WEBVTT - TechStuff is Thankful

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<v Speaker 1>Welcome to tech Stuff, a production from iHeartRadio. Hey there,

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<v Speaker 1>and welcome to tech Stuff. I'm your host, Jonathan Strickland.

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<v Speaker 1>I'm an executive producer with iHeart Podcasts and how the

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<v Speaker 1>Tech Are you well Here in the United States. It

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<v Speaker 1>is the day after Thanksgiving, and normally I would serve

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<v Speaker 1>up a rerun on a daylight today because our office

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<v Speaker 1>is closed for the holiday. But considering I'm winding down

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<v Speaker 1>my sixteen and a half year long run on tech Stuff,

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<v Speaker 1>I thought instead I would do a timely episode to

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<v Speaker 1>talk about thankfulness and the gratitude I feel toward the

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<v Speaker 1>many people who have contributed to this show over the years.

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<v Speaker 1>And yes, there will be a lot of overlap with

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<v Speaker 1>that previous episode I did when I announced that I

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<v Speaker 1>was leaving the show. But starting off, the first person

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<v Speaker 1>I have to thank is Conall Byrne So.

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<v Speaker 2>Today, Connell is.

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<v Speaker 1>The CEO of the Digital Audio Group at iHeartMedia, but

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<v Speaker 1>back in two thousand and eight, he was the new

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<v Speaker 1>head of a little website called HowStuffWorks dot com. So

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<v Speaker 1>Connell came into the company and helped broker the deal

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<v Speaker 1>with Discovery Communications that would see how Stuffworks dot Com

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<v Speaker 1>emerge from being part of a private company that was

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<v Speaker 1>called the Convex Group and into becoming a component of

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<v Speaker 1>Discovery Communications digital strategy. That happened in late two thousand

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<v Speaker 1>and seven. Now, those of y'all who have been listening

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<v Speaker 1>to tech Stuff for a while now know that ultimately

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<v Speaker 1>this relationship between Discovery and how Stuff Works didn't work out,

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<v Speaker 1>and Discovery would go on to sell how Stuffworks dot

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<v Speaker 1>Com to another company called Blue Cora several years later.

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<v Speaker 1>But none of that really matters here. So it was

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<v Speaker 1>Connall who came to me and to my editor and

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<v Speaker 1>my friend Chris Pollette and asked us if we would

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<v Speaker 1>consider launching a podcast focusing on technology. So Chris and

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<v Speaker 1>I talked about it and we agreed, and Stuff was

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<v Speaker 1>the result. Connell was willing to give writers and editors

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<v Speaker 1>a chance to create shows and to grow those shows

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<v Speaker 1>and shape them, even after we realized that using the

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<v Speaker 1>shows as a brand extension had limited success. Now by that,

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<v Speaker 1>I mean the original concept for all the podcasts under

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<v Speaker 1>the Stuff brand was to raise awareness for the website

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<v Speaker 1>HowStuffWorks dot com because we weren't monetizing podcasts or anything

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<v Speaker 1>like that at that point. But I'm sure you're all

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<v Speaker 1>aware or at least suspect that most people aren't likely

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<v Speaker 1>to take action on one platform after hearing about it

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<v Speaker 1>on a different platform. It's just tricky because you're not

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<v Speaker 1>listening to the podcast while you're also on your computer

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<v Speaker 1>on your browser. Keep in mind, this is two thousand

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<v Speaker 1>and eight. This is before people were using their smartphones

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<v Speaker 1>to listen to podcasts. Like, if you were listening to

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<v Speaker 1>a podcast, you were using probably iTunes to subscribe to

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<v Speaker 1>a podcast, and you would physically link your iPod to

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<v Speaker 1>your computer and transfer new episodes over to your iPod

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<v Speaker 1>so you can listen to them. It was a pretty

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<v Speaker 1>you know, clunky process at that point. And so if

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<v Speaker 1>you're listening on your iPad or iPod rather not even

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<v Speaker 1>iPad at this point, you're listening on your iPod and

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<v Speaker 1>someone mentions, hey, go to this website HowStuffWorks dot com

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<v Speaker 1>to learn more about it. Well, by the time you

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<v Speaker 1>get in front of a computer again, you probably don't

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<v Speaker 1>remember to do that. So it was entirely possible for

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<v Speaker 1>Connell to just pull the plug and say, you know,

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<v Speaker 1>this was a good idea, but it's not working out

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<v Speaker 1>for us and we're not making money. So let's instead

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<v Speaker 1>use your time to write articles for the website. He

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<v Speaker 1>could have done that, but he didn't. He saw that

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<v Speaker 1>there was still potential value for keeping the show going,

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<v Speaker 1>and the shows did do really well, particularly Stuff You

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<v Speaker 1>Should Know that became an early breakout success story in

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<v Speaker 1>the podcast world and really resonate with lots of listeners.

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<v Speaker 1>So we were getting lots of downloads. Even if it

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<v Speaker 1>wasn't moving the needle that much on the website. It

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<v Speaker 1>was clear that what we were doing was having some

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<v Speaker 1>residents out there in the world. So Connall, let us

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<v Speaker 1>keep doing the shows.

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<v Speaker 2>Now.

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<v Speaker 1>Over the years, Connall would rise in the ranks of

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<v Speaker 1>Discovery Communications and we saw him less frequently around the office.

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<v Speaker 1>He did remain an important part of How Stuff Works,

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<v Speaker 1>but we didn't see him around quite as frequently. He

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<v Speaker 1>eventually moved to work in a virtual reality unit as

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<v Speaker 1>INN he was heading up virtual reality projects. He didn't

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<v Speaker 1>move into VR. He's not science fiction though he hasn't

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<v Speaker 1>been an actor in a couple of science fiction movies anyway.

