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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube as well.

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Speaker 2: Links available in the episode description. So here we are.

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Speaker 3: Yes, I'm Jeff Garland.

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Speaker 1: I'm Susie Esman, and this is the History of Curby Enthusiasm,

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Speaker 1: and we are about to start season four.

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Speaker 3: Right in Susie's in studio.

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Speaker 2: I'm in studio in New York.

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Speaker 3: I'm in my office at home. I usually close the door,

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Speaker 3: but my dog will be weirded out, so maybe she'll

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Speaker 3: show up. Yeah, from my kitchen.

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Speaker 2: We have to have dog access. That's very important.

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Speaker 1: So season four, I believe it was two thousand and

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Speaker 1: four around there that we shot this.

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Speaker 2: Yeah, and this is the producer's season.

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Speaker 3: And by the way, if I'm Susie. When I started

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Speaker 3: watching this episode, it wasn't until I saw Mel Brooks

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Speaker 3: that I realized it was the producers season. That's well,

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Speaker 3: that's how long since I've seen this stuff.

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Speaker 1: I know it's been a long time. Yeah, And this

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Speaker 1: episode is called Mel's Offer yep. And we start off

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Speaker 1: with Cheryl and Larry. They're in an Italian restaurant and

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Speaker 1: the waiter is giving them unintelligible specials, which I thought

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Speaker 1: was hilarious.

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Speaker 3: I feel like, use.

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Speaker 4: What's the sauce with the fish?

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Speaker 5: What?

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Speaker 3: What fish? Well, by the way, if you slowed that

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Speaker 3: guy down, he was just doing either either he knew

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Speaker 3: Italian or it was gibberish. Because Larry's making a joke

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Speaker 3: on something. Every once in a while we do a

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Speaker 3: subtle broad joke because what it usually is is the

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Speaker 3: guy just talks fast with a French accent or Italian accent,

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Speaker 3: and you have no idea what they're saying. Would you

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Speaker 3: slow them down? It would make sense.

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Speaker 2: This guy no nothing, We understood nothing.

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Speaker 1: Then finally Larry's like, I'll have the first thing in

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Speaker 1: Cheryl's I'll have the second thing. And then we find

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Speaker 1: out from Cheryl that their ten year anniversary is coming

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Speaker 1: up and Cheryl would like to renew the vows and

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Speaker 1: have a real ceremony. I have to say, my fifteen

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Speaker 1: year anniversary is coming up. I have zero interest in

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Speaker 1: renewing my vows and having a real ceremony.

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Speaker 2: Zero interest.

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Speaker 3: Would you want to even have a party. No, exactly.

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Speaker 3: You know, I used to gig on New Year's I

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Speaker 3: don't even do that anymore.

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Speaker 1: Well, in the old days, we didn't have to worry

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Speaker 1: about having dates because we were always busy on Saturday night,

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Speaker 1: always busy on New Year's Eve.

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Speaker 2: Oh you know, it wasn't that kind of thing.

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Speaker 3: We didn't have children, right, and so yeah, you could

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Speaker 3: do anything. So I worked every New Year's for probably.

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Speaker 2: Two for years.

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Speaker 3: Is great pay day, always any day, even for a

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Speaker 3: young comic, it was a better payday.

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Speaker 1: And at the clubs that you would work, let's say

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Speaker 1: New Year's Eve was a Friday, the Thursday night before

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Speaker 1: you'd get you know, twenty dollars a set. New Year's

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Speaker 1: Eve you get maybe three hundred. So it was like

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Speaker 1: a big the same exactly deal.

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Speaker 2: Yeah, it was a big deal.

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Speaker 3: The only thing that sucked being on stage always was

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Speaker 3: the countdown.

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Speaker 1: Yeah, well I always tried to avoid that, but that

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Speaker 1: was like, you know, thinking about that. That was like

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Speaker 1: in the old days, you didn't have to think about

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Speaker 1: your social life ever. You'd walk into a club, you

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Speaker 1: knew everybody, from the waiters and waitresses to the doorman,

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Speaker 1: to the comics.

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Speaker 5: Oh.

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Speaker 3: Then from the age of twenty up until I met

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Speaker 3: my wife Marline, no exaggeration, I was dating my stand

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Speaker 3: up career. Yes, yes, dating my stand up career. That's

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Speaker 3: all that mattered. And it was great, girls, it was great,

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Speaker 3: it was great. You had There was nothing I want

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Speaker 3: to recapture that moment.

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Speaker 1: And it was our cheers, like you'd walk into a

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Speaker 1: club and you knew everyone ever.

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Speaker 6: You was just.

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Speaker 3: But also of that time, there was a different vibe

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Speaker 3: amongst comedians. We were almost a organism and this is

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Speaker 3: the world.

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Speaker 1: It's so, but there was not that many of us. Also, Jeff,

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Speaker 1: there's a lot more now, I think, oh.

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Speaker 3: My god, a zillion more. But you still I don't

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Speaker 3: ever get the oh, we're going to the diner down

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Speaker 3: the block.

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Speaker 2: H you know what I mean.

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Speaker 3: Fine, That's how I helped gain a lot of weight.

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Speaker 1: We'd run around doing five, six, seven sets a night,

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Speaker 1: and then we'd go to the diner and you go

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Speaker 1: over your stuff. You'd say, I did this, this work,

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Speaker 1: This didn't work. Somebody would say try that.

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Speaker 3: I know found that the max helpful is five, six

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Speaker 3: is not helpful. Seven is a complete loss. You don't

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Speaker 3: know what's seven, Yes, because you don't remember what you said,

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Speaker 3: you didn't say, and.

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Speaker 2: I have done this where I repeat myself.

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Speaker 3: Oh, by the way, that's why I'm saying I did

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Speaker 3: the same thing, you know.

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Speaker 1: So Cheryl wants to renew the vows and Larry gives in.

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Speaker 1: He says, oh, okay, okay, I'll give in, and Larry says,

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Speaker 1: my gift for our ten year anniversary he has already

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Speaker 1: been agreed upon, and Cheryl doesn't know what he's talking about.

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Speaker 1: And then we have the flashback, which you know I

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Speaker 1: love these, Okay, I love the flash back.

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Speaker 3: All the flashbacks. This one hold on though. This one

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Speaker 3: felt real, do you know what I mean? This one

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Speaker 3: because some of the others, especially the ice cream one

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Speaker 3: and bald Larry as a kid, Joe per se. But

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Speaker 3: this one they look like they looked I don't know

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Speaker 3: if Cheryl had that kind of.

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Speaker 1: Hair, but it looked glassy hair, yeah, but it looked real.

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Speaker 3: And then Larry Larry was just brown, yeah, but he

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Speaker 3: was it was And the glasses that he wore, he

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Speaker 3: looked like you wanted a time machine and I knew him.

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Speaker 1: Then, Yes, what look like That's what I'm saying, except

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Speaker 1: he had more in those days, in the eighties, he

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Speaker 1: had brown hair, but it was bigger, it was more bozo.

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Speaker 3: And then when it was on Fridays it was really big.

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Speaker 2: It was very boso.

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Speaker 1: So they're about to get married and Cheryl she just

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Speaker 1: goes to this whole thing.

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Speaker 2: She wants to be Cheryl David. It's very odd she

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Speaker 2: wants to be Cheryl David. Larr's like, why, well, the great.

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Speaker 3: Line that Larry says is, I don't even want to

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Speaker 3: be a David, right, why would you want to be

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Speaker 3: a David?

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Speaker 1: But she does because it's exotic to her, And she

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Speaker 1: says to him, are you worried about Are you reluctant

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Speaker 1: because you're worried about not being able to have sex

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Speaker 1: with someone else?

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Speaker 2: Now, you know that is a major thing.

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Speaker 1: When you're making a commitment to get married, you're basically

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Speaker 1: saying I am never going to have sex with anyone

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Speaker 1: else for the rest of my life. That's bizarre to

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Speaker 1: make that commitment. I mean, I've made it, but it's bizarre.

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Speaker 3: That's why a lot of couples, partners what have you,

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Speaker 3: don't get married, right, I do believe like gay marriage

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Speaker 3: and all that stuff. Hey, I love that the civil

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Speaker 3: right is there. But I always wonder I someone did

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Speaker 3: this joke.

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Speaker 2: Why do you want to be us?

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Speaker 3: Why do you want to be married? We don't want

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Speaker 3: to be married. Why would you? But I do get

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Speaker 3: the civil rights of it all.

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Speaker 1: But of course the civil they should have the right

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Speaker 1: to do whatever they want. But why choose it?

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Speaker 3: I had dunched the other day with a beautiful French woman,

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Speaker 3: seventy nine years old, gorgeous, she's never had any work done,

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Speaker 3: her hair as brown and beautiful. I mean, this woman

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Speaker 3: is as gorgeous. She was married. Her name's Francois. She

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Speaker 3: was married to Douglas Kirkland, who was a great photographer.

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Speaker 3: He has a new book coming out of his pictures

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Speaker 3: of Bridget Bardoux. He did a lot of them in

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Speaker 3: road too.

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Speaker 2: There you go.

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Speaker 3: Anyhow, she starts telling me about their relationship, and she said,

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Speaker 3: we split up a couple times, and she knew he

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Speaker 3: was with other women, and she wasn't mad about that.

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Speaker 3: She was mad about that he was sharing what was

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Speaker 3: on his mind his work, because emotion, that's beyond emotional,

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Speaker 3: it's very that's specific emotional intimacy. And so but she

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Speaker 3: also said to me because I'm I'm big on Uh

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Speaker 3: what's the word called when you don't fool around monogamy? Well, yeah,

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Speaker 3: I enjoyed, by the way, in this day and age,

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Speaker 3: I love monogamy anyhow.

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Speaker 2: Who will gratefulness, well, watfulness.

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Speaker 3: All that stuff. I'm about that, but it seems to

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Speaker 3: me and I'm always I don't say I don't ghost them.

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Speaker 3: I hate ghosting. But it's a funny how all these

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Speaker 3: women from my past whenever I have a fight with Sari,

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Speaker 3: whenever Sari lives town. I don't know if they have

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Speaker 3: a red light that goes in their house, but they

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Speaker 3: all contact me. Oh and by the way, that's not

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Speaker 3: an exaggeration. When Sari's around, I never hear from any

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Speaker 3: of them. I don't know how they I.

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Speaker 1: Got married for the first time at how old was

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Speaker 1: I forty eight? So I had no problem committing to monogamy.

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Speaker 1: I had sewn wild oats, you know.

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Speaker 3: By that way, point thanks to you, I've sewn wild oats,

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Speaker 3: which you recommend to me when I split with my wife.

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Speaker 3: So your oats you have never seen you?

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Speaker 1: Why, Jeff, Because you you got married young, you didn't

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Speaker 1: have a lot of experience before you met Marla, and

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Speaker 1: I thought it was important before you met the next

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Speaker 1: person for you to go out there and you know,

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Speaker 1: have some.

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Speaker 3: Fun experience, like, yes, I had a bit before I

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Speaker 3: started comedy, Like I said, though, comedy was my girlfriend.

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Speaker 5: Yeah you.

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Speaker 7: Will.

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Speaker 2: So your oats okay, So your oats okay?

