:47:59,600
Speaker 3: And then she felt like, this is my karma. I'm

954
00:47:59,600 --> 00:48:00,879
Speaker 3: gonna let take me out.

955
00:48:00,880 --> 00:48:03,920
Speaker 2: I'd rather die, she could write, then go through the

956
00:48:03,960 --> 00:48:07,279
Speaker 2: punishment of being locked up as a prisoner, put on

957
00:48:07,360 --> 00:48:09,839
Speaker 2: trial and all this shit, all the people she doesnet

958
00:48:09,840 --> 00:48:12,879
Speaker 2: fucking had killed and slaved and all this shit. And

959
00:48:13,600 --> 00:48:15,680
Speaker 2: Judith tries to tell her to stop. She's like, it's

960
00:48:15,760 --> 00:48:17,399
Speaker 2: not too late. It's never too.

961
00:48:17,400 --> 00:48:18,360
Speaker 3: Late, you know.

962
00:48:18,440 --> 00:48:20,560
Speaker 2: And we know Judith would believe us because she's seen

963
00:48:20,600 --> 00:48:23,600
Speaker 2: what happened with Meagan so and she's still a kid,

964
00:48:23,800 --> 00:48:27,759
Speaker 2: you know. And the lessons that she's been talking about

965
00:48:27,800 --> 00:48:31,759
Speaker 2: between her brother, between Micheon and between Rick are all

966
00:48:31,800 --> 00:48:35,839
Speaker 2: these overarching themes of like mercy prevailing over wrath. We

967
00:48:35,880 --> 00:48:39,040
Speaker 2: need to start building stuff, stop destroying stuff. It's time

968
00:48:39,080 --> 00:48:41,240
Speaker 2: to save each other, put our lives on the line.

969
00:48:42,120 --> 00:48:45,399
Speaker 2: And then as Pamela's about to let herself get bit,

970
00:48:46,680 --> 00:48:50,239
Speaker 2: the zombie gets shot from a long way away.

971
00:48:49,960 --> 00:48:52,320
Speaker 3: Because it's back looking like who what happened?

972
00:48:52,520 --> 00:48:58,600
Speaker 2: Maggie and Megan done shot the motherfucking zombie and Maggie

973
00:48:58,640 --> 00:49:02,240
Speaker 2: at the shooting, the sombie looks, looks at Megan goes

974
00:49:03,040 --> 00:49:06,120
Speaker 2: and now we take back this place.

975
00:49:07,880 --> 00:49:09,839
Speaker 3: And I think Nigan's words impacted her.

976
00:49:10,080 --> 00:49:14,480
Speaker 2: Yep, all right, let's play another commercial song and then

977
00:49:14,480 --> 00:49:38,560
Speaker 2: we'll be right back. So we come back. We get

978
00:49:38,560 --> 00:49:41,440
Speaker 2: a voiceover from Mercer and it's basically his plan on

979
00:49:41,480 --> 00:49:46,200
Speaker 2: how they're gonna take back to Commonwealth. And they basically

980
00:49:46,520 --> 00:49:49,279
Speaker 2: we see like the actions as he's talking about on

981
00:49:49,560 --> 00:49:52,560
Speaker 2: they're seeing a certain crew out with riot shields and weapons.

982
00:49:52,560 --> 00:49:55,720
Speaker 2: They clear a path and attract some of the walkers

983
00:49:55,760 --> 00:49:58,799
Speaker 2: away from an area where they get a truck. The

984
00:49:58,920 --> 00:50:03,480
Speaker 2: truck drive it goes to the fuel depot. The fuel depot,

985
00:50:04,840 --> 00:50:09,920
Speaker 2: they collect all this like gasoline and flammable shit, and

986
00:50:09,960 --> 00:50:15,040
Speaker 2: then on the PA system they they start playing loud

987
00:50:15,200 --> 00:50:18,279
Speaker 2: rock and roll music to draw the walkers to the

988
00:50:18,440 --> 00:50:22,960
Speaker 2: estates and they're gonna pour fuel down the sewer. Uh

989
00:50:23,000 --> 00:50:26,040
Speaker 2: and then you obviously blow out this ship up. And

990
00:50:26,200 --> 00:50:28,000
Speaker 2: a song they was playing.

991
00:50:28,360 --> 00:50:29,640
Speaker 3: I recognized that song.

992
00:50:29,800 --> 00:50:34,720
Speaker 2: I was like, word, it was living color coats of personality.

993
00:50:35,239 --> 00:50:38,759
Speaker 3: What the funny I see that coming? Did not see

994
00:50:38,800 --> 00:50:39,200
Speaker 3: that coming?

995
00:50:39,440 --> 00:50:43,000
Speaker 2: Was Oh my god, what a full circle moment, you

996
00:50:43,040 --> 00:50:43,600
Speaker 2: know what I mean?

997
00:50:43,760 --> 00:50:45,920
Speaker 3: Like, maybe they know we listen to the show. I

998
00:50:45,920 --> 00:50:46,319
Speaker 3: don't know.

999
00:50:46,800 --> 00:50:49,640
Speaker 2: Maybe they know that they listen to our podcast. I

1000
00:50:49,640 --> 00:50:52,319
Speaker 2: don't know. I wouldn't put nothing past nobody, but it

1001
00:50:52,360 --> 00:50:54,359
Speaker 2: felt like they said this for y'all.

1002
00:50:54,200 --> 00:50:55,200
Speaker 3: This is for you.

1003
00:50:56,200 --> 00:50:58,600
Speaker 2: And so of course it almost looked like some of

1004
00:50:58,680 --> 00:51:02,080
Speaker 2: the zombies was rocking to it, like like I don't

1005
00:51:02,120 --> 00:51:03,960
Speaker 2: know if they had fun with it over there or whatever,

1006
00:51:04,000 --> 00:51:05,680
Speaker 2: but it's like you could kind of loop some of

1007
00:51:05,760 --> 00:51:08,000
Speaker 2: them zombie walks to that exactly through the beat of

1008
00:51:08,040 --> 00:51:12,120
Speaker 2: the song. And so when the record goes off, because

1009
00:51:12,120 --> 00:51:15,200
Speaker 2: they had an old school record up, when the record stops,

1010
00:51:15,760 --> 00:51:18,120
Speaker 2: they have made the record player so that it will

1011
00:51:18,760 --> 00:51:23,080
Speaker 2: touch these two metal pieces that basically conduct electricity, the

1012
00:51:23,080 --> 00:51:28,440
Speaker 2: starter spark, and they blew the motherfucking estates all the

1013
00:51:28,480 --> 00:51:29,040
Speaker 2: way up.

1014
00:51:29,320 --> 00:51:30,520
Speaker 3: Yes, they did.

1015
00:51:31,640 --> 00:51:35,960
Speaker 1: And it was a such a cool blast, like everything

1016
00:51:36,040 --> 00:51:38,480
Speaker 1: blew up. Shot on five ship was falling and tumbling,

1017
00:51:38,840 --> 00:51:40,719
Speaker 1: and because I was like, oh yeah, they put them

1018
00:51:40,800 --> 00:51:41,920
Speaker 1: up beneath the tunnel.

1019
00:51:41,640 --> 00:51:43,320
Speaker 2: So even the sewers exploded.

1020
00:51:43,440 --> 00:51:46,920
Speaker 1: Yes, so every literally everything was covid and gasoline.