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<v Speaker 1>How Stuff Works by that time had left Discovery and

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<v Speaker 1>gone through a couple of other changes in ownership, and

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<v Speaker 1>then over time he returned to become the head of

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<v Speaker 1>Stuff Media, so there had been a separation for a while.

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<v Speaker 1>But then Conall comes back and he takes the helm

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<v Speaker 1>of stuff Media, which had split off from how Stuffworks

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<v Speaker 1>dot Com. And not too long after that, I Heart

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<v Speaker 1>acquired stuff Media, and Connall has played an important part

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<v Speaker 1>in Iheart's digital strategy ever since. So I don't see

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<v Speaker 1>him that often anymore, at least at the time. I

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<v Speaker 1>don't know if it's still true, but he didn't live

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<v Speaker 1>that far from me. But I don't see him that frequently,

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<v Speaker 1>but he does make time to chat with us old

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<v Speaker 1>timers whenever we run into one another at company functions

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<v Speaker 1>and such. And again, without Connell, there would be no

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<v Speaker 1>Tech Stuff. So I am thankful very much for his

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<v Speaker 1>initiative and his support of the show. I'm also deeply

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<v Speaker 1>thankful for Chris Bollett, my former editor and co host

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<v Speaker 1>I went through. I went through a lot of editors

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<v Speaker 1>while I was at hou Stuffworks dot Com. I don't

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<v Speaker 1>know if that means I was a problem child or not.

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<v Speaker 2>I may have been.

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<v Speaker 1>One of my editors was one of the original hosts

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<v Speaker 1>of What would become Stuff You missed in history Class.

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<v Speaker 1>I went through like four or five before Chris became

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<v Speaker 1>my editor. Chris was the editor who would end up

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<v Speaker 1>spoiling me. So most editors, the way they work is

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<v Speaker 1>they receive a piece from a writer. They mark up

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<v Speaker 1>that piece and return it to the writer in order

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<v Speaker 1>for them to make changes, like if something doesn't make sense,

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<v Speaker 1>or if there needs to be more clarification or more detail,

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<v Speaker 1>or maybe there's just a mistake that needs to be fixed.

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<v Speaker 1>The editor returns into the writer and the writer makes

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<v Speaker 1>the changes. But Chris would just change the dang thing himself,

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<v Speaker 1>and he made my work better. And the same was

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<v Speaker 1>true for the podcast. He made that better too. Most

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<v Speaker 1>of our recording sessions were lots of fun. We would

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<v Speaker 1>sit across from each other that we would talk about

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<v Speaker 1>tech and we would make some jokes and references. I

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<v Speaker 1>would typically flip out over the fact that he had

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<v Speaker 1>never seen the movie Jaws, which is my favorite movie

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<v Speaker 1>of all time. He would talk about how he once

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<v Speaker 1>used to do things like go on tour with the

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<v Speaker 1>Indigo Girls. It was a great time. Of course, Chris

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<v Speaker 1>would eventually decide to change his career path and that

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<v Speaker 1>meant leaving HowStuffWorks dot Com and the show, but Tech

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<v Speaker 1>Stuff would not be what it is today without Chris

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<v Speaker 1>Pollette's influence. I still have a promotional poster of the

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<v Speaker 1>two of us, and it's hanging up on my home

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<v Speaker 1>office's door. And yeah, so I see Chris every day

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<v Speaker 1>I go to work because I see him.

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<v Speaker 2>On that poster.

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<v Speaker 1>Now, as I mentioned in my look Back on tech Stuff,

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<v Speaker 1>that episode I did not too long ago. I also

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<v Speaker 1>have to thank Lauren Vogelbaum. She had never hosted a

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<v Speaker 1>podcast before she joined Tech Stuff as a new co

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<v Speaker 1>host once Chris left the show, and she agreed to

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<v Speaker 1>be a co host, even though tech was not her passion,

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<v Speaker 1>that wasn't an area she was particularly interested in, but

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<v Speaker 1>she was eager to learn how to podcast. She wanted

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<v Speaker 1>to help me out because clearly I was in, you know,

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<v Speaker 1>a real state once Chris left. She worked very hard

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<v Speaker 1>for about two years on the show before she decided

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<v Speaker 1>she wanted to launch some shows of her own. She

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<v Speaker 1>wanted to create a space for herself, not just be

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<v Speaker 1>part of a space that other people had already created.

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<v Speaker 1>And I fully respect that. So from twenty thirteen through

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<v Speaker 1>most of twenty fourteen, Lauren did me a solid by

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<v Speaker 1>co hosting the show once she left, things got a

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<v Speaker 1>lot more challenging because it really was just me as

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<v Speaker 1>the host. I would reach out to my coworkers to

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<v Speaker 1>occasionally show up as a co host, but you know,

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<v Speaker 1>that was dependent upon people's availability week to week, and

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<v Speaker 1>that was never a guarantee.

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<v Speaker 2>So it was pretty rough. And for the last decade

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<v Speaker 2>or so, Tech Stuff has.

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<v Speaker 1>Been a solo host show. I've been the one person researching, writing,

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<v Speaker 1>and recording each episode. I'm not exactly sure how many

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<v Speaker 1>episodes I did all by myself because we also have

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<v Speaker 1>stuff in the feed that includes like reruns as well

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<v Speaker 1>as fiend drops for shows like smart Talks with IBM

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<v Speaker 1>and the Tech Stuff feed, So I can't just look

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<v Speaker 1>at our publishing platform and say, oh, here's how many

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<v Speaker 1>episodes I did. Doing some rough math, it's somewhere the

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<v Speaker 1>range of one thousand, five hundred episodes all by myself.

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<v Speaker 1>And that is a lot y'all. And I should say

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<v Speaker 1>the all by myself part is a little deceptive. First,

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<v Speaker 1>I don't really do all of this by myself. Even

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<v Speaker 1>on episodes where I've chosen the topic, I have done

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<v Speaker 1>all the research, I've written my notes up, and I've

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<v Speaker 1>done all the recording. I don't do it all by myself.