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Speaker 8: All right.

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Speaker 1: So apparently in the flashback, Cheryl tells Larry. Not apparently,

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Speaker 1: she tells yet Larry.

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Speaker 4: Okay, how about if we get married now, right now,

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Speaker 4: for a ten year anniversary, you can have sex with

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Speaker 4: someone else. If that's your your hold up here, let's

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Speaker 4: just do that.

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Speaker 5: Come on, when you get you're not gonna let me

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Speaker 5: do that? What are you saying, though, I will.

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Speaker 4: Just sex one time. It's not a big deal.

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Speaker 1: On our ten year anniversary. You could have sex with

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Speaker 1: someone else one time. Then we're back to the present

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Speaker 1: and Cheryl says, I can't believe you remember that, and

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Speaker 1: Larry's say, ah, I'm joking around it.

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Speaker 2: Sarah's like no, no, no.

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Speaker 1: Cheryl insists that he calls her on that because I

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Speaker 1: think Cheryl does not believe he could find somebody.

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Speaker 3: Hold on a second here, hold on a second there.

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Speaker 3: He would have loved to say, and what he wanted

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Speaker 3: on the inside was Oh, you can do that, Okay,

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Speaker 3: that's great. Instead he has to fake it. No, I

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Speaker 3: wouldn't want to. But the minute she tells him he can't,

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Speaker 3: that good luck to him is that he can.

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Speaker 2: Minute she tells him he can, yeah.

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Speaker 3: No, No. The minute she tells me he can't, though,

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Speaker 3: is good luck. You won't find anybody like he's going out.

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Speaker 3: That's when he's made his mind up. This is gonna happen.

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Speaker 3: It's a challenge.

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Speaker 4: She says, if you think you can have sex with

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Speaker 4: somebody else and you should do that, what does that mean? Hey, lady,

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Speaker 4: I'm Larry David and my wife said I could have

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Speaker 4: sex with somebody tonight.

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Speaker 1: If you think you could have sex with someone else,

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Speaker 1: then you should do it. Clearly she doesn't think he could,

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Speaker 1: and Larry's insulted. I understand that, And Cheryl doesn't think

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Speaker 1: she's capable, And Larry says, it's okay with you, no

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Speaker 1: crying afterwards, and she's like, you have until our anniversary.

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Speaker 2: Good luck.

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Speaker 1: Then they're on the way to the karaoke Larry's like,

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Speaker 1: I hope Jeff is going to be at the karaoke party.

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Speaker 2: Because he can't wait to tell you, he can't.

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Speaker 1: Wait to tell you that he has permission right to

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Speaker 1: fuck somebody else.

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Speaker 3: And then what does it open up right away that

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Speaker 3: I love the economy of that.

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Speaker 2: The cut Tamel singing justin Time.

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Speaker 3: Cut to Mel just in Time, and then a cut

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Speaker 3: to Larry and I having that conversation. And of course

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Speaker 3: I say, you have to.

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Speaker 2: Marry man's dream.

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Speaker 1: You say it's a married man's dream, and you think

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Speaker 1: it's great, and then you say.

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Speaker 2: Who, Well that becomes the issue, doesn't it.

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Speaker 3: Okay, So before we get to what happens next, I

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Speaker 3: want to say two things. Number One, watching Mel in this,

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Speaker 3: just watching Mel in general, Mel is magic. Yes, Mel

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Speaker 3: warms my heart when I see him.

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Speaker 2: We'll be right back. Stay tuned and we're back.

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Speaker 3: You know, one time I went to the doctor's to

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Speaker 3: get my flu shot and I hear this voice from

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Speaker 3: inside the doctor Jeff, Jeff. It was Mel calling me

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Speaker 3: to be so in the room. We got our flu shots. So,

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Speaker 3: as a kid watching Young Frankenstein or A History of

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Speaker 3: the World, whatever have you, silent movie, in my wildest

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Speaker 3: imagination being a flu shot with.

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Speaker 1: Him, well, you know, I mean one of the one

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Speaker 1: of the nice things that in one's career is when

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Speaker 1: you get to meet your idol, sometimes you're disappointed. Mel

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Speaker 1: was absolutely my comedic idol. In nineteen sixty, I was

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Speaker 1: five years old and my parents got the two thousand

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Speaker 1: year Old Man album and I would.

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Speaker 2: Listen to it over and over.

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Speaker 1: And what's interesting to me is that there were things

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Speaker 1: I couldn't have possibly understood that were well.

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Speaker 3: There was a lot, there was a lot of subtleties.

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Speaker 1: But I got the rhythm of it, the rhythm. I

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Speaker 1: knew it was funny because of the rhythm of it.

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Speaker 3: Rhythms exactly.

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Speaker 1: So at five years old, I had that rhythm in

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Speaker 1: my head and I would stand up on the kitchen table.

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Speaker 1: I would do the whole album for the family, both

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Speaker 1: Mel and Carl.

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Speaker 2: I do both parts. I memorize the whole thing.

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Speaker 1: And then some years later, sometimes I'd be on stage

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Speaker 1: doing stand up and I would hear that rhythm in

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Speaker 1: my head like somehow I would say something. I'd be like,

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Speaker 1: oh my god, that was a Mel rhythm. It was

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Speaker 1: so ingrained in me.

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Speaker 3: Yeah.

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Speaker 1: So he was my first comedic influence, right, and to

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Speaker 1: meet him and to work with him was just absolutely

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Speaker 1: one of the great thrills of my life.

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Speaker 2: And he did not disappoint.

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Speaker 3: He was fun. He was great.

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Speaker 2: Meant she wonders, underform.

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Speaker 3: Willing to talk about anything you know from his past. No,

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Speaker 3: a delight. That's why I so I'm saying when I'm

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Speaker 3: watching him sing, I'm like, mel is magic. Okay, he is,

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Speaker 3: all right?

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Speaker 1: So there, so we introduced Mel and then you and

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Speaker 1: Larry are talking about the married man's stream.

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Speaker 3: The mind that I wrote down that I said to

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Speaker 3: him was damn it man, do it, damn it man too.

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Speaker 3: And then he goes over to talk to that he.

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Speaker 1: But Larry does say, this is the thing I'm worst

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Speaker 1: at in the world. Asking a woman, you know, and

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Speaker 1: we know that he is. And Jeff points to a

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Speaker 1: very attractive.

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Speaker 3: Does what he would say? You know? He doesn't. Yeah.

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Speaker 1: And then Jeff, you point to a very attractive woman,

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Speaker 1: you say, just go do it, make a move. And

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Speaker 1: Larry goes and talks to this attractive woman the most

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Speaker 1: ridiculous conversation.

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Speaker 9: What can you do a night bowling movies? It's like

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Speaker 9: a third thing to do after bowling in the movies.

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Speaker 9: I don't know if you bowl or not. I don't

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Speaker 9: go that often, but it's fun. It's fun.

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Speaker 5: You can't find the ball, that's the problem.

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Speaker 3: I don't know.

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Speaker 9: I don't Maybe you want a bowling ball. I don't

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Speaker 9: own a bowling ball my whole life. Every time at

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Speaker 9: a bowling allergy sticking my fingers and all his holes

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Speaker 9: picking up the balls. You gotta get your own ball.

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Speaker 9: I don't bowl enough, I think, to get my own ball.

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Speaker 9: It takes up a lot of space in the house.

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Speaker 9: You keep looking at it in the closet, going what

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Speaker 9: am I doing with a bowling ball?

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Speaker 1: I don't even I mean if that, if I was

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Speaker 1: that woman, I would have just like I would have

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Speaker 1: said the.

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Speaker 3: Way she played it note perfect for not she said

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Speaker 3: a million words by not saying any words, right. And

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Speaker 3: you know what's funny this episode he talks more than usual.

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Speaker 3: He does talk a lot, as you know, and outside

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Speaker 3: of the show, I'm a big talker. So as I'm

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Speaker 3: watching him talk through this episode, it started reminding me

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Speaker 3: of Sari and I so I told her that. I said, Sari,

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Speaker 3: I was watching Curb a scene on Curb, and I

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Speaker 3: thought of you, and she was prepared.

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Speaker 2: I thought about Sary. So everybody knows is your girlfriend.

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Speaker 3: Yes, and I told her, I said, you know, I'm

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Speaker 3: watching Larry Talk. And all I thought to myself was

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Speaker 3: poor Sari, poor poor Sari, that she used to deal

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Speaker 3: with this. Well, you the listener, who've been listening to this, Yes,

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Speaker 3: I interrupt, because it's a thought about it.

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Speaker 1: The show goes, he goes off on a whole rant

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Speaker 1: about bowling balls, and it's just a ridiculous rant and

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Speaker 1: it's a complete disaster.

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Speaker 3: By the way, I had an end to the French thing.

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Speaker 3: I realized it wasn't what she missed, and I don't

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Speaker 3: remember the topic. But at the end, when she left,

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Speaker 3: she grabbed my face. She said life is too short

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Speaker 3: to worry about that, in other words.

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Speaker 2: Being she's jealous. No no, no, no, no, no.

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Speaker 3: No, that I should be with all those women women

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Speaker 3: because she's French and you.

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Speaker 2: Should you know, French. Okay, she's obviously she's not Jewish, Jeff, I.

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Speaker 3: Don't know if she is. I don't think she is.

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Speaker 1: No, it's not a Jewish women. Jewish women don't let

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Speaker 1: their husband's cheat, they.

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Speaker 3: Don't let their husbands even think about you.

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Speaker 6: That's right, by the way, that show and this show

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Speaker 6: will do that episode, man so many people love the

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Speaker 6: scene when I take you to the airport and I'm

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Speaker 6: singing and I'm bouncing.

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Speaker 3: I'm happy. I'm not telling you I'm doing anything. Thank

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Speaker 3: God you're gone, and you look at me and you say.

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Speaker 2: Back, I'm too happy.

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Speaker 3: What the hell's going on? And that is a Jewish woman?

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Speaker 3: That is wow.

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Speaker 2: That's that was season nine or ten.

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Speaker 7: Yeah, yeah, so but nonetheless people love We'll get to it, yes, okay,

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Speaker 7: And then the MC calls Larry up, and Larry goes

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Speaker 7: up and he does his al Jolson swany yeah to

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Speaker 7: the carry out.

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Speaker 3: And by the way, he is good at that. He's

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Speaker 3: really good at singing, he really is.

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Speaker 1: But he's also such a good mimic as as you

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Speaker 1: and I know, he's a terrific mimic, whether it's James

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Speaker 1: or you know what's his.

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Speaker 3: Name doing the young Lincoln.

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Speaker 7: I'll think that young Raymond, you know Mary the House Divided?

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Speaker 3: Well, how many times do I ask him to do it?

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Speaker 3: And then he finally did it in the show and

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Speaker 3: I laugh at that one.

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Speaker 2: Say that Jeff, well, give him something away.

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Speaker 3: Hold on, I don't think is Raymond Massey is part

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Speaker 3: of the storyline whenever he did it?

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Speaker 2: Oh no, his Raymond Massy is not okay.

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Speaker 3: So there you go. What am I?

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Speaker 6: All right?

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Speaker 2: So, and then we cut to Larry.

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Speaker 3: Wait, hold on, hold on, are you talking about Larry?

