WEBVTT - Oscar Nunez

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<v Speaker 1>And you wearing the white coat is labbed as a

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<v Speaker 1>dental technician. That was not the life that you saw

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<v Speaker 1>for yourself. Horrible in a laboratory body. Look, it's a

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<v Speaker 1>great profession if you want to do that, but it

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<v Speaker 1>wasn't for me. There's no applause, there's no groupies, there's

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<v Speaker 1>no cocaine. All the things that you we've talked about.

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<v Speaker 1>This what you went that's why you went into the business.

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<v Speaker 1>That's why I went into the business. And there was

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<v Speaker 1>none of that in the in the laboratory. Hi, I'm

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<v Speaker 1>Oscar Nunyaz. You know me probably best from the office.

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<v Speaker 1>And I have to count them. Two SAG awards, How

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<v Speaker 1>many do you have? Hello everybody, and welcome back. Here too,

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<v Speaker 1>off the beat. I am your host, Brian Baumgartner. And

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<v Speaker 1>oh no, here we go today. I am bringing on

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<v Speaker 1>a guest who need needs no introduction, but probably would

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<v Speaker 1>demand one anyway. He has my friend from the dandr

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<v Speaker 1>Mifflin accounting department and also friend in real life, Oscar

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<v Speaker 1>nun Yez. Now, while you might know Oscar best from

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<v Speaker 1>well our time together in the office, did you know

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<v Speaker 1>that Oscar once worked in a laboratory. Yes, Oscar worked

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<v Speaker 1>as a certified dental technician, which we all know is

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<v Speaker 1>the gateway to comedy. H Oscar joined me from his

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<v Speaker 1>closet today too well, to dive in deep about his

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<v Speaker 1>start in the improv world and the incredible journey that

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<v Speaker 1>brought him and his family from Cuba at a young

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<v Speaker 1>age to the US. What I ended up with was

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<v Speaker 1>a totally new side to my old friend. I heard

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<v Speaker 1>stories I have never heard before, including how Oscar feels

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<v Speaker 1>about putting his hands in people's mouth. So, if you're

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<v Speaker 1>up for a little sage, advice and a lot of

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<v Speaker 1>very dry humor, join me in welcoming the Shall we

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<v Speaker 1>say incomparable Oscar nun yez bubble and squeak. I love it.

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<v Speaker 1>Bubble and squeak on bubble and squeaker cookie every month

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<v Speaker 1>left over from the nab people. Here you go. Hello,

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<v Speaker 1>there's Brian. What's up? Oscar? What's up? Man? How are you?

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<v Speaker 1>I'm good? How are you? Did your wife just say

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<v Speaker 1>if you get bored, you can play with your daughter's toys. Yeah,

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<v Speaker 1>because the computer is uh set up on a little

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<v Speaker 1>stand that she has a little rolling table on the top,

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<v Speaker 1>and the shells below are full of her little toys,

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<v Speaker 1>her my little ponies. Yeah, and other things. Oh all right, Oscar,

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<v Speaker 1>are you are you thought out? Oscar and I were

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<v Speaker 1>just in Wyoming together. Are you thought out yet? Barely? Man?

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<v Speaker 1>It was cold, It was very cold. Zero belows minus

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<v Speaker 1>thirteen Was that the lowest we got? Let me just

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<v Speaker 1>throw out some numbers at you. Three, zero, ten, eleven.

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<v Speaker 1>Those are the ones I remember. Yeah, we went down

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<v Speaker 1>to zero. Yeah, I think we went below zero, but

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<v Speaker 1>I think we did too zero. It's great to see

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<v Speaker 1>you again. Thank you for coming and uh and talking

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<v Speaker 1>to me. We talked a lot about the office last time.

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<v Speaker 1>We're going to talk about some other things today. One

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<v Speaker 1>of the reasons I wanted to chat. I think a

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<v Speaker 1>lot of people don't know you were actually born in Cuba.

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<v Speaker 1>See see, yes, I was born in Cuba. You were

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<v Speaker 1>born in Cuba, and you left Cuba and went to Venezuela.

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<v Speaker 1>How long were you in Venezuela Just a year? Why

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<v Speaker 1>did you leave Cuba? Because the revolution took place, and

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<v Speaker 1>that there was a lot of corruption in the government,

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<v Speaker 1>in the presidency and whatnot, and so I think the

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<v Speaker 1>time was there was like revolution in the air, and

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<v Speaker 1>people weren't happy per se with the government, but it

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<v Speaker 1>wasn't catastrophically out of control, but it was, I don't know,

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<v Speaker 1>it was a volatile time. I think there were three things,

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<v Speaker 1>like three revel Like there was a union unions, and

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<v Speaker 1>the students were having a revolt and at that time

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<v Speaker 1>and Castor. Oh, these three movements started happening about the

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<v Speaker 1>same time, which I think was I don't know, fifty

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<v Speaker 1>eight or yeah, or fifty nine. And his revolution. He

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<v Speaker 1>he left on a yacht from Mexico with like twenty

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<v Speaker 1>seven guys or something, and it picked up steam in

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<v Speaker 1>the Sierra Madre and the mountains, gathering people behind them,

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<v Speaker 1>and they came into the city and Batista the president,

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<v Speaker 1>unlike the president of Ukraine, who is a real patriot

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<v Speaker 1>and a you know, wonderful person, this fella cut and run.

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<v Speaker 1>He had no qualms about leaving. He left with then

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<v Speaker 1>three million dollars, which is astronomical. He left the country

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<v Speaker 1>and that's it. And then the Castro swept in. And

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<v Speaker 1>then he said he was going to, uh, you know,

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<v Speaker 1>have elections and clean up the government, and he did,

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<v Speaker 1>and he stayed in power basically, and then he you know,

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<v Speaker 1>he went to the United States and asked for support,

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<v Speaker 1>and they thought he was a flash in the pan

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<v Speaker 1>and they said, get lost, you won't last two weeks.

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<v Speaker 1>We'll be back there, you know. And then he went

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<v Speaker 1>to Russia and they did back him up, and then

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<v Speaker 1>he came back and declared, we are communists now, and

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<v Speaker 1>so there's no more private property, and they confiscated private

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<v Speaker 1>lands and so they took a real estate and from

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<v Speaker 1>us and all that stuff. And my uncle had a ranch.

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<v Speaker 1>They came to take his ranch and he armed his

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<v Speaker 1>ranch hands and I think they shot two communists and

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<v Speaker 1>they threw him in jail as a political prisoner tilt eighty.

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<v Speaker 1>He was in jail from nineteen sixty nineteen eighty and

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<v Speaker 1>we got him out in nineteen eight. And my parents,

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<v Speaker 1>they were just starting their professional careers. My mom was

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<v Speaker 1>a dentist, my dad a lawyer. And my dad's friend

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<v Speaker 1>came up to him and said, uh, they just made me.

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<v Speaker 1>This new government just made me ambassador to my scout.

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<v Speaker 1>Do you want to be my assistant? Will leave with

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<v Speaker 1>our families and go And my parents thought about it.

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<v Speaker 1>They're like, no, we don't want to do that. And

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<v Speaker 1>then they're like, well, what do we have to leave.

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<v Speaker 1>So they're like, we are leaving the country, and the

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<v Speaker 1>newly formed government said we need professionals. You guys should stay.

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<v Speaker 1>They said thanks, no, thanks for leaving, and they said, okay,

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<v Speaker 1>you can leave. You can't take anything with you. Everything

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<v Speaker 1>stays here. So they left anyway. So they left. They

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<v Speaker 1>left with me, and they took a ham, like a

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<v Speaker 1>fifteen pound ham with them, and we took a boat

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<v Speaker 1>to Venezuela like a cooked ham to like a cooked ham,

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<v Speaker 1>and we for for us to eat, but we ended

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<v Speaker 1>up splitting it with people on the boat. We took

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<v Speaker 1>a boat to Venezuela. We were there a year. They

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<v Speaker 1>didn't like it. My mom particularly didn't like it. You know.

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<v Speaker 1>She was, like, I said, a dentist in Cuba. She

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<v Speaker 1>got to Venezuela, my dad was hanging out with some friends,

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<v Speaker 1>and I don't know, one of his friends, his new friends,

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<v Speaker 1>says something to the effect of, you should be in

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<v Speaker 1>the kitchen. Why are you here, Why are you discussing

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<v Speaker 1>this with us? And she's like, oh, no, no, no,

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<v Speaker 1>and she's like, we're leaving this country. So they did.

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<v Speaker 1>They left and we went to Massachusetts. We were there

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<v Speaker 1>a year. My sister was born there. Now it's and

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<v Speaker 1>all their friends were in New Jersey, and Massachusetts was fine,

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<v Speaker 1>but they were the only Cuban family there and they're like,

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<v Speaker 1>let's go to Jersey where all our friends are. So

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<v Speaker 1>that's what they did, and that's where I grew up.

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<v Speaker 1>That's like a thumbing sketchy. Yeah, you were telling me

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<v Speaker 1>this story while we were in Wyoming, and the idea

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<v Speaker 1>of them knowing that it was a bad situation fairly

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<v Speaker 1>quickly and making the decision to stay with their stuff

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<v Speaker 1>and their land and their property or having the option

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<v Speaker 1>to leave, and the boldness that that must have taken

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<v Speaker 1>at that time. To remember, they knew the couple. They

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<v Speaker 1>knew the guy. He's not like some who was this man.

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<v Speaker 1>They were at school with this guy. My aunts graduated

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<v Speaker 1>college with him. They knew him from school. It's like

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<v Speaker 1>you went to high school with that Helms, like Ed

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<v Speaker 1>Helms took over the country what And they knew he

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<v Speaker 1>was an asshole from schools And they're like, oh no,

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<v Speaker 1>this isn't good right, you know, he wasn't a good guy.

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<v Speaker 1>He wasn't a cool person. So they were like, oh

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<v Speaker 1>my god, we're in trouble. He's volatile, he's unpredictable, all

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<v Speaker 1>those things. He's got an inferiority complex. It's it's crazy,

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<v Speaker 1>it's not good. It would be like, if you were

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<v Speaker 1>taking over, you'd be like, oh no, but but free

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<v Speaker 1>tacos for the nation every Tuesday, free tacos, free Cuban sandwiches.

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<v Speaker 1>He was not. It's not like, oh, we knew Bill

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<v Speaker 1>Clinton in school or Hillary Clinton or Bob Dole. How

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<v Speaker 1>was he? Oh, he was studious and serious, and he

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<v Speaker 1>was he was okay, and they volunteered a lot. He

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<v Speaker 1>wasn't a volunteering helping children read. He was a whole

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<v Speaker 1>May he rest in peace? Is he? Daddya? Castro is dead?

