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Speaker 1: So it's me, it's Posier, it's Feist. But we're still

2
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Speaker 1: waiting on morass and around he has to turn up

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Speaker 1: with Finally, I.

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Speaker 2: Just go like, hey, can you just seat us?

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Speaker 1: And they go, oh no, we can't see you unless

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Speaker 1: there's a full party here. And I take out one

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Speaker 1: of those noise makers, you know, Yeah, I blow it

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Speaker 1: right in his face and I go, is that a

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Speaker 1: full party for you?

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Speaker 2: Feist us laughing, Yeah, I'll bet. I mean that seems

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Speaker 2: like something that would upset Hojer.

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Speaker 1: Yes, he got so spooked and he actually when I

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Speaker 1: turned around, he's hiding under the table. Yeah, And so

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Speaker 1: I did have to coax him out with some treatsies.

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Speaker 1: I had some little uh these like peanut butter cookies.

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Speaker 2: If you tell him that church is someway, if you

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Speaker 2: say like churches at the table, yes, yes, yes, yes.

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Speaker 1: We had told him that church was in the other room,

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Speaker 1: and so he was like, oh, we'll take me to that.

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Speaker 1: You know.

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Speaker 2: Hey, welcome to Hollywood Handbook.

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Speaker 3: An insiders guy to kicking button, dropping names in the

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Speaker 3: red carper lineback hallways of this industry we call showbiz.

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Speaker 2: Yes, yes, y'all, what up?

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Speaker 4: What up?

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Speaker 1: I'm a little baby. And that's a new spin on

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Speaker 1: what up, What Up? And it's what if a little

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Speaker 1: baby was saying it? So have fun with that, everyone

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Speaker 1: who listens to it.

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Speaker 3: We last week we were talking about our pilot. We're

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Speaker 3: still very excited. Everyone involved is maybe even more exciting

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Speaker 3: excited about the project. We had our table read this week,

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Speaker 3: which is all it's always very so informative.

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Speaker 1: Yes, you know, because then when you actually get the

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Speaker 1: actors in the room together and put it.

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Speaker 3: Now it's real, you say, now it's real. People are

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Speaker 3: actually reading this thing, like, now it's for real, because

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Speaker 3: before it.

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Speaker 1: Was just a little imagination drips of ours that it's

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Speaker 1: splashed onto a piece of paper and I can't believe

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Speaker 1: anyone's even reading this stuff.

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Speaker 2: A table read is it's not you reading a table No, it's.

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Speaker 1: Like, especially if you're an Earwolf listener, I understand you

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Speaker 1: think that Terry has writing.

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Speaker 3: On them or in your house. If you try to

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Speaker 3: read the table it's got coaster rings and you think

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Speaker 3: that they're not using a coaster, it's got water rings.

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Speaker 3: You think it just says ooh, you think it's and

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Speaker 3: you think your table's a ghost. Do you get upset.

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Speaker 3: This is people sit around the table and they read

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Speaker 3: the script. Yes, that's sit around read read the script.

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Speaker 1: Yes, so what the reading is not the actual table

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Speaker 1: and the actors are doing the script reading and all

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Speaker 1: the executives and the money guys are in there and saying, oh,

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Speaker 1: this is good, but this could be better, and you

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Speaker 1: get great feedback that way.

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Speaker 3: We are making a few changes to the project, which

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Speaker 3: always happens. It's expected that this is just part of it.

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Speaker 3: That's the purpose of.

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Speaker 1: The table where you just see what's not working and

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Speaker 1: what needs to change.

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Speaker 3: If you recall, the project was initially about the dress

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Speaker 3: that people didn't know the color.

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Speaker 2: Yes, it was whites and golds.

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Speaker 1: It was you know, families combining, and it was about

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Speaker 1: that famous dress that we all love.

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Speaker 3: And it was originally known as Baby Grandpa before that

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Speaker 3: because my son Carper was playing this baby who was

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Speaker 3: also the main guy's grandpa played by rosempar I. We're

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Speaker 3: they're backing off of the.

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Speaker 1: The baby aspect of it has been minimized, yeah, if

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Speaker 1: not eliminated, and the Grandpa aspect of it has also

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Speaker 1: been greatly reduced, if not eliminated. So they're backing off

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Speaker 1: that side of it, and I see that instinct, especially

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Speaker 1: because the dress is so popular and that just seems

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Speaker 1: so much more now than a baby or a grandpa.

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Speaker 3: They wanted to put the dress as like the forward

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Speaker 3: and have that be sort of the central conceito center.

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Speaker 1: And it's not that the baby grandpa stuff wasn't funny,

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Speaker 1: because it is like to have a baby telling you

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Speaker 1: World War two stories. That's great, but it wasn't right

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Speaker 1: for this show. And we see that now, and so

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Speaker 1: the baby's out. We ended up not getting the dress

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Speaker 1: as well. Yeah, we should say that now. We don't

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Speaker 1: have the rights legally to show the dress. It's trademarked,

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Speaker 1: and so so you would think, oh, well, then we'll

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Speaker 1: go back to the baby grandpa thing. No, that's off

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Speaker 1: the table now. So what we are doing is we

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Speaker 1: are showing something that does appear to be two different colors.

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Speaker 1: It can't be addressed because that's obviously legally very sticky

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Speaker 1: mm hmm.

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Speaker 3: And it has to be something from nature. Yes, but

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Speaker 3: you can't copyright. This is a little secret like you

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Speaker 3: can take anything from the woods and just use it

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Speaker 3: in the show.

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Speaker 1: Right, You might be thinking, can't you just make it

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Speaker 1: a tennis skirt or some other item of clothing, and

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Speaker 1: the answer is definitely no. We talked about that. So

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Speaker 1: a lot of what Haes and I have been doing

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Speaker 1: this week is just going out in the woods and

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Speaker 1: picking up different rocks and sticks and things and seeing

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Speaker 1: if we'd be taking pictures with our phones and seeing

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Speaker 1: if they kind of can look like different colors and

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Speaker 1: shadows or something.

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Speaker 3: And just until we find the perfect rock for the

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Speaker 3: table read. We had coast stick or stick yeah, sure,

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Speaker 3: just for the table ree purposes. We had Engineer Cody

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Speaker 3: just lie down and go to sleep on the table

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Speaker 3: to kind of be to just be a placeholder.

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Speaker 2: This was not what we expected. The network likes him.

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Speaker 1: Yes, And Cody is in fact from nature, he's naturally occurring.

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Speaker 1: I mean he's not so at any rate. And we've

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Speaker 1: gone through a bunch of life right stuff with Cody

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Speaker 1: already for Engineer Cody Boy or movie. So yeah, I

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Speaker 1: mean he's going to be the primary aspect of the

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Speaker 1: pilot moving forward, which we hope isn't going to be

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Speaker 1: a problem. And Roseanne has since moved away from the prose.

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Speaker 2: She's exited, she's exited the project. Yes, the peda guy

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Speaker 2: from Hungry Games. He the table read. We had some

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Speaker 2: issues with him. He was calling in from Bosnia, which

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Speaker 2: we knew he was shooting something over there. Movie.

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Speaker 3: We ended up getting this operator, like a Bosnian phone

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Speaker 3: operator who we kind of couldn't like get past, so

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Speaker 3: we were having him just do the part in place

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Speaker 3: of Peter from Hungry Games. Yeah, and so that works

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Speaker 3: so well. It's hard to imagine what it would be

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Speaker 3: if we stuck with Peter from Hungry Games. So now

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Speaker 3: it's this Bosian phone operator.

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Speaker 1: Hiddleston is still involved, but he is going to be

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Speaker 1: operating mister, mister Hittleston, and I keep doing that. He's

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Speaker 1: going to be operating the camera. And we've actually got

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Speaker 1: this really exciting kid replacing him, who is Jen Sulky's nephew.

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Speaker 1: She's like the number two executive at NBC, right under

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Speaker 1: green Blat, and so she has this really cool nephew

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Speaker 1: who she just thought would be perfect for it, and

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Speaker 1: I couldn't agree more. And Jen, if you're listening, he

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Speaker 1: is a dream in, a total charmer and better than Hiddleston,

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Speaker 1: mister Hidleston, just like what you said, So so yeah,

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Speaker 1: so right, as of right, now the cast is engineer

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Speaker 1: Cody boy as the dress sort of just sleeping on

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Speaker 1: a table and we can sort of make him look

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Speaker 1: however we want.

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Speaker 2: And then the baby's gone. Carper, Yeah, the baby's no longer.

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Speaker 2: Do you want to talk about that.

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Speaker 3: I don't know where he is ever since that table.

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Speaker 3: You know, I left the table read and there was

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Speaker 3: some discussion I had had with Brooke that she would

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Speaker 3: be driving him home, but as far as I know,

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Speaker 3: she didn't pick him up. And since this was what Tuesday, Yeah,

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Speaker 3: I haven't seen him. I don't know if he's upset

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Speaker 3: because this was this could have been like a big

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Speaker 3: opportunity for him. Yeah, you hate to have like family

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Speaker 3: stuff getting I don't know if he's mad at me

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Speaker 3: or what.

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Speaker 2: But I haven't heard from this baby. That wouldn't be fair.

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Speaker 1: He was there and he saw that not everything was

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Speaker 1: playing and you know, not his fault and.

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Speaker 3: Time would he have preferred, because like two weeks ago,

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Speaker 3: none of this was happening at all, So would he

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Speaker 3: have preferred just like nothing to happen?

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Speaker 1: Yeah, I mean the visibility that he got in to

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Speaker 1: read in front of all those exacts, it can only

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Speaker 1: lead the good things down the line. So anyway, the

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Speaker 1: show obviously no longer called Whites and Golds, no longer

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Speaker 1: called Baby Grandpa. It is untitled Engineer Cody Boyd Project.

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Speaker 1: We love it and we can't wait to start filming,

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Speaker 1: and we're going in production very soon. So wish us

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Speaker 1: luck and good luck to all you at home who

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Speaker 1: are listening with all your dreams.

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Speaker 2: Is this exciting for you? Yes, Cody? Do you want

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Speaker 2: to talk about I mean.

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Speaker 4: You.

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Speaker 3: Barely said anything since you were asleep. What they told

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Speaker 3: you that? They told us that they wanted you to

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Speaker 3: start in the project. Did you know about this? Did

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Speaker 3: we even tell you?

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Speaker 5: I did, my agents spoke with them. I'm just a

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Speaker 5: little disappointed that it's not a union gig.

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Speaker 1: I figured, well, it's union for the actors, the writers,

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Speaker 1: and the directors, but you don't really fit any of

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Speaker 1: those categories.

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Speaker 3: Yeah, the engine the sound engineers union is not part

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Speaker 3: of this.

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Speaker 5: Well, it's the six ninety five and we're pretty strong.