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Speaker 3: So the last line that he says before he walks

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Speaker 3: away from the woman is the funniest line in the scene,

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Speaker 3: which is, I'm around town.

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Speaker 2: Yes, like she can find him.

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Speaker 3: In case you think, oh I made a mistake, I'm

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Speaker 3: around town. I love I'm around town. That's too funny.

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Speaker 1: And let's say she did want to find him. I'm

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Speaker 1: around town.

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Speaker 3: Yeah, you know, but that's why it was so funny.

400
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Speaker 3: I'm around town. Oh boy.

401
00:19:04,880 --> 00:19:07,959
Speaker 1: So we cut to you and Larry are in a

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Speaker 1: meeting with Melbrook.

403
00:19:09,200 --> 00:19:12,080
Speaker 2: No, are you going into the meeting with Melos?

404
00:19:12,359 --> 00:19:14,680
Speaker 3: No, we are in the car.

405
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Speaker 1: You're in the car going and at Mel's building right

406
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Speaker 1: in the wheelchair, and the guy in the wheelchair is

407
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Speaker 1: on the cell phone and Larry almost runs him down

408
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Speaker 1: and they get into an argument.

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Speaker 2: And Steve Rash.

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Speaker 1: Very quickly, who was our editor, it was in the

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Speaker 1: background as an extra, been the editor.

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Speaker 2: A brilliant editor, because so.

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Speaker 1: Much of this show is done in the hour, all

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Speaker 1: the way since the very beginning.

415
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Speaker 3: Because I always say with Larry, you know, you and

416
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Speaker 3: Cheryl most of it, but I always say Larry myself,

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Speaker 3: and who is the other person? One other person had

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Speaker 3: been there since the actual beginning, and I can't remember Caryl, yes,

419
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Speaker 3: but she had seasons that she wasn't on.

420
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Speaker 2: Was Bob Whitey uh No, because the.

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Speaker 3: Past you've seen Laura Laura, Laura Fairchild or Laura Striker Striker. Yeah,

422
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Speaker 3: so it's Laura. Who's Larry.

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Speaker 2: She's a producer Rash as well, Steve Rash as well.

424
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Speaker 3: So there's four of us who've been on everage.

425
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Speaker 1: And because the show is improvised, so much is done

426
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Speaker 1: in editing, so much, I mean so much of the show.

427
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Speaker 2: Yeah, he is, he really is.

428
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Speaker 3: I remember this is just coming to me when we

429
00:20:28,720 --> 00:20:33,040
Speaker 3: were in these weird offices where HBO had this theater

430
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Speaker 3: where they would screen their stuff and there were offices

431
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Speaker 3: on that level no windows. So I remember the only

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Speaker 3: thing that had been like this prior to us doing

433
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Speaker 3: this was Christopher Guest movies. And I know, yeah, he

434
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Speaker 3: had a strong script, but he also had great improvisers

435
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Speaker 3: in all the roles, and.

436
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Speaker 2: So question did he have dialogue written in his scripts

437
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Speaker 2: or no, oh.

438
00:20:59,640 --> 00:21:03,760
Speaker 3: Sure, sure, sure, yeah, and I we don't I know,

439
00:21:03,880 --> 00:21:06,760
Speaker 3: but I think his was more than an outline, Like

440
00:21:06,800 --> 00:21:10,760
Speaker 3: we get an outline and the scenes ritt, but we

441
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Speaker 3: don't have so he had more. But that being said,

442
00:21:13,920 --> 00:21:19,040
Speaker 3: I called him and I said, hey, we're about to

443
00:21:19,080 --> 00:21:21,959
Speaker 3: do this show. He doesn't know who I am at

444
00:21:22,000 --> 00:21:24,760
Speaker 3: this point. We're about to do this show. Do you

445
00:21:24,840 --> 00:21:30,160
Speaker 3: have any advice for our editor and editing? He said no,

446
00:21:32,840 --> 00:21:36,480
Speaker 3: he was Mary succinct. You went no, no, and then

447
00:21:36,520 --> 00:21:41,679
Speaker 3: I go, well, thank you, and it was over. It

448
00:21:41,760 --> 00:21:45,120
Speaker 3: was over. But that's what I got. No. Since then,

449
00:21:45,160 --> 00:21:48,600
Speaker 3: I've gotten to know him, and he is eccentric, but

450
00:21:48,680 --> 00:21:51,720
Speaker 3: none do you know. One time I thought, okay, and

451
00:21:51,800 --> 00:21:54,600
Speaker 3: I know we're interrupting ourselves because you're doing it a lot.

452
00:21:55,080 --> 00:22:01,159
Speaker 3: The comedy Festival, HBO's Comedy Arts Festival. And then so

453
00:22:01,400 --> 00:22:05,680
Speaker 3: I think Marla's coming down the hallway. I'm sure because

454
00:22:05,680 --> 00:22:09,800
Speaker 3: I'm expecting her at that second. So I'm in the hallway,

455
00:22:10,560 --> 00:22:14,360
Speaker 3: you know, halfway through the door, dancing in my underwear.

456
00:22:14,800 --> 00:22:19,440
Speaker 3: That's it, just my underwear. Christopher Guests walks by. He

457
00:22:19,520 --> 00:22:23,520
Speaker 3: looks at me and he goes, hi, Jeff and keeps walking.

458
00:22:24,119 --> 00:22:26,480
Speaker 2: Didn't didn't non plus.

459
00:22:26,480 --> 00:22:29,600
Speaker 3: Well, just like you know, he's very succinct, that man.

460
00:22:29,960 --> 00:22:34,080
Speaker 1: Yeah, yeah, okay, you know you mentioned the Comedy Arts Festival.

461
00:22:34,400 --> 00:22:37,080
Speaker 1: The first trip it was like twenty years ago when

462
00:22:37,119 --> 00:22:39,280
Speaker 1: I first met my husband Jimmy. The first trip I

463
00:22:39,320 --> 00:22:41,760
Speaker 1: took with him was I brought him to Aspen to

464
00:22:41,800 --> 00:22:42,440
Speaker 1: the festival.

465
00:22:42,440 --> 00:22:45,359
Speaker 2: We were doing some kind of panel, some curb panel.

466
00:22:45,280 --> 00:22:49,280
Speaker 3: With David Steinberg. Yeah, and I remember Diane Keaton was

467
00:22:49,359 --> 00:22:51,840
Speaker 3: right after us, huh. And it was a fun and

468
00:22:51,920 --> 00:22:55,040
Speaker 3: Monty Python were being feted the right word.

469
00:22:55,640 --> 00:22:57,919
Speaker 1: So we're at the you know, you're at the bar

470
00:22:58,040 --> 00:22:59,919
Speaker 1: at these festivals, and you know everybody at the bar,

471
00:23:00,480 --> 00:23:03,879
Speaker 1: it's just everybody, every comic. And Chris Rock was standing

472
00:23:03,880 --> 00:23:07,160
Speaker 1: there and I introduced Jimmy to Chris Rock and I said, Chris,

473
00:23:07,200 --> 00:23:08,920
Speaker 1: this is my you know, I've known Christmas so many

474
00:23:09,000 --> 00:23:12,160
Speaker 1: They say Chris, this is my boyfriend, Jimmy, And Jimmy says,

475
00:23:12,200 --> 00:23:13,160
Speaker 1: I'm sorry, what was your name?

476
00:23:13,240 --> 00:23:16,680
Speaker 2: Mark? And I thought, I love this guy.

477
00:23:16,680 --> 00:23:20,080
Speaker 3: I got you the way. He is the least pretentious

478
00:23:20,119 --> 00:23:20,920
Speaker 3: man I've ever met.

479
00:23:20,960 --> 00:23:23,119
Speaker 2: Exactly, didn't know who anybody was.

480
00:23:23,400 --> 00:23:26,160
Speaker 3: It doesn't care a lot of people in that situation

481
00:23:26,600 --> 00:23:30,080
Speaker 3: would try to cover it up and just not use

482
00:23:30,119 --> 00:23:34,480
Speaker 3: his name or try and make something maneuver it.

483
00:23:34,960 --> 00:23:40,520
Speaker 2: And he's guileless. He just says, I'm sorry, what was

484
00:23:40,520 --> 00:23:41,160
Speaker 2: your name? Mark?

485
00:23:42,280 --> 00:23:45,000
Speaker 1: Okay, So the guy in the wheelchair on the cell

486
00:23:45,000 --> 00:23:47,240
Speaker 1: phone Larry. He and Larry have a fight because Larry

487
00:23:47,280 --> 00:23:49,560
Speaker 1: almost runs him over and the guy's not paying attention,

488
00:23:50,200 --> 00:23:53,080
Speaker 1: but blah. And then you walk into the building and

489
00:23:53,160 --> 00:23:56,360
Speaker 1: Larry finds a wallet sitting in the hallway in the lobby.

490
00:23:56,640 --> 00:23:58,520
Speaker 1: You go up to Mel's office and there is his

491
00:23:58,600 --> 00:24:00,399
Speaker 1: assistant played by Rachel Harris.

492
00:24:00,520 --> 00:24:03,119
Speaker 3: Rachel Harris a grown person, one.

493
00:24:03,000 --> 00:24:06,439
Speaker 1: Of Cheryl's friends, Cheryl's best friend, and Rachel Harris. I

494
00:24:06,480 --> 00:24:10,359
Speaker 1: forgot the name of her character, but she says, yeah,

495
00:24:10,440 --> 00:24:14,280
Speaker 1: she's Amina. She says that the wallet belongs to Dennis,

496
00:24:14,600 --> 00:24:17,520
Speaker 1: who does our computers. I don't know if she says

497
00:24:17,560 --> 00:24:20,720
Speaker 1: at that moment that he's in a wheelchair. But then

498
00:24:20,760 --> 00:24:22,840
Speaker 1: she says that she Larry noticed that.

499
00:24:23,119 --> 00:24:27,560
Speaker 3: Larry said a guy in the he had a problem

500
00:24:27,600 --> 00:24:29,960
Speaker 3: with the guy in the wheelchair. He had to stop.

501
00:24:30,000 --> 00:24:34,000
Speaker 3: Shouldn't there be rules? And then he said, I found

502
00:24:34,000 --> 00:24:37,920
Speaker 3: this wallet, and she said that's Dennis our blood.

503
00:24:38,040 --> 00:24:39,800
Speaker 2: He's in the wheelchair. Okay.

504
00:24:40,160 --> 00:24:42,679
Speaker 1: So then Rachel is looking at baby names and she

505
00:24:42,960 --> 00:24:46,400
Speaker 1: establishes that she and her partner are adopting a baby.

506
00:24:46,960 --> 00:24:49,639
Speaker 1: And why do I have hear my partner is my rival?

507
00:24:49,680 --> 00:24:50,800
Speaker 1: I think Larry said that.

508
00:24:50,920 --> 00:24:55,280
Speaker 3: No, he says, you know, look at partners partners. I'm married,

509
00:24:55,680 --> 00:24:58,000
Speaker 3: When you're married, your wife is like, he's talking about

510
00:24:58,080 --> 00:25:01,600
Speaker 3: I have a rival. I don't have a partner, which,

511
00:25:01,640 --> 00:25:04,440
Speaker 3: by the one, so true.

