1 00:00:00,160 --> 00:00:02,800 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I 2 00:00:02,840 --> 00:00:04,480 Speaker 1: am your host Movie Mike, and today I want to 3 00:00:04,519 --> 00:00:08,320 Speaker 1: share with you my top ten core movie memories. What 4 00:00:08,360 --> 00:00:12,119 Speaker 1: that is exactly, I'll explain, but essentially, it's ten moments 5 00:00:12,119 --> 00:00:15,160 Speaker 1: for movies that have stayed with me through my entire life. 6 00:00:15,200 --> 00:00:17,760 Speaker 1: In the movie review, I'm excited because I have the 7 00:00:17,760 --> 00:00:19,880 Speaker 1: best comedy in the last five years. 8 00:00:20,000 --> 00:00:20,840 Speaker 2: In the trailer Park. 9 00:00:20,880 --> 00:00:23,640 Speaker 1: We have a new horror movie that was actually based 10 00:00:23,640 --> 00:00:26,720 Speaker 1: on a fictional trailer. It's called Thanksgiving. And I'm also 11 00:00:26,840 --> 00:00:30,240 Speaker 1: going to talk about why Rotten Tomatoes cannot be trusted. 12 00:00:30,600 --> 00:00:33,320 Speaker 1: Thank you for listening, Thank you for being subscribed, Shout 13 00:00:33,320 --> 00:00:36,320 Speaker 1: out to the Monday Morning Movie crew. And now let's 14 00:00:36,360 --> 00:00:37,000 Speaker 1: talk movies. 15 00:00:37,360 --> 00:00:40,600 Speaker 3: In a world where everyone and their mother has a podcast, 16 00:00:41,080 --> 00:00:45,000 Speaker 3: one man stands to infiltrate the ears of listeners like 17 00:00:45,080 --> 00:00:49,040 Speaker 3: never before in a movie podcast. A man with so 18 00:00:49,159 --> 00:00:54,600 Speaker 3: much movie knowledge. He's basically like a walking IMTB with glasses. 19 00:00:55,000 --> 00:01:00,000 Speaker 3: From the Nashville Podcast Network. This is Movie Mike's Movie Podcast. 20 00:01:00,960 --> 00:01:04,560 Speaker 1: A core memory is a specific memory that holds some 21 00:01:04,720 --> 00:01:07,360 Speaker 1: kind of emotional value in your life. 22 00:01:07,400 --> 00:01:10,480 Speaker 4: They are the building blocks of what make you a person. 23 00:01:11,000 --> 00:01:14,039 Speaker 1: I feel like as a human being, I can trace 24 00:01:14,080 --> 00:01:17,720 Speaker 1: back several things to very specific times in my life, 25 00:01:17,720 --> 00:01:20,199 Speaker 1: and these little moments that have whether it have been 26 00:01:20,319 --> 00:01:24,400 Speaker 1: traumatic or been joyful, have shaped the person I am today. 27 00:01:24,640 --> 00:01:27,959 Speaker 1: And I'm gonna take not my human life, but my 28 00:01:28,120 --> 00:01:30,839 Speaker 1: cinematic life and share with you the top ten core 29 00:01:30,920 --> 00:01:34,200 Speaker 1: movie memory moments that have changed or altered my well 30 00:01:34,280 --> 00:01:37,280 Speaker 1: being or my mental state, or just moments that I 31 00:01:37,319 --> 00:01:39,959 Speaker 1: have not forgotten and have stuck with me in film 32 00:01:40,000 --> 00:01:44,280 Speaker 1: throughout my entire movie watching life. I think even for me, 33 00:01:44,440 --> 00:01:47,880 Speaker 1: sometimes it is easier for me to speak about my 34 00:01:48,000 --> 00:01:50,800 Speaker 1: feelings when I can relate them to a movie. Sometimes 35 00:01:50,840 --> 00:01:52,559 Speaker 1: I just feel like it's hard for me to open 36 00:01:52,640 --> 00:01:56,520 Speaker 1: up about emotions or to express exactly how I'm feeling. 37 00:01:57,040 --> 00:01:58,960 Speaker 1: But if you throw a movie in front of me 38 00:01:59,000 --> 00:02:02,000 Speaker 1: and something emotional happens, I'm able to open up so 39 00:02:02,200 --> 00:02:05,800 Speaker 1: much more by relating to that character and speaking about 40 00:02:05,880 --> 00:02:08,960 Speaker 1: the film and speaking about their development, that I in 41 00:02:09,040 --> 00:02:12,640 Speaker 1: turn and able to look into myself and think, oh, 42 00:02:12,760 --> 00:02:15,239 Speaker 1: I relate with that because there's something I experience. 43 00:02:15,320 --> 00:02:17,519 Speaker 2: I think that is why I love movies so much. 44 00:02:17,320 --> 00:02:19,200 Speaker 1: And I think at the core of this that is 45 00:02:19,240 --> 00:02:22,960 Speaker 1: why I do this podcast because if I didn't have movies, 46 00:02:23,040 --> 00:02:26,160 Speaker 1: I probably wouldn't be able to work out all of 47 00:02:26,200 --> 00:02:28,680 Speaker 1: these things inside my brain. And I think where I 48 00:02:28,680 --> 00:02:32,040 Speaker 1: got the concept for this episode was from the Pixar 49 00:02:32,120 --> 00:02:37,000 Speaker 1: movie Inside Out, which the entire movie revolves around core 50 00:02:37,080 --> 00:02:39,200 Speaker 1: memories and what they are trying to do for Riley 51 00:02:39,320 --> 00:02:41,720 Speaker 1: in order for her to have the best childhood ever 52 00:02:41,880 --> 00:02:45,000 Speaker 1: and look back on it with only these bright, colorful memories. 53 00:02:45,280 --> 00:02:47,280 Speaker 1: And the entire plot of that movie is, well, not 54 00:02:47,400 --> 00:02:50,760 Speaker 1: everything can be super bright and positive and joyful. That 55 00:02:50,840 --> 00:02:53,880 Speaker 1: sometimes you have to experience the sadness because it's all 56 00:02:54,000 --> 00:02:57,160 Speaker 1: those experiences that really shape you as a person. So 57 00:02:57,240 --> 00:02:59,960 Speaker 1: I think my list will reflect that. If you haven't 58 00:03:00,240 --> 00:03:02,440 Speaker 1: inside Out, here is just a little clip from that 59 00:03:02,560 --> 00:03:05,400 Speaker 1: movie explaining the core memory process. 60 00:03:05,760 --> 00:03:08,640 Speaker 5: These are Riley's memories, and they're mostly happy, you'll notice, 61 00:03:08,680 --> 00:03:11,320 Speaker 5: not to brag, but the really important ones are over 62 00:03:11,320 --> 00:03:13,560 Speaker 5: a year. I don't want to get too technical, but 63 00:03:13,600 --> 00:03:17,280 Speaker 5: these are called core memories. Each one came from a 64 00:03:17,320 --> 00:03:20,200 Speaker 5: super important time in Riley's life, like when she first 65 00:03:20,240 --> 00:03:23,080 Speaker 5: scored a goal that was so amazing real. 66 00:03:25,440 --> 00:03:27,560 Speaker 2: So that is what I have for you. 67 00:03:27,760 --> 00:03:29,600 Speaker 1: So I'm going to do these starting back in my 68 00:03:29,720 --> 00:03:32,519 Speaker 1: childhood and working up to my adult life. So let's 69 00:03:32,600 --> 00:03:35,560 Speaker 1: kick it off with number one. My first core movie 70 00:03:35,640 --> 00:03:38,480 Speaker 1: memory moment was from nineteen ninety four and it was 71 00:03:38,560 --> 00:03:39,880 Speaker 1: Mufasa Dying. 72 00:03:39,840 --> 00:03:56,120 Speaker 2: Scar Brother Help Me Long Li fucking. 73 00:04:00,120 --> 00:04:06,440 Speaker 1: Wow, And even listening back to that scene now as 74 00:04:06,440 --> 00:04:09,320 Speaker 1: an adult, it still very much hits me on an 75 00:04:09,360 --> 00:04:13,200 Speaker 1: emotional level. And Disney did us all dirty with this movie, 76 00:04:13,240 --> 00:04:16,200 Speaker 1: but I felt it served a very specific purpose to 77 00:04:16,320 --> 00:04:20,479 Speaker 1: teach kids about death. Essentially the worst thing that could 78 00:04:20,520 --> 00:04:22,919 Speaker 1: happen to you as a kid losing your father like 79 00:04:22,960 --> 00:04:25,479 Speaker 1: this in such a tragic way. But this was the 80 00:04:25,520 --> 00:04:28,880 Speaker 1: first time I learned about death, So to be a 81 00:04:29,040 --> 00:04:32,600 Speaker 1: kid four or five years old learning about death through 82 00:04:32,640 --> 00:04:35,440 Speaker 1: a Disney movie is pretty intense. But I think for 83 00:04:35,520 --> 00:04:38,320 Speaker 1: me growing up, I learned so much that I did 84 00:04:38,320 --> 00:04:41,040 Speaker 1: not learn from my parents. There was just some things 85 00:04:41,080 --> 00:04:45,200 Speaker 1: that they did not teach me, and speaking about emotions 86 00:04:45,279 --> 00:04:48,120 Speaker 1: was just something that didn't really happen in my household. 87 00:04:48,600 --> 00:04:50,880 Speaker 1: We were trying to survive, we were trying to get by. 88 00:04:51,160 --> 00:04:53,760 Speaker 1: My parents were concerned with just keeping food on the 89 00:04:53,800 --> 00:04:56,640 Speaker 1: table and a roof over our heads. That we never 90 00:04:56,680 --> 00:05:00,600 Speaker 1: really spoke freely about the way we were feeling. We were 91 00:05:00,520 --> 00:05:02,400 Speaker 1: just trying to live and trying to eat me. I 92 00:05:02,440 --> 00:05:05,640 Speaker 1: don't really hold that against them. I love movies more 93 00:05:05,680 --> 00:05:08,839 Speaker 1: for that because they were able to teach me with 94 00:05:08,920 --> 00:05:11,679 Speaker 1: movies like Lion King on how to cope with death 95 00:05:12,000 --> 00:05:14,640 Speaker 1: and how not to run away with your problems. That 96 00:05:14,720 --> 00:05:17,520 Speaker 1: this was one of the biggest first lessons I learned 97 00:05:17,560 --> 00:05:20,359 Speaker 1: in my life. So I credit that to Disney, and 98 00:05:20,400 --> 00:05:21,240 Speaker 1: I credit. 99 00:05:20,920 --> 00:05:22,080 Speaker 2: That to The Lion King. 100 00:05:22,600 --> 00:05:26,320 Speaker 1: So that is my first movie core memory at number 101 00:05:26,360 --> 00:05:31,039 Speaker 1: two from nineteen ninety seven Leave It to Beaver, And 102 00:05:31,080 --> 00:05:33,320 Speaker 1: maybe I'm the only kid who was excited about to 103 00:05:33,400 --> 00:05:35,400 Speaker 1: Leave It to Beaver movie. But there was a time 104 00:05:35,440 --> 00:05:38,760 Speaker 1: in my life where I got really into forties, fifties 105 00:05:38,760 --> 00:05:41,320 Speaker 1: and sixties television, and Leave It to Beaver was one 106 00:05:41,360 --> 00:05:44,160 Speaker 1: of my favorite shows, mainly because everything in that show 107 00:05:44,520 --> 00:05:47,679 Speaker 1: was so perfect. They had the perfect house, the perfect life, 108 00:05:47,880 --> 00:05:51,400 Speaker 1: the perfect family, and I thought to myself, what would 109 00:05:51,400 --> 00:05:52,200 Speaker 1: it be like to. 110 00:05:52,200 --> 00:05:53,360 Speaker 2: Have a life like that? 111 00:05:53,839 --> 00:05:56,400 Speaker 1: And then in the nineties it got the movie treatment, 112 00:05:56,440 --> 00:05:59,240 Speaker 1: which was a lot different than the original show, but 113 00:05:59,320 --> 00:06:01,919 Speaker 1: there was just something so wholesome still about this movie 114 00:06:01,960 --> 00:06:03,440 Speaker 1: that I loved, and I feel like this is a 115 00:06:03,480 --> 00:06:05,919 Speaker 1: movie from the nineties that was one of my favorites, 116 00:06:05,920 --> 00:06:08,760 Speaker 1: but really isn't regarded as a great movie from the nineties, 117 00:06:08,760 --> 00:06:11,279 Speaker 1: but it came out in nineteen ninety seven. The core 118 00:06:11,360 --> 00:06:14,640 Speaker 1: memory moment for me from this movie was the scene 119 00:06:14,720 --> 00:06:18,320 Speaker 1: where Beaver gets his bike stolen by the bully, and 120 00:06:18,360 --> 00:06:21,440 Speaker 1: he had this amazing bike that he got for his birthday. 