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Speaker 5: But for some reason, you know, I want to play

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Speaker 5: ball with you guys. I'll go to bat. But I

187
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Speaker 5: was a little disappointed about that. So if we can

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Speaker 5: make it up in different ways, I'm open to ideas, suggestions.

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Speaker 1: And he's doing the lascivious sort of lip lick finger

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Speaker 1: hand gesture.

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Speaker 2: With combined with a tantilizing lip lick. And it's now

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Speaker 2: he's taking a big lug of what looks like dirt milk.

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Speaker 1: It's not twocolate milk, but it is brown, and so

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Speaker 1: I think dirt milk might be right it's coffee, Well,

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Speaker 1: it just can't be.

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Speaker 2: And that is kind of take a picture of it.

197
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Speaker 3: And if you think about it, it is kind of

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Speaker 3: the coffee is something of a dirt milk.

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Speaker 1: Please don't pull an engineer Sam and not take a

200
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Speaker 1: picture of your drink that we're making fun of, because

201
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Speaker 1: that really upset me when that happened.

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00:11:23,679 --> 00:11:26,280
Speaker 2: Please be a good little He had such a funny

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00:11:26,360 --> 00:11:28,840
Speaker 2: drink that he was drinking. He was chinky pizza sauce.

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00:11:28,840 --> 00:11:31,920
Speaker 1: And we all remember how funny that was, and only

205
00:11:32,000 --> 00:11:34,840
Speaker 1: I got to see it now, and so what a

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00:11:34,960 --> 00:11:38,480
Speaker 1: terrible tragedy for all of time. And so make sure

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00:11:38,480 --> 00:11:39,920
Speaker 1: you get a drink of your dirt milk.

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Speaker 2: Okay, we can do that.

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Speaker 3: There's a fun funny guess coming in today. Shelby Pharaoh

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Speaker 3: been on the show before to talk about youth culture,

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Speaker 3: and I guess we'll probably do some of that again.

212
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Speaker 3: And I think she's doing she's a TV writing show.

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Speaker 3: I don't know, she's probably gonna want to talk about that.

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Speaker 2: I don't know. It's on Hollywood Handbook. So I get

215
00:12:07,960 --> 00:12:13,200
Speaker 2: off the plane with spooke Wilson, and you know how

216
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Speaker 2: you get to the plane and then you walk to

217
00:12:15,640 --> 00:12:19,240
Speaker 2: the bag part. No, you just walk to the part

218
00:12:19,240 --> 00:12:20,320
Speaker 2: where those bags are going.

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Speaker 3: And I'm walking and suddenly I'm sliding. I'm like sliding forward.

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Speaker 3: So I get down on all fours until it's like over,

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Speaker 3: and eventually it does like it kind of dumps me

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Speaker 3: off into a part where I'm not sliding anymore. It's

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Speaker 3: called a moving sidewalk.

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Speaker 2: Okay, I'm sorry. Can you even in this bag thing?

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Speaker 3: Well that's interesting too, because then they have another moving

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Speaker 3: sidewalk for just the bags. Okay, can you even picture this?

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Speaker 3: I saw it when I first saw it and actually

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Speaker 3: took it in my brain didn't understand what was going

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Speaker 3: on because it's supposed to be a sidewalk, supposed to

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Speaker 3: be standing still. But when you step on this thing,

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Speaker 3: it's like a magic carpet that's like moving you along.

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Speaker 2: That's not a sidewalk. Then, no, that's what I said.

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Speaker 1: It's a slidewalk, or I mean slidewalk.

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Speaker 2: No it is, that's what it is. It's a slidewalk.

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Speaker 1: Yeah, but what I'm sorry, just please take me back

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Speaker 1: to the bag part.

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Speaker 2: What do you mean you go to where the bags go?

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Speaker 2: There's a circle of bags. Okay, so you're bringing bags

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Speaker 2: like where you fly. Well in this case, well I

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Speaker 2: was traveling with Luke.

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Speaker 1: Oh okay, and Luke has that rocksack.

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Speaker 2: He has he has andrew in like a little crate

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Speaker 2: in a roocksack or some kind of Oh it's a

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Speaker 2: crate now now it's a crazy crate drained. That's better.

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Speaker 3: Hey, welcome to Hollywood, HANLEI dropping names in the red

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Speaker 3: carpet line back hallways of this industry we call showbiz.

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Speaker 2: And what up?

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Speaker 6: What up?

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Speaker 1: And so that's like, yeah, I guess, so sort of

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Speaker 1: a blue collar gentleman saying what up?

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Speaker 2: What up? And what do you think about that idea?

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Speaker 2: Shelby Pharaoh, Shelby Pharaoh, welcome back to the show. And

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Speaker 2: you did the show one time, so good to have

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Speaker 2: you back.

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Speaker 1: And people have been saying they liked your episode, and

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Speaker 1: I've been trying to get to the bottom of why,

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Speaker 1: and so we brought you back in.

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Speaker 2: Maybe we'll crack it because I listened to it and

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Speaker 2: I'm like, was that good? Yeah?

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Speaker 1: I guess so well. I guess people liked it. But

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Speaker 1: when I listened to it, I go, I don't get it.

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Speaker 1: And what do you think happened? I mean, I thought

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Speaker 1: I was like very approachable.

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Speaker 2: People love that.

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Speaker 1: Yeah, yeah, they want to be able to approach. Yeah,

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Speaker 1: they want you to be a person. Yeah.

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Speaker 7: You guys like gods sometimes?

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Speaker 2: Ah? Is that what it is? People hate that people

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Speaker 2: hate when I'm being like a god.

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Speaker 1: People really like God though, I just I just want

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Speaker 1: to I'm sorry to sidetrack it. But a lot of

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Speaker 1: people really like that guy. It is a double standard.

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Speaker 1: So it's like, then if I'm being like that guy,

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Speaker 1: you like me mm hmm.

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Speaker 4: Yeah.

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Speaker 1: But then you got to think of like the docins

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Speaker 1: in the world, doctors, the doctor. Are you trying to say,

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Speaker 1: doc doctors? Doctors, doctors, wrinkle free cotton doctors.

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Speaker 6: Sure those two. Yeah, who's the other one? The Jervaise

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Speaker 6: You're never gonna get a Jervase vote.

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Speaker 2: Jervase Gervaise.

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Speaker 3: Can I just say, oh Derek, Yes, yes, she's talking

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Speaker 3: about Derek. I love how with him, they're no sacred cows.

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Speaker 3: His comedy is a variable slaughterhouse.

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Speaker 1: I love it, yeah, because so many people are walking

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Speaker 1: on eggshells around ideas like uh, saying that religion or

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Speaker 1: saying that, uh, even politicians or something. But he will

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Speaker 1: just really dig in there with his stephoscope and his

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Speaker 1: machines and really say what he sees.

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Speaker 7: No, he'll knock your president shrine right over.

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Speaker 2: He said he would murder God.

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Speaker 1: Yes, he said yes, he said that he would murder him.

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Speaker 1: And he said, how too, didn't.

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Speaker 2: He mm hmmm.

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Speaker 3: He would use a when he was sleeping, guy was sleeping,

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Speaker 3: he would use like a little pillow and just hold

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Speaker 3: it down over God's face, just.

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Speaker 1: A very small, very small pillow.

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Speaker 2: A little one. Yeah. Yeah, Shelby, what's going on? What's happening?

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Speaker 2: What's the busy stuff?

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Speaker 7: Oh, so many things are happening for me.

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Speaker 2: You're working on the new show.

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Speaker 1: Yeah.

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Speaker 7: I just finished at a.

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Speaker 1: Show doing the show, and ready and well I'll say it.

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Speaker 2: Two three and.

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Speaker 1: Faces, Oh you're doing Robot Chicken. I am I just

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Speaker 1: finish now, what is that? Why would a chicken be

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Speaker 1: a robot because it can't lay real eggs out of

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Speaker 1: the eggs metal?

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Speaker 6: Well, have you seen the title sequence of the show.

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Speaker 6: They sort of explained the.

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Speaker 2: Whole Yeah, they catch you, they catch you up.

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Speaker 1: Oh okay, yeah, I think that my DVR has been

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Speaker 1: cutting off.

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Speaker 2: That part of it.

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Speaker 7: Well they be lost.

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Speaker 2: Yeah, I feel like.

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Speaker 1: I'm dropped in the middle of nowhere.

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Speaker 2: Yeah.

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Speaker 1: Seth Green doing funny stuff around there. He's a delight.

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Speaker 7: It's constant bits pops some in and out.

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Speaker 2: What kinds of funny stuff does he do? Darth Vader

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Speaker 2: and stuff.

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Speaker 6: One time he got the intern to duck behind my

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Speaker 6: legs and he pushed me over.

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Speaker 1: Oh that was fun. You bunk your nugget or a little.

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Speaker 6: I ended up going to the hospital that day, but

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Speaker 6: but we laughed the whole way.

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Speaker 3: Shelby, this other show you're working on, are you done

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Speaker 3: with this as well? The Space Show?

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Speaker 2: Yes? What's happened?

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Speaker 1: We were thinking of the Space Show and we didn't

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Speaker 1: know about Robot Chicken.

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Speaker 7: Well, you guys don't talk to me.

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Speaker 2: A lot of science stuff in your work, Yes, very smart.

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Speaker 2: What is happening with that show? I'm so interested in

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Speaker 2: it because it's new style.

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Speaker 6: Yeah, you know, it's gonna come out on Yahoo, which

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Speaker 6: is sort of like the New Frontier.

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Speaker 2: And I have a question about PA.

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Speaker 3: Actually, are the characters acknowledging the search bar in the

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Speaker 3: middle of.

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Speaker 1: The screen that's there the entire time?

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Speaker 2: Yes? Do they like duck around it well to or

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Speaker 2: is it like are.

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Speaker 1: They interacting with it in some way? Like are they

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Speaker 1: asking it questions and then it, you know, very quickly

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Speaker 1: and efficiently brings them to some sources for their answer.

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Speaker 6: It's kind of like, I don't want to give too

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Speaker 6: much away, be no oculous rift mmm.

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Speaker 1: Yes, you know the Transformer yeah yeah.

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Speaker 7: Yeah, yeah, like the three D experience of it.

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Speaker 1: It's sort of like he's one of the mean Transformers.

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Speaker 2: He's the good one. Yes, yeah, he's the main good one.

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Speaker 1: Well, but the main good one is kind of mean

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Speaker 1: to the other good ones because he has to be.

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Speaker 2: A lead boss. That's right about it, is what you're

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Speaker 2: thinking of? So yes, so go ahead, keep going. It's

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Speaker 2: like that. How is that like it?

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Speaker 6: Look, it's just sort of like we're trying to create

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Speaker 6: a four to five D experience with it.

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Speaker 3: Okay, okay, yeah, that is the new dimension is asking

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Speaker 3: it questions?

