WEBVTT - Phish: Community, Hippie Crack, and the Nitrous Mafia

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<v Speaker 1>Disgraceland is a production of Double Elvis. This is a

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<v Speaker 1>story about community, about four self described dorks from Vermont

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<v Speaker 1>who built one of the most devoted fan bases in

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<v Speaker 1>rock history. It's a story about making music with your

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<v Speaker 1>friends and about musical euphoria. But it's also about the

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<v Speaker 1>shadows darkening the margins, about hippie crack hissing tanks and

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<v Speaker 1>the nitros mafia. And it's about how a seemingly idyllic

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<v Speaker 1>scene could be infiltrated by hard drugs like cocaine and heroin.

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<v Speaker 1>This is a story about fish, which means it's a

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<v Speaker 1>story about I don't know, man, is it great music?

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<v Speaker 1>Unlike that clip? I played a few at the top

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<v Speaker 1>of the show show that definitely wasn't great music. That

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<v Speaker 1>was a preset loop from my melotron called Peace, Love

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<v Speaker 1>and ice Cream MK one. I played you that loop

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<v Speaker 1>because I can't afford the rights to slow Motion by

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<v Speaker 1>Juvenile featuring Soulja Slim. But why would I play you

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<v Speaker 1>that specific slice of ass successfully backed up Cheese?

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<v Speaker 2>Could I afford it?

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<v Speaker 1>Because that was the number one song in America on

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<v Speaker 1>August fifteenth, two thousand and four, and that was the

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<v Speaker 1>day that Fish played what was billed as their final show, when.

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<v Speaker 2>In fact, no one, not even the band.

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<v Speaker 1>Knew that their story was far from over. On this episode,

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<v Speaker 1>four Dorks, Musical Euphoria, Shadows on the Margins, Hippie Crack,

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<v Speaker 1>The Nitrous Mafia, and Fish. I'm Jake Brennan and this

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<v Speaker 1>is this Graceland. Earlier this year, in the spring of

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<v Speaker 1>twenty twenty five, Phish was one of fourteen musical acts

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<v Speaker 1>nominated for induction into the Rock and Roll Hall of Fame,

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<v Speaker 1>and though they didn't get in, they dominated the discourse

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<v Speaker 1>surrounding the nomination in voting process because they received the

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<v Speaker 1>largest number of fan votes in Hall of Fame history,

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<v Speaker 1>over three hundred and twenty nine thousand votes, to be exact,

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<v Speaker 1>and that's nearly fifty thousand more votes than the runner

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<v Speaker 1>up Bad Company received. Now, the fan vote isn't part

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<v Speaker 1>of the official vote, so that doesn't count toward getting

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<v Speaker 1>you inducted, but it does offer an outlet for jo

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<v Speaker 1>Q public to expresses a pain. And here's the thing

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<v Speaker 1>about Fish's three hundred and twenty nine thousand votes. Many

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<v Speaker 1>myself included, were shocked to discover that a band that

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<v Speaker 1>has never had a single on the Billboard Hot one hundred.

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<v Speaker 1>A band that has only been nominated for one Grammy

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<v Speaker 1>in their forty plus year career, A band that, frankly

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<v Speaker 1>has always seemed a little goofy, that that band has

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<v Speaker 1>so many Joe Q publics hiding in the woodwork. And

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<v Speaker 1>I can explain this Fish Hall of Fame.

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<v Speaker 2>Phenomenon in one word. Community.

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<v Speaker 1>Fish's devoted fan base as a ride or die community

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<v Speaker 1>that began assembling at Keggers on Friends Farms in the

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<v Speaker 1>mid nineteen eighties and then evolved into record breaking multi

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<v Speaker 1>day freak flag festivals in far flung parts of New

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<v Speaker 1>England in the nineties, eventually staging the largest ticketed concert

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<v Speaker 1>on Earth for the millennium, some eighty five thousand people strong,

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<v Speaker 1>on and on through unpredictable Halloween shows, marathon New Year's

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<v Speaker 1>Eve sets, and record breaking runs.

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<v Speaker 2>At Madison Square Garden.

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<v Speaker 1>And so, when Fish's guitarist and primary songwriter Trey Anastasio

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<v Speaker 1>first received the call from his manager that he and

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<v Speaker 1>his three bandmates.

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<v Speaker 2>Bassist Mike Gordon, keyboardist.

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<v Speaker 1>Page McConnell, and drummer John Fishman have been nominated for

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<v Speaker 1>the Hall of Fame, His initial reaction wasn't that it

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<v Speaker 1>was a win for the four of them. He said

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<v Speaker 1>it was a win for the community. Years earlier, in

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<v Speaker 1>nineteen ninety five, that community unexpectedly surged in number when

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<v Speaker 1>Jerry Garcia died at the age of fifty three, and

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<v Speaker 1>thousands of Deadheads were left looking for another band that

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<v Speaker 1>they could pour their energy into. Like the Grateful Dead,

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<v Speaker 1>Phish was just as much a movement as it was

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<v Speaker 1>a musical experience, with fans following them from town to

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<v Speaker 1>town and showed a show like a movable village. This

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<v Speaker 1>is one of many comparisons that have been made of

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<v Speaker 1>the two groups for decades. And yes, both bands love

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<v Speaker 1>to improvise, and both are better known for their live

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<v Speaker 1>shows and their studio albums. That said, musically speaking, at least,

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<v Speaker 1>Fish is more like a fever dream hybrid of Yes

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<v Speaker 1>talking heads in the Rocky Horror Picture Show than they

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<v Speaker 1>are the second coming of the Grateful Dead, and even

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<v Speaker 1>that is a reductive description. But Fish fans welcome the

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<v Speaker 1>incoming wave of dead Heads with open arms because one

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<v Speaker 1>of the things that both bands do share is their

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<v Speaker 1>love of community. It's designed as an idyllic circle of

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<v Speaker 1>fellow travelers, one that hangs on every note and chases

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<v Speaker 1>the euphoric high at the center of an extended jam,

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<v Speaker 1>perhaps aided in part by the high of some weed

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<v Speaker 1>or mushrooms. You can get caught up in that high

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<v Speaker 1>and caught up in the music, in the swirl of

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<v Speaker 1>people dancing around in ecstasy, the lights flashing from the stage,

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<v Speaker 1>the band reaching the next rung, the next precipice, the

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<v Speaker 1>sustain and Tray's guitar ringing out for what feels like

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<v Speaker 1>an eternity, and suddenly the seeming idyllic community becomes the

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<v Speaker 1>perfect mark for the darkness.

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<v Speaker 2>Loitering there in the margins.

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<v Speaker 1>Twenty seventeen, Madison Square Garden. The house lights come on

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<v Speaker 1>and you're still reeling over that set list, and they

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<v Speaker 1>covered Jimmy's Bold as Love and Radioheads Everything in its

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<v Speaker 1>Right Place and then encored with Frankenstein. Some dude next

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<v Speaker 1>to you is bitching that they didn't play fuck your Face.

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<v Speaker 1>There's always a dude complaining that they didn't do this

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<v Speaker 1>or didn't do that.

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<v Speaker 2>You don't care, though you're on cloud nine.