121 00:06:21,480 --> 00:06:24,480 Speaker 1: It was a red GT with the pegs and the tires. 122 00:06:25,000 --> 00:06:28,880 Speaker 1: It was a beautiful bicycle, and growing up, I wanted 123 00:06:28,880 --> 00:06:31,400 Speaker 1: a GT bike just like this. I think that was 124 00:06:31,440 --> 00:06:34,440 Speaker 1: the height of this type of bike. They were so cool, 125 00:06:34,920 --> 00:06:37,039 Speaker 1: and I just thought that if I had it, I 126 00:06:37,040 --> 00:06:39,599 Speaker 1: would be the coolest kid in the trailer park. I 127 00:06:39,680 --> 00:06:43,000 Speaker 1: was also a chunky kid, so I couldn't run very fast, 128 00:06:43,120 --> 00:06:44,919 Speaker 1: but I thought if I had a GT bike that 129 00:06:45,040 --> 00:06:48,880 Speaker 1: was so light and so quick, that I could suddenly 130 00:06:48,920 --> 00:06:51,640 Speaker 1: be the fastest kid in the trailer park even though 131 00:06:51,640 --> 00:06:55,159 Speaker 1: I couldn't run, I could maybe out bike somebody. So 132 00:06:55,520 --> 00:06:58,320 Speaker 1: I think it was the appeal of the bike, but 133 00:06:58,400 --> 00:07:01,120 Speaker 1: also the story in this movie of Beaver kind of 134 00:07:01,160 --> 00:07:04,600 Speaker 1: being an outcast kid, the smallest kid, not being good 135 00:07:04,640 --> 00:07:08,160 Speaker 1: at football, him lying to his parents. But the ultimate 136 00:07:08,200 --> 00:07:12,280 Speaker 1: moment is this bike he's been dreaming of wanting for 137 00:07:12,400 --> 00:07:16,320 Speaker 1: his entire life, even though he hasn't been around that long. 138 00:07:16,480 --> 00:07:17,960 Speaker 2: He finally gets it. 139 00:07:18,080 --> 00:07:20,640 Speaker 1: Let's a bully do some tricks, and then the bullies 140 00:07:20,720 --> 00:07:23,880 Speaker 1: last trick is to steal the bike. And I remember 141 00:07:23,960 --> 00:07:27,440 Speaker 1: watching this moment on the big screen. It was like 142 00:07:27,480 --> 00:07:29,720 Speaker 1: the first movie I ever went to see in theaters. 143 00:07:30,520 --> 00:07:33,040 Speaker 1: And I think it was because of that, but also 144 00:07:33,080 --> 00:07:35,280 Speaker 1: the fact that he had his bike stole and I 145 00:07:35,320 --> 00:07:38,280 Speaker 1: will never forget this moment. And like I said, maybe 146 00:07:38,320 --> 00:07:40,680 Speaker 1: I'm the only person who cared about Leave It to 147 00:07:40,680 --> 00:07:43,600 Speaker 1: Beaver from nineteen ninety seven. And maybe that's true because 148 00:07:43,600 --> 00:07:46,640 Speaker 1: I couldn't even find a legit clip of this moment. 149 00:07:46,720 --> 00:07:49,640 Speaker 1: It was just somebody recording their TV. But here is 150 00:07:49,680 --> 00:07:50,920 Speaker 1: that moment from Leave It to Beaver. 151 00:07:51,240 --> 00:07:52,560 Speaker 5: I got a few more tricks? 152 00:07:52,760 --> 00:07:53,400 Speaker 2: Really cool? 153 00:07:53,440 --> 00:07:54,000 Speaker 5: Can you show me? 154 00:07:54,760 --> 00:07:55,160 Speaker 2: Yeah? 155 00:07:55,200 --> 00:07:56,720 Speaker 1: Sure, I got one. 156 00:07:56,760 --> 00:07:57,640 Speaker 5: You'll never forget. 157 00:08:02,320 --> 00:08:02,880 Speaker 6: Don't worry. 158 00:08:03,120 --> 00:08:13,200 Speaker 1: I just need to whip up a little pork p 159 00:08:13,480 --> 00:08:17,720 Speaker 1: Telviza baby, And then the entire movie is him trying 160 00:08:17,760 --> 00:08:21,200 Speaker 1: to get his bike back. The other memory I associate 161 00:08:21,240 --> 00:08:24,560 Speaker 1: with Leave It to Beaver from ninety seven was. Like 162 00:08:24,600 --> 00:08:26,960 Speaker 1: I said, it was the first movie I remember going 163 00:08:26,960 --> 00:08:31,040 Speaker 1: to see in theaters at the Buffalo Creek six in Watsahatchie, Texas. 164 00:08:31,080 --> 00:08:33,319 Speaker 1: And this was back at a time where you had 165 00:08:33,360 --> 00:08:36,480 Speaker 1: to call to hear the movie times. It was either 166 00:08:36,600 --> 00:08:40,320 Speaker 1: this or the super old school way of looking it 167 00:08:40,400 --> 00:08:43,280 Speaker 1: up in the newspaper. But I remember I would just 168 00:08:43,440 --> 00:08:46,080 Speaker 1: call the movie theater. I still remember the number. It 169 00:08:46,160 --> 00:08:48,880 Speaker 1: is nine seven two nine. I'm not gonna say the 170 00:08:48,880 --> 00:08:51,800 Speaker 1: whole number because probably somebody else has it at this point, 171 00:08:51,880 --> 00:08:55,360 Speaker 1: because now that theater is gone. But you'd call the number, 172 00:08:55,679 --> 00:08:58,440 Speaker 1: it would be the movie theater manager in this case, 173 00:08:58,480 --> 00:09:01,400 Speaker 1: who would record a new message every single week. And 174 00:09:01,440 --> 00:09:03,600 Speaker 1: there was just something special to me about hearing the 175 00:09:03,640 --> 00:09:06,040 Speaker 1: new movie out, the one that came out that Friday 176 00:09:06,040 --> 00:09:08,080 Speaker 1: that everybody wanted to see that I'd. 177 00:09:07,960 --> 00:09:09,080 Speaker 2: Been seeing on TV. 178 00:09:09,360 --> 00:09:11,360 Speaker 1: And even though I didn't go to the movies a 179 00:09:11,360 --> 00:09:13,360 Speaker 1: whole lot as a kid because we couldn't afford it, 180 00:09:13,720 --> 00:09:16,160 Speaker 1: I would still call it every single week to hear 181 00:09:16,200 --> 00:09:18,800 Speaker 1: what was playing. But the core movie memory here is 182 00:09:18,920 --> 00:09:23,120 Speaker 1: leave it to Beaver getting his bike stolen at number three. 183 00:09:23,800 --> 00:09:26,000 Speaker 1: I have another movie that I have a great theater 184 00:09:26,160 --> 00:09:29,440 Speaker 1: experience with It's from nineteen ninety eight and it is 185 00:09:29,520 --> 00:09:33,600 Speaker 1: Pokemon the First movie. So really this whole experience is 186 00:09:33,640 --> 00:09:36,280 Speaker 1: a core memory for me because I was such a 187 00:09:36,320 --> 00:09:39,760 Speaker 1: fan of Pokemon as a kid. It was the thing 188 00:09:39,880 --> 00:09:43,200 Speaker 1: that I fully got into every aspect of the fandom, 189 00:09:43,800 --> 00:09:48,439 Speaker 1: and the thing I remember just associating my entire childhood 190 00:09:48,480 --> 00:09:52,120 Speaker 1: with because not only was it the trading card game, 191 00:09:52,559 --> 00:09:55,760 Speaker 1: it was also the TV show. And then I got 192 00:09:55,760 --> 00:09:58,160 Speaker 1: really into collecting all of the toys. There was just 193 00:09:58,200 --> 00:10:01,360 Speaker 1: so much great merchandise from Pokemon. But then you also 194 00:10:01,440 --> 00:10:04,400 Speaker 1: had the game Boy video game, the N sixty four games. 195 00:10:04,720 --> 00:10:07,280 Speaker 1: But at the height of all that was Pokemon the 196 00:10:07,360 --> 00:10:10,720 Speaker 1: First Movie, and I was just so excited because I 197 00:10:10,760 --> 00:10:13,640 Speaker 1: was such a big fan. I'd been collecting the cards 198 00:10:13,679 --> 00:10:17,440 Speaker 1: and really doing everything I could to get my hands 199 00:10:17,480 --> 00:10:20,400 Speaker 1: on everything Pokemon that I remember. 200 00:10:21,080 --> 00:10:23,160 Speaker 2: This was the first time I felt I need to 201 00:10:23,200 --> 00:10:24,280 Speaker 2: see this movie. 202 00:10:24,760 --> 00:10:27,640 Speaker 1: Nothing will stop me from seeing this movie, and finally 203 00:10:28,240 --> 00:10:32,800 Speaker 1: I got to go. I got the commemorative promotional mewtwo card. 204 00:10:32,880 --> 00:10:34,800 Speaker 1: Whenever you go watch the movie, you'd also get the 205 00:10:34,800 --> 00:10:38,040 Speaker 1: free card. And I remember seeing this movie in theaters 206 00:10:38,080 --> 00:10:41,760 Speaker 1: and it being packed, and the core movie memory moment 207 00:10:42,240 --> 00:10:45,920 Speaker 1: came at the final scene, the final battle, where mewtwo 208 00:10:46,080 --> 00:10:49,760 Speaker 1: and Mew are fighting and Ash is just trying to 209 00:10:49,800 --> 00:10:52,679 Speaker 1: put the violence to an end, and he gets caught 210 00:10:52,720 --> 00:10:55,560 Speaker 1: in the middle of the fight and Ash turns to stone. 211 00:10:55,600 --> 00:10:57,920 Speaker 1: He's petrified and essentially just. 212 00:10:57,920 --> 00:10:59,080 Speaker 2: Lying there dead. 213 00:10:59,360 --> 00:11:03,360 Speaker 1: And then his best Pokemon, his best friend Pikachu who 214 00:11:03,360 --> 00:11:06,200 Speaker 1: we all know and love, goes up to Ash and 215 00:11:06,280 --> 00:11:08,600 Speaker 1: tries to bring them back to life and just breaks 216 00:11:08,640 --> 00:11:12,680 Speaker 1: down crying, and I think everybody in the theater at 217 00:11:12,720 --> 00:11:26,960 Speaker 1: this moment was doing the same make and just hearing 218 00:11:27,040 --> 00:11:31,240 Speaker 1: him now trying to revive Ash by shocking him back 219 00:11:31,280 --> 00:11:35,880 Speaker 1: to life. I still remember that moment. I still love 220 00:11:35,920 --> 00:11:39,320 Speaker 1: Pokemon now, and that is a core movie memory moment. 221 00:11:39,400 --> 00:11:40,319 Speaker 2: Number three. 222 00:11:41,720 --> 00:11:45,720 Speaker 1: At number four is a movie I probably should have 223 00:11:45,760 --> 00:11:48,400 Speaker 1: not been exposed to at such a young age. The 224 00:11:48,440 --> 00:11:51,360 Speaker 1: movie came out in nineteen ninety five, but I probably 225 00:11:51,400 --> 00:11:54,160 Speaker 1: watched it in ninety eight or ninety nine, and the 226 00:11:54,200 --> 00:11:58,040 Speaker 1: movie is The Usual Suspects, And the core memory from 227 00:11:58,120 --> 00:12:01,520 Speaker 1: this movie was the ending, which I still believe is 228 00:12:01,559 --> 00:12:06,160 Speaker 1: the best ending in cinema of all time. And the 229 00:12:06,240 --> 00:12:08,640 Speaker 1: reason this is a core movie memory moment because I 230 00:12:08,679 --> 00:12:13,600 Speaker 1: remember my mind being blown as a kid when it's 231 00:12:13,640 --> 00:12:18,520 Speaker 1: finally revealed that Kaiser SoSE was Kevin Spacey's character all along, 232 00:12:19,000 --> 00:12:22,760 Speaker 1: and he was making everything up. He was being interrogated 233 00:12:22,920 --> 00:12:26,360 Speaker 1: and just putting together his story by all the things 234 00:12:26,400 --> 00:12:29,760 Speaker 1: he saw in the detective's office. So then you find 235 00:12:29,760 --> 00:12:32,200 Speaker 1: out at the very end of the movie that he 236 00:12:32,360 --> 00:12:36,160 Speaker 1: was Kaiser SoSE. So the reason I feel that this 237 00:12:36,240 --> 00:12:40,240 Speaker 1: is the best ending in any movie ever is because 238 00:12:40,320 --> 00:12:44,440 Speaker 1: it's a movie that's entirely reliant on that ending. If 239 00:12:44,480 --> 00:12:47,720 Speaker 1: you didn't have that ending, it would just be an average, 240 00:12:48,280 --> 00:12:53,680 Speaker 1: every day nineties action drama movie. But that ending takes 241 00:12:53,720 --> 00:12:57,080 Speaker 1: it up on such a different level, and it is 242 00:12:57,320 --> 00:13:01,560 Speaker 1: made by the ending. It's entire identity is in that 243 00:13:01,760 --> 00:13:04,760 Speaker 1: ending and in that reveal, and I don't ever think 244 00:13:04,840 --> 00:13:08,440 Speaker 1: I will have that same mind blown moment ever. 245 00:13:08,520 --> 00:13:13,440 Speaker 2: Again, the greatest trick the Devil ever pulled was convincing 246 00:13:13,480 --> 00:13:14,840 Speaker 2: the world he didn't exist. 