WEBVTT - Michael Mando on Returning to the MCU as Scorpion, his DC Debut & The Power of Perseverance

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<v Speaker 1>Hey, guys, welcome to I've never said this before with

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<v Speaker 1>me Tommy di Dario. Spider Man Brand New Day is

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<v Speaker 1>easily one of the most anticipated movies of the year,

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<v Speaker 1>and today I have a guest son who's been pretty

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<v Speaker 1>tight lipped about anything related to this movie and his role.

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<v Speaker 1>And let me be clear, this is not a spoiler

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<v Speaker 1>Phil conversation, So you can feel free to listen to

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<v Speaker 1>this ahead of the release of the film, or if

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<v Speaker 1>you've watched the movie, you're gonna really enjoy this. The

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<v Speaker 1>conversation is a celebration, a celebration of my guests, the

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<v Speaker 1>brilliant Michael Mando, who is stepping into the role of

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<v Speaker 1>a villain after appearing in the MCU almost a decade ago.

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<v Speaker 1>Can you believe that? And we're going to be hearing

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<v Speaker 1>from him what it's like being on a Spider Man set,

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<v Speaker 1>what it's like working with Tom Holland and playing a villain,

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<v Speaker 1>and did he have anxiety and fear about playing a villain,

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<v Speaker 1>and what his personal fan favorite things in the MCU are.

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<v Speaker 1>And you know, we ask some some fun questions. He

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<v Speaker 1>doesn't reveal anything, don't worry, but we get a little

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<v Speaker 1>insight into his mind. So my MCU my Spider Man

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<v Speaker 1>fans are love this conversation, and we're also celebrating some

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<v Speaker 1>other great work of Michael's and hearing some inspiring words

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<v Speaker 1>that man, they really stayed with me since our chat.

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<v Speaker 1>So let's see if today we can get Michael to

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<v Speaker 1>say something that he has never said before. Michael Mando,

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<v Speaker 1>how are you, my man? Oh, I'm psyched to have you.

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<v Speaker 1>You have a lot going on. I'm surprised we caught

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<v Speaker 1>youa it's like catch you if you can.

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<v Speaker 2>Thank you so much. I appreciate it. Nice to be here,

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<v Speaker 2>Nice to be in New York.

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<v Speaker 1>Yeah, you like New York.

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<v Speaker 2>I love New York. Every time I'm in New York,

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<v Speaker 2>it's like a new city sick and every time, depending

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<v Speaker 2>where I'm staying at and I look at New York,

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<v Speaker 2>it's like looking at a new city. It's and depending

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<v Speaker 2>what season you're in, yeah, it also feels different.

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<v Speaker 1>Yeah, I love I love New York. Oh my god,

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<v Speaker 1>Well we're happy to have you. Welcome to the city.

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<v Speaker 2>Man.

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<v Speaker 1>Ah God, we have a lot to get into. I'm

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<v Speaker 1>going to dive right in because we are so psyched

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<v Speaker 1>for Spider Man. I mean, nine years ago, let me

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<v Speaker 1>set the stage. Nine years ago, we were introduced to

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<v Speaker 1>your character Scorpion right in Spider Man Homecoming, and it

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<v Speaker 1>was a little glimpse of him in that mid credit tease, right,

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<v Speaker 1>we saw a little piece of him. Have you been

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<v Speaker 1>waiting for this moment all these years later?

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<v Speaker 2>You know? It's funny. I didn't think I was going

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<v Speaker 2>to come back, So it honestly didn't cross my mind.

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<v Speaker 2>I mean, at the beginning, you kind of think about

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<v Speaker 2>it and you go, maybe it will and then at

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<v Speaker 2>some point you just stop thinking about it. When they

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<v Speaker 2>called me back, we got a couple of meetings and

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<v Speaker 2>I knew, you know, this is arguably going to be

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<v Speaker 2>one of the biggest films of all time, at least

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<v Speaker 2>at the box office, and it's an amazing team and

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<v Speaker 2>I love Tom Holland and destined director, and it was

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<v Speaker 2>just exciting. I think there's a sense of gratitude, You're like, Wow,

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<v Speaker 2>I get to go back on this gigantic stage. But

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<v Speaker 2>then there's also with that sense of gratitude a sense

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<v Speaker 2>of responsibility where you go, all right, this is a

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<v Speaker 2>huge character. I need to make sure that we get

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<v Speaker 2>it right, you know what I mean. So there's both

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<v Speaker 2>of those axles happening at the same time.

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<v Speaker 1>So you really had no idea back then that one

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<v Speaker 1>day you would be a key villain in a future movie. Like,

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<v Speaker 1>no one clued you in, no one had a conversation

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<v Speaker 1>with you back then. It was just kind of this

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<v Speaker 1>little cliffhanger and then nothing.

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<v Speaker 2>Yeah. I mean, that's the way the industry works, you know, like,

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<v Speaker 2>you know you could do it, you do your thing.

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<v Speaker 2>I mean it was interesting because I had a scene

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<v Speaker 2>in the middle of that film that was cut in

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<v Speaker 2>the middle of Homecoming, So you know, this is how

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<v Speaker 2>the industry works. It's you kind of get used to

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<v Speaker 2>it as an actor, and you kind of say to yourself,

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<v Speaker 2>you know this. You trust these people who are running

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<v Speaker 2>these amazing franchises that they know what they're doing and

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<v Speaker 2>that they're going to do what's best for the franchises.

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<v Speaker 2>And your job is to serve in any bait in

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<v Speaker 2>any way you can, as the actor, as the character

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<v Speaker 2>that you both agree to collaborate on. And in that

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<v Speaker 2>particular case, you know, it was just love and I said,

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<v Speaker 2>you know what, that's fine, let's let it go, let's

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<v Speaker 2>move on. And but I'll tell you I was very

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<v Speaker 2>grateful to get the call, and they're just as pleasant

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<v Speaker 2>as ever. And the vibe on that movie was really awesome.

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<v Speaker 1>Yeah. Yeah, So the scene that was cut, well, first

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<v Speaker 1>of all, do you remember what that scene was?

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<v Speaker 2>I remember getting I don't even know if I should

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<v Speaker 2>be I feel like I'm talking maybe too candidly. I

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<v Speaker 2>don't know. I mean, it's not it's not a bad thing.

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<v Speaker 2>I mean I received a really nice handwritten letter from

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<v Speaker 2>somebody on high up saying how much they liked the scene,

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<v Speaker 2>and I was really excited for it. And I remember

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<v Speaker 2>bringing my father to the premiere.

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<v Speaker 1>Oh no, that scene came and went and I was like,

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<v Speaker 1>wait because you didn't know it was cut.

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<v Speaker 2>And then and then though, the credit scene that was

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<v Speaker 2>in the movie was actually an ad R scene, so

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<v Speaker 2>meaning none of the dialogue was original because we were

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<v Speaker 2>shot it in the prison in Atlanta, and the prison

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<v Speaker 2>the people who were the I don't know what the

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<v Speaker 2>right word to say, but the people who were jailed

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<v Speaker 2>there were very loud, you know, they were like yelling

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<v Speaker 2>and fighting and stuff. So we had to re record.

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<v Speaker 2>So I didn't really, you know, particularly feel very confident

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<v Speaker 2>about that scene because I said, you know, it's all

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<v Speaker 2>a dr it's none of it is the original audio.

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<v Speaker 2>So as an actor you kind of generally like it

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<v Speaker 2>to be the original audio because that's when you had

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<v Speaker 2>your body into it and you know, the atmosphere and

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<v Speaker 2>everything was right. Doesn't mean you can't do it better

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<v Speaker 2>in an ADR session, but you know, so we try

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<v Speaker 2>to make it as well as we can. But then

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<v Speaker 2>that was a lesson when you go, oh wow, that

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<v Speaker 2>was like a moment, alerting moment for me as an actor.

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<v Speaker 2>And I think the trick is you just take it

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<v Speaker 2>in strides, you take it in love, and you say,

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<v Speaker 2>you know, what's meant to be is meant to be,

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<v Speaker 2>and it's okay.

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<v Speaker 1>You know, man, now I'm dying to know what that

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<v Speaker 1>scene was.

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<v Speaker 2>It was a scene in the It was a scene

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<v Speaker 2>in the middle, in the on the ferry, on the

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<v Speaker 2>in the boat. I mean, I was the scene was there.

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<v Speaker 2>It's just it was like cut to basically almost like

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<v Speaker 2>a you know, very short, and you realize that's just

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<v Speaker 2>the nature of the industry, you know. And I work

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<v Speaker 2>on music sometimes I do it as a hobby and

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<v Speaker 2>you bring in session musicians and they'll do like an

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<v Speaker 2>amazing guitar lick and you'll realize it doesn't fit in

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<v Speaker 2>the film Man, and that's so, and it doesn't fit

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<v Speaker 2>in the song, and you cut it and you realize,

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<v Speaker 2>all right, that's don't any of that personal.

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<v Speaker 1>Now, Yeah you can. I mean it's it's it's they

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<v Speaker 1>got to do what they have to do to tell

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<v Speaker 1>the story they need to tell, right.

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<v Speaker 2>And clearly they're doing a great job.

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<v Speaker 1>Yeah, one hundred percent, one hundred percent. It's so wild, though,

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<v Speaker 1>what a journey from from that first you know, Glimpse

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<v Speaker 1>into Scorpion all those years ago, and then you see

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<v Speaker 1>all these other movies coming out from then to now

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<v Speaker 1>in the Spider Man franchise, like I would be like, hey,

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<v Speaker 1>am I coming back?

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<v Speaker 2>Did you forget it at the beginning? I think you

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<v Speaker 2>think about it. You know, sometimes your reps will reach out,

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<v Speaker 2>But you know, I I'm really good. I moved around

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<v Speaker 2>so much in my life. I traveled a lot before

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<v Speaker 2>the age of like twenty five, and lived in so

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<v Speaker 2>many different places. I think I've learned to let go.

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<v Speaker 2>I mean, in some things it's easy and some things

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<v Speaker 2>it's hard. Something's personal emotionally, sometimes it's hard to let go.

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<v Speaker 2>But in like the business side of things I've learned

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<v Speaker 2>to like, all right, this isn't this isn't an open door.

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<v Speaker 2>Go somewhere else. There's not. I think my advice to

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<v Speaker 2>actors is especially younger actors, is it's it's not personal.

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<v Speaker 2>You know, none of that is personal. It's all you know.

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<v Speaker 2>There's this Sometimes you could be so good at something

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<v Speaker 2>and it doesn't mean that because they said no in

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<v Speaker 2>an audition or whatever, it is that you're not great

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<v Speaker 2>and that you were that you're wrong thinking you nailed it.

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<v Speaker 2>So that's that's not the way I think life works.

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<v Speaker 2>It's not a no is not always means no you're

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<v Speaker 2>not good enough. Yeah, sometimes it's just not the right

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<v Speaker 2>time for you.