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00:19:09,040 --> 00:19:09,720
Speaker 1: Yeah, asking you.

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Speaker 6: Questions, you get responses, You get like a little clock

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Speaker 6: in the corner that tells you what time it is

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Speaker 6: to check it a but.

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Speaker 1: Fourth dimension is time, the fifth dimensions asking questions? Okay, yes,

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Speaker 1: and then the sixth dimension is love. And isn't that

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Speaker 1: a deep, deep thing that maybe Interstellar sort of taught us.

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Speaker 6: Sure, but don't take that away from your own quote

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Speaker 6: just now.

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Speaker 1: Oh yeah, but I have to give all all homage

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Speaker 1: to Nolan, and the guy has his stuff screwed on, right,

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Speaker 1: and thank goodness. And I didn't like that memento because

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Speaker 1: it really didn't make sense, But everything else he's done

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Speaker 1: has been good. Did you watch the title sequence of it?

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Speaker 1: They really get everything. I only oh no, I only

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Speaker 1: saw seven eight the center of it.

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Speaker 3: Yeah, they build ut in the in the title sequence

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Speaker 3: of that one.

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Speaker 1: It's like a grease thing.

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Speaker 6: Where they introduce all the characters with fun little things

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Speaker 6: and you.

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Speaker 1: Sort of you're like, oh, I get I get this.

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00:20:08,040 --> 00:20:10,720
Speaker 1: I get it from the get grease thing. That's an

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00:20:10,760 --> 00:20:16,600
Speaker 1: Italian slur. Hey, hey is that an Italian slur? Sometimes?

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Speaker 2: So okay, if I'm watching the show.

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Speaker 7: Sure, which which one which of my many?

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Speaker 1: The Space got it? I love another Space?

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Speaker 4: Yes?

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Speaker 3: And if I Spaceman's get and a Yahoo email, do

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Speaker 3: the characters tell me?

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Speaker 2: Do they stop what they're doing and like and do

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Speaker 2: they read it to me?

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Speaker 1: Yeah?

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00:20:40,160 --> 00:20:43,439
Speaker 6: See, that's it's hard because that's a setting thing that

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Speaker 6: you will have to turn off.

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Speaker 7: And people don't know that.

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Speaker 1: They can't.

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00:20:46,640 --> 00:20:49,440
Speaker 6: Like, we shot hours of extra footage for that, and

403
00:20:49,480 --> 00:20:50,520
Speaker 6: no one gets that.

404
00:20:50,560 --> 00:20:52,119
Speaker 2: Just all the different email words.

405
00:20:52,280 --> 00:20:55,159
Speaker 6: Yeah, literally, any email you get, they can read it

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Speaker 6: to you if you want.

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Speaker 1: But I'm scared people won't get won't get that. Yeah,

408
00:20:59,359 --> 00:21:03,280
Speaker 1: here's a good ques question. Yahoo owns rocket Mail too,

409
00:21:04,400 --> 00:21:06,879
Speaker 1: Doesn't that make more sense for Space.

410
00:21:08,359 --> 00:21:09,640
Speaker 2: To put it on rocket Mail?

411
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Speaker 6: I didn't think that i'd be attacked with gotcha journalism here?

412
00:21:14,480 --> 00:21:20,199
Speaker 1: Okay, okay, but you are you fucking got me?

413
00:21:20,240 --> 00:21:20,480
Speaker 7: Sean?

414
00:21:20,520 --> 00:21:21,000
Speaker 1: What do you want?

415
00:21:21,560 --> 00:21:21,800
Speaker 2: Yeah?

416
00:21:21,840 --> 00:21:24,680
Speaker 1: Okay, well no, now that you admitted it, I actually

417
00:21:24,720 --> 00:21:30,400
Speaker 1: am okay with everything, thank you. Sometimes I do Yahoo

418
00:21:30,440 --> 00:21:34,200
Speaker 1: Fantasy Sports and I pretend that I'm a coach coaching

419
00:21:34,200 --> 00:21:37,240
Speaker 1: the team. Now if I'm doing that and then I'm

420
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Speaker 1: watching the show, Yes, is the show going to be like, Hey,

421
00:21:40,400 --> 00:21:42,360
Speaker 1: Lawrence Taylor's heard or something like that.

422
00:21:42,640 --> 00:21:44,920
Speaker 6: No, but they will if an important part's happening in

423
00:21:44,960 --> 00:21:49,160
Speaker 6: the sports game, they will. It's freeze until the plays over,

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00:21:49,280 --> 00:21:51,280
Speaker 6: so that you can go back and watch it without

425
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Speaker 6: feeling like you're torn.

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Speaker 2: This is a good show.

427
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Speaker 1: It's really It took years. It took years.

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00:21:58,200 --> 00:22:00,400
Speaker 2: Hmmm, how old are you now?

429
00:22:01,280 --> 00:22:03,520
Speaker 7: I'm fourteen, I'm twenty one.

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Speaker 2: Guys, you like being young? Yeah, yeah, it's the best.

431
00:22:08,600 --> 00:22:10,400
Speaker 1: Huh are running shorts right now?

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Speaker 2: Yeah?

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00:22:12,280 --> 00:22:14,520
Speaker 1: Well, because at any time, I'm so spry, I might

434
00:22:14,640 --> 00:22:17,159
Speaker 1: just spring up and just go for a run. If

435
00:22:17,160 --> 00:22:19,119
Speaker 1: I have a new project, I'm just gonna I was

436
00:22:19,119 --> 00:22:22,720
Speaker 1: gonna head over. Yeah, and even we could ride our skateboards,

437
00:22:22,720 --> 00:22:25,560
Speaker 1: couldn't we shall be Yeah, easily. I didn't know you

438
00:22:25,560 --> 00:22:26,239
Speaker 1: picked it back up.

439
00:22:27,400 --> 00:22:29,240
Speaker 2: It fell out of the ground. That yeah.

440
00:22:29,240 --> 00:22:31,800
Speaker 1: The last time I was with Shelby, my skateboard fell

441
00:22:31,840 --> 00:22:35,439
Speaker 1: on the ground. Now you ran away. It couldn't bend

442
00:22:36,119 --> 00:22:39,600
Speaker 1: to get it. And so what I was doing was

443
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Speaker 1: I had grabbed a broomstick and uh, sort of.

444
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Speaker 2: Hoping to kind of pierce it.

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00:22:49,359 --> 00:22:51,639
Speaker 1: Well, well, no, that was my initial thing was I

446
00:22:51,640 --> 00:22:52,920
Speaker 1: wanted to go straight through it.

447
00:22:53,560 --> 00:22:56,280
Speaker 2: But then I did find sort of.

448
00:22:56,200 --> 00:23:00,600
Speaker 1: A a bunch of pencils that I take together to

449
00:23:00,840 --> 00:23:02,600
Speaker 1: sort of try to chopstick it up.

450
00:23:02,840 --> 00:23:08,040
Speaker 3: Okay, you know so one chopstick was the broomstick, yes,

451
00:23:08,119 --> 00:23:09,040
Speaker 3: and the other is.

452
00:23:09,440 --> 00:23:13,200
Speaker 1: About of pencils taped together, and so I was trying

453
00:23:13,240 --> 00:23:16,720
Speaker 1: to sort of make a form of claw or something

454
00:23:16,800 --> 00:23:17,959
Speaker 1: and lift it.

455
00:23:18,160 --> 00:23:20,120
Speaker 6: And I will say I did offer. I did offer

456
00:23:20,160 --> 00:23:21,320
Speaker 6: to just bend down and pick it up for you

457
00:23:21,320 --> 00:23:22,080
Speaker 6: at the time, and I'm in.

458
00:23:22,640 --> 00:23:26,719
Speaker 1: Please, I don't need your charity. I'll get it myself.

459
00:23:26,760 --> 00:23:28,880
Speaker 1: And as we've found out, I ultimately did.

460
00:23:29,160 --> 00:23:31,879
Speaker 6: Yeah, that was a great What was that Spring of

461
00:23:32,640 --> 00:23:33,200
Speaker 6: twenty ten?

462
00:23:34,320 --> 00:23:34,560
Speaker 2: Mmm?

463
00:23:36,680 --> 00:23:39,159
Speaker 1: I'm trying to think what was I listening to at

464
00:23:39,200 --> 00:23:42,399
Speaker 1: the time. I always my memories are so associated with music.

465
00:23:42,480 --> 00:23:45,879
Speaker 1: Do you guys find that the strongest memory?

466
00:23:46,040 --> 00:23:46,320
Speaker 2: Yeah?

467
00:23:46,440 --> 00:23:48,320
Speaker 7: So does that be dashboard Confessional?

468
00:23:48,359 --> 00:23:51,040
Speaker 2: Something that is tripping me out lately is oh it

469
00:23:51,080 --> 00:23:53,520
Speaker 2: would think it was? Oh, go ahead, Yeah.

470
00:23:55,040 --> 00:24:01,840
Speaker 3: Music is invisible. It is something we all know and like,

471
00:24:02,480 --> 00:24:07,960
Speaker 3: but it is not to be seen. If you think

472
00:24:08,040 --> 00:24:08,520
Speaker 3: about it.

473
00:24:09,160 --> 00:24:11,640
Speaker 1: Have you have you told other people that.

474
00:24:12,040 --> 00:24:14,760
Speaker 2: It's been tripping me out? Dude? You know what I

475
00:24:14,840 --> 00:24:15,600
Speaker 2: trip out on?

476
00:24:15,680 --> 00:24:17,639
Speaker 1: And this will really trip you guys out if you

477
00:24:17,720 --> 00:24:19,680
Speaker 1: ever like really think about.

478
00:24:19,480 --> 00:24:25,840
Speaker 2: It, is everybody singing all that music is used to

479
00:24:25,880 --> 00:24:27,040
Speaker 2: be babies.

480
00:24:27,840 --> 00:24:28,800
Speaker 7: And then they get bigger.

481
00:24:30,800 --> 00:24:33,280
Speaker 2: But that's but that's not the point.

482
00:24:33,400 --> 00:24:38,119
Speaker 1: Shelby is like that guy singing that like was a babyby.

483
00:24:37,560 --> 00:24:41,080
Speaker 2: No matter what, so like no matter what, Yes.

484
00:24:42,119 --> 00:24:44,800
Speaker 6: I don't he could be Benjamin Buttoning. That's not like,

485
00:24:45,680 --> 00:24:48,040
Speaker 6: let's not put too much on other people.

486
00:24:48,320 --> 00:24:49,320
Speaker 2: That's a movie.

487
00:24:51,840 --> 00:24:55,360
Speaker 1: It's a really it's a real thing. Though Okay, well

488
00:24:55,440 --> 00:24:57,399
Speaker 1: I can't speak to whether that's true or not.