247 00:13:15,080 --> 00:13:19,320 Speaker 1: So that is memory number four. At number five moving 248 00:13:19,360 --> 00:13:22,760 Speaker 1: into the two thousands, is a memory I have of 249 00:13:22,880 --> 00:13:26,240 Speaker 1: being scared onlike I have ever been in my life 250 00:13:26,280 --> 00:13:30,600 Speaker 1: from a movie that's not even particularly a horror movie. 251 00:13:30,640 --> 00:13:33,520 Speaker 1: It is from two thousand and two. It is Signs 252 00:13:33,720 --> 00:13:37,640 Speaker 1: from director m Night Shamalan, who I don't really consider 253 00:13:37,800 --> 00:13:40,880 Speaker 1: him a horror director, even though his movies have horror 254 00:13:40,920 --> 00:13:45,199 Speaker 1: elements to them, They much more deal with supernatural. It's 255 00:13:45,320 --> 00:13:49,200 Speaker 1: much more sci fi. But I have never been more 256 00:13:49,320 --> 00:13:52,640 Speaker 1: scared of a reveal of a monster than I have 257 00:13:53,080 --> 00:13:55,640 Speaker 1: going to see Signs in theaters. Going back to that 258 00:13:55,679 --> 00:14:00,640 Speaker 1: Buffalo Creek Theater six in Waxahatchie, Texas, moment where the 259 00:14:00,720 --> 00:14:03,679 Speaker 1: alien is on the screen for the first time in 260 00:14:03,720 --> 00:14:08,040 Speaker 1: this movie scared me to death. Not only freaked me out, 261 00:14:08,480 --> 00:14:11,920 Speaker 1: but freaked the entire theater out that I remember so 262 00:14:12,120 --> 00:14:16,800 Speaker 1: many screams and to the point that I was scared 263 00:14:16,840 --> 00:14:20,680 Speaker 1: to go home after watching this movie just because of 264 00:14:20,720 --> 00:14:22,920 Speaker 1: that moment. I thought there was going to be aliens 265 00:14:22,920 --> 00:14:26,000 Speaker 1: waiting for me outside the theater. I remember going to 266 00:14:26,000 --> 00:14:29,200 Speaker 1: see this movie with my cousins and my brother and 267 00:14:29,320 --> 00:14:31,720 Speaker 1: my cousin and I had to ride in the back 268 00:14:31,760 --> 00:14:35,600 Speaker 1: of the truck out to the country to the way home, 269 00:14:36,160 --> 00:14:39,160 Speaker 1: and I was so freaking scared that I closed my 270 00:14:39,240 --> 00:14:42,360 Speaker 1: eyes and I just thought an alien was going to 271 00:14:42,440 --> 00:14:45,960 Speaker 1: get us. So this is the most scared I've ever been. 272 00:14:46,120 --> 00:14:49,320 Speaker 1: And I went back and watched the scene, and it's 273 00:14:49,360 --> 00:14:52,880 Speaker 1: a little bit weird to think that the special effects 274 00:14:53,520 --> 00:14:57,160 Speaker 1: really aren't that great. And as a kid, I remember thinking, 275 00:14:57,200 --> 00:14:58,760 Speaker 1: I just saw a real life alien. 276 00:14:58,800 --> 00:15:00,359 Speaker 2: That is what they look like in real life. 277 00:15:00,560 --> 00:15:04,440 Speaker 1: It looks so realistic, but looking back at it now, 278 00:15:04,600 --> 00:15:08,120 Speaker 1: it looks a lot more cartoony. So I credit a 279 00:15:08,160 --> 00:15:12,440 Speaker 1: lot of that feeling to the tension that this movie created, 280 00:15:13,000 --> 00:15:16,280 Speaker 1: the build up of them not showing the aliens, which 281 00:15:16,320 --> 00:15:19,080 Speaker 1: is a great mechanism to use in a movie. Don't 282 00:15:19,080 --> 00:15:21,680 Speaker 1: show the monster until you need to, and then when 283 00:15:21,680 --> 00:15:23,680 Speaker 1: you do, you just get a little peek at it, 284 00:15:24,000 --> 00:15:26,720 Speaker 1: and it makes it so much more scary. So this 285 00:15:26,800 --> 00:15:29,480 Speaker 1: moment probably doesn't scare me now, but I will never 286 00:15:29,560 --> 00:15:32,320 Speaker 1: forget how it made me feel back in two thousand 287 00:15:32,360 --> 00:15:32,680 Speaker 1: and two. 288 00:15:33,200 --> 00:15:44,160 Speaker 3: Move Children Phomenals. 289 00:15:51,800 --> 00:15:55,000 Speaker 1: Paired with that suspenseful music there That is my core 290 00:15:55,120 --> 00:15:59,520 Speaker 1: movie memory number five at number six from two thousand 291 00:15:59,600 --> 00:16:03,640 Speaker 1: and nine and Quentin Tarantinos and Glorious Bastards. The thing 292 00:16:03,680 --> 00:16:06,640 Speaker 1: I really love about Quentin Tarantino movies is how he 293 00:16:06,680 --> 00:16:10,200 Speaker 1: rewrites history and puts his own take on it and 294 00:16:10,320 --> 00:16:13,280 Speaker 1: makes it so much more gratifying to the viewer. Because 295 00:16:13,320 --> 00:16:16,440 Speaker 1: if you can go back and change things and make 296 00:16:16,560 --> 00:16:20,320 Speaker 1: the good guys win in the most epic way and 297 00:16:20,640 --> 00:16:24,040 Speaker 1: the most cinematic way, where you're creating this entire story 298 00:16:24,640 --> 00:16:28,320 Speaker 1: where the villain is winning the entire time and dominating 299 00:16:28,400 --> 00:16:31,360 Speaker 1: and being this force to be reckoned with and being 300 00:16:31,400 --> 00:16:36,480 Speaker 1: this force just unleashing terror and unleashing justice negativity throughout 301 00:16:36,520 --> 00:16:39,880 Speaker 1: the entire movie, and then you get this heroic moment 302 00:16:40,000 --> 00:16:44,040 Speaker 1: at the end for our hero to shine and whenever 303 00:16:44,360 --> 00:16:47,160 Speaker 1: it's happens in a way that didn't happen in history 304 00:16:47,200 --> 00:16:49,240 Speaker 1: but you wished it did. That is what you get 305 00:16:49,240 --> 00:16:51,920 Speaker 1: into a Quentin Tarantino movie, and it provides these really 306 00:16:52,000 --> 00:16:55,440 Speaker 1: epic moments. And that is what happens in Inglorious Bastards 307 00:16:55,480 --> 00:16:58,000 Speaker 1: at the Cinema and the third act of the movie 308 00:16:58,160 --> 00:17:03,320 Speaker 1: where the Jewish theater owner sets her own theater ablaze 309 00:17:03,400 --> 00:17:06,879 Speaker 1: to take out all of these Nazis there for a 310 00:17:07,640 --> 00:17:12,040 Speaker 1: German movie screening with Hitler in attendance. And this is 311 00:17:12,560 --> 00:17:15,560 Speaker 1: my favorite Quentin Tarantino movie because of all the tension 312 00:17:15,600 --> 00:17:18,440 Speaker 1: that happens throughout this movie and how much it makes 313 00:17:18,520 --> 00:17:22,159 Speaker 1: you hate Nazis even more, and it was just so 314 00:17:22,400 --> 00:17:27,520 Speaker 1: gratifying and satisfying to see them take out Hitler and 315 00:17:27,600 --> 00:17:31,040 Speaker 1: to see them take out all these awful people in 316 00:17:31,080 --> 00:17:34,800 Speaker 1: one of the most ba ways that I've ever seen done. 317 00:17:35,200 --> 00:17:37,560 Speaker 1: And this was the first Quentin Tarantino movie I ever 318 00:17:37,600 --> 00:17:39,800 Speaker 1: went to see in theaters. I went to see it 319 00:17:39,840 --> 00:17:42,280 Speaker 1: with my brother in the summer of two thousand and nine, 320 00:17:42,840 --> 00:17:44,359 Speaker 1: and that was also at a point in my life 321 00:17:44,400 --> 00:17:47,679 Speaker 1: where I was going from high school to college and moving, 322 00:17:48,080 --> 00:17:50,080 Speaker 1: so there was all these things going on. But for 323 00:17:50,200 --> 00:17:53,199 Speaker 1: this moment, my entire life slowed down because I was 324 00:17:53,480 --> 00:17:56,200 Speaker 1: wanting to jump out of my seat and scream as 325 00:17:56,240 --> 00:17:59,720 Speaker 1: this moment happened, because I was just so happy for 326 00:17:59,760 --> 00:18:00,800 Speaker 1: the little guy to win. 327 00:18:01,119 --> 00:18:04,000 Speaker 2: Who wants to say that? Six to Germany. 328 00:18:05,280 --> 00:18:08,880 Speaker 7: The research for Jenny and I want you to look 329 00:18:08,960 --> 00:18:11,439 Speaker 7: deep into the face of the June. 330 00:18:11,840 --> 00:18:15,520 Speaker 4: Who is going to do it? 331 00:18:23,359 --> 00:18:27,479 Speaker 1: Show Shanna's Revenge. That is my core movie memory number 332 00:18:27,640 --> 00:18:33,080 Speaker 1: six at number seven. Moving ahead to twenty ten Toy 333 00:18:33,240 --> 00:18:37,040 Speaker 1: Story three, I think this was a full circle moment 334 00:18:37,160 --> 00:18:40,679 Speaker 1: I had because I grew up loving the franchise starting 335 00:18:40,720 --> 00:18:44,440 Speaker 1: in the nineties, Love Toy Story two, and then as 336 00:18:44,440 --> 00:18:48,120 Speaker 1: an adult in twenty ten, we were going to say 337 00:18:48,119 --> 00:18:52,800 Speaker 1: goodbye to our toy story friends. And it's the moment 338 00:18:52,920 --> 00:18:56,560 Speaker 1: that Lotso betrays Woody and the gang, and you think 339 00:18:56,600 --> 00:18:59,919 Speaker 1: they are all going to die. They are all Holy 340 00:19:00,200 --> 00:19:04,959 Speaker 1: Hints together going into the flames. And in that moment, 341 00:19:05,080 --> 00:19:07,359 Speaker 1: I felt like the kid and me came out and 342 00:19:07,520 --> 00:19:10,720 Speaker 1: was so sad to see it end. And I think, 343 00:19:11,119 --> 00:19:14,240 Speaker 1: oddly this was the first time I actually got emotional 344 00:19:14,359 --> 00:19:17,199 Speaker 1: in a theater while watching a movie, and maybe in 345 00:19:17,240 --> 00:19:20,879 Speaker 1: a way it was me finally saying goodbye to my 346 00:19:21,000 --> 00:19:25,800 Speaker 1: adolescence because I was nineteen, about to be twenty, no 347 00:19:25,880 --> 00:19:29,720 Speaker 1: longer going to be a teenager, and not that my 348 00:19:29,960 --> 00:19:33,040 Speaker 1: entire life was behind me by any means, but it 349 00:19:33,119 --> 00:19:35,560 Speaker 1: was all the things that I loved as a kid 350 00:19:35,600 --> 00:19:38,000 Speaker 1: and still continued on as a teenager, being the nerd 351 00:19:38,040 --> 00:19:40,760 Speaker 1: that I am. I was kind of saying goodbye to 352 00:19:40,840 --> 00:19:42,800 Speaker 1: that in a way and thinking I had to grow 353 00:19:42,880 --> 00:19:45,159 Speaker 1: up a little bit more, even though I was an 354 00:19:45,240 --> 00:19:49,760 Speaker 1: adult already. It was like saying goodbye to a specific 355 00:19:49,880 --> 00:19:52,679 Speaker 1: part of my life, and that is what I felt 356 00:19:52,680 --> 00:19:55,880 Speaker 1: in that moment, maybe a little bit more than most 357 00:19:55,880 --> 00:19:57,840 Speaker 1: people felt. It was just sad to see some toys 358 00:19:57,840 --> 00:20:00,760 Speaker 1: about to die, but That is a core movie memory 359 00:20:00,760 --> 00:20:26,440 Speaker 1: moment for me. Just them holding hands, going into the fire, 360 00:20:26,520 --> 00:20:28,560 Speaker 1: and then of course they get saved last minute, so 361 00:20:29,080 --> 00:20:31,280 Speaker 1: it all lands good. And then lots of gets what's 362 00:20:31,320 --> 00:20:34,080 Speaker 1: been coming to him this entire time. But that is 363 00:20:34,119 --> 00:20:36,600 Speaker 1: a moment I will never forget. And I wish they 364 00:20:36,640 --> 00:20:39,440 Speaker 1: would have ended Toy Story after three. It came out 365 00:20:39,440 --> 00:20:41,520 Speaker 1: with four and it kind of left a bad taste 366 00:20:41,520 --> 00:20:44,480 Speaker 1: in my mouth. But now they're gonna make five, probably six, seven, 367 00:20:44,680 --> 00:20:47,040 Speaker 1: until you know, they come up with a better idea 368 00:20:47,119 --> 00:20:50,240 Speaker 1: to rehash movies. Eventually we're gonna get a live action 369 00:20:50,680 --> 00:20:53,080 Speaker 1: Toy Story movie that's just gonna happen. It's gonna come 370 00:20:53,080 --> 00:20:55,280 Speaker 1: out straight to Disney Plus, and it's gonna be terrible, 371 00:20:55,320 --> 00:20:58,080 Speaker 1: and I'm gonna be even more sad. But this is 372 00:20:58,080 --> 00:21:00,840 Speaker 1: a moment they can't take away from me. That is 373 00:21:00,920 --> 00:21:01,879 Speaker 1: core movie. 