1021
00:51:47,160 --> 00:51:49,719
Speaker 2: You see, you see, my dear sister, for society to

1022
00:51:49,840 --> 00:51:53,040
Speaker 2: start over and to be fair, since the care all

1023
00:51:53,120 --> 00:51:55,680
Speaker 2: the hoarding of wealth had to die. You see that

1024
00:51:55,800 --> 00:51:59,160
Speaker 2: all the garuks and the plutocracs and the anarcho capitalists

1025
00:51:59,160 --> 00:52:03,120
Speaker 2: griffis all had to go in order for society to

1026
00:52:03,280 --> 00:52:05,640
Speaker 2: be better off, to be more fair to our brothers

1027
00:52:05,680 --> 00:52:07,800
Speaker 2: and sisters. Up their brother and sisters down there in

1028
00:52:07,920 --> 00:52:10,960
Speaker 2: the slums so that we all could have equal shares.

1029
00:52:11,120 --> 00:52:14,759
Speaker 2: Because capitalism and the people that run it essentially are

1030
00:52:14,880 --> 00:52:19,040
Speaker 2: the real walking dead in this thing, because their souls

1031
00:52:19,080 --> 00:52:25,640
Speaker 2: are dead, Sister Caren, their souls are already gone. So

1032
00:52:27,400 --> 00:52:30,320
Speaker 2: in her cell where they she going to jail, Pamela

1033
00:52:30,400 --> 00:52:33,040
Speaker 2: tells Caroly and Darryl, like, it's so hard to run

1034
00:52:33,239 --> 00:52:35,040
Speaker 2: things now, y'all gonna see, y'all.

1035
00:52:34,960 --> 00:52:36,680
Speaker 3: Gonna lie just like me. You don't know who she

1036
00:52:36,800 --> 00:52:37,160
Speaker 3: talking to.

1037
00:52:37,440 --> 00:52:40,440
Speaker 2: Evil people always think you're gonna be like them. Yes,

1038
00:52:40,640 --> 00:52:43,160
Speaker 2: now that you're in charge, you're gonna have to kidnap people.

1039
00:52:43,200 --> 00:52:44,560
Speaker 2: And she's like, no, no, the fuck.

1040
00:52:44,640 --> 00:52:48,640
Speaker 3: We won't shut up. We've ran whole ass communities before.

1041
00:52:48,840 --> 00:52:50,760
Speaker 3: She's like, you're gonna have to make ugly decisions.

1042
00:52:50,800 --> 00:52:53,040
Speaker 2: Carol's like, we already made an ugly decision keeping your

1043
00:52:53,080 --> 00:52:53,960
Speaker 2: punk ass alive.

1044
00:52:54,200 --> 00:52:57,160
Speaker 3: Come on, like everybody like it was up to me,

1045
00:52:57,280 --> 00:52:59,080
Speaker 3: you probably would have been been dead.

1046
00:52:59,160 --> 00:53:04,120
Speaker 2: Right, that's already an ugly decision because we we no

1047
00:53:04,239 --> 00:53:08,000
Speaker 2: one likes you, okay, she said, we all done ugly things,

1048
00:53:08,080 --> 00:53:09,719
Speaker 2: which is no one like you or your hair cut.

1049
00:53:09,920 --> 00:53:11,600
Speaker 2: The only reason your live is because we all had

1050
00:53:11,600 --> 00:53:14,600
Speaker 2: to do ugly things to survive. But your ask on jail,

1051
00:53:15,040 --> 00:53:16,560
Speaker 2: and at least we don't have to worry about who

1052
00:53:16,600 --> 00:53:18,440
Speaker 2: gets your house because her house was the one they

1053
00:53:18,520 --> 00:53:24,080
Speaker 2: blew up. Yes, and you could tell that hurt her. Pamela,

1054
00:53:25,560 --> 00:53:27,320
Speaker 2: Maggie and he can have a heart to heart. I

1055
00:53:27,360 --> 00:53:30,600
Speaker 2: guess you could call it. And she just basically breaks

1056
00:53:30,640 --> 00:53:33,640
Speaker 2: it down. She's like, listen, I appreciate you what you said,

1057
00:53:33,680 --> 00:53:35,480
Speaker 2: I heard what you said, I thought about what you said.

1058
00:53:36,400 --> 00:53:39,720
Speaker 2: I can never forgive you even though you did apologize,

1059
00:53:40,680 --> 00:53:44,319
Speaker 2: and she talks about how great Glenn was and how

1060
00:53:45,040 --> 00:53:47,040
Speaker 2: what she thinks about him, he was this, this and this.

1061
00:53:47,200 --> 00:53:49,360
Speaker 2: But when she see you, all she could think about

1062
00:53:49,560 --> 00:53:52,400
Speaker 2: is how you killed him and how you taunted me

1063
00:53:53,040 --> 00:53:55,839
Speaker 2: while he was dying, while you killed him.

1064
00:53:55,880 --> 00:53:59,600
Speaker 1: And while she was talking, I was like he did, yes,

1065
00:54:00,440 --> 00:54:04,239
Speaker 1: taking it like a turn, picking at him and shit

1066
00:54:04,400 --> 00:54:07,520
Speaker 1: like that, like like he was horrific.

1067
00:54:07,840 --> 00:54:11,160
Speaker 4: Still one of my favorite episodesal Marking. I know it's

1068
00:54:11,160 --> 00:54:16,320
Speaker 4: everyone's least favorite. Oh god, one of my favorite. I

1069
00:54:16,400 --> 00:54:18,399
Speaker 4: might have lost friends over that. I don't give a fuck.

1070
00:54:18,600 --> 00:54:19,360
Speaker 4: I don't regret it.

1071
00:54:19,480 --> 00:54:22,040
Speaker 2: I was right. That was great TV. It was so

1072
00:54:22,239 --> 00:54:23,880
Speaker 2: it's the kind of great I don't know if I

1073
00:54:23,920 --> 00:54:26,720
Speaker 2: could watch it again. That's how visceral it felt.

1074
00:54:27,040 --> 00:54:27,320
Speaker 1: It was.

1075
00:54:27,760 --> 00:54:32,480
Speaker 3: It did something to me emotionally. It's the height of television.

1076
00:54:32,520 --> 00:54:35,879
Speaker 2: And I know everybody it folded for everybody else, But nah,

1077
00:54:36,040 --> 00:54:39,160
Speaker 2: nigga that that that day, I said, this show ain't

1078
00:54:39,280 --> 00:54:42,080
Speaker 2: like these other shows. They drug it out, but god damn,

1079
00:54:42,160 --> 00:54:45,360
Speaker 2: when they did it, that Niga was. Oh, Niga was

1080
00:54:45,400 --> 00:54:48,720
Speaker 2: so good. I only wish it had happened under Angela

1081
00:54:48,800 --> 00:54:50,879
Speaker 2: Kinge where they're doing all this cussing right now, because

1082
00:54:50,880 --> 00:54:54,560
Speaker 2: I feel like Niagan talking shit and cussing would have

1083
00:54:54,600 --> 00:54:57,480
Speaker 2: been even better than what we got, you know, at

1084
00:54:57,520 --> 00:55:01,320
Speaker 2: the time, but that taking it like a chair he

1085
00:55:01,600 --> 00:55:05,920
Speaker 2: was terrible. And then Glenn's like, are well, find you

1086
00:55:06,320 --> 00:55:07,440
Speaker 2: are so emotional?

1087
00:55:07,640 --> 00:55:08,120
Speaker 1: So good?

1088
00:55:08,960 --> 00:55:11,120
Speaker 2: Oh I wanted him to die so bad at the

1089
00:55:11,320 --> 00:55:16,040
Speaker 2: oh Man so good anyway, So but yeah, obviously She's like.