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<v Speaker 1>The gummy you took kicked in early in the second set,

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<v Speaker 1>and it didn't matter if they didn't play fuck your face,

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<v Speaker 1>because fish literally fucked your face. Okay, not literally, but

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<v Speaker 1>it really felt like they did. As ridiculous as that sounds,

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<v Speaker 1>that you don't even care if someone hears you say that,

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<v Speaker 1>because it's the truth. It's all part of this wave

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<v Speaker 1>you've been writing, and you keep writing it as you

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<v Speaker 1>push your way toward the exit with the rest of

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<v Speaker 1>the crowd, and you pass through the door and out

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<v Speaker 1>onto the street, and now you're hit in that fucked

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<v Speaker 1>face of yours with clouds of weed and cigarette smoke.

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<v Speaker 1>They both smell sweet in the summer heat, and though

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<v Speaker 1>you don't smoke personally, the scent and the aroma coated

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<v Speaker 1>and humid air, it's all wrapped up in the experience,

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<v Speaker 1>and so is the hissing. It's like that Joni Mitchell record,

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<v Speaker 1>but instead of the hissing of summer lawns, this is

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<v Speaker 1>the hissing of nitrous tanks on asphalt. You hear them

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<v Speaker 1>whistling as soon as you're outside. Now you turn and

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<v Speaker 1>see twelve or thirteen tank rats sitting on the sidewalk,

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<v Speaker 1>slouched against the wall, balloons in their hands, stone to

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<v Speaker 1>the gills on gas. One of them, falls over and

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<v Speaker 1>hits his head on the pavement, and another says that

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<v Speaker 1>he thinks his head is floating away, but he says

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<v Speaker 1>it with speech that's so slur that you can only guess.

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<v Speaker 2>That that's what he's talking about.

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<v Speaker 1>And then the balloon people, the cellars, the pushers, they're

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<v Speaker 1>pushing up against you, blocking you from walking down the street.

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<v Speaker 1>One of them is yelling in your face, it is

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<v Speaker 1>cold right off the tank. One for ten bucks or

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<v Speaker 1>four for twenty. What do you want? He thrusts the fissful,

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<v Speaker 1>swollen balloons in your direction, red and yellow and pink, daring.

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<v Speaker 2>You to try to step around it.

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<v Speaker 1>You know he's not gonna let you get away that easily,

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<v Speaker 1>because that's what these guys do.

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<v Speaker 2>They intimidate, they're overbearing, and they.

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<v Speaker 1>Do it all while keeping their heads on a swivel.

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<v Speaker 1>The cops rarely come down on these guys, but still

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<v Speaker 1>they run around like animals have just been released from

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<v Speaker 1>a cage, and they're always aware that one wrong move

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<v Speaker 1>will send.

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<v Speaker 2>Them back there. God, you can't stand these fucking balloon people.

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<v Speaker 1>They're a trashy blemish on an otherwise chill scene. And

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<v Speaker 1>it's not just the gas like whatever, man, no shame,

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<v Speaker 1>and how one gets one's rocks off. It's more about

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<v Speaker 1>how they block the exits and gum up the works.

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<v Speaker 1>And right then a car siren whoops nearby, and the

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<v Speaker 1>dealer who was crowding you suddenly vanishes, no doubt, off

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<v Speaker 1>to another patch of real estate right around the corner.

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<v Speaker 1>Nitrous has always been around long before Fish. The Dead

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<v Speaker 1>themselves were huffing gas through old army surplus aspirators in

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<v Speaker 1>the seventies, but that was before the nitrous racket became organized,

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<v Speaker 1>before it was controlled by dons and bosses and kingpins

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<v Speaker 1>who were pulling the levers and calling the shots behind

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<v Speaker 1>closed doors. It was before the balloon people were bringing

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<v Speaker 1>more than tanks full of gas to fish shows. They

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<v Speaker 1>were bringing guns and knives in order to scare off

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<v Speaker 1>the competition. And it was long before they were known

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<v Speaker 1>not only as balloon people, but by a far more

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<v Speaker 1>menacing name, the nitrous Mafia. There's a much more innocent

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<v Speaker 1>view of the nitrous scene in Todd Phillips's documentary on

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<v Speaker 1>Fish Bittersweet Motel, which includes this moment where a girl

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<v Speaker 1>huffs some gas and dances around and then hundreds fans

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<v Speaker 1>get Buck naked for an impromptu photoshoot. That footage is

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<v Speaker 1>from the mid nineties, and it was right around this

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<v Speaker 1>time that for the first time, Trey Anastasia was really

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<v Speaker 1>beginning to notice the depth of the drug culture surrounding

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<v Speaker 1>his band. It was also at this time, roughly thirteen

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<v Speaker 1>years after Fish began, the Tray began to participate in

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<v Speaker 1>the drug culture as well. Listen, I know that sounds

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<v Speaker 1>weird thirteen years in to first get into drugs when

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<v Speaker 1>you're in the band Fish, But Trey was a self

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<v Speaker 1>described dork. All the guys in Fish were dorks. Many

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<v Speaker 1>and their crew, though, were doing harder drugs, but Trey

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<v Speaker 1>had no idea. He had his head down, his nose

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<v Speaker 1>to the grindstone, completely immersed in the music he was creating.

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<v Speaker 1>But just like the nitros mafia's minions pedaling fatties to

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<v Speaker 1>every warm body passing by, that harder stuff was out there. Coke,

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<v Speaker 1>heroin and the kind of drugs that trick you into

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<v Speaker 1>thinking that you're making the community stronger by doing them,

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<v Speaker 1>when in fact they are separating you from the pack

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<v Speaker 1>so that the drugs have you to themselves, and then

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<v Speaker 1>they bleed you dry, until you yourself are just another

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<v Speaker 1>shadow out on the fringes, and maybe even worse, maybe dead.

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<v Speaker 1>And Trey himself was about to find out some of

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<v Speaker 1>these truths the only way you can, sometimes the hard way.

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<v Speaker 1>Long before nitrous oxide was known on the jam bands

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<v Speaker 1>circuit as hippie crack, it was more commonly referred to

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<v Speaker 1>as laughing gas. It was first synthesized in seventeen seventy

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<v Speaker 1>two by the English chemist and philosopher Joseph Priestley, and

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<v Speaker 1>some of its initial applications were to treat patients with

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<v Speaker 1>lung diseases and other illnesses. These days you know it

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<v Speaker 1>as the stuff your dentists has you inhale when he

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<v Speaker 1>needs to gouge away your gums with a lethal scalpel.

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<v Speaker 1>But as early as seventeen ninety nine there was evidence

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<v Speaker 1>of nitrous being used not for medicine but for recreation.

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<v Speaker 1>Seventeen ninety nine, in England and in America, an entertainer

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<v Speaker 1>would pretend to be a doctor, pick someone from the audience,

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<v Speaker 1>bring them on stage, have them huff some gas, and then,

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<v Speaker 1>for the amusement of the paying crowd, the audience member

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<v Speaker 1>high on nitrous would quote laugh, sing, dance speaker fight, unquote.