374 00:21:01,680 --> 00:21:02,919 Speaker 2: Memory number seven. 375 00:21:04,160 --> 00:21:07,720 Speaker 1: At number eight, let's skip ahead almost an entire decade. 376 00:21:08,160 --> 00:21:10,840 Speaker 1: What happened between twenty ten and twenty nineteen that I've 377 00:21:10,880 --> 00:21:14,879 Speaker 1: either suppressed or just wasn't that impressed by. But in 378 00:21:14,920 --> 00:21:19,240 Speaker 1: twenty nineteen, it's when all the Avengers assemble an endgame. 379 00:21:19,800 --> 00:21:22,960 Speaker 1: This moment is special for so many reasons because it 380 00:21:23,080 --> 00:21:26,919 Speaker 1: was a culmination of everything that happened in the MCU, 381 00:21:27,040 --> 00:21:32,000 Speaker 1: and really every single movie leading up to this was 382 00:21:32,080 --> 00:21:33,200 Speaker 1: defined by. 383 00:21:33,000 --> 00:21:36,400 Speaker 2: This moment, an endgame. This memory is. 384 00:21:36,440 --> 00:21:40,160 Speaker 1: So special and important to me because it can never 385 00:21:40,320 --> 00:21:41,040 Speaker 1: happen again. 386 00:21:41,320 --> 00:21:42,360 Speaker 2: And there were different. 387 00:21:42,040 --> 00:21:45,720 Speaker 1: Moments throughout the Avengers movies where Captain America wanted to 388 00:21:45,760 --> 00:21:49,959 Speaker 1: say Avengers assemble, but he never said it because it 389 00:21:50,040 --> 00:21:52,920 Speaker 1: really only needed to be said once when it was 390 00:21:52,960 --> 00:21:55,639 Speaker 1: super important and super special. And there was just so 391 00:21:55,760 --> 00:21:59,000 Speaker 1: much emotion leading up to this moment, especially with the 392 00:21:59,040 --> 00:22:03,400 Speaker 1: way that in Infinity War ended that this was so gratifying, 393 00:22:04,080 --> 00:22:07,720 Speaker 1: and I just remember getting this feeling of oh man, 394 00:22:07,880 --> 00:22:10,399 Speaker 1: they are there to save the day. And in any 395 00:22:10,480 --> 00:22:13,480 Speaker 1: superhero movie when I go into it, I want to 396 00:22:13,520 --> 00:22:17,600 Speaker 1: experience that yeah moment, that moment where you get so 397 00:22:17,760 --> 00:22:22,040 Speaker 1: excited because the hero finally has what it takes to take. 398 00:22:21,840 --> 00:22:22,560 Speaker 2: On the villain. 399 00:22:22,640 --> 00:22:25,879 Speaker 1: And that was that moment times a thousand, because you 400 00:22:25,960 --> 00:22:31,080 Speaker 1: had every single superhero on screen fighting against Stanos and 401 00:22:31,200 --> 00:22:34,480 Speaker 1: just that moment of them all coming out one by one, 402 00:22:34,600 --> 00:22:38,840 Speaker 1: group by group, and standing behind Captain America to take 403 00:22:38,880 --> 00:22:39,600 Speaker 1: on Thanos. 404 00:22:40,000 --> 00:22:43,600 Speaker 3: Captain Damn you hear me on your left. 405 00:23:04,720 --> 00:23:17,520 Speaker 1: Avengers assemble, but I have the Avengers assembling an endgame 406 00:23:17,640 --> 00:23:21,800 Speaker 1: at Core movie Memory number eight at number nine, we'll 407 00:23:21,880 --> 00:23:24,160 Speaker 1: keep it in the superhero family. Really throughout the rest 408 00:23:24,200 --> 00:23:28,040 Speaker 1: of this list, I have From No Way Home Andrew 409 00:23:28,040 --> 00:23:33,440 Speaker 1: Garfield and Toby Maguire returning as Spider Man, and it's 410 00:23:33,520 --> 00:23:36,639 Speaker 1: really the moment when you first see Andrew Garfield. And 411 00:23:36,720 --> 00:23:40,600 Speaker 1: I remember going into this movie being convinced that Andrew 412 00:23:40,640 --> 00:23:42,800 Speaker 1: and Toby were not going to be in this I 413 00:23:42,960 --> 00:23:45,639 Speaker 1: really wanted them to. Spider Man is my favorite superhero 414 00:23:45,760 --> 00:23:48,920 Speaker 1: of all time, whether it be Toby Maguire or whether 415 00:23:48,960 --> 00:23:53,119 Speaker 1: it be Andrew Garfield or Tom Holland. And I even 416 00:23:53,160 --> 00:23:56,680 Speaker 1: did an episode before that movie came out saying there's 417 00:23:56,760 --> 00:23:58,879 Speaker 1: no way they're going to be in it. And really 418 00:23:58,920 --> 00:24:01,960 Speaker 1: what that was, I'll reveal this now. It was me 419 00:24:02,160 --> 00:24:06,159 Speaker 1: trying to not set myself up for disappointment, because in 420 00:24:06,200 --> 00:24:08,400 Speaker 1: my heart, I really believe that they would be in it. 421 00:24:09,080 --> 00:24:12,280 Speaker 1: But I didn't want to set myself up to be disappointed, 422 00:24:12,600 --> 00:24:15,520 Speaker 1: mainly because I just thought they were done with the character. 423 00:24:16,200 --> 00:24:19,000 Speaker 1: So this was a moment that I never thought would 424 00:24:19,040 --> 00:24:23,000 Speaker 1: be possible because of all the issues that come with 425 00:24:23,600 --> 00:24:27,280 Speaker 1: Spider Man being a Sony property and Disney having to 426 00:24:27,280 --> 00:24:30,240 Speaker 1: pay so much to work out a deal for Spider 427 00:24:30,280 --> 00:24:31,280 Speaker 1: Man to appear. 428 00:24:30,960 --> 00:24:31,680 Speaker 2: In the MCU. 429 00:24:32,359 --> 00:24:35,760 Speaker 1: I thought, we're lucky enough to have Tom Holland as 430 00:24:35,760 --> 00:24:38,960 Speaker 1: an Avenger, but to be able to get Toby McGuire 431 00:24:39,240 --> 00:24:42,600 Speaker 1: and Andrew Garfield back in this movie and have them 432 00:24:42,640 --> 00:24:46,120 Speaker 1: all be together, I thought it would be a logistic nightmare. 433 00:24:46,640 --> 00:24:49,040 Speaker 1: So the reason this is a core movie memory moment 434 00:24:49,080 --> 00:24:51,480 Speaker 1: for me is one that I never thought was going 435 00:24:51,520 --> 00:24:54,680 Speaker 1: to happen. Being as big of a Spider Man fan 436 00:24:54,720 --> 00:24:58,919 Speaker 1: as I am, my mouth was grinning from ear to 437 00:24:59,000 --> 00:25:01,560 Speaker 1: ear when this moment had happened, and I was so 438 00:25:01,720 --> 00:25:02,560 Speaker 1: excited from. 439 00:25:02,520 --> 00:25:04,040 Speaker 2: This to the end of the movie. 440 00:25:04,680 --> 00:25:07,960 Speaker 1: But it was really that first moment where I realized 441 00:25:08,240 --> 00:25:11,080 Speaker 1: that it was Andrew Garfield Spider Man. I could tell 442 00:25:11,240 --> 00:25:14,280 Speaker 1: just by the suit, because, like I said in another episode, 443 00:25:14,800 --> 00:25:18,840 Speaker 1: he has the best superhero suit of all time, it 444 00:25:18,920 --> 00:25:20,600 Speaker 1: is the best Spider Man suit. 445 00:25:20,960 --> 00:25:22,399 Speaker 2: And it was that moment. 446 00:25:22,280 --> 00:25:25,040 Speaker 1: Where I saw his Spider suit that I thought my 447 00:25:25,320 --> 00:25:28,600 Speaker 1: entire life now has purpose, and it was meant to 448 00:25:28,720 --> 00:25:31,200 Speaker 1: watch this film right here, right now. 449 00:25:31,480 --> 00:25:33,040 Speaker 2: I just wish we could see Peter. 450 00:25:35,480 --> 00:25:35,639 Speaker 5: Was that. 451 00:25:37,119 --> 00:25:38,280 Speaker 6: Yeah, yeah, yeah, it has. 452 00:25:38,200 --> 00:25:38,760 Speaker 1: To be Peter. 453 00:25:39,240 --> 00:25:40,720 Speaker 4: Hey, I Peter here? 454 00:25:41,080 --> 00:25:47,240 Speaker 1: Yeah? 455 00:25:47,280 --> 00:25:51,120 Speaker 2: Oh hi hi? 456 00:25:51,800 --> 00:25:53,280 Speaker 6: No no no, no, no, no, it's okay. 457 00:25:53,119 --> 00:25:53,480 Speaker 2: It's okay. 458 00:25:53,600 --> 00:25:56,320 Speaker 1: It's funny listening back to it now realizing that they 459 00:25:56,440 --> 00:26:00,600 Speaker 1: left some pauses in there for audience reaction. Really nothing 460 00:26:00,640 --> 00:26:03,000 Speaker 1: happens there in the first few seconds because they knew 461 00:26:03,040 --> 00:26:05,080 Speaker 1: how big of a pop it was going to get 462 00:26:05,119 --> 00:26:08,720 Speaker 1: to see Andrew Garfield. That is core movie memory moment 463 00:26:08,920 --> 00:26:13,639 Speaker 1: number nine, and we finally made it to number ten. Yes, 464 00:26:13,720 --> 00:26:17,720 Speaker 1: it is another superhero movie memory moment, and it is 465 00:26:17,760 --> 00:26:21,000 Speaker 1: the chase scene from The Batman from twenty twenty two, 466 00:26:21,359 --> 00:26:24,880 Speaker 1: and the memory comes from the chase scene between the 467 00:26:24,920 --> 00:26:29,560 Speaker 1: Penguin and Robert Pattinson's Batman. And even though this scene, 468 00:26:29,600 --> 00:26:32,840 Speaker 1: in this moment was in the trailer, the way it 469 00:26:33,000 --> 00:26:36,960 Speaker 1: hit in the movie is a moment that I remember 470 00:26:37,040 --> 00:26:40,480 Speaker 1: feeling this is something special. I had so much excitement 471 00:26:40,560 --> 00:26:44,240 Speaker 1: in my heart, in my bones, in my every single 472 00:26:44,359 --> 00:26:48,960 Speaker 1: nerd atom in my body that I thought, this is 473 00:26:49,000 --> 00:26:52,560 Speaker 1: something special. And it reminded me in twenty twenty two 474 00:26:52,640 --> 00:26:56,679 Speaker 1: that you can still make a great superhero movie where 475 00:26:57,080 --> 00:27:02,520 Speaker 1: I feel like post twenty Nineteens Endgame. Going into twenty 476 00:27:02,560 --> 00:27:05,880 Speaker 1: twenty twenty twenty one, we started to think that there 477 00:27:05,960 --> 00:27:09,320 Speaker 1: was this superhero fatigue happening and they were all just 478 00:27:09,359 --> 00:27:10,440 Speaker 1: the same movies. 479 00:27:10,119 --> 00:27:12,159 Speaker 4: Being made over and over again. 