1090
00:55:16,160 --> 00:55:17,480
Speaker 3: I want to try to forgive you.

1091
00:55:18,440 --> 00:55:20,919
Speaker 2: And I love her reasoning for this because it wasn't

1092
00:55:20,960 --> 00:55:23,239
Speaker 2: like because I'm a good person or because you deserve it.

1093
00:55:23,920 --> 00:55:26,400
Speaker 2: And this is what I feel like. All forgiveness is selfish,

1094
00:55:27,080 --> 00:55:30,080
Speaker 2: all of it. It's not, and I don't mean selfish

1095
00:55:30,120 --> 00:55:32,279
Speaker 2: in a bad way. I just think by definition, to

1096
00:55:32,440 --> 00:55:36,320
Speaker 2: save yourself, you know, forgiveness to me, I can't speak

1097
00:55:36,320 --> 00:55:39,040
Speaker 2: for y'all. I know because I know you have your

1098
00:55:39,080 --> 00:55:41,720
Speaker 2: own belief system listening to this, and whether I believe

1099
00:55:41,800 --> 00:55:43,920
Speaker 2: in your belief system shouldn't really matter to you. But

1100
00:55:44,800 --> 00:55:47,279
Speaker 2: in a lot of cases, I feel like people are

1101
00:55:47,320 --> 00:55:49,319
Speaker 2: in denial about need to forgive people. And you can

1102
00:55:49,440 --> 00:55:51,400
Speaker 2: kind of hear it when you talk to him and

1103
00:55:51,480 --> 00:55:54,080
Speaker 2: be like, oh, you're never gonna be over this until

1104
00:55:54,080 --> 00:55:56,759
Speaker 2: you learn to let this go, and whether it let

1105
00:55:56,800 --> 00:55:58,840
Speaker 2: it go is forgiveness for you or whatever. But you

1106
00:55:59,160 --> 00:56:00,680
Speaker 2: a lot of people just don't let shit go, and

1107
00:56:00,760 --> 00:56:03,200
Speaker 2: it drags them down. It's like tying an anchor to

1108
00:56:03,280 --> 00:56:07,439
Speaker 2: yourself and then you're drowning, being like, well, the answer

1109
00:56:07,520 --> 00:56:10,239
Speaker 2: is definitely not letting go of this anchor, right, It's

1110
00:56:10,239 --> 00:56:11,560
Speaker 2: definitely not what's dragging me down.

1111
00:56:12,080 --> 00:56:14,400
Speaker 3: And I loved her reasoning because I agree with this.

1112
00:56:14,520 --> 00:56:18,160
Speaker 2: She's like, I'm I want to be able to let

1113
00:56:18,239 --> 00:56:21,399
Speaker 2: this go because I don't want to give you more

1114
00:56:21,520 --> 00:56:24,920
Speaker 2: control and power over me. Because even hating the motherfucker

1115
00:56:25,000 --> 00:56:27,120
Speaker 2: is somehow giving them a little bit of power.

1116
00:56:27,239 --> 00:56:31,520
Speaker 1: Like, yes, because because they control and they manipulate you

1117
00:56:32,520 --> 00:56:34,319
Speaker 1: when y'all in each other's presence day.

1118
00:56:34,440 --> 00:56:37,080
Speaker 2: Yeah, Like you're you're not as in control of your

1119
00:56:37,160 --> 00:56:42,120
Speaker 2: actions as you normally would be because you're still you're

1120
00:56:42,200 --> 00:56:46,399
Speaker 2: still more worried about them and how things look with them,

1121
00:56:46,560 --> 00:56:48,640
Speaker 2: and how to make you know. Like how she was

1122
00:56:48,760 --> 00:56:50,880
Speaker 2: not with this plan to kill Pamela only because it

1123
00:56:50,960 --> 00:56:52,880
Speaker 2: came from him, Yes, And she said she don't want

1124
00:56:52,920 --> 00:56:54,400
Speaker 2: her son to see that shit either.

1125
00:56:54,600 --> 00:56:56,879
Speaker 1: Right, because she know that she could be impacting him

1126
00:56:56,960 --> 00:56:59,640
Speaker 1: and like that, and so that for that, I completely understand,

1127
00:56:59,640 --> 00:57:02,000
Speaker 1: and I'm I agree with you. Everybody's different, but I

1128
00:57:02,080 --> 00:57:04,880
Speaker 1: know for me, I am of the belief of forgiving,

1129
00:57:05,360 --> 00:57:07,960
Speaker 1: you know, but that's just me personally, because I know

1130
00:57:08,120 --> 00:57:11,240
Speaker 1: how not forgiving impacted me tremendously.

1131
00:57:11,680 --> 00:57:14,120
Speaker 2: For me personally, I'm just that's the way I'm set up.

1132
00:57:14,280 --> 00:57:17,120
Speaker 2: I'm not saying everybody's the same, but whatever. I loved

1133
00:57:17,320 --> 00:57:19,760
Speaker 2: the writing for this, and then she says him and

1134
00:57:19,800 --> 00:57:22,680
Speaker 2: Annie can stay. They don't have to leave, right, They've

1135
00:57:22,720 --> 00:57:25,640
Speaker 2: earned it, which makes sense, but she.

1136
00:57:25,760 --> 00:57:28,880
Speaker 3: Said, if you see me, well, I'm not talking to you.

1137
00:57:29,080 --> 00:57:29,400
Speaker 2: I don't.

1138
00:57:29,640 --> 00:57:30,640
Speaker 3: I'm not fucking with you.

1139
00:57:31,840 --> 00:57:35,040
Speaker 2: Understand that. It's because I can't move on. And that's why,

1140
00:57:35,400 --> 00:57:37,880
Speaker 2: because of what you took from me, and that I'm

1141
00:57:37,960 --> 00:57:41,480
Speaker 2: never gonna be like over this shit. I'm never gonna

1142
00:57:41,520 --> 00:57:44,520
Speaker 2: forgive you, but I don't want to have to hate

1143
00:57:44,560 --> 00:57:48,520
Speaker 2: you right every day, And then we fast forward to

1144
00:57:48,600 --> 00:57:49,880
Speaker 2: they have a wonderful dinner.

1145
00:57:51,320 --> 00:57:55,120
Speaker 3: Everybody's just just going just eating, eating all the pamble

1146
00:57:55,160 --> 00:57:57,880
Speaker 3: of shit, just just having a good time. You know,

1147
00:57:58,120 --> 00:58:00,000
Speaker 3: everybody's eating nice. I got Christmas holiday.

1148
00:58:00,840 --> 00:58:04,720
Speaker 2: People are laughing, and I thought like, oh, this must

1149
00:58:04,760 --> 00:58:06,560
Speaker 2: have been months later or something. No, it was like

1150
00:58:06,680 --> 00:58:10,760
Speaker 2: that night or maybe the decks there or something. I

1151
00:58:10,840 --> 00:58:13,480
Speaker 2: assumed that night though for reasons I'll bring up later.

1152
00:58:14,480 --> 00:58:14,600
Speaker 1: Uh.

1153
00:58:14,800 --> 00:58:17,080
Speaker 2: But they have a wonderful dinner. They laugh and smile,

1154
00:58:17,160 --> 00:58:21,120
Speaker 2: They toast the luke. Darryl looks at Megan, who's outside

1155
00:58:21,320 --> 00:58:25,600
Speaker 2: walking walking away, and gives them like the head nod

1156
00:58:25,640 --> 00:58:28,640
Speaker 2: of acknowledgment. You know, like when two black people work

1157
00:58:28,640 --> 00:58:30,640
Speaker 2: in corporate America and see each other on the elevator,

1158
00:58:30,680 --> 00:58:34,960
Speaker 2: you know that one, and Rosita is still there. I'm like, okay,

1159
00:58:35,040 --> 00:58:37,920
Speaker 2: so it couldn't have been too fast with tom jump Uh.