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<v Speaker 1>That's a good reminder too, because you know it's life too.

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<v Speaker 1>You can't control why things happen, and you can't sit

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<v Speaker 1>there spiraling about it either because you don't know. I mean,

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<v Speaker 1>I don't know what you don't know. But easier said

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<v Speaker 1>than that percent We've all been there. I've spiraled a

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<v Speaker 1>million times in my life. You know what happens. But

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<v Speaker 1>what's your trick?

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<v Speaker 2>What do you do when you when you spiral, you

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<v Speaker 2>hear that little demon voice in your head that starts

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<v Speaker 2>going like whatever, whatever it is that it says, how

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<v Speaker 2>do you get yourself back?

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<v Speaker 1>I try, And this is gonna sound really corny, but

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<v Speaker 1>I try as hard as I can to root myself

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<v Speaker 1>in what I'm great for in the moment. Yeah, like, Okay,

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<v Speaker 1>this might not be going the way I want, but

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<v Speaker 1>this is also happening at the same time, and wow,

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<v Speaker 1>how lucky I am to have that, and like, thank

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<v Speaker 1>you for allowing me to have that at least, And yeah,

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<v Speaker 1>we'll figure that piece out when we need to. So yeah,

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<v Speaker 1>just kind of checking myself too. You know, it's hard.

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<v Speaker 1>It's not like you said, we all do it. It's

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<v Speaker 1>not easy. But you're supposed to be where you're supposed

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<v Speaker 1>to be, and you're supposed to be a damn villain

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<v Speaker 1>right now. Man, You're supposed to be a villain in

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<v Speaker 1>the end to see you, I mean, that's like a

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<v Speaker 1>golden role that artists dream of playing, and here you

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<v Speaker 1>are doing it. And with that comes pressure and a

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<v Speaker 1>lot of expectation. Do you let that freak you out?

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<v Speaker 1>Or has that freak you out? When you were bringing

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<v Speaker 1>that character to life?

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<v Speaker 2>I remember I was in London, we were shooting Spider Man.

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<v Speaker 2>We had just finished shooting that scene in the trailer,

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<v Speaker 2>you know where I'm fighting Spider Man in a trailer

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<v Speaker 2>that came out and I saw the Scorpion character standing

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<v Speaker 2>on top of me on my bed and the room

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<v Speaker 2>was on fire. And I woke up and I was petrified,

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<v Speaker 2>and I said, what the hell? How can I be

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<v Speaker 2>afraid of something? I'm a character that I'm playing. So

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<v Speaker 2>that was, you know, I don't know if that was

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<v Speaker 2>an insight into what was happening in my subconscious, but

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<v Speaker 2>there is an element of pressure that you bury, I

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<v Speaker 2>guess sometime and you say to yourself, all right, all

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<v Speaker 2>I can do is my best and take it one

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<v Speaker 2>step out of time. It's like a basketball player. You've

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<v Speaker 2>got the you know, you've got the rim, and it's

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<v Speaker 2>you know, fourth quarter, two seconds left, you make the

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<v Speaker 2>shot and you win the championship. Yeah you don't. Everyone's

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<v Speaker 2>going to know it's you. You can't be thinking about that.

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<v Speaker 2>You've got to clear your mind and just think about

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<v Speaker 2>the love of the game, the love of what you do,

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<v Speaker 2>and just let it go. Yeah, you know, and trust

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<v Speaker 2>and let it go, Just trust that it's all there.

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<v Speaker 1>So is there something you absolutely had to get right?

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<v Speaker 1>In bringing this role to life, where you're like, I

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<v Speaker 1>gotta nail this part of it.

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<v Speaker 2>All of it, man. But I put that pressure on

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<v Speaker 2>me with everything I do. I don't take anything. You know,

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<v Speaker 2>if I did a short film in between movies last

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<v Speaker 2>year and it was a it's called Boyfighter. It's on Hulu,

0:10:08.040 --> 0:10:12.280
<v Speaker 2>and I literally got paid like one dollar for it.

0:10:11.920 --> 0:10:13.600
<v Speaker 2>I literally did it for free.

0:10:13.679 --> 0:10:13.840
<v Speaker 1>You know.

0:10:13.920 --> 0:10:16.000
<v Speaker 2>I just thought it's a great script, and I thought,

0:10:16.000 --> 0:10:19.000
<v Speaker 2>you know, I like this character, and I approached it

0:10:19.040 --> 0:10:21.760
<v Speaker 2>like it was, you know, the biggest movie in the world,

0:10:21.760 --> 0:10:23.840
<v Speaker 2>and I gave everything I had to it. So the

0:10:23.920 --> 0:10:26.880
<v Speaker 2>pressure I'm used to putting that pressure on myself no

0:10:26.880 --> 0:10:31.800
<v Speaker 2>matter what I do, healthy amount of pressure, because going

0:10:31.880 --> 0:10:34.680
<v Speaker 2>into a character is a skill. That's kind of what

0:10:34.720 --> 0:10:37.880
<v Speaker 2>we're focusing on now. But when I say healthy pressure,

0:10:37.920 --> 0:10:40.720
<v Speaker 2>you also got to learn to come out. And that's

0:10:40.720 --> 0:10:42.400
<v Speaker 2>a skill. Like you know, you and I are doing

0:10:42.400 --> 0:10:45.720
<v Speaker 2>this interview now, when we cut, you got to learn

0:10:45.760 --> 0:10:48.960
<v Speaker 2>to just go back to normal, go back to life. Knowing,

0:10:49.000 --> 0:10:50.760
<v Speaker 2>for example, people are going to see this interview and

0:10:50.840 --> 0:10:53.360
<v Speaker 2>maybe judge you on it or whatever. You still got

0:10:53.400 --> 0:10:56.960
<v Speaker 2>to go back to normal, realize this is done now,

0:10:57.000 --> 0:11:00.520
<v Speaker 2>it's like Michael the human being going on operate. What

0:11:00.559 --> 0:11:02.440
<v Speaker 2>am I going to have for lunch? And call your

0:11:02.480 --> 0:11:04.600
<v Speaker 2>loved ones and think about your cat or whatever it is,

0:11:04.640 --> 0:11:04.840
<v Speaker 2>you know.

0:11:04.920 --> 0:11:07.400
<v Speaker 1>Yeah, yeah, I always say that, like, you can't have

0:11:07.440 --> 0:11:10.280
<v Speaker 1>a real rich life if your whole identity is just

0:11:10.320 --> 0:11:12.319
<v Speaker 1>wrapped up on the work you're doing. And it's a

0:11:12.320 --> 0:11:14.600
<v Speaker 1>big piece of what we do. Obviously it's a very

0:11:15.400 --> 0:11:17.960
<v Speaker 1>different kind of business we're in. But you got to

0:11:17.960 --> 0:11:21.000
<v Speaker 1>have that balance. You got to go turn it off sometimes.

0:11:21.960 --> 0:11:23.600
<v Speaker 2>You got to do it all the time. Yeah, you guys,

0:11:23.600 --> 0:11:24.720
<v Speaker 2>as a matter of fact, you have to do it

0:11:24.760 --> 0:11:27.240
<v Speaker 2>every time. Yeah, I think or else it's it really

0:11:27.280 --> 0:11:28.680
<v Speaker 2>catches up to you. It's unhealthy.

0:11:28.800 --> 0:11:29.480
<v Speaker 1>Yeah, as a.

0:11:29.440 --> 0:11:31.400
<v Speaker 2>Young actor, I didn't know how to turn it off

0:11:31.440 --> 0:11:35.200
<v Speaker 2>because you because you're you're literally affecting your body. You know,

0:11:35.240 --> 0:11:37.839
<v Speaker 2>Like someone says to you, how is your day right

0:11:37.920 --> 0:11:41.960
<v Speaker 2>at work as an actor and you say it was amazing,

0:11:42.160 --> 0:11:44.640
<v Speaker 2>and you said, what did you do? Well? I killed

0:11:44.640 --> 0:11:48.280
<v Speaker 2>somebody and then I had sex with someone in the hallway,

0:11:48.480 --> 0:11:50.319
<v Speaker 2>and then it got into a car crash, and then

0:11:50.360 --> 0:11:52.360
<v Speaker 2>I yelled at someone and someone yelled back at me.

0:11:52.800 --> 0:11:56.080
<v Speaker 2>And those are all your scenes right, and your body

0:11:56.160 --> 0:11:59.680
<v Speaker 2>is affected because you're actually yelling and you're actually falling

0:11:59.800 --> 0:12:02.800
<v Speaker 2>in mind you it's all fake obviously, but your body

0:12:03.640 --> 0:12:07.480
<v Speaker 2>is exercising some muscles. So was that really a good

0:12:07.559 --> 0:12:09.560
<v Speaker 2>day for anyone else in the world? It would have

0:12:09.559 --> 0:12:12.200
<v Speaker 2>been a horrible day. And you got your body's got

0:12:12.200 --> 0:12:16.839
<v Speaker 2>to learn to just you know, different, reset as quickly

0:12:16.920 --> 0:12:17.480
<v Speaker 2>as it can.

0:12:17.679 --> 0:12:20.640
<v Speaker 1>Yeah. Yeah, yeah, especially playing a darker role or a

0:12:20.679 --> 0:12:23.960
<v Speaker 1>villain or you know, something that's not who you are

0:12:24.080 --> 0:12:25.920
<v Speaker 1>day to day, which I think is a really interesting

0:12:26.120 --> 0:12:27.800
<v Speaker 1>job that you have and a piece of what you

0:12:27.840 --> 0:12:31.280
<v Speaker 1>do which is so fascinating. You earlier lit up when

0:12:31.280 --> 0:12:33.839
<v Speaker 1>you brought up your boy, Tom Holland like your whole face.

0:12:34.960 --> 0:12:35.920
<v Speaker 2>Everybody loves Tom.

0:12:35.920 --> 0:12:37.720
<v Speaker 1>He's a great I just saw him. I was covering

0:12:37.760 --> 0:12:39.840
<v Speaker 1>the carpet for the Odyssey for a show I work

0:12:39.920 --> 0:12:42.360
<v Speaker 1>on called Extra and he's just like the nicest human

0:12:42.440 --> 0:12:44.120
<v Speaker 1>in the world. So how was it getting to see

0:12:44.200 --> 0:12:47.079
<v Speaker 1>him bring this iconic role of life and transform into

0:12:47.160 --> 0:12:48.320
<v Speaker 1>him up close and personal.

0:12:48.800 --> 0:12:52.000
<v Speaker 2>He's great. I met him ten years ago. And his

0:12:52.720 --> 0:12:55.400
<v Speaker 2>partner is also grades and Die is also great, and

0:12:55.440 --> 0:12:59.200
<v Speaker 2>the director Destin is also It's a really good group.

0:12:59.600 --> 0:13:01.560
<v Speaker 2>Look you look at Tom and you can't help but

0:13:01.760 --> 0:13:05.200
<v Speaker 2>respect and admire and love what he's done for himself.