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<v Speaker 1>I find that so interesting. By the way, your mom

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<v Speaker 1>was a dentist. Yeah, what of it? I don't know

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<v Speaker 1>if I just learned this or not. I don't remember this.

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<v Speaker 1>But in this research, you know, we we research extensively

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<v Speaker 1>our guests. You mean you go on Google? You you

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<v Speaker 1>I am dB You're a certified dental technician. Is that right? Yeah?

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<v Speaker 1>I'm afraid. Really, I'm not good. I am I'm not

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<v Speaker 1>good at it? Is this because your mom was a

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<v Speaker 1>dentist that had something to do with it. Yeah, I

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<v Speaker 1>was floundering and I'm like whatever, and and my mom's like,

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<v Speaker 1>you know, you know your cousin Julio is a dental technician.

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<v Speaker 1>He has his own laboratory. I'm like, yes, of course

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<v Speaker 1>I know that. She's like, did you ever think And

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<v Speaker 1>I'm like, yeah, okay, because the thought being I could

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<v Speaker 1>work for for my cousin Julio who had a dental laboratory,

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<v Speaker 1>and it's a wonderful trade. It pays well. And I'm

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<v Speaker 1>like why not? And so you went to school and

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<v Speaker 1>you got certified. Yes, I wouldn't for two years Magna

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<v Speaker 1>Institute of Dental Technology in Manhattan. How did I not

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<v Speaker 1>know this information? Because this is the greatest Did you

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<v Speaker 1>ever consider running the scheme? You know Angela famously she

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<v Speaker 1>talks about it all the time, worked at one dentists.

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<v Speaker 1>Did you did you ever think maybe she could refer

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<v Speaker 1>people to you, like, go to this address if you

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<v Speaker 1>want your teeth clean, and then it would be you there.

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<v Speaker 1>You guys could split the money. That would have been

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<v Speaker 1>a good thing before the office. Yes, had it been

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<v Speaker 1>dental hygienist but not dental technician. Oh wait, what's a

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<v Speaker 1>dental technician. Well, what's the dental What does the dental

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<v Speaker 1>technician do? Then, if you go in for a bridge

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<v Speaker 1>or false fake tooth or whatever, and you know when

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<v Speaker 1>I was doing this, it was the eighties, when you

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<v Speaker 1>went for a ceramic bridge or whatever, and they take

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<v Speaker 1>a form from your mouth and impression, they'll send it

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<v Speaker 1>to the laboratory and they make the bridge in porcelain,

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<v Speaker 1>and you get a wax thing and you make you

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<v Speaker 1>carve the tooth out and you bake it and then

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<v Speaker 1>you send it back to the dentist and he puts

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<v Speaker 1>the bridge in your mouth. The person who actually makes

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<v Speaker 1>the bridge or the fake, the fake teeth, the implants

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<v Speaker 1>is a dental technician. So they you never see a patient.

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<v Speaker 1>This makes way more sense. You never put your hands

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<v Speaker 1>in a patient's mouth. That's that makes way more sense.

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<v Speaker 1>Because I thought you had your hands in people's mouth

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<v Speaker 1>and in their face. That did not make any sense

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<v Speaker 1>to me. No, no, okay, So you were a craftsman. Yeah,

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<v Speaker 1>it was a craftsman. I wouldn't be able to put

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<v Speaker 1>my hands in a person's mouth. I find it highly

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<v Speaker 1>erotic and it wouldn't work for me professional work for

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<v Speaker 1>anyone so yeah, I was. I was a dental signition,

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<v Speaker 1>and then I wasn't good, but I was very funny

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<v Speaker 1>and charming. But they would always have to do my

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<v Speaker 1>work over again because it wasn't too good. And then

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<v Speaker 1>I would be there for a while and then they're like, oh, Oscar,

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<v Speaker 1>we have to get rid of you. And I'm like,

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<v Speaker 1>I know it's not working, but here did you hear

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<v Speaker 1>this one? And you know, you would just tell jokes

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<v Speaker 1>as you were trying to make the would be funny.

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<v Speaker 1>They like, they liked having me every job, liked having

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<v Speaker 1>me around up to a point and like, oh, that's

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<v Speaker 1>all he's got. I would plateau and they're like, oh,

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<v Speaker 1>you don't really know what you're doing. And I'm like

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<v Speaker 1>I'm like, I really know, but why when? Why did

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<v Speaker 1>you just see that? You know, you're watching Harvey Korman.

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<v Speaker 1>I know you're a big fan of a Harvey Corman

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<v Speaker 1>and the Carl Burnett Show, and you're seeing these fake

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<v Speaker 1>teeth and you're like, oh, let me make these fake teeth.

0:13:45.720 --> 0:13:47.880
<v Speaker 1>This will be funny, this will be Is that what

0:13:47.920 --> 0:13:54.280
<v Speaker 1>you did so funny? So funny? Ah? So your family

0:13:54.400 --> 0:13:58.800
<v Speaker 1>arrived essentially with nothing into the uses and you moved

0:13:58.840 --> 0:14:01.360
<v Speaker 1>to Jersey because they knew there. But it was a

0:14:01.360 --> 0:14:05.120
<v Speaker 1>different time. We were welcomed in Massachusetts with open arms

0:14:05.120 --> 0:14:08.120
<v Speaker 1>by the Catholic Church, and there was a family that

0:14:08.200 --> 0:14:12.479
<v Speaker 1>sponsored us, Bob and Jane I want to say Mayfield

0:14:12.840 --> 0:14:18.240
<v Speaker 1>h They have two daughters. But anyway, the man owned

0:14:18.520 --> 0:14:23.440
<v Speaker 1>a lightbulb company or something in Boston, and they had

0:14:23.680 --> 0:14:26.440
<v Speaker 1>a yacht in Marlboro Head and they had a big

0:14:26.480 --> 0:14:28.680
<v Speaker 1>house with a big yard. I was four years old,

0:14:28.680 --> 0:14:32.360
<v Speaker 1>but I remember all this, and they they helped us.

0:14:32.440 --> 0:14:35.200
<v Speaker 1>They gave he gave my father a job as a

0:14:35.240 --> 0:14:38.240
<v Speaker 1>warehouse manager in one of his warehouses. They were well

0:14:38.280 --> 0:14:42.760
<v Speaker 1>to do and they were very wonderful and charming, and

0:14:42.760 --> 0:14:45.360
<v Speaker 1>they helped my family and the Catholic church. There was

0:14:45.520 --> 0:14:50.720
<v Speaker 1>a father, Soto Longo, who took us to a Chinese restaurant.

0:14:51.040 --> 0:14:54.200
<v Speaker 1>I remember that in Boston, and um, he was very

0:14:54.280 --> 0:14:56.440
<v Speaker 1>nice to us. So we were welcomed by the I

0:14:56.520 --> 0:14:59.800
<v Speaker 1>was not putting a cage. We were welcomed by the

0:15:00.000 --> 0:15:03.040
<v Speaker 1>country and by this and by this wonderful family. And

0:15:03.080 --> 0:15:05.280
<v Speaker 1>then but after a year my parents were like I

0:15:05.320 --> 0:15:08.160
<v Speaker 1>think they were kind of lonely, and all their friends,

0:15:08.240 --> 0:15:10.960
<v Speaker 1>as I said, all their friends from university, all their

0:15:11.000 --> 0:15:14.360
<v Speaker 1>attorney friends and doctor friends and dentist friends. The first

0:15:14.400 --> 0:15:18.320
<v Speaker 1>wave of immigrants who left Cuba, the professionals in nineteen

0:15:18.400 --> 0:15:22.960
<v Speaker 1>sixty approximately, We're going to Florida and New Jersey and

0:15:23.000 --> 0:15:24.880
<v Speaker 1>they're like, come on down to Jersey. You guys were

0:15:24.880 --> 0:15:27.440
<v Speaker 1>all here, and that's what they did, and you grew

0:15:27.480 --> 0:15:30.920
<v Speaker 1>up there right across from Manhattan. Did you go into

0:15:30.920 --> 0:15:34.160
<v Speaker 1>the city a lot as a kid, Yes, as a

0:15:34.240 --> 0:15:36.520
<v Speaker 1>kid with my parents, and then as soon as I could,

0:15:36.520 --> 0:15:39.960
<v Speaker 1>when I was like seventeen sixteen, seventeen eighteen, I would

0:15:39.960 --> 0:15:42.200
<v Speaker 1>go as often as I could. It was a bus

0:15:42.320 --> 0:15:44.880
<v Speaker 1>right away. I think it was sixty cents or something

0:15:44.880 --> 0:15:47.840
<v Speaker 1>like that to take the bus across the Lincoln Tunnel

0:15:47.920 --> 0:15:50.840
<v Speaker 1>right out of where Tony Soprano comes out of at

0:15:50.840 --> 0:15:54.360
<v Speaker 1>the beginning of uh right there, take that right into

0:15:54.400 --> 0:16:16.880
<v Speaker 1>the Port Authority. You went to not just the Magnet

0:16:16.960 --> 0:16:20.479
<v Speaker 1>Institute of Dental Technology. You went to a lot of colleges.

0:16:21.040 --> 0:16:24.040
<v Speaker 1>I went, I bounced around a lot. You went to

0:16:24.800 --> 0:16:29.040
<v Speaker 1>Fashion Fashion Institute of Technology. You were interested in fashion.

0:16:29.400 --> 0:16:31.480
<v Speaker 1>That was the first school after high school, was f

0:16:31.480 --> 0:16:34.120
<v Speaker 1>I t I should have gone to a regular college,

0:16:35.040 --> 0:16:37.240
<v Speaker 1>but I went to f I T because you were

0:16:37.280 --> 0:16:42.560
<v Speaker 1>interested in fashion. Yeah, I wasn't, and still am. It

0:16:42.600 --> 0:16:45.920
<v Speaker 1>fascinates me that whole world. So yes, I went to

0:16:46.000 --> 0:16:48.560
<v Speaker 1>f I T for a for a minute. I went

0:16:48.600 --> 0:16:51.800
<v Speaker 1>to F I T because I liked fashion. But my

0:16:51.880 --> 0:16:55.800
<v Speaker 1>cousin Eddie, who was I think five, he's five or

0:16:55.840 --> 0:16:59.040
<v Speaker 1>six years older than me, he would go clubbing a lot,

0:16:59.080 --> 0:17:01.880
<v Speaker 1>and he would go to Student four and fitted in

0:17:01.960 --> 0:17:05.439
<v Speaker 1>all these clubs, and some guys saw him at Studio

0:17:05.440 --> 0:17:08.840
<v Speaker 1>fifty four, and somehow or other he became a model

0:17:08.840 --> 0:17:11.679
<v Speaker 1>for Don Robbie, who was a fashion designer in New

0:17:11.760 --> 0:17:16.520
<v Speaker 1>York City. And Don Robbie worked for one of these houses,

0:17:16.720 --> 0:17:20.040
<v Speaker 1>either the or or um Cardan. I don't know which one.