1160
00:58:38,120 --> 00:58:41,200
Speaker 2: Magne and Umani finally make up and kiss, so they

1161
00:58:41,320 --> 00:58:45,000
Speaker 2: gonna try to get that thing working again. Yep. Rosita

1162
00:58:45,240 --> 00:58:48,600
Speaker 2: finally tells Gabe I got bit, and we don't see

1163
00:58:48,640 --> 00:58:50,560
Speaker 2: her do the whole thing. We can see from the

1164
00:58:50,640 --> 00:58:54,800
Speaker 2: contest clues she got bit, and we do see Judah.

1165
00:58:54,520 --> 00:58:56,000
Speaker 1: Yeah, because she happen to be looking over there in

1166
00:58:56,040 --> 00:58:58,280
Speaker 1: the direction. I was like, yeah, Judith pieced that together.

1167
00:58:58,520 --> 00:59:01,000
Speaker 1: Judith understood she's not a normal ass kid.

1168
00:59:01,720 --> 00:59:05,600
Speaker 3: So then we get this really you know somber uh

1169
00:59:06,280 --> 00:59:07,720
Speaker 3: scene where.

1170
00:59:10,520 --> 00:59:16,680
Speaker 2: It's uh Rosita and Coco in the bed like laying

1171
00:59:16,800 --> 00:59:18,840
Speaker 2: you know, the baby laying in the bed sleep.

1172
00:59:19,560 --> 00:59:21,080
Speaker 3: Rosita's laying next to her.

1173
00:59:22,960 --> 00:59:27,640
Speaker 2: And now it's obvious that you know, everybody knows what

1174
00:59:27,880 --> 00:59:29,000
Speaker 2: happened that she got.

1175
00:59:28,920 --> 00:59:31,760
Speaker 1: Big and Carolyn Maggie bring her into the room. Yeah,

1176
00:59:32,120 --> 00:59:35,960
Speaker 1: and so I think this scene right here was very

1177
00:59:36,160 --> 00:59:39,439
Speaker 1: very sweet. It was very kind, you know what I'm saying,

1178
00:59:39,440 --> 00:59:42,400
Speaker 1: because this character has been on for a very long time,

1179
00:59:42,480 --> 00:59:46,479
Speaker 1: and I think they basically respected, you know, respected the death.

1180
00:59:47,080 --> 00:59:49,680
Speaker 1: And I was like, I appreciate this, and you don't.

1181
00:59:49,520 --> 00:59:51,440
Speaker 2: Get a lot of these depths where you get to

1182
00:59:51,480 --> 00:59:55,600
Speaker 2: say goodbye, because it looked like Jules and Luke and

1183
00:59:55,680 --> 00:59:58,560
Speaker 2: so everybody cleared their last respects basically while she's still here.

1184
00:59:58,840 --> 01:00:04,080
Speaker 2: You know, like, uh, I think, like, uh, let me

1185
01:00:04,320 --> 01:00:09,800
Speaker 2: who came over first? It was, Yes, a couple of

1186
01:00:09,800 --> 01:00:12,040
Speaker 2: people said came over first. Thing, it was Carolyn Maggie.

1187
01:00:12,120 --> 01:00:15,680
Speaker 2: Then Gabe praise over her soul, and then he takes

1188
01:00:15,720 --> 01:00:17,880
Speaker 2: baby Coco, and then Eugene sits.

1189
01:00:17,640 --> 01:00:20,920
Speaker 3: With her as the last person. Yeah, you know, of

1190
01:00:21,000 --> 01:00:25,280
Speaker 3: course you know that you know best friends, Yes, yeah,

1191
01:00:25,400 --> 01:00:27,080
Speaker 3: you know, it's like you made me the man that

1192
01:00:27,200 --> 01:00:29,200
Speaker 3: I am and I wouldn't be the man I am

1193
01:00:29,280 --> 01:00:31,520
Speaker 3: without you, Like that's a true statement, yep.

1194
01:00:31,920 --> 01:00:36,760
Speaker 2: And then Darryl watches from the door. Eugene, uh, thanks her,

1195
01:00:37,000 --> 01:00:40,000
Speaker 2: and then we cut away. We never see like someone

1196
01:00:40,080 --> 01:00:42,080
Speaker 2: pull out a knife or whatever to like make sure

1197
01:00:42,120 --> 01:00:46,000
Speaker 2: she had in turns of Zombie, and then Rosita just

1198
01:00:46,160 --> 01:00:50,800
Speaker 2: kind of like passes out and Eugene cries and then

1199
01:00:50,840 --> 01:00:51,600
Speaker 2: we fast forward.

1200
01:00:52,600 --> 01:00:55,080
Speaker 1: I appreciate that that made it very soft and very sweet,

1201
01:00:55,120 --> 01:00:57,520
Speaker 1: and I think it was a great way for a

1202
01:00:57,680 --> 01:01:00,600
Speaker 1: character that has such an impact on this show because

1203
01:01:01,040 --> 01:01:01,880
Speaker 1: she has been there.

1204
01:01:01,840 --> 01:01:03,200
Speaker 3: For a very very long time.

1205
01:01:03,320 --> 01:01:05,480
Speaker 1: She's been there since like Alexandria, Like she's been there

1206
01:01:05,520 --> 01:01:06,760
Speaker 1: for a hot fucking minute.

1207
01:01:07,080 --> 01:01:07,280
Speaker 3: Yeah.

1208
01:01:07,320 --> 01:01:09,480
Speaker 2: She was just a star ward of the show and

1209
01:01:10,040 --> 01:01:11,800
Speaker 2: one of my favorite characters because we got to watch

1210
01:01:11,840 --> 01:01:14,240
Speaker 2: her go through everything, and the actress that played her,

1211
01:01:14,360 --> 01:01:17,640
Speaker 2: we watched her like play. It felt like she played

1212
01:01:17,640 --> 01:01:19,440
Speaker 2: six different versions of Rosita.

1213
01:01:19,200 --> 01:01:20,560
Speaker 3: And I loved all of it.

1214
01:01:20,800 --> 01:01:24,120
Speaker 2: You know, even when she was like, oh my nerves

1215
01:01:24,240 --> 01:01:27,280
Speaker 2: out for revenge Rosita, I still loved her. You know,

1216
01:01:27,440 --> 01:01:29,320
Speaker 2: when they were trying to play cool with the Saviors

1217
01:01:29,360 --> 01:01:34,160
Speaker 2: and she was like, man, fuck that, and Coco parents

1218
01:01:34,280 --> 01:01:38,080
Speaker 2: is gone. Yeah, yeah, and she got step parents.

1219
01:01:39,040 --> 01:01:42,800
Speaker 3: The two daddies left, well, she remember they.

1220
01:01:42,720 --> 01:01:44,320
Speaker 2: Also had that dude. I want to say his name

1221
01:01:44,400 --> 01:01:47,439
Speaker 2: was like Sadik or something, but him. I mean, she's

1222
01:01:47,480 --> 01:01:48,240
Speaker 2: got gamee still.

1223
01:01:48,640 --> 01:01:51,400
Speaker 3: You know, said the two daddies because it was three daddies.

1224
01:01:51,600 --> 01:01:55,880
Speaker 2: Yeah. Yeah, Abe is gone too. I feel like Abraham

1225
01:01:56,120 --> 01:01:59,200
Speaker 2: was with the protect the protected Rosita. You know that

1226
01:01:59,320 --> 01:02:00,400
Speaker 2: was her original man.