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<v Speaker 1>And that's according to a poster advertising one such event

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<v Speaker 1>from way back when the allure of a nitrous high

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<v Speaker 1>is that it's fast and cheap. You disconnect from your

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<v Speaker 1>body for thirty to sixty seconds, float off into oblivion,

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<v Speaker 1>and then it's over and all you want is another hit.

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<v Speaker 1>But ask any dentists who's not Steve Martin in a

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<v Speaker 1>little Shop of horrors, and they'll tell you that the

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<v Speaker 1>danger of even one hit of nitrous is that it

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<v Speaker 1>starves your brain of oxygen, and then best case scenario,

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<v Speaker 1>you're fainting in falling in cracking your head open. Worst

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<v Speaker 1>case you're suffering a seizure of brain damage. These days,

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<v Speaker 1>hippie crack is no longer confined to shakedown steep, which

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<v Speaker 1>is the tailgating area outside any content venue where you

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<v Speaker 1>buy grilled cheese's, hash brownies, handmade jewelry, bumper stickers, and

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<v Speaker 1>whatever other wearers the vendors are hustling that day. These days,

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<v Speaker 1>it's big business pulling down big money nitrous Mafia crews

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<v Speaker 1>out of hubs like Philly have little overhead, often employing

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<v Speaker 1>dealers straight out of the pen on the cheap to

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<v Speaker 1>sling gas that shows. The balloon men say up in

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<v Speaker 1>one spot, one guy filling, another handling the cash, a

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<v Speaker 1>third on the lookout, and within ten minutes they've sold

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<v Speaker 1>hundreds of balloons and pocketed thousands of dollars, always ready

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<v Speaker 1>at a moment's notice to jump to another spot if

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<v Speaker 1>five O is moving in, because there's only an issue

0:14:16.280 --> 0:14:20.720
<v Speaker 1>if you're caught selling. The DEA doesn't regulate it. It's

0:14:20.800 --> 0:14:25.080
<v Speaker 1>not classified as a controlled substance. It's legal to own nitrous,

0:14:25.120 --> 0:14:28.040
<v Speaker 1>it's just illegal to purchase or sell it for the

0:14:28.040 --> 0:14:31.840
<v Speaker 1>purpose of getting high. You'd think, however, that you'd hear

0:14:31.960 --> 0:14:35.440
<v Speaker 1>more about nitrous dealers getting busted, But the mafia is

0:14:35.520 --> 0:14:39.640
<v Speaker 1>highly organized, and the mafia is also a cutthroat, and

0:14:39.720 --> 0:14:42.200
<v Speaker 1>with the increased presence at Fish shows and other music

0:14:42.280 --> 0:14:46.360
<v Speaker 1>festivals came increased tactics to dominate the market by any

0:14:46.400 --> 0:14:50.440
<v Speaker 1>means necessary. In two thousand and nine, according to one

0:14:50.440 --> 0:14:53.400
<v Speaker 1>Fish fan, a parking lot of Tendant was beaten to

0:14:53.520 --> 0:14:56.520
<v Speaker 1>shit by a nitrous dealer outside of show in Portland, Maine.

0:14:57.240 --> 0:15:01.000
<v Speaker 1>That same year, at the gathering of the Vibes Festival, Bridgeport, Connecticut,

0:15:01.040 --> 0:15:03.680
<v Speaker 1>where Fish was not performing By the Way, a twenty

0:15:03.760 --> 0:15:06.000
<v Speaker 1>nine year old man was found dead of an apparent

0:15:06.080 --> 0:15:09.200
<v Speaker 1>drug overdose, but fans online were quick to point fingers

0:15:09.240 --> 0:15:11.920
<v Speaker 1>at the Nitrous Mafia, saying that they'd beaten him with

0:15:11.960 --> 0:15:19.160
<v Speaker 1>a tank prior to his death many years earlier. In

0:15:19.240 --> 0:15:23.440
<v Speaker 1>nineteen eighty three, the year Fish first formed in Burlington, Vermont,

0:15:23.800 --> 0:15:26.840
<v Speaker 1>the only viable connection between Nitrous and rock and roll

0:15:27.360 --> 0:15:29.800
<v Speaker 1>was this one bootleg going around to the Grateful Dead

0:15:29.840 --> 0:15:33.000
<v Speaker 1>show in Baltimore from the year prior, the one where

0:15:33.040 --> 0:15:35.960
<v Speaker 1>Jerry and Phil Lesh were allegedly taking hits from a

0:15:36.040 --> 0:15:39.440
<v Speaker 1>nitrous tank on stage while Phil did a psychotic reading

0:15:39.680 --> 0:15:43.960
<v Speaker 1>of Edgar Allen Poe's poem The Raven. But this was

0:15:44.000 --> 0:15:48.000
<v Speaker 1>a more naive time. The Nitrous thing was a real,

0:15:48.360 --> 0:15:51.160
<v Speaker 1>if you know, you know kind of deal. In nineteen

0:15:51.200 --> 0:15:54.520
<v Speaker 1>eighty three, Bernie Sanders was in his second term as

0:15:54.600 --> 0:15:57.880
<v Speaker 1>Burlington's mayor, and Ben and Jerry had just created that

0:15:57.960 --> 0:16:01.120
<v Speaker 1>cow design that would become so ubiquitous they're popular but

0:16:01.200 --> 0:16:04.800
<v Speaker 1>still hyper local ice cream, and Trey Anastasio was about

0:16:04.840 --> 0:16:08.320
<v Speaker 1>to transfer from UVM to Goddard College, where he composed

0:16:08.360 --> 0:16:11.640
<v Speaker 1>a concept album called The Man Who Stepped Into Yesterday

0:16:11.840 --> 0:16:15.080
<v Speaker 1>as his senior study. And just like Bernie and Ben

0:16:15.120 --> 0:16:17.120
<v Speaker 1>and Jerry Trey, along.

0:16:16.840 --> 0:16:18.800
<v Speaker 2>With Mike Page and Fishman, was.

0:16:19.120 --> 0:16:23.040
<v Speaker 1>Interested in something completely different than what was being offered.

0:16:23.960 --> 0:16:27.560
<v Speaker 1>So that's what Fish delivered. Their regular performances at a

0:16:27.560 --> 0:16:31.560
<v Speaker 1>local bar called Nectar's were marathon affairs, three sets per night,

0:16:31.680 --> 0:16:35.960
<v Speaker 1>each set increasingly less traditional and more abstract, and they

0:16:36.040 --> 0:16:38.960
<v Speaker 1>tried to not repeat themselves, not just in how they

0:16:39.000 --> 0:16:41.840
<v Speaker 1>played a song, but in what songs they chose to play.