0:17:20.040 --> 0:17:21.560
<v Speaker 1>I don't remember, but it was one of those. There

0:17:21.560 --> 0:17:24.639
<v Speaker 1>are two big, huge houses. I wonder which one. It

0:17:24.760 --> 0:17:29.240
<v Speaker 1>was so a long time ago, but Eddie worked for him,

0:17:29.280 --> 0:17:32.919
<v Speaker 1>and he was in g Q magazine back in the day.

0:17:33.240 --> 0:17:38.000
<v Speaker 1>And one time I visited Don Robbie's offices, which were

0:17:38.840 --> 0:17:42.200
<v Speaker 1>six Avenue, which is one of those big iconic buildings.

0:17:42.240 --> 0:17:44.240
<v Speaker 1>Whenever they showed New York City and they show sixth

0:17:44.240 --> 0:17:48.360
<v Speaker 1>Avenue or Fashion Avenue, it's the same Avenue. It's it's

0:17:48.359 --> 0:17:49.960
<v Speaker 1>in front of It's in a lot of movies because

0:17:49.960 --> 0:17:51.600
<v Speaker 1>of the fountain in the front and all that right

0:17:51.640 --> 0:17:56.119
<v Speaker 1>across kind of across from Radio City Music Hall. And

0:17:56.160 --> 0:17:59.639
<v Speaker 1>I went up to the offices and the elevator opened

0:17:59.680 --> 0:18:02.960
<v Speaker 1>up and everything was pink and gray, and there was

0:18:03.160 --> 0:18:07.600
<v Speaker 1>disco music blasting in the offices as if it were

0:18:07.880 --> 0:18:11.000
<v Speaker 1>a discotheque. But it was a place of work, and

0:18:11.080 --> 0:18:13.840
<v Speaker 1>everybody looked cool. It was like the double worst product,

0:18:14.119 --> 0:18:16.679
<v Speaker 1>like that Eddie was there, Don Robbie was there, and

0:18:16.720 --> 0:18:19.479
<v Speaker 1>it was it was party. It was insane and I'm like,

0:18:19.520 --> 0:18:24.080
<v Speaker 1>holy sh it, And so I can still doodle, but

0:18:24.359 --> 0:18:27.359
<v Speaker 1>back then I was better at illustrating. And I'm like,

0:18:27.440 --> 0:18:28.600
<v Speaker 1>you know what, I'm gonna go to f I T

0:18:28.680 --> 0:18:32.919
<v Speaker 1>it's right across the river. Uh And it's a good school.

0:18:32.760 --> 0:18:36.399
<v Speaker 1>Calvin Klein went there. Did Bill Blasco there? I don't know,

0:18:36.480 --> 0:18:39.600
<v Speaker 1>but Calvin Klein might be their most famous Alma Mado

0:18:39.680 --> 0:18:42.679
<v Speaker 1>but I uh so I put together a portfolio of

0:18:42.720 --> 0:18:47.360
<v Speaker 1>sketches of fashion of shoes and clothing and whatever, and

0:18:47.480 --> 0:18:50.879
<v Speaker 1>that's what got me into the school. And I was eighteen.

0:18:50.920 --> 0:18:52.760
<v Speaker 1>I went straight out of high school. But it was

0:18:52.800 --> 0:18:55.000
<v Speaker 1>basically because you wanted to work in an office like

0:18:55.040 --> 0:18:58.119
<v Speaker 1>this is this? Is this the idea? Yes? And I

0:18:58.160 --> 0:19:04.200
<v Speaker 1>like this yeah. And also it was you know, Brian

0:19:04.400 --> 0:19:09.360
<v Speaker 1>Disco was big at that moment, and I had one

0:19:09.400 --> 0:19:11.960
<v Speaker 1>ft in rock and roll and one foot in the

0:19:12.240 --> 0:19:15.639
<v Speaker 1>disco world. I had like American friends at high school

0:19:15.680 --> 0:19:17.680
<v Speaker 1>and they listened to Neil Young and leads up on

0:19:17.720 --> 0:19:19.399
<v Speaker 1>all that ship and I would party with them. But

0:19:19.840 --> 0:19:21.800
<v Speaker 1>my Cuban friends they would like to go out clubbing.

0:19:22.080 --> 0:19:24.600
<v Speaker 1>So I was like, like in both places, and I

0:19:24.640 --> 0:19:27.920
<v Speaker 1>like doing both things. And so I'm like, yeah, sure,

0:19:27.920 --> 0:19:30.439
<v Speaker 1>way not I could do this. But in f I

0:19:30.520 --> 0:19:35.760
<v Speaker 1>t it's a serious place, and I go there. I'm eighteen.

0:19:36.040 --> 0:19:39.720
<v Speaker 1>I never took home at school. You know, in high

0:19:39.720 --> 0:19:43.200
<v Speaker 1>school you could take like cooking or sewing or any

0:19:43.240 --> 0:19:49.000
<v Speaker 1>stuff like that. I didn't. I didn't not the days. Yeah,

0:19:49.520 --> 0:19:53.560
<v Speaker 1>so my parents, yeah, I'm like a little older than

0:19:53.600 --> 0:19:57.240
<v Speaker 1>your parents, just to set things, to give people an ideas.

0:19:57.240 --> 0:20:00.280
<v Speaker 1>So so I didn't know how to sew at all.

0:20:00.359 --> 0:20:03.159
<v Speaker 1>And they're like, so then you know you'll have illustration.

0:20:03.200 --> 0:20:09.760
<v Speaker 1>I'm like cool art history, cool textiles, cool marketing, cool draping,

0:20:09.920 --> 0:20:14.400
<v Speaker 1>and sewing and tailoring. I'm like, what that's class? And

0:20:14.400 --> 0:20:16.679
<v Speaker 1>and you go into that class, they're not showing you

0:20:16.720 --> 0:20:19.480
<v Speaker 1>they're in it there to go there, like here's the material,

0:20:19.520 --> 0:20:22.680
<v Speaker 1>cut it draping, and everyone's doing it. Everyone's like all

0:20:22.680 --> 0:20:25.720
<v Speaker 1>these people, first of all women, and then the few

0:20:25.760 --> 0:20:27.920
<v Speaker 1>guys who were there knew what they were doing already

0:20:28.200 --> 0:20:30.480
<v Speaker 1>because they were doing this as they were kids. And

0:20:30.520 --> 0:20:33.760
<v Speaker 1>I'm like, oh my god, I'm not gonna embarrass myself.

0:20:33.840 --> 0:20:37.600
<v Speaker 1>Better skip this class and just go hang out in party.

0:20:38.160 --> 0:20:42.199
<v Speaker 1>So eventually they're like, well you really haven't done anything.

0:20:42.240 --> 0:20:45.520
<v Speaker 1>I'm like, asta, Leavista, I know what's coming next. So

0:20:45.600 --> 0:20:48.800
<v Speaker 1>I left there and then I was doing a couple

0:20:48.840 --> 0:20:50.880
<v Speaker 1>of jobs and then that's where my mom's like, look,

0:20:50.880 --> 0:20:52.720
<v Speaker 1>you have to do something. You have to And that's

0:20:52.720 --> 0:20:55.520
<v Speaker 1>when I went to dental technology school. And now when

0:20:55.560 --> 0:20:59.080
<v Speaker 1>I was in dental technology school and I graduated and

0:20:59.119 --> 0:21:02.399
<v Speaker 1>I started working in the field, yeah, Magnet Institute of

0:21:02.480 --> 0:21:05.600
<v Speaker 1>Dental Technology is a Yeah, that's where I went, and

0:21:05.640 --> 0:21:09.120
<v Speaker 1>now I'm a dental technologist. Right, So when I started

0:21:09.160 --> 0:21:13.159
<v Speaker 1>working that summer as a real dental technologist, six months in,

0:21:13.280 --> 0:21:15.280
<v Speaker 1>I'm like, oh my god, what am I doing? I

0:21:15.359 --> 0:21:18.439
<v Speaker 1>don't want to do this. And then I'm like, all right, Oscar,

0:21:19.040 --> 0:21:22.640
<v Speaker 1>you know and and I never Junior and senior year

0:21:22.880 --> 0:21:25.119
<v Speaker 1>for me, my parents were getting a divorce. It was

0:21:25.160 --> 0:21:28.879
<v Speaker 1>a mess. I never and still I'm just learning how

0:21:28.920 --> 0:21:32.600
<v Speaker 1>to ask for help from people and use resources. So

0:21:32.640 --> 0:21:35.960
<v Speaker 1>I was like, So I finally asked me. I'm like,

0:21:35.960 --> 0:21:37.760
<v Speaker 1>oh my god, what do you really want to do?

0:21:37.840 --> 0:21:39.679
<v Speaker 1>Just say it, don't be afraid to say it. Say it.

0:21:39.680 --> 0:21:42.879
<v Speaker 1>And I'm like, well, I want to do stand up.

0:21:42.880 --> 0:21:44.640
<v Speaker 1>I want to be a comedian. I want to be funny.

0:21:44.880 --> 0:21:47.119
<v Speaker 1>But that was too scary for me, so I'm like,

0:21:47.119 --> 0:21:48.959
<v Speaker 1>I want to be an actor. I could ease my

0:21:48.960 --> 0:21:51.359
<v Speaker 1>way into comedy. So I'm like, all right, I'm gonna

0:21:51.400 --> 0:21:53.359
<v Speaker 1>learn how to I want to take acting lessons. So

0:21:53.400 --> 0:21:55.600
<v Speaker 1>that was less scary for you than to say I

0:21:55.640 --> 0:21:58.360
<v Speaker 1>want to be doing stand up. Stand up is terrifying.

0:21:58.400 --> 0:22:01.280
<v Speaker 1>Still is to me to this day. I like sketch

0:22:02.000 --> 0:22:06.159
<v Speaker 1>more than stand up. To do like improv, that's what

0:22:06.200 --> 0:22:09.399
<v Speaker 1>I like. So I gotta I picked up a backstage

0:22:09.400 --> 0:22:11.800
<v Speaker 1>and started looking through it and signed up for some

0:22:11.880 --> 0:22:15.920
<v Speaker 1>classes auditions, started doing commercial classes, went to some drama classes.