480 00:27:12,240 --> 00:27:15,240 Speaker 1: But then what Matt Reeves did with The Batman of 481 00:27:15,280 --> 00:27:18,520 Speaker 1: creating this whole new chilling tone that in no way 482 00:27:18,640 --> 00:27:21,440 Speaker 1: was copying The Dark Night and no way was really 483 00:27:21,480 --> 00:27:24,160 Speaker 1: replicating anything that had been done in a superhero movie, 484 00:27:24,600 --> 00:27:28,440 Speaker 1: and instead make this really great psychological thriller was Batman 485 00:27:28,520 --> 00:27:32,719 Speaker 1: as a detective and him doing anything in his power 486 00:27:32,920 --> 00:27:35,879 Speaker 1: to take down the bad people and Gotham. And it 487 00:27:35,960 --> 00:27:38,720 Speaker 1: was this moment that really proved that and showed that 488 00:27:38,840 --> 00:27:43,240 Speaker 1: vision of Batman chasing down the penguin, and I even 489 00:27:43,280 --> 00:27:46,199 Speaker 1: forget that Colin Farrell played the penguin because he is 490 00:27:46,240 --> 00:27:50,639 Speaker 1: so unrecognizable just physically but also his voice. Hearing it 491 00:27:50,680 --> 00:27:53,560 Speaker 1: in this clip here, and that was just the best 492 00:27:53,560 --> 00:27:56,159 Speaker 1: scene out of the entire movie, and what made it 493 00:27:56,200 --> 00:27:56,520 Speaker 1: for me. 494 00:27:57,960 --> 00:28:06,560 Speaker 3: Wo O gotchasycho got So. 495 00:28:18,840 --> 00:28:23,640 Speaker 1: It's him celebrating thinking he is outsmarted Batman beat him 496 00:28:23,640 --> 00:28:27,680 Speaker 1: in a chase, losing him in the explosion, but then 497 00:28:27,720 --> 00:28:32,920 Speaker 1: through the flames you see the batmo'piele running through, rushing 498 00:28:32,960 --> 00:28:36,560 Speaker 1: towards the penguin and then knocking him off the bridge 499 00:28:36,640 --> 00:28:42,200 Speaker 1: and just completely deflating the penguin and winning. That is 500 00:28:42,240 --> 00:28:46,920 Speaker 1: something so special, and my brain felt like it got 501 00:28:46,920 --> 00:28:49,000 Speaker 1: to wrinkle after that, like I was like I just 502 00:28:49,080 --> 00:28:51,840 Speaker 1: experienced something so special. I remember even sitting in the 503 00:28:51,840 --> 00:28:54,160 Speaker 1: theater and turning over to Kelsey and saying. 504 00:28:54,400 --> 00:28:56,080 Speaker 2: This movie is amazing. 505 00:28:56,720 --> 00:29:01,360 Speaker 1: That is core movie memory number ten. So that has 506 00:29:01,400 --> 00:29:03,280 Speaker 1: been my top ten core. 507 00:29:03,200 --> 00:29:04,440 Speaker 2: Movie memory moments. 508 00:29:04,480 --> 00:29:06,200 Speaker 1: If you want to share one with me, you can 509 00:29:06,280 --> 00:29:09,600 Speaker 1: hit me up on email, Moviemike d at gmail dot com, 510 00:29:10,040 --> 00:29:14,880 Speaker 1: tweet me, thread me, TikTok me, instagram me at Mike 511 00:29:14,960 --> 00:29:18,520 Speaker 1: distro on all socials will come back and talk about Bottoms, 512 00:29:18,760 --> 00:29:20,880 Speaker 1: and then in the trailer park we'll talk about a 513 00:29:20,920 --> 00:29:23,640 Speaker 1: new horror movie called Thanksgiving. And we still got to 514 00:29:23,680 --> 00:29:26,040 Speaker 1: get to white rotten Tomatoes cannot be trusted. 515 00:29:30,840 --> 00:29:31,760 Speaker 2: Let's get into it now. 516 00:29:31,880 --> 00:29:33,760 Speaker 4: A spoiler free movie review. 517 00:29:33,880 --> 00:29:34,640 Speaker 2: The movie is. 518 00:29:34,560 --> 00:29:38,760 Speaker 1: Called Bottoms, and it is hands down the best comedy 519 00:29:38,840 --> 00:29:41,400 Speaker 1: of the year. I'm gonna just say it now. It 520 00:29:41,440 --> 00:29:44,200 Speaker 1: is the best comedy in the last five years. And 521 00:29:44,280 --> 00:29:47,320 Speaker 1: in a landscape of cinema where everybody keeps saying they 522 00:29:47,360 --> 00:29:51,160 Speaker 1: don't make great comedies anymore. All the great comedies were 523 00:29:51,160 --> 00:29:53,720 Speaker 1: in the nineties and the two thousands. Well, now there 524 00:29:53,800 --> 00:29:56,080 Speaker 1: is one here, So you have no excuse if you 525 00:29:56,080 --> 00:29:58,760 Speaker 1: don't go watch this movie to say that they aren't 526 00:29:58,800 --> 00:30:02,040 Speaker 1: making great comedies anymore. What this movie is about. It's 527 00:30:02,040 --> 00:30:04,640 Speaker 1: about these two girls who are outcast and losers in 528 00:30:04,720 --> 00:30:07,600 Speaker 1: high school. I say that as a loser outcast from 529 00:30:07,640 --> 00:30:10,680 Speaker 1: high school myself, and they're trying to meet other girls 530 00:30:10,680 --> 00:30:11,480 Speaker 1: to hook up with them. 531 00:30:11,800 --> 00:30:12,480 Speaker 2: What do they do. 532 00:30:12,720 --> 00:30:14,920 Speaker 1: They start a fight club, and that is essentially the 533 00:30:14,920 --> 00:30:19,080 Speaker 1: premise of the entire movie. So the great thing about 534 00:30:19,080 --> 00:30:21,560 Speaker 1: this movie is it feels familiar in a way because 535 00:30:21,600 --> 00:30:25,840 Speaker 1: it's about twenty five percent Fight Club, twenty five percent 536 00:30:25,920 --> 00:30:29,640 Speaker 1: American Pie, twenty five percent Super Bad, and then twenty 537 00:30:29,640 --> 00:30:33,000 Speaker 1: five percent Mean Girls. So you roll all those movies 538 00:30:33,040 --> 00:30:37,000 Speaker 1: into one and it just has that familiar feeling. But 539 00:30:37,760 --> 00:30:40,480 Speaker 1: it doesn't really rip off those movies because this movie 540 00:30:40,600 --> 00:30:44,479 Speaker 1: has its own unique voice and its own unique style. 541 00:30:44,960 --> 00:30:47,840 Speaker 1: I just completely was sold into watching this movie from 542 00:30:47,880 --> 00:30:51,000 Speaker 1: the very beginning, and I'll give you my theater experience 543 00:30:51,040 --> 00:30:52,840 Speaker 1: going to watch Bottoms because I went to see it 544 00:30:52,880 --> 00:30:55,880 Speaker 1: at the Bell Court, which is a local independent theater 545 00:30:56,040 --> 00:30:59,880 Speaker 1: in Nashville. And that is one obstacle going into this 546 00:31:00,080 --> 00:31:03,600 Speaker 1: movie that it's not in as many screens across the 547 00:31:03,760 --> 00:31:06,480 Speaker 1: entire country, so you may have to go to one 548 00:31:06,520 --> 00:31:08,840 Speaker 1: that you're not familiar with because it just doesn't have 549 00:31:08,920 --> 00:31:11,200 Speaker 1: the budget to get on as many screens as a 550 00:31:11,240 --> 00:31:13,640 Speaker 1: comedy may have had back in the two thousands or 551 00:31:13,640 --> 00:31:15,000 Speaker 1: even early twenty tens. 552 00:31:15,280 --> 00:31:17,520 Speaker 2: So finding this movie may be an obstacle. 553 00:31:17,680 --> 00:31:20,200 Speaker 1: But I think going to see it in a smaller 554 00:31:20,320 --> 00:31:24,280 Speaker 1: theater added to the experience because it was almost sold 555 00:31:24,280 --> 00:31:27,040 Speaker 1: out for the most part, and I feel like everybody 556 00:31:27,080 --> 00:31:29,520 Speaker 1: in that theater wanted to laugh and wanted to have 557 00:31:29,600 --> 00:31:32,360 Speaker 1: a good time. And I will say this movie has 558 00:31:32,520 --> 00:31:35,400 Speaker 1: a different comedic approach than all those movies I mentioned 559 00:31:35,440 --> 00:31:39,720 Speaker 1: before that it resembles because it is so over the top. 560 00:31:40,320 --> 00:31:43,400 Speaker 1: It is so much of a hyperbole of what high 561 00:31:43,440 --> 00:31:45,840 Speaker 1: school is like and what these girls are going through, 562 00:31:46,000 --> 00:31:48,400 Speaker 1: but it's so self aware because it's doing that on purpose. 563 00:31:48,560 --> 00:31:51,320 Speaker 1: All the really outlandish things are taking up to ten. 564 00:31:51,920 --> 00:31:55,720 Speaker 1: So if you like very just cut and dry comedy 565 00:31:55,840 --> 00:32:00,200 Speaker 1: and want everything to be believable, and not outlandish, not 566 00:32:00,280 --> 00:32:02,440 Speaker 1: be the comedy for you. If you want to see 567 00:32:02,480 --> 00:32:05,600 Speaker 1: Barbie and enjoyed that and got that comedic aspect from it, 568 00:32:05,680 --> 00:32:08,960 Speaker 1: and that was to your taste, you're gonna love Bottoms. 569 00:32:09,320 --> 00:32:12,280 Speaker 1: Although it is a lot more raunchier being rated are 570 00:32:12,920 --> 00:32:15,040 Speaker 1: I can't even tell you exactly what the title is 571 00:32:15,080 --> 00:32:17,360 Speaker 1: without getting into more of the raunchy details. But what 572 00:32:17,400 --> 00:32:20,000 Speaker 1: I loved about this movie is it owned that aspect. 573 00:32:20,160 --> 00:32:23,520 Speaker 1: It owned the raunchiness, It owned the violets. And what 574 00:32:23,560 --> 00:32:26,120 Speaker 1: the girls in this movie are trying to do is 575 00:32:26,200 --> 00:32:29,200 Speaker 1: give other female students the power back to be able 576 00:32:29,240 --> 00:32:33,000 Speaker 1: to defend themselves from guys, and this group just becomes 577 00:32:33,160 --> 00:32:36,280 Speaker 1: a safe place for them. Still funny because they are 578 00:32:36,320 --> 00:32:38,280 Speaker 1: actually going and having this fight club. 579 00:32:38,720 --> 00:32:39,960 Speaker 2: While they try to teach. 580 00:32:39,760 --> 00:32:42,920 Speaker 1: Them fight moves, they essentially get into these bloody fights themselves. 581 00:32:43,360 --> 00:32:46,280 Speaker 1: So it's very outlandish and very over the top. And 582 00:32:46,320 --> 00:32:49,440 Speaker 1: their mortal enemies in this movie are the jocks, the 583 00:32:49,520 --> 00:32:52,920 Speaker 1: high school football team in particular, who are the villains, 584 00:32:53,400 --> 00:32:57,640 Speaker 1: and they are very much a hyperactive version of what 585 00:32:57,840 --> 00:33:01,400 Speaker 1: somebody who is really popular and has the entire school's 586 00:33:01,480 --> 00:33:05,440 Speaker 1: attention is like. And it's these two girls really trying 587 00:33:05,480 --> 00:33:08,560 Speaker 1: to find their identity and trying to find friends, but 588 00:33:08,680 --> 00:33:10,680 Speaker 1: really at the end of the day hook up with 589 00:33:10,720 --> 00:33:13,320 Speaker 1: the hot girls in school. The other element that I 590 00:33:13,360 --> 00:33:16,680 Speaker 1: really enjoyed about this movie is it stars Marshawn Lynch, 591 00:33:17,160 --> 00:33:20,080 Speaker 1: who was a former NFL player played with the Seahawks, 592 00:33:20,160 --> 00:33:23,440 Speaker 1: and he is a funny person, but by no means 593 00:33:23,520 --> 00:33:24,600 Speaker 1: is he a great actor. 594 00:33:24,920 --> 00:33:26,520 Speaker 2: But every single. 