0:13:05.600 --> 0:13:08.720
<v Speaker 2>He's created a beautiful career in a beautiful life, and

0:13:08.760 --> 0:13:11.880
<v Speaker 2>I think, you know, anyone who wants to see good

0:13:11.880 --> 0:13:14.960
<v Speaker 2>in the world wants to see more of that, especially

0:13:14.960 --> 0:13:17.600
<v Speaker 2>in younger people, and go like, yes, that's a good example.

0:13:17.640 --> 0:13:20.199
<v Speaker 2>There there you go. You know, his life is firing

0:13:20.679 --> 0:13:25.239
<v Speaker 2>family man. His family's around, doing good at work, helping everybody,

0:13:26.320 --> 0:13:30.640
<v Speaker 2>giving his beautiful opinion on on the inside of the scenes,

0:13:31.000 --> 0:13:33.120
<v Speaker 2>and yen, you know his parents are there watching with

0:13:33.200 --> 0:13:36.280
<v Speaker 2>his dog. So it's like it's like, yes, more more

0:13:36.320 --> 0:13:37.720
<v Speaker 2>of that in the world, for sure.

0:13:37.720 --> 0:13:38.920
<v Speaker 1>We want the good guys to win.

0:13:39.240 --> 0:13:41.960
<v Speaker 2>More of that. Yes, more more people like that for sure. Yeah.

0:13:42.000 --> 0:13:44.080
<v Speaker 1>What's it like doing a fight scene together? Are you

0:13:44.120 --> 0:13:46.760
<v Speaker 1>two just sewing the zone? Do you break? Do you laugh?

0:13:46.840 --> 0:13:48.360
<v Speaker 1>Do you kick the shit out of each other? And

0:13:48.400 --> 0:13:50.599
<v Speaker 1>then go grab a beer? I mean, what is it like?

0:13:50.760 --> 0:13:53.040
<v Speaker 2>I think? I think? I mean, you know, you do

0:13:53.200 --> 0:13:55.640
<v Speaker 2>we tell, you know, people talk between takes and stuff,

0:13:55.880 --> 0:13:59.880
<v Speaker 2>But I think in this particular case, you're my mind.

0:14:00.000 --> 0:14:02.760
<v Speaker 2>I always thinking about the scene and like, like, how

0:14:02.800 --> 0:14:04.520
<v Speaker 2>do we get to the other point and what to

0:14:04.559 --> 0:14:06.760
<v Speaker 2>do there. So you're kind of it's almost like a

0:14:06.960 --> 0:14:10.240
<v Speaker 2>fixed up putting together a puzzle this, you know, especially

0:14:10.280 --> 0:14:13.600
<v Speaker 2>because it's kind of although I've been a little bit

0:14:13.640 --> 0:14:15.240
<v Speaker 2>in the other one, it's kind of like a new

0:14:15.320 --> 0:14:18.320
<v Speaker 2>genre for me, those kinds of scenes. Yeah, so my

0:14:18.440 --> 0:14:22.480
<v Speaker 2>mind was trying to figure out a little bit, you know,

0:14:23.320 --> 0:14:25.840
<v Speaker 2>how how do I get to this point and stuff

0:14:25.880 --> 0:14:28.760
<v Speaker 2>like that. But it's great. Sometimes you pinch yourself and

0:14:28.800 --> 0:14:31.920
<v Speaker 2>you look around and you go, wow, this is the

0:14:32.120 --> 0:14:36.000
<v Speaker 2>iconic you know, Pinewood Studio theater in London where they

0:14:36.000 --> 0:14:39.280
<v Speaker 2>shot like all these incredible movies, And here you are

0:14:39.320 --> 0:14:41.480
<v Speaker 2>on one of the biggest movies in the world, and

0:14:41.520 --> 0:14:43.360
<v Speaker 2>you're surrounded by people who are at the top of

0:14:43.400 --> 0:14:45.760
<v Speaker 2>their game, and you're going, this is pretty cool. I'm

0:14:45.840 --> 0:14:48.880
<v Speaker 2>lucky to be here. I'm grateful to be here, and

0:14:49.600 --> 0:14:53.040
<v Speaker 2>I'll do everything I can. Speaking of what happens, I

0:14:53.040 --> 0:14:56.480
<v Speaker 2>saw a shooting Star, I saw Double Rainbow. Sometimes you

0:14:56.520 --> 0:14:58.000
<v Speaker 2>look up and you see like a shooting Star and

0:14:58.080 --> 0:14:59.000
<v Speaker 2>studio and you go, what.

0:14:59.720 --> 0:15:02.560
<v Speaker 1>Can't this is my life? Yeah, here on set, I mean,

0:15:02.600 --> 0:15:05.560
<v Speaker 1>the biggest franchises in the world. I feel like i'd

0:15:05.560 --> 0:15:07.560
<v Speaker 1>be bawling, like walking on that side.

0:15:07.400 --> 0:15:09.920
<v Speaker 2>You're very grateful. Like I said, it's two it's like

0:15:10.000 --> 0:15:14.600
<v Speaker 2>two emotions. It's like gratitude and responsibility. If I think

0:15:14.600 --> 0:15:16.280
<v Speaker 2>you need to just be like all right, I'm still

0:15:16.280 --> 0:15:17.920
<v Speaker 2>here to do a job, and I hope I do

0:15:17.960 --> 0:15:19.600
<v Speaker 2>it as well as I can. I will do it

0:15:19.600 --> 0:15:21.640
<v Speaker 2>as well as I can. I hope it's good enough,

0:15:21.720 --> 0:15:21.960
<v Speaker 2>you know.

0:15:21.960 --> 0:15:24.320
<v Speaker 1>Kind of thing. Yeah, yeah, And aside from the emotions,

0:15:24.320 --> 0:15:26.120
<v Speaker 1>you have to bring in all of that. You know,

0:15:26.400 --> 0:15:30.440
<v Speaker 1>it's a physical role. I mean you're physically very active

0:15:30.520 --> 0:15:34.000
<v Speaker 1>in this. Did you feel like you were ready for it?

0:15:34.040 --> 0:15:36.240
<v Speaker 1>Did you get injured? Like how do you keep your body?

0:15:36.520 --> 0:15:38.880
<v Speaker 2>Yeah? When you have to. I mean the character moves

0:15:38.880 --> 0:15:41.440
<v Speaker 2>in a lot of like side movements. He does a

0:15:41.440 --> 0:15:44.680
<v Speaker 2>lot of very like snappy side movements. And I quickly realized,

0:15:44.720 --> 0:15:49.320
<v Speaker 2>all right, I need to work out for that particular movement.

0:15:49.760 --> 0:15:52.400
<v Speaker 2>So I started. They had a great trainer there and

0:15:52.440 --> 0:15:56.240
<v Speaker 2>she was helping us, helping me with those movements, helping

0:15:56.320 --> 0:15:59.040
<v Speaker 2>me stretch before and after a couple of times. It's

0:15:59.360 --> 0:16:01.880
<v Speaker 2>especially like later into the night, your back would cramp

0:16:01.960 --> 0:16:06.120
<v Speaker 2>up and you need like the the people from like

0:16:06.160 --> 0:16:08.080
<v Speaker 2>the medics to come and like press it down and

0:16:08.120 --> 0:16:11.120
<v Speaker 2>open it up and stuff because your back will just spasm.

0:16:11.480 --> 0:16:14.240
<v Speaker 2>But it's worth it. It's I love that stuff and

0:16:14.280 --> 0:16:16.400
<v Speaker 2>I try to do as much of the stunts as

0:16:16.440 --> 0:16:18.600
<v Speaker 2>I could. But there are some of those stunts that

0:16:18.640 --> 0:16:23.120
<v Speaker 2>are like, like I couldn't do it. It's like you're

0:16:23.200 --> 0:16:26.920
<v Speaker 2>flying into a car and it's like full speed. And

0:16:27.000 --> 0:16:30.200
<v Speaker 2>those stunt guys, I mean, they they really take it,

0:16:30.440 --> 0:16:33.280
<v Speaker 2>and I have so much respect for them. I see

0:16:33.320 --> 0:16:35.520
<v Speaker 2>them and you look at them and you go, you okay,

0:16:35.520 --> 0:16:37.560
<v Speaker 2>and they just nod and you go that must hurt.

0:16:38.080 --> 0:16:40.840
<v Speaker 2>And they do it again like a time. So respect

0:16:40.840 --> 0:16:41.440
<v Speaker 2>to the stunts.

0:16:41.640 --> 0:16:45.120
<v Speaker 1>Respects a hard job, and they do it. Dan.

0:16:45.320 --> 0:16:47.040
<v Speaker 2>I mean, Tom does a lot of his stunts too.

0:16:47.640 --> 0:16:49.800
<v Speaker 2>He does He does a lot of the acrobatic stuff

0:16:49.800 --> 0:16:53.080
<v Speaker 2>and all that stuff. I'm referring for my particular case,

0:16:53.080 --> 0:16:57.040
<v Speaker 2>I'm referring mostly to the hits. Those are like hard

0:16:57.040 --> 0:17:06.080
<v Speaker 2>to do it. Man.

0:17:06.119 --> 0:17:08.040
<v Speaker 1>I'm like sitting here feeling so proud of you for

0:17:08.400 --> 0:17:10.719
<v Speaker 1>taking on this role because it's such a big deal. Right,

0:17:10.840 --> 0:17:13.720
<v Speaker 1>Like I said, we've been waiting for almost a decade

0:17:14.240 --> 0:17:17.760
<v Speaker 1>for your portrayal of Scorpion, so it seems like you

0:17:17.760 --> 0:17:19.120
<v Speaker 1>think we'll be pretty happy with it.

0:17:19.720 --> 0:17:21.439
<v Speaker 2>What do I think if people will be happy with it?

0:17:21.480 --> 0:17:23.280
<v Speaker 2>I can tell you I give my ale. You know,

0:17:23.359 --> 0:17:26.200
<v Speaker 2>I think it's no longer in my hands. I did

0:17:26.240 --> 0:17:30.600
<v Speaker 2>everything I could. I'm proud of what I did. But

0:17:30.960 --> 0:17:32.159
<v Speaker 2>you know, you got to let it go, and you

0:17:32.280 --> 0:17:34.040
<v Speaker 2>just get it's no longer mine, you know what I mean,

0:17:34.080 --> 0:17:36.800
<v Speaker 2>Like it's it's in the editors, it's in the directors

0:17:36.800 --> 0:17:39.280
<v Speaker 2>in marvels, it's in the audience's hands. It belongs to

0:17:39.280 --> 0:17:41.480
<v Speaker 2>the world now, and you just got to like let

0:17:41.480 --> 0:17:43.199
<v Speaker 2>it go and just say, you know, I hope it

0:17:43.200 --> 0:17:43.680
<v Speaker 2>works out.