512
00:25:04,480 --> 00:25:06,119
Speaker 2: Well, I don't know. I don't feel that way. But

513
00:25:07,280 --> 00:25:20,720
Speaker 2: we'll be right back. Stay tuned, and we're back.

514
00:25:22,040 --> 00:25:24,800
Speaker 1: It's established that they're adopting a Chinese boy, which I

515
00:25:24,800 --> 00:25:27,119
Speaker 1: thought was weird because there aren't Chinese boys at that

516
00:25:27,200 --> 00:25:29,919
Speaker 1: time to be adopted. They were all Chinese girls that

517
00:25:30,000 --> 00:25:34,080
Speaker 1: were being adopted. And so Larry starts going through Chinese.

518
00:25:33,720 --> 00:25:36,199
Speaker 5: Name Wang isn't a bad first name. Wang.

519
00:25:37,520 --> 00:25:42,200
Speaker 9: Then you got the whole Aang family, Fang Bang Tang.

520
00:25:42,920 --> 00:25:45,399
Speaker 9: Tang is not actually a bad name because it's like China,

521
00:25:45,440 --> 00:25:47,280
Speaker 9: but it's it's not China.

522
00:25:47,640 --> 00:25:50,040
Speaker 5: It's a juice, that's what it is.

523
00:25:50,960 --> 00:25:53,160
Speaker 2: Tang. Is that so bad?

524
00:25:53,280 --> 00:25:55,440
Speaker 9: Naming a kid after a juice? Maybe that's not so bad,

525
00:25:55,880 --> 00:25:59,440
Speaker 9: but it's but it has Chinese overtones tang, but yet

526
00:25:59,480 --> 00:26:01,840
Speaker 9: there's a you got a little jolt with it.

527
00:26:02,560 --> 00:26:04,159
Speaker 2: I don't think that would go over too well with

528
00:26:04,200 --> 00:26:04,879
Speaker 2: the school kids.

529
00:26:05,600 --> 00:26:07,000
Speaker 5: It's going to kind of be the least of his

530
00:26:07,080 --> 00:26:07,680
Speaker 5: problems though.

531
00:26:08,600 --> 00:26:09,959
Speaker 2: And I'll be right with you.

532
00:26:10,000 --> 00:26:11,280
Speaker 3: Did they still make tang?

533
00:26:11,560 --> 00:26:14,000
Speaker 2: I don't know. The astronaut tang was.

534
00:26:14,160 --> 00:26:17,480
Speaker 3: Supposed the astronauts used it. It was a powdered orange drink

535
00:26:17,760 --> 00:26:19,879
Speaker 3: that you put in the water, and it was actually

536
00:26:19,920 --> 00:26:20,639
Speaker 3: it wasn't great.

537
00:26:20,960 --> 00:26:22,400
Speaker 2: It was orange, okay.

538
00:26:22,800 --> 00:26:25,000
Speaker 1: And then Larry goes off on a hole named me

539
00:26:25,000 --> 00:26:27,200
Speaker 1: the kid after a juice and Rachel says, I don't

540
00:26:27,200 --> 00:26:29,520
Speaker 1: think that'll go over with the school kids, and Larry says,

541
00:26:29,880 --> 00:26:31,240
Speaker 1: least of his problems.

542
00:26:31,359 --> 00:26:35,600
Speaker 2: No, it's so incendiary. It's so incendiary.

543
00:26:35,920 --> 00:26:38,440
Speaker 1: And then Larry goes to the bathroom and as he's

544
00:26:38,480 --> 00:26:42,000
Speaker 1: going walking into the bathroom, Mel opens the bathroom door

545
00:26:42,119 --> 00:26:44,160
Speaker 1: and hits Larry in the head and it's a big

546
00:26:44,240 --> 00:26:47,639
Speaker 1: gash and he's bleeding. Next Jeff and Larry go to

547
00:26:47,720 --> 00:26:48,240
Speaker 1: the doctor.

548
00:26:48,359 --> 00:26:51,679
Speaker 3: Hold on one second, I have written down ben Veren,

549
00:26:52,359 --> 00:26:52,880
Speaker 3: did I?

550
00:26:53,240 --> 00:26:56,040
Speaker 1: Or you said something about ben Veren and the name

551
00:26:56,640 --> 00:27:00,879
Speaker 1: you didn't.

552
00:26:59,040 --> 00:27:01,840
Speaker 3: You, Ben Veren, Okay, yeah, yeah, it's something that I've

553
00:27:01,840 --> 00:27:05,520
Speaker 3: repeated many times in times. Long before he was hit

554
00:27:05,560 --> 00:27:07,840
Speaker 3: by a van. You know it was he was on

555
00:27:07,960 --> 00:27:11,560
Speaker 3: ten Speed in brown Shoes, a show with Jeff Goldblum.

556
00:27:11,600 --> 00:27:15,720
Speaker 3: That was the co star Ben Vereen Jeff Goblum Network show. Okay,

557
00:27:15,880 --> 00:27:16,320
Speaker 3: keep going.

558
00:27:16,600 --> 00:27:19,120
Speaker 1: So you're at the doctor. Larry doesn't want to sign in.

559
00:27:19,480 --> 00:27:21,680
Speaker 1: He doesn't like having his name on lists.

560
00:27:21,840 --> 00:27:23,840
Speaker 2: Just sign in. He makes a McGill about it.

561
00:27:24,320 --> 00:27:27,520
Speaker 3: Then hold on, though, I hate that too. A lot

562
00:27:27,560 --> 00:27:28,240
Speaker 3: of times I'll read it.

563
00:27:28,280 --> 00:27:30,080
Speaker 2: Well, yeah, it's a reasonable thing.

564
00:27:30,160 --> 00:27:32,640
Speaker 3: I write a fake name almost every time. They don't care,

565
00:27:32,800 --> 00:27:33,720
Speaker 3: they don't notice.

566
00:27:34,000 --> 00:27:36,360
Speaker 2: And also, why does everybody have to see your name?

567
00:27:36,480 --> 00:27:40,160
Speaker 3: Well, by the way, I always read the names, Yeah, exactly.

568
00:27:40,280 --> 00:27:42,879
Speaker 3: I always do as a friend because I think a

569
00:27:42,880 --> 00:27:44,960
Speaker 3: friend of mine might be there, and that's happened.

570
00:27:45,359 --> 00:27:47,000
Speaker 1: Well, I don't read it because I think somebody I

571
00:27:47,040 --> 00:27:48,520
Speaker 1: know might be there. I read it more like I'm

572
00:27:48,560 --> 00:27:50,639
Speaker 1: just interested. It's like, who's here today?

573
00:27:50,880 --> 00:27:51,080
Speaker 3: Yeah?

574
00:27:51,280 --> 00:27:52,320
Speaker 2: You know, what are the names?

575
00:27:52,359 --> 00:27:52,760
Speaker 1: What is this?

576
00:27:52,960 --> 00:27:55,000
Speaker 2: What is this world that I'm walking into?

577
00:27:56,280 --> 00:27:58,960
Speaker 1: Then Larry's waiting in the exam room and he calls

578
00:27:59,040 --> 00:28:01,600
Speaker 1: you on the phone, not the cell phone, but the

579
00:28:01,640 --> 00:28:05,040
Speaker 1: phone that's sitting on the counter in the examination room.

580
00:28:05,160 --> 00:28:09,080
Speaker 3: Dude, what are you doing? What? What do you call

581
00:28:09,119 --> 00:28:10,240
Speaker 3: me on the doctor's phone for?

582
00:28:10,960 --> 00:28:12,360
Speaker 5: I'm doing board to Dathan here.

583
00:28:12,480 --> 00:28:14,400
Speaker 3: Don't use the doctor's phone. That's not right.

584
00:28:14,920 --> 00:28:15,800
Speaker 5: What's the big deal?

585
00:28:16,200 --> 00:28:16,960
Speaker 3: They don't like it?

586
00:28:17,400 --> 00:28:19,080
Speaker 5: Well, I just thought i'd give you a call. See

587
00:28:19,119 --> 00:28:20,760
Speaker 5: what's up? How you doing? What are you.

588
00:28:20,720 --> 00:28:25,720
Speaker 3: Reading Men's Fitness, Men's Fitness? Yeah, about America's fastest cities.

589
00:28:27,160 --> 00:28:28,600
Speaker 5: Oh, you know what, there's a doctor.

590
00:28:28,880 --> 00:28:30,000
Speaker 3: All right, I'll talk to you later.

591
00:28:30,160 --> 00:28:31,800
Speaker 5: I will talk to you later.

592
00:28:36,760 --> 00:28:39,520
Speaker 3: I was Jeff, I'm supposed to use that phone.

593
00:28:40,960 --> 00:28:43,160
Speaker 5: Sorry, it was a local call.

594
00:28:44,080 --> 00:28:45,680
Speaker 3: You're not supposed to use the phone. It doesn't matter

595
00:28:45,680 --> 00:28:47,440
Speaker 3: whether it was a local or a long distance phone.

596
00:28:47,920 --> 00:28:49,480
Speaker 3: We just didn't want people using that phone.

597
00:28:49,520 --> 00:28:53,880
Speaker 5: Okay, fine, what's what? What's the big deal? Though maybe

598
00:28:53,960 --> 00:28:55,920
Speaker 5: I may ask what's the problem.

599
00:28:56,360 --> 00:28:59,720
Speaker 3: There is no problem. We just don't want people using that.

600
00:29:01,000 --> 00:29:04,400
Speaker 1: And you say you don't use the doctor's phone. Hold on,

601
00:29:04,600 --> 00:29:05,920
Speaker 1: I guess it came up.

602
00:29:06,280 --> 00:29:09,880
Speaker 3: It comes up in conversation. But you see me when

603
00:29:09,920 --> 00:29:14,880
Speaker 3: my phone rings, reading Men's Fitness and I am. I

604
00:29:14,920 --> 00:29:17,440
Speaker 3: am very heavy, not the heaviest I ever was. But

605
00:29:17,480 --> 00:29:18,360
Speaker 3: I'm a good.

606
00:29:19,640 --> 00:29:24,760
Speaker 2: I'm a good face is so cherubic. Baby, Yeah, you're

607
00:29:24,880 --> 00:29:26,560
Speaker 2: just like a little baby.

608
00:29:26,560 --> 00:29:32,600
Speaker 3: Easily eighty five at that point, and reading Men's Fitness,

609
00:29:32,720 --> 00:29:35,840
Speaker 3: which in itself, okay, keep going.

610
00:29:36,080 --> 00:29:40,200
Speaker 1: And then in walks the doctor who is the great,

611
00:29:40,520 --> 00:29:47,240
Speaker 1: great Philip who was such a brilliant, brilliant character actors

612
00:29:47,280 --> 00:29:48,160
Speaker 1: no longer with us.

613
00:29:48,280 --> 00:29:51,760
Speaker 3: Yeah, he was on Seinfeld in almost every Paul Thomas

614
00:29:51,880 --> 00:29:52,840
Speaker 3: Anderson movie.

615
00:29:53,080 --> 00:29:53,960
Speaker 2: Yes, yeah, he was.

616
00:29:54,040 --> 00:29:54,719
Speaker 3: He was a favorite.