595 00:33:26,200 --> 00:33:30,280 Speaker 1: Time Marshawn Lynch was on screen, my entire theater was 596 00:33:30,400 --> 00:33:34,479 Speaker 1: laughing because his character is a teacher who is so 597 00:33:34,720 --> 00:33:38,320 Speaker 1: over the top as well and just has these really quick, pointiant, 598 00:33:38,320 --> 00:33:41,400 Speaker 1: funny lines throughout this entire movie that it just made 599 00:33:41,480 --> 00:33:43,640 Speaker 1: me fall in love with this character, even though I'm 600 00:33:43,680 --> 00:33:46,360 Speaker 1: never going to look at Marshawn Lynch and think, ah, 601 00:33:46,400 --> 00:33:50,920 Speaker 1: he is such a great actor. Sometimes bad actors all 602 00:33:51,000 --> 00:33:53,120 Speaker 1: they need is a great script. 603 00:33:52,880 --> 00:33:55,880 Speaker 4: And to have a good time while they are acting. 604 00:33:56,600 --> 00:33:57,480 Speaker 4: I could go into. 605 00:33:57,280 --> 00:33:59,920 Speaker 1: Another comedy with bad actors and think, oh, this entire 606 00:34:00,120 --> 00:34:02,200 Speaker 1: thing is terrible because I don't really buy into their 607 00:34:02,240 --> 00:34:04,800 Speaker 1: performance and it doesn't really match the entire tone of 608 00:34:04,840 --> 00:34:08,160 Speaker 1: the movie. But Marshawn Lynch was perfectly cast in this 609 00:34:08,239 --> 00:34:11,000 Speaker 1: movie and was like the cherry on top with all 610 00:34:11,040 --> 00:34:13,920 Speaker 1: of the comedic elements throughout the entire Bottoms film. 611 00:34:14,080 --> 00:34:15,160 Speaker 2: The other great thing about. 612 00:34:14,920 --> 00:34:17,080 Speaker 1: This movie that reminded me of movies from the nineties 613 00:34:17,120 --> 00:34:20,080 Speaker 1: and the two thousands was the great soundtrack, which we 614 00:34:20,120 --> 00:34:23,359 Speaker 1: don't really have anymore, and throughout this entire movie, it's 615 00:34:23,400 --> 00:34:27,279 Speaker 1: actually two artists essentially doing just about every song in 616 00:34:27,280 --> 00:34:30,279 Speaker 1: this movie, Charlie XCX being one of those artists, and 617 00:34:30,320 --> 00:34:33,200 Speaker 1: it gives this movie a sound identity that I fell 618 00:34:33,200 --> 00:34:36,160 Speaker 1: in love with because even though I wasn't familiar with 619 00:34:36,200 --> 00:34:38,520 Speaker 1: any of the songs, I love the sound of them, 620 00:34:38,880 --> 00:34:41,439 Speaker 1: and a lot of these songs were written specifically for 621 00:34:41,520 --> 00:34:44,640 Speaker 1: this movie, and the music just complimented all the scenes 622 00:34:44,760 --> 00:34:48,400 Speaker 1: so well. It was like this dark synthpop that just 623 00:34:48,520 --> 00:34:51,120 Speaker 1: played at very key moments. So it had the sound 624 00:34:51,160 --> 00:34:53,680 Speaker 1: identity that I just loved on another level so much 625 00:34:53,680 --> 00:34:56,680 Speaker 1: showed that I actually sought out listening to the soundtrack 626 00:34:56,800 --> 00:34:59,640 Speaker 1: after going to see this movie because it was so influential. 627 00:34:59,719 --> 00:35:01,640 Speaker 1: Which they could have just went to Billboard and got 628 00:35:01,640 --> 00:35:03,319 Speaker 1: all the top ten songs and threw them in this 629 00:35:03,400 --> 00:35:05,799 Speaker 1: movie would have done a fine job, but I love 630 00:35:05,880 --> 00:35:08,960 Speaker 1: that extra level it went to really make it feel 631 00:35:09,040 --> 00:35:11,560 Speaker 1: unique to this movie and almost made it feel timeless 632 00:35:11,560 --> 00:35:13,719 Speaker 1: in a way because they don't really say specifically when 633 00:35:13,760 --> 00:35:16,040 Speaker 1: this movie takes place. They are a little close throughout 634 00:35:16,080 --> 00:35:18,680 Speaker 1: the entire movie, but at one point one of the 635 00:35:18,719 --> 00:35:21,719 Speaker 1: football players is talking on the razor phone, so it 636 00:35:21,800 --> 00:35:24,799 Speaker 1: has that almost two thousands field to it anyway, but 637 00:35:24,920 --> 00:35:27,560 Speaker 1: the soundtrack makes it feel like could have been taking 638 00:35:27,600 --> 00:35:32,000 Speaker 1: place right now. But out of everything, this movie inspired 639 00:35:32,040 --> 00:35:35,160 Speaker 1: me to know that you can still make a great 640 00:35:35,280 --> 00:35:36,160 Speaker 1: comedy like this. 641 00:35:36,320 --> 00:35:37,440 Speaker 2: That all you need is a. 642 00:35:37,400 --> 00:35:41,319 Speaker 1: Great director who has a very promising career. Now you 643 00:35:41,400 --> 00:35:45,760 Speaker 1: need a great script, a great cast, and a great soundtrack, and. 644 00:35:45,680 --> 00:35:48,120 Speaker 4: You don't really need to look at all the. 645 00:35:48,000 --> 00:35:51,120 Speaker 1: Things that are the reasons that people say great comedies 646 00:35:51,120 --> 00:35:54,360 Speaker 1: can't be made anymore. You're gonna risk getting canceled, or 647 00:35:54,400 --> 00:35:56,640 Speaker 1: you're gonna risk maybe in five years people looking back 648 00:35:56,640 --> 00:35:58,520 Speaker 1: and thinking, oh, how could you make that joke? 649 00:35:59,040 --> 00:36:00,440 Speaker 2: This is proof that we need to. 650 00:36:00,480 --> 00:36:03,600 Speaker 1: Invest more in comedies and not try to make the 651 00:36:03,640 --> 00:36:07,040 Speaker 1: same thing over and over again. And you can still 652 00:36:07,080 --> 00:36:09,879 Speaker 1: be influenced by those great comedies that have shaped us, 653 00:36:10,480 --> 00:36:12,600 Speaker 1: but just give it your own spin and give it 654 00:36:12,640 --> 00:36:15,560 Speaker 1: your own voice, and you can make something totally unique. 655 00:36:15,640 --> 00:36:17,320 Speaker 1: I still think about this movie a week and a 656 00:36:17,360 --> 00:36:20,040 Speaker 1: half after watching it, And if you are looking to 657 00:36:20,400 --> 00:36:24,040 Speaker 1: have something that feels familiar but also feel refreshing when 658 00:36:24,080 --> 00:36:27,040 Speaker 1: it comes to comedies, I highly encourage you to check 659 00:36:27,080 --> 00:36:27,319 Speaker 1: it out. 660 00:36:27,400 --> 00:36:29,040 Speaker 4: Hopefully it's playing somewhere near you. 661 00:36:29,360 --> 00:36:31,720 Speaker 1: But also you have to be into raunchy comedies because 662 00:36:31,719 --> 00:36:34,120 Speaker 1: that's a big part of it too. So for Bottoms, 663 00:36:34,160 --> 00:36:37,640 Speaker 1: I give it four point five out of five Bloody Noses. 664 00:36:41,040 --> 00:36:43,600 Speaker 3: It's time to head down to movie mikes. 665 00:36:43,840 --> 00:36:48,160 Speaker 2: Traylor Paul. There is a lack of Thanksgiving movies. 666 00:36:48,600 --> 00:36:52,560 Speaker 1: The best one that comes to mind planes, trains and automobiles. 667 00:36:53,239 --> 00:36:55,320 Speaker 2: But really there isn't a demand. 668 00:36:55,000 --> 00:36:59,560 Speaker 1: For Thanksgiving movies because we want our Halloween scary movies 669 00:36:59,600 --> 00:37:02,640 Speaker 1: and our and when we get to November, we're really 670 00:37:02,680 --> 00:37:05,080 Speaker 1: just starting to think about December. So when is there 671 00:37:05,080 --> 00:37:08,600 Speaker 1: gonna be a Thanksgiving movie viewing time? There isn't one. 672 00:37:09,239 --> 00:37:11,279 Speaker 1: Maybe there's gonna be one now because there was a 673 00:37:11,280 --> 00:37:14,880 Speaker 1: new movie coming out called Thanksgiving from director Eli Ross, 674 00:37:14,880 --> 00:37:18,400 Speaker 1: who has directed horror movies like Hostile and Cabin Fever. 675 00:37:18,880 --> 00:37:22,680 Speaker 1: He was also the Bear Jew in Quentin Tarantino's and 676 00:37:22,800 --> 00:37:27,760 Speaker 1: Glorious Bastards and the thing about Thanksgiving, it was actually 677 00:37:27,800 --> 00:37:30,759 Speaker 1: a fake trailer before it was ever a movie. Back 678 00:37:30,800 --> 00:37:33,520 Speaker 1: in two thousand and seven, Robert Rodriguez and Quentin Tarantino 679 00:37:33,600 --> 00:37:36,040 Speaker 1: came out with a double feature called Grindhouse, which was 680 00:37:36,080 --> 00:37:39,480 Speaker 1: made up of two movies called Planet Terror and Death Proof, 681 00:37:40,239 --> 00:37:44,440 Speaker 1: and Thanksgiving was actually a fake trailer during that double feature. 682 00:37:44,520 --> 00:37:47,480 Speaker 1: So throughout that movie, in between they would have these 683 00:37:47,480 --> 00:37:50,040 Speaker 1: fake trailers of horror movies that never saw the light 684 00:37:50,080 --> 00:37:53,600 Speaker 1: of day until now, because that fake trailer is now 685 00:37:53,680 --> 00:37:57,200 Speaker 1: a real movie that takes place after a Black Friday 686 00:37:57,280 --> 00:38:00,839 Speaker 1: tragedy that spurs a serial kill. So before I get 687 00:38:00,880 --> 00:38:03,000 Speaker 1: into more about this movie, here is just a little 688 00:38:03,040 --> 00:38:04,720 Speaker 1: bit of the Thanksgiving trailer. 689 00:38:04,840 --> 00:38:10,400 Speaker 7: Thanksgiving is a time for appreciation. It's a time to 690 00:38:10,520 --> 00:38:17,360 Speaker 7: remember our many blessings, to celebrate with the ones that 691 00:38:17,400 --> 00:38:22,920 Speaker 7: we love the most, and it's time for all families 692 00:38:23,080 --> 00:38:23,800 Speaker 7: to be together. 693 00:38:24,640 --> 00:38:28,120 Speaker 1: So the movie is about a serial killer that terrorizes 694 00:38:28,160 --> 00:38:32,799 Speaker 1: the town of Plymouth, Massachusetts, which is the birthplace of Thanksgiving, 695 00:38:33,120 --> 00:38:36,319 Speaker 1: and the trailer is filled with a lot of Thanksgiving 696 00:38:36,400 --> 00:38:41,040 Speaker 1: themed slasher killing moments. So it all goes back to 697 00:38:41,080 --> 00:38:43,239 Speaker 1: that original fake trailer from Grindhouse. 698 00:38:43,280 --> 00:38:46,320 Speaker 2: Here is a little bit of that trailer this holiday. 699 00:38:45,880 --> 00:38:49,200 Speaker 6: Season, prepared the top. The stuff will scared out of 700 00:38:49,239 --> 00:38:57,600 Speaker 6: view Thanksgiving. What an uninvited guest has arrived this year, 701 00:38:58,200 --> 00:39:00,680 Speaker 6: there will be no leftovers. 702 00:39:02,800 --> 00:39:06,520 Speaker 1: So I think why that trailer in Grindhouse was so 703 00:39:06,760 --> 00:39:11,080 Speaker 1: memorable was because there were just so many outlandish kill scenes, 704 00:39:11,120 --> 00:39:13,319 Speaker 1: and it looks like they are actually bringing one back 705 00:39:13,360 --> 00:39:16,000 Speaker 1: into this movie. There is a scene from that original 706 00:39:16,040 --> 00:39:19,799 Speaker 1: fake trailer where this woman is jumping on a trampoline 707 00:39:20,320 --> 00:39:22,960 Speaker 1: and then goes down to do a bounce and the 708 00:39:23,040 --> 00:39:26,279 Speaker 1: killer has placed the knife through the trampoline and it 709 00:39:26,400 --> 00:39:28,880 Speaker 1: hits her in a very unfortunate spot. So there are 710 00:39:29,000 --> 00:39:32,080 Speaker 1: very many kill scenes like that in that trailer that 711 00:39:32,200 --> 00:39:34,200 Speaker 1: it looks like they are going to bring out in 712 00:39:34,320 --> 00:39:35,000 Speaker 1: this movie. 