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<v Speaker 1>I mean I might even do a quick edit pass,

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<v Speaker 1>but then I have to hand my episode off to

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<v Speaker 1>super producer Tari, who has been with me for several

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<v Speaker 1>years now. And I've mentioned Tari many times over the

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<v Speaker 1>years on this show, but she typically prefers to stay

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<v Speaker 1>off microphone and out of the spotlight. So now I'm

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<v Speaker 1>going to take some time to talk about my super producer.

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<v Speaker 1>So Tari and I are a great team. I mean,

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<v Speaker 1>it's just a fact. She is positive, she is silly.

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<v Speaker 1>I tend to be grouchy and cantankerous, and our interactions

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<v Speaker 1>have become a source of entertainment for many of our

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<v Speaker 1>coworkers because I will often get very grouchy toward her,

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<v Speaker 1>she will smile and laugh it off, and everyone thinks

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<v Speaker 1>it's the funniest thing.

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<v Speaker 2>Ever.

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<v Speaker 1>It's a great working relationship, and best of all, I

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<v Speaker 1>can always have the full confidence that Tari's going to

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<v Speaker 1>take care of the recording when I hand it off

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<v Speaker 1>to her. She has my full trust because she's proven

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<v Speaker 1>that she's capable of that. She's responsible and accountable, and

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<v Speaker 1>Tari and I have had several adventures together over the years.

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<v Speaker 1>She and I traveled a lot, especially back when I

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<v Speaker 1>was doing the podcast The Restless Ones. She can tell

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<v Speaker 1>you stories about traveling to places like Chicago or San

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<v Speaker 1>Francisco or Los Angeles with me, and I can talk

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<v Speaker 1>about how the two of us rode the roller coaster

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<v Speaker 1>on the Santa Monica Pear, though the version of that

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<v Speaker 1>story depends upon which of us you ask, because she

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<v Speaker 1>swears that I convinced her to do it, but my

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<v Speaker 1>memory is that she wanted to ride the roller coaster,

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<v Speaker 1>so I agreed to it. Both versions of the story

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<v Speaker 1>include the bit where she was praying to anyone who

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<v Speaker 1>would listen while we were on the actual ride. Oh

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<v Speaker 1>and they also had us go around the whole thing

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<v Speaker 1>a second time, which came as a bit of a

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<v Speaker 1>surprise to both of us. But more to the point,

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<v Speaker 1>Tari is the person we all have to thank for

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<v Speaker 1>tech stuff sounding as good as it does. She's the

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<v Speaker 1>producer that handles everything once I finished recording, So my

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<v Speaker 1>metaphorical hat is off to Tari. And as I mentioned

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<v Speaker 1>in that earlier episode where I looked back on the

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<v Speaker 1>history of the show, I have had several other producers

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<v Speaker 1>over the years. Ramsey Yunt was another great producer. Ramsey

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<v Speaker 1>books some of the most interesting guests we've ever had

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<v Speaker 1>on the show, including Steven Lisberger who directed Tron and

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<v Speaker 1>Jess Royle and John Hilton who worked on the series

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<v Speaker 1>Stranger Things. Ramsey actively sought ways to mix things up

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<v Speaker 1>on my show, which was always really nice, and like

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<v Speaker 1>I said in that previous episode, there were lots of

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<v Speaker 1>others to think. Right, there's Jerry, the producer best associated

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<v Speaker 1>with stuff you should know, but she produced episodes and

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<v Speaker 1>tech stuff as well. Tyler Klaang, who's here in the

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<v Speaker 1>office today. He also produced several episodes. Matt Frederick and

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<v Speaker 1>Noel Brown and Elizabeth Johnston and others have taken turns

0:12:14.440 --> 0:12:16.600
<v Speaker 1>sitting in the producer's chair over the years. I also

0:12:16.720 --> 0:12:19.920
<v Speaker 1>need to thank all the producers who have stepped up

0:12:20.000 --> 0:12:23.800
<v Speaker 1>to produce the show during those times when my producer

0:12:23.880 --> 0:12:27.160
<v Speaker 1>needs to take a holiday or a sick day. That's

0:12:27.200 --> 0:12:30.400
<v Speaker 1>one of the wonderful things about working not just at iHeart,

0:12:30.440 --> 0:12:34.320
<v Speaker 1>but like throughout every iteration of the company I have

0:12:34.400 --> 0:12:36.240
<v Speaker 1>worked for. I've done the same job, but the company

0:12:36.240 --> 0:12:39.199
<v Speaker 1>has changed. It's that there's a real sense of teamwork

0:12:39.480 --> 0:12:43.360
<v Speaker 1>and caring for each other and stepping in when extra

0:12:43.440 --> 0:12:47.000
<v Speaker 1>effort is needed. Thanks to everyone who ever did that

0:12:47.120 --> 0:12:49.560
<v Speaker 1>to help keep the show going. All of them have

0:12:49.679 --> 0:12:53.120
<v Speaker 1>touched the show in various ways, and I'm grateful to

0:12:53.280 --> 0:12:55.680
<v Speaker 1>all of them. All Right, the love fest is not over,

0:12:55.800 --> 0:12:57.480
<v Speaker 1>but we do have to take a quick break to

0:12:57.520 --> 0:12:58.439
<v Speaker 1>thank our sponsors.

0:12:58.440 --> 0:13:09.800
<v Speaker 2>Will be right back. So here we are.

0:13:09.920 --> 0:13:13.920
<v Speaker 1>We're back again, and the thank train is going to continue.