0:17:44.040 --> 0:17:47.440
<v Speaker 1>Does it feel like a fraternity being in an MCU movie,

0:17:47.480 --> 0:17:50.639
<v Speaker 1>like between like meeting other actors who play superheroes or villains, Like,

0:17:50.680 --> 0:17:53.080
<v Speaker 1>do you guys link up? Do you talk? Do you

0:17:53.320 --> 0:17:56.240
<v Speaker 1>have a forever bond because you're in this world together?

0:17:56.440 --> 0:17:58.680
<v Speaker 2>Yeah? Yeah, there's dinners and it's like only villains, and

0:17:58.720 --> 0:18:02.000
<v Speaker 2>then there's just only hero No. Yeah, you know, you

0:18:02.000 --> 0:18:05.360
<v Speaker 2>you try to build a friendship and a fraternity everywhere

0:18:05.359 --> 0:18:09.919
<v Speaker 2>you can. I think community is super important, and you

0:18:09.960 --> 0:18:11.639
<v Speaker 2>try to do it anywhere you can, you know. I

0:18:11.680 --> 0:18:14.240
<v Speaker 2>remember on Spider Man a lot of the cast members

0:18:14.280 --> 0:18:17.600
<v Speaker 2>would meet up and have cigars or go for a drink,

0:18:17.680 --> 0:18:21.000
<v Speaker 2>or there's a camaraderie because you all know what's going

0:18:21.040 --> 0:18:23.320
<v Speaker 2>on and the pressure that you're under, but also the

0:18:23.320 --> 0:18:25.640
<v Speaker 2>blessing that you're under. Yeah, and it's kind of nice

0:18:25.680 --> 0:18:27.800
<v Speaker 2>to share that because the other person gets it, especially

0:18:27.800 --> 0:18:30.000
<v Speaker 2>if it's like a first time or whatever. You know.

0:18:30.200 --> 0:18:32.760
<v Speaker 1>Yeah, yeah, that's sick man to kind of put a

0:18:32.760 --> 0:18:35.680
<v Speaker 1>pin in this portion of the conversation. There's a lot

0:18:35.680 --> 0:18:39.639
<v Speaker 1>of speculation out there that your scorpion is going to

0:18:39.680 --> 0:18:42.600
<v Speaker 1>eventually turn into venom? Have you heard those rumors?

0:18:43.000 --> 0:18:45.760
<v Speaker 2>I know that that's what happens in the commence, So.

0:18:45.680 --> 0:18:48.080
<v Speaker 1>A lot of people wondering comment on that.

0:18:48.359 --> 0:18:51.720
<v Speaker 2>I can't comment on anything. Okay, I think I think

0:18:51.960 --> 0:18:57.919
<v Speaker 2>Marvel would have me. Yeah, I can't comment on anything.

0:18:57.960 --> 0:19:00.879
<v Speaker 2>I can tell you know, this character has so much potential.

0:19:01.359 --> 0:19:02.840
<v Speaker 2>It was one of the reasons when they when it

0:19:02.880 --> 0:19:05.119
<v Speaker 2>was offered to me, I was really excited to play

0:19:06.520 --> 0:19:10.920
<v Speaker 2>Mac Gargan. And I remember, this is kind of crazy,

0:19:10.920 --> 0:19:13.240
<v Speaker 2>but I had two incidents when you bring up venom.

0:19:13.560 --> 0:19:16.679
<v Speaker 2>When I was a kid, they had this in art school.

0:19:16.880 --> 0:19:20.720
<v Speaker 2>We had to cut up these kind of like magazines

0:19:20.800 --> 0:19:22.800
<v Speaker 2>and do a collage. I was like maybe eleven years

0:19:22.840 --> 0:19:28.520
<v Speaker 2>old and I had Spider Man and mac Gargan's rendition

0:19:28.600 --> 0:19:31.960
<v Speaker 2>of Venom, and I remember as a kid, I couldn't

0:19:32.000 --> 0:19:36.560
<v Speaker 2>help but gravitate towards the Venom character. It's like the

0:19:36.800 --> 0:19:39.440
<v Speaker 2>way his tongue, the mac Gargan, you know, one with

0:19:39.520 --> 0:19:42.400
<v Speaker 2>the big tongue and everything. And then the second thing

0:19:42.480 --> 0:19:44.560
<v Speaker 2>like that happened when I remember when I first came

0:19:44.600 --> 0:19:46.879
<v Speaker 2>to La first time in my life. I was like

0:19:47.680 --> 0:19:50.320
<v Speaker 2>thirty four thirty five, first time I've ever been to La.

0:19:50.720 --> 0:19:53.080
<v Speaker 2>I walked into a store and I bought a Venom hoodie.

0:19:53.800 --> 0:19:55.879
<v Speaker 2>So it when when they offered me the role, I

0:19:56.119 --> 0:19:57.840
<v Speaker 2>looked it up and I was like, oh my god,

0:19:58.040 --> 0:20:01.320
<v Speaker 2>that's the you know, so there's there's like little winks

0:20:01.400 --> 0:20:06.479
<v Speaker 2>like that where the universe kind of goes maybe someone's watching,

0:20:06.600 --> 0:20:09.480
<v Speaker 2>you know what I mean. Maybe this isn't all a coincidence. Yeah,

0:20:09.520 --> 0:20:11.240
<v Speaker 2>and you know, you take it with a great assault.

0:20:11.280 --> 0:20:15.720
<v Speaker 2>But since we are speaking about fantasy worlds, it's kind

0:20:15.720 --> 0:20:17.440
<v Speaker 2>of nice to think maybe there's a little bit of

0:20:17.480 --> 0:20:18.200
<v Speaker 2>magic to life.

0:20:18.400 --> 0:20:20.640
<v Speaker 1>I'm with you, man, you know, it beats the alternative

0:20:20.800 --> 0:20:23.760
<v Speaker 1>you know, I rather think like that than not. That's awesome.

0:20:23.880 --> 0:20:26.480
<v Speaker 2>What's the word when someone is thinks the world is

0:20:26.520 --> 0:20:28.639
<v Speaker 2>conspiring for you know, paranoia when.

0:20:28.480 --> 0:20:33.360
<v Speaker 1>You're like almost like a yeah, paranoia or like conspiracy theory.

0:20:34.080 --> 0:20:36.920
<v Speaker 2>That is when you think the world is conspiring for you.

0:20:37.200 --> 0:20:38.720
<v Speaker 1>Yes, you have ever heard of that word.

0:20:39.040 --> 0:20:40.639
<v Speaker 2>I'm not one of those. I wish I was one

0:20:40.640 --> 0:20:43.520
<v Speaker 2>of those people that thought everything is conspiring for me, right,

0:20:43.560 --> 0:20:44.840
<v Speaker 2>But there's a word for that, do you know.

0:20:44.920 --> 0:20:48.400
<v Speaker 1>It's Stephanie like conspiring for it. It's almost like like

0:20:48.400 --> 0:20:51.360
<v Speaker 1>like not manifesting, but like no, no, no, when it's positive,

0:20:51.359 --> 0:20:52.720
<v Speaker 1>it's like a positive.

0:20:52.400 --> 0:20:54.879
<v Speaker 2>It's the opposite of the paranoid. It's when you think

0:20:54.960 --> 0:20:56.640
<v Speaker 2>like everything's happening.

0:20:56.320 --> 0:20:59.080
<v Speaker 1>For your good, like everything happens for a well no,

0:20:59.080 --> 0:21:02.239
<v Speaker 1>not for a reason for good. Right, So there're gonna think,

0:21:02.240 --> 0:21:05.120
<v Speaker 1>I'm gonna think that there is the like two am

0:21:05.160 --> 0:21:07.480
<v Speaker 1>on gonna wake up and be like, ship, I wish

0:21:07.560 --> 0:21:09.679
<v Speaker 1>I had it? Well, that's that's first of all. I

0:21:09.680 --> 0:21:12.119
<v Speaker 1>love those stories because, yeah, I'm with you. I believe

0:21:12.119 --> 0:21:14.560
<v Speaker 1>there's a little magic in the world and it was

0:21:15.119 --> 0:21:17.440
<v Speaker 1>almost meant to be this way. So that's awesome. You're

0:21:17.480 --> 0:21:21.280
<v Speaker 1>also one of the very few actors I can't think

0:21:21.280 --> 0:21:24.399
<v Speaker 1>of many who are part of the m c U

0:21:24.560 --> 0:21:27.520
<v Speaker 1>and the DC world. Yeah, I mean, that's insane. You're

0:21:27.600 --> 0:21:30.480
<v Speaker 1>voicing Bane and that's coming out later this year.

0:21:30.520 --> 0:21:33.959
<v Speaker 2>It's coming out in August. I think I can say that.

0:21:34.240 --> 0:21:37.560
<v Speaker 2>I hope I can say that. That's a trilogy film,

0:21:37.640 --> 0:21:42.480
<v Speaker 2>rated R animation film, and man, that was like a

0:21:42.640 --> 0:21:47.760
<v Speaker 2>real childhood geek moment for me. Really, dude, I've you know,

0:21:47.920 --> 0:21:50.680
<v Speaker 2>haven't had those moments a lot in my career where

0:21:50.720 --> 0:21:54.320
<v Speaker 2>I just like, I was like wow, Actually that's not true.

0:21:55.000 --> 0:21:58.440
<v Speaker 2>I think, let me rephrase it. I've had those moments

0:21:58.800 --> 0:22:02.080
<v Speaker 2>before in my career, but they're so rare where you

0:22:02.160 --> 0:22:04.080
<v Speaker 2>kind of like you. When I was on the first

0:22:04.080 --> 0:22:06.760
<v Speaker 2>time on Better Call Saul was a moment where I

0:22:06.800 --> 0:22:09.760
<v Speaker 2>go wow. When far Cry three hit and I was

0:22:09.800 --> 0:22:12.520
<v Speaker 2>playing vas and Farkry three, I was like wow. Spider

0:22:12.600 --> 0:22:15.720
<v Speaker 2>Man set and then Bain is another one of those moments,

0:22:16.080 --> 0:22:17.480
<v Speaker 2>and when I saw that's what I mean, you know,

0:22:17.480 --> 0:22:20.080
<v Speaker 2>there's like four or five of them. You get where

0:22:20.119 --> 0:22:23.400
<v Speaker 2>you go, I can't believe. And now I'm in Gundam, right,

0:22:23.440 --> 0:22:26.600
<v Speaker 2>that's another moment. Yeah, where you go, where you go? Wow,

0:22:26.720 --> 0:22:31.600
<v Speaker 2>this is unreal. And when I saw myself as Baine

0:22:31.600 --> 0:22:35.280
<v Speaker 2>fighting Batman in the cartoon in an R rated version,

0:22:35.960 --> 0:22:39.560
<v Speaker 2>I was like, Wow, this is crazy. That was really fun,

0:22:39.920 --> 0:22:40.640
<v Speaker 2>really really fun.

0:22:40.960 --> 0:22:42.840
<v Speaker 1>And he's I mean he's a badass. Like to play

0:22:42.840 --> 0:22:43.919
<v Speaker 1>another bad ass.