489
00:24:57,840 --> 00:25:01,600
Speaker 6: Guys, my sisters, like in medical school, she would tell me,

490
00:25:02,240 --> 00:25:04,399
Speaker 6: I bring this up a lot around a lot of people.

491
00:25:05,359 --> 00:25:08,760
Speaker 1: It's not so okay, So, but not all movies is

492
00:25:08,800 --> 00:25:13,080
Speaker 1: based on real life. There's only actually a couple Hugo.

493
00:25:13,400 --> 00:25:20,000
Speaker 2: Training day which they wanted to almost called Hugo that

494
00:25:20,200 --> 00:25:24,359
Speaker 2: because of all the trains based on what was it

495
00:25:24,400 --> 00:25:28,440
Speaker 2: based on? It was based on Hugo. It was based

496
00:25:28,440 --> 00:25:30,920
Speaker 2: on a young Hugo boss and he.

497
00:25:30,920 --> 00:25:32,840
Speaker 3: Lives in the train station and sort of every day

498
00:25:32,960 --> 00:25:34,240
Speaker 3: is something of a training.

499
00:25:34,000 --> 00:25:40,040
Speaker 1: Day before he became a Nazi or whatever. So so anyway,

500
00:25:41,280 --> 00:25:42,920
Speaker 1: what was I going to say, Oh.

501
00:25:43,040 --> 00:25:45,920
Speaker 2: Freaking let's up and with babies. Think about that when

502
00:25:45,920 --> 00:25:46,639
Speaker 2: you're listening to that.

503
00:25:49,600 --> 00:25:54,000
Speaker 1: Jesus, I mean that you talk about this.

504
00:25:54,240 --> 00:25:56,280
Speaker 3: I mean, the point of this seems to me to

505
00:25:56,320 --> 00:25:59,440
Speaker 3: be you never know what one's a baby or even

506
00:25:59,640 --> 00:26:04,600
Speaker 3: like a fetus, that they could be making very good music.

507
00:26:04,760 --> 00:26:07,919
Speaker 2: So to like, you know, just be like invisible music

508
00:26:08,000 --> 00:26:09,000
Speaker 2: to speak to your point.

509
00:26:09,160 --> 00:26:13,680
Speaker 3: Yes, and so to be like snuffing out a baby

510
00:26:13,720 --> 00:26:17,240
Speaker 3: that could be famous is a crime.

511
00:26:17,520 --> 00:26:18,720
Speaker 2: It seems crazy to me.

512
00:26:18,920 --> 00:26:21,200
Speaker 7: But also like this, how much music do we need?

513
00:26:21,600 --> 00:26:24,199
Speaker 1: There's a lot we have to I do remember what

514
00:26:24,240 --> 00:26:26,320
Speaker 1: I was listening to when I dropped my skateboard and

515
00:26:26,400 --> 00:26:29,639
Speaker 1: it was, in fact, Big Bad Voodoo Daddy, and so

516
00:26:29,920 --> 00:26:30,560
Speaker 1: I think.

517
00:26:30,400 --> 00:26:32,680
Speaker 2: Yes, it probably was around twenty ten.

518
00:26:35,560 --> 00:26:38,600
Speaker 1: Uh, you know when we were in our skate skate

519
00:26:38,680 --> 00:26:39,399
Speaker 1: swing phase.

520
00:26:39,560 --> 00:26:41,200
Speaker 2: Now do you want to speak on that.

521
00:26:41,720 --> 00:26:44,960
Speaker 7: Big Bad Voodoo Daddy or our skate swing face.

522
00:26:44,840 --> 00:26:45,399
Speaker 2: Any of it.

523
00:26:45,520 --> 00:26:47,359
Speaker 1: I'm going to drink some water or something else.

524
00:26:47,480 --> 00:26:48,720
Speaker 2: Blood gled, blood gled glug.

525
00:26:49,800 --> 00:26:52,120
Speaker 7: It's so motive here at all.

526
00:26:53,359 --> 00:26:54,680
Speaker 2: What I mean.

527
00:26:55,920 --> 00:26:59,120
Speaker 6: To be really honest with you guys, I've been thinking

528
00:26:59,119 --> 00:27:05,600
Speaker 6: about quit in common and showbiz, okay, semi not joking.

529
00:27:05,680 --> 00:27:07,360
Speaker 2: I've been thinking about you doing that as well.

530
00:27:07,480 --> 00:27:09,119
Speaker 1: Yeah, I know you, I know if you tell me

531
00:27:09,160 --> 00:27:09,360
Speaker 1: a lot.

532
00:27:10,080 --> 00:27:12,639
Speaker 6: But I actually truly don't know what I would do

533
00:27:12,680 --> 00:27:14,760
Speaker 6: if I stopped, but I think i'd like to.

534
00:27:16,320 --> 00:27:17,560
Speaker 1: I have no contingency plan.

535
00:27:17,680 --> 00:27:21,840
Speaker 2: I'm that way with breathing, you know what I mean.

536
00:27:22,160 --> 00:27:24,879
Speaker 1: No, art for you is just a part of you.

537
00:27:25,000 --> 00:27:25,320
Speaker 2: Yeah.

538
00:27:25,960 --> 00:27:28,680
Speaker 1: Well, and if it's a choice for you, I always say,

539
00:27:28,760 --> 00:27:31,760
Speaker 1: if you chose to get into this, then get out

540
00:27:31,760 --> 00:27:34,320
Speaker 1: the game, because there's somebody like me who just it's

541
00:27:34,320 --> 00:27:37,520
Speaker 1: in my fucking DNA what trips me out.

542
00:27:37,560 --> 00:27:41,119
Speaker 2: But what you just said is art is a part

543
00:27:41,920 --> 00:27:47,919
Speaker 2: of part. It's the end of it is it's the

544
00:27:48,080 --> 00:27:48,600
Speaker 2: end of it.

545
00:27:49,080 --> 00:27:50,480
Speaker 7: That was the first piece stand for it.

546
00:27:52,480 --> 00:27:56,240
Speaker 3: I don't want to say it's rude, okay, So and art,

547
00:27:56,560 --> 00:27:58,320
Speaker 3: it's all right, it's a very rude word.

548
00:27:58,520 --> 00:27:59,400
Speaker 2: Art is in.

549
00:27:59,560 --> 00:28:06,520
Speaker 1: Heart, uh huh, and and DNA is and backwards. So

550
00:28:07,000 --> 00:28:11,280
Speaker 1: when you really think about it, I just am art

551
00:28:11,640 --> 00:28:13,560
Speaker 1: and that's and that's.

552
00:28:13,359 --> 00:28:19,280
Speaker 2: That part and part Shelby, you're healthy, yeah, and you're young.

553
00:28:19,720 --> 00:28:19,960
Speaker 1: Yeah.

554
00:28:20,320 --> 00:28:23,600
Speaker 3: And so when we get together, young guys, we like

555
00:28:23,720 --> 00:28:28,560
Speaker 3: to partake sometimes of substances.

556
00:28:28,720 --> 00:28:31,320
Speaker 1: Yes, we get a little crazy and we're in the

557
00:28:31,400 --> 00:28:34,200
Speaker 1: know and we're on the on the bleeding edge of

558
00:28:34,240 --> 00:28:35,040
Speaker 1: all this stuff.

559
00:28:35,240 --> 00:28:38,320
Speaker 3: So I brought something that I felt like we could

560
00:28:38,360 --> 00:28:40,840
Speaker 3: just do during the like you know how Doug Benson

561
00:28:40,960 --> 00:28:44,960
Speaker 3: does his Yes, the same experimentation, Where does this stuff

562
00:28:45,000 --> 00:28:46,400
Speaker 3: partake of something?

563
00:28:46,520 --> 00:28:53,400
Speaker 2: Yeah? Well, yes, that is showing us all.

564
00:28:55,080 --> 00:28:57,600
Speaker 3: Cigarette Yes, I did so. I thought we could do

565
00:28:57,680 --> 00:28:58,360
Speaker 3: some of these.

566
00:28:58,760 --> 00:29:02,240
Speaker 1: And it's it's Parliament brand, which is very European and.

567
00:29:02,240 --> 00:29:03,680
Speaker 2: Very during the show.

568
00:29:04,600 --> 00:29:07,480
Speaker 6: I'm gonna be honest, which one do you want? I

569
00:29:07,480 --> 00:29:09,400
Speaker 6: don't do a ton of cigarettes anymore.

570
00:29:11,120 --> 00:29:11,720
Speaker 2: It'll be fun.

571
00:29:11,840 --> 00:29:13,040
Speaker 1: Do you have like half of us sick?

572
00:29:13,160 --> 00:29:15,440
Speaker 2: It'll be fun. Yeah, you can take half. You can

573
00:29:15,480 --> 00:29:18,480
Speaker 2: take half, I'll take the other. I'll take the other half. Actually, yes,

574
00:29:18,600 --> 00:29:19,440
Speaker 2: we'll split them.

575
00:29:19,520 --> 00:29:24,200
Speaker 3: So you take one and you take one was it sativa?

576
00:29:24,480 --> 00:29:27,000
Speaker 3: And you can show us maybe how to do it.

577
00:29:27,000 --> 00:29:27,520
Speaker 3: It'd be fun.

578
00:29:27,560 --> 00:29:29,840
Speaker 1: I think if you kind of yes, you do it

579
00:29:29,880 --> 00:29:31,360
Speaker 1: for we know how to do it, but you do

580
00:29:31,400 --> 00:29:32,800
Speaker 1: it first, and then we'll do it.

581
00:29:32,920 --> 00:29:35,840
Speaker 3: Let us leave this because I know you unwrap it

582
00:29:35,960 --> 00:29:37,080
Speaker 3: at the first.

583
00:29:37,280 --> 00:29:40,200
Speaker 7: Well you can if you want, if you want to change.

584
00:29:40,000 --> 00:29:41,680
Speaker 3: It, because you want to get to the inside, which

585
00:29:41,680 --> 00:29:42,800
Speaker 3: is where the good part it?

586
00:29:42,880 --> 00:29:45,800
Speaker 1: Sure, you want that mostly in your body, and you

587
00:29:45,920 --> 00:29:48,080
Speaker 1: put and you put it in your mouth, and I

588
00:29:48,080 --> 00:29:53,840
Speaker 1: think that you know, once you've done that, you're really

589
00:29:53,880 --> 00:29:55,000
Speaker 1: having a good cigarette.

590
00:29:55,120 --> 00:29:57,520
Speaker 2: It's too wide to see. Look at what it's too

591
00:29:57,560 --> 00:29:59,880
Speaker 2: wide to go in WI wise.

592
00:30:00,040 --> 00:30:02,800
Speaker 6: Sometimes I will I'll take an apple and I'll carve

593
00:30:02,840 --> 00:30:04,840
Speaker 6: a hole into one side and a hole into the other.