0:13:14.000 --> 0:13:17.080
<v Speaker 1>I have to say I'm thankful for amazing guests I've had,

0:13:17.120 --> 0:13:20.800
<v Speaker 1>like Shannon Morse and Ias Actar. Not just guests, these

0:13:20.840 --> 0:13:23.880
<v Speaker 1>are friends of mine, people I did not know before

0:13:23.920 --> 0:13:28.040
<v Speaker 1>I started podcasting, and whom I would end up depending

0:13:28.120 --> 0:13:31.200
<v Speaker 1>upon to appear on the show and be like a

0:13:31.200 --> 0:13:35.440
<v Speaker 1>phenomenal resource. Like they both have extensive knowledge and they're

0:13:35.480 --> 0:13:39.000
<v Speaker 1>great communicators, and they took time out of their schedules

0:13:39.120 --> 0:13:42.959
<v Speaker 1>or to appear on the show. They also were incredibly

0:13:43.080 --> 0:13:45.800
<v Speaker 1>nice to me whenever I would run into them at

0:13:46.200 --> 0:13:49.360
<v Speaker 1>events like cees, because often I would be sent to

0:13:49.360 --> 0:13:52.600
<v Speaker 1>ces by myself, and y'all, I don't know about you.

0:13:52.760 --> 0:13:56.280
<v Speaker 1>I don't do so well when I'm all on my own.

0:13:56.679 --> 0:13:59.160
<v Speaker 1>I get kind of lonesome and like you can be

0:13:59.200 --> 0:14:01.520
<v Speaker 1>in a big crowd feel lonely, right like if you

0:14:01.520 --> 0:14:04.800
<v Speaker 1>don't know anyone, that can be a very isolating experience.

0:14:04.840 --> 0:14:07.760
<v Speaker 1>And I found cees to be pretty dawn ding. But

0:14:07.800 --> 0:14:10.080
<v Speaker 1>then I met Ias, and I met Shannon, and I

0:14:10.120 --> 0:14:13.439
<v Speaker 1>met others like Tom Merritt and folks like that Brian Tong.

0:14:14.080 --> 0:14:18.600
<v Speaker 1>These were people who were incredibly welcoming and friendly toward me,

0:14:18.760 --> 0:14:22.480
<v Speaker 1>and even those who had been working in communication for

0:14:22.720 --> 0:14:26.360
<v Speaker 1>years before I got started. They were generous with their time,

0:14:26.440 --> 0:14:29.960
<v Speaker 1>their expertise, and their friendship in ways that mean an

0:14:30.080 --> 0:14:32.600
<v Speaker 1>awful lot to me. And again, I think the show

0:14:32.680 --> 0:14:37.280
<v Speaker 1>benefited from that. I learned a great deal from these people,

0:14:37.840 --> 0:14:41.840
<v Speaker 1>and I'm so thankful that they were so generous with

0:14:41.920 --> 0:14:45.680
<v Speaker 1>their time and their skill and that they would agree

0:14:45.720 --> 0:14:48.360
<v Speaker 1>to come on my little show and talk about tech.

0:14:48.680 --> 0:14:52.200
<v Speaker 1>I highly recommend you seek out their work. If you

0:14:52.360 --> 0:14:55.720
<v Speaker 1>like tech stuff, then look for stuff that Ias Actar

0:14:55.840 --> 0:14:59.800
<v Speaker 1>and Shannon Morris and Tom Merritt are doing, because they

0:14:59.800 --> 0:15:04.480
<v Speaker 1>can continue to make incredible content that is in and

0:15:04.520 --> 0:15:07.360
<v Speaker 1>around the tech field. And some of it is more

0:15:07.400 --> 0:15:11.640
<v Speaker 1>product oriented, some of it is more sort of general news,

0:15:11.800 --> 0:15:15.720
<v Speaker 1>but it's all phenomenal work. So thanks again to all

0:15:15.760 --> 0:15:18.880
<v Speaker 1>of those wonderful people. I'm also thankful for our sponsors,

0:15:19.240 --> 0:15:22.160
<v Speaker 1>so again, for the first few years of our show.

0:15:22.440 --> 0:15:24.560
<v Speaker 1>If you listened to that earlier episode, you know, those

0:15:24.560 --> 0:15:28.520
<v Speaker 1>first few years we weren't monetized. And it's no secret

0:15:28.560 --> 0:15:33.600
<v Speaker 1>that without sponsors, without ads, without financial support, shows just

0:15:33.680 --> 0:15:38.800
<v Speaker 1>wouldn't exist. Every podcaster I know personally is really passionate

0:15:39.000 --> 0:15:42.480
<v Speaker 1>about what they do, but that doesn't just pay the

0:15:42.480 --> 0:15:45.120
<v Speaker 1>bills on its own. I wish it did, but it doesn't.

0:15:45.400 --> 0:15:49.480
<v Speaker 1>So whether it's rent or mortgages, or food bills or

0:15:49.520 --> 0:15:52.520
<v Speaker 1>college funds or whatever it might be, we all need

0:15:52.560 --> 0:15:55.600
<v Speaker 1>to make a living, and sponsors and ads have created

0:15:55.640 --> 0:15:58.800
<v Speaker 1>that opportunity, and we've had a lot of great sponsors

0:15:58.840 --> 0:16:01.840
<v Speaker 1>over the years. It's also meant that on occasion we

0:16:01.960 --> 0:16:04.440
<v Speaker 1>end up being sent stuff to try it out, to

0:16:04.480 --> 0:16:06.680
<v Speaker 1>make sure we're willing to voice ads or do a

0:16:06.680 --> 0:16:10.520
<v Speaker 1>fully sponsored episode or an endorsement, and I can't tell

0:16:10.560 --> 0:16:12.400
<v Speaker 1>you how thankful I am for that as well, Like

0:16:12.440 --> 0:16:16.080
<v Speaker 1>these are companies that want to make sure that the

0:16:16.120 --> 0:16:20.360
<v Speaker 1>people who are reading ads are actually fans of those products,