0:22:44.119 --> 0:22:46.280
<v Speaker 2>Ban is awesome. I mean it's interesting because in that

0:22:46.560 --> 0:22:50.520
<v Speaker 2>in that rendition he outsmarts Batman. So there's like a

0:22:50.560 --> 0:22:53.600
<v Speaker 2>trilogy and it gets really dark, and it was a

0:22:53.640 --> 0:22:57.399
<v Speaker 2>great experience. Man. They they ended up we had so

0:22:57.520 --> 0:23:00.840
<v Speaker 2>much fun in the voice session that they ended up

0:23:00.880 --> 0:23:05.720
<v Speaker 2>basing the animation completely off of the voice session, so

0:23:05.800 --> 0:23:09.840
<v Speaker 2>I never redid the voice for the animation. The animation

0:23:10.040 --> 0:23:13.320
<v Speaker 2>was molded around this kind of like shooting in the

0:23:13.400 --> 0:23:17.000
<v Speaker 2>dark voice performance, and that was just like such a

0:23:17.160 --> 0:23:20.040
<v Speaker 2>beautiful thing to just see, like they kept all these

0:23:20.160 --> 0:23:24.040
<v Speaker 2>instincts and they actually shaped the movements and everything around

0:23:24.040 --> 0:23:27.760
<v Speaker 2>the voice, which is usually the opposite you're usually matching

0:23:27.760 --> 0:23:28.360
<v Speaker 2>the animation.

0:23:28.880 --> 0:23:29.280
<v Speaker 1>Damn.

0:23:29.600 --> 0:23:30.680
<v Speaker 2>Yeah, that was so cool man.

0:23:30.760 --> 0:23:33.520
<v Speaker 1>What cool experience is I mean this this conversation is

0:23:33.560 --> 0:23:36.040
<v Speaker 1>coming out a few days before Spider Man drops, and

0:23:36.040 --> 0:23:38.600
<v Speaker 1>and you know the DC Worlds. You also have seventy

0:23:38.640 --> 0:23:41.480
<v Speaker 1>two Hours, which is out on Netflix. Yeah, totally different

0:23:41.480 --> 0:23:42.320
<v Speaker 1>than what we're talking about.

0:23:42.560 --> 0:23:44.320
<v Speaker 2>When you do a comedy, you know, and came my

0:23:44.400 --> 0:23:47.000
<v Speaker 2>way and Tim Story is great director, and I met

0:23:47.040 --> 0:23:50.800
<v Speaker 2>him before, and obviously Kevin Hart and Marcelo Hernandez and

0:23:50.840 --> 0:23:53.720
<v Speaker 2>all these guys from the SNL cam and all you know,

0:23:53.760 --> 0:23:57.520
<v Speaker 2>all of them their goodman. You know, all these guys

0:23:57.560 --> 0:24:01.399
<v Speaker 2>are awesome. And I said, yeah, I'll do it. It

0:24:01.440 --> 0:24:04.240
<v Speaker 2>was it was funny because I had like, literally, I

0:24:04.280 --> 0:24:06.679
<v Speaker 2>think like two or three weeks free before I had

0:24:06.680 --> 0:24:10.240
<v Speaker 2>to go to London, and they said, you're not gonna

0:24:10.240 --> 0:24:12.199
<v Speaker 2>believe this. You could shoot a movie right before you

0:24:12.240 --> 0:24:14.879
<v Speaker 2>go shoot a spider Man and you want to do

0:24:14.880 --> 0:24:17.680
<v Speaker 2>a comedy with Kevin Hart. And I go, yeah, let's

0:24:17.680 --> 0:24:20.160
<v Speaker 2>do it. And there's some cool cameos in that one too.

0:24:20.480 --> 0:24:22.159
<v Speaker 2>You'll see it when you'll you'll know when you see it.

0:24:22.240 --> 0:24:23.680
<v Speaker 1>We're psyched for that. I mean, how do you say

0:24:23.680 --> 0:24:24.760
<v Speaker 1>no to a Kevin Hart movie?

0:24:24.880 --> 0:24:27.040
<v Speaker 2>Come on, it's funny, man. I think Kevin Heart's funny.

0:24:27.080 --> 0:24:28.840
<v Speaker 2>I think all those guys are funny. I wanted to

0:24:28.880 --> 0:24:31.119
<v Speaker 2>do a comedy, yeah, And it was so nice to

0:24:31.320 --> 0:24:35.199
<v Speaker 2>sort of get on set and realize, like you know,

0:24:35.280 --> 0:24:37.800
<v Speaker 2>you're you're, You're all there to make each other laugh

0:24:37.840 --> 0:24:40.119
<v Speaker 2>a little bit, and it's kind of cool. I enjoyed.

0:24:40.160 --> 0:24:42.240
<v Speaker 2>I definitely want to do more comedy well.

0:24:42.240 --> 0:24:45.159
<v Speaker 1>And you have such a great range to being an

0:24:45.200 --> 0:24:47.080
<v Speaker 1>actor and to your craft. You're one of these dudes

0:24:47.119 --> 0:24:50.800
<v Speaker 1>that can go from so insanely likable in your role

0:24:50.960 --> 0:24:54.520
<v Speaker 1>is to absolutely terrifying at the drop of a hat.

0:24:54.640 --> 0:24:58.040
<v Speaker 1>And that takes a skill that takes like true, true

0:24:58.119 --> 0:24:59.720
<v Speaker 1>skill to be able to do that. And it's hard

0:24:59.720 --> 0:25:03.359
<v Speaker 1>to imagine a world where you weren't ever pursuing acting

0:25:03.400 --> 0:25:05.960
<v Speaker 1>because you just belong in it. But this wasn't your

0:25:06.040 --> 0:25:07.000
<v Speaker 1>dream as a kid.

0:25:07.240 --> 0:25:10.400
<v Speaker 2>No, man, It's weird, dude. I didn't start acting till

0:25:10.440 --> 0:25:13.080
<v Speaker 2>I was like almost in my mid twenties. I love it,

0:25:13.160 --> 0:25:14.879
<v Speaker 2>And I didn't move to the States till I was

0:25:14.920 --> 0:25:18.840
<v Speaker 2>in my mid thirties, so my career was like so late.

0:25:19.000 --> 0:25:20.560
<v Speaker 2>I look at like some of the young kids and

0:25:20.600 --> 0:25:23.160
<v Speaker 2>I go, wow, you've been doing this for how long?

0:25:23.200 --> 0:25:26.639
<v Speaker 2>I'm like, so I started really really late. I and

0:25:26.680 --> 0:25:28.840
<v Speaker 2>more than that, I started film even later because I

0:25:28.880 --> 0:25:32.760
<v Speaker 2>started in theater. But you know, the person, the reason

0:25:32.800 --> 0:25:36.399
<v Speaker 2>why I'm an actor is because of my father. My

0:25:36.600 --> 0:25:40.399
<v Speaker 2>father had convinced a girlfriend of mine at the time

0:25:41.320 --> 0:25:43.440
<v Speaker 2>to put it in my head that I should be

0:25:43.480 --> 0:25:46.040
<v Speaker 2>an actor. And I didn't know that he did that

0:25:46.200 --> 0:25:48.480
<v Speaker 2>until I was on TV and I had a couple

0:25:48.520 --> 0:25:51.040
<v Speaker 2>of roles, guest star roles and stuff on TV, and

0:25:51.080 --> 0:25:53.679
<v Speaker 2>I found out that he was the one who first

0:25:53.680 --> 0:25:57.000
<v Speaker 2>planted that idea through my girlfriend for me to pursue

0:25:57.000 --> 0:25:59.640
<v Speaker 2>acting because he knew or thought that if he had

0:25:59.640 --> 0:26:02.320
<v Speaker 2>told me erectly, I wouldn't have listened. I would have thought,

0:26:02.440 --> 0:26:03.840
<v Speaker 2>what do you know, I don't want to do this thing,

0:26:03.840 --> 0:26:07.119
<v Speaker 2>you know. But so my father, God bless me, passed away.

0:26:07.560 --> 0:26:10.080
<v Speaker 2>But my father is my hero, you know, he really is,

0:26:10.520 --> 0:26:13.879
<v Speaker 2>and he's he's the reason I'm here. You know, I

0:26:13.920 --> 0:26:16.760
<v Speaker 2>owe everything to him. So you say, I guess he

0:26:16.840 --> 0:26:17.879
<v Speaker 2>saw it. Maybe I don't know.

0:26:18.200 --> 0:26:20.679
<v Speaker 1>Yeah, yeah, yeah, that's really cool, man, And I like

0:26:20.840 --> 0:26:25.439
<v Speaker 1>I like that you are someone who is showing you

0:26:25.480 --> 0:26:28.639
<v Speaker 1>can achieve things at different points of your life. I

0:26:28.640 --> 0:26:31.159
<v Speaker 1>think the narrative often is you are born and you

0:26:31.240 --> 0:26:33.000
<v Speaker 1>have to know what you want to do and that's

0:26:33.040 --> 0:26:36.080
<v Speaker 1>what you're gonna be. And it's like that's just not

0:26:36.119 --> 0:26:39.280
<v Speaker 1>always the reality, And I think there's never an expiration

0:26:39.400 --> 0:26:41.359
<v Speaker 1>date on trying to go for something, and you clear

0:26:41.480 --> 0:26:43.520
<v Speaker 1>something in you was like, all right, my girlfriend at

0:26:43.560 --> 0:26:46.760
<v Speaker 1>the times pushing it, but I don't know. I want

0:26:46.800 --> 0:26:48.800
<v Speaker 1>to do it, like something was calling you to do it.

0:26:48.840 --> 0:26:51.480
<v Speaker 2>You know, I used to like for first. It's funny,

0:26:51.480 --> 0:26:55.040
<v Speaker 2>you know, speaking of that. My neighbor is a musician,

0:26:55.480 --> 0:26:57.720
<v Speaker 2>and we were talking. He's like, you know, I'm too

0:26:57.720 --> 0:27:00.200
<v Speaker 2>old to make music right now, and I go, why

0:27:00.560 --> 0:27:02.840
<v Speaker 2>He goes, you know, it's like a young man's game,

0:27:03.400 --> 0:27:05.639
<v Speaker 2>and I go, you're telling me that your point of

0:27:05.720 --> 0:27:07.920
<v Speaker 2>view as a thirty year old, thirty five year old

0:27:08.640 --> 0:27:12.000
<v Speaker 2>is not important. You think we only need to hear

0:27:12.320 --> 0:27:16.920
<v Speaker 2>people tell their emotional stories of a specific age. Man,

0:27:16.960 --> 0:27:19.520
<v Speaker 2>I want to hear stories music from people who are

0:27:19.560 --> 0:27:22.000
<v Speaker 2>eighty and ninety. I want to know what that feels like.

0:27:22.040 --> 0:27:24.840
<v Speaker 2>I want to know what it feels like to be sixty.