594
00:30:06,800 --> 00:30:10,720
Speaker 2: You can pretend, yes, Oh wow, that's really fun.

595
00:30:10,800 --> 00:30:11,760
Speaker 7: It's very fun.

596
00:30:12,200 --> 00:30:13,880
Speaker 2: Which part do you just put on the end of

597
00:30:13,920 --> 00:30:14,440
Speaker 2: your tongue?

598
00:30:14,880 --> 00:30:16,480
Speaker 7: You look, you want to get a little bit of

599
00:30:16,560 --> 00:30:16,960
Speaker 7: the paper.

600
00:30:17,640 --> 00:30:22,080
Speaker 1: You're just trying to that's good. Are you trying to dip?

601
00:30:22,480 --> 00:30:25,800
Speaker 1: Just pack it in your lip? Oh yeah, water and

602
00:30:25,840 --> 00:30:30,280
Speaker 1: you just and you can rub it on your gums too, right.

603
00:30:31,080 --> 00:30:32,680
Speaker 2: Oh, that tastes so nice.

604
00:30:33,560 --> 00:30:36,239
Speaker 1: If you want, you can. You can't inject it.

605
00:30:36,360 --> 00:30:37,200
Speaker 7: I'm going to be honest.

606
00:30:37,480 --> 00:30:40,240
Speaker 1: I I'm loving the rush and the feeling from it

607
00:30:40,600 --> 00:30:44,040
Speaker 1: and the and these ones have the recessed filter and

608
00:30:44,080 --> 00:30:47,360
Speaker 1: it's and it feels like you're on recess and you're

609
00:30:47,480 --> 00:30:50,520
Speaker 1: just a kid again, and which we are young already.

610
00:30:50,840 --> 00:30:54,360
Speaker 1: And and you can keep stuff in it too. I like,

611
00:30:54,480 --> 00:30:57,160
Speaker 1: I'll keep it in my mouth, and it's.

612
00:30:57,080 --> 00:30:59,160
Speaker 2: Almost all the way in. I keep my keys in

613
00:30:59,200 --> 00:30:59,960
Speaker 2: the filter.

614
00:30:59,760 --> 00:31:02,600
Speaker 6: That's it doesn't drop out, and so I can guarantee

615
00:31:02,640 --> 00:31:05,680
Speaker 6: and I'll get maybe ten seconds of it or just

616
00:31:05,680 --> 00:31:06,880
Speaker 6: looking really cool like this.

617
00:31:07,400 --> 00:31:09,080
Speaker 1: Yeah, And that's why you just go through a pack.

618
00:31:09,120 --> 00:31:10,440
Speaker 7: I was going through a pack a day.

619
00:31:10,560 --> 00:31:10,800
Speaker 2: Guys.

620
00:31:11,120 --> 00:31:13,600
Speaker 1: Why you're you just got to be cool all the time?

621
00:31:14,680 --> 00:31:16,680
Speaker 7: Want to be frow cool.

622
00:31:16,720 --> 00:31:19,320
Speaker 2: That was good the way you're the way Sean's doing it,

623
00:31:19,560 --> 00:31:20,240
Speaker 2: it got good.

624
00:31:20,760 --> 00:31:23,280
Speaker 1: You just like look out into the skyline and you

625
00:31:23,400 --> 00:31:23,720
Speaker 1: just go.

626
00:31:23,800 --> 00:31:28,840
Speaker 2: Wow, Oh it's all it's all the way in.

627
00:31:29,320 --> 00:31:34,080
Speaker 1: You can you believe in doing cigarettes? Ever, even almost

628
00:31:34,160 --> 00:31:37,120
Speaker 1: went out of fashion because it's because we.

629
00:31:37,120 --> 00:31:39,800
Speaker 3: All are so cosmic because the government and what they

630
00:31:39,800 --> 00:31:43,600
Speaker 3: don't tell you is that George Washington, yeah, just spit

631
00:31:43,680 --> 00:31:45,920
Speaker 3: that out and in the trash cody.

632
00:31:46,520 --> 00:31:48,720
Speaker 1: Usually usually that swallow's just or like I'm trying to quit.

633
00:31:48,840 --> 00:31:49,120
Speaker 1: I don't.

634
00:31:49,320 --> 00:31:54,960
Speaker 3: Yes, George Washington grew a cigarette, oh yes, and uh

635
00:31:55,120 --> 00:31:57,680
Speaker 3: Martha finished it with him and then he chopped it down.

636
00:31:57,800 --> 00:32:01,880
Speaker 1: And that was how relationships often started back then and

637
00:32:01,920 --> 00:32:06,720
Speaker 1: in our country. So I do think that the government

638
00:32:06,960 --> 00:32:09,240
Speaker 1: doesn't want us to be having these cigarettes and having

639
00:32:09,280 --> 00:32:11,800
Speaker 1: fun as young people. But at the same time people

640
00:32:11,880 --> 00:32:14,640
Speaker 1: can see how fun and how cool. And I think

641
00:32:14,680 --> 00:32:18,040
Speaker 1: we're all being funnier now that we have are having cigarettes.

642
00:32:18,120 --> 00:32:20,840
Speaker 6: Yeah, I mean personally, I feel like I can relate

643
00:32:20,880 --> 00:32:21,560
Speaker 6: more to you guys.

644
00:32:21,600 --> 00:32:23,200
Speaker 1: I feel like I want to look up to you more.

645
00:32:23,480 --> 00:32:23,680
Speaker 6: I know.

646
00:32:23,920 --> 00:32:27,160
Speaker 3: It's a side of like you don't normally see on

647
00:32:27,240 --> 00:32:30,120
Speaker 3: like a podcast that is danger no, not anymore.

648
00:32:30,560 --> 00:32:34,840
Speaker 1: Yes, and just the I mean just the concept of

649
00:32:36,160 --> 00:32:41,360
Speaker 1: doing a cigarette and talking about smoking is so funny.

650
00:32:41,440 --> 00:32:44,320
Speaker 1: And I see that with so many of the truly

651
00:32:44,400 --> 00:32:47,680
Speaker 1: great comedians as they talk about smoking.

652
00:32:48,120 --> 00:32:50,320
Speaker 6: Yeah, well, it's hard because you can't technically smoke in

653
00:32:50,360 --> 00:32:53,240
Speaker 6: clubs anymore. So I've seen some just play videos of

654
00:32:53,280 --> 00:32:55,640
Speaker 6: them smoking behind them.

655
00:32:55,760 --> 00:32:57,280
Speaker 1: You just really get the full side.

656
00:32:57,080 --> 00:32:57,680
Speaker 2: That as good.

657
00:32:58,000 --> 00:32:58,520
Speaker 1: It's cool.

658
00:32:58,680 --> 00:33:00,920
Speaker 2: I'll be it. I like that more.

659
00:33:01,320 --> 00:33:01,760
Speaker 1: I'm trying.

660
00:33:01,800 --> 00:33:04,800
Speaker 6: Well, how you guys, uh, you guys into vape life.

661
00:33:04,960 --> 00:33:07,960
Speaker 6: I'm a little I'm sort of living the vape life.

662
00:33:08,720 --> 00:33:11,719
Speaker 1: Oh wow, now tell me more about it.

663
00:33:11,800 --> 00:33:12,520
Speaker 2: I know what it is.

664
00:33:12,560 --> 00:33:15,680
Speaker 1: But for Hazeen, for engineer Cody, who don't know.

665
00:33:15,760 --> 00:33:17,400
Speaker 6: I've seen, I know you get it. It's sort of

666
00:33:17,440 --> 00:33:21,320
Speaker 6: like a it's sort of like smoking to the extreme,

667
00:33:22,240 --> 00:33:25,240
Speaker 6: you know, it's like but more like my skateboard exactly.

668
00:33:25,320 --> 00:33:29,000
Speaker 1: Yes, Sean, it's like sometimes.

669
00:33:28,720 --> 00:33:30,560
Speaker 2: Smoking with like a bigger thing.

670
00:33:31,520 --> 00:33:33,240
Speaker 7: It's bigger, it's more cumbersome.

671
00:33:33,320 --> 00:33:35,360
Speaker 6: It lights up, so it's like, hey, look at me,

672
00:33:36,200 --> 00:33:39,000
Speaker 6: I'm really smoking over here. So you can see if

673
00:33:39,040 --> 00:33:42,600
Speaker 6: it's dark, yeah, Otherwise it's like what a tiny little

674
00:33:42,600 --> 00:33:43,880
Speaker 6: fire on the end of your cigarette.

675
00:33:43,920 --> 00:33:45,880
Speaker 2: Yeah, if it falls on the ground, you'd lose it

676
00:33:46,000 --> 00:33:46,560
Speaker 2: in the dark.

677
00:33:46,720 --> 00:33:50,680
Speaker 6: I want a fucking bright strobing light to let people know, hey,

678
00:33:50,840 --> 00:33:51,720
Speaker 6: it's not a big deal.

679
00:33:52,520 --> 00:33:56,320
Speaker 3: And you can see sometimes far away in the sky

680
00:33:56,880 --> 00:34:00,400
Speaker 3: those like big rotating like vape lights. Yes, if you

681
00:34:00,440 --> 00:34:03,800
Speaker 3: want to find another guy who's vaping, you just follow

682
00:34:03,880 --> 00:34:05,520
Speaker 3: the big Yes, the light.

683
00:34:06,000 --> 00:34:09,600
Speaker 1: It's like a bat sit And part of what I

684
00:34:09,680 --> 00:34:13,920
Speaker 1: found a new piece of the cigarette. And so Sean

685
00:34:14,000 --> 00:34:16,680
Speaker 1: did discover a new piece. Look, and so imagine what

686
00:34:16,719 --> 00:34:18,319
Speaker 1: I could do with this And if I want to

687
00:34:19,440 --> 00:34:23,239
Speaker 1: stick it to my ass or anything like that, and

688
00:34:23,280 --> 00:34:25,680
Speaker 1: I'm that fucked up, you know that. I just like,

689
00:34:25,760 --> 00:34:27,720
Speaker 1: if that's going to get it in my bloodstream fast

690
00:34:27,760 --> 00:34:30,839
Speaker 1: or fine, I'll stick this weird cot me part.

691
00:34:30,960 --> 00:34:32,600
Speaker 2: I'll shove it up my ass.

692
00:34:32,760 --> 00:34:36,719
Speaker 3: Oh hey, the popcorn gallery started. We want to do

693
00:34:36,800 --> 00:34:39,360
Speaker 3: a thing that's a little different with this popcorn gallery.

694
00:34:39,400 --> 00:34:40,959
Speaker 2: But here's what we normally do.

695
00:34:41,200 --> 00:34:44,319
Speaker 3: Most of the time people send in the question, we

696
00:34:45,040 --> 00:34:50,120
Speaker 3: pull it on to the show. The question is red you,

697
00:34:50,320 --> 00:34:54,359
Speaker 3: and being the guest, you answer the question for us.

