1 00:00:05,680 --> 00:00:27,480 Speaker 1: Mmmm, what up, Bro, We're back all the smoke season four. 2 00:00:27,840 --> 00:00:30,320 Speaker 1: My brother Matt when atl are doing our thing, Man, 3 00:00:30,400 --> 00:00:33,640 Speaker 1: having a wonderful day. Um, I've been out here a while, Matt. 4 00:00:33,840 --> 00:00:35,440 Speaker 1: I've been in Ah for a minute, and I got 5 00:00:35,520 --> 00:00:37,159 Speaker 1: to extended family. You know, I got a lot of 6 00:00:37,159 --> 00:00:39,960 Speaker 1: people that I got that. I'm not just saying that 7 00:00:40,280 --> 00:00:43,440 Speaker 1: I didn't ran across like I just spent Thanksgiving with 8 00:00:43,479 --> 00:00:47,839 Speaker 1: these motherfuckers. You know what I'm saying. Man, many the uncles. Yeah, 9 00:00:47,880 --> 00:00:50,400 Speaker 1: we didn't get it on. Like that's that's my real brothers. 10 00:00:50,400 --> 00:00:53,440 Speaker 1: You know what I'm saying, keep off. I said get 11 00:00:53,440 --> 00:00:54,920 Speaker 1: it on. I said get it on. I ain't gonna 12 00:00:54,960 --> 00:00:56,760 Speaker 1: do the family player. I said get it on. You 13 00:00:56,760 --> 00:00:58,080 Speaker 1: know what I'm I just said get it on. You 14 00:00:58,080 --> 00:00:59,320 Speaker 1: know what I'm saying. That's what we do. You know 15 00:00:59,360 --> 00:01:01,320 Speaker 1: what I'm saying. Even in times, you know, when I 16 00:01:01,360 --> 00:01:03,040 Speaker 1: when I need them, they really come through. So this 17 00:01:03,080 --> 00:01:04,720 Speaker 1: is my real family. And it's only right that I 18 00:01:04,760 --> 00:01:06,240 Speaker 1: have my nephew on the show because I can call 19 00:01:06,319 --> 00:01:08,760 Speaker 1: him my nephew because I'm real cool with it. Pops 20 00:01:08,760 --> 00:01:11,240 Speaker 1: in his uncle. So it's only right that we have 21 00:01:11,959 --> 00:01:17,920 Speaker 1: rich Homie in the building. Welcome time for right. You 22 00:01:17,959 --> 00:01:19,600 Speaker 1: know what I'm saying, overly do you know what over 23 00:01:19,720 --> 00:01:21,840 Speaker 1: do though? Man? Big fan of you know what I'm saying, 24 00:01:21,880 --> 00:01:25,040 Speaker 1: A big fan of y'all man from sport to the podcast. 25 00:01:25,080 --> 00:01:27,319 Speaker 1: You know what I'm saying this, Doe dope. Appreciate you 26 00:01:27,400 --> 00:01:29,800 Speaker 1: being hire man. Happen to me? Man, Yeah, go ahead? 27 00:01:30,760 --> 00:01:33,959 Speaker 1: What's new? You got a new project coming off? Yes, 28 00:01:34,040 --> 00:01:37,559 Speaker 1: what's new? Just getting back in that space man, standing 29 00:01:37,560 --> 00:01:40,040 Speaker 1: in that space then, you know, free spirited, free minded, 30 00:01:40,160 --> 00:01:42,120 Speaker 1: glad you back to hear you back when you really 31 00:01:42,120 --> 00:01:44,320 Speaker 1: ain't If you've been around here, you know you ain't left. 32 00:01:44,560 --> 00:01:46,600 Speaker 1: I would say, just being all the way indie, I 33 00:01:46,680 --> 00:01:48,400 Speaker 1: mean all the way end. You got a new approach. 34 00:01:48,640 --> 00:01:49,920 Speaker 1: Kind of feel like a new artist. You know what 35 00:01:49,920 --> 00:01:52,560 Speaker 1: I'm saying. I want to kind of rebuild some relationships. Um, 36 00:01:52,840 --> 00:01:54,960 Speaker 1: come on, just footing the game man, not looking at 37 00:01:55,000 --> 00:01:57,120 Speaker 1: my past and just looking at my forward. Man, you 38 00:01:57,160 --> 00:01:59,720 Speaker 1: know what I'm saying. Continue to make history man, one 39 00:01:59,760 --> 00:02:03,880 Speaker 1: day time man, that's all. Man. Tell us how rich 40 00:02:04,000 --> 00:02:08,359 Speaker 1: Homie entertainment came together? Rich Homie Entertainment came together might 41 00:02:08,360 --> 00:02:11,440 Speaker 1: have been like, uh ten years ago. I think it 42 00:02:11,520 --> 00:02:13,679 Speaker 1: was from my birthday of Christmas. My dad is like, 43 00:02:13,919 --> 00:02:15,800 Speaker 1: you know, everybody don't get you something. I want to 44 00:02:15,800 --> 00:02:18,080 Speaker 1: do something you can have forever. He end up saying 45 00:02:18,120 --> 00:02:19,760 Speaker 1: the name. I never forget. I don't remember if it 46 00:02:19,800 --> 00:02:22,239 Speaker 1: was birthday or Christmas, but I remember when he did, like, 47 00:02:22,280 --> 00:02:24,480 Speaker 1: I didn't really take it serious until we just went 48 00:02:24,520 --> 00:02:26,519 Speaker 1: indie like that. We can't just sign our self type 49 00:02:26,520 --> 00:02:28,240 Speaker 1: shn't know what you had when he first did it. 50 00:02:29,200 --> 00:02:32,880 Speaker 1: He don't really make senseless move. Yeah, you know what 51 00:02:32,919 --> 00:02:35,000 Speaker 1: I'm saying, Just like money coming in fast, I wouldn't 52 00:02:35,000 --> 00:02:36,520 Speaker 1: really study it, you know what I'm saying, But you 53 00:02:36,560 --> 00:02:39,320 Speaker 1: know it benefited ten years later, you know what I 54 00:02:39,320 --> 00:02:41,600 Speaker 1: mean in a big way, tremendous way and dependent way. 55 00:02:42,000 --> 00:02:44,520 Speaker 1: I mean, we get paid first. I feel like that's 56 00:02:44,600 --> 00:02:50,960 Speaker 1: most importantly, having creative control, like that's important. But at 57 00:02:50,960 --> 00:02:53,040 Speaker 1: the same time, like I don't want to shine, like 58 00:02:53,120 --> 00:02:55,200 Speaker 1: no new artist or that who made a deal might 59 00:02:55,240 --> 00:02:56,959 Speaker 1: be best for them, you know what I'm saying, It 60 00:02:57,040 --> 00:02:59,040 Speaker 1: just wasn't best for me and this part of my career, 61 00:02:59,400 --> 00:03:00,800 Speaker 1: you know what I mean. I don't have one. So 62 00:03:01,400 --> 00:03:04,120 Speaker 1: I like being Atlanta hip hop I've been. This is 63 00:03:04,160 --> 00:03:06,680 Speaker 1: two thousand and three Atlanta hip hop. You know, to 64 00:03:07,240 --> 00:03:09,560 Speaker 1: a lot of people may seem like, man, they support 65 00:03:09,560 --> 00:03:11,280 Speaker 1: each other, they love each other, and which is true 66 00:03:11,600 --> 00:03:14,520 Speaker 1: because for the most part, board it is. But Atlanta's 67 00:03:14,560 --> 00:03:17,200 Speaker 1: really taking the hit and with the hip hop space, 68 00:03:17,240 --> 00:03:18,880 Speaker 1: which you know what I'm saying with with with with 69 00:03:19,040 --> 00:03:22,440 Speaker 1: losing takeoff, yeah, and uh, you know, with all the 70 00:03:22,440 --> 00:03:24,400 Speaker 1: stuff that's going on with different rappers. You know what 71 00:03:24,400 --> 00:03:26,760 Speaker 1: I'm saying in there not the courthouse? What so what's 72 00:03:26,760 --> 00:03:29,920 Speaker 1: your take on the on the Atlanta look up hip hop? 73 00:03:30,040 --> 00:03:33,200 Speaker 1: Right now? You just gotta be careful what you say. 74 00:03:33,280 --> 00:03:35,760 Speaker 1: You know what I'm saying. Everybody listening, so be mindful 75 00:03:35,800 --> 00:03:37,040 Speaker 1: of what you put out. You know what I mean. 76 00:03:37,160 --> 00:03:38,920 Speaker 1: I said, that's the most important part. It starts in 77 00:03:38,920 --> 00:03:41,920 Speaker 1: the studio. It starts with influence around us, you know 78 00:03:41,960 --> 00:03:43,720 Speaker 1: what I mean. Not a lot of yes men. You 79 00:03:43,720 --> 00:03:45,839 Speaker 1: know what I'm saying, Like you gotta have some standout guys, 80 00:03:45,840 --> 00:03:47,320 Speaker 1: you know, a circle who can tell you know and 81 00:03:47,400 --> 00:03:50,280 Speaker 1: you're able to accept that note. You know, I hold 82 00:03:50,280 --> 00:03:52,400 Speaker 1: your accountable for sure. You know what I'm saying. Uh, 83 00:03:52,960 --> 00:03:54,640 Speaker 1: it's in a bad state of mind. Oh man, you 84 00:03:54,640 --> 00:03:56,320 Speaker 1: know what I'm saying. Free all the guys locked up. 85 00:03:56,320 --> 00:03:58,320 Speaker 1: You know what I'm saying, alright, to the ones we lost. 86 00:03:58,920 --> 00:04:01,480 Speaker 1: If even like when I was separating me from some 87 00:04:01,600 --> 00:04:03,600 Speaker 1: people in my life, at the time, I didn't understand, 88 00:04:03,720 --> 00:04:06,200 Speaker 1: You'll never know you through the storm while you're fighting 89 00:04:06,200 --> 00:04:09,720 Speaker 1: the storm, if you're just fighting survive. If so, now 90 00:04:09,840 --> 00:04:11,960 Speaker 1: just looking at the life. You know, God don't make mistakes. 