0:27:24.880 --> 0:27:26.159
<v Speaker 2>I want to know what it feels like to be fifty.

0:27:26.480 --> 0:27:27.800
<v Speaker 2>I want to know what it feels like to come

0:27:27.800 --> 0:27:30.280
<v Speaker 2>from here. So there is no right. There is no

0:27:30.400 --> 0:27:33.800
<v Speaker 2>such thing as, in my opinion, an expiry date on expression.

0:27:34.359 --> 0:27:37.439
<v Speaker 2>On the contrary, I think we want to encourage people

0:27:37.440 --> 0:27:40.760
<v Speaker 2>from all ages, in all walks of life to express

0:27:40.800 --> 0:27:44.119
<v Speaker 2>themselves and to do it confidently, because we need it

0:27:44.160 --> 0:27:47.560
<v Speaker 2>now more than ever. You know, we need different points

0:27:47.600 --> 0:27:50.280
<v Speaker 2>of views that will challenge us. When did you know

0:27:50.320 --> 0:27:52.360
<v Speaker 2>that you wanted to do this hosting?

0:27:52.400 --> 0:27:59.840
<v Speaker 1>When did I know? I knew probably around thirty two

0:28:00.560 --> 0:28:02.840
<v Speaker 1>thirty two, So you I just turned forty this year.

0:28:02.960 --> 0:28:04.200
<v Speaker 2>Okay, So you started.

0:28:04.240 --> 0:28:07.280
<v Speaker 1>And I started. I had a very weird journey, which

0:28:08.119 --> 0:28:10.240
<v Speaker 1>we'd be here forever talking about it. But I started

0:28:10.320 --> 0:28:13.320
<v Speaker 1>as an actor, then went to Corporate America, then missed

0:28:13.320 --> 0:28:13.920
<v Speaker 1>the business.

0:28:14.400 --> 0:28:17.439
<v Speaker 2>Start acting first and then corporate. Usually it's the opposite.

0:28:17.480 --> 0:28:19.680
<v Speaker 2>Someone would quit corporate now now.

0:28:19.800 --> 0:28:21.439
<v Speaker 1>It's like a why, and then missed the business but

0:28:21.440 --> 0:28:23.480
<v Speaker 1>didn't want to go into acting necessarily. So I said,

0:28:23.480 --> 0:28:25.240
<v Speaker 1>I love it. I want to cover it like an act.

0:28:25.240 --> 0:28:27.119
<v Speaker 1>I want to cover it. Ye talk to artists, So

0:28:27.760 --> 0:28:29.960
<v Speaker 1>it's cool, I I you know. And it's funny because

0:28:30.000 --> 0:28:31.720
<v Speaker 1>now if I meet other hosts or people who want

0:28:31.720 --> 0:28:34.160
<v Speaker 1>to do this, I always say, like act, like do improv,

0:28:34.240 --> 0:28:35.679
<v Speaker 1>like get out of your head and out of your

0:28:35.680 --> 0:28:37.520
<v Speaker 1>body so you can have a conversation. There's a lot

0:28:37.560 --> 0:28:40.880
<v Speaker 1>of similarities between the two of the jobs. But yeah, no,

0:28:40.920 --> 0:28:44.959
<v Speaker 1>I'm so. I'm a big proponent of doing things on

0:28:45.000 --> 0:28:47.680
<v Speaker 1>your own timeline, which stuff and I over here we're

0:28:47.680 --> 0:28:49.760
<v Speaker 1>talking about the other day, and there's no set timeline

0:28:49.800 --> 0:28:52.360
<v Speaker 1>to achieve things, and I think it's really cool. And

0:28:52.400 --> 0:28:54.320
<v Speaker 1>I also believe you can be an artist even when

0:28:54.360 --> 0:28:55.440
<v Speaker 1>no one's looking at your work.

0:28:55.800 --> 0:29:00.000
<v Speaker 2>Dude. To me, art like artist means you're expressing yourself.

0:29:00.520 --> 0:29:03.480
<v Speaker 2>And to me, if you're expressing yourself honestly, you're a

0:29:03.480 --> 0:29:07.320
<v Speaker 2>good artist. You know. You know, like the words I

0:29:07.400 --> 0:29:10.760
<v Speaker 2>love you, right if you just if you mean it,

0:29:10.760 --> 0:29:13.600
<v Speaker 2>it's beautiful, you don't A child can say it and

0:29:13.640 --> 0:29:16.920
<v Speaker 2>it's like the greatest performance ever and you're like, yes,

0:29:17.200 --> 0:29:22.400
<v Speaker 2>that can You could sell anything with that that cute, innocent,

0:29:22.520 --> 0:29:25.960
<v Speaker 2>beautiful face going I love you, mommy, and you go, man, yeah,

0:29:25.960 --> 0:29:28.160
<v Speaker 2>I'll buy it, how much? You know what I mean? So,

0:29:28.360 --> 0:29:30.600
<v Speaker 2>I think art is just expressing yourself, and I think

0:29:30.600 --> 0:29:34.160
<v Speaker 2>to be a good artist, be honest, and everything else

0:29:34.160 --> 0:29:36.480
<v Speaker 2>from there is craft, and you know, you can learn

0:29:36.560 --> 0:29:39.360
<v Speaker 2>technique and all that stuff. So to anyone out there

0:29:39.360 --> 0:29:42.040
<v Speaker 2>who wants to do any kind of expressive I think

0:29:42.120 --> 0:29:46.040
<v Speaker 2>if you're honest, you're good. You're good fail fail honestly,

0:29:46.080 --> 0:29:49.480
<v Speaker 2>it's okay, you know what I mean. So I think

0:29:49.480 --> 0:29:52.080
<v Speaker 2>to me, people say, oh, you must be a great liar,

0:29:52.120 --> 0:29:55.000
<v Speaker 2>you're an actor, And I say, well, I don't think

0:29:55.040 --> 0:29:57.880
<v Speaker 2>I'm trying to lie. If you catch me lying, then

0:29:57.880 --> 0:30:01.280
<v Speaker 2>I'm a bad actor. I'm so that's why I hope

0:30:01.320 --> 0:30:04.080
<v Speaker 2>to tell the truth. So I'm looking for the truth

0:30:04.120 --> 0:30:06.600
<v Speaker 2>in things so that I don't have to worry about

0:30:06.680 --> 0:30:09.640
<v Speaker 2>lying on camera. But I'm kind of focused on telling

0:30:09.680 --> 0:30:10.120
<v Speaker 2>the truth.

0:30:10.480 --> 0:30:12.880
<v Speaker 1>And hearing that from someone like you who is so accomplished,

0:30:12.880 --> 0:30:15.280
<v Speaker 1>I think really resonates with a lot of people who

0:30:15.280 --> 0:30:18.200
<v Speaker 1>are listening, because it's just a good reminder man, and

0:30:18.760 --> 0:30:23.040
<v Speaker 1>your work has brought so much joy to so many people,

0:30:23.320 --> 0:30:25.880
<v Speaker 1>and your artistry has. I mean, I would ever missed

0:30:25.880 --> 0:30:28.960
<v Speaker 1>if I didn't bring up Better Call Better Soul, because

0:30:29.000 --> 0:30:32.160
<v Speaker 1>it was just a fan favorite role for you playing

0:30:32.240 --> 0:30:35.280
<v Speaker 1>Nacho in that, And what do you miss the most

0:30:35.320 --> 0:30:38.360
<v Speaker 1>about doing that? There's been some space and time now, right.

0:30:38.360 --> 0:30:41.240
<v Speaker 2>It's been three years, I think since that show aired.

0:30:41.520 --> 0:30:44.200
<v Speaker 2>Three years. I wrote to Vince Gillian a couple of

0:30:44.240 --> 0:30:46.440
<v Speaker 2>weeks ago, and just so I saw Pluribus and I

0:30:46.480 --> 0:30:48.760
<v Speaker 2>wrote to ray Seahorn, who's the star of that show,

0:30:48.760 --> 0:30:51.760
<v Speaker 2>who was on her She's great, And I was just like,

0:30:52.520 --> 0:30:54.720
<v Speaker 2>you know, it's this thing. You know, what do I

0:30:54.800 --> 0:30:59.520
<v Speaker 2>miss about it? You know again, I don't. I'm not

0:30:59.520 --> 0:31:03.040
<v Speaker 2>a type of that goes backwards. I don't go backwards.

0:31:03.160 --> 0:31:05.920
<v Speaker 2>But I can tell you that what I loved about

0:31:05.960 --> 0:31:09.160
<v Speaker 2>it when I think about it the most was just

0:31:10.440 --> 0:31:14.360
<v Speaker 2>being on that stage and looking at the sunset and

0:31:14.440 --> 0:31:19.680
<v Speaker 2>knowing that you're part of a project where the from

0:31:19.760 --> 0:31:22.040
<v Speaker 2>the creators of the project all the way down to

0:31:22.120 --> 0:31:26.400
<v Speaker 2>the gaffers, everyone was paying attention to every detail. And

0:31:26.440 --> 0:31:28.480
<v Speaker 2>when you're working on a piece of art like that,

0:31:29.520 --> 0:31:31.960
<v Speaker 2>you can't help but think that you can't help but

0:31:32.000 --> 0:31:34.520
<v Speaker 2>look at the world like a Swiss army, like a

0:31:34.560 --> 0:31:38.560
<v Speaker 2>beautifully done watch, Like everything has its place. So there's

0:31:38.600 --> 0:31:41.040
<v Speaker 2>a sense of like knowing. I don't know how to

0:31:41.040 --> 0:31:43.600
<v Speaker 2>explain it more than that, like you read the script

0:31:43.600 --> 0:31:46.240
<v Speaker 2>and you know every word is weighted, every comments waited,

0:31:46.680 --> 0:31:49.320
<v Speaker 2>and you're there watching the sunset and you go there

0:31:49.360 --> 0:31:52.760
<v Speaker 2>is order in all this chaos, And I remember that

0:31:53.040 --> 0:31:55.680
<v Speaker 2>feeling of bliss. You know, That's what I remember when

0:31:55.720 --> 0:31:57.840
<v Speaker 2>I think of better call Saul of like just that

0:31:57.920 --> 0:32:01.000
<v Speaker 2>sunset and going like things makes sense, you know what

0:32:01.040 --> 0:32:03.239
<v Speaker 2>I mean? I love that that's the memory I have

0:32:03.280 --> 0:32:04.120
<v Speaker 2>a federical song.

0:32:04.240 --> 0:32:06.720
<v Speaker 1>You know, a lot of people want to see Nacho again.

0:32:07.080 --> 0:32:09.240
<v Speaker 1>A lot of people want to see him in some way,

0:32:09.320 --> 0:32:12.400
<v Speaker 1>shape or form. Is that something you'd ever revisit?

0:32:12.920 --> 0:32:16.000
<v Speaker 2>Look, anytime Vince wants me to do anything, I'll do it.