698
00:34:55,440 --> 00:34:55,799
Speaker 1: Got it?

699
00:34:56,160 --> 00:34:57,320
Speaker 2: That's the way normal.

700
00:34:58,719 --> 00:35:00,000
Speaker 1: You'll explain that that's the way normal.

701
00:35:00,760 --> 00:35:05,240
Speaker 3: But with you, it's a little different because we noticed something, Shelby.

702
00:35:05,280 --> 00:35:07,120
Speaker 2: We notice a little something, and.

703
00:35:06,920 --> 00:35:08,919
Speaker 1: This is to be helpful to you, and please don't

704
00:35:08,920 --> 00:35:12,960
Speaker 1: take it as a to offensive. It sounds like I'm

705
00:35:13,080 --> 00:35:14,560
Speaker 1: already taking it that way.

706
00:35:14,880 --> 00:35:19,640
Speaker 3: You're on Twitter, go on famous, a lot of friends

707
00:35:19,640 --> 00:35:20,880
Speaker 3: on there, would you agree?

708
00:35:21,120 --> 00:35:22,600
Speaker 1: Yeah? Friends get you.

709
00:35:22,640 --> 00:35:24,960
Speaker 7: Into the airport every day, even if I'm not going anywhere.

710
00:35:25,600 --> 00:35:31,880
Speaker 3: We've noticed you, right, funny, you do a funny on

711
00:35:32,040 --> 00:35:38,160
Speaker 3: this right on, and then people respond to you. Yeah,

712
00:35:38,239 --> 00:35:41,359
Speaker 3: and it's almost like you don't notice.

713
00:35:42,520 --> 00:35:44,680
Speaker 6: It's just, you know, sometimes when you just get flooded

714
00:35:44,840 --> 00:35:45,960
Speaker 6: with audience engagement.

715
00:35:46,280 --> 00:35:49,879
Speaker 1: This is your fans reaching out to you screens and a.

716
00:35:49,840 --> 00:35:52,719
Speaker 3: Lot of them are in the form of questions inviting

717
00:35:52,840 --> 00:35:53,959
Speaker 3: responses to you.

718
00:35:54,640 --> 00:35:56,080
Speaker 2: Are you missing them?

719
00:35:56,320 --> 00:35:59,719
Speaker 6: If you're standing on the beach getting hit by the ocean,

720
00:35:59,840 --> 00:36:00,960
Speaker 6: you just want to enjoy it.

721
00:36:01,040 --> 00:36:01,560
Speaker 1: You don't want to.

722
00:36:01,520 --> 00:36:05,200
Speaker 6: Pick out every little salt crystal and drop and respond

723
00:36:05,239 --> 00:36:05,520
Speaker 6: to it.

724
00:36:06,280 --> 00:36:09,600
Speaker 1: I don't know how to deal with this metaphor. I

725
00:36:10,800 --> 00:36:14,520
Speaker 1: don't think anyone's asking you to pick out the salt crystals.

726
00:36:14,000 --> 00:36:17,000
Speaker 3: From the ocean. They're just asking you to answer yes

727
00:36:17,520 --> 00:36:18,280
Speaker 3: or questions.

728
00:36:18,360 --> 00:36:20,360
Speaker 1: And they're direct questions sometimes.

729
00:36:19,920 --> 00:36:22,120
Speaker 3: And sometimes there aren't I'm looking at it here. Sometimes

730
00:36:22,160 --> 00:36:23,440
Speaker 3: there aren't that many.

731
00:36:24,440 --> 00:36:27,520
Speaker 1: Yeah, there's only a few sometimes, or they're just sometimes

732
00:36:27,600 --> 00:36:30,239
Speaker 1: they actually have a better take on your joke, and

733
00:36:30,280 --> 00:36:33,759
Speaker 1: I think that in those cases you should probably retweet

734
00:36:33,880 --> 00:36:37,160
Speaker 1: them or just rewrite the joke to be what they did.

735
00:36:37,200 --> 00:36:39,719
Speaker 6: But I will say occasionally I will DM people to

736
00:36:39,800 --> 00:36:42,239
Speaker 6: delete their tweets because there's too many, and I don't

737
00:36:42,239 --> 00:36:45,640
Speaker 6: want that to be cumbersome for their from So you ones.

738
00:36:45,440 --> 00:36:48,640
Speaker 1: Here, Yeah, I like them. Leave your question up.

739
00:36:48,680 --> 00:36:50,360
Speaker 7: It was totally really legitimate.

740
00:36:51,000 --> 00:36:53,480
Speaker 1: Well, we're going to give you an opportunity to sort

741
00:36:53,480 --> 00:36:57,280
Speaker 1: of follow up the questions that you've missed, So we'll

742
00:36:57,520 --> 00:36:58,800
Speaker 1: take a tweet of yours.

743
00:36:58,880 --> 00:37:02,160
Speaker 2: It's funny, and any tweet and any funny that you've done.

744
00:37:02,200 --> 00:37:05,320
Speaker 2: And and then people have responded to that with questions,

745
00:37:05,360 --> 00:37:08,400
Speaker 2: and now you can answer them on our show.

746
00:37:08,480 --> 00:37:09,239
Speaker 1: Okay, that's fair.

747
00:37:09,560 --> 00:37:11,320
Speaker 7: That feels like a fair platform.

748
00:37:11,120 --> 00:37:15,920
Speaker 3: And we help you like it, So you tweet, you

749
00:37:16,000 --> 00:37:21,160
Speaker 3: tweet yesterday. It's crazy how many periods we're expected to

750
00:37:21,200 --> 00:37:21,680
Speaker 3: deal with.

751
00:37:22,480 --> 00:37:23,480
Speaker 2: And what's that mean?

752
00:37:24,440 --> 00:37:28,160
Speaker 6: You know, ladies, we got like, what forty years of bleeding?

753
00:37:29,040 --> 00:37:29,640
Speaker 2: That's a lot.

754
00:37:29,880 --> 00:37:32,279
Speaker 6: Yeah, yeah, it felt like it felt in the moment,

755
00:37:32,320 --> 00:37:34,960
Speaker 6: it felt like a lot to me.

756
00:37:33,280 --> 00:37:36,880
Speaker 1: It hit me like the baby thing, you know.

757
00:37:37,239 --> 00:37:38,040
Speaker 2: It tripped you out.

758
00:37:38,200 --> 00:37:40,000
Speaker 1: Yeah, it really stressed me out.

759
00:37:40,120 --> 00:37:40,319
Speaker 2: Yeah.

760
00:37:40,320 --> 00:37:42,560
Speaker 1: I trip out on stuff like that sometimes.

761
00:37:42,880 --> 00:37:47,359
Speaker 3: And so that's sort of the foundational thought. And then

762
00:37:47,440 --> 00:37:52,440
Speaker 3: someone responds to you, yes, this is a Jamie Patton responds,

763
00:37:52,920 --> 00:37:53,279
Speaker 3: are we.

764
00:37:53,239 --> 00:37:55,520
Speaker 6: Talking about at Jamie?

765
00:37:55,680 --> 00:37:56,480
Speaker 1: Sp okay?

766
00:37:56,560 --> 00:37:57,080
Speaker 2: So a friend of.

767
00:37:57,080 --> 00:38:01,160
Speaker 1: Yours, thank you? What's her what's her little picture? Got it?

768
00:38:01,960 --> 00:38:06,080
Speaker 3: And she responds, are we talking menstrual full stops or

769
00:38:06,200 --> 00:38:11,080
Speaker 3: Jurassic And so now that's a question for you, and

770
00:38:11,120 --> 00:38:14,640
Speaker 3: now you what you do is you respond to the

771
00:38:14,719 --> 00:38:19,120
Speaker 3: question ideally with another funny thing. Yes, that kind of

772
00:38:19,200 --> 00:38:21,279
Speaker 3: keeps the process going. The idea is to keep the

773
00:38:21,320 --> 00:38:24,640
Speaker 3: back and forth, going for as long as possible.

774
00:38:24,239 --> 00:38:26,960
Speaker 6: Really tie them up in their engagement with me, to

775
00:38:27,040 --> 00:38:27,879
Speaker 6: keep them a fan.

776
00:38:28,600 --> 00:38:30,960
Speaker 1: Yes, should we have reached into the popcorn back for

777
00:38:31,040 --> 00:38:31,879
Speaker 1: that question.

778
00:38:32,160 --> 00:38:32,880
Speaker 2: Yeah, let's do it.

779
00:38:32,920 --> 00:38:37,040
Speaker 3: But this is like an electronic version, I guess, oh yes, okay.

780
00:38:37,640 --> 00:38:40,400
Speaker 6: Well you can bring out the physical if you want.

781
00:38:40,120 --> 00:38:41,360
Speaker 1: I don't need time.

782
00:38:41,800 --> 00:38:44,359
Speaker 2: I don't like cyber this is Yes.

783
00:38:44,400 --> 00:38:48,040
Speaker 1: We had Mark record one where he's being a robot

784
00:38:48,160 --> 00:38:51,320
Speaker 1: and engineer Cody helped him with it, gotten the wires

785
00:38:51,360 --> 00:38:53,680
Speaker 1: and helped him. Do you pay them or do they

786
00:38:53,680 --> 00:38:54,399
Speaker 1: do all that for.

787
00:38:55,280 --> 00:38:58,120
Speaker 2: My friend Mark from high school? Yeah? Uh, yes, he

788
00:38:58,440 --> 00:39:01,440
Speaker 2: gets it, eats a lot of popcorn. Yes, he's handsomely

789
00:39:01,520 --> 00:39:02,600
Speaker 2: compensated popcorn.

790
00:39:03,840 --> 00:39:05,680
Speaker 7: I feel like something for that. I almost want to

791
00:39:05,719 --> 00:39:06,080
Speaker 7: be like.

792
00:39:06,320 --> 00:39:09,080
Speaker 3: Well, let's take it out. Let's see you're jumping the

793
00:39:09,080 --> 00:39:11,120
Speaker 3: gun here show you have to take it out, and

794
00:39:11,200 --> 00:39:12,560
Speaker 3: we do have to take it out and hang out.

795
00:39:12,640 --> 00:39:13,920
Speaker 3: Let me play the center.

796
00:39:17,600 --> 00:39:18,680
Speaker 1: Proper, properly.

797
00:39:27,280 --> 00:39:31,680
Speaker 2: It's a squirrel nuts zippers c d Okay.