91 00:04:12,440 --> 00:04:13,960 Speaker 1: I mean at first I didn't get it, but now 92 00:04:14,080 --> 00:04:16,159 Speaker 1: I don me you know, I mean, I'm just glad 93 00:04:16,160 --> 00:04:18,440 Speaker 1: he's separating me from some certain people in my life. Man, 94 00:04:18,440 --> 00:04:20,000 Speaker 1: and get me away from certain you know what I mean, 95 00:04:20,040 --> 00:04:23,479 Speaker 1: because now I've been I'm saying situations, if not worse, 96 00:04:24,160 --> 00:04:26,760 Speaker 1: I mean, I know me right if kind of normal? 97 00:04:26,839 --> 00:04:29,479 Speaker 1: Try to guy too. So I know you can't speak 98 00:04:29,520 --> 00:04:31,200 Speaker 1: too much on the situation of why I said, but 99 00:04:31,240 --> 00:04:34,720 Speaker 1: I know your foundation with your pops and the people 100 00:04:34,760 --> 00:04:38,880 Speaker 1: around you as we just talked about. Um, how does 101 00:04:38,920 --> 00:04:41,440 Speaker 1: it feel to be able to say that you're having longevity? 102 00:04:41,560 --> 00:04:43,119 Speaker 1: You know what I'm saying. You were able to escape 103 00:04:43,120 --> 00:04:45,680 Speaker 1: a lot of stuff that others are gone through. Man. 104 00:04:45,880 --> 00:04:50,440 Speaker 1: The biggest word I can use probably just blessed, um, 105 00:04:50,440 --> 00:04:55,000 Speaker 1: blessed man tremendously feel me but it comes. Like I 106 00:04:55,000 --> 00:04:57,359 Speaker 1: always said, come around your circle. Though, Man, days I 107 00:04:57,360 --> 00:05:00,000 Speaker 1: don't want to do it. My Circoleholm accountable, like you 108 00:05:00,080 --> 00:05:02,040 Speaker 1: signed up for this, we know would come with this. 109 00:05:02,760 --> 00:05:05,200 Speaker 1: If then you gotta think, like, Man, my kids getting older, 110 00:05:05,320 --> 00:05:08,960 Speaker 1: So I care about the message I'm giving out, Like 111 00:05:10,080 --> 00:05:12,240 Speaker 1: the music ain't gonna sound like some type of way. 112 00:05:12,279 --> 00:05:14,320 Speaker 1: And today I'm thirty three now, so I look at 113 00:05:14,360 --> 00:05:17,279 Speaker 1: things different, you know what I'm saying, Like my oldest 114 00:05:17,279 --> 00:05:19,960 Speaker 1: son being fifteen, my youngest being two. It's a big 115 00:05:21,040 --> 00:05:23,839 Speaker 1: age differential, but the missage the same. You know what 116 00:05:23,839 --> 00:05:27,719 Speaker 1: I'm saying, They out of trouble, feel man, like the 117 00:05:27,839 --> 00:05:30,040 Speaker 1: kids are the future. Man, the kids are the future. 118 00:05:30,400 --> 00:05:32,360 Speaker 1: So I'm like, I'm mindful of what I say. I'm 119 00:05:32,360 --> 00:05:34,400 Speaker 1: mindful of what they see. No one they're able to 120 00:05:34,520 --> 00:05:37,080 Speaker 1: age to just be able to Google me. I care 121 00:05:37,080 --> 00:05:39,279 Speaker 1: about that. I care will pop up and if I 122 00:05:39,279 --> 00:05:40,800 Speaker 1: can control the narts or let me do it in 123 00:05:40,839 --> 00:05:46,560 Speaker 1: the right way. Facts upcoming artists, You've been in this 124 00:05:46,600 --> 00:05:48,360 Speaker 1: in the game for a minute with a lot of success. 125 00:05:48,640 --> 00:05:51,120 Speaker 1: If a young artist is coming in the game, that 126 00:05:51,839 --> 00:05:54,320 Speaker 1: bump into you right now walking out this building. Hey, Corn, 127 00:05:54,360 --> 00:05:55,880 Speaker 1: give me some game right quick? What would you tell 128 00:05:55,920 --> 00:05:58,680 Speaker 1: him first? I will observe him before I give him 129 00:05:58,680 --> 00:06:00,400 Speaker 1: the game. See what this circle look like? You know 130 00:06:00,400 --> 00:06:02,200 Speaker 1: what I'm saying, Just look at it. Circles. You are 131 00:06:02,240 --> 00:06:04,160 Speaker 1: reflecting on your circle backs. I'm gonna look at it. 132 00:06:04,200 --> 00:06:06,360 Speaker 1: Circle that's gonna be depending on the answer I give them. 133 00:06:06,640 --> 00:06:09,520 Speaker 1: I'm saying, your circle look thorough, silid. Just get on 134 00:06:09,560 --> 00:06:12,440 Speaker 1: some gang like man, stay around some solid ones who 135 00:06:12,440 --> 00:06:14,960 Speaker 1: wanted more than you want, you know what I'm saying. Like, 136 00:06:15,040 --> 00:06:17,000 Speaker 1: even with being an artist, you're just the forefront. But 137 00:06:17,400 --> 00:06:19,360 Speaker 1: you got some people who are going hard every day 138 00:06:19,400 --> 00:06:21,640 Speaker 1: that people don't see. And I mean those are people 139 00:06:21,640 --> 00:06:23,400 Speaker 1: who matter to me, you know what I mean. So 140 00:06:23,440 --> 00:06:25,080 Speaker 1: it's just like, get around people who believe me more 141 00:06:25,120 --> 00:06:27,400 Speaker 1: than you believe me yourself, because I promise you it's 142 00:06:27,440 --> 00:06:29,040 Speaker 1: gonna be a whole lot of days you don't want 143 00:06:29,040 --> 00:06:30,520 Speaker 1: to do it. And that's when your team come in 144 00:06:30,520 --> 00:06:34,360 Speaker 1: to help. They push you and remind you and remind you. 145 00:06:34,640 --> 00:06:37,480 Speaker 1: If it's just that really for that reminder and to 146 00:06:37,600 --> 00:06:39,680 Speaker 1: keep pushing you know, I mean, just tell them to 147 00:06:39,680 --> 00:06:42,760 Speaker 1: stay sucker free, stay sucker free, and stay true to yourself. 148 00:06:42,920 --> 00:06:45,640 Speaker 1: I think that's the biggest part. Stay true to self. God, 149 00:06:45,680 --> 00:06:49,080 Speaker 1: say true to self. Talk about your upbringing out here, 150 00:06:49,800 --> 00:06:52,960 Speaker 1: I'm up bringing out of that Linel, I would say basically, 151 00:06:53,000 --> 00:06:56,000 Speaker 1: probably like any other kid growing up or you know, 152 00:06:56,080 --> 00:06:58,640 Speaker 1: we had had like the best of both worlds, Like 153 00:06:58,720 --> 00:07:01,560 Speaker 1: my dad always been a hustler. Mom's did what she 154 00:07:01,600 --> 00:07:05,799 Speaker 1: could to make it happen. So like shit, I depended 155 00:07:05,839 --> 00:07:09,520 Speaker 1: on family, like my little brothers, my little sister. That's 156 00:07:09,520 --> 00:07:14,600 Speaker 1: all we knew. UM played sports, uh from four to fourteen. 157 00:07:14,800 --> 00:07:17,880 Speaker 1: So I got to high school, I started smoking. Once 158 00:07:17,920 --> 00:07:20,480 Speaker 1: I started smoking, I wouldn't focused no more. But I wouldn't. 159 00:07:20,480 --> 00:07:24,800 Speaker 1: I wouldn't say that. I felt like guys started, you know, 160 00:07:24,880 --> 00:07:27,200 Speaker 1: leading me toward my real passion, which was music, because 161 00:07:27,200 --> 00:07:31,239 Speaker 1: it's something I always loved. Like you hoop, football, football, Well, 162 00:07:31,120 --> 00:07:35,400 Speaker 1: I played all three sports growing up. He was nice baseball, 163 00:07:35,480 --> 00:07:38,760 Speaker 1: baseball play center field of second base, Okay, lead I 164 00:07:38,880 --> 00:07:41,360 Speaker 1: got okay, Yes, he was nice. Yeah yeah, yeah yeah. 165 00:07:41,640 --> 00:07:43,600 Speaker 1: But like I said, you know, I started growing up 166 00:07:46,360 --> 00:07:47,960 Speaker 1: and I, like guy, had a wesh on and I 167 00:07:48,000 --> 00:07:50,400 Speaker 1: probably got my first carryoke man probably eight or nine. 168 00:07:51,480 --> 00:07:53,240 Speaker 1: But sports was the big thing then. You know what 169 00:07:53,280 --> 00:07:56,280 Speaker 1: I'm saying you're seeing King Griffid and Sounders like these 170 00:07:56,280 --> 00:08:00,200 Speaker 1: are my inspirations growing up, Barry Buns. It's like a right. 