0:32:16.120 --> 0:32:18.880
<v Speaker 2>Vince's to me a genius and a great human being.

0:32:18.920 --> 0:32:20.840
<v Speaker 2>So if a Vince calls me and he wants me

0:32:20.960 --> 0:32:23.080
<v Speaker 2>to do a I don't know, play a tree in

0:32:23.120 --> 0:32:25.760
<v Speaker 2>the background, I'll do it. But like what kind of tree, Vince?

0:32:26.320 --> 0:32:29.840
<v Speaker 2>But I don't know about that character playing it again.

0:32:29.880 --> 0:32:33.160
<v Speaker 2>If Vince wants to, I'll do it. But I'm developing

0:32:33.520 --> 0:32:37.200
<v Speaker 2>a gangster script right now that is not inspired by

0:32:37.200 --> 0:32:39.680
<v Speaker 2>that character. But there's like a couple of there's a

0:32:39.680 --> 0:32:42.320
<v Speaker 2>couple of storylines that I feel the character could have

0:32:42.360 --> 0:32:45.640
<v Speaker 2>gone in different ways. So I'm not exploring that character,

0:32:45.720 --> 0:32:50.000
<v Speaker 2>but I'm exploring that color palette. It's called promises. It's

0:32:50.000 --> 0:32:52.239
<v Speaker 2>a gangster film, so I do want to explore that

0:32:52.320 --> 0:32:54.840
<v Speaker 2>gangster genre a little bit, but have it told from

0:32:54.840 --> 0:32:58.280
<v Speaker 2>the protagonist this point of view, and so that's the genre.

0:32:58.320 --> 0:33:02.440
<v Speaker 2>I love genres, you know, like sci fi, horror, westerns.

0:33:02.560 --> 0:33:05.360
<v Speaker 2>I love like immersive experiences.

0:33:05.440 --> 0:33:07.880
<v Speaker 1>You know, I can't wait for that, man, luck on that.

0:33:07.960 --> 0:33:10.800
<v Speaker 1>That sounds like it's gonna be awesome. That's really really cool,

0:33:10.960 --> 0:33:12.760
<v Speaker 1>you know. Sitting across from you, I can't help but

0:33:12.840 --> 0:33:16.480
<v Speaker 1>keep thinking how accomplished you are, especially for starting quote

0:33:16.560 --> 0:33:19.120
<v Speaker 1>unquote later in this business and how much you've done.

0:33:19.840 --> 0:33:22.880
<v Speaker 1>Are you someone who has faced a lot of rejection

0:33:22.960 --> 0:33:25.080
<v Speaker 1>in your career, because looking at you, it seems like

0:33:25.160 --> 0:33:28.239
<v Speaker 1>you haven't. And for people watching this and listening who

0:33:28.320 --> 0:33:30.640
<v Speaker 1>are sitting at home thinking, oh man, I keep getting

0:33:30.680 --> 0:33:33.600
<v Speaker 1>those or I can't make it, or have you had

0:33:33.640 --> 0:33:35.080
<v Speaker 1>a lot of rejection in your career?

0:33:35.560 --> 0:33:43.760
<v Speaker 2>Oh my god? You know. You know what's funny about life?

0:33:44.960 --> 0:33:49.240
<v Speaker 2>People don't see like It's like I remember a friend

0:33:49.240 --> 0:33:52.400
<v Speaker 2>of mine set He's like, I'm like a duck. I'm moving, man,

0:33:52.440 --> 0:33:54.280
<v Speaker 2>I'm moving, I'm moving. I'm moving. But all you see

0:33:54.360 --> 0:33:57.720
<v Speaker 2>is just the thing in the fever. So look, here's

0:33:57.720 --> 0:33:59.160
<v Speaker 2>what I can say about that. I don't want to

0:33:59.200 --> 0:34:03.400
<v Speaker 2>speak for everybody, nobody, nobody that I've ever met, and

0:34:03.480 --> 0:34:05.680
<v Speaker 2>I can speak for myself more than anyone else, which

0:34:05.720 --> 0:34:08.319
<v Speaker 2>is actually probably the right angle to take this. I

0:34:08.360 --> 0:34:11.000
<v Speaker 2>mean it is the right angle to take this. Man,

0:34:11.800 --> 0:34:19.360
<v Speaker 2>I felt so shitty in my life so many times.

0:34:19.880 --> 0:34:24.080
<v Speaker 2>The fact that you think that is a beautiful compliment,

0:34:24.160 --> 0:34:27.000
<v Speaker 2>and I accept it. But I can promise you, man,

0:34:27.320 --> 0:34:31.560
<v Speaker 2>there's no human emotion that you felt that I haven't felt.

0:34:31.920 --> 0:34:35.279
<v Speaker 2>There's no sense of rejection that anyone's I've ever met

0:34:35.360 --> 0:34:39.040
<v Speaker 2>felt that I haven't felt. I felt small, I felt unwanted,

0:34:39.160 --> 0:34:43.560
<v Speaker 2>I felt untalented. I felt hopeless, and that's just part

0:34:43.560 --> 0:34:46.880
<v Speaker 2>of the human experience. And I was homeless when I

0:34:46.920 --> 0:34:51.719
<v Speaker 2>started my acting career. I used to shower at the YMCA.

0:34:52.040 --> 0:34:54.600
<v Speaker 2>I used to take a bus from Montreal to Toronto overnight,

0:34:55.080 --> 0:34:57.400
<v Speaker 2>shower at the YMCA, go do an audition, and then

0:34:57.440 --> 0:34:59.640
<v Speaker 2>take the bus back. I used to live in this

0:35:00.040 --> 0:35:03.040
<v Speaker 2>I used to hop from like one apartment's friends to another.

0:35:03.640 --> 0:35:05.279
<v Speaker 2>And I remember in the winter, I got kicked out

0:35:05.280 --> 0:35:08.120
<v Speaker 2>of my friend's apartment because I overslept and I burnt

0:35:08.120 --> 0:35:10.719
<v Speaker 2>his sheets by accident on the heater and he's like, man,

0:35:10.719 --> 0:35:13.120
<v Speaker 2>you gotta go. We can't both sleep on a small mattress,

0:35:13.160 --> 0:35:15.440
<v Speaker 2>you know. And then I rented this place in this

0:35:16.360 --> 0:35:19.319
<v Speaker 2>kind of rough part of Toronto, and it was so

0:35:19.360 --> 0:35:21.640
<v Speaker 2>small the drawer wouldn't open because it would hit the

0:35:21.640 --> 0:35:24.879
<v Speaker 2>single bed. But I was happy because I was doing

0:35:24.880 --> 0:35:28.600
<v Speaker 2>what I loved. So yes to everyone out there. If

0:35:28.640 --> 0:35:32.720
<v Speaker 2>you've been broke, if you've been homeless, if you thought

0:35:32.760 --> 0:35:35.759
<v Speaker 2>that there was no way out, of course I felt it.

0:35:35.800 --> 0:35:40.960
<v Speaker 2>And I can promise you almost every single great person, actor,

0:35:41.000 --> 0:35:44.200
<v Speaker 2>anyone you've ever met, has felt it. So don't It's

0:35:44.280 --> 0:35:49.600
<v Speaker 2>not just you. Everybody feels it, and find a way to.

0:35:50.400 --> 0:35:55.160
<v Speaker 2>Like we said, go back to center, be grateful and

0:35:57.320 --> 0:36:01.319
<v Speaker 2>know that it's, you know, all part of life. You

0:36:01.360 --> 0:36:04.640
<v Speaker 2>know what I mean. I try not to reject it anymore.

0:36:04.640 --> 0:36:06.680
<v Speaker 2>When I feel that, I accept it. All right, this

0:36:06.719 --> 0:36:08.880
<v Speaker 2>is what I'm feeling. Here's what I'm gonna do about it,

0:36:08.880 --> 0:36:10.279
<v Speaker 2>Here's what I know to be true, Here's why I

0:36:10.360 --> 0:36:12.359
<v Speaker 2>know not to be true. And you move on, you.

0:36:12.320 --> 0:36:14.680
<v Speaker 1>Know, man, Hearing that from you, I think is gonna

0:36:14.680 --> 0:36:16.520
<v Speaker 1>help a lot of people because we don't always get

0:36:16.520 --> 0:36:19.600
<v Speaker 1>to hear that side of your truth and your story.

0:36:19.600 --> 0:36:21.799
<v Speaker 1>And think about it. When you're doing red carpets or

0:36:22.480 --> 0:36:24.640
<v Speaker 1>junk kets, you don't have time to go there and

0:36:24.640 --> 0:36:27.400
<v Speaker 1>talk about these things that are meaningful and important. Right,

0:36:27.480 --> 0:36:29.439
<v Speaker 1>it's all sound bite. That's why I started the show

0:36:29.480 --> 0:36:32.560
<v Speaker 1>Man because I like real connection. I cover red carpets,

0:36:32.600 --> 0:36:34.440
<v Speaker 1>I cover all that, and I'm like, I want to

0:36:34.680 --> 0:36:36.880
<v Speaker 1>sit down with people who I admire and who I

0:36:36.920 --> 0:36:39.320
<v Speaker 1>know a lot of people admire, and hear more about

0:36:39.360 --> 0:36:39.880
<v Speaker 1>your truth.

0:36:40.239 --> 0:36:43.120
<v Speaker 2>Dude, listen to it. You know, since we're speaking about that,

0:36:43.480 --> 0:36:45.880
<v Speaker 2>since we're taking the point of view of like someone

0:36:45.920 --> 0:36:49.040
<v Speaker 2>out there who's struggling, I can promise you where's my camera?

0:36:49.200 --> 0:36:49.800
<v Speaker 2>Is that my camera? With this?

0:36:49.800 --> 0:36:50.400
<v Speaker 1>That's your camera.

0:36:50.440 --> 0:36:55.120
<v Speaker 2>I can promise you. I felt as low as you've

0:36:55.160 --> 0:36:57.799
<v Speaker 2>ever felt. I can promise you that. And there's no

0:36:57.880 --> 0:36:59.560
<v Speaker 2>shame in that, you know what I mean. There's this

0:36:59.640 --> 0:37:02.920
<v Speaker 2>idea sometimes that like, you know, fake it till you

0:37:02.960 --> 0:37:05.880
<v Speaker 2>make it. Yeah, you don't go out there and spill

0:37:05.920 --> 0:37:08.879
<v Speaker 2>your beans to every single person, but know that you're

0:37:08.920 --> 0:37:12.520
<v Speaker 2>not alone. We all feel that way, dude. Life is complex. Man,

0:37:13.280 --> 0:37:15.880
<v Speaker 2>it's weird. We live in this society with these rules

0:37:15.920 --> 0:37:19.799
<v Speaker 2>and taxes and money and status and this and that.

0:37:20.280 --> 0:37:23.000
<v Speaker 2>You know, any any normal decent person would be like

0:37:23.239 --> 0:37:25.120
<v Speaker 2>take a pause and be like, this is kind of weird.