798
00:39:31,800 --> 00:39:33,839
Speaker 1: So I think what happened is Mark heard me talk

799
00:39:33,880 --> 00:39:36,200
Speaker 1: about Big Vay Voodoo Daddy and he probably felt like

800
00:39:36,400 --> 00:39:39,600
Speaker 1: squirre zippers aren't getting enough love, and so he wanted

801
00:39:39,640 --> 00:39:41,759
Speaker 1: to get them referenced in the show and also to

802
00:39:41,800 --> 00:39:44,560
Speaker 1: pull this electronic piece of popcorn out for you to

803
00:39:45,000 --> 00:39:46,040
Speaker 1: be a question for you.

804
00:39:46,239 --> 00:39:49,320
Speaker 6: It's crazy, it's crazy. How good the Folly artists artistry

805
00:39:49,560 --> 00:39:50,040
Speaker 6: was on that?

806
00:39:50,400 --> 00:39:55,400
Speaker 3: Yeah, well if they're all like computer yes, so okay,

807
00:39:55,480 --> 00:39:59,000
Speaker 3: now you can are we talking menstrual full stops or

808
00:39:59,080 --> 00:40:00,279
Speaker 3: Jurassic Let's parks.

809
00:40:00,280 --> 00:40:02,560
Speaker 7: I'm not fully sure she means by full stop like.

810
00:40:02,520 --> 00:40:06,880
Speaker 2: A period punctuation wise, Oh is up? They're called yes.

811
00:40:07,400 --> 00:40:10,000
Speaker 2: She wanted to use a different word sure instead without

812
00:40:10,080 --> 00:40:12,120
Speaker 2: saying period again and again.

813
00:40:12,160 --> 00:40:17,080
Speaker 6: I think I would respond like those my only options, right,

814
00:40:17,280 --> 00:40:18,680
Speaker 6: come on, hit me with more.

815
00:40:19,120 --> 00:40:21,719
Speaker 1: That's good, and then she will follow up with yes,

816
00:40:21,719 --> 00:40:27,120
Speaker 1: because and you make her strive to be her greatest

817
00:40:27,160 --> 00:40:30,399
Speaker 1: self exactly, come up with as many as possible. And

818
00:40:30,440 --> 00:40:33,319
Speaker 1: that's what we're talking about, is inspiring your fans and

819
00:40:33,480 --> 00:40:35,759
Speaker 1: lighting that fire under their ass to get out there

820
00:40:35,800 --> 00:40:38,319
Speaker 1: and come up with more kinds of periods that there

821
00:40:38,360 --> 00:40:41,799
Speaker 1: could be. And it says, what's so great about, you know,

822
00:40:41,960 --> 00:40:45,680
Speaker 1: the new social media and the digital revolution is we're

823
00:40:45,719 --> 00:40:49,200
Speaker 1: able to communicate with these people and inspire them and

824
00:40:49,320 --> 00:40:52,520
Speaker 1: drive them on and she's gonna win a maybe gold

825
00:40:52,560 --> 00:40:56,200
Speaker 1: medal for coming up with periods types of periods. I'm sorry, Hayes,

826
00:40:56,200 --> 00:40:57,680
Speaker 1: Are you not? Are you not moved?

827
00:40:58,080 --> 00:40:58,279
Speaker 4: No?

828
00:40:58,360 --> 00:41:02,400
Speaker 2: I don't clap. It looks like it hurts.

829
00:41:03,800 --> 00:41:06,360
Speaker 1: The pain is what shows your appreciation for other people.

830
00:41:06,520 --> 00:41:09,839
Speaker 2: So that's what we're giving something of ourselves. Hey can

831
00:41:09,880 --> 00:41:13,920
Speaker 2: I get another smoke? I'm fiending for it. I'm feeding

832
00:41:14,080 --> 00:41:18,160
Speaker 2: for these things. Oh yeah, man, I gotta get my fixed.

833
00:41:18,160 --> 00:41:21,560
Speaker 2: You can two together? Oh the withdrawal you can?

834
00:41:21,680 --> 00:41:23,719
Speaker 3: Yes, it's a little hole in the one ndswer you

835
00:41:23,760 --> 00:41:26,480
Speaker 3: can put one inside the other.

836
00:41:26,680 --> 00:41:28,719
Speaker 1: Yes, that's what I'll try to do is get a

837
00:41:28,760 --> 00:41:30,040
Speaker 1: sort of daisy chain effect.

838
00:41:30,160 --> 00:41:32,600
Speaker 6: I will say sometimes I like to put two and

839
00:41:32,680 --> 00:41:34,560
Speaker 6: look like a walrus. Oh.

840
00:41:35,520 --> 00:41:38,840
Speaker 1: People laugh, They really messed.

841
00:41:38,960 --> 00:41:40,600
Speaker 7: Oh I get fucked up.

842
00:41:41,719 --> 00:41:44,200
Speaker 3: Let's let's should we get another one of these? We

843
00:41:44,239 --> 00:41:47,000
Speaker 3: can use the same tweet. There are like twelve different

844
00:41:47,239 --> 00:41:48,520
Speaker 3: responses to this that you.

845
00:41:48,480 --> 00:41:49,440
Speaker 2: Can probably deal with.

846
00:41:49,560 --> 00:41:50,279
Speaker 1: People love me.

847
00:41:51,320 --> 00:41:54,279
Speaker 2: Should we get another question out of the bag? Yes? Yes,

848
00:41:54,880 --> 00:42:00,240
Speaker 2: hold on, let me just play the sound drop clup, clupup.

849
00:42:06,680 --> 00:42:19,160
Speaker 8: Weirduquoggy and let's see there it's smooth cigarette high and okay,

850
00:42:19,200 --> 00:42:21,520
Speaker 8: well it looks like Marks is just as young as

851
00:42:21,600 --> 00:42:23,080
Speaker 8: us and he's doing cigarettes too.

852
00:42:23,600 --> 00:42:27,560
Speaker 2: So here's a response from Jake at Jake from Gaffney,

853
00:42:28,120 --> 00:42:34,160
Speaker 2: same question, the same question, Yes, same question. His response is.

854
00:42:34,640 --> 00:42:37,560
Speaker 3: So you say it's crazy how many periods were expected

855
00:42:37,600 --> 00:42:40,120
Speaker 3: to deal with? And he says, for real, I can

856
00:42:40,160 --> 00:42:43,200
Speaker 3: hardly keep up with the back to the future parentheses,

857
00:42:43,280 --> 00:42:45,120
Speaker 3: BTTF timeline.

858
00:42:45,440 --> 00:42:46,680
Speaker 2: Are we rebooting that?

859
00:42:47,200 --> 00:42:49,719
Speaker 7: Oh, that's not a bad one.

860
00:42:50,520 --> 00:42:52,160
Speaker 2: No, that's why I.

861
00:42:51,840 --> 00:42:53,680
Speaker 1: That's like telling you that's pretty good.

862
00:42:53,760 --> 00:42:57,120
Speaker 3: You should have responded, So how would you respond as

863
00:42:57,120 --> 00:43:01,200
Speaker 3: something like that he's asking, he's sending it back to you, saying, like,

864
00:43:01,680 --> 00:43:05,319
Speaker 3: taking your original intention, now let's make it about back

865
00:43:05,360 --> 00:43:06,000
Speaker 3: to the future.

866
00:43:06,560 --> 00:43:09,719
Speaker 2: And now what do you do free booting? Is there

867
00:43:09,760 --> 00:43:11,759
Speaker 2: any and they're trying to do?

868
00:43:12,360 --> 00:43:15,600
Speaker 1: You know, he's ponging it back to you, so you

869
00:43:15,680 --> 00:43:17,040
Speaker 1: have to ping it back to him.

870
00:43:17,200 --> 00:43:18,840
Speaker 6: Well, it's hard because that feels like he's trying to

871
00:43:18,840 --> 00:43:22,080
Speaker 6: do sort of like an improv move. Yeah, when really

872
00:43:22,520 --> 00:43:25,960
Speaker 6: when really twitter? Twitter is like a slam medium.

873
00:43:26,000 --> 00:43:27,920
Speaker 2: Well, you're supposed to do it fast.

874
00:43:28,800 --> 00:43:30,040
Speaker 7: You're not supposed to take time.

875
00:43:30,200 --> 00:43:32,640
Speaker 2: But I feel like you're supposed to respond really fast.

876
00:43:32,280 --> 00:43:35,600
Speaker 6: To these things back to the future franchise, Well, if

877
00:43:35,600 --> 00:43:37,520
Speaker 6: I laugh, do I have to respond with ha ha

878
00:43:37,520 --> 00:43:39,000
Speaker 6: ha's lol.

879
00:43:39,280 --> 00:43:40,720
Speaker 2: That's good. That's a good start.

880
00:43:41,040 --> 00:43:42,520
Speaker 7: Does that give them too much?

881
00:43:42,760 --> 00:43:43,399
Speaker 1: I think if you.

882
00:43:43,480 --> 00:43:46,960
Speaker 3: Start with ha ha, and then you can get into

883
00:43:48,400 --> 00:43:49,279
Speaker 3: like another.

884
00:43:49,000 --> 00:43:52,920
Speaker 6: Joke, some sort of like hilarious quick back, like what

885
00:43:52,920 --> 00:43:54,560
Speaker 6: would I say, how many periods are expecting to.

886
00:43:58,440 --> 00:44:01,040
Speaker 1: Take a picture? He made a big spliff?

887
00:44:01,760 --> 00:44:07,600
Speaker 6: Oh dude, oh hear those camera snaps.

888
00:44:08,160 --> 00:44:14,040
Speaker 1: Legendary spliff status and this' and I'm so ire mate.

889
00:44:16,000 --> 00:44:19,239
Speaker 3: Okay, so that's good. There's another let's do with these

890
00:44:19,320 --> 00:44:19,879
Speaker 3: rapid fires.

891
00:44:19,880 --> 00:44:21,040
Speaker 1: I never answer, I never answered.

892
00:44:21,040 --> 00:44:23,360
Speaker 2: I get Oh, I thought it was just gonna be

893
00:44:23,360 --> 00:44:23,799
Speaker 2: ha ha ha.

894
00:44:24,120 --> 00:44:26,600
Speaker 1: No, I guess I'd be like, ha ha ha.

895
00:44:28,560 --> 00:44:32,839
Speaker 6: There's not that many films, dude, it's not that hard

896
00:44:32,840 --> 00:44:33,400
Speaker 6: to keep up with.

897
00:44:33,760 --> 00:44:36,600
Speaker 1: Oh, and then maybe plug a brand, like isn't that

898
00:44:36,640 --> 00:44:38,160
Speaker 1: a good way to just get paid?

899
00:44:38,200 --> 00:44:38,359
Speaker 2: Then?

900
00:44:38,600 --> 00:44:39,879
Speaker 1: Like it's not like hashtags?

901
00:44:39,880 --> 00:44:44,080
Speaker 6: Transformers T five coming this August by Michael Bay.

902
00:44:44,160 --> 00:44:45,800
Speaker 1: Yes, opulous riff.