0:16:20.520 --> 0:16:24.160
<v Speaker 1>and we've been incredibly fortunate to work with some really

0:16:24.480 --> 0:16:28.080
<v Speaker 1>thoughtful sponsors out there. Not long ago I talked about

0:16:28.120 --> 0:16:30.760
<v Speaker 1>Sons and how that company had sent me products to

0:16:30.800 --> 0:16:33.160
<v Speaker 1>try out. It's not lost on me how fortunate I

0:16:33.200 --> 0:16:35.960
<v Speaker 1>am to be in that position. And I'm going to

0:16:36.000 --> 0:16:38.880
<v Speaker 1>be real here, if I didn't already own a pair

0:16:38.920 --> 0:16:41.760
<v Speaker 1>of sos Ace headphones that they have sent me, that

0:16:41.800 --> 0:16:42.640
<v Speaker 1>would definitely be on.

0:16:42.640 --> 0:16:43.320
<v Speaker 2>My wish list.

0:16:43.360 --> 0:16:46.720
<v Speaker 1>I have used them every single day since I received them.

0:16:46.960 --> 0:16:49.680
<v Speaker 1>That and the so Nos move to speaker, I use

0:16:49.760 --> 0:16:52.360
<v Speaker 1>that every single day as well. They're both really great,

0:16:52.680 --> 0:16:54.480
<v Speaker 1>and you know, I love the fact that I can

0:16:54.600 --> 0:16:56.640
<v Speaker 1>use an app to select whatever I want to hear

0:16:56.800 --> 0:17:00.480
<v Speaker 1>on them, and I can work these different products together

0:17:00.640 --> 0:17:04.240
<v Speaker 1>so that they create a full sound system in my home. Anyway, Sorry,

0:17:04.280 --> 0:17:05.960
<v Speaker 1>I don't need to get off on a tangent, but

0:17:06.320 --> 0:17:08.479
<v Speaker 1>that's just a great example of working with a partner

0:17:08.480 --> 0:17:11.480
<v Speaker 1>that makes really cool stuff and also supports the show

0:17:11.560 --> 0:17:15.320
<v Speaker 1>and makes it possible for me to create the show.

0:17:15.640 --> 0:17:19.720
<v Speaker 1>And I think there's some great synergy there. And it's

0:17:19.760 --> 0:17:23.280
<v Speaker 1>tricky to do. It's tricky to do ads and sponsorships

0:17:23.320 --> 0:17:28.160
<v Speaker 1>and endorsements in a way that's genuine and feels honest.

0:17:28.520 --> 0:17:32.880
<v Speaker 1>It's not the most straightforward path for everybody. But I've

0:17:32.920 --> 0:17:36.959
<v Speaker 1>been so lucky that the sponsors I've worked with have

0:17:37.400 --> 0:17:39.640
<v Speaker 1>been such a good fit. And also to that end,

0:17:39.680 --> 0:17:43.440
<v Speaker 1>I'm deeply thankful for our sales team here at iHeart.

0:17:43.760 --> 0:17:47.000
<v Speaker 1>So one thing that has been consistent for many years

0:17:47.280 --> 0:17:50.919
<v Speaker 1>at the Stuff Media House Stuff Works at iHeart is

0:17:50.920 --> 0:17:54.240
<v Speaker 1>that we've had a policy that allows us, the podcasters,

0:17:54.280 --> 0:17:56.920
<v Speaker 1>to actually decide which partners we want to work with

0:17:57.200 --> 0:18:00.280
<v Speaker 1>and which ones we would rather not work with. Pull

0:18:00.320 --> 0:18:02.400
<v Speaker 1>back the curtain a bit. This is behind the scenes,

0:18:02.560 --> 0:18:05.480
<v Speaker 1>but this is how the sausage gets made. We have

0:18:05.520 --> 0:18:11.040
<v Speaker 1>a project management tool where sales will upload new opportunities

0:18:11.359 --> 0:18:14.359
<v Speaker 1>and we call it vetting. We're vetting the ad opportunities.

0:18:14.400 --> 0:18:16.600
<v Speaker 1>So as the host, I would go in onto this

0:18:16.640 --> 0:18:19.640
<v Speaker 1>tool and I would see, Oh, you have an AD

0:18:19.680 --> 0:18:22.919
<v Speaker 1>opportunity with company X, and you would read up on

0:18:23.000 --> 0:18:25.119
<v Speaker 1>company X. You'd read up on what the ad was

0:18:25.200 --> 0:18:27.840
<v Speaker 1>about and what messaging they wanted to give, and then

0:18:27.840 --> 0:18:30.680
<v Speaker 1>you would decide, Okay, am I happy to voice an

0:18:30.680 --> 0:18:34.080
<v Speaker 1>AD for this company for this product, or maybe you know,

0:18:34.200 --> 0:18:36.560
<v Speaker 1>do an endorsement, in which case they were going to

0:18:36.640 --> 0:18:39.160
<v Speaker 1>send me whatever it is they make and I get

0:18:39.160 --> 0:18:41.480
<v Speaker 1>to try it out and then give my honest opinion

0:18:41.520 --> 0:18:45.640
<v Speaker 1>about it, or maybe even a fully branded episode. Sometimes

0:18:45.640 --> 0:18:48.120
<v Speaker 1>that was a case, but whatever it was, I would

0:18:48.200 --> 0:18:50.720
<v Speaker 1>get the chance to say yes or no, and.

0:18:50.680 --> 0:18:52.880
<v Speaker 2>If, for whatever reason, I.