171 00:08:00,200 --> 00:08:02,760 Speaker 1: As I'm getting older, I'm just realized, like, damn corn, 172 00:08:02,840 --> 00:08:06,800 Speaker 1: you do play baseball like in Sami Social but Andrew Jones, 173 00:08:07,040 --> 00:08:09,880 Speaker 1: I realized, like these votes ain't war I'm from like 174 00:08:10,120 --> 00:08:12,640 Speaker 1: I think they Dominican, So it's like different. I'm just 175 00:08:12,680 --> 00:08:15,480 Speaker 1: really like looking at the percentages like like, ain't a 176 00:08:15,480 --> 00:08:18,440 Speaker 1: lot of bus in baseball, just really like I'm doing it. 177 00:08:18,480 --> 00:08:21,960 Speaker 1: I'm doing it like I'm doing the math, like yeah, 178 00:08:22,000 --> 00:08:23,520 Speaker 1: I don't know it's gonna work. And it sound like 179 00:08:23,600 --> 00:08:27,880 Speaker 1: ten grade and I'm grade. It's always it's quickly music, 180 00:08:27,960 --> 00:08:29,840 Speaker 1: Like that's what I look like. I quit the scene 181 00:08:30,520 --> 00:08:33,440 Speaker 1: to grade. Yeah, I quit nine coach. But when they 182 00:08:33,480 --> 00:08:35,839 Speaker 1: had the football coach as to head baseball coach, so 183 00:08:35,880 --> 00:08:37,720 Speaker 1: I felt like them too different, Like you can't come 184 00:08:37,720 --> 00:08:40,719 Speaker 1: on here screaming you gotta come on here with composure. Yeah, 185 00:08:40,760 --> 00:08:42,480 Speaker 1: you gotta come on here with a composure like you 186 00:08:42,559 --> 00:08:44,200 Speaker 1: out here, like you want to come on man. So 187 00:08:44,240 --> 00:08:45,679 Speaker 1: they just took a look about the game of me. 188 00:08:46,360 --> 00:08:48,280 Speaker 1: I just put my focus someone else and that was 189 00:08:48,320 --> 00:08:52,079 Speaker 1: with music. Man. That's when it became full time. I 190 00:08:52,120 --> 00:08:56,160 Speaker 1: would say public became full time man about twenty two, 191 00:08:56,640 --> 00:08:58,800 Speaker 1: twenty two, but I ain't really had no choice. It's 192 00:08:58,880 --> 00:09:02,600 Speaker 1: process of elimination. Then it was always just baseball and music. 193 00:09:02,679 --> 00:09:05,600 Speaker 1: And when I love not that I kind of tend 194 00:09:05,640 --> 00:09:07,520 Speaker 1: to give up, you know what I'm saying. So like 195 00:09:07,559 --> 00:09:09,520 Speaker 1: the love one that was baseball, and it was dealt 196 00:09:09,559 --> 00:09:11,120 Speaker 1: with the music because I hadn't really been through that, 197 00:09:11,200 --> 00:09:13,480 Speaker 1: you know what I mean. I was still going through 198 00:09:13,520 --> 00:09:15,520 Speaker 1: adversity being a twenty two yold. I hadn't really been 199 00:09:15,520 --> 00:09:17,959 Speaker 1: through nothing, nothing like that. But I knew I loved music, 200 00:09:18,200 --> 00:09:19,839 Speaker 1: so I just want to stay in studio, stand in 201 00:09:19,880 --> 00:09:23,280 Speaker 1: the studio with so much musical talent from this area. 202 00:09:23,320 --> 00:09:26,839 Speaker 1: Who were some of your earlier influences. It started off 203 00:09:26,840 --> 00:09:31,679 Speaker 1: with like Jeezy, Gucci Man, especially me going to Matt 204 00:09:31,720 --> 00:09:34,560 Speaker 1: and there like. That's when I really started listening to 205 00:09:34,640 --> 00:09:38,080 Speaker 1: music with my own ear um t I of course 206 00:09:38,960 --> 00:09:43,200 Speaker 1: a little boosey Um. I liked it some up North forep. 207 00:09:43,280 --> 00:09:46,720 Speaker 1: I like the Fabulies, I like the cam them, the swag. 208 00:09:46,800 --> 00:09:51,160 Speaker 1: So it was like a it wasn't just one set 209 00:09:51,240 --> 00:09:53,240 Speaker 1: tone of music. I was just a fan of great 210 00:09:53,280 --> 00:09:55,880 Speaker 1: music ship here. I like Hilo Ali Inn that was 211 00:09:55,880 --> 00:09:58,480 Speaker 1: like some old nineties bounce music Like that was dope 212 00:09:58,480 --> 00:10:00,760 Speaker 1: to me. I felt like that's always been sound in Alna, 213 00:10:00,840 --> 00:10:02,559 Speaker 1: like a if you go back to Kid Ali, like 214 00:10:02,559 --> 00:10:05,199 Speaker 1: a humanize and up tempo beat. I felt like, you know, 215 00:10:05,360 --> 00:10:08,520 Speaker 1: like skating music. That's what it was like. Jermaine Duprix 216 00:10:08,800 --> 00:10:12,520 Speaker 1: like least own Man, a lot of influence, big influence 217 00:10:12,600 --> 00:10:14,760 Speaker 1: and being here from a level, how was the process 218 00:10:14,800 --> 00:10:16,880 Speaker 1: getting the name out? The process is getting the name 219 00:10:16,880 --> 00:10:20,280 Speaker 1: out wasn't really hard because we were distributed through Venish, 220 00:10:20,559 --> 00:10:23,320 Speaker 1: so with a distribution label made things a lot easier. 221 00:10:23,360 --> 00:10:26,160 Speaker 1: And with them being like new partners, it was something 222 00:10:26,160 --> 00:10:28,760 Speaker 1: different from me or something new and it was a 223 00:10:28,760 --> 00:10:32,040 Speaker 1: part of the swort we hadn't saw, so we willing 224 00:10:32,080 --> 00:10:36,480 Speaker 1: to go in were given out all like we always 225 00:10:36,520 --> 00:10:39,360 Speaker 1: do in this new situation and still reaching the mask 226 00:10:40,080 --> 00:10:42,680 Speaker 1: by having like owning everything. I think that's what it 227 00:10:42,720 --> 00:10:45,400 Speaker 1: was about ownership in this part of my life. I 228 00:10:45,480 --> 00:10:49,520 Speaker 1: was big on ownership. Man who wouldn't want to like 229 00:10:49,520 --> 00:10:52,480 Speaker 1: I said eleven twelve years in so it's like I 230 00:10:52,520 --> 00:10:55,840 Speaker 1: think different, like I'm not the up and coming artist 231 00:10:55,920 --> 00:10:58,080 Speaker 1: No More that was on the double a Sale Freshman cover. 232 00:10:58,240 --> 00:11:00,760 Speaker 1: I think different. I see it different. I'm not gonna 233 00:11:00,760 --> 00:11:02,120 Speaker 1: even be in the same club that I was in 234 00:11:02,200 --> 00:11:04,600 Speaker 1: ten years ago, can't you know? I mean about evolved 235 00:11:04,600 --> 00:11:08,120 Speaker 1: in self, self evaluation and Baldo at all time. You 236 00:11:08,200 --> 00:11:10,160 Speaker 1: just spoke to the freshman cover who was on that 237 00:11:10,360 --> 00:11:14,240 Speaker 1: twenty fourteen Freshman Class cover with you let's see it 238 00:11:14,280 --> 00:11:19,079 Speaker 1: every day too. I think you had Kevin Gates on there, Uh, 239 00:11:20,000 --> 00:11:24,080 Speaker 1: Dirt August, I've seen him, Yeah, I remember, yeah, I 240 00:11:24,080 --> 00:11:27,839 Speaker 1: remember that. It was he was your favorite rapper on Yeah, 241 00:11:27,840 --> 00:11:29,880 Speaker 1: Todd Dollars sign was on there, Todd Dollars sign was 242 00:11:29,920 --> 00:11:32,600 Speaker 1: on there. They had Chance to rapper was on there. Yeah, 243 00:11:32,640 --> 00:11:36,480 Speaker 1: it was Yeah. That was crazy and I like, oh yeah, yeah, yeah, 244 00:11:36,480 --> 00:11:39,280 Speaker 1: that was dope. That was dope. And being from Atlanta, man, 245 00:11:39,320 --> 00:11:41,280 Speaker 1: I probably hadn't heard of the Freshman Yeah, probably like 246 00:11:41,440 --> 00:11:44,920 Speaker 1: Freshman Class like six months before that in Atlanta's cards 247 00:11:44,920 --> 00:11:47,440 Speaker 1: as like being our own bubble that's big in New 248 00:11:47,520 --> 00:11:51,240 Speaker 1: York and stuff. But that wasn't like it didn't matter, 249 00:11:51,480 --> 00:11:53,680 Speaker 1: So it was more like a political move or like 250 00:11:53,760 --> 00:11:56,360 Speaker 1: on the music side, like you know what I'm saying, 251 00:11:56,360 --> 00:11:59,320 Speaker 1: so it was big. I can't at like it went big, man. 252 00:12:00,080 --> 00:12:02,679 Speaker 1: I was just so in the days then like a 253 00:12:02,720 --> 00:12:04,679 Speaker 1: lot of this stuff be a blur, you know what 254 00:12:04,720 --> 00:12:07,320 Speaker 1: I'm saying. So ya like I just wanted to be 255 00:12:07,440 --> 00:12:10,120 Speaker 1: high and enjoy it, but it was going out so fast, 256 00:12:10,200 --> 00:12:12,760 Speaker 1: so like now just be trying to like enjoy the 257 00:12:12,800 --> 00:12:15,360 Speaker 1: moment and man, and I appreciate it because you know 258 00:12:15,360 --> 00:12:17,400 Speaker 1: what I'm like, you don't get these opportunities every day. 259 00:12:17,559 --> 00:12:19,560 Speaker 1: It was going it was going too crazy with some 260 00:12:19,600 --> 00:12:22,680 Speaker 1: type of way drop though, it was going crazy site, 261 00:12:22,720 --> 00:12:24,760 Speaker 1: it was crazy around that time. It was going crazy 262 00:12:33,440 --> 00:12:37,080 Speaker 1: that having that success had to rip, Like how was 263 00:12:37,120 --> 00:12:40,120 Speaker 1: that experiencing all that? Because because I was out here 264 00:12:40,400 --> 00:12:42,920 