0:16:42.760 --> 0:16:45.720
<v Speaker 1>So from very early on, the promise of a Fish

0:16:45.760 --> 0:16:50.000
<v Speaker 1>show was a promise of something unexpected, which included their

0:16:50.040 --> 0:16:54.560
<v Speaker 1>improvisations where moments of great transcendence would frequently emerge from

0:16:54.600 --> 0:16:59.400
<v Speaker 1>even greater moments of absurdity, and experiencing that transcendence, well,

0:16:59.640 --> 0:17:01.800
<v Speaker 1>it's like watching a movie in a crowded theater. It

0:17:01.880 --> 0:17:07.000
<v Speaker 1>just hits different when you're surrounded by a community. That

0:17:07.040 --> 0:17:11.679
<v Speaker 1>community grew on grassroots DIY level through the nineteen eighties

0:17:11.680 --> 0:17:15.000
<v Speaker 1>and into the nineties. When major labels flush with cash

0:17:15.080 --> 0:17:19.360
<v Speaker 1>could not corral enough new bands, Fish signed to Elektra,

0:17:19.720 --> 0:17:22.719
<v Speaker 1>who released their third studio album, A Picture of Nectar,

0:17:22.920 --> 0:17:26.960
<v Speaker 1>in nineteen ninety two, while simultaneously reissuing their first two

0:17:26.960 --> 0:17:31.240
<v Speaker 1>independent releases, Junta and lawn Boy. All three records were

0:17:31.280 --> 0:17:35.720
<v Speaker 1>marked by a signature combination of goofiness and virtuosity, but

0:17:36.119 --> 0:17:39.640
<v Speaker 1>a picture of nectar boasted the single chalk Dust Torture,

0:17:39.680 --> 0:17:43.680
<v Speaker 1>which endeared them to the likes of David Letterman. More

0:17:43.720 --> 0:17:47.919
<v Speaker 1>albums followed, more fans too, and before long, tens of

0:17:47.920 --> 0:17:51.479
<v Speaker 1>thousands of devotees seventy thousand to be precise, were shutting

0:17:51.560 --> 0:17:54.000
<v Speaker 1>down the two lane stretch of I ninety five running

0:17:54.040 --> 0:17:56.520
<v Speaker 1>up northern Maine all the way to Louring Air Force Base,

0:17:56.560 --> 0:17:59.439
<v Speaker 1>where a Fish staged a two day festival called the

0:17:59.560 --> 0:18:03.919
<v Speaker 1>Great Went in August of nineteen ninety seven. They turned

0:18:03.920 --> 0:18:06.760
<v Speaker 1>the tiny town of Limestone into the biggest city in

0:18:06.800 --> 0:18:10.080
<v Speaker 1>the state of Maine. That weekend, just as the members

0:18:10.119 --> 0:18:14.040
<v Speaker 1>of Fish were beginning to tune into a dangerous new frequency,

0:18:17.040 --> 0:18:20.879
<v Speaker 1>Trey was drooling. The saliva oozed from the side of

0:18:20.920 --> 0:18:25.160
<v Speaker 1>his mouth and ran down his chin. More followed, glistening

0:18:25.200 --> 0:18:27.959
<v Speaker 1>in the red hairs of his beard. He was totally

0:18:27.960 --> 0:18:31.000
<v Speaker 1>out of it. His mouth hung open, his eyes were

0:18:31.080 --> 0:18:33.120
<v Speaker 1>rolling into the back of his head, and his.

0:18:33.119 --> 0:18:35.000
<v Speaker 2>Mind was just gone.

0:18:36.240 --> 0:18:39.760
<v Speaker 1>He heard someone laughing by his side. He slowly turned

0:18:39.760 --> 0:18:42.480
<v Speaker 1>his head, only now having the slightest realization that he

0:18:42.560 --> 0:18:47.240
<v Speaker 1>was a slobbering mess, only the slightest though. He was

0:18:47.320 --> 0:18:50.159
<v Speaker 1>so fucked up. And that's when he saw the big

0:18:50.240 --> 0:18:55.680
<v Speaker 1>black mustache. Oh yeah, that's right, Carlos Santana was there.

0:18:56.880 --> 0:18:58.800
<v Speaker 1>He'd forgotten where he was for a minute.

0:18:58.800 --> 0:19:01.360
<v Speaker 2>There I who was with him.

0:19:02.160 --> 0:19:05.720
<v Speaker 1>Santana was laughing harder and louder, now nodding his head

0:19:05.760 --> 0:19:09.960
<v Speaker 1>in approval as Trey fell deeper into oblivion. Trey then

0:19:10.040 --> 0:19:12.440
<v Speaker 1>turned to look down at his own hands and realized

0:19:12.440 --> 0:19:14.560
<v Speaker 1>that he'd been holding a single sustained note on his

0:19:14.600 --> 0:19:19.480
<v Speaker 1>guitar this entire time. There was an audience of thousands

0:19:19.480 --> 0:19:23.240
<v Speaker 1>out there watching as his epic solo came to its conclusion.

0:19:24.680 --> 0:19:28.120
<v Speaker 1>Trey had gone into a trance state, drooling all over

0:19:28.200 --> 0:19:32.600
<v Speaker 1>himself on stage, and he did this while getting ridiculously high.

0:19:33.160 --> 0:19:33.919
<v Speaker 2>On the music.

0:19:35.119 --> 0:19:39.000
<v Speaker 1>And the song ended, the crowd roared, and Trey leaned

0:19:39.040 --> 0:19:41.720
<v Speaker 1>over to Santana, who had graciously sat in with Fish

0:19:41.720 --> 0:19:44.480
<v Speaker 1>for a few songs, and apologized for making such a

0:19:44.480 --> 0:19:47.879
<v Speaker 1>fool of himself drooling in front of Carlos. It was

0:19:48.480 --> 0:19:53.080
<v Speaker 1>embarrassing and Santana shook his head. Nothing to apologize for,

0:19:53.400 --> 0:19:56.679
<v Speaker 1>he said, you were tapped into something special. You know

0:19:56.760 --> 0:19:59.000
<v Speaker 1>you've gone somewhere good when you start drooling like that.

0:20:00.600 --> 0:20:03.480
<v Speaker 1>This was the recent memory replaying in Trey's head as

0:20:03.480 --> 0:20:05.879
<v Speaker 1>he stood on stage at the Great Went Festival and

0:20:05.960 --> 0:20:09.439
<v Speaker 1>scanned the community of seventy thousand Fish fans gathered before him.

0:20:10.600 --> 0:20:13.439
<v Speaker 1>Just like he'd once tapped into something good with Santana,

0:20:13.960 --> 0:20:16.520
<v Speaker 1>he was now tapping into something with each and every

0:20:16.560 --> 0:20:19.960
<v Speaker 1>person out there. But this was a long way from

0:20:20.000 --> 0:20:23.240
<v Speaker 1>three sets a night at Nectar's. This was much bigger

0:20:23.280 --> 0:20:26.520
<v Speaker 1>than signing on the dotted line with Electra. This had

0:20:26.560 --> 0:20:28.800
<v Speaker 1>gone bigger than he could have ever imagined it to be.