1227
01:02:00,440 --> 01:02:01,800
Speaker 3: That that's true. But I would talk about like with

1228
01:02:01,920 --> 01:02:04,160
Speaker 3: her being pregnant all that. I know, I know exactly

1229
01:02:04,160 --> 01:02:06,600
Speaker 3: what you're talking about. I'm just saying like there was

1230
01:02:06,920 --> 01:02:07,800
Speaker 3: she was a bad one.

1231
01:02:08,000 --> 01:02:08,240
Speaker 2: Okay.

1232
01:02:08,280 --> 01:02:09,800
Speaker 3: There's a lot of people trying to try and get

1233
01:02:09,840 --> 01:02:13,000
Speaker 3: some of that Rosita. Okay, but you know.

1234
01:02:14,480 --> 01:02:18,160
Speaker 2: She passes. We cut to the grave site of Rosita,

1235
01:02:18,440 --> 01:02:20,160
Speaker 2: Jules Luke and someone named.

1236
01:02:20,000 --> 01:02:23,040
Speaker 3: Marissa who I just don't remember. In character end up

1237
01:02:23,080 --> 01:02:25,240
Speaker 3: in the corner it says one year later.

1238
01:02:25,720 --> 01:02:29,480
Speaker 2: I was literally about to say that, So it's been

1239
01:02:29,520 --> 01:02:34,360
Speaker 2: a year. Eugenie has a fresh baby with fine ass Maxine.

1240
01:02:35,800 --> 01:02:40,120
Speaker 2: The baby's name is Rosita, basically Rosie, which it makes

1241
01:02:40,160 --> 01:02:43,840
Speaker 2: sense he would name his baby Rosie, Okay, and so

1242
01:02:44,280 --> 01:02:48,040
Speaker 2: Zeke gives a speech with fine ass Mercers standing there.

1243
01:02:48,080 --> 01:02:50,200
Speaker 2: At first I thought that Mercy would have been getting

1244
01:02:50,240 --> 01:02:50,920
Speaker 2: married or something.

1245
01:02:51,080 --> 01:02:53,000
Speaker 3: I did two initially, yeah, because they.

1246
01:02:53,000 --> 01:02:55,600
Speaker 2: Both got on like suits. They're standing in the pay front,

1247
01:02:56,040 --> 01:02:58,880
Speaker 2: and of course, you know, Zeke is giving his like

1248
01:03:00,080 --> 01:03:03,760
Speaker 2: governor's speech and then thanks his gits back. He thanks

1249
01:03:03,840 --> 01:03:09,760
Speaker 2: his lieutenant governor. Mercer Yes, was like yay, yeah, princess,

1250
01:03:09,960 --> 01:03:10,720
Speaker 2: Like that's my man.

1251
01:03:11,120 --> 01:03:14,560
Speaker 3: Yes, I love he's a princess. I'll do two. She

1252
01:03:14,760 --> 01:03:16,720
Speaker 3: is a chilea one woman Chilean squad.

1253
01:03:17,200 --> 01:03:20,800
Speaker 2: Uh So, then it seems like they're maybe commemorating the

1254
01:03:20,880 --> 01:03:22,680
Speaker 2: day that they took the Commonwealth back, which is why

1255
01:03:22,720 --> 01:03:24,640
Speaker 2: a year later maybe it's like they're kind of nine

1256
01:03:24,640 --> 01:03:27,920
Speaker 2: to eleven Connie and Darryl hugg We got a lot

1257
01:03:27,960 --> 01:03:31,000
Speaker 2: of like reunions here. Darryl seems to be coming back

1258
01:03:31,120 --> 01:03:34,720
Speaker 2: from out they called the Frontier, where I guess he

1259
01:03:34,880 --> 01:03:37,640
Speaker 2: must be, you know, out there searching for mold people

1260
01:03:37,720 --> 01:03:42,040
Speaker 2: or something. I don't know. And she's working as a

1261
01:03:42,160 --> 01:03:45,960
Speaker 2: journalist holding everybody accountable with the Commonwealth, and he's like

1262
01:03:46,040 --> 01:03:46,560
Speaker 2: it had.

1263
01:03:46,400 --> 01:03:47,320
Speaker 1: To be you, you know.

1264
01:03:47,800 --> 01:03:53,160
Speaker 2: And it's interesting because I still I always get the

1265
01:03:53,240 --> 01:03:55,400
Speaker 2: vibe that they like each other, but they never really

1266
01:03:55,560 --> 01:03:59,120
Speaker 2: like fully fleshed that relationship out. And I don't know

1267
01:03:59,160 --> 01:04:01,919
Speaker 2: if that's something that doing with the Darryl spinoff show

1268
01:04:02,240 --> 01:04:05,240
Speaker 2: or what. And I've always felt like Darryl gives like

1269
01:04:05,320 --> 01:04:08,520
Speaker 2: almost an asexual vibe except when he was round Connie.

1270
01:04:08,800 --> 01:04:10,920
Speaker 3: Yes, so all the time you see him crack.

1271
01:04:11,280 --> 01:04:14,439
Speaker 2: Yeah, even even that chick that like was his ex

1272
01:04:14,560 --> 01:04:18,120
Speaker 2: or whatever, it never really felt whatever to me. Maybe

1273
01:04:18,240 --> 01:04:20,400
Speaker 2: maybe if they had some flashbacks it would have felt

1274
01:04:20,440 --> 01:04:23,040
Speaker 2: that way, but it always felt like just business friends.

1275
01:04:24,560 --> 01:04:28,200
Speaker 2: So anyway, Lydia and Elijah have a package for Judith.

1276
01:04:28,280 --> 01:04:30,720
Speaker 2: They've also been out like it looks like they're almost

1277
01:04:30,800 --> 01:04:31,520
Speaker 2: carriers or something.

1278
01:04:31,600 --> 01:04:36,680
Speaker 3: Yes, that that the ups service between between the places.

1279
01:04:36,480 --> 01:04:39,280
Speaker 2: Well, she knows what Brown can do to her apparently

1280
01:04:39,520 --> 01:04:43,040
Speaker 2: between the places, if you know what I'm saying. So

1281
01:04:43,600 --> 01:04:47,080
Speaker 2: they have a package for Judith. It's a compass that

1282
01:04:47,240 --> 01:04:50,800
Speaker 2: she gave the Nigan a long time ago, and it's

1283
01:04:50,840 --> 01:04:53,040
Speaker 2: a letter from Nigan where he thanks her for the

1284
01:04:53,160 --> 01:04:55,919
Speaker 2: compass and says it always helped him find his way

1285
01:04:56,240 --> 01:04:58,040
Speaker 2: and he helps it a guide her to her dreams.

1286
01:04:58,840 --> 01:05:02,200
Speaker 2: Very kind thing for him. And then Gracie and Aaron

1287
01:05:02,320 --> 01:05:06,200
Speaker 2: come over and r J's there, and they like all

1288
01:05:06,240 --> 01:05:10,200
Speaker 2: the kids. Judith and Gracie hugg and Lydia gives Gabe

1289
01:05:10,200 --> 01:05:12,560
Speaker 2: a package from a dude named Father Grant it with

1290
01:05:12,680 --> 01:05:13,640
Speaker 2: a different congregation.

1291
01:05:13,760 --> 01:05:16,120
Speaker 3: It's just like, oh shit, now we got more than

1292
01:05:16,160 --> 01:05:16,840
Speaker 3: one congregation.