Speaker 1: with some type of way drop, Yeah, it was game changing, man, 265 00:12:43,040 --> 00:12:45,079 Speaker 1: And like on the back end, like you missed my mind. 266 00:12:45,920 --> 00:12:48,760 Speaker 1: You feel me like us at the time, like I 267 00:12:48,800 --> 00:12:50,640 Speaker 1: hadn't saw like no real chick, you know what I mean. 268 00:12:50,679 --> 00:12:52,599 Speaker 1: I was working, I knew what it was going, I 269 00:12:52,679 --> 00:12:55,040 Speaker 1: knew my potential, I knew my reach. But with some 270 00:12:55,120 --> 00:12:57,640 Speaker 1: type of weight game, it's just almost like it hit 271 00:12:57,679 --> 00:13:01,320 Speaker 1: a fast forward but fast like who might have went 272 00:13:01,400 --> 00:13:08,439 Speaker 1: from like five something albums like a forty So we're 273 00:13:08,440 --> 00:13:11,760 Speaker 1: doing this four times a week. Yeah, hold on them, 274 00:13:11,880 --> 00:13:14,160 Speaker 1: like I ain't even had a time to spend the month, 275 00:13:14,200 --> 00:13:16,640 Speaker 1: the earth, the money I got Friday at a man, 276 00:13:16,640 --> 00:13:20,080 Speaker 1: We're here again Sunday, and if not more so, like 277 00:13:20,120 --> 00:13:21,760 Speaker 1: the money start against him. You know what I'm saying. 278 00:13:21,800 --> 00:13:25,439 Speaker 1: I can't lie. I was big hided, like I was unfocused. 279 00:13:25,520 --> 00:13:27,839 Speaker 1: Like it went about the bars or the creativity. No 280 00:13:27,920 --> 00:13:30,400 Speaker 1: more us about how fresh we can get. Who can 281 00:13:30,440 --> 00:13:33,199 Speaker 1: spend the most money to me? You know what I'm saying, 282 00:13:33,840 --> 00:13:36,400 Speaker 1: Who were in the baddest girl? Or you know, I 283 00:13:36,480 --> 00:13:39,000 Speaker 1: just I wasn't. I wasn't focus at all, Like I 284 00:13:39,120 --> 00:13:42,480 Speaker 1: lost like I lost it. I was it was a mirage. 285 00:13:43,800 --> 00:13:49,160 Speaker 1: Twenty fifteen, you baby thug came up with rich gang, 286 00:13:50,120 --> 00:13:52,680 Speaker 1: had a huge smash shit and I'm still funny before 287 00:13:52,679 --> 00:13:55,360 Speaker 1: you leave. That was my twins favorite song. Like that 288 00:13:55,440 --> 00:13:57,200 Speaker 1: was the first song I let them cuss off so 289 00:13:57,240 --> 00:13:58,720 Speaker 1: they got to sing the whole song and I got 290 00:13:58,760 --> 00:14:00,679 Speaker 1: a video on Instagram My post the way back there, 291 00:14:00,760 --> 00:14:04,199 Speaker 1: so I'm gonna find it. But uh in sixth success 292 00:14:04,240 --> 00:14:10,160 Speaker 1: with that? What happened after that? Egos? Like I say, 293 00:14:10,200 --> 00:14:13,640 Speaker 1: the money, it's like it's after some type of way. 294 00:14:13,679 --> 00:14:22,760 Speaker 1: So I know I'm feeling myself first, first and foremost. 295 00:14:23,080 --> 00:14:24,840 Speaker 1: You gotta think like the first time I meet Bird 296 00:14:25,160 --> 00:14:27,880 Speaker 1: in Miami, I had just failed and bust my face 297 00:14:27,920 --> 00:14:31,480 Speaker 1: going to walk through video. Um boy, I thought it 298 00:14:31,600 --> 00:14:34,160 Speaker 1: might again like a sixty new weekend, so like I 299 00:14:34,200 --> 00:14:36,880 Speaker 1: still got stitches in my face. It's the first time 300 00:14:36,960 --> 00:14:39,400 Speaker 1: everybody ever put makeup on coming off in the midsty site. 301 00:14:39,760 --> 00:14:42,000 Speaker 1: It's a sixty boy. Think I go up in a 302 00:14:42,000 --> 00:14:44,400 Speaker 1: fifteen minute? Yeah, come on, So Bird come out to 303 00:14:44,440 --> 00:14:46,680 Speaker 1: the show. So after the show, Bird, I come out 304 00:14:46,680 --> 00:14:50,160 Speaker 1: to the studio. We'll go back to the studio. Hits factory, 305 00:14:50,640 --> 00:14:54,440 Speaker 1: Factory done. Hit the space bar first. Ang he played 306 00:14:54,880 --> 00:14:59,440 Speaker 1: Lifestyle first, first song. He played mental Lifestyle. But you 307 00:14:59,480 --> 00:15:01,960 Speaker 1: gotta thank me and already been working prior. I ain't. 308 00:15:02,000 --> 00:15:06,120 Speaker 1: I don't even know thought. I don't even know the hoops, 309 00:15:06,120 --> 00:15:08,080 Speaker 1: you know what I'm saying, Yeah, yeah, playing, I'm like 310 00:15:08,440 --> 00:15:10,760 Speaker 1: this out of here. I just remember like the first 311 00:15:10,760 --> 00:15:14,480 Speaker 1: time I heard like, yeah, it's like a different sound. 312 00:15:15,120 --> 00:15:17,600 Speaker 1: Bird was just so amp, Like I don't I hadn't 313 00:15:17,800 --> 00:15:20,240 Speaker 1: never seen an old man out that. It's so amp. 314 00:15:20,640 --> 00:15:23,000 Speaker 1: It brought the youth back out of it brought the 315 00:15:23,040 --> 00:15:25,040 Speaker 1: youth back out. I saw bird like side forty five 316 00:15:25,080 --> 00:15:30,080 Speaker 1: days straight after that, after that ego and that money man. 317 00:15:30,120 --> 00:15:31,480 Speaker 1: You know what I'm saying, the song like, Yeah, I 318 00:15:31,520 --> 00:15:33,880 Speaker 1: like that song has to set spash as well. Yeah, 319 00:15:34,040 --> 00:15:36,240 Speaker 1: so it's like now we're getting moment on top of 320 00:15:36,320 --> 00:15:40,680 Speaker 1: molding that whole album though crazy, this is even a 321 00:15:40,960 --> 00:15:43,160 Speaker 1: question of your pops. Y'all have to know that ship 322 00:15:43,240 --> 00:15:46,560 Speaker 1: was special. Man, them two together, that's some special ship. Man. 323 00:15:46,760 --> 00:15:49,760 Speaker 1: It didn't work, but that's some special ship, bro. But 324 00:15:49,800 --> 00:15:51,280 Speaker 1: it did. Though you can't say it that I mean 325 00:15:51,320 --> 00:15:53,720 Speaker 1: it wor yeah, we just didn't get more. Yeah, for sure, 326 00:15:54,200 --> 00:15:56,120 Speaker 1: let me say that because it damn it worked. You 327 00:15:56,120 --> 00:15:59,120 Speaker 1: know what I'm I'm hope I wake up on morning 328 00:15:59,120 --> 00:16:01,320 Speaker 1: and ship thix just to hear that sound, because that 329 00:16:01,440 --> 00:16:04,960 Speaker 1: sound is legendary. It can't nobody duplicate what y'all had, bro, 330 00:16:05,200 --> 00:16:07,680 Speaker 1: It's a lot of signs been duplicated right now. You 331 00:16:07,680 --> 00:16:10,880 Speaker 1: know what I'm saying that that album, the Bridge Game album. 332 00:16:11,160 --> 00:16:13,120 Speaker 1: Never I'm doing like collaborative tapes. Then when you look 333 00:16:13,160 --> 00:16:14,440 Speaker 1: at it, you know what I'm saying. So I'd just 334 00:16:14,480 --> 00:16:17,120 Speaker 1: be even looking at it from like a just a 335 00:16:17,200 --> 00:16:19,080 Speaker 1: cultural fit, just like you just see a lot of 336 00:16:19,080 --> 00:16:21,640 Speaker 1: collaborative tapes going on. Now, you know what I'm saying. 337 00:16:22,640 --> 00:16:24,600 Speaker 1: I mean, bro, it was always solo artist, but we 338 00:16:24,640 --> 00:16:28,280 Speaker 1: can't got to make the music strong, magical and it 339 00:16:28,320 --> 00:16:29,840 Speaker 1: was a feeling more than it was than it was 340 00:16:29,880 --> 00:16:32,440 Speaker 1: a sign. Yeah, you know what I'm saying, Yeah, feeling right. 341 00:16:32,840 --> 00:16:34,640 Speaker 1: How was life on the road and what's what's some 342 00:16:34,640 --> 00:16:36,640 Speaker 1: of your favorite cities to perform, man, because I know 343 00:16:36,720 --> 00:16:39,080 Speaker 1: you even hit everyone and man, I love the role man, 344 00:16:39,320 --> 00:16:42,800 Speaker 1: but I love home too. Somebody back ends, back end 345 00:16:42,880 --> 00:16:46,600 Speaker 1: know you're older me the money if I'm just like 346 00:16:46,640 --> 00:16:49,960 Speaker 1: to go. I love Houston, Yeah, I love I love 347 00:16:50,080 --> 00:16:53,080 Speaker 1: Houston man. Some about the girls in the food everything 348 00:16:53,160 --> 00:16:57,280 Speaker 1: big and usting too. Yeah everything. I love Houston. I 349 00:16:57,360 --> 00:17:00,720 Speaker 1: love Dallas. Um, I don't care we're at in Florida. 350 00:17:01,280 --> 00:17:04,120 Speaker 1: I wanna be in Florida, man, once a month. Uh. 351 00:17:04,600 --> 00:17:08,600 Speaker 1: I like the Carolinas. I like North Carolina. I don't 352 00:17:08,640 --> 00:17:11,480 Speaker 1: really like LA and none against La. It's a time differential. 