0:20:29.440 --> 0:20:32.520
<v Speaker 1>It was scary big, the kind of big that changes

0:20:32.560 --> 0:20:36.160
<v Speaker 1>you whether you wanted to or not. And things were

0:20:36.320 --> 0:20:40.760
<v Speaker 1>changing out there. More people meant more drugs and not

0:20:40.880 --> 0:20:44.840
<v Speaker 1>just nitrous but coke and dope, and more hissing tanks

0:20:45.119 --> 0:20:48.280
<v Speaker 1>and more empty balloons trampled under foot across the grounds

0:20:48.280 --> 0:20:51.280
<v Speaker 1>at Mooring Air Force Base. When the weekend was finally over,

0:20:52.600 --> 0:20:55.840
<v Speaker 1>Trey was oblivious to most of these things. He just

0:20:55.880 --> 0:20:57.960
<v Speaker 1>saw a sea of people, and he could sense that

0:20:58.040 --> 0:21:01.280
<v Speaker 1>as the sea grew in size, so did the potential

0:21:01.320 --> 0:21:04.240
<v Speaker 1>for a giant wave to build up and come crashing

0:21:04.320 --> 0:21:07.879
<v Speaker 1>down on everything. In fact, he was so wrapped up

0:21:07.920 --> 0:21:10.760
<v Speaker 1>and playing in the music and cultivating one of the

0:21:10.760 --> 0:21:14.080
<v Speaker 1>biggest communities in rock and roll history, that he couldn't

0:21:14.119 --> 0:21:17.119
<v Speaker 1>see that not only was that wave indeed incoming, but

0:21:17.200 --> 0:21:22.359
<v Speaker 1>it was already hovering over the backstage scene. Cocaine and

0:21:22.440 --> 0:21:25.920
<v Speaker 1>heroin weren't just new mainstays out in the parking lot,

0:21:25.960 --> 0:21:28.960
<v Speaker 1>and on shakedown the crew had been doing them too,

0:21:29.480 --> 0:21:33.280
<v Speaker 1>but just hiding them. Once Trey's eyes were really opened,

0:21:33.359 --> 0:21:36.800
<v Speaker 1>and once he himself began to partake, all of those

0:21:36.840 --> 0:21:40.399
<v Speaker 1>substances were suddenly now out in the open, and the

0:21:40.440 --> 0:21:43.760
<v Speaker 1>shadow of that giant wave began to turn the daylight

0:21:44.400 --> 0:21:45.200
<v Speaker 1>into darkness.

0:21:51.320 --> 0:21:54.480
<v Speaker 2>We'll be right back after this. We're, We're, We're.

0:22:01.200 --> 0:22:05.359
<v Speaker 1>January two thousand. Trey watched from his window seat as

0:22:05.400 --> 0:22:08.200
<v Speaker 1>the plane climbed into the clear blue sky in Florida

0:22:08.280 --> 0:22:12.480
<v Speaker 1>receded in the distance below. From this far up, he

0:22:12.520 --> 0:22:14.919
<v Speaker 1>could still see the site below where Fish Should just

0:22:14.960 --> 0:22:19.440
<v Speaker 1>staged the largest ticketed concert of the millennium. Big Cypress,

0:22:19.520 --> 0:22:22.720
<v Speaker 1>was a three day festival on a Seminole Indian reservation

0:22:22.840 --> 0:22:26.640
<v Speaker 1>outside Miami, and big was the understatement of the year.

0:22:28.640 --> 0:22:31.639
<v Speaker 1>For months, Cruz worked to build what was essentially a

0:22:31.680 --> 0:22:36.640
<v Speaker 1>small city that had a general store, a downtown, a boardwalk,

0:22:36.720 --> 0:22:41.040
<v Speaker 1>a post office, two Ferris Wheels, art installations, even a

0:22:41.160 --> 0:22:45.720
<v Speaker 1>radio station, and like all Fish festivals, the sole performer

0:22:46.240 --> 0:22:51.200
<v Speaker 1>was Fish. They played numerous times over numerous days, including

0:22:51.200 --> 0:22:54.119
<v Speaker 1>a marathon set that went from midnight on New Year's

0:22:54.160 --> 0:22:57.080
<v Speaker 1>Eve all the way to sunrise on New Year's Day

0:22:57.480 --> 0:23:02.600
<v Speaker 1>that seven uninterrupted hours to give her take, So naturally,

0:23:03.119 --> 0:23:08.800
<v Speaker 1>Trey was exhausted. In the next seat over, Fishman nudged him,

0:23:09.200 --> 0:23:11.199
<v Speaker 1>and Trey turned to look at his best friend and

0:23:11.240 --> 0:23:15.920
<v Speaker 1>band made him nearly seventeen years Hey Man, Fisherman said,

0:23:16.240 --> 0:23:19.679
<v Speaker 1>I feel like we're on a train, you know. Trey

0:23:19.720 --> 0:23:24.600
<v Speaker 1>furrowed his brow. Dude, we're on a plane right now. Yeah,

0:23:24.640 --> 0:23:27.719
<v Speaker 1>I don't mean literally, Fisherman said. It feels like we

0:23:27.960 --> 0:23:30.320
<v Speaker 1>the band, are on this train that's going like one

0:23:30.400 --> 0:23:32.960
<v Speaker 1>hundred and fifty miles an hour and we're about to

0:23:33.000 --> 0:23:37.920
<v Speaker 1>crash into a brick wall. Trey knew exactly what Fisherman meant.

0:23:38.240 --> 0:23:39.080
<v Speaker 2>He was so right.

0:23:39.960 --> 0:23:44.160
<v Speaker 1>The touring the ever expanding community. The bigness of it all,

0:23:44.400 --> 0:23:47.760
<v Speaker 1>the fame and now the drugs. Not only was it

0:23:47.800 --> 0:23:52.000
<v Speaker 1>all a super annoying cliche, but it all spelled danger

0:23:52.440 --> 0:23:57.760
<v Speaker 1>dead ahead. So at the moment that they were at

0:23:57.800 --> 0:24:00.560
<v Speaker 1>their height, after performing for around eighty five five thousand

0:24:00.560 --> 0:24:04.399
<v Speaker 1>people at the largest ticketed y two k concert, Fish

0:24:04.520 --> 0:24:08.560
<v Speaker 1>went on hiatus. But the infrastructure that Fish had spent

0:24:08.680 --> 0:24:12.159
<v Speaker 1>years refining, and the bad actors conducting business in the

0:24:12.200 --> 0:24:17.120
<v Speaker 1>shadows of that infrastructure, none of that went anywhere. While

0:24:17.119 --> 0:24:20.879
<v Speaker 1>Fish were away. Festival organizers drew heavily from the band's

0:24:20.920 --> 0:24:24.840
<v Speaker 1>innovations to create Bonnaroo, now one of the largest annual

0:24:24.920 --> 0:24:27.800
<v Speaker 1>music festivals in the country when it's not being canceled.

0:24:27.800 --> 0:24:31.080
<v Speaker 1>But I digress and in two thousand and one, federal

0:24:31.080 --> 0:24:35.199
<v Speaker 1>agents along with the d C Police, arrested thirty people

0:24:35.200 --> 0:24:38.560
<v Speaker 1>outside RFK Stadium, where the Dave Matthews Band were headlining

0:24:38.600 --> 0:24:44.000
<v Speaker 1>a show. The Fed seized black tar, heroin, ecstasy, wheed mushrooms,

0:24:44.040 --> 0:24:47.479
<v Speaker 1>and forty tanks at nitrous oxide, each weighing between two

0:24:47.600 --> 0:24:50.800
<v Speaker 1>hundred and three hundred pounds, and none of the suspects

0:24:50.880 --> 0:24:53.760
<v Speaker 1>charged with distribution of hippie crack were actually from d C.