903
00:44:46,080 --> 00:44:51,040
Speaker 3: Yes, let's do okay, really quick responses, because this is

904
00:44:51,040 --> 00:44:52,560
Speaker 3: how you're supposed to do them. You're supposed to get

905
00:44:52,560 --> 00:44:55,000
Speaker 3: these and just be like, man, joke back, joke back, zoom,

906
00:44:55,000 --> 00:44:58,719
Speaker 3: and they go like, what's this? Ma, yes, okay, So

907
00:44:59,080 --> 00:45:01,160
Speaker 3: it's crazy how many peer as we're expected to deal with?

908
00:45:01,360 --> 00:45:12,000
Speaker 3: Nicholas d g at and Digal says, pulled out.

909
00:45:13,040 --> 00:45:16,839
Speaker 2: Piece of seven, So there you go.

910
00:45:17,480 --> 00:45:25,440
Speaker 3: So Nicholas says, that's a Picasso quote word, like periods.

911
00:45:25,440 --> 00:45:28,719
Speaker 3: He did a lot of periods. I have a good

912
00:45:28,760 --> 00:45:29,919
Speaker 3: response for this one.

913
00:45:30,040 --> 00:45:32,240
Speaker 7: Not dog, it's a Shelby motherfucking pharaoh.

914
00:45:32,480 --> 00:45:34,760
Speaker 6: And then I would tweet some sort of picture along

915
00:45:34,800 --> 00:45:38,480
Speaker 6: with that, Pica and being.

916
00:45:38,360 --> 00:45:41,279
Speaker 3: Aggressive and you should stay on the theme, you know,

917
00:45:41,480 --> 00:45:45,040
Speaker 3: like you should give you take what they give you, you know.

918
00:45:45,200 --> 00:45:48,040
Speaker 3: So he says like, that's a Picasso quote word, and

919
00:45:48,200 --> 00:45:49,200
Speaker 3: you could be like ye.

920
00:45:50,560 --> 00:45:54,200
Speaker 1: Like yeah, Picasso had a terrible menstrual cycle.

921
00:45:54,320 --> 00:45:55,160
Speaker 2: What about this one?

922
00:45:55,320 --> 00:45:58,399
Speaker 3: Like, yeah, I had a blue period the other day

923
00:45:58,719 --> 00:46:01,400
Speaker 3: it was pretty.

924
00:46:01,320 --> 00:46:03,800
Speaker 7: Oh, Picasso runs all those tampon ads.

925
00:46:04,239 --> 00:46:05,720
Speaker 2: That's fine?

926
00:46:06,640 --> 00:46:07,399
Speaker 1: Is that too many?

927
00:46:07,600 --> 00:46:08,160
Speaker 2: That works?

928
00:46:08,280 --> 00:46:12,160
Speaker 1: I might be like, I use a toilet paper for that,

929
00:46:12,360 --> 00:46:16,759
Speaker 1: because Picasso sound like kind of like he's saying that

930
00:46:16,960 --> 00:46:25,360
Speaker 1: you're picking at your buck. So for me, I'm thinking

931
00:46:25,400 --> 00:46:27,080
Speaker 1: this guy's already done a lot of the work. He

932
00:46:27,120 --> 00:46:30,600
Speaker 1: has such a funny word in here that I actually

933
00:46:30,600 --> 00:46:32,799
Speaker 1: don't need to do anything to tweet back at him

934
00:46:32,800 --> 00:46:36,280
Speaker 1: except just take that word and just say toilet paper.

935
00:46:36,560 --> 00:46:38,400
Speaker 1: I'm nervous because I have one response, but that was

936
00:46:38,400 --> 00:46:42,200
Speaker 1: so strong. Yeah, well go ahead and put yours out

937
00:46:42,200 --> 00:46:43,879
Speaker 1: and maybe I'll even beat that one too.

938
00:46:44,080 --> 00:46:44,239
Speaker 2: Well.

939
00:46:44,239 --> 00:46:47,879
Speaker 6: It's sort of like, yeah, it must have been hard

940
00:46:47,920 --> 00:46:52,520
Speaker 6: when your vagina was on your forehead. Oh that's like

941
00:46:52,560 --> 00:46:54,759
Speaker 6: an art, an art thing, mm hmm.

942
00:46:54,960 --> 00:47:00,879
Speaker 1: Yeah, because I went to school, cubes, you improved it.

943
00:47:01,600 --> 00:47:02,160
Speaker 1: I don't know.

944
00:47:03,600 --> 00:47:03,880
Speaker 8: Now.

945
00:47:05,680 --> 00:47:07,879
Speaker 1: Oh the cigarettes man, Well.

946
00:47:07,600 --> 00:47:08,239
Speaker 2: They get to you.

947
00:47:08,280 --> 00:47:10,479
Speaker 1: And that's the price you pay for just looking great

948
00:47:10,480 --> 00:47:11,680
Speaker 1: and being one of the mad men.

949
00:47:11,760 --> 00:47:16,759
Speaker 2: Basically, thanks so much for being thanks for coming on

950
00:47:16,760 --> 00:47:18,520
Speaker 2: the show, and this is good for you as well.

951
00:47:18,560 --> 00:47:21,600
Speaker 2: To just like now, now, let's everyone listen. If you

952
00:47:21,600 --> 00:47:24,960
Speaker 2: follow Shelby, tweet a joke response to one of her jokes,

953
00:47:24,960 --> 00:47:28,600
Speaker 2: and she'll be a little better, right, Yeah, about getting

954
00:47:28,640 --> 00:47:29,799
Speaker 2: back to some of these things.

955
00:47:29,920 --> 00:47:32,839
Speaker 6: No, you're right, I was much funnier in my responses.

956
00:47:32,880 --> 00:47:36,080
Speaker 6: I could be a lot. They're letting me be funnier.

957
00:47:35,760 --> 00:47:38,600
Speaker 2: Or even responding at all. It's just a great and

958
00:47:38,800 --> 00:47:40,040
Speaker 2: some of these people deserve a.

959
00:47:40,040 --> 00:47:42,279
Speaker 3: Follow, And if you're funny enough, you will get a

960
00:47:42,360 --> 00:47:42,960
Speaker 3: nice follow.

961
00:47:43,320 --> 00:47:45,839
Speaker 1: Yes, if you tweet a really funny response to one

962
00:47:45,880 --> 00:47:47,759
Speaker 1: of Shelby's tweets. And this is moving forward to all

963
00:47:47,800 --> 00:47:51,120
Speaker 1: you followers out there. She promises to follow you and

964
00:47:51,160 --> 00:47:53,000
Speaker 1: probably start retweeting you.

965
00:47:53,360 --> 00:47:56,160
Speaker 7: If they tweet me their address, I'll show up.

966
00:47:56,280 --> 00:47:58,480
Speaker 1: Make a vine. So yeah, you guys can make a

967
00:47:58,560 --> 00:48:01,279
Speaker 1: vine together, show up and yeah, make a.

968
00:48:01,880 --> 00:48:02,919
Speaker 7: Six second piece of gold.

969
00:48:04,400 --> 00:48:06,240
Speaker 2: That's like a baby. That's what you call like a baby.

970
00:48:06,400 --> 00:48:07,680
Speaker 7: Yeah, six second piece of gold.

971
00:48:08,520 --> 00:48:11,160
Speaker 1: And who got the pro version this week?

972
00:48:11,239 --> 00:48:13,319
Speaker 2: A bear? A bear? Got it?

973
00:48:13,360 --> 00:48:16,840
Speaker 1: And so Shelby's gonna turn you onto some cool new music.

974
00:48:16,880 --> 00:48:18,920
Speaker 1: A bear because we've been talking about all this music.

975
00:48:18,960 --> 00:48:21,959
Speaker 1: And who's the youngest coolest musician that a bear could

976
00:48:21,960 --> 00:48:22,359
Speaker 1: listen to?

977
00:48:24,440 --> 00:48:24,480
Speaker 6: Do?

978
00:48:24,520 --> 00:48:26,359
Speaker 1: You mean literally? A bear?

979
00:48:26,840 --> 00:48:28,640
Speaker 2: That's the name of the bear?

980
00:48:29,120 --> 00:48:29,560
Speaker 1: Got it?

981
00:48:29,719 --> 00:48:31,960
Speaker 7: Okay? He's like, all right, okay, I got it.

982
00:48:32,480 --> 00:48:34,000
Speaker 1: Oh, who's hip right now?

983
00:48:34,040 --> 00:48:34,160
Speaker 4: Well?

984
00:48:34,200 --> 00:48:38,480
Speaker 6: You know, Lord, Lord's like, she's what fourteen? Got a

985
00:48:38,480 --> 00:48:39,000
Speaker 6: lot of hair?

986
00:48:39,360 --> 00:48:39,640
Speaker 4: Lord?

987
00:48:40,360 --> 00:48:44,040
Speaker 3: Yeah, Lord, got a lot of hair. That's what people

988
00:48:44,200 --> 00:48:48,160
Speaker 3: like about her. Yes, she's got a bunch of hair.

989
00:48:48,360 --> 00:48:52,800
Speaker 7: Voluminous hair. You guys, she was big on the charts.

990
00:48:52,880 --> 00:48:56,839
Speaker 1: Like us on Facebook, and please do talk to us

991
00:48:56,840 --> 00:48:57,680
Speaker 1: on the forums.

992
00:48:57,760 --> 00:49:02,720
Speaker 2: And just you know what else can they do? Hayes?

993
00:49:02,760 --> 00:49:05,920
Speaker 2: Oh iTunes? Yeah, iTunes, Yeah, five stars.

994
00:49:05,960 --> 00:49:09,040
Speaker 1: And then while you're on while you're on iTunes, look

995
00:49:09,080 --> 00:49:12,840
Speaker 1: at lorg and uh and all the you know the

996
00:49:12,920 --> 00:49:17,960
Speaker 1: hair and uh, just thanks for listening and thanks for

997
00:49:18,000 --> 00:49:19,080
Speaker 1: being our friend.

998
00:49:20,360 --> 00:49:23,439
Speaker 7: Say bye, Oh, I have to say something else, say goodbye.

999
00:49:23,200 --> 00:49:26,120
Speaker 3: Oh bye, and say say a bear's name they like

1000
00:49:26,160 --> 00:49:28,600
Speaker 3: when you buy a bear?

1001
00:49:30,520 --> 00:49:41,359
Speaker 1: Is that not great? This has been an ear Wolf

1002
00:49:41,440 --> 00:49:44,440
Speaker 1: Media production executive producers Jeff Ulrick and Scott Offerman.

1003
00:49:44,600 --> 00:49:46,440
Speaker 2: For more information, visit earwolf dot.

1004
00:49:46,280 --> 00:49:57,800
Speaker 4: Com, ear War Radio, boom do com.

1005
00:50:01,000 --> 00:50:01,880
Speaker 2: The Worm's Dead