353 00:17:11,520 --> 00:17:13,080 Speaker 1: I got from the A like, man, I'm gonna I 354 00:17:13,080 --> 00:17:14,840 Speaker 1: get over them falling to sleep at six o'clock and 355 00:17:14,920 --> 00:17:17,080 Speaker 1: I'm waking up at four in the morning by myself 356 00:17:17,160 --> 00:17:18,720 Speaker 1: New York. I just started like in New York a 357 00:17:18,760 --> 00:17:21,040 Speaker 1: little bit more. I'm adjusting to the way they moved 358 00:17:21,160 --> 00:17:23,920 Speaker 1: a little New York, specially like for the Drup girls. 359 00:17:23,960 --> 00:17:25,560 Speaker 1: I mean, but the food good and I like the 360 00:17:25,640 --> 00:17:29,520 Speaker 1: Drup you know what I'm saying, Uh, that's probably about it. 361 00:17:29,840 --> 00:17:32,720 Speaker 1: If I'm gonna spend my inn way out like esterday's Yeah, 362 00:17:33,280 --> 00:17:37,600 Speaker 1: Tesses on Florida, I saw, I see you ain't time 363 00:17:37,640 --> 00:17:40,199 Speaker 1: at Yeah, I ain't gonna lie like probably one of 364 00:17:40,200 --> 00:17:42,160 Speaker 1: my biggest markets. I just like, it's the people though. 365 00:17:42,960 --> 00:17:45,600 Speaker 1: It's the people. It's definitely the people through its whoever, 366 00:17:45,640 --> 00:17:47,160 Speaker 1: it's it's the people, you know what I mean. It's 367 00:17:48,080 --> 00:17:50,000 Speaker 1: especially when you came down that leak that was stunning 368 00:17:50,040 --> 00:17:52,640 Speaker 1: bound who was over Oh yeah, stunt man can't rule 369 00:17:52,680 --> 00:17:54,240 Speaker 1: it on the mind. Like to this day, I still 370 00:17:54,280 --> 00:17:56,680 Speaker 1: had those relationships, So I think that'd be more important 371 00:17:56,680 --> 00:17:58,720 Speaker 1: than like the you know what I'm saying, the money 372 00:17:58,800 --> 00:18:00,840 Speaker 1: aspect of it. I know I can go down at 373 00:18:00,840 --> 00:18:03,359 Speaker 1: any time and ask these cats forwardever pull up on 374 00:18:03,440 --> 00:18:05,600 Speaker 1: him and just enjoy talk about the memories we started off. 375 00:18:05,640 --> 00:18:07,560 Speaker 1: You know what I'm saying that you started with that'd 376 00:18:07,600 --> 00:18:10,879 Speaker 1: be the important part, man, is creating relationships in different cities. 377 00:18:10,920 --> 00:18:13,840 Speaker 1: Well you go, you know you're good? Yea, that's I 378 00:18:13,880 --> 00:18:15,399 Speaker 1: ain't gonna even shout no shit up. I know I 379 00:18:15,440 --> 00:18:19,240 Speaker 1: ain't good. They feel like home. So with your them 380 00:18:19,240 --> 00:18:21,800 Speaker 1: like that. Two questions, how how is it working with 381 00:18:21,880 --> 00:18:24,320 Speaker 1: London on the Track? And who is your favorite producer 382 00:18:24,359 --> 00:18:28,280 Speaker 1: to work with? Um? My favorite producer to work with. 383 00:18:28,600 --> 00:18:30,720 Speaker 1: I would have to say, like in house producers, any 384 00:18:30,760 --> 00:18:32,680 Speaker 1: producer that's gonna pull up with the pack of post 385 00:18:32,880 --> 00:18:39,760 Speaker 1: emailing it. It's a different vibe, it's a different field. Um, 386 00:18:39,960 --> 00:18:42,240 Speaker 1: London on the Track he cooled to work with when 387 00:18:42,280 --> 00:18:49,439 Speaker 1: he worked when he working with you replying talented, I 388 00:18:49,440 --> 00:18:52,240 Speaker 1: can't take the talent that I'm like dope as hell. 389 00:18:53,480 --> 00:18:55,159 Speaker 1: But it's just like a lot of stuff you do. 390 00:18:55,200 --> 00:18:57,240 Speaker 1: I just don't aglue. I ain't nobody stopped my bag 391 00:18:57,320 --> 00:18:59,480 Speaker 1: or stop me from making no money more. Yeah that 392 00:18:59,640 --> 00:19:03,639 Speaker 1: just no. Man, don't got that much control over me periodigardless. 393 00:19:03,840 --> 00:19:06,480 Speaker 1: Come on, bro, you know what I mean? So as 394 00:19:06,520 --> 00:19:08,360 Speaker 1: a man, I just certain things I can't respect the match. 395 00:19:08,440 --> 00:19:13,160 Speaker 1: But as a producer, yeah, I can't take away his talent. 396 00:19:13,200 --> 00:19:15,679 Speaker 1: You know what I mean him my little cousin is 397 00:19:16,000 --> 00:19:17,639 Speaker 1: he ain't from May till but he've been living in 398 00:19:17,680 --> 00:19:20,640 Speaker 1: for a while now. June June genius. Oh man, that's 399 00:19:20,680 --> 00:19:23,080 Speaker 1: my that's my real little cousin. That's my dog. Man. 400 00:19:23,119 --> 00:19:25,400 Speaker 1: What's so crazy? It's like you bring up June. That's 401 00:19:25,440 --> 00:19:27,880 Speaker 1: probably like that Dre. That's probably the only producer pack 402 00:19:27,880 --> 00:19:29,919 Speaker 1: I've been in like the last two months. We've been 403 00:19:30,359 --> 00:19:34,159 Speaker 1: so crazy. We've been going so crazy. And like I 404 00:19:34,240 --> 00:19:37,720 Speaker 1: met him through Ken ruling them. You know what I'm saying. Yeah, 405 00:19:38,200 --> 00:19:41,119 Speaker 1: it will look at them too. Yeah. Yeah, So that's that. 406 00:19:41,280 --> 00:19:45,080 Speaker 1: I don't even know. Y'all good, That's that's my bass family. Yeah, dog, 407 00:19:45,640 --> 00:19:47,840 Speaker 1: Can you talk to us about your right process? Like 408 00:19:47,920 --> 00:19:51,160 Speaker 1: do you write? Do you punch? What? Um? I definitely punch, 409 00:19:51,880 --> 00:19:55,960 Speaker 1: not real up process. Um, explain what punch your life mind? 410 00:19:55,960 --> 00:19:58,080 Speaker 1: I know what punch is, okay, so punching it is 411 00:19:58,280 --> 00:20:02,840 Speaker 1: basically what I consider punching is. Uh, starts with the 412 00:20:03,000 --> 00:20:05,720 Speaker 1: instrumental selection first, before we can punch anything. It starts 413 00:20:05,720 --> 00:20:08,280 Speaker 1: with the beat selection. The beat selection puts me in 414 00:20:08,280 --> 00:20:10,800 Speaker 1: the move, it sets the tone. I don't know what 415 00:20:10,840 --> 00:20:14,520 Speaker 1: I'm gonna talk about before anything. I don't premeditate it 416 00:20:14,600 --> 00:20:16,200 Speaker 1: or anything. Even if I knew if going to go 417 00:20:16,240 --> 00:20:17,720 Speaker 1: to the studio, I don't want to here. No, I 418 00:20:17,720 --> 00:20:19,960 Speaker 1: don't even run about this to the radio, feeling like 419 00:20:20,000 --> 00:20:21,520 Speaker 1: I don't know, I don't know what it is, Like 420 00:20:21,840 --> 00:20:24,040 Speaker 1: my mind are always working, like I don't never just 421 00:20:24,119 --> 00:20:27,439 Speaker 1: jot down notes. That'd be the artistry in it for me, 422 00:20:27,880 --> 00:20:31,399 Speaker 1: Like I really treated like a canvas and like start 423 00:20:31,440 --> 00:20:33,560 Speaker 1: from scratch. Yet start from scratch, and it starts with 424 00:20:33,600 --> 00:20:37,040 Speaker 1: the instrumental. That's the instrumental, like quick every time far 425 00:20:37,119 --> 00:20:38,800 Speaker 1: going to booth, I just my first line, Let's see 426 00:20:38,800 --> 00:20:40,679 Speaker 1: what's gonna come up with because I ain't thought about it, 427 00:20:40,760 --> 00:20:42,920 Speaker 1: like I don't know what I think. It just really 428 00:20:42,920 --> 00:20:45,080 Speaker 1: come off em motion. So when I'm plunting, when I 429 00:20:45,080 --> 00:20:47,320 Speaker 1: say plants, it's just I'm saying the first thing that 430 00:20:47,359 --> 00:20:51,320 Speaker 1: comes to my mind that that makes sense, not the 431 00:20:51,320 --> 00:20:52,960 Speaker 1: first thing to come up, the first thing that makes sense. 432 00:20:53,000 --> 00:20:54,520 Speaker 1: It holds a little value, and I feel like I 433 00:20:54,560 --> 00:20:56,800 Speaker 1: probably can scratch it a little bit or play with it. 434 00:20:56,880 --> 00:21:00,400 Speaker 1: Build on it for sure, build on it. Just keep 435 00:21:00,440 --> 00:21:04,080 Speaker 1: going a plank, just like it's a large freestyle yeah, 436 00:21:04,160 --> 00:21:08,320 Speaker 1: it's a big freestyle. Uh, it's a it's an edited 437 00:21:08,400 --> 00:21:12,040 Speaker 1: freestyle that you think about a little bit more. Yeah, 438 00:21:12,080 --> 00:21:15,200 Speaker 1: but I just enjoy punching better I did, right though. 