0:22:16.320 --> 0:22:20.240
<v Speaker 1>Eventually maybe a year later, I was working in retail,

0:22:20.280 --> 0:22:23.960
<v Speaker 1>which I love retail in blooming Dale's and I auditioned

0:22:23.960 --> 0:22:26.720
<v Speaker 1>for an improv troupe in the village and I got

0:22:26.760 --> 0:22:28.919
<v Speaker 1>in and I was like, Okay, this is cool. And

0:22:28.960 --> 0:22:30.920
<v Speaker 1>that's when I started, you know, doing what I really

0:22:30.960 --> 0:22:33.520
<v Speaker 1>wanted to do. I wasn't doing it in high school.

0:22:33.920 --> 0:22:38.199
<v Speaker 1>It took me forever because all through grammar school in

0:22:38.240 --> 0:22:40.399
<v Speaker 1>high school, people were telling me not to be a

0:22:40.400 --> 0:22:44.000
<v Speaker 1>wise ass. They're like, what are you doing. They weren't

0:22:44.000 --> 0:22:46.320
<v Speaker 1>saying this is good, work on it. They're like, don't

0:22:46.480 --> 0:22:53.240
<v Speaker 1>what are you doing? Were they telling you like be

0:22:53.320 --> 0:22:56.600
<v Speaker 1>in your place, you know, don't cause a scene, be

0:22:56.760 --> 0:22:59.679
<v Speaker 1>good and not encouraging you, or no one had the

0:22:59.720 --> 0:23:02.439
<v Speaker 1>idea for you, like maybe you should perform or do

0:23:02.480 --> 0:23:05.880
<v Speaker 1>a play or no. My friends would say it, and

0:23:06.119 --> 0:23:07.840
<v Speaker 1>you know, God help you. If you tried to help me,

0:23:08.160 --> 0:23:09.760
<v Speaker 1>I was like, oh, you didn't know what you're talking about.

0:23:09.840 --> 0:23:11.760
<v Speaker 1>Or I would go the other way. I'm like, you

0:23:11.800 --> 0:23:15.760
<v Speaker 1>know whatever, people tried. People my friends were like, you're funny, dude,

0:23:15.840 --> 0:23:18.240
<v Speaker 1>do something. But I didn't go out for drama. I

0:23:18.280 --> 0:23:22.680
<v Speaker 1>wasn't helping myself, you know. I wasn't helping myself until

0:23:22.720 --> 0:23:25.080
<v Speaker 1>I was like, oh no, this is this is for real.

0:23:25.160 --> 0:23:28.880
<v Speaker 1>Now I can't skate by anymore on charm because now

0:23:28.960 --> 0:23:30.720
<v Speaker 1>I'm moving out of the house. I need to pay

0:23:30.720 --> 0:23:33.360
<v Speaker 1>rent and bills. I you know, I've got to get

0:23:33.400 --> 0:23:36.720
<v Speaker 1>a j O B. Right, And you wearing the white

0:23:36.720 --> 0:23:39.720
<v Speaker 1>coats as a dental technician. That was not the life

0:23:39.720 --> 0:23:42.800
<v Speaker 1>that you saw for yourself. Horrible in a laboratory, but look,

0:23:42.800 --> 0:23:44.920
<v Speaker 1>it's a great profession if you want to do that,

0:23:45.720 --> 0:23:49.160
<v Speaker 1>but it wasn't for me. There's no applause, there's no groupies,

0:23:49.240 --> 0:23:51.840
<v Speaker 1>there's no cocaine. All the things that you we've talked about.

0:23:51.880 --> 0:23:54.320
<v Speaker 1>This what you went that's why you went into the business.

0:23:54.359 --> 0:23:56.320
<v Speaker 1>That's why I went into the business. And there was

0:23:56.400 --> 0:24:00.280
<v Speaker 1>none of that in the in the laboratory. So you

0:24:00.320 --> 0:24:04.239
<v Speaker 1>get this improv troupe in the village. You're excited. I

0:24:04.280 --> 0:24:07.400
<v Speaker 1>presume you're still working at this point. You said retail.

0:24:07.480 --> 0:24:09.760
<v Speaker 1>You're still working during the day and then trying to

0:24:09.800 --> 0:24:13.040
<v Speaker 1>perform get better at night. Is this that we had.

0:24:13.160 --> 0:24:15.879
<v Speaker 1>We did a lot of shows. We would perform Friday

0:24:15.920 --> 0:24:19.680
<v Speaker 1>and Saturdays on St. Mark's Place, a stret between First

0:24:19.720 --> 0:24:22.480
<v Speaker 1>Avenue and Avenuay. There was a lot of fun. Why

0:24:22.520 --> 0:24:26.080
<v Speaker 1>did you make the decision to move to Los Angeles? Well,

0:24:26.119 --> 0:24:29.680
<v Speaker 1>A lot of stuff happened between moving out to l

0:24:29.760 --> 0:24:34.200
<v Speaker 1>A and New York. What did I do? I lived

0:24:34.200 --> 0:24:36.320
<v Speaker 1>in DC for three years. I did theater in d C,

0:24:37.640 --> 0:24:40.520
<v Speaker 1>lived with my brother in law and sister, I think,

0:24:40.560 --> 0:24:42.879
<v Speaker 1>for a year in Florida, and then from Florida I

0:24:42.920 --> 0:24:45.000
<v Speaker 1>moved out to l A. I didn't want to go

0:24:45.040 --> 0:24:47.359
<v Speaker 1>back to New York. New York was fun. I was single,

0:24:47.400 --> 0:24:49.719
<v Speaker 1>I had no responsibilities. What makes it, which makes it

0:24:49.800 --> 0:24:53.800
<v Speaker 1>more easier to live there, But I wanted I wanted

0:24:53.840 --> 0:24:56.680
<v Speaker 1>to come out to l A just because New York

0:24:56.760 --> 0:24:59.280
<v Speaker 1>was just hard. It wasn't it wasn't working. I'm like,

0:25:00.200 --> 0:25:02.680
<v Speaker 1>I don't want to have two jobs. I don't want

0:25:02.680 --> 0:25:05.760
<v Speaker 1>to do that. I just want to act. And I

0:25:05.760 --> 0:25:09.640
<v Speaker 1>can see that happening more in Los Angeles. In New York?

0:25:10.160 --> 0:25:14.840
<v Speaker 1>Does that make sense? People seem to have careers. So

0:25:15.280 --> 0:25:17.720
<v Speaker 1>you start working, you start doing improv in New York,

0:25:18.440 --> 0:25:21.000
<v Speaker 1>but then you start acting in shows, Like you moved

0:25:21.000 --> 0:25:23.720
<v Speaker 1>to d C and you're like doing shows. They're like, like,

0:25:23.760 --> 0:25:26.560
<v Speaker 1>are you a working actor at this point? No? No, No,

0:25:26.680 --> 0:25:28.800
<v Speaker 1>In New York. I did uh we were doing a

0:25:28.840 --> 0:25:31.840
<v Speaker 1>shock of the Phony. I did Um Street Theater and

0:25:31.880 --> 0:25:36.119
<v Speaker 1>then I got somehow into a touring company. It was

0:25:36.160 --> 0:25:41.840
<v Speaker 1>a children's touring company toured and it was touring at

0:25:41.880 --> 0:25:46.240
<v Speaker 1>the Smithsonian Institutes ind in DC, and I met a

0:25:46.320 --> 0:25:50.440
<v Speaker 1>young lady there and kind of started dating her, kind

0:25:50.480 --> 0:25:52.520
<v Speaker 1>of left New York to go and be with her,

0:25:53.840 --> 0:25:57.639
<v Speaker 1>and ended up being there like for three years. I

0:25:57.720 --> 0:26:01.000
<v Speaker 1>worked for the Cuban American National Foundation and I waited tables.

0:26:01.040 --> 0:26:05.520
<v Speaker 1>Also also did theater at the Wooly Mammouth and DC

0:26:05.680 --> 0:26:08.239
<v Speaker 1>has a lot of good theater down there, so I

0:26:08.280 --> 0:26:10.080
<v Speaker 1>was doing a couple of plays. I did my first

0:26:10.160 --> 0:26:12.960
<v Speaker 1>I think it was a not a student's film, but

0:26:13.080 --> 0:26:17.240
<v Speaker 1>a film for students. It was an industrial yes, yes, yes,

0:26:17.320 --> 0:26:21.240
<v Speaker 1>like an educational something about I know what had something

0:26:21.240 --> 0:26:24.119
<v Speaker 1>to do with library, how to use a library in general?

0:26:24.160 --> 0:26:28.240
<v Speaker 1>How do you use a library? The Dewey system and yeah, yeah,

0:26:28.320 --> 0:26:32.480
<v Speaker 1>something like that. I remember doing that and that movie

0:26:32.520 --> 0:26:34.520
<v Speaker 1>is still being shown today, it is. And I did

0:26:34.640 --> 0:26:38.080
<v Speaker 1>a commercial, but mostly theater. I had a good time.

0:26:38.119 --> 0:26:40.359
<v Speaker 1>I had a nice time in d C. I was

0:26:40.400 --> 0:26:42.560
<v Speaker 1>there as long as it could. I was when I

0:26:42.600 --> 0:26:46.200
<v Speaker 1>think the Redsicans won the Super Bowl. Riggins was the um.

0:26:46.240 --> 0:26:49.679
<v Speaker 1>That's how I can tell time by what the sports was,

0:26:49.960 --> 0:26:52.280
<v Speaker 1>what was going on. And then my friends called me

0:26:52.320 --> 0:26:54.080
<v Speaker 1>from New York. I said, hey, we're doing a play.

0:26:54.200 --> 0:26:56.800
<v Speaker 1>Come on, we wrote something. You could be in it.

0:26:57.440 --> 0:26:59.800
<v Speaker 1>And I decided, Okay, I'll go back to New York.

0:26:59.840 --> 0:27:02.199
<v Speaker 1>And when I went back and moved in with my

0:27:02.359 --> 0:27:06.400
<v Speaker 1>father and found out he was gay, I didn't know.