1293
01:05:17,000 --> 01:05:19,919
Speaker 2: Now, yeah, really grew He's now, Oh they I guess

1294
01:05:19,960 --> 01:05:21,680
Speaker 2: they got the money for the building fund to open

1295
01:05:21,720 --> 01:05:22,200
Speaker 2: a new church.

1296
01:05:22,280 --> 01:05:22,720
Speaker 3: Yes they do.

1297
01:05:23,840 --> 01:05:28,120
Speaker 2: Jerry and Debila walk together. Carol comes over looking like

1298
01:05:28,360 --> 01:05:29,720
Speaker 2: Martha Stewart Carroll.

1299
01:05:29,440 --> 01:05:31,360
Speaker 1: And come on, should have cut off her health again?

1300
01:05:31,880 --> 01:05:33,320
Speaker 1: She went back to season one.

1301
01:05:34,200 --> 01:05:35,520
Speaker 3: Well, once Carol gets like.

1302
01:05:37,520 --> 01:05:41,959
Speaker 2: You know, uh, once Carol can get out of killer

1303
01:05:42,080 --> 01:05:46,240
Speaker 2: Carol mode, she typically assimilates pretty well. Like it's never

1304
01:05:46,320 --> 01:05:49,040
Speaker 2: that she lets her guard down. But she's like, Okay,

1305
01:05:49,080 --> 01:05:52,479
Speaker 2: I can be Susie Homemaker right now, Like everything's cool.

1306
01:05:52,520 --> 01:05:54,480
Speaker 2: You can tell how things are going in the community

1307
01:05:54,880 --> 01:05:57,120
Speaker 2: by how Carol is dressing.

1308
01:05:57,480 --> 01:06:00,360
Speaker 3: Yes, yes, and the lift of her help Carol.

1309
01:06:00,480 --> 01:06:02,880
Speaker 2: You show up and Carol got on like a Camo hoodie.

1310
01:06:03,160 --> 01:06:04,840
Speaker 2: Shit is going bad, yes, it is?

1311
01:06:06,000 --> 01:06:06,040
Speaker 1: So.

1312
01:06:06,240 --> 01:06:13,760
Speaker 2: Then Carol, we find out that Maggie says she wants

1313
01:06:13,800 --> 01:06:16,080
Speaker 2: to talk to Carolyn Daryl about the future She wants

1314
01:06:16,120 --> 01:06:18,120
Speaker 2: them to go out and find out about more stuff.

1315
01:06:18,200 --> 01:06:19,840
Speaker 2: This is kind of a vague thing, but I think

1316
01:06:19,880 --> 01:06:21,760
Speaker 2: it's more of a like, in case you want to

1317
01:06:21,760 --> 01:06:23,800
Speaker 2: do the spin off, we'll just say that's what people

1318
01:06:23,800 --> 01:06:28,520
Speaker 2: are doing, and she's gonna And I keep thinking, like,

1319
01:06:29,240 --> 01:06:31,000
Speaker 2: so if y'all go out and look for more stuff

1320
01:06:31,320 --> 01:06:34,480
Speaker 2: and see what's out there, are y'all gonna run into

1321
01:06:34,520 --> 01:06:36,640
Speaker 2: the nuclear wasteland from Fielder Walker dead?

1322
01:06:36,720 --> 01:06:38,600
Speaker 3: Like what are we doing about this? And how far

1323
01:06:38,720 --> 01:06:39,200
Speaker 3: you go out?

1324
01:06:39,440 --> 01:06:41,840
Speaker 2: That's what I'm saying, Like where exactly is that in

1325
01:06:41,960 --> 01:06:45,080
Speaker 2: the United States? And how far is that from where

1326
01:06:45,080 --> 01:06:47,960
Speaker 2: they're at? Because you have to start asking some questions,

1327
01:06:48,280 --> 01:06:50,360
Speaker 2: and I do want to see what if that's ever

1328
01:06:50,440 --> 01:06:51,120
Speaker 2: gonna be a thing?

1329
01:06:51,280 --> 01:06:56,000
Speaker 3: You know, that's true? So then Carol is not going

1330
01:06:56,040 --> 01:06:56,480
Speaker 3: with Darryl.

1331
01:06:57,160 --> 01:06:59,560
Speaker 2: He says he's proud of her for taking Hornsby's job

1332
01:06:59,800 --> 01:07:02,600
Speaker 2: and making it her own. So I guess she's running

1333
01:07:02,640 --> 01:07:06,160
Speaker 2: the Underground Spy Network outreach program, but not killing people

1334
01:07:06,280 --> 01:07:08,880
Speaker 2: or enslaving other people's cities.

1335
01:07:09,000 --> 01:07:10,320
Speaker 3: Right, That's what it sounds like she's doing.

1336
01:07:10,400 --> 01:07:12,520
Speaker 1: Yes, you're going out recruiting and shit like that, right,

1337
01:07:13,600 --> 01:07:15,120
Speaker 1: just how you get a ups servince tep.

1338
01:07:15,160 --> 01:07:16,960
Speaker 3: People's taxpayer money is going to that.

1339
01:07:17,440 --> 01:07:19,640
Speaker 2: Judith is gonna stay there too and keep an eye

1340
01:07:19,680 --> 01:07:22,680
Speaker 2: on Dog. Dary All promises that if rick and Mashona

1341
01:07:22,800 --> 01:07:24,479
Speaker 2: out there, he gonna find them.

1342
01:07:24,400 --> 01:07:25,160
Speaker 3: And bring them home.

1343
01:07:26,160 --> 01:07:29,400
Speaker 2: Judah says he deserves a happy ending too, and he

1344
01:07:29,520 --> 01:07:32,680
Speaker 2: says he'll be back, and McCall exchange I love you

1345
01:07:33,200 --> 01:07:36,960
Speaker 2: once again, their friendship ten to ten love love them,

1346
01:07:37,560 --> 01:07:39,720
Speaker 2: and then he rides off on his motorcycle because you know,

1347
01:07:40,160 --> 01:07:43,240
Speaker 2: Daryl gonna be on a motorcycle because Norman readers need

1348
01:07:43,320 --> 01:07:44,280
Speaker 2: to be on a motorcycle.

1349
01:07:44,360 --> 01:07:46,480
Speaker 3: Okay, motorcycle and him go together.

1350
01:07:47,000 --> 01:07:51,600
Speaker 2: Then we get this montage that you know, it was

1351
01:07:51,720 --> 01:07:56,200
Speaker 2: Ricky Mashone writing letters and it's their voice over. I

1352
01:07:56,240 --> 01:07:58,120
Speaker 2: didn't even bother to write it all down because it's

1353
01:07:58,120 --> 01:08:00,440
Speaker 2: too much to write down. But it's a mont of

1354
01:08:00,640 --> 01:08:03,920
Speaker 2: all the characters who've died over the last eleven season.

1355
01:08:04,160 --> 01:08:07,520
Speaker 3: Yes, and boy, they brought back flashbacks and memories of

1356
01:08:07,640 --> 01:08:12,000
Speaker 3: all the people. I was like, yeah, t Dog, Yeah, yeah,

1357
01:08:12,160 --> 01:08:13,640
Speaker 3: they went back, Tyrese.