439 00:21:15,240 --> 00:21:16,600 Speaker 1: I feel like when I write, I get a lottle 440 00:21:16,600 --> 00:21:20,600 Speaker 1: too in depth. Um, it was a time I felt 441 00:21:20,600 --> 00:21:22,640 Speaker 1: like I was like here rapping like Kendrick and none 442 00:21:22,760 --> 00:21:26,520 Speaker 1: none against They're gonna go in deep yeah yeah, and 443 00:21:26,520 --> 00:21:28,720 Speaker 1: then don't want to hear that sometimes, like with me 444 00:21:28,760 --> 00:21:31,000 Speaker 1: being in the city. Now you got that you gotta 445 00:21:31,040 --> 00:21:33,920 Speaker 1: get straight to the point and keep it moving. So 446 00:21:34,680 --> 00:21:38,560 Speaker 1: I get that out of punching. I love it though. 447 00:21:38,600 --> 00:21:41,479 Speaker 1: The process is beautiful, Like the process is beautiful, and 448 00:21:41,520 --> 00:21:44,040 Speaker 1: I haven't got bored with it and you know what 449 00:21:44,040 --> 00:21:46,760 Speaker 1: I mean, or tire, so I love it still. Yeah, 450 00:21:46,840 --> 00:21:50,000 Speaker 1: it's and I have done it forward, desking harder ship 451 00:21:50,040 --> 00:21:52,439 Speaker 1: to do man punch, Yeah, because you gotta make it 452 00:21:52,480 --> 00:21:54,680 Speaker 1: make sense while you're freestyle. You know what I'm saying. 453 00:21:54,680 --> 00:21:56,359 Speaker 1: You got you gotta know when to stop, and so 454 00:21:56,440 --> 00:21:57,960 Speaker 1: you gotta make all that shit makes sense. But so 455 00:21:58,040 --> 00:22:00,720 Speaker 1: by time that sixteen stop, all that shit sound like 456 00:22:00,720 --> 00:22:03,399 Speaker 1: you because it still got to sound like it's one. 457 00:22:03,520 --> 00:22:05,720 Speaker 1: Like if somebody can call you passion out. I feel 458 00:22:05,760 --> 00:22:07,400 Speaker 1: like you might were go in and try to write it. Yeah, 459 00:22:07,440 --> 00:22:09,000 Speaker 1: because like that's not the point of the plant. That 460 00:22:09,040 --> 00:22:12,199 Speaker 1: shouldn't better call like you changed right here, the emotional change. No, 461 00:22:12,760 --> 00:22:15,239 Speaker 1: you should never know any change. I'm just I just 462 00:22:15,280 --> 00:22:17,159 Speaker 1: gave you, just gave your cheek cold. Tell me you 463 00:22:17,200 --> 00:22:18,760 Speaker 1: who told you? I have have punched And all of the 464 00:22:18,800 --> 00:22:20,879 Speaker 1: best artists do it. Most of the best artists do it. 465 00:22:20,960 --> 00:22:23,359 Speaker 1: You know what I'm saying. Tune all who are your 466 00:22:23,400 --> 00:22:26,760 Speaker 1: favorite artists to collab? But if you have one, it 467 00:22:26,760 --> 00:22:29,560 Speaker 1: will probably have to be Wayne. And this was and 468 00:22:29,640 --> 00:22:32,680 Speaker 1: this was probably my biggest inspiration growing man from the 469 00:22:32,720 --> 00:22:36,800 Speaker 1: Bag of Pants, camouflaged growing my hat when I was little. Uh, 470 00:22:37,400 --> 00:22:40,240 Speaker 1: Wayne just had the impact. I'm probably get my first tattoo. 471 00:22:41,480 --> 00:22:43,800 Speaker 1: So the work on him was different. Once again, we 472 00:22:43,840 --> 00:22:46,320 Speaker 1: had to hit factory the foot of a bird, but 473 00:22:46,440 --> 00:22:51,040 Speaker 1: Wayne got like its own room. So what was like intriguing? 474 00:22:51,080 --> 00:22:54,840 Speaker 1: All that was just so different? We all punched, right, 475 00:22:55,800 --> 00:22:59,399 Speaker 1: Why ain't it different? Though? Like, like he don't just 476 00:22:59,480 --> 00:23:01,800 Speaker 1: go straight on the beat, like he got the skateboard 477 00:23:01,800 --> 00:23:04,040 Speaker 1: around in the booth. Yeah, so he didn't. I just 478 00:23:04,200 --> 00:23:08,199 Speaker 1: like I'm up all like a skateboard he wrapped like 479 00:23:08,240 --> 00:23:10,680 Speaker 1: what does he own? You know what I'm saying. Then 480 00:23:10,760 --> 00:23:12,600 Speaker 1: he go punch. He might do a whole eight ball 481 00:23:12,680 --> 00:23:16,080 Speaker 1: punch like want eight ball like and come at I'm 482 00:23:16,119 --> 00:23:23,320 Speaker 1: like hold on, yeah, we punch, and it just like 483 00:23:23,440 --> 00:23:26,159 Speaker 1: my respect him his work ethic and the way he 484 00:23:26,280 --> 00:23:28,200 Speaker 1: just coming up with like you know, think he wrote 485 00:23:28,240 --> 00:23:32,000 Speaker 1: the the line like the metaphors and a It was 486 00:23:32,080 --> 00:23:34,560 Speaker 1: more like teacher the student, like teacher the student. Man, 487 00:23:34,600 --> 00:23:38,080 Speaker 1: you know what I'm saying. I would dangers, he would 488 00:23:38,119 --> 00:23:42,199 Speaker 1: definitely miss me like I'm dead as shout out a 489 00:23:42,200 --> 00:23:44,880 Speaker 1: tune tune go to it like yeah, like then that's 490 00:23:44,920 --> 00:23:46,520 Speaker 1: what I'm saying. So it was like to be my 491 00:23:46,520 --> 00:23:50,159 Speaker 1: biggest inspiration and like this's ain't no email versee Like 492 00:23:50,359 --> 00:23:52,520 Speaker 1: I'm in the studio with them. So, like I said, 493 00:23:52,520 --> 00:23:54,040 Speaker 1: that's a different respect level. You know a lot of 494 00:23:54,040 --> 00:23:55,760 Speaker 1: people don't want you to see them work, you know 495 00:23:55,800 --> 00:23:57,840 Speaker 1: what I mean. They want to just high sound the 496 00:23:58,040 --> 00:24:00,560 Speaker 1: ending part like you know writers no right or no 497 00:24:00,680 --> 00:24:02,800 Speaker 1: writer with Wayne, no Rider, no none of that. M 498 00:24:03,280 --> 00:24:07,440 Speaker 1: you know y'all. Mm, he will goaded. He let me down, 499 00:24:07,640 --> 00:24:09,920 Speaker 1: He let me down. If it may have none bad 500 00:24:09,920 --> 00:24:14,880 Speaker 1: to say that. I'm gonna listen. Uh some names from 501 00:24:14,920 --> 00:24:16,720 Speaker 1: here and just first seem to come to mind, whether 502 00:24:16,840 --> 00:24:19,560 Speaker 1: a good story, someone you uh, someone you want to 503 00:24:19,560 --> 00:24:23,560 Speaker 1: work with, something you have worked with, outcasts out cash 504 00:24:23,800 --> 00:24:26,280 Speaker 1: or put a lane on the map, got an like 505 00:24:26,280 --> 00:24:29,480 Speaker 1: the recognition we need it and it's been up since. Yeah, 506 00:24:29,600 --> 00:24:32,040 Speaker 1: they got something to say, show that. Yeah, big dispiration 507 00:24:32,080 --> 00:24:45,119 Speaker 1: as well. Ti Till h expeditionally Man, t Coolest hell Man. 508 00:24:45,160 --> 00:24:47,199 Speaker 1: You got him on the show tomorrow. Yeah, Till Coolest 509 00:24:47,240 --> 00:24:49,639 Speaker 1: hell Man. Why he's gonna pull the words out. I 510 00:24:49,760 --> 00:24:52,480 Speaker 1: know Jack will stop and ask him too. If you 511 00:24:52,520 --> 00:24:54,520 Speaker 1: don't know. Jack always asked. We talked to people if 512 00:24:54,520 --> 00:24:57,560 Speaker 1: they say words Jack, but after what's that word? Yeah? 513 00:24:57,560 --> 00:24:59,720 Speaker 1: What they mean? I'm gonna ask. Look, I do too, 514 00:25:00,160 --> 00:25:03,320 Speaker 1: like Tip Coolest hell too, like Gin outside of music. Oh, 515 00:25:03,400 --> 00:25:06,200 Speaker 1: I was in New York kicking it. This my first 516 00:25:06,200 --> 00:25:07,800 Speaker 1: time I ever go. I've never been to a comedy show. 517 00:25:07,840 --> 00:25:09,760 Speaker 1: So you know he's like getting into comedy and stuff. Yeah, 518 00:25:09,800 --> 00:25:12,760 Speaker 1: so I'm not bad, ain't, but I'm in I'm laughing. 519 00:25:12,760 --> 00:25:14,520 Speaker 1: He was like corn. See they're different from a route show. 520 00:25:14,880 --> 00:25:17,480 Speaker 1: You can't be laughing like that. I'm I'm not knowing. 521 00:25:17,520 --> 00:25:22,520 Speaker 1: I'm just my man, like you know, like thet is 522 00:25:22,560 --> 00:25:24,359 Speaker 1: like you're like, Noah, Corn, this ain't like route. We 523 00:25:24,359 --> 00:25:30,399 Speaker 1: got to get chill. Yeah, I didn't know different shipcause like, 524 00:25:30,400 --> 00:25:32,760 Speaker 1: come on, man, I've never been to like coming. I 525 00:25:32,760 --> 00:25:34,480 Speaker 1: thought you just laugh every time you hear joke because 526 00:25:34,480 --> 00:25:37,200 Speaker 1: I was really I'm dying. I'm a little tipsy too. Yeah. Good. 527 00:25:37,280 --> 00:25:39,439 Speaker 1: She was funny. Yeah, and we're front of a in 528 00:25:39,440 --> 00:25:41,800 Speaker 1: New York. It's extra funny, you know what I'm saying. 