0:27:07.119 --> 0:27:13.199
<v Speaker 1>And that was a big fucking crazy shit happens? Is

0:27:13.200 --> 0:27:17.240
<v Speaker 1>this true? Yeah, You've never said this before and never

0:27:17.280 --> 0:27:20.439
<v Speaker 1>to all you this. No, So you moved back to

0:27:20.520 --> 0:27:22.720
<v Speaker 1>New York, You're you're now working in the theater, you

0:27:22.760 --> 0:27:25.159
<v Speaker 1>go back to do a show, you don't have a

0:27:25.160 --> 0:27:27.159
<v Speaker 1>place that you move in with your dad, and then

0:27:27.200 --> 0:27:29.440
<v Speaker 1>you find out he's gay. I thought a big cool Yeah.

0:27:29.440 --> 0:27:31.560
<v Speaker 1>I moved in with my dad and he was drinking

0:27:31.560 --> 0:27:33.159
<v Speaker 1>a little too much, and I'm like, why is he

0:27:33.280 --> 0:27:36.520
<v Speaker 1>drinking so much? And it was because he was conflicted

0:27:36.560 --> 0:27:40.119
<v Speaker 1>and oppressed and all that ship and and he was

0:27:40.480 --> 0:27:43.320
<v Speaker 1>being gay. And I found that. I'm like, oh my god.

0:27:43.480 --> 0:27:46.720
<v Speaker 1>And then I told my sister and she's like, yeah,

0:27:46.880 --> 0:27:49.920
<v Speaker 1>I kind of knew that. And then I told my

0:27:50.359 --> 0:27:53.000
<v Speaker 1>old family friends that I grew up with Felix Man.

0:27:53.520 --> 0:27:56.000
<v Speaker 1>I found out my dad's game. And he's like, Oscar,

0:27:56.080 --> 0:27:58.600
<v Speaker 1>you didn't know. I'm like no, and he's like everyone knew,

0:27:58.640 --> 0:28:00.600
<v Speaker 1>we all knew. And I'm like really, He's like yeah,

0:28:00.600 --> 0:28:03.440
<v Speaker 1>and I'm like oh man, And then I started thinking

0:28:03.480 --> 0:28:06.160
<v Speaker 1>about it. I said, okay, yeah, I can see that,

0:28:06.200 --> 0:28:08.639
<v Speaker 1>but I didn't know. You know, I didn't know, and

0:28:08.720 --> 0:28:11.480
<v Speaker 1>so we were okay with it, but he was not.

0:28:11.760 --> 0:28:14.040
<v Speaker 1>So yeah, So that did happiness? Did he was he

0:28:14.119 --> 0:28:19.600
<v Speaker 1>able to come to a no? No? I told my

0:28:19.640 --> 0:28:23.040
<v Speaker 1>mom and and my mom's like, this is what happened.

0:28:23.119 --> 0:28:28.240
<v Speaker 1>So when I was like seventeen, sixteen or seventeen, he

0:28:28.960 --> 0:28:33.840
<v Speaker 1>had a friend. He was really cool, attractive guy, tall guy, Ernie,

0:28:33.880 --> 0:28:36.080
<v Speaker 1>and he would come over the house and we loved them.

0:28:36.119 --> 0:28:38.160
<v Speaker 1>And he had a minister snauser, which is why my

0:28:38.200 --> 0:28:41.280
<v Speaker 1>sister and I love ministerial snausers. And he knew that

0:28:41.440 --> 0:28:43.880
<v Speaker 1>he was like my dad's friends. They would come over

0:28:43.920 --> 0:28:46.840
<v Speaker 1>the house. My mom knew him, and we would go

0:28:46.920 --> 0:28:50.400
<v Speaker 1>over his house for dinner too, and he was a bachelor.

0:28:50.960 --> 0:28:53.880
<v Speaker 1>He had what we would call back then, I guess

0:28:53.880 --> 0:28:57.000
<v Speaker 1>a Penthouse Briant, and it was kick ass. He had

0:28:57.040 --> 0:29:00.120
<v Speaker 1>a grand piano, he had like the zebra sk in

0:29:00.360 --> 0:29:03.880
<v Speaker 1>like a fucking playboy, you know, like a cool like plants,

0:29:03.920 --> 0:29:06.960
<v Speaker 1>and I'm like, this is fucking cool. And he's my

0:29:07.040 --> 0:29:09.760
<v Speaker 1>dad's friend. Cool. And by the way, that guy got me.

0:29:10.120 --> 0:29:13.280
<v Speaker 1>He got me a job I called by Boyer and

0:29:13.360 --> 0:29:17.000
<v Speaker 1>associates as a messenger for like three years. So he

0:29:17.120 --> 0:29:19.400
<v Speaker 1>was a good guy. He got me a really cool job.

0:29:19.440 --> 0:29:21.920
<v Speaker 1>But when I was in high school, you know, it's

0:29:21.960 --> 0:29:25.760
<v Speaker 1>fucking life. So that was happening. That was happening, and

0:29:25.800 --> 0:29:28.320
<v Speaker 1>my mother goes, okay, so when you were in high school,

0:29:28.720 --> 0:29:31.000
<v Speaker 1>she's like you remember, and I'm like, yeah, he wasn't

0:29:31.040 --> 0:29:32.720
<v Speaker 1>coming home some nights and she's like, yeah. He would

0:29:32.720 --> 0:29:35.680
<v Speaker 1>say he was working Landing was and she's like one day,

0:29:36.040 --> 0:29:39.040
<v Speaker 1>I'm like what the fuck and he said now I

0:29:39.080 --> 0:29:41.120
<v Speaker 1>have to stay late or whatever. And she's like okay,

0:29:41.200 --> 0:29:43.160
<v Speaker 1>And I remember this her going on. She was very

0:29:43.200 --> 0:29:44.920
<v Speaker 1>cool about I remember how on the phone being go

0:29:45.000 --> 0:29:48.200
<v Speaker 1>and celebrate. You gotta raise, celebrate, go with your friends.

0:29:48.480 --> 0:29:51.320
<v Speaker 1>So my mother goes, look, I called your dad's work

0:29:51.360 --> 0:29:53.360
<v Speaker 1>and I'm like, can I talk to him? He's working late,

0:29:53.360 --> 0:29:55.040
<v Speaker 1>and they're like, what do you mean he's working late?

0:29:55.080 --> 0:29:58.400
<v Speaker 1>The offices are closed, And then like the next day,

0:29:58.440 --> 0:30:00.720
<v Speaker 1>she's like, funk this. So she got on the bus

0:30:01.000 --> 0:30:04.040
<v Speaker 1>and went to New York to confront him, to talk

0:30:04.040 --> 0:30:07.080
<v Speaker 1>to him because something was off. And she went to

0:30:07.400 --> 0:30:11.000
<v Speaker 1>his office and she's like, where where's that's his nickname?

0:30:11.640 --> 0:30:13.360
<v Speaker 1>And they're like, he went to lunch at such and

0:30:13.480 --> 0:30:17.080
<v Speaker 1>such a place. So she's walking to the place, right

0:30:18.000 --> 0:30:21.360
<v Speaker 1>and she's at the corner and she's waiting to cross

0:30:21.400 --> 0:30:23.760
<v Speaker 1>the street to go to the Delhi where the restaurant

0:30:23.760 --> 0:30:26.120
<v Speaker 1>wherever he's gonna have lunch, And she looks across the

0:30:26.120 --> 0:30:28.240
<v Speaker 1>street and my dad's across street and he sees her,

0:30:28.400 --> 0:30:30.600
<v Speaker 1>and they look across the street at Ernie's on the

0:30:30.640 --> 0:30:33.440
<v Speaker 1>other corner. Each one's on the corner and they all

0:30:33.440 --> 0:30:35.840
<v Speaker 1>look at the sh other. My mother's like, that's when

0:30:35.880 --> 0:30:40.720
<v Speaker 1>I knew these motherfucker's were having we're having an affair. Really, Yeah,

0:30:40.760 --> 0:30:43.560
<v Speaker 1>that's a that's like a movie. Yeah, that's like that's

0:30:43.560 --> 0:30:46.040
<v Speaker 1>a shot from a movie. So she knew at that point,

0:30:46.080 --> 0:30:48.680
<v Speaker 1>and they yeah, but that's time, I mean my early twenties.

0:30:48.720 --> 0:30:51.520
<v Speaker 1>They now and then she goes, so wait, they go

0:30:51.560 --> 0:30:55.160
<v Speaker 1>to the restaurant. Of them, they sit down, she knew him.

0:30:55.200 --> 0:30:58.400
<v Speaker 1>They all it's Arnie and she's like these So they

0:30:58.480 --> 0:31:00.960
<v Speaker 1>go and they sit down and she's like, what then

0:31:01.080 --> 0:31:03.680
<v Speaker 1>is going on? And Ernie says, I don't have a

0:31:03.720 --> 0:31:05.880
<v Speaker 1>dog in this fight. And he gets up and he leaves.

0:31:06.880 --> 0:31:08.600
<v Speaker 1>My mom's like what are you gonna do now? And

0:31:08.640 --> 0:31:10.480
<v Speaker 1>he and she's like, you gotta come get your ship

0:31:10.600 --> 0:31:13.440
<v Speaker 1>and leave and he's like, I know, I know. And

0:31:13.520 --> 0:31:19.080
<v Speaker 1>that was basically it. And then Ernie passed away a

0:31:19.160 --> 0:31:22.960
<v Speaker 1>couple then after this or no, they were they weren't couples.

0:31:22.960 --> 0:31:25.440
<v Speaker 1>They were older men. They sneaked around, they weren't proud,

0:31:25.680 --> 0:31:28.760
<v Speaker 1>they were fucking embarrassed and weird about it. They were

0:31:28.760 --> 0:31:33.440
<v Speaker 1>in the fucking closet, Brian. So it's a different the

0:31:33.480 --> 0:31:36.920
<v Speaker 1>whole different thing. I mean, I'm sure there were older

0:31:36.920 --> 0:31:40.120
<v Speaker 1>guys who were cool and but not these guys. So

0:31:40.520 --> 0:31:42.520
<v Speaker 1>now too fast forward. When I so when I go

0:31:42.600 --> 0:31:45.840
<v Speaker 1>stay with my dad, he's got a duplex and I

0:31:45.880 --> 0:31:49.960
<v Speaker 1>go inside and it's Ernie's furniture. He left it to him.

0:31:50.000 --> 0:31:55.000
<v Speaker 1>Oh my gosh, I didn't know this. Yeah, Ernie, Ernie

0:31:55.080 --> 0:32:00.080
<v Speaker 1>passed away, and and my dad dated another guy, a

0:32:00.080 --> 0:32:02.160
<v Speaker 1>Puerto Rican man. His name was Pedro, and he was

0:32:02.280 --> 0:32:05.800
<v Speaker 1>super nice. He was cool, he had a family, he

0:32:05.920 --> 0:32:08.240
<v Speaker 1>got the worst. It wasn't just like us the same thing.