617
00:29:54,800 --> 00:29:59,000
Speaker 7: He's a brilliant Well, by the way, he's worked so much.

618
00:29:59,200 --> 00:30:00,760
Speaker 3: You know, the other night, I remember what I was

619
00:30:00,800 --> 00:30:05,040
Speaker 3: watching last week. I was watching a reasonably old movie something.

620
00:30:05,560 --> 00:30:08,920
Speaker 3: It was eighties, I believe you know today that's that's

621
00:30:08,960 --> 00:30:13,400
Speaker 3: a classic old thing. Anyhow, it was a young Philip

622
00:30:13,440 --> 00:30:16,040
Speaker 3: Baker Hall in a small part, and I was like,

623
00:30:16,120 --> 00:30:18,960
Speaker 3: holy crap, that's Philly. So he's been working a long

624
00:30:19,040 --> 00:30:22,440
Speaker 3: time and he was and by the way, I want.

625
00:30:22,320 --> 00:30:23,880
Speaker 2: To say, Larry loves him.

626
00:30:24,040 --> 00:30:26,960
Speaker 3: Yeah. Well, you know they get in an argument. What's

627
00:30:27,000 --> 00:30:28,760
Speaker 3: the big deal, don't use the phone.

628
00:30:28,760 --> 00:30:30,840
Speaker 1: I'm supposed to use that phone. But Larry's like this

629
00:30:30,920 --> 00:30:33,600
Speaker 1: stresses that it was a local call. Yeah, so what

630
00:30:33,640 --> 00:30:34,479
Speaker 1: difference does it mean?

631
00:30:34,680 --> 00:30:37,640
Speaker 3: Don't stop? But here's what I want to say. Philip

632
00:30:37,680 --> 00:30:40,560
Speaker 3: Baker Hall at no point even smirked.

633
00:30:41,000 --> 00:30:41,040
Speaker 1: No.

634
00:30:41,440 --> 00:30:46,000
Speaker 3: Every time he said anything, Larry exploded with laughter. I'm

635
00:30:46,040 --> 00:30:50,520
Speaker 3: talking every time he said don't use the phone. You

636
00:30:50,560 --> 00:30:53,240
Speaker 3: shouldn't use the phone, Larry.

637
00:30:52,880 --> 00:30:55,440
Speaker 1: Exploded, and he said things that were so funny, like

638
00:30:55,560 --> 00:30:57,480
Speaker 1: the history of why you can't use this phone is

639
00:30:57,520 --> 00:30:59,800
Speaker 1: so complex, Yes, things like that.

640
00:31:00,000 --> 00:31:03,120
Speaker 3: By the way, again Larry. And when I say laughed,

641
00:31:03,160 --> 00:31:06,520
Speaker 3: I mean he laughed hard and he could barely. That

642
00:31:06,560 --> 00:31:09,719
Speaker 3: scene should have taken forty minutes to shoot, and I

643
00:31:09,760 --> 00:31:11,520
Speaker 3: know it took an hour easy.

644
00:31:11,200 --> 00:31:13,800
Speaker 2: With his laugh, Well, welcome to my world.

645
00:31:14,040 --> 00:31:17,840
Speaker 1: Yeah, you know, Larry, the reason seems capricious, and yeah,

646
00:31:17,880 --> 00:31:21,000
Speaker 1: he doesn't break. He's totally serious that the history is

647
00:31:21,000 --> 00:31:24,320
Speaker 1: so complexible. And then he mentions that he has tickets

648
00:31:24,320 --> 00:31:28,080
Speaker 1: for the producers and he's going to be because Larry says,

649
00:31:28,120 --> 00:31:30,440
Speaker 1: mel Brooks bang the door into his head and he

650
00:31:30,480 --> 00:31:33,400
Speaker 1: talks about having the doctor has tickets for the producers,

651
00:31:33,840 --> 00:31:35,360
Speaker 1: and he's going to clean it up in a few

652
00:31:35,360 --> 00:31:37,520
Speaker 1: minutes and put some stitches on et cetera, et cetera.

653
00:31:37,840 --> 00:31:40,520
Speaker 2: And they then they still carry on more after that

654
00:31:40,840 --> 00:31:42,840
Speaker 2: about the rule not making sense.

655
00:31:42,560 --> 00:31:45,720
Speaker 3: And then he says it'll be a little prick, little

656
00:31:45,720 --> 00:31:48,920
Speaker 3: prick when he does the stitches, and Larry says, oh,

657
00:31:49,000 --> 00:31:50,200
Speaker 3: I know that there's a price.

658
00:31:50,320 --> 00:31:52,960
Speaker 2: Definitely a prick, and he says, yeah, a prick.

659
00:31:53,440 --> 00:31:55,760
Speaker 3: And I thought to myself, why he's doing that? And

660
00:31:55,760 --> 00:31:58,760
Speaker 3: this is Larry's character. If you are going to move

661
00:31:58,840 --> 00:32:02,520
Speaker 3: forward with the doctor to do a minimal procedure a

662
00:32:02,560 --> 00:32:05,480
Speaker 3: big procedure, wouldn't you kind of want him to like.

663
00:32:05,480 --> 00:32:09,239
Speaker 1: You, especially if he's stitching up your head. Yes, so

664
00:32:09,600 --> 00:32:10,560
Speaker 1: well not Larry.

665
00:32:10,720 --> 00:32:10,920
Speaker 3: No.

666
00:32:11,440 --> 00:32:15,480
Speaker 1: And then as the doctor is stitching him up, the doctor.

667
00:32:15,520 --> 00:32:20,240
Speaker 2: Drools on Larry, which is really gross. It is really really.

668
00:32:20,160 --> 00:32:23,960
Speaker 3: It is it is, it is. I'm surprised he did that.

669
00:32:23,960 --> 00:32:27,560
Speaker 3: That's not really drooling poop all that stuff. That's he

670
00:32:27,640 --> 00:32:32,040
Speaker 3: really doesn't like gross stuff, and I'm surprised. Yeah.

671
00:32:32,080 --> 00:32:34,280
Speaker 1: So then he's with you when you're saying you have

672
00:32:34,280 --> 00:32:38,400
Speaker 1: any ideas for the anniversary present, and Larry's like, I've

673
00:32:38,440 --> 00:32:41,480
Speaker 1: got three months, my fat friend, and it goes off

674
00:32:41,480 --> 00:32:44,160
Speaker 1: in a whole rick with that's a.

675
00:32:44,120 --> 00:32:47,720
Speaker 3: Couple of things you have to know. First off, he said,

676
00:32:47,760 --> 00:32:51,200
Speaker 3: what I mind? Because he is calling me my fat friend,

677
00:32:51,480 --> 00:32:53,600
Speaker 3: And like I used to say to you all the time,

678
00:32:53,800 --> 00:32:57,040
Speaker 3: go nuts, rip me, call me as a fat fuck,

679
00:32:57,400 --> 00:32:59,719
Speaker 3: call me whatever you want. And I did, I know,

680
00:32:59,800 --> 00:33:03,720
Speaker 3: but you had called me in previous thenes fat fuck,

681
00:33:03,800 --> 00:33:06,840
Speaker 3: and you still felt bad doing it, and I'm like,

682
00:33:06,920 --> 00:33:09,480
Speaker 3: come on, do it. So I said to him, do it.

683
00:33:09,520 --> 00:33:11,200
Speaker 3: And do you know who he was doing? Do you

684
00:33:11,280 --> 00:33:13,280
Speaker 3: know who that was? Who he was imitating?

685
00:33:13,320 --> 00:33:14,440
Speaker 2: It was Carson, wasn't it.

686
00:33:14,560 --> 00:33:17,640
Speaker 3: No, this is where Carson got from. Jackie Gleeson.

687
00:33:17,920 --> 00:33:20,360
Speaker 2: Oh, Jackie Gleeson, Yeah, yes, and the things.

688
00:33:20,080 --> 00:33:23,480
Speaker 3: He was saying, yeah, Jackie Gleeson, that voice comes.

689
00:33:23,160 --> 00:33:26,120
Speaker 2: From yeah, And again did a great impression.

690
00:33:26,240 --> 00:33:27,480
Speaker 3: Yeah, And it was really fun.

691
00:33:27,640 --> 00:33:31,360
Speaker 1: And then the wheelchair guy you run into him, and

692
00:33:31,640 --> 00:33:34,640
Speaker 1: Larry says, did you get your wallet? And he says, yeah,

693
00:33:34,680 --> 00:33:37,160
Speaker 1: Joe Anne, who is the Rachel Harris? That was her name, Joeanne.

694
00:33:37,200 --> 00:33:39,880
Speaker 1: Joanne found it. I gave her one hundred dollars. The

695
00:33:39,920 --> 00:33:42,000
Speaker 1: two of you go back to Mel's office and he

696
00:33:42,120 --> 00:33:45,600
Speaker 1: says to Joe Anne, Rachel Harris, I ran into Dennis.

697
00:33:45,640 --> 00:33:46,920
Speaker 2: He gave you one hundred dollars.

698
00:33:46,920 --> 00:33:48,760
Speaker 3: I walk in and just go to the seat. I'm

699
00:33:48,760 --> 00:33:49,880
Speaker 3: not going to be involved with you.

700
00:33:50,040 --> 00:33:53,160
Speaker 1: Well, that's you him, he has to confront her. I

701
00:33:53,200 --> 00:33:55,560
Speaker 1: hear that he gave you one hundred dollars. And then

702
00:33:55,720 --> 00:33:57,480
Speaker 1: Joanne's partner comes in.

703
00:33:57,480 --> 00:33:59,440
Speaker 3: And what's going on. This is the guy that I

704
00:33:59,480 --> 00:34:02,520
Speaker 3: told you, Oh, you got a problem with our lifestyle

705
00:34:02,640 --> 00:34:05,200
Speaker 3: that we want to adopt a baby. No, you need

706
00:34:05,240 --> 00:34:06,680
Speaker 3: a good fucking thinking.

707
00:34:06,840 --> 00:34:08,600
Speaker 2: That's what you need if you want to name our

708
00:34:08,640 --> 00:34:10,839
Speaker 2: baby tang. You think it's good to name a kid

709
00:34:10,880 --> 00:34:13,680
Speaker 2: after a breakfast drink. We don't think that's a good name.

710
00:34:13,760 --> 00:34:14,880
Speaker 2: Do you understand that?

711
00:34:15,480 --> 00:34:16,080
Speaker 3: I understand.

712
00:34:16,560 --> 00:34:20,480
Speaker 1: And she roughs ld up. She just beats the crap

713
00:34:20,480 --> 00:34:22,080
Speaker 1: out of him in a way. You know, she just

714
00:34:22,200 --> 00:34:25,400
Speaker 1: threatens him. And I hear you were complaining about you know,

715
00:34:25,760 --> 00:34:28,160
Speaker 1: it's about us having a baby and blah blah.

716
00:34:27,960 --> 00:34:30,440
Speaker 2: Blah blah blah. And you could see he's really scared

717
00:34:30,480 --> 00:34:31,000
Speaker 2: of her.

718
00:34:31,520 --> 00:34:36,320
Speaker 3: But she really was great, because she really here's the point.