0:18:52.800 --> 0:18:55.760
<v Speaker 1>Don't feel comfortable doing it, I can decline that offer

0:18:56.000 --> 0:18:59.040
<v Speaker 1>and that's it, which is huge because it means I'm

0:18:59.080 --> 0:19:02.480
<v Speaker 1>not being compelled to voice an ad for something that

0:19:02.560 --> 0:19:04.840
<v Speaker 1>I don't believe in. So there are certain types of

0:19:04.840 --> 0:19:07.600
<v Speaker 1>products I just don't support. I'm not going to go

0:19:07.640 --> 0:19:10.600
<v Speaker 1>into detail here what products those might be.

0:19:10.840 --> 0:19:11.520
<v Speaker 2>But if you've.

0:19:11.359 --> 0:19:14.000
<v Speaker 1>Listened to my show for a long time, then if

0:19:14.040 --> 0:19:16.320
<v Speaker 1>you don't skip the ads, and if you listen to

0:19:16.359 --> 0:19:19.760
<v Speaker 1>other podcasts out there, you can probably start piecing things together.

0:19:19.800 --> 0:19:22.520
<v Speaker 1>You can say, huh on other shows, I hear ads

0:19:22.520 --> 0:19:24.600
<v Speaker 1>for X, Y and Z, but I never hear them

0:19:24.600 --> 0:19:27.480
<v Speaker 1>on Jonathan's show. Then you can start drawing conclusions of oh,

0:19:27.520 --> 0:19:29.640
<v Speaker 1>maybe that's just something that he doesn't want to voice

0:19:29.640 --> 0:19:32.080
<v Speaker 1>an ad for. Well, the whole reason why I'm able

0:19:32.160 --> 0:19:35.439
<v Speaker 1>to do that is because the company supports me in

0:19:35.480 --> 0:19:37.679
<v Speaker 1>that approach, and I have a sales team that is

0:19:37.720 --> 0:19:40.560
<v Speaker 1>really understanding when it comes to that. Sometimes it can

0:19:40.600 --> 0:19:43.000
<v Speaker 1>be frustrating for them because they might be a big

0:19:43.040 --> 0:19:46.199
<v Speaker 1>sales opportunity. But if I say no, I say no,

0:19:46.600 --> 0:19:49.000
<v Speaker 1>and they don't, you know, really push back on that.

0:19:49.359 --> 0:19:51.919
<v Speaker 1>Occasionally they might ask for more information just so that

0:19:51.960 --> 0:19:55.840
<v Speaker 1>they understand, so that they don't bring opportunities that are

0:19:55.960 --> 0:19:59.320
<v Speaker 1>a waste of time to me. Right, they'll know like, oh, well,

0:19:59.440 --> 0:20:02.199
<v Speaker 1>that's not even bother asking Jonathan about that because it's

0:20:02.280 --> 0:20:05.160
<v Speaker 1>not a good fit. We'll go somewhere else. Ultimately, all

0:20:05.200 --> 0:20:08.879
<v Speaker 1>of these decisions are made to serve three purposes in

0:20:08.960 --> 0:20:11.840
<v Speaker 1>my view. Purpose one is to support the show to

0:20:12.160 --> 0:20:15.400
<v Speaker 1>earn money that allows the show to continue. Purpose two

0:20:15.800 --> 0:20:19.200
<v Speaker 1>is to bring things that I believe in as parts

0:20:19.240 --> 0:20:21.920
<v Speaker 1>of the ads for the show, so that you, the listeners,

0:20:21.960 --> 0:20:24.320
<v Speaker 1>have an opportunity to hear about something that I think

0:20:24.640 --> 0:20:29.000
<v Speaker 1>is legitimately pretty cool or interesting or useful. And so

0:20:30.000 --> 0:20:33.720
<v Speaker 1>hopefully if you are in need of whatever that company provides,

0:20:34.000 --> 0:20:35.960
<v Speaker 1>it's enough for you to say, oh, let me go

0:20:36.040 --> 0:20:36.399
<v Speaker 1>try that.

0:20:36.760 --> 0:20:38.160
<v Speaker 2>Purpose three is.

0:20:38.119 --> 0:20:40.480
<v Speaker 1>That I want to be able to contribute to my

0:20:40.560 --> 0:20:47.560
<v Speaker 1>company without compromising my own beliefs, my own ethics, and ultimately,

0:20:47.840 --> 0:20:51.199
<v Speaker 1>I'm very thankful that the show has allowed me to

0:20:51.240 --> 0:20:54.439
<v Speaker 1>do that. Now, y'all, I'm not gonna lie. I know

0:20:55.160 --> 0:20:58.920
<v Speaker 1>that ads can sometimes be a lot. I am also

0:20:59.080 --> 0:21:03.200
<v Speaker 1>a media consumer like you. I am also not crazy

0:21:03.240 --> 0:21:06.280
<v Speaker 1>about ads popping up all the time. But it's always

0:21:06.280 --> 0:21:08.600
<v Speaker 1>been my goal to do ads as well as I

0:21:08.640 --> 0:21:11.720
<v Speaker 1>possibly can, and moreover, to pick advertisers who align well

0:21:11.760 --> 0:21:15.440
<v Speaker 1>with the show and what I want to accomplish. So yes,

0:21:15.720 --> 0:21:18.240
<v Speaker 1>I get it from those of you who find ads

0:21:18.280 --> 0:21:21.679
<v Speaker 1>to be disruptive or distracting, but you know, it is

0:21:22.200 --> 0:21:25.159
<v Speaker 1>a requirement if we're going to have the show unless

0:21:25.160 --> 0:21:26.960
<v Speaker 1>we put it behind a paywall. And I don't like

0:21:27.040 --> 0:21:29.679
<v Speaker 1>that idea very much. Some shows can do that and

0:21:29.960 --> 0:21:32.480
<v Speaker 1>no shade on them. It just never felt like the

0:21:32.560 --> 0:21:35.040
<v Speaker 1>right approach for me, so I never pursued it. There

0:21:35.040 --> 0:21:38.840
<v Speaker 1>were opportunities to look at subscription based models, but I

0:21:38.880 --> 0:21:41.320
<v Speaker 1>didn't really want to do it that way. So I

0:21:41.359 --> 0:21:43.880
<v Speaker 1>am very thankful to all the sponsors out there who

0:21:43.920 --> 0:21:46.120
<v Speaker 1>allowed me to keep doing this show year after year.