0:32:09.040 --> 0:32:14.160
<v Speaker 1>Only problem is Pedro wasn't so he wasn't filled with

0:32:14.280 --> 0:32:18.040
<v Speaker 1>self hatred, so he wasn't an alcoholic. And he tried

0:32:18.080 --> 0:32:20.760
<v Speaker 1>to save my dad and we're like sorry, Pedro, and

0:32:20.800 --> 0:32:22.800
<v Speaker 1>after a while he's like, I can't do this thing.

0:32:22.840 --> 0:32:25.800
<v Speaker 1>I'm like, dude, I don't blame you, save yourself because

0:32:25.840 --> 0:32:28.680
<v Speaker 1>he was a cool guy. But my dad was and

0:32:28.680 --> 0:32:32.080
<v Speaker 1>he never drank before. He never was like this fucking

0:32:32.120 --> 0:32:37.560
<v Speaker 1>crazy alcohol, like fucking crazy crazy. I'm sorry, dude, and

0:32:37.640 --> 0:32:42.560
<v Speaker 1>this is like one eight. Growing up, he was funny, smart, witty,

0:32:42.600 --> 0:32:48.040
<v Speaker 1>but that whole thing just fucking fucked him up. Sea Yeah, yeah,

0:32:48.320 --> 0:32:51.680
<v Speaker 1>no matter what you tell him. Anyway, I stayed there

0:32:51.720 --> 0:32:54.560
<v Speaker 1>for a while and then left, and then that's when

0:32:54.560 --> 0:32:56.520
<v Speaker 1>I came to l A, went to Florida and then

0:32:56.920 --> 0:32:58.800
<v Speaker 1>went out to l A. Because you wanted to be

0:32:58.840 --> 0:33:02.880
<v Speaker 1>an actor, yes, I wanted to be an actor. I

0:33:02.920 --> 0:33:05.720
<v Speaker 1>could be an actor. I wanted to be in comedy.

0:33:06.120 --> 0:33:10.520
<v Speaker 1>I wanted to be in comedy, whether stand up or sketch,

0:33:11.560 --> 0:33:14.120
<v Speaker 1>it doesn't matter to me. Comedy is what I love.

0:33:14.600 --> 0:33:16.640
<v Speaker 1>So that's what as you can tell from this story,

0:33:17.560 --> 0:33:23.520
<v Speaker 1>the hilarity. So so yes, I wanted to come out

0:33:23.600 --> 0:33:27.320
<v Speaker 1>here and I did, and I joined the Groundlings as

0:33:27.360 --> 0:33:49.480
<v Speaker 1>soon as I was old. When we were shooting The

0:33:49.520 --> 0:33:54.080
<v Speaker 1>Office and well there's the gay witch hunt episode and

0:33:54.200 --> 0:33:57.960
<v Speaker 1>Oscar gets to leave from the Office because of what

0:33:58.000 --> 0:34:02.600
<v Speaker 1>Michael has done. Well this was because you actually got

0:34:02.600 --> 0:34:05.280
<v Speaker 1>another show during this time with a lot of your

0:34:05.320 --> 0:34:09.120
<v Speaker 1>friends from the Groundlings. Halfway Home. You actually shot a

0:34:09.120 --> 0:34:13.000
<v Speaker 1>full season for Comedy Central while we were shooting The Office.

0:34:13.040 --> 0:34:15.040
<v Speaker 1>I mean you were so you were the only person

0:34:15.080 --> 0:34:18.959
<v Speaker 1>I think who had another show happening during the run.

0:34:19.320 --> 0:34:21.400
<v Speaker 1>Can you talk about that show a little bit, the

0:34:21.400 --> 0:34:25.279
<v Speaker 1>experience of doing that show for Comedy Central, because when

0:34:25.320 --> 0:34:28.600
<v Speaker 1>it rains, it pours. I did an episode of Rene,

0:34:28.760 --> 0:34:31.879
<v Speaker 1>and those kids were they were so cool John, Tom

0:34:31.880 --> 0:34:35.800
<v Speaker 1>and Carry that they made my episode of double episode

0:34:35.880 --> 0:34:37.600
<v Speaker 1>and they said, not only that, we went to the

0:34:37.640 --> 0:34:40.600
<v Speaker 1>executives at Comedy Central and told them they should meet

0:34:40.600 --> 0:34:43.680
<v Speaker 1>with you. So that was already kind of happening. We

0:34:43.719 --> 0:34:47.960
<v Speaker 1>already had meetings scheduled with Comedy Central. How did I

0:34:48.000 --> 0:34:50.360
<v Speaker 1>get on their radar? Oh? I think when I was

0:34:50.560 --> 0:34:52.680
<v Speaker 1>in the Groundlings, And I'm gonna go backwards a little bit.

0:34:52.680 --> 0:34:55.920
<v Speaker 1>When I was in the Groundlings, our troop in the

0:34:55.920 --> 0:35:01.799
<v Speaker 1>Sunday Company was really cohesive and we all loved each

0:35:01.840 --> 0:35:05.080
<v Speaker 1>other and we were very funny. And we went ahead

0:35:05.400 --> 0:35:08.000
<v Speaker 1>and did a show outside of the Groundlings. We got

0:35:08.000 --> 0:35:10.960
<v Speaker 1>a review, a good review. The Groundlings was not pleased

0:35:10.960 --> 0:35:12.959
<v Speaker 1>with that. They're like, you guys are in the Sunday Company,

0:35:13.000 --> 0:35:15.520
<v Speaker 1>what are you doing? We were like their competition because

0:35:15.520 --> 0:35:19.319
<v Speaker 1>we were a separate show outside of the Groundlings. Anyway,

0:35:19.560 --> 0:35:22.279
<v Speaker 1>we performed that the HBO workspace, and I think that's

0:35:22.280 --> 0:35:25.160
<v Speaker 1>where some people from Comedy Sound to had me into

0:35:25.239 --> 0:35:28.920
<v Speaker 1>chat about Wooks show or what I would be interested

0:35:28.920 --> 0:35:32.359
<v Speaker 1>in doing something like that. So I got together with

0:35:32.520 --> 0:35:35.520
<v Speaker 1>my friends from the Groundlings and Damon Jones and Cheryl

0:35:35.600 --> 0:35:38.480
<v Speaker 1>Hines and a couple of other people, and and we

0:35:38.560 --> 0:35:43.320
<v Speaker 1>put together a sketch variety show just like the pilot,

0:35:43.560 --> 0:35:46.200
<v Speaker 1>like a little fifteen twenty minute thing. And I took

0:35:46.239 --> 0:35:50.120
<v Speaker 1>it to them to Comedy Central and showed it to them,

0:35:50.160 --> 0:35:54.120
<v Speaker 1>and they said, Wow, this is really good, and we

0:35:54.160 --> 0:35:57.120
<v Speaker 1>would do this, but we just signed the guy to

0:35:57.200 --> 0:36:00.200
<v Speaker 1>do a variety show, this guy, Dave Chappelle, we just

0:36:00.239 --> 0:36:02.439
<v Speaker 1>signed him to do a variety show, so we can't

0:36:02.480 --> 0:36:05.719
<v Speaker 1>have two variety shows. Do you have something else? And

0:36:05.760 --> 0:36:08.040
<v Speaker 1>then we came back with ten ideas and they liked

0:36:08.080 --> 0:36:12.520
<v Speaker 1>Halfway Home. And then while we were doing the Office,

0:36:13.440 --> 0:36:17.799
<v Speaker 1>that show was scheduled to happen, and I'm like, do

0:36:17.920 --> 0:36:22.439
<v Speaker 1>I have to choose? This is awful? Right? Oh? Yeah,

0:36:22.480 --> 0:36:26.240
<v Speaker 1>it's lable, Like I'm like, oh, I'm like, oh my god,

0:36:26.880 --> 0:36:30.279
<v Speaker 1>I told you this. Steve Carrell. Correll was crossing the

0:36:30.360 --> 0:36:32.319
<v Speaker 1>parking lot at the office where we used to park

0:36:32.320 --> 0:36:33.600
<v Speaker 1>our cars and a lot of stuff, and I caught

0:36:33.680 --> 0:36:35.480
<v Speaker 1>up to him, like, hey, Steve, I told him what

0:36:35.520 --> 0:36:38.160
<v Speaker 1>was happening. I said, Steve, I love the office, I

0:36:38.160 --> 0:36:40.440
<v Speaker 1>love being here with you guys, but we just I

0:36:40.520 --> 0:36:42.640
<v Speaker 1>just got offered to do a job on Comedy Central.

0:36:43.080 --> 0:36:46.880
<v Speaker 1>Do I say no? What do I do? And he said, Uh,

0:36:47.120 --> 0:36:50.160
<v Speaker 1>it's not your job to say no. Say no to jobs,

0:36:50.239 --> 0:36:52.520
<v Speaker 1>oscar Your your job is to get jobs. Don't say

0:36:52.560 --> 0:36:55.200
<v Speaker 1>no to anything that's not your problem. Let them work

0:36:55.200 --> 0:36:58.040
<v Speaker 1>it out. Let NBC work it out. With your managers.

0:36:58.239 --> 0:37:00.600
<v Speaker 1>Don't do everything you can, don't say no to anything.

0:37:01.000 --> 0:37:03.560
<v Speaker 1>I'm like, oh, thank you. So we went ahead with

0:37:03.600 --> 0:37:07.160
<v Speaker 1>both things, and Greg Daniels, being the wonderful, wonderful mentions

0:37:07.200 --> 0:37:09.480
<v Speaker 1>that he is, worked it out and he's like, we're

0:37:09.480 --> 0:37:11.560
<v Speaker 1>gonna give you an escape hatch and then you can

0:37:11.600 --> 0:37:13.879
<v Speaker 1>come back. Is there anything you request? And I said,

0:37:13.880 --> 0:37:16.239
<v Speaker 1>in honor of my father, can I make out with

0:37:16.280 --> 0:37:19.480
<v Speaker 1>Steve Carrell before I leave? And he said, yes, we

0:37:19.520 --> 0:37:28.839
<v Speaker 1>will do. That's terrible, that's not true. That's that's not true.