719
00:34:36,640 --> 00:34:38,000
Speaker 2: You didn't know back hold on.

720
00:34:38,320 --> 00:34:40,440
Speaker 3: You believed he was scared of her.

721
00:34:41,120 --> 00:34:42,640
Speaker 2: It was I was scared of her.

722
00:34:42,800 --> 00:34:44,160
Speaker 3: Yeah, she was really great.

723
00:34:44,800 --> 00:34:48,200
Speaker 1: So now we enter Mel's office, and sitting there is

724
00:34:48,280 --> 00:34:52,120
Speaker 1: Mel Brooks and Paul Mazerski and Rudy de Luca. Yes,

725
00:34:52,200 --> 00:34:54,560
Speaker 1: now let's tell people who these guys are, because they

726
00:34:54,640 --> 00:34:55,200
Speaker 1: might not know.

727
00:34:55,280 --> 00:34:56,720
Speaker 2: I mean most people should.

728
00:34:57,160 --> 00:34:57,239
Speaker 6: So.

729
00:34:57,320 --> 00:35:00,600
Speaker 1: Rudy de Luca was a great writer. Yes, comedy right,

730
00:35:00,680 --> 00:35:02,799
Speaker 1: he wrote all of Mel's movies with him.

731
00:35:02,880 --> 00:35:05,480
Speaker 3: I wrote, Yeah, wrote, and it was in all of

732
00:35:05,520 --> 00:35:05,919
Speaker 3: them too.

733
00:35:05,960 --> 00:35:07,759
Speaker 2: And he was in a lot of them. And he wrote.

734
00:35:07,880 --> 00:35:10,279
Speaker 1: He wrote a lot of stuff through the years. And

735
00:35:10,320 --> 00:35:13,800
Speaker 1: also an actor, a character actor. And Paul Mazerski was

736
00:35:13,840 --> 00:35:15,240
Speaker 1: an amazing director.

737
00:35:15,560 --> 00:35:15,759
Speaker 3: Yeah.

738
00:35:16,239 --> 00:35:18,480
Speaker 1: Next up Greenwich Village. Bob and Carroll and Ted and

739
00:35:18,560 --> 00:35:20,000
Speaker 1: Alice Block.

740
00:35:20,880 --> 00:35:21,719
Speaker 3: In Beverly Hill.

741
00:35:22,640 --> 00:35:25,160
Speaker 2: Just a wonderful and by the way, may.

742
00:35:25,120 --> 00:35:28,720
Speaker 3: Also say my mentor he was. He was my mentor

743
00:35:28,760 --> 00:35:29,280
Speaker 3: I had.

744
00:35:29,239 --> 00:35:31,120
Speaker 2: And a lovely man, the.

745
00:35:31,000 --> 00:35:34,400
Speaker 3: Best I had breakfast with him all the time amongst

746
00:35:34,719 --> 00:35:38,200
Speaker 3: other people at the Farmer's Market, a third and Fairfax,

747
00:35:38,760 --> 00:35:41,879
Speaker 3: and every day talk about even when I spent time

748
00:35:41,880 --> 00:35:45,680
Speaker 3: alone with him, he told me a story. The first

749
00:35:45,719 --> 00:35:49,520
Speaker 3: shot of Bob, Carroll, tedan Alice is from a crane

750
00:35:50,080 --> 00:35:54,160
Speaker 3: down on all these people who were at a couples

751
00:35:54,520 --> 00:35:59,000
Speaker 3: not retreat, but and sex went around and I don't

752
00:35:59,000 --> 00:36:02,160
Speaker 3: know what you'd call it back then, and he's he's

753
00:36:02,280 --> 00:36:08,040
Speaker 3: really nervous about shooting his first scene. So his DP says, Paul,

754
00:36:08,080 --> 00:36:10,800
Speaker 3: I need you to see something. They get in the crane.

755
00:36:10,840 --> 00:36:13,680
Speaker 3: They go up and that's where the camera is going

756
00:36:13,760 --> 00:36:17,200
Speaker 3: to be and Paul goes, so what are we looking at?

757
00:36:17,239 --> 00:36:19,960
Speaker 3: He goes nothing, because what what do you mean? He goes,

758
00:36:20,000 --> 00:36:23,040
Speaker 3: you were nervous. Just want to show you. I think

759
00:36:23,040 --> 00:36:25,560
Speaker 3: you'll relax by looking over all of it from up here.

760
00:36:25,760 --> 00:36:31,440
Speaker 3: And he was so warm, well, not intentionally my first movie.

761
00:36:31,480 --> 00:36:34,920
Speaker 3: I want someone to eat cheese with first shot because

762
00:36:34,920 --> 00:36:37,759
Speaker 3: he's a great actor, Mel and I mean Paul and

763
00:36:37,800 --> 00:36:43,120
Speaker 3: he's in a lot of episodes on our show Norm. Yeah,

764
00:36:43,280 --> 00:36:47,160
Speaker 3: and first scene was with him that my first movie

765
00:36:47,200 --> 00:36:47,840
Speaker 3: I ever shot.

766
00:36:48,080 --> 00:36:49,080
Speaker 2: Did that relax you?

767
00:36:49,640 --> 00:36:51,520
Speaker 3: I told him? I go I can't. I said, I'm

768
00:36:51,560 --> 00:36:54,920
Speaker 3: so nervous. I can't. He calmed me down. But how

769
00:36:54,920 --> 00:36:56,239
Speaker 3: about that passing it on?

770
00:36:56,360 --> 00:36:56,440
Speaker 5: Now?

771
00:36:56,760 --> 00:36:59,480
Speaker 2: I love that he died a few years ago. Is

772
00:37:00,200 --> 00:37:01,200
Speaker 2: is still alive. I don't know.

773
00:37:01,360 --> 00:37:01,799
Speaker 3: I don't know.

774
00:37:01,920 --> 00:37:04,319
Speaker 2: Look that up I was mel Is Mail is still

775
00:37:04,320 --> 00:37:05,360
Speaker 2: alive and kick.

776
00:37:05,560 --> 00:37:07,800
Speaker 3: Is mel ninety eight or so ninety nine.

777
00:37:07,680 --> 00:37:11,800
Speaker 1: Something way out there. Yeah, so okay. So now Mel

778
00:37:11,960 --> 00:37:16,200
Speaker 1: asked Larry to play Max Bioli stock in The Producers.

779
00:37:16,719 --> 00:37:20,359
Speaker 1: In the New York version, when Nathan Lane leaves, he

780
00:37:20,400 --> 00:37:24,040
Speaker 1: wants Larry to go in and play Max Bioli shop

781
00:37:24,680 --> 00:37:25,919
Speaker 1: or you got it or you ain't.

782
00:37:26,680 --> 00:37:26,839
Speaker 2: Oh.

783
00:37:26,880 --> 00:37:29,279
Speaker 1: He tells a story about Andreas, the guy who played

784
00:37:29,320 --> 00:37:32,520
Speaker 1: Carmen Ghia in the in the Producer's movie.

785
00:37:32,200 --> 00:37:34,200
Speaker 3: And we made the movie of the Producers.

786
00:37:34,239 --> 00:37:37,400
Speaker 8: The guy that played Carmen Gia was this incredible talented

787
00:37:37,400 --> 00:37:42,319
Speaker 8: Greek actor. His name is Andreas, Andreas Fatinas. And Andreas

788
00:37:42,440 --> 00:37:44,960
Speaker 8: used to say to me, or you got it or

789
00:37:45,000 --> 00:37:47,440
Speaker 8: you ain't. I said, Andreas, you can't start a.

790
00:37:47,400 --> 00:37:51,000
Speaker 3: Sentence with war. He said, never mind. Oh you got it?

791
00:37:51,080 --> 00:37:54,800
Speaker 3: Oi you ate? You got it? Larry, you got it? Larry,

792
00:37:54,880 --> 00:37:57,840
Speaker 3: you got it. Mister mister Brooks is right, my friend,

793
00:37:57,960 --> 00:37:58,800
Speaker 3: you got it.

794
00:37:58,960 --> 00:38:01,799
Speaker 1: Or you got it or you And he tells him

795
00:38:01,800 --> 00:38:05,960
Speaker 1: that Ben Stiller will be playing Leo Leo Bloom.

796
00:38:06,480 --> 00:38:06,719
Speaker 8: Uh.

797
00:38:06,760 --> 00:38:09,719
Speaker 1: And he says, come to the show tonight. And Larry's like,

798
00:38:10,160 --> 00:38:12,560
Speaker 1: is this candid camera? I keep thinking Alan Funt is

799
00:38:12,600 --> 00:38:15,520
Speaker 1: gonna walk in or something. He can't believe that he's

800
00:38:15,560 --> 00:38:19,960
Speaker 1: being offered this part, and you guys leave and Paul

801
00:38:20,040 --> 00:38:21,560
Speaker 1: Mazarski Norman says.

802
00:38:21,440 --> 00:38:24,040
Speaker 3: And by the way, I say to Mel, he's gonna

803
00:38:24,120 --> 00:38:24,440
Speaker 3: do it.

804
00:38:24,520 --> 00:38:25,359
Speaker 2: He's gonna do it.

805
00:38:25,400 --> 00:38:29,480
Speaker 1: And I'm like, sure, well you are because as a

806
00:38:29,719 --> 00:38:32,200
Speaker 1: manager you are his biggest fan.

807
00:38:32,480 --> 00:38:35,080
Speaker 2: Oh yeah, and you you are. You know, is a

808
00:38:35,120 --> 00:38:35,720
Speaker 2: home run.

809
00:38:36,080 --> 00:38:38,560
Speaker 3: He's going to do it, which leads to Paul mask

810
00:38:38,680 --> 00:38:42,000
Speaker 3: who we've seen getting angrier and angrier. And then what

811
00:38:42,040 --> 00:38:42,799
Speaker 3: does Paul say?

812
00:38:43,280 --> 00:38:46,440
Speaker 2: Giant mistake. Yeah, this is a giant mistake.

813
00:38:46,880 --> 00:38:50,240
Speaker 1: He says, you had zero, Nathan, you had zero Mustelle,

814
00:38:50,800 --> 00:38:56,040
Speaker 1: Nathan Lane, Jason, Alexander, and Larry David, which is.

815
00:38:56,000 --> 00:38:58,000
Speaker 3: A worthy question, by the way.

816
00:38:58,280 --> 00:39:12,160
Speaker 2: Yeah, we'll be right back. Stay tied. Okay, we're back.

817
00:39:12,680 --> 00:39:15,200
Speaker 1: And then we are at the theater. It seats seat

818
00:39:15,360 --> 00:39:17,560
Speaker 1: M four and M five. I thought that was hilarious

819
00:39:17,560 --> 00:39:19,960
Speaker 1: that Mel threw that in what seats?

820
00:39:20,000 --> 00:39:22,880
Speaker 3: They were, Oh, you're right, right, right, right right.

821
00:39:23,280 --> 00:39:26,799
Speaker 1: And Larry wants to take a painkiller because his head

822
00:39:26,840 --> 00:39:28,640
Speaker 1: is hurting him, you know, from the gash he got,

823
00:39:28,960 --> 00:39:30,840
Speaker 1: and Cheryl's like, won't you get tired?