0:21:46.600 --> 0:21:49.399
<v Speaker 1>And there's one other group that I'm thankful for, and

0:21:49.400 --> 0:21:52.160
<v Speaker 1>then I'm going to have to talk about. But before

0:21:52.200 --> 0:21:54.359
<v Speaker 1>I get to that, let's take another quick break to

0:21:54.400 --> 0:21:57.200
<v Speaker 1>thank those sponsors again. Gosh darn it, I just talked

0:21:57.200 --> 0:22:00.240
<v Speaker 1>about how thankful I am. Well, let's prove it be

0:22:00.359 --> 0:22:00.879
<v Speaker 1>right back.

0:22:10.200 --> 0:22:10.600
<v Speaker 2>Okay.

0:22:11.400 --> 0:22:15.880
<v Speaker 1>So there's one more group I've got to specifically call

0:22:15.960 --> 0:22:19.399
<v Speaker 1>out as people to whom I am thankful, and that

0:22:19.520 --> 0:22:24.439
<v Speaker 1>is all of you. I am so deeply thankful for

0:22:24.680 --> 0:22:28.160
<v Speaker 1>all of you listeners out there. Tex Stuff fans are

0:22:28.359 --> 0:22:32.760
<v Speaker 1>an incredible group of people. I've been fortunate to meet

0:22:32.920 --> 0:22:35.760
<v Speaker 1>a few of you in person. That has always been

0:22:35.800 --> 0:22:39.880
<v Speaker 1>a huge pleasure. Some of y'all have sent gifts. Sometimes

0:22:39.920 --> 0:22:45.159
<v Speaker 1>I get postcards. Sometimes I would receive hilarious photoshop fan posters.

0:22:45.359 --> 0:22:47.960
<v Speaker 1>I got a great Star Wars one hanging up in

0:22:48.040 --> 0:22:51.440
<v Speaker 1>my office at home. I remember getting cool wire art

0:22:51.560 --> 0:22:55.840
<v Speaker 1>sculptures from a listener who took metal wire and twisted

0:22:55.880 --> 0:23:00.280
<v Speaker 1>them into different figures and sent them to us. The

0:23:00.320 --> 0:23:04.480
<v Speaker 1>heck One listener once built me a custom ukulele out

0:23:04.520 --> 0:23:09.320
<v Speaker 1>of hardware supplies and even included an acoustic piezoelectric pickup

0:23:09.440 --> 0:23:14.480
<v Speaker 1>on the ding dang darn thing. That's insanely cool. But

0:23:14.600 --> 0:23:17.919
<v Speaker 1>whether I've met you or not, whether you've reached out

0:23:18.240 --> 0:23:21.600
<v Speaker 1>or just listened to the show, I'm so incredibly thankful

0:23:21.600 --> 0:23:25.080
<v Speaker 1>for you. Way back in the old days when Chris

0:23:25.119 --> 0:23:28.080
<v Speaker 1>and I were first sitting down to record the show

0:23:28.200 --> 0:23:31.040
<v Speaker 1>back in mid two thousand and eight. We had no

0:23:31.160 --> 0:23:35.080
<v Speaker 1>idea if anyone was going to listen. For months when

0:23:35.080 --> 0:23:38.439
<v Speaker 1>we started podcasting, we didn't know if anyone was listening.

0:23:38.440 --> 0:23:41.639
<v Speaker 1>We didn't have any insight into the analytics, you know,

0:23:41.760 --> 0:23:44.160
<v Speaker 1>as far as we knew, we were just talking into

0:23:44.240 --> 0:23:47.119
<v Speaker 1>microphones for a couple of hours each week, and then

0:23:47.320 --> 0:23:50.919
<v Speaker 1>the file would go off into the void and that

0:23:50.960 --> 0:23:51.439
<v Speaker 1>would be it.

0:23:51.480 --> 0:23:52.960
<v Speaker 2>We would just do it again the next week.

0:23:53.000 --> 0:23:55.960
<v Speaker 1>But the audio to us was just just echoing out

0:23:56.000 --> 0:23:59.359
<v Speaker 1>there and that's it. But over time, gradually it became

0:23:59.440 --> 0:24:02.920
<v Speaker 1>clear people were actually listening, and in fact, on occasion

0:24:03.000 --> 0:24:05.600
<v Speaker 1>we would have people right in to talk about things

0:24:05.640 --> 0:24:08.920
<v Speaker 1>we said on the show, including famous people who would

0:24:08.920 --> 0:24:11.560
<v Speaker 1>sometimes write in, usually to correct me, which you know,

0:24:11.880 --> 0:24:15.320
<v Speaker 1>that's stung, but it was important. I'll never forget the events. Surf,

0:24:15.800 --> 0:24:18.920
<v Speaker 1>one of the pioneers of the Internet, one of the

0:24:19.160 --> 0:24:23.040
<v Speaker 1>architects for the Internet, who was one of the big

0:24:23.080 --> 0:24:26.920
<v Speaker 1>contributors for TCPIP. He wrote to me to explain how

0:24:26.920 --> 0:24:29.680
<v Speaker 1>wrong I was about some stuff in a very nice way.

0:24:29.920 --> 0:24:32.000
<v Speaker 1>I don't want want to come across and say that

0:24:32.040 --> 0:24:32.960
<v Speaker 1>he was being rude.

0:24:32.960 --> 0:24:35.600
<v Speaker 2>He wasn't. He was just being very clear.