713 00:39:35,520 --> 00:39:36,439 Speaker 2: And I kind of. 714 00:39:36,320 --> 00:39:39,160 Speaker 1: Feel like the slasher has been dead for a while, 715 00:39:39,440 --> 00:39:41,680 Speaker 1: so maybe I'm just itching for one. I feel like 716 00:39:41,760 --> 00:39:45,120 Speaker 1: horror movies in general have shifted to a whole other 717 00:39:45,280 --> 00:39:51,360 Speaker 1: different space. We're more focused on the paranormal, suspenseful, psychological horror. 718 00:39:51,360 --> 00:39:54,600 Speaker 1: That is what modern horror is right now, and for 719 00:39:54,640 --> 00:39:56,839 Speaker 1: so long in the eighties and nineties, it was all 720 00:39:56,880 --> 00:39:59,600 Speaker 1: about just great slasher movies, and I think those have 721 00:39:59,680 --> 00:40:02,520 Speaker 1: become more campy over time and feel a little bit 722 00:40:02,560 --> 00:40:05,840 Speaker 1: more nostalgic, but always just a little bit more dated, 723 00:40:06,440 --> 00:40:10,160 Speaker 1: because you don't really get scared by a slasher anymore, 724 00:40:10,560 --> 00:40:12,799 Speaker 1: and you kind of have a similar experience that you 725 00:40:12,880 --> 00:40:15,359 Speaker 1: do going to watch a comedy that you do when 726 00:40:15,400 --> 00:40:17,440 Speaker 1: going to see a slasher, because you're not taking it 727 00:40:17,480 --> 00:40:20,560 Speaker 1: fully serious. Sometimes you just laugh at the deaths because 728 00:40:20,560 --> 00:40:23,440 Speaker 1: they are so over the top and outlandish and sometimes 729 00:40:23,520 --> 00:40:26,400 Speaker 1: just silly. So by the looks of this trailer, it 730 00:40:26,440 --> 00:40:28,400 Speaker 1: looks like that's what this movie is going to be. 731 00:40:28,880 --> 00:40:31,279 Speaker 1: I don't necessarily think it's going to be a straight on, 732 00:40:31,920 --> 00:40:35,040 Speaker 1: really dark take on the holiday, but it's going to 733 00:40:35,080 --> 00:40:38,720 Speaker 1: be seems like pretty campy. Seems like a lot of fun, 734 00:40:39,080 --> 00:40:43,239 Speaker 1: bloody scenes and over the top ridiculous things, So I 735 00:40:43,280 --> 00:40:45,959 Speaker 1: don't really know that that is what I'm looking for 736 00:40:46,040 --> 00:40:49,520 Speaker 1: right now. I do enjoy Eli Roth's work, so I 737 00:40:49,560 --> 00:40:52,560 Speaker 1: think there will be an element to it that has 738 00:40:52,600 --> 00:40:55,840 Speaker 1: something for every horror movie fan, and I do like 739 00:40:55,960 --> 00:40:58,760 Speaker 1: that they are trying to make a Thanksgiving horror movie, 740 00:40:59,320 --> 00:41:02,040 Speaker 1: and if it happens to do really well, that means 741 00:41:02,440 --> 00:41:05,040 Speaker 1: this is a movie that somebody could watch every single 742 00:41:05,120 --> 00:41:08,560 Speaker 1: year around Thanksgiving, which we really don't have a whole 743 00:41:08,560 --> 00:41:10,319 Speaker 1: lot of movies to pick from when it comes to 744 00:41:10,440 --> 00:41:14,200 Speaker 1: great Thanksgiving movies. And I think out of this entire 745 00:41:14,320 --> 00:41:17,440 Speaker 1: movie being put out into the world, I just love 746 00:41:17,520 --> 00:41:21,320 Speaker 1: the idea of fake trailers that were hits online or 747 00:41:21,400 --> 00:41:24,520 Speaker 1: hits as a part of another movie getting the treatment 748 00:41:24,600 --> 00:41:26,799 Speaker 1: of a full feature film. And if there is one 749 00:41:26,880 --> 00:41:30,200 Speaker 1: fake trailer that I could turn into a real movie, 750 00:41:30,280 --> 00:41:33,000 Speaker 1: it was this fan made trailer that came back out 751 00:41:33,040 --> 00:41:37,040 Speaker 1: in the twenty tens, maybe fourteen years ago, whenever they 752 00:41:37,040 --> 00:41:40,520 Speaker 1: were still going to make the Andrew Garfield spider Man, 753 00:41:40,920 --> 00:41:44,160 Speaker 1: and somebody made a trailer saying that it was rumored 754 00:41:44,160 --> 00:41:46,759 Speaker 1: to be that Wes Anderson was going to direct the 755 00:41:46,800 --> 00:41:51,160 Speaker 1: Spider Man reboot, and they gave Spider Man the Wes 756 00:41:51,239 --> 00:41:53,920 Speaker 1: Anderson treatment. Here's a little bit of that trailer. 757 00:41:54,080 --> 00:41:58,080 Speaker 6: I've been bitten by a Spider Man. Does it hurt? No? 758 00:41:58,160 --> 00:42:01,520 Speaker 2: I've am stronger. Actually, so I heard your uncle die. 759 00:42:01,960 --> 00:42:05,160 Speaker 2: That's horrible. You gotta keep your head up high. Though 760 00:42:05,440 --> 00:42:11,880 Speaker 2: you're an amazing photographer. You've seen my photography. I have 761 00:42:12,040 --> 00:42:13,720 Speaker 2: heard great things. 762 00:42:14,200 --> 00:42:18,840 Speaker 4: Remember Pete with great power comes great responsibility. 763 00:42:19,120 --> 00:42:23,520 Speaker 1: I love you, and a lot of it come I know. 764 00:42:25,840 --> 00:42:29,279 Speaker 1: I just think Spider Man getting that quirky coming of 765 00:42:29,360 --> 00:42:32,920 Speaker 1: age story with the stylistic lego Wes Anderson would be 766 00:42:32,960 --> 00:42:36,200 Speaker 1: such a fun time. And who knows, maybe in twenty years, 767 00:42:36,320 --> 00:42:42,239 Speaker 1: when every single superhero has been exhausted, we start remaking 768 00:42:42,320 --> 00:42:43,040 Speaker 1: movies in the. 769 00:42:43,000 --> 00:42:45,840 Speaker 2: Styles of other directors. That is exciting to me. 770 00:42:46,239 --> 00:42:48,960 Speaker 1: For a big movie like Spider Man, or even like 771 00:42:48,960 --> 00:42:51,760 Speaker 1: an Iron Man or Incredible Hulk, to get an indie 772 00:42:52,400 --> 00:42:56,680 Speaker 1: feel to it and like a low budget, straight ahead dramedy, 773 00:42:56,880 --> 00:42:59,960 Speaker 1: I think that would be an amazing thing. So maybe 774 00:43:00,120 --> 00:43:04,160 Speaker 1: Thanksgiving we'll start that trend of fake trailers becoming real 775 00:43:04,239 --> 00:43:08,680 Speaker 1: movies sixteen years later. So again that movie is called Thanksgiving. 776 00:43:08,840 --> 00:43:12,440 Speaker 1: It's coming out right in time for Thanksgiving. On November seventeenth. 777 00:43:13,040 --> 00:43:16,840 Speaker 3: Hed That was this week's edition of Movie Line Tramer 778 00:43:17,000 --> 00:43:17,920 Speaker 3: bar And. 779 00:43:17,840 --> 00:43:20,960 Speaker 1: Normally I wrap up the episode at this point of 780 00:43:21,000 --> 00:43:23,800 Speaker 1: the podcast, but I got to talk about the Rotten 781 00:43:23,800 --> 00:43:27,080 Speaker 1: Tomatoes controversy, and if you don't know my history with 782 00:43:27,200 --> 00:43:31,000 Speaker 1: Rotten Tomatoes, I have been trying to become a certified 783 00:43:31,040 --> 00:43:36,560 Speaker 1: critic four years now and I've been reviewing movies professionally 784 00:43:37,280 --> 00:43:40,480 Speaker 1: since twenty sixteen. I started on The Bobby Bone Show 785 00:43:40,560 --> 00:43:42,840 Speaker 1: and I would do my movie reviews on the air, 786 00:43:43,080 --> 00:43:46,480 Speaker 1: So I've been reviewing movies now for seven years with 787 00:43:46,600 --> 00:43:49,000 Speaker 1: a record to show for it. I started this podcast 788 00:43:49,040 --> 00:43:51,640 Speaker 1: in twenty nineteen, so I've now been doing this for 789 00:43:51,680 --> 00:43:55,360 Speaker 1: almost four years. And I've been trying since I started 790 00:43:55,360 --> 00:43:58,720 Speaker 1: this podcast to become a Rotten Tomatoes critic because. 791 00:43:59,120 --> 00:44:01,160 Speaker 2: They were one of one of the first real. 792 00:44:01,080 --> 00:44:04,319 Speaker 1: Reasons I wanted to get into reviewing movies, and I 793 00:44:04,480 --> 00:44:06,880 Speaker 1: held them to such a great standard and kind of 794 00:44:06,920 --> 00:44:09,640 Speaker 1: looked up to them and looked to what they do 795 00:44:09,800 --> 00:44:13,440 Speaker 1: as guidance for what I do. And over the years 796 00:44:13,440 --> 00:44:16,839 Speaker 1: of me trying to apply to become a critic, I've 797 00:44:16,880 --> 00:44:20,120 Speaker 1: been denied. And it's so hard to become a critic. 798 00:44:20,440 --> 00:44:23,640 Speaker 1: So I've been rejected by them probably three or four 799 00:44:23,680 --> 00:44:26,759 Speaker 1: times now, and every time they told me the same thing, 800 00:44:26,760 --> 00:44:29,879 Speaker 1: that you need a minimum of two years experience and 801 00:44:29,920 --> 00:44:32,800 Speaker 1: that my output does not meet their standards of being 802 00:44:32,880 --> 00:44:37,160 Speaker 1: a legit reviewer, which is bizarre because I've been doing 803 00:44:37,200 --> 00:44:41,520 Speaker 1: this podcast consistently for four years almost and I also 804 00:44:41,600 --> 00:44:44,520 Speaker 1: have references with the Show and all these other places 805 00:44:44,520 --> 00:44:47,040 Speaker 1: that I've been putting my reviews that it's clear if 806 00:44:47,080 --> 00:44:49,480 Speaker 1: you even just looked at the links that I sent them, 807 00:44:49,920 --> 00:44:53,680 Speaker 1: that I do this consistently. So it feels like it's 808 00:44:53,719 --> 00:44:57,480 Speaker 1: so hard to become a reviewer. And then the story 809 00:44:57,520 --> 00:45:01,719 Speaker 1: comes out saying, according to report, a PR firm in 810 00:45:01,760 --> 00:45:06,160 Speaker 1: Hollywood has essentially been buying up positive review scores for 811 00:45:06,239 --> 00:45:09,760 Speaker 1: some films. One example given is the twenty eighteen film 812 00:45:09,760 --> 00:45:16,719 Speaker 1: Ophelia starring Daisy Ridley. Reportedly, PR firm Bunker fifteen recruited obscure, 813 00:45:16,880 --> 00:45:19,960 Speaker 1: often self published critics who are nevertheless part of the 814 00:45:20,000 --> 00:45:24,040 Speaker 1: pool tracked by Rotten Tomatoes and pay them fifty dollars 815 00:45:24,120 --> 00:45:28,080 Speaker 1: or more each to review the film positively, and Rotten 816 00:45:28,080 --> 00:45:32,400 Speaker 1: Tomatoes in respond to said that they have integrity behind 817 00:45:32,440 --> 00:45:36,080 Speaker 1: their scores and they don't tolerate any attempts to manipulate them. 818 00:45:36,440 --> 00:45:39,719 Speaker 1: So they are denying that they had any part to 819 00:45:39,760 --> 00:45:43,000 Speaker 1: play in manipulating scores. And for the most part, I 820 00:45:43,080 --> 00:45:46,680 Speaker 1: believe them allegedly all the things I need to say legally, 821 00:45:47,080 --> 00:45:50,359 Speaker 1: but I just find it crazy that these people could 822 00:45:50,360 --> 00:45:55,600 Speaker 1: even be cleared to become approved Rotten Tomatoes reviewers when 823 00:45:55,640 --> 00:45:58,840 Speaker 1: they have this strenuous process just to become one, and 824 00:45:58,920 --> 00:46:01,920 Speaker 1: me as a legit movie reviewer who has never been 825 00:46:02,000 --> 00:46:06,560 Speaker 1: paid one time for a review, because I want to 826 00:46:06,560 --> 00:46:08,760 Speaker 1: be able to give you my honest opinions on movies 827 00:46:08,800 --> 00:46:11,640 Speaker 1: without any influence. So I don't even look at Rotten 828 00:46:11,640 --> 00:46:14,080 Speaker 1: Tomato score for the most part unless it randomly pops 829 00:46:14,120 --> 00:46:15,879 Speaker 1: up into my feed. I don't seek them out before 830 00:46:15,880 --> 00:46:18,720 Speaker 1: I do reviews. I don't listen to anybody's on TikTok 831 00:46:18,840 --> 00:46:22,080 Speaker 1: or read anybody's anywhere because I don't even want that influence. 