824
00:39:31,080 --> 00:39:32,200
Speaker 2: Bah bah, And then.

825
00:39:32,080 --> 00:39:35,920
Speaker 1: Across the lobby they see Ben Stiller and his wife

826
00:39:36,000 --> 00:39:37,200
Speaker 1: Christine Taylor.

827
00:39:37,320 --> 00:39:41,920
Speaker 3: First off, in the background, I see and I'm not sure,

828
00:39:42,000 --> 00:39:45,480
Speaker 3: but I'm pretty sure Marissa Winnaker, which.

829
00:39:45,280 --> 00:39:46,879
Speaker 2: Tells you I didn't notice that.

830
00:39:47,200 --> 00:39:49,759
Speaker 3: No, I'll tell you why. She was probably there. She

831
00:39:49,880 --> 00:39:52,080
Speaker 3: was probably at the theater because we didn't shoot inside

832
00:39:52,120 --> 00:39:56,440
Speaker 3: that theater. We shot inside a different theater. Hairspray had

833
00:39:56,480 --> 00:39:57,640
Speaker 3: to have been playing there with her.

834
00:39:58,760 --> 00:40:00,480
Speaker 2: Marissa Whittaker was in the show.

835
00:40:02,160 --> 00:40:07,120
Speaker 3: Oh yeah, she was the elevator. Speaking of shining, speaking

836
00:40:07,120 --> 00:40:12,880
Speaker 3: of signing it, wrested Larry wrestling Marissa was pretty awesome.

837
00:40:13,120 --> 00:40:15,840
Speaker 3: H And so I start in the background. Now the

838
00:40:15,880 --> 00:40:21,239
Speaker 3: other thing is and this is La. So Larry is

839
00:40:21,480 --> 00:40:26,400
Speaker 3: miffed at who he wants to play opposite him and

840
00:40:26,440 --> 00:40:28,320
Speaker 3: the producers. He's like this, that.

841
00:40:28,719 --> 00:40:32,000
Speaker 2: And the and the show in the.

842
00:40:31,840 --> 00:40:36,240
Speaker 3: Show he wants to know and he names famous people's names.

843
00:40:36,719 --> 00:40:40,640
Speaker 3: The night before, I'm at the Egyptian Theater in Hollywood

844
00:40:40,719 --> 00:40:45,080
Speaker 3: seeing some old movie and Ben's there with Christine, and

845
00:40:45,120 --> 00:40:47,560
Speaker 3: I say to Ben, Ben goes, the show's great. Then

846
00:40:47,640 --> 00:40:49,239
Speaker 3: I go, would you ever want to do it? Because

847
00:40:49,239 --> 00:40:51,200
Speaker 3: I know he's a great improviser. Would you ever want

848
00:40:51,239 --> 00:40:53,080
Speaker 3: to be in the show? He goes, I'd love to

849
00:40:53,120 --> 00:40:55,200
Speaker 3: be on the show. So the next day I go

850
00:40:55,239 --> 00:40:57,880
Speaker 3: into work and I go, Larry ben Stiller, do you

851
00:40:57,920 --> 00:41:01,520
Speaker 3: think you'd do it? Oh? I know, do it and

852
00:41:01,560 --> 00:41:02,440
Speaker 3: the rest and he.

853
00:41:02,520 --> 00:41:04,480
Speaker 2: Was a great I was great casting, right.

854
00:41:04,880 --> 00:41:08,680
Speaker 1: So Larry tells him that he was offered Max and

855
00:41:08,760 --> 00:41:15,520
Speaker 1: Ben is non plus.

856
00:41:11,719 --> 00:41:12,280
Speaker 5: A little.

857
00:41:14,440 --> 00:41:17,959
Speaker 3: Actually offered, yeah, really offered.

858
00:41:17,640 --> 00:41:22,359
Speaker 1: In the I know are you guys just going because

859
00:41:22,400 --> 00:41:25,880
Speaker 1: it's it took him a long time to make this decision.

860
00:41:26,440 --> 00:41:27,120
Speaker 2: Well yeah, we.

861
00:41:27,080 --> 00:41:31,360
Speaker 3: Won you act?

862
00:41:32,880 --> 00:41:37,240
Speaker 9: Yeah, yeah, And he's saying, I don't do anything really really,

863
00:41:37,280 --> 00:41:38,680
Speaker 9: they'll have to teach me, right.

864
00:41:39,320 --> 00:41:41,000
Speaker 3: He saw me in a karaoke bar.

865
00:41:41,520 --> 00:41:44,400
Speaker 5: Wow, you're working with me, right, No, it's true, but

866
00:41:44,480 --> 00:41:46,480
Speaker 5: I'm still thinking about it. I haven't made up my mind.

867
00:41:46,560 --> 00:41:47,960
Speaker 3: Yeah, yeah, well you should think about it.

868
00:41:48,000 --> 00:41:52,000
Speaker 1: And he's like, well you can act, you could sing, uh,

869
00:41:52,200 --> 00:41:54,279
Speaker 1: he said, And then it took Ben a long time

870
00:41:54,320 --> 00:41:57,480
Speaker 1: to make up his mind and Larry just decided immediately

871
00:41:57,640 --> 00:42:00,000
Speaker 1: ready to getting off to the wrong foot. And then

872
00:42:00,040 --> 00:42:04,439
Speaker 1: and Ben sneezes into his hand. Then they part because

873
00:42:04,640 --> 00:42:06,520
Speaker 1: the show is going to start, and Larry pats him

874
00:42:06,520 --> 00:42:08,560
Speaker 1: on the back. He won't shake his hand, which I

875
00:42:08,560 --> 00:42:09,960
Speaker 1: think is completely reasonable.

876
00:42:10,320 --> 00:42:12,840
Speaker 3: Well, by the way, I had the reverse app and

877
00:42:12,960 --> 00:42:17,839
Speaker 3: so I know it's reasonable. Meaning what one of James's

878
00:42:17,880 --> 00:42:22,280
Speaker 3: friends when he was very little, mother I loved, father

879
00:42:22,560 --> 00:42:25,400
Speaker 3: not so crazy. We went over to their house shook

880
00:42:25,440 --> 00:42:29,600
Speaker 3: my hand. And the reason Larry didn't shake is what

881
00:42:29,760 --> 00:42:34,879
Speaker 3: happened to me handful snot and I know a lot,

882
00:42:35,000 --> 00:42:37,239
Speaker 3: and I was like, how could he do that to me?

883
00:42:37,800 --> 00:42:38,640
Speaker 3: How can he do this?

884
00:42:38,800 --> 00:42:39,400
Speaker 2: Disgusting?

885
00:42:39,640 --> 00:42:43,759
Speaker 3: So anyhow, when you say reasonable, I know reasonable more

886
00:42:43,760 --> 00:42:45,720
Speaker 3: than I'm sorry to even tell that story.

887
00:42:45,880 --> 00:42:48,520
Speaker 2: But Cheryl says, what's wrong with you? You didn't shake his hand?

888
00:42:48,960 --> 00:42:53,640
Speaker 1: And then we see they're watching the Producers and it's

889
00:42:53,880 --> 00:42:56,160
Speaker 1: Lewis J. Stadlin is playing Max. Now, let me tell

890
00:42:56,160 --> 00:42:59,280
Speaker 1: you about Louis and me. Lewis and I go way back.

891
00:42:59,360 --> 00:43:05,200
Speaker 1: Lewis's father, who was a voiceover like aficionado.

892
00:43:05,320 --> 00:43:07,960
Speaker 2: He did when we were kids. He did all the cartoons.

893
00:43:07,960 --> 00:43:12,680
Speaker 1: He was Odi Kelodi, he was did Underdog Simon bal Sinister.

894
00:43:12,800 --> 00:43:16,239
Speaker 1: He was a major voiceover gard I did a million commercials.

895
00:43:16,480 --> 00:43:20,720
Speaker 1: His father, Iras Stadlin, was my mother's boyfriend in high school.

896
00:43:21,200 --> 00:43:21,600
Speaker 2: Lewis J.

897
00:43:21,800 --> 00:43:24,880
Speaker 1: Stadlin's father, and they stayed friends so he was like

898
00:43:24,920 --> 00:43:27,200
Speaker 1: an uncle to me, and he always took me under

899
00:43:27,239 --> 00:43:29,879
Speaker 1: his wing and was amazing to me. So I've known

900
00:43:29,960 --> 00:43:32,640
Speaker 1: Lewis my whole life. And there was Lewis playing Max

901
00:43:32,680 --> 00:43:35,880
Speaker 1: Reali Stock in the la version of The Producers, and

902
00:43:36,000 --> 00:43:40,640
Speaker 1: Don Stevenson was playing Leo. And then Larry's getting really tired.

903
00:43:40,680 --> 00:43:43,480
Speaker 1: He took the painkiller and he's getting really tired, and

904
00:43:43,520 --> 00:43:48,399
Speaker 1: he yawns and Cheryl whispers to him, which this whole part.

905
00:43:48,440 --> 00:43:50,399
Speaker 1: They're having a whole conversation in the middle of the show,

906
00:43:50,400 --> 00:43:51,000
Speaker 1: which was weird.

907
00:43:51,200 --> 00:43:54,600
Speaker 3: But by the way, I think, hold on though, that

908
00:43:54,760 --> 00:43:57,839
Speaker 3: happens in every show, no matter how well written, no

909
00:43:57,920 --> 00:44:02,000
Speaker 3: matter how poorly written, no matter how serious not serious.

910
00:44:02,320 --> 00:44:04,560
Speaker 3: People talk in the theater in television.

911
00:44:04,800 --> 00:44:07,800
Speaker 2: I don't well, and I had with my husband.

912
00:44:08,120 --> 00:44:11,880
Speaker 3: He starts sit in the last row generally in movies

913
00:44:11,960 --> 00:44:14,239
Speaker 3: because I don't want to hear anyone behind me.

914
00:44:14,560 --> 00:44:17,080
Speaker 1: I agree, And I also don't like to feel anyone

915
00:44:17,120 --> 00:44:20,160
Speaker 1: behind me, not just here. I don't like anybody behind me.

916
00:44:20,520 --> 00:44:23,400
Speaker 1: I always sit in the last row. By you and

917
00:44:23,440 --> 00:44:25,200
Speaker 1: I are oddly compatible, Jeffrey.

918
00:44:25,280 --> 00:44:29,680
Speaker 3: Well, people, we said this before, whereas close as can be,

919
00:44:30,040 --> 00:44:33,440
Speaker 3: and we love each other, which is so the opposite

920
00:44:33,440 --> 00:44:37,760
Speaker 3: of what people think. But I wanted to say something.

921
00:44:37,920 --> 00:44:39,040
Speaker 3: I went look at my notes.

922
00:44:39,200 --> 00:44:42,319
Speaker 1: They're talking in the movie in the movie theater okay, yes,

923
00:44:42,440 --> 00:44:45,600
Speaker 1: not movie there, but the theater theater Broadway, you know,

924
00:44:45,880 --> 00:44:49,759
Speaker 1: live theater, and Cheryl says, how about our tenth anniversary present.