0:24:35.920 --> 0:24:39.680
<v Speaker 1>And that's a humbling experience when someone who is responsible

0:24:40.000 --> 0:24:43.440
<v Speaker 1>for the very sets of rules that you depend upon

0:24:43.480 --> 0:24:46.440
<v Speaker 1>whenever you're using the Internet reaches out to say, hey,

0:24:46.760 --> 0:24:49.239
<v Speaker 1>thank you for this show, but you got a lot

0:24:49.240 --> 0:24:53.199
<v Speaker 1>of stuff wrong. You know, that's an experience these days,

0:24:53.320 --> 0:24:55.479
<v Speaker 1>I'm well aware that people listen to the show, and

0:24:55.520 --> 0:24:58.240
<v Speaker 1>then I'm not just talking into a can as oh brother,

0:24:58.280 --> 0:25:02.879
<v Speaker 1>where art thou would say. So, that's remarkable, and I

0:25:02.960 --> 0:25:06.439
<v Speaker 1>know that I haven't made myself particularly easy to track down.

0:25:06.840 --> 0:25:09.679
<v Speaker 1>Once upon a time, tech stuff had a fairly active

0:25:09.960 --> 0:25:13.880
<v Speaker 1>social presence. You know, we still do have a Facebook page.

0:25:13.920 --> 0:25:17.000
<v Speaker 1>I just haven't really touched it very much in years.

0:25:17.440 --> 0:25:21.480
<v Speaker 1>Same with Instagram, Twitter, also the same. If I'm being

0:25:21.680 --> 0:25:26.440
<v Speaker 1>totally honest and vulnerable, it's because I reached a point

0:25:26.480 --> 0:25:29.879
<v Speaker 1>where being active on social media was taking such a

0:25:30.160 --> 0:25:33.800
<v Speaker 1>taxing effect on my mental health that I needed to

0:25:33.840 --> 0:25:36.800
<v Speaker 1>stop doing it. And I didn't have anyone else to

0:25:36.880 --> 0:25:40.800
<v Speaker 1>handle the social accounts for the show, so they kind

0:25:40.840 --> 0:25:45.240
<v Speaker 1>of died. And that's sort of send number one. With podcasting,

0:25:45.520 --> 0:25:47.760
<v Speaker 1>you know, if you're doing a good job with podcasting,

0:25:47.760 --> 0:25:49.320
<v Speaker 1>one of the things you want to do is create

0:25:49.320 --> 0:25:52.719
<v Speaker 1>a space for your community so that your community can

0:25:52.760 --> 0:25:54.919
<v Speaker 1>connect with one another as well as to connect with you.

0:25:55.280 --> 0:25:59.640
<v Speaker 1>And I didn't really have the mind share to do

0:25:59.680 --> 0:26:03.800
<v Speaker 1>that over the last several years, and yet people still listened.

0:26:04.040 --> 0:26:06.439
<v Speaker 1>And when I made the announcement that I was stepping

0:26:06.440 --> 0:26:09.480
<v Speaker 1>away from the show, several people have found creative ways

0:26:09.480 --> 0:26:12.000
<v Speaker 1>to reach out and let me know what the show

0:26:12.040 --> 0:26:16.000
<v Speaker 1>has meant for them. And that is beyond remarkable because again,

0:26:16.080 --> 0:26:18.600
<v Speaker 1>I haven't made it easy to do that, and the

0:26:18.640 --> 0:26:21.119
<v Speaker 1>fact that people still took the effort to find ways

0:26:21.160 --> 0:26:22.719
<v Speaker 1>to get in touch with me and let me know

0:26:23.240 --> 0:26:26.440
<v Speaker 1>that says a lot about the impact the show has made,

0:26:26.720 --> 0:26:30.080
<v Speaker 1>which makes me feel great because obviously I don't get

0:26:30.160 --> 0:26:32.040
<v Speaker 1>up and just talk it to a microphone just because

0:26:32.040 --> 0:26:34.719
<v Speaker 1>it's my job. I do it because I really believe

0:26:34.760 --> 0:26:36.760
<v Speaker 1>in it and I have a real passion for it,

0:26:37.160 --> 0:26:40.840
<v Speaker 1>and so to hear people respond well to that it

0:26:40.920 --> 0:26:43.199
<v Speaker 1>means the world to me. So for all of you

0:26:43.280 --> 0:26:45.680
<v Speaker 1>out there who have listened, whether it's to just one

0:26:45.720 --> 0:26:48.520
<v Speaker 1>episode or one hundred episodes or, bless your heart, a

0:26:48.600 --> 0:26:51.879
<v Speaker 1>thousand or more episodes, what are you doing but no,

0:26:52.080 --> 0:26:55.760
<v Speaker 1>thank you? It really means the world to me. And

0:26:55.800 --> 0:26:58.000
<v Speaker 1>we've still got new episodes of the show coming out

0:26:58.040 --> 0:27:01.000
<v Speaker 1>between now and when I step away in January of

0:27:01.040 --> 0:27:04.600
<v Speaker 1>twenty twenty five, so I'm looking forward to chatting with you.

0:27:04.720 --> 0:27:07.800
<v Speaker 1>Then hopefully we'll get a few special guests on for

0:27:07.840 --> 0:27:10.200
<v Speaker 1>some of those episodes. That's what we're working on now.

0:27:10.520 --> 0:27:12.840
<v Speaker 1>In the meantime, I hope you are all happy, healthy,

0:27:12.880 --> 0:27:14.280
<v Speaker 1>and surrounded by your loved ones.

0:27:14.520 --> 0:27:16.680
<v Speaker 2>I'll talk to you again really soon.

0:27:22.840 --> 0:27:27.480
<v Speaker 1>Tech Stuff is an iHeartRadio production. For more podcasts from iHeartRadio,

0:27:27.840 --> 0:27:31.560
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:27:31.560 --> 0:27:36.359
<v Speaker 1>to your favorite shows.