832 00:46:22,480 --> 00:46:26,239 Speaker 1: So I don't even want anybody else's opinion going into 833 00:46:26,280 --> 00:46:29,760 Speaker 1: this microphone. I don't want anybody's money. I don't need 834 00:46:29,840 --> 00:46:32,560 Speaker 1: that because I just do this for fun. I do 835 00:46:32,600 --> 00:46:36,239 Speaker 1: this because I love movies. So it's just bizarre to 836 00:46:36,320 --> 00:46:38,839 Speaker 1: me that somebody who just has this passion like I 837 00:46:38,880 --> 00:46:41,160 Speaker 1: do that just wants to become a Rotten Tomatoes critic 838 00:46:41,680 --> 00:46:45,120 Speaker 1: and can't that there are these other people they refer 839 00:46:45,239 --> 00:46:51,200 Speaker 1: to as obscure, often self published critics or are approved 840 00:46:51,400 --> 00:46:54,279 Speaker 1: by their Tomato meter and are able to influence these 841 00:46:54,280 --> 00:46:56,480 Speaker 1: scores to the point that those. 842 00:46:56,360 --> 00:46:58,800 Speaker 2: People can be bought something. 843 00:46:58,920 --> 00:47:01,560 Speaker 4: To me, just does really add up here. 844 00:47:01,920 --> 00:47:05,040 Speaker 1: And also, if you're Rotten Tomatoes, you have to know 845 00:47:05,320 --> 00:47:08,800 Speaker 1: a little bit when there's some discrepancies in numbers between 846 00:47:08,840 --> 00:47:11,680 Speaker 1: what the critics say and what the audience says, that 847 00:47:11,719 --> 00:47:13,600 Speaker 1: there has to be something up there. If I ran 848 00:47:13,640 --> 00:47:15,919 Speaker 1: a site, I would know that there's something up there. 849 00:47:15,960 --> 00:47:19,080 Speaker 1: When a movie gets a ninety percent score from critics 850 00:47:19,600 --> 00:47:23,279 Speaker 1: and a forty eight or thirty from audiences, those are 851 00:47:23,320 --> 00:47:26,239 Speaker 1: the movies you have to watch out for. So I 852 00:47:26,360 --> 00:47:29,760 Speaker 1: believe that Rotten Tomatoes is a site that has become 853 00:47:29,880 --> 00:47:35,400 Speaker 1: the authority on how people decide on what to watch. 854 00:47:36,280 --> 00:47:39,480 Speaker 1: A good Rotten Tomato score can influence you on watching 855 00:47:39,560 --> 00:47:42,200 Speaker 1: a movie. Even if you end up hating that movie 856 00:47:42,200 --> 00:47:44,359 Speaker 1: because it had a great score and you are let down, 857 00:47:44,840 --> 00:47:47,440 Speaker 1: you still watch that movie. They still get that money 858 00:47:47,440 --> 00:47:50,399 Speaker 1: from you. So having a good Rotten Tomato score still 859 00:47:50,440 --> 00:47:53,200 Speaker 1: has a lot of weight to it. But maybe after 860 00:47:53,239 --> 00:47:55,759 Speaker 1: this you start to question it a little bit and 861 00:47:55,840 --> 00:47:57,120 Speaker 1: not believe the score. 862 00:47:57,680 --> 00:47:59,239 Speaker 2: That is why I encourage you to listen to. 863 00:47:59,200 --> 00:48:03,440 Speaker 1: This podcast, because again we don't have to agree on everything. 864 00:48:03,600 --> 00:48:06,440 Speaker 1: You were probably gonna listen to my reviews and maybe 865 00:48:06,440 --> 00:48:08,600 Speaker 1: be inspired to go watch a movie and end up 866 00:48:08,640 --> 00:48:11,040 Speaker 1: haating it, and that is fine, but just know you 867 00:48:11,080 --> 00:48:15,960 Speaker 1: are always getting my true, honest opinion without any influence, 868 00:48:16,000 --> 00:48:19,400 Speaker 1: with no money being passed underneath the table. The only 869 00:48:19,560 --> 00:48:22,120 Speaker 1: influence I have is how it makes me feel. That 870 00:48:22,239 --> 00:48:25,000 Speaker 1: is this entire podcast is how movies make me feel. 871 00:48:25,160 --> 00:48:28,280 Speaker 1: And I don't care about my integrity as a movie reviewer. 872 00:48:28,400 --> 00:48:31,080 Speaker 1: And I mean that by I don't think I have 873 00:48:31,160 --> 00:48:33,280 Speaker 1: to have these really thought out. 874 00:48:33,440 --> 00:48:34,760 Speaker 2: Thought provoking reviews. 875 00:48:34,800 --> 00:48:37,160 Speaker 1: I'm just gonna tell you exactly how I felt when 876 00:48:37,200 --> 00:48:39,759 Speaker 1: I left that theater or when I hit stop on 877 00:48:39,840 --> 00:48:42,239 Speaker 1: a streaming service. That is what I come on here 878 00:48:42,280 --> 00:48:44,520 Speaker 1: and do. And I have always just believed the reason 879 00:48:45,400 --> 00:48:46,880 Speaker 1: I had been denied. 880 00:48:46,640 --> 00:48:47,360 Speaker 2: Was because of that. 881 00:48:47,600 --> 00:48:50,080 Speaker 1: They listened to my reviews and maybe thought, oh, he 882 00:48:50,160 --> 00:48:53,839 Speaker 1: has somewhat of a different opinion that goes away from 883 00:48:53,840 --> 00:48:54,160 Speaker 1: what a. 884 00:48:54,120 --> 00:48:55,279 Speaker 2: Critic's opinion should be. 885 00:48:55,280 --> 00:48:57,960 Speaker 1: Because I feel like that is what I am at 886 00:48:58,000 --> 00:49:00,640 Speaker 1: times that I can look at some thing that was 887 00:49:00,680 --> 00:49:03,719 Speaker 1: nominated for Best Picture and think that has no cinematic 888 00:49:03,760 --> 00:49:06,000 Speaker 1: value to me. But I could also look at something 889 00:49:06,080 --> 00:49:09,160 Speaker 1: like Blue Beetle or even Fasten the Furious movies and 890 00:49:09,200 --> 00:49:11,719 Speaker 1: think there is an audience here that needs to be 891 00:49:11,800 --> 00:49:15,120 Speaker 1: represented because those are movies that people are actually going 892 00:49:15,200 --> 00:49:17,800 Speaker 1: to see, and even though it's not pushing the envelope 893 00:49:17,920 --> 00:49:21,120 Speaker 1: in the traditional way of what cinema needs to be, 894 00:49:21,400 --> 00:49:24,120 Speaker 1: they are still a moment in movie history. And the 895 00:49:24,160 --> 00:49:26,480 Speaker 1: whole thing is people going to watch something and be 896 00:49:26,600 --> 00:49:28,680 Speaker 1: inspired by it or just being able to turn your 897 00:49:28,680 --> 00:49:31,080 Speaker 1: brain off and have a good time. Those movies too 898 00:49:31,239 --> 00:49:34,400 Speaker 1: to serve a high Rotten Tomatoes score. So I was 899 00:49:34,400 --> 00:49:36,680 Speaker 1: here to fight for those movies and they don't want me, 900 00:49:37,080 --> 00:49:39,400 Speaker 1: but look at them now. People are starting to question 901 00:49:39,480 --> 00:49:42,640 Speaker 1: that Rotten Tomatoes score, and suddenly I don't care if 902 00:49:42,640 --> 00:49:45,240 Speaker 1: they ever approved me or not, because I have you, guys, 903 00:49:45,360 --> 00:49:47,520 Speaker 1: and that's really all I need. So that is all 904 00:49:47,560 --> 00:49:49,640 Speaker 1: I'm going to say about that. But before I go, 905 00:49:49,719 --> 00:49:51,560 Speaker 1: I do have to give my listener's shout out, which 906 00:49:51,560 --> 00:49:53,240 Speaker 1: I do every single week, and it kind of ties 907 00:49:53,239 --> 00:49:56,160 Speaker 1: into what I've been ranging about here about Rotten Tomatoes. 908 00:49:56,440 --> 00:49:59,359 Speaker 1: This week's listener shout out is to Karen Springer, who 909 00:49:59,360 --> 00:50:02,680 Speaker 1: tweeted me and said, might skip Grand Turismo based on 910 00:50:02,719 --> 00:50:03,280 Speaker 1: your review. 911 00:50:03,600 --> 00:50:04,520 Speaker 2: Have you seen Rush? 912 00:50:04,560 --> 00:50:08,160 Speaker 1: It's a really great racing movie. I have seen Rush again. 913 00:50:08,280 --> 00:50:12,320 Speaker 1: I just don't really love racing movies. Although, to clarify 914 00:50:12,360 --> 00:50:14,560 Speaker 1: what I thought about Grand Turismo, maybe something I didn't 915 00:50:14,560 --> 00:50:15,720 Speaker 1: say during that review. 916 00:50:16,560 --> 00:50:17,600 Speaker 2: I still think it is. 917 00:50:17,560 --> 00:50:20,239 Speaker 1: A pretty good movie, but it's so average that you 918 00:50:20,320 --> 00:50:22,839 Speaker 1: don't need to see it in theaters, and once it 919 00:50:22,840 --> 00:50:26,240 Speaker 1: comes to streaming, I do think it's worth a watch. 920 00:50:26,280 --> 00:50:28,920 Speaker 1: I think that's another level that I should maybe mentioned 921 00:50:28,960 --> 00:50:31,840 Speaker 1: in my reviews of if it's not worth watching in 922 00:50:31,920 --> 00:50:34,480 Speaker 1: theaters but it's worth a stream later because through doing 923 00:50:34,560 --> 00:50:36,919 Speaker 1: this podcast, I see a lot of you who either 924 00:50:36,960 --> 00:50:38,680 Speaker 1: don't have time to go to the movie theaters or 925 00:50:38,719 --> 00:50:40,520 Speaker 1: maybe don't have the money to go to a movie theaters, 926 00:50:40,520 --> 00:50:43,880 Speaker 1: which is totally fine that you even question watching it 927 00:50:43,920 --> 00:50:46,239 Speaker 1: on streaming. There is a different level because I feel like, 928 00:50:46,239 --> 00:50:48,719 Speaker 1: if you're gonna pay money for a ticket, you need 929 00:50:48,760 --> 00:50:51,200 Speaker 1: to see something that is an experience that was worth 930 00:50:51,280 --> 00:50:52,239 Speaker 1: leaving the house for. 931 00:50:53,080 --> 00:50:54,160 Speaker 2: So I'll try to. 932 00:50:54,120 --> 00:50:57,600 Speaker 1: Be more clear about that, because Grand Turismo is a 933 00:50:57,600 --> 00:51:00,160 Speaker 1: movie that I don't think is worth the movie theater money, 934 00:51:00,680 --> 00:51:03,759 Speaker 1: but it provides a pretty entertaining experience that once it 935 00:51:03,760 --> 00:51:06,600 Speaker 1: comes to a streaming service, if you have that streaming service, 936 00:51:06,920 --> 00:51:08,400 Speaker 1: it is worth a watch. I think a lot of 937 00:51:08,400 --> 00:51:11,360 Speaker 1: People have been asking me about The Flash that I 938 00:51:11,440 --> 00:51:13,040 Speaker 1: did not love in theaters, but I. 939 00:51:12,960 --> 00:51:16,040 Speaker 4: Still think now that it's on Max. 940 00:51:15,920 --> 00:51:17,240 Speaker 2: It is worthy of a stream. 941 00:51:17,280 --> 00:51:19,439 Speaker 1: But I would say, if you don't like it after 942 00:51:19,480 --> 00:51:21,360 Speaker 1: twenty or thirty minutes, you're not going to like the 943 00:51:21,360 --> 00:51:22,400 Speaker 1: rest of that movie. 944 00:51:22,520 --> 00:51:24,160 Speaker 2: There is some value there. 945 00:51:24,239 --> 00:51:28,000 Speaker 1: I think it's worth a stream, so I'll start including 946 00:51:28,000 --> 00:51:30,960 Speaker 1: that too in my reviews. Thank you for listening, and 947 00:51:31,080 --> 00:51:34,040 Speaker 1: until next time, go out and watch good movies and 948 00:51:34,080 --> 00:51:35,760 Speaker 1: I will talk to you later.