925
00:44:49,880 --> 00:44:51,400
Speaker 1: Larry's like, it's fine if you want to get out

926
00:44:51,400 --> 00:44:52,640
Speaker 1: of it, and she's like, I don't want to get

927
00:44:52,680 --> 00:44:55,479
Speaker 1: out of it, but there are ground rules. It's one

928
00:44:55,520 --> 00:44:59,520
Speaker 1: time only, and the deadline is our anniversary at midnight,

929
00:45:00,440 --> 00:45:02,759
Speaker 1: and Larry tells her that if he decides to do

930
00:45:02,800 --> 00:45:07,919
Speaker 1: the Producers, opening night is their anniversary, right, and he says,

931
00:45:07,960 --> 00:45:08,920
Speaker 1: maybe I'll do the show.

932
00:45:09,400 --> 00:45:14,040
Speaker 3: Well, by the way he says that after he sees Katie.

933
00:45:13,960 --> 00:45:17,640
Speaker 1: Katie Huffman as what's the Katie Huffman who plays but

934
00:45:17,800 --> 00:45:20,040
Speaker 1: she plays the Swedish secretary.

935
00:45:20,239 --> 00:45:24,120
Speaker 3: She got her name, Yeah, she's a tall drink of watery.

936
00:45:23,600 --> 00:45:26,600
Speaker 1: Tall drink of water, tall drink of sexy water. And

937
00:45:27,280 --> 00:45:29,479
Speaker 1: he sees Katie Huffman, He's like, maybe I'll do the show.

938
00:45:30,600 --> 00:45:34,000
Speaker 1: She'll be my anniversary present. And then he falls asleep

939
00:45:34,560 --> 00:45:37,880
Speaker 1: and he drools on Philip baker Hole's head.

940
00:45:38,040 --> 00:45:41,160
Speaker 3: And he looks up and we shot it to where

941
00:45:41,480 --> 00:45:44,160
Speaker 3: Larry is over the edge, so Philip baker Hall can.

942
00:45:44,080 --> 00:45:46,880
Speaker 1: See like Larry's on the mezzanine right and that, and

943
00:45:46,880 --> 00:45:49,160
Speaker 1: Philip baker Hole is in the in the orchestra.

944
00:45:49,360 --> 00:45:54,319
Speaker 3: I have a memory of shooting that. We shot it.

945
00:45:54,880 --> 00:45:57,400
Speaker 3: We're moving to the next location. We're a bit of

946
00:45:57,480 --> 00:46:02,319
Speaker 3: ways from this theater, which was a downtown theater, and

947
00:46:02,440 --> 00:46:07,440
Speaker 3: Larry realized he didn't have the bandageohn the whole scene,

948
00:46:08,080 --> 00:46:11,720
Speaker 3: the whole thing. We had to go back and reshoot everything.

949
00:46:11,800 --> 00:46:13,680
Speaker 2: Oh, I didn't know from the jet go.

950
00:46:14,040 --> 00:46:17,960
Speaker 3: So was another okay, two hours that cost us.

951
00:46:18,080 --> 00:46:21,359
Speaker 1: By the way, there are two people whose responsibility that is.

952
00:46:21,400 --> 00:46:24,399
Speaker 1: One is the makeup person who's putting that on on him,

953
00:46:24,640 --> 00:46:27,440
Speaker 1: and the other is the script person, who's the script supervisor.

954
00:46:28,480 --> 00:46:31,160
Speaker 3: By the way, we had I believe she was a

955
00:46:31,200 --> 00:46:36,520
Speaker 3: substitute because we've had a couple genius ones like I

956
00:46:36,520 --> 00:46:38,320
Speaker 3: don't know how they pull it off.

957
00:46:38,440 --> 00:46:42,319
Speaker 1: Like I go, wow, well, especially for our show, right, yeah,

958
00:46:42,600 --> 00:46:44,400
Speaker 1: let's just tell the audience what they do because some

959
00:46:44,400 --> 00:46:48,560
Speaker 1: people don't know. Script supervisor generally takes care of continuity,

960
00:46:48,920 --> 00:46:50,680
Speaker 1: like exactly what you just said was my leg on

961
00:46:50,680 --> 00:46:52,640
Speaker 1: the rise of So we're shooting a scene and I

962
00:46:52,719 --> 00:46:55,239
Speaker 1: might be like this, and then the next scene I

963
00:46:55,239 --> 00:46:57,400
Speaker 1: don't remember that I was like this, and I'm like this,

964
00:46:57,600 --> 00:46:59,600
Speaker 1: and it's not going to match when we start cutting.

965
00:46:59,840 --> 00:47:02,160
Speaker 1: So that that's their job is to make sure that,

966
00:47:02,640 --> 00:47:05,279
Speaker 1: among other things, they have a difficult, very difficult job,

967
00:47:05,280 --> 00:47:07,799
Speaker 1: and they have to be incredibly focused and concentrated on

968
00:47:07,880 --> 00:47:10,680
Speaker 1: every takes. It's a hard job, and we have had

969
00:47:10,719 --> 00:47:13,839
Speaker 1: some wonderful people. That day you said we had a substitute,

970
00:47:14,000 --> 00:47:17,600
Speaker 1: I believed and we know that they actually.

971
00:47:17,280 --> 00:47:19,719
Speaker 3: I believe got fired in the next week or two,

972
00:47:19,760 --> 00:47:23,760
Speaker 3: because that's that's about a bad mistake because that costs

973
00:47:23,800 --> 00:47:24,839
Speaker 3: a lot of money and.

974
00:47:24,760 --> 00:47:27,360
Speaker 2: We already know we know all about makeup at that.

975
00:47:27,440 --> 00:47:29,799
Speaker 3: But I also want to say this, and this is

976
00:47:30,360 --> 00:47:35,280
Speaker 3: something that I believe Francis Ford Coppola said this Coppola

977
00:47:35,480 --> 00:47:41,480
Speaker 3: Coppola continuity is for pussies, and I completely agree, because

978
00:47:41,760 --> 00:47:45,080
Speaker 3: if your note like people notice a microphone, but I mean,

979
00:47:45,320 --> 00:47:48,120
Speaker 3: you know, a boom, but it goes out of the way.

980
00:47:48,640 --> 00:47:50,800
Speaker 3: You don't want that because that takes.

981
00:47:50,640 --> 00:47:54,720
Speaker 1: You out, or or not having the bandage. That's egregious,

982
00:47:54,880 --> 00:47:55,759
Speaker 1: very egregious.

983
00:47:56,000 --> 00:47:58,359
Speaker 3: Yes, that's an a great so all based on But I'm

984
00:47:58,400 --> 00:48:01,360
Speaker 3: talking about physical things that can.

985
00:48:02,160 --> 00:48:04,600
Speaker 2: Hold on Sondra out.

986
00:48:04,680 --> 00:48:07,200
Speaker 3: I don't know if I told this story to I

987
00:48:07,239 --> 00:48:10,440
Speaker 3: said Larry, we're about to shoot, Larry needs his makeup done,

988
00:48:10,800 --> 00:48:12,920
Speaker 3: and we're in the middle of the scene. And she

989
00:48:13,040 --> 00:48:14,800
Speaker 3: walks out in the middle of the scene and starts

990
00:48:14,800 --> 00:48:18,320
Speaker 3: poking on Larry, and the look on Larry's face and

991
00:48:18,400 --> 00:48:21,160
Speaker 3: everyone and everyone know it, knew it had to be me.

992
00:48:21,719 --> 00:48:25,600
Speaker 3: But by the way, continuities for pussies because in the scene,

993
00:48:25,840 --> 00:48:29,959
Speaker 3: finger this side, finger that side, doesn't matter if they're

994
00:48:30,000 --> 00:48:31,200
Speaker 3: engrossed in the thing.

995
00:48:31,480 --> 00:48:34,560
Speaker 1: So unless it's unless it's something that's egregious, because that

996
00:48:34,800 --> 00:48:36,760
Speaker 1: could be distracting and take you out of the scene.

997
00:48:37,120 --> 00:48:39,440
Speaker 1: And that has happened to me in in movies where

998
00:48:39,440 --> 00:48:41,200
Speaker 1: I noticed something. I'm just like, it takes me out

999
00:48:41,200 --> 00:48:44,520
Speaker 1: of the scene. It's too startling and jarring. But a

1000
00:48:44,760 --> 00:48:47,279
Speaker 1: leg cross the wrong way, I could care that.

1001
00:48:47,560 --> 00:48:50,840
Speaker 3: The way you hold your elbow is also The.

1002
00:48:51,400 --> 00:48:54,040
Speaker 1: Other thing is also eye line, which is which is

1003
00:48:54,040 --> 00:48:56,799
Speaker 1: a major and very important. By the way, eye line

1004
00:48:56,840 --> 00:48:59,560
Speaker 1: is very important because if like a lot of times.

1005
00:48:59,680 --> 00:49:02,120
Speaker 1: We'll a scene. I'm just explaining this for the audience,

1006
00:49:02,160 --> 00:49:04,400
Speaker 1: not for you. We'll do a scene where I'm looking

1007
00:49:04,440 --> 00:49:06,759
Speaker 1: at you, but instead of looking at you when we're

1008
00:49:06,760 --> 00:49:08,520
Speaker 1: shooting the scene, I have to look to the left

1009
00:49:08,560 --> 00:49:10,120
Speaker 1: of you or to the right of you or whatever

1010
00:49:10,360 --> 00:49:12,920
Speaker 1: so that the eye line for the camera is correct.

1011
00:49:13,239 --> 00:49:13,479
Speaker 3: Yep.

1012
00:49:13,520 --> 00:49:15,879
Speaker 1: And that's important to me because when I see eye

1013
00:49:15,880 --> 00:49:17,160
Speaker 1: lines off, it throws me.

1014
00:49:17,440 --> 00:49:19,640
Speaker 3: And by the way, every day of shooting we have

1015
00:49:19,760 --> 00:49:22,800
Speaker 3: that where you're talking to me, but the camera is

1016
00:49:22,880 --> 00:49:24,440
Speaker 3: right next to me and you have to look at

1017
00:49:24,440 --> 00:49:27,439
Speaker 3: the camera. So that way makes sense on the thing.

1018
00:49:27,760 --> 00:49:32,200
Speaker 3: But that's the dp's job, that's the script supervisor's job,

1019
00:49:32,239 --> 00:49:33,719
Speaker 3: and the directors, the three of.

1020
00:49:33,680 --> 00:49:38,160
Speaker 1: Them, and that's the magic, the magic of films.

1021
00:49:39,160 --> 00:49:40,440
Speaker 3: Did they cross the line?

1022
00:49:40,640 --> 00:49:42,560
Speaker 2: So we will see you next time?

1023
00:49:42,719 --> 00:49:47,040
Speaker 1: Yes for season four, episode two, which is a very

1024
00:49:47,080 --> 00:49:48,480
Speaker 1: funny episode, and we'll be back.

1025
00:49:48,640 --> 00:49:57,480
Speaker 7: Yes, Yes, Bye bye.

1026
00:49:58,280 --> 00:50:01,600
Speaker 1: The history of came Enthusiasm the production of iHeart Radio.

1027
00:50:01,719 --> 00:50:05,799
Speaker 1: For more podcasts from iHeart Radio, visit the iHeartRadio app,

1028
00:50:05,880 --> 00:50:08,800
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.