0:37:25.719 --> 0:37:28.480
<v Speaker 2>Is my value really based on how much money I make?

0:37:28.960 --> 0:37:31.439
<v Speaker 2>Is my value really based on how many followers I have?

0:37:31.960 --> 0:37:35.000
<v Speaker 2>Is my you know what? Where? So? And we're told

0:37:35.040 --> 0:37:37.880
<v Speaker 2>all these different things by businesses trying to sell us

0:37:37.920 --> 0:37:40.680
<v Speaker 2>different things, and it's hard not to believe it, especially

0:37:40.719 --> 0:37:43.600
<v Speaker 2>when we see it sort of manifests itself around us.

0:37:44.280 --> 0:37:47.960
<v Speaker 2>But I think ground yourself with value. Ask yourself what

0:37:48.000 --> 0:37:51.040
<v Speaker 2>do I value? You know? And if you can value

0:37:51.080 --> 0:37:53.479
<v Speaker 2>things that money can't buy or that other people can't

0:37:53.480 --> 0:37:56.840
<v Speaker 2>give you, like your integrity or whatever it is, then

0:37:57.000 --> 0:37:58.840
<v Speaker 2>then I think that's a good grounding place.

0:37:59.320 --> 0:38:03.279
<v Speaker 1>Man. I feel like I close every interview with a

0:38:03.360 --> 0:38:05.719
<v Speaker 1>question based off the title of my show. Yeah, And

0:38:05.800 --> 0:38:07.800
<v Speaker 1>I feel like we kind of had that conversation unless

0:38:07.840 --> 0:38:10.000
<v Speaker 1>something else comes to mind. But thank you for sharing

0:38:10.040 --> 0:38:12.160
<v Speaker 1>all of that and for being the reminder many of

0:38:12.200 --> 0:38:14.799
<v Speaker 1>us need at all different phases of our lives, no

0:38:14.800 --> 0:38:17.120
<v Speaker 1>matter how successful you might be or may not be.

0:38:17.239 --> 0:38:17.839
<v Speaker 1>It's it's something.

0:38:18.440 --> 0:38:21.560
<v Speaker 2>I had a horrible, little little incident two hours ago

0:38:21.560 --> 0:38:23.400
<v Speaker 2>where I just was like, oh man, this is this

0:38:23.480 --> 0:38:25.200
<v Speaker 2>thing I was doing. I was like, this is not working.

0:38:25.280 --> 0:38:25.920
<v Speaker 2>Isn't working?

0:38:26.080 --> 0:38:26.319
<v Speaker 1>Yeah?

0:38:26.520 --> 0:38:27.799
<v Speaker 2>And then you kind of snap out of it. And

0:38:27.920 --> 0:38:29.920
<v Speaker 2>it's it's life man, that you don't have to you

0:38:29.960 --> 0:38:31.680
<v Speaker 2>know what I mean? As long as you learn to

0:38:31.719 --> 0:38:33.240
<v Speaker 2>approach it with kindness, you're fine.

0:38:33.600 --> 0:38:35.399
<v Speaker 1>Yeah, well I have no doubt you do. You seem

0:38:35.400 --> 0:38:36.359
<v Speaker 1>to be I try, dude.

0:38:36.360 --> 0:38:38.319
<v Speaker 2>I hope I'm not giving the idea. I hope I'm

0:38:38.360 --> 0:38:40.399
<v Speaker 2>not giving the impression of being like a No, you're

0:38:40.440 --> 0:38:43.719
<v Speaker 2>not like like this for me.

0:38:43.800 --> 0:38:46.160
<v Speaker 1>Right, Yeah, we're works. We're all works in progress, exactly right.

0:38:46.200 --> 0:38:48.000
<v Speaker 1>We all try our best, but it's clear you do

0:38:48.080 --> 0:38:50.440
<v Speaker 1>try and you put your best try, which I think

0:38:50.480 --> 0:38:53.880
<v Speaker 1>is really cool. Man. To wrap up this portion of

0:38:53.920 --> 0:38:55.879
<v Speaker 1>the interview, the name of the shows. I've never said

0:38:55.880 --> 0:38:58.200
<v Speaker 1>this before. Yeah, as I was saying earlier, it was

0:38:58.200 --> 0:39:00.439
<v Speaker 1>born from this idea of walking away from these red

0:39:00.440 --> 0:39:02.440
<v Speaker 1>carpets that I will cover. And if I met you

0:39:02.520 --> 0:39:04.799
<v Speaker 1>on a carpet, it'd be for two minutes, and it's like,

0:39:04.880 --> 0:39:06.759
<v Speaker 1>what do we really get to talk about? Yeah? You

0:39:06.760 --> 0:39:08.760
<v Speaker 1>said little something about your character and why you're happy

0:39:08.760 --> 0:39:10.640
<v Speaker 1>to be here, and what do we really get to

0:39:10.680 --> 0:39:13.680
<v Speaker 1>talk about? So this show is born to bring artists

0:39:13.680 --> 0:39:17.480
<v Speaker 1>on and dive into conversation that says something. So every

0:39:18.120 --> 0:39:20.560
<v Speaker 1>every interview, I ask what is one thing you've never

0:39:20.600 --> 0:39:23.320
<v Speaker 1>said before, which basically just means, what's something that means

0:39:23.320 --> 0:39:26.120
<v Speaker 1>something to you that you want to leave us with today.

0:39:26.960 --> 0:39:29.200
<v Speaker 2>You know, I did think of that before coming here,

0:39:29.200 --> 0:39:31.600
<v Speaker 2>and I have my answer, but I'm trying to think

0:39:31.640 --> 0:39:40.560
<v Speaker 2>of something that we've discussed spark something new. So the

0:39:40.640 --> 0:39:42.799
<v Speaker 2>question is a negative, right, So I have to say

0:39:42.840 --> 0:39:46.879
<v Speaker 2>something the negative of what I want basically, right, because

0:39:46.880 --> 0:39:50.120
<v Speaker 2>you say something you've never said before, so my mind

0:39:50.160 --> 0:39:51.840
<v Speaker 2>goes to something I want to say, and then I

0:39:51.880 --> 0:39:57.080
<v Speaker 2>make it into a negative. So so I would say,

0:39:57.520 --> 0:40:02.840
<v Speaker 2>you will not be okay, tell me more, meaning you

0:40:02.960 --> 0:40:05.279
<v Speaker 2>will be okay. I will never say to you you

0:40:05.320 --> 0:40:05.759
<v Speaker 2>will not.

0:40:05.680 --> 0:40:08.040
<v Speaker 1>Be okay because you believe.

0:40:08.160 --> 0:40:09.239
<v Speaker 2>Because I believe you'll be okay.

0:40:09.480 --> 0:40:10.440
<v Speaker 1>Everyone will be okay.

0:40:10.520 --> 0:40:12.880
<v Speaker 2>I think you'll be okay. Yeah, I think it'll be okay.

0:40:13.480 --> 0:40:15.120
<v Speaker 2>At the end of the day. Take a deep breath,

0:40:15.120 --> 0:40:18.040
<v Speaker 2>and just you know, my father passed away in my arms,

0:40:18.320 --> 0:40:21.040
<v Speaker 2>and even in that moment, I realized it's gonna be

0:40:21.160 --> 0:40:24.280
<v Speaker 2>okay right then and there, Yeah, it's gonna it's okay.

0:40:24.719 --> 0:40:26.640
<v Speaker 2>It's it's you know what I mean. We're part of

0:40:26.640 --> 0:40:30.400
<v Speaker 2>something much bigger. That's the answer I had initially was

0:40:31.280 --> 0:40:34.000
<v Speaker 2>I don't believe we're part of something much bigger. That's

0:40:34.040 --> 0:40:36.279
<v Speaker 2>something I would never say, right, You see what I mean,

0:40:36.320 --> 0:40:38.560
<v Speaker 2>because I believe we're part of something bigger. But I

0:40:38.600 --> 0:40:41.680
<v Speaker 2>think because of the conversation is you won't be okay,

0:40:41.920 --> 0:40:44.279
<v Speaker 2>because I would never say that. If you hear me

0:40:44.320 --> 0:40:46.920
<v Speaker 2>say that to somebody, it's not me, right, because I

0:40:46.920 --> 0:40:49.279
<v Speaker 2>think you'll be okay, you know, just take a deep

0:40:49.280 --> 0:40:50.920
<v Speaker 2>breath and you're there. You're where you need to be.

0:40:52.080 --> 0:40:56.000
<v Speaker 1>Man. I kind of love this conversation more. Thank you,

0:40:56.080 --> 0:40:58.560
<v Speaker 1>Thank you for thank you for you know, showing us

0:40:58.560 --> 0:41:01.279
<v Speaker 1>a different side to you. And the world's gonna know

0:41:01.440 --> 0:41:05.279
<v Speaker 1>you very very soon as Scorpion, this badass villain, and

0:41:05.440 --> 0:41:08.880
<v Speaker 1>everyone's anticipating this role, and you've had such an impressive

0:41:08.880 --> 0:41:11.000
<v Speaker 1>body of work of course prior to that in seventy

0:41:11.040 --> 0:41:13.560
<v Speaker 1>two hours is out now. But I think it's cool

0:41:13.600 --> 0:41:16.960
<v Speaker 1>that we can hear who you are beyond all of that,

0:41:17.880 --> 0:41:20.480
<v Speaker 1>and we got to see that today, which is really awesome.

0:41:20.600 --> 0:41:23.160
<v Speaker 2>So I think I feel like we put Stephanie to sleep.

0:41:23.560 --> 0:41:26.680
<v Speaker 1>Stephanie loves if we have seventy wasn't happy we know

0:41:27.120 --> 0:41:27.520
<v Speaker 1>you are?

0:41:27.520 --> 0:41:29.239
<v Speaker 2>You looking at like TikTok videos or are you looking

0:41:29.280 --> 0:41:34.319
<v Speaker 2>at our monitors shot?

0:41:34.400 --> 0:41:37.800
<v Speaker 1>Looks good. That's right, Michael, Thank you for having me.

0:41:40.040 --> 0:41:43.560
<v Speaker 1>I've Never Said This Before is hosted by Me Tommy Diderio.

0:41:44.280 --> 0:41:48.520
<v Speaker 1>This podcast is executive produced by Andrew Puglisi at iHeartRadio

0:41:48.640 --> 0:41:52.960
<v Speaker 1>and by Me Tommy, with editing by Joshua Colaudney. I've

0:41:53.000 --> 0:41:55.400
<v Speaker 1>Never Said This Before is part of the Elvis Duran

0:41:55.480 --> 0:41:59.759
<v Speaker 1>podcast Network on iHeart Podcasts. For more rate review and

0:41:59.800 --> 0:42:02.759
<v Speaker 1>someubscribe to our show and if you liked this episode,

0:42:02.960 --> 0:42:06.360
<v Speaker 1>tell your friends. Until next time, I'm Tommy Didario