529 00:25:41,800 --> 00:25:53,880 Speaker 1: So yeah two change to change later back stay high 530 00:25:53,880 --> 00:25:57,159 Speaker 1: statee fly m Yeah, stay high staate fly. You know 531 00:25:57,160 --> 00:26:03,560 Speaker 1: what I'm saying. Luda, Chris Luda Uh talented. Uh, Chris 532 00:26:03,640 --> 00:26:08,480 Speaker 1: love Lover. Uh, Chris Love on the radio. Yeah, Chris 533 00:26:08,480 --> 00:26:10,960 Speaker 1: Love Love. I've been at it too long. Yeah see 534 00:26:11,040 --> 00:26:12,720 Speaker 1: Chris Love Love. So I used to be on the radio. 535 00:26:14,240 --> 00:26:16,160 Speaker 1: They had a show like Chris Love lov and Poomed Day. 536 00:26:16,160 --> 00:26:17,880 Speaker 1: I forgot a radio station. It might have been ninety 537 00:26:17,880 --> 00:26:20,480 Speaker 1: seven point five at the time. Don't quote me though, 538 00:26:20,560 --> 00:26:22,359 Speaker 1: but he was big. That's when he was going to 539 00:26:22,400 --> 00:26:25,880 Speaker 1: bannaker Um and he's always you know, I think he's 540 00:26:25,880 --> 00:26:27,920 Speaker 1: from Chicago, but he's from the A. You know what 541 00:26:27,920 --> 00:26:30,639 Speaker 1: I'm saying, lutle, You know what I mean. I cunny, 542 00:26:31,359 --> 00:26:41,480 Speaker 1: I cunny geezy geezy Uh try out um gangster corporate 543 00:26:41,800 --> 00:26:45,000 Speaker 1: m you know, corporate shout out of jeezy Man. You 544 00:26:45,040 --> 00:26:46,480 Speaker 1: got my first look at it while I be on 545 00:26:47,240 --> 00:26:54,679 Speaker 1: Really yeah, Gucci Man, Gucci Man, Um Rocca, Holliday, um 546 00:26:54,800 --> 00:27:02,880 Speaker 1: A and r Um. You're from music, Uh innovate as 547 00:27:02,880 --> 00:27:09,399 Speaker 1: well trout um focused. I get. I know, I know 548 00:27:09,440 --> 00:27:11,360 Speaker 1: you're show because like I said, I know, I'm cool 549 00:27:11,359 --> 00:27:13,879 Speaker 1: with your pops on because them you've been You've just 550 00:27:14,000 --> 00:27:16,960 Speaker 1: been bigg in the real estate space for sure. How 551 00:27:16,960 --> 00:27:20,119 Speaker 1: did you get into that? Um I deal? Get in 552 00:27:20,119 --> 00:27:23,000 Speaker 1: the real estate? Oh? Just taking it buying houses a thought. 553 00:27:23,000 --> 00:27:25,560 Speaker 1: I bought my first house and after I sold it 554 00:27:25,600 --> 00:27:28,359 Speaker 1: for what I sold it for, just started, you know, 555 00:27:28,400 --> 00:27:32,160 Speaker 1: Atlanta start being like the black Hollywood. And Pat's gonna 556 00:27:32,160 --> 00:27:34,800 Speaker 1: stay on me man by making the right decision. Yeah, 557 00:27:34,880 --> 00:27:37,119 Speaker 1: you know what I'm saying. Whenever he pull you know, 558 00:27:37,119 --> 00:27:39,760 Speaker 1: if you pull your coat tail. Like I'm listening, I'm 559 00:27:39,760 --> 00:27:43,480 Speaker 1: two ears open and it's been a space side of love. Man. 560 00:27:43,640 --> 00:27:45,560 Speaker 1: You know what I'm saying, Just outside of music, where 561 00:27:45,600 --> 00:27:49,600 Speaker 1: I don't. I don't have to just depend on music, 562 00:27:50,320 --> 00:27:52,680 Speaker 1: you know what I mean? Of course music still, you 563 00:27:52,680 --> 00:27:54,399 Speaker 1: know what I'm saying. Cash some great chicks, but the 564 00:27:54,440 --> 00:27:56,879 Speaker 1: fact like I ain't just gotta depend on this. I 565 00:27:56,920 --> 00:28:00,400 Speaker 1: can get it elsewhere too, and it's fun. Some big 566 00:28:00,480 --> 00:28:04,960 Speaker 1: numbers too. Income Yeah, so yeah, multiple screens of income. Um. 567 00:28:06,200 --> 00:28:10,320 Speaker 1: Really just keep my brain working, man, never complacent. If 568 00:28:10,320 --> 00:28:13,240 Speaker 1: for me and then real estate, man, you don't lightning, 569 00:28:13,320 --> 00:28:17,400 Speaker 1: then you know what I'm not like, That's what I'm saying. 570 00:28:17,440 --> 00:28:20,399 Speaker 1: So for my my whole, my frame, I need license 571 00:28:20,680 --> 00:28:24,240 Speaker 1: like you don't like you know, man, say that paper, 572 00:28:24,280 --> 00:28:27,439 Speaker 1: so that paper, say you what's your goals for twenty 573 00:28:27,480 --> 00:28:32,119 Speaker 1: twenty three? Um, twenty twenty three? Uh won't be like 574 00:28:32,160 --> 00:28:34,600 Speaker 1: cellf goals Man, be a better meet, a better uh, 575 00:28:34,880 --> 00:28:37,200 Speaker 1: be a better parent, be a better sign, a better friend, 576 00:28:37,320 --> 00:28:42,760 Speaker 1: a better brother, a better artist, um, a better real 577 00:28:42,840 --> 00:28:49,240 Speaker 1: estate mogulum. You have the things that matter, like every 578 00:28:49,360 --> 00:28:51,360 Speaker 1: day stuff. Man, Like I ain't doing it for the ground. 579 00:28:51,440 --> 00:28:54,200 Speaker 1: I know I'm lit in real life. I ain't don 580 00:28:54,240 --> 00:28:56,520 Speaker 1: that for that, you know. I mean, if anybody is 581 00:28:56,560 --> 00:28:58,760 Speaker 1: specting more from coin on that side, you can't cancel it. 582 00:28:59,360 --> 00:29:04,040 Speaker 1: It's been Yeah, you have a pin tweet. Even when 583 00:29:04,040 --> 00:29:06,080 Speaker 1: a lot of y'all gave up on me, I never 584 00:29:06,080 --> 00:29:09,080 Speaker 1: stopped believing in myself. How do you reflect on that 585 00:29:09,160 --> 00:29:15,000 Speaker 1: to the day, that that gonna hold volumes forever um 586 00:29:16,240 --> 00:29:17,720 Speaker 1: And I don't even, I don't even. I don't remember 587 00:29:17,720 --> 00:29:20,040 Speaker 1: what year it was I tweeted that, but I remember 588 00:29:20,080 --> 00:29:22,960 Speaker 1: like it was yesterday, like one of the vulnerable stages too, 589 00:29:23,080 --> 00:29:26,200 Speaker 1: Like I don't know if I had the drops. I 590 00:29:26,200 --> 00:29:28,480 Speaker 1: ain't one of death is. I just felt some type 591 00:29:28,480 --> 00:29:30,880 Speaker 1: of weight, man, I was in my feelings. But I 592 00:29:30,920 --> 00:29:34,280 Speaker 1: still feel that way to the day. I still feel 593 00:29:34,280 --> 00:29:37,280 Speaker 1: that way to the day, man to the day kind 594 00:29:37,280 --> 00:29:38,520 Speaker 1: of on the end there with guy got for me, 595 00:29:38,560 --> 00:29:43,160 Speaker 1: man for me? Right, I ain't dependent on no man period. 596 00:29:43,640 --> 00:29:47,720 Speaker 1: You can control. If I can't control, I don't need 597 00:29:47,760 --> 00:29:51,120 Speaker 1: to be in there. Yeah yeah, all right, quick hitters. 598 00:29:51,160 --> 00:29:53,440 Speaker 1: First thing to come to mind. Let us not put 599 00:29:53,440 --> 00:29:56,240 Speaker 1: you in the spot right off the red top five 600 00:29:56,320 --> 00:30:00,240 Speaker 1: in Atlanta rappers in your opinion of all time damn yeah, 601 00:30:00,760 --> 00:30:08,840 Speaker 1: he said, damn all time toughing. We're gonna be steep, though, 602 00:30:10,800 --> 00:30:13,640 Speaker 1: I gotta go till no or no particular order, just 603 00:30:13,760 --> 00:30:20,320 Speaker 1: named five that's how you stay safe till out cash 604 00:30:20,360 --> 00:30:28,880 Speaker 1: this one, m jeez and Gucci. That's three. I got 605 00:30:28,880 --> 00:30:36,000 Speaker 1: two more the future. Look, baby, that's a fool five. 606 00:30:36,080 --> 00:30:38,680 Speaker 1: That's a fool five. That's a fool five. I take 607 00:30:38,760 --> 00:30:41,280 Speaker 1: that one. I'll take that one. Funniest thing that happened 608 00:30:41,280 --> 00:30:46,560 Speaker 1: to you recently, the funniest. Yeah, funniest thing Tony. That 609 00:30:46,720 --> 00:30:53,680 Speaker 1: was funny, he said, ripped my car wasn't funny. It was, 610 00:30:53,840 --> 00:30:55,840 Speaker 1: but I laughed at it because they were like, yeah, 611 00:30:55,880 --> 00:30:57,120 Speaker 1: but the car, you know how like it's a hell 612 00:30:57,160 --> 00:30:58,720 Speaker 1: cap of one, so it looked at worse than what 613 00:30:58,840 --> 00:31:00,720 Speaker 1: it was. Yeah, you know, And I told him like 614 00:31:01,640 --> 00:31:03,920 Speaker 1: I was a little tilt of trying to show out 615 00:31:04,960 --> 00:31:07,200 Speaker 1: I hit nobody. I hit the curse. So that was 616 00:31:07,240 --> 00:31:10,360 Speaker 1: definitely