0:37:29.239 --> 0:37:32.440
<v Speaker 1>Halfway home. If you haven't seen it, anybody out there,

0:37:32.560 --> 0:37:36.279
<v Speaker 1>you really should check it out. It's so fun. Octavia

0:37:36.360 --> 0:37:44.959
<v Speaker 1>Spencer that was in then. Oh, she's a real actress woman,

0:37:46.280 --> 0:37:48.719
<v Speaker 1>she was a real actress with it. She's crying what

0:37:49.760 --> 0:37:55.080
<v Speaker 1>she's crying in a scene she's using sex memory Octavius Spencer,

0:37:55.680 --> 0:38:01.040
<v Speaker 1>all my friends and it was improvised. The improvised. Yeah,

0:38:01.480 --> 0:38:03.279
<v Speaker 1>that's a lot of fun. And then I came back

0:38:03.280 --> 0:38:06.200
<v Speaker 1>to the office. How cool is that? The best? I

0:38:06.280 --> 0:38:10.160
<v Speaker 1>have to ask you? Also, during the office you shot

0:38:11.680 --> 0:38:15.920
<v Speaker 1>it's a really underrated comedy of the of the odds.

0:38:16.120 --> 0:38:18.640
<v Speaker 1>Isn't that what we call it? The two thousands, the

0:38:18.719 --> 0:38:23.719
<v Speaker 1>proposal you shot with Betty White, God rest her soul,

0:38:24.560 --> 0:38:29.200
<v Speaker 1>truly an American treasure. Talk a little bit about working

0:38:29.280 --> 0:38:31.439
<v Speaker 1>with her. I had the opportunity a few years after

0:38:31.560 --> 0:38:34.760
<v Speaker 1>you to work with her, and UM, no greater thrill

0:38:35.280 --> 0:38:38.320
<v Speaker 1>for me in the business for sure. Well, there's a

0:38:38.440 --> 0:38:41.440
<v Speaker 1>lot of reasons, Betty White being one of them. I

0:38:41.520 --> 0:38:43.440
<v Speaker 1>got to work with her. I can't believe it. There

0:38:43.480 --> 0:38:45.520
<v Speaker 1>are a lot of reasons the movie was a hit.

0:38:45.800 --> 0:38:49.000
<v Speaker 1>Timing was a big reason because there was a movie

0:38:49.560 --> 0:38:55.080
<v Speaker 1>that was number one before us, a crazy ass funny, funny,

0:38:55.200 --> 0:38:58.520
<v Speaker 1>funny movie, number one at the box office for three

0:38:58.560 --> 0:38:59.799
<v Speaker 1>weeks in a row. Do you know the movie I'm

0:38:59.800 --> 0:39:03.600
<v Speaker 1>talking come about? And then the fourth week we were

0:39:03.640 --> 0:39:07.040
<v Speaker 1>able to beat it. If we would have premiered in

0:39:07.160 --> 0:39:09.440
<v Speaker 1>its third week or second week, we would have been

0:39:09.520 --> 0:39:11.600
<v Speaker 1>number two or three or four or nothing. But we

0:39:11.719 --> 0:39:13.759
<v Speaker 1>were number one when we premiere because it was this

0:39:14.000 --> 0:39:16.000
<v Speaker 1>movie's fourth week and it was already in its way down.

0:39:16.440 --> 0:39:20.080
<v Speaker 1>It was The Hangover, Is that right? It was, which

0:39:20.120 --> 0:39:25.200
<v Speaker 1>our friend at Helms was in. Yeah, I didn't realize that. Unbelievable.

0:39:25.520 --> 0:39:27.839
<v Speaker 1>When The Hangover was in its fourth week, we came

0:39:27.880 --> 0:39:30.600
<v Speaker 1>out and then we were able to usurp it because

0:39:30.800 --> 0:39:34.160
<v Speaker 1>it was his fourth week. But anyway, anyway, what was

0:39:34.239 --> 0:39:38.000
<v Speaker 1>her husband's how Lindon from a password? That's where I

0:39:38.080 --> 0:39:42.680
<v Speaker 1>first knew her password, and she just killed it. And

0:39:42.760 --> 0:39:46.440
<v Speaker 1>Mary Tyler Moore absolutely killed that. Mary Tyler Moore was

0:39:46.480 --> 0:39:50.080
<v Speaker 1>an amazing show. She was Mary Lou. She wasn't a

0:39:50.160 --> 0:39:52.719
<v Speaker 1>main character, but when she came on, she just tore

0:39:52.840 --> 0:39:56.000
<v Speaker 1>it up and and with her and she was happy,

0:39:56.080 --> 0:39:59.080
<v Speaker 1>go lucky, but she she was smiling, but she would

0:39:59.120 --> 0:40:02.439
<v Speaker 1>say horrible eve things, and she was dangerous and would

0:40:02.480 --> 0:40:06.279
<v Speaker 1>threaten Mary Tyler Moore, but she would smile. She she

0:40:06.480 --> 0:40:10.839
<v Speaker 1>just comes from that school, that borderline Vaudeville school where

0:40:10.920 --> 0:40:14.040
<v Speaker 1>it's just it's just a little bit too much, it's

0:40:14.040 --> 0:40:16.520
<v Speaker 1>a little bit too presentational. But they get away with

0:40:16.600 --> 0:40:18.759
<v Speaker 1>it because they fell it and they push it and

0:40:18.840 --> 0:40:21.520
<v Speaker 1>they don't give her ship. And that's where she came from.

0:40:22.040 --> 0:40:24.760
<v Speaker 1>And I love that school. I love that old school

0:40:24.840 --> 0:40:27.880
<v Speaker 1>that Tony Randall Harvey and she's right up there and

0:40:28.000 --> 0:40:31.120
<v Speaker 1>she's beautiful. And then on top of that, she really

0:40:31.280 --> 0:40:34.160
<v Speaker 1>really loves animals, and my family we love animals, and

0:40:34.239 --> 0:40:37.600
<v Speaker 1>she puts her money. She had it all. What did

0:40:37.640 --> 0:40:40.160
<v Speaker 1>you do with her? Hot and Cleveland? And had a

0:40:40.239 --> 0:40:42.640
<v Speaker 1>few episodes of Hot and Cleyland right right right, right right,

0:40:43.080 --> 0:40:46.440
<v Speaker 1>Hot and Cleveland. Sure. Yeah, it was just amazing, truly

0:40:46.520 --> 0:40:53.759
<v Speaker 1>a master class. Even if she was six, she's been

0:40:53.840 --> 0:40:57.560
<v Speaker 1>nineties for fifteen years. Yeah. I mean when I worked

0:40:57.719 --> 0:41:00.800
<v Speaker 1>with her, I mean it was just the audience came in,

0:41:01.400 --> 0:41:04.600
<v Speaker 1>she got on stage and it was like, just delivered

0:41:05.000 --> 0:41:08.759
<v Speaker 1>every take. We're lucky, We're lucky. Um. You have been

0:41:08.840 --> 0:41:12.560
<v Speaker 1>working on Mr. Iglesias that show. I know it is

0:41:12.600 --> 0:41:17.480
<v Speaker 1>not coming back, but now, oh boy, did I just

0:41:17.560 --> 0:41:20.200
<v Speaker 1>tell you? How did you find out that it wasn't

0:41:20.239 --> 0:41:23.960
<v Speaker 1>coming back anymore? I don't know. I think the paper.

0:41:24.200 --> 0:41:26.480
<v Speaker 1>Why do I keep saying the papers like like it's

0:41:26.520 --> 0:41:29.640
<v Speaker 1>the fifties. I don't know how I found out. And

0:41:29.800 --> 0:41:32.520
<v Speaker 1>I know you don't read You don't read anything. You

0:41:32.600 --> 0:41:34.800
<v Speaker 1>don't read anything. What do you mean I don't read anything?

0:41:35.360 --> 0:41:38.399
<v Speaker 1>I read stuff? Yeah? Do you emails? Do you read

0:41:38.440 --> 0:41:41.440
<v Speaker 1>emails or do you have them read to you? Be honest.

0:41:41.719 --> 0:41:44.960
<v Speaker 1>I read the headlines of the email. What it is?

0:41:45.480 --> 0:41:48.520
<v Speaker 1>You played a theater teacher? Yeah? Three cameras sit com

0:41:48.560 --> 0:41:50.759
<v Speaker 1>in front of an audience. How was that? Did you

0:41:50.840 --> 0:41:52.759
<v Speaker 1>have a good experience? I mean, it's it's much more

0:41:52.880 --> 0:41:55.719
<v Speaker 1>like live theater. Well, you have to wait for the

0:41:55.840 --> 0:42:00.080
<v Speaker 1>last to the last to die, and every line. We

0:42:00.160 --> 0:42:03.000
<v Speaker 1>had to wait because it's it's just what it was

0:42:03.120 --> 0:42:06.800
<v Speaker 1>not you you didn't have to wait, right, No, because

0:42:07.040 --> 0:42:10.279
<v Speaker 1>because there were no lefts now there were. We had

0:42:10.320 --> 0:42:12.359
<v Speaker 1>to wait. Man, we had. It's it's throws off your

0:42:12.400 --> 0:42:14.880
<v Speaker 1>timing and whatnot. But it's a different experience. You know,

0:42:15.520 --> 0:42:19.759
<v Speaker 1>it's not theater. I prefer to work either theater one

0:42:19.840 --> 0:42:22.560
<v Speaker 1>take all the way through or like on the office

0:42:22.680 --> 0:42:26.919
<v Speaker 1>without people there, without the audience, without the audience. Yeah yeah,

0:42:27.320 --> 0:42:29.919
<v Speaker 1>Well also during this quarantine time, I know you told

0:42:29.920 --> 0:42:33.080
<v Speaker 1>me a lot about your experience. I mean, spoiler alert

0:42:33.360 --> 0:42:34.759
<v Speaker 1>to those of you out there. You're going to be

0:42:34.960 --> 0:42:38.320
<v Speaker 1>in a big Disney movie coming out here. Do you

0:42:38.400 --> 0:42:41.320
<v Speaker 1>want to you want to reveal the news? Well, not

0:42:41.480 --> 0:42:45.759
<v Speaker 1>that it matters whatever, it's just work. It's just I mean,

0:42:45.800 --> 0:42:48.239
<v Speaker 1>why don't you just say is that one movie? Why

0:42:48.239 --> 0:42:49.840
<v Speaker 1>don't you just say what it is? I ask you

0:42:49.880 --> 0:42:53.160
<v Speaker 1>a question, why is it like I'm in two movies.