1358
01:08:13,760 --> 01:08:17,120
Speaker 2: It was a great immemorial. And it's them giving a

1359
01:08:17,160 --> 01:08:20,960
Speaker 2: speech about how you know they're gonna they know like

1360
01:08:21,080 --> 01:08:24,559
Speaker 2: the letters are basically to like. I think Rick's letters

1361
01:08:24,640 --> 01:08:27,040
Speaker 2: seemed like it might have been the macheone, and I

1362
01:08:27,120 --> 01:08:29,720
Speaker 2: think mashones was the Judith and r J. Yes, I

1363
01:08:29,800 --> 01:08:31,559
Speaker 2: think that's how it went, but I don't remember one

1364
01:08:31,640 --> 01:08:34,040
Speaker 2: hundred percent. And then finally, when the letters off, we

1365
01:08:34,160 --> 01:08:37,599
Speaker 2: cut the macheon looking fine in a new costume fit

1366
01:08:38,040 --> 01:08:45,760
Speaker 2: leather ensemble. Okay, the drip sitting by fireplace, and they're

1367
01:08:45,800 --> 01:08:48,759
Speaker 2: not together. Because at first I thought maybe the twist

1368
01:08:48,880 --> 01:08:50,639
Speaker 2: was gonna be when they get done writing a letter,

1369
01:08:50,720 --> 01:08:52,880
Speaker 2: we cut and they both somewhere together, But that wasn't

1370
01:08:52,880 --> 01:08:53,360
Speaker 2: what happened.

1371
01:08:53,360 --> 01:08:57,080
Speaker 1: You know, while one talking, they're looking at some stuff

1372
01:08:57,120 --> 01:08:59,880
Speaker 1: that they have from the other one. So why machhone's talking,

1373
01:09:00,000 --> 01:09:02,800
Speaker 1: she's looking at like kind of a million stuff from Rick,

1374
01:09:02,880 --> 01:09:05,360
Speaker 1: And while he's talking, he's looking at us at stuff.

1375
01:09:05,120 --> 01:09:06,479
Speaker 3: From her right, so.

1376
01:09:09,160 --> 01:09:13,640
Speaker 2: We uh we we hear Michean say that you know,

1377
01:09:13,960 --> 01:09:18,360
Speaker 2: she knows r J and Judith are back back there,

1378
01:09:19,120 --> 01:09:21,360
Speaker 2: and that she's gonna come back to them, and that

1379
01:09:21,520 --> 01:09:24,680
Speaker 2: Rick is out there somewhere because she's gonna find him,

1380
01:09:25,120 --> 01:09:27,240
Speaker 2: and he knows that she's trying to find him.

1381
01:09:27,520 --> 01:09:30,000
Speaker 1: Yes, and also something that she says too. She said

1382
01:09:30,040 --> 01:09:32,280
Speaker 1: that she figured out she's at arranged because she can't

1383
01:09:32,320 --> 01:09:35,439
Speaker 1: you know, reach anymore, which makes sense to why you

1384
01:09:35,640 --> 01:09:38,240
Speaker 1: just hadn't heard from her, you know, because she literally,

1385
01:09:39,040 --> 01:09:41,120
Speaker 1: uh you know, time wise, she's probably.

1386
01:09:40,880 --> 01:09:42,160
Speaker 3: Been going for a hot minute.

1387
01:09:42,200 --> 01:09:44,600
Speaker 2: Well, yeah, we had seen the last we saw her,

1388
01:09:44,680 --> 01:09:47,200
Speaker 2: she was going up north to what looked like maybe

1389
01:09:47,280 --> 01:09:48,200
Speaker 2: New York or something.

1390
01:09:48,360 --> 01:09:51,880
Speaker 3: Right, And so then Rick is at a river bank

1391
01:09:52,200 --> 01:09:53,120
Speaker 3: with no shoes on.

1392
01:09:53,280 --> 01:09:55,639
Speaker 1: First time we seen you know, he knows these cowboy

1393
01:09:55,680 --> 01:09:58,000
Speaker 1: boots down. So the first time I seen him no shoes,

1394
01:09:58,160 --> 01:09:59,440
Speaker 1: he has no shoes.

1395
01:09:59,200 --> 01:10:01,960
Speaker 2: On, and the mud and the water have zombies in it,

1396
01:10:03,280 --> 01:10:05,400
Speaker 2: like zombie heads, all kinds of shit.

1397
01:10:05,800 --> 01:10:09,679
Speaker 3: It was very cool, special effects and gross. And then Rick,

1398
01:10:10,760 --> 01:10:14,400
Speaker 3: it looks down bad. He's covered in mud, and.

1399
01:10:16,000 --> 01:10:22,200
Speaker 2: A helicopter pulls up on them and says consigning grimes,

1400
01:10:22,840 --> 01:10:26,160
Speaker 2: meaning like he like, I don't know if he's a slave,

1401
01:10:26,320 --> 01:10:29,200
Speaker 2: he's a prisoner, but he ain't free, And it looked

1402
01:10:29,280 --> 01:10:32,280
Speaker 2: like maybe he's trying to escape. And the guy's like,

1403
01:10:32,479 --> 01:10:34,760
Speaker 2: you know, come out and surrender with your hands up,

1404
01:10:35,360 --> 01:10:36,519
Speaker 2: and so would not.

1405
01:10:36,600 --> 01:10:38,719
Speaker 1: Be surprised this magic of the kids. Then he's probably

1406
01:10:38,760 --> 01:10:40,320
Speaker 1: try to get away from it, and they just keep

1407
01:10:40,400 --> 01:10:41,080
Speaker 1: finding them as.

1408
01:10:41,040 --> 01:10:44,639
Speaker 2: Shit something, you know, whatever, someone people have tried to escape.

1409
01:10:44,680 --> 01:10:46,479
Speaker 2: It looked like he was trying to skate, yes, and

1410
01:10:46,640 --> 01:10:48,760
Speaker 2: that would make sense because he had no fucking shoes on.

1411
01:10:49,400 --> 01:10:52,160
Speaker 1: And while they was talking, before they got close enough,

1412
01:10:52,240 --> 01:10:54,120
Speaker 1: he took the bag and like really tossed it up

1413
01:10:54,120 --> 01:10:54,559
Speaker 1: on a boat.

1414
01:10:54,840 --> 01:10:58,160
Speaker 2: Yeah, and so maybe he's hoping someone will find what's

1415
01:10:58,200 --> 01:11:00,559
Speaker 2: in the bag and help find him. So maybe that's

1416
01:11:00,600 --> 01:11:03,439
Speaker 2: what Michean will do at some point. But the dude

1417
01:11:03,479 --> 01:11:05,880
Speaker 2: on the PA goes, come on, Rick, It's like I

1418
01:11:06,000 --> 01:11:09,320
Speaker 2: told you. It's like he told you there's no escape

1419
01:11:09,360 --> 01:11:12,280
Speaker 2: for the living. So we don't know who he is, but.

1420
01:11:12,560 --> 01:11:14,719
Speaker 3: Obviously some bad shit is afoot.

1421
01:11:15,640 --> 01:11:18,599
Speaker 2: Maseeon we didn't see on horseback with the new fit,

1422
01:11:19,280 --> 01:11:21,479
Speaker 2: and it's got a ninja hood to it.

1423
01:11:21,560 --> 01:11:25,040
Speaker 3: Too, looking like a Steparai. Yeah, she on a horse

1424
01:11:25,120 --> 01:11:27,360
Speaker 3: with the sewer chopping these motherfuckers up.