funny. Yeah. Yeah, if you saw the car, it 617 00:31:10,480 --> 00:31:13,440 Speaker 1: was definitely thought like trying to peel that. I didn't 618 00:31:13,440 --> 00:31:16,080 Speaker 1: try to peeled out feel out. Yeah, I was gonna 619 00:31:16,120 --> 00:31:18,320 Speaker 1: hit that curR miss on the accents. Yeah you know 620 00:31:18,320 --> 00:31:21,240 Speaker 1: what I'm saying. And the why about the kid off, 621 00:31:21,320 --> 00:31:23,800 Speaker 1: like how hard I hit it? Like I hit it. 622 00:31:23,880 --> 00:31:26,360 Speaker 1: I hit it that Coney pulled out to the hog 623 00:31:26,520 --> 00:31:28,360 Speaker 1: right man, Because I didn't even tell nobody, because I 624 00:31:28,400 --> 00:31:30,000 Speaker 1: know I ain't hit. Nobody want like to hit a run. 625 00:31:30,040 --> 00:31:32,160 Speaker 1: So he probably looked like man who ain't hitting and 626 00:31:32,240 --> 00:31:34,400 Speaker 1: just kept going on. I told like, no, I ain't 627 00:31:34,440 --> 00:31:37,960 Speaker 1: hit a run. I hit myself, made it home, and 628 00:31:38,080 --> 00:31:41,080 Speaker 1: I still made it home. You couldn't even move it, Drake, 629 00:31:41,320 --> 00:31:46,719 Speaker 1: How you even get the car here? Crying? I just 630 00:31:46,720 --> 00:31:51,400 Speaker 1: got in the rave man, I s yeah, I got 631 00:31:51,520 --> 00:31:53,760 Speaker 1: in the rave man. Just one of them sensible like 632 00:31:54,280 --> 00:31:57,760 Speaker 1: I did. I trucked out. Yeah, I tripped. Then I 633 00:31:57,840 --> 00:31:59,360 Speaker 1: had Jake out my girl. Had you got a rep 634 00:31:59,400 --> 00:32:02,440 Speaker 1: for him? For Chris? So I had semi written it in. 635 00:32:03,840 --> 00:32:07,560 Speaker 1: Well it was still well nobody, so like I double ridden, 636 00:32:07,800 --> 00:32:09,840 Speaker 1: feel like I double written and I was like yeah, 637 00:32:10,080 --> 00:32:12,480 Speaker 1: and I go through the shopper some this ain't it 638 00:32:13,400 --> 00:32:15,840 Speaker 1: a little rap kid coming out? She's not gonna appreciate 639 00:32:15,920 --> 00:32:20,600 Speaker 1: it if it ain't that been in the space for 640 00:32:20,680 --> 00:32:23,400 Speaker 1: a minute. Is there someone from the past or present 641 00:32:23,640 --> 00:32:26,320 Speaker 1: you'd like to do a collab with? Yeah? So if 642 00:32:26,360 --> 00:32:29,640 Speaker 1: I had to do a collad more so pass like 643 00:32:30,080 --> 00:32:34,160 Speaker 1: of Grapes, I like parking Biggie. I can have both 644 00:32:34,160 --> 00:32:35,720 Speaker 1: of them on one song out of me big Yeah, 645 00:32:36,120 --> 00:32:38,240 Speaker 1: I think I'm a more of a Biggie fan in pop, 646 00:32:38,840 --> 00:32:41,320 Speaker 1: but I love part like spots. I have to like 647 00:32:41,640 --> 00:32:45,480 Speaker 1: differentiate the two pop more if I want to get 648 00:32:45,600 --> 00:32:49,640 Speaker 1: more like Malcolm Mixie more politically, not more politically well 649 00:32:49,760 --> 00:32:52,120 Speaker 1: like no so I want to say something controversially, but 650 00:32:52,280 --> 00:32:55,360 Speaker 1: get my point across Biggie more fly more player with 651 00:32:55,640 --> 00:32:58,840 Speaker 1: saying it. M you know what I'm saying, like, especially 652 00:32:58,880 --> 00:33:02,160 Speaker 1: when it came to roup like the three bars like 653 00:33:02,920 --> 00:33:06,680 Speaker 1: Cadence and it was you could just tell like Bigger 654 00:33:08,360 --> 00:33:11,840 Speaker 1: went on to play with. Yeah, so one show, a 655 00:33:11,960 --> 00:33:17,040 Speaker 1: movie you can watch on repeat, one show or a movie. Yeah, um, 656 00:33:18,280 --> 00:33:20,840 Speaker 1: I don't not no particular show. But I just like 657 00:33:20,960 --> 00:33:23,960 Speaker 1: watching like documentaries. I can watch them all day. Man, 658 00:33:24,880 --> 00:33:28,600 Speaker 1: I don't feel I feel like they real again somethinghell 659 00:33:28,760 --> 00:33:30,640 Speaker 1: and I try to get like an influence from any 660 00:33:30,640 --> 00:33:32,880 Speaker 1: type of documentary I watch, you know what I'm saying, 661 00:33:33,000 --> 00:33:35,840 Speaker 1: like any type. I don't like a lot of movie documentaries. 662 00:33:36,440 --> 00:33:38,400 Speaker 1: I like movie movies, like my favorite movie All Time 663 00:33:38,440 --> 00:33:41,360 Speaker 1: to watch Anytime, Temptation or The fire Heartbeats. Don't want 664 00:33:41,400 --> 00:33:44,520 Speaker 1: to warn you. You're like nobody to come and see 665 00:33:44,520 --> 00:33:47,680 Speaker 1: you oldis Come on, man, come on, I come and 666 00:33:47,720 --> 00:33:51,920 Speaker 1: see you oldish. That's like five great, great, five dinner 667 00:33:52,000 --> 00:33:58,240 Speaker 1: guests that are alive. Five dinner guess Okay, I'm gonna 668 00:33:58,280 --> 00:34:00,560 Speaker 1: say jay Z, but I probably take the fire a thousand. 669 00:34:02,320 --> 00:34:05,960 Speaker 1: But there's my dinner, my spot. You know, I'm gonna 670 00:34:05,960 --> 00:34:09,440 Speaker 1: say jay I want Richard Prior though good one, and 671 00:34:09,600 --> 00:34:20,360 Speaker 1: my man h Andie Murphy nice. Um, I mean that 672 00:34:20,560 --> 00:34:29,279 Speaker 1: is two. So that's two. Uh, Jada Jada Pickett. I 673 00:34:29,440 --> 00:34:36,080 Speaker 1: gotta pick up brain man, mm hmm. Stacy Dash, we 674 00:34:36,160 --> 00:34:39,000 Speaker 1: gotta see what she all see if you could bring 675 00:34:39,080 --> 00:34:43,279 Speaker 1: her back? She gone this cluely Stacy Dash, I'm still 676 00:34:43,360 --> 00:34:45,560 Speaker 1: like he like, I'm going back to the light. When 677 00:34:45,600 --> 00:34:49,680 Speaker 1: I said Jayda, I'm thinking a low down saint. Come 678 00:34:49,719 --> 00:34:52,320 Speaker 1: on now. Yeah, So I gotta say, what what got you? 679 00:34:52,400 --> 00:34:57,120 Speaker 1: Are you at? You feel me? Uh? Nick Cannon mm hmm. 680 00:34:57,400 --> 00:35:02,480 Speaker 1: Bit fan of Nick Nigga's dope and he hustling, Oh man, 681 00:35:02,600 --> 00:35:05,440 Speaker 1: like Nick? So clear? Why man? Why I'm not man? 682 00:35:05,600 --> 00:35:08,320 Speaker 1: They don't call three times a year for show, and 683 00:35:08,400 --> 00:35:10,359 Speaker 1: they're gonna be big like Nick, ain't low bounding them? 684 00:35:10,440 --> 00:35:15,480 Speaker 1: Now what you want? M put up? Who would you 685 00:35:15,600 --> 00:35:19,439 Speaker 1: like to see on our show? But whoever you would 686 00:35:19,480 --> 00:35:21,480 Speaker 1: like to see. You have to help us get them 687 00:35:21,520 --> 00:35:26,319 Speaker 1: on the show. Okay, uh yea, I had the baby. 688 00:35:26,360 --> 00:35:29,560 Speaker 1: Ye na. We need them than we are. We need 689 00:35:30,239 --> 00:35:33,080 Speaker 1: that'll be dope. You gotta make that happen. I'm gonna 690 00:35:33,080 --> 00:35:40,359 Speaker 1: trying to bad promises. I'm trying, man. We appreciate your 691 00:35:40,400 --> 00:35:42,560 Speaker 1: time today for stopping by. We got some merch for you. 692 00:35:42,880 --> 00:35:45,759 Speaker 1: I appreciate that. Man workdn't get that at all. The 693 00:35:45,880 --> 00:35:48,359 Speaker 1: Smoke Dots store. If you want to be fly like us, 694 00:35:48,800 --> 00:35:51,040 Speaker 1: just getting go on your search baring dot all the 695 00:35:51,160 --> 00:35:53,319 Speaker 1: Smoke Dots store and you can be fresh as well. 696 00:35:53,680 --> 00:35:56,520 Speaker 1: Close us out, take us home, hey man. Shout out 697 00:35:56,560 --> 00:35:59,640 Speaker 1: to my nephew rich On me Kuan. New music out now, 698 00:35:59,760 --> 00:36:02,480 Speaker 1: go getting new visuals out now as well. Go get it. 699 00:36:02,960 --> 00:36:04,960 Speaker 1: He will be at a city near you. He just 700 00:36:05,000 --> 00:36:07,799 Speaker 1: did a show to a couple of days yesterday day 701 00:36:07,840 --> 00:36:12,000 Speaker 1: for yesterday. He back touring. He's back hundred sent back 702 00:36:12,400 --> 00:36:17,640 Speaker 1: all the smoke, my brother Matt atl We'll see y'all soon. Peace. 703 00:36:18,280 --> 00:36:20,320 Speaker 1: You gotta do the other part though. This by somebody 704 00:36:20,560 --> 00:36:23,920 Speaker 1: time basketball YouTube and the I heard platform black effect. 705 00:36:24,080 --> 00:36:29,680 Speaker 1: Yeah you getting there thought, see y'all next. Week,