0:42:53.400 --> 0:42:55.560
<v Speaker 1>I'm in two movies. I'm going to be in two

0:42:55.680 --> 0:42:59.719
<v Speaker 1>movies coming out. Oh, sorry, two movies. You don't have

0:42:59.800 --> 0:43:01.719
<v Speaker 1>to be so you don't know. Even it's too movie,

0:43:01.800 --> 0:43:05.040
<v Speaker 1>not that it matters to zero two it's the same,

0:43:05.239 --> 0:43:08.280
<v Speaker 1>or five, it doesn't matter, it's too The Law City

0:43:08.360 --> 0:43:15.440
<v Speaker 1>and the Disenchanted. Yeah, Disenchanted we shot in in Dublin,

0:43:15.880 --> 0:43:18.120
<v Speaker 1>and The Law City we shot in the Dominican Republic

0:43:18.719 --> 0:43:20.520
<v Speaker 1>and it was very cool. It was very cool. I

0:43:20.560 --> 0:43:24.239
<v Speaker 1>went with my family, saw Sandra Bullock again speaking of

0:43:24.320 --> 0:43:26.439
<v Speaker 1>the proposals, so it was yeah, it was very fun

0:43:26.840 --> 0:43:30.719
<v Speaker 1>and and got to work with our coworker on the office, right,

0:43:30.840 --> 0:43:33.920
<v Speaker 1>Amy Adams, and Disenchanted. This is the this is the

0:43:34.040 --> 0:43:39.279
<v Speaker 1>sequel to Enchanted, right, Yes, it's funny because like we're

0:43:39.320 --> 0:43:43.720
<v Speaker 1>talking about the Proposal earlier, these two movies, The Law City.

0:43:44.239 --> 0:43:47.040
<v Speaker 1>I think Sandra Bullock is responsible for me being in

0:43:47.160 --> 0:43:48.920
<v Speaker 1>it because she called the senor you want to be

0:43:48.960 --> 0:43:52.840
<v Speaker 1>in this movie because she remembered me from the Proposal

0:43:53.600 --> 0:43:57.600
<v Speaker 1>and the other movie Disenchanted. The director of that movie

0:43:57.760 --> 0:44:01.240
<v Speaker 1>is best friends with the director and flesher of the Proposal,

0:44:02.080 --> 0:44:04.520
<v Speaker 1>so he called me up and he's like, as my friend,

0:44:04.640 --> 0:44:07.439
<v Speaker 1>she's my best friend, and we had a wonderful chat

0:44:07.600 --> 0:44:10.840
<v Speaker 1>and Amy. Of course Amy was there and my Rudolph

0:44:10.920 --> 0:44:13.399
<v Speaker 1>is in the movie. So yeah, we had a great

0:44:13.480 --> 0:44:17.520
<v Speaker 1>time in beautiful Ireland. We're going on a little tour ourselves,

0:44:18.080 --> 0:44:21.160
<v Speaker 1>Oscar coming up soon. Oscar and I are going to

0:44:21.200 --> 0:44:25.880
<v Speaker 1>speak to some colleges about the office and about life. Right.

0:44:25.960 --> 0:44:30.120
<v Speaker 1>We're going to Indiana coming up here soon, Oklahoma City

0:44:30.520 --> 0:44:33.800
<v Speaker 1>very shortly as well. What is it like working with

0:44:33.960 --> 0:44:37.400
<v Speaker 1>me on stage in a live environment? What's the experience

0:44:38.120 --> 0:44:40.760
<v Speaker 1>for you? I can only get into work with me again.

0:44:41.080 --> 0:44:44.560
<v Speaker 1>I love vaudeville and I'm a big fan of like

0:44:45.239 --> 0:44:50.000
<v Speaker 1>Mahoney likes someone who has e ventriloquist dummy like I have,

0:44:50.640 --> 0:44:52.920
<v Speaker 1>Like I have a voice and I'm speaking and then

0:44:53.000 --> 0:44:57.000
<v Speaker 1>I'll like I'll throw to you and then you know,

0:44:57.160 --> 0:45:00.080
<v Speaker 1>you speak. But we've worked out hand signals and and

0:45:00.360 --> 0:45:02.800
<v Speaker 1>it's working out well, and I kind of guide you.

0:45:03.440 --> 0:45:07.200
<v Speaker 1>And not that you're like a ventriloquist dummy. You're much

0:45:07.239 --> 0:45:09.799
<v Speaker 1>more than that, because you're much more expressive. But it's

0:45:09.840 --> 0:45:12.040
<v Speaker 1>that kind of feeling like I'm oh, he's really gets

0:45:12.120 --> 0:45:14.200
<v Speaker 1>what I'm saying, and you're really listening and pay attention

0:45:14.480 --> 0:45:17.000
<v Speaker 1>to my directions and you do really well, and it's seamless.

0:45:17.520 --> 0:45:19.239
<v Speaker 1>People watch the show and they think we're just having

0:45:19.280 --> 0:45:21.239
<v Speaker 1>a conversation. They don't know that I'm guiding you with

0:45:21.560 --> 0:45:24.200
<v Speaker 1>hand signals and that you've got your hand up mys

0:45:25.520 --> 0:45:28.279
<v Speaker 1>I was making it nice and now you just burn

0:45:28.400 --> 0:45:32.200
<v Speaker 1>the whole thing. You burn it to the ground. No, no, no, Brian,

0:45:32.280 --> 0:45:36.000
<v Speaker 1>It's so much fun. It's so much fun because boy,

0:45:36.080 --> 0:45:38.160
<v Speaker 1>we've talked about the office a lot and people are

0:45:38.239 --> 0:45:41.920
<v Speaker 1>interested in it. But we have the freedom to go

0:45:42.320 --> 0:45:44.839
<v Speaker 1>and take them off the road and then come back

0:45:44.880 --> 0:45:47.960
<v Speaker 1>again and kind of weave and have fun, and it's

0:45:48.160 --> 0:45:51.040
<v Speaker 1>it's very enjoyable. I have to say, how do you

0:45:51.120 --> 0:45:53.720
<v Speaker 1>feel about it? Oh? I love? I mean, I truly

0:45:53.880 --> 0:45:56.640
<v Speaker 1>it's the best, right, it's the best. And I you know,

0:45:56.760 --> 0:45:59.320
<v Speaker 1>I've said this many times when people say who is

0:45:59.520 --> 0:46:03.319
<v Speaker 1>your face person to work with? It's you know, I mean,

0:46:03.840 --> 0:46:07.319
<v Speaker 1>come on, it's obviously like Krasinski or krel I mean

0:46:07.360 --> 0:46:11.080
<v Speaker 1>I have to say, obviously me too. Yes, really, I

0:46:11.239 --> 0:46:15.840
<v Speaker 1>was making a joke. Well yeah, we were, Oh me

0:46:16.000 --> 0:46:19.719
<v Speaker 1>to Don Krasinski, what a rube? I was about to

0:46:19.719 --> 0:46:21.360
<v Speaker 1>give you a compliment. I don't I I'll let you,

0:46:21.440 --> 0:46:22.839
<v Speaker 1>but you know what, they know what you're gonna say,

0:46:22.880 --> 0:46:26.640
<v Speaker 1>I'm the fun you know whatever. Look, the truth is, Brian.

0:46:26.760 --> 0:46:28.840
<v Speaker 1>It's so cool to see the faces on the kids,

0:46:29.640 --> 0:46:32.120
<v Speaker 1>right they light up and then when you talk and

0:46:32.200 --> 0:46:34.799
<v Speaker 1>then it's live, so we can we can mess with them.

0:46:34.880 --> 0:46:37.359
<v Speaker 1>And I like that too. We called back on them

0:46:37.440 --> 0:46:40.000
<v Speaker 1>and we point them out, and it's it's it's like

0:46:40.080 --> 0:46:43.840
<v Speaker 1>a show. It's like having a show. Anyway, Hanover Indiana,

0:46:44.200 --> 0:46:47.640
<v Speaker 1>Hanover College. We'll see you soon, Oscar. Thank you so

0:46:47.800 --> 0:46:51.400
<v Speaker 1>much for coming on and chatting. I really after our

0:46:51.480 --> 0:46:56.719
<v Speaker 1>conversation about your parents, moving from Cuba and just your

0:46:56.800 --> 0:47:00.480
<v Speaker 1>start as a dental technician. Really, I had no idea

0:47:00.480 --> 0:47:03.719
<v Speaker 1>about your father. So you're you're full of surprises. There

0:47:03.719 --> 0:47:06.520
<v Speaker 1>are still I still get stories after all these years

0:47:06.560 --> 0:47:09.120
<v Speaker 1>from you. I did not know that. How about that? Yeah,

0:47:09.520 --> 0:47:14.239
<v Speaker 1>it's um, it's a thing, Oscar neun us quote, it's

0:47:14.280 --> 0:47:18.840
<v Speaker 1>a thing. Thanks, Oscar, life is a thing. You're welcome, buddy,

0:47:18.880 --> 0:47:34.160
<v Speaker 1>I'll say, so, I'll talk to you soon. Well what

0:47:34.360 --> 0:47:38.719
<v Speaker 1>else could I say that Oscar hasn't already? Thank you,

0:47:39.400 --> 0:47:43.080
<v Speaker 1>my friend, for truly for giving us a glimpse into

0:47:43.120 --> 0:47:46.000
<v Speaker 1>your history. And uh, well I can't wait to see

0:47:46.040 --> 0:47:49.920
<v Speaker 1>what we get up to on our college tour. Also,

0:47:50.120 --> 0:47:55.040
<v Speaker 1>keep your eye out for Oscars too, new movies The

0:47:55.200 --> 0:47:59.520
<v Speaker 1>Lost City and Disenchanted with our old friend Amy Adams.

0:47:59.719 --> 0:48:02.560
<v Speaker 1>And in the meantime, don't forget to like and subscribe

0:48:02.880 --> 0:48:06.840
<v Speaker 1>to this show wherever you get your podcasts. Also, you

0:48:06.920 --> 0:48:10.640
<v Speaker 1>can follow us on Instagram at Off the Beat Until

0:48:10.719 --> 0:48:24.960
<v Speaker 1>next week, everybody, thank you so much for listening. Off

0:48:25.040 --> 0:48:28.839
<v Speaker 1>the Beat is hosted an executive produced by me Brian Baumgartner,

0:48:29.000 --> 0:48:33.880
<v Speaker 1>alongside our executive producer Langley. Our producers are Diego Tapia,

0:48:34.120 --> 0:48:38.560
<v Speaker 1>Liz Hayes, Emily Carr, and Kristen Vermilion. Our talent producer

0:48:38.840 --> 0:48:42.840
<v Speaker 1>is Ryan Papa Zachary. Our theme song Bubble and Squeak

0:48:43.120 --> 0:48:47.120
<v Speaker 1>performed by my great friend Creed Bratton, and the episode

0:48:47.200 --> 0:48:49.040
<v Speaker 1>was mixed by seth Olandski