1425
01:11:27,479 --> 01:11:31,360
Speaker 2: Man, Oh, it's so cool. And then we get a

1426
01:11:31,479 --> 01:11:34,559
Speaker 2: montage of all these characters saying we're the ones who live,

1427
01:11:35,560 --> 01:11:41,080
Speaker 2: as Rick is giving himself up to the helicopter, raised

1428
01:11:41,120 --> 01:11:43,120
Speaker 2: his hand and the camera finally cut so we could

1429
01:11:43,120 --> 01:11:46,040
Speaker 2: see what's in front of him, and it's what looks

1430
01:11:46,120 --> 01:11:50,560
Speaker 2: like the outline of New York City. Yeah. Then we

1431
01:11:50,640 --> 01:11:53,559
Speaker 2: see Michean ride on horseback toward a huge amount of walkers.

1432
01:11:53,960 --> 01:11:54,920
Speaker 3: And then finally we.

1433
01:11:55,000 --> 01:11:58,599
Speaker 2: Cut the Judith of RJ at Alexandria looking out past

1434
01:11:58,640 --> 01:12:01,840
Speaker 2: the gate and he says, we get to start over.

1435
01:12:02,280 --> 01:12:04,880
Speaker 3: We're the ones who live. And that's the end of

1436
01:12:04,960 --> 01:12:06,080
Speaker 3: the motherfucking show.

1437
01:12:06,360 --> 01:12:08,519
Speaker 1: And one cool thing I notice my sound, my knup,

1438
01:12:08,520 --> 01:12:11,080
Speaker 1: But one cool thing I like about this shot is

1439
01:12:11,200 --> 01:12:13,760
Speaker 1: that the Stormtroopers.

1440
01:12:13,000 --> 01:12:16,240
Speaker 3: Their armor was the scarecrows in the background. That was

1441
01:12:16,320 --> 01:12:17,000
Speaker 3: really neat.

1442
01:12:16,800 --> 01:12:20,479
Speaker 2: Touch it was. Anyway, I loved it. It was such

1443
01:12:20,520 --> 01:12:22,040
Speaker 2: a great ending.

1444
01:12:23,360 --> 01:12:27,040
Speaker 3: I really really enjoyed this show. I'm glad we did it.

1445
01:12:27,280 --> 01:12:29,479
Speaker 3: Thank you everybody who's reading this with us.

1446
01:12:29,520 --> 01:12:31,600
Speaker 2: I know it's not many of you left, and I

1447
01:12:31,720 --> 01:12:34,920
Speaker 2: know it took us longer than anybody else to get

1448
01:12:34,920 --> 01:12:37,720
Speaker 2: to the end of this shit, but I appreciate y'all

1449
01:12:37,760 --> 01:12:40,400
Speaker 2: sticking it out, y'allticking out, and I really want to

1450
01:12:40,439 --> 01:12:42,960
Speaker 2: give a big shout out to the audience because when

1451
01:12:43,000 --> 01:12:46,960
Speaker 2: I tell y'all, no one spoiled anything for us like

1452
01:12:47,240 --> 01:12:51,400
Speaker 2: we have been waiting on the doing this. People have

1453
01:12:51,479 --> 01:12:53,960
Speaker 2: been hoping we would do it, and you know, when

1454
01:12:54,000 --> 01:12:55,680
Speaker 2: I got back from New York, I was kind of

1455
01:12:55,800 --> 01:12:57,200
Speaker 2: like a little wiped out. Man.

1456
01:12:57,280 --> 01:13:01,720
Speaker 3: I've been traveling doing the show for to you know, writing.

1457
01:13:02,240 --> 01:13:05,559
Speaker 2: A TV show for two seasons. Came back signed up

1458
01:13:05,600 --> 01:13:07,640
Speaker 2: to do drape though Maniacs. That turned out to be

1459
01:13:07,840 --> 01:13:09,920
Speaker 2: a lot more work than I thought it was gonna be,

1460
01:13:11,520 --> 01:13:16,040
Speaker 2: even though I enjoyed it, and like as a community,

1461
01:13:16,160 --> 01:13:19,680
Speaker 2: as like a fan base, the fact that no one

1462
01:13:19,840 --> 01:13:22,479
Speaker 2: was an asshole y'all. You know, many of y'all asked

1463
01:13:22,520 --> 01:13:24,960
Speaker 2: what we do it, but everyone was very polite about it.

1464
01:13:25,040 --> 01:13:27,240
Speaker 2: They were even the ones that were a little rough

1465
01:13:27,280 --> 01:13:29,760
Speaker 2: about it, they weren't like, hey, motherfucker. It was like

1466
01:13:29,840 --> 01:13:33,920
Speaker 2: a come on, man, please, you know. And this this

1467
01:13:34,040 --> 01:13:36,559
Speaker 2: is for y'all, man, This is because we love our fans.

1468
01:13:37,160 --> 01:13:38,200
Speaker 2: Real talk, because.

1469
01:13:38,520 --> 01:13:40,320
Speaker 1: Thank you for the fans that's been writing in and

1470
01:13:40,400 --> 01:13:43,120
Speaker 1: be like, I appreciate y'all finally covering it so we

1471
01:13:43,360 --> 01:13:45,200
Speaker 1: know that y'all waited for us.

1472
01:13:45,400 --> 01:13:48,920
Speaker 3: We appreciate that, yeah, because we could.

1473
01:13:49,080 --> 01:13:51,000
Speaker 2: I could have just as easily watched this shit in

1474
01:13:51,080 --> 01:13:53,920
Speaker 2: my own time, not did any recaps, and at least

1475
01:13:53,960 --> 01:13:55,320
Speaker 2: I would have just been like y'all, I would have

1476
01:13:55,360 --> 01:13:57,720
Speaker 2: known what happened and been like the end. But it

1477
01:13:57,880 --> 01:14:00,360
Speaker 2: was important, you know, to try to keep that promise

1478
01:14:00,439 --> 01:14:03,400
Speaker 2: to y'all. Yes, like I said, we appreciate there the

1479
01:14:03,520 --> 01:14:06,559
Speaker 2: patience because I know, you know, this ship is over

1480
01:14:06,600 --> 01:14:09,120
Speaker 2: a year after the this is a year after the show.

1481
01:14:09,240 --> 01:14:12,200
Speaker 3: We don't guarantee you the only people still do a recaps.

1482
01:14:12,320 --> 01:14:12,800
Speaker 3: So that's it.

1483
01:14:13,280 --> 01:14:16,120
Speaker 2: Thanks for listening to everybody. The rest of y'all come

1484
01:14:16,160 --> 01:14:19,599
Speaker 2: on back, just the last one, so I guess Wednesdays all.

1485
01:14:19,520 --> 01:14:22,440
Speaker 3: Go back to normal and y'all'.

1486
01:14:23,000 --> 01:14:27,880
Speaker 2: Podcast ship. Uh but low key you're gonna miss that

1487
01:14:28,120 --> 01:14:29,880
Speaker 2: we don't do this on Wednesday because this is the

1488
01:14:29,960 --> 01:14:31,960
Speaker 2: main reason we ain't take no weeks off. The last

1489
01:14:32,000 --> 01:14:34,479
Speaker 2: eight weeks, I'm like, oh yeah, we gotta do the

1490
01:14:34,520 --> 01:14:36,240
Speaker 2: recap Wednesday, so we might as well do a show

1491
01:14:36,280 --> 01:14:38,760
Speaker 2: on Monday, you know. And uh, now, get back to

1492
01:14:38,840 --> 01:14:42,280
Speaker 2: my motherfucking take the week off every month thing. All right, y'all,

1493
01:14:42,560 --> 01:14:46,040
Speaker 2: love y'all, Love you, love you until next time. I

1494
01:14:46,160 --> 01:14:46,400
Speaker 2: love you.

1495
01:14:46,560 --> 01:14:47,080
Speaker 3: I love you too.

1496
01:14:47,840 --> 01:14:48,080
Speaker 2: Five