0:24:54.000 --> 0:24:56.480
<v Speaker 1>By the way, they were from New Jersey, New York

0:24:56.520 --> 0:25:00.000
<v Speaker 1>and Philadelphia, the alleged hub of one of the large

0:25:00.280 --> 0:25:05.879
<v Speaker 1>Nitros mafia operations in the country. This was the world

0:25:05.960 --> 0:25:08.800
<v Speaker 1>that Fish found waiting for them when they finally returned

0:25:08.800 --> 0:25:11.119
<v Speaker 1>from their hiatus on New Year's Eve of two thousand

0:25:11.119 --> 0:25:14.000
<v Speaker 1>and two. Over the next year and a half, they

0:25:14.040 --> 0:25:16.639
<v Speaker 1>tried to pick up where they left off, but during

0:25:16.680 --> 0:25:20.240
<v Speaker 1>their break, Trey had become addicted to OxyContin following some

0:25:20.359 --> 0:25:23.640
<v Speaker 1>dental surgery. In the moment he was back on the bus,

0:25:23.760 --> 0:25:27.480
<v Speaker 1>back on the plane, backstage, he fell back into his

0:25:27.600 --> 0:25:32.880
<v Speaker 1>old habits in his mind. These habits cocaine, for instance,

0:25:33.160 --> 0:25:35.639
<v Speaker 1>would help him do the work, help him stay up

0:25:35.680 --> 0:25:39.240
<v Speaker 1>longer and later for those mega intense, hours long sets

0:25:39.280 --> 0:25:42.960
<v Speaker 1>that the community craved. But the secret addictions that once

0:25:43.000 --> 0:25:45.240
<v Speaker 1>threatened to send Fishes out of control train into the

0:25:45.280 --> 0:25:48.120
<v Speaker 1>brick wall, and they were now about to drop Trey

0:25:48.160 --> 0:25:52.240
<v Speaker 1>from a plane at thirty thousand feet with no parachute.

0:25:52.400 --> 0:25:55.280
<v Speaker 1>The drugs shut him off from the band, shut them

0:25:55.280 --> 0:25:57.840
<v Speaker 1>off from the fans, and shut them off from the community,

0:25:57.840 --> 0:26:01.280
<v Speaker 1>from his friends, from his family. So it was decided

0:26:01.920 --> 0:26:05.320
<v Speaker 1>it Fish didn't stop for good. This time, then it

0:26:05.359 --> 0:26:09.680
<v Speaker 1>was very possible that Tray was going to die, which

0:26:09.680 --> 0:26:13.080
<v Speaker 1>is ironic because that's exactly the kind of language used

0:26:13.080 --> 0:26:17.280
<v Speaker 1>to describe Coventry. The Festival Fish staged in upstate Vermont

0:26:17.280 --> 0:26:20.159
<v Speaker 1>in August of two thousand and four. It was billed

0:26:20.160 --> 0:26:23.359
<v Speaker 1>as their farewell show, but some fans weren't calling it

0:26:23.400 --> 0:26:30.880
<v Speaker 1>a farewell. They were calling it a funeral. You wake

0:26:30.960 --> 0:26:33.560
<v Speaker 1>up inside your tent to the sound of torrential rain

0:26:33.640 --> 0:26:37.679
<v Speaker 1>beating down. You're soaking wet. There's so much water that

0:26:37.720 --> 0:26:40.440
<v Speaker 1>it's seeping inside the tent and everything is a sopping,

0:26:40.680 --> 0:26:44.080
<v Speaker 1>stinky mess. And when the rain lets up, you stumble

0:26:44.119 --> 0:26:47.840
<v Speaker 1>outside and your whole world is now mud. Your feet

0:26:47.960 --> 0:26:50.520
<v Speaker 1>sink into the ground, and as you pull one foot

0:26:50.680 --> 0:26:54.080
<v Speaker 1>back out, the goopy mud just pulls the sneaker right

0:26:54.160 --> 0:26:57.640
<v Speaker 1>off with this gross sucking sound. And now fuck, your

0:26:57.680 --> 0:27:00.920
<v Speaker 1>other sneaker just got pulled off too, and you're like, whatever, man,

0:27:00.960 --> 0:27:01.760
<v Speaker 1>fuck it, Just leave.

0:27:01.640 --> 0:27:03.280
<v Speaker 2>The shoes and go barefoot.

0:27:04.480 --> 0:27:06.760
<v Speaker 1>So now you're walking from the campsite to where the

0:27:06.800 --> 0:27:09.440
<v Speaker 1>stage is, and the mud is completely caked around your

0:27:09.440 --> 0:27:12.560
<v Speaker 1>feet up to your ankles. It's a long walk, but

0:27:13.160 --> 0:27:15.159
<v Speaker 1>not nearly as long as the walk that some of

0:27:15.200 --> 0:27:18.040
<v Speaker 1>the other sixty seventy thousand people here had to endure

0:27:18.040 --> 0:27:20.560
<v Speaker 1>when they decided to abandon their cars in the highway

0:27:20.840 --> 0:27:23.119
<v Speaker 1>and leave most of their gear behind in march thirty

0:27:23.160 --> 0:27:26.600
<v Speaker 1>something miles just to be here. You've never seen traffic

0:27:26.680 --> 0:27:28.919
<v Speaker 1>like that before, and you've never seen this many empty

0:27:28.920 --> 0:27:30.280
<v Speaker 1>balloons all over the ground.

0:27:30.640 --> 0:27:32.080
<v Speaker 2>It's like a rainbow.

0:27:31.800 --> 0:27:36.040
<v Speaker 1>Caked and shit, someone told you that you were camping

0:27:36.080 --> 0:27:39.320
<v Speaker 1>out in nitrous Alley, and damn, that sounds about right.

0:27:39.840 --> 0:27:42.080
<v Speaker 1>If not for the pouring rain, you would have been

0:27:42.119 --> 0:27:44.760
<v Speaker 1>kept up all night by the symphony of hissing gas tanks.

0:27:45.880 --> 0:27:47.679
<v Speaker 1>You passed by a kid doing a line on the

0:27:47.680 --> 0:27:50.680
<v Speaker 1>hood of Avovo Sadan Royal blue and beat to shit

0:27:51.040 --> 0:27:53.720
<v Speaker 1>in the contrast to that big white line of coke

0:27:53.880 --> 0:27:55.120
<v Speaker 1>is visually arresting.

0:27:55.520 --> 0:27:56.879
<v Speaker 2>It's like bolded text.

0:27:57.720 --> 0:27:59.560
<v Speaker 1>You never would have seen this kind of thing way

0:27:59.600 --> 0:28:02.080
<v Speaker 1>out in the open like this back in the Great

0:28:02.160 --> 0:28:05.960
<v Speaker 1>Went days. Another guy walks by you and exhales whatever

0:28:06.000 --> 0:28:08.840
<v Speaker 1>they're smoking, and well, shit, man, it's not weed and

0:28:08.880 --> 0:28:11.639
<v Speaker 1>it's not tobacco. And the dude's smoking it looks like

0:28:11.680 --> 0:28:14.359
<v Speaker 1>he's about to hit the deck you wonder if the

0:28:14.440 --> 0:28:17.560
<v Speaker 1>Mud will swallow them whole, and maybe the Mud won't

0:28:17.560 --> 0:28:22.439
<v Speaker 1>want them today. And when you finally get to the

0:28:22.480 --> 0:28:25.399
<v Speaker 1>stage and Fish finally comes out for one of that

0:28:25.480 --> 0:28:29.080
<v Speaker 1>weekend sets, You're like, what the fuck is going on?

0:28:30.280 --> 0:28:34.320
<v Speaker 1>It's obviously very emotional. Page is up on that jumbo screen,

0:28:34.400 --> 0:28:37.040
<v Speaker 1>playing keyboards and trying to sing, but he keeps bursting

0:28:37.080 --> 0:28:37.840
<v Speaker 1>out in tears.

0:28:38.800 --> 0:28:40.360
<v Speaker 2>But then when he's not crying, he's.

0:28:40.240 --> 0:28:44.160
<v Speaker 1>Sort of half assing it. You wonder is he on something?

0:28:45.480 --> 0:28:49.520
<v Speaker 1>Trey is definitely on something. His voice is raspy, he

0:28:49.640 --> 0:28:53.280
<v Speaker 1>keeps fucking with his aunt, and then Trey's crying too.

0:28:54.200 --> 0:28:54.880
<v Speaker 2>Something about the.

0:28:54.880 --> 0:29:00.360
<v Speaker 1>Whole vibe is off, and that vibe lingers on long

0:29:00.480 --> 0:29:04.440
<v Speaker 1>after Coventry is over. But you go back home and

0:29:04.480 --> 0:29:07.000
<v Speaker 1>every time you listen to Fish, all you can think

0:29:07.000 --> 0:29:09.080
<v Speaker 1>about is the Mud and the cocaine on the hood

0:29:09.120 --> 0:29:11.720
<v Speaker 1>of that vogo and nitrous Sally and Trey looking like

0:29:11.760 --> 0:29:15.720
<v Speaker 1>he's knocking on death's door. It used to be so joyous,

0:29:16.640 --> 0:29:19.440
<v Speaker 1>and now the absence of that joy is the only

0:29:19.480 --> 0:29:23.520
<v Speaker 1>thing you could feel. And then you wonder, is this

0:29:23.640 --> 0:29:27.520
<v Speaker 1>It was the whole thing, the music, the people, the community,

0:29:28.440 --> 0:29:29.480
<v Speaker 1>was that all too good.

0:29:29.320 --> 0:29:44.840
<v Speaker 3>To be true?

0:29:44.880 --> 0:29:45.400
<v Speaker 2>All right, dudes.

0:29:45.400 --> 0:29:47.400
<v Speaker 1>A little later in this episode, I'm gonna mention a

0:29:47.520 --> 0:29:51.960
<v Speaker 1>murder that happened outside of Fish Concert in Hampton, Virginia,

0:29:52.080 --> 0:29:54.720
<v Speaker 1>from just a few months ago this year, and how

0:29:54.760 --> 0:29:59.680
<v Speaker 1>that tragedy has been linked to the so called Nitrous Mafia. Unfortunately,

0:29:59.720 --> 0:30:01.840
<v Speaker 1>we didn't have time in this full episode to get

0:30:01.840 --> 0:30:04.880
<v Speaker 1>into the details of that particular story. But if you

0:30:04.920 --> 0:30:07.720
<v Speaker 1>want to hear that whole story, and trust me, it

0:30:07.800 --> 0:30:10.280
<v Speaker 1>is a wild one, you can hear it in this

0:30:10.360 --> 0:30:14.440
<v Speaker 1>week's brand new mini episode of Disgraceland, which is available

0:30:14.800 --> 0:30:17.600
<v Speaker 1>only to our All Access members. Just go to disgracelandpod

0:30:17.640 --> 0:30:19.840
<v Speaker 1>dot com to sign up and to hear that bonus

0:30:19.880 --> 0:30:22.400
<v Speaker 1>mini episode right now, all right, We're to get back

0:30:22.440 --> 0:30:29.640
<v Speaker 1>to our main story here on Fish. On December fifteenth,

0:30:29.680 --> 0:30:32.360
<v Speaker 1>two thousand and six, a little over two years after

0:30:32.400 --> 0:30:34.520
<v Speaker 1>Fish took what was said to be their final bow

0:30:34.640 --> 0:30:38.160
<v Speaker 1>at the disastrous Coventry Festival, forty two year old Trey

0:30:38.160 --> 0:30:42.280
<v Speaker 1>Anastasio was pulled over in Whitehall, New York. It was

0:30:42.320 --> 0:30:44.760
<v Speaker 1>around three thirty in the morning, and the cop had

0:30:44.800 --> 0:30:47.320
<v Speaker 1>witnessed the black Audi swerving in and out.

0:30:47.160 --> 0:30:48.560
<v Speaker 2>Of its lane.

0:30:48.800 --> 0:30:51.240
<v Speaker 1>Upon a search, of the vehicle. Trey was found to

0:30:51.280 --> 0:30:55.000
<v Speaker 1>be in possession of Vikingin, percocet, and xanax, all three

0:30:55.000 --> 0:30:59.280
<v Speaker 1>of which were prescribed to someone else, but also the

0:30:59.320 --> 0:31:03.719
<v Speaker 1>cop found heroin traded in even weigh one hundred pounds.

0:31:04.800 --> 0:31:07.480
<v Speaker 1>Now he sat alone in a cell inside the Whitehall

0:31:07.560 --> 0:31:11.240
<v Speaker 1>police station, charged with criminal possession of a controlled substance

0:31:11.360 --> 0:31:15.440
<v Speaker 1>DWI and aggravated unlicensed operation of a motor vehicle because

0:31:15.480 --> 0:31:20.200
<v Speaker 1>his driver's license had been suspended. The station's phone was

0:31:20.280 --> 0:31:23.280
<v Speaker 1>ringing off the hook. Reporters from all over the country

0:31:23.280 --> 0:31:27.040
<v Speaker 1>were ravenous for details. They asked so many questions, primary

0:31:27.080 --> 0:31:31.360
<v Speaker 1>among them heroin. This guy was doing heroin. This was

0:31:31.400 --> 0:31:35.400
<v Speaker 1>a self described dork. Dorks don't do junk. It's hard

0:31:35.400 --> 0:31:38.360
<v Speaker 1>to know if these kinds of thoughts were floating around

0:31:38.440 --> 0:31:40.440
<v Speaker 1>in Trey's head while he sat in lock up for

0:31:40.440 --> 0:31:42.600
<v Speaker 1>a day or two, but we do know what he.

0:31:42.600 --> 0:31:43.280
<v Speaker 2>Was listening to.

0:31:44.400 --> 0:31:47.560
<v Speaker 1>His polite cooperation led to an officer handing him a

0:31:47.600 --> 0:31:50.160
<v Speaker 1>transistor radio and a pair of headphones to help pass

0:31:50.240 --> 0:31:53.880
<v Speaker 1>the time. Trey scanned the radio dial for a station

0:31:54.040 --> 0:31:57.120
<v Speaker 1>and found mostly fuzz Since the village of Whitehall is

0:31:57.200 --> 0:31:59.960
<v Speaker 1>kind of in the middle of nowhere, his thumb slow

0:32:00.240 --> 0:32:03.360
<v Speaker 1>turned the dial, and then there he got.

0:32:03.120 --> 0:32:04.320
<v Speaker 2>Something and he turned it on.

0:32:04.480 --> 0:32:06.960
<v Speaker 1>You up, and the music came through the shitty headphones,

0:32:07.440 --> 0:32:10.680
<v Speaker 1>one hundred percent funky and one thousand percent prophetic. It

0:32:10.720 --> 0:32:16.320
<v Speaker 1>was a song Higher Ground by Stevie Wonder. Stevie's lyrics

0:32:16.560 --> 0:32:19.160
<v Speaker 1>hit him like one of his transcendental jams, hit an

0:32:19.160 --> 0:32:23.440
<v Speaker 1>audience of seventy thousand. Yes, his last time on earth,

0:32:23.440 --> 0:32:25.680
<v Speaker 1>he lived a whole lot of sin, And yes, he

0:32:25.840 --> 0:32:28.800
<v Speaker 1>was so glad that he knew more now than he

0:32:28.880 --> 0:32:32.520
<v Speaker 1>knew then. And fuck yes, he was so damn glad

0:32:32.560 --> 0:32:34.320
<v Speaker 1>that he was going to get to try it all again.

0:32:36.240 --> 0:32:39.760
<v Speaker 1>One traffic stock and one Stevie Wonder song was all

0:32:39.760 --> 0:32:43.840
<v Speaker 1>it took. Trey pled guilty to possession, began a fourteen

0:32:43.880 --> 0:32:47.040
<v Speaker 1>month court mandated recovery program, and then got back to

0:32:47.080 --> 0:32:48.880
<v Speaker 1>the reason he did it all in the first place,

0:32:49.560 --> 0:32:53.400
<v Speaker 1>the community. First, that looked like hundreds of hours of

0:32:53.400 --> 0:32:57.120
<v Speaker 1>community service, grubbing toilets and picking up trash. Once that

0:32:57.280 --> 0:33:01.160
<v Speaker 1>was done, Trey's focus became the community, the one he'd

0:33:01.200 --> 0:33:04.080
<v Speaker 1>helped to create and build up so many years earlier.

0:33:05.040 --> 0:33:07.400
<v Speaker 1>In two thousand and nine, Fish made their triumphant return

0:33:07.480 --> 0:33:10.520
<v Speaker 1>to the stage led by a sober Tray, and they

0:33:10.520 --> 0:33:14.560
<v Speaker 1>had never sounded better. The same fans who said the

0:33:14.560 --> 0:33:17.959
<v Speaker 1>coventry felt like a funeral also said that this moment

0:33:18.000 --> 0:33:21.120
<v Speaker 1>felt like a resurrection. Now, that didn't mean that the

0:33:21.240 --> 0:33:25.720
<v Speaker 1>darkness and the scene had been completely lifted. In twenty eighteen,

0:33:26.280 --> 0:33:30.400
<v Speaker 1>almost a decade into Fish's renaissance, two fans were violently

0:33:30.440 --> 0:33:34.080
<v Speaker 1>attacked at a show at the Gorge Amphitheater in Washington State,

0:33:34.880 --> 0:33:38.160
<v Speaker 1>and again just earlier this year, in twenty twenty five,

0:33:38.720 --> 0:33:40.960
<v Speaker 1>a man was stabbed to death outside of Fish show

0:33:41.000 --> 0:33:44.920
<v Speaker 1>in Hampton, Virginia. Many online looked to pin these acts

0:33:44.920 --> 0:33:47.920
<v Speaker 1>of violence on the culture that the Nitrous Mafia had

0:33:47.960 --> 0:33:52.080
<v Speaker 1>created out on the margins. The Tray and Fish had

0:33:52.120 --> 0:33:56.760
<v Speaker 1>taken back the center because their story wasn't one of

0:33:56.840 --> 0:34:00.719
<v Speaker 1>mud and defeat and coke and Nitrous is a story

0:34:00.760 --> 0:34:03.840
<v Speaker 1>of community and how being a part of that community

0:34:04.200 --> 0:34:08.640
<v Speaker 1>can keep you out of the clutches of disgrace. I'm

0:34:08.719 --> 0:34:36.040
<v Speaker 1>Jake Brennan and this his Disgraceland. All right, thanks for

0:34:36.080 --> 0:34:38.919
<v Speaker 1>listening to this episode of Disgraceland. Question of the Week

0:34:38.960 --> 0:34:40.319
<v Speaker 1>for you guys that I want you to call me

0:34:40.360 --> 0:34:42.359
<v Speaker 1>six p one seven nine oh six, six six three eight,

0:34:42.400 --> 0:34:44.239
<v Speaker 1>Leave me a voicemail with your answer, Send me a

0:34:44.239 --> 0:34:48.120
<v Speaker 1>text with your answer. Is this what music do you

0:34:48.239 --> 0:34:51.799
<v Speaker 1>like listening to most when you are well, you know, hi,

0:34:52.120 --> 0:34:53.360
<v Speaker 1>stoned a little.

0:34:53.160 --> 0:34:53.960
<v Speaker 2>Under the influence?

0:34:54.320 --> 0:34:55.080
<v Speaker 1>What are you listening to?

0:34:55.120 --> 0:34:55.799
<v Speaker 2>What are you vibing on?

0:34:55.880 --> 0:34:57.719
<v Speaker 1>Is it fish? Is it the Grateful Dead? Is it

0:34:57.840 --> 0:34:59.960
<v Speaker 1>someone else? You don't have to be stoned to do it?

0:35:00.200 --> 0:35:01.640
<v Speaker 1>Just you know what I mean, that thing where you

0:35:01.680 --> 0:35:03.359
<v Speaker 1>just listen. You just want to mellow out, You just

0:35:03.360 --> 0:35:06.800
<v Speaker 1>want to chill. You want those specific kind of vibes.

0:35:06.800 --> 0:35:09.399
<v Speaker 1>Six one seven nine oh six six six three eight

0:35:09.640 --> 0:35:12.240
<v Speaker 1>voicemail and text to let me know at disgrace lampod

0:35:12.320 --> 0:35:15.760
<v Speaker 1>on the socials Disgrace lampod at gmail dot com. Email

0:35:16.080 --> 0:35:21.240
<v Speaker 1>here comes some credits. Disgraceland was created by Yours Truly

0:35:21.280 --> 0:35:24.440
<v Speaker 1>and is produced in partnership with Double Elvis. Credits for

0:35:24.480 --> 0:35:26.840
<v Speaker 1>this episode can be found on the show notes page

0:35:26.840 --> 0:35:30.120
<v Speaker 1>at disgracelampod dot com. Rate and review the show and

0:35:30.160 --> 0:35:34.080
<v Speaker 1>follow us on Instagram, TikTok, Twitter and Facebook at disgracelamppod

0:35:34.320 --> 0:35:38.279
<v Speaker 1>and on YouTube at YouTube dot com, slash at disgracelampod

0:35:39.239 --> 0:35:39.880
<v Speaker 1>rock a roller.

0:35:44.040 --> 0:35